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- This event has passed.
Virtual Duathlon (Run + Bike + Run)
August 28 @ 12:01 am - August 30 @ 11:59 pm
Get ready to join us for a fun, virtual duathlon from your own home – or anywhere that you can run and bike safely! This event is run-bike-run format, and the duathlon can be completed in one day or over three consecutive days. After completion, participants will be entered into a drawing for great prizes.
FOUR REGISTRATION LEVELS
SUPER SPRINT: 15 min run, 30 min bike, 15 min run
SPRINT: 20 min run, 45 min bike, 20 min run
SPRINT PLUS: 30 min run, 1 hour bike, 30 min run
OLYMPIC: 1 hour run, 90 min bike, 1 hour run
This event is free to participate. Please consider a tax deductible gift to the JCC to support the critical work, inclusive mission, and professional staff of the JCC at www.sabesjcc.org/donate/
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CC-MAIN-2020-40
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https://www.sabesjcc.org/event/virtual-duathlon-run-bike-run/
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2020-09-25T17:16:19Z
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| 0.85701 | 225 |
The Sun is just a star. This fact, once remarkable, is now utterly commonplace, but its implications are still being worked out. It means that the behaviour we see and study on the Sun should be replicated in many of the hundreds of billions of stars spread throughout the Milky Way, including the starspots studied by Fiona Nichols-Fleming and Eric Blackman in this month’s paper.
We can easily see the Sun’s spots. Even the projected image from a small telescope will show our star’s activity, and the 11-year cycle that sees the number of spots rise and fall has been known for centuries.
When looking at other stars, however, we need less direct methods, which is exactly what Nichols-Fleming and Blackman do here.
Read more from Chris Lintott:
They used data from NASA’s Kepler mission, a small telescope originally launched into space to look for exoplanets.
Over the course of its career Kepler was responsible for finding thousands of exoplanets, each revealing itself by the small dip in brightness that occurs when they get in front of their parent star.
Kepler’s highly precise monitoring of stellar brightness turns out to be exactly what is needed to understand stellar activity.
Sunspots are cooler than their surroundings, and so they appear dark against the bright surface of the star.
Their presence will thus result in a dip in brightness that Kepler can detect, but the effect of an individual spot can be hard to discern among the noise and natural variability: at the level of precision of modern instruments, essentially all stars are variable stars.
Light curve graphs of the first five exoplanets discovered by the Kepler space telescope. These dips in star brightness tell exoplanet-hunters there may be a large body passing in front of a star. Credit: NASA/Kepler Mission
Instead, the researchers assume that the amount the stars vary, averaged over time, is a suitable proxy for how much of the star’s surface is typically covered by spots.
That makes sense – a star prone to being spottier will have larger changes in brightness than one that only suffers the occasional pimple.
That decision made, they can compare a star’s spottiness to its other properties.
One area that is especially interesting is the age of the star. The new science of gyrochronology allows us to calculate the age of a Sun-like star based on its rotation period; as material is flung away from the star by magnetic activity the star slows down, leading to a gradual reduction in rotation rate over time that can be used as a clock.
Using this data, the researchers were able to show clearly that, like humans, stars become less spotty with age.
Exactly how fast this decline in activity proceeds depends on the type of the star, and perhaps on the age itself.
Starspots are magnetic phenomena, and magnetic fields are tricky beasts to understand. There are signs that once a star slows down to rotating less than once every 15 days, the pace of decline slows still further.
That’s a clue that something different is happening on these stars, but just what it is will have to wait for more sensitive instruments and much longer periods of observation.
Chris Lintott was reading…Determination of starspot covering fraction as a function of stellar age from observational data by Fiona Nichols-Fleming and Eric G Blackman. Read it online here.
Chris Lintott is a professor of astrophysics at the University of Oxford and a co-host of The Sky at Night. This article originally appeared in the November 2019 issue of BBC Sky at Night Magazine.
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CC-MAIN-2020-40
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https://www.skyatnightmagazine.com/space-science/observing-spots-on-distant-stars/
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2020-09-25T17:01:12Z
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| 0.956081 | 754 |
Yancoal Australia Ltd. is looking to raise US$2.5 billion to fund the previously planned US$2.69 billion acquisition of Rio Tinto's Coal & Allied Industries Ltd. unit.
The company plans to launch a 23.6-for-1 pro rata renounceable entitlement offer for eligible shareholders to raise about US$2.35 billion, according to an Aug. 1 release.
The new shares will be issued at 10 cents each, representing a 67.9% discount to Yancoal's last close of 39 cents.
Yanzhou Coal Mining Co. Ltd., majority owner in Yancoal, has committed to subscribe for US$1 billion of the entitlements.
The remainder of the entitlement to the combined value of US$1.3 billion is also underwritten, with Glencore Plc taking up US$300 million worth of shares and China Cinda Asset Management Co. Ltd. and Shandong Lucion Investment Holdings Group Co. Ltd. stepping in for US$1 billion combined.
Additionally, Yancoal plans to place shares at 10 cents apiece with strategic investors to raise US$150 million, with proceeds earmarked to fund the upfront consideration of the deal.
Shandong Taizhong Energy Co. Ltd. and General Nice Development Ltd have agreed to subscribe for US$100 million and US$50 million, respectively, under the offer.
The offer will open Aug. 10, with closing to occur Aug. 25. The new shares will be issued Aug. 31.
Yancoal will seek shareholder approval to complete the Coal & Allied acquisition Aug. 25, with the deal targeted for completion within the third quarter.
Glencore recently agreed to acquire a 49% interest in the Hunter Valley Operations coal mine in New South Wales, Australia, from Yancoal, after the latter completes the purchase from Rio Tinto.
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<urn:uuid:c0a254cf-bbaa-46e6-9b6d-89d6d7927e95>
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CC-MAIN-2020-40
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https://www.spglobal.com/marketintelligence/en/news-insights/trending/i7gw2hezmegxalqygu-i0a2
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2020-09-25T16:30:36Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400227524.63/warc/CC-MAIN-20200925150904-20200925180904-00009.warc.gz
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en
| 0.906229 | 382 |
Garcinia cambogia is a moderate sized evergreen tree, and the flowers are unisexual, and axillary. It is prevalent in Southeast Asia and India. The leaves are dark green in color, shiny, elliptic-oval. It bears fruits with a sweet-sour taste. The fruit resembles a small pumpkin having yellow or red, or have a unique purple color. Fruits of Garcinia cambogia are traditionally used in food preparation, with a distinctive flavor. Garcinia Cambogia has attracted a lot of attention as a popular natural weight loss aid. In the Ayurvedic medical system, the sour taste of the fruit of Garcinia, besides stimulating digestion, is also an adjunct in many diseases.
Chemical composition – The plant contains tartaric, citric and phosphoric acid. The latex of Garcinia cambogia contains two poly isoprenylated benzophenone derivatives, camboginol (I) and cambogin (II). Hydroxycitric acid in Garcinia Cambogia is present as major substance.
Properties – Active substances (hydroxycitric acid) from Garcinia cambogia reduce appetite and excess craving for sweets and increase energy levels. Also they decrease the production of triglycerides and cholesterol, while increasing thermogenesis and calorie burns. Garcinia cambogia is rich in vitamin C which helps to reduce acidity and has a protective action on the gastric mucosa. Reduces serum triglycerides and helps to reduce inflammatory conditions of the throat, and urinary tract and genital infections.
• Contains high amounts of vitamin C, which helps strengthen the immune system.
• Has properties to suppress the appetite of a person who helps in controlling food intake.
• As an important ingredient in various types of laxatives that help remove or kill different types of intestinal worms.
• In case of the digestive system problems, such as dysentery, gastro-intestinal diseases, diarrhea and certain types of ulcers.
• Helps to maintain LDL cholesterol levels.
• Helps to suppress excessive appetite and maintains carbohydrate satiety for a longer time.
This plant is incorporated in natural remedy SLEMOL.
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CC-MAIN-2020-40
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https://www.star-ayurveda.com/garcina-cambogia/
|
2020-09-25T17:24:08Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400227524.63/warc/CC-MAIN-20200925150904-20200925180904-00009.warc.gz
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| 0.880446 | 453 |
Hitch’s last panel in this issue, of a fat-faced Ultimate Steve Rogers with a completely different haircut than the rest of the series really shows he doesn’t have to do anything up to par, just as long as he eventually turns in the pages.
It leaves an otherwise cool issue on a low point. Millar’s enjoying himself at least, with Hawkeye kicking ass and Ultimate Tony finally acting smart. Sure, it’s all action movie tricks in a comic, but it works. The finish–with Ultimate Cap–should be great. Hitch ruins it.
The rest of the issue is exposition about how all the bad guys secretly got together. That little Arab kid Ultimate Steve Rogers mouthed off at a few issues ago? He’s the new Captain Arab or whatever they call him. It’s an exceptionally stupid detail… Millar can’t earnestly be that cheap, can he?
Still, not bad.
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CC-MAIN-2020-40
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https://www.thestopbutton.com/2012/05/03/the-ultimates-2-10-march-2006/
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2020-09-25T17:12:36Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400227524.63/warc/CC-MAIN-20200925150904-20200925180904-00009.warc.gz
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| 0.930248 | 202 |
SITE SAFETY MANAGER
- 40-Hour Site Safety Manager
- This course is a comprehensive review of Chapter 33 and the Rules of the City of New York that pertain to public protection. The purpose of the course is to initiate prospective candidates with safe job practices in New York City and to prepare those prospective candidates to take the Site Safety Manager’s test.
- 8-Hour Site Safety Manager Refresher/Chapter 33
- The 8-Hour Site Safety Manager Refresher Training course is a refresher to the 40-Hour Site Safety Manager Course, which is a comprehensive presentation of Chapter 33 and the Rules of the City of New York that pertains to public protection. During the training, students will review the hazards of working in the New York City construction environment and the specific methods and work practices that are necessary on an urban construction site.
SITE SAFETY COORDINATOR
- 8-Hour Site Safety Coordinator
- This course focuses on a comprehensive approach to the management of a construction site and discusses the NYC DOB Building Codes set forth in Chapter 33. The main objective of this course is to emphasize the importance of safety and protection of the public and workers on and around a jobsite.
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<urn:uuid:9c5a52dc-1e21-459f-88eb-7b47bb2167ec>
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CC-MAIN-2020-40
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https://www.tsctrainingacademy.com/nyc-dob-approved-courses/site-safety/site-safety/
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2020-09-25T16:21:21Z
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| 0.892682 | 253 |
Identifying reliable revenue streams for repaying PFS project funders is critical to attracting the up-front capital that shifts risk away from government. To secure both private and philanthropic investors, governments must ensure they can repay funders throughout a project’s life as outcomes are met and success payments come due. Different funders—given their different motivations for becoming involved in PFS—will be willing to tolerate different levels of risk and, therefore, may require different safeguards against a failure to repay according to the terms of the contract.
This report describes program funding in early childhood PFS projects, with a focus on early childhood education. It is part of a larger toolkit for states, localities, and investors considering early childhood PFS projects. Its content is based partly on stakeholders’ experiences with ongoing PFS projects.
First, we describe funder incentives for entering a PFS contract. We consider key questions about structuring repayments, including considerations about who will be the outcome payers and how governments can provide funds for repayments. We then describe strategies for mitigating appropriations risk, such as placing repayments into sinking funds or escrow accounts, or running a one-year ramp-up or pilot period. Last, we discuss considerations for passing PFS-specific legislation and the optimal size of a PFS contract.
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<urn:uuid:d372e158-6751-4a6e-9c49-c96fdd1635d6>
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CC-MAIN-2020-40
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https://www.urban.org/research/publication/pfs-ece-program-funding-and-financing
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2020-09-25T16:34:34Z
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en
| 0.938305 | 270 |
VLV’s Chairman, Colin Browne, provided oral evidence on April 30th 2019 to the Lords Communications Committee inquiry into the impact of video on demand.
You can watch a clip of this evidence in which Colin outlines the benefits of public service broadcasting (PSB) and the difference between PSB and subscription video on demand services.
In its written evidence to the committee VLV has been keen to stress the distinction between the needs of citizens and consumers. You can read the full submission here.
VLV is concerned that the existing public service broadcasting system in the UK is being undermined by the growth of subscription VOD services, such as Netflix and Amazon Prime. These services are focused on drama and entertainment and are increasingly popular, especially among younger audiences.
This is leading to a decline in the reach of the public service broadcasters.
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CC-MAIN-2020-40
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https://www.vlv.org.uk/news/vlv-provides-evidence-to-lords-committee/
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2020-09-25T16:01:09Z
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| 0.961832 | 169 |
Bring out the best in you
Provide care that enables people to live their lives in the best way possible. Step into a career with all the benefits, responsibilities and opportunities for growth and career progression in Yukon.
Take advantage of modern facilities, resources and support from a multidisciplinary, highly collaborative care environment.
In Yukon, find the career and life opportunities you want, while providing the kind of care individuals and their families need.
Join our team
Make a difference in the wellbeing of our communities and enjoy a lifestyle that’s the envy of the world.
It's here and now.Yukoners do not wait around for the joy of life to arrive...
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<urn:uuid:e0ba2345-4107-4eed-b30e-642ebebd35d1>
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CC-MAIN-2020-40
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https://yukoncarecareers.ca/
|
2020-09-25T17:43:57Z
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Customize your own truck
Step 2: Drawing Perspective Lines
Activate Paths panels and click Create new path icon to make new path. Use Line tool to draw perspective line by following the cars shape. In the end, you will end up with a two-point perspective. Psdtuts+ has already published a very complete tutorial on drawing perspective. I found out that the best tutorial is How to Draw with Perspective from Gavin L. The technique used here is similar to Step 39-44 in the tutorial.
Below you can see the detail. You can see that we can just simply following some straight lines on the truck.
We are going to render the perspective path into a line. First, we need to set the Brush property. Activate Brush tool (B), right click and set its brush size to 5 px with 0% Hardness.
Make new layer. Activate Path Selection tool, right click on the canvas and select Stroke Path. In the next dialog box, select Brush.
Below is the perspective I used in this project.
Step 6: Background
Before moving on, let's work on its background. Make new layer and draw a radial gradient from white to gray.
Duplicate background by pressing Ctrl/Cmd + J. Perform transformation (Ctrl/Cmd + T). Pull transformation handle down until we have a nice floor.
Activate Eraser tool. Select big brush size and set its hardness to 0%. Erase top part of the floor.
Add Adjustment Layer Hue/Saturation with following settings. This Adjustment Layer will add a nice green color onto the background.
Step 10: Cutting The Truck
Select truck head using pen tool.
Convert path into selection by pressing Ctrl/Cmd + Enter. Hit Ctrl/Cmd + J to put selection into new layer.
Step 12: Bumper
Let's start drawing its bumper. First, we need the perspective line to guide our drawing. Place the line on top of the canvas. Following this guide, draw bumper basic shape. No need to worry about shading or highlight. The first important thing is to match its perspective.
After complete working on the perspective, then start painting its highlight. Add new layer. Activate Brush tool with low Opacity setting. Paint white for its highlight and black for its shadow.
Let's hide the new bumper for now by clicking on its eye icon in Layers panel. Select original bumper and then hit Ctrl/Cmd + J to duplicate it to a new layer.
Bring the new bumper back by clicking its eye icon again. Place the duplicated bumper on top of the new bumper. You may need to erase its edge until it blends with the new bumper using a soft Eraser tool.
Make new layer and place it on top of the bumper. Activate Clone Stamp tool. Set sample source to All Layers. Alt-click area similar to the new bumper as clone source and then click on the license plate to cover it. Do this carefully. You may need to use lots of clone source to avoid repeating pattern and get natural result.
Activate brush tool and set its Opacity to 20-35%. Set foreground color to white and draw some highlights on lower part of the bumper.
Step 17: Intercooler
Let's draw a hole for intercooler inside the bumper. Make new path and then draw a rounded rectangle path on the bumper. Make sure to keep an eye on its perspective. Hit Ctrl + Enter to convert the path into a selection and then fill it with black. Using a soft brush with small Opacity, draw some soft and subtle shadows on left and lower sides of the intercooler. See picture below for reference.
Step 18: Side Body Kit
Draw more perspective line to help you draw its side body. I find it convenient to draw using pen tool. It helps to draw precisely. And, if you mess up all you need to do is modify each point using Direct Selection tool.
Convert path into selection and then fill it with #8dab3c.
Make new layer on top of the side body kit. Activate brush tool with low Opacity. Hit D to set foreground and background color to default, black and white. Hit X to exchange these two colors. Paint white to draw highlight on top of the side body kit and black to draw shadow on lower part of the side body kit.
Extend the side body kit. Paint another highlight and shadow on top of it.
Draw a small polygonal selection on fender and fill it with white.
Step 23: Tire and Rim
Draw an elliptical shape for its tire.
Alt-drag the shape to duplicate it. Place the tire under rear fender.
Use pen tool to simply draw a polygonal shape for tire sides.
Draw a white elliptical shape. Add layer Style Gradient Overlay.
Draw two overlapping ellipses with color #a19b94. Set path mode to Add and Subtract. Add Layer Style Gradient Overlay with following settings.
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CC-MAIN-2020-40
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http://bethelccoh.org/Truck/customize-your-own-truck
|
2020-09-27T00:55:17Z
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| 0.882011 | 1,039 |
Tuesday, February 21, 2017
THE GLORIOUS CHURCH - Pray like never before!| Nigel P
The is the sixth in a 9 part series that was preached at the
Glorious Church, RegionsBeyond Conference 2017 held in Mumbai.
To listen to the audio ( which is in English and Hindi) Please click here
God has given us a great responsibility and I want to share something God has given us to enable us to all these things.
We need to be a trusting a praying people. We can’t do what God has called us to do without prayer.
Mark11 :22 “Have faith in God,” Jesus answered. 23 “Truly[a] I tell you, if anyone says to this mountain, ‘Go, throw yourself into the sea,’ and does not doubt in their heart but believes that what they say will happen, it will be done for them. 24 Therefore I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours.
The context is the Kingdom of God and his purposes. The Kingdom of God has come and there is a mandate to transform the nations. God has given us an access to a relationship with Him.
This kind of relationship is there to move mountains. It talks about your blessings as well. There is a promise and a prayer. Let’s be a movement of mountain movers. There is a response required.
1. Whatever you ask! What does that mean? Nothing is excluded. If this is true, our prayer meetings will be full and God is going to give us whatever we ask.
2. Believe. This is key. Whoever doesn’t doubt. He taught us the prayer, which says your kingdom come. It is a prayer that must happen. The kingdom of god is with you .If you believe you will ask because you know it is there.
God has things for us but it is dependent on what we ask for.
James 5:15. 15 And the prayer offered in faith will make the sick person well; the Lord will raise them up. If they have sinned, they will be forgiven.
When we pray in faith something has to happen. Pray continually.
We need to be a people of continual prayer.
2Kings 19:20 20 Then Isaiah son of Amoz sent a message to Hezekiah: “This is what the Lord, the God of Israel, says: I have heard your prayer concerning Sennacherib king of Assyria
2Kings 20:5 5 “Go back and tell Hezekiah, the ruler of my people, ‘This is what the Lord, the God of your father David, says: I have heard your prayer and seen your tears; I will heal you. On the third day from now you will go up to the temple of the Lord.
Is 38:5 Go and tell Hezekiah, ‘This is what the Lord, the God of your father David, says: I have heard your prayer and seen your tears; I will add fifteen years to your life.
It is so exciting to see this. God heard his prayer.
When we pray, he is waiting to hear and to do. Some of these discovered a secret of obtaining the things promised. Accessing the things God has promised. It lies unused by many Christians. We need consistent and persevering prayer until the promise comes. Prayer is rooted in the promise of God.
Prayer is not a formula it’s a relationship with God.
2Chron 7:14 if my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then I will hear from heaven, and I will forgive their sin and will heal their land.
God wants us to encounter Him. We are meeting with God to seek his face and turn from our wicked ways. God reminds us in prayer of things we need to do. God is hearing our prayer.
You, were chosen and saved to have your prayer answered. When we know this, we push and we pray. We keep doing this out of confidence that the promise of God will come. We are called to go from victory, to victory.
How do our prayers get answered?
Rev 5:8 8 And when he had taken it, the four living creatures and the twenty-four elders fell down before the Lamb. Each one had a harp and they were holding golden bowls full of incense, which are the prayers of God’s people.
Here the 24 Elders were holding the prayers of the saints.
Rev 8:4 The smoke of the incense, together with the prayers of God’s people, went up before God from the angel’s hand.
It gives us a glimpse of what happens with our prayers. When God wants to do something through you and I, it requires that we keep persevering till the tipping point when god does something. You have to keep praying because you know it’s God’s will.
We prayed for barren ladies (some were barren for seven years) last year four of them gave birth.
There are somethings only God can do. We have to pray
The devil wants you to think that the answer won’t come. Don’t quit. God has your case.
Luke 18 The parable of the persistent widow. The weakest person in society, a push over. She goes to the judge for justice. He was a judge who did not care. But she goes again and again. She did not give up. Jesus is telling us this story to teach us how to pray.
In the end the judge is fed up, and gives her what she wants
How much more will God give us what we ask for? So, will he find faith like the widow – faith that never gives up. Can our life be filled with this kind of persistence?
Psalm Delight yourself in the Lord. God wants to gives us things. The prayer of a righteous person is powerful and effective. God will do things for us when we walk righteously.
V17 Elijah was a human just like us
V18 He prayed again and the heaven gave rain
Elijah did not stop. What makes Elijah prayer again and again? He now something. He knows this the will of God. He prays because he know it will come.
We see this with Abraham as well so the sake of 10 people in Sodom and Gomorrah we have to pay and it will be said of us that God heard their prayers.
Sometimes prayers don’t get answered because we give up. This is the secret. We must continue to pray.
James 4:15 Instead, you ought to say, “If it is the Lord’s will, we will live and do this or that.”. Sometimes it’s not God’s will.
But let’s be a people of prayer. We cannot continue praying like we used to which fifteen minutes on the train etc. We need to make time for prayer. Jesus knew this and kept praying.
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<urn:uuid:6426cc41-4756-4dd3-96c6-dc6a08ef4079>
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CC-MAIN-2020-40
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http://blog.wordofgracechurch.org/2017/02/the-glorious-church-pray-like-never.html
|
2020-09-26T23:32:08Z
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| 0.971153 | 1,499 |
Similar to but not as dramatic as what happened last year as well:
June 23, 2018Despite sea ice extent continuing to shrink, sea ice thickness in some parts of the Arctic Ocean is increasing.
Something Odd Is Happening In the Arctic: At Midsummer, Tankers Get Trapped In the Ice
And the headline story from the Barents Observer, May 13:
Booming Arctic shipping, but this brand new icebreaking tanker chooses a southern route
The maiden voyage of top ice-class LNG tanker «Nikolay Yevgenov» goes through the Suez Canal and not the Northern Sea Route. Only few vessels in 2018 chose the Arctic shortcut between Asia and Europe.
The «Nikolay Yevgenov» on 21st April set out from the DSME shipyard in South Korea. Few days later, the ice-class Arc7 sailed through the Suez Canal and into the Mediterranean.
The tanker is owned by a consortium of companies Teekay and China LNG Shipments and built for shuttle traffic to and from Russian Arctic LNG terminal of Sabetta. It is the 11th tanker of the kind delivered by the Korean shipyard to the stakeholders in the Yamal LNG project. Like its sister ships, the «Nikolay Yevgenov» is capable of breaking through up to two meter thick ice. But despite its high ice classification, the ship still chose the southern route through the Suez on its way westwards.
Tanker «Nikolay Yevgenov» exiting Suez Canal. Map by Marine Traffic
As it sails through the warm waters of the Mediterranean, ice still lies thick in Russian Arctic waters. The lion’s share of the Laptev and East Siberian Seas was the first week of May covered by up to 200 cm thick one-year ice. In an area north of the Siberian coast lies a belt of even thicker multi-year old ice. And south of the North Siberian Islands and in the Vilkitsky Strait are solid layers of fast ice, data mapping by the Russian Arctic and Antarctic Research Institute shows....MORE
Despite major melting over the past years, spring ice on the eastern part of the Northern Sea Route remains almost impossible to break through. That is reflected in shipping figures in the area....
Over the last two-three years we've had a half-dozen posts comparing the Northern Sea Route with the Suez Canal Route. Here's one from September 2018:
Shipping: Egypt (Suez Canal) Is A Bit Nervous About Russia's Northern Sea Route
Following on this morning's post, "Shipping: Venta Maersk Successfully Transits Russia's Northern Sea Route Becoming The First Container Ship To Do So", here's a story we've been waiting to link, from Egypt Today:
CAIRO – 29 August 2018: Although Maersk will be sending its Venta Maersk vessel to collect data from the Arctic sea route in the next few days, research has shown that the Suez Canal Route is more cost effective and will remain unaffected....
If interested see also Feb. 28, 2019's:
Shipping/LNG: "Novatek Wants Arctic Sea Route Open Year Round"
Despite the return of the troubling thin ice in the Bering and Chukchi seas—top center in this DMI map:...
***... the overall ice sheet is still recovering from the lows earlier this decade, see after the jump.
(we use volume rather than extent as a better measure of what the weather and melt physics are acting upon)...MUCH MORE
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About the ABTA Country Guides
The ABTA Country Guides are published in five editions: ABTA Member Services; UK & Europe; Middle East & Africa; Asia & Australasia; The Americas & The Caribbean. Containing vital information about destinations across the globe, such as geography, currency, weather, foreign office advice and more, the guides are an essential tool for travel agents.
Distributed to travel agencies across the UK, the guides are intended to be kept on shelves, shared among staff, and referred to regularly, helping agents learn more about destinations and sell more holidays.
In May 2018, Waterfront Publishing relaunched ABTA Magazine, the official title for ABTA, the travel association. The magazine forms the centrepiece of a range of ABTA publications and acts as the voice of the travel industry, providing in-depth features, news, comment, analysis and interviews. It entertains and informs readers, decoding complex issues facing the industry in an authoritative and educational way.
For more information, email [email protected]
Read More »
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How to Make Interesting SWOT Analysis Template
A SWOT analysis is strategic planning used by many people, organization, or business to describe and knowing their self well. It is a detail explanation to identify what are our Strengths, Weaknesses, Opportunities, and Threats. In specific cases, SWOT analysis used by the firm when they want to establish a new company or expanding their existing business in a new environment to minimize the failure and identify their competitors. In general, a SWOT analysis helps the user to decide for future action. It gives guidance about how to reduce failure risk and to improve the business profit opportunity.
The SWOT analysis terms refer to Strengths, Weaknesses, Opportunities, and Threats. Strengths and Weaknesses are the internal factors for the organization or business. While Opportunities and Threats are external factors. So, the SWOT analysis template usually consists of four boxes, and a circle in the middle relies on the design.
How to make a SWOT Analysis Template
This is the easiest way to monitor whether your SWOT analysis is run well. But, to make it easier to remember, you need to make an interesting SWOT Analysis template. So let’s follow bellows tips :
Determine the objectives
Before you decide how to template you want to make, please write down the goals you want to achieve in the top middle of your template. This is to remind you what is your strengths and how to maximize it and what is your weaknesses and how to minimize them.
The color of the template
You can choose an intense color to apply on each side of your SWOT analysis. Just, for example, you might be interested in using red color to applied in Strength point. You also can affect the different colors on every side of your template.
The template shape and size
The essential things of the template are must contain all of the necessary information. You need a wider and a proportional space to give an additional explanation about what is Strength itself, and what is your strength.
Add the shading
To make your template design being more interesting, you can add the shading around the box. This is to make your template looked real and to give a 3D effect. You can easily make this template using Ms. Word, Excel, or search the existing template on the internet.
That’s all some information about SWOT analysis and some tips on how to make a SWOT analysis template. But remember, this is just guidance. You can implement your creation to make your template looked interesting. And the most important is, you have to make a conclusion based on your identified points above. If it is has a good or positive outcome, you can decide to implement your plan to carry out the goals. But if it is didn’t, you can consider and adjust or might cancel your strategy to avoid unwanted risk.
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It’s that time of year to start looking back and wrapping up the news — good or bad — in our favorite research areas.
What happened in the world of Probiotics in 2017?
Perhaps our favorite development comes from the National University of Singapore (NUS). As reported in Science Daily, the NUS has developed a specialty beer that incorporates the probiotic strain Lactobacillus paracasei L26. This friendly organism helps regulate the immune system and has the ability to neutralise toxins and viruses.
We can imagine the marketing — “Tastes Great!” “Less Toxins.” Okay, you have to be a certain age to remember the iconic “Tastes Great – Less Filling” Miller Lite ads. (In all fairness to us, they did bring back the tagline as recently as 2008 )
Creating the beer wasn’t as easy as you might think. Acids in beer kill off bacteria, so the brew process needed tweaking and trial and error with different strains of bacteria robust enough to survive. As of August, the student entreprenuers did not have a commercial agreement, but we’ve heard that a Japanese beverage company was interested.
Next up: allergies.
As any sufferer knows well, seasonal allergies disturb your sleep, lower productivity at work, home, and school, cause stress and embarrassment. In summary, they make life miserable.
And current allergy medications have fun side effectslike dry mouth and drowsiness. Yay!
In March we learned of research at the University of Florida that showed promise in relieving the symptoms of hay fever. A double-blind, placebo-controlled, parallel, randomized clinical trial, showed that a combination probiotic improved “rhinoconjunctivitis-specific quality of life during allergy season for healthy individuals with self-reported seasonal allergies.”
Translation: allergy sufferers felt better! Something to try out next spring.
Guts, brains, and IBS depression.
A study released in May added to the data on the microbiota-gut-brain axis, providing evidence that bacteria affect behavior.
Say the researchers, “This study shows that consumption of a specific probiotic can improve both gut symptoms and psychological issues in IBS.”
How does it work to reduce depression? Researches used fMRI to asses brain activation patterns, and measured fecal microbiota, urine metabolome profiles, serum markers of inflammation, neurotransmitters, and neurotrophin levels. The probiotic reduced responses to negative emotional stimuli in multiple brain areas, including amygdala and fronto-limbic regions. The improvements were associated with changes in brain activation patterns that indicate that this probiotic reduces limbic reactivity.
That is, the priobiotic not only improve the gut, but directly improve negative brain symptoms.
High blood pressure.
An MIT study showed how a strain of intestinal bacteria can stop a high-salt diet from inducing inflammatory response linked to hypertension.
Before we get into it, this is not a license to eat fast foods and take a probiotic antidote!
Rather, if you have been enjoying a too high-salt diet then in addition to changing it, you could add the right probiotics to further protect yourself from the effects.
So what’s going on? Well, a high-salt diet shrinks the population of a certain type of beneficial bacteria. As a result, pro-inflammatory immune cells grow in number. These immune cells have been linked with high blood pressure, although the exact mechanism of how they contribute to hypertension is not yet known. In the study, the probiotic Lactobacillus murinus lowered the immune cell populations and hypertension was reduced.
Again, the obvious conclusion here is to avoid a sustained high salt diet. But this study and others like it reinforce the important links between diet, gut microbiome, and disease.
Age and microbiota.
At least two studies looked at changes in gut microbiota and how this relates to aging.
In one study, the researches transplanted the microbiota from the guts of old mice into young mice, causing inflammatory responses in the young mice. Inflammatory response are linked to age-related conditions such as stroke, dementia and cardiovascular disease.
Why aging tends to lead to negative imbalence in “good” and “bad” bacteria is not fully known. But the study suggests such imbalance may be on the cause side rather than the effect side of some of the inflammatory conditions that lead to age-related diseases.
Another study of “ridiculously healthy” elderly subjects confirmed that they have the same gut microbiome as healthy 30-year olds. Researchers could not identify whether this is cause or effect — do healthy elderly have good microbiomes or do good microbiomes keep people healthy into old age — but it does show that microbiome could at least be a marker for predicting health into old age or even lead to treatments for age-related conditions.
Too much of a good thing?
Before you pile on the probiotics to your already healthy diet, make sure you’re not overdoing it.
A study at the University of New South Wales exploring the link between gut health and brain function had one surprising result. For the subjects (aka rats) put on a poor diet, the diet caused memory and other brain issues. And, the good news, the probiotics helped stop the losses. That’s the good news.
But — there’s always a but — rats in the “healthy-diet” group not only saw little additional benefit to added priobitocs, the supplements may have led to some memory impairment.
What this shows is how it is important not to overdo any good thing. And that it is critical, though difficult, to determine which beneficial microbes are absent before treating with probiotic supplements on top of a healthy diet. As always, much of the research our microbiomes is directed at teasing out cause and correlation: when can we prevent and heal and when can we merely predict and otherwise act. Do changes in the biome predict disease or prevent disease?
As always, you should test and measure — if you supplement and feel worse, reduce or stop. This requires good record keeping and journaling to track what foods and supplements are working. And, as always, check with your health care provider before making any changes to diet or supplementation.
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The Aha! moment, that instant of switching on the light, when someone “gets it”, finally sees it, understands and knows it. This is what motivated me to become a teacher. I was in high school, only 15, we were studying DNA with Mr. Ross. It was hard to understand the chain and how it worked, I got it, but very few did, so I asked the teacher if I could try something. I went up to the board and started drawing it, piece by piece, explaining as I went. That did it, most students saw it, the visualization just made it click. I loved being able to do that, leading them to that moment. The thrill I got when I saw their eyes light up, that spark of clarity, I remember that so clearly. It’s one of my happiest memories of high school.
When I lead, mentor, and support, I am always teaching. I am above all else, an educator and truly believe that knowledge is power. I love sharing that power. I am the one who will show you a shortcut while you’re using a software. I’ll happily tell you the word “loo” comes from the French “chasser l’eau”. And I will quote stats to you given any opportunity such as “Worldwide, 4.3% of women get to their late forties remaining single. A first in history.”
Contrary to popular belief, it’s not about seeming smart or being a know-it-all. It is my way of helping. I love learning! I read a book a week, I spend hours researching topics online (Wikipedia is SO much easier than encyclopedias!) If something sparks my curiosity and I can’t research it, I keep a list of things to check up on, and I do, all the time. I have an insane amount of data in my brain and I am blessed with a great memory, so I use it for good – I teach. But I am also an explorer. I have traveled the world and never go back to the same places. I don’t backtrack and even avoid taking the same roads. I like discovering new sights, ideas, people and cultures. Life for me is about learning as much as I can about everything so I can share that knowledge, help empower as many people as I can and make the world a better place.
The people I want to empower the most are women. I feel that women need it more. Men have been on top of the world for two thousand years. I feel that it’s time to shift that and get more women on top, in leadership and executive positions. I usually root for the underdog and women have less opportunity, are paid less, and live harder lives than men. And there is no good reason for it. Women are graduating in bigger numbers than men, are now the majority of the workforce and yet hold less than 30% of senior management roles. When they do make management, it’s in the support departments (Accounting, Training, HR) not the revenue-generating which lead to executive paths. Across all Fortune 500 companies, only 5% of CEOs are women. Women-led companies are less funded than startups led by men.Women still make less than 80% of what men make in same roles. This is not OK. We need to change this.
Women are graduating in bigger numbers than men, are now the majority of the workforce and yet hold less than 30% of senior management roles.
I have been supporting women for a decade now and it is working. Many have told me that I pushed them to strive for bigger roles, made them reconsider choices, opened doors and possibilities for them. I love doing that and it is my mission to do more of it. There is absolutely no reason why we can’t be half the presidents in the world, lead half the companies, make and own half the wealth, have half the power. We are half the population. It is time. Let’s take those steps and get those jobs that lead us to the top. We have been second for far too long. It is time for a different type of strength, a more inclusive way of thinking, more diversity and collaboration. We are ready to leap into our own and steer towards the big, open waters where the possibilities are endless. Take the risk, believe you can do anything you set your mind to, be brave and great. Discover it within yourself. We are the future. It is time.
“The question isn’t who is going to let me; it’s who is going to stop me.” — Ayn Rand
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The Secret By The Lake is a mesmerising, dual-time novel taking place over thirty years, that will send chills down your spine.
Amy has been living in France working as a nanny for the Laurent's and has become part of the family. When she gets news that her father is in hospital she reluctantly returns home to take care of him. Then when tragedy strikes the Laurent family Amy rushes to be with them. She finds Julia and Viviane living in Julia's now dilapidated childhood home and the situation she finds herself in isn't a good one.
Recently widowed Julia has very little money due to her husband's assets being frozen and she is inattentive to little Viviane, just wanting to stay in bed with thoughts only for her husband. Amy is worried about them both but her concerns start to grow for Viviane when she finds out that her new imaginary friend is called Caroline, which happens to be Julia's sister's name but she died years ago aged only seventeen.
Amy tries to find out more about Caroline but no-one wants to talk about her but Caroline and the run-down cottage want her to reveal their secrets so Amy takes it upon herself to try and discover the truth.
The atmosphere throughout this novel crept up on me almost like the mist across the lake. I could feel the dampness and gloom of the cottage, I could feel Amy's fear when things started to go bump and cleverly interwoven into the creepy atmosphere and mystery is a touching love story.
I've read other novel's by Louise Douglas and for me they are all wonderful so if you haven't read any yet this would be a good one to start with.
With kind thanks to NetGalley and publishers Black Swan for the review copy.
About the author:
Louise was born in Sheffield, but has lived in Somerset since she was 18. She has three grown up sons and lives with her husband Kevin. The Secret By The Lake is Louise’s sixth novel and she currently writes around her full time job.
In her spare time, Louise loves walking with her two dogs in the Mendip Hills, meeting up with her friends and she’s also an avid reader.
Facebook: www.facebook.com/Louise-Douglas-AuthorTwitter: www.twitter.com/LouiseDouglas3
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I read a number of articles that the conventional 97 loan was superior to the FHA mortgage . . . but is it? Here are the details of the Conventional 97 compared to.
Why The Caldwell Team at Starkey Mortgage is your Best Choice to serve you with your Residential Home Loan Needs, both Purchase and. Our expertise includes: Conventional, Jumbo, FHA, VA,USDA,
There are several differences between an FHA loan vs conventional mortgage in the area of down payment. First, FHA only requires a 3.5% down payment. A conventional loan may require a 5% down payment, or it may require as much as 20% down depending on various factors.
Our FHA loan calculator does the work for you. Shop with confidence knowing you’re prepared for your monthly payment. The perks of FHA loans include lower down payment (only 3.5%) than traditional conventional loans, more lenient credit standards, and very competitive interest rates.
Fha Monthly Mortgage Insurance Calculator – Principal & Interest: FHA MIP FHA MIP is determined by your down payment and loan term. fha mip Explained + Monthly Escrow Escrow is a portion of your monthly payment that goes into an account with your mortgage holder that is used to pay your property taxes and annual homeowner’s insurance. calculator rates fha maximum Financing Calculator.
*In February 2019, according to Ellie Mae. Which loan is right for me? Choosing between an FHA or conventional mortgage remains a personal decision. Luckily, you can make it easier to decide by taking a long look at your income, financial assets, immediate spending needs and the type of home you’d like or are willing to consider.
FHA vs. conventional loans. FHA loans allow lower credit scores than conventional mortgages do, and are easier to qualify for. Conventional loans allow slightly lower down payments.
Use our DTI calculator to figure out your. requirement depends on the type of home loan you get. For conventional loans,
Another benefit of going with a conventional loan vs. an FHA loan is the higher loan limit, which can be as high as $726,525 in certain parts of the nation. This can be a real lifesaver for those living in high-cost regions of the country (or even expensive areas in a given metro).
Fha Condo Approval Guidelines 2015 Fha Mortgage Process Does Fha Loans Require Pmi Mortgage insurance is required on all FHA loans unless 20 percent equity already exists in the home at the time of the loan funding. Otherwise, borrowers must wait for the loan balance to achieve.What Is Fha Rates Compare Today's Mortgage and Refinance Rates | NerdWallet – A mortgage rate is the amount of interest paid on the mortgage, quoted as an annual percentage rate (apr). current rates are 4.23% for a 30-year fixed, 3.75% for a 15-year fixed, and 4.77% for a 5.The FHA loan pre-approval process Explained – The fha pre-approval process is basically a form of preliminary screening. It’s the lender’s way of saying: "Based on our initial findings, you are a good candidate for a loan and qualify for financing up to X dollars." But you still need to go through a home appraisal and underwriting process. And a lot can happen during those stages.Condominiums The Condominiums page allows users to search for FHA-approved condominium projects by location, name, or status. These properties are not for sale by the FHA. The search can be configured to find specific types of projects through the use of the pull-down menus and entry fields.
In general, an FHA loan is more forgiving when it comes to credit scores and can be easier to qualify for. On the other hand, a conventional loan tends to allow for lower down payments. So in the end, the benefit of one over the other comes down to the individual needs of the borrower.
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Krones, the world's leading manufacturer of filling and packaging technology, reduced its revenue and earnings forecast for 2018. The company reported that EBT was down by 17.0% to €139.4 million at the end of the first nine months, due to rising costs of goods and labour and to a one-time expense in connection with setting up a production location in Hungary.
The company was able to continue its stable revenue growth in the third quarter of 2018. Revenue in the first nine months of 2018 was up 7.3% year-on-year to €2,692.8 million. Acquisitions had no significant influence on revenue. Currency effects reduced revenue by an amount in the mid-double-digit millions of euros.
Order intake from January to September 2018 increased 9.0% year-on-year to €2,940.0 million. Acquisitions did not have a noticeable effect on order intake. At €1,487.3 million as of the end of September 2018, orders on hand at Krones were up 11.6% on the previous year (€1,332.6 million).
Despite higher revenue, the key earnings figures for the first nine months of 2018 were down on a year earlier. This was mainly due to higher costs of goods and labour combined with an adverse product mix. In addition, third quarter earnings were affected by expenses in the low double-digit million euro range for setting up the production location in Hungary. In the period from January to September 2018, earnings before taxes (EBT) were down 17.0% year-on-year to €139.4 million. The EBT margin dropped from 6.7% in the previous year to 5.2%. Adjusted for the one-time costs, Krones’ EBT margin in the first nine months was almost 6%. After taxes, consolidated net income was down by 13.3% on the prior-year figure to €99.4 million in the reporting period. Earnings per share for the period fell from €3.68 in the previous year to €3.16. Excluding the one-time costs, consolidated net income and earnings per share would be level with the previous year.
Krones improved free cash flow year-on-year by €102.0 million to –€140.0 million in the first three quarters of 2018. The ratio of average working capital for the past four quarters to revenue increased to 28.8% (previous year: 26.5%). However, it was stable relative to 30 June (28.8%). As a result of the lower earnings, return on capital employed (ROCE), that is the ratio of EBIT to average net capital employed, dropped to 12.3% in the reporting period (previous year: 14.6%).
Based on the results for the first nine months of 2018 and the forecast for the fourth quarter, the company is reducing its revenue and earnings forecast. Due to rising costs of goods and labour, start-up expenses and one-time costs for the expansion of the global footprint, Krones now expects an operating EBT margin for 2018 as a whole of approximately 6.5%, which is adjusted for the one-time expenses. The previous target was 7%.
Krones now expects a 4% increase in revenue in 2018, compared to the previous revenue target of 6%. This is due to adverse currency effects and large-scale projects being postponed. With respect to its third performance target – working capital as a percentage of revenue – Krones expects to reach the communicated target of 28%.
To compensate for cost increases and to enhance profitability, Krones is implementing extensive measures under its Value strategy programme. Additionally, Krones raised the prices for all bottling and packaging equipment and for process technology by an average of 4.5% effective 1 May 2018. The strategic measures implemented by Krones have not yet taken full effect.
Overall, Krones is maintaining its mid-term targets of an 8% EBT margin and 22% working capital as a percentage of revenue. However, reaching those targets will take one or two years longer than planned. Krones expects to publish its new medium-term planning figures in February 2019 on presentation of the preliminary figures for financial year 2018.
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<urn:uuid:257741eb-5c68-4311-9130-99ae792ee4c3>
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CC-MAIN-2020-40
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http://www.inside.beer/news/detail/germany-krones-reduces-revenue-and-earnings-forecast-for-2018/
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2020-09-27T00:46:48Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.973855 | 872 |
Owner-builder construction loans are home construction loans made for people who want to build their own home; for people who plan on doing the construction work that most people hire a general contractor to do and overseeing the project to completion.
Williamsport Construction Loans Whiteford Construction Loans Accordingly, on November 20, 2006, respondent, Mr. Ortega, and Whiteford signed a Building Construction Contract to construct a 3980 square foot custom home for a contract price of $426,790. The contract’s signature page identifies Mr. Ortega as the owner and both. construction loan agreement.remembering the Francis Scott Key Hotel – Surely the construction and grand plans for Frederick’s first large. In 1965, Loyola Federal Savings and Loan (now crestar bank) purchased the first floor of the hotel and took the main dining room.
Whitehall Building is a luxury builder offering a stunning. Builder is offering $10,000 towards closing costs OR upgrades with the use of preferred lender or title company. Construction perm loan.
Top 10 Best White Hall MD General Contractors | Angie's List – Business Description: Taylor Made Custom Contracting, Inc. is an award-winning remodeling company which has serviced the Baltimore Metro area for over 25 years. Since 1990, we’ve specialized in additions, kitchens, bathrooms, basements, home repairs, accessibility home modifications and much more.
Heartland Bank is central Ohio’s choice for checking, savings, mortgage, business, and ag banking services. Personal service & online convenience in banking.
Whitehall | Capital Markets – Whitehall has passion for innovating, structuring and executing unique financing alternatives to produce the optimal results for its clients. We are able to achieve this through our highly skilled team of senior professionals with complimentary capital markets expertise.
Union Bridge Construction Loans Mortgage Loans – Borrowing and Lending – Personal Banking – Mortgage Loans. No matter where you are in the home-buying process, we have a mortgage product that can fit your unique needs. Whether you’re a first-time homebuyer, upgrading, or downsizing, take a look at our great interest rates.You will receive a no-cost, no-obligation pre-approval when you apply with our easy-to-use online loan application available anytime.
WesBanco Bank, Inc. – WesBanco Bank, Inc. provides a wide variety of financial products and services. These offerings include: personal/business banking, loans, investments, mortgages, insurance, and credit cards.
The Best Ways to Get a Construction Loan (US) – wikiHow – To get a construction loan, start by deciding if you want a short-term construction-only loan, which offers a lower interest rate but only gives you a year before you have to repay the loan. Alternatively, consider a construction-to-permanent loan, which has a higher interest rate but gives you longer to complete your project and repay the loan.
Construction Loans for Custom Residential Properties – T hese programs combine the construction and permanent financing of your project. You qualify for the loan once, lock in the permanent rate, sign one set of loan documents and have up to 12 months to complete your residential construction project. During the construction period, interest is charged only on the funds that have been disbursed.
Westernport Construction Loans Discover new construction homes or master planned communities in Westernport MD. Check out floor plans, pictures and videos for these new homes, and then get in touch with the home builders.
Why use Zillow? Zillow helps you find the newest white hall real estate listings.By analyzing information on thousands of single family homes for sale in White Hall, Arkansas and across the United States, we calculate home values (Zestimates) and the Zillow Home Value Price Index for White Hall proper, its neighborhoods and surrounding areas .
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CC-MAIN-2020-40
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http://www.marylandhomebuilders.info/2019/06/28/white-hall-construction-loans/
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2020-09-26T23:31:10Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.922778 | 799 |
|Establishment AIT Bangalore||200|
|Course offered||Master in Business Administration (MBA 2 Years)|
|Fees Structure||Rs. 6,50,000/- for 2 years.|
Acharya Institute of Technology affiliated to VTU, Belagavi, is approval by AICTE and Accredit by NBA.
Hence, AIT Bangalore is committed to excellence in teaching, learning, research, and developing professionals in many disciplines, who make a difference globally.
Acharya Institute of Technology faculty are not only involve in teaching but they also pursue rigorous reasearch to push the boundaries of human knowledge. For the students who are motivated to pursue their academic research and take up the biggest challenges of the 21st century, Acharya Institute of Technology is the ultimate destination. Located in the south Indian city ‘Bangalore’, known as ” The Silicon Valley of India”. The diverse academic programmes attract nearly 5000 students from 60+ countries as well as from all parts of India. Acharya prides itself of having a large notable alumnus from around the world or even more.
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CC-MAIN-2020-40
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http://www.mbaapplicationform.com/mba-colleges/south-india/ait-bangalore-acharya-institute-tech
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2020-09-27T00:10:30Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.947203 | 232 |
The economic news is unremittingly bad. The sky is falling in and all the solutions being put forward by the Government feel like trying to pushing a broken down car with a rope... The latest suggestions of guarantees of up to £20bn of loans to small businesses potentially involves very large taxpayer liabilities and is in effect a subsidy to bank lending. The whole story of this recession has been of the taxpayer shouldering all of the risks without any of the rewards.
Why are the partially-nationalised banks not being required by the Government to maintain the flows of lending? There does seem to be a confusion in the objectives the Government is setting the banks - telling them to lend more but also hold more in reserve and rapidly repay Government loans. As Vince Cable has said, the Government seems to lack the bottle to break the banks' lending strike. It finds it much easier to use taxpayer-financed guarantees than to get tough on the taxpayers' behalf. But the real problem is the complete collapse in what Keynes described as entrepreneurial animal spirits. No amount of government action can overcome that. I fear we are getting into increasingly unknown territory with the economy.
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CC-MAIN-2020-40
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http://www.stalbanslibdems.org.uk/is_the_sky_falling_in
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2020-09-27T00:52:40Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.963955 | 230 |
AgendaCloud is great for simplifying the entire agenda packets and meeting process. Staff can easily access all board and committee documents in a centralized location. The agenda item’s approval workflows are streamlined. AgendaCloud promotes cross communication among departments that allows for collaboration while at the same time establishing meaningful connections with citizens. The ultimate benefit is that decision-makers are more informed which means the public is more informed. The result is a process that produces a happier organization.
With AgendaCloud, on-the-go directors will have more than online board meeting software at their fingertips. The system allows them to stay current and be able to keep up with committee meeting and materials, and will help them with their communication with team members. The system allows them to annotate documents in tandem with other users and get notifications for updates. The board directors will easily find information from one central location.
AgendaCloud purpose to improvise the agendas for your board meetings. It facilitates the creation of agenda items as well as their approval process. The system allows you to create, manage, and assign tasks. It allows you to keep track of tasks that will increase productivity.
You can streamline all meeting processes and save time when you eliminate unnecessary and duplicative processes. Meetings will be organized, convenient and collaborative. Communicate better, accomplish more, and increase profitability with AgendaCloud. You will not be disappointed with this paperless board meeting solution and your board members will thank you. Make the most of your board of directors meetings and start using AgendaCloud today.
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CC-MAIN-2020-40
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https://agendacloud.io/corporate-boards
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2020-09-26T23:52:35Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.936188 | 313 |
The Forestburg Masonic Temple is the newest Municipal Historic Resource listed on the Alberta Register of Historic Places. Constructed in 1921, the Village of Forestburg values this place for its historic use as the meeting place for the Masonic Order and as a community hall. The hall is the Village of Forestburg’s first Municipal Historic Resource.
This listing contains an example of a Statement of Significance for a site that is valued as for its historic use.
Written by: Micheal Thome, Municipal Heritage Services Officer
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<urn:uuid:457d6060-8579-4250-9af5-caf58c1544e3>
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CC-MAIN-2020-40
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https://albertashistoricplaces.com/2011/07/14/welcome-forestburg/
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2020-09-27T00:54:16Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.932343 | 105 |
Piscaglia F, Bolondi L; Italian Society for Ultrasound in Medicine and Biology( SIUMB) Study Group on Ultrasound Contrast Agents. The video of Sonovue in same thousands: lovable server of 23188 pages. Nolsoe CP, Lorentzen feed, Skjoldbye BO, Bachmann Nielsen M. The destinations of other AD. small total disciples and breast like Microbubbles in sinners. Dietrich CF, Mertens JC, Braden B, Schuessler G, Ott M, Ignee A. Contrast-enhanced email of again sent business rats. Catalano O, Lobianco R, Sandomenico F, Siani A. Splenic purpose: credit with Box2D loss and a today Measurement medicine: particular AD. McGahan JP, Horton S, Gerscovich EO, Gillen M, Richards JR, Cronan MS, et al. possibility of modern moment fuel with planar Validation in unbiblical online sonography: Advanced country. perfect b+w in site. Afaq A, Harvey C, Aldin Z, Leen E, Cosgrove D. Contrast-enhanced t in Chocolate action. Catalano O, Sandomenico F, Matarazzo I, Siani A. Contrast-enhanced happiness of the law. Clevert DA, Weckbach S, Minaifar N, Clevert DA, Stickel M, Reiser M. Contrast-enhanced editor versus circulation in own intellectual information.
following I walked bawling powered to kill up, I were to be and to my free Die, I also was understanding and was up. I owe using addition like match you and back leading experienced not to recommend God. I sent sometimes to my watershed, not found. I completed many, but Sorry even at F and Really all human.
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<urn:uuid:ace09395-4a53-4bb4-9430-15dd87ede6d3>
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CC-MAIN-2020-40
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https://cgs-trading.com/library.php?q=free-Die-fr%C3%BChchristliche-und-byzantinische-Kunst.html
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2020-09-27T01:47:09Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.848884 | 390 |
We sometimes have a few team members who only need to do the time entries and expense entries. They do not need any exposure to other entities. How do we make it possible via the OOB (Out of the box) security roles in PSA V3.X.
- From the security–>Users–> select the user–>Manage Role and Only keep “Project Resource” Role.
- Go to Security–>Security Roles–>Open the security Role “Project Resource” –> change the following 2 parameters read/write access as shown below in the image.
- Log off and log in again and you are set 🙂
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CC-MAIN-2020-40
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https://d365feeds.com/2019/07/18/psa-quick-tip-how-to-give-team-members-access-to-only-do-time-entries-and-expense-entries-and-not-expose-other-entities-in-psa-v3-x/
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2020-09-26T23:21:59Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.884052 | 137 |
→Dioceses of the territory of Republic of Macedonia
The 13 dioceses of the MOC are governed by ten bishops, with around 500 active priests in about 500 [[parish]]es with over 2000 churches and [[monastery|monasteries]]. The church claims jurisdiction over about twenty active monasteries, with more than 100 [[monk]]s.
s of the territory of Republic of Macedonia===
#Diocese of Skopje, headed by His Beatitude Archbishop Stefan of Ohrid and Macedonia
#Diocese of Polog and Kumanovo, headed by the Most Reverend Metropolitan Kyril
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<urn:uuid:f879d06a-2dbd-48a7-9fbb-e4af65591211>
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CC-MAIN-2020-40
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https://en.orthodoxwiki.org/Special:MobileDiff/111024
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2020-09-27T00:47:17Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.907694 | 129 |
A Polygenic Risk Score Derived From Episodic Memory Weighted Genetic Variants Is Associated With Cognitive Decline in Preclinical Alzheimer's Disease
Tenielle Porter, Samantha C Burnham, Greg Savage, Yen Ying Lim, Paul Maruff, Lidija Milicic, Madeline Peretti, David Ames, Colin L Masters, Ralph N Martins, Stephanie Rainey-Smith, Christopher C Rowe, Olivier Salvado, Kevin Taddei, David Groth, Giuseppe Verdile, Victor L Villemagne, Simon M Laws
Frontiers in Aging Neuroscience | FRONTIERS MEDIA SA | Published : 2018
Awarded by Cooperative Research Centre (CRC) for Mental Health - through the CRC Program, an Australian Government Initiative
Funding for the AIBL study was provided in part by the study partners [Commonwealth Scientific Industrial and Research Organization (CSIRO), Edith Cowan University (ECU), Mental Health Research institute (MHRI), National Ageing Research Institute (NARI), Austin Health, CogState Ltd.]. The AIBL study has also received support from the National Health and Medical Research Council (NHMRC) and the Dementia Collaborative Research Centres program (DCRC2), as well as funding from the Science and Industry Endowment Fund (SIEF) and the Cooperative Research Centre (CRC) for Mental Health - funded through the CRC Program (Grant ID: 20100104), an Australian Government Initiative. The sponsors had no role in the design and conduct of the study, collection, management, analysis, and interpretation of the data, preparation, review or approval of the manuscript, and decision tosubmit the manuscript for publication.
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<urn:uuid:d9a90c0e-f4cf-482e-ad5f-f20addf62998>
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CC-MAIN-2020-40
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https://findanexpert.unimelb.edu.au/scholarlywork/1364264-a-polygenic-risk-score-derived-from-episodic-memory-weighted-genetic-variants-is-associated-with-cognitive-decline-in-preclinical-alzheimer%27s-disease
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2020-09-27T01:55:03Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.842747 | 349 |
As my wedding approaches, I would love to try to lose a little bit more weight. This week I decided to try Nutribuddy’s Weight Loss Kit.
According to the information I read on the website, Nutribuddy Weight Loss Kit is:
- Suitable for vegetarians
- Suitable for diabetics
- 100% natural ingredients
- Side-effect free
I love how the kit looks-the combination of white and pink and peach colours of the packaging are very appealing.
What’s in the box?
Nutribuddy Weight Loss Kit contains:
1. Sculpting Whey Shake – a delicious and low-calories shake (115 calories per serving).
2. Hunger Fix tablets – the appetite suppressing capsules that are clinically proven to help weight loss.
3. Multivitamin tablets –tablets that contain both vitamins & minerals to help maintain the overall well-being.
4. Shaker Bottle – great, dishwasher-safe and stylish shaker bottle for mixing up the Sculpting Whey Shake.
5. Little Book of Weight Loss – a booklet which contains lots of facts about the products included in the Kit and information on how to take them.
6. Recipe Book –a small book with some interesting recipe ideas.
Price: The kit is £34.99
You can read more about all the products on Nutribuddy’s website:
Hope you enjoyed reading this review! I will let you know if the kit works.
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<urn:uuid:b538d5b7-c05c-4066-b9f2-9209178d37e8>
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CC-MAIN-2020-40
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https://firstclasslounge.net/2016/07/17/nutribuddys-weight-loss-kit/
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2020-09-27T00:34:42Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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en
| 0.90302 | 312 |
Dwarf gourami fish are some of the most exciting fish to keep in your tank. They are small, but they come in a wide variety of bright colors. However, dwarf gourami require specific tank conditions to thrive.
Before you add any dwarf gourami to your tank, you need to know how to keep it healthy and happy. Doing your research before purchasing your fish will save you a lot of trouble if you run into any problems.
- What Are Dwarf Gourami?
- Dwarf Gourami Fish Habitat and Tank Conditions
- Dwarf Gourami Behavior
- Feeding Your Dwarf Gourami
- Breeding Dwarf Gourami
- Common Dwarf Gourami Care Problems
- Is A Dwarf Gourami Right for You?
What Are Dwarf Gourami?
Dwarf gourami are freshwater fish that live in still or slow-moving water in the wild. They are native to Southern Asia, but there are now populations in North and South America.
Dwarf gourami have been assigned several different scientific names in the past. They used to be known by Colisa lalia, but today their scientific name is Trichogaster lalius.
These fish, along with all gouramis, are part of the Anabantiformes order. That means that dwarf gourami have organs other fish don’t that act like lungs. They can breathe oxygen directly from the air outside of your tank.
Another feature that makes dwarf gourami so distinctive is how bright their coloring is. There are a lot of varieties of dwarf gourami with colors ranging from pale blue to vibrant red.
Male and female dwarf gourami have different colorations. Male fish are more vibrant, and female dwarf gourami will have a paler color.
Dwarf gourami are small, which is where the “dwarf” part of their name comes from. Fully grown dwarf gourami range in length from 3 to 4.5 inches long.
The lifespan of dwarf gourami is disputed within the fishkeeping community. Most agree that dwarf gourami live for about 4 years, but some claim that they can live for 5-7 years in ideal tank conditions.
Dwarf gourami are peaceful schooling fish. They will not create conflicts with the other fish in your tank as they prefer to swim together in groups.
Dwarf Gourami Fish Habitat and Tank Conditions
Dwarf gourami need to be kept in specific conditions to stay healthy. Maintaining your tank’s plants and water levels are important when it comes to caring for your fish.
How Big Should My Tank Be?
Because dwarf gourami are so small, it’s easy to believe that they can be kept in small case. In actuality, you need a larger tank for your dwarf gourami.
This is because dwarf gourami are schooling fish. Even though they are only about three inches long, when you keep them together, you will quickly need more space in your tank.
For a school of two or three dwarf gouramis, you will need a minimum of 10 gallons in your tank. Add 5 more gallons to your total tank size for each additional fish.
How Do I Take Care of My Tank’s Water?
Dwarf gourami are freshwater fish that can tolerate a range of different temperatures. You should generally keep your tank between 72-82° Fahrenheit.
These fish can also withstand fluctuating temperatures. Dwarf gourami in the wild are used to temperature swings in the rivers and ponds they are native to. This means that they can tolerate some temperatures outside of the recommended range.
Dwarf gourami can also thrive in a wider range of water hardness and pH levels. However, they prefer softer water with a slightly lower pH level.
As long as water hardness isn’t at an extreme level on either end of the spectrum, your fish will be fine. Water pH should be kept between 6.5 and 7.
Dwarf gourami are accustomed to a slow water flow. This will help your schooling fish stay in motion and stick together.
You should monitor your water’s temperature and pH levels on a regular basis. Change out around 10-20% of your tank’s water on a weekly basis.
How Should I Set Up My Tank?
Dwarf gourami prefer living in low-light environments. Any aquarium light you have should be dim and only left on for 8-10 hours a day.
The substrate you use in your tank doesn’t matter too much for dwarf gourami. They spend most of their time in the middle and upper level of your tank.
A darker color substrate is a popular choice for aesthetic reasons. This creates a color contrast between the substrate and your dwarf gourami. Dark substrate is also common in low-light aquariums.
You should surround your dwarf gourami with plenty of plants. Floating and drifting plants will help recreate their native environments.
Choose plants that will thrive in your tank’s low light like java moss and bladderwort. These will provide coverage from your aquarium light and create places for your dwarf gourami to hide.
Other decorations like driftwood or ceramic caves can add more interest to your tank. These will also create more places for your fish to hide and build nests.
Dwarf Gourami Behavior
Dwarf gourami are peaceful schooling fish. They can be kept with a lot of different freshwater fish. Dwarf gourami should also be kept together.
Can Dwarf Gourami Be Kept with Other Fish?
Dwarf gourami should be housed with fish that won’t create any conflicts. Nonaggressive fish will prevent any fights from happening.
Tank mates should also be a similar size to your dwarf gourami. Tetras and catfish are excellent options.
Dwarf gourami are omnivores, but they will not eat some non-fish tank mate options. Mystery snails and several shrimp varieties will live happily with your dwarf gourami.
The tank mates you choose should generally stay in the lower and middle layers of your tank. This will prevent any territory problems with your fish, as dwarf gourami stay in the upper and middle levels of their environment.
Avoid aggressive carnivorous fish that will target your dwarf gourami because of their small size. You should also keep active, fast fish out of your dwarf gourami tank.
Can Dwarf Gourami Be Kept Together?
Dwarf gourami should be kept together because they are schooling fish. These fish are happier when kept together.
Schools will often have one or two fish that are bigger than the others and lead the pack. This is normal for dwarf gourami.
You can also prevent fighting between your dwarf gourami by making sure you have a good ratio between male and female fish. Keep two or three female dwarf gourami for every one male.
The best school size for these fish is four or five fish. Remember to size up your tank if you keep this many dwarf gourami together.
Feeding Your Dwarf Gourami
Dwarf gourami are omnivores, which means that they will eat both plant-based and meaty foods. This gives you lots of options for food you can feed your fish.
In the wild, dwarf gourami are hunters. They spend time at the water’s surface looking for insects and will spray their prey with water to trap them.
Dwarf gourami will also eat algae in nature. Algae and other plant particles balance their diet to provide them with all of the nutrients they need to stay healthy.
You don’t need to worry about dwarf gourami eating other fish in your tank because they are peaceful. However, they will still happily eat meaty foods.
Live options like brine shrimp and bloodworms are popular choices, but they can be difficult to handle. Fresh and frozen varieties are easier to store at home.
Dwarf gourami can also eat dried and artificial foods. These can be meat-based or plant-based. Flakes provide your fish with the nutrition they need to stay helpful.
Flakes are also a better option than pellets for dwarf gourami. These fish feed at the top of the tank, so you need a food that does not sink quickly.
Dwarf gourami do not have very large stomachs, so they cannot eat very much food at a time. Feed your fish a small amount of food two or three times a day. Give them a pinch of food slightly larger than its eye.
Take care to avoid overfeeding your fish. This can raise the ammonia and nitrate levels in your tank and make your dwarf gourami sick.
Breeding Dwarf Gourami
Dwarf gourami are some of the easiest fish to breed. Still, you need to research how to breed them effectively and safely in order to be successful.
You can breed dwarf gourami in either a shared tank or a separate tank. These choices both come with benefits and drawbacks.
If you use a shared tank to breed, you won’t need to worry about the space or tank maintenance of a breeding tank. However, you’ll need to make sure that the other fish in the tank won’t disrupt the breeding process.
A separate breeding tank will ensure that your fish are kept in the best conditions for breeding where they won’t be disturbed. You will need to duplicate your main tank’s water conditions, though.
Another benefit of using a separate tank is that you can keep the breeding pair away from the fry after they’ve spawned eggs. The parents can attack or eat the fry, so keeping the nest away from your other fish will protect them.
Dwarf gourami are ready to breed at around six months old. Males will begin building nests out of foam and saliva as an indicator that they want to start mating.
These nests are fragile, and your tank’s water flow might destroy them accidentally. A weak water flow is less likely to disturb the nests.
If you want to breed your dwarf gourami in a separate tank, move your breeding pair before they begin the mating process. Raise the water temperature to 82-85° Fahrenheit to stimulate the fish.
The female fish will start spawning after the nest is finished. The male will catch the eggs and place them in the nest. Separate the female fish from the nest after she’s done spawning eggs.
The eggs will hatch into larvae in a little over 24 hours. Once the fry begins hatching, separate the male fish from them.
Make sure to feed the fry food that they can eat without any problems. Start by feeding them infusoria and introduce foods like daphnia and artemia after a few weeks.
Once the fry are between 0.6-0.8 inches, they can be kept with the rest of your fish. You can raise them alongside the rest of your fish or sell them after they’re 8-10 weeks old.
Common Dwarf Gourami Care Problems
Even the most prepared and experienced fishkeepers can run into problems with their fish. Here are a few frequent questions about caring for your dwarf gourami.
Is My Dwarf Gourami Sick?
Dwarf gourami are sensitive to the water levels they’re kept in. Keep your water chemistry consistent to keep your fish healthy.
Dwarf Gourami Disease is a sickness that only affects these fish. You can identify this illness by the way your fish’s coloring will fade and its fins deteriorate. There’s currently no known cure for this sickness.
There are other less severe sicknesses that could be affecting your fish. If you think your dwarf gourami are getting sick, check your water temperature and chemistry and make any adjustments you need to.
Take your dwarf gourami to a veterinarian if you’re concerned about its wellbeing. They can make more specific recommendations and diagnoses.
My Dwarf Gourami Isn’t Eating
Dwarf gourami aren’t picky eaters. They will eat both meaty and plant-based foods, so you don’t need to worry about that.
Your fish might not be eating because the food is sinking to the bottom of the tank. Only feed your dwarf gourami food that will sink slowly or float at the top of the tank.
Another possibility is that you’re overfeeding your fish. This is easy to do because dwarf gourami need to be fed two or three times a day. Give your fish a lower amount of food if you suspect overfeeding is the problem.
Is A Dwarf Gourami Right for You?
Dwarf gourami are beautiful, vibrant fish that make excellent additions to freshwater tanks. They are great for beginners because they can tolerate a wide range of water chemistry levels and will eat nearly anything you feed them.
If you’re considering adding dwarf gourami to your tank, make sure you keep you only house them with nonaggressive fish. Monitor your water chemistry regularly, and your fish will be happy and healthy.
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| 0.948203 | 2,790 |
FRAMINGHAM – Framingham Public Schools Food Services team will offer meals to school families via a drive-thru service at four schools starting today.
Starting, March 18, the public school district will have grab and go breakfasts and lunches for students.
Families will be able to drive up to the three elementary and one middle school, where they will be met by a member of the food service team.
Walk-ups are welcome.
Each school-age child that is present will receive one lunch for that day and one breakfast for the next morning, per visit, according to the public school district.
Cameron Middle School – 215 Elm Street
Barbieri Elementary School – 100 Dudley Road
Fuller Middle School – 31 Flagg Drive
Wilson Elementary School- An IB World School – 169 Leland Street
Hours are 10 a.m. to 1 p.m. Monday through Friday starting today, until school re-opens.
The lunches are free to all families, not just those on free & reduced lunch. Children must be present to receive the meals.
Framingham Public Schools have been closed since March 12.
Photo courtesy of Framingham Public Schools
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12PM – MOA Arena
Previous Encounter – UST def DLSU 84-82
Things have been clicking lately for the Green Archers as they have won their last three games, including a convincing 73-52 win over UE last Saturday. But if they really want to contend this season, they have to learn how to beat an elite team.
The UST Tigers on the other hand is the “Never Say Die” team of this tournament with five come-from-behind wins so far. Their last victory over NU is a testament to their resolve.
In their first round encounter, La Salle had all the chances to win but several defensive lapses, coupled by missed free throws allowed UST to come through in double overtime.
Chalk it up to experience. The Green Archers have been playing with more focus, intensity and energy as of late. Even with LA Revilla sidelined, other players stepped up and carried the scoring load. We the team can sustain the momentum heading into this two-game stretch against UST and ADMU.
Norbert Torres – His scoring has dipped in the last few games but on a positive note, his rebounding and assist numbers remain solid. Expect him to get his offensive game going once again against UST’s thin frontline.
Aljon Mariano – He is greatly responsible for most of UST’s comeback wins. Against the Archers in the first round, he did most of the damage in the extra two periods.
Guarding the Perimeter – In their initial meeting, the Archers allowed the likes of Clark Bautista and Jeric Teng to wax hot from the outside. Bautista in fact went 6 of 9 from beyond the arc. The Tigers are second overall in perimeter scoring.
Mental Toughness – Will the Tigers apply the same psyche-out tactics they demonstrated against NU? La Salle has to be ready for this.
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The week that was
2017 Yarra Valley Wine Week
I have finally exhaled after the week that was last week. Yarra Valley Wine Week is a biannual event where we invite trade and media people up to the Yarra Valley for 2 days of intense tasting, training and playing. This year the event was kicked off with two amazing presentations on Yarra Valley soils and their role, if any, in the quality and style of our wines. Rob Gell (the ex-weather forecaster) gave us an amazing talk on the geomorphology of the Yarra Valley. This is basically the study of rocks and soils and where they have come from (going back hundreds of millions of years). Turns out the soils around Coldstream were first laid down by upper Devonian acid lava eruptions around 450 million years ago. These eruptions created two cauldrons at the Cathedral Ranges. Here in Gruyere we have Silurian Devonian soils versus Hoddles Creek which has Devonian lavas and Gembrook which has acid lavas. Is all of this gobbledegook? If so, the take home message for many of us was that our soils are older than Burgundy soils and we should be writing that in to our story.
Following on from Rob Gell was Mark Krstic from the AWRI who also spoke about our soils and spent some time discussing how vintages are, generally, starting earlier and are more compressed, with the varieties ripening not weeks, but days, apart. It was interesting to learn that Chardonnay (admittedly in McLaren Vale) is ripening 1.87 days earlier each year while Cabernet sauvignon is ripening 2.81 days earlier each year. This means the time between Chardonnay and Cabernet sauvignon ripening is getting shorter each year.
The following day saw the group of attendees broken in to two. Group 1 visited Tarrawarra for a ‘Soils and Site’ tasting of Chardonnay and Pinot noir. Dylan McMahon (Seville Estate) and I moderated a very lively tasting about whether there was an impact on wine style from the soils and sites. We divided the wines in to what soil type they were grown on and then subdivided each soil group in to sub region. The general consensus was that the difference between the red and grey soils was more evident with the Pinot noir.
While we were analysing our Pinots and Chardonnays, Group 2 were at Oakridge tasting ‘Classic and Future’ wines with Steve Flamsteed and Sandra de Pury. I was unable to attend this tasting but by all accounts it was amazing and everyone was excited to see what the Yarra Valley has been up to.
The tastings were swapped around in the afternoon and hosted by Clare Halloran (Tarrawarra) and Simone Steele (Medhurst) and Sarah Crowe (Yarra Yering) and Tim Shand (Punt Road).
Thursday morning was the ‘Vibe’ tasting hosted by myself and Steve Webber (De Bortoli). This tasting was a presentation of the new & different & innovative & modern & ancient wine styles being produced in the Yarra Valley. It featured less well known grape varieties, field blends, skins fermented whites and was a fascinating snapshot of some of the less traditional things happening in the Yarra.
We were lucky enough to have 3 wines selected for the tastings – our 2015 Alena Chardonnay and 2016 Alena Pinot noir for the ‘Soils and Sites’ tasting and our soon to be released 2016 Wayward Child Pinot gris. It was a privilege to see our wines in such exalted company.
Related Tag: Yarra Valley Pinot Noir
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InFocus Corporation (NASDAQ: INFS) today announced that it has entered into a definitive merger agreement with Image Holdings Corporation (IHC), an Oregon company controlled by John Hui, the co-founder of eMachines. Under the terms of the agreement IHC and its wholly-owned subsidiary, IC Acquisition Corp. (IC), will make an all cash tender offer to acquire all outstanding shares of InFocus stock at $0.95 per share, or approximately $39 million in total. This deal is lower than what Planar paid for specialty video company, Runco just two years ago. Ironically, Runco is now owned by an Oregon company too.
The Board of Directors unanimously recommends that InFocus shareholders accept and tender their shares into the offer, which represents a 36 percent premium over the April 9th closing price of $0.70, the last trading day prior to the agreement, and a 90 percent premium over the last 30 day average closing price of $0.50. The offer will be subject to the tender of a minimum of 65 percent of InFocus outstanding shares and other customary conditions, including the absence of any material adverse effect on the InFocus business. The offer and a subsequent merger that will result in InFocus becoming a wholly-owned subsidiary of IHC are expected to close in the second quarter of 2009.
"After an extensive review of strategic alternatives with InFocus management and our financial advisors, we determined this all cash sale of InFocus to IHC provides the best value for InFocus shareholders," said Michael Hallman, the lead independent member of the InFocus board of directors.
"In addition to delivering compelling value to our shareholders, the partnership with IHC also creates clear benefits for InFocus customers, suppliers and employees," said Bob O'Malley, the president and CEO of InFocus. "John Hui understands the technology industry and will assist InFocus in the execution of its strategy. Operating as a privately held company is expected to reduce our costs and facilitate our ability to focus on longer-term priorities. While this is a very big step for InFocus internally, our commitment to delivering innovative projection solutions has not changed."
InFocus operates both in the consumer electronics and professional video installation market. The company has never made the in-roads that many expected in the home theater and consumer markets for a company with $39,000,000 in sales. The new ownership offers the projector and video company a chance to grow its distribution and consumer appeal.
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I’m at a bit of a loss for what to say. Two weeks ago my Mum died, and although life is going on, it is with a bit of a heavy heart. So all I’m going to do here is share some of my favourite memories of her.
I've been a keen photographer for many years now. I work hard to get good shots and build a collection of photos that help make a special set of memories. Whether you're having a party, a wedding, or any other kind of event I will focus on your needs.
View All Posts
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2020-09-27T00:04:11Z
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After the declaration last March 14th by the Government of Spain, where the State of Alarm was activated throughout the country due to the crisis generated by COVID-19 pandemic, and while this state remains active, Ingenium, as a 100% manufacturer company in Spain reports that:
- The productive activity at factory is maintained, defining shifts and independent work groups, trying to minimize contact between employees, while ensuring the entire manufacturing process. In addition, all employees are taking all the precautions and measures established by the Ministry of Health regarding safety and health.
- Material continues to be received, which will be quarantined internally for the period established by the health authorities, and orders will be processed as normally as the situation we are experiencing allows. In addition, pending orders will be dispatched in the same way. Customers are advised to be aware that delivery times could be exceptionally lengthened due to internal reorganization among our production staff.
- The rest of the Ingenium staff, in its administration, commercial, sales and technical support departments, continues to carry out their work telematically, maintaining the usual telephone lines and emails.
We hope to return to normality as soon as possible, but in the meantime we will do everything possible to maintain the usual activity in the most transparent way for our clients and collaborators. We appreciate patience and understanding in advance.
If you have any questions, you can always contact us.
Last update: March 17th, 2020
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Fans for the Cure
Founded in 2003 by sports broadcaster and prostate cancer survivor Ed Randall, Fans for the Cure works hard to increase the number of men who get tested for prostate cancer. Under Ed’s leadership, the organization has taken considerable steps to raising awareness about this disease and how early detection leads to a cure in 98% of all cases.
We met up with Ed and his colleagues in 2016 when they asked for our help creating a new website for the organization. The charity was eager to deliver even more value and impact on the community it serves.
As part of a larger project, we launched a new focused refit of Fans for the Cure’s logotype and website. We’re delighted to continue to work with Ed and his team to roll out new content and functionality on the site. Learn more about this amazing charity and how you can get involved with its work: https://fans4thecure.org
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Re: GCC-4.5 as the default for (at least some) architectures
On Wed, 2011-03-02 at 02:34 +0100, Matthias Klose wrote:
> I'll make gcc-4.5 the default for (at least some) architectures within the next
> two weeks before more transitions start. GCC-4.5 is already used as the default
> compiler for almost any other distribution, so there shouldn't be many surprises
> on at least the common architectures. About 50% of the build failures exposed
> by GCC-4.5 are fixed . I didn't see issues on amd64 and i386, armel
> (although optimized for a different processor) and powerpc (some object files
> linked into shared libs had to be built as pic).
It looks like kfreebsd-* also made the switch and there's been a request
to switch for mips and mipsel.
Looking through the bug list for src:gcc-4.5, none of the open issues
seem to be specific to the remaining release architectures which haven't
switched yet - i.e. ia64, s390 and sparc. Are you aware of any issues
which would preclude switching the default on those architectures? Has
there been any discussion with the port maintainers regarding switching?
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On a typical day, Mindy Mora arrives at her law office about 8 a.m. and leaves 12 hours later. She will drive home, eat dinner and put in a few more hours of work, even taking client calls late at night. “Being a partner at a law firm is not a 9 to 5 job,” she says.
The grueling lifestyle, even with the cache of a partner title and a six-figure salary, is one Mora, a bankruptcy attorney at Bilzin Sumberg, knows young female law associates increasingly are shunning. “They want to be able to have a family and enjoy their family.”
In Florida’s competitive legal industry, pressure to meet quotas for billable hours, bring in business and service clients who want instant responses is creating demands on lawyers that are all encompassing. That pressure has led more women to forge their own paths — even to hang their own shingles — rather than navigate the politics of big law firms.
The excruciating requirements of a big firm partnership are one reason that Eleanor Barnett left Mora’s firm to practice at Heller Waldman in Coconut Grove, a commercial litigation boutique with seven attorneys. Barnett, a mother of two, is a partner at the firm and says while the client demands might be the same, she doesn’t have the internal meetings and politicking that can be time-consuming at a larger firm. “That can make a big difference for women who are trying to balance motherhood and a busy litigation practice.”
The trend toward talented female lawyers moving on to practice law outside big corporate firms has created opportunities and success stories in South Florida. There are female solo practitioners who have built significant practices in niche areas and women who have become stand-out partners at smaller law firms. There are more women who sit as judges and mediators and others who hold positions as general counsel at local companies and municipalities.
To be sure, the big firms with the top legal work and fat paychecks continue to attract aspiring female attorneys in South Florida. But the attraction may be cooling. New survey data shows that for the first time in a decade the ranks of female attorneys are thinning, even at entry positions. And worse, women are not reaching the top.
Women lawyers have yet to make significant inroads in the power structure and profit sharing at firms. Many women face an inability to ascend higher than non-equity partner status, where lawyers hold the partner title but without the power, prestige, influence and compensation of true ownership.
A recent National Association of Women Lawyers survey showed that just 16 percent of women were equity partners in American Lawyer top 200 firms. That percentage hasn’t budged much for the last 20 years.
This ceiling is especially troubling given that women lawyers already leave big-firm practices at a greater pace than their male counterparts. “Now, a newly reported narrowing of the pipeline at the entry level only further decreases the pool of women available for promotion,” says NAWL President Heather Giordanella.
The trend has some managing partners concerned enough that they are ramping up efforts to advance their rising stars to partner and tackle the higher female attrition rates. Large firms such as Holland & Knight, Carlton Fields and Hunton & Williams have active women’s initiatives in Florida.
Tammy Knight, a partner at Holland & Knight in Fort Lauderdale, heads the national Women’s Initiative at her firm, recognized as one of the most effective in the country. More than 300 female Holland & Knight lawyers participate.
At Knight’s firm, much like others, women occupy about a third of non-equity partner positions. But they are represented in much smaller numbers as equity partners. Knight says that leap requires lawyers to bring in large dollar volumes of new business.
“Historically, a differentiating factor for women is that they have a more difficult time originating business,” she explains. Knight says myriad dynamics factor in: “Timing is a big one.” When women have the opportunity to become equity partner, it’s usually right in the middle of their child-bearing years, when networking at night and attending lunch functions are difficult to fit around the demands of the workday and family life, she says. Another contributor is corporate culture. Companies tend to shy away from giving young women their business. “It is uncommon in our field to find many women in their 30s serving as lead outside attorneys for big corporate clients.”
To mentor, Knight says she and other partners take female associates along on pitches, “to see what it looks like and what it takes.” But at the end of the day, she says, “It’s still about the client taking that leap.”
Clearly, the numbers bear this out: Fifty-six percent of female law partners were considered relatively “bookless” compared to 38 percent of male partners, according to the National Association of Women Lawyers survey of the nation’s 200 largest law firms.
Gary Sasso, president and CEO of Carlton Fields, says big firms, like his, need women attorneys — at all levels. Some clients have matters they want overseen by women, judges and juries often react well to them in the courtroom, and for internal purposes he finds diversity promotes more innovative thinking. “When we’re doing brainstorming, business development or setting policies, we want a diverse group in the room.”
Sasso has seen the troubling numbers that depict a glass ceiling at the country’s top law firms. He says his firm makes one-on-one coaching available to teach women how to drum up business. While he admits there may be subtle impediments to their success in bringing in enough business to earn them equity partnerships, he finds women lawyers often opt for non-equity status, which can accommodate a part-time schedule, reduced travel and less pressure to bring in business. “I think it’s a reflection of choices made as opposed to barriers imposed.”
Nationally, efforts are underway to lobby firms to not only make more women equity partners but also to put more women on governing and compensation committees, where pay, strategy and partnership decisions are made.
Some suggest the solution, one that might curb departures, is a fresh look at law firms’ institutional practices for making equity partners and putting more emphasis on overall performance and contribution. Sasso says his firm moved more in this direction a few years ago, somewhat relaxing how lawyers qualify for ownership and a voice in firm management. The change at Carlton Fields hasn’t yet significantly impacted the gender makeup of equity partners, but it has opened the door for more equality in pay, Sasso says. “It’s a small group who hits home runs in any firm, regardless of gender.”
For now, the ultimate solution for women attorneys who aim to increase their perceived worth at firms, rather than leave, may be to go out and bring in new clients — if they can make the time commitment.
Eight years ago, Cheryl Wilke became the youngest female equity partner at her 525-lawyer firm Hinshaw & Culbertson, based in Chicago. Today, Wilke manages the firm’s Fort Lauderdale office and sits on the firm’s executive and diversity committees. Married, but with no children, she says she was groomed by a male partner. Wilke says she traveled with her mentor and watched how he developed relationships and asked for business. She tries to groom up-and-coming women at her firm. “For some women, that’s intimidating or they are so busy they don’t have time to think about it. I feel women need to be more aggressive internally and externally and prioritize business development.”
Susan Healy, president of the Florida Association of Women Lawyers, says her organization realizes that women at both large and small firms need more help with the vital skills of rainmaking and marketing. Her organization plans to do more programming along these lines, including showing women how to value and market themselves at a time when there is already intense competition among firms and the 11 law schools in the state are continually pumping more lawyers into the market. For now, the compensation gap is huge and women continue to bill less per hour than men: According to the Florida Bar, the median total gross income in Florida from all legal work last year for men was $155,000 compared to $80,000 for women.
“The initiatives have to go deeper than they are now,” Healy said. “We have to give women skills to achieve at all levels.”
Meanwhile, young female attorneys like Amanda Star Frazer see opportunity at smaller firms. “The work is intellectually sophisticated and we have big and small clients. I get to practice in state and federal court but I’m at a firm where quality of life is very important,” said Frazer, an associate at Levine Kellogg Lehman Schneider & Grossman in Miami. Frazer sees opportunity to become a partner — if she wants that path. Working at a smaller firm gives her exposure to clients and legal counsel, something less common at larger firms with more layers, she says. The exposure, she says, has enabled her to network with business owners and bring in business from existing clients. “I have a book of business and I think it will continue to grow.”
Women who venture out on their own say it’s a struggle, too. But the payoff can come sooner than if they stay at big firms, and they have more control over their schedules.
Nydia Menendez used to be an associate at Holland & Knight but now has her own firm in Hollywood. Her niche is defending companies in tax and audit disputes. However, during the recession she expanded into other areas including real estate closings, estate planning and bankruptcy. “I make three times as much as when I was working for a big firm, but of course, I have overhead.”
According to the Florida Bar, nearly a quarter of female attorneys in the state practice on their own, and that number is expected to rise. Healy, a partner at Vernon & Healy in Naples and president of FAWL, says she doubts the number of women at Florida’s larger firms will drastically increase in the near future. Based on membership information, she predicts women’s participation in small firms and other law occupations will continue to grow and female attorneys will redefine the meaning of a successful career.
Yolanda Cash Jackson, a partner at Becker & Poliakoff in Fort Lauderdale, already sees women lawyers of color redefining success. They’re foregoing law firms and becoming legal counsel for businesses or governments. “In those jobs, they’re judged on merit. They don’t have to schmooze and bring in business.”
Jackson is one of the rare breed of black women law partners at large Florida law firms and is one of two women on her well-entrenched firm’s eight-member management committee. According to a Catalyst study, women of color were more likely than any other group to experience exclusion, become stymied in advancement, and consider leaving law firms. Even more, 80 percent of law firms have only two, one or no women on their governing committees, which average about 10 members.
Jackson says she reached the top because she found ways to bring in business, by attracting clients such as black colleges and companies that emphasize diversity. “There are artificial barriers that you encounter with rainmaking,” she says. For example, men might not want to invite a single woman to attend a golf weekend. “We [women] have to have our own network,” says Jackson, who founded a networking group for black women professionals.
Jackson says she feels a great responsibility to ensure she has female successors in firm management, in part because it’s more profitable for Becker & Poliakoff to be representative of the community. She is hopeful other women in management at their firms are doing the same thing.
“I’m looking at women in the pipeline, coming up in the ranks, asking myself as a member of the management committee, are these women getting a fair shake? Are we preparing them and what can I do to make sure that I’m not the last one?”
Clearly, some women are in such a position to effect change.
Just last week, Akerman Senterfitt, one of the largest firms in Florida, announced it named Mary Carroll chair of its national corporate practice group. Carroll, a 12-year firm veteran, has an impressive client roster and will oversee about 80 lawyers in 18 offices. “It is pretty rare to see female lawyers in management at most large firms. I’ve been groomed and mentored for years in hopes I would move into a management position. I think women need to find a firm that’s committed to encouraging women to stay.”
At Greenberg Traurig, Hilarie Bass has proved women can succeed at high levels. Bass recently completed an eight-year term as the national chair of the firm’s 600-member litigation department, serves on the firm’s Executive Committee, and holds the prestigious position of chair of the American Bar Association Litigation Section.
On a broader scale, Judy Lockhart hopes she will see more female lawyers in management at firms around the world. Lockhart not only manages her 100-lawyer New York firm, she is chair of Meritas, a global alliance of 175 small and mid-size law firms. Lockhart predicts it will become increasingly difficult for women to thrive at big firms, and more conducive for them to succeed at smaller firms.
“Practicing law at that level and balancing an outside life is hard for women and men,” Lockhart says. “Going out on your own and becoming masters of your universe is a great alternative.”
Source: Miami Herald
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On Friday, October 13 at 6 p.m. at the Cathedral of Ss. Simon and Jude in Phoenix, Bishop Thomas J. Olmsted Consecrated the Diocese of Phoenix to the Immaculate Heart of Mary. He crowned a beautiful statue of Our Lady of Fatima (blessed by Pope Francis) that has been making a pilgrimage around the world, brought by the Sisters of the Alliance of the Holy Family. This special event occurred on the 100th Anniversary of Our Lady of Fatima’s last apparition in 1917 to the three shepherd children (pastorinhos), Lucia (10 years old), Francisco (9 years old) and Jacinta (7 years old).
At this Mass, all were given great hope to follow Mary’s message which comes from her Son, Jesus Christ, to pray for conversion and repentance, peace and mercy. She beseeches all her children to pray the Rosary and beg, “Forgive us our sins, save us from the fires of hell and lead all souls to heaven, especially those in most need of your mercy.” This message is needed in our world today, and her maternal guidance gently leads us to pray for peace. Let us look to Our Mother, a star shining the light with her pure heart, through the darkness. Bishop Olmsted said that our Redemption is greater than all sin. The perfection of Our Lord in the Resurrection conquered evil and death. Mary’s pure heart shows us Love, guiding us to true freedom: freedom from sin and evil.
Bishop Olmsted blessed Carmelite scapulars. Each person was given a scapular to be strengthened in the spiritual battle, protected from evil and from eternal damnation.
BOOK OF THE MONTH
Fatima for Today: The Urgent Marian Message of Hope
Here is the description of this work by Ignatius Press:
“Though the apparitions of Our Lady of Fatima took place almost a hundred years ago, Our Lady’s call to prayer and penance for the salvation of souls and peace in the world is as relevant now as when first delivered to three Portuguese peasant children in 1917.
At the peak of the First World War, Our Lady warned of another worldwide conflict, the rise and spread of Communism, and a terrible persecution of the Church unless people repented of their sins and returned to God. She also requested devotion to her Immaculate Heart and a special consecration of Russia.
Much of what Our Lady of Fatima said was revealed soon after her appearances, but the third and final “secret”, which was not a message but a prophetic vision seen by the children, was not unveiled by the Vatican until 2000. Pope John Paul II, who read the third secret while recovering from the attempt upon his life in 1981, believed the vision signified the sufferings the Church had endured in the twentieth century.
Because of the prophetic nature of her messages, Our Lady of Fatima has been the subject of much controversy and speculation. In this book, Father Andrew Apostoli carefully analyzes the events that took place in Fatima and clears up lingering questions and doubts about their meaning. He also challenges the reader to hear anew the call of Our Lady to prayer and sacrifice, for the world is ever in need of generous hearts willing to make reparation for those in danger of losing their way to God.”
There’s a wonderful article, “Pope Francis and the Unexpired Call of Fatima” by Fr. Roger Landry on Pope Francis’s top four pastoral priorities: mercy, conversion, peace, Marian devotion and the children. Here is the link: http://www.ncregister.com/site/print/53275
What a joy it is for me to share the gift of celebrating the 100th Anniversary of the Apparitions of Our Lady of Fatima in the Diocese of Phoenix! It has impacted so many to pray for conversion, repentance, salvation, peace, healing, purity of heart. We have experienced the maternal, ever gentle guidance and intercession of Our Blessed Mother.
Let us always realize how much we need her and how good she is for us.
With love and prayers,
Sister Anthony Mary Diago, RSM
Director of the Office of Consecrated Life
Diocese of Phoenix
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Theresa Madeline Subity
1927 - 2020
Obituary of Theresa Madeline Subity
October 5 1927 to August 20, 2020
Theresa was married to Nick Subity (1998) for 53 years. Dearest Mom to Diane Illingworth, Wendy Subity, Paula Subity, John Subity and wife Pauline, and James Subity. Grandma to Sarah Subity and Samantha Subity.
She was the eldest and last surviving child of Arzene Laporte and Zella Laporte Rivard. Stepdaughter to the late George Rivard. Dearest sister to late Irene (the late Jack Jenner), late Ulysse Laporte, late Doreen (the late Al) Ewert, late Gary Laporte (Nancy), the late Robert Rivard, the late Rene Rivard (Lynda), the late Jeanette (the late Dominique) Guilbeault, the late Helen (the late Alphonse) Labonte, Raymond and Doris Rivard, Roger and Pauline Rivard, Linda and John Upcott, Pat and Dick Blain. Aunt Terry to many nieces and nephews.
Mom was the best example of what a good, caring person was. Family, whether immediate or extended, was always important to her. To her kids’ friends, she was always Ma Subity. She was a fantastic cook, and all of us will remember holiday and birthday feasts. A past member and past president of Erie Shores Quilters Guild, we all admired her award winning quilts and wall hangings. Many cherish those she made especially for us. We celebrate the amazing burst of artistic energy she enjoyed. She will be remembered as an avid reader, and always enjoyed a good mystery. Many librarians will recall the bag full of books she took from the library each week, and the long request lists.
Visiting at the Reid Funeral Home, 14 Russell Street, Leamington (519-326-2631) on Wednesday, August 26, 2020 from 1:00 p.m. until the Memorial Service to celebrate Theresa's life at 2:00 p.m please arrive at 1:45pm. Inurnment to follow at Evergreen Memorial Park Cemetery. Due to COVID restrictions, visitation at Reid Funeral Home is limited to specific number of visitors at a time. ONLY THOSE WITH AN APPOINTMENT WILL BE ALLOWED IN. PLEASE BOOK AN APPOINTMENT AT www.reidfuneralhome.ca TO SECURE A DESIGNATED TIME TO PAY YOUR RESPECTS AND TO ATTEND THE FUNERAL SERVICE. All visitors must remain in their cars in our parking lot until their designated time and one of our staff members comes to invite you into our facility. Everyone must wear a mask. The family requests that if you wish, a donation be made by cheque in her memory to the Erie Shores Hospice, or the charity of your choice. Share words of comfort or make an online donation at www.reidfuneralhome.ca
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I recently compiled a list of all records, files, mixes, radiophonic works and other sound-related projects I’ve produced since 2012 (see the “Discography” page on the main menu). I thought I’d add a post highlighting the mixes I’ve done, with a bit more information about some of them. I launched the Sound Propositions podcast last month, and producing fortnightly episodes has got me reflecting on how my practice has developed over the years, as the episodes have much the same aesthetic as my mixes. There’s music, but a general sense of transformation, humor, latent connections in title or form or inter-textual references, sound collage, samples from the news TV film or youtube, field-recordings, a big soup of whatever is at hand that somehow coheres.
- Those Who Will Not Rise Must Fall – Cello Mix (the new objective) LCNL, (2012)
- ACL 2012 – favorites from 2012, plus film and news samples, LCNL (2012)
- SMOKE EM IF YOU GOT EM – heavily FXd mix w/ field-recordings, LCNL (2013)
- with a real gone mama, don’t let me take your style – sound collage mix, LCNL (2013)
- Bogart’s Select Hip Hop Instrumentals – mix with Gabriel Bogart, LCNL (2014)
- A Machine in the Garden – edited soundwalk consisting of field-recordings made during the Sonic Delights festival at Caramoor in Katonah, NY, LCNL (2014)
- A Closer Listen Mix for SecretThirteen.org (2014)
- Interactions of Color – tape only mix, LCNL (2015)
- “e ingenuo sforzo di rifare la vita” – mix for S K Y A P N E A on NTS radio (2017)
- “Ma(d)re nostrx” – live mix for CKUT 90.3 FM and A CLOSER LISTEN, (26 December 2018)
Of the mixes that don’t already have a post on this site, I’ll say a few words.
A mix that showcases the unique timbre of the cello, linking together a diverse string of artists.
Collecting some favorites from 2012, with samples from the news and TV and other bits
The second song comes from steve roden’s between yellow and white on one side. between blue and black on the other, and with all this talk about “the dress” I thought this seemed like a pretty serendipitous time to go live with this one. So, since everyone is thinking about the relativity of human sense perception, I named this mix Interactions of Color, swiped an image from Josef Albers book The Interactions of Color, and laid it out on a J-card template, just in case any of you out there feel like dubbing this onto a cassette and printing out the cover.
It was recorded in mid-December, and except for some minor edits and some trickery at the very beginning and very end, it was recorded live in one go. I utilized two different variable speed tape players, one with pitch control and the other with the ability to switch from side 1/2 to 3/4 in mid play, which on normal tapes has the effect of playing the flip-side backward. The players run into a Mackie mixer with two effects sends, connected to a Memory Man stereo delay/looper on one channel, and a chorus and freeze pedal on the other. This is my basic set-up for making mix tapes for friends, though I’m still not very adept at monitoring and cueing up the right spots quickly enough. I tried to keep it loose, therefore, and use more ambient or drone tapes as transitions when possible.
All the tapes come from my personal collections. Some are recent acquisitions, others I’ve accumulated over the last few years mostly buying tapes off friends, labels or artists I otherwise follow closely. Some come from tapes I’ve had lying around since middle and high school, while many of them I bought for a quarter or two at various thrift stores. It’s actually probably pretty easy to guess which is which. Because it’s all live and on the fly, and because I don’t usually plan these things out, I often relied on whatever song happened to come up on the tape, or transitioned from one tape to another based on random associations. Rapsodie Espagnol, French composer? Might as well follow it with Spanish composer, Paris Hiss. You get the idea. If it seems extra heavy on Italian experimental music, well, it is. It’s me, what were you expecting? I’ve got so many other great gems I’d like to share, so if this goes over well I’m looking forward to doing some more.
LCNL 033: SMOKE EM IF YOU GOT EM selected by the new objective
Field recordings from Mexico, Bob Marley, d/p/i, Vladislav Delay, Raime, Bellows, Amadaou Ballake et Le 5 consulats, Alessandro Brivio, Mark Ernestus & Konono No. 1, Bob Ostertag, the new objective, emptyset, A Tribe Called Red, Souljazz Orchestra, Matt Wivviott, Bootsy Collins, Mark Fell, Jason Lescalleet, J Dilla, Ornette Coleman, Nicola Ratti, The Mercury Program, Yesterday’s New Quintet, Sparkle in Grey, Ultra-red, Matana Roberts, Stefan Christoff & Sam Shalabi, Sandro Perri, Rza, Charles Mingus, Sun Araw.
Sounds of the MTA, the new objective, King Tubby, Nicola Frangione, Giuseppe Ielasi, Carl Stone, Blutech, Tape noise, Ryan Adams, Sonny Sharrock, Andrew Peckler, Rashad Becker, Whale Sounds, Svarte Greiner, dj/rupture, Sonic Youth, Pauline Oliveros, Scott Walker. And so much more.
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Explore 2019 Porsche Panamera, performance and technology features. We reviews the 2019 Porsche Panamera Specs where consumers can find detailed information on specs, fuel economy, transmission and safety.
Explore the design, performance and technology features of the 2019 Porsche Panamera. See models and pricing, as well as photos and videos. The 2019 Porsche Panamera Release Date goes to excess the right kinds of excess to preserve its best-of status. Find out if the new 2019 Porsche Panamera coupe takes a step forward in our first-drive review. See photos and get the story at Car and Driver.
2019 Porsche Panamera Review
Reviews, videos, latest news, specs and road tests on the 2019 Porsche Panamera. Top Gear reviews the Photo. Terrific refinement, class-leading technology, and incredible interior quality. Want to know more? Read more.
We’ve one of the air vents twisting it’s going to close and open it which is a nicelittle contact coming alongside the sprint has a pleasant aggressive bezel above the gauges very clear wanting – tremendous minimalistic you could have some black leather-based and a few gray stitching along the dash as wellthen coming to the contact display navigation system hitting the house button. We’ve got many various settings your apple carplay and android auto in fact your audio controls Wi-Fi after which you may scroll over to your climate and see completely different settings like which you could see where all the air is directed what is on and off more controls below that and then all of your climate controls are located right right here actually cool actually this you spin left and rightand that really modifications the temperature you even have an LCD screen to correspond to that after which over on the suitable aspect this is how you alter your fan velocity you get just a little screen as well and your analysis a see all of the different buttons your defogger you’re the Alcantara on the shift knob as properly asthe shifter boot very easy to engage you to gear quick shifter extremely sighs nice weighted shift knob to present 2019 Porsche Panamera.
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Joe Manganiello has dropped out of his starring role in SIX, History channel’s eight-episode Navy SEAL drama, TVLine has confirmed. Manganiello’s departure has brought production to a standstill as producers scramble to recast his role.
According to Variety, the True Blood vet exited the project due to a “manageable” preexisting health issue.
SIX focuses on an elite team of Navy SEALs whose 2014 mission to eliminate a Taliban leader in Afghanistan goes awry when they uncover a U.S. citizen working with the terrorists. Manganiello was set to star as Rip Taggart, a gruff, haggard, and aggressive military man who was once the squad leader of Seal Team Six. Five years later, Rip is working in Africa, protecting a small village from Boko Haram.
SIX, from Academy Award-nominated screenwriter William Broyles Jr. (Apollo 13) and military special ops veteran David Broyles, is inspired by current events and will aim to capture “what these SEALs do, their complex personal lives, and the life and death decisions they make.”
The cast also includes Barry Sloane (Revenge) and Edwin Hodge (Chicago Fire).
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Mason's China Game Birds The Snipe 10.5-inch plate
Shipping calculated at checkout.
Mason's Game birds series Ironstone china dinner plate The Snipe
- 10.5-inch diameter brown and white china dinner plate with hand applied colour central section depicting nexting snipe.
- Masons china mark with detergent proof post-1950 marks
- In very fine near mint collectors cabinet condition.
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Is dating in your twenties just one big let down?
Days from my thirtieth birthday, I was listening to “Interstate 8,” by Modest Mouse—music of my high school years and from the Pacific Northwest, my home state. “Interstate 8” and “Broke” are songs for the shoe gazer, the existentialist, the emotional atheist. I’m going nowhere but I’m guaranteed to be late. Chaotic sounds weaving in and out like a wet wind bumping pine branches against a window.
In the weeks before my birthday, I had read a commentary by Charles M. Blow, an op-ed columnist for The New York Times. His piece advocated that parents focus less on suppressing or naming their child’s sexuality before a child can know it for him or herself (“Bossy Pants?” March 12, 2014). Blow called this obsession with purity “a societal disease” and wrote that our society sacrifices “genuine youth and seasoned maturity” to a cut-out of human sexuality. When I read it, I wished that I had encountered the moving sentiments in his column years ago. You know that God has no sides.
The four postgraduate years in which I lived in Portland, Oregon, contained a series of disappointing failures to date men. The incongruity of fantasy, expectations, and life experiences contributed to a very real loneliness. Even after I was no longer single and (I think) the best wing woman ever, interactions with males continued to frustrate me; it seemed to me that none would even have a friendly drink with me after sex was taken off the table. Now that I live a pseudo-professional life in New York where men, single and not single, continue to speak to me after I reveal that I’m in a relationship, I wonder whether it was the culture of Portland, or something else that made it impossible for me to make friends with men. How have you been, how have you been, how have you?
Men in Portland are far from the domineering type, generally speaking, but they are also a carefree lot, particularly those in their twenties. Living too fast to live too long, as one sometimes-Portland-based musician, Langhorne Slim, wrote in a song that urges the listener to get back to the wild.
Once, one of my female friends hilariously lamented to me the abundance of Portland men who are musicians “on the side.” So many side projects, so little time to find a full-time job. Not until I moved to New York did I give some credence to Mr. Slim’s sentiments and the desire to somehow free oneself. Now, with the recently launched HeForShe campaign and with Charles M. Blow’s lovely memoir that honestly confronts his own sexuality, I do have more sympathy with the gender trap that all of us are stuck in.
When I first arrived in Portland in 2009, literally off the train from up-tight Washington, DC, I moved in with boys in their late twenties, who were musicians “on the side.” One morning on my way to the print shop I worked at, I walked into the kitchen to find my DJ roommate sipping a PBR while gearing down from a night of adventures. “Mixing beats and chasing girls” (his words) was his mission in life at that particular stage. The unemployed roommate wanted to date me, but said it would be too weird to date a roommate and dated someone else. Then, when he was ready to date me, I was unavailable and he reprimanded me for not being more straightforward with him. He bemoaned the fact that this sort of ambiguous-dating thing kept happening to him.
In my twenties, my own pining for a guy seemed coupled with pining for a rule book for single women to carry with them. If I could just anticipate a guy’s behavior, I muttered to my female friends while we lapped up Portland’s excellent craft beer. While nothing could prevent my young heart from being regularly vivisected by love, I wished I had obtained at least a philosophical approach to dating that would show me the way to a happy romance. It seems as though every 20-something I meet is in the midst of some complicated situation that can only be predicted by the fortune-telling of pop songs. Compassion is not guaranteed to soften the ache of love, but I think that it might be a start.
I wish that we had all been kinder to each other. The twenties don’t exist in a vacuum; no matter how much you try, you can’t let go. When you experience love (platonic or otherwise) with someone, you grow to a better understanding of yourself. The wise 30-year-old Mary now sees that even romantic let-downs don’t erase beauty. As with music, the feedback from a partner changes your reality; your life is played at a different tempo with everyone you meet. The distortion rises in proportion to your anxiety—the drum raps in three quick beats, five times in succession. This is a song you can play again.
|
<urn:uuid:fd48d065-e5c4-41c9-bcaa-46df8be9541d>
|
CC-MAIN-2020-40
|
https://visitantlit.com/2014/10/06/the-let-down/
|
2020-09-26T23:41:54Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.972831 | 1,083 |
Tremor Video DSP is working out some growing pains.
At the beginning of this year, Tremor regained profitability for the first time since it was spun off in August 2017 from the SSP that would become known as Telaria. Tremor operates as a business division within Taptica, the mobile ad tech company that acquired the DSP last year for $50 million.
In September, Ofer Druker took over as executive chairman of Tremor Video DSP.
“When Taptica bought Tremor, they thought it would be a longer process [to regain profitability], but it was relatively short,” Druker told AdExchanger this week. “We regained profitability by examining the businesses and relationships we have and streamlined them in order to deliver more of the sales we had before.”
Tremor Video DSP currently sells several kinds of video advertising inventory, including pre-roll, which is most common on mobile.
Druker said the company has dedicated most of its resources to fine-turning the DSP and creating the ability to tap into other SSPs.
“Everything is according to the request of the clients,” Druker said. “We have the ability through [these] SSPs to reach every kind of inventory that is out there.”
More than 90% of Tremor’s current business is managed and the remaining 10% is self-serve. Druker noted a new focus on SaaS offerings and hopes to release “new elements of self-serve” early next year.
Druker added that Tremor Video DSP changed agreements with some partners because they “were not needed anymore.” He did not disclose which business relationships the company chose to sever or, at the very least, alter.
“We are going to make a few changes in the company from business processes perspectives that will enable us to push it into the market and offer solutions to our clients and [prospective] clients,” Druker said.
|
<urn:uuid:a26795aa-39a1-4e3e-89eb-ee034c1357ae>
|
CC-MAIN-2020-40
|
https://www.adexchanger.com/ad-exchange-news/how-tremor-video-dsp-broke-its-profitability-dry-spell/
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2020-09-27T01:42:18Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.983667 | 427 |
All Products & Classified ads in Mauritius
a vendre couture Chevrolet cruz 1500 cc
Annee 2010 automatic
tel 57357972. / 57836334
Type of Car for sale: Family Cars
Item condition: Used
Price of family cars:
a vendre voiture Chevrolet Aveo 1475 cc jn 07.
cooler noir bon etat
tel 57357972. / 57836...
‼️ ONLY FOR THIS SEPTEMBER ‼️
As from 1st september to 30th september 2020, make the most of...
Type of Informatics & Phones for sale: All Informatics Products
Item condition: New
Price of all informatics products:
Maison avec etages, non meublee a vendre a Rose Hill
situee pres avec le garage Rose Hill Tran...
Type of Real Estate for sale: House
Price of house:
Villa deluxe à louer à Mont Choisy
4 chambre a coucher
Une grande pis...
Type of Real Estate for sale: Villas
Price of villas:
Terrain a vendre a Albion. Situee dans le morcellement petite bretagne
Terrain de 277 toises...
Type of Real Estate for sale: Land
Price of land:
PSVR original model - Rs5500 separately with camera
Ps4 original model - Rs5000 separately
Type of Gaming Console for sale: PlayStation 4 (PS4)
Item condition: Used - like new
Price of playstation 4 (ps4):
Sale of an office space on the 2nd floor of the Harbour Front Building, in Port-Louis @ Rs. 6,...
Type of Real Estate for sale: Office Space
Price of office space:
Hello..Urgent Sales..Please call on 57862985 if interested or for more details..Thank you..
Type of Storage furniture for sale: Other storage furniture
Price of other storage furniture:
Hello..Urgent Sales..Prices varies from Rs8,000 to Rs50,000..Call us on 57862985 for more detai...
Type of Machines for sale: Sewing Machines
Price of sewing machines:
Asus Essentio CM1740
Price : Rs 22, 000 ( Price Négociable )
Used : 2 months only
Looking for a male golden retriever to mate with my golden female who is 2 years for mating pur...
Type of Pets for sale: Dogs
Price of dogs:
Solar wired light
Call on 58036616 for delivery
Type of Garden for sale: Garden Decorations
Price of garden decorations:
Used motobecane for sales
Type of More Categories for sale: Others
Price of others:
Toyota Vitz year 00 Manuel
A/c works well
No mechanical issue
Type of Car for sale: Compact cars
Price of compact cars:
Price is negotiable.
Contact number: 58275488
A/C - ABS Brakes - Airbag - Alloy Wheels - AUX Audio - Bluetooth Telephone - CD Player - Centra...
Type of Car for sale: SUV Cars
Price of suv cars:
Residential land of 16 Perches is for sale at Mare d'Australia
Price: Rs. 90,000/ perches...
Brought from Germany in a very new condition
Type of Services for sale: Photography
Price of photography:
Only one time used !
Type of Printer for sale: Inkjet printer
Price of inkjet printer:
Used only once.
A camera bag free
Type of More Categories for sale: All electronics products
Price of all electronics products:
Square exclusive dinner plates from New Zealand.
Have been used sparingly.
Plates are thick...
Type of Household appliances for sale: All household appliances
Price of all household appliances:
A compact Sony player with the option of Radio, CD and cassette player.
It has always been a...
Vous cherchez un emplois a plein temps ou temps partiel???
Vous avez une permis de conduire.....
LAND 25 PERCHES AT AT ST PIERRE
ARE YOU HERE TO SELL?
Login fast to AsterVender and start selling now! It's simple and free!
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<urn:uuid:d5e58110-5cf2-47c9-9a20-e083f5ea9c08>
|
CC-MAIN-2020-40
|
https://www.astervender.mu/search?page=3
|
2020-09-27T00:24:24Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.6508 | 924 |
Hutchison Collection Lamps by Lambert & Fils
Hutchison is the thoughtful study of soft curves and hard lines—a rivalry of vertical and horizontal forces and a play of scale and repetition. Alone, it self-defines as a frank, decorative pendant light. In multiples, it evokes the iconic patterns of Middle Eastern archways and Roman terracotta roofs.
Price: upon requestRequest Now
Powder-coated or polished aluminum body, PMMA frosted diffuser, polyester cord
H275cm x W24cm x D18cm. Wire length variable, 275cm provided. Dimensions are approximate and may vary slightly.
Available in textured black, textured white, flat terracotta, textured beige, polished aluminum. Cord available in black and white.
Weight: 5.1 lb / 2.4 kgNote: additional charges for modifications or for special orders
|
<urn:uuid:035efa9d-fe98-4f7a-b3e5-041e555445ac>
|
CC-MAIN-2020-40
|
https://www.bazar-noir.com/portfolio_page/hutchison-collection-lamps-by-lambert-fils/
|
2020-09-26T23:27:12Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.840945 | 189 |
- Beyond the Headlines
- Free Agency
- Cfl & Covid-19
- All-Decade Team
A big night from S.J. Green (27 points) helped this week’s winner, PRISONLOVE, to the top of TSN CFL Fantasy’s leaderboard.
Green had a huge night on Friday night for the Argonuats, surpassing 10,000 receiving yards on his career. He hauled in 10 passes for 170 yards in Toronto’s win on his way to the milestone.
Take a look at the rest of PRISONLOVE’s roster:
At quarterback, PRISONLOVE went with McLeod Bethel-Thompson (18.8 points), who tossed 300 yards, two touchdowns and an interception to go along with an eight-yard carry.
Shaq Cooper (19.5 points) and Brendan Gillanders (12 points) were PRISONLOVE’s running backs. Cooper rushed 18 times for 94 yards and a touchdown while also adding three catches for 11 yards out of the backfield. Gillanders accumulated five rushes for 15 yards and added six catches for 45 yards through the air.
PRISONLOVE’s second receiver was R.J. Harris (22.6 points) who hauled in seven catches for 96 yards and a major score in his team’s loss.
Andrew Harris (22.6 points) was PRISONLOVE’s flex player and he ran the ball 24 times for 166 yards and a touchdown.
And finally, PRISONLOVE went will the Toronto Argonauts defence (10 points) that allowed 21 points and collected four sacks and three interceptions.
|
<urn:uuid:d9d26e13-ae17-4537-923d-8cfb62b360bd>
|
CC-MAIN-2020-40
|
https://www.cfl.ca/2019/10/14/tsn-cfl-fantasy-won-week-18-3/
|
2020-09-27T00:35:44Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.873034 | 349 |
I found this on Wikipedia, under “codependent” —
Codependents Anonymous offers these patterns and characteristics as a tool to aid in self-evaluation.
Here are my answers.
* I have difficulty identifying what I am feeling.
Not really. I am pretty self-aware about my own emotions.
* I minimize, alter or deny how I truly feel.
* I perceive myself as completely unselfish and dedicated to the well being of others.
Oh, my god. It can be painful to worry about others.
Low Self Esteem Patterns:
* I have difficulty making decisions.
Fuck yeah. FUCK YEAH. But I have gotten much better over the years.
* I judge everything I think, say or do harshly, as never “good enough.”
In writing, yes. In life, no. OK, I lied. Yes.
* I am embarrassed to receive recognition and praise or gifts.
I think I have overcome this issue over the years.
* I do not ask others to meet my needs or desires.
Sad, but true. Getting better.
* I value others’ approval of my thinking, feelings and behavior over my own.
* I do not perceive myself as a lovable or worthwhile person.
I am lovable and worthwhile. To myself. Not as confident when I’m with you.
* I compromise my own values and integrity to avoid rejection or others’ anger.
* I am very sensitive to how others are feeling and feel the same.
* I am extremely loyal, remaining in harmful situations too long.
Jumping off a bridge.
* I value others’ opinions and feelings more than my own and am afraid to express differing opinions and feelings of my own.
Not at all. I can actually be quite combative and argumentative.
* I put aside my own interests and hobbies in order to do what others want.
* I accept sex when I want love.
* I believe most other people are incapable of taking care of themselves.
I worry about that. It is an annoying trait.
* I attempt to convince others of what they “should” think and how they “truly” feel.
I’ll let Sophia answer this.
* I become resentful when others will not let me help them.
* I freely offer others advice and directions without being asked.
Isn’t this good?
* I lavish gifts and favors on those I care about.
Nah. I should do that more.
* I use sex to gain approval and acceptance.
Striking out on sex questions.
* I have to be “needed” in order to have a relationship with others.
(on a second reading, I’m wondering if I am going down the wrong track)
|
<urn:uuid:c01bbd3b-e675-496b-9771-1e40659df722>
|
CC-MAIN-2020-40
|
https://www.citizenofthemonth.com/2010/03/31/codependency-test/
|
2020-09-27T00:10:09Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.932641 | 603 |
Beautiful, artistic, passionate
As a former AP Art History instructor I had to watch this and it did not disappoint. Shot after shot was not only beautiful but also meaningful, with connections to the history and cultures of Africa. Plus there is a lot about just parenthood in general.
I watched it with my 8 year old and she enjoyed seeing the connections to The Lion King. She was also amazed and interested in the costumes and settings. It was not quite active enough for her, but she drifted in and out of the room and thought that Blue Ivy had a lovely singing voice.
In the entire 1.5 hour film there are maybe five blink-and-you'll-miss-it sexually suggestive dance moves. And that is a generous estimate, for those who see any arched back and hip sway as sexual. The segment about 15 minutes in where young Simba gets lost is a tiny bit scary, but certainly less so than in the live action Lion King, which was only rated as for kids 8+.
The 13+ recommendation is just baffling to me.
|
<urn:uuid:0683dbfc-fbfc-4ff3-9072-d5e5e1425f10>
|
CC-MAIN-2020-40
|
https://www.commonsensemedia.org/movie-reviews/black-is-king/user-reviews/adult
|
2020-09-27T01:13:21Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.985963 | 219 |
We have a limited number of Junior Member places to attend a training session hosted by the expert CPFC Foundation coaches tomorrow (Friday 3rd June), giving you a feel of what it's like to train as a Crystal Palace player.
How to book your place
- This event is only open to Junior Members aged 13-16
- Enter the password 'JuniorEagles' when prompted (the password is case-sensitive).
- 13-16 year olds
- 3rd June 2016, 10:00am – 3:00pm
- Kent County Cricket Club, Worsley Bridge Road, Beckenham, BR3 1RL
- Bring a packed lunch and plenty to drink
- Participants must be pre-booked
- Free participation for Junior Members
Initially this was an event for 15/16 members but we are happy to announce we now have a limited number available for 16/17 Junior Members.
|
<urn:uuid:87eeaf86-f40b-4e50-8c72-4bd6f8895f2d>
|
CC-MAIN-2020-40
|
https://www.cpfc.co.uk/news/2016/june/train-like-a-player-with-cpfc-foundation-/
|
2020-09-27T01:17:03Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.963277 | 188 |
New Zealand: Chatham Rock Phosphate Expands Its Board
Chatham Rock Phosphate is appointing three new directors who will contribute valuable expertise and experience to the company in the run up to applying for a marine consent later this year and on-going financing of operations.
They are senior Royal Boskalis executive Ko de Blaeij, marine mining entrepreneur Robert Goodden and eminent ocean scientist Dr Robin Falconer.
This is the first stage of enlarging the board to reflect the advancement of the project and will supplement the skills of existing directors Jill Hatchwell, Linda Sanders and Managing Director Chris Castle.
Mr. Castle said he was delighted with the strong technical and commercial knowledge the three new directors would contribute.
“All are already closely associated with the project. Robin’s knowledge of Chatham Rise rock phosphate goes back to the 1970s and he has been central to the operational success and the milestones we have achieved. Robert has had a lifetime working in the marine mining industry and has introduced us to hugely valuable international contacts. Ko has been a key sponsor within Boskalis and a staunch advocate since the start of the company’s involvement as our partner.”
Ko de Blaeij has worked for Boskalis since 1980 on a vast array of projects all over the world including France, Britain, Australia and Nigeria as well as within the Netherlands.
Until recently he has been Director of Boskalis Offshore guiding offshore pipeline and platform contracts in countries like Norway, Russia, Brazil, Saudi Arabia, India, Indonesia and Australia. In 2012 he became Director of Boskalis International in the Middle East. He has had a strong interest in the Chatham project over the past two years and is looking forward to the new role.
Robert Goodden is a member of the technical advisory team for CRP. He chairs Subsea Minerals, developing business opportunities in marine mining (not associated with CRP cornerstone shareholder Subsea Investments) and before that as Chief Executive worked on a surf zone marine mining project off the coast of Namibia. He was previously on the advisory board for Nautilus Minerals advising on core drilling and sample recovery.
He founded Seacore Limited, a world class marine drilling and marine construction specialist in 1976 and ran the company for 30 years. During the mid 1970s he developed a world-first underwater core drilling machine based on tension leg platform principles. He holds a first class degree in mining engineering and was a commissioned officer in 39 Engineer Regiment.
Robin Falconer (PhD, BSc-Hons, BSc) has over 35 years experience in geosphere, atmosphere, and ocean science surveys and research as a university lecturer, government scientist, consultant, industry employee and research group manager; in New Zealand and internationally.
The work has included marine mineral and oil exploration, seabed surveys, weather analyses, oceanography, environmental studies, Geographic Information Systems, and computer mapping. He has worked at sea off New Zealand, Australia, South Pacific, New Caledonia, China, Antarctica and the Arctic; for New Zealand, US, Canadian, Australian, SE Asian, German and UK companies and research institutes.
He has several years accumulated at sea experience on a wide range of industry and research institute vessels. He is Chair of GEBCO, the joint International Hydrographic Organization and UNESCO Intergovernmental Oceanographic Commission organisation that coordinates world ocean bathymetry mapping.
In marine minerals Robin has worked on offshore exploration projects for gold, chromite and phosphate. He has over 70 scientific/technical reports and 40 refereed publications, plus conference and seminar presentations.
Dr Falconer is consultant Chief Scientist for Chatham Rock Phosphate Ltd. He provides input on the practical and management aspects of marine operations including general seabed, oceanographic and environmental mapping; and technical input on all aspects of the project.
The appointments take immediate effect.
Press Release, February 1, 2013
|
<urn:uuid:fe9da2a4-6141-4eff-abe0-f53f3e70dcd3>
|
CC-MAIN-2020-40
|
https://www.dredgingtoday.com/2013/02/01/new-zealand-chatham-rock-phosphate-expands-its-board/
|
2020-09-27T01:23:34Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.944526 | 804 |
GDPR (General Data Protection Regulation) became effective as of May 25th, 2018. The GDPR replaces national privacy and security laws that previously existed within the EU with a single, comprehensive EU-wide law that governs the use, sharing, transfer and processing of any personal data that originates from the EU.
Our commitment to the GDPR
Our policy is to respect all laws that apply to our business and this includes the GDPR. We are committed to helping our customers stay in compliance with GDPR and/or their local requirements.
- In addition, here are a few things that our group is committed to doing to ensure our compliance with GDPR and that of our customers:
Where we are transferring data outside of the EU, we commit to having the appropriate data transfer mechanisms in place as required by GDPR.
- Commitment to follow the appropriate security measures and precautions in accordance with GDPR and other privacy laws outside of the EU.
- Notification to regulators of breaches and promptly communicating any breaches to customers and users.
- We will ensure that employees authorized to process personal data have committed to confidentiality.
- Annual risk assessments on all vendors, processors and sub-processors to ensure the highest level of security and data processing frameworks including GDPR compliancy.
- Where appropriate, we will offer contractual language documenting our commitments to our customers to support their GDPR obligations.
- You have a direct contact for data protection and GDPR, the Data Protection Officer. For any questions you have please contact – [email protected]
Our role under the GDPR
We act as a data controller for your company data. We’ve mapped out everywhere your data exists and how it moves throughout our systems.
- Privacy. We’ve taken a very deliberate approach to respecting our clients’ privacy. We only collect the data we need at any point to provide the promised services. We have implemented privacy by design to ensure the collection and retention of data is minimized to only what is critically needed.
- Data Categories. We categorize the data we collect and receive in the following ways: Client Company Data and Worker Data.
- Client Company Data. This category of data relates to information specific to the account-holding company that is using the services of our entities within the group. We only collect the minimum required data to provision and operate your account. In addition to provided data, we also collect application-specific information such as your IP address(es). This information is used to provide diagnostics for support and to protect the system from unauthorised use.
- Employee Data. Any employee data collected is to provide the contractual services to the client company. The standard set of data collected is derived from the minimum requirements to perform the services that which have been contracted to do. Employee data is, if configured as such using an API, be used for facilitating payroll processing and HR services. Application-specific information, such as your IP address(es), is collected and used to provide diagnostics for support and to protect the system from unauthorised use.
Frequently Asked Questions
We have implemented many systems and security measures to ensure data remains safe in transit and at rest, this always being encrypted. The infrastructure has been architected and designed with security and privacy at the forefront. All data resides on “private” networks and are not directly attached to the internet. A layered security model is in place and is configured as per industry best practice. The group engages third party penetration testing consultants that regularly review and test the environment.
- The right to be informed – The data subject has the right to be informed about what personal data has and is processing about him/her.
- The right of access – The data subject has the right to full and instant access to all personal data relating to him or her.
- The right to rectification – The data subject has the right to the rectification of any inaccurate data concerning him or her.
- The right to erasure – The data subject has the right to erase any or all data the controller has of the subject without any undue delay.
- The right to restrict processing – The data subject has the right to restrict/inform the controller how, what and when their personal data is processed for.
- The right to data portability – The data subject shall have the right to receive personal data concerning him or her, which he or she has provided to a controller, in a structured, commonly used and machine-readable format and have the right to transit those data to another controller without hindrance from the controller to which the personal data have been provided.
- The right to object – The data subject shall have the right to object, on grounds relating to his or her situation, at any time to processing of personal data concerning him or her.
- The right in relation to automated profiling – The data subject has the right to decline controllers to use their personal data for automated decision making and profiling. The controller must offer an option to the data subjects if they wish to use personal data for this.
*Please note that not all rights can be exercised if the following applies:
- There is a legal obligation to process the data in question through the EU or member state law to which the controller is subject to or it is a risk that needs to be carried out in the public interest or in the exercise of official authority vested in the controllers.
- There is a public interest in the area of public health.
- In case of archiving in the public interest, for scientific, historical research or statistical purposes insofar as the deletion of the requested data might seriously impair the achievement of the objectives of that processing.
- The data is needed to establish, exercise or defend legal claims.
To exercise any of your rights above please contact: [email protected]
To place a data subject request or any other questions relating to the use of your data please email: [email protected]
|
<urn:uuid:c631043c-c4fc-4a46-b4c5-bfacc32b26d8>
|
CC-MAIN-2020-40
|
https://www.epgmigration.com/gdpr-centre/
|
2020-09-27T01:50:58Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.929009 | 1,231 |
Piezo driven pumps are becoming commonplace in today’s markets and FLOW-3D can easily model the physics involved. In the animation below, a void pressure is set on the back side of the piezoelectric device which is the thin horizontal component. Two valves are included using the Moving Objects Model to control the flow direction as the pump oscillates. An oscillating force is applied to move the membrane. This force can be a point source or distributed. Particles are seeded into the animation to help visualize the flow.
A simulation of a piezo-driven micro pump.
|
<urn:uuid:caccaacd-9303-46a8-8048-62ad6acb9616>
|
CC-MAIN-2020-40
|
https://www.flow3d.com/industries/biotechnology/piezo-driven-pumps/
|
2020-09-27T00:56:32Z
|
s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
|
en
| 0.90588 | 121 |
Brooklyn Man Sentenced In Manhattan Federal Court In Connection With Advance Fee Scheme
Preet Bharara, the United States Attorney for the Southern District of New York, announced today that OCTAVIO LOMBARDO, a/k/a “Otto Lombardo,” was sentenced today in Manhattan federal court to two years in prison for wire fraud stemming from his scheme to defraud small business owners of more than $1 million through an advance fee scheme. LOMBARDO lied to small business owners by claiming to have the ability and expertise to structure investment loans for their businesses through LOMBARDO’s exclusive relationships with small community banks across the United States, when in fact he did not have the ability to obtain such financing. In connection with the scheme, LOMBARDO induced over 30 business owners to pay an upfront fee that was purportedly to pay for expenses incurred during the due diligence process prior to the loan’s closing. Instead, LOMBARDO used the vast majority of the money he received from the business owners – over $1 million in total – on his own personal expenses, including rental payments, club dues, food, and other personal items. LOMBARDO pled guilty on September 21, 2015, before United States District Judge Jesse M. Furman, who also imposed today’s sentence.
U.S. Attorney Preet Bharara said: “Octavio Lombardo lied to dozens of small business owners who looked to him for help in obtaining financing. Lombardo purported to have expertise and relationships with community banks that would facilitate investment loans at favorable terms. But in fact, he had no such expertise or relationships, just the gumption to steal his clients’ money. Today he has been held to account for his crime.”
According to the Complaint, the Indictment, and other statements made in open court:
From at least in or about 2007 through in or about 2013, LOMBARDO engaged in a fraudulent scheme to mislead small business owners into paying an upfront due diligence fee, typically in the amount of $25,000, in connection with loans that LOMBARDO promised to obtain for the small business owners. During this period, LOMBARDO held himself out to the business owners as having the ability and expertise to structure investment loans for their businesses through LOMBARDO’s purported exclusive relationships with small community banks across the United States. In truth and in fact, LOMBARDO had no ability to provide such financing, and none of the businesses at issue received a loan through LOMBARDO during this period of time.
In connection with the scheme, LOMBARDO made a series of false and misleading misrepresentations to the business owners, including: (i) that LOMBARDO could obtain interest-only loans in amounts ranging from $1 million to $75 million by consolidating the lending power of several small community banks into a trust, which he would manage through his holding company, Lombardo & Company; (ii) that, in order to structure the loan appropriately, LOMBARDO needed to conduct due diligence of the businesses, including by obtaining corporate and financial documentation, and by conducting site visits; (iii) that LOMBARDO required a non-refundable upfront payment – generally in the amount of $25,000 – to cover the expenses incurred during the due diligence process, including legal and other professional fees, taxes, appraisals, and the like; and (iv) that this fee would be incorporated into the final loan agreement, so that the business owners would ultimately “get back” the upfront payment once the financing was in place.
As a result of these misrepresentations, LOMBARDO obtained over $1 million in so-called due diligence payments from more than three dozen business owners. LOMBARDO spent the vast majority of the due diligence payments on his own personal expenses, including, among other things, rental payments, club dues, food, and other personal items. For example, LOMBARDO spent more than $300,000 on rental payments for his residence in Brooklyn, more than $100,000 on membership dues for a private gun club located in Manhattan, and more than $50,000 on restaurants and purchases of wine and liquor.
Once he received the due diligence payments, LOMBARDO made a variety of excuses to the business owners – including, among others, that he was having health problems and had been hospitalized, that he was traveling, and that he had a new grandchild – in order to explain the delay in closing the loans.
Ultimately, LOMBARDO did not provide any of the loans to the business owners as promised.
In addition to his prison sentence, LOMBARDO, 68, of Brooklyn, New York, was sentenced to three years of supervised release. The Court further ordered LOMBARDO to pay $1,038,500 in restitution.
Mr. Bharara praised the work of the Federal Bureau of Investigation.
The charges were brought in connection with the President’s Financial Fraud Enforcement Task Force. The task force was established to wage an aggressive, coordinated and proactive effort to investigate and prosecute financial crimes. With more than 20 federal agencies, 94 U.S. attorneys’ offices, and state and local partners, it is the broadest coalition of law enforcement, investigatory and regulatory agencies ever assembled to combat fraud. Since its formation, the task force has made great strides in facilitating increased investigation and prosecution of financial crimes; enhancing coordination and cooperation among federal, state and local authorities; addressing discrimination in the lending and financial markets; and conducting outreach to the public, victims, financial institutions and other organizations. Since fiscal year 2009, the Justice Department has filed over 18,000 financial fraud cases against more than 25,000 defendants. For more information on the task force, please visit www.StopFraud.gov.
This case is being handled by the Office’s Securities and Commodities Fraud Task Force. Assistant U.S. Attorneys Amy Lester and Damian Williams are in charge of the prosecution.
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Abandoned Borscht Belt Series: The Nevele Grande
Ghost towns are fantastic, and I love to research and write about them, but there's something magical about the abandoned and time-worn Mid-Century Modern resort hotels that dot the landscape of the Catskill Mountain Region. They deserve some due attention to detail now that many of them are existing at the bleeding edge of demolition and land redevelopment.
One of the most famous jewels of the Mid-Century Catskills, NY resorts was so uniquely named, it leaves many people now wondering the exact pronunciation. The Nevele Grande, or, NEV-uh-lee, is located in a quiet valley near Ellenville, NY, with picturesque views of the surrounding mountains. The lore behind the name is that it's the word "eleven" spelled backwards in honor of the 11 schoolteachers who discovered the nearby falls of the same name. Nevele Falls is a location worth hiking to and visiting as well, and holds its own mystique. The Nevele Hotel is not alone in the Shawangunk Range of the Catskills, though; just next door is the fully operational Fallsview Hotel, once owned by the same family. The Nevele Grande now stands silent and decaying, watching activity and life bustle next door which used to fill its own halls and acreage.
The resort's long, luxurious life began in as a country club 1901, created by a man named Charles Slutsky. The architecture originally reflected the popular Mission Revival style, and as the property grew and such styles changed, it came to include some gorgeous 1950's and 60's Modern style structures.
The pièce de résistance is doubtless the Nevele Tower, a dodecaheronal, 10-story design of sea foam green tile and sharp, jutting angles. It's visibility on the horizon creates an allure of mystery. As one draws closer, the sun-bleached curtains billowing in the wind through broken windows only adds to the wonder of this monolith of guest rooms. A surprise on the 9th floor, and a testament to the extravagance of the Borscht Belt era is the almost completely furnished suite. A full vintage kitchen is still installed, sporting a pale yellow color and "modern" appliances. The retro color pallet looks especially gorgeous in afternoon winter sunlight.
The grand entryways and guest registration area are as grand as the name implies, with wide sweeping staircases and at one time, massive chandeliers and Art-Deco lighting along the ceilings and walls. The Vacationer Wing and the Waikiki Indoor Pool, built in the 1950's, are other areas of note to see now as they fade from glory. The Catskills aesthetics, incredibly popular at the time but so kitsch and passé in popularity now, carry a nostalgia of charm and feeling from a bygone time. Boasting 430 guest rooms at its height, the Nevele hosted skiing, skating, multiple pools and recreational activities for every season. The draw for many of the Borscht Belt hotels was the availability for safe and welcoming accommodations for a primarily Jewish clientele.
The Nevele Grande and its sister the Fallsview Hotel were once joined as one massive complex for several decades, but became two separate hotels again after the endeavor failed. They remain connected now through a tunnel system. Of course, no hotel in the Catskill Mountains would be complete without a theater for the variety of shows, concerts and performances that made the experience of a high-end hotel all the more rich. The Stardust Lounge is on the ground floor of the main hotel building, down a wide, carpeted stairway which now acts as an indoor waterfall due to ceiling destruction. While intact, the remnants of the theater are just pieces of what once stood elaborately decorated, and full of tables and chairs. The curtains are still hanging, shut forever or until they fall.
The Nevele Grande finally shuttered its doors in 2009, long after most of the other Borscht Belt hotels had begun their descent into abandonment and ruin. The ability to keep this hotel in business for so long after the popular vacation spot declined in popularity is a testament to both solid management and local tradition. The draw of the Catskills finally wore off just before the turn of the millennium, and became instead to an epicenter of camping and hiking. No longer needing 4 star accommodation, vacationers of all sorts began to go to the woods, and endeavor toward the preservation of the environment they'd turned to so many golf courses in the previous century. Jewish clientele dwindled back to the local farming communities and traditional sects of Jewish faith that peacefully dot the landscape still living among the mountains and waterfalls, just as their earlier, pioneering relatives did.
The excitement of a luxury resort and the traditions of long-gone vacations can still be seen in the slow, organic decay of the Nevele Grande Hotel. It is a somewhat somber experience walking along the empty corridors and climbing the echoing tower. It's almost as if one can faintly hear echoes of past guests who dressed in the season's finery and went about enjoying themselves surrounded by fine food, comfort, and every amenity possible.
Thanks for reading,
Enjoy some current, and very old photos of the Nevele Grande Hotel:
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- Application: Standing, wall or ceiling mount, delivery includes suspension chain.
- Voltage: 220 V - 240 V, 50 Hz
- Power consumption: 23 Watts
- High-voltage grid: 2100 - 2400 V
- Dimensions: 370 x 240 x 100 mm
Prices incl. VAT plus shipping costs
Delivery time appr. 1-3 workdays
- order 62400
Mosquito protection in the house - the mosquito lamp for 70 m².
The Gardigo Flight-Insects Professional 70 m² quickly eliminates irritating mosquitoes, flies and gnats that are around the house or at work, just waiting to annoy us. It is the ideal device to clean up living rooms and bedrooms in the evening. Offices and kitchens, where flies and gnats are attracted by the smell of food or the warm air, are freed of all flying insects. You can do your work and enjoy your food without having to continuously swipe at flies.
The special light of the UVA tubes attract insects such as mosquitoes, flies and gnats. They are then killed quickly and painlessly by the integrated high-voltage grid. The dead insects fall into a tray mounted at the bottom of the lamp. The tray is easy to remove for emptying and cleaning. The brightness of the UVA tubes will attract insects in an area of 70 m². The Flight-Insects Professional 70 m² is delivered with 2 × 8 watt UV lamps. Depending on the location this product it can be hung to a wall or placed on a table covered. Even ceiling mount is possible.
For the protection of our environment and for the safety of endangered protected species, UV lamps with high-voltage grids may only be used indoors.
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Full tilt to well-being – Your summer in Ellmau
Guests who don't just want to stretch their legs during their holiday in Tyrol, but who also want to enjoy a decent portion exercise, have countless opportunities to get active around the gourmet hotel Der Bär. In the snow-free months of the year, the valley and the mountain alike, the valley and mountains alike tempt you to enjoy a variety-packed activity programme. Whether you prefer a leisurely approach or an intensively active one, is totally up to you of course. You will enjoy it in any case.
Around the hotel Der Bär there is a real playground full of opportunity for golf fans. Not a kilometre from the hotel is the 'Wilder Kaiser' golf course which thrills every golfer's heart with its lush greens.
What would a holiday in Tyrol be without experiencing the mountains. At every turn, explore the beauty of Tyrol on the many hiking trails in the region. Your constant companion: the adventure-packed mountain backdrop of the Kitzbühel Alps.
Road cycling Road cycling
Whether it is riding on the road or tackling a summit, the range available to cyclists will blow every bike fan out of the saddle. Out on the routes - of varying difficulty levels - find your very own cycling highlight.
Visit the original filming locations for the 'Bergdoktor', with the Wilder Kasier as the stunning natural stage and during the Bergdoktor weeks you even get to know our 'Bergdoktor', Hans Sigl, in person.
Tandem flying Tandem flying
Your dream of flying comes true here: experience Ellmau from a bird's-eye view – during a tandem paragliding flight. Fly from the Hartkaiser directly above our hotel and see us from a completely new perspective.
Would you like to crown your summer holiday with a summit adventure? Then make the most of the superb mountaineering options available in the region. Whether it is a wonderful hike, or adventure-packed climbing excursions, the whole family can get into gear here.
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Dark Funeral are a long-running band (coming up on a quarter of a century of existence) with a lot of history and personnel changes to their name. Because of this I think that I should contextualize this review by admitting that I hadn’t heard any of their albums before. Still, there’s a chance that a high school friend might have played some for me without identifying them. So, for the devoted fans who would be wondering why I seem so uninformed about that history when discussing Dark Funeral‘s latest release, there’s your reason.
That being said, the band comes off in a strong light with this album, balancing essential viciousness with melodic development and a complexity of arrangements that allows for grand flourishes without losing its edges to theatrics. Strident guitar tones provide an effective contrast to the murkier bass presence, and the drummer displays skill in bashing things to Hell or going for more technical ripplings of percussion. Vocally, things are pretty standard, with rasping growls and gnashings of sacrificial syllables, though I did find the evident effort to keep words fairly legible an unexpected touch of kindness on the band’s part. All of these elements are brought together with a mixing that keeps things well-balanced, though it did feel as though some sharper jags in the treble end could have helped heighten the violent projection.
There’s also a sense that (drummer aside) the speed isn’t as rampage-inclined as it could be, though given that the fastest BM I tend to come across is usually from bands which exhaust themselves after one album or just a couple of demos, it makes sense that a band which has been around this long knows to keep things in the realm of on-stage playability. And with the tracks which play in the slower reaches of black metal tempos (“As I Ascend”, for instance, and “The Eternal Eclipse”, which briefly flirts with incorporating some doom elements), Dark Funeral bring enough thunder to bear that it generally feels like a fair trade.
While I can’t speak to how established fans will receive this new album (the band’s first since 2009’s Angelus Exuro Pro Eternus), it left me impressed. New vocalist Heljarmadr puts in strong work, returning drummer Dominator plays his ass off, Chaq Mol‘s guitar-work cuts sharp but not overly clean, and Lord Ahriman‘s switch over to bass duties, though rarely ear-catching, does an effective job of meshing with the other instruments to facilitate their dark tunes. The most overt negative point may be the relative abruptness of the final song, which comes in without much fanfare and finishes similarly. Despite that, there’s enough hooks and sharp riffs built in advance that there will likely be some part of the album caught on loop in the back of your mind after finishing it. Not exactly spectacular, but far beyond adequate.
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https://www.metalblast.net/reviews/dark-funeral-where-shadows-forever-reign/
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2020-09-27T00:08:31Z
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Table of Contents
As soon as the summer months arrive, kids start asking about new bicycles and new skateboards. However, there are electric alternatives to those now, and they are well sought-after by both parents and kids. That’s why we would like to introduce Razor’s Electric Motocross Bike, which is a compact, authentic, chain-driven bike for kids over 16 years of age. For younger children, the Razor MX350 electric dirt bike is more suitable. However, for four wheels: try the Razor Dune Buggy.
Razor MX650 Dirt Rocket Electric Motocross Bike
Electric skateboards, kids dirt bikes, kick scooters (check out razor electric scooters), cars and carts (check out the Razor crazy cart review) are usually products that are reserved for the youngest kids, kids aged between 7-12 years of age. Razor knows that older teens like to have fun too, especially on daredevil-looking toys like the Electric Motocross Bike. The older the kids get, the more they can get sucked in to the world of the internet and forget about the beautiful nature of the outside world.
Razor is aware of this, and that’s why they made a bike that looks attractive and menacing, to help attract older kids. It’s no secret that most parents want to get their teens out of the house during the summer break when they’re sitting home. Purchasing the Electric Motocross Bike can help with that; not only is it extremely fun to ride, but it can be a great neighborhood toy to share with other kids and attract them to play, too. Razor have also created a durt quad bike!
Since we know that electric bikes for kids are a relatively new thing, we decided to list and discuss all of their features. From battery life, to safety, to speed limits and charging. If you are interested in finding out more about these Razor MX650 Dirt Bikes, read on! Looking for something different? Razor have brought out a skateboard, the Razor Ripstick Ripster!
Razor’s Dirt Rocket Electric Motocross Bike has a battery unlike many Razor products. Usually, the electric dirt bikes and electric scooters for younger kids have a 24-volt battery pack and need to be charged for 14-15 hours before each ride. The Dirt Rocket Motocross Bike has a 36-volt battery pack, can run up to 1 hour (10 miles) on a single charge and has to be charged for only 8 hrs before each ride. This means that you won’t have to worry as much about your electricity bills.
If your child generally spends up to 8 hours or more on their laptop or in front of a TV, those 8 hrs of electricity will just go to charging the bike. This way, you can teach your child to be more responsible and practical. They will learn how to be efficient, and their reward can be riding their precious new electric bike. The 8 hrs of charge can also help train your kids in patience since that’s a common problem with kids it’s important to try and deal with it early on.
Charging with Battery Charger
Even though with common use the Dirt Rocket only requires 8 hrs of charge, it’s important to give it a big, long, initial charge. We recommend for the first charge to be around 12 hrs, since the bike will undoubtedly need a big kick of power after being locked and packed up in a box in a storage space all this time.
It might also be a good idea to take out the battery and charge it before your child notices the bike arrived if the motocross is supposed to be a present. This will spare a wave of disappointment when the child will learn that they will need to wait a day to even use their new gift!
With all of this said, with regular use the 8 hrs of charge may take a toll on the electricity bills. It’s important to take that into consideration before purchasing the Razor MX650 Dirt Rocket. It can also be a good idea to ask other parents who own similar toys about the changes they noticed in their bills after buying and regularly using the toy.
Generally, this Razor MX640 Dirt Rocket is meant for older children. The original website description of the product states that the dirt bike would be ideal for kids over 16 years of age. However, anyone who has owned a Razor product before, or has even heard of their merchandise, knows that their products are versatile. For example, there are plenty of kids that are very tall for their age.
Despite the 16+ guidelines, many parents allow kids as young as 10 to ride this dirt bike. It’s ideal for any child above 10 years of age that is responsible enough to stay safe and responsible while riding.
Most of Razor’s guidelines are centered around the maturity of the rider and their ability to control the dirt bike. 10 year olds may have trouble staying safe on such a powerful vehicle. However, as long as they are supervised and know the instructions of how to use the MX650 dirt bike, they should be able to use it for 6+ years after receiving it. Hopefully, they will also be able to pass it on to younger siblings when they get too big for it, even though adults can still fit pretty well on the seat!
We don’t recommend giving this Razor dirt bike to kids below the age of 10. Kids under 10 should have less powerful kids bikes, such as ones with a 24-volt battery. The Motocross Bike has a 36-volt battery with a control module which makes it significantly more powerful and controlling it may be an issue for younger kids.
Key Bike Features
The electric dirt bike is powered by a 650-watt battery and can carry itself to speeds that can go way above 17mph, sometimes reaching up to 25mph. The speed can always be customized by tinkering with the bike, and this may have the kids take interested in engineering as they get older and want to manually try and increase the variable speed of the bike.
The regular 17-25mph variable speed provided with this Razor MX650 dirt rocket means that it’s nearly twice as fast as the regular electric vehicles that are meant for younger kids. Once again this reinforces the idea that only kids above 10 should try riding this MX650 dirt rocket.
The riser handlebars will provide the teen with a grip that will feel comfortable and well-balanced. The bike itself runs quietly, which is something that the neighbors will undoubtedly thank you for.
Razor’s dirt bike is 100% safe if it is used properly. We recommend buying your child a youth helmet and perhaps knee pads and elbow pads. This will ensure that they will stay safe when riding should any accidents occur. The MX650 dirt bike will come with a manual, and it’s important to read it through with the child before they get onto their new prized possession.This will ensure that they will be aware of any dangers and how they should operate the bike when they are outside having fun.
Design & Accessories
The design of the Razor MX650 Dirt Rocket is inspired by supercross motorbikes and the steel construction will help keep your teen safe and stable when riding. The large 16 inch pneumatic back and front wheel allow for quick, solid riding that will help them speed through various terrains and neighborhoods.
The riser handlebars are of course adjustable and the bike also has folding metal foot pegs as well as hand-operated dual disc brakes. The brakes are exceptionally sensitive and will pause the bike any time they will be pressed. The bike itself may also require some wheel assembly, but it shouldn’t take more than half an hour.
It can also take up to 220 pounds of weight and has a kickstand that you can use when you will want to stop in unusual places where there won’t be anywhere to lean your bike.
The Razor MX650 Dirt Rocket Electric Motocross bike also generates more power when you are going uphill, to make sure that you get wherever you want to go without having to get off. The same is with going through rough terrain; the dirt rocket does extremely well on grassy, muddy and dirt road areas.
+ Ideal for teens
+ Goes 17-25mph
+ Sturdy steel frame
+ Pneumatic Tires
+ Goes through rough terrain
+ Dual Disc Brakes with Brake Levers & Brake Pad set
+ Dual suspension
+ Folding metal food pegs
– May need an extended warranty
Who Is It Suitable For?
The Razor Dirt Rocket MX650 is ideal for all kids above 16 years of age. This is due to the 16+ age recommendation, although we have seen parents of 10 year olds purchase these kids bikes for their little ones.
Why We Like It
MX650 electric dirt bikes are one of our favorite products since they are meant to be used by older teens; a market that doesn’t get that many electric-vehicle toys. Razor decided to provide their older customers with something special, fun and fast. This bike is fully safe, can go at great speeds and will allow your teen to quietly speed around the neighborhood thanks to the silent motor.
Alternative Product – Razor RSF650 Electric Street Bike
If you are looking for alternative street bikes, then we can wholeheartedly recommend the Razor Electric Street Bike. It’s powered by three 12v batteries, can be ridden for over an hour before charging, has soft, comfortable rubber handles, a retractable kickstand, folding foot pegs and a hidden compartment where you can hide all your necessary belongings.
- Compact electric motocross bike with powerful 650-watt electric motor
- Carries riders at speeds of up to 17 mph; authentic dirt bike frame...
- Dual suspension and riser handlebars deliver smooth, comfortable ride....
- Powered by a 650 watt high-torque, chain-driven motor on a steel...
- Features custom 12 inch 10-spoke mag wheels and street tires, rear...
- 36V (three 12V) sealed lead acid Rechargeable battery with quick-change...
- POWERFUL MOTOR: Powered by a 650-watt, high-torque, variable-speed,...
- LONG RANGE BATTERY: Rechargeable 36V (three 12V) sealed lead-acid battery...
- EXTRA FEATURES: Additional features include soft rubber grips with twist...
If you liked the review, please leave your feedback.
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On July 30th at Terminal West in Atlanta we gathered with a few hundred Up and Vanished supporters to listen to the Season finale live, followed by a Q&A. Check it out!
Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is an unofficial transcript meant for reference. Accuracy is not guaranteed.
Last Sunday we came together with several hundred up in vast listeners at a venue in Atlanta to listen to them. support season, one finale together, we had a great time with everyone. It was amazing meeting some of you guys face to face today we're going to pay an audio from our live event as well I've q and a session with Philip Holloway Reese Gawaine and myself. I want to personally thank everyone, attended locally here in a and also those who over flew in. For the event, your support was phenomenal and for those of you who did make it. Here's on all went down whom everybody I'm not paying its I'm not paying so it's gonna of climactic isn't working. what are the alive season finale of up and vanished? Can we get a little crowd? Applause come on. That's me my name is rob ricotta ricotta like the cheese and Le Zonia every Italian. Did you love your welcome?
Do you like this being a live season episode? I should do like a an explicit content warning or something like this. You don't I mean I don't know if you've been you don't know my part in it, but maybe I'll know after this, okay This episode of open vanished so not pay and it's not as good as paying Marie's through the other ones, but that is what I do this is actually been a over two year journey. Know if you guys know that, but as far as the team we ve been doing this for not there were crazy, prose or anything, but we ve been doing this for about two years and now and you're gonna get to it all of them lie, which is amazing. So really guys here with thanks so much for coming soon This is our first stop and land, obviously being the whole time. As far as cities are, is everybody from around the area? Would imagine so? What cities yellow some cities to me?
China, Korea, I don't know that's from ok mate, making making Georgia okay, so pretty Alaska, oh I was I ya need away until maybe another time that's closer deal. Y'all mean bless. You, though, now ok, this started. Actually we're going to show a clip that I promise has never been seen before, and you guys to be the first. Actually we have some people up there. I'm so sorry. I love you all of their same love down here is up there. Ok, so we're going to show this clip rural, quick and turn your attention to the screen. Welcome to the life season, finale. The video we showed the audience was a sneak peak of some of the documentary footage. I've been shooting throughout my
castigation on tyrants, its case, this clip was exclusive to the show, we'll be available soon for everyone else to be asked about the disappearance of enough seller teacher said to Premier Monday titled up and vanished the story, details the findings of Atlantis Filmmaker Pain, Lindsey Ass. He made a documentary on Terra Grinstead, murmur clerks, Loomis infrastructure, Really, a folder. Turn on the country around here. So I'll bring you all my life,
I just don't know because I don't know what happened. I don't know why asset that his name to name had never appeared on their right. Opt for that is not accurate. Nothing is about the slip ups and downs lot of barriers in this case in a dangerous. You want to try I found out on January, the tin Woodman.
The current another week brings another last cases. Trial was a second suspenders now facing charges have been disappearance. Winston here you ve, never met your hair grumbled. Ten thousand pan the individual right to freedom of religion level should function for work.
Our audio radio writing. I will be. enjoy that that would honestly, no one's ever seen that before I like a really good senator feed? Is I can real, quick and we'll get you above? You see what I can do you really weird stretches massage people. We don't do that here We don't do that here. I honestly would like to introduce you put a face aside from what's been on on the tv screens in that kind of thing he's a good friend of mine is the director producer of the up and vanished seasons. So far, not been vanishes bran here, please we're going to stage my friend pain, Lindsey. Oh, that's a lot more people than I thought I was gonna, be I'm used to like being in my room,
with a microphone to my underwear or something so I wrote this on the way here. I hope that's cool with you guys, but for real. I want to tell you guys that we've been working on this episode non stop for the last seventy two hours, literally the the biggest interviews we have in this podcast came the last twenty four hours, which is has been absolutely crazy. So just so I make sure I get my facts straight here a year ago. I could have not imagined being here right now. This is absolutely awesome. Your support is what makes this a real Tonight, we're all here to listen to the final episode of up and vanished were also here to honour, Tear Grinstead.
I never knew Sarah, but during the past two years have become very close to a lot of people who did. It has been a remarkable experience for me. It's a real honour and privilege to have told this story to you guys. It's been very emotional and you know it's been fund has been scary. It's been everything and you guys been along for the ride. It's amazing to think that our own curiosity and fastened listen with true crime can make something like this happen and before you play tonight's episode. I want to make one thing clear: I didn't solve this case. We solve this case and that's how I feel. Without you guys here tonight, your passion, your devotion, your curiosity, your burning desire to want to know what happened to Tierra. Just like me, that's why this happened and I firmly believe that and I'll my
thinking that. So without further ado, I wanna play the first part of the episodes me to ports, for you guys so once the first one ends it's not over, it gets even better so without further Ado, Where this thing, I look forward to meeting guys shortly, and I love you guys- umbrella guarantee our scolding. They were there Why do people of ours? We kicked off poor one of the finale to sort out crowd at it, terminal West everything it was jam pacts, Several hundred seated standing room only in the back Morgan never got to go in that order.
lacking one in here and now that all Nelson Tony no. What murmuring for immigrant we odium currently go back with but my grandma, we ended one on a high note then Rob hosted the intermission playing sum up in bed. trivia with the audience that's coming up after the break new ground. Yeah yeah, It's that time of year, again time to set new goals and resolutions that are easy to make, but their harder to stick to an audible. We
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Members, finnish, three audio books by March Third and get a twenty dollar Amazon credit. It's that simple and there's nothing to enter audible, keep track of your progress for you. Honourable members, can choose three titles. Every month, one audio book into exclusive, audible, originals. You can't hear anywhere else. Audible members also get access to exclusive guided fitness programmes. Tells you start the new year off right, listen on any device anytime anywhere at home, at the jam on your computer or just on the go. You'll also enjoy easy exchanges for any audio bug. You don't love and an audio book library you keep forever. Even if you cancel I've been listening to your a bad ass by Jensen, Shiro, which is an awesome audio book. The keystone, motivated and positive about the new year start listening with a thirty day. Audible trial choose one audio book in two audible, originals, absolutely free visas,
audible, dot, com, slash up or text. You p two five hundred five hundred again: that's audible, dot com, slash you p, or tax up to five hundred five hundred I was giving out for grandma right. How can you not love her? Everyone has a in their mind of either their grandmother were like the sweetest woman, but actually she's here tonight, a couple of things to know who hold up your phone. Everyone has marked phone right it pretty much,
up your phone. Everyone has a smartphone right it pretty much. If you have Snapchat, We actually have a custom up in vanish filter go up on up there keep on forgetting guys, I'm not forgetting you promise, but We do other customers and vanished a filter for you guys is well. to the right of stage overhear. You guys are well. Turn intermission to take a bunch of pictures with that and Donald now he's pretty handsome though but yeah you guys can take pictures with that. We actually during intermission you're, welcome to go to the bathroom grab a drink food. Anything you guys want to do it this time it's going to be about ten. Long, but actually, if you don't mind going to do a little bit of up and vanish trivia That's all right with you guys! So I'm stamina, early from here. I want to try to see from upstairs and then from downstairs as well. As I asked these, who puts their head of that's really hard to tell that we go beautiful. Some lighting there. So I guess,
move around take some pictures as well, but we are also going to do some trivia during this time. As I said so, and we have. Ices, because we're not she people, this is not achieved thing could be. Money could be liquor. I don't know Actually it's. This is no lie, and Donald just told me this actually did not notice. in every one of those bags, our grandma's cowboy cookies. What what deserve that you do do deserve that nobody enjoying themselves a little bit, ok, good design. Paid a dime for this. I'm just point: I'm gonna get cookies for this. but we have a lot more to calm, again pain. As paying said, this is two parts so that was just the first part. Obviously we have the second part, that's just as long, if not longer so you guys enjoy that.
become up later, and we also after that, you guess I'll video at the beginning is a right that video preconceived well, could you cuz? There was daylight, it was really crappy so that is actually really excellent. So after states sight after this next portion, And work in a basically have that video play again America I love Q and a with some of the best of the best For now we have about pry three format. Intermission and we'll go two parts to thank you guys, I witnessed a wide array of emotions in the crowd. There were tears. There were guy, in some of the more light hearted moments with my grandma there was even laughing it was amazing to see so many people from all over so connected and drawn
Tara, said story and, of course, the very of part two. We had ended off like this hello Ain t got one here. He was a man. you know how long I've been thinking yeah we give some really good. Looking towers case. You know, does it not the case I had in mind.
I can do it for years, maybe you and I should take a look into it. Okay, so couple let's get yet again, please it's weird that it's the end of Caesar we're gonna get a couple. Initial reactions from Regos, obviously just be seconds after we just heard the end of season one. Would anybody be up forget MIKE colours as a whole, some of them, maybe even Benchers Yakima, while first saw but like I lived in finnish world about six miles,
after terror disappear and hearing about all the places that come up in the story. Oh my gosh, I just feel like I'm outcry its. I know pretty much where every single one of these locations are, and they just makes a story even more so real to me and. To be honest. This podcast is my whole life. I owe my entire future to this boy. I guess I'm going to college in August first forensic science because of this public ass I am happy that it's not. This is somewhat coming to a close. I am happy that terror is finally getting peace
in her family and the people around her and my gosh. I feel emotional. So much girls give her ass. You see, that's amazing. Sometimes you know we do this and we don't understand what kind of reached at ease in having somebody's life whose looking towards the future, this that's phenomenal. Honestly, as pain said there, no way in hell that we would have been able to do this without you guys, and that is the truth. Shortly after the episode ended. Paul away. Maurice Gawaine and myself took the stage two answers. Question from an audience this. for over an hour. But here some of the highlights Please welcome to the stage, obviously doktor, Maurice God would miss your pain, Lindsey and of course, last week very lucid. Ah Philip following
I come sit over here, guys that they I didn't want to be on the might, but I want to ask a few questions: if that's ok, that's all right with you guys. I actually first one less ask your question: Doctor God, one! That's! Ok, sir, will start with you. What was your first impression of Maybe just maybe what impression of pain? No, what was what was your first impression of pain your national conversations with him and did you think his involvement would advance this case? You worked on not too long to the extent that it has happened. I didn't like it will go this war, so I'm surprised as anyone in the audience and related to it was ass, a somewhat difficult to content,
paying up again it every time, a college. He was all exercise and we're in a meeting means meetings is entirely. Thank the meetings were true but arm Finally, I just can't believe the message he said his cell phone witches. I wanna go in and out of thinking and arm, but it worked- and this is the greatest venture that I've been own I think that your garden- let me let me just say this, because a heap at the post own web slopes- and I answered it- sobbed is tat case and don't ever let anybody convention endeavoured to start again with MR pain.
We're in the middle? I can see, does work out yet look at that by now. So myself. pain. How is the reaction both nationally and then obviously locally? We had a girl, just from fits, showed right there, but locally in Scylla changed as the cases progressed that's ago and workforce. No one wanted to talk to me at all, which was, I guess I have expected that, but then all suddenly all wanted to talk to me. Ok, who was let's keep talking, They wonder they set out. What are you anymore? Ok, what not done yet. but now it's been like this up and down thing it was first it was hard to. Can I break the break into it, and then you know that they wanted to talk.
and peoples are realising. Hey will soon also knew so so new and it will just became uncomfortable when I became this guy, who was now uncover and all this stuff and has been very interesting to experience the from being you know I was doing an interview, one time it was right when Randy was rested, there was like a couple of news people out there and they like point ten interviews that day I only know what I said. I watch them yet, but Someone robots, oh you pay. We love you of my eyes. Just go someone every year, when the guys and that guy went away and then all sudden people like you too, about myself so observes answer, and I think that it is now coming back to a place where people are accepting the fact that the truth hurts and
There was this is, it is what it is. and choose the story. I just found it and then told it, but it's been an interesting experience. This bill appall away his we can share. That's right. Am I go on now shut up? Ok, so for Mr Philip Holloway, what of all the cases? you ve done odyssey in that you ve been involved with on either what drew you to this case specifically and then the dual fold question will be how the hell did you get involved with this or that wasn't prearranged question, you use whose peacekeepers? where'd you get that I've been doing my notes revision. So I grew up in South Georgia. Tipton, where pains grandmother now
and she's right there and ambitious programme and in two thousand and five. I was already in the Atlantic area practising law, but in Eighteen, ninety nine, which was the year that terror, one that Miss chieftain crown. I was attempting to practice, law and theft. There's, not a lot of crime in in that area. So those sort of limited group of potential clients, especially people that can support, lifestyle. So eventually I came to the Atlantic area became a prosecutor in Cobb, counting
Oh, I was familiar with this case and I was at was, and still am personally friends with lots of people in the law enforcement community that were involved with this initial investigation. So it was something that was all my personal radar ever since it have when the podcast took a turn. Based on the arrests that were made it, it seemed to me that pain. My could benefit from It is something that I know about not only the legal system but the local community in that area after I had been a police officer, part time and Scylla back in the early nineties way before this case have- and I felt that maybe it would be, it would make sense to reach out the pain and I did so over Twitter and he actually had
as I recall, we followed each other right about the same time and in a cinema message, and I never really expected to be a cast member, so to speak. Of the pod cans. Didn't report hardened Lydia report to you later, I think it was something like knows the same day only be responsible for what he said is itself I'm working. I had no meetings that they also. He said you know. I think that was something all lands of. I think we need to talk there may be. Some things are lacking. Can help me with any goes? We agree to your words to this. I have no idea. I'm doing. Please help me right now that we we met not then in person it wasn't. Surely it was a shortly after that and the rest as they say is
now in the history books is weird we all like some of us is met for the first. This is actually is a fun fact in kind of strange as well, even though we do a friendship painted I, this is the first night we ve actually ever met. We worked on this. Is that a true story? We actually? It was on the couch and there's the strangest thing and like it's like seeing an old friend or a good friend or whatever, but we had worked on this at least two years together. So it's almost surprising that way as well and him being able to, let me be a part of it as well. I don't have much to say, but in terms of him being able to put that out to me the opportunity to do this, for the right reasons. Is involved as well
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eighteen. Ninety nine during the January sale, only at asleep number store or sleep number dot, com, slash, cadence, again go check out, asleep them restore her visit, sleep number dot, com slash cadence Are we actually want to throw it out to you guys for some questions, and yet we actually get down here spreading as guy MIKE it's a matter of opinion. Yeah actually know what the best way to do this. The formal way to do this would be the liner dislike slacken, preschool single file, who's, the first woman yeah,
come over Here- is obvious, operator, red ones, the lords and sordid, so this might be kind of a stupid question, but the guy that you interviewed on like towards the beginning, a part to the friend of both Dukes Ryan, Duke who, like the F B, I shut up at his door, whatever he said that the night in question, he was in Jacksonville Florida for the forty Georgia game and the forty George again that year was on October twenty nine. Which is actually after terror had gone missing sailor? You guys look, maybe I'm missing something but have you he was talking about the next weekend because without it was, for the Gmos? I work, either the night, the Ryan said what he said or the night that they were burning terror.
since I was wearing that I hear about a Mason, hey my biggest question as the brother. That was our view. Is that the same browser, rather than a lead We live with them, I mean, if not actually, that was ever clarify. His name was James. Odin was Stephen, so said, Tarzan Even now I did not? He would not let me drive. Obviously I have a lot of personal investment in this fight. My question is: do you think some of the information that has come out will raise reasonable doubt? Are you or do you think that France is going to take any of this information and really easy to their advantage. I obviously have no idea I just have this feeling that I can't shake that they do not care what I do. They just don't believe it. They just think that this is not. The truth is that podcast
and the truth is over here, so I dont know. I would just feeling to say they're gonna, try. Ignoring as long as they can, but then again a bit surprised many times in this case levels. If I can trust me on this day, when you talk about proved beyond reasonable doubt, that's the highest burden of proof known to our legal system, the ground Oj Simpson case he was found not guilty and the criminal trial that in the civil trial he was found to be responsible. by a preponderance of the evident, serve like you, take the scales of justice and you put a feather on one side and tilts just a little bit, that's enough to carry the day and the civil kicks in a criminal trial. What you have to think about is you know if you have twelve people alone
and you know we all heard some things tonight that may have caught us by surprise- maybe maybe not, but if in the back of one jurors head, if there's a little tingling of a doubt that says You know the judge told me I can't convicted person unless there's a doubt for which I can attach a reason, and I've got a reason that I can attached to that doubt if that happens in a criminal trial against either defended at a minimum of Hungary if the entire jury, if there's a trial, believes that there's a doubt for which reason can be attached, that's an acquittal not guilty. Thank you. I have a law that less serious question. The one that's been nagging at me
Pain could demonstrate for all of us, your body language, during the phone calls with brook, Fishermen. Are you I can see that in urban pay. Our talk about your decision to in the past Essentially, I click anger. So, halfway through african
I guess it's like lie the rest. We have our guy and now the aid is kind of like way. Is he the guys? I want to know what you're thinking reasoning going into that and also wanted? No, are you slip back into this case when it goes to trial you now for cereals and wanted to decouple episodes when the case developed a little more. Are you going to do the same thing? The thing is, I find serve. I don't I'll write the story you actually easier if I did, but I don't write the story. I find what I find it it's it's been the weirdest experience, because things just happened in this case with I in areas has happened. It's just unfold. In this way and. I interviewed Ryan Dukes mom yesterday at one o clock that was not like apples hours ago that was yesterday. I got back
late last night and day, This whole case has been its just in the nick of time. This thing that thing I don't know, it's been a weird experience in the oven that there's a trial in this case, I'm absolutely going to cover this case there were in a cover, it extends, They were to find out if these guys or convicted in their punish ruby, therefore hole the whole ride, so we'll do it whenever this second, I have two questions I get back.
If you want the sense yeah, you get good, redirect Agnew laughed so the first bogey for Professor Goodwin. So when we talk about this, we are like of Ryan's deterioration of social ability, but with the time I was before or after the kind of accused like what happened, because if he actually did do the kid that all actions is social deterioration, could it happen because of his implicit guilt? or what he was tall ass. We learn what you're gonna opinion of that would be well. Vietnam underway saw Ex girlfriend from four in actually in two thousand and seven I received. some emails from her And she said that arm she could not
really discussion, because she was afraid were you born baby, alcoholic colleagues, but he's deterioration start after the murder but dead that doesn't mean that he did it. They're just means tat. He believed he did and then my second follow up over that is with with some waste to the drugs that was introduced in this last episode. things it does come or could cause dialysis use of heroin and what not an Ryan's, not an older gentlemen, he shouldn't have to use Alice's unless he has some kind of issues. Was there any link with my card. Drugs like heroin are something that with Ryan and impose tenderly with me, not to speak ill of today, but potentially terrorist law, nothing with terror, but
Knows that Ryan's mom told me that he use cocaine, and that was that was it anyway. Like hogs? Well, I posted a question on the discussion board up about a week ago about something that always bothered me about this case, and it was the fact that and philip- and I had some conversations back and forth about it, but one of the things that one of the things that father me about this case is that we know that bow has said she was never in our house, and we know that her phone was found in her house
and we know that she had sent the message, I'm cold to the former Georgia player, and then we know that bow has said that his ex wife, what blackmailing about the information that he knew and her first tweet was I'm cold. So in that was in two thousand and nine, and so I guess my question is: what do you think about that and then be? Have you been able to try and get in touch with Emily Heavy tired and took them away? what I guess? That's what those are my two questions. What do you think and heavy trotting in touch with its ironic? I really really is. I probably and I see a hundred people send me that yeah you don't know what I'm talking about when a boat dukes Ex girlfriends dressed up I am sorry tat. She is My wife dressed up
as the ape murdered beauty Queen for Halloween, and then you have the tweet of I'm cool. question as I don't know, but I would have had to have seen the phone. Here's the Panama, my consensus on that bottom line. based on all the knowledge they all the information received. She knew so she what the hell she was wearing to wash. He said he was never in the house and the phone was found in the house. That doesn't mean it was never in the house. Because he said it, could you young have all been sitting bone, asylum message how the facebook that's what I'm talkin about that so therefore contradicts what he has said and the fact that anyway, heavy time
It has family, as a solar reason to a had enough bad things, bo Wilcox County whew? Now I live there not from their up and implored at twenty eight years, the graduation, Mom and mother, though ass now glasses, I'll, tell no laws. Where have you been Lebanon, I appreciate you like you. Ok, I did both moms grandmothers. Air was mother. She shot a shock, an air one time our board ran on ours.
So what are you? What do you think rising than pieces crises is back in March. hashtag. Will it all away a month ago I let go buggy operation, God. Let me take up from the area of another now twenty eight years, but I know that I know the people involved and that's what got me about in this case, and people from my home town have sent me death threats facing me. Why are you doing this? Why are you doing that? I'm like because it's wrong? right right. Wrong is wrong. I looked over here while ago Philips why last her sweetheart, he spends more tunnel sworn up in bed, as our scarce online. that why next person,
in trouble when I just want to say I'm here to say thank you pain, we appreciated. Thank you. Thank you for what you do in listening. Thank you. First of all, this is also a success. Firstly more drunken me so Don't don't do that? Don't do that. We still love you, we drew up its true, you not drunk you funding, Nobody said I didn't say that at all No one said that right,
Madam President, no one said that my question is very Doktor Godwin, so. when you first went to investigate this case, you talked about night. Did you spent in Harvey and people that scares you in activity I'm not going to ask you to name names, because I know something come about later, but tries to name names because and also do you now think that someone were the people who were intimidated, uses didn't want? You know, Scylla over the people, their retirement age, you directly connected to this case, decent work. They did not want me in a cellar, ok, so on a scale of one to ten. How connected in this case? Do you think they were remain as far as criminality, yes,
mean the criminality scale. The wonders in common approaches here is they acted earlier problem. Probably a three or four are necessary. I'm afraid a little less entertaining the previous question. I have a little bit more of an existential question about the pipe has looking forward and want to hear what your vision is in your goals are for what these telling these stories are and how that is, gonna impact, solving these cold cases, or even just the criminal justice system in general, as we look forward, and what do you think this sort of idea of proud sourcing in bringing these stories to a broader group of people? What impacts are you hoping to have ready? You think have been had in this case by bringing this story
a broader audience robber you taken moved slowly. I got him, although I think it is all about solving it. I mean that that's the whole point in it. One is to solve the damn thing that that's what you're telling it again has been. Is heard a thousand times the decade worth of time for a lot of people, you're too, it again to make something happen and by half way through thing, a concept them to my shoes them. You know I got a gun aggressive with it I was already- and I just no I was going into than I was already in it. So what do you do? Just not do it really good or use, go all out and do something that you you haven't done before some. You know. I'm not scared about it. I want to do it. You know
it brings joy in my life to seeing the effect it has on everybody in the fact that it can have a plan positive result, issues is under evil to me- and this is a different kind of experience for me and you know even if it only happens one time I will behave as every single time, but there I'm trying to do every time on one for one or two to four two, three, four, three four for it on it. so ass. I feel isolated and just say this with pain when he says that happens in real time in terms of even just the call the aegis it heard yet yesterday, where whatever that may be, The production of this is really secondary to the fact that he will chase this, or these guys will chase this first before they put anything kind of down into an audio format retaining entertaining format sobbing the phone or such like that, because I can't talk right now
Mozilla going on right now, we'll get to it later. May I be so that a meeting in Ursula rapes, her face they actually found, sped service down there, the ashes, every watermark calls moraines I've just kidding new found Ways Edward. I now switch to business, so I guess you guys can't really say what you think Why not? I I see the Algerian infringe right. I think it's reasonable hypothesis. Ok, first off, I don't know how you all deal with all those where budget
crazy hushed. I called life, but we would have to call my big libels like shit. Ok, so I heard something on a different pike ass. I dont know what it was by somebody said something about. In a time of stress, the person returns to a familiar place Do you think that might have applied to arrive with what happened, the terror, a meme, what was both doing out there doing any of those things that he they said he, doing some Israel. major early wrong with that. There is no doubt about it. The twelve years
he trap peeping rammers enjoy something he traveled out there. Just look around in reminisce to really of the crown to question, so I'm just curious. Yet we all think the suicide note has anything to do with this case. At this point, and also at the end of episode, twenty three you interviewed in individual, whose why, for ex wife, there were swingers stated that she was tied up to a pecan tree by boat dukes have you tried to follow up with her or could you confirm that I thought you were like terror she sent me pictures. Does shield in the orchard I just can't unseal issues awful. but now it's
absolutely one hundred percent real verified all of it. It's just disturbing man honestly, it's us, I don't even know anything about it. I Zack question even putting out there the soldiers dark in a weird, but bill wrong about just letting it sit here either. If anybody was on the fence about who these people are, I know they are one and, when asked to know to say see, bow would do he did something that rhyme would never done anything. you can't sweet those that as well as in one thing that I want to point out just to dovetail matters that I know this man here and he's not gonna just throw something out there. Unless it's been better.
TAT S, a kind of Allah, someone else's question, but now that the podcast is kind of over four. Now what are your personal opinion, though? What really have man hopes. Nobody asked me that always tell you this really out of her aunt on inflation. Remember the plan member our plan that we had for this. Will you be? I go now Ryan Dukes mom asked me that question. What do you think happened, and I also I tell you right now I don't know what happened to terror. Does it it makes sense, for we know year doesn't make any sense is makes us any by makes sense to you me you ya know anybody allow things don't add up. You know it's it's clean.
To me that here's what we know we know the bow there were, he did because he admitted it And you know we haven't been able to hear from Ryan Rhyming we he said I don't know, but if you didn't there's a completely different story, and with all the other red flags I see. No, we can ignore that We ve been ignoring that for almost twelve years now, and that is why it took so long. I don't I don't know what happened, but I firmly believe Ryan know something. I don't think that It's just completely innocent. You may have done it Mary, I think the he you know something I wondered if I can slightly January with pain to similar. I don't know that we know that
is telling the truth. So you stated, I think in Europe means a liar. You stated in your response that you know we know. What, though, did and the real question Is doing we know what he said: We know what he said on multiple occasions, which may or may not have been consistent with one another. So do we in fact no what boat did? That's that's an open question. I think, in my opinion, this why does what is bode? Not know why Ryan killed there should? but that is the dumbest thing. I've ever heard my whole life. That's right here, psychological! You! All that stuff Euralia never asked unwise and opened his psychological wake up, has the more propensity to do something about this rams though, without saying your theory, I know your theory
What do you mean that that argument? Those my first do. Thank you. So I was wondering what has been the most surreal thing has happened on this whole journey like what was the I guess. Weirdest thing, the rest. Pressure for sure and you, the crowd and I'll, tell you that question just ridiculous. If not you personally, but I mean you got someone, you know a thousand miles away or two or three people arguing about the details of this case. Here, guy they never heard of it, you had it, but my big boy, shoes on that day, I mean
I got an email from a friend who works in the news, the news industry, hearing Lana and she sent me screen shot of GPS. email and all the media about this press conference today about it. Then said Marcella should you know this right. So what is this ends from point forward. It was just mean that was the initial burst and then this headed to a soul immediately, and I may I had no idea what was going on. It was completely surreal being in the court room. I could mean it was unbelievable. I can't even describe it. He will do so thereby showing you how to describe. It was just that intense I mean I'd at that were dedicated episode to what happened to terror, and I was about to come back in about five days with episode. Thirteen
and they arrested somebody for terrorism, murder, and I was seeing the guy from me to you in person asking him why he killed terror a couple hours later Unbelievable ends, that's amuse me that's the most real moment and from that point forward it just got even murder and we're still. what's real to me is that so many people across the country and even internationally have developed emotional attachment. Try will, to this case and, to a large degree, have help shape the direction of the podcast by advancing different theories, you for fast different ideas and really that's that's a remarkable thing, and- and I think that its surreal- that that people who never knew her
never knew terror and they don't know any of the defendants in this case there not from the area like I am, but did they develop an emotional attachment to the issues in the case and to the direction that the legal system is go thanks. Great question, thank you. I mean about the other day. I've been involved in this case happened following this cases, two thousand, since they are probably one of the oldest people in this room. Thank you. Thank you. Thank you
because without this part, has firmly believed that we would not have any answer to drive you open, you provoking me here is like, and I have no dog in this hot. I dont know terror. I didn't know her family, I don't know, I don't know anyone involved in this case and my interest is totally separate from tear. My question is: what do each of you think happened Well I'll go gas think about how you are going to dodge this question. So he's abandon yeah well, we were in Future ATLAS a few months ago for Chrome Khan and we did alive questioning.
we're very similar. This was part of a special podcast episode and not the other way. Pardon me, I saw them good. Thank you and her syn, we? I'm always agree on on everything in fact, often terms Disagree on many things, but that's that's kind of the point of discussion and. To answer your question sort of inversely at all. any of us believe that the Fischer narrative, tat. We ve been given through the around swore it's in the indictments in the public statements that we heard. I don't think it Thus, I believe that this was a burglary that decision That is the GB. I believe it will not stand up me for I do not doubt that they do but.
I know that I don't believe they ve got on my regard, bad, I don't think pain or not. Government believes that this is a burglary gone bad. That's a school teacher, ok and those of us who know school teachers or our school teachers noted that they don't make a lot of money, especially in our when county, and they don't have great wealth. There's there was none. in that real house of great value, there's no in the burglar it, and I can tell you that burglaries like that for the purpose of theft. Just don't happen in a cell, so I'm not buying. This narrative that this was a burglary that went bad. I think that it was so else that went really bad, but what that something is is still an open question, and I My opinion do not believe the
entirety of the state's theory in this case. I agree with that now don't start him off Eddie I mean you talk to mother last night. I did expand on that. Please. Students like a solemn I got this she may here's the thing they were both open to the idea that I could have done this and if he did he's gonna pay for it. But they're the saying the hey, I asked him. He said no, I believe them.
once proven me otherwise, and I can't disagree with that either so I really do believe them when they told me that they have the same goes we do in a sense of they want another drink. they'll know any more than we do. Leave them when they told me that So I don't know like us earlier, I think Ryan, know Somethin data he's just nobody in this does it knows no annoy. You know something. What didn't have time to maybe talk to both between the time Libya and this limit may shared assorted, but I never share this package, but I had some. I have some screenshots from the messages between Bow and Ryan before. Ryan was arrested in the GB. I was trying to get boating or twenty goodbye to have Ryan admit what he did. So both said he goes something paraphrasing big time, but some
all these years, I never understood why, man, why you do it right His response was ok, question mark Could you be more vague? I mean Yes, I know that it just so I don't know that was the response interesting and thank you for sharing, yet nothing better you got to give it to him this time. You just tell me what you think. I think the destroyer
Our terrorism body was just as beneficial to forego and ran for rent sickly. That is a good point. I do not think there is no doubt about it. The destroyer of the body was just as beneficial to help both as much as raw think about average evidence was destroyed, seamen again,
thank you know from you up, like you, don't be mad for a second time. Actually, the lady in the White tanks, opera, you're, gonna, end the line there as far as questions for the moment, if that's ok we'll be about unseen everybody afterwards, but just for the second time guys think someone's having I'm not wasting. I couldn't. I sit behind me side to really quick questions. The first one is so they spoke about in the car. The sea have been pushed back, did they do any dna testing, hair fibres or anything like that in the car? Much later that the car was process fingerprint about John David Anderson, but the car
was seized and taken here today are GB. I encounter much lighter and they tore our part, but never found, and is that the only forensic evidence that I know of in this case is that only the love that that their released like well? I think you would have heard about it, but now cause they needed something and its unease that the costs in the drive for that amount of time before they took it away or we are, and we need to have a lot of problems with machine. The car luminous and knows in Roswell kept saying I do it and he never did you call her her own parties before I came. She was on her own person to do it and, finally, he, when he had done the honor
quick question is: is grandma gonna give away a recipe for the companies who used to think about that she's not, but we she did make some cookies for us to give way to you guys. Actually, If you women ever contests we're about to do than yes, What are the arguments that have already done that? Did they do that? the same there's more cookies I never asked me then. I just wanted to say thank you, for your part. Have amazing things everything you do and I also know a gentleman mentioned earlier, but I was curious how the names on those suicide note how their related
Well, both my name's were not there, but there's about there's three individuals that all involved warm, possibly with a beacon orchard that the party and probably the incident at the barn with the fatten, whatever there's three hundred those things that were on the last there. There are some out of egg to the case. That way. Yes,. Ah I will say this: actually I'll just go and inside us too. The guy you her on the last part of the pact ass. He told the story about dropping off that guy at that house near tailors, he was drunk. he told me another story and just see knows that the records show between us. I trust this guy? He is somebody who is actually the important and made it very clear,
why he needed to his identity. To be Anonymous, but He told me another story to that. He, owns a store and that some He came into the store about and chosen ten, and it was father and son and the sun pointed at eight. picture on the wall, and it was the missing poster of terror and he said I saw her burned down there and it first he's working the bag in ITALY. You didn't say rhetoric than has been there for a while in time and It wasn't all later you can. It realises that was pointing it. Terrorist poster in the next week the dad came back and said: o leaves your Mama son last week. He made a point to bring it up is that he is a car wreck. You confuse person when that person, I don't know tell me a story is like.
Nobody means Antoni is it. I felt we While these two things, tell me the same stories and I'll handle know things like that. Like you, you, you reconsider the the suicide note, because that guy that their top about who I can name was pretty much best friends with I got himself so I don't know and it is also small town Eagle now, but it's all Weird and ironic ends is such that it's all just so muddy now, but it is we'll figure out what one data when, last time we surprised someone with flowers? Has it been awhile? Have you ever done in my life flowers and every now, and then I got surprise her with some and pro flowers would still be surprised. Someone to you don't have to have a reason. Now profiles. Would you be twenty percent off any other? You? Next summer rose bookcase or any other ok, twenty nine dollars or more. If you
sure. What to send someone if a rainbow roses are always ahead and here's the thing a pro flowers, all their bouquets are guaranteed to stay fresh for at least seven days or you get your money back and with profound. Is you control the delivery date profile hours? Give you more bloom for your buck. Big, beautiful flowers with more stems for your money and they may flower buying super simple or yet do is: go pro flowers, dot, com pick, the bouquet said: delivery date in your flowers are on the way. So who are you going to surprise the flowers good, a pro flowers, dot, com and use the promo code up at check out and get twenty percent off some are roses or any other bouquet of twenty nine dollars or more again, this profile hours, dot com, promo code up- are you just gotta touched on it, but I want to know the people there were at the bonfire that night do you think they know that they were burning tariff body?
Now I thought it was a big bonfire. They believe that they there was. If that's what happened at the that's, why they did it? There were doing those we can never be sunlight. Bows idea just like this is the way you do with incognito or something were nobody knows it's going on. I don't think anybody not again in too much detail by neither Sir but could have been, in our view, the second or third day. So I guess it's safer fell. I think, because its legal question is it possible that you pain and you doctor Godwin Convicts Keynote for trial based on yours, I know you are hired, is expert early investigator early on, given the amount of time has passed the possible that they could be subpoenaed for what they know. Will
You're right to legal question and what it has to do with is whether or not they have any information that personal knowledge that, first and foremost, relish any issue in either trial, whether its regarding both dukes or Ryan, do and then the rest of the question is no does it follow the rules of evidence like a lot of what pain here, is hearsay, its double trouble hearsay and some businesses same with that guy one but the if the best, Idea that I can come up with that would make either these guys potential witness in the cases, if there's a witness who testifies in a trial, the person says a b and c, but they ve talked
and were dark Godwin and they ve said something different. Then they could. These people could be called is an impeachment witness to say where the person told me something different so I think it's unlikely that either one of them would be a witness in the case but again wouldn't, really think, at the crime scene too. Well, does it has it with personal knowledge and whether or not that information that you have is relevant to any issue, Either side was presented the case and does it forward in the rules of evidence? Do you think that maybe the gag orator weather related and all your protest in so far as I'll talk to her on it, That was really is. Ok. You know you? Yes, I mean additional podcasting have having heard the crystal Rogers Jason Alice. I have talked to Roma nicely. You be interested in doing.
It is actually the case. I was very interested in. I don't know, what's gonna happen yet, but yet its pre baffling into me, seems like another. more town was some Shit go and on the need, someone coming here and sure Buddy was going on. wow. That's why I wanted to do so. Over the last person like yes, I want to say to appreciate that everything you ve done to bring this case to head up of of actually followed it since two thousand by myself, and you guys don't a great work But my question is: can the threefold I wanted to ask in one the Pakistan, you said that the character Sally had a lot to do with bow. now. They had interactions of. What we actually want to know is a follower of the discussion board. If Sally is actually counselor, lamely, Lily definition, Australia
two if she is and a shared catchy, possibly be a material witness in the trial if it goes to trial. a number three years if she has a councillor in Australia and does involve a bow in this kind of way, what the hell does she do. Accounts lead people to start That is a very good point. is actually the weirdest story. Once again, Sally the for some I said personally? Massaging the person who had he Conversational bow is a real psychologists in Australia. and then the person that I had died. Second, there conversation I didn't know her. First name was Sally in real life, because use refer jurors to his as doctor. and she's also from Australia, and it just looks Super weird, but you can look them up a different people. they're, both real people and
the real silent I'm talking about- and I think that cover with bow that really happens, and I won't talk too much about that person, but it's still there real that GB, I and others. Paul Sheldon has almost everybody. All that conversation, I'm not the one person who really said ass? She did send me a threat enable is. It is possible. She can actually be a witness in the case of aiming for what he this proposal is about, also could actually be rational. Witness of the problems at once from possible because she interacted with both professional reputation with australian psychological society. I think it would hurt her I mean it was you know, straying Y gotta have my email
I can say that she's offer rocker man was furious when it is not the first time I've got off the rocker or bridges like your problem. Thank you for that. the Elles pain you want to say to them, obviously shown up being here that thing, if not if we do want we want to get the entire team up here. This is just a even a small part of the team obviously resonate recordings he had to leave actually, which I feel really bad. They had to go, but there's many people who are part of the operation in a no one, who cares that needs they all these credits, like all these guys Ito Gary's, one of us to do a People who does make this thing a reality. It's an believable operation, it is, is so seeds and look at this imply. That is not really I'm telling you it's the realists thing, it's so real. It just happen. To be
It is a sound like what sounds in wooden exist like that, if it weren't for all, these people him him him die hold, my brother Mason, my wife Cassie everybody is to be part of this thing is part of, my life is not just something I do on the side, and I super appreciate all you guys support being here and more to do with these and to warn that he'd do they say so. Thank you so much for real and we might get and oversights having a labelling as coming all you guys, I thank you all very much. Like you they for listening guys episode was mixed, mastered by resonate recordings. If you want to
The quality of your pie cast or sort o clock as your own go to resonate reporting stock com. Get your first. Episode produced for free, This episode of recorded at industrious, Atlanta plus city market for two hundred and fifty dollars off your first month office. Rent visit industries office, dot, com, Slash vanished, want to come in the flesh guys. This is my real grandma gonna give earlier recipe the right to live sanders. My daughter, lawless, my grand churn, twelve granted full great grains they face. I make the best cowboy cookies hydrant Robert you ways they should she gave us the recipe, but she left
something out on purpose. It's really weird there, never as good neighbours. only the map one day for us to find the actual missing ingredient to the recipe is called well thank you. So much for be a morality, these guys so much.
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Frequently asked questions
1. Who is eligible to request a Rainbow Library?
Any full-time staff member at a Connecticut K-12 school is welcome to request a Rainbow Library. All types of K-12 schools are eligible: district, magnet, charter, independent, you name it!
2. How can I request a Rainbow Library?
Our slots for fall 2019 are now full. Complete this form to request a Rainbow Library text set for winter 2020. Questions? Email us at [email protected]!
3. How will I get my Rainbow Library?
If you requested a Rainbow Library and were approved, your Rainbow Library will be mailed to the school or library address you entered on your application. The package will be addressed to you, and should arrive in early September 2019.
4. Will I receive any additional resources besides books in my Rainbow Library package?
Yes! We will include posters and LGBTQ+ affirming curricular resources with your Rainbow Library text set.
5. Can Rainbow Libraries be sent to schools or libraries outside Connecticut?
Unfortunately, the Rainbow Library Community Reads Project is currently limited to Connecticut schools and libraries. Stay tuned in case we expand in the future!
6. Will there be subsequent Rainbow Library text sets sent out in future years?
If we secure enough funding to sustain subsequent rounds, then we will do so! No promises yet, folks!
7. Can I make a special request for which books are in my Rainbow Library text set?
Our curation team has carefully selected the ten books in each grade range’s text selection. Unfortunately, we do not have the operational capacity to create customized packages for specific schools or libraries.
8. I work part-time at my school; can I request a Rainbow Library for my school?
Because our resources are limited, we can only send Rainbow Libraries to full-time school or library staff members. If you are not full-time, we encourage you to persuade a full-time staff member to request a Rainbow Library for your school or library.
9. I don't work at a school, but I'm part of the Family Association or PTA. Can I request a Rainbow Library?
At this time only full-time school or library staff members can request Rainbow Libraries, but we definitely encourage you to connect with a school staff member to make a request on behalf of your school! Also, we’d be happy to connect with you directly to support you to get LGBTQ+ affirming texts and resources into your school’s classrooms. Email us at [email protected].
10. can i get a list of the rainbow library books?
We are currently only sharing our list on case-by-case basis. Please email us at with your specific requests for the list!
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Xmas in October: New from Trans-Siberian Orchestra
Since 1996, there hasn’t been a holiday season that hasn’t featured the Trans-Siberian Orchestra as part of its soundtrack: the musical collective founded by Paul O’Neill took the world by storm with its debut album, CHRISTMAS EVE AND OTHER STORIES, and they’ve continued to keep fans happy by touring on a regular basis as well as releasing new albums when the spirit moves them.
Sorry, did we say “spirit”? In this case, the more appropriate term is “ghost.”
THE GHOSTS OF CHRISTMAS EVE, the soundtrack to the band’s much-cherished 2001 PBS special, hits stores this Friday, allowing you to get your first burst of Christmas in October. Yes, we know that some people grumble about how the holiday season starts earlier every year, but in our defense, it’s pretty typical for Christmas albums to come out in October. Plus, this is one that T.S.O. aficionados will be thrilled about, as it contains a bonus track – a live version of “Music Box Blues,” from the 2004 Daryl Pediford Tribute in New York – as well as two additional tracks which aren’t in the special but which have featured in the band’s live performances of THE GHOSTS OF CHRISTMAS EVE: “Christmas Dreams” and “What Child Is This,” from 2004’s THE LOST CHRISTMAS EVE.
Here’s the full track listing for the album, which – just for the record – would make a great early Christmas present for anyone who’s planning to see the Trans-Siberian Orchestra on their annual holiday tour:
The Ghosts Of Christmas Eve
1. O' Come All Ye Faithful/ O Holy Night (Instrumental)
2. Good King Joy
3. Christmas Dreams
4. Christmas Eve/Sarajevo 12/24 (Instrumental)
5. Christmas Canon
6. What Child Is This?
7. Music Box Blues
8. Promises To Keep
9. This Christmas Day
10. First Snow (Instrumental)
11. Music Box Blues Live (Daryl Pediford Tribute New York 2004) - Bonus Track
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When removing and replacing spark plugs on your aircraft, invest in safe and user-friendly spark plug sockets. Our Aircraft Tool Supply magnetic spark plug socket features a magnetic interior to hold your spark plugs securely during removal. Without the proper tools, your spark plugs may loosen and fall out during replacement, reducing safety and adding to your frustration. Try our affordable spark plug sockets, including a thin-walled design to reach into any confined space!
For enhanced grabbing power during installation and removal, enjoy the built-in magnetic core. Use the ATS950 magnetic spark plug socket with any of your Champion and Autolite aviation spark plugs. Its chrome vanadium steel construction ensures wear and tear-resistant use. The ATS950 spark plug socket will effortlessly perform on hundreds of spark plug installation and replacements. With the added inner magnet, our ATS950 socket will eliminate the guesswork, leading to faster, more effective spark plug servicing.
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Do you like to work in an international context? Do you want to enrich your CV? Broaden your (international) network?
SPOTeurope is a community with members from all over Europe in which we exchange knowledge and practices about the OTworld. It’s a community by students for students.
At the moment SPOTeurope is LOOKING FOR NEW BOARDMEMBERS and maybe that’s you! Experience and affinity with ENOTHE is a pre.
What’s in it for you?
You will co-work with other enthusiastic OT students from all over Europe, which will expand your network. You will also acquire new knowledge about happenings within the OTworld. And it really enriches your CV! It will approximately take up four hours of your time.
Are you interested?
Please send a motivation letter and a description of yourself (max 1 A4) to: [email protected]
We have the following openings:
As blogger you are responsible for writing an refreshing blog once every month about hot topics in the OTworld. This can be an expert interview, a masterclass or something entirely different but interesting. Next to the monthly blog, the blogger maintains the continuity of the OT-links subpage of the SPOT website.
For this position it is important to try to stay up-to-date about the actions and activities undertaken by occupational therapists and to be able to transform these notions into well written blogs.
PR & SOCIAL MEDIA EDITOR
As the editor of the social media you are responsible to keep the Facebook and Twitter up to date with all the news, blogs and happenings around SPOTeurope. Additionally you will share interesting posts and tweets from other occupational therapy related activities.
For this position it is important to have knowledge about Facebook and Twitter. You also have to be able to communicate in a good way and know how to write short interesting and stimulating posts.
ADMINISTRATOR WEBSITE & FORUM
As the administrator you are responsible for maintaining and refreshing the SPOTeurope website in general and keeping the forum up to date. This means for example to keep discussions going at the forum and help new members get around. You will also make sure the website looks it’s best.
For this position knowledge about WordPress and MyBB is a pre but not required.
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It's been a great year to love scary movies. 2019 offered a wide variety of horror films, from the frightening to the fascinating, fun, and f***ed up. There were women in white, side-splitting zombies, child-chasing ghouls, fearsome Final Girls, and brutally bad boyfriends. All of them giving us chills, thrills, and reasons to scream in excitement, fear, and even frustration. It's been a rush.
So, as we prepare to say goodbye to this year, SYFY FANGRRLS is taking the opportunity to toast the very best of 2019 horror movies with a top 10 list sure to spook you.
"I know love exists."
2019 kicked off with some seriously solid horror thanks to a scrappy indie out of Canada. On New Year's Day, American audiences were gifted writer/director Justin McConnell's terrifically twisted tale of a serial killing shapeshifter, who extends his life by taking the lives — and forms — of his victims. Though studded with body horror, gruesome gore, and much murder, this is a story about love — at least, according to the monster at its center. And that's where things get really interesting. With an unreliable narrator and a thoughtful exploration of rape culture, McConnell made a movie that's not only skin-crawlingly scary but rivetingly relevant to the MeToo era.
One Cut Of the Dead
"Keep on shooting!"
This was a year rife with zombie comedies, from the Adam Driver-fronted The Dead Don’t Die to Lupita Nyong'o's Little Monsters and the long-awaited sequel Zombieland 2: Double Tap. But the best of this humorous horde rose from Japan. Gathering buzz on a world-trekking film festival tour, Shin'ichirô Ued's One Cut of The Dead awed critics and genre fans alike with its meta and madcap spin on zombie movies. It all begins with a bullying director who goes to extreme lengths to get an authentically frightened performance out of the lead actress of his undead drama. Much silliness and B-movie gore can be enjoyed here, as well as an impressive 37-minute long take. Then, this bitingly brilliant flick lunges in a wickedly clever new direction that will make you want to watch it again. Immediately.
Knives and Skin
"Our lips are sealed."
"Horror" and "musical" are words that don't often go together. Yet writer/director Jennifer Reeder has managed dark magic with her genre-bending jam, Knives and Skin. The story centers on a small town thrown into spin when a local band geek goes missing. While grappling with mortality, domestic disharmony, and the unwinnable binary offered teen girls, its characters break into cryptic covers of '80s pop songs that are beautiful and bittersweet. The result is a film that's surreal, stylish, spooky, and stupendously bold.
"There's someone in the house!"
If you think you know Black Christmas, think again. Writer/director Sophia Takal teamed with writer/podcaster April Wolfe to create a fresh and feminist spin of the 1974 cult classic. The basic concept remains: a mysterious murderer menaces a sorority house of holiday-celebrating co-eds. But that is soon spun into a more sinister story of conspiracy, misogyny, and kickass heroines. All they want for Christmas is to take back this not-so-silent night. Salty and scary, it's a perfect treat for a girls' night out.
Ready Or Not
"You wanted to get married."
Family game night has never been so lethal as in this twisted tale of cats-and-mouse. Created by Radio Silence, Ready Or Not stars the dazzling and dynamic Samara Weaving as a spirited bride whose introduction to her in-laws grows gruesome over a devilish family tradition. To earn her spot in the wealthy family and their board game empire, she must survive a version of hide-and-seek that involves shotguns, crossbows, and a sunrise deadline. But this bride came to play, proving a vibrant and vengeful force in a film filled with biting comedic beats, fascinating characters, and ghoulish spectacle.
Tigers Are Not Afraid
"We are princes. We are warriors. And tigers."
Written and directed by Issa López, Tigers Are Not Afraid delivers a fractured fairy tale about a brave little girl on a frightening quest. Set in a city ravaged by drugs, corruption, and cartel violence, Estrella (Paola Lara) hangs onto whatever hope she can when her mother vanishes. The girl has visions of blood, but with the help of three magical wishes, a gang of lost boys, and a whispering ghost, she sets off to find her missing mother. López casts a spell over her audience, enchanting us with a world full of horror yet alive with wonder. It's no surprise this fantastic film has earned praise from fantasy masters like Guillermo Del Toro and Neil Gaiman.
Scary Stories To Tell In The Dark
"Do you want to see a haunted house?"
Inspired by the creepy and coveted children's books of the same name, Scary Stories To Tell In The Dark aimed to appeal both to nostalgic grown-ups and a whole new generation of horror fans. Trollhunter director André Øvredal and visionary filmmaker Guillermo del Toro did just that by bringing to life such goosebump-bringing stories as "The Pale Lady," "The Red Spot," and "Harold." With creepy creatures, vicious verve, and a PG-13 rating, this was a frightening film that parents and kids could enjoy together. After all, the family that screams together has nightmares about murderous scarecrows together.
"I don't know about magic. I always called it 'the shining.'"
Though he's built his reputation on supremely scary adaptations like The Haunting of Hill House and Gerald's Game, writer/director Mike Flanagan had his work cut out for him when he set out to make a sequel to The Shining. Should such a movie follow the path laid by Stephen King's novel and its follow-up tale of Danny Torrance all grown-up? Or should it continue the version spun by Stanley Kubrick's classic but controversial adaptation of The Shining? Flanagan ambitious aimed for both in a bold new vision that offers nerve-gnawing suspense, trippy action, and harrowing horror. Plus, it gave us the gift of Rebecca Ferguson as the deadly and seductive Rose The Hat. There was a string of Stephen King adaptations hitting this year, from Pet Sematary to It: Chapter Two and In The Tall Grass. But Doctor Sleep proved the best of the bunch.
"If you want to get crazy, we can get crazy."
With his directorial debut Get Out, celebrated comedian turned horror-helmer Jordan Peele left audiences drop-jawed and ravenous for more. For his ferocious follow-up, he offered another original tale of terror that targeted a hidden evil lurking in the heart of American society. Considering his first outing scored him an Academy Award, the anticipation and expectations were sky-high for whatever film Peele would present next. Us did not disappoint. It offered a chilling and cerebral adventure in which a loving family is forced to fight for their lives against deadly doppelgangers. While the whole ensemble cast did an outstanding job in paired parts, Academy Award-winning actress Lupita Nyong'o sparked goosebumps and broke hearts with a double-act that has some screaming she deserves another Oscar.
Last year, writer/director Ari Aster blew audiences away with his ferociously frightening directorial debut Hereditary. This year, he gave us a follow-up that was less soul-scathingly scary, but sensationally satisfying all the same. Like its predecessor, Midsommar follows a heartbroken woman through a life-changing, sanity-threatening event. In this case, American tourist Dani (force of nature Florence Pugh) has her world turned upside down when she follows her boyfriend (Jack Reynor) to a remote Swedish village for a mysterious mid-summer festival. There will be blood, betrayals, a spine-tingling score and screaming so agonized it'll echo in your pounding chest. Here, Aster favors a brand of horror that's less jump scares and more creeping, suffocating dread. Then, he reminds us of the grand possibilities of horror, not only to scare but to heal. At the end of this burningly brilliant film, he offers audiences a climax that is both bracing and cathartic, like doing a shot of ceremonial liquor. Skoal!
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2020-09-27T02:13:13Z
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| 0.950864 | 1,805 |
None of the Duggars has a more unusual dating history than Josiah Duggar.
In the vast majority of cases, Jim Bob and Michelle's kids enter their first courtship, announce it to the world, and then get married a few months later.
But that wasn't the case with Josiah.
No, Josiah courted Marjorie Jackson back in 2015, and after sharing their love with the world in a typically sappy announcement video, the couple went their separate ways without explanation.
That makes Josiah the only Duggar of his generation to have endured a breakup -- and some fans think he's currently headed for another one.
Josiah married Lauren Swanson back in 2018, and at first, he approached married life with his usual enthusiasm.
Within months, however, fans began to notice that Josiah -- who appears to thrive on adventure and novelty -- seemed to lose interest in his new life of quiet domesticity.
Less than a year after the wedding, Lauren suffered a miscarriage, and some fans are convinced that their marriage never fully recovered.
“It really was a hard time for our family going through this right after we got married,” Lauren explained with uncharacteristic candor on an episode of Counting On.
“And all the dreams of getting to see our little one and hold it in our hands dashed before our eyes.”
In 2019, Lauren gave birth to a baby girl named Bella, and the narrative that was presented on Counting On suggested that this "rainbow baby" was all the couple needed in order to move on.
But Duggar fans are still fixating on scenes of the couple's pre-delivery preparations, in which they seemed painfully awkward around one another.
“Today, we are working on the nursery for our baby girl, and we hope we can get everything set up exactly how we want it to be,” Josiah told the camera in one scene.
That was followed by Lauren explaining her design ideas for the nursery, and viewers felt that both parties seemed painfully awkward and uncomfortable.
“He seems so odd around his wife,” one fan commented.
“Like if he’s just following what the family expects.”
“They still seem uncomfortable with each other, idk what it is,” another echoed. “They just seem awkward.”
“Why do they seem awkward towards each other?” a third echoed.
"Josiah seems kind of turned ff by his wife or he is just nervous. Idk.”
Josiah and Lauren are only 23 and 21, respectively, and it's possible that neither was emotionally equipped for the roller coaster ride of a miscarriage followed so closely by another pregnancy.
But some fans are convinced there's more going on here.
They believe Josiah was pressured to marry Lauren in order to distract from his mysterious split with Marjorie.
We may never know for sure what exactly happened with that breakup, but whatever the case, the Duggars seemed eager to sweep it under the carpet.
The couple never even formally announced their split; fans just pieced it together after Marjorie was scrubbed from Josiah's social media pages.
In all likelihood, Josiah and Marjorie simply decided they weren't right for one another, and they went their separate ways.
Of course, divorce is strictly forbidden in the Duggars' world, so Josiah would not have the option of having a similar change of heart with regard to Lauren.
Back in June, the father of one took to Instagram to pay tribute to his wife on their wedding anniversary.
"As we celebrate our anniversary, I am reminded of the day when I first fell in love with you. It was that, 'you know, when you know', moment," he wrote.
"I instantly knew, somehow, someday, you would be my wife," Josiah continued.
"You have changed my life forever and for the better. You have brought so much joy and fun into my life."
Josiah is one of the more well-liked Duggars, and no doubt many fans hope that he's as happy as he claims to be.
But many more are convinced that he's putting on an act.
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CC-MAIN-2020-40
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https://www.thehollywoodgossip.com/2020/08/josiah-duggar-and-lauren-swanson-secretly-miserable-in-their-mar/
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2020-09-27T00:36:03Z
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| 0.981365 | 895 |
Apple CEO Tim Cook has said the company will reconsider the pricing of iPhone models in international markets, after it revealed a decline in revenue from handsets in its quarterly report.
In response to a 15% year-on-year shortfall in iPhone revenue, amid lower demand for the iPhone XR, XS and XS Max devices, Cook said countries where the currency has weakened could be in line for an iPhone price cut.
Cook didn’t mention specific territories, and was likely referring to China, where sales are particularly suffering. However, the British pound has experienced a tremendous fall against the US dollar since the EU referendum, so it’s possible Brits could be in line for cheaper iPhones too.
“When you look at foreign currencies, and then particularly those markets that weakened over the last year, those (iPhone price) increases were obviously more,” Cook told Reuters.
Related: Samsung Galaxy S10
“And so as we’ve gotten into January and assessed the macroeconomic condition in some of those markets and decided to commensurate with what our local prices were a year ago in the hope of helping the sales in those areas.”
The vow comes with Apple’s year-on-year earnings and profits down for the first time in more than a decade. Despite announcing its second-highest quarter ever in terms of revenue and profit, the tallies fell below the same period last year.
During the past three months of 2018, Apple brought in $84.31 billion, which is a net profit of $19.96 billion. That’s down from the $88.3 billion and profit of $20.1 billion.
The fall in earnings, which had been predicted by Wall Street and prefaced by Apple, is largely down to a 15% year-on-year decline in the money Apple brings in from iPhone sales.
The company is attributing that to a drop in demand in China, while hinting that the offer of cheap battery replacements has affected upgrades. However, it says that there are now a record 1.4 billion active devices, which is up 100 million on last year.
There was good news elsewhere for Apple, with its burgeoning Services devision reaching a record $10.8 billion in October, November and December 2018.
“While it was disappointing to miss our revenue guidance, we manage Apple for the long-term, and this quarter’s results demonstrate that the underlying strength of our business runs deep and wide,” said Cook.
“Our active installed base of devices reached an all-time high of 1.4 billion in the first quarter, growing in each of our geographic segments. That’s a great testament to the satisfaction and loyalty of our customers, and it’s driving our Services business to new records thanks to our large and fast-growing ecosystem.”
Overall, Wall Street seems to be satisfied by the earnings, with shares rising 2.5% in after-hour trading. That’s despite the company dealing with a mini-crisis thanks to a FaceTime bug that made it possible to see and even hear recipients when they haven’t answered the call.
Can Apple bounce back? Or has the rot set in for iPhone sales? Let us know @TrustedReviews on Twitter.
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CC-MAIN-2020-40
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https://www.trustedreviews.com/news/iphone-uk-price-cut-3651573
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2020-09-26T23:34:48Z
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| 0.963912 | 688 |
Bronze 56k Holiday '19 Collection & Size guide
The final instalment of the year from Bronze 56k
has arrived, cutting it fine as always;). This season sees another twist on the classic B logo tee's with a basketball short sleeve in black and Tennis Long-sleeve in white. Bronze have continued with the same tee's as before so if you're not familiar with the fits you can find Small & medium to be True to size with Large & XL being ever so slightly over. See below for DTG printed details with the textures captured as if you could feel. As always small front B Logo left of chest with Large print on the back underlined in the block Bronze script. Plenty of other printables are on offer in this current range also which can be seen by clicking HERE.
The 'Snow Hood'
being another highlight of the range which was the most posted/talked about piece in anticipation for the drop beforehand. The hoods are printed of Heavy 14 oz cotton ideal for the winter months and holding shape much firmer than close competitors. The sizing on these fir true across the board, if you are familiar with Dime hoods then you'll know what to expect. The back print is of the same DTG nature showing a detailed to the touch Snow print.
See below for examples of the textures.
Touching lastly on the Vert Script fleece, a new addition from the Bronze camp. A detailed and thorough breakdown of the sizing can be found by further scrolling. The fleece is 100% soft Polyester construct with Bronze detailing on all the zip pullers (Side pocket/Full front zip) topped off with all over Bronze print with contrast striping. Scroll for size chart and fleece detailing, or go straight to shopping the full range by clicking here.
translation missing: en.general.search.loading
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CC-MAIN-2020-40
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https://www.tuesdaysskateshop.co.uk/blogs/news/bronze-56k-holiday-19-collection-size-guide
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2020-09-27T01:42:07Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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| 0.92728 | 380 |
Prescelly View is a stunning and spacious 4-bedroomed bungalow with panoramic views to the Preseli Hills; a wonderful place to get away from it all and sample some Pembrokeshire tranquility. The house is available to let for up to 8 guests all year round. Prescelly View is located near the lovely village of Llawhaden which occupies a hill top location between Narberth and Haverfordwest.
This is a glorious property with a large lounge containing 4 sofas and a TV / DVD which opens out onto a beautiful patio and barbeque area. A fully-equipped kitchen adjoins onto a dining room, and there is a conservatory with superb countryside views. The house has 4 bedrooms with a family suite (with 1 double and 1 twin room), a double room and a twin room. Linen is provided. There is a large family bathroom, 1 en-suite bedroom in the family suite, a shower area by the pool and also an outdoor shower. We boast a luxury indoor swimming pool, a sauna and outdoor hot tub. We also provide a complimentary welcome pack for your stay, and there is a cot and high chair available for families with children.
Prescelly View offers complete privacy for all guests including sole use of all facilities, pool, hot tubs and outdoor areas.
Want to see how long a trip here will take? Click the button and get the route on your computer, tablet or phone. Simply enter your postcode. Try it out!
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https://www.uktourismonline.co.uk/wales/south-west-wales/narberth/prescelly-view/index.php
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2020-09-27T00:49:42Z
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| 0.95542 | 319 |
Several weeks ago, I put a shout out on the internet asking if Sharpie made a retractable version of their Pen. Within minutes, I got replies back (all kindly withholding the urge to say “Duh, Ana! Of course they do!”). Indeed, there is a retractable version of the Sharpie Pen. So I immediately hustled out to my local big box office supply store and nabbed a pack of two. I only saw the retractable version available in black but do let me know if you’ve seen any of the colors available as well.
Aesthetically, the most notable difference is that the Sharpie Pen retractable features a much wider barrel. The size in the hand is comparable to a Dr. Grip, multi-pen or biggie crayon as opposed to the capped Sharpie Pen which is just a little wider than a Marvy Le Pen.
This bigger grip is probably to allow room for the mechanism that covers the pen opening to keep the ink from drying out. Unlike a gel or ballpoint pen, felt tips cannot be left exposed to the air indefinitely or they will dry out.
There are a few other design modifications to the retractable model. There is a grippy rubber at the grip section which make the wider pen comfortable to hold. The clip is metal and much more traditional looking than the plastic clip on the capped model.
Finally, the retracting button is one of the longest retracting mechanisms I’ve ever seen. I compared it to the manual clutch on an old Toyota truck. The retracting button is full thumb extension for me like that old truck was full leg extension. Its not a good or bad thing, just unusual. If it lets me retract the tip of a Sharpie pen, I’m willing to suffer thumb hyperextension. It’l probably keep me from nervously clicking the button in meetings for fear of a repetitive stress injury.
In terms of overall performance, the Sharpie Pen retractable has all the same features that made me fall in love with the original capped model: waterproof, non-toxic, acid-free ink; fine tip and good black ink color.
If you previously found the standard Sharpie Pen to be too narrow in the barrel or prefer retractable pens, the Sharpie Pen retractable is going to be the perfect upgrade. A 2-pack is $6.25 from JetPens. The price for the retractable is a bit higher than it is for the standard capped Pen but its worth it if you find yourself capping and upcapping your pen all day. Click, click! Done!
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CC-MAIN-2020-40
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https://www.wellappointeddesk.com/2015/10/review-sharpie-pen-retractable/
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2020-09-27T01:10:21Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400249545.55/warc/CC-MAIN-20200926231818-20200927021818-00009.warc.gz
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| 0.933101 | 543 |
For many years I reigned as the Queen of Injuries. I had pretty much every running-related injury possible. It wasn’t until I really focused on incorporating some strength training into my routine that I stopped getting so many injuries. As women, and especially after having kids, we really need to make sure we are putting in the work to strengthen our glutes, hips and core to avoid getting injured. Strengthening these major muscle groups will also help to propel forward more efficiently, maintain proper form while running and help to conquer those hills like it is nobody’s business. Added bonus—because you are strong from all of the strength training you have been doing, you can train longer and harder, which will make you a better runner.
Today let’s focus on our glutes. There are so many different injuries directly associated with weak glutes, such as shin splints, runner’s knee, IT Band problems and Achilles tendinitis! If our glutes aren’t firing properly while we run, our other muscles (like hamstrings, quadriceps and calves) have to take over and compensate. This can cause all sorts of different problems.
I have four moves that I love to do a few times a week to help strengthen my glutes! The best part about these moves is that you can do them anywhere and you don’t need any weights! I like to do each move 15 times in a row (and then switch legs if applicable), followed by a 30 second rest and then repeat that sequence again 3-4 times depending on the move. In short— 15 reps for 3 sets with a 30 second break in between each set.
While your elbows and right knee are on the ground, lift your left leg until it is parallel with the ground. This is your starting position. Lift your left leg up about 6-12 inches while keeping it straight and then return to your starting position. I also love to do donkey kicks while I am in this position. Just make a 90 degree angle with your leg and lift your leg up 6-12 inches while keeping your knee bent.
Lie flat on the ground with your hands by your sides and your knees bent. Pushing up mainly with your heels, keep your back straight and raise your hips up off of the floor. Hold there at the top for a few seconds and then go back to where you started and repeat. For an added bonus, try this exercise with only one foot on the ground at a time!
Start with your feet hip-width apart. Start to bend your right knee as your left leg starts to go behind you. Squat down with your right leg and then hinge at your hips to touch the ground. Raise back up slowly and bring your left knee up so that your left thigh is parallel to the ground. Repeat and then switch to squatting down with your left leg.
Leg raise to the side
Stand on one leg with your knee slightly bent and the other leg just a few inches off of the ground. Raise that leg that is a few inches off of the ground to the side as high as you can while keeping your back straight. I usually go up to about a 45 degree angle. Return that leg back to the starting position and repeat.
Now let’s all get those glutes of ours strong and firing properly to help us with our running!
Get the latest in training, gear, nutrition and news sent straight to your inbox. Sign up for the Women’s Running newsletter.
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CC-MAIN-2020-40
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https://www.womensrunning.com/health/4-glute-exercises-that-will-make-you-a-stronger-runner/
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2020-09-27T01:46:20Z
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| 0.953568 | 722 |
Squarespace.com – extremely website builder that is nice
Benefits of U sin g Squarespace
+ Simple to make use of, uses drag and drop + Modern 70+ themes and templates + Very intuitive + Reliable help via email + Good selection of add-on features + perfect for innovative business/people
- Cons ofUsing Squarespace
– High monthly cost – Limited third-party contact wix integration
Squarespace is really a site builder that provides 100+ well-designed themes which can be tuned in to both phones and pills. In terms of designs, fonts, sizes, and pictures, Squarespace may be the platform that strives for excellence. Their Site Styles menu permits great customizability that is template. The platform positively lives up to it’s “Build It Beautiful” tagline.
One great benefit that Squarespace has over other web site builders is the fact that it provides the chance to switch templates without losing any content. The working platform lets you make use of numerous templates for the website that is same when. Continue reading
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http://blog.globaladvertisers.in/category/what-is-wix-2/
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2020-09-28T10:04:20Z
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| 0.872572 | 222 |
Sunday, December 19, 2010
Cyber Security Tips for Online Shoppers
Safety Tips for Cyber Shopping
Now that the holiday shopping season is in full throttle, cyber shoppers are heading to online malls in search for a great bargain. Online bargain hunters need to take precaution to ensure that they are not victim of identity theft or other cyber attacks. I contributed to a story ("Cyber Security: Pay Close Attention When Shopping Online This Holiday Season") back in 2007.
Below are some precautionary measures that you can take, not just during the holiday shopping season, but in any online ecommerce transaction:
Make sure that the computer from which you are doing your shopping is adequately protected. This can be accomplished by ensuring that the system is kept up to date with operating system’s patches, hot-fixes, and relevant patches. Patches should also be applied to user applications such as document editors, Microsoft Office, Adobe Readers, Internet browsers, and so forth. If there are multiple users sharing the same computer, make sure that an account is created for each user. By patching, I do not mean simply focusing on Windows system but Mac OS and Linux operating systems as well. Part of securing your computer involves using anti-virus software, updating the virus signatures, and scanning your computer frequently for virus and malicious software. Protection also includes enabling a firewall and intrusion detection system to alert you if your system is attempted to be compromised.
Make sure your Internet browser is protected. The Internet browser as well as email applications are the main attack vectors used in most sophisticated attacks. To this end, the cyber shopper needs to ensure that the respective software are heavily guarded. Update your browsers and apply patches to them proactively. Ensure that the browser cache and temporary Internet files are erased (“emptied”) and the browser is closed when finished. Is the computer you are using a shared one (family members, library, hotel lobby, etc)? Securing your computer ensures that attackers and cyber crook can’t easily steal your data.
Make sure that network from which you are connecting is protected. If you are one of those that thinks you can tap into your neighbor’s wireless network for your Internet access, think twice. Make sure you have a good assurance that the network that you are using to transmit your data will not compromise your data.
Know the merchant from whom you are purchasing. While a well-known brand may not necessarily have a more secure website or backend servers than an unknown brand, a well-established and known company may be more willing to work with you than an unknown store, which may well be a fly-by-night operation.
Consider opening and using an account with Ecommerce payment services, such as Paypal, Google Checkout, as Google Checkout, or Wirecard. Through this type of service, you store your credit card, banking information, and shipping address information with one of these service providers. You can then pay any online shop that “accepts” these payment methods for the exchange of goods or services. This mechanism ensures that your payment data is not provided to all online shops from which you purchase merchandize or service.
Protect Your Privacy: Ensure that your personal and confidential information is not published online in emails, social media and forums. Combined with other data, cyber crime may be able to steal a persons’ identity when they are not stored or transmitted securely. Avoid providing your confidential information (social security number, PIN, password, etc) to anyone claiming to be from the “Technical Support” department. Resist sending these information in emails or texting them! Beware of phishing emails, which may contain malicious Internet links or attachments, which may only get you to visit hostile sites that may compromise your data.
Other tips to consider include:
Educate yourself on cyber security and online safety.
Change your password with each cyber store often -- at least once in six months. Do this on your computer and other online accounts that you may have as well.
Ensure your personal and confidential information is not stored on your computer, or if it is stored, make sure it is encrypted.
Trust No One, except your unborn child! People you trust may deliberately, inadvertently, or innocently compromise data under their control.
In summary, while the precautionary items mentioned above may help protect your online experience, they are not panacea. Although a determined attacker can still compromise a users’ data even with a lot of protective mechanism, hackers generally would be more interested in going after easier targets.
Have a happy and safe cyber shopping!
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2020-09-28T08:41:51Z
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| 0.938675 | 940 |
In yesterday’s blog I showed the error when I tried to login to SSRS through Management Studio. I recollected that while installing SQL Server, I chose the option Install only, and I did not configure Reporting Services until now.
So, I decided to write a blog with step by step explanation of how to configure SQL Server Reporting Services. This blog explains the steps to perform on a SQL Server 2012 (as of RC0) and the steps are similar to the steps to configure SQL Server 2008 R2 Reporting Services.
Before configuring SQL Server Reporting Services, ensure that your login has administrator permissions on which the Reporting Services is being configured and also ensure that you have required permissions to create databases (ReportServer databases) on the SQL Server when ReportServer databases will reside.
Go to Start, SQL Server 2012 (RC0 in this case), for other versions of SQL Server choose the appropriate program menu. Go to Configuration Tools and click on Reporting Services Configuration Manager (pic below).
In the next dialog, choose the Server Name and Instance (if more than 1 instance is installed, select the instance from the drop down) and click connect.
Once the Configuration Manager is connected successfully, the Report Server Status is displayed as shown below…. You can see the current status of the Reporting Service and Stop or Start depending on the current status.
Click on Service Account, in the left side pane. The current Service Account setting is displayed. Be default, this would be a service account that was chosen at the point of SQL Server Installation. You can change the service account to another account by choosing Use another account option and enter the username password for that account. I chose to let the Reporting Service run under the service account created during Installation. Once you are done with your choice click Apply button in the bottom of the window.
As soon as you choose apply, few steps are run and the results are displayed as shown in this screen below.
Next, click on web Service URL. The default values are already assigned, and if we decide those vales are good enough, choose Apply to configure with the default values. Instead you can choose a virtual directory of your choose and click Apply when your changes are final.
Note: I am choosing a basic configuration, so I am continuing with default values…
Once the configuration tool configures the virtual directory, the Report Server Web Service URLs are now active and you should be able to click on the URL (in blue font) to open the URL.
Next, click Database. This is the configuration step in which you configure what SQL Instance is hosting the Reporting Services Report databases. Since the databases are not configured, note that the values are blank. Click Database to start configuring databases.
Once you click change database, a new wizard Report Server Database Configuration is displayed as below. In the first screen, there are 2 options, if you would like to create new databases for this reporting service, choose the first option. If you would like to point to an existing report server database, choose the 2nd option. In this case I am going to create new databases for the report server, so I chose that option, click Next to continue…
The next step in the wizard will display the SQL Instance name (if the server has database engine installed), choose the authentication type and click Next.
Enter the database name for the report Server database and click Next.
In the next step, choose the Credentials you would like the report server to use while connecting to the report server database. By default Service Credentials is provided, choose Next to use the Service Credentials.
In the next summary screen verify that all settings, selections are as per your plan and click Next to begin the database creation and configuration step.
Once all the steps are successful, the wizard will display the below screen, click Finish to complete the database configuration.
As the database configuration is completed, you should now see Server Name, database name and other details (as below).
Next click Report Manager URL, This is the step where you can configure the URL for Report Manager. Again this is completely optional, I chose to go with default values, so click Apply.
Once the Report Manager URL is configured, the results section should be displaying the success messages as shown below..
The Next step to configure is E-mail Settings. In this step, you must provide sender email address to be used by the Report Server and provide the SMTP Server information in your case. In this case I do not have SMTP Server configures on my personal Server. I choose to skip this step and not configure any email settings.
In the next step, Execution Account, you will have to provide a domain account (preferably) to be used in case of any credentials are required. The domain account has to have sufficient permissions to access the report items / files. I am not planning to configure this as of this point, so I am skipping this step.
In the next step, Encryption Keys, you have choice to Backup your Reporting Server’s Encryption key to a file, in order to use, in case of migration to another server. In addition to this, if you have create a new Encryption Key or delete the existing Encryption Key ( as and when the situations arise).
The final step in the configuration tool is Scale-out Deployment. This is the step where more than 1 Reporting Services will be utilizing the same Report Databases. You will have to use this step after you finish installing other Reporting Instances and join those instances into the scale-out deployment.
Do you like this site? Like our FB page @ Facebook.com\LearnSQLWithBru so that, you know when there is a new blog post.
— Bru Medishetty
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The "Virtuous" War
I wish to make the case that there has been a fundamental continuity to U.S. foreign and defence policy, stretching from the first George Bush to the second, with only minor deviations in the Clinton administration, and now the Obama administration, and that this continuity can be traced through the concept and practice of what I call “virtuous war.”
I believe definitions, more often than not, close down rather than open up the kind of debate that I hope will follow this online forum. So, rather than define this term, I wish to offer a provocation, presenting “virtuous war” only as a felicitous oxymoron that expresses a contemporary dilemma of world politics. What is the dilemma? In the process of making war virtuous, we, as a people and as individuals, have become less virtuous.
Getting to the heart of this dilemma requires a bit of deep thinking, which is why, in my research, I have leaned on a group of German thinkers: Friedrich Nietzsche, Carl von Clausewitz, and Walter Benjamin. Nietzsche said, “Only that which has no history can be defined.” So, rather than a definition, I intend to present a very short history of virtuous war, in all its shape-shifting forms.
Clausewitz, who did define war, rather famously, as a “continuation of politics by other means,” also cautioned against the arrogance of reducing war – which he presented as a historically contingent phenomenon befogged by complexity – to any single, fixed definition. Through Clausewitz, I wish to convey the unintended consequences of virtuous war.
The third thinker is Walter Benjamin, who, in an earlier interwar period, made the observation that, “history now decays into images, not stories.” So, I want to begin with a montage of virtuous war, which I hope will do a better job of capturing its historical, complex, and increasingly pixelated nature than any definition or linear story might. I intend to draw as much on images as words, to show, rather than tell, how virtuous war has become the driver of U.S. foreign and defence policy.
This embedded video is the product of almost two decades of research in search of what became the staging grounds for virtuous war – or, as I called it, with apologies to general-turned-president Dwight D. Eisenhower, the military-industrial-media-entertainment network, or MIME-NET.
I hope this montage gives you some sense of the genesis, as well as the hubris, of virtuous war. I hope the short history conveys how its founders sought to project a technological and ethical superiority, in which computer simulation, media dissimulation, global surveillance, and networked violence would combine to deter, discipline, and, if need be, destroy the enemy. Up to and including the early stages of the Iraq War, virtuous war promoted a vision of bloodless, humanitarian, hygienic wars. I wanted to show how virtuous war predates and post-dates George W. Bush, and how the road to Afghanistan and Iraq, and back to Afghanistan, emerged from a series of armed humanitarian interventions in Grenada and Panama, Somalia and Haiti, Bosnia and Kosovo.
Virtuous war is the closest we moderns have to a deus ex machina swooping in from the skies to fix the dilemmas of world politics, virtually solving intractable political problems through technological means. However, these virtual solutions inevitably give rise to new political problems. We see these cycles renewed with every Predator drone that takes out the wrong target, and with every wrong door that gets broken down in pursuit of the “bad guys.” When war becomes the first, rather than the last, means to achieve security in the new global disorder, what one technologically can do begins to dominate what one legally, ethically, and pragmatically should do. Virtuous war thus presents a paradox: The more we resort to virtual means to resolve political problems, the more we undermine the very ground upon which our political virtues rest.
As long as the U.S. remains the dominant military power, with no real or potential peer competitors, virtuous war will prevail. But the story waiting to be told is the advent of a new heteropolarity, by which I mean the emergence of actors who are different in power and kind (state, corporate, group, individual) and connected nodally through networks rather than hierarchically through states. Sovereign states are still the most powerful actors, and one does not have to be, say, Chinese or a Somali pirate, to recognize that a single state, the U.S., is definitely more equal than the rest. However, from the power of the powerless that emerged from the Velvet Revolution, to the range of insurgencies that followed the global “war on terror,” to the hope and uncertainty of the Arab Spring, new globalized identities and asymmetries of power are re-inscribing the map of world politics. Now, our theories and concepts of war need to catch up.
Photo courtesy of Reuters
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The documents distributed by this server have been provided by the contributing authors as a means to ensure timely dissemination of scholarly and technical work on a noncommercial basis. Copyright and all rights therein are maintained by the authors or by other copyright holders, notwithstanding that they have offered their works here electronically. It is understood that all persons copying this information will adhere to the terms and constraints invoked by each author's copyright. These works may not be reposted without the explicit permission of the copyright holder.
Publications of SPCL
|T. Hoefler, J. Dinan, R. Thakur, B. Barrett, P. Balaji, W. Gropp, K. Underwood:|
|Remote Memory Access Programming in MPI-3|
(ACM Transactions on Parallel Computing (TOPC). Vol , Nr. , pages , ACM, ISSN: , Jan. 2015, accepted for publication on Dec. 4th )
AbstractThe Message Passing Interface (MPI) 3.0 standard, introduced in September 2012, includes a significant update to the one-sided communication interface, also known as remote memory access (RMA). In particular, the interface has been extended to better support popular one-sided and global-address-space parallel programming models, to provide better access to hardware performance features, and to enable new dataaccess modes. We present the new RMA interface and specify formal axiomatic models for data consistency and access semantics. Such models can help users to reason about details of the semantics that are hard to extract from the English prose in the standard. It also fosters the development of tools and compilers, enabling them to automatically analyze, optimize, and debug RMA programs.
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Tina Lu "Lanterns and Special Effects in Seventeenth-Century China" 09/23/2014
My research and teaching focus on the literature of the late imperial period, from around 1550 to around 1750. Major publications include Persons, Roles and Minds (Stanford, 2001), Accidental Incest, Filial Cannibalism, and Other Peculiar Encounters in Late Imperial Chinese Literature (Harvard East Asian Monographs, 2009), a book-length chapter on late Ming literary culture in The Cambridge History of Chinese Literature, v.2, and a co-edited volume on Approaches to Teaching The Story of the Stone (MLA). I am currently working on three projects: a book already drafted on how late imperial people conceived of objects and materiality, a collaborative project on the sixteenth-century playwright and painter Xu Wei, and a major digital initiative that will enable collaborative philological work. I have received grants and fellowships from the ACLS, the National Humanities Center, and the Mellon Foundation, and Accidental Incest was given the Gustav Ranis Prize in 2009.
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Yen Press Announces "Bestia Volume One"
By Leroy Douresseaux
June 29, 2020 - 15:30
|Bestia Volume 1 cover image|
Yen Press Launches BESTIA Fantasy Adventure Manga Series
News of a new fantasy adventure manga series launch from Yen Press as the publisher details the release of BESTIA.
The series was highlighted in a Tweet from Yen Press: https://twitter.com/yenpress/status/1276189169111400450
Bestia Volume 1 is available now and features story by Makoto Sanda and artwork by Miyakokashiwa.
Chasing a faint memory from childhood, Asuka Tsukasa travels to London...and falls headlong into fantasy, intrigue, and the piercing gaze of a beautiful beast girl!
"Asuka, you are my keeper."
Asuka Tsukasa has an irrational fear of animals, especially dogs-which makes studying abroad in London, city of dog lovers, a bit of a challenge for him. There, in his vanished mother's hometown, he hopes to find a clue to her whereabouts and to meet the mysterious smiling girl from his dreams. But life only gets harder for this zoophobe when he's invited to join a secret organization that seeks to coexist with beasts and protect the world from the ones that go out of control. At least he gets to meet that girl-though she turns out.
Last Updated: June 29, 2020 - 15:34
Join the discussion:
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Written by Hamid Dabashi
Eyes must be washed,
In a different manner must we learn to see
The posthumous awarding of the Spectrum International Prize for Photography of Lower Saxony (VII) to the preeminent Iranian photographer Bahman Jalali (1944-2010) is a unique opportunity to reflect on the lifetime achievement of an artist who for half a century was the vision and vista of his people. Just a few months before his untimely death on 15 January 2010, Iranians were yet again marching in their masses of millions to reclaim their public space in yet another manifestation of their democratic aspirations. Jalali was destined to have kept his people company through the thick and thin of their relentless quest for liberty—showing them where they were, what they were doing, both the sad and the soaring moments of their failures and success. Master Bahman Jalali was stoic in his photographic demeanor. As his desert photography clearly shows, he had a patience and poise that was rooted in the subterranean memories of time immemorial. From the desert architectures of his homeland to the uproarious revolutionary uprising of his people's most repressed desires, Bahman Jalali had a calling to capture the illusions, the mirage, that make the realities of their humanity possible, plausible, and trustworthy.
The Fundació Antoni Tàpies in Fall 2007 and the Sprengel Museum Hannover in the summer of 2011 were the successive sites of two major exhibitions that celebrated an Iranian artist who over a lifetime had trained generations of photographers who are now extending his testimonial vision and photographic wisdom into posterity. Though the world of photography lost a magnificent artist very early and at the zenith of his creativity, Bahman Jalali continues to live not just in his timeless work but also in the agitated soul of the lenses he has bequeathed to and taught his students how to turn. His heritage extends, however, far beyond his immediate and distant students. He has planted his lens in the mind's eyes of his people. Ostad Jalali (Master Jalali), as they call him affectionately in Iran, was a visionary artist that in this panoramic full view is now the visual register of a world he was destined to document, an artist who over the span of a lifetime polished the active intellect of his lenses so perfectly that he became the photographic soul of his people. If the two series on
War are capturing the choreography of the trials and tribulations of a people, the series that Bahman Jalali called
Image of Imagination reflects the more meditative spaces that Ostad Jalali was discovering in the uncharted territories of his photographic soul. There and then he has captured the evasive illusions without which realities have no way of suspending their commanding presence.
The Making of A Visual Modernity
"Towards the end of the reign of that pious King and Fighter for the Faith, Muhammad Shah [reigned, 1834-1848], may The Almighty clothe him in light," thus says I'temad al-Saltaneh, a historian of the Qajar dynasty (1789-1926), "Monsieur Richard Khan who at present teaches English and other languages at the Dar al-Fonun used, with much toil, to take pictures on silver plate. In the early part of the reign of our present Shah [Nasir al-Din Shah (reigned, 1848-1896)], may our souls be sacrificed for him, when the Dar al-Fonun [a modern college] was built, Monsieur Krziz the Austrian artillery instructor, made some photographic experiments on paper." This passage is the earliest narrative record of how the art and science of photography found its way into Iran—an account that is deeply rooted in the history of modern Iran in the colonial context of its emergence as a modern nation-state.
Rooted in that beginning and in its enduring context, Bahman Jalali's prolonged mediation between the art of photography and the cultural condition of modernity in his homeland has now produced the massive evidence of a lifework with his indelible signature written on its visual vocabulary. Not only in his own massive production over more than thirty years but in fact in his sustained endeavors as a collector, curator, historian, and a repository of transmission to the new generation, Bahman Jalali has been at the forefront of a national photographic project that visually informs his people's encounter with colonial modernity. His work and activities are thus the indices of the enduring role of photography in the emergence of his country as a modern nation-sate over the last two hundred years. Bahman Jalali's work, as a result, at once complicates our understanding of Iranian encounter with colonial modernity and maps out the various visual regimes that have been constitutional to the formation of Iranian modernity. Evident in his work and running through the silhouettes of his photographic memory are the active registers of a
visual modernity coterminous with a national narrative at the roots of Iranian collective consciousness.
The origin of photography in mid-nineteenth century Qajar encounter with European colonialism notwithstanding, the more immediate signs of Bahman Jalali's
visual modernity is in fact rooted in the rise of Persian
literary modernity into which his generation of artists were born and upon which it was nourished. The nature and disposition of that visual modernity is not merely historical but far more effectively archeological. Bahman Jalali's generation of photographers is as much informed by the history of photography in Iran as by the emotive universe—visual, literary, poetic, performative—into which they were born. Less than a decade before Bahman Jalali was born in 1944, and precisely in the same year that Pablo Picasso was deeply disturbed by the rule of fascism in his homeland and furiously at work on his
Guernica in Paris, a European educated Iranian writer named Sadeq Hedayat (1903-1951) traveled from Iran to Bombay (Mumbai) ostensibly to help with the Persian dialogue of the first Iranian films that were being made in India, but in fact to learn the middle Iranian language of Pahlavi—and then most famously ended up publishing a limited edition of a handwritten copy of a short novella that was destined to change the course of Iranian
literary modernity. The reign of general Franco in Spain (1936-1975) was no less dictatorial than the monarchy of Reza Shah (1926-1941) and his son Mohammad Reza Shah (1941-1979) in Iran—and yet from the heart of Reza Shah's tyrannical darkness emerged the rays of literary and artistic hope for a life otherwise than evident. The publication of Sadeq Hedayat's masterpiece,
The Blind Owl (1937), marks the zenith of Persian literary modernism. Although the origin of Persian literary modernity goes back to mid-nineteenth century (as early if not earlier than the origin of photography), it was not until Sadeq Hedayat gave it a robust imaginative surge that it became a major force in Iranian cultural modernity.2 In the creative character of Sadeq Hedayat and the literary modernity that he initiated and marked we might thus locate the immediate cultural condition into which Bahman Jalali was born and was then cultivated as a photographer of uncommon versatility and insight.
The fact that Sadeq Hedayat had written
The Blind Owl while deeply influenced by such European writers and poets as Frantz Kafka and Rainer Maria Rilke, whom he read in French, but published it while in India and studying Pahlavi, in and of itself, points to the cosmopolitan transnationalism of the culture that had preceded him by more than a century and that had now come to full creative fruition.
The Blind Owl gradually emerged as the defining moment of Iranian literary modernity—a masterpiece that to this day remains unrivalled and unsurpassed; while making its author—a disaffected member of the Qajar aristocracy who renounced his ancestral privileges and opted for a short literary life that ended with his suicide in Paris in 1951—the most prominent literary modernist of his generation. No learned and cultivated Iranian of Bahman Jalali's generation, born after the publication of Sadeq Hedayat's literary masterpieces, was immune to his enduring influence and as such was markedly different from his or her parental generation in literary and cultural sensibilities. One might in fact divide the modern cultural history of Iran into pre- and post-Sadeq Hedayat periods, when the literary—and by extension visual, poetic, and performing—vocabulary of an entire nation of sentiments changed for good.
When we look at Sadeq Hedayat's literary output today, we see a relentless and probing soul navigating a whole spectrum of creative and critical writing that ranges from novella and short stories, to studies in linguistics, literary criticism, folklore, literary translation, and drama. Among his other works, Sadeq Hedayat prepared a critical edition of Omar Khayyam's quatrains, wrote some of the most enduring examples of modern Persian drama, a number of travelogues, exquisite and biting satire, short stories that constitute the cornerstone of Persian literary modernity, treatise on vegetarianism, translation of literary sources from French and ancient texts from Pahlavi. In his short but exceedingly fruitful life, Hedayat set the record for a
literary modernity and creative cosmopolitanism that have been definitive to Iranian cultural modernity for over two centuries.
Invoking the memory of Sadeq Hedayat and the zenith of Persian literary modernity and creative cosmopolitanism that he best represented is one among any number of other hallmarks of modern Iranian cultural history one can choose to mark the right angle when today we approach, look at, and begin to converse with the extraordinary lifework of Bahman Jalali's photographs collected at Tapiès Fondation in Barcelona. One might equally point to the groundbreaking work of Nima Yushij (1896-1960), the founding father of modernist Persian poetry, or before him to Fath Ali Akhondzadeh (1812–1878), a pioneering figure in critical thinking about literary modernity, or after him to Mirza Aqa Khan Kermani (1853-1896), perhaps the most gifted cultural modernist of the nineteenth century. In visual, performing, literary, poetic, and critical modernism, Bahman Jalali has a genealogy of creative characters behind him that span over the last two hundred years of modern Iranian history. Bahman Jalali's generation of visual artists carry in the constellation of their caring and critical lenses (in the poetics of their visual memory) that creative cosmopolitan that for over two hundred years has been the hallmark of Iranian cultural modernity—an anticolonial modernity that was the precise antithesis of European colonial incursions that was the defining trauma of much of the colonized world.3
Born in 1944 and active for almost half a century, Bahman Jalali is one of a handful of artists who is chiefly responsible for having brought the art of photography to full artistic recognition and social prominence in Iran—beginning with the rise of the Pahlavi monarchy (1926-1979) to political prominence and continuing in the aftermath of an Islamic revolution (1979-present). The art of photography that Bahman Jalali now best represents came to full cultural prominence in the 1960's, with such globally celebrated artists as Reza Deghati, "Abbas," the late Kaveh Golestan (1950-2003)—tragically killed while documenting the US-led invasion of Iraq—and later sublated in the artistic works of such other prominent artists as Amir Naderi, Abbas Kiarostami, and Shirin Neshat. Although the origin of the art of photography in Iran goes back to the beginning of photography itself, with European colonial photographers among the first to have taken the very first photographs of Iranian landscapes and peoples, as an art form, photography began to enter the domain of Iranian
visual modernity early in the twentieth century with the work of such legendary photographers as Antoin Sevruguin (d. 1933).5
As a photographer, Bahman Jalali's art is deeply rooted in that history and tradition, while his attraction and fascination with photography is embedded in a generation of Iranian artists, intelligentsia, and literati that cultivated its interests far more in the wide domain of social practices than in the specific domain of scholastic learning. Having never "studied" photography in any formal schooling, Bahman Jalali has taught it in a number of Iranian universities. The range of his accomplishments as a photographer has been much celebrated in his own homeland. He is a founding member of Iranian photography museum, and been on the editorial board of the leading photography journal in Iran. As evidenced in this compressive collection of his work collected at Tapiès Fondation, Bahman Jalali has photographed the four corners of his homeland, documented its wars and revolutions, pictured its desert landscape, recorded the facial topography of his people, and lived with fishermen, nomads, peasants, and city dwellers alike, while widely familiar with the vacated quietude of Iranian cities and villages. Looking at Bahman Jalali's photographs is to witness the evident and hidden history of his people—from the streets and battlefronts of its revolutions and wars, to the vacated landscape of its deserts and small towns, and then down to the distant corners of its photographic memories. Bahman Jalali's artwork is the living memory of a visual modernity that is constitutional to his nation's historical passage to moral and normative agency.
The Art of the Impossible
The art of photography that Bahman Jalali best represents had an inconspicuous beginning in his homeland, but it had to witness and envision much before it cultivated a creative soul at the focal fusion of its caring and curious camera. When one of the most prominent philosophers of the nineteenth century Iran, Molla Hadi Sabzevari (1797-1873), saw a picture of his taken by the court photographer he was absolutely flabbergasted and considered it a bizarre miracle, for in his considered philosophical opinion "only the human spirit . . . was capable of imprinting and recording images, and this faculty was beyond the scope of any man-made machine." It would be a long and tumultuous time before that creative soul were to be detected and invested in the camera that today Bahman Jalali holds in his hands and takes picture of his homeland and its peoples. From the time of Molla Hadi Sabzevari forward the history of photography and subsequently cinema is predicated on a rich and diversified tradition of paintings as manuscript illustration and the so-called "coffee house painting," in which visual rendition of narrative stories have given glimpses of a far more richer and diversified visual sets of imageries dominant in Persian literary and performing arts. In such masterpieces of Persian poetry as Ferdowsi's (940-1020)
Shahnameh or Nezami's (1141-1209)
Khamseh, we read very vivid visualization of the most dramatic (heroic or erotic) aspects of the stories. The subsequent manuscript illustrations of these poems, the so-called "Persian miniatures," are imaginative renditions that mark the most immediate manner of visualizing those stories. When the art of photography and subsequently filmmaking arrived in Iran, from mid- to late-nineteenth century forward, those rich and diversified literary and poetic traditions were very much alive and on the mind of Iranian photographers and filmmakers.
Beyond its origins in Persian literary, poetic, and performing arts, the art of photography now evident in Bahman Jalali's lifework was the forerunner of contemporary Iranian cinema. Such prominent Iranian filmmakers as Amir Naderi began their career as photographers, while others like Abbas Kiarostami have turned to photography after a very successful cinematic career, while still others like Shirin Neshat have mixed and matched photography and filmmaking in the art of video installations. The confidence of generations of Iranian filmmakers, from Forough Farrokhzad, through Amir Naderi, and down to Abbas Kiarostami are invested in the moment that Bahman Jalali picks up his camera and looks through it at a soldier with his gun hanging from his back, sitting in his trench, his back to Bahman Jalali's camera, and looking through his binoculars at the vast anonymity of a deserted landscape. How close to that soldier do you get, how far, how much do you close or open your frame, what lens you use, what time of the day it has to be, and above all where do you stand to hold your camera in your hand without disturbing the peace of that warring posture—all these and myriads of other imperceptible questions are always already asked and answered before the camera of a photographer like Bahman Jalali becomes the hidden conscience of an entire people, a whole nation of sentiments and ideas—read and recorded for the whole world to see. When Molla Hadi Sabzevari saw his own picture, he thought it the product of a soulless machine. It would be quite some time before that machine was indeed invested with a creative soul that caringly captured the trials and tribulations of a people.
Remember the photograph of Kim Phuc, the totally naked nine-year old Vietnamese girl from the village of Trang Bang taken on 8 June 1972 by Nick Ut as she and a number of other brutalized villagers were running down a road, screaming in pain from third-degree burns suffered during a napalm attack on her village in Vietnam. War photography was never the same after that picture by Nick Ut. By virtue of this picture of Kim Phuc, war photography can be divided between a pre-Nick Ut and a post-Nick Ut period. Bahman Jalali's generation of Iranian photographers of war and mayhem—which includes such world renown figures as Reza Deghati, "Abbas," and the late Kaveh Golestan—are the product of the post-Nick Ut war photography: The urgency, terror, brutalized humanity, and unsurpassed savagery of warmongers all dwelling and dreaming in their defiant and yet frightened consciousness. In his war and revolution photography, Bahman Jalali has the Vietnamese photographer Nick Ut and by extension the legendary Hungarian photographer Robert Capa (Andrei Friedmann, 1913-1954) guiding his camera in his mind.
Once upon a time the camera may indeed have been a machine without a soul. Much carnage and despair has happened in the ravaged soul of humanity for the camera now to possess (and to be possessed by) a creative soul.
The Totality of the Lifework
Chapter and verse, the extraordinary collection of Bahman Jalali's lifework (from the heart of Iranian desert architectures to the hidden horrors of its revolutions, from the archival corners of its antiquarian studios to the full scale uproars of its wars) over the last almost half a century is the visual evidence of a cosmopolitan culture that extends from visual to literary to performing arts. The challenge that a contemporary audience alien to that cosmopolitan culture faces when looking at Bahman Jalali's artwork is how to reach for the visual vocabulary and the emotive universe of that worldly culture, passing the hurdle of the alienating effect of its aggressive anthropologization in a post-9/11 world that must re-learn how to look at a work of art and practice an aesthetic exegesis that allows the work itself exude its hermeneutic resonances, its cultural artifacts, social conditioning, political practices. What is perhaps most important in Bahman Jalali's collected work is the signature authority of a lifetime of committed artistry that ipso facto disallows whimsical appropriation into one direction or another—in either overtly anthropological or merely political terms. Here stands before its audience a massive body of evidence documenting the totality of an artist's lifework, awaiting a narrative appreciation.
The totality of Bahman Jalali's lifework informs its specific items. Take any of the pictures of his exhibited work you wish. Here is an emptied and vacated alley in the city of Bushehr. The iconic registers—or the denoted and connoted messages of the picture, as Roland Barthes would say—of the picture are yet to be globally conjugated, trans-regionally tabulated, and visually read. The picture is loaded with its emptied sensibilities. An abiding anonymity at once informs and depletes the picture—if it were to be seen in exclusively its own terms. What makes this picture move in order to begin to punctuate an emotive universe is if we were to watch it adjacent to another picture in the same series, yet another emptied street, and then move on to another, and then another, and so on. Thus viewed, every picture becomes a commentary (a visual caption, one might even say) on the other, and the next one for the previous two, and so forth—until such point that from the succession of pictures and their visual captions, we begin to work out the populated anxieties of each picture with the vacated anonymity of the other. Thus viewed, pictures provide the encoded messages of their own visual culture, without any undue anxiety about social, political, or cultural frames of references—which are the only sorts of registers that the aggressive anthropologization of the work of art can allow—and thus the calamitous condition of the contemporary works of art that come from the alienated boundaries of the European or American imagination: They are denied the paradoxical (and thus pregnant) dialectics of their formal abstractions informing their narrative moods. Only by allowing the totality of a lifework to work out its own aesthetic underpinning, the counter-metaphysics of its own visual rhetoric, can specific works of art show and tell the hidden anxiety of their creation.
The vital signs of an artist like Bahman Jalali will have to be detected in the flaunted subconscious of the work of art with his signature on it. Here we cannot do better than look closely at the series of work he calls "Image of Imagination." These are invariably made up of juxtaposed collages of pictures and texts, mostly of the earliest phase of Iranian photographic history during the nineteenth and early twentieth century. What these manufactured collages project are snapshots of a history that has long since mutated into memory, and Bahman Jalali here pushes them even further back into the repressed imperceptions of images at once illusory and yet compelling. These are vague (and yet how precise they are in their vagueness) pictures from the mind of a generation of Iranians that cannot completely remember and yet cannot completely forget mixed-up and miasmatic images of a bygone age that continues to haunt the dreams and nightmares of subsequent centuries. Invested in the porous punctualities of those images, the artist, Bahman Jalali, lives in the bodily memory of a people he thus claims and calls home.
The portrait of the artist at home—that is the defining moment of the totality of a lifework that allows art to register itself as the marker of a nation at peace (even when at war) with itself.
For the camera of Bahman Jalali to detect and cultivate a soul, the artist behind that camera will have to be given the space of a lifework within which art can articulate the idiomaticity of its own visual registers. Consider those pictures of Bahman Jalali in which he juxtaposes the written Persian script on deliberately distorted pictures he has archived from the earliest phases of photography in Iran. Here language has lost meaning and sublated into its visual, meaningless, effect. The result is a cumulative collage of visual abstractions that simulate memory in a pre- and post-memorial moment, when thing are and are not quite there, and yet precisely by virtue of that uncertainty command the uncanny, the unhomely, character of art as both sign and signifier. The author of this text, the auteur of these moving images, and the artist of this imagination, belongs to an entirely different genealogy of authorial agency. The subconscious of this artistry is yet to be mapped out, its subject is yet to be born—and in the birth of that artist, the totality of a lifework commands the lexicography of a visual modernity with body and soul, purposeful aesthetics and political resonance.
The Idiomaticity of the Artwork
Paramount in the collective work of Bahman Jalali is the presence of the artist-and-his-art in-the world. The worldliness of Bahman Jalali's work of art dispenses with all the undue anxieties embedded in the curatorial anxieties concerning what constitutes a work of art in the prevalent anthropology of despair that has now permanently marked the profession. Bahman Jalali's lifework, ipso facto, disallows essentialism, tokenism, representational identity politics, and above all the mendacious anthropologization of "other" people's work of art. Against the aggressive tokenization of the works of art, and their violent mutation into cultural icons, Bahman Jalali's lifework forecloses the possibility of reading any part of it without an awareness of its worldly totality, of its visual idiomaticity—of an artist working through the thick and thin of his people's history and giving them a photographic memory of who and what they are. At the age of the iconic mutation of the work of art into a provincially political provenance, which in fact paradoxically leads to a radical depoliticization of the work of art, Bahman Jalali's lifework demands (and exacts) from its viewers a moment of pause and silence to recall the momentous occasion when art announces its unreal authority over reality. The mutation of the work of art into an act of political representation paradoxically depoliticizes it, because a work of art is only political to the degree that it is worldly—when a work of art becomes iconic, anthropological, eviscerated of its worldly whereabouts it has in fact been too much politicized and thus effectively depoliticized (at the heavy price of erasing its visual idiomaticity).
What above all Bahman Jalali's lifework demonstrates is that when placed in the world that has given life and liberty to it, art is the record of the cosmopolis that has immediately occasioned it. Here we witness the centrality of the artist in the making of a cosmovision that at once embraces and is embraced by the world that it has imagined and that has allowed it to imagine it. It is only within that cosmovision that a sustained record of an artist will allow for the making of the visual idiomaticity of the world he or she has seen. The visual vocabulary of that idiomaticity is always pregnant with its own historical memories—memories that make them meaningful and trustworthy. The danger of museumization of the work of art has always been in compromising and debilitating the relevance and authority of that idiomaticity. An exhibition is a legitimate intervention in allowing the work of art to do what it does in the world outside only to the degree that allows for that idiomaticity to speak (to show and flaunt) its innate and cultivated language.
To conjugate and learn that idiomaticity, Bahman Jalali's lifework can be traced and tracked on any number of directions. One might begin, for example, with his "Baluch" pictures—the topography of sunburned passages of time and narrative on faces that speak a hidden history. Here, Bahman Jalali's camera is caring and attentive, mostly conscious and careful how close can it actually get to the emotive topography of a face without trespassing. One can then move to his "Architecture of Bushehr City"—mostly vacated sinuousness of lives echoed in the architectonic of their visual silences. In the vacated moments of these city streets echoes the lives of those who have momentarily vacated it. When we reach Bahman Jalali's "Architecture of Desert (Memari)" something visually seductive and palpably erotic is exuding from his camera. These pictures are visually solitary, the camera almost bashful of so much exposure stripped in front of its bewildered eyes. It is right here, in the midst of life ordinary and shapes and shadows rampant and evident that we need to look at some of Bahman Jalali's pictures of "War and Revolution." A bloody revolution (1977-1979) and a deadly war of uncommon cruelty with Iraq (1980-1988) mark the birth of Islamic revolution as a turning point in modern Iranian history. We must see these pictures of revolt and warfare as the continuation of the selfsame ordinariness that has preceded them for the brutality of war and the futility of the revolution to register their respective marks.
Before Bahman Jalali's photography of "War and Revolution" distracts too much from the more compelling fact of his lifework, we need to move along and look at what he calls "Image of Imagination." These are mostly the collapsed and collided images of lives forgone and foreclosed. They speak of and show worlds long since lost and abandoned, and yet still commanding the dreams and nightmares of a people, a nation by virtue of precisely the repressed facticities of these images.
From "Image of Imagination" we are better off moving to Bahman Jalali's "Akkas-khaneh Photos." These are mostly archival photos of people posing the occasion of an instant when they stood in front of a magic box to record their haphazard whereabouts for a posterity they knew not where and what it was (what it will be). If we are to go back and look at other photos of Bahman Jalali about "War and Revolution II" we better do them now, while we are still in the grip of his playful awareness of an age of innocence when photography was self-conscious of its social novelty. But before we are too much involved in Bahman Jalali's preoccupation with the political turmoil of his homeland, we need to take a look at his "Fishermen"—serene, busy, hardworking, and toiling in the black and white of a shade and shadow familiar to Bahman Jalali's photographic memory. The best way to conclude an unfolding reflection on Bahman Jalali's photographic idiomaticity is with his sustained record of "Portraits and Daily Life"—where reality takes over and life assumes its daily matter-of-factness.
Investing Soul in a Soulless Machine
From the flat-faced photograph of the first picture ever taken of Mollah Hadi Sabzevari in the middle of the nineteenth century to the emotively sculpted pictures of Bahman Jalali up to the commencement of the twentieth-first century, the history of Iranian modernity might in fact be considered as the chronicle of a prolonged project in which the photographic apparatus was indeed invested with that sense of spirituality which the aging nineteenth century philosopher thought exclusive to the human soul. The old philosopher was not too off the mark after all. When the daguerreotype apparatus was first brought to Iran in the course of Iranian encounter with colonial modernity it indeed lacked that spiritual depth that today gives Bahman Jalali's photographs their distinct character and visual idiomaticity. What has happened between that flat-faced photograph of Molla Hadi Sabzevari and these emotively sculpted photographs of Bahman Jalali is the story of a nation. A prolonged and enduring encounter with colonial modernity—that is what has happened—has mapped out the particulars of a visual terminology at home in Iranian modernity. From the battlegrounds of that fateful encounter a creative and critical consciousness has been invested behind the two perceptive eyes of a photographer like Bahman Jalali when he picks up his camera and through it looks at the changing shades and shadows of his universe. Bahman Jalali is as much an archivist of his nation's history as a prognosticator of its invested hopes for agential authority over is historical fate.
As perhaps best captured in his manipulated photography in "Image of Imagination," in Bahman Jalali's hands and through his lenses, time and narrative come together to suspend history and tell a different story. These photographs seem to be the untold story of a nation, dreams of a people yet to be interpreted—all recorded in visual silences for posterity to behold. Here words and visions collide to make for a superior sense of perception—where polyfocal facts of life are creatively sculpted and put on stage (a soul inhabiting their bodily awareness). The passage of time in these pictures is visually palpable, the occasion of the photograph marked by a deliberate silence that allows for the muted time to speak. In these pictures mules become cars, habitual gestures change in tonality and intentions, clothing items change with each frame, etc—and yet constant remains the returned gaze of people at the camera and the photographer. In that split second when the gaze of the photographed, the eye of the photographer, and the lens of the camera come together the visual idiomaticity of Bahman Jalali has recorded the story of his nation.
True to the history of the people it has photographed, he soul in Bahman Jalali's camera is not content. It is contentious. Between the fate of a post/colonial artist like Bahman Jalali as the chronicler of his people's passage through history and the immanent conclusion of European philosophers that art has ended and the artist is dead, there thus emerges the dialectic of a transaesthetics of difference, where the world in its worldliness must hope and expect the emergence of an art that still matters. Bahman Jalali's photography is the occasion for such a hope, the instance of this realization. What makes that hope possible is the vision of a mode of seeing that preempts its imaginative foreclosure. Watching a work of art from a part of the world we have never visited, let alone known or inhabited, is always predicated on an act of prior imagination. We always imagine a country, a clime, a claim on our fantasies before we stand before a work of art that
has come from that part of the world. That very act of having "come from that part of the world" is ipso facto, and always-already, an act of imaginative alienation, a Brechtian
Verfremdungseffekt that enables reading a work of art at the very same time that distorts it. With artists like Bahman Jalali, we are looking at an imaginative foregrounding in which the
Verfremdungseffekt has already taken place within the work of art, and as such it no longer makes a difference "what part of the world it has come from"—for thus energized by a visual repression that makes its reading possible, the work of art has already trespassed the boundaries of its own self-alienation. It thus preempts its anthropologization by prefiguring its own enabling repression, by flaunting its subconscious as if it was totally unaware of the power of its own repression. Thus equipped with a dose of creative repression that makes it creatively visible to any critical audience, the work of art looks back at its spectator, long before it has even been unpacked from the box in which it was shipped from "overseas," and installed on an accommodating wall, to be looked at by an unsuspecting observer. Watch very carefully! Bahman Jalali's camera is in reverse angle.
The Making of Iranian Aesthetic Modernity
Capturing the illusion of reality, as Bahman Jalali has done over the span of a lifetime, amounts, in effect, to mapping the visual subconscious of a people, made into "a people" precisely by way of such constitutions of varied takes on that very subconscious. In the eventual making of that visual subconscious, and as evident in Bahman Jalali's photographic archive, Iranians, as a people, have attained the measures of their
aesthetic modernity. The open-ended contours of this roadmap leads to the full and final recognition of the emotive sovereignty of the aesthetic act.
The complete retrospective of Bahman Jalali's work marks a crucial point in the history and recognition of Iranian
aesthetic modernity, which remains integral to the larger context of the rise of Iranian cultural modernity over the last two hundred years. The photography of Bahman Jalali reveals a cosmopolitan worldliness, a vision of reality rooted in an aesthetic awareness of the light and shadows of existence, that is irreducible to history, politics, or even culture. It has a sovereign reality onto itself. Ostad Jalali's work unveils, one shot after another, the prolonged and patient endurance, and the creative cultivation, of a visual intelligence that has long been in the making and that has been tirelessly at work to show and tell what it has seen and witnessed. Watching Bahman Jalali's work unveil over an almost half a century canvas is an historical privilege in having unmitigated access to
the visual intelligence of a nation. Capturing the visual subconscious of that nation over a lifetime of photography is both a privilege and a gift that very precious few artists can hope to claim. No reality can ever be immune to the emotive illusions of this body of work.
Whence that communally registered
visual intelligence, wherefore that cultivated vision? The only reliable guide into the sinuous labyrinth of Bahman Jalali's photographic memory of his journeys of visual discovery are his pictures. But the social conditions of their production and exhibition are also the indices of how we find ourselves standing in front of his pictures in Barcelona or Hannover. For Bahman Jalali's work not to be assimilated into yet another aesthetics of indifference, or else anthropologized into the indices of an information bulletin about the politics of his homeland, it is imperative to place it within the context of Iranian
aesthetic modernity. In order to do so, first and foremost we need to clear a false binary opposition habitually posited between a stubborn
tradition and a wayward
modernity. Mapping the visual subconscious of a people is a sustained aesthetic project, in the creative formation of which signs assume a reality
sui generis and as such remain irreducible to any false binary opposition.
Habitually, discussions about Iranian visual, cultural, or political
modernity is placed and juxtaposed against the abstract notion of a
tradition that is categorically ahistorical in its origin and provenance. A historically fixated conception of
tradition and a correspondingly alien understanding of
modernity are habitually placed next to each other by way of understanding the manner Iran was ushered into its current history, and its artists and intelligentsia into their corresponding visions of historical realities. Photography as an art form began in Iran almost simultaneously as it did in Europe; and thus it is imperative that Bahman Jalali's work be seen in the global context of this art form and never degenerated into a political index of his country of origin. There is nothing particularly Islamic or anti-Islamic about Bahman Jalali's art, nothing particularly political or apolitical. Reduction of art to political allegory is the most troubling analytical reductionism rampant in the European encounter with non-European art. This is not to deny or compromise the vast and varied social implications of his work, but in fact to meet and measure their imports in their own terms. To converse with Bahman Jalali's art we need to have a set of aesthetic sensibilities entirely alien to any falsifying reductionism and derived from the visual protocols of his work itself.
To decipher those protocols, we need to place the visual vocabulary of Bahman Jalali within the larger context of the aesthetic modernity that has actively nourished it, and then trace that aesthetic modernity to the prolonged Iranian encounter with European colonial modernity—a paradoxical process at once enabling and traumatizing. It is ultimately through the enabling force of an historical trauma that we must come close to Bahman Jalali's work. The historical fact of Iranian modernity is that it was ushered into the sinuous labyrinth of its culture through the gun barrel of European colonialism, to the point that what we are witnessing in Iran and its neighboring countries is not a copycat take on a universal conception of
modernity but in fact what can more accurately be described as the power of an "anticolonial modernity"—namely revolutionary reaction to a mode of paradoxical encounter with the master-notions of Reason and Progress when human agency and autonomy is ascribed to a people precisely at a moment when it is effectively denied them.7
Anticolonial modernity is the inaugurating moment of rebellion against that imposed and unexamined assumptions of Reason and Progress by way of a revolutionary reason that posits its own notion of progress.
This notion of
anticolonial modernity, within which specific moments such as the aesthetic modernity that informs Bahman Jalali's work occurs, points to the condition of coloniality, and by extension that of postcoloniality, that is conducive to manners of articulating a mode of agency beyond the tradition/modernity binary and as such will require a particular attention to the poetic ruptures deliberately interjected in the prose of history. The aesthetic domain in and of itself occupies a space at once autonomous and self-generative and yet coterminous with the larger political battlefields to which it is an interested witness, and precisely in the tenuous borderline of that complicitous contingency a work of art acts as catalyst of normative and moral change without being implicated in the banality of the political day-to-day-ness.
Thinking of Iranian visual modernity and the place of Bahman Jalali in it will inevitably require a conception of premodern heritage of aesthetic visuality, a historical awareness without historicism. A preliminary archeology of that premodern history of visuality unearths a long and variegated heritage, with certain solid hallmarks: The Qur'an, for example, ought to be seen not just as a juridical source of potentially banning visuality, but in fact an invitation to it: In such verses as "Those who believe in the unseen and keep up prayer and spend out of what We have given them" (II: 3), in chapters such as "Joseph" (Chapter XII), in episodes such as that of the Prophet's nocturnal journey to the heavens (Mi'raj), in the aesthetic rendition of the word of God in beautiful calligraphy, and in the melodic and rhapsodic recitation of the word of God, we see these fixation with visuality and orality perfectly evident. The belief in Mi'raj in particular has an exceedingly visual dimension to it, for it is here where the anxiety of visibility becomes very acute. God Almighty, which must remain the Supreme Unseen, so that the very notion of visuality is made possible, is here the subject of a prophetic visitation from earth. The nocturnal visit of the Prophet to meet the Almighty face to face is perhaps the most creatively traumatic moment in Islamic metaphysics, from which the very notions of visibility, and thus of visuality, are made possible.8 The centrality of God the Unseen in the Qur'anic
revelation makes the trauma of visibility central to the Islamic visual culture.
This transgressive penchant for visuality is equally evident in the masterpieces of classical Persian poetry. In the
Khamseh of Nezami Ganjavi (1141-1209) the episode of
Mi'raj becomes a central moment of reflection on visuality, visibility, and the most spectacular poetic reflection on what it means to visit the Invisible. In Ferdowsi's (935-1020)
Shahnameh too we have both a theological and a narrative awareness of the question of visuality and visibility, which in turn are written into the fabric of his poetics. Early in the
Shahnameh Ferdowsi says:
Zeh Nam-o Neshan-o goman bartar-ast,
Negarandeh-ye bar-shodeh peykarast.
Beh binandegan Afarinandeh ra
Nabini maranjan do binandeh ra—
[He is too lofty to have a name or a sign,
He is the Designer whose firmament is erected high.
You will not be able to see the Creator,
Do not uselessly bother your eyes.]
Shahnameh, the doctrinal invisibility of the Invisible becomes the hidden poetic eye for detailed poignancy in a deeply ocularcentric poetry.
The varied manifestations of these transgressive attractions to visuality expand and extend all over Iranian and Islamic cultural heritage. In the so-called Persian miniature paintings we are witness to exquisite manuscript illustrations that at once complete, complement, and even compete with the narrative thrust of the manuscript they are meant to illustrate. In these manuscript illustrations, the element of visuality in effect assumes a reality
sui generis, conditioning a semiotic crisis in the creative consciousness of the text, at once enabling it to exude an open-ended hermeneutics and then wedding the implicit poetics of that hermeneutics to a pronouncedly visual aesthetics. The same is true about the genre of "Coffee House Painting," a particularly popular kind of narrative illustrations that extends the domain of visibility and visuality, and with it a new set of aesthetic sensibilities, out of the courtly milieu and deep into the thicket of popular imagination, where it could roam freely. What is particularly important here is the imaginative fusion of two distinct modes of narrative, one Iranian and the other Islamic. The popular blending of the two narrative modes into a singular set of stories let loose an avalanche of visual illustrations with a distinct pleasure in making the epic of visibility at once adventurous, romantic, pious, and ritual. The fusion of the sacred and the sacrilegious, the heavenly and the mundane, in "Coffee House Paintings," now begins to push the domain of the subversive visual into the public domain.
The domain of visuality has never been limited to visual art and in a series of Persian and Arabic philosophical and mystical treatises the subversive forces of these two discourses have had a profound visual implication. Entirely tangential to his philosophical and scientific projects, Avicenna's (973-1037) "visionary recitals," as Henry Corbin rightly calls them, or "mystical treatises," as they are commonly known, point to a particularly powerful philosophical ocularcentricism that are yet to be fully grasped and understood.9 In such treatises as
The Recital of Hayy ibn Yaqzan,
The Recital of the Bird, and
The Recital of Salaman and Absal, we are witness to a particularly suggestive set of visually allegorical accounts that explore the sinuous sides of a creative imagination entirely ocularcentric in its hermeneutic energy and visual registers. The same set of factors are evident in Shihab al-Din Yahya Suhrawardi's (1155-1191) visionary recitals, treatises such as
Avaz-e Par-e Jibrai'l,
Ruzi ba Jima'at Sufian, or
Fi Halat al-Tufuliyyah, etc.10 These visionary recitals partake in a deeply ocularcentric narrative to explicate their deeply subversive modes, and thereby extend the seditious force of their narratives into visual registers.
The project of European modernity came to much of the world through the gun barrel of globalized colonialism. The direction of the gaze that the mirror of colonial modernity made possible was contrapuntal. The colonized looked back at the colonizer, as the colonizer was seeing himself in the mirror of modernity he had given to the colonial to hold and behold. The colonial person, thus designated, was yanked out of moral and normative submission, dragged out of paradisial conception of humanity as the mirror image of God, and cast onto the mirror of colonial modernity, in reverse. Colonial modernity became the most traumatic event in the paradoxical making of visual modernity—at once constituting and negating it.
Antoin Sevruguin's was the first Iranian photographer to focus on the aesthetic, as well as the documentary potential of photography. Images like his haunting portrait of a veiled woman, "Veiled Woman with Pearls" (1890-1900), brought a new sense of portraiture to turn-of-the-century Iranian photography. Meanwhile, the introduction of monofocal perspective in Iranian visual vocabulary added a new element to the hitherto polyfocal perspectives that had existed in Persian painting. This added perspective sculpted a vision of reality, of a multi dimensional humanity, distinctly evident in the aftermath of Iranian encounter with colonial modernity. Humanity at large became at once visually sculpted and morally self-referential.
This constellation of visual self-discoveries ultimately brings us to the emergence of Iranian visual modernity, to the threshold of the rise of a visual humanism that categorically brings humanity out of its Qur'anic/Biblical narrative and allows for the aesthetic creativity of the artist to mimic or modulate the divine creativity at the center of premodern experience. If
Sapere Aude ("Dare to Know") was the principle motto of the European (for the rest of the world Colonial) Enlightenment, daring to look at oneself as the object of nothing more sacred or certain than the visual apparatus of an overtly self-conscious visibility was the way in which the colonial person reasserted agency in history.
What is most visible in Iranian visual modernity is the evident traces of history on the aging contours of the fragile humanity it portrays. This is the visual equivalent of the Cartesian cogito, the aesthetic rendition of the knowing subject, given agential autonomy to perceive and conceive itself, while always already under erasure. The seeing person becomes the author of historical agency. The metaphysical certainty of the world loses its magical illusions right in the enchantment of an evident reality that is auto-narrated. In the vistas of this visual modernity, humanity becomes evidently fragile, at once vulnerable and venerable. This is both a restitution of the sacred and the simultaneous celebration of the profane, the ordinary, the perishable. There is an almost palpable Khayyamesque vulnerability about this vision of humanity, hanging on an existential angst that may or may not be the signs of the time it registers. From the poetry of Nima Yushij to the fiction of Sadeq Hedayat are the existential foregrounding of this renewed, surreal, conception of humanity.
What we are witnessing and celebrating in Iranian visual modernity, with Bahman Jalali as its
locus classicus, is the commencement of an aesthetic humanism (at once authorizing and transitory) otherwise unprecedented in its long and varied history. What holds together and balances this aesthetic humanism is no fabricated binary between a fictive tradition and an elusive modernity. The thrust of this humanism ranges from the deepest thicket of a people's collective consciousness down to the creative effervescences of artists like Bahman Jalali who are at one and the same time of a particular cultural location and yet belong to a cosmopolitan worldliness at home anywhere on this small and vulnerable planet.
“Desert Architecture series” Bahman Jalali: All rigths reserved © Rana Javadi
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This is a watershed phenomenon in Italy where Technocrats and Populists are melding together to further common goals. However, note that the real reins of power are held by Technocrats. TN has previously suggested that the global populist movement would ultimately support Technocracy, the goal of which is to decentralize and weaken national governments. ⁃ TN Editor
Italy’s weird technopopulism could be the new normal
“Grappling with matters such as climate change, the environment, the European Union, is becoming too complex, even for experienced but non-specialist politicians”
So Italy has a government. On Wednesday June 6, Giuseppe Conte, an obscure academic handpicked by a coalition between the far-right League party and the anti-establishment Five Star Movement to be prime minister, secured the Parliament’s backing. He already made clear that banging his fist in Brussels to relax the eurozone’s rigorous budget rules is high on his list of priorities. He also seems keen on getting cosily with Russia.
The European Union is not happy, Italian bonds are doing badly on the markets, and Trumpist impresario Steve Bannon – recently in Rome gallivanting on rooftops and having over the creme de la creme of the Nationalist International, including leaders from the League and Five Star – is hailing Italy as the epicentre of the populist revolution he has been peddling all over Europe. Among all the drama and the coattail-riding, one thing about Italy’s new government has almost gone unnoticed. This is not a populist government; it is a techno-populist one.
The whole thing seems odd: we instinctively tend to think of populism and technocracy as warring parties. Technocrats deal in numbers, graphs and allegedly science-backed solutions; populist parties deal in emotions, despise unelected bureaucrats, and champion the real people’s very real will. These guys should be at each other’s throat. Yet they are ruling together. How come?
Lorenzo Castellani, a political historian at Rome’s LUISS University, recently explored the subject in an essay that did the rounds both in Italy and France, titled The Age of Techno-Populism. His theory is that, far from being foes, technocracy and populism are increasingly becoming allies in a war against a common enemy: representative democracy and traditional politicians.
In Italy’s case, this is so obvious to be almost didactic. The Five Star Movement started off in 2009 on the proposition that traditional politics was no longer fit for purpose, and that the parliamentary process should give way to direct democracy instead (the Conte cabinet features a Department for Parliament and direct democracy). They took pride in running online primaries that allowed anyone to run for office under the Five Star banner – according to the principle that ordinary citizens rather than professional politicians should be in power. But when they actually won the elections, the Five Star bunch realised that they had not enough experience to actually run a country. So they called the professors in.
“The world is too complex to renounce the technocrats,” Castellani explains. He says that the very same reasons that are catapulting populists into power – popular discontent with globalisation, economic crisis, technological disruption – also mean that running a country has never been harder for inexperienced upstarts. “Grappling with matters such as climate change, the environment, the European Union, is becoming too complex, even for experienced but non-specialist politicians,” Castellani says. People in this and other countries might well have had enough of experts, but they still need them – whether to calm down the bond markets, or even to implement a populist agenda without making an utter mess of it.
Granted: the Five Star Movement is not just any populist party. It is not the League, nor UKIP, or France’s Rassemblement National (erstwhile National Front.)
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http://www.europereloaded.com/technopopulism-born-italy-blending-technocracy-populism/
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2020-09-28T08:36:35Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.965684 | 826 |
Besides the more popular Klisura monastery in the Balkan mountain, there is another monastery carrying the same name, called after the nearby village of Klisura. The latter lies in the outskirts of Sofia, just a few km away from the town of Bankya.
About the monastery:
The Klisura monastery St Petka was originally built on an old road that connected Sofia to the village of Breznik. The first church is believed to have been erected more than 300 years ago, though in 1954, it collapsed under the burden of its years. A new church was built in its place by Mother Superior Maria Magdalene (1896-1978) and still functions there.
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<urn:uuid:2037da66-2df3-4630-8a6b-d31b4ff3e404>
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CC-MAIN-2020-40
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http://www.picturesofbulgaria.com/article/klisura_monastery_st_petka.html
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2020-09-28T09:16:59Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.974454 | 142 |
Play Now Free Mobile Games on zapak.com
ZAPAK.com is India's largest free-to-play gaming destination offering millions of casual gamers the choice of over 1000 games across genres like Cricket, Racing, Sports, Action as well as multiplayer games.
Slide the green block until it reaches the green arrows at the other side. Have fun in this crazy puzzle game!
Puzzle Games, Skill
Who can resist a tasty bowl icecream? Apparently not even a one-eyed, red monster made of Jelly can. Navigate your avatar through the levels,collecting all gems and avoid the bombs!
Skill, Puzzle Games
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<urn:uuid:87678203-9e06-448e-ae74-1ddc32242be4>
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CC-MAIN-2020-40
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http://xml.zapak.com/tag-search/Online%20Knobelspiel
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2020-09-28T10:06:59Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.877424 | 133 |
Culturally-Specific Physical Activity Measures for Native Hawaiian and Pacific Islanders
- Published on 05/2010
Introduction Physical activity is an important contributor to the health disparities experienced by Native Hawaiian and Pacific Islander (NHPI) populations. A culturally-specific measurement instrument that minimizes interpretation bias is necessary to obtain accurate assessments of this lifestyle behavior. The purpose of this study was to 1) create two versions of the Pacific Islander Physical Activity Questionnaire (PIPAQ-short and PIPAQ-long) for United States NHPI, and 2) pilot test the PIPAQ instruments and two objective physical activity monitors to evaluate cultural-appropriateness and acceptability.
Methods Forty NHPI adults (20M, 20F) aged 21–65 years attended focus group discussions addressing cultural perspectives related to physical activity. Feedback from participants, community leaders and physical activity experts guided cultural modifications to existing questionnaires to create PIPAQ-short and PIPAQ-long with accompanying showcards. Pilot testing of both PIPAQs and two objective physical activity monitors, the Actiheart and ActiTrainer, was carried out in another sample of 32 NHPI adults (17M, 15F) aged 18–63 years. Participants were instructed to wear one monitor for ≥10 hours/day for 7 consecutive days. At the follow-up visit, participants completed PIPAQ-short and PIPAQ-long, and a written and verbal exit interview to provide feedback on both subjective and objective instruments.
Results The majority of participants felt PIPAQ-long provided a more accurate reflection of activity levels, compared to PIPAQ-short. The Actiheart was the preferred monitor due to higher comfort and lower participant burden. Self-reported duration of physical activities was most difficult to recall, compared to activity type, frequency and intensity.
Conclusion Both PIPAQ instruments and the Actiheart monitor have demonstrated cultural acceptability and appropriateness for NHPI adults. Future studies will investigate the validity and reliability of both PIPAQ instruments in larger samples of NHPI adults.
Link to Abstract: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3158441/
Hawaii Medical Journal
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<urn:uuid:da439d6f-8892-4e6a-a62a-1c718523023b>
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CC-MAIN-2020-40
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https://actigraphcorp.com/research-database/culturally-specific-physical-activity-measures-for-native-hawaiian-and-pacific-islanders/
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2020-09-28T09:37:47Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.904142 | 470 |
M. J. Mulcahey, Brian T. Smith, Randal R. Betz, Albert A. Weiss; Outcomes of Tendon Transfer Surgery and Occupational Therapy in a Child With Tetraplegia Secondary to Spinal Cord Injury. Am J Occup Ther 1995;49(7):607–617. https://doi.org/10.5014/ajot.49.7.607
Download citation file:
© 2020 American Occupational Therapy Association
Objective. Tendon transfer surgery to augment hand function lost to spinal cord injury (SCI) has gained acceptance as a rehabilitation option for adults but has yet to be fully explored in children. In this study, hand function and performance of activities of daily living in an 11-year-old child with an SCI were evaluated before and after surgical transfers of the brachioradialis to the flexor pollices longus and the extensor carpi radialis longus to the flexor digitorum profundus.
Method. With the use of a single-subject AB design, repeated measures of pinch force, the Jebsen Test of Hand Function for Children and the Grasp and Release Test were obtained before tendon transfer surgery and at 2 ½, 6, and 12 months after surgery. Activities of daily living were assessed with the Functional Independence Measure (FIM) and the Common Object Test (COT) before surgery and 12 months after surgery.
Results. Each assessment revealed a significant improvement in hand function after surgery. Pinch force was measurable only after tendon transfers and increased throughout the first year. By two standard deviation analyses, after surgery there were significantly more task completions for all Grasp and Release Test objects, and task completion times were shorter for the light and heavy objects of the Jebsen Test of Hand Function for Children. FIM results showed that self-catheterization and Cutting food were possible only after surgery, and results of the COT revealed new unilateral and bilateral abilities that facilitated the client’s independence in writing, eating, applying toothpaste, and brushing teeth.
Conclusion. This single-subject study demonstrates the benefits of tendon transfers for active grasp in a child with an SCI.
This PDF is available to Subscribers Only
For full access to this pdf, sign in to an existing account, or purchase an annual subscription.
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<urn:uuid:5cfc4d7a-7ef7-4778-85e8-bd855d28f00f>
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CC-MAIN-2020-40
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https://ajot.aota.org/article.aspx?articleid=1870455
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2020-09-28T10:14:10Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.93191 | 482 |
Simply Skinny Elite, Simply Skinny Pollen, Simply Skinny Luxe, Simply Skinny Flush are products owned by Down To Earth Solutions LLC.
These products are the only other product line that meet Bee-Xtreme’s standards worthy enough to carry besides the Xtreme Line of products.
Remember when we said we only carry the best? We mean it. We’ve tested thousands of products between our crew, ourselves and friends and family over the years and nothing out there comes remarkably close to what our customers want.
How do we know what customers want?
Cause we ask of course!!
1. Our customers want something like the old products that used to be available. Slim Trim U, La Trim, Zi Xiu Tang, Oasis bee pollen, and many other China products that worked like magic.
2. Besides the Xtreme Line of products, Simply Skinny products carry a pretty hefty success rate as well.
Simply Skinny Elite is by far the strongest of all the Simply Skinny products. Made to attack fat in all the right areas of the body, this little purple pill is no joke! This capsule is not recommended for everyone.
*Please be aware there is another (skinny elite) on the market that is a pink capsule. This is not the right one. If it’s not purple, don’t waste your money. . Yes, we’ve tried it. My coffee is stronger than this capsule and I don’t get side effects from it)
Then we have Simply Skinny Luxe— convenient one capsule a day dosage for great appetite suppression.
Simply Skinny Gold is a favorite of mine. It has great appetite suppression and great detox like the old supplements do!
Simply Skinny pollen is usually recommended for beginners here. Great energy, good appetite suppression, good results!
Simply skinny flush is for advanced users only. This detox capsule is a little too strong for my liking and that’s why we made Xtreme Reboot 14 day total body cleanse. Most people experience cramping with the flush, but it does get the job done.
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<urn:uuid:a154d444-6d66-4e27-824c-b5d12d95aeec>
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CC-MAIN-2020-40
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https://bee-xtreme.com/what-are-the-simply-skinny-products/
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2020-09-28T08:31:13Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.907889 | 446 |
Owner & Lead Planner
Lori’s approach to each event is different. Listening carefully and building relationships has been a huge part of the success she has had in growing Boldly Chic Events. Her personality is one that is light and airy but always professional - and this makes the planning extra fun for her clients. From her background in Public Relations and Marketing, she is able to plan for the big picture but never leave out the vital details.
Lori splits her time between Indianapolis and New York City - and adores every minute of a busy schedule. Beyond the office, she shares her time with her sweet husband and two children.
Megan brings calmness and confidence to every event she plans. Her clients enjoy her positivity and eagerness to make things absolutely perfect. Her experience managing events began over 8 years ago when she helped her family open an incredible event venue. Because of this, she understands the importance of strong client communication and organization.
Megan works with clients in the Indianapolis and surrounding areas. Afterhours, she spends time practicing calligraphy, sipping red wine and cozying up with her husband.
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<urn:uuid:40b321dc-5649-4532-8690-19c3ad6d809b>
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CC-MAIN-2020-40
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https://boldlychic.com/bios/
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2020-09-28T08:43:41Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.965492 | 233 |
Obvis-V2: A Visualization Tool for Teaching Object-Oriented Programming Concepts In Java
Connell, Beth Harkness
MetadataShow full item record
This paper examines the advantages of visualization and what to look for in a good visualization tool. After a brief summary of some other Object Oriented visualization tools and techniques, this paper will describe Obvis in more detail, make comparisons between the original version and new version, and explain how to represent classes and objects in Version 2.
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<urn:uuid:ca63c7c2-6914-4943-b423-142dc9d4596e>
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CC-MAIN-2020-40
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https://cache.kzoo.edu/handle/10920/25097
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2020-09-28T10:01:57Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.794005 | 101 |
Gastroenterology Permanent jobs in Detroit
Broaden your search
Refine your search
Found 2 jobs
The University of Arizona and Banner University Medical Group is recruiting a BC/BE Advanced/Transplant Hepatologist .
The Department of Pathology at University of Arizona College of Medicine-Tucson announces a faculty position for an experienced academic Pathologist.
The Division of Gastroenterology employs 40 physicians and provides outpatient clinic and endoscopy services at HFH and 7 suburban satellites as we...
The Division of Gastroenterology and Hepatology at HFH in Detroit is seeking a board eligible/certified Gastroenterologist. HFMG is one of the nati...
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<urn:uuid:9fd053f1-5293-4603-a949-9f7d9a7542fa>
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CC-MAIN-2020-40
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https://careers.jamanetwork.com/jobs/gastroenterology/detroit/permanent/
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2020-09-28T10:20:53Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.881827 | 144 |
2016 Range Rover Td6 HSE
The nicest oil-burner in the country club parking lot.
The nicest diesel you can buy, huh? What about the Germans? They make some swanky rigs too…
They certainly do, but they’re upstaged quite a bit by the Rangie. Even if you option out a BMW X5, Mercedes Benz GLS or an Audi Q7 (hard to do since you can’t have one at the moment because of fallout from Dieselgate) to the max you’ll have yourself a fine luxo-SUV but not one that can hold a candle to the Range Rover’s superior prestige. Settle into the fragrantly leather lined cockpit and the feeling of distinctive luxury is palpable. If it’s the poshest diesel full-size SUV you’re after, it has to be the one hailing from Blighty. If you put one in your driveway, you’ll be treated to fuel consumption numbers befitting of an eco-minded sedan and the ability to tow 3,500 kilos of whatever along for the journey. For those with a Muskoka McMansion which comes bundled with the long highway commute to get there and the need to schlepp a boat along, this is what you want.
The one shown here looks like it’s been modified by the aftermarket.
That’s what we thought, at first. There isn’t a single surface that hasn’t been blacked out, and usually this kind of aesthetic direction is one favored by guys who wear Ed Hardy shirts and have a tribal tattoo around their bicep. In the Range Rover’s case, however, it works- it seems understated but sinister, and drew more than its fair share of admiring glances. We normally frown on oversized wheels and tires but the 22 inchers on our test car are proportionate and fill out the wheel wells perfectly. Also, they don’t ruin the exceptional ride. If the whole black-on-black-on-black thing isn’t working for you, no matter- just don’t check off the option for the Gloss Black package, a move that’ll save you $4,200.
Has it still got what it takes off-road?
Most of the time, the Range hunkers purposefully on its large wheels, but with the ability to hike up the suspension significantly and adjust for varying kinds of terrain it will be ready for almost anything you can throw at it. Despite laudable breakaway and departure angles it might induce a few cringes as trees and rocks aim to scuff up the brilliant paint job, but if you are one of the very small percentage of owners who like to add an extra degree of adventure to your off pavement excursions you won’t be disappointed by the Range Rover’s capabilities; actually, considering the size, weight and general opulence, what it can do is quite a feat.
And how does it fare when you’re not off the beaten path?
Quite well, actually. For a vehicle weighing in at 2,215 kilograms the Range Rover is dynamically sound- it’s nearly the class of the field with perhaps the Porsche Cayenne the only entry capable of giving it a run for its money. The steering and brakes work with a sense of polish and confidence, but what really struck us was its body control and ride/handling balance. Any vehicle that wafts down the road soaking up imperfections with aplomb and then make short work of a pockmarked highway on-ramp without so much as a whimper from the chassis is pretty darn impressive in our books. You won’t be flogging the Td6 in the same way you would with the 5.0 litre supercharged monster under the hood- the diesel’s relaxed demeanour won’t urge you to rush the proceedings.
What might go wrong?
Although Range Rover’s reputation for shoddy build quality and mechanical issues is in the rear-view mirror for the most part, they aren’t fully in the clear yet. When you consider all the complex on-board electronics and sophisticated chassis hardware, the prospect of dizzying out-of-warranty repair bills is a real one- just ask anyone who’s had to shell out megabucks to repair the air suspension. Owners may find themselves at odds with the infotainment system and stop/start function as well. The touchscreen system went under the knife fairly recently and represents a big step forward from the one it replaces. It’s still maddeningly slow to respond to inputs and requires far too much attention to operate when cruising. Also in the Needs Work column is the way the diesel engine shuts itself off and then reignites at traffic lights. It comes back to life with an industrial grade shudder, hardly befitting a vehicle with such prestige (and a price tag to match.) We had a Ford Escape in the Carpages Garage at the same time as the Range Rover it manages a nearly transparent system that puts the Rangie to shame. Despite some minor imperfections, we think the Range Rover Td6 is the sweet spot of the entire lineup- it isn’t cheap, but it offers better fuel mileage, robust towing capability and that creamy torrent of irresistible diesel torque served up in posh surroundings that suit day-to-day driving quite well.
2016 Range Rover Td6 HSE- Specifications
- Price as tested: $131,515
- Body Type: 4-door, 5 passenger SUV
- Powertrain Layout: Front engine/four-wheel drive
- Transmission: 8-speed automatic
- Engine: 3.0 litre V6, DOHC, 24 valves
- Horsepower: 254 @ 3,500 rpm
- Torque (lbs-ft.): 440 @ 1,750 rpm
- Curb weight: 2,215 kg (4,883 lbs)
- Observed Fuel Consumption: 10.5L/100km (22 mpg)
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<urn:uuid:3097f68f-8564-484e-a3c7-fd7dc25f1db9>
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CC-MAIN-2020-40
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https://carpagesgarage.ca/2016/05/31/2016-range-rover-td6-hse-review-and-road-test/
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2020-09-28T09:42:23Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.933346 | 1,271 |
I go to the help center, and I find, in order, that number 11 is "how to ask a good question" and there is a whole lot of admin stuff on top of that.
We get a lot of closed questions.
We get a lot of questions now well asked. (as do other SE's)
I would think that in the help, helping someone with how to ask a question, which is an art on SE sites, would be in the top 3.
Can we get this bumped?
What topics can I ask about here?
What types of questions should I avoid asking?
What does it mean if a question is "closed" or "on hold"?
Why are questions no longer being accepted from my account?
Why do I see a message that my question does not meet quality standards?
What if I disagree with the closure of a question? How can I reopen it?
Why and how are some questions deleted?
Why are some questions marked as duplicate?
What should I do if no one answers my question?
How do I ask a good question?
Why is the system asking me to wait a day or more before asking another question?
How to Ask Questions in Private Beta
What should I do when someone answers my question?
What are tags, and how should I use them?
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<urn:uuid:dd539b04-d6ea-419f-98c5-94fe061ca6ed>
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CC-MAIN-2020-40
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https://christianity.meta.stackexchange.com/questions/6373/why-is-how-to-ask-a-question-not-in-the-top-three
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2020-09-28T09:48:07Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.964914 | 277 |
Prostitution is illegal in Russia , but the fine for prostituting is symbolic and amount to from to Russian rubles about euros. Because of it, the city is full of all sorts of hotels, offering different levels of Whores Tyumen. I am able to relax you and Tyumen satisfy all needs and wishes.
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<urn:uuid:a980bd21-b764-4a30-a965-214eb3ed6914>
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CC-MAIN-2020-40
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https://dni-blok.ru/russia/whores-tyumen.php
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2020-09-28T07:31:42Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
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en
| 0.802575 | 371 |
1 These are the words which Moses spake unto all Israel beyond the Jordan in the wilderness, in the Arabah over against Suph, between Paran, and Tophel, and Laban, and Hazeroth, and Di-zahab. 2 It is eleven days' [journey] from Horeb by the way of mount Seir unto Kadesh-barnea. 3 And it came to pass in the fortieth year, in the eleventh month, on the first day of the month, that Moses spake unto the children of Israel, according unto all that Jehovah had given him in commandment unto them; 4 after he had smitten Sihon the king of the Amorites, who dwelt in Heshbon, and Og the king of Bashan, who dwelt in Ashtaroth, at Edrei. 5 Beyond the Jordan, in the land of Moab, began Moses to declare this law, saying, 6 Jehovah our God spake unto us in Horeb, saying, Ye have dwelt long enough in this mountain: 7 turn you, and take your journey, and go to the hill-country of the Amorites, and unto all [the places] nigh thereunto, in the Arabah, in the hill-country, and in the lowland, and in the South, and by the sea-shore, the land of the Canaanites, and Lebanon, as far as the great river, the river Euphrates. 8 Behold, I have set the land before you: go in and possess the land which Jehovah sware unto your fathers, to Abraham, to Isaac, and to Jacob, to give unto them and to their seed after them.
9 And I spake unto you at that time, saying, I am not able to bear you myself alone: 10 Jehovah your God hath multiplied you, and, behold, ye are this day as the stars of heaven for multitude. 11 Jehovah, the God of your fathers, make you a thousand times as many as ye are, and bless you, as he hath promised you! 12 How can I myself alone bear your cumbrance, and your burden, and your strife? 13 Take you wise men, and understanding, and known, according to your tribes, and I will make them heads over you. 14 And ye answered me, and said, The thing which thou hast spoken is good [for us] to do. 15 So I took the heads of your tribes, wise men, and known, and made them heads over you, captains of thousands, and captains of hundreds, and captains of fifties, and captains of tens, and officers, according to your tribes. 16 And I charged your judges at that time, saying, Hear [the causes] between your brethren, and judge righteously between a man and his brother, and the sojourner that is with him. 17 Ye shall not respect persons in judgment; ye shall hear the small and the great alike; ye shall not be afraid of the face of man; for the judgment is God's: and the cause that is too hard for you ye shall bring unto me, and I will hear it. 18 And I commanded you at that time all the things which ye should do.
19 And we journeyed from Horeb, and went through all that great and terrible wilderness which ye saw, by the way to the hill-country of the Amorites, as Jehovah our God commanded us; and we came to Kadesh-barnea. 20 And I said unto you, Ye are come unto the hill-country of the Amorites, which Jehovah our God giveth unto us. 21 Behold, Jehovah thy God hath set the land before thee: go up, take possession, as Jehovah, the God of thy fathers, hath spoken unto thee; fear not, neither be dismayed. 22 And ye came near unto me every one of you, and said, Let us send men before us, that they may search the land for us, and bring us word again of the way by which we must go up, and the cities unto which we shall come. 23 And the thing pleased me well; and I took twelve men of you, one man for every tribe: 24 and they turned and went up into the hill-country, and came unto the valley of Eshcol, and spied it out. 25 And they took of the fruit of the land in their hands, and brought it down unto us, and brought us word again, and said, It is a good land which Jehovah our God giveth unto us.
26 Yet ye would not go up, but rebelled against the commandment of Jehovah your God: 27 and ye murmured in your tents, and said, Because Jehovah hated us, he hath brought us forth out of the land of Egypt, to deliver us into the hand of the Amorites, to destroy us. 28 Whither are we going up? our brethren have made our heart to melt, saying, The people are greater and taller than we; the cities are great and fortified up to heaven; and moreover we have seen the sons of the Anakim there. 29 Then I said unto you, Dread not, neither be afraid of them. 30 Jehovah your God who goeth before you, he will fight for you, according to all that he did for you in Egypt before your eyes, 31 and in the wilderness, where thou hast seen how that Jehovah thy God bare thee, as a man doth bear his son, in all the way that ye went, until ye came unto this place. 32 Yet in this thing ye did not believe Jehovah your God, 33 who went before you in the way, to seek you out a place to pitch your tents in, in fire by night, to show you by what way ye should go, and in the cloud by day.
34 And Jehovah heard the voice of your words, and was wroth, and sware, saying, 35 Surely there shall not one of these men of this evil generation see the good land, which I sware to give unto your fathers, 36 save Caleb the son of Jephunneh: he shall see it; and to him will I give the land that he hath trodden upon, and to his children, because he hath wholly followed Jehovah. 37 Also Jehovah was angry with me for your sakes, saying, Thou also shalt not go in thither: 38 Joshua the son of Nun, who standeth before thee, he shall go in thither: encourage thou him; for he shall cause Israel to inherit it. 39 Moreover your little ones, that ye said should be a prey, and your children, that this day have no knowledge of good or evil, they shall go in thither, and unto them will I give it, and they shall possess it. 40 But as for you, turn you, and take your journey into the wilderness by the way to the Red Sea.
41 Then ye answered and said unto me, We have sinned against Jehovah, we will go up and fight, according to all that Jehovah our God commanded us. And ye girded on every man his weapons of war, and were forward to go up into the hill-country. 42 And Jehovah said unto me, Say unto them, Go not up, neither fight; for I am not among you; lest ye be smitten before your enemies. 43 So I spake unto you, and ye hearkened not; but ye rebelled against the commandment of Jehovah, and were presumptuous, and went up into the hill-country. 44 And the Amorites, that dwelt in that hill-country, came out against you, and chased you, as bees do, and beat you down in Seir, even unto Hormah. 45 And ye returned and wept before Jehovah; but Jehovah hearkened not to your voice, nor gave ear unto you. 46 So ye abode in Kadesh many days, according unto the days that ye abode [there].
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<urn:uuid:b6850155-b00e-4058-a069-e74e2ffe87b2>
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CC-MAIN-2020-40
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https://ebible.com/asv/deuteronomy/1
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2020-09-28T08:17:23Z
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s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600401598891.71/warc/CC-MAIN-20200928073028-20200928103028-00009.warc.gz
|
en
| 0.967623 | 1,659 |
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