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There are many games available in the best AAMS platforms, able to meet the needs of any type of user, both beginners and the most experienced. There is something for practically all tastes. We provide information on all of them here. | 2023-14/0000/en_head.json.gz/3400 | {"url": "http://www.refugedulautaret.com/about-us/", "partition": "head_middle", "language": "en", "source_domain": "www.refugedulautaret.com", "date_download": "2023-03-20T10:15:04Z", "digest": "sha1:AQEXAUHTKGQEU5ZONBDERXXRZR5TZMVW"} | {"ccnet_length": [[0, 234, 234.0]], "ccnet_original_length": [[0, 234, 1080.0]], "ccnet_nlines": [[0, 234, 1.0]], "ccnet_original_nlines": [[0, 234, 53.0]], "ccnet_language_score": [[0, 234, 0.97]], "ccnet_perplexity": [[0, 234, 133.7]], "ccnet_bucket": [[0, 234, 0.0]], "rps_doc_curly_bracket": [[0, 234, 0.0]], "rps_doc_ldnoobw_words": [[0, 234, 0.0]], "rps_doc_lorem_ipsum": [[0, 234, 0.0]], "rps_doc_stop_word_fraction": [[0, 234, 0.56521739]], "rps_doc_ut1_blacklist": [[0, 234, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 234, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 234, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 234, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 234, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 234, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 234, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 234, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 234, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 234, 0.0]], "rps_doc_frac_all_caps_words": [[0, 234, 0.02173913]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 234, 0.0]], "rps_doc_frac_no_alph_words": [[0, 234, 0.10869565]], "rps_doc_frac_unique_words": [[0, 234, 0.85365854]], "rps_doc_mean_word_length": [[0, 234, 4.6097561]], "rps_doc_symbol_to_word_ratio": [[0, 234, 0.0]], "rps_doc_unigram_entropy": [[0, 234, 3.48517542]], "rps_doc_word_count": [[0, 234, 41.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 234, 1.0]], "rps_lines_javascript_counts": [[0, 234, 0.0]], "rps_lines_num_words": [[0, 234, 41.0]], "rps_lines_numerical_chars_fraction": [[0, 234, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 234, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 234, 0.02991453]], "rps_doc_ml_palm_score": [[0, 234, 0.02155137]], "rps_doc_ml_wikipedia_score": [[0, 234, null]], "rps_doc_ml_wikiref_score": [[0, 234, -1.001e-05]], "rps_doc_books_importance": [[0, 234, -7.96763019]], "rps_doc_openwebtext_importance": [[0, 234, 1.24421188]], "rps_doc_wikipedia_importance": [[0, 234, -13.52453946]], "rps_doc_num_sentences": [[0, 234, 3.0]]} |
What We’re Watching: Big Shot on Disney+
May 20, 2021 Nicole Brady
For many years, our viewing habits have fallen into one of three categories: 1) Something on the DVR, 2) Random reruns of anything from Bonanza to The Big Bang Theory or 3) News. Seldom did we channel surf looking for new shows to watch. If it was something on our radar then we added it to the DVR and watched it when we had time. (See option #1 above.) Ever since we cancelled our DirecTV service, we’ve been leaning more on many different streaming services available. We’re longtime patrons of Netflix (anyone else remember their mailing service, rearranging your queue when something new was released then hoping it showed up in the mail?) and are in the Disney+ Founders Circle. In the past couple of years, we have since added AppleTV+ and Paramount+ (formerly CBS Interactive) to our list. Between all these streaming services, we’re finding plenty of gems to watch.
One of the best TV shows I’ve seen in a long time is Ted Lasso. Filled with positive messages in the face of adversity, it’s something every person should watch. A couple weeks ago, we started watching Big Shot on Disney+ and it’s the complete opposite coaching style from Ted Lasso. It’s about a basketball coach (John Stamos) who was ousted from his long-running, highly successful job as an NCAA coach and accepts a position as the head coach of the team at an elite all-girl high school in Southern California. He has an attitude, but it’s nothing like the chipper football coach we all love. Check out the trailer to get a taste:
The cast includes seasoned actors including John Stamos (you know, Uncle Jesse on Full House), Jessalyn Gilsig (Glee) and Yvette Nicole Brown (Community, Mom) but is packed with young talent. I was working on setting up some interviews and the publicist asked if I was interested in connecting with anyone in particular. While we weren’t able to finalize the details before publication of this article, I realized that there wasn’t one specific member of the team with a role that is standing out from others. It’s very balanced between different types of personalities that seem very aligned with those I witness at my daughters’ high school. Boisterous, confident, sassy, shy, flirtatious, confused and overwhelmed are a few of the characteristics that you see in these roles and it works because it’s real. You see people being petty, others being bullies, and true cheering sections both on the court and off.
Beyond all that, the show is about a coach. Someone who is an exemplary example of a perfectionist, win-at-all-costs jerk. As I said, it isn’t Ted Lasso, but it works in a completely different way. That’s because there’s more going on that meets the eye. The show is about growth, learning and about being who you need to be, even if it means people don’t like you. But it’s also about looking below the surface because you cannot judge someone unless you’ve walked in their shoes.
I fully expected to dislike Coach Korn as much as I like Ted Lasso, but I was wrong. His character is that of a flawed, but admirable individual. As his character continues to develop from one episode to the next, I’m enjoying how they are showcasing the relationships he is developing with the principal, assistant coach, counselor, teachers, students and even his daughter. As the parent of two high school daughters, I know it isn’t easy to navigate through their emotions, hormones, stress, struggles with class workload and so much more. There are a lot of lessons about life in Big Shot which is part of what why you should tune in.
Have you watched any episodes of Big Shot yet?
Tags: Disney, Streaming Video, TV Series
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20 thoughts on “What We’re Watching: Big Shot on Disney+”
Josh Christian says:
Haven’t seen it… we’ll see if it sparks interest with the kids.
Alex Reynolds says:
Haven’t seen it yet, but am certainly a sucker for basketball.
Haven’t watched it yet, looks good
I’m not really interested. Not a sports guy.
I have not seen it yet but sound like it might be a good show
I have not seen it yet .
THEODORE RICHTER says:
Haven’t seen it yet, but my daughter would be really interested. Will give it a shot for sure
I haven’t heard of any of these shows. I certainly would have checked out a show with John Stamos in it. We still have Direct TV.
Tim French says:
I have not seen it and I think there is so many other things ahead of it but maybe later
Brenden says:
I haven’t watched!
I haven’t seen this yet, but it looks like a lot of fun. Thanks for posting!
Bennet Rosenthal says:
Haven’t seen it. Usually not attracted to sports-themed shows, but the team of Brad Garrett, David E. Kelley, & Dean Lorey piques my interest.
Haven’t seen it
I haven’t seen it yet, but I’m interested. So far I’ve pretty much only used Disney+ for Marvel shows.
GerardSM says:
Not my cup of tea
Buddy Garrett says:
I haven’t watched it but the previews have been positive.
James Hamilton says:
I’m no longer watch things with John Stamos in them.
I haven’t watched it yet but can’t wait to!
Judy Rittenhouse says:
I haven’t seen it yet, but I need to check it out!
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How Is Remote Work Changing Homebuyer Needs?
With more companies figuring out how to efficiently and effectively enable their employees to work remotely (and for longer than most of us initially expected), homeowners throughout the country are re-evaluating their needs. Do I still need to live close to my company’s office building? Do I need a larger home with more office space? Would making a move to the suburbs make more sense for my family? All of these questions are on the table for many Americans as we ride the wave of the current health crisis and consider evolving homeownership needs.
According to George Ratiu, Senior Economist for realtor.com:
“The ability to work remotely is expanding home shoppers’ geographic options and driving their motivation to buy, even if it means a longer commute, at least in the short term…Although it’s too early to tell what long-term impact the COVID-era of remote work will have on housing, it’s clear that the pandemic is shaping how people live and work under the same roof.”
Working remotely is definitely changing how Americans spend their time at home, and also how they use their available square footage. Homeowners aren’t just looking for a room for a home office, either. The desire to have a home gym, an updated kitchen, and more space in general – indoor and outdoor – are all key factors motivating some buyers to change their home search parameters.
A recent realtor.com-HarrisX survey indicates:
“In a June poll of 2,000 potential home shoppers who indicated plans to make a purchase in the next year, 63% of those currently working from home stated their potential purchase was a result of their ability to work remotely, while nearly 40% [of] that number expected to purchase a home within four to six months and 13% said changes related to pandemic fueled their interest in buying a new home.
Clearly, Americans are thinking differently about homeownership today, and through a new lens. The National Association of Home Builders (NAHB) notes:
“New single-family home sales jumped in June, as housing demand was supported by low interest rates, a renewed consumer focus on the importance of housing, and rising demand in lower-density markets like suburbs and exurbs.”
Through these challenging times, you may have found your home becoming your office, your children’s classroom, your workout facility, and your family’s safe haven. This has quickly shifted what home truly means to many American families. More than ever, having a place to focus on professional productivity while many competing priorities (and distractions!) are knocking on your door is challenging homeowners to get creative, use space wisely, and ultimately find a place where all of these essential needs can realistically be met. In many cases, a new home is the best option.
In today’s real estate market, making a move while mortgage rates are hovering at historic lows may enable you to purchase more home for your money, just when you and your family need it most.
If your personal and professional needs have changed and you’re ready to accommodate all of your family’s competing priorities, reach out to a local real estate professional today. Making a move into a larger home may be exactly what you need to set your family up for optimal long-term success.
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Useful Idioms in English
Idioms are expressions that go beyond the literal meaning. Understanding idioms is helpful in everyday conversation and conversing in a work environment. It can cause confusion in conversation if a listener does not understand what a speaker is saying. There are so many different idioms that you can come across in a given day.
I have included some below that you can practice and learn to use. You can try to create sentences with the new idioms.
1. Hang in there
Not to give up
This idiom can stand alone or can be put into a sentence. e.g. You can do it. Just hang in there.
2. Under the weather
Not feeling well, feeling sick
e.g. Today I'm feeling under the weather, so I will not be able to come in for work.
3. Take a rain check
Postpone plans for another time
e.g. Is it okay if I take a raincheck? I already have plans tonight.
4. See eye to eye
To have the same opinion or agree with someone else
e.g. My mom and I don't see eye to eye.
5. Burn bridges
To damage or destroy relationships
e.g. I don't want to burn my bridges by leaving before my job assignment is completed.
6. On the right track
Going in the right direction
e.g. I think you are on the right track with __________.
7. On the same page
be in a agreement
e.g. Since this is an important event, we need to make sure everyone is on the same page.
8. Once in a blue moon
To do something rarely or not very often
e.g. Once in a blue moon, I like to go camping in the mountains, where it is peaceful.
9. Out of the loop
Being unaware of what the current situation is or what's going on
e.g. I didn't know Lily got married. I've been out of the loop for awhile.
10. Have a lot on your plate
To have a lot of things to do
e.g. I have not seen Jane lately. I heard she has a lot on her plate with the new baby coming and two major deadlines coming up for work.
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Home Punditry What passes for reasoning
What passes for reasoning
by Jeffrey Miller August 12, 2004
written by Jeffrey Miller August 12, 2004
Here is an article in the Denver Post which references a statement posted by a http://www.priesthood.motime.com/“>St. Blog’s seminarian.
When it comes to sex, marriage or democracy – why bother with the opinion of a celibate Catholic priest? Colorado Springs Bishop Michael Sheridan (http://www.priesthood.motime.com/) claims that marriage isn’t an invention of man. According to Sheridan (and hundreds of other Catholic theologians), "God himself is the author of marriage." Sheridan challenges Catholics to "do all we can to promote marriage and family life" in American society; condemns same-sex marriage ("This opens the door to polygamy and any number of other perversions…"); and claims that the one man-one woman marriage model is a matter of "natural law".
I disagree with Sheridan, but that’s not my point. He’s entitled to his opinion, but the real question is: who cares? When it comes to marriage and family life – heterosexual or homosexual – why would anyone bother with the opinion of a Catholic priest? What can a man who’s vowed to live his life without sex, marriage or family know about any of it? Sure, scores of priests have broken their vows of celibacy, but that’s just sex on the sly (hopefully with a consenting adult, or am I being too optimistic?) – hardly an example of a healthy sexual or intimate relationship.
So I wonder if she also advocates elimination psychiatrists. After all if the person isn’t crazy they couldn’t possibly understand their patient. And I am sure she looks for sick doctors when she seeks healthcare. I am constantly amazed at the lack of intellectual depth in arguments made in editorials. She has previously done some columns on the military and yet doesn’t appear to have served. Now this argument is common such as saying that men aren’t allowed to have an opinion on abortion since they can’t bear children. Now after she makes this argument she then as a non-Catholic gives her opinion on what the Catholic Church should do.
And I can’t fathom what self-respecting woman would sit in church on Sunday and listen to a man behind a pulpit who doesn’t believe she’s good enough to don the priestly robes herself
But it is no surprise that she lashes out on this issue since she has made speeches equating civil rights with gay rights. Even though she is married she also seems to think that it is consistent to have an opinion on gay marriage.
I’m Dani Newsum – I’d like to introduce my husband Ron, and our daughter McKenna. We are proud to be here with you today, standing for equality. But if the hateful people who today are intent on amending our national Constitution into a weapon of mass destruction – destroying the ability of gay and lesbian Americans to live their lives freely, peacefully and openly – if these people had had their way, I wouldn’t be here today, with my family, standing together with you. I have never seen a political party like today’s Republican Party: so hell-bent on using the law to make so many people into second-class citizens.
So now to believe that the homosexual lifestyle is immoral is to also be a racist.
Whatever. This foolishness is what happens when a cult of men with terminal cases of arrested sexual and psychosocial development try to make sense out of lifestyles they’re afraid to live for themselves.
Well since she isn’t a celibate priest I guess we should follow her advice and not listen to her.
Life is Sacred
The Hamster's Choice
Rainbow people
Important matters
Is Barack Obama the Messiah?
Pope Kirk I
Birth to Death
Wait and Seethe
Offensive Photo
A Charitable Endeavor
When part of the Pledge of Allegiance is...
Q: What are the three branches of government
cathy August 12, 2004 - 7:22 pm
WOW – no words
Christian August 12, 2004 - 10:37 pm
I go to a neurologist because I have Tourette’s Syndrome, but although my neurologist doesn’t have TS, it doesn’t lessen his care of me.
What passes for editorials in the Denver Post these days? I’m surprised it didn’t show up in the Boulder Daily Camera.
Adam N August 12, 2004 - 11:40 pm
Yeah, she’s full of something, and it ain’t just opinions.
Cornelius August 13, 2004 - 4:04 am
I had a discussion years ago with a non-Catholic that followed similar lines. She wanted to know why married couples would ever go to a priest for marriage counseling, when a priest has never been married.
This was the first time I’d ever heard this argument (I know, where the heck have YOU been, you’re asking), but it struck me as weird. After all, I asked her, when (or if) she went to a secular marriage counselor, did she (or would she) inquire as to the counselor’s personal marital status, i.e., married, divorced, how many divorces, etc., first? She frankly admitted that she did not, and would not, do so. The professional qualifications of the counselor are the issue, not his/her personal marital status.
It was an epiphany for both of us.
Billy August 13, 2004 - 8:35 am
When God designed and created human beings, why didn’t he make us with a higher level of intelligence?
Another great Christian mystery to ponder…
Bret August 13, 2004 - 8:47 am
Billy and Adam,
I couldn’t have put it better! Right-on, guys! Preach it!
Karen Howard August 13, 2004 - 9:19 am
It’s seemed true to me for a long time that:
(1) Someone who sits in a confessional for an hour or more once a week listening to people’s problems might possibly know a thing or two.
(2) While a married person has the advantage of first-hand knowledge of the experience of marriage, he also has the disadvantage of tending to see every marriage through the prism of his own experience. The celibate may be able to be more objective.
Art August 13, 2004 - 11:50 am
“Someone who sits in a confessional for an hour or more once a week listening to people’s problems might possibly know a thing or two.”
Yes, maybe if people went to confession more often, it would be easier to reallize that a priest can give counsel. Another reason why the sacraments are important.
Funky Dung August 13, 2004 - 12:48 pm
There’s a broken link at the beginning of the article.
Fr. Matthew K August 18, 2004 - 11:48 am
I hope this “Dani Newsum” has an email address. I will ask her:
1) If he/she is claiming that all 400,000 priests worldwide have arrested development, is this not hate speech directed toward a religious group?
2) If a married layman teaches the same Church doctrines as al these priests, would that make it okay to you? There are many such lay theologians.
3) So Catholics and Republicans are all bigots. Who’s the real hateful person here anyway?
Joe August 19, 2004 - 3:26 am
The article on the Denver Post is impeccable. It provides useful elements for reflection.
Unfortunately, some people are often more concerned about obsessively defending dogmas rather than questioning things and pursuing truth.
Just read the following article
http://www.richardsipe.com/Articles/Celibacy_is_a_Problem.html
you will have a more precise opinion on what hides behind Catholic teachings regarding sex and celibacy. The following article means something: abstract angel-like self-indulgent theologies count less than nothing if the reality of human beings is not taken into account and is denied. | 2023-14/0000/en_head.json.gz/3404 | {"url": "http://www.splendoroftruth.com/curtjester/2004/08/what-passes-for-reasoning-2/", "partition": "head_middle", "language": "en", "source_domain": "www.splendoroftruth.com", "date_download": "2023-03-20T08:55:28Z", "digest": "sha1:Z5ZEAZMYRUHZVWQKXP5GKJC2GLKZDJBL"} | {"ccnet_length": [[0, 7348, 7348.0]], "ccnet_original_length": [[0, 7348, 22049.0]], "ccnet_nlines": [[0, 7348, 63.0]], "ccnet_original_nlines": [[0, 7348, 319.0]], "ccnet_language_score": [[0, 7348, 0.95]], "ccnet_perplexity": [[0, 7348, 299.4]], "ccnet_bucket": [[0, 7348, 0.0]], "rps_doc_curly_bracket": [[0, 7348, 0.0]], "rps_doc_ldnoobw_words": [[0, 7348, 6.0]], "rps_doc_lorem_ipsum": [[0, 7348, 0.0]], "rps_doc_stop_word_fraction": [[0, 7348, 0.41677255]], "rps_doc_ut1_blacklist": [[0, 7348, null]], 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Home »2012 »February
Posted on Wednesday, 15 February 2012 Tuesday, 5 February 2019 AuthorCynthia K. Wunsch, M.M.Leave a comment
This entry is part 3 of 16 in the series Black Classical Music History
In the U.S.A., February is celebrated as Black History Month, and this year, we really have something to celebrate! Samuel Coleridge-Taylor, an English-born composer (not to be confused with Samuel Taylor Coleridge, the eighteenth-century poet), wrote an opera titled Thelma Read More …
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Daily Bible Readings - Monday, March 6, 2023
Opening Prayer:
O God and Father, in the waters of baptism you bring us to new birth to live as your children. Strengthen our faith in your promises, that by your Spirit we may lift up your life to all the world; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and forever.
READINGS: Jeremiah 1:11-19; Romans 1:1-15; John 4:27-42
that you have graciously kept me this day.
Daily Bible Readings: Monday, March 20, 2023
Sermon, the Fourth Sunday in Lent
The Holy Communion on the Fourth Sunday in Lent, 1...
Daily Bible Readings, Sunday, March 19, 2023
Daily Bible Readings: Saturday, March 18, 2023
Daily Bible Readings, Friday, March 17, 2023
Daily Bible Readings: Thursday, March 16, 2023
Evening Prayer, March 15, 2023, 7 p.m.
Daily Bible Readings: Wednesday, March 15, 2023
Daily Bible Readings: Tuesday, March 14, 2023
Sermon, Third Sunday in Lent
Daily Bible Readings - Monday, March 13, 2023
The Holy Communion on the Third Sunday in Lent, 10...
Daily Bible Readings: Sunday, March 12, 2023
Daily Bible Readings - Saturday, March 11, 2023
Daily Bible Readings: Friday, March 10, 2023
Daily Bible Readings: Thursday, March 9, 2023
Evening Prayer, March 8, 2023, 7 p.m.
Daily Bible Readings - Wednesday, March 8, 2023
Daily Bible Readings - Tuesday, March 7, 2023
Sermon, Second Sunday in Lent
The Holy Communion on the Second Sunday in Lent, 1...
Daily Bible Readings, Sunday, March 5, 2023
Daily Bible Readings: Saturday, March 4, 2023
Daily Bible Readings: Friday, March 3, 2023
Evening Prayer, Wednesday, March 1, 7 p.m.
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Home » TIMag.com news » Players » Mahut, Baghdatis, Kyrgios to play HoF Championships
Mahut, Baghdatis, Kyrgios to play HoF Championships
NEWPORT, R.I. — Defending champion Nicolas Mahut of France has committed to the player field for the Hall of Fame Tennis Championships in Newport, R.I., where he captured both the singles and doubles titles last year. In addition, two wild cards have been awarded to Marcos Baghdatis, an exciting player formerly ranked in the world top-10, and Nick Kyrgios of Australia who achieved the world No. 1 ITF Juniors ranking in 2013. The three new entries to the field will join No. 1 American John Isner and Australian great Lleyton Hewitt in the tournament, which will be played at the International Tennis Hall of Fame in Newport, R.I., July 5 - 13. The tournament, which is held directly after Wimbledon, is the only event played on grass courts in North or South America, and the only ATP World Tour event in New England.
“Tennis season has finally arrived in New England and we are gearing up for a great tournament this summer at the International Tennis Hall of Fame,” commented Tournament Director Mark Stenning. “Nico Mahut was unstoppable in Newport last summer and we are glad to welcome him back as defending champion. Marcos Baghdatis and Nick Kyrgios are exciting players to watch, and we know the Hall of Fame Tennis Championships fans will enjoy seeing them compete.”
Nicolas Mahut won both the singles and doubles titles at the Hall of Fame Tennis Championships last year, following an epic couple of days of competition in which inclement weather forced him to play four matches in 24 hours. Mahut entered the Newport tournament last year ranked world No. 127. Since winning in Newport, he has consistently climbed the ATP World Tour rankings and is currently world No. 38, having reached a career high of world No. 37 earlier this month. Mahut’s victory in Newport last year was his second career title, having won his first just weeks prior at the Topshelf Open at s-Hertogenbosch in The Netherlands. With countryman Michael Llodra, Mahut was a finalist at the French Open in doubles last year. Inclusive of his 2013 Newport titles, he has won two singles titles and eight doubles titles.
Marcos Baghdatis of Cyprus has been a staple of the ATP World Tour since the early 2000s. He has achieved notable wins against some of the world’s best players including Andy Roddick, Lleyton Hewitt, and Andy Murray, and has been involved in many long, exciting matches. He is recognized for the energy that he brings to each match, and for his ability to draw fans in. In 2006, Baghdatis reached a career high of world No. 8 and won his first career title with a victory at the China Open. He has finished the season ranked in the world top-50 six times in the past eight years, and has won four ATP World Tour titles. Baghdatis made his Davis Cup debut for the Cyprus Davis Cup team in 2000 as a 14-year-old. He has been a dedicated and successful player for his country ever since, and has been instrumental in advancing the team from the lowest division of Davis Cup to move up two levels into the Euro/Africa Group II. With 43 straight wins, he is one of the most successful Davis Cup players of all time.
Nineteen-year old Australian Nick Kyrgios had a break through season just about this time last year, and has been going strong ever since. Kyrgios was given a wild card into the 2013 French Open, at which he won his first career ATP level match, defeating then world No. 52 Radek Stepanek in three tiebreak sets. Also last year, Kyrgios won the Australian Open junior title and the Wimbledon junior doubles title. He achieved the world No. 1 ITF Juniors ranking. This season, Krygios won back-to-back Challenger Tour titles in April. Earlier this year he represented Australia in Davis Cup competition. Next week, he is set to play in the French Open again, and has been training with Roger Federer in advance of the tournament. He is currently ranked world No. 161.
Tickets for the Hall of Fame Tennis Championships, including access to the International Tennis Hall of Fame Enshrinement Ceremony on July 12, are available now. Hall of Fame Members save $5 on tickets, and enjoy many other benefits throughout tournament week, including access to a Member Lounge, first-in-line status for autographs, and much more. Tickets and membership info is available on HallofFameTennisChampionships.com or by phone at (401) 849-6053 | 2023-14/0000/en_head.json.gz/3407 | {"url": "http://www.tennisindustrymag.com/news/2014/05/defending_champion_nicolas_mah.html", "partition": "head_middle", "language": "en", "source_domain": "www.tennisindustrymag.com", "date_download": "2023-03-20T09:31:27Z", "digest": "sha1:NU4VCH4VMR7ASHKDYJTTCIKEE6UYFY5F"} | {"ccnet_length": [[0, 4478, 4478.0]], "ccnet_original_length": [[0, 4478, 8961.0]], "ccnet_nlines": [[0, 4478, 8.0]], "ccnet_original_nlines": [[0, 4478, 37.0]], "ccnet_language_score": [[0, 4478, 0.97]], "ccnet_perplexity": [[0, 4478, 144.8]], "ccnet_bucket": [[0, 4478, 0.0]], "rps_doc_curly_bracket": [[0, 4478, 0.0]], "rps_doc_ldnoobw_words": [[0, 4478, 0.0]], "rps_doc_lorem_ipsum": [[0, 4478, 0.0]], "rps_doc_stop_word_fraction": [[0, 4478, 0.35977654]], "rps_doc_ut1_blacklist": [[0, 4478, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4478, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4478, 0.13928968]], "rps_doc_frac_chars_dupe_6grams": [[0, 4478, 0.13928968]], "rps_doc_frac_chars_dupe_7grams": [[0, 4478, 0.07824639]], "rps_doc_frac_chars_dupe_8grams": [[0, 4478, 0.0199778]], "rps_doc_frac_chars_dupe_9grams": [[0, 4478, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 4478, 0.01331853]], "rps_doc_frac_chars_top_3gram": [[0, 4478, 0.01942286]], "rps_doc_frac_chars_top_4gram": [[0, 4478, 0.01442841]], "rps_doc_frac_all_caps_words": [[0, 4478, 0.01675978]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4478, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4478, 0.15865922]], "rps_doc_frac_unique_words": [[0, 4478, 0.39921466]], "rps_doc_mean_word_length": [[0, 4478, 4.71727749]], "rps_doc_symbol_to_word_ratio": [[0, 4478, 0.0]], "rps_doc_unigram_entropy": [[0, 4478, 5.16249676]], "rps_doc_word_count": [[0, 4478, 764.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 86, 0.0], [86, 138, 0.0], [138, 960, 1.0], [960, 1418, 1.0], [1418, 2243, 1.0], [2243, 3254, 1.0], [3254, 4021, 1.0], [4021, 4478, 0.0]], "rps_lines_javascript_counts": [[0, 86, 0.0], [86, 138, 0.0], [138, 960, 0.0], [960, 1418, 0.0], [1418, 2243, 0.0], [2243, 3254, 0.0], [3254, 4021, 0.0], [4021, 4478, 0.0]], "rps_lines_num_words": [[0, 86, 14.0], [86, 138, 7.0], [138, 960, 142.0], [960, 1418, 75.0], [1418, 2243, 140.0], [2243, 3254, 187.0], [3254, 4021, 131.0], [4021, 4478, 68.0]], "rps_lines_numerical_chars_fraction": [[0, 86, 0.0], [86, 138, 0.0], [138, 960, 0.0138539], [960, 1418, 0.0], [1418, 2243, 0.01608911], [2243, 3254, 0.01923077], [3254, 4021, 0.01342282], [4021, 4478, 0.02941176]], "rps_lines_start_with_bulletpoint": [[0, 86, 0.0], [86, 138, 0.0], [138, 960, 0.0], [960, 1418, 0.0], [1418, 2243, 0.0], [2243, 3254, 0.0], [3254, 4021, 0.0], [4021, 4478, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 86, 0.12790698], [86, 138, 0.11538462], [138, 960, 0.07177616], [960, 1418, 0.04803493], [1418, 2243, 0.04], [2243, 3254, 0.04352127], [3254, 4021, 0.05215124], [4021, 4478, 0.04814004]], "rps_doc_ml_palm_score": [[0, 4478, 0.44585335]], "rps_doc_ml_wikipedia_score": [[0, 4478, null]], "rps_doc_ml_wikiref_score": [[0, 4478, 0.99206328]], "rps_doc_books_importance": [[0, 4478, -150.7890589]], "rps_doc_openwebtext_importance": [[0, 4478, 76.09969776]], "rps_doc_wikipedia_importance": [[0, 4478, 77.06326307]], "rps_doc_num_sentences": [[0, 4478, 49.0]]} |
Home » TIMag.com news » Manufacturers » SFIA Encouraged by China Tariff Truce
SFIA Encouraged by China Tariff Truce
SILVER SPRING, MD (July 1, 2019) — President Trump announced this weekend that no additional tariffs will be imposed on imports from China at this time. This is positive news for the sports and fitness industry. American and Chinese officials will return to negotiations and suspend any immediate action on new tariffs, as a result of President Trump and Chinese President Xi’s meeting at the G-20 Summit in Japan.
“We are relieved with the President’s decision,” stated SFIA President and CEO, Tom Cove. “While the decision to avoid new tariffs is temporary, negotiations in this direction are a good step. We see this as a positive sign for the industry, but not conclusive. The industry is struggling to overcome China tariffs that are already in place, so we hope this tariff truce leads to tariff reductions, as well. SFIA supports President Trump’s efforts to bring China into compliance with international intellectual property laws, but we do not view excessive tariffs to be a successful solution.”
The 25 percent tariff on all products included on List 3, announced earlier this year, still stands, and the exclusion process for List 3 began on Sunday, June 30, 2019. SFIA will organize industry petitions requesting exclusions from the proposed tariffs to assist the industry in navigating these difficult challenges. If you’re interested in learning more about the petition process, please contact Chandler Hoffman, at [email protected].
ABOUT SFIA: The Sports & Fitness Industry Association (SFIA), the #1 source for sport and fitness research, is the leading global trade association of manufacturers, retailers, and marketers in the sports products and fitness industry. SFIA seeks to promote sports and fitness participation, as well as industry vitality through research, thought leadership, public affairs, industry affairs and member services. For more information, please visit www.sfia.org. | 2023-14/0000/en_head.json.gz/3408 | {"url": "http://www.tennisindustrymag.com/news/2019/07/sfia_encouraged_by_china_tarif.html", "partition": "head_middle", "language": "en", "source_domain": "www.tennisindustrymag.com", "date_download": "2023-03-20T09:02:45Z", "digest": "sha1:MFCZJORH3AO652IR6FG3FMMIQ575Z4RM"} | {"ccnet_length": [[0, 2027, 2027.0]], "ccnet_original_length": [[0, 2027, 6500.0]], "ccnet_nlines": [[0, 2027, 6.0]], "ccnet_original_nlines": [[0, 2027, 35.0]], "ccnet_language_score": [[0, 2027, 0.94]], "ccnet_perplexity": [[0, 2027, 260.7]], "ccnet_bucket": [[0, 2027, 0.0]], "rps_doc_curly_bracket": [[0, 2027, 0.0]], "rps_doc_ldnoobw_words": [[0, 2027, 0.0]], "rps_doc_lorem_ipsum": [[0, 2027, 0.0]], "rps_doc_stop_word_fraction": [[0, 2027, 0.31151832]], "rps_doc_ut1_blacklist": [[0, 2027, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2027, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2027, 0.03855422]], "rps_doc_frac_chars_dupe_6grams": [[0, 2027, 0.03855422]], "rps_doc_frac_chars_dupe_7grams": [[0, 2027, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2027, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2027, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2027, 0.02409639]], "rps_doc_frac_chars_top_3gram": [[0, 2027, 0.01927711]], "rps_doc_frac_chars_top_4gram": [[0, 2027, 0.0253012]], "rps_doc_frac_all_caps_words": [[0, 2027, 0.03664921]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2027, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2027, 0.18586387]], "rps_doc_frac_unique_words": [[0, 2027, 0.55095541]], "rps_doc_mean_word_length": [[0, 2027, 5.2866242]], "rps_doc_symbol_to_word_ratio": [[0, 2027, 0.0026178]], "rps_doc_unigram_entropy": [[0, 2027, 4.82743158]], "rps_doc_word_count": [[0, 2027, 314.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 78, 0.0], [78, 116, 0.0], [116, 531, 1.0], [531, 1124, 1.0], [1124, 1566, 1.0], [1566, 2027, 1.0]], "rps_lines_javascript_counts": [[0, 78, 0.0], [78, 116, 0.0], [116, 531, 0.0], [531, 1124, 0.0], [1124, 1566, 0.0], [1566, 2027, 0.0]], "rps_lines_num_words": [[0, 78, 13.0], [78, 116, 6.0], [116, 531, 69.0], [531, 1124, 96.0], [1124, 1566, 66.0], [1566, 2027, 64.0]], "rps_lines_numerical_chars_fraction": [[0, 78, 0.0], [78, 116, 0.0], [116, 531, 0.01728395], [531, 1124, 0.0], [1124, 1566, 0.02331002], [1566, 2027, 0.00226757]], "rps_lines_start_with_bulletpoint": [[0, 78, 0.0], [78, 116, 0.0], [116, 531, 0.0], [531, 1124, 0.0], [1124, 1566, 0.0], [1566, 2027, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 78, 0.16666667], [78, 116, 0.21052632], [116, 531, 0.06987952], [531, 1124, 0.03878583], [1124, 1566, 0.02714932], [1566, 2027, 0.04989154]], "rps_doc_ml_palm_score": [[0, 2027, 0.00315839]], "rps_doc_ml_wikipedia_score": [[0, 2027, null]], "rps_doc_ml_wikiref_score": [[0, 2027, 0.1191259]], "rps_doc_books_importance": [[0, 2027, -149.82048076]], "rps_doc_openwebtext_importance": [[0, 2027, 18.3915982]], "rps_doc_wikipedia_importance": [[0, 2027, -70.39583355]], "rps_doc_num_sentences": [[0, 2027, 18.0]]} |
Home » St.Kitts-Nevis » Shooting with intent decreased by 75% in St Kitts and Nevis
Shooting with intent decreased by 75% in St Kitts and Nevis
Posted on October 22, 2020 in St.Kitts-Nevis
The Government of St Kitts and Nevis declared that the safety of the people remains to be the top priority as the country prepares to reopen its borders for the first time since March,
Prime Minister Dr Timothy Harris stated that the administration wants to keep the people at the same time by protecting borders and hardening resilience to disasters like coronavirus.
During an episode of leadership matters, Prime Minister also declared that law enforcement is working closely with the health authorities to keep all the coronavirus health and safety protocols in place. He added that the security forces would also continue their battle against criminal activities.
“We have done very well in decreasing crimes to record lows over the last few years from a recording high of 36 killings in 2011 we are now at seven,” Dr Harris stated.
As per the statistics by the police force, the crime of shooting with intent is down by 75percent, Attempted Homicide was down 80 percent; Serious Wounding lessened by 13 percent; Burglary slumped 53 percent; while sexual offences were diminished by 20 percent.
Prime Minister stated that the government continues its support to low and citizen safety to secure the nation.
Furthermore, he also stated that the programmes and policies to rehabilitate the prisoners and prison reforms would be strengthened. He also stated that peace programme initiatives would also reveal the real results and work. | 2023-14/0000/en_head.json.gz/3409 | {"url": "http://www.timescaribbeanonline.com/shooting-with-intent-decreased-by-75-in-st-kitts-and-nevis/", "partition": "head_middle", "language": "en", "source_domain": "www.timescaribbeanonline.com", "date_download": "2023-03-20T09:40:22Z", "digest": "sha1:C6TESXLDGF7WJ5GK3EWO7YRJZUPOASQP"} | {"ccnet_length": [[0, 1626, 1626.0]], "ccnet_original_length": [[0, 1626, 3296.0]], "ccnet_nlines": [[0, 1626, 10.0]], "ccnet_original_nlines": [[0, 1626, 56.0]], "ccnet_language_score": [[0, 1626, 0.98]], "ccnet_perplexity": [[0, 1626, 238.6]], "ccnet_bucket": [[0, 1626, 0.0]], "rps_doc_curly_bracket": [[0, 1626, 0.0]], "rps_doc_ldnoobw_words": [[0, 1626, 1.0]], "rps_doc_lorem_ipsum": [[0, 1626, 0.0]], "rps_doc_stop_word_fraction": [[0, 1626, 0.39527027]], "rps_doc_ut1_blacklist": [[0, 1626, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_dupe_5grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_dupe_6grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_dupe_7grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_dupe_8grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_dupe_9grams": [[0, 1626, 0.07185629]], "rps_doc_frac_chars_top_2gram": [[0, 1626, 0.0261976]], "rps_doc_frac_chars_top_3gram": [[0, 1626, 0.04041916]], "rps_doc_frac_chars_top_4gram": [[0, 1626, 0.03368263]], "rps_doc_frac_all_caps_words": [[0, 1626, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1626, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1626, 0.125]], "rps_doc_frac_unique_words": [[0, 1626, 0.58426966]], "rps_doc_mean_word_length": [[0, 1626, 5.00374532]], "rps_doc_symbol_to_word_ratio": [[0, 1626, 0.0]], "rps_doc_unigram_entropy": [[0, 1626, 4.69813071]], "rps_doc_word_count": [[0, 1626, 267.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 84, 0.0], [84, 144, 0.0], [144, 189, 0.0], [189, 374, 0.0], [374, 558, 1.0], [558, 858, 1.0], [858, 1027, 1.0], [1027, 1289, 1.0], [1289, 1401, 1.0], [1401, 1626, 1.0]], "rps_lines_javascript_counts": [[0, 84, 0.0], [84, 144, 0.0], [144, 189, 0.0], [189, 374, 0.0], [374, 558, 0.0], [558, 858, 0.0], [858, 1027, 0.0], [1027, 1289, 0.0], [1289, 1401, 0.0], [1401, 1626, 0.0]], "rps_lines_num_words": [[0, 84, 15.0], [84, 144, 11.0], [144, 189, 7.0], [189, 374, 34.0], [374, 558, 28.0], [558, 858, 45.0], [858, 1027, 33.0], [1027, 1289, 42.0], [1289, 1401, 18.0], [1401, 1626, 34.0]], "rps_lines_numerical_chars_fraction": [[0, 84, 0.025], [84, 144, 0.03448276], [144, 189, 0.14634146], [189, 374, 0.0], [374, 558, 0.0], [558, 858, 0.0], [858, 1027, 0.03614458], [1027, 1289, 0.03921569], [1289, 1401, 0.0], [1401, 1626, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 84, 0.0], [84, 144, 0.0], [144, 189, 0.0], [189, 374, 0.0], [374, 558, 0.0], [558, 858, 0.0], [858, 1027, 0.0], [1027, 1289, 0.0], [1289, 1401, 0.0], [1401, 1626, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 84, 0.0952381], [84, 144, 0.06666667], [144, 189, 0.11111111], [189, 374, 0.03243243], [374, 558, 0.02717391], [558, 858, 0.01333333], [858, 1027, 0.01775148], [1027, 1289, 0.02290076], [1289, 1401, 0.01785714], [1401, 1626, 0.00888889]], "rps_doc_ml_palm_score": [[0, 1626, 0.00158268]], "rps_doc_ml_wikipedia_score": [[0, 1626, null]], "rps_doc_ml_wikiref_score": [[0, 1626, 0.12283999]], "rps_doc_books_importance": [[0, 1626, -23.1253893]], "rps_doc_openwebtext_importance": [[0, 1626, 38.17669211]], "rps_doc_wikipedia_importance": [[0, 1626, 32.49054049]], "rps_doc_num_sentences": [[0, 1626, 10.0]]} |
DAYCO BLACK BELT EXPERTS
The "DAYCO BLACK BELT EXPERTS" trademark, serial number 73368329 , was filed on 7th of June 1982 with a mark drawing code of 3S19 and its transaction date is 73368329. Since 2nd of January 2014, the document can be found in the 560 law office in the publication and issue section. The date when we last checked the status of this trademark was 11/19/2003.
The "DAYCO BLACK BELT EXPERTS" trademark, serial number 73368330 , was filed on 7th of June 1982 with a mark drawing code of 1000 and its transaction date is 73368330. The attorney assigned is JOSEPH V. TASSONE, attorney docket number TM595. Since 2nd of January 2014, the document can be found in the 560 law office in the publication and issue section. The status of the trademark was checked last on 01/30/2004. | 2023-14/0000/en_head.json.gz/3410 | {"url": "http://www.trademarkencyclopedia.com/dayco-black-belt-experts/", "partition": "head_middle", "language": "en", "source_domain": "www.trademarkencyclopedia.com", "date_download": "2023-03-20T08:40:15Z", "digest": "sha1:IT26MG5JKBFIJQOTEZML2AWYPKC3TUVY"} | {"ccnet_length": [[0, 795, 795.0]], "ccnet_original_length": [[0, 795, 1479.0]], "ccnet_nlines": [[0, 795, 3.0]], "ccnet_original_nlines": [[0, 795, 49.0]], "ccnet_language_score": [[0, 795, 0.95]], "ccnet_perplexity": [[0, 795, 303.5]], "ccnet_bucket": [[0, 795, 0.0]], "rps_doc_curly_bracket": [[0, 795, 0.0]], "rps_doc_ldnoobw_words": [[0, 795, 0.0]], "rps_doc_lorem_ipsum": [[0, 795, 0.0]], "rps_doc_stop_word_fraction": [[0, 795, 0.2969697]], "rps_doc_ut1_blacklist": [[0, 795, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 795, 0.43601896]], "rps_doc_frac_chars_dupe_5grams": [[0, 795, 0.65086888]], "rps_doc_frac_chars_dupe_6grams": [[0, 795, 0.57819905]], "rps_doc_frac_chars_dupe_7grams": [[0, 795, 0.57819905]], "rps_doc_frac_chars_dupe_8grams": [[0, 795, 0.57819905]], "rps_doc_frac_chars_dupe_9grams": [[0, 795, 0.43601896]], "rps_doc_frac_chars_top_2gram": [[0, 795, 0.03159558]], "rps_doc_frac_chars_top_3gram": [[0, 795, 0.06635071]], "rps_doc_frac_chars_top_4gram": [[0, 795, 0.09952607]], "rps_doc_frac_all_caps_words": [[0, 795, 0.1030303]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 795, 0.0]], "rps_doc_frac_no_alph_words": [[0, 795, 0.24242424]], "rps_doc_frac_unique_words": [[0, 795, 0.42753623]], "rps_doc_mean_word_length": [[0, 795, 4.58695652]], "rps_doc_symbol_to_word_ratio": [[0, 795, 0.0]], "rps_doc_unigram_entropy": [[0, 795, 3.89182834]], "rps_doc_word_count": [[0, 795, 138.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 25, 0.0], [25, 381, 1.0], [381, 795, 1.0]], "rps_lines_javascript_counts": [[0, 25, 0.0], [25, 381, 0.0], [381, 795, 0.0]], "rps_lines_num_words": [[0, 25, 4.0], [25, 381, 63.0], [381, 795, 71.0]], "rps_lines_numerical_chars_fraction": [[0, 25, 0.0], [25, 381, 0.11627907], [381, 795, 0.11]], "rps_lines_start_with_bulletpoint": [[0, 25, 0.0], [25, 381, 0.0], [381, 795, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 25, 0.84], [25, 381, 0.0758427], [381, 795, 0.10386473]], "rps_doc_ml_palm_score": [[0, 795, 0.79626429]], "rps_doc_ml_wikipedia_score": [[0, 795, null]], "rps_doc_ml_wikiref_score": [[0, 795, 0.01695722]], "rps_doc_books_importance": [[0, 795, -37.27587544]], "rps_doc_openwebtext_importance": [[0, 795, 2.49096551]], "rps_doc_wikipedia_importance": [[0, 795, 33.12284409]], "rps_doc_num_sentences": [[0, 795, 8.0]]} |
Subject: Hey, it was a Repub candidate who said, "My brother kept us safe"
W's press sec claimed there were no attacks under him
Date Posted: Mon December 07, 2015 23:10:15
In reply to: If you couldn't use 'em, you wouldn't give a shit. 's message, "And here comes the gleeful lefty recitation of 9/11 numbers, used only for political purposes." on Mon December 07, 2015 22:57:24
W and Cheney LIED us into that war in Iraq. Wonder how many billions they made swiping Iraq's oil. Think they give a shit about all the deaths they caused? (NT) Ralph--Not too late to send them to the World Court Tue December 08, 2015 17:16:13 | 2023-14/0000/en_head.json.gz/3411 | {"url": "http://www.voy.com/209337/9/32748.html", "partition": "head_middle", "language": "en", "source_domain": "www.voy.com", "date_download": "2023-03-20T09:49:12Z", "digest": "sha1:CEOEARHFTXYMIF5C6N72GQ5GT7FK5TCS"} | {"ccnet_length": [[0, 623, 623.0]], "ccnet_original_length": [[0, 623, 2265.0]], "ccnet_nlines": [[0, 623, 5.0]], "ccnet_original_nlines": [[0, 623, 24.0]], "ccnet_language_score": [[0, 623, 0.97]], "ccnet_perplexity": [[0, 623, 290.0]], "ccnet_bucket": [[0, 623, 0.0]], "rps_doc_curly_bracket": [[0, 623, 0.0]], "rps_doc_ldnoobw_words": [[0, 623, 2.0]], "rps_doc_lorem_ipsum": [[0, 623, 0.0]], "rps_doc_stop_word_fraction": [[0, 623, 0.30625]], "rps_doc_ut1_blacklist": [[0, 623, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 623, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 623, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 623, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 623, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 623, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 623, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 623, 0.0464135]], "rps_doc_frac_chars_top_3gram": [[0, 623, 0.05485232]], "rps_doc_frac_chars_top_4gram": [[0, 623, 0.07172996]], "rps_doc_frac_all_caps_words": [[0, 623, 0.025]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 623, 0.0]], "rps_doc_frac_no_alph_words": [[0, 623, 0.325]], "rps_doc_frac_unique_words": [[0, 623, 0.82300885]], "rps_doc_mean_word_length": [[0, 623, 4.19469027]], "rps_doc_symbol_to_word_ratio": [[0, 623, 0.0]], "rps_doc_unigram_entropy": [[0, 623, 4.4542429]], "rps_doc_word_count": [[0, 623, 113.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 75, 0.0], [75, 129, 0.0], [129, 173, 0.0], [173, 380, 0.0], [380, 623, 0.0]], "rps_lines_javascript_counts": [[0, 75, 0.0], [75, 129, 0.0], [129, 173, 0.0], [173, 380, 0.0], [380, 623, 0.0]], "rps_lines_num_words": [[0, 75, 14.0], [75, 129, 10.0], [129, 173, 7.0], [173, 380, 36.0], [380, 623, 46.0]], "rps_lines_numerical_chars_fraction": [[0, 75, 0.0], [75, 129, 0.0], [129, 173, 0.30769231], [173, 380, 0.07894737], [380, 623, 0.05172414]], "rps_lines_start_with_bulletpoint": [[0, 75, 0.0], [75, 129, 0.0], [129, 173, 0.0], [173, 380, 0.0], [380, 623, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 75, 0.05333333], [75, 129, 0.01851852], [129, 173, 0.09090909], [173, 380, 0.02415459], [380, 623, 0.07407407]], "rps_doc_ml_palm_score": [[0, 623, 0.87111104]], "rps_doc_ml_wikipedia_score": [[0, 623, null]], "rps_doc_ml_wikiref_score": [[0, 623, 0.0059275]], "rps_doc_books_importance": [[0, 623, -37.46773285]], "rps_doc_openwebtext_importance": [[0, 623, -15.46238085]], "rps_doc_wikipedia_importance": [[0, 623, -46.87329807]], "rps_doc_num_sentences": [[0, 623, 6.0]]} |
WannabeTeacher
Should I teach?
Getting Certified
3 steps to being a better candidate
About #wannabeteacher
Tagged: suburbs
Interviews / Should I teach?
How to decide between teaching in the city or the suburbs
Let’s assume you are offered two positions that pay the same and offer the same schedule, but one is urban and one is suburban. How do you decide? When you applied for graduate school,...
K.W.Trace
I am a National Board Certified educator currently teaching in Virginia. I graduated from The College of William and Mary with a double major in English and Psychology and received a Master’s Degree in Secondary English Education from The University of Virginia’s Curry School of Education. I have taught the following: English 9, 10, 11, and 12 (on academic, collaborative, and honors levels); Dual Enrollment English; Mass Communications, Yearbook, Newspaper, and Communications Technology. I have experience in five different school systems, four in Virginia and one in Maryland. I served as my school’s 2019 Teacher of the Year and was a top 5 finalist for the Teacher of the Year for Virginia Beach City Public Schools. I am passionate about recruiting and retaining quality educators in our public schools. Let me help you find your path to changing lives through teaching!
WannabeTeacher © 2023. All Rights Reserved. | 2023-14/0000/en_head.json.gz/3412 | {"url": "http://www.wannabeteacher.com/tag/suburbs/", "partition": "head_middle", "language": "en", "source_domain": "www.wannabeteacher.com", "date_download": "2023-03-20T09:48:56Z", "digest": "sha1:SVBCENMRHB3LJTO3A5FHTPMMTS7CTUUB"} | {"ccnet_length": [[0, 1331, 1331.0]], "ccnet_original_length": [[0, 1331, 2030.0]], "ccnet_nlines": [[0, 1331, 12.0]], "ccnet_original_nlines": [[0, 1331, 55.0]], "ccnet_language_score": [[0, 1331, 0.95]], "ccnet_perplexity": [[0, 1331, 300.2]], "ccnet_bucket": [[0, 1331, 0.0]], "rps_doc_curly_bracket": [[0, 1331, 0.0]], "rps_doc_ldnoobw_words": [[0, 1331, 0.0]], "rps_doc_lorem_ipsum": [[0, 1331, 0.0]], "rps_doc_stop_word_fraction": [[0, 1331, 0.3463035]], "rps_doc_ut1_blacklist": [[0, 1331, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1331, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1331, 0.01296296]], "rps_doc_frac_chars_top_3gram": [[0, 1331, 0.02222222]], "rps_doc_frac_chars_top_4gram": [[0, 1331, 0.02962963]], "rps_doc_frac_all_caps_words": [[0, 1331, 0.03891051]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1331, 0.08333333]], "rps_doc_frac_no_alph_words": [[0, 1331, 0.17898833]], "rps_doc_frac_unique_words": [[0, 1331, 0.62616822]], "rps_doc_mean_word_length": [[0, 1331, 5.04672897]], "rps_doc_symbol_to_word_ratio": [[0, 1331, 0.0077821]], "rps_doc_unigram_entropy": [[0, 1331, 4.62172859]], "rps_doc_word_count": [[0, 1331, 214.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 15, 0.0], [15, 31, 1.0], [31, 49, 0.0], [49, 85, 0.0], [85, 107, 0.0], [107, 123, 0.0], [123, 152, 1.0], [152, 210, 0.0], [210, 398, 1.0], [398, 408, 0.0], [408, 1288, 1.0], [1288, 1331, 1.0]], "rps_lines_javascript_counts": [[0, 15, 0.0], [15, 31, 0.0], [31, 49, 0.0], [49, 85, 0.0], [85, 107, 0.0], [107, 123, 0.0], [123, 152, 0.0], [152, 210, 0.0], [210, 398, 0.0], [398, 408, 0.0], [408, 1288, 0.0], [1288, 1331, 0.0]], "rps_lines_num_words": [[0, 15, 1.0], [15, 31, 3.0], [31, 49, 2.0], [49, 85, 7.0], [85, 107, 2.0], [107, 123, 2.0], [123, 152, 4.0], [152, 210, 11.0], [210, 398, 34.0], [398, 408, 1.0], [408, 1288, 141.0], [1288, 1331, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 15, 0.0], [15, 31, 0.0], [31, 49, 0.0], [49, 85, 0.02857143], [85, 107, 0.0], [107, 123, 0.0], [123, 152, 0.0], [152, 210, 0.0], [210, 398, 0.0], [398, 408, 0.0], [408, 1288, 0.01398601], [1288, 1331, 0.09756098]], "rps_lines_start_with_bulletpoint": [[0, 15, 0.0], [15, 31, 0.0], [31, 49, 0.0], [49, 85, 0.0], [85, 107, 0.0], [107, 123, 0.0], [123, 152, 0.0], [152, 210, 0.0], [210, 398, 0.0], [398, 408, 0.0], [408, 1288, 0.0], [1288, 1331, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 15, 0.13333333], [15, 31, 0.125], [31, 49, 0.11111111], [49, 85, 0.0], [85, 107, 0.04545455], [107, 123, 0.0625], [123, 152, 0.10344828], [152, 210, 0.01724138], [210, 398, 0.01595745], [398, 408, 0.3], [408, 1288, 0.05568182], [1288, 1331, 0.11627907]], "rps_doc_ml_palm_score": [[0, 1331, 2.384e-05]], "rps_doc_ml_wikipedia_score": [[0, 1331, null]], "rps_doc_ml_wikiref_score": [[0, 1331, 0.02202809]], "rps_doc_books_importance": [[0, 1331, -86.29346831]], "rps_doc_openwebtext_importance": [[0, 1331, -39.10907785]], "rps_doc_wikipedia_importance": [[0, 1331, -93.42404854]], "rps_doc_num_sentences": [[0, 1331, 16.0]]} |
Father, Mr. Morris
This is interesting, in a sad way. Former Fr. Jonathan Morris, ex-commentator and now ex-Catholic priest is interviewed by Martha MacCallum.
He explains his recent decision to be laicized. He's explanation is that he never intended to become a priest and after 25 years from Seminary to priesthood, he had to take action to actually follow God's real plan for him as he now felt in his own heart and gut Wow....
Well I definitely don't know his heart and I do applaud his continued acknowledgement of his faith in the Catholic Church, I can't say I understand. Many of the Saints, including Mother Theresa had experiences that made them doubt their vocations, even experiences of the dark soul. Even those who have been married for quite some time have experienced at one point or another, that maybe they may have married the wrong person or wanted out of their relationship because of some hard-time, financial or otherwise, so I don't know if Mr. Morris will have the fortitude to weather those moments either.
I believe he is a priest, forever as it says in Hebrews 7:17
For it is declared: "You are a priest forever, in the order of Melchizedek."
'll keep him in my prayers
Labels: Fr. Morris
A Change to the Our Father.....Why? | 2023-14/0000/en_head.json.gz/3413 | {"url": "http://www.westcoastcatholic.com/2019/06/father-mr-morris.html", "partition": "head_middle", "language": "en", "source_domain": "www.westcoastcatholic.com", "date_download": "2023-03-20T10:16:16Z", "digest": "sha1:QBDVX4NHDHZWAJH5WRCKFKYGNOCQNIYV"} | {"ccnet_length": [[0, 1252, 1252.0]], "ccnet_original_length": [[0, 1252, 42424.0]], "ccnet_nlines": [[0, 1252, 9.0]], "ccnet_original_nlines": [[0, 1252, 2157.0]], "ccnet_language_score": [[0, 1252, 0.99]], "ccnet_perplexity": [[0, 1252, 222.0]], "ccnet_bucket": [[0, 1252, 0.0]], "rps_doc_curly_bracket": [[0, 1252, 0.0]], "rps_doc_ldnoobw_words": [[0, 1252, 0.0]], "rps_doc_lorem_ipsum": [[0, 1252, 0.0]], "rps_doc_stop_word_fraction": [[0, 1252, 0.45522388]], "rps_doc_ut1_blacklist": [[0, 1252, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1252, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1252, 0.0212766]], "rps_doc_frac_chars_top_3gram": [[0, 1252, 0.02836879]], "rps_doc_frac_chars_top_4gram": [[0, 1252, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1252, 0.0261194]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1252, 0.11111111]], "rps_doc_frac_no_alph_words": [[0, 1252, 0.15671642]], "rps_doc_frac_unique_words": [[0, 1252, 0.64383562]], "rps_doc_mean_word_length": [[0, 1252, 4.50684932]], "rps_doc_symbol_to_word_ratio": [[0, 1252, 0.00746269]], "rps_doc_unigram_entropy": [[0, 1252, 4.71638499]], "rps_doc_word_count": [[0, 1252, 219.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 19, 0.0], [19, 160, 1.0], [160, 431, 1.0], [431, 1033, 1.0], [1033, 1094, 0.0], [1094, 1171, 0.0], [1171, 1198, 0.0], [1198, 1217, 0.0], [1217, 1252, 1.0]], "rps_lines_javascript_counts": [[0, 19, 0.0], [19, 160, 0.0], [160, 431, 0.0], [431, 1033, 0.0], [1033, 1094, 0.0], [1094, 1171, 0.0], [1171, 1198, 0.0], [1198, 1217, 0.0], [1217, 1252, 0.0]], "rps_lines_num_words": [[0, 19, 3.0], [19, 160, 21.0], [160, 431, 51.0], [431, 1033, 102.0], [1033, 1094, 13.0], [1094, 1171, 14.0], [1171, 1198, 6.0], [1198, 1217, 3.0], [1217, 1252, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 19, 0.0], [19, 160, 0.0], [160, 431, 0.00763359], [431, 1033, 0.0], [1033, 1094, 0.05172414], [1094, 1171, 0.0], [1171, 1198, 0.0], [1198, 1217, 0.0], [1217, 1252, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 19, 0.0], [19, 160, 0.0], [160, 431, 0.0], [431, 1033, 0.0], [1033, 1094, 0.0], [1094, 1171, 0.0], [1171, 1198, 0.0], [1198, 1217, 0.0], [1217, 1252, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 19, 0.15789474], [19, 160, 0.06382979], [160, 431, 0.01845018], [431, 1033, 0.02491694], [1033, 1094, 0.03278689], [1094, 1171, 0.03896104], [1171, 1198, 0.0], [1198, 1217, 0.15789474], [1217, 1252, 0.14285714]], "rps_doc_ml_palm_score": [[0, 1252, 0.09314471]], "rps_doc_ml_wikipedia_score": [[0, 1252, null]], "rps_doc_ml_wikiref_score": [[0, 1252, 0.01399058]], "rps_doc_books_importance": [[0, 1252, 37.21902478]], "rps_doc_openwebtext_importance": [[0, 1252, 18.69086884]], "rps_doc_wikipedia_importance": [[0, 1252, -61.39374684]], "rps_doc_num_sentences": [[0, 1252, 14.0]]} |
randallbeirne
medium (what is this?) | 2023-14/0000/en_head.json.gz/3414 | {"url": "http://www.wikidot.com/user:info/randallbeirne", "partition": "head_middle", "language": "en", "source_domain": "www.wikidot.com", "date_download": "2023-03-20T10:13:54Z", "digest": "sha1:7YLDCPW53BO4VX3XCGNQAZWRHIWPSX6P"} | {"ccnet_length": [[0, 36, 36.0]], "ccnet_original_length": [[0, 36, 1239.0]], "ccnet_nlines": [[0, 36, 2.0]], "ccnet_original_nlines": [[0, 36, 41.0]], "ccnet_language_score": [[0, 36, 0.77]], "ccnet_perplexity": [[0, 36, 296.5]], "ccnet_bucket": [[0, 36, 0.0]], "rps_doc_curly_bracket": [[0, 36, 0.0]], "rps_doc_ldnoobw_words": [[0, 36, 0.0]], "rps_doc_lorem_ipsum": [[0, 36, 0.0]], "rps_doc_stop_word_fraction": [[0, 36, 0.42857143]], "rps_doc_ut1_blacklist": [[0, 36, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 36, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 36, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 36, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 36, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 36, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 36, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 36, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 36, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 36, 0.0]], "rps_doc_frac_all_caps_words": [[0, 36, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 36, 0.0]], "rps_doc_frac_no_alph_words": [[0, 36, 0.28571429]], "rps_doc_frac_unique_words": [[0, 36, 1.0]], "rps_doc_mean_word_length": [[0, 36, 5.8]], "rps_doc_symbol_to_word_ratio": [[0, 36, 0.0]], "rps_doc_unigram_entropy": [[0, 36, 1.60943791]], "rps_doc_word_count": [[0, 36, 5.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 14, 0.0], [14, 36, 0.0]], "rps_lines_javascript_counts": [[0, 14, 0.0], [14, 36, 0.0]], "rps_lines_num_words": [[0, 14, 1.0], [14, 36, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 14, 0.0], [14, 36, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 14, 0.0], [14, 36, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 14, 0.0], [14, 36, 0.0]], "rps_doc_ml_palm_score": [[0, 36, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 36, null]], "rps_doc_ml_wikiref_score": [[0, 36, -1.001e-05]], "rps_doc_books_importance": [[0, 36, -2.89291141]], "rps_doc_openwebtext_importance": [[0, 36, -1.84988855]], "rps_doc_wikipedia_importance": [[0, 36, -3.75142756]], "rps_doc_num_sentences": [[0, 36, 1.0]]} |
Egypt's population increases 23.7 pct over decade
CAIRO, July 11 (Xinhua) -- Egypt saw its population growing 23.7 percent within a decade, said the country's official census authority on Monday to mark the World Population Day.
The Egyptian population jumped from 72.8 million in 2006 to 90.1 million at the beginning of 2016, the Central Agency for Public Mobilization and Statistics said in a statement.
Almost one third of the Egyptian population are under 15 years old, while the elderly (65 years of age upwards) make up four percent of the total population, the census agency said.
The fertility rate of Egyptian women is around three children, contributing to the growing number of young people, according to another report issued by the agency recently.
This year's World Population Day focuses on providing safety, education and opportunity for teenage girls.
The number of people worldwide will increase from 7.3 billion to 8.5 billion in 2030, according to the United Nations Population Fund. Enditem | 2023-14/0000/en_head.json.gz/3415 | {"url": "http://www.xinhuanet.com//english/2016-07/12/c_135505585.htm", "partition": "head_middle", "language": "en", "source_domain": "www.xinhuanet.com", "date_download": "2023-03-20T09:18:05Z", "digest": "sha1:QGSSOXPJRELVYTAURQQZ7XJYPNCXFKZN"} | {"ccnet_length": [[0, 1012, 1012.0]], "ccnet_original_length": [[0, 1012, 3459.0]], "ccnet_nlines": [[0, 1012, 7.0]], "ccnet_original_nlines": [[0, 1012, 77.0]], "ccnet_language_score": [[0, 1012, 0.93]], "ccnet_perplexity": [[0, 1012, 188.5]], "ccnet_bucket": [[0, 1012, 0.0]], "rps_doc_curly_bracket": [[0, 1012, 0.0]], "rps_doc_ldnoobw_words": [[0, 1012, 0.0]], "rps_doc_lorem_ipsum": [[0, 1012, 0.0]], "rps_doc_stop_word_fraction": [[0, 1012, 0.32160804]], "rps_doc_ut1_blacklist": [[0, 1012, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1012, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1012, 0.01705238]], "rps_doc_frac_chars_top_3gram": [[0, 1012, 0.04384896]], "rps_doc_frac_chars_top_4gram": [[0, 1012, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1012, 0.00502513]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1012, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1012, 0.2361809]], "rps_doc_frac_unique_words": [[0, 1012, 0.63975155]], "rps_doc_mean_word_length": [[0, 1012, 5.09937888]], "rps_doc_symbol_to_word_ratio": [[0, 1012, 0.0]], "rps_doc_unigram_entropy": [[0, 1012, 4.34848231]], "rps_doc_word_count": [[0, 1012, 161.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 50, 0.0], [50, 229, 1.0], [229, 407, 1.0], [407, 589, 1.0], [589, 763, 1.0], [763, 870, 1.0], [870, 1012, 0.0]], "rps_lines_javascript_counts": [[0, 50, 0.0], [50, 229, 0.0], [229, 407, 0.0], [407, 589, 0.0], [589, 763, 0.0], [763, 870, 0.0], [870, 1012, 0.0]], "rps_lines_num_words": [[0, 50, 7.0], [50, 229, 28.0], [229, 407, 29.0], [407, 589, 32.0], [589, 763, 27.0], [763, 870, 15.0], [870, 1012, 23.0]], "rps_lines_numerical_chars_fraction": [[0, 50, 0.06382979], [50, 229, 0.0297619], [229, 407, 0.08092486], [407, 589, 0.02272727], [589, 763, 0.0], [763, 870, 0.0], [870, 1012, 0.05797101]], "rps_lines_start_with_bulletpoint": [[0, 50, 0.0], [50, 229, 0.0], [229, 407, 0.0], [407, 589, 0.0], [589, 763, 0.0], [763, 870, 0.0], [870, 1012, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 50, 0.02], [50, 229, 0.06703911], [229, 407, 0.03932584], [407, 589, 0.01098901], [589, 763, 0.01149425], [763, 870, 0.03738318], [870, 1012, 0.04225352]], "rps_doc_ml_palm_score": [[0, 1012, 0.99091429]], "rps_doc_ml_wikipedia_score": [[0, 1012, null]], "rps_doc_ml_wikiref_score": [[0, 1012, 0.53888816]], "rps_doc_books_importance": [[0, 1012, -50.02974135]], "rps_doc_openwebtext_importance": [[0, 1012, 14.17822205]], "rps_doc_wikipedia_importance": [[0, 1012, 34.20314105]], "rps_doc_num_sentences": [[0, 1012, 13.0]]} |
Mosques of Zanzibar Town
Most of Zanzibar's population is Muslim, consequently Zanzibar Town has several mosques. The oldest is Malindi Mosque, a small, inconspicuous building near the port, with a minaret which is thought to be several hundred years old. Three of the larger mosques are in the northern part of Stone Town: the Ijumaa Mosque (Sunni); the Ithnasheri Mosque (Shia); and the Aga Khan Mosque (Ismaili). These were all built in the 19th century. Compared with the large mosques of other Islamic cities, often decorated with domes and tall minarets, the mosques of Zanzibar are relatively plain and unpretentious. However, in 1994 the Ijumaa Mosque (near the Big Tree) was completely renovated in a modern arabesque style, and the other large mosques may follow this trend.
Non-Muslims are not normally allowed to enter any mosque in Zanzibar Town although, if you have a genuine interest, a good local guide might be able to speak to the mosque's elders on your behalf and arrange an invitation. Men will find this easier than women. There are usually no restrictions on non-Muslims (men or women) visiting the area around a mosque, although photos of local people praying or simply congregating should not be taken without permission.
The Upimaji building
Between the orphanage and the People's Bank of Zanzibar, this building is now the Commission for Lands and Environment. In the 1860s it was the offices and home of Heinrich Ruete, the German merchant who eloped with Princess Salme.
The old British Consulate
This fine old house was used as the British consulate from 1841 to 1874, after which the consulate was moved to the Mambo Msiige building (see below). The first consul was Lieutenant-Colonel Atkins Hamerton, posted here to represent the interests of Britain after Sultan Said moved his capital from Oman to Zanzibar.
Later consuls here played host to several of the well-known British explorers, including Speke, Burton, Grant and Stanley, before they set out for their expeditions on the east African mainland. In 1874, the body of David Livingstone was brought here before being taken back to Britain for burial at Westminster Abbey.
From 1874 to 1974 the building was used as offices by the trading company Smith Mackenzie, but it was taken over by the government in the late 1970s. It is still used as government offices today, and visitors are not allowed to enter, but there is not much to see on the inside; most of the building's interest lies in its grand exterior.
The Mambo Msiige building
Its name meaning 'look but do not imitate', this grand house, incorporating a variety of architectural styles, overlooks the open 'square' at the far western end of Shangani Road. It was originally built around 1850 for a wealthy Arab, but the building was sold to the British Foreign Office in 1875 and used as the British consulate until 1913. From 1918 to 1924 it was used as the European hospital, after which it became government offices. Today, the Zanzibar Shipping Corporation is based here.
The Zanzibar milestone Near the People's Gardens is this octagonal pillar, built with marble taken from the palace at Chukwani, showing the distances from Zanzibar Town to other settlements on the island. For complete accuracy, the distances were measured from this exact point. The distance to London is also shown: 8,064 miles. This is the distance by sea. (By 1870, ships between Zanzibar and London travelled via the Suez Canal. Before this all voyages were much longer, via the Cape of Good Hope.)
The Zanzibar Milestone
Near the People's Gardens is this octagonal pillar, built with marble taken from the palace at Chukwani, showing the distances from Zanzibar Town to other settlements on the island. For complete accuracy, the distances were measured from this exact point. The distance to London is also shown: 8,064 miles. This is the distance by sea. (By 1870, ships between Zanzibar and London travelled via the Suez Canal. Before this all voyages were much longer, via the Cape of Good Hope.) | 2023-14/0000/en_head.json.gz/3416 | {"url": "http://www.zanzibar-travel-guide.com/bradt_guide.asp?bradt=1803", "partition": "head_middle", "language": "en", "source_domain": "www.zanzibar-travel-guide.com", "date_download": "2023-03-20T10:15:11Z", "digest": "sha1:5WJ3LUIAUQH2ZRLV2ECIKF65BNZCCZXN"} | {"ccnet_length": [[0, 4033, 4033.0]], "ccnet_original_length": [[0, 4033, 5278.0]], "ccnet_nlines": [[0, 4033, 14.0]], "ccnet_original_nlines": [[0, 4033, 72.0]], "ccnet_language_score": [[0, 4033, 0.97]], "ccnet_perplexity": [[0, 4033, 180.7]], "ccnet_bucket": [[0, 4033, 0.0]], "rps_doc_curly_bracket": [[0, 4033, 0.0]], "rps_doc_ldnoobw_words": [[0, 4033, 0.0]], "rps_doc_lorem_ipsum": [[0, 4033, 0.0]], "rps_doc_stop_word_fraction": [[0, 4033, 0.41146497]], "rps_doc_ut1_blacklist": [[0, 4033, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4033, 0.24830977]], "rps_doc_frac_chars_dupe_5grams": [[0, 4033, 0.26367548]], "rps_doc_frac_chars_dupe_6grams": [[0, 4033, 0.24830977]], "rps_doc_frac_chars_dupe_7grams": [[0, 4033, 0.24830977]], "rps_doc_frac_chars_dupe_8grams": [[0, 4033, 0.24830977]], "rps_doc_frac_chars_dupe_9grams": [[0, 4033, 0.24830977]], "rps_doc_frac_chars_top_2gram": [[0, 4033, 0.01843884]], "rps_doc_frac_chars_top_3gram": [[0, 4033, 0.00829748]], "rps_doc_frac_chars_top_4gram": [[0, 4033, 0.00737554]], "rps_doc_frac_all_caps_words": [[0, 4033, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4033, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4033, 0.15286624]], "rps_doc_frac_unique_words": [[0, 4033, 0.44477612]], "rps_doc_mean_word_length": [[0, 4033, 4.85671642]], "rps_doc_symbol_to_word_ratio": [[0, 4033, 0.0]], "rps_doc_unigram_entropy": [[0, 4033, 5.09935529]], "rps_doc_word_count": [[0, 4033, 670.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 25, 0.0], [25, 785, 1.0], [785, 1248, 1.0], [1248, 1269, 0.0], [1269, 1501, 1.0], [1501, 1527, 0.0], [1527, 1844, 1.0], [1844, 2163, 1.0], [2163, 2502, 1.0], [2502, 2528, 0.0], [2528, 3028, 1.0], [3028, 3531, 0.0], [3531, 3554, 0.0], [3554, 4033, 0.0]], "rps_lines_javascript_counts": [[0, 25, 0.0], [25, 785, 0.0], [785, 1248, 0.0], [1248, 1269, 0.0], [1269, 1501, 0.0], [1501, 1527, 0.0], [1527, 1844, 0.0], [1844, 2163, 0.0], [2163, 2502, 0.0], [2502, 2528, 0.0], [2528, 3028, 0.0], [3028, 3531, 0.0], [3531, 3554, 0.0], [3554, 4033, 0.0]], "rps_lines_num_words": [[0, 25, 4.0], [25, 785, 123.0], [785, 1248, 77.0], [1248, 1269, 3.0], [1269, 1501, 39.0], [1501, 1527, 4.0], [1527, 1844, 52.0], [1844, 2163, 51.0], [2163, 2502, 63.0], [2502, 2528, 4.0], [2528, 3028, 84.0], [3028, 3531, 83.0], [3531, 3554, 3.0], [3554, 4033, 80.0]], "rps_lines_numerical_chars_fraction": [[0, 25, 0.0], [25, 785, 0.00818554], [785, 1248, 0.0], [1248, 1269, 0.0], [1269, 1501, 0.01769912], [1501, 1527, 0.0], [1527, 1844, 0.02588997], [1844, 2163, 0.01290323], [2163, 2502, 0.03625378], [2502, 2528, 0.0], [2528, 3028, 0.04123711], [3028, 3531, 0.01646091], [3531, 3554, 0.0], [3554, 4033, 0.01727862]], "rps_lines_start_with_bulletpoint": [[0, 25, 0.0], [25, 785, 0.0], [785, 1248, 0.0], [1248, 1269, 0.0], [1269, 1501, 0.0], [1501, 1527, 0.0], [1527, 1844, 0.0], [1844, 2163, 0.0], [2163, 2502, 0.0], [2502, 2528, 0.0], [2528, 3028, 0.0], [3028, 3531, 0.0], [3531, 3554, 0.0], [3554, 4033, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 25, 0.12], [25, 785, 0.03947368], [785, 1248, 0.01511879], [1248, 1269, 0.0952381], [1269, 1501, 0.05603448], [1501, 1527, 0.11538462], [1527, 1844, 0.04416404], [1844, 2163, 0.04075235], [2163, 2502, 0.01179941], [2502, 2528, 0.11538462], [2528, 3028, 0.03], [3028, 3531, 0.0417495], [3531, 3554, 0.13043478], [3554, 4033, 0.03966597]], "rps_doc_ml_palm_score": [[0, 4033, 0.97286367]], "rps_doc_ml_wikipedia_score": [[0, 4033, null]], "rps_doc_ml_wikiref_score": [[0, 4033, 0.81389356]], "rps_doc_books_importance": [[0, 4033, -48.26332147]], "rps_doc_openwebtext_importance": [[0, 4033, 42.92363173]], "rps_doc_wikipedia_importance": [[0, 4033, 121.99292772]], "rps_doc_num_sentences": [[0, 4033, 33.0]]} |
UPDATE: School Committee Recommends Changing Name Of Abraham Lincoln High School Because He Allegedly ‘Didn’t Prove Black Lives Matter’
By Allan Miller | Dec 16, 2020
The San Francisco United School District’s School Names Advisory Committee has recommended stripping the name of former President Abraham Lincoln from a high school because he allegedly “did not show” that “black lives ever mattered” to him.
President Lincoln is among dozens of figures who the San Frrancisco school district renaming committee argues led a life filled with racism and therefore shouldn’t be on a school building, according to the San Francisco Chronicle.
They’ve created a Google Sheets spreadsheet listing over 100 public schools and their frustrations with each.
The committee’s spreadsheet indicates that Lincoln’s treatment of Native Americans during his administration met the criteria to rename a school after him.
“The discussion for Lincoln centered around his treatment of First Nation peoples, because that was offered first,” chairman of the renaming committee and a first grade teacher Jeremiah Jeffries said, according to the report. “Once he met the criteria in that way, we did not belabor the point.”
Let me get this straight. Abraham Lincoln High School — named after the man who signed the Emancipation Proclamation, pushed for the 13th amendment, and saved the Union — is being renamed because he didn't demonstrate that "black lives ever mattered" to him?
This is madness. https://t.co/6VddTuyITG
— Rep. Mike Gallagher (@RepGallagher) December 15, 2020
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“The history of Lincoln and Native Americans is complicated, not nearly as well known as that of the Civil War and slavery,” he said, according to the San Francisco Chronicle. “Lincoln, like the presidents before him and most after, did not show through policy or rhetoric that Black lives ever mattered to them outside of human capital and as casualties of wealth building.”
“Uprooting the problematic names and symbols that currently clutter buildings, streets, throughout the city is a worthy endeavor,” he noted, according to the report. “Only good can come from the public being reflective and intentional about the power of our words, names and rhetoric within our public institutions.”
A little history lesson:
Lincoln issued the Emancipation Proclamation, which declared that slaves held in the Confederate states were free, in 1862 and campaigned for the ratification of the 13th Amendment, which ended slavery in 1865.
…But Lincoln allegedly “did not show” that “black lives ever mattered” to him.
San Francisco Unified School District's renaming committee voted to rename Abraham Lincoln High School
San Francisco has more homeless drug users than students enrolled in high school
Perhaps instead of erasing history, they could address that.
— Charlie Kirk (@charliekirk11) December 16, 2020
The committee has sought to rename dozens of schools, with critics saying that the process for doing so, which apparently uses Wikipedia citations or selective news sources rather than a historical records or comprehensive research approach, is amateur and a waste of money, the San Francisco Chronicle reports.
Others on the list include George Washington High School, named after the nation’s first president who led colonists to victory during the Revolutionary War, according to the San Francisco Chronicle. Washington has been targeted for being a “slaveowner, colonizer” according to the committee’s spreadsheet.
Jefferson Elementary is also on the list, despite Thomas Jefferson’s authorship of the Declaration of Independence.
Officials from five high school alumni associations criticized the board and said they needed to consult professional historians, according to the report.
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This poster advertises the 1975 Royal Agricultural Winter Fair, on from Nov 14-22. It features illustrations of some of the features of the Fair.
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More than one-third of animals, plants at risk of extinction in US: report
More than a third of both animals and plants in the U.S. are currently ... to understand biodiversity imperilment in the United States. This new analysis of that data, a first in 20 years, makes ...
Huge chunk of plants, animals in US at risk of extinction: Report
3, 2018 file photo. Image Credit: AP A leading conservation research group has found that 40% of animals and 34% of plants in the United States are at risk of extinction, while 41% of ecosystems ...
Phys.org21d
Hundreds of Washington state plants, animals at risk of extinction
Over a third of species and ecosystems in the United States are at risk of disappearing, including hundreds of plants and animals in Washington. In a newly released report, conservation research ...
Nasdaq1mon
EXCLUSIVE-Huge chunk of plants, animals in U.S. at risk of extinction -report
Feb 6 (Reuters) - A leading conservation research group found that 40% of animals and 34% of plants in the United States are at risk of extinction, while 41% of ecosystems are facing collapse.
Seattle Times21d
Hundreds of WA plants, animals at risk of extinction
(Reuters) -A leading conservation research group found that 40% of animals and 34% of plants in the United States are at risk of extinction, while 41% of ecosystems ...
More than a third of animals and plants in the US are at risk of extinction
More than a third of species in the United States are at risk of disappearing, according to a study published on Monday. Some 40 per cent of animals and 34 per cent of plants are under threat of ...
Financial Post1mon
Huge chunk of plants, animals in U.S. at risk of extinction -report
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5billionsales a great oportonity
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Chunky The Pig Is Plastered...this is FUNNY! | 2023-14/0000/en_head.json.gz/3421 | {"url": "https://975wcos.iheart.com/featured/andy-woods/content/2020-05-14-chunky-the-pig-is-plasteredthis-is-funny/", "partition": "head_middle", "language": "en", "source_domain": "975wcos.iheart.com", "date_download": "2023-03-20T10:32:57Z", "digest": "sha1:DNVPRYXANMMN23I22TI77KSJEAPOPEV7"} | {"ccnet_length": [[0, 44, 44.0]], "ccnet_original_length": [[0, 44, 1641.0]], "ccnet_nlines": [[0, 44, 1.0]], "ccnet_original_nlines": [[0, 44, 65.0]], "ccnet_language_score": [[0, 44, 0.78]], "ccnet_perplexity": [[0, 44, 252.9]], "ccnet_bucket": [[0, 44, 0.0]], "rps_doc_curly_bracket": [[0, 44, 0.0]], "rps_doc_ldnoobw_words": [[0, 44, 0.0]], "rps_doc_lorem_ipsum": [[0, 44, 0.0]], "rps_doc_stop_word_fraction": [[0, 44, 0.2]], "rps_doc_ut1_blacklist": [[0, 44, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 44, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 44, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 44, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 44, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 44, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 44, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 44, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 44, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 44, 0.0]], "rps_doc_frac_all_caps_words": [[0, 44, 0.1]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 44, 0.0]], "rps_doc_frac_no_alph_words": [[0, 44, 0.2]], "rps_doc_frac_unique_words": [[0, 44, 0.85714286]], "rps_doc_mean_word_length": [[0, 44, 4.85714286]], "rps_doc_symbol_to_word_ratio": [[0, 44, 0.1]], "rps_doc_unigram_entropy": [[0, 44, 1.7478681]], "rps_doc_word_count": [[0, 44, 7.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 44, 1.0]], "rps_lines_javascript_counts": [[0, 44, 0.0]], "rps_lines_num_words": [[0, 44, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 44, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 44, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 44, 0.22727273]], "rps_doc_ml_palm_score": [[0, 44, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 44, null]], "rps_doc_ml_wikiref_score": [[0, 44, -1.001e-05]], "rps_doc_books_importance": [[0, 44, -6.06723737]], "rps_doc_openwebtext_importance": [[0, 44, -4.53081654]], "rps_doc_wikipedia_importance": [[0, 44, -6.92167608]], "rps_doc_num_sentences": [[0, 44, 2.0]]} |
Fire Crews Respond to Area Near Bald Mountain
Andrew Weeks Published: September 24, 2018
UPDATE: Crews were able to quickly extinguish the fire within minutes.
SUN VALLEY, Idaho (KLIX) – Fire crews have responded to reports of smoke and flames in the lower College area of the River Run side of Bald Mountain, according to the Blaine County Sheriff’s Office.
Authorities are advising people to stay out of the area to allow first responders to assess the situation and do their jobs.
More information will be posted as it becomes available.
Filed Under: idaho, Sun Valley | 2023-14/0000/en_head.json.gz/3422 | {"url": "https://983thesnake.com/fire-crews-respond-to-area-near-bald-mountain/", "partition": "head_middle", "language": "en", "source_domain": "983thesnake.com", "date_download": "2023-03-20T08:54:56Z", "digest": "sha1:NBTJ6FP762DDGP4WDAT4SK3242Z73SA7"} | {"ccnet_length": [[0, 571, 571.0]], "ccnet_original_length": [[0, 571, 3489.0]], "ccnet_nlines": [[0, 571, 7.0]], "ccnet_original_nlines": [[0, 571, 131.0]], "ccnet_language_score": [[0, 571, 0.94]], "ccnet_perplexity": [[0, 571, 260.3]], "ccnet_bucket": [[0, 571, 0.0]], "rps_doc_curly_bracket": [[0, 571, 0.0]], "rps_doc_ldnoobw_words": [[0, 571, 0.0]], "rps_doc_lorem_ipsum": [[0, 571, 0.0]], "rps_doc_stop_word_fraction": [[0, 571, 0.34234234]], "rps_doc_ut1_blacklist": [[0, 571, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 571, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 571, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 571, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 571, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 571, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 571, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 571, 0.03887689]], "rps_doc_frac_chars_top_3gram": [[0, 571, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 571, 0.0]], "rps_doc_frac_all_caps_words": [[0, 571, 0.03603604]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 571, 0.0]], "rps_doc_frac_no_alph_words": [[0, 571, 0.15315315]], "rps_doc_frac_unique_words": [[0, 571, 0.72916667]], "rps_doc_mean_word_length": [[0, 571, 4.82291667]], "rps_doc_symbol_to_word_ratio": [[0, 571, 0.0]], "rps_doc_unigram_entropy": [[0, 571, 4.06307338]], "rps_doc_word_count": [[0, 571, 96.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 46, 0.0], [46, 89, 0.0], [89, 160, 1.0], [160, 359, 1.0], [359, 484, 1.0], [484, 541, 1.0], [541, 571, 0.0]], "rps_lines_javascript_counts": [[0, 46, 0.0], [46, 89, 0.0], [89, 160, 0.0], [160, 359, 0.0], [359, 484, 0.0], [484, 541, 0.0], [541, 571, 0.0]], "rps_lines_num_words": [[0, 46, 8.0], [46, 89, 6.0], [89, 160, 11.0], [160, 359, 35.0], [359, 484, 22.0], [484, 541, 9.0], [541, 571, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 46, 0.0], [46, 89, 0.15], [89, 160, 0.0], [160, 359, 0.0], [359, 484, 0.0], [484, 541, 0.0], [541, 571, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 46, 0.0], [46, 89, 0.0], [89, 160, 0.0], [160, 359, 0.0], [359, 484, 0.0], [484, 541, 0.0], [541, 571, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 46, 0.15217391], [46, 89, 0.09302326], [89, 160, 0.09859155], [160, 359, 0.12060302], [359, 484, 0.008], [484, 541, 0.01754386], [541, 571, 0.13333333]], "rps_doc_ml_palm_score": [[0, 571, 4.327e-05]], "rps_doc_ml_wikipedia_score": [[0, 571, null]], "rps_doc_ml_wikiref_score": [[0, 571, 0.00038272]], "rps_doc_books_importance": [[0, 571, -32.93623441]], "rps_doc_openwebtext_importance": [[0, 571, -2.16001118]], "rps_doc_wikipedia_importance": [[0, 571, -3.87670748]], "rps_doc_num_sentences": [[0, 571, 5.0]]} |
Online transfer policy for non-teaching staff of Haryana
Haryana Polity and Governance Add to Study Deck 15
Haryana Governor Bandaru Dattatreya recently, approved the online transfer policy for non-teaching staff (Deputy Superintendent, Assistant, Steno Typist, Clerk, Laboratory Attendant and Group-C cadre (Junior Lecturer Assistant) working in government colleges of the state. has provided.
This policy will be applicable to College Cadre Group-C/Ministerial Staff working on a regular basis in Government Colleges, where the sanctioned strength is 80 or more.
According to the Higher Education Department, this policy has been formulated with the objective of ensuring fair and transparent deployment of Deputy Superintendent, Assistant, Steno Typist, Clerk, Laboratory Attendant and Junior Lecturer Assistant at various places and to increase their job satisfaction and improve their performance.
Normal transfers under this policy will be done only once in a year. However, transfer/appointment for promotion, direct recruitment and to fill up the posts as required in public interest can be made by the competent authority at any time. After completing the online process by 31st March or will be implemented as per the requirement of the department.
Under this policy, the employee who has completed the tenure of five years will be transferred to any government college or anywhere in the state or in public interest.
Age and composite score will also be taken into consideration for transfer/appointment under this policy. The allotment to the vacancy will be decided on the basis of aggregate aggregate marks scored by the employee out of the prescribed 80 marks. The employee scoring maximum marks will be entitled for transfer against a particular vacancy.
Age will be a major factor in deciding the claim of an employee against a vacancy, as it will have a preference of 60 marks out of a total of 80 marks. However, special benefits up to a maximum of 20 marks can be claimed by special categories of employees.
If the husband and wife are employed in any department, board, corporation under the Government of India or the State Government, then only one of the two can claim the benefit of five marks and for the same he has to make self-declaration. He has to submit that his spouse has not taken the benefit of this category (couple case). This self-declaration will have to be uploaded on the portal while participating in the drive.
By: Atul Dhimann | 2023-14/0000/en_head.json.gz/3423 | {"url": "https://abhipedia.abhimanu.com/Article/STATE/MzM5MjY2/Online-transfer-policy-for-non-teaching-staff-of-Haryana-Haryana", "partition": "head_middle", "language": "en", "source_domain": "abhipedia.abhimanu.com", "date_download": "2023-03-20T09:56:14Z", "digest": "sha1:SZEFEIGCZ553NS5LHPHA5YLX2ULG4LOX"} | {"ccnet_length": [[0, 2471, 2471.0]], "ccnet_original_length": [[0, 2471, 23651.0]], "ccnet_nlines": [[0, 2471, 11.0]], "ccnet_original_nlines": [[0, 2471, 259.0]], "ccnet_language_score": [[0, 2471, 0.95]], "ccnet_perplexity": [[0, 2471, 292.6]], "ccnet_bucket": [[0, 2471, 0.0]], "rps_doc_curly_bracket": [[0, 2471, 0.0]], "rps_doc_ldnoobw_words": [[0, 2471, 0.0]], "rps_doc_lorem_ipsum": [[0, 2471, 0.0]], "rps_doc_stop_word_fraction": [[0, 2471, 0.42604857]], "rps_doc_ut1_blacklist": [[0, 2471, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2471, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2471, 0.10458806]], "rps_doc_frac_chars_dupe_6grams": [[0, 2471, 0.10458806]], "rps_doc_frac_chars_dupe_7grams": [[0, 2471, 0.06610755]], "rps_doc_frac_chars_dupe_8grams": [[0, 2471, 0.06610755]], "rps_doc_frac_chars_dupe_9grams": [[0, 2471, 0.06610755]], "rps_doc_frac_chars_top_2gram": [[0, 2471, 0.02072028]], "rps_doc_frac_chars_top_3gram": [[0, 2471, 0.0222003]], "rps_doc_frac_chars_top_4gram": [[0, 2471, 0.02269364]], "rps_doc_frac_all_caps_words": [[0, 2471, 0.00441501]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2471, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2471, 0.1214128]], "rps_doc_frac_unique_words": [[0, 2471, 0.47594937]], "rps_doc_mean_word_length": [[0, 2471, 5.13164557]], "rps_doc_symbol_to_word_ratio": [[0, 2471, 0.0]], "rps_doc_unigram_entropy": [[0, 2471, 4.77004225]], "rps_doc_word_count": [[0, 2471, 395.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 57, 0.0], [57, 108, 0.0], [108, 395, 1.0], [395, 565, 1.0], [565, 903, 1.0], [903, 1259, 1.0], [1259, 1428, 1.0], [1428, 1771, 1.0], [1771, 2028, 1.0], [2028, 2455, 1.0], [2455, 2471, 0.0]], "rps_lines_javascript_counts": [[0, 57, 0.0], [57, 108, 0.0], [108, 395, 0.0], [395, 565, 0.0], [565, 903, 0.0], [903, 1259, 0.0], [1259, 1428, 0.0], [1428, 1771, 0.0], [1771, 2028, 0.0], [2028, 2455, 0.0], [2455, 2471, 0.0]], "rps_lines_num_words": [[0, 57, 8.0], [57, 108, 9.0], [108, 395, 36.0], [395, 565, 26.0], [565, 903, 46.0], [903, 1259, 59.0], [1259, 1428, 29.0], [1428, 1771, 54.0], [1771, 2028, 50.0], [2028, 2455, 75.0], [2455, 2471, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 57, 0.0], [57, 108, 0.04], [108, 395, 0.0], [395, 565, 0.01212121], [565, 903, 0.0], [903, 1259, 0.00573066], [1259, 1428, 0.0], [1428, 1771, 0.00591716], [1771, 2028, 0.02380952], [2028, 2455, 0.0], [2455, 2471, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 57, 0.0], [57, 108, 0.0], [108, 395, 0.0], [395, 565, 0.0], [565, 903, 0.0], [903, 1259, 0.0], [1259, 1428, 0.0], [1428, 1771, 0.0], [1771, 2028, 0.0], [2028, 2455, 0.0], [2455, 2471, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 57, 0.03508772], [57, 108, 0.11764706], [108, 395, 0.05923345], [395, 565, 0.05294118], [565, 903, 0.0443787], [903, 1259, 0.01123596], [1259, 1428, 0.00591716], [1428, 1771, 0.00874636], [1771, 2028, 0.0077821], [2028, 2455, 0.01639344], [2455, 2471, 0.1875]], "rps_doc_ml_palm_score": [[0, 2471, 0.44556874]], "rps_doc_ml_wikipedia_score": [[0, 2471, null]], "rps_doc_ml_wikiref_score": [[0, 2471, 0.28190935]], "rps_doc_books_importance": [[0, 2471, -89.63934971]], "rps_doc_openwebtext_importance": [[0, 2471, 34.41731614]], "rps_doc_wikipedia_importance": [[0, 2471, 12.5076959]], "rps_doc_num_sentences": [[0, 2471, 17.0]]} |
Books about Injustice
by Ken Kesey
A patient in a mental ward fights against the oppressive authority of the head nurse.
The book is narrated by "Chief" Bromden, a gigantic yet docile half-Native American patient at a psychiatric hospital, who presents himself as deaf and mute. Bromden’s tale focuses mainly on the ... (Wikipedia)
Young wizard must solve a centuries-old secret, uncovering dark forces at work in the magical world.
On Harry Potter 's twelfth birthday, the Dursleys— Vernon , Petunia , and Dudley —hold a dinner party. Uninvited, Harry is visited by the house-elf Dobby , who warns him not to return to Hogwarts. ... (Wikipedia)
The Last Olympian
The Olympians must unite forces to prevent the destruction of Olympus and the world.
While Percy Jackson is on a drive with Rachel Dare , he is approached by Charles Beckendorf , and the two head off to attack Luke's ship, The Princess Andromeda . Kronos , hosted in the mortal body ... (Wikipedia)
A prince's struggle with grief, revenge, and morality in the face of a corrupt court.
The protagonist of Hamlet is Prince Hamlet of Denmark, son of the recently deceased King Hamlet , and nephew of King Claudius , his father's brother and successor. Claudius hastily married King ... (Wikipedia)
Unbroken: A World War II Story of Survival, Resilience and Redemption
by Laura Hillenbrand
An extraordinary tale of struggle and survival, showing the power of resilience in the face of adversity.
On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean ... (Goodreads)
A teenage girl's struggle for survival in a post-apocalyptic world, with the fate of her people in her hands.
After the events of, Catching Fire, , Katniss Everdeen, her mother, her sister Primrose Everdeen, mentor Haymitch Abernathy, and her friends Finnick Odair and Gale Hawthorne, along with the survivors ... (Wikipedia)
by Harper Lee
A young girl learns about morality, justice, and courage by witnessing the trials of the people of her small town.
The story, told by the six-year-old Jean Louise Finch, takes place during three years (1933–35) of the Great Depression in the fictional town of Maycomb, Alabama, the seat of Maycomb County. ... (Wikipedia)
Mossflower
by Brian Jacques
Epic tale of adventure, courage, and friendship, set in a war-torn fantasy world.
The story begins in the Mossflower Wood, where a community of animals suffers under the tyranny of a ruling wildcat named Verdauga . When a mouse from the north, Martin the Warrior , comes to ... (Wikipedia)
A dystopian world where a young girl must fight for her life in an all-or-nothing arena.
After winning the 74th Hunger Games , Katniss Everdeen and Peeta Mellark return home to District 12 , the poorest sector of Panem . Six months later, prior to Katniss and Peeta's "Victory Tour" of ... (Wikipedia)
An investigative journalist and a computer hacker uncover the secrets of a long-buried crime.
Every year for the past 36 years, Henrik Vanger receives an anonymous dried flower in a picture frame on November 1, his birthday. He has all of the frames displayed on a wall in his house. Every ... (Wikipedia)
A Monster Calls
by Patrick Ness
A young boy's journey of self-discovery, coming to terms with his mother's terminal illness.
Thirteen-year-old Conor O'Malley awakens from the same nightmare he has been experiencing for the past few months, "the one with the darkness and the wind and the screaming". At seven minutes after ... (Wikipedia)
by Gillian Flynn
A complex tale of psychological manipulation, exploring the depths of deceit and deception.
The narrative alternates between the point of view of Nick and Amy Dunne. Nick's narration begins shortly after arriving home on his fifth wedding anniversary to find Amy is missing; there are signs ... (Wikipedia)
The Good Daughter
by Karin Slaughter
A woman's quest for justice, uncovering secrets and lies that threaten to tear her family apart.
“,The Good Daughter, is like, Law and Order, meets, The Good Wife,.” —theSkimm, Instant, New York Times, Bestseller,, theSkimm Book Club Pick!,, The stunning new novel from the international #1 ... (Barnes & Noble)
Amateur detective investigates the mysterious murder of a wealthy landowner.
In King's Abbot, wealthy widow Mrs Ferrars unexpectedly commits suicide, which distresses her fiancé, widower Roger Ackroyd. At dinner that evening in Ackroyd's home of Fernly Park, his guests ... (Wikipedia)
A young wizard's quest to save the magical world from a rising evil.
During the summer, Harry Potter and his cousin Dudley are attacked by Dementors . Forced to use magic to fend them off, Harry is expelled from Hogwarts, but his expulsion is postponed pending a ... (Wikipedia)
Between Shades of Gray
by Ruta Sepetys
A young girl's story of survival and resilience in the face of oppression during World War II.
Lina is just like any other fifteen-year-old Lithuanian girl in 1941. She paints, she draws, she gets crushes on boys. Until one night when Soviet officers barge into her home, tearing her family ... (Goodreads)
Murder at the Vicarage
A seemingly peaceful English village is shaken when its vicar is murdered.
The novel is narrated by Rev. Leonard Clement, the vicar of St. Mary Mead, who lives with his much younger wife Griselda and their nephew Dennis. Colonel Lucius Protheroe, Clement's churchwarden , is ... (Wikipedia)
A moral journey through the rural landscape of 1940s Maine, exploring issues of responsibility, family, and love.
Homer Wells grows up in an orphanage where he spends his childhood trying to be "of use" as a medical assistant to the director, Dr. Wilbur Larch, whose history is told in flashbacks : After a ... (Wikipedia)
A dystopian future, where a mysterious vigilante fights for freedom and justice.
On Guy Fawkes Night in London in 1997, a young girl goes to see her boss after curfew when she is sexually attacked by three men who are actually members of the state secret police , called "The ... (Wikipedia)
by James S.A. Corey
Space adventure of two unlikely allies in a fight to save humanity.
The ice hauling ship Canterbury (nicknamed the Cant by Belters) is en route from Saturn's Rings to Ceres Station when it encounters a distress signal . Five members of the Cant 's crew are dispatched ... (Wikipedia)
The Hunger Games: Official Illustrated Movie Companion
by Kate Egan
A behind-the-scenes look at the making and production of the Hunger Games movie.
Go behind the scenes of the making of The Hunger Games with exclusive images and interviews. From the screenwriting process to the casting decisions to the elaborate sets and costumes to the actors' ... (Goodreads)
A tale of revenge and redemption, as a man escapes the injustice of his imprisonment and seeks justice.
In 1815, Edmond Dantès, a young merchant sailor returns to Marseille to marry his Catalan fiancée Mercédès. He brings in the ship Pharaon to the owner, M Morrel, as his captain Leclère died on the ... (Wikipedia)
Career of Evil
by Robert Galbraith
Private detective investigates a series of mysterious and violent cases linked to a deranged criminal.
After murdering a woman, an unidentified man stalks Robin Ellacott, whom he sees as part of his plan to exact revenge against private investigator Cormoran Strike. Robin, having worked for Strike for ... (Wikipedia)
The Enemy
A retired military cop is tasked with finding a missing American soldier in Iraq.
In the last hours of 1989, Major Gen. Kenneth Kramer dies of a heart attack in a seedy North Carolina motel, apparently while in the company of a prostitute. MP Maj. Jack Reacher investigates and ... (Wikipedia)
by Alice Sebold
A haunting tale of a young girl's afterlife, exploring the grief of her family and those around her.
On December 6, 1973, 14-year-old Susie Salmon takes her usual shortcut home from her school through a cornfield in Norristown, Pennsylvania . George Harvey, her 36-year-old neighbor, a bachelor who ... (Wikipedia)
Before We Were Yours
by Lisa Wingate
Family torn apart is reunited across generations, revealing a powerful tale of resilience and hope.
Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the ... (Goodreads)
Small Great Things
A gripping story of racism and justice, exploring the intersections of power and privilege.
#1, NEW YORK TIMES, BESTSELLER • With richly layered characters and a gripping moral dilemma that will lead readers to question everything they know about privilege, power, and race,, Small Great ... (Barnes & Noble)
A Child Called "It"
by Dave Pelzer
True story of a child's unbearable suffering at the hands of an abusive parent.
Also see: Alternate Cover Editions for this ISBN [ACE], ACE #1, This book chronicles the unforgettable account of one of the most severe child abuse cases in California history. It is the story of ... (Goodreads)
Kiss the Girls
Detective Alex Cross races against time to stop a serial killer from abducting more victims.
As a teenage boy in 1975 Boca Raton , Florida , a future serial killer calling himself Casanova kills his first four victims. Elsewhere in 1981 Chapel Hill , North Carolina , another killer calling ... (Wikipedia)
by Aleksandr Solzhenitsyn
A single day in a Soviet prison camp, detailing the hardships and struggle of the inmates.
Ivan Denisovich Shukhov has been sentenced to a camp in the Soviet gulag system. He was accused of becoming a spy after being captured briefly by the Germans as a prisoner of war during World War II ... (Wikipedia)
A tale of jealousy, manipulation, and tragedy, as one man's descent into madness leads to disastrous consequences.
In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual ... (Goodreads)
A young woman must embrace her power and destiny to lead her kingdom and protect her people.
Discover Sarah J. Maas's #1, New York Times, bestselling Throne of Glass series-now available for a limited time in a brand-new miniature format! This exclusive edition highlights Sam Cortland. ... (Barnes & Noble)
Edge of Eternity
by Ken Follett
A sweeping epic of love, loss, and redemption, spanning three generations in the 20th century.
The story follows characters from Germany, Britain, the United States and the Soviet Union, who become linked by events from just before the construction of the Berlin wall in 1961 to that wall’s ... (Wikipedia)
A small town lawyer's fight for justice for a black man accused of murder.
In the small town of Clanton, in fictional Ford County, Mississippi , a ten-year-old African-American girl named Tonya Hailey is viciously raped and beaten by two white supremacists , James "Pete" ... (Wikipedia)
And Then There Were None
A group of strangers are invited to an isolated island, only to find themselves accused of murder.
These details correspond to the text of the 1939 first edition. Eight people arrive on a small, isolated island off the Devon coast, each having received an unexpected personal invitation. They are ... (Wikipedia)
A young woman discovers her true strength and identity as she embarks on a dangerous journey to save her kingdom.
The seductive and stunning #1, New York Times, bestselling sequel to Sarah J. Maas’s spellbinding, A Court of Thorns and Roses,. Feyre has undergone more trials than one human woman can carry in her ... (Goodreads)
The Last Mile
A wrongly convicted man is granted a temporary reprieve on death row to help solve a crime.
Convicted murderer Melvin Mars is counting down the last hours before his execution–for the violent killing of his parents twenty years earlier--when he's granted an unexpected reprieve. Another man ... (Goodreads)
A supernatural quest to save humanity from a powerful and ancient evil.
Under the rule of science, there are no witch burnings allowed, no water trials or public lynchings. In return, the average law-abiding, solid citizen has little to worry about from the things that ... (Goodreads)
A Breath of Snow and Ashes
A time-traveling story of loss and redemption, as characters confront the past and the future.
Claire is the wife of Jamie Fraser, her 18th century husband, and facing the politics and turmoil of the forthcoming American Revolution . The preceding novel,, The Fiery Cross, , concluded with ... (Wikipedia)
Two sisters in Nazi-occupied France struggle to survive and find strength in the face of their oppressors.
In love we find out who we want to be.,In war we find out who we are.,FRANCE, 1939 In the quiet village of Carriveau, Vianne Mauriac says good-bye to her husband, Antoine, as he heads for the Front. ... (Goodreads)
Small Favor
by Jim Butcher
A wizard detective uses magic to solve a dangerous supernatural mystery.
One year after the events in, White Night, , Dresden is confronted by Queen Mab calling in one of the favors owed her by Harry: that he be her "Emissary," and protect John Marcone. Despite repeated ... (Wikipedia)
Twelve Years a Slave
by Solomon Northup
A man's journey of survival and resilience after being kidnapped and sold into slavery in the antebellum South.
Twelve Years a Slave, sub-title: Narrative of Solomon Northup, citizen of New-York, kidnapped in Washington city in 1841, and rescued in 1853, from a cotton plantation near the Red River in ... (Goodreads)
by Bryan Stevenson
A powerful true story of justice and redemption, exposing the flaws of America's criminal justice system.
In 1989, idealistic young Harvard law graduate Bryan Stevenson travels to Alabama hoping to help fight for poor people who cannot afford proper legal representation. Teaming with Eva Ansley, he ... (Wikipedia)
Nineteen Minutes
A small town is rocked by a school shooting, examining lives of those involved and the aftermath.
The story begins on March 6, 2007 in the small town of Sterling, New Hampshire , tracking the lives of a number of characters on an "ordinary day." The characters include Alex Cormier, a superior ... (Wikipedia)
Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World
by Tracy Kidder
A story of one man's journey to fight poverty, illness, and injustice around the world.
At the center of Mountains Beyond Mountains stands Paul Farmer. Doctor, Harvard professor, renowned infectious-disease specialist, anthropologist, the recipient of a MacArthur "genius" grant, ... (Goodreads)
The Cuckoo's Calling
Detective story of a mysterious death and a search for the truth.
Disabled Afghan War veteran and struggling private investigator Cormoran Strike is approached by John Bristow, the adoptive brother of Strike's childhood schoolmate Charlie. Bristow believes his ... (Wikipedia)
A shapeshifter and a witch join forces to investigate an ancient supernatural menace.
Anna never knew werewolves existed, until the night she survived a violent attack... and became one herself. After three years at the bottom of the pack, she'd learned to keep her head down and ... (Goodreads)
The Bone Collector
by Jeffery Deaver
A detective and a forensic specialist race against time to stop a serial killer.
Lincoln Rhyme was once a brilliant criminologist, a genius in the field of forensics – until an accident left him physically and emotionally shattered. But now a diabolical killer is challenging ... (Goodreads)
Naked in Death
by J.D. Robb
A murder investigation set in a futuristic New York City, uncovering secrets about a criminal ring.
In 2058, Eve Dallas, Lieutenant in the NYPSD (New York Police and Security Department) Homicide division, is tasked with finding the culprit who killed Sharon DeBlass, a licensed companion (that is, ... (Wikipedia)
Social Dynamics
A Stolen Life
by Jaycee Dugard
A woman's harrowing account of being kidnapped and held captive for 18 years.
On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California. It was the last her family and friends saw of her for over eighteen ... (Goodreads)
Sarah's Key
by Tatiana de Rosnay
A French journalist unravels an untold story of the Holocaust, uncovering hidden secrets.
From beloved international sensation and #1, New York Times, bestselling author Tatiana de Rosnay come's her most celebrated novel, Sarah's Key,—now in mass market paperback!, Paris, July 1942: ... (Barnes & Noble)
The Snowman
Detective Harry Hole investigates a series of grisly murders, with the help of a mysterious snowman.
In 1980, a married woman has illicit sex with a lover while her adolescent son waits in a car outside; their lovemaking is disturbed when they think somebody is looking at them from outside the ... (Wikipedia)
by Alexandra Bracken
Young adults with extraordinary powers fight for survival against a tyrannical government.
When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that gets her sent to ... (Goodreads)
North and South
by Elizabeth Gaskell
A tale of two contrasting worlds, exploring the divisions of the industrial revolution.
Nineteen-year-old Margaret Hale has lived for almost 10 years in London with her cousin Edith and her wealthy Aunt Shaw, but when Edith marries Captain Lennox, Margaret happily returns home to the ... (Wikipedia)
Class Conflict
Crooked Kingdom
by Leigh Bardugo
A gang of criminals must band together to take down a powerful adversary.
In the prologue, a Grisha man named Emil Retvenko is kidnapped by a winged Shu man. The book commences in a gambling parlor known as Club Cumulus where Jesper and Nina keep Jan Van Eck's lawyer, ... (Wikipedia)
Dark tale of psychological warfare between Batman and the Joker.
Critically acclaimed author Alan Moore redefined graphic novel story-telling with, Watchmen, and, V for Vendetta,. In, Batman: The Killing Joke, he takes on the origin of comics' greatest ... (Barnes & Noble)
Batman: The Long Halloween
by Jeph Loeb
Batman's quest to unmask a mysterious serial killer in Gotham City.
At a wedding in June, Gotham City mob boss Carmine "The Roman" Falcone tries to pressure Bruce Wayne to help launder money, but Bruce refuses. Bruce leaves the party with his quasi-girlfriend Selina ... (Wikipedia)
Detective Hercule Poirot solves a murder mystery on the luxurious Orient Express.
After taking the Taurus Express from Aleppo to Istanbul , private detective Hercule Poirot arrives at the Tokatlian Hotel , where he receives a telegram prompting him to return to London . He ... (Wikipedia)
Roots: The Saga of an American Family
by Alex Haley
A multigenerational saga tracing the journey of an African American family in the U.S.
Roots tells the story of Kunta Kinte —a young man taken from the Gambia when he was seventeen and sold as a slave—and seven generations of his descendants in the United States. Kunta, a Mandinka ... (Wikipedia)
Nothing to Envy: Ordinary Lives in North Korea
by Barbara Demick
Exploration of the lives of North Koreans during the famine and repression of the 1990s.
Nothing to Envy follows the lives of six North Koreans over fifteen years—a chaotic period that saw the death of Kim Il-sung, the unchallenged rise to power of his son Kim Jong-il, and the ... (Goodreads)
Batman: Year One
by Frank Miller
The origin story of Batman, tracing his journey to become Gotham City's greatest hero.
Bruce Wayne returns home to Gotham City at the age of twenty-five from training abroad in martial arts, man-hunting, and science for the past 12 years. James Gordon moves to Gotham City with his ... (Wikipedia)
by Chimamanda Ngozi Adichie
A young girl's struggle to find her place in a family and society torn apart by political turmoil.
A previously published edition of ISBN 9781616202415 can be found, here., Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, ... (Goodreads)
World Without End
Epic tale of love and war, tracing the lives of two families over centuries.
The novel begins in the fictional city of Kingsbridge, England in the year 1327 . Four children - Merthin, Caris, Gwenda, and Merthin's brother Ralph - head into the woods on All Hallows Day . ... (Wikipedia)
A modern woman is thrown back in time, forced to confront the harsh realities of slavery.
Kindred scholars have noted that the novel's chapter headings suggest something "elemental, apocalyptic, archetypal about the events in the narrative," thus giving the impression that the main ... (Wikipedia)
The Indian in the Cupboard
by Lynne Reid Banks
A magical story of a boy and his beloved toys coming to life in unexpected ways.
On Omri’s ninth birthday, his best friend Patrick gives him the disappointing gift of a small plastic Indian figurine. Omri also receives a white metal medicine cupboard from his brother. The only ... (Wikipedia)
Then She Was Gone
by Lisa Jewell
A mother's desperate search for her missing daughter reveals secrets of a dark family history.
#1, NEW YORK TIMES, BESTSELLER From the, New York Times, bestselling author of, Invisible Girl, and, The Truth About Melody Browne, comes a “riveting” (,PopSugar,) and “acutely observed family drama” ... (Barnes & Noble)
A young woman's struggle against a magical world, in search of a deadly foe.
When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre ... (Goodreads)
A thrilling conclusion to the Infernal Devices series, with a final battle between good and evil.
Two months after the events of the previous book , Tessa Gray is in the midst of preparing for her wedding to Jem Carstairs. Gabriel Lightwood arrives at the Institute and requests help in taking ... (Wikipedia)
Tell No One
A man's quest to uncover the truth behind the disappearance of his wife, uncovering a deeper mystery.
For Dr. David Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night ... (Goodreads)
by Soman Chainani
Two friends struggle to survive a magical school, where fairy tales come to life.
The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern ... (Goodreads)
Turn Coat
Wizard detective must uncover a traitor within the magical community to save his life.
Nearly a year and a half after the events in, Small Favor, , a wounded Warden Morgan shows up at Dresden's apartment, asking for protection from the other Wardens. Morgan reveals that he was drugged ... (Wikipedia)
by Andrzej Sapkowski
Epic fantasy adventure of a witcher on a quest to protect the world from dark forces.
The anthology consists of several stories, loosely linked in a chronology. The short stories in this collection take place before the events of the novels and introduce characters that become major ... (Wikipedia)
The Fire Next Time
by James Baldwin
Reflection on the plight of African Americans in a candid and deeply moving essay.
A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James ... (Goodreads)
A young woman's fight for freedom in a world of tyranny and oppression.
A Scholar girl by the name of Laia lives in the Martial Empire with her grandparents and brother Darin in the city of Serra. Their existence is a grueling one as they are seen as second-class ... (Wikipedia)
A young woman's quest for power and identity in a magical kingdom.
Everyone Celaena Sardothien loves has been taken from her. But she’s at last returned to the empire—for vengeance, to rescue her once-glorious kingdom, and to confront the shadows of her past… She ... (Goodreads)
An ex-FBI agent seeks to uncover the truth behind a mysterious death and bring justice to the victim.
Homicide Lieutenant Lindsay Boxer is still recovering from the recent loss of her partner and is just returning to the force when she is called in to investigate a series of murders that include an ... (Wikipedia)
by Tami Hoag
Serial killer investigation unearths a decades-old unsolved murder case.
He performs his profane ceremony in a wooded Minneapolis park, anointing his victims, then setting the bodies ablaze. He has already claimed three lives, and he won’t stop there. Only this time there ... (Goodreads)
Halfway to the Grave
A vampire-human hybrid searches for her past and battles a dangerous criminal underworld.
Flirting With The Grave… Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father – the one responsible for ruining her mother’s ... (Goodreads)
Empire of Storms
Epic fantasy adventure as a young queen fights to reclaim her throne amidst a war-torn kingdom.
Kingdoms collide in Sarah J. Maas's epic fifth installment in the, New York Times, bestselling Throne of Glass series. The long path to the throne has only just begun for Aelin Galathynius. Loyalties ... (Barnes & Noble)
A thrilling story of a small town gripped in fear, as a detective attempts to unravel a series of murders.
Six months ago, Atlanta homicide detective Faith Mitchell's police captain mother was the focus of an investigation that resulted in her retirement and the firing of six narcotics officers. It was a ... (Wikipedia)
A is for Alibi
by Sue Grafton
Private investigator unravels the case of a murdered woman, uncovering a web of lies and deceit.
Kinsey Millhone , 32, private detective investigates the death of prominent divorce lawyer Laurence Fife. His murder eight years earlier was blamed on his wife, Nikki Fife. Upon being released from ... (Wikipedia)
Say You're Sorry
by Melinda Leigh
A detective on a mission to solve a cold case, uncovers secrets and lies along the way.
A #1 Amazon Charts bestseller and Prime Reading’s most read book of 2018.,, In this thrilling series from, Wall Street Journal, bestselling author Melinda Leigh, former prosecutor Morgan Dane faces ... (Barnes & Noble)
A Great Reckoning
by Louise Penny
A murder mystery set in a sleepy Quebec village, uncovering dark secrets and hidden dangers.
Instant, New York Times, bestseller:,#1 in Hardcover Fiction,#1 in E-book Fiction,#1 in Combined Print and E-book Fiction,"Deep and grand and altogether extraordinary....Miraculous.",—,The Washington ... 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Campos, Mallorca, Things to do and see, hotels, market
Who would ever believe that the picture above was taken in one of Mallorca’s most rural and agricultural dominated municipalities? Campos offers a bit of everything, among others Mallorca’s longest unspoilt beach, es Trenc, which is why it has also grown more popular than ever among tourists.
CAMPOS WEATHER
Things to do and see in the Campos area
ECOMUSEU SON LLADÓ
Ever been curious on the agrarian lifestyle, or wondered how agriculture has developed throughout the centuries? Perhaps you have a dream of moving away from the city, or to Mallorca, to start your own sustainable production becoming self-sufficient and need a little know-how? Whatever your reason be, make sure to visit the Ecomuseu situated in the agroturismo of Son Lladó, and you will have all questions answered. The museum takes you on a journey of the Mallorcan countryside and educate you in how different types of mills work, how things were done in the past etc.
Visit the ecomuseu Son Lladó
ES TRENC BEACH
One of the most renown and unspoiled beaches on the Mallorcan coasts is actually found here in Campos, namely the beach of es Trenc. Its silky soft white duvet of sand and low crystal clear water stretches about 2km with plenty of room for sunbathing and beach activities.
PARISH CHURCH OF SANT JULIÀ
Visit the Sant julià church
SALOBRAR WETLANDS
The second largest wetland in Mallorca is found in the southern part of Campos, namely the es Salobrar reserve. This massive eco-system of dunes and canals is home to a wide variety of birds and other species that enjoy the great natural sources here.
ARTESTRUZ OSTRICH FARM
Artestruz is a family-driven ostrich farm situated not far from the beautiful es Trenc beach. On the farm you can meet and get close to these curious birds, taste ostrich eggs and even ride one. There are many fun things to do on the farm, as well as many things to learn.
Visit Artestruz
CONVENT OF THE MINIMS
Convent of Minims
ORATORY OF SANT BLAI
CYCLING IN THE COUNTRYSIDE
One of the major activities in Campos is road cycling in the huge network of rural country roads.
Best accommodation in Campos
Es Revellar Art Resort Adults Only *****
How do you get inspired? Where does inspiration come from? Es Revellar Art Resort tries to provide the answer, with this impressive and different hotel located in beautiful Campos. The hotel is built of holiday homes, all individually decorated and filled with works of art. In other words, you live in an art gallery where inspiration flows in the atmosphere all over the place. The hotel’s restaurant serves delicious innovative dishes served with local wines.
Agroturismo Finca Sant Blai
Take the family to a real Mallorcan farm, where you live with the animals in scenic and harmonious rural surroundings in Campos. The farm offers an authentic experience, and has also been equipped with facilities to make the stay fun and educational for children. The close relationship with the animals on the farm makes the stay here purely therapeutic.
Casa Rural Son Bernadinet *****
Unplug and let yourself fall naturally into the relaxing and idyllic surroundings that characterize this rural country house in Campos. You live in a rustic and charming finca, surrounded by adventurously beautiful gardens, where Mediterranean flowers, plants and vegetable cultivation aids in creating a particularly fresh scent and atmosphere.
Hotel Sa Creu Nova – Adults Only *****
Enjoy an exclusive finca holiday in Campos, at this beautiful and luxurious adult hotel located in a charming finca in the heart of the rural village. The hotel offers a wealth of relaxing facilities, spacious rooms, 2 delicious restaurants and a unique location. The interior of the hotel is a wonderful mix of typical Mallorcan rustic and modern style purity and elegance, which gives this exclusive feeling.
Beaches in Campos
Platja es Trenc
Platja es Trenc stretches 3.5 km and is the longest natural beach in Mallorca. The beach features fine-grained white sand and shallow crystal clear water, perfect for various beach activities.
Weekly market in Campos
The market in Campos is held every Thursday and Saturday in the Plaça de sa Creu. The market in Campos is a traditional farmers market offering a great selection of vegetables, fruits, meats and cheeses. Visiting the market gives you a great opportunity to not only sample some of the local specialties, but also sample the unique atmosphere and indulge in a tradition held ever since the town was founded in the early 14th century.
The Saturday market is extended to also include secondhand items, creating an even more vibrant atmosphere.
During July and August, a market is held in Sa Rapita on Wednesdays and Saturdays.
Festes de Sant Julià
Sant Julià is the patron saint of Campos, and celebrated each year in the beginning of January with a great festival.
Sant Julià (Julianus Hospitator) is the patron saint of Campos, and celebrated every year in January. The festivities here are often overlooked in Mallorca, falling between Christmas, Holy Three Kings and the celebration of Antonius the Holy, all of which take place within a month.
But if you are in the area at the beginning of January, then you should head into the city and experience this traditional event on January 9. Here you can experience some very special cultural traditions, among others, dances by the dance group els Cossiers, a dance act in seven pieces that is typical of Mallorcan culture. You can also experience performances with Goig’s, poetic compositions of songs written for saints performed by choirs at religious events.
Where: Campos town
When: January 9th
Fira de Maig / Fira de ses vaques
If you are looking to experience true Mallorcan soul really feel the rural life of the countryside, come to Campos in May to participate in the May fair, also known as the “Cow Fair”. As the name suggests, this fair pays a special tribute to cows, one of the major sources of income in Campos. During the fair, you can browse, purchase and sample a wide range of delicacies, crafts, tools and other typical stuff of agrarian and artisan character. Shows, exhibitions, concerts are too a part of the program when spring is being celebrated. One of the highlights for the locals, is the cow milking contest, paying homage to an industry synonymous to the area, and hads made Campos one of the major export areas of milk in Spain.
When: Beginning of May
Festes de Mare de Deú de Carme
Most traditional fishing villages celebrate Our Lady of Mount Carmel, as she is the protector of seamen. And so does the village of Sa Rapita. One of the highlights of this festival, is the procession at sea. But you can look forward to a fully packed program of fun and cultural events and activities during the two weeks the festivities are held, such as open-air dinners, concerts, markets, exhibitions, games, contests, water sports, dancing etc. Basically, it is an expanded beach party for adults, just wonderful.
Where: Sa Rapita
When: Middle of July
Celebration of summer
Summer is here and it will be celebrated with a big festival in town. Open-air dinners, stands, talks, concerts, games, competitions and more fun activities marks the summertime in Campos. The festival is coinciding with a rather new initiative, the “AN”, an art fair inaugurated just a few years ago but already an important part of the summer celebrations. The art fair is dedicated to unconventional art, which opens a new dimension of creativity, a wonderful contrast to the authentic and traditional surroundings it is held in.
Where: Campos
When: Middle of August
Autumn fair
Gastronomy is a keyword when talking about the local soul and culture in Campos, and what better way to celebrate gastronomy than having a fair concentrating on food. Traditionally, this fair was dedicated to “matances”, butchers, as late autumn was typically the time to slaughter pigs. It was also the time to make the famous Sobrassada sausages, which is too celebrated with a mini-fair coinciding with the autumn fair. Many of the restaurants and bars in Campos create a special fair-menu, tapas routes and food tastings. If you are a foodie, and a sucker for great meat and sausages, you do not want to miss out on the autumn fair in Campos.
When: Late October
Get to know the Campos area and its history
Campos is a town and municipality located in the southeastern region of Mallorca called Migjorn, a region that also comprise the municipalities of Llucmajor, Ses Salines, Santanyí and Felanitx.
Campos is a tranquil and authentic oasis located between the fields of the rural countryside and the crystal clear waters of the Mediterranean. The true Mallorcan soul is present in the atmosphere, and you will not need to look far to discover the welcoming spirit of the people, the gastronomical experiences and great traditions practiced here.
Unlike most other coastal areas of the island, Campos does not have many hotels. In return, there are a number of charming fincas and agroturismos in the area completing an authentic rural holiday.
The municipality covers a surface of 14.947,55 ha whereof 1.855 of those are protected areas. As of 2018, the total population was 10.610 inhabitants divided in six areas, Campos town, Sa Rapita, Sa Rapita Dalt, Sa Vinyola, Ses Covetes and Sa Sorda.
History of Campos
In this section of the guide, we will walk you through some of the key periods and events in the history of Campos, so you will (hopefully) have a better understanding of the area when you visit.
Prehistory and Talaiotic culture
When talking about human occupation in the area, we can go as far back as 1,700 BC, back to the Bronze Age. From these very early days, the burial caves of Ses Talaies, Son Toni Amer, Morro de Son Coves and Son Xorc, dating from about 1,700 BC – 1,200 BC.
Some of the first constructions was built around 1,500 BC, the so-called “navetas”, a name they have acquired due to their keel-like shapes.
One of the most fascinating periods of the Balearic prehistory, is the Talaiotic culture. A culture that was made by a mix of indigenous peoples, ancient Greeks and Phoenicians that occurred in the late Bronze Age about 1,200 BC and lasted until the Roman conquest in 123 BC. The name of this culture was given as the word “talaia” means “watchtower” or “lookout” in Catalan, and that was the over-shining characteristic of the mindset of the people of that time, their constructions became military oriented.
Explorers and colonizers from the ancient east traveled across the Mediterranean sea in search of land and metals. It was known that the lands of current day western Europe were rich on metals and minerals. In present day Girona, Catalonia, the ancient Greeks of Phocaea (present day Foça, Turkey) founded the city of Empúries in the late 5th century. The Phoenicians too was seeking to expand their territory and enhance their trade in the Mediterranean, they were particularly after the ore found in the Iberian Pyrite Belt (stretch between northwest Portugal and Sevilla). The Phoenicians established textile factories in most of their colonies, in which they had a predilection for islands and territories close to the sea, which again proves their trading activities.
With these things in mind, it is now easier to understand the life of the Talaiotic people in Mallorca, they were agrarians, producers, traders and warriors. The philosophy behind their constructions came from a defensive point of view, they needed to be guard of potential threats. In Campos, there are several very interesting Talaiotic sites, i.e. Son Baco and the village of des Cap des Sol.
From the late 3rd century BC, there are remains of a Phoenician factory found in the area of the es Trenc beach.
Another key aspect of the Talaiotic culture, was the Balearic foner, a deadly warrior known for his ability to sling projectiles. These warriors were part of the troops in the wars in Sicily and in the Punic Wars, fighting alongside elite soldiers of the Phoenician army against Romans. Hannibal has been cited to pay extra tribute to these warriors and to have demanded that they were given more protection than any other troop. The foners were deadly to their enemies, they could crush bones and break wood with their enormous power, distance and accuracy in their shots.
Roman conquest
In 123 BC, Roman general Quintus Caecilius Metellus conquered the Balearic islands, a conquest that gave him the title of consul and the nickname “Balearicus”. Metellus was an experienced man of warm, however, he did not have many major accomplishments on his record, which is part of the reason that the conquest of the Balearic Islands came in a convenient time. The official reason for the conquest, was a strike against piracy in the Mediterranean, which truly was a part of it. But more importantly, it was strategic trading outpost, that gave the Romans more dominance in the region, and again, a safer journey when they traveled by naval routes.
Quintus Caecilius Metellus was well aware of his opponents and their capabilities to defend themselves from the shores. He had already been acquainted with the Balearic foners and knew these would cause him great loses. To counter the devastating shots of the foners, he strapped leather around his ships to function as a protective shield when the projectiles hit. This tactic allowed him to embark his troops close to the shoreline.
From then, the battle began against the indigenous people of Mallorca, who retrenched and barricaded themselves in the walled enclosures of the Talaiotic villages. It was a prolonged process of finding and fighting the tribes, however, when first found the resistance was not a match for the organizedand skilled Roman troops.
One of the local legends that has passed since Roman occupation, is about the healing thermal springs located in the old oratory of Font Santa between Campos and Colònia de Sant Jordi.
Byzantine and Christian conquest
After the fall of the western Roman empire in the middle of the 4th century, Mallorca was more or less abandoned, that is, there were no long staying significant cultures. Life on the island was characterized by shorter periods of Vandals and other nomad cultures, hence the centuries between the 4th and 9th are popularly referred to as the “obscure”. However, in 534, Byzantine general Apolinar recaptured Menorca and the eastern part of Mallorca, on the orders of Emperor Justinian I. The Baix Empiri, or “lower empire”, the eastern Roman territory was still thriving and the emperor was keen on reclaiming some of the lost lands.
With the second Roman conquest of Mallorca, Christianity was now introduced on the island. At the time of Justinian, Christianity was already the state religion of the Byzantine empire, which had happened by the law of Theodosius I, whom was the last emperor to rule both the western and eastern Roman empire.
In Campos, there was too a Christian community, which is evidenced in the excavations of the paleo-Christian church of Son Fadrinet. It is one of the most interesting archaeological finds in the area, it clearly shows the outlines of a basilica. Also interesting about Son Fadrinet, is the separated baptistry and the cemetery excavated. In 2001, some impressive mosaics were discovered in the site, which has been restored and moved to the Museum of Mallorca in Palma.
The Moorish dominance
Mallorca was conquered by Moorish general Issam al-Khawlani in 903, and annexed the island under the Emirate of Cordoba ruled by the Umayyad Caliphate.Later, in 1015, the archipelago became part of the Emirate of Dénia.
With the new Moorish rulers, the island saw a great increase in prosperity, as new fruits were introduced in the agriculture, it was convenient to do naval trading and piracy raids against Christian ships could be launched. Moreover, the island was introduced to a fiscal policy that made it possible to construct mosques, baths, water supplies etc. The island was roughly divided in twelve administrative districts, each known as a “Juz” (plural. ajzā), whereof Campos belonged to the Juz’ de Manacur, which also comprised the current municipalities of Porreres, Ses Salines, Santanyí, Felanitx, Manacor and Sant Llorenç des Cardassar.
The Moorish farmers lived in farmsteads and sheds scattered all over the areas, known as the “alquerías” and “rafals” respectively. The constellation was as such, they lived in kindred communities, in clans, and named their farmsteads after their clan name. Typically, they would add the prefix “beni” or “banu”, which roughly translates into “children of” in Catalan.
The Moorish peoples were also the first to construct water transportation systems, “quanats”, which allowed them to irrigate the soil and cultivate fruits in an as efficient way as possible. They also built wells and water supplies for storage of water.
From the Moorish time in Campos, the farmstead of s’alqueria de n’Abraham, now Son Catlar, stand out in history books as one of the main ones, it was documented in 1244. But there is also the old farmstead of Benidorama, present day hamlet of Sa Sorda.
In the late Muslim period, in the middle of the 12th century, the Almohad movement took over the island from the Almoravids.
The Catalan conquest
As a part of the Reconquista of Spain, a series of wars in the Middle Ages where Christians took back the Iberian peninsula, Mallorca was conquered in the years 1229-1232. King Jaume I of Aragón landed in the bay of Santa Ponça in September, 1229, with 150 ships carrying 20,000 infantry and 700 horsemen. After a bloody and brutal siege of Palma, the capital and the Muslim governor fell to the Christian troops. About 15-20,000 Moors fled to Menorca or the mountains of Tramuntana and Llevant, but were captured and either killed or taken as slaves the following years.
Post the conquest, King Jaume divided the lands of the island among counts, church and knights and kept the remaining areas for himself. Campos was one of the areas he kept. This was the beginning of the private kingdom of Mallorca.
The king started repopulating the area parceling his lands in possessions and sold them to new settlers. Already in 1248, the oratory of Sant Blai was documented in a bull of Pope Innocence IV, which is a clear example of the Christian community that was here.
The foundation of the town
In the year 1300, King Jaume II of Mallorca promulgated a set of ordinances which founded twelve towns on the island. These ordinances prescribed a set of rules that was made to establish a societal structure and make it easier to collect taxes for the monarchy.
Each settler had to purchase 3.55 ha of arable land, 7.10 ha of garrigue and a quarter of land (1,775 m2) in the new town, where he had to build a houses and move to live here within the next half year. For a possession like this, the settler would pay a tithe and a cash census (tax).
The ordenadors (the person in charge of effectuating the ordinances), were required to designate 355 ha of land and 710 ha of garrigue. The owners of these lands were then obliged to establish them to the new settlers, the so-called “acaptadors”, in exchange for a tax paid in metal determined by the ordenadors.
With the new ordinances also declared the premises of what should be included and the delimitation of the perimeter of the town and the affected areas. Previous design patterns of small villages and functional delimitation of the arable territory, as well as the extent of garrigues, determined the location of the town.
In regards to the creation of the town, the width of the streets was set to measure 6.3 meters, the center of the town should be enforced by a protective wall or other fortified enclosure, and, the total perimeter of the town was expected to occupy no more than about 17.76 ha.
It was the ordenadors who were responsible for defining the space needed, to drawn the streets and make sure to provide necessary infrastructure such as water supply in the community spaces. Surrounding the fortified town center, several neighborhoods would by established. The urban plans would follow a reticular pattern that connected all the streets surrounding the main square.
Some of the coastal areas like Campos, Santanyí, Capdepera, etc., generally considered less suitable for agriculture, were predicted to only occupy half of the other towns. Moreover, as these towns had to have a village outside the fortified town itself, which should have a bipartisan structure. However, the only place this bipartisan structure was implemented was in Felanitx and Manacor.
In the late 14th century, the parish church, which at that time was the Sant Blai oratory, was moved from the area of es Palmer to the current position in Campos town.
An agricultural community
Despite of a rough start of the modern ages with droughts, plagues, social conflicts and bad harvests, the agrarian community of Campos took form in the 15th century. One of the things that marked this progress, was the establishment of the hospital in 1449, which had a chapel attached to it and located in the main street of the town.
In 1549, the scribe’s office was constructed, the present day town hall building.
In 1556, works on a new Gothic parish church began to replace the former primitive temple.
In 1607, the convent and church of the Minims order was begun in the main street next to the hospital. A religious community was a big part of the culture of that time, as the monks and nuns had great influence on the daily lives of the inhabitants in the village communities, as they would help the poor and sick.
The agricultural activities of the area grew, especially activities related to livestock, which still today is the key product of the area. The many landowners made fortunes on exporting meat, which is reflected in some of the imposing fincas in the area from that time. Some of them are Son Cosmet, Can Cosmet, Son lladó Vell, Son Amer, Son Lladones, the hamplet of Sa Sorda, Son Roselló, Sa Vinyola and Can Barceló. Many of these estates date back from the time of the conquest, when the lands were divided and sold.
In 1644, one of the first windmills was introduced in Campos, the Molí Negre, a mill for grinding grain powered by animals.
Threats of the pirates
As with most other coastal areas of Mallorca, Campos too faced the constant threat of pirate raids that was ongoingg from the 16th to 18th century. Mallorca was attacked from all sides, and when the Ottoman admirals suddenly in the 1520’s started to pay Berber pirates to attack as well, things escalated.
To counter these raids, an extensive network of watchtowers was erected along the coastline of the island. The towers communicated with each other with smoke signals and flags, until the signal reached the population in town. Some of the towers of Campos, are those of Son Durí, Son Lledonet, son Rosselló, son Catlar, son Cosmet, Sos Julians and of Marqués del Palmer, all built in the time between the 16th and 17th century. These towers were not always built as singular constructions, many of those in Campos are actually attached to fincas.
A local legend tells of a crew of 8 courageous renegades who deceived 23 Moorish pirates in the port of Campos (present day Colònia de Sant Jordi), to think they were on their side and pretended to want to help the pirates assault and kidnap the crew of a fishing boat, from which they would be able to claim a high ransom. The pirates let themselves be convinced by the great acting and their own greed, they hid in the bilge and awaited the fishing boat to come closer. As the ship and boat got close, the renegades locked the pirates inside the bilge preventing them from escaping and then took the ship and delivered it to the authorities in Palma.
The 19th and 20th century
During the 19th century, the agricultural and industrial activities in Campos expanded. A series of windmills, such as the Molí Ferrer, Molí d’en Meló and Molí d’en Majora (1818) were erected. A major turning point in the agricultural development of Campos and Ses Salines, was the implementation of water extraction mills, an invention by Damià Rexach, a man from Palma. This kind of mill, a so-called “Molí de Ramell”, was introduced in Campos in the middle of the 19th century, whereof the first being the Molí de Son Xorch erected around 1860. Already in 1872, Archduke Lluis Salvatore reports four Ramell mills during his visit to Campos in his book “Die Balearen”. The Ramell mills was of great importance her in an area known as one of the driest on the island, as they gave rise to new possibilities for irrigation of the dry soil by pumping the water from the subsoil by the force of wind.
During the 1950’s, 60’s and 70’s, there were more than 500 livestock farms within the municipal border of Campos, a real life and clear evidence of the importance of these water extraction mills and their benefits.
With the introduction of electric motors and the first power plant in Campos located in the Carrer de Santanyí in 1912, the old windmills suddenly became obsolete and slowly went out of function one by one. The last grain grinding windmill to stop functioning was the Molí d’En Majora, which stopped in 1933.
Another interesting building from this period, was the Celler de Ca n’Alou, a winery built in the late 19th century on the lands of same name. The winery stopped its production in 1964, as the market for Mallorcan wines was more or less obsolete. Mallorcan wines was actually quite sought for in the 19th century, as the European grapevines were suffering from the Phylloxera wine lice, causing all vineyards to be destroyed. This gave rise to a high demand of wines from areas not affected by the Phylloxera. However, in the late 19th century Mallorca too was attacked and many great landowners lost most of their income causing great emigration to Latin America. This could be a reason that the Celler de Ca n’Alou could not sustain, it was simply too late and the market was gone. However, since Campos was never dedicated to cultivation of grapevines, many of the great landowners focusing on livestock did not see a significant decline in demand for their products.
The situation, however, was not the same for many regular day laborers. Machinery was gradually replacing manpower and unemployment became an issue of many of the rural areas as a direct consequence. In the beginning of the 1900’s, at least 100 people from 40 different families left Campos to emigrate to Latin America.
It was in the 1940’s that, the diary industry started to bloom in Campos with the establishment of the “Can Moll de sa Llet” business, a milk producer that collected milk from all the farms and distributed it. A stock of just 5 cows was enough to feed a family at that time.
Campos today
During the first decade of the 21st century, Campos and Sa Rapita faced a massive interest from entrepreneurs keen to develop the beautiful lands close to the sea and turn them into tourist centers and apartment complexes. The gave a boom in the sectors of carpentry, construction, electricity, roofing etc.
Today, Campos is still a predominantly agricultural area with more than 7,300 ha of cultivated land, corresponding to about 70% of the entire municipality. The most important activity in Campos, is by far the forage production which it has been ever since the early modern age. Campos is the biggest supplier of beef, meat and milk on the island. Other agricultural areas include cultivation of dry lands such as almonds, figs, cereals, carob, apricot, poultry and pigs. Moreover, there are about three sandstone factories in the municipality; Son Guerau, Son Oliver and Son Toni Amer.
Another great industry in Campos, is the salt business. The ancient salt mines of es Salobrar, known and used by both Phoenicians and Romans, have been taken in further use and factories have been installed. The salt from Campos is in high demand in gastronomical circuits, a fine delicacy of innovative combinations of salt and herbs.
Despite of the location close to the coast, the renown natural beach of es Trenc and the development of Sa Rapita, Campos is still somewhat liberated from tourism and the influence of this. The tourism in Campos is represented in the many agroturismos, producing farms offering guest accommodation, amenities and services. The trend of holidays in agroturismos is a growing market, which gradually attracts more and more people to the rural countryside offering them a new kind of serenity and relaxation they will not meet in the typical tourist destinations.
Adress: Plaça Major, 1
E-mail: [email protected]
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Latin Pride
Google introduces the first recipients of the Latino Founders Fund
Google presented the first 50 beneficiaries of the Latino Founders Fund, whose purpose is to open new opportunities to the Latino community in the United States, through the support of emerging companies. | 2023-14/0000/en_head.json.gz/3427 | {"url": "https://accesolatino.org/en/tag/empresas-emergentes/", "partition": "head_middle", "language": "en", "source_domain": "accesolatino.org", "date_download": "2023-03-20T09:02:37Z", "digest": "sha1:2MYGXDVTBWJ65LSWOFJ3NTQMVFCNI6KM"} | {"ccnet_length": [[0, 283, 283.0]], "ccnet_original_length": [[0, 283, 2806.0]], "ccnet_nlines": [[0, 283, 3.0]], "ccnet_original_nlines": [[0, 283, 164.0]], "ccnet_language_score": [[0, 283, 0.9]], "ccnet_perplexity": [[0, 283, 171.8]], "ccnet_bucket": [[0, 283, 0.0]], "rps_doc_curly_bracket": [[0, 283, 0.0]], "rps_doc_ldnoobw_words": [[0, 283, 0.0]], "rps_doc_lorem_ipsum": [[0, 283, 0.0]], "rps_doc_stop_word_fraction": [[0, 283, 0.40425532]], "rps_doc_ut1_blacklist": [[0, 283, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 283, 0.19409283]], "rps_doc_frac_chars_dupe_6grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 283, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 283, 0.11392405]], "rps_doc_frac_chars_top_3gram": [[0, 283, 0.092827]], "rps_doc_frac_chars_top_4gram": [[0, 283, 0.16033755]], "rps_doc_frac_all_caps_words": [[0, 283, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 283, 0.0]], "rps_doc_frac_no_alph_words": [[0, 283, 0.08510638]], "rps_doc_frac_unique_words": [[0, 283, 0.65909091]], "rps_doc_mean_word_length": [[0, 283, 5.38636364]], "rps_doc_symbol_to_word_ratio": [[0, 283, 0.0]], "rps_doc_unigram_entropy": [[0, 283, 3.1672688]], "rps_doc_word_count": [[0, 283, 44.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 12, 0.0], [12, 79, 0.0], [79, 283, 1.0]], "rps_lines_javascript_counts": [[0, 12, 0.0], [12, 79, 0.0], [79, 283, 0.0]], "rps_lines_num_words": [[0, 12, 2.0], [12, 79, 10.0], [79, 283, 32.0]], "rps_lines_numerical_chars_fraction": [[0, 12, 0.0], [12, 79, 0.0], [79, 283, 0.00995025]], "rps_lines_start_with_bulletpoint": [[0, 12, 0.0], [12, 79, 0.0], [79, 283, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 12, 0.16666667], [12, 79, 0.05970149], [79, 283, 0.03431373]], "rps_doc_ml_palm_score": [[0, 283, 0.98725528]], "rps_doc_ml_wikipedia_score": [[0, 283, null]], "rps_doc_ml_wikiref_score": [[0, 283, 0.00497186]], "rps_doc_books_importance": [[0, 283, -2.54069511]], "rps_doc_openwebtext_importance": [[0, 283, 9.5770212]], "rps_doc_wikipedia_importance": [[0, 283, 14.04963832]], "rps_doc_num_sentences": [[0, 283, 1.0]]} |
Sniffles History
This is the part where I give you a lot of information going on the assumption that anyone really cares. Of course if you actually do care then you have really made my day. I kind of like the idea of doing a show history and so does Chris. The show history covers everything up until September 1997. It is also told from my perspective during the summer and fall of 1997. So here it goes. ~Miguel (with some additions by Chris)
I have added a short section to the very bottom relaying how I met Miguel and Chris thanks to Sniffles as well ~Nathan
Coming Soon: A Christmas Gift – My mom tells me that she and my dad are going to get me a camcorder for Christmas. This immediately sparks an interest with me. I decide that what I don’t want to do is use my camcorder to shoot trips to the zoo and birthday parties and basically the sorts of things dads always shoot. I’m going to use my camera as a creative outlet. Not only will I be able to document my friends, but I can also tell stories in the process.
My dad is killed in a random freeway shooting on his way back home from work. Christmas kind of just passes us by. I don’t even really care at that point. Mom says that she’ll eventually get my Christmas present for me which in a way is the last Christmas gift my dad would ever get me. Although he isn’t around to help me pick it out, it was at least partially his idea.
The Rest of December 1992
Since I knew that I was still going to get this camcorder, I decided to spend some time writing a script. I wrote one based around me Chris, and a friend of ours, Brett Gardner. We were always getting together practically every weekend to write songs in our futile attempt to get a band together, so why not on one of those occasions make a short movie?
The Bet – The script I write is based on Brett’s constant ramblings that he thinks he is a werewolf and a joke I heard some stand-up comic tell one time. The script was called The Bet and it’s about these two guys, played by me and Chris, who hold a wager about whether Brett really is a werewolf as he claims. Chris decides that he is going to prove that Brett is a werewolf by getting a silver bullet made. If the silver bullet kills Brett then it proves that he is a werewolf. My character is so stupid that he doesn’t realize that a silver bullet would kill anyone werewolf or not.
Chris and Brett read my short script and like the idea of getting together to do something creatively with a camera. The only problem is I don’t yet have this camera, but that’s not really too much of a problem. At least we would have something to do once I finally did get it.
The Adventures of Tim and Jim – I find some inspiration and write a second script around me, Chris, and Brett. I decide to call my and Chris’ character Tim and Jim. Chris’ character Tim was the brains of the two, devising the devious schemes that were ultimately destructive. My character was Jim the guy who followed Tim around getting into trouble with him. I know this kind of sounds like the concept behind Beavis&Butt-Head but believe me I didn’t hear of that show until the summer of the same year. So, you can’t really accuse me of ripping off Mike Judge, although I’m sure I was ripping some other concept off that I can’t readily remember.
The Means to Create Arrives – Sometime toward the end of the month, I finally get my camcorder. One Friday night, my mom and I drive out to Incredible Universe, which I think is out of business now, and I get my prized possession a Panasonic VHS-C Palmcorder. So you’d think that we would have been on our way to making great movies? Well not quite. Our creative energies were still wrapped up in trying to get this band together. I had pretty much lost interest in music at that point and things just were not panning out very well overall.
Basically I used my camera to do what I hadn’t wanted to do in the first place, although I did manage to get some footage of my college buddies that I can still put on for a few laughs.
I get out of school for the summer. Chris and I spend many a night hanging out at Stop N’ Go and talking about what we’re going to do over the break. We come up with the Summer Camp List which contains a few things that we had been planning to do like getting together to watch all five of the Planet of the Apes movies back to back. Also on that list is the idea that we should finally get together to shoot The Bet and the Tim and Jim story. I figure that The Bet could be worked as a Tim and Jim story and that we could do a whole series of these for our own personal pleasure.
We still haven’t gotten together to do anything by this time. Chris and Brett are still too preoccupied with the band.
The Discovery of Public Access – We continue to talk about doing these little movies. I realize that there would be a forum where we could share our work with other people, not just our friends and families: public access. Chris mentions a friend named Ziggy that he hadn’t talked to in a while that he knew had talked about doing a public access show a while back. He was sure he never got it done for lack of equipment. I tell Chris that he needs to call this guy, so we can all get together.
In the meantime, we start watching public access to see what kind of programming is on there. Generally we are very disappointed because 99% of everything on the Fort Worth channel is religious. All it is is hours upon hours of static shots of preachers delivering sermons. There are also a few talent shows and that sort of thing that isn’t very interesting. There is only one shining jewel in the entire Fort Worth public access line-up: Myles of Smyles.
Myles and Myles and Myles of Smyles – I had seen Myles of Smyles a couple of years ago and fortunately it was still on. The show, while obviously amateur, was still very funny and entertaining. What I found particularly appealing was that since it was an amateur effort, you knew that these were very ordinary people creating this show. These people were more accessible than your average television entertainer and I think it was that which made the show work better for me.
Sniffles is Born – Chris and I knew that we had to join the ranks of Myles of Smyles. We wanted to do these Tim and Jim stories for certain, but they would almost have to wait because there was no way that our two little short things would ever be able to carry one full half hour program let alone several. Doing them would prove to be too complex for us. So what we planned to do was to go with some type of newsmagazine/sketch comedy type of show while we waited until we were ready for Tim and Jim.
Our thought was that if we filled up a show with a lot of interviews and documentaries about the local Fort Worth scene, we could crank them out fairly quickly. Chris came up with the name Sniffles based on the joke that after you said the name you were supposed to sniffle. He even came up with an instrumental theme song and we were on our way – sort of…
First we had to get a hold of some guidelines about what the station expected in the program, like length, technical stuff, and what you could or could not do. We called the cable office, they took our names and addresses, and said that a set of rules would be forthcoming. And so we waited, and waited, and waited some more.
While we’re waiting, we start to get our show underway. The first thing we do is to do a story promoting the Star Trek fan club I belonged to (how geeky of me!). Ultimately the footage didn’t work in my mind. I just didn’t know where to go with it and considering the way our show has turned out now, it would never have fit anyway.
We continue to wait for these public access rules. One Saturday morning – we had stayed up all night at my mom’s house – Chris comes up with an idea to do for a sketch. My job was just to follow him with the camera as he does his thing. In the short bit that we did, he paces around the living room fretting over the fact that the public access rules haven’t come in yet. He leaves the house and goes out to the mailbox where he talks to the hollow inside of the mailbox about his woes over having to wait what seems like an eternity for them to come. We eventually reshot those scenes.
That same morning we also talked about how we were going to use that footage for the show. Chris came up with the idea that it should be the first thing we do on our first show. Somehow his hyperactivity would lead into a big chase and fight scene between me and him. At the end of this big, long, drawn out fight, we’re supposed to be laying around broken and battered. Chris asks the pivotal question, “So, do you want to do a show?”
After a few weeks of waiting, the public access rules still haven’t come in the mail. We decide to pay a visit to the cable office ourselves to see if they had copies of them there and if maybe they had just forgotten about little ol’ us. They didn’t have them there either. Apparently what the problem was that the guidelines were in the process of being rewritten. That’s why they were taking so long to get to us.
It just so happened that Dennis Myles, producer, star, and generally our hero of the Myles of Smyles show, had an office in the same building. If we hadn’t come into the building at precisely the right time we would have missed him. I know this probably means nothing to most people, but to Chris and me, it meant a lot. He offered us some advice. He told us that we shouldn’t bother to put our first episode on until we had three of them done. He’d seen other people put their first shows on without any backup and when the time came to put on the second show, they didn’t have one. So they basically lost their time slots. You lose your time slot, nobody knows where to find you, you don’t garner any following. He also offered me some advice about type of VCR I needed to have to edit the show with (a 4 head).
While we continued to wait for the public access rules we continued to shoot some sketches like the Luke Perry interview (episode 2) and a couple of moderator sequences. In one Brett introduces a sketch which we still have yet to shoot about cheesy public access music. Chris and Brett also do the last moderator sequence in which they argue over how the name of the show is supposed to be said, with the sniffle or not. We also did the original beginning to our Que Clinic sketch (episode 3) with me, Chris and Brett. With the exception of the Luke Perry thing, none of that other stuff will probably make it to the show.
By the end of the summer the public access rules finally came in. Almost too little too late although it probably shouldn’t have.
Chris and I get together to shoot a couple of scenes for our mockumentary on grassrolling. We still haven’t finished that yet.
Chris and I shoot the Soda Bottle in the Air thing (episode 3) and part of another sketch we really haven’t satisfactorily completed that’s supposed to be a movie trailer for a Steven Segal movie. Chris also gets footage of individual footage of us standing next to a tractor waving at the camera. He says that he’s not sure what he wants to do with it, but he’ll figure out something. We also do a moderator sequence that we’ve called The Abrupt Angle Changes sketch. We’re probably going to have to reshoot that one.
Chris and I don’t get anything else done. We don’t even mention the fact that we were trying to get a show together. He and Brett are still trying to get a band together and I’ve pretty much removed myself from that scene because I’m so burned out on it. Maybe there was something in the water affecting creativity and people’s motivations to be creative because by this time Myles of Smyles is no longer on either.
Our goal had been to get three episodes done by the end of the year. At this point we didn’t even have one. I even mentioned to Chris, “You know what? We’re definitely not going to get our show done.” His usual reply, “don’t worry. We will. We’ll figure something out.” We didn’t.
Christmas was also coming up and mom took me around looking for equipment so that I could edit my show with. I looked for video edit controllers and VCRs with jog shuttles and audio/video insert capabilities. I found nothing.
During my spring break, I found a VCR that had all the capabilities that I was looking for. It could even record and play Super VHS tapes which was a big plus. Mom let me charge it on the credit card and this piece of equipment recharged Chris’ and my interest in doing the show.
Chris and I start having serious talks about trying to make a go of “Sniffles” again. I’ve just heard about a video contest sponsored by Sony through the American Film Institute. We decide that our first big project is going to be that chase scene we had talked about a year earlier. We had also just gotten together to watch Duel. I knew that our chase scene could work as it’s own piece. Hey it worked for Spielberg. Why not us? (You don’t have to answer my retorical question, besides I already know the answer). What we would do is that in the version for the Sony contest we would shoot an alternate set-up, a different catalyst for the chase, something that an audience not seeing the show on public access would understand.
Chris managed to dig up Ziggy. Ziggy was all into the idea of doing a show. He had a couple of shows that he wanted to do. Both were sit-com type of shows. One was called Muffy’s Friends and the other was called Star Bar. Chris and I liked Ziggy’s ideas very much and we knew that we would have to spend the upcoming summer working on all these projects. We also shot a short sketch with Ziggy that we’ll be putting on soon.
The Chase Day 1 – By the end of the month we began full-blown production on the chase scene. One Saturday afternoon, Ziggy was camera operator on the reshoot of the scene where Chris goes out to the mailbox. This time he’s waiting for some Publishers Clearinghouse Sweepstakes entry forms. We also shot the master shot of the scene where I am introduced. I play Chris’ roommate. I tell him that the forms came in a couple weeks ago, but I threw them away because they were “just junk.” Very few people will probably ever see this version which is unfortunate since I think it works better than the version we put on Sniffles.
That Monday after I got out of school for the summer, I spent the day with Ziggy and his friend Kevin at his grandma’s house. Our intention was that we were supposed to get together later on that night with another of Ziggy’s friend’s, Don, in order to discuss how we were going to be spending our time trying to put together Sniffles, Star Bar, and, Muffy’s Friends. Chris had to work that evening so he would have to join up with us later.
We all got together late that night at a Denny’s to talk about what we wanted to do. It became clear that there might be problems. Don seemed to have little time to get together to do the show, and since he was the man with all the ideas, Ziggy probably wasn’t going to do it without him. Neither Chris or I have ever seen Don since.
The Chase Day 2 – We all get together to continue with the chase scene. The deadline for the Sony competition was June 15th so we needed to get it done as soon as we could. There was one important lesson I learned from this day: when shooting a sketch never have more people around than is going to be necessary for that sketch.
Brett had come over with his fiancee, Sherry, and her daughter. Ziggy and Kevin were also there. We shot a couple of close-ups for the kitchen confrontation and then we decided to leave Brett, Sherry, and Kevin at the house while Ziggy, Chris, Brett and I go shoot one little scene we planned to do. In the scene Brett is driving along in his car when he passes by Chris chasing me. The scene in itself is not very important to the narrative(what narrative) but I liked the idea so we did it.
Before we had went out to shoot this scene, Brett stopped off at a gas station to get some cigarettes. As we were pulling out, a cop pulled us over. Chris who was riding shotgun had not been wearing his seatbelt. The cop was a bit of a prick to begin with. The first thing out of his mouth was, “I need four id’s now!” Then he starts going into Brett about how it is his responsibility as the driver to make sure that all his passengers are wearing their seatbelts. Chris starts interrupting the cop saying, “Sir, if you’re going to give anybody a ticket, give it to me.” The cops response was, “I wasn’t talking to you, McGinty” Chris keeps interrupting and the cop finally tells Chris to get out of the car. Ziggy and I are thinking that Chris was going to get arrested right then and there. Luckily the cop only chewed Chris out a bit and he let Brett off with a warning. This cop provided the inspiration for the Keeper of the Sign character that Brian Anthony plays in the chase scene.
When we finally got back to the house, our intention was to go to this one park by a lake that we had seen a couple of weeks before on our way to Ziggy’s house. We liked the location so we thought it would be neat to have a sequence of our chase scene go through there. Now we’ve got all these people with us like I said before. I think the reason we had all of them was because we were hoping to get a lot out of the way including the Keeper of the Sign scene. The idea was that Kevin and Brett were to play two of the natives and Ziggy was going to play the Keeper. Chris had hoped that maybe Ziggy would have gotten a hold of Don and he could have played one of the other natives. No such luck.
Having all of these people presented a bit of a problem since we had nothing for them to do at that moment. But we all saddled up in two cars(big mistake)to go to this park. Chris, Ziggy, and I were in one car. While Brett, Sherry, and Kevin took another. It was very clear that Kevin did not want to be with us. Everybody in the second car all decided that they wanted to go eat, get cigarettes, etc. They said that they would meet us out at the park later. We knew the dangers of splitting up, but we really didn’t have time to wait around while the others did their thing.
The shooting in the park went fairly smoothly. The only setbacks we had were the fact that since there were children playing on the jungle gym thing that we were using, every once in a while they would happen to start playing where we needed to set our shot up. So we would have to wait until they decided to leave. We couldn’t just tell them, “hey, kid. Get the f**k out of the way.”
We saved the shots where we had to run into the lake for last. I felt a bit apprehensive about running into the water fully clothed and doubted whether I could do it when the time came. I also had this weird feeling that Chris would fake me out, have me run into the water while he decided to remain on shore and laugh his ass off while I was soaking wet. But none of that happened. As we swam out we heard Ziggy yell something to us so our immediate reaction was to stop swimming to hear what he was yelling. Later when we watched the footage, we found out that he was yelling, “keep going! Keep going!” All of this would force us to have to find a way to edit out his voice for the final cut.
The shoot at the park took us about an hour and a half. Ziggy didn’t understand why we were doing things the way we were, like shooting things from all these different angles. I think it was because of this that led him to believe that we really didn’t know what we were doing(we don’t but it’s probably not as bad as Ziggy thinks considering that to this day, 3 years later, he still hasn’t seen the results of that day) Chris also later would admit that he didn’t know why we were doing things from several different angles, but he went with it in the hopes that it would come together somehow. To tell you the truth I didn’t know if it would work out either, if I could edit it so that it would at least look halfway decent.
In any case, the second party never made it to the park. We managed to find them a little later. Kevin was very pissed. He didn’t say anything per se, but we knew what was going on in his mind. In fact I don’t think I’ve ever seen Kevin since and that was definitely the last time Ziggy would ever work with us.
The Rest of the Month – I wish that I had kept a journal of what we did on what specific days because it all has become kind of a jumble for me. I think ultimately the whole shoot was just a jumble for us in general. We had some basic ideas of what we wanted to do, but no real definite plans. We would get together and do whatever our train of thought took us. I generally know that there were certain things that happened on certain days, but as far as remembering which week they took place and which day came first, that’s another story.
Native Scene Day 1 – We managed to get Modester, Brian, Joe, Brett, and Danny Bard together for the scene where the natives are first introduced. We had a vague idea that we were going to do a Raiders of the Lost Ark knockoff in which I find this bigger Dr. Pepper bottle than the one Chris has been chasing me with, but as soon as I get a hold of it, I’m surrounded by some natives who are friendlies of Chris who manages to get the bottle away from me.
We planned to congregate at this one park that overlooked Carswell Air Force Base(as it was still known at the time) to shoot the scene. The problem was that Brett and Danny lived in Arlington which is a thirty minute drive from the place we were going to shoot. This wouldn’t have been a problem except for the fact that Sherry was giving us an hour and a half time limit for our use of Brett because she wanted him home by the time dinner was ready. This imposed time limit was completely ridiculous mind you, but I’d better stop right there before I start going into a rant about men who are heavily scarred by the all powerful pussy whip and the women who wield it abusively.
With the travel time to and from the location this only gave us a half an hour to shoot. Brian and Joe were already at the site when we got there(thankfully). We were in such a hurry that we didn’t get to finish the whole scene like we had planned. Our intention was to shoot the stuff where we meet the natives at the Lookout Park and then drive 5 miles up the road to another park that just so happened to be right outside Shello’s driveway to do the scene where the natives get stopped by the Keeper of the Sign.
We didn’t get to go to the other park and since we were so rushed we didn’t think out what we shot at Lookout Park. As a result, it didn’t cut together very well which was one thing but also the fact that there was probably no way we were ever going to be able to get that exact combination of four people together for the second day. It would have seemed weird that you have one set of natives for one set and then a completely different set for the next. Just about all of the footage of that day was scrapped. The only thing that made it was the shot of them coming over the hill after me. I figured I could still use it because the shot is far enough and doesn’t last on screen long enough for anybody really to notice.(Although Joe’s long time friend Michelle was able to spot him right off)
Native Scene Day 2 – Chris and I continued to shoot other things knowing full well that we would have to pick the native scene back up. Chris managed to round up some new natives: Randall, who was the roommate of one of Chris’ high school buds, Derek and Mike Ratliff, who worked with Chris at Pizza Hut. We couldn’t get Modester for the day, but we planned it so that we could shoot around him. We also had to get Brian who didn’t get off work until 5 or 6pm so that already put a crunch on the time available to us because the sun would be setting only in a hour or so.
The shoot went okay. Mike met us out at the Nature Center(the park outside Shello’s driveway). He was a little high at the time and Randall had already drank himself into obvlivion because of personal problems between himself and Derek, but it didn’t go too badly. I just wish the scene had been a little more effective but you can’t win ’em all.
Native Scene Day 3 – We went out the next day to get Modester’s part in the scene. We also got Mike back because we realized that we probably should have put him into the background walking away after the Keeper has told him to go because if we hadn’t it would have looked bad because all of the sudden he would have been completely gone. Of course it might have fit in with the nature of the scene anyway, but I think even we have our limits about how much continuity stretching we’re going to do.
Practice Edits – One night during the second week I think I decided to see if I could edit the footage together. Up until that point I wasn’t even sure if it would work or not. I had this really expensive VCR, but I wasn’t sure if I would be able to get accurate cuts that looked good or not. I pieced together what we had at that point and thankfully it worked out okay. I showed everyone who was still involved at that point, basically Chris, Brett, Sherry, and Chris Modester. Brett and Sherry exclaimed that it was nice to see the footage pieced together because before then they really didn’t understand what we were doing. From then on we’ve gotten into the habit of doing a rough edit of all our footage whenever we shoot something to see if there might be anything we need to reshoot or something we might have forgotten altogether.
Trying to Get Ziggy Back – We were nearing the end of our work on the chase scene. By that time we had a name for it for the Sony contest(Chris and Miguel: A Hate Story). We went back to Ziggy’s house to see if it just was our imagination that he really didn’t want to work with us anymore. He gave several excuses and he even took a potshot at us. He offered us each a glass of tea and we took it. He then asked if we wanted some lemon to go with our tea after which he quipped, “Oh! I forgot. You have already have a lemon. It’s called Sniffles.”
Dr. Pepper Bottle Duel Day 1 – By this time we only had a week to go before the June 15th deadline of the Sony contest. We had shot the stuff of us running through downtown Fort Worth to the Watergardens where our duel was to take place during the first week of shooting. We held of on the duel for so long because we didn’t know what we were going to do with it. I think we thought that we were going to choreograph the duel over the month while we were shooting so that we would have it ready when the time came, but we hadn’t. Chris and I pretty much had to work out how we were going to do it when we got there.
Having to figure out what we were going to do killed alot of our time. If we hadn’t gone back to reshoot anything like we had you would have seen it go from nearing sunset to completely pitch black in less than thirty seconds.
One of my film teachers has a law of film production that says that whenever you go out on location and are shooting sound that as soon as you start rolling, an airplane will come out of nowhere. That’s kind of how it was where we tried to shoot except it wasn’t with airplanes. All of the other times when we had come out to this particular locale there was nobody up there to bother us, but that one day for some reason it seemed as if there were all these families that decided to congregate on the exact spot where we were shooting and have picnics and what have you. Although the truth is that we could hear every once in a while one of them say something that betrayed the fact that they were curious about what we were doing. Fortunately none of them ever ended up on our tape.
Dr. Pepper Bottle Duel Day 2 – We reshot the entire duel. This time we didn’t have problems with families or kids or the sun setting. However we couldn’t figure out how we were going to show us fall off the ledge again.
Dr. Pepper Bottle Duel Day 3 – We went back out to see if we could solve that nagging problem of how we could convincingly show us falling off the ledge. We came up with the solution of setting the camera on a secondary ledge shooting up to the top ledge as Chris and I roll off of it. The drop would be fairly short and when we fall out of camera range nobody would be able to tell that we had only fallen a distance of about three feet.
The Falling Scene – We went into my backyard to try to shoot our descent from the ledge to the ground. Chris decided to try setting the camera out an extemely low angle while we jump over it. It didn’t work too well because we only appeared as flashes in the footage when we jumped over it. Our final solution worked out a lot better and is probably one of the only funny things about the whole chase scene since it gets the biggest laugh right next to the whipped cream bit. We lay on our stomachs on a stool I have and placed the camera at a low angle so that all that could be seen was the sky. To get the effect of us falling we placed a fan underneath us so that our hair would blow. If you look closely you can see the telephone wires in the background of our individual closeups.
When we edited that scene we thought it would be funny to intercut other scenes to give the idea of our lives flashing before our eyes. It also gave the Chris the opportunity to use that footage that we had shot of us standing by the tractor. Chris said, “I told you we’d find a use for it.”
June 14th, 1994 – With only one night to go before I had to have the tape in the mail for the Sony contest so that it could be postmarked for the 15th like they require, we finally got around to scoring it. The both of us had been playing around with some musical ideas the entire month and tonight was finally the night to see if it would work or not. The truth is we came up with a lot of it on the spot and just recorded it like it was. By the time we got to the part where he’s chasing me through downtown Fort Worth, we had just gotten so tired of trying to come up with anything on the guitars that Chris decided it would work just as well to have us vocalize that section of the score. It saved us a lot of time. Chris edited the music onto the tape. We made a dub to send off and then we promptly went to sleep.
June 15th, 1994 – I woke up around 3 o’clock to go to the post office. I just let Chris sleep. I sent the tape off and we both waited for our inevitable victory with the Sony contest(yeah right).
Que Clinic Day 1 – Our next big project after the chase scene was to finish up the Que Clinic sketch we had started the previous summer. Actually we didn’t finish it up so much as we started all over again. Chris had written an entirely new script this time whereas before he hadn’t really written anything. He just had everything in his head and he would tell us what we were supposed to do while he set up a shot. This time it was a bit different. There would actually be some planning involved.
We pretty much figured that Brett would be a big impossibility so Chris replaced him with his brother Sean who was down visiting their dad for the summer. We also had Modester with us to run camera and we also needed him to play a couple parts like the doctor when they finally arrive at Que Clinic and some passer-by who looks into the car, wondering what we’re doing. Of course we ran out of time so we didn’t shoot the part where we got to Que Clinic. I think Chris had to be to work so that was that.
Although that same night I went over to Brian’s house and that’s when we shot the Gangbuster Weekly sketch(episode 3) and another sketch we had been talking about doing for a while parodying those International Coffee commercials.
Que Clinic Day 2 – We reassembled everybody from the first day of the sketch(a strange miracle) for the second day. We even had Chris’ little sister Kate with us. Before we finished up Que Clinic we went out to a picnic area to shoot a scene for another show idea that we had come up with called the Case of the Disappearing Cast and Crew, inspired a great deal from our experience working on the chase scene. Unfortunately that’s the only scene that has been shot so far for that particular show.
From there we went to Chris apartment to shoot the scene where Sean and I carry Chris into the clinic and where we meet with Modester who plays a doctor there. In order to keep the apartment from looking too much like an apartment we had to shoot everything from low angles so that all that could be seen were the ceilings. Of course this wasn’t too much of a problem because as Chris has pointed out I have a fondness for low angles.
We then went to my house to get a couple more shots that we had neglected to get like everything dealing with Chris flying out of the car and his landing up on the top of the roof.
Que Clinic Day 2 – We seem to have a problem of not getting everything done for particular sketches the first day we get together to do them. For the life of me I can’t figure out why it took us three days to shoot Que Clinic. On this last day we got the shots of Chris landing on the ground after being thrown from the roof and the stuff where he sees the approaching car about to run over him. Did I say last day? Well the truth is that the last day of shooting for this scene wouldn’t come until about two years later. We still had to get one last shot of Chris’ car entering the parking lot of Que Clinic.
Public Access Version of the Chase Scene/Laundry Thing – Chris came over to the house with his brother in tow so that he could operate camera for us. We shot the version of the chase scene that we had intended for the public access show. We also shot the opening scene of the Laundry Scene at my house. Chris didn’t like the footage at all. He complained that we were “trying to do some acting,” but failing miserably.
The Long Day of the Laundry Thing – By this time Chris felt that we needed to spend as much time as we possibly could working on the show. He came up with the figure that if we were going to have enough material for three shows worth by the end of the summer we were going to need to clear about three minutes of usable footage a day. This meant that out of everything we shot on any given day it would need to come out to about three minutes of edited show time. To that end we needed to start doing some rigid scheduling and sticking to it.
The first day of Chris’ schedule called for us to work all day and night on the laundry sketch that was going to go on episode 1. We started off by going to Shello’s house to get her to play the part of the friend who lives in South Carolina whom Chris is going to try to get to wash our clothes. Shello was worried that she wasn’t going to be able to remember her lines, but she generally got all of her lines within the first take. It was from this day that I decided that from then on I was going to carefully plan out every last shot of everything we were going to shoot from then on. I had no idea where I wanted to put the camera and as I found out later when trying to piece the footage together it sometimes cut together awkwardly. We also didn’t finish the sketch because we had a hard time figuring out how to stage the second half of the scene with Shello.
We didn’t get to Chris’ apartment until way after sunset. Luckily Chris’ wife, Melynie, was there so we would have someone to operate camera. Having Melynie was a mixed blessing. It was nice to have someone on camera so that we could have some movement in the image if we wanted, but it was also a hassle because whenever you get Chris around Melynie there is bound to be some tension. She did the shots that we needed her for and then she disappeared into the bedroom and we finished out the rest of the scene.
Chris was also having problems with his downstairs neighbor. Chris talked about how the neighbor would always come upstairs to complain because of the fact that Chris’s son Jude was just beginning to walk and it created thumping sounds on their ceiling. Chris said that it was perfectly alright for his neighbor to have all these parties whose noise invariably sifted up through the ceiling but his kid trying to walk was not. Anyway in the scene where Chris and I fall to the floor after taking off our sweaty shirts did not go unnoticed by the neighbor. A few seconds after we hit the floor in that last shot in Chris’ apartment, the neighbor thumped on his ceiling in response. Chris retaliated in anger with a few thumps back onto the floor with his fist.
Chris Borrows the Camera – I decided to spend a week up in Wichita Falls with Kim. It was sometime after the July 4th weekend and her parents had gone out of town to Las Vegas. In that time I let Chris borrow the camera and it was during that time that he shot the Desert Storm Role Playing Game sketch(episode 3) with his brother, Mr. Duckles and Frankie(episode 4), The Land Mine sketch(episode 4), and something that he never completely finished with himself in dual roles as a frustrated guitar player and the Angel of the Amp who comes to give him salvation.
The Hair Tie – When I got back we decided to work on a sketch that Chris had been written that was based on the idea that when you have long hair, those little hair ties are like gold. I know I’ve been caught in situations where I couldn’t find one and it becomes annoying when your hair keeps getting in your face.
This was the first sketch that I storyboarded out completely and it helped because it saved a lot of time and frustration when it came time to actually shoot the thing. There’s nothing more frustrating than when you’re trying to shoot something and you’re not sure where you want to put the camera. With the storyboards all that had been figured out beforehand. When you’re doing them you’re not under the pressure of having to figure out what you want to do before the sun goes down or before somebody has to be to work and so on. It frees you up and you can try to be a little more creative in your planning.
The only problem we had here was that the script wasn’t entirely finished. We had a beginning, but we weren’t sure what to do with the ending.
During one of my weekend visits to Wichita Kim took me to her sister-in-law to get some of my hair trimmed. I was worried that the trim would be noticable so I thought of an ending around that. After we’ve watched the urine documentary(which we hadn’t shot yet) I decide that the only thing to do is to trim my hair a bit. I imagined this little psuedo-heart wrenching scene as Chris cuts my hair and then when it comes to be his turn he can’t go through with it and knocks the scissors out of my hand. We end up in each other’s arms crying which would seque into our having a funeral for the hairtie. It would take us a long while before we ever got back to that sketch.
Showing the Chase Scene – We were damn proud of our first and at that time only completed work. We tried to show it to everybody who would watch it. We even had a screening at Brett and Sherry’s wedding. Our excuse was that Brett was in it even if only for a few seconds. That was justification enough for us. Brett’s family seemed to like it. Sherry I think thought it was kind of inappropriate for us to be showing our crap at their wedding, but hey we can’t let other people get all the attention.
Chris tried to show it to Lisa, his manager at Pizza Hut, but she declined giving the excuse that she was going to be going to bed or something like that. But then in almost the same breath she asked Chris if he didn’t want to come over because they were probably going to be watching Ace Ventura. It shows you how much amateur work is regarded by most folks.
Luke Perry Video Overdubs – Since we were supposed to be getting three minutes a day, Chris would come over every night after he got off work so that we could attempt to work on the show. A lot of the times we got absolutely nothing done. On one such night I decided that we should try to do something more with that Luke Perry interview we shot with Brett a whole year before. I thought that as it was it was kind of dull, just Brett sitting there talking. I figured we needed to get some reaction shots of Chris which we had neglected to do before and it would be funny if in those shots, Chris was paying absolutely no attention to what he had to say. We spent about an hour coming up with the “design” for the Sniffles pizza box which was a Pizza Hut box turned inside out. We also came up with a name tag for the pizza delivery character I was to be playing. The purpose of the tag was mainly to cover up the Pizza Hut logo on the shirt I was wearing. If you look closely the name tag reads, “H.Solo”
The Political Burp/World of Urine in a Minute – These were done on another one of those nights when Chris came over after work. Like the Luke Perry stuff we shot it in the third bedroom of my mom’s house that mom had converted into her Buddhist shrine. Chris sat behind a desk and we did both bits. The Political Burp was mostly improvised and the Urine thing we actually wrote something for him to say. Chris had some ideas for video overdubs that he wanted to do for the Urine thing. He wanted to show the process of doing laundry to illustrate the process of urinating. The only thing I remember was the final step was “folding it and putting it away.” Ulimately we just forgot to shoot that stuff.
Three Minutes a Day – By mid summer things started coming to a standstill and Chris started throwing fits about how we were falling way behind schedule. We would have big long discussion/arguments all into the night about how he felt we needed to be a lot more serious than we have been. Of course from my perspective of the problem was the fact that this schedule we were so far behind on didn’t have any specifics of what exactly we were supposed to have done by what time. The entire schedule consisted mainly of how many minutes of show we were to have done done by what days going on Chris’ three minutes a day principle.
The problem with the three minutes a day goal wasn’t necessarily in not being able get that much done in a single day it was the fact that a lot of the time we simply didn’t have anything to do. We had all of these little ideas that we had been tossing around for the last year, but when we would get together none of them were scripted. And the stuff that we did have scripted required other people besides just me and Chris, but the problem was that we didn’t have the foresight to try to arrange time with these other people a couple of days in advance. So what would end up happening is that we would try to round up these people at the very last minute only to find that they were unavailable. Most of the time Chris would come over and we would just lay about moaning about how we weren’t getting anything done. Meanwhile we weren’t taking the proper steps to ensure that maybe we could get something done on the next day, like writing scripts.
There was one particular day I remember especially well because there is some footage that represents how far down at the bottom of the barrel we were scraping. I even identified that footage on the tape on which it was shot as “Three Minutes a Day in My Room.” What it all amounts to is Chris would turn on my camera and do some little corny 5 second jokes. They’re not entirely unusable and they will no doubt appear in various episodes in the future.
The Wandering Bard – One night Chris came up with a stroke of brilliance. He figured out how we could kill a lot of show time. He came up with a little story involving two modern day/medieval type of people who roam the country side in search of King Booger. Chris’ time killer involved several minutes of me walking through a football field, onto a track, and finally up some bleachers at which point I look directly at the camera and in a faux British accent exclaim, “Do you get the idea that this entire scene is a big time killer!”
Chris decided to have me do this entire walking thing in my fairly heavy white collared short sleeve shirt while wearing a big black overcoat that I had since high school all because it was the closest thing we had to something that looked medieval. Meanwhile it’s the beginning of August and it’s 100+ degrees outside. After those preliminary shots we didn’t do anything else with it mainly because Chris hadn’t scripted what was supposed to happen next with my character’s meeting his character.
From there we picked up Modester from where he was working at the time so that he could run camera on a series of shots of me and Chris driving around in Chris’ car(again just another way to kill time). We got shots of us from Modesters perspective in the back seat and then we would let him out of the car so that he could get shots of the car as it passed by on the road.
Staying Up All Night – Another one of Chris’ kicks that he likes to get onto is his constant complaining about how he hates sleep because it interferes with how much time you have to get anything done. He believes that if he didn’t have to sleep he could get so much more done. He won’t hesitate to call me a wimp when I start to complain about how tired I am and how I need to get some sleep. Chris will tell me about how superior he is because he’s managed to stay up 32 hours in a row before, nevermind that fact that he admitted to me that one time that on one of his days off, he manged to sleep for 27 straight hours. It will catch up with you no matter what.
One night Chris and were driving around in his car. The objective was to get nighttime driving shots for the wandering bard. Mainly we spent the night going around to convenience stores and just all around wherever we happened to end up. Chris got the crazy idea that instead of breaking up at 5 or 6 in the morning like we would normally do, we should stay up for most of the day after the sun came up. That way we could get a lot of shooting done for the show.
Oh boy! Let me tell you how worth it it was to have stayed up all night like we did. The only thing we got done was another corny little bit, the Running to the Outhouse sketch(episode 4). Again the problem wasn’t the quantity of time we were trying to spend on the show it was the quality. Staying up all night would have been worthwhile if we actually had something to do. All that came of it was that we were so tired that we couldn’t even think logically to get anything done. We ended up spending the entire day taking Modester around to get a pee test for a new job he was applying for and then going to the library to try to catch some zzz’s while we waited for some specific time to roll around(I can’t remember what it was).
The Tall Ad – At one point we realized that our approach had been all wrong with respect to getting the show done. From now on the schedules would reflect very specific items that needed to get done. The tall ad was an idea I had been kicking around since the previous summer. I had finally completed my entire collection of Star Trek comic books from the early 80s and I was finally going to sit down and read them all(I had to wait until I had the entire collection because there was no way I was going to get into any of the storylines and then have to deal with the gaps that would have been caused by a missing issue of two). Anyway there was an ad in several of the issues, jumbled onto those pages that featured x-ray glasses and the like, that featured a book that was supposed to have excercises that you could do to expand your height up to a full 6 inches.
At that time, Chris and I were very self conscious about our heights or lack thereof(we’re both only about 5’7) so the idea came to me to do this sketch about a guy who sends away for the book and becomes taller. It kind of pays homage to that one cartoon where the two characters continue to drink a growth potion until they are bigger than the world. My thought was to do it completely silent.
So we asked a friend of my mom’s, Mark Lamy, who was only a couple of years older than me and Chris to be in the sketch. I had decided that I didn’t want to be in it because it would give me greater freedom in setting up shots, so that I wouldn’t have to either explain to another camera operator what I wanted, or in the case that we didn’t have a camera operator, having to settle for setting it up on a tripod and not having any movement.
We picked a place where we wanted to do it being a beach on the same lake just an eighth of a mile from the area where we had shot us running through the playground just a couple months before. I storyboarded the whole thing the night before and the next day we set out with Mark and shot the whole thing. It was a good example of how we needed to be working, precise, planned, and without a lot of bullshit.
Mark seemed to be impressed with the fact that I did have storyboards. However at one point he even suggested that we not finish the shooting that day, but by that time we figured that that was unacceptable. There were already way too many unfinished sketches that were a result of our postponing their completion. So we went ahead and finished everything we needed to get done with Mark out on the beach.
Kick Me in the Crotch/Hostage Scene Day 1 – Chris had the beginnings of another script that had been inspired by some of Modester’s ramblings about how if there were black people on a plane that there would never be hijackings. So we had ad libbed on the idea a bit. We knew that if we were to do a dramatization of such a hypothetical hijacking there was no way we could ever get on a real plane or even be able to go through the expense of building a reasonable facsimile. We even thought it might be funnier if we drew attention to the fact that we didn’t have such resources. Also since by that time we knew there were very few people we could rely on to play all the parts that were written so we would have to play most of them between the two of us.
The other idea behind the script we were going to be shooting was that it was going to be part of a larger tapestry. Each sketch of the episode would intertwine so that it wouldn’t be simply a collage of random unrelated sketches that has pretty been much the character of the show. We were hoping to have this for our second episode and although episode two has taken on a different shape we still haven’t abandoned it entirely.
One night Chris and I got together as was our ritual. My mom was working the night to morning shift so we had the whole house to ourself. Before we got started we made a run to Albertson’s to pick up some nylon stockings. Leann, the woman we had become very familiar with due to our frequent visits to that store, gave us odd looks because of our purchasing choice.
When we got back we decided to shoot our first set of characters, those of the innocent passengers on the plane from whose viewpoint the hijacking is witnessed. I put on my suit that mom had bought me for my high school graduation and Chris put on a button up shirt, which is a rarity for him. This spiffied uppedness is to distinguish those characters from our normal sloganed t-shirt wearing selves. First Chris had me do this thing that wasn’t written into the script. Either he had thought of it right then and there or he was trying to keep it a secret even from me. Basically it’s the Kick Me in the Crotch bit and if we ever finish everything we’re wanting to get done for that episode you’ll see what I’m talking about.
We used the garage as our airplane and we set up whatever chairs we could find throughout the house. We shot all of the scenes where the two innocent characters board the plane up to the part where my character notices the two guys he suspects to be terrorists.
After that we found two orange University of Illinois jackets that my mom had in her big closet. They and the stockings we put on our heads were the uniforms of the terrorists who are supposed to be members of the Irish Republican Army. We shot everything leading up to and involving the part where we try to takeover the plane. We couldn’t finish up that sketch until we could get Modester to play his character.
Evening at the Lake/Hostage Scene Day 2 – One evening we were able to get Modester together for the show. The first thing that we did was to go out to the lake to shoot an idea we had been kicking around that had been inspired by my experience two summers before. Essentially one day, Brett, Danny, and I had been sitting around Brett’s house all day trying to come up with something to do instead of just sitting around like we were doing. Come nightfall we decided to go driving around and eventually we had come upon a lake that was only about a mile from Brett’s house. Of course! There was our answer to our collective boredom. We could go swimming. The only problem was that by the time we had figure it out it was too dark. There was no way we could go swimming them.
We decided to turn that into a sketch. We went out to the same lake we had been to on the previous outing and shot the segments taking place during sunset and night. We would have to get back together on another day to get the stuff in the morning and afternoon. We never made it, so we had to reshoot everything about two years later. And that’s what you see in Show 2. (Hmmm kind of ironic)
So anyway, mom went to work and we shot the stuff where Modester, playing the hero known only as Black Man, confronts the two terrorists and starts to beat the crap out of us. Meanwhile we also got back into our innocent character outfits to shoot the scenes where we start a cheering section for Black Man.
My Eyes Are Ugly/Hostage Scene Day 3 – My mom and Chris just so happened to have the day off together. We had planned all summer to go out to a hamburger joint called Fatso’s because they hosted a Battle of the Bands every Tuesday night. Before we went there we shot a little bit more for the Hostage scene. This time Chris got into drag so that he could play the stewardess(or flight attendant for you pc people out there). We also shot a scene where I’m trying to hit on him and I complement his beauty (We’re not gay. We really aren’t. He’s supposed to be a woman. You know. Men in drag is supposed to be funny. Ha Ha) but he plays all coy.
Dallas Video Festival – The weekend Kim moved down from Wichita Falls to her own apartment in Grand Prairie, mom had noticed an open call advertisement in the Dallas Observer for entries into the Dallas Video Festival. Thinking I had something really good with the chase scene, I met with a woman named J.R. who worked with the festival. I went up to her other job at a B.Dalton bookstore in the mall. I gave her a tape and the $15 entry fee. Hey I figured it was worth it. It wasn’t like it was a contest or anything.
They Cute – Another little idea we had come up with while making the chase scene. Two women happen to see us on three consecutive days working on the chase scene. They think we’re attractive but don’t want anything to do with us because of the fact we’re slobs who wear the same shirt three days in a row. We got our significant others together, Kim and Melynie, on a Saturday and we decided to throw in an inside joke that I don’t expect anyone to ever get. Chris’ wife finds me more attractive, while my girlfriend likes Chris better. Another irony was the fact that we hadn’t thought about getting them to change shirts for each supposed day they were seeing us, so it kind of makes them look like slobs too because they’re also wearing the same shirts on three consecutive days.
The New Work Ethic – Chris had become fiercely determined that the time for the b.s. was over. We had let ourselves slip over the summer and we hadn’t gotten done what we had needed. We were going to finally start cracking down on ourselves. We were going to come up with a rigid schedule and we were going to stick to it. This meant that we needed to find specific times every week when we could write, storyboard, and shoot. On top of that we would also impose deadlines on ourselves.
So for at least two weeks that I can remember, Chris made the long drive to Denton from Fort Worth so that we could get together in the computer lab in my dormitory in order to write scripts. Actually he did most of the writing. I think I had some papers to write. Once he was done with the scripts, he would print them out and hand them to me so that I could work on the storyboards. From these sessions, part of Wandering Bard was written as well as a good portion of the original show 2.
Public Access Edit of the Chase Scene – One of those deadlines that had to be met was the public access version of the chase scene. Here I had to go back shot by shot and re-edit everything like I had done back in June. The only real difference between the two is the catalyst for the big chase although as I have said before I kind of like the Sony version better. Also this one didn’t have the music. We tried to edit the music from the original version onto the new one, but there was enough of a difference, minute as it may seem, in the pacing that the music didn’t fit quite as it should have. We would have to get together some time to rescore the scene.
Trying to Get Other People – We also talked about bringing other people into our mess. We had limited success with this. Most of our friends thought trying to get a show done was a cool idea, but were downright unenthusiastic when it came time to actually shoot it. And a lot of times they weren’t very interested in it creatively. What the problem was, we figured, was that we were only using them because we knew them and they were therefore convenient. But the reality was they weren’t as interested as we were. What if we could find people who were as dedicated to the show as we were? It was perfect. I lived in a dormitory full of artists and film majors. Surely there would be someone else we could bring in to the fold.
To that end we made up a couple of flyers advertising for people to join us in our quest to make this public access show. We went around to all of the dorms on campus and put them on the bulletin boards. We got a couple responses, including one from the school newspaper.
Our First Newspaper Interview – One of the reporters for the school newspaper, The NT Daily, had seen one of our flyers and thought it would be a good idea to interview us. I set up a time when Chris could be there as well and we met with this guy who asked us questions about public access and what we were trying to do. The article appeared a couple days later. Our egos were stroked a bit. On top of that we got more responses in our quest to get other people for the show.
Meeting the New Sniffles Candidates – I got a few calls because of the article. Whenever possible Chris and I tried to meet them together. One guy was an aspiring screenwriter and had brought a script he had written for Mad About You that he was going to try to sell. The only problem was that upon talking to him, he didn’t seem to have time at all for the show. To us it seemed more like excuses than anything. His deal was that he was going to school full time, but so what? I was going full time as well. You don’t actually spend that much time in class. Maybe the truth is that he just didn’t like us once he had met us. It’s been fairly common.
Chris and I had the idea of trying to assemble everyone that had called at one place at one time. I set up the date and told everybody to be there. Chris recently told me that he is the only one who will not flake when it comes to artistic pursuits. Whenever you set up a place and time, he will be there. Well not this time. So had to handle these few people who showed up by myself. It just so happened that I knew some of them anyway. One guy was in my pre-cal class and another was Eric Chuang whom I had seen around campus and with whom I’m still acquainted.
I brought them to my room and I put on the chase scene. They didn’t seem to be very interested in it. I could tell and I made the suggestion that we could turn it off and one guy agreed more enthusiastically than my ego would have liked for him too. The guy from pre-cal hung around for an hour and we tried to come up with some ideas. I don’t think anything clicked and I haven’t talked to any of them ever since, except for Eric although we’ve never formally worked on the show together.
He did make an indirect contribution though. About a year later he would ask me to play a cop in his final project for the beginning film styles class which I would in turn use as what Chris is watching on the tube in my final project(Un Nuit…, episode 4)for that class the next semester.
The Results Are In – The month of October brought a double-whammy to my artistic ego. On the Sony contest we didn’t even place as a runner-up or honorable mention or anything. They did send a blank Sony VHS tape as a consolation. I also got a rejection letter from the Dallas Video Festival. It was signed specifically from Bart Weiss whose name I had heard around my campus when he came to do a lecture one time. He said that he liked the video(I bet he says that to everybody), but there was no place he could find for it in the festival. Hopefully, he said, it might have chance in the Texas Show portion of the festival which would be starting next month
This was the big wake up call for me that told me that we weren’t as good as we thought we were. While it did bring down the ego quite a bit, I think that at least has had a humbling effect.
Finishing the Laundry Thing – One Sunday afternoon, Chris and I went to find Shello so that we could finish up her part in the sketch we had begun a couple of months before. By this time she had moved out of her mother’s house by the nature center and was living with her new boyfriend. We almost had to drag her out of the apartment. She seemed kind of reluctant to leave the apartment at first, but she relented. We went back to the house which had changed a bit since we had last been there. Their picnic table had been moved so that it was in front of the garage, and that was kind of a good thing since it became more apparent how we could set up the second part of our dialogue with Shello. We would just sit at this picnic table and talk. Not as inventively staged as I would have liked for it to be, but at least it works for me.
Recording the Theme Song – We were still showing the chase scene to anybody and everybody who would watch. Among my college friends, it was met with blank stares. Mike Fonseca who had just moved into the room down the hall from me remarked that it started out okay and “kicks a lot of ass, but it just goes on and on, and you’re like goddamn! It’s funny at the end when you’re falling, but you have to go through all that other stuff to get to it.” Nevertheless he expressed an interest in doing the music for the show if we ever wanted. He happened to play drums and when it came time to record the theme song that Chris had been toying with for over a year, we enlisted his services.
One night we dragged his drums into a cubicle that my dorm had set up in the basement for people to practice in because with the close proximity of the dorm to the music school there were a lot of music majors living there. We recorded him hammering his drum track for the theme song on my 4 track which Chris is still borrowing to this day. We took his drums back to his room and for the rest of the night Chris and I recorded all of the other parts which were essentially both of our guitars and we went ahead and used the piano that was in the cubicle.
Hostage Scene Day 4/Piece of Meat/Show 1 Completed (Almost) – And so we trudged on with the hostage scene. We could never seem to get everything done all on the same day. I met Chris out at Randall’s apartment complex. When we had been doing the second day of the Native scene, he had pointed out what is probably the most useless staircase ever built. It leads right directly into a fence. Chris figured that we had to do something with it. So we used it as the staircase that leads directly into the plane of the Hostage scene. We also used it for this idea that Chris had to shoot fake outtakes of the chase scene. In one of those scenes, he chases me up the staircase from where we are transported into an alternate universe. We haven’t gotten to the alternate universe part yet.
From there we went back to my mom’s house to shoot the closing sketch of the show. In that scene I’m seeing Chris out to the door but before he leaves I go to the fridge to get something for him. The idea was to do a sketch like this for every show. It was based on this thing I had seen on the door of one of my professor’s office. It was this article telling about often confused lyrics of popular songs. One of those lyrics was to that song that goes, “every time you go away, you take a piece of me with you.” The article said that people often confuse it with, “everytime you go away, you take a piece of meat with you.” I had told Chris about the article. He thought it particularly funny and wanted to incorporate it into the show. So there you have it. Chris might not like that I gave the joke away, but if you’ve ever been wondering what those sketches are about, that’s what it is.
With everything that was needed to be done for the first episode effectively complete, it was high time that we started working on our opening credits. Before Chris had to leave for work, we inputted the 4 track into the VCR and recorded the theme song right after the re-edit of the chase scene. We also hooked up my Tandy 1000 computer that we had used to do the credits for the original chase scene and did a screen featuring everybody’s name that had acted in the show. We then went and found individual shots of all the cast members and put that in as well so that each image of the person preceded their name. We’ve pretty much stuck to this method although now we don’t use the Tandy computer anymore.
Write A Script! Night 1 – We had gotten a little lax in our “rigid” scheduling, but Chris came up to Denton one night, having just finished a script based on all of our conversations we had been having over the summer. We both knew that what had went wrong with the three minutes a day thing was that we had nothing to do all of those times. I knew it then, but I finally convinced Chris of it(That’s just my viewpoint. I’m sure the truth is somewhere between his viewpoint and mine).
We went out to the middle of the campus. We didn’t have a camera operator to walk with us as we’re talking which is the way I would have liked to have shot it, so instead we opted for shooting each other’s close-up as we’re walking and talking. If you’ll notice there’s never a travelling shot with the both of us in the frame together. We managed to get some external camera movement when another guy who lived down the hall from me, Brian McIntosh, passed by us while he was riding his bike through campus. We got him to do the long panning shot of us as we’re passing by the bench. He did that for us and then he rode off on his merry way.
We dubbed him Disappearing Brian because at one point Chris and I were deep in discussion about how to set up the scene. Meanwhile Brian was circling the platform we were on on his bicycle. We weren’t paying attention to him because we were into our own thing, but we were highly aware of the sound being made by the bike. Then all of the sudden the sound stopped. Chris and I realized that it had stopped rather abruptly and we looked around only to find that Brian had vanished. He showed back up a little while later so it’s not like he went through some cross-dimensional vortex or something, but we still can’t explain it to this day.
Anyway we shot all the way to the part where we go sit on the bench at the bus stop. We only got half of the long shot done before the tape ran out. I hadn’t thought to bring an extra blank tape with me so production was effectively shut down for the night. We could have went out for another tape, but we figured by the time we did all that it would be way too tired.
Write A Script! Night 2 – Chris came up the following night and we finished up at the bus stop. There was also another scene we needed to shoot outside and in the dorm. While we were outside, this girl took an interest in what we were doing and asked if she could help out. Her name was Dawn Bartek and she ran camera on all of the shots at the dorm.
Larry Maher – He was one of the guys who responded to the article in the paper. I don’t know what he’s doing now, but at the time he was a recent graduate of UNT and he had just started his own production company, shooting promos for law firms and that sort of thing. He got together with me and Chris in my dorm room one night and we watched each other’s stuff. Chris and I liked him and his work and we thought he thought that same of us, but we’ve never seen him since. I had even left a message on his machine, but he never called back.
Show 1 Moderator Sequences – Chris and I decided that since Dawn had seemed interested in working on our show we would go ahead and use her as a camera operator whenever Chris came up to Denton. So one night we got her to shoot the moderator sequences for show 1 with us although there wasn’t any camera movement so it didn’t really matter if there was anyone behind it anyway. I guess we just kind of wanted to have Dawn hanging around with us. It’s not very often that we get a female presence on the show.
Will You Go Out With Me Now? – On another night we had Dawn act in one of our sketches. It was an idea we had kicking around for a while since the previous summer as I recall. It was based on one of my usual rants at the time about how I wasn’t getting laid and it never seemed like I would ever have a girlfriend. This was how much of a loser I was. There was this girl Christie who was part of our little neighborhood clique back in high school. She had managed to date every guy in the neighborhood, except for, of course, me. So Dawn’s character in the sketch is kind of based on Christie except for the fact that I had never put the serious moves on Christie to begin with, so that’s why I probably never scored.
Dawn seemed a little nervous about being on camera and it kind of shows in the footage a bit. On top of that I’m putting my arm around her so that probably wierded her out even more. We had only known each other a short while and that was the closest we had ever been. But it all kind of works in its own favor. My character is invading her private personal space and so it comes off a little more naturally.
El Redundant Burritos – This sketch was something that was going to go on the Original Show 2. It was a commercial for a product that is so cheap that single guys living on their own will eat them so much that they’ll get sick of them, but they’ll have little choice since it’s about all they can afford. We went to my mom’s house on a Saturday afternoon. I storyboarded it when we got there. We shot it and that’s about it.
What is a Texas Show Without Our Show? – My tape came back from the Dallas Video Festival. It had been rejected for the Texas Show. J.R. sent a letter with it. She hadn’t seen the tape, but had remarked that there must have been something to it because the judges even watched it twice to see if they could find a place for it, but they just couldn’t. I wish I knew what that had meant. Was watching an entry twice a rarity? Did they watch it twice because they liked it, but it turned out that it didn’t fit in with a time length or even political posturing of the festival? Or did they watch it again just to see if they could figure out what the hell was going on. Here’s my impression: “I can’t believe those idiots actually tried to enter this garbage into the festival. What were they thinking? Let’s watch it again to see if there’s something we just didn’t get.”
Roommate from Hell Day 1 – Part of the Original Show 2 was a segment dealing with two roommates, one of whom is very possessive of their friendship to the extent that he does not like outsiders whatsoever. Chris plays the possessor and I play the possessee. The sketch involves what happens when my character tries to go out on a date.
For this sketch Chris had managed to base it on separate experiences that both of us had. Mine was a couple of years ago with a particular friend who didn’t like me hanging out with other friends. During my junior year of high school, I had started getting acqainted with a girl. The thing about it was that this was a girl that he had not known or had tried to set me up with which was highly unusual. He told me point blank, “I don’t like the idea.” The fact of the matter was there was nothing to like or dislike about it. He didn’t know her so it wasn’t like he was trying to protect me from her evil ways or something. It was simply a matter that he had to be in control of every aspect of our friendship and in this case he had none.
Chris’ situation happened a couple of years later. There was a girl he had started hanging out with. They weren’t dating or anything since at the time Chris was probably still very committed to his marriage. It was just a friend to do stuff with. Well she had a male roommate. He was just her roommate, nothing going on, just someone to share the rent with, but apparently he had a possessive streak in him too. Chris had went by their apartment to pick her up because they were going to go bowling or something like that. He was talking to the roommate about their plans. After a short time the roommate said, “well, I’m ready,” practically inviting himself along for the excursion not really an ideal situation as far as Chris was concerned.
That was essentially the basis of that particular script. One Saturday afternoon while Kim was at work, Chris and I got together at her apartment and shot the introductory bit where he’s watching tv and then addresses the audience up to the part where there’s a knock at the door and I run to answer it. We also shot the part where I take Chris in the bedroom to confront him on his being ridiculous. That was pretty much all we were able to get that day as the rest required Kim who like I said was at work.
Roommate From Hell Day 2 – We got back together at Kim’s on a Friday a couple of weeks later. It was the week Stargate came out as I recall. We shot everything that we could involving Kim’s arrival to the apartment and how badly Chris handles the situation and my subsequent anger. We have the same problem as we did the first night we tried to stage the Dr. Pepper bottle fight scene where we got together so late in the day that you can tell how the sunlight seems to disappear faster than it normally would. We let it slide that time since everything was shot inside anyway and at that point I really didn’t care and I still don’t since it seems as if no one will ever see any of this.
Sneezing – Chris stopped by the apartment on the following Sunday. Instead of continuing on with the original sketch, which would have involved going out to a fast food place, we confined ourselves to the apartment to minimize time since Kim and I were planning to go out shopping and to the movies. The script Chris had was based on an incident that had happened in the summer of ’93(a lot of inspiring stuff seems to have happened during the summer).
Chris and Melynie had come over to my mom’s house one evening and they had sent us out for something. We couldn’t leave because I could not for the life of me find my wallet. We searched just about every logical possible place we could think of. Meanwhile you know how women are. They will hammer it into you until the day you die about how inept men are at keeping track of things and they will use that as a means to give them a superior status especially if they are the ones who manage to find what it is you have lost. Melynie pulled it on me that very evening. I asked, “oh and you’ve never misplaced anything in your life?” Her response was a way too overly self assured “no.” How high and mighty of us.
As it turned out they found my wallet while we were out. It had been sitting under a big giant Webster’s Unabridged Dictionary which had been sitting on a stool. Gosh! Why didn’t I think to look in that oh so obvious of places? Chris and I had thought of several variations on that idea, but the one hewrote the script for this time involved a married couple whose life is falling apart because they’ve lost their checkbook, their cat, and a few other things. They’re sitting around talking about all their woes(Chris wrote it so that we would try to sound as overly dramatic as we possibly could)when I start having a sneezing fit. As a result I start ejecting all of these lost items from my nose and there is a happy ending. We only shot the first part since there wasn’t a lot of time, so all of the sneezing stuff never got done. We’ll probably wind up reshooting everything anyway.
Sean Schemmell – Yet another guy who had responded to the paper article. An interesting note: it just so happened that he was the older brother of a girl, Jessica, who I went to high school with. He lived out in Dallas and commuted to UNT. It took us several weeks before we actually got to meet him because he was so busy. But one evening Chris and I went out to his apartment and showed him the entire first episode. He didn’t seem to be too impressed with our work. He commented that we weren’t very convincing as actors except that he did like Brian’s portrayal of the Keeper of the Sign. Nevertheless he still seemed excited to work with us. Of course we never saw him again either due to circumstances which I will get to very shortly.
Death of the Camera – It was another of those nights when Chris had made the trip to Denton. We got Dawn and we were setting out to shoot something. We were walking out of my room when the camera fell out of the bag which I hadn’t realized was not zipped up. It only fell about two feet, but the impact was enough so that the thing didn’t work.
The Resurrection of the Camera – My mom put it into the repair shop at the Incredible Universe where we had bought it and we waited. “We’ll have an estimate by the end of the week.” Well two weeks go by and then finally the estimate. “We should have it fixed by next week.” Next week, “it’s not ready yet, maybe next week.” It was about a month before I got it back. It may as well have been an eternity because the opportunity to try to get a lot of stuff done over the Christmas break was lost.
The Death of the VCR – It was New Year’s Eve and Kim had a party over at her apartment. I had brought the VCR from my mom’s house and I had left it out in the trunk of Kim’s car. I had brought it over so that I could show Chris the work I had done editing the Original Show 2. I had set the VCR on the floor which was a big mistake because Chris’ son Jude seemed to think that it was a platform for him to stand on.
When I finally came to my senses and got the VCR off of the floor, I put in the Super-VHS master that contained Chris and Miguel: A Hate Story, Episode 1, and the first three minutes of the Original Show 2 only to have the machine start eating it. When we finally got the tape out it had snapped in two. I blamed Jude’s having stood on the VCR as the reason, but the truth is, as I would find out almost a year later, is that VCRs have the tendency to do this when they are extremely cold. I hadn’t let the thing warm up enough before trying to use it, so it was my error. Sorry Jude.
Of course had I realized this mistake I could have avoided the hell that was the absence of my beloved editing VCR while it too got the repair shop runaround.
The VCR Returns – Finally after what seemed like an eternity, my VCR was back from the repair shop. The reason it had taken so long was not really the reason I had taken to get it repaired in the first place. Only a few months after I had gotten the VCR there was a problem where if I outputted to the TV using the coaxial cable the picture was snowy, but it didn’t really matter because I just went ahead and used the RCA outputs instead. The delay was a result of the repair shop having to wait for a replacement part to fix that problem. Oh well, so much the better.
I had also manged to splice the master tape of Hate Story and Show 1 together. Luckily it had been destroyed only at the point where I had started The Original Show 2. Even now I’m extra careful to avoid playing the tape at that point. Whenever I’m fast forwarding it or rewinding it I can hear where the bad tape is. Hopefully the day when I can transfer all of that to a digital medium won’t come after the tape finally gives out.
The Whataburger Discussions/Duties of the Duo – With our tools in order again, Chris and I got back to the topic of our show. Every Sunday night, before I headed back to Denton for the week, and after Chris had gotten off work for the night, we planned to meet at Whataburger. While Chris ate taquitos and I had the jr. hamburger meal, we would plot the course of our efforts, discussing scripts and story ideas and that sort of thing.
Again we tried to figure out where we had been going wrong, why nothing was still done. And we came to the conclusion that a big problem of ours was not finishing what we started. On top of that we had a problem getting started whenever we did get together. I called it the “B.S. Factor,” which was that lovely little thing where when we got together we would always take up time talking about other stuff instead of getting down to work. To alleviate this problem we were going to have to be aware of it at all times. And we would force ourselves to finishing a project once we got started on it. We couldn’t start anything else until we had that done.
Eventhough we had a whole slew of sketches that needed to be completed, like the ill-fated Original Show 2, we decided that the first order of business was to start the summer like we had the last, by doing a long project that we could possibly enter into the Sony Contest. Once we were done with that. according to the schedule Chris drew up, called The Duties of the Duo, we would start working on all the incomplete stuff
Writing the Script – Over the duration of all this, I would sit at my computer and come up with story ideas. One of them was a purely stream of consciousness kind of thing. Using my and Chris characters as the basis I just made up the outline as I went along. There was no real point to the story, but we needed an excuse to make a movie for the summer and this was it.
I showed Chris my outlines at Whataburger to get his input on it. And he made some suggestions for changes. First of all I had intended for the part of the guy who gives a ride to always be Brian and that’s how I imagined it. I’m not saying that Chris had that changed, but for the purposes of discussing the changes to the outline I will refer to that character as Brian.
Actually I hadn’t really decided how I wanted to end the thing in the original outline. I had listed several options. What I had planned for was while he was giving us a ride Brian would start ranting about how he just lost his job because of affirmative action. And he would refer to minorities, mainly Hispanics, with just about every racial slur he could think of.
My original thought was that it would only be merely an uncomfortable exchange. You weren’t sure what this guy would do and then he probably wouldn’t do anything, just drop off us and that would have been it. Kind of my trying to do that self important socially conscious Spike Lee/John Singleton thing except only with a Hispanic slant. I’m kind of glad it didn’t work out that way.
There were some other options I had written at the end of the outline and it was one of those that Chris had liked the best. At the end Brian does indeed turn out to be more than just talk and he ends up killing us.
Once I had the outline ready, I started out writing the dialogue. Sometimes the dialogue itself would dictate how the rest of the story would go. For example I wanted my character to be talking to Chris’ character over the phone. So I had to come up with some chit-chat and so what better way to do it than to put my own words in my mouth. In this case that would be my theological views. It was because of that we decided that maybe that would be the half ass central focus of the story: How Chris tries to prove that his beliefs in the higher powers and the afterlife are indeed correct.
I think the preparation for this project was the most determined I have ever felt and that was because we had a very real deadline. If it didn’t get done by the 15th of June then we wouldn’t have an entry for Sony. I wrote the script in about a week and a half and had Chris look over it. I had hoped that he would be offer suggestions for things to change, but instead he added more to it, like the exchange that goes on when Chris comes to pick me up for the road trip and the details of what all is wrong with his car.
Once the script was written I set about doing the storyboards. Here I cut loose. I designed it so that there would be camera movement all over the place in the hopes that we would always be able to round up a camera operator. Sometimes we would have one. Sometimes we wouldn’t.
Phone Discussion Scene Night 1 – The third week of April, I met Chris down in Fort Worth on a Monday night. This was an oddity for me to go all the way down there on a school night but I was convinced that if anything was to get done I would have to make these sacrifices. Before we got to work we went out with my mom. This was an acceptable diversion since we hadn’t planned to shoot anything until the sun had set anyway. Mom took us out to a hardware store and she bought me a workman’s halogen light so we could use it for the shoot.
Mom went to bed and Chris and I shot my end of the introductory phone conversation and just about everything that involved me in my mom’s house at night. So far so good. I hadn’t looked at the footage at this point anyway since I wouldn’t be able to cut it together until I had Chris’ part shot.
Phone Discussion Night 2 – The following Monday, we got together at Chris apartment to shoot his part of the conversation. We also had a part for Melynie in there too as the nagging wife who tries to get Chris off the phone so he can come to bed. This little exchange was based on an incident during the summer of ’93, when Chris actually had his phone hooked up.
He was talking to me late one night and Melynie’s mother was staying over there. One thing led to another and they started bitching him out together. I could hear her mother tell him, “you are such an asshole.” Melynie then tried to get Chris off the phone because it was poor form for them to be having a crisis and Chris to be on the phone talking to his friends. Melynie at one point yelled so I could hear it, “if Miguel was any kind of friend, he would hang up the phone.” Nevermind the fact that it was Chris who had called me and who was also refusing to hang up anyway. After we hung up four hours later, Melynie called me back up and asked, “why didn’t you hang up the phone?” Like it was my fault that I was keeping Chris from getting his full bitching out. Chris didn’t want to hang up. I asked, “what kind of a question is that?” After a brief silence, I hung up.
So anyway what I had planned to do in the scene was never to show Melynie’s face. There were two shots, one where you see her back in the foreground in front of Chris and another where you see a close-up of Chris with Melynie way out of focus in the background. There were a couple more scenes involving the character of Melynie where you never see her. I guess it was kind of my commentary of sorts about how women have no place in the world of the boys when they’re at play.
Melynie was kind of reluctant to do anything on camera. She didn’t want to have to memorize her lines and she didn’t seem to give the proper emotional response like anger. But Chris kept yelling at her because of her complaining. It eventually worked so that she really did get mad and delivered her lines fairly convincingly. As soon as the last take was over, Chris lightened up and kissed her. Apparently he had been trying to manipulate her the entire time into giving the right performance. Too bad we had to cut it out.
Journey into Artistic Hell – So with practically the whole beginning of the movie shot up to the point where Chris calls me from a payphone with his car broken down, I did a rough cut of the whole thing. It turned out terribly. We seemed to be half asleep during the phone conversation. We had absolutely no enthusiasm. The scene didn’t flow like it should have according to my mind’s eyes and ears. It was a big disaster. I had shown Chris the assemblage when he came for a surprise visit early one Monday morning at about 5 a.m. This was the first time I had met his current girlfriend Jewel who was pregnant at the time by her future- soon-to-be-ex-husband. Usually Chris would calm my worries by saying, “it’s actually not that bad.” But not this time.
It felt as though my entire future, any hope that I would ever have at being a success as a filmmaker was dying. This was just plain bad. Maybe I was a talentless loser after all. We had spent two weeks on this thing that was utterly worthless. There was no way we could continue on the project now even after all that time we had spent trying to get it ready. There was no way we could get something going in time to have it ready by the middle of June.
Reworking the Beginning – Fortunately Chris had kept his head. While I had been wallowing in my despair Chris had worked out a way we could still work on that project and still salvage some of what we had shot already. His idea was that since we were heading to the afterlife maybe we could do the main part of the story as a flashback of how we got to where we were going. Of course we don’t know where we’re going at the point, but we start to remember more and more the closer we come to the end of the tunnel. That way we can almost narrate over the initial phone conversation pick up with the main points and then talk through the rest. It was brilliant. It would save us and when I cut it like he suggested. Unfortunately we had to lose Melynie’s big scene and we have never told her that we had to cut it. Of course she probably wouldn’t even remember having done it anyway nor would she remember what it was supposed to have gone with anyway.
Brian’s Part – We had been telling Brian about his involvement in the project for a while I had explained to him somewhat about his character. I had planned for him to be a redneck type of person. So we got together on a sunny Sunday afternoon in the middle of May(by this time school was over for the summer)and he had changed his hairstyle. Whereas before it had been functional and natural, now he had a mohawk that he died a wierd color of yellow. He definitely looked nothing like the redneck I had envisioned. But what choice did we have? We didn’t have time for his hair to grow out to a natural form so we had to just deal with it. All we got on that day was the conversation in the car which I might add we had changed from being one by a digruntled redneck to a redneck that wants us to bury a body for him and how he beats around the bush when asking us.
Vacation to Exotic Centralia, Illinois – Production came to a halt because of the trip that my mom and I had been planning for a few months already. It wasn’t a big problem because Chris and I knew it was coming up so we scheduled so that we could get the summer project done without having to shoot that week. It’s a damn shame we didn’t have that week.
The plan was that we were going to fly to St. Louis and my grandfather was going to drive up from Centralia, Illinois to meet us for what was supposed to be a fun filled week of taking in all the sites and scenery that St. Louis had to offer, like the arches and the riverboat casinos. But we had planned well. Around that time there had been another big flood in the midwest, the second in a year which was odd because they usually only happen once every century, but that was how my luck was running that summer. We wouldn’t be able to do a damn thing because everything was covered in water.
So instead we spent the entire week bumming around my grandfather’s house in just another podunk town in middle America. You had to drive 20 minutes to get to the nearest movie theater. And the theater was a two-screener showing such really good movies like Casper and Johnny Mnemonic. I didn’t catch any flicks that week. This is how bad it was. It usually takes me about two weeks to a month to get through a novel. I managed to read Planet of the Apes and had finished Carrie while we were waiting at the airport at the end of the week.
Recasting Brian’s Part – The Saturday after I had come back we resumed the shooting of the porject. The first thing on our agenda was to get all of Brian’s stuff out of the way. We stopped by his apartment around 11 a.m. When we got there he was ready to leave with Kendra to go to K-Mart and then they were going to her parent’s house. We begged and pleaded for him to be able to do the show, because we needed to do it badly. Kendra agreed to let Brian off of his leash for the day but they absolutely had to go to K-Mart together. He would be back by noon. So instead we went to eat at McDonald’s.
When we returned at noon, Brian and Kendra still hadn’t returned. I made several pages to him to call me on my car phone, but he didn’t call back. We waited for an hour and a half on the front doorstep to his apartment. This was bad. We didn’t have much time before the project needed to be finished and one of our principals was conveniently gone.
Lucky for us, Chris had his brother-in-law Brandon tagging along with us. We also had Modester because he was going to do double duty as the camera operator and as the dead body in the trunk. Our best option would be to recast Brian’s part altogether, so Chris and I tried to convince Brandon to do it. He was reluctant, but we assured him that we wouldn’t make it too difficult on him. It worked out for the best anyway because Brandon looked more the type anyway. I still couldn’t get past Brian’s hair and Brandon already kind of looked like he could be a deranged white trash killer.
We went out to the little piece of land in Lake Worth where we had found all of the junked tv’s to shoot the scene where Brandon pulls over to have us bury the body. We shot everything where Modester is laying in the trunk and the beginning of the fight scene where Brandon puts the gun to my head and where we tackle him. We tried to get all of the stuff not involving any dialogue out of the way first because Brandon was a little nervous about having to memorize lines. We wanted him to get used to the idea of being on camera.
So while we’re shooting all this, the owner of the property pulls up alongside the road to kick us off. We had thought the land was public since it was right off the road and it was just a small little clearing that has absolutely no use whatsoever. We thought him to be a crazy kook because there was no way he could own this land. We figured he just wanted to give us hell, but he seemed adamant so we left. We found a cop and asked him if he knew what the deal with that land was and apparently there had been a call made about some kids on somebody’s property so we didn’t go back there ever again.
A Change of Location – The next day we got back together. We were going to have to find another place in the middle of nowhere where we could continue shooting. We found a place around Arlington. This time we made sure we got permission so we asked a security guard and he assured us that there would be no problem and thankfully there wasn’t.
We continued to shoot the rest of the fight scene, but we hadn’t reshot any of what we had done at the other location. So you’ll notice that this fight scene seems to take place in two different places. We also did the dialogue stuff. By this time I was starting to feel progressively worse. I was definitely coming down with something. Chris kept trying to keep me up and tried to convince me that it was in my head, but by the end of our time there I could hardly stand up anymore. Chris let me sit and he directed Brandon through all of his close ups where he’s telling us how to go about disposing of the body. I paid little attention to what was going on as I was in a fever induced daze.
Sick Days – We lost several more days that we could have been using to finish the project which by that time we had titled The Less You Expect the Better It Will Be. The title has a double meaning. My character is being led by Chris to some mystery that Chris is planning to unvail, so I shouldn’t expect too much from the excursion. It’s true meaning however is that when you watch the final result don’t expect too much because you won’t get much. Anyway I felt awful, the worst I had ever felt in a long time. My fever ran so high that my sleep was not too comfortable because it was punctuated with delirium. The way things were going with the project and with how bad I felt, thoughts of how much of a loser I was continually ran through my head. Apparently somewhere I had picked up a nasty rash on my arm and this is what was making me sick.
“And that sir is a gun!”or In Trouble With the Law – I finally got to feeling better by the time the weekend had rolled around. We spent one day, back out on our second location finishing up what we hadn’t finished with Brandon. The next day we went up the road from my mom’s house where the cow patties become more prevalent to 1.)shoot the conversation that takes place in the car and 2.)to shoot the part where Brandon picks us up from the side of the road.
It was the second part that was the problem. We decided to do it around a newly developed residential area. There was an older married couple out for their walk. They passed by us and asked what we were doing. We explained that we were making a movie and everything. They explained that they were part of some neighborhood watch and that they had been having problems with people breaking into houses. As we were leaving Chris complained that all the cops whenever they break your balls for being somewhere you don’t belong always give the excuse that the area has been especially hit by burgluries.
Anyway since Brandon had been driving my car the entire time I didn’t feel like switching out for the short trip home. We stopped at a Stop N’ Go so that Chris could get something to drink and we conitinued on the main road that is part of the route to my house. About a minute later, we were being pulled over by the cops. Now I had no idea what was going on, but I was especially worried because my car only had liability insurance and didn’t cover other drivers. I knew that we were going to be in deep shit over that.
I didn’t bother to look behind me to see what the cop was doing as she was walking out of her car. Brandon who was looking through the mirror knew that something very serious was going on. He announced that she was approaching very cautiously with her hand on her holster. Without coming up to the window, she ordered Brandon to put his hands out the window where she could see them and get out of the car. He went around to the back of the car and she frisked him. I was about to wet my pants at this point because I knew that for the last couple of days, he had been carrying this pocket knife and I didn’t know if it was legal or not.
The cop then ordered me and Chris to put our hands up on the seat. She told Chris and me to get out of the car and put our hands behind our heads. She had us get on our knees with our hands still behind our heads and she frisked us. Chris was demanding to know why we had been pulled over. She didn’t answer. “We have given you identification, now you have to tell us why you are pulling us over!”
By then her backup had come and he had his gun drawn pointed to the ground. I was scared shitless. He barked out, “Where is the gun?”
“Gun what gun?” I said. It was more like whimper because I was worried that this cop was going to shoot all of us dead until he found out. “We don’t have a gun,” Chris said. “I want to know where it is!” the cop demanded. Almost at the same time we realized that he must have been talking about the plastic toy gun that we had been using as a prop. But in my fear I couldn’t remember exactly where it was. It was just a toy. We weren’t keeping track of it.
Finally one of us, I think Chris remembered that it was in the hatchback. I confirmed it, hoping that the cop would find it and let us go. “I’m not going to open the trunk…” Oh great we’re going to be here a while. “…Until you get back away from the car!” What a relief. I was worried that the cop was going to prefer to interrogate and torture us thoroughly or worse we were going to have to wait for some special division to come out to look for the gun. In unison we all backed away from the car. The cop popped open the hatchback found the toy gun and the expression on his face changed.
“See it’s not a gun,” Chris said. “I don’t care! You don’t need to be carrying this around with you.” A few more minutes went by and they were still looking through the car. We were still on our knees with our hands behind our head. Not only that, but there was all this traffic passing by and you could tell what they were thinking because I know that if I passed by a similar scene I would think it too. “Hmmm, must be a drug bust or something.” After five minutes or so, Chris asked, “you’ve seen that we’re not a threat can we please get out of this position.” They considered it for another minute or so. Then they finally let us go sit on the curb.
Apparently what had happened was that while we were at Stop N’ Go somebody had passed by and saw the gun through the window of the hatchback. Worried that we were going to rob the place, this person called the police. As Chris later pointed out. It should have been obvious that we weren’t going to rob the place since we left without having done so. Why did they still pull us over. Our adrenaline was pumped up way high. Chris even shot some of our ranting about the incident when we finally got back to my place.
June 14th, 1995 – This will be a day that will forever live in infamy. This was the day before we had to have our tape postmarked for the Sony competition. We still hadn’t quite finished shooting yet. There was still the matter of the last scene that needed to be taken care of where we go into the afterlife and meet the guy(Modester)whose body we had just finished burying. We rounded up Modester went out to Inspiration Point and got it all out of the way.
I had planned to stay up all night editing the project because at that point it wasn’t even half way done. So I got started around seven in the evening. I was at Kim’s apartment and I set up my stuff in her livingroom. Well then Kim had decided to vacuum. I usually leave the stuff on the floor, but I set the camera on top of the VCR which was sitting on top of an unused stereo speaker. It was a precarious place for all of that to be in the first place. Well in the course of her vacuuming Kim happened to ram the cleaner right into the speaker and the camera fell off of it. When I tried to turn it on again it wouldn’t power up.
There was no time to take it to a repairman and have it fixed in time, so I tried to see if I could see what it was myself. With Kim’s assistance I opened up the camera. There were these paper thin wires attaching the front plate to the rest of the camera. They got torn in an attempt to get the plate off. Since they were so paper thin I thought nothing of it. We couldn’t tell what it was. I was hopelessly screwed, but I tried everything I could to get up and running in order to make that deadline.
I went out to Hypermart which was open 24 hours to look for another Panasonic camcorder with a synchro edit jack. I planned to use it for the night and then return it the next day with some excuse that it didn’t have some feature or another(this would turn out to be incredibly prophetic). I went out and they did have exactly what I was looking for on display. The only difference was that it was regular sized VHS so I also picked up an adapter. I charged the whole thing to my mom’s credit card. I knew that this would have been a big no-no since the previous summer my mom had laid it into me for charging a $50 dinner, but I figured it wouldn’t matter since I was going to return it the next day.
They went to go look for the camera and they came back with the news that the model on display was the previous year’s model, but they did have this year’s model. Would it be okay. Sure why not? What big difference could there possibly be?…like that years model didn’t come with a synchro edit jack, that’s what. And the next day I found that a lot of camcorders were beginning to skimp on features. They weren’t improving they were getting worse. Not only were the newer models not coming with synchro edit, but they were also coming with auto focus only which is the worst thing they could have ever put on a camera because a lot of priceless moments have been ruined by the auto focus trying to find the new focal point and then overcompensating by going completely out of focus.
The way it was going and has become is that if you’re a serious or even semi-serious videographer you have to almost lay out some serious cash for high end professional products just so you can have the features that the consumer models had only last year. They are in effect dumbing down the products because they figure that the average consumer doesn’t use them anyway. And for the most part they are right.
Well back to Summer Project ’95 it died a quick death right then and there as far as our entering it into the Sony contest was concerned. All hopes for moving beyond that to getting Sniffles work done died along with it. I had put it into the same shop where I had the VCR fixed and they estimated the costs at $300 money which I didn’t have. What was making it cost so much was those damn little wires that had gotten torn. If it weren’t for that it might have only cost a third of that. What pissed me off even more was the fact that they kept the $64 deposit for their “labor.” I should have taken it to Incredible Universe where they didn’t make you leave a deposit and didn’t charge you for an estimate. Better yet I should have seen if I could have cancelled payment on the check if it hadn’t already been too late. Oh by the way, I will never deal with White Glove Electronics in Grand Prairie ever again.
A New Camera – For Christmas, mom agreed to get me another camera. For what it would have cost to repair the VHS-C camera I figured I could get another one that was regular sized VHS. I had become to grow weary of VHS-C back in ’94. A VHS-C tape cost about two dollars more than a VHS tape and not only that but you could only get 30 minutes at the most on standard play while on VHS you could get two hours. It was just more cost effective. Plus the VHS-C casing wasn’t all that protective of it’s magnetic contents. The tape getting scrunched seemed to be a common problem.
I spent a good portion of the month going to the pawn shops around town, looking for a full sized Panasonic camcorder(that way I could be sure that it’s synchro edit jack would be compatible with the one on my VCR). About a couple days before Christmas I found one at a Cash America Pawn Shop in Azle. It was only $300, so I took it. I should have looked harder. The synchro edit jack didn’t work and the battery didn’t work either. The pawn shop also didn’t give the money back. They would let you exchange it for another item within 30 days. By the time that 30 days was up they never managed to get in another full size Panasonic.
Film Styles Class – I had finally gotten into the film styles class that I had waited about a year and a half to get into because the space was so limited. They just so happened to have Panasonic S-VHS camcorders for us to use, so I found out that the synchro editing problem was in fact with my camera and not the VCR as it could have possibly been. I also discovered that the battery that had come with my camera was bad and not that the camera didn’t seem to want to use it. So to that end I went ahead and bought a replacement battery. I had held off because I wanted to be sure that it wasn’t a problem with the camera itself.
While in that class I did a total of three projects all of them with Chris. The first was a meeting and a chase story done without sound. I had to team up with a classmate, Tyler Walker to do that one. The objective of the assignment was to get one partner to shoot the meeting and the other one shoot the chase. I opted for the meeting because the Sniffles chase scene had given me all I could stand of people running after each other.
I decided to try to be fairly serious in my approach. It’s about a guy who is obsessed with his ex-girlfriend who is getting along with her life with a new boyfriend and so he goes to kill her. When I screened it in class it managed to get big laughs especially at the part where you can plainly read Chris’ lips yelling, “stupid fucking bitch!” I got a 94 on that one. I could barely read my teacher’s handwriting on his critiques, so although he thought I had a good variety of shots, he thought there was a shot of a door that I didn’t hold onto long enough. I didn’t know what he meant and when I asked him, he couldn’t seem to remember what he was talking about either, but he “must not have counted off too much for it.”
The second project was supposed to be a silent documentary. I decided to do mine about Chris while he’s working at Pizza Hut, making pizza, making deliveries, and cleaning up the store for the closing. At the screening the teacher seemed to be impressed by how the editing gave it a surrealistic feel. My classmates seemed to be impressed as well. I got a 98 on it. There were comments like, “excellent pacing” and “good following of the action”. However he would have liked me to have done more with the actual delivery of the pizzas to people’s doorsteps.
These two projects may or may not ever make it to Sniffles. They just don’t seem to fit in with the mood of the show. It all just depends on how hard up we are that will be the deciding factor on whether they make it or not. Or maybe if there’s a public outcrying for it(yeah right).
Finishing an Old Project/Making a New Enemy – When I had first gotten into the film styles class, the instructor encouraged us to get some practice with all of the equipment that we would be using so that by the time we had to do the projects, we wouldn’t have to worry too much about technical concerns. To me that meant that I could use the editing equipment to finish working on an old friend, Summer Project ’95. So at the beginning of the semester, for about a week I would spend about three hours a night in the editing room trying to finish the abandoned project.
There was this guy, Habib, who was responsible for the equipment checkout and the editing rooms. We had recognized each other from the school tv station meetings and I can remember him from previous semesters being fairly cordial with me. But this semester he decided that he was going to be a complete dick to me. He was busting my balls since the very first exercise in the class where we had to get in a group of three and shoot a series of meaningless shots for the purpose of exploring the different camera techniques.
Well anyway for the entire week the guy hadn’t said anything to me when I was up in the editing room. Finally on the last hour of the last day that I had planned to be there for that week, he decided to come in to check up on me. He asked, “what are you doing?” It wasn’t a “oh I’m curious about what my fellow students are making” kind of question, but more like a “what the hell are you doing here?” I said, “I’m…uh…just getting practice with the equipment.” “These are for class assignments only!” he replied
He left and came back with this piece of paper. “I don’t know if your teacher passed these out to you, but I’m going to give one to you now.” It was an explanation of the abuse of equipment policy and the penalties for each infraction. Three penalties meant that you couldn’t use the stuff for the whole semester. So if you’ve got a class where you need to use it and you can’t, then apparently you’re screwed. I didn’t get an infraction thankfully
I thought the whole thing was ridiculous. That particular class has a fairly high course fee because of the fact that you are using all of this expensive equipment. So why can’t I use the stuff that I’ve paid to use. And here’s where I will go into a little bit about the overall uselessness of film schools. If you want to learn how to make movies you’re going to have to do it out of class time with your own equipment if you can get a hold of it. Because if Habib’s assertion that the equipment is only to be used for assignments is true everywhere, then you will never learn anything. I know several fellow classmates who had never made anything before and haven’t done anything since that class. So what good has film school done for them?
What Do You Want to Do Now?( Revisited) – On the very same night that I had shot the documentary with Chris, we decided to get a hold of Modester to reshoot the sketch we had tried to start almost two years before. It was literally because of the documentary that I had bought the new battery for the camera so now we weren’t confined to wherever there was an electrical outlet.
We went to Kim’s apartment and we didn’t get there until almost 3 or 4 in the morning. I know it was only an hour or two before sunrise. We would not make the same mistake as we had before. We would shoot everything all in one day. This meant shooting the nighttime stuff in the pre-dawn hours and the morning and evening stuff when the sun finally came up. We did it out on this small playground in the courtyard of Kim’s apartment complex. By the time the morning had come we were all so very tired. Kim was leaving early in the morning so we all crashed over there for a few hours until it was close to noon.
By noon we had only had a couple of hours of sleep. I was dead tired, but at least I would be able to go back to bed once they had left. Poor Chris and Modester had to be to work. We couldn’t get the same kind of coverage on the noontime stuff as we could on the other stuff because by that time the kiddies were out in full force. With all their yelling and screaming and running around there would have been no way we could have gotten everything to match in the editing. Not only that, but in the finished product you can see how the kids are all very aware of the presence of the camera and how they are all playing up to it.
Teddy – This was something that we did off the top of our heads or more like Brian’s head. With the new battery we had the means to shoot wherever we wanted to and Chris and decided to take advantage of it one Saturday afternoon. We went over to Brian’s apartment. I can’t remember why specifically if it was for that reason or not. Joe was over there as well, so I think on a whim we decided, “Hey, let’s do something.” So we went outside where Brian had been living at the time, near the Kimball Art Museum.
Brian just started doing a character. He had this teddy bear with him and he started talking to it. Out of that Chris came up with some situations to put Brian’s character in. Chris decided that it would be interesting to throw in him and Joe fighting around Brian. He wanted to try to do all the segments in single takes because Chris’ goal is to set things up like that even when it would be more sound pacewise to cut. For better or worse I managed to get some cuts in here and there. After we shot a scene to our satisfaction we would literally ask ourselves, “so what could we do now with the character?” And so we’d walk around until we figured something out based on what we could find in the area.
The last and in my opinion funniest part came completely by accident. Brian decided to just sit down and talk to the bear. Hopefully something funny would come out of the improv. I was taping some of it when all the sudden Joe stepped in front of Brian with a mouth full of water that he dribbled onto the bear as if it were a urine stream. Since none of us were expecting it, the take was altogether unusable, but we redid it and on the first take everyone bust out laughing at the end.
A Night in the Dorm Pre-Production – On the final project for class, Un Nuit(episode 4), I decided to go all out. Since I would never have to be on camera that would free me up as to the kinds of things I could do as far as movement and that sort of thing. I had been planning this out since the previous semester. The basis of it where Chris goes to the bathroom and pisses on himself is based in reality.
My dorm had community baths as you can tell from the piece. Well at the time I was having a serious problem with the sprinkles where if I wasn’t too careful my urine stream would come back toward me and hit my pants. I would have to hurry down the hall in the hopes that nobody saw me before I got there to change my pants. I probably shouldn’t be telling you this, but why not? I’ll go ahead and be perfectly honest with you. Besides I haven’t had the problem for a while now.
There was also a problem as far as roommates were concerned. Often people would leave their keys in the room when they went to the shower and when they got back to the room they would find themselves locked out because their roommate had left. It’s happened to me and I’ve done it to some of my roommates too. Seeing someone have to go up to the front desk in their bathrobe or with a towel around their waist asking for a spare key was not an uncommon occurrence. So I decided to make that a part of the story as well.
We had to submit proposals of what we wanted to do to our teacher and whether we got to do it or not was based on whether he approved it or not. I had to rewrite and resubmit it. He didn’t have a problem with the subject matter. He just didn’t feel that there was enough going on. I needed to add another incident and so I racked my brain trying to come up with something because as I had it, it ends with him getting a spare key. End of story.
I had been reading a book on the making of Psycho and so I thought it might be a cool idea and have him go take a shower at the end of the fiasco and then I would duplicate shot for shot Chris getting murdered like in Psycho. I wanted to have him killed. That I knew, but I decided not to do it as a parody of another film. Eventually I realized that it would be best to have his death interrelated with the rest of the story and that’s how I came up with him being executed for having been late with the key.
I turned in the rewrite and this time it got approved. On it he commmented, “Ok. Based on the quality of your work thus far.” I felt good that he had complemented me, but it seemed as if he wasn’t too sure of my material. He was just going to go ahead and let me do it anyway.
A Night in the Dorm Production – So with all of that set, I got Chris to come up to the dorm. Actually I had to go pick him up in Fort Worth because his car was broken down. We spent one whole night shooting the thing. All told it took about eight hours. I remember the night fairly well because it was the same night that my dorm had its big end-of-the-semester music show, the Bruce Jam. The Bruce Jam was something that Chris had been wanting to get up to see for a couple of years and now finally that he had the chance, I made him work on my project instead. I also took a couple extra days shooting things like the credits and that was about it.
Response to A Night in the Dorm – When it was all edited together the initial response seemed favorable. Chris Switzer had complimented me on my visual sense and this other guy Joel who was also in a different film styles class seemed pretty impressed. The showing of it in class was fairly disappointing however. All of the things that I had hoped would get big laughs was met with dead silence. The only thing that did get laughs was the part where I shoot him in the head(the executioner is me by the way). The part where I rack focused to the Dr. Pepper can seemed to impress a couple people around me although it’s just a stupid rack focus.
The teacher didn’t give our tapes or grades back until the final exam. I was expecting to get a decent grade on it. I mean I had gotten A’s on everything else. What I had wasn’t a cinematic masterwork but it did have some thought and work put into it. So maybe I would at least get a low A if nothing else. I got a high B instead. An 88 to be exact.
He commented that my editing was choppy in places, that the pacing slows down too much in the middle and that he felt that there should have been another incident although my thing after the credits seemed to work. SO WHY DID HE MENTION IT THEN? On the favorable side he said the music was good and that the use of locations was good. I know every time I watch a movie I’m sitting there thinking, “Wow! They really put those locations to good use.” What kind of a compliment was that?
Needless to say I fell into a deep depression which I will site as yet another journey into Artistic Hell. The usual doubts about my abilities and future as an artist came about. My only consolation was that Chris Switzer seemed shocked that I had recieved such a drubbing. It was hard to tell what the deal was. Was my project just that bad? Or was it that because I had shown some ability with the previous projects that he was going to apply a different set of standards to my work.
To add insult to injury, there was this other guy who had spent almost no time working on his project. He spent about 4 hours on it and it looks like he didn’t have anything planned out when he shot it. It just didn’t flow together very well. On the day I was moving out of the dorm for the summer I happened to see him and I asked him what grade he had gotten. He had gotten an 89.
Death Takes a Train Ride Day 1 – Before school had gotten out Chris had given me a script that he had written for me to storyboard. The script as far as I know didn’t have any basis in a specific incident. It was just something he had come up with based on his love for Dr.Pepper.
This was still back in the day when I tried to incorporate some complex moving shots into my visual schemes so we got Modester one afternoon. Of course as always Modester had to drag along one of his girlfriends for the trip. This is how it usually happens. “Hey Modester we need you for a skit.” Modester: “Okay, but first take me over to so-and- so’s house ’cause I want to get my nut off.” So we ended up bringing this other girl for the shoot.
The shoot only lasted about an hour because Chris had to be to work by a certain time and we had gotten started so late. We went out to a park out near Benbrook where there was a railroad track running through it. Modester’s girlfriend played out on the swings because she didn’t want to walk through the tall grass to get to the track. It didn’t matter because all we need was Modester anyway. We only had time to do all of the shots that required Modester as a camera operator(which amounted to about 4)before we had to pack it in.
Death Takes a Train Ride Day 2/Baseball Burp/Barely Manenough – Chris was determined not to let this script go unfinished so about a week later we got together earlier and went out to the same train track to finish up. Before we had completely finished a train started coming. It was moving slowly enough so we gathered our stuff and went to the baseball field by the tracks.
The train came to a stop near where we had been and the driver called out to us. We couldn’t hear what he was saying over the noise of his engines, but we pretty much ignored him. He probably just wanted to get on our case about being on the tracks and if that’s what it was about then we got the point without his having to say anything to us. Of course we would have ignored that point anyway. That’s the only thing I can think of it being because what the hell else would some guy driving a train want from somebody he’s passing by.
So while we were waiting for the train to leave, we shot this other thing that Chris had been talking about, but we had never gotten around to doing. It was a little exchange where “burp” is used as a word that is supposed to mean something. Chris set it up like he was somebody who was sliding into first base and I’m tagging him with a Dr.Pepper can. He didn’t tell me what the sketch we were shooting was about until the part where we actually had to do some dialogue. To tell you the truth I might have forgotten that we had even shot that had it not been for me trying to recollect what happened on those days.
So after we had finally gotten all of that done we went back to Kim’s apartment to start shooting another script that Chris had given me to storyboard at the beginning of the summer. It was just a little ditty slamming Barry Manilow. We only managed to finish the scene in the bathroom and bedroom before Chris had to go to work.
We had a hell of a time with the shot where I get up in Chris’ face and tell him about how much I appreciate him. He wanted to do it as a Captain Janeway thing because if you notice on Star Trek: Voyager she likes to get right up into people’s faces when she’s talking to them. It always looks like she’s going to kiss them. For us it was weird and awkward and so we spent about 10 takes flubbing our lines because we would break out into laughter before the take was over. It was very difficult to look straight into Chris eyes being so close that you can’t even see his mouth and keep a straight face. Nevermind the straight face, in the scene we don’t look straight at all.
The Last Shot of Que Clinic – This was just one of those days. We got together to do something, had nothing really to do so we finished up an old project, by getting the shot that Chris had planned to get back in ’94 for Que Clinic where his car pulls into the parking lot where Que Clinic presumably is. That was all we got done that day and the last thing we did for the rest of the summer.
Love Cubed – The fall semester had come about and I was now in the intermediate film class taught by Fred Watkins who has directed a couple low budget films you can find in some video stores around here in Denton and around the metroplex. The first two are called Brutal Fury and A Matter of Honor although he all but disowns the second movie because of the terrible experience he had working with the producer. His latest movie, which was shot in ’95, is just now coming out in some local video stores. It is called Lethal Seduction and it stars former Penthouse Pet, Julie Strain. He is also currently getting ready for a bigger budget action picture that Tom Berenger is probably going to be in.
Anyway in this class we got to shoot on real film, not video like in the beginning class and on Sniffles. The first assignment was to shoot a 3 minute super-8mm film silent and we had to edit in camera. Not being able to edit post-production worried us in the class, like Chris Switzer, but ultimately all it meant was that we would have to be extra careful how we set up shots. And since we only had three minutes and there was no way we could just get another roll if we needed more, we would have to time out all of the shots as we did. This was something I wasn’t used to doing, but I learned a lot from it because it taught me about economy, shooting only what you need, and being more aware of how the thing is going to cut together before you even start shooting.
Beyond that the big problem was just a creative one. I had a three minute movie to make, but I didn’t know what to do with that time. The inspiration came from some video I shot one night a couple weeks before I shot the project. Chris had come up to Denton with a whole entourage. By that time he had split up with his wife and was living with another girl named Jennifer. Jennifer had this friend Christine who had a boyfriend named, of all names, Chris(we’re going to call him Billy because he had shaved his head a few weeks later and he kind of looked like Billy Corgan).
So we walked around Fry Street the big hangout area for my college because we couldn’t all hang out in my room since Switzer was going to bed. I also brought the video camera along which was fortunate because I shot some of the best home movie footage of my home movie career that night.
Christine and Jennifer had this bi-sexual streak about them and if you asked they would tongue kiss each other. I got a couple of scenes of them doing that. Christine was also on the rag at the time and I’ve got footage of Jennifer sticking her hand down Christine’s pants and pulling out a bloody finger. Great stuff if you’re a perverted whacko like me.
It was from this that I based the story that I planned to shoot: Chris has a girlfriend (wife?), played by Jennifer, and it’s a perfect little relationship. She packs his lunch for him as she sees him off to work and they are a happy unit. On this day he comes back home from work to find Jennifer making out with Christine and he runs off in a rage.
In a park he meets a stranger, played here by Switzer who gives him some advice (it can’t be heard since the film was shot silent) and Chris realizes that he’s been an idiot. So he goes home and gets into a threesome with Jennifer and Christine. I just love happy endings!
All the parties agreed to it and so we went on with it. We ran into a snag getting everybody available all at once and on the day we were originally going to shoot, Christine wasn’t available. Chris made the suggestion that maybe we could switch the roles and that it would be Jennifer who caught Chris with Billy. It would have been okay if Chris would have assured me that they would kiss for real, but he wanted to fake it. Not good enough I wanted the real stuff and besides the ending wouldn’t have worked since most women aren’t like most men in that they want to get with two at the same time.
We were able to get everybody together. I shot the movie and then had to wait a few weeks while the film was shipped off to get developed and then for Fred to watch it and grade it. It was very suspenseful because 1.)I would have no idea if the film turned out before Fred would see it and 2.)what would he think of it? The day finally came and I got a perfect score. Fred mentioned it in class and gave the entire plot summary. On the written comments, he wrote, “Every man’s dream.” I love Fred.
That was the last thing shot in ’96 other than the two 16mm projects I made for Fred’s class, but were just plain bad. The first is completely out of focus and the other just plain sucks. Maybe I’ll go through the expense of transferring them to video and putting them on the show.
Spring Break Mission – Chris had finally had enough. He had spent the last six years on artistic pursuits(probably more than that considering that we had been working together for the last six years) and still he had nothing to show for it. This was going to finally be the year where something would actually happen. If he couldn’t get a band together, so what? He’d just get a drum machine and go it alone
As far as the show was concerned a little asskicking would be in order. We would finally get together on a more serious basis and get the show going again. This would mean that I would have to put the camera I got from the pawn shop into a repair shop to get the synchro edit feature fixed. He required me to put it in at the end of my spring break so that we could use the week to shoot some things for the show.
Monday, March 17: Mr. Pibb/Snuggle Muffins/Move You Free/Church of Irrelevancy – The first day we got back together we shot a sketch idea I had come up with as a direct result of the Death Takes a Train Ride sketch. I noticed that we had a couple sketches that dealt with Chris Dr. Pepper habit. Chris is such a loyal Dr. Pepper drinker that he shuns all of the Dr.Pepper imitators, like Mr. Pibb for instance. To him not only are those drinks inferior, but they are virtually at the bottom of his list of stuff that he would drink. So it was from this that I got the idea to see what would happen if I tried to pull a fast one on him and switch his beloved Dr.Pepper with that of Mr.Pibb.
The scene was shot with mostly static shots, but I did plan a few moving shots and I begged Kim to execute them before she went to work. She was very reluctant to do it although it wouldn’t require for her to actually appear on camera. She would just have to operate the thing. This worried us considerably because if she didn’t want to be associated with the show even on a technical level what about the Roommate From Hell sketch that we hadn’t finished yet? What about the finished They Cute sketch from Show 1?
Once we had the Mr.Pibb sketch done we really didn’t have a whole lot of ideas of where to go next. We walked outside into the apartment complex and an idea came to Chris, only he wasn’t going to tell me what it was. He just told me to start recording and whatever happens I should just go with it. And this was the genesis of the “It’s Okay Snuggle Muffins!” sketch. I had absoutely no idea of what Chris was going to do before he did it, so when he attacked me(the camera) I was taken completely by surprise. If it had been planned I would have wanted to do it again just to try to make sure that the annoying date/time display didn’t pop up again.
Chris also had seen the “Move You For Free” sign on the apartment complex next to Kim’s earlier in the previous week and so he came up with the little quickie idea where he’s standing next to the sign and I move him to a different position. He tries to pay me, but I refuse the money.
He then saw a orange safety cone in the grass in the park across the street from Kim’s apartment and so he decided to do a Snuggle Muffin reprise. As you can probably already tell we were really scraping at the bottom of the barrel for material at this point.
We walked around the park and then Chris decided to do his Church of Irrelevancy soap box thing. It was actually something he had written a while back and since we were trying to find something, anything, to do he decided to go with that.
All in all it wasn’t too bad of a day. Even though just about everything we shot that day was filler, it still put us back on a creative track. Most of the stuff might have been simple, but as Chris likes to point out from time to time that when we’re actually working on the show, we manage to generate other ideas from doing it. Not only that, but some of the stuff I actually kind of like anyway.
Country Fresh/Hair Tie Revisited – The Sniffles(sniff!) Country Fresh air freshener was something we had come up with back in ’93. It is a parody of all the real “country fresh” scented products out on the market. Because when you think about it. What is country fresh? When you work on a farm you deal with fertilizers and smelly animals. Why would you want that in your house? Anyway it took us that long to finally get it off of the page and into a finished form. This was how we started our second day of the spring break work schedule.
Chris had brought his guitar with him and from the sketch we had just done. He improvised a song using the theme of manure. More great filler.
Also on this night, we finally finished the Hair Tie Drama. The two years of putting it off until we came up with an ending would be over. We would be forced to come up with an ending right then and there. I had some ideas, but I had never fully developed them because a big problem of ours is that we never finish what we start. We’ll put off finishing something until the next day only to want to work on something else when the next day rolls around.
One of the big things we would have to contend with in the sketch was the fact that when we started the sketch I had long hair, but now I had short hair. Luckily it played well into the theme of the sketch in the first place about how much of a nuisance having long hair can be when you can’t pull it back.
Putting the Camera Into the Shop(trying to at least) – My spring break was at an end and so before I went to work at Wal-Mart for the weekend I went to Circuit City to drop the camera off. Of course they wouldn’t take it because they have a policy about not servicing equipment that is at least ten years old, and my camera had just had a birthday. They told me that I would most likely have to go through the manufacturer(Panasonic).
I called up the Panasonic hotline and they told me that the nearest Panasonic repair center was in some town in Illinois. I was very discouraged. I didn’t have a lot of time to go hunting up other repair shops that might take my piece of equipment.
The Gods Are on Our Side – Chris still harped on me a bit about still trying to find a repair shop for the camera, but I could tell that some of the hope might have died in him as well. I had just about given up on it. I didn’t want to go through the trouble and expense of sending my camera all the way to Podunk, Illinois and then having to wait an eternity for them to get to it and finally sending it back, providing it never got lost in the mail.
One of my and Chris’ goals is to shoot a feature length 16mm film. I was hunting around trying to find a suitable 16mm camera. I had e-mailed the Krasnogorsk company trying to find out how I can order one of their cameras and they never got back with me. Their web page sure as hell didn’t have any information. So I decided that I would hunt through every pawn shop and camera shop until I found a camera. I could have killed myself for not having snagged a camera that I had seen at a camera shop in Denton that they were wanting $350 for. When I went back it was already gone.
So I went to a pawn shop not very far from where Kim worked. I didn’t see any film cameras, but I took a look at the video cameras, and that’s when I saw it. I felt like Bruce Willis in Pulp Fiction when he sees that samurai sword. I could imagine the edited sequence of my reaction and then the cutaway to the slow zoom in shot to the Panasonic S-VHS full size camcorder that was just like the ones that we had used in the beginning film styles class. I asked the guy how much it was. And he told me $299.99.
This was unbelievable. It cost just as much as the other piece of shit that I had bought and the fact that it recorded in Super VHS already made it a better machine. And if the synchro edit jack worked, then it would just be phenomenal. Normally I would hesitate when spending even that much money, but I knew that I could not let that camera fall into someone else’s hands. Besides I had saved up enough money from having worked at Wal-Mart for the last 10 months.
I was so excited for the rest of the weekend. I couldn’t wait to hook it up to the VCR to see if it would edit. If it didn’t work the guy at the pawn shop said that if it didn’t I could bring it back within 30 days to get it repaired, but luckily I didn’t have to take him up on his offer. We now had the means to continue on our course with the show.
The Final, Absolute Completion of Episode One – By this time I had moved out of the dorms and had gotten an apartment with my dorm roommate, Chris Switzer. I did it so that I would have a place to live when I took summer school. This was the first summer that I had seriously planned to take classes, because if I didn’t then I wouldn’t be able to graduate in December.
One of the first nights I spent in my new apartment, Chris came with me and we put together Show 1. Actually our intention was to rescore the music for the chase scene since the music for the Sony version didn’t fit with the public access version. Before we started to go through that arduous process somebody came up with the brilliant idea that since I now had a S-VHS camcorder with a working edit jack and since the master copies of both Show 1 and the Chase Scene were on S-VHS, I could mix and match scenes from both versions onto the final edit of the show that I would turn into public access.
This meant that we wouldn’t have to record another note of music. We would start off with the Public Access beginning since it is about the only thing that is drastically different and then continue with the Sony bits of us running, which wasn’t different, but had the music that we wanted. It saved a lot of time and headaches and we could concentrate more on putting the echo into the mailbox scene, which wasn’t very easy, but we did get it done nonetheless.
Show 2 Edit/Dueling Cameras – The following night after Chris had left Denton I returned to Fort Worth with Show 1 completed. He told me to bring the VCR because we were going to start on Show 2 and he absolutely had to be with me to edit the opening of the show.
Earlier that day, while I had been sleeping very soundly, Chris was deep into a sleep deprivation session. He had also borrowed his friend Matt’s camera and shot a couple moderator sequences. He had to be with me because he knew that I would not know how to edit the footage together as he would have wanted it edited together. And he was right.
When the whole opening moderator sequence for Show 2 was complete, I wasn’t sure to think if Chris was either a genius or if I should be afraid of him because of the level of insanity put forth in that segment. I mean I’ve known the guy for 7 years now and I was wondering if this guy wasn’t some weird being who at the end of the day retreats to some netherworld where madness reigns.
Even as I looked at him sitting on his dad’s couch(he still hadn’t gotten another place since he moved out of his efficiency earlier in the year), laughing at my reaction and to the piece unveiling itself onscreen, I had to wonder if the person in the room with me and the demon on the tv were one and the same.
Chris had another idea for a sketch and once the sun came up we took both my camera and Matt’s camera outside of the his dad’s apartment complex. The whole concept was to have two people whose perspectives are seen only from a camera affixed to their eye and have them meet and fight. In my shot you can see Chris with his camera and in Chris’ shot you can see me with my camera and those two shots are the only footage shot of that sequence.
Friday, May 23: The Public Access Show Finally Makes it to Public Access – The tapes for the June showing on public access were due on the Friday of the third week of May. On that day, Chris and I went downtown together to turn the tape in. I felt very weird actually going to the cable office with a show to put on. This was finally it, everything we had been talking about doing and working toward for the last four years. It seemed like it would never happen and here it was finally happening. Since we had done so well not having a show on why quit with that good streak? I genuinely had butterflies in my stomach.
Wednesday, June 4: Sniffles(sniff!) Makes it’s Public Access Debut – Of course we didn’t know about it at the time since there was no advance word sent to us about what particular time slot it would get. Chris had to go down to the cable office at the end of the week to find out. I heard about it on the Friday of that same week. We had the 6:00 p.m. time slot. Now we knew when it was on. The question was had anybody seen it?
Chris meets Buddy from Tejano Time (by Chris) – …And we didn’t. We sat around and then went downstairs. Then we got taken back after waiting another 10 minutes. Now any other typical day we would be checked out right when we got back, but not today. We had to sit in the waiting-to-be-assigned area and wait to be checked out for the day for 30 minutes, then they finally let us go. Any other typical day I would walk to my car, get in and drive home, but not today. Today my car was in the shop and I had to walk home.
So there I was on North Side Drive walking, reading about Princess Diana, admittedly, more interested in the way she died rather than who she is, thinking about fame and its good and bad points. I get to the underpass of I-35 when someone pulls up to the light and says to me, “Hey aren’t you the Sniffles guy?” (I just want to point out for the record that he didn’t sniff when he said the name.)
He was a Hispanic male and at first I thought it might be one of the guys I had told about the show last Tuesday at work release because I recognized him too. Then he said, “I’m on Tejano Time. Your show comes on after mine.” I was kind of shocked. I was like, “Yeah we’ve watched your show waiting for ours to come on.” I was watching the red light wondering if I should ask him for a ride.
He asked, “So how are you guys doing?” I told him just fine and that we were still working on it. He started asking what night it was again our show came on because he knew it was after his show, but he couldn’t remember which showing. I told him Thursday and then said, “I hate to ask this, but I’m walking home right now and I was wondering if I could get a ride.” He said sure so I got in. I told him the best way to go.
He told me that he saw me walking and that he thought I looked familiar. Then when I flipped my hair like I “always do in the show” and he knew it was me. I noticed that he was wearing a polo shirt with “Tejano Time” embroidered on it as he told me that he thought the funniest thing was when we were “trying to get that girl to do the laundry.”
I wowed in the fact that he had been watching it that long. He asked me why I was walking so far from home and I told him I was on work release and that the skit where I was talking about playing a rock show in court was based partially in reality because I actually was awaiting a court appearance. He acknowledged that he had seen it, which I kind of knew because it’s the one of the skits that I flip my hair in.
He asked me where we edited as he complimented how well it was edited. I told him we used Miguel’s VCR with a sychro edit jack and a jog shuttle. And that Miguel was going to UNT studying film. He said(probably referring to the laundry skit where I say, “You’re the one who’s studying film.”) “Yeah I saw that one, but I wasn’t sure if that was a joke or not.” I told him that we had a skit that was shot for Miguel’s film class that we did silent and scored with Mario Paint music I had written on the Nintendo. I told him basically up to the point where I pee on myself and he thought it was funny.
He asked why we decided to do a show and I told him that we had a web site address posted on Episode 4 and the site had a detailed history, but I told him about “Myles of Smyles” and that the waiting for the access rules thing at the beginning of the chase thing was based in reality too. He told me that he thought that was funny and that he liked the way it was cut together.
I asked him why he got started. He told me he had been working promoting outdoor Tejano shows and that he had met a lot of the artists that way. And that Channel 39 had a Tejano video show that they took off for baseball(and even though I don’t actively listen to Tejano music, I must say selling out music for sports is bad.).
He got involved with some Tejano dance show on 45 that had kids dancing to Tejano music and that he was trying to get them to implement videos along with the dancing because he missed being able to see the videos. They told him that they really didn’t have the means to do it, but that he should do his own show and he was like, “What do you mean?” So they told him about 46. He called up some record company contacts he had made and started producing the show.
I told him that I admired his drive to get it done and said, “I admit we don’t listen to Tejano music and we usually just raz on the music while waiting for our show, but we had been wondering how you got started with your show.”
He dropped me off at the apartments and said, “Haven’t you shot some stuff here?” I said, “You must be thinking of my Dad’s apartments, like the camera fight.” He laughed and said, “Yeah.” I told him that we shot that at my Dad’s and that the only thing we had shot in these apartments was one of the end meat segments. Again he laughed and acknowledged the skits by saying, “Yeah.”
He gave me a flyer and a business card and I gave him my work number and the pager number and I told him I’d send him flyers to his P.O. Box.
To think of all the little things that contributed to both of us being at that light at the same time, including me stopping to go pee behind a tree.
Of All the People – After we had left Brian’s at around 11:30, Chris and I headed up to Denton so that we could edit together Episode 5. But first we had to stop off at Chris’ apartment on the way so that we could pick up Binky to do the credits and title screens. From the apartment we went to the Kroger which is right up the street from where Chris lives so that he could get some Dr.Pepper.
We noticed a bulletin board on a wall in the front entrance. Granted all grocery stores have them, but the thought finally came to actually put one of our show flyers on it. Chris took notice of a girl and some guy she was with, both of whom appeared to be our age, perfect people to try to promote the show to.
We walked past them as they were getting into the car. It just so happened that the girl, who was driving, had her window rolled down. Chris asked, “Do you get Marcus Cable?” She didn’t hear him at first so he repeated it. She said she did get Marcus Cable and Chris explained about our show. She seemed interested(for us interested means that she didn’t drive off right away) so I ran to the truck to get her a flyer.
When she looked at the flyer, she said, “Oh are you those guys…,” cool maybe she had seen the show, “…that are doing that Pool Watch thing?” It’s kind of a strange thing, but for a brief moment Chris and I actually shared the same thought. How the hell did she know about Pool Watch? At this stage, Pool Watch is something that Brian has only been talking about and has never fully scripted. We’ve been kind of blowing it off mainly because we’re more concerned with getting Episode 6 out of the way and also because right now there is nothing on paper.
I asked her if she knew Brian, an obvious question and she said that she did. Chris asked her what her name was to see if she might have been one of the many girls that Brian has been telling us that he’s been talking to who are interested in being on the show, but about whom Chris and I are having doubts. She said her name was Tara. It didn’t ring any bells.
Finally she explained that she was Shannon’s sister. The name Shannon rang a bell as she is one of the girls Brian keeps telling me wants to be in the show. If Shannon is as cute as this Tara girl is then we’re definitely going to have to get the both of them on the show.
It was kind of a cool coincidence and Chris said that the incident was even more frustrating, because although Brian has only been on the first four episodes a total of five minutes, he’s getting a lot more attention than we are. Not only that but we had hoped that we could at least interest someone in the show that was in no way connected to us. Everybody that we know who has seen the show has either been people we know from work or friends of friends.
Show 5 Completed – Chris and I spent all day and night to get it done so that we could turn it into the cable office by Friday. By the time it was all over the both of us had managed to stay up 24 hours. The day was an accomplishment in the sheer amount of stuff that we managed to get done. Basically we shot a whole 7 minutes of the show which is the whole introduction before we even get into the much maligned Summer Project ’95.
The reason we were able to get so much done I think is because this is about the most simplistic we have ever gotten with our stuff. The first three minutes is basically us just sitting in front of the camera reading some viewer mail. There’s not really a whole lot going on there. I usually feel guilty whenever we cut corners like that, but it does fill up show time and if the result actually works on some level than it’s not too bad.
We spent all night working on the final edit because Chris insisted that he have his own private personal copy to take home with him when we were done. I kept telling him that he was going to have to wait for his copy because it was not absolutely necessary that he have it that day. But he kept insisting and so it all got done, even Summer Project ’95 which I thought would never be completed. I just knew that something was going to break down before the night was over or even later during the week before I would be able to get an S-VHS tape to make the copy for public access.
Luckily none of that happened and I got it in on time. Now I’m bracing myself for what could possibly be some serious consequences as a result of this episode. I’m just sure that someone is going to have a problem with it considering the nature of what happens in the program.
A Big Mixup – I had talked to Chris the night before. He had just gotten his new phone installed. If you want the number…ahhh thought I was actually going to give it out didn’t you? I’ve been telling him that he needs to give me expilicit written instructions because he’s been complaining a lot that I don’t listen to him. Case in point. He wanted me to dub the first four episodes of the show onto one tape before I turned in our public access dub of Episode 4 in. I understood it that he just wanted a copy of Episode 4 and that was it. That’s all he got and so he accused me of not listening to him.
I keep having to explain that 1.)I’m a visual learner. I can’t just know exactly what you’re talking about from verbal expression alnoe 2.)What I do hear is all dependent on what I’m doing when you’re talking to me. If I’m involved in something else that’s requiring my concentration then most of what you say won’t even be processed by my brain. I think all of us are like that, but I especially hate when others try to use it against me as if to say that it’s a defect in my makeup.
So anyway, he was giving me some instructions that he was telling me to write down so that I could refer to them so that I would leave nothing out. This list of instructions primarily involved bringing the VCR down to Fort Worth for the weekend so that we could start editing Shows 6&7. We generally get together with Brian at his apartment at 9:00 on Thursdays. I mentioned to Chris that since I would have over 5 hours from the time I got out of class until the time that we were supposed to meet at Brian’s that maybe I would stop off at Chris’ earlier in the day so that we could start the editing.
As it turned out the following day, I didn’t manage to get out of Denton until almost 9:00. When I had gotten out of class I decided to start some of the practice editing. I had gotten so wrapped up into it that it was very late when I got finished with it.
I was running very late but I decided to stop off at Chris’ apartment first since it was on the way to see if he was still there. I didn’t actually go in which was a big mistake. I went around the parking lot to see if his car was still there. I didn’t see it at first glance so I assumed that he had already gone to Brian’s. Since I was already late as it was I decided that it would be best not to stop and to continue on to Brian’s.
When I got to Brian’s, Chris was not there. Brian told me that Chris had called to see if I had shown up there already. It would have been so easy to just call Chris, but there was one problem. I had lost the piece of paper that I had written the number on along with Chris’ instructions. Brian didn’t know what the number was either. In fact the previous night I wouldn’t have even gotten Chris’ number the first time had I not realized to ask before we hung up. Unfortunately information didn’t have a listing for Chris(I later found out that Chris intentionally got the number unlisted so that certain people would not be able to get a hold of it).
I thought to page him, but Brian was in a hurry to get out the door because he had to go feed the cats at Kim’s apartment because she was out of town for the week. I left a note on Brian’s door just in case Chris decided to show up while we were gone. We were gone for almost an hour and when we got back Chris had not shown up. By that time it was definitely too late to salvage the what was left of the night.
I didn’t get to Chris’ until 1 a.m. He had been home the entire time. I somehow managed to miss seeing his car. The reason he never left was because he thought that I was supposed to meet him at his place and then we would go to Brian’s together. Either HE WASN’T LISTENING TO ME or I just miscommunicated my intentions the night before. Maybe it’s both.
Switzer Discovers What It’s Really Like to Work On Sniffles(sniff!) – Switzer wanted to come down with me to work on the show with us. I stipulated that if he came down that he was going to have to take his own car because there was no way that I was going to take him all the way back to Denton. Actually I could have taken him back to Denton but he would have had to wait until after the weekend.
What we had planned to shoot was the sequence for Show 6 where Brian and I drag Chris to a doctor. The doctor was supposed to be played by Modester who Chris had made arrangements with earlier in the week to get together with for the week. When Switzer expressed an interest in being in the show, I instantly got an idea on how to use him. I would have loved to use him as a camera operator but since I’ve given up on the storyboards and with them all hope of having moving shots, it wasn’t necessary.
I thought that it would be cool to have Switzer as Modester’s assistant who is overly critical of how the camera crew(what crew?) is setting the shots up and blocking the scene. It would have been a good moment of self reflexiveness for the show.
So Switzer followed me down to Fort Worth to Chris’ apartment. We waited there until Chris got home from work and when he did we loaded up into Chris’ car to make the trip down to Brian’s.
At Brian’s Chris called Modester. Modester was already asleep when he called and he was absolutely unwilling to get up to spend an hour with us shooting the segment for the show since he had to be up at 6 the next morning. Modester said that we could get together Friday night since he wouldn’t have to work all weekend long.
Basically all of this meant that we had absolutely nothing to do. Switzer had driven down for nothing. I decided that we shouldn’t let the entire night go to waste so we decided to do one of the sketches Brian has been talking about doing, specifically Hot Dog Cleaner Man. Just as we decided to do this Kendra walked through the door, home early from work. The major event of the night was our going to Kim’s to help move her entertainment center.
Switzer was very disappointed and Chris pointed out that this is how working on the show always is. Sometimes we’ll get something done, but more often than not we’ll be empty handed like we were that night. The only difference is Switzer had to drive 60 miles to learn it.
Failing to make up for lost time – Modester had told us the night before that since he couldn’t get with us then that he would get with us on Friday night. The only problem was that both Chris and I had to work. No problem we would just get together when the both of us got out of work after midnight.
Of course we ran into a serious snag. When I got a hold of Chris when I finally clocked out at 1a.m. he reported that no one was answering Modester’s phone. Since Modester had just moved into a new apartment that day and neither of us knew the location, we couldn’t simply go knock on his door until he woke up to answer it
Chris sounded pretty tired as it was and since he had to get up early in the morning for work release anyway, I figured it was best to just let it go and not worry about it.
October 1st 1997
Continuing to Slip/Show 5 Premiere – I was late getting over to Brian’s apartment. As I was getting there, Chris was also arriving as well. He said that he deliberately delayed showing up on time because he knew that I wouldn’t be there on time. I smart-assedly told him that I also delayed because I knew that he would delay getting to Brian’s expecting me to be late. Chris gave his usual unconvinced, “okay” and we went on with it.
Of course we didn’t have much time from that point anyway. Brian had to leave by 10:30 to pick up Kendra from work. We only got a few shots done. They are the ones where Chris has a big laughing fit over his cleverly dealing with a telemarketer and so he goes into the bedroom and his heart explodes or something like that. That was about two shots worth of stuff.
We also did a shot that starts the whole telemarkete sequence where Chris is awakened by the ringing telephone. We also did a shot from inside the bedroom where Chris starts his head roll thing just in case we need that shot for editing purposes. Brian left after that and we pretty much knew that all production would come to a halt for the night from there on.
We waited outside Brian’s apartment while he left to get her. We waited around so that when they came back we could watch the public access debut of Episode 5 and so we sat around in my truck talking. Meanwhile there were these two teenage girls that walked past us on their way to and from, presumably, the convenience store since it is the only thing within walking distance of Brian’s apartment complex. Chris seemed to think that one of them was particularly trying to show off by the way she was shaking her booty. I commented that they might have been cute, but I couldn’t tell since it was so dark.
As they passed by the second time, Chris blurted out, “You’re right, Miguel. They are cute.” He does that to me all the time, like the time when he had come up to Denton so we could edit Show 4. We had stopped off at Wal-Mart so that I could pick up a new VHS-C adapter because the one I bought back in ’95 was about dead. While we were in line, there was this fairly young attractive girl in the line parallel to ours. She was with her father. Chris commented to me about how he liked her butt.
It just so happened we were leaving our respective lines at around the same time and we walked past them. As we did, Chris called out, “You’re right, Miguel. She does have a nice butt.” He stopped for a moment and I kept on walking. He ran to catch back up with me. He said the girl just smiled and her father didn’t have anything to say about it.
So, as we’re walking to my truck in the parking lot we pass by a couple. Chris yells out, “You’re right, Miguel. His girlfriend is pretty cute.” Again I just kept on walking. The boyfriend took exception to Chris’ comments and he threw his arms up in the universal “Ya wanna fight, punk. Wus up?” signal. Chris just yelled to him, “Oh get over your macho self, ” and the guy turned around and went into the store. Confusion is a good way to defuse a hostile enemy.
I pointed out to him that had I been Switzer I would have left his ass at Wal-Mart. Switzer left Chris at Taco Bell for less and all Chris was trying to do then was say stupid shit to the drive thru person at the speaker menu and not outright get Switzer into trouble.
So anyway, back to the present. The two girls smiled, I guess. I couldn’t tell and walked back to their apartment building. I mentioned that we should have told them about the show and Chris jumped up out of the bed of the truck to go chase after them. I took my time following him just in case the girls yelled “rape!” When I got there they were listening to what he had to say about the show. I brought them a flyer and although they didn’t have cable in their apartments they knew someone who did. They asked their friend if they could watch the show in her apartment. The friend agreed and so we left to continue wating for Brian.
Brian didn’t show up until almost 20 minutes after 11pm. Our show was half over not that it really mattered to me because I especially have a hard time watching Summer Project ’95. When we came in it was at least up to the part that I can sit through comfortably.
When it was over we walked over to the apartment building of the two girls. They were sitting on the stairs wating for us. They said they liked the show, but there were parts they didn’t understand very well, particularly the ending. A lot of it was because they recognized the location so they didn’t understand that it was supposed to be the afterlife.
The older woman said that the two girls wanted to be in the show. They didn’t say this themselves, but they nodded in agreement. Now that I could see them better, they were indeed attractive, but a little young. Sixteen years old to be exact, not exactly the kind of girls I need to be messing with. Their youth also presents a problem with our ever being able to ever use them in the show because until they turn 18, their parents would have to sign a release form agreeing to let them be on television.
Since we wouldn’t be able to use Brian’s apartment for the rest of the night, we wandered around the River Oaks area hoping to brainstorm something we could shoot so that we could say that we had accomplished something for the night. We mostly talked about the possibility of starting up another show featuring local bands.
Last Saturday, Brian had talked to one of the guys from the band Slow Roosevelt and he seemed to be very interested in doing a song for the show. Chris said that music bits really didn’t have any place in the format of Sniffles(sniff!) and that it would best be served doing an entire show dedicated to the local music scene.
Chris did come up with an idea that we shot that night. And that’s where Brian and I are talking about how cool it is to be drunk. We shot it at a car wash in Brian’s neighborhood and it probably won’t be on for a while.
Late 1999 (extra notes by Nathan)
Nathan discoveres Sniffles and emails Miguel – In 1999 I had the notion to move back into Fort Worth (from Joshua). I found a place at The Hills off Normandale in far West Fort Worth. I was there only a short time when I saw the public access show Sniffles (sniff!) on Channel 46 (Charter’s Public Access station). I already had an interest in Public Access and longed to have a show on there of my own. For the most part there were religious shows on public access but I stumbeled across Sniffles… I emailed the guy who gave out his email at the end of the show and he replied pretty fast. Soon Miguel and I hit it off and we began emailing in earnest. Well, Miguel asks me to call his partner in public access crime Chris McGinty on Chris’ “public access” phone line also known as ‘the pubic domain’. He wants me to leave a message to try to patch things up between them. They had a falling out for some reasons months back. 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Shop "WRITE DRUKN EDIT SOBER" T-shirt, on a women's v-neck
Fitted, and Set-in 1x1 inch slight v-neck collar, 100% cotton, with the exception of heathers (heather grey, for example, is 90% cotton, 10% polyester), More Product Information & Size Chart | 2023-14/0000/en_head.json.gz/3429 | {"url": "https://aceseditors.threadless.com/designs/write-drukn-edit-sober-2/womens/v-neck/regular?color=white&size=small", "partition": "head_middle", "language": "en", "source_domain": "aceseditors.threadless.com", "date_download": "2023-03-20T10:34:48Z", "digest": "sha1:46MEKF3EEDMTUDMWBWHF3AERZIYDXUU4"} | {"ccnet_length": [[0, 249, 249.0]], "ccnet_original_length": [[0, 249, 2990.0]], "ccnet_nlines": [[0, 249, 2.0]], "ccnet_original_nlines": [[0, 249, 150.0]], "ccnet_language_score": [[0, 249, 0.86]], "ccnet_perplexity": [[0, 249, 336.7]], "ccnet_bucket": [[0, 249, 0.0]], "rps_doc_curly_bracket": [[0, 249, 0.0]], "rps_doc_ldnoobw_words": [[0, 249, 0.0]], "rps_doc_lorem_ipsum": [[0, 249, 0.0]], "rps_doc_stop_word_fraction": [[0, 249, 0.203125]], "rps_doc_ut1_blacklist": [[0, 249, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 249, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 249, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 249, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 249, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 249, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 249, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 249, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 249, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 249, 0.0]], "rps_doc_frac_all_caps_words": [[0, 249, 0.078125]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 249, 0.0]], "rps_doc_frac_no_alph_words": [[0, 249, 0.359375]], "rps_doc_frac_unique_words": [[0, 249, 0.94871795]], "rps_doc_mean_word_length": [[0, 249, 4.84615385]], "rps_doc_symbol_to_word_ratio": [[0, 249, 0.0]], "rps_doc_unigram_entropy": [[0, 249, 3.59246963]], "rps_doc_word_count": [[0, 249, 39.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 59, 0.0], [59, 249, 0.0]], "rps_lines_javascript_counts": [[0, 59, 0.0], [59, 249, 0.0]], "rps_lines_num_words": [[0, 59, 10.0], [59, 249, 29.0]], "rps_lines_numerical_chars_fraction": [[0, 59, 0.0], [59, 249, 0.05172414]], "rps_lines_start_with_bulletpoint": [[0, 59, 0.0], [59, 249, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 59, 0.3559322], [59, 249, 0.03684211]], "rps_doc_ml_palm_score": [[0, 249, 3.088e-05]], "rps_doc_ml_wikipedia_score": [[0, 249, null]], "rps_doc_ml_wikiref_score": [[0, 249, -7.39e-06]], "rps_doc_books_importance": [[0, 249, -21.34914329]], "rps_doc_openwebtext_importance": [[0, 249, -11.49881771]], "rps_doc_wikipedia_importance": [[0, 249, -4.86763684]], "rps_doc_num_sentences": [[0, 249, 1.0]]} |
Posted on July 5, 2022 July 4, 2022 by susherwood
Some things to think about for your next open day subject talk
Having reached the age where my kids are now looking at university options, I’m now getting to see the admissions process from the third perspective (having been a student and a staff member), which is raising some reflections.
While this is going to draw on the UK experience, I hope it’s got some things of use for the rest of the world, mainly because we all do some selling of ourselves to others at various points.
For those who don’t know what it’s all about, British universities compete to get students, using open days as a key way of getting people on campus and selling the vision. A big part of that selling comes in the talks that programmes give, since you sign up to one when you apply (so none of this broad educational base/learn more once you get here nonsense*).
In my time I’ve given a bunch of these talks, but as much as I’ve tried to empathise with my audience, it’s still not quite the same as being the audience. Which is probably a useful learning point in itself.
Any way, those things to think about:
Think about what your audience needs to know
This is really tricky, mainly because your audience isn’t a random group of people. Instead, they are people who have already seen enough of you and your institution to invest the time and effort to get to your open day and attend your talk.
Most of them are actively interested in your programme, so use that to help them understand better what it is you do. Specifically.
That means cutting back on the generics about why your university is in an excellent location or the sports facilities (unless you’re programme is sport-related), and tying everything back to what the student might experience as a student on your programme.
The easiest way to do this is if you have a clear ethos or driving idea that you can trace into your programme and all the supporting activity. That might be about your focus on developing students’ engagement in their society, or the community that you build through the relative compactness of the department.
But if you don’t have this, then still think about what students might care about. The classic question is “how many contact hours will I get?”, and yet many subject talks don’t mention that without being asked, and even fewer try to explain why it’s that amount. Same for types of assessment.
You’ll also get some people attending who haven’t decided on your subject, but who like the university: if you’re doing all the things above, then you’ll also be drawing them into something quite compelling.
Don’t bullshit
This is actually just the corollary of the previous point. If you’re clear about what you’re trying to do, then you’ll be less tempted to make specious claims.
To be very clear, this isn’t about lying – which is simultaneously unethical, counterproductive, illegal, and extremely rare – but about the hand-waving misdirection.
Two examples spring to mind, entirely randomly.
First, if your student evaluations in the NSS haven’t been great, then it’s simpler not to mention it, rather than give averages over an extended time period or to talk about your university’s general reputation. Anyone who is interested will have seen the figures already, and the rest will only have been driven to them by your obliqueness.
Of course, if you don’t mention it, then you’ll need to have an answer ready in case someone asks.
Second, ground the quality of your programme in the quality of your teaching staff’s teaching. Yes, talk about how that teaching is led by research expertise, but that doesn’t mean the teaching is any good: I leave to think back to people who taught you who were experts in their field, but sucked at running a class.
Likewise, just because your university is part of some elite group of universities, that says nothing about what it’s like to be a student on your programme.
Think about your PowerPoint
This one actually occurred to me during something that wasn’t an open day and it’s a too-common failing among academics.
Again, it is a logical extension of the first point: if you need to use PowerPoint to communicate something to the audience, then make sure they can access that.
Pro tip: if you reflexively say “you probably can’t read this at the back” or “this is a really complicated slide, sorry”, then you’ve gone wrong.
In this context, it’s usually programme structures or lists of modules that the problems appear. So think about what the student needs to know: is it the range? or the sub-areas of your field? is it about how each year builds up? In most cases, you don’t really need to give them a long list (especially since it’ll have changed by the time the student gets to actually study any of them).
And remember, if you put text on a slide, the audience will read it. So you don’t have to read it out to them again.
Use your students
You are probably a very nice person. You’ve been picked to give the talk because you come across well, hopefully (if not, then talk to your boss about how counterproductive it is to be the face of the programme).
However, you are still a member of staff.
As such, anything you say suffers from the Mandy Rice-Davies problem.
Bringing your students into the presentation and getting them to talk gets around a lot of that, because even if they’re obviously been specially chosen to say good things, at least they still have more claim to know what it’s like being a student.
This works best if you have them talk in general terms about what they’ve liked about the programme and how it fits into their future plans, rather than just talking through the options they chose. The very best is if you have enough time to sit your audience down in smaller groups with a student to have a chat, although I appreciate that timings might be tight for this.
Don’t be defensive
Maybe because open days are pretty obviously consequential, it sometimes happens that we dig in.
Having attended some open day talks for subjects that currently get some grief in the media for offering poor value-for-money, it was a bit disheartening to see a lot of protesting about how actually they did a great job of setting you up for life.
Remember again that your audience has probably already had this discussion and made up its mind: if they thought getting a well-paid job off the back of a degree was the be-all, then they’re probably not sat in front of you.
So embrace your passion for the subject. Show them how you are excited to be taking them into fantastic and intriguing debates, helping them find their own understanding and insight.
It also means not just talking about employability. Just a job matters, but it’s not the only reason people study. So why not embed employability within a bigger frame of achieving potential and being a more rounded person for the experience of spending time studying?
In short, show your audience how being here, on this programme, is an enriching choice, whatever their future. And show them that you and your colleagues are engaged and committed to making that happen and have thought hard about how best to achieve that.
* – obviously not nonsense.
CategoriesAcademia, Activities and Exercises, Simon Usherwood
Previous PostPrevious From research to learning to dissemination
Next PostNext Identity Theft: An Example of Cognitive Load Theory | 2023-14/0000/en_head.json.gz/3430 | {"url": "https://activelearningps.com/2022/07/05/some-things-to-think-about-for-your-next-open-day-subject-talk/", "partition": "head_middle", "language": "en", "source_domain": "activelearningps.com", "date_download": "2023-03-20T10:44:24Z", "digest": "sha1:N4W6KMWNYQ4KIQUB7P7KMJ4IYQXZXJCY"} | {"ccnet_length": [[0, 7390, 7390.0]], "ccnet_original_length": [[0, 7390, 9365.0]], "ccnet_nlines": [[0, 7390, 45.0]], "ccnet_original_nlines": [[0, 7390, 151.0]], "ccnet_language_score": [[0, 7390, 0.96]], "ccnet_perplexity": [[0, 7390, 317.0]], "ccnet_bucket": [[0, 7390, 0.0]], "rps_doc_curly_bracket": [[0, 7390, 0.0]], "rps_doc_ldnoobw_words": [[0, 7390, 1.0]], "rps_doc_lorem_ipsum": [[0, 7390, 0.0]], "rps_doc_stop_word_fraction": [[0, 7390, 0.53671215]], "rps_doc_ut1_blacklist": [[0, 7390, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 7390, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 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Wolinski, Naomi (1881–1969)
Bendigo, Victoria, Australia
14 September, 1969 (aged 88)
Mosman, Sydney, New South Wales, Australia
bowler (1928-1958) New South Wales, Australia
bowls administrator (1930-1964) New South Wales, Australia
military welfare worker (1941-1945) New South Wales, Australia
© Copyright Australian Dictionary of Biography, 2006-2023 | 2023-14/0000/en_head.json.gz/3431 | {"url": "https://adb.anu.edu.au/lifesummary/wolinski-naomi-12060", "partition": "head_middle", "language": "en", "source_domain": "adb.anu.edu.au", "date_download": "2023-03-20T09:56:47Z", "digest": "sha1:52JZ2UK4DWR3MUPOKUHBRW4P36JD64JK"} | {"ccnet_length": [[0, 354, 354.0]], "ccnet_original_length": [[0, 354, 1730.0]], "ccnet_nlines": [[0, 354, 8.0]], "ccnet_original_nlines": [[0, 354, 53.0]], "ccnet_language_score": [[0, 354, 0.64]], "ccnet_perplexity": [[0, 354, 165.3]], "ccnet_bucket": [[0, 354, 0.0]], "rps_doc_curly_bracket": [[0, 354, 0.0]], "rps_doc_ldnoobw_words": [[0, 354, 0.0]], "rps_doc_lorem_ipsum": [[0, 354, 0.0]], "rps_doc_stop_word_fraction": [[0, 354, 0.01315789]], "rps_doc_ut1_blacklist": [[0, 354, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 354, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 354, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 354, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 354, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 354, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 354, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 354, 0.1122807]], "rps_doc_frac_chars_top_3gram": [[0, 354, 0.18245614]], "rps_doc_frac_chars_top_4gram": [[0, 354, 0.30877193]], "rps_doc_frac_all_caps_words": [[0, 354, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 354, 0.0]], "rps_doc_frac_no_alph_words": [[0, 354, 0.52631579]], "rps_doc_frac_unique_words": [[0, 354, 0.71111111]], "rps_doc_mean_word_length": [[0, 354, 6.33333333]], "rps_doc_symbol_to_word_ratio": [[0, 354, 0.0]], "rps_doc_unigram_entropy": [[0, 354, 3.25815756]], "rps_doc_word_count": [[0, 354, 45.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 28, 0.0], [28, 57, 0.0], [57, 86, 0.0], [86, 129, 0.0], [129, 175, 0.0], [175, 234, 0.0], [234, 297, 0.0], [297, 354, 0.0]], "rps_lines_javascript_counts": [[0, 28, 0.0], [28, 57, 0.0], [57, 86, 0.0], [86, 129, 0.0], [129, 175, 0.0], [175, 234, 0.0], [234, 297, 0.0], [297, 354, 0.0]], "rps_lines_num_words": [[0, 28, 3.0], [28, 57, 3.0], [57, 86, 5.0], [86, 129, 6.0], [129, 175, 6.0], [175, 234, 7.0], [234, 297, 8.0], [297, 354, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 28, 0.33333333], [28, 57, 0.0], [57, 86, 0.32], [86, 129, 0.0], [129, 175, 0.19512195], [175, 234, 0.14814815], [234, 297, 0.13793103], [297, 354, 0.14545455]], "rps_lines_start_with_bulletpoint": [[0, 28, 0.0], [28, 57, 0.0], [57, 86, 0.0], [86, 129, 0.0], [129, 175, 0.0], [175, 234, 0.0], [234, 297, 0.0], [297, 354, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 28, 0.07142857], [28, 57, 0.10344828], [57, 86, 0.03448276], [86, 129, 0.13953488], [129, 175, 0.08695652], [175, 234, 0.06779661], [234, 297, 0.06349206], [297, 354, 0.07017544]], "rps_doc_ml_palm_score": [[0, 354, -7.75e-06]], "rps_doc_ml_wikipedia_score": [[0, 354, null]], "rps_doc_ml_wikiref_score": [[0, 354, 0.00071472]], "rps_doc_books_importance": [[0, 354, -56.68191935]], "rps_doc_openwebtext_importance": [[0, 354, -17.75663939]], "rps_doc_wikipedia_importance": [[0, 354, 16.11416194]], "rps_doc_num_sentences": [[0, 354, 1.0]]} |
Superior mesenteric artery blood flow velocity in necrotising enterocolitis.
S T Kempley,
H R Gamsu
Children Nationwide Neonatal Centre, King's College Hospital School of Medicine, London.
Doppler measurements of blood flow velocity were obtained from the superior mesenteric artery (SMA), coeliac axis, and anterior cerebral artery (ACA) of 19 infants with suspected necrotising enterocolitis, which was classified as confirmed (n = 9) or unconfirmed (n = 8). Infants with confirmed disease were compared with controls who were either enterally fed or who were receiving intravenous fluids. SMA velocity was significantly higher in the infants with confirmed necrotising enterocolitis (36.5 cm/s) than in unfed controls (20.4 cm/s) or infants with unconfirmed enterocolitis (19.6 cm/s). Three infants with confirmed disease had data from before the onset of symptoms. One had low SMA velocity on the first day of life, and one showed no increase in SMA velocity after enteral feeds were started. SMA velocity is increased when infants develop symptoms of necrotising enterocolitis, suggesting that total gut ischaemia is not present at the time that the disease is clinically apparent, although it may precede the onset of symptoms and play a part in the pathogenesis of the disorder. | 2023-14/0000/en_head.json.gz/3432 | {"url": "https://adc.bmj.com/content/67/7_Spec_No/793", "partition": "head_middle", "language": "en", "source_domain": "adc.bmj.com", "date_download": "2023-03-20T10:02:35Z", "digest": "sha1:TZ2ISI76FIPPNH4BIKSEBFR22QHNJ4JI"} | {"ccnet_length": [[0, 1285, 1285.0]], "ccnet_original_length": [[0, 1285, 3887.0]], "ccnet_nlines": [[0, 1285, 5.0]], "ccnet_original_nlines": [[0, 1285, 126.0]], "ccnet_language_score": [[0, 1285, 0.95]], "ccnet_perplexity": [[0, 1285, 314.1]], "ccnet_bucket": [[0, 1285, 0.0]], "rps_doc_curly_bracket": [[0, 1285, 0.0]], "rps_doc_ldnoobw_words": [[0, 1285, 0.0]], "rps_doc_lorem_ipsum": [[0, 1285, 0.0]], "rps_doc_stop_word_fraction": [[0, 1285, 0.31512605]], "rps_doc_ut1_blacklist": [[0, 1285, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1285, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1285, 0.05238095]], "rps_doc_frac_chars_top_3gram": [[0, 1285, 0.05714286]], "rps_doc_frac_chars_top_4gram": [[0, 1285, 0.05142857]], "rps_doc_frac_all_caps_words": [[0, 1285, 0.04201681]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1285, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1285, 0.19327731]], "rps_doc_frac_unique_words": [[0, 1285, 0.58762887]], "rps_doc_mean_word_length": [[0, 1285, 5.41237113]], "rps_doc_symbol_to_word_ratio": [[0, 1285, 0.0]], "rps_doc_unigram_entropy": [[0, 1285, 4.47187715]], "rps_doc_word_count": [[0, 1285, 194.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 77, 1.0], [77, 90, 0.0], [90, 100, 0.0], [100, 189, 1.0], [189, 1285, 1.0]], "rps_lines_javascript_counts": [[0, 77, 0.0], [77, 90, 0.0], [90, 100, 0.0], [100, 189, 0.0], [189, 1285, 0.0]], "rps_lines_num_words": [[0, 77, 9.0], [77, 90, 3.0], [90, 100, 3.0], [100, 189, 11.0], [189, 1285, 168.0]], "rps_lines_numerical_chars_fraction": [[0, 77, 0.0], [77, 90, 0.0], [90, 100, 0.0], [100, 189, 0.0], [189, 1285, 0.01226415]], "rps_lines_start_with_bulletpoint": [[0, 77, 0.0], [77, 90, 0.0], [90, 100, 0.0], [100, 189, 0.0], [189, 1285, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 77, 0.01298701], [77, 90, 0.23076923], [90, 100, 0.3], [100, 189, 0.11235955], [189, 1285, 0.02007299]], "rps_doc_ml_palm_score": [[0, 1285, 0.80476481]], "rps_doc_ml_wikipedia_score": [[0, 1285, null]], "rps_doc_ml_wikiref_score": [[0, 1285, 0.23024082]], "rps_doc_books_importance": [[0, 1285, -52.38291932]], "rps_doc_openwebtext_importance": [[0, 1285, -13.46200053]], "rps_doc_wikipedia_importance": [[0, 1285, 18.57894503]], "rps_doc_num_sentences": [[0, 1285, 11.0]]} |
How much do Mold remediation Costs?
Mold can be a costly problem to remediate. Mold remediation costs depend on the extent of the mold, the cleanup process can involve hiring professionals to remove the mold, which can be very expensive. The cleanup process is also dependent on the type of material that has been affected by the mold and how much it has grown. If the mold is contained to a small area, then there may be less of a need for professional remediation and you can save yourself some money.
Mold can be a costly issue to remediate in your home. The cost of mold remediation will depend on the size of the area that is affected and the level of contamination. In general, you should expect to spend between few to several thousands dollars to have a professional remediate the problem in your home.
However, if the mold has spread to a large area or has caused damage to your home, then it is likely that you will need to hire remediation professionals. Overall, it is important to properly remove mold from your home so that it does not spread and continue causing damage.
There can be a lot of costs associated with mold remediation. If the mold is contained to a small area, then you may only need to hire professionals to remove the mold, possibly saving yourself some money. However, if the mold has spread more extensively and is covering a larger area of your home, the cleanup process can become very costly.
The type of material that has been affected by the mold also plays a role in how much it will cost to remediate the issue. For example, if mold has grown on wood surfaces, these will likely need to be replaced which can be expensive. Additionally, if mold growth is severe, it may require you to vacate your home while the cleanup process takes place. This can add additional costs, such as hotel accommodations and lost wages due to staying at home.
Overall, the cost of mold remediation can vary greatly depending on the extent of the mold growth, the materials that are affected, and whether you need to hire professional assistance. If you suspect that you have a mold problem, it is best to contact a professional to assess the situation and help you develop a plan to remediate the issue. This can help you avoid costly cleanup and repair costs in the future.
Mold can be a costly problem to remediate, depending on the extent of the mold. If the mold is contained to a small area, then there may be less of a need for professional remediation and you can save yourself some money. The cleanup process is also dependent on the type of material that has been affected by the mold and how much it has grown.
If you suspect that you have a mold problem in your home, it is important to have it professionally inspected and treated as soon as possible. This can help you avoid excessive costs and other serious health issues associated with mold growth.
Mold Remediation Service
Average Cost of Mold Remediation
Mold is a fungus that can grow anywhere there is moisture and organic material. Mold remediation is the process of removing mold from an indoor environment. The average cost of mold remediation ranges from few hundreds to several thousands of dollars, depending on the size and severity of the mold problem. The cost of mold remediation can be reduced by taking action to prevent mold growth in the first place. Some simple tips to prevent mold growth include:
Keep indoor spaces clean and free of clutter
Repair any leaks or water damage promptly
Control humidity levels indoors
Use an air purifier to remove mold spores from the air
If you do find yourself with a mold problem, it is important to hire a professional mold remediation company to handle the situation. Trying to remove mold yourself can actually cause the problem to spread. A professional mold remediation company will have the proper equipment and training to safely and effectively remove all traces of mold from your home or office.
Overall, the average cost of mold remediation can vary widely depending on the size and severity of the problem. For small or moderate mold problems, expect to pay somewhere between few hundreds to several thousands of dollars for professional remediation services. For larger or more severe mold issues, you may need to spend up to several thousands of dollars for complete removal and cleanup. While these costs may seem high, it is important to remember that dealing with a serious mold infestation can be extremely hazardous to your health. If you have a mold problem in your home or office, it is important to take action as soon as possible to address the issue and prevent further damage. By taking steps to prevent mold growth and hiring a professional mold remediation company when necessary, you can keep your indoor environment safe and healthy.
Mold can be a serious issue, both for your health and your wallet. The good news is that hiring a professional mold remediation company can help you get rid of mold quickly and safely. Here are some of the benefits of hiring a professional:
Professional mold remediation companies have the experience and training to safely remove mold from your home or office.
They have the proper equipment and supplies to get the job done right.
They will follow all applicable safety guidelines to ensure that the mold is removed effectively and does not spread.
They can often save you money in the long run by preventing further damage to your home or office caused by mold.
They can also help you prevent mold growth in the future by providing tips and advice on how to keep your indoor spaces clean and free of clutter.
Overall, hiring a professional mold remediation company can be an effective way to deal with a mold problem and protect your health and your wallet. Whether you are dealing with a small or large mold issue, these experts can help you get the job done quickly and effectively. So if you are struggling with a mold infestation, consider investing in quality remediation services today.
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Accelerating Diagnoses to Identify Treatments for ALS
Video Published on April 21, 2021
On average, it takes 12 months from the first symptoms for someone to be diagnosed with amyotrophic lateral sclerosis (ALS)
The most important thing is to get to a neurologist as soon as possible as most neurologists can make this diagnosis based on patient history and examination
Recent phase I/II trials showed promising results for the compounds tofersen and AMX0035 in treating patients with ALS
The mission of the Sean M. Healey & AMG Center for ALS at Massachusetts General Hospital is to find cures for people with amyotrophic lateral sclerosis (ALS). Merit E. Cudkowicz, MD, MSc, chief of the Department of Neurology and director of the Sean M. Healey & AMG Center for ALS, discusses the importance of accelerating diagnoses for ALS and the new advances in therapeutic development to treat this disease.
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At the Healey Center at Massachusetts General Hospital, we care for over 600 people with ALS. Sometimes the diagnosis can be difficult and it takes on average 12 months from the first symptoms someone has to when they are told the diagnosis, and in our opinion, that's way too long. So one of the things we are working on in the Healey Center is how to accelerate that so we can get treatments to people sooner. The diagnosis is made by a neurologist typically, and it's based on the history, the exam, and some tests called EMG or electromyography. But the most important thing is to get to a neurologist fast because most neurologists can make this diagnosis, based on the history and the examination.
One particular trial that we reported on this summer in the New England Journal of Medicine, was of a drug called tofersen. This is a gene therapy for a familial form of ALS caused by mutations in the gene called SOD1. This drug blocks the formation of the mutant protein, and in that phase I/II study, we were able to show that the drug did what it was supposed to do, it lowered SOD1 levels, and it lowered a biomarker called neurofilament of nerve damage. And based on those results, the study went quickly into phase III or what we call a pivotal final study, and we're hoping for those results in 2021. But there are so many more treatments out there for, not just for the familial form, but also the non-familial form, called sporadic ALS.
One example is a drug called tamoxifen. This is a drug for people with breast cancer but has been repurposed for people with ALS because it can block pathways that cause motor neuron death. And we had a study that showed some positive results for that.
We recently also reported this summer of 2021, a positive trial result with a drug called AMX 035. This is a combination drug of two actually, repurposed drugs called Tudca and buphenyl. And the idea here was that they each targeted an important pathway in ALS. The tudca targets the mitochondria which are the energy-producing parts of the cells that aren't working well in people with ALS, and the buphenyl targets how proteins are fixed if they are made incorrectly, called ER stress. And we know in the laboratory that the two drugs act synergistically, meaning that they each protect motor neurons alone, but they are much better together, and in our trial, in patients with ALS, we showed that the combination slowed the loss of function by 25%. That drug will now start to go under FDA and EMEA review to see whether the data is enough for marketing approval. But that's a huge advance for people with ALS.
The mission of the Healey Center at Massachusetts General Hospital is to find cures for people with ALS.
Learn more about the Sean M. Healey & AMG Center for ALS
Refer a patient to the Sean M. Healey & AMG Center for ALS
Merit Ester Cudkowicz, MD, MSc ›
Chief, Neurology Service, Director of the Sean M. Healey & AMG Center for ALS at Mass General, Director of Neurological Clinical Research Institute and the Jilieane Dorn Professor of Neurology, Harvard Medical School
Smartphone Monitoring Feasible for Quantifying Mobility of Patients with ALS
Using location tracking data provided by smartphones, James D. Berry, MD, MPH, of the Neurological Clinical Research Institute at Massachusetts General Hospital, and colleagues documented behavioral changes among patients with ALS after the start of the COVID-19 pandemic.
ALS, COVID-19, Neurodegenerative Disease, Neurology, Neuroscience
Journal January 25, 2021
Accelerating Treatments with the Healey Center ALS Platform Trial
Merit E. Cudkowicz, MD, MSc, chief of the Department Neurology and director of the Sean M. Healey & AMG Center for ALS at Massachusetts General Hospital, discusses the Healey ALS Platform Trial, which aims to accelerate the discovery of new drug therapies for people with amyotrophic lateral sclerosis (ALS).
ALS, Neurodegenerative Disease, Neurology, Neuroscience
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GLOBAL GYM APPAREL MARKET EXPANDING AT SIX PERCENT
Gym apparel market shows good growth, expanding at six percent a year.
During the first few months of the Covid pandemic, gym apparel sales significantly decreased. However some positive effects were crucial in driving up the demand for gym clothing in the years that followed. Many people were urged to start their own personal gyms or join ones in their communities in response to the lockdown’s increasing length. There was a significant increase in the number of people going to the gym every day, which fuelled the expansion of the gym clothing business.
Sweatshirts and tanks are the most popular product segment of the gym apparel market. Online retailers or e-commerce platforms are the rapidly expanding segments for the global gym apparel market on the basis of the supply chain. Gym gear producers are introducing new innovative components into their products to meet the current demands of the burgeoning smart wear trend. One of the biggest breakthroughs for the rising trends in the gym gear market has been the introduction of smart nanotechnology fabric.
Active wear shirts now change color by thermal heat signature. The shirt is a new way to measure workout using one’s body heat since it keeps a comfortable temperature but has the ability to change colors depending on body temperature.
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Allison Gordon, LCSW, Licensed Clinical Social Worker
Allison Gordon is a Clinical Social Worker who provides individual therapy, play therapy, family therapy and couples counseling for children, adolescents, couples and families. She earned her Graduate degree in Clinical Social Work from Loyola University Chicago with a specialty in children and families. Allison earned her Bachelor’s degree in Psychology from the University of Arizona with many years of volunteering and training in crisis work and play therapy.
Prior to entering private practice, Allison provided counseling and treatment for children, adolescents and their families involved in Residential Treatment and Specialized Day Treatment Schools. While there, she provided clinical treatment as well as milieu therapy including behavior modification and group therapy.
Working with children, adolescents, couples and families, Allison has experience treating the following:
Parent-child/communication
Parenting Difficulties
Executive Functioning/Organization
Trained to teach the Seeing My Time® Program
Child/Adolescent Issues:
Behavioral disorders
Social Acceptance and adaptability
Transitions (i.e. school adjustment, divorce, sleep difficulties, potty training)
Allison is an in network provider with Blue Cross and Blue Shield of Illinois PPO.
I believe the therapeutic relationship is extremely important. Through caring, understanding, empathy and support I am able to connect and work with my clients to build a relationship that provides them with comfort and security. My approach towards therapy is active and involves a non-judgmental approach, beginning where the client is and helping them to understand their behavior and set realistic goals. In working together I feel strongly that the client will gain confidence, tools and understanding that will always be a part of them. My hope is that through treatment you will feel safe, successful and happy. | 2023-14/0000/en_head.json.gz/3436 | {"url": "https://affiliatesincounseling.net/our-clinicians/allison-gordon/", "partition": "head_middle", "language": "en", "source_domain": "affiliatesincounseling.net", "date_download": "2023-03-20T09:07:36Z", "digest": "sha1:VCUJKIWYMRC6N34OHWSTEKQFGIS75WMJ"} | {"ccnet_length": [[0, 1937, 1937.0]], "ccnet_original_length": [[0, 1937, 2539.0]], "ccnet_nlines": [[0, 1937, 14.0]], "ccnet_original_nlines": [[0, 1937, 39.0]], "ccnet_language_score": [[0, 1937, 0.95]], "ccnet_perplexity": [[0, 1937, 271.2]], "ccnet_bucket": [[0, 1937, 0.0]], "rps_doc_curly_bracket": [[0, 1937, 0.0]], "rps_doc_ldnoobw_words": [[0, 1937, 0.0]], "rps_doc_lorem_ipsum": [[0, 1937, 0.0]], "rps_doc_stop_word_fraction": [[0, 1937, 0.31692308]], "rps_doc_ut1_blacklist": [[0, 1937, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1937, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1937, 0.04562269]], "rps_doc_frac_chars_dupe_6grams": [[0, 1937, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1937, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1937, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1937, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1937, 0.02589396]], "rps_doc_frac_chars_top_3gram": [[0, 1937, 0.02466091]], "rps_doc_frac_chars_top_4gram": [[0, 1937, 0.03575832]], "rps_doc_frac_all_caps_words": [[0, 1937, 0.01538462]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1937, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1937, 0.13538462]], "rps_doc_frac_unique_words": [[0, 1937, 0.55474453]], "rps_doc_mean_word_length": [[0, 1937, 5.91970803]], "rps_doc_symbol_to_word_ratio": [[0, 1937, 0.0]], "rps_doc_unigram_entropy": [[0, 1937, 4.70460219]], "rps_doc_word_count": [[0, 1937, 274.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 54, 0.0], [54, 520, 1.0], [520, 838, 1.0], [838, 943, 0.0], [943, 970, 0.0], [970, 993, 0.0], [993, 1028, 0.0], [1028, 1073, 0.0], [1073, 1098, 0.0], [1098, 1119, 0.0], [1119, 1154, 0.0], [1154, 1236, 0.0], [1236, 1319, 1.0], [1319, 1937, 1.0]], "rps_lines_javascript_counts": [[0, 54, 0.0], [54, 520, 0.0], [520, 838, 0.0], [838, 943, 0.0], [943, 970, 0.0], [970, 993, 0.0], [993, 1028, 0.0], [1028, 1073, 0.0], [1073, 1098, 0.0], [1098, 1119, 0.0], [1119, 1154, 0.0], [1154, 1236, 0.0], [1236, 1319, 0.0], [1319, 1937, 0.0]], "rps_lines_num_words": [[0, 54, 7.0], [54, 520, 69.0], [520, 838, 42.0], [838, 943, 13.0], [943, 970, 1.0], [970, 993, 2.0], [993, 1028, 2.0], [1028, 1073, 8.0], [1073, 1098, 2.0], [1098, 1119, 2.0], [1119, 1154, 4.0], [1154, 1236, 9.0], [1236, 1319, 15.0], [1319, 1937, 98.0]], "rps_lines_numerical_chars_fraction": [[0, 54, 0.0], [54, 520, 0.0], [520, 838, 0.0], [838, 943, 0.0], [943, 970, 0.0], [970, 993, 0.0], [993, 1028, 0.0], [1028, 1073, 0.0], [1073, 1098, 0.0], [1098, 1119, 0.0], [1119, 1154, 0.0], [1154, 1236, 0.0], [1236, 1319, 0.0], [1319, 1937, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 54, 0.0], [54, 520, 0.0], [520, 838, 0.0], [838, 943, 0.0], [943, 970, 0.0], [970, 993, 0.0], [993, 1028, 0.0], [1028, 1073, 0.0], [1073, 1098, 0.0], [1098, 1119, 0.0], [1119, 1154, 0.0], [1154, 1236, 0.0], [1236, 1319, 0.0], [1319, 1937, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 54, 0.18518519], [54, 520, 0.03862661], [520, 838, 0.02830189], [838, 943, 0.01904762], [943, 970, 0.03703704], [970, 993, 0.08695652], [993, 1028, 0.08571429], [1028, 1073, 0.11111111], [1073, 1098, 0.12], [1098, 1119, 0.04761905], [1119, 1154, 0.05714286], [1154, 1236, 0.01219512], [1236, 1319, 0.10843373], [1319, 1937, 0.01132686]], "rps_doc_ml_palm_score": [[0, 1937, 0.0022459]], "rps_doc_ml_wikipedia_score": [[0, 1937, null]], "rps_doc_ml_wikiref_score": [[0, 1937, 0.03300357]], "rps_doc_books_importance": [[0, 1937, -81.80398727]], "rps_doc_openwebtext_importance": [[0, 1937, -11.18806582]], "rps_doc_wikipedia_importance": [[0, 1937, -35.8441805]], "rps_doc_num_sentences": [[0, 1937, 13.0]]} |
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Displaying items by tag: Saskia Tidey
Tidey and Black Win their First 49erFX Gold Together in Lanzarote
Dun Laoghaire Harbour's Saskia Tidey, who now sails for Team GB in a 49erFX campaign for Paris 2024, struck gold with new sailing partner Freya Black at Lanzarote International Regatta.
Black and Tidey (of the Royal Irish Yacht Club) looked hard to beat going into the regatta with a consistent display in some strong wind conditions. In the medal race, the Irish-British combination crossed the finish line in fourth, giving them the gold medal. Italy’s Jana Germani and Giorgia Bertuzzi made a late charge across the finish to grab silver from the Americans, Steph Roble and Maggie Shea, who took bronze.
A year ago, Black had barely trapezed off the side of any dinghy, let alone a high-performance skiff like the 49erFX. Working with the experienced double Olympian Tidey, Black quickly made phenomenal progress. “I’m so, so buzzing and so proud of what we've done here this week,” said Black. Tidey added: “We’re slightly ahead of where we want to be and it’s a great start to a really important year as we build up towards qualifying for the Paris Olympics.
“We’ve had a really good training block here in Lanzarote. We've been here for three years now, and the conditions just deliver every single time we've been here"
Results here
Published in Paris 2024 Olympic Sailing
Saskia Tidey
Dun Laoghaire's Saskia Tidey Moves to Top of 49erFX Women’s Fleet in Lanzarote
Dun Laoghaire's Saskia Tidey of the Royal Irish Yacht Club has moved to the top of the 49erFX women’s fleet on day two of the Lanzarote International Regatta on the Canary Islands.
Tidey, who sails with Freya Black for Great Britain due to a lack of skiff opportunities in Ireland, held their nerve in big seas to move to the top of the 49erFX women’s fleet at the Lanzarote International Regatta on the Canary Islands.
Even launching the 49erFX fleet had its hairy moments; the wind was gusting hard through Marina Rubicon as the women launched their frisky, disobedient skiffs onto the water. The racing was a war of attrition with multiple nosedives, pitchpoles and capsizes in the huge, unforgiving swell.
Double Olympian Saskia Tidey (IRL and GBR): “Defo the Biggest Wave of My Life!”
Where the 470s travel at more or less wave speed a lot of the time, the 49erFX always wants to overtake the wave, and that’s where the trouble begins. Learning how to throttle back is sometimes more important than putting your foot to the floor.
Emerging unscathed and on top of the leaderboard were the still quite new pairing of Freya Black and Saskia Tidey (GBR). While Tidey has been to the past two Olympic Games (for Ireland in Rio 2016) in the 49erFX, Black is barely a year in this demanding class, which made her mastery of today’s conditions all the more impressive.
Tidey was still buzzing from a big day out. “Pretty full on, but fun, massive waves,” she grinned. “Thankfully, we kept a dry mast for all three races, plenty of points where we were nearly going over, but Freya did a great job of keeping the stick in the sky.
“To be honest,” continued Tidey, “I think I saw two of the biggest waves in my career today. Bigger than in Tokyo, but we survived them and that’s all that matters. A lot of time I was head in the boat, trying to look after ourselves and keeping out of trouble, so I’m only just realising now how much of a big day it’s been with breakage and injury. It’s an epic venue and Marina Rubicon are putting on such a great show here, we’re really enjoying it.”
Almost as consistent as the British scores of 2,4,1 were the Italians, Jana Germani & Georgia Bertuzzi (ITA) who won the first two heats and were sixth in the last. However their mast tip snapped soon after the end of the last race. “We haven’t had a moment to think about what we did just now,” said Germani as she and Bertuzzi rushed to prepare a new mast in case the fleet was sent out for an afternoon session. “We were sailing in after the races and a fitting at the top of the mast broke so we need to hurry to get ready again.”
The Italians have moved to second overall with Steph Roble & Maggie Shea (USA) posting a solid day to climb to third place, just ahead of yesterday’s leaders, Olympic Champions Martine Grael & Kahena Kunze (BRA) who struggled today.
The forecast for Sunday and the coming days is looking very good. Racing starts at 1100 hours on Sunday morning.
Nova Scotia Hosting Cream of the Class at 49er Worlds — Including Five Irish Prospects
Five Irish sailors will be looking to make a big impression at the 49er Worlds 2022 in the frigid waters of Nova Scotia, which get under way this coming Wednesday 31 August.
In the 49er division, the experienced skiff duo of Robert Dickson and Sean Waddilove (Howth Yacht Club/Skerries Sailing Club) will be up against the new Royal Cork pairing of Séafra Guilfoyle and Johnny Durcan within a challenging field.
Séafra Guilfoyle (left) and Johnny Durcan
Meanwhile, in the 49erFX, Dun Laoghaire’s Saskia Tidey and new Team GB skiff partner Freya Black will be looking to improve upon their 24th-place finish in last month’s Europeans and make a bigger splash at Hubbards on St Margaret’s Bay, some 50km west of Halifax.
Robert Dickson (left) and Sean Waddilove
The village’s community waterfront on the site of a former fish processing plant has been completely transformed in preparation for the championships hosting the cream of 49er, 49erFX and Nacra 17 racers the world over.
Racing at the 2022 World Championship runs from Wednesday 31 August to Monday 5 September with daily live streams from Day 3 (Friday 2 September).
49erfx
Robert Dickson and Sean Waddilove
Seafra Guilfoyle
Johnny Durcan
Irish 49er Sailors Robert Dickson and Sean Waddilove in Top Form for Euros Test in Aarhus
A seventh in the Kiel Week medal race leaving Dubliners Robert Dickson and Sean Waddilove in ninth overall represents another creditable result on the road to Paris 2024 for the Tokyo 2020 49er reps and another confidence boost before this week's toughest test of this triennial so far; the European Championships that start on Tuesday, (July 5th).
Buoyed by their top ten in Kiel and second in June's Allianz Regatta (not to mention an Irish Sailor of the Month award), the 90-boat Euros is the biggest event of the 2022 season so far, and with Paris just two years away will prove a crucial benchmark across the international fleet.
Also competing for Ireland are Seafra Guilfoyle and Johnny Durcan from the Royal Cork YC.
The 2022 European Championships run until the 10th of July at Aarhus, Denmark.
Meanwhile, Dun Laoghaire's Saskia Tidey who is competing for Team GB due to 'a lack of opportunities at home' will compete in the 74-boat 49erFX fleet.
In fact, Tidey is part of five British crews contesting the title.
Rio 2016 (for Team Ireland) and Tokyo 2020 Olympian for GB) Saskia Tidey and new teammate Freya Black will be looking to make an impression on the fleet, although their lead-up to the regatta was disrupted by Covid.
“Our lead into the Europeans has been challenging and not quite as planned,” Black said. “We will push through and hope to be fit and fighting on day one. We are buzzing to make a debut as a team at our first Europeans together and we are ready to give it the best shot we can.”
To follow the results, click here.
Robert Dickson & Sean Waddilove
Saskia Tidey Disqualified in Last 49erFX Race But Six-Medal Haul in Palma Kickstarts British Sailing Team’s 2022 season
Britain’s elite sailors laid down a marker as the 2022 season got underway at Palma’s iconic Trofeo Princesa Sofia, bringing home medals in six of the ten classes.
The British Sailing Team haul included two golds, a silver and three bronze as the six-day regatta came to a climax in Palma Bay.
Michael Beckett (below) took gold in the ILCA 7 (formerly Laser) class, his first-ever medal at any World Cup event, while Andy Brown scored his first senior win of his career in the iQFOiL windsurfing class.
Michael Beckett took gold in the ILCA 7
Hannah Snellgrove took silver in the ILCA 6 (formerly Laser Radial), and there were bronzes for Ellie Aldridge and Connor Bainbridge in the Formula Kite classes, and John Gimson and Anna Burnet in the Nacra 17.
“This is one of the first World Cup regattas I ever did, ten years ago, and so the number of people here and the scale of the event makes it special,” said Beckett, from Solva in Pembrokeshire. “I remember at the time how unbelievably difficult it was then and I had so much respect for the people who were winning then. This is a proper event and this is the first World Cup event I have won. That means a lot.”
Brown, from Glasgow, revelled in Palma’s blustery conditions and proved his skill in the Olympics’ new foiling windsurfing class with eight race wins in 18 races, only once placing outside of the top 10.
Andy Brown scored his first senior win of his career in the iQFOiL windsurfing class
“I’m feeling amazing,” Brown said. “It’s the first time I’ve won any senior medal in an Olympic class, and I’m absolutely buzzing. I’ve been competing at this event for six years now and it feels great to win.”
Just like her ILCA counterpart, Snellgrove also started the medal race guaranteed of silverware – although a 25-point gap to leader Sarah Douglas of Canada made gold unattainable.
Snellgrove’s battle for second was with Greece’s Vasileia Karachaliou, who started the medal race just a point behind. The sailor in fourth, Louise Cervera, of France, had no chance of third, so the medal race became a shoot-out for silver between Snellgrove and Karachaliou.
Hannah Snellgrove took silver in in the ILCA 6
“I feel really happy and relieved,” said Snellgrove, from Lymington. “It was a really stressful medal race, and I went into it knowing I could win either silver or bronze, so it was a case of ‘who beat’ who between Vasileia and me.
“I’m super happy to come away with the silver. It’s my best result at this regatta and it’s a massive confidence boost for the season ahead.”
Aldridge, from Poole, and Weymouth’s Bainbridge are no strangers to the Formula Kite podium, and both continued their stellar run of form with a brace of bronzes.
Elsewhere Sam Sills was fifth in the men’s iQFOiL class, while sister Saskia finished tenth in the women’s fleet, just behind Islay Watson in ninth and Emma Wilson in eighth.
British 470 pairs Vita Heathcote/Ryan Orr and Martin Wrigley/Eilidh McIntyre were ninth and tenth respectively as the class’s new mixed format made its debut at Trofeo Princesa Sofia.
New 49erFX pair Freya Black and Dun Laoghaire's Saskia Tidey of the Royal Irish Yacht Club were dealt a cruel blow when they were disqualified from the last race of the final series, relegating them to 11th overall. Teammates Megan Brickwood and Steph Orton were just one place back in 12th.
Young guns Nick Robins and Dan Budden were the top 49er boat in 20th; Tokyo 2020 gold medallist Dylan Fletcher and new crew Rhos Hawes had to pull out on day one with damage to their boat.
The British Sailing Team will now turn its attention to the Semaine Olympique Francais in Hyeres later this month.
Dun Laoghaire Two-Time Olympian Saskia Tidey Announces Paris 49erFX Campaign with Team GB
Two-time Olympian Saskia Tidey has teamed up with 20-year-old Freya Black (pictured below) in the 49erFX after Tokyo partner Charlotte Dobson called time on her Olympic career.
A national champion in the 29er class, Black is returning to skiff racing after competing in the mixed 470 class for the past two years for a tilt at Paris 2024.
Tidey, a member of the Royal Irish Yacht Club, was forced to quit the Irish team after Rio and cited a lack of opportunities at home.
As regular Afloat readers will know, Dobson and Tidey had a commanding lead in the early stages of the Tokyo Regatta before finishing sixth overall.
“Freya is a great young sailor who has transitioned seamlessly into the FX from the 29er/ 470 class,” said Tidey, 28, from Sandycove on Dublin Bay but now based full time in Portland, Dorset.
Tidey told Afloat: “There was a sparkly feeling in the boat when we first sailed. I left the boat park that day feeling pretty motivated and excited to see more. Our attitudes, beliefs and raw competitiveness have blended so well from the get-go. I truly believe in our potential to represent Great Britain at Paris 2024 and challenge for medal-winning performances towards LA 2028.”
Black, from Goudhurst, Kent, added: “Partnering up with Sas in a 49erFX is a huge opportunity for me to make the jump into a team that has the experience and knowledge of a medal-worthy campaign. Bringing together Sas’ epic crewing skills and my 470 background of racing and boat feel, we see the potential of a great team.”
“It feels pretty good to be back in the harness and wearing the BST bib again. I have put a lot of thought into why I want to continue to develop as a world-class sailor with the BST. I still have the passion for pressure & the fire inside me to push for more.
“When the opportunity to sail with Freya Black presented itself I was really excited to take it. Freya is a great young sailor who has transitioned seamlessly into the FX from the 29er/ 470 class. There was a sparkly feeling in the boat when we first sailed. I left the boat park that day feeling pretty motivated and excited to see more. Our attitudes, beliefs and raw competitiveness have blended so well from the get-go. I truly believe in our potential to represent Great Britain at Paris 2024 and challenge for medal-winning performances towards LA 2028.
“Currently we are in Lanzarote training. This year is about playing with the boat as a new team and learning from our mistakes. With it being such a short cycle to Paris 2024 we will be making the most of every hour we have to ensure we qualify GB for the Olympic Games. I am honoured to have the opportunity to challenge a third Olympic Games in the 49erFX and be back with the British Sailing Team.”
The first major event of 2022 for the British Sailing Team will be the Princess Sofia Regatta in Palma, Mallorca, in early April.
Saskia Tidey’s Tokyo 2020 49erFX Partner Charlotte Dobson Retires From Olympic Sailing
The 49erFX partner of Dun Laoghaire’s Saskia Tidey at Tokyo 2020 has spoken of her fond memories of competing at the highest level as she called time on her Olympic career.
As previously reported on Afloat.ie, Charlotte Dobson was among a host of top names in British sailing who announced their retirement from Olympic campaigning this week.
Originally contesting in the Laser Radial (now ILCA 6), the Scottish sailor switched to the 49erFX skiff when it was introduced in 2014, teaming up with Sophie Ainsworth. The pair won their spot with Team GB for Rio 2016, finishing ninth.
Dobson then joined forces with Ireland’s Saskia Tidey following the Royal Irish Yacht Club sailor’s decision to move to Team GBR in 2017, citing a lack of opportunities for her to pursue her career at home.
The duo quickly established themselves as a powerhouse of the 49erFX fleet, backed up by string of podium results silvers at the Olympic test event and the 2020 World Championships.
Dobson and Tidey led the Tokyo 2020 regatta in the windy early stages before being overhauled later on as the breeze turned light, eventually finishing sixth.
Dobson, who married Dylan Fletcher a few weeks after returning from Tokyo, is now looking to work in banking.
“We gave it a really good crack but it wasn’t enough at the end. I think you have to know when it’s time to say that we did our best but it wasn’t really good enough”
On retirement, the 35-year-old from Rhu, near Glasgow, says: “The latest news for me is that I’m going to hang up my sailing boots and trapeze harness and say goodbye to the Olympic world. It’s been an amazing period of time, and now I’m going on to work out what the next thing is.
“It was a pretty easy decision to be honest. I genuinely felt in the couple of years before Tokyo that Saskia [Tidey] and I had given ourselves the best chance of winning a medal in Tokyo. We’d worked with some incredible coaches and support staff, and had some amazing sailors in our training groups. When you’re proud of the campaign you put together you have to accept the result at the end.
“We gave it a really good crack but it wasn’t enough at the end. I think you have to know when it’s time to say that we did our best but it wasn’t really good enough.”
Asked for her fondest memories of the Games, Dobson says: “It’s probably more of feeling than a memory. Regardless of the result not turning out the way we wanted, I wholeheartedly feel hugely proud to be part of that Tokyo team.
“We were surrounded by excellent people doing pretty incredible things. The atmosphere was one of elevating yourself. It was a huge honour to see some of the sailing greats that we had do their thing, and try to emulate that.”
As for her future plans? “I’m dipping my toes into the real world slowly, and I’m hopefully going to find a job in banking,” she says. “I’m definitely not going very far from Portland, I love it here. Sailing has brought me all the way from the west coast of Scotland to this little island and I love it. I won’t be completely disappearing.”
Dobson also had the following advice for sailing’s next generation: “I’d say just stay in love with our sport. It’s the most incredible sport, and so wide-ranging. You can sail fast boats, slow boats, complicated boats, simple boats, with people, on your own… Never lose the love for the sport.
“Do as much sailing across a variety of boats. And if you decide you want to go to the Olympics it’s totally possible. Anything is possible when you set a goal, put your mind to it and crack on.”
Published in Tokyo 2020
Charlotte Dobson
British Sailing Team Reflects on Olympic Successes as Stars Announce Retirement
British Sailing Team boss Mark Robinson has heaped praise on a host of sailing stars after they announced their retirement from Olympic campaigning.
Tokyo 2020 gold medallists Hannah Mills, Giles Scott and Stuart Bithell are among those calling time on their Olympic careers.
London 2012 silver medallist Luke Patience, three-time Olympian Ali Young, two-timers Charlotte Dobson (who sailed with Dun Laoghaire's Saski Tidey in Tokyo) and Chris Grube and Rio 2016 Team GB athlete Ben Saxton have taken the decision to move on.
It follows a stellar performance from Team GB’s sailors at the Tokyo 2020 Olympics, at which the team secured the top spot on the sailing medal table for the fifth time in six Games with three golds, a silver and a bronze.
“All good things must come to an end, and as such these incredible athletes have taken the decision to step back from Olympic campaigning,” said Robinson, the RYA’s Olympic Performance Manager.
“These individuals have made such a huge impact on our sport, their achievements speak for themselves, and they’ve inspired countless youngsters to follow in their footsteps. I feel very proud to have led a team full of such great athletes, and those retiring will be sorely missed.
“However as a team we are well-prepared. Lots of our Tokyo team are going again, plus there are a whole host of talented sailors who’ve been waiting patiently in the wings to get their time to shine.
“With Paris 2024 less than three years away the British Sailing Team is full-steam ahead, with the number one goal of defending our title of the world’s most successful Olympic sailing team.”
Onwards to Paris
Despite the loss of so many big names, the British Sailing Team says it remains in great shape with Paris 2024 less than three years away.
Gold medal winners Dylan Fletcher (49er) and Eilidh McIntyre (women’s 470) will both continue campaigning for the next Olympics with new crews, yet to be decided.
Nacra 17 runners up John Gimson and Anna Burnet are also continuing their bid for gold alongside Emma Wilson, bronze medallist in the women’s RS:X, windsurfer Tom Squires and 49erFX crew Saskia Tidey.
A whole host of new faces will also be looking to make their mark in a bid to win selection for Team GB.
Meanwhile, Nick Dempsey, Britain’s greatest ever Olympic windsurfer with two silvers and a bronze to his name, is back in the British Sailing Team as coach to the men’s iQFOiL, the new foiling windsurfer class that will debut in Paris.
Dempsey retired from competition after scooping silver at Rio 2016, and went on to coach Japan’s Makoto Tomizawa for the Tokyo 2020 cycle.
“I’m hugely excited to be back with the British Sailing Team,” said Dempsey. “This is my dream job, and it’s a real honour to lead this men’s iQFOiL squad. I truly believe we have all the right ingredients to be the world’s best team.
“The individual members are young, talented and busting to learn. I’m really looking forward to seeing what we can do in the run-up to Paris 2024 and beyond.”
Hannah Mills
Mills became the most successful female Olympic sailor of all time this summer when she defended her Rio 2016 gold medal alongside Eilidh McIntyre.
The pair were among the favourites for the top spot but faced stiff competition from crews from Japan, France, Poland and Switzerland.
Fifth in the medal race sealed glory in style, with a huge 16 point-gap separating them from the second-placed Polish team.
Victory for Mills rounded off an incredible Olympic career in which she won silver at London 2012 then golds at Rio 2016 and Tokyo 2020. Not only does that make her the greatest female Olympic sailor ever but also Wales’ most successful female Olympian.
In recognition of their achievements, Mills and McIntyre were voted female World Sailors of the Year last week.
Mills now turns her attention to the SailGP circuit which she joined earlier this year as part of Sir Ben Ainslie’s British outfit, as well as continuing her environmental campaigning with her charity the Big Plastic Pledge.
Giles Scott
Scott had his own challenge defending his Olympic title in the Finn, a class which will not feature in the Paris 2024 sailing competition.
Heading into the medal race in the lead with one hand already on gold, his hopes were dealt a huge blow when, fearing he was over the line at the start of the race, he turned round and headed back to start the race again, relegating him to the back of the fleet.
An incredible fightback saw him pick his way through the fleet to fourth, enough to snatch overall victory from race winner Zsombor Berecz of Hungary.
It seals Scott’s place in the history books as the final Finn Olympic champion, as the class is being retired for Paris 2024. It also maintained Britain’s winning legacy, having taken gold in every Olympics since Sydney 2000 thanks first to Iain Percy and then Sir Ben Ainslie.
Scott’s win was even more impressive for the fact that he spent much of the time in between Rio 2016 and Tokyo 2020 campaigning to win the America’s Cup alongside Ainslie, a project he will now return to.
Stuart Bithell
Bithell took gold in the 49er class with Dylan Fletcher, adding to the silver medal he won with Luke Patience in the men’s 470 at London 2012.
After missing out on selection for Rio 2016 at the hands of Fletcher and his then team-mate Alain Sign, Bithell and Fletcher teamed up in 2017 and have been a formidable force ever since.
After putting together an impressive series in Tokyo, the pair went into the medal race in second place with just a handful of points separating them from regatta leaders Blair Tuke and Peter Burling.
A thrilling photo finish in the medal race saw them overhaul Germans Erik Heil and Thomas Ploessel to steal the top spot from Tuke and Burling, relegating the Kiwis to the silver medal position. It was the first ever gold medal for Britain in the 49er class.
Luke Patience and Chris Grube
Patience was just 25 when he won a silver medal alongside Stuart Bithell in the men’s 470 class at London 2012.
After winning a spot with Team GB at Rio 2016, his campaign was turned upside down when crew Elliot Willis was diagnosed with cancer, and they were deselected.
Chris ‘Twiggy’ Grube had been part of the British Sailing Team for almost a decade when he got the last-minute call-up to join Patience, with whom he had raced alongside in the mid 2000s.
The pair went on to finish an incredible fifth, and took that partnership into the Tokyo cycle – and all the way to Tokyo 2020 itself.
They enjoyed a strong start to the Olympic regatta, and despite slipping down the leaderboard slightly in the lighter winds through the week, only the Aussies bettered them for the lowest discard. A consistent series had them into the medal race as one of only five boats who could take home an Olympic medal.
Alison Young
With three Olympics under her belt, Young is Britain’s greatest ever ILCA 6 (formerly Laser Radial) sailor.
Young picked up the baton from Penny Clark, winning a call-up to Team GB for London 2012. She was the first Brit to win a world championship in the class in 2016, and was among the favourites for an Olympic medal. However she was dealt a blow when she broke her ankle just eight weeks before the Games.
An eighth in Rio fired her up for a tilt at Tokyo, where she finished 10th after a tricky week. Young now plans on using her knowledge and experience to coach young athletes to success.
After narrowly missing out on Olympic selection for two cycles running in the ILCA 6 (formerly the Laser Radial) Dobson switched to the 49erFX skiff when it was introduced in 2014, teaming up with Sophie Ainsworth. The pair won their spot with Team GB for Rio 2016, finishing ninth.
Dobson then joined forces with Saskia Tidey and the duo quickly established themselves as a powerhouse of the 49erFX fleet, backed up by string of podium results silvers at the Olympic test event and the 2020 world championships.
Dobson and Tidey led the Tokyo 2020 regatta in the windy early stages before being overhauled later on as the breeze turned light, eventually finishing sixth. Dobson, who married Dylan Fletcher a few weeks after returning from Tokyo, is now looking to work in banking.
Ben Saxton
After switching from the 470 class to the Nacra 17, multihull expert Saxton was picked for Team GB at the Rio 2016 Olympics alongside crew Nicola Groves.
The pair went on to finish ninth, a result that frustrated Saxton. He made amends the following year with victory at the 2017 world championships with Katie Dabson.
After teaming up with Nicola Boniface, Saxton went on to score numerous podium finishes including winning the 2019 European championships and placing third at Ready Steady Tokyo, the test event for Tokyo 2020.
Saxton stepped away from Olympic sailing after losing out on Olympic selection to Tokyo 2020 silver medallists John Gimson and Anna Burnet, and recently started a job working for North Sails.
Follow the British Sailing Team’s progress towards Paris 2024 at britishsailingteam.com and via the team’s social media channels.
Hannah Mills, 34, Cardiff, Wales:
On retirement:
“Sadly my Olympic campaigning is coming to an end – the 470 is going mixed for Paris 2024 and for me, in terms of my career, this is the perfect time to step away and explore other options. I’ll be working on my sustainability campaign which I’m really passionate about while exploring some exciting opportunities in women’s sailing. It was a difficult decision and yet also an easy one. What made it hard was just how incredible the Olympic Games is – it’s like nothing else on Earth. As an athlete who’s dreamed of going to the Games my whole life it’s something that is quite difficult to walk away from. But in terms of where I’m at in life and what I want to do next it was a bit easier.”
On the Tokyo 2020 cycle:
“It was a mad cycle, that’s for sure. Things came at us that no-one could ever have imagined. The delay to a Games is something you never think will happen. You have this deadline of when the Games is and nothing will move that. Then something so much bigger than the Olympics came along and it did move that. I definitely look back and feel privileged to have had that extra year. At points when it was tough and emotional and mentally challenging and those things that go hand in hand with being an athlete striving towards a huge goal, I remember thinking to myself that actually none of it mattered because we were so lucky to still be competing and travelling and working towards this incredible goal while a lot of other people were not so fortunate.”
On becoming the greatest ever female Olympic sailor:
“It’s a strange one – you dream of winning an Olympic gold medal but I certainly never dreamed of winning multiple medals and becoming the most successful female Olympic sailor. It’s surreal when you add up the 15 years or so of Olympic campaigning and it leads to that accolade. It’s surreal but amazing. Records are there to be broken though, and that’s what inspires other female athletes to push harder. It will be exciting to see what comes next.”
On inspiring youngsters:
“To anyone who’s thinking of having a go at sailing I’d say just have a go. It changed my life, and whether you want to go to the Olympics, sail at your club or just with your family, sailing is the most amazing sport. To be outside, on the water, experiencing the elements, is like nothing else. It’s given me skills that I’ll take through my whole life.”
Fondest memories of the Games:
“There are so many. London will always be the most insane experience. Walking into the opening ceremony as part of Team GB at a home Olympics was just bonkers. I don’t think anything will compete with that. The noise walking into the stadium, people banging their feet, it was unbelievable to be a part of. Winning my first gold medal with Saskia Clark in Rio was a lifelong dream for both of us. It was so special to come back from silver in London and get the gold. With Tokyo I just look back on the British Sailing Team – we had the best team imaginable; every single person was amazing to be around and brought their best versions of themselves. I don’t think I’ve experienced a team quite like that one and that’s my strongest memory of those Games.”
On the future:
“I’ve got lots of plans in the sustainability world, trying to inspire and empower other athletes to use their platform to speak up about different challenges. We’re already seeing the positive impact it can have. In terms of sailing, I’m racing with the SailGP GBR team as a female athlete and will be looking to develop female pathways into high performance professional sailing. There’s also a new women’s competition in the America’s Cup. There’s so much going on in the world of professional sailing, it’s a pretty amazing time to a female in sailing right now.”
Giles Scott, 34, Huntingdon, Cambridgeshire:
“I’m done, speaking simply. I’ve been in Olympic classes sailing now for nearly 14 years, done two Olympic Games, had a really good innings and now it’s time for me to move on to other things. It actually feels ok [to be retiring]. If I’m brutally honest it feels just fine. I’ve been doing it for so long and have put so much into it, and I’m lucky to have been successful, and it’s time to do other things. I’ve absolutely loved my Olympic sailing but I feel like it’s been a chapter in a bigger book. I’m sad to be leaving but for sure it’s time to go.”
Reflecting on the past couple of years:
“In honest I’m still processing it all. The last couple of years were probably the busiest of my life and I took on an awful lot with the America’s Cup while trying to defend my Olympic title. Somehow I managed to keep that gold medal. In honesty I’m not sure how, but I got there just about! I’ve enjoyed my time off, doing some Moth sailing and sailing some bigger boats. I’m getting back with INEOS and the America’s Cup. I’ve still got plenty going on but I am still slowly digesting what I’ve accomplished, not just at the last Olympics but over the past ten years of Olympic sailing.”
On the Tokyo 2020 medal race:
“I haven’t watched it back, and I don’t want to. I don’t think I ever will! I’d have rather have won gold in the style I did four years previously, it was way less stressful. The Tokyo medal race was very dramatic and certainly made a five-knot Finn race pretty exciting, which isn’t that easy to do. In the build-up to the medal race I’d put together a really solid week, it just so happens the two guys on my tail had also done a pretty good job as well and I still had a bit to do in the medal race. It didn’t go perfectly to plan but I just about got there.”
On being part of such a successful team in Tokyo:
“It was great. The vibe and the atmosphere out there among the sailors and support staff was really quite powerful, and for sure that bred performance. It really did feel like we were in it together, living in a camp environment, and it just so happened that each day we needed to leave the accommodation to go race in the Olympic Games. It was a really cool month, and certainly one I will hold close to my heart.”
On fondest memories of Olympic career:
“I’ve had so many amazing times. Those of us that get to travel the world doing a sport like sailing are incredibly fortunate. Even without success, being part of the Olympic circuit is an amazing thing to do. For me to be able to walk away having had success is very special. The results I’ve had are one thing, but the people I’ve met and friends I’ve made along the way have been amazing as well.”
On inspiring young sailors:
“I always say that you’ve got to enjoy what you do. My success has come from doing something that I love to do, and that was certainly the case when I was a kid. My message to young sailors would be to enjoy the sport, don’t get bogged down in results and if you love it you’ll become good at it.”
On life after the Olympics:
“The main focus is the America’s Cup. I’ve signed back up with INEOS and over the next year things will really start to ramp up. We’re beginning to build the team and put schedules in place. It’s early stages at the moment but it will start to get big quite quickly. In the meantime I’m learning to sail again, this time in a Moth which is good fun. It’s been a long time since I’ve sailed in Weymouth harbour in November with a big grin on my face!”
Stuart Bithell, 35, Rochdale, Greater Manchester:
“I guess I’ve hung my boots up for now. I’ve done three cycles and it’s time to move on to other areas of the sport. It’s nice to stop here at the top – it would take a lot of hard work to regroup and go again for Paris. I’ve done the Olympic thing now and I want to move my career on to other areas of the sport. It feels like the right time. And of course I’m getting old!”
On winning gold at Tokyo 2020:
“It feels pretty good. It’s been a long time coming and there’s been a lot of hard work that’s gone into it. A while back I knew this was going to be my last one and everything went into this campaign. It’s so cool coming away with a gold medal – I feel on top of the world.”
On a potential comeback:
“Not at the minute. There’s no part of me that is looking at Paris. That said we’re all athletes and we’ve seen it many times where athletes retire and then come back. Currently there’s no plan to do that, but who knows.”
On his crew Dylan Fletcher:
“I think Dylan is going on to do another cycle. We’ve sailed together for the past five years and it’ll be weird to not do another campaign with him, but we still sail together loads. We just did an event out in Italy and I’m sure we will do more, it just won’t be in an Olympic class.”
On memories of the Olympics:
“I think my best memories of my career are of the Olympic Games themselves, it’s such a pinnacle that you work so hard to get to and then when you’re there, because all the hard work has been done you can enjoy the moment. Certainly winning silver with Luke Patience in London at a home Olympics was incredible. I didn’t qualify for Rio 2016 and decided to put everything on the line one more time and that came off good with Tokyo. Actually being at Tokyo and performing to our best was just perfect.”
On future plans:
“I’m looking at getting into other areas of the sport. There’s plenty on with professional sailing, the America’s Cup, SailGP and lots of other professional circuits around the world. I’m aiming for the big circuits and we’ll see how we go.”
On inspiring the next generation:
“I come from a background where you wouldn’t expect to be on the top of an Olympic podium. I grew up sailing on a tiny lake in the north of England, and my message to kids is that you can do whatever you want if you put your heart and a bit of time into it. Nothing is impossible.”
Luke Patience, 35, Rhu, Scotland:
“It’s the end of a long, wonderful 17-year journey. It’s hard to definitively say it, but for me this is the end of my Olympic athlete career. After many long weeks thinking about it and talking to many different people I feel like I’ve made peace with that decision and that it’s the right one for me now. It’s been so hard to come to the decision because there’s so much passion for what I do. We embark on this madness not as a job but to try to represent yourself and your country at the highest level and come home as Olympic champions. Not only is that a really honourable thing to do with your life, it’s incredibly addictive. Success is a wee drug and so to walk away from a lifelong journey feels a bit weird. It won’t stop overnight and my heart still longs to continue, but my head is winning the battle.”
On his Olympics career:
“Three Olympics and an Olympic silver medal means so much to me. I dreamed about winning an Olympic medal as a wee boy and I did it. But in the same breath I can think back to a time when I never thought I’d go this far. Although I won a silver medal in some regards it’s not enough and I’d like to say I was Olympic champion three times, and I’m not. However time is a wonderful healer and the further I get from it all I do look back and go ‘wow’. What an honour and achievement to have represented my country at the highest level for such a long time. I am very proud but I think I’ll be more proud in a year’s time and even more proud in ten years’ time. I think it will take a bit of distance from the sport to really look back on what I achieved.”
On representing Scotland:
“I’m very proud to be British and Scottish, but I like the identity of being from a wee small nation as well. It means a lot to represent Scotland. We’re not a massive country with five million people and the Scottish athletes who come out of the woodwork are a really small bunch of people. I take a lot of pride in being part of that group. There must be something in the water on the west coast of Scotland because we’ve produced some phenomenally good sailors today and in years gone by. I feel really attached to my Scottish heritage. My dad has been great at showing me our family’s lineage and where our ancestors came from. They were all fishermen and lifeboatmen and things like that. I’m just happy I could carry on that journey on the sea.”
“I could answer that one for hours. London 2012 was incredible. To be out racing as a 25-year-old with my best mate and all the crowds on the shore, folks screaming, and everything those Games brought, I can’t see that anything in my life will ever feel like that felt. That’s above and beyond my fondest memory. It was so unique. The most emotional bit was walking out into the opening ceremony to 80,000 people screaming Team GB, chanting in the stadium. The confetti, the music, walking out behind Chris Hoy waving the flag… I just remember looking at Stuart [Bithell], Hannah [Mills] and Saskia [Clark] and saying “we’re here, we’re Olympians”. We’d been dreaming about it for so long. That memory is etched in me.”
“What’s next will probably change every month! In a nice way, I don’t really know. I’m giving my mind and body a bit of time to wind down. I’m excited about many things, about trying new things and being in different worlds. I’d love to lead a team in the Ocean Race when the time’s right, I’d like to start a whiskey brand and do bits like that. I’m looking forward to spending a bit more time with family and enjoy the things in life that I’ve had to put on the sidelines for a very long time. I’m a sailor in my heart and I doubt I’ll ever be that far from the British Sailing Team in some shape or form.”
“If I was to say anything to kids who’ve been inspired by Tokyo it would be to hold tight to that inspiration. Nobody on Team GB is from some immensely privileged background where it was all laid out on a plate for them. The vast majority of us Olympians were kids who watched the Olympics and were inspired by them. I was curious about what it would feel like to represent my country and I became obsessed with finding out. That’s all I’ve been for 25 years: curious. If you think it’s out of reach it isn’t. Hold onto that inspiration and just keep chipping away.”
Alison Young, 34, Bewdley, Worcestershire:
“My latest news from the Olympic world is that I’ve retired, and now I’m figuring out what life is. I actually decided to retire while I was in Tokyo. I was watching Emma Wilson win her bronze medal in the RS:X and I realised that it wasn’t something I wanted or needed anymore. It was quite an easy decision in the end. When I reflect back on my time with the British Sailing Team I just feel really fortunate to have had the chance to work with the teams of people that I have, people who are world class at what they do and who are more importantly just fantastic individuals. For that I’m very grateful. I’m now stepping out into the rest of the world and seeing what that’s like. My fondest memories from the Games centre around the spirit and energy the sailing team has, especially out in Tokyo. I finished tenth in Tokyo and I just felt really content with my performance. It was a really nice place to end on. What’s next? Well, with my sailing it’s always been about trying to get the best out of myself and so I’m now trying to do that in a different domain. I’m exploring coaching to see if I can help others get the best out of themselves.”
Charlotte Dobson, 35, Rhu, Scotland:
“The latest news for me is that I’m going to hang up my sailing boots and trapeze harness and say goodbye to the Olympic world. It’s been an amazing period of time, and now I’m going on to work out what the next thing is. It was a pretty easy decision to be honest. I genuinely felt in the couple of years before Tokyo that Saskia [Tidey] and I had given ourselves the best chance of winning a medal in Tokyo. We’d worked with some incredible coaches and support staff, and had some amazing sailors in our training groups. When you’re proud of the campaign you put together you have to accept the result at the end. We gave it a really good crack but it wasn’t enough at the end. I think you have to know when it’s time to say that we did our best but it wasn’t really good enough.”
On representing Scotland and Great Britain:
“It’s a huge honour to wear the Team GB top – it’s something I’ve thought about since I was tiny. The first time I got to pull it on in Rio was quite a shock. I wasn’t expecting it to hit home quite so much with Tokyo, but it totally did. Representing your Queen, country and everyone who sails is a huge honour and something I’ll be really proud of for the rest of my life.”
“It’s probably more of feeling than a memory. Regardless of the result not turning out the way we wanted, I wholeheartedly feel hugely proud to be part of that Tokyo team. We were surrounded by excellent people doing pretty incredible things. The atmosphere was one of elevating yourself. It was a huge honour to see some of the sailing greats that we had do their thing, and try to emulate that.”
“I’m dipping my toes into the real world slowly, and I’m hopefully going to find a job in banking. I’m definitely not going very far from Portland, I love it here. Sailing has brought me all the way from the west coast of Scotland to this little island and I love it. I won’t be completely disappearing.”
Advice for the next generation:
“I’d say just stay in love with our sport. It’s the most incredible sport, and so wide-ranging. You can sail fast boats, slow boats, complicated boats, simple boats, with people, on your own… Never lose the love for the sport. Do as much sailing across a variety of boats. And if you decide you want to go to the Olympics it’s totally possible. Anything is possible when you set a goal, put your mind to it and crack on.”
Ben Saxton, 31, Cambridge:
“Thanks to the team who’ve supported me to compete at the Olympics and to win a few major championships. Thanks in particular to the unsung heroes working hard in the background. I’m really excited about the future, but I will remember my time with the British team fondly.”
British Sailing Team
Home Win for Macgregor with Royal Irish's Tidey at RYA Summer Match Racing Qualifier
It was a home win for Olympian Kate Macgregor and her team at the RYA Summer Match Racing Qualifier 3 over a breeze-on weekend at Poole Yacht Club.
Organisers had thought the event might be in jeopardy due to the high wind forecast for 2-3 October 2021 which saw a number of regattas canned along the south coast.
But in anticipation of a couple of weather-windows, a decision was made to go ahead and the sell-out event saw 10 teams match racing RS21 sportsboats and revelling in the conditions.
Day one saw four flights being run, with spinnakers making a brief appearance before the breeze rapidly built and forced a return to shore just as a 42 knot gust was recorded.
Poole YC’s Kate Macgregor and her team of Nicky Walsh, Bethan Carden, Saskia Tidey and Sophie Pearson, won all three of their races and then continued their winning ways on day two.
Breeze and sunshine kicked off the Sunday with more great match racing and busy pre-starts. The wind then started to build, with exciting conditions and smiley sailors loving the downwind blasts with spinnakers mostly up, occasionally away, and boat handling at a premium.
Despite a few big broaches, teams managed the conditions well for some tight racing throughout the fleet, resulting in a tie for second place and a tie for fifth overall as well.
With Macgregor’s team continuing undefeated – winning all of their matches for an emphatic victory – Ali Morrish sailing with Emily Robertson, Richard Moxey and Sarah Jarman took second overall, as in 2020, to add to her second place at this year’s Marlow Ropes Women’s Match Racing Championships.
George Haynes with Lily Reece, Josh Dawson and Huw Edwards took third place in a very tight battle with Ted Blowers’ team of Tom Hough, Bobby Hewitt, Anna Watkins, who in their deciding match had been in the lead but took a penalty early on downwind, enabling Haynes to get past for the win.
Macgregor - helming for this event rather than on bow as for her Olympic match racing and Women’s World Match Racing Champion title - said: “Driving was a little bit different but I had a really good crew with Sophie, Sas, Nicky and Bethan. They did a really good job so it took a lot of distractions away meaning I could focus more on the steering, so it was a little bit different but it was good fun, I enjoyed it.”
Kate has coached many of the sailors she was competing against and found it rewarding to see their progression in action, explaining: “The racing was actually a lot closer than I thought it was going to be, there were a few pre-starts where I did feel a bit nervous! But it was really cool to see how far everyone has come and that all their training that they’ve been doing has been worthwhile.”
Commenting on the secret to her own team’s success over the weekend, she added: “I think we just didn’t over complicate it. We made sure we got off the start cleanly and on time and when we didn’t we definitely paid for it. There was one race in particular where we were late and also had a penalty and luckily we managed to pull back but I think it was just keeping it simple, and in my team there’s a few other experienced match racers so it was useful having them on board as well.”
Another stand-out performance of the weekend came from Lymington’s Nik Froud and his team - Sam De La Feuillade, Connie Stock, Hannah Froud and Robby Boyd - who won an impressive four of their nine matches at Nik’s first ever match racing event and claimed fifth overall.
Nik, who sails a Moth and is also a team racer, said: “I wanted to come to match racing because a lot of my friends do it and they have a really good time, so I wanted to get involved. I absolutely loved it. I was a bit worried the forecast was for it to be really windy and I didn’t think there’d be much match racing going on - like in team racing if it’s 30 knots it’s just a fleet race - but we were match racing all the time and learning about the rules as well, and all the different boat-on-boat scenarios that I just haven’t encountered before, so for me, comparing the second-to-last race we did with the first, we learnt loads and I really enjoyed it.”
Asked whether he’d recommend match racing, Nik says he ‘100 per cent’ will be back for more and has this advice for anyone who thinks they might like to try match racing: “Just come and do it, if you can fleet race competitively, read up on the rules beforehand, watch a few videos, make sure you’re aware of the differences but just come and give it a go because it’s great fun!”
Next up is the RYA Summer Match Racing 4 Qualifier for the Ceilidh Cup in Sonars at Royal Northern & Clyde YC, Helensburgh, this weekend (9-10 October 2021). The series then concludes with the invitational National Match Racing Championship Grand Finals at Queen Mary SC in RS21s, 29-31 October 2021.
Published in Match Racing
Dun Laoghaire's Tidey Finishes Sixth for Team GB as Brazil Wins Gold in 49erFX Women
Martine Grael and Kahena Kunze (BRA) have won gold in the 49erFX Women with Tina Lutz and Susann Beucke (GER) taking silver and Annemiek Bekkering and Annette Duetz (NED) bronze.
The remaining Irish interest in the Tokyo sailing regatta focussed on one-time regatta leader Saskia Tidey of the Royal Irish Yacht Club who sailed with Charlotte Dobson into sixth overall after finishing seventh in the medal race.
Brazil was struggling for a lane out of the start but found a gap at the committee boat in the last 10 seconds and tacked out to the right on a lonely path while the other nine boats carried on towards the left.
First around the first mark was Argentina, Norway in second with Brazil in third and the Netherlands in fifth - advantage Brazil.
On the first downwind leg, the Netherlands were fighting with Germany and Spain for the silver and bronze but Annemiek Bekkering and Annette Duetz (NED) got stuck on the outside of a slow mark rounding at the leeward gate, held up the French team. The Dutch were now at the back, in 10th and out of the medals.
However, up the final windward leg, the Dutch pulled back two critical places, enough to get them ahead of Tamara Echegoyen and Paula Barcelo (ESP) for the bronze medal.
Victoria Travasco and Maria Sol (ARG) won the Medal Race by a long distance from Norway. But a third across the finish was sufficient for Brazil to win the gold medal. Grael and Kunze have successfully defended the Olympic title they won in Rio 2016.
Charlotte Dobson, 35, from Rhu, Scotland, said:
“That was some morning I think I’ve had. The end of our campaign and our medal hopes, but amazing to watch Dylan and Stu win their gold medal.
“They’ve been amazing supporters of ours the whole way through this cycle and this morning optimises to me the ying and yang of sport - with amazing results someone has to lose. That’s kind of what we know when you get into this world. You risk feeling terrible for the moment to be able to feel how Dylan and Stu feel right now.
“I’m sure this gold medal [Dylan Fletcher’s] is going to follow me around. It will be on our dining table I’m sure for the foreseeable future, but I’m just really, really, really proud of him and the team that has been around both Dylan and Stu, and Sas and I. The support we’ve got, the help we’ve had from the National Lottery to even be here, is just second to none.
“Sometimes this campaign when it got difficult, certainly with covid, you look around at the support around you, you think if you can’t do it with these guys around you, you probably don’t deserve to. And I mean the support we’ve had has been incredible.
“We had another light wind and choppy medal race. Just as the breeze was starting to pick up, we were on first. We didn’t have the best start and lane hold, and then we got a bit dictated to by that time, so really the race was kind of out of hands in that light wind stuff and it’s really important to be in control of your race.
“We kind of did come back into it right at the end, so that was really nice to do that last little bit with the kite up past the rest of our team. To be honest a large part of the damage was done in the last two days in the lighter winds.
“At this level you can’t expect to win medals with holes in your performance and unfortunately we kind of got found out this week in these lighter winds, which is frustrating because in the past we’ve dealt with that weakness. But yeah, really disappointing.
“We fought for every place we could around the medal race, the spirit was really good all the way up to the end so we have that to be proud of.
“It’s been amazing [to watch Dylan win gold]. Very, very stressful, I feel really bad for what we have done to our parents and friends and family over the last couple of weeks, but really, really proud. This morning he just seemed so on it and so ready. When I saw the split from the kiwis, I was really proud of him, like he was backing himself and he was really confident. And he and Stu are such an incredible team together, they bring the best out in each other. I can’t really be more happy for him to be honest.
“[The wedding is planned for] 26th August, so not too long to even out the tan lines! No [the preparations aren’t done] in the slightest, but time and pressure will make us organised. I’m sure we’ll just be decisive. The wedding is in Portland which is where we live.
“Quite often it does happen like that [a close finish], but not usually for gold and silver, that will probably be one of the moments of the sailing games I would have thought. It’s just amazing for that to be broadcast to our friends and family at home and all the people who have really put us here, buying lottery tickets, supporting sports, so thank you National Lottery we hope we gave you a good show this summer.”
Saskia Tidey, 28, from Sandycove on Dublin Bay, said:
“It was a week of two halves. We started off with some pretty glamour conditions here in Japan, a lot more what of what we were expecting, real skiff conditions and we started off on the right foot. And the second half of the week we lost wind which is pretty challenging in our boats. But you know we fought through it and we pushed hard and tried to fight for every inch and it hasn’t gone our way.
“But in saying all that, we’ve put together a campaign over five years and it’s been an honour to sail with Charlotte and to be part of this team. Now it’s about cheering on everyone else and being part of the rest of the experience.”
Lambs Week Regatta on Galway Bay
With a theme of accessibility, Lambs Week was devised to celebrate the unique sailing grounds of the West of Ireland.
It comprises five days of sailing around Galway Bay and the Aran Islands.
Big boats, small boats, fast boats and slow boats are all welcome.
The fleet, which totalled 46 for the first edition in 2021, takes in three beautiful harbours of Ros aMhil, Cil Ronain and Cloch naRon, each keen to offer a warm welcome to the competing sailors.
Organisers Galway Bay Sailing Club match similarly rated boats to see who can get the best out of the conditions for a 'Sail in Company'. 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Dracius Searches for Suzanne Césaire
March 16, 2010 February 24, 2018 / Jessica Marie Johnson
Suzanne Dracius, and R. H. Mitsch. “In Search of Suzanne Césaire’s Garden.” Research in African Literatures 41, no. 1 (2010): 155-165.
“Always feminine, sometimes feminist, and there was no clash, adhering to a double marronnage-as a Martinican who writes and as a woman who writes-I set out to practice the Césairean exhortation “Marronner, il faut marronner!” which Césaire had earlier written to René Depestre to encourage him not to let himself be caught up by the Aragonian constraints of a strict metric. Alongside the bard of Negritude, who, since my first novel, L’autre qui danse, honored me by his appreciation of my writing,3 I permitted myself an impertinence that was not devoid of a certain pertinence: à propos of that other Suzanne-Césaire’s beloved-I reproached the great poet for never having published what his wife had written, even if only at the publishing house Présence africaine where, rather, it existed-a play by Suzanne Césaire of which only the title remains: Youma, aurore de la liberté. The great man had no memory of it. I put the question to him frankly: What happened to the text of that play? Why wasn’t it published? In a very small voice, the great man told me that at the time, it was very difficult, for a woman, to be published. It did me no good to speak to him about de Beauvoir, who had come, at the very same time, into that France of the beginning of the twentieth century, with the help and support of Sartre, certainly, with greater difficulty and much later than Sartre, perhaps, but even so, with success. . . . From all evidence, what was good for Simone was not good for Suzanne….”
Research in African Literatures via Project Muse ($$)
R. H. Mitsch, Suzanne Dracius
article, caribbean, scholarship
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Video: Nigeria’s apex bank to engage anti-graft agencies for circulation of new notes – Godwin Emefiele
In this video, Nigeria’s Central Bank Governor, Godwin Emefiele, announced the extension of deadline for the use old 200, 500, and 1000 notes which it released new versions of in November.
He also announced plans of the bank to ensure the smooth circulation of the new notes as well as collaboration with anti-graft agencies to bring defaulters in the system of the circulation of the new notes to book.
https://africanewswatch.com/wp-content/uploads/2023/01/1674998680358.mp4
Related Topics:CBNNEW NOTESNigeria
Will vote-buying resurface as Nigeria’s cenbank makes statement on legal tenders?
The devastating effect of Tropical Storm Freddy, has continued to hit the Southern hemisphere as the storm has killed 200 people in Malawi.
This video report obtained from news agency, Reuters shows some members of the public searching for the deceased and burying relatives. Malawian President Lazarus McCarthy Chakwera, has declared 14 days of national mourning.
https://africanewswatch.com/wp-content/uploads/2023/03/FREDDY-STORM-2.mp4
In less than 48 hours, Nigerians will be at the polls again electing state governors (Executives) and state Assembly members (Legislative) at the sub-national level in the concluding part of the general elections.
In this video, an opposition party candidate in Lagos, Olakunle Uthman in a television interview denied ever withdrawing from the governorship race for the ruling party’s All Progressive Congress (APC), Babajide Sanwo-Olu.
The 2023 gubernatorial elections which will be held in 31 states out of Nigerian 36 states will now hold on Saturday, March 18, 2023. Osun state is one of the states with a staggered calendar like in Imo State, Kogi State, and Bayelsa State elections where the election will be held on 11 November.
https://africanewswatch.com/wp-content/uploads/2023/03/SDP-CANDIDATE.mp4
Reports from South Africa on Monday morning say security forces have arrested 87 persons across the country over public violence ahead... | 2023-14/0000/en_head.json.gz/3439 | {"url": "https://africanewswatch.com/2023/01/video-nigerias-apex-bank-to-engage-anti-graft-agencies-for-circulation-of-new-notes-godwin-emefiele/", "partition": "head_middle", "language": "en", "source_domain": "africanewswatch.com", "date_download": "2023-03-20T10:32:32Z", "digest": "sha1:7DA4JGZO3C5NETRWKUXTHXBQZPAUI26W"} | {"ccnet_length": [[0, 2083, 2083.0]], "ccnet_original_length": [[0, 2083, 9621.0]], "ccnet_nlines": [[0, 2083, 14.0]], "ccnet_original_nlines": [[0, 2083, 154.0]], "ccnet_language_score": [[0, 2083, 0.92]], "ccnet_perplexity": [[0, 2083, 246.0]], "ccnet_bucket": [[0, 2083, 0.0]], "rps_doc_curly_bracket": [[0, 2083, 0.0]], "rps_doc_ldnoobw_words": [[0, 2083, 0.0]], "rps_doc_lorem_ipsum": [[0, 2083, 0.0]], "rps_doc_stop_word_fraction": [[0, 2083, 0.28953771]], "rps_doc_ut1_blacklist": [[0, 2083, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2083, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2083, 0.02810304]], "rps_doc_frac_chars_dupe_6grams": [[0, 2083, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2083, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2083, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2083, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2083, 0.0204918]], "rps_doc_frac_chars_top_3gram": [[0, 2083, 0.01288056]], "rps_doc_frac_chars_top_4gram": [[0, 2083, 0.02224824]], "rps_doc_frac_all_caps_words": [[0, 2083, 0.01459854]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2083, 0.07142857]], "rps_doc_frac_no_alph_words": [[0, 2083, 0.23114355]], "rps_doc_frac_unique_words": [[0, 2083, 0.62416107]], "rps_doc_mean_word_length": [[0, 2083, 5.73154362]], "rps_doc_symbol_to_word_ratio": [[0, 2083, 0.00243309]], "rps_doc_unigram_entropy": [[0, 2083, 4.86037545]], "rps_doc_word_count": [[0, 2083, 298.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 104, 0.0], [104, 293, 1.0], [293, 508, 1.0], [508, 581, 0.0], [581, 616, 0.0], [616, 698, 1.0], [698, 838, 1.0], [838, 1063, 1.0], [1063, 1137, 0.0], [1137, 1351, 1.0], [1351, 1574, 1.0], [1574, 1873, 1.0], [1873, 1946, 0.0], [1946, 2083, 1.0]], "rps_lines_javascript_counts": [[0, 104, 0.0], [104, 293, 0.0], [293, 508, 0.0], [508, 581, 0.0], [581, 616, 0.0], [616, 698, 0.0], [698, 838, 0.0], [838, 1063, 0.0], [1063, 1137, 0.0], [1137, 1351, 0.0], [1351, 1574, 0.0], [1574, 1873, 0.0], [1873, 1946, 0.0], [1946, 2083, 0.0]], "rps_lines_num_words": [[0, 104, 16.0], [104, 293, 31.0], [293, 508, 38.0], [508, 581, 1.0], [581, 616, 3.0], [616, 698, 11.0], [698, 838, 23.0], [838, 1063, 33.0], [1063, 1137, 1.0], [1137, 1351, 33.0], [1351, 1574, 32.0], [1574, 1873, 54.0], [1873, 1946, 1.0], [1946, 2083, 21.0]], "rps_lines_numerical_chars_fraction": [[0, 104, 0.0], [104, 293, 0.05494505], [293, 508, 0.0], [508, 581, 0.32786885], [581, 616, 0.0], [616, 698, 0.0], [698, 838, 0.02189781], [838, 1063, 0.00909091], [1063, 1137, 0.13333333], [1137, 1351, 0.00970874], [1351, 1574, 0.0], [1574, 1873, 0.05479452], [1873, 1946, 0.11666667], [1946, 2083, 0.01492537]], "rps_lines_start_with_bulletpoint": [[0, 104, 0.0], [104, 293, 0.0], [293, 508, 0.0], [508, 581, 0.0], [581, 616, 0.0], [616, 698, 0.0], [698, 838, 0.0], [838, 1063, 0.0], [1063, 1137, 0.0], [1137, 1351, 0.0], [1351, 1574, 0.0], [1574, 1873, 0.0], [1873, 1946, 0.0], [1946, 2083, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 104, 0.03846154], [104, 293, 0.04232804], [293, 508, 0.00465116], [508, 581, 0.0], [581, 616, 0.4], [616, 698, 0.02439024], [698, 838, 0.04285714], [838, 1063, 0.03555556], [1063, 1137, 0.14864865], [1137, 1351, 0.02336449], [1351, 1574, 0.05829596], [1574, 1873, 0.04013378], [1873, 1946, 0.16438356], [1946, 2083, 0.02919708]], "rps_doc_ml_palm_score": [[0, 2083, 0.88268858]], "rps_doc_ml_wikipedia_score": [[0, 2083, null]], "rps_doc_ml_wikiref_score": [[0, 2083, 0.87872201]], "rps_doc_books_importance": [[0, 2083, -205.74635263]], "rps_doc_openwebtext_importance": [[0, 2083, -22.45236587]], "rps_doc_wikipedia_importance": [[0, 2083, -55.32407371]], "rps_doc_num_sentences": [[0, 2083, 17.0]]} |
Filters: First Letter Of Title is E and Author is A. Golombek [Clear All Filters]
Huang, J., A. Golombek, R. G. Prinn, R. F. Weiss, P. J. Fraser, P. G. Simmonds, E. J. Dlugokencky, B. Hall, J. W. Elkins, P. L. Steele et al. "Estimation of regional emissions of nitrous oxide from 1997 to 2005 using multinetwork measurements, a chemical transport model, and an inverse method." Journal of Geophysical Research: Atmospheres 113, no. D17 (2008): D17313. | 2023-14/0000/en_head.json.gz/3440 | {"url": "https://agage.mit.edu/biblio?f%5Btg%5D=E&f%5Bauthor%5D=1672&s=title&o=asc", "partition": "head_middle", "language": "en", "source_domain": "agage.mit.edu", "date_download": "2023-03-20T10:48:58Z", "digest": "sha1:NP4XWYGCHJX7EXNPIYATREL2HJBYZRP5"} | {"ccnet_length": [[0, 451, 451.0]], "ccnet_original_length": [[0, 451, 28588.0]], "ccnet_nlines": [[0, 451, 2.0]], "ccnet_original_nlines": [[0, 451, 95.0]], "ccnet_language_score": [[0, 451, 0.74]], "ccnet_perplexity": [[0, 451, 332.8]], "ccnet_bucket": [[0, 451, 0.0]], "rps_doc_curly_bracket": [[0, 451, 0.0]], "rps_doc_ldnoobw_words": [[0, 451, 0.0]], "rps_doc_lorem_ipsum": [[0, 451, 0.0]], "rps_doc_stop_word_fraction": [[0, 451, 0.11965812]], "rps_doc_ut1_blacklist": [[0, 451, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 451, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 451, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 451, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 451, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 451, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 451, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 451, 0.05421687]], "rps_doc_frac_chars_top_3gram": [[0, 451, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 451, 0.0]], "rps_doc_frac_all_caps_words": [[0, 451, 0.17948718]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 451, 0.0]], "rps_doc_frac_no_alph_words": [[0, 451, 0.38461538]], "rps_doc_frac_unique_words": [[0, 451, 0.77631579]], "rps_doc_mean_word_length": [[0, 451, 4.36842105]], "rps_doc_symbol_to_word_ratio": [[0, 451, 0.0]], "rps_doc_unigram_entropy": [[0, 451, 3.97039006]], "rps_doc_word_count": [[0, 451, 76.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 82, 0.0], [82, 451, 1.0]], "rps_lines_javascript_counts": [[0, 82, 0.0], [82, 451, 0.0]], "rps_lines_num_words": [[0, 82, 15.0], [82, 451, 61.0]], "rps_lines_numerical_chars_fraction": [[0, 82, 0.0], [82, 451, 0.0668693]], "rps_lines_start_with_bulletpoint": [[0, 82, 0.0], [82, 451, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 82, 0.14634146], [82, 451, 0.09214092]], "rps_doc_ml_palm_score": [[0, 451, -1.2e-07]], "rps_doc_ml_wikipedia_score": [[0, 451, null]], "rps_doc_ml_wikiref_score": [[0, 451, 3.195e-05]], "rps_doc_books_importance": [[0, 451, -32.96499274]], "rps_doc_openwebtext_importance": [[0, 451, -21.25017075]], "rps_doc_wikipedia_importance": [[0, 451, -2.10237087]], "rps_doc_num_sentences": [[0, 451, 22.0]]} |
Art History Digital Humanities Geography
Artists in Paris: Digital Mapping and the Cultural Geography of the 18th-Century Art World
Posted on June 25, 2018 by Age of Revolutions
By Hannah Williams
Paris is famous for its art world. You don’t need to be an art historian to have heard of Montmartre or Montparnasse and to know about the crucial role that the city and its local neighborhoods played in the cultural histories of the nineteenth and twentieth centuries. But what about eighteenth-century Paris? Where were the city’s artists living just a hundred years earlier? This seemingly straightforward question is much more difficult to answer–and not just for non-specialists. In fact, the answer was so buried that it inspired five years of research and digital development, which has recently culminated in the launch of Artists in Paris: Mapping the 18th-Century Art World, an open-access website funded by The Leverhulme Trust and supported by Queen Mary University of London.
I was first confronted with this question in 2013 while researching a book about eighteenth-century religious art made for parish churches in Paris. I was particularly interested in tracing connections between artists and their own local parish churches, but there was no comprehensive study of art world demographics that I could draw upon to find the answer. After undertaking the archival research to find sources recording artists’ addresses (using the unpublished registers of the Académie Royale de Peinture et Sculpture along with the Almanachs Royaux, and the Almanachs Nationaux), I quickly realized that the potential for this geospatial data went far beyond my initial objectives.[1] I began conducting preliminary experiments using Google Maps, plotting all the addresses for randomly selected years, which provided some answers to my initial question. The process also revealed the exciting possibilities that this material held for a broader digital mapping project. It seemed to me that a digital map of the art world could provide new ways of exploring artistic communities in this period, offering a more intimate understanding of how this earlier generation of artists was inhabiting the city.
Overall, the project had three objectives, carried out in three distinct stages: to find primary sources recording artists’ addresses across the century and to extract that data into a machine-readable form; to geo-locate each address and plot them all on geo-referenced historical maps of Paris; and to create a website that would make this data available online through an interactive platform. While the project involved a vast investment of time and creative effort – both by myself and the website’s developer, Chris Sparks (Queen Mary University of London) – the actual tools and software used to conduct the work and build the site were nearly all open-access and freely available (apart from Filemaker Pro, the software I used to build the relational database). For instance, to geo-reference the historical maps of Paris, I used MapWarper, an open source tool for geo-rectification and geo-referencing. To give each address a set of machine-readable coordinates, I used GeoJSON in order to find the longitude and latitude of each manually plotted address. Likewise, in the building of the site, Chris used OpenLayers, an open-source JavaScript library for interactive mapping, along with Bootstrap to create the site’s responsive front-end design. Many of the methods that I used in the preparatory cartographic work were adapted from an invaluable digital mapping tutorial for historians – “From Paper Maps to the Web: A DIY Digital Maps Primer” – designed by Mauricio Giraldo Arteaga for New York Public Library Labs.
Fig. 1. Screenshot of a Year Mode search for 1789, showing all the artists’ addresses in Paris. Image source: Hannah Williams & Chris Sparks, Artists in Paris: Mapping the 18th-Century Art World, www.artistsinparis.org (accessed 17 May 2018).
Fig. 2. Screenshot of an Artist Mode search for Hubert Robert, showing all the addresses in Paris at which he lived throughout his career. Image source: Hannah Williams & Chris Sparks, Artists in Paris: Mapping the 18th-Century Art World, www.artistsinparis.org (accessed 17 May 2018).
Fig. 3. Screenshot of a Year Mode search for 1789, zoomed out to show all the artists’ addresses across Europe. Image source: Hannah Williams & Chris Sparks, Artists in Paris: Mapping the 18th-Century Art World, www.artistsinparis.org (accessed 17 May 2018).
The resulting website – www.artistsinparis.org – invites users to explore the art world of eighteenth-century Paris through two different search modes: year and artist. In a year mode search (e.g. for 1789 in Fig. 1), the map displays all the addresses of artists living in Paris that year, providing a demographic snapshot of the art world at that moment. There is also a date slider allowing easy comparisons year by year to trace the unfolding shifts in Paris’s cultural geography across the period covered (1675 to 1793). In an artist mode search (e.g. for Hubert Robert in Fig. 2), the map displays the addresses of the selected artist, showing all the places he or she lived during his or her career. This allows users to trace more personal narratives about the social and economic lives of particular individuals. Along with the local artistic histories of Paris, the site also grants access to larger trans-regional and transnational histories by including artists who were living elsewhere in France or abroad (e.g. in Fig. 3). Another notable feature is found under “Your Data,” where users can upload their own data to display new markers on the map. This vastly expands the potential field of demographic and geographic analysis and is especially exciting because it changes the user’s interaction with the site, transforming it from a space for information retrieval, to a platform for further experimentation.
This project began as an effort to answer a very straightforward question: where did the artists of eighteenth-century Paris live? This is a question we can now answer in fascinating detail, whether in terms of larger demographic trends (e.g. the gradual formation of a dense artistic neighborhood in and around the Louvre), or more microhistorical investigations of particular artists. What has been even more exciting, however, is the realization that the site’s potential doesn’t just lie in its ability to answer questions, but in its ability to pose new ones, whether about the everyday lives of individuals, or the much larger narratives of the art world or the history of the city. The interactive maps of Artists in Paris play at the intersection of art history and urban history and invite visitors into deeper explorations of artists, cities, and urban experience.
Hannah Williams is Leverhulme Early Career Fellow at Queen Mary University of London. An art historian of early modern France, her research focuses on artistic communities, material culture, religious art, and spaces of the art world. She is the author of Académie Royale: A History in Portraits (Routledge, 2015) and the website Artists in Paris: Mapping the 18th-Century Art World (with Chris Sparks). She has published articles in Urban History, French History, Art History, and Oxford Art Journal, and is currently writing her second book, Art & Religion: Making the Parish Churches of 18th-Century Paris. She is a founding co-editor of Journal18.
Hannah Williams, “Artists’ Studios in Paris: Digitally Mapping the 18th-Century Art World”, Journal18, #5 Coordinates (Spring 2018)
Hannah Williams, “Artists and the City: Mapping the Art Worlds of 18th-Century Paris”, Urban History (online version 2018; print version forthcoming)
[1] For more detail on the primary sources used and the historical scope of the project, see the FAQs page at http://www.artistsinparis.org.
Art HistoryCultural GeographyFrench HistoryParisLeave a comment
The Discourse of Sacrifice in Cuba’s Wars of Independence, 1868-1898
Disasters, Citizenship, and the Janus-Faced Nature of the French Revolution | 2023-14/0000/en_head.json.gz/3441 | {"url": "https://ageofrevolutions.com/2018/06/25/artists-in-paris-digital-mapping-and-the-cultural-geography-of-the-18th-century-art-world/", "partition": "head_middle", "language": "en", "source_domain": "ageofrevolutions.com", "date_download": "2023-03-20T09:42:50Z", "digest": "sha1:IOWXAACATM26NFL7BJC6L2UZY5H4OT3S"} | {"ccnet_length": [[0, 8098, 8098.0]], "ccnet_original_length": [[0, 8098, 17371.0]], "ccnet_nlines": [[0, 8098, 19.0]], "ccnet_original_nlines": [[0, 8098, 141.0]], "ccnet_language_score": [[0, 8098, 0.92]], "ccnet_perplexity": [[0, 8098, 211.8]], "ccnet_bucket": [[0, 8098, 0.0]], "rps_doc_curly_bracket": [[0, 8098, 0.0]], "rps_doc_ldnoobw_words": [[0, 8098, 0.0]], "rps_doc_lorem_ipsum": [[0, 8098, 0.0]], "rps_doc_stop_word_fraction": [[0, 8098, 0.33828276]], "rps_doc_ut1_blacklist": [[0, 8098, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 8098, 0.05356332]], "rps_doc_frac_chars_dupe_5grams": [[0, 8098, 0.0891209]], "rps_doc_frac_chars_dupe_6grams": [[0, 8098, 0.07686488]], "rps_doc_frac_chars_dupe_7grams": [[0, 8098, 0.07686488]], "rps_doc_frac_chars_dupe_8grams": [[0, 8098, 0.07686488]], "rps_doc_frac_chars_dupe_9grams": [[0, 8098, 0.05356332]], "rps_doc_frac_chars_top_2gram": [[0, 8098, 0.00983507]], "rps_doc_frac_chars_top_3gram": [[0, 8098, 0.01482826]], "rps_doc_frac_chars_top_4gram": [[0, 8098, 0.01997276]], "rps_doc_frac_all_caps_words": [[0, 8098, 0.00774693]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 8098, 0.0]], "rps_doc_frac_no_alph_words": [[0, 8098, 0.17236927]], "rps_doc_frac_unique_words": [[0, 8098, 0.39651071]], "rps_doc_mean_word_length": [[0, 8098, 5.24107851]], "rps_doc_symbol_to_word_ratio": [[0, 8098, 0.00064558]], "rps_doc_unigram_entropy": [[0, 8098, 5.45119218]], "rps_doc_word_count": [[0, 8098, 1261.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 41, 0.0], [41, 132, 0.0], [132, 178, 0.0], [178, 197, 0.0], [197, 986, 1.0], [986, 2198, 1.0], [2198, 3727, 1.0], [3727, 3970, 1.0], [3970, 4256, 1.0], [4256, 4515, 1.0], [4515, 5940, 1.0], [5940, 6815, 1.0], [6815, 7467, 1.0], [7467, 7599, 0.0], [7599, 7749, 0.0], [7749, 7890, 1.0], [7890, 7954, 0.0], [7954, 8023, 0.0], [8023, 8098, 0.0]], "rps_lines_javascript_counts": [[0, 41, 0.0], [41, 132, 0.0], [132, 178, 0.0], [178, 197, 0.0], [197, 986, 0.0], [986, 2198, 0.0], [2198, 3727, 1.0], [3727, 3970, 0.0], [3970, 4256, 0.0], [4256, 4515, 0.0], [4515, 5940, 0.0], [5940, 6815, 0.0], [6815, 7467, 0.0], [7467, 7599, 0.0], [7599, 7749, 0.0], [7749, 7890, 0.0], [7890, 7954, 0.0], [7954, 8023, 0.0], [8023, 8098, 0.0]], "rps_lines_num_words": [[0, 41, 5.0], [41, 132, 14.0], [132, 178, 9.0], [178, 197, 3.0], [197, 986, 126.0], [986, 2198, 185.0], [2198, 3727, 241.0], [3727, 3970, 36.0], [3970, 4256, 43.0], [4256, 4515, 39.0], [4515, 5940, 232.0], [5940, 6815, 141.0], [6815, 7467, 101.0], [7467, 7599, 17.0], [7599, 7749, 21.0], [7749, 7890, 22.0], [7890, 7954, 6.0], [7954, 8023, 10.0], [8023, 8098, 10.0]], "rps_lines_numerical_chars_fraction": [[0, 41, 0.0], [41, 132, 0.02272727], [132, 178, 0.13636364], [178, 197, 0.0], [197, 986, 0.00258398], [986, 2198, 0.0041841], [2198, 3727, 0.0], [3727, 3970, 0.05752212], [3970, 4256, 0.03345725], [4256, 4515, 0.05371901], [4515, 5940, 0.01082251], [5940, 6815, 0.0], [6815, 7467, 0.016], [7467, 7599, 0.07317073], [7599, 7749, 0.04225352], [7749, 7890, 0.00763359], [7890, 7954, 0.0], [7954, 8023, 0.12121212], [8023, 8098, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 41, 0.0], [41, 132, 0.0], [132, 178, 0.0], [178, 197, 0.0], [197, 986, 0.0], [986, 2198, 0.0], [2198, 3727, 0.0], [3727, 3970, 0.0], [3970, 4256, 0.0], [4256, 4515, 0.0], [4515, 5940, 0.0], [5940, 6815, 0.0], [6815, 7467, 0.0], [7467, 7599, 0.0], [7599, 7749, 0.0], [7749, 7890, 0.0], [7890, 7954, 0.0], [7954, 8023, 0.0], [8023, 8098, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 41, 0.12195122], [41, 132, 0.0989011], [132, 178, 0.08695652], [178, 197, 0.15789474], [197, 986, 0.0278834], [986, 2198, 0.01567657], [2198, 3727, 0.03400916], [3727, 3970, 0.06995885], [3970, 4256, 0.06643357], [4256, 4515, 0.06563707], [4515, 5940, 0.01403509], [5940, 6815, 0.00914286], [6815, 7467, 0.07055215], [7467, 7599, 0.09848485], [7599, 7749, 0.07333333], [7749, 7890, 0.02836879], [7890, 7954, 0.125], [7954, 8023, 0.08695652], [8023, 8098, 0.09333333]], "rps_doc_ml_palm_score": [[0, 8098, 0.30185455]], "rps_doc_ml_wikipedia_score": [[0, 8098, null]], "rps_doc_ml_wikiref_score": [[0, 8098, 0.71899366]], "rps_doc_books_importance": [[0, 8098, -408.59958316]], "rps_doc_openwebtext_importance": [[0, 8098, -0.29867888]], "rps_doc_wikipedia_importance": [[0, 8098, -11.79286736]], "rps_doc_num_sentences": [[0, 8098, 70.0]]} |
About Ben Matzry
Ben Matzry (b. 1998), is a Jewish-Israeli classical concert pianist.
Ben began his studies at the Petah Tikva
Conservatory at the age of ten, later at the Thelma Yellin High School of
Arts, currently studying at the Academy of Music and Dance in Jerusalem under world-renowned pianist, Professor Oxana Yablonskaya, and serving in the IDF with a special rank of an outstanding musician.
Ben Matzry is a winner of several competitions:
Rotary International foundation (2013),
Ronen Foundation (2015),
Ministry of Education and Culture Awards for the years 2010-2016,
America-Israel Cultural Foundation (2014).
First prize winner of the 7th national “Piano Forever” competition (2015).
First Prize winner of the Duxbury music festival competition (Massachusetts 2018)
Ben Matzry
Grant Recipient | 2023-14/0000/en_head.json.gz/3442 | {"url": "https://aicf.org/artist/ben-matzry/", "partition": "head_middle", "language": "en", "source_domain": "aicf.org", "date_download": "2023-03-20T09:29:19Z", "digest": "sha1:TJLQCMLWENARUUX3BTKS3KX6LFZMOT4R"} | {"ccnet_length": [[0, 808, 808.0]], "ccnet_original_length": [[0, 808, 3703.0]], "ccnet_nlines": [[0, 808, 14.0]], "ccnet_original_nlines": [[0, 808, 140.0]], "ccnet_language_score": [[0, 808, 0.92]], "ccnet_perplexity": [[0, 808, 221.7]], "ccnet_bucket": [[0, 808, 0.0]], "rps_doc_curly_bracket": [[0, 808, 0.0]], "rps_doc_ldnoobw_words": [[0, 808, 0.0]], "rps_doc_lorem_ipsum": [[0, 808, 0.0]], "rps_doc_stop_word_fraction": [[0, 808, 0.25657895]], "rps_doc_ut1_blacklist": [[0, 808, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 808, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 808, 0.06382979]], "rps_doc_frac_chars_dupe_6grams": [[0, 808, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 808, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 808, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 808, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 808, 0.05471125]], "rps_doc_frac_chars_top_3gram": [[0, 808, 0.04863222]], "rps_doc_frac_chars_top_4gram": [[0, 808, 0.05471125]], "rps_doc_frac_all_caps_words": [[0, 808, 0.00657895]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 808, 0.0]], "rps_doc_frac_no_alph_words": [[0, 808, 0.23026316]], "rps_doc_frac_unique_words": [[0, 808, 0.66942149]], "rps_doc_mean_word_length": [[0, 808, 5.43801653]], "rps_doc_symbol_to_word_ratio": [[0, 808, 0.0]], "rps_doc_unigram_entropy": [[0, 808, 4.16205243]], "rps_doc_word_count": [[0, 808, 121.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 17, 0.0], [17, 86, 1.0], [86, 127, 0.0], [127, 201, 0.0], [201, 403, 1.0], [403, 451, 0.0], [451, 491, 0.0], [491, 516, 0.0], [516, 582, 0.0], [582, 625, 1.0], [625, 700, 1.0], [700, 782, 0.0], [782, 793, 0.0], [793, 808, 0.0]], "rps_lines_javascript_counts": [[0, 17, 0.0], [17, 86, 0.0], [86, 127, 0.0], [127, 201, 0.0], [201, 403, 0.0], [403, 451, 0.0], [451, 491, 0.0], [491, 516, 0.0], [516, 582, 0.0], [582, 625, 0.0], [625, 700, 0.0], [700, 782, 0.0], [782, 793, 0.0], [793, 808, 0.0]], "rps_lines_num_words": [[0, 17, 3.0], [17, 86, 10.0], [86, 127, 8.0], [127, 201, 14.0], [201, 403, 31.0], [403, 451, 8.0], [451, 491, 4.0], [491, 516, 3.0], [516, 582, 10.0], [582, 625, 4.0], [625, 700, 11.0], [700, 782, 11.0], [782, 793, 2.0], [793, 808, 2.0]], "rps_lines_numerical_chars_fraction": [[0, 17, 0.0], [17, 86, 0.06451613], [86, 127, 0.0], [127, 201, 0.0], [201, 403, 0.0], [403, 451, 0.0], [451, 491, 0.11111111], [491, 516, 0.19047619], [516, 582, 0.12698413], [582, 625, 0.10526316], [625, 700, 0.07042254], [700, 782, 0.05063291], [782, 793, 0.0], [793, 808, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 17, 0.0], [17, 86, 0.0], [86, 127, 0.0], [127, 201, 0.0], [201, 403, 0.0], [403, 451, 0.0], [451, 491, 0.0], [491, 516, 0.0], [516, 582, 0.0], [582, 625, 0.0], [625, 700, 0.0], [700, 782, 0.0], [782, 793, 0.0], [793, 808, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 17, 0.17647059], [17, 86, 0.05797101], [86, 127, 0.07317073], [127, 201, 0.06756757], [201, 403, 0.05445545], [403, 451, 0.04166667], [451, 491, 0.05], [491, 516, 0.08], [516, 582, 0.06060606], [582, 625, 0.09302326], [625, 700, 0.04], [700, 782, 0.04878049], [782, 793, 0.18181818], [793, 808, 0.13333333]], "rps_doc_ml_palm_score": [[0, 808, 0.65499687]], "rps_doc_ml_wikipedia_score": [[0, 808, null]], "rps_doc_ml_wikiref_score": [[0, 808, 0.48611486]], "rps_doc_books_importance": [[0, 808, -65.0095409]], "rps_doc_openwebtext_importance": [[0, 808, -11.77683659]], "rps_doc_wikipedia_importance": [[0, 808, 27.43744727]], "rps_doc_num_sentences": [[0, 808, 6.0]]} |
Monthly Archives: May, 2017
What Does an Air Ambulance Transport Supervisor Do?
Interested in becoming a supervisor for an air ambulance company? You might have spent several years in the air ambulance industry as part of...
How to Relieve and Prevent Neck Pain for Medical Flight Crew Members
In an earlier post, we talked about how air ambulance workers can achieve better physical and mental health through yoga. Now we’re going to... | 2023-14/0000/en_head.json.gz/3443 | {"url": "https://airambulanceguides.com/2017/05/", "partition": "head_middle", "language": "en", "source_domain": "airambulanceguides.com", "date_download": "2023-03-20T08:54:20Z", "digest": "sha1:SOYHXYI5DGXJYAJARP72R7IUH2KLVGMZ"} | {"ccnet_length": [[0, 437, 437.0]], "ccnet_original_length": [[0, 437, 2804.0]], "ccnet_nlines": [[0, 437, 5.0]], "ccnet_original_nlines": [[0, 437, 86.0]], "ccnet_language_score": [[0, 437, 0.91]], "ccnet_perplexity": [[0, 437, 332.3]], "ccnet_bucket": [[0, 437, 0.0]], "rps_doc_curly_bracket": [[0, 437, 0.0]], "rps_doc_ldnoobw_words": [[0, 437, 0.0]], "rps_doc_lorem_ipsum": [[0, 437, 0.0]], "rps_doc_stop_word_fraction": [[0, 437, 0.34146341]], "rps_doc_ut1_blacklist": [[0, 437, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 437, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 437, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 437, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 437, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 437, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 437, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 437, 0.13559322]], "rps_doc_frac_chars_top_3gram": [[0, 437, 0.07909605]], "rps_doc_frac_chars_top_4gram": [[0, 437, 0.0]], "rps_doc_frac_all_caps_words": [[0, 437, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 437, 0.4]], "rps_doc_frac_no_alph_words": [[0, 437, 0.12195122]], "rps_doc_frac_unique_words": [[0, 437, 0.79166667]], "rps_doc_mean_word_length": [[0, 437, 4.91666667]], "rps_doc_symbol_to_word_ratio": [[0, 437, 0.02439024]], "rps_doc_unigram_entropy": [[0, 437, 3.93481195]], "rps_doc_word_count": [[0, 437, 72.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 28, 0.0], [28, 80, 1.0], [80, 225, 1.0], [225, 294, 0.0], [294, 437, 1.0]], "rps_lines_javascript_counts": [[0, 28, 0.0], [28, 80, 0.0], [80, 225, 0.0], [225, 294, 0.0], [294, 437, 0.0]], "rps_lines_num_words": [[0, 28, 4.0], [28, 80, 8.0], [80, 225, 24.0], [225, 294, 12.0], [294, 437, 24.0]], "rps_lines_numerical_chars_fraction": [[0, 28, 0.16], [28, 80, 0.0], [80, 225, 0.0], [225, 294, 0.0], [294, 437, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 28, 0.0], [28, 80, 0.0], [80, 225, 0.0], [225, 294, 0.0], [294, 437, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 28, 0.10714286], [28, 80, 0.13461538], [80, 225, 0.0137931], [225, 294, 0.13043478], [294, 437, 0.01398601]], "rps_doc_ml_palm_score": [[0, 437, 0.00303268]], "rps_doc_ml_wikipedia_score": [[0, 437, null]], "rps_doc_ml_wikiref_score": [[0, 437, 0.00012982]], "rps_doc_books_importance": [[0, 437, -32.38269388]], "rps_doc_openwebtext_importance": [[0, 437, -4.34591171]], "rps_doc_wikipedia_importance": [[0, 437, -34.38406797]], "rps_doc_num_sentences": [[0, 437, 5.0]]} |
We provide best services in the world. | 2023-14/0000/en_head.json.gz/3444 | {"url": "https://akduzat.ru/about/", "partition": "head_middle", "language": "en", "source_domain": "akduzat.ru", "date_download": "2023-03-20T10:46:13Z", "digest": "sha1:7PYUSJZ5CCJSM5AOITLZOK5542IDE35H"} | {"ccnet_length": [[0, 38, 38.0]], "ccnet_original_length": [[0, 38, 1867.0]], "ccnet_nlines": [[0, 38, 1.0]], "ccnet_original_nlines": [[0, 38, 50.0]], "ccnet_language_score": [[0, 38, 0.97]], "ccnet_perplexity": [[0, 38, 83.9]], "ccnet_bucket": [[0, 38, 0.0]], "rps_doc_curly_bracket": [[0, 38, 0.0]], "rps_doc_ldnoobw_words": [[0, 38, 0.0]], "rps_doc_lorem_ipsum": [[0, 38, 0.0]], "rps_doc_stop_word_fraction": [[0, 38, 0.375]], "rps_doc_ut1_blacklist": [[0, 38, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 38, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 38, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 38, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 38, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 38, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 38, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 38, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 38, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 38, 0.0]], "rps_doc_frac_all_caps_words": [[0, 38, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 38, 0.0]], "rps_doc_frac_no_alph_words": [[0, 38, 0.125]], "rps_doc_frac_unique_words": [[0, 38, 1.0]], "rps_doc_mean_word_length": [[0, 38, 4.42857143]], "rps_doc_symbol_to_word_ratio": [[0, 38, 0.0]], "rps_doc_unigram_entropy": [[0, 38, 1.94591015]], "rps_doc_word_count": [[0, 38, 7.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 38, 1.0]], "rps_lines_javascript_counts": [[0, 38, 0.0]], "rps_lines_num_words": [[0, 38, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 38, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 38, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 38, 0.02631579]], "rps_doc_ml_palm_score": [[0, 38, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 38, null]], "rps_doc_ml_wikiref_score": [[0, 38, -1.001e-05]], "rps_doc_books_importance": [[0, 38, -2.74250324]], "rps_doc_openwebtext_importance": [[0, 38, 0.59565134]], "rps_doc_wikipedia_importance": [[0, 38, -0.78884037]], "rps_doc_num_sentences": [[0, 38, 1.0]]} |
Tag Archives: Scottish Art Collection
Decisions, Decisions – Electric Brae
As we go into the New Year, 2021, I have been making decisions repeatedly about how I should proceed with the tapestry currently on my loom. The design development is based on a painting by Gordon Perfect's painting "Electric Brae", held in the Scottish Art Collection at Gracefield Arts Centre in Dumfires and Galloway.
My tapestry will be part of an exhibition there by the Solway branch of the British Tapestry Group later in 2021. They invited me to take part as I come from that neck of the woods. The criteria for the work was to respond to a selected work in the art collection but not to make a copy of it.
I selected this painting because not only do I like its colours and the textures created by Perfect's handling of the brush, but also because I have a strong memory of experiencing the illusion of the phenomenon known as the Electric Brae near Ayr on Scotland's west coast. The challenge for me was to find a way of representing the original work as a tapestry whilst also referencing my own experience of the subject - hence the in depth decision making.
I am not showing my design at this stage (other than the detail above) but can say that the tapestry will have an interactive audio element to it and one of the materials I am using is conductive thread. I am being helped with this aspect of the work by the funding I received as an Artists Bursary from a-n the Artists Information Company. The rest of my time spent on the work is also funded by a Stabilisation Fund grant from the Arts Council of Wales National Lottery Good Causes.
On another note, I am pleased to say the the Fabric of the North exhibition (see previous blog post) was extended through to the end of March 2021. This is due to the fact that all galleries have been closed for most of the originally scheduled exhibition dates. Hopefully they will be able to open again before the end of March.
Supported by an Artists Bursary from a-n The Artists Information Company and a Stabilisation Fund grant from the Arts Council of Wales National Lottery Good Causes. | 2023-14/0000/en_head.json.gz/3445 | {"url": "https://alastair-duncan.com/tag/scottish-art-collection", "partition": "head_middle", "language": "en", "source_domain": "alastair-duncan.com", "date_download": "2023-03-20T09:30:43Z", "digest": "sha1:QLXULSMRIOQNXRVWUCQDTPC623K2TSZD"} | {"ccnet_length": [[0, 2125, 2125.0]], "ccnet_original_length": [[0, 2125, 3301.0]], "ccnet_nlines": [[0, 2125, 8.0]], "ccnet_original_nlines": [[0, 2125, 76.0]], "ccnet_language_score": [[0, 2125, 0.97]], "ccnet_perplexity": [[0, 2125, 264.0]], "ccnet_bucket": [[0, 2125, 0.0]], "rps_doc_curly_bracket": [[0, 2125, 0.0]], "rps_doc_ldnoobw_words": [[0, 2125, 0.0]], "rps_doc_lorem_ipsum": [[0, 2125, 0.0]], "rps_doc_stop_word_fraction": [[0, 2125, 0.47494033]], "rps_doc_ut1_blacklist": [[0, 2125, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2125, 0.08538012]], "rps_doc_frac_chars_dupe_5grams": [[0, 2125, 0.14385965]], "rps_doc_frac_chars_dupe_6grams": [[0, 2125, 0.14385965]], "rps_doc_frac_chars_dupe_7grams": [[0, 2125, 0.14385965]], "rps_doc_frac_chars_dupe_8grams": [[0, 2125, 0.14385965]], "rps_doc_frac_chars_dupe_9grams": [[0, 2125, 0.14385965]], "rps_doc_frac_chars_top_2gram": [[0, 2125, 0.02631579]], "rps_doc_frac_chars_top_3gram": [[0, 2125, 0.0245614]], "rps_doc_frac_chars_top_4gram": [[0, 2125, 0.02339181]], "rps_doc_frac_all_caps_words": [[0, 2125, 0.02625298]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2125, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2125, 0.08591885]], "rps_doc_frac_unique_words": [[0, 2125, 0.48691099]], "rps_doc_mean_word_length": [[0, 2125, 4.47643979]], "rps_doc_symbol_to_word_ratio": [[0, 2125, 0.0]], "rps_doc_unigram_entropy": [[0, 2125, 4.75246952]], "rps_doc_word_count": [[0, 2125, 382.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 38, 0.0], [38, 75, 0.0], [75, 396, 1.0], [396, 690, 1.0], [690, 1146, 1.0], [1146, 1631, 1.0], [1631, 1961, 1.0], [1961, 2125, 1.0]], "rps_lines_javascript_counts": [[0, 38, 0.0], [38, 75, 0.0], [75, 396, 0.0], [396, 690, 0.0], [690, 1146, 0.0], [1146, 1631, 0.0], [1631, 1961, 0.0], [1961, 2125, 0.0]], "rps_lines_num_words": [[0, 38, 5.0], [38, 75, 5.0], [75, 396, 54.0], [396, 690, 60.0], [690, 1146, 80.0], [1146, 1631, 91.0], [1631, 1961, 61.0], [1961, 2125, 26.0]], "rps_lines_numerical_chars_fraction": [[0, 38, 0.0], [38, 75, 0.0], [75, 396, 0.01282051], [396, 690, 0.0137931], [690, 1146, 0.0], [1146, 1631, 0.0], [1631, 1961, 0.0123839], [1961, 2125, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 38, 0.0], [38, 75, 0.0], [75, 396, 0.0], [396, 690, 0.0], [690, 1146, 0.0], [1146, 1631, 0.0], [1631, 1961, 0.0], [1961, 2125, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 38, 0.13157895], [38, 75, 0.10810811], [75, 396, 0.05607477], [396, 690, 0.02721088], [690, 1146, 0.01973684], [1146, 1631, 0.03917526], [1631, 1961, 0.02424242], [1961, 2125, 0.09756098]], "rps_doc_ml_palm_score": [[0, 2125, 0.10886145]], "rps_doc_ml_wikipedia_score": [[0, 2125, null]], "rps_doc_ml_wikiref_score": [[0, 2125, 0.08157802]], "rps_doc_books_importance": [[0, 2125, -12.09743767]], "rps_doc_openwebtext_importance": [[0, 2125, 16.29743601]], "rps_doc_wikipedia_importance": [[0, 2125, -27.77064763]], "rps_doc_num_sentences": [[0, 2125, 14.0]]} |
HomeCelebsJohn Fogerty Net Worth
John Fogerty Net Worth
John Fogerty is a rock and roll legend, widely celebrated for his work with Creedence Clearwater Revival. As a singer-songwriter, guitarist and producer, he has been inducted into the Rock and Roll Hall of Fame, won multiple Grammy Awards and achieved commercial success with hits such as “Proud Mary” and “Fortunate Son”. But how much is John Fogerty worth?
Who is John Fogerty?
John Fogerty is an American musician, singer-songwriter, and guitarist best known as the lead singer and lead guitarist of the rock band Creedence Clearwater Revival. Born in Berkeley, California in 1945, John started playing music at a young age, learning to play guitar and piano from his older brother Tom. After forming the band Creedence Clearwater Revival with his brother and two other friends in 1967, John wrote and produced a string of successful singles such as “Proud Mary”, “Fortunate Son”, and “Bad Moon Rising” that have earned him multiple Grammy Awards.
John Fogerty’s net worth is estimated to be around $80 million. He made most of his fortune as the frontman of Creedence Clearwater Revival, but has also earned money from his successful solo career. In addition to music sales, John has earned money from royalty payments, touring and live performances, endorsements and investments. John Fogerty’s wealth increased significantly after he signed a lucrative record deal with Fantasy Records in 2015.
John Fogerty was born on May 28th, 1945 in Berkeley, California. He was the youngest of five children and began playing guitar at the age of 10 after receiving one as a gift from his older brother Tom. As a teenager, John performed with several Bay Area bands before forming Creedence Clearwater Revival with his brother and two friends in 1967. After achieving commercial success with their debut album, Creedence Clearwater Revival released five more albums before disbanding in 1972.
John Fogerty’s career began when he formed the band Creedence Clearwater Revival in 1967. The band released seven albums full of hit singles such as “Proud Mary”, “Fortunate Son”, and “Bad Moon Rising” before breaking up in 1972. After leaving Creedence Clearwater Revival, John embarked on a successful solo career, releasing albums such as Centerfield, Blue Moon Swamp and The Blue Ridge Rangers Rides Again. He has also written songs for other artists such as Tina Turner and Bob Seger, and won multiple Grammy Awards for his work.
John Fogerty has been married twice and has four children. He was first married to his high school sweetheart, Martha Paiz, in 1966. The couple had two sons together before divorcing in 1984. In 1985, John married Julie Kramer and the couple had two daughters together before divorcing in 1996. John is currently single and lives in Los Angeles, California.
John Fogerty Age
John Fogerty is 75 years old and was born on May 28th, 1945 in Berkeley, California. He has been making music for over 50 years and continues to be a major influence on the world of rock and roll. Over the course of his career he has released multiple albums as a solo artist, with Creedence Clearwater Revival, and written songs for other artists such as Tina Turner and Bob Seger.
John Fogerty Height
John Fogerty is 5 feet 8 inches tall. He has a slender build and a strong stage presence that has made him one of the most iconic rock and roll performers of all time. His height, along with his powerful singing voice, have helped make him an instantly recognizable figure in the world of music.
Who owns the rights to CCR?
John Fogerty owns the rights to Creedence Clearwater Revival. After a long legal battle, John was able to reclaim the rights to his music from Fantasy Records in 2016. Since then, he has been able to release and promote his music without restriction. He also receives royalties from other artists who have covered his songs. In addition to songwriting royalties, John has earned money from touring and live performances as well.
What is John Fogerty doing now?
John Fogerty is currently working on a new album and is also preparing for a tour that will begin in 2021. He has also been busy writing songs for other artists, including the Grammy-winning “When Will I Be Loved” for Linda Ronstadt. In addition to his musical endeavors, John has recently become an investor in various tech startups and has been involved in several philanthropic ventures.
Why did John Fogerty lose rights to his music?
John Fogerty lost the rights to his music due to a dispute with Fantasy Records. After Creedence Clearwater Revival disbanded in 1972, Fogerty was contractually obligated to remain with the label, but he left and was sued for breach of contract. The legal battle lasted several years until John was able to reclaim the rights to his songs in 2016. Since then, he has been able to promote and release his music without restriction.
John Fogerty is one of the most successful rock musicians of all time. His net worth is estimated to be around $80 million, mainly due to his success with Creedence Clearwater Revival and his solo career. 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HomeHome & GardenVinyl Chloride: What You Need to Know
Vinyl Chloride: What You Need to Know
Home & GardenLifestyle
As more and more products are made with plastic materials, it is becoming increasingly important to understand the risks associated with these materials.
Vinyl chloride is a common component of many plastic products, but its presence can pose potential health hazards if it is not properly managed during manufacturing.
We will explore what vinyl chloride is, where it is found in our everyday lives, and the steps you should take to reduce your exposure. We’ll also look at how companies manage their vinyl chloride use, so they don’t expose themselves or their customers to unnecessary risk.
By understanding what vinyl chloride is and its risks, you can make informed decisions about the products you use in your home and workplace.
What is vinyl chloride?
Vinyl chloride is a chemical compound used to make PVC (polyvinyl chloride), a type of plastic. Vinyl chloride is created by combining ethylene and chlorine, both gases. The resulting product is then processed to form different types of vinyl chloride compounds with varying levels of flexibility and durability.
Where is it found in our everyday lives?
Vinyl chloride is commonly found in siding for homes, packaging materials, food containers, and other products. It also produces medical equipment, automotive parts, and furniture. Vinyl chloride is especially common in building materials because it is lightweight and durable, making it a great choice for many applications.
How are companies managing their vinyl chloride use?
Many companies have taken steps to reduce their vinyl chloride use and ensure that any products containing the material are properly labeled. Companies are also investing in technologies that can detect and remove trace amounts of vinyl chloride from products before they enter the market. By taking these steps, companies can ensure that their products are safe for consumers.
Understanding vinyl chloride is important for anyone who uses plastic products in their everyday lives. Awareness of vinyl chloride’s presence and understanding the associated health risks can help you make more informed decisions about the products you purchase and use.
How is vinyl chloride recycled?
Recycling vinyl chloride is important for reducing the environmental impact of plastic production. It can be done in a few different ways.
One way is to grind up the material and separate the components, such as ethylene and chlorine, which can then be reused.
Another method is to use a process called “pyrolysis,” which breaks down the material into its original components. These components can then be reused to create new plastic products.
The steps you should take to reduce your exposure?
It is also important to be aware that some products may contain trace amounts of vinyl chloride even though they are not labeled as such. You can check the product label for information about the type of plastic used and look for signs of potential exposure.
Companies have also taken steps to reduce their vinyl chloride use and ensure that products containing the material are properly labeled. By understanding vinyl chloride and how to reduce exposure, you can ensure that you and your family stay safe.
The best way to reduce exposure to vinyl chloride is to limit contact with the material whenever possible. Whenever you handle any plastic product, it is important to wear protective gloves and use caution. Try to avoid working with vinyl chloride in poorly ventilated areas or for extended periods.
Another way to reduce your exposure to vinyl chloride is to opt for products made with alternative materials. For example, you can use glass or stainless steel containers instead of plastic containers for food storage.
If you are looking for a durable building material, consider using wood, stone, or metal instead of PVC.
By being mindful of the materials you use in your home and workplace, you can minimize your exposure to vinyl chloride and other potentially hazardous compounds.
What are the health risks associated with exposure to vinyl chloride?
Vinyl chloride can pose potential health risks when inhaled or ingested in large quantities over extended periods.
Symptoms of exposure to vinyl chloride include dizziness, headaches, nausea, and respiratory problems.
Long-term exposure has been linked to an increased risk of cancer, liver damage, and reproductive issues. It is important to note that these risks are primarily associated with occupational exposure or intentional ingestion of large amounts of the material.
How does vinyl chloride affect the environment?
Vinyl chloride can harm the environment. It is a known carcinogen linked to the depletion of the ozone layer.
Additionally, vinyl chloride is highly volatile and can enter the atmosphere, where it can be distributed worldwide and contribute to global warming.
Furthermore, it can contaminate drinking water supplies and harm aquatic ecosystems when released into water sources, such as rivers or streams. It is important to be aware of the environmental risks associated with vinyl chloride and take steps to reduce its impact.
The impact of vinyl chloride on the environment can be reduced by proper management and disposal of products containing the material. For example, it is important to ensure that products are properly labeled so that consumers can make informed decisions about their purchases.
Are there alternatives for using vinyl chloride?
There are alternatives to using vinyl chloride. For example, polyethylene and polypropylene are two plastic materials that do not contain chlorine and thus reduce the risk of exposure to vinyl chloride.
Additionally, alternative building materials such as wood, metal, or stone can be used instead of PVC (polyvinyl chloride). In addition to these alternatives, technologies can detect and remove trace amounts of vinyl chloride from products before they enter the market.
By being aware of these alternatives, you can make informed choices about the materials you use in your everyday life.
Understanding vinyl chloride’s health risks and environmental impacts, it is important to be aware of safety precautions when working with products containing the material.
Proper ventilation should be used to minimize inhalation of fumes, and protective gear such as gloves and goggles should be worn when handling items made with vinyl chloride.
It is also recommended that products containing the material be stored in clearly labeled containers to prevent accidental exposure. By taking these precautions, you can minimize the risks associated with working with vinyl chloride.
Additionally, recycling programs for plastic products should include processes for separating and recovering vinyl chloride for reuse.
Finally, the industry should invest in technologies that enable them to detect and remove trace amounts of the material before releasing products into the market. 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3 Mar 2023 19 Mar 2023 Nick
Every year on 3rd of March, Bulgaria celebrates its liberation from almost 500 years of Ottoman rule. On this date in 1878, the Peace Treaty of San Stefano (a small town near Istanbul) was signed, which put an end to the Russo-Turkish war of 1877-1878 and marked the re-establishment of Bulgaria as a sovereign state.
3rd of March was honoured for the first time in 1880, on the occasion of the Enthronement of Russian Emperor Alexander the Second. Since 1888, it has become Bulgaria’s Day of Liberation, but it was not declared a National Holiday until 1978.
It makes my heart sing to see different generations – from families that still have living relatives and descendants from earlier difficult times – passing on these traditions and celebrations to young children, stroppy teens and foreigners. Bulgaria has a living history – recent living history – and I feel privileged to learn about the history and traditions from people who grew up with real history in their lives.
As part of the tradition, every year, solemn ceremonies along with cultural shows and street parades are held throughout the country, particularly in cities and towns, where key battles took place in the Russo-Turkish War. During the ceremonies, a list of names is read out in remembrance of those who gave their lives in the fight for independence, followed by firework displays.
The government holds the ceremonial hoisting of the Bulgarian flag in monuments across the country and in particular, at the Unknown Soldier Monument in Sofia. In villages, towns and cities wreaths and flowers are laid at monuments that symbolise and celebrate the liberation – and in our village it was touching to see flowers being laid by younger generations.
Each year there is usually a thanksgiving prayer service at the Memorial Temple of the Birth of Christ at Shipka, led by the Bulgarian Patriarch Neophyte and the Russian Patriarch Kiril. Bulgaria’s President Rumen Radev and Pareliment’s Speaker Tsveta Karayancheva will also attend the event today.
Previous Gurus
Next “Ode to Dusty” | 2023-14/0000/en_head.json.gz/3448 | {"url": "https://alekovo.com/2023/03/03/liberation-day/", "partition": "head_middle", "language": "en", "source_domain": "alekovo.com", "date_download": "2023-03-20T08:48:11Z", "digest": "sha1:2IBONEXM2KQUYCI2BTSTOXGCMGXODS4A"} | {"ccnet_length": [[0, 2085, 2085.0]], "ccnet_original_length": [[0, 2085, 3923.0]], "ccnet_nlines": [[0, 2085, 9.0]], "ccnet_original_nlines": [[0, 2085, 84.0]], "ccnet_language_score": [[0, 2085, 0.96]], "ccnet_perplexity": [[0, 2085, 200.1]], "ccnet_bucket": [[0, 2085, 0.0]], "rps_doc_curly_bracket": [[0, 2085, 0.0]], "rps_doc_ldnoobw_words": [[0, 2085, 0.0]], "rps_doc_lorem_ipsum": [[0, 2085, 0.0]], "rps_doc_stop_word_fraction": [[0, 2085, 0.39540816]], "rps_doc_ut1_blacklist": [[0, 2085, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2085, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2085, 0.01172333]], "rps_doc_frac_chars_top_3gram": [[0, 2085, 0.01172333]], "rps_doc_frac_chars_top_4gram": [[0, 2085, 0.0]], "rps_doc_frac_all_caps_words": [[0, 2085, 0.00255102]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2085, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2085, 0.14030612]], "rps_doc_frac_unique_words": [[0, 2085, 0.60982659]], "rps_doc_mean_word_length": [[0, 2085, 4.93063584]], "rps_doc_symbol_to_word_ratio": [[0, 2085, 0.0]], "rps_doc_unigram_entropy": [[0, 2085, 4.95161983]], "rps_doc_word_count": [[0, 2085, 346.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 28, 0.0], [28, 346, 1.0], [346, 588, 1.0], [588, 1008, 1.0], [1008, 1389, 1.0], [1389, 1752, 1.0], [1752, 2051, 1.0], [2051, 2066, 0.0], [2066, 2085, 1.0]], "rps_lines_javascript_counts": [[0, 28, 0.0], [28, 346, 0.0], [346, 588, 0.0], [588, 1008, 0.0], [1008, 1389, 0.0], [1389, 1752, 0.0], [1752, 2051, 0.0], [2051, 2066, 0.0], [2066, 2085, 0.0]], "rps_lines_num_words": [[0, 28, 7.0], [28, 346, 55.0], [346, 588, 42.0], [588, 1008, 69.0], [1008, 1389, 62.0], [1389, 1752, 59.0], [1752, 2051, 46.0], [2051, 2066, 2.0], [2066, 2085, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 28, 0.40740741], [28, 346, 0.05211726], [346, 588, 0.05508475], [588, 1008, 0.0], [1008, 1389, 0.0], [1389, 1752, 0.0], [1752, 2051, 0.0], [2051, 2066, 0.0], [2066, 2085, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 28, 0.0], [28, 346, 0.0], [346, 588, 0.0], [588, 1008, 0.0], [1008, 1389, 0.0], [1389, 1752, 0.0], [1752, 2051, 0.0], [2051, 2066, 0.0], [2066, 2085, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 28, 0.10714286], [28, 346, 0.0408805], [346, 588, 0.04958678], [588, 1008, 0.00714286], [1008, 1389, 0.01312336], [1389, 1752, 0.01928375], [1752, 2051, 0.06688963], [2051, 2066, 0.13333333], [2066, 2085, 0.15789474]], "rps_doc_ml_palm_score": [[0, 2085, 0.12234068]], "rps_doc_ml_wikipedia_score": [[0, 2085, null]], "rps_doc_ml_wikiref_score": [[0, 2085, 0.5221954]], "rps_doc_books_importance": [[0, 2085, -57.0978752]], "rps_doc_openwebtext_importance": [[0, 2085, 33.76897081]], "rps_doc_wikipedia_importance": [[0, 2085, 29.66974082]], "rps_doc_num_sentences": [[0, 2085, 13.0]]} |
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WHY RUSSIA
The ancient city Khersones is part of the National Preserve of Tauric Chersonesos and in 2013 was listed as a World Heritage Site.
Crimea itself comprises three regions. The first of these is made up of a level plain that slopes down gently from south to north. The second region, the Kerch Peninsula, thrusts eastward toward of Krasnodar and consists of low hills. The third region is made up of the alpine fold mountains of the south and the whole coast line is dominated by the mountains that tower above them, sometimes reaching up to 1500 m. The mountain area that stretches from the coast to about 70 km inland contains some very pristine untouched nature.
Crimea is a Peninsula in the Black sea and the homonymous Republic within the Russian Federation. The capital of the Republic – the city of Simferopol. Crimea is in the South-West the country is washed by Black and Azov seas.
Crimea has a long history, mostly separate from neighboring regions. In antiquity many Greek colonies existed along its coast, later it belonged to independent local states or foreign powers like Roman & Byzantine Empire, or Genoa. In medieval times the region was conquered by Tatars who became later vassals of Ottoman Empire. The Crimean Khanate survived until 1774, when it was conquered by Russia for the first time in its history. The Crimean Oblast was transferred from Russia to Ukraine in Feb 1954 while both countries were constituent parts of the former Soviet Union. March 2014 it gets back as the part of the Russian Federation.
Located about 504 km of Moscow.
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Home Assignment Why do you think that the title is appropriate for the...
Why do you think that the title is appropriate for the story “The Truthful Dove”
The Title is Appropriate for the Story “The Truthful Dove”o we can say the title of the story “The Truthful Dove” is appropriate and admirable.
The Title is Appropriate for the Story “The Truthful Dove”
I think the title is appropriate for the story because it gives us a strong and real message about the dove that the dove is really a truthful bird. For being truthful the dove has gained a place at the heart of the poets. It has earned the status of being a source of passion for love by the poets. as long as the world lasts to rhyme with “Love”. The two bird bat and owl got punishment for their ill-doing and the dove gained reward for its being realistic and truthful. So we can say the title of the story “The Truthful Dove” is appropriate and admirable.
Why Kartik Poramanik is an inspiration for us
How We Can Help the Gypsy Children with Learning
Paragraph on The Truthful Dove
Once upon a time, a dove and a bat were very good friends. One day the two friends decided to set out on a journey. They flew over the rivers and hills and came to a big jungle. Both the friends were very tired, they needed to sit down and take a rest. Soon night fell and it was dark all around. A storm rose. It started to rain heavily. The dove and the bat started to look for a shelter. They came upon a century-old rain tree. An owl had his nest in that tree. The dove and the bat knocked at the owl’s door. The old grumpy owl opened the door. The dove and the bat requested him to give them shelter. The owl unwillingly let them in. The two birds were hungry too. They begged for some food. The selfish owl was not happy. However, he shared his dinner with them. The dove was so tired that she could hardly eat. But the bat was sly. He ate greedily. He began to praise the owl with the thought of getting more food. The bat said, “O wise and brave owl, you are the most generous person I have ever seen. You are powerful and mighty.” The owl was very pleased at the bat’s flattery. He puffed and ruffled himself, trying to look as wise and brave as possible. Then he turned to the dove and asked, “Now little dove, what do you think about me?”
Class 8 Assignment
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Menomonee Park Menomonee Park is located in the small village of Lannon, Wisconsin, and the home of Lannon Quarry. The quarry is encircled by a drivable road and walking path. Along this walking path, you will have a variety of locations to choose from for your family portrait session. The beach at Lannon Quarry, while […]
Best Family Photo Locations || Milwaukee, WI
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NASA Installs Surveillance Camera To Capture A Massive UFO Departing From Our Planet
4 months ago Nguyen Nguyen
What is remarkable about this video, and what distinguishes it from other space videos, is how the camera moves constantly…... | 2023-14/0000/en_head.json.gz/3453 | {"url": "https://amadernews24.com/tag/nasa-installs-surveillance-camera-to-capture-a-massive-ufo-departing-from-our-planet/", "partition": "head_middle", "language": "en", "source_domain": "amadernews24.com", "date_download": "2023-03-20T09:45:21Z", "digest": "sha1:CBQ544YT5HUI43IJQLVXBBFY3E5M5XK7"} | {"ccnet_length": [[0, 238, 238.0]], "ccnet_original_length": [[0, 238, 2409.0]], "ccnet_nlines": [[0, 238, 3.0]], "ccnet_original_nlines": [[0, 238, 51.0]], "ccnet_language_score": [[0, 238, 0.83]], "ccnet_perplexity": [[0, 238, 316.8]], "ccnet_bucket": [[0, 238, 0.0]], "rps_doc_curly_bracket": [[0, 238, 0.0]], "rps_doc_ldnoobw_words": [[0, 238, 0.0]], "rps_doc_lorem_ipsum": [[0, 238, 0.0]], "rps_doc_stop_word_fraction": [[0, 238, 0.26829268]], "rps_doc_ut1_blacklist": [[0, 238, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 238, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 238, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 238, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 238, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 238, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 238, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 238, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 238, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 238, 0.0]], "rps_doc_frac_all_caps_words": [[0, 238, 0.07317073]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 238, 0.33333333]], "rps_doc_frac_no_alph_words": [[0, 238, 0.09756098]], "rps_doc_frac_unique_words": [[0, 238, 0.86842105]], "rps_doc_mean_word_length": [[0, 238, 5.15789474]], "rps_doc_symbol_to_word_ratio": [[0, 238, 0.04878049]], "rps_doc_unigram_entropy": [[0, 238, 3.45517901]], "rps_doc_word_count": [[0, 238, 38.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 85, 0.0], [85, 112, 0.0], [112, 238, 1.0]], "rps_lines_javascript_counts": [[0, 85, 0.0], [85, 112, 0.0], [112, 238, 0.0]], "rps_lines_num_words": [[0, 85, 13.0], [85, 112, 5.0], [112, 238, 20.0]], "rps_lines_numerical_chars_fraction": [[0, 85, 0.0], [85, 112, 0.03846154], [112, 238, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 85, 0.0], [85, 112, 0.0], [112, 238, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 85, 0.21176471], [85, 112, 0.07407407], [112, 238, 0.00793651]], "rps_doc_ml_palm_score": [[0, 238, 3.93e-06]], "rps_doc_ml_wikipedia_score": [[0, 238, null]], "rps_doc_ml_wikiref_score": [[0, 238, -6.08e-06]], "rps_doc_books_importance": [[0, 238, -12.03244599]], "rps_doc_openwebtext_importance": [[0, 238, -3.56055393]], "rps_doc_wikipedia_importance": [[0, 238, -11.81131542]], "rps_doc_num_sentences": [[0, 238, 1.0]]} |
Take This Song
from Timebombs in the Sea by a man called son
Limited Edition 12" Vinyl
The brand new AMCS album 'Timebombs in the Sea' will also be available in a strictly limited run of 100 12" vinyl. The vinyl edition contains a booklet and download card.
Includes unlimited streaming of Timebombs in the Sea via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
$50 AUD or more
Limited Edition 12" Album Test Pressing
Zenith test pressing of Timebombs in the Sea from August 2022. A rare item: strictly limited to five copies.
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Build Real Estate Buyer Agent Landing Page
Instapage Landing Page Builder: An Overview Build Real Estate Buyer Agent Landing Page
Before we can get to the bottom, it is important that you understand what Instapage actually is as a platform. Instapage is a landing-page builder that helps you create attractive, eye-catching and high-quality landing pages. It’s more than a landing page editor. Instapage is backed by a number of powerful tools that make it simple to quickly create high-converting landing page templates.
So, if you want to create high-quality, high-converting landing pages – the same ones that any established web designer can do, yet need more money to splurge on one, Instapage could be your ideal solution. Instapage offers many customization options and features that make it easy to create pages that look great and work perfectly.
Instapage accounts can be used to host multiple landing pages on multiple websites. This is a huge advantage over other website builders whose base plans allow you to manage only one per account.
Sign up now to create an account. You won’t be able to fully experience Instapage until you sign up. Once you log in, your dashboard will appear. This is where you can see a complete overview of the progress you are making. Since this is your first time, you won’t be able to see a lot on your dashboard. It’s okay, you’ll learn how to create your own landing page. Let’s get started!
If you are an experienced web designer, you will be able to create a blank page. We will build a landing page from scratch using templates that are already in use, as many people are reading this tutorial.
Let’s suppose we are creating a landing page for launching a product. What are you going to do in this situation? To start, you can pick “Product launch” from the use case filter, then select one of the multiple themes that will come up in the search results. As you pick the landing page design that you think looks good for what you’re aiming to promote, you’ll be welcomed by a quick page preview. This is to give you a taste of your end product once it’s published to the public online.
It’s up to the user to decide if they will use it. If, for some reason, you don’t vibe with the layout, and you can always go back and skim through until you find the perfect fit. Otherwise, if you like it, then you can click “Use this layout.” Once you’ve chosen your landing page design, you’ll need to come up with a name as a way to keep things in order.
Now that you have your page layout, it is time to personalize it to your liking. The Instapage page creator will redirect you immediately. This is a feature that I love and everyone seems to agree with. In this stage, you have the opportunity to make your landing page more visually appealing and engaging. The best part of it all is that you don’t need to do any of the work since Instapage does it for you.
The Instapage Builder experience, of course, wouldn’t be complete without the ability to add and rearrange a wide array of visual elements such as images, videos, and graphics, as well as headlines, text boxes, buttons, shapes, and even widgets. Additionally, you can add interactive features like surveys and text box forms to help capture user data easily while keeping them engaged. To enhance the appearance of your webpage, you can use colors, fonts, and other design elements. Build Real Estate Buyer Agent Landing Page
Instapage terminology refers to a group of elements that are grouped together as a block. A block can be modified with a few adjustments and elements. You can also copy, duplicate, or even delete it if you wish. And that’s just for creating a full block – if you don’t have ample time to deal with it or are not confident enough with your page-building skills, you can always look at the Instapage Builder’s selection of block templates, each ready-to-use.
This is the most important part. Now you need to publish your page to make it available to your audience. A landing page is essential to promoting a product or service. This will ensure that your page is seen by as many people as possible and help you to increase traffic to your site. Build Real Estate Buyer Agent Landing Page
While you can add certain elements to create a block within a page, you get the added benefit of being able to save and reuse it whenever you want to create another page. To further cut the time spent on building landing pages in half, you can save the blocks you made yourself as Instablocks, which you can implement when you create other pages in future projects. Simply right-click the block you wish to reuse, and then click “Save To My Blocks”. Build Real Estate Buyer Agent Landing Page
Meanwhile, Global Blocks work similarly to Instablocks – the only difference between the two is that the design and layout of the former are specific to one page. At the same time, the latter looks consistent even across multiple pages that have it included. This means if you edit a Global Block on one page, all the changes will be reflected on the same block built into other pages. This can be very useful if you have a section on your website that you wish to be consistent across pages, such as a header, footer or footer. However, you can always disable it if you prefer.
Optimizing your webpage with A/B/n testing can be a great way to improve it. Before you’re ready to publish, you need to ensure that whatever you’re making should attract the general public. With the optimization experiments feature built into the Instapage Builder, you can easily determine which elements or blocks of the landing page should stay as is since most users are particularly drawn to it, as well as which parts need to be changed.
Instapage allows you to split-test multiple versions of a landing page by clicking on the “Traffic Split” button in the Builder, which enables you to compare different variations of the same page and analyze which performs better. You can create multiple versions of your page and decide the percentage of traffic to be sent to each variation. Instapage will then show you detailed analytics to help you determine which version is performing best. You can use the winning page as your final landing page layout or continue testing it with different variants to optimize it, ensuring that your page delivers the best possible visitor experience and improves conversion rates. Build Real Estate Buyer Agent Landing Page
Instapage’s many benefits include the ability to collaborate with others and create an immersive experience. With the platform’s live collaboration, working in groups or as a team will be possible. You can add comments to different pages by clicking on the blocks or elements. This is useful if any of you want to request changes or additions in the design and layout, as well as other suggestions.
Instapage also allows you to share your page with your team members, even if it is still in progress. This URL can be copied and shared in the group chat. You can invite them all with their email addresses. Your page can be accessed by other Instapage users. Those who don’t have an account can still view what you are working on.
AdMap allows you to customize your ads based on your audience’s interests and behaviors. It can be used to optimize the customer’s journey by identifying and removing the pain points and roadblocks to conversion. It can also help users to see how changes to an ad or page affect the overall performance of their campaign. With its easy-to-use interface and detailed analytics reports, Instapage AdMap is the perfect solution for anyone who wants to increase their ROI and conversion rate. You must take note, though, that you must have a Google Ads account to access this feature. Build Real Estate Buyer Agent Landing Page
Heatmaps also help to highlight any usability issues customers may be experiencing, allowing businesses to make changes quickly and effectively. This is useful for tracking visitor journeys across multiple pages or devices. It provides valuable information about customers’ interactions with websites and content, which can help businesses grow and succeed. Build Real Estate Buyer Agent Landing Page
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FAQ Build Real Estate Buyer Agent Landing Page
Instapage doesn’t offer a free plan. 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Opinions vary by region when it comes to mineral exploration and mine development
In a province that is as large and diverse as British Columbia, it’s natural that opinions on most topics – including mineral exploration and development – will be diverse too.
What the average person in Oak Bay or Yaletown thinks about a new mine or pipeline will be very different from what’s going through the head of somebody who lives in the northwestern corner of British Columbia or in the Kootenays in southeastern B.C.
As the May 9 election approaches, Mineral Exploration wanted to know what’s on the mind of voters who live in the parts of the province that are most dependent on resource development. We talked to three well-connected observers of local politics in four provincial constituencies: KamloopsNorth Thompson and Kamloops-South Thompson, Stikine and Kootenay East. We asked each of them what the hot-button issues are in their respective constituencies and whether mineral exploration and mine development is important to their fellow voters.
The following interviews have been condensed and edited for clarity.
Stikine
Maria Ryder
District of Stewart councillor for 2.5 years, chief of the volunteer fire department and 25-year Stewart resident
The main projects in the Stewart region are Brucejack (Pretium Resources Inc.), the Premier Mine (Ascot Resources Ltd.), Red Mountain (IDM Mining Ltd.) and the Red Chris Mine (Imperial Metals).
Along with Terrace and Kitimat, Stewart is one of the largest communities in the district. We are growing in population, especially in the summer, when workers and their families descend on the town, drawn by mineral exploration and hydro projects and by Stewart’s two ports.
Flyway: Stewart is a base for mineral exploration in the Stikine riding.
It’s very different here from urban British Columbia, and the people from down south who come up here to work find out just how different it is. And some of them discover how different some of our opinions and concerns are from theirs.
Because we get a lot of snow in the winter, much of the employment in Stewart is seasonal and the people who live here adjust their lives accordingly. Every year between March and November we’re busy, and between November and March things are pretty slow. But we’re used to it and we adjust.
The main election issue here is sustainable job creation through industrial development. We want jobs that stay and that provide stability to Stewart.
Kootenay East
Lois Halko
District of Sparwood second-term councillor and former mayor, born and raised in Sparwood
Coal exploration and mining: part of the Kootenay East fabric.
The main economic drivers of the region are the mining of metallurgical coal, which is B.C.’s single biggest export, and the activities of the local suppliers to the coal industry.
There are five Teck [Teck Coal Limited] metallurgical coal mines in the region: Coal Mountain, Elkview, Fording River, Greenhills and Line Creek. In addition, there are four mining companies that are interested in developing mines in the Elk Valley area: CanAus Coal Ltd., Centermount Coal Ltd., NWP Coal Canada Ltd. and Riversdale Resources Limited.
The five Teck mines have a total of 3,600 full-time employees, of whom 2,400 live in four communities in the Elk Valley area.
Because it is used to make steel, and because steel is such an essential product in everyone’s life, metallurgical coal should be recognized as a critical resource. It’s certainly critical to the people who live in Sparwood.
Teck has earned its social licence to continue mining here. The public has accepted the company’s efforts to mitigate any of the effects of coal mining, such as contaminants leaching into the water supply. Teck has done a lot of work to reduce the problem.
The Kamloops area: home to mineral explorers and miners alike for generations.
At the same time, we know that we need to diversify our economy. It’s something the local municipalities talk about a lot. The Sparwood regional economy is one of the least diversified in the province, which has made us very vulnerable to a cycle of boom and bust. The region has lots more to offer than just coal deposits, and we’re trying to leverage our mountains and natural beauty to build a thriving tourist industry.
Kamloops-North Thompson and Kamloops-South Thompson
Ryan Scorgie
President of the Kamloops Chamber of Commerce
The Kamloops Chamber of Commerce and its 850 members take a great deal of interest in all kinds of resource development, including mineral development in Kamloops-North Thompson and Kamloops-South Thompson.
The main mineral projects in the area are the Ajax Project (KGHM International Ltd.), the New Afton Mine (New Gold Inc.) and Highland Valley Copper (Teck Resources Limited).
Opinions about resource development are mixed in Kamloops. Most of the working people here are for it, but many of the academics at Thompson Rivers University are against, so the Chamber of Commerce hears both sides of the argument. Our position is that if a project goes through the appropriate review process and passes it, then we support it.
In fact, the Chamber thinks process is so important that our Policy Development Committee developed a policy regarding resource development in 2016 called Supporting Canada’s Responsible Resource Development.
The policy statement is more important than its brevity might indicate, because it was adopted provincially just a few months after it was written.
The committee writes, in part, “The Chamber believes that it is critical that B.C. maintains its reputation as a jurisdiction open to investment. Achieving the investments needed to ensure Canada’s competitiveness will require an efficient regulatory review process that ensures continued health and environmental protection of Canadians while generating jobs, economic growth and prosperity.
“A streamlined process will encourage investment by providing businesses with a clear and predictable process to protect the environment while making the best use of limited government resources.
“Inefficient and unpredictable processes may turn away potential investors and prevent businesses from being able to make informed location and logistic decisions. For example, the World Economic Forum has cited inefficient government bureaucracy as one of the biggest impediments to improving Canada’s economic competitiveness.
“We need to make sure that the regulatory review process is efficient, has a clear scope, reasonable timelines, and the flexibility to address unforeseen circumstances.”
North Thompson
South Thompson
Bill Threlkeld | 2023-14/0000/en_head.json.gz/3456 | {"url": "https://amebc.ca/local-opinion-opinions-vary-by-region-when-it-comes-to-mineral-exploration-and-mine-development/", "partition": "head_middle", "language": "en", "source_domain": "amebc.ca", "date_download": "2023-03-20T10:11:28Z", "digest": "sha1:HTOCSMNMDDVKAWWOG23HBO7HYCWIWVOA"} | {"ccnet_length": [[0, 6622, 6622.0]], "ccnet_original_length": [[0, 6622, 9070.0]], "ccnet_nlines": [[0, 6622, 40.0]], "ccnet_original_nlines": [[0, 6622, 120.0]], "ccnet_language_score": [[0, 6622, 0.94]], "ccnet_perplexity": [[0, 6622, 298.1]], "ccnet_bucket": [[0, 6622, 0.0]], "rps_doc_curly_bracket": [[0, 6622, 0.0]], "rps_doc_ldnoobw_words": [[0, 6622, 0.0]], "rps_doc_lorem_ipsum": [[0, 6622, 0.0]], "rps_doc_stop_word_fraction": [[0, 6622, 0.39361702]], "rps_doc_ut1_blacklist": [[0, 6622, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 6622, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 6622, 0.05496324]], "rps_doc_frac_chars_dupe_6grams": 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Bible Archaeology
Researchers may have found King Solomon’s mines
Archaeologists believe a desert site in Jordan may contain the ruins of the elusive King Solomon’s mines. The mines have been the subject of films, including "King Solomon’s Mines," starring Patrick Swayze. Researchers using carbon dating techniques at Khirbat en-Nahas in southern Jordan discovered that copper production took place there around the time King Solomon […]
Ramses II temple discovered in Cairo
An Egyptian archaeological team has unearthed a temple and parts of a statue belonging to one of Egypt’s most famous pharaohs, in a rare find inside the capital, the official MENA agency has reported. A temple built for 19th dynasty King Ramses II was found in the Ain Shams area in east Cairo, MENA said. […]
Ancient grave reveals 4,000-year-old Canaanite warrior in Lebanon
Beirut (Lebanon), August 7 : An archaeological excavation team from the British Musuem in Sidon, Lebanon, have unearthed a new grave containing human skeletal remains belonging to a Canaanite warrior, dating back to 4,000 years. According to a report in The Daily Star, the delegation made the discovery at the "Freres" excavation site near Sidon’s […]
Treasure Maps Found Among the Dead Sea Scrolls Keep Archaeologists and Historians in Suspense
"What would be most dramatic is if in fact the treasures that are described by the Copper Scroll—and perhaps revealed more fully in the Key Scroll—are in fact from the second temple. Finding them would in fact be the most dramatic archeological discovery of all time." (Jerusalem)—After a Bedouin shepherd stumbled across a cave containing […]
‘Missing Pyramid’ Found by Egyptian Archaeologists
SAQQARA, Egypt — Egypt unveiled on Thursday a newly uncovered 4,000-year-old “missing pyramid” and a ceremonial procession road where high priests, their faces obscured by masks, once carried mummified sacred bulls worshipped in the ancient Egyptian capital of Memphis. The pyramid was actually a “rediscovery,” said Egypt’s antiquities chief, Zahi Hawass. It is believed to […]
Conference scholars reject ‘Jesus coffin’
A group of scholars is disputing the positive media coverage given a Jerusalem conference earlier this month on the so-called tomb of Jesus popularized last year by "Titanic" director James Cameron and Jewish investigative journalist and filmmaker Simcha Jacobovici, saying the majority of experts and academics in attendence either rejected the identification of the site […]
Archeologists claim new location for Sodom and Gomorrah in Jordan
An international excavation team of archeologists led by Dr. Steven Collins, an expert on Biblical archeology from US Trinity Southwestern University, have claimed finding new evidence proving that the Biblical sites of Sodom and Gomorrah – two cities cited in Bible as “destroyed by God for their sins”- were located in Jordan’s Tall al-Hammam in […]
First Temple seal found in Jerusalem
{mosimage}A stone seal bearing the name of one of the families who acted as servants in the First Temple and then returned to Jerusalem after being exiled to Babylonia has been uncovered in an archeological excavation in Jerusalem’s City of David, a prominent Israeli archeologist said Wednesday. The 2,500-year-old black stone seal, which has the […] | 2023-14/0000/en_head.json.gz/3457 | {"url": "https://anchorstone.com/bible-archaeology/page/3/", "partition": "head_middle", "language": "en", "source_domain": "anchorstone.com", "date_download": "2023-03-20T10:05:50Z", "digest": "sha1:TAPKPRKY4DSPERU6LA2GJAWQKSUD7WIO"} | {"ccnet_length": [[0, 3298, 3298.0]], "ccnet_original_length": [[0, 3298, 6396.0]], "ccnet_nlines": [[0, 3298, 17.0]], "ccnet_original_nlines": [[0, 3298, 178.0]], "ccnet_language_score": [[0, 3298, 0.94]], "ccnet_perplexity": [[0, 3298, 290.2]], "ccnet_bucket": [[0, 3298, 0.0]], "rps_doc_curly_bracket": [[0, 3298, 0.00060643]], "rps_doc_ldnoobw_words": [[0, 3298, 0.0]], "rps_doc_lorem_ipsum": [[0, 3298, 0.0]], "rps_doc_stop_word_fraction": [[0, 3298, 0.33224223]], "rps_doc_ut1_blacklist": [[0, 3298, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3298, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3298, 0.00922169]], "rps_doc_frac_chars_top_3gram": [[0, 3298, 0.01991885]], "rps_doc_frac_chars_top_4gram": [[0, 3298, 0.0]], "rps_doc_frac_all_caps_words": [[0, 3298, 0.01472995]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3298, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3298, 0.15384615]], "rps_doc_frac_unique_words": [[0, 3298, 0.57338552]], "rps_doc_mean_word_length": [[0, 3298, 5.30528376]], "rps_doc_symbol_to_word_ratio": [[0, 3298, 0.01309329]], "rps_doc_unigram_entropy": [[0, 3298, 5.23766833]], "rps_doc_word_count": [[0, 3298, 511.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 18, 0.0], [18, 66, 0.0], [66, 439, 0.0], [439, 476, 0.0], [476, 786, 0.0], [786, 852, 0.0], [852, 1205, 0.0], [1205, 1299, 0.0], [1299, 1643, 0.0], [1643, 1694, 0.0], [1694, 2073, 0.0], [2073, 2115, 0.0], [2115, 2492, 0.0], [2492, 2558, 0.0], [2558, 2910, 0.0], [2910, 2947, 0.0], [2947, 3298, 0.0]], "rps_lines_javascript_counts": [[0, 18, 0.0], [18, 66, 0.0], [66, 439, 0.0], [439, 476, 0.0], [476, 786, 0.0], [786, 852, 0.0], [852, 1205, 0.0], [1205, 1299, 0.0], [1299, 1643, 0.0], [1643, 1694, 0.0], [1694, 2073, 0.0], [2073, 2115, 0.0], [2115, 2492, 0.0], [2492, 2558, 0.0], [2558, 2910, 0.0], [2910, 2947, 0.0], [2947, 3298, 0.0]], "rps_lines_num_words": [[0, 18, 2.0], [18, 66, 7.0], [66, 439, 56.0], [439, 476, 6.0], [476, 786, 56.0], [786, 852, 8.0], [852, 1205, 55.0], [1205, 1299, 14.0], [1299, 1643, 56.0], [1643, 1694, 6.0], [1694, 2073, 56.0], [2073, 2115, 5.0], [2115, 2492, 56.0], [2492, 2558, 10.0], [2558, 2910, 56.0], [2910, 2947, 6.0], [2947, 3298, 56.0]], "rps_lines_numerical_chars_fraction": [[0, 18, 0.0], [18, 66, 0.0], [66, 439, 0.0], [439, 476, 0.0], [476, 786, 0.00662252], [786, 852, 0.06451613], [852, 1205, 0.0148368], [1205, 1299, 0.0], [1299, 1643, 0.0], [1643, 1694, 0.0], [1694, 2073, 0.01092896], [2073, 2115, 0.0], [2115, 2492, 0.0], [2492, 2558, 0.0], [2558, 2910, 0.0], [2910, 2947, 0.0], [2947, 3298, 0.01173021]], "rps_lines_start_with_bulletpoint": [[0, 18, 0.0], [18, 66, 0.0], [66, 439, 0.0], [439, 476, 0.0], [476, 786, 0.0], [786, 852, 0.0], [852, 1205, 0.0], [1205, 1299, 0.0], [1299, 1643, 0.0], [1643, 1694, 0.0], [1694, 2073, 0.0], [2073, 2115, 0.0], [2115, 2492, 0.0], [2492, 2558, 0.0], [2558, 2910, 0.0], [2910, 2947, 0.0], [2947, 3298, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 18, 0.11111111], [18, 66, 0.0625], [66, 439, 0.04289544], [439, 476, 0.10810811], [476, 786, 0.06129032], [786, 852, 0.04545455], [852, 1205, 0.04249292], [1205, 1299, 0.11702128], [1299, 1643, 0.02616279], [1643, 1694, 0.09803922], [1694, 2073, 0.04485488], [2073, 2115, 0.04761905], [2115, 2492, 0.02387268], [2492, 2558, 0.06060606], [2558, 2910, 0.05113636], [2910, 2947, 0.08108108], [2947, 3298, 0.03133903]], "rps_doc_ml_palm_score": [[0, 3298, 0.04312199]], "rps_doc_ml_wikipedia_score": [[0, 3298, null]], "rps_doc_ml_wikiref_score": [[0, 3298, 0.15068519]], "rps_doc_books_importance": [[0, 3298, -148.16034767]], "rps_doc_openwebtext_importance": [[0, 3298, 60.68811163]], "rps_doc_wikipedia_importance": [[0, 3298, 5.84187113]], "rps_doc_num_sentences": [[0, 3298, 12.0]]} |
Boy Scouts of America Reach $850 Million Partial Settlement with Survivors of Sexual Abuse
By Pat Stoneking July 2, 2021
(Saint Paul, MN) Today, in United States Bankruptcy Court for the District of Delaware, survivors and their attorneys reached a partial settlement with the Boy Scouts of America. The 111-year-old organization and its local councils across the country will pay $850 million to tens of thousands of survivors of sexual abuse.
The $850 million settlement is only a partial resolution that includes the National Boy Scouts of America and its local councils, which is only one part of the overall liability associated with decades of childhood sexual abuse within these scouting programs. Under the proposed deal includes payment by the national BSA organization in the amount of $250 million, made up of cash and other assets, and payment from the combined local council group totaling $600 million in cash and property.
This is an important step, but this case is far from over. Even though the Boy Scouts of America filed for Chapter 11 Bankruptcy over a year ago, and this agreement is the result of long and difficult negotiations, there are crucial parties who did not participate in this agreement and still need to come to the table. Those insurance companies and other responsible parties continue to deny any responsibility for the abuse inflicted on children in scouting for over a century, which is completely unacceptable.
The lack of insurance participation in this agreement signals the battle that is yet to come with the insurance companies on this case. While the BSA and its councils paid insurance premiums for generations to provide coverage to children who participated in their programs for injuries they might suffer, it is clear that the insurance companies do not intend to pay anything to those former scouts for those covered injuries without an epic legal battle. The attorneys at Jeff Anderson & Associates expect the insurers to make every effort to draw this fight out as long as possible, an affront to the legal system that is intended to cause further harm to these survivors who have already been through so much. We remain optimistic that when the dust settles, there will be far more compensation added to this total coming from other sources who did not participate in the agreement announced today.
Jeff Anderson:
Pat Stoneking
Darrow Anderson: | 2023-14/0000/en_head.json.gz/3458 | {"url": "https://andersonadvocates.com/news/boy-scouts-of-america-reach-850-million-partial-settlement-with-survivors-of-sexual-abuse/", "partition": "head_middle", "language": "en", "source_domain": "andersonadvocates.com", "date_download": "2023-03-20T08:51:08Z", "digest": "sha1:AE42XU4OKTCHNJK4CUOSRCS4RJCS2XYO"} | {"ccnet_length": [[0, 2400, 2400.0]], "ccnet_original_length": [[0, 2400, 4618.0]], "ccnet_nlines": [[0, 2400, 9.0]], "ccnet_original_nlines": [[0, 2400, 86.0]], "ccnet_language_score": [[0, 2400, 0.96]], "ccnet_perplexity": [[0, 2400, 195.2]], "ccnet_bucket": [[0, 2400, 0.0]], "rps_doc_curly_bracket": [[0, 2400, 0.0]], "rps_doc_ldnoobw_words": [[0, 2400, 3.0]], "rps_doc_lorem_ipsum": [[0, 2400, 0.0]], "rps_doc_stop_word_fraction": [[0, 2400, 0.43648961]], "rps_doc_ut1_blacklist": [[0, 2400, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2400, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2400, 0.04367699]], "rps_doc_frac_chars_dupe_6grams": [[0, 2400, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2400, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2400, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2400, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2400, 0.01828339]], "rps_doc_frac_chars_top_3gram": [[0, 2400, 0.02234637]], "rps_doc_frac_chars_top_4gram": [[0, 2400, 0.03656679]], "rps_doc_frac_all_caps_words": [[0, 2400, 0.00692841]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2400, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2400, 0.10623557]], "rps_doc_frac_unique_words": [[0, 2400, 0.50507614]], "rps_doc_mean_word_length": [[0, 2400, 4.99746193]], "rps_doc_symbol_to_word_ratio": [[0, 2400, 0.0]], "rps_doc_unigram_entropy": [[0, 2400, 4.88684395]], "rps_doc_word_count": [[0, 2400, 394.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 91, 0.0], [91, 121, 0.0], [121, 445, 1.0], [445, 938, 1.0], [938, 1452, 1.0], [1452, 2355, 1.0], [2355, 2370, 0.0], [2370, 2384, 0.0], [2384, 2400, 0.0]], "rps_lines_javascript_counts": [[0, 91, 0.0], [91, 121, 0.0], [121, 445, 0.0], [445, 938, 0.0], [938, 1452, 0.0], [1452, 2355, 0.0], [2355, 2370, 0.0], [2370, 2384, 0.0], [2384, 2400, 0.0]], "rps_lines_num_words": [[0, 91, 14.0], [91, 121, 6.0], [121, 445, 51.0], [445, 938, 80.0], [938, 1452, 86.0], [1452, 2355, 151.0], [2355, 2370, 2.0], [2370, 2384, 2.0], [2384, 2400, 2.0]], "rps_lines_numerical_chars_fraction": [[0, 91, 0.03370787], [91, 121, 0.17857143], [121, 445, 0.01916933], [445, 938, 0.01859504], [938, 1452, 0.00395257], [1452, 2355, 0.0], [2355, 2370, 0.0], [2370, 2384, 0.0], [2384, 2400, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 91, 0.0], [91, 121, 0.0], [121, 445, 0.0], [445, 938, 0.0], [938, 1452, 0.0], [1452, 2355, 0.0], [2355, 2370, 0.0], [2370, 2384, 0.0], [2384, 2400, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 91, 0.10989011], [91, 121, 0.13333333], [121, 445, 0.0462963], [445, 938, 0.01825558], [938, 1452, 0.0155642], [1452, 2355, 0.0110742], [2355, 2370, 0.13333333], [2370, 2384, 0.14285714], [2384, 2400, 0.125]], "rps_doc_ml_palm_score": [[0, 2400, 0.5265637]], "rps_doc_ml_wikipedia_score": [[0, 2400, null]], "rps_doc_ml_wikiref_score": [[0, 2400, 0.58374137]], "rps_doc_books_importance": [[0, 2400, -48.15458263]], "rps_doc_openwebtext_importance": [[0, 2400, 46.14845039]], "rps_doc_wikipedia_importance": [[0, 2400, 25.04829977]], "rps_doc_num_sentences": [[0, 2400, 12.0]]} |
North Land’s News Center: Man Files Lawsuit Against Diocese of Duluth
By External Source June 27, 2013
Duluth, MN (NNCNOW.com) – A man, who claims as a child, he was sexually abused by a priest, has filed suit against the Catholic Diocese of Duluth, under Minnesota’s new Child Victims Act.
Michael DeRoche says he was abused by Father John Nicholson, who has since died.
He was abused when he attended St. Rose in Proctor between the ages of 9 and 10.
The lawsuit claims the Diocese knew, or should have known, that Nicholson was a danger to children and should have stepped in to protect his victims.
In a written statement the Diocese said, “It deeply regrets any long-lasting and devastating effects of sexual misconduct on the part of the clergy and is committed to assisting victims and preventing future abuse.”
DeRoche is asking the Diocese to release the names of 16 other priests in the diocese who have been accused of sexually molesting minors.
“We don’t know any of the places where they are today, we don’t know where they are working, kids are at risk because these names are not made public,” said Mike Finnegan, Attorney on the case.
“It was this little guy that was hurt for over a year by a priest, and it’s not to seek vendetta or vengeance or hurt, but its to find healing and hope for not only myself and closure but for all the other kids out there,” said DeRoche.
Verne Wagner, the Northern Director of the Survivor Network of Those Abused by Priests, also known as “Snap,” took part in today’s news conference in support of his friend and former classmate.
Wagner is also a survivor of sex abuse from the priest.
Deroche’s lawsuit is the first to be filed in St. Louis County under the new law.
The Minnesota Child Victims Act was signed into law by Gov. Mark Dayton on May 25.
The Act eliminates the civil statute of limitations for children who were sexually abused and allows a three year window for past victims of childhood sexual abuse to file lawsuits against their perpetrator and/or institution that may have allowed the abuse.
Father Nicholson was employed by the Diocese from 1948 to 1988.
RESPONSE FROM THE DIOCESE:
Diocese of Duluth responds to lawsuit
The Diocese of Duluth has been named in a lawsuit alleging sexual abuse of a minor by Father John Nicholson, a deceased priest of the Diocese of Duluth, dating back to the late 1960s. The lawsuit was filed June 24 in the Sixth Judicial District Court of the State of Minnesota, made possible by new legislation that allows lawsuits on allegations that were previously beyond the statute of limitations. The lawsuit names the Diocese of Duluth as the defendant.
Father Nicholson worked in the diocese as a priest from 1948 to 1988. He served at the following parishes: St. James in Duluth, St. Joseph in Grand Rapids, St. John in Hill City, St. James in Swatara, St. Mary in Deer River, St. Augustine in Cohasset, St. Rose in Proctor and St. Joseph in Deerwood. He also served as diocesan Director of Scouting. He died in 1988.
The Diocese of Duluth instituted a sexual misconduct policy in 1992. The initial lawsuit regarding Father Nicholson was filed in August 1993. After meeting with pastors who had followed Father Nicholson as pastor, Bishop Roger Schwietz, then Bishop of Duluth, appealed through parish bulletins for any victims of sexual abuse to report it.
The outreach seeking to identify and help any potential victims was expanded in 1995 by Bishop Schwietz, including extensive local media coverage. In 2003, Bishop Dennis Schnurr, then Bishop of Duluth, also engaged in an outreach seeking to identify and assist any victims of clergy sexual abuse in the diocese.
Bishop Schwietz also offered the plaintiff counseling and other assistance.
The Diocese of Duluth deeply regrets the long-lasting and devastating effects of sexual misconduct on the part of clergy and is completely committed to assisting its victims and preventing any recurrence of these crimes. The misconduct policy put in place has been strengthened and revised over time, including with reference to the “Charter for the Protection of Children and Young People” established in 2002 by the U.S. Conference of Catholic Bishops.
The Diocese of Duluth has through these programs and policies established a safe environment program which requires background checks for those who work with children and mandatory reporting requirements, as well as education for clergy, teachers, parents and students to help them identify and prevent sexual misconduct.
The Diocese of Duluth urges anyone who has been a victim of such despicable crimes to report it to the civil authorities and to the diocese at 2830 E. 4th Street, Duluth, MN 55812; at (218) 724-9111; or through one of the Diocesan Assistance Coordinators whose contact information is available on the diocesan website, www.dioceseduluth.org. | 2023-14/0000/en_head.json.gz/3459 | {"url": "https://andersonadvocates.com/news/north-lands-news-center-man-files-lawsuit-against-diocese-of-duluth/", "partition": "head_middle", "language": "en", "source_domain": "andersonadvocates.com", "date_download": "2023-03-20T09:47:04Z", "digest": "sha1:6NFAD5DQOKD7ZQI5FLTXMMOJG6E3ZJ3Q"} | {"ccnet_length": [[0, 4864, 4864.0]], "ccnet_original_length": [[0, 4864, 7006.0]], "ccnet_nlines": [[0, 4864, 26.0]], "ccnet_original_nlines": [[0, 4864, 97.0]], "ccnet_language_score": [[0, 4864, 0.98]], "ccnet_perplexity": [[0, 4864, 192.7]], "ccnet_bucket": [[0, 4864, 0.0]], "rps_doc_curly_bracket": [[0, 4864, 0.0]], 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A Retrospect (eBook)
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“China is not to be won for Christ by quiet, ease-loving men and women … The stamp of men and women we need is such as will put Jesus, China, [and] souls first and foremost in everything and at every time—even life itself must be secondary.”
Hudson Taylor is known as a key influencer in modern missions – what is less known but more important is that his “methods” were to trust in the Lord utterly and completely. He chose to forgo financial support from his parents and other well-meaning individuals, but instead waited on the Lord in all things. He even went hungry rather than mentioning needs to those who would gladly have given, so strong was his faith in the Lord as the only true source of all provision.
The Lord proved his faithfulness, providing in such a way as to show that the He indeed is good and wants to give good gifts to his children – even more than an earthly father. As a result of J. Hudson Taylor’s faith, countless others caught the vision, and the beginnings of a massive “missionary revival” was born. As you read this man’s recollections of his own life, you will be inspired to trust completely on the only One who is genuinely able to provide, and perchance you will catch a bit of the urgency for lost souls that caused this man to forsake all for the sake of others.
J. Hudson Taylor’s father was deeply stirred about the spiritual state of China, and though he was an earnest and successful evangelist at home, his circumstances prevented him from ever going to China. But he was led to pray that if God should give him a son, he might be called and privileged to labor in the vast, needy empire. That prayer was answered when at 21 years of age, J. Hudson Taylor boarded a ship to China. Today, he’s remembered as a pioneer to modern missions, and his initial mission is still going strong, more than 150 years after it began.
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LA Catholics
Archbishop José H. Gomez
Father Ronald Rolheiser, OMI
Grazie Pozo Christie
John L. Allen, Jr.
Greg Erlandson
Robert Brennan
Archdiocese of Los Angeles
Memorial Mass for Fr. Stuart Long set Aug. 30 at Holy Angels
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Fr. Stuart Long
A Memorial Mass is scheduled Aug. 30, 10 a.m., at Holy Angels, Arcadia, for Fr. Stuart Long, 50, who died June 9 in Helena, Montana after a long illness. Father Long joined Holy Angels through the RCIA and was a longtime parishioner there before becoming a priest.
Father Long felt a call to the priesthood as he was baptized in 1994 at Holy Angels by Msgr. Norm Priebe, and he decided to teach religion at Bishop Alemany High School in Mission Hills for three years (97/98-99/00) before entering the seminary. A former boxer during his college years at Carroll College in Helena, Father Long also coached wrestling at Alemany.
He had originally moved to Los Angeles intent on breaking into movies after a boxing injury requiring reconstructive jaw surgery nipped his planned career as a prizefighter in the bud. Though he made some commercials and had a few bit parts, he eventually took a position with the Norton Simon Museum in Pasadena, where he rose to become manager, a position he held for seven years.
Riding his motorcycle home from the museum one evening, he was struck by a car, then run over by another. This close brush with death was a turning point in his life, prompting an exploration of religious faith that ultimately led to his baptism as a Roman Catholic.
He later earned a master’s degree in philosophy at Franciscan University in Steubenville, Ohio, and received his priestly formation for the Diocese of Helena at Mount Angel Seminary in Oregon. He was ordained a priest on Dec. 14, 2007, at the Cathedral of St. Helena.
While a seminarian at Mount Angel, Father Long underwent surgery to remove a tumor discovered on his hip. He was diagnosed with inclusion body myositis, an extremely rare autoimmune disease that mimics the symptoms of ALS (Lou Gehrig’s disease) for which there is no cure. By the time of his ordination, he was walking with the aid of crutches. According to his friends, he found his great love serving as a priest, administering the sacraments and counseling his flock.
As his illness weakened him, the Diocese of Helena brought him home in 2010, where he took up a new life and ministry at Big Sky Care Center. Now using a power chair, and with the tireless assistance of his dad, Bill, Father Long ministered throughout Helena’s parishes. He became a beloved priest, confessor and friend to countless people. He once remarked that his infirmity was the best thing that ever happened to him, because it allowed him to shed the pride he had felt for most of his life. He is survived by his parents, Bill and Kathleen Long; siblings Jennifer, Scott (Kathy) and Amy (Tom) from Corona; and many aunts, uncles, nieces, nephews and cousins.
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HomeAll Team Members...Jes
Jesica grew up loving to spend time and swim at her parent’s cabin on the Des Moines River in the summer. She is a graduate of Indian Hills Community College with a degree in Financial Accounting. She works in our Oskaloosa office as the Office Manager. Jesica is married & lives in rural Wapello County with 2 horses, a Jack Russell Terrier & cat. She enjoys horseback riding, including vacations with the horses to the Big Horn Mountains in WY, camping & spending time with family. | 2023-14/0000/en_head.json.gz/3462 | {"url": "https://animalhealthcenteria.com/team/jes/", "partition": "head_middle", "language": "en", "source_domain": "animalhealthcenteria.com", "date_download": "2023-03-20T09:13:03Z", "digest": "sha1:EVZBM4EKJOIY4O2J7JZSURFG3A4ABS5X"} | {"ccnet_length": [[0, 510, 510.0]], "ccnet_original_length": [[0, 510, 1494.0]], "ccnet_nlines": [[0, 510, 2.0]], "ccnet_original_nlines": [[0, 510, 63.0]], "ccnet_language_score": [[0, 510, 0.95]], "ccnet_perplexity": [[0, 510, 245.9]], "ccnet_bucket": [[0, 510, 0.0]], "rps_doc_curly_bracket": [[0, 510, 0.0]], "rps_doc_ldnoobw_words": [[0, 510, 0.0]], "rps_doc_lorem_ipsum": [[0, 510, 0.0]], "rps_doc_stop_word_fraction": [[0, 510, 0.2970297]], "rps_doc_ut1_blacklist": [[0, 510, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 510, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 510, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 510, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 510, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 510, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 510, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 510, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 510, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 510, 0.0]], "rps_doc_frac_all_caps_words": [[0, 510, 0.00990099]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 510, 0.0]], "rps_doc_frac_no_alph_words": [[0, 510, 0.13861386]], "rps_doc_frac_unique_words": [[0, 510, 0.75581395]], "rps_doc_mean_word_length": [[0, 510, 4.74418605]], "rps_doc_symbol_to_word_ratio": [[0, 510, 0.00990099]], "rps_doc_unigram_entropy": [[0, 510, 4.02935897]], "rps_doc_word_count": [[0, 510, 86.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 27, 0.0], [27, 510, 1.0]], "rps_lines_javascript_counts": [[0, 27, 0.0], [27, 510, 0.0]], "rps_lines_num_words": [[0, 27, 3.0], [27, 510, 83.0]], "rps_lines_numerical_chars_fraction": [[0, 27, 0.0], [27, 510, 0.0021322]], "rps_lines_start_with_bulletpoint": [[0, 27, 0.0], [27, 510, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 27, 0.18518519], [27, 510, 0.05590062]], "rps_doc_ml_palm_score": [[0, 510, 0.00034559]], "rps_doc_ml_wikipedia_score": [[0, 510, null]], "rps_doc_ml_wikiref_score": [[0, 510, 0.00079519]], "rps_doc_books_importance": [[0, 510, -17.05654036]], "rps_doc_openwebtext_importance": [[0, 510, -1.23414691]], "rps_doc_wikipedia_importance": [[0, 510, -6.2735141]], "rps_doc_num_sentences": [[0, 510, 6.0]]} |
Online lottery games are a great way to win money without having to go to a store or waiting in line. These games are available for play on desktop computers, tablets, and mobile devices. They also offer a variety of ways to improve your odds, such as buying more tickets or joining a syndicate.
The online lottery market has grown in popularity due to the convenience and flexibility of playing from home. The market has been hampered by online fraud, but it is expected to grow over the forecast period thanks to advances in internet encryption and banking technologies.
Choosing the Right Site for Your Lottery Experience
The first step to winning the jackpot is to choose a lottery website that offers a wide selection of games. The best websites will offer a variety of international lotteries and other games, like raffles and scratch cards. They should also have a good customer support service.
Another thing to look for is a variety of payment options, including credit and debit cards, eWallets, and bitcoin. The best sites will allow you to deposit and withdraw funds using these methods without charging a commission fee.
Whether you’re playing for free or real money, it’s important to find an online lottery that offers easy deposits and withdrawals. This will help you avoid costly surprises in the future.
You should also consider how long the lottery site has been in business. This will give you a better idea of their track record and ensure that they are legitimate.
There are many scam online lottery platforms out there, so it’s important to do your research before signing up for a website. These platforms will use a variety of tactics to keep customers away from cashing out their winnings.
Some of these sites may even refuse to pay out based on strange criteria, so it’s always a good idea to perform your own research before registering for an account with any site.
Online Lottery Subscriptions and Syndicates
While you can buy tickets individually at most lotteries, online lottery subscriptions and syndicates are more lucrative ways to increase your chances of winning. These services allow you to join a pool of other players and purchase lottery tickets for a fraction of the cost. This increases your chances of winning big and can also help you extend your bankroll.
Syndicates are groups of people who agree to purchase lottery tickets together and share their wins. These services can significantly increase your chances of winning the jackpot, but they are not for everyone.
Some states have established online lottery websites that offer instant games with large top prizes. For example, New Hampshire launched an online instant lottery in 2020. It has a wide range of instant win games with top prizes in the hundreds of thousands of dollars. These games are provided by IGT, which also supplies the Rhode Island and Georgia lotteries. | 2023-14/0000/en_head.json.gz/3463 | {"url": "https://ankswimwear.com/online-lottery-choosing-the-right-site-for-your-lottery-experience/", "partition": "head_middle", "language": "en", "source_domain": "ankswimwear.com", "date_download": "2023-03-20T09:51:33Z", "digest": "sha1:GZRFDFQJMIWVCG5ZNDSKVN5TRQ6RNVYX"} | {"ccnet_length": [[0, 2876, 2876.0]], "ccnet_original_length": [[0, 2876, 3644.0]], "ccnet_nlines": [[0, 2876, 13.0]], "ccnet_original_nlines": [[0, 2876, 47.0]], "ccnet_language_score": [[0, 2876, 0.96]], "ccnet_perplexity": [[0, 2876, 208.4]], "ccnet_bucket": [[0, 2876, 0.0]], "rps_doc_curly_bracket": [[0, 2876, 0.0]], "rps_doc_ldnoobw_words": [[0, 2876, 0.0]], "rps_doc_lorem_ipsum": [[0, 2876, 0.0]], "rps_doc_stop_word_fraction": [[0, 2876, 0.43609023]], "rps_doc_ut1_blacklist": [[0, 2876, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2876, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2876, 0.05694858]], "rps_doc_frac_chars_dupe_6grams": [[0, 2876, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2876, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2876, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2876, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2876, 0.03867403]], "rps_doc_frac_chars_top_3gram": [[0, 2876, 0.01699958]], "rps_doc_frac_chars_top_4gram": [[0, 2876, 0.02549936]], "rps_doc_frac_all_caps_words": [[0, 2876, 0.0018797]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2876, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2876, 0.08646617]], "rps_doc_frac_unique_words": [[0, 2876, 0.4989648]], "rps_doc_mean_word_length": [[0, 2876, 4.87163561]], "rps_doc_symbol_to_word_ratio": [[0, 2876, 0.0]], "rps_doc_unigram_entropy": [[0, 2876, 5.03395503]], "rps_doc_word_count": [[0, 2876, 483.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 296, 1.0], [296, 573, 1.0], [573, 625, 0.0], [625, 903, 1.0], [903, 1134, 1.0], [1134, 1322, 1.0], [1322, 1487, 1.0], [1487, 1716, 1.0], [1716, 1895, 1.0], [1895, 1939, 0.0], [1939, 2303, 1.0], [2303, 2514, 1.0], [2514, 2876, 1.0]], "rps_lines_javascript_counts": [[0, 296, 0.0], [296, 573, 0.0], [573, 625, 0.0], [625, 903, 0.0], [903, 1134, 0.0], [1134, 1322, 0.0], [1322, 1487, 0.0], [1487, 1716, 0.0], [1716, 1895, 0.0], [1895, 1939, 0.0], [1939, 2303, 0.0], [2303, 2514, 0.0], [2514, 2876, 0.0]], "rps_lines_num_words": [[0, 296, 54.0], [296, 573, 45.0], [573, 625, 8.0], [625, 903, 47.0], [903, 1134, 38.0], [1134, 1322, 31.0], [1322, 1487, 30.0], [1487, 1716, 39.0], [1716, 1895, 33.0], [1895, 1939, 5.0], [1939, 2303, 60.0], [2303, 2514, 33.0], [2514, 2876, 60.0]], "rps_lines_numerical_chars_fraction": [[0, 296, 0.0], [296, 573, 0.0], [573, 625, 0.0], [625, 903, 0.0], [903, 1134, 0.0], [1134, 1322, 0.0], [1322, 1487, 0.0], [1487, 1716, 0.0], [1716, 1895, 0.0], [1895, 1939, 0.0], [1939, 2303, 0.0], [2303, 2514, 0.0], [2514, 2876, 0.01123596]], "rps_lines_start_with_bulletpoint": [[0, 296, 0.0], [296, 573, 0.0], [573, 625, 0.0], [625, 903, 0.0], [903, 1134, 0.0], [1134, 1322, 0.0], [1322, 1487, 0.0], [1487, 1716, 0.0], [1716, 1895, 0.0], [1895, 1939, 0.0], [1939, 2303, 0.0], [2303, 2514, 0.0], [2514, 2876, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 296, 0.01013514], [296, 573, 0.00722022], [573, 625, 0.11538462], [625, 903, 0.01079137], [903, 1134, 0.01298701], [1134, 1322, 0.0106383], [1322, 1487, 0.01212121], [1487, 1716, 0.00873362], [1716, 1895, 0.00558659], [1895, 1939, 0.09090909], [1939, 2303, 0.00824176], [2303, 2514, 0.00947867], [2514, 2876, 0.03314917]], "rps_doc_ml_palm_score": [[0, 2876, 0.1585927]], "rps_doc_ml_wikipedia_score": [[0, 2876, null]], "rps_doc_ml_wikiref_score": [[0, 2876, 0.03184748]], "rps_doc_books_importance": [[0, 2876, -153.83600054]], "rps_doc_openwebtext_importance": [[0, 2876, 23.94535759]], "rps_doc_wikipedia_importance": [[0, 2876, -105.77449821]], "rps_doc_num_sentences": [[0, 2876, 26.0]]} |
bank-720×684
https://annapolistowncenter.com/wp-content/uploads/2021/11/ATC-Logotype-300x138.png 0 0 design https://annapolistowncenter.com/wp-content/uploads/2021/11/ATC-Logotype-300x138.png design2021-11-29 19:08:142021-11-29 19:08:14bank-720×684 | 2023-14/0000/en_head.json.gz/3464 | {"url": "https://annapolistowncenter.com/portfolio-item/bank-of-america/bank-720x684/", "partition": "head_middle", "language": "en", "source_domain": "annapolistowncenter.com", "date_download": "2023-03-20T10:18:26Z", "digest": "sha1:K6MOBBKF3YXKWGCPPXYES3DLENAB5DVU"} | {"ccnet_length": [[0, 248, 248.0]], "ccnet_original_length": [[0, 248, 1016.0]], "ccnet_nlines": [[0, 248, 2.0]], "ccnet_original_nlines": [[0, 248, 35.0]], "ccnet_language_score": [[0, 248, 0.62]], "ccnet_perplexity": [[0, 248, 240.5]], "ccnet_bucket": [[0, 248, 0.0]], "rps_doc_curly_bracket": [[0, 248, 0.0]], "rps_doc_ldnoobw_words": [[0, 248, 0.0]], "rps_doc_lorem_ipsum": [[0, 248, 0.0]], "rps_doc_stop_word_fraction": [[0, 248, 0.02597403]], "rps_doc_ut1_blacklist": [[0, 248, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 248, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 248, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 248, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 248, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 248, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 248, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 248, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 248, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 248, 0.0]], "rps_doc_frac_all_caps_words": [[0, 248, 0.02597403]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 248, 0.0]], "rps_doc_frac_no_alph_words": [[0, 248, 0.68831169]], "rps_doc_frac_unique_words": [[0, 248, 0.77777778]], "rps_doc_mean_word_length": [[0, 248, 22.66666667]], "rps_doc_symbol_to_word_ratio": [[0, 248, 0.0]], "rps_doc_unigram_entropy": [[0, 248, 1.88915916]], "rps_doc_word_count": [[0, 248, 9.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 13, 0.0], [13, 248, 0.0]], "rps_lines_javascript_counts": [[0, 13, 0.0], [13, 248, 0.0]], "rps_lines_num_words": [[0, 13, 1.0], [13, 248, 8.0]], "rps_lines_numerical_chars_fraction": [[0, 13, 0.54545455], [13, 248, 0.3]], "rps_lines_start_with_bulletpoint": [[0, 13, 0.0], [13, 248, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 13, 0.0], [13, 248, 0.03404255]], "rps_doc_ml_palm_score": [[0, 248, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 248, null]], "rps_doc_ml_wikiref_score": [[0, 248, -1.001e-05]], "rps_doc_books_importance": [[0, 248, -121.08889234]], "rps_doc_openwebtext_importance": [[0, 248, -48.47803587]], "rps_doc_wikipedia_importance": [[0, 248, -56.7984271]], "rps_doc_num_sentences": [[0, 248, 5.0]]} |
Countries Where Your Pets Are Livestock
October 3, 2022 AnyTrivia Places 0
Are you an animal lover? If so, then you are one of many people who have pets that they love, care for and protect. The thought of feasting on your beloved pet is unconceivable. Yet, in some countries, the animals which we keep as pets are seen as food and make it to the plates of partakers. Animals that we see as “pets” become part of their balanced and hearty meals. Here are some countries where what we consider to be pets are actually livestock.
1. Dogs
Dogs are livestock in countries such as Switzerland, the Philippines, China, Vietnam, Indonesia and Nigeria. While it is illegal to buy and sell dog meat in Switzerland, it is not unlawful to kill and consume one’s own dogs. Dog meat is consumed by more than one third of the population of China. Some believe that dog meat is a health tonic. In Nigeria, marketers of dog meat say that it cures malaria and repels witchcraft, thus boosting sales. To honor the mythical warrior, Ogun, live dog sacrifices are made during a three day festival. The consumption of dog meat is still legal in several states in the United States and Canada.
2. Cats
Cats, our furry feline friends, are found on menus in countries such as Vietnam, China and Australia. The hunting, slaughtering and consumption of cats were illegal in Vietnam until January, 2020. Cat meat or “little tiger” as they are called, is a delicacy and is often paired with beer. Given that the demand for cat meat is high, cats are stolen from their homes. The owners of cats in Vietnam and China are disturbed by this practice. Over a million cats are killed and consumed every year in Vietnam. In China, the cat meat industry is flourishing. Feral cats which have a negative impact on wildlife in Australia are eaten.
3. Monkeys
Bush meat is the name given to monkey meat and is popular in West and Central Africa where it is consumed. In Congo, monkey meat is a delicacy which is often grilled, boiled or fried and served at special occasions. Monkeys are hunted and taken to the market where customers scramble to purchase the carcasses. In Kenya, monkey meat is called Lilaku. Some species have become extinct or are near extinction because of overhunting.
4. Rabbits
Many people are conflicted about whether rabbits should be livestock or just pets. Rabbits are well liked and in the United States, is the third most common mammal to be kept as a pet. In many countries, these furry animals are reared for consumption on a large scale. China produces tons of rabbit meat yearly. Rabbits are relatively easy to rear as they require little food and water and they are also easy to slaughter. Rabbit meat is marketed as a leaner and healthier option to chicken and beef.
5. Turtles
Turtles were very popular in the United States especially after it was featured on the menu of Abraham Lincoln’s second inauguration in 1865. Real turtle soup was served at special occasions, particularly those hosted by the elite, as it was quite expensive. In the 1860s, wealthy persons held “turtle frolics” which were turtle soup parties. Turtle soup became less popular in the 1960s. One of the challenges in the United States is that turtles are being harvested at an alarming rate, much faster than they are able to reproduce. In China, turtle soup is said to have several health benefits including improving circulation and kidney function and reducing menstrual cramps.
Things That Happen to Your Body During an Ultramarathon
Marathons which are twenty-six miles long, are very popular and intense, but even more extreme are ultramarathons which are typically fifty miles or longer. They …
Unbelievable Tribes Explorers Swore Were Real
Unbelievable Things That Happen 30,000 Feet In The Air | 2023-14/0000/en_head.json.gz/3465 | {"url": "https://anytrivia.com/places/countries-where-your-pets-are-livestock/", "partition": "head_middle", "language": "en", "source_domain": "anytrivia.com", "date_download": "2023-03-20T10:13:10Z", "digest": "sha1:FS44WOM2BOX42NAKRXT76C4MD334YGZJ"} | {"ccnet_length": [[0, 3774, 3774.0]], "ccnet_original_length": [[0, 3774, 5478.0]], "ccnet_nlines": [[0, 3774, 17.0]], "ccnet_original_nlines": [[0, 3774, 84.0]], "ccnet_language_score": [[0, 3774, 0.98]], "ccnet_perplexity": [[0, 3774, 207.5]], "ccnet_bucket": [[0, 3774, 0.0]], "rps_doc_curly_bracket": [[0, 3774, 0.0]], "rps_doc_ldnoobw_words": [[0, 3774, 0.0]], "rps_doc_lorem_ipsum": [[0, 3774, 0.0]], "rps_doc_stop_word_fraction": [[0, 3774, 0.40915209]], "rps_doc_ut1_blacklist": [[0, 3774, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3774, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3774, 0.01248357]], "rps_doc_frac_chars_dupe_6grams": [[0, 3774, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3774, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3774, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3774, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3774, 0.01576873]], "rps_doc_frac_chars_top_3gram": [[0, 3774, 0.01445466]], "rps_doc_frac_chars_top_4gram": [[0, 3774, 0.02233903]], "rps_doc_frac_all_caps_words": [[0, 3774, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3774, 0.05882353]], "rps_doc_frac_no_alph_words": [[0, 3774, 0.1359354]], "rps_doc_frac_unique_words": [[0, 3774, 0.48233487]], "rps_doc_mean_word_length": [[0, 3774, 4.67588326]], "rps_doc_symbol_to_word_ratio": [[0, 3774, 0.0013459]], "rps_doc_unigram_entropy": [[0, 3774, 5.18177588]], "rps_doc_word_count": [[0, 3774, 651.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 40, 0.0], [40, 75, 0.0], [75, 528, 1.0], [528, 536, 0.0], [536, 1172, 1.0], [1172, 1180, 0.0], [1180, 1810, 1.0], [1810, 1821, 0.0], [1821, 2252, 1.0], [2252, 2263, 0.0], [2263, 2764, 1.0], [2764, 2775, 0.0], [2775, 3454, 1.0], [3454, 3510, 0.0], [3510, 3674, 0.0], [3674, 3720, 0.0], [3720, 3774, 0.0]], "rps_lines_javascript_counts": [[0, 40, 0.0], [40, 75, 0.0], [75, 528, 0.0], [528, 536, 0.0], [536, 1172, 0.0], [1172, 1180, 0.0], [1180, 1810, 0.0], [1810, 1821, 0.0], [1821, 2252, 0.0], [2252, 2263, 0.0], [2263, 2764, 0.0], [2764, 2775, 0.0], [2775, 3454, 0.0], [3454, 3510, 0.0], [3510, 3674, 0.0], [3674, 3720, 0.0], [3720, 3774, 0.0]], "rps_lines_num_words": [[0, 40, 6.0], [40, 75, 6.0], [75, 528, 85.0], [528, 536, 2.0], [536, 1172, 111.0], [1172, 1180, 2.0], [1180, 1810, 110.0], [1810, 1821, 2.0], [1821, 2252, 74.0], [2252, 2263, 2.0], [2263, 2764, 89.0], [2764, 2775, 2.0], [2775, 3454, 110.0], [3454, 3510, 9.0], [3510, 3674, 26.0], [3674, 3720, 6.0], [3720, 3774, 9.0]], "rps_lines_numerical_chars_fraction": [[0, 40, 0.0], [40, 75, 0.18181818], [75, 528, 0.0], [528, 536, 0.16666667], [536, 1172, 0.0], [1172, 1180, 0.16666667], [1180, 1810, 0.00652529], [1810, 1821, 0.11111111], [1821, 2252, 0.0], [2252, 2263, 0.11111111], [2263, 2764, 0.0], [2764, 2775, 0.11111111], [2775, 3454, 0.017991], [3454, 3510, 0.0], [3510, 3674, 0.0], [3674, 3720, 0.0], [3720, 3774, 0.09433962]], "rps_lines_start_with_bulletpoint": [[0, 40, 0.0], [40, 75, 0.0], [75, 528, 0.0], [528, 536, 0.0], [536, 1172, 0.0], [1172, 1180, 0.0], [1180, 1810, 0.0], [1810, 1821, 0.0], [1821, 2252, 0.0], [2252, 2263, 0.0], [2263, 2764, 0.0], [2764, 2775, 0.0], [2775, 3454, 0.0], [3454, 3510, 0.0], [3510, 3674, 0.0], [3674, 3720, 0.0], [3720, 3774, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 40, 0.15], [40, 75, 0.11428571], [75, 528, 0.01324503], [528, 536, 0.125], [536, 1172, 0.03144654], [1172, 1180, 0.125], [1180, 1810, 0.02857143], [1810, 1821, 0.09090909], [1821, 2252, 0.02552204], [2252, 2263, 0.09090909], [2263, 2764, 0.01596806], [2764, 2775, 0.09090909], [2775, 3454, 0.0191458], [3454, 3510, 0.125], [3510, 3674, 0.01219512], [3674, 3720, 0.13043478], [3720, 3774, 0.14814815]], "rps_doc_ml_palm_score": [[0, 3774, 0.95534462]], "rps_doc_ml_wikipedia_score": [[0, 3774, null]], "rps_doc_ml_wikiref_score": [[0, 3774, 0.09261101]], "rps_doc_books_importance": [[0, 3774, -96.3245053]], "rps_doc_openwebtext_importance": [[0, 3774, 56.90960754]], "rps_doc_wikipedia_importance": [[0, 3774, 10.69819739]], "rps_doc_num_sentences": [[0, 3774, 45.0]]} |
Which polar position to use on the AP1200GTO or can I leave it as is?
The origional owner of my AP1200 was about 2 degrees south of me. Im at 45 degrees. Do I have to move it to 3rd position to the 2nd position or just raise the polar axis with it in its current state. Is there an optimum thing to do? Overthinking?
From the manual:
The four positions for the altitude adjustments have the following approximate ranges: 57.5° to 69° latitude - top position (1) 41° to 63° latitude - second position (2) 30° to 48.5° latitude - third position (3) 22° to 38° latitude - bottom position (4)
Doing more reading it says there is plenty of overlap between the positions, so i'm assuming its fine to just raise the polar axis to my 45° latitude while the altitude adjusting bar is in the third position is 30-48°. Just seems like its at the top of its range. | 2023-14/0000/en_head.json.gz/3466 | {"url": "https://ap-gto.groups.io/g/main/topic/96364422?p=%2C%2C%2C20%2C0%2C0%2C0%3A%3ACreated%2C%2C%23Polar_Alignment%2C20%2C1%2C0%2C96364422%2Cct%253D1&ct=1", "partition": "head_middle", "language": "en", "source_domain": "ap-gto.groups.io", "date_download": "2023-03-20T10:25:29Z", "digest": "sha1:JKVSAQZ3DOPH2HWNUG43LE35RAXNX7II"} | {"ccnet_length": [[0, 852, 852.0]], "ccnet_original_length": [[0, 852, 29270.0]], "ccnet_nlines": [[0, 852, 5.0]], "ccnet_original_nlines": [[0, 852, 112.0]], "ccnet_language_score": [[0, 852, 0.92]], "ccnet_perplexity": [[0, 852, 331.1]], "ccnet_bucket": [[0, 852, 0.0]], "rps_doc_curly_bracket": [[0, 852, 0.0]], "rps_doc_ldnoobw_words": [[0, 852, 0.0]], "rps_doc_lorem_ipsum": [[0, 852, 0.0]], "rps_doc_stop_word_fraction": [[0, 852, 0.38888889]], "rps_doc_ut1_blacklist": [[0, 852, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 852, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 852, 0.06325301]], "rps_doc_frac_chars_dupe_6grams": [[0, 852, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 852, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 852, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 852, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 852, 0.03012048]], "rps_doc_frac_chars_top_3gram": [[0, 852, 0.03614458]], "rps_doc_frac_chars_top_4gram": [[0, 852, 0.05120482]], "rps_doc_frac_all_caps_words": [[0, 852, 0.02020202]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 852, 0.0]], "rps_doc_frac_no_alph_words": [[0, 852, 0.27777778]], "rps_doc_frac_unique_words": [[0, 852, 0.57594937]], "rps_doc_mean_word_length": [[0, 852, 4.20253165]], "rps_doc_symbol_to_word_ratio": [[0, 852, 0.0]], "rps_doc_unigram_entropy": [[0, 852, 4.18129559]], "rps_doc_word_count": [[0, 852, 158.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 70, 1.0], [70, 317, 1.0], [317, 334, 0.0], [334, 589, 0.0], [589, 852, 1.0]], "rps_lines_javascript_counts": [[0, 70, 0.0], [70, 317, 0.0], [317, 334, 0.0], [334, 589, 0.0], [589, 852, 0.0]], "rps_lines_num_words": [[0, 70, 15.0], [70, 317, 50.0], [317, 334, 3.0], [334, 589, 40.0], [589, 852, 50.0]], "rps_lines_numerical_chars_fraction": [[0, 70, 0.05882353], [70, 317, 0.0373444], [317, 334, 0.0], [334, 589, 0.09361702], [589, 852, 0.02325581]], "rps_lines_start_with_bulletpoint": [[0, 70, 0.0], [70, 317, 0.0], [317, 334, 0.0], [334, 589, 0.0], [589, 852, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 70, 0.1], [70, 317, 0.03238866], [317, 334, 0.05882353], [334, 589, 0.00392157], [589, 852, 0.00760456]], "rps_doc_ml_palm_score": [[0, 852, 0.02173942]], "rps_doc_ml_wikipedia_score": [[0, 852, null]], "rps_doc_ml_wikiref_score": [[0, 852, 0.07402533]], "rps_doc_books_importance": [[0, 852, -77.5434796]], "rps_doc_openwebtext_importance": [[0, 852, -15.46176025]], "rps_doc_wikipedia_importance": [[0, 852, -45.46770405]], "rps_doc_num_sentences": [[0, 852, 10.0]]} |
SDSN's Deep Decarbonisation project launches in Australia
21 May, 2014 | Decarbonisation Pathways , Global SDSN News
ClimateWorks Australia and the Australian National University are leading Australia’s participation in SDSN’s global Deep Decarbonisation Pathways Project (DDPP).
The project, locally known as How Australia can Thrive in a Low Carbon World, Pathways to Prosperity in 2050, draws on research and analysis from 13 participating country teams, which collectively represents more than 75% of global greenhouse gas emissions. Working within a coordinated framework, each country will explore the potential to achieve deep decarbonisation, while maintaining economic prosperity, with the goal of limiting a global temperature rise of 2° Celsius.
The project was launched by SDSN Director, Professor Jeffrey Sachs, on 21 May 2014. For further details, see the project website. | 2023-14/0000/en_head.json.gz/3467 | {"url": "https://ap-unsdsn.org/sdsns-deep-decarbonisation-project-launches-australia/", "partition": "head_middle", "language": "en", "source_domain": "ap-unsdsn.org", "date_download": "2023-03-20T09:19:49Z", "digest": "sha1:5C7X7YGRFEHUI65UYQX74DS45WPCWWQK"} | {"ccnet_length": [[0, 886, 886.0]], "ccnet_original_length": [[0, 886, 1510.0]], "ccnet_nlines": [[0, 886, 5.0]], "ccnet_original_nlines": [[0, 886, 38.0]], "ccnet_language_score": [[0, 886, 0.85]], "ccnet_perplexity": [[0, 886, 204.4]], "ccnet_bucket": [[0, 886, 0.0]], "rps_doc_curly_bracket": [[0, 886, 0.0]], "rps_doc_ldnoobw_words": [[0, 886, 0.0]], "rps_doc_lorem_ipsum": [[0, 886, 0.0]], "rps_doc_stop_word_fraction": [[0, 886, 0.26143791]], "rps_doc_ut1_blacklist": [[0, 886, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 886, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 886, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 886, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 886, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 886, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 886, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 886, 0.07734057]], "rps_doc_frac_chars_top_3gram": [[0, 886, 0.02442334]], "rps_doc_frac_chars_top_4gram": [[0, 886, 0.0]], "rps_doc_frac_all_caps_words": [[0, 886, 0.03267974]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 886, 0.0]], "rps_doc_frac_no_alph_words": [[0, 886, 0.20915033]], "rps_doc_frac_unique_words": [[0, 886, 0.70634921]], "rps_doc_mean_word_length": [[0, 886, 5.84920635]], "rps_doc_symbol_to_word_ratio": [[0, 886, 0.0]], "rps_doc_unigram_entropy": [[0, 886, 4.32525721]], "rps_doc_word_count": [[0, 886, 126.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 58, 0.0], [58, 117, 0.0], [117, 280, 1.0], [280, 757, 1.0], [757, 886, 1.0]], "rps_lines_javascript_counts": [[0, 58, 0.0], [58, 117, 0.0], [117, 280, 0.0], [280, 757, 0.0], [757, 886, 0.0]], "rps_lines_num_words": [[0, 58, 7.0], [58, 117, 8.0], [117, 280, 19.0], [280, 757, 71.0], [757, 886, 21.0]], "rps_lines_numerical_chars_fraction": [[0, 58, 0.0], [58, 117, 0.11320755], [117, 280, 0.0], [280, 757, 0.0193133], [757, 886, 0.0483871]], "rps_lines_start_with_bulletpoint": [[0, 58, 0.0], [58, 117, 0.0], [117, 280, 0.0], [280, 757, 0.0], [757, 886, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 58, 0.12068966], [58, 117, 0.15254237], [117, 280, 0.11656442], [280, 757, 0.0230608], [757, 886, 0.08527132]], "rps_doc_ml_palm_score": [[0, 886, 0.08821154]], "rps_doc_ml_wikipedia_score": [[0, 886, null]], "rps_doc_ml_wikiref_score": [[0, 886, 0.22680885]], "rps_doc_books_importance": [[0, 886, -53.03273806]], "rps_doc_openwebtext_importance": [[0, 886, 0.66956788]], "rps_doc_wikipedia_importance": [[0, 886, 9.10462226]], "rps_doc_num_sentences": [[0, 886, 5.0]]} |
Animal Legends Are Heroes Of Great Wealth And Power, Can You Afford Them?
by Lory Gil
Animal Legends (Free) by Appy Entertainment, Inc. is an adventure game that combines battle gaming with town building. Take your warriors to the fields for epic fights and then help them build the ultimate village at home.
Players start with a feisty rhino named Sarge who is huffing and puffing for some battle action. Send him on his first adventure where he is pitted against a small horde of zombies and their well-armored leader.
If you win the battle, which you will, you will receive a surprise of a weapon, some armor, or gold. No matter what you end up winning, it will help your game. Players then visit the homeland where there is a hospital and the Sarge’s castle. The goal is to build up the village by purchasing huts, dens, mines, and more using the gold that you’ve won.
Huts produce more gold and mines produce gems. The den allows players to add another hero to the game. You start with the rhino, but you can add the raccoon and owl by purchasing them with your earnings. Each hero goes on his own adventure to battle against enemies, but you can also invite them into a battle for extra help.
This is a lot of fun and there is plenty to do to in the game. Players are constantly earning gold from the huts and random gifts fall from the sky that produce more gold and stars. Stars are used to increase the heroes’ skills. The battles are difficult, but very exciting. That being said, this game is little more than a money-sucking pit. Once you’ve fought a battle, you can’t play the same one again for a certain amount of time without having to spend a gem until you’ve mastered that battle. You earn stars at random when they fall from the sky, but the raccoon needs massive amounts of stars to level up, making it so that you either have to wait hours to upgrade it to level three, or pay real money for in-app purchase for extra stars.
Each hero has a limited amount of mana that replenishes every hour unless you want to spend a couple of gems to rush the refill. You don’t even start new battles with full mana. It depletes every battle and doesn’t refill for at least an hour. Even if you are playing the first and easiest level over and over again.
I literally only played the game for about 20 minutes before I couldn’t continue anymore. I had to wait an hour for mana to replenish. I also had to wait while I collected stars that randomly dropped in order to upgrade my raccoon (I’m still waiting to get him to level four, so I don’t even know how long that will take). Oh, and did I mention that I had to wait 10 minutes before I could replay a battle that I lost? I did.
As you can see, the developers have made it nearly impossible to play this game without it costing a lot of real money. It is too bad because it is a lot of fun, but I don’t think gamers will appreciate all the different ways in which they run out of supplies and need to buy something in order to continue. If you like waiting around a lot or enjoy spending real cash multiple times for the same game, you might not mind this one. Otherwise, I’d recommend skipping it.
Mentioned apps
Animal Legends
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A sheffieldi hírlevél 26. számát a nem sokkal később befutó hibajavítással egybefésülve közlöm - Péter Róbert tiltakozott előadásának félreértelmezett közreadása miatt.
NEWS FROM THE CENTRE FOR RESEARCH INTO FREEMASONRY
No. 26: APRIL 2008
Dear colleagues, dear friends!
Our newsletter is sent to about 1,000 people across the world, quoted on many homepages and blogs and distributed further to an unknown number of recipients. We are very happy that so many are interested in our activities and hope that you appreciate the information we are providing. In order to develop the concept of this newsletter further, we will soon ask for your opinion on how to improve its content or appearance. This survey will be carried out before autumn 2008. Meanwhile, I hope that you will be happy to read the following:
1) CRFF Working Paper Series ISSN 1756-7645
In order to stimulate a free exchange of scholarly ideas on freemasonry and fraternalism, we have launched a Working Paper Series accessible through our constantly improving website.
We are very proud to present its first issue. Andrew Prescott writes on ‘British Freemasonry between 1425 and 2000’ in which he suggests a new periodisation of its historiography. You are free to download the paper and my Editorial at following URL:
www.freemasonry.dept.shef.ac.uk/workingpapers.htm
The next issue is scheduled for May 2008 when Jan Snoek’s paper “Researching Freemasonry: Where are we?” will be published. We apologize for the delay that was caused by our attempts to develop an appropriate publication format.
The third issue will appear in June and treat ideas of cosmopolitanism and world citizenship in eighteenth- century European freemasonry.
2) Journal for Research into Freemasonry and Fraternalism
We are likewise proud to present that an initiative to edit the first academic peer-reviewed journal devoted to freemasonry and fraternalism has been launched. In co-operation with London-based Equinox Publishing, within the next six weeks the journal will present its programme and editorial board, consisting of major European and US scholars in the area. The first issue is scheduled for spring 2009.
Look out on www.equinoxpub.com for more information.
In addition to producing the journal, an edition series, “Sheffield Studies in the History of Freemasonry and Fraternalism” will also be launched.
3) 2nd International Conference in the History of Freemasonry, (ICHF)
The Call for Papers for the 2nd International Conference in the History of Freemasonry has been issued and can be downloaded on www.ichfonline.org/main.htm
The format of the ICHF offers an excellent opportunity for academic networking, to listen to ground-breaking research in the area, and to make contacts between the academic world and fraternal organisations.
Deadline for the submission of papers and panels is 12th June 2008.
4) Director’s trip to the USA
The Director of the Centre will travel to the US for a variety of activities. Between the 16th – 23rd May, he will be in and around New York and Washington DC, continuing on to California and finally participating in a conference in Bloomington, Indiana 29th May-1stJune. In Bloomington, he will present a paper entitled, ‘Imagining a Common Space: Freemasonry in the Baltic Sea Area during the Eighteenth-Century’, at the Association for the Advancement of Baltic Studies Conference. In between various obligations there are still opportunities for contacts.
5) M.A. in the History of Freemasonry and Fraternalism
Please help us to spread the word about this M.A.-program by posting the following link to any potentially interested students and scholars.
www.sheffield.ac.uk/history/ma/freemasonry
As the first programme ever devoted to postgraduate studies in this area of research, it is of key importance for the recruitment of a future generation of researchers and plays also a crucial roll for knowledge transfer between academia and fraternal organisations.
6) New Publication
We are very happy to announce the edition of a groundbreaking volume on freemasonry and Russian culture, “La franc-maçonnerie et la culture russe”, edited in the series Slavica Occitania Numéro 24 at the University of Toulouse, France in 2007. For an overview of the content, see:
www.slavica-occitania.org/un_numero.php
The 600-pages volume covers many important aspects of the history of the fraternity in Russia. Its importance to political associations and cultural history are discussed and reflects the high quality of academic research into this area in France.
7) Report from a research trip to Poznan/Poland 31st March-1st April 2008
The Director of the Centre travelled to Poznan in Poland in order to visit the important masonic collection held at the University library there. The collection of Masonic books and pamphlets is vast and encompasses a collection amounting to 80,000 volumes from the seventeenth-century onwards. The collection was found at Sława Śląska in autumn 1945 as a result of the action of reassembling and protecting the abandoned and dispersed collections seized by the Nazis. The largest part of the collection is kept at the Chateau of Ciazen, 70 km outside Poznan. Some invaluable publications were found during this very short research trip and several potential areas of future co-operation detected. As it is possible to arrange overnight-stays at the baroque chateau of Ciazen, plans were discussed to organize a summer school for young researchers in summer 2009.
lib.amu.edu.pl/specjalne/index.htm for more information.
8) Report from the foundation of the Swedish Academic Network for Research into Freemasonry and Associational Life (SAFFS) in Lund, Sweden 24th April 2008
At the occasion of the Conference of Swedish Historians (Svenska Historikermötet) arranged at Lund University, Sweden between 24th-26th April 2008 a Swedish academic network for research into freemasonry and associational life was founded. The network organised a session on freemasonry in the eighteenth-century that included M.A. Jonas Andersson, PhD-candidates Marcus Willén and Harriet Sandvall and Andreas Önnerfors.
9) Report from a session on freemasonry at The Centre for Studies on New Religions, CESNUR-conference in London 17th April 2008, by PhD-student Harriet Sandvall
CESNUR, The Centre for Studies on New Religions, is an international network of associations of scholars working in the field of new religious movements. 16-20 of April 2008, the network organized an international conference at London School of Economics, under the subject heading: ‘Twenty Years and More: Research into Minority Religions, New Religious Movements and “the New Spirituality”'.
Two papers were presented that had a bearing on the research into freemasonry, The first, presented by Jean-Pierre Laurant, from Ecole Pratique des Hautes Etudes, Sorbonne University, had the title Freemasonry and Religion in Paris: How to Cast a Glance Upon Some Preconceived Ideas?, dealt with the religious background of French and Parisian freemasons of today. Directly concerned with research into freemasonry in Britain was Róbert Péter’s paper, with the title Twenty Years of Scholarship on British Freemasonry.
“Twenty years of Scholarship on British Freemasonry
The last two decades saw an immense interest in the research of freemasonry from various fields of the humanities. Due to the pioneering works of academics such as David Stevenson, Margaret Jacob, Alexander Piatigorsky and Andrew Prescott and the changing patterns of academic interests (e.g. the study of various forms of associations and sociabilities), the British and the international scholarly community realized the previous ignorance of the subject and that freemasonry as a new and enlightened form of religiosity yields significant insights into modern political, social and religious history. This was manifested, for example, in the establishment of a research centre into freemasonry at the University of Sheffield in 2001. In early 2007 A. Prescott, the first director of the centre, in his farewell lecture argued that "in studying the history of Freemasonry, it is to the history of religion that we should look for a disciplinary context." This paper is an attempt to discuss the paradigm shifts in the academic study of this organization and provide a critical overview of the major writings of the last twenty years that are concerned with the religious dimensions of the fraternity. It also highlights new areas for further research including the sociological analysis of the brotherhood.”
10) Report from a one-day conference in Paris 3rd April 2008
by Michael R Taylor
« Les réseaux maçonniques dans le monde des Lumières » 3rd April, Paris-Sorbonne
Held in the prestigious surrounding of the Sorbonne and with the participation of the “Centre d’Etude de la Langue et Littérature Francaises de XVII et XVIII siècles”, this one-day international symposium was chaired by the distinguished French historian Profesor Charles Porset and masterminded by Professor Cécile Révauger of the Michel Montaigne University in Bordeaux.
There were representatives from Belgian, British, Finnish and Italian universities as well as an audience of academics and students from French institutions. The programme for the day took the form of a series of lectures delivered in French (with one exception) under the broad heading of the title of the symposium; Networks of Masonic resources in the century of Enlightenment.
The opening paper was presented by Professor Pierre-Yves Beaurepaire of the University of Nice. He outlined the vast resource of primary source material available to scholars and researcher that was to be found in the correspondence papers not only of individual Masonic Lodges in France but also the private papers of the members. Citing examples of the type of information that could be found in both he recommended historians to give serious consideration to further study to this hitherto relatively under-exploited source.
The only presentation in English was that given by Dr. Petri Mirala of the University of Helsinki. He gave a fascinating insight into Irish masons, especially in the province of Ulster, and their opposing political stances during the struggles in previous centuries for Irish independence. His talk managed to reveal very clearly the tensions which were to be found and which formed an undercurrent in Masonic life throughout the whole of Ireland. He touched on other quasi-masonic organizations and their roles in the history of Freemasonry in Ireland with especial reference to the Orange Order.
After lunch, which for invited speakers and chosen guests, was taken in the Professors club of the Sorbonne, Professor Sylvain Menant, director of the CELFF mentioned above gave a short welcome to the speakers and audience and expressed his pleasure that such a study day was taking place and congratulated the organizers.
The first of the afternoon’s three lectures was given by Professor Jean Mondot of the Michel de Montaigne University of Bordeaux. His paper centred on the Illuminaten of Bavaria and their links to masonic networks in Germany. He gave a lucid and well-structured history of this group of writers and thinkers and their place in the history of ideas. Antonio Trempus of the University of Venice then delivered his lecture on the Jesuits and their relations with the Freemasons of the Habsburg Empire, notably in Austria. The part played by Jesuits after the abolition of the Society in the development of Masonic Lodges and in particular the study of the liberal arts and sciences which formed a considerable part of the life of Freemasonry in the period under examination was dealt with comprehensively in a manner that enabled the listener to follow clearly this fascinating aspect of C18 history in Europe.
The day’s final presentation was given by Jean-Marie Mercier of the University of Nimes and Thierry Zarcone of the Centre National de la Recherche Scientifique. Centred on Avignon they covered the birth, consolidation and decline of a vast network of Masonic correspondence or the end of a dream of Masonic hegemony in Avignon in the middle of the C18. This very well -researched piece was presented by two scholars who each approached their separate contributions with equal enthusiasm thus ensuring the avid attention of the audience at the end of what had been a long but very worthwhile and fascinating day.
Each contribution was added to and enhanced by further questions and or additional material provide by members of the audience, some of whom were quite clearly very familiar with the field of study that was the agenda for the day.
Was the day a success?
From the point of view of a participant whose knowledge of French was sufficient to be able to follow the day’s proceedings without any difficulty then the answer must be a resounding yes; but I can see that the lack of abstracts in either French or English could have formed a barrier for those less well versed in the language.
I am sure that the underlying message of the abundance of untapped resources in the archives of Masonic correspondence across Europe will have inspired many of those present to consider a fruitful and promising area of research which will lead to further insights into the history of ideas in Europe and especially in the age of Enlightenment.
Andreas Önnerfors
Sheffield, 30th April 2008
Dr. Andreas Önnerfors
Director / Senior Lecturer in History
Centre for Research into Freemasonry
34, Gell Street
Sheffield S3 7QY
Fax: +44 (0)114 222 98 94
Email: [email protected]
Website: www.freemasonry.dept.shef.ac.uk/
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‘I hate soldiers. I hate to see a man with a bayonet fixed on his rifle, who can order me off the street’
John Reed, “The Worst Thing in Europe,” The Masses, March 1915:
I hate soldiers. I hate to see a man with a bayonet fixed on his rifle, who can order me off the street. I hate to belong to an organization that is proud of obeying a caste of superior beings, that is proud of killing free ideas, so that it may the more efficiently kill human beings in cold blood. They will tell you that a conscript army is Democratic, because everybody has to serve; but they won’t tell you that military service plants in your blood the germ of blind obedience, of blind irresponsibility, that it produces one class of Commanders in your state and your industries; and accustoms you to do what they tell you even in time of peace. | 2023-14/0000/en_head.json.gz/3470 | {"url": "https://arabawy.org/5206/i-hate-soldiers-i-hate-to-see-a-man-with-a-bayonet-fixed-on-his-rifle-who-can-order-me-off-the-street/", "partition": "head_middle", "language": "en", "source_domain": "arabawy.org", "date_download": "2023-03-20T09:10:07Z", "digest": "sha1:TFG5QY3L5JXENVZYRWSX237CXPUUA66C"} | {"ccnet_length": [[0, 822, 822.0]], "ccnet_original_length": [[0, 822, 3353.0]], "ccnet_nlines": [[0, 822, 3.0]], "ccnet_original_nlines": [[0, 822, 51.0]], "ccnet_language_score": [[0, 822, 0.97]], "ccnet_perplexity": [[0, 822, 309.5]], "ccnet_bucket": [[0, 822, 0.0]], "rps_doc_curly_bracket": [[0, 822, 0.0]], "rps_doc_ldnoobw_words": [[0, 822, 0.0]], "rps_doc_lorem_ipsum": [[0, 822, 0.0]], "rps_doc_stop_word_fraction": [[0, 822, 0.46368715]], "rps_doc_ut1_blacklist": [[0, 822, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_dupe_5grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_dupe_6grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_dupe_7grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_dupe_8grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_dupe_9grams": [[0, 822, 0.22187982]], "rps_doc_frac_chars_top_2gram": [[0, 822, 0.03081664]], "rps_doc_frac_chars_top_3gram": [[0, 822, 0.03235747]], "rps_doc_frac_chars_top_4gram": [[0, 822, 0.05238829]], "rps_doc_frac_all_caps_words": [[0, 822, 0.02793296]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 822, 0.0]], "rps_doc_frac_no_alph_words": [[0, 822, 0.12849162]], "rps_doc_frac_unique_words": [[0, 822, 0.57051282]], "rps_doc_mean_word_length": [[0, 822, 4.16025641]], "rps_doc_symbol_to_word_ratio": [[0, 822, 0.0]], "rps_doc_unigram_entropy": [[0, 822, 4.2677137]], "rps_doc_word_count": [[0, 822, 156.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 106, 0.0], [106, 170, 0.0], [170, 822, 1.0]], "rps_lines_javascript_counts": [[0, 106, 0.0], [106, 170, 0.0], [170, 822, 0.0]], "rps_lines_num_words": [[0, 106, 23.0], [106, 170, 11.0], [170, 822, 122.0]], "rps_lines_numerical_chars_fraction": [[0, 106, 0.0], [106, 170, 0.06779661], [170, 822, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 106, 0.0], [106, 170, 0.0], [170, 822, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 106, 0.01886792], [106, 170, 0.140625], [170, 822, 0.00920245]], "rps_doc_ml_palm_score": [[0, 822, 0.74588543]], "rps_doc_ml_wikipedia_score": [[0, 822, null]], "rps_doc_ml_wikiref_score": [[0, 822, 0.01028323]], "rps_doc_books_importance": [[0, 822, 14.56688099]], "rps_doc_openwebtext_importance": [[0, 822, 11.36688311]], "rps_doc_wikipedia_importance": [[0, 822, -68.84941035]], "rps_doc_num_sentences": [[0, 822, 5.0]]} |
Emma Starr
Ninth and Tenth Week
These last two weeks have been filled with a lot of final project work in the lab. We did a lot of data collection and analysis and wrote for our webpage for Trench 3, which is now looking great! Definitely the highlight (or maybe just the funniest thing) in the past two weeks was backfilling the trenches in the rain. Even though we got covered in mud, I think it was a really valuable experience to learn what happens after the end of an excavation season. It’s sad to see the class coming to an end, but I definitely feel like I’ve learned a lot about archaeology!
5/19/15- Today was our last day of excavation and also Community Archaeology Day! Even at the beginning of the day, our trench was really deep, so we didn’t expect to find much going into the day. As the day went on, we still found the occasional nail or shard of glass, but not anywhere close to the multitude of the past few weeks, which was to be expected. We met with members of the Carleton and Northfield communities and told them about our work at the site and some of the most interesting highlights of our term. Overall, I found excavating to be a really interesting and exciting process, and I look forward to finishing up our final projects and continuing to learn more about the site.
5/12/15- Today we continued excavating our trench and we also continued to find some really interesting things. In addition to the nails/screws we found last week, we found 7 or 8 more nails this week. As we got further down, we found less and less glass. We found some sort of clasp that looks like it could be for clothing, and we found most of a can and some pieces that we think go with it. The most perplexing thing we found was what looks like burnt slate. We hypothesized it might have come from some shingles, but that doesn’t explain why it looks burnt, so we’re going to look at it in the lab on Thursday hopefully.
Sixth Week Contemplation
5/5/15- We started excavating today! It was so great to be able to focus on one part of the site. We chose to place a trench (Trench 3) in Survey Unit A03, which was downslope from the rest of the site and was possibly a dump site for debris from the cabin demolition. We made a 1m by 1m trench, cleared the area, and began digging. We moved through three contexts during the class period and found a large amount of glass and charcoal, in addition to a really cool metal hinge (we think) and some screws that may or may not belong to the hinge. It was really exciting every time we found something, and we even got to use the sifter, which I wasn’t great at but it was still cool. We thought we might not find much as we got further below the surface, but so far we’ve still found a fair amount of artifacts. I’m excited to see what we find next!
Fifth Week Impressions
4/28/15- Today for lab we really started to move along with the Women’s League Cabin site! For my group at least, we had to wait a little while before we could really get into the site because we had to finish the fieldwalking in the corn fields. We did get to talk to one of the farmers, who informed us that they were tilling the fields with a method called “zone(d?) tilling,” which involves only turning over the soil of the rows where crops were actually planted, not the field in its entirety.
After finding very a super cool spine of an animal (credit to Claire), we moved back to the Women’s League Cabin and assisted with surveying and clearing there. I helped Adam and Avi finish their survey units, and then I worked with Liza on determining the location of the building. From that experience, I learned that its always a good idea to consider that a dead tree may be the tree you’re looking for. I’m really excited to continue to work on this site and to move forward on final projects!
Fourth Week Thoughts
4/21/15- For lab today we first went to our classroom in Hulings to have a lecture from Professor Sarah Murray from the University of Nebraska Lincoln. She taught us about photogrammetry, and we even got to make a photogrammetric model as a class. It was really cool to see the process of creating a 3D model. After making the model, we went back out into the Arb to continue surveying and clearing the land for the rest of the term. Since I was on Team A last week, I continued to survey the same corn fields. It was cold and windy and snowing, so being on the unprotected corn fields wasn’t very fun, but it went by quickly and it helped that we had to keep moving in order to survey. We only found a couple of pieces of debris in the two survey units we completed. The other team was clearing leaves on the site of the Women’s League Cabin, so I’m excited to see what we do next!
Third Week Observations
4/14/15- For lab today we spent the entire time working in the Arb! The weather was fantastic and it was the perfect day to work outside. We conducted a pedestrian survey of some fields near the Women’s League Cabin site in the Arb. After breaking up into three groups, we were assigned positions within the group and we proceeded to conduct our surveys. I was the recorder for our group (Team A), so I didn’t actually do the surveying, but I wrote down pretty much everything that happened during the lab. As a team, we conducted surveys of six survey units, with our five surveyors spaced 15 meters apart. We found a number of pieces of plastic and paper, one piece of metal, and two pieces of glass in our surveys. I honestly expected to find more, simply because part of our area was bordered by two roads, but it was still interesting to see what we could find, even if it was mostly litter. I think class today was a really great introduction to conducting archaeological surveys, and it definitely left me knowing how much work recording the activities of a survey really is.
Our group surveying the field on on such a gorgeous, clear day-
Second Week Musings
Today (Tuesday, April 7th) we drove to Red Wing, Minnesota to visit the Goodhue County Historical Society Museum. After a brief tour (with special focus on the Archaeology room), we got the privilege of handling some actual artifacts found on the various Native American (Middle/Upper Mississippian Era I think) sites in the county. What I found particularly interesting about these artifacts was the reconstructed pot. It made me think about the pros and cons of reconstructing such artifacts. On the one hand, I can see the benefits of having a whole piece to present to the public and to give researchers an idea of what a whole pot may have looked like. On the other hand, I really struggled with the idea of taking pieces found at a site and altering their state by adding more modern materials. I’m not sure why I struggled so much with the idea; I guess it just felt like the artifacts had been almost defiled in some way. I still don’t really know how I feel about the reconstruction idea, but I’m definitely currently not the biggest fan.
Another cool/interesting thing we (Avi, Adam, and I) found were these cards the museum made with close-up pictures of the artifacts to find and match up throughout the museum. We each grabbed a ring of cards, and while we may have sped through a couple of exhibits in our rush to find all of the items on our cards, we also had some really interesting discussions and considered lots of different objects during our search. We noticed some objects I don’t think we would have necessarily noticed, like the two almost identical beard trimmers in two separate rooms or the typewriter in the wooden box, and I think it overall gave us a pretty good idea of what the museum had to offer, even if it was a game meant for kids.
First Week Reflections
On Tuesday of last week, Archaeological Methods explored the area of campus between Lyman Lakes and Gould Library. We conducted a brief survey of the area and counted the quantities of metal, glass, plastic, cigarette butts, and other materials present in the area. In order to do this, we divided the rather large area into twelve survey units. I was in survey unit 9, and we explored the slope leading up to the service road behind Laird and to the left of the Libe (when orienting from the back of the Libe). We divided the area amongst the four of us into four transects, the first of which followed along the road at the top of the survey unit, there were two in the middle, and I was located at the base of the slope. As a group, we counted 4 pieces of metal, 46 pieces of plastic, no glass or cigarettes, and 31 pieces of other. We divided the other category into subcategories: 14 pieces of styrofoam, 9 pieces of paper, and 2 pieces of brick similar to that which composes nearby structures. We had a fairly large number of findings compared to the other groups. This is most likely due to the fact that our survey unit was bordered by a service road and a dumpster, both of which could cause an excess of debris the other units would not have had. | 2023-14/0000/en_head.json.gz/3471 | {"url": "https://archaeologyinthearb.com/2015-student-blogs/emma-starr/", "partition": "head_middle", "language": "en", "source_domain": "archaeologyinthearb.com", "date_download": "2023-03-20T10:18:59Z", "digest": "sha1:TS7CDVT6RRI7BOEETMB3ZTZFEQRMX53E"} | {"ccnet_length": [[0, 8964, 8964.0]], "ccnet_original_length": [[0, 8964, 12005.0]], "ccnet_nlines": [[0, 8964, 20.0]], "ccnet_original_nlines": [[0, 8964, 137.0]], "ccnet_language_score": [[0, 8964, 0.98]], "ccnet_perplexity": [[0, 8964, 260.2]], "ccnet_bucket": [[0, 8964, 0.0]], "rps_doc_curly_bracket": [[0, 8964, 0.0]], "rps_doc_ldnoobw_words": [[0, 8964, 0.0]], "rps_doc_lorem_ipsum": [[0, 8964, 0.0]], "rps_doc_stop_word_fraction": [[0, 8964, 0.47869542]], "rps_doc_ut1_blacklist": [[0, 8964, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 8964, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 8964, 0.0168563]], "rps_doc_frac_chars_dupe_6grams": [[0, 8964, 0.00589971]], "rps_doc_frac_chars_dupe_7grams": [[0, 8964, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 8964, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 8964, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 8964, 0.01264223]], "rps_doc_frac_chars_top_3gram": [[0, 8964, 0.00899003]], "rps_doc_frac_chars_top_4gram": [[0, 8964, 0.01179941]], "rps_doc_frac_all_caps_words": [[0, 8964, 0.01998948]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 8964, 0.0]], "rps_doc_frac_no_alph_words": [[0, 8964, 0.12624934]], "rps_doc_frac_unique_words": [[0, 8964, 0.34180278]], "rps_doc_mean_word_length": [[0, 8964, 4.30671506]], "rps_doc_symbol_to_word_ratio": [[0, 8964, 0.0]], "rps_doc_unigram_entropy": [[0, 8964, 5.41813139]], "rps_doc_word_count": [[0, 8964, 1653.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 11, 0.0], [11, 32, 0.0], [32, 601, 1.0], [601, 1298, 1.0], [1298, 1924, 1.0], [1924, 1949, 0.0], [1949, 2797, 1.0], [2797, 2820, 0.0], [2820, 3320, 1.0], [3320, 3819, 1.0], [3819, 3840, 0.0], [3840, 4723, 1.0], [4723, 4747, 0.0], [4747, 5830, 1.0], [5830, 5894, 0.0], [5894, 5914, 0.0], [5914, 6962, 1.0], [6962, 7684, 1.0], [7684, 7707, 0.0], [7707, 8964, 1.0]], "rps_lines_javascript_counts": [[0, 11, 0.0], [11, 32, 0.0], [32, 601, 0.0], [601, 1298, 0.0], [1298, 1924, 0.0], [1924, 1949, 0.0], [1949, 2797, 0.0], [2797, 2820, 0.0], [2820, 3320, 0.0], [3320, 3819, 0.0], [3819, 3840, 0.0], [3840, 4723, 0.0], [4723, 4747, 0.0], [4747, 5830, 0.0], [5830, 5894, 0.0], [5894, 5914, 0.0], [5914, 6962, 0.0], [6962, 7684, 0.0], [7684, 7707, 0.0], [7707, 8964, 0.0]], "rps_lines_num_words": [[0, 11, 2.0], [11, 32, 4.0], [32, 601, 107.0], [601, 1298, 127.0], [1298, 1924, 118.0], [1924, 1949, 3.0], [1949, 2797, 166.0], [2797, 2820, 3.0], [2820, 3320, 93.0], [3320, 3819, 91.0], [3819, 3840, 3.0], [3840, 4723, 170.0], [4723, 4747, 3.0], [4747, 5830, 195.0], [5830, 5894, 12.0], [5894, 5914, 3.0], [5914, 6962, 184.0], [6962, 7684, 132.0], [7684, 7707, 3.0], [7707, 8964, 234.0]], "rps_lines_numerical_chars_fraction": [[0, 11, 0.0], [11, 32, 0.0], [32, 601, 0.00179211], [601, 1298, 0.00734214], [1298, 1924, 0.01147541], [1924, 1949, 0.0], [1949, 2797, 0.01090909], [2797, 2820, 0.0], [2820, 3320, 0.01028807], [3320, 3819, 0.0], [3819, 3840, 0.0], [3840, 4723, 0.00693642], [4723, 4747, 0.0], [4747, 5830, 0.00662252], [5830, 5894, 0.0], [5894, 5914, 0.0], [5914, 6962, 0.00097561], [6962, 7684, 0.0], [7684, 7707, 0.0], [7707, 8964, 0.00814332]], "rps_lines_start_with_bulletpoint": [[0, 11, 0.0], [11, 32, 0.0], [32, 601, 0.0], [601, 1298, 0.0], [1298, 1924, 0.0], [1924, 1949, 0.0], [1949, 2797, 0.0], [2797, 2820, 0.0], [2820, 3320, 0.0], [3320, 3819, 0.0], [3819, 3840, 0.0], [3840, 4723, 0.0], [4723, 4747, 0.0], [4747, 5830, 0.0], [5830, 5894, 0.0], [5894, 5914, 0.0], [5914, 6962, 0.0], [6962, 7684, 0.0], [7684, 7707, 0.0], [7707, 8964, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 11, 0.18181818], [11, 32, 0.14285714], [32, 601, 0.01581722], [601, 1298, 0.01721664], [1298, 1924, 0.01118211], [1924, 1949, 0.12], [1949, 2797, 0.01533019], [2797, 2820, 0.13043478], [2820, 3320, 0.012], [3320, 3819, 0.0260521], [3819, 3840, 0.14285714], [3840, 4723, 0.02831257], [4723, 4747, 0.125], [4747, 5830, 0.0166205], [5830, 5894, 0.015625], [5894, 5914, 0.15], [5914, 6962, 0.03148855], [6962, 7684, 0.01108033], [7684, 7707, 0.13043478], [7707, 8964, 0.0159109]], "rps_doc_ml_palm_score": [[0, 8964, 0.48844928]], "rps_doc_ml_wikipedia_score": [[0, 8964, null]], "rps_doc_ml_wikiref_score": [[0, 8964, 0.25643927]], "rps_doc_books_importance": [[0, 8964, -195.75494495]], "rps_doc_openwebtext_importance": [[0, 8964, 183.1070435]], "rps_doc_wikipedia_importance": [[0, 8964, -489.84013029]], "rps_doc_num_sentences": [[0, 8964, 69.0]]} |
Live and Learn: Peter Gatien
The dance-club pioneer on why a mirror ball just doesn't cut it anymore.
Alex Mlynek June 5, 2006
I grew up in Cornwall with four brothers. My oldest is a lawyer, the one above me is a doctor, my younger ones were teachers, and we're all a year-and-a-half apart. So I think there was a certain amount of sibling rivalry.
I've got to say, I enjoyed my childhood. There's something to be said about a Tom Sawyerish upbringing.
When I graduated high school, they didn't allow blue jeans. Not long after, they did. All of a sudden there was a vacuum for blue jeans. We had retailers that had been around for 50 years in Cornwall who didn't know the difference between a bell bottom and an elephant pant, so I started with that.
After I opened the jeans store, I bought a dilapidated country and western tavern in Cornwall, transformed it into a rock club over a weekend, and my opening act was Rush, who back then got a thousand bucks a week.
I think my best quality as a youngster was I was just beyond naive. I had the second largest club in America in '76, and going into the project I never once for a second thought, “What happens if this doesn't work?”
It takes a lot more to stimulate people now than it did 30 years ago. There was a period in the '70s where you put up a mirror ball, painted the walls black and you were in business. These days, we have to be much more clever, and much more inclusive.
The '70s were the easiest in that those days were pre-AIDS, pre-herpes, sort of like pre-drug addiction, also.
For me, there are two criteria for doing a club. It has to be in a city that has a large talent pool, where there's art, fashion, music, TV and there's a lot of culture going on in Toronto right now. The second criterion is having a space that is extremely flexible.
I like creating culture, and I think clubs are an incubator at a grassroots level that sometimes goes unnoticed. I think we're usually ahead of the curve.
As I've progressed in years, I recognize that I need to be surrounded by people that really have an insight into the trends of today. I think I'm pretty good at it, but I also recognize my limitations, given my age.
I think as mayor, Giuliani single-handedly destroyed New York nightlife. His approach was very aggressive. In the '90s, when he went on his campaign to clean up New York City, if there was one face that represented nightlife in the city, it was mine. I think if he was going to make a statement, he had to take me down.
It's really a defining moment in your life when you stand up before a jury and your whole life can be over like that.
I was acquitted after two and a half hours of deliberation from the jury, which was something like the fastest deliberation in 10 years in the federal system. Having said that, it was still a very uncomfortable moment.
I think for the most part that Canadians, at least where I grew up, are much more trusting. Coming out of that whole episode, I saw a vicious side of people that I'd never seen or experienced before I'm talking about the U.S. government, prosecutors and politicians. It was a rude awakening.
Quite frankly, I'm happy to be out of the States, and I'm happy to be out of New York. I really like Americans, I just think at the political level it's getting progressively worse under this whole George Bush, born-again-Christian-type influence.
I get a lot of gratification from just watching a dance floor and seeing 2,000 smiles, or people throwing their arms up in the air.
People have been dancing for thousands of years, and if you create an environment that's conducive to fun, you can be around for a long time.
Limelight Atlanta was the one that I had sharks swimming under the glass dance floor. One of the panels broke one day, but that's another story
Andy Warhol hosted our club openings in New York, Chicago and London. He was a really nice man. A little spacey, so to speak, but likable, modest, quiet; he was very much an intellectual. Everywhere he went he always had a camera, and photographed people at will. I'm not talking necessarily celebrities, he just liked photographing people.
In the '80s, the art community were your trendsetters, much more so than the modelling industry and even the actors. The art community was really vibrant and ahead of the curve.
We produced Bronx Tale first as a play. Chazz [Palminteri] had worked for me as an assistant manager. We were friends. He wanted to pursue his acting career and went off to Hollywood. He was still close to a lot of our employees, and I'd heard that he was really struggling out there, so I get a call from Chazz one day saying, “Peter, I've got this wonderful one-man play, can you produce it for me?” I said, “Okay, what's it going to cost?” He had Dan Lauria partnering up, so you know $6,000. In my mind it was sort of like my red-feathered charity for the year, so I sent him $6,000. Two weeks later, I get another call from Chazz “The play is great. I need another $6,000 to continue it.” So I sent him another $6,000. I got four of those $6,000 calls within a six-week period, which I just sent to him. When it got to the $25,000 mark, I was thinking I've really got to figure out where this is going. So I flew out to L.A., and it was really, really good. From there, I produced it in New York, and that's where De Niro saw it, and he really liked it, and then we made a deal for the movie.
After I beat the feds, I made a deal with the state where I could retain my liquor licences there was a full court press through the [State Liquor Authority] by the feds to revoke my licence. They finally prevailed. In order to preserve our assets we filed bankruptcy, so that stays everything. It was not a financial decision, it was strictly to preserve the liquor licence scenario. I never filed personal bankruptcy.
For a country that believes supposedly very much in strong family values to deport somebody who has three American kids, an American wife, to split up a family, it's not exactly consistent with what appears to be policy.
I don't think there's anything not to like about the club business.
Peter Gatien
Born Aug. 8, 1952, in Cornwall, Ont.
Club king and movie producer
Loses left eye in hockey accident, and receives a $13,000 insurance payment. Opens up a jeans shop with the money.
Opens a rock club, the Aardvark, in Cornwall, Ont. Follows this with his first Limelight, in Hollywood, Fla., and one in Atlanta.
Creates Limelight New York, the first of four clubs in that city, and then later, spots in Chicago and London.
Arrested on federal drug charges; later acquitted. Pleads guilty to state tax evasion and is deported to Canada in 2003.
Partners with Hingson Entertainment as a club visionary. Their latest club, Circa, opens June 2006 in Toronto. | 2023-14/0000/en_head.json.gz/3472 | {"url": "https://archive.canadianbusiness.com/business-strategy/live-and-learn-peter-gatien/", "partition": "head_middle", "language": "en", "source_domain": "archive.canadianbusiness.com", "date_download": "2023-03-20T09:29:01Z", "digest": "sha1:DTERBSMXYDRQWMGZB7AYZD4UYEW7LXRA"} | {"ccnet_length": [[0, 6800, 6800.0]], "ccnet_original_length": [[0, 6800, 7762.0]], "ccnet_nlines": [[0, 6800, 35.0]], "ccnet_original_nlines": [[0, 6800, 71.0]], "ccnet_language_score": [[0, 6800, 0.99]], "ccnet_perplexity": [[0, 6800, 212.7]], "ccnet_bucket": [[0, 6800, 0.0]], "rps_doc_curly_bracket": [[0, 6800, 0.0]], "rps_doc_ldnoobw_words": [[0, 6800, 0.0]], "rps_doc_lorem_ipsum": [[0, 6800, 0.0]], "rps_doc_stop_word_fraction": [[0, 6800, 0.44136598]], "rps_doc_ut1_blacklist": [[0, 6800, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 6800, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 6800, 0.00603318]], 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The True Honor - DT Naso
This week's Torah portion, Naso, concludes with the lengthy and detailed listing of the twelve identical offerings that the chieftains of the twelve tribes of Israel brought to the newly dedicated Mishkan, the portable shrine that served as our people's holy place from the early years of the desert wandering until Solomon's construction of the Temple in Jerusalem. The Torah goes to great pains not to discriminate among the twelve tribes and their leaders. Each tribal leader is mentioned by name. Each gift is meticulously and identically described.
https://archive.reconstructingjudaism.org/dvar-torah/true-honor
The Nazirite - DT Naso
Jewish tradition teaches that the Torah yields 613 commandments, which are incumbent on the Jewish people. One would think that this daunting total would be sufficient for most Jews, yet this week's Torah portion, Naso, teaches of additional regulations which one could assume under the status of being a “Nazirite”, one consecrated to the service of God. The haftara (additional) reading for this Shabbat narrates the story of Sampson, who according to the Bible was himself a Nazirite.
https://archive.reconstructingjudaism.org/dvar-torah/nazirite
Marriage - Bemidbar/Shavuot DT
Shabbat Bemidbar usually falls near Shavuot: the day designated as the anniversary of the revelation of Torah at Mt. Sinai. According to a midrash Shavuot is like the wedding anniversary of God and the Jewish people. In Exodus as the revelation unfolds, the position of the Israelites is described with a phrase: בְּתַחְתִּ֥ית הָהָֽר/betakhtit ha-har, which figuratively means “at the base of the mountain” but literally means “under the mountain”. To explain this the rabbis said that Mount Sinai was held over the Israelites like a wedding huppah.
https://archive.reconstructingjudaism.org/dvar-torah/covenant-marriage
Nachshon - Jump vs. Pushed DT Bemidbar
At first glance this week's parashah, Bemidbar, seems rather tedious. After all, it consists mainly of the names of the heads of all the tribes, given in the context of a census of the Israelites taking place about a year after the events at Mount Sinai. However, one name in the census jumped out at me: Nachshon ben Aminadav, the head of the tribe of Judah. Nachshon is a very famous character in the Midrash even though he is barely mentioned in the Torah.
https://archive.reconstructingjudaism.org/dvar-torah/nachshon-did-he-jump-or-was-he-pushed
Blessings and Curses DT Behukotai
At the end of the traditional Birkat HaMazon, the Grace after the Meal, is a verse from the Book of Psalms that reads, “Once I was young and now I have grown old but I have never seen a righteous person abandoned nor his children begging for food” (Psalm 37:25). It is one of a series of biblical verses acknowledging God as the one who sustains all. There are many ways to sing the verse but I was taught to drop my voice when I came to this passage and recite it in a whisper. Why?
https://archive.reconstructingjudaism.org/dvar-torah/blessings-and-curses
Land DT Behar
Parashat Behar is primarily concerned with rules and regulations pertaining to the land of Israel. We read the description of the laws governing the sabbatical (“Shmitta”) years in which the land was to lie fallow one out of every seven years. We learn of the idea of the Jubilee year, which occurred every fifty years, when property that had passed out of a family by reason of economic necessity reverted to the original owners.
https://archive.reconstructingjudaism.org/dvar-torah/land
Reconstructionist Torah Blessings
The traditional blessing before reading from the Torah contains the phrase אֲשֶׁר בָּֽחַר בָּֽנוּ מִכָּל הָעַמִּים (asher bakhar banu mikol ha’amim) — “Praised are you Lord our God, ruler of the Universe, who has chosen us from among all peoples by giving us the Torah.” The Reconstructionist version of that phrase is rewritten as אֲשֶׁר קֵרְבָנוּ לַעֲבוֹדָתוֹ (asher kervanu la’avodato), “who has drawn us to your service by giving us the Torah.” This change preserves the notion of Torah as our unique and prec
https://archive.reconstructingjudaism.org/video/reconstructionist-blessing-torah-reading
Peoplehood Educational Gifts from Kaplan Center
Rabbi Jeffrey Schein has created a suite of educational resources on Jewish peoplehood, under the auspices of the Kaplan Center for Jewish Peoplehood.
The resources include:
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Jews, Race, and Religion Small Group Discussion Guide
Based on guidelines developed by Rabbi Micah Weiss, Thriving Communities department at Reconstructing Judaism.
https://archive.reconstructingjudaism.org/small-group-discussion-guide
Rise Up: Bat Mitzvah at 100 National Commemoration Thurs, March 17 @ 7 p.m. EDT
100 years ago, SAJ held the first Bat Mitzvah in America. Join us as we commemorate this historic event.
https://archive.reconstructingjudaism.org/connect/news-to-share
Haggadah Post-Passover 2021
A Night of Questions: The Reconstructionist Haggadah
Reconstructing Judaism, in cooperation with Rabbi Joy Levitt and Rabbi Michael Strassfeld, was happy to make a PDF version of A Night of Questions available for Passover 2021 in light of the global pandemic.
We hope that providing this version helped make for a joyous Passover as you moved your seder online.
https://archive.reconstructingjudaism.org/haggadah
B-Re-Mitzvah Landing Page
As a prequel to our 2022 Convention and in celebration of the 100th anniversary of Judith Kaplan Eisenstein becoming a Bat Mitzvah, we are offering a once-a-month virtual class for those who are studying for their B-Mitzvah or recommitting to Reconstructionist learning. The goal of this class is for adult learners to engage with the movement in exploring evolving Reconstructionist thought and practice.
https://archive.reconstructingjudaism.org/through-reconstructionist-lens-adult-b-re-mitzvah-program
Virtual Shabbat Box archive - January 2021
https://archive.reconstructingjudaism.org/shabbat-box/january-2021
Racial Justice - Coronavirus
The pandemic has exposed and exacerbated deep racial inequities in the United States. Due to disparities in access to and discriminatory practices in healthcare, over-representation in frontline work, a wealth gap, and countless other manifestations of systemic racism and individual biases, Black, Indigenous, and Latinx people have been disproportionately affected by the virus and its economic impact. Asian Americans, in all their diversity, have been scapegoated and subject to rising discrimination and violence.
https://archive.reconstructingjudaism.org/center-jewish-ethics/coronavirus/racial-justice
Tu B'Shvat Box
https://archive.reconstructingjudaism.org/tu-bshvat-box
Jews, Race, and Religion Landing Page
Racism is one of the most pressing ethical challenges of our time. This site provides resources for studying race and racism through the prism of Jewish experience. It accompanies a lecture series co-sponsored by the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania. Leading scholars in Jewish Studies, Critical Race Studies, and Religious Studies share cutting-edge research that deepens the conversation about race, racism and anti-racism in contemporary society, both American and Jewish.
https://archive.reconstructingjudaism.org/center-jewish-ethics/jews-race-and-religion
Virtual Shabbat Box archive - December 2020
https://archive.reconstructingjudaism.org/shabbat-box/december-2020
Chesapeake Annual Celebration 2021 Virtual
https://archive.reconstructingjudaism.org/chesapeake-virtual-annual-celebration-2021
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Caxton Club Associations, institutions, etc.--United States. | 2023-14/0000/en_head.json.gz/3475 | {"url": "https://archives.lakeforest.edu/index.php/informationobject/browse?view=table&creators=114894&subjects=114260&sort=alphabetic&topLod=0", "partition": "head_middle", "language": "en", "source_domain": "archives.lakeforest.edu", "date_download": "2023-03-20T09:24:34Z", "digest": "sha1:ISVWQX2RASRH7Y33GE2LY26Y25Z2STT3"} | {"ccnet_length": [[0, 60, 60.0]], "ccnet_original_length": [[0, 60, 3304.0]], "ccnet_nlines": [[0, 60, 1.0]], "ccnet_original_nlines": [[0, 60, 107.0]], "ccnet_language_score": [[0, 60, 0.76]], "ccnet_perplexity": [[0, 60, 304.8]], "ccnet_bucket": [[0, 60, 0.0]], "rps_doc_curly_bracket": [[0, 60, 0.0]], "rps_doc_ldnoobw_words": [[0, 60, 0.0]], "rps_doc_lorem_ipsum": [[0, 60, 0.0]], "rps_doc_stop_word_fraction": [[0, 60, 0.09090909]], "rps_doc_ut1_blacklist": [[0, 60, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 60, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 60, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 60, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 60, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 60, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 60, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 60, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 60, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 60, 0.0]], "rps_doc_frac_all_caps_words": [[0, 60, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 60, 0.0]], "rps_doc_frac_no_alph_words": [[0, 60, 0.36363636]], "rps_doc_frac_unique_words": [[0, 60, 1.0]], "rps_doc_mean_word_length": [[0, 60, 8.16666667]], "rps_doc_symbol_to_word_ratio": [[0, 60, 0.0]], "rps_doc_unigram_entropy": [[0, 60, 1.79175947]], "rps_doc_word_count": [[0, 60, 6.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 60, 1.0]], "rps_lines_javascript_counts": [[0, 60, 0.0]], "rps_lines_num_words": [[0, 60, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 60, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 60, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 60, 0.08333333]], "rps_doc_ml_palm_score": [[0, 60, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 60, null]], "rps_doc_ml_wikiref_score": [[0, 60, -1.001e-05]], "rps_doc_books_importance": [[0, 60, -1.30832423]], "rps_doc_openwebtext_importance": [[0, 60, -1.01944655]], "rps_doc_wikipedia_importance": [[0, 60, 3.48678728]], "rps_doc_num_sentences": [[0, 60, 2.0]]} |
Wilfrid Hardy Callcott papers
Scope and Contents The papers in this collection, approximately twelve linear feet, represent all phases of Wilfrid Hardy Callcott’s life and academic career. He carefully preserved his papers and letters from the time he was in grammar school and, after his death, his son George Hardy Callcott (b.1929), Professor of History at the University of Maryland, collected, organized, and annotated the family archive. As a result of that effort, the voluminous records of Callcott’s academic life have been preserved....
Subject: Columbia (S.C.) -- Social life and customs. X
Subject: Women college students. X | 2023-14/0000/en_head.json.gz/3476 | {"url": "https://archives.library.sc.edu/repositories/resources?q%5B%5D=%2A&op%5B%5D=&field%5B%5D=title&from_year%5B%5D=&to_year%5B%5D=&limit=resource&filter_fields%5B%5D=repository&filter_values%5B%5D=%2Frepositories%2F3&filter_fields%5B%5D=subjects&filter_values%5B%5D=Columbia+%28S.C.%29+--+Social+life+and+customs.&sort=title_sort%20asc&filter_fields%5B%5D=subjects&filter_values%5B%5D=Women+college+students.", "partition": "head_middle", "language": "en", "source_domain": "archives.library.sc.edu", "date_download": "2023-03-20T10:09:00Z", "digest": "sha1:M2UUJOGXU3B2UIXKUJWYHKTYLVQZY2JR"} | {"ccnet_length": [[0, 636, 636.0]], "ccnet_original_length": [[0, 636, 1187.0]], "ccnet_nlines": [[0, 636, 4.0]], "ccnet_original_nlines": [[0, 636, 22.0]], "ccnet_language_score": [[0, 636, 0.95]], "ccnet_perplexity": [[0, 636, 254.8]], "ccnet_bucket": [[0, 636, 0.0]], "rps_doc_curly_bracket": [[0, 636, 0.0]], "rps_doc_ldnoobw_words": [[0, 636, 0.0]], "rps_doc_lorem_ipsum": [[0, 636, 0.0]], "rps_doc_stop_word_fraction": [[0, 636, 0.27419355]], "rps_doc_ut1_blacklist": [[0, 636, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 636, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 636, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 636, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 636, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 636, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 636, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 636, 0.046875]], "rps_doc_frac_chars_top_3gram": [[0, 636, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 636, 0.0]], "rps_doc_frac_all_caps_words": [[0, 636, 0.03225806]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 636, 0.25]], "rps_doc_frac_no_alph_words": [[0, 636, 0.2016129]], "rps_doc_frac_unique_words": [[0, 636, 0.6875]], "rps_doc_mean_word_length": [[0, 636, 5.33333333]], "rps_doc_symbol_to_word_ratio": [[0, 636, 0.00806452]], "rps_doc_unigram_entropy": [[0, 636, 4.01742181]], "rps_doc_word_count": [[0, 636, 96.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 30, 0.0], [30, 547, 1.0], [547, 602, 0.0], [602, 636, 0.0]], "rps_lines_javascript_counts": [[0, 30, 0.0], [30, 547, 0.0], [547, 602, 0.0], [602, 636, 0.0]], "rps_lines_num_words": [[0, 30, 4.0], [30, 547, 79.0], [547, 602, 8.0], [602, 636, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 30, 0.0], [30, 547, 0.00803213], [547, 602, 0.0], [602, 636, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 30, 0.0], [30, 547, 0.0], [547, 602, 0.0], [602, 636, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 30, 0.1], [30, 547, 0.03094778], [547, 602, 0.10909091], [602, 636, 0.08823529]], "rps_doc_ml_palm_score": [[0, 636, 0.22447968]], "rps_doc_ml_wikipedia_score": [[0, 636, null]], "rps_doc_ml_wikiref_score": [[0, 636, 0.0282681]], "rps_doc_books_importance": [[0, 636, -12.24618624]], "rps_doc_openwebtext_importance": [[0, 636, -1.93526848]], "rps_doc_wikipedia_importance": [[0, 636, 9.03607927]], "rps_doc_num_sentences": [[0, 636, 9.0]]} |
Wednesday, August 19 • 9:00am - 12:00pm
Committee on Advocacy and Public Policy
Wednesday August 19, 2015 9:00am - 12:00pm EDT
Room 11 Cleveland Convention Center, 300 Lakeside Avenue, Cleveland, OH 44114 | 2023-14/0000/en_head.json.gz/3477 | {"url": "https://archives2015.sched.com/event/2z2u/committee-on-advocacy-and-public-policy", "partition": "head_middle", "language": "en", "source_domain": "archives2015.sched.com", "date_download": "2023-03-20T09:49:24Z", "digest": "sha1:RKWVZIWIJ4TS566R53XE4EVYAQW6CPVC"} | {"ccnet_length": [[0, 204, 204.0]], "ccnet_original_length": [[0, 204, 846.0]], "ccnet_nlines": [[0, 204, 4.0]], "ccnet_original_nlines": [[0, 204, 39.0]], "ccnet_language_score": [[0, 204, 0.89]], "ccnet_perplexity": [[0, 204, 129.2]], "ccnet_bucket": [[0, 204, 0.0]], "rps_doc_curly_bracket": [[0, 204, 0.0]], "rps_doc_ldnoobw_words": [[0, 204, 0.0]], "rps_doc_lorem_ipsum": [[0, 204, 0.0]], "rps_doc_stop_word_fraction": [[0, 204, 0.04444444]], "rps_doc_ut1_blacklist": [[0, 204, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 204, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 204, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 204, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 204, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 204, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 204, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 204, 0.18518519]], "rps_doc_frac_chars_top_3gram": [[0, 204, 0.20987654]], "rps_doc_frac_chars_top_4gram": [[0, 204, 0.0]], "rps_doc_frac_all_caps_words": [[0, 204, 0.04444444]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 204, 0.0]], "rps_doc_frac_no_alph_words": [[0, 204, 0.48888889]], "rps_doc_frac_unique_words": [[0, 204, 0.8]], "rps_doc_mean_word_length": [[0, 204, 5.4]], "rps_doc_symbol_to_word_ratio": [[0, 204, 0.0]], "rps_doc_unigram_entropy": [[0, 204, 3.12393851]], "rps_doc_word_count": [[0, 204, 30.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 40, 0.0], [40, 80, 0.0], [80, 127, 0.0], [127, 204, 0.0]], "rps_lines_javascript_counts": [[0, 40, 0.0], [40, 80, 0.0], [80, 127, 0.0], [127, 204, 0.0]], "rps_lines_num_words": [[0, 40, 6.0], [40, 80, 6.0], [80, 127, 7.0], [127, 204, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 40, 0.26470588], [40, 80, 0.0], [80, 127, 0.31707317], [127, 204, 0.13513514]], "rps_lines_start_with_bulletpoint": [[0, 40, 0.0], [40, 80, 0.0], [80, 127, 0.0], [127, 204, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 40, 0.05], [40, 80, 0.1], [80, 127, 0.10638298], [127, 204, 0.11688312]], "rps_doc_ml_palm_score": [[0, 204, 1.073e-05]], "rps_doc_ml_wikipedia_score": [[0, 204, null]], "rps_doc_ml_wikiref_score": [[0, 204, -1.001e-05]], "rps_doc_books_importance": [[0, 204, -34.69653548]], "rps_doc_openwebtext_importance": [[0, 204, -18.24024898]], "rps_doc_wikipedia_importance": [[0, 204, -13.98045736]], "rps_doc_num_sentences": [[0, 204, 1.0]]} |
Adolph M. Koven arbitration records
Abstract Adolph M. Koven (1917-1990) was an arbitration lawyer active in the San Francisco area. He co-authored Just Cause: The Seven Tests and Alcohol-Related Misconduct. The records consist of his arbitration case files, 1964-1987. Many files relate to Koven's arbitration work with the Bay Area Rapid Transit system (BART), United Can Company, Northern California Homebuilders Union, Stanford University and the University of San...
Subject: California, Northern X | 2023-14/0000/en_head.json.gz/3478 | {"url": "https://archivesspace.library.gsu.edu/repositories/resources?q%5B%5D=%2A&op%5B%5D=&field%5B%5D=title&from_year%5B%5D=&to_year%5B%5D=&limit=resource&filter_fields%5B%5D=subjects&filter_values%5B%5D=California%2C+Northern&sort=title_sort%20asc", "partition": "head_middle", "language": "en", "source_domain": "archivesspace.library.gsu.edu", "date_download": "2023-03-20T10:42:24Z", "digest": "sha1:I34CLD2BGAQZWTPHAFD6LME64TQ2HNKB"} | {"ccnet_length": [[0, 503, 503.0]], "ccnet_original_length": [[0, 503, 947.0]], "ccnet_nlines": [[0, 503, 3.0]], "ccnet_original_nlines": [[0, 503, 18.0]], "ccnet_language_score": [[0, 503, 0.89]], "ccnet_perplexity": [[0, 503, 295.4]], "ccnet_bucket": [[0, 503, 0.0]], "rps_doc_curly_bracket": [[0, 503, 0.0]], "rps_doc_ldnoobw_words": [[0, 503, 0.0]], "rps_doc_lorem_ipsum": [[0, 503, 0.0]], "rps_doc_stop_word_fraction": [[0, 503, 0.15306122]], "rps_doc_ut1_blacklist": [[0, 503, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 503, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 503, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 503, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 503, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 503, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 503, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 503, 0.03431373]], "rps_doc_frac_chars_top_3gram": [[0, 503, 0.05882353]], "rps_doc_frac_chars_top_4gram": [[0, 503, 0.0]], "rps_doc_frac_all_caps_words": [[0, 503, 0.04081633]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 503, 0.33333333]], "rps_doc_frac_no_alph_words": [[0, 503, 0.25510204]], "rps_doc_frac_unique_words": [[0, 503, 0.73611111]], "rps_doc_mean_word_length": [[0, 503, 5.66666667]], "rps_doc_symbol_to_word_ratio": [[0, 503, 0.01020408]], "rps_doc_unigram_entropy": [[0, 503, 3.85683418]], "rps_doc_word_count": [[0, 503, 72.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 36, 0.0], [36, 472, 1.0], [472, 503, 0.0]], "rps_lines_javascript_counts": [[0, 36, 0.0], [36, 472, 0.0], [472, 503, 0.0]], "rps_lines_num_words": [[0, 36, 5.0], [36, 472, 63.0], [472, 503, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 36, 0.0], [36, 472, 0.03864734], [472, 503, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 36, 0.0], [36, 472, 0.0], [472, 503, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 36, 0.08333333], [36, 472, 0.08486239], [472, 503, 0.12903226]], "rps_doc_ml_palm_score": [[0, 503, 0.00733411]], "rps_doc_ml_wikipedia_score": [[0, 503, null]], "rps_doc_ml_wikiref_score": [[0, 503, 0.00031507]], "rps_doc_books_importance": [[0, 503, -44.22612347]], "rps_doc_openwebtext_importance": [[0, 503, -8.08767197]], "rps_doc_wikipedia_importance": [[0, 503, 6.67387042]], "rps_doc_num_sentences": [[0, 503, 7.0]]} |
The original item was published from 11/8/2022 2:16:23 PM to 11/18/2022 5:05:00 PM.
Road and Bridge Department
[ARCHIVED] Road & Bridge Snow Plow Day!
Join the Archuleta County Road & Bridge Department for a fun day on Friday, November 18, 2022 from 9:00 AM to 1:00 PM at the Archuleta County Extension Building, 344 US Hwy 84, Pagosa Springs, CO 81147. You will get to sit in a plow or motorgrader and see how they work. There will be a Q&A on the policies and procedures of the snow removal process.
Click here to learn more about the County Snow Removal Process. | 2023-14/0000/en_head.json.gz/3479 | {"url": "https://archuletacounty.org/CivicAlerts.aspx?AID=208&ARC=448", "partition": "head_middle", "language": "en", "source_domain": "archuletacounty.org", "date_download": "2023-03-20T08:52:17Z", "digest": "sha1:IDBLOAB6F7HTTDNIQL22O37C6KNMTELW"} | {"ccnet_length": [[0, 565, 565.0]], "ccnet_original_length": [[0, 565, 6734.0]], "ccnet_nlines": [[0, 565, 5.0]], "ccnet_original_nlines": [[0, 565, 306.0]], "ccnet_language_score": [[0, 565, 0.88]], "ccnet_perplexity": [[0, 565, 162.1]], "ccnet_bucket": [[0, 565, 0.0]], "rps_doc_curly_bracket": [[0, 565, 0.0]], "rps_doc_ldnoobw_words": [[0, 565, 0.0]], "rps_doc_lorem_ipsum": [[0, 565, 0.0]], "rps_doc_stop_word_fraction": [[0, 565, 0.25547445]], "rps_doc_ut1_blacklist": [[0, 565, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 565, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 565, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 565, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 565, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 565, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 565, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 565, 0.07305936]], "rps_doc_frac_chars_top_3gram": [[0, 565, 0.08219178]], "rps_doc_frac_chars_top_4gram": [[0, 565, 0.0]], "rps_doc_frac_all_caps_words": [[0, 565, 0.06569343]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 565, 0.0]], "rps_doc_frac_no_alph_words": [[0, 565, 0.34306569]], "rps_doc_frac_unique_words": [[0, 565, 0.69]], "rps_doc_mean_word_length": [[0, 565, 4.38]], "rps_doc_symbol_to_word_ratio": [[0, 565, 0.0]], "rps_doc_unigram_entropy": [[0, 565, 4.08673777]], "rps_doc_word_count": [[0, 565, 100.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 84, 1.0], [84, 111, 0.0], [111, 151, 1.0], [151, 502, 1.0], [502, 565, 1.0]], "rps_lines_javascript_counts": [[0, 84, 0.0], [84, 111, 0.0], [111, 151, 0.0], [151, 502, 0.0], [502, 565, 0.0]], "rps_lines_num_words": [[0, 84, 13.0], [84, 111, 4.0], [111, 151, 6.0], [151, 502, 66.0], [502, 565, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 84, 0.33783784], [84, 111, 0.0], [111, 151, 0.0], [151, 502, 0.0652819], [502, 565, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 84, 0.0], [84, 111, 0.0], [111, 151, 0.0], [151, 502, 0.0], [502, 565, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 84, 0.05952381], [84, 111, 0.11111111], [111, 151, 0.325], [151, 502, 0.07692308], [502, 565, 0.07936508]], "rps_doc_ml_palm_score": [[0, 565, -8.34e-06]], "rps_doc_ml_wikipedia_score": [[0, 565, null]], "rps_doc_ml_wikiref_score": [[0, 565, 0.00016022]], "rps_doc_books_importance": [[0, 565, -84.13023346]], "rps_doc_openwebtext_importance": [[0, 565, -37.78840264]], "rps_doc_wikipedia_importance": [[0, 565, -54.44352172]], "rps_doc_num_sentences": [[0, 565, 6.0]]} |
Tracey Scott Wilson
Review: "The Good Negro" at the Dallas Theater Center | 2023-14/0000/en_head.json.gz/3480 | {"url": "https://artandseek.org/tag/tracey-scott-wilson/", "partition": "head_middle", "language": "en", "source_domain": "artandseek.org", "date_download": "2023-03-20T09:58:04Z", "digest": "sha1:3WINU3ZHRPQSJU2NALREVK5IAR6CGKWB"} | {"ccnet_length": [[0, 73, 73.0]], "ccnet_original_length": [[0, 73, 45205.0]], "ccnet_nlines": [[0, 73, 2.0]], "ccnet_original_nlines": [[0, 73, 113.0]], "ccnet_language_score": [[0, 73, 0.76]], "ccnet_perplexity": [[0, 73, 302.3]], "ccnet_bucket": [[0, 73, 0.0]], "rps_doc_curly_bracket": [[0, 73, 0.0]], "rps_doc_ldnoobw_words": [[0, 73, 1.0]], "rps_doc_lorem_ipsum": [[0, 73, 0.0]], "rps_doc_stop_word_fraction": [[0, 73, 0.13333333]], "rps_doc_ut1_blacklist": [[0, 73, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 73, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 73, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 73, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 73, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 73, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 73, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 73, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 73, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 73, 0.0]], "rps_doc_frac_all_caps_words": [[0, 73, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 73, 0.0]], "rps_doc_frac_no_alph_words": [[0, 73, 0.2]], "rps_doc_frac_unique_words": [[0, 73, 0.91666667]], "rps_doc_mean_word_length": [[0, 73, 4.91666667]], "rps_doc_symbol_to_word_ratio": [[0, 73, 0.0]], "rps_doc_unigram_entropy": [[0, 73, 2.36938212]], "rps_doc_word_count": [[0, 73, 12.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 20, 0.0], [20, 73, 0.0]], "rps_lines_javascript_counts": [[0, 20, 0.0], [20, 73, 0.0]], "rps_lines_num_words": [[0, 20, 3.0], [20, 73, 9.0]], "rps_lines_numerical_chars_fraction": [[0, 20, 0.0], [20, 73, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 20, 0.0], [20, 73, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 20, 0.15], [20, 73, 0.13207547]], "rps_doc_ml_palm_score": [[0, 73, 4.41e-06]], "rps_doc_ml_wikipedia_score": [[0, 73, null]], "rps_doc_ml_wikiref_score": [[0, 73, -1.001e-05]], "rps_doc_books_importance": [[0, 73, -0.69221232]], "rps_doc_openwebtext_importance": [[0, 73, -1.5417815]], "rps_doc_wikipedia_importance": [[0, 73, 3.09825221]], "rps_doc_num_sentences": [[0, 73, 1.0]]} |
Early Spring - James Hanes
7 x 4 5/8 in. (17.8 x 11.7 cm)
James Hanes, American, (1924–2015)
Medium and Support: Watercolor
Accession Number: 77-D-105
- Painting in Watercolor, Curated by Caroline Wistar, La Salle University Art Museum, Fall 1998.
-Painting in Water-color: Selections from the Permanent Collection, Curated by Caroline Wistar, La Salle University Art Museum, November 5, 1983 – February 1, 1984.
Your current search criteria is: Objects is "Early Spring". | 2023-14/0000/en_head.json.gz/3481 | {"url": "https://artcollection.lasalle.edu/objects-1/info/1843?sort=0", "partition": "head_middle", "language": "en", "source_domain": "artcollection.lasalle.edu", "date_download": "2023-03-20T10:26:20Z", "digest": "sha1:XQ7Q5SNX64AMLYHCHYD4UUKISLERVIAS"} | {"ccnet_length": [[0, 472, 472.0]], "ccnet_original_length": [[0, 472, 1542.0]], "ccnet_nlines": [[0, 472, 8.0]], "ccnet_original_nlines": [[0, 472, 44.0]], "ccnet_language_score": [[0, 472, 0.8]], "ccnet_perplexity": [[0, 472, 229.9]], "ccnet_bucket": [[0, 472, 0.0]], "rps_doc_curly_bracket": [[0, 472, 0.0]], "rps_doc_ldnoobw_words": [[0, 472, 0.0]], "rps_doc_lorem_ipsum": [[0, 472, 0.0]], "rps_doc_stop_word_fraction": [[0, 472, 0.10810811]], "rps_doc_ut1_blacklist": [[0, 472, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 472, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 472, 0.26702997]], "rps_doc_frac_chars_dupe_6grams": [[0, 472, 0.26702997]], "rps_doc_frac_chars_dupe_7grams": [[0, 472, 0.26702997]], "rps_doc_frac_chars_dupe_8grams": [[0, 472, 0.26702997]], "rps_doc_frac_chars_dupe_9grams": [[0, 472, 0.26702997]], "rps_doc_frac_chars_top_2gram": [[0, 472, 0.0599455]], "rps_doc_frac_chars_top_3gram": [[0, 472, 0.10899183]], "rps_doc_frac_chars_top_4gram": [[0, 472, 0.1253406]], "rps_doc_frac_all_caps_words": [[0, 472, 0.00900901]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 472, 0.0]], "rps_doc_frac_no_alph_words": [[0, 472, 0.45945946]], "rps_doc_frac_unique_words": [[0, 472, 0.71830986]], "rps_doc_mean_word_length": [[0, 472, 5.16901408]], "rps_doc_symbol_to_word_ratio": [[0, 472, 0.0]], "rps_doc_unigram_entropy": [[0, 472, 3.85743504]], "rps_doc_word_count": [[0, 472, 71.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 27, 0.0], [27, 58, 0.0], [58, 93, 0.0], [93, 124, 0.0], [124, 151, 0.0], [151, 248, 1.0], [248, 413, 1.0], [413, 472, 1.0]], "rps_lines_javascript_counts": [[0, 27, 0.0], [27, 58, 0.0], [58, 93, 0.0], [93, 124, 0.0], [124, 151, 0.0], [151, 248, 0.0], [248, 413, 0.0], [413, 472, 0.0]], "rps_lines_num_words": [[0, 27, 4.0], [27, 58, 9.0], [58, 93, 4.0], [93, 124, 4.0], [124, 151, 3.0], [151, 248, 14.0], [248, 413, 24.0], [413, 472, 9.0]], "rps_lines_numerical_chars_fraction": [[0, 27, 0.0], [27, 58, 0.41666667], [58, 93, 0.26666667], [93, 124, 0.0], [124, 151, 0.2173913], [151, 248, 0.04444444], [248, 413, 0.06451613], [413, 472, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 27, 0.0], [27, 58, 0.0], [58, 93, 0.0], [93, 124, 0.0], [124, 151, 0.0], [151, 248, 0.0], [248, 413, 0.0], [413, 472, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 27, 0.14814815], [27, 58, 0.0], [58, 93, 0.08571429], [93, 124, 0.09677419], [124, 151, 0.11111111], [151, 248, 0.11340206], [248, 413, 0.09090909], [413, 472, 0.06779661]], "rps_doc_ml_palm_score": [[0, 472, 0.00013256]], "rps_doc_ml_wikipedia_score": [[0, 472, null]], "rps_doc_ml_wikiref_score": [[0, 472, 0.00027257]], "rps_doc_books_importance": [[0, 472, -68.09654115]], "rps_doc_openwebtext_importance": [[0, 472, -23.50844739]], "rps_doc_wikipedia_importance": [[0, 472, -6.99758948]], "rps_doc_num_sentences": [[0, 472, 6.0]]} |
Home/Projects/Project
Online Symposium: Spectres of History
A symposium that brought together responses to interrogations of mobility and colonization found in Dawit L. Petros' artistic practice.
Spectres of History was a half-day symposium that featured artists, curators, writers, and historians who took up the propositions presented by Dawit L. Petros’ recent AGG exhibition, Prospetto a Mare. Probing themes of migration, the archive, knowledge production, labour, and technology that are intertwined within Petros’ work, speakers addressed the cultural and historical matrices that result from the pursuit of empire, the ways in which actions of the past re-emerge in the present, as well as offered ways of thinking through and beyond modernism’s authority.
Prospetto a Mare (previously on view at AGG from October 21, 2021 – April 14, 2022) focused on how both mobility and colonization have informed diasporic experiences and stories of migrancy. Referencing archival materials such as photographs, journals, and other publications, the artist has created an interwoven body of work in photography, video, and printmaking that explores a complicated history that is little-known in the West – Italy’s occupation colonization of East Africa, including Petros’ country of origin, Eritrea – as well as its postcolonial and transnational legacies.
Image details: Dawit L. Petros, Spectre (Floating Dock) (detail), 2021, archival pigment prints, CNC router etching, and smoked gray Plexiglass
Presented by the Art Gallery of Guelph with the support of the Arts Across Canada program of the Canada Council for the Arts.
Shiben Banerji
Shiben Banerji is a trained architect, city planner, historian, and author of Lineages of the Global City, for which he received a Mellon Foundation fellowship in the urban humanities, a Graham Foundation publication grant, and a Mitchell Award. He is currently working on two book-length contributions to the history and theory of rhetoric. Shiben is an Associate Professor and Design History Coordinator at the School of the Art Institute of Chicago.
Mary Walling Blackburn
Mary Walling Blackburn is the founder of the Anhoek School, a pedagogical experiment, in Brooklyn, NY, and WMYN, a pirate feminist radio station. Her work has been featured in solo exhibitions at the University of California San Diego; Wichita State University, KS; Sala Diaz, San Antonio, TX; and Southern Exposure, San Francisco; among other locations. Walling Blackburn’s writing publications include Afterall, BOMB, Cabinet, e-flux journal, Pastelegram, and Grey Room.
Julie Crooks
Julie Crooks is Curator, Arts of Global Africa and the Diaspora at the AGO where she has curated Fragments of Epic Memory (2021), Mickalene Thomas: Femmes Noires (2018) and Free. Black. North (2017). Prior to joining the AGO in 2017, Julie Crooks curated exhibitions for many organizations including BAND (Black Artists Networks in Dialogue) and the Royal Ontario Museum’s Of Africa project. She holds a PhD from the Department of History of Art and Archaeology at the School of Oriental and African Studies, University of London.
Naeem Mohaiemen
Naeem Mohaiemen researches utopia-dystopia slippage in the Muslim world(s) after 1945. He is coediting, with Eszter Szakaćs, the forthcoming anthology Solidarity Must Be Defended (Tranzit, Budapest, 2022). Mohaiemen is Associate Professor of Visual Arts and Concentration Head of Photography at Columbia University, New York.
Dawit L. Petros
Dawit L. Petros is a visual artist, researcher and educator. His work is informed by studies of global modernisms, theories of diaspora, and postcolonial studies. Throughout the past decade, he has focused on a critical re-reading of the entanglements between colonialism and modernity. Petros installs photographs, moving images, sculptural objects, and sound work according to performative, painterly, or site responsive logics. Moving between the works echoes the extensive travel taken to produce them; while recurrent visual or formal devices quietly indicate the complex backdrops against which his projects are set.
Ming Tiampo
Ming Tiampo is Professor of Art History, and co-director of the Centre for Transnational Cultural Analysis at Carleton University, Ottawa. She focuses on transcultural models and histories that provide new structures for understanding and reconfiguring the global. Tiampo is a member of the Hyundai Tate Research Centre: Transnational Advisory Board, a fellow at the Paul Mellon Centre for British Art, and a founding member of TrACE, the Transnational and Transcultural Arts and Culture Exchange network, among others.
Lisa Volpe
Lisa Volpe is the Associate Curator, Photography at the Museum of Fine Arts, Houston. Before arriving in Houston, she was the Curator of the Wichita Art Museum where she oversaw all areas of the museum’s collection. Additionally, she held various curatorial roles at the Santa Barbara Museum of Art (SBMA), and fellowships at the Los Angeles County Museum of Art (LACMA) and the Cleveland Museum of Art. Volpe’s expert knowledge of modern and contemporary photography is reflected in her creative record of exhibitions and publications.
Prospetto a Mare
October 21.2021 / April 14.2021
Prospetto a Mare (Prospectus to sea) examines the complicated colonial and postcolonial histories connecting East Africa and Europe.
ᐃᓅᓯᕋ | Inuusira
October 21.2021 / March 27.2022
Inuusira, meaning “my life”, features new work by Tarralik Duffy in dialogue with Pitseolak Ashoona’s prints and drawings from the gallery’s collection.
Collective Offerings
Collective Offerings responds to the fragmentation produced by colonialism and deepened by political, ecological, and health crises.
KC Adams Maada’oonidiwag (Coming together)
Art Gallery of Guelph launches Maada’oonidiwag (Coming together) by artist KC Adams.
Middlebrook Prize for Young Canadian Curators
The Middlebrook Prize for Young Canadian Curators is awarded annually to an emerging Canadian curator who is under 30 with the aim to foster social innovation and curatorial excellence in Canada.
Visible Storage Project
As a way to provide greater access to our permanent collection, the Art Gallery of Guelph is pleased to present our visible storage project.
A community art project aimed at documenting lived experiences during the COVID-19 isolation period.
Seth’s Living Room Suite
The Art Gallery of Guelph is pleased to announce the 40th permanent installation in the Donald Forster Sculpture Park.
Step x Step: Walking as Remapping
The Art Gallery of Guelph is pleased to present a series of walks that offer new insight into everyday landscapes in our community. | 2023-14/0000/en_head.json.gz/3482 | {"url": "https://artgalleryofguelph.ca/project/online-symposium-spectres-of-history/", "partition": "head_middle", "language": "en", "source_domain": "artgalleryofguelph.ca", "date_download": "2023-03-20T09:55:02Z", "digest": "sha1:JJEAK72BBPY35CHJALPR42UZX5FXKTQP"} | {"ccnet_length": [[0, 6674, 6674.0]], "ccnet_original_length": [[0, 6674, 8623.0]], "ccnet_nlines": [[0, 6674, 40.0]], "ccnet_original_nlines": [[0, 6674, 148.0]], "ccnet_language_score": [[0, 6674, 0.92]], "ccnet_perplexity": [[0, 6674, 317.5]], "ccnet_bucket": [[0, 6674, 0.0]], "rps_doc_curly_bracket": [[0, 6674, 0.0]], "rps_doc_ldnoobw_words": [[0, 6674, 0.0]], "rps_doc_lorem_ipsum": [[0, 6674, 0.0]], "rps_doc_stop_word_fraction": [[0, 6674, 0.29909614]], "rps_doc_ut1_blacklist": [[0, 6674, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 6674, 0.0]], 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Reading, Gaming, and Making, Oh My!: STEAM Education throughout History
By Adler Planetarium
Science, Technology, Engineering, the Arts, and Mathematics (STEAM) have long embodied the promise of understanding our world and making it a better one. For that promise to be fulfilled, younger generations must be exposed to STEAM and be given the opportunity to fully engage with it. In this exhibition we share how this has been done from the 16th century to the present; bringing together stories from our collections and from Adler programs.
Looking & ReadingAdler Planetarium
Globe dv Monde: Contenant vn bref traite du ciel & da la terreAdler Planetarium
Dialogues on Paper
In 1592 the French author Simon Girault published "Globe du monde," which presents the astronomy and cosmology of the time to a young audience. Originally written for Girault’s own children, the book is structured as a dialogue between two presumably young persons, Charles and Marguerite. The dialogue format was frequently used in science publications for children and young people, especially from the 18th century onwards.
Smith's illustrated astronomy: designed for the use of the public or common schools in the United States ; ill. with numerous original diagramsAdler Planetarium
The expansion of public education in the 19th century created new opportunities for teachers and publishers to engage with the production and trade of textbooks and teaching aids. This image is taken from Smith’s "Illustrated astronomy," a textbook authored by a school principal in New York named Asa Smith. This illustration, in the first pages, explains how the book is meant to be used - by directing the attention of students to the book’s images and diagrams (which in this case relate to the solar system), the teacher will help them better understands the subjects and concepts under study.
Astronomie populaire en tableaux transparents.Adler Planetarium
A Glowing Universe
This mid-19th century diagram compares the relative sizes and distances of the planets of the solar system. It is part of a set of transparencies that, as the name indicates, can be lit from behind, making the respective images glow. This simple visual trick worked with the magic lantern slides that were widely used at the time to animate public lectures. It helped capture the attention of young learners, and was applied to several aids produced and sold during this period.
Stories of starlandAdler Planetarium
The Children’s Astronomer
The publication of astronomy books for a non-expert readership grew in the 19th century, with some authors directing their efforts towards younger audiences. "Stories of Starland" is one of many astronomy books that Mary Proctor (1862-1957) wrote for children, and which earned her the moniker “the children’s astronomer”. Presented as a dialogue between a girl and her younger brother, whose illness prevents him from engaging in outdoor pastimes, the book combines storytelling with a conversational style that became the hallmark of Proctor’s remarkable career as a science writer and public lecturer.
Aquarius ProjectAdler Planetarium
Stories from Real Research
The Aquarius Project engages teen explorers from Chicago with the search for fragments of a meteorite nearly the size of a minivan that crashed into Lake Michigan on February 6, 2017. Not only are these teens keen participants in the research conducted by the project, they actively share their stories about it through a podcast and a blog titled “The Aquarius Project: The First Student-Driven Underwater Meteorite Hunt." By using modern media to address their adventures and achievements as well as their setbacks and lessons learned, they inspire fellow young explorers to embrace the joys and challenges of scientific research.
Watching and ListeningAdler Planetarium
Planetarium: TellurianAdler Planetarium
Worlds in Motion
In the 19th century, devices like this tellurian (a mechanical model of the Sun-Earth-Moon system) became a common presence in schools and other learning institutions, as well as in the family homes of the middle class. When the model is cranked, the motions of the Earth and the Moon in space are recreated before bystanders, many of whom would have been young people and children learning the basic concepts of astronomy.
The Solar SystemAdler Planetarium
Getting Youth Excited about Space
Published in 1961, this book was authored and illustrated by the prominent space artist Chesley Bonestell. The book is essentially a script for the set of slides containing Bonestell’s illustrations. It is also accompanied by an audio recording of the script, as narrated by the news anchor Walter Cronkite. Readers with a slide projector and a record player could thus create a multimedia experience that was intended to get a young audience excited about the space race.
School children gather at the gravity well in the New Universe ExhibitAdler Planetarium
Let’s See What Happens!
A group of children visiting the Adler Planetarium in 1983 attentively watch what happens when a sphere is released into a “Newton’s well”, a type of display used to this day to explain gravity and black holes. This sort of exhibit gained popularity in science museums, especially from the 1960s onwards. Though it still requires a mostly passive audience, it provides visitors, especially younger ones, with exciting demonstrations of concepts in physics.
GONet in the FieldAdler Planetarium
Watching the Real World
Young people can a do a lot more than watching simulations of natural phenomena; they can help advance science by watching the real world! A good example is the Adler Planetarium’s Team Stratonauts program, in which teens developed and tested the GONet (Ground Observing Network) camera for observing and monitoring the quality of the night sky. The goal is to better understand the impact of light pollution on our environment. Data and analysis from this program have been presented to the National Park Service and Forest Preserves District of Cook County to support an application for the 6,600 acre area around Little Red Schoolhouse to become the world’s second internationally recognized Urban Night Sky Place.
Playing and ImaginingAdler Planetarium
Globe: PocketAdler Planetarium
Holding the The Earth and the Sky
Pocket globes became popular in the 18th century. At once toys and educational aids, they covered both Earth and sky, by showing the constellations on the interior of a two-hemisphere case that contained a terrestrial globe. Their small size made them suitable to be handled by children, and thus to be used in the family environment to teach basic concepts in astronomy and geography.
The elements of astronomy and geography : explained on 40 cards, beautifully engraved and colouredAdler Planetarium
Guess the Card
Gamification, the use game-like elements such as points scoring and competition in other activities, can make the process of learning more attractive for children and young people. Both educators and publishers sought to take advantage of that. This late-18th century set of cards covers essential concepts in astronomy and geography. The learner looks at the illustration on a given card and has to correctly identify and explain what is shown. The answer is provided on the flipside of the card.
A key to Machan's astronomical mnemonical plates : forming a new system of astronomical mnemonics : or, a correct guide to the constellations...Adler Planetarium
With the rise of a middle class able to spend money on educational materials for young learners, 19th-century authors kept on exploring varied approaches to the study of astronomy. This illustration is part of a book that promises to help students easily memorize the names and features of the celestial bodies and to perform astronomical calculations mentally, through associations between images and stories in verse.
Adler Plantarium Youth Leadership CouncilAdler Planetarium
Imagination at Full STEAM
In recent years there has been a growing recognition that STEM - Science, Technology, Engineering, and Maths - can only advance and be efficiently mobilized towards positive social change if cultivated hand-in-hand with the arts. More than STEM, we need STEAM, and that is the motivation behind the Adler Planetarium’s youth-led program “BLACK HOLE: Teen Voices at the Adler”. Developed in collaboration with the Youth Leadership Council (YLC), it combines creative expression, critical thinking, and radical imagination to examine topics that are most relevant to teens and to society at large.
Experimenting and MakingAdler Planetarium
Three students with telescopesAdler Planetarium
Making Telescopes
Young telescope enthusiasts examine homemade instruments exhibited during a telescope fair hosted by the Adler Planetarium in the 1960s. Shortly after it opened in 1930, the Adler Planetarium opened its doors to the Amateur Telescope Movement, which engaged people of all ages in the United States and around the world with astronomical observing and the making of telescopes.
YOLO Students at Dark Sky PartAdler Planetarium
How Dark is the Night Sky?
Y.O.L.O. [Youth Organization for Lights Out] is a program hosted by the Adler Planetarium where hands-on STEAM learning and environmental justice converge to answer the following question: how dark is the night sky? By researching the night sky from Chicago’s Black and Brown neighborhoods, and National Park sites, the teen members of Y.O.L.O. learn about light pollution and its impact on human health, natural environments, and their communities through science and advocacy.
Astro Science WorkshopAdler Planetarium
Hands on Astronomy and Space Science
The Astro-Science Workshop (ASW) at the Adler Planetarium is a fun, intensive program about space exploration designed for high school students in the Chicago-area. ASW began more than 50 years ago during the space race and Apollo program and counts numerous scientists, engineers, business leaders, and a former NASA astronaut as alumni. ASW encourages participants to consider pursuing careers in science by offering the unique opportunity to work n hands-on activities with astronomers, engineers, and educators at the Adler Planetarium.
Thank you to the staff of the Adler Planetarium for their assistance in creating these images of our collection and this exhibition. Additional thank you to the Teen Programs staff and participants for their photos and highlights of the Adler Planetarium's Teen Programs.
For information please visit: https://www.adlerplanetarium.org/learn/teens/
Stories from Adler Planetarium
13 Stories with Captain James Lovell
Highlights of the Adler Planetarium: Archives
Highlights of the Adler Planetarium: Rare Books & Works on Paper
Pictures in the Sky
Voices of Apollo
The Kepler Code
Our Shining Star — The Sun
Raíces Bajo Las Estrellas: Rooted Under the Stars
Women in Science Communication and Utilizing Mutual Ground
Once Upon a Try
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Home/AR World Championship/Team Avaya of New Zealand are the 2022 Adventure Racing World Champions
Team Avaya of New Zealand are the 2022 Adventure Racing World Champions
Team Avaya – 2022 Adventure Racing World Champions
Team Avaya crossed the finish line of the 2022 Adventure Racing World Championship at 18.48 in the town of Tobati this evening to reclaim the title they last won on Reunion Island in 2018. The Kiwi team are World Champions in the toughest endurance sport of them all once again, for an incredible 7th time.
The team was lead by team captain Nathan Fa’avae, and included team regulars and navigators Chris Forne and Stu Lynch (who have both won world titles with other teams as well), and Simone Maier, who is new to the team.
Simone came into the team as a late replacement and although she knows the team well, had not raced with them before. Speaking afterwards Fa’avae said, “Simone has been amazing. She was in training and is a great athlete, but was not trained for an expedition race, so to step into this team so late was a big ask.”
Their race at Expedicion Guarani in Paraguay has not been trouble free, with a stop due to missed zip line and a 2 hour penalty for forgetting their tracker, but even so, no other team was able to challenge them in the final day of the race. On the finish line Forne praised the organisers for the race they had put on, and Fa’avae said it was something of a relief to take the title again as the expectation on the team is so high.
Fans from around the world watched the team win live on the Adventure Racing World Series Facebook and Instagram pages, where you can see the broadcasts, video and photo of the finish.
We will have a full interview of the team tomorrow, after they’ve had some rest.
Previous Three Teams Battle for the Adventure Racing World Title
Next Experience Counts for the top 5 teams at the Adventure Racing World Championship | 2023-14/0000/en_head.json.gz/3484 | {"url": "https://arworldseries.com/team-avaya-of-new-zealand-are-the-2022-adventure-racing-world-champions/", "partition": "head_middle", "language": "en", "source_domain": "arworldseries.com", "date_download": "2023-03-20T09:19:40Z", "digest": "sha1:2NV7EXHO4RURCQNFOHPVYTISBPJLEUMI"} | {"ccnet_length": [[0, 1913, 1913.0]], "ccnet_original_length": [[0, 1913, 6453.0]], "ccnet_nlines": [[0, 1913, 11.0]], "ccnet_original_nlines": [[0, 1913, 141.0]], "ccnet_language_score": [[0, 1913, 0.97]], "ccnet_perplexity": [[0, 1913, 334.0]], "ccnet_bucket": [[0, 1913, 0.0]], "rps_doc_curly_bracket": [[0, 1913, 0.0]], "rps_doc_ldnoobw_words": [[0, 1913, 0.0]], "rps_doc_lorem_ipsum": [[0, 1913, 0.0]], "rps_doc_stop_word_fraction": [[0, 1913, 0.42857143]], "rps_doc_ut1_blacklist": [[0, 1913, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1913, 0.08116883]], "rps_doc_frac_chars_dupe_5grams": [[0, 1913, 0.12597403]], "rps_doc_frac_chars_dupe_6grams": [[0, 1913, 0.10844156]], "rps_doc_frac_chars_dupe_7grams": [[0, 1913, 0.10844156]], "rps_doc_frac_chars_dupe_8grams": [[0, 1913, 0.08116883]], "rps_doc_frac_chars_dupe_9grams": [[0, 1913, 0.08116883]], "rps_doc_frac_chars_top_2gram": [[0, 1913, 0.06818182]], "rps_doc_frac_chars_top_3gram": [[0, 1913, 0.09090909]], "rps_doc_frac_chars_top_4gram": [[0, 1913, 0.06233766]], "rps_doc_frac_all_caps_words": [[0, 1913, 0.0025974]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1913, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1913, 0.11428571]], "rps_doc_frac_unique_words": [[0, 1913, 0.49127907]], "rps_doc_mean_word_length": [[0, 1913, 4.47674419]], "rps_doc_symbol_to_word_ratio": [[0, 1913, 0.0]], "rps_doc_unigram_entropy": [[0, 1913, 4.67103885]], "rps_doc_word_count": [[0, 1913, 344.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 99, 0.0], [99, 171, 0.0], [171, 222, 0.0], [222, 529, 1.0], [529, 748, 1.0], [748, 1064, 1.0], [1064, 1497, 1.0], [1497, 1682, 1.0], [1682, 1763, 1.0], [1763, 1828, 0.0], [1828, 1913, 0.0]], "rps_lines_javascript_counts": [[0, 99, 0.0], [99, 171, 0.0], [171, 222, 0.0], [222, 529, 0.0], [529, 748, 0.0], [748, 1064, 0.0], [1064, 1497, 0.0], [1497, 1682, 0.0], [1682, 1763, 0.0], [1763, 1828, 0.0], [1828, 1913, 0.0]], "rps_lines_num_words": [[0, 99, 14.0], [99, 171, 12.0], [171, 222, 8.0], [222, 529, 55.0], [529, 748, 40.0], [748, 1064, 59.0], [1064, 1497, 85.0], [1497, 1682, 32.0], [1682, 1763, 15.0], [1763, 1828, 10.0], [1828, 1913, 14.0]], "rps_lines_numerical_chars_fraction": [[0, 99, 0.04166667], [99, 171, 0.05633803], [171, 222, 0.08], [222, 529, 0.04304636], [529, 748, 0.0], [748, 1064, 0.0], [1064, 1497, 0.00234742], [1497, 1682, 0.0], [1682, 1763, 0.0], [1763, 1828, 0.0], [1828, 1913, 0.01176471]], "rps_lines_start_with_bulletpoint": [[0, 99, 0.0], [99, 171, 0.0], [171, 222, 0.0], [222, 529, 0.0], [529, 748, 0.0], [748, 1064, 0.0], [1064, 1497, 0.0], [1497, 1682, 0.0], [1682, 1763, 0.0], [1763, 1828, 0.0], [1828, 1913, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 99, 0.13131313], [99, 171, 0.11111111], [171, 222, 0.11764706], [222, 529, 0.04234528], [529, 748, 0.04109589], [748, 1064, 0.01582278], [1064, 1497, 0.01616628], [1497, 1682, 0.03783784], [1682, 1763, 0.01234568], [1763, 1828, 0.12307692], [1828, 1913, 0.08235294]], "rps_doc_ml_palm_score": [[0, 1913, 0.55621487]], "rps_doc_ml_wikipedia_score": [[0, 1913, null]], "rps_doc_ml_wikiref_score": [[0, 1913, 0.82363111]], "rps_doc_books_importance": [[0, 1913, -51.47744603]], "rps_doc_openwebtext_importance": [[0, 1913, 46.11974095]], "rps_doc_wikipedia_importance": [[0, 1913, 24.8101718]], "rps_doc_num_sentences": [[0, 1913, 12.0]]} |
Smiley Ying Yang Pattern 2.
Express Balance in an Unbalanced World
The yin yang symbol can be traced back to a Chinese philosophy called Taoism (also called Daoism) from the 4th century BC, representing the idea of living in harmony and finding balance within. According to Culture Trip, the dark side, called the yin, is connected to everything hard, negative, cold, wet or feminine while the light side, called the yang, is tied to all things soft, positive, warm, dry, and masculine. Taoism is considered more of a philosophy than a religion, teaching us that there is a higher power in the universe, called ‘the Way’ which has both yin and yang. | 2023-14/0000/en_head.json.gz/3485 | {"url": "https://ash59.com/collections/ying-yang/products/copy-of-001-tiger-cub-in-a-cup-cad-2", "partition": "head_middle", "language": "en", "source_domain": "ash59.com", "date_download": "2023-03-20T09:29:03Z", "digest": "sha1:YXBCZ4GPHTVE6TFMMZUMFPVCGTULSDYI"} | {"ccnet_length": [[0, 649, 649.0]], "ccnet_original_length": [[0, 649, 12104.0]], "ccnet_nlines": [[0, 649, 3.0]], "ccnet_original_nlines": [[0, 649, 255.0]], "ccnet_language_score": [[0, 649, 0.95]], "ccnet_perplexity": [[0, 649, 285.0]], "ccnet_bucket": [[0, 649, 0.0]], "rps_doc_curly_bracket": [[0, 649, 0.0]], "rps_doc_ldnoobw_words": [[0, 649, 0.0]], "rps_doc_lorem_ipsum": [[0, 649, 0.0]], "rps_doc_stop_word_fraction": [[0, 649, 0.34074074]], "rps_doc_ut1_blacklist": [[0, 649, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 649, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 649, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 649, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 649, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 649, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 649, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 649, 0.02321083]], "rps_doc_frac_chars_top_3gram": [[0, 649, 0.05029014]], "rps_doc_frac_chars_top_4gram": [[0, 649, 0.0]], "rps_doc_frac_all_caps_words": [[0, 649, 0.00740741]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 649, 0.0]], "rps_doc_frac_no_alph_words": [[0, 649, 0.17777778]], "rps_doc_frac_unique_words": [[0, 649, 0.69642857]], "rps_doc_mean_word_length": [[0, 649, 4.61607143]], "rps_doc_symbol_to_word_ratio": [[0, 649, 0.0]], "rps_doc_unigram_entropy": [[0, 649, 4.14990589]], "rps_doc_word_count": [[0, 649, 112.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 28, 1.0], [28, 67, 0.0], [67, 649, 1.0]], "rps_lines_javascript_counts": [[0, 28, 0.0], [28, 67, 0.0], [67, 649, 0.0]], "rps_lines_num_words": [[0, 28, 5.0], [28, 67, 6.0], [67, 649, 101.0]], "rps_lines_numerical_chars_fraction": [[0, 28, 0.03846154], [28, 67, 0.0], [67, 649, 0.00177936]], "rps_lines_start_with_bulletpoint": [[0, 28, 0.0], [28, 67, 0.0], [67, 649, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 28, 0.14285714], [28, 67, 0.1025641], [67, 649, 0.01890034]], "rps_doc_ml_palm_score": [[0, 649, 0.99586201]], "rps_doc_ml_wikipedia_score": [[0, 649, null]], "rps_doc_ml_wikiref_score": [[0, 649, 0.01222813]], "rps_doc_books_importance": [[0, 649, -3.84819263]], "rps_doc_openwebtext_importance": [[0, 649, 11.57072242]], "rps_doc_wikipedia_importance": [[0, 649, 17.48542]], "rps_doc_num_sentences": [[0, 649, 4.0]]} |
Did God Send a Prophet
to Rebuke John MacArthur?
Charismatic/ Spiritual Gifts
The video has now gone viral, providing embarrassment for the charismatic movement and fodder for those who deny that the prophetic gifts are for today.
A self-proclaimed prophet from Scotland disrupted a Sunday morning service on Aug. 16 as Pastor MacArthur stood behind the pulpit, rebuking him for teaching cessationism and for being divisive, announcing that he was a prophet sent by God. Pastor MacArthur listened quietly before security removed the man, who continued to call for repentance as he was escorted out the door.
Pastor MacArthur then responded like a completely composed, totally unruffled, senior statesman, using humor and assuring the congregants that the security team would handle the intruder with gentleness.
He explained that this uninvited guest claimed that it is heresy to say that spiritual gifts like tongues and prophecy have ceased and he added that, according to 1 Corinthians 14, the spirits of prophets are subject to the prophets and if this man were a real prophet, he wouldn't have behaved that way.
Of course, if you read about what the prophets did in the Old Testament and even in the New Testament (see Acts 21:10-11), a disruptive act like this would be quite minor. But I do believe in principles of order and honor, and Paul did instruct Timothy never to rebuke an older man (or elder) but rather to appeal to him (see 1 Timothy 5:1).
So, however you view this incident, it did make charismatics look bad.
As Pastor MacArthur continued to speak, he said "it's a sad situation" and "of all the things you could get upset about"—before he was disrupted by a baby crying, leading to more humor and laughter, after which he called on the congregation to stand with him as he read the Word of God before preaching.
Obviously, I have a real problem with the way things happened, bringing reproach to the gifts of the Spirit in the presence of the entire congregation, not to mention the many thousands who have viewed the video since it was posted.
And I've seen some ridiculous online comments posted to other videos like this one: "I heard online that John MacArthur receive[d] the medical RFID chip/mark of the beast and the Holy Spirit left him." We're supposed to take this stuff seriously?
But there's something else I have a problem with, and I've raised my voice about it for two years now, also reaching out to Pastor MacArthur publicly and privately to discuss or even debate the relevant issues. I'm speaking about the extreme rhetoric used by my elder brother in his attacks on my colleagues in the charismatic movement, including some of the most saintly, Jesus-loving, Word-based, spiritually minded people I know anywhere in the world.
I'm talking about charges he made loudly and publicly like this: "The charismatic movement is largely the reason the church is in the mess that it's in today. In virtually every area where church life is unbiblical, you can attribute it to the charismatic movement." He claimed we have "stolen the Holy Spirit and created a golden calf and they are dancing around the golden calf as if it is the Holy Spirit. ... The charismatic version of the Holy Spirit is that golden calf ... around which they dance with their dishonoring exercises."
Pastor MacArthur went as far as saying that we attributed "to the Holy Spirit even the work of Satan." In short, he called the charismatic movement "a farce and a scam" that "has not changed into something good," claiming that it represents "the explosive growth of a false church, as dangerous as any cult or heresy that has ever assaulted Christianity."
Accordingly, he calls for a "collective war" against these alleged "pervasive abuses on the Spirit of God." He stated: "Satan's false teachers, marching to the beat of their own illicit desires, gladly propagate his errors. They are spiritual swindlers, con men, crooks and charlatans." And, he continued, "By inventing a Holy Spirit of idolatrous imaginations, the modern charismatic movement offers strange fire that has done incalculable harm to the body of Christ. Claiming to focus on the third member of the Trinity, it has in fact profaned His name and denigrated His true work." (I document every quote, in context, in Authentic Fire.)
Although I do not know the man from Scotland who disrupted Pastor MacArthur's service, I suspect that what upset him was not so much the doctrine of cessationism but rather the aggressive and divisive way in which Pastor MacArthur has taught it, maligning many of God's choice servants and mocking those who worship the Lord in ways that are unfamiliar to him.
And so, once more, I appeal to my esteemed colleague, who has done so much good for the cause of Christ for so many decades and who has stood like a rock in the midst of spiritual compromise: Dear brother, you were gentle and gracious after that incident in your church. Would to God that you would display that same grace in your public differences with those of us in the charismatic movement—more than a half-billion strong—and would to God you would display that same grace and agree to sit down privately and discuss the relevant issues as men of God.
How can that not be to the glory of Jesus' name and to the good of His people? | 2023-14/0000/en_head.json.gz/3486 | {"url": "https://askdrbrown.org/article/did-god-send-a-prophet-to-rebuke-john-macarthur", "partition": "head_middle", "language": "en", "source_domain": "askdrbrown.org", "date_download": "2023-03-20T09:14:28Z", "digest": "sha1:77WRFRU7MJOFIPYVTWJR6O7AACNQXLJ4"} | {"ccnet_length": [[0, 5304, 5304.0]], "ccnet_original_length": [[0, 5304, 5951.0]], "ccnet_nlines": [[0, 5304, 19.0]], "ccnet_original_nlines": [[0, 5304, 55.0]], "ccnet_language_score": [[0, 5304, 0.97]], "ccnet_perplexity": [[0, 5304, 336.1]], "ccnet_bucket": [[0, 5304, 0.0]], "rps_doc_curly_bracket": [[0, 5304, 0.0]], "rps_doc_ldnoobw_words": [[0, 5304, 0.0]], "rps_doc_lorem_ipsum": [[0, 5304, 0.0]], "rps_doc_stop_word_fraction": [[0, 5304, 0.45437441]], "rps_doc_ut1_blacklist": [[0, 5304, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 5304, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 5304, 0.01317647]], "rps_doc_frac_chars_dupe_6grams": [[0, 5304, 0.01317647]], "rps_doc_frac_chars_dupe_7grams": [[0, 5304, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 5304, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 5304, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 5304, 0.00941176]], "rps_doc_frac_chars_top_3gram": [[0, 5304, 0.02588235]], "rps_doc_frac_chars_top_4gram": [[0, 5304, 0.00894118]], "rps_doc_frac_all_caps_words": [[0, 5304, 0.01411101]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 5304, 0.0]], "rps_doc_frac_no_alph_words": [[0, 5304, 0.13452493]], "rps_doc_frac_unique_words": [[0, 5304, 0.44309392]], "rps_doc_mean_word_length": [[0, 5304, 4.6961326]], "rps_doc_symbol_to_word_ratio": [[0, 5304, 0.00188147]], "rps_doc_unigram_entropy": [[0, 5304, 5.33788055]], "rps_doc_word_count": [[0, 5304, 905.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 23, 0.0], [23, 49, 1.0], [49, 78, 0.0], [78, 231, 1.0], [231, 608, 1.0], [608, 812, 1.0], [812, 1117, 1.0], [1117, 1459, 1.0], [1459, 1530, 1.0], [1530, 1834, 1.0], [1834, 2067, 1.0], [2067, 2314, 1.0], [2314, 2769, 1.0], [2769, 3308, 0.0], [3308, 3664, 0.0], [3664, 4308, 0.0], [4308, 4669, 1.0], [4669, 5226, 1.0], [5226, 5304, 1.0]], "rps_lines_javascript_counts": [[0, 23, 0.0], [23, 49, 0.0], [49, 78, 0.0], [78, 231, 0.0], [231, 608, 0.0], [608, 812, 0.0], [812, 1117, 0.0], [1117, 1459, 0.0], [1459, 1530, 0.0], [1530, 1834, 0.0], [1834, 2067, 0.0], [2067, 2314, 0.0], [2314, 2769, 0.0], [2769, 3308, 0.0], [3308, 3664, 0.0], [3664, 4308, 0.0], [4308, 4669, 0.0], [4669, 5226, 0.0], [5226, 5304, 0.0]], "rps_lines_num_words": [[0, 23, 5.0], [23, 49, 4.0], [49, 78, 3.0], [78, 231, 25.0], [231, 608, 60.0], [608, 812, 28.0], [812, 1117, 54.0], [1117, 1459, 65.0], [1459, 1530, 12.0], [1530, 1834, 55.0], [1834, 2067, 41.0], [2067, 2314, 41.0], [2314, 2769, 75.0], [2769, 3308, 92.0], [3308, 3664, 61.0], [3664, 4308, 103.0], [4308, 4669, 62.0], [4669, 5226, 101.0], [5226, 5304, 18.0]], "rps_lines_numerical_chars_fraction": [[0, 23, 0.0], [23, 49, 0.0], [49, 78, 0.0], [78, 231, 0.0], [231, 608, 0.00542005], [608, 812, 0.0], [812, 1117, 0.01003344], [1117, 1459, 0.02752294], [1459, 1530, 0.0], [1530, 1834, 0.0], [1834, 2067, 0.0], [2067, 2314, 0.0], [2314, 2769, 0.0], [2769, 3308, 0.0], [3308, 3664, 0.0], [3664, 4308, 0.0], [4308, 4669, 0.0], [4669, 5226, 0.0], [5226, 5304, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 23, 0.0], [23, 49, 0.0], [49, 78, 0.0], [78, 231, 0.0], [231, 608, 0.0], [608, 812, 0.0], [812, 1117, 0.0], [1117, 1459, 0.0], [1459, 1530, 0.0], [1530, 1834, 0.0], [1834, 2067, 0.0], [2067, 2314, 0.0], [2314, 2769, 0.0], [2769, 3308, 0.0], [3308, 3664, 0.0], [3664, 4308, 0.0], [4308, 4669, 0.0], [4669, 5226, 0.0], [5226, 5304, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 23, 0.17391304], [23, 49, 0.15384615], [49, 78, 0.10344828], [78, 231, 0.00653595], [231, 608, 0.02917772], [608, 812, 0.01470588], [812, 1117, 0.00655738], [1117, 1459, 0.03216374], [1459, 1530, 0.01408451], [1530, 1834, 0.01973684], [1834, 2067, 0.01287554], [2067, 2314, 0.05263158], [2314, 2769, 0.02197802], [2769, 3308, 0.02040816], [3308, 3664, 0.02247191], [3664, 4308, 0.02795031], [4308, 4669, 0.033241], [4669, 5226, 0.01436266], [5226, 5304, 0.03846154]], "rps_doc_ml_palm_score": [[0, 5304, 0.7852025]], "rps_doc_ml_wikipedia_score": [[0, 5304, null]], "rps_doc_ml_wikiref_score": [[0, 5304, 0.23745745]], "rps_doc_books_importance": [[0, 5304, 149.76398884]], "rps_doc_openwebtext_importance": [[0, 5304, 117.76694647]], "rps_doc_wikipedia_importance": [[0, 5304, -122.11643465]], "rps_doc_num_sentences": [[0, 5304, 33.0]]} |
Leading Funds including Societe Generale Pick up stake in Karda Construction Ltd
Mumbai (Maharashtra) [India], December 4: BSE & NSE listed Karda Constructions Limited (KCL), a leading player in the affordable and mid-income housing segment in its home turf Nashik, Maharashtra. As per bulk deal data available on NSE, France based Fund, SocieteGenerale bought 36,00,000 shares at Rs. 16.65 of Karda Construction Ltd on 2 December 2021. Further, Eriska Investment Fund Ltd. also picked up 31,00,000 shares on 3 December 2021.
KCL had been recently awarded with ‘Business Excellence’ by ‘Adsync’ for extraordinary service and dedication in the field of ‘Elite affordable housing’ for 2021.
Karda Constructions Ltd is a First-Generation Construction Company in Maharashtra and Western India with a disciplined and professional approach. The Company was founded and promoted by Mr. Naresh Karda in the year 2007. Promoters have an experience of more than 25 years in the construction industry. The company has established a brand name as “Hari” for all its projects.
The company’s business activity falls within two business segments – Development of Real Estate Properties and Civil Contracting Business.
Surat (Gujarat) [India], March 20: Shivay Safety Solutions (Shivay Fire & Life Safety India Pvt Ltd.) is a leading fire protection and life safety company based in India. Founded by Dhruv Patel, Shivay Safety Solutions is overcoming the lack of professionalism in the Indian fire protection and life safety industry. Our Ideology: Our Vision is to […]
New Delhi (India), March 20: INBOX PICTURES PVT LTD introducing legendary Actor Mithun Chakraborty’s son Namashi Chakraborty & Amrin. They are ready to set the silver screen on fire with his debut film “Bad boy”. The song Tera Hua from the film that is already out to the public is raking in millions of views on […]
New Delhi (India), March 20: Suryansh is a playback singer, music producer, arranger and composer. Known for films like Mili, Vikram Vedha, Dil Bechara, Atrangi Re, Mimi, and Ponniyin Selvan. He also worked on House of Secrets as a composer/producer under Qutub-e-Kripa, a composer collective by A.R. Rahman. Born and raised in Vidisha, Madhya Pradesh, Suryansh’s […] | 2023-14/0000/en_head.json.gz/3487 | {"url": "https://assianews.com/leading-funds-including-societe-generale-pick-up-stake-in-karda-construction-ltd/9782/", "partition": "head_middle", "language": "en", "source_domain": "assianews.com", "date_download": "2023-03-20T08:54:04Z", "digest": "sha1:PTZYBO327NHMCCWH5EZP5V5DHGXFUHC2"} | {"ccnet_length": [[0, 2239, 2239.0]], "ccnet_original_length": [[0, 2239, 4506.0]], "ccnet_nlines": [[0, 2239, 8.0]], "ccnet_original_nlines": [[0, 2239, 72.0]], "ccnet_language_score": [[0, 2239, 0.95]], "ccnet_perplexity": [[0, 2239, 259.4]], "ccnet_bucket": [[0, 2239, 0.0]], "rps_doc_curly_bracket": [[0, 2239, 0.0]], "rps_doc_ldnoobw_words": [[0, 2239, 0.0]], "rps_doc_lorem_ipsum": [[0, 2239, 0.0]], "rps_doc_stop_word_fraction": [[0, 2239, 0.24161074]], "rps_doc_ut1_blacklist": [[0, 2239, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2239, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2239, 0.05321508]], "rps_doc_frac_chars_dupe_6grams": [[0, 2239, 0.0232816]], "rps_doc_frac_chars_dupe_7grams": [[0, 2239, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2239, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2239, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2239, 0.01385809]], "rps_doc_frac_chars_top_3gram": [[0, 2239, 0.01995565]], "rps_doc_frac_chars_top_4gram": [[0, 2239, 0.0232816]], "rps_doc_frac_all_caps_words": [[0, 2239, 0.0246085]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2239, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2239, 0.23489933]], "rps_doc_frac_unique_words": [[0, 2239, 0.61253561]], "rps_doc_mean_word_length": [[0, 2239, 5.13960114]], "rps_doc_symbol_to_word_ratio": [[0, 2239, 0.00671141]], "rps_doc_unigram_entropy": [[0, 2239, 5.06451605]], "rps_doc_word_count": [[0, 2239, 351.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 81, 0.0], [81, 526, 1.0], [526, 689, 1.0], [689, 1064, 1.0], [1064, 1203, 1.0], [1203, 1555, 0.0], [1555, 1872, 0.0], [1872, 2239, 0.0]], "rps_lines_javascript_counts": [[0, 81, 0.0], [81, 526, 0.0], [526, 689, 0.0], [689, 1064, 0.0], [1064, 1203, 0.0], [1203, 1555, 0.0], [1555, 1872, 0.0], [1872, 2239, 0.0]], "rps_lines_num_words": [[0, 81, 12.0], [81, 526, 68.0], [526, 689, 24.0], [689, 1064, 59.0], [1064, 1203, 19.0], [1203, 1555, 56.0], [1555, 1872, 56.0], [1872, 2239, 57.0]], "rps_lines_numerical_chars_fraction": [[0, 81, 0.0], [81, 526, 0.06937799], [526, 689, 0.02484472], [689, 1064, 0.01630435], [1064, 1203, 0.0], [1203, 1555, 0.00598802], [1555, 1872, 0.00653595], [1872, 2239, 0.0058309]], "rps_lines_start_with_bulletpoint": [[0, 81, 0.0], [81, 526, 0.0], [526, 689, 0.0], [689, 1064, 0.0], [1064, 1203, 0.0], [1203, 1555, 0.0], [1555, 1872, 0.0], [1872, 2239, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 81, 0.09876543], [81, 526, 0.08314607], [526, 689, 0.04294479], [689, 1064, 0.048], [1064, 1203, 0.05755396], [1203, 1555, 0.07386364], [1555, 1872, 0.10725552], [1872, 2239, 0.07901907]], "rps_doc_ml_palm_score": [[0, 2239, 0.00493902]], "rps_doc_ml_wikipedia_score": [[0, 2239, null]], "rps_doc_ml_wikiref_score": [[0, 2239, 0.23285323]], "rps_doc_books_importance": [[0, 2239, -185.84005906]], "rps_doc_openwebtext_importance": [[0, 2239, -30.7570842]], "rps_doc_wikipedia_importance": [[0, 2239, -4.03955314]], "rps_doc_num_sentences": [[0, 2239, 24.0]]} |
Example: Milestone Two
The following is an example of a Milestone Two submission. Note that this is only an example, so it may need to be revised in order to meet all of the Milestone Two requirements. Click on each blue highlighted area below to learn more about areas where the essay needs improvement. Feel free to refer back to the Milestone Two Guidelines and Rubric to consider how well this paper meets those guidelines. The following is an evaluation of the student’s submision according to that rubric:
Introduction, Artworks: 2 of 2 points possible (100%)
Introduction, Argument/Idea: 1.5 of 2 points possible (75%)
Historical Background, Relationship: 8 out of 8 points possible (100%)
Historical Background, Influence/Shape: 9 of 9 points possible (100%)
Similarities/Differences, Similar: 6 of 8 points possible (75%)
Similarities/Differences, Different: 6.75 of 9 points possible (75%)
Similarities/Differences, Express: 6.75 of 9 points possible (75%)
Similarities/Differences, Represent: 6.75 of 9 points possible (75%)
Modern Influence, Expression: 6 of 6 points possible (100%)
Modern Influence, Influence or Define: 6 of 6 points possible (100%)
Modern Influence, Learn: 4.5 of 6 points possible (75%)
Modern Influence, Echo: 6 of 6 points possible (100%)
Modern Influence, Archeytpe: 4.5 of 6 points possible (75%)
Modern Influence, Parallels: 4.5 of 6 points possible (75%)
Articulation of Response: 5 out of 5 points possible (100%)
Total Points: 84.25 of 100 points possible for a B+ submission
Artist’s Name: Simone Martini
Title: The Annunciation
Style movement: Medieval Gothic
Date: c. 1333
Location: Uffizi Art Gallery
Literary Work: The Divine Comedy
Author’s Name: Dante Aligheiri
Title of Illustration (above): Plate IX, Canto III
Illustrator: Gustave Doré
FAS 201: Introduction to the Humanities
Comparing and Contrasting Two Annunciation Paintings
For the final project I will compare two works of art and consider how a theme they both share finds expression in contemporary ideas and events. The visual work of art is by Simone Martini and is titled The Annunciation. Martini’s Annunciation was painted in approximately 1333 in Italy and represents a Medieval Gothic painting style. The literary artwork I will consider is The Divine Comedy, an epic poem penned by the Italian author Dante Aligheiri in 1320. I will compare the themes and tone of the works of art, as well as the experiences and attitudes of the main “characters” of each, the Virgin Mary and Dante. I will connect these commonalities to the contemporary experience of believers, in particular those who have their faith challenged by secular ideas, scientific theories, and other world events.
Martini and Lemmi’s Annunciation was painted in Italy during the Medieval period and in a Gothic style. Artwork created during the Medieval period “emphasized Christian faith with an emphasis on the afterlife [and]…respect for social and religious hierarchy” (MindEdge). Medieval painting often took the form of altarpieces, which is what The Annunciation is. Altarpieces were displayed in churches and with the intention of teaching churchgoers, visually, about significant moments in the Bible (Fiero 165). Altarpieces, such as Martini and Lemmi’s, were painted in tempera. The rich, densely saturated colors in the painting contrasted with gold leaf. The gold leaf reflected the candlelight in the church, which no doubt provided a dramatic impact that drew more attention to the subject matter in the painting (Fiero 165; Uffizi). Many Gothic paintings, like The Annunciation, still used the flat, one-dimensional Byzantine style but incorporated more “natural and expressive body positions” (Fiero 165; MindEdge). The goal of Medieval Gothic art was “not to imitate optical reality, but rather to teach spiritual truths,” and you can see the flat perspective, curved body positions, and focus on spiritual truths represented in Martini and Lemmi’s painting (MindEdge).
Dante Aligheiri’s The Divine Comedy was written in Italy during the Medieval period, and it has since come to be seen as one of the most important and masterful Italian texts. Issues of faith were standard for Medieval Italian literature, and The Divine Comedy explores these issues in the format of a lengthy epic poem. The political context in which Aligheiri authored the poem was tumultuous. He was heavily involved with politics, and as a result he was eventually exiled when the opposing party took power. After being exiled, he moved about from place to place, finding time and financial support to write during those journeys (Kumar). Those travels are not unlike the travels the protagonist of his most famous literary work undertakes in search of salvation. The powerful imagery of the language has also made The Divine Comedy a popular text for illustration, thereby inspiring countless visual works of art.
Martini and Lemmi’s Annunciation and Dante Alighieri’s The Divine Comedy, although artworks of different mediums and of vastly different scopes, are similar in many ways. To begin, the two works have similar origins. Both are of Italian origin and were created during the medieval period.
Furthermore, both works of art depict the annunciation, which is an important moment in the Christian tradition, the moment when the angel Gabriel appears before the Virgin Mary to declare that she will bear the son of God. However, the annunciation is just one event in a series of events in The Divine Comedy, which chronicles its protagonists journey through hell, purgatory, and finally heaven. On the other hand, it is the only event depicted and the focus of Martini and Lemmi’s, The Annunciation. This difference in the scope of the two artworks is largely a result of their different mediums. The Annunciation is a one-dimensional painting, whereas The Divine Comedy is a sizable epic poem.
In addition to being from approximately the same time and place, the subject matter of these artworks overlap in important ways. Both works deal, in particular, with issues of faith and with a recognition of the will of God. In The Annunciation, the Virgin Mary is depicted as reacting to the news, delivered by the angel Gabriel, that she will soon bear the Son of God. Her position in the image, the fact that she is leaning away as the other characters and lines in the artwork lean toward her, indicates she is surprised and perhaps challenged by his message. However, she quickly comes to embrace this information, a clear testimony to her unwavering faith. The protagonist of The Divine Comedy, Dante, also faces issues of faith. His journey encourages him to consider the will of God and to realize that salvation is only possible after giving over entirely to that will.
This theme of faith in the face of adversity is not irrelevant for religious believers in today’s society. Believers may face many crises of faith, some of which are the result of particularly modern events, like scientific advancements and the spread of secular ideals. The number of Americans identifying themselves as having no religious affiliations are rising, increasing from 16 percent to 20 percent between 2008 and 2012 (Worthen). Scientific explanations seemingly leave increasingly less room for the attribution of miracles, nor is a belief in some higher power necessary for understanding many facts about the world in which we live. While there is no obvious reason why these scientific explanation are not compatible with religion conviction, they may challenge faith based reasoning.
Fiero, Gloria K. Landmarks in the Humanities. 2nd ed. Boston: McGraw-Hill Higher Education, 2009. Print.
Kumar, Akash. “Historical Context for the Divine Comedy by Dante.” Columbia University. Web. 16 November 2015.
MindEdge. FAS 201: Introduction to the Humanities. MindEdge, Inc., 2015. Web. 25 July 2015.
National Gallery of Art. “The Annunciation.” National Gallery of Art. Web. 15 July 2015.
Uffizi Gallery. “Annunciation by Simone Martini and Lippo Memmi.” Guide to Uffizi Art Gallery. Web. 16 July 2015.
Worthen, Molly. “One Nation Under God?” The New York Times, 22 December 2012. Web. 16 November 2015.
https://assignmentspool.com/wp-content/uploads/2021/01/logo-300x60.png 0 0 Davie https://assignmentspool.com/wp-content/uploads/2021/01/logo-300x60.png Davie2019-06-28 12:54:112019-06-28 12:54:11Milestone
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Folkloric and exotic dances of India
India has a great variety of dances, some of them ancient and others modern. In all of them, the clothing that is used and the movements that are carried out stand out.
Contrary to what some people think, the representative dances of India are not the same as the Arab dances. Although they have certain elements in common, their characteristics are different. In this article, we talk about the most important ones:
Kathakali
Kuchipudi
Mohiniyattam
Manipuria
sattriya
Other dances
bhangra
kabelia
Classical dances are a set of dances from India that have centuries of history and therefore have become a symbol of their culture. They are as follows:
This dance was developed in the state of Odisha, in the east of the country, and has more than 2.000 years old. Although it was prohibited during the English occupation, it was rescued thanks to the manuscripts and sculptures.
Its objective is to describe emotions through the body and the poetry that is recited. In it, the body is divided into three parts: the head, the chest and the pelvis. This partition is called tribhangi. Throughout its development, we can talk about three different schools:
It was learned by girls in temples, so it was considered sacred.
nartaki
It is the one that was practiced in the royal palaces.
gotipua
It began to be danced by men dressed as women from the XNUMXth century on.
Odissi: One of the Classical Dances of India - by Brendan
The concept bharatanatyam It is made up of different words:
Bah: Of bhavam. It means expression.
Ra: comes from the word variety. It translates as music.
Ta: Of talam. Is rhythm.
natyam: it means dance.
Its origin is in Tamil Nandu, south of India. It is a reconstruction of a sacred dance that was practiced in temples. In it, the expression with the face and hands stands out, with which mudras are made.
Mudras are hand gestures that are sacred to Buddhists and Hindus.
It is interpreted individually and must be learned from a young age. This dance is intended to tell stories. It is a dance associated with fire and has a feminine part (lasya), and a male (anandathandavam).
The mudras in the Indian dance of bharatanatyam
Dance kathakali comes from Kerala, in the south of the country. What stands out most about her is that she is dramatized. In addition, the dancers wear impressive costumes and make up their faces.
The characters that usually appear in this dance are the heroes, called satvika; the heroic divinities, pacha; and the cathi, the anti heroes. In this video we can see how surprising it is:
El cathak originated in the north of the country. In it, the interpreters also pretend to tell a story. The pace starts out slow and builds up little by little.
This dance has influences from sacred dances, from the Hindu movement called bhakti and of Persian and Asian dances. There are two styles: the pure or nitta and the expressive o nritya.
This dance developed in the Andhra Pradesh region of southern India around the XNUMXst century BC. It has elements in common with the bharatanatyam, but it has unique features.
With him, sacred stories are also told, mudras are made with the hands and the expression of the face is used. Formerly, it was only danced by hombresBut nowadays women do it too.
In Kerala we find the mohiniyattam, word that means dance of the enchantress. In it, the hip movements attract attention. In her choreography there are both smooth movements and jumps.
El sari The dress that is usually used is white with some golden details. There are two types, the pure dance and the exhibition dance. It is only practiced by women.
The origin and meaning of mohiniyattam - by Thejas Panarkandy
The manipuri comes from Manipur, in northeast India, near the border with Myanmar. Unlike in other dances, in this one the feet rest gently on the floor.
This exotic dance is characteristic of the state of Assam. Before it was a dance of monks, but later women and people who did not belong to the monasteries or sattras they started dancing it.
https://www.youtube.com/watch?v=P-_UmSTMSgY
Bollywood It is the film industry that we find in India, specifically in Bombay. Hence its name, which is a fusion between Bombay y Hollywood. In the films produced here, choreographies abound in pairs or in groups.
These dances are a set of movements from classical dances, Hindu folklore and modern dances. For this reason, they are currently quite well known around the world.
Every year new songs are made famous. One of the ones that has stood out the most so far has been the song Jai Hoby the musician AR Rahman. This one appears in the movie Slumdog Millionaire and won the Oscar for the best original song in 2008. We can see his dance in the following video:
https://www.youtube.com/watch?v=5F2wvJr6WUA
In addition to the classical and modern dances, we find some characteristic dances of certain areas of India that have lasted over time:
El bhangra, Meaning flooded with joy, belongs to the Punjab region, in the north of the territory. Originally, it was practiced by peasants to celebrate the beginning of spring and the harvest season.
With it a kind of communication between heaven and earth is interpreted, which are the arms and legs. It has an intense rhythm and the blows with the feet stand out. Since the 1970s it has become quite popular around the world.
Dance kabelia comes from nomadic tribes gypsy women from Rajasthan in northern India. These towns are characterized by the training of snakes and, therefore, are known as snake charmers.
The dance they have developed imitates the movements of cobras. It is performed during the holidays. The dancers wear bells on their feet, with which they set the rhythm.
By: Eva Gómez
Belén 22/06/2017
I love bolibud dances, they are very fun. Can you recommend a movie where you dance like this?
These indigenous dances seem beautiful to me. Also, some of them are easy, so they are ideal for dancing with children. My favorite is the bhangra.
paula torrez 16/05/2017
Yes yes yes, fascinating !!
nahir 16/12/2015
The part that I have read is good and very interesting.
hill 10/04/2015
There is also the Bollywood dance that my friend Aitana and I dance.
Kareena Kapoor can dance, maybe she does it very well.
yiseth ariza 01/09/2015
Here I leave you some videos, not only from Kareena Kapoor, but also from Deepika, Katrina, Aisha, Neha Kakkar and Lella :) and many more. Look here are the videos:
https://www.youtube.com/watch?v=q949-B6cEBA
https://www.youtube.com/watch?v=-nnm9JXRZQ8
https://www.youtube.com/watch?v=MQM7CNoAsBI
I love. If you want more, talk to me. I know a lot about India, especially about its music and I also speak a little Hindi, so if you want ...;) And my boyfriend is Hindi! We can help you with whatever you want.
walter 11/11/2015
How could you define the traditional dance (that of the archaic civilization) of India?
breylin grajales 10/06/2016
Excuse me, I am interested in knowing a lot about this culture.
yimi 27/08/2009
It is good and interesting.
Gypsy ethnicity
Traditions and customs
Major religions
Typical drink
Larger animals
African flags
Typical dances of India
Weather in Bora Bora
Consulate or embassy
Where the famous spend the summer
Sydney Mardi Gras Festival
United States anthem
Brazilian musical instruments
Hotels without children
Volcanic lava
Christmas in the world
Insular America Countries
Meaning of the gay flag
Traditions of Turkey
Reproductive tourism
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Martin Luther King Jr. Holiday | 2023-14/0000/en_head.json.gz/3490 | {"url": "https://asucm.ucmerced.edu/events/martin-luther-king-jr-holiday", "partition": "head_middle", "language": "en", "source_domain": "asucm.ucmerced.edu", "date_download": "2023-03-20T09:14:27Z", "digest": "sha1:4O247IF3CUXWCDWBE4APAEIGM2JDQ62B"} | {"ccnet_length": [[0, 30, 30.0]], "ccnet_original_length": [[0, 30, 2652.0]], "ccnet_nlines": [[0, 30, 1.0]], "ccnet_original_nlines": [[0, 30, 126.0]], "ccnet_language_score": [[0, 30, 0.53]], "ccnet_perplexity": [[0, 30, 131.3]], "ccnet_bucket": [[0, 30, 0.0]], "rps_doc_curly_bracket": [[0, 30, 0.0]], "rps_doc_ldnoobw_words": [[0, 30, 0.0]], "rps_doc_lorem_ipsum": [[0, 30, 0.0]], "rps_doc_stop_word_fraction": [[0, 30, 0.0]], "rps_doc_ut1_blacklist": [[0, 30, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 30, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 30, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 30, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 30, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 30, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 30, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 30, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 30, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 30, 0.0]], "rps_doc_frac_all_caps_words": [[0, 30, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 30, 0.0]], "rps_doc_frac_no_alph_words": [[0, 30, 0.16666667]], "rps_doc_frac_unique_words": [[0, 30, 1.0]], "rps_doc_mean_word_length": [[0, 30, 5.0]], "rps_doc_symbol_to_word_ratio": [[0, 30, 0.0]], "rps_doc_unigram_entropy": [[0, 30, 1.60943791]], "rps_doc_word_count": [[0, 30, 5.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 30, 0.0]], "rps_lines_javascript_counts": [[0, 30, 0.0]], "rps_lines_num_words": [[0, 30, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 30, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 30, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 30, 0.16666667]], "rps_doc_ml_palm_score": [[0, 30, -9.42e-06]], "rps_doc_ml_wikipedia_score": [[0, 30, null]], "rps_doc_ml_wikiref_score": [[0, 30, -1.001e-05]], "rps_doc_books_importance": [[0, 30, -2.79564545]], "rps_doc_openwebtext_importance": [[0, 30, -2.30853371]], "rps_doc_wikipedia_importance": [[0, 30, -0.61886564]], "rps_doc_num_sentences": [[0, 30, 2.0]]} |
(Reuters) - Johnson & Johnson (JNJ.N) suffered its first trial loss in a lawsuit claiming its talc-based products including Johnson’s Baby Powder contain cancer-causing asbestos, with a New Jersey jury on Thursday ordering J&J and another company to pay $37 million in damages.
The verdict of liability in Middlesex County Superior Court in New Brunswick came as J&J fights thousands of cases claiming its talc products can also cause ovarian cancer. The jury found J&J and another company liable after more than two months of trial. | 2023-14/0000/en_head.json.gz/3491 | {"url": "https://awclaw.com/lawyer/2018/04/06/Unsafe-Products-and-Medications/JJ-loses-trial-over-claims-linking-cancer-to-asbestos-in-talc_bl33749.htm", "partition": "head_middle", "language": "en", "source_domain": "awclaw.com", "date_download": "2023-03-20T10:30:45Z", "digest": "sha1:CXSU4J2W22U5RWPMDM2MXLB3XK5FH4J6"} | {"ccnet_length": [[0, 533, 533.0]], "ccnet_original_length": [[0, 533, 142068.0]], "ccnet_nlines": [[0, 533, 2.0]], "ccnet_original_nlines": [[0, 533, 2340.0]], "ccnet_language_score": [[0, 533, 0.95]], "ccnet_perplexity": [[0, 533, 195.2]], "ccnet_bucket": [[0, 533, 0.0]], "rps_doc_curly_bracket": [[0, 533, 0.0]], "rps_doc_ldnoobw_words": [[0, 533, 0.0]], "rps_doc_lorem_ipsum": [[0, 533, 0.0]], "rps_doc_stop_word_fraction": [[0, 533, 0.28440367]], "rps_doc_ut1_blacklist": [[0, 533, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 533, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 533, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 533, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 533, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 533, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 533, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 533, 0.05104408]], "rps_doc_frac_chars_top_3gram": [[0, 533, 0.05568445]], "rps_doc_frac_chars_top_4gram": [[0, 533, 0.08816705]], "rps_doc_frac_all_caps_words": [[0, 533, 0.0733945]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 533, 0.0]], "rps_doc_frac_no_alph_words": [[0, 533, 0.17431193]], "rps_doc_frac_unique_words": [[0, 533, 0.76190476]], "rps_doc_mean_word_length": [[0, 533, 5.13095238]], "rps_doc_symbol_to_word_ratio": [[0, 533, 0.0]], "rps_doc_unigram_entropy": [[0, 533, 4.06555577]], "rps_doc_word_count": [[0, 533, 84.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 278, 1.0], [278, 533, 1.0]], "rps_lines_javascript_counts": [[0, 278, 0.0], [278, 533, 0.0]], "rps_lines_num_words": [[0, 278, 41.0], [278, 533, 43.0]], "rps_lines_numerical_chars_fraction": [[0, 278, 0.00763359], [278, 533, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 278, 0.0], [278, 533, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 278, 0.05395683], [278, 533, 0.04705882]], "rps_doc_ml_palm_score": [[0, 533, 0.20296693]], "rps_doc_ml_wikipedia_score": [[0, 533, null]], "rps_doc_ml_wikiref_score": [[0, 533, 0.21740985]], "rps_doc_books_importance": [[0, 533, -55.26470619]], "rps_doc_openwebtext_importance": [[0, 533, -7.13405522]], "rps_doc_wikipedia_importance": [[0, 533, -0.13316707]], "rps_doc_num_sentences": [[0, 533, 4.0]]} |
Question: i have a one year old son i am not married to the father as it turns out he is a mean drunk.i want to move back home to needles ,calif .. I am scared cause he tells me i cant leave with our son.CAN I LEAVE
The following is provided for general information only. To find out how the law applies to a specific situation, contact an attorney directly. There are resources to help those in a Domestic Violence situation. If someone is in immediate danger, please call 911. The Arizona Coalition Against Domestic Violence can help with resources and referrals. That organization can be reached at 602-279-2900 or 1-800-782-6400 between the hours of 8:30 and 5:00, Monday through Friday. The national domestic violence hotline, which can be reached at 1-800-799-SAFE (7233), can also help. Additional information and resources are covered by the article, found elsewhere on this website, titled Domestic Violence Survivor’s Guide.
With regard to questions of custody and relocation, because each situation is unique, it is advisable to talk with an attorney. This website contains a booklet titled Things You Should Know About Child Custody and Parenting Time. Pages 18 and 19 contain helpful information pertaining directly to the issue of child custody between unmarried parents.
i have a one year old son i am not married to the father as it turns out he is a mean drunk.i want to move back home to needles ,calif .. I am scared cause he tells me i cant leave with our son.CAN I LEAVE
Attorney General's Office of Victim Services (Phoenix)
DES Division of Child Support Enforcement - Phoenix
Four Rivers Indian Legal Services - Maricopa, Pinal, Yavapai and Yuma Counties
City of Mesa Housing Services Division
Divorce & Annulment
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Parental Rights & Obligations | 2023-14/0000/en_head.json.gz/3492 | {"url": "https://azlawhelp.org/viewquestions.cfm?mc=1&sc=1&qid=18505", "partition": "head_middle", "language": "en", "source_domain": "azlawhelp.org", "date_download": "2023-03-20T10:43:29Z", "digest": "sha1:SQD2GN2TY37L2N4YPHZSDKPHWWJCJKXM"} | {"ccnet_length": [[0, 1824, 1824.0]], "ccnet_original_length": [[0, 1824, 5248.0]], "ccnet_nlines": [[0, 1824, 13.0]], "ccnet_original_nlines": [[0, 1824, 102.0]], "ccnet_language_score": [[0, 1824, 0.91]], "ccnet_perplexity": [[0, 1824, 323.6]], "ccnet_bucket": [[0, 1824, 0.0]], "rps_doc_curly_bracket": [[0, 1824, 0.0]], "rps_doc_ldnoobw_words": [[0, 1824, 0.0]], "rps_doc_lorem_ipsum": [[0, 1824, 0.0]], "rps_doc_stop_word_fraction": [[0, 1824, 0.36338798]], "rps_doc_ut1_blacklist": [[0, 1824, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_dupe_5grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_dupe_6grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_dupe_7grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_dupe_8grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_dupe_9grams": [[0, 1824, 0.20995228]], "rps_doc_frac_chars_top_2gram": [[0, 1824, 0.00817996]], "rps_doc_frac_chars_top_3gram": [[0, 1824, 0.00817996]], "rps_doc_frac_chars_top_4gram": [[0, 1824, 0.01226994]], "rps_doc_frac_all_caps_words": [[0, 1824, 0.0273224]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1824, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1824, 0.18579235]], "rps_doc_frac_unique_words": [[0, 1824, 0.56333333]], "rps_doc_mean_word_length": [[0, 1824, 4.89]], "rps_doc_symbol_to_word_ratio": [[0, 1824, 0.0]], "rps_doc_unigram_entropy": [[0, 1824, 4.86648171]], "rps_doc_word_count": [[0, 1824, 300.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 216, 0.0], [216, 935, 1.0], [935, 1286, 1.0], [1286, 1492, 0.0], [1492, 1547, 0.0], [1547, 1599, 0.0], [1599, 1678, 0.0], [1678, 1717, 0.0], [1717, 1737, 0.0], [1737, 1759, 0.0], [1759, 1779, 0.0], [1779, 1795, 0.0], [1795, 1824, 0.0]], "rps_lines_javascript_counts": [[0, 216, 0.0], [216, 935, 0.0], [935, 1286, 0.0], [1286, 1492, 0.0], [1492, 1547, 0.0], [1547, 1599, 0.0], [1599, 1678, 0.0], [1678, 1717, 0.0], [1717, 1737, 0.0], [1737, 1759, 0.0], [1759, 1779, 0.0], [1779, 1795, 0.0], [1795, 1824, 0.0]], "rps_lines_num_words": [[0, 216, 47.0], [216, 935, 108.0], [935, 1286, 55.0], [1286, 1492, 46.0], [1492, 1547, 7.0], [1547, 1599, 7.0], [1599, 1678, 11.0], [1678, 1717, 6.0], [1717, 1737, 2.0], [1737, 1759, 3.0], [1759, 1779, 3.0], [1779, 1795, 2.0], [1795, 1824, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 216, 0.0], [216, 935, 0.0593343], [935, 1286, 0.0115942], [1286, 1492, 0.0], [1492, 1547, 0.0], [1547, 1599, 0.0], [1599, 1678, 0.0], [1678, 1717, 0.0], [1717, 1737, 0.0], [1737, 1759, 0.0], [1759, 1779, 0.0], [1779, 1795, 0.0], [1795, 1824, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 216, 0.0], [216, 935, 0.0], [935, 1286, 0.0], [1286, 1492, 0.0], [1492, 1547, 0.0], [1547, 1599, 0.0], [1599, 1678, 0.0], [1678, 1717, 0.0], [1717, 1737, 0.0], [1737, 1759, 0.0], [1759, 1779, 0.0], [1779, 1795, 0.0], [1795, 1824, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 216, 0.05092593], [216, 935, 0.03477051], [935, 1286, 0.03418803], [1286, 1492, 0.04854369], [1492, 1547, 0.10909091], [1547, 1599, 0.15384615], [1599, 1678, 0.12658228], [1678, 1717, 0.12820513], [1717, 1737, 0.1], [1737, 1759, 0.09090909], [1759, 1779, 0.15], [1779, 1795, 0.125], [1795, 1824, 0.10344828]], "rps_doc_ml_palm_score": [[0, 1824, 0.00074804]], "rps_doc_ml_wikipedia_score": [[0, 1824, null]], "rps_doc_ml_wikiref_score": [[0, 1824, 0.04910451]], "rps_doc_books_importance": [[0, 1824, -120.75391496]], "rps_doc_openwebtext_importance": [[0, 1824, -38.77232126]], "rps_doc_wikipedia_importance": [[0, 1824, -95.04926241]], "rps_doc_num_sentences": [[0, 1824, 18.0]]} |
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HomeAuthorsElaine Mura
Articles by Elaine Mura
The Human Comedy Review – Homer’s Journey
March 14, 2023 Elaine Mura 0
When famed author William Saroyan wrote a script for MGM in hopes of producing and directing a signature film, he never expected rejection. When his services were summarily dismissed, he went home and quickly wrote […]
Love and Information Review – The Computer Wars
GIGO – These words may become prophetic as playwright Caryl Churchill tries to make sense out of chaos in a world dominated by the search for facts – whether or not they are correlated with […]
The Last Sorcerer Review – Echoes of the Past
March 8, 2023 Elaine Mura 0
Not an organization to do things half-way, The Wallis Annenberg Center for the Performing Arts presents the world premiere of THE LAST SORCERER, one hundred fifty-five years in the making, Pauline Garcia Viardot created her […]
La Egoista Review – Sisters Forever
Commissioned and developed by Live & In Color, LA EGOISTA won the 2022 National Latine Playwrights Award. Dominican-American playwright Erlina Ortiz has received multiple writing awards, with her plays ranging from topics like gentrification to […]
Let Me In Review – To Be or Not To Be
A dark comedy that mixes laughter with loss, LET ME IN makes its Los Angeles debut at the newly remodeled Theatre 68 in 2023. The play is written and directed by Brynn Thayer, best known […]
Sunday in the Park with George Review – Sundays with Seurat and Sondheim
Inspired by Georges Seurat, the French pointillist painter, and Seurat’s most famous masterpiece, “Sunday Afternoon on the Island of La Grande Jatte,” SUNDAY IN THE PARK WITH GEORGE mixes truth and fiction as it relates […]
The Secret Garden Review – The Magic of Love
February 27, 2023 Elaine Mura 3
Get ready for the secret garden to bloom again and charm modern audiences everywhere. Following the premiere of THE SECRET GARDEN in Virginia in 1989, the well-received show debuted in 1991 on Broadway, where it […]
The Lifespan of a Fact Review – The Debate Goes On
Based on a true story, THE LIFESPAN OF A FACT ponders a basic question for all writers: Is there a difference between the facts and the truth? Penned by Jeremy Kareken, David Murrell, and Gordon […]
Picasso at the Lapin Agile Review – A Rollicking Debate
Penned by Steve Martin – actor, comedian, writer, producer, musician, modest recipient of multiple awards – PICASSO AT THE LAPIN AGILE opens at the Ruskin Theatre. Following readings at his home and a workshop in […]
Nimrod Review – Power Corrupts
Theatre of NOTE presents the world premiere of NIMROD. Penned by Phinneas Kiyomura and directed by Alina Phelan, Starring Kirsten Vangsness (of Criminal Minds” fame), NIMROD does a funny take on the modern political age, […]
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Layalina Review – An Underwhelming Experience
EarthTalk®-Installment 64
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Taking a History Important in Predicting Cancer
Taking a History: Important in Predicting Cancer
Is cancer hereditary? Are you more susceptible to cancer if someone in your family had it? The answer is “Yes.”
It’s important for men and women to learn as much as possible about their family’s cancer history and share that with their doctor. Family medical history and detecting patterns of cancer from both sides of your family can be an important cancer defense.
Your family’s cancer history includes first-degree relatives – father, mother, brothers, sisters – and second-degree family members – grandparents, aunts and uncles. First-degree relatives are important since you share up to 50% of your DNA with them.
Here’s some important things to note when gathering your family’s cancer history:
Cancer types like colon cancer, breast cancer, and thyroid cancer
Age at diagnosis
Whether the cancer was on your mother’s side of the family or your father’s side
Ethnicity, as some ethnicities are at a greater risk for specific cancers
Collecting your family medical history isn’t easy. Family members may be hesitant or find it difficult to discuss the matter. Some older relatives may have passed away. But, any type of information you can provide your doctor can help. For example, knowing any medical history about your first and second degree relative can be very helpful.
Based on your family history, genetic testing may be considered by your provider. Genetic testing looks for specific genes, chromosomes or protein in your blood, tissue or saliva as captured with a cheek swab.
Genetic testing may also identify disease “carriers,” people who do not have the disease but have a copy of the disease gene.
Although there are no 100% accurate predictors for cancer, utilize your family history knowledge and review your family history with a health care provider to recognize your risk and identify cancer early.
For more information about cancer care services, call (855) 314-8346 or visit BayCareCancer.org. | 2023-14/0000/en_head.json.gz/3494 | {"url": "https://baycare.org/services/cancer/taking-a-history--important-in-predicting-cancer", "partition": "head_middle", "language": "en", "source_domain": "baycare.org", "date_download": "2023-03-20T10:17:30Z", "digest": "sha1:JNBZD7E2AAZWZ5P6GU5KZZPMBIXIULBT"} | {"ccnet_length": [[0, 2016, 2016.0]], "ccnet_original_length": [[0, 2016, 7791.0]], "ccnet_nlines": [[0, 2016, 15.0]], "ccnet_original_nlines": [[0, 2016, 334.0]], "ccnet_language_score": [[0, 2016, 0.95]], "ccnet_perplexity": [[0, 2016, 334.2]], "ccnet_bucket": [[0, 2016, 0.0]], "rps_doc_curly_bracket": [[0, 2016, 0.0]], "rps_doc_ldnoobw_words": [[0, 2016, 0.0]], "rps_doc_lorem_ipsum": [[0, 2016, 0.0]], "rps_doc_stop_word_fraction": [[0, 2016, 0.37789203]], "rps_doc_ut1_blacklist": [[0, 2016, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2016, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2016, 0.04966687]], "rps_doc_frac_chars_dupe_6grams": [[0, 2016, 0.04966687]], "rps_doc_frac_chars_dupe_7grams": [[0, 2016, 0.04966687]], "rps_doc_frac_chars_dupe_8grams": [[0, 2016, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2016, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2016, 0.03634161]], "rps_doc_frac_chars_top_3gram": [[0, 2016, 0.03815869]], "rps_doc_frac_chars_top_4gram": [[0, 2016, 0.0278619]], "rps_doc_frac_all_caps_words": [[0, 2016, 0.00257069]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2016, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2016, 0.15681234]], "rps_doc_frac_unique_words": [[0, 2016, 0.51702786]], "rps_doc_mean_word_length": [[0, 2016, 5.11145511]], "rps_doc_symbol_to_word_ratio": [[0, 2016, 0.0]], "rps_doc_unigram_entropy": [[0, 2016, 4.72985998]], "rps_doc_word_count": [[0, 2016, 323.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 48, 0.0], [48, 97, 0.0], [97, 209, 1.0], [209, 464, 1.0], [464, 716, 1.0], [716, 798, 0.0], [798, 864, 0.0], [864, 881, 0.0], [881, 962, 0.0], [962, 1036, 0.0], [1036, 1378, 1.0], [1378, 1588, 1.0], [1588, 1714, 1.0], [1714, 1920, 1.0], [1920, 2016, 1.0]], "rps_lines_javascript_counts": [[0, 48, 0.0], [48, 97, 0.0], [97, 209, 0.0], [209, 464, 0.0], [464, 716, 0.0], [716, 798, 0.0], [798, 864, 0.0], [864, 881, 0.0], [881, 962, 0.0], [962, 1036, 0.0], [1036, 1378, 0.0], [1378, 1588, 0.0], [1588, 1714, 0.0], [1714, 1920, 0.0], [1920, 2016, 0.0]], "rps_lines_num_words": [[0, 48, 7.0], [48, 97, 7.0], [97, 209, 20.0], [209, 464, 43.0], [464, 716, 37.0], [716, 798, 12.0], [798, 864, 10.0], [864, 881, 3.0], [881, 962, 15.0], [962, 1036, 12.0], [1036, 1378, 56.0], [1378, 1588, 34.0], [1588, 1714, 22.0], [1714, 1920, 32.0], [1920, 2016, 13.0]], "rps_lines_numerical_chars_fraction": [[0, 48, 0.0], [48, 97, 0.0], [97, 209, 0.0], [209, 464, 0.0], [464, 716, 0.00829876], [716, 798, 0.0], [798, 864, 0.0], [864, 881, 0.0], [881, 962, 0.0], [962, 1036, 0.0], [1036, 1378, 0.0], [1378, 1588, 0.0], [1588, 1714, 0.0], [1714, 1920, 0.01485149], [1920, 2016, 0.11111111]], "rps_lines_start_with_bulletpoint": [[0, 48, 0.0], [48, 97, 0.0], [97, 209, 0.0], [209, 464, 0.0], [464, 716, 0.0], [716, 798, 0.0], [798, 864, 0.0], [864, 881, 0.0], [881, 962, 0.0], [962, 1036, 0.0], [1036, 1378, 0.0], [1378, 1588, 0.0], [1588, 1714, 0.0], [1714, 1920, 0.0], [1920, 2016, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 48, 0.10416667], [48, 97, 0.10204082], [97, 209, 0.03571429], [209, 464, 0.00784314], [464, 716, 0.01984127], [716, 798, 0.01219512], [798, 864, 0.01515152], [864, 881, 0.05882353], [881, 962, 0.01234568], [962, 1036, 0.01351351], [1036, 1378, 0.01461988], [1378, 1588, 0.00952381], [1588, 1714, 0.00793651], [1714, 1920, 0.00485437], [1920, 2016, 0.04166667]], "rps_doc_ml_palm_score": [[0, 2016, 0.00400168]], "rps_doc_ml_wikipedia_score": [[0, 2016, null]], "rps_doc_ml_wikiref_score": [[0, 2016, 0.00230563]], "rps_doc_books_importance": [[0, 2016, -151.53009534]], "rps_doc_openwebtext_importance": [[0, 2016, -6.14222142]], "rps_doc_wikipedia_importance": [[0, 2016, -135.35678667]], "rps_doc_num_sentences": [[0, 2016, 18.0]]} |
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Vocal Mixing Blog
How To Build A Music Fanbase in 2023
As an artist in 2023, building and maintaining a fanbase is crucial for success. With the advancement of technology and social media, it has become easier for artists to connect with their audience and build a loyal following. In this blog, we will discuss some effective strategies that artists can use to build and maintain a fanbase in 2023.
What are Vocal Presets?
Vocal recordings are a crucial element in modern music, and ensuring that they sound as good as possible is a top priority in the production process. Vocal presets are pre-made processing settings designed to enhance or alter the sound of...
Vocal recordings are the centerpiece of most modern music, and a crucial element in determining the success of a track. In the music production process, it's essential to get the vocals sounding as good as possible. That's where vocal presets... | 2023-14/0000/en_head.json.gz/3495 | {"url": "https://baywoodaudio.com/collections/templates", "partition": "head_middle", "language": "en", "source_domain": "baywoodaudio.com", "date_download": "2023-03-20T09:07:18Z", "digest": "sha1:YQYX5SP5LC4KO6F45BW7WUJ6VDZYYNDB"} | {"ccnet_length": [[0, 1050, 1050.0]], "ccnet_original_length": [[0, 1050, 10913.0]], "ccnet_nlines": [[0, 1050, 7.0]], "ccnet_original_nlines": [[0, 1050, 466.0]], "ccnet_language_score": [[0, 1050, 0.94]], "ccnet_perplexity": [[0, 1050, 243.2]], "ccnet_bucket": [[0, 1050, 0.0]], "rps_doc_curly_bracket": [[0, 1050, 0.0]], "rps_doc_ldnoobw_words": [[0, 1050, 0.0]], "rps_doc_lorem_ipsum": [[0, 1050, 0.0]], "rps_doc_stop_word_fraction": [[0, 1050, 0.37799043]], "rps_doc_ut1_blacklist": [[0, 1050, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1050, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1050, 0.02135231]], "rps_doc_frac_chars_top_3gram": [[0, 1050, 0.03084223]], "rps_doc_frac_chars_top_4gram": [[0, 1050, 0.04033215]], "rps_doc_frac_all_caps_words": [[0, 1050, 0.02392344]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1050, 0.28571429]], "rps_doc_frac_no_alph_words": [[0, 1050, 0.13875598]], "rps_doc_frac_unique_words": [[0, 1050, 0.53370787]], "rps_doc_mean_word_length": [[0, 1050, 4.73595506]], "rps_doc_symbol_to_word_ratio": [[0, 1050, 0.00956938]], "rps_doc_unigram_entropy": [[0, 1050, 4.28386809]], "rps_doc_word_count": [[0, 1050, 178.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 139, 0.0], [139, 157, 0.0], [157, 194, 0.0], [194, 539, 1.0], [539, 563, 1.0], [563, 805, 1.0], [805, 1050, 1.0]], "rps_lines_javascript_counts": [[0, 139, 0.0], [139, 157, 0.0], [157, 194, 0.0], [194, 539, 0.0], [539, 563, 0.0], [563, 805, 0.0], [805, 1050, 0.0]], "rps_lines_num_words": [[0, 139, 24.0], [139, 157, 3.0], [157, 194, 8.0], [194, 539, 59.0], [539, 563, 4.0], [563, 805, 40.0], [805, 1050, 40.0]], "rps_lines_numerical_chars_fraction": [[0, 139, 0.0], [139, 157, 0.0], [157, 194, 0.11111111], [194, 539, 0.02366864], [539, 563, 0.0], [563, 805, 0.0], [805, 1050, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 139, 0.0], [139, 157, 0.0], [157, 194, 0.0], [194, 539, 0.0], [539, 563, 0.0], [563, 805, 0.0], [805, 1050, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 139, 0.09352518], [139, 157, 0.16666667], [157, 194, 0.16216216], [194, 539, 0.00869565], [539, 563, 0.125], [563, 805, 0.00826446], [805, 1050, 0.0122449]], "rps_doc_ml_palm_score": [[0, 1050, 0.07315552]], "rps_doc_ml_wikipedia_score": [[0, 1050, null]], "rps_doc_ml_wikiref_score": [[0, 1050, 0.67143953]], "rps_doc_books_importance": [[0, 1050, -42.07263332]], "rps_doc_openwebtext_importance": [[0, 1050, -5.49955767]], "rps_doc_wikipedia_importance": [[0, 1050, -28.33018782]], "rps_doc_num_sentences": [[0, 1050, 9.0]]} |
Posts Tagged ‘Arab Spring’
A Liberal Muslim’s Journey through Islamic Britain and the Dangers of Muslim Separatism
Ed Hussain, Among the Mosques: A Journey Across Muslim Britain (London: Bloomsbury 2021)
Ed Hussain is a journalist and the author of two previous books on Islam, the House of Islam, which came out in 2018, and The Islamist of 2007. He’s also written for a series of newspapers and magazines, including the Spectator, the Telegraph, the Times, the New York Times and the Guardian. He’s also appeared on the Beeb and CNN. He’s an adjunct professor at Georgetown University and has been a member of various think tanks, including the Council on Foreign Relations. The House of Islam is an introduction to Islamic history and culture from Mohammed onwards. According to the blurb, it argues that Islam isn’t necessarily a threat to the West but a peaceful ally. The Islamist was his account of his time in Hizb ut-Tahrir, a militant Islamic organisation dedicated to restoring the caliphate. This was quoted in Private Eye, where a passage in the book revealed that the various leaders Tony Blair appealed to as part of his campaign against militant, extremist Islam weren’t the moderates they claimed to be, but the exact type of people Blair was trying to combat. Among the Mosques continues this examination and critical scrutiny of caliphism, the term he uses to describe the militant to set up the caliphate. This is an absolute Islamic state, governed by a caliph, a theocratic ruler, who is advised by a shura, or council. This, however, would not be like parliament as only the caliph would have the power to promulgate legislation. Hussain is alarmed at how far this anti-democratic ideology has penetrated British Islam. To find out, he travelled to mosques across Britain – Dewsbury, Manchester, Blackburn, Bradford, Birmingham and London in England, Edinburgh and Glasgow in Scotland, the Welsh capital Cardiff, and Belfast in Northern Ireland. Once there, he goes to the local mosques unannounced, observes the worshippers, and talks to them, the imams and other local people. And he’s alarmed by what he sees.
Caliphism Present in Mosques of Different Sects
The mosques he attends belong to a variety of Islamic organisations and denominations. Dewsbury is the centre of the Deobandi movement, a Muslim denomination set up in Pakistan in opposition to British imperialism. Debandis worship is austere, rejecting music, dance and art. The Barelwi mosque he attends in Manchester, on the hand, is far more joyful. The Barelwis are based on an Indian Sufi preacher, who attempted to spread Islam through music and dance. Still other mosques are Salafi, following the fundamentalist brand of Islam that seeks to revive the Islam of the salaf, the Prophet’s companions, and rejects anything after the first three generations of Muslims as bid’a, innovations. But across these mosques, with a few exceptions, there is a common strand of caliphism. The Deobandi order are concerned with the moral reform and revival of Muslim life and observance, but not political activism, in order to hasten the emergence of the caliphate. Similar desires are found within the Tableegh-e Jama’at, another Muslim revivalist organisation founded in Pakistan. This is comparable to the Jehovah’s Witnesses in Christianity, in that its method of dawa, Muslim evangelism, is to knock on lax Muslims’ doors and appealing to them become more religious. It’s a male-only organisation, whose members frequently go off on trips abroad. While the preaching in Manchester Central Mosque is about peace, love and tolerance as exemplified in the Prophet’s life, the Barelwis themselves can also be intolerant. Mumtaz Qadri, the assassin of Salman Taseer, the governor of the Punjab, was a member of the Barelwi Dawat-e-Islami. He murdered Taseer, whose bodyguard he was, because Taseer has dared to defend Pakistani Christians accused of blasphemy. Under strict Islamic law, they were gustakh-e Rasool, a pejorative term for ‘insulter of the Prophet’. The penalty for such blasphemy was wajib-e qatl, a mandatory death. Despite being tried and executed, Qadri is regarded by many of the Pakistani faithful as a martyr, and a massive mosque complex has grown up to commemorate him. In his meetings with various imams and ordinary Muslims, Hussain asks if they agree with the killing of blasphemers like Taseer, and the author Salman Rushdie, who had a fatwa and bounty placed on his life by the Ayatollah Khomeini of Iran for his book, The Satanic Reverses. Some of them give evasive replies. One imam even defends it, claiming that Rushdie deserved death because he insulted love, as represented by Mohammed and Islam. A Muslim female friend dodges answering by telling him she’s have to ask her husband.
In the mosques’ libraries he finds books promoting the Caliphist ideology, denouncing democracy, immodest dress and behaviour in women, who are commanded to be available for their husband’s sexual pleasure, even when their bodies are running with pus. Some are explicitly Islamist, written by Sayyid Qutb and his brother, the founders of modern militant Islamism. These mosques can be extremely large, serving 500 and more worshippers, and Hussain is alarmed by the extremely conservative, if not reactionary attitudes in many of them. In many, women are strictly segregated and must wear proper Islamic dress – the chador, covering their hair and bodies. The men also follow the model of Mohammed himself in their clothing, wearing long beards and the thawb, the long Arab shirt. But Hussain makes the point that in Mohammed’s day, there was no distinctive Muslim dress: the Prophet wore what everyone in 7th century Arabia wore, including Jews, Christians and pagans. He has a look around various Muslim schools, and is alarmed by their demand for prepubescent girls to wear the hijab, which he views as sexualising them. Some of these, such as the Darul Ulooms, concentrate almost exclusively on religious education. He meets a group of former pupils who are angry at their former school’s indoctrination of them with ancient, but fabricated hadiths about the Prophet which sanction slavery, the inferior status of women, and the forced removal of Jews and Christians from the Arabian peninsula. They’re also bitter at the way these schools did not teach them secular subjects, like science, literature and art, and so prepare them for entering mainstream society. This criticism has also been levelled Muslim organisations who have attacked the Darul Uloom’s narrow focus on religion. The worshippers and students at these mosques and their schools reject the dunya, the secular world, and its fitna, temptations. One Spanish Muslim has immigrated to England to get away from the nudist beaches in his home country. And the Muslim sections of the towns he goes to definitely do not raise the Pride flag for the LGBTQ community.
Hussain Worried by Exclusively Muslim Areas with No White Residents
Hussain is also alarmed at the way the Muslim districts in many of the towns he visits have become exclusively Muslim quarters. All the businesses are run by Muslims, and are geared to their needs and tastes, selling Muslim food, clothing, perfume and literature. Whites are absent, living in their own districts. When he does see them, quite often they’re simply passing through. In a pub outside Burnley he talks to a couple of White men, who tell him how their children have been bullied and beaten for being goras, the pejorative Asian term for Whites. Other Whites talk about how the local council is keen to build more mosques, but applications by White residents to put up flagpoles have been turned down because the council deems them racist. Hussain objects to these monocultures. Instead, he praises areas like the section of Edinburgh, where the Muslim community coexists with Whites and other ethnicities. There’s similar physical mixture of Muslim and non-Muslim in the Bute area of Cardiff, formerly Tiger Bay, which has historically been a multicultural cultural area. In the mosque, however, he finds yet again the ideology of cultural and religious separatism.
The Treatment of Women
He is also very much concerned about the treatment of women, and especially their vulnerability before the sharia courts that have sprung up. A few years ago there were fears of a parallel system of justice emerging, but the courts deal with domestic issues, including divorce. They have been presented as informal systems of marriage reconciliation. This would all be fine if that was all they were. But the majority of the mosques Hussain visits solely perform nikah, Muslim weddings. Under British law, all weddings, except those in an Anglican church, must also be registered with the civil authorities. These mosques don’t. As a result, wives are left at the mercy of Islamic law. These give the husband, but not the wife, the power of divorce., and custody of the children if they do. Hussain meets a battered Muslim woman, whose controlling husband nearly killed her. The case was brought before the local sharia court. The woman had to give evidence from another room, and her husband was able to defeat her request for a divorce by citing another hadith maintaining that husbands could beat their wives.
London Shias and the Procession Commemorating the Deaths of Ali, Hassan and Hussain
Hussain’s a Sunni, and most of the mosques he attends are also of that orthodox branch of Islam. In London, he attends a Shia mosque, and is shocked and horrified by the self-inflicted violence performed during their commemoration of the Battle of Karbala. Shias believe that Ali, the Prophet’s son-in-law, was the true successor to Mohammed as the leader of the early Muslim community. He was passed over, and made a bid for the caliphate, along with his two sons, Hasan and Hussain, who were finally defeated by the Sunnis at the above battle. This is commemorated by Shias during the month of Moharram, when there are special services at the mosque and the jaloos, a commemorative procession. During the services and the processions, Shias express their grief over their founders’ martyrdom by beating their chests, matam, faces and whipping themselves. They also slash themselves with swords. All this appears to go on at the London mosque, to Hussain’s horror. He is particularly disturbed by young children beating their chests and faces in the worship the night before, and wonders how this isn’t child abuse.
Separatist Attitudes and Political Activism in Mosques
He is also concerned about the political separatism and activism he sees in some of the mosques. They don’t pray for the Queen, as Christians and Jews do, but there are prayers for the Muslim community throughout the world and funeral prayers for Morsi, the former Islamist president of Egypt. He finds mosques and Islamic charities working for Muslims abroad, and activists campaigning on behalf on Palestine, Kashmir and other embattled Muslim countries and regions, but not for wider British society. Some of the worshippers and Imams share his concern. One Muslim tells him that the problem isn’t the Syrian refugees. They are medical men and women, doctors, nurses and technicians. The problem is those asylum seekers from areas and countries which have experienced nothing but war and carnage. These immigrants have trouble adapting to peace in Britain. This leads to activism against the regimes in the countries they have fled. Afghan and Kurdish refugees are also mentioned as donning masks looking for fights. Some of the worshippers in the mosques Hussain attends had connections to ISIS. In London he recalls meeting a glum man at a mosque in 2016. The man had toured the Middle East and Muslim Britain asking for signatures in a petition against ISIS. The Middle Eastern countries had willingly given theirs. But an academic, a White convert who taught at British university, had refused. Why? He objected to the paragraph in the petition denouncing ISIS’ enslavement of Yazidi and other women. This was in the Quran, he said, and so he wouldn’t contradict it. This attitude from a British convert shocked the man, as usually objections to banning slavery come from Mauretania and Nigeria, where they are resented as western interference. And in another mosque in Bradford, he is told by the imam that he won’t allow the police to come in and talk about the grooming gangs. The gangs used drugs and alcohol, which are forbidden in Islam and so are not connected to the town’s mosques.
Islamophobia against Northern Irish Muslims
But Islam isn’t a monolith and many Muslims are far more liberal and engaged with modern western society. Going into an LGBTQ+ help centre, he’s met by a Muslim woman on the desk. This lady’s straight and married, but does not believes there’s any conflict between her faith and working for a gay organisation. And in reply to his question, she tells him that her family most certainly do know about it. He meets two female Muslim friends, who have given up wearing the hijab. One did so after travelling to Syria to study. This convinced her that it was a pre-Islamic custom, and she couldn’t find any support for it in the Quran. She also rejected it after she was told at university that it was feminist, when it wasn’t. In Belfast he visits a mosque, which, contrary to Islamic custom, is run by two women. The worship appears tolerant, with members of different Muslims sects coming peacefully together, and the values are modern. But this is an embattled community. There is considerable islamophobia in Northern Ireland, with Muslims sufferings abuse and sometimes physical assault. One Protestant preacher stirred up hate with a particularly islamophobic sermon. Many of the mosque’s congregation are converts, and they have been threatened at gun point for converting as they are seen as leaving their communities. Travelling through Protestant and Roman Catholic Belfast, Hussain notices the two communities’ support for different countries. On the Nationalist side of the peace walls are murals supporting India and Palestine. The Loyalists, on the other hand, support Israel. But back in London he encounters more, very modern liberal attitudes during a conversation with the two daughters of a Muslim women friends. They are very definitely feminists, who tell him that the problem with Islam, is, no offence, his sex. They then talk about how toxic masculinity has been a bad influence on British Islam.
Liberal Islam and the Support of the British Constitution
In his travels oop north, Hussain takes rides with Muslim taxi drivers, who are also upset at these all-Muslim communities. One driver laments how the riots of 2011 trashed White businesses, so the Whites left. In Scotland, another Muslim cabbie, a technician at the local uni, complains about Anas Sarwar, the first Muslim MP for Scotland. After he left parliament, Sarwar left to become governor of the Punjab in Pakistan. The cabbie objects to this. In his view, the man was serving just Muslims, not Scotland and all of its people. During ablutions at a mosque in Edinburgh, he meets a British army officer. The man is proud to serve with Her Majesty’s forces and the army has tried to recruit in the area. But despite their best efforts and wishes, Muslims don’t wish to join.
In London, on the other hand, he talks to a modern, liberal mullah, Imam Jalal. Jalal has studied all over the world, but came back to Britain because he was impressed with the British constitution’s enshrinement of personal liberty and free speech. He believes that the British constitution expresses the maqasid, the higher objectives Muslim scholars identified as the root of the sharia as far back al-Juwaini in the 11th century. Jalal also tells him about al-shart, a doctrine in one of the Muslim law schools that permits women to divorce their husbands. The marriage law should be reformed so that the nikah becomes legal, thus protecting Muslim wives with the force of British law. And yes, there would be an uproar if prayers for the Queen were introduced in the mosques, but it could be done. Both he and Hussain talk about how their father came to Britain in the late 50s and early 60s. They wore three-piece suits, despite the decline of the empire, were proud to be British. There was time in this country when Muslims were respected. In one factory, when a dispute broke out, the foreman would look for a Muslim because they had a reputation for honesty. The Muslim community in these years would have found the race riots and the terrorist bombings of 7/7 and the Ariana Grande concert simply unbelievable. Had someone told them that this would happen, they would have said he’d been watching too much science fiction.
Muslim Separatism and the Threat of White British Fascism
Hanging over this book is the spectre of demographic change. The Muslim population is expected to shoot up to 18 million later in the century and there is the real prospect of Britain becoming a Muslim majority country. In fact, as one of the great commenters here has pointed out, this won’t happen looking at the available data. If Scotland goes its own way, however, the proportion of Muslims in England will rise to 12 per cent, the same as France and Belgium. For Hussain, it’s not a question of how influential Islam will be in the future, but the type of Islam we will have. He is afraid of Muslim majority towns passing laws against everything the Muslim community considers forbidden. And as politicians, particularly Jeremy Corbyn and the Muslim politicos in the Labour party treat Muslims as a solid block, rather than individuals, he’s afraid that Muslim communalism and its sense of a separate identity will increase. This may also produce a corresponding response in the White, Christian-origin English and Brits. We could see the rise of nationalist, anti-Islam parties. At one point he foresees three possible futures. One is that the mosques will close the doors and Muslims will become a separate community. Another is mass deportations, including self-deportations. But there are also reasons to be optimistic. A new, British Islam is arising through all the ordinary Muslims finding ways to accommodate themselves within liberal, western society. They’re doing it quietly, unobtrusively in ordinary everyday matters, underneath all the loud shouting of the Islamists.
The Long Historical Connections between Britain and Islam
In his conclusion, Hussain points out that Islam and Britain have a long history together. Queen Elizabeth I, after her excommunication by the Pope, attempted to forge alliance with the Ottoman Sultan. She succeeded in getting a trading agreement with the Turkish empire. In the 17th century, the coffee shop was introduced to Britain by a Greek-Turk. And in the 8th century Offa, the Anglo-Saxon king of Mercia, used Muslim dirhams as the basis for his coinage. This had the Muslim creed in Arabic, with his head stamped in the middle of the coin. Warren Hastings, who began the British conquest of India, opened a madrassa, sitting on its governing board and setting up its syllabus. This is the same syllabus used in the narrowly religious Muslim schools, so he’s partly to blame for them. During the First World War 2.5 million Muslims from India willingly fought for Britain. Muslim countries also sheltered Jews from the horrors of Nazi persecution. He’s also impressed with the immense contribution Muslims gave to the rise of science, lamenting the superstition he sees in some Muslim communities. He really isn’t impressed by one book on sale in a Muslim bookshop by a modern author claiming to have refuted the theory that the Earth goes round the sun.
To Combat Separatism and Caliphism, Celebrate British Values of Freedom and the Rule of Law
But combatting the Muslims separatism is only one half of the solution. Muslims must have something positive in wider mainstream society that will attract them to join. For Hussain, this is patriotism. He quotes the late, right-wing philosopher Roger Scruton and the 14th century Muslim historian ibn Khaldun on patriotism and group solidarity as an inclusive force. He cites polls showing that 89 per cent of Brits are happy with their children marrying someone of a different ethnicity. And 94 per cent of Brits don’t believe British nationality is linked to whiteness. He maintains that Brits should stop apologising for the empire, as Britain hasn’t done anything worse than Russia or Turkey. He and Imam Jalal also point out that the Turkish empire also committed atrocities, but Muslims do not decry them. Rather, the case of a Turkish TV show celebrating the founder of the Turkish empire, have toured Britain and received a warm welcome at packed mosques. He points out that he and other Muslims are accepted as fellow Brits here. This is not so in other countries, like Nigeria and Turkey, where he could live for decades but wouldn’t not be accepted as a Nigerian or Turk. And we should maintain our country’s Christian, Protestant heritage because this is ultimately the source of the values that underlie British secular, liberal society.
He also identifies six key values which Britain should defend and celebrate. These are:
The Rule of Law. This is based on Henry II’s synthesis of Norman law and Anglo-Saxon common law, to produce the English common law tradition, including Magna Carta. This law covers everyone, as against the sharia courts, which are the thin end of an Islamist wedge.
Individual liberty. The law is the protector of individual liberty. Edward Coke, the 17th century jurist, coined the phrase ‘an Englishman’s home is his castle’. He also said that ‘Magna Carta is such a fellow he will have no sovereign’ It was this tradition of liberty that the Protestant emigrants took with them when they founded America.
Gender equality – here he talks about a series of strong British women, including Boadicea, the suffragettes, Queen Elizabeth and, in Johnson’s opinion, Maggie Thatcher. He contrasts this with the Turkish and other Muslim empires, which have never had a female ruler.
Openness and tolerance – here he talks about how Britain has sheltered refugees and important political thinkers, who’ve defended political freedoms like the Austrians Wittgenstein and Karl Popper.
Uniqueness. Britain is unique. He describes how, when he was at the Council for Foreign Relations, he and his fellows saw the Arab Spring as like Britain and America. The revolutionaries were fighting for liberty and secularism. There was talk amongst the Americans of 1776. But the revolutionaries didn’t hold western liberal values.
Racial Parity. Britain is not the same nation that support racists like Enoch Powell. He points to the German roots of the royal family, and that Johnson is part Turkish while members of his cabinet also come from ethnic minorities. Britain is not like France and Germany, where Muslims are seen very much as outsiders.
Whatever your party political opinions, I believe that these really are fundamental British values worth preserving. Indeed, they’re vital to our free society. On the other hand, he also celebrates Adam Smith and his theories of free trade as a great British contribution, because it allowed ordinary people and not just the mercantilist elite to get wealthy. Er, no, it doesn’t. But in a book like this you can’t expect everything.
Criticisms of Hussain’s Book
Hussain’s book caused something of a storm on the internet when it was released. The peeps on Twitter were particularly upset by the claims of Muslims bullying and violence towards Whites. There was a series of posts saying that he’d got the location wrong, and that the area in question was posh White area. In fact the book makes it clear he’s talking about a Muslim enclave. What evidently upset people was the idea that Muslims could also be racist. But some Muslims are. Way back c. 1997 Yasmin Alibhai-Brown wrote a report for the Committee for Racial Equality as it was then on anti-White Asian and Black hatred and violence. Racism can be found amongst people of all colours and religions, including Muslims.
People were also offended by his statement that in the future there could be mass deportations of Muslims. From the discussion about this on Twitter, you could be misled into thinking he was advocating it. But he doesn’t. He’s not Tommy Robinson or any other member of the far right. He’s horrified by this as a possibility, a terrible one he wishes to avoid. But these criticism also show he’s right about another issue: people don’t have a common language to talk about the issues and problems facing Britain and its Muslim communities. These need to be faced up to, despite the danger of accusations of racism and islamophobia. Tanjir Rashid, reviewing it for the Financial Times in July 2021, objected to the book on the grounds that Hussain’s methodology meant that he ignored other Muslim networks and had only spoken to out-of-touch mullahs. He pointed instead to an Ipsos-Mori poll showing that 88 per cent of Muslims strong identified with Britain, seven out of ten believed Islam and modern British society were compatible and only one per cent wanted separate, autonomous Muslim communities. It’s possible that if Hussain had also travelled to other towns where the Muslim population was smaller and more integrated with the non-Muslim population, he would have seen a very different Islam.
Intolerant Preaching Revealed by Channel 4 Documentary
On the other hand, the 2007 Channel 4 documentary, Undercover Mosque, found a venomous intolerance against Christians, Jews and gays being preached in a hundred mosques. A teacher was effectively chased out of his position at a school in Batley because he dared to show his pupils the Charlie Hebdo cartoons in a class on tolerance. He is still in hiding, fearing for his life. Hussain cites government statistics that 43,000 people are under police surveillance because political extremism, 90 per cent of whom are Muslims.
These are vital questions and issues, and do need to be tackled. When I studied Islam in the 90s, I came across demands in the Muslim literature I was reading for separate Muslim communities governed by Islamic law. This was accompanied by the complaint that if this wasn’t granted, then Britain wasn’t truly multicultural. More recently I saw the same plea in a book in one of Bristol’s secondhand and remaindered bookshops, which based its argument on the British colonisation of America, in which peoples from different nationalities were encouraged to settle in English territories, keeping their languages and law. It might be that the mullahs are preaching separatism, but that hardly anybody in the Muslim community is really listening or actually want the caliphate or a hard line separate Muslim religious identity.
I do believe, however, that it is an important discussion of these issues and that the sections of the book, in which liberal Muslims, including Hussain himself, refute the vicious intolerance preached by the militants, are potentially very helpful. Not only could they help modern Muslims worried by such intolerant preaching and attitudes, and help them to reject and refute them, but they also show that a modern, liberal, western Islam is very possible and emerging, in contradiction to Fascists and Islamophobes like Tommy Robinson.
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Novara Hack Banned on Twitter for Being the ‘Wrong Kind of Jew’?
Perhaps I’m being too suspicious here, but I think there’s more to this than an overreacting algorithm. Novara Media put up a video today reporting that Rivkah Brown, a reporter and their commissioning editor, had had her account suspended on Twitter. Her crime was putting up the internet address of a sexual advice line run b by Novara and putting images of herself up. Apparently this violated the company’s rules against the posting of personal information, and Aaron Bastani, one of their anchors, also had his account suspended simply for talking about Brown’s. The images appear to have been harmless selfies, one taken at a party Brown was attending. In the video, Michael Walker and Bastani suggest that this shows that Twitter is moving in an increasingly authoritarian direction as a reaction to demands for greater action by the internet companies against real invasions of privacy and doxing. They also state that the far right have welcomed the move, as this means they can have videos of themselves and their noxious activities taken down. They consider that this comes because social media has become too effective at holding the powerful to account. They wonder if the footage of George Floyd being murdered by the cop in America would have been allowed on it today. Would the Arab Spring a few years ago happen in quite the same way? Bastani also describes how friends of his can’t put the names of their businesses on certain media platforms. One of these is a woman who deals in Persian tea. She can’t put the name of her business up, because it contains the word ‘Persian’. Others have had problems with ‘Syria’. He suggests that this censorship is done in favour of certain states in the global north.
Neither say it, but I wonder if there isn’t another issue here hanging unspoken. A quick glance through Google reveals that Brown is Jewish and the editor of Vashti, a magazine that aims to diversify Jewish opinion or media. She was also a critic back in February of Labour’s anti-Semitism panel. Now I might be wrong here, but I wonder if she was taken down following complaints from the usual suspects, who are determined to vilify and silence ‘the wrong kind of Jews’. You know, those awkward types, who refuse to obey Starmer and the Israel lobby by not supporting Israel or its ethnic cleansing of the Palestinians. The vast majority of people smeared and purged from the Labour party for anti-Semitism are Jewish, which should show anyone how stupid and mendacious the charge is. A little while ago Novara covered the case of another Jewish journo, Emily Wild, who got the heave-ho from her news company for telling it like it was about Israel’s attack on Gaza and the Palestinians instead of using the passive voice and making it all sound like a struggle between equals.
It really wouldn’t surprise me if this was an attempt by the ultra-Zionist fanatics to try to silence her using even this flimsy excuse about posting personal information as the only thing they had to hand.
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Empire Files: Saudi Arabia’s History of Thuggery
Yesterday I put up a number of posts criticising and attacking Saudi Arabia and its brutal use of the death penalty, following the complaint of the Saudi Foreign Minister, al-Jubair, that the kingdom had an image problem because of it, and moaning that people should respect their use of the death penalty ‘Because it’s the law’. This is another, very informative, and grimly fascinating video discussing Saudi Arabia’s long history of repression, violence and brutality from its very foundation. The video’s from Empire Files, which is another news agency specialising in criticising and documenting the corruption and political oppression committed by the American Empire.
Presented by Abby Martin, the video begins with shots of the western great and good meeting and praising various Saudi royals, mentioning the country’s election to the UN Human Rights Council. It then goes on to discuss the Saudi use of public executions. Among the crimes liable to the death penalty are atheism and adultery. 43% of all executions are for non-violent drug offences. It also discusses the execution of Ali al-Nimr, a democracy protester, by crucifixion and beheading. These cases are judged in secret courts, and other punishments include amputation and whipping.
The programme also goes on to examine the almost complete absence of rights for women in Saudi Arabia. Despite having been given the right to vote, women in Saudi Arabia require the permission of male relatives or guardians to go to school, work or even receive medical treatment. They may also be punished for their own sexual assault. The video cites a rape case, where the victim received more lashes than her attackers. Women constitute only 17% of the Saudi work force. 77% of female graduates are unemployed.
The kingdom has also been actively clamping down and suppressing protesters and activists campaigning for democracy. Many of these have been arrested and tried in secret courts. The punishments include execution, or transferral to re-education centres. The attacks on democracy campaigners escalated after 9/11. Before hundreds were being arrested. Now it’s thousands. Furthermore, no civil rights organisations are allowed in the country.
The programme then moves on to describe the history of the kingdom. It’s an absolute monarchy, ruled by a single dynasty. The current king’s personal wealth is estimated at $18 billion. Despite the obscene wealth of its rulers, 20% of its population live in abject poverty, with a youth unemployment rate of 30%.
Thirty per cent of the country’s population is composed of migrant workers, who are virtually slaves due to the system of kafala, sponsorship, through which they are imported. The programme describes their exploitation, with 15 – 20 hour working days, maltreatment, confiscation of passports on arrival, and adverts for runaway labourers and domestic workers, similar to those for de jure slaves in the American West.
Martin then talks to the Saudi dissident, Ali al-Ahmed, the head of the Gulf Institute. Al-Ahmed states that part of the problem is that the country’s vast wealth is confined to the king, his relatives and cronies. The present king can in no way be described as a great reformer. He imprisoned his four daughters for 14 years, and to this day no-one knows what happened to them. The king is an absolute monarch. The Saudi parliament is only partially elected. It is also partly appointed, and wields no power. As for the judicial system, al-Ahmed describes it as medieval and tribal. It deliberately excludes women, blacks, ordinary people and the Shi’a. It is similar to ISIS. And the bond between Saudi Arabia, America and the West is money. Bill Clinton and George Bush have both visited Saudi Arabia, probably secretly looking for Saudi sponsorship for their election campaigns. Al-Ahmed states that this should be investigated by the FBI. It appears to be a case of the Saudis trying to buy off prospective American presidents in the aftermath of 9/11.
The kingdom itself was founded after 20 years of warfare and campaigning by Ibn Saud, who declared himself king in 1925. Ibn Saud was aided in his rise to power by a religious militia. These later revolted, and so Ibn Saud had them massacred. The conquest of what is now Saudi Arabia was complete by 1932. Ibn Saud tried, and failed, to conquer and incorporate what is now Yemen.
The Saudi family struck oil after World War I, and invited the Americans in to exploit it. The Americans were only too pleased, after having been shut out of the rest of the oilfields of the Middle East by the triumphant European colonial powers. The American oil company, Chevron, staked its claim to the Saudi oilfields in 1933. This resulted in the formation of Arab-American Oil – Aramco. Despite the name, Aramco was 100 per cent owned by the Americans. It is the property of four American oil companies, including Chevron and Mobil. These oil companies paid a small proportion of their profits to the Saudi royal family as royalties.
Italian bombing during the Second World War severely disrupted oil supplies. In 1943 President Roosevelt declared that the defence of the Saudi oilfields was a national priority. Two years later, in 1945, Roosevelt signed a treaty with the Saudis giving them American protection in exchange for oil. This was the start of the network of American army and naval based in the country. In 1953 15,000 or so oil workers went on strike, demanding a union. The monarchy responded by assassinating the leaders and promulgating a royal decree banning working class organisations. In 1962 a left-wing revolution broke out in Yemen. Saudi Arabia, Jordan and the UK responded by supporting the royalist counterrevolution.
The relationship between Saudi Arabia and the West has not gone untroubled, however. There was a rift following the foundation of Israel. In response to Israeli victories during the Arab-Israeli wars, the Saudis launched their oil embargo, sparking the energy crisis of the 1970s. This did not, however, bother Nixon and Kissinger very much. If the worst came to the worst, they planned on bombing the kingdom in order to secure the vital supplies of oil. In the event, they didn’t need to take such drastic action. The Saudis were alarmed by the spread of Communism. So Nixon and Kissinger convinced the Saudis, along with the UAE, Qatar and Bahrein to back their war on Communism and specifically the conflict in Vietnam.
In the 1980s Saudi Arabia was the major backer of the Mujahideen. In 1979 there was a religious uprising in imitation of the Islamic Revolution in Iran. It was suppressed, and the 60 leaders executed. Saudi Shi’a were also attacked for celebrating a Shi’a religious festival. Following the killing of a student, there were mass demonstrations by the Shi’a, women’s organisations, the Communist party and the religious community. In retaliation, the Saudis deployed 20,000 soldiers, strafing the Shi’a communities with helicopter gunships. And Ronald Reagan pledged his support in suppressing any revolution. Saudi Arabia was, of course, the major American base in 1990 for the Gulf War.
The Saudis’ response to the Arab Spring was, predictably, also harsh. The regime issued a ban on all journalism that dared to question or criticise the monarchy, and the internet was subject to even heavier censorship. Saudi troops helped to crush the Arab Spring in neighbouring Bahrein. Despite this, people are still fighting and dying for their right to freedom in the east of Saudi Arabia. There was another uprising in 2013 following the shooting of another young person. Saudi Arabia has also responded to the threat by making massive purchases of arms. It is the biggest customer for American weapons, having bought $5.5 billion of them c. 2012. The kingdom is also a major financier of al-Qaeda and ISIS. This was admitted by Hillary Clinton in documents revealed by Wikileaks. They are estimated to have given $100 billion to terrorists.
They also had strong links to the 9/11 hijackers. 28 pages of the official inquiry into 9/11 remain classified, but the leader of the inquiry has stated that the material points to Saudi Arabia as a major funder. Nevertheless, the current crisis in the Middle East has alarmed them so much, that the Saudis have held secret meetings with Israel. The Saudis have also been active trying to suppress the rebellion in Yemen. So far, half of those killed have been civilians. Saudi arms have levelled the ancient and historic city of Sanaa, and there are cases where civilians and rescue workers have been attacked and killed.
This is a brutal, authoritarian and cruel absolute monarchy, responsible for the savage suppression of human rights and democracy throughout the Middle East. It is scandalous that the West continues to support this murderous regime, although not surprising given the vast profits from and the dependence of the West on Saudi oil, while western arms manufacturers make money from selling to them.
Tags:'Empire Files', 9/11, Abby Martin, Adultery, al-Jubair, al-Qaeda, Ali al-Ahmed, Ali al-Nimr, Amputation, Arab Spring, Aramco, Arms, Arms Trade, Army, Beheading, Bill Clinton and George Bush, Blacks, Bombing, Chevron, Civil Rights, Civilians, Communist Party, Crucifixion, Death Penalty, Domestic Workers, Drugs, Energy Crisis, Executions, FBI, Foreign Minister, Gulf Institute, Gulf War, Henry Kissinger, Hillary Clinton, Ibn Sa'ud, Internet, ISIS, Islamic Revolution, Journalism, Kafala, Maltreatment, Migrant Workers, Mobil, Monarchy, Mujahideen, Navy, Nixon, Oil Embargo, Parliament, Qatar, Rape, Re-eduction Centres, Religion, Rescue Workers, Ronald Reagan, Royal Family, Sanaa, Secret Courts, Shi'a, Sponsorship, Strike, UAE, UN Human Rights Council, Vietnam War, Whipping, Wikileaks, Women, Women's Rights, Working Class, World War I, World War II, Youth
Posted in Afghanistan, America, Arabs, Atheism, Bahrain, communism, Democracy, Economics, Education, History, Industry, Iran, Islam, Israel, Italy, Justice, Law, Medicine, OIl, Persecution, Politics, Poverty, Saudi Arabia, Slavery, Terrorism, The Press, Trade Unions, Unemployment, United Nations, Working Conditions, Y:emen | 6 Comments »
Former South African MP Andrew Feinstein on Global Arms Trade
I received this fascinating comment from Michelle Thomasson on my last post, in which I put up a meme about how the banks, businesses and governments profit from war at the expense of the people, who actually have to live, fight and die through them. She writes
In November I helped host a discussion at the House of Commons on the Ethics (!!) of the UK Arms Trade, one of the speakers was Andrew Feinstein a politician in South Africa (he worked against apartheid), but in the last 10 years has undertaken very brave research re the shadow world of the arms trade, the information he relates in this short clip is hair-raising: https://youtu.be/2F6J4Xvdkuo
For a fuller speech from him and more on the hidden dynamics within politics, here is an extended speech from Andrew a couple of weeks later at Medact:
These clips are grim, but immensely informatiove in giving an overview into how immensely profitable, pernicious and massively corrupt the global arms trade is, and how that corruption infects government at the highest possible levels. The first clip is audio only, but still well worth listening to. The second is rather long at 27 minutes, and has video. They both cover much the same ground, though the second adds a few more details, including Feinstein’s own experience as a South African politician being thrown out of government because of his opposition to a massively corrupt arms deal cut by Thabo Mbeki.
Feinstein is South African, Jewish and a former ANC politician, serving his country in its parliament for seven years. After he was forced out of government by his country’s president, he started making a documentary, The Shadow World, which is both a book and a film, on the global arms trade. He states in these clips that Europe is experiencing its highest level of militarism in peacetime for seven years. This militarism is supported by the global arms trade. The global trade in arms is worth $1.5 trillion. The small arms trade is smaller and less profitable, but worth a whopping $8.5 billion. Nevertheless, it is responsible for tens or hundreds of thousands of violent deaths through the world. The United States is the leader in this trade by a massive margin. Its arms sales make up as much as the rest of the world combined. Other leading countries involved in the trade are Germany, Britain, Japan and a number of others. As many of these countries are on the UN security council, there is a general unwillingness and inability to hold the arms trade to account. And the main customer for British weapons is Saudi Arabia, despite that country’s appalling lack of human rights.
Feinstein goes on to state that arm dealing operates on a continuum between the legal to the illegal. In practice, all arms deals involve some kind of illegality. He describes his meeting with the 77 year old man, whose fellow arms dealers described as ‘the most dangerous man alive’. After failing to track him down, he eventually found him on Facebook. This man was an unreconstructed Nazi, who began his career aged 18 in an office run by a former Nazi officer in post-War Germany. At one point the man told Feinstein to his face that many of the world’s problems would have been solved, ‘if Hitler had been able to continue his work’. Feinstein states that he didn’t tell him that as well as being Jewish, his mother was a holocaust survivor.
Feinstein asked the dealer if his Nazi views ever presented a problem in this business. The man looked at him as if he was stupid, and pulled out from his wallet a stack of cards showing that he was an official in the American Department of Defense and in USAID, the American aid agency, for Afghanistan, Syria, Iraq and Liberia, amongst other nations. He also stated that UN arms embargoes were good for business. He describes them as practically dollar signs, as that means the dealers can charge more.
By and large the arms dealers operate above the law. The trade comprises 40% of all corruption cases worldwide, and 50% of American corruption cases. This corruption is not incidental, but built into the trade’s very structure. It is responsible for the erosion of democracy and state’s internal stability, as well as damaging to their citizens’ health, prosperity and wellbeing. The dealers owe their massive power to the revolving door between them, the arms manufacturers, government and the civil service. This door is so fast, that its changes are impossible to track. One of Feinstein’s media colleagues tried in the US, and gave up after 18 months. And just to show how seriously the Land of the Free treats peaceful negotiation compared to the trade, there are less US diplomats across the globe than personnel on a single US aircraft carrier.
The trade is critical in securing party funding. Hence it operates in a parallel legal universe. Of the 502 violations of UN arms trading laws, only two have resulted in any legal consequences. One of these was the massive al-Yamamah arms deal between Britain and Saudi Arabia, negotiated by Thatcher, which earned her and her disgusting progeny, Mark, a nice little kickback. Mark Thatcher, aka ‘Thickie Mork’, got his own private jet, painted in whatever colour or design the little so-and-so wanted. This was being paid for by the British taxpayer until 2007. Other notorious deals included Iran/Contra, in which the Americans supplied arms to the Islamic Revolutionary Regime in Tehran, and the Contras in Nicaragua. One of the worst aspects of the arms trade is that the weapons often end up in the wrong hands, or turned against the very western countries which sold them. For example, when America started bombing Gadaffi’s Libya in the last stages of the war, the gun installations they attacked were those they had previously sold them. And immediately after the revolutions in the Middle East during the Arab Spring, Dave Cameron was in the region, including Egypt, trying to sell the new governments arms.
Feinstein also describes the massive arms deal that saw him forced out of office. He was head of the oversight committee when Mbeki struck an arms deal worth $10 billion, as well as $300 million in bribes. He was thrown out, and the two anti-corruption agencies in South Africa closed down because he refused to drop the investigation into the deal. This was an arms deal encouraged by Tony Blair. Jacob Zuma, Mbeki’s successor, was also involved, but was let off. The judge who did so was appointed to the high court two weeks later.
Feinstein includes in the final part of his talk a discussion of how arms dealing harms countries’ medical provision for their peoples. At the same time Mbeki was making his deal, he announced that there was no money for the retroviral drugs to treat those suffering from HIV. As a result, 365,000 South Africans died of AIDS in five years, and tens of thousands of babies were unnecessarily born HIV positive. Feinstein concluded his speech by stating that we needed to work to close down the trade’s massive corruption, and make sure that what remained of it was highly regulated.
Watch and listen to his talk yourself, and be informed about how vile and pernicious the trade is. The parapolitics magazine, Lobster, also has numerous articles on the arms trade and Iran/Contra, as well as criticism of Tony Blair.
Tags:'The Shadow World', AIDS, al-Yamamah, Andrew Feinstein, Apartheid, Arab Spring, Arms Trade, Contras, Corruption, Dave Cameron, Department of Defense, Europe, Gadaffi, Holocaust, House of Commons, Human Rights, Jacob Zuma, Jews, Lobster, Margaret Thatcher, Mark Thatcher, Medact, Michelle Thomasson, Party Funding, Taxes, Thabo Mbeki, tony blair, UN Security Council, USAID
Posted in Afghanistan, America, Arabs, Crime, Democracy, Egypt, England, Film, Germany, Industry, Iran, Iraq, Islam, Japan, Judaism, Justice, Law, Libya, LIterature, Medicine, Nazis, Nicaragua, Politics, Poverty, Saudi Arabia, Syria | 2 Comments »
What’s the Real Reason We’re Bombing Syria?
Mike over at Vox Political reported yesterday that Britain had bombed a Syrian army base, apparently in retaliation for criticism by Assad. See the article at http://voxpoliticalonline.com/2015/12/08/cameron-orders-attack-on-syrian-army-retaliation-for-assad-statements-veterans-today/. This has provoked a storm of protest. Amongst those criticising the attacks are veteran broadcaster and naturalist, David Attenborough, (See http://voxpoliticalonline.com/2015/12/09/david-attenborough-laments-dreadful-uk-bombing-campaign/). Most movingly, a group of British veterans have thrown their medals on the ground outside 10 Downing Street as their protest against the bombings. (See http://voxpoliticalonline.com/2015/12/09/syria-air-strike-protest-ex-soldiers-throw-their-medals-away/). This must surely show how iniquitous many feel the bombs are, when some of Britain’s bravest and most gallant squaddies and ossifers feel that this act has disgraced them, so that they feel they cannot wear the medals they have won with the pride they deserve.
I’m left wondering why we really bombed the Syrian army, and whose side we’re really on. Criticism by the country’s dictator, but not actual military aggression, seems a flimsy excuse to start bombing his country and killing his armed forces. If we did that every time a foreign head of state criticised us, we’d have to start bombing just some of our closest allies and collaborators in the EU, like France, Germany and Spain, long before we got to the really verbally hostile nations, like Iran or North Korea.
So why did we do it?
It could just be that Dave Cameron has decided that he just wants to bomb Assad. He wanted to start bombing him after the Arab Spring broke out, and it looked like democracy was finally going to sweep away all the dictators, absolute monarchs, theocrats and other tyrants throughout the Middle East. That dream, unfortunately, went unrealised. Years later it looks very much like we were better off not toppling Assad, because if he had gone, it’s likely that Syria would be in the hands of ISIS or al-Qaeda by now.
And for all that Assad is a genuinely nasty piece of work, the Syrian Ba’ath regime is like Saddam Hussein’s Iraq – a secular state with some degree of genuine religious pluralism. Christians, for example, could serve in the Syrian government, in sharp distinction to the theocratic autocracy in Saudi Arabia and the other gulf states, which are absolute monarchies. These nations reserve power, and in the case of Saudi Arabia, refuse to tolerate, any other religions, including different Islamic sects. Only Wahhabi Islam is tolerated.
I blogged today about a piece in the New Eastern Outlook that argued that ISIS was really the Saudi army in disguise. Shorn of its religious trappings, ISIS was a tool by which the Saudis hope to annex and control the oil wealth of the other Middle Eastern nations. This seems to me to be exactly right. As I wrote before, Greg Palast points out in his book, Armed Madhouse, that the Saudis wanted Iraq invaded so that they and the Americans, their partners in Amerco, the Saudi oil combine, could seize that country’s vast oil reserves, the second largest in the Middle East after Saudi Arabia itself. And it was one of the reasons why the West invaded Iraq twenty five years ago, after George Bush snr told Saddam Hussein that there would be no opposition to his annexation of Kuwait.
The anti-War protesters shouting ‘Gosh, No! We won’t Go! We won’t die for Texaco!’ were right. Absolutely and unequivocally.
So what’s the reason we’re going into Syria now? Cui bono? Apart from the Saudis.
Years ago I read a book by an other with a very Islamic name, which claimed that the 7/7 bombings were another false flag operation. It claimed that they were set up by Britain’s intelligence forces in order to provide further spurious justification for Britain’s military involvement in the Middle East. This was part of a broader strategy of misinformation and staged enemy actions which included the war in Bosnia in the 1990s and the invasion of Afghanistan. The real reason for all these invasions was to permit NATO to seize control of the vital oil pipelines running from Afghanistan, across the Middle East, and into the Balkans. Interestingly for a book written by some of Islamic heritage, it argued that some of the atrocities committed by the Serbs in Bosnia, such as the mass murder of Bosnian civilians in a concentration camp, did not occur, but were manufactured by the Allies. I am extremely sceptical of this claim, as it sounds too close to Holocaust denial and the type of stories retailed by the anti-Islamic extreme Right.
The book sounds like a British version of the American ‘Troofer’ conspiracy theories, which allege that the American intelligence agencies, or in some of the nasty anti-Semitic versions going the round, Israel’s Mossad, were really responsible for the destruction of the Twin Towers back in 2001. I find that extremely unlikely. It’s part of the American Conspiracist fringe and its Islamic counterparts. Such theorising is very common in parts of the Islamic world. John Timpson in his book on Iran noted how common it was over there. It’s not hard to see why. Conspiracy theories, like those about 9/11, Jewish bankers or secret deals with alien beings, are created by the powerless and disenfranchised to explain bewildering and apparently inexplicable events. They flourish in states where government is closed and autocratic. Like the Middle East and other parts of the developing world, dominated by powerful factions, and where government may be absolute, secretive and extremely repressive.
Unfortunately, this doesn’t mean that there isn’t a kernel of truth in their somewhere, hidden amongst the paranoia. The invasion of Iraq did have nothing to do with combating al-Qaeda. It was mainly an attempt to seize their oil, as well as prevent Saddam Hussein supplying arms and aid to the Palestinians. As well as a giant experiment in free market economics and massive corporate pilfering by the Neo-Cons. Now it seems that the Saudis are also funding, supplying and controlling ISIS as a way to seize more nation’s oil industries. It looks very much like the War on Terror really is just a War for Oil, just as the Greens was back in the 1990s told us the first Gulf War was when they lambasted it as a ‘resource war.’
So, after bombing Assad’s army, is Cameron going to urge us, perhaps a few weeks, months or a year or so from now, that we now need to put ‘boots on the ground’ to join the 70,000 ‘moderates’ everyone else says isn’t there, in order to save the Syrian people from Islamist tyranny? Unfortunately, I can see that happening, just as I think that if he does, the real reason will be to seize, sorry, protect the Syrian oil wells, refineries and pipelines.
I may well be wrong, but this is the way I can see this war developing. And I’m already sick of it.
Tags:'Armed Madhouse', 7/7 Bombings, 9/11, al-Qaeda, Amerco, anti-semitism, Arab Spring, Assad, Ba'ath Party, Balkans, Bosnia, Conspiracy Theories, David Attenborough, Free Market Ideology, Green Party, Greg Palast, Holocaust Denial, Intelligence Agencies, ISIS, John Timpson, Kuwait, Mossad, NATO, Neo-Cons, Palestinians, Saddam Hussein, Serbia, Syrian Army, Troofers, Twin Towers, Vox Political, Wahhabism, War Veterans
Posted in America, Arabs, Democracy, Economics, European Union, France, Germany, Industry, Iran, Iraq, Islam, Israel, North Korea, OIl, Persecution, Politics, Saudi Arabia, Secularism, Syria, Terrorism, Yugoslavia | 1 Comment »
Danielle La Verite Raises Questions about William Hague
In this video, Danielle La Verite makes some interesting points and raises some good questions about the former leader of the Conservatives, William Hague. She notes that unlike Gideon and IDS, Hague is actually properly qualified: he’s got a first in PPE – Politics, Philosophy and Economics. He was also caught committing electoral fraud when he was part of the Oxford Conservative Club. He was found stuffing ballot boxes in order to fix the results in favour of his faction. She notes that he had a lot of directorships, of which he divested himself when he became leader of the Tories, one of which was in JCB. That’s the firm that makes mechanical diggers. She also jokes about how he couldn’t bury the story about him sharing a hotel room with a young, male researcher.
More seriously, she discusses Hague’s statement that he was extremely disheartened by the vote against his motion to invade Syria. She asks if this was because he was disappointed that he couldn’t kill millions more people. She also tackles his statement at the Tory party conference that the majority of people in this country share Tory values. She states, using some extremely colourful language, that he must be mentally challenged if he thought this. And she points out that he is one of the one per cent, the super-rich who exploit everyone else.
Finally, she starts speculating about his possible connections to the paedophiles in parliament. She says she has seen lists of MPs, who are paedos. He isn’t on any of this lists, but she noted that he left government at the same time many of the paedophiles did, and wonders if this is because the parliamentary investigation started coming too close for comfort. Here’s the video below.
Now in all fairness, I don’t think Hague should have ever been accused of being gay, simply because he shared a hotel room with another man. It isn’t remotely uncommon for people away together to share hotel rooms as a way of saving on expenses when they’re not having any kind of sexual relationship.
It’s the same with the suggestion of connections to paedophiles. As it stands, this is just nasty innuendo. On the other hand, given that so many MPs are alleged to have been paedophiles, it is reasonable to ask how much Hague knew about this as head of the Conservative party.
On the other hand, the fact that Hague was caught and prosecuted for electoral fraud when he was just a student, does indicate a complete lack of any sense of fair democratic procedure. It partly explains why the Tories were so eager to copy the Repugs in America and start gerrymandering the rules on electoral registration, so as to disqualify the groups that didn’t vote for them.
As for his zeal in wishing to invade Syria, this was all part of the Arab Spring. It broke out unexpectedly, and the western powers were under pressure to support this supposedly new, democratic uprising by taking military action against the dictators. And Assad is indeed a brutal thug. Innocents were being rounded up, imprisoned and tortured. However, what has emerged against him, the various Islamist groups that have started butchering Christians and sworn to exterminate Assad’s fellow Alawites, as well as liberal Muslims, are far, far worse.
And Hague has certainly been extremely keen from the start to send in the army. He tried to send the SAS into Tripoli in Libya, and they were defeated.
As the rise of Isis has shown, continued occupation by the West under the guise of the War on Terror has actually radicalised and alienated much of the region against us. Isis and the other Islamist factions are brutal, but what is needed is not brutal military action, but an intelligent campaign to win hearts and minds. The actual numbers fighting for Isis is actually very small. Where they have gained the support of local people is in restoring order, including necessities like water and electricity, after the disruption of the war.
Similarly, in Lebanon during the Civil War, Hezbollah partly owed its large following due to the fact that it responded to provide aid during emergencies quicker than the western secular organisations. And the same was true of the FLM in Algeria.
If we wish to combat the militant Islamists, we had actually better start doing something for the people of those countries we’ve invaded and occupied. Instead, western companies have used the invasion to enrich themselves and strip their assets. We do need a military presence in the area, but warmongering alone will just make the situation worse.
Tags:Alawites, Arab Spring, Assad, Ballot Boxes, Christians, Conservatives, Danielle La Verite, Electoral Fraud, Emergency Aid, FLM, Hezbollah, homosexuality, ISIS, Islamism, JCB, Liberal Muslims, Oxford Conservative Club, Oxford Uni, Paedophiles, Republicans, SAS, Tripoli, Voting Registration, War On Terror, William Hague
Posted in Algeria, America, Crime, Democracy, Education, Iraq, Lebanon, Libya, Morality, Politics, Terrorism | Leave a Comment »
Adam Curtis and Brooker’s 2014 Wipe: Putin and the Postmodern Politics of Control through Confusion
Charley Brooker: Master of the Baleful Gaze of Criticism
‘Confuse your enemy and you confuse yourself!’
-General ‘Mad Bloody Butcher’ Cheeseman, The Fall of the Mausoleum Club, (Radio 4, 1985).
I found Charley Brooker’s review of last year, Newswipe 2014, over on Youtube. Assisted by Philomena Cunk and Barry Shitpeas, Brooker casts his jaundiced eye over last years’ events, and inveighs against the horrors and stupidity therein, both of themselves and in the media, that reported them. Brooker’s comments are masterpieces of highly inventive scorn and outrage. Cunk and Shitpeas, for their parts, are highly intelligent people, who satirise the news by posing as complete morons for whom even a relatively straightforward film like ‘Twelve Years a Slave’ is beyond their comprehension.
Brookers’ angry nihilism, in which he sees recent events and the latest offerings of the world’s celebrity-obsessed media as proof that we live in an absurd, pointless universe, wherein human civilisation is a bad joke about to collapse, and Cunk and Shitpeas’ faux naïve and inane comments are amusing enough. What lifts the show into another dimension entirely is a short film by Adam Curtis, on the way politicians are using the feelings of helplessness created by the terrible events replayed across our TV screens as an instrument of control.
Curtis is the director of the superb documentaries The Living Dead, The Century of the Self, The Power of Nightmares, All Watched Over By Machines of Loving Grace, and How We Lost Our Dreams of Freedom. These explored how politicians used and abused theories of history, psychology, game theory and simplified models of human behaviour based on computer models, to boost their own power, while depriving the people they claim to represent of the power to change their destinies and better their lives. In this film, he explores how politicians, both those in Putin’s Russia and in Britain, have created an absurd, meaningless view of contemporary events in order to maintain their power by keeping their peoples deliberately confused and off-balance.
Tserkov, and the Politics of Spectacle and Subversion
This tactic was invented in Russia by Vladimir Putin’s advisor, Vladislav Tserkov, who has spent 15 years aiding Russia’s elected tsar. Tserkov was an avant-garde artist, and important elements from Conceptual art into Russian politics. The Soviet Regime has staged and promoted a series of gatherings and spectacles as part of its campaign to mobilise Russian support. But he has also gone further, giving funding to groups directly opposed to his master and each other, from Neo-Nazi stormtroopers to Human Rights activists. He has also deliberately let everyone know he has done this. This has produced a radical destabilisation of the opposition, as it is no longer clear what is authentic and genuine, and what is carefully staged propaganda. The result is an enervating feeling of defeat.
Tserkov has even found a way to profit from the terrible civil war now raging in Ukraine. Last year he published a short story about how politicians could practise what he called ‘non-linear warfare’. In this, the gaol is not to win the war, but to use it to spread further confusion. The aim is to create a situation in which no-one really knows who the enemy is, or why they are fighting.
Cameron’s Absurd Government and the Politics of Despair
Curtis goes further, and argues that a similar condition is present in this country. Although not deliberate, the confusion created by politicians’ contradictory policies and actions has had the same result. He identifies Cameron as the British counterpart of Tserkov’s shape-shifting, non-linear politician, and gives the following examples of his government’s contradictions and confusion:
* Aging deejays are prosecuted for their historic crimes, but not the bankers, whose actions have created the current global economic mess.
* We are told that President Assad is evil. However, his Islamist enemies are worse, so we end up bombing them, thus helping Assad.
* George Osborne says that the economy is booming, but wages are going down.
* Gidiot says that they are cutting the national debt, but the deficit has actually increased.
*The government is pursuing a policy of austerity, taking money out of the economy. They are, however, putting it back in through ‘quantitative easing’.
Quantitative easing is the massive subsidy and bail-outs the taxpayer is giving the banks. It amounts to £24,000
per family. This has not gone to the poor, but to the richest five per cent. It is the biggest transfer of wealth, and could be a real scandal, but nobody knows anything.
Because there is no effective counter-narrative offered to the above policies, the public similarly feels defeated, disempower. The response is ‘Oh dear’.
But, says Curtis, that’s exactly what they want you to think.
Tserkov’s Co-Option of the Society of the Spectacle
From here, it looks like Tserkov took hold of the Society of the Spectacle, and adopted it as a deliberate policy. The Society of the Spectacle was a theory developed in the 1960s by Baudrillard, the French postmodern philosopher. Baudrillard believed that capitalism survived ideological attack, by taking over its opponents weapons and then re-presenting them as spectacles. The forms had been preserved, but their ideological power had been drained and discarded. Way back in the ’90s, one of the small press magazines devoted to the weird and bizarre gave the Glastonbury Festival as an example. When it started, it was very definitely a fringe, countercultural event. It’s very existence was a challenge to mainstream culture. Now it is very much a part of that same mainstream culture. Instead of seeing the bands for free, you are now charged tens, sometimes hundreds of pounds for a ticket.
The former Soviet Union, like all totalitarian regimes, had a deliberate policy of staging fake demonstrations and events in support of the regime. There’s an old story from a very public school teacher, who organised a trip for her girls to the former USSR. One of the planned outings for the day was disrupted by a noisy Soviet peace demonstration. The headmistress duly complained to the authorities, who reassured her, ‘Do not worry, ma’am. This spontaneous display of the people’s anger will end at 2.00 pm precisely’.
Subverting Situationism
Where Tserkov differs is that he has gone beyond this, using the ideas of Situationism and turning them back on themselves. The Situationists were hippy anarchists, who organised a series of spectacles to subvert mainstream, ‘straight’ society. Malcolm McLaren, the founder of the Sex Pistols, claimed to have been a Situationist, but this was just a bit of self-aggrandising hype on his part. The tactic hasn’t gone away with punk and the hippies. It’s still used by contemporary anarchists to use comedy, humour and spectacle to satirise and subvert capitalism and its organs of oppression and control. Tserkov has learned from this, and turned it against the opposition, using the very methods of liberation from capitalism and the state as weapons for their preservation and extension.
Non-Linear War, Vietnam, ‘ Nomad’ and ‘Deathlok the Demolisher’
As for Tserkov’s theories of non-linear war, you can trace these back to the feelings of disempowerment and confusion in 1970s in America created by Vietnam and Watergate. The Vietnam War presented ordinary, patriotic and freedom-loving Americans with terrible reports of their country’s atrocities against another people, all in the name of freedom. Despite the unequal status between the two countries, the war dragged on for decades, and the American public saw the friends and relatives killed, and many of those that returned home stricken with terrible physical and psychological injuries. This result was a feeling of anomie and despair. The nation’s self-confidence took a further blow with Watergate, when even the supreme leadership were shown to be corrupt.
Captain America Forswears his Country
That feeling of alienation and national disenchantment found expression in the comic strips of the day. American comics began to explore political issues, including racism, feminism and the abuse of the media to aid in crime and foment hate. It was perhaps expressed most forcefully by the actions of that most patriotic superhero, Captain America. The Captain is a symbol of everything good and noble in American society. In the strip, he had been created as a super-soldier to fight the forces of evil in the shape of the Third Reich, a storyline followed in the recent film, Captain America: The Winter Soldier. Faced with his country’s corruption, the Captain changed his name and costume to become ‘Nomad’, a superhero without a country.
Deathlok: Robocop against an Anonymous Enemy
Post-Vietnam disillusionment and confusion found further expression in another Marvel strip, Deathlok the Demolisher. Deathlok was a cyborg created from the mechanical reanimation of an American army officer. The strip was set in a future America devastated by a terrible war, in which whole cities have been abandoned. To fight the war, the government has taken to creating cyborg soldiers, vicious killing machines like Deathlok, which are engineered to enjoy killing and maiming. A battle with a rival cyborg destroys the mechanisms controlling Deathlok, allowing the human side to reassert itself, and the man inside to go on a quest to recover his humanity. In flavour, the strip very much resembled Paul Verhoeven’s Robocop, with its cyborg hero, robotic killing machines and a city devastated by crime and political neglect. Unlike Robocop, which came out later, the strip made it deliberately unclear what the point of the War was, or even who soldiers like Deathlok had been created to fight. The suggestion was that it had all somehow been staged by the government, to divide, terrorise and rule.
There are no cyborgs slugging it out on the streets of Moscow or Kiev, but the depiction of ‘non-linear war’ looks exactly like the shattered America in Deathlok.
Shifty Cameron, Austerity and the Enrichment of the already Wealthy
As for Cameron, he is indeed a protean, shape-shifting politicians, adopting guises only to abandon them when he got into power. Remember when he said that ‘this would be the greenest government ever?’ It didn’t take long for that to go once he got his foot through the front door of No. 10, along with his promises about the health service and the abandonment of the market economy so proclaimed by his mentor, Philip Blond, in his book, Red Tory.
The transfer of wealth from the poor to the rich is not confusing by any means. It’s been a feature of American politics for decades, where the government has pursued a policy of austerity for the poor, and subsidies and tax breaks for the rich. It’s only confusing because the extremes of poverty and wealth created by the banking crisis has thrown into very acute relief.
Assad, Islamism and the Paradoxes of the Modern Middle East
As for Assad, this is the product of Western politicians genuinely not understanding the politics of the Middle East. They pursued idealistic goals that ran in direct contradiction to the perceived good of the nations to which they were applied. Assad and his counterparts in Egypt, Tunisia and Libya were dictators, who held power through terror and brutality. Western governments see themselves as defenders of democracy and freedom, and so felt bound to support the popular revolts that broke out in the Middle East during the ‘Arab Spring’. Yet however undemocratic these regimes were, they were also secular, Westernising regimes that ostensibly promoted liberal policies of religious tolerance and personal freedom and relative gender equality to an extent which the Islamic and Islamist regimes that sought to replace them did not. The result has been the volte-face from seeking to oust Assad, to trying to combat his enemies in order to preserve his secular, Ba’ath regime.
Time to Reject Failed Neo-Liberalism
All of this has had a disempowering effect, because the parties have moved so close together, that there is little apparent difference between them. They are still attempting to apply discredited economic and foreign policies, while hiding their failures.
It’s long past the time when this situation changed, and politicians began thinking out of the Neo-Liberal box.
Tags:'How We Lost Our Dreams Of Freedom, 'Red Tory', Adam Curtis, All Watched Over By Machines of Loving Grace, Arab Spring, Assad, Austerity, Ba'ath Regime, Bankers, Barry Shitpeas, Baudrillard, Captain America, Captain America: The Winter Soldier, Charley Brooker, Cyborgs, David Cameron, Deathlok the Demolisher, Disc Jockeys, Environmentalism, Fall of the Mausoleum Club, George Osborne, Glastonbury Festival, Human Rights, Islamism, Kiev, Malcolm McLaren, Moscow, News, Newswipe 2014, Non-Linear Warfare, Paul Verhoeven, Philip Blond, Philomena Cunk, Quantitative Easing, Radio 4, Robocop, Sex Pistols, Situationism, Society of the Spectacle, The Century of the Self, The Living Dead, The Power of Nightmares, Twelve Years A Slave, USSR, Vietnam War, Vladimir Putin, Vladislav Tserkov, Watergate, Youtube
Posted in America, Anarchism, Arabs, Banks, Comedy, Comics, communism, Democracy, Economics, Egypt, Fascism, History, Islam, Nazis, Politics, Popular Music, Poverty, Radio, Russia, Secularism, Syria, Technology, Television, Tunisia, Ukraine, Wages | 3 Comments »
Not Just Russians: Britain’s Webcam Computer Spies
One of the major stories over the past week or so has been that a Russian website is showing hacked images from webcams from around the world, including about 600 or so from Britain. This has naturally caused alarm at the way the potential exists for people’s private computers to be attacked and used to spy on them.
The Russians, however, are not the first or only people to have developed and used such software. In its ‘In the Back’ section for the 22nd August – 4th September issue of this year, Private Eye published a story about the use of similar software developed by a British company. This was being used by the Bahraini government to spy on and persecute dissidents. Here’s the story.
Bahrain Shower
New documents reveal that expensive British spy software – marketed as a means of tracking “paedophiles and terrorists” – has been used by the Bahraini Ministry of the Interior to hack the phones and computers of activists and lawyers.
The software, sold by Gamma Group, a company based out of serviced offices in Winchester, works by sending malware called FinSpy to “target” computers and phones (see Eyes 1368 and 1351). This allows content to be harvested and turns the computer or phone into a mobile spying device by secretly activating the microphone and webcam and intercepting Skype calls.
Gamma Group, which had not applied for an export licence from the UK authorities, denied last year that is product was being used in Bahrain. A spokesman told the Observer: “It appears that during a demonstration one of our products was stolen and has been used elsewhere. I believe a copy of FinSpy was made during a presentation and that copy was modified and then used elsewhere.
However, new documents obtained from the Gamma Group customer support server include logs sent to Gamma, showing a list of Bahraini targets and whether or not all their files had been “archived” – in other words, pinched Gamma says it only sells to government agencies.
Mohammed Al-Tajer, Bahrain’s leading human rights lawyer, has been on the wrong end of Gamma-inspired snooping. Having once defended a group of Shia Muslims accused of throwing a petrol bomb at a police car, and having also published evidence of torture of detainees, shortly before Bahrain’s Arab Spring uprising, in January 2011, he received a recording of himself having sex with his second wife, accompanied by a message telling him to watch his step. The new documents show that, on the same day in January, Gamma spyware was successfully installed on Al-Tajer’s computer, archiving all his files, in contravention of illegal privilege and most likely turning his computer into a mobile spying device.
In April 2011, Al-Tajer was then arrested and held by the Bahraini Ministry of the Interior for four months. Every morning he was made to stand against a wall and was beaten until he fainted. A subsequent report5 into the security services, commissioned by Bahrain’s King Hamad Al-Khalifa and carried out by human rights lawyers and others, found evidence of widespread torture, including “beating; punching; hitting the detainee with rubber hoses (including on the soles of the feet), cables, whips, metal, wooden planks or other objects; electrocution; sleep-deprivation; exposure to extreme temperatures; verbal abuse; threats of rape; and insulting the detainee’s religious sect Shia).” It also found evidence of deaths at the hands of the security forces.
In late 2011, Bahrain thought it had better do something to reform its police forces, bringing in a hired hand from overseas to ensure the force met international codes of practice. It wasn’t long before this new adviser was hailing the “substantial progress” being made, detailing a “new police code of conduct” and “comprehensive programme of training in human rights”, adding: “I am bewildered by the level of criticism aimed at a nation that has acknowledged its mistakes, but has plans in place to put things right.”
This state of bewilderment was presumably nothing new to the adviser, John “Yates of the Yard” Yates (for it was he”, who as Met Police assistant commissioner in London had overseen the Met’s brilliant early phone-hacking investigation and had personally declared that there were only a “handful of victims”. He later resigned when the number approached 4,000.
Even after Yates had begun his reforms in Bahrain, Al-Tajer continued to receive text message threats from anonymous telephone numbers; and in June 2012 the sex recording was finally published on YouTube, as was footage of Al-Tajer eating and praying.
Yates told the Eye he had never heard of Mohammed Al-Tajer (he was only the leading lawyer defending police cases, after all), nor of Gamma Group, and that he had had no operational involvement in police matters, acting solely as a “strategic adviser”.
* The hacker who posted internal Gamma documents on the internet showing how it FinSpy, aka FinFisher, software had been sold to the oppressive regime and used to spy on the Bahrain Independent Commission of Investigation (BICI), which was investigating torture and killings in the country, also revealed that the kit wasn’t quite as effective as Gamma likes to claim.
“After infecting a target’s [computer]the targets [sic] works for few days only then he never comes online and we have to infect him again,” the Bahrainis complained. “We can’t stay bugging and infecting the target every time since it is very sensitive. And we don’t want the target to reach [sic] to know that someone is infecting his PC or spying on him.”
I can’t say that the information that webcams could be hacked came as news to me. I can remember being told by a member of staff in one of Bristol’s computer shops that they had a friend, who was a hacker. This individual used to tap their victim’s webcams, so he could see them through the computer. The staff member, who told me this, didn’t approve of it himself, and really didn’t want anything to do with such activities. Nevertheless, hackers were still doing it.
This is very much the world of 1984, where Big Brother used the televisions in people’s homes to spy on them. In the case of the Russian hackers, despite their protestations that they are doing it to make people aware of the existence and the dangers posed by the software, it looks to me very much like the Russian secret services making veiled threats about their capability for cyberwarfare, espionage, and ability to intimidate foreign nationals in their own homes.
As for Gamma Group and the Bahrain government, Britain has, unfortunately, a long history of supplying arms and spying equipment to oppressive governments around the world, including the Middle East. This includes BAE selling weapons banned under international law, like electronic batons and shields, to places like Saudi Arabia. Gamma Group is merely the latest to join this long and infamous list.
Other foreign companies are no better. Nokia sold software it had developed to allow governments to hack into and monitor private mobile phones to various despotic governments in the Middle East, including Iran.
This does, however, raise the chilling question of whether this software is being used domestically to gather information on people the British and American states consider politically awkward. The Snowden revelations showed the truly massive extent to which both countries’ secret services were monitoring and spying on the phone calls and electronic communications of their citizens. The Coalition has attempted to censor politically inconvenient websites, like Pride’s Purge, using legislation it has attempted to pass under the pretext that this would protect children from internet paedophiles. The police have also been used by UKIP and fracking companies to harass and intimidate Green protestors and documentary film-makers.
How do we know that the Tories and their corporate backers aren’t using this already to track and monitor left-wing groups and individuals they consider subversive?
Tags:Arab Spring, Arms, BAE, Bahrain Independent Commission of Investigation, Bristol, Computers, Edward Snowden, Espionage, FinSpy, Fracking, Gamma Group, Green Party, Hacking, Internet, John Yates, Malware, Metropolitan Police, Mohammed Al-Tajer, Nokia, Pride's Purge, Private Eye, Shi'a, UKIP, Webcams, Winchester
Posted in America, Arabs, Bahrain, Iran, Islam, Politics, Russia, Technology, Television, The Press | 5 Comments »
Peace, Love and Lebanese Rockets
The Lebanese Rocket Society
Soda Film + Art
Arabic with English, French and Arabic subtitles
Running time 95 minutes.
With the news full of the horrors of ISIS and their genocidal war in Iraq and Syria, I thought I’d turn to a far more optimistic and inspiring episode of recent Middle Eastern history: how a group of Lebanese students in 1962 were inspired to join the nascent space race and begin building their own rockets. It’s a piece of history that has been all but forgotten. The film not only documents the rise and fall of the Lebanese space programme, but the film makers’ own attempts to jog people’s memories of it on Lebanese radio. They then turned the rocket programme into an art project, constructing a full-scale statue of one of the rockets, which they presented to the Lebanese Armenian college at the centre of the rocket programme. They also made their own version of the Golden Record, the disc containing the sounds of Earth, which was carried into space on the Voyager 2 probe destined to leave the solar system for the depths of interstellar space and possible contact with aliens. In the hands of the film’s producers, the record held the sounds of Lebanon.
They also created an animated film, by Ghossein Halwa, depicting what Lebanon might be like in 2025, if the programme had continued. In Halwa’s film, the Lebanon of the near future is a prosperous, bustling space age state. Space technology has given the country security by allowing it to guard its borders against foreign invasion. It has also contributed to the country’s material wealth by discovering oil reserves off its coast. Beirut and its suburbs are a true, futuristic city like the vast megalopolis’ in Japanese manga films and the SF classic, Blade Runner. Vast space craft, Arab versions of the Space Shuttle, are launched to explore the depths of space. But it’s also a fun a place, where you can trip the light fantastic in zero-gravity nightclubs.
One of the new generation of spacecraft from the alternative Lebanon of 2025.
The Founder, Manoug Manougian
The programme was the brain child of Manoug Manougian, a professor of mathematics at Haigazian college, an Armenian college in Lebanon. Manougian’s interest in space travel seems to have been sparked, like many a child’s, by reading Jules Verne. Now teaching maths at university in Tampa, Florida, he says during one interview that it may not be accident he ended up there. Verne made it the location for his astronaut’s journey into space in his Voyage to the Moon as it was at the right latitude for launching a flight to the Earth’s companion world. Inspired by the achievements of the Americans and Russians, Manougian was inspired to begin his own experiments. He and a group of his students began making and launching a series of rockets. At first these were tiny ‘baby rockets’, not much larger than fireworks and about the same size as some of the model rockets hobby rocketeers enjoyed by hobby rocketeers. The rockets became increasingly larger and more sophisticated, until they reached the end of what could legally be built. The fuel used by the rockets was strictly limited to the armed forces. Furthermore, there was a problem with funding as any further increase in size would make the rockets prohibitively expensive for a small, civilian project. Manougian’s group had caught the interest of the Lebanese army under Captain Wehbe, who stepped in to give the young rocketeers the money and equipment they needed.
Involvement with the Army
The alliance with the army brought its own problems, however. Manougian and his students were only interested in peaceful research. The college’s founder, a Protestant pastor, was very much afraid that the rocket would be used as a weapon, and was initially strongly opposed to the research. He resolved to put a stop to it when he saw his own 12 year old daughter come out of one of the campus’ laboratories, her forearms grey from mixing the rocket fuel. He decided to go round and tell Manougian to put a stop to it.
He was persuaded otherwise by the massive publicity the programme was giving Lebanon and his college. The newspapers were full of stories about Manougian and his band of space cadets. Other, similar groups sprang up elsewhere in Lebanon. One such was a group of 13-15 year old boys, who launched their own baby rockets. The Lebanese also received international assistance and co-operation from France and America. Col. Wehbe attended a course on rocketry and the American space programme in Florida. He also attended the launch of a French experimental rocket in North Africa.
International Tensions and War
The programme was doomed by the political tensions in the Middle East. The film makers point out that the 1960s was a period of tension and conflict between the superpowers, America and Russia, and their allies and clients in the Arab world. Against them was Arab nationalism, led by the Egyptian president Abdel Nasser, which briefly resulted in the union of Syria and Egypt, and the anti-imperial forces. Lebanon was buzzing with spies and political intrigue. One of the speakers recalled how one frequent drinker at a hotel bar in Beirut was none other than Kim Philby, the notorious British traitor. The Lebanese’s success in building larger and more sophisticated missiles attracted attention and alarm from other nations. Their last missile was to have a projected range of 500 km, bringing into range Cyprus, Syria and Israel. Manougian’s rocketeers received a sharp message from their diplomatic staff in Cyprus. The British authorities were understandably annoyed after they made a mistake with one of their rocket’s trajectory, so that it almost landed on a Cypriot fishing boat.
Other Arab nations were also keen to acquire Lebanon’s success and expertise. Manougian recalled how he was approached at an official party by another Armenian, whom he didn’t know. The man asked him if he was looking for funding. When Manougian said he was, the unknown man replied that he knew someone who wanted to meet him. And so Manougian found himself driving through Beirut with the man at 2.30-3.00 O’clock in the morning, before ending up at hotel, in front of which was a crowd of people. He was then approached by the heir of one of the other Arab states, who asked him if he’d like to come and do the same in his country as he’d done for Lebanon. Manougian states that he felt it would have been impolite to refuse the offer, and so simply replied that he’d have to think about it. He then fled back to Texas to complete his education, explaining that at the time he only had a B.A., and not even an M.A.
The Army’s Takeover and End of the Project
With Manougian absent, the rocket programme began to experience a series of disasters. Three of the rocketeers were badly burned in an accident when the perchlorate rocket fuel being mixed exploded. The College decided the rocket programme was too hazardous, and so had them removed from campus. it was then gradually taken over by the Lebanese army. Manougian, Joseph Sfeir and the other leading rocketeers were peaceful visionaries, but the army made it clear that they had always been interested in developing it as a weapon. They just didn’t tell the project’s civilian leaders. Well, said one of the officers, if you told Manougian it would be all over Haikazian college, and if you told Sfeir, it would be all over his home province. Under the army’s control, the tests became more secret and closed to the public, unlike the earlier launches. Eventually the project was closed down due to international pressure. One of the rocketeers identified the French as responsible. Another recalled how he knew the then-president personally, and asked him, which country was responsible. ‘Was it from the north?’ he asked. ‘From the north, from the south, and elsewhere’, came the reply. Clearly Lebanon’s success at creating such a missile had made a lot of people understandably very nervous.
The film laments how very, very few Lebanese now remember the programme, despite the massive publicity it had at the time. They feel that the 1967 War and the losses of Arab territory to Israel and subsequent conflicts have blotted out all memory of the programme, and made Arabs afraid to dream and strive for utopias. There is very little Science Fiction in the Middle East, they opine, because there’s always the danger that someone in the future will consider it subversive.
Peaceful Idealism
What actually comes out of the film, in contrast to the militarism and political intrigue, is the peaceful idealism and patriotism of the projects leaders and founders. Manougian states that Lebanese Armenians are very loyal to their adopted country for taking them in after the Armenian massacres that occurred throughout the Turkish Empire and the Middle East. It’s a situation the film’s producers strongly sympathise with. One of them has an Armenian grandparent, while the other is part Palestinian. They see the space programme as what their country, and the Arab peoples themselves, can achieve if only they dare to dream and look for utopias. The film was made in 2009-10, during the Arab Spring, which they hail as the Arab people once more daring to dream of better societies without tyrants or despots. As for Manougian, he is still very much a visionary and campaigner for peace. He’s active in a project, ‘Peace through Education’. The film makers hoped by making the film they would restore its memory. The sculpture of the rocket was painted white to show that it wasn’t a real missile, and taken through the streets of Beirut to Haikazian College to show what Lebanon had achieved peacefully, through idealism.
The Lebanese Rocketeers – The Arab ‘Mice that Roared’
The film and its rocketeers remind me somewhat of the Ealing comedy, the Mouse on the Moon. This was the successor to the comedies about the minuscule state of Little Fenwick, an English village that manages to gain independence from the rest of the UK, Passport to Pimlico and The Mouse that Roared. The Mouse on the Moon chronicles the events as Little Fenwick joins the space race, rushing to land on the Moon ahead of the Americans and Russians. Apart from well-known Ealing stars like Margaret Rutherford, it also has Bernard Cribbins, known to grown-up children of a certain age as the narrator of The Wombles, and to a new generation of children as one the friends of David Tenant’s Doctor. It shows what small nations and ordinary people can do with skill, vision and military backing. Sadly, from the perspective of 2014 the film’s optimistic embrace of the Arab Spring seems misplaced. The despots throughout the Middle East have either successfully clamped down on the civil rights movements, or else the dissident movements themselves have led to the raise of dangerous and unstable Islamist militias. Egypt’s brief experiment with the democracy and the rule of the Muslim Brotherhood has collapsed, and the country is once more under the control of the army. Nevertheless, for a brief moment another world of peace and freedom seemed possible.
Human Progress Made when Peoples and Cultures Come Together
The other point that comes out of the film is the amazing advances in science and civilisation when difference peoples and cultures come together in peace to try to learn from one another. Lebanon was known as the Switzerland of the Levant. It’s a mosaic of different peoples and religions, including Christians, Muslims and the Druze, a highly unorthodox form of Islam. Islam was able to make great strides in science in the Middle Ages, because the early caliphs were keen to draw on the knowledge and expertise of their empire’s subject peoples. The caliph Al-Ma’mun founded a bayt al-hikma, or House of Wisdom dedicated to science and medicine. They drew on Greek, Persian and Indian science and mathematics, and employed Christians, Zoroastrians and Hindus, as well as Muslims, to translate scientific and medical works into Arabic. Al-Ma’mun himself sent a scientific mission of scholars, including the pioneering mathematician al-Khwarizmi, who gave his name to word ‘algorithm’, to acquire scientific knowledge and texts from the Byzantine Empire, the Greek Empire of the East. Western science, in its turn, because massively enriched from the 12th century onwards when European scholars acquired copies of the lost Greek classics and Arabic scientific and medical texts. Peaceful contact between nations and cultures, and the great advances they could make by learning from each other, is now threatened today by the rise in militant xenophobia and, in the Middle East, by the genocidal Islamism of groups like ISIS.
Bill Hicks’ Vision – ‘We Can End World Hunger and Colonise Space’
This film shows the opposite, of what can be achieved through peaceful co-operation. It goes some way to proving the point the late comedian, Bill Hicks, used to make at the end of his gigs. Hicks used to state that if the world spent the amount of money it spends on arms instead on developing, we could feed the world. ‘Not one person would starve. Not one. And we could go and colonise space, in peace, together.’
Bill Hicks sadly died of cancer, but the dreams lives on.
Here’s the great man in action, taken from Youtube.
Tags:'algorhythm', 'Passport to Pimlico', 'Peace Through Education', 'The Mouse on the Moon', 'The Mouse that Roared', al-Khwarizmi, Al-Ma'mun, Animation, Arab Spring, Armenia, Armenian Massacres, Army, Beirut, Bernard Cribbins, Bill Hicks, Blade Runner, Byzantine Empire, Col. Wehbe, Cyprus, David Tenant, Dr. Who, Ealing Comedies, Florida, Ghossein Halwa, Greece, Haikazian College, ISIS, Islamism, Joana Hadjithomas, Joseph Sfeir, Jules Verne, Khalil Joreige, Lebanon, Manga, Manga Comics, Manoug Manougian, Margaret Rutherford, Persia, Rockets, Space Programme, Tampa, the Moon, The Wombles, Voyager 2
Posted in Africa, America, Arabs, Art, Comedy, Comics, Democracy, Education, Egypt, Film, France, Greece, History, India, Iran, Islam, Israel, Japan, Lebanon, Mathematics, Medicine, OIl, Politics, Poverty, Radio, Science, Space, Syria, Technology, Terrorism, The Press | Leave a Comment »
ATVOD Begins Internet Censorship
Amnesiaclinic, one of the commenters over on Vox Political, posted this video from Not UK Column News as a comment to Mike’s article on the conviction of Cameron’s aide for possessing paedophile material. The video is by the two or three leaders of UK Column, a website which includes videos, critically examining and reporting current events. It seems to be part of the British Constitution Group, an organisation which believes that the British constitution has been undermined and corrupted by the rich and powerful. I really don’t know who British Constitution Group are, nor what, if any, their political affiliation is. A casual glance at their website shows that they are concerned with the destruction of the NHS, and also with the apparent theft and kidnapping of children by NATO officials. If this is the case, then they’re really similar to organisations like Index on Censorship, which report suppressed or censored news.
The two male presenters in this video, with a female co-presenter looking on from the rear of the car, describe the way ATVOD, the statutory body regulating On-Demand Video, has decided that because they have videos which they consider to be ‘television-like’ on their Youtube Channel, Not UK Column News therefore constitutes an On-Demand Video service which needs to be regulated. They therefore hit them with the legal paperwork requiring them to register with them. Rather than submit to this attempt at censorship, UK Column News has simply taken down its videos from Youtube. They take the view that this is the beginning of the censorship of the Internet.
The two presenters state that ATVOD was initially set up in 2003 to stop TV companies putting on their websites material which was unsuitable for broadcast. This largely seems to have been pornography. The two UK Column presenters note that ATVOD’s material about itself discusses its work in closing down and protecting children from on-line porn. Peter Johnson, the head of ATVOD, was a former member of the British Board of Film Classification. The UK Column people state that the boundaries of the sexual content that is considered permissible in film has expanded, and so it seems that Johnson has simply jumped from regulating the pornographic to the political. The other head of ATVOD is Rachel Evans, a woman, who holds a long, long line of directorships. So long, in fact, that it takes about five minutes for one of the presenters to read them out. They remark on the fact that in her list of directorships and official positions, she does not mention that she was part of Liberty, a group that campaigned for paedophiles. They also remark that while ATVOD claims that the majority of the board adjudicating a case must be independent, in practice they are anything but. The so-called independent members have strong links to the broadcasting companies. Indeed, key BBC personnel had a role in formulating the body’s policies, and then, when it came to regulating the Beeb over a particular case, the Corporation was eventually acquitted. It’s clearly a case of conflict of interest, but not according to ATVOD, which insists that it is independent. The two state that Johnson himself admitted that ATVOD’s role is essentially to police the established broadcasters’ competitors. They see ATVOD as having moved far beyond its original remit to suppress any competition to the main television, no matter how small or trivial they are.
They also point out that by ATVOD’s own admission, the scope of the laws which regulate On-Demand Video providers are unclear, and ATVOD itself has no clear guidelines on this issue, as it states that these arise as each individual, different case is dealt with. They therefore see this as an admission that ATVOD are basically making them up as they go along. If this is all true, then ATVOD is something of a kangaroo court, whose lack of precise legal boundaries make it a threat to free speech and discussion in this country.
This is vitally important at this particular time. Last Sunday there was a demonstration by 50,000 people, including MPs and media ‘slebs, against government austerity. Despite the fact that it was held right outside Broadcasting House, it was not covered in anything except a derisory way by the media in this country. It was not mentioned in the papers, and only received the barest moments of coverage on the BBC’s rolling news channel and radio. This looks like a concerted attempt by the British media class to avoid covering anything that might send Cameron and his cronies into ‘a fearful bate’, as the great philosopher and educationalist Nigel Molesworth would sa. Even if it is only incompetence, an excuse I find much less than plausible, it still shows the vital necessity of alternative sources of news outside the official channels controlled by the Beeb and the empires of Murdoch, Dacre, Desmond and co. The grand hope of the Libertarian Net pioneers when it was set up was that the web would allow ordinary citizens to circumvent the restrictions of tyrannical and repressive governments. See the Declaration of Independence of Cyberspace, as an example of this. During the Arab Spring and the Green Revolution in Iran, dissidents used social media and the internet to get around official censorship. It’s why the Internet and the freedom of information it represents is feared by the Communist authorities in Beijing, who have erected the Great Firewall of China. The same attitude appears to be shared by the Internet regulators here in the UK. A number of left-wing websites have warned that the British authorities would try to clamp down on websites offering critical political material. Pride’s Purge was hit a while ago, when the Net authorities tried to restrict access because the site contained ‘adult content’. Well, it does in the sense that it deals with politics, which is a business for adults, rather than the kind of material sold on the tops shelves of newsagents or broadcast by Richard Desmond’s specialist TV station.
This is a warning: the authorities are trying to close down dissent, and the two from UK Column News are correct when they state that this is the thin end of the wedge. Here’s the video, and see if you agree with them.
Tags:'Declaration of Independence of Cyberspace', Amnesiaclinic, Arab Spring, ATVOD, Austerity, BBC, British Board of Film Classification, British Constitution Group, Censorship, Child Kidnapping, David Cameron, Freedom of Information, Great Firewall of China, Green Revolution, Index on Censorship, Liberty, NATO, Not UK Column News, On-Demand Video, Paul Dacre, Peter Johnson, Rachel Evans, Richard Desmond, Rupert Murdoch, Social Media, UK Colum News, Youtube
Posted in Arabs, China, communism, Health Service, Iran, Law, Libertarianism, Politics, Poverty, Technology, Television, The Press | 13 Comments » | 2023-14/0000/en_head.json.gz/3496 | {"url": "https://beastrabban.wordpress.com/tag/arab-spring/", "partition": "head_middle", "language": "en", "source_domain": "beastrabban.wordpress.com", "date_download": "2023-03-20T10:37:39Z", "digest": "sha1:OUDJXZPNIMWFV3DZYUDISWYEGR4GIRZB"} | {"ccnet_length": [[0, 106885, 106885.0]], "ccnet_original_length": [[0, 106885, 113555.0]], "ccnet_nlines": [[0, 106885, 219.0]], "ccnet_original_nlines": [[0, 106885, 610.0]], "ccnet_language_score": [[0, 106885, 0.97]], "ccnet_perplexity": [[0, 106885, 236.9]], "ccnet_bucket": [[0, 106885, 0.0]], "rps_doc_curly_bracket": [[0, 106885, 0.0]], "rps_doc_ldnoobw_words": [[0, 106885, 17.0]], "rps_doc_lorem_ipsum": [[0, 106885, 0.0]], "rps_doc_stop_word_fraction": [[0, 106885, 0.39252871]], "rps_doc_ut1_blacklist": [[0, 106885, null]], 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“WHAT GOES ON” 1963 DEMO IS CURRENTLY ON SALE
By Beatles Magazine Posted on Friday, September 22, 2017 In THE BEATLES 0 THE BEATLES 30
A rare, unreleased demo of The Beatles song “What Goes On” is currently on sale through a listing on eBay. This 1963 demo version predates the Beatles recording sung by Ringo and released on the Rubber Soul album in 1965. This earlier version was sung by John, who wrote the song, and features Lennon singing different lyrics. The demo also has John on acoustic guitar and Paul on harmony on the chorus; a few piano notes are audible in the background toward the end of the track. The sale will end Oct. 1. An excerpt of the recording can be heard here:
If you can not see this chirbit, listen to it here https://chirb.it/Mg226F
‘What Goes On’ was of one of John’s earliest compositions and originally written for his pre-Beatles group, The Quarrymen. On this excerpt from the unreleased 1963 demo acetate, John sings lead to acoustic guitar, backed by Paul on harmony. The recording reveals John’s original lyrics to the first verse with the familiar ‘What goes on…’ hook.
The recording also contains a second verse which too has different/unpublished lyrics. This demo recording has never been released and the original tape is presumed lost. However the song appeared in a different style with re-written verses on The Beatles’ 1965 album ‘Rubber Soul’.
TOMORROW: PAUL AT CARRIER DOME, FANS HAS WAITED FOR PAUL SINCE 1993
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E. A. Andreasen, Mathew, L. K., öhr, C. V., Hasson, R., and Tanguay, R. L., “Aryl Hydrocarbon Receptor Activation Impairs Extracellular Matrix Remodeling during Zebra Fish fin Regeneration”, Toxicological Sciences, vol. 95, no. 1, pp. 215 - 226, 2006.
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