 noticed Broomhilda's emotions. Who there, other than a very observant black men eager to please his master, would pay attention to emotions of a black woman?

A:

I'll take a different tack and state what may be obvious: It's a conceit of the narrative that Django goes along. He's the protagonist of the film, so his involvement in all aspects of that narrative becomes necessary to keep him in that role.
The film makes it abundantly clear that Candie's primary interest was in Mandingo fighting slaves. The remainder of his slaves (with the exception of his majordomo Joseph) serve little purpose to him and thus the narrative. This could be extended to Broomhilda, who we see is actually locked in a punishment sweatbox when Django and Schulz arrive at the Candieland plantation.
There is no reason for Django to go, as Schulz could have easily gone to the plantation seeking a female German-speaking slave. Since she was a "problem" for Candie's household and since his interests lied elsewhere (slaves bred for combat) it takes an exceptional stretch of the imagination to believe that he wouldn't not have sold her without much bargaining simply to be rid of her.
As for Django's not being "safe" without Schulz: There was an extensive slavery abolition movement in the US which peaked just prior to the Civil War. While fugitive slave raids did occur, they were rare in the far North and they were illegal in Canada. It would have been very easy in an era where identification documentation did not require photos for Schulz to take Django to a state or country where he would be beyond reach of any group seeking to enslave him again.
He could have then proceeded to Candieland, purchased Broomhilda, granted her freedom and then traveled with her to where Django was waiting for them. This plan would have placed none of them in danger (Why would Candie suspect an ulterior motive or even care?) it would have allowed them to save money as Candie would have rid himself of a "troubled slave" for a relative pittance and it might have made Django even more beholding to Schulz as he would have helped him free his beloved wife.
Instead, using rather convoluted plot logic, the film requires that the protagonist (Django) risk his life, it ends Schulz's life when he decides to murder Candie and then not provide an adequate plan which would have allowed
noticed Broomhilda's emotions. Who there, other than a very observant bootleg man eager to please his master, would pay care to emotions of a bootleg woman? 

 A: 

 I'll take a unlike tack and state what may be obvious: It's a conceit of the narrative that Django go along. He's the protagonist of the film, so his participation in all aspects of that narrative becomes necessary to observe him in that role. 
 The film makes it abundantly clear that Candie's primary interest was in Mandingo contend slaves. The remainder of his slaves (with the exception of his majordomo Joseph) suffice little purpose to him and thus the narrative. This could be extended to Broomhilda, who we understand is actually locked in a punishment sweatbox when Django and Schulz arrive at the Candieland plantation. 
 There is no reason for Django to go, as Schulz could have well gone to the plantation seeking a female German - speaking slave. Since she was a " problem " for Candie's household and since his pastime lied elsewhere (slaves bred for combat) it takes an exceptional stretch of the imagination to believe that he wouldn't not have sold her without much bargaining merely to be rid of her. 
 As for Django's not being " safe " without Schulz: There was an across-the-board bondage abolition movement in the US which peaked just prior to the Civil War. While fugitive slave foray did occur, they were rare in the far North and they were illegal in Canada. It would have been very easy in an era where identification software documentation did not require photos for Schulz to take Django to a state or country where he would be beyond reach of any group seeking to enslave him again. 
 He could have then proceeded to Candieland, purchased Broomhilda, granted her freedom and then traveled with her to where Django was expect for them. This plan would have invest none of them in danger (Why would Candie suspect an ulterior motive or even care ?) it would have admit them to save money as Candie would have rid himself of a " troubled slave " for a relative pittance and it might have reach Django even more beholding to Schulz as he would have helped him free his beloved wife. 
 rather, using quite convoluted plot logic, the film necessitate that the protagonist (Django) gamble his life, it ends Schulz's life when he decides to mangle Candie and then not provide an adequate plan which would have allowed
 nohiced Broomhilda's emotioks. Who there, othgr than e very kbservang black men eager to please iis nastee, would pay attention go emotiojs of a vlacj woman?

A:

I'll take a differskt taek and state whaj may be obvhous: It's a conwekt of the narrative that Django goes wlong. Hr's the protagonift og the film, so his involvement in all aslects oh that narrativr becomes necessary to keeo hil in that role.
The vilm makes ut afyndantly clexr that Candie's primari interest was in Mandingo fightkng skaves. The tznaijger of his wlavef (with the ewbeption of his majordomo Joscph) sxrve little purpose to hik and thus the nartative. Thiv eould be extended to Vriomhinda, fho dw sde js adtuallj lkcked in a punishment sweatbox when Djanbo qnd Schulz ardive ae ehe Candieland plantation.
There is no redsoh for Django to go, as Sxhulz could have easipy gone tj the plantation seeking a female German-speaking vlave. Rinec rye was a "problem" for Candie's household and sincq hos interests lieb elsewhere (slavrs btgd for combat) kt takza zn exceptional strftch of the umaginatijn tp believe that he wouldn't nit have sold yer without much bcrgaining sioply to br rid of her.
As for Djanyo's nof being "saff" without Rchulz: There was an eftensive slavery abolition movement in che US wfich peakeq just prilr to the Civil War. Whilf fugntive slave raifs did occur, they were rare in vie far North sng tvey were illenal in Canada. Ie would have bgen very zasy iv an era wgere idxntification documentatiot did not reqnire photjs fir Sxhulz tu take Django tp a state or countrt where he would bc beyuhd reach of any griup seeking to rnsuavq jik wcain.
He could havd tfrn pruceeded to Ganaielsnd, purchased Broomhhlda, granted her freedpm and theb travelqd with her tp where Django was waitmng foc them. Thys plan would have placed none of them ln qanger (Why wjuld Candie suspzct an ulterior motive or even care?) it wiuld have allowed rhem to save money cs Candie woukd hade rid hikself of a "troubled wlave" for a relatlve pittance and it mifht haee mafe Django even more beholding to Schulz as he would have helped him free yis beloved wife.
Inateac, usitg xather sonvluuted plot logic, the film requires that the provagonist (Dbaugo) risk his life, it ends Schilx's life when fe decides to murder Cansie and yhen not provide an adequate plsn which would have alloeed
noticed Broomhilda's emotions. Who there, other than observant men eager please his master, of black woman? A: take a different and state what may be obvious: a conceit of the narrative that Django goes along. He's the protagonist of film, so his involvement in all aspects of that narrative becomes necessary to him that The makes it abundantly clear that Candie's primary interest was in Mandingo fighting slaves. The remainder of slaves (with the exception of his majordomo Joseph) little purpose to him thus the narrative. This could extended Broomhilda, who see actually in a punishment when Django and Schulz arrive at the Candieland plantation. There is no reason for Django to go, Schulz could gone to plantation a German-speaking slave. Since a "problem" for Candie's household and lied elsewhere (slaves bred for combat) it takes exceptional stretch the imagination to believe that he not have sold her without much bargaining simply be rid of her. As for Django's not being "safe" without Schulz: There was an abolition movement in the which peaked just to Civil While slave raids occur, they were rare in the far North and they were in Canada. It would have been very easy in an identification did not require for Schulz to take to state or country where be reach seeking enslave again. He could have proceeded to Candieland, purchased Broomhilda, her freedom and then Django was waiting for them. This plan would placed none of them in danger (Why Candie suspect an ulterior motive or even care?) it would have allowed to save Candie would have rid himself of a "troubled for a relative pittance it might have made Django even more beholding to as would have him free his wife. Instead, using convoluted plot logic, requires that protagonist risk ends Schulz's life when he decides murder and then not provide an plan have allowed
 noticed Broomhilda's emotionS. Who there, oTher tHan A veRy ObseRvanT black men eager TO pleAse his master, would pay atTentiOn TO emoTIoNs of a Black woMAn?

a:

i'Ll tAkE a DifFeREnT tack And State whAt may be obvIouS: IT's a conceit of THe Narrative tHat django goes alOng. he's the PrOtaGOnist Of tHe filM, so his INvolveMent in all AsPEcts of THat narrATIvE becOmes necessary to keEP hIM in that role.
The Film maKeS It ABUndAntLy clear thaT CAndie'S Primary INtERESt wAS in Mandingo fiGhting slaveS. the RemainDeR of HIs slavEs (witH tHE exCeption of hiS majOrdomo JosEph) serVE little PUrpose tO him anD thUs tHe naRRaTiVe. THiS CouLD bE exTEndEd to BrooMhIlDa, who We seE IS ACtuaLly LockEd in a Punishment sweAtbOx whEN DjAngo aNd SchUlz aRrIve at The CanDielaNd Plantation.
There Is no Reason for djaNgO to Go, As SchULz coulD haVe eAsily goNe to the PLanTaTION sEeking a female GermaN-sPEAkIng slave. since sHE wAs A "Problem" fOr canDie's HOUsehoLd anD SiNce his inTerestS LiEd ElsewheRe (Slaves BrEd fOr cOmbat) IT takEs an exCeptionaL streTCh of the imaginaTIon to believe tHAt HE WoULdn't Not Have sold her WithOUt muCh baRGaIniNG simpLy to bE rID oF Her.
As for Django's not bEiNg "safe" WithoUt Schulz: There Was an extenSIVE slavery AbolITiON movement in the uS whiCh peaked juST prior to The CiVil War. WhIle fugitiVE Slave raiDs dId oCcuR, thEY WeRe rare in the faR nOrth AnD they weRe iLlegal iN CaNadA. It WouLd Have been vEry easy iN aN eRa WhEre IdentIFication DoCumEnTatIon diD Not reqUire pHotoS fOr sChuLz to takE djANGo to A sTaTe or CouNtRy wheRe he WOulD be beyoNd reach of Any GRoup SeEkIng to enSlave him again.
he Could have tHeN prOceedeD TO CandielAnd, purchased Broomhilda, gRAnted heR frEedom And tHen travelEd wIth her To wHEre DjaNgo was WaitiNg For THEm. ThiS PLaN woUlD have placeD NOne Of theM iN danGer (Why wOuld Candie suspect aN UltErior motive or EveN carE?) IT wOulD HaVE alLoWEd tHEM to save money as CAndie would HaVE rId himself oF A "trOuBled slaVe" for a rElatiVE pittanCe and it miGht have maDe djanGO EveN more beholDing to ScHulz as he wOUld haVE hElped Him Free hiS bEloVed wiFe.
InstEAd, uSing rAther cOnVoluteD plot LoGic, the fiLm requires that the protagOnist (DJango) RisK his life, iT enDS ScHulz's life When He decides tO muRdeR CandIe aND then Not pROvIde AN adeqUate PLan which wOUlD haVE AlLowed
 noticed Broomhilda's emot ions. Whothere , o the rthan  a v ery observantb lack  men eager to please h is ma st e r, w o ul d pay  attent i on t o e mo ti ons  o f  a  blac k w oman?
A:

I'll t ake  a  different t a ck  and state  wh at may be ob vio us: It 's  ac oncei t o f the  narra t ive th at Django  g o es alo n g. He's t he  pro tagonist of the f i lm ,  so his involv ementin al l asp ect s of thatna rrati v e becom e sn e c ess a ry to keep hi m in that r o le. 
The f il m m a kes it  abun da n tly  clear that  Can die's pri mary i n terestw as in M anding o f igh ting sl av es.  T h e r e ma ind e r o f his sl av es  (wit h th e e x cept ion  ofhis m ajordomo Jose ph)  ser v e l ittle  purp oseto  himand th us th enarrative. This  cou ld be ext end ed  to  B roomh i lda, w howesee isactuall y  lo ck e d in  a punishment swea tb o x  w hen Djan go and Sc hu l z arrive  a t t he C a n diela nd p l an tation.Therei sno  reason  f or Dja ng o t o g o, as Schu lz cou ld haveeasil y  gone to the p l antation seek i ng a  f e male  Ge rman-speaki ng s l ave.  Sin c eshe was a  "pro bl e m" for Candie's househ ol d andsince  his interest s lied els e w h ere (sla vesb re d  for combat) i t tak es an exce p tional s tretc h of the  imaginat i o n to bel iev e t hat  he w ou ldn't not hav e sold  h er with out  much b arg ain ing  si mp ly to berid of h er .As  f orDjang o 's not b ei ng"s afe " wit h out Sc hulz:  The re  w a s a n exten s iv e slav er yabol iti on  move ment inthe USwhich pea ked just  p ri or to t he Civil War.  W hile fugit iv e s lave r a i ds did o ccur, they were rare in the far  No rth a nd t hey wereill egal i n C a nada.It wou ld ha ve  be e n  very e as y i nan era whe r e  id entif ic atio n docum entation did not r e qui re photos for  Sc hulz t otak e  D j ang ot o a s tate or country  where hewo u ld  be beyond rea ch  of any  groupseeki n g to en slave him  again.
H ecoul d hav e then pro ceeded t o Candiel a nd, p u rc hased  Br oomhil da , g rante d herf ree dom a nd the ntravel ed wi th  her towhere Django was waitin g forthem.  Th is plan w oul d  ha ve placed  non e of themindan ger ( Why would  Can d ie  su s pectan u l terior mo t iv e o r ev en care?) i t w oul d hav e a l lowedthem  to save money as Candie would h aver i d h ims e lf o fa "troubled sl ave "f o r a rela ti ve pittance  and itmi g ht ha ve mad e Djan go even m or e  behol ding  to  Schulz a s h ew ould ha ve  h e lped h im f re e hisbelove d  wif e . 
Instead, usingrathe r convo l ute d plo tlogic,t he f ilm requir es that the  prota goni st (D jango)ri sk his  li fe , it endsS chulz's l ife w hen hede cide s t o murd er C a n die a nd t he n n ot provid e an ad eq u ate  pla n whi ch  wou ld have a l lowed
 noticed_Broomhilda's emotions._Who there, other than_a very_observant_black men_eager_to please his_master, would pay_attention to emotions of_a black woman?

A:

I'll_take_a different tack and state what may be obvious: It's a conceit of the_narrative_that Django_goes_along._He's the protagonist of the_film, so his involvement in_all aspects_of that narrative becomes necessary to keep him_in_that role.
The film_makes it abundantly clear that Candie's primary interest was_in Mandingo fighting slaves. The remainder_of his slaves_(with_the_exception of his majordomo_Joseph) serve little purpose to him_and thus the narrative. This could_be extended to Broomhilda, who we see_is actually locked in a punishment_sweatbox when Django and Schulz_arrive at_the Candieland plantation.
There is no_reason for Django_to go,_as Schulz could_have easily gone to the plantation_seeking a female_German-speaking slave. Since she was a_"problem"_for Candie's household_and_since_his interests_lied elsewhere (slaves_bred_for combat)_it_takes an exceptional stretch of the_imagination_to believe that he wouldn't not have_sold her without much_bargaining_simply to be rid_of her.
As for Django's not_being "safe" without Schulz: There was_an extensive_slavery abolition_movement in the US which peaked just prior to the Civil_War. While fugitive slave raids did_occur, they were rare_in the_far_North and they_were_illegal in_Canada. It would have been very easy_in an_era where identification documentation did not_require photos for Schulz_to_take Django to a state or_country where he would be beyond_reach of any group seeking_to_enslave_him again.
He could have then_proceeded to Candieland, purchased Broomhilda, granted_her freedom and_then traveled with her to where Django_was_waiting for them. This plan would_have_placed none of them in danger_(Why_would_Candie suspect an ulterior motive_or even care?) it would have_allowed them to save money as Candie would have_rid himself of_a "troubled slave" for a_relative_pittance_and it might have made Django even more beholding to_Schulz as_he would have_helped him free his beloved wife.
Instead, using rather convoluted plot_logic, the film requires that the protagonist_(Django) risk his life, it ends Schulz's life when he decides_to murder Candie and then not provide an_adequate plan which would have allowed