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28th_Tony_Awards | https://en.wikipedia.org/wiki/28th_Tony_Awards | [
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"https://en.wikipedia.org/wiki/28th_Tony_Awards"
] | The 28th Annual Tony Awards ceremony was held on April 21, 1974, at the Shubert Theatre in New York City, and broadcast by ABC television. Hosts were Peter Falk, Florence Henderson, Robert Preston and Cicely Tyson. The theme was "Homecoming", where stars from TV and film returned to Broadway to help present the awards or perform.
The ceremony
Presenters: Alan Alda, Ed Asner, Karen Black, David Carradine, Johnny Carson, Bette Davis, Peter Falk, Henry Fonda, Elliott Gould, Ken Howard, Glynis Johns, Cloris Leachman, Michael Learned, Elizabeth Montgomery, Carroll O'Connor, Al Pacino, Suzanne Pleshette, Jane Powell, Lynn Redgrave, Esther Rolle, Marlo Thomas, Lesley Ann Warren.
Performers: Beatrice Arthur, Carol Channing, Will Geer, Joel Grey, Florence Henderson, Cleavon Little, Charles Nelson Reilly, Nancy Walker.
Musicals represented:
Over Here! ("Over Here"/"Charlie's Place" - Patty and Maxene Andrews and Company)
Raisin ("Whole Lot of Sunshine" - Virginia Capers/"Sidewalk Tree" - Ralph Carter)
Lorelei ("Men" - Carol Channing, Peter Palmer and Ian Tucker)
Good News ("You're the Cream in My Coffee" - Alice Faye and John Payne)
Seesaw ("I'm Way ahead"/"Seesaw" - Michele Lee)
Fanny ("Welcome Home" - Florence Henderson)
A Mother's Kisses ("There Goes My Life" - Bea Arthur)
Medley of Songs from Broadway Shows - Charles Nelson Reilly
The Cradle Will Rock (Medley - Will Geer)
George M! (Medley - Joel Grey)
Phoenix '55 ("Upper Berth" - Nancy Walker and Men)
Purlie ("New Fangled Preacher Man" - Cleavon Little)
Winners and nominees
Winners are in bold
Special Tony awards
Liza Minnelli, for adding lustre to the Broadway season
Bette Midler, for adding lustre to the Broadway season
Peter Cook and Dudley Moore, co-stars and authors of Good Evening
A Moon for the Misbegotten, an outstanding dramatic revival of an American classic. Produced by Lester Osterman, Elliott Martin and Richard Hurner
Candide, an outstanding contribution to the artistic development of the musical theatre. Produced by Chelsea Theatre Group, Harold Prince and Ruth Mitchell
Actors' Equity Association
Theatre Development Fund
John F. Wharton, veteran theatrical attorney
Harold Friedlander, the industry's foremost printing expert
Multiple nominations and awards
External links
Tony Awards Official Site |
Academy_Award_for_Best_Supporting_Actor | https://en.wikipedia.org/wiki/Academy_Award_for_Best_Supporting_Actor | [
214
] | [
"https://en.wikipedia.org/wiki/Academy_Award_for_Best_Supporting_Actor"
] | The Academy Award for Best Supporting Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It has been awarded since the 9th Academy Awards to an actor who has delivered an outstanding performance in a supporting role in a film released that year. The award is traditionally presented by the previous year's Best Supporting Actress winner. In lieu of the traditional Oscar statuette, supporting acting recipients were given plaques up until the 16th Academy Awards, when statuettes were awarded to each category instead.
The Best Supporting Actor award has been presented a total of 88 times, to 79 actors. The first winner was Walter Brennan for his role in Come and Get It. The most recent winner is Robert Downey Jr. for Oppenheimer. The record for most wins is three, held by Brennan–who won every other year within a succession of the first five years. Seven other actors have won twice. Brennan is also tied for receiving the most nominations in the category (with four altogether) along with Jeff Bridges, Robert Duvall, Arthur Kennedy, Jack Nicholson, Al Pacino, Claude Rains, and Mark Ruffalo.
Nominations process
Nominees are currently determined by single transferable vote within the actors branch of AMPAS; winners are selected by a plurality vote from the entire eligible voting members of the Academy.
Winners and nominees
In the following table, the years are listed as per Academy convention, and generally correspond to the year of film release in Los Angeles County; the ceremonies are always held the following year. For the first five ceremonies, the eligibility period spanned twelve months, from August 1 to July 31. For the 6th ceremony held in 1934, the eligibility period lasted from August 1, 1932, to December 31, 1933. Since the 7th ceremony held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
1930s
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Multiple wins and nominations
The following individuals received two or more Best Supporting Actor awards:
The following individuals received three or more Best Supporting Actor nominations:
Age superlatives
Films with multiple Supporting Actor nominations
There have been 22 instances in which films have produced more than one nominee within this category. All resulted in two nominations, with the exceptions of On the Waterfront (1954); The Godfather (1972); and The Godfather Part II (1974), which each obtained three.
Winners are in bold.
Mr. Smith Goes to Washington (1939) -- Harry Carey Sr. and Claude Rains
Quo Vadis (1951) -- Leo Genn and Peter Ustinov
Shane (1953) -- Brandon deWilde and Jack Palance
On the Waterfront (1954) -- Lee J. Cobb, Karl Malden, and Rod Steiger
Peyton Place (1957) -- Arthur Kennedy and Russ Tamblyn
Anatomy of a Murder (1959)-- Arthur O'Connell and George C. Scott
The Hustler (1961) -- Jackie Gleason and George C. Scott
Bonnie and Clyde (1967) -- Gene Hackman and Michael J. Pollard
The Last Picture Show (1971) -- Jeff Bridges and Ben Johnson
The Godfather (1972) -- James Caan, Robert Duvall, and Al Pacino
The Godfather Part II (1974) -- Robert De Niro, Michael V. Gazzo, and Lee Strasberg
Rocky (1976) -- Burgess Meredith and Burt Young
Julia (1977) -- Jason Robards and Maximilian Schell
Ordinary People (1980) -- Judd Hirsch and Timothy Hutton
Terms of Endearment (1983) -- John Lithgow and Jack Nicholson
Platoon (1986) -- Tom Berenger and Willem Dafoe
Bugsy (1991) -- Harvey Keitel and Ben Kingsley
Three Billboards Outside Ebbing, Missouri (2017) -- Woody Harrelson and Sam Rockwell
The Irishman (2019) -- Al Pacino and Joe Pesci
Judas and the Black Messiah (2020) -- Daniel Kaluuya and LaKeith Stanfield
The Power of the Dog (2021) -- Jesse Plemons and Kodi Smit-McPhee
The Banshees of Inisherin (2022) -- Brendan Gleeson and Barry Keoghan
Multiple character nominations
Max "Pop" Corkle from Here Comes Mr. Jordan (James Gleason, 1941) & Heaven Can Wait (Jack Warden, 1978)
Thus far, this is the only instance of the same character producing two nominated performances within this particular same category.
See also
All Academy Award acting nominees
List of awards for supporting actor
List of Academy Award–nominated films
Golden Globe Award for Best Supporting Actor – Motion Picture
Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role
BAFTA Award for Best Actor in a Supporting Role
Satellite Award for Best Supporting Actor – Motion Picture
Academy Award for Best Supporting Actress
Notes
References
Bibliography
Crouse, Richard (2005). Reel Winners: Movie Award Trivia. Toronto, Ontario, Canada: University of Toronto Press. ISBN 978-1-55002-574-3.
Kinn, Gail; Piazza, Jim (2014), The Academy Awards: The Complete Unofficial History (5 ed.), New York, United States: Workman Publishing Company, ISBN 978-1-57912-986-6
Levy, Emanuel (2003), All About Oscar: The History and Politics of the Academy Awards, New York, United States: Continuum International Publishing Group, ISBN 978-0-82641-452-6
Thise, Mark (2008), Hollywood Winners & Losers A to Z, New York, United States: Limelight Editions, ISBN 978-0-87910-351-4
External links
Oscars.org Archived January 22, 2009, at the Wayback Machine (official Academy website)
The Academy Awards Database (official website)
Oscar.com Archived September 9, 2014, at the Wayback Machine (official ceremony promotional website) |
BAFTA_Award_for_Best_Actor_in_a_Supporting_Role | https://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actor_in_a_Supporting_Role | [
214
] | [
"https://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actor_in_a_Supporting_Role"
] | Best Actor in a Supporting Role is a British Academy Film Award presented annually by the British Academy of Film and Television Arts (BAFTA) to recognize an actor who has delivered an outstanding supporting performance in a film.
The British Academy of Film and Television Arts (BAFTA), is a British organisation that hosts annual awards shows for film, television, children's film and television, and interactive media. Since 1968, selected actors have been awarded with the BAFTA award for Best Actor in a Supporting Role at an annual ceremony.
In the following lists, the titles and names in bold with a gold background are the winners and recipients respectively; those not in bold are the nominees. The years given are those in which the films under consideration were released, not the year of the ceremony, which always takes place the following year.
History
The Best Supporting Actor award has been presented a total of 54 times to 48 different actors. No award was given out in this category in 1980, when no actors, male or female, were nominated for supporting roles. In addition, the award was replaced with a gender-neutral category for Best Supporting Artist, allotted for the year 1981 only, with all four nominees that year being male. The first winner was Ian Holm for his role in The Bofors Gun. The most recent winner is Robert Downey Jr. for his role in Oppenheimer. The record for most wins is three, held by Denholm Elliott, who won three consecutive times, while five other actors have won twice. Elliott also holds the record for most nominations, with seven.
Winners and nominees
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Multiple wins and nominations
Multiple nominations
Multiple wins
3 wins
Denholm Elliott
2 wins
Edward Fox
Ian Holm
Ray McAnally
Geoffrey Rush
Christoph Waltz
See also
Academy Award for Best Supporting Actor
Critics' Choice Movie Award for Best Supporting Actor
Golden Globe Award for Best Supporting Actor – Motion Picture
Guldbagge Award for Best Actor in a Supporting Role
Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role
Notes
References
External links
BAFTA Awards Database |
List_of_awards_and_nominations_received_by_Christopher_Plummer | https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Christopher_Plummer | [
214
] | [
"https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Christopher_Plummer"
] | The following is a List of awards and nominations received by Christopher Plummer.
Christopher Plummer is a Canadian actor known for his diverse roles on stage and screen. Plummer is one of the few actors to have received the Triple Crown of Acting, having won the Academy Award, Emmy Award and Tony Award. Other awards Plummer has received include a British Academy Film Award, a Golden Globe Award, and a Screen Actors Guild Award. Plummer was just a Grammy Award away from achieving the EGOT status (Emmy, Grammy, Oscar, and Tony), which is considered the "grand slam" of American show business.
Plummer won the Academy Award for Best Supporting Actor at the age of 82 for playing an elderly gay man in Mike Mills' comedy drama Beginners (2010), becoming the oldest person to win an acting award (a distinction he held until being supplanted by 83-year-old Anthony Hopkins in 2021). He was Oscar-nominated for playing Leo Tolstoy in the drama The Last Station (2009) and J. Paul Getty in the crime thriller All the Money in the World (2017), the later making him the oldest person to be nominated in an acting category at the age of 88.
For his work on the Broadway stage he won two Tony Awards, his first for Best Actor in a Musical for playing Cyrano de Bergerac in the musical Cyrano (1974) and Best Actor in a Play for playing John Barrymore in the play Barrymore (1997). He was Tony-nominated for his performances in the plays J.B. (1959), Othello (1982), No Man's Land (1994), King Lear (2004), and Inherit the Wind (2007).
For his work on television he has also received seven Primetime Emmy Award nominations winning twice for Outstanding Lead Actor in a Miniseries or Movie for Arthur Hailey's the Moneychangers (1977) and Outstanding Voice-Over Performance for Madeline in 1994. He has also received a Grammy Award for Best Children's Album nomination for Tchaikovsky's The Nutcracker in 1986.
Major associations
Academy Awards
BAFTA Awards
Emmy Awards
Golden Globe Awards
Grammy Awards
Screen Actors Guild Awards
Tony Awards
Critics associations
Miscellaneous awards
Other theatre awards
Honorary awards
Canadian Honours
Canadian Honours System
Notes
See also
Christopher Plummer on screen and stage
== References == |
George_Eliot | https://en.wikipedia.org/wiki/George_Eliot | [
215
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] | Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). As with Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.
Scandalously and unconventionally for the era, she lived with the married George Henry Lewes as his conjugal partner, from 1854–1878, and called him her husband. He remained married to his wife and supported their children, even after she left him to live with another man and have children with him. In May 1880, eighteen months after Lewes's death, George Eliot married her long-time friend, John Cross, a man much younger than she, and she changed her name to Mary Ann Cross.
Life
Early life and education
Mary Ann Evans was born in Nuneaton, Warwickshire, England, at South Farm on the Arbury Hall estate. She was the third child of Robert Evans (1773–1849), manager of the Arbury Hall estate, and Christiana Evans (née Pearson, 1788–1836), daughter of a local mill-owner. Her full siblings were: Christiana, known as Chrissey (1814–1859), Isaac (1816–1890), and twin brothers who died a few days after birth in March 1821. She also had a half-brother, Robert Evans (1802–1864), and half-sister, Frances "Fanny" Evans Houghton (1805–1882), from her father's previous marriage to Harriet Poynton (1780–1809). In early 1820, the family moved to a house named Griff House, between Nuneaton and Bedworth.
The young Evans was a voracious reader and obviously intelligent. Because she was not considered physically beautiful, Evans was not thought to have much chance of marriage, and this, coupled with her intelligence, led her father to invest in an education not often afforded to women. From ages five to nine, she boarded with her sister Chrissey at Miss Latham's school in Attleborough, from ages nine to thirteen at Mrs. Wallington's school in Nuneaton, and from ages thirteen to sixteen at Miss Franklin's school in Coventry. At Mrs. Wallington's school, she was taught by the evangelical Maria Lewis—to whom her earliest surviving letters are addressed. In the religious atmosphere of the Misses Franklin's school, Evans was exposed to a quiet, disciplined belief opposed to evangelicalism.
After age sixteen, Evans had little formal education. Thanks to her father's important role on the estate, she was allowed access to the library of Arbury Hall, which greatly aided her self-education and breadth of learning. Her classical education left its mark; Christopher Stray has observed that "George Eliot's novels draw heavily on Greek literature (only one of her books can be printed correctly without the use of a Greek typeface), and her themes are often influenced by Greek tragedy". Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works. The other important early influence in her life was religion. She was brought up within a low church Anglican family, but at that time the Midlands was an area with a growing number of religious dissenters.
Move to Coventry
In 1836, her mother died and Evans (then 16) returned home to act as housekeeper, though she continued to correspond with her tutor Maria Lewis. When she was 21, her brother Isaac married and took over the family home, so Evans and her father moved to Foleshill near Coventry. The closeness to Coventry society brought new influences, most notably those of Charles and Cara Bray. Charles Bray had become rich as a ribbon manufacturer and had used his wealth in the building of schools and in other philanthropic causes. Evans, who had been struggling with religious doubts for some time, became intimate friends with the radical, free-thinking Brays, who had a casual view of marital obligations and the Brays' "Rosehill" home was a haven for people who held and debated radical views. The people whom the young woman met at the Brays' house included Robert Owen, Herbert Spencer, Harriet Martineau, and Ralph Waldo Emerson. Through this society Evans was introduced to more liberal and agnostic theologies and to writers such as David Strauss and Ludwig Feuerbach, who cast doubt on the literal truth of Biblical texts. In fact, her first major literary work was an English translation of Strauss's Das Leben Jesu kritisch bearbeitet as The Life of Jesus, Critically Examined (1846), which she completed after it had been left incomplete by Elizabeth "Rufa" Brabant, another member of the "Rosehill Circle".
The Strauss book had caused a sensation in Germany by arguing that the miracles in the New Testament were mythical additions with little basis in fact. Evans's translation had a similar effect in England, with the Earl of Shaftesbury calling her translation "the most pestilential book ever vomited out of the jaws of hell." Later she translated Feuerbach's The Essence of Christianity (1854). The ideas in these books would have an effect on her own fiction.
As a product of their friendship, Bray published some of Evans's own earliest writing, such as reviews, in his newspaper the Coventry Herald and Observer. As Evans began to question her own religious faith, her father threatened to throw her out of the house, but his threat was not carried out. Instead, she respectfully attended church and continued to keep house for him until his death in 1849, when she was 30. Five days after her father's funeral, she travelled to Switzerland with the Brays. She decided to stay on in Geneva alone, living first on the lake at Plongeon (near the present-day United Nations buildings) and then on the second floor of a house owned by her friends François and Juliet d'Albert Durade on the rue de Chanoines (now the rue de la Pelisserie). She commented happily that "one feels in a downy nest high up in a good old tree". Her stay is commemorated by a plaque on the building. While residing there, she read avidly and took long walks in the beautiful Swiss countryside, which was a great inspiration to her. François Durade painted her portrait there as well.
Move to London and editorship of the Westminster Review
On her return to England the following year (1850), she moved to London with the intent of becoming a writer, and she began referring to herself as Marian Evans. She stayed at the house of John Chapman, the radical publisher whom she had met earlier at Rosehill and who had published her Strauss translation. She then joined Chapman's ménage-à-trois along with his wife and mistress. Chapman had recently purchased the campaigning, left-wing journal The Westminster Review. Evans became its assistant editor in 1851 after joining just a year earlier. Evans's writings for the paper were comments on her views of society and the Victorian way of thinking. She was sympathetic to the lower classes and criticised organised religion throughout her articles and reviews and commented on contemporary ideas of the time. Much of this was drawn from her own experiences and knowledge and she used this to critique other ideas and organisations. This led to her writing being viewed as authentic and wise but not too obviously opinionated. Evans also focused on the business side of the Review with attempts to change its layout and design. Although Chapman was officially the editor, it was Evans who did most of the work of producing the journal, contributing many essays and reviews beginning with the January 1852 issue and continuing until the end of her employment at the Review in the first half of 1854. Eliot sympathized with the 1848 Revolutions throughout continental Europe, and even hoped that the Italians would chase the "odious Austrians" out of Lombardy and that "decayed monarchs" would be pensioned off, although she believed a gradual reformist approach to social problems was best for England.
In 1850–51, Evans attended classes in mathematics at the Ladies College in Bedford Square, later known as Bedford College, London.
Relationship with George Henry Lewes
The philosopher and critic George Henry Lewes (1817–1878) met Evans in 1851, and by 1854 they had decided to live together. Lewes was already married to Agnes Jervis, although in an open marriage. In addition to the three children they had together, Agnes also had four children by Thornton Leigh Hunt. In July 1854, Lewes and Evans travelled to Weimar and Berlin together for the purpose of research. Before going to Germany, Evans continued her theological work with a translation of Feuerbach's The Essence of Christianity, and while abroad she wrote essays and worked on her translation of Baruch Spinoza's Ethics, which she completed in 1856, but which was not published in her lifetime because the prospective publisher refused to pay the requested £75. In 1981, Eliot's translation of Spinoza's Ethics was finally published by Thomas Deegan, and was determined to be in the public domain in 2018 and published by the George Eliot Archive. It has been re-published in 2020 by Princeton University Press.
The trip to Germany also served as a honeymoon for Evans and Lewes, who subsequently considered themselves married. Evans began to refer to Lewes as her husband and to sign her name as Mary Ann Evans Lewes, legally changing her name to Mary Ann Evans Lewes after his death. The refusal to conceal the relationship was contrary to the social conventions of the time, and attracted considerable disapproval.
Career in fiction
While continuing to contribute pieces to the Westminster Review, Evans resolved to become a novelist, and set out a pertinent manifesto in one of her last essays for the Review, "Silly Novels by Lady Novelists" (1856). The essay criticised the trivial and ridiculous plots of contemporary fiction written by women. In other essays, she praised the realism of novels that were being written in Europe at the time, an emphasis on realistic storytelling confirmed in her own subsequent fiction. She also adopted a nom-de-plume, George Eliot; as she explained to her biographer J. W. Cross, George was Lewes's forename, and Eliot was "a good mouth-filling, easily pronounced word". Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances or other lighter fare not to be taken very seriously. She also wanted to have her fiction judged separately from her already extensive and widely known work as a translator, editor, and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with Lewes, who was married.
In 1857, when she was 37 years of age, "The Sad Fortunes of the Reverend Amos Barton", the first of the three stories included in Scenes of Clerical Life, and the first work of "George Eliot", was published in Blackwood's Magazine. The Scenes (published as a 2-volume book in 1858), was well received, and was widely believed to have been written by a country parson, or perhaps the wife of a parson.
Eliot was profoundly influenced by the works of Thomas Carlyle. As early as 1841, she referred to him as "a grand favourite of mine", and references to him abound in her letters from the 1840s and 1850s. According to University of Victoria professor Lisa Surridge, Carlyle "stimulated Eliot's interest in German thought, encouraged her turn from Christian orthodoxy, and shaped her ideas on work, duty, sympathy, and the evolution of the self." These themes made their way into Evans's first complete novel, Adam Bede (1859). It was an instant success, and prompted yet more intense curiosity as to the author's identity: there was even a pretender to the authorship, one Joseph Liggins. This public interest subsequently led to Mary Anne Evans Lewes's acknowledgment that it was she who stood behind the pseudonym George Eliot. Adam Bede is known for embracing a realist aesthetic inspired by Dutch visual art.
The revelations about Eliot's private life surprised and shocked many of her admiring readers, but this did not affect her popularity as a novelist. Her relationship with Lewes afforded her the encouragement and stability she needed to write fiction, but it would be some time before the couple were accepted into polite society. Acceptance was finally confirmed in 1877 when they were introduced to Princess Louise, the daughter of Queen Victoria. The queen herself was an avid reader of all of Eliot's novels and was so impressed with Adam Bede that she commissioned the artist Edward Henry Corbould to paint scenes from the book.
When the American Civil War broke out in 1861, Eliot expressed sympathy for the Union cause, something which historians have attributed to her abolitionist sympathies. In 1868, she supported philosopher Richard Congreve's protests against governmental policies in Ireland and had a positive view of the growing movement in support of Irish home rule.
She was influenced by the writings of John Stuart Mill and read all of his major works as they were published. In Mill's The Subjection of Women (1869) she judged the second chapter excoriating the laws which oppress married women "excellent." She was supportive of Mill's parliamentary run, but believed that the electorate was unlikely to vote for a philosopher and was surprised when he won. While Mill served in parliament, she expressed her agreement with his efforts on behalf of female suffrage, being "inclined to hope for much good from the serious presentation of women's claims before Parliament." In a letter to John Morley, she declared her support for plans "which held out reasonable promise of tending to establish as far as possible an equivalence of advantage for the two sexes, as to education and the possibilities of free development", and dismissed appeals to nature in explaining women's lower status. In 1870, she responded enthusiastically to Lady Amberley's feminist lecture on the claims of women for education, occupations, equality in marriage, and child custody.
However, it would not be correct to assume that the female protagonists of her works can be considered "feminist", with the sole exception perhaps of Romola de' Bardi, who resolutely rejects the State and Church obligations of her time.
After the success of Adam Bede, Eliot continued to write popular novels for the next fifteen years. Within a year of completing Adam Bede, she finished The Mill on the Floss, dedicating the manuscript: "To my beloved husband, George Henry Lewes, I give this MS. of my third book, written in the sixth year of our life together, at Holly Lodge, South Field, Wandsworth, and finished 21 March 1860." Silas Marner (1861) and Romola (1863) soon followed, and later Felix Holt, the Radical (1866) and her most acclaimed novel, Middlemarch (1871–1872).
Her last novel was Daniel Deronda, published in 1876, after which she and Lewes moved to Witley, Surrey. By this time Lewes's health was failing, and he died two years later, on 30 November 1878. Eliot spent the next six months editing Lewes's final work, Life and Mind, for publication, and found solace and companionship with longtime friend and financial adviser John Walter Cross, a Scottish commission agent 20 years her junior, whose mother had recently died.
Marriage to John Cross and death
On 16 May 1880, eighteen months after Lewes' death, Eliot married John Walter Cross (1840–1924) and again changed her name, this time to Mary Ann Cross. While the marriage courted some controversy due to the 21 year age differences, it pleased her brother Isaac that she was married in this relationship. He had broken off relations with her when she had begun to live with Lewes, and now sent congratulations. While the couple were honeymooning in Venice, Cross, in a suicide attempt, jumped from the hotel balcony into the Grand Canal. He survived, and the newlyweds returned to England. They moved to a new house in Chelsea, but Eliot fell ill with a throat infection. This, coupled with the kidney disease with which she had been afflicted for several years, led to her death on 22 December 1880 at the age of 61.
Due to her denial of the Christian faith and her relationship with Lewes, Eliot was not buried in Westminster Abbey. She was instead interred in Highgate Cemetery (East), Highgate, London, in the area reserved for political and religious dissenters and agnostics, beside the love of her life, George Henry Lewes. The graves of Karl Marx and her friend Herbert Spencer are nearby. In 1980, on the centenary of her death, a memorial stone was established for her in the Poets' Corner between W. H. Auden and Dylan Thomas, with a quote from Scenes of Clerical Life: "The first condition of human goodness is something to love; the second something to reverence".
Personal appearance
George Eliot was considered by contemporaries to be a physically unattractive woman; she herself knew this and made jokes about her appearance in letters to friends. Yet somehow the force of her personality overcame her ugliness. This was noted by numerous acquaintances. Of his first meeting with her on 9 May 1869, Henry James wrote:
... To begin with she is magnificently ugly — deliciously hideous. She has a low forehead, a dull grey eye, a vast pendulous nose, a huge mouth, full of uneven teeth & a chin & jawbone qui n'en finissent pas ["which never end"] ... Now in this vast ugliness resides a most powerful beauty which, in a very few minutes steals forth & charms the mind, so that you end as I ended, in falling in love with her.
Spelling of her name
She spelled her name differently at different times. Mary Anne was the spelling used by her father for the baptismal record and she uses this spelling in her earliest letters. Within her family, however, it was spelled Mary Ann. By 1852, she had changed to Marian, but she reverted to Mary Ann in 1880 after she married John Cross. Her memorial stone reads Here lies the body of'George Eliot'Mary Ann Cross
Memorials and tributes
Several landmarks in her birthplace of Nuneaton are named in her honour. These include the George Eliot Academy, Middlemarch Junior School, George Eliot Hospital (formerly Nuneaton Emergency Hospital), and George Eliot Road, in Foleshill, Coventry.
Also, The Mary Anne Evans Hospice in Nuneaton.
A statue of Eliot is in Newdegate Street, Nuneaton, and Nuneaton Museum & Art Gallery has a display of artifacts related to her.
A tunnel boring machine constructing the Bromford Tunnel on High Speed 2 was named in honour of her.
Literary assessment
Throughout her career, Eliot wrote with a politically astute pen. From Adam Bede to The Mill on the Floss and Silas Marner, Eliot presented the cases of social outsiders and small-town persecution. Felix Holt, the Radical and The Legend of Jubal were overtly political, and political crisis is at the heart of Middlemarch, in which she presents the stories of a number of inhabitants of a small English town on the eve of the Reform Bill of 1832; the novel is notable for its deep psychological insight and sophisticated character portraits. The roots of her realist philosophy can be found in her review of John Ruskin's Modern Painters in Westminster Review in 1856. Eliot also express proto-Zionist ideas in Daniel Deronda.
Readers in the Victorian era praised her novels for their depictions of rural society. Much of the material for her prose was drawn from her own experience. She shared with Wordsworth the belief that there was much value and beauty to be found in the mundane details of ordinary country life. Eliot did not, however, confine herself to stories of the English countryside. Romola, an historical novel set in late fifteenth century Florence, was based on the life of the Italian priest Girolamo Savonarola. In The Spanish Gypsy, Eliot made a foray into verse, but her poetry's initial popularity has not endured.
Working as a translator, Eliot was exposed to German texts of religious, social, and moral philosophy such as David Friedrich Strauss's Life of Jesus and Feuerbach's The Essence of Christianity; also important was her translation from Latin of Jewish-Dutch philosopher Spinoza's Ethics. Elements from these works show up in her fiction, much of which is written with her trademark sense of agnostic humanism. According to Clare Carlisle, who published a new biography on George Eliot in 2023, the overdue publication of Spinoza's Ethics was a real shame, because it could have provided some illuminating cues for understanding the more mature works of the writer. She had taken particular notice of Feuerbach's conception of Christianity, positing that our understanding of the nature of the divine was to be found ultimately in the nature of humanity projected onto a divine figure. An example of this philosophy appeared in her novel Romola, in which Eliot’s protagonist displayed a "surprisingly modern readiness to interpret religious language in humanist or secular ethical terms." Though Eliot herself was not religious, she had respect for religious tradition and its ability to maintain a sense of social order and morality.
The religious elements in her fiction also owe much to her upbringing, with the experiences of Maggie Tulliver from The Mill on the Floss sharing many similarities with the young Mary Ann Evans. Eliot also faced a quandary similar to that of Silas Marner, whose alienation from the church simultaneously meant his alienation from society. Because Eliot retained a vestigial respect for religion, German philosopher Friedrich Nietzsche excoriated her system of morality for figuring sin as a debt that can be expiated through suffering, which he demeaned as characteristic of "little moralistic females à la Eliot."
She was at her most autobiographical in Looking Backwards, part of her final published work Impressions of Theophrastus Such. By the time of Daniel Deronda, Eliot's sales were falling off, and she had faded from public view to some degree. This was not helped by the posthumous biography written by her husband, which portrayed a wonderful, almost saintly, woman totally at odds with the scandalous life people knew she had led. In the 20th century she was championed by a new breed of critics, most notably by Virginia Woolf, who called Middlemarch "one of the few English novels written for grown-up people". In 1994, literary critic Harold Bloom placed Eliot among the most important Western writers of all time. In a 2007 authors' poll by Time, Middlemarch was voted the tenth greatest literary work ever written. In 2015, writers from outside the UK voted it first among all British novels "by a landslide". The various film and television adaptations of Eliot's books have re-introduced her to the wider reading public.
Works
Novels
Adam Bede (1859)
The Mill on the Floss (1860)
Silas Marner (1861)
Romola (1863)
Felix Holt, the Radical (1866)
Middlemarch (1871–1872)
"Quarry for Middlemarch", MS Lowell 13, Houghton Library, Harvard University (A digital facsimile of the manuscript of research notes)
Daniel Deronda (1876)
Short story collection and novellas
Scenes of Clerical Life (1857)
The Sad Fortunes of the Rev. Amos Barton
Mr Gilfil's Love Story
Janet's Repentance
The Lifted Veil (1859)
Brother Jacob (1864)
Impressions of Theophrastus Such (1879)
Translations
Das Leben Jesu, kritisch bearbeitet (The Life of Jesus, Critically Examined) Volume 2 by David Strauss (1846)
Das Wesen des Christentums (The Essence of Christianity) by Ludwig Feuerbach (1854)
The Ethics of Benedict de Spinoza by Benedict de Spinoza (1856)
Poetry
Knowing That I Must Shortly Put Off This Tabernacle (1840)
In a London Drawingroom (1865)
A Minor Prophet (1865)
Two Lovers (1866)
The Choir Invisible (1867)
The Spanish Gypsy (1868)
Agatha (1868)
Brother and Sister (1869)
How Lisa Loved the King (1869)
Armgart (1870)
Stradivarius (1873)
Arion (1873)
The Legend of Jubal (1874)
I Grant You Ample Leave (1874)
Evenings Come and Go, Love (1878)
Self and Life (1879)
A College Breakfast Party (1879)
The Death of Moses (1879)
Non-fiction
"Three Months in Weimar" (1855)
"Silly Novels by Lady Novelists" (1856)
"The Natural History of German Life" (1856)
Review of John Ruskin's Modern Painters in Westminster Review, April 1856
"The Influence of Rationalism" (1865)
Explanatory notes
References
Citations
General and cited sources
Ashton, Rosemary (1997). George Eliot: A Life. London: Penguin, 1997.
Bloom, Harold. (1994). The Western Canon: The Books and School of the Ages. New York: Harcourt Brace.
Cross, J. W. (ed.), (1885). George Eliot's life as related in her letters and journals, 3 vols. London: William Blackwood and Sons.
Fleishman, Avrom (2010). George Eliot's Intellectual Life. doi:10.1017/CBO9780511691706. ISBN 9780511691706.
Haight, Gordon S. (1968). George Eliot: A Biography. New York: Oxford University Press.
Henry, Nancy (2008). The Cambridge Introduction to George Eliot. doi:10.1017/CBO9780511793233. ISBN 9780511793233.
Karl, Frederick R. (1995). George Eliot: Voice of a Century: A Biography, New York, W.W. Norton and Company, Inc., 1995, ISBN 0-393-31521-5.
Szirotny, June Skye (2015). George Eliot's Feminism. doi:10.1057/9781137406156. ISBN 978-1-349-48784-4.
Further reading
Haight, Gordon S., ed., George Eliot: Letters, New Haven, Connecticut, Yale University Press, 1954, ISBN 0-300-01088-5.
Henry, Nancy, The Life of George Eliot: A Critical Biography, Wiley-Blackwell, 2012
Stephen, Leslie. George Eliot, Cambridge University Press, 2010, ISBN 978-1-108-01962-0 (1st ed. 1902).
Context and background
Beer, Gillian, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction, London, Routledge & Kegan Paul, 1983, ISBN 0-521-78392-5.
Gilbert, Sandra M., and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, New Haven, Connecticut, Yale University Press, 1979, ISBN 0-300-08458-7.
Hughes, Kathryn, George Eliot: The Last Victorian, New York, Farrar Straus Giroux, 1998, ISBN 0-374-16138-0.
Maddox, Brenda, George Eliot in Love, New York, St. Martin's Press, 2010, ISBN 978-0230105188.
Mintz, Steven. A Prison of Expectations: The Family in Victorian Culture, New York University Press, 1983.
Pinney, Thomas, ed., Essays of George Eliot, London, Routledge & Kegan Paul, 1963, ISBN 0-231-02619-6.
Rignall, John, ed., Oxford Reader's Companion to George Eliot, Oxford University Press, 2000, ISBN 0-19-860099-2
Shuttleworth, Sally, George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning, Cambridge, Cambridge University Press, 1984, ISBN 0-521-25786-7.
Speaight, Robert, George Eliot, London, Arthur Barker, 1954. (The English Novelists series)
Uglow, Jenny, George Eliot, London, Virago Press, 1987, ISBN 0-86068-400-8.
Critical studies
Alley, Henry, The Quest for Anonymity: The Novels of George Eliot, University of Delaware Press, 1997.
Beaty, Jerome, Middlemarch from Notebook to Novel: A Study of George Eliot's Creative Method, Champaign, Illinois, University of Illinois, 1960.
Calder, Simon. "George Eliot, Spinoza, and the Ethics of Literature" in Spinoza Beyond Philosophy, Beth Lord, ed. Edinburgh: Edinburgh University Press 2012, 268–187.
Carlisle, Clare, The Marriage Question: George Eliot's Double Life. Farrar, Straus and Giroux, 2023.
Carroll, Alicia, Dark Smiles: Race and Desire in George Eliot, Ohio University Press, 2003.
Carroll, David, ed., George Eliot: The Critical Heritage, London, Routledge & Kegan Paul, 1971.
Daiches, David, George Eliot: Middlemarch, London, Edward Arnold, 1963.
Arnold, Jean, ed., Marz Harper, Lila, ed., George Eliot: Interdisciplinary Essays, Springer International Publishing, 2019.
Gatens, Moira. "The Art and Philosophy of George Eliot". Philosophy and Literature 33(1) 2009, pp. 74–90.
Graver, Suzanne, George Eliot and Community: A Study in Social Theory and Fictional Form, Berkeley, California, University of California Press, 1984.
Hardy, Barbara Nathan, The Novels of George Eliot: A Study in Form. Oxford UP, 1967.
Harvey, W J, The Art of George Eliot, London, Chatto & Windus, 1961.
Leavis, F R, The Great Tradition, London, Chatto & Windus, 1948.
External links
George Eliot Archive
George Eliot Review Online
George Eliot Scholars
The George Eliot Fellowship
The Victorian Web: George Eliot
George Eliot Archived 18 June 2021 at the Wayback Machine at the British Library
Online editions
Works by George Eliot at the George Eliot Archive,
Works about George Eliot at the George Eliot Archive, George Eliot Review Online, and George Eliot Scholars
Works by George Eliot in eBook form at Standard Ebooks
Works by George Eliot at Project Gutenberg
Works by George Eliot (Mary Anne Evans) at Faded Page (Canada)
Works by or about George Eliot at the Internet Archive
Works by George Eliot at LibriVox (public domain audiobooks) |
Middlemarch | https://en.wikipedia.org/wiki/Middlemarch | [
215
] | [
"https://en.wikipedia.org/wiki/Middlemarch"
] | Middlemarch, A Study of Provincial Life is a novel by English author George Eliot, the pen name of Mary Ann Evans. It appeared in eight installments (volumes) in 1871 and 1872. Set in Middlemarch, a fictional English Midlands town, in 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events: the 1832 Reform Act, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change. Eliot began writing the two pieces that formed the novel in 1869–1870 and completed it in 1871. Initial reviews were mixed, but it is now seen widely as her best work and one of the great English novels.
Background
Middlemarch originates in two unfinished pieces that Eliot worked on during 1869 and 1870: the novel "Middlemarch" (which focused on the character of Lydgate) and the long story "Miss Brooke" (which focused on the character of Dorothea). The former piece is first mentioned in her journal on 1 January 1869 as one of the tasks for the coming year. In August she began writing, but progress ceased in the following month amidst a lack of confidence in it and distraction by the illness of George Henry Lewes's son Thornie, who was dying of tuberculosis. (Eliot had been living with Lewes since 1854.) After Thornie's death on 19 October 1869, all work on the novel stopped; it is uncertain whether Eliot intended at the time to revive it at a later date.
In December she wrote of having begun another story, on a subject that she had considered "ever since I began to write fiction". By the end of the month she had written 100 pages of this story and entitled it "Miss Brooke". Although a precise date is unknown, the process of incorporating material from "Middlemarch" into the story she had been working on was ongoing by March 1871. While composing, Eliot compiled a notebook of hundreds of literary quotations, from poets, historians, playwrights, philosophers, and critics in eight different languages.
By May 1871, the growing length of the novel had become a concern to Eliot, as it threatened to exceed the three-volume format that was then the norm in publishing. The issue was compounded because Eliot's most recent novel, Felix Holt, the Radical (1866) – also set in the same pre-Reform Bill England – had not sold well. The publisher John Blackwood, who had made a loss on acquiring the English rights to that novel, was approached by Lewes in his role as Eliot's literary agent. He suggested that the novel be brought out in eight two-monthly parts, borrowing the method used for Victor Hugo's novel Les Misérables. This was an alternative to the monthly issues that had been used for such longer works as Dickens's David Copperfield and Thackeray's Vanity Fair, and avoided Eliot's objections to slicing her novel into small parts. Blackwood agreed, although he feared there would be "complaints of a want of the continuous interest in the story" due to the independence of each volume. The eight books duly appeared during 1872, the last three instalments being issued monthly.
With the deaths of Thackeray and Dickens in 1863 and 1870, respectively, Eliot became "recognised as the greatest living English novelist" at the time of the novel's final publication.
Plot
Middlemarch centres on the lives of residents of Middlemarch, a fictitious Midlands town, from 1829 onwards – the years up to the 1832 Reform Act. The narrative may be considered to consist of four plots with unequal emphasis: the life of Dorothea Brooke, the career of Tertius Lydgate, the courtship of Mary Garth by Fred Vincy, and the disgrace of Nicholas Bulstrode. The two main plots are those of Dorothea and Lydgate. Each plot occurs concurrently, although Bulstrode's is centred on the later chapters.
Dorothea Brooke is a 19-year-old orphan, living with her younger sister, Celia, as a ward of her uncle, Mr Brooke. Dorothea is an especially pious young woman whose hobby involves the renovation of buildings belonging to the tenant farmers, although her uncle discourages her. Dorothea is courted by Sir James Chettam, a man close to her own age, but she is oblivious to him. She is attracted instead to the Rev. Edward Casaubon, a 45-year-old scholar. Dorothea accepts Casaubon's offer of marriage, despite her sister's misgivings. Chettam is encouraged to turn his attention to Celia, who has developed an interest in him.
Fred and Rosamond Vincy are the eldest children of Middlemarch's town mayor. Having never finished university, Fred is widely seen as a failure and a layabout, but is content because he is the presumed heir of his childless uncle Mr Featherstone, a rich but unpleasant man. Featherstone keeps as a companion a niece of his by marriage, Mary Garth; although she is considered plain, Fred is in love with her and wants to marry her.
Dorothea and Casaubon experience the first tensions in their marriage on their honeymoon in Rome, when Dorothea finds that her husband has no interest in involving her in his intellectual pursuits. She meets Will Ladislaw, Casaubon's much younger disinherited cousin whom he supports financially. Ladislaw begins to feel attracted to Dorothea; she remains oblivious, but the two become friendly.
Fred becomes deeply in debt and finds himself unable to repay what he owes. Having asked Mr Garth, Mary's father, to co-sign the debt, he now tells Garth he must forfeit it. As a result, Mrs Garth's savings from four years of income, held in reserve for the education of her youngest son, are wiped out, as are Mary's savings. Mr Garth thus warns Mary against ever marrying Fred.
Fred comes down with an illness and is treated by Dr Tertius Lydgate, a newly arrived doctor in Middlemarch. Lydgate has modern ideas about medicine and sanitation which draw the ire and criticism of many in town. He allies himself with Bulstrode, a wealthy, church-going landowner and developer who wants to build a hospital and clinic that follow Lydgate's philosophy, despite the misgivings of Lydgate's friend, Farebrother, about Bulstrode's integrity. Lydgate also becomes acquainted with Rosamond Vincy, who is beautiful and educated, but shallow and self-absorbed. Seeking to make a good match, she decides to marry Lydgate, who comes from a wealthy family, and uses Fred's sickness as an opportunity to get close to him. Lydgate initially views their relationship as pure flirtation and backs away from Rosamond after discovering that the town considers them practically engaged. However, on seeing her a final time, he breaks his resolution and the two become engaged.
Casaubon arrives back from Rome about the same time, but suffers a heart attack. Lydgate attends him and tells Dorothea it is difficult to pronounce on the nature of Casaubon's illness and chances of recovery: that he may indeed live about 15 years if he takes it easy and ceases his studies, but it is equally possible the disease may develop rapidly, in which case death will be sudden. As Fred recovers, Mr Featherstone falls ill. On his deathbed, he reveals that he has made two wills and tries to get Mary to help him destroy one. Unwilling to be involved in the business, she refuses, and Featherstone dies with both wills still intact. Featherstone's plan had been for £10,000 to go to Fred Vincy, but his estate and fortune instead go to his illegitimate son, Joshua Rigg.
Casaubon, in poor health, has grown suspicious of Dorothea's goodwill to Ladislaw. He tries to make Dorothea promise, if he should die, to forever "avoid doing what I should deprecate, and apply yourself to do what I should desire". She is hesitant to agree, and he dies before she can reply. Casaubon's will is revealed to contain a provision that, if Dorothea marries Ladislaw, she will lose her inheritance. This leads to the general suspicion that Ladislaw and Dorothea are lovers, creating awkwardness between the two. Ladislaw is in love with Dorothea but keeps this secret, having no desire to involve her in scandal or cause her disinheritance. She realizes she has romantic feelings for him, but must suppress them. He remains in Middlemarch, working as a newspaper editor for Mr Brooke, who is mounting a campaign to run for Parliament on a Reform platform.
Lydgate's efforts to please Rosamond soon leave him deeply in debt, and he is forced to seek help from Bulstrode. Meanwhile, Fred Vincy's humiliation at being responsible for Caleb Garth's financial setbacks shocks him into reassessing his life. He resolves to train as a land agent under the forgiving Caleb. He asks Farebrother to plead his case to Mary Garth, not realizing that Farebrother is also in love with her. Farebrother does so, thereby sacrificing his own desires for the sake of Mary, who he realises truly loves Fred and is just waiting for him to find his place in the world.
John Raffles, a mysterious man who knows of Bulstrode's shady past, appears in Middlemarch, intending to blackmail him. In his youth, the church-going Bulstrode engaged in questionable financial dealings; his fortune is founded on his marriage to a wealthy, much older widow. The widow's daughter, who should have inherited her mother's fortune, had run away; Bulstrode located her but failed to disclose this to the widow, so that he inherited the fortune in lieu of her daughter. The widow's daughter had a son, who turns out to be Ladislaw. On grasping their connection, Bulstrode is consumed with guilt and offers Ladislaw a large sum of money, which Ladislaw refuses as being tainted. Bulstrode's terror of public exposure as a hypocrite leads him to hasten the death of the mortally sick Raffles, while lending a large sum to Lydgate, whom Bulstrode had previously refused to bail out of his debt. However, the story of Bulstrode's misdeeds has already spread. Bulstrode's disgrace engulfs Lydgate: knowledge of the loan spreads and he is assumed to be complicit with Bulstrode. Only Dorothea and Farebrother retain any faith in him, but Lydgate and Rosamond are still encouraged to leave Middlemarch by the general opprobrium. Disgraced and reviled, Bulstrode's one consolation is that his wife stands by him as he too faces exile.
When Mr Brooke's election campaign collapses, Ladislaw decides to leave the town and visits Dorothea to say his farewell, but Dorothea has fallen in love with him. She renounces Casaubon's fortune and shocks her family by announcing that she will marry Ladislaw. At the same time, Fred, having been successful in his new career, marries Mary.
The "Finale" details the ultimate fortunes of the main characters. Fred and Mary marry and live contentedly with their three sons. Lydgate operates a successful practice outside Middlemarch and attains a good income, but never finds fulfilment and dies at the age of 50, leaving Rosamond and four children. After he dies, Rosamond marries a wealthy physician. Ladislaw engages in public reform, and Dorothea is content as a wife and mother to their two children. Their son eventually inherits Arthur Brooke's estate.
Characters
Dorothea Brooke: An intelligent, wealthy woman with great aspirations, Dorothea avoids displaying her wealth and embarks upon projects such as redesigning cottages for her uncle's tenants. She marries the elderly Reverend Edward Casaubon, with the idealistic idea of helping him in his research, The Key to All Mythologies. However, the marriage was a mistake, as Casaubon fails to take her seriously and resents her youth, enthusiasm, and energy. Her requests to assist him make it harder for him to conceal that his research is years out of date. Faced with Casaubon's coldness on their honeymoon, Dorothea becomes friends with his relative, Will Ladislaw. Some years after Casaubon's death she falls in love with Will and marries him.
Tertius Lydgate: An idealistic, talented, but naive young doctor, is relatively poor, but of good birth. He hopes to make big advances in medicine through his research, but ends up in an unhappy marriage with Rosamond Vincy. His attempts to show he is answerable to no man fail, and he eventually has to leave town, sacrificing his high ideals to please his wife.
Rev. Edward Casaubon : A pedantic, selfish, elderly clergyman who is so taken up with his scholarly research that his marriage to Dorothea is loveless. His unfinished book, The Key to All Mythologies, is intended as a monument to Christian syncretism, but his research is out of date as he cannot read German. He is aware of this but admits it to no one.
Mary Garth: The plain, kind daughter of Caleb and Susan Garth serves as Mr Featherstone's nurse. She and Fred Vincy were childhood sweethearts, but she will not let him woo her until he shows himself willing and able to live seriously, practically and sincerely.
Arthur Brooke: The oft-befuddled, none-too-clever uncle of Dorothea and Celia Brooke has a reputation as the worst landlord in the county, but stands for Parliament on a Reform platform.
Celia Brooke: Dorothea's younger sister is a beauty. She is more sensual than Dorothea and does not share her idealism and asceticism. She is only too happy to marry Sir James Chettam when Dorothea rejects him.
Sir James Chettam: A neighbouring landowner, he is in love with Dorothea and helps with her plans to improve conditions for the tenants. When she marries Casaubon, he marries Celia Brooke.
Rosamond Vincy: Vain, beautiful and shallow, Rosamond has a high opinion of her own charms and a low opinion of Middlemarch society. She marries Tertius Lydgate, believing he will raise her social standing and keep her comfortable. When her husband meets financial difficulties, she thwarts his efforts to economise, seeing such sacrifices as beneath her and insulting. She cannot bear the idea of losing social status.
Fred Vincy: Rosamond's brother has loved Mary Garth from childhood. His family hopes he will advance socially by becoming a clergyman, but he knows Mary will not marry him if he does. Brought up to expect an inheritance from his uncle, Mr Featherstone, he is a spendthrift, but later changes through his love for Mary and finds by studying under Mary's father a profession that gains Mary's respect.
Will Ladislaw: This young cousin of Mr Casaubon has no property, as his grandmother married a poor Polish musician and was disinherited. He is a man of verve, idealism and talent, but no fixed profession. He is in love with Dorothea, but cannot marry her without her losing Mr Casaubon's property.
Humphrey Cadwallader and Elinor Cadwallader: Neighbours of the Brookes, Mr Cadwallader is a rector and Mrs Cadwallader a pragmatic and talkative woman who comments on local affairs with wry cynicism. She disapproves of Dorothea's marriage and Mr Brooke's parliamentary endeavours.
Walter Vincy and Lucy Vincy: A respectable manufacturing couple, they wish their children to advance socially and are disappointed by Rosamond's and Fred's marriages. Vincy's sister is married to Nicholas Bulstrode. Mrs Vincy was an innkeeper's daughter and her sister the second wife of Mr. Featherstone.
Caleb Garth: Mary Garth's father is a kind, honest, generous surveyor and land agent involved in farm management. He is fond of Fred and eventually takes him under his wing.
Camden Farebrother: A poor but clever vicar and amateur naturalist, he is a friend of Lydgate and Fred Vincy and loves Mary Garth. His position improves when Dorothea appoints him to a living after Casaubon's death.
Nicholas Bulstrode: A wealthy banker married to Vincy's sister, Harriet, he is a pious Methodist keen to impose his beliefs in Middlemarch society. However, he has a sordid past he is desperate to hide. His religion favours his personal desires and lacks sympathy for others.
Peter Featherstone: An old landlord of Stone Court, he is a self-made man, who has married Caleb Garth's sister. On her death he takes Mrs Vincy's sister as his second wife.
Jane Waule: A widow and Peter Featherstone's sister, she has a son, John.
Mr Hawley: A foul-mouthed businessman, he is an enemy of Bulstrode.
Mr Mawmsey: A grocer
Dr Sprague: A Middlemarch physician
Mr Tyke: A clergyman favoured by Bulstrode
Joshua Rigg Featherstone: Featherstone's illegitimate son, he appears at the reading of Featherstone's will and receives a fortune instead of Fred. He is also the stepson of John Raffles, who comes into town to visit Rigg, but instead reveals Bulstrode's past. His appearance in the novel is crucial to the plot.
John Raffles: Raffles is a braggart and a bully, a humorous scoundrel in the tradition of Sir John Falstaff, and an alcoholic. But unlike Falstaff, Raffles is a truly evil man. He holds the key to Bulstrode's dark past and Lydgate's future.
Historical novel
The action of Middlemarch takes place "between September 1829 and May 1832", or 40 years before its publication in 1871–1872, a gap not so pronounced for it to be regularly labelled as a historical novel. By comparison, Walter Scott's Waverley (1814) – often seen as the first major historical novel – takes place some 60 years before it appears. Eliot had previously written a more obviously historical novel, Romola (1862–1863), set in 15th-century Florence. The critics Kathleen Blake and Michael York Mason argue that there has been insufficient attention given to Middlemarch "as a historical novel that evokes the past in relation to the present".
The critic Rosemary Ashton notes that the lack of attention to this side of the novel may indicate its merits: "Middlemarch is that very rare thing, a successful historical novel. In fact, it is so successful that we scarcely think of it in terms of that subgenre of fiction." For its contemporary readers, the present "was the passage of the Second Reform Act in 1867"; the agitation for the Reform Act of 1832 and its turbulent passage through the two Houses of Parliament, which provide the structure of the novel, would have been seen as the past.
Though rarely categorised as a historical novel, Middlemarch's attention to historical detail has been noticed; in an 1873 review, Henry James recognised that Eliot's "purpose was to be a generous rural historian". Elsewhere, Eliot has been seen to adopt "the role of imaginative historian, even scientific investigator in Middlemarch and her narrator as conscious "of the historiographical questions involved in writing a social and political history of provincial life". This critic compares the novel to "a work of the ancient Greek historian Herodotus", who is often described as "The Father of History".
Themes
A Study of Provincial Life
The fictional town of Middlemarch, North Loamshire, is probably based on Coventry, where Eliot had lived before moving to London. Like Coventry, Middlemarch is described as a silk-ribbon manufacturing town.
The subtitle—"A Study of Provincial Life"—has been seen as significant. One critic views the unity of Middlemarch as achieved through "the fusion of the two senses of 'provincial'": on the one hand it means geographically "all parts of the country except the capital"; and on the other, a person who is "unsophisticated" or "narrow-minded". Carolyn Steedman links Eliot's emphasis on provincialism in Middlemarch to Matthew Arnold's discussion of social class in England in Culture and Anarchy essays, published in 1869, about the time Eliot began working on the stories that became Middlemarch. There Arnold classes British society in terms of Barbarians (aristocrats and landed gentry), Philistines (urban middle class) and Populace (working class). Steedman suggests Middlemarch "is a portrait of Philistine Provincialism".
It is worth noting that Eliot went to London, as her heroine Dorothea does at the end of the book. There Eliot achieved fame way beyond most women of her time, whereas Dorothea takes on the role of nurturing Will and her family. Eliot was rejected by her family once she had settled in her common-law relationship with Lewes, and "their profound disapproval prevented her ever going home again". She omitted Coventry from her last visit to the Midlands in 1855.
The "Woman Question"
Central to Middlemarch is the idea that Dorothea Brooke cannot hope to achieve the heroic stature of a figure like Saint Teresa, for Eliot's heroine lives at the wrong time, "amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion". Antigone, a figure from Greek mythology best known from Sophocles' play, is given in the "Finale" as a further example of a heroic woman. The literary critic Kathleen Blake notes Eliot's emphasis on St Teresa's "very concrete accomplishment, the reform of a religious order", rather than her Christian mysticism. A frequent criticism by feminist critics is that not only is Dorothea less heroic than Saint Teresa and Antigone, but George Eliot herself. In response, Ruth Yeazell and Kathleen Blake chide these critics for "expecting literary pictures of a strong woman succeeding in a period [around 1830] that did not make them likely in life". Eliot has also been criticised more widely for ending the novel with Dorothea marrying Will Ladislaw, someone so clearly her inferior. The novelist Henry James describes Ladislaw as a dilettante who "has not the concentrated fervour essential in the man chosen by so nobly strenuous a heroine".
Marriage
Marriage is one of the major themes in Middlemarch. According to George Steiner, "both principal plots [those of Dorothea and Lydgate] are case studies of unsuccessful marriage". This suggests that these "disastrous marriages" leave the lives of Dorothea and Lydgate unfulfilled. This is arguably more the case with Lydgate than with Dorothea, who gains a second chance through her later marriage to Will Ladislaw, but a favourable interpretation of this marriage depends on the character of Ladislaw himself, whom numerous critics have viewed as Dorothea's inferior. In addition, there is the "meaningless and blissful" marriage of Dorothea's sister Celia Brooke to Sir James Chettam, and more significantly Fred Vincy's courting of Mary Garth. In the latter, Mary Garth will not accept Fred until he abandons the Church and settles on a more suitable career. Here Fred resembles Henry Fielding's character Tom Jones, both being moulded into a good husband by the love they give to and receive from a woman.
Dorothea is a St Teresa, born in the wrong century, in provincial Middlemarch, who mistakes in her idealistic ardor, "a poor dry mummified pedant... as a sort of angel of vocation". Middlemarch is in part a Bildungsroman focusing on the psychological or moral growth of the protagonist: Dorothea "blindly gropes forward, making mistakes in her sometimes foolish, often egotistical, but also admirably idealistic attempt to find a role" or vocation that fulfils her nature. Lydgate is equally mistaken in his choice of a partner, as his idea of a perfect wife is someone "who can sing and play the piano and provide a soft cushion for her husband to rest after work". So he marries Rosamond Vincy, "the woman in the novel who most contrasts with Dorothea", and thereby "deteriorates from ardent researcher to fashionable doctor in London".
Critical reception
Contemporary reviews
The Examiner, The Spectator and Athenaeum reviewed each of the eight books that comprise Middlemarch as they were published from December 1871 to December 1872; such reviews speculated on the eventual direction of the plot and responded accordingly. Contemporary response to the novel was mixed. Writing as it was being published, the Spectator reviewer R. H. Hutton criticised it for what he saw as its melancholic quality. Athenaeum, reviewing it after "serialisation", found the work overwrought and thought it would have benefited from hastier composition. Blackwood's Edinburgh Magazine reviewer W. L. Collins saw as the work's most forceful impression its ability to make readers sympathise with the characters. Edith Simcox of Academy offered high praises, hailing it as a landmark in fiction owing to the originality of its form; she rated it first amongst Eliot's œuvre, which meant it "has scarcely a superior and very few equals in the whole wide range of English fiction".
Henry James presented a mixed opinion, Middlemarch, according to him, was "at once one of the strongest and one of the weakest of English novels ... Middlemarch is a treasure-house of details, but it is an indifferent whole". Among the details, his greatest criticism ("the only eminent failure in the book") was of the character of Ladislaw, who he felt was an insubstantial hero-figure as against Lydgate. The scenes between Lydgate and Rosamond he especially praised for their psychological depth – he doubted whether there were any scenes "more powerfully real... [or] intelligent" in all English fiction.
Thérèse Bentzon, for the Revue des deux Mondes, was critical of Middlemarch. Although finding merit in certain scenes and qualities, she faulted its structure as "made up of a succession of unconnected chapters, following each other at random... The final effect is one of an incoherence which nothing can justify." In her view, Eliot's prioritisation of "observation rather than imagination... inexorable analysis rather than sensibility, passion or fantasy" means that she should not be held amongst the first ranks of novelists. The German philosopher Friedrich Nietzsche, who read Middlemarch in a translation owned by his mother and sister, derided the novel for construing suffering as a means of expiating the debt of sin, which he found characteristic of "little moralistic females à la Eliot".
Despite the divided contemporary response, Middlemarch gained immediate admirers: in 1873, the poet Emily Dickinson expressed high praise for the novel, exclaiming in a letter to a friend: "What do I think of Middlemarch? What do I think of glory."
In separate centuries, Florence Nightingale and Kate Millett remarked on the eventual subordination of Dorothea's own dreams to those of her admirer, Ladislaw. Indeed, the ending acknowledges this and mentions how unfavourable social conditions prevented her from fulfilling her potential.
Later responses
In the first half of the 20th century, Middlemarch continued to provoke contrasting responses; while Leslie Stephen dismissed the novel in 1902, his daughter Virginia Woolf described it in 1919 as "the magnificent book that, which with all its imperfections, is one of the few English novels written for grown-up people." However, Woolf was "virtually unique" among the modernists in her unstinting praise for Middlemarch, and the novel also remained overlooked by the reading public of the time.
F. R. Leavis's The Great Tradition (1948) is credited with having "rediscovered" the novel:
The necessary part of great intellectual powers in such a success as Middlemarch is obvious ... the sheer informedness about society, its mechanisms, the ways in which people of different classes live ... a novelist whose genius manifests itself in a profound analysis of the individual.
Leavis' appraisal of it has been hailed as the beginning of a critical consensus that still exists towards the novel, in which it is recognised not only as Eliot's finest work, but as one of the greatest novels in English. V. S. Pritchett, in The Living Novel, two years earlier, in 1946 had written that "No Victorian novel approaches Middlemarch in its width of reference, its intellectual power, or the imperturbable spaciousness of its narrative ... I doubt if any Victorian novelist has as much to teach the modern novelists as George Eliot ... No writer has ever represented the ambiguities of moral choice so fully".
In the 21st century, the novel is still held in high regard. The novelists Martin Amis and Julian Barnes have both called it probably the greatest novel in the English language, and today Middlemarch is frequently included in university courses. In 2013, the then British Education Secretary Michael Gove referred to Middlemarch in a speech, suggesting its superiority to Stephenie Meyer's vampire novel Twilight. Gove's comments led to debate on teaching Middlemarch in Britain, including the question of when novels like Middlemarch should be read, and the role of canonical texts in teaching. The novel has remained a favourite with readers and scores high in reader rankings: in 2003 it was No. 27 in the BBC's The Big Read, and in 2007 it was No. 10 in "The 10 Greatest Books of All Time", based on a ballot of 125 selected writers. In 2015, in a BBC Culture poll of book critics outside the UK, the novel was ranked at number one in "The 100 greatest British novels".
On 5 November 2019, the BBC News reported that Middlemarch is on the BBC list of 100 "most inspiring" novels.
Legacy and adaptations
Middlemarch has been adapted several times for television and the stage. In 1968 it appeared as a BBC-produced TV mini-series of the same name, directed by Joan Craft, starring Michele Dotrice. The first episode, "Dorothea", is missing from the BBC Archives, while the third episode, "The New Doctor", can be viewed online, although only as a low-quality black and white telerecording owned by a private collector. The other five episodes have been withheld from public viewing. In 1994 it was again adapted by the BBC as a television series of the same name, directed by Anthony Page with a screenplay by Andrew Davies. This was a critical and financial success and revived public interest adaptating the classics. In 2013 came a stage adaptation, and also an Orange Tree Theatre Repertory production adapted and directed by Geoffrey Beevers as three plays: Dorothea's Story, The Doctor's Story, and Fred & Mary. The novel has never been made into a film, although the idea was toyed with by the English director Sam Mendes. In April 2022, Dash Arts produced The Great Middlemarch Mystery, an immersive theatre experience staged across three locations in Coventry, including Drapers Hall.
The opera Middlemarch in Spring by Allen Shearer, to a libretto by Claudia Stevens, has a cast of six and treats only the central story of Dorothea Brooke. It was first staged in San Francisco in 2015. In 2017, a modern adaptation, Middlemarch: The Series, aired on YouTube as a video blog. Lyrics for the song "How Soon Is Now?" by The Smiths were taken from Middlemarch ("I am the son and heir, of nothing in particular").
Notes
References
Bibliography
Ashton, Rosemary (1983). George Eliot. Oxford: Oxford University Press. ISBN 0-19-287627-9.
Ashton, Rosemary (1994). "Introduction". In Eliot, George (ed.). Middlemarch. Penguin. ISBN 978-0-141-43954-9.
Beaty, Jerome (1960). Middlemarch from Notebook to Novel: A Study of George Eliot's Creative Method. Urbana: University of Illinois Press.
Blake, Kathleen (1976). "Middlemarch and the Woman Question". Nineteenth-Century Fiction. 31 (3): 285–312. doi:10.2307/2933580. JSTOR 2933580. (subscription required)
Chase, Karen (1991). Eliot: Middlemarch (Landmarks of World Literature). Cambridge: Cambridge University Press. ISBN 0521359155.
Eliot, George. Middlemarch, A Study of Provincial Life. Vol. 1 (first (1871-2) ed.), Eliot, George Volume 2, Volume 3, Volume 4
Eliot, George. Middlemarch free PDF of Blackwood's 1878 Cabinet Edition (the critical standard with Eliot's final corrections) at the George Eliot Archive
James, Henry (March 1873). "Review of Middlemarch". The Galaxy – via complete-review.com.
Leavis, F. R. (1950). The Great Tradition: George Eliot, Henry James, Joseph Conrad. New York: George W. Stewart.
Steedman, Carolyn (Summer 2001). "Going to Middlemarch: History and the Novel". Michigan Quarterly Review. XL (3): n.p.
Steiner, F. George (1955). "A Preface to Middlemarch". Nineteenth-Century Fiction. 9 (4): 262–279. doi:10.2307/3044392. JSTOR 3044392.
Swinden, Patrick, ed. (1972). George Eliot: Middlemarch: A Casebook. London: Macmillan. ISBN 0-333-02119-3.
Woolf, Virginia (1925). The Common Reader. New York: Harcourt, Brace and Company.
Wynne–Davies, Marion, ed. (1990). The Bloomsbury Guide to English Literature. New York: Prentice Hall.
Further reading
Adam, Ian, ed. (1975). This Particular Web: essays on Middlemarch. Toronto: University of Toronto Press
Bloom, Harold, ed. (2009). George Eliot. Philadelphia, PA: Chelsea ISBN 9781438116006.
Beaty, Jerome (December 1957). "History by Indirection: The Era of Reform in Middlemarch". Victorian Studies. 1 (2): 173–179. ISSN 0042-5222.
Carroll, David, ed. (1971). George Eliot: The Critical Heritage. London: Routledge & K Paul. ISBN 0-7100-6936-7
Chase, Karen, ed. (2006). Middlemarch in the Twenty-First Century. Oxford: Oxford University Press
Daiches, David (1963). George Eliot: Middlemarch. London: Arnold
Dentith, Simon (1986). George Eliot. Brighton, Sussex: Harvester Press. ISBN 0-7108-0588-8
Garrett, Peter K (1980). The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale University Press. ISBN 0-300-02403-7
Graver, Suzanne (1984). George Eliot and Community: A Study in Social Theory and Fictional Form. Berkeley: University of California Press.ISBN 0-520-04802-4.
Harvey, W. J. (1961). The Art of George Eliot. London: Chatto & Windus
Harvey, W. J. (1967). "Criticism of the Novel: Contemporary Reception". In Hardy, Barbara Nathan. Middlemarch: Critical Approaches to the Novel (2013 ed.). London: Bloomsbury. ISBN 9781472536143
Kettle, Arnold (1951). An Introduction to the English Novel, Volume I: To George Eliot. London: Hutchinson
Mead, Rebecca (2014). My Life in Middlemarch. New York: Crown. ISBN 9780307984760
Neale, Catherine (1989). George Eliot, Middlemarch. London: Penguin Books. ISBN 0-14-077173-5
Tillotson, Geoffrey(1951). Criticism and the Nineteenth Century Novel.
Trainini, Marco, Vendetta, tienimi compagnia. Due vendicatori in "Middlemarch" di George Eliot e "Anna Karenina" di Lev Tolstoj, Milano, Arcipelago Edizioni, 2012, ISBN 8876954759.
Contemporary reviews
Athenaeum, 7 December 1872
Bentzon, TH. Revue des deux Mondes, February 1873
Broome, F. N. The Times, 7 March 1873
Collins, W. L. Blackwood's Edinburgh Magazine, December 1872
Colvin, Sidney, The Fortnightly Review, 1 January 1873
Hutton, R. H. The Spectator, 1 June 1872
Hutton, R. H. British Quarterly Review, 1 April 1873
Simcox, Edith, The Academy, 1 January 1873
Later reviews
Woolf, Virginia, "George Eliot", The Times Literary Supplement, 20 November 1919
External links
Middlemarch at Standard Ebooks
Middlemarch free PDF of Blackwood's 1878 Cabinet Edition (the critical standard with Eliot's final corrections) at the George Eliot Archive
Manuscript of Middlemarch Archived 2 April 2015 at the Wayback Machine at the British Library
Middlemarch Archived 24 May 2015 at the Wayback Machine on the British Library's Discovering Literature website
Middlemarch public domain audiobook at LibriVox
Middlemarch at Project Gutenberg
Middlemarch at Victorian Web |
Tertius_Zongo | https://en.wikipedia.org/wiki/Tertius_Zongo | [
215
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"https://en.wikipedia.org/wiki/Tertius_Zongo"
] | Tertius Zongo (born 18 May 1957) was the Prime Minister of Burkina Faso from June 2007 to April 2011.
Biography
Zongo was born in Koudougou. He has an extensive background in economics and accounting. He became Minister Delegate for Budget and Planning, under the Minister of the Economy, Finances, and Planning, in June 1995. In February 1996 he became Government Spokesman in addition to his role as Minister Delegate, and he remained Government Spokesman until November 2000. His portfolio was changed to that of Minister Delegate for Finance and Economic Development, under the Prime Minister, in September 1996; he was subsequently promoted to the post of Minister of the Economy and Finance on 10 June 1997. He remained in the latter position until November 2000. On 14 February 2002 he became Ambassador to the United States, serving in that post until he was named prime minister in June 2007.
Zongo also served as governor for Burkina Faso to the World Bank, the International Monetary Fund, the African Development Bank and the Islamic Bank of Development. In 1992, he worked as director general of Cooperation at the Ministry of Finances and Planning and as chief of the Department of Multilateral Cooperation from 1988 to 1992. He has also been a professor of accounting, business economy and financial analysis at the University of Ouagadougou in Burkina Faso. Zongo holds a master's degree in economic sciences from the Institut d'Administration des Entreprises in France.
Prime minister
Following the May 2007 parliamentary election, Zongo was appointed prime minister by President Blaise Compaore on 4 June 2007. His government, composed of 34 members, was appointed on 10 June; its 34 members (excluding Zongo himself) included two ministers of state, 26 ministers, and six minister-delegates. Zongo took office as prime minister on 11 June, succeeding Paramanga Ernest Yonli.
Amidst serious unrest, Compaore appointed Luc-Adolphe Tiao to replace Zongo on 18 April 2011. Zongo was subsequently appointed to the Board of Directors of SEMAFO, a Canadian mining company with operations in Burkina Faso and other West African countries, in May 2012.
== References == |
Mountain_Cheese_Olympics | https://en.wikipedia.org/wiki/Mountain_Cheese_Olympics | [
216
] | [
"https://en.wikipedia.org/wiki/Mountain_Cheese_Olympics"
] | The International Mountain Cheese Olympics is a cheese festival and competition that has been ongoing for over 18 years. Cheesemakers from all over the world, including Switzerland, Japan, Mexico, Canada, Germany, Italy and many others compete to have the most exceptional quality of artisan mountain cheese. In previous years, the festival was held in Appenzell, Switzerland, and was originally intended to help promote the economic interests of the mountain regions of Switzerland. Currently, the festival is held in Galtür, Austria, a small ski resort village. Some popular tourist attractions in Galtür include hiking, biking, and open-air thermal spas regularly enjoyed by tourists and natives alike. Many people love the mountain air and crystal-clear lakes, but it is high-altitude sunlight, not snow, that is the new obsession. The festival will celebrate its 25th edition in September 2019.
Mountain cheeses are particularly important to this festival and differ from mass-produced cheese sold all around the world. The festival focuses on "mountain cheese" because they have separate and more distinct qualities that other kinds of cheese don't. Mountain cheeses are most often made from sheep or goat milk, and tend to be softer than most types of cheeses. This cheese, focused on in the International Mountain Cheese Olympics, can also be known as Alpine cheese. The term "Alpine cheese" simply means any cheese indigenous to the Alps, the European mountain range marking the borders of Switzerland, France, Austria, and Italy. These cheeses have achieved global fame and replication, however, because of the centuries-old recipes and methods that make these cheeses so special. This particular group of cheese is made from animals, such as sheep and goats, that have grazed in the high elevation pastures. This type of cheese is important because it has a rich and complex flavour, which is why people from around the world come to compete for the best mountain cheese. The cheesemakers allowed to compete in this event have to be cheese artisans, making cheeses at altitudes over 600 m (1,970 ft), with prizes for taste and quality.
The 2021 International Mountain Cheese Olympics will be held in Galtür, Austria, which is a small, well known ski resort village located in the upper Paznaun valley in the state of Tyrol. The Mountain Cheese Olympics were founded in 2002 "to promote the mountain region economy", and the festival itself consists of many events. This annual celebration allows festival visitors to purchase all different types of mountain cheeses by the competitors and explore international cuisine. The competition is the main highlight of the entire annual event, centering around how the mountain cheese is shaped and displayed, as well as taste. According to experts, the cheese industry is affected by several factors; economic factors like marketing and sales, and cultural factors related to the areas where the cheese is manufactured. This is why, at first, Switzerland started this competition to help their economic interest and allow individuals from all around the world to share their appreciation for mountain cheese. Though it was started primarily by Switzerland, France and Italy happen to dominate its awards, and there are typically over 100 entries, from all over the world, including Japan, Mexico, and Ethiopia.
== References == |
Appenzell_District | https://en.wikipedia.org/wiki/Appenzell_District | [
216
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"https://en.wikipedia.org/wiki/Appenzell_District"
] | Appenzell District is a district of the canton of Appenzell Innerrhoden in Switzerland. It has a population of 5,793 (as of December 2020). The area of Appenzell is 16.88 km2 (7 sq mi). The district of Appenzell consists of a part of the village Appenzell, as well as Rinkenbach, Kau and Meistersrüte.
History
Prehistoric Appenzell
While a single late Bronze Age site has been discovered in the forest outside Appenzell, there is no evidence of a prehistoric settlement. The region around Appenzell remained forested and very lightly settled until the end of the Early Middle Ages.
Under the Abbots of St. Gall
Under the authority of the abbots of the monastery of St. Gall settlers began to colonization of the Sitter river valley in the late 11th century. It is mentioned, in a deed granting rights to clear land, in 1071 as Abbacella. At the same time, the parish of St. Mauritius was established. By 1200, the parish included the area of the modern district as well as villages of Brenden, Lank, Lehn and Meistersrüte. The meager records before 1500 does not allow accurate reconstruction of the early residential development. It is likely that the first village houses were along the road between church and abbot's farm, which was built at what is now Reichsstrasse near the Gansbach stream. This gave the early village an east–west orientation. East of the church the Metzibrücke bridge was built over the Sitter. This led to the extension of the village across the river. The eastern end of the village was a conglomerate of economic and administrative buildings.
In 1291, Appenzell was devastated by the troops of the Count of Werdenberg-Sargans.
In 1353, it was granted the market right and an open plaza, the Schmäuslemarkt, opened to the south of the main street and opposite from the town hall. At the same time, a row of houses grew up to line the Hauptgasse and Hirschengasse streets. The latter road (Hirschengasse) was added as a major cross street running in the north–south direction. Additional connecting roads, squares and open areas were built at around the same time. The village of Ried, south of the village center, was founded in 1483 as a charitable foundation for poor villagers.
As the village began to grow in power it began to be mentioned as a separate entity from the rest of the abbatis cella (meaning the cell (i.e. estate) of the abbot). Starting on 10 November 1367, and often in the 15th century, the village and court are called Hof to distinguish it from the rest of ze Appacelle. The villagers of Appenzell are still known as Hofer, to distinguish them from the surrounding farmers.
Starting in the 14th century, a variety of craftsmen and traders lived and worked in Appenzell. The Answer and Mandate Book of 1547 includes regulations and controls for farmers, millers and butchers. The number of fairs was increased to two on 23 September 1353 and the village was given the right to collect tolls. In the 15th century there is evidence of a tavern in Appenzell village and a set of weights and measures for regulating commercial activities.
By about 1360, conflicts over grazing rights, taxes, and tithes were causing concern for both the abbot and the farmers of Appenzell. Both parties wanted to protect their rights and interests by joining the new Swabian League. In 1377 Appenzell was allowed to join the League with the support of the cities of Konstanz and St. Gallen (the city of St. Gallen was often at odds with the neighboring Abbey of St. Gall). With the support of League, Appenzell refused to pay many of the gifts and tithes that the Abbot Kuno von Stoffeln demanded. In response to the loss of revenue from his estates, Kuno approached the Austrian House of Habsburg for help. In 1392 he made an agreement with the Habsburgs, which was renewed in 1402. In response, in 1401 Appenzell entered into an alliance with the city of St. Gallen to protect their rights and freedom.
Part of the Swiss Confederation
Following increasing conflicts between the Appenzellers the abbot's agents, including the bailiff of Appenzell demanding that a dead body be dug up because he wanted the man's clothes, the Appenzellers planned an uprising. On a certain day, throughout the abbot's lands, they attacked the bailiffs and drove them out of the land. Following unsuccessful negotiations Appenzell and St. Gallen entered into a treaty. The treaty between St. Gallen and Appenzell marked a break between the abbot and his estates. Perhaps fearing the Habsburgs, in 1402 the League expelled Appenzell. During the same year, St. Gallen reached an agreement with the abbot and Appenzell could no longer count on St. Gallen's support. Appenzell declared itself ready to stand against the abbot, and in 1403 formed an alliance with the Canton of Schwyz, a member of the Old Swiss Confederation that had defeated the Austrians in the last century. Glarus provided less support, but authorized any citizen who wished to support Appenzell to do so. In response, the League raised an army and marched to St. Gallen before heading toward Appenzell. On 15 May 1403, they entered the pass to Speicher and outside the village of Vögelinsegg met the Appenzell army. A small force of Appenzell and Confederation troops defeated the League army and signed a short lived peace treaty.
Following another Appenzell victory on 17 June 1405, at Stoss Pass on the border of Appenzell village, the new canton continued to expand. During the expansion, Appenzell had even captured the abbot of St Gall and in response they were excommunicated by the Bishop of Constance.
However, while the Bund expanded the Austrians used the peace to regain their strength. On September 11, 1406, an association of nobles formed a knightly order known as the Sankt Jörgenschild (Order of St. George's Shield) to oppose the rebellious commoners of the Bund. Following a defeat at Bregenz, Appenzell was unable to hold the Bund together. The city of St. Gallen and the Canton of Schwyz each paid off the Austrians to avoid an attack, and the Bund was dissolved by King Rupert on April 4, 1408.
As part of the peace treaty, the abbot gave up his ownership of Appenzell, but was still owned certain taxes. However, it wasn't until 1410 that the area was at peace.
In 1411 Appenzell signed a defensive treaty with the entire Swiss Confederation (except Bern), which strengthened their position against the abbot. Appenzell joined the Confederation as an "Associate Member", and wouldn't become a full member until 1513. Following another battle, in 1429, Appenzell was granted freedom from the obligations in the future. This treaty represented the end of Appenzell's last financial tie to the Abbey of St. Gall, and a movement to closer relationships with the Confederation.
By no later than the end of the 1440s Appenzell provided linen to the embroidery factories of the city of St. Gallen. Later Appenzell began to establish independent foreign trade relations (1494 Venice, 1497 Constance, about 1499 Lyon, 1529 Frankfurt am Main). Starting in the last quarter of the 15th century there was a weekly yarn and weaving market held in village. However, efforts to create an independent cloth weaving and embroidery industry in Appenzell failed repeatedly in the face of tough competition from the city of St. Gallen.
Division of the Appenzell
On 18 March 1560 the village was destroyed by fire. It was rebuilt mostly using the old foundations and following the pre-fire roads. The reconstruction was considered the most part of the old homesteads and foundations.
Following the division of Appenzell into two half cantons in 1597, Appenzell village lost much of its importance as the capital.
Fires partially destroyed the village in 1679 and again in 1701. Most of the notable buildings, were built in the 16th century. The parish church is from 1560 to 1584, the ossuary in 1560–65 and the Rathaus (city hall) in 1560–83. On the southeastern edge of village, the so-called Castle was built in 1563–70 and the armory was built around 1568. The Capuchin monastery was built in 1587–88 financial statements, followed by the Capuchin nunnery in 1611–22. A comparison of historic views (from 1586, 1642 and 1839) shows that the size and structure of the village did not change between the 16th century and the mid-19th century.
In the 16th–18th centuries, foreign military service played an important role in the economy of the village. Numerous families (especially the Sutter, Bischofberger, Büchler, Knusert and Ulmann) grew to dominate the foreign mercenary industry in the village.
Creation of the Appenzell district
The district was formally established in 1872 by joining the rhodes Lehn and Rinkenbach.
Coat of arms
The coat of arms shows an upright black bear with red claws on a silver background. The bear holds a red ring between its forepaws. This ring is the hamlet ring, representing the market village of Appenzell.
The blazon of the municipal coat of arms is Argent a bear Sable langued, armed and priapic in his virility Gules between his front paws an Annulet of the same.
Geography
Appenzell has an area, as of 2011, of 16.9 square kilometers (6.5 sq mi). Of this area, 66.6% is used for agricultural purposes, while 22.0% is forested. Of the rest of the land, 10.7% is settled (buildings or roads) and 0.7% is unproductive land.
The district (equivalent to a municipality in other cantons) is the capital of the half canton of Appenzell Innerrhoden. It also includes the Feuerschaugemeinde (fire-fighting municipality), Kirchgemeinde (parish) and Schulgemeinde (school district). The village of Appenzell is located in the center of the Sitter river valley on the eastern border of the district. It borders the districts of Rüte (north of the Sitter) and Schwende (south of the Sitter).
Demographics
Appenzell has a population (as of December 2020) of 5,793. As of 2008, 18.0% of the population are resident foreign nationals. Over the last 10 years (1999–2009 ) the population has changed at a rate of 4.8%. It has changed at a rate of 6.1% due to migration and at a rate of 5.7% due to births and deaths.
Most of the population (as of 2000) speaks German (4,723 or 86.7%), with Serbo-Croatian being second most common (302 or 5.5%) and Italian being third (98 or 1.8%). There are 14 people who speak French and 3 people who speak Romansh.
Of the population in the district 2,794 or about 51.3% were born in Appenzell and lived there in 2000. There were 486 or 8.9% who were born in the same canton, while 1,115 or 20.5% were born somewhere else in Switzerland, and 1,018 or 18.7% were born outside of Switzerland.
In 2008 there were 142 live births to Swiss citizens and 7 births to non-Swiss citizens, and in same time span there were 116 deaths of Swiss citizens and 1 non-Swiss citizen death. Ignoring immigration and emigration, the population of Swiss citizens increased by 26 while the foreign population increased by 6. There were 8 Swiss men and 7 Swiss women who emigrated from Switzerland. At the same time, there were 29 non-Swiss men and 34 non-Swiss women who immigrated from another country to Switzerland. The total Swiss population change in 2008 (from all sources, including moves across municipal borders) was a decrease of 4 and the non-Swiss population increased by 20 people. This represents a population growth rate of 0.3%.
As of 2000, there were 2,469 people who were single and never married in the district. There were 2,489 married individuals, 340 widows or widowers and 149 individuals who are divorced.
As of 2000 the average number of residents per living room was 0.59 which is about equal to the cantonal average of 0.59 per room. In this case, a room is defined as space of a housing unit of at least 4 m2 (43 sq ft) as normal bedrooms, dining rooms, living rooms, kitchens and habitable cellars and attics. About 45.3% of the total households were owner occupied, or in other words did not pay rent (though they may have a mortgage or a rent-to-own agreement).
As of 2000, there were 2,107 private households in the district, and an average of 2.5 persons per household. There were 693 households that consist of only one person and 254 households with five or more people. Out of a total of 2,144 households that answered this question, 32.3% were households made up of just one person and there were 30 adults who lived with their parents. Of the rest of the households, there are 527 married couples without children, 734 married couples with children There were 84 single parents with a child or children. There were 39 households that were made up of unrelated people and 37 households that were made up of some sort of institution or another collective housing.
In 2000 there were 646 single family homes (or 47.2% of the total) out of a total of 1,370 inhabited buildings. There were 264 multi-family buildings (19.3%), along with 331 multi-purpose buildings that were mostly used for housing (24.2%) and 129 other use buildings (commercial or industrial) that also had some housing (9.4%). Of the single family homes 169 were built before 1919, while 81 were built between 1990 and 2000.
In 2000 there were 2,351 apartments in the district. The most common apartment size was 4 rooms of which there were 581. There were 121 single room apartments and 839 apartments with five or more rooms. Of these apartments, a total of 2,023 apartments (86.0% of the total) were permanently occupied, while 197 apartments (8.4%) were seasonally occupied and 131 apartments (5.6%) were empty. As of 2009, the construction rate of new housing units was 5.3 new units per 1000 residents. The vacancy rate for the district, in 2010, was 0.57%.
Historic Population
The historical population is given in the following chart:
Heritage sites of national significance
There are nine sites in Appenzell that are listed as Swiss heritage site of national significance. The list includes two farm houses around the village, the Kuenzes farm house at Lehnstrasse 102 and the Horersjokelis House with Barn at Lehn 76. The religious buildings on the list include the Capuchin Monastery Maria der Engel and the Parish Church of St. Mauritius. The secular buildings on the list include the Landesarchiv Appenzell Innerrhoden, the Museum Appenzell, the Rathaus (city hall) and the Castle. Finally, the entire medieval and early modern village of Appenzell was on the list. The entire village of Appenzell is also part of the Inventory of Swiss Heritage Sites.
Politics
In the 2007 federal election the CVP received 84.46% of the vote. In the federal election, a total of 786 votes were cast, and the voter turnout was 20.6%.
Economy
As of 2010, Appenzell had an unemployment rate of 2.7%. As of 2008, there were 180 people employed in the primary economic sector and about 93 businesses involved in this sector. 1,380 people were employed in the secondary sector and there were 117 businesses in this sector. 2,489 people were employed in the tertiary sector, with 344 businesses in this sector. There were 2,842 residents of the district who were employed in some capacity, of which females made up 43.5% of the workforce.
In 2008 the total number of full-time equivalent jobs was 3,425. The number of jobs in the primary sector was 127, all of which were in agriculture. The number of jobs in the secondary sector was 1,251 of which 785 or (62.7%) were in manufacturing and 407 (32.5%) were in construction. The number of jobs in the tertiary sector was 2,047. In the tertiary sector; 653 or 31.9% were in the sale or repair of motor vehicles, 78 or 3.8% were in the movement and storage of goods, 202 or 9.9% were in a hotel or restaurant, 32 or 1.6% were in the information industry, 170 or 8.3% were the insurance or financial industry, 225 or 11.0% were technical professionals or scientists, 112 or 5.5% were in education and 309 or 15.1% were in health care.
In 2000, there were 1,776 workers who commuted into the district and 989 workers who commuted away. The district is a net importer of workers, with about 1.8 workers entering the district for every one leaving. Of the working population, 7.2% used public transportation to get to work, and 44.4% used a private car.
Transport
The district has two railway stations, Appenzell and Sammelplatz. The former is located at the junction of the Appenzell–St. Gallen–Trogen and Gossau–Wasserauen lines. Both are served by Appenzell Railways. A third station, Hirschberg, is located in the village of Appenzell within the adjacent district of Rüte.
Religion
From the 2000 census, 4,143 or 76.1% were Roman Catholic, while 494 or 9.1% belonged to the Swiss Reformed Church. Of the rest of the population, there were 181 members of an Orthodox church (or about 3.32% of the population), and there were 51 individuals (or about 0.94% of the population) who belonged to another Christian church. There were 3 individuals (or about 0.06% of the population) who were Jewish, and 379 (or about 6.96% of the population) who were Islamic. There were 8 individuals who were Buddhist, 5 individuals who were Hindu and 5 individuals who belonged to another church. 150 (or about 2.75% of the population) belonged to no church, are agnostic or atheist, and 28 individuals (or about 0.51% of the population) did not answer the question.
Weather
Appenzell has an average of 158.5 days of rain or snow per year and on average receives 1,698 mm (66.9 in) of precipitation. The wettest month is June during which time Appenzell receives an average of 212 mm (8.3 in) of rain or snow. During this month there is precipitation for an average of 15.5 days. The month with the most days of precipitation is May, with an average of 15.8, but with only 163 mm (6.4 in) of rain or snow. The driest month of the year is February with an average of 99 mm (3.9 in) of precipitation over 11.7 days.
Education
In Appenzell about 1,849 or (33.9%) of the population have completed non-mandatory upper secondary education, and 529 or (9.7%) have completed additional higher education (either University or a Fachhochschule). Of the 529 who completed tertiary schooling, 66.2% were Swiss men, 17.8% were Swiss women, 10.2% were non-Swiss men and 5.9% were non-Swiss women. As of 2000, there were 816 students in Appenzell who came from another district, while 81 residents attended schools outside the district.
Appenzell is home to the Innerhodische Kantonsbibliothek und Volksbibliothek library. The library has (as of 2008) 54,448 books or other media, and loaned out 77,789 items in the same year. It was open a total of 265 days with average of 31.5 hours per week during that year.
References
Appenzell District in German, French and Italian in the online Historical Dictionary of Switzerland.
External links
Appenzell Tourism
Appenzell (in German) |
Neshaminy_State_Park | https://en.wikipedia.org/wiki/Neshaminy_State_Park | [
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] | Neshaminy State Park is a 330-acre (134 ha) Pennsylvania state park in Bensalem Township, Bucks County, Pennsylvania in the United States. Visitors to the park can catch a glimpse of the Philadelphia skyline from a hiking trail on Logan Point. The park is located at the confluence of Neshaminy Creek and the Delaware River. Neshaminy State Park is just off Interstate 95 on Pennsylvania Route 132.
History
Most of the lands of Neshaminy State Park were donated to the Commonwealth of Pennsylvania by the estate of Robert R. Logan in 1956. Logan was a descendant of James Logan who was the colonial secretary to William Penn the founder of Pennsylvania. Dunks Ferry Road, which forms the western boundary of the park, is one of the oldest roads in Pennsylvania. It was built in 1679 by Dunken Williams to provide access to his ferry which crossed the Delaware River. For forty years, the oral historian Alice of Dunk's Ferry collected tolls from those crossing the river. Dunks Ferry Inn was a major rest stop that served travelers from the mid-18th until the late 19th century.
Ecology
Neshaminy State Park is 116 miles (187 km) from the Atlantic Ocean, but it is at sea level. This combination of distance and elevation creates an estuary. The tidal effect causes the river to rise and fall each day. The Lenape who once lived on the banks of the river used tides to help them harvest fish. They built low fences in the tidal zone. At high tide the fish would swim in and be caught by the fences when the waters receded at low tide. According to the A. W. Kuchler U.S. potential natural vegetation types outside of the estuary, Neshaminy State Park would have a dominant vegetation type of Appalachian Oak (104) with a dominant vegetation form of Eastern hardwood forest (25).
Recreation
The Delaware River
Neshaminy State Park is the home of a 370 slip marina on the Delaware River. Demand for slips in the marina is always very high and the waiting list is long. This is due to the location of the park, it is located squarely within the heart of heavily populated southeastern Pennsylvania. Recreational boating on the Delaware River is especially popular in the summer months. Unlimited horsepower boats are permitted on the river. All boats must display a current registration with any state or have a launch permit from the Pennsylvania Fish and Boat Commission. The Delaware River is a warm water fishery. All fishermen are expected to follow the rules and regulations of the fish commission.
Swimming
Swimming is not permitted in the river. A swimming pool is open daily from 12:00 pm until 6:00pm weekdays and 12:00 pm until 6:00 pm weekends, Memorial Day weekend through Labor Day weekend. Lifeguards are on duty. Thirteen dollars cash admission is charged to the pool area. For more info, contact http://www.neshaminypool.com.
Hiking
There are 4 miles (6.4 km) of hiking trails at Neshaminy State Park. Logan Walk is the former driveway to the Logan home. This tree lined trail is paved and serves as a hiking trail and park service road. River Walk Trail is a loop that begins and ends at Logan Walk. It follows the bank of the Delaware River and passes by the estuary and tidal marsh.
Climate
Neshaminy State Park lies in the transition zone between the Temperate Continental climate to the north and the Humid subtropical climate to the south. According to the Trewartha climate classification system, Neshaminy State Park has a Temperate Oceanic climate (Do) with hot summers (a), cool winters (k) and year-around precipitation. Dcak climates are characterized by all months having an average mean temperature > 32.0 °F (0 °C), four to seven months with an average mean temperature ≥ 50.0 °F (10 °C), at least one month with an average mean temperature ≥ 72.0 °F (22 °C) and no significant precipitation difference between seasons. Although most summer days are slightly humid at Neshaminy State Park, episodes of heat and high humidity can occur with heat index values > 109 °F (43 °C). Since 1981, the highest air temperature was 103.1 °F (40 °C) on 07/22/2011, and the highest daily average mean dew point was 76.3 °F (25 °C) on 08/13/1999. The average wettest month is July which corresponds with the annual peak in thunderstorm activity. Since 1981, the wettest calendar day was 6.44 inches (164 mm) on 08/27/2011. During the winter months, the plant hardiness zone is 7a with an average annual extreme minimum air temperature of 2.3 °F (−17 °C). Since 1981, the coldest air temperature was −8.2 °F (−22 °C) on 01/22/1984. Episodes of extreme cold and wind can occur with wind chill values < −8 °F (−22 °C). The average annual snowfall (Nov-Apr) is between 24 and 30 inches (61 and 76 cm). The average snowiest month is February which corresponds with the peak in nor’easter activity.
Nearby state parks
The following state parks are within 30 miles (48 km) of Neshaminy State Park:
Benjamin Rush State Park (Philadelphia County)
Bull's Island Recreation Area (New Jersey)
Delaware Canal State Park (Bucks and Northampton Counties)
Delaware and Raritan Canal State Park (New Jersey)
Evansburg State Park (Montgomery County)
Fort Washington State Park (Montgomery County)
Nockamixon State Park (Bucks County)
Norristown Farm Park (Montgomery County)
Ralph Stover State Park (Bucks County)
Rancocas State Park (New Jersey)
Ridley Creek State Park (Delaware County)
Tyler State Park (Bucks County)
Washington Crossing State Park (New Jersey)
References
External links
"Neshaminy State Park official map" (PDF). (320.0 KB) |
James_Logan_(statesman) | https://en.wikipedia.org/wiki/James_Logan_(statesman) | [
217
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"https://en.wikipedia.org/wiki/James_Logan_(statesman)"
] | James Logan (20 October 1674 – 31 October 1751) was a Scots-Irish colonial American statesman, administrator, and scholar who served as the fourteenth mayor of Philadelphia and held a number of other public offices.
Logan was born in the town of Lurgan in County Armagh, Ireland to Ulster Scots Quakers. He served as colonial secretary to William Penn. He was a founding trustee of the College of Philadelphia, the predecessor of the University of Pennsylvania.
Early life
Logan was born in Lurgan, County Armagh in present-day Northern Ireland, on 20 October 1674, to parents Patrick Logan (1640–1700) and Isabella, Lady Hume (1647–1722), who married in early 1671, in Midlothian, Scotland. His father had a Master of Arts degree from the University of Edinburgh, and originally was an Anglican clergyman before converting to Quakerism.
James Logan apprenticed with a Dublin-based linen draper, received a good classical and mathematical education, and acquired a knowledge of modern languages not common at the period. The War of 1689–91 obliged him to follow his parents, first to Edinburgh, and then to London and Bristol, England where, in 1693, James replaced his father as schoolmaster. In 1699, he came to the colony of Pennsylvania aboard the Canterbury as William Penn's secretary. Logan is described as "tall and well-proportioned, with a graceful yet grave demeanor. He had a good complexion, and was quite florid, even in old age; nor did his hair, which was brown, turn grey in the decline of life, nor his eyes require spectacles."
Career
Logan supported proprietary rights in the colonial-era Province of Pennsylvania and became a major landowner in the growing colony; he was also a slave-owner. Logan advanced through several political offices, including clerk (1701), commissioner of property (1701), receiver general (1703), and member of the provincial council (1703).
In 1717, Logan's mother came to live with him in Philadelphia; she died on 17 January 1722, at his family home at Stenton in present-day neighbourhood of Logan, named in Logan's honour, in Philadelphia.
Philadelphia and Pennsylvania government
In 1722, Logan was elected mayor of Philadelphia. During his tenure as mayor, Logan allowed Irish Catholic immigrants to participate in the city's first public Mass. He later served as the colony's chief justice from 1731 to 1739, and in the absence of a governor of Pennsylvania, became acting governor from 1736 to 1738.
As acting governor, he opposed Quaker pacifism and war tax resistance, and encouraged pacifist Quakers to give up their seats in the Pennsylvania Assembly so that it could make requisitions for the American Revolution, which had begun in many of the initial Thirteen Colonies.
On October 9, 1736, Logan responded to requests from Native American leaders to control the sale of alcohol, which was creating serious social problems, by prohibiting the sale of rum in indigenous communities, but since the penalty was merely a fine of ten pounds and the law was poorly enforced, it did not have a significant effect.
During his tenure as acting governor, Logan played an active role in the territorial expansion of the colony. While William Penn and his immediate successors pursued a policy of friendly relations with the Lenape Indian tribe, Logan and other colony proprietors, including William Penn's indebted sons, John, Richard and Thomas Penn, pursued a policy of land acquisition. Such efforts to expand were spurred by increased immigration to the colony and fears that the New York Colony was infringing on Pennsylvania's northern borders in the Upper Delaware river valley. In addition, many proprietors (including Logan and the Penn brothers) had engaged in extensive land speculation, selling off lands occupied by the Lenape to new colonists before concluding an official treaty with the tribe.
Walking Purchase
As part of his efforts to expand Pennsylvania, Logan signed the Walking Purchase with the Lenape, forcing the tribe to vacate lands in the present-day Lehigh Valley and Northeastern Pennsylvania in Pennsylvania and parts of present-day western New Jersey under the auspices of the tribe having committed to sell the lands to William Penn in 1686, a treaty whose ratifying document is considered by some sources to have been a fabrication, but which was upheld in several federal lawsuits in the early 21st century.
Under the terms of the treaty, the Lenape agreed to cede as much territory as a man could walk in one and one-half days to the Pennsylvania colony; however, Logan used the treaty's vague wording, the Lenape's unclear diplomatic status, and a heavily influenced (scouts were sent ahead to clear the path of the runners selected to represent the colony) "walk" to claim a much larger territory than was originally expected by the Lenape. Meanwhile, Logan preemptively negotiated with the powerful Iroquois Confederacy to allow for the treaty to take place. As a result, the Iroquois (nominally the diplomatic overlords and protectors of the Lenape people) rebuffed Lenape attempts to have the Iroquois intervene on their behalf. The net result of the Walking Treaty was an increase in the colony's size of over 1,200,000 acres, the scattering of the Lenape in a regional diaspora, and the breakdown of diplomatic relations between Pennsylvania and the tribe.
Wealth and writings
Throughout his life in the Province of Pennsylvania, Logan engaged in various mercantile pursuits, especially fur trading, with such success that he became one of the wealthiest men in the Thirteen Colonies. Logan authored several scholarly papers published by the American Philosophical Society and European journals. Logan was also a natural scientist whose primary contribution to the emerging field of botany was a treatise that described experiments on the impregnation of plant seeds, especially corn. He tutored John Bartram, the American botanist, in Latin and introduced him to Linnaeus.
Logan's daughter, Sarah, married Isaac Norris, a Philadelphia businessman and statesman.
Death
Logan died in 1751 in Stenton in the present-day Logan neighbourhood, named in Logan's honour, in Philadelphia at the age of 77. He was interred in the graveyard of Arch Street Friends Meeting House, built in 1804, in Philadelphia.
Colonial bibliophile
While Logan would eventually become mayor of Philadelphia, chief justice of the Pennsylvania Supreme Court, lieutenant governor, and acting governor he is perhaps best known for being a bibliophile, confessing once that "Books are my disease".: 130 He collected a personal library of over 3,000 volumes. Some commentators consider Logan's library to have been the largest and best collection of classical writings in America at that time.
Logan would in time become known to Benjamin Franklin and his "Junto"; an influential group of friends that would meet weekly and discuss scholarly and political issues. He became a mentor to Franklin, who published Logan's translation of Cicero's essay "Cato Maior de Senectute".: 56 Eventually, the Junto decided to establish a subscription library, a cooperative endeavour where members would pay a fee for use of the library. Franklin and the other members of the Junto considered Logan the "best Judge of Books in these parts" and chose him to select the first 43 titles for the Library Company of Philadelphia.: 32
At the same time Logan was helping to build the collection for the Library Company of Philadelphia, he was adding to his own personal library which was considered substantial in number and breadth.: 32 He planned on donating his library for public use after his death and to this end he had a building constructed on Sixth Street in Philadelphia.: 32 Upon Logan's death, and after a lengthy delay due to some confusion in his will, through an act of the Pennsylvania Assembly and the governor on March 31, 1792, the 3,953 volumes and other property of the Loganian Library were "vested in the Library Company of Philadelphia, their successors and assigns, for ever, in trust for the support and increase of the said Loganian Library."
The Loganian Library
The Loganian Library, as he wished it to be called,: 135 was diverse. The catalogue of its final holdings is now lost but a partial inventory done in 1760 reveals a wide selection of books.: 35–37 The book distribution by date reveals nothing out of the ordinary. Most were from the seventeenth century with 57 percent. Next came those from the eighteenth century at 27 percent. Finally, there was a good number from the fifteenth and sixteenth centuries at 16 percent. The collection was mostly British and northern European with 33 percent from Britain; the Netherlands, 24 percent; Germany, 17 percent; France, 13 percent; Switzerland, 9 percent; Italy, 2 percent; and others (Scandinavia, Spain, Poland, Russia, America) at 2 percent
The distribution of the books by subject in the 1760 catalogue is equally diverse with history, antiquities, geography, chronology, etc. at 22 percent. Religious subjects of divinity and ecclesiastical history constituted 15 percent. Scientific subjects such as "physick," "mathematicks", and natural history was at 16 percent. Literary subjects such as orators, poets, fables, romances, etc. at 14 percent with philology at 13 percent. Philosophy, surprisingly, was only 6 percent while arts, liberal and mechanical, "magick," etc. was 3 percent. The remaining subjects were as follows: medicine, surgery, and "chymistry," 2 percent; law, 2 percent; voyages and travels, 1 percent; philosophical history, 1 percent, and miscellaneous, 5 percent.
Logan's library contained many 17th and 16th century classical works such as a 1615 edition of Archimedes' works, the mathematical treatise of Pappus of Alexandria printed in 1660, an Aratus of Soles from 1672, Elzevir's architecture publication of 1649 from Amsterdam, Johann Vossius' De Quatuar Artibus Popularibus published in 1650, and a 1599 edition of astronomy edited by Barthelemy Pitiscus.: 35 In one famous episode, Logan was reading a treatise on early astronomy by Johann Fabricius and read that the first printed edition of Greek astronomer Ptolemy's Almagest was printed in Greek in 1538. Logan was certain that it was released in an earlier Latin version, having sold it and his other books in Dublin before he left in 1699. Logan wrote Fabricius and politely explained his conviction. In reply, Fabricius reaffirmed his contention and sent his own 1538 copy as proof. Unconvinced, Logan wrote his agent in London, explaining that he had sold his library to a bookseller who lived on Castle Street and to see if he knew of the book's location. His agent was successful in finding the book and sent to Logan where it was confirmed that it was a Latin edition of the Almagest published in 1515.: 132–133 Such was the strength of Logan's bibliographic mind as professed by Benjamin Franklin.
Legacy
In Philadelphia, the Logan neighbourhood and the landmark Logan Circle are both named in honour of Logan. His 1730 estate Stenton in the Logan neighbourhood has been named a National Historic Landmark and operates as a public museum.
See also
Walking Purchase
References
Sources
Strahan, Edward (1875). A Century After, picturesque glimpses of Philadelphia and Pennsylvania. Philadelphia: Allen, Lane & Scott and J. W. Lauderbach.
Claus Bernet (2010). "James Logan (statesman)". In Bautz, Traugott (ed.). Biographisch-Bibliographisches Kirchenlexikon (BBKL) (in German). Vol. 31. Nordhausen: Bautz. cols. 790–798. ISBN 978-3-88309-544-8.
Further reading
Armistead, Wilson (1851). Memoirs of James Logan. C. Gilpin.
Tolles, Frederick B. (1957). James Logan and the Culture of Provincial America. Little, Brown, and Company.
External links
Abstract of his life at GwyneddMeeting.org Archived 11 May 2015 at the Wayback Machine
Biography and portrait at the University of Pennsylvania
Biography at USHistory.org
An essay by Logan urging support for war requisitions |
Oasis_(band) | https://en.wikipedia.org/wiki/Oasis_(band) | [
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] | Oasis is an English rock band formed in Manchester in 1991. The group initially consisted of Liam Gallagher (lead vocals), Paul "Bonehead" Arthurs (guitar), Paul "Guigsy" McGuigan (bass guitar) and Tony McCarroll (drums), with Liam asking his older brother Noel Gallagher (lead guitar, vocals) to join as a fifth member a few months later to finalise their formation. Noel became the de facto leader of the group and took over the songwriting duties for the band's first four albums. They are characterised as one of the defining and most globally successful groups of the Britpop genre.
Oasis signed to independent record label Creation Records in 1993 and released their record-setting debut album Definitely Maybe (1994), which topped the UK Albums Chart and quickly became the fastest-selling debut album in British history at the time. The following year they released follow up album (What's the Story) Morning Glory? (1995) with new drummer Alan White in the midst of a highly publicised chart rivalry with peers Blur. Spending ten weeks at number one on the British charts, (What's the Story) Morning Glory? was also an international chart success and became one of the best-selling albums of all time, the fifth-best-selling album in the UK and the best-selling album in the UK of the 1990s. The Gallagher brothers featured regularly in tabloid newspapers throughout the 1990s for their public disputes and wild lifestyles. In 1996, Oasis performed two nights at Knebworth for an audience of 125,000 each time, the largest outdoor concerts in UK history at the time. In 1997, Oasis released their highly anticipated third studio album, Be Here Now, which became the fastest-selling album in UK chart history but retrospectively was seen as a critical disappointment.
Founding members Arthurs and McGuigan left in 1999 during the recording of the band's fourth studio album Standing on the Shoulder of Giants (2000). They were replaced by former Heavy Stereo guitarist Gem Archer on guitar and former Ride guitarist Andy Bell on bass guitar. White departed in 2004, replaced by guest drummer Zak Starkey, and later by Chris Sharrock. Oasis released three more studio albums in the 2000s: Heathen Chemistry (2002), Don't Believe the Truth (2005) and Dig Out Your Soul (2008). The group abruptly disbanded in 2009 after the sudden departure of Noel Gallagher. The remaining members of the band continued under the name Beady Eye until their disbandment in 2014. Both Gallagher brothers have had successful solo careers. In 2024, Oasis announced that they would reform in 2025 for performances around the world as part of the Oasis Live '25 Tour.
As of 2024, Oasis have sold over 75 million records worldwide, making them one of the best-selling music artists of all time. They are among the most successful acts in the history of the UK Singles Chart and the UK Albums Chart, with eight UK number-one singles and eight UK number-one albums. The band also achieved three Platinum albums in the US. They won 17 NME Awards, nine Q Awards, four MTV Europe Music Awards and six Brit Awards, including one in 2007 for Outstanding Contribution to Music and one for the "Best Album of the Last 30 Years" for (What's the Story) Morning Glory?. They were also nominated for two Grammy Awards.
History
1991–1993: Formation and early years
In 1991, bassist Paul McGuigan, guitarist Paul Arthurs, drummer Tony McCarroll, and singer Chris Hutton formed a band called the Rain. Unsatisfied with Hutton, Arthurs invited and auditioned acquaintance Liam Gallagher as a potential replacement. Liam suggested that the band name be changed to Oasis, inspired by an Inspiral Carpets tour poster in the childhood bedroom he shared with his brother Noel, which listed the Oasis Leisure Centre in Swindon as a venue. Oasis played their first gig on 14 August 1991 at the Boardwalk club in Manchester, bottom of the bill below the Catchmen and Sweet Jesus. Noel, who was working as a roadie for Inspiral Carpets, went with them to watch Liam's band play, and he was impressed with what he heard.
Noel approached the group about joining on the provision that he would become the band's sole songwriter and leader, and that they would commit to an earnest pursuit of commercial success. Arthurs recalled, "He had loads of stuff written. When he walked in, we were a band making a racket with four tunes. All of a sudden, there were loads of ideas." Under Noel, the band crafted a musical approach that relied on simplicity, with Arthurs and McGuigan restricted to playing barre chords and root bass notes, McCarroll playing basic rhythms, and the band's amplifiers turned up to create distortion. Oasis thus created a sound described as being "so devoid of finesse and complexity that it came out sounding pretty much unstoppable".
1993–1995: Breakthrough with Definitely Maybe
After over a year of live shows, rehearsals and a recording of a demo, the Live Demonstration tape, in May 1993, Oasis were spotted by the Creation Records co-owner Alan McGee. Oasis were invited to play a gig at King Tut's Wah Wah Hut club in Glasgow by Sister Lovers, who shared their rehearsal rooms. Oasis, along with a group of friends, hired a van and made the journey to Glasgow. When they arrived, they were refused entry as they were not on that night's set list. They and McGee have given contradicting statements about how they entered the club. They were given the opening slot and impressed McGee, who was there to see 18 Wheeler, and Sister Lovers, whose member Debbie Turner was a close friend of McGee's from his days frequenting the Haçienda in Manchester. McGee offered them a recording contract; however, they did not sign until several months later. Due to problems securing an American contract, Oasis signed a worldwide contract with Sony, which in turn licensed Oasis to Creation in the UK.
Following a limited white label release of the demo of their song "Columbia", Oasis went on a UK tour to promote the release of their first single, "Supersonic", playing venues such as the Tunbridge Wells Forum, a converted public toilet. "Supersonic" was released in April 1994, reaching number 31 in the charts. The release was followed by "Shakermaker", which became the subject of a plagiarism suit, with Oasis paying $500,000 in damages. Their third single, "Live Forever", was their first to enter the top ten of the UK Singles Chart. After troubled recording and mixing sessions, Oasis's debut album, Definitely Maybe, was released on 29 August 1994. It entered the UK Albums Chart at number one within a week of its release, and at the time becoming the fastest selling debut album in the UK.
Nearly a year of constant live performances and recordings, along with a hedonistic lifestyle, damaged the band. This behaviour culminated during a gig in Los Angeles in September 1994, leading to an inept performance by Liam during which he made offensive remarks about American audiences and hit Noel with a tambourine. Upset, Noel temporarily quit the band and flew to San Francisco (it was from this incident the song "Talk Tonight" was written). He was tracked down by Creation's Tim Abbot and they made a trip to Las Vegas. Once there, he was persuaded to continue with the band. He reconciled with Liam and the tour resumed in Minneapolis. The group followed up with the fourth single from Definitely Maybe, "Cigarettes & Alcohol", and the Christmas single "Whatever", issued in December 1994, which entered the British charts at number three.
1995–1996: (What's the Story) Morning Glory?, international success, and peak popularity
In April 1995, "Some Might Say" became their first number-one UK single. At the same time, McCarroll was ousted from the band. He said he was "unlawfully expelled from the partnership" for what he called a "personality clash" with the brothers. The Gallaghers were critical of McCarroll's musical ability, with Noel saying: "I like Tony as a geezer but he wouldn't have been able to drum the new songs." He was replaced by Alan White, formerly of Starclub and the brother of the percussionist Steve White, who was recommended to Noel by Paul Weller. White made his debut with Oasis on a Top of the Pops performance of "Some Might Say".
Oasis began recording material for their second album that May in Rockfield Studios near Monmouth. During this period, the British press seized upon a supposed rivalry between Oasis and another Britpop band, Blur. Previously, Oasis had not associated with the Britpop movement and were not invited to perform on the BBC's Britpop Now programme introduced by Blur's singer, Damon Albarn. On 14 August 1995, Blur and Oasis released singles on the same day, setting up the "Battle of Britpop" that dominated the national news. Blur's "Country House" outsold Oasis's "Roll with It" 274,000 copies to 216,000 during the week. Oasis's management argued that "Country House" had sold more because it was less expensive (£1.99 vs £3.99) and because there were two versions of the "Country House" single, with different B-sides, forcing fans to buy two copies. Creation said there were problems with the barcode on the "Roll with It" single case, which did not record all sales. Noel Gallagher told The Observer in September that he hoped members of Blur would "catch AIDS and die", which caused a media furore. He apologised in a formal letter to various publications.
McGuigan briefly left Oasis in September 1995, citing nervous exhaustion. He was replaced by Scott McLeod, formerly of the Ya Ya's, who was featured on some of the tour dates as well as in the "Wonderwall" video before leaving abruptly while on tour in the US. McLeod contacted Noel, saying he felt he had made the wrong decision. Noel replied: "I think you have, too. Good luck signing on."
Although a softer sound initially led to mixed reviews, Oasis's second album, (What's the Story) Morning Glory?, was a worldwide commercial success, selling over four million copies and becoming the fifth-best-selling album in UK chart history. By 2008, it had sold up to 22 million copies globally, making it one of the best-selling albums of all time. The album produced two more singles, "Wonderwall" and "Don't Look Back in Anger", which reached numbers two and one. It also contained "Champagne Supernova", which featured guitar and backing vocals by Paul Weller and received critical acclaim. The song reached number one on the US Modern Rock Tracks chart. In November 1995, Oasis played on back-to-back nights at Earls Court in London, the biggest ever indoor gigs in Europe at the time. Noel played a customised Sheraton guitar emblazoned with a Union Jack, commercially released by Epiphone as the "Supernova".
On 27 and 28 April 1996, Oasis played their first headline outdoor concerts, at Maine Road football stadium, home of Manchester City F.C., of whom the Gallagher brothers had been fans since childhood. Highlights from the second night featured on the video ...There and Then, released later the same year (along with footage from their Earls Court gigs). As their career reached its zenith, Oasis performed to 80,000 people over two nights at Balloch Country Park at Loch Lomond in Scotland on 3 and 4 August, before back-to-back concerts at Knebworth House on 10 and 11 August. The band sold out both shows within minutes. The audience of 125,000 people each night (2.5 million people applied for tickets, and 250,000 were actually sold, meaning the possibility of 20 sold out nights) was a record-breaking number for an outdoor concert held in the UK and remains the largest demand for a show in British history.
Oasis were due to record an episode of MTV Unplugged at the Royal Festival Hall but Liam pulled out, citing a sore throat. He watched the performance from a balcony with beer and cigarettes, heckling Noel's singing between songs. Four days later the group left for a tour of American arenas but Liam refused to go; the band decided to continue the tour with Noel on vocals. Liam rejoined the tour on 30 August and on 4 September 1996, Oasis performed "Champagne Supernova" at the 1996 MTV Video Music Awards at Radio City Music Hall in New York City. Liam made gestures at Noel during his guitar solo, then spat beer all over the stage before storming off. A few weeks later Noel flew home without the band, who followed on another flight. This event prompted media speculation that the group were splitting up. The brothers soon reconciled and decided to complete the tour.
1996–1999: Be Here Now and The Masterplan
Oasis spent the end of 1996 and the first quarter of 1997 at Abbey Road Studios in London and Ridge Farm Studios in Surrey recording their third album. Quarrels between the Gallagher brothers plagued the recording sessions. Be Here Now was released in August 1997. Preceded by the UK number one single "D'You Know What I Mean?", the album was their most anticipated effort, and as such became the subject of considerable media attention. Footage of excited fans clutching copies made ITV News at Ten, leading anchorman Trevor McDonald to intone the band's phrase "mad for it". By the end of the first day of release, Be Here Now had sold 424,000 units and first week sales reached 696,000, making it the fastest-selling album in British history until Adele released 25 in 2015. The album debuted at number two on the Billboard 200 in the US, but its first week sales of 152,000—below expected sales of 400,000 copies—were considered a disappointment. Predominantly written by Noel Gallagher during a holiday with Kate Moss, Johnny Depp and Mick Jagger, Gallagher has since expressed regret over the writing process of Be Here Now, adding it doesn't match up to the standard of the band's first two albums;
In the studio it was great, and on the day it came out it was great. It was only when I got on tour that I was thinking, "It doesn't fucking stand up." ... People are prepared to have stand-up rows with me in the street: "I fucking love that album!" And I'm like, "Mate, look, I wrote the fucking thing. I know how much effort I put into it. It wasn't that much."
Noel had been ambivalent about the album in pre-release interviews, telling NME, "This record ain't going to surprise many people." However, there was nobody around him to echo his reservations. "Everyone's going: 'It's brilliant!'" he later said. "And right towards the end, we're doing the mixing and I'm thinking to myself: 'Hmmm, I don't know about this now.'" When the album was released Oasis were woven into Britain's cultural fabric like no other band since the Beatles, and according to their former press officer Johnny Hopkins: "There were more hangers-on, constantly telling them they were the greatest thing. That tended to block out the critical voices." Dorian Lynskey writes, "If it couldn't be Britpop's zenith, then it must be the nadir. It can't be just a collection of songs – some good, some bad, most too long, all insanely overproduced – but an emblem of the hubris before the fall, like a dictator's statue pulled to the ground by a vengeful mob."
After the conclusion of the Be Here Now Tour in early 1998, amidst much media criticism, the group kept a low profile. Later in the year, Oasis released a compilation album of fourteen B-sides, The Masterplan. "The really interesting stuff from around that period is the B-sides. There's a lot more inspired music on the B-sides than there is on Be Here Now itself, I think," said Noel in an interview in 2008.
1999–2001: Line-up change and Standing on the Shoulder of Giants
In early 1999, the band began work on their fourth studio album. First details were announced in February, with Mark Stent revealed to be taking a co-producing role. Things were not going well and the shock departure of founding member Paul "Bonehead" Arthurs was announced in August. This departure was reported at the time as amicable, with Noel stating Arthurs wanted to spend more time with his family. Arthurs' statement clarified his leaving as "to concentrate on other things". However, Noel has since offered a contradicting version: that a series of violations of Noel's "no drink or drugs" policy (imposed by Noel so that Liam could sing properly) for the album's sessions resulted in a confrontation between the two. Two weeks later the departure of bassist Paul McGuigan was announced. The Gallagher brothers held a press conference shortly thereafter, in which they assured reporters that "the future of Oasis is secure. The story and the glory will go on."
After the completion of the recording sessions, the band began searching for replacement members. The first new member to be announced was new lead/rhythm guitarist Colin "Gem" Archer, formerly of Heavy Stereo, who later claimed to have been approached by Noel Gallagher only a couple of days after Arthurs' departure was publicly announced. Finding a replacement bassist took more time and effort: the band were rehearsing with David Potts, but he quickly resigned, and they brought in Andy Bell, former guitarist/songwriter of Ride and Hurricane #1 as their new bassist. Bell had never played bass before and had to learn to play it (with Noel since saying, "I was amazed that Andy was up for actually playing the bass y'know, cos he's such a good guitarist"), along with a handful of songs from Oasis's back catalogue, in preparation for a scheduled US tour in December 1999.
With the folding of Creation Records, Oasis formed their own label, Big Brother, which released all of Oasis's subsequent records in the UK and Ireland. Oasis's fourth album, Standing on the Shoulder of Giants, was released in February 2000 to good first-week sales. It reached number one on the British charts and peaked at number 24 on the Billboard charts. Four singles were released from the album: "Go Let It Out", "Who Feels Love?", "Sunday Morning Call" and "Where Did It All Go Wrong?", of which the first three were top five UK singles. The "Go Let It Out" music video was shot before Bell joined the group and therefore featured the unusual line-up of Liam on rhythm guitar, Archer on lead guitar and Noel on bass. With the departure of the founding members, the band made several small changes to their image and sound. The cover featured a new "Oasis" logo, designed by Gem Archer, and the album was also the first Oasis release to include a song written by Liam Gallagher, entitled "Little James". The songs also had more experimental, psychedelic influences. Standing on the Shoulder of Giants received lukewarm reviews and sales slumped in its second week of release in the US.
To support the record the band staged an eventful world tour. While touring in Barcelona in 2000, Oasis were forced to cancel a gig when an attack of tendinitis caused Alan White's arm to seize up, and the band spent the night drinking instead. After a row between the two brothers, Noel declared he was quitting touring overseas altogether, and Oasis were supposed to finish the tour without him. Noel eventually returned for the Irish and British legs of the tour, which included two major shows at Wembley Stadium. A live album of the first show, called Familiar to Millions, was released in late 2000 to mixed reviews.
2001–2003: Heathen Chemistry
Throughout 2001, Oasis split time between sessions for their fifth studio album and live shows around the world. Gigs included the month-long Tour of Brotherly Love with the Black Crowes and Spacehog and a show in Paris supporting Neil Young. The album, Heathen Chemistry, Oasis's first album with new members Andy Bell and Gem Archer, was released in July 2002. The album reached number 1 in the UK and number 23 in the US, although critics gave it mixed reviews. There were four singles released from the album: "The Hindu Times", "Stop Crying Your Heart Out", "Little by Little/She Is Love" which were written by Noel, and "Songbird", written by Liam and the first single not to be written by Noel. The record blended the band's sonic experiments from their last albums, but also went for a more basic rock sound. The recording of Heathen Chemistry was much more balanced for the band, with all of the members, apart from White, writing songs. Johnny Marr provided additional guitar as well as backup vocals on a couple of songs.
After the album's release, the band embarked on a successful world tour that was once again filled with incidents. In August 2002, while the band were on tour in the US, Noel, Bell and touring keyboardist Jay Darlington were involved in a car accident in Indianapolis. While none of the band members sustained any major injuries, some shows were cancelled as a result. In December 2002, the latter half of the German leg of the band's European tour had to be postponed after Liam Gallagher, Alan White and three other members of the band's entourage were arrested after a violent brawl at a Munich nightclub. The band had been drinking heavily and tests showed that Liam had used cocaine. Liam lost two front teeth and kicked a police officer in the ribs, while Alan suffered minor head injuries after getting hit with an ashtray. Two years later Liam was fined around £40,000. The band finished their tour in March 2003 after returning to those postponed dates.
2003–2007: Alan White's departure and Don't Believe the Truth
Oasis began recording a sixth album in late December 2003 with producers Death in Vegas at Sawmills Studios in Cornwall. The album was originally planned for a September 2004 release, to coincide with the 10th anniversary of the release of Definitely Maybe, However, long-time drummer Alan White, who at this time had played on nearly all of the band's material, had been asked to leave the band. At the time, his brother Steve White stated on his own website that "the spirit of being in a band was kicked out of him" and he wanted to be with his girlfriend. White was replaced by Zak Starkey, the Who's drummer and the son of the Beatles' drummer, Ringo Starr. Though Starkey performed on studio recordings and toured with the band, he was not officially a member and the band were a four-piece for the first time in their career. Starkey played publicly for the first time at Poole Lighthouse.
A few days later, Oasis, with Starkey, headlined the Glastonbury Festival for the second time in their career and performed a largely greatest hits set, which included two new songs — Gem Archer's "A Bell Will Ring" and Liam Gallagher's "The Meaning of Soul". The performance received negative reviews, with NME calling it a "disaster". The BBC's Tom Bishop called Oasis's set "lacklustre and uneventful ... prompting a mixed reception from fans", mainly because of Liam's uninspired singing and Starkey's lack of experience with the band's material.
After much turbulence, the band's sixth album was finally recorded in Los Angeles-based Capitol Studios from October to December the same year. Producer Dave Sardy took over the lead producing role from Noel, who decided to step back from these duties after a decade of producing leadership over the band. In May 2005, after three years and as many scrapped recording sessions, the band released their sixth studio album, Don't Believe the Truth, fulfilling their contract with Sony BMG. It followed the path of Heathen Chemistry as being a collaborative project again, rather than a Noel-written album. The album was the first in a decade not to feature drumming by Alan White, marking the recording debut of Starkey. The record was generally hailed as the band's best effort since Morning Glory by fans and critics alike, spawning two UK number one singles: "Lyla" and "The Importance of Being Idle", whilst "Let There Be Love" entered at number 2. Oasis picked up two awards at the Q Awards: one People's Choice Award and the second for Don't Believe the Truth as Best Album. Following in the footsteps of Oasis's previous five albums, Don't Believe the Truth also entered the UK album charts at number one. By 2013 the album had sold more than 6 million copies worldwide.
In May 2005, the band's new line-up embarked on a large scale world tour. Beginning on 10 May 2005 at the London Astoria, and finishing on 31 March 2006 in front of a sold-out gig in Mexico City, Oasis played more live shows than at any time since the Definitely Maybe Tour, visiting 26 countries and headlining 113 shows for over 3.2 million people. The tour passed without any major incidents and was the band's most successful in more than a decade. The tour included sold-out shows at New York's Madison Square Garden and LA's Hollywood Bowl. A rockumentary film made during the tour, entitled Lord Don't Slow Me Down directed by Baillie Walsh was released in October 2007.
Oasis released a compilation double album entitled Stop the Clocks in 2006, featuring what the band considers to be their "definitive" songs. The band received the Brit Award for Outstanding Contribution to Music in February 2007, playing several of their most famous songs afterwards. Oasis released their first ever digital-only release, "Lord Don't Slow Me Down", in October 2007. The song debuted at number ten in the UK singles chart.
2007–2009: Dig Out Your Soul
The band's resurgence in popularity since the success of Don't Believe the Truth was highlighted in February 2008 when, in a poll to find the fifty greatest British albums of the last fifty years conducted by Q magazine and HMV, two Oasis albums were voted first and second (Definitely Maybe and (What's The Story) Morning Glory? respectively). Two other albums by the band appeared in the list – Don't Believe The Truth came in at number fourteen, and the album that has previously been heavily criticised by some of the media, Be Here Now, made the list at no. 22.
Oasis recorded for a couple of months in 2007 – between July and September – completing work on two new songs and demoing the rest. They then took a two-month break because of the birth of Noel's son. The band re-entered the studio on 5 November 2007 and finished recording around March 2008 with producer Dave Sardy.
In May 2008, Zak Starkey left the band after recording Dig Out Your Soul, the band's seventh studio album. He was replaced by former Icicle Works and the La's drummer Chris Sharrock on their tour but Chris was not an official member of the band and Oasis remained as a four-piece. The first single from the record was "The Shock of the Lightning" written by Noel Gallagher, and was pre-released on 29 September 2008. Dig Out Your Soul, the band's seventh studio album, was released on 6 October and went to number one in the UK and number five on the Billboard 200. The band started touring for a projected 18-month-long tour expected to last till September 2009, with support from Kasabian, the Enemy and Twisted Wheel. On 7 September 2008, while performing at Virgin Festival in Toronto, a member of the audience ran on stage and physically assaulted Noel. Noel suffered three broken and dislodged ribs as a result from the attack, and the group had to cancel several shows while he recovered. In June 2008, the band re-signed with Sony BMG for a three-album deal.
On 25 February 2009, Oasis received the NME Award for Best British Band of 2009, as well as Best Blog for Noel's 'Tales from the Middle of Nowhere'. On 4 June 2009, Oasis played the first of three concerts at Manchester's Heaton Park and after having to leave the stage twice due to a generator failure, came on the third time to declare the gig was now a free concert; it delighted the 70,000 ticket holders, 20,000 of whom claimed the refund. The band's two following gigs at the venue, on 6 and 7 June, proved a great success, with fans turning out in the thousands despite the changeable weather and first night's sound issues.
2009–2024: Split and aftermath
After Liam contracted laryngitis, Oasis cancelled a gig at V Festival in Chelmsford on 23 August 2009. Noel stated in 2011 that the gig was cancelled due to Liam having "a hangover". Liam subsequently sued Noel, and demanded an apology, stating: "The truth is I had laryngitis, which Noel was made fully aware of that morning, diagnosed by a doctor." Noel issued an apology and the lawsuit was dropped. The band were due to perform on 28 August 2009 at the Rock en Seine festival near Paris, however mid-way through Bloc Party's set at the festival their frontman Kele Okereke (alongside Bloc Party tour manager Peter Hill) announced that Oasis would not be performing. Two hours later, a statement from Noel appeared on the band's website:
It is with some sadness and great relief...I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.
Liam and the remaining members of Oasis decided to continue under the name Beady Eye, releasing two studio albums until their break-up in 2014. Liam started a solo career and has released three studio albums, with Arthurs joining him occasionally on tour. Noel formed a solo project, Noel Gallagher's High Flying Birds and has released four studio albums, with Sharrock and Archer later joining as members. Bell reunited with former band Ride.
On 16 February 2010, Oasis won Best British Album of the Last 30 Years – for (What's the Story) Morning Glory? – at the 2010 Brit Awards. Liam collected the award alone before presenting his speech, which thanked Bonehead, McGuigan and Alan White but not Noel, and throwing his microphone and the band's award into the crowd; he later defended his actions. Time Flies... 1994–2009, a compilation of singles, was released on 14 June 2010. It became the band's final album to reach number one on the UK Albums Chart. A remastered 3-disc version of Definitely Maybe was released on 19 May 2014.
A documentary titled Oasis: Supersonic was released on 26 October 2016, which tells the story of Oasis from their beginnings to the height of their fame during the summer of 1996. Another concert documentary film was released in September 2021, in celebration of the 25th anniversary of Oasis's two record breaking concerts at Knebworth Park in August 1996. A new demo recording, "Don't Stop...", previously only known from a recording during a soundcheck in Hong Kong, was rediscovered during the COVID-19 pandemic, and was released on 3 May 2020; it passed 1 million views on YouTube that morning and reached number 80 on the UK Singles Chart based on streaming alone.
2024–present: Reunion and Oasis Live '25 Tour
On 27 August 2024, almost 15 years to the date of their 2009 split, Oasis announced that they would reform for performances in the UK and Ireland in July and August 2025, stating "The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised." After the announcement of the reunion, it was rumoured that former members Paul "Bonehead" Arthurs, Gem Archer, Andy Bell, Zak Starkey and some members of Noel Gallagher's High Flying Birds will perform alongside the two brothers. Former drummer Alan White also teased his involvement in the reunion, while original drummer Tony McCarroll said he does not think that he will be back. Liam Gallagher also teased on Twitter that new members could join the band on tour and also revealed on Twitter that Oasis had finished a new album.
On 30 August 2024, following the news of the reunion Oasis released the 30th anniversary edition of their debut album Definitely Maybe. A week later the album charted at number 1 in the UK Official Albums Chart Top 100, 30 years after its release along with Time Flies and Morning Glory which rose to number 3 and 4 in the charts. Three more Oasis albums also entered the top 100 in the charts, The Masterplan at number 41, Be Here Now at number 42 and Heathen Chemistry at number 97. Oasis's single "Live Forever" charted at number 8 in the UK Official Singles Chart Top 40, two places higher than it originally finished in 1994, along with "Don't Look Back In Anger" which reached number 9 and "Wonderwall" which reached number 11.
Musical style and influences
Musically, Oasis have been regarded as a rock band. More specifically, the band has been described as Britpop, indie rock, alternative rock, pop rock, neo-psychedelia, psychedelic rock, and power pop. Oasis were most heavily influenced by the Beatles, an influence that was frequently labelled as an "obsession" by British media. The band were also strongly influenced by the other 1960s British Invasion acts, including the Kinks, the Rolling Stones, and the Who. Another major influence, especially during the band's early career, was 1970s British punk rock, in particular the Sex Pistols and their album Never Mind the Bollocks, Here's the Sex Pistols (1977), as well as the Damned, and the Jam/Paul Weller. In addition, members of Oasis have cited as an influence or inspiration AC/DC, Acetone, Burt Bacharach, Beck, the Bee Gees, David Bowie, the Doors, Peter Green–era Fleetwood Mac, Grant Lee Buffalo, the La's, MC5, Nirvana, Pink Floyd, Slade, the Smiths, The Soundtrack of Our Lives, the Specials, the Stone Roses, the Stooges, T. Rex, the Verve, the Velvet Underground/Lou Reed, and Neil Young.
Oasis albums consistently featured loud tracks characterized by nasal vocals. These dynamic Britpop compositions stood in stark contrast to the more polished pop tunes of Blur, their chart rivals. Especially in their early years, Oasis's musical style and lyrics were grounded in the working-class backgrounds of Liam and Noel. The brothers became known for their rebellious demeanor, self-assured personalities, and sibling rivalry; these characteristics garnered media interest from the band's beginnings and endured throughout their entire career.
Legal battles over songwriter credits
Legal action has been taken against Noel Gallagher and Oasis for plagiarism on three occasions. The first was the case of Neil Innes (formerly of the Bonzo Dog Doo-Dah Band and the Rutles) suing to prove the Oasis song "Whatever" borrowed from his song "How Sweet to Be an Idiot". Innes was eventually awarded royalties and a co-writer credit. Noel Gallagher said in 2010 that the plagiarism was unintentional and he was unaware of the similarities until informed of Innes's legal case. In the second incident, Oasis were sued by Coca-Cola and forced to pay $500,000 in damages to the New Seekers after it was alleged that the Oasis song "Shakermaker" had lifted words and melody from "I'd Like to Teach the World to Sing". When asked about the incident, Noel Gallagher joked "Now we all drink Pepsi." On the third and final occasion, when promotional copies of (What's the Story) Morning Glory? were originally distributed, they contained a previously unreleased bonus song called "Step Out". This promotional CD was quickly withdrawn and replaced with a version that omitted the controversial song, which was allegedly similar to the Stevie Wonder song "Uptight (Everything's Alright)". Official releases of "Step Out", as the B-side to "Don't Look Back in Anger" and on Familiar to Millions, listed "Wonder, et al." as co-writers.
The 2003 song "Life Got Cold" by UK band Girls Aloud received attention due to similarities between the guitar riff and melody of the song and that of the Oasis song "Wonderwall". A BBC review stated "part of the chorus sounds like it is going to turn into 'Wonderwall' by Oasis." Warner/Chappell Music has since credited Noel Gallagher as co-songwriter.
Legacy and influence
Despite parting ways in 2009, Oasis remain hugely influential in British music and culture and are now recognised as one of the biggest and most acclaimed bands of the 1990s. They are widely recognized as one of the spearheads of Britpop, which has claimed a prominent place in the British musical landscape. With their record breaking sales, concerts, sibling disputes, and their high-profile chart battle with Britpop rivals Blur, Oasis were a major part of 1990s UK pop culture, an era dubbed Cool Britannia. Many bands and artists have cited Oasis as an influence or inspiration, including Arctic Monkeys, Catfish and the Bottlemen, Deafheaven, the Killers, Alvvays, Maroon 5, Coldplay, and Ryan Adams.
The band's success also helped local businesses. Pete Caban, owner of Bandwagon Music Supplies in Perth, Scotland, which closed in 2020 after 37 years in business, said: "The highlight years were the mid-90s to the early 2000s. That was the peak period. The Oasis period, as I call it, where everyone wanted to buy a guitar. That was the game changer for music and for me here in Perth. I was shovelling guitars out the door at the point. So hurrah for Noel Gallagher."
In 2007, Oasis were one of the four featured artists in the seventh episode of the BBC/VH1 series Seven Ages of Rock – an episode about British indie rock – along with Britpop peers Blur in addition to the Smiths and the Stone Roses.
In 2023, an unofficial music project by the name of AISIS was the first full-length album to use AI vocals. The project was a success and attracted more than half a million views within six weeks of publication, including multiple newspaper articles written about it, and brought Breezer, the band that created the project, out of obscurity and landed them with prestigious live dates. Bobby Geraghty and his Breezer bandmates wrote original Oasis-style songs and then used AI to create audio deepfakes based on Liam Gallagher's voice alongside their original instrumentation. Liam himself approved of the album, saying that he "sounded mega".
Oasis received a nomination for the Rock and Roll Hall of Fame on their sixth year of eligibility in February 2024. Initially, the members included in the nomination were the Gallagher brothers, McGuigan, White, Arthurs, McCarroll, Archer, and Bell.
Band members
Current members
Liam Gallagher – vocals, tambourine (1991–2009, 2024–present); acoustic guitar (2001–2002, 2007–2008)
Noel Gallagher – lead guitar, vocals (1991–1994, 1994–2009, 2024–present); rhythm guitar (1991, 1999–2009, 2024–present); keyboards (1993–1994, 1994–2009); bass (1993–1994, 1995, 1999)
Former members
Paul "Bonehead" Arthurs – rhythm guitar (1991–1999); lead guitar (1991, 1994); keyboards (1994–1997); bass (1995)
Paul "Guigsy" McGuigan – bass (1991–1995, 1995–1999)
Tony McCarroll – drums (1991–1995)
Alan "Whitey" White – drums, percussion (1995–2004)
Gem Archer – rhythm and lead guitar (1999–2009); backing vocals (2002–2003); keyboards (2002–2005); harmonica (2005–2009)
Andy Bell – bass (1999–2009); rhythm guitar (2003–2009); keyboards (2007–2009)
Former touring members
Scott McLeod – bass (1995)
Janette Mason - keyboards (1996)
Mark Feltham - harmonica (1996)
Mike Rowe – keyboards (1997–2000, 2001)
Matt Deighton – rhythm guitar (2000)
Steve White – drums (2001)
Zeb Jameson – keyboards (2000–2001)
Jay Darlington – keyboards (2002–2009)
Zak Starkey – drums, percussion (2004–2008)
Chris Sharrock – drums, percussion (2008–2009)
Timeline
Touring timeline
Discography
Definitely Maybe (1994)
(What's the Story) Morning Glory? (1995)
Be Here Now (1997)
Standing on the Shoulder of Giants (2000)
Heathen Chemistry (2002)
Don't Believe the Truth (2005)
Dig Out Your Soul (2008)
TBA (2025)
Concert tours
Definitely Maybe Tour (1994–1995)
(What's the Story) Morning Glory? Tour (1995–1996)
Be Here Now Tour (1997–1998)
Standing on the Shoulder of Giants Tour (1999–2001)
The Tour of Brotherly Love (2001)
10 Years of Noise and Confusion Tour (2001)
Heathen Chemistry Tour (2002–2003)
Don't Believe the Truth Tour (2005–2006)
Dig Out Your Soul Tour (2008–2009)
Oasis Live '25 Tour (2025)
Awards and nominations
Brit Awards: 6 wins from 18 nominations, including Outstanding Contribution to Music and Best Album of the Last 30 Years for "(What’s the Story) Morning Glory?".
Grammy Awards: 2 nominations, including Best Rock Vocal Performance by a Duo or Group and Best Rock Song.
NME Awards: 17 wins from 26 nominations.
Q Awards: 9 wins from 19 nominations.
MTV Europe Music Awards: 4 wins from 4 nominations.
Ivor Novello Awards: 2 wins from 3 nominations.
Oasis has also been recognized by other award bodies, such as the MTV Japan Awards, UK Video Music Awards, and the Mercury Prize.
See also
List of best-selling music artists
References
Footnotes
Bibliography
External links
Official website |
Ysaires_Restituyo | https://en.wikipedia.org/wiki/Ysaires_Restituyo | [
219
] | [
"https://en.wikipedia.org/wiki/Ysaires_Restituyo"
] | Ysaires Restituyo is a female beach volleyball player from Dominican Republic, who played in the NORCECA Beach Volleyball Circuit 2007 with Cinthia Piñeiro, 2008, with Ingrid Carmona and 2009 with Ana Ligia Fabian; at Santo Domingo, Dominican Republic.
References
Ysaires Restituyo at the Beach Volleyball Database |
Cinthia_Pi%C3%B1eiro | https://en.wikipedia.org/wiki/Cinthia_Pi%C3%B1eiro | [
219
] | [
"https://en.wikipedia.org/wiki/Cinthia_Pi%C3%B1eiro#"
] | Cinthia Josefina Piñeiro Torres (born February 4, 1986, in Santo Domingo) is a volleyball and beach volleyball player from Dominican Republic, who participated in the NORCECA Beach Volleyball Circuit 2007 with Ysaires Restituyo finishing in 9th place.
She won the gold medal of the Dominican Republic National Championship 2006, partnering Rosalin Angeles.
Clubs
Bameso (2003)
Mirador (2004–2005)
References
BV Database profile
FEDOVOLI |
Ana_Ligia_Fabian | https://en.wikipedia.org/wiki/Ana_Ligia_Fabian | [
219
] | [
"https://en.wikipedia.org/wiki/Ana_Ligia_Fabian"
] | Ana Ligia Fabian Hernández (born November 7, 1988) is a volleyball player from the Dominican Republic, who participated in the 2007 Junior World Championship in Thailand. She competed as wing spiker, wearing the #4 jersey. At the 2006 U-20 NORCECA Women´s Junior Continental Championship, she took with her team the silver medal.
She participated with Ingrid Carmona at the NORCECA Beach Volleyball Circuit in 2007 and 2009 with Ysaires Restituyo, finishing in 11th and 9th position.
Clubs
Mirador (2003)
Los Prados (2004–2005)
Mirador (2006)
Aviación (2006)
Distrito Nacional (2007)
San Juan (2008)
References
External links
Ana Ligia Fabian Hernandez at the FIVB World Grand Prix 2006
Ana Ligia Fabian Hernandez at the Beach Volleyball Database
Ana Ligia Fabian Hernandez at the FIVB beach volleyball database |
Deconstructing_Harry | https://en.wikipedia.org/wiki/Deconstructing_Harry | [
220
] | [
"https://en.wikipedia.org/wiki/Deconstructing_Harry"
] | Deconstructing Harry is a 1997 American black comedy film written, directed by, and co-starring Woody Allen, with an ensemble cast, including Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal and Judy Davis, as well as Jennifer Garner in her feature film debut. The film tells the story of a successful writer named Harry Block, played by Allen, who draws inspiration from people who he knows in real life, and from events that happen to him, sometimes causing these people to become alienated from him as a result.
The central plot features Block driving to a university from which he was once thrown out, to receive an honorary degree. Three passengers accompany him on the trip: a prostitute, a friend, and his son, who he has kidnapped from his ex-wife. There are many flashbacks, segments taken from Block's writing, and interactions with his own fictional characters. Deconstructing Harry received moderately positive reviews from critics.
Plot
One night, Lucy takes a taxi to the home of famous Manhattan author Harry Block. She has just read Harry's latest novel, in which the character Leslie is having an affair with her sister's husband Ken. Lucy is angry because the novel is patently based on her and Harry's own affair; as a result, everyone knows about it. Lucy pulls a gun from her purse, threatening to kill herself. She turns the gun on Harry and begins firing. As she chases him onto the roof, he insists that he has already been punished: his latest girlfriend Fay has left him for his best friend Larry. To distract Lucy, Harry tells her a story that he is currently writing: a semi-autobiographical story of a sex-obsessed young man named Harvey who is mistakenly claimed by Death during an encounter with a prostitute.
In therapy, Harry realizes that he has not changed since his sex-obsessed youth. He discusses his honoring ceremony at his old university in upstate New York, taking place the next day; he is particularly unhappy that he has nobody with whom to share the occasion. After the session, Harry asks his ex-wife and former therapist Joan if he can take their son Hilliard to the ceremony. She refuses, stating that Harry is a bad influence on Hilliard. She is also furious at Harry for the novel he wrote. In it, the character Epstein marries his therapist Helen, but the marriage begins to crumble after the birth of their son.
Harry runs into an acquaintance, Richard, who is worried about his health. After accompanying Richard to the hospital, Harry invites him to the university ceremony; Richard claims that he will be busy that day. Harry meets with his ex-girlfriend Fay, who reveals that she is now engaged. Harry begs Fay to get back together with him. He asks Fay to accompany him to his ceremony, but it clashes with her wedding, scheduled the following day.
That night, Harry sleeps with a prostitute, Cookie, who agrees to accompany him to his ceremony. In the morning, Richard unexpectedly arrives to join Harry and Cookie on the trip. On a whim, Harry decides to "kidnap" his son Hilliard. Along the way, they stop at a carnival, then at Harry's half-sister Doris's. Doris, a devoted Jew, is upset by Harry's portrayals of Judaism in his stories, as is her husband. During the trip, Harry encounters his fictional creations Ken and Helen, who force him to confront some painful truths about his life. Before arriving at the university, Richard dies peacefully in the car.
While filming, Harry's fictional alter ego Mel literally slides out of focus, becoming blurred. The university's staffers gush over Harry, asking what he plans to write next. He describes a story about a man (based on himself) who journeys to Hell to reclaim his true love (based on Fay) from the Devil (based on Larry). Harry and the Devil engage in a verbal duel regarding who is truly the more evil of the two. Harry argues that he is a kidnapper, but the story is interrupted by the arrival of the police. Harry is arrested for kidnapping Hilliard, for possessing a gun (it was Lucy's), and for having drugs in the car (belonging to Cookie).
Larry and Fay come from their wedding to bail out Harry from jail. Harry reluctantly gives them his blessings. At his apartment, a miserable Harry fantasizes that the university's ceremony is taking place. He eventually overcomes his writer's block by starting to write a book about a man who, like him, can function only in art, not in life.
Cast
Casting
Woody Allen offered the role of Harry Block to Elliott Gould, Dustin Hoffman, Dennis Hopper and Albert Brooks, all of whom turned it down. Allen took the role himself.
Influences
The film is a general reworking of Allen's 1980 film Stardust Memories, which also had an artist attend a ceremony in his honor, while reminiscing over past relationships and trying to fix and stabilize current ones.
Allen is an admirer of several renowned European directors, and his films in particular often draw on the works of Ingmar Bergman and Federico Fellini. The rough outline of the plot of Deconstructing Harry, that of an academic on a long drive to receive an honorary award from his old university while reflecting on his life's experiences, essentially mirrors that of Bergman's Wild Strawberries. Additionally, the film is similar to Fellini's 8½, in being about an artist struggling with his current relationships and remembering his old ones, interspersed with dream sequences, as well as works based on events from his life.
It is acknowledged by some critics that Allen based the name of Harry Block on Antonius Block (Max von Sydow), the protagonist from Bergman's The Seventh Seal. Some critics, including Roger Ebert, have suggested that the character of Harry Block is based on real-life author Philip Roth, and not on Allen.
Soundtrack
Reception
Critical reaction
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 73%, based on 37 reviews, with an average rating of 7.2/10. Metacritic, which uses a weighted average, assigned the film a score of 61 out of 100, based on 19 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.
Writing for Variety, David Stratton stated: "Deconstructing Harry is abrasive, complex, lacerating and self-revelatory. It's also very funny, most of the time. Woody Allen's latest is one of his most provocative and challenging films."
Accolades
Allen was nominated for the Academy Award for Best Writing, Screenplay Written Directly for the Screen. The film was nominated for the Satellite Award for Best Motion Picture – Comedy or Musical.
References
External links
Deconstructing Harry at IMDb
Deconstructing Harry at AllMovie
Deconstructing Harry at Box Office Mojo
Deconstructing Harry at Rotten Tomatoes |
Margin_Call | https://en.wikipedia.org/wiki/Margin_Call | [
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"https://en.wikipedia.org/wiki/Margin_Call"
] | Margin Call is a 2011 American drama film written and directed by J. C. Chandor in his feature directorial debut. The principal story takes place over a 24-hour period at a large Wall Street investment bank during the initial stages of the 2007–2008 financial crisis. It focuses on the actions taken by a group of employees during the subsequent financial collapse. The title comes from a finance term for when an investor must increase the securities or other assets used as collateral for a loan when their value falls below a certain threshold. The film stars an ensemble cast consisting of Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Mary McDonnell, Demi Moore, and Stanley Tucci.
The film was produced by the production companies Myriad Pictures, Benaroya Pictures and Before the Door Pictures (first to sign on, and owned by Zachary Quinto). It was also produced in association with Washington Square Films. Theatrically, it was commercially distributed by Lionsgate and Roadside Attractions in North America, with Myriad distributing the film internationally through independent distributors elsewhere. The director and screenwriter, J. C. Chandor, is himself the son of an investment banker; the screenplay was partially informed by Chandor's own foray into real estate investments in New York City shortly before the financial crash. Preceding its theatrical release, Margin Call was met with positive critical reviews. Following its wide release in theaters, the film garnered award nominations from the Detroit Film Critics Society, along with several separate nominations for its screenplay and direction from recognized award organizations, including a nomination for the Academy Award for Best Original Screenplay. The score was composed by musician Nathan Larson.
The film made its premiere at the Sundance Film Festival on January 25, 2011, and opened in theaters nationwide in the United States on October 21, 2011. Though it grossed just $5.4 million in domestic ticket sales from 199 theaters, the film had a ground-breaking day-and-date release that earned more than $10 million in video-on-demand sales. The DVD and Blu-ray editions of the film were released in the United States on December 20, 2011.
Plot
In 2008, an unnamed investment bank begins laying off a large number of employees. Among those affected is Eric Dale, head of risk management. Dale's attempts to speak about the implications of a model he is working on are ignored. On his way out, he gives a flash drive containing his work to Peter Sullivan, an associate in his department, warning him to "be careful." Sullivan, intrigued, works after hours to complete Dale's model.
Sullivan discovers that the assumptions underpinning the firm's present risk profile are wrong; historical volatility levels in mortgage-backed securities are being exceeded, which means that the firm's position in those assets is over-leveraged and the debt incurred from those over-leveraged assets will bankrupt the company. Sullivan calls his colleague, Seth Bregman, to return to work with the head of credit trading, Will Emerson. Emerson in turn summons Sam Rogers, his boss, after reviewing Sullivan's findings. Attempts by the four to contact Dale end unsuccessfully due to his company phone having been shut off. Sullivan and Bregman go out to find Dale, while Rogers and Emerson inform the company's senior management of the situation.
A subsequent meeting of division head Jared Cohen, chief risk management officer Sarah Robertson, and other senior executives concludes that Sullivan's findings are accurate, and firm CEO John Tuld is called. Upon Tuld's arrival, and after Sullivan explains the problem, Rogers, Cohen, and Tuld spar regarding a course of action: Cohen's plan, favored by Tuld, is a fire sale of the problematic assets. Rogers disagrees, pointing out that the sale will damage the firm's relationships and reputation within the industry and will cause major instability in the markets. Tuld stresses that his desire to avoid the firm's bankruptcy is worth that risk and the cost.
After the meeting with Tuld, Emerson is informed by Dale's wife that he has returned home. Emerson travels to Dale's residence with Bregman and attempts to persuade him to return to the firm, but he refuses. During the drive back, Bregman asks if he will lose his job; Emerson responds that he likely will, but, philosophizing on the nature of the financial markets, tells him not to lose faith, and that his work is necessary.
Tuld tells Robertson that he will assign the blame to her in front of the traders and the board of directors; Robertson argues that she warned Tuld and Cohen about the situation over a year ago, and that both Tuld and Cohen acknowledged the risks, but fails to persuade him. Meanwhile, Eric Dale is bribed and forced into cooperating with Cohen's plan, with the firm threatening to cut his benefits and severance if he refuses. He spends the day commiserating with Robertson.
Despite his misgivings, Rogers rallies his traders and informs them of the fire sale. He acknowledges the damage likely to be done to their reputations and careers, but informs them that they will be well compensated with 7-figure bonuses if most of the traders' assigned assets are sold by day's end. As trading progresses, the firm elicits suspicion and eventually anger from their counterparties and incurs heavy losses, but they are able to sell off most of the bad assets.
Another round of layoffs begins; Rogers, upon finding out that he was spared, confronts Tuld and submits his resignation. Tuld dismisses Rogers' view of the situation by recalling past economic crises, arguing that such events always happen and that Rogers should not feel guilty for acting in his and the firm's interests. Tuld asks Rogers to stay on for two more years and Rogers reluctantly accepts, citing his personal financial need. Tuld also informs Rogers that Sullivan is going to be promoted.
The film ends with Rogers burying his euthanized dog in his ex-wife's front yard during the night.
Cast
Production
Principal photography began on June 21, 2010, in New York City, and was shot in just 17 days. More than 80% of the action was shot on the 42nd floor of One Penn Plaza, which had recently been vacated by a trading firm.
The film premiered at the 2011 Sundance Film Festival in Park City, Utah. The film also played In Competition at the 61st Berlin International Film Festival and was nominated for the Golden Bear. The film was produced by Zachary Quinto's production company, Before the Door Pictures, by Quinto and his two producing partners and Carnegie Mellon University classmates, Neal Dodson and Corey Moosa.
Reception
Critical response
On the review aggregator website Rotten Tomatoes, 87% of 174 critics' reviews are positive, with an average rating of 7.2/10. The website's consensus reads: "Smart, tightly wound, and solidly acted, Margin Call turns the convoluted financial meltdown of '08 into gripping, thought-provoking drama." Metacritic, which uses a weighted average, assigned the film a score of 76 out of 100, based on 38 critics, indicating "generally favorable" reviews.
The New Yorker film critic David Denby said it was "easily the best Wall Street movie ever made". Roger Ebert of the Chicago Sun-Times gave the film three and half stars out of four, and said: "Margin Call employs an excellent cast who can make financial talk into compelling dialogue." A. O. Scott of The New York Times wrote: "It is hard to believe that Margin Call is Mr. Chandor’s first feature. His formal command – his ability to imply far more than he shows or says and to orchestrate a large, complex drama out of whispers, glances, and snippets of jargon – is downright awe inspiring." In 2022, Bloomberg News financial columnist Matt Levine said that Margin Call was "the best finance movie".
Box office
Margin Call grossed $5.4 million domestically (United States and Canada), and $14.2 million in other territories, for a worldwide total of $19.5 million, against a budget of $3.5 million.
Themes
Roger Ebert wrote: "I think the movie is about how its characters are concerned only by the welfare of their corporations. There is no larger sense of the public good. Corporations are amoral, and exist to survive and succeed, at whatever human cost. This is what the Occupy Wall Street protesters are angry about: They are not against capitalism, but about Wall Street dishonesty and greed. ... [The cast] reflects the enormity of what is happening: Their company and their lives are being rendered meaningless." A. O. Scott wrote: "Margin Call is a thriller, moving through ambient shadows to the anxious tempo of Nathan Larson’s hushed, anxious score. It is also a horror movie, with disaster lurking like an unseen demon outside the skyscraper windows and behind the computer screens. It is also a workplace comedy of sorts. The crackling, syncopated dialogue and the plot, full of reversals and double crosses, owe an obvious debt to David Mamet’s profane fables of deal-making machismo. Hovering over all of it is the dark romance of capital: the elegance of numbers; the kinkiness of money; the deep, rotten, erotic allure of power."
Although the film does not depict any real Wall Street firm, and the fictional firm is unnamed, the plot has similarities to some events during the 2008 financial crisis: Goldman Sachs similarly moved early to hedge and reduce its position in mortgage-backed securities, at the urging of two employees, which essentially mirrors Tuld's comment about the advantage of moving first. Lehman Brothers moved second and went bankrupt. John Tuld's name is said to be a combination of Merrill Lynch's ex-CEO John Thain and Lehman Brothers' ex-CEO Richard Fuld.
Accolades
See also
Bankruptcy of Lehman Brothers
Great Recession
Other films
Wall Street (1987)
Inside Job (2010, documentary)
Too Big to Fail (2011)
The Wolf of Wall Street (2013)
99 Homes (2014)
The Big Short (2015)
The Hummingbird Project (2018)
References
Footnotes
External links
Margin Call at IMDb
Margin Call at AllMovie
Margin Call at Rotten Tomatoes
Margin Call at Metacritic
Margin Call at Box Office Mojo |
Stanley_Tucci | https://en.wikipedia.org/wiki/Stanley_Tucci | [
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"https://en.wikipedia.org/wiki/Stanley_Tucci"
] | Stanley Tucci Jr. ( TOO-chee Italian pronunciation: [ˈtuttʃi]; born November 11, 1960) is an American actor. Known as a character actor, he has played a wide variety of roles ranging from menacing to sophisticated. Tucci has earned numerous accolades, including six Emmy Awards, two Golden Globe Awards as well as nominations for an Academy Award, a BAFTA Award, and a Tony Award.
Tucci made his film debut in John Huston's Prizzi's Honor (1985), and continued to play a variety of supporting roles in films such as Deconstructing Harry (1997), Road to Perdition (2002), and The Terminal (2004). He made his directorial debut with the comedy Big Night (1996), which he also co-wrote and starred in. Following roles in The Devil Wears Prada (2006) and Julie & Julia (2009), Tucci was nominated for the Academy Award for Best Supporting Actor for The Lovely Bones (2009). Tucci's other film roles include Burlesque (2010), Easy A (2010), Captain America: The First Avenger (2011), Margin Call (2011), The Hunger Games film series (2012–2015), Spotlight (2015), Supernova (2020), and Worth (2021).
He has starred in numerous television series such as the legal drama Murder One (1995–96), the medical drama 3 lbs (2006), Ryan Murphy's limited series Feud: Bette & Joan (2017), and the drama Limetown (2018). He played Stanley Kubrick in the HBO film The Life and Death of Peter Sellers (2004). For his portrayal of Walter Winchell in the HBO film Winchell (1998) he received the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or Movie. Since 2020, Tucci has voiced Bitsy Brandenham in the Apple TV+ animated series Central Park.
From 2021 to 2022, he hosted the CNN food and travel documentary series Stanley Tucci: Searching for Italy for which he won two consecutive Primetime Emmy Awards for Outstanding Hosted Nonfiction Series. He was nominated for a Tony Award for Best Actor in a Play for his role in Frankie and Johnny in the Clair de Lune (2003), and a Grammy Award for narrating the audiobook The One and Only Shrek! (2008).
Early life and education
Tucci was born on November 11, 1960, in Peekskill, New York, and grew up in nearby Katonah, New York. His parents, Joan (née Tropiano), a secretary and writer, and Stanley Tucci Sr. an art teacher at Horace Greeley High School in Chappaqua, New York, both of Italian descent, have roots in the town of Marzi in Calabria, South Italy. Tucci is the oldest of three children, including his sister, actress Christine Tucci. Screenwriter Joseph Tropiano is a cousin. During the early 1970s, the family spent a year living in Florence, Italy.
He attended John Jay High School, where he played on the soccer and baseball teams, although his main interest lay in the school's drama club, where he and fellow actor and high school friend, Campbell Scott, son of actors George C. Scott and Colleen Dewhurst, gave well-received performances at many of John Jay's drama club productions. Tucci then attended State University of New York at Purchase, where he majored in acting and graduated in 1982. Among his classmates at SUNY Purchase was fellow acting student Ving Rhames. It was Tucci who gave Rhames, born Irving, the Ving nickname by which he is known.
Career
1982–1995: Early roles and Broadway debut
In 1982, Tucci earned his Actors' Equity card when actress Colleen Dewhurst, the mother of Tucci's high-school friend, actor Campbell Scott, arranged for the two young men to have parts as soldiers in a Broadway play in which she was co-starring, The Queen and the Rebels which premiered on September 30, 1982. Around this time, Tucci also worked as a model, with his most notable work being a television commercial for Levi's 501 jeans. In 1985, Tucci made his film debut as a Soldier in John Huston's black comedy crime film Prizzi's Honor starring Jack Nicholson and Kathleen Turner. During this period Tucci portrayed minor and supporting roles in a number of films including the psychological horror film Monkey Shines (1988), the comedy-drama Slaves of New York (1989) and the comedy Fear, Anxiety & Depression (1989).
In 1991, he acted in the biographical drama film Billy Bathgate starring Dustin Hoffman and Nicole Kidman. Here Tucci portrayed mobster Lucky Luciano. That same year he performed the role of Scapino at the Yale Repertory Theatre in Molière's Scapin. In 1992, Tucci acted in the family comedy Beethoven and the romantic fantasy Prelude to a Kiss. The former spawned a franchise of the same name due to the success of the 1992 film. Tucci continued to take roles in films such as the legal thriller The Pelican Brief (1993) starring Denzel Washington and Julia Roberts, and the romantic comedy It Could Happen to You (1994) with Nicolas Cage and Bridget Fonda. From 1995 to 1996, Tucci starred in the television series Murder One as the mysterious Richard Cross. Tucci received his first Primetime Emmy Award nomination for his performance in the series, specifically for Outstanding Supporting Actor in a Drama Series. Following disappointing ratings, ABC decided to revamp the series resulting in Tucci being dismissed from the series.
1996–2005: Directorial debut and other roles
In 1996, Tucci co-wrote, co-directed the comedy-drama film Big Night. Tucci starred alongside Tony Shalhoub and co-wrote the screenplay with his cousin Joseph Tropiano and directed the film with friend Campbell Scott. The film premiered at the Sundance Film Festival where it was nominated for the "Grand Jury Prize". Tucci and Tropiano won the Independent Spirit Award for Best First Screenplay for writing the screenplay of the film. The film also featured his sister Christine and their mother, who wrote a cookbook for the film. The film also starred Minnie Driver, Isabella Rossellini, Ian Holm, and Allison Janney. Critic Roger Ebert praised the film writing, "To some degree this film must represent a break for [Tucci]: He has been in good movies before, but not enough of them...Now here is their labor of love. Their perfect risotto. They include just what is needed and nothing else."
That same year Tucci also acted in the independent drama The Daytrippers which was written and directed by Greg Mottola. The film also starred Hope Davis, Liev Schreiber, and Parker Posey. The following year he appeared in Woody Allen's comedy Deconstructing Harry which received an Academy Award for Best Original Screenplay nomination. In 1998, Tucci wrote, directed, co-produced and starred in the comedy film The Impostors. The film starred Tucci and Oliver Platt who play Laurel and Hardy like comedians who are struggling in the 1930s. The film premiered at the 1998 Cannes Film Festival where it received positive reviews. Shortly thereafter, Tucci starred in the HBO biographical television film Winchell (1998) in which Tucci portrayed columnist Walter Winchell. For his portrayal of Winchell, Tucci won the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie and the Golden Globe Award for Best Actor – Miniseries or Television Film. Tucci also received a Screen Actors Guild Awards nomination for his performance in the film.
In 1999, he played Robin Goodfellow / Puck in the Michael Hoffman adaptation of A Midsummer Night's Dream. In 2000, Tucci directed, produced and starred in the drama film Joe Gould's Secret, based on a 1964 biographical essay about Gould by The New Yorker reporter Joseph Mitchell. In 2001, Tucci starred in the HBO television war film Conspiracy as Adolf Eichmann. The project also starred Kenneth Branagh and Colin Firth. For his portrayal of Eichmann, Tucci won another Golden Globe Award for Best Actor - Miniseries or Television Film. The film was critically acclaimed and won a Peabody Award.
In 2002, Tucci returned to the stage by starring in the revival of Terrence McNally's Frankie and Johnny in the Clair de Lune. Tucci received a Tony Award for Best Actor in a Play nomination for his performance in the play. Also in 2002, he starred in Sam Mendes' Road to Perdition opposite Tom Hanks. The film went on to receive $181 million at the box office and received six Academy Award nominations. He reunited with Hanks in Steven Spielberg's The Terminal (2004). That same year Tucci appeared in Shall We Dance (2004). Tucci also portrayed Stanley Kubrick in the HBO television film, The Life and Death of Peter Sellers (2004). He also was a guest caller in an episode of Frasier. Also that year, Caedmon Audio released an audiobook of Tucci reading Kurt Vonnegut's 1973 novel Breakfast of Champions. In 2005, Tucci had his first voice role in the animated film Robots, which features other notable actors' voices such as Ewan McGregor, Halle Berry, and Robin Williams.
2006–2010: Work with Meryl Streep and acclaim
In 2006, Tucci had a major role in the comedy film The Devil Wears Prada, opposite Meryl Streep, Anne Hathaway, and Emily Blunt. Tucci portrays Nigel Kipling, a loyal confidant of Miranda Priestly (Streep). The film was a breakout role for him, with A.O. Scott of The New York Times declaring, "Mr. Tucci, has never been better". The film was Tucci's highest grossing-film until Captain America: The First Avenger in 2011. Also in 2006, Tucci made an appearance on the television series Monk, for which he won the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. Tucci returned to broadcast television by starring in the drama series 3 lbs, which premiered on November 14, 2006. However, due to low ratings CBS cancelled the series. The following year, Tucci went on to recur in the medical drama series ER. For his performance in ER, Tucci was nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series.
In 2009, Tucci portrayed George Harvey, a serial killer of young girls, in The Lovely Bones starring Saoirse Ronan. The film, Peter Jackson's adaptation of Alice Sebold's novel, earned Tucci Academy and Golden Globe award nominations for Best Supporting Actor. To prepare for the role, he consulted with retired FBI profiler John Douglas. Also in 2009, Tucci reunited with Meryl Streep in Nora Ephron's biographical comedy Julie & Julia. In the film Tucci portrayed Paul Child, the husband of Julia Child (Streep). They were praised for their on-screen chemistry with Peter Travers of Rolling Stone declaring, "Tucci and Streep are magical together, creating a portrait of an unconventional marriage that deserves its own movie."
The following year, Tucci directed a revival of the Ken Ludwig play Lend Me a Tenor on Broadway, starring Tony Shalhoub. Furthermore, Tucci had a supporting role in the teen coming-of-age romantic comedy film Easy A (2010) starring Emma Stone. Tucci and Patricia Clarkson portrayed her easy going and funny parents in the film. That same year Tucci starred alongside Cher and Christina Aguilera in Burlesque. The following year Tucci played Dr. Abraham Erskine in the Marvel Cinematic Universe film Captain America: The First Avenger (2011) starring Chris Evans.
2011–2019: Franchise roles and other work
In 2011, Tucci took the role of Eric Dale in the J.C. Chandor directed drama film Margin Call starring Kevin Spacey, Jeremy Irons, Demi Moore, and Zachary Quinto. The film premiered at the Sundance Film Festival where it earned critical acclaim and later a nomination for the Academy Award for Best Original Screenplay. In the fall of 2012, Tucci released his first cookbook titled The Tucci Cookbook. Tucci was also a co-owner of the Finch Tavern restaurant in Croton Falls, New York. He played Henry Warren Chang in the 30 Rock episode "Alexis Goodlooking and the Case of the Missing Whisky" in 2012.
From 2012 to 2015, Tucci portrayed Caesar Flickerman in The Hunger Games (2012) and its sequels The Hunger Games: Catching Fire (2013), The Hunger Games: Mockingjay – Part 1 (2014) and The Hunger Games: Mockingjay – Part 2 (2015). In 2013, Tucci played the role of the Ancient Greek God Dionysus in Percy Jackson: Sea of Monsters. Also in 2013, he lent his voice to an episode of the animated series American Dad!. During this time Tucci portrayed CEO Joshua Joyce in Transformers: Age of Extinction (2014). The same year, he voiced Leonardo da Vinci in the animated film Mr. Peabody & Sherman and had a cameo in Muppets Most Wanted.
From 2014 to 2020, he had a recurring role, voicing character Herb Kazzaz in the animated series BoJack Horseman. Tucci portrayed Philippe I, Duke of Orléans in Alan Rickman's biographical costume romance drama A Little Chaos starring Kate Winslet. The following year Tucci portrayed Mitchell Garabedian, a lawyer representing victims of sexual abuse in the biographical drama film Spotlight. The film was directed by Tom McCarthy and starred Michael Keaton, Mark Ruffalo, Rachel McAdams, John Slattery, and Liev Schrieber. The film received rave reviews with Geoffrey Mcnab of The Independent writing, "Spotlight is an old-fashioned film that tells its story in a painstaking and thoroughly absorbing fashion. It's the kind of movie that you could imagine Henry Fonda or James Stewart starring in as decent, upstanding journalist heroes who refuse to give up on their story in the face of considerable difficulty and intimidation." The film won the Academy Award for Best Picture as well as Academy Award for Best Original Screenplay. Also in 2015, Tucci starred in the British series Fortitude as DCI Eugene Morton.
In 2017, Tucci directed and wrote the drama film Final Portrait. The same year, Tucci played the role of the composer Maestro Cadenza in the live-action adaptation of Disney's Beauty and the Beast, co-starring with Emma Watson and Dan Stevens. Tucci also returned to the Transformers film series by portraying Merlin in Transformers: The Last Knight. Furthermore, Tucci played the husband of Dame Fiona Maye, a British High Court judge, opposite Emma Thompson in The Children Act (2017), based on the book of the same name by Ian McEwan. Also in 2017, Tucci starred in the miniseries Feud as Warner Bros. studio head Jack L. Warner. Feud received critical acclaim and Tucci received a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie. In 2018, Tucci starred the independent films Patient Zero, A Private War and Night Hunter. In 2019, Tucci starred in the drama series Limetown, based on the podcast of the same name. Facebook cancelled the series after one season had aired. The same year, Tucci starred in the horror film The Silence.
2020–present
In 2020, Tucci began voicing the character Bitsy Brandenham in the animated series Central Park. The series received a two-season order from Apple Inc., with each season set to consist of 13 episodes each. The series premiered on May 29, 2020. In the same year, Tucci narrated the series The California Century, on notable people in the history of California told from the point of view of a screenwriter. In 2020, Tucci starred in the British drama film Supernova opposite Colin Firth. The film explores the relationship between a couple played by Tucci and Firth as one of them succumbs to early onset dementia. The film premiered at the San Sebastián International Film Festival and since has received critical acclaim. Guy Lodge, critic for Variety wrote of their chemistry:
"Firth and Tucci are such reliable stalwarts that we tend not to regard their presence too closely in films these days: Almost invariably, they fulfill our expectations of their refined gravitas. But there's something lovely and surprising in what they bring out of each other here, as they complement and reflect each other's curtness, evasiveness and occasional spillages of tenderness in the way that long-term couples do."
In 2021, Tucci hosted the culinary travel series, Stanley Tucci: Searching for Italy, a six-part original CNN series following the actor on a food tour of Italy. The series received two Primetime Emmy Award nominations, including one for Outstanding Hosted Nonfiction Series, and was renewed for a second season set to air in 2022. Caroline Framke of Variety praised the series writing, "It’s exactly the picturesque scenario you might expect and want from a travel series hosted by Tucci, an extraordinarily charming presence who knows and loves Italian food".
Tucci acted in the title role in the BBC One thriller series Inside Man (2022). The series was created by Steven Moffat and also starred David Tennant. In September, Tucci was cast as Grammy-winning producer Clive Davis in Whitney Houston: I Wanna Dance with Somebody (2022), a biopic on Whitney Houston. In 2023 Tucci acted in the Amazon Prime Video series Citadel starring Priyanka Chopra and Richard Madden.
Personal life
Marriages and families
Tucci married Kathryn Spath (born 1962) in 1995. She was a social worker, former wife of actor and stage manager Alexander R. Scott, and former sister-in-law of Tucci's high school friend Campbell Scott. They had three children together. The couple also raised Kathryn's two children from her previous marriage.
Spath died of breast cancer in 2009.
In 2010 Tucci met Felicity Blunt (born 1981), a British literary agent of the Curtis Brown Group, at the wedding of actor John Krasinski to Felicity's sister, British actress Emily Blunt. Tucci and Felicity became engaged in 2011 and married in a civil ceremony in the summer of 2012, followed by a larger observance at Middle Temple Hall in London on September 29, 2012. They have a son and a daughter.
Charity work
On September 12, 2016, Tucci, alongside other celebrities, appeared in a video from the United Nations' refugee agency UNHCR to help raise awareness of the global refugee crisis. The video, titled "What They Took With Them", has the actors reading a poem, written by Jenifer Toksvig and inspired by primary accounts of refugees, and is part of UNHCR's #WithRefugees campaign, which also includes a petition to governments to expand asylum to provide further shelter, integrating job opportunities, and education.
On May 21, 2021, Tucci received a Doctorate Honoris Causa in Humane Letters from the American University of Rome, in Rome, Italy, for his lifelong contribution to the arts and humanities.
Health issues
In September 2021, Tucci revealed that he had been diagnosed with oropharyngeal cancer three years earlier. He had received treatment (chemotherapy and radiation) after a tumor was found at the base of his tongue, and said it was unlikely that the tumor would return. In November 2022, he said there are still some foods he cannot eat, as a result of his cancer.
In October 2021, his memoir Taste: My Life Through Food was published, which describes his encounter with cancer and his love of food. As of February 20, 2022, Taste: My Life Through Food had been on The New York Times Best Seller List for 18 weeks.
Acting credits and accolades
Published works
Tucci, Stanley (October 9, 2012). The Tucci Cookbook. Gallery Books. ISBN 978-1451661255.
Tucci, Stanley; Blunt, Felicity (2014). The Tucci Table: Cooking With Family and Friends. Gallery Books. ISBN 978-1476738567.
Tucci, Stanley (October 5, 2021). Taste: My Life Through Food. Gallery Books. ISBN 978-1982168018.
References
External links
Stanley Tucci at IMDb
Stanley Tucci at the Internet Broadway Database |
Demi_Moore | https://en.wikipedia.org/wiki/Demi_Moore | [
220
] | [
"https://en.wikipedia.org/wiki/Demi_Moore"
] | Demi Gene Moore ( də-MEE; née Guynes; born November 11, 1962) is an American actress. A leading actress in the late 1980s and early 1990s, she was the world's highest-paid actress by 1995. Moore's accolades include nominations for a Primetime Emmy Award and three Golden Globe Awards.
A former model, Moore joined the cast of the soap opera General Hospital in 1981. After departing the show in 1983, she rose to prominence as a member of the Brat Pack with roles in the films Blame It on Rio (1984), St. Elmo's Fire (1985), and About Last Night... (1986). She established herself as a star with the top-grossing romance film Ghost (1990). She had further box-office successes in A Few Good Men (1992), Indecent Proposal (1993), and Disclosure (1994), and received an unprecedented $12.5 million to star in Striptease (1996).
Moore's output decreased significantly after The Scarlet Letter (1995), The Juror (1996), and G.I. Jane (1997) fell below commercial expectations. She has since held sporadic leading roles in arthouse films, as well as supporting roles in Charlie's Angels: Full Throttle (2003), Bobby (2006), Mr. Brooks (2007), and Margin Call (2011). Moore's television work include the anthology If These Walls Could Talk (1996), a guest arc on Empire (2015–2017), and the miniseries Feud: Capote vs. The Swans (2024). In 2024, she received renewed critical recognition for her starring role in the body horror film The Substance.
Moore has been married three times. From 1981 to 1985, she was married to musician Freddy Moore. From 1987 to 2000, she was married to Bruce Willis, with whom she has three daughters. She was married to Ashton Kutcher from 2005 to 2013. Her memoir Inside Out (2019) became a New York Times Best Seller.
Early life
Moore was born November 11, 1962, in Roswell, New Mexico. Her biological father, Air Force airman Charles Foster Harmon Sr., deserted her then-18-year-old mother, Virginia (née King), after a two-month marriage before Moore's birth. Charles came from Lanett, Alabama, and Virginia was born in Richmond, California but had grown up in Roswell. Moore's maternal grandmother was raised on a farm in Elida, New Mexico. Moore has deep roots in the South Central and Southern United States, particularly Oklahoma, Arkansas and Georgia. When Moore was three months old, her mother married Dan Guynes, a newspaper advertising salesman who frequently changed jobs; as a result, the family moved many times. In 1967 they had Moore's half-brother Morgan. Moore said in 1991, "My dad is Dan Guynes. He raised me. There is a man who would be considered my biological father who I don't really have a relationship with." Moore has half-siblings from Charlie Harmon's other marriages, but she does not keep in touch with them either.
Moore's stepfather Dan Guynes married and divorced Virginia twice. On October 20, 1980, a year after their second divorce from each other, Guynes committed suicide. Her biological father Harmon died in 1997 from liver cancer in Brazoria, Texas. Moore's mother had a long arrest record which included drunk driving and arson. Moore broke off contact with her in 1989, when Guynes walked away halfway through a rehab stay Moore had financed at the Hazelden Foundation in Minnesota. Virginia Guynes posed nude for the magazine High Society in 1993, where she spoofed Moore's Vanity Fair pregnancy and bodypaint covers and parodied her clay scene from Ghost. Moore and Guynes reconciled shortly before Guynes died of a brain tumor on July 2, 1998.
Moore spent her early childhood in Roswell, and later, Canonsburg, Pennsylvania. Bob Gardner, a photographer for the Monongahela Daily Herald when Dan Guynes was head of advertising, recalled that Moore "looked malnourished and not so much abused as neglected. That haunting look as a child made me feel uneasy." She suffered from strabismus, which was corrected by two operations, as well as kidney dysfunction. Moore learned that Guynes was not her real father at age 13, when she discovered a marriage certificate and inquired about the circumstances since she "saw my parents were married in February 1963. I was born in '62."
At age 14, Moore returned to her hometown of Roswell and lived with her grandmother for six months before relocating to Washington state, where her recently separated mother was residing near Seattle. Several months later, the family moved again to West Hollywood, California, where Moore's mother took a job working for a magazine distribution company. Moore attended Fairfax High School there. In 2019, she stated she was raped at 15 by landlord Basil Doumas, then 49. Doumas claimed he had paid Moore's mother to get access to Moore to rape her, although Moore said it is unclear if this were true.
In November 1978, Moore moved in with 28-year-old guitarist Tom Dunston, quitting high school in her junior year to work as a receptionist at 20th Century Fox—a job she secured through Dunston's mother, who was an executive assistant to producer Douglas S. Cramer. She signed with the Elite Modeling Agency, then enrolled in acting classes after being inspired by her next-door neighbor, 17-year-old German starlet Nastassja Kinski. In August 1979, three months before her 17th birthday, Moore met married musician Freddy Moore, at the time leader of the band Boy, at the Los Angeles nightclub The Troubadour. He obtained a divorce in late 1980 and married Demi six weeks later.
Career
1980s
Moore co-wrote three songs with Freddy Moore and appeared in the music video for their selection "It's Not a Rumor", performed by his band, The Nu-Kats. She continues to receive royalty checks from her songwriting work (1980–1981).
Moore appeared on the cover of the January 1981 issue of the adult magazine Oui, taken from a photo session in which she had posed nude. In a 1988 interview, Moore claimed she "only posed for the cover of Oui—I was 16; I told them I was 18". Interviewer Alan Carter said, "However, some peekaboo shots did appear inside. And later, nude shots of her turned up in Celebrity Sleuth—photos that she once said 'were for a European fashion magazine'." In 1990, she told another interviewer, "I was 17 years old. I was underage. It was just the cover."
Moore made her film debut as the protagonist's girlfriend in Choices (1981), a sports drama directed by Silvio Narizzano. It was shown at the Montreal and Chicago international film festivals, but would not garner much attention until after Moore became a household name, with home video releases heavily hyping up her appearance. Her second feature was the 3-D sci-fi horror Parasite (1982), for which director Charles Band had instructed casting director Johanna Ray to "find me the next Karen Allen." It proved to be a minor hit on the drive-in circuit, ultimately grossing $7 million. Moore had already joined the cast of the ABC soap opera General Hospital several months before the film's release, playing the role of investigative reporter Jackie Templeton through 1983. During her tenure on the series, she made an uncredited cameo appearance in the 1982 spoof Young Doctors in Love.
Moore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She then played the female lead in No Small Affair (1984), opposite Jon Cryer. Her commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore widespread recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". She progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star.
Moore made her professional stage debut in an off-Broadway production of The Early Girl, which ran at the Circle Repertory Company in fall 1986. In 1988, Moore starred as a prophecy-bearing mother in the apocalyptic drama The Seventh Sign—her first outing as a solo film star— and in 1989, she played the quick-witted local laundress and part time prostitute in Neil Jordan's Depression-era allegory We're No Angels, opposite Robert De Niro.
1990s
Moore's most successful film to date is the supernatural romantic melodrama Ghost, which grossed over US$505 million at the box office and was the highest-grossing film of 1990, as well as the most rented videocassette of 1991. She played a young woman in jeopardy to be protected by the ghost of her murdered boyfriend through the help of a reluctant psychic. The love scene between Moore and Patrick Swayze that starts in front of a potter's wheel to the sound of "Unchained Melody" has become an iconic moment in cinema history. Ghost was nominated for the Academy Award for Best Picture, while Moore's performance earned her a Golden Globe nomination and the Saturn Award for Best Actress. She started fashion trends with her uncharacteristically gamine look, and legions of women emulated the short haircut she sported throughout the film. At one point, Ghost and Die Hard 2, starring Moore's then-husband Bruce Willis, would occupy the number one and number two spots at the box office, a feat that would not be accomplished again for a married Hollywood couple until 2024.
In 1991 Moore starred in the horror comedy Nothing but Trouble, co-produced and appeared in the mystery thriller Mortal Thoughts, and played a blonde for the first time in the romantic comedy The Butcher's Wife, with Roger Ebert's review describing her as "warm and cuddly". All three films were commercial disappointments, but Moore sustained her A-list status with her starring roles in Rob Reiner's A Few Good Men (1992), Adrian Lyne's Indecent Proposal (1993), and Barry Levinson's Disclosure (1994)—all of which opened at No. 1 at the box office and were blockbuster hits.
By 1995 Moore was the highest paid actress. However, she subsequently had a string of unsuccessful films starting with The Scarlet Letter (1995), a "freely adapted" version of the historical romance novel by Nathaniel Hawthorne, in which her portrayal of Hester Prynne was met with harsh criticism. The coming-of-age drama Now and Then (1995) found moderate box office success. Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hoopla was made over Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performance being criticised. It was a moderate financial success, grossing US$113 million worldwide, and Moore received the Golden Raspberry Award for Worst Actress. Moore starred in the thriller The Juror (1996). It was a box office bomb and was heavily panned by critics.
Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For the film, Moore received two Golden Globe nominations: Best Actress – Miniseries or Television Film and Best Miniseries or Motion Picture Made for Television. Also in 1996, she provided the speaking voice of the beautiful Esmeralda in Disney's animated adaptation of The Hunchback of Notre Dame. Moore shaved her head to play the first woman to undergo training in the Navy SEALs in Ridley Scott's G.I. Jane (1997). Budgeted at US$50 million, the film was a moderate commercial success, with a worldwide gross of US$97.1 million.
During the production of G.I. Jane, it was reported that Moore had ordered studio chiefs to charter two planes for her entourage and her, which reinforced her negative reputation for being a diva—she had previously turned down the Sandra Bullock role in While You Were Sleeping because the studio refused to meet her salary demands, and was dubbed "Gimme Moore" by the media. Moore took on the role of an ultrapious Jewish convert psychiatrist in Woody Allen's Deconstructing Harry, also in 1997.
2000s
After G.I. Jane, Moore retreated from the spotlight and moved to Hailey, Idaho, on a full-time basis to devote herself to raising her three daughters. She was off screen for three years before re-emerging in the arthouse psychological drama Passion of Mind (2000), the first English-language film from Belgian director Alain Berliner. Her performance as a woman with dissociative identity disorder was well received, but the film itself garnered mixed reviews and was deemed "naggingly slow" by some critics. Moore then resumed her self-imposed career hiatus and continued to turn down film offers. Producer Irwin Winkler said in 2001, "I had a project about a year and a half ago, and we made an inquiry about her—a real good commercial picture. She wasn't interested."
Moore returned to the screen playing a villain in the 2003 film Charlie's Angels: Full Throttle, opposite Cameron Diaz, Drew Barrymore and Lucy Liu. A commercial success, the film made US$259.1 million worldwide, and Rolling Stone, on Moore's role, remarked: "It's a relief when Demi Moore shows up as fallen angel [...] Moore, 40, looks great in a bikini and doesn't even try to act. Her unsmiling sexiness cuts through the gigglefest as the angels fight, kick, dance and motocross like Indiana Jones clones on estrogen". Charlie's Angels: Full Throttle was followed by yet another three-year absence. In the interim, Moore signed on as the face of the Versace fashion brand and the Helena Rubinstein brand of cosmetics.
In Emilio Estevez's drama Bobby (2006), Moore portrayed an alcoholic singer whose career is on the downswing, as part of an ensemble cast, about the hours leading up to the Robert F. Kennedy assassination. As a member of the cast, she was nominated for the Screen Actors Guild Award for Best Cast in a Motion Picture. The film won the Hollywood Film Festival Award for Best Ensemble Cast. Moore had a lead role as grieving and tormented novelist in the mystery thriller Half Light (2006) alongside Hans Matheson, then took on the role of a driven police officer investigating a serial killer in the psychological thriller Mr. Brooks (2007), with Kevin Costner. The film received mixed reviews and grossed $48.1 million worldwide. Rolling Stone wrote that "the cop on the case, played by Demi Moore with a striking directness that deserved better than being saddled with an absurd back story as an heiress with a fortune-hunting husband."
Moore reunited with Blame It on Rio co-star Michael Caine for the British crime drama film Flawless (2008), which saw her portray an American executive helping to steal a handful of diamonds from the London Diamond Corporation during the 1960s. Moore received positive reviews from critics; Miami Herald wrote: "The inspired pairing of Demi Moore and Michael Caine as a pair of thieves in the diamond-heist semi-caper movie Flawless goes a long way toward overcoming the film's slack, leisurely pacing".
2010s
In 2010, Moore took on the role of a daughter helping her father deal with age-related health problems in the dramedy Happy Tears, opposite Parker Posey and Rip Torn, and starred as the matriarch of a family moving into a suburban neighborhood in the comedy The Joneses, with David Duchovny. The latter film was largely highlighted upon its theatrical release, with critics concluding that it "benefits from its timely satire of consumer culture—as well as a pair of strong performances" from Duchovny and Moore. In Bunraku (2010), a film Moore described as a "big action adventure," she played a courtesan and a femme fatale with a secret past.
Moore portrayed a chief risk management officer at a large Wall Street investment bank during the initial stages of the financial crisis of 2007–08 in the critically acclaimed corporate drama Margin Call (2011), where she was part of an ensemble cast that included Kevin Spacey, Simon Baker, and Paul Bettany. The cast garnered nominations for the "Best Ensemble" award from the Gotham Awards, the Phoenix Film Critics Society and the Central Ohio Film Critics Association. Also in 2011, Moore received a Directors Guild of America Award nomination for Outstanding Directing – Miniseries or TV Film for her work as a director in a segment of the 2011 Lifetime anthology film Five, and starred opposite Ellen Barkin, Ellen Burstyn and George Kennedy in Sam Levinson's black comedy Another Happy Day, which premiered at the Sundance Film Festival.
Moore appeared as the mother of Miley Cyrus' character in the romantic drama film LOL (2012). She played a similar mother role in her next film, the likewise coming-of-age dramedy Very Good Girls (2013), which co-starred Dakota Fanning and Elizabeth Olsen. Her part as an old flame of a quick-draw killer in the Western drama Forsaken (2015), with Donald Sutherland and Kiefer Sutherland, was followed by the role of the daughter of a retired high school teacher in the road comedy Wild Oats, which premiered on Lifetime in August 2016, and in a limited release the following month. In her next film, the drama Blind (2017), Moore starred opposite Alec Baldwin, portraying the neglected wife of an indicted businessman having an affair with a novelist blinded in a car crash.
In 2017, Moore joined the cast of Empire, in the recurring role of a take-charge nurse with a mysterious past. The comedy film Rough Night (2017) featured Moore as one half of a nymphomaniac couple seducing a member of a bachelorette party gone wrong. The film opened to mixed reviews and lukewarm box office. She played Selma in the Indian drama film Love Sonia (2018), which tells the story of a young girl's journey to rescue her sister from the dangerous world of international sex trafficking. She portrayed Lucy, a superficial CEO in the comedy horror film Corporate Animals (2019), which premiered at the Sundance Film Festival.
Moore's memoir, Inside Out, was published in 2019, by HarperCollins. The book reached number one on The New York Times' Combined Print & E-Book Nonfiction best-sellers list and the Hardcover Nonfiction best-sellers list.
2020s
In 2020, Moore played Piper Griffin, the matriarch of a powerful family "who will stop at nothing to protect her family and her way of life" in the pandemic-themed thriller produced by Michael Bay, Songbird, alongside Craig Robinson, Paul Walter Hauser and Peter Stormare. Moore has a leading role as Diana in Amazon's drama series, Dirty Diana, which is based on the podcast of the same name. The podcast is voiced by Moore and she also serves as producer with screenwriter Shana Feste. Moore was among the celebrities who made cameo appearances modeling lingerie at Rihanna's Savage x Fenty Vol. 2 fashion show in 2020.
In 2024, she was cast as socialite Ann Woodward in the Ryan Murphy created anthology series Feud: Capote vs. The Swans on FX on Hulu. Moore acted alongside Tom Hollander, Naomi Watts, Diane Lane, and Chloë Sevigny. That same year, she starred in Coralie Fargeat's body horror film The Substance, where she portrays an aging star who uses a black market drug to make herself younger. It premiered at the 2024 Cannes Film Festival, and Moore's performance was praised by critics. Nicholas Barber of BBC called it "her best big-screen role in decades" and praised her for being "fearless in parodying her public image." Phil de Semlyen of Time Out believed Moore "glues it all together, going full Isabelle Adjani-in-Possession in a vanity-free performance full of bruised ego, dawning horror and vulnerability".
Public image
Status and persona
Moore is viewed as a pioneer for equal salary for women in Hollywood. She was paid $12.5 million for her role in Striptease, which was more money than any other woman in Hollywood had ever been offered at the time. Producers for Striptease and G.I. Jane got into a bidding war to see who could get Moore to film first. Striptease won and Moore became the highest paid actress in Hollywood in 1995. "She became a pioneer for other actresses by being the first female lead to demand the same salary, benefits and billing as her male counterparts," Lifetime wrote. "Her screen persona always has something indestructible about it. There's a toughness, a strength, a determination," The Guardian described in 2007. She was also the subject of an E! True Hollywood Story special in 2003 and of Celebrity Style Story special in 2012.
Moore has been included in magazine lists of the world's most beautiful women. She was selected as one of People magazine's 50 Most Beautiful People in the world in 1996. In 1999, Moore became a guest editor for the November issue of Marie Claire. In 1999, she was ranked eighth on Forbes' list of Top 20 Actresses, based on three separate lists of box office receipts. In 2004, People ranked her ninth on their list of All-Time Most Beautiful Women. She was voted seventh on Life & Style magazine's Best Dressed Female poll in December 2006. On December 31, 2019, The Wall Street Journal listed a cover story about Moore as one of their most-read stories in 2019.
Moore has 4.5 million followers on Twitter as of January 2020. She uses Twitter as a platform to raise awareness of sexual trafficking and slavery. "She is practicing what she preaches: More than half of her posts are on the subject, directing followers where to get involved," Harper's Bazaar reported in August 2010. "I like to connect to people in the virtual world.. exchanging thoughts and ideas, when in the physical world we might never have the opportunity to cross paths," Moore told Harper's Bazaar. As of February 2024, Moore has 5 million Instagram followers.
Moore has graced the cover of numerous international fashion magazines, including France's Elle; UK's Grazia; US' W, Vanity Fair, Interview, Rolling Stone, Glamour and InStyle; Australia's Harper's Bazaar and Turkey's Marie Claire. She has also appeared on the front cover of Vogue (Portugal, France and US). Moore has appeared in commercials and print ads throughout her career. She has appeared in television commercials for Keds, Oscar Mayer, Diet Coke, Lux, Jog Mate and Seibu Department Stores, and print ads for Versace and Ann Taylor.
Vanity Fair controversies
In August 1991, Moore appeared nude on the cover of Vanity Fair under the title More Demi Moore. Annie Leibovitz shot the picture while Moore was seven months pregnant with her second child, Scout LaRue Willis, intending to portray "anti-Hollywood, anti-glitz" attitude. The cover drew a lot of attention, being discussed on television, radio, and in newspaper articles. The frankness of Leibovitz's portrayal of a pregnant sex symbol led to divided opinions, ranging from suggestions of sexual objectification to celebrations of the photograph as a symbol of empowerment.
The photograph was subject to numerous parodies, including the Spy Magazine version, which placed Moore's then-husband Bruce Willis's head on the body of a male model with a false belly. In Leibovitz v. Paramount Pictures Corp., Leibovitz sued over one parody featuring Leslie Nielsen, made to promote the 1994 film Naked Gun 33+1⁄3: The Final Insult. In the parody, the model's body was attached to what is described as "the guilty and smirking face" of Nielsen. The teaser said "Due this March." The case was dismissed in 1996 because the parody relied "for its comic effect on the contrast between the original." In November 2009, the Moroccan magazine Femmes du Maroc emulated the pose with Moroccan news reporter Nadia Larguet, causing controversy in the majority-Muslim nation.
In August 1992, Moore again appeared nude on the cover of Vanity Fair, this time modeling for body painting artist Joanne Gair in Demi's Birthday Suit. In October 2019, she posed nude on the cover of Harper's Bazaar.
Activism and philanthropy
Moore has supported numerous charities, including All Day Foundation, American Foundation for AIDS Research, Artists for Peace and Justice, Coalition to Abolish Slavery and Trafficking, Declare Yourself, Free The Slaves, Healthy Child Healthy World, Raising Malawi, The Art of Elysium and UNICEF. In 2010, Moore defeated Kevin Bacon to win $250,000 in the Pepsi Refresh Celebrity Challenge. She chose to support the organization GEMS: Girls Educational & Mentoring Services, a nonprofit group which aims to empower young women who have been the victims of commercial sexual exploitation and trafficking. She traveled to Haiti with the Artists for Peace and Justice following the earthquake of 2010. She has also supported Chrysalis, a non-profit organization which offers employment opportunities to the homeless.
Moore became a special contributor to the CNN Freedom Project and traveled to Nepal to meet with 2010 CNN Hero of the Year Anuradha Koirala and her organization, Maiti Nepal, which has rescued more than 12,000 stolen Nepalese children from sex trafficking since 1993. Moore was the narrator and anchor of CNN's documentary on child trafficking, called Nepal's Stolen Children, which aired on June 26, 2011. In the documentary, Moore talked to Nepal's prime minister, Jhalanath Khanal, and young girls who were forced into prostitution before being saved by a Nepalese nonprofit. Moore appeared on PETA's Worst-Dressed List in 2009 for wearing fur; two years later she supported the group's efforts to ban circus workers' use of bullhooks on elephants.
In 2009, Moore and Kutcher launched DNA Foundation, a nonprofit, non-governmental organization directed towards fighting child sexual slavery. The foundation's first campaign included several celebrities, including Justin Timberlake, Sean Penn, Bradley Cooper appearing in a series of viral videos proclaiming: "Real Men Don't Buy Girls." In November 2012, the foundation said it was renaming as Thorn: Digital Defenders of Children, which aimed "to disrupt and deflate the predatory behavior of those who abuse and traffic children, solicit sex with children or create and share child pornography". Thorn: Digital Defenders of Children, assisted law enforcement in identifying 5,894 child sex trafficking victims and rescuing 103 children from "situations where their sexual abuse was recorded and distributed" in 2017, according to the organization's 2017 impact report. In 2018, Los Angeles-based nonprofit organization, Visionary Women honored Moore with its inaugural Visionary Woman Award for her work to combat human trafficking. In 2022, Thorn found 824,466 child sexual abuse material files and identified 1,895 victims of child sexual abuse.
Personal life
On February 8, 1981, at the age of 18, Moore married singer Freddy Moore, then 30 and recently divorced from his first wife, Lucy. Before their marriage, Demi had already begun using Freddy's surname as her stage name. The pair separated in 1983, after which Demi had a relationship with Timothy Hutton. She filed for divorce from Freddy in September 1984; it was finalized on August 7, 1985. Moore was then engaged to actor Emilio Estevez, with whom she co-starred in St. Elmo's Fire and Wisdom, a crime drama he also wrote and directed. The pair planned to marry on December 6, 1986, but called off the engagement after a woman filed a $2 million paternity suit against Estevez.
On November 21, 1987, Moore married her second husband, actor Bruce Willis. She and Willis have three children together: Rumer Glenn Willis (born 1988), Scout LaRue Willis (born 1991), and Tallulah Belle Willis (born 1994). They announced their separation on June 24, 1998, and divorced on October 18, 2000. Despite the divorce, Moore maintains a close friendship with Willis and his current spouse Emma Heming Willis, and has assisted her and their respective children with caretaking for Willis as his health has declined. Moore had a three-year romance with martial arts instructor Oliver Whitcomb, whom she dated from 1999 to 2002.
In 2003, Moore began dating actor Ashton Kutcher. Soon after they began dating, Moore became pregnant and she suffered a stillbirth six months into the pregnancy. They married on September 24, 2005. The wedding was attended by about 150 close friends and family of the couple, including Willis. In November 2011, after months of media speculation about the state of the couple's marriage, Moore announced her decision to end her marriage to Kutcher. After over a year of separation, Kutcher filed for divorce from Moore on December 21, 2012, in Los Angeles Superior Court, citing irreconcilable differences. Moore filed her response papers in March 2013, requesting spousal support and payment of legal fees from Kutcher. On November 26, 2013, their divorce was finalized.
Moore claims that her good health is due to a raw vegan diet.
Moore was at one point a follower of Philip Berg's Kabbalah Centre religion, and initiated Kutcher into the faith, having said that she "didn't grow up Jewish, but [...] would say that [she has] been more exposed to the deeper meanings of particular rituals than any of [her] friends that did." She is no longer affiliated with Berg's organization. According to The New York Times, Moore is "the world's most high-profile doll collector", and among her favorites is the Gene Marshall fashion doll. At one point, she kept a separate residence to house her 2,000 dolls.
Filmography
Bibliography
Inside Out: A Memoir; HarperCollins (2019), ISBN 978-0-062-04953-7
Awards and nominations
Moore is the recipient of many accolades, including nominations for a Critics' Choice Award, three Golden Globe Awards, a Primetime Emmy Award, and a Screen Actors Guild Award.
Notes
References
External links
Demi Moore at IMDb
Demi Moore interview by KVUE in 1986 discussing About Last Night from Texas Archive of the Moving Image
Demi Moore at the Internet Broadway Database
Demi Moore at the Internet Off-Broadway Database
Thorn (formerly the Demi and Ashton Foundation)
Demi Moore at AllMovie |
York_city_walls | https://en.wikipedia.org/wiki/York_city_walls | [
221
] | [
"https://en.wikipedia.org/wiki/York_city_walls"
] | York has, since Roman times, been defended by walls of one form or another. To this day, substantial portions of the walls remain, and York has more miles of intact wall than any other city in England. They are known variously as York City Walls, the Bar Walls and the Roman walls (though this last is a misnomer as very little of the extant stonework is of Roman origin, and the course of the wall has been substantially altered since Roman times). The walls are generally 13 feet (4m) high and 6 feet (1.8m) wide. They are the longest town walls in England.
History
Roman walls
The original walls were built around 71 AD, when the Romans erected a fort (castra) occupying about 50 acres or 21.5 hectares near the banks of the River Ouse. The rectangle of walls was built as part of the fort's defences. The foundations and the line of about half of these Roman walls form part of the existing walls, as follows:
a section (the west corner, including the Multangular Tower) in the Museum Gardens
the north-west and north-east sections between Bootham Bar and Monk Bar
a further stretch between Monk Bar and the Merchant Taylors' Hall, at the end of which the lower courses of the east corner of the Roman wall can be seen on the city-centre side of the existing wall.
The line of the rest of the Roman wall went south-west from the east corner, crossing the via principalis of the fortress where King's Square is now located. The south corner was in what is now Feasegate, and from here the wall continued northwest to the west corner. The point where the wall crossed the via praetoria is marked by a plaque in St Helen's Square near the Mansion House.
Multangular Tower
The Multangular Tower in the Museum Gardens is the most noticeable and intact structure remaining from the Roman walls. It was constructed as part of a series of eight similar defensive towers. The walls are almost certainly the creation of Septimius Severus; however, the Multangular Tower is probably a later addition of Constantine the Great around 310–320 AD. It has ten sides, based on a regular fourteen-sided figure designed so that a circle through the internal angles of the internal face is tangential to the curve. The rear four sides are missing to provide access to the interior of the tower. A low plinth or skirt extends out from the lowest course.
The tower stands almost 30 feet (9.1 m) tall, has an external diameter of 48.5 feet (14.8 m) at the base and 46 feet (14 m) above the skirt. Length of each side varies from 7.5 feet (2.3 m) to 11 feet (3.4 m) on the inner face. The tower projects beyond the curtain wall to a distance of 36.75 feet (11.20 m). The foundations are concrete, atop which the tower extends having a rubble and mortar core between ashlar faced courses of small magnesian limestone blocks. At 15 feet (4.6 m) a scarcement reduces the thickness of the wall from 5 feet (1.5 m) to 3.25 feet (0.99 m), which continues for a further 4 feet (1.2 m) before being capped by 11 feet (3.4 m) of 13th century masonry in which arrowslits can be seen.
After the Romans
The Danes occupied the city in 867. By this time the Roman defences were in poor repair, and the Danes demolished all the towers save the Multangular Tower and restored the walls.
The majority of the remaining walls, which encircle the whole of the medieval city, date from the 13th – 14th century. From the east corner of the Roman walls, the medieval wall extends to Layerthorpe Bridge. After the bridge, the King's Fishpool, a swamp created by the Normans' damming of the River Foss, provided adequate security for the city, and no walls were ever built in this area.
In the Middle Ages the defence of the city was further helped not just by the walls but on the rampart underneath and the ditch surrounding them. The ditch along the walls was once 60 feet (18.3m) wide and 10 feet (3m) deep. In modern times the ditch was almost all filled in and no longer exists. For this reason the ground directly around the walls is higher in most places than it would have been in medieval times.
The walls resume beyond the now canalised Foss at the Red Tower, a brick building which has been much restored over the years. They continue south and west around the Walmgate area, terminating in another tower (Fishergate Postern), near York Castle, which was formerly surrounded by its own walls and a moat.
A small stretch of wall on the west side of Tower Gardens terminates at Davy Tower, another brick tower located next to the River Ouse. This originally ran up to the castle walls, with a postern on Tower Street.
Beyond the Ouse, the walls resume at Skeldergate, where there was once another postern. They climb past Baile Hill, take a right turn and proceed north-west parallel to the Inner Ring Road. Near the railway station, they turn right again in a north-easterly direction, finishing at Barker Tower on the Ouse.
Barker Tower was once linked to Lendal Tower by a chain across the river, parallel to the 19th-century Lendal Bridge. A small stretch of wall then leads to the entrance to Museum Gardens, the Multangular Tower and the original line of the Roman walls.
The walls were repaired during the English Civil War by Parliamentarians as well as during the later Jacobite Risings due to fears of an invasion from Scotland.
The walls were restored in the Victorian period after falling into disrepair. The Victorians widened the wall-walk as well as extending it in some areas, (such as in the northern area with views of the cathedral), previously, in some areas, there probably would have only been narrow ledges that could be used to support a timber wall-walk in times of danger. They also rebuilt the battlements and sometimes the tops of the walls. Some slit windows are at the wrong height and some are narrow for the full width of the parapet. Some parts of the walls still have small holes called musket loops from the 17th century for muskets to fire from although they are of uncertain age due to restoration. In the northern area where you have views of the Cathedral, the walls were defended from interval towers which would have been higher than they are now after the Victorian restoration. Some of the merlons spaced along the walls were added by the Victorians. However,some pre-date this period as can be seen in the 1782 Micklegate Bar illustration and the 1807 illustration showing the Multangular Tower and walls, although, very few original Medieval merlons remain. Perhaps one of the most notable additions to the wall was Robin Hood tower, built in 1889.
Today the walls are a scheduled ancient monument and a grade I listed building.
Bars
The walls are punctuated by four main gatehouses, or 'bars', (Bootham Bar, Monk Bar, Walmgate Bar and Micklegate Bar below). These restricted traffic in medieval times, and were used to extract tolls, as well as being defensive positions in times of war.
Bootham Bar
Although much of Bootham Bar was built in the 14th and 19th centuries, it also has some of the oldest surviving stonework, dating to the 11th century. It stands almost on the site of porta principalis dextra, the north western gate of Eboracum. It was named in the 12th century as barram de Bootham, meaning bar at the booths, after the nearby market booths. It was the last of the bars to lose its barbican, which was removed in 1835.
Monk Bar
This four-storey gatehouse is the tallest and most elaborate of the four, and was built in the early 14th century. It was intended as a self-contained fort, and each floor is capable of being defended separately. The current gatehouse was built to replace a 12th-century gate known as Munecagate, which stood 100 yards (91 m) to the north-west, on the site of the Roman gate porta decumana – that location is indicated by a slight dip in the earth rampart. From 1993 to 2020, Monk Bar housed a museum called the Richard III Experience at Monk Bar and today, it retains its portcullis in working order.
Walmgate Bar
Most of Walmgate Bar was built during the 14th century, although the inner gateway dates from the 12th century. It was originally called Walbegate, the word Walbe possibly being an Anglo-Scandinavian personal name. The Bar's most notable feature is its barbican, which is the only one surviving on a town gate in England. It also retains its portcullis and has reproduction 15th century oak doors. On the inner side, an Elizabethan house, supported by stone Tuscan order columns (originally of Roman origin but modified in 1584), extends out over the gateway. The house was occupied until 1957.
The Bar has been repaired and restored many times over the years, most notably in 1648, following the 1644 Siege of York in the English Civil War when it was bombarded by cannon fire, and in 1840 after it had suffered years of neglect. It was also damaged in 1489 when, along with Fishergate Bar, it was burnt by rebels who were rioting over tax raises.
Micklegate Bar
The name of this four-storey-high gatehouse is from the Old Norse 'mykla gata' or 'great road', and leads onto Micklegate. It was the traditional ceremonial gate for monarchs entering the city, who, in a tradition dating to Richard II in 1389, touch the state sword when entering the gate.
The lower section was built in the 12th century while the top storeys in the 14th; the original barbican was removed in 1826. At least six reigning monarchs passed through this gate.
Its symbolic value led to traitors' severed heads being displayed on the defences. Heads left there to rot included: Henry Hotspur Percy (1403), Henry Scrope, 3rd Baron Scrope of Masham (1415), Richard Plantagenet, 3rd Duke of York (1461), and Thomas Percy, 7th Earl of Northumberland (1572).
The Bar was inhabited until the 20th century. The upper two floors contain living quarters, which today are a museum known as the City Walls Experience at Micklegate Bar. A restoration of the Bar was completed in late 2017.
Minor bars
Besides the four main bars, there are two smaller bars.
Fishergate Bar
This Bar originally dates from around 1315, when it was documented as being called Barram Fishergate. It was bricked up following riots in 1489, but was reopened in 1827 and today provides pedestrian access through the walls between the Fishergate area (actually Fawcett Street/Paragon Street) and George Street.
Victoria Bar
As the name suggests, this bar is a 19th-century addition to the walls. It was opened in 1838 to provide direct access between Nunnery Lane and Bishophill. However, during its construction the remains of an ancient gateway were found beneath it. This was probably the gateway known in the 12th century as the lounelith or secluded gateway (in comparison to Micklegate Bar or the great bar located four hundred yards away). This was a small entrance to the city which dated back to early medieval times but was blocked up later with earth and stone, possibly during the period when the walls consisted solely of a wooden palisade before they were rebuilt in stone (from around 1250).
See also
List of town walls in England and Wales
History of York
Eboracum
Museum Gardens
Siege of York
References
Sources
Pevsner, Nikolaus; Neave, David (1995) [1972]. Yorkshire: York and the East Riding (2nd ed.). London: Penguin Books. ISBN 978-0-14-071061-8.
Wilson, Barbara; Mee, Frances (2005). The City Walls and Castles of York: The Pictorial Evidence. York Archaeological Trust. ISBN 978-1-874454-36-6.
Walking the Walls: An easy stage by stage guide to York's medieval walls. Huntington, York: Village. 1985.
Beal, Pauline (1994). Walking the Walls. Village Publishing.
External links
York City Walls – information from City of York Council (responsible for caring for the City Walls)
The Friends of York Walls website
"York' City Walls Trail" – by The Friends of York Walls
A new audio guide using the Guide.AI app – "Introducing – "York’s City Walls Audio Trail"" – Friends of York Walls CIO.
"York Walls Walk - Walking Tour of York City Walls", york-united-kingdom.co.uk
"Theme: The York City Walls" on the History of York website |
Great_North_Run | https://en.wikipedia.org/wiki/Great_North_Run | [
221
] | [
"https://en.wikipedia.org/wiki/Great_North_Run"
] | The Great North Run (branded the AJ Bell Great North Run for sponsorship purposes) is the largest half marathon in the world, taking place annually in North East England each September. Participants run between Newcastle upon Tyne and South Shields. The run was devised by former Olympic 10,000 m bronze medallist and BBC Sport commentator Brendan Foster.
The first Great North Run was staged on 28 June 1981, when 12,000 runners participated. By 2011, the number of participants had risen to 54,000. For the first year it was advertised as a local fun run; nearly thirty years on it has become one of the biggest running events in the world, and the biggest in the UK. Only the Great Manchester Run and London Marathon come close to attracting similar numbers of athletes each year.
The 1992 edition of the race incorporated the 1st IAAF World Half Marathon Championships. The event also has junior and mini races attached with these being run the Saturday before the main race on the Newcastle Quayside. Martin Mathathi holds the current men's course record with his run of 58:56 in 2011. In 2019, Brigid Kosgei's women's course record of 64:28 bettered the previous mark by over a minute and was also the fastest ever half marathon by a woman; however, the course was not eligible for records. That same year, Mo Farah won a record sixth consecutive men's Great North Run.
Course
The Great North Run starts in Newcastle upon Tyne on the A167 road (the central motorway), on the edge of both the city centre and the Town Moor. The route heads east and south down the motorway section, around the eastern side of the city centre, then crosses the Tyne Bridge into Gateshead. It heads around the eastern side of Gateshead town centre, then at a roundabout turns east and heads down the A184 (the Felling Bypass) in the direction of Sunderland. After 3.5 miles (5.6 km), the route turns off the A184 and heads north-east towards South Shields down the A194 (Leam Lane). 2.5 miles (4.0 km) later, the route reaches the southern side of Jarrow and it turns east down the A1300 (John Reid Road). The route passes through the south of South Shields (through Harton and Marsden) until it reaches the seafront just over 3.5 miles (5.6 km) later, where it turns north up the A183. The last mile (1.6 km) of the route runs along the seafront road to the finishing line at South Shields. All roads on the course are closed several hours before the race begins, however multiple vehicles including TV crews, emergency services, event staff, and a fleet of buses carrying participants' belongings are authorised to travel between Newcastle and South Shields on the closed course roads ahead of and following the participants.
History
The run was devised by former Olympic 10,000 m bronze medallist and BBC Sport commentator Brendan Foster. Foster was inspired after running in the Round the Bays Race in New Zealand in 1979, and has built upon the Great North Run with a series of other Great Run road races.
The first Great North Run was staged on 28 June 1981, when 12,000 runners participated. By 2003, the number of participants had risen to 47,000. The 2011 event saw an announced field of 54,000. The number of finishers was 35,777 in 2007, the largest half marathon and the 13th largest running race that year. In 2014, the event had 41,615 finishers, making it the largest half-marathon in the world as certified by Guinness World Records in 2016.
For the first nine races, eight of them were held in June. Since 1990, the race has instead been held in the autumn, usually in September but occasionally in October. Since 1990, the earliest date the race has been held on is 7 September (2014) and the latest is 22 October (2000). Bupa was the title partner of the Great North Run from the early 1990s until 2014, one of Britain's longest ever sports sponsorship agreements. In 2015 Morrisons announced their sponsorship of the Great Run series. In November 2015, the Great Run Company announced it was searching for a new title sponsor which includes the Great North Run. The 2016 Great North Run was the first staging of the event without a title sponsor. Simplyhealth became the new lead sponsor for 2017. AJ Bell was announced as the new lead sponsor for the Great Run series in 2023 in a 5-year partnership
Events
In 2004 a runner died (the eighth death in the event's then 24-year history).
The 2005 Great North Run was the twenty-fifth edition of the race. Events to mark the anniversary included the launch of the Great North Run Cultural Programme at the Sage Gateshead. The race was started by Mike McLeod, the winner of the inaugural race in 1981. During the race, four participants died en route to South Shields. An inquest into the four deaths from 2005 began on Monday 5 June 2006 at Gateshead Council Chambers. In subsequent events, more emergency service personnel were brought in to ensure there was adequate cover.
In spite of increased medical provision at the 2006 race, a man in his twenties died.
The 2007 Great North Run was held on 30 September and was started by former England and Newcastle United manager Sir Bobby Robson. Kara Goucher defeated Paula Radcliffe in an impressive victory for the American. Goucher's winning time was 1:06:57.
The 2008 Great North Run was held on 5 October and was started by former Prime Minister of the United Kingdom Tony Blair.
The 2009 Great North Run was held on 20 September and was started by the musician Sting.
The 2010 Great North Run was the 30th running of the event and was held on 19 September and was started by TV presenters Ant & Dec. The number of finishers (half marathon only) was 39,459.
The 2011 Great North Run took place on the morning of Sunday, 18 September 2011. The race was started by World 5,000-metre champion Mo Farah.
In 2013 the 33rd Great North Run had 56000 participants, most of whom were raising money for charity. The elite races had Olympic Gold Medalists and World Champion long-distance runners participating including in the men's race, Mo Farah, Kenenisa Bekele and a regular supporter of the event, Haile Gebrselassie. Ethiopian Bekele won the men's event just ahead of Farah. Kenya's Priscah Jeptoo came first the women's race and multi Olympic Gold Medalist David Weir won the wheelchair event.
In 2014 the 34th Great North Run had 57000 participants, celebrated the 1 millionth runner to cross the finish line, and was the first to have a British man win in 29 years. Mo Farah completed the race in exactly 1 hour, while Mary Keitany completed in 1:05:39 seconds - surpassing the previous course record of 1:05:40 by 1 second, a record held by Paula Radcliffe. Tracey Cramond, who was raising money for Butterwick Hospices, was the 1 millionth person to complete the run, stating she was "gobsmacked" and that it was her "moment of fame". The Great North Run was the first International Athletics Association Event (IAAF) event in the world to reach such a milestone.
In 2015 a 58 year old male runner died.
The 2020 Great North Run was cancelled due to the COVID-19 pandemic. The 2022 event cancelled its Junior and Mini events due to the death of Elizabeth II.
Eddie Howe started the 2023 Great North Run for the 60,000 participants. The race was Mo Farah's last ever before his retirement.
The 2024 Great North Run took place on 8th September and was started by Olympic Silver Medalist Kieran Reilly. A 29 year old male runner died after collapsing during the race.
Past winners
Key:
Course record
Wheelchair race
Course record
See also
Northeast of England
References
Results
Butler, Mark (2012-11-17). Great North Run Half Marathon. Association of Road Racing Statisticians. Retrieved on 2013-01-20.
History and Tradition Archived 26 September 2010 at the Wayback Machine. Great Run. Retrieved on 2013-01-20.
External links
Official website |
Half_marathon | https://en.wikipedia.org/wiki/Half_marathon | [
221
] | [
"https://en.wikipedia.org/wiki/Half_marathon"
] | A half marathon is a road running event of 21.0975 kilometres (13 miles 192.5 yards)—half the distance of a marathon. It is common for a half marathon event to be held concurrently with a marathon or a 5K race, using almost the same course with a late start, an early finish or shortcuts. If finisher medals are awarded, the medal or ribbon may differ from those for the full marathon. The half marathon is also known as a 21K, 21.1K, or 13.1 miles, although these values are rounded and not formally correct.
A half marathon world record is officially recognised by the International Association of Athletics Federations. The official IAAF world record for men is 57:31, set by Jacob Kiplimo of Uganda in November 2021 in Lisbon, Portugal, and for women is 1:04:02, set by Ruth Chepng'etich of Kenya on April 4, 2021, in Istanbul, Turkey.
Participation in half marathons has grown steadily since 2003, partly because it is a challenging distance, but does not require the same level of training that a marathon does. In 2008, Running USA reported that the half marathon is the fastest-growing type of race.
History
The concept of the half-marathon emerged in the 1960s. The first half marathon was the Route du Vin Half Marathon founded in 1961. Although the race was technically not the official current distance until it was standardized in 1995. The event grew in popularity leading to the eventual establishment of the World Athletics Road Running Championships in 1992, originally titled the IAAF World Half Marathon Championships.
All-time top 25
Men
Correct as of September 2024.
Notes
Below is a list of other times equal or superior to 58:43:
Jacob Kiplimo also ran 57:37 (2020), 57:56 (2022) and 58:09 (2024).
Kibiwott Kandie also ran 57:40 (2023), 58:10 (2022) and 58:38 (2020).
Sabastian Sawe also ran 58:05 (2024), 58:24 (2024), 58:29 (2023).
Abraham Kiptum ran 58:18, but it was expunged for doping.
Zersenay Tadese also ran 58:30 (2011).
Yomif Kejelcha also ran 58:32 (2022).
Philemon Kiplimo also ran 58:34 (2021).
Daniel Mateiko also ran 58:40 (2022).
Women
Correct as of September 2024.
Notes
Below is a list of other times equal or superior to 1:05:15:
Yalemzerf Yehualaw also ran 1:03:44 Mx a (2021, not legal), 1:04:22 Mx (2022), 1:04:40 Mx (2021), 1:04:46 (2020).
Brigid Kosgei also ran 1:04:28 Mx a (2019).
Hellen Obiri also ran 1:04:48 (2022), 1:04:51 Mx (2021).
Joyciline Jepkosgei also ran 1:04:46 (2023), 1:04:51 (2017), 1:04:52 (2017).
Sheila Chepkirui also ran 1:04:53 Mx (2021).
Ruth Chepngetich also ran 1:05:06 (2020).
Tsehay Gemechu also ran 1:05:08 Mx (2021).
Joan Chelimo also ran 1:05:09 Mx (2021).
Margaret Kipkemboi also ran 1:05:11 Mx (2024).
Florence Jebet Kiplagat also ran 1:05:12 (2014).
Mary Jepkosgei Keitany also ran 1:05:13 (2017).
Season's bests
This table lists the best half marathon performances per year since 1970, as recorded by the ARRS.
The largest half marathon ever held was Broloppet (the Bridge race) between Copenhagen in Denmark and Malmö in Sweden with 79,719 finishers, held in connection with the Øresund Bridge inauguration in 2000.
See also
List of half marathon races
World Athletics Half Marathon Championships
Mini marathon
Quarter marathon
Half marathon world record progression
One hour run
Notes
References
Further reading
Nilson, Finn; Lundkvist, Erik; Wagnsson, Stefan; Gustafsson, Henrik (2019-12-19). "Has the second 'running boom' democratized running? A study on the sociodemographic characteristics of finishers at the world's largest half marathon". Sport in Society. 24 (4): 659–669. doi:10.1080/17430437.2019.1703687. ISSN 1743-0437.
External links
IAAF list of half-marathon records in XML |
1869_Newfoundland_general_election | https://en.wikipedia.org/wiki/1869_Newfoundland_general_election | [
222
] | [
"https://en.wikipedia.org/wiki/1869_Newfoundland_general_election"
] | The 1869 Newfoundland general election was held in 1869 to elect members of the 10th General Assembly of Newfoundland in the Newfoundland Colony. 21 Anti-Confederates (A-C) were elected against 9 Confederates (Con), ending for a moment the debate over joining the Dominion of Canada.
Results by party
Elected members
Twillingate-Fogo
Charles Duder (A-C)
Smith McKay (A-C)
Bonavista Bay
James L. Noonan (A-C)
William M. Barnes (A-C)
Francis Winton (A-C)
Trinity Bay
Stephen Rendell (Con)
Thomas H. Ridley (Con)
Alexander Graham (later in a by-election)
Robert Alsop (A-C) (defeated after named to cabinet post in 1870)
John H. Warren (later, in a by-election)
Bay de Verde
John Bemister (Con)
James J. Rogerson (later, in a by-election)
Carbonear
John Rorke (Con)
Harbour Grace
John Munn (Con)
William S. Green (Con)
Brigus-Port de Grave
James B. Woods (A-C)
St. John's East
William P. Walsh (A-C)
James Jordan (A-C)
Robert J. Parsons, senior (A-C)
St. John's West
Peter Brennan (A-C)
Thomas Talbot (A-C)
Maurice Fenelon (later in a by-election)
Henry Renouf (A-C)
Lewis Tessier (later, in a by-election)
Harbour Main
James I. Little (A-C)
John Kennedy (A-C)
Ferryland
Thomas Glen (A-C)
Thomas Badcock (or Battcock) (A-C)
Placentia-St. Mary's
Charles Fox Bennett (A-C) (Leader of the Anti-Confederates)
Robert J. Parsons, junior (A-C)
Henry Renouf (A-C)
Burin
Frederick Carter (Con) (Leader of the Confederates)
Edward Evans (Con)
Fortune Bay
Thomas R. Bennett (A-C) (Speaker of the Assembly)
Burgeo-LaPoile
Prescott Emerson (Con)
== References == |
Charles_Fox_Bennett | https://en.wikipedia.org/wiki/Charles_Fox_Bennett | [
222
] | [
"https://en.wikipedia.org/wiki/Charles_Fox_Bennett"
] | Charles James Fox Bennett (11 June 1793 in Shaftesbury, England – 5 December 1883) was a merchant and politician who successfully fought attempts to take Newfoundland into Canadian confederation. Bennett was a successful businessman and one of the colony's richest residents with interests in the fisheries, distillery and brewery industry and shipbuilding. His brother Thomas Bennett, a magistrate and member of Newfoundland's first House of Assembly, was a partner in the business.
Bennett became involved in politics in the 1840s as a leader of the colony's Anglican community and an opponent of responsible government, an argument he lost when an alliance of Catholics and non-Anglican Protestants persuaded the Colonial Office to grant Newfoundland self-government.
In the 1860s, he led the Anti-Confederation Party opposing the proposals by Sir Frederick Carter to join Canada. Bennett's party defeated Carter's Conservatives on the Confederation issue in the 1869 elections, allowing Bennett to form a government in 1870. However, as Premier he was unable to keep his party united, and in 1874 resigned, allowing Carter to return to power. The issue of Confederation had become a moot point and would not be seriously raised again until the Great Depression.
Bennet also commissioned extensive mineral surveys along the coasts, and in the 1860s developed the prosperous copper mine at Tilt Cove (Notre Dame Bay).
Bennett's anti-Confederates reformed themselves into the colony's Conservative Party.
References
External links
Hiller, James K. (1982). "Bennett, Charles James Fox". In Halpenny, Francess G (ed.). Dictionary of Canadian Biography. Vol. XI (1881–1890) (online ed.). University of Toronto Press. |
Shaftesbury | https://en.wikipedia.org/wiki/Shaftesbury | [
222
] | [
"https://en.wikipedia.org/wiki/Shaftesbury"
] | Shaftesbury () is a town and civil parish in Dorset, England. It is on the A30 road, 20 miles (32 kilometres) west of Salisbury and 23 miles (37 kilometres) north-northeast of Dorchester, near the border with Wiltshire. It is the only significant hilltop settlement in Dorset, being built about 215 metres (705 feet) above sea level on a greensand hill on the edge of Cranborne Chase.
The town looks over the Blackmore Vale, part of the River Stour basin.
Shaftesbury is the site of the former Shaftesbury Abbey, which was founded in 888 by King Alfred and became one of the richest religious establishments in the country, before being destroyed in the dissolution in 1539. Adjacent to the abbey site is Gold Hill, a steep cobbled street used in the 1970s as the setting for Ridley Scott's television advertisement for Hovis bread.
In the 2021 census the town's civil parish had a population of 9,162.
Toponymy
Shaftesbury has acquired a number of names throughout its history. Writing in 1906, Sir Frederick Treves referred to four of these names from Celtic, Latin and English traditions in his book Highways & Byways in Dorset:
The city has had many names. It was, in the beginning, Caer Palladour. By the time of the Domesday Book it was Sceptesberie. It then, with all the affectation of a lady in an eighteenth-century lyric, called itself Sophonia. Lastly it became Shaston, and so the people call it to this day, while all the milestones around concern themselves only with recording the distances to "Shaston".
The original Celtic name is first recorded in Medieval Welsh literature as Caer Vynnydd y Paladr (The Mountain Fort/City of the Spears) and Thomas Gale records the name as Caer Palladour in his work of 1709. Though "Palladour" was described by one 19th-century directory as "mere invention", it has continued to be used as a poetic and alternative name for the town.
The English name was recorded in the Domesday Book of 1086 as Sceptesberie, and the use of "Shaston" () was recorded in 1831 in Samuel Lewis's A Topographical Dictionary of England and in 1840 in The parliamentary gazetteer of England and Wales.
Thomas Hardy used both "Shaston" and "Palladour" to refer to the town in the fictional Wessex of his novels such as Jude the Obscure.
History
There is no substantive evidence that Shaftesbury was the "Caer Palladur" (or "Caer Palladwr") of Celtic and Roman times, and instead the town's recorded history dates from Anglo-Saxon times. By the early eighth century there was an important minster church here, and in 880 Alfred the Great founded a burgh (fortified settlement) here as a defence in the struggle with the Danish invaders. The burgh is recorded in the early-10th-century Burghal Hidage as one of only three that existed in the county (the others being at Wareham and 'Bredy' – which is probably Bridport).
In 888 Alfred founded Shaftesbury Abbey, a Benedictine nunnery by the town's east gate, and appointed his daughter Ethelgifu as the first abbess. Æthelstan founded two royal mints, which struck pennies bearing the town's name, and the abbey became the wealthiest Benedictine nunnery in England. On 20 February 981 the relics of St Edward the Martyr, the teenage King of England, were transferred from Wareham and received at the abbey with great ceremony, thereafter turning Shaftesbury into a major site of pilgrimage for miracles of healing.
King Canute died here in 1035, though he was buried at Winchester. Edward the Confessor licensed a third mint for the town. By the time of the Norman conquest in 1066 Shaftesbury had 257 houses, though many were destroyed in the ensuing years of conflict, and by the time the Domesday Book was compiled twenty years later, there were only 177 houses remaining, though this still meant that Shaftesbury was the largest town in Dorset at that time. In the first English civil war (1135–1154) between Empress Matilda and King Stephen, an adulterine castle or fortified house was built on a small promontory at the western edge of the hill on which the old town was built. The site on Castle Hill, also known locally as Boltbury, is now under grass and is a scheduled monument.
In 1240 Cardinal Otto of Tonengo, legate to the Apostolic See of Pope Gregory IX visited the abbey and confirmed a charter of 1191, the first entered in the Glastonbury chartulary. During the Middle Ages the abbey was the central focus of the town; the abbey's great wealth was acknowledged in a popular saying at the time, which stated that "If the abbot of Glastonbury could marry the abbess of Shaftesbury their heir would hold more land than the king of England". In 1260 a charter to hold a market was granted. By 1340 the mayor had become a recognised figure, sworn in by the steward of the abbess. In 1392 Richard II confirmed a grant of two markets on different days. Edwardstowe, Shaftesbury's oldest surviving building, was built on Bimport at some time between 1400 and 1539. Also in this period a medieval farm owned by the Abbess of Shaftesbury was established, on a site now occupied by the Tesco supermarket car park.
In 1539, the last Abbess of Shaftesbury, Elizabeth Zouche, signed a deed of surrender, the (by then extremely wealthy) abbey was demolished, and its lands sold, leading to a temporary decline in the town. Sir Thomas Arundell purchased the abbey and much of the town in 1540, but when he was later exiled for treason his lands were forfeit, and the lands passed to Pembroke then Anthony Ashley-Cooper, 7th Earl of Shaftesbury, and finally to the Grosvenors.
Shaftesbury was a parliamentary constituency returning two members from 1296 to the Reform Act of 1832, when it was reduced to one, and in 1884 the separate constituency was abolished.
In Survey of Dorsetshire, written in about 1630 by Thomas Gerard of the Dorset village of Trent, Shaftesbury is described as a "faire Thorough Faire, much frequented by Travellers to and from London".
The town was broadly Parliamentarian in the Civil War, but was in Royalist hands. Wardour Castle fell to Parliamentary forces in 1643; Parliamentary forces surrounded the town in August 1645, when it was a centre of local clubmen activity. The clubmen were arrested and sent to trial in Sherborne. Shaftesbury took no part in the Monmouth Rebellion of 1685.
In the 17th century the cloth industry formed part of Shaftesbury's economy, though much of the actual production took place as a cottage industry in the surrounding area. In the 18th century the town produced a coarse white woollen cloth called 'swanskin', that was used by fishermen of Newfoundland and for uniforms. Buttonmaking also became important around this time, though with the later advent of industrialisation this subsequently declined, resulting in unemployment, starvation and emigration, with 350 families leaving for Canada. Malting and brewing were also significant in the 17th and 18th centuries, and like other Dorset towns such as Dorchester and Blandford Forum, Shaftesbury became known for its beer.
The railways however bypassed the town, which had consequences for Shaftesbury's economy; during the 19th century the town's brewing industry was reduced to serving only local markets, as towns elsewhere in the country could transport their produce more cheaply. During the 19th century the population of the town grew little.
The town hall was built in 1837 by Earl Grosvenor after the guildhall was pulled down to widen High Street. It has been designated by English Heritage as a Grade II listed building. Shaftesbury Town Hall is next to the 15th-century St Peter's Church which is Grade II* listed. The Westminster Memorial Hospital was constructed on Bimport in the mid-19th century with a legacy from the wife of the Duke of Westminster.
In 1918 Lord Stalbridge, 2nd Baron Stalbridge, Hugh Grosvenor, sold a large portion of the town, which was purchased by a syndicate and auctioned piece by piece over three days. The entire Stalbridge Estate of some 13,500 acres was sold and the title became extinct with the death of Hugh Grosvenor, 2nd Baron Stalbridge in 1949. His only son and heir had been killed in a flying accident in 1930.
Most of Shaftesbury's buildings date from no earlier than the 18th century, as the Saxon and most of the medieval buildings have not survived.
Governance
In the United Kingdom national parliament, Shaftesbury is in the North Dorset parliamentary constituency, represented since 2015 by Simon Hoare of the Conservative Party. In local government, Shaftesbury is administered by Dorset Council (a unitary authority) and Shaftesbury Town Council, which has responsibilities that include open spaces and recreational facilities, allotments, litter, street markets, public conveniences, grants to voluntary organisations, cemetery provision, bus shelters, crime prevention initiatives, civic events and the town hall, planning (as a consultee) and the war memorial.
Shaftesbury is covered by an electoral ward called Shaftesbury Town, which elects two members to Dorset Council. Prior to changes in 2019, the town elected one member of Dorset County Council and four members of North Dorset District Council.
Geography
The old centre of Shaftesbury is sited on a westward-pointing promontory of high ground in northeast Dorset, on the scarp edge of a range of hills that extend south and east into Cranborne Chase and neighbouring Wiltshire. The town's built-up area extends down the promontory slopes to lower ground at St James, Alcester and Enmore Green, and eastwards across the watershed towards the hill's dip slope. Shaftesbury's altitude is between about 165 metres (541 feet) at the lowest streets below the promontory, to about 235 m (771 ft) at Wincombe Business Park on the hilltop in the north, with the promontory and town centre being at about 215 m (705 ft). Below the town to the west is the Blackmore Vale, which undulates between about 60 and 110 m (200 and 360 ft). About 2 mi (3 km) west of the town and within the Blackmore Vale is the conical mound of Duncliffe Hill, visible for miles and home to Duncliffe Wood and a nature reserve. The countryside east of the town is part of the Cranborne Chase and West Wiltshire Downs Area of Outstanding Natural Beauty.
Geologically, Shaftesbury's hill mostly comprises Upper Greensand, which is overlain by Lower Chalk in the east. These date from the Cretaceous, with the greensand having been formed in the Albian and early Cenomanian, and the chalk also in the Cenomanian. The greensand is composed of three beds: the oldest and lowest is a layer of Cann Sand, which is found in the lower parts of the town, such as St James and Alcester, that are below the promontory; above this is a layer of Shaftesbury Sandstone, which generally forms the steepest slopes around the promontory, and on top of this is a layer of Boyne Hollow Chert, which is found on top of the hill and on which most of the town is built. Below the Cann Sand, on the lower slopes of the hill to the north, west and south of the town, are extensive landslip deposits.
Economy
In 2012 there were 3,400 people employed in Shaftesbury, 65% of whom were working full-time and 35% part-time. Excluding agriculture, the most important employment sectors were public administration, education and health (31% of non-agricultural employment), production and construction (29%), and distribution, accommodation and food (26%). Significant employers include Dorset County Council, Pork Farms, Guys Marsh Prison, Royal Mail, Tesco, Port Regis School, Wessex Electricals, Stalbridge Linen Services, Blackmore Press and Dorset Chilled Foods. There are two industrial estates in the town: Longmead Industrial Estate, covering 7.7 hectares (19 acres), and Wincombe Business Park, covering 6.5 hectares (16 acres).
In 2005 there were 75 shops in the town, with a total floorspace of 7,200 square metres (78,000 sq ft). The retail catchment area for major food shopping extends about 4+1⁄2 mi (7 km) in all directions. National retail chains with a presence in the town include the Body Shop, Boots, Somerfield, Superdrug, Tesco and WHSmith.
A site has been identified for a projected parkway station on the West of England main railway line. It would be situated to the north of the town, beneath the A350 road, and a bus service would connect it with the town. Currently the nearest railway station is located in neighbouring Gillingham.
Demography
In the 2011 census Shaftesbury's civil parish had 3,493 dwellings, 3,235 households and a population of 7,314. The average age of inhabitants was 43, compared to 39.3 for England as a whole. 22.1% of inhabitants were age 65 or older, compared to 16.4% for England as a whole. 92% of Shaftesbury's residents were born in the United Kingdom, compared to 86.2% for England as a whole. Previous census figures for the total population of the civil parish are shown in the table below:
Culture, art and media
Shaftesbury Arts Centre was established in 1957 and stages a variety of exhibitions, performances, workshops and training courses. It is based in the old covered market in the town centre and is a charitable company that is run wholly by its volunteer members.
Shaftesbury has two museums: Gold Hill Museum at the top of Gold Hill, and Shaftesbury Abbey Museum in the abbey grounds. Gold Hill Museum was founded in 1946 and displays many artefacts that relate to the history of Shaftesbury and the surrounding area, including Dorset's oldest fire engine, dating from 1744. Shaftesbury Abbey Museum tells the story of the abbey and also has a herb garden and medieval orchard.
Shaftesbury Snowdrops is a Diamond Jubilee Community Legacy with the aim of creating a series of free and accessible snowdrop walks by planting snowdrops within the publicly open spaces and along the pathways throughout the town. The project was started in the winter of 2012 with the planting of 60,000 bulbs. Since 2013 there has been an annual Snowdrop Festival to encourage tourists to see the snowdrops in flower. Highlights of the festival include the Snowdrop Art Exhibition and the Snowdrop Lantern Parade. In 2014 Shaftesbury Snowdrops started a heritage collection of rare and unusual snowdrops. These are held in trust for the people of Shaftesbury and displayed in Shaftesbury Abbey during the annual Snowdrop Festival. The collection is being built through sponsorship and donations.
Gold Hill Fair usually occurs in the first weekend of July and has food stalls, arts stalls and local music that can be found in the abbey ruins.
In 2016, Shaftesbury's first open arts fringe festival was organised and has since grown to become one of the key fringe festivals in the country. The fringe is always held on the first weekend in July and attracts an eccentric mix of performers from local singers to celebrity comics heading for Edinburgh.
Local news and television programmes are provided by BBC West and ITV West Country. Television signals are received from the Mendip TV transmitter.
Shaftesbury's local radio stations are BBC Radio Solent, Vale FM, and Heart West Country. The town is home to a volunteer-run community radio station, Alfred, broadcasting local news, speech programming and music on 107.3 FM and online. It was awarded an Ofcom licence in 2020, having grown from a weekly podcast which went daily during the COVID-19 pandemic. The podcast won the gold award in the community radio awards in 2021.
Representations
Thomas Hardy used the names Shaston or Palladour to describe Shaftesbury in the fictional Wessex of his novels. In Jude the Obscure he described the loss of the town's former architectural glories, principally the abbey:
"Vague imaginings of its castle, its three mints, its magnificent apsidal abbey, the chief glory of south Wessex, its twelve churches, its shrines, chantries, hospitals, its gabled freestone mansions—all now ruthlessly swept away—throw the visitor, even against his will, into a pensive melancholy, which the stimulating atmosphere and limitless landscape around him can scarcely dispel."
In the 1970s Ridley Scott used Gold Hill, a steep cobbled street in the town, as the setting for a television advertisement for Hovis bread, in which a bread delivery boy is seen pushing his bicycle up the street before freewheeling back down. The advertisement made the street nationally famous.
Transport
Shaftesbury is served by the A30, between Salisbury and Yeovil, and the A350, which connects Poole and Chippenham. The town is 7 miles (11 km) south of the main A303 trunk road between London and South West England.
Shaftesbury has never had a direct railway connection. The challenging topography likely played a significant role in this, as constructing a railway up the steep slopes would have been difficult and costly. In 1859, the Salisbury and Yeovil Railway established a station at Semley, 2+1⁄2 miles (4.0 km) north of Shaftesbury. This station allowed residents and visitors to access the broader railway network.
Semley station closed in the Beeching cuts of 1966. The closest railway station to Shaftesbury is now Gillingham railway station (Dorset), 4 miles (6.4 km) northwest of the town, on the West of England line from London Waterloo to Exeter.
Local bus services connect the town to surrounding villages and towns.
Amenities
Shaftesbury has a non-League football club, Shaftesbury F.C., who play at Cockrams. The Shaftesbury Lido, an open air swimming pool at Barton Hill, is open during the summer months.
Shaftesbury has a community hospital, opened in 1874 and named Westminster Memorial Hospital in memory of the Marquis of Westminster, whose widow donated the site. The town has a public library operated by Dorset Council.
Notable people
Cnut the Great, King of England, Denmark, and Norway, died in Shaftesbury on 12 November 1035; he was buried in Winchester.
Poet William Chamberlayne lived there his whole life, from 1619 to 1689.
Philosopher Anthony Ashley-Cooper, 3rd Earl of Shaftesbury (1671–1713), an influential thinker on modern aesthetics.
Actor Robert Newton, best known for his portrayals of Long John Silver and Bill Sikes in the 1948 David Lean film Oliver Twist, was born there.
Architect Richard Upjohn, famous for his Gothic Revival churches in the United States, including Trinity Church in New York, was also born in Shaftesbury.
Electronic music producer Seamus Malliagh, known professionally as Iglooghost, grew up in Shaftesbury.
Electronic music producer and artist Kai Whiston grew up in Shaftesbury.
Lavinia Young (1911–1986 ), born in Bimport, was elected Mayor of Shaftesbury (1970) and was Matron of Westminster Hospital, London from 1951 to 1966.
See also
St Mary's School, Shaftesbury
Shaftesbury School
References
Notes
General references
Bettey, J. H. (1974). Dorset. City & County Histories. David & Charles. ISBN 0-7153-6371-9.
Pitt-Rivers, Michael, 1979. Dorset. London: Faber & Faber.
Berry, Geoffrey (1985). AA Illustrated Guide to: Country Towns and Villages of Britain. Contributions from The Automobile Association. Drive Publications. ISBN 9780903356343.
External links
Shaftesbury Tourist Information Centre
Shaftesbury Town Council
Shaftesbury at Curlie |
Meat_Loaf | https://en.wikipedia.org/wiki/Meat_Loaf | [
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] | [
"https://en.wikipedia.org/wiki/Meat_Loaf#Personal_life"
] | Michael Lee Aday (born Marvin Lee Aday; September 27, 1947 – January 20, 2022), known professionally as Meat Loaf, was an American singer and actor. He was known for his powerful, wide-ranging voice and theatrical live shows. His Bat Out of Hell album trilogy—Bat Out of Hell (1977), Bat Out of Hell II: Back into Hell (1993), and Bat Out of Hell III: The Monster Is Loose (2006)—has sold more than 100 million records worldwide, making him one of the best-selling music artists of all time. The first album stayed on the charts for over nine years and is one of the best-selling albums in history, still selling an estimated 200,000 copies annually as of 2016.
Despite the commercial success of Bat Out of Hell and Bat Out of Hell II: Back Into Hell, and earning a Grammy Award for Best Solo Rock Vocal Performance for the song "I'd Do Anything for Love", Meat Loaf nevertheless experienced some difficulty establishing a steady career within the United States. However, his career still saw success due to his popularity in Europe, especially in the United Kingdom and Ireland. He received the 1994 Brit Award in the United Kingdom for best-selling album and single, and was ranked 23rd for the number of weeks spent on the UK charts in 2006. He ranks 96th on VH1's "100 Greatest Artists of Hard Rock".
Meat Loaf also acted in over 50 films and television shows, sometimes as himself or as characters resembling his stage persona. His notable film roles include Eddie in The Rocky Horror Picture Show (1975), the bus driver in Spice World (1997), and Robert Paulson in Fight Club (1999). His early stage work included dual roles in the original Broadway cast of The Rocky Horror Show; he also appeared in the musical Hair, both on and Off-Broadway.
Early life
Marvin Lee Aday was born in Dallas, Texas, on September 27, 1947, the son of Wilma Artie (née Hukel), a schoolteacher and member of the Vo-di-o-do Girls gospel music quartet, and Orvis Wesley Aday, a former police officer who went into business selling a homemade cough remedy with his wife and a friend under the name of the Griffin Grocery Company. He stated in an interview that when he was born, he was "bright red and stayed that way for days" and that his father said he looked like "nine pounds of ground chuck,” and convinced hospital staff to put the name "Meat" on his crib. He was later called "M.L." in reference to his initials, but when his weight increased, his seventh-grade classmates referred to him as "Meat Loaf", referring to his 5-foot-2-inch (157 cm), 240-pound (110 kg) stature. He also attributed the nickname to an incident where, after he stepped on a football coach's foot, the coach yelled 'Get off my foot, you hunk of meatloaf!'”
Meat Loaf's father would binge-drink alcohol for days at a time, a habit he started when he was medically discharged from the U.S. Army during World War II after being wounded by fragments from a mortar shell. Meat Loaf often accompanied his mother in driving to the bars in Dallas to look for his father, and often stayed with his grandmother. He attended church and Bible study every Sunday.
He was 16 years-old on November 22nd, 1963, the day of the assassination of John F. Kennedy. That morning, Meat Loaf had seen the President when he arrived at Dallas Love Field. Later, after hearing of Kennedy's death, a friend and he drove to Parkland Hospital where he witnessed Jacqueline Kennedy Onassis, covered in her husband's blood, getting out of the car that brought her to the hospital.
In 1965, Meat Loaf graduated from Thomas Jefferson High School, having appeared in school stage productions such as Where's Charley? and The Music Man. He played high school football as a defensive tackle. After attending college at Lubbock Christian College, he transferred to North Texas State University (now the University of North Texas).
In 1967, when Meat Loaf was 19 years old: his mother died of cancer, and his father lunged at him with a knife after falsely accusing the teen of having girls in his bedroom. Meat Loaf used the money his mother left him, to rent an apartment in Dallas, where he isolated for three and a half months, at which time a friend found him. Soon after, he went to the airport and caught the next flight to Los Angeles.
Meat Loaf intentionally gained 60 pounds (27 kg) to fail his physical examination for the Vietnam War draft. Despite this strategy, he still received his notice to appear before his local draft board, but chose to ignore it.
Career
Early career
In Los Angeles, Meat Loaf formed his first band, Meat Loaf Soul. The band received several recording contracts. Meat Loaf Soul's first gig was in Huntington Beach, California in 1968 at the Cave, opening for Van Morrison's band Them and Question Mark and the Mysterians. Meat Loaf later described his early days in the music industry as being treated like a "circus clown".
The band underwent several changes of lead guitarists, changing the name of the band each time, to names including Popcorn Blizzard and Floating Circus. As Floating Circus, they opened for the Who, the Fugs, the Stooges, MC5, the Grateful Dead, and the Grease Band. Their regional success led them to release a single, "Once Upon a Time", backed with "Hello". Meat Loaf then joined the Los Angeles production of the musical Hair.
1970s
With the publicity generated from Hair, Meat Loaf accepted an invitation by Motown, in Detroit. In addition to appearing as "Mother" and "Ulysses S. Grant" at Detroit's Vest Pocket Theatre, he recorded the vocals with fellow Hair performer Shaun "Stoney" Murphy on an album of songs written and selected by the Motown production team. The album, titled Stoney & Meatloaf (with Meatloaf spelled as one word), was released in September 1971 and included the single "What You See Is What You Get"; it reached number 36 on the Best Selling Soul Singles chart and number 71 on the Billboard Hot 100 chart. Meat Loaf and Stoney toured with Jake Wade and the Soul Searchers, opening for Richie Havens, the Who, the Stooges, Bob Seger, Alice Cooper, and Rare Earth. Meat Loaf left Motown soon after the label replaced his and Stoney's vocals from the one song he liked, "Who Is the Leader of the People?" with new vocals by Edwin Starr. He moved to Freeland, Michigan for a year and was the opening act at the Grande Ballroom 80 times.
In December 1972, Meat Loaf was in the original off-Broadway production of Rainbow at the Orpheum Theatre in New York. After the tour, Meat Loaf rejoined the cast of Hair, this time at a Broadway theater. After he hired an agent, he auditioned for the Public Theater's production of More Than You Deserve. During the audition, Meat Loaf met Jim Steinman. He sang a Stoney and Meat Loaf favorite of his, "(I'd Love to Be) As Heavy as Jesus", and subsequently got the part of Rabbit, a maniac that blows up his fellow soldiers so they can "go home". Ron Silver and Fred Gwynne were also in the show. In the summer between the show's workshop production (April 1973) and full production (November 1973 – January 1974), Meat Loaf appeared in a Shakespeare in the Park production of As You Like It with Raul Julia and Mary Beth Hurt.
In late 1973, Meat Loaf was cast in the original L.A. Roxy cast of The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical.
About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot music videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad" and convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased for a decade, until 1984, when they appeared as B-sides to the "Nowhere Fast" single.
In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. That same year, Meat Loaf appeared in his final theatrical show in New York City, the short-lived Broadway production of Gower Champion's rock musical Rockabye Hamlet. It closed two weeks into its initial run.
Meat Loaf and Steinman started working on Bat Out of Hell in 1972, but did not get serious about it until the end of 1974. Meat Loaf then decided to leave theater and concentrate exclusively on music. Meat Loaf was cast as an understudy for John Belushi in The National Lampoon Show. It was at the Lampoon show that Meat Loaf met Ellen Foley, the co-star who sang "Paradise by the Dashboard Light" and "Bat Out of Hell" with him on the album Bat Out of Hell.
Meat Loaf and Steinman spent time seeking a record deal; however, their approaches were rejected by each record company, because their songs did not fit any specific recognized music industry style. Todd Rundgren, under the impression that they already had a record deal, agreed to produce the album as well as play lead guitar along with other members of Rundgren's band Utopia and Max Weinberg. They then shopped the record around, but they still had no takers until Steve Popovich's Cleveland International Records took a chance, releasing Bat Out of Hell in October 1977.
Meat Loaf and Steinman formed the band Neverland Express to tour in support of Bat Out of Hell. Their first gig was opening for Cheap Trick in Chicago. Meat Loaf gained national exposure as the musical guest on Saturday Night Live on March 25, 1978. In 1978, Meat Loaf jumped off a stage in Ottawa, Ontario, breaking his leg. He finished his tour performing in a wheelchair.
Bat Out of Hell has sold an estimated 43 million copies globally, including 15 million in the United States, making it one of the bestselling albums of all time. In the United Kingdom alone, its 2.1 million sales put it in 38th place. Despite peaking at No. 9 and spending only two weeks in the top ten in 1981, it has now spent 485 weeks on the UK Albums Chart (May 2015), a figure bettered only by Rumours by Fleetwood Mac with 487 weeks. In Australia, it knocked the Bee Gees off the No. 1 spot and became the biggest-selling album of all time in that country. Bat Out of Hell has, as of December 2020, spent a total of 522 weeks in the Top 200 in the UK chart.
1980s
In 1979, Steinman started to work on Bad for Good, the intended follow-up to 1977's Bat Out of Hell. During that time, a combination of touring, drugs and exhaustion had caused Meat Loaf to lose his voice. Without a singer, and pressured by the record company, Steinman decided that he should sing on Bad for Good himself. While Steinman worked on Bad for Good, Meat Loaf played the role of Travis Redfish in the movie Roadie until his singing voice returned. Steinman then wrote a new album for Meat Loaf, Dead Ringer, which was released in September 1981. Steinman had written five new songs which, in addition to the track "More Than You Deserve" (sung by Meat Loaf in the stage musical of the same name) and a reworked monolog, formed the album Dead Ringer, which was produced by Meat Loaf and Stephan Galfas, with backing tracks produced by Todd Rundgren, Jimmy Iovine, and Steinman. In 1976, Meat Loaf appeared on the track "Keeper Keep Us", from the Intergalactic Touring Band's self-titled album, produced by Galfas. The song "Dead Ringer for Love" was the pinnacle of the album, and launched Meat Loaf to even greater success. While it failed to chart in the US, it reached No. 5 in the United Kingdom and stayed in the UK Singles Chart for 19 weeks. Cher provided the lead female vocals in the song.
On December 5, 1981, Meat Loaf and the Neverland Express were the musical guests for Saturday Night Live where he and former fellow Rocky Horror Picture Show actor Tim Curry performed a skit depicting a One-Stop Rocky Horror Shop. Also on the show, Curry performed "The Zucchini Song" and Meat Loaf & the Neverland Express performed "Bat Out of Hell" and "Promised Land".
Following a dispute with his former songwriter Jim Steinman, Meat Loaf was contractually obliged to release a new album, resulting in Midnight at the Lost and Found, released in May 1983. According to Meat Loaf, Steinman had given the songs "Total Eclipse of the Heart" and "Making Love Out of Nothing at All" to Meat Loaf for this album. However, Meat Loaf's record company did not want Meat Loaf to sing Steinman's songs, saying that nobody wanted to hear them. Bonnie Tyler's version of "Eclipse" and Air Supply's version of "Making Love" topped the charts together, holding No. 1 and No. 2 for a period during 1983. Meat Loaf is credited with having been involved in the writing of some of the tracks on the album, including the title track, "Midnight at the Lost and Found".
Poor money management as well as 45 lawsuits totaling US$80 million, including ones from Steinman, resulted in Meat Loaf filing for personal bankruptcy in 1983. The bankruptcy resulted in Meat Loaf losing the rights to his songs, although he received royalties for Bat Out of Hell in 1997.
In 1984, Meat Loaf went to England, where he felt increasingly at home, to record the album Bad Attitude; it was released that year. It features two songs by Steinman, both previously recorded, "Nowhere Fast" and "Surf's Up". The American release on RCA Records was in April 1985 and features a slightly different track list, as well as alternate mixes for some songs. The title track features a duet with the Who's lead singer Roger Daltrey. It was a minor success with a few commercially successful singles, the most successful being "Modern Girl". In 1985, Meat Loaf took part in some comedy sketches in the UK with Hugh Laurie. Meat Loaf also tried stand-up comedy, appearing several times in Connecticut.
Meat Loaf worked with songwriter John Parr on his next album, Blind Before I Stop, which was released in 1986 by Arista Records. It features production, mixing, and general influence by Frank Farian. Meat Loaf was involved in the composition of three of the songs on the album. Meat Loaf performed "Thrashin" for the soundtrack of the 1986 skateboarding film Thrashin' (directed by David Winters and starring Josh Brolin).
1990s
Following the success of Meat Loaf's touring in the 1980s, he and Steinman began work during December 1990 on Bat Out of Hell II: Back into Hell; the album was released in September 1993. The immediate success of Bat Out of Hell II led to the sale of over 15 million copies, and the single "I'd Do Anything for Love (But I Won't Do That)" reached number one in 28 countries. In March 1994, at the 36th Annual Grammy Awards, Meat Loaf won the Grammy Award for Best Rock Vocal Performance, Solo for "I'd Do Anything for Love". This song stayed at No. 1 in the UK chart for seven consecutive weeks. The single featured a female vocalist who was credited only as "Mrs. Loud". Mrs. Loud was later identified as Lorraine Crosby, a performer from England. Meat Loaf promoted the song with American vocalist Patti Russo, who performed lead female vocals on tour with him. Also in 1994, he sang the U.S. national anthem "The Star-Spangled Banner" at the Major League Baseball All-Star Game. He released the single "Rock and Roll Dreams Come Through", which reached No. 13 in the United States.
In 1995, Meat Loaf released his seventh studio album, Welcome to the Neighborhood. The album went platinum in the United States and the United Kingdom. It included three singles that hit the top 40, including "I'd Lie for You (And That's the Truth)" (which reached No. 13 in the United States and No. 2 in the UK), and "Not a Dry Eye in the House" (which reached No. 7 in the UK chart). I'd Lie for You (And That's the Truth) was a duet with Patti Russo, who had been touring with Meat Loaf and singing on his albums since 1993. Of the twelve songs on the album, two are written by Steinman. Both are cover versions, the "Original Sin" from Pandora's Box's Original Sin album and "Left in the Dark" first appeared on Steinman's own Bad for Good as well as the 1984 album Emotion by Barbra Streisand. His other singles, "I'd Lie for You (And That's the Truth)" and "Not a Dry Eye in the House", were written by Diane Warren.
In 1998, Meat Loaf released The Very Best of Meat Loaf. The album featured three new songs co-written by Steinman – two with Andrew Lloyd Webber and one with Don Black, "Is Nothing Sacred", released as a single. The single version of this song is a duet with Patti Russo, whereas the album version is a solo song by Meat Loaf.
2000s
In 2003, Meat Loaf released his album Couldn't Have Said It Better. For only the third time in his career, Meat Loaf released an album without any songs written by Steinman (not counting live bonus tracks on special edition releases). Although Meat Loaf claimed that Couldn't Have Said It Better was "the most perfect album [he] did since Bat Out of Hell", it was not as commercially successful. The album was a minor commercial success worldwide and reached No. 4 on the UK Albums Chart, accompanied by a sellout world tour to promote the album and some of Meat Loaf's best selling singles. One such performance on his world tour was at the 2003 NRL Grand Final in Sydney. There were many writers for the album including Diane Warren and James Michael, who were both asked to contribute to his 2006 album, Bat Out of Hell III: The Monster Is Loose. The album featured duets with Patti Russo and Meat Loaf's daughter Pearl Aday.
On November 17, 2003, during a performance at London's Wembley Arena, on his Couldn't Have Said It Better tour, he collapsed of what was later diagnosed as Wolff–Parkinson–White syndrome, a condition marked by an extra electrical pathway in the heart which causes symptoms like a rapid heartbeat. The following week, he underwent a surgical procedure intended to correct the problem. As a result, Meat Loaf's insurance agency did not allow him to perform for any longer than one hour and 45 minutes.
From February 20 to 22, 2004, during an Australian tour, Meat Loaf performed with the Melbourne Symphony Orchestra, in a set of concerts recorded for the album Bat Out of Hell: Live with the Melbourne Symphony Orchestra. The performances included the Australian Boys' Choir singing back-up on a Couldn't Have Said It Better track, "Testify".
Meat Loaf and Steinman had begun to work on the third installment of Bat Out of Hell when Steinman suffered a heart attack. According to Meat Loaf, Steinman was too ill to work on such an intense project while Steinman's manager said health was not an issue.
Steinman had registered the phrase "Bat Out of Hell" as a trademark in 1995. In May 2006, Meat Loaf sued Steinman and his manager in federal District Court in Los Angeles, seeking $50 million and an injunction against Steinman's use of the phrase. Steinman and his representatives attempted to block the album's release. An agreement was reached in July 2006. Denying reports in the press over the years of a rift between Meat Loaf and Steinman, in an interview with Dan Rather, Meat Loaf stated that he and Steinman never stopped talking, and that the lawsuits reported in the press were between lawyers and managers, and not between Meat Loaf and Steinman.
The album Bat Out of Hell III: The Monster Is Loose was released on October 31, 2006, and was produced by Desmond Child. The first single from the album "It's All Coming Back to Me Now" (featuring Marion Raven) was released on October 16, 2006. It entered the UK Singles Chart at No. 6, giving Meat Loaf his highest UK chart position in nearly 11 years. The album debuted at No. 8 on the Billboard 200, and sold 81,000 copies in its opening week, but after that did not sell as well in the United States and yielded no hit singles, although it was certified gold. The album also featured duets with Patti Russo and Jennifer Hudson. In the weeks following the release of Bat III, Meat Loaf and the Neverland Express did a brief tour of the U.S. and Europe, known as the Bases are Loaded Tour. In October 2006, Meat Loaf's private jet had to make an emergency landing at London Stansted Airport after the plane's forward landing gear failed.
In 2007, Meat Loaf began The Seize the Night Tour, with Marion Raven, serving as a supporting act. Portions of the tour in February 2007 were featured in the documentary Meat Loaf: In Search of Paradise, directed by Bruce David Klein. The film was an official selection of the Montreal World Film Festival in 2007. It opened in theaters in March 2008 and was released on DVD in May 2008.
During a performance at the Metro Radio Arena in Newcastle upon Tyne, England, on October 31, 2007, at the opening of "Paradise by the Dashboard Light" Meat Loaf walked off the stage early in the song and said that it was his last performance. His tour promoter, Andrew Miller, said that it was a result of "exhaustion and stress" and said that Meat Loaf would continue touring after suitable rest. The next two gigs in the tour, at the NEC and Manchester Evening News Arena were canceled because of "acute laryngitis" and were rescheduled for late November. The concert scheduled for November 6, 2007, at London's Wembley Arena was also canceled. Meat Loaf canceled his entire European tour for 2007 after being diagnosed with a cyst on his vocal cords.
On June 27, 2008, Meat Loaf began The Casa de Carne Tour in Plymouth, England alongside his longtime duet partner Patti Russo, who debuted one of her own original songs during the show. The tour continued through July and August with twenty dates throughout England, Ireland, Germany, Portugal, the Netherlands, Norway, Sweden, Finland, and Denmark. Six U.S. shows were also added for October and December 2008.
In May 2009, Meat Loaf began work on the album Hang Cool Teddy Bear in the studio with Green Day's American Idiot album producer Rob Cavallo, working with such writers as Justin Hawkins, Rick Brantley, Ollie Wride, Tommy Henriksen, and Jon Bon Jovi. The album is based on the story of a fictional soldier, whose "story" furnishes the theme. The album is based on a short story by the Los Angeles-based screenwriter and director Kilian Kerwin, a long-time friend of the singer. Hugh Laurie and Jack Black both perform on the album, Laurie plays piano on the song "If I Can't Have You", while Black sings a duet with Meat Loaf on "Like A Rose". Patti Russo and Kara DioGuardi also duet on the album. Brian May of Queen features on guitar along with Steve Vai. It received positive reviews from critics and fans alike. The first single from the album, "Los Angeloser", was released for download on April 5 with the album charting at number 4 in the UK Albums Chart on April 25, 2010. The Hang Cool Tour followed in the United States, United Kingdom, and Canada. Patti Russo accompanied him on the tour, continuing through mid-2011.
2010s
Hell in a Handbasket, released in October 2011 for Australia and New Zealand, and February 2012 for the rest of the world, was recorded and produced by Paul Crook; Doug McKean did the mix with input from Rob Cavallo. The album features songs called "All of Me", "Blue Sky", "The Giving Tree", "Mad, Mad World", and a duet with Patti Russo called "Our Love and Our Souls".
At the 2011 AFL Grand Final, the pre-match entertainment was headlined by a 12-minute medley performed by Meat Loaf. The performance was panned as the worst in the 34-year history of AFL Grand Final pre-game entertainment in a multitude of online reviews by football fans and Australian sport commentators. Meat Loaf responded by calling online critics "butt-smellers", and the AFL "jerks", vowing to convince other artists not to play at the event.
In 2011, Meat Loaf planned to release a Christmas album called Hot Holidays featuring Garth Brooks and Reba McEntire, but the album was never released.
In September 2016, Braver Than We Are, a 10-track album created with Jim Steinman, was released. Meat Loaf recorded reworked versions of Steinman's songs "Braver Than We Are", "Speaking in Tongues", "Who Needs the Young", and "More" (previously recorded by the Sisters of Mercy) for the album. Additionally, the song "Prize Fight Lover", originally issued as a download-only bonus track for Hang Cool Teddy Bear, was re-recorded for the album.
Later projects and Jim Steinman's death
In January 2020, during an interview for The Mirror, Meat Loaf announced "I'm not old. I've got songs for another record and I'm reading a script." In a February 2020 Facebook post, Meat Loaf announced his intention to record a new album containing 'four or five new tracks', including Steinman's "What Part of My Body Hurts the Most" (a song long requested by fans, but previously under contract restrictions for the Bat Out of Hell musical), along with the original 1975 demo recordings made for the Bat Out of Hell album. Meat Loaf's longtime collaborator Jim Steinman died on April 19, 2021, of kidney failure.
In a Facebook post in November 2021, he further elaborated that he and his band would be returning to the studio in January 2022 to record seven new songs for a forthcoming album, which would also include live tracks from the 1970s, 1980s, 1990s, and 2000s. However, on January 20, 2022, he died at age 74. At the time of his death, the recording process had not yet begun.
Acting
In addition to his role in 1975 for Rocky Horror Picture Show, Meat Loaf also had a career as an actor in television and film. 1992 he was a main character in Leap Of Faith where he played as the band director/bus driver/piano player, He also played a small role as a doorman/bouncer in Wayne's World. He appeared as the Spice Girls' bus driver in the 1997 movie Spice World and as Red in the 1998 thriller/drama film Black Dog alongside Patrick Swayze and Randy Travis. In David Fincher's 1999 film Fight Club he played Robert Paulsen, a man who joins a men's self-help group. He also reportedly assisted director David Fincher with the editing of the film.
In 2000, he played a character in the sixth-season episode "Gettysburg" of The Outer Limits. Meat Loaf appears (uncredited) as Jack Black's father in the 2006 film Tenacious D in The Pick of Destiny, providing vocals on the film's opening song "Kickapoo".
In 2009, Meat Loaf acted in House (TV Series) S5 E20 "Simple Explanation", playing Eddie - a husband who is determined to die in order to donate his liver to his wife.
On October 26, 2010, Meat Loaf (credited as Meat Loaf Aday) appeared on the Fox television series Glee in "The Rocky Horror Glee Show", the series' tribute episode to The Rocky Horror Picture Show. In 2011, he was a contestant in season 11 of Celebrity Apprentice, during which he was eliminated after task number 12. In the course of the contest he had a notable dramatic showdown with fellow contestant Gary Busey which was then televised.
Personal life
Family and residences
In December 1978, Meat Loaf went to work with Steinman in Woodstock, New York, where his future wife, Leslie G. Edmonds, was working as a secretary at Bearsville Studios; they were married in early 1979. From a previous marriage, Leslie had a daughter named Pearl, who later married Anthrax rhythm guitarist Scott Ian. Meat Loaf adopted Pearl in 1979, and her last name was changed to Aday. Also in 1979, he and his family moved to a house on Eagle Drive in Stamford, Connecticut. In 1981, Leslie gave birth to Amanda Aday, later a television actress. For a brief time after Amanda's birth, they lived in Westport, Connecticut. He coached children's baseball or softball in each of the Connecticut towns where he lived, including for his daughter's team at Joel Barlow High School. He lived on Orchard Drive in Redding, Connecticut, from 1989 to 1998. He had also lived on Beach Road in Fairfield, Connecticut. In February 1998, the family purchased a house in Beverly Hills, California for $1.6 million. Meat Loaf and Leslie divorced in 2001.
In 2001, he sold his 5,083-square-foot house in Mandeville Canyon near Los Angeles to Greg Kinnear for $3.6 million. In 2003, the BBC said that he was seeking a residence in Hartlepool; Meat Loaf supported Hartlepool United F.C. In May 2005, he purchased a 7,142-square-foot Spanish-style home off Mulholland Highway in Calabasas, California, for $2,999,000; he sold it for $3,065,000 in May 2011. He married Deborah Gillespie in 2007. In May 2012, he moved to Austin, Texas, purchasing a newly constructed 5,200-square-foot house at 17701 Flagler Drive for $1,475,000. Before his death, he lived in Brentwood, Tennessee.
Name change
In 1984, Meat Loaf legally changed his first name from Marvin to Michael because he was "haunted" by a Levi Strauss & Co. commercial which—according to him—contained the line “Poor fat Marvin can't wear Levi's.”
Sports
Meat Loaf was a fan of the New York Yankees. He got Phil Rizzuto to recite the play-by-play of a young man racing around the bases in "Paradise by the Dashboard Light". He participated in multiple fantasy baseball leagues every season. He also expressed support for the English Association football team Hartlepool United F.C. In June 2008, he took part in a football penalty shootout competition on behalf of two cancer charities in Newcastle upon Tyne. He auctioned shots to the 100 highest bidders and then took his place between the goal posts. He also participated in celebrity golf tournaments. In April 2005, he was one of the celebrity drivers in the 2005 Toyota Pro/Celebrity Race, finishing seventh among the 12 celebrity drivers in the race.
Social anxiety
He revealed that he had social anxiety and said, "I never meet anybody much in a social situation because when I go into a social situation, I have no idea what to do." He said that he does not "even go anywhere" and that he felt that he led a "boring life", in having said that he "completely freaked" when having to attend a party and that he was "so nervous, so scared" of the idea. He also said that he spent time with fellow musicians mainly in work-related situations rather than social ones. He also said that as a kid, "Being too fat to play with the other children, I had to spend a lot of time alone, which probably has a lot to do with the way I am today. I'm usually alone in my hotel room from right after the show until the next day's sound check. And I'm never bored; I don't get bored. Probably because mothers wouldn't let their kids play with me."
Vegetarianism
Meat Loaf was a vegetarian from 1981 to 1992. Discussing the confusion caused by his contrasting stage name and dietary habits, he once told Entertainment Weekly, "There've been vegetarians who wouldn't speak to me because of my name. I was sitting with Jon Bon Jovi at one of those awards things, and I say, 'Oh, man, I love k.d. lang. I'd really like to meet her.' They went to find out if it was okay, and she goes, 'No. His name is Meat Loaf.' I stopped being a k.d. lang fan after that." He declared in 2019 that he would try veganism for Veganuary in 2020 and would be partnering with UK restaurant chain Frankie & Benny's to promote its vegan options.
Religion
Although he did not belong to any faith-based institution, Meat Loaf was religious. While growing up, he attended church with his mother and studied the Bible, which influenced his work. Several of his songs, such as "40 Days" and "Fall from Grace", have religious themes. He prayed every night.
Politics
Political affiliations
Meat Loaf was not officially registered with any political party. In 1997, he performed at an inaugural ball during the second inauguration of Bill Clinton, and attended the first inauguration of George W. Bush in 2001. He donated to the presidential campaigns of Republican candidates Rick Santorum and John McCain, the latter of whom became the party's nominee in the 2008 United States presidential election.
On October 25, 2012, Meat Loaf endorsed Mitt Romney for president, citing poor Russia–United States relations as a major reason he had been "arguing for Mitt Romney for a year". He said, "I have never been in any political agenda in my life, but I think that in 2012 this is the most important election in the history of the United States." He then said there are "storm clouds" over the United States and "thunder storms" over Europe: "There are hail storms – and I mean major hail storms! – in the Middle East. There are storms brewing through China, through Asia, through everywhere." The same day, he performed "America the Beautiful" standing next to Romney.
In a 2017 interview with Billboard, he made positive remarks about President Donald Trump, Ivanka Trump, and Donald Trump Jr.; they had worked together on The Celebrity Apprentice in 2011. When asked if he would vote for Trump, Meat Loaf said: "I would vote for you. In fact, I'll help you with your campaign." In 2020, however, he said he was not 100% supportive of Trump.
Climate change views
Meat Loaf said that he did not believe in climate change. In an interview with the Daily Mail in 2020, he called Greta Thunberg "brainwashed" due to her views on climate change, saying: "I feel for that Greta. She has been brainwashed into thinking that there is climate change and there isn't. She hasn't done anything wrong but she's been forced into thinking that what she is saying is true.”
Criticism of COVID-19 rules
He was critical of the COVID-19 lockdowns during the COVID-19 pandemic, telling the Pittsburgh Post-Gazette in August 2021: "I hug people in the middle of COVID ... I understood stopping life for a little while, but they cannot continue to stop life because of politics." He opposed mask mandates and described a person who called for people on airplanes to wear masks as a "Nazi" and "power-mad". Meat Loaf then said: "If I die, I die, but I'm not going to be controlled."
Health
In 2003, Meat Loaf was diagnosed with Wolff–Parkinson–White syndrome, a condition marked by an extra electrical pathway in the heart that causes symptoms like a rapid heartbeat. Meat Loaf had asthma and, in July 2011, he fainted on stage while performing in Pittsburgh due to an asthma attack.
He collapsed again while on stage in Edmonton in June 2016 due to severe dehydration, after having already canceled two other shows due to illness. The playback containing his pre-recorded, voice-over vocal track continued while he lay unconscious on the stage, which caused controversy over lip syncing, claims that Meat Loaf denied, saying that his mic was live. After the incident, Meat Loaf used acupuncture, physical therapy and a trainer for four days a week, an hour and a half each session. Meat Loaf had emergency back surgery in November 2016 including a spinal fusion due to a cyst that was pinching nerves, and in 2019, he was using a cane and a wheelchair to get around.
At the 2019 Texas Frightmare Weekend at the Hyatt Regency DFW hotel, Meat Loaf fell off an interview stage and broke his clavicle. Meat Loaf and his wife sued Texas Frightmare Weekend and Hyatt due to the accident.
Death
Meat Loaf died in Nashville, Tennessee, on the evening of January 20, 2022, at the age of 74. No official cause of death was released. He was reportedly ill with COVID-19 earlier in January, and reporting by TMZ suggested that he died from COVID-19 complications. As his health rapidly declined, his two daughters rushed to see him in the hospital with his wife being beside him as he died. His daughter had posted to Instagram in early January that: "We are not sick, but we have too many friends and family testing positive [for COVID-19] right now, positive but doing OK". Notable people who posted tributes include Bonnie Tyler, Cher, Brian May, Boy George, Travis Tritt, Marlee Matlin, Stephen Fry, his Rocky Horror co-star Nell Campbell, and Donald Trump. The Queen's Guard performed a rendition of "I'd Do Anything for Love (But I Won't Do That)".
Discography
Tours
Filmography
Film
Television
Books
Meat Loaf (1999). To Hell and Back: An Autobiography. ReganBooks. ISBN 0-06-039293-2.
See also
List of bestselling music artists
References
External links
Meat Loaf at AllMusic
Meat Loaf at IMDb
Meat Loaf at the Internet Broadway Database |
Levi_Strauss_%26_Co. | https://en.wikipedia.org/wiki/Levi_Strauss_%26_Co. | [
223
] | [
"https://en.wikipedia.org/wiki/Levi_Strauss_%26_Co.#Blue_jeans_era_(1960s%E2%80%931980s)"
] | Levi Strauss & Co. ( LEE-vy STROWSS) is an American clothing company known worldwide for its Levi's ( LEE-vyze) brand of denim jeans. It was founded in May 1853 when German-Jewish immigrant Levi Strauss moved from Buttenheim, Bavaria, to San Francisco, California, to open a West Coast branch of his brothers' New York dry goods business. Although the corporation is registered in Delaware, the company's corporate headquarters is located in Levi's Plaza in San Francisco.
History
Origin and formation (1853–1890s)
German-Jewish immigrant Levi Strauss began business at 90 Sacramento Street in San Francisco, then moved to 62 Sacramento Street. In 1858, the company was listed as Strauss, Levi (David Stern & Lewis Strauss) importers clothing, etc. 63 & 65 Sacramento St. (today, on the current grounds of the 353 Sacramento Street Lobby) in the San Francisco Directory with Strauss serving as its sales manager and his brother-in-law, David Stern, as its manager.
Jacob Davis, a Latvian-Jewish immigrant, was a Reno, Nevada, tailor who frequently purchased bolts of denim cloth from Levi Strauss & Co.'s wholesale house. After one of Davis's customers kept purchasing cloth to reinforce torn pants, he thought of using copper rivets to reinforce points of strain, such as on pocket corners and the base of the button fly. Davis lacked sufficient funds to obtain a patent, so he wrote to Strauss proposing a business partnership. After Strauss accepted Davis's offer, the two men received U.S. patent 139,121 from the United States Patent and Trademark Office on May 20, 1873. The copper rivet was incorporated into the company's jean design and advertisements. Contrary to an advertising campaign suggesting that Levi Strauss sold his first jeans to gold miners during the California Gold Rush (which peaked in 1849), the manufacturing of denim overalls began in the 1870s. In 1890, the rivet patent went into the public domain; the same year, lot numbers were assigned to company products, and "501" was used to designate the famous copper-riveted waist overalls. The company lost its records in the 1906 earthquake and there is no information why that number was chosen.
There are urban legends claiming that the first pair of Levi's jeans were made of hemp, despite being made from cotton by the Amoskeag Manufacturing Company. This misinformation was likely spread by Jack Herer. The first hemp jeans from Levi's were manufactured in March 2019.
Growth in popularity (1910s–1960s)
Modern jeans began to appear in the 1920s, but sales were largely confined to the working people of the western US, such as cowboys, lumberjacks, and railroad workers. Levi's jeans were first introduced to the East during the dude ranch craze of the 1930s, when vacationing Easterners returned home with tales (and usually examples) of the hard-wearing riveted denim pants. Another boost came in World War II when blue jeans were declared an essential commodity and sold only to people engaged in defense work.
Between the 1950s and 1980s, Levi's jeans became popular among a wide range of youth subcultures, including greasers, mods, rockers, and hippies. Levi's popular shrink-to-fit 501s were sold as labeled, sized as manufactured, and had substantial shrinkage upon laundering. Although popular lore (abetted by company marketing) holds that the original design remains unaltered, the crotch rivet, watch pocket rivets, and waist cinch were removed during World War II to conform with War Production Board metal conservation rules and only the watch pocket rivets restored after. Additionally, the back pocket rivets, which had been covered in denim since 1937 to prevent scratching furniture, were removed in the 1950s (and replaced by bar tacks) as they eventually wore through and caused the problem anyway.
Blue jeans era (1960s–1980s)
From the early 1960s through the mid-1970s, Levi Strauss experienced significant business growth as the casual look of the 1960s and 1970s ushered in the "blue jeans craze". Levi's, under the leadership of Walter Haas, Peter Haas Sr., Paul Glasco, and George P. Simpkins Sr., expanded the firm's clothing line by adding new fashions and models, such as "stone-washed" jeans through the acquisition of Great Western Garment Co. (GWG), a Canadian clothing manufacturer, a technique still in use by Levi Strauss. Simpkins is credited with the company's record-paced expansion of its manufacturing capacity from 16 plants to more than 63 in the US – and 23 overseas – from 1964 to 1974.
In the 1980s, the company closed approximately 60 manufacturing plants because of financial difficulties and strong competition.
The Dockers brand, launched in 1986 and sold primarily through department store chains, helped the company grow through the mid-1990s, as denim sales began to wane. Dockers were introduced into Europe in 1996 and led by CEO Jorge Bardina. Levi Strauss attempted to sell the Dockers division in 2004 to relieve part of the company's $2.6 billion outstanding debt.
Brand competition (1990s)
By the 1990s, Levi's faced competition from other brands and cheaper products from overseas and began accelerating the pace of its US factory closures and its use of offshore subcontractors. In 1991, Levi Strauss became implicated in a scandal involving pants made in the Northern Mariana Islands: some 3% of Levi's jeans sold annually with the "Made in the USA" label were shown to have been made by Chinese laborers under what the U.S. Department of Labor called slave-like conditions. As of 2016, only a few of the costlier higher-end styles are made domestically.
Cited for sub-minimum wages, seven-day work weeks with 12-hour shifts, poor living conditions, and other workplace abuses, Tan Holdings Corporation, Levi Strauss' Marianas subcontractor, paid what were then the largest fines in US labor history, distributing more than $9 million in restitution to some 1,200 employees. Levi Strauss claimed no knowledge of the offenses, severed ties to the Tan family, and instituted labor reforms and inspection practices in its offshore facilities.
The activist group Fuerza Unida (United Force) formed following the January 1990 closure of a plant in San Antonio, Texas, in which 1,150 seamstresses – some of whom had worked for Levi Strauss for decades – saw their jobs exported to Costa Rica. During the mid-and late 1990s, Fuerza Unida picketed the Levi Strauss headquarters in San Francisco and staged hunger strikes and sit-ins in protest of the company's labor policies.
The company took on multibillion-dollar debt in February 1996 to help finance a series of private leveraged stock buyouts among family members determined to consolidate the company under their ownership. At the time, shares in Levi Strauss stock were not publicly traded. As of 2016, the firm was owned almost entirely by indirect descendants and collateral relatives of Levi Strauss, whose four nephews inherited the San Francisco dry-goods firm after their uncle died in 1902. The corporation's bonds are traded publicly, as are shares of the company's Japanese affiliate, Levi Strauss Japan K.K.
In June 1996, the company offered to pay its workers an unusual dividend of up to $750 million in six years, having halted an employee-stock plan during the internal family buyout. However, the company failed to make cash-flow targets, and no worker dividends were paid.
The annual sales of the brand increased in 1997 to $7.1 billion.
Later developments (2000–present)
In 2002, Levi Strauss began a close business collaboration with Walmart, producing a line of "Signature" jeans and other clothes for sale only in Walmart stores until 2006.
In 2002, the company closed its Valencia Street plant in San Francisco, which opened in 1906, the year of the city's devastating earthquake. By the end of 2003, the closure of Levi's last U.S. factory in San Antonio ended 150 years of jeans made in the United States. Production of a few higher-end, more expensive styles of jeans resumed in the U.S. several years later.
In 2002, Levi Strauss closed several factories worldwide and took control of GWG's operations. Attempts to make the GWG brand profitable again were unsuccessful, and the Edmonton GWG factory, along with all remaining Levi Strauss factories in North America, closed in 2004.
By 2007, Levi Strauss was again profitable after declining sales in nine of the previous ten years. Its total annual sales of just over $4 billion were $3 billion less than during its peak performance in the mid-1990s. After more than two decades of family ownership, rumors of a possible public stock offering appeared in the media in July 2007.
As of 2007, Levi Strauss leads the apparel industry in trademark infringement cases, filing nearly 100 lawsuits against competitors over six years from 2001. Most cases center on the alleged imitation of Levi's back pocket double arc stitching pattern (U.S. trademark No. 1,139,254), which Levi's filed for a trademark in 1978. Levi's has successfully sued Guess, Polo Ralph Lauren, Esprit Holdings, Zegna, Zumiez, and Lucky Brand Jeans, among other companies.
In 2010, the company partnered with Filson, an outdoor goods manufacturer in Seattle, to produce a high-end line of jackets and workwear.
In 2011, the firm hired Chip Bergh as the president and chief executive of the brand. In that same year, they established more than 20 different waterless manufacturing techniques, reducing the exceptionally high amounts of water used to create denim. Levi's is now the world's most sustainable brand of jeans in terms of water usage.
On May 8, 2013, the NFL's San Francisco 49ers announced that Levi Strauss & Co. had purchased the naming rights to their new stadium in Santa Clara, California. The naming rights deal called for Levi's to pay $220.3 million to the city of Santa Clara and the 49ers over 20 years, with an option to extend the agreement for another five years for around $75 million.
As of 2016, Levi Strauss Signature jeans were sold in 110 countries. In 2016, the company reported revenues of $4.6 billion.
On July 13, 2017, Levi Strauss heir Bill Goldman died in a private plane crash near Sonoma, California.
In 2017, Levi Strauss & Co. released a "smart jacket", an apparel they developed in partnership with Google. After two years of collaboration, the result was a denim jacket set at $350.
In March 2019, Levi's debuted on the New York Stock Exchange under the ticker "LEVI". Levi Strauss was valued at $6.6 billion as its IPO priced above the target.
In September 2019, Levi's won a final judgment on a trademark infringement in Guangzhou, China. The case centered on the "arcuate design on two pockets at the back of jeans", which has been protected in China since its registration there in 2005. The company won damages and costs in addition to a ban on future infringements. The infringer's ignorance of the trademark was no bar to punishment.
In 2019, Levi's became one of only two major clothing companies with commitments in line with the Paris Agreement's goal of limiting global average temperature increase to 1.5 degrees Celsius.
In 2020, Levi Strauss & Co. was expected to have completely replaced chemical usage as well as using lasers to cut, and design ripped parts of jeans. In December 2019, the Engage for Good (formerly Cause Marketing Forum) organization awarded the company the Golden Halo Award for 2020 for their advancements in corporate social impact.
On August 5, 2021, Levi Strauss & Co. announced the acquisition of Beyond Yoga, entering the activewear market. They expect the acquisition will contribute more than $100 million in net revenue per year. It was announced senior executives are to speak with AI expert Blake Van Leer at the LA eCommerce Summit about their digital strategies and AI in 2023. It was announced in January 2023 that Levi would begin accepting old pairs of jeans to recycle into more denim in a campaign to go green. Levi's Autumn/Winter 2023 WellThread capsule aimed to show the brand's engagement to sustainability as it included items made from 100% transitional cotton as well as plant-based natural dyes.
Cultural impact
Levi's have been worn by people of all backgrounds – from miners to actors to Nobel Prize recipients. Marlon Brando and Albert Einstein wore Levi's, and Einstein wore a 1930s-era Levi's leather jacket, which sold at auction house Christie's in July 2016 for £110,500.
Levi's is aggressive in advertising, marketing, and trademark protection. It has used its signature arched stitching on the back pockets of its jeans since 1873. In 1943, the firm trademarked the design in the U.S. and has done so in more than 100 total jurisdictions as of 2019. It has also trademarked various word marks, including "Levi's", "Red Tab", "Orange Tab", "Silvertab", "501", "505", "517", "550", "569": and "Dockers".
During the Cold War, Levi's became a symbol of the west in the Soviet Union. According to historian Kristin Roth-Ey, the association stemmed from the 1957 World Festival of Youth and Students in Moscow: Americans wore Levi's jeans to the event, resulting in widespread interest within the Russian Soviet Federative Socialist Republic that prompted the Soviet government to condemn the brand as a symbol of western decadence. Continued demand for the jeans resulted in both genuine articles and bootlegs becoming commonplace in Soviet black markets, and in 1979, the Soviet government struck deals with Levi's and the VF Corporation to manufacture jeans for consumers in the region; however, this deal fell through due to the 1980 Summer Olympics boycott following the onset of the Soviet–Afghan War.
In 2022, it was reported that a pair of Levi's jeans from the 1880s found in an abandoned mine shaft was sold for $87,400 at an auction in New Mexico. The vintage Levi's bore a label with the inscription "the only kind made by white labor", a detail which helped date the jeans to the period between 1882, which was after the U.S. Congress passed the Chinese Exclusion Act, banning Chinese laborers seeking to immigrate to the U.S., and the 1890s, when the company "reversed [its] policy and company leaders began speaking out against the nation's racist policy".
Corporate structure and staff
Levi Strauss & Co. is a worldwide corporation organized into three geographic divisions: Levi Strauss Americas (LSA), which is headquartered in San Francisco; Levi Strauss Europe (LSE), which is based in Brussels; and Levi Strauss Asia Pacific, Middle East and Africa.
Strauss passed the company to his nephews, the sons of David Stern, upon his death in 1902. Walter A. Haas, who married the daughter of David's fourth son, Sigmund Stern, became president in 1928, and the company remained under the ownership of the Stern-Haas family until first going public in 1971. However, in 1985, the Haas family recaptured ownership of the company, taking it private once again for the next 34 years. In February 2019, the company filed with the U.S. Securities and Exchange Commission for an initial public offering to be traded on the New York Stock Exchange under the ticker symbol LEVI. It was held on March 21, 2019, selling for $17 per share.
The company is also well known for promoting progressive causes. It was one of the earliest private sector institutions to support LGBTQ causes and, during the 2016 presidential campaign, donated $1 million to support immigration and LGBTQ rights. In 2018, CEO Chip Bergh published an op-ed in Fortune magazine, speaking out against gun violence.
However, the company is alleged to make use of Uyghur forced labor provided by the China-based supplier Beijing Guanghua Textile Group from a report by the Helena Kennedy Center for International Justice, the socialists and democrats in the European Parliament. Levi's has disputed these claims.
In the first few months of the COVID-19 pandemic, the company experienced a 62% drop in sales and recorded a $364 million loss. Some 700 office jobs were pared to reduce expenses by $100 million.
Current products
As of 2019, Levi's are made in many developing countries, including Bangladesh, India, Egypt, Sri Lanka, Vietnam, Indonesia, and Mexico. Some top-end styles in the "Levi's Premium" and "Levi's Vintage Clothing" lines are produced in the United States.
In addition to jeans, Levi's sells a full line of shirts, jackets, sweaters, underwear, socks, eyeglasses, accessories, dresses, skirts, and leather products. All jeans and pants are categorized by fit – skinny, slim, straight, bootcut, taper, relaxed, flare, and "big & tall" – identified by trademarked three-digit numbers. The 501, the company's original modern design, is available in styles for both men and women. The rest of the 500 series is designed for men, and the 300, 400, 700, and 800 series for women.
See also
Jean jacket
References
Further reading
Ford, Carin T. (2004). Levi Strauss: The Man Behind Blue Jeans (Famous Inventors). Enslow Publishers. ISBN 0-7660-2249-8.
Van Steenwyk, Elizabeth (1988). Levi Strauss: The Blue Jeans Man. Walker. ISBN 0-8027-6795-8.
Cray, Ed (1978). Levi's: The Shrink to Fit business that stretched to cover the world. Houghton Mifflin. ISBN 0-395-26477-4.
External links
Business data for Levi Strauss & Co.: |
Brazil_national_football_team | https://en.wikipedia.org/wiki/Brazil_national_football_team | [
224
] | [
"https://en.wikipedia.org/wiki/Brazil_national_football_team#FIFA_World_Cup"
] | The Brazil national football team (Portuguese: Seleção Brasileira de Futebol), nicknamed Seleção Canarinho ("Canary Squad", after their bright yellow jersey), represents Brazil in men's international football and is administered by the Brazilian Football Confederation (CBF), the governing body for football in Brazil. They have been a member of FIFA since 1923 and a member of CONMEBOL since 1916.
Brazil is the most successful national team in the FIFA World Cup, being crowned winner five times: 1958, 1962, 1970, 1994 and 2002. The Seleção also has the best overall performance in the World Cup competition, both in proportional and absolute terms, with a record of 76 victories in 114 matches played, 129 goal difference, 247 points, and 19 losses. It is the only national team to have played in all World Cup editions without any absence nor need for playoffs, and the only team to have won the World Cup in four different continents: once in Europe (1958 Sweden), once in South America (1962 Chile), twice in North America (1970 Mexico and 1994 United States), and once in Asia (2002 South Korea/Japan). Brazil was also the most successful team in the now-defunct FIFA Confederations Cup, winning it four times, in 1997, 2005, 2009, and 2013. With the capture of the gold medal at the 2016 Summer Olympics, Brazil has become one of only two countries, the others being France, to have won all men's FIFA 11-player competitions at all age levels.
In ranking standings, Brazil has the highest average football Elo rating, and the fourth all-time peak football Elo rating, established in 2022. In FIFA's ranking system Brazil holds the record for most Team of the Year first ranking wins with 13. Many commentators, experts, and former players have considered the Brazil team of 1970 to be the greatest team of all time. Other Brazilian teams are also highly esteemed and regularly appear listed among the best teams of all time, such as the Brazil teams of 1958–62 and the squads of the 1994–02 period, with honorary mentions for the gifted 1982 side. In 1996, the Brazil national team achieved 35 consecutive matches undefeated, a feat which they held as a world record for 25 years.
Brazil has developed many rivalries through the years, with the most notable ones being with Argentina—known as the Superclássico das Américas in Portuguese, Italy—known as the Clássico Mundial in Portuguese or the World Derby in English, Uruguay—known as the Clássico do Rio Negro, due to the traumatic Maracanazo, and the Netherlands due to several important meetings between the two teams at several World Cups.
History
Early history (1914–1922)
It is generally believed that the inaugural game of the Brazil national football team was a 1914 match between a Rio de Janeiro and São Paulo select team and the English club Exeter City, held in Fluminense's stadium. Brazil won 2–0 with goals by Oswaldo Gomes and Osman, though it is claimed that the match was a 3–3 draw.
In contrast to its future success, the national team's early appearances were not brilliant. Other early matches played during that time include several friendly games against Argentina (being defeated 3–0), Chile (first in 1916) and Uruguay (first on 12 July 1916). However, led by the goalscoring abilities of Arthur Friedenreich, they were victorious at home in the South American Championships in 1919, repeating their victory, also at home, in 1922.
First World Cup and title drought (1930–1949)
In 1930, Brazil played in the first World Cup, held in Uruguay. The squad defeated Bolivia but lost to Yugoslavia, being eliminated from the competition at group stage. They lost in the first round to Spain in 1934 in Italy, but reached the semi-finals in France in 1938, being defeated 2–1 by eventual winners Italy. Brazil were the only South American team to participate in this competition.
The 1949 South American Championship held in Brazil ended a 27-year streak without official titles. The last one was in the 1922 South American Championship, also played on Brazilian soil.
The 1950 Maracanazo
After that, Brazil first achieved international prominence when it hosted the 1950 FIFA World Cup. The team went into the last game of the final round, against Uruguay at Estádio do Maracanã in Rio, needing only a draw to win the World Cup. Uruguay, however, won the match and the Cup in a game known as "the Maracanazo". The match led to a period of national mourning.
For the 1954 World Cup in Switzerland, Brazil was then almost completely renovated, with the team colours changed (to a new design by Aldyr Schlee) from all white to the yellow, blue and green of the national flag, to forget the Maracanazo, but still had a group of star players. Brazil reached the quarter-final, where they were beaten 4–2 by tournament favourites Hungary in one of the ugliest matches in football history, known as the "Battle of Berne".
Pelé and the First Golden Era (1958–1970)
For the 1958 World Cup, Brazil were drawn in a group with England, the USSR and Austria. They beat Austria 3–0 in their first match, then drew 0–0 with England. Before the match, coach Vicente Feola made three substitutions that were crucial for Brazil to defeat the Soviets: Zito, Garrincha and Pelé. From the kick-off, they kept up the pressure relentlessly, and after three minutes, which were later described as "the greatest three minutes in the history of football", Vavá gave Brazil the lead. They won the match by 2–0. Pelé scored the only goal of their quarter-final match against Wales, and they beat France 5–2 in the semi-final. Brazil then beat Sweden 5–2 in the final, winning their first World Cup and becoming the first nation to win a World Cup title outside of its own continent. Pelé described it tearfully as a nation coming of age.
In the 1962 World Cup, Brazil earned its second title with Garrincha as the star player, a mantle and responsibility laid upon him after the regular talisman, Pelé, was injured during the second group match against Czechoslovakia and unable to play for the rest of the tournament.
In the 1966 World Cup, Brazil had their worst performance in a World Cup. The 1966 tournament was remembered for its excessively physical play, and Pelé was one of the players most affected. Against Portugal, several violent tackles by the Portuguese defenders caused forward player Pelé to leave the match and the tournament. Brazil lost this match and was eliminated in the first round of the World Cup for the first time since 1934. They have not failed to reach the knockout stages of the competition since. Brazil became the second nation to be eliminated in the first round while holding the World Cup crown following Italy in 1950. After the 1998, 2002, 2010, 2014 and 2018 World Cups, France, Italy, Spain and Germany were also added to this list. After the tournament, Pelé declared that he did not wish to play in the World Cup again. Nonetheless, he returned in 1970.
Brazil won its third World Cup in Mexico in 1970. It fielded what has been widely considered the best World Cup football squad ever, led by Pelé in his last World Cup finals, captain Carlos Alberto Torres, Jairzinho, Tostão, Gérson and Rivellino. Even though Garrincha had retired, this team was still a force to be reckoned with. They won all six of their games—against Czechoslovakia, England and Romania during group play, and against Peru, Uruguay and Italy in the knockout rounds. Jairzinho was the second top scorer with seven goals, and is the only player to score in every match in a World Cup; Pelé finished with four goals. Brazil lifted the Jules Rimet trophy for the third time (the first nation to do so), which meant that they were allowed to keep it. A replacement was then commissioned, though it would be 24 years before Brazil won it again.
The dry spell (1974–1990)
After the international retirement of Pelé and other stars from the 1970 squad, Brazil was not able to overcome the Netherlands at the 1974 World Cup in West Germany, and finished in fourth place after losing the third place game to Poland.
In the second group stage of the 1978 World Cup, Brazil competed with tournament hosts Argentina for top spot and a place in the finals. In their last group match, Brazil defeated Poland 3–1 to go to the top of the group with a goal difference of +5. Argentina had a goal difference of +2, but in its last group match, it defeated Peru 6–0, and thus qualified for the final in a match accused of ultimately-unproven match fixing. Brazil subsequently beat Italy in the third place play-off, and were the only team to remain unbeaten in the tournament.
At the 1982 World Cup, held in Spain, Brazil were the tournament favorites, and easily moved through the early part of the draw, but a 3–2 defeat in Barcelona to Italy, in a classic World Cup match, eliminated them from the tournament in the match that they refer to as "Sarriá's Tragedy", referencing the stadium's name. The 1982 team, with a midfield of Sócrates, Zico, Falcão and Éder, is remembered as perhaps the greatest team never to win a World Cup.
Several players, including Sócrates and Zico, from 1982 returned to play at the 1986 World Cup in Mexico. Brazil, still a very good team and more disciplined defensively than four years earlier, met the Michel Platini-led France in the quarter-finals in a classic of Total Football. The game played to a 1–1 draw in regulation time, and after a goalless extra time, it all came down to a penalty shoot-out, where Brazil was defeated 4–3.
After a 40-year hiatus, Brazil was victorious in the 1989 Copa América, this being their fourth victory in four tournaments hosted in Brazil. This achievement ended Brazil's 19-year streak without an official championship since the 1970 World Cup.
At the 1990 World Cup in Italy, Brazil was coached by Sebastião Lazaroni, who had been the coach in the 1989 Copa América. With a defensive scheme, whose main symbol was midfielder Dunga, forward Careca and three centre-backs, the team lacked creativity but made it to the second round. Brazil was eliminated by Diego Maradona-led Argentina in the round of 16 in Turin, losing to their South American archrivals 1–0.
The Second Golden Era (1994–2002)
Brazil went 24 years without winning a World Cup or even participating in a final. Their struggles ended at the 1994 tournament in the United States, where a solid side headed by Romário and Bebeto in attack, captain Dunga in midfield, goalkeeper Cláudio Taffarel and defender Jorginho, won the World Cup for a then-record fourth time. Highlights of their campaign included a 1–0 victory over the United States in the round of 16 at Stanford University, a 3–2 win over the Netherlands in the quarter-finals in Dallas, and a 1–0 victory over Sweden in the semi-finals at Pasadena's Rose Bowl. This set up Brazil–Italy in the final in Pasadena. A game played in searing heat which ended as a goalless draw, with Italy's defence led by Franco Baresi keeping out Romário, penalty kicks loomed, and Brazil became champions with Roberto Baggio missing Italy's last penalty. Despite the triumph, the 1994 World Cup winning team is not held in the same high esteem in Brazil as their other World Cup winning teams. FourFourTwo magazine labelled the 1994 team "unloved" in Brazil due to their pragmatic, defensive style over the more typical Brazilian style of attacking flair.
Entering the 1998 World Cup as defending champions, Brazil finished runner-up. Having topped their group and won the next two rounds, Brazil beat the Netherlands on penalties in the semi-final following a 1–1 draw. Player of the tournament Ronaldo scored four goals and made three assists en route to the final. The build up to the final itself was overshadowed by Ronaldo suffering a convulsive fit only hours before kick off. The starting line up without Ronaldo was released to a shocked world media, but after pleading that he felt fine and requested to play, Ronaldo was reinstated by the coach, before giving a below par performance as France, led by Zidane, won 3–0.
Fuelled by the "Three R's" (Ronaldo, Rivaldo and Ronaldinho), Brazil won its fifth championship at the 2002 World Cup, held in South Korea and Japan. Brazil beat all three opponents in group play in South Korea and topped the group. In Brazil's opening game against Turkey, in Ulsan, Rivaldo fell to the ground clutching his face after Turkey's Hakan Ünsal had kicked the ball at his legs. Rivaldo escaped suspension but was fined £5,180 for play-acting, and became the first player ever to be punished in FIFA's crackdown on diving. In their knockout round matches in Japan, Brazil defeated Belgium 2–0 in Kobe in the round of 16. Brazil defeated England 2–1 in the quarter-finals in Shizuoka, with the winning goal coming from an unexpected free-kick by Ronaldinho from 40 yards out. The semi-final was against Turkey in Saitama; Brazil won 1–0. The final was between Germany and Brazil in Yokohama, where Ronaldo scored two goals in Brazil's 2–0 triumph. Ronaldo also won the Golden Shoe as the tournament's leading scorer with 8 goals. Brazil's success saw them receive the Laureus World Sports Award for Team of the Year.
Brazil won the 2004 Copa América, their third win in four competitions since 1997.
Brazil also won the 2005 FIFA Confederations Cup for the second time. Manager Carlos Alberto Parreira built his side through a 4–2–2–2 formation. Nicknamed the "Magic quartet", the attack was built around four players: Ronaldo, Adriano, Kaká and Ronaldinho.
World Cup drought (2006–present)
In the 2006 World Cup, Brazil won their three group games against Croatia (1–0), Australia (2–0) and Japan (4–1). Ronaldo scored twice and equalled the record for the most goals scored across all World Cups. In the round of 16, Brazil beat Ghana 3–0. Ronaldo's goal was his 15th in World Cup history, breaking the record. Brazil, however, were eliminated in the quarter-finals against France, losing 1–0 to a Thierry Henry goal.
Dunga was appointed as Brazil's new team manager in 2006. Brazil then won the 2007 Copa América. Two years later, Brazil won the 2009 FIFA Confederations Cup, defeating the U.S. 3–2 in the final, to seal their third Confederations Cup title.
At the 2010 World Cup in South Africa, Brazil won their first two matches against North Korea (2–1) and the Ivory Coast (3–1), respectively. Their last match, against Portugal, ended in a 0–0 draw. They faced Chile in the round of 16, winning 3–0, although in the quarter-final they fell to the Netherlands 2–1.
In July 2010, Mano Menezes was named as Brazil's new coach. At the 2011 Copa América, Brazil lost against Paraguay and was eliminated in the quarter-finals. In November 2012, coach Mano Menezes was sacked and replaced by Luiz Felipe Scolari.
On 6 June 2013, Brazil was ranked 22nd in the FIFA ranking, their lowest-ever rank. At the 2013 Confederations Cup, Brazil defended their title, beating Spain in the final, winning 3–0 and sealing their fourth Confederations Cup title.
2014 FIFA World Cup
In the opening match of the 2014 World Cup against Croatia, two goals from Neymar and one from Oscar saw the Seleção off to a winning start in their first World Cup on home soil in 64 years. The team then drew with Mexico, before confirming qualification to the knockout stage by defeating Cameroon 4–1. Brazil faced Chile in the round of 16, needing penalties to prevail to the next round following a 1–1 draw.
The team again faced South American opposition in the quarter-final, defeating Colombia 2–1. However, late in the match, Neymar was stretchered off after suffering a fractured vertebra, ruling him out for the remainder of the tournament.
The Seleção went on to lose 7–1 to the Germans – their biggest ever defeat at the World Cup and first home loss in a competitive match since 1975. The match has been nicknamed the Mineirazo, making reference to the nation's previous World Cup defeat on home soil, the Maracanazo against Uruguay in 1950, and the Estádio do Mineirão where the match took place. Brazil subsequently lost 3–0 to the Netherlands in the third-place play-off match. Following the tournament, Scolari announced his resignation.
Return of Dunga (2014–2016)
On 22 July 2014, Dunga was announced as the new manager of Brazil, returning to the position for the first time since the team's exit at the 2010 World Cup.
At the 2015 Copa América, Brazil finished first in Group C to advance to the knockout stages. However, they were eliminated in the next round, losing on penalties to Paraguay.
At the 2016 Copa América Centenario, Brazil began the tournament with a goalless draw with Ecuador before beating Haiti 7–1 in the next match. Needing only a draw to progress to the knockout stage of the tournament, Brazil suffered a controversial 1–0 loss to Peru, with Raúl Ruidíaz scoring in the 75th minute. This defeat saw Brazil eliminated from the tournament in the group stage for the first time since 1987.
2016–present
On 14 June 2016, Tite replaced Dunga as manager of Brazil. At the 2018 FIFA World Cup, Brazil finished top of their group. After defeating Mexico in the round of 16, Brazil were eliminated in the quarter-finals by Belgium, losing 2–1. Despite elimination from the tournament, Tite remained as head coach ahead of the 2019 Copa América held on home soil. He would lead Brazil to their first Copa América title since 2007. After beating rivals Argentina 2–0 in the semi-finals, Brazil beat Peru in the final to win their ninth Copa América title.
At the 2021 Copa América, Brazil reached the final match again, but this time they were defeated by Argentina 1-0 in the Maracana Stadium.
At the 2022 World Cup, Brazil finished first in their group. The team then faced South Korea in the round of 16, winning with a 3-goal margin, and progressed to the quarter-finals where they eventually lost 4–2 on penalties to Croatia. Following their exit from the World Cup, Tite resigned as head coach.
At the 2024 Copa América, Brazil were eliminated on penalties by Uruguay in the quarter-finals following a 0–0 draw.
Team image
Uniforms
Brazil's first team colors were white with blue collars, but following the defeat at Maracanã in the 1950 World Cup, the colors were criticized for lacking patriotism. With permission from the Brazilian Sports Confederation, the newspaper Correio da Manhã held a competition to design a new kit incorporating the four colors of the Brazilian flag. The winning design was a yellow jersey with green trim and blue shorts with white trim drawn by Aldyr Garcia Schlee, a nineteen-year-old from Pelotas. The new colors were first used in March 1954 in a match against Chile, and have been used ever since. Topper were the manufacturers of Brazil's kit up to and including the match against Wales on 11 September 1991; Umbro took over before the next match, versus Yugoslavia in October 1991. Nike began making Brazil kits in late 1996, in time for the 1997 Copa América and the 1998 World Cup.
The use of blue and white as the second kit colors owes its origins to the defunct latter-day Portuguese monarchy and dates from the 1930s, but it became the permanent second choice accidentally in the 1958 World Cup Final. Brazil's opponents were Sweden, who also wore yellow, and a draw gave the home team, Sweden, the right to play in yellow. Brazil, who traveled with no second kit, hurriedly purchased a set of blue shirts and sewed the badges taken from their yellow shirts on them.
Kit sponsorship
Nicknames
The Brazil national team is known by different names in various parts of the world. Nicknames for the squad in Brazil include:
Canarinho, meaning 'Little Canary', a reference to a species of bird commonly found in Brazil that has a vivid yellow color, this phrase was popularized by the late cartoonist Fernando "Mangabeira" Pieruccetti during the 1950 World Cup despite the team not wearing the color yet back then
Amarelinha (Little Yellow One)
Seleção (The National Squad)
Verde-amarela (The Green and Yellow)
Pentacampeão (Five-time Champions)
Esquadrão de Ouro (The Golden Squad)
Some Latin American commentators often refer to the Brazil team as El Scratch (The Scratch), among others. In 2022 FIFA World Cup, FIFA's YouTube channel referred to the team as Samba Boys.
Training camp
Brazil's training camp is the Granja Comary in Teresópolis, located 90 km (56 mi) from Rio de Janeiro. Granja Comary was opened in 1987, and underwent significant renovations in 2013 and 2014.
Results and fixtures
The following is a list of match results in the last 12 months, as well as any future matches that have been scheduled.
Win
Draw
Loss
Fixture
2023
2024
2025
Coaching staff
Players
Current squad
The following 23 players were called up for the 2026 FIFA World Cup qualification against Chile and Peru on 10 and 15 October 2024, respectively.
Caps and goals are correct as of 10 September 2024, after the match against Paraguay.
Recent call-ups
The following players have also been called up to the Brazil squad in the last twelve months.
Individual records
As of 12 October 2023.
Players in bold are still active with Brazil.
Most capped players
Top goalscorers
Other records
Youngest goalscorer
Pelé (16 years and nine months) vs. Argentina, 7 July 1957
Oldest goalscorer
Romário (39 years and two months) vs. Guatemala, 27 April 2005
Most goals scored in a single match
Evaristo (5 goals) vs. Colombia, 24 March 1957
First goal scored
Oswaldo Gomes vs. Exeter City FC, 21 July 1914 (unofficial game)
Rubens Salles vs. Argentina, 27 September 1914 (official game)
Most clean sheets
Cláudio Taffarel (52 matches)
Most matches as a captain
Cafu (66 matches)
Most yellow cards received
Neymar (31 yellow cards)
Most red cards received
Dunga and Éder Aleixo (3 red cards each)
Manager records
Mário Zagallo became the first person to win the FIFA World Cup both as a player (1958 and 1962) and as a manager (1970). In 1970, when he was of age 38, he won the FIFA World Cup which made him the second youngest coach to win the FIFA World Cup. While still in Brazil as an assistant coach, the team won the 1994 FIFA World Cup.
Competitive record
Champions Runners-up Third place Fourth place Tournament played fully or partially on home soil
FIFA World Cup
Brazil has qualified for every FIFA World Cup they entered, never requiring a qualifying play-off. With five titles, they have won the tournament on more occasions than any other national team.
*Draws include knockout matches decided via penalty shoot-out.
Copa América
FIFA Confederations Cup
Olympic Games
Head-to-head record
Below is a result summary of all matches Brazil have played against FIFA recognized teams.
Updated to 10 September 2024, after the match against Paraguay.
Positive Record
Neutral Record
Negative Record
Matches against non-FIFA and clubs
Honours
Major competitions
Worldwide
FIFA World Cup
Champions (5): 1958, 1962, 1970, 1994, 2002
Runners-up (2): 1950, 1998
Third place (2): 1938, 1978
FIFA Confederations Cup
Champions (4): 1997, 2005, 2009, 2013
Runners-up (1): 1999
Olympic Games
Silver medal (2): 1984, 1988
Continental
South American Championship / Copa América
Champions (9): 1919, 1922, 1949, 1989, 1997, 1999, 2004, 2007, 2019
Runners-up (12): 1921, 1925, 1937, 1945, 1946, 1953, 1957, 1959 (Argentina), 1983, 1991, 1995, 2021
Third place (7): 1916, 1917, 1920, 1942, 1959 (Ecuador), 1975, 1979
Panamerican Championship
Champions (2): 1952, 1956
Runners-up (1): 1960
CONCACAF Gold Cup
Runners-up (2): 1996, 2003
Third place (1): 1998
Friendly
Roca Cup (vs Argentina)
Winners (8): 1914, 1922, 1945, 1957, 1960, 1963, 1971 (shared), 1976
Superclásico de las Américas (vs Argentina)
Winners (4): 2011, 2012, 2014, 2018
Copa Confraternidad (vs Argentina)
Winners: 1923
Copa 50imo Aniversario de Clarín (vs Argentina)
Winners: 1995
Copa Río Branco (vs Uruguay)
Winners (7): 1931, 1932, 1947, 1950, 1967 (shared), 1968, 1976
Copa Rodrigues Alves (vs Paraguay)
Winners (2): 1922, 1923
Taça Oswaldo Cruz (vs Paraguay)
Winners (8): 1950, 1955, 1956, 1958, 1961, 1962, 1968, 1976
Copa Bernardo O'Higgins (vs Chile)
Winners (4): 1955, 1959, 1961, 1966 (shared)
Copa Teixeira (vs Chile)
Winners: 1990 (shared)
Taça Jorge Chavéz / Santos Dumont (vs Peru)
Winners: 1968
Taça Interventor Federal (vs EC Bahia)
Winners: 1934
Taça Dois de Julho (vs Bahia XI)
Winners: 1934
Copa Emílio Garrastazú Médici (vs Mexico)
Winners: 1970
Taça Independência
Winners: 1972
Taça do Atlântico
Winners (3): 1956, 1970, 1976
U.S.A. Bicentennial Cup Tournament
Winners: 1976
Taça Centenário Jornal O Fluminense (vs Rio de Janeiro XI)
Winners: 1978
Saudi Crown Prince Trophy (vs Al Ahli Saudi FC)
Winners: 1978
Rous Cup
Winners: 1987
Australia Bicentenary Gold Cup
Winners: 1988
Amistad Cup
Winners: 1992
Umbro Cup
Winners: 1995
Nelson Mandela Challenge
Winners: 1996
Lunar New Year Cup
Winners: 2005
Kirin Challenge Cup
Winners: 2022
Awards
FIFA Team of the Year
Winners (13): 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2002, 2003, 2004, 2005, 2006, 2022
World Soccer Team of the Year
Winners (2): 1982, 2002
Laureus World Team of the Year
Winners: 2003
Gazzetta Sports World Team of the Year
Winners (2): 1994, 2002
FIFA World Cup Fair Play Trophy
Winners (4): 1982, 1986, 1994, 2006
FIFA Confederations Cup Fair Play Trophy
Winners (2): 1999, 2009
Copa América Fair Play Trophy
Winners (2): 2019, 2021
Chronology of titles
Summary
See also
Brazil national football team results (2010–present)
Brazil national under-23 football team
Brazil national under-20 football team
Brazil national under-17 football team
Brazil national futsal team
Brazil national beach soccer team
Brazilian football songs
List of Brazil national football team managers
Pra Frente Brasil
References
Sources
Ruy Castro (2005). Garrincha – The triumph and tragedy of Brazil's forgotten footballing hero. Translated by Andrew Downie. London: Yellow Jersey Press. ISBN 0-224-06433-9.
Ivan Soter (2015). Enciclopédia da Seleção: 100 anos de seleção brasileira de futebol. Rio de Janeiro: Folha Seca. ISBN 978-85-87199-29-4.
External links
Official website (in Portuguese)
Brazil FIFA profile
Brazil CONMEBOL profile
Brazilian Football – Guide to Football in Brazil
RSSSF Brazil
All about Brazilian Football – Sambafoot.com |
Blink-182 | https://en.wikipedia.org/wiki/Blink-182 | [
224
] | [
"https://en.wikipedia.org/wiki/Blink-182#Tours"
] | Blink-182 is an American rock band formed in 1992 in Poway, California. Their current and best-known line-up consists of bassist and vocalist Mark Hoppus, guitarist and vocalist Tom DeLonge, and drummer Travis Barker. Though their sound has diversified throughout their career, their musical style, described as pop-punk, blends catchy pop melodies with fast-paced punk rock. Their lyrics primarily focus on relationships, adolescent frustration, and maturity—or lack thereof. The group emerged from a suburban, Southern California skate punk scene and first gained notoriety for high-energy live shows and irreverent humour.
The band's debut studio album, Cheshire Cat, was released in 1994. Their second studio album, Dude Ranch, came out in 1997. After years of independent recording and touring, including stints on the Warped Tour, the group signed to MCA Records. Their third and fourth albums—Enema of the State (1999) and Take Off Your Pants and Jacket (2001)—reached their furthest commercial success while their singles, "All the Small Things", "Dammit" and "What's My Age Again?" became hit songs and MTV staples. Later efforts, including an untitled album (2003), Neighborhoods (2011), and an EP Dogs Eating Dogs (2012), marked stylistic shifts. Hoppus is the only member to remain in the band throughout its entire history. DeLonge left the group twice, both times a decade apart, before returning once more. Founding drummer Scott Raynor recorded and toured with the group before being dismissed in 1998, thereafter being replaced by Barker. During DeLonge's absence from 2015 to 2022, the band included Alkaline Trio singer and guitarist Matt Skiba, with whom they recorded two albums, California (2016), and Nine (2019), and toured in support of both. Their ninth album, One More Time..., was released on October 20, 2023.
Blink-182's straightforward approach and simple arrangements, which helped initiate pop-punk's second mainstream rise, made them popular among generations of audiences. Worldwide, the group has sold 50 million albums and moved 15.3 million copies in the U.S.
History
Formation and initial years (1992–1994)
Blink-182, originally named only Blink, was formed in August 1992 in Poway, California, a northern suburb of San Diego. Guitarist Tom DeLonge was expelled from Poway High School for being drunk at a basketball game and was forced to attend another school, Rancho Bernardo High School, for one semester. There, he performed at a Battle of the Bands competition, where he was introduced to drummer Scott Raynor. He also befriended Kerry Key, who was also interested in punk rock music. Key was dating Anne Hoppus, sister of bassist Mark Hoppus, who had recently moved from Ridgecrest, California, to work at a record store and attend college. Both Hoppus and DeLonge grew up listening to punk rock music, with both particularly enamoured by the Descendents. Southern California had a large punk population in the early 1990s, aided by an active surfing, skating, and snowboarding scene. In contrast to East Coast punk music, the West Coast wave of groups typically introduced more melodic aspects. "New York is gloomy, dark and cold. It makes different music. The Californian middle-class suburbs have nothing to be that bummed about," said DeLonge.
Anne introduced her brother to DeLonge on August 2, 1992. The pair instantly connected and played for hours in DeLonge's garage, exchanging lyrics and co-writing songs—one of which became fan favorite "Carousel". Hoppus, hoping to impress DeLonge, fell from a lamppost in front of DeLonge's home and cracked his ankles, putting him on crutches for three weeks. The trio began to practice together in Raynor's bedroom, spending time writing music, seeing movies and punk concerts, and playing practical jokes. The trio first operated under a variety of names, including Duck Tape and Figure 8, until DeLonge rechristened the band "Blink". Hoppus' girlfriend of the time was annoyed by his constant attention to the band, and demanded he make a choice between the band and her, which resulted in Hoppus leaving the band not long after its formation. Shortly thereafter, DeLonge and Raynor borrowed a four-track recorder from friend and collaborator Cam Jones and were preparing to record a demo tape, with Jones on bass. Hoppus promptly broke up with his girlfriend and returned to the band. Flyswatter—a combination of original songs and punk covers—was recorded in Raynor's bedroom in May 1993.
The band began booking shows, and were on stage nearly every weekend, even at Elks Lodges and YMCA centres. DeLonge constantly called clubs in San Diego asking for a spot to play, as well as local high schools, convincing them that Blink was a "motivational band with a strong antidrug message" in hopes to play at an assembly or lunch. San Diego at this time was "hardly a hotbed of [musical] activity", according to journalist Joe Shooman and the band's popularity grew as did punk rock concurrently in the mainstream. They quickly became part of a circuit that also included bands such as Ten Foot Pole and Unwritten Law, and Blink soon found its way onto the bill as the opening band for acts performing at Soma, a local all-ages venue. "The biggest dreams we ever had when we started was to [headline] a show at Soma", Hoppus said later. Meanwhile, Hoppus' manager at the record store, Patrick Secor, fronted the group money to properly record another demo at a local studio Doubletime. The result was Buddha (1994), which the members of the band viewed as the band's first legitimate release. That year, however, Raynor's family relocated to Reno, Nevada, and he was briefly replaced by musician Mike Krull. The band saved money and began flying Raynor out to shows, and he eventually moved back and in with Hoppus in mid-1995. During that time, the band would record its first album, first music video, and develop a larger following.
Early releases and touring (1995–1998)
The heart of the local independent music scene was Cargo Records, which offered to sign the band on a "trial basis," with help from O, guitarist for local punk band Fluf, and Brahm Goodis, a friend of the band whose father was president of the label. Hoppus was the only member to sign the contract, as DeLonge was at work at the time and Raynor was still a minor. The band recorded their debut album—Cheshire Cat, released in February 1995—in three days at Westbeach Recorders in Los Angeles, fueled by both new songs and re-recordings of songs from previous demos. "M+M's", the band's first single, garnered local radio airplay from 91X, and Cargo offered the band a small budget to film a music video for it. Meanwhile, the record also drew the attention of Irish band Blink. Unwilling to engage in a legal battle, the band agreed to change their name. Cargo gave the band a week, but the trio put off the decision for more than two afterward. Eventually, Cargo called the trio, demanding that they "change the name or [we'll] change it for you," after which the band decided on a random number, 182.
The band soon hired a manager, Rick DeVoe, who had worked with larger bands such as NOFX, Pennywise and The Offspring. In addition, the group drew the attention of Rick and Jean Bonde of the Tahoe booking agency, who were responsible for "spreading the name of the band far and wide." In late 1995, the trio embarked on their first national tour, promoting the surf video Good Times with Unwritten Law, Sprung Monkey and 7 Seconds. Good Times was directed by filmmaker Taylor Steele, who was a friend of DeVoe. In preparation for the trek, the band members purchased their own tour van, which they nicknamed the Millennium Falcon. The Good Times tour extended outside the States with a leg in Australia; the trio were financially unable to go, but Pennywise's members paid for their plane tickets. Fletcher Dragge, guitarist of Pennywise, believed in the band strongly. He demanded that Kevin Lyman, founder of the traveling rock-based Warped Tour, sign the band for its 1996 iteration, predicting they would become "gigantic." That year, the band toured heavily, with several domestic shows on and off the Warped Tour, trips to Canada and Japan, and more Australian dates. Australia was particularly receptive to the band and their humorous stage antics, which gained the band a reputation, but also made them ostracized and considered a joke.
By March 1996, the trio began to accumulate a genuine buzz among major labels, resulting in a bidding war between Interscope, MCA and Epitaph. MCA promised the group complete artistic freedom and ultimately signed the band, but Raynor held a great affinity for Epitaph and began to feel half-invested in the band when they chose MCA. The group, discouraged by Cargo's lack of distribution and faith in the group, held no qualms about signing to a major label but were fiercely criticized in the punk community. After nonstop touring, the trio began recording their follow-up LP, Dude Ranch, over the period of a month in late 1996 with producer Mark Trombino. The record was released the following June, and the band headed out on the 1997 Warped Tour. "Dammit", the album's second single, received heavy airplay on modern rock stations. Dude Ranch shipped gold by 1998, but an exhaustive touring schedule brought tensions among the trio. Raynor had been drinking heavily to offset personal issues, and he was fired by DeLonge and Hoppus in mid-1998 despite agreeing to attend rehab and quit drinking. Travis Barker, drummer for tour-mate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show. By July, he joined the band full-time and later that year, the band entered the studio with producer Jerry Finn to begin work on their third album.
Mainstream breakthrough and continued success (1999–2004)
At the onset of the millennium, the band became one of the biggest international rock acts with the release of their third album, the fast-paced, melodic Enema of the State (1999). It became an enormous worldwide success, moving over fifteen million copies. Singles "What's My Age Again?", "All the Small Things", and "Adam's Song" became radio staples, with their music videos and relationship with MTV cementing their stardom. It marked the beginning of their friendship with producer Jerry Finn, a key architect of their "polished" pop-punk rhythm; according to journalist James Montgomery, writing for MTV News, the veteran engineer "served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound." This style and sound made for an extensive impact on pop punk, igniting a new wave of the genre.
It became a transitionary time for the group, adjusting to larger venues than before, including amphitheaters, arenas, and stadiums. At the beginning of the album's promotional cycle, the trio were driving from show to show in a van with a trailer attached for merchandise and equipment; by its end, they were flying on private jets. Hoppus recalled that "we had gone from playing small clubs and sleeping on people's floors to headlining amphitheaters and staying in five-star hotels." In the public eye, Blink became known for their juvenile antics, including running around nude; the band made a cameo appearance in the similarly bawdy comedy American Pie (1999). This goofy branding, encompassing video documentaries and merchandise, "made fans feel like members of their extended social circle," according to music critic Kelefa Sanneh. While grateful for their success—which the trio parlayed into various business ventures, like Famous Stars and Straps, Atticus Clothing and Macbeth Footwear—they gradually became unhappy with their public image. In one instance, the European arm of UMG had taken photos shot lampooning boy bands and distributed them at face value, making their basis for parody appear thin.
In response, a conscious effort was made to make the trio appear more authentic with their next album—the comically titled Take Off Your Pants and Jacket (2001). It became the first punk rock album to reach number one in the U.S., and spawned the singles "The Rock Show", "Stay Together for the Kids" and "First Date". The band supported the LP with the Pop Disaster Tour, a series of co-headlining dates with Green Day. The relentless pace began to wear on the group: they felt rushed into making a follow-up album, with the record label reportedly penalizing the group if they did not "make their quarterly revenue statements." Meanwhile, with time off from touring, DeLonge felt a desire to broaden his musical palette. He channelled his chronic back pain and resulting frustration into Box Car Racer (2002), a project emulating post-hardcore influences. Finn naturally returned to produce, and DeLonge invited Barker to record drums—making Hoppus the odd man out. It marked a major rift in their friendship: while DeLonge claimed he was not intentionally omitted, Hoppus nonetheless felt betrayed. With A&R representatives from MCA eager to market a new band by the guitarist, Box Car Racer quickly evolved into a full-fledged side project, launching two national tours throughout 2002. Barker also extended his love of hip-hop into the rap rock outfit Transplants, a collaboration with Rancid's Tim Armstrong.
The band regrouped in 2003 to record its fifth studio album, infusing experimentalist elements into its usual pop-punk sound, inspired by lifestyle changes: all three band members became fathers before the album was released. The new Blink-182 album—its front cover emblazoned with a "smiley face" logo—was released in November 2003 through Geffen Records, which absorbed sister label MCA earlier that year. Critics generally complimented the new, more emo direction taken for the album and its lead singles "Feeling This" and "I Miss You" were well received. The global touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Persian Gulf during the first year of the Iraq War. The band came to regard this period as a "huge turning point" in their career, marking a change in the way they write and record music, as well as view themselves. As the aughts wore on however, unresolved tensions within the trio—stemming from the gruelling schedule, Box Car Racer, and DeLonge's desire to spend more time with his family—started to become evident.
Hiatus, side projects, and Barker's plane crash (2005–2008)
In February 2005, a press statement announced the band's "indefinite hiatus"; the band had broken up after members' arguments regarding their future and recording process. DeLonge felt increasingly conflicted both about his creative freedom within the group and the toll touring was taking on his family life. He expressed his desire to take a half-year respite from touring; Hoppus and Barker felt that was overly long. Rehearsals for a benefit concert grew contentious, rooted in the trio's increasing bitterness toward one another; DeLonge considered his bandmates' priorities incompatible, coming to the conclusion that they had simply grown apart. Instead, DeLonge founded Angels & Airwaves, both a band and "multimedia project" composed of albums, films, and interactive services. Hoppus and Barker made one album with their next outfit, +44. Barker remained particularly famous; his rocky relationship with former Miss USA Shanna Moakler, chronicled in his MTV reality series Meet the Barkers, made them tabloid favorites.
The band members did not speak from their breakup until 2008. That August, former producer and mentor Jerry Finn suffered a cerebral hemorrhage and died. The following month, Barker and collaborator Adam Goldstein were involved in a plane crash that killed four people, leaving them the only two survivors. Barker sustained second and third degree burns and developed post-traumatic stress disorder, and the accident resulted in sixteen surgeries and multiple blood transfusions. Goldstein's injuries were less severe, but less than a year later, he died from a drug overdose. Barker's brush with death prompted him, DeLonge and Hoppus to meet that October, laying the grounds for the band's reunion. The three opened up, discussing the events of the hiatus and their break-up, and DeLonge was the first to approach the subject of reuniting. Hoppus remembered: "I remember [Tom] said, 'So, what do you guys think? Where are your heads at?' And I said, 'I think we should continue with what we've been doing for the past 17 years. I think we should get back on the road and back in the studio and do what we love doing.'"
Reunion (2009–2014)
After five years apart, the band appeared on stage together as presenters at the February 2009 Grammy Awards, and announced their reunion. The trio embarked on successful a reunion tour of North America from July to October 2009, with a European trek following from August to September 2010. Barker, suffering from a fear of flying after his accident, travelled via bus domestically and in Canada, and by an ocean liner for overseas dates. The recording process for Neighborhoods (2011), the band's sixth studio album, was stalled by its studio autonomy, tours, managers, and personal projects. DeLonge recorded at his studio in San Diego while Hoppus and Barker recorded in Los Angeles—an extension of their strained communication. The self-produced album—their first without Jerry Finn since Enema of the State—was released in September 2011 and peaked at number two on the Billboard 200; its singles, "Up All Night" and "After Midnight", only attracted modest chart success. Pop punk was in a period of diminished commercial relevance, and label Interscope—now their home after a series of corporate mergers—was reportedly disappointed with album sales.
The band continued to tour in the early 2010s, "despite growing evidence of remaining friction" between the members, according to AllMusic biographer John Bush. They headlined the 10th Annual Honda Civic Tour in North America in 2011 with My Chemical Romance, and launched a 20th Anniversary Tour the next year. For that tour, the band played in Europe twice, North America, and Australia; drummer Brooks Wackerman filled-in for Barker, as he was not yet ready to fly. Additionally, the trio pursued a tenth anniversary celebration of Blink-182 with a series of shows, and played the Reading and Leeds Festivals; it was the band's fourth appearance at the festival and second headlining slot. The band also parted ways with long-time label UMG, self-releasing their next project, Dogs Eating Dogs, an EP. DeLonge's final performance with the group was at the Wine Amplified Festival in Las Vegas, Nevada, on October 11, 2014.
This initial reunion of the band has been characterized as dysfunctional by both Barker and DeLonge. Hoppus commented on this era of the band in a later interview: "Everything was always very contentious. There was always just a strange vibe. [...] I knew there was something wrong." In his memoir, Can I Say, Barker claims DeLonge's behavior on tour was "introverted" until "money started coming in," after which "he'd get excited about Blink." He states DeLonge abruptly quit sometime in mid-2014, and re-joined the following day.
DeLonge's second exit and Matt Skiba era (2015–2021)
The group planned to begin writing their seventh album in January 2015, which had continually seen delays. "I'd do interviews and I just felt awful for fans because they were promised albums for years and we couldn't do it," Barker later said. A record deal with independent service BMG was finalized and sessions were booked before DeLonge's manager informed the band he intended to spend more time on "non-musical activities" and indefinitely depart from the group. In his own statement, DeLonge remarked that he "Never planned on quitting, [I] just find it hard as hell to commit." For the rest of the 2010s, DeLonge focused on his company To the Stars... Academy of Arts & Sciences full-time, devoted to investigating UFOs.
Hoppus and Barker decided to continue on without DeLonge, and enlisted Alkaline Trio vocalist/guitarist Matt Skiba to "fill in" for three shows in March 2015. Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role. After legal battles with DeLonge were worked out, Skiba joined Blink-182 as an official member and began preparations for new music. The resulting album, California, was produced by John Feldmann, the group's first new producer since long-time collaborator Jerry Finn. Upon its July 2016 release though BMG, California became the band's second number-one album on the Billboard 200, and first in 15 years; it also topped the charts for the first time in the United Kingdom. Its lead single, "Bored to Death", became their biggest hit in years, marking their third domestic chart-topper on the Alternative Songs chart. Both the single and album became their first gold-certified releases in over a decade, with the LP earning the band their first Grammy Award nomination. The band supported the album with a large headlining tour across North America between July and October 2016, and a European leg in June and July 2017. A double-disc deluxe edition of California was issued in 2017.
During these years, the band was active in collaborating with a variety of outside artists, sometimes without Skiba's involvement; the group jointly issued singles with XXXTentacion, Lil Wayne, Goody Grace, Steve Aoki, Powfu, Oliver Tree, and the Chainsmokers. The trio moved back to a major label, Columbia, for their eighth studio effort, Nine (2019). While Nine builds upon their partnership with Feldmann, it also utilizes additional outside producers and songwriters. Musically, the LP augments the band's pop punk sound with hip hop-inspired programming, as well as electronics. The promotional cycle for NINE was stunted by the onset of the global COVID-19 pandemic in 2020; a planned tour with the Used was shelved, with live concerts considered unsafe. The band responded with the release of "Quarantine", though the track–credited only to Barker, Hoppus, and other songwriters–raised questions about Skiba's continued involvement in the band. A partially-completed EP did not see release, and the band's last performance with Skiba, a pre-pandemic gig at iHeartRadio's 2020 ALTer EGO, took place in Los Angeles on January 18, 2020.
Hoppus' cancer battle and DeLonge's second return (2022–present)
As the band entered its fourth decade, a series of events prompted a change in the band's direction. Barker—experiencing a renewed spotlight due to his marriage to Kourtney Kardashian— helped re-ignite a rise in pop-punk's mainstream viability, and also overcame his long-held fear of flying. During this time, DeLonge began to repair his relationship with Barker, with the two frequently discussing when he could return to the band. Hoppus on the other hand still held some grievances against DeLonge, and while Barker would discuss DeLonge's return to the band with him, he was still uncertain. That same year, Hoppus was diagnosed with a deadly lymphoma; he underwent extensive chemotherapy and emerged cancer-free by late 2021. His diagnosis prompted DeLonge to re-convene with him again and overcome old disputes. Barker felt that the band having successfully toured and made albums in DeLonge's absence established themselves; he termed it a "wake-up call" for DeLonge. Likewise, Barker's renewed ability to travel by air opened possibilities to tour in areas the band had never, namely Latin America. With restored friendship and focus, the three tentatively began recording in secret in early 2022. Skiba quietly stepped aside with poise for DeLonge to reclaim his spot, maintaining he was happy for his time in the band.
The band announced DeLonge's return in October 2022, as well as a large world tour. News of DeLonge's imminent return had swirled in fan communities for months. A new single, "Edging", accompanied the announcement, which became their fourth number one on Billboard's Alternative Airplay, and the band's highest-charting single on the all-genre Hot 100 in eighteen years. The band returned to the stage with a surprise appearance at Coachella in April 2023, their first performance with DeLonge in nine years. The North American leg of the World Tour began mid-year, and became their best-performing outing yet, grossing over $85 million; a European tour commenced in September. The band continued to perform throughout 2024, with the band mounting their first tour of Australia in over a decade, and first-ever South American shows as a part of Lollapalooza in Chile, Argentina, and Brazil. They undertook a second North American leg alongside Pierce the Veil midway through the year, and headlined Reading and Leeds in the U.K. in August, marking the tenth anniversary since their last time headlining. These tours marked the first time the group were able to upgrade to stadiums.
The band's ninth studio album, One More Time..., was released in October 2023, and became the band's third number-one album on the Billboard 200 in the U.S., reaching the top five in a dozen other countries. The LP received largely favorable responses from music critics, with most celebrating the band's back-to-basics approach. The album's title track became the band's longest-running number one single on the Alternative Airplay chart domestically. A deluxe edition of One More Time called One More Time... Part-2 was released on September 6, 2024.
In August 2024, DeLonge stated that while they intended to take a break once the tour concluded, the band will "be the priority forever [...] Honestly, I think this is a whole new beginning for the band. With what we’re planning on doing, who we’ve become, and how we’re doing it now I think it’s really, really exciting."
Musical style, lyrical themes, and influences
Blink-182's musical style is mainly considered pop-punk, a genre that combines influences of pop music with traditional punk rock. Throughout the band's career, though their sound has diversified, a large component of the band's music favors fast tempos, catchy melodies, prominent electric guitar with distortion, and power chord changes. Earlier albums by the band have also been considered as skate punk and punk rock, owing to the genre's most representative bands which they were influenced by and toured with. In addition, the band has also been classified under the umbrella of alternative rock as a whole. The band have claimed punk rock group the Descendents to be their greatest influence on a number of occasions. They have also named The Beatles, The Ramones, The Beach Boys, The Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, The Vandals, the Queers, and Jimmy Eat World as inspirations.
Common lyrical themes for the band involve relationships, suburbia, toilet humour, and teen angst. Hoppus and DeLonge, and later Skiba, split songwriting duty, and much of their lyrics tend toward autobiography. According to Nitsuh Abebe, of New York, the band's biggest recurring topic is maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it". One of the band's biggest singles, "What's My Age Again?", specifically addresses the Peter Pan syndrome, while "Dammit", the band's first mainstream hit single, contains the hook "Well, I guess this is growing up." Albums such as Take Off Your Pants and Jacket near-exclusively deal in toilet humour and teen-cantered lyrics, leading Rolling Stone to dub it a concept album chronicling adolescence. For Hoppus, these themes were not exclusively adolescent: "The things that happen to you in high school are the same things that happen your entire life. You can fall in love at sixty; you can get rejected at eighty." Mid-career albums, such as Neighborhoods (2011), explore darker territory, such as depression and loss. More recent efforts, like California (2016), aim for universality but also focus on miscommunication and loss of identity.
Musically, the band's sound has progressed throughout their 30-year career. Tom DeLonge's guitar style, which trades solos for riffs, is often down-stroked and power-chord heavy, with large amounts of palm muting. His later guitar work heavily delves into effects, exploring ambience and delay prominently. Many Blink songs centre on the I–V–vi–IV progression. As a bassist, Hoppus is known for his well-defined midrange tone. Since the band is a trio, he approaches his role as a combination of being a rhythm guitarist and bassist. Early albums, such as Cheshire Cat (1995) and Dude Ranch (1997), were recorded with original drummer Scott Raynor, and consist of fast-paced, double-time songs. Drummer Travis Barker diversified the band's sound rhythmically when he joined in 1998. Throughout their discography, Barker's drumming references myriad musical genres, including Afro-Cuban music, bossa nova, reggae, and hip hop. Barker grew up playing in marching band, and it still influences his drum fills and kit setup.
Blink-182 were considered more radio-friendly than their predecessors. Jon Caramanica of The New York Times writes that the band "[took] punk's already playful core and [gave] it a shiny, accessible polish." Luke Lewis, writing for Total Guitar in 2003, summarized it aptly: "They wrote catchy songs, radio stations played them." The band's biggest hit, "All the Small Things", was written partially because DeLonge figured the label might want a song for radio. "It was obvious from the beginning it would fit that format," he told Lewis. "There's nothing wrong with that. We don't want obstacles between us and our audience." DeLonge commented on the band's mainstream appeal in an interview in 2014:
Punk rock was becoming polished. NOFX [was] a punk band we grew up listening to, and they had a record called Punk in Drublic, and it was awesome. It was game-changing; it sounded good. We wanted to take it to the next level. [...] There had never been a pop punk band that sounded like nursery rhymes on steroids, on the mainstream level at least. And that's what I used to have daydreams of. I used to think the radio could use that, could use a band that was really powerful and catchy and fast and youthful and angsty.
Public image
Over the band's thirty-year career, the public image of Blink-182 has evolved with their sound. Whereas other punk acts emerged from sometimes dangerous urban environments, Blink-182 professed a love for their upbringing in the suburbs—"beige little boxes in a row", Hoppus extolled in one song. "They weren't selling out; they were buying in," observed Pitchfork critic Jeremy Gordon. "Part of that was Hoppus and Delonge's exurban SoCal upbringing, which encouraged a sunny prankishness at odds with urban despair." The band attracted criticism for their simplified arrangements and clean sound. British publication NME was particularly critical, with reviewer Steven Wells comparing them to "that sanitized, castrated, shrink-wrapped 'new wave' crap that the major US record companies pumped out circa 1981 in their belated attempt to jump on the 'punk' bandwagon." Blink-182 were frequently listed among the most derided global rock acts in the 2000s, alongside acts like Creed or Nickelback; meanwhile, a 2001 Federal Trade Commission report condemned the entertainment industry for marketing lewd lyrics to American youth, specifically naming Blink-182 as among the most explicit acts. Their goofy public image and juvenilia also found detractors. Original punk veterans like John Lydon dismissed them as "comedy act", and forebears like Green Day openly critiqued their stage presence. NOFX, progenitors of this clownish camaraderie, felt they had copied their act; Fat Mike, its frontman, was known to sing "fuck fans of Blink-182" at shows.
The band's conventional appeal, as well as partnerships with MTV, boardsport companies, and clothing brands, led to accusations that they were betraying the independent spirit of punk rock. The band were considered sellouts from the underground punk scene as early as 1996, when they first partnered with music conglomerate UMG. A more far-left segment of the scene decried their fixation on female fans flashing them at concerts, in addition to lyrics considered sexist or misogynistic. Some writers have called their stage banter—juvenile, occasionally homophobic or sexist for shock value—an accurate reflection of millennial male conversation in its era. Others have considered them among the least offensive of the aughts pop-punk wave and its common disdain for women. "Many of Blink's best songs endure because they turn inward: the lovelorn boy has sense enough to wonder what's wrong with him," observed Kelefa Sanneh. To this end, the band has also been examined through a homosocial lens, with the band's internal drama and the friendship between DeLonge and Hoppus scrutinized in this light: "A queer reading of Blink-182 may almost be too obvious to make," admitted Spencer Kornhaber of The Atlantic, "but playing with and panicking at the idea of being gay was actually vital to the band's identity [...] the guys' [brotherhood] is part of what inspires "shipping" blogs and slash fanfiction."
Legacy
Blink-182 was one of the most popular rock bands at the turn of the millennium, and spearheaded the second wave of pop-punk and its journey into the mainstream. The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day. Its third LP Enema of the State catapulted the band to stardom, creating what New York's Abebe described as a "blanket immersion among America's twenty-some million teenagers." At the band's commercial peak, albums such as Take Off Your Pants and Jacket and Enema sold over 14 and 15 million copies worldwide, respectively. According to Kelefa Sanneh of The New Yorker, Blink-182 "spawned more imitators than any American rock band since Nirvana. Their seeming ordinariness convinced a generation of goofy punks that maybe they, too, could turn out deceptively simple songs as well constructed as anything on the pop chart." Most Blink-182 songs are considered straightforward and easy to play on guitar, making them a popular choice of practice for beginner musicians. Lewis of Total Guitar notes that this was key in influencing a generation of kids to "pick up the guitar and form bands of their own."
Despite this, the band never received particularly glowing reviews, with many reviewers dismissing them as a joke. Nevertheless, subsequent reviews of the band's discography have been more positive. Andy Greenwald of Blender wrote, "the quick transformation from nudists to near geniuses is down-right astonishing." James Montgomery of MTV said that "despite their maturation, Blink never took themselves particularly seriously, which was another reason they were so accessible." A new generation of rock fans found the Blink sound "hugely influential," according to Nicole Frehsée of Rolling Stone. Sanneh concurred: in his 2021 book Major Labels, he calls the band a "generational touchstone", arguing their sound and humor aged gracefully.
In 2011, Jon Caramanica of The New York Times asserted that "no punk band of the 1990s has been more influential than Blink-182," stating that even as the band receded after their initial 2005 split, "its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine." Montgomery agrees: "...without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records." Maria Sherman of The Village Voice took this a step further, writing "Apart from the sound, Blink's ideology has been popularized [...] their presence is everywhere." "When it comes to having inestimable influence, Blink-182 might well be contemporary punk's version of the Beatles", wrote Scott Heisel in a 2009 Alternative Press cover story on the band. The same magazine later ranked Blink the fourth of the "30 Most Influential Bands of the Past 30 Years," just behind Radiohead, Fugazi, and Nirvana. Bands such as Panic! at the Disco and All Time Low originated covering Blink-182 songs, while You Me at Six, and 5 Seconds of Summer have also named the band as influences. "Anyone in our genre would be lying if they said they weren't influenced by Blink-182," said Joel Madden of Good Charlotte. The band's influence extends beyond punk and pop-punk groups as well: the band has been cited as an influence by Avril Lavigne, Best Coast, Juice Wrld, Lil Peep, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day to Remember, Machine Gun Kelly, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, Taylor Swift and the Chainsmokers; the latter even mentioned the band in the lyrics of their number-one hit song "Closer".
In 2019, Blink-182's song "All the Small Things" became the theme song of the National Hockey League's Colorado Avalanche.
Band members
Current members
Mark Hoppus – bass, vocals (1992–2005, 2009–present); guitars (2020)
Tom DeLonge – guitars, vocals (1992–2005, 2009–2015, 2022–present); keyboards (2012)
Travis Barker – drums (1998–2005, 2009–present; touring member 1998); occasional backing vocals (2003, 2016, 2023–present), keyboards, piano (2012, 2018–2019)
Former members
Scott Raynor – drums (1992–1998)
Matt Skiba – guitars, vocals (2015–2022; touring member 2015)
Former touring musicians
Timeline
Discography
Cheshire Cat (1995)
Dude Ranch (1997)
Enema of the State (1999)
Take Off Your Pants and Jacket (2001)
Blink-182 (2003)
Neighborhoods (2011)
California (2016)
Nine (2019)
One More Time... (2023)
Tours
Headlining
Co-headlining
Pop Disaster Tour (with Green Day) (2002)
Summer Tour 2004 (with No Doubt) (2004)
10th Annual Honda Civic Tour (with My Chemical Romance) (2011)
Blink-182 and Lil Wayne Tour (with Lil Wayne) (2019)
Awards and nominations
Notes
References
Bibliography
External links
Official website
Blink-182 at AllMusic |
Pop_Disaster_Tour | https://en.wikipedia.org/wiki/Pop_Disaster_Tour | [
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] | [
"https://en.wikipedia.org/wiki/Pop_Disaster_Tour"
] | The Pop Disaster Tour was a concert tour co-headlined by American rock bands Blink-182 and Green Day. The two groups, with supporting acts Jimmy Eat World, Kut U Up, Saves the Day, and Simple Plan toured for two months across the United States, as well as one in Canada, mostly in outdoor amphitheatres.
Background
The tour was conceived by Blink-182 to echo the famous Monsters of Rock tours; the idea was to have, effectively, a Monsters of Punk tour. The tour, from the band's point of view, had been put together as a show of unity in the face of consistent accusations of rivalry between the two bands, especially in Europe. Instead, Green Day's Tré Cool acknowledged in a Kerrang! interview that they committed to the tour as an opportunity to regain their status at the top of the tree, as their spotlight had faded over the years. "We set out to reclaim our throne as the most incredible live punk band from you know who", said Cool. Cool contended that "we heard they were going to quit the tour because they were getting smoked so badly […] We didn't want them to quit the tour. They're good for filling up the seats up front."
Riding in Vans with Boys
The 2003 film Riding in Vans with Boys follows the Pop Disaster Tour throughout the U.S from Kut U Up's perspective. DeLonge and Hoppus had the idea for the film, and enlisted Matt Beauchesne, who also worked on their documentary The Urethra Chronicles II: Harder Faster Faster Harder, to direct. It was designed to be "a social experiment that shows exactly what would happen if an average Joe band spent two months with two of the biggest groups in rock."
Set list
Tour dates
Reception
Many reviewers were unimpressed with Blink-182's headlining set following Green Day. "Sometimes playing last at a rock show is more a curse than a privilege […] Pity the headliner, for instance, that gets blown off the stage by the band before it. Blink-182 endured that indignity Saturday at the Shoreline Amphitheatre", a reporter for the San Francisco Chronicle wrote in 2002.
The Pop Disaster Tour as a whole grossed nearly $20 million from 45 shows.
Personnel
See also
Hella Mega Tour
References
Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Independent Music Press. ISBN 978-1-906191-10-8.
== Notes == |
Capital_One_Arena | https://en.wikipedia.org/wiki/Capital_One_Arena | [
224
] | [
"https://en.wikipedia.org/wiki/Capital_One_Arena"
] | Capital One Arena is an indoor arena in Washington, D.C. Located in the Chinatown section of the larger Penn Quarter neighborhood, the arena sits atop the Gallery Place rapid transit station of the Washington Metro. The arena was opened on December 2, 1997, as MCI Center but renamed to Verizon Center in 2006 when MCI was acquired by Verizon Communications and changed again to its current name in 2017.
Owned and operated by Monumental Sports & Entertainment, it is the home arena of the Washington Capitals of the National Hockey League (NHL), the Washington Wizards of the National Basketball Association (NBA), and the Georgetown University men's basketball team. It was also home to the Washington Mystics of the Women's National Basketball Association (WNBA) from 1998 to 2018, after which they moved to the Entertainment and Sports Arena in southeast Washington for the 2019 season.
Though the arena project was a commercial success for its backers, it has contributed to the gentrification of the surrounding area, the displacement of most of its Asian-American residents (the local Chinese-American population, which numbered over 3,000 before the arena's construction, was a mere 300 in 2023), and the replacement of most of the small businesses and restaurants that served the Asian-American community by large national corporations.
History
The block where the arena was built, between 6th and 7th and F and G Streets, historically held a mix of residences and small businesses. By the 1960s, it was suffering from urban decay, like much of the eastern end of Downtown Washington. In 1973, while the Gallery Place Metro station was being developed below it, the District government bought the land in hopes of redeveloping it. Capital Landmark Associates was selected in 1979 to develop the site with a planned mixed-use complex including retail, offices, apartments, and a hotel. Most of the remaining buildings on the site were demolished in 1985. The project languished for many years but never materialized, and was finally canceled in 1992.
Before the arena's opening, the Capitals and the Wizards (then known as the Washington Bullets) played at USAir Arena in the Washington suburb of Landover, Maryland. The teams experienced subpar attendance because the location was inconvenient for both Washington and Baltimore residents, and their arena, though only 20 years old, was not up to the standards of other NBA and NHL venues. In December 1993, Abe Pollin, the owner of both teams, began studying options to move the teams to a new arena to be built with public financing, with possible locations including Baltimore, downtown Washington, and Laurel, Maryland.
A group of Washington business leaders brokered a deal between Pollin and the District government to build an arena at the Gallery Place site, with the District paying for the $150 million project, which was envisioned to have shopping, food, and exhibitors for daily use even when there was no arena event. The D.C. Council approved a special tax on businesses to finance the deal. However, a competing proposal soon emerged, when Robert Johnson, head of Black Entertainment Television, offered to build the arena with mostly private financing. With the arena deal facing criticism amid the District's budget crisis, Pollin eventually agreed to privately fund the construction of the building, which ultimately came to $200 million (US$365 million in 2023 dollars). The District would pay for other costs, including purchasing the portion of the land it did not already own, preparing the site, and expanding the Metro station; these eventually amounted to $79 million (US$138 million in 2023 dollars). The District leased the land to Pollin at a below-market rate of $300,000 per year.
A naming rights deal was struck with MCI Communications to name the arena as the MCI Center. The groundbreaking ceremony for the project was held in October 1995. On December 2, 1997, the arena held its first event, a game between the Wizards and the Seattle SuperSonics, with President Bill Clinton in attendance. The arena had a 25,000-square-foot (2,300 m2) Discovery Channel Store from 1998 to 2001 and the MCI National Sports Gallery, an interactive sports museum with interactive games, memorabilia, and the American Sportscasters Hall of Fame inside from 1998 to 2000 or 2001 which was repurposed for office space. Clinton toured the gallery before the game, playing the museum games. A block of F Street NW between 6th and 7th Street NW outside the arena was declared Fun Street, complete with signage. This block later was declared Abe Pollin Way in 2007. The arena was noted for building spectator seats vertically rather than out, creating better views for all attending albeit with limited leg room in the upper levels, as well as spacious quarters for players and coaches with advanced competitive research technology. The arena concourse featured multimedia arenaNet stations where fans could check scores, watch highlights, and send digital postcards over email. These replaced an abandoned idea to have smart seats with televisions and technology that was scrapped due to technological challenges. Arena technology was powered by a virtual LAN software and switching technology called ArenaNET from Cabletron Systems.
In 1999, a group led by technology executive Ted Leonsis bought a 36% stake in Pollin's holdings, including the MCI Center, as well as full ownership of the Capitals. The Leonsis group increased its stake to 44% in 2000.
In January 2006, Verizon Communications purchased MCI and the arena's name was changed accordingly to Verizon Center. VIDA Fitness opened its first location in the arena that same year. The following year, in 2007, the "first true indoor high-definition LED scoreboard" was installed in the arena. In May 2024, VIDA Fitness announced they will be closing their Gallery Place location. Gallery Place, a 14-screen movie theater, opened at Capital One Arena in 2004.
In June 2010, following Pollin's death in November 2009, the Leonsis group, newly organized as Monumental Sports & Entertainment, bought out Pollin's interests, gaining full ownership of the arena and the Wizards.
A report emerged in May 2015 that Verizon would not renew its naming rights to the Verizon Center when its agreement with Monumental was to end in 2018. In the same week, it was announced that Etihad Airways signed a deal to become the official airline of the arena, sparking speculation that Etihad might be the leading contender to assume naming rights in 2017. However, on August 9, 2017, it was announced the bank Capital One had purchased the rights, renaming the venue Capital One Arena.
In 2019 and 2020, Monumental Sports undertook a $30 million renovation of the stadium. This included completely replacing the arena's seating, improving the concourse, and altering many of the arena's dining options. A new, larger overhead video board was also added as well as a new SkyRing video screen that goes around the top of the arena.
In July 2020, bookmaker William Hill opened a sportsbook at the arena, following the 2018 legalization of sports betting in Washington. It was the first brick-and-mortar sportsbook in the District, and the first to open at a professional sports venue in the United States.
On June 23, 2023, The Washington Post reported that Monumental Sports was considering moving the Capitals and Wizards to a new arena in the National Landing area of Arlington in Northern Virginia if the Washington, D.C. government did not invest in upgrades to the arena and surrounding area. Despite this, the article outlined that the city intended on continuing its dialogue with the company to keep both teams in Capital One Arena. Monumental later pivoted to a part of the National Landing area lying in a different Northern Virginia jurisdiction, announcing on December 13, 2023, that it planned to build the new arena in the Potomac Yard area of Alexandria. Under the revised plan, Capital One Arena would have remained in use as a concert and event venue during the NBA and NHL seasons, and also become the permanent home of Monumental's Women's National Basketball Association (WNBA) team, the Washington Mystics. In March 2024, after officials in Alexandria announced that the $2 billion entertainment and sports complex plans were scrapped, Washington, D.C. mayor Muriel Bowser announced she has signed a deal with both teams' majority owner, Ted Leonsis, to keep the Capitals and Wizards in the District "at least until 2050." In May 2024, Capital One Arena was ranked as the 8th most dangerous arena based on factors including fan behavior and the crime rates for the surrounding area.
Sports
Ice hockey
The arena has been home to the Capitals NHL team since its opening. As a result, numerous memorable moments in franchise history have occurred in the arena. The arena hosted games three and four of the 1998 Stanley Cup Finals, when the Capitals lost to the Detroit Red Wings in four games. The Red Wings hoisted the namesake Stanley Cup in the arena on June 16, 1998, after winning game four by a score of 4–1. On April 5, 2008, the Capitals won the Southeast Division in the last game of the regular season, after beating the Florida Panthers 3–1. Game 2 of the 2009 Eastern Conference semifinals between the Capitals and the Pittsburgh Penguins, played on May 4, 2009, saw dueling hat tricks from Ovechkin and rival Sidney Crosby of the Pittsburgh Penguins, culminating in a 4–3 victory for Washington thanks to an additional goal from David Steckel. The arena also hosted games three and four of the 2018 Stanley Cup Finals. The Capitals won both games and then went on to win game five in Las Vegas to capture the Stanley Cup for the first major sports championship for a Washington, D.C. team since the 1991 Washington Redskins. The Capitals had their Stanley Cup banner installation ceremony in the arena before their first game of the next season, which took place on October 3, 2018.
Non-NHL hockey events
The arena hosted the 2009 "Frozen Four", the final round of the 2009 NCAA Division I men's ice hockey tournament Boston University took Miami OH in overtime 4–3.
The JMU vs UVA non-varsity club teams played a 60 min thrilling rink-of-dreams-style match shortly after Washington's win against New York UVA Took JMU 6–4.
The inaugural 2024 Capital Hockey Classic is scheduled to take place on December 12, 2024, This event marks the first full-fledged college hockey event since the 2009 D1 Finals. It will feature military and club collegiate ice hockey teams, showcasing talent and competition.
The Capital Hockey Classic aims to capture attention, especially since it occurs just two days before the Army-Navy game at the nearby Commanders Field. The event will include two matches: the first game will feature Army vs Navy Club hockey, followed by the Army Black Knights vs. the Penn State Nittany Lions.
Basketball
The arena has been home to the Wizards NBA team since its opening and was home to the Washington Mystics WNBA team from 1998 to 2018, before the Mystics moved to a new, smaller arena in the Congress Heights area of southeast Washington. In 2024, the Mystics relocated their June 7 and September 19 games against the Indiana Fever to CapitalOne Arena, citing the demand of tickets as a result of the rising popularity of Caitlin Clark. The Georgetown Hoyas men's basketball team has also played there since the arena's opening. The arena has hosted three basketball all star games: the 2001 NBA All-Star Game and the 2002 and 2007 WNBA All-Star Games. The arena has been home to many playoff games, but has yet to host an NBA Finals.
The arena has hosted games for the NCAA Division I men's basketball tournament several times. It hosted first- and second-round games in 1998, 2002, 2008 and 2011, and hosted the regional finals in 2006, 2013 and 2019. Most notably the 2005–06 George Mason Patriots men's basketball team from nearby Fairfax, Virginia advanced to the Final Four in the arena. The arena also hosted the Atlantic 10 men's basketball tournament in 2018 and 2022. It hosted the ACC men's basketball tournament in 2005, 2016, and 2024. In 2017 the arena hosted the Big Ten men's basketball tournament.
The Harlem Globetrotters play in the arena on an annual basis.
Fighting and wrestling
In the professional fighting world, the arena has hosted WWE events, as well as the final four editions of WCW's Starrcade. The arena has hosted Backlash in 2000, SummerSlam in 2005, Cyber Sunday in 2007, Survivor Series in 2009, Capitol Punishment in 2011, and Battleground in 2016. The arena frequently hosts Raw and SmackDown shows as well. The arena was also home to Mike Tyson's final non-exhibition fight (Mike Tyson vs. Kevin McBride) on June 11, 2005. On October 1, 2011, UFC Live: Cruz vs. Johnson was held at the arena.
On December 7, 2019, UFC on ESPN: Overeem vs. Rozenstruik was held at the arena.
On October 2, 2019, Capital One Arena hosted AEW Dynamite, the first televised professional wrestling event by All Elite Wrestling. It was broadcast on TNT in the United States of America and on ITV4 in the United Kingdom.
Arena football
In 2017, the Washington Valor began play at the arena for their inaugural season in the Arena Football League. The Valor folded in 2019 and the arena has not hosted an Arena League game since.
Gymnastics and figure skating
The arena hosted the 2003 World Figure Skating Championships and the 2016 Kellogg's Tour of Gymnastics Champions.
Music and other entertainment
The arena is a major location for concerts and cultural events in the D.C. region. Among the musical performers, cultural figures, and entertainment shows that have performed at the arena are Olivia Rodrigo, Duran Duran, Ricardo Arjona, Kylie Minogue, Janet Jackson, Mariah Carey, Muse, Paul McCartney, Queen, U2, Iron Maiden, Shakira, Lady Gaga, Madonna, Britney Spears, The Three Tenors, Drake, Barbra Streisand, Bon Jovi, Prince, Tim McGraw,
Faith Hill, Beyoncé, the Dalai Lama, Tina Turner, Keith Urban, Paul Simon, Sting, The Police, Taylor Swift, Tame Impala, Coldplay, Tyler, the Creator, Elton John, Usher, Green Day, blink-182, The Who, Bad Bunny, Billie Eilish, Dua Lipa, Harry Styles, Trans-Siberian Orchestra, Cage the Elephant, Monster Jam, Disney on Ice, K-POP groups Ateez, Seventeen, NCT DREAM, Jonas Brothers, AJR, IU, Howard University graduation speech by U.S. President Joe Biden, and a Michelle Obama book tour event.
The Washington International Horse Show took place every October in the arena for more than 20 years through 2019, after which it was moved out because of the COVID-19 pandemic.
Criticism
Gentrification
When the arena opened, there was concern that it would lead to the displacement of Chinese businesses and culture in the area that is the city's Chinatown. The surrounding area has indeed been dramatically gentrified, and most of the Chinese residents and businesses who lived and operated in the neighborhood when the arena first opened have been displaced because of the spike in real estate prices. 2011 estimates hold that the number of Chinese in the neighborhood is down to around 400 to 500. The Chinese-owned restaurants and businesses in the Chinatown area are largely gone and there has not been a full-service Chinese grocery in the neighborhood since 2005.
A similar stadium project proposed for Philadelphia's Chinatown sparked comparisons in 2023 to the Capital One Arena, and has caused some community backlash.
Ice quality issues
In December 2007, then-Capitals captain Chris Clark stated that he believed the arena had the worst ice in the NHL. "There's a lot of ruts in the ice. It's soft. It's wet half the time. I could see a lot of injuries coming from the ice there. It could cost [players] their jobs... Even guys on other teams say the same thing. When we're facing off, they say, 'How do you guys play on this?'" Capitals owner Ted Leonsis addressed this criticism directly. The ice quality issue has been persistent both since the opening of the facility and with the Capitals franchise in general. Since Leonsis' acquisition of the facility, the quality of the ice has improved and number of complaints has noticeably decreased. During playoff games, the arena installs additional portable refrigeration units outside the arena to aid the ice conditions during the warm and humid summer months.
Gallery
See also
List of NCAA Division I basketball arenas
List of National Hockey League arenas
List of National Basketball Association arenas
Sports in Washington, D.C.
References
External links
Official website |
Theresa_May | https://en.wikipedia.org/wiki/Theresa_May | [
225
] | [
"https://en.wikipedia.org/wiki/Theresa_May"
] | Theresa Mary May, Baroness May of Maidenhead, (; née Brasier; born 1 October 1956) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 2016 to 2019. She previously served as Home Secretary from 2010 to 2016. She was Member of Parliament (MP) for Maidenhead from 1997 to 2024, and has been a member of the House of Lords since 2024. May is the second female UK prime minister, after Margaret Thatcher, and the first woman to have held two of the Great Offices of State. Ideologically, May is a one-nation conservative.
May grew up in Oxfordshire and attended St Hugh's College, Oxford. After graduating in 1977, she worked at the Bank of England and the Association for Payment Clearing Services. She also served as a councillor for Durnsford in Merton. After two unsuccessful attempts to be elected to the House of Commons, she was elected as the MP for the new seat of Maidenhead at the 1997 general election. From 1999 to 2010, May held several roles in shadow cabinets and was Chair of the Conservative Party from 2002 to 2003. Following the formation of the coalition government after the 2010 general election, May was appointed Home Secretary and Minister for Women and Equalities, giving up the latter role in 2012. Reappointed after the Conservatives won the 2015 general election, she became the longest-serving home secretary in more than 60 years. During her tenure as home secretary, she pursued reform of the Police Federation, implemented a harder line on drugs policy, including banning khat, and further restricted immigration. She oversaw the introduction of elected police and crime commissioners, the deportation of Abu Qatada and the creation of the College of Policing and the National Crime Agency. Although she supported the unsuccessful remain campaign, May supported Brexit following the outcome of the 2016 referendum. She was elected and appointed prime minister unopposed to succeed Cameron after Andrea Leadsom withdrew from the contest.
As prime minister, May began the process of withdrawing the UK from the EU, triggering Article 50 in March 2017. In April, she announced a snap general election, with the aim of strengthening her hand in Brexit negotiations and highlighting her "strong and stable" leadership. This resulted in a hung parliament with the number of Conservative seats reduced to 317 (from 330), despite the highest vote share since 1983 and the largest increase in electoral support enjoyed by a governing party since 1832. The loss of an overall majority prompted her to enter a confidence-and-supply arrangement with the Democratic Unionist Party (DUP) of Northern Ireland to support a minority government. Following the 2017 election, May's premiership continued to be dominated by Brexit, in particular by her government's negotiations with the EU, adhering to the Chequers plan, which led to a draft Brexit withdrawal agreement. Other events that occurred during May's premiership included terrorist attacks in Westminster, at the Manchester Arena and at London Bridge, the Grenfell Tower fire, and the Windrush scandal. Her government announced the NHS Long Term Plan and was responsible for negotiating and approving the near-entirety of the UK's terms of exit from the EU. May was also a prominent figure in leading the international condemnation and response to Russia over the poisoning of Sergei and Yulia Skripal in March 2018. May survived two votes of no confidence in December 2018 and in January 2019, but after versions of her draft withdrawal agreement were rejected by Parliament three times and her party's poor performance in the 2019 European Parliament election, she left office on 24 July and was succeeded by Boris Johnson, her former foreign secretary.
May remained in the House of Commons as a backbencher until she stood down at the 2024 general election, and was succeeded as MP for Maidenhead by the Liberal Democrats' Joshua Reynolds. She was elevated to the House of Lords later that year as Baroness May of Maidenhead. In historical rankings of prime ministers, academics and journalists have ranked May in the bottom fourth quartile.
Early life and education
Theresa May was born on 1 October 1956 in Eastbourne, Sussex. She is the only child of Zaidee Mary (née Barnes; 1928–1982) and Hubert Brasier (1917–1981). Her father was a Church of England clergyman (and an Anglo-Catholic) who was chaplain of an Eastbourne hospital. He later became vicar of Enstone with Heythrop and finally of St Mary's at Wheatley, to the east of Oxford. May's mother was a supporter of the Conservative Party. Her father died in 1981, from injuries sustained in a car accident, and her mother of multiple sclerosis the following year. May later stated she was "sorry they [her parents] never saw me elected as a Member of Parliament".
May initially attended Heythrop Primary School, a state school in Heythrop, followed by St. Juliana's Convent School for Girls, a Roman Catholic independent school in Begbroke, which closed in 1984.
At the age of 13, May won a place at the former Holton Park Girls' Grammar School, a state school in Wheatley. During her time as a pupil, the Oxfordshire education system was reorganised, and the school became the new Wheatley Park Comprehensive School. May attended the University of Oxford, read geography at St Hugh's College, and graduated with a second class BA degree in 1977. She was taught political geography at St Hugh's by John Patten, Baron Patten, a future Conservative Secretary of State for Education under John Major. At St Hugh's, May's contemporaries included the barrister Alicia Collinson, wife of May's future deputy Damian Green; businesswoman Louise Patten; and Emma Hood, wife of former Oxford University Vice-Chancellor John Hood.
May worked at a bakery on Saturdays to earn pocket money and was a "tall, fashion-conscious young woman who from an early age spoke of her ambition to be the first woman prime minister," according to those who knew her. A university friend, Pat Frankland, said, "I cannot remember a time when she did not have political ambitions."
Early career
Between 1977 and 1983, May worked at the Bank of England. From 1985 to 1997, she was a financial consultant at the Association for Payment Clearing Services (APACS). She served as Head of the European Affairs Unit from 1989 to 1996 and Senior Adviser on International Affairs from 1996 to 1997 in the organisation.
May served as a councillor for Durnsford ward on the Borough Council of the London Borough of Merton from 1986 to 1994, where she was Chairman of Education (1988–1990) and Deputy Group Leader and Housing Spokesman (1992–1994).
In the 1992 general election May was the Conservative Party candidate for the safe Labour seat of North West Durham, placing second to incumbent MP Hilary Armstrong, with future Liberal Democrat leader Tim Farron placing third. May then stood at the 1994 Barking by-election, which was prompted by the death of Labour MP Jo Richardson. The seat had been continuously held by Labour since it was created in 1945, and Labour candidate Margaret Hodge was expected to win easily, which she did. May placed a distant third.
Election
Around 18 months ahead of the 1997 general election, May was selected as the Conservative candidate for Maidenhead, a new seat which was created from parts of the safe seats of Windsor and Maidenhead and Wokingham. She was elected comfortably with 25,344 votes (49.8%), almost double the total of second-placed Andrew Terence Ketteringham of the Liberal Democrats, who took 13,363 votes (26.3%). Despite this, her party suffered their worst defeat in over 150 years.
Early parliamentary career
Having entered Parliament, May became a member of William Hague's front-bench Opposition team, as Shadow Spokesman for Schools, Disabled People and Women (1998–1999). She became the first of the 1997 MPs to enter the Shadow Cabinet when in 1999 she was appointed Shadow Education and Employment Secretary. After the 2001 election the new Conservative leader Iain Duncan Smith kept her in the Shadow Cabinet, moving her to the Transport portfolio.
May was appointed the first female Chairman of the Conservative Party in July 2002. During her speech at the 2002 Conservative Party Conference, she explained why, in her view, her party must change: "You know what people call us? The Nasty Party. In recent years a number of politicians have behaved disgracefully and then compounded their offences by trying to evade responsibility. We all know who they are. Let's face it, some of them have stood on this platform." She accused some unnamed colleagues of trying to "make political capital out of demonising minorities", and charged others with indulging themselves "in petty feuding or sniping instead of getting behind a leader who is doing an enormous amount to change a party which has suffered two landslide defeats". She admitted that constituency selection committees seemed to prefer candidates they would "be happy to have a drink with on a Sunday morning", continuing to say, "At the last general election 38 new Tory MPs were elected. Of that total, only one was a woman and none was from an ethnic minority. Is that fair? Is one half of the population entitled to only one place out of 38?"
In 2003, after Michael Howard's election as Conservative Party and Opposition Leader in November that year, May was appointed Shadow Secretary of State for Transport and the Environment.
In June 2004, she was moved to become Shadow Secretary of State for the Family. Following the 2005 general election she was also made Shadow Secretary of State for Culture, Media and Sport. After David Cameron's election as Conservative Party and Opposition Leader, he appointed May as Shadow Leader of the House of Commons in December 2005 and as Shadow Minister for Women and Equality in July 2007. In January 2009, May was made Shadow Secretary of State for Work and Pensions.
On 6 May 2010, May was re-elected MP for Maidenhead with an increased majority of 16,769 – 60% of the vote. This followed an earlier failed attempt by the Liberal Democrats to unseat her in 2005, as one of that party's leading "decapitation-strategy" targets.
Home Secretary
Following the formation of the coalition government after the 2010 general election on 12 May 2010, May was appointed Home Secretary and Minister for Women and Equalities by Prime Minister David Cameron as part of his first Cabinet. She became the fourth woman to hold one of the British Great Offices of State, after Margaret Thatcher (Prime Minister), Margaret Beckett (Foreign Secretary) and Jacqui Smith (Home Secretary). As Home Secretary, May was also a member of the National Security Council. She was the longest-serving Home Secretary for over 60 years, since James Chuter Ede who served over six years and two months from August 1945 to October 1951. May's appointment as Home Secretary was somewhat unexpected, with Chris Grayling having served as shadow Home Secretary in opposition.
May's debut as Home Secretary involved overturning several of the previous Labour government's measures on data collection and surveillance in England and Wales. By way of a government bill which became the Identity Documents Act 2010, she brought about the abolition of the Labour government's National Identity Card and database scheme and reformed the regulations on the retention of DNA samples for suspects and controls on the use of CCTV cameras. In May 2010, May announced the adjournment of the deportation to the United States of alleged computer hacker Gary McKinnon. She also suspended the registration scheme for carers of children and vulnerable people, with May saying that the measures were "draconian. You were assumed to be guilty until you were proven innocent, and told you were able to work with children." On 4 August 2010, it was reported that May was scrapping the former Labour government's proposed "go orders" scheme to protect women from domestic violence by banning abusers from the victim's home.
In June 2010, May faced her first major national security incident as Home Secretary with the Cumbria shootings. She delivered her first major speech in the House of Commons as Home Secretary in a statement on this incident, later visiting the victims with the Prime Minister. Also in June 2010, May banned the Indian Muslim preacher Zakir Naik from entering the United Kingdom.
According to The Daily Telegraph, a Home Office official who disagreed with this decision was suspended. In late June 2010, May announced plans for a temporary cap on UK visas for non-EU migrants. The move raised concerns about the impact on the British economy.
In August 2013, May supported the detention of David Miranda, partner of Guardian journalist Glenn Greenwald, under the Terrorism Act 2000, saying that critics of the Metropolitan Police action needed to "think about what they are condoning". Lib Dem peer and former Director of Public Prosecutions Ken Macdonald accused May of an "ugly and unhelpful" attempt to implicate those who were concerned about the police action of "condoning terrorism". The High Court subsequently acknowledged there were "indirect implications for press freedom" but ruled the detention legal. A 2016 ruling by the Court of Appeal found that the provision of the Terrorism Act used for Miranda's detention was "incompatible with the European convention on human rights", but that the detention itself was lawful.
May also championed legislation popularly dubbed the Snooper's Charter, requiring internet and mobile service providers to keep records of internet usage, voice calls, messages and email for up to a year in case police requested access to the records while investigating a crime. The Liberal Democrats had blocked the first attempt, but after the Conservative Party obtained a majority in the 2015 general election May announced a new Draft Investigatory Powers Bill similar to the Draft Communications Data Bill, although with more limited powers and additional oversight.
Police and crime
Speaking at the Association of Chief Police Officers (ACPO) conference in June 2010, May announced radical cuts to the Home Office budget, likely to lead to a reduction in police numbers. In July 2010, May presented the House of Commons with proposals for a fundamental review of the previous Labour government's security and counter-terrorism legislation, including "stop and search" powers, and her intention to review the 28-day limit on detaining terrorist suspects without charge.
In July 2010, May announced a package of reforms to policing in England and Wales in the House of Commons. The previous Labour Government's central crime agency, Soca (Serious Organised Crime Agency), was to be replaced by a new National Crime Agency. In common with the Conservative Party 2010 general election manifesto's flagship proposal for a "Big Society" based on voluntary action, May also proposed increasing the role of civilian "reservists" for crime control. The reforms were rejected by the Opposition Labour Party.
Following the actions of some members of Black Bloc in vandalising allegedly tax-avoiding shops and businesses on the day of the March 2011 TUC march, the Home Secretary unveiled reforms curbing the right to protest, including giving police extra powers to remove masked individuals and to police social networking sites to prevent illegal protest without police consent or notification.
In 2012, despite inquiries by both Scotland Yard and the Independent Police Complaints Commission ruling that there was no new evidence to warrant further investigation, after discussions with Doreen Lawrence, May commissioned Mark Ellison to review Scotland Yard's investigations into alleged police corruption. The report was presented to Parliament by May on 6 March 2014. Sir Bernard Hogan-Howe, Commissioner of the Metropolitan Police said the report, which has prompted an inquiry into undercover policing, was "devastating".
In July 2013, May welcomed the fact that crime had fallen by more than 10% under the coalition government, while still being able to make savings. She said that this was partly due to the government removing red tape and scrapping targets to allow the police to concentrate on crime-fighting.
In 2014, May delivered a speech to the Police Federation, in which she criticised aspects of the culture of the police force. In the speech, she said:
When you remember the list of recent revelations about police misconduct, it is not enough to mouth platitudes about "a few bad apples". The problem might lie with a minority of officers, but it is still a significant problem and a problem that needs to be addressed ... according to one survey carried out recently, only 42% of black people from a Caribbean background trust the police. That is simply not sustainable ... I will soon publish proposals to strengthen the protections available to whistleblowers in the police. I am creating a new criminal offence of police corruption. And I am determined that the use of stop and search must come down, become more targeted and lead to more arrests.
On 9 December 2010, in the wake of violent student demonstrations in central London against increases to higher-education tuition fees, May praised the actions of the police in controlling the demonstrations but was described by The Daily Telegraph as "under growing political pressure" due to her handling of the protests.
In December 2010, May declared that deployment of water cannon by police forces in mainland Britain was an operational decision which had been "resisted until now by senior police officers." She rejected their use following the widespread rioting in summer 2011 and said: "the way we police in Britain is not through use of water cannon. The way we police in Britain is through consent of communities." May said: "I condemn utterly the violence in Tottenham... Such disregard for public safety and property will not be tolerated, and the Metropolitan Police have my full support in restoring order."
In the aftermath of the riots May urged the identification of as many as possible of the young criminals involved. She said: "when I was in Manchester last week, the issue was raised to me about the anonymity of juveniles who are found guilty of crimes of this sort. The Crown Prosecution Service is to order prosecutors to apply for anonymity to be lifted in any youth case they think is in the public interest. The law currently protects the identity of any suspect under the age of 18, even if they are convicted, but it also allows for an application to have such restrictions lifted, if deemed appropriate." May added that "what I've asked for is that CPS guidance should go to prosecutors to say that where possible, they should be asking for the anonymity of juveniles who are found guilty of criminal activity to be lifted".
Anti-social behaviour
In July 2010, May proposed to review the previous Labour Government's anti-social behaviour legislation signalling the abolition of the "Anti-Social Behaviour Order" (ASBO). She identified the policy's high level of failure with almost half of ASBOs breached between 2000 and 2008, leading to "fast-track" criminal convictions. May proposed a less punitive, community-based approach to tackling social disorder. May suggested that anti-social behaviour policy "must be turned on its head", reversing the ASBO's role as the flagship crime control policy legislation under Labour. Former Labour Home Secretaries David Blunkett (who introduced ASBOs) and Alan Johnson expressed their disapproval of the proposals.
Drug policy
In July 2013, May decided to ban the stimulant khat, against the advice of the Advisory Council on the Misuse of Drugs (ACMD). The council reached the conclusion that there was "insufficient evidence" it caused health problems. Explaining the change in the classification May said: "The decision to bring khat under control is finely balanced and takes into account the expert scientific advice and these broader concerns", and pointed out that the product had already been banned in the majority of other EU member states, as well as most of the G8 countries including Canada and the US. A report on khat use by the ACMD published in January 2013 had noted the product had been associated with "acute psychotic episodes", "chronic liver disease" and family breakdown. However, it concluded that there is no risk of harm for most users, and recommended that khat remain uncontrolled due to lack of evidence for these associations.
Liberal Democrat minister Norman Baker accused May of suppressing proposals to treat rather than prosecute minor drug offenders from a report into drug policy commissioned by the Home Office. The Home Office denied that its officials had considered this as part of their strategy. Baker cited difficulties in working with May as the reason for his resignation from the Home Office in the run-up to the 2015 general election.
Immigration
In 2010, May promised to bring the level of net migration down to less than 100,000. The Independent reported in February 2015, "The Office for National Statistics (ONS) announced a net flow of 298,000 migrants to the UK in the 12 months to September 2014—up from 210,000 in the previous year." In total, 624,000 people migrated to the UK in the year ending September 2014 and 327,000 left in the same period. Statistics showed "significant increases in migration among both non-EU citizens—up 49,000 to 292,000—and EU citizens, which rose by 43,000 to 251,000."
In May 2012 she told The Daily Telegraph of her intention "to create here in Britain a really hostile environment for illegal migration".
May rejected the European Union's proposal of compulsory refugee quotas. She said that it was important to help people living in war-zone regions and refugee camps but "not the ones who are strong and rich enough to come to Europe". In May 2016, The Daily Telegraph reported that she had tried to save £4m by rejecting an intelligence project to use aircraft surveillance to detect illegal immigrant boats.
Family migration
In June 2012, May announced that new restrictions would be introduced to reduce the number of non-European Economic Area family migrants. The changes were mostly intended to apply to new applicants after 9 July 2012.
The newly introduced rules came into effect on 9 July 2012 allowing only those British citizens earning more than £18,600 to bring their spouses or their children to live with them in the UK. This figure would rise significantly in cases where visa applications are also made for children. They also increased the current two-year probationary period for partners to 5 years. The rules also prevent any adult and elderly dependents from settling in the UK unless they can demonstrate that, as a result of age, illness or disability, they require a level of long-term personal care that can only be provided by a relative in the UK.
The House of Lords was concerned about the immigration issue and therefore addressed the PM in Parliament as to whether she had examined the impact on communities and families on modest incomes, but it received no direct response. The human rights group Liberty concluded that the new rules showed scant regard to the impact they would have on genuine families. The All-Party Parliamentary Group on Migration conducted an evidence based inquiry into the impact of the rules and concluded in their report that the rules were causing very young children to be separated from their parents and could exile British citizens from the UK.
Deportation decisions
At the Conservative Party Conference in October 2011, while arguing that the Human Rights Act needed to be amended, May gave the example of a foreign national who the Courts ruled was allowed to remain in the UK, "because—and I am not making this up—he had a pet cat". In response, the Royal Courts of Justice issued a statement, denying that this was the reason for the tribunal's decision in that case, and stating that the real reason was that he was in a genuine relationship with a British partner, and owning a pet cat was simply one of many pieces of evidence given to show that the relationship was "genuine". The Home Office had failed to apply its own rules for dealing with unmarried partners of people settled in the UK. Amnesty International said May's comments only fuelled "myths and misconceptions" about the Human Rights Act and Justice Secretary Kenneth Clarke subsequently called May's comments "laughable and childlike."
In June 2012, May was found in contempt of court by Judge Barry Cotter, and stood accused of "totally unacceptable and regrettable behaviour", being said to have shown complete disregard for a legal agreement to free an Algerian from a UK Immigration Detention Centre. As she eventually allowed the prisoner to be freed, May avoided further sanctions including fines or imprisonment.
May responded to a Supreme Court decision in November 2013 to overturn her predecessor Jacqui Smith's revocation of Iraqi-born terror suspect Al Jedda's British citizenship by ordering it to be revoked for a second time, making him the first person to be stripped twice of British citizenship.
May was accused by Lord Roberts of Llandudno of being willing to allow someone to die "to score a political point" over the deportation of mentally ill Nigerian man Isa Muazu. According to Muazu's solicitor, May had arranged for the asylum seeker, who was said to be "near death" after a 100-day hunger strike, to be deported by a chartered private jet. To strengthen the Home Office's tough stance, an "end of life" plan was reportedly offered to Muazu, who was one of a number of hunger strikers at the Harmondsworth Immigration Removal Centre.
Abu Qatada deportation
In July 2013, Abu Qatada, a radical cleric arrested in 2002, was deported to Jordan after a decade-long battle that had cost the nation £1.7 million in legal fees, and several prior Home Secretaries had not resolved. The deportation was the result of a treaty negotiated by May in April 2013, under which Jordan agreed to give Qatada a fair trial, by not using evidence that may have been obtained against him through torture.
May pointed to Qatada's deportation as a triumph, guaranteeing in September 2013 that "he will not be returning to the UK", and declaring in her 2016 leadership campaign announcement that she was told that she "couldn't deport Abu Qatada" but that she "flew to Jordan and negotiated the treaty that got him out of Britain for good". The Qatada deportation also shaped May's views on the European Convention on Human Rights and European Court of Human Rights, saying that they had "moved the goalposts" and had a "crazy interpretation of our human rights laws", as a result, May has since campaigned against the institutions, saying that British withdrawal from them should be considered.
"Go Home" advertisements
In August 2013, the Home Office engaged in an advertising campaign directed at illegal immigrants. The advertisements, in the form of mobile advertising hoardings on the back of lorries, told illegal immigrants to "go home or face arrest", with an image of a person in handcuffs, and were deployed in six London boroughs with substantial ethnic minority populations. They were widely criticised as creating a hostile atmosphere for members of ethnic minority groups. The shadow Home Secretary, Yvette Cooper, described their language as being reminiscent of that used by the National Front in the 1970s. An adjudication by the Advertising Standards Authority (ASA) said that "the claim [that 106 arrests were made last week] was misleading and had not been substantiated" was followed by the advertisements being withdrawn after being banned by the ASA.
Passport backlog
In mid 2014, the Passport Office faced a backlog in developing processing passport applications, with around 30,000 applications hit by delays. David Cameron suggested this had come about due to the Passport Office's receiving an "above normal" 300,000-rise in applications. It was revealed, however, that May had been warned the year before, in July 2013, that a surge of 350,000 extra applications could occur owing to the closure of processing overseas under Chancellor Osborne's programme of cuts. Around £674,000 was paid to staff who helped clear the backlog.
Windrush scandal
In April 2018, May's hostile environment policy became the focus of British politics in what came to be known as the Windrush scandal, in which members of the Windrush generation of Afro-Caribbean Britons were threatened with deportation by the Home Office and in at least 83 cases, illegally deported from the UK. The policy also affected the lives of many thousands of people who were in the United Kingdom legally by causing them to be sacked from employment, preventing access to health care, illegally demanding money, exiling them and preventing their return to the UK, and leaving them destitute. The scandal led to the resignation of May's successor Amber Rudd as Home Secretary, and her replacement by Sajid Javid. Responding to questions in Parliament on the Windrush scandal on 25 April, May maintained that the hostile environment policy would remain government policy.
Birmingham schools row
In June 2014, an inflamed public argument arose between Home Office and Education Ministers about responsibility for alleged extremism in Birmingham schools. Prime Minister David Cameron intervened to resolve the row, insisting that May sack her Special Advisor Fiona Cunningham (now Hill) for releasing on May's website a confidential letter to May's colleagues, and that Michael Gove, the Education Secretary, apologise to the Home Office's head of Security and Counter-Terrorism, Charles Farr, for uncomplimentary briefings of him appearing on the front page of The Times.
Minister for Women and Equalities
May held the office of Minister for Women and Equalities in parallel to her office of Home Secretary from 2010 to September 2012, when this role was taken over by Maria Miller.
May's appointment as Minister for Women and Equalities was controversial, and was met with criticism by many in the LGBT community due to May's record of consistently opposing LGBT rights from 1997 to 2004: she voted against equalising the age of consent in 1998, she spoke in favour of Section 28 in 2001, and she spoke against greater adoption rights for homosexuals in 2002. May later stated, during an appearance on the BBC's Question Time in 2010, that she had "changed her mind" on gay adoption. Writing for PinkNews in June 2010, May detailed proposals for improving LGBT rights including measures to tackle homophobia in sport, advocating British society's need for "cultural change".
In July 2010, May stated she would be supporting the previous Labour Government's Anti-Discrimination Laws enshrined in the Equality Act 2010 despite having previously opposed it. The Equality Act came into effect in England, Wales and Scotland on 1 October 2010. She did however announce that a clause she dubbed "Harman's Law" which would have required public bodies to consider how they can reduce socio-economic inequalities when making decisions about spending and services would be scrapped on the grounds that it was "unworkable".
Leadership bid
In June 2016, May announced her candidacy for the leadership of the Conservative Party to succeed David Cameron, who resigned following the outcome of the European Union membership referendum in which 52 per cent of voters voted in favour of leaving the EU. May emphasised the need for unity within the party regardless of positions on leaving the EU, saying she could bring "strong leadership" and a "positive vision" for the country's future. Despite having backed a vote to remain in the EU, she insisted that there would be no second referendum, saying: "The campaign was fought... and the public gave their verdict. There must be no attempts to remain inside the EU, no attempts to rejoin it through the back door... Brexit means Brexit". An opinion poll that day found 47 per cent of people choosing May as their preferred candidate to be prime minister.
May's supporters included a number of Cabinet ministers, such as Amber Rudd, Chris Grayling, Justine Greening, Jeremy Hunt, Michael Fallon and Patrick McLoughlin. She received the most votes in the first round of voting on 5 July, receiving support from 165 MPs, with rivals Andrea Leadsom receiving 66 votes and Michael Gove 48. The two candidates with the fewest votes, Liam Fox and Stephen Crabb, immediately announced their support for May. May came in first place in the second ballot on 7 July with an overwhelming majority of 199 MPs, compared with 84 for Leadsom and 46 for Gove, who was eliminated. Afterwards, May stated that she was delighted with her support among MPs, and she progressed to a vote of the Conservative Party membership against Leadsom.
In July, Leadsom announced her withdrawal from the leadership contest hours after May had made her first official campaign speech, saying her lack of support amongst Conservative MPs compared to May would be too great a hindrance to becoming a credible prime minister. As the sole remaining candidate, May was formally declared Leader of the Conservative Party that evening.
Premiership (2016–2019)
Appointment
On 13 July 2016, two days after becoming Leader of the Conservative Party, May was appointed prime minister by Queen Elizabeth II, becoming the second female British prime minister after Margaret Thatcher. Addressing the world's media outside 10 Downing Street, May said that she was "honoured and humbled" to become prime minister. On becoming prime minister, May became the first woman to have held two of the Great Offices of State.
Responding to some calls for an early general election, "sources close to Mrs May" said there was no need for such an election. In a speech after her appointment, May emphasised the term "Unionist" in the name of the Conservative Party, reminding all of "the precious, precious bond between England, Scotland, Wales and Northern Ireland." By 15 July, May had travelled to Edinburgh to meet with First Minister Nicola Sturgeon to reinforce the bond between Scotland and the rest of the United Kingdom. "I'm coming here to show my commitment to preserving this special union that has endured for centuries," she explained.
Cabinet changes
May's first Cabinet appointment was described by Reuters as "one of the most sweeping government reshuffles for decades", and called "a brutal cull" by The Daily Telegraph. Nine of Cameron's ministers, including several prominent members, were sacked or resigned from their posts. The early appointments were interpreted both as an effort to reunite the Conservative Party in the wake of the UK's vote to leave the EU and as "a shift to the right," according to The Guardian. ITV's Political Editor Robert Peston commented: "Her rhetoric is more left-wing than Cameron's was, her cabinet is more right-wing than his was." Although May had supported remaining in the EU, she appointed several of the most prominent advocates of Brexit to key Cabinet positions responsible for negotiating the United Kingdom withdrawal from the European Union, including Boris Johnson as Foreign Secretary, David Davis as Brexit Secretary, and Liam Fox as International Trade Secretary, the latter two being new positions. Other key appointees included Amber Rudd as Home Secretary and Philip Hammond as Chancellor of the Exchequer.
First term (2016–2017)
The First May ministry delayed the final approval for the Hinkley Point C nuclear power station in July 2016, a project which May had objected to when she was Home Secretary. Her political adviser Nick Timothy wrote an article in 2015 to oppose China's involvement in sensitive sectors. He said that the government was "selling our national security to China" without rational concerns and "the Government seems intent on ignoring the evidence and presumably the advice of the security and intelligence agencies".
In July 2016, when George Kerevan asked her whether she would be prepared to authorise the killing of a hundred thousand innocent persons by a nuclear strike; during the "Trident debate" inside the House of Commons, May said "Yes. And I have to say to the honourable gentleman: the whole point of a deterrent is that our enemies need to know that we would be prepared to use it. Unlike some suggestions that we could have a nuclear deterrent but not actually be willing to use it, which come from the Labour Party frontbench."
On 20 July, May attended her first Prime Minister's Questions since taking office, then afterwards made her first overseas trip as prime minister, visiting Berlin for talks with German Chancellor Angela Merkel. During the visit, May said that she would not trigger Article 50 of the Treaty of Lisbon—the process for withdrawing from the European Union—before 2017, suggesting it would take time for the UK to negotiate a "sensible and orderly departure" from the EU. However, although Merkel said it was right for the UK to "take a moment" before beginning the process, she urged May to provide more clarity on a timetable for negotiations. Shortly before travelling to Berlin, May had also announced that in the wake of the referendum, Britain would relinquish the presidency of the Council of the European Union, which passes between member states every six months on a rotation basis, and that the UK had been scheduled to hold in the second half of 2017.
May supported the Saudi Arabian-led intervention in Yemen and defended selling arms to Saudi Arabia, which is accused of committing war crimes in Yemen, insisting that Britain's close relationship with Saudi Arabia was "helping keep people on the streets of Britain safe".
On 21 January 2017, following the inauguration of Donald Trump as US President, the White House announced that May would meet the President on 27 January, making her the first foreign leader to meet Trump since he took office on 20 January. In a joint press conference, May indicated an interest in increased trade between the United States and the United Kingdom. She also affirmed a desire to maintain an American involvement in NATO. May was criticised by members of major parties, including her own, for refusing to condemn Trump's Executive Order 13769, as well as for inviting Trump to a state visit with Queen Elizabeth II.
In January 2017, when it came to light that a Trident test had malfunctioned in June 2016, May refused to confirm whether she knew about the incident when she addressed parliament.
May's Chancellor, Philip Hammond, continued government policies of freezing benefits in his 2017 budget.
2017 general election
In May announced that she would call a parliamentary vote to hold an early general election on 8 June, saying that it was the "only way to guarantee certainty and security for years ahead". May had previously ruled out an early election on five occasions over nine months. The election was the first snap election held under the Fixed-term Parliaments Act 2011 after MPs gave May the two-thirds super-majority required.
Unveiling the Conservative manifesto in Halifax on 18 May, May promised a "mainstream government that would deliver for mainstream Britain". It proposed to balance the budget by 2025, raise spending on the NHS by £8bn per annum and on schools by £4bn per annum by 2022, remove the ban on new grammar schools, means-test the winter fuel allowance, replace the state pension "triple lock" with a "double lock" and require executive pay to be approved by a vote of shareholders. It also contained May's previously-announced flagship energy reform of a cap on gas and electricity bills for households on standard variable tariffs. It dropped the 2015 pledge to not raise income tax or national insurance contributions but maintained a commitment to freeze VAT. New sovereign wealth funds for infrastructure, rules to prevent foreign takeovers of "critical national infrastructure" and institutes of technology were also proposed. The manifesto was noted for its intervention in industry, lack of tax cuts and increased spending commitments on public services. On Brexit it committed to leaving the single market and customs union while seeking a "deep and special partnership" and promised a vote in parliament on the final agreement.
The manifesto also proposed reforms to social care in England that would raise the threshold for free care from £23,250 to £100,000 while including property in the means test and permitting deferred payment after death. After attracting substantial media attention, four days after the manifesto launch May stated that the proposed social care reforms would now include an "absolute limit" on costs in contrast to the rejection of a cap in the manifesto. She criticised the "fake" portrayal of the policy in recent days by Labour and other critics who had termed it a "dementia tax". Evening Standard editor George Osborne called the policy change a "U-turn". The Financial Times contrasted her "Strong and Stable" leadership slogan with her own record of nine rapid U-turns claiming she was "making a habit of retreating from policies."
The general election in June resulted in a hung parliament, prompting her to broker a deal with Northern Ireland's Democratic Unionist Party (DUP), involving £1 billion of additional public funding for Northern Ireland.
Second term (2017–2019)
Less than two weeks after the 2017 State Opening of Parliament, May ordered a full public inquiry into the contaminated blood scandal. For this she was widely praised as successive governments going back to the 1980s had refused such an inquiry, some though speculated that May had simply been forced to announce the inquiry after a group legal action and news of fresh evidence were brought by Jason Evans. Additionally, Andy Burnham had threatened to take evidence to the police if an inquiry were not announced. With over 1,000 core participants, the Infected Blood Inquiry is the biggest public inquiry ever held in the UK.
Myanmar
May is the first British prime minister to visit Buenos Aires after the Falklands War. In November 2017, May said the actions of Myanmar Army and police against the Rohingya Muslim minority in Myanmar "looks like ethnic cleansing". According to May, "it is something for which the Burmese authorities – and especially the military – must take full responsibility." From the 2017 general election to December 2017, May suffered no defeats in whipped votes in the House of Commons. On 13 December 2017, May lost a vote on the EU Withdrawal Bill by 309 votes to 305, due to 11 Conservatives voting against the government, including Stephen Hammond who was then vice-chairman of the Conservative Party.
Russia
May accused Russia of "threatening the international order", "seeking to weaponise information" and "deploying its state-run media organisations to plant fake stories". She further suggested the country had been meddling in the 2017 German federal election in contradiction of German government officials and security experts, who had dismissed the possibility.
May's government accused Russia for orchestrating the poisoning of Sergei and Yulia Skripal. The UK's official assessment of this incident was supported by 28 other countries, who expelled an unprecedented total of 153 Russian diplomats. May said in the House of Commons on 12 March:
It is now clear that Mr Skripal and his daughter were poisoned with a military-grade nerve agent of a type developed by Russia. This is part of a group of nerve agents known as 'Novichok'. Based on the positive identification of this chemical agent by world-leading experts at the Defence Science and Technology Laboratory at Porton Down; our knowledge that Russia has previously produced this agent and would still be capable of doing so; Russia's record of conducting state-sponsored assassinations; and our assessment that Russia views some defectors as legitimate targets for assassinations; the Government has concluded that it is highly likely that Russia was responsible for the act against Sergei and Yulia Skripal. Mr Speaker, there are therefore only two plausible explanations for what happened in Salisbury on 4 March. Either this was a direct act by the Russian State against our country. Or the Russian government lost control of this potentially catastrophically damaging nerve agent and allowed it to get into the hands of others.
China
May promised to confront China on human rights but was praised in Communist Party-controlled media for "sidestepping" human rights in China during her first official visit to the country. The Global Times said: "For the Prime Minister, the losses outweigh the gains if she appeases the British media at the cost of the visit's friendly atmosphere."
Assassination plot
In 2017, Islamic State terrorist Naa'imur Zakariyah Rahman was foiled in a plot to assassinate May at Downing Street.
Turkey
In May 2018, during a three-day state visit to the UK by Turkish president Recep Tayyip Erdoğan, May declared that Britain is a "true friend" of Turkey, but she added that "It is important that in defence of democracy, which has been facing extraordinary pressures from the failed coup, instability across the border from Syria and from Kurdish terrorism, Turkey does not lose sight of the values it is seeking to defend."
Contempt of Parliament
On 4 December 2018, on a motion passed by MPs by 311 to 293 votes, the May Government was found in contempt of Parliament; the first government to be found in contempt in history. The vote was triggered by the government failing to lay before Parliament any legal advice on the proposed withdrawal agreement on the terms of the UK's departure from the European Union, after a humble address for a return was unanimously agreed to by the House of Commons on 13 November 2018. The government then agreed to publish the full legal advice for Brexit that was given to the Prime Minister by the Attorney General during negotiations with the European Union.
Vote of confidence (Conservative Party)
In December 2018, May faced a vote of confidence in her leadership of the Conservative Party over opposition to her negotiated Brexit deal, after the number of Conservative MPs exceeded the 48 no-confidence letter threshold that the 1922 Committee Chairman, Sir Graham Brady required for the vote of confidence to be held. May won the vote with 200 Conservative MPs voting for her, compared to 117 voting against. As part of her speech to the Parliamentary Conservative Party before the confidence vote was opened, it was reported that May conceded that she would step down as prime minister after delivering Brexit and would not lead the Conservative Party into the next General Election in exchange for Conservative MPs voting to have confidence in her leadership so that she would be able to keep the party, Parliament and the UK stable during the final stages of Brexit. May later confirmed this to BBC News Political editor, Laura Kuenssberg after meeting EU leaders, including Jean-Claude Juncker in Brussels.
Vote of no confidence (House of Commons)
On 17 December 2018 in the House of Commons, the Leader of the Opposition and Labour Party Leader, Jeremy Corbyn, tabled a motion of no confidence in May's premiership, citing May's refusal to set the date for the meaningful vote on her Brexit deal before Christmas, and instead pushing it back to mid-January. The following day the government refused to allow time for the motion to be debated. John Bercow, Speaker of the House of Commons, confirmed that they were under no obligation to do so. Following the defeat of May's Brexit deal on 15 January 2019, Corbyn tabled a motion of no confidence in the Government, to be voted on by parliament the following evening. The motion was defeated by 325 votes to 306; a majority of 19.
Brexit deal defeats
In January 2019, May's government was defeated in the House of Commons by a margin of 230 votes (202 in favour and 432 opposed) in a vote on her deal to leave the European Union ("first meaningful vote"). It was the largest majority against a United Kingdom government in history.
In March, May was again defeated in the Commons by 149 votes (242 in favour and 391 against) on her latest deal after she secured last-minute concessions from the EU ("second meaningful vote"). May was then again defeated by 58 votes in the Commons (286 in favour and 344 against) on the withdrawal deal but not the political declaration ("third meaningful vote").
Resignation
I will shortly leave the job that it has been the honour of my life to hold – the second female Prime Minister but certainly not the last. I do so with no ill-will, but with enormous and enduring gratitude to have had the opportunity to serve the country I love.
On 27 March 2019 at a meeting of the 1922 Committee, May confirmed that she will "not lead the UK in the next stage of Brexit negotiations", meaning she was expected to resign after the third meaningful vote, if it had passed successfully. However, no date was stated, and her reported wording was ambiguous and thus carried no binding force. On 29 March, the third meaningful vote was defeated, and while May did not state anything in regards to standing down, Corbyn stated that if May could not find an alternative to her deal "she must go, not at an indeterminate date in the future but now."
On 22 April it was announced that the leaders of 70 Conservative Associations had signed a petition calling for a vote of no confidence. Under party rules an Extraordinary General Meeting must be convened if one is demanded by 65 associations. The non-binding vote, to be determined by 800 of the party's senior officials, would be the first time such an instance has occurred. On 24 April, the party's 1922 Committee ruled out changing the leadership challenge rules, but its chair, Graham Brady, asked for clarity on when May would step down from office.
On 24 May she confirmed that she would resign as Conservative Party leader on 7 June, stating, "it is now clear to me that it is in the best interests of the country for a new prime minister to lead that effort." She continued to serve as prime minister until she tendered her resignation to the Queen on 24 July. This coincided with the arrival of Boris Johnson as prime minister, who was elected by the Conservative Party membership. By constitutional convention May did not step down until she assured the Queen that Johnson would be able to command the confidence of the House of Commons.
In one of May's last Prime Minister's Questions, Barry Sheerman, the Labour MP for Huddersfield, urged May not to "cut and run" and instead reconsider her resignation. May responded by saying she would return to the role of a backbench MP after leaving office.
On 24 July 2019, May ended her consecutive service at the frontbench since 1998 when she had been appointed Shadow Spokesman for Schools, Disabled People and Women.
Ministerial resignations
May's premiership had 51 resignations with 33 relating to Brexit. These included 12 departures from the Cabinet. The pace and number of resignations have been described as 'unprecedented' by the Institute for Government, with resignations impacting the functioning of the government. In less than three years, May received more resignations than Thatcher (11 years) or Blair (10 years). The Chief Whip Julian Smith described May's Cabinet as exhibiting the 'worst cabinet ill-discipline in history'.
Public opinion
May had a high approval rating during her first week as prime minister. The results of an Ipsos MORI survey released in July 2016 indicated that 55% of those surveyed believed that May was a suitable PM while only 23% believed that the Labour Leader Jeremy Corbyn would make a good prime minister.
A ComRes poll taken in September 2016 after her election suggested May was seen as substantially more "in touch with ordinary British people" than her predecessor David Cameron and a majority of voters saw her as "the right person to unite the country".
At the beginning of 2017, nearly six months after becoming prime minister, a ComRes found May was the most popular UK politician with a net rating of +9 which was described as the longest honeymoon period enjoyed by any sitting Conservative prime minister since the end of the Second World War.
The Conservative Party had a 21-point lead over Labour in a poll released the day before May announced a snap election but this lead narrowed substantially. In mid-June, following the election, a YouGov poll showed that May's popularity had dropped to a rating of −34. In April 2018, May had a higher approval rating than Corbyn for the first time since the general election, leading him by −13 to −23.
Plans to reform social care came to dominate the Conservative election campaign during the 2017 snap election, with some arguing it ultimately cost May her majority. May's promised green paper on the future of adult social care was plagued by frequent delays, ultimately never materialising during her premiership. A December 2019 poll by learning disabilities charity Hft found that 59% of social care providers in England believed that the situation in social care worsened under May's premiership, compared to just 3% who said it was slightly better.
Political positions
May has identified herself with the one-nation conservative position within her party.
Since coming into prominence as a front-bench politician, May's public image has divided media opinion, especially from some in the traditionalist right-wing press. Commenting on May's debut as Home Secretary, Anne Perkins of The Guardian observed that "she'll be nobody's stooge", while Cristina Odone of The Daily Telegraph predicted her to be "the rising star" of the Coalition Government. Allegra Stratton, then with The Guardian, praised May as showing managerial acumen.
Describing her as a liberal Conservative, the Financial Times characterised May as a "non-ideological politician with a ruthless streak who gets on with the job", in doing so comparing her to German Chancellor Angela Merkel. Conversely, in The Independent, Rebecca Glover of the Policy Innovation Research Unit contrasted May to Boris Johnson, claiming that she was "staunchly more conservative, more anti-immigration, and more isolationist" than he was.
During her leadership campaign, May said that "We need an economy that works for everyone", pledging to crack down on executive pay by making shareholders' votes binding rather than advisory and to put workers onto company boards (although she later claimed that the last pledge was not to be mandatory), policies that The Guardian describes as going further than the Labour Party's 2015 general election manifesto.
After she became prime minister, May's first speech espoused the left, with a promise to combat the "burning injustice" in British society and to create a union "between all of our citizens" and promising to be an advocate for the "ordinary working-class family" and not for the affluent in the UK. "The government I lead will be driven not by the interests of the privileged few but by yours. We will do everything we can to give you more control over your lives ... When we take the big calls, we'll think not of the powerful, but you. When we pass new laws we'll listen not to the mighty, but to you. When it comes to taxes we'll prioritise not the wealthy but you."
May has described herself as a personal supporter of fox hunting with hounds, saying that foxes' numbers had to be controlled and that hunting them with dogs was the most humane way to do it. The Conservative manifesto for the 2017 election included a pledge to hold a parliamentary vote to repeal the Hunting Act 2004, which prohibits a range of hunting activities.
After the Conservatives' manifesto for the 2017 election was released, some people, including Fraser Nelson of The Spectator, called her a "red Tory", saying that she had moved her party to the left in politics. Politico called her policies "Mayism", saying that Mayism was "a working-class conservatism openly critical of the "cult of individualism" and globalization".
May praised the former prime minister Winston Churchill and has a portrait of Churchill on the wall of her study. May's spokesman said: "The prime minister has quoted and referenced Sir Winston Churchill on many occasion and acknowledged him as one of the great prime ministers of the 20th century."
May welcomed the arrest of WikiLeaks founder Julian Assange, saying that "no one is above the law." Assange had fled to the Ecuadorian embassy in London in 2012 after being accused of sexual assault in Sweden. He is also wanted by the US for "conspiracy to commit computer intrusion" relating to the Wikileaks release of classified material in 2010, including footage of US soldiers killing civilians in Iraq.
Foreign policy
In 2003, May voted to approve the invasion of Iraq and in 2013 voted in favour of British military intervention in the Syrian civil war.
The May Ministry delayed the final approval for the Hinkley Point C nuclear power station in July 2016, a project which May had objected to when she was Home Secretary. Her political adviser Nick Timothy wrote an article in 2015 to oppose People's Republic of China's involvement in sensitive sectors. He said that the government was "selling our national security to China" without rational concerns and "the Government seems intent on ignoring the evidence and presumably the advice of the security and intelligence agencies."
Politicians and human rights activists urged Theresa May's government to vote against Saudi Arabian retention of the membership of the UN Human Rights Council. Amnesty International's UK Foreign Policy Programme Director Polly Truscott said: "Rather than turning a blind eye to Saudi Arabia's continuing bully tactics, the UK should publicly hold the Saudi authorities to account for its appalling human rights record and the ongoing war crimes in Yemen and should stop selling weapons to Saudi as a matter of urgency." May defended selling arms to Saudi Arabia stating that close ties with the country "keep people on the streets of Britain safe".
Economic policy
Prior to her premiership, May outlined plans to backtrack on the longstanding government plan to achieve a surplus by 2020, following the UK's withdrawal from the European Union. With uncertainty surrounding the economic outlook, Chancellor of the Exchequer Phillip Hammond has suggested that the government's Autumn Statement may be used to "reset" economic policy.
In 2015, while May was Home Secretary, an 18% funding cut in the police force had taken place with the loss of around 20,000 police officers. Before the Manchester Arena bombing and after the Paris attacks, she was warned by a Manchester senior police officer that the cuts in the force and community policing risked terror attacks in the city due to the lack of resources to undertake proper intelligence and anti-terrorist measures.
In May and Hammond's 2017 budget, continued government policies were confirmed regarding freezing benefits.
May's government published a Green Paper in November 2016 which considered forcing companies to reveal the difference between what their CEOs are paid and what their ordinary workers are paid. On 1 January 2019 new regulations came into force for UK listed companies with over 250 employees to annually disclose the ratio of their CEO's pay to the median, lower quartile, and upper quartile pay of their UK employees.
Workers' representatives
Before her premiership began, May said that she planned to have workers represented on company boards, saying "If I'm prime minister ... we're going to have not just consumers represented on company boards, but workers as well." May aimed to put workers' and consumers' representatives on boards to make them more accountable. Nils Pratley, a journalist at The Guardian, wrote in July "Fundamental principles of Britain's boardroom governance are being rethought. It is a very welcome development. In the more enlightened quarters of the UK corporate world, they can see that boardroom pay has eroded trust in business." Workers' representatives, it appeared, would have made UK companies more like those in Germany and France. May was accused of backtracking in November 2016 when she said that firms would not be forced to adopt the proposal, saying "there are a number of ways in which that can be achieved".
Environmental policy
Following the impact of Blue Planet II in 2017, the May administration outlined plans to approve further green policy. A particular focus has been on plastic and its impact on the environment. Her government's "25 Year Environment Plan" was published in January 2018: targets were set for achievement of a number of environmental benefits with dates ranging from 2025 to 2060. In March 2018, May announced plans for a plastic deposit scheme modelled on a similar policy in Norway to boost recycling.
EU and Brexit
May publicly stated her support for the UK remaining in the EU during the 2016 referendum campaign, but did not campaign extensively in the referendum and criticised aspects of the EU in a speech. It was speculated by political journalists that May had sought to minimise her involvement in the debate to strengthen her position as a future candidate for the Conservative party leadership. Some in David Cameron's ministry likened May to a "submarine" on the issue of Brexit due to her perceived indifference towards the referendum and the EU.
In a leaked recording prior to the Brexit referendum, May stated:
I think the economic arguments are clear. I think being part of a 500-million trading bloc is significant for us. I think, as I was saying to you a little earlier, that one of the issues is that a lot of people will invest here in the UK because it is the UK in Europe. If we were not in Europe, I think there would be firms and companies who would be looking to say, do they need to develop a mainland Europe presence rather than a UK presence? So I think there are definite benefits for us in economic terms.
May also said Britain was more secure as part of the EU due to the European arrest warrant and Europe-wide information sharing among other factors. She said, "There are definitely things we can do as members of the European Union that I think keep us more safe".
May's public reticence during the referendum campaign resulted in tensions with David Cameron and his pro-EU team. Following the referendum and her election as party leader, May signalled that she would support full withdrawal from the EU and prioritise immigration controls over remaining within the single market, leading some to contrast this with her earlier remarks on the earlier economic arguments. She later went on to say before the 2017 United Kingdom general election that she would be willing to leave the EU without a deal, saying that "no deal is better than a bad deal. We have to be prepared to walk out". The Lib Dem leader, Tim Farron, said it was "disappointing that Theresa May lacked the political courage to warn the public as she did a bunch of bankers in private about the devastating economic effects of Brexit. More disappointing is that now she is supposedly in charge, she is blithely ignoring her own warnings and is prepared to inflict an act of monumental self-harm on the UK economy by pulling Britain out of the single market." Phil Wilson for the Open Britain group said, "It's good to know that privately Theresa May thinks what many of us have been saying publicly for a long time, leaving the single market would be bad for businesses and for our economy. Now she is prime minister, Theresa May is in an unrivalled position to act on her previous concerns, starting by putting membership of the single market at the heart of her government's negotiating position."
On 22 September 2017, May officially made public the details of her Brexit proposal during a speech in Florence, urging the European Union to maintain a transitional period of two years after Brexit during which trade terms remain unaltered. During this period, the UK would also continue to honour its budget commitments of about €10 billion per annum, and accept immigration from Europe. Her speech was criticised by leading Eurosceptic Nigel Farage. The European Union's Brexit negotiator Michel Barnier welcomed May's proposal as "constructive," but said it also "must be translated into negotiating positions to make meaningful progress."
May did not initially wish to give MPs a vote on withdrawal from the European Union. Nicky Morgan stated "in 2016 MPs aren't asking for a veto but they do want a say and we hope the Prime Minister will remember her earlier words". Anna Soubry and Nick Clegg also called for more parliamentary involvement. In November 2016, the High Court ruled in R (Miller) v Secretary of State for Exiting the European Union that parliament must vote on the decision to leave the EU but May appealed to the Supreme Court. Nicola Sturgeon, Scottish First Minister has joined the case as did representatives from Wales and Northern Ireland. Sturgeon felt that the Scottish Parliament should also consent to the UK triggering of Article 50. She said she was not seeking to prevent England and Wales leaving but wanted to preserve Scotland's place in the EU. In the end the Supreme Court required a vote in the UK parliament.
May was accused of not having a plan if Brexit talks broke down. There were fears that if talks failed Britain could be left trading under WTO rules which it was feared by some analysts would seriously damage jobs and livelihoods in Britain and Europe. May's ministers repeatedly promised to walk away from a bad final deal but, it was argued by some commentators, had no plans for how to manage without a deal. Ivan Rogers described May's Brexit strategy as "an accident waiting to happen". He said completing Brexit was "guaranteed" to take a decade and alleged May's hopes of a trade deal made to order meant that instability in the next few months was "quite likely".
In late October 2018, the National Audit Office claimed that it was already too late to prepare the necessary Irish border security checks in the event of a No-deal scenario—a weakness that could be exploited by criminals.
On 5 February 2019, May gave a speech to business leaders in Belfast to address Brexit stating the United Kingdom's relationship with Ireland was closer than the 26 other members of the EU. She affirmed the government's "absolute" commitment to the Good Friday Agreement and stated that Britain would seek to have no hard border in Northern Ireland.
It was reported in 2020 that former MI6 operative Christopher Steele accused May, while Boris Johnson was foreign secretary, of ignoring claims that Russia may have secretly funded Brexit. Steele accuses May's government of selling British interests short by not taking matters further: "In this case, political considerations seemed to outweigh national security interests. If so, in my view, HMG made a serious mistake in balancing matters of strategic importance to our country."
In July 2020 the Intelligence and Security Committee report on Russia was released. It stated that the British government and intelligence agencies failed to conduct any assessment of Russian attempts to interfere with the 2016 Brexit referendum. It stated the government "had not seen or sought evidence of successful interference in UK democratic processes". Stewart Hosie, SNP member said "The report reveals that no one in government knew if Russia interfered in or sought to influence the referendum because they did not want to know". However, the report stated no firm conclusion could be ascertained on whether the Kremlin had or had not successfully interfered in the referendum.
Feminism
In 2005, May co-founded the mentoring and pressure group Women2Win. This group and May's personal efforts have been credited with increasing the number of Conservative women MPs and with supporting them. In government she lobbied for improvements to maternity leave, and as Home Secretary she acted on FGM and introduced a law on coercive control. However, she has been criticised for the financial cuts made by her government, which have been claimed to have had the greatest impact on poor and vulnerable women.
Same-sex relationships
In 1998, May voted against lowering the age of consent for homosexual acts. May was also a supporter of Section 28, calling a failed repeal in 2000 to be "a victory for commonsense". She was absent for the vote when it was successfully repealed in 2003. She also voted against the Adoption and Children Act 2002 that allowed same-sex couples to adopt.
Beginning in 2012, however, May expressed support for the introduction of same-sex marriage by recording a video for the Out4Marriage campaign, in which she stated "I believe if two people care for each other, if they love each other, if they want to commit to each other... then they should be able to get married and marriage should be for everyone". In May 2013, May voted in favour of the Marriage (Same Sex Couples) Bill, which legalised same-sex marriage in England and Wales. In 2017, May apologised for her past votes while taking credit for helping advance LGBT rights within her party.
Post-premiership (2019–present)
After leaving 10 Downing Street, May took her place on the backbenches, remaining an MP to "devote her full time" to her constituency of Maidenhead, Berkshire. In the 2019 general election she was re-elected as the constituency's MP.
In May 2020, May criticised Dominic Cummings when he broke lockdown rules during the COVID-19 pandemic. She abstained in the vote on the second lockdown in Parliament.
On 13 July 2021, May was one of 24 Conservative MPs who voted against their party, defying the whip for the first time in 24 years, over the government's proposal to cut its foreign aid budget. She criticised the government, saying in an address to Parliament, "We made a promise to the poorest people in the world. The Government have broken that promise."
Amid the Partygate scandal, May was critical of Boris Johnson after the publication of the summary of the Sue Gray report, stating "either my right honourable friend had not read the rules or didn't understand what they meant and others around him, or they didn't think the rules applied to Number 10. Which was it?"
On 16 March 2022, Russia banned May from visiting the country over its invasion of Ukraine.
In September 2023, the House of Commons official portrait of May by artist Saied Dai was unveiled. In a radio interview with Nick Robinson she said that her Brexit deal would have been better and that she regretted saying "nothing has changed". Also in that month, May's book titled The Abuse of Power - Confronting Injustice in Public Life was published. In October 2023, May appeared as the guest star in 2 episodes of The Rest Is Politics: Leading, hosted by Alastair Campbell, and a former minister in her government, Rory Stewart.
In March 2023, May was reselected as the Conservative candidate for Maidenhead at the 2024 general election, however in March 2024, May announced that she would not seek re-election as an MP at the general election, joining a record number of Conservative MPs standing down at the election. May said she is spending much of her time on causes "close to my heart": "These causes have been taking an increasing amount of my time. Because of this, after much careful thought and consideration, I have realised that, looking ahead, I would no longer be able to do my job as an MP in the way I believe is right and my constituents deserve." Prime Minister Rishi Sunak called May a "relentless campaigner" who had been "fiercely loyal" to Maidenhead, and added that she "defines what it means to be a public servant". Her predecessor David Cameron called her "a brilliant public servant" who could "hold her head high", and said she had done much to "modernise the Conservative Party and promote women in public life". Leader of the Opposition Keir Starmer thanked May for her service, saying that she had "served this House and her constituents with a real sense of duty" and added that her "unwavering commitment to ending modern slavery is commented by all of us." She was succeeded as MP for Maidenhead by Liberal Democrat Joshua Reynolds, the first liberal MP to be elected to represent this constituency in over 100 years.
May has been mentioned as a possible candidate to replace NATO Secretary-General Jens Stoltenberg following his retirement. In June 2021, British Secretary of State for Defence Ben Wallace expressed support for a potential May candidacy, saying "she would be an excellent candidate." Following her retirement from the House of Commons, May has been identified as a potential candidate in the 2024 University of Oxford Chancellor election to succeed Chris Patten.
Peerage
After standing down as an MP, May was nominated for a life peerage in the 2024 Dissolution Honours. She was created Baroness May of Maidenhead, of Sonning in the Royal County of Berkshire, on 21 August 2024. She was introduced to the House of Lords on 12 September 2024.
Personal life
May has been married to Sir Philip May, an investment relationship manager, since 6 September 1980. It has been reported that former prime minister of Pakistan Benazir Bhutto introduced the two during their time at Oxford. May credits future Australian prime minister Malcolm Turnbull for encouraging Philip to propose to her. May has expressed regret that she and her husband did not have children. The Mays are passionate walkers, and they regularly spend their holidays hiking in the Swiss Alps. May is also a cricket fan, stating that Sir Geoffrey Boycott was one of her sporting heroes. She also enjoys cooking, and has said that she owns 100 cookery books. Philip has said that she "is a very good cook".
May and her husband reside in the Thames village of Sonning which is within her former constituency. She is the first cousin once removed of the Labour MP Alistair Strathern.
May is a member of the Church of England and regularly worships at church (usually at St Andrew's, Sonning) on Sundays. The daughter of an Anglican priest, Hubert Brasier, May has said that her Christian faith "is part of me. It is part of who I am and therefore how I approach things". She was raised in the Anglo-Catholic or High Church tradition of Anglicanism, of which her Mirfield-trained father was a proponent.
May is known for a love of fashion, and in particular of distinctive shoes; she wore leopard-print shoes at her 'Nasty Party' speech in 2002, as well as her final Cabinet meeting as Home Secretary in 2016. On Desert Island Discs in 2014, she chose a subscription to Vogue as her luxury item. However, she has been critical of the media focusing on her fashion instead of her achievements as a politician.
May was diagnosed with diabetes mellitus type 1 in November 2012. She is treated with daily insulin injections.
Honours and arms
Commonwealth honours
Foreign honours
Scholastic
University degrees
Chancellor, visitor, governor, and fellowships
Honorary degrees
Freedom of the City
30 August 2018: Abuja, Nigeria.
Memberships and Fellowships
Awards
Prior to and since her appointment to Government, May has actively supported a variety of campaigns on policy issues in her constituency and at national level. She has spoken at the Fawcett Society promoting the cross-party issue of gender equality. She is the Patron of Reading University Conservative Association, in Berkshire (the county of her Maidenhead constituency). Her activism has earned her a number of awards.
She was nominated as one of the Society's Inspiring Women of 2006. In February 2013, BBC Radio 4's Woman's Hour described her as Britain's second-most powerful woman after Queen Elizabeth II; May was Home Secretary at the time, and the most senior woman in that government.
In 2001 she was made a Liveryman of the Worshipful Company of Marketors.
In September 2017, she was listed by Forbes as the second most powerful woman in the world, behind Angela Merkel.
Arms
See also
Electoral history of Theresa May
References
Further reading
Allen, Nicholas. "‘Brexit means Brexit’: Theresa May and post-referendum British politics." British Politics 13 (2018): 105-120. online
Allen, Nicholas. "Brexit, Butchery and Boris: Theresa May and her first cabinet." Parliamentary Affairs 70.3 (2017): 633-644. online
Atkins, Judi, and John Gaffney. "Narrative, persona and performance: The case of Theresa May 2016–2017." British journal of politics and international relations 22.2 (2020): 293-308. online
Blackburn, Virginia. Theresa May-The Downing Street Revolution (Kings Road Publishing, 2016) online.
Brusenbauch Meislova, Monika. "Brexit means Brexit—or does It? The legacy of Theresa May's discursive treatment of Brexit." Political Quarterly 90.4 (2019): 681-689.
Cole, Mike. Theresa May, the hostile environment and public pedagogies of hate and threat: The case for a future without borders (Routledge, 2019) online.
Dyson, Stephen Benedict. "Theresa May and Brexit: Leadership style and performance." British Politics 19.2 (2024): 213-233.
Harrois, Thibaud. "Towards ‘Global Britain’? Theresa May and the UK’s Role in the World after Brexit." Observatoire de la société britannique 21 (2018): 51-73. online
Holman, Mirya R., Jennifer L. Merolla, and Elizabeth J. Zechmeister. "The curious case of Theresa May and the public that did not rally: Gendered reactions to terrorist attacks can cause slumps not bumps." American Political Science Review 116.1 (2022): 249-264. online
Prince, Rosa. Theresa May: The enigmatic prime minister (Biteback Publishing, 2017) online.
Schnapper, Pauline. "Theresa May, the Brexit negotiations and the two-level game, 2017–2019." in The Nested Games of Brexit (Routledge, 2022) Pp. 68-79. online
Williams, Blair E. "A tale of two women: A comparative gendered media analysis of UK Prime Ministers Margaret Thatcher and Theresa May." Parliamentary Affairs 74.2 (2021): 398-420.
Worthy, Ben, Jessica C. Smith, and Laura Richards-Gray. "Remind you of anyone? Comparing the gendered heroic leadership of Margaret Thatcher and Theresa May." British Politics 19.2 (2024): 288-306. online
External links
Constituency website of Theresa May MP
Theresa May on Twitter
Profile at the Conservative Party website
Profile at Parliament of the United Kingdom
Contributions in Parliament at Hansard
Contributions in Parliament at Hansard 1803–2005
Voting record at Public Whip
Record in Parliament at TheyWorkForYou
Appearances on C-SPAN |
Liz_Truss | https://en.wikipedia.org/wiki/Liz_Truss | [
225,
246
] | [
"https://en.wikipedia.org/wiki/Liz_Truss",
"https://en.wikipedia.org/wiki/Liz_Truss"
] | Mary Elizabeth Truss (born 26 July 1975) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from September to October 2022. On her fiftieth day in office, she stepped down amid a government crisis, making her the shortest-serving prime minister in British history. The member of Parliament (MP) for South West Norfolk from 2010 to 2024, Truss held various Cabinet positions under three prime ministers—David Cameron, Theresa May and Boris Johnson—lastly as foreign secretary from 2021 to 2022.
Truss studied philosophy, politics and economics at Merton College, Oxford, and was the president of the Oxford University Liberal Democrats. In 1996 she joined the Conservative Party. She worked at Royal Dutch Shell and Cable & Wireless and was the deputy director of the think tank Reform. After two unsuccessful attempts to be elected to the House of Commons, she became the MP for South West Norfolk at the 2010 general election. As a backbencher she called for reform in several policy areas including the economy, childcare and mathematics in education. Truss co-founded the Free Enterprise Group of Conservative MPs and wrote or co-wrote a number of papers and books, including After the Coalition and Britannia Unchained.
Truss was the parliamentary under-secretary of state for childcare and education from 2012 to 2014 before Cameron appointed her secretary of state for the environment, food and rural affairs in a cabinet reshuffle. Although she campaigned for the UK to remain in the European Union, Truss supported Brexit following the outcome of the 2016 referendum. Following Cameron's resignation in 2016 his successor, Theresa May, appointed her secretary of state for justice and lord chancellor, making Truss the first woman to serve as lord chancellor in the office's thousand-year history; in the aftermath of the 2017 general election she was demoted to chief secretary to the Treasury. After May announced her resignation in May 2019 Truss supported Johnson's successful bid to become Conservative leader and prime minister. He appointed Truss secretary of state for international trade and president of the Board of Trade in July and subsequently to the additional role of minister for women and equalities in September. Johnson promoted Truss to foreign secretary in the 2021 cabinet reshuffle; during her time in the position she led negotiations on the Northern Ireland Protocol and the UK's response to the Russian invasion of Ukraine.
In September 2022 Truss defeated Rishi Sunak in a leadership election to succeed Johnson, who had resigned because of an earlier government crisis, and was appointed as prime minister by Elizabeth II two days before the monarch's death; her government's business was subsequently suspended during a national mourning period of ten days. In response to the rising cost of living and increased energy prices, her ministry announced the Energy Price Guarantee. The government then announced large-scale tax cuts and borrowing, which led to financial instability and were largely reversed. Facing mounting criticism and loss of confidence in her leadership, Truss announced her resignation as leader of the Conservative Party on 20 October. Sunak was elected unopposed as her successor, and appointed prime minister on 25 October. After spending the duration of Sunak's premiership on the backbenches, Truss lost her seat at the 2024 general election.
Early life and education (1975–1996)
Mary Elizabeth Truss was born on 26 July 1975 at the John Radcliffe Hospital in Oxford, England. She was the second child of John and Priscilla Truss (née Grasby); the year before Truss's birth, their first son, Matthew, had died. Truss was known by her middle name, Elizabeth, from early childhood, with her father—a professor of pure mathematics at the University of Leeds—using it regularly, which she preferred; after being given a badge with "Mary" on it on her first day of school, Truss asked her teacher that it be changed. She later described her parents' politics as being "to the left of Labour"; her mother, a teacher and nurse, was a member of the Campaign for Nuclear Disarmament. When Truss stood for election as a Conservative, her mother agreed to campaign with her but her father declined to do so. Her parents divorced in 2003.
In 1977 Truss and her parents moved to Warsaw, but returned to Britain after John and Priscilla found it "quite grim". After living briefly in Kidderminster, Worcestershire, the family moved to Paisley in Scotland when Truss was four years old, where she attended West Primary School. In 1985 they moved south to Leeds, where Truss attended Roundhay School; she later said in 2022 that at the school she "saw kids ... being let down", a claim which was criticised as inaccurate by several former Roundhay pupils. When Truss was 12 she and her family spent a year in Burnaby, British Columbia, where she attended Parkcrest Elementary School whilst her father taught at Simon Fraser University. Truss praised the Canadian curriculum and the attitude that it was "really good to be top of the class", which she contrasted with her education at Roundhay.
Truss's parents had initially wanted her to study at the University of Cambridge, but Truss instead elected to go to Oxford in what her biographers, Cole and Heale, call a "bout of teenage rebellion". She applied to Merton College but was instead pooled to the all-women's St Hilda's College; annoyed, she then complained to both colleges, after which she was accepted by Merton and began her studies there in September 1993. Truss read philosophy, politics and economics and graduated in 1996. During her time at university, Truss was active in the Liberal Democrats and was a member of the Oxford Reform Club. She became the president of the Oxford University Liberal Democrats in her first year and a member of the national executive committee of Liberal Democrat Youth and Students (LDYS) in 1995. During Truss's previous, unsuccessful bid for the LDYS executive, the party's leader, Paddy Ashdown, said she was "a good debater and is utterly fearless". As a Liberal Democrat, Truss supported the abolition of the monarchy and the legalisation of cannabis, and campaigned against the Criminal Justice and Public Order Act 1994. However, by November 1995 Truss had become critical of the Liberal Democrats, as she "realised the Tory Party was saying quite sane things"; in her last year at the university, she resigned from the LDYS. By 1996 Truss had joined the Conservative Party.
Career
Employment and candidatures (1996–2010)
From 1996 to 2000 Truss worked for Royal Dutch Shell, living in Lewisham and Greenwich and qualifying as a chartered management accountant. In 2000 she was employed by Cable & Wireless and rose to the position of economic director before leaving in 2005; one of her colleagues there, the Labour peer George Robertson, said that Truss "had a passion for politics ... she [was] fresh minded, enthusiastic and the Tory Party needed people like that". In January 2008, after losing her first two elections, Truss became the deputy director of Reform, a centre-right think tank, where she advocated for more focus on countering serious and organised crime and higher standards in schools and action to tackle what Reform perceived as Britain's "falling competitiveness". She co-authored The Value of Mathematics, Fit for Purpose, A New Level, Back To Black and other reports.
Whilst working at Shell, Truss served as the chair of the Lewisham Deptford Conservative Association from 1998 to 2000, having been introduced to the branch by her friend and later Conservative MP Jackie Doyle-Price. During this time, at a reception at the Greenwich Conservative Association, Truss met her future husband, Hugh O'Leary, whom she married in 2000 and with whom she has two daughters: Frances (born 2006) and Liberty (born 2008). Truss unsuccessfully stood for election twice in Greenwich London Borough Council: for Vanbrugh ward in 1998 and Blackheath Westcombe in 2002. The deputy leader of Greenwich Conservatives, Graeme Coombes, recalled in 2022 that Truss "said [in 1998] she was hoping to stand for Parliament ... she was destined for bigger and better things". However, Alex Grant, the candidate who had defeated Truss in 2002, called her "largely invisible during the campaign". In the 2006 council election, Truss was elected for Eltham South, but did not seek re-election to the council in 2010, standing down the day she became an MP.
At the 2001 general election Truss was selected for the safe Labour seat of Hemsworth, West Yorkshire, coming a distant second but achieving a 3.2 per cent swing to the Conservatives, thought impressive by her party colleagues. The election saw the Conservatives make a net gain of one seat, which was considered a disappointment; the party leader William Hague subsequently resigned, with Truss supporting the former defence secretary Michael Portillo's unsuccessful leadership campaign.
In January 2005 Sue Catling, the parliamentary candidate for the Calder Valley constituency, was forced to resign by the local Conservative Association because of an affair with the association's chairman. Catling claimed that the members of the party that had opposed her were sexist and said that she was "accused of everything except murder and paedophilia". Truss, who was selected as the candidate for the seat, narrowly lost to the Labour incumbent after an active Conservative campaign which The Yorkshire Post described as "Blitzkrieg". Beginning in 2004, Truss embarked on an 18-month affair with the Conservative MP Mark Field, which ended shortly after the following year's election.
Following the 2005 general election David Cameron replaced Michael Howard as leader, and Truss was added to the party's A-List, a list of potential Conservative candidates; in October 2009 she was selected for the constituency of South West Norfolk by members of the local Conservative Association, winning over 50 per cent of the vote in the first round of the final against 5 other candidates, including the future deputy prime minister Thérèse Coffey. Shortly after her selection, some members of the constituency association objected to Truss's selection because of her failure to declare her affair with Field. The Mail on Sunday was the first to report on the affair, and party members claimed to have been misled over Truss's "skeleton in the cupboard". A motion was proposed to terminate Truss's candidature; the proponents of Truss's deselection were branded the "Turnip Taliban" by Conservative Party officials and the press, including by the Mail, a reference to stereotypes about Norfolk being a county of farmers. There was also controversy over the fact that Truss was not from Norfolk, with some in the association asking for a local candidate and saying that she had been "parachuted in". On 16 November, the motion was put to the association: following both sides making their arguments, including what Cole and Heale call an "impassioned" speech from Truss, it was defeated by 132 votes to 37.
Backbencher (2010–2012)
Truss was elected as an MP in the 2010 general election, which saw 148 other Conservatives become MPs for the first time; many of what The Independent described as the "golden generation" would later reach high ranks in government. The Conservatives did not reach an overall majority in the House of Commons and entered into a coalition government with the Liberal Democrats, with Cameron becoming prime minister. Following her election to Parliament, Truss campaigned for issues relating to her constituency, including the retention of the Tornado GR4 airbase at RAF Marham in her constituency; the replacement of the old aircraft with around 150 new F-35 strike fighters; the conversion of the A11 west of Thetford into a dual carriageway, which was completed in 2014; and preventing a waste incinerator being built in King's Lynn. Truss co-founded the Free Enterprise Group (FEG)—a grouping of over 30 Thatcherite Conservative MPs—in October 2011; the month prior, she had co-authored After the Coalition with some of the people that would later join the FEG: Priti Patel, Kwasi Kwarteng, Dominic Raab and Chris Skidmore. The book advocated for a number of policies, including a reduction in the top rate of tax to 40 pence per pound and the introduction of a carbon tax to reduce pollution. On the publication, Truss wrote:
Our message must be that the state cannot do everything: while the government can help, it can never fully solve any individual's problems. The NHS can't keep you healthy if you don't eat or exercise properly. A teacher can't get you the grades if you aren't prepared to work. The job centre can't find you work if you aren't prepared to write a CV.
Another book by the same authors, Britannia Unchained, was published in September 2012. The book attracted controversy for claiming that "the British are among the worst idlers in the world. We work among the lowest hours, we retire early and our productivity is poor". In 2022 Truss stated that the authors had each written a different chapter of the book; Raab had written the chapter which contained that claim. Truss soon became well known amongst members of Parliament in Norfolk for her frequent photo ops but was well respected amongst Conservative MPs, who recognised her as dedicated and hard-working, and by staff as attentive to local issues. Some of Truss's earliest contributions to parliamentary discourse were on the subject of education: she advocated for more rigorous teaching in school subjects, especially mathematics, calling for mathematics lessons to be compulsory for all students until the age of 18 and expressing concern about a perceived overreliance on calculators from primary school pupils. Truss criticised "[giving] media studies the same value as further maths" and suggested in 2011 that students should have to sit GCSEs for "5 traditional academic subjects".
Education under-secretary (2012–2014)
In September 2012 Truss was appointed as parliamentary under-secretary of state for education and stepped back from the leadership of the FEG, with Kwarteng taking her place. Truss was pleased with her appointment, and praised Michael Gove, the secretary of state for the department; she also formed a friendly rivalry with the future health secretary Matt Hancock. In January 2013, Truss wrote a white paper—More Great Childcare—in which she proposed increasing the maximum number of children childminders could look after at a time from three to four, as a means of reducing childcare costs. The press, including Conservative-leaning papers like The Daily Telegraph and The Times, were largely hostile to the plan. The former claimed that prices would not fall; the latter claimed that "her appointment signal[led] a rapid deregulation of the sector"; and the Guardian columnist Polly Toynbee challenged Truss to demonstrate how to care for so many children on her own. Following a negative response from trade unions and childminders, Truss met with the deputy prime minister, Nick Clegg, who told her that "some of this is fine" but the maximum childminder increase went "much too far", and advised her to revise the proposal; Truss ignored Clegg and pushed ahead with the plan, angering Clegg, who then blocked the proposals. Truss also announced proposals to reform A-levels by concentrating exams at the end of two-year courses and said that the UK should attempt to "out-educate" countries in Asia.
Environment secretary (2014–2016)
In July 2014 during a cabinet reshuffle, Truss was appointed secretary of state for environment, food and rural affairs; the changes made the Cabinet one third women. Truss was originally to be made a minister of state, but Cameron changed his mind on the morning of the reshuffle. Truss's predecessor Owen Paterson "stormed out" of Cameron's Commons study when told he was to be dismissed; nevertheless, he gave her his phone number and offered his support. Paterson was dismissed partly because of his culling plans for badgers with tuberculosis, which Truss later supported. Truss's early actions at the department included setting up a "food crime unit" to prevent incidents similar to the 2013 horse meat scandal, approving planning for the Thames Tideway Tunnel and development of Flood Re, a scheme designed to insure homes at a high risk of flooding. During her two years in the department Truss launched a ten-year strategy to counter falling bee populations, approved the limited temporary lifting of a European Union ban on the use of two neonicotinoid pesticides and cut subsidies for solar panels on agricultural land. In March 2015 Truss was one of two cabinet ministers to vote against the government's proposal to mandate plain packaging for cigarettes. When she had been asked previously about the issue during a constituency meeting, Truss said "when it comes to things like this, I take a more libertarian approach ... I don't know if it's the government's role to regulate this".
At the Conservative Party conference in September 2014 Truss made a speech in which she said "we import two thirds of our cheese. That is a disgrace" and "in December, I'll be in Beijing, opening up new pork markets". Four days after Truss delivered the speech, parts of the video were featured on the satirical panel show Have I Got News For You; the awkward, stilted delivery led her to be mocked and clips of the speech went viral online. During the 2016 referendum on leaving the European Union, Truss endorsed Remain, saying that the Conservatives had "a golden chance to reform Britain over the next few years" and to avoid "[spending] that time negotiating Britain's exit from the European Union". The referendum resulted in the defeat of Remain and Cameron's resignation; the home secretary Theresa May won the ensuing leadership election and subsequently became leader of the Conservative Party and prime minister.
Justice secretary and lord chancellor (2016–2017)
In July 2016 Truss was appointed as secretary of state for justice and lord chancellor in the first May ministry, becoming the first female lord chancellor in the office's thousand-year history. May's decision to appoint her was criticised by the minister of state for justice, Edward Faulks, who resigned from the government, questioning whether Truss would "have the clout to be able to stand up to the Prime Minister when necessary, on behalf of the judges". Other Conservative members of Parliament criticised Truss's appointment owing to her lack of legal experience; in response, Truss's supporters accused one of the MPs, Bob Neill, of "thinly veiled misogyny".
Before Truss's arrival, the budget of the Ministry of Justice—which is responsible for the administration of British prisons—had been subjected to successive cuts under the coalition government. The cuts were blamed for the prisons' rising rates of violence owing to the consequential drop in prison officer numbers. Truss lobbied the chancellor of the Exchequer, Philip Hammond, for £104 million in order to hire an additional 2,500 officers, which Hammond reluctantly delivered. In November 2016, Truss was accused of failing to support the judiciary after three judges of the High Court were criticised by politicians and by the Daily Mail—which ran with the headline "Enemies of the People"—for ruling against the government on whether Article 50—which would begin the process of leaving the EU—could be triggered without Parliament's approval. A former lord chancellor, Charlie Falconer, suggested that, like her immediate predecessors, Truss lacked legal expertise and called for her to be dismissed as justice secretary as her perceived inadequate response "[signalled] to the judges that they have lost their constitutional protector". She denied that she had failed to defend them, writing:An independent judiciary is the cornerstone of the rule of law, vital to our constitution and freedoms. It is my duty as lord chancellor to defend that independence. I swore to do so under my oath of office. I take that very seriously, and I will always do so.
Chief secretary to the Treasury (2017–2019)
In June, following the 2017 general election, May demoted Truss from justice secretary to chief secretary to the Treasury, meaning she could attend cabinet meetings but was not a full member; Truss was enraged and called the demotion "incredibly unfair" and was, according to one of her friends, "seething for a good couple of days". Despite what Cole and Heale describe as her "knocked" confidence from the demotion, Truss soon began to contribute to the department, using it, according to a Treasury worker, "like her own personal think tank" by asking for research and advice on monetary policy. In her first few months there, she was largely left out of decision-making processes by Hammond, who was described by Kwarteng as "quite a closed, centrally controlling chancellor"; nevertheless, Truss and the Chancellor were reported to have a good relationship. Beginning in December 2017 she developed an enthusiasm for cultivating her presence on Twitter and Instagram; Truss began to plan ministerial visits around photo ops for her social media. Some of her civil servants were reported as finding her tenure as chief secretary "exhausting", owing to her work schedule and asking them multiplication questions, a tactic she had first employed as an MP. Despite her governmental role, Truss remained relatively unknown by the public, with only seven per cent recognising her in March 2019.
In June 2018 Truss gave a speech criticising rules and regulations which she said "just g[ot] in the way of consumers' choices and lifestyles", including the government's efforts to reduce alcohol consumption and unhealthy eating habits, and warned that raising taxes could see the Conservatives being "crushed" at the polls. She also attacked colleagues who she said should realise "it's not macho just to demand more money", a jibe at the defence secretary Gavin Williamson, who had mounted a largely unsuccessful campaign for an extra £20 billion for his department, including threatening to write "Liz Truss blocked your pay" to everybody in the British Armed Forces. Truss's speech, which also mocked Michael Gove, was criticised by Hammond; Ed Vaizey, an ally of Gove's; and Gove himself; a speech she gave in November similarly joked about Matt Hancock, the newly appointed home secretary, Sajid Javid, and the health secretary, Jeremy Hunt. Before May's resignation announcement on 24 May 2019 Truss had sought the opinion of her colleagues on whether she could credibly stand and courted media attention. As it became apparent she could not win, she ruled herself out the day after May announced her resignation and subsequently endorsed the former foreign secretary Boris Johnson, the first minister to do so.
International trade secretary (2019–2021)
After Johnson became prime minister Truss was widely expected to be promoted because of her endorsement of his leadership campaign; it was thought she might have been appointed chancellor or business secretary, but she was instead promoted to the position of secretary of state for international trade and president of the Board of Trade. Following the resignation of Amber Rudd, Truss was additionally appointed minister for women and equalities in September that year. Shortly after becoming international trade secretary, Truss embarked on international trips to the US, New Zealand, Australia and Japan. Truss met with her American counterpart Robert Lighthizer on her first trip to the US, where she gave what Cole and Heale describe as an "incendiary" speech on a potential US–UK trade deal. In Australia she made unscripted comments on their free-trade negotiations with the UK; both events were to the dismay of Downing Street officials. Sebastian Payne described Truss's tenure as international trade secretary as "enthusiastic yet disruptive". She continued to document her trips through social media.
In February 2020 a reshuffle took place following the general election which had been held in December. Truss feared that she would be dismissed after the comments she had made on her previous international trips, but Johnson decided to keep her in post following Javid's resignation as chancellor. During her time at the department Truss became notorious for leaking information. Dominic Cummings, Johnson's chief adviser, later wrote that Truss was "the only minister I shouted at in Number 10" because of her "compulsive pathological leaking". Truss's pursuit of a trade deal with the US concerned some in the National Farmers' Union (NFU), which worried about an influx of lower-quality food products if passed; the NFU, along with The Mail on Sunday, campaigned against such a deal in May. The COVID-19 lockdowns eliminated international travel, and Truss instead attended virtual meetings.
By early 2021 Truss's attempted US trade deal was deemed futile. Instead, she focused on joining the Comprehensive and Progressive Agreement for Trans-Pacific Partnership, which necessitated free trade agreements with Australia, Japan and New Zealand. The Australia deal, finalised in December, was described by one of Truss's aides as "the hardest thing she's ever got through"; the New Zealand deal was agreed to shortly thereafter. By mid-2021 she had started to ingratiate herself with the parliamentary party in anticipation of a leadership election. In September plans for a National Insurance increase were opposed by Truss; Downing Street expected her resignation, but Truss later decided against it.
Foreign secretary (2021–2022)
In September 2021, during a cabinet reshuffle, Johnson promoted Truss from international trade secretary to secretary of state for foreign, Commonwealth and development affairs, replacing Dominic Raab, who had been criticised for holidaying in Crete during the Fall of Kabul; the move was despite Johnson finding Truss "flaky", according to the historian Anthony Seldon. Truss became the second woman to occupy the office and kept the post of equalities minister. Her early actions as foreign secretary included negotiating at the United Nations General Assembly for the release of Nazanin Zaghari-Ratcliffe; meeting with her Japanese, Canadian and German counterparts; mounting an unsuccessful attempt to join the United States–Mexico–Canada Agreement; and a visit to Estonia where—like Margaret Thatcher in West Germany—she was photographed in a tank, with the pictures generating both praise and mockery.
In early 2022 Truss's attention was directed towards a build-up of Russian troops near the Russia–Ukraine border. Truss supported a plan which declassified a large amount of intelligence on Russia, releasing it to the public for the first time in order to weaken the Russian government in the event of an invasion. On 10 February 2022 she met the Russian foreign minister Sergey Lavrov in Moscow, becoming the first British minister to go on a diplomatic trip there since the 2018 Salisbury poisonings. The meeting was, according to Payne, a "disaster": Lavrov described it as being "between the dumb and the deaf", and the two ministers spoke over each other and found it difficult to communicate. Five days later, Truss stated that the world was on the "brink of war in Europe", which transpired in the early hours of 24 February as Russia invaded Ukraine. Before the invasion and during its immediate aftermath, Truss advocated for sanctions on Russia and encouraged other G7 leaders to impose them; in March 2022 she stated that the sanctions would end only in the event of a "full ceasefire and withdrawal". Johnson praised Truss's actions, saying that "she was always terrific on Ukraine ... other governments faffed around ... she was very clear and focused".
Throughout the first half of 2022 Johnson's position as prime minister became increasingly unstable owing to successive scandals damaging his government and his personal reputation, including Partygate, which resulted in him and the chancellor Rishi Sunak receiving fixed penalty notices. During this time, Truss announced the Northern Ireland Protocol Bill, which was intended to overhaul the Northern Ireland Protocol, including measures to free goods produced in Great Britain from what she described as "unnecessary bureaucracy" entering Northern Ireland. The plan was criticised by the European Commission but was received well by the European Research Group—a Eurosceptic faction within the parliamentary Conservative party—and the right-wing Northern Irish Democratic Unionist Party. Amid mounting pressure on Johnson following the Chris Pincher scandal, on 5 July Sunak and Javid resigned within minutes of each other. Johnson again considered giving Truss the chancellorship, but decided against it owing to what Payne calls the "fragile geopolitical situation" and instead selected Nadhim Zahawi as Sunak's replacement. However, Johnson's premiership proved untenable and on 7 July he announced his resignation as leader of the Conservative Party, a move which Truss called "the right decision".
Leadership election (July–September 2022)
On 10 July Truss announced her intention to run in the leadership election to replace Johnson. She pledged to cut taxes, said she would "fight the election as a Conservative and govern as a Conservative" and would take "immediate action to help people deal with the cost of living". She said she would cancel a planned rise in corporation tax and reverse the increase in National Insurance rates, funded by delaying the date by which the national debt was planned to fall, as part of a "long-term plan to bring down the size of the state and the tax burden". The political scientist Vernon Bogdanor said in a 2022 article that "[Truss] appreciated that winning over the membership required not detailed policy proposals but the creation of a mood".
Truss received 50 votes on the first of Conservative MPs' 5 ballots, with the number of votes cast for her increasing in each; on 20 July Truss and Sunak were chosen by the parliamentary party to be put forward to the membership for the final leadership vote, with Truss receiving 113 votes to Sunak's 137. In the membership vote, the leader of the 1922 Committee, Graham Brady, announced on 5 September that 43 per cent of ballots were for Sunak and 57 per cent for Truss, making her the new leader. In Truss's victory speech, she said that she would deliver on her campaign promises and pledged to win a "great victory" for the Conservatives at the next general election.
Premiership (2022)
Cabinet and death of Elizabeth II
As the leader of the Conservative Party, the majority party in the House of Commons, Truss was appointed as prime minister by Elizabeth II at Balmoral Castle on 6 September 2022 and began to select her cabinet ministers. With the appointment of Kwarteng as chancellor of the Exchequer, James Cleverly as foreign secretary and Suella Braverman as home secretary, for the first time in British history, no white men held any of the Great Offices of State. Other appointments included Thérèse Coffey as deputy prime minister and health secretary, Jacob Rees-Mogg as business secretary, Kemi Badenoch as international trade secretary, Kit Malthouse as education secretary, Penny Mordaunt as leader of the House of Commons and Michelle Donelan as culture secretary. Truss retained Ben Wallace as defence secretary, Alok Sharma as president for COP26, Alister Jack as Scotland secretary, Robert Buckland as Wales secretary and James Heappey as minister of state for the armed forces and veterans. Her cabinet was composed almost entirely of those who had supported her during the leadership contest.
Truss was the fifteenth and final British prime minister to serve under Elizabeth II, who died on 8 September, two days after appointing Truss. She was told in the early morning that the Queen was unwell and likely to survive a "matter of hours, not days"; Truss ordered black clothes from her Greenwich home in anticipation of the Queen's death, as she had not yet had time to move her belongings to Westminster. Upon Elizabeth's death, Truss delivered a statement outside 10 Downing Street paying tribute to her:
Queen Elizabeth II was the rock on which modern Britain was built. Our country has grown and flourished under her reign. Britain is the great country it is today because of her. ... Through thick and thin, Queen Elizabeth II provided us with the stability and the strength that we needed. She was the very spirit of Great Britain, and that spirit will endure.
On 10 September Truss attended Charles III's accession ceremony and took an oath of allegiance to the King with fellow senior MPs. On 19 September she attended the Queen's funeral service in Westminster Abbey, reading the second lesson.
Domestic policies and mini-budget
On 8 September, in response to the ongoing cost of living crisis, Truss announced the Energy Price Guarantee, which was planned to cap average household energy bills at £2,500 per year, costing between 31 and £140 billion for the two years it covered. Truss, who announced the measure in the House of Commons, made an effort to keep the energy cap and the tax plan announcements—which the Chancellor was planned to unveil—separate.
On 23 September Kwarteng announced a controversial mini-budget which proposed cutting taxation significantly, including abolishing the 45 per cent rate of income tax and the proposed Health and Social Care Levy, cutting stamp duty and the basic rate of income tax and cancelling rises in National Insurance contributions and corporation tax; the package, which had been constructed by Truss and Kwarteng together, was to be funded by borrowing and was intended to stimulate growth. The mini-budget was received badly by financial markets because it included temporary spending measures whilst permanently cutting tax rates. It was blamed for the pound falling to its lowest ever rate against the US dollar (US$1.033) and prompted a response from the Bank of England which, amongst other measures, bought up government bonds; the public reaction was also broadly negative. The mini-budget was criticised by the International Monetary Fund, the US president Joe Biden, the Labour Party and many within Truss's party, including the senior politicians Michael Gove and Grant Shapps.
Government crisis and resignation
After initially defending the mini-budget, on 3 October Truss instructed Kwarteng to reverse the abolition of the 45 per cent income tax additional rate. She later reversed the cut in corporation tax and dismissed Kwarteng, replacing him with Jeremy Hunt on 14 October. Hunt reversed many of the remaining policies announced in the mini-budget, leading to further instability; because of Truss's perceived weakness, he was described by some Conservative MPs and newspapers as the de facto prime minister. During this time, Truss became increasingly unpopular with the public, and contributed to a large fall in support for the Conservatives; in October, she became the most unpopular prime minister in British history, with her personal approval rating recorded in one survey as nine per cent. She was pilloried in national and international press as a u-turner, and a chaotic vote on fracking along with the resignation of Braverman as home secretary compounded a rapid deterioration of confidence in her leadership. On 19 October, in response to a question by the leader of the opposition, Keir Starmer, Truss said that she was a "fighter and not a quitter", quoting a 2001 phrase by Peter Mandelson.
Shortly before noon on 20 October, Truss's forty-fifth day in office, Brady held a meeting with Truss where she asked if she would be able to remain in office; his response was "I don't think so, Prime Minister". At 1:35 pm, Truss announced her resignation as the leader of the Conservative Party and as prime minister. She gave the following 89-second-long statement:
I came into office at a time of great economic and international instability. Families and businesses were worried about how to pay their bills. Putin's illegal war in Ukraine threatens the security of our whole continent. And our country has been held back by for too long by low economic growth. I was elected by the Conservative Party with a mandate to change this. We delivered on energy bills and on cutting National Insurance. And we set out a vision for a low-tax, high-growth economy that would take advantage of the freedoms of Brexit. I recognise though, given the situation, I cannot deliver the mandate on which I was elected by the Conservative Party. I have therefore spoken to His Majesty the King to notify him that I am resigning as leader of the Conservative Party. This morning I met the chairman of the 1922 Committee, Sir Graham Brady. We've agreed there will be a leadership election to be completed within the next week. This will ensure that we remain on a path to deliver our fiscal plans and maintain our country's economic stability and national security. I will remain as prime minister until a successor has been chosen. Thank you.
Heale describes a "funereal atmosphere" within the government in the days following her resignation statement. She was succeeded by Sunak as leader of the Conservative Party on 24 October and the next day advised the King to appoint him as the new prime minister; Sunak went on to further reverse many of the economic measures she had made as prime minister but retained Hunt as chancellor. Resigning on her fiftieth day, Truss became the shortest-serving prime minister in British history, surpassing George Canning, who was prime minister for 119 days in 1827. The short length of her premiership was the subject of much ridicule, including a livestream of a head of lettuce, started the week prior, which invited viewers to speculate whether Truss would resign before the lettuce wilted.
Post-premiership (2022–present)
Truss was reselected as the Conservative candidate for South West Norfolk in February 2023 and in August that year, she submitted the list of her resignation honours, which were released in December to coincide with the 2024 New Year Honours. In early September 2023 she announced her memoirs about her time as prime minister, Ten Years to Save the West, which was published in April 2024. That same month, Truss gave a speech to the Institute for Government think tank in which she blamed "groupthink" amongst officials and the media for the collapse of her premiership. Similarly, in October at the Conservative Party Conference, she held an event dubbed the "Great British Growth Rally" which was attended by hundreds of Conservative Party members, in contrast to government ministers who gave speeches to a hall which was, according to the Telegraph, "at times almost empty". In February 2024 she co-launched the Popular Conservatism group with others including Jacob Rees-Mogg, Lee Anderson and Priti Patel and spoke at its inaugural event. The 2024 general election, held on 4 July, resulted in Truss losing her seat, in which she was defending a majority of over 26,000, to the Labour challenger, Terry Jermy; the result was described as a Portillo moment by The Spectator, a right-leaning magazine.
Political positions
Domestic issues
Truss has economically liberal views and supports free trade and deregulation. She supports the neoliberal philosophy of supply-side economics, often referred to as "trickle-down economics". After Truss's dismissal of Kwarteng and Hunt's reversal of many of the mini-budget's economic measures, the BBC's political editor Faisal Islam wrote that "Trussonomics is dead".
During her time as a Liberal Democrat, Truss supported the abolition of the monarchy. In 2022 a video of a 19-year-old Truss at the 1994 Liberal Democrat conference criticising the notion of people being "born to rule" resurfaced; in an interview with LBC during her leadership campaign, Truss stated that "almost as soon as I made the speech, I regretted it". In 2021 Truss stated that the Conservatives should "reject the zero-sum game of identity politics, [reject] the illiberalism of cancel culture, and [reject] the soft bigotry of low expectations that holds so many people back". She voted to legalise same-sex marriage but has opposed the expansion of transgender rights. Truss spoke against gender self-identification, stating that "medical checks are important" and that "only women have a cervix". Despite initially supporting single-sex toilets being restricted on the basis of biological sex, she later said in February 2022 that the government was not interested in enacting such a measure.
Foreign policy
Truss was described as a hawkish foreign secretary. She called for Britain to reduce its economic dependency on China and Russia and supported certain diplomatic and economic sanctions imposed by the British government against the former. Truss has supported Taiwan in the context of deteriorating cross-strait relations but, citing precedent, refused to visit the island as prime minister and condemned the Chinese government's treatment of the Uyghur people as "genocide". In 2022 she called Saudi Arabia an ally of Britain but said she was not "condoning" the country's policies, including its handling of human rights and its treatment of women.
Truss supported the United Kingdom remaining in the European Union during the 2016 referendum. Since the referendum, Truss has supported Brexit, and publicly stated in 2017 that she had changed her mind. During the July 2022 leadership election Truss said that "I was wrong and I am prepared to admit I was wrong".
Notes and references
Notes
References
Sources
Books and journals
News
Websites and others
Further reading
External links
Official website
Profile at Parliament of the United Kingdom
Contributions in Parliament at Hansard
Voting record at Public Whip
Record in Parliament at TheyWorkForYou
Appearances on C-SPAN |
Rishi_Sunak | https://en.wikipedia.org/wiki/Rishi_Sunak | [
225
] | [
"https://en.wikipedia.org/wiki/Rishi_Sunak"
] | Rishi Sunak (born 12 May 1980) is a British politician who served as Prime Minister of the United Kingdom from 2022 to 2024. He has been Leader of the Conservative Party since October 2022; after the general election in July 2024, he became Leader of the Opposition. The first British Asian to hold those offices, he previously held two Cabinet positions under Boris Johnson, latterly as Chancellor of the Exchequer from 2020 to 2022. Sunak has been Member of Parliament (MP) for Richmond and Northallerton, previously Richmond (Yorks), since 2015. He is the most recent Conservative Party prime minister.
Sunak was born in Southampton to parents of Indian descent who immigrated to Britain from East Africa in the 1960s. He was educated at Winchester College, studied philosophy, politics and economics at Lincoln College, Oxford, and earned a Master of Business Administration from Stanford University in California as a Fulbright Scholar. During his time at Oxford University, Sunak undertook an internship at Conservative Central Office, and joined the Conservatives. After graduating, Sunak worked for Goldman Sachs and later as a partner at the hedge fund firms the Children's Investment Fund Management and Theleme Partners. Sunak was elected to the House of Commons at the 2015 general election. As a backbencher, Sunak supported the successful campaign for Brexit in the 2016 European Union membership referendum. Sunak was appointed to the junior ministerial position of Parliamentary Under-Secretary of State for Local Government by Theresa May in 2019, and was appointed to the cabinet-attending role of Chief Secretary to the Treasury by Johnson in 2019.
In 2020, Sunak was promoted to Chancellor of the Exchequer. During his time in the position, Sunak was prominent in the government's financial response to the COVID-19 pandemic and its economic impact, including the furlough and Eat Out to Help Out schemes, and was also prominent in the government's response to the cost-of living crisis. He resigned as chancellor in July 2022 amid a government crisis that culminated in Johnson's resignation, and stood in the leadership election to succeed him. He received the most votes in each of the series of MP votes, but lost the members' vote to Liz Truss. After spending the duration of Truss's premiership on the backbenches, Sunak was elected unopposed in the leadership election to succeed Truss, who resigned amid another government crisis; aged 42 at the time he became prime minister, Sunak became the youngest prime minister since The Earl of Liverpool in 1812.
During his premiership, Sunak attempted to improve the economy and stabilise national politics. He outlined five key priorities: halving inflation, growing the economy, cutting debt, reducing National Health Service waiting lists, and stopping the illegal small-boat crossings of the English Channel by enacting the Rwanda asylum plan. On foreign policy, Sunak authorised foreign aid and weapons shipments to Ukraine in response to the Russian invasion of the country, and pledged support for Israel after the attacks which began the Israel–Hamas war whilst later calling for a ceasefire in the Gaza Strip. He did not avert further unpopularity for the Conservatives, reflected in the party's poor performances in the 2023 and 2024 local elections. Sunak called a general election for July 2024 despite being widely expected to call the election in the autumn; the Conservatives lost this election in a landslide to the opposition Labour Party led by Keir Starmer, ending 14 years of Conservative government.
After leaving office, Sunak became Leader of the Opposition and has remained Conservative leader while the leadership election to replace him is taking place, and formed a shadow cabinet. He also intends to remain as a backbench MP for the next five years. As chancellor, Sunak received high approval and popularity ratings in the early stages of the COVID-19 pandemic in 2020, although his popularity later declined amid the cost-of living crisis in 2022.
Early life and education (1980–2001)
Rishi Sunak was born on 12 May 1980 in Southampton General Hospital in Southampton, Hampshire, to East African-born Hindu parents of Indian Punjabi descent. His father was born in the Kenya Colony in 1949, while his mother was born in the Tanganyika Territory (modern-day Tanzania). His paternal grandfather Ramdas Sunak had migrated from Gujranwala, located in present-day Pakistan, to the Kenyan capital of Nairobi in 1935, while his maternal grandfather, Raghubir Berry, grew up in Punjab before eventually moving to Tanzania as an engineer. Both of Sunak's parents had moved to the UK in 1966. While in the UK they eventually met and would get married in 1977.Sunak attended Stroud School, a preparatory school in Romsey, and later studied at Winchester College as a dayboy, becoming head boy of the college. He worked as a waiter, at the curry house Kuti's Brasserie in Southampton, during his summer holidays. He read philosophy, politics and economics at Lincoln College, Oxford, graduating with a first in 2001. During his time at university, he undertook an internship at Conservative Campaign Headquarters and joined the Conservative Party. In 2006 Sunak earned a Master of Business Administration degree from Stanford University as a Fulbright Scholar.
Sunak's paternal grandfather was from Gujranwala (in present-day Pakistan), while his maternal grandfather was from Ludhiana (in present-day India); both cities at the time were part of the Punjab province in British India. His grandparents migrated to East Africa, and then to the United Kingdom in the 1960s. His father was born and raised in the Colony and Protectorate of Kenya (present-day Kenya), and was a general practitioner in the National Health Service (NHS). His mother, born in Tanganyika (which later became part of Tanzania), was a pharmacist who owned the Sunak Pharmacy in Southampton between 1995 and 2014, and has a degree from Aston University. Sunak is the eldest of three siblings. His brother is a psychologist and his sister works in New York as chief of strategy and planning at Education Cannot Wait, the United Nations Global Fund for Education in Emergencies and Protracted Crises.
Career
Business career (2001–2015)
Sunak worked as an analyst for the investment bank Goldman Sachs between 2001 and 2004. He then worked for hedge fund management firm The Children's Investment Fund Management (TCI), becoming a partner in September 2006. He left in November 2009 to join former colleagues in California at a new hedge fund firm, Theleme Partners, which launched in October 2010 with $700 million under management (equivalent to $978 million in 2023). At both hedge funds, his boss was Patrick Degorce. Sunak was also a director of the investment firm Catamaran Ventures, owned by his father-in-law, the Indian businessman N. R. Narayana Murthy of Infosys, between 2013 and 2015.
Backbencher (2015–2018)
Sunak was selected as the Conservative candidate for Richmond (Yorks) in October 2014. The seat was previously held by William Hague. In the same year Sunak was head of the Black and Minority Ethnic (BME) Research Unit of the conservative think tank Policy Exchange, for which he co-wrote a report on BME communities in the UK. He was elected as MP for the constituency at the 2015 general election with a majority of 19,550 (36.2%). During the 2015–2017 Parliament he was a member of the Environment, Food and Rural Affairs Select Committee.Sunak supported the successful campaign to leave the European Union in the 2016 European Union membership referendum, criticising the EU's immigration laws: "We are discriminating against countries with whom we have ties of history, language and culture" That year, he wrote a report for the Thatcherite think tank Centre for Policy Studies supporting the establishment of free ports after Brexit, and the following year wrote a report advocating the creation of a retail bond market for small and medium-sized enterprises. Following Cameron's resignation, Sunak endorsed Michael Gove in the 2016 Conservative Party leadership election, and later endorsed successful candidate Theresa May after Gove was eliminated in the second round of voting.
Sunak was re-elected at the 2017 general election with an increased majority of 23,108 (40.5%). In the same year, Sunak wrote a paper for Policy Exchange on the importance and fragility of the UK's undersea infrastructure. Sunak was re-elected at the 2019 general election with an increased majority of 27,210 (47.2%). Following boundary changes in the 2024 general election, Sunak won the seat of Richmond and Northallerton, which replaced his former seat of Richmond (Yorks), with a majority of 23,059 (51.4).
Local government under-secretary (2018–2019)
Sunak was appointed to a junior ministerial position in May's second government as Parliamentary Under-Secretary of State for Local Government in the 2018 cabinet reshuffle. Sunak voted for May's Brexit withdrawal agreement on all three occasions, and voted against a second referendum on any withdrawal agreement. May's withdrawal agreement was rejected by Parliament three times, leading to May announcing her resignation in May 2019.
Sunak supported Boris Johnson's successful bid to succeed May in the 2019 Conservative Party leadership election and co-wrote an article with fellow MPs Robert Jenrick and Oliver Dowden to advocate for Johnson during the campaign in June.
Chief secretary to the Treasury (2019–2020)
Sunak was appointed to the senior cabinet role of chief secretary to the Treasury by Johnson, serving under Sajid Javid. He became a member of the Privy Council the next day. During the 2019 general election, Sunak represented the Conservatives in debates.
Chancellor of the Exchequer (2020–2022)
In the weeks leading up to Johnson's first cabinet reshuffle in February 2020, a number of briefings in the press had suggested that a new economic ministry led by Sunak might be established, to reduce the power and political influence of the Treasury. By February 2020, it was reported that Javid would remain in his role as Chancellor and that Sunak would stay on as Chief Secretary to the Treasury, in order to "keep an eye" on Javid.
On 13 February 2020, the day of the reshuffle, Javid resigned as Chancellor, following a meeting with Johnson. During the meeting, Johnson had offered to allow Javid to keep his position on the condition that he dismiss all his advisers at the Treasury and replace them with ones selected by 10 Downing Street. Upon resigning, Javid told the Press Association that "no self-respecting minister would accept those terms". Sunak was promoted to chancellor to replace Javid as part of Johnson's first cabinet reshuffle later that day.
COVID-19 pandemic
In response to the first confirmed COVID-19 cases in January 2020, Sunak introduced advice for travellers coming from affected countries in late January and February 2020, and began contact tracing, although this was later abandoned. There were further societal restrictions on the public as the virus spread across the country in the following weeks, initially resisting more stringent measures introduced elsewhere in Europe and Asia. On 23 March 2020, as COVID-19 had become a pandemic and began rapidly spreading across the country, Sunak became prominent in the government's response to the pandemic and its economic impact. On 20 March 2020, Sunak gave a statement on COVID-19, saying:
Now, more than any time in our history, we will be judged by our capacity for compassion. Our ability to come through this, won’t just be down to what government or businesses do, but by the individual acts of kindness that we show each other. When this is over, we want to look back on this moment and remember the many small acts of kindness done by us and to us. We want to look back on this time and remember how we thought first of others and acted with decency. We want to look back on this time and remember how, in the face of a generation-defining moment, we undertook a collective national effort - and we stood together. It’s on all of us.
Furlough scheme
Sunak introduced a programme providing £330 billion in emergency support for businesses, as well as the Coronavirus Job Retention furlough scheme for employees. This was the first time a British government had created such an employee retention scheme. The scheme was introduced on 20 March 2020 as providing grants to employers to pay 80% of a staff wage and employment costs each month, up to a total of £2,500 per person per month. The cost was estimated at £14 billion a month to run.
The furlough scheme initially ran for three months and was backdated to 1 March. Following a three-week extension of the countrywide lockdown the scheme was extended by Sunak until the end of June 2020. At the end of May, Sunak extended the scheme until the end of October 2020. The decision to extend the job retention scheme was made to avoid or defer mass redundancies, company bankruptcies and potential unemployment levels not seen since the 1930s. In March 2021, Sunak announced that the scheme had been extended once more until September 2021.
Eat Out to Help Out
In July 2020, Sunak unveiled a plan for a further £30 billion of spending which included a stamp duty holiday, a cut to value-added tax (VAT) for the hospitality sector, a job retention bonus for employers and the Eat Out to Help Out scheme, aimed at supporting and creating jobs in the hospitality industry. The government subsidised food and soft drinks at participating cafes, pubs and restaurants at 50%, up to £10 per person. The offer was available from 3 to 31 August on Monday to Wednesday each week. In total, the scheme subsidised £849 million in meals.
Patrick Vallance and Chris Whitty were not informed of the scheme. Some considered the scheme to be a success in boosting the hospitality industry, whilst others disagreed. A 2020 study found that the scheme contributed to a rise in COVID-19 infection, which Johnson acknowledged but the Treasury rejected. It was later said by Vallance during the COVID-19 Inquiry that Sunak had not informed medical advisers of the scheme until it was announced, whereas written evidence from Sunak said that the scheme had been discussed with medical advisers, including Vallance, and they had not objected.
Cost of living crisis and energy crisis
Amid the rising cost of living and energy crises, Sunak intensified efforts to respond to the crisis in May 2022, with a £5 billion windfall tax on energy companies to help fund a £15 billion support package for the public. The package included every household getting a £400 discount on energy bills, which would be in addition to a £150 council tax refund the government had already ordered. For about 8 million of the UK's lowest income households, a further £650 payment was announced. Additionally, pensioners or those with disability would qualify for extra payments, on top of the £550 that every household gets, and the £650 they would receive if they had a low income.
Budgets
Sunak presented his first budget, Delivering on Our Promises to the British People, on 11 March 2020. It was scheduled to be followed by another budget in the autumn, but in September 2020 he announced that budget would be scrapped because of the COVID-19 pandemic, stating "now is not the right time to outline long-term plans – people want to see us focused on the here and now". Instead, additional statements were given by the chancellor in both summer and autumn.
The Winter Economy Plan was delivered by Sunak on 24 September 2020. The purpose of the statement was to announce measures aimed at further helping to promote economic recovery following the impact of COVID-19. The plan aimed to further promote economic recovery while preserving jobs and businesses which were considered viable. After a second lockdown in England on 31 October 2020, the programme was extended several times, until 30 September 2021.
The July 2020 summer statement (also known as the coronavirus mini-budget) was delivered by Sunak on 8 July 2020. The purpose of the statement was to announce measures aimed at helping to promote economic recovery following the impact of the COVID-19 pandemic. The statement was delivered to the House of Commons, where Sunak unveiled a spending package worth £30bn. Concerns were subsequently raised by organisations including HM Revenue and Customs and the Institute for Fiscal Studies about the statement's impact, as well as its cost-effectiveness, while at least one major retailer declined to take advantage of a financial bonus scheme intended for rehiring employees placed on furlough during the pandemic.
In his March 2021 budget, Sunak emphasized the effect the COVID-19 pandemic has had on the economy, with 700,000 people losing their jobs, the economy shrinking by 10% (the largest fall in 300 years), and the highest borrowing outside wartime. The budget included an increase in the rate of corporation tax from 19% to 25% in 2023, a five-year freeze in the tax-free personal allowance and the higher rate income tax threshold, and the extension of the furlough scheme until the end of September. Sunak was the first Chancellor to raise the corporation tax rate since Labour's Denis Healey in 1974.
In October 2021, Sunak made his third and final budget statement, which included substantial spending promises related to science and education. The budget increased in-work support through the Universal Credit system by increasing the work allowances by £500 a year, and reducing the post-tax deduction taper rate from 63% to 55%. £560 million of investment was announced for the Levelling Up White Paper. Many of the announcements to be made in the budget were previewed before budget day, drawing criticism and anger from the House of Commons. In response to the criticism, Sunak said the budget "begins the work of preparing for a new economy".
Sunak made what would ultimately be his final budget, his spring statement, on 23 March 2022. He cut fuel duty, removed VAT on energy saving equipment (such as solar panels and insulation) and reduced national insurance payments for small businesses and, while continuing with a planned national insurance rise in April, he promised to align the primary threshold with the basic personal income allowance as of July. He also promised a reduction in income tax in 2024. Sunak also provided some funding which was intended to help vulnerable people cope with the cost of living.
Other actions
Sunak hosted a G7 summit in London in June 2021. A tax reform agreement was signed, which in principle sought to establish a global minimum tax on multinationals and online technology companies. In October 2021, the OECD signed an accord to join the tax reform plan. Later that month, Sunak attended COP26 in Glasgow. During his speech given on 3 November, he said that he felt optimism despite daunting challenges and that by bringing together finance ministers, businesses and investors, COP26 could begin to deliver targets from the Paris Agreement.
Resignation
On 5 July 2022, Sunak and Javid resigned almost simultaneously amid a scandal surrounding the sexual harassment allegations against Chris Pincher, which arose after it was revealed that Johnson had promoted Pincher to the position of Deputy Chief Whip while knowing of the allegations beforehand. Sunak was the second of 61 Conservative MPs to resign during the government crisis. He was succeeded as chancellor by Nadhim Zahawi. Following the resignations of Sunak and Javid, numerous junior ministers and among the parliamentary private secretary (PPS) also resigned, most of whom cited a lack of honesty and integrity on the part of Johnson. In the following 24 hours, 36 MPs resigned from their roles in government and Johnson announced his resignation. In his resignation letter Sunak said:
The public rightly expect government to be conducted properly, competently and seriously. I recognise this may be my last ministerial job, but I believe these standards are worth fighting for and that is why I am resigning. It has become clear to me that our approaches are fundamentally too different. I am sad to be leaving Government but I have reluctantly come to the conclusion that we cannot continue like this.
Conservative leadership bids
On 8 July 2022, Sunak announced his candidacy in the leadership election to replace Johnson. Sunak launched his campaign in a video posted to social media, writing that he would "restore trust, rebuild the economy and reunite the country". He said that his values were "patriotism, fairness, hard work", and pledged to "crack down on gender neutral language". During the campaign, Sunak pledged to included tax cuts only when inflation was under control, scrapping of the 5% VAT rate on household energy for one year, introducing a temporary £10 fine for patients who fail to attend GP appointments, capping of refugee numbers, and a tightening of the definition of asylum. On 20 July, Sunak and Foreign Secretary Liz Truss emerged as the final two candidates in the contest on 20 July to be put forward to the membership for the final leadership vote. He had received the most votes in each of the series of MP votes with Sunak receiving 137 to Truss's 113 in the final round. Sunak opposed Truss' economic plans and predicted they would result in economic damage, saying "Liz, we have to be honest. Borrowing your way out of inflation isn’t a plan, it’s a fairytale.” A spokesperson for Sunak later said: “The reality is that Truss cannot deliver a support package as well as come good on £50bn worth of unfunded, permanent tax cuts in one go. To do so would mean increasing borrowing to historic and dangerous levels, putting the public finances in serious jeopardy and plunging the economy into an inflation spiral."
In the membership vote, Truss received 57.4% of the vote, making her the new leader. Sunak responded by offering his support to Truss, saying "It’s right we now unite behind the new PM, Liz Truss, as she steers the country through difficult times." He spent the duration of Truss's premiership on the backbenches. As Sunak predicted, Truss announced large-scale tax cuts and borrowing in a mini-budget on 23 September, which was widely criticised and – after it rapidly led to financial instability – largely reversed. She announced her resignation on 20 October 2022 amid a government crisis, triggering a leadership contest. On 22 October, it was reported that Sunak had the required number of supporters—100 members of the House of Commons—to run in the ballot on 24 October. The total number of MPs who publicly declared support passed 100 on the afternoon of 22 October. On 23 October, Sunak declared that he would stand for election. After Johnson ruled himself out of the race and Penny Mordaunt withdrew her candidacy, Sunak was announced as the new leader on 24 October.
Premiership (2022–2024)
As the leader of the majority party in the House of Commons, Sunak was appointed as prime minister by Charles III on 25 October 2022, becoming the first British Asian to take the office. At 42, Sunak became the youngest prime minister since Robert Jenkinson, 2nd Earl of Liverpool, in 1812. In his first speech as prime minister, Sunak said that Truss "was not wrong" to want to improve growth and that he "admired her restlessness to create change", but admitted that "some mistakes were made", and that he was elected prime minister in part to fix them:
I will place economic stability and confidence at the heart of this government’s agenda. I will unite our country, not with words, but with action. I will work day in and day out to deliver for you. This government will have integrity, professionalism and accountability at every level. Trust is earned. And I will earn yours.
Cabinet
Sunak selected his cabinet ministers after his appointment as prime minister. Jeremy Hunt was appointed Chancellor of the Exchequer, and Dominic Raab was also re-appointed as deputy prime minister and Justice Secretary, he later resigned from these roles in April 2023 and was replaced by Oliver Dowden. James Cleverly was appointed Foreign Secretary with Suella Braverman as Home Secretary. Ben Wallace was appointed Secretary of State for Defence. Michael Gove was appointed Levelling Up Secretary, Grant Shapps was appointed as Secretary of State for Business, Energy and Industrial Strategy, and Penny Mordaunt became Leader of the House of Commons and Lord President of the council. Other key appointments included Simon Hart as Parliamentary Secretary to the Treasury and Chief Whip of the House of Commons, Nadhim Zahawi as Chairman of the Conservative Party, Oliver Dowden as Chancellor of the Duchy of Lancaster, Thérèse Coffey as Environment Secretary, Mel Stride as Work and Pensions Secretary and Mark Harper as Transport Secretary.
Reshuffles
Sunak's first cabinet reshuffle in February 2023 saw a significant restructuring of government departments. New departments included those for Business and Trade, Energy Security and Net Zero, and Science, Innovation and Technology. The Department for International Trade and the Department for Business, Energy and Industrial Strategy were split and merged into other departments. Ministers who joined the cabinet in the first reshuffle included Greg Hands took over as chairman from Zahawi, though later resigned and replaced by Richard Holden. Lucy Frazer became Secretary of State for Culture, Media and Sport taking over from Donelan. Rachel Maclean left the backbenches and joined the Department for Levelling Up, Housing and Communities. Sunak's last cabinet reshuffle in November 2023 saw the return of former prime minister David Cameron to government following a seven-year absence from frontline politics, replacing James Cleverly as foreign secretary. It also saw the departures of Braverman and Coffey from government and Hands from the cabinet, and the appointment of Laura Trott as Chief Secretary to the Treasury.
Foreign policy
In February 2023, Sunak negotiated a proposed agreement with the EU on Northern Ireland's trading arrangements which was published as the Windsor Framework. On 27 February, Sunak delivered a statement to the House of Commons, saying that the proposed agreement "protects Northern Ireland's place in our Union. On 22 March, the date of the parliamentary vote, 22 Conservative MPs and six DUP MPs voted against the government legislation. The vote ultimately passed by 515 votes to 29.
Immigration
In 2019 the Conservative Party and Boris Johnson pledged to reduce net migration below 250,000 per year, but Sunak said in 2023 that the priority was not to reduce legal immigration but to stop illegal immigration. Nearly 30,000 undocumented migrants crossed the Channel in small boats to the UK in 2023. Long-term net migration to the United Kingdom (the number of people immigrating minus the number emigrating) reached a record high of 764,000 in 2022, with legal immigration at 1.26 million and emigration at 493,000. Of the 1,218,000 legal migrants coming to the UK in 2023, only 10% were EU Nationals.
Sunak continued the Rwanda asylum plan to have asylum seekers and illegal immigrants sent to Rwanda for processing. After the plan was blocked by the UK's Court of Appeal in June 2023 due to concerns over international law and the possibility of refoulement (persecution of those sent to Rwanda), Sunak vowed to appeal against the verdict to the Supreme Court.
On 15 November 2023, the Supreme Court upheld the ruling and declared the plan unlawful. In response, Sunak sent Cleverly to Rwanda to negotiate a treaty with Rwanda focused on preventing refoulement which must now be ratified by the British and Rwandan Parliaments. The government also introduced the Safety of Rwanda (Asylum and Immigration) Bill, emergency legislation giving ministers the power to disapply sections of the Human Rights Act 1998 and certain aspects of international law in order to allow them to declare Rwanda a safe country according to UK law. The bill was criticised by many on the right of the party for not going far enough, resulting in the resignation of the minister for immigration, Robert Jenrick.
On 12 December 2023 Sunak secured a government majority of 44 for the Safety of Rwanda Bill, despite the opposition of all other parties and abstentions from members of the European Research Group.
Russia and Ukraine
Following the 15 November missile explosion in Poland, Sunak met US President Joe Biden and delivered a speech about it. Sunak later met Ukrainian President Volodymyr Zelenskyy, and pledged to give Ukraine £50 million in aid. After meeting Zelenskyy, Sunak said: "I am proud of how the UK stood with Ukraine from the very beginning. And I am here today to say the UK and our allies will continue to stand with Ukraine, as it fights to end this barbarous war and deliver a just peace."
Sunak visited Ukraine on 12 January 2024 to sign a new U.K.-Ukraine Agreement on Security Cooperation with Zelenskyy promising £2.5 billion in military aid to Ukraine, including long-range missiles, artillery ammunition, air defence and maritime security, in addition to £200 million to be spent on military drones, making the UK the largest deliverer of drones to Ukraine out of any nation according to Downing Street.
Israel and Palestine
In October 2023, Hamas launched a surprise attack on Israel that devolved into a war and a growing humanitarian crisis in the Gaza Strip. Sunak pledged the UK's support for Israel and declared that Israel "has an absolute right to defend itself". Sunak backed calls for humanitarian pauses to allow for aid to be brought into Gaza, although he initially rejected calls for a full ceasefire as he argued that this would only benefit Hamas.
Israel used British-supplied weapons in the war. However, Sunak later condemned the high number of civilian casualties in Gaza and called for a "sustainable ceasefire" in which all Israeli hostages were returned to Israel, attacks against Israel ceased and humanitarian aid was allowed into Gaza. His government supported the two-state solution as a resolution to the conflict.
When the International Criminal Court prosecutor Karim Ahmad Khan announced that he would seek to charge Israeli prime minister Benjamin Netanyahu with war crimes, Sunak criticised the move as "unhelpful" and accused Khan of drawing a moral equivalence between Israel and Hamas.
Local election results
Sunak was faced with the task of rebuilding the Conservatives' reputation which had been significantly damaged by the controversies and scandals of the previous year and the Truss ministry. While their poll ratings recovered slightly over the following months, it still wasn't enough to bring them back to pre-Truss levels. Sunak contested his first local elections as leader on 4 May 2023, where the Conservatives suffered heavy losses. Two months later, on 20 July 2023, they lost two seats in by-elections; one to Labour and one to the Liberal Democrats. Their fortunes remained unchanged throughout policy changes of the following year, such as the shelving of the HS2 northern phase in October. The Conservatives lost two further seats in by-elections on 15 February 2024.
In March 2024, there were suggestions that Sunak could face a leadership challenge before the upcoming general election — which was expected within the calendar year — if the Conservatives perform poorly at the local elections on 2 May. Sunak however said he would resist a challenge, even if that ends up being the case. As predicted, 2 May saw grim showing for the Conservatives, who suffered their worst local election results since 1996. Additionally, they lost another seat to Labour in the Blackpool South by-election, and narrowly lost the West Midlands mayoral election in a knife-edge vote. Sunak's premiership was described as more stable than that of his two predecessors, while still not being able to represent a turnaround for the Conservatives.
2024 general election and resignation
On the afternoon of 22 May 2024, Sunak announced that he had asked the King to call a general election for 4 July 2024, surprising his own MPs. Though Sunak had the option to wait until December 2024 to call the election, he said that he decided on the date because he believed that the economy was improving, and that "falling inflation and net migration figures would reinforce the Conservatives' election message of 'sticking to the plan'".
Sunak sought to rebuild the Conservative's reputation following a slump in popularity after the short-lived Truss ministry and a slew of controversies including Partygate that irreparably damaged Johnson's ministry, through campaigning on stabilising the economy, the Rwanda asylum plan, further strengthening the State Pension, and introducing National Service. He released the Conservative manifesto Clear Plan. Bold Action. Secure Future. on 11 June, addressing the economy, taxes, welfare, expanding free childcare, education, healthcare, environment, energy, transport, and crime. Sunak stated during the general election campaign that if his party lost the election he intended to remain as a backbench MP for the next 5 years. On 6 June 2024, the 80th anniversary of D-Day, Sunak was heavily criticised for leaving commemoration events early to do an interview with ITV, including by veterans. Sunak apologised three times over the following week.
Labour won a landslide victory in the general election, ending 14 years of Conservative government. A record number of Conservative MPs either stood down or lost their seats at the election. Three Cabinet members stood down and eight full members and four who attended Cabinet lost their seats, the highest number of sitting cabinet seat losses in history. Sunak conceded the election on 5 July. In his resignation speech before tending his resignation to the King, Sunak apologised to Conservative voters and candidates for the party's heavy defeat, and announced his intention to resign as party leader once a new leader is elected. He also offered support to the incoming prime minister Keir Starmer, saying he was "a decent, public-spirited man" he respected and expressed hope he would be successful.
To all the Conservative candidates and campaigners who worked tirelessly but without success, I am sorry that we could not deliver what your efforts deserved. It pains me to think how many good colleagues, who contributed so much to their communities and our country, will now no longer sit in the House of Commons. I thank them for their hard work, and their service. Following this result, I will step down as party leader, not immediately, but once the formal arrangements for selecting my successor are in place. It is important that after 14 years in government the Conservative Party rebuilds, but also that it takes up its crucial role in Opposition professionally and effectively.
Post-premiership (2024–present)
Leader of the Opposition (2024–present)
After Starmer succeeded Sunak as prime minister, Sunak immediately became Leader of the Opposition and formed his shadow cabinet on 8 July.
Most members of Sunak's cabinet heading into the 2024 general election were given the same portfolios in the shadow cabinet, including former chancellor Jeremy Hunt, who became shadow chancellor, and former home secretary James Cleverly, who became shadow home secretary. Former foreign secretary David Cameron chose to retire from frontline politics, with his former deputy Andrew Mitchell becoming shadow foreign secretary instead. Richard Holden resigned as party chairman, and was succeeded by Richard Fuller in an interim capacity outside shadow cabinet.
Sunak appointed new officeholders to the portfolios held by the eleven cabinet ministers who lost their seats in the election, including Edward Argar, who became shadow justice secretary after the outgoing justice secretary Alex Chalk lost his seat, as well as Helen Whately, who became shadow transport secretary after the outgoing transport secretary Mark Harper also lost his seat. Among other noteworthy appointments, Kemi Badenoch became the shadow housing, communities and local government secretary and former deputy prime minister Oliver Dowden became deputy leader of the opposition.
Sunak will remain leader until his successor is elected in the 2024 Conservative Party leadership election, which is expected to take place later in the year. Responding to the 2024 State Opening of Parliament, Sunak said his party would not oppose the government "for the sake of it", but would hold them to account on their election promises. On proposals to change planning laws, Sunak said that though such changes were needed "a system that does not allow local people to have a say will damage public consent for more housing in the long term". While he respected Starmer's decision to scrap the Rwanda asylum plan, Sunak said that there needed to be an alternative deterrent, otherwise "a large number of those who crossed the Channel illegally will end up remaining here".
On the Government benches life comes at you fast. Soon you might be fortunate enough to be tapped on the shoulder and be offered a junior ministerial role, then you’ll find yourself attending cabinet, then in the cabinet and then when the prime minister’s position becomes untenable you might end up being called to the highest office. And before you know it you have a bright future behind you and you’re left wondering whether you can credibly be an elder statesman at the age of 44.
Political positions
Sunak has been described as a moderate within his party with a technocratic or managerial leadership style. According to Euronews, Sunak is "frequently perceived as a pragmatist and as belonging to the centre-ground of the Conservative Party". He opposed the economic policies of Truss, and although described as a fellow Thatcherite, he is viewed as less economically liberal than Truss.
In April 2023, Sunak's perception as a centrist contrasted with descriptions of his government's policies on transgender and migration issues as being socially conservative, with Jessica Elgot of The Guardian describing Sunak as "perhaps the most socially conservative PM of his generation". Robert Shrimsley of the Financial Times described Sunak as someone whose "easy manner, career in global finance and ethnic background might suggest a more cosmopolitan conservative", even though he is socially conservative and pragmatic. Meanwhile, the New Statesman described Sunak as uneasily straddling both liberal-conservative and national-conservative instincts. In July 2023, The Economist described him as "the most right-wing Conservative prime minister since Margaret Thatcher".
Public image
Following his appointment as chancellor, Sunak arrived in public discourse from relative obscurity. Some political commentators saw Sunak's appointment as signalling the end of the Treasury's independence from Downing Street, with Robert Shrimsley, chief political commentator of the Financial Times, arguing that "good government often depends on senior ministers – and the Chancellor in particular – being able to fight bad ideas".
In the early stages of the COVID-19 pandemic, he was popular by the standards of British politics, described by one analyst as having "better ratings than any politician since the heydays of Tony Blair". Various polls showed Sunak remained overwhelmingly popular among Conservative supporters and many other Britons throughout 2020. In an Ipsos MORI poll in September 2020, Sunak had the highest satisfaction score of any British chancellor since Labour's Denis Healey in April 1978, and was widely seen as the favourite to become the next Conservative leader. Sunak developed a cult media following, with jokes and gossip about his attractiveness widespread on social media and in magazines, gaining the nickname "Dishi Rishi".
Public attitudes towards Sunak remained broadly positive in 2021, though his popularity declined steadily over time. By early 2022, with the cost of living becoming a growing focus of public concern, Sunak's response as chancellor was perceived as inadequate and he received some of his lowest approval ratings, which continued as the Sunak family's financial affairs came under scrutiny. By the time he resigned as chancellor in July 2022, Sunak's approval ratings slightly recovered. In October 2022, following his appointment as prime minister, Sunak's personal favourability ratings increased. By July 2023, Sunak's approval ratings had decreased back to a similar level to when he resigned as chancellor. The New Statesman named him as the second most powerful right-wing figure of 2023, behind only Nigel Farage. By his resignation as prime minister in July 2024, he had his lowest approval ratings to date. Following the 2024 general election, Sunak has received praise for being gracious in defeat, with some commentators recommending for the Conservatives to keep him on as leader.
Personal life
In August 2009, Sunak married Akshata Murty, the daughter of N. R. Narayana Murthy and Sudha Murty. His father-in-law is the founder of the technology company Infosys, in which Murty owns a stake. Sunak and Murty met while studying at Stanford University in the US; they have two daughters: the first born in 2011 and the second in 2013. In November 2020, Sunak was reported by The Guardian to have not declared a significant amount of his wife and family's financial interests on the register of ministers' interests, including a combined £1.7 billion shareholding in the Indian company Infosys. Ministers are required to declare interests that are "relevant" to their responsibilities and "which might be thought to give rise to a conflict" with their public duties. The independent adviser on ministers' interests investigated and concluded that Sunak had not broken any rules.
In early 2022, newspapers reported that Murty had non-domiciled status, meaning she did not have to pay tax on income earned abroad while living in the UK. The status cost approximately £30,000 to secure, and allowed her to avoid paying an estimated £20 million in UK taxes. On 8 April Murty issued a statement saying that she would pay UK taxes on her global income, and that she regretted the issue had become "a distraction for [her] husband". An inquiry was set up to identify the source of the leak regarding her tax status. Reporting around this time also revealed that Sunak had continued to hold United States' permanent resident (green card) status he had acquired in the 2000s until 2021, including for 18 months after he was made chancellor, which required filing annual US tax returns. An investigation into both his wife's tax status and his residency status found that Sunak had not broken any ministerial rules.
Sunak and Murty own several houses, including one in North Yorkshire; a mews house in Earl's Court in central London; a flat on the Old Brompton Road, South Kensington; and a penthouse apartment on Ocean Avenue in Santa Monica, California. In April 2022, it was reported that Sunak and Murty had moved out of the flat above 10 Downing Street to a newly refurbished West London home for domestic reasons. In October 2022, the Sunaks resumed residence of their former official home at 10 Downing Street, this time as prime minister and reversing the trend started in 1997 of prime ministers living in the four-bedroom flat above 11 Downing Street.
In April 2022, amid the Partygate scandal, Sunak was issued a fixed penalty notice by the police who believed he had committed offences under COVID-19 regulations by attending a birthday gathering for Boris Johnson on 19 June 2020. The police also issued 125 fixed penalty notices to 82 other individuals, including Johnson and his wife Carrie Symonds, who all apologised and paid the penalties. After receiving the penalty notice, Sunak said he was "extremely and sincerely sorry" for the hurt caused by him attending the party, and that he respected the police's decision to give him a fine. In January 2023, Sunak was issued a fixed penalty notice by Lancashire Constabulary after a social media video of him failing to wear a seat belt in a moving vehicle was published. Sunak apologised for the incident and said he made a "brief error of judgment".
Sunak is a teetotaller. He stated in 2022 that he had seven dental fillings due to excessive consumption of Coca-Cola when he was younger, and expressed a strong preference for Mexican Coke. He was previously a governor of the East London Science School. Sunak has a Labrador called Nova and is a cricket and horse racing enthusiast. As chancellor, Sunak rose early for a daily Peloton workout and was a fan of fitness instructor Cody Rigsby. Sunak is a close friend of The Spectator's former political editor James Forsyth, whom he has known since their school days. Sunak was the best man at Forsyth's wedding to the journalist Allegra Stratton, and they are godparents to each other's children. He appointed Forsyth as his political secretary in December 2022.
Sunak is a steadfast Southampton F.C. fan. When asked what his ideal job would be if he was not a politician, he replied that if he could "run Southampton Football Club" he would be a "very happy man".
Sunak is a Hindu and identifies as British Indian, stating that he is "thoroughly British" but with an Indian religious and cultural heritage. He took his oath as an MP at the House of Commons on the Bhagavad Gita. During the coronation of Charles III, Sunak gave a reading from the New Testament book of Epistle to the Colossians – Colossians 1:9–17. After the murder of George Floyd by police officer Derek Chauvin, Sunak said he had also faced racism in his life.
Speaking about his childhood during the 2024 general election campaign, Sunak said his parents "wanted to put everything into our education and that was a priority" and that he didn't have Sky TV growing up.
See also
Electoral history of Rishi Sunak
Notes
References
Further reading
External links
Official website
Profile at Parliament of the United Kingdom
Contributions in Parliament at Hansard
Voting record at Public Whip
Record in Parliament at TheyWorkForYou
Appearances on C-SPAN
Final Speech as Prime Minister after July 4, 2024 election on The Guardian |
List_of_Scottish_monarchs | https://en.wikipedia.org/wiki/List_of_Scottish_monarchs | [
225
] | [
"https://en.wikipedia.org/wiki/List_of_Scottish_monarchs"
] | The monarch of Scotland was the head of state of the Kingdom of Scotland. According to tradition, Kenneth I MacAlpin (Cináed mac Ailpín) was the founder and first King of the Kingdom of Scotland (although he never held the title historically, being King of the Picts instead).
The Kingdom of the Picts just became known as the Kingdom of Alba in Scottish Gaelic, which later became known in Scots and English as Scotland; the terms are retained in both languages to this day. By the late 11th century at the very latest, Scottish kings were using the term rex Scottorum, or King of Scots, to refer to themselves in Latin. The Kingdom of Scotland was merged with the Kingdom of England to form a single Kingdom of Great Britain in 1707. Thus, Queen Anne became the last monarch of the ancient kingdoms of Scotland and England and the first of Great Britain, although the kingdoms had shared a monarch since 1603 (see Union of the Crowns). Her uncle Charles II was the last monarch to be crowned in Scotland, at Scone in 1651. He had a second coronation in England ten years later.
Heraldry
List of monarchs of Scotland
House of Alpin (848–1034)
The reign of Kenneth MacAlpin begins what is often called the House of Alpin, an entirely modern concept. The descendants of Kenneth MacAlpin were divided into two branches; the crown would alternate between the two, the death of a king from one branch often hastened by war or assassination by a pretender from the other. Malcolm II was the last king of the House of Alpin; in his reign, he successfully crushed all opposition to him and, having no sons, was able to pass the crown to his daughter's son, Duncan I, who inaugurated the House of Dunkeld.
*Eochiad was a son of Run, King of Strathclyde, but his mother was a daughter of Kenneth I. Evidence of his reign is unclear. He may have never actually been king and if he was, he was co-king with Giric.
¤Amlaíb is known only by a reference to his death in 977, which reports him as King of Alba; since Kenneth II is known to have still been King in 972–973, Amlaíb must have taken power between 973 and 977.
House of Dunkeld (1034–1040)
Duncan succeeded to the throne as the maternal grandson of Malcolm II. The House of Dunkeld was therefore closely related to the House of Alpin. Duncan was killed in battle by Macbeth, another maternal grandson of Malcolm II.
House of Moray (1040–1058)
Macbeth came to power in 1040 after killing Duncan I in battle and had a long and relatively successful reign. Macbeth was a cousin of Duncan and was a maternal grandson of Malcolm II. In a series of battles between 1057 and 1058, Duncan's son Malcolm III defeated and killed Macbeth and Macbeth's stepson and heir Lulach and became the king, thereby passing the throne back to the House of Dunkeld.
House of Dunkeld (restored) (1058–1286)
In a series of battles between 1057 and 1058, Duncan's son Malcolm III defeated and killed Macbeth and Macbeth's stepson and heir Lulach, claiming the throne. The dynastic feuds did not end there: on Malcolm III's death in battle, his brother Donald III, known as "Bán", claimed the throne, expelling Malcolm III's sons from Scotland. A civil war in the family ensued, with Donald III and Malcolm III's son Edmund opposed by Malcolm III's English-backed sons, led first by Duncan II and then by Edgar. Edgar triumphed, sending his uncle and brother to monasteries. After the reign of David I, the Scottish throne was passed according to rules of primogeniture, moving from father to son, or where not possible, brother to brother. Alexander III was the last ruler from the house of Dunkeld, and having no sons, the throne was inherited by his granddaughter Margaret, Maid of Norway.
House of Sverre (1286–1290)
Margaret, Maid of Norway inherited the throne in 1286, but died in 1290 in Orkney on her way to be crowned. During her absence, Scotland was ruled by a set of guardians. After her death, Scotland entered a period of interregnum, where 13 contenders fought for the throne and ultimately, John Balliol succeeded.
The status of Margaret, as a Scottish monarch is debated by historians. She was never crowned, and her contemporaries in Scotland described her as "queen" very rarely, referring to her instead as Scotland's "lady", "heir", or "lady and heir". On the other hand, documents issued from late 1286 no longer refer to the "king whosoever he may be", indicating that the throne may have been regarded as already occupied by Margaret. In modern historiography she is nearly unanimously called "queen", and reference books give 19 March 1286, the date of Alexander III's death, as the start of her reign.
First Interregnum (1286–1292)
The First Interregnum began upon the death of Alexander III of Scotland in 1286. Alexander's only surviving descendant was his granddaughter Margaret, Maid of Norway, a young child, who inherited the throne in 1286. A set of guardians were appointed to rule Scotland in her absence since she was living in Norway where her father Eric II was king. She was finally sent to Scotland in 1290 but died before arriving in Scotland. The next king of Scots was not determined until completion of an arbitration in 1292.
House of Balliol (1292–1296)
The death of Margaret of Norway began a two-year interregnum in Scotland caused by a succession crisis. With her death, the descent of William I became extinct and there was no obvious heir. Thirteen candidates presented themselves; the most prominent were John Balliol, great-grandson of William I's younger brother David of Huntingdon, and Robert de Brus, 5th Lord of Annandale, grandson of David of Huntingdon. The Scottish magnates invited Edward I of England to arbitrate the claims. He did so but forced the Scots to swear allegiance to him as overlord. Eventually, it was decided that John Balliol should become king. He proved weak and incapable and, in 1296, was forced to abdicate by Edward I who then attempted to annex Scotland into the Kingdom of England.
Second Interregnum (1296–1306)
John Balliol abdicated in March 1296. That same month Edward I invaded Scotland. The second set of guardians were appointed under Edward I who ruled from 1296 to 1306, until the election of Robert the Bruce as the king of Scotland.
House of Bruce (1306–1371)
For ten years, Scotland had no king. The Scots, however, refused to tolerate English rule. First William Wallace and Andrew Moray, then John Comyn, and finally Robert the Bruce (the grandson of the 1292 competitor, Robert de Brus, 5th Lord of Annandale who in turn was the grandson of David of Huntingdon, younger brother of William I) fought against the English. Bruce and his supporters had murdered their rival to the throne of Scotland, John Comyn, Lord of Badenoch, on 10 February 1306 at Greyfriars Church in Dumfries. Shortly after in 1306, Robert was crowned King of Scots at Scone. Robert Bruce was then hunted down for his crime of murder, and subsequently, he escaped to the outskirt islands, leaving the country completely leaderless, and the English invaded once again. Bruce returned a year later and gained support for his cause. His energy, and the corresponding replacement of the vigorous Edward I with his weaker son Edward II in 1307, allowed Scotland to free itself from English rule. At the Battle of Bannockburn in 1314, the Scots routed the English, and by 1328 the English had agreed by treaty to accept Scottish independence. Robert's son, David, acceded to the throne as a child. The English renewed their war with Scotland, and David was forced to flee the kingdom by Edward Balliol, son of King John, who managed to get himself crowned (1332–1356) and to give away Scotland's southern counties to England before being driven out again. David spent much of his life in exile, first in freedom with his ally, France, and then in prison in England. He was only able to return to Scotland in 1357. Upon his death, childless, in 1371, the House of Bruce came to an end.
House of Balliol (Disputed claimant) (1332–1356)
Edward Balliol was the son of King John Balliol, who had himself ruled for four years following his election in the Great Cause. Following his abdication, John Balliol lived out his life in obscurity in Picardy, France. During the minority of David II, Edward Balliol seized the opportunity to assert his claim to the throne, and backed by the English, he defeated the forces of David's regency and was himself crowned king at Scone in 1332. He was quickly defeated by loyalist forces and sent back to England. With English support, he would mount two more attempts to seize the throne again, in 1333 and 1335, each time his actual control of the throne was brief before being sent back to England, for the last time in 1336. When David returned from exile in 1341 to rule in his own right, Edward lost most of his support. When David II was captured in battle in 1346, Edward made one last attempt to seize the throne for himself but had little support and the campaign fizzled before it gained much traction. In 1356 he renounced all claims to the throne.
House of Stewart/Stuart (1371–1651)
Robert the Stewart was a grandson of Robert I by the latter's daughter, Marjorie. Having been born in 1316, he was older than his uncle, David II. Consequently, he was at his accession a middle-aged man, already 55, and unable to reign vigorously, a problem also faced by his son Robert III, who also ascended in middle age at 53 in 1390, and suffered lasting damage in a horse-riding accident. These two were followed by a series of regencies, caused by the youth of the succeeding five boy kings. Consequently, the Stewart era saw periods of royal inertia, during which the nobles usurped power from the crown, followed by periods of personal rule by the monarch, during which he or she would attempt to address the issues created by their minority and the long-term effects of previous reigns. Governing Scotland became increasingly difficult, as the powerful nobility became increasingly intractable. James I's attempts to curb the disorder of the realm ended in his assassination. James III was killed in a civil war between himself and the nobility, led by his son. When James IV, who had governed sternly and suppressed the aristocrats, died in the Battle of Flodden, his wife Margaret Tudor, who had been nominated regent for their young son James V, was unseated by noble feuding, and James V's wife, Mary of Guise, succeeded in ruling Scotland during the regency for her young daughter Mary I only by dividing and conquering the noble factions, distributing French bribes with a liberal hand. Finally, Mary I, the daughter of James V, found herself unable to govern Scotland faced with the surliness of the aristocracy and the intransigence of the population, who favored Calvinism and disapproved of her Catholicism. She was forced to abdicate, and fled to England, where she was imprisoned in various castles and manor houses for eighteen years and finally executed for treason against the English queen Elizabeth I. Upon her abdication, her son, fathered by Henry, Lord Darnley, a junior member of the Stewart family, became King as James VI.
James VI became King of England and Ireland as James I in 1603 when his cousin Elizabeth I died. Thereafter, although the two crowns of England and Scotland remained separate, the monarchy was based chiefly in England. Charles I, James's son, found himself faced with the Civil War. The resultant conflict lasted eight years and ended in his execution. The English Parliament then decreed their monarchy to be at an end. The Scots Parliament, after some deliberation, broke their links with England and declared that Charles II, son, and heir of Charles I, would become King. He ruled until 1651 when the armies of Oliver Cromwell occupied Scotland and drove him into exile.
Third Interregnum (1651–1660)
House of Stuart (restored) (1660–1707)
With the Scottish Restoration, the Stuarts became Kings of Scotland once more but Scotland's rights were not respected. During the reign of Charles II, the Scottish Parliament was dissolved and James was appointed Governor of Scotland. James II himself became James VII in 1685. His Catholicism was not tolerated, and he was driven out of England after three years. In his place came his daughter Mary and her husband William of Orange, the ruler of the Dutch Republic. The two were accepted as monarchs of Scotland after a period of deliberation by the Scottish Parliament and ruled together as William II and Mary II.
An attempt to establish a Scottish colonial empire through the Darien Scheme, in rivalry to that of England, failed, leaving the Scottish nobles who financed the venture for their profit bankrupt. This coincided with the accession of Queen Anne, daughter of James VII. Anne had multiple children but none of these survived her, leaving as her heir her half-brother, James, then living in exile in France. The English favored the Protestant Sophia of Hanover (a granddaughter of James VI) as heir. Many Scots preferred Prince James, who as a Stuart was a Scot by ancestry, and threatened to break the Union of Crowns between England and Scotland by choosing him for themselves. To preserve the union, the English elaborated a plan whereby the two Kingdoms of Scotland and England would merge into a single Kingdom, the Kingdom of Great Britain, ruled by a common monarch, and with a single Parliament. Both national parliaments agreed to this (the Scots albeit reluctantly, motivated primarily by the national finances), and some subterfuge as a total majority of signatories were needed to ratify the Scottish parliament's assent, bribes, and payments. Thereafter, although monarchs continued to rule over the nation of Scotland, they did so first as monarchs of Great Britain, and from 1801 of the United Kingdom.
Acts of Union
The Acts of Union were twin Parliamentary Acts passed during 1706 and 1707 by the Parliament of England and the Parliament of Scotland, putting into effect the terms of the Treaty of Union, agreed on 22 July 1706, following prolonged negotiation between Queen Anne's Commissioners representing both parliaments. The Acts joined the Kingdom of England and the Kingdom of Scotland to form a united Kingdom of Great Britain.
Scotland and England had shared a common monarch since the Union of the Crowns in 1603 when the Scottish king James VI succeeded to the English throne. Although described as a Union of Crowns, before the Acts of Union of 1707, the crowns of the two separate kingdoms had rested on the same head. Three unsuccessful attempts (in 1606, 1667, and 1689) were made to unite the two kingdoms by Acts of Parliament, but it was not until the early 18th century that the idea had the will of both political establishments to succeed, thereby bringing the two separate states together under a single parliament as well as a single monarch.
Later claimants
James VII continued to claim the thrones of England, Scotland, and Ireland. When he died in 1701, his son James inherited his father's claims and called himself James VIII of Scotland and III of England and Ireland. He would continue to do so all his life, even after the Kingdoms of England and Scotland were ended by their merging as the Kingdom of Great Britain. In 1715, a year after the death of his half-sister, Queen Anne, and the accession of their cousin George of Hanover, James landed in Scotland and attempted to claim the throne. He failed and was forced to flee back to the Continent. A second attempt by his son Charles, on behalf of his father, in 1745–6, also failed. Both James's children died without legitimate issue, bringing the Stuart family to an end.
"James VIII", also known as The Old Pretender, son of James VII, was claimant from 1701 until he died in 1766.
"Charles III", also known as The Young Pretender and often called Bonnie Prince Charlie, son of James VIII, was claimant from his father's death until his death in 1788 without legitimate issue.
"Henry I", brother of Charles III and youngest son of James VIII. Died unmarried in 1807.
After 1807, the Jacobite claims passed first to the House of Savoy (1807–1840), then to the Modenese branch of the House of Habsburg-Lorraine (1840–1919), and finally to the House of Wittelsbach (since 1919). The current heir is Franz, Duke of Bavaria. Neither he nor any of his predecessors since 1807 have pursued their claim.
In 1971, Ugandan President Idi Amin proclaimed himself to be the uncrowned king of Scotland, although this claim gained no international recognition.
Timeline of Scottish monarchs
Coronation oath
The Scottish coronation oath sworn by James VI, Charles I, and Charles II and approved by the Parliament of Scotland in 1567:
I, N.N., promise faithfully, in the presence of the eternal, my God, that I, enduring the whole Course of my Life, shall serve the same Eternal, my God, to the utmost of my Power, accordingly as he required in his most Holy Word, revealed and contained in the New and Old Testament; and according to the same Word shall maintain the true Religion of Jesus Christ, the preaching of his Holy Word, and due and right administration of his Sacraments, now received and practised within this Realm; and shall abolish and oppose all false Religion contrary to the same; and shall rule the People committed to my Charge, according to the Will and Command of God, revealed in his foresaid Word, and according to the lovable Laws and Constitutions received in this Realm, in no way repugnant to the said Word of the Eternal, my God; and shall procure to my utmost to the Kirk of God and whole Christian people true and perfect Peace in all times coming; the Rights and Rents, with all just privileges of the Crown of Scotland, I shall preserve and keep inviolate, neither shall I transfer nor alienate the same; I shall forbid and repress in all Estates and all Degrees theft, Oppression and all kind of Wrong; in all Judgements, I shall command and procure that Justice and Equity be kept to all creatures without exception, as he be merciful to me and you that is the Lord and Father of all Mercies; and out of all my lands and empire I shall be careful to root out all Heresy and Enemies to the true Worship of God, that shall be convicted by the true Kirk of God of the foresaid Crimes; and these Things above-written I faithfully affirm by my solemn Oath.
The coronation oath sworn by William II, Mary II and Anne was approved by the Parliament of Scotland on 18 April 1689. The oath was as follows:
WE William and Mary, King and Queen of Scotland, faithfully promise and swear, by this our solemn Oath, in presence of the Eternal God, that during the whole Course of our Life we will serve the same Eternal God, to the uttermost of our Power, according as he has required in his most Holy Word, revealed and contained in the New and Old Testament; and according to the same Word shall maintain the true Religion of Christ Jesus, the preaching of his Holy Word, and the due and right Ministration of the Sacraments, now received and preached within the Realm of Scotland; and shall abolish and gainstand all false Religion contrary to the same, and shall rule the People committed to our Charge, according to the Will and Command of God, revealed in his aforesaid Word, and according to the laudable Laws and Constitutions received in this Realm, no ways repugnant to the said Word of the Eternal God; and shall procure, to the utmost of our power, to the Kirk of God, and whole Christian People, true and perfect Peace in all time coming. That we shall preserve and keep inviolated the Rights and Rents, with all just Privileges of the Crown of Scotland, neither shall we transfer nor alienate the same; that we shall forbid and repress in all Estates and Degrees, Reif, Oppression and all kind of Wrong. And we shall command and procure, that Justice and Equity in all Judgments be kept to all Persons without exception, us the Lord and Father of all Mercies shall be merciful to us. And we shall be careful to root out all Heretics and Enemies to the true Worship of God, that shall be convicted by the true Kirk of God, of the aforesaid Crimes, out of our Lands and Empire of Scotland. And we faithfully affirm the Things above-written by our solemn Oath.
See also
Notes
References
Bibliography
Anderson, Alan Orr, Early Sources of Scottish History: AD 500–1286, 2 Vols (Edinburgh, 1922).
Broun, Dauvit (2007), Scottish Independence and the Idea of Britain. From the Picts to Alexander III., Edinburgh University Press, ISBN 978-0-7486-2360-0
Duncan, Archibald Alexander McBeth (2002). The Kingship of the Scots, 842–1292: Succession and Independence. Edinburgh University Press. ISBN 0748616268.
Hudson, Benjamin T., Kings of Celtic Scotland (Westport, 1994).
Oram, Richard (2002). The Canmores: Kings & Queens of the Scots, 1040–1290. Tempus. ISBN 0752423258.
Reid, Norman (1982). "Margaret, "Maid of Norway" and Scottish Queenship" (PDF). Reading Medieval Studies. 8: 75–96. Archived (PDF) from the original on 11 September 2022.
Skene, W. F. (ed.), Chronicles of the Picts, Chronicles of the Scots and other Early Memorials of Scottish History (Edinburgh, 1867)
External links
Scottish Monarchs
British Royal Family History – Kings and Queens of Scotland |
Marie_Curie | https://en.wikipedia.org/wiki/Marie_Curie | [
226,
442
] | [
"https://en.wikipedia.org/wiki/Marie_Curie",
"https://en.wikipedia.org/wiki/Marie_Curie"
] | Maria Salomea Skłodowska-Curie (Polish: [ˈmarja salɔˈmɛa skwɔˈdɔfska kʲiˈri] ; née Skłodowska; 7 November 1867 – 4 July 1934), known simply as Marie Curie ( KURE-ee; French: [maʁi kyʁi]), was a Polish and naturalised-French physicist and chemist who conducted pioneering research on radioactivity. She was the first woman to win a Nobel Prize, the first person to win a Nobel Prize twice, and the only person to win a Nobel Prize in two scientific fields. Her husband, Pierre Curie, was a co-winner of her first Nobel Prize, making them the first married couple to win the Nobel Prize and launching the Curie family legacy of five Nobel Prizes. She was, in 1906, the first woman to become a professor at the University of Paris.
She was born in Warsaw, in what was then the Kingdom of Poland, part of the Russian Empire. She studied at Warsaw's clandestine Flying University and began her practical scientific training in Warsaw. In 1891, aged 24, she followed her elder sister Bronisława to study in Paris, where she earned her higher degrees and conducted her subsequent scientific work. In 1895, she married the French physicist Pierre Curie, and she shared the 1903 Nobel Prize in Physics with him and with the physicist Henri Becquerel for their pioneering work developing the theory of "radioactivity"—a term she coined. In 1906, Pierre Curie died in a Paris street accident. Marie won the 1911 Nobel Prize in Chemistry for her discovery of the elements polonium and radium, using techniques she invented for isolating radioactive isotopes. Under her direction, the world's first studies were conducted into the treatment of neoplasms by the use of radioactive isotopes. She founded the Curie Institute in Paris in 1920, and the Curie Institute in Warsaw in 1932; both remain major medical research centres. During World War I, she developed mobile radiography units to provide X-ray services to field hospitals.
While a French citizen, Marie Skłodowska Curie, who used both surnames, never lost her sense of Polish identity. She taught her daughters the Polish language and took them on visits to Poland. She named the first chemical element she discovered polonium, after her native country. Marie Curie died in 1934, aged 66, at the Sancellemoz sanatorium in Passy (Haute-Savoie), France, of aplastic anaemia likely from exposure to radiation in the course of her scientific research and in the course of her radiological work at field hospitals during World War I. In addition to her Nobel Prizes, she received numerous other honours and tributes; in 1995 she became the first woman to be entombed on her own merits in the Paris Panthéon, and Poland declared 2011 the Year of Marie Curie during the International Year of Chemistry. She is the subject of numerous biographical works.
Life and career
Early years
Maria Skłodowska was born in Warsaw, in Congress Poland in the Russian Empire, on 7 November 1867, the fifth and youngest child of well-known teachers Bronisława, née Boguska, and Władysław Skłodowski. The elder siblings of Maria (nicknamed Mania) were Zofia (born 1862, nicknamed Zosia), Józef (born 1863, nicknamed Józio), Bronisława (born 1865, nicknamed Bronia) and Helena (born 1866, nicknamed Hela).
On both the paternal and maternal sides, the family had lost their property and fortunes through patriotic involvements in Polish national uprisings aimed at restoring Poland's independence (the most recent had been the January Uprising of 1863–65). This condemned the subsequent generation, including Maria and her elder siblings, to a difficult struggle to get ahead in life. Maria's paternal grandfather, Józef Skłodowski, had been principal of the Lublin primary school attended by Bolesław Prus, who became a leading figure in Polish literature.
Władysław Skłodowski taught mathematics and physics, subjects that Maria was to pursue, and was also director of two Warsaw gymnasia (secondary schools) for boys. After Russian authorities eliminated laboratory instruction from the Polish schools, he brought much of the laboratory equipment home and instructed his children in its use. He was eventually fired by his Russian supervisors for pro-Polish sentiments and forced to take lower-paying posts; the family also lost money on a bad investment and eventually chose to supplement their income by lodging boys in the house. Maria's mother Bronisława operated a prestigious Warsaw boarding school for girls; she resigned from the position after Maria was born. She died of tuberculosis in May 1878, when Maria was ten years old. Less than three years earlier, Maria's oldest sibling, Zofia, had died of typhus contracted from a boarder. Maria's father was an atheist, her mother a devout Catholic. The deaths of Maria's mother and sister caused her to give up Catholicism and become agnostic.
When she was ten years old, Maria began attending the boarding school of J. Sikorska; next, she attended a gymnasium for girls, from which she graduated on 12 June 1883 with a gold medal. After a collapse, possibly due to depression, she spent the following year in the countryside with relatives of her father, and the next year with her father in Warsaw, where she did some tutoring. Unable to enrol in a regular institution of higher education because she was a woman, she and her sister Bronisława became involved with the clandestine Flying University (sometimes translated as Floating University), a Polish patriotic institution of higher learning that admitted women students.
Maria made an agreement with her sister, Bronisława, that she would give her financial assistance during Bronisława's medical studies in Paris, in exchange for similar assistance two years later. In connection with this, Maria took a position first as a home tutor in Warsaw, then for two years as a governess in Szczuki with a landed family, the Żorawskis, who were relatives of her father. While working for the latter family, she fell in love with their son, Kazimierz Żorawski, a future eminent mathematician. His parents rejected the idea of his marrying the penniless relative, and Kazimierz was unable to oppose them. Maria's loss of the relationship with Żorawski was tragic for both. He soon earned a doctorate and pursued an academic career as a mathematician, becoming a professor and rector of Kraków University. Still, as an old man and a mathematics professor at the Warsaw Polytechnic, he would sit contemplatively before the statue of Maria Skłodowska that had been erected in 1935 before the Radium Institute, which she had founded in 1932.
At the beginning of 1890, Bronisława—who a few months earlier had married Kazimierz Dłuski, a Polish physician and social and political activist—invited Maria to join them in Paris. Maria declined because she could not afford the university tuition; it would take her a year and a half longer to gather the necessary funds. She was helped by her father, who was able to secure a more lucrative position again. All that time she continued to educate herself, reading books, exchanging letters, and being tutored herself. In early 1889 she returned home to her father in Warsaw. She continued working as a governess and remained there until late 1891. She tutored, studied at the Flying University, and began her practical scientific training (1890–91) in a chemistry laboratory at the Museum of Industry and Agriculture at Krakowskie Przedmieście 66, near Warsaw's Old Town. The laboratory was run by her cousin Józef Boguski, who had been an assistant in Saint Petersburg to the Russian chemist Dmitri Mendeleyev.
Life in Paris
In late 1891, she left Poland for France. In Paris, Maria (or Marie, as she would be known in France) briefly found shelter with her sister and brother-in-law before renting a garret closer to the university, in the Latin Quarter, and proceeding with her studies of physics, chemistry, and mathematics at the University of Paris, where she enrolled in late 1891. She subsisted on her meagre resources, keeping herself warm during cold winters by wearing all the clothes she had. She focused so hard on her studies that she sometimes forgot to eat. Skłodowska studied during the day and tutored evenings, barely earning her keep. In 1893, she was awarded a degree in physics and began work in an industrial laboratory of Gabriel Lippmann. Meanwhile, she continued studying at the University of Paris and with the aid of a fellowship she was able to earn a second degree in 1894.
Skłodowska had begun her scientific career in Paris with an investigation of the magnetic properties of various steels, commissioned by the Society for the Encouragement of National Industry. That same year, Pierre Curie entered her life: it was their mutual interest in natural sciences that drew them together. Pierre Curie was an instructor at The City of Paris Industrial Physics and Chemistry Higher Educational Institution (ESPCI Paris). They were introduced by Polish physicist Józef Wierusz-Kowalski, who had learned that she was looking for a larger laboratory space, something that Wierusz-Kowalski thought Pierre could access. Though Curie did not have a large laboratory, he was able to find some space for Skłodowska where she was able to begin work.
Their mutual passion for science brought them increasingly closer, and they began to develop feelings for one another. Eventually, Pierre proposed marriage, but at first Skłodowska did not accept as she was still planning to go back to her native country. Curie, however, declared that he was ready to move with her to Poland, even if it meant being reduced to teaching French. Meanwhile, for the 1894 summer break, Skłodowska returned to Warsaw, where she visited her family. She was still labouring under the illusion that she would be able to work in her chosen field in Poland, but she was denied a place at Kraków University because of sexism in academia. A letter from Pierre convinced her to return to Paris to pursue a PhD. At Skłodowska's insistence, Curie had written up his research on magnetism and received his own doctorate in March 1895; he was also promoted to professor at the School. A contemporary quip would call Skłodowska "Pierre's biggest discovery".
On 26 July 1895, they were married in Sceaux; neither wanted a religious service. Curie's dark blue outfit, worn instead of a bridal gown, would serve her for many years as a laboratory outfit. They shared two pastimes: long bicycle trips and journeys abroad, which brought them even closer. In Pierre, Marie had found a new love, a partner, and a scientific collaborator on whom she could depend.
New elements
In 1895, Wilhelm Röntgen discovered the existence of X-rays, though the mechanism behind their production was not yet understood. In 1896, Henri Becquerel discovered that uranium salts emitted rays that resembled X-rays in their penetrating power. He demonstrated that this radiation, unlike phosphorescence, did not depend on an external source of energy but seemed to arise spontaneously from uranium itself. Influenced by these two important discoveries, Curie decided to look into uranium rays as a possible field of research for a thesis.
She used an innovative technique to investigate samples. Fifteen years earlier, her husband and his brother had developed a version of the electrometer, a sensitive device for measuring electric charge. Using her husband's electrometer, she discovered that uranium rays caused the air around a sample to conduct electricity. Using this technique, her first result was the finding that the activity of the uranium compounds depended only on the quantity of uranium present. She hypothesized that the radiation was not the outcome of some interaction of molecules but must come from the atom itself. This hypothesis was an important step in disproving the assumption that atoms were indivisible.
In 1897, her daughter Irène was born. To support her family, Curie began teaching at the École Normale Supérieure. The Curies did not have a dedicated laboratory; most of their research was carried out in a converted shed next to ESPCI. The shed, formerly a medical school dissecting room, was poorly ventilated and not even waterproof. They were unaware of the deleterious effects of radiation exposure attendant on their continued unprotected work with radioactive substances. ESPCI did not sponsor her research, but she would receive subsidies from metallurgical and mining companies and from various organisations and governments.
Curie's systematic studies included two uranium minerals, pitchblende and torbernite (also known as chalcolite). Her electrometer showed that pitchblende was four times as active as uranium itself, and chalcolite twice as active. She concluded that, if her earlier results relating the quantity of uranium to its activity were correct, then these two minerals must contain small quantities of another substance that was far more active than uranium. She began a systematic search for additional substances that emit radiation, and by 1898 she discovered that the element thorium was also radioactive. Pierre Curie was increasingly intrigued by her work. By mid-1898 he was so invested in it that he decided to drop his work on crystals and to join her.
The [research] idea [writes Reid] was her own; no one helped her formulate it, and although she took it to her husband for his opinion she clearly established her ownership of it. She later recorded the fact twice in her biography of her husband to ensure there was no chance whatever of any ambiguity. It [is] likely that already at this early stage of her career [she] realized that... many scientists would find it difficult to believe that a woman could be capable of the original work in which she was involved.
She was acutely aware of the importance of promptly publishing her discoveries and thus establishing her priority. Had not Becquerel, two years earlier, presented his discovery to the Académie des Sciences the day after he made it, credit for the discovery of radioactivity (and even a Nobel Prize), would instead have gone to Silvanus Thompson. Curie chose the same rapid means of publication. Her paper, giving a brief and simple account of her work, was presented for her to the Académie on 12 April 1898 by her former professor, Gabriel Lippmann. Even so, just as Thompson had been beaten by Becquerel, so Curie was beaten in the race to tell of her discovery that thorium gives off rays in the same way as uranium; two months earlier, Gerhard Carl Schmidt had published his own finding in Berlin.
At that time, no one else in the world of physics had noticed what Curie recorded in a sentence of her paper, describing how much greater were the activities of pitchblende and chalcolite than uranium itself: "The fact is very remarkable, and leads to the belief that these minerals may contain an element which is much more active than uranium." She later would recall how she felt "a passionate desire to verify this hypothesis as rapidly as possible." On 14 April 1898, the Curies optimistically weighed out a 100-gram sample of pitchblende and ground it with a pestle and mortar. They did not realise at the time that what they were searching for was present in such minute quantities that they would eventually have to process tonnes of the ore.
In July 1898, Curie and her husband published a joint paper announcing the existence of an element they named "polonium", in honour of her native Poland, which would for another twenty years remain partitioned among three empires (Russian, Austrian, and Prussian). On 26 December 1898, the Curies announced the existence of a second element, which they named "radium", from the Latin word for "ray". In the course of their research, they also coined the word "radioactivity".
To prove their discoveries beyond any doubt, the Curies sought to isolate polonium and radium in pure form. Pitchblende is a complex mineral; the chemical separation of its constituents was an arduous task. The discovery of polonium had been relatively easy; chemically it resembles the element bismuth, and polonium was the only bismuth-like substance in the ore. Radium, however, was more elusive; it is closely related chemically to barium, and pitchblende contains both elements. By 1898 the Curies had obtained traces of radium, but appreciable quantities, uncontaminated with barium, were still beyond reach. The Curies undertook the arduous task of separating out radium salt by differential crystallisation. From a tonne of pitchblende, one-tenth of a gram of radium chloride was separated in 1902. In 1910, she isolated pure radium metal. She never succeeded in isolating polonium, which has a half-life of only 138 days.
Between 1898 and 1902, the Curies published, jointly or separately, a total of 32 scientific papers, including one that announced that, when exposed to radium, diseased, tumour-forming cells were destroyed faster than healthy cells.
In 1900, Curie became the first woman faculty member at the École Normale Supérieure and her husband joined the faculty of the University of Paris. In 1902 she visited Poland on the occasion of her father's death.
In June 1903, supervised by Gabriel Lippmann, Curie was awarded her doctorate from the University of Paris. That month the couple were invited to the Royal Institution in London to give a speech on radioactivity; being a woman, she was prevented from speaking, and Pierre Curie alone was allowed to. Meanwhile, a new industry began developing, based on radium. The Curies did not patent their discovery and benefited little from this increasingly profitable business.
Nobel Prizes
In December 1903 the Royal Swedish Academy of Sciences awarded Pierre Curie, Marie Curie, and Henri Becquerel the Nobel Prize in Physics, "in recognition of the extraordinary services they have rendered by their joint researches on the radiation phenomena discovered by Professor Henri Becquerel." At first the committee had intended to honour only Pierre Curie and Henri Becquerel, but a committee member and advocate for women scientists, Swedish mathematician Magnus Gösta Mittag-Leffler, alerted Pierre to the situation, and after his complaint, Marie's name was added to the nomination. Marie Curie was the first woman to be awarded a Nobel Prize.
Curie and her husband declined to go to Stockholm to receive the prize in person; they were too busy with their work, and Pierre Curie, who disliked public ceremonies, was feeling increasingly ill. As Nobel laureates were required to deliver a lecture, the Curies finally undertook the trip in 1905. The award money allowed the Curies to hire their first laboratory assistant. Following the award of the Nobel Prize, and galvanised by an offer from the University of Geneva, which offered Pierre Curie a position, the University of Paris gave him a professorship and the chair of physics, although the Curies still did not have a proper laboratory. Upon Pierre Curie's complaint, the University of Paris relented and agreed to furnish a new laboratory, but it would not be ready until 1906.
In December 1904, Curie gave birth to their second daughter, Ève. She hired Polish governesses to teach her daughters her native language, and sent or took them on visits to Poland.
On 19 April 1906, Pierre Curie was killed in a road accident. Walking across the Rue Dauphine in heavy rain, he was struck by a horse-drawn vehicle and fell under its wheels, fracturing his skull and killing him instantly. Curie was devastated by her husband's death. On 13 May 1906 the physics department of the University of Paris decided to retain the chair that had been created for her late husband and offer it to Marie. She accepted it, hoping to create a world-class laboratory as a tribute to her husband Pierre. She was the first woman to become a professor at the University of Paris.
Curie's quest to create a new laboratory did not end with the University of Paris, however. In her later years, she headed the Radium Institute (Institut du radium, now Curie Institute, Institut Curie), a radioactivity laboratory created for her by the Pasteur Institute and the University of Paris. The initiative for creating the Radium Institute had come in 1909 from Pierre Paul Émile Roux, director of the Pasteur Institute, who had been disappointed that the University of Paris was not giving Curie a proper laboratory and had suggested that she move to the Pasteur Institute. Only then, with the threat of Curie leaving, did the University of Paris relent, and eventually the Curie Pavilion became a joint initiative of the University of Paris and the Pasteur Institute.
In 1910 Curie succeeded in isolating radium; she also defined an international standard for radioactive emissions that was eventually named for her and Pierre: the curie. Nevertheless, in 1911 the French Academy of Sciences failed, by one or two votes, to elect her to membership in the academy. Elected instead was Édouard Branly, an inventor who had helped Guglielmo Marconi develop the wireless telegraph. It was only over half a century later, in 1962, that a doctoral student of Curie's, Marguerite Perey, became the first woman elected to membership in the academy.
Despite Curie's fame as a scientist working for France, the public's attitude tended toward xenophobia—the same that had led to the Dreyfus affair—which also fuelled false speculation that Curie was Jewish. During the French Academy of Sciences elections, she was vilified by the right-wing press as a foreigner and atheist. Her daughter later remarked on the French press's hypocrisy in portraying Curie as an unworthy foreigner when she was nominated for a French honour, but portraying her as a French heroine when she received foreign honours such as her Nobel Prizes.
In 1911 it was revealed that Curie was involved in a year-long affair with physicist Paul Langevin, a former student of Pierre Curie's, a married man who was estranged from his wife. This resulted in a press scandal that was exploited by her academic opponents. Curie (then in her mid-40s) was five years older than Langevin and was misrepresented in the tabloids as a foreign Jewish home-wrecker. When the scandal broke, she was away at a conference in Belgium; on her return, she found an angry mob in front of her house and had to seek refuge, with her daughters, in the home of her friend, Camille Marbo.
International recognition for her work had been growing to new heights, and the Royal Swedish Academy of Sciences, overcoming opposition prompted by the Langevin scandal, honoured her a second time, with the 1911 Nobel Prize in Chemistry. This award was "in recognition of her services to the advancement of chemistry by the discovery of the elements radium and polonium, by the isolation of radium and the study of the nature and compounds of this remarkable element." Because of the negative publicity due to her affair with Langevin, the chair of the Nobel committee, Svante Arrhenius, attempted to prevent her attendance at the official ceremony for her Nobel Prize in Chemistry, citing her questionable moral standing. Curie replied that she would be present at the ceremony, because "the prize has been given to her for her discovery of polonium and radium" and that "there is no relation between her scientific work and the facts of her private life".
She was the first person to win or share two Nobel Prizes, and remains alone with Linus Pauling as Nobel laureates in two fields each. A delegation of celebrated Polish men of learning, headed by novelist Henryk Sienkiewicz, encouraged her to return to Poland and continue her research in her native country. Curie's second Nobel Prize enabled her to persuade the French government to support the Radium Institute, built in 1914, where research was conducted in chemistry, physics, and medicine. A month after accepting her 1911 Nobel Prize, she was hospitalised with depression and a kidney ailment. For most of 1912, she avoided public life but did spend time in England with her friend and fellow physicist, Hertha Ayrton. She returned to her laboratory only in December, after a break of about 14 months.
In 1912 the Warsaw Scientific Society offered her the directorship of a new laboratory in Warsaw but she declined, focusing on the developing Radium Institute to be completed in August 1914, and on a new street named Rue Pierre-Curie (today rue Pierre-et-Marie-Curie). She was appointed director of the Curie Laboratory in the Radium Institute of the University of Paris, founded in 1914. She visited Poland in 1913 and was welcomed in Warsaw but the visit was mostly ignored by the Russian authorities. The institute's development was interrupted by the coming war, as most researchers were drafted into the French Army, and it fully resumed its activities in 1919.
World War I
During World War I, Curie recognised that wounded soldiers were best served if operated upon as soon as possible. She saw a need for field radiological centres near the front lines to assist battlefield surgeons, including to obviate amputations when in fact limbs could be saved. After a quick study of radiology, anatomy, and automotive mechanics, she procured X-ray equipment, vehicles, and auxiliary generators, and she developed mobile radiography units, which came to be popularly known as petites Curies ("Little Curies"). She became the director of the Red Cross Radiology Service and set up France's first military radiology centre, operational by late 1914. Assisted at first by a military doctor and her 17-year-old daughter Irène, Curie directed the installation of 20 mobile radiological vehicles and another 200 radiological units at field hospitals in the first year of the war. Later, she began training other women as aides.
In 1915, Curie produced hollow needles containing "radium emanation", a colourless, radioactive gas given off by radium, later identified as radon, to be used for sterilising infected tissue. She provided the radium from her own one-gram supply. It is estimated that over a million wounded soldiers were treated with her X-ray units. Busy with this work, she carried out very little scientific research during that period. In spite of all her humanitarian contributions to the French war effort, Curie never received any formal recognition of it from the French government.
Also, promptly after the war started, she attempted to donate her gold Nobel Prize medals to the war effort but the French National Bank refused to accept them. She did buy war bonds, using her Nobel Prize money. She said:
I am going to give up the little gold I possess. I shall add to this the scientific medals, which are quite useless to me. There is something else: by sheer laziness I had allowed the money for my second Nobel Prize to remain in Stockholm in Swedish crowns. This is the chief part of what we possess. I should like to bring it back here and invest it in war loans. The state needs it. Only, I have no illusions: this money will probably be lost.
She was also an active member in committees of Polonia in France dedicated to the Polish cause. After the war, she summarised her wartime experiences in a book, Radiology in War (1919).
Postwar years
In 1920, for the 25th anniversary of the discovery of radium, the French government established a stipend for her; its previous recipient was Louis Pasteur, who had died in 1895. In 1921, she was welcomed triumphantly when she toured the United States to raise funds for research on radium. Mrs. William Brown Meloney, after interviewing Curie, created a Marie Curie Radium Fund and raised money to buy radium, publicising her trip.
In 1921, U.S. President Warren G. Harding received her at the White House to present her with the 1 gram of radium collected in the United States, and the First Lady praised her as an example of a professional achiever who was also a supportive wife. Before the meeting, recognising her growing fame abroad, and embarrassed by the fact that she had no French official distinctions to wear in public, the French government offered her a Legion of Honour award, but she refused. In 1922 she became a fellow of the French Academy of Medicine. She also travelled to other countries, appearing publicly and giving lectures in Belgium, Brazil, Spain, and Czechoslovakia.
Led by Curie, the Institute produced four more Nobel Prize winners, including her daughter Irène Joliot-Curie and her son-in-law, Frédéric Joliot-Curie. Eventually it became one of the world's four major radioactivity-research laboratories, the others being the Cavendish Laboratory, with Ernest Rutherford; the Institute for Radium Research, Vienna, with Stefan Meyer; and the Kaiser Wilhelm Institute for Chemistry, with Otto Hahn and Lise Meitner.
In August 1922 Marie Curie became a member of the League of Nations' newly created International Committee on Intellectual Cooperation. She sat on the committee until 1934 and contributed to League of Nations' scientific coordination with other prominent researchers such as Albert Einstein, Hendrik Lorentz, and Henri Bergson. In 1923 she wrote a biography of her late husband, titled Pierre Curie. In 1925 she visited Poland to participate in a ceremony laying the foundations for Warsaw's Radium Institute. Her second American tour, in 1929, succeeded in equipping the Warsaw Radium Institute with radium; the Institute opened in 1932, with her sister Bronisława its director. These distractions from her scientific labours, and the attendant publicity, caused her much discomfort but provided resources for her work. In 1930 she was elected to the International Atomic Weights Committee, on which she served until her death. In 1931, Curie was awarded the Cameron Prize for Therapeutics of the University of Edinburgh.
Death
Curie visited Poland for the last time in early 1934. A few months later, on 4 July 1934, she died aged 66 at the Sancellemoz sanatorium in Passy, Haute-Savoie, from aplastic anaemia believed to have been contracted from her long-term exposure to radiation, causing damage to her bone marrow.
The damaging effects of ionising radiation were not known at the time of her work, which had been carried out without the safety measures later developed. She had carried test tubes containing radioactive isotopes in her pocket, and she stored them in her desk drawer, remarking on the faint light that the substances gave off in the dark. Curie was also exposed to X-rays from unshielded equipment while serving as a radiologist in field hospitals during the First World War. When Curie's body was exhumed in 1995, the French Office de Protection contre les Rayonnements Ionisants (OPRI) "concluded that she could not have been exposed to lethal levels of radium while she was alive". They pointed out that radium poses a risk only if it is ingested, and speculated that her illness was more likely to have been due to her use of radiography during the First World War.
She was interred at the cemetery in Sceaux, alongside her husband Pierre. Sixty years later, in 1995, in honour of their achievements, the remains of both were transferred to the Paris Panthéon. Their remains were sealed in a lead lining because of the radioactivity. She became the second woman to be interred at the Panthéon (after Sophie Berthelot) and the first woman to be honoured with interment in the Panthéon on her own merits.
Because of their levels of radioactive contamination, her papers from the 1890s are considered too dangerous to handle. Even her cookbooks are highly radioactive. Her papers are kept in lead-lined boxes, and those who wish to consult them must wear protective clothing. In her last year, she worked on a book, Radioactivity, which was published posthumously in 1935.
Legacy
The physical and societal aspects of the Curies' work contributed to shaping the world of the twentieth and twenty-first centuries. Cornell University professor L. Pearce Williams observes:
The result of the Curies' work was epoch-making. Radium's radioactivity was so great that it could not be ignored. It seemed to contradict the principle of the conservation of energy and therefore forced a reconsideration of the foundations of physics. On the experimental level the discovery of radium provided men like Ernest Rutherford with sources of radioactivity with which they could probe the structure of the atom. As a result of Rutherford's experiments with alpha radiation, the nuclear atom was first postulated. In medicine, the radioactivity of radium appeared to offer a means by which cancer could be successfully attacked.
In addition to helping to overturn established ideas in physics and chemistry, Curie's work has had a profound effect in the societal sphere. To attain her scientific achievements, she had to overcome barriers, in both her native and her adoptive country, that were placed in her way because she was a woman.
She was known for her honesty and moderate lifestyle. Having received a small scholarship in 1893, she returned it in 1897 as soon as she began earning her keep. She gave much of her first Nobel Prize money to friends, family, students, and research associates. In an unusual decision, Curie intentionally refrained from patenting the radium-isolation process so that the scientific community could do research unhindered. She insisted that monetary gifts and awards be given to the scientific institutions she was affiliated with rather than to her. She and her husband often refused awards and medals. Albert Einstein reportedly remarked that she was probably the only person who could not be corrupted by fame.
Commemoration and cultural depictions
As one of the most famous scientists in history, Marie Curie has become an icon in the scientific world and has received tributes from across the globe, even in the realm of pop culture. She also received many honorary degrees from universities across the world.
Marie Curie was the first woman to win a Nobel Prize, the first person to win two Nobel Prizes, the only woman to win in two fields, and the only person to win in multiple sciences. Awards and honours that she received include:
Nobel Prize in Physics (1903, with her husband Pierre Curie and Henri Becquerel)
Davy Medal (1903, with Pierre)
Matteucci Medal (1904, with Pierre)
Actonian Prize (1907)
Elliott Cresson Medal (1909)
Legion of Honour (1909, rejected)
Nobel Prize in Chemistry (1911)
Civil Order of Alfonso XII (1919)
Franklin Medal of the American Philosophical Society (1921)
Order of the White Eagle (2018, posthumously)
Entities that have been named after Marie Curie include:
The curie (symbol Ci), a unit of radioactivity, is named in honour of her and Pierre Curie (although the commission which agreed on the name never clearly stated whether the standard was named after Pierre, Marie, or both).
The element with atomic number 96 was named curium (symbol Cm).
Three radioactive minerals are also named after the Curies: curite, sklodowskite, and cuprosklodowskite.
The Marie Skłodowska-Curie Actions fellowship program of the European Union for young scientists wishing to work in a foreign country
In 2007, a metro station in Paris was renamed to honour both of the Curies.
The sole Polish nuclear reactor in operation, the research reactor Maria
The 7000 Curie asteroid
Marie Curie, a registered charitable organisation in the United Kingdom
The IEEE Marie Sklodowska-Curie Award, an international award presented for outstanding contributions to the field of nuclear and plasma sciences and engineering, was established by the Institute of Electrical and Electronics Engineers in 2008.
The Marie Curie Medal, an annual science award established in 1996 and conferred by the Polish Chemical Society
The Marie Curie–Sklodowska Medal and Prize, an annual award conferred by the London-based Institute of Physics for distinguished contributions to physics education
Maria Curie-Skłodowska University in Lublin, Poland
Pierre and Marie Curie University in Paris
Maria Skłodowska-Curie National Research Institute of Oncology in Poland
École élémentaire Marie-Curie in London, Ontario, Canada; Curie Metropolitan High School in Chicago, United States; Marie Curie High School in Ho Chi Minh City, Vietnam; Lycée français Marie Curie de Zurich, Switzerland; see Lycée Marie Curie for a list of other schools named after her
Rue Madame Curie in Beirut, Lebanon.
Numerous biographies are devoted to her, including:
Ève Curie (Marie Curie's daughter), Madame Curie, 1938.
Françoise Giroud, Marie Curie: A Life, 1987.
Susan Quinn, Marie Curie: A Life, 1996.
Barbara Goldsmith, Obsessive Genius: The Inner World of Marie Curie, 2005.
Lauren Redniss, Radioactive: Marie and Pierre Curie, a Tale of Love and Fallout, 2011, adapted into the 2019 British film.
Marie Curie has been the subject of a number of films:
1943: Madame Curie, a U.S. Oscar-nominated film by Mervyn LeRoy starring Greer Garson.
1997: Les Palmes de M. Schutz, a French film adapted from a play of the same title, and directed by Claude Pinoteau. Marie Curie is played by Isabelle Huppert.
2014: Marie Curie, une femme sur le front, a French-Belgian film, directed by Alain Brunard and starring Dominique Reymond.
2016: Marie Curie: The Courage of Knowledge, a European co-production by Marie Noëlle starring Karolina Gruszka.
2016: Super Science Friends, an American Internet animated series created by Brett Jubinville featuring Hedy Gregor as Marie Curie.
2019: Radioactive, a British film by Marjane Satrapi starring Rosamund Pike.
Curie is the subject of the 2013 play False Assumptions by Lawrence Aronovitch, in which the ghosts of three other women scientists observe events in her life. Curie has also been portrayed by Susan Marie Frontczak in her play, Manya: The Living History of Marie Curie, a one-woman show which by 2014 had been performed in 30 U.S. states and nine countries. Lauren Gunderson's 2019 play The Half-Life of Marie Curie portrays Curie during the summer after her 1911 Nobel Prize victory, when she was grappling with depression and facing public scorn over the revelation of her affair with Paul Langevin.
The life of the scientist was also the subject of a 2018 Korean musical, titled Marie Curie. The show was since translated in English (as Marie Curie a New Musical) and has been performed several times across Asia and Europe, receiving its official Off West End premiere in London's Charing Cross Theatre in summer 2024.
Curie has appeared on more than 600 postage stamps in many countries across the world.
Between 1989 and 1996, she was featured on a 20,000-zloty banknote designed by Andrzej Heidrich. In 2011, a commemorative 20-zloty banknote depicting Curie was issued by the National Bank of Poland on the 100th anniversary of the scientist receiving the Nobel Prize in Chemistry.
In 1994, the Bank of France issued a 500-franc banknote featuring Marie and Pierre Curie. As of the middle of 2024, Curie is depicted on French 50 euro cent coins to commemorate her importance in French history.
See also
Charlotte Hoffman Kellogg, who sponsored Marie Curie's visit to the US
Eusapia Palladino: Spiritualist medium whose Paris séances were attended by an intrigued Pierre Curie and a sceptical Marie Curie
List of female Nobel laureates
List of female nominees for the Nobel Prize
List of Poles in Chemistry
List of Poles in Physics
List of Polish Nobel laureates
Timeline of women in science
Treatise on Radioactivity, by Marie Curie
Women in chemistry
Explanatory notes
References
Further reading
Nonfiction
Curie, Eve (2001). Madame Curie: A Biography. Da Capo Press. ISBN 978-0-306-81038-1.
Curie, Marie (1921). The Discovery of Radium . Poughkeepsie: Vassar College.
Dzienkiewicz, Marta (2017). Polish Pioneers: Book of Prominent Poles. Translated by Monod-Gayraud, Agnes. Illustrations: Rzezak, Joanna; Karski, Piotr. Warsaw: Wydawnictwo Dwie Siostry. ISBN 9788365341686. OCLC 1060750234.
Giroud, Françoise (1986). Marie Curie: A Life. Translated by Lydia Davis. New York: Holmes & Meier. ISBN 978-0-8419-0977-9. OCLC 12946269.
Kaczorowska, Teresa (2011). Córka mazowieckich równin, czyli, Maria Skłodowska-Curie z Mazowsza [Daughter of the Mazovian Plains: Maria Skłodowska–Curie of Mazowsze] (in Polish). Związek Literatów Polskich, Oddział w Ciechanowie. ISBN 978-83-89408-36-5. Retrieved 15 March 2016.
Opfell, Olga S. (1978). The Lady Laureates : Women Who Have Won the Nobel Prize. Metuchen, N.J.& London: Scarecrow Press. pp. 147–164. ISBN 978-0-8108-1161-4.
Pasachoff, Naomi (1996). Marie Curie and the Science of Radioactivity. Oxford University Press. ISBN 978-0-19-509214-1.
Quinn, Susan (1996). Marie Curie: A Life. Da Capo Press. ISBN 978-0-201-88794-5.
Redniss, Lauren (2010). Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout. HarperCollins. ISBN 978-0-06-135132-7.
Wirten, Eva Hemmungs (2015). Making Marie Curie: Intellectual Property and Celebrity Culture in an Age of Information. University of Chicago Press. ISBN 978-0-226-23584-4. Retrieved 15 March 2016.
Fiction
Olov Enquist, Per (2006). The Book about Blanche and Marie. New York: Overlook. ISBN 978-1-58567-668-2. A 2004 novel by Per Olov Enquist featuring Maria Skłodowska-Curie, neurologist Jean-Martin Charcot, and his Salpêtrière patient "Blanche" (Marie Wittman). The English translation was published in 2006.
External links
Works by Marie Curie at LibriVox (public domain audiobooks)
Works by Marie Curie at Open Library
Works by Marie Curie at Project Gutenberg
Works by or about Marie Curie at the Internet Archive
Newspaper clippings about Marie Curie in the 20th Century Press Archives of the ZBW
Marie Curie on Nobelprize.org |
Grazia_Deledda | https://en.wikipedia.org/wiki/Grazia_Deledda | [
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] | Grazia Maria Cosima Damiana Deledda (Italian: [ˈɡrattsja deˈlɛdda]; Sardinian: Gràssia or Gràtzia Deledda [ˈɡɾa(t)si.a ðɛˈlɛɖːa]; 27 September 1871 – 15 August 1936) was an Italian writer who received the Nobel Prize for Literature in 1926 "for her idealistically inspired writings which with plastic clarity picture the life on her native island [i.e. Sardinia] and with depth and sympathy deal with human problems in general". She was the first Italian woman to receive the prize, and only the second woman in general after Selma Lagerlöf was awarded hers in 1909.
Biography
Deledda was born in Nuoro, Sardinia, into a middle-class family, to Giovanni Antonio Deledda and Francesca Cambosu, as the fourth of seven siblings. She attended elementary school (the minimum required at the time) and was then educated by a private tutor (a guest of one of her relatives) and moved on to study literature on her own. It was during this time that she started displaying an interest in writing short novels, mostly inspired by the life of Sardinian peasants and their struggles. Her teacher encouraged her to submit her writing to a newspaper and, at age 13, her first story was published in a local journal. Some of Deledda's early works were published in the fashion magazine L'ultima moda between 1888 and 1889. In 1890 Trevisani published Nell'azzurro (Into the Blue), her first collection of short stories. Deledda's main focus was the representation of poverty and the struggles associated with it through a combination of imaginary and autobiographical elements. Her family wasn't particularly supportive of her desire to write.
Deledda's first novel, Fiori di Sardegna (Flowers of Sardinia) was published in 1892. Her 1896 book Paesaggi sardi, published by Speirani, is characterized by a prose both informed by fiction and poetry. Around this time Deledda initiated a regular collaboration with newspapers and magazines, most notably La Sardegna, Piccola Rivista and Nuova Antologia. Her work earned significant visibility as well as critical interest. In October 1899, Deledda met Palmiro Madesani, a functionary of the Ministry of Finance, in Cagliari. Madesani and Deledda were married in 1900 and the couple moved to Rome right after the publication of Deledda's Il vecchio della montagna (The Old Man from the Mountain, 1900). Despite the birth of her two sons, Sardus (1901) and Francesco "Franz" (1904), Deledda managed to continue to write prolifically, publishing about a novel a year.
In 1903 she published Elias Portolu, which was met with commercial and critical success, boosting her reputation as a writer. This was followed by Cenere (Ashes, 1904); L'edera (The Ivy, 1908); Sino al confine (To the Border, 1910); Colombi e sparvieri (Doves and Sparrows, 1912); and her most popular book, Canne al vento (Reeds in the Wind, 1913).
In 1916 Cenere was the inspiration for a silent movie with famed Italian actress Eleonora Duse. It was the first and only time that Duse, a theatre performer, appeared in a film. Deledda was one of the contributors of the nationalist women's magazine, Lidel, which was established in 1919.
In 1926 Henrik Schück, a member of the Swedish Academy, nominated Deledda for the Nobel Prize in Literature. Deledda won "for her idealistically inspired writings which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general." She was awarded the Prize in a ceremony in Stockholm in 1926. Her initial response to the news was "Già?" ("Already?")
Deledda's win contributed to an increase in popularity of her writing. Benito Mussolini, who had just consolidated his grip on power, sent Deledda a signed portrait of himself with a dedication where he expressed his "profound admiration" for the writer. Flocks of journalists and photographers started visiting her home in Rome. Deledda initially welcomed them but eventually grew tired of the attention. One day she noticed that her beloved pet crow, Checca, was visibly irritated by the commotion, with people constantly coming in and out of the house. "If Checca has had enough, so have I," Deledda was quoted as saying, and she returned to a more retired routine.
The events also put a strain on Deledda's extremely methodical writings schedule. Her day would start with a late breakfast, followed by a morning of hard reading, lunch, a quick nap and a few hours of writing before dinner.
Deledda continued to write even as she grew older and more fragile. Her subsequent works, La Casa del Poeta (The House of the Poet, 1930) and Sole d'Estate (Summer Sun, 1933), indicate a more optimistic view of life even as she was experiencing serious health issues.
Deledda died in Rome at the age of 64 of breast cancer. La chiesa della solitudine (The Church of Solitude, 1936), Deledda's last novel, is a semi-autobiographical depiction of a young Italian woman coming to terms with a fatal disease. A completed manuscript of the novel Cosima was discovered after her death and published posthumously in 1937.
Accolades
Deledda's work has been highly regarded by writers of Italian literature, including Luigi Capuana, Giovanni Verga, Enrico Thovez, Pietro Pancrazi, Renato Serra. Sardinian writers including Sergio Atzeni, Giulio Angioni and Salvatore Mannuzzu, were greatly influenced by her work, prompting them to found what has later become known as the Sardinian Literary Spring. In 1947 artist Amelia Camboni was commissioned a portrait of Deledda, currently standing close to her home in Rome in the Pincio neighbourhood.
Deledda's birthplace and childhood home in Nuoro was declared a national heritage building and purchased in 1968 by the Municipality of Nuoro, which in 1979 handed it over to the Regional Ethnographic Institute (ISRE) for the symbolic price of 1,000 Italian Lire. The Institute transformed the house into a museum commemorating the writer, and it's now called the Museo Deleddiano. The museum consists of ten rooms showcasing the most important episodes in Deledda's life.
A coal power plant opened in Portoscuso in 1965. As of 2013, this powerplant called Grazia Deledda has a capacity of 590 MW.
Tribute
On 10 December 2017 Google celebrated her with a Google Doodle.
Work
The life, customs, and traditions of the Sardinian people are prominent in Deledda's writing. She often relies on detailed geographical descriptions and her characters often present a strong connection with their place of origins. Many of her characters are outcasts who silently struggle with isolation. Overall Deledda's work focuses on love, pain and death, upon which rests feelings of sin and fatality. Her novels tend to criticize social values and moral norms rather than the people who are victims of such circumstances.
In her works it can be recognized the influence of the verism of Giovanni Verga and, sometimes, also that of the decadentism of Gabriele D'Annunzio, although her writing style is not so ornate. Despite her groundbreaking role in Italian and World literature, Deledda has failed to be acknowledged as a feminist writer, possibly due to her tendency of depicting women's pain and suffering as opposed to women's autonomy.
Complete list of works
Below is a complete list of Deledda's works:
See also
List of female Nobel laureates
References
Bibliography
Attilio Momigliano, "Intorno a Grazia Deledda", in Ultimi studi, La Nuova Italia, Florence, 1954.
Emilio Cecchi, "Grazia Deledda", in Storia della Letteratura Italiana: Il Novecento, Garzanti, Milan, 1967.
Antonio Piromalli, "Grazia Deledda", La Nuova Italia, Florence, 1968.
Natalino Sapegno, "Prefazione", in Romanzi e novelle, Mondadori, Milan, 1972.
Giulio Angioni, "Grazia Deledda: l'antropologia positivistica e la diversità della Sardegna", in Grazia Deledda nella cultura contemporanea, Satta, Nuoro, 1992
Giulio Angioni, "Introduzione", in Tradizioni popolari di Nuoro, Ilisso, Biblioteca Sarda, Nuoro, 2010.
"Museo Deleddiano di Nuoro". Fidelity House (in Italian). 5 February 2015. Retrieved 24 May 2016.
Garwood, Duncan (2009). Sardinia. Lonely Planet. p. 193. ISBN 978-1741048193. Retrieved 24 May 2016.
Onnis, Omar; Mureddu, Manuelle (2019). Illustres. Vita, morte e miracoli di quaranta personalità sarde (in Italian). Sestu: Domus de Janas. ISBN 978-88-97084-90-7. OCLC 1124656644.
Voice recording
The voice of Grazia Deledda speaking (in Italian) at the Nobel Prize Ceremony in 1926.
External links
Media related to Grazia Deledda at Wikimedia Commons
Works by Grazia Deledda in eBook form at Standard Ebooks
Works by Grazia Deledda at Project Gutenberg
Works by or about Grazia Deledda at the Internet Archive
Works by Grazia Deledda at LibriVox (public domain audiobooks)
Grazia Deledda on Nobelprize.org
Werkverzeichnis
Summary of works by Grazia Deledda and complete texts
Martha King's English translation of Cosima.
Martha King's English translation of Canne al vento as Reeds in the Wind.
BBC Radio 4's 10-part dramatisation of Reeds in the Wind 2012
Il bilinguismo di Grazia Deledda - Il Manifesto Sardo (article written in Italian)
Biography: Deledda, Grazia at The Italian Women Writers project
Newspaper clippings about Grazia Deledda in the 20th Century Press Archives of the ZBW |
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] | [
"en.wikipedia.org/wiki/List_of_female_Nobel_laureates"
] | The Nobel Prizes are five separate prizes that, according to Alfred Nobel's will of 1895, are awarded to "those who, during the preceding year, have conferred the greatest benefit to Mankind." Additionally, the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel was established by Sveriges Riksbank in 1968 and awarded to a "person or persons in the field of economic sciences who have produced work of outstanding importance."
As of 2023, 65 Nobel Prizes and the Memorial Prize in Economic Sciences have been awarded to 64 women. Unique Nobel Prize laureates include 894 men, 64 women, and 27 organizations.
The distribution of Nobel prizes awarded to women is as follows:
nineteen women have won the Nobel Peace Prize (16.3% of 110 awarded);
seventeen have won the Nobel Prize in Literature (14.28% of 119 awarded);
thirteen have won the Nobel Prize in Physiology or Medicine (5.6% of 230 awarded);
eight have won the Nobel Prize in Chemistry (4.1% of 191 awarded);
five have won the Nobel Prize in Physics (1.8% of 224 awarded);
and three (Elinor Ostrom, Esther Duflo and Claudia Goldin) have won the Nobel Memorial Prize in Economic Sciences (2.17% of 92 awarded).
The first woman to win a Nobel Prize was Marie Curie, who won the Nobel Prize in Physics in 1903 with her husband, Pierre Curie, and Henri Becquerel. Curie is also the first person and the only woman to have won multiple Nobel Prizes; in 1911, she won the Nobel Prize in Chemistry. Curie's daughter, Irène Joliot-Curie, won the Nobel Prize in Chemistry in 1935, making the two the only mother–daughter pair to have won Nobel Prizes and of Pierre and Irène Curie the only father-daughter pair to have won Nobel Prizes by the same occasion, whilst there are 6 father-son pairs who have won Nobel Prizes by comparison.
The most Nobel Prizes awarded to women in a single year was in 2009, when five women became laureates in four categories.
The most recent women to be awarded a Nobel Prize were Claudia Goldin in Economics, Narges Mohammadi for Peace, Anne L'Huillier in Physics and Katalin Karikó in Physiology or Medicine (2023), Annie Ernaux in Literature and Carolyn R. Bertozzi for Chemistry (2022), Maria Ressa for Peace (2021), Louise Glück in Literature, Andrea M. Ghez in Physics, Emmanuelle Charpentier and Jennifer A. Doudna in Chemistry (2020), and Esther Duflo in Economics (2019).
Female laureates
Physiology or Medicine
Physics
Chemistry
Literature
Peace
Economic Sciences
See also
List of female nominees for the Nobel Prize
List of female Clarivate Citation laureates
References
Specific
General
"Nobel Prize awarded women". Nobel Foundation. Retrieved 2022-10-06.
"Women - Nobel Prize laureates". nobelists.org. Retrieved 24 June 2024.
Further reading
Sanchez, Chelsey (2 November 2021). "These Are the Four Women Who Won Nobel Prizes in 2020". Harper's Bazaar. Retrieved 22 May 2022.
Alan Asaid (26 September 2009). "Så ratade Akademien kvinnorna" [How the Academy Rejected the Women]. SvD (in Swedish). |
Irène_Joliot-Curie | https://en.wikipedia.org/wiki/Irène_Joliot-Curie | [
226
] | [
"https://en.wikipedia.org/wiki/Irène_Joliot-Curie"
] | Irène Joliot-Curie (French: [iʁɛn ʒɔljo kyʁi] ; née Curie; 12 September 1897 – 17 March 1956) was a French chemist, physicist and politician, the elder daughter of Pierre Curie and Marie Skłodowska–Curie, and the wife of Frédéric Joliot-Curie. Jointly with her husband, Joliot-Curie was awarded the Nobel Prize in Chemistry in 1935 for their discovery of induced radioactivity, making them the second-ever married couple (after her parents) to win the Nobel Prize, while adding to the Curie family legacy of five Nobel Prizes. This made the Curies the family with the most Nobel laureates to date.
Her mother Marie Skłodowska–Curie and herself also form the only mother–daughter pair to have won Nobel Prizes whilst Pierre and Irène Curie form the only father-daughter pair to have won Nobel Prizes by the same occasion, whilst there are six father-son pairs who have won Nobel Prizes by comparison.
She was also one of the first three women to be a member of a French government, becoming undersecretary for Scientific Research under the Popular Front in 1936. Both children of the Joliot-Curies, Hélène and Pierre, are also prominent scientists.
In 1945, she was one of the six commissioners of the new French Alternative Energies and Atomic Energy Commission (CEA) created by de Gaulle and the Provisional Government of the French Republic. She died in Paris on 17 March 1956 from an acute leukemia linked to her exposure to polonium and X-rays.
Biography
Early life and education
Irène was born in Paris, France, on 12 September 1897 and was the first of Marie and Pierre's two daughters. Her sister was Ève, born in 1904. They lost their father early on in 1906 due to a horse-drawn wagon incident and Marie was left to raise them. Education was important to Marie and Irène's education began at a school near the Paris Observatory. This school was chosen because it had a more challenging curriculum than the school nearby the Curie's home. In 1906, it was obvious Irène was talented in mathematics and her mother chose to focus on that instead of public school. Marie joined forces with a number of eminent French scholars, including the prominent French physicist Paul Langevin, to form "The Cooperative", which included a private gathering of nine students that were children of the most distinguished academics in France. Each contributed to educating these children in their respective homes. The curriculum of The Cooperative was varied and included not only the principles of science and scientific research but such diverse subjects as Chinese and sculpture and with great emphasis placed on self-expression and play. Irène studied in this environment for about two years.
Irène and her sister Ève were sent to Poland to spend the summer with their Aunt Bronia (Marie's sister) when Irène was thirteen. Irène's education was so rigorous that she still had a German and trigonometry lesson every day of that break. Irène re-entered a more orthodox learning environment by going back to high school at the Collège Sévigné in central Paris until 1914. She then went onto the Faculty of Science at the Sorbonne to complete her baccalaureate, until 1916 when her studies were interrupted by World War I.
World War I
Irène took a nursing course during college to assist her mother, Marie Curie, in the field as her assistant. She began her work as a nurse radiographer on the battlefield alongside her mother, but after a few months she was left to work alone at a radiological facility in Belgium. She taught doctors how to locate shrapnel in bodies using radiology and taught herself how to repair the equipment. She moved throughout facilities and battlegrounds including two bombsites, Furnes and Ypres, and Amiens. She received a military medal for her assistance in X-ray facilities in France and Belgium.
After the war, Irène returned to the Sorbonne in Paris to complete her second baccalaureate degree in mathematics and physics in 1918. Irène then went on to work as her mother's assistant, teaching radiology at the Radium Institute, which had been built by her parents. Her doctoral thesis was concerned with the alpha decay of polonium, the element discovered by her parents (along with radium) and named after Marie's country of birth, Poland. Irène became a Doctor of Science in 1925.
Research
As she neared the end of her doctorate in 1924, Irène Curie was asked to teach the precision laboratory techniques required for radiochemical research to the young chemical engineer Frédéric Joliot, whom she would later wed. From 1928 Joliot-Curie and her husband Frédéric combined their research efforts on the study of atomic nuclei. In 1932, Joliot-Curie and her husband Frédéric had full access to Marie's polonium. Experiments were done using gamma rays to identify the positron. Though their experiments identified both the positron and the neutron, they failed to interpret the significance of the results and the discoveries were later claimed by Carl David Anderson and James Chadwick respectively. These discoveries would have secured greatness indeed, as together with J. J. Thomson's discovery of the electron in 1897, they finally replaced John Dalton's model of atoms as solid spherical particles.
However, in 1933, Joliot-Curie and her husband were the first to calculate the accurate mass of the neutron. The Joliot-Curies continued trying to get their name into the scientific community; in doing so they developed a new theory from an interesting experiment they conducted. During an experiment bombarding aluminium with alpha rays, they discovered that only protons were detected. Based on the undetectable electron and positron pair, they proposed that the protons changed into neutrons and positrons. Later in October 1933, this new theory was presented to the Seventh Solvay Conference. The Solvay Conferences consisted of prominent scientists in the physics and chemistry community. Irene and her husband presented their theory and results to their fellow scientists, but they received criticism of their finding from most of the 46 scientists attending. However they were able to build on the controversial theory later on.
In 1934, the Joliot-Curies finally made the discovery that sealed their place in scientific history. Building on the work of Marie and Pierre Curie, who had isolated naturally occurring radioactive elements, the Joliot-Curies realised the alchemist's dream of turning one element into another: creating radioactive nitrogen from boron, radioactive isotopes of phosphorus from aluminium, and silicon from magnesium. Irradiating the natural stable isotope of aluminium with alpha particles (i.e. helium nuclei) resulted in an unstable isotope of phosphorus: 27Al + 4He → 30P + 1n. This phosporus isotope is not found in nature and decays emitting a positron. This discovery is formally known as positron emission or beta decay, where a proton in the radioactive nucleus changes to a neutron and releases a positron and an electron neutrino. By then, the application of radioactive materials for use in medicine was growing and this discovery allowed radioactive materials to be created quickly, cheaply, and plentifully. The Nobel Prize for chemistry in 1935 brought with it fame and recognition from the scientific community and Joliot-Curie was awarded a professorship at the Faculty of Science.
The work that Irène's laboratory pioneered, research into radium nuclei, would also help another group of physicists within Germany. Otto Hahn and Fritz Strassman on 19 December 1938 bombarded uranium with neutrons, but misinterpreted their findings. Lise Meitner and Otto Frisch would theoretically correct Hahn and Strassmann's findings, and after replicating their experiment based on Hungarian physicist Leo Szilard's theory that he had confided to Meitner back in 1933, confirmed on 13 January 1939 that Hahn and Strassmann had indeed observed nuclear fission: the splitting of the nucleus itself, emitting vast amounts of energy. Lise Meitner's now-famous calculations actually disproved Irène's results and proved that nuclear fission was possible and replicable.
In 1948, using work on nuclear fission, the Joliot-Curies along with other scientists created the first French nuclear reactor. The Joliot-Curies were a part of the organization in charge of the project, the Atomic Energy Commission, Commissariat à l'énergie atomique (CEA). Irène was the commissioner of the CEA and Irène's husband, Frédéric, was the director of the CEA. The reactor, Zoé (Zéro énergie Oxyde et Eau lourde) used nuclear fission to generate five kilowatts of power. This was the beginning of nuclear energy as a source of power for France.
Years of working so closely with radioactive materials finally caught up with Joliot-Curie and she was diagnosed with leukemia. She had been accidentally exposed to polonium when a sealed capsule of the element exploded on her laboratory bench in 1946. Treatment with antibiotics and a series of operations relieved her suffering temporarily but her condition continued to deteriorate. Despite this, Joliot-Curie continued to work and in 1955 drew up plans for new physics laboratories at the Orsay Faculty of Sciences, which is now a part of the Paris-Saclay University, south of Paris.
Political views
The Joliot-Curies had become increasingly aware of the growth of the fascist movement. They opposed its ideals and joined the Socialist Party in 1934, the Comité de vigilance des intellectuels antifascistes a year later, and in 1936 they actively supported the Republican faction in the Spanish Civil War. In the same year, Joliot-Curie was appointed Undersecretary of State for Scientific Research by the French government, in which capacity she helped in founding the Centre National de la Recherche Scientifique.
Frédéric and Irène visited Moscow for the two hundred and twentieth anniversary of the Russian Academy of Science and returned sympathizing with Russian colleagues. Frédéric's close connection with the Communist Party caused Irène to later be detained on Ellis Island during her third trip to the US, coming to speak in support of Spanish refugees, at the Joint Antifascist Refugee Committee's invitation.
The Joliot-Curies had continued Pierre and Marie's policy of publishing all of their work for the benefit of the global scientific community, but afraid of the danger that might result should it be developed for military use, they stopped: on 30 October 1939, they placed all of their documentation on nuclear fission in the vaults of the French Academy of Sciences, where it remained until 1949.
Joliot-Curie's political career continued after the war and she became a commissioner in the Commissariat à l'énergie atomique. However, she still found time for scientific work and in 1946 became director of her mother's Institut Curie.
Joliot-Curie became actively involved in promoting women's education, serving on the National Committee of the Union of French Women (Comité National de l'Union des Femmes Françaises) and the World Peace Council. The Joliot-Curies were given memberships to the French Légion d'honneur; Irène as an officer and Frédéric as a commander, recognising his earlier work for the resistance.
Personal life
Irène and Frédéric hyphenated their surnames to Joliot-Curie after they married in 1926. The Joliot-Curies had two children, Hélène, born eleven months after they were married, and Pierre, born in 1932.
Between 1941 and 1943 during World War II, Joliot-Curie contracted tuberculosis and was forced to spend time convalescing in Switzerland. Concern for her own health together with the anguish of her husband's being in the resistance against the German troops and her children in occupied France was hard to bear. She did make several dangerous visits back to France, enduring detention by German troops at the Swiss border on more than one occasion. Finally, in 1944, Joliot-Curie judged it too dangerous for her family to remain in France and she took her children back to Switzerland. Later in September 1944, after not hearing from Frédéric for months, Irene and her children were finally able to rejoin him.
Irène fought through these struggles to advocate for her own personal views. She was a passionate member of the feminist movement, especially regarding the sciences, and also advocated for peace. She continually applied to the French Academy of Sciences, an elite scientific organization, knowing that she would be denied. She did so to draw attention to the fact they did not accept women in the organization. Irène was also involved in many speaking functions such as the International Women's Day conference. She also played a big role for the French contingent at the World Congress of Intellectuals for Peace, which promoted the World Peace movement. In 1948, during a strike involving coal miners, Joliot-Curie reached out to Paris Newsletters to convince families to temporarily adopt the children of the coal miners during the strike. The Joliot-Curies adopted two girls during that time.
Death
In 1956, after a final convalescent period in the French Alps, Joliot-Curie was admitted to the Curie Hospital in Paris, where she died on 17 March at the age of 58 from leukemia, possibly due to radiation from polonium-210. Frédéric's health was also declining, and he died in 1958 from liver disease, which too was said to be the result of overexposure to radiation.
Joliot-Curie was an atheist and anti-war. When the French government held a national funeral in her honor, Irène's family asked to have the religious and military portions of the funeral omitted. Frédéric was also given a national funeral by the French government.
Joliot-Curie's daughter, Hélène Langevin-Joliot, went on to become a nuclear physicist and professor at the University of Paris. Joliot-Curie's son, Pierre Joliot, went on to become a biochemist at Centre National de la Recherche Scientifique.
Notable honours
Nobel Prize in Chemistry in 1935 for the discovery of artificial radioactivity with Frédéric Joliot-Curie.
Barnard Gold Medal for Meritorious Service to Science in 1940 with Frédéric Joliot-Curie.
Officer of the Legion of Honor.
Her name was added to the Monument to the X-ray and Radium Martyrs of All Nations erected in Hamburg, Germany.
See also
List of female Nobel laureates
Women in chemistry
Stefania Maracineanu
Timeline of women in science
Radioactive (film)
References
Further reading
Opfell, Olga S. (1978). The Lady Laureates: Women Who have Won the Nobel Prize. Metuchen, N.J. & London: Scarecrow Press. pp. 165–182. ISBN 0810811618.
Conference (Dec. 1935) for the Nobel prize of F. & I. Joliot-Curie, online and analysed on BibNum [click 'à télécharger' for English version].
External links
Newspaper clippings about Irène Joliot-Curie in the 20th Century Press Archives of the ZBW
Irène Joliot-Curie on Nobelprize.org including the Nobel Lecture on 12 December 1935 Artificial Production of Radioactive Elements |
Phoenix_Open | https://en.wikipedia.org/wiki/Phoenix_Open | [
227
] | [
"https://en.wikipedia.org/wiki/Phoenix_Open"
] | The Phoenix Open (branded as the WM Phoenix Open for sponsorship reasons) is a professional golf tournament on the PGA Tour, held in early February at TPC Scottsdale in Scottsdale, Arizona, United States.
The tournament was originally the Arizona Open but was known for most of its history as the Phoenix Open until the investment bank Friedman Billings Ramsey became the title sponsor in October 2003. For the next six editions, it was known as the FBR Open. Waste Management, Inc. began its sponsorship in 2010.
The event's relaxed atmosphere, raucous by professional golf standards, has earned it the nickname "The Greatest Show on Grass" and made it one of the most popular events on the PGA Tour calendar.
History
The Phoenix Open began 92 years ago in 1932 but was discontinued after the 1935 tournament. The rebirth of the Phoenix Open came in 1939 when Bob Goldwater Sr. convinced fellow Thunderbirds to help run the event. The Thunderbirds, a prominent civic organization in Phoenix, were less enthusiastic about running the event than he was, leaving Goldwater Sr. to do most of the work in getting a golf open started.
The event was played at the Phoenix Country Club in Phoenix (33.48°N 112.06°W / 33.48; -112.06), both in its earlier incarnations and after Goldwater resuscitated it. Beginning in 1955, the Arizona Country Club (also in Phoenix) (33.49°N 111.96°W / 33.49; -111.96), alternated as event host with Phoenix Country Club; this arrangement lasted until Phoenix Country Club took The Arizona Country Club's turn in 1975 and became the event's permanent home again.
The tournament moved 37 years ago in 1987 to its current home, the Stadium Course at TPC Scottsdale, northeast of downtown Phoenix. The approximate average elevation of the course is 1,530 feet (465 m) above sea level.
The purse was $8.2 million in 2022, then increased over 140% to $20 million for 2023, with a winner's share of $3.6 million.
Popularity
The five-day attendance of the tournament is usually around a half million, the best-attended event in golf. In 2016, it set a PGA Tour and Phoenix Open single-day attendance record with 201,003 fans on Saturday, February 6, and a tournament week attendance record of 618,365 fans.
The most popular location for spectators is the par-3 16th hole, nicknamed "The Coliseum." (33.64°N 111.91°W / 33.64; -111.91) One of the shortest holes on tour at 162 yards (148 m), it is enclosed by a temporary 20,000-seat grandstand. The hole could be described as "one big party," with many students from the nearby Arizona State University in Tempe in attendance. Poor shots at the 16th hole receive boos because the hole is straightforward by the PGA's standards. Good shots, however, are cheered loudly. Players who make holes in one at the 16th will cause the gallery to erupt, leading to beverages and other objects being tossed in celebrations; Tiger Woods (1997), Jarrod Lyle (2011), and Sam Ryder (2022) have each aced the hole on Saturday, creating raucous celebrations at the hole. The anger of a poor shot can lead to tempers flaring, as Justin Leonard gave obscene gestures to the gallery after a poor shot one year. After 2013, the PGA Tour banned the practice of caddies racing the 150 yards (140 m) from the tee box to the green, citing injury concerns.
Former Arizona State players are very popular at the Phoenix Open, with many often wearing a Pat Tillman jersey when entering the 16th-hole stadium. Phil Mickelson and Jon Rahm are popular there for that reason. In addition to golf, there is a concert/party held in the Scottsdale area called the Birds Nest, at which music artists like Huey Lewis and the News play.
The Thunderbirds are still highly active in organizing the tournament. The Thunderbirds use portions of the proceeds to fund Special Olympics activities in Phoenix.
Conflicts with the Super Bowl
Since 1973, the Phoenix Open has been played on the weekend of the Super Bowl. In 1976, coverage of the tournament's final round was joined in progress immediately after CBS's coverage of Super Bowl X. In 1996, it was played Wednesday through Saturday, as Super Bowl XXX was held at Sun Devil Stadium in nearby Tempe. In 2009, the tournament overlapped with Super Bowl XLIII in Tampa, Florida, when Kenny Perry and Charley Hoffman went to a playoff. That denied the spectators a chance to watch the beginning of the game on NBC, which featured the local Arizona Cardinals.
Because of the Super Bowl weekend status, the PGA Tour's television contracts with CBS and NBC include an alternating tournament. Usually, a CBS tournament occurs when NBC or FOX televises the Super Bowl, the Phoenix Open airs on NBC when CBS has the Super Bowl, and NBC's Honda Classic aired on CBS during the 2018 Winter Olympics.
Highlights
1949: Ben Hogan loses in a playoff; driving home with his wife; he is involved in a near-fatal accident.
1987: Paul Azinger wins the first edition of the Phoenix Open held at TPC Scottsdale.
1990: Tom Pernice Jr. makes the first double eagle in tournament history on the par-5 15th hole.
1996: Grant Waite sets the course record of 60 (−11). Phil Mickelson, an alumnus of nearby Arizona State University, wins the tournament for the first time.
1997: Tiger Woods aces the par-3 16th hole in the third round on Saturday.
2000: Andrew Magee makes the first ace on a par-4 in PGA Tour history on the par-4 17th hole.
2001: Mark Calcavecchia sets the tournament record for lowest aggregate score with 256 (−28), including a course record-tying 60 (−11) in the second round.
2011: Jarrod Lyle aces the par-3 16th hole in the first round.
2019: Amy Bockerstette, a golfer with Down syndrome, pars the par-3 16th hole during the pro-am in front of Gary Woodland, a moment that went viral on social media.
2020: Woodland and Bockerstette reunite one year after their viral moment with a $25,000 contribution to the I Got This! Foundation, launched the previous year.
2022: Sam Ryder aces on the par-3 16th hole during the third round on Saturday.
Records
The tournament's lowest 72-hole score was set by Mark Calcavecchia in 2001 with 256 (–28), which was matched by Mickelson in 2013. In the second round Calcavecchia scored a 60 (–11), which equalled the lowest score at the Phoenix Open (by Grant Waite in 1996) and subsequently matched by Mickelson in 2005 and 2013. Calcavecchia had 32 birdies in the tournament, which was also an all-time record.
There have been only two double eagles in the history of the Phoenix Open. Tom Pernice Jr. made the first one on the 558-yard (510 m) par-5 15th hole in 1990. Andrew Magee scored the second on the 332-yard (304 m) par-4 17th hole in 2001, and was the first-ever ace on a par-4 in PGA Tour history.
Winners
Note: Green highlight indicates scoring records.
Sources:
Notes
References
External links
Official website
Coverage on the PGA Tour's official site |
Nick_Taylor_(golfer) | https://en.wikipedia.org/wiki/Nick_Taylor_(golfer) | [
227
] | [
"https://en.wikipedia.org/wiki/Nick_Taylor_(golfer)"
] | Nicholas Alexander Taylor (born April 14, 1988) is a Canadian professional golfer who plays on the PGA Tour. After turning professional in 2010, Taylor has won on the PGA Tour four times, including becoming the first Canadian to win the Canadian Open since 1954, which he did in 2023 at the Oakdale Golf & Country Club.
Taylor had strong junior, collegiate, and amateur careers, winning the 2007 Canadian Amateur Championship at the age of 19, the top 8 of the 2007 U.S. Amateur, and finishing as a runner-up in the 2008 NCAA Division I Men's Golf Championship. He was a two-time All American and Pac-10 Golfer of the Year for the University of Washington Huskies. As an amateur in the 2009 U.S. Open, Taylor carded the lowest amateur round in U.S. Open history with a second round 65, finishing tied for 36th with the honour of the low amateur of the major. He was awarded the 2009 Mark H. McCormack Medal as the leading player in the World Amateur Golf Ranking, and the 2010 Ben Hogan Award as the best college golf player in the United States.
Taylor played on PGA Tour Canada from 2011 to 2013, and on the Web.com Tour before graduating to the PGA Tour in 2014. In his inaugural PGA Tour season he won the 2014 Sanderson Farms Championship, and picked up his second win in the 2020 AT&T Pebble Beach Pro-Am.
Early life and amateur career
Taylor was born in Winnipeg, Manitoba and moved to Abbotsford, British Columbia when he was three. His home golf course is Ledgeview Golf and Country Club where he started golfing at the age of 10. Taylor attended Yale Secondary School, where he and his teammates won back to back provincial championships. Afterwards he attended the University of Washington on a golf scholarship where he graduated with a degree in economics.
In 2007, at the age of 19, Taylor won the Canadian Amateur Championship at the Riverside Country Club in Saskatoon, defeating Michael Knight in two playoff holes. At the 2007 U.S. Amateur at the Olympic Club, Taylor won the 51st seed and advanced through three rounds of the tournament, including defeating future PGA golfer Jamie Lovemark. Taylor was defeated in the quarter-finals by eventual champion Colt Knost.
In the May 2008 NCAA Division I Men's Golf Championship, Taylor finished tied for second in the individual competition with Jorge Campillo, three strokes back of champion Kevin Chappell. Taylor's Washington Husky's team finished in seventh place. He was named an Honorable Mention for the GCAA Division I PING All-America Team. In 2008, Taylor qualified for the U.S. Open, in which he missed the cut by three strokes. In the July 2009 U.S. Amateur Public Links, Taylor finished as the runner-up to Brad Benjamin. He also finished T53 at the 2008 RBC Canadian Open with a final score of −1. In the 2008 Canadian Amateur, Taylor finished in ninth place with a final score of −2.
In the May 2009 NCAA Division I Men's Golf Championship, Taylor finished the individual competition tied for ninth place, while his Washington Husky's team finished tied for third place. He was named on the Division I GCAA All-America Team with future PGA golfers Rickie Fowler and Billy Horschel. He qualified for the 2009 U.S. Open at Bethpage Black, where he made the cut, carding a 65 in the second round, the record for lowest by an amateur in major's history. He finished tied for 36th, being the lowest amateur of the championship. Taylor won the July 2009 Sahalee Players Championship. In the 2009 Canadian Amateur at Blainvillier Golf Club, he finished tied for 3rd with a final score of −5. He also became the number one world amateur golfer according to the World Amateur Golf Ranking. In September 2009, he won the Mark H. McCormack Medal for being on top of the World Amateur Golf Ranking after the U.S. Amateur.
In his final amateur year in 2010, Taylor finished 41st at the May 2010 NCAA Division I Men's Golf Championship, while his Washington Husky's team finished in fourth place. He was named a Ping First-Team All-American for the second season in a row, along with Washington teammates Chris Williams and Richard H. Lee. Taylor was eliminated from the U.S. Amateur in the first round by Chan Kim. In the 2010 Canadian Amateur, Taylor finished tied for 33rd at +3. He won the 2010 Ben Hogan Award for the top men's collegiate golfer, and also won his second consecutive Pac-10 Golfer of the Year award.
Professional career
Taylor turned professional in late 2010, making his professional debut at the October Russell Brewing VGT Tour Championship on the Vancouver Golf Tour. He played on PGA Tour Canada from 2011 to 2013, compiling 10 top-10 finishes in 25 starts. In 2013, he finished 7th on the Order of Merit and earned an exemption into the final stage of the Web.com Tour qualifying school, where he finished 11th to earn status for the 2014 season. He finished 69th in the 2014 Web.com Tour regular season, then 23rd in the Web.com Tour Finals to earn his PGA Tour card for the 2014–15 season.
2014–15 PGA Tour season: inaugural season and first victory
Taylor made his first start in the 2014–15 PGA Tour season at the January Hyundai Tournament of Champions at the Kapalua Resort. He finished at −6, securing a tie for 29th place. In November 2014, Taylor achieved his first victory on the PGA Tour at the Sanderson Farms Championship, hosted at the Country Club of Jackson, finishing with a score of −16. Taylor's win was the first on the PGA Tour for a Canadian-born player in seven years, following Mike Weir's victory at the 2007 Fry's Electronics Open. Taylor qualified for only one major, competing in the 2015 PGA Championship. He finished with a score of +4 and tied for 68th place. In his inaugural season on the PGA Tour, Taylor competed in 28 events, making 17 cuts, with two top-25 finishes, and one win. At the conclusion of the FedEx Cup race, Taylor finished at 101st place with 613 FedEx Cup points, and finished the season with $1,072,360 in prize money.
2015–16 to 2018–19 PGA Tour seasons: limited success
In his second season, the 2015–16 PGA Tour season, Taylor made his best finish at the March Puerto Rico Open, finishing at −10 and in a tie for 5th place, marking his only top-20 finish. Taylor did not qualify of an majors during the year, and was cut from the Players Championship. In the 2015–16 PGA Tour season, Taylor competed in 26 events, making 16 cuts with five top-25 finishes. He finished the FedEx Cup race at 129th with 441 FedEx Cup points, and won $628,756 in prize money.
In the 2016–17 PGA Tour season, Taylor made his first top-10 finish at the AT&T Pebble Beach Pro-Am, finishing −8 and tied for 10th place. Taylor made his second top-10 finish of the season at the Wells Fargo Championship, finishing −6 and tied for eighth, his best finish for the 2016–17 PGA Tour season. His third top-10 finish came only a few weeks later at the AT&T Byron Nelson, finishing at −7 and tied for ninth, and his final top-10 finish came at the Greenbrier Classic, finishing −9 and tied for ninth place. For the second season in a row, Taylor failed to qualify for any major championships. In the 2016–17 PGA Tour season, Taylor competed in 29 events, making 20 cuts with eight top-25 finishes. He finished the FedEx Cup race at 93rd with 554 FedEx Cup points, and won $1,255,259 in prize money.
In the 2017–18 PGA Tour season, Taylor started out hot finishing tied for 9th in the Safeway Open with a final score of −9. He followed that up with a tied 13th at the CIMB Classic, and tied 23rd at the CJ Cup. Taylor struggled in the middle of the season missing six consecutive cuts between March and May 2018. He made one more top-10 finish at the Wyndham Championship with a final score of −15 and tied for 8th place. Taylor failed to qualify for any major championships. In the 2017–18 PGA Tour season, Taylor competed in 30 events, making 17 cuts with six top-25 finishes. He finished the FedEx Cup race at 123rd with 420 FedEx Cup points, and won $899,373 in prize money.
In the 2018–19 PGA Tour season, Taylor finished his fifth tournament of the season, the 2018 World Cup of Golf in Australia, tied for 4th place with a final score of −17. He had only one other top-10 finish on the season, finishing tied for 9th at the Zurich Classic of New Orleans with a final score of −19. Taylor failed to qualify for any major championships. In the 2018–19 PGA Tour season, Taylor competed in 28 events, making 21 cuts with four top-25 finishes. He finished the FedEx Cup race at 102nd place with 408 FedEx Cup points, and won $892,663 in prize money.
2019–20 PGA Tour season: second victory
In the 2019–20 PGA Tour season, Taylor finished the Safeway Open at tied for 10th place with a final score of −11. In February 2020, he entered the final round of the AT&T Pebble Beach Pro-Am with a one shot lead over Phil Mickelson. Taylor shot a final round 70 in windy conditions and won the tournament by four strokes over Kevin Streelman with a final score of −19. The win was his first full-strength tournament victory on the PGA Tour, and his second overall. The win qualified him for his first Masters Tournament. A month later, the PGA Tour season was paused due to the COVID-19 pandemic, with the season pausing after the first round of the 2020 Players Championship. Taylor had shot an opening round 73, and was tied for 98th when the tournament was cancelled. In his first tournament after the season pause, Taylor finished tied for 48th at the Workday Charity Open with a final score of −3. In his major championship appearance at the 2020 PGA Championship, his first since 2015, Taylor did not make the cut finishing +9 after two rounds. In the 2019–20 PGA Tour season, Taylor competed in 18 events, making 11 cuts with three top-25 finishes. He finished the FedEx Cup race at 48th place with 741 FedEx Cup points, and won $1,897,539 in prize money.
2020–21 to 2021–22 PGA Tour season: limited success
In the 2020–21 PGA Tour season, Taylor competed in his first Masters Tournament, finishing tied for 29th with a final score of −3. He experienced limited success in the season, finishing tied 11th at the Sony Open in Hawaii, tied 20th at the Genesis Invitational, and tied 48th at the 2021 Players Championship. At the Wyndham Championship, the final tournament of the season, Taylor made his only top 10 finish, tied for 10th with a final score of −13. In the 2020–21 PGA Tour season, Taylor competed in 29 events, making 18 cuts with three top 25 finishes. He finished the FedEx Cup race at 141st place with 370 FedEx Cup points, and won $862,159 in prize money.
In the 2021–22 PGA Tour season, Taylor had his best finish at the AT&T Pebble Beach Pro-Am at tied for 14th place with a final score of −11. In the 2021 US Open, Taylor was cut after the second round with a score of +5. In the 2021–22 PGA Tour season, Taylor competed in 28 events, making 16 cuts with four top 25 finishes. He finished the FedEx Cup race at 134th place with 334 FedEx Cup points, and won $832,637 in prize money.
2022–23 PGA Tour season: victory at Canadian Open
In the 2022–23 PGA Tour season, Taylor started hot with a tied 6th place finish at the opening Fortinet Championship with a score of −11. He made his second top-10 finish of the season at the Sony Open in Hawaii, finishing tied for 7th with a final score of −13. In February 2023, Taylor finished runner-up at the WM Phoenix Open, two shots behind Scottie Scheffler with a final score of −17. This result also moved him to his highest world ranking at 73rd. Taylor and fellow Canadian teammate Adam Hadwin finished runner up at the April Zurich Classic of New Orleans, with a final score of −28, two strokes behind the team of Nick Hardy and Davis Riley. In the 2023 PGA Championship, Taylor was cut after the second round finishing at +7.
Taylor won his third career tournament at the June RBC Canadian Open, at the Oakdale Golf & Country Club. In the third round, Taylor scored a tournament low 63, and fourth round a 66 to finish for a tie for first with Tommy Fleetwood. In the playoff, both golfers birdied the first, and parred the second and third holes. On the par-5 fourth hole, Taylor holed a 72-foot putt for eagle to win. He became the first Canadian citizen to win their national open since 1954, and the first born in Canada to win it since 1914.
2024 PGA Tour season: victory at the WM Phoenix Open
After a slow start to the 2024 PGA Tour season that saw him finish 52nd or worse in three of his first four events, Taylor picked up his fourth career victory at the WM Phoenix Open in a playoff over Charley Hoffman with a birdie on the second playoff hole.
Amateur wins
2006 BC Junior
2006 Canadian Junior
2007 Canadian Amateur Championship
2009 Sahalee Players Championship
Other amateur career accomplishments
Recipient of the 2010 Ben Hogan Award
Recipient of the 2009 Mark H. McCormack Medal
Runner-up, 2009 U.S. Amateur Public Links
Number one, World Amateur Golf Ranking, June 14, 2009, for 20 weeks
Low amateur, 2009 U.S. Open
Placed 2nd in the 2008 NCAA Division I Men's Golf Championships
Placed 10th at the 2008 U.S. Amateur
2008 National Men's Order of Merit
Royal Canadian Golf Association National Amateur Team member
Advanced to quarterfinals of the 2007 U.S. Amateur
Advanced to quarterfinals of the 2006 Canadian Amateur
Placed third at 2005 Canadian Junior Championship
Professional wins (5)
PGA Tour wins (4)
PGA Tour playoff record (2–0)
Gateway Tour wins (1)
2013 Arizona Fall 3
Results in major championships
Results not in chronological order in 2020.
LA = low amateur
CUT = missed the half-way cut
"T" = tied
NT = no tournament due to COVID-19 pandemic
Results in The Players Championship
CUT = missed the halfway cut
"T" indicates a tie for a place
C = Canceled after the first round due to the COVID-19 pandemic
Results in World Golf Championships
1Cancelled due to COVID-19 pandemic
NT = No tournament
"T" = Tied
Note that the Championship and Invitational were discontinued from 2022. The Champions was discontinued from 2023.
Team appearances
Amateur
Eisenhower Trophy (representing Canada): 2008
Four Nations Cup (representing Canada): 2009 (winners)
Professional
World Cup (representing Canada): 2018
See also
2014 Web.com Tour Finals graduates
References
External links
Nick Taylor at the PGA Tour official site
Nick Taylor at the Official World Golf Ranking official site |
Hideki_Matsuyama | https://en.wikipedia.org/wiki/Hideki_Matsuyama | [
227
] | [
"https://en.wikipedia.org/wiki/Hideki_Matsuyama"
] | Hideki Matsuyama (松山 英樹, Matsuyama Hideki, born 25 February 1992) is a Japanese professional golfer who plays on the PGA Tour. He is the first-ever Japanese professional golfer to win a men's major golf championship – the 2021 Masters Tournament.
As of August 2024, Matsuyama has 19 worldwide wins, an Olympic bronze medal, ten career top-10 finishes in major championships, and five Presidents Cup appearances. Matsuyama is a two-time winner of tournaments in the World Golf Championships, two-time winner of the Waste Management Phoenix Open, eight-time Japan Golf Tour winner, two-time winner of the Asian Amateur Championship, and most recently winner of the FedEx St. Jude Championship. His 10 wins on the PGA Tour make him the most successful Japanese member of the PGA Tour in history.
He attained his highest rank of second in the Official World Golf Ranking for men in June 2017.
Early life and amateur career
Matsuyama was born on 25 February 1992 in Matsuyama, Ehime, Japan. He was introduced to golf at the age of four, by his father. During eighth grade, he transferred to Meitoku Gijuku Junior & Senior High School in Kochi Prefecture, in search of a better golf environment.
Matsuyama studied at Tohoku Fukushi University in Sendai. He won the 2010 Asian Amateur Championship with a score of 68-69-65-67=269. This gave him the chance to compete as an amateur in the 2011 Masters Tournament, becoming the first Japanese amateur to do so. At the Masters, Matsuyama was the leading amateur and won the Silver Cup, which is presented to the lowest scoring amateur. He was the only amateur to make the cut. A week after his victory, he finished in a tie for third at the Japan Open Golf Championship which is an event on the Japan Golf Tour.
In 2011, Matsuyama won the gold medal at the 2011 World University Games. He also led the Japan team to the gold medal in the team event. In October 2011, he also successfully defended his title at the Asian Amateur Championship. In November, Matsuyama won the Mitsui Sumitomo Visa Taiheiyo Masters on the Japan Golf Tour while still an amateur.
In August 2012, Matsuyama reached number one in the World Amateur Golf Ranking.
Professional career
2013
Matsuyama turned professional in April 2013 and won his second professional tournament, the 2013 Tsuruya Open on the Japan Golf Tour. Five weeks later, Matsuyama won his third title on the Japan Golf Tour at the Diamond Cup Golf tournament. Following a top 10 finish at the 2013 U.S. Open, Matsuyama entered the top 50 of the Official World Golf Ranking. He won his fourth Japan Golf Tour event in September at the Fujisankei Classic. Matsuyama would win his fifth Japan Golf Tour event in December at the Casio World Open. The win also made Matsuyama the first rookie to lead the Japan Tour's money list.
2014
For 2014, Matsuyama qualified for the PGA Tour through non-member earnings. In just seven PGA Tour-sanctioned events, Matsuyama had six top-25 finishes, including a T-6 at the 2013 Open Championship.
Matsuyama earned his first PGA Tour win at the 2014 Memorial Tournament, beating Kevin Na in a playoff and moving to a career-high OWGR ranking of 13th. The win was the first for a Japanese player since Ryuji Imada in 2008. In his first full season as a PGA tour member, he finished 28th in the FedEx Cup standings.
Matsuyama would win his sixth Japan Golf Tour event late in the 2014 season. In November, the victory came at the Dunlop Phoenix in a playoff over Hiroshi Iwata.
2015
Matsuyama finished fifth at the 2015 Masters Tournament, the best major finish of his career to that point. He finished 16th in the FedEx Cup standings. In 8–11 October, he played for the International Team in the 2015 Presidents Cup and went 2–1–1 (win–loss–half).
2016
On 7 February 2016, Matsuyama won the Waste Management Phoenix Open in a playoff with Rickie Fowler. He secured his victory on the fourth hole. The win moved him to 12th in the Official World Golf Ranking, the highest in his career.
On 16 October 2016, Matsuyama captured the Japan Open by three strokes over Yuta Ikeda and Lee Kyoung-hoon. The win was Matsuyama's first title at his country's national open and his seventh victory in Japan. The title gives Matsuyama victories in four of the Japan Golf Tour's five ¥200,000,000 events.
On 30 October 2016, Matsuyama followed up his Japan Open triumph by winning the WGC-HSBC Champions, colloquially known as "Asia's Major", in Shanghai. Matsuyama became the first Asian golfer to claim a World Golf Championship since the series was inaugurated in 1999. With the victory, Matsuyama rose to number 6 in the Official World Golf Ranking, his highest position and the second highest ever by a Japanese player after Masashi Ozaki, who achieved a ranking of fifth. He later moved up to fifth in the world after the Farmers Insurance Open. On 13 November 2016, Matsuyama won his second Taiheiyo Masters, following his victory as a 19-year-old amateur in 2011. He romped to a seven-shot win over South Korea's Song Young-han. On 4 December 2016, Matsuyama won the Hero World Challenge in the Bahamas.
2016 Olympics withdrawal
Although he was the highest ranked male Japanese golfer at the time, Matsuyama withdrew from participating in the 2016 Rio Olympic Games out of concern about the 2016 Zika virus epidemic, which caused several of the world's top players to withdraw from the Olympic golf event.
2017
In Matsuyama's return to the Waste Management Phoenix Open, he again entered a playoff on Sunday to defend his title, this time against Webb Simpson. On the fourth playoff hole, Matsuyama made birdie to win the tournament for the second time in as many years. After finishing second in the 2017 U.S. Open at Erin Hills, while the top three players in the world at the time (Dustin Johnson, Rory McIlroy and Jason Day) failed to make the cut, Matsuyama reached 2nd in the Official World Golf Ranking, his highest ever, and the highest ever for a male Japanese golfer.
The 2017 season has been a breakthrough year with Matsuyama winning three Tour titles, including his first World Golf Championship, and three second-place finishes in his first 15 events, as well as winning $5,945,990, putting him second on the money list behind Dustin Johnson, before the month of July. He then won the WGC-Bridgestone Invitational in August, shooting a course record-tying 61 in the final round to win by five strokes.
At the 2017 PGA Championship, Matsuyama had opening rounds of 70–64 to share the 36-hold lead, with Kevin Kisner at Quail Hollow.
2019
In December 2019, Matsuyama played on the International team at the 2019 Presidents Cup at Royal Melbourne Golf Club in Australia. The U.S. team won, 16–14. Matsuyama went 2–1–1 and halved his Sunday singles match against Tony Finau.
2021
On 11 April 2021, Matsuyama won the Masters Tournament, becoming both the first Japanese player and the first Asian-born player to win the tournament. He finished with an overall score of 278 (−10), one shot ahead of runner-up Will Zalatoris. At the conclusion of the tournament, Matsuyama's caddie, Shota Hayafuji, bowed to the 18th fairway of the Augusta course as a gesture of Japanese respect.
In August, Matsuyama finished in a tie for 3rd place at the Olympic Games. He lost in a 7-man playoff for the bronze medal. The following week Matsuyama was tied for the lead after 72 holes at the WGC-FedEx St. Jude Invitational. He was beaten in the playoff when Abraham Ancer birdied the second extra hole.
In October 2021, Matsuyama won the Zozo Championship at Narashino Country Club. The Zozo Championship is the only PGA Tour event held in Japan. Matsuyama won by five strokes over Cameron Tringale and Brendan Steele.
2022
On 16 January 2022, Matsuyama won the Sony Open in Hawaii; having made up a five-shot deficit on the back nine to get into a playoff with Russell Henley, he made an eagle on the first extra hole to claim the victory. It was his eighth win on the PGA Tour, tying K. J. Choi for most tour victories by an Asian-born player.
On 2 June 2022, at the Memorial Tournament at Muirfield Village Golf Club in Dublin, Ohio, Matsuyama was disqualified midway through his first round due to having a white paint-like substance on the face of his 3-wood. The substance was said to have been applied by his equipment technician to help with alignment.
Matsuyama qualified for the International team at the 2022 Presidents Cup; he won one, tied one and lost three of the five matches he played.
2024
On 18 February 2024, Matsuyama won the Genesis Invitational. He entered the final round six strokes off the lead, but overcame the deficit, shooting a 62 to win his first PGA Tour event since the 2022 Sony Open in Hawaii. Matsuyama posted the second-lowest round in course history. It was also the lowest in the fourth round of a tournament at Riviera Country Club.
In August, Matsuyama won the bronze medal at the 2024 Olympic Games. He finished two shots behind Scottie Scheffler, the gold medalist, and one shot behind Tommy Fleetwood, the silver medalist, with a score of 267 (−17). Later that month, he won the FedEx St. Jude Championship by two strokes with a score of 263 (−17). Matsuyama nearly lost control of a five shot lead in the final round after errant shots on the back nine, but birdies on the last two holes brought him his 10th victory on the PGA Tour.
Personal life
Matsuyama and his wife Mei (married in January 2017) have a daughter born in July 2017.
After winning a bronze medal at the Paris Olympics in August 2024, Matsuyama became the victim of a robbery in London, while in the city during a layover to Memphis, Tennessee for the FedEx St. Jude Championship. His wallet was stolen, and both his caddie and his coach had their passports stolen. Matsuyama's Olympic medal was not among the stolen items.
Amateur wins
2010 Asia-Pacific Amateur Championship
2011 Japan Collegiate Championship, World University Games, Asia-Pacific Amateur Championship
2012 Japan Collegiate Championship
Professional wins (19)
PGA Tour wins (10)
1Co-sanctioned by the Japan Golf Tour, but unofficial money event.
PGA Tour playoff record (4–1)
Japan Golf Tour wins (8)
*Note: The 2013 Mitsui Sumitomo Visa Taiheiyo Masters was shortened to 54 holes due to weather.
The Japan Open Golf Championship is also a Japan major championship.
Japan Golf Tour playoff record (2–0)
Other wins (1)
Major championships
Wins (1)
Results timeline
Results not in chronological order in 2020.
LA = low amateur
CUT = missed the half-way cut
"T" indicates a tie for a place
NT = no tournament due to COVID-19 pandemic
Summary
Most consecutive cuts made – 18 (2020 PGA – 2024 Open Championship, current)
Longest streak of top-10s – 2 (2013 U.S. Open – 2013 Open Championship)
Results in The Players Championship
CUT = missed the halfway cut
"T" indicates a tie for a place
C = Cancelled after the first round due to the COVID-19 pandemic
World Golf Championships
Wins (2)
Results timeline
Results not in chronological order before 2015.
1Cancelled due to COVID-19 pandemic
WD = Withdrew
QF, R16, R32, R64 = Round in which player lost in match play
NT = No tournament
"T" = tied
Note that the Championship and Invitational were discontinued from 2022. The Champions was discontinued from 2023.
PGA Tour career summary
* As of the 2023 season
Team appearances
Amateur
Eisenhower Trophy (representing Japan): 2008, 2012
World University Games (representing Japan): 2011 (winners)
Bonallack Trophy (representing Asia/Pacific): 2012
Professional
Presidents Cup (representing the International team): 2013, 2015, 2017, 2019, 2022, 2024
World Cup (representing Japan): 2016
References
External links
Hideki Matsuyama at the Japan Golf Tour official site
Hideki Matsuyama at the PGA Tour official site
Hideki Matsuyama at the Official World Golf Ranking official site |
Aaron_Baddeley | https://en.wikipedia.org/wiki/Aaron_Baddeley | [
227
] | [
"https://en.wikipedia.org/wiki/Aaron_Baddeley"
] | Aaron John Baddeley (born 17 March 1981) is an Australian professional golfer. He was born in Lebanon, New Hampshire, U.S. and now plays on the U.S.-based PGA Tour. He has joint U.S. and Australian citizenship and was raised in Australia from the age of two. He represents Australia in golf.
Professional career
When he was in his late teens, Baddeley was seen as one of the most promising talents in the world of golf. He was the youngest player ever to represent Australia in the Eisenhower Trophy and he won the Holden Australian Open as an amateur in 1999 and retained his title in 2000, by which time he had turned professional. He was awarded the 2000 Australian Young Male Athlete of the Year. In 2001, he won the Greg Norman Holden International in Australia. He won the PGA Tour of Australasia's Order of Merit in 2000/01. However, in the following few years he came to be overshadowed by his Australian contemporary Adam Scott, who is less than a year older than Baddeley but reached the world top 10 in 2005.
In 2002, Baddeley played on the second tier Nationwide Tour in the U.S. and placed tenth on the money list to earn a PGA Tour card for 2003. He had second-place finishes on the PGA Tour in 2003 at the Sony Open in Hawaii and 2004 at the Chrysler Classic of Tucson. However he struggled for consistency, and after a solid rookie season, when he finished 73rd on the money list, he only just retained his card in 2004, when he came 124th. In 2005 he moved back up the rankings to 78th and in 2006 he won his first PGA Tour title at the Verizon Heritage.
Baddeley won his second PGA Tour tournament in early 2007 and reached the top 50 of the world rankings. By September, he had entered the top 20. His career high ranking was 17th in 2008.
Baddeley was the leader after the third round of the U.S. Open at Oakmont Country Club on 16 June 2007 with a two over par score of 212 (72-70-70). He finished with an 80 and ended T-13.
After a lull in form over the following few seasons, where he was finishing only in the lower reaches of the top-125 on the money list, Baddeley returned to the winner's circle when he won the 2011 Northern Trust Open in California. He defended a one-shot third round lead over Kevin Na and veteran Fred Couples, completing a steady closing round of 69 to beat another veteran, Vijay Singh, by two strokes.
In October 2011, Baddeley was selected by Greg Norman as one of his two wildcard picks for the 2011 Presidents Cup team. He was selected along with fellow Australian Robert Allenby to compete at Royal Melbourne in November.
Statistically speaking, Baddeley frequently ranks as one of the very best putters on the PGA Tour. As of 2010, he has qualified for the Tour's end-of-season statistical rankings 8 times; of those, he finished among the circuit's top 10 in putts per green in regulation five times, and among the top 15 seven times. The only qualified season in which Baddeley was not among the PGA Tour's top 15 putters by that metric came in 2004, when he finished 64th out of 196 players.
Baddeley started the 2015–16 season playing out of the Past Champions category after finishing 157th in the FedEx Cup and failing to regain a PGA Tour card through the Web.com Tour Finals. He earned his first win in five years at the 2016 Barbasol Championship, beating Kim Si-woo in a four-hole playoff.
Personal life
Baddeley is a committed Christian and has confessed that it was his faith that prevented him giving up professional golf on numerous occasions.
Baddeley's wife Richelle, whom he married on 15 April 2005, sums up Baddeley's faith in God, saying: "It never faltered. He never asked, 'What are you trying to teach me? I want you to be the man you want me to be. I will go through these [bad] times if that is Your will'."
Richelle has also been pivotal to Baddeley's resurgence. "I had to learn the balance of letting him be alone when he comes home sometimes upset. It's sheer frustration from him. He's played his best, and it just hasn't happened," she said.
Baddeley and his wife have six children: Jewell, Jolee, Jeremiah, Josiah, Jaddex and Jedidiah.
Amateur wins
this list may be incomplete
1998 Victorian Amateur Championship, Victorian Junior Masters
1999 Riversdale Cup
Professional wins (8)
PGA Tour wins (4)
PGA Tour playoff record (1–1)
European Tour wins (2)
1Co-sanctioned by the PGA Tour of Australasia
European Tour playoff record (2–0)
PGA Tour of Australasia wins (4)
1Co-sanctioned by the European Tour
PGA Tour of Australasia playoff record (2–0)
Results in major championships
CUT = missed the half-way cut
"T" = tied for place
Summary
Most consecutive cuts made – 4 (2014 U.S. Open – 2018 U.S. Open)
Longest streak of top-10s – 0
Results in The Players Championship
CUT = missed the halfway cut
"T" indicates a tie for a place
C = Canceled after the first round due to the COVID-19 pandemic
Results in World Golf Championships
DQ = Disqualified
QF, R16, R32, R64 = Round in which player lost in match play
"T" = Tied
Note that the HSBC Champions did not become a WGC event until 2009.
PGA Tour career summary
* Through the 2020 season.
Note: Baddeley did not join the PGA Tour until 2003 so he was not ranked on the money list until then.
Team appearances
Amateur
Eisenhower Trophy (representing Australia): 1998, 2000
Australian Men's Interstate Teams Matches (representing Victoria): 1998, 1999
Professional
World Cup (representing Australia): 2001
Presidents Cup (International Team): 2011
See also
2002 Buy.com Tour graduates
References
External links
Aaron Baddeley at the PGA Tour of Australasia official site
Aaron Baddeley at the PGA Tour official site
Aaron Baddeley at the European Tour official site
Aaron Baddeley at the Official World Golf Ranking official site
Aaron Baddeley player profile, Golf Australia |
Vijay_Singh | https://en.wikipedia.org/wiki/Vijay_Singh | [
227
] | [
"https://en.wikipedia.org/wiki/Vijay_Singh"
] | Vijay Singh (Fiji Hindi: विजय सिंह pronounced [ˈʋɪdʒəj sɪ̃ɦ]; born 22 February 1963) is a Fijian professional golfer. In 1982, Singh turned professional and played on the local Asia Golf Circuit. However, his early career met with controversy, as he was accused of numerous rules violations, and he was banned from the AGC. Singh turned to Africa and Europe where he had much success on the respective tours, the Safari Circuit and European Tour, winning several times on each. In 1993, he won the PGA Tour's Buick Classic, earning him tour membership and ultimately Rookie of the Years honors. In 1998, he won his first major championship, the PGA Championship, and two years later the Masters. In 2004, Singh had one of the best seasons in the history of golf, winning nine times including the PGA Championship, usurping Tiger Woods as the #1 golfer in the world.
Early life
Singh recollected to reporters about his childhood: "When we were kids we couldn't afford golf balls so we had to make do with coconuts. My father used to say, 'Little Vijay, golf balls don't fall off trees you know,' so I found some that did!" Growing up, he played snooker, cricket, football, and the country's most popular sport, rugby. He is the son of Mohan Singh, an airplane technician who also taught golf. Growing up, he admired the swing of Tom Weiskopf, using it as an early model for his own.
Professional career
Asia Golf Circuit
Singh turned professional in 1982. Two years later, he won the 1984 Malaysian PGA Championship. However, his career was plunged into crisis after he was suspended from the Asia Golf Circuit in 1985 over allegations he doctored his scorecard. It was alleged that he lowered his score from one over to one under in order to make the cut, but Singh denies this, saying that in any case, it should only have resulted in disqualification from the event rather than a ban. After investigation by the Tour of this and other alleged violations proved true, John Bender, Asian PGA Tour president, issued Singh a lifetime ban on Asian PGA Tour play.
Singh felt he had been more harshly treated because the marker was "the son of a VIP in the Indonesian PGA." He then took a job at the Keningau Club in Sabah, Malaysia, before his move to the Miri Golf Club in Sarawak. While this was a period of hardship for him, he continued to gain experience.
European Tour
Singh saved the money he needed to resurrect his career and began to re-enter tournaments. In 1988 he teamed up with a sponsor, Red Baron, which funded a trip to Africa to compete on the now-defunct Safari Circuit, an offshoot circuit of the European Tour. Singh captured his first event, the 1988 Nigerian Open, as locals cheered him loudly. At the end of that year he entered the European Tour Qualifying school for the second consecutive year, and was successful on this occasion.
In 1989, Singh won his first European Tour title at the Volvo Open Championship in Italy and finished 24th on the European Tour Order of Merit, putting his early struggles firmly behind him. He won four times in 1989, at the Volvo Open di Firenze, Ivory Coast Open, Nigerian Open and Zimbabwe Open. He also finished tied for 23rd at The Open Championship. He won on the European Tour again in 1990 and did so twice in 1992. He also won several tournaments in Asia and Africa in this period.
PGA Tour
Singh earned membership for the PGA Tour in 1993, winning his first tournament, the Buick Classic in a playoff over Mark Wiebe. That victory led to his being named the 1993 PGA Tour Rookie of the Year. After being hampered with back and neck problems in 1994, he came back to win the Buick Classic again in 1995 as well as the Phoenix Open. After playing well in 1996 (but with no victories), he won both the Memorial Tournament and the Buick Open in 1997.
In 1998, Singh was victorious at the PGA Championship at Sahalee Country Club in Sammamish, Washington, playing a 70-66-67-68 over the four days (the 66 tied a course record) and earning him his first Major title. He followed this up by winning The Masters in 2000, with a three-stroke victory over Ernie Els.
Singh did not win on the PGA Tour in 2001, but finished the year with a Tour-best 14 top-10 finishes and was fourth on the money list with $3,440,829 for the year. In 2002, he won at the Shell Houston Open at TPC at The Woodlands, setting a new tournament 72-hole scoring record with a 266, and at the Tour Championship, winning by two strokes over Charles Howell III.
2003 proved to be a very successful year for Singh. He won four tournaments, had 18 top-10 finishes and was the PGA Tour's money leader (and had the second-highest single-season total in PGA Tour history) with $7,573,907, beating Tiger Woods by $900,494, though Singh played 27 tournaments compared to Woods' 18 tournaments. Singh also tied a 9-hole scoring record at the U.S. Open with a 29 on the back nine of his second round. His victories came at the Phoenix Open, the EDS Byron Nelson Championship, the John Deere Classic and the FUNAI Classic at the Walt Disney World Resort. He narrowly lost the vote for the PGA of America's Player of the Year to Tiger Woods.
However, the 2003 season was also spotted with controversy involving Singh surrounding the year's event at the Bank of America Colonial. LPGA star Annika Sörenstam became the first woman to play at a PGA Tour event since Babe Zaharias at the 1945 Los Angeles Open. Surrounding this fervor, Singh was misquoted as having said that Sörenstam "didn't belong" on the men's tour and that he would not play if he were paired with her. What he actually said is that he would not be paired with her because his playing partner was being selected from the past champion's pool. Singh later clarified, "There are guys out there trying to make a living. It's not a ladies' tour. If she wants to play, she should—or any other woman for that matter—if they want to play the man's tour, they should qualify and play like everybody else."
Singh began 2004 by winning the AT&T Pebble Beach National Pro-Am at −16 and winning $954,000 in prize money. This was his first win on tour in 2004 and his 16th all-time on the PGA Tour. It was his 12th consecutive top-10 finish, which is two shy of Jack Nicklaus' all-time record.
Singh won the final major of 2004, winning the PGA Championship, his third major, in a three-hole aggregate playoff over Justin Leonard and Chris DiMarco. Singh was the leader by one shot over Leonard going into the final round, but made no birdies in the final round, finishing regulation at 67-68-69-76=280. His final round of 76 was the highest winning score by a major champion since 1955. The playoff was a tense affair, and Singh's birdie on the first playoff hole, his first birdie of the day, proved to be the difference.
On 6 September 2004 (Labor Day), Singh won the Deutsche Bank Championship in Norton, Massachusetts. With the win, he overtook Tiger Woods at the top of the Official World Golf Ranking, ending Woods' streak of 264 weeks at the top of the golf world.
Singh finished the 2004 season with a career-best nine victories, 18 top-10s, and a record $10,905,166 in earnings and was named the PGA Tour's and PGA of America's Player of the Year. The former award is decided by a vote of active PGA Tour players.
Despite picking up a win early in 2005, Singh lost his world number 1 ranking when Tiger Woods won the Ford Championship at Doral on 6 March, but just two weeks later he took it back again after notching up top-three finishes in three consecutive weeks. Following Woods' win at the 2005 Masters, Singh once again lost his place as World No. 1 in the Official World Golf Ranking and finished tied for fifth place. In April, he became the youngest living person elected to the World Golf Hall of Fame, garnering 56% of the ballot. Thirty-year-old Karrie Webb was inducted into the Hall of Fame in October 2005, but Singh remained the youngest living electee, as Webb qualified for the Hall without an election process. (The 19th century great Tom Morris, Jr., who was elected in 1975, died at age 24.) Singh deferred his induction for a year, and it took place in October 2006.
In 2006, Singh played enough European Tour events to be listed on the European Tour Order of Merit title for the first time since 1995.
At the start of the 2007 season, Singh won the Mercedes-Benz Championship which was the first FedEx Cup event in PGA Tour history. This win got Singh his 18th tour win over the age of 40, surpassing Sam Snead as most over 40 wins, and making all-time over 40 tour winner. He won again at The Arnold Palmer Invitational in March, but did not win for the rest of the year which turned into a disappointing year for Singh. He did not finish in a top ten of a major for the first time in ten years and finished 10th in the FedEx Cup race. He went through swing changes during the end of 2007 which resulted in weeks of missed cuts and staying outside the top ten through the Presidents Cup.
A new swing brought big changes for Singh in 2008, although he had good opportunities at Pebble Beach and Bay Hill, he was not competing at a high level for the first half of the year. His game was plagued by poor putting for the better part of two years, but his season started to turn around with a tie for fifth at the Travelers Championship. After missing the cut at The Open Championship, Singh won the WGC-Bridgestone Invitational in early August for his first win of the year and first World Golf Championship. His win had been a relief after missing short putts throughout the week. He missed the cut the following two weeks including at Oakland Hills for the PGA Championship and entered the PGA Tour FedEx Cup playoffs ranked 7th in the standings. At the first playoff event, Singh prevailed for his first FedEx Cup win defeating Sergio García and Kevin Sutherland in a playoff. On the first playoff hole García and Singh matched long birdie putts before Singh won with birdie on the second playoff hole. Singh was propelled into first place in the FedEx Cup race with three events remaining. At the second event of the playoffs, he triumphed once again, this time at the Deutsche Bank Championship bewildering the field with a five strokes victory and a final round 63. He had won three times in his last five starts and created an almost insurmountable lead in the points race. He would not contend in the remaining two events, but by playing in both the 2008 FedEx Cup title belonged to Singh. His season which looked to be a major disappointment in July turned into an historic year for Singh: he won the PGA Tour money list for the third time in his career and he surpassed Harry Cooper for most PGA Tour wins of all time for a non-American.
Singh has won 22 times on the PGA Tour since turning 40 – beating the record previously set by Sam Snead. He is the second man to reach $60 million in PGA Tour career earnings, after Tiger Woods. His 34 career victories are the most on the PGA Tour by a non-American player and place him 14th on the all-time list. He has spent over 540 weeks ranked in the top 10 of the Official World Golf Ranking. Singh's longevity on the PGA Tour and his number of wins earn him a lifetime exemption on the PGA Tour.
Kenny Perry, another player who found success at a late age is good friends with Singh, who calls him "Biggie". Of Singh, Perry said "Vijay has always been good to me. We talk a lot. He wants to know how my family is doing. I think the world of him."
After the 2008 playoffs, Singh announced his withdrawal from a couple of Asian Tour events because of a nagging back injury and was advised by doctors to rest. He missed two and a half months, returning to win Tiger Woods's tournament, the Chevron World Challenge at Sherwood Country Club in California in December. It was his first victory in the event. During the start of the 2009 season Singh announced that he would miss three weeks after undergoing arthroscopic surgery to repair a torn meniscus in his right knee. Singh had a mediocre 2009 season, with no top 5 finishes and ended the year with his lowest ever ranking on the PGA Tour money list in 68th.
His poor form continued into 2010, resulting in him being 66th on the PGA Tour money list. He dropped out of the top 50 in the world rankings for the first time since the early 1990s.
After returning from knee surgery, Singh started the 2011 season making five out of his first five cuts. In February, Singh was in contention to win his first PGA Tour Title since 2008 at the Waste Management Phoenix Open in Scottsdale, Arizona. Despite shooting a final round 66, Singh finished two shots behind Jason Dufner and eventual winner Mark Wilson. A couple of weeks later, Singh was in contention again, this time at the Northern Trust Open at Riviera Country Club. However, he came up short again, not helped by back-to-back bogeys on holes 12 and 13. He would eventually finish two shots back of the winner Aaron Baddeley, although he did secure second spot on his own. This early season form however was not enough to secure a spot at the opening World Golf Championship of the year, the WGC-Accenture Match Play Championship the following week. However, at number 10 in the 2011 FedEx Cup standings, it was just enough to secure a spot at the WGC-Cadillac Championship in March.
On 6 June 2011, Singh missed his tee-time for the U.S. Open qualifying in Columbus, Ohio. At the time, this ended the longest active streak of consecutive majors played by a professional golfer, at 67.
On 30 January 2013, Singh admitted to using deer-antler spray while not knowing that it is a banned substance. The PGA Tour later dropped its case against him. On 8 May 2013, Singh sued the PGA Tour for exposing him to public humiliation and ridicule during a 12-week investigation into his use of deer-antler spray. On 20 November 2018, the PGA Tour and Singh announced that the lawsuit had been settled. The PGA Tour confirmed that it does not believe that Singh intended to gain an unfair advantage over his fellow competitors in this matter. Other terms of the settlement were not announced.
Senior career
Singh played his first PGA Tour Champions event in 2013, finishing T6 at the Pacific Links Hawai'i Championship. During this era, he still played some PGA Tour events, finishing second at the Quicken Loans National, three strokes behind winner Billy Hurley III.
In 2017, Singh won his first senior event, the Bass Pro Shops Legends of Golf with Carlos Franco. In March 2018, Singh won the Toshiba Classic. Four months later, in July, Singh won one of the PGA Tour Champions' major tournaments, the Constellation Senior Players Championship in a playoff over Jeff Maggert. At the end of the season, in November, Singh won the season-ending Charles Schwab Cup Championship in Phoenix, Arizona. The victory was worth $440,000. By winning the tournament, he also finished fourth in the season-long Charles Schwab Cup, winning an additional $200,000.
In March 2019, Singh shot his way into the final group of the final round of the Honda Classic. Singh shot even-par to finish sixth, three strokes behind winner Keith Mitchell.
Personal life
An Indo-Fijian practising Hinduism, Singh was born in Lautoka, Fiji and grew up in Nadi. A resident of Ponte Vedra Beach, Florida, he is known for his meticulous preparation, often arriving hours before, and staying long after his tournament rounds to work on his game on the driving range and putting greens.
Singh has a brother named Krishna who is also a professional golfer.
Media relations
Controversy surrounded Singh in 2003 before the Bank of America Colonial. Annika Sörenstam was scheduled to play the event, and Singh was quoted as saying, "I hope she misses the cut ... because she doesn't belong out here." He later said that the substance of his interview to an Associated Press reporter was that she would be displacing some other struggling male player, for whom he had his sympathies. However, the media focused on this statement. Golf Digest wrote that Singh had become "pro golf's bad guy".
After Singh's win at the Masters, Ernie Els took issue with some of the negative press his friend received. He wrote an article in Sports Illustrated to defend him, saying, "Golf should be proud of Vijay Singh." Later Els said of Singh "He's a wonderful guy. I've known him for the better part of 10 years now. He's a great competitor. I think people have a misconception of Vijay. He's a really good guy."
In May 2005, Singh was appointed a goodwill ambassador for Fiji. He said that he did not expect anything in return from the Fijian government for representing his country. At a press conference on 18 May 2005, Singh commented on what he said was a deterioration in race relations in Fiji, saying that for such a small country, people of all races should live together, put their differences aside, and get on with life. Relations between Indo-Fijians and indigenous Fijians had been more harmonious when he was younger, he said.
Awards and honors
In 1993, Singh won PGA Tour's Rookie of the Year honors
In 2006, Singh was elected to the World Golf Hall of Fame.
In 2008, Singh won the FedEx Cup.
Professional wins (66)
PGA Tour wins (34)
*Note: The 1997 Memorial Tournament was shortened to 54 holes due to rain.
PGA Tour playoff record (8–4)
European Tour wins (13)
1Co-sanctioned by the Southern Africa Tour
2Co-sanctioned by the Asian Tour
European Tour playoff record (2–0)
Asian Tour wins (5)
1Co-sanctioned by the European Tour
2Co-sanctioned by the Korean Tour
Asian Tour playoff record (2–0)
Asia Golf Circuit wins (1)
Southern Africa Tour wins (2)
1Co-sanctioned by the European Tour
Safari Circuit wins (4)
Swedish Golf Tour wins (1)
Other wins (8)
Other playoff record (1–2)
PGA Tour Champions wins (5)
PGA Tour Champions playoff record (1–0)
Major championships
Wins (3)
1Defeated Justin Leonard and Chris DiMarco in three-hole playoff: Singh (3-3-4=10), Leonard (4-3-x=x), and DiMarco (4-3-x=x)
Results timeline
Results not in chronological order in 2020.
CUT = missed the half way cut
WD = withdrew
"T" indicates a tie for a place.
NT = No tournament due to COVID-19 pandemic
Summary
Most consecutive cuts made – 15 (2002 PGA – 2006 U.S. Open)
Longest streak of top-10s – 7 (2004 PGA – 2006 U.S. Open)
Results in The Players Championship
CUT = missed the halfway cut
"T" indicates a tie for a place
World Golf Championships
Wins (1)
Results timeline
1Cancelled due to 9/11
QF, R16, R32, R64 = Round in which player lost in match play
"T" = tied
NT = No tournament
Note that the HSBC Champions did not become a WGC event until 2009.
Senior major championships
Wins (1)
Results timeline
Results not in chronological order before 2022.
CUT = missed the halfway cut
WD = withdrew
"T" indicates a tie for a place
NT = no tournament due to COVID-19 pandemic
PGA Tour career summary
*As of the 2020 season.
There is a summary of Singh's European Tour career here.
Team appearances
Amateur
Eisenhower Trophy (representing Fiji): 1980
Professional
Presidents Cup (International Team): 1994, 1996, 1998 (winners), 2000, 2003 (tie), 2005, 2007, 2009
World Cup (representing Fiji): 2001, 2002, 2013
Alfred Dunhill Challenge (representing Australasia): 1995
See also
List of golfers with most PGA Tour wins
List of golfers with most European Tour wins
List of golfers with most Asian Tour wins
List of men's major championships winning golfers
Longest PGA Tour win streaks
Most PGA Tour wins in a year
Pravasi Bharatiya Divas
Pravasi Bharatiya Samman
References
External links
Official website
Vijay Singh at the PGA Tour official site
Vijay Singh at the European Tour official site
Vijay Singh at the Japan Golf Tour official site
Vijay Singh at the Asian Tour official site
Vijay Singh at the Official World Golf Ranking official site |
Jesper_Parnevik | https://en.wikipedia.org/wiki/Jesper_Parnevik | [
227
] | [
"https://en.wikipedia.org/wiki/Jesper_Parnevik"
] | Jesper Bo Parnevik (Swedish pronunciation: [ˈjɛ̌sːpɛr ˈpɑ̂ːɳɛˌviːk]; born 7 March 1965) is a Swedish professional golfer. He spent 38 weeks in the top 10 of the Official World Golf Ranking in 2000 and 2001.
Early years and amateur career
Parnevik was born in Botkyrka, Stockholm County, and is the son of Swedish entertainer Bosse Parnevik and his wife Gertie (b. 1940). He grew up in Åkersberga.
Parnevik became a member of the first group of students in Sweden to combine studying with golf training at the Swedish upper secondary sports school in Danderyd outside Stockholm. At age 15, Parnevik spent 10 days in Myrtle Beach, South Carolina, and developed an appreciation for life in the United States; he later moved to Palm Beach County, Florida, to attend Palm Beach Junior College in Lake Worth on a golf scholarship.
Parnevik was a member of the team representing Sweden at the 1984 and 1986 Eisenhower Trophy. He was also part of the Swedish team finishing second, after losing in the final against Scotland, at the 1985 European Amateur Team Championship on home soil in Halmstad, Sweden, where Parnevik won individually at the initial qualifying stroke-play competition.
Professional career
Parnevik turned professional in 1986. After winning the Swedish Golf Tour Order of Merit in 1988, including a runner-up finish to Vijay Singh at the 1988 Swedish PGA Championship, he scored four wins on the European Tour. His breakthrough came when he out-dueled Payne Stewart at the 1993 Scottish Open at Gleneagles King's Course.
With victories in 1995 and 1998, Parnevik became the first Swede to win twice on the European Tour on home soil. At his first victory at the Scandinavian Masters in 1995 at Barsebäck Golf & Country Club, he played 72 holes competition and 18 holes pro-am without a bogey, but with one double-bogey.
Based in Florida, he joined the PGA Tour in the mid-90s, subsequently winning five events. His playing career also includes three Ryder Cup appearances (1997, 1999, and 2002) and two runner-up finishes in The Open (1994 and 1997). His career best world ranking of seventh, which he attained on 14 May 2000, was the highest world ranking achieved by a Swedish golfer until Henrik Stenson reached the top five in February 2007.
In late 2000, Parnevik underwent hip surgery at the persuasion of Greg Norman, who had undergone similar surgery.
Parnevik finished second in the Valero Texas Open in October 2007, losing to Justin Leonard in a playoff. In 2009, after a tie for 17th at the SAS Masters in Sweden, Parnevik underwent further hip surgery in Vail, Colorado, United States, which cut short his 2009 season on the PGA Tour. He also cited the hip injury as the reason for his withdrawal from the PGA Tour Qualifying Tournament ("Q-School") in December 2009.
In 2010, Parnevik missed cuts in his first three tournaments and had to withdraw again after a first round 68 at the Northern Trust Open because of an ailing back. He had emergency surgery where it was discovered that he had a broken lumbar vertebrae that could put his career in jeopardy.
Parnevik played the 2011 PGA Tour season on a fully exempt status for his Top 50 All-Time Earnings ranking. He was allowed to reuse this one-time exemption after being able to play only five tournaments in 2010. He played the 2012 and 2013 seasons on a Medical Extension after suffering a severe injury to his right hand in a boating accident. Despite his limited play, Parnevik made news in 2013 after bogeying the 18th hole at the RBC Heritage, which allowed a record-tying 91 players to make the 36 hole cut.
Plagued by injuries for years, Parnevik staged a comeback on the Champions Tour when he became eligible in 2015. He started 2016 with a tie for third at the Chubb Classic, losing out to former world number one golfers Bernhard Langer and Fred Couples. He got his first win on the Champions Tour in the same year at the Insperity Invitational.
Style
Parnevik is known for his distinctive and eccentric taste in clothes and fashion as well as his playing achievements, a fashion sense that led golf writer Dan Jenkins to describe him as "the last guy to climb out of the clown car at the circus". His on-course trademark was the upturned bill on his baseball cap. While on the European Ryder Cup team, he received a customized team cap with the Ryder Cup logo on the bottom of the bill instead of the front, so that it could be seen with the bill turned up. He has since stopped wearing the flipped-bill hat, opting for strawhats and visors but retains a flamboyant sense of fashion, such as disco-style purple trousers and other golf apparel designed by Johan Lindeberg. He has been politely described as "eclectic", and has been known to change outfits at the halfway stage of a round of tournament golf. Beginning in 2006, one of his new on-course fashion statements was a necktie worn under a vest. Puma Golf signed Jesper Parnevik in 2014 and he gets credited for his influence on their LUX Golf Appearel Line. Since wearing Puma Clothes he once again wears a custom made and more modern looking flipped bill hat. He is also known to eat volcanic dust as a dietary supplement. Parnevik's nickname on tour is "Spaceman".
Awards, personal life
In 1998, Parnevik was awarded honorary member of the PGA of Sweden.
He was awarded the 1999 Swedish Golfer of the Year.
In 2003, the three Swedish teammates of the victorious European Ryder Cup team the previous year, Niclas Fasth, Pierre Fulke and Parnevik, was each, by the Swedish Golf Federation, awarded the Golden Club, the highest award for contributions to Swedish golf, as the 30th, 31st and 32nd recipients.
Parnevik has an eclectic acting career, including a cameo in the 2007 comedy, Who's Your Caddy, in which he plays himself. An allegedly thoughtful historian in his free time, and a man with varied tastes, he was once asked with whom he would like to have dinner. He quickly replied that it would have to be a choice between Albert Einstein and Elvis Presley. When told he could only have one, he shot back, "OK, Elvis Einstein."
Parnevik is credited with having introduced fellow professional golfer Tiger Woods to Swedish au pair Elin Nordegren (previously employed by Parnevik), whom Woods eventually married. Parnevik subsequently stated in 2009 that he regretted his responsibility for this introduction after reports of Woods' infidelity surfaced that year.
Parnevik and his family starred in a reality TV show, Parneviks, which aired on TV3 in Sweden for four seasons from 2015 to 2018, giving insights into his life in Florida. He is married to Mia Parnevik (née Sandsten 1968), and they have three daughters and one son. His oldest daughter Peg Parnevik has a career as a pop singer. Another daughter, Penny, is married to former NHL ice hockey player Douglas Murray. His son Phoenix is named after Parnevik's first PGA Tour win at the 1998 Phoenix Open.
Parnevik has a waterfront home in Tequesta, Florida.
Amateur wins
1985 Swedish Junior Stroke-play Championship
Professional wins (15)
PGA Tour wins (5)
PGA Tour playoff record (1–1)
European Tour wins (4)
European Tour playoff record (0–1)
Challenge Tour wins (1)
Swedish Golf Tour wins (2)
Other wins (2)
1988 Open Passing Shot (France)
1997 Johnnie Walker Super Tour
PGA Tour Champions wins (1)
Results in major championships
CUT = missed the half-way cut
DQ = Disqualified
"T" = tied
Summary
Most consecutive cuts made – 11 (1995 Open Championship – 1998 Open Championship)
Longest streak of top-10s – 2 (1999 Open Championship – 1999 PGA)
Results in The Players Championship
CUT = missed the halfway cut
"T" indicates a tie for a place
Results in World Golf Championships
1Cancelled due to 9/11
QF, R16, R32, R64 = Round in which player lost in match play
"T" = Tied
WD = Withdrew
NT = No tournament
Results in senior major championships
"T" indicates a tie for a place
CUT = missed the halfway cut
DQ = disqualified
NT = no tournament due to COVID-19 pandemic
Team appearances
Amateur
European Boys' Team Championship (representing Sweden): 1982
Jacques Léglise Trophy (representing the Continent of Europe): 1982
European Youths' Team Championship (representing Sweden): 1984
Eisenhower Trophy (representing Sweden): 1984, 1986
European Amateur Team Championship (representing Sweden): 1985
St Andrews Trophy (representing the Continent of Europe): 1986
Professional
Europcar Cup (representing Sweden): 1988 (winners)
Dunhill Cup (representing Sweden): 1993, 1994, 1995, 1997
World Cup (representing Sweden): 1994, 1995
Ryder Cup (representing Europe): 1997 (winners), 1999, 2002 (winners)
See also
1993 PGA Tour Qualifying School graduates
References
External links
Jesper Parnevik at the PGA Tour official site
Jesper Parnevik at the European Tour official site
Jesper Parnevik at the Official World Golf Ranking official site |
Sandy_Lyle | https://en.wikipedia.org/wiki/Sandy_Lyle | [
227
] | [
"https://en.wikipedia.org/wiki/Sandy_Lyle"
] | Alexander Walter Barr "Sandy" Lyle (born 9 February 1958) is a Scottish professional golfer. He has won two major championships during his career. Along with Nick Faldo and Ian Woosnam, he became one of Britain's top golfers during the 1980s. He spent 167 weeks in the top-10 of the Official World Golf Ranking from its introduction, in 1986, until 1989. Lyle was inducted to the World Golf Hall of Fame in May 2012.
Lyle was appointed Officer of the Order of the British Empire (OBE) in the 2024 Birthday Honours for services to golf.
Early life
Lyle was born in Shrewsbury, England and now lives in Scotland with his wife Jolande and children Lonneke and Quintin. He represented Scotland during his professional career. He was introduced to golf by his father, Alex, who had taken the family from Scotland to England in 1955 when he became resident professional at Hawkstone Park golf course. Their family home was just 40 yards from the pro-shop and 18th green. He began playing with miniature clubs at the age of 3. At schoolboy, junior and amateur level Lyle represented England.
Amateur career
In the summer of 1974, Lyle received a golf scholarship to the University of Houston. However, he did not pass the entrance examination and was not allowed to attend the university. Lyle returned to Britain "to find another route into professional golf."
As an amateur Lyle made his debut in The Open Championship at age 16 in 1974 and won the Brabazon Trophy in 1975 and 1977. He was a member of the Walker Cup team in 1977.
Professional career
In 1977 he turned professional and decided to represent Scotland. He was medalist at the 1977 Qualifying School tournament for the European Tour. His first professional win came in the 1978 Nigerian Open, and he also won the Sir Henry Cotton Award as European Rookie of the Year that season. Lyle attained the first of an eventual 18 European Tour titles in 1979.
Lyle, for Scotland, finished runner-up at the World Cup of Golf team event in 1979, 1980 and 1987; in the latter year Lyle captured the low individual trophy in that event.
Lyle showed his quality by winning The Open Championship at Royal St George's Golf Club in 1985. He was the first British winner since Tony Jacklin in 1969, and continued the rise of European golfers in the world scene.
Lyle was a member of five European Ryder Cup teams, from 1979 to 1987 inclusive. Highlights from those years included the team that was victorious at the Belfry in the autumn of 1985, and the 1987 team which won for the first time ever on American soil, at Muirfield Village.
For many golf fans he is best known for the fairway bunker shot and the subsequent birdie putt at the 18th hole in the final round of the Masters in 1988 when he became the first Briton to wear the green jacket. He also won two other events on the PGA Tour that season, along with the World Match Play Championship, after being a losing finalist on several occasions.
Lyle topped the European Tour's order of merit in 1979, 1980 and 1985. He finished in the top ten nine times between 1979 and 1992. He was also a member of the PGA Tour for several years and finished seventh on the US money list in 1988, despite a limited playing schedule. He won the 1987 Tournament Players Championship, one of the most prestigious American titles. Lyle's form dropped after 1992, when he was 34, and he has not won a significant event since.
Legacy
As a player, Lyle is known for his cool temperament and placid exterior. In his peak years, he was very long from the tee and through the set, and had enough accuracy to master any course. His achievements inspired fellow rivals such as Nick Faldo and Ian Woosnam to raise their games, and go on to win the majors. Lyle published his first book, "To the Fairway Born" in 2006. In the same year he was assistant captain to Ian Woosnam when Europe won the Ryder Cup. He had been hoping to be picked as the captain for the 2010 European Ryder Cup team but missed out to Colin Montgomerie.
In July 2009, Lyle became involved in a public row with Colin Montgomerie where he unfavourably compared Montgomerie's actions at the Indonesian Open four years previously with his own actions in not completing a round at the 2008 Open Championship. Reaction to this was mixed with some players supporting Lyle while other players and commentators felt that Lyle's timing was unfortunate and that any point he may have had was lost in the ensuing controversy.
Senior career
On turning 50 in 2008, Lyle played on the Champions Tour and the European Senior Tour.
Lyle won his first tournament in 19 years when he captured his first European Senior Tour title at the 2011 ISPS Handa Senior World Championship, held in China.
He took up hickory golf, winning the World Hickory Open in his native Scotland in 2014 and 2016. Lyle referred to the 2016 victory as his "fourth major" to go along with the 2014 crown, as well as the 1988 Masters and 1985 Open titles.
Amateur wins
1975 Brabazon Trophy, Carris Trophy
1977 Brabazon Trophy, Berkshire Trophy, British Youths Open Amateur Championship, Berkhamsted Trophy, Hampshire Hog
Professional wins (30)
PGA Tour wins (6)
PGA Tour playoff record (3–1)
European Tour wins (18)
European Tour playoff record (3–3)
PGA of Japan Tour wins (1)
PGA of Japan Tour playoff record (1–0)
Safari Circuit wins (1)
Other wins (5)
Other playoff record (1–0)
European Senior Tour wins (1)
Playoff record
Korean Tour playoff record (0–1)
Major championships
Wins (2)
Results timeline
Results not in chronological order in 2020.
CUT = missed the half way cut (3rd round cut in 1974 and 1983 Open Championships)
WD = withdrew
"T" indicates a tie for a place
NT = No tournament due to COVID-19 pandemic
Summary
Most consecutive cuts made – 12 (1984 Open Championship – 1988 Open Championship)
Longest streak of top-10s – 1 (four times)
The Players Championship
Wins (1)
Results timeline
CUT = missed the halfway cut
"T" indicates a tie for a place
Results in senior major championships
Results not in chronological order before 2021.
CUT = missed the halfway cut
"T" indicates a tie for a place
NT = No tournament due to COVID-19 pandemic
Team appearances
Amateur
Walker Cup (representing Great Britain and Ireland): 1977
Commonwealth Tournament (representing Great Britain): 1975
St Andrews Trophy (representing Great Britain & Ireland): 1976 (winners)
European Amateur Team Championship (representing England): 1977
Professional
Ryder Cup (representing Europe): 1979, 1981, 1983, 1985 (winners), 1987 (winners)
World Cup (representing Scotland): 1979, 1980 (individual winner), 1987
Hennessy Cognac Cup (representing Great Britain and Ireland): 1980 (winners), 1982 (winners), (representing Scotland) 1984 (individual winner)
Dunhill Cup (representing Scotland): 1985, 1986, 1987, 1988, 1989, 1990, 1992
Nissan Cup/Kirin Cup (representing Europe): 1985 (individual winner), 1986, 1987
UBS Cup (representing the Rest of the World): 2004
See also
List of golfers with most European Tour wins
References
External links
Sandy Lyle at the European Tour official site
Sandy Lyle at the PGA Tour official site
Sandy Lyle at the Japan Golf Tour official site
Sandy Lyle at the Official World Golf Ranking official site
Sandy Lyle at the World Golf Hall of Fame
Sandy Lyle at the Scottish Sports Hall of Fame |
Bruce_Crampton | https://en.wikipedia.org/wiki/Bruce_Crampton | [
227
] | [
"https://en.wikipedia.org/wiki/Bruce_Crampton"
] | Bruce Crampton (born 28 September 1935) is an Australian professional golfer.
Early life and amateur career
Crampton was born in Sydney, New South Wales, and attended Kogarah High School from 1948 to 1950. In August 1953 he reached final of the New South Wales Amateur Championship, losing 5&4 to Harry Berwick. In October, he led the Lakes Open after two rounds. According to Norman Von Nida, he was "probably" the first amateur in roughly 15 years, since Jim Ferrier, "to lead a big tournament after two rounds." Von Nida also stated that, "Crampton proves my prediction that he would become one of the greatest players Australia has produced."
Professional career
Crampton turned professional in late 1953, becoming an assistant to Billy McWilliam at Beverley Park in Sydney. His decision to turn professional came soon after he had been left out of the Australian amateur team to tour Britain in 1954 and play in the Commonwealth Tournament at St Andrews.
Crampton won the Vardon Trophy for the player with the lowest stroke average on the PGA Tour in 1973 and 1975. He had 14 career wins on the PGA Tour between 1961 and 1975 and was runner up in four major championships – one Masters, one U.S. Open, and two PGA Championships – all to Jack Nicklaus. He was ranked among the top five golfers in the world in both 1972 and 1973, according to Mark McCormack's world golf rankings. His other regular career victories included the Australian Open, New Zealand PGA Championship, Far East Open and the Philippine Open. As a senior, he won 20 times on the Champions Tour, and topped the money list in 1986.
Awards and honors
Crampton was inducted into the Sport Australia Hall of Fame in 2001.
Professional wins (45)
PGA Tour wins (14)
PGA Tour playoff record (0–2)
PGA Tour satellite wins (1)
1968 West End Classic
Other wins (8)
this list may be incomplete
1954 New Zealand PGA Championship
1956 Australian Open, Speedo Tournament
1957 Pelaco Tournament
1958 North Coast Open
1959 Far East Open, Philippine Open
1971 Wills Masters
Senior PGA Tour wins (20)
*Note: The 1986 Pepsi Senior Challenge was shortened to 36 holes due to rain.
Senior PGA Tour playoff record (2–2)
Other senior wins (2)
1987 Liberty Mutual Legends of Golf (with Orville Moody)
1988 Liberty Mutual Legends of Golf (with Orville Moody)
Results in major championships
CUT = missed the half-way cut
"T" indicates a tie for a place
Summary
Most consecutive cuts made – 33 (1961 U.S. Open – 1973 Masters)
Longest streak of top-10s – 2 (twice)
Team appearances
Amateur
Australian Men's Interstate Teams Matches (representing New South Wales): 1953
Professional
World Cup (representing Australia): 1957, 1963, 1964, 1967, 1972
Slazenger Trophy (representing British Commonwealth and Empire): 1956
Vicars Shield (representing New South Wales): 1956 (winners)
See also
List of golfers with most Champions Tour wins
References
External links
Media related to Bruce Crampton at Wikimedia Commons
Bruce Crampton at the PGA Tour official site
Bruce Crampton at the Sport Australia Hall of Fame |
George_Knudson | https://en.wikipedia.org/wiki/George_Knudson | [
227
] | [
"https://en.wikipedia.org/wiki/George_Knudson"
] | George Alfred Christian Knudson, CM (June 28, 1937 – January 24, 1989) was a Canadian professional golfer, who along with Mike Weir holds the record for the Canadian with the most wins on the PGA Tour, with eight career victories.
Early life and career
Born and raised in Winnipeg, Manitoba, Knudson learned to play golf at the St. Charles Country Club. He won the 1954 and 1955 Manitoba Junior Championships, and the 1955 Canadian Junior Championship. He moved to Toronto in 1958, and worked at the Oakdale Golf & Country Club, where he received instruction and encouragement from the Club, to improve his game; the club has named one of its three nines after him. He was then able to secure some financial backing to try the PGA Tour. He won the Manitoba Open in 1958, 1959, and 1960, and the Ontario Open in 1960, 1961, 1971, 1976 and 1978.
Between 1961 and 1972, he won eight tournaments on the PGA Tour. He won the Canadian PGA Championship five times, and won the World Cup with Al Balding in 1968. He wrote a book, The Natural Golf Swing (ISBN 0-7710-4534-4) with Lorne Rubenstein.
Knudson's last official PGA TOUR victory was the Kaiser Invitational in October 1972. However, Knudson nearly won again the next week at the Sahara Invitational. He carried the lead going into the final round at 15-under par after shooting 65-70-66, but a final round 76 dropped him into a T-7th at 11-under.
Knudson's best finish in a major championship was a tie for second in the 1969 Masters Tournament, one shot behind champion George Archer. Knudson's birdie putt on the 72nd hole to tie Archer came up 3 inches short.
In seven Masters appearances, Knudson posted three top-10s, including 10th in his 1965 debut and sixth a year later.
Knudson left tournament golf in the late 1970s, and started teaching golf, with success, at a facility in the Toronto area. His teaching methods have since been adopted by the Canadian PGA.
In 1988, he was inducted into both Royal Canadian Golf Association Hall of Fame, the Manitoba Sports Hall of Fame and Museum and was made a member of the Order of Canada.
He was inducted into Canada's Sports Hall of Fame in 1969, and the Ontario Sports Hall of Fame in 1996.
Personal life
Knudson had long been a heavy smoker and was diagnosed with lung cancer in 1987. He recovered well enough to compete at the 1988 Liberty Mutual Legends of Golf Senior tournament. Shortly thereafter, it was discovered the cancer had spread to his brain. George Knudson died in January 1989 at age 51 and was buried at Mount Pleasant Cemetery in Toronto.
Amateur wins
1954 Manitoba Junior Championship
1955 Manitoba Junior Championship, Canadian Junior Championship
Professional wins (30)
PGA Tour wins (8)
PGA Tour playoff record (3–0)
Other wins (22)
This list may be incomplete
1958 Manitoba Open
1959 Manitoba Open
1960 Manitoba Open, Ontario Open
1961 Ontario Open
1962 Maracaibo Open Invitational, Puerto Rico Open
1963 Panama Open
1964 Canadian PGA Championship, Caracas Open
1966 Millar Trophy, Canada Cup (individual event)
1967 Canadian PGA Championship
1968 Canadian PGA Championship, World Cup (team event with Al Balding)
1969 Wills Masters (Australia)
1971 Ontario Open
1976 Canadian PGA Championship
1976 Ontario Open
1977 Canadian PGA Championship, Shrine Pro-Am (shared with Dan Halldorson and Gar Hamilton)
1978 Ontario Open, Shrine Pro-Am
Results in major championships
Note: Knudson never played in The Open Championship.
CUT = missed the half-way cut
"T" indicates a tie for a place
Summary
Most consecutive cuts made – 16 (1962 PGA – 1970 PGA)
Longest streak of top-10s – 1 (three times)
Team appearances
Amateur
Americas Cup (representing Canada): 1956
Professional
World Cup (representing Canada): 1962, 1964, 1965, 1966 (individual winner), 1967, 1968 (winners), 1969, 1976, 1977
References
External links
Profile at Canadian Golf Hall of Fame
George Knudson's biography at Manitoba Sports Hall of Fame and Museum
George Knudson at the PGA Tour official site
George Knudson at Find a Grave |
Bobby_Locke | https://en.wikipedia.org/wiki/Bobby_Locke | [
227
] | [
"https://en.wikipedia.org/wiki/Bobby_Locke"
] | Arthur D'Arcy "Bobby" Locke (20 November 1917 – 9 March 1987) was a South African professional golfer. He is generally regarded as one of the greatest golfers of all time. He won The Open Championship four times and 15 PGA Tour events in total. In addition, he was a prolific tournament winner in South Africa, ultimately recording over 50 significant victories in his home country, including the South African Open nine times.
Early life
Locke was born in Germiston, South Africa the only son of Mr. C.J. and Mrs. O. Locke of 70 Nottingham Road, Kensington, Johannesburg. He obtained his Educational Junior Certificate pass at Benoni High School in 1934.
Amateur career
Locke won the South African Open for the first of nine times in 1935, at the Parkview Golf Club in Johannesburg, with a score of 296, playing as an amateur. He played in his first Open Championship in 1936, when he was 18 years old, and finished as the low amateur.
Professional career
He turned professional in March 1938 at the age of 20 and was engaged by the Maccauvlei Country Club as club professional in December 1939. Problems arose when Locke wanted to give lessons to non-members as well as take leave of absence, without advance request, to take part in outside competitions such as the U.S. Open. Locke resigned from the club, by letter, on 26 July 1940. His golf career was interrupted by service in the South African Air Force during World War II.
PGA Tour
Following the end of World War II, Locke successfully resumed his career in South Africa in 1946. He hosted Sam Snead, one of the top American golfers of the day, for a series of exhibition matches in South Africa in January/February 1947, winning 12 out of the 16 matches, two were halved and Snead won two.: 147 So impressed was Snead that he suggested that Locke come to the United States and give the PGA Tour a try, advice that Locke quickly followed.
Locke arrived in the U.S. for the first time in April 1947, well after the American Tour season had begun. In two-and-a-half years on the PGA Tour, Locke played in 59 events; he won 11, and finished in the top three in 30, just over half. In 1947, despite a late start, Locke dominated the American tour, winning six tournaments (including four in a five-week period), and finishing second to Jimmy Demaret on the money list.
In 1948, he won the Chicago Victory National by 16 strokes, which remains a PGA Tour record for margin of victory (tied for margin of victory with J. Douglas Edgar's win in the 1919 Canadian Open).
The following year, Locke was banned from the tour, ostensibly because of a dispute over playing commitments. Locke had indeed given several advance commitments to appear at tournaments and exhibitions, then had not turned up nor given adequate notice nor explanations for his absences. However, the 1948 Masters champion Claude Harmon stated, unsolicited, to another golf personality during that era: "Locke was simply too good. They had to ban him." The ban was lifted in March 1950. However, Locke chose not to return to play in the United States, except for a few isolated appearances.
Locke explained his point of view and events leading up to the banning.: 57, 58 He stated that he had accepted invitations, organised through the PGA to play in two local tournaments, The Inverness Fourball and Western Open. He explained how he had been helped to iron out a putting problem which led to him winning the 1949 Open Championship. He gives the "Open" win as one of his reasons to breach his contract. The text indicates that he understood the contractual nature of his dealings with the PGA.
Worldwide success
After leaving the PGA Tour, Locke continued his career in Europe and Africa, where he felt more comfortable. He won 23 times in Europe, most notably a quartet of successes in The Open Championship, which came in 1949, 1950, 1952 and 1957. He was the first of many South Africans who subsequently won major championships, including Gary Player, Ernie Els, Retief Goosen, Trevor Immelman, Louis Oosthuizen and Charl Schwartzel. His win in the 1957 Open Championship was with some controversy. Locke had failed to properly replace his ball after marking on the 72nd green, and proceeded to putt out. This had been confirmed through newsreel footage provided to the Royal and Ancient after the trophy presentation. The rules at the time made no provision for a two shot penalty, thus Locke's win could have been overturned through disqualification. However, the Championship committee did not enforce the disqualification rule, citing "equity and spirit of the game" as overriding factors in sustaining the posted result.
During this time Locke also played many other parts of the world. In 1955 he won the Australian Open held at Gailes Golf Club in Queensland; he later rated this as one of the best courses he had ever played. In 1959, Locke was involved in a serious car accident. Medical issues related to this incident contributed to the end of his career.
Playing attributes
Locke built his success around his outstanding putting ability, coining the phrase "You drive for show, but putt for dough." Wearing his trademark knickerbockers, white shoes, and stockings, Locke played the game at a slow and deliberate pace, perhaps another reason that American pros were annoyed with him. On the greens, Locke was a bona fide genius, using a very unusual putting style (he would bring the putter back far to the inside on the backstroke, then virtually "trap" the ball with a hooded, closed clubface on the forward stroke, imparting a tremendous amount of overspin), and a great eye for reading breaks, to put on veritable putting clinics every time he played. Locke believed he could put spin on putts (similar to full-swing shots) and make them "hook" and "slice", and used his unorthodox technique to great success.
Locke was not particularly long from the tee, but placed great emphasis on accuracy in hitting fairways and greens; he employed an extreme right-to-left ball flight (one that bordered on a hook) on nearly every full shot.
Australian contemporary pro Jim Ferrier, who played the U.S. Tour during the late 1940s with Locke, described Locke's putting method as being designed to overcome the very heavy grain present on many Bermuda-grass greens of that era, particularly in warm-climate regions such as South Africa and the southern United States. In these regions, greens had to be constructed during that era using Bermuda-grass turf in order to survive the extreme summer heat; turfgrass research eventually developed a wider variety of strains which could be used. Locke's putting method allowed the ball to glide on top of the grass without being affected very much by the grain. Ferrier explained that Locke had apparently learned the technique from an Englishman in Egypt, while he was stationed there during World War II. Locke had in fact learned the technique from Walter Hagen during the "Haigs" tour of South Africa with Joe Kirkwood Sr. in 1938.
Military service
Locke served in the South African Air Force during World War II. His Official War Record is held at the South African Department of Defence archives under his Service No: 103940. Those records show that he first trained as a pilot and later a pilot instructor. He was deployed to the Middle East from December 1944 to May 1945, and then to Italy, post VE Day, on transport duties until August 1945. He was honourably discharged in October 1945 having attained the rank of 2nd Lieutenant. He received the Italy Star and 1939-45 War Medal/Africa Service Medal.
Alternate descriptions of Locke's war record
Other descriptions of Locke's war record suggest he was more active than the transport duties he undertook, with SAAF Number 31 Squadron in Italy, that are described by the official SANDF archives. The descriptions include: he spent twelve months in a Liberator Squadron in Italy: 40 he was a bomber pilot who bombed Monte Casino, he fought for Britain as a bomber pilot; he flew over 100 missions over Europe with the SAAF; and 'served with distinction as a Royal Air Force Bomber pilot'.
Locke also claims that:
In a photograph of him and others,: 39 he was playing golf at Gizeh Golf & Country Club, in Cairo, in 1943, and
"My stay in the Air Force lasted five years and three months, in which time I completed 1,800 hours on single-, twin- and four-engined aircraft": 39, 40
Personal life
Following the car crash that ended his competitive career in 1960, Locke suffered from migraines and eye problems, although he continued competing occasionally after that, without much success.
Mental health issues followed, including bouts of depression, alcoholism and even an attempted murder charge following a dispute with a decorator, Big Boy Ndlovu. Locke considered Ndlovu's work below par and refused to pay the 220 rand Ndlovu asked for. Following an argument, Locke shot Ndlovu in the shoulder. Locke was fined 120 rand and had his gun licence suspended for six months.
He died of meningitis in Johannesburg, South Africa in March 1987.
After his death, his wife Mary and daughter Carolyn became reclusive and died together in a suicide pact at their home in 2000, aged 80 and 40 respectively.
Honors and awards
Winner of the Harry Vardon Trophy in 1946, 1950, and 1954.
In 1977, Locke was elected to the World Golf Hall of Fame.
Amateur wins
1931 South Africa Boys
1935 South African Amateur, Natal Amateur, Transvaal Amateur
1936 Natal Amateur, Lucifer Empire Trophy
1937 South African Amateur, Transvaal Amateur, Orange Free State Amateur
Professional wins (94)
PGA Tour wins (15)
PGA Tour playoff record (4–0)
South Africa wins (50)
1935 Natal Open, South African Open (both as an amateur)
1936 Natal Open (as an amateur)
1937 South African Open, Transvaal Open (both as an amateur)
1938 South African Open, South Africa Professional, Transvaal Open
1939 South African Open, South Africa Professional, Transvaal Open
1940 South African Open, South Africa Professional, Transvaal Open
1946 South African Open, South Africa Professional, Transvaal Open
1949 Stanley Motors 1,000 Guineas Tournament, Transvaal Open
1950 Dunlop £1.000 Tournament, Stanley Motors 1,000 Guineas Tournament, Transvaal Open, Western Transvaal Open, Grey Slax £1,000 Tournament, South Africa Professional, South African Open, Grey Slax £1,000 Tournament
1951 Stag £1,000 Matchplay, Stanley Motors 1,000 Guineas Tournament, Transvaal Open, East Rand Open, South Africa Professional, South African Open, Dunlop Masters £1,000 Tournament
1952 Stag £1,000 Matchplay, Stanley Motors 1,000 Guineas Tournament
1953 SANTA Open, Natal Open
1954 SANTA Open, Transvaal Open, Mills 1,000 Guineas Tournament
1955 Transvaal Open, South African Open, South Africa Professional
1956 Western Province Open
1957 East Rand Open
1958 Transvaal Open, Western Province Open, East Rand Open (tie with Eric Moore)
1960 East Rand Open
Other wins (29)
1938 Irish Open, New Zealand Open
1939 Dutch Open
1946 Yorkshire Evening News Tournament, Brand-Lochryn Tournament, Dunlop Masters
1947 Carolinas Open, Carolinas PGA Championship
1948 Carolinas Open
1950 Dunlop Tournament, Spalding Tournament, North British-Harrogate Tournament
1952 French Open, Mexican Open, Lotus Tournament, Carolinas Open
1953 French Open
1954 Egyptian Open, German Open, Swiss Open, Dunlop Tournament, Dunlop British Masters (tie with Jimmy Adams), Egyptian Match Play, Swallow-Harrogate Tournament (Stroke play stage)
1955 Australian Open
1957 Daks Tournament, Bowmaker Tournament (tied with Frank Jowle)
1959 New Hampshire Open, Bowmaker Tournament
Major championships
Wins (4)
1 Defeated Harry Bradshaw in 36-hole playoff: Locke (135), Bradshaw (147)
Results timeline
NT = No tournament
LA = Low amateur
CUT = missed the half-way cut
WD = Withdrew
"T" indicates a tie for a place
Sources: 1936 Amateur Championship, 1937 Amateur Championship
Summary
Most consecutive cuts made – 19 (1936 Open Championship – 1952 Masters)
Longest streak of top-10s – 5 (1949 U.S. Open – 1951 Open Championship)
Team appearances
South African Amateur Golf Team to England 1937.: 25
Canada Cup (representing South Africa): 1953, 1954, 1956, 1960
Slazenger Trophy (representing British Commonwealth and Empire): 1956
Hopkins Trophy (representing Canada): 1952, 1953, 1954
See also
List of men's major championships winning golfers
References
External links
Official website
Bobby Locke at the PGA Tour official site
Bobby Locke at the World Golf Hall of Fame |
USS_Maine_(1889) | https://en.wikipedia.org/wiki/USS_Maine_(1889) | [
228
] | [
"https://en.wikipedia.org/wiki/USS_Maine_(1889)"
] | Maine was a United States Navy ship that sank in Havana Harbor on February 15, 1898, contributing to the outbreak of the Spanish–American War in April. U.S. newspapers, engaging in yellow journalism to boost circulation, claimed that the Spanish were responsible for the ship's destruction. The phrase, "Remember the Maine! To hell with Spain!" became a rallying cry for action. Although the Maine explosion was not a direct cause, it served as a catalyst that accelerated the events leading up to the war.
Maine is described as an armored cruiser or second-class battleship, depending on the source. Commissioned in 1895, she was the first U.S. Navy ship to be named after the state of Maine. Maine and its contemporary the battleship Texas were both represented as an advance in American warship design, reflecting the latest European naval developments. Both ships had two-gun turrets staggered en échelon, and full sailing masts were omitted due to the increased reliability of steam engines. Due to a protracted 9-year construction period, Maine and Texas were obsolete by the time of completion. Far more advanced vessels were either in service or nearing completion that year.
Maine was sent to Havana Harbor to protect U.S. interests during the Cuban War of Independence. She exploded and sank on the evening of 15 February 1898, killing 268 sailors, or three-quarters of her crew. In 1898, a U.S. Navy board of inquiry ruled that the ship had been sunk by an external explosion from a mine. However, some U.S. Navy officers disagreed with the board, suggesting that the ship's magazines had been ignited by a spontaneous fire in a coal bunker. The coal used in Maine was bituminous, which is known for releasing firedamp, a mixture of gases composed primarily of flammable methane that is prone to spontaneous explosions. An investigation by Admiral Hyman Rickover in 1974 agreed with the coal fire hypothesis, penning a 1976 monograph that argued for this conclusion. The cause of her sinking remains a subject of debate.
The ship lay at the bottom of the harbor until 1911, when a cofferdam was built around it. The hull was patched up until the ship was afloat, then she was towed to sea and sunk. Maine now lies on the seabed 3,600 feet (1,100 m) below the surface. The ship's main mast is now a memorial in Arlington National Cemetery.
Background
In response to the delivery of the Brazilian battleship Riachuelo in 1883 and the acquisition of other modern armored warships from Europe by Brazil, Argentina and Chile, the head of the House Naval Affairs Committee, Hilary A. Herbert, stated to Congress: "if all this old navy of ours were drawn up in battle array in mid-ocean and confronted by Riachuelo it is doubtful whether a single vessel bearing the American flag would get into port." These developments helped bring to a head a series of discussions that had been taking place at the Naval Advisory Board since 1881. The board knew at that time that the U.S. Navy could not challenge any major European fleet; at best, it could wear down an opponent's merchant fleet and hope to make some progress through general attrition. Moreover, projecting naval force abroad through the use of battleships ran counter to the government policy of isolationism. While some on the board supported a strict policy of commerce raiding, others argued it would be ineffective against the potential threat of enemy battleships stationed near the American coast. The two sides remained essentially deadlocked until Riachuelo manifested.
The board, now confronted with the concrete possibility of hostile warships operating off the American coast, began planning for ships to protect it in 1884. The ships had to fit within existing docks and had to have a shallow draft to enable them to use all the major American ports and bases. The maximum beam was similarly fixed, and the board concluded that at a length of about 300 feet (91 m), the maximum displacement would be about 7,000 tons. A year later the Bureau of Construction and Repair (C & R) presented two designs to Secretary of the Navy William Collins Whitney, one for a 7,500-ton battleship and one for a 5,000-ton armored cruiser. Whitney decided instead to ask Congress for two 6,000-ton warships, and they were authorized in August 1886. A design contest was held, asking naval architects to submit designs for the two ships: armored cruiser Maine and battleship Texas. It was specified that Maine had to have a speed of 17 knots (31 km/h; 20 mph), a ram bow, and a double bottom, and be able to carry two torpedo boats. Her armament was specified as: four 10-inch (254 mm) guns, six 6-inch (152 mm) guns, various light weapons, and four torpedo tubes. It was specifically stated that the main guns "must afford heavy bow and stern fire." Armor thickness and many details were also defined. Specifications for Texas were similar but demanded a main battery of two 12-inch (305 mm) guns and slightly thicker armor.
The winning design for Maine was from Theodore D. Wilson, who served as chief constructor for C & R and was a member on the Naval Advisory Board in 1881. He had designed a number of other warships for the navy. The winning design for Texas was from a British designer, William John, who was working for the Barrow Shipbuilding Company at that time. Both designs resembled the Brazilian battleship Riachuelo, having the main gun turrets positioned out over the sides of the ship and echeloned. The winning design for Maine, though conservative and inferior to other contenders, may have received special consideration due to a requirement that one of the two new ships be American–designed.
Congress authorized construction of Maine on 3 August 1886, and her keel was laid down on 17 October 1888, at the Brooklyn Navy Yard. She was the largest vessel built in a U.S. Navy yard up to that time.
Design
Maine's building time of nine years was unusually protracted as a result of the limits of American industry at the time. (The delivery of her armored plating took three years, and a fire in the drafting room of the building yard, where Maine's working set of blueprints were stored, caused further delay.) During the nine-year construction span, naval tactics and technology changed radically and left Maine's role in the navy ill-defined. At the time when she was laid down, armored cruisers such as Maine were intended to serve as small battleships on overseas service and were built with heavy belt armor. Great Britain, France and Russia had constructed such ships to serve this purpose and sold others of this type, including Riachuelo, to second-rate navies. Within a decade, this role had changed to one of commerce raiding, for which fast, long-range vessels, with only limited armor protection, were needed. The advent of lightweight armor, such as Harvey steel, made this transformation possible.
As a result of these changing priorities, Maine was caught between two separate positions and could not perform either one adequately. She lacked both the armor and firepower to serve as a ship-of-the-line against enemy battleships and the speed to serve as a cruiser. Nevertheless, she was expected to fulfill more than one tactical function. In addition, because of the potential of a warship sustaining blast damage to herself from cross-deck and end-on fire, Maine's main-gun arrangement was obsolete by the time she entered service.
General characteristics
Maine was 324 feet 4 inches (98.9 m) long overall, with a beam of 57 feet (17.4 m), a maximum draft of 22 feet 6 inches (6.9 m) and a displacement of 6,682 long tons (6,789.2 t). She was divided into 214 watertight compartments. A centerline longitudinal watertight bulkhead separated the engines and a double bottom covered the hull only from the foremast to the aft end of the armored citadel, a distance of 196 feet (59.7 m). She had a metacentric height of 3.45 feet (1.1 m) as designed and was fitted with a ram bow.
Maine's hull was long and narrow, more like that of a cruiser than that of Texas, which was wide-beamed. Normally, this would have made Maine the faster ship of the two, but Maine's weight distribution was ill-balanced, which slowed her considerably. Her main turrets, awkwardly situated on a cutaway gundeck, were nearly awash in bad weather. Because they were mounted toward the ends of the ship, away from its center of gravity, Maine was also prone to greater motion in heavy seas. While she and Texas were both considered seaworthy, the latter's high hull and guns mounted on her main deck made her the drier ship.
The two main gun turrets were sponsoned over the sides of the ship and echeloned to allow both to fire fore and aft. The practice of en echelon mounting had begun with Italian battleships designed in the 1870s by Benedetto Brin and followed by the British Navy with HMS Inflexible, which was laid down in 1874 but not commissioned until October 1881. This gun arrangement met the design demand for heavy end-on fire in a ship-to-ship encounter, tactics that involved ramming the enemy vessel. The wisdom of this tactic was largely theoretical at the time when it was implemented. A drawback of an en echelon layout limited the ability for a ship to fire broadside, a key factor when employed in a line of battle. To allow for at least partial broadside fire, Maine's superstructure was separated into three structures. This allowed both turrets to fire across the ship's deck (cross-deck fire), between the sections. This ability was limited as the superstructure restricted each turret's arc of fire.
This profile view and plan show Maine with eight six-pounder guns. Another early published plan shows the same. In both cases, the photographs show a single extreme bow mounted six-pounder and confirm that she did not carry that gun. Maine's armament setup in the bow was not identical to that of the stern, which had a single six-pounder mounted at extreme aft of the vessel. Maine carried two six-pounders forward, two on the bridge and three on the stern section, all one level above the abbreviated gun deck that permitted the ten-inch guns to fire across the deck. The six-pounders located in the bow were positioned more forward than were the pair mounted aft, which necessitated the far aft single six-pounder.
Propulsion
Maine was the first American capital ship for which its power plant was afforded as high a priority as was its fighting strength. Her machinery, built by the N. F. Palmer Jr. & Company's Quintard Iron Works of New York, was the first designed for a major ship under the direct supervision of Arctic explorer and future commodore George Wallace Melville. She had two inverted vertical triple-expansion steam engines, mounted in watertight compartments and separated by a fore-to-aft bulkhead, with a total designed output of 9,293 indicated horsepower (6,930 kW). Cylinder diameters were 35.5 inches (900 mm) (high-pressure), 57 inches (1,400 mm) (intermediate pressure) and 88 inches (2,200 mm) (low-pressure). Stroke for all three pistons was 36 inches (910 mm).
Melville mounted Maine's engines with the cylinders in vertical mode, a departure from conventional practice. Previous ships had had their engines mounted in horizontal mode so that they would be completely protected below the waterline. Melville believed that a ship's engines needed ample room to operate and that any exposed parts could be protected by an armored deck. He therefore opted for the greater efficiency, lower maintenance costs and higher speeds offered by the vertical mode. The engines were constructed with the high-pressure cylinder aft and the low-pressure cylinder forward. According to the ship's chief engineer A. W. Morley, this was done so that the low-pressure cylinder could be disconnected when the ship was under low power. This allowed the high and intermediate-power cylinders to be run together as a compound engine for efficient running.
Eight single-ended Scotch marine boilers provided steam to the engines at a working pressure of 135 pounds per square inch (930 kPa; 9.5 kgf/cm2) at a temperature 364 °F (184 °C). On trials, she reached a speed of 16.45 knots (30.47 km/h; 18.93 mph), failing to meet her contract speed of 17 knots (31 km/h; 20 mph). She carried a maximum load of 896 long tons (910,000 kg) of coal in 20 bunkers, 10 on each side, which extended below the protective deck. Wing bunkers at each end of each fire room extended inboard to the front of the boilers. This was a very low capacity for a ship of Maine's rating, which limited her time at sea and her ability to run at flank speed, when coal consumption increased dramatically. Maine's overhanging main turrets also prevented coaling at sea, except in the calmest of waters; otherwise, the potential for damage to a collier, herself or both vessels was extreme.
Maine also carried two small dynamos to power her searchlights and provide interior lighting.
Maine was designed initially with a three-mast barque rig for auxiliary propulsion in case of engine failure and to aid long-range cruising. This arrangement was limited to "two-thirds" of full sail power, determined by the ship's tonnage and immersed cross-section. The mizzen mast was removed in 1892, after the ship had been launched, but before her completion. Maine was completed with a two-mast military rig and the ship never spread any canvas.
Armament
Main guns
Maine's main armament consisted of four 10-inch (254 mm)/30 caliber Mark II guns, which had a maximum elevation of 15° and could depress to −3°. Ninety rounds per gun were carried. The ten-inch guns fired a 510-pound (231 kg) shell at a muzzle velocity of 2,000 feet per second (610 m/s) to a range of 20,000 yards (18,000 m) at maximum elevation. These guns were mounted in twin hydraulically powered Mark 3 turrets, the fore turret sponsoned to starboard and the aft turret sponsoned to port.
The 10-inch guns were initially to be mounted in open barbettes (the C & R proposal blueprint shows them as such). During Maine's extended construction, the development of rapid-fire intermediate-caliber guns, which could fire high-explosive shells, became a serious threat and the navy redesigned Maine with enclosed turrets. Because of the corresponding weight increase, the turrets were mounted one deck lower than planned originally. Even with this modification, the main guns were high enough to fire unobstructed for 180° on one side and 64° on the other side. They could also be loaded at any angle of train; initially the main guns of Texas, by comparison, with external rammers, could be loaded only when trained on the centerline or directly abeam, a common feature in battleships built before 1890. By 1897, Texas' turrets had been modified with internal rammers to permit much faster reloading.
The en echelon arrangement proved problematic. Because Maine's turrets were not counterbalanced, she heeled over if both were pointed in the same direction, which reduced the range of the guns. Also, cross-deck firing damaged her deck and superstructure significantly due to the vacuum from passing shells. Because of this, and the potential for undue hull stress if the main guns were fired end-on, the en echelon arrangement was not used in U.S. Navy designs after Maine and Texas.
Secondary and light guns
The six 6-inch (152 mm)/30 caliber Mark 3 guns were mounted in casemates in the hull, two each at the bow and stern and the last two amidships. Data is lacking, but they could probably depress to −7° and elevate to +12°. They fired shells that weighed 105 pounds (48 kg) with a muzzle velocity of about 1,950 feet per second (590 m/s). They had a maximum range of 9,000 yards (8,200 m) at full elevation.
The anti-torpedo boat armament consisted of seven 57-millimeter (2.2 in) Driggs-Schroeder six-pounder guns mounted on the superstructure deck. They fired a shell weighing about 6 lb (2.7 kg) at a muzzle velocity of about 1,765 feet per second (538 m/s) at a rate of 20 rounds per minute to a maximum range of 8,700 yards (7,955 m). The lighter armament comprised four each 37-millimeter (1.5 in) Hotchkiss and Driggs-Schroeder one-pounder guns. Four of these were mounted on the superstructure deck, two were mounted in small casemates at the extreme stern and one was mounted in each fighting top. They fired a shell weighing about 1.1 pounds (0.50 kg) at a muzzle velocity of about 2,000 feet per second (610 m/s) at a rate of 30 rounds per minute to a range about 3,500 yards (3,200 m).
Maine had four 18-inch (457 mm) above-water torpedo tubes, two on each broadside. In addition, she was designed to carry two 14.8-long-ton (15.0 t) steam-powered torpedo boats, each with a single 14-inch (356 mm) torpedo tube and a one-pounder gun. Only one was built, but it had a top speed of only a little over 12 knots (22 km/h; 14 mph) so it was transferred to the Naval Torpedo Station at Newport, Rhode Island, as a training craft.
Armor
The main waterline belt, made of nickel steel, had a maximum thickness of 12 inches (305 mm) and tapered to 7 inches (178 mm) at its lower edge. It was 180 feet (54.9 m) long and covered the machinery spaces and the 10-inch magazines. It was 7 feet (2.1 m) high, of which 3 feet (0.9 m) was above the design waterline. It angled inwards for 17 feet (5.2 m) at each end, thinning to 8 inches (203 mm), to provide protection against raking fire. A 6-inch transverse bulkhead closed off the forward end of the armored citadel. The forward portion of the 2-inch-thick (51 mm) protective deck ran from the bulkhead all the way to the bow and served to stiffen the ram. The deck sloped downwards to the sides, but its thickness increased to 3 inches (76 mm). The rear portion of the protective deck sloped downwards towards the stern, going below the waterline, to protect the propeller shafts and steering gear. The sides of the circular turrets were 8 inches thick. The barbettes were 12 inches thick, with their lower portions reduced to 10 inches. The conning tower had 10-inch walls. The ship's voicepipes and electrical leads were protected by an armored tube 4.5 inches (114 mm) thick.
Two flaws emerged in Maine's protection, both due to technological developments between her laying-down and her completion. The first was a lack of adequate topside armor to counter the effects of rapid-fire intermediate-caliber guns and high-explosive shells. This was a flaw she shared with Texas. The second was the use of nickel-steel armor. Introduced in 1889, nickel steel was the first modern steel alloy armor and, with a figure of merit of 0.67, was an improvement over the 0.6 rating of mild steel used until then. Harvey steel and Krupp armors, both of which appeared in 1893, had merit figures of between 0.9 and 1.2, giving them roughly twice the tensile strength of nickel steel. Although all three armors shared the same density (about 40 pounds per square foot for a one-inch-thick plate), six inches of Krupp or Harvey steel gave the same protection as 10 inches of nickel. The weight thus saved could be applied either to additional hull structure and machinery or to achieving higher speed. The navy would incorporate Harvey armor in the Indiana-class battleships, designed after Maine, but commissioned at roughly the same time.
Launching and delay
Maine was launched on 18 November 1889, sponsored by Alice Tracy Wilmerding, the granddaughter of Navy Secretary Benjamin F. Tracy. Not long afterwards, a reporter wrote for Marine Engineer and Naval Architect magazine, "it cannot be denied that the navy of the United States is making rapid strides towards taking a credible position among the navies of the world, and the launch of the new armoured battleship Maine from the Brooklyn Navy Yard ... has added a most powerful unit to the United States fleet of turret ships." In his 1890 annual report to congress, the Secretary of the Navy wrote, "the Maine ... stands in a class by herself" and expected the ship to be commissioned by July 1892.
A three-year delay ensued, while the shipyard waited for nickel steel plates for Maine's armor. Bethlehem Steel had promised the navy 300 tons per month by December 1889 and had ordered heavy castings and forging presses from the British firm of Armstrong Whitworth in 1886 to fulfil its contract. This equipment did not arrive until 1889, pushing back Bethlehem's timetable. In response, Navy Secretary Benjamin Tracy secured a second contractor, the newly expanded Homestead mill of Carnegie, Phipps & Company. In November 1890, Tracy and Andrew Carnegie signed a contract for Homestead to supply 6000 tons of nickel steel. Homestead was, what author Paul Krause calls, "the last union stronghold in the steel mills of the Pittsburgh district." The mill had already weathered one strike in 1882 and a lockout in 1889 in an effort to break the union there. Less than two years later, came the Homestead Strike of 1892, one of the largest, most serious disputes in U.S. labor history.
A photo of the christening shows Wilmerding striking the bow near the plimsoll line depth of 13, which caused speculation that the ship was "unlucky" from the launching.
Operations
Maine was commissioned on 17 September 1895, under the command of Captain Arent S. Crowninshield. On 5 November 1895, Maine steamed to Sandy Hook Bay, New Jersey. She anchored there two days, then proceeded to Newport, Rhode Island, for fitting out and test firing of her torpedoes. After a trip, later that month, to Portland, Maine, she reported to the North Atlantic Squadron for operations, training maneuvers and fleet exercises. Maine spent her active career with the North Atlantic Squadron, operating from Norfolk, Virginia, along the East Coast of the United States and the Caribbean. On 10 April 1897, Captain Charles Dwight Sigsbee relieved Captain Crowninshield as commander of Maine.
Sinking
In January 1898, Maine was sent from Key West, Florida, to Havana, Cuba to protect American interests during the Cuban War of Independence. She arrived at 11:00 local time on January 25. At 21:40 on 15 February, an explosion on the Maine occurred in the Havana harbor (23°08′07″N 082°20′3″W). Later investigations revealed that more than 5 long tons (5.1 t) of powder charges for the vessel's six- and ten-inch guns had detonated, obliterating the forward third of the ship. The remaining wreckage rapidly settled to the bottom of the harbor.
Most of Maine's crew were sleeping or resting in the enlisted quarters, in the forward part of the ship, when the explosion occurred. The ship's crew consisted of 355 men: 26 officers, 290 enlisted sailors and 39 marines. Of these, there were 261 fatalities:
Two officers and 251 enlisted sailors or marines were killed by the explosion or drowned
Seven others were rescued but soon died of their injuries
One officer later died of "cerebral affection" (shock)
Of the 94 survivors, 16 were uninjured. Captain Sigsbee and most of the officers survived because their quarters were in the aft portion of the ship. The City of Washington, an American merchant steamship, aided in rescuing the crew.
The cause of the accident was immediately debated. Waking President McKinley to break the news, commander Francis W. Dickins called it an "accident". Commodore George Dewey, commander of the Asiatic Squadron, "feared at first that she had been destroyed by the Spanish, which of course meant war, and I was getting ready for it when a later dispatch said it was an accident." Navy captain Philip R. Alger, an expert on ordnance and explosives, posted a bulletin at the Navy Department the next day communicating that the explosion had been caused by a spontaneous fire in the coal bunkers. Assistant Navy secretary Theodore Roosevelt wrote a letter protesting this statement, which he viewed as premature. Roosevelt argued that Alger should not have commented on an ongoing investigation, saying, "Mr. Alger cannot possibly know anything about the accident. All the best men in the Department agree that, whether probable or not, it certainly is possible that the ship was blown up by a mine."
Yellow journalism
The New York Journal and New York World, owned respectively by William Randolph Hearst and Joseph Pulitzer, sensationalized the Maine incident with intense press coverage, employing tactics that would later be labeled "yellow journalism." Both newspapers exaggerated and distorted much of the information they obtained, sometimes even fabricating news to fit their agendas. For a week following the sinking, the Journal devoted a daily average of eight and a half pages of news, editorials and pictures to the event. Its editors sent a full team of reporters and artists to Havana, including Frederic Remington, and Hearst announced a reward of $50,000 "for the conviction of the criminals who sent 258 American sailors to their deaths."
The World, while overall not as lurid or shrill in tone as the Journal, nevertheless indulged in similar theatrics, insisting continuously that Maine had been bombed or mined. Privately, Pulitzer felt that "nobody outside a lunatic asylum" really believed that Spain sanctioned Maine's destruction. However, his New York World insisted that the only "atonement" that Spain could offer the U.S. for the loss of ship and life was the granting of complete Cuban independence. The paper accused Spain of "treachery, willingness, or laxness" for failing to ensure the safety of Havana Harbor. Many members of the American public, already agitated over reported Spanish atrocities in Cuba, were driven to increased hysteria.
Hearst's reporting on the Maine incident generated support for military action against the Spanish in Cuba regardless of their actual involvement in the sinking. He frequently cited various naval officers saying that the explosion could not have been an on-board accident. He quoted an "officer high in authority" as saying: "The idea that the catastrophe resulted from an internal accident is preposterous. In the first place, such a thing has never occurred before that I have ever heard of either in the British navy or ours."
Spanish–American War
Maine's destruction did not result in an immediate declaration of war with Spain, but the event created an atmosphere that endangered a peaceful solution. The Spanish investigation found that the explosion had been caused by spontaneous combustion of the coal bunkers, but the Sampson Board ruled that the explosion had been caused by an external explosion from a torpedo.
The episode focused national attention on the crisis in Cuba. The McKinley administration did not cite the explosion as a casus belli, but others were already inclined to wage war with Spain over perceived atrocities and loss of control in Cuba. Advocates of war used the rallying cry, "Remember the Maine! To hell with Spain!" The Spanish–American War began on April 21, 1898, two months after the sinking.
Investigations
In addition to the inquiry commissioned by the Spanish government to naval officers Del Peral and De Salas, two naval courts of inquiry were ordered: the Sampson Board in 1898 and the Vreeland board in 1911. In 1976, Admiral Hyman G. Rickover commissioned a private investigation, and the National Geographic Society investigated in 1998, using computer simulations. All investigations agreed that an explosion of the forward magazines caused the destruction of the ship, but different conclusions were reached regarding the exact cause of the explosion.
1898 Del Peral and De Salas inquiry
The Spanish inquiry, conducted by Del Peral and De Salas, collected evidence from officers of naval artillery, who had examined the remains of the Maine. Del Peral and De Salas identified the spontaneous combustion of the coal bunker, located adjacent to the munition stores in Maine, as the likely cause of the explosion. The possibility that other combustibles, such as varnish, drier or alcohol products, had caused the explosion was not discounted. Additional observations included that:
Had a mine been the cause of the explosion, a column of water would have been observed.
The wind and the waters were calm and hence a mine could have only been detonated by electricity, but no cables had been found.
No dead fish were found in the harbor, as would be expected following an explosion in the water.
Munition stores do not usually explode when a ship is sunk by a mine.
The conclusions of the report were not reported at the time by the American press.
1898 Sampson Board's Court of Inquiry
A naval inquiry was ordered by the United States shortly after the incident, headed by Captain William T. Sampson. Ramón Blanco y Erenas, Spanish governor of Cuba, had instead proposed a joint Spanish-American investigation. Captain Sigsbee had written that "many Spanish officers, including representatives of General Blanco, now with us to express sympathy." In a cable, the Spanish minister of colonies Segismundo Moret had advised Blanco "to gather every fact you can, to prove the Maine catastrophe cannot be attributed to us."
According to Dana Wegner, who worked with Rickover on his 1974 investigation of the sinking, the Secretary of the Navy had the option of personally selecting a board of inquiry. Instead, he resorted to protocol and assigned the commander-in-chief of the North Atlantic squadron to do so. The commander produced a list of junior line officers for the board. The fact that the officer proposed to be court president was junior to the captain of Maine, Wegner writes, "would indicate either ignorance of navy regulations or that, in the beginning, the board did not intend to examine the possibility that the ship was lost by accident and the negligence of her captain." Eventually, navy regulations prevailed in leadership of the board, Captain Sampson being senior to Captain Sigsbee.
The board arrived on 21 February and took testimony from survivors, witnesses and divers who investigated the wreck underwater. The Sampson Board produced its findings in two parts: the proceedings, which consisted mainly of testimonies, and the findings, which were the facts as determined by the court. Between the proceedings and the findings, there was what Wegner calls "a broad gap" in which the court "left no record of the reasoning that carried it from the often-inconsistent witnesses to [its] conclusion." Another inconsistency, according to Wegner, was that the board summoned only one technical witness, Commander George Converse, from the Torpedo Station at Newport, Rhode Island. Captain Sampson read Commander Converse a hypothetical situation of a coal-bunker fire igniting the reserve six-inch ammunition, with a resulting explosion sinking the ship. He then asked Commander Converse about the feasibility of such a scenario. Commander Converse "simply stated, without elaboration, that he could not realize such an event happening."
The board concluded that Maine had been destroyed by a mine, which, in turn, caused the explosion of her forward magazines. They reached this conclusion based on the fact that the majority of witnesses stated that they had heard two explosions and that part of the keel was bent inward. The official report from the board, which was presented to the Navy Department in Washington on 21 March, specifically stated the following:
"At frame 18 the vertical keel is broken in two and the flat keel is bent at an angle similar to the angle formed by the outside bottom plating. ... In the opinion of the court, this effect could have been produced only by the explosion of a mine situated under the bottom of the ship at about frame 18, and somewhat on the port side of the ship." (part of the court's 5th finding)
"In the opinion of the court, the Maine was destroyed by the explosion of a submarine mine, which caused the partial explosion of two or more of her forward magazines." (the court's 7th finding) and
"The court has been unable to obtain evidence fixing the responsibility for the destruction of the Maine upon any person or persons." (the court's 8th finding).
1911 Vreeland Board's Court of Inquiry
In 1910, the decision was made to conduct a second court of inquiry. Doing so would also facilitate the recovery of bodies so they could be buried in the United States. The fact that the Cuban government wanted the wreck removed from Havana Harbor might also have played a role; it at least offered the opportunity to examine the wreck in greater detail than had been possible in 1898, while simultaneously obliging the newly independent Cubans. Wegner suggests that the fact that this inquiry could be held without the threat of war, which had been the case in 1898, lent it the potential for greater objectivity than had been possible previously. Moreover, as several of the members of the 1910 board would be certified engineers, they would be better qualified to evaluate their findings than had been the line officers of the 1898 board.
Beginning in December 1910, a cofferdam was built around the wreck and water was removed, exposing the wreck by late 1911. Between 20 November and 2 December 1911, a court of inquiry headed by Rear Admiral Charles E. Vreeland inspected the wreck. They concluded that an external explosion had triggered the explosion of the magazines. This explosion was farther aft and lower-powered than had been concluded by the Sampson Board. The Vreeland Board also found that the bending of frame 18 was caused by the explosion of the magazines, not by the external explosion. After the investigation, the newly located dead were buried in Arlington National Cemetery and the hollow, intact portion of the hull of Maine was refloated and ceremoniously scuttled at sea on 16 March 1912.
1974 Rickover investigation
Rickover became intrigued with the disaster and began a private investigation in 1974, using information from the two official inquiries, newspapers, personal papers, and information on the construction and ammunition of Maine. He concluded that the explosion was not caused by a mine, and speculated that spontaneous combustion was the most likely cause, from coal in the bunker next to the magazine. He published a book about this investigation in 1976 entitled How the Battleship Maine Was Destroyed.
In the 2001 book Theodore Roosevelt, the U.S. Navy and the Spanish–American War, Wegner revisits the Rickover investigation and offers additional details. According to Wegner, Rickover interviewed naval historians at the Energy Research and Development Agency after reading an article in the Washington Star-News by John M. Taylor. The author claimed that the U.S. Navy "made little use of its technically trained officers during its investigation of the tragedy." The historians were working with Rickover on a study of the Navy's nuclear propulsion program, but they said that they knew no details of Maine's sinking. Rickover asked whether they could investigate the matter, and they agreed. Wegner says that all relevant documents were obtained and studied, including the ship's plans and weekly reports of the unwatering of Maine in 1912 (the progress of the cofferdam) written by William Furgueson, chief engineer for the project. These reports included numerous photos annotated by Furgueson with frame and strake numbers on corresponding parts of the wreckage. Two experts were brought in to analyze the naval demolitions and ship explosions. They concluded that the photos showed "no plausible evidence of penetration from the outside," and they believed that the explosion originated inside the ship.
Wegner suggests that a combination of naval ship design and a change in the type of coal used to fuel naval ships might have facilitated the explosion postulated by the Rickover study. Up to the time of the Maine's building, he explains, common bulkheads separated coal bunkers from ammunition lockers, and American naval ships burned smokeless anthracite coal. With an increase in the number of steel ships, the Navy switched to bituminous coal, which burned at a hotter temperature than anthracite coal and allowed ships to steam faster. Wegner explains that anthracite coal is not subject to spontaneous combustion, but bituminous coal is considerably more volatile and is known for releasing the largest amounts of firedamp, a dangerous and explosive mixture of gases (chiefly methane). Firedamp is explosive at concentrations between 4% and 16%, with most violence at around 10%. In addition, there was another potential contributing factor in the bituminous coal: iron sulfide, also known as pyrite, was likely present. The presence of pyrites presents two additional risk factors, the first involving oxidation. Pyrite oxidation is sufficiently exothermic that underground coal mines in high-sulfur coal seams have occasionally experienced spontaneous combustion in the mined-out areas of the mine. This process can result from the disruption caused by mining from the seams, which exposes the sulfides in the ore to air and water. The second risk factor involves an additional capability of pyrites to provide fire ignition under certain conditions. Pyrites derive their name from the Greek root word pyr, meaning fire, as they can cause sparks when struck by steel or other hard surfaces. Pyrites were used to strike sparks to ignite gunpowder in wheellock guns, for example. The pyrites could have provided the ignition capability needed to create an explosion. A number of bunker fires of this type had been reported aboard warships before the Maine's explosion, in several cases nearly sinking the ships. Wegner also cites a 1997 heat transfer study that concluded that a coal bunker fire could have taken place and ignited the ship's ammunition.
1998 National Geographic investigation
In 1998, National Geographic magazine commissioned an analysis by Advanced Marine Enterprises (AME). This investigation, done to commemorate the centennial of the sinking of USS Maine, was based on computer modeling, a technique unavailable for previous investigations. The results reached were inconclusive. National Geographic reported that "a fire in the coal bunker could have generated sufficient heat to touch off an explosion in the adjacent magazine [but] on the other hand, computer analysis also shows that even a small, handmade mine could have penetrated the ship's hull and set off explosions within." The AME investigation noted that "the size and location of the soil depression beneath the Maine 'is more readily explained by a mine explosion than by magazine explosions alone'." The team noted that this was not "definitive in proving that a mine was the cause of the sinking" but it did "strengthen the case."
Some experts, including Rickover's team and several analysts at AME, do not agree with the conclusion. Wegner claims that technical opinion among the Geographic team was divided between its younger members, who focused on computer modeling results, and its older ones, who weighed their inspection of photos of the wreck with their own experience. He adds that AME used flawed data concerning the Maine's design and ammunition storage. Wegner was also critical of the fact that participants in the Rickover study were not consulted until AME's analysis was essentially complete, far too late to confirm the veracity of data being used or engage in any other meaningful cooperation.
2002 Discovery Channel Unsolved History investigation
In 2002, the Discovery Channel produced an episode of the Unsolved History documentaries, entitled "Death of the U.S.S. Maine." It used photographic evidence, naval experts, and archival information to argue that the cause of the explosion was a coal bunker fire, and it identified a weakness or gap in the bulkhead separating the coal and powder bunkers that allowed the fire to spread from the former to the latter.
False flag operation conspiracy theories
Several claims have been made in Spanish-speaking media that the sinking was a false flag operation conducted by the U.S. and those claims are the official view in Cuba. The Maine monument in Havana describes Maine's sailors as "victims sacrificed to the imperialist greed in its fervor to seize control of Cuba" and claims that American agents deliberately blew up their own ship.
Eliades Acosta was the head of the Cuban Communist Party's Committee on Culture and a former director of the José Martí National Library in Havana. He offered the standard Cuban interpretation in an interview to The New York Times, but he adds that "Americans died for the freedom of Cuba, and that should be recognized." This claim has also been made in Russia by Mikhail Khazin, a Russian economist who once ran the cultural section at Komsomolskaya Pravda, and in Spain by Eric Frattini, a Spanish Peruvian journalist in his book Manipulando la historia. Operaciones de Falsa Bandera. Del Maine al Golpe de estado de Turquía.
Operation Northwoods was a series of proposals prepared by Pentagon officials for the Joint Chiefs of Staff in 1962, setting out a number of proposed false flag operations that could be blamed on the Cuban Communists in order to rally support against them. One of these suggested that a U.S. Navy ship be blown up in Guantanamo Bay deliberately. In an echo of the yellow press headlines of the earlier period, it used the phrase "A 'Remember the Maine' incident".
Raising and final sinking
For several years, the Maine was left where she sank in Havana harbor, but it was evident she would have to be removed sometime. It took up valuable space in the harbor, and the buildup of silt around her hull threatened to create a shoal. In addition, various patriotic groups wanted mementos of the ship. On 9 May 1910, Congress authorized funds for the removal of the Maine, the proper interment in Arlington National Cemetery of the estimated 70 bodies still inside, and the removal and transport of the main mast to Arlington. Congress did not demand a new investigation into the sinking at that time.
The Army Corps of Engineers built a cofferdam around the Maine and pumped water out from inside it. By 30 June 1911, the Maine's main deck was exposed, revealing just how damaged the ship was: Forward of frame 41 was completely destroyed, leaving only a twisted mass of steel that bore no resemblance to a bow, and the rest of the wreck was severely corroded. When the water was fully drained, army engineers used oxyacetylene torches to cut away the damaged superstructure and decks. Then, midway through the wreck, they cut away what was left of the forward portion of the ship and built a concrete and wooden bulkhead to seal the after-section. Holes were cut in the bottom of the after-section, through which jets of water were pumped, to break the mud seal holding the ship, then plugged, with flood cocks, which would later be used for sinking the ship. The Maine had been outfitted with Worthington steam pumps. After lying on the bottom of Havana harbor for fourteen years these pumps were found to be still operational; they were subsequently cleaned and used by the Army Corps of Engineers to aid them in their work on the wreck.
During the salvage, the remains of 66 men were found, of whom only one, Harry J. Keys (an engineering officer), was identified and returned to his home town; the rest were reburied at Arlington National Cemetery, making a total of 229 Maine crew buried there. All recovered bodies were removed to the armored cruiser North Carolina for repatriation. Finally, on 13 February 1912, the engineers let water back into the interior of the cofferdam. Three days later, the interior of the cofferdam was full and the extant after-section of the Maine was refloated. Two days after that, the Maine was towed out by the tug Osceola On 16 March, the Maine was towed four miles from the Cuban coast by Osceola, escorted by North Carolina and the light cruiser Birmingham. She was loaded with dynamite as a possible aid to her sinking. Flowers adorned Maine's deck, and an American flag was strung from her jury mast. At 5pm local time, with a crowd of over 100,000 persons watching from the shore, her sea cocks were opened, and just over twenty minutes later, Maine sank, bow first, in 600 fathoms (3,600 ft; 1,100 m) of water, to the sound of Taps and a twenty-one gun salute, courtesy of the men on the Birmingham and North Carolina.
Rediscovery
On October 18, 2000, the wreck of Maine was rediscovered in about 3,770 feet (1,150 m) of water roughly 3 miles (4.8 km) northeast of Havana Harbor by Advanced Digital Communications, a Toronto-based expedition company. The team, led by marine engineer Paulina Zelitsky, accidentally stumbled across the ship while working with Cuban scientists and oceanographers from the University of South Florida College of Marine Science to test underwater exploration technology. The researchers, who referred to the wreck as the "square" due to its unique shape, did not initially believe it to be the Maine, since the ship was discovered east of where it was reportedly scuttled. (This displacement was likely due to currents pushing the ship as it sank.) Once the team began to explore the wreck with a Remotely operated underwater vehicle (ROV), they discovered that the hull had not overly oxidized, allowing them to "see all of [the ship's] structural parts." The researchers confirmed the ship's identity both by scrutinizing the design of its doors, hatches, anchor chain, and propellers, and by identifying the telltale bulkhead that had been created when the bow was removed in 1912. Near the wreck, the team also located a boiler and a debris field of coal.
Memorials
Arlington, Annapolis, Havana, Key West
In February 1898, the recovered bodies of sailors who died on Maine were interred in the Colon Cemetery, Havana. Some injured sailors were sent to hospitals in Havana and Key West, Florida. Those who died in hospitals were buried in Key West. In December 1899, the bodies in Havana were disinterred and brought back to the United States for burial at Arlington National Cemetery. In 1915, President Woodrow Wilson dedicated the USS Maine Mast Memorial to those who died. The memorial includes the ship's main mast. Roughly 165 were buried at Arlington, although the remains of one sailor were exhumed for his home town, Indianapolis, Indiana. Of the rest, only 62 were known. Nine bodies were never recovered and 19 crewmen, several unidentified, are buried in Key West Cemetery under a statue of a U.S. sailor holding an oar.
The explosion-bent fore mast of Maine is located at the United States Naval Academy.
In 1926, the Cuban government erected a memorial to the victims of Maine on the Malecon, near the Hotel Nacional, to commemorate United States assistance in acquiring Cuban independence from Spain. The monument features two of Maine's four 10-inch guns. In 1961, the memorial was damaged by crowds, following the Bay of Pigs Invasion, and the eagle on top was broken and removed. The Communist government then added its own inscription blaming "imperialist voracity in its eagerness to seize the island of Cuba" for Maine's sinking. The monument was cleaned and restored in 2013. The eagle's head was retained by the U.S. Interests Section in Havana, and the body by the city's museum.
USS Maine Monument, New York City
Other memorials
In 1898, Georges Méliès made his movie, Divers at Work on the Wreck of the "Maine", about rescuers freeing bodies from the sunken Maine.
On March 25, 1912, a cowl from the USS Maine arrived in Woburn, Massachusetts and is still on display in Woburn Center.
In 1912, a porthole cover and a section of the base mast was given to the City of Newburgh Heights, Ohio. The relics were mounted on a large rock in the city's Washington Park in 1948.
In 1914, one of Maine's six anchors was taken from the Washington Navy Yard to City Park in Reading, Pennsylvania, and dedicated during a ceremony presided over by Franklin D. Roosevelt, who was then assistant secretary of the navy.
A brass torpedo tube hatch recovered from Maine is on display at Lakeside Park in Oakland, California. It was stolen from its mount in the park in May 2011, but quickly recovered by authorities after the thieves attempted to sell it for scrap metal. The large piece was relocated and mounted by OPW Facility Services in front of Oakland's Veterans building on Grand Ave.
A memorial including the shield and scrollwork from the bow of the ship is located in Bangor, Maine.
A 6-inch gun from Maine is in Washington, D.C., at the National Museum of the United States Navy.
A 6-inch gun from Maine is in Fort Allen Park in Portland, Maine.
A 6-inch gun from Maine is displayed on the front lawn of city hall in Alpena, Michigan, as well as a bronze plaque made from the vessel.
The base of Maine's conning tower is currently on display at Westbrook Veterans' Memorial Park in Canton, Ohio, hometown of President McKinley.
Shells from the main battery were placed along with small plaques as memorials at the Soldier's Home in Marion, Indiana (now a VA hospital and national cemetery), at the St. Joseph County Courthouse lawn in South Bend, Indiana, and at Point Defiance Park in Tacoma, Washington. A shell from the main battery is located in Veterans Park in Lewiston, Maine.
A monument for Maine with a portion of a bronze engine room ventilator shaft is located in Pompton Lakes, New Jersey.
The capstan of the ship was secured for Charleston, South Carolina, where it was displayed on the Battery until 2006; it is currently awaiting reinstallation.
A shell from the Maine is on display at the Hoboken Public Library in Hoboken, New Jersey.
There is a plaque dedicated to Maine at the war memorial in Stephen R. Gregg Park in Bayonne, New Jersey. The plaque is made from metal salvaged from the ship.CITEREFCoughlin
A 6-pound deck gun from Maine is on the North lawn of the South Carolina State House in Columbia, South Carolina.
A 6-pound deck gun from Maine is at the White Plains Public Works Yard in White Plains, New York, after being removed from Battle Whitney Park.
A bronze torpedo tube and armored hatch form part of a memorial in West Park, Pittsburgh, Pennsylvania, just south of West North Avenue.
There is also a USS Maine Memorial plaque (visible in photographs and physically in situ) at the south door of the Jefferson County Courthouse, in Steubenville, Ohio.
The Maine State Museum in Augusta has a porthole on display, recovered in 1910. It has other artifacts which are not on display.
There is a porthole cover from the USS Maine located in Woodlawn Cemetery, Wadsworth, Ohio, as part of a Spanish War Memorial. It was erected by Wadsworth Camp 24 U.S.W.V.
See also
List of battleships of the United States Navy
U.S. Navy memorials
Monument to the Victims of the USS Maine (Havana)
Wat Tyler Cluverius Jr. – last surviving officer of the sinking (died 1952)
Explanatory notes
References
Citations
Bibliography
This article incorporates public domain material from The Destruction of USS Maine. United States Navy.
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Krause, Paul, ed. (1992). The Battle for Homestead, 1880–1892: politics, culture, and steel. Pittsburgh: University of Pittsburgh Press. ISBN 978-0-8229-5466-8.
Love, Robert W. Jr., ed. (1992). History of the U.S. Navy, Volume One: 1775–1941. Harriburg, Pennsylvania: Stackpole Books. ISBN 978-0-8117-1862-2.
"Maine (BB-2)". Dictionary of American Naval Fighting Ships. Navy Department, Naval History and Heritage Command. Retrieved 2 October 2011.
Miller, David, ed. (2001). Illustrated Directory of Warships of the World. Osceloa, WI: Zenith Press. ISBN 978-0-7603-1127-1.
Misa, Thomas J., ed. (1999). A Nation of Steel: The Making of Modern America, 1865–1925. Baltimore, Maryland: The Johns Hopkins University Press. ISBN 978-0-8018-6052-2.
Morley, A. W. (1895). "Contract Trial of the United States Armored Cruiser Maine". Journal of the Society of American Engineers.
Morrison, Samuel Loring, ed. (2003). The American Battleship. Osceloa, WI: Zenith Press. ISBN 978-0-7603-0989-6.
Musicant, Ivan (1998). Empire by Default: The Spanish–American War and the Dawn of the American Century. New York: Henry Holt and Company. ISBN 978-0-8050-3500-1.
O'Toole, G. J. A. (1984). The Spanish War: An American Epic 1898. New York: W.W. Norton. ISBN 9780393018394.
Paine, Lincoln P. (2000). Warships of the World to 1900. New York: Houghton Mifflin Harcourt. ISBN 978-0-395-98414-7.
Parkinson, Roger (2008). The Late Victorian Navy: The Pre-Dreadnought Era and the Origins of the First World War. Rochester, New York: Boydell Press. ISBN 978-1-84383-372-7.
Pater, Alan F., ed. (1968). United States Battleships: The History of America's Greatest Fighting Ships. Beverly Hills, California: Monitor Book Company. LCCN 68-17423.
Peifer, Douglas Carl (2016). Choosing War. Oxford University Press. ISBN 978-0-19-026868-8.
Putnam, William Lowell (2000). Arctic Superstars. New York: Amer Alpine Club. ISBN 978-0-930410-82-7.
Reilly, John C.; Scheina, Robert L. (1980). American Battleships 1886–1923: Predreadnought Design and Construction. Annapolis, Maryland: Naval Institute Press. ISBN 978-0-87021-524-7.
Rickover, Hyman George (1995). How the Battleship Maine was Destroyed (Second Revised ed.). Annapolis, Maryland: Naval Institute Press. ISBN 978-1-55750-717-4.
"Sinking of USS Maine, 15 February 1898". Naval History & Heritage Command. US Navy Department. Retrieved 2 October 2011.
"Survivors of USS Maine". Naval History & Heritage Command. US Navy Department. 6 February 1998. Retrieved 2 October 2011.
"The Destruction of USS Maine". Naval History & Heritage Command. US Navy Department. 13 August 2003. Archived from the original on 18 August 2007. Retrieved 2 October 2011.
United States Army Corps of Engineers (1914). Final Report on Removing Wreck of USS Maine from Harbor of Habana, Cuba. Washington: United States Army Corps of Engineers.
"USS Maine (1895–1898), originally designated as Armored Cruiser # 1". Naval History & Heritage Command. US Navy Department. 17 November 1998. Archived from the original on 10 January 2015. Retrieved 2 October 2011.
Weems, John Edward (1992). The Fate of the Maine. College Station, Texas: Texas A&M University Press. ISBN 978-0-89096-501-6.
Wegner, Dana (2001). "Chapter 2: New Interpretations of How the USS Maine Was Lost". In Marolda, Edward J. (ed.). Theodore Roosevelt, the U.S. Navy and the Spanish–American War. London: Palgrave Macmillan. ISBN 978-1-1370-5501-9.
Wisan, Joseph Ezra (1965) [c. 1934]. The Cuban Crisis as Reflected in the New York Press, 1895–1898. Octagon Books. OCLC 435153688.
Further reading
Allen, Thomas B. "Remember the Maine?" National Geographic, Vol. 193, No 2 (February 1998): 92–111.
Allen, Thomas B. ed. "What Really Sank the Maine?" Naval History 11 (March/April 1998): 30–39.
Blow, Michael. A Ship to Remember: The Maine and the Spanish–American War. New York: William Morrow & Co., 1992. ISBN 978-0-688-09714-1.
Foner, Philip S. The Spanish-Cuban-American War and the Birth of American Imperialism 1895–1902. 2 Volumes, New York/London 1972 (very detailed with plenty of sources from US archives).
Samuels, Peggy and Harold. Remembering the Maine. Smithsonian Institution Press, Washington DC and London 1995 ISBN 978-1-56098-474-0.
External links
USS Maine from the Library of Congress at Flickr Commons
Hartshorn, Byron, "Visiting the USS Maine around Washington, DC"
Naval History & Heritage Command (history.navy.mil):
USS Maine
The Destruction of the USS Maine Archived 18 August 2007 at the Wayback Machine
United States Navy, Bureau of Steam Engineering, Specifications for triple-expansion twin-screw propelling machinery for U.S.S. Maine at Google Books. Retrieved 6 April 2012.
U.S.S. Maine Memorial, Arlington National Cemetery, at ArlingtonCemetery.net, 14 July 2022, an unofficial website
From spanamwar.com:
Background information on the Maine
Theories on the loss of the Maine
Official 1898 Court of Inquiry Report
How Likely was a Coal Bunker Fire Aboard the Battleship Maine?
USS Maine Pictures from the Library of Congress American Memory website
Photo gallery of Maine at NavSource Naval History – Construction – Active Service
USS Maine from NARA
Black, William F. "The Story of the Maine" in Proceedings of the Municipal Engineers of the City of New York – via Google Books |
Maine | https://en.wikipedia.org/wiki/Maine | [
228,
783
] | [
"https://en.wikipedia.org/wiki/Maine",
"https://en.wikipedia.org/wiki/Maine"
] | Maine ( MAYN) is a state in the New England region of the United States, and the northeasternmost state in the Lower 48. It borders New Hampshire to the west, the Gulf of Maine to the southeast, and the Canadian provinces of New Brunswick and Quebec to the northeast and northwest, and shares a maritime border with Nova Scotia. Maine is the largest state in New England by total area, nearly larger than the combined area of the remaining five states. Of the 50 U.S. states, it is the 12th-smallest by area, the 9th-least populous, the 13th-least densely populated, and the most rural. Maine's capital is Augusta, and its most populous city is Portland, with a total population of 68,408, as of the 2020 census.
The territory of Maine has been inhabited by Indigenous populations for about 12,000 years, after the glaciers retreated during the last ice age. At the time of European arrival, several Algonquian-speaking nations governed the area and these nations are now known as the Wabanaki Confederacy. The first European settlement in the area was by the French in 1604 on Saint Croix Island, founded by Pierre Dugua, Sieur de Mons. The first English settlement was the short-lived Popham Colony, established by the Plymouth Company in 1607. A number of English settlements were established along the coast of Maine in the 1620s, although the rugged climate and conflict with the local Indigenous people caused many to fail. As Maine entered the 18th century, only a half dozen European settlements had survived. Loyalist and Patriot forces contended for Maine's territory during the American Revolution. During the War of 1812, the largely undefended eastern region of Maine was occupied by British forces with the goal of annexing it to Canada via the Colony of New Ireland, but returned to the United States following failed British offensives on the northern border, mid-Atlantic and south which produced a peace treaty that restored the pre-war boundaries. Maine was part of the Commonwealth of Massachusetts until 1820 when it voted to secede from Massachusetts to become a separate state. On March 15, 1820, under the Missouri Compromise, Maine was admitted to the Union as the 23rd state.
Today, Maine is known for its jagged, rocky Atlantic Ocean and bayshore coastlines, mountains, heavily forested interior, and its cuisine, particularly wild lowbush blueberries and seafood such as lobster and clams. Coastal and Down East Maine have emerged as important centers for the creative economy, especially in the vicinity of Portland, which has also brought gentrification to the city and its metropolitan area.
History
The earliest known inhabitants of the territory that is now Maine were Algonquian-speaking Wabanaki peoples, including the Passamaquoddy, Maliseet, Penobscot, Androscoggin, and Kennebec. During the later King Philip's War, many of these peoples would merge in one form or another to become the Wabanaki Confederacy, aiding the Wampanoag of Massachusetts and the Mahican of New York. Afterwards, many of these people were driven from their natural territories, but most of Maine's tribes continued, unchanged, until the American Revolution. Before this point, however, most of these people were considered separate nations. Many had adapted to living in permanent, Iroquois-inspired settlements, while those along the coast tended to move from summer villages to winter villages on a yearly cycle. They would usually winter inland and head to the coasts by summer.
European contact with what is now called Maine may have started around 1200 CE when Vikings are believed to have interacted with the native Penobscot in present-day Hancock County, most likely through trade. If confirmed, this would make Maine the site of the earliest European discovery in the entire US. About 200 years earlier, from the settlements in Iceland and Greenland, the Norse first identified America and attempted to settle areas such as Newfoundland, but failed to establish a permanent settlement. Archeological evidence suggests that Vikings in Greenland returned to North America for several centuries after the initial discovery to trade and collect timber, with the most relevant evidence being the Maine Penny, an 11th-century Norwegian coin found at a Native American dig site in 1954.
The first European confirmed settlement in modern-day Maine was in 1604 on Saint Croix Island, led by French explorer Pierre Dugua, Sieur de Mons. His party included Samuel de Champlain, noted as an explorer. The French named the entire area Acadia, including the portion that later became the state of Maine. The Plymouth Company established the first English settlement in Maine at the Popham Colony in 1607, the same year as the settlement at Jamestown, Virginia. The Popham colonists returned to Britain after 14 months.
The French established two Jesuit missions: one on Penobscot Bay in 1609, and the other on Mount Desert Island in 1613. The same year, Claude de La Tour established Castine. In 1625, Charles de Saint-Étienne de la Tour erected Fort Pentagouet to protect Castine. The coastal areas of eastern Maine first became the Province of Maine in a 1622 land patent. The part of western Maine north of the Kennebec River was more sparsely settled and was known in the 17th century as the Territory of Sagadahock. A second settlement was attempted in 1623 by English explorer and naval Captain Christopher Levett at a place called York, where he had been granted 6,000 acres (24 km2) by King Charles I of England. It also failed.
The 1622 patent of the Province of Maine was split at the Piscataqua River into the Province of New Hampshire to the south and New Somersetshire to the north. A disputed 1630 patent split off the area around present-day Saco as Lygonia. Justifying its actions with a 1652 geographic survey that showed an overlapping patent, the Massachusetts Bay Colony had seized New Somersetshire and Lygonia by force by 1658. The Territory of Sagadahock between the Kennebec River and St. Croix River notionally became Cornwall County, Province of New York under a 1664 grant from Charles II of England to his brother James, at the time the Duke of York. Some of this land was claimed by New France as part of Acadia. All of the English settlements in the Massachusetts Bay Colony and the Province of New York became part of the Dominion of New England in 1686. All of present-day Maine was unified as York County, Massachusetts under a 1691 royal patent for the Province of Massachusetts Bay.
Central Maine was formerly inhabited by the Androscoggin tribe of the Abenaki nation, also known as Arosaguntacook. They were driven out of the area in 1690 during King William's War. They were relocated to St. Francis, Canada, which was destroyed by Rogers' Rangers in 1759, and is now Odanak. The other Abenaki tribes suffered several severe defeats, particularly during Dummer's War, with the capture of Norridgewock in 1724 and the defeat of the Pequawket in 1725, which significantly reduced their numbers. They finally withdrew to Canada, where they were settled at Bécancour and Sillery, and later at St. Francis, along with other refugee tribes from the south.
Maine was much fought over by the French, English, and allied natives during the 17th and 18th centuries. These natives conducted raids against settlers and each other, taking captives for ransom or, in some cases, kidnapped for adoption by Native American tribes. A notable example was the early 1692 Abenaki raid on York, where about 100 English settlers were killed and another estimated 80 taken hostage. The Abenaki took captives taken during raids of Massachusetts in Queen Anne's War of the early 1700s to Kahnewake, a Catholic Mohawk village near Montreal, where some were adopted and others ransomed.
After the British defeated the French in Acadia in the 1740s, the territory from the Penobscot River east fell under the nominal authority of the Province of Nova Scotia, and together with present-day New Brunswick formed the Nova Scotia county of Sunbury, with its court of general sessions at Campobello. American and British forces contended for Maine's territory during the American Revolution and the War of 1812, with the British occupying eastern Maine in both conflicts via the Colony of New Ireland. The territory of Maine was confirmed as part of Massachusetts when the United States was formed following the Treaty of Paris ending the revolution, although the final border with British North America was not established until the Webster–Ashburton Treaty of 1842.
Maine was physically separate from the rest of Massachusetts. Longstanding disagreements over land speculation and settlements led to Maine residents and their allies in Massachusetts proper forcing an 1807 vote in the Massachusetts Assembly on permitting Maine to secede; the vote failed. Secessionist sentiment in Maine was stoked during the War of 1812 when Massachusetts pro-British merchants opposed the war and refused to defend Maine from British invaders. In 1819, Massachusetts agreed to permit secession, sanctioned by voters of the rapidly growing region the following year.
Statehood and Missouri Compromise
Formal secession from Massachusetts and admission of Maine as the 23rd state occurred on March 15, 1820, as part of the Missouri Compromise, which geographically restricted the spread of slavery and enabled the admission to statehood of Missouri the following year, keeping a balance between slave and free states.
Maine's original state capital was Portland, Maine's largest city, until it was moved to the more central Augusta in 1832. The principal office of the Maine Supreme Judicial Court remains in Portland.
The 20th Maine Volunteer Infantry Regiment, under the command of Colonel Joshua Lawrence Chamberlain, prevented the Union Army from being flanked at Little Round Top by the Confederate Army during the Battle of Gettysburg.
Four U.S. Navy ships have been named USS Maine, most famously the armored cruiser USS Maine (ACR-1), whose sinking by an explosion on February 15, 1898, precipitated the Spanish–American War.
Geography
To the south and east is the Gulf of Maine, and to the west is the state of New Hampshire. The Canadian province of New Brunswick is to the north and northeast, and the province of Quebec is to the northwest. Maine is the northernmost and largest state in New England, accounting for almost half of the region's entire land area. Maine is the only state to border exactly one other American state. Approximately half the area of Maine lies on each side of the 45th parallel north in latitude.
Maine is the easternmost state in the Contiguous United States both in its extreme points and its geographic center. The town of Lubec is the easternmost organized settlement in the United States. Its Quoddy Head Lighthouse is also the closest place in the United States to Africa and Europe. Estcourt Station is Maine's northernmost point, as well as the northernmost point in New England. (For more information see extreme points of the United States)
Maine's Moosehead Lake is the largest lake wholly in New England, since Lake Champlain is located between Vermont, New York, and Quebec. A number of other Maine lakes, such as South Twin Lake, are described by Thoreau in The Maine Woods (1864). Mount Katahdin is the northern terminus of the Appalachian Trail, which extends southerly to Springer Mountain, Georgia, and the southern terminus of the new International Appalachian Trail which, when complete, will run to Belle Isle, Newfoundland and Labrador.
Machias Seal Island and North Rock, off the state's Downeast coast, are claimed by both Canada and the Maine town of Cutler, and are within one of four areas between the two countries whose sovereignty is still in dispute, but it is the only one of the disputed areas containing land. Also in this easternmost area in the Bay of Fundy is the Old Sow, the largest tidal whirlpool in the Western Hemisphere.
Maine is the least densely populated state east of the Mississippi River. It is called the Pine Tree State due to its largest distribution and presence of pine, including Pinus strobus and Pinus resinosa. Over 80% of its total area is forested or unclaimed, the most forest cover of any U.S. state. In the wooded areas of the interior lies much uninhabited land, some of which does not have formal political organization into local units (a rarity in New England). The Northwest Aroostook unorganized territory in the northern part of the state, for example, has an area of 2,668 square miles (6,910 km2) and a population of 10, or one person for every 267 square miles (690 km2).
Maine is in the temperate broadleaf and mixed forests biome. The land near the southern and central Atlantic coast is covered by the mixed oaks of the Northeastern coastal forests. The remainder of the state, including the North Woods, is covered by the New England–Acadian forests.
Maine has almost 230 miles (400 km) of ocean coastline (and 3,500 miles (5,600 km) of tidal coastline). West Quoddy Head in Lubec is the easternmost point of land in the 48 contiguous states. Along the famous rock-bound coast of Maine are lighthouses, beaches, fishing villages, and thousands of offshore islands, including the Isles of Shoals which straddle the New Hampshire border. There are jagged rocks and cliffs and many bays and inlets. Inland are lakes, rivers, forests, and mountains. This visual contrast of forested slopes sweeping down to the sea has been summed up by American poet Edna St. Vincent Millay of Rockland and Camden, in "Renascence":
Geologists describe this type of landscape as a "drowned coast", where a rising sea level has invaded former land features, creating bays out of valleys and islands out of mountain tops. A rise in land elevation due to the melting of heavy glacier ice caused a slight rebounding effect of underlying rock; this land rise, however, was not enough to eliminate all the effect of the rising sea level and its invasion of former land features.
Much of Maine's geomorphology was created by extended glacial activity at the end of the last ice age. Prominent glacial features include Somes Sound and Bubble Rock, both part of Acadia National Park on Mount Desert Island. Carved by glaciers, Somes Sound reaches depths of 175 feet (50 m). The extreme depth and steep drop-off allow large ships to navigate almost the entire length of the sound. These features also have made it attractive for boat builders, such as the prestigious Hinckley Yachts.
Bubble Rock, a glacial erratic, is a large boulder perched on the edge of Bubble Mountain in Acadia National Park. By analyzing the type of granite, geologists discovered that glaciers carried Bubble Rock to its present location from near Lucerne, 30 miles (48 km) away. The Iapetus Suture runs through the north and west of the state, being underlain by the ancient Laurentian terrane, and the south and east underlain by the Avalonian terrane.
Acadia National Park is the only national park in New England. Areas under the protection and management of the National Park Service include:
Acadia National Park near Bar Harbor
Appalachian National Scenic Trail
Maine Acadian Culture in St. John Valley
Roosevelt Campobello International Park on Campobello Island in New Brunswick, Canada, operated by both the U.S. and Canada, just across the Franklin Delano Roosevelt Bridge from Lubec
Saint Croix Island International Historic Site at Calais
Katahdin Woods and Waters National Monument
Lands under the control of the state of Maine include:
Maine State Parks
Maine Wildlife Management Areas (WMA)
Climate
Maine has a humid continental climate (Köppen climate classification Dfb), with warm and sometimes humid summers, and long, cold and very snowy winters. Winters are especially severe in the northern and western parts of Maine, while coastal areas are moderated slightly by the Atlantic Ocean, resulting in marginally milder winters and cooler summers than inland regions. Daytime highs are generally in the 75–85 °F (24–29 °C) range throughout the state in July, with overnight lows in the high 50s °F (around 15 °C). January temperatures range from highs near 30 °F (−1 °C) on the southern coast to overnight lows averaging below 0 °F (−18 °C) in the far north.
The state's record high temperature is 105 °F (41 °C), set in July 1911, at North Bridgton.
Precipitation in Maine is evenly distributed year-round, but with a slight summer maximum in northern/northwestern Maine and a slight late-fall or early-winter maximum along the coast due to "nor'easters" or intense cold-season rain and snowstorms. In coastal Maine, the late spring and summer months are usually driest—a rarity across the Eastern United States. Maine has fewer days of thunderstorms than any other state east of the Rockies, with most of the state averaging fewer than twenty days of thunderstorms a year. Tornadoes are rare in Maine, with the state averaging two per year, although this number is increasing. Most severe thunderstorms and tornadoes occur in the southwestern interior portion of the state, where summer temperatures are often the warmest and the atmosphere is thus more unstable compared to northern and coastal areas. Maine rarely sees the direct landfall of tropical cyclones, as they tend to recurve out to sea or are rapidly weakening by the time they reach the cooler waters of Maine.
In January 2009, a new record low temperature for the state was set at Big Black River of −50 °F (−46 °C), tying the New England record.
Annual precipitation varies from 35.8 in (909 mm) in Presque Isle to 56.7 in (1,441 mm) in Acadia National Park.
Flora and fauna
Maine exhibits a diverse range of flora and fauna across its varied landscapes, including forests, coastline, and wetlands. Forested areas consist primarily of coniferous and deciduous trees, such as balsam fir, sugar maple, and its state tree, the Eastern white pine. Coastal regions are characterized by hardy sea milkwort, sea-blight, bayberry, and the invasive rugosa rose.
Maine's terrestrial fauna comprises mammals such as moose, black bears, and white-tailed deer, along with smaller species like red squirrels, snowshoe hares, and raccoons. Maine has the largest populations of moose and black bears in the contiguous United States. Avian diversity is evident with migratory birds like piping plovers, American oystercatcher, and northern harrier, as well as resident species like black-capped chickadees, blue jays, and barred owls. Wetlands provide habitat for amphibians such as spotted salamanders, wood frogs, and toads. Freshwater habitats support fish species like brook trout, landlocked salmon, and multiple gamefish, while marine life in offshore waters includes Atlantic puffins, harbor seals, minke whales, and lobster. Maine's abundance of lobster makes the state the largest producer of lobster in the United States.
Demographics
Population
The U.S. Census Bureau estimates that the population of Maine was 1,344,212 on July 1, 2019, a 1.19% increase since the 2010 United States census. At the 2020 census, 1,362,359 people lived in the state. The state's population density is 41.3 people per square mile, making it the least densely populated state east of the Mississippi River. As of 2010, Maine was also the most rural state in the Union, with only 38.7% of the state's population living within urban areas. As explained in detail under "Geography", there are large tracts of uninhabited land in some remote parts of the interior of the state, particularly in the North Maine Woods.
The mean population center of Maine is located in Kennebec County, just east of Augusta. The Greater Portland metropolitan area is the most densely populated with nearly 40% of Maine's population. This area spans three counties and includes many farms and wooded areas; the 2016 population of Portland proper was 66,937.
Maine has experienced a very slow rate of population growth since the 1990 census; its rate of growth (0.57%) since the 2010 census ranks 45th of the 50 states. In 2021 and 2022, however, Maine had the highest proportion of arriving residents to departing residents of any state in the country, with 1.8 arrivals for every departure. The modest population growth in the state has been concentrated in the southern coastal counties; with more diverse populations slowly moving into these areas of the state. However, the northern, more rural areas of the state have experienced a slight decline in population from 2010 to 2016.
As of 2020, Maine has the highest population age 65 or older in the United States.
According to the 2010 census, Maine has the highest percentage of non-Hispanic White of any state, at 94.4% of the total population. In 2011, 89.0% of all births in the state were to non-Hispanic White parents. Maine also has the second-highest residential senior population.
According to HUD's 2022 Annual Homeless Assessment Report, there were an estimated 4,411 homeless people in Maine.
The table below shows the racial composition of Maine's population as of 2016.
According to the 2016 American Community Survey, 1.5% of Maine's population were of Hispanic or Latino origin (of any race): Mexican (0.4%), Puerto Rican (0.4%), Cuban (0.1%), and other Hispanic or Latino origin (0.6%). The six largest ancestry groups were: English (20.7%), Irish (17.3%), French (15.7%), German (8.1%), American (7.8%) and French Canadian (7.7%).
People citing that they are American are of overwhelmingly English descent, but have ancestry that has been in the region for so long (often since the 17th century) that they choose to identify simply as Americans.
Maine has the highest percentage of French Americans of any state. Most of them are of Canadian origin, but in some cases have been living there since prior to the American Revolutionary War. There are particularly high concentrations in the northern part of Maine in Aroostook County, which is part of a cultural region known as Acadia that goes over the border into New Brunswick. Along with the Acadian population in the north, many French-Canadians came from Quebec as immigrants between 1840 and 1930.
The upper Saint John River valley area was once part of the so-called Republic of Madawaska, before the frontier was decided in the Webster-Ashburton Treaty of 1842. Over a quarter of the population of Lewiston, Waterville, and Biddeford are Franco-American. Most of the residents of the Mid Coast and Down East sections are chiefly of British heritage. Smaller numbers of various other groups, including Irish, Italian, Swedish and Polish, have settled throughout the state since the late 19th and early 20th century immigration waves.
Today there are four federally recognized tribes in Maine, including the Mi'kmaq Nation. In 2020, 7,885 identified as being Native American alone, and 25,617 did in combination with one or more other races.
Birth data
Note: Births in table do not sum to 100% because Hispanics are counted both by their ethnicity and by their race.
Since 2016, data for births of White Hispanic origin are not collected, but included in one Hispanic group; persons of Hispanic origin may be of any race.
In 2018, The top countries of origin for Maine's immigrants were Canada, the Philippines, Germany, India and Korea.
Language
Maine does not have an official language, but the most widely spoken language in the state is English. The 2010 census reported 92.91% of Maine residents aged five and older spoke only English at home. French-speakers are the state's chief linguistic minority; census figures show that Maine has the highest percentage of people speaking French at home of any state: 3.93% of Maine households are French-speaking, compared with 3.45% (including Cajun and Creole) in Louisiana, which is the second highest state. Spanish is the third-most-common language in Maine, after English and French.
Religion
According to the Pew Research Center in 2014, the religious affiliations of Maine were: Protestant 37% (in particular: Evangelical Protestant 14%, Mainline Protestant 21%, Historical Black Protestant 2%), Atheism or Agnosticism 6%, Nothing in Particular 26%, Roman Catholic Church 21%, other Christians 5%, non-Christian religions including Hinduism, Islam, Buddhism and Baháʼí 7%, and Pagans and Unitarians 5%.
In 2014, the Roman Catholic Church was the largest religious denomination and the Baptists (7% Evangelical and 5% Mainline) were the state's largest Protestant denomination, followed by the Methodists (6%) and the Congregationalists (5%). The atheists and the agnostics are only 6% of the state, but 26% of Mainers said that they "Believe in God but they are Unaffiliated." Eighty-one percent of Mainers believed in God, while 3% did not know and 16% did not believe in God. Thirty-four percent of Mainers thought that religion was "very important" and 29% said that it was "important", while 21% said that religion was not important.
According to a survey through the Public Religion Research Institute in 2020, approximately 62% of the population were Christian; the religiously unaffiliated slightly increased to 33% from the separate 2014 study by the Pew Research Center. In a 2022 study by the Public Religion Research Institute, 63% of the population were Christian, and 30% were religiously unaffiliated. Among the non-Christian population in 2022, 1% were Unitarian Universalist, 5% Jewish, and 1% New Ager.
According to the Association of Religion Data Archives in 2020, with Christianity as the dominant faith, the largest denominations by number of adherents were Catholicism (219,233 members), non-denominational Protestantism (45,364), and United Methodists (19,686). According to the same study, there were an estimated 16,894 Muslims in the state.
Economy
Total employment (May 2024):
674,900
Total employer establishments (2021):
42,519
Maine's total gross state product was $91.1 billion in 2023. The state's per capita personal income for 2023 was $63,117, ranking 30th in the nation, and its median gross income was $69,543. As of September 2022, Maine's unemployment rate is 3.3%. As of September 2023, Maine's minimum wage is $13.80.
Maine's agricultural outputs include poultry, eggs, dairy products, cattle, wild blueberries, apples, maple syrup, and maple sugar. Aroostook County is known for its potato crops. Potatoes make the state $166,672,000 a year. Commercial fishing, once a mainstay of the state's economy, maintains a presence, particularly lobstering and groundfishing. While lobster is the main seafood focus for Maine, the harvest of both oysters and seaweed are on the rise. In 2015, 14% of the Northeast's total oyster supply came from Maine. In 2017, the production of Maine's seaweed industry was estimated at $20 million per year. The shrimp industry of Maine is on a government-mandated hold. With an ever-decreasing Northern shrimp population, Maine fishermen are no longer allowed to catch and sell shrimp. The hold began in 2014 and is expected to continue until 2021. Western Maine aquifers and springs are a source of bottled water for companies like Poland Spring.
Maine's industrial outputs consist chiefly of paper, lumber and wood products, electronic equipment, leather products, food products, textiles, and bio-technology. Naval shipbuilding and construction remain key as well, with Bath Iron Works in Bath and Portsmouth Naval Shipyard in Kittery.
Brunswick Landing, formerly Naval Air Station Brunswick, is also in Maine. Formerly a large support base for the U.S. Navy, the BRAC campaign initiated the Naval Air Station's closing, despite a government-funded effort to upgrade its facilities. The former base has since been changed into a civilian business park, as well as a new satellite campus for Southern Maine Community College.
Maine is the top U.S. producer of low-bush blueberries. Preliminary data from the USDA for 2012 also indicate Maine was the largest blueberry producer of the major blueberry producing states, with a total production of 91,100,000 lbs. This data includes both low (wild) and high-bush (cultivated) blueberries.
Tourism and outdoor recreation play a major and increasingly important role in Maine's economy. The state is a popular destination for sport hunting (particularly deer, moose, and bear), sport fishing, snowmobiling, skiing, boating, camping and hiking, among other activities. Along with the tourist and recreation-oriented economy, Maine has developed a burgeoning creative economy, most notably centered in the Greater Portland vicinity.
Historically, Maine ports played a key role in national transportation. Beginning around 1880, Portland's rail link and ice-free port made it Canada's principal winter port, until the aggressive development of Halifax, Nova Scotia in the mid-20th century. In 2013, 12,039,600 short tons passed into and out of Portland by sea, which places it 45th of U.S. water ports. Portland International Jetport has been expanded, providing the state with increased air traffic from carriers such as JetBlue and Southwest Airlines.
Maine has very few large companies that maintain headquarters in the state, and that number has fallen due to consolidations and mergers, particularly in the pulp and paper industry. Some of the larger companies that do maintain headquarters in Maine include Covetrus in Portland, Fairchild Semiconductor in South Portland, IDEXX Laboratories in Westbrook, Hannaford Bros. Co. in Scarborough, and L.L.Bean in Freeport. Maine is also the home of the Jackson Laboratory, the world's largest non-profit mammalian genetic research facility and the world's largest supplier of genetically purebred mice.
Taxation
Maine has an income tax structure containing two brackets, 6.5 and 7.95 percent of personal income. Before July 2013, Maine had four brackets: 2, 4.5, 7, and 8.5 percent. Maine's general sales tax rate is 5.5 percent. The state also levies charges of nine percent on lodging and prepared food and ten percent on short-term auto rentals. Commercial sellers of blueberries, a Maine staple, must keep records of their transactions and pay the state 1.5 cents per pound ($1.50 per 100 pounds) of the fruit sold each season. All real and tangible personal property located in the state of Maine is taxable unless specifically exempted by statute. The administration of property taxes is handled by the local assessor in incorporated cities and towns, while property taxes in the unorganized territories are handled by the State Tax Assessor.
Shipbuilding
Maine has a long-standing tradition of being home to many shipbuilding companies, such as Bath Iron Works and the Portsmouth Naval Shipyard. In the 18th and 19th centuries, Maine was home to many shipyards that produced wooden sailing ships. The main function of these ships was to transport either cargos or passengers overseas. One of these yards was located in Pennellville Historic District in what is now Brunswick, Maine. This yard, owned by the Pennell family, was typical of the many family-owned shipbuilding companies of the time period. Other such examples of shipbuilding families were the Skolfields and the Morses. During the 18th and 19th centuries, wooden shipbuilding of this sort made up a sizable portion of the economy.
Transportation
Airports
Maine receives passenger jet service at its two largest airports, the Portland International Jetport in Portland, and the Bangor International Airport in Bangor. Both are served daily by many major airlines to destinations such as New York, Atlanta, and Orlando. Essential Air Service also subsidizes service to a number of smaller airports in Maine, bringing small turboprop aircraft to regional airports such as the Augusta State Airport, Hancock County-Bar Harbor Airport, Knox County Regional Airport, and the Northern Maine Regional Airport at Presque Isle. These airports are served by regional providers such as Cape Air with Cessna 402s, and CommutAir with Embraer ERJ-145 aircraft.
Many smaller airports are scattered throughout Maine, serving only general aviation traffic. The Eastport Municipal Airport, for example, is a city-owned public-use airport with 1,200 general aviation aircraft operations each year from single-engine and ultralight aircraft.
Highways
Interstate 95 (I-95) travels through Maine, as well as its easterly branch I-295 and spurs I-195, I-395 and the unsigned I-495 (the Falmouth Spur). In addition, U.S. Route 1 (US 1) starts in Fort Kent and travels to Florida. The eastern terminus of the eastern section of US 2 starts in Houlton, near the New Brunswick, Canada border to Rouses Point, New York, at US 11. US 2A connects Old Town and Orono, primarily serving the University of Maine campus. US 201 and US 202 flow through the state. US 2, Maine State Route 6 (SR 6), and SR 9 are often used by truckers and other motorists of the Maritime Provinces en route to other destinations in the United States or as a short cut to Central Canada.
Rail
Passenger
The Downeaster passenger train, operated by Amtrak, provides passenger service between Brunswick and Boston's North Station, with stops in Freeport, Portland, Old Orchard Beach, Saco, and Wells. The Downeaster makes five daily trips.
Freight
Freight service throughout the state is provided by a handful of regional and shortline carriers: Pan Am Railways (formerly known as Guilford Rail System), which operates the former Boston and Maine and Maine Central railroads; St. Lawrence and Atlantic Railroad; Maine Eastern Railroad; Central Maine and Quebec Railway; and New Brunswick Southern Railway.
Shipping
Cargo
The International Marine Terminal in Portland provides shipping container transport. In 2021 an estimated 36,700 shipping containers moved through the terminal. In 2017, a total of 17,515 shipping containers were transported. The Icelandic shipping company Eimskip opened its United States headquarters in Portland in 2013. Its ships stop in Portland once a week in a route that includes Atlantic Canada and Iceland with connections to northern Europe and Asia. In 2015, the terminal moved 10,500 containers. The Maine Port Authority in 2016 began a $15.5 million expansion and improvement of the terminal. The Maine Port Authority leased the International Marine Terminal from the city of Portland in 2009.
Law and government
The Maine Constitution structures Maine's state government, composed of three co-equal branches—the executive, legislative, and judicial branches. The state of Maine also has three Constitutional Officers (the Secretary of State, the State Treasurer, and the State Attorney General) and one Statutory Officer (the State Auditor).
The legislative branch is the Maine Legislature, a bicameral body composed of the Maine House of Representatives, with 151 members, and the Maine Senate, with 35 members. The Legislature is charged with introducing and passing laws.
The executive branch is headed by the Governor of Maine (currently Janet Mills). The Governor is elected every four years; no individual may serve more than two consecutive terms in this office. The current attorney general of Maine is Aaron Frey. As with other state legislatures, the Maine Legislature can by a two-thirds majority vote from both the House and Senate override a gubernatorial veto. Maine is one of seven states that do not have a lieutenant governor.
The highest court in the state's judicial branch is the Maine Supreme Judicial Court. The lower courts are the District Court, Superior Court and Probate Court. All judges except for probate judges serve full-time, are nominated by the Governor, and confirmed by the Legislature for terms of seven years. Probate judges serve part-time and are elected by the voters of each county for four-year terms.
In a 2020 study, Maine was ranked as the 14th easiest state for citizens to vote in. In 2012, Maine became one of the first U.S. states to establish marriage rights for same-sex couples.
Politics
Maine politics are dynamic in nature, with parties loosely hung together, governors often winning by pluralities rather than majorities, and significant turnover both in members and parties in legislative districts. In his 2010 article Maine's Paradoxical Politics, Kenneth Palmer suggests that "Maine's political leaders find themselves as centrists, primarily because they want to find practical solutions to difficult problems."
The results of the elections are often varied. Maine is seen as a blue-leaning swing state, with unusually high support for independent candidates. The Republican Party have won Maine in 11 out of the past 20 presidential elections, and the governorship has been won by Democrats and independents three times each, and Republicans four times, since 1974.
Maine uses ranked choice voting in primary elections for state and federal offices, as well as in general elections for federal offices. Ranked choice voting was adopted by voters in a 2016 referendum.
Counties
Maine is divided into political jurisdictions designated as counties. Since 1860 there have been 16 counties in the state, ranging in size from 370 to 6,829 square miles (958 to 17,700 km2).
Law enforcement
Municipalities
Organized municipalities
An organized municipality has a form of elected local government which administers and provides local services, keeps records, collects licensing fees, and can pass locally binding ordinances, among other responsibilities of self-government. The governmental format of most organized towns and plantations is the town meeting, while the format of most cities is the council-manager form. As of 2022 the organized municipalities of Maine consist of 23 cities, 430 towns, and 30 plantations. Collectively these 483 organized municipalities cover less than half of the state's territory. Maine also has three Reservations: Indian Island, Indian Township Reservation, and Pleasant Point Indian Reservation.
The largest municipality in Maine, by population, is the city of Portland (pop. 68,408).
The smallest city by population is Eastport (pop. 1,288).
The largest town by population is Brunswick (pop. 21,756).
The smallest town by population is Frye Island, a resort town which reported zero year-round population in the 2000 Census; one plantation, Glenwood Plantation, also reported a permanent population of zero.
In the 2000 census, the smallest town aside from Frye Island was Centerville with a population of 26, but since that census, Centerville voted to disincorporate and therefore is no longer a town. The next smallest town with a population listed in that census is Beddington (pop. 60 at the 2020 census).
The largest municipality by land area is the town of Allagash, at 128 square miles (332 km2).
The smallest municipality by land area is Monhegan Island, at 0.86 square miles (2.2 km2). The smallest municipality by area that is not an island is Randolph, at 2.23 square miles (6 km2).
Unorganized territory
Unorganized territory (UT) has no local government. Administration, services, licensing, and ordinances are handled by the state government as well as by respective county governments who have townships within each county's bounds. The unorganized territory of Maine consists of more than 400 townships (in Maine, towns are incorporated, townships are unincorporated), plus many coastal islands that do not lie within any municipal bounds. The UT land area is slightly over half the entire area of the State of Maine. Year-round residents in the UT number approximately 9,000 (about 1.3% of the state's total population), with many more people staying there only seasonally. Only four of Maine's sixteen counties (Androscoggin, Cumberland, Waldo and York) are entirely incorporated, although a few others are nearly so, and most of the unincorporated area is in the vast and sparsely populated Great North Woods of Maine.
Most populous cities and towns
Throughout Maine, many municipalities, although each separate governmental entities, nevertheless form portions of a much larger population base. There are many such population clusters throughout Maine, but some examples from the municipalities appearing in the above listing are:
Portland, South Portland, Cape Elizabeth, Westbrook, Scarborough, and Falmouth
Lewiston and Auburn
Bangor, Orono, Brewer, Old Town, and Hampden
Biddeford, Saco and Old Orchard Beach
Brunswick and Topsham
Waterville, Winslow, Fairfield, and Oakland
Presque Isle and Caribou
Education
There are thirty institutions of higher learning in Maine. These institutions include the University of Maine, which is the oldest, largest and only research university in the state. UMaine was founded in 1865 and is the state's only land grant and sea grant college. The University of Maine is located in the town of Orono and is the flagship of Maine. There are also branch campuses in Augusta, Farmington, Fort Kent, Machias, and Presque Isle.
Bowdoin College is a liberal arts college founded in 1794 in Brunswick, making it the oldest institution of higher learning in the state. Colby College in Waterville was founded in 1813 making it the second oldest college in Maine. Bates College in Lewiston was founded in 1855 making it the third oldest institution in the state and the oldest coeducational college in New England. The three colleges collectively form the Colby-Bates-Bowdoin Consortium and are ranked among the best colleges in the United States; often placing in the top 10% of all liberal arts colleges.
Maine's per-student public expenditure for elementary and secondary schools was 21st in the nation in 2012, at $12,344.
The collegiate system of Maine also includes numerous baccalaureate colleges such as: the Maine Maritime Academy (MMA), College of the Atlantic, Unity College, and Thomas College. There is only one medical school in the state, (University of New England's College of Osteopathic Medicine) and only one law school (The University of Maine School of Law). There is one art school in the state, Maine College of Art, along with a private graduate school, Institute for Doctoral Studies in the Visual Arts, which offers a Doctor of Philosophy to visual artists.
The Maine Community College System, founded in 1985 also serves "to provide associate degree, diploma and certificate programs directed at the educational, career and technical needs of the State's citizens and the workforce needs of the State's employers." This system includes Southern Maine Community College (SMCC), York County Community College (YCCC), Central Maine Community College (CMCC), Eastern Maine Community College (EMCC), Kennebec Valley Community College (KVCC), Northern Maine Community College (NMCC), and Washington County Community College (WCCC).
Private schools in Maine are funded independently of the state and its furthered domains. Private schools are less common than public schools. A large number of private elementary schools with under 20 students exist, but most private high schools in Maine can be described as "semi-private".
Maine also has Vocational Schools, such as the Biddeford Regional Center of Technology and Sanford Regional Technical Center that teach trades such as welding, construction and vehicle repair to students.
Culture
Agriculture
Maine was a center of agriculture before it achieved statehood. Prior to colonization, Wabanaki nations farmed large crops of corn and other produce in southern Maine.
Maine was a center of grain production in the 1800s, until grain production moved westward. However, in the early 2000s the local food movement spurred renewed interested in locally grown grains. In 2007, the Kneading Conference was founded. In, 2012, the Skowhegan grist mill Maine Grains opened. The revival of grain farming and milling in Maine has led to the creation of other businesses, including bakeries and malthouses.
Maine has many vegetable farms and other small, diversified farms. In the 1960s and 1970s, the book "Living the Good Life" by Helen Nearing and Scott Nearing caused many young people to move to Maine and engage in small-scale farming and homesteading. These back-to-the-land migrants increased the population of some counties.
Maine is home to the Maine Organic Farmers and Gardeners Association and had 535 certified organic farms in 2019.
Festivals
Maine has multiple fairs and festivals that are held annually, which include La Kermesse, a celebration of the state's French and French Canadian heritage, the Fryeburg Fair, the Cumberland Fair, the Union Fair, the Common Ground Country Fair, a number of Old Home Days festivals, and a number of Portland Food Festivals.
Food
Along with the growth of the local food movement over the last several decades, Maine has received national recognition for its food and restaurant scene. Portland was named Bon Appetit magazine's Restaurant City of the Year in 2018. In 2018, HealthIQ.com named Maine the 3rd most vegan-friendly state. Biddeford was selected by Food & Wine in 2022 as one of America's next great food cities.
Maine food shares many ingredients with Wabanaki cuisine, including corn, beans, squash, wild blueberries, maple syrup, fish, and seafood. By 1902, the Maine Italian sandwich had been invented in Portland. Sandwich shops across Maine serve the sandwiches. Baked beans are a common dish in Maine, served at community suppers where the beans are sometimes cooked underground in a bean hole. In New England, Maine baked beans are one of two well-known regional styles of baked beans, the other being Boston baked beans. Maine baked beans use thicker skinned, native bean varieties such like Marafax, soldier, and yellow-eye beans. From 1913 until 2021, baked beans were canned on the Portland waterfront at the B&M Baked Beans factory.
Sports teams
Professional
Maine Celtics, basketball, NBA G League
Portland Sea Dogs, minor league baseball, Double-A Northeast
Maine Mariners, ice hockey, ECHL
Upcoming
Portland Hearts of Pine, soccer, USL League One, to begin play in 2025
Non-professional
Portland Phoenix FC, soccer, Premier Developmental League
Maine Roller Derby, roller derby, Women's Flat Track Derby Association
NCAA
Maine Black Bears
Husson Eagles
Maine Maritime Mariners
Bates Bobcats
Colby Mules
Bowdoin Polar Bears
New England Nor'easters
USCAA
York County Community College
University of Maine at Augusta
Terminology
Maine maintains some vernacular and terminology that is unique in comparison to the rest of the country. Some of these include:
"From away" - A non-native person of Maine.
"Upta camp" - Going to a more out-of-the-way, rustic place. Popularized by Bob Marley after his special of the same name.
"Ayuh" - An affirmative response, like "Yes".
People from Maine
Citizens of Maine are often known as Mainers. The term Downeaster may be applied to residents of the northeast coast of the state. The term Mainiac is considered by some to be derogatory, but is embraced with pride by others, and is used for a variety of organizations and for events such as the YMCA Mainiac Sprint Triathlon & Duathlon.
See also
Index of Maine-related articles
Outline of Maine
Maine portal
New England portal
United States portal
References
Notes
Citations
External links
State government
Maine government
Maine Office of Tourism Search for tourism-related businesses
Visit Maine (agriculture) Maine fairs, festivals, etc.—Agricultural Dept.
U.S. government
Maine State Guide, from the Library of Congress
U.S. EIA Energy Profile for Maine—economic, environmental and energy data
U.S. Geological Survey Real-time, geographic, and other scientific resources of Maine
U.S. Dept. of Agriculture Maine State Facts—agricultural
U.S. Census Bureau Quick facts on Maine
Portland Magazine Editorial on Maine news, events, and people
Information
Maine at Curlie
Maine Historical Society
Old USGS maps of Maine.
1860 Map of Maine by Mitchell.
1876 Panoramic Birdseye View of Portland by Warner at LOC.,
Geographic data related to Maine at OpenStreetMap |
List_of_first_ladies_of_the_United_States | https://en.wikipedia.org/wiki/List_of_first_ladies_of_the_United_States | [
228
] | [
"https://en.wikipedia.org/wiki/List_of_first_ladies_of_the_United_States"
] | The first lady of the United States is the hostess of the White House. The position is traditionally filled by the wife of the president of the United States, but, on occasion, the title has been applied to women who were not presidents' wives, such as when the president was a bachelor or widower, or when the wife of the president was unable to fulfill the duties of the first lady. The first lady is not an elected position; it carries no official duties and receives no salary. Nonetheless, she attends many official ceremonies and functions of state either along with or in place of the president. Traditionally, the first lady does not hold outside employment while occupying the office, although Eleanor Roosevelt earned money writing and giving lectures, but gave most of it to charity, and Jill Biden has maintained her regular job as an educator during her time in the role. The first lady has her own staff, including the White House social secretary, the chief of staff, the press secretary, the chief floral designer, and the executive chef. The Office of the First Lady is also in charge of all social and ceremonial events of the White House, and is a branch of the Executive Office of the President.
There have been total of 54 first ladies including 43 official and 11 acting, within 46 first ladyships. This discrepancy exists because some presidents had multiple first ladies. Following Joe Biden's inauguration on January 20, 2021, his wife, Jill Biden, became the 43rd official first lady.
There are four living former first ladies: Hillary Clinton, married to Bill Clinton; Laura Bush, married to George W. Bush; Michelle Obama, married to Barack Obama; and Melania Trump, married to Donald Trump. The most recent first lady to die was Rosalynn Carter, married to Jimmy Carter. The first first lady was Martha Washington, married to George Washington. Presidents John Tyler and Woodrow Wilson had two official first ladies; both remarried during their presidential tenures. The wives of four presidents died before their husbands were sworn into office but are still considered first ladies by the White House and National First Ladies' Library: Martha Wayles Skelton, married to Thomas Jefferson; Rachel Jackson, married to Andrew Jackson; Hannah Van Buren, married to Martin Van Buren; and Ellen Lewis Herndon Arthur, married to Chester A. Arthur. One woman who was not married to a president is still considered an official first lady: Harriet Lane, niece of bachelor James Buchanan. The other non-spousal relatives who served as White House hostesses are not recognized by the First Ladies' Library.
In 2007, the United States Mint began releasing a set of half-ounce $10 gold coins under the First Spouse Program with engravings of portraits of the first ladies on the obverse. When a president served without a spouse, a gold coin was issued that bears an obverse image emblematic of Liberty as depicted on a circulating coin of that era and a reverse image emblematic of themes of that president's life. This is true for the coins for Thomas Jefferson, Andrew Jackson, Martin Van Buren, and James Buchanan's first ladies, but not the coin for Chester A. Arthur's first lady, which instead depicts suffragette Alice Paul.
Current living first ladies
Living first ladies as of October 2024 (from oldest to youngest):
List
This list includes all persons who served as first ladies, regardless of whether they were married to the incumbent president or not, as well as persons who are considered first ladies by the official White House website and the White House Historical Association. It is sorted by the name the first ladies were commonly known as.
Other spouses of presidents of the United States
Certain spouses of presidents of the United States are not considered first ladies of the United States.
Four presidents were widowed prior to their presidencies:
Thomas Jefferson was married to Martha Wayles from 1772 until her death in 1782.
Andrew Jackson was married to Rachel Donelson from 1794 until her death in 1828.
Martin Van Buren was married to Hannah Hoes from 1807 until her death in 1819.
Chester A. Arthur was married to Ellen Lewis Herndon from 1859 until her death in 1880.
Two presidents were widowed and remarried prior to their presidencies:
Theodore Roosevelt was married to Alice Hathaway Lee from 1880 until her death in 1884. He was subsequently married to Edith Carow from 1886 to his death in 1919.
Joe Biden was married to Neilia Hunter from 1966 until her death in 1972. He has subsequently been married to Jill Jacobs since 1977.
Two presidents were divorced and remarried prior to their presidencies:
Ronald Reagan was married to Jane Wyman from 1940 until 1949. He was subsequently married to Nancy Davis from 1952 to his death in 2004.
Donald Trump was married to Ivana Zelníčková from 1977 until 1992 and to Marla Maples from 1993 until 1999. He has subsequently been married to Melania Knauss since 2005.
Two presidents remarried after their presidencies:
Millard Fillmore was married to Caroline Carmichael McIntosh from 1858 until his death in 1874.
Benjamin Harrison was married to Mary Scott Lord Dimmick, the niece of his first wife, from 1896 until his death in 1901.
See also
Bibliography of United States presidential spouses and first ladies
Second ladies and gentlemen of the United States
First family of the United States
List of children of presidents of the United States
List of current United States first spouses
List of memoirs by first ladies of the United States
List of presidents of the United States
List of First Lady of the United States firsts
Spouse of the prime minister of Canada
First Lady of Mexico
Category:Acting first ladies of the United States
Notes
References
External links
The First Ladies – White House
Biographies of the First Ladies of the United States of America – National First Ladies' Library
First Ladies National Historic Site |
List_of_Major_League_Baseball_career_home_run_leaders | https://en.wikipedia.org/wiki/List_of_Major_League_Baseball_career_home_run_leaders | [
229
] | [
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] | This is a list of the 300 Major League Baseball players who have hit the most career home runs in regular season play (i.e., excluding playoffs or exhibition games).
In the sport of baseball, a home run is a hit in which the batter scores by circling all the bases and reaching home plate in one play, without the benefit of a fielding error. This can be accomplished either by hitting the ball out of play while it is still in fair territory (a conventional home run) or by an inside-the-park home run.
Barry Bonds holds the Major League Baseball home run record with 762. He passed Hank Aaron, who hit 755, on August 7, 2007. The only other players to have hit 700 or more are Babe Ruth with 714, and Albert Pujols with 703. Alex Rodriguez (696), Willie Mays (660), Ken Griffey Jr. (630), Jim Thome (612), and Sammy Sosa (609) are the only other players to have hit 600 or more. Giancarlo Stanton is the active home run leader with 429.
Players in bold face are active as of the 2025 Major League Baseball season (including free agents), with the number in parentheses designating the number of home runs they have hit during the 2025 season. The last change in the cutoff for the top 300 occurred on September 22, 2024 when Jose Altuve hit his 229th career home run, tying Nomar Garciaparra and Jayson Werth.
Key
List
Stats updated as of 2024 Season.
See also
500 home run club
600 home run club
List of Major League Baseball annual home run leaders
List of Major League Baseball progressive career home runs leaders
List of Major League Baseball single-game home run leaders
Notes
References
External links
MLB Official Career Home Run List
Career Leaders & Records for Home Runs
Active Leaders for Home Runs |
List_of_Major_League_Baseball_career_runs_batted_in_leaders | https://en.wikipedia.org/wiki/List_of_Major_League_Baseball_career_runs_batted_in_leaders | [
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] | [
"https://en.wikipedia.org/wiki/List_of_Major_League_Baseball_career_runs_batted_in_leaders"
] | This is a list of Major League Baseball players who have compiled 1,000 runs batted in (RBIs). RBIs are usually accumulated when a batter in baseball enables a runner on base (including himself, in the case of a home run) to score as a result of making contact at-bat (except in certain situations, such as when an error is made on the play or during a double play). A batter is also credited with an RBI if he reaches first base with the bases loaded via a base on balls (walk), being hit by a pitch, or interference.
As of September 22, 2024, Freddie Freeman is the active leader in career RBIs and is 145th overall with 1,232.
MLB's official list does not include RBIs accumulated before 1920 when runs batted in became an official statistic. The list on this page is compiled from Baseball-Reference, which credits RBIs from 1907 to 1919 as recorded by baseball writer and historian Ernest Lanigan. One difference between the lists is that Babe Ruth is ranked third by Baseball Reference, but seventh by MLB, which does not count Ruth's 224 RBI compiled before 1920.
Key
List
Stats updated as of the end of the 2024 season.
Through the end of the 2024 season, these active players have at least 850 RBIs.
Bryce Harper (976) 0 in 2025
Anthony Rizzo (965) 0 in 2025
José Abreu (960) 0 in 2025
Mike Trout (954) 0 in 2025
Salvador Pérez (916) 0 in 2025
Marcell Ozuna (880) 0 in 2025
José Ramírez (864) 0 in 2025
Notes
References
External links
"Career Leaders & Records for RBI". Baseball-Reference.com.
MLB official list
Major League Baseball ESPN |
List_of_Major_League_Baseball_career_hits_leaders | https://en.wikipedia.org/wiki/List_of_Major_League_Baseball_career_hits_leaders | [
229
] | [
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] | Listed are all Major League Baseball players who have reached the 2,000 hit milestone during their career in MLB. Pete Rose holds the Major League record for most career hits, with 4,256. Rose and Ty Cobb, second most, are the only players with 4,000 or more career hits. George Davis was the first switch hitter to collect 2,000 hits, achieving that total during the 1902 season.
Players with 2,000 or more hits
Stats updated as of the end of the 2024 season.
Other active players with 1,800 or more hits through the end of the 2024 season.
Manny Machado (1,900) 0 in 2025
Nolan Arenado (1,826) 0 in 2025
See also
List of Nippon Professional Baseball career hits leaders
List of KBO career hits leaders
Notes
References
Specific
External links
Baseball Reference
MLB official list
Retrosheet - Ty Cobb |
Gold_Glove_Award | https://en.wikipedia.org/wiki/Gold_Glove_Award | [
229
] | [
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] | The Rawlings Gold Glove Award, usually referred to as simply the Gold Glove or Golden Glove, is the award given annually to the Major League Baseball (MLB) players judged to have exhibited superior individual fielding performances at each fielding position in both the National League (NL) and the American League (AL). The Gold Glove is widely considered one of the most prestigious defensive awards in baseball.
Winners for position awards are determined from voting by the managers and coaches in each league, who are not permitted to vote for their own players. Additionally, a sabermetric component provided by the Society for American Baseball Research (SABR) accounts for about 25 percent of the vote. For the utility player awards, the sabermetric component and other defensive statistics are exclusively used to select the winners, without any voting by coaches.
In 1957, the baseball glove manufacturer Rawlings created the Gold Glove Award to commemorate the best fielding performance at each position. Winners receive a glove made from gold lamé-tanned leather and affixed to a walnut base. In the inaugural year, one Gold Glove was awarded to the top fielder at each position in MLB; since 1958, separate awards have been given to the top fielders in each league. In 2020, Rawlings began issuing a Gold Glove Award for team defense, with one recipient each in the American and National Leagues. Starting in 2022, a Gold Glove Award in each league has been awarded to a utility player.
For 2016–2019, a Gold Glove was also awarded each year to one fastpitch softball player in the National Pro Fastpitch league.
History
For the first four seasons of the award (1957 to 1960), individual awards were presented to left fielders, center fielders, and right fielders. From 1961 through 2010, the phrase "at each position" was no longer strictly accurate, since the prize was presented to three outfielders irrespective of their specific position. Any combination of outfielders, often three center fielders, could win the award in the same year. Critics called for awarding a single Gold Glove for each individual outfield position, arguing that the three outfield positions are not equivalent defensively. Starting in 2011, separate awards for each outfield position were once again presented. In the 1985 American League voting, a tie for third-place resulted in the presentation of Gold Glove Awards to four outfielders (Dwayne Murphy, Gary Pettis, Dwight Evans and Dave Winfield); this scenario was repeated in the National League in 2007 (Andruw Jones, Carlos Beltrán, Aaron Rowand, and Jeff Francoeur).
Criticism
Before the involvement of the Society for American Baseball Research (SABR) in the voting process in 2013, The Boston Globe writer Peter Abraham argued the Fielding Bible Awards "are far more accurate (and accountable)" than the Gold Glove awards since statistics are used along with the opinions of an expert panel. The Gold Gloves are selected by managers and coaches who may have seen a player as few as six times during the season. Naturally, statistics can be contentious, and there is still no universally agreed system of fielding stats (even with advanced metrics) in 2024; moreover, a manager gets to see each team in their league during a season, and can indeed form an opinion over that span of whom they felt was the best fielder at each position.
Bill Chuck of Comcast SportsNet New England claimed that Gold Glove voters frequently counted only errors to determine winners. Geoff Baker of The Seattle Times maintained the votes for the Gold Gloves rely largely on a player's past reputation. The Associated Press proposed that "some fans have viewed the Gold Gloves as mostly a popularity contest, even suggesting that a player's performance at the plate helped draw extra attention to his glove." After winning the AL Gold Glove at first base in both 1997 and 1998, Rafael Palmeiro won again in 1999 with the Texas Rangers while only appearing in 28 games as a first baseman; he played in 128 games as a designated hitter that season, resulting in a controversy. Derek Jeter, winner of five Gold Gloves, believes that many defensive factors cannot be quantified. In 2013, Rawlings collaborated on the Gold Glove Award with SABR, who provided the SABR Defensive Index (SDI) to add a sabermetric component to the selection process. The index accounted for 25 percent of the vote, while managers and coaches continued to provide the majority. Afterwards, Jay Jaffe of Sports Illustrated wrote that the Gold Gloves "appear to have significantly closed the gap on their more statistically driven counterparts." SABR and FiveThirtyEight believed that the impact to the voting results by SDI, which is also included on the voters' ballots, went beyond its own 25% weight and also influenced the managers' and coaches' voting.
Multiple winners
The most Gold Gloves ever won by one player is 18 by pitcher Greg Maddux. He won 13 consecutive awards from 1990 to 2002, all in the National League. Brooks Robinson has the most wins for a position player, with 16 Gold Gloves, all at third base, and is tied for the second-highest total overall with pitcher Jim Kaat; both players won their 16 awards consecutively. Iván Rodríguez has won the most Gold Gloves as a catcher, with 13 career awards in the American League. Ozzie Smith has 13 wins at shortstop; he and Rodríguez are tied for the fourth-highest total among all winners. Among outfielders, Roberto Clemente and Willie Mays, who played primarily right field and center field, respectively, are tied for the lead with 12 Gold Gloves. Keith Hernandez, the leader at first base, has won 11 times, and Roberto Alomar leads second basemen with 10 wins. Other players with 10 or more wins include shortstop Omar Vizquel (11), catcher Johnny Bench (10), third basemen Mike Schmidt (10), and Nolan Arenado (10) and outfielders Ken Griffey Jr., Ichiro Suzuki, Andruw Jones, and Al Kaline (10 each).
The only player to win Gold Gloves as an infielder and outfielder is Darin Erstad, who won Gold Gloves as an outfielder in 2000 and 2002 and as a first baseman in 2004, all with the Anaheim Angels. The only other player to win Gold Gloves at multiple positions is Plácido Polanco, who won at second base (2007, 2009 AL) and third base (2011 NL). Family pairs to win Gold Gloves include brothers Ken and Clete Boyer (third base), brothers Sandy Alomar Jr. (catcher) and Roberto Alomar (second base), Bengie and Yadier Molina (catcher), father and son Bobby and Barry Bonds (outfield), and father and son Bob (catcher) and Bret Boone (second base).
The 2021 St. Louis Cardinals hold the record for most Gold Gloves by a single team in a single season with five. They also won the team Gold Glove for the National League in the same year.
Winners by Year
^LF won as a left fielder
^CF won as a center fielder
^RF won as a right fielder
All-time Gold Glove Team
On February 20, 2007, Major League Baseball and Rawlings announced that an all-time Gold Glove Team would be named during the 50th anniversary of the first Gold Glove Awards. Rawlings asked 70 baseball reporters, former players, and former managers to select 50 names for the ballot, from an initial selection of 250 names. The team was selected by fans, who voted at the Rawlings Gold Glove website, at United States Postal Service offices, and at sporting goods stores. The results were announced at the 2007 Major League Baseball All-Star Game.
Teammates
Middle infield duos
In the history of the Gold Glove Award, there have been twelve double-play combinations, or pairs of middle infielders, that have won awards in the same year. Shortstops and second basemen depend upon each other for the majority of double plays. The most common type of double play occurs with a runner on first base and a ground ball hit towards the middle of the infield. The player fielding the ball (generally the shortstop or second baseman) throws to the fielder covering second base, who steps on the base before the runner from first arrives to force that runner out, and then throws the ball to the first baseman to force out the batter for the second out. Mark Belanger won four Gold Gloves with the Baltimore Orioles alongside winning partner Bobby Grich, and Joe Morgan paired with Dave Concepción for four combination wins with the Cincinnati Reds. The most recent teammates to accomplish the feat are Dansby Swanson and Nico Hoerner, who won with the Chicago Cubs in 2023.
† = Hall of Fame
Batteries
Since 1957, there have been five Gold Glove batteries. The pitcher and catcher, collectively known as the battery, are the only two players on the field involved in every pitch. In particular, the pitcher and catcher control the running game with tools such as pickoffs or the strength of the catcher's throwing arm. The first pitcher and catcher on the same team to win Gold Gloves in the same year were Jim Kaat and Earl Battey, with the Minnesota Twins in 1962. Only two pairs of batterymates have won Gold Gloves together more than once: Iván Rodríguez and Kenny Rogers won with the Texas Rangers in 2000, and again with the Detroit Tigers in 2006. Yadier Molina and Adam Wainwright matched the feat, winning in both 2009 and 2013.
Platinum Glove Award
In 2011, Rawlings added an annual Platinum Glove Award awarded to the best defensive player in each league, as selected by fans from the year's Gold Glove winners. Numbers after a player's name indicate that he has won the award multiple times.
National Pro Fastpitch
In 2016, Rawlings announced it would begin awarding a gold glove annually to a female fastpitch softball player in the National Pro Fastpitch (NPF) league.
NPF coaches and managers vote for a winner (excluding those on their respective teams). This award is in addition to the collegiate and high school awards added in 2007, the 50th anniversary of the inaugural Gold Glove Awards.
See also
Silver Slugger Award - the offensive counterpart to the award
Wilson Defensive Player of the Year Award
Esurance MLB Awards – Best Defensive Player
Rawlings Woman Executive of the Year Award – a minor league award also presented by Rawlings
Baseball awards § United States
Notes
References
External links
MLB Awards (Gold Glove Winners) Archived 2007-03-02 at the Wayback Machine
Rawlings Gold Glove Award website Archived 2007-02-19 at the Wayback Machine |
2002_World_Series | https://en.wikipedia.org/wiki/2002_World_Series | [
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"https://en.wikipedia.org/wiki/2002_World_Series#Composite_box"
] | The 2002 World Series was the championship series of Major League Baseball (MLB)'s 2002 season. The 98th edition of the World Series, it was a best-of-seven playoff between the American League (AL) champion Anaheim Angels and the National League (NL) champion San Francisco Giants; the Angels defeated the Giants, four games to three, to win their first, and, to date, only World Series championship. The series was played from October 19–27, 2002, at Pacific Bell Park in San Francisco and Edison International Field of Anaheim in Anaheim.
This was the first World Series since the 1995 inception of the wild card in MLB (and the last until 2014) in which both wild card teams would vie for the title. The Angels finished the regular season in second place in the AL West division. They defeated the four-time defending AL champion New York Yankees, three games to one, in the best-of-five AL Division Series, and in doing so won their first postseason series in franchise history. They then defeated the Minnesota Twins, four games to one, in the best-of-seven AL Championship Series to advance to the World Series, another first in franchise history. The Giants finished the regular season in second place in the NL West division. They defeated the Atlanta Braves in the NL Division Series and the St. Louis Cardinals in the NL Championship Series to advance to the World Series, giving the team their 20th NL pennant and 17th appearance in the Fall Classic but only their third since moving from New York City to San Francisco in 1958.
The series was the fourth World Series played between two teams from California, after 1974, 1988, and 1989, and the latest Fall Classic that featured teams from the same city or state (since 2000 between cross-town rivals Mets and Yankees). Barry Bonds, Reggie Sanders, and J. T. Snow each hit home runs to help propel the Giants to win Game one. Game two was a high-scoring affair that the Angels ultimately won on Tim Salmon's eighth-inning home run. The Angels routed the Giants in Game three, but lost Game four on a tie-breaking eighth-inning single by the Giants' David Bell. The Giants brought the Angels to the brink of elimination by winning Game five in a blowout. The Giants were eight outs away from winning the Series in Game six, but late game home runs by Scott Spiezio and Darin Erstad, as well as a two-RBI double by Troy Glaus helped the Angels overcome a five-run, seventh-inning deficit to win. A three-run double by Garret Anderson was the difference in the Angels' Game seven win to clinch the series. Glaus was named the World Series Most Valuable Player. The two teams set a record for combined most home runs in a World Series (21), which stood until 2017.
Background
This was the fourth World Series played between two teams from California and the last World Series as of today involving two teams from the same state (since 2000 between cross-town rivals New York Mets and New York Yankees). The 1974 World Series saw the Oakland Athletics defeat the Los Angeles Dodgers; the 1988 series saw the Los Angeles Dodgers getting revenge by defeating the Oakland Athletics. In 1989 the San Francisco Giants were defeated by the Oakland Athletics. The managers of the two clubs, Mike Scioscia of the Angels and Dusty Baker of the Giants, were teammates on the Dodgers from 1980 to 1983, and won a World Series in 1981. This was the first World Series to feature opposing managers who had been teammates on a World Championship team as players.
San Francisco Giants
Since their 1958 move from New York City to San Francisco, the Giants franchise and its fans had a long history of futility, frustration, and disappointment. The Giants had won their last World Series crown before the move, in 1954. Since the move, the Giants made it to the World Series twice but lost both times. These included a dramatic, down-to-the-wire loss to the New York Yankees in the seven-game classic 1962 World Series, and a four-game sweep by their crosstown rival Oakland Athletics in the 1989 World Series that was marred by the Loma Prieta earthquake. Their most recent postseason appearance was in 2000, when they were defeated by the New York Mets in the NLDS. In addition, the Giants narrowly missed winning the National League pennant in 1959, 1964, 1965 and 1966. They finished in second place five years in a row from 1965 to 1969 and lost the 1971 National League Championship Series to the Pittsburgh Pirates.
2002 was Dusty Baker's tenth season as manager of the Giants. It was also their third season playing at Pacific Bell Park (now Oracle Park). The Giants finished the previous season with a record of 90–72, finishing in second place in the National League West, two games behind the Arizona Diamondbacks. They also finished in second place in the NL wild card standings, three games behind the St. Louis Cardinals. Notable player departures included 2001 midseason acquisition Andrés Galarraga, who departed as a free agent, and Shawn Estes, who was traded to the New York Mets in exchange for Tsuyoshi Shinjo and Desi Relaford. Notable player acquisitions included Reggie Sanders, a free agent, and David Bell, who the Giants received from the Seattle Mariners in exchange for Desi Relaford and cash. During the season the Giants also acquired Kenny Lofton from the Chicago White Sox in exchange for two minor leaguers. Sanders, Bell, Shinjo, and Lofton helped bolster a Giants offense led by longtime Giants Barry Bonds, J. T. Snow, Rich Aurilia, and Jeff Kent, as well as relative newcomer Benito Santiago. The starting pitching rotation was led by Kirk Rueter and Jason Schmidt, with a bullpen led by Tim Worrell and closer Robb Nen.
During the 2002 regular season, the Giants led the NL West standings for most of April and a few days in May; however, by the end of May they had fallen to third place behind the Los Angeles Dodgers and Arizona Diamondbacks. They spent most of the next three months in third place, but on September 9 they took second place for good, while the Dodgers either tied them or fell to third place for the rest of the season. The Giants finished the regular season with a record of 95–66, 2+1⁄2 games behind the NL West champion Diamondbacks. They won the NL wild card, 3+1⁄2 games ahead of the runner-up Dodgers.
In the 2002 postseason, the wild-card Giants' first opponent was the top-seeded Atlanta Braves, who they defeated in five games to return to the NLCS for the first time since 1989. In the NLCS, the Giants defeated the #3 seed St. Louis Cardinals in five games to advance to the World Series for the 17th time in franchise history. Dusty Baker became the first black manager to participate in a World Series since Cito Gaston for Toronto in 1992 and 1993.
This was Giants' outfielder Reggie Sanders' second consecutive World Series appearance with different teams—in 2001 he got there with the Arizona Diamondbacks. This was the first time this happened since Don Baylor did it in three consecutive years with the Boston Red Sox in 1986, the Minnesota Twins in 1987, and with the Oakland Athletics in 1988.
Anaheim Angels
Like the Giants, the Angels and their fans carried a long history of futility and disappointment. Enfranchised in 1961, the Angels had never before played in the World Series. They came close several times, including ALCS losses in 1979 to the Baltimore Orioles, 1982 to the Milwaukee Brewers, and in 1986 to the Boston Red Sox. After dropping the 1979 ALCS in four games, the Angels brought their opponents to the brink of elimination in each of those last two series, before losing the next three consecutive games and the series. The 1986 ALCS, in which the Angels were as close as 1 strike away from the World Series, was the Angels' latest postseason appearance, though they came close in 1995 when they lost a one-game tie-breaker for the AL West championship to the Seattle Mariners after blowing a 14-game lead in the standings.
2002 was the Angels' third season under manager Mike Scioscia. The Angels finished the previous injury marred season with a record of 75–87, finishing in third place in the AL West. The most notable personnel change during the offseason was the trade of first baseman Mo Vaughn to the New York Mets in exchange for pitcher Kevin Appier. Offensively, the team was led by longtime Angels Garret Anderson, Darin Erstad, Troy Glaus and Tim Salmon, as well as relative newcomers Adam Kennedy and David Eckstein. The starting pitching rotation was led by Ramón Ortiz and Jarrod Washburn, as well as mid-season call-up John Lackey, while the bullpen was led by setup man Brendan Donnelly and closer Troy Percival. The bullpen was bolstered in late September by the addition of 20-year-old reliever prospect Francisco Rodriguez.
The Angels spent much of the season trailing the first-place Seattle Mariners and on occasion the Oakland Athletics in the AL West standings. However, the Athletics and Angels both mounted late-season comebacks that, coupled with a poor August record for the Mariners, knocked the Mariners down to third place. The Athletics won 20 straight games at one point, and the Angels finished the season in second place with a 99–63 record, four games behind the Athletics, but won the AL wild card, six games ahead of the Boston Red Sox and Seattle Mariners. Their 99 wins was third best in the A.L. and fourth best in baseball.
In the 2002 postseason, the wild-card Angels first faced off against the overall #1 seed and four-time defending American League champion New York Yankees in the ALDS. The Angels shocked the four-time defending AL champions in four games to return to the ALCS for the first time since 1986. Their opponent in the ALCS was the third-seeded Minnesota Twins, who they defeated in five games to advance to the World Series for the first time in franchise history.
Summary
Anaheim won the series, 4–3.
Matchups
Game 1
San Francisco won 4–3 at Edison International Field of Anaheim (now Angel Stadium of Anaheim) to take a 1–0 series lead. As he strode into the batter's box to open the second inning, Barry Bonds was finally making his first (and only) World Series appearance; in his first at bat on a 2–1 pitch from Angels starter Jarrod Washburn, Bonds smoked a line drive for a home run to right field, which gave the Giants a quick 1–0 lead. Reggie Sanders then followed that up with an opposite-field homer later in the inning. With the Giants leading 2–1 in the fifth, Giants batter J. T. Snow (who formerly played for the Angels) hit a two-run shot over the center field wall after Sanders singled to give San Francisco a three-run advantage. Eventual Series MVP Troy Glaus hit two home runs for the Angels, one in the second and another in the sixth off Giants starter Jason Schmidt. Adam Kennedy drove in a run with a base hit in the sixth as well to trim the deficit to 4–3. However, Schmidt was effective otherwise, along with reliever Félix Rodríguez and closer Robb Nen, as they held off the Halos the rest of the way.
Game 2
Game 2 was a slugfest that saw the lead fluctuate wildly between the two teams. The Angels plated five runs in the first inning by batting around against Giants starting pitcher Russ Ortiz. David Eckstein singled to lead off and scored on Darin Erstad's double. After Tim Salmon singled, Garret Anderson's RBI single made it 2–0 Angels. After Troy Glaus flew out, consecutive RBI singles by Brad Fullmer and Scott Spiezio made it 4–0 Angels. Fullmer stole home plate for the Angels' fifth run of the inning.
In the second inning, however, Kevin Appier surrendered most of the lead by allowing a three-run homer to Sanders followed by a shot to David Bell. The Angels answered with a two-run home run from veteran Tim Salmon to make it 7–4 in the Angels' favor. Ortiz would not finish the inning and was relieved by Chad Zerbe, who provided four innings of relief.
Appier did not last much longer than Ortiz, as he was pulled in the third and replaced by John Lackey, the Angels scheduled starter for Game 4, after surrendering a lead-off home run to Jeff Kent. Lackey temporarily quieted the Giants' offense but ran into trouble in the fifth inning, allowing a double and intentional walk. Ben Weber relieved him but allowed a single to Benito Santiago to load the bases, then a two-run single to J. T. Snow that tied the game. After Reggie Sanders struck out, consecutive RBI singles by David Bell and Shawon Dunston gave the Giants a 9–7 lead.
The Angels turned to 20-year-old rookie reliever Francisco Rodriguez, who answered by shutting down the Giants offense for the next three innings. He retired nine batters in a row on 25 pitches (22 were strikes). Meanwhile, the Angels chipped away at their deficit. In the bottom of the fifth, Glaus and Fullmer hit back-to-back leadoff singles before the former scored on Spezio's sacrifice fly. Next inning, Erstad doubled with two outs. Zerbe was relieved by Jay Witasick, who walked Tim Salmon. Aaron Fultz relieved Witasick and allowed an RBI single to Anderson to tie the game, but Salmon was thrown out at third to end the inning.
Salmon drilled a two-run home run with two outs in the eighth inning off of Félix Rodríguez, giving Anaheim an 11–9 lead. Closer Troy Percival retired the first two batters in the ninth, and, after allowing a mammoth shot from Bonds that landed halfway up the right field bleachers, retired Benito Santiago to even the series.
Bonds became the first player since Ted Simmons in the 1982 World Series to hit a home run in his first two World Series games, joining Simmons, Dusty Rhodes in the 1954 World Series and Jimmie Foxx in the 1929 World Series. The feat would later be duplicated by Craig Monroe of the Tigers in the 2006 World Series.
Giants pitchers failed to strike out a batter for the entire game, the first time this had happened in the World Series since Game 7 of the 1960 World Series; as of 2021 it remains the last time a team has not recorded a strikeout in a World Series game.
The Angels won despite giving up four home runs to the Giants, compared to two by the Angels.
Game 3
Anaheim won 10–4 in the first World Series game at Pacific Bell Park (now Oracle Park). The Angels batted around twice without a home run in either of their four-run innings. They became the first team in World Series history to bat around in consecutive innings. Barry Bonds hit another home run, becoming the first player to homer in his first three World Series games.
The Giants struck first on Benito Santiago's based-loaded groundout in the first off of Ramón Ortiz, but Giants starter Liván Hernández walked David Eckstein to lead off the third and allowed a subsequent double to Darin Erstad. An error on Tim Salmon's groundball allowed Eckstein to score. After Garret Anderson flew out, Troy Glaus hit an RBI single and Scott Spiezio followed with a two-run triple. Next inning, Anderson's RBI groundout with runners on second and third chased Hernandez. Jay Witasick entered in relief and walked Glaus before allowing RBI singles to Spiezio, Adam Kennedy and Bengie Molina, which increased Anaheim's lead to 8–1. Rich Aurilia hit a one-out home run in the fifth for the Giants. After Jeff Kent singled, Bonds's home run made it 8–4, but the Giants did not score after that. The Angels added to their lead on Eckstein's RBI single in the sixth off of Aaron Fultz and Erstad's bases-loaded fielder's choice in the eighth off of Scott Eyre.
Giants public address announcer Renel Brooks-Moon is recognized by the Baseball Hall of Fame as the first female announcer of a championship game in any professional sport for her role in the 2002 World Series. Her scorecard from Game 3 is on display in the National Baseball Hall of Fame and Museum in Cooperstown, New York. Until 2014, this game was the Giants' only World Series loss at home since Pacific Bell Park opened in 2000. They proceeded to win the final two games in this series, then won four straight home games in their next two World Series appearances in 2010 and 2012 until finally losing at home in Game 3 in 2014.
Game 4
The Angels struck first in the second on David Eckstein's bases-loaded sacrifice fly, then made it 3–0 next inning on Troy Glaus's two-run home run off of starter Kirk Rueter. In the bottom of the fifth, however, Angels starter John Lackey allowed three consecutive leadoff singles, the last of which by Rich Aurilia scoring Rueter. Jeff Kent's sacrifice fly cut the Angels' lead to 3–2 and NLCS MVP Benito Santiago tied the game with a single in after the Angels walked Barry Bonds with a runner on second and two outs. David Bell put the Giants ahead with an RBI single in the bottom of the eighth off of Francisco Rodriguez. The run was unearned, due to Anaheim catcher Bengie Molina's passed ball during the previous at-bat, allowing J. T. Snow to move to second. Tim Worrell got the win for the Giants. San Francisco scored a 4–3 victory to tie the series and ensured a return trip to Anaheim.
Game 5
San Francisco took a 16–4 blowout win in a game in which the Angels never led. The most well-known moment in this game occurred in the bottom of the seventh when Giants first baseman J. T. Snow scored off a Kenny Lofton triple. Three-year-old batboy Darren, son of Giants manager Dusty Baker, ran to home plate to collect Lofton's bat before the play was completed and was quickly lifted by the jacket by Snow with one hand as he crossed the plate, with David Bell close on his heels. Had Snow not acted quickly, Darren could have been seriously injured in a play at home plate.
Giants' second-baseman Jeff Kent hit two home runs to break out of a slump (hitting his first home run since Game 2), driving in four runs.
In the bottom of the first, Barry Bonds's double off of Jarrod Washburn with runners on first and second gave the Giants an early lead. Benito Santiago's sacrifice fly, followed by three consecutive walks made it 3–0 Giants. Next inning, Benito's bases-loaded single scored two and Reggie Sanders's sacrifice fly scored another. Orlando Palmeiro doubled to lead off the top of the fifth, moved to third on David Eckstein's single and scored on Darin Erstad's sacrifice fly. After Tim Salmon singled, a wild pitch by starter Jason Schmidt allowed Eckstein to score. After Garret Anderson struck out, Troy Glaus's RBI double cut the Giants' lead to 6–3. The Angels cut it to 6–4 next inning off of Chad Zerbe on Eckstein's groundout with runners on second and third, but did not score again. Kent's two-run home run in the bottom half off of Ben Weber widened the Giants' lead to 8–4. Next inning, Kenny Lofton's two-run triple made it 10-4 Giants. Scot Shields relieved Weber and after Aurilia struck out, Kent's second home run of the game made it 12–4 Giants. Next inning, Shields allowed consecutive one-out singles to J. T. Snow and David Bell, then an error on Tsuyoshi Shinjo's ground ball made it 13–4 Giants. After Lofton grounded out, Aurilia capped the scoring with a three-run home run. Scott Eyre retired the Angels in order in the ninth as the Giants were one win away from a World Series title. Chad Zerbe earned the win for the Giants.
This game shares one peculiar record with Game 2 of the 1960 World Series. The two games share the World Series record for most runs scored by a game winning team who ultimately went on to lose the series.
Game 6
The turning point in the Series came in Game 6. Following the top of the seventh inning, the Giants led 5–0 but then proceeded to surrender three runs in the bottom of the inning and another three runs in the bottom of the eighth inning and lost the game 6–5.
The game was scoreless through the first four innings. In the top of the fifth, San Francisco took the lead. David Bell singled with one out, then Shawon Dunston's home run made it 2–0 Giants. After Kenny Lofton doubled, Francisco Rodríguez relieved Kevin Appier. Lofton stole third and scored on a wild pitch. In the top of the sixth, Barry Bonds homered off Rodriguez to make it 4–0, and the Giants added another run in the top of the seventh when Lofton singled and stole second and was driven in by a single by Jeff Kent.
Leading 5–0 with one out in the bottom of the seventh inning, eight outs away from the Giants' first World Series title since moving to San Francisco in 1958, Giants manager Dusty Baker pulled starting pitcher Russ Ortiz, who had shut out the Angels during the game, for setup man Félix Rodríguez after Ortiz gave up consecutive singles to third baseman Troy Glaus and designated hitter Brad Fullmer. In a move noted in later years, Baker gave Ortiz the game ball as he sent him back to the dugout, as Ortiz wanted a souvenir ball (contrary to some belief, the Angels did not see the move in real time). During the pitching change the Rally Monkey came on the JumboTron, sending 45,037 Angels fans into a frenzy.
Angels first baseman Scott Spiezio then fouled off pitch after pitch before finally hitting a three-run home run that barely cleared the wall in right field. Ortiz would be charged with two runs and a no-decision, his second of the series. The rally continued in the eighth inning, as Angels center fielder Darin Erstad hit a leadoff line-drive home run, followed by consecutive singles by Tim Salmon and Garret Anderson. When Bonds misplayed Anderson's shallow left field bloop single, Chone Figgins (who had pinch-run for Salmon) and Anderson took third and second base, respectively. With no outs, two runners in scoring position and now only a 5–4 lead, Baker brought in closer Robb Nen to pitch to Glaus, hoping that Nen could induce a strikeout that might yet preserve the Giants' slim lead; prior to that game, he was seven of seven in postseason saves that year despite dealing with a shoulder injury. However, Glaus slugged a double to the left-center field gap over Bonds' head to drive in the tying and go-ahead runs and giving Nen a blown save. Nen managed to keep Glaus from scoring before leaving the game, which ended up being his final appearance as a major league player.
In the ninth inning, Angels closer Troy Percival struck out Tom Goodwin, induced a foul popout from Lofton, and struck out Rich Aurilia to preserve the 6–5 victory in front of the jubilant home crowd. The comeback from a five-run deficit was the largest in World Series history for an elimination game. No other team overcame a five-run deficit to win a World Series game until Game 1 of the 2022 World Series, when the Philadelphia Phillies did so against the Houston Astros. That Astros team, like the Giants, was managed by Dusty Baker.
This game ranked number 2 as ESPN's Game of the Year in 2002.
Game 7
Game 7 proved to be somewhat anticlimactic after the drama of Game 6. The Giants scored the first run in the top of the second inning when Reggie Sanders hit a sacrifice fly to score Benito Santiago from third, but the Angels responded with a run-scoring double from catcher Bengie Molina that scored Scott Spiezio from first after he had walked with two outs. A three-run double to right field from left fielder Garret Anderson pushed the Angels to a 4–1 lead and gave San Francisco starter Liván Hernández the loss. Hernández was yanked following Anderson's double, and Chad Zerbe got out of the nightmarish inning. Zerbe, Kirk Rueter, and Tim Worrell held the Angels scoreless, but it was not enough. Rookie starting pitcher John Lackey maintained that lead through five innings, and turned the game over to the strong Angels bullpen. In the ninth inning, closer Troy Percival provided some tense moments as he opened the inning by putting two Giants players on base, with only one out. But Tsuyoshi Shinjo—the first Japanese-born player in a World Series game—struck out swinging, and Kenny Lofton, also representing the tying run, flied out to Darin Erstad in right-center field to end the Series. The Angels won Game 7, 4–1, to claim their franchise's first and only World Series championship to date. John Lackey became the first rookie pitcher to win a World Series Game 7 since 1909. In Game 7, three rookie pitchers (John Lackey, Brendan Donnelly, and Francisco Rodríguez) combined to throw eight innings while only giving up one run combined.
The Angels won the World Series despite scoring fewer runs (41) than the Giants (44). The Angels lost the first game in all three rounds of the playoffs (Division Series, League Championship Series, and World Series), yet rebounded to win each time. They were the first, and to date only, team to do this since the new postseason format was created in 1994.
Until 2017, this was the last time a franchise would win its first World Series title. It was also the second year in a row that the feat had been accomplished; in 2001, the Diamondbacks beat the Yankees in just their fourth year of existence. Also in those two years, both teams won the World Series in just their first appearance, which did not happen again until 2019, when the Washington Nationals would accomplish the feat.
The Angels became the first American League (AL) champion team not representing the AL East Division to win the World Series since the Minnesota Twins in 1991. The Angels were also the first American League Wild Card winner to win the World Series. With this win the Angels got rid of the supposed curse on their head stemming from Anaheim Stadium being built on an ancient Indian burial ground.
This was Dusty Baker's final game as manager of the Giants, as he left to become manager of the Chicago Cubs in the offseason.
Composite box
2002 World Series (4–3): Anaheim Angels (A.L.) over San Francisco Giants (N.L.)
Impact and aftermath
The Angels and the Giants combined to log 85 runs over the course of the series, the largest combined run total for both teams in World Series history. This remains the most recent World Series that was played entirely within one state. There would not be another postseason match-up between two California teams until the 2020 National League Division Series between the Los Angeles Dodgers and San Diego Padres, which took place at neutral site (Globe Life Field in Arlington, Texas) due to the COVID-19 outbreak.
This was the last World Series where home-field advantage alternated between the National and American Leagues each year. As a result of the tie in the 2002 All-Star Game, beginning in 2003 home-field advantage in the World Series was controversially granted to the league that won the All-Star Game. That practice ended after the 2016 Series; beginning in 2017, the team with the better regular season record will enjoy home field advantage, the same format used in the National Basketball Association's Finals and National Hockey League's Stanley Cup Finals.
Following the Darren Baker incident in game 5, MLB changed their rules requiring batboys and batgirls be at least 14 years old.
This is currently the earliest World Series in which no personnel from either team have been elected to the National Baseball Hall of Fame.
Angels
Just before the start of the 2003 season, the Walt Disney Company sold the Angels for $180 million to businessman Arte Moreno. Nevertheless, the 2002 World Series win began the most successful era in Angels franchise history, making six postseason appearances from 2002 to 2009. Before 2002, they had been to the postseason three times in franchise history (1979, 1982, and 1986). They advanced to the ALCS in 2005 and 2009, but lost those series respectively to the Chicago White Sox and New York Yankees, each while en route to their own World Series championship. The Angels were the most recent team to win the championship in its first World Series appearance until the Washington Nationals accomplished the feat in 2019; between 2002 and 2019, all first-time World Series participants would lose—the Houston Astros in 2005, Colorado Rockies in 2007, Tampa Bay Rays in 2008, and Texas Rangers in 2010.
The 2002 Series run would be the highpoint of the Angels run with Mike Scioscia as manager. From 2002 to 2009, the Angels would make the playoffs six times. They advanced to the American League Championship Series two further times (2005, 2009), losing twice. After one further appearance in 2014, the Angels fired Scioscia in 2018.
The Angels would sparingly use the Rally Monkey mascot after the 2002 World Series and unofficially retired it after the 2009 postseason.
Both David Eckstein and Scott Spiezio later played for the 2006 St. Louis Cardinals world championship team. Eckstein and Spiezio played alongside Yadier Molina, younger brother of Bengie and José Molina, on the Cardinals. José later won a second World Series title with the 2009 Yankees, while John Lackey added two World Series rings with the 2013 Boston Red Sox and 2016 Chicago Cubs.
Giants
Game 7 of the series was Dusty Baker's final game as manager of the Giants, as he left in the offseason to take the same position with the Cubs due to disagreements with ownership. Game 7 was also Jeff Kent's last game in San Francisco, as he signed a free-agent contract to play for the Houston Astros during the off-season. The departure of manager Baker, a season-long feud with Barry Bonds and a desire to be closer to his family's Texas ranch factored into Kent's eventual decision to leave the Giants. He retired as the all-time leader in home runs as a second baseman. The 2000 MVP would inducted into the San Francisco Giants Wall of Fame in 2009.
The Giants would return to the postseason the following season under new manager Felipe Alou with a 100 win season (the first time in ten years), but they would lose in the NLDS to the Florida Marlins, a Wild Card team that later won the World Series championship. After a second-place finish in 2004, the Giants had losing seasons for the next four years, and they replaced Alou with Bruce Bochy in 2007. After losing 90 games in 2008, the Giants won 88 games for a surprising third-place finish in 2009. Building on their 2009 season, the Giants returned to the postseason in 2010 as a Divisional Winner team, defeating the Braves in the NLDS, and the Phillies in the NLCS en route to the World Series, where they defeated the Rangers in five games, earning the long-awaited championship they could not reach in 2002. In 2012, after fighting back from down two games to none in the NLDS against the Cincinnati Reds (led by Baker) and down three games to one against the defending World Series Champions, the St. Louis Cardinals in the NLCS, they swept the Detroit Tigers for their second World Series Championship in three years. In 2014, the Giants added their third title in five seasons by defeating the Kansas City Royals in seven games.
Of the players from the 2002 Giants (excluding previous World Series champions Liván Hernández, Robb Nen and Reggie Sanders), only Scott Eyre and Pedro Feliz went on to win a World Series ring with another team. Eyre and Feliz became teammates on the 2008 Philadelphia Phillies world championship team. By the time San Francisco won their first World Series in 2010, there were no members of the 2002 squad still on that team.
Barry Bonds
In terms of personal accolades, Barry Bonds would break Hank Aaron's all-time homerun record in 2007. Bonds also won two more National League MVPs in 2003 and 2004, extending his record for most MVP Awards to seven. Bonds would enter free agency at the end of the 2007 season for the first time since coming over from Pittsburgh to San Francisco in 1993, but there were no teams interested in signing him. Bonds would not play another major league game after the 2007 season. He retired as one of the greatest players in MLB history to never to win a championship, along with Ted Williams and Ty Cobb.
Bonds' last few seasons and his post-playing career would be mired due to performance enhancing drugs allegations. The only way Bonds could make the National Baseball Hall of Fame would be through the Veterans Committee, as he lost out to David Ortiz in the 2022 ballot, his 10th and final one. This was met with negative reaction from some fans, as fans complained that Ortiz had made the Hall of Fame, despite testing positive for PEDs in 2003, whilst Bonds never tested positive for any PEDs.
Dusty Baker
Dusty Baker received great fan ire for his decision to pull Russ Ortiz in Game 6 with a 5–0 lead and just a few more outs away from clinching San Francisco's first World Series in the city.
Baker would serve as the manager for the Chicago Cubs in 2003 after mutually parting ways in San Francisco after the World Series. As with the Giants, he would help break a postseason drought, as he led them to a series victory in the 2003 National League Division Series over Atlanta, the first postseason series victory in 95 years for Chicago. However, they would lose in the 2003 National League Championship Series to the Florida Marlins when they were five outs from clinching a pennant in Game 6. This was the first of a long line of postseason futility for Baker, who went to the postseason five further times in his next eleven seasons as a manager but failed to win a single series. In 2020, he was hired to manage the Houston Astros. He broke his postseason drought with the team by winning in the Wild Card Series that year (2020) and then returned to the World Series the following year (where they ultimately lost to Atlanta in six games) after winning the 2021 American League Championship Series. In 2022, he finally won a World championship on his third try, defeating Philadelphia in six games to set a new mark of being the manager with the most regular season victories (2,093) before winning their first championship. Russ Ortiz, the pitcher who nearly won Baker a world championship 20 years prior, congratulated Baker on his first championship as a manager on Instagram.
Radio and television
Fox's telecast of this World Series marked the first time the World Series was telecast in high-definition.
Jon Miller, who called this World Series for ESPN Radio, has been play-by-play man for the San Francisco Giants since 1997. Coincidentally, KNBR, the Giants' longtime flagship station, was also San Francisco's ESPN Radio affiliate.
This would be the only World Series called by Angels play-by-play man Rory Markas, who died of a heart attack in January 2010.
Notes
See also
2002 Japan Series
References
Forman, Sean L. "2002 World Series". Baseball-Reference.com – Major League Statistics and Information. Archived from the original on December 17, 2007. Retrieved December 9, 2007.
Gavant, David (Prod.); Chaplin, Curt (Narrator) (September 26, 2002). 2002 World Series (Documentary / DVD). Anaheim, California: MLB Productions / WEA. Retrieved September 21, 2008.
External links
2002 World Series at Baseball Almanac
2002 World Series at Baseball-Reference.com
The 2002 Post-Season Games (box scores and play-by-play) at Retrosheet
History of the World Series - 2002 at The Sporting News. Archived from the original in May 2006.
Media related to 2002 World Series at Wikimedia Commons
Official MLB.com Coverage |
Barry_Bonds | https://en.wikipedia.org/wiki/Barry_Bonds | [
230,
403
] | [
"https://en.wikipedia.org/wiki/Barry_Bonds",
"https://en.wikipedia.org/wiki/Barry_Bonds"
] | Barry Lamar Bonds (born July 24, 1964) is an American former professional baseball left fielder who played 22 seasons in Major League Baseball (MLB). Bonds was a member of the Pittsburgh Pirates from 1986 to 1992 and the San Francisco Giants from 1993 to 2007. He is considered to be one of the greatest baseball players of all time.
Recognized as an all-around player, Bonds received a record seven National League (NL) Most Valuable Player Awards and 12 Silver Slugger Awards, along with 14 All-Star selections. He holds many MLB hitting records, including most career home runs (762), most home runs in a single season (73, set in 2001), and the records for the most walks and intentional walks in a career, season, and in consecutive games. Bonds led MLB in on-base plus slugging six times and placed within the top five hitters in 12 of his 17 qualifying seasons. For his defensive play in the outfield, he won eight Gold Glove Awards. He also had 514 stolen bases, becoming the first and only MLB player to date with at least 500 home runs and 500 stolen bases. Bonds is ranked first in career Wins Above Replacement among all major league position players by Baseball-Reference.com and second by FanGraphs, behind only Babe Ruth.
Despite his accolades, Bonds led a controversial career, notably as a central figure in baseball's steroids scandal. He was indicted in 2007 on charges of perjury and obstruction of justice for allegedly lying to a grand jury during the federal government's investigation of BALCO, a manufacturer of an undetectable steroid. After the perjury charges were dropped, Bonds was convicted of obstruction of justice in 2011, but was exonerated on appeal in 2015. During his 10 years of eligibility, he did not receive the 75% of the vote needed to be elected to the National Baseball Hall of Fame. Some voters of the Baseball Writers' Association of America (BBWAA) stated they did not vote for Bonds because they believe he used performance-enhancing drugs.
Early life
Bonds was born in Riverside, California, to Patricia (née Howard) and former major leaguer Bobby Bonds, and grew up in San Carlos and attended Junípero Serra High School in San Mateo, where he excelled in baseball, basketball, and football. He played on the junior varsity team during his freshman year and on the varsity team for the remainder of his high school career. He garnered a .467 batting average his senior year, and was named prep All-American. The Giants drafted Bonds in the second round of the 1982 MLB draft as a high school senior but the Giants and Bonds were unable to agree on contract terms when Tom Haller's maximum offer was $70,000 ($220,000 today) and Bonds's minimum to go pro was $75,000, so Bonds instead decided to attend college.
College career
Bonds attended Arizona State University, hitting .347 with 45 home runs and 175 runs batted in (RBI). In 1984 he batted .360 and had 30 stolen bases. In 1985, he hit 23 home runs with 66 RBIs and a .368 batting average. He was a Sporting News All-American selection that year. He tied the NCAA record with seven consecutive hits in the College World Series as a sophomore and was named to All-Time College World Series Team in 1996.
Bonds was not well-liked by his Sun Devil teammates, in part because in the words of longtime coach Jim Brock, he was "rude, inconsiderate and self-centered." When he was suspended for breaking curfew, the other players initially voted against his return even though he was easily the best player on the team.
He graduated from Arizona State in 1986 with a degree in criminology. He was named ASU On Deck Circle Most Valuable Player; other winners include Dustin Pedroia, Willie Bloomquist, Paul Lo Duca, and Ike Davis. During college, he played part of one summer in the amateur Alaska Baseball League with the Alaska Goldpanners.
Professional career
Draft and minor leagues
The Pittsburgh Pirates drafted Bonds as the sixth overall pick of the 1985 Major League Baseball draft. He joined the Prince William Pirates of the Carolina League and was named July 1985 Player of the Month for the league. In 1986, he hit .311 in 44 games for the Hawaii Islanders of the Pacific Coast League.
Pittsburgh Pirates (1986–1992)
Before Bonds made it to the major leagues in Pittsburgh, Pirate fan attendance was low, with 1984 and 1985 attendance below 10,000 per game for the 81-game home schedule, with attendance woes being a combination of the economic problems of Western Pennsylvania in the early 1980s as well as the Pittsburgh drug trials that directly affected the Pirates going from World Series champions to nearly relocating to Denver in only six years. Bonds made his major league debut on May 30, 1986. In 1986, Bonds led National League (NL) rookies with 16 home runs, 48 RBI, 36 stolen bases, and 65 walks, but he finished 6th in Rookie of the Year voting. He played center field in 1986 but switched to left field with the arrival of centerfielder Andy Van Slyke in 1987.
In his early years, Bonds batted as the leadoff hitter. With Van Slyke also in the outfield, the Pirates had a venerable defensive tandem that worked together to cover a lot of ground on the field although they were not close off the field. The Pirates experienced a surge in fan enthusiasm with Bonds on the team and set the club attendance record of 52,119 in the 1987 home opener. That year, he hit 25 home runs in his second season, along with 32 stolen bases and 59 RBIs.
Bonds improved in 1988, hitting .283 with 24 home runs. The Pirates broke the record set the previous year with 54,089 attending the home opener. Bonds now fit into a highly respected lineup featuring Bobby Bonilla, Van Slyke, and Jay Bell. He finished with 19 homers, 58 RBIs, and 14 outfield assists in 1989, which was second in the NL. Following the season, rumors that he would be traded to the Los Angeles Dodgers for Jeff Hamilton and John Wetteland, but the team denied the rumors and no such trade occurred.
Bonds won his first MVP Award in 1990, hitting .301 with 33 home runs and 114 RBIs. He also stole 52 bases, which was third in the league, to become a first-time member of the 30–30 club. He won his first Gold Glove Award and Silver Slugger Award. That year, the Pirates won the National League East title for their first postseason berth since winning the 1979 World Series. However, the Cincinnati Reds, whose last post-season berth had also been in 1979 when they lost to the Pirates in that year's NLCS, defeated the Pirates in the NLCS en route to winning the 1990 World Series.
In 1991, Bonds also put up great numbers, hitting 25 homers and driving in 116 runs, and obtained another Gold Glove and Silver Slugger. He finished second to the Atlanta Braves' Terry Pendleton (the NL batting champion) in the MVP voting.
In March 1992, Pirates general manager Ted Simmons agreed to a deal with Atlanta Braves counterpart John Schuerholz to trade Bonds, in exchange for Alejandro Peña, Keith Mitchell, and a player to be named later. Pirates manager Jim Leyland opposed the trade vehemently, and the proposal was rescinded. Bonds stayed with Pittsburgh and won his second MVP award that season. While hitting .311 with 34 homers and 103 RBIs, he propelled the Pirates to their third straight National League East division title. However, Pittsburgh was defeated by the Braves in a seven-game National League Championship Series. Bonds participated in the final play of Game 7 of the NLCS, whereby he fielded a base hit by Francisco Cabrera and attempted to throw out Sid Bream at home plate. But the throw to Pirates catcher Mike LaValliere was late and Bream scored the winning run. For the third consecutive season, the NL East Champion Pirates were denied a trip to the World Series. Following the loss, Bonds and star teammate Doug Drabek were expected to command salaries too high for Pittsburgh to again sign them.
Bonds was never well-liked by reporters or fans while in Pittsburgh, despite winning two MVP awards. One paper even gave him an "award" as the "MDP" (Most Despised Pirate).
San Francisco Giants (1993–2007)
1993 season
In 1993, Bonds left the Pirates to sign a lucrative free agent contract worth a then-record $43.75 million (equivalent to $92.3 million in 2023) over six years with the Giants, with whom his father had spent the first seven years of his career, and with whom his godfather Willie Mays played 22 of his 24 Major League seasons. The deal was at that time the largest in baseball history, in terms of both total value and average annual salary.
Once he signed with the Giants, Bonds had intended to wear the number 24, his number during most of his stay with the Pirates and, after receiving Mays's blessing, the Giants were willing to unretire it until the public commotion from fans and media became too much. To honor his father, Bonds switched his jersey number to 25, as it had been Bobby's number in San Francisco.
In an emotional press conference announcing the signing, Bonds described joining the Giants as going "home" and following in the footsteps of his father and godfather as "unbelievable" and "a boyhood dream come true." His father joined the team as a coach in the same year. During a game against the Colorado Rockies on May 12, 1993, both Bonds and his father, along with Jerald Clark and Ron Hassey of the Rockies, were ejected for their role in an on-field fight.
Bonds hit .336 in 1993, leading the league with 46 home runs and 123 RBI en route to his second consecutive MVP award, and third overall. As good as the Giants were (winning 103 games), the Atlanta Braves won 104 in what some call the last great pennant race (because the wild card was instituted the year after).
1994 season
In the strike-shortened season of 1994, Bonds hit .312 with 37 home runs and a league-leading 74 walks, and he finished 4th in MVP voting.
1995 season
In 1995, Bonds hit 33 homers and drove in 104 runs, hitting .294 but finished only 12th in MVP voting. In 1994, he appeared in a small role as himself in the television film Jane's House, starring James Woods and Anne Archer.
1996 season
In 1996, Bonds became the first National League player and second major league player (of the current list of six) to hit 40 home runs and steal 40 bases in the same season. The other members of the 40–40 club are José Canseco (1988), Alex Rodriguez (1998), Alfonso Soriano (2006), Ronald Acuna Jr. (2023), and Shohei Ohtani (2024). His father Bobby Bonds was one home run short in 1973 when he hit 39 home runs and stole 43 bases.
Bonds hit his 300th and 301st home runs off the Florida Marlins' John Burkett on April 27. He became the fourth player in history to join the 300–300 club with 300 stolen bases and 300 home runs for a career, joining Willie Mays, Andre Dawson, and his father. Bonds's totals for the season included 129 runs driven in, a .308 average and a then-National League record 151 walks. He finished fifth in the MVP balloting.
1997 season
In 1997, Bonds hit .291, his lowest average since 1989. He hit 40 home runs for the second straight year and drove in 101 runs, leading the league in walks again with 145. He also stole 37 bases, tying his father for having the most 30–30 seasons (5), and he again placed fifth in the MVP balloting.
1998 season
With two outs in the 9th inning of a game against the Arizona Diamondbacks on May 28, 1998, Bonds became only the fifth player in baseball history to be given an intentional walk with the bases loaded. Nap Lajoie (1901), Del Bissonette (1928) and Bill Nicholson (1944) were three others in the 20th century who received that rare honor. The first to receive one was Abner Dalrymple in 1881.
On August 23, Bonds hit his 400th career home run. By doing so, he became the first player ever to enter the 400–400 club by having career totals of 400 home runs and 400 stolen bases; he is still the only player to have achieved this feat. The milestone home run came off Kirt Ojala, who, like Burkett, was pitching for the Marlins. For the season, he hit .303 with 37 home runs and drove in 122 runs, winning his eighth Gold Glove, He finished 8th in the MVP voting.
1999 season
1999 marked a career-low, up to that point, for Bonds in terms of playing time. Bonds started off the 1999 season hitting well by batting .366 in the month of April with 4 home runs and 12 RBIs in the Giants' first 12 games of the season. But on April 18 he was placed on the 15-day disabled list for only the 2nd time in his career up to that point. Bonds had suffered a torn tendon in his biceps as well as bone spurs in his elbow, both of which required surgery and cost him the rest of April and all of May.
Upon returning to action on June 9, Bonds struggled somewhat at the plate for the remainder of the 1999 season. A series of nagging injuries including elbow pain, knee inflammation and groin issues hampered his play. Only hitting .248 after his return from the disabled list, he still managed to slug 34 home runs, drive in 83 runs as well as hit for a .617 slugging percentage, despite missing nearly two full months with injuries and only playing in 102 games.
Bill James ranked Bonds as the best player of the 1990s. He added that the decade's second-best player, Craig Biggio, had been closer in production to the decade's 10th-best player than to Bonds. In 1999, with statistics through 1997 being considered, Bonds ranked Number 34 on The Sporting News' list of the 100 Greatest Baseball Players, making him the highest-ranking active player.
When the Sporting News list was redone in 2005, Bonds was ranked 6th behind Babe Ruth, Willie Mays, Ty Cobb, Walter Johnson, and Hank Aaron. Bonds was omitted from 1999's Major League Baseball All-Century Team, to which Ken Griffey Jr. was elected. James wrote of Bonds, "Certainly the most unappreciated superstar of my lifetime. ... Griffey has always been more popular, but Bonds has been a far, far greater player." In 1999, he rated Bonds as the 16th-best player of all time. "When people begin to take in all of his accomplishments," he predicted, "Bonds may well be rated among the five greatest players in the history of the game."
2000 season
In 2000, the following year, Bonds hit .306 with career bests through that time in both slugging percentage (.688) and home runs (49) in just 143 games. He also drew a league-leading 117 walks.
2001 season
The next year, Bonds's offensive production reached even higher levels, breaking not only his own personal records but several major league records. In the Giants' first 50 games in 2001, he hit 28 home runs, including 17 in May—a career high. This early stretch included his 500th home run hit on April 17 against Terry Adams of the Los Angeles Dodgers. He also hit 39 home runs by the All-star break (a major league record), drew a major league record 177 walks, and had a .515 on-base average, a feat not seen since Mickey Mantle and Ted Williams over forty years earlier. Bonds' slugging percentage was a major league record .863 (411 total bases in 476 at-bats), and he ended the season with a major league record 73 home runs.
On October 4, by homering off Wilfredo Rodríguez in the 159th game of the season, Bonds tied the previous record of 70 set by Mark McGwire—which McGwire set in the 162nd game in 1998. He then hit numbers 71 and 72 the following night off Chan Ho Park. Bonds added his 73rd off Dennis Springer on October 7. The ball was later sold to toy manufacturer Todd McFarlane for $450,000. He previously bought Mark McGwire's 70th home run ball from 1998. Bonds received the Babe Ruth Home Run Award for leading MLB in home runs that season.
2002 season
Bonds re-signed with the Giants for a five-year, $90 million contract in January 2002. He hit five home runs in the Giants' first four games of the season, tying Lou Brock's 35-year record for most home runs after four games. He won the NL batting title with a career-high .370 average and struck out only 47 times. He hit 46 home runs in 403 at-bats.
Despite playing in nine fewer games than the previous season, he drew 198 walks, a major-league record; 68 of them were intentional walks, surpassing Willie McCovey's 45 in 1969 for another Major League record. He slugged .799, then the fourth-highest total all time. Bonds broke Ted Williams' major league record for on-base average with .582. Bonds also hit his 600th home run, less than a year and a half after hitting his 500th. The home run came on August 9 at home against Kip Wells of the Pirates.
2002 postseason
Bonds batted .322 with eight home runs, 16 RBI, and 27 walks in the postseason en route to the 2002 World Series, which the Giants lost 4–3 to the Anaheim Angels.
2003 season
In 2003, Bonds played in just 130 games. He hit 45 home runs in just 390 at-bats, along with a .341 batting average. He slugged .749, walked 148 times, and had an on-base average well over .500 (.529) for the third straight year. He also became the only member of the career 500 home run/500 stolen base club by stealing second base on June 23 off of pitcher Éric Gagné in the 11th inning of a tied ball game against the Los Angeles Dodgers (against whom Bonds had tallied his 500th home run). Bonds scored the game-winning run later that inning.
2004 season
In 2004, Bonds had perhaps his best season. He hit .362 en route to his second National League batting title, and broke his own record by walking 232 times (including an MLB record 120 intentional walks). He slugged .812, which was fourth-highest of all time, and broke his on-base percentage record with a .609 average. Bonds passed Mays on the career home run list by hitting his 661st off of Ben Ford on April 13. He then hit his 700th off of Jake Peavy on September 17. Bonds hit 45 home runs in 373 at-bats, and struck out just 41 times, putting himself in elite company, as few major leaguers have ever had more home runs than strikeouts in a season. Bonds would win his fourth consecutive MVP award and his seventh overall. His seven MVP awards are four more than any other player in history. In addition, no other player from either league has been awarded the MVP four times in a row. (The MVP award was first given in 1931). The 40-year-old Bonds also broke Willie Stargell's 25-year record as the oldest player to win a Most Valuable Player Award (Stargell, at 39 years, 8 months, was National League co-MVP with Keith Hernandez in 1979). On July 4, he tied and passed Rickey Henderson's career bases on balls record with his 2190th and 2191st career walks.
As Bonds neared Aaron's record, Aaron was called on for his opinion of Bonds. He clarified that he was a fan and admirer of Bonds and avoided the controversy regarding whether the record should be denoted with an asterisk for Bonds's alleged steroid usage. He felt recognition and respect for the award was something to be determined by the fans. As the steroid controversy received greater media attention during the offseason before the 2005 season, Aaron expressed some reservations about the statements Bonds made on the issue. Aaron expressed that he felt drug and steroid use to boost athletic performance was inappropriate. Aaron was frustrated that the media could not focus on events that occurred in the field of play and wished drugs or gambling allegations such as those associated with Pete Rose could be emphasized less. In 2007, Aaron felt the whole steroid use issue was very controversial and decided that he would not attend any possible record-breaking games. Aaron congratulated Bonds through the media including a video played on the scoreboard when Bonds eventually broke Aaron's record in August 2007.
2005 season
Bonds's salary for the 2005 season was $22 million, the second-highest salary in Major League Baseball (the Yankees' Alex Rodriguez earned the highest, $25.2 million).
Bonds endured a knee injury, multiple surgeries, and rehabilitation. He was activated on September 12 and started in left field. In his return against the San Diego Padres, he nearly hit a home run in his first at-bat. Bonds finished the night 1-for-4. Upon his return, Bonds resumed his high-caliber performance at the plate, hitting home runs in four consecutive games from September 18 to 21 and finishing with five homers in only 14 games.
2006 season
In 2006, Bonds earned $20 million (not including bonuses), the fourth-highest salary in baseball. Through the 2006 season he had earned approximately $172 million during his then 21-year career, making him baseball's all-time highest-paid player. Bonds hit under .200 for his first 10 games of the season and did not hit a home run until April 22. This 10-game stretch was his longest home run slump since the 1998 season. On May 7, Bonds drew within one home run of tying Babe Ruth for second place on the all-time list, hitting his 713th career home run into the second level of Citizens Bank Park in Philadelphia, off pitcher Jon Lieber in a game in which the Giants lost to the Philadelphia Phillies. The towering home run—one of the longest in Citizens Bank Park's two-season history, traveling an estimated 450 feet (140 m)—hit off the facade of the third deck in right field.
On May 20, Bonds hit his 714th career home run to deep right field to lead off the top of the 2nd inning, tying Ruth for second all-time. The home run came off left-handed pitcher Brad Halsey of the Oakland A's, in an interleague game played in Oakland, California. Since this was an interleague game at an American League stadium, Bonds was batting as the designated hitter in the lineup for the Giants. Bonds was quoted after the game as being "glad it's over with" and stated that more attention could be focused on Albert Pujols, who was on a very rapid home run pace in early 2006.
On May 28, Bonds passed Ruth, hitting his 715th career home run to center field off Colorado Rockies pitcher Byung-hyun Kim. The ball was hit an estimated 445 feet (140 m) into center field where it went through the hands of several fans but then fell onto an elevated platform in center field. Then it rolled off the platform where Andrew Morbitzer, a 38-year-old San Francisco resident, caught the ball while he was in line at a concession stand. Mysteriously, radio broadcaster Dave Flemming's radio play-by-play of the home run went silent just as the ball was hit, apparently from a microphone failure. But the televised version, called by Giants broadcaster Duane Kuiper, was not affected.
On September 22, Bonds tied Henry Aaron's National League career home run record of 733. The home run came in the top of the 6th inning of a high-scoring game against the Milwaukee Brewers, at Miller Park in Milwaukee, Wisconsin. The achievement was notable for its occurrence in the very city where Aaron began (with the Milwaukee Braves) and concluded (with the Brewers, then in the American League) his career. With the Giants trailing 10–8, Bonds hit a blast to deep center field on a 2–0 pitch off the Brewers' Chris Spurling with runners on first and second and one out. Though the Giants were at the time clinging to only a slim chance of making the playoffs, Bonds's home run provided the additional drama of giving the Giants an 11–10 lead late in a critical game in the final days of a pennant race. The Brewers eventually won the game, 13–12, though Bonds went 3-for-5, with two doubles, the record-tying home run, and six runs batted in.
On September 23, Bonds surpassed Aaron for the NL career home run record. Hit in Milwaukee like the previous one, this was a solo home run off Chris Capuano of the Brewers. This was the last home run Bonds hit in 2006. In 2006, Bonds recorded his lowest slugging percentage (a statistic that he had historically ranked among league leaders season after season) since 1991 with the Pittsburgh Pirates.
In January 2007, the New York Daily News reported that Bonds had tested positive for amphetamines. Under baseball's amphetamine policy, which had been in effect for one season, players testing positive were to submit to six additional tests and undergo treatment and counseling. The policy also stated that players were not to be identified for a first positive test, but the New York Daily News leaked the test's results. When the Players Association informed Bonds of the test results, he initially attributed it to a substance he had taken from the locker of Giants teammate Mark Sweeney, but would later retract this claim and publicly apologize to Sweeney.
2007 season
On January 29, 2007, the Giants finalized a contract with Bonds for the 2007 season. After the commissioner's office rejected Bonds's one-year, $15.8 million deal because it contained a personal-appearance provision, the team sent revised documents to his agent, Jeff Borris, who stated that "At this time, Barry is not signing the new documents." Bonds signed a revised one-year, $15.8 million contract on February 15 and reported to the Giants' Spring training camp on time.
Bonds resumed his march to the all-time record early in the 2007 season. In the season opener on April 3, all he had was a first-inning single past third base with the infield shifted right, immediately followed by a stolen base and then thrown out at home on a baserunning mistake, followed by a deep fly-out to left field, late in the game. Bonds regrouped the next day with his first at-bat in the second game of the season at the Giants' AT&T Park. Bonds hit a pitch from Chris Young of the San Diego Padres just over the wall to the left of straight-away center field for career home run 735. This home run put Bonds past the midway point between Ruth and Aaron.
Bonds did not homer again until April 13, when he hit two (736 and 737) in a 3 -or-3 night that included 4 RBI against the Pittsburgh Pirates. Bonds splashed a pitch by St. Louis Cardinals pitcher Ryan Franklin into McCovey Cove on April 18 for home run 738. Home runs number 739 and 740 came in back to back games on April 21 and 22 against the Arizona Diamondbacks.
The hype surrounding Bonds's pursuit of the home run record escalated on May 14. On this day, Sports Auction for Heritage (a Dallas-based auction house) offered US$1 million to the fan who would catch Bonds's record-breaking 756th-career home run. The million-dollar offer was rescinded on June 11 out of concern of fan safety. Home run 748 came on Father's Day, June 17, in the final game of a three-game road series against the Boston Red Sox at Fenway Park, where Bonds had never previously played. With this homer, Fenway Park became the 36th major league ballpark in which Bonds had hit a home run. He hit a Tim Wakefield knuckleball just over the low fence into the Giants' bullpen in right field. It was his first home run off his former Pittsburgh Pirate teammate, who became the 441st different pitcher to surrender a four-bagger to Bonds. The 750th career home run, hit on June 29, also came off a former teammate: Liván Hernández. The blast came in the 8th inning and at that point tied the game at 3–3.
On July 19, after a 21 at-bat hitless streak, Bonds hit two home runs, numbers 752 and 753, against the Chicago Cubs. He went 3-for-3 with two home runs, six RBIs, and a walk on that day. The struggling last-place Giants still lost the game, 9–8. On July 27, Bonds hit home run 754 against Florida Marlins pitcher Rick VandenHurk. Bonds was then walked his next four at-bats in the game, but a two-run shot helped the Giants win the game 12–10. It marked the first time since he had hit #747 that Bonds had homered in a game the Giants won. On August 4, Bonds hit a 382 foot (116 m) home run against Clay Hensley of the San Diego Padres for home run number 755, tying Hank Aaron's all-time record. Bonds greeted his son, Nikolai, with an extended bear hug after crossing home plate. Bonds greeted his teammates and then his wife, Liz Watson, and daughter Aisha Lynn behind the backstop. Hensley was the 445th different pitcher to give up a home run to Bonds. Ironically, given the cloud of suspicion that surrounded Bonds, the tying home run was hit off a pitcher who had been suspended by baseball in 2005 for steroid use. He was walked in his next at-bat and eventually scored on a fielder's choice.
On August 7 at 8:51 PM PDT, at Oracle Park (then known as AT&T Park) in San Francisco, Bonds hit a 435 foot (133 m) home run, his 756th, off a pitch from Mike Bacsik of the Washington Nationals, breaking the all-time career home run record, formerly held by Hank Aaron. Coincidentally, Bacsik's father had faced Aaron (as a pitcher for the Texas Rangers) after Aaron had hit his 755th home run. On August 23, 1976, Michael J. Bacsik held Aaron to a single and a fly out to right field. The younger Bacsik commented later, "If my dad had been gracious enough to let Hank Aaron hit a home run, we both would have given up 756." After hitting the home run, Bonds gave Bacsik an autographed bat.
The pitch, the seventh of the at-bat, was a 3–2 pitch which Bonds hit into the right-center field bleachers. The fan who ended up with the ball, 22-year-old Matt Murphy from Queens, New York City, (and a Mets fan), was promptly protected and escorted away from the mayhem by a group of San Francisco police officers. After Bonds finished his home run trot, a 10-minute delay followed, including a brief video by Aaron congratulating Bonds on breaking the record Aaron had held for 33 years, and expressing the hope that "the achievement of this record will inspire others to chase their own dreams." Bonds made an impromptu emotional statement on the field, with Willie Mays, his godfather, at his side and thanked his teammates, family and his late father. Bonds sat out the rest of the game.
The commissioner, Bud Selig, was not in attendance in this game but was represented by the Executive Vice President of Baseball Operations, Jimmie Lee Solomon. Selig called Bonds later that night to congratulate him on breaking the record. President George W. Bush also called Bonds the next day to congratulate him. On August 24, San Francisco honored and celebrated Bonds' career accomplishments and breaking the home run record with a large rally in Justin Herman Plaza. The rally included video messages from Lou Brock, Ernie Banks, Ozzie Smith, Joe Montana, Wayne Gretzky and Michael Jordan. Speeches were made by Willie Mays, Giants teammates Omar Vizquel and Rich Aurilia, and Giants owner Peter Magowan. Mayor Gavin Newsom presented Bonds the key to the City and County of San Francisco and Giants vice president Larry Baer gave Bonds the home plate he touched after hitting his 756th career home run.
The record-setting ball was consigned to an auction house on August 21. Bidding began on August 28 and closed with a winning bid of US$752,467 on September 15 after a three-phase online auction. The high bidder, fashion designer Marc Ecko, created a website to let fans decide its fate. Subsequently, Ben Padnos, who submitted the $186,750 winning bid on Bonds' record-tying 755th home run ball also set up a website to let fans decide its fate. Ten million voters helped Ecko decide to brand the ball with an asterisk and send it to the National Baseball Hall of Fame and Museum. Of Ecko's plans, Bonds said "He spent $750,000 on the ball and that's what he's doing with it? What he's doing is stupid." Padnos, on the other hand, sold five-year ads on a website, www.endthedebate.com, where people voted by a two-to-one margin to smash the ball.
Bonds concluded the 2007 season with a .276 batting average, 28 home runs, and 66 RBIs in 126 games and 340 at-bats. At the age of 43, he led both leagues in walks with 132.
Post-playing career
On September 21, 2007, the San Francisco Giants confirmed that they would not re-sign Bonds for the 2008 season. The story was first announced on Bonds' own website earlier that day. Bonds officially filed for free agency on October 29, 2007. His agent Jeff Borris said: "I'm anticipating widespread interest from every Major League team."
There was much speculation before the 2008 season about where Bonds might play. However, no one signed him during the 2008 or 2009 seasons. If he had returned to Major League Baseball, Bonds would have been within close range of several significant hitting milestones, needing just 65 hits to reach 3,000, four runs batted in to reach 2,000, and 38 home runs to reach 800. He would have needed 69 more runs scored to move past Rickey Henderson as the all-time runs champion, and 37 extra base hits to move past Hank Aaron as the all-time extra base hits champion.
As of November 13, 2009, Borris maintained that Bonds was still not retired. On December 9, however, Borris told the San Francisco Chronicle that Bonds had played his last major league game. Bonds announced on April 11, 2010, that he was proud of McGwire for admitting his use of steroids. Bonds said that it was not the time to retire, but he noted that he was not in shape to play immediately if an interested club called him. In May 2015, Bonds filed a grievance against Major League Baseball through the players' union arguing that the league colluded in not signing him after the 2007 season. In August 2015, an arbitrator ruled in favor of MLB and against Bonds in his collusion case.
On December 15, 2011, Bonds was sentenced to 30 days of house arrest, two years of probation and 250 hours of community service, for an obstruction of justice conviction stemming from a grand jury appearance in 2003. However, U.S. District Judge Susan Illston then delayed the sentence pending an appeal. In 2013 his conviction was upheld on appeal by a three judge panel of the United States Court of Appeals for the Ninth Circuit. However, the full court later granted Bonds an en banc rehearing, and on April 22, 2015, an 11-judge panel of the Ninth Circuit voted 10–1 that his testimony was not obstruction.
On March 10, 2014, Bonds began a seven-day stint as a roving spring training instructor for the Giants. On December 4, 2015, he was announced as the new hitting coach for the Miami Marlins, but was relieved of his duties on October 3, 2016, after just one season. He followed up with a public thank-you letter, acknowledging owner Jeffrey Loria, and the opportunity as "one of the most rewarding experiences of my baseball career." In 2017, Bonds officially re-joined the Giants organization as a special advisor to the CEO. On July 8, 2017, Bonds was added to the Giants Wall of Fame.
On February 6, 2018, the San Francisco Giants announced their intentions to retire his number 25 jersey, which happened on August 11, 2018. His number 24 with the Pirates remains in circulation, most prominently worn by Brian Giles from 1999 to 2003 and by Pedro Alvarez from 2011 to 2015.
National Baseball Hall of Fame consideration
In his ten years of eligibility for the National Baseball Hall of Fame, Bonds fell short of the 75% of the votes from the Baseball Writers' Association of America (BBWAA) needed for induction. His vote percentages from 2013 through 2022 were: 36.2%, 34.7%, 36.8%, 44.3%, 53.8%, 56.4%, 59.1%, 60.7%, 61.8% and 66%. He appeared on 260 of 394 ballots in his last year.
Despite falling off the ballot, Bonds remained eligible through the Hall of Fame's Today's Game Committee, a committee "comprised of 16 members of the National Baseball Hall of Fame, executives, and veteran media members" (hence the nickname of "veterans' committee") who consider retired players who lost ballot eligibility while still having made notable contributions to baseball from 1986 to 2016. The vote was held in December 2022; twelve of the sixteen votes were required for induction, but Bonds received fewer than four.
Public persona
During his playing career, Bonds was frequently described as a difficult person, surly, standoffish and ungrateful. In a 2016 interview with Terence Moore, he said he regretted the persona he had created. He attributed it to a response to the pressure he felt to perform as a young player with the Pirates. Remarked Bonds,
Hell, I kick myself now, because I'm getting great press [since being more cooperative], and I could have had a trillion more endorsements, but that wasn't my driving force. The problem was, when I tried to give in a little bit, it never got better. I knew I was in the midst of that image, and I determined at that point that I was never going to get out of it.
So I just said, 'I've created this fire around me, and I'm stuck in it, so I might as well live with the flames.'
Bonds reports that for a short time during his playing days with the Giants he changed his demeanor at the behest of a group of teammates, smiling much more frequently and engaging more with others with a pleasant attitude. Shortly thereafter, Bonds says, in the midst of a slump, the same group of teammates pleaded that he revert, having seemingly lost his competitive edge, and causing the team to lose more. In spite of his protest that they would not appreciate the results, his teammates insisted. Bonds says he complied, maintaining that familiar standoffish edge the rest of his playing career.
On May 9, 1996, Bonds shoved USA Today journalist Rod Beaton in the team's clubhouse. As Beaton was waiting to interview Robby Thompson one hour before a game against the St. Louis Cardinals, Bonds told Beaton to leave. The reporter replied that Major League Baseball rules allowed him 15 minutes more to talk with players. Bonds waved a finger in Beaton's face and shoved him in the chest, after which members of the team's coaching staff and front office interceded. Bonds and Beaton spoke again after the game. Beaton later said, "He accused me of having an attitude" and "I told him he went over the line by shoving me, but there was no apology." Bonds felt that the incident was overblown and said that, "We don't have a problem. We like each other. It was a big joke. He just got whacked out." Beaton filed no formal complaint about the incident, but USA Today filed a grievance with the team.
Controversies
BALCO scandal
Since 2003, Bonds has been a key figure in the Bay Area Laboratory Co-operative (BALCO) scandal. BALCO marketed tetrahydrogestrinone ("the Clear"), a performance-enhancing anabolic steroid that was undetectable by doping tests. He was under investigation by a federal grand jury regarding his testimony in the BALCO case, and was indicted on perjury and obstruction of justice charges on November 15, 2007. The indictment alleges that Bonds lied while under oath about his alleged use of steroids.
In 2003, BALCO's Greg Anderson, Bonds's trainer since 2000, was indicted by a federal grand jury in the United States District Court for the Northern District of California and charged with supplying anabolic steroids to athletes, including a number of baseball players. This led to speculation that Bonds had used performance-enhancing drugs during a time when there was no mandatory testing in Major League Baseball. Bonds declared his innocence, attributing his changed physique and increased power to a strict regimen of bodybuilding, diet, and legitimate supplements.
During grand jury testimony on December 4, 2003, Bonds said that he used a clear substance and a cream that he received from his personal strength trainer, Greg Anderson, who told him they were the nutritional supplement flaxseed oil and a rubbing balm for arthritis. Later reports on Bonds's leaked grand-jury testimony contend that he admitted to unknowingly using "the cream" and "the clear."
In July 2005, all four defendants in the BALCO steroid scandal trial, including Anderson, struck deals with federal prosecutors that did not require them to reveal names of athletes who might have used banned drugs.
Perjury case
On November 15, 2007, a federal grand jury indicted Bonds on four counts of perjury and one count of obstruction of justice as it relates to the government investigation of BALCO. He was tried in the U.S. District Court for the Northern District of California. On February 14, 2008, a typo in court papers filed by Federal prosecutors erroneously alleged that Bonds tested positive for steroids in November 2001, a month after hitting his record 73rd home run. The reference was meant instead to refer to a November 2000 test that had already been disclosed and previously reported. The typo sparked a brief media frenzy. His trial for obstruction of justice was to have begun on March 2, 2009, but jury selection was postponed by emergency appeals by the prosecution. The trial commenced on March 21, 2011, with Judge Susan Illston presiding. He was convicted on April 13, 2011, on the obstruction of justice charge, for giving an evasive answer to a question under oath. On December 15, 2011, Bonds was found guilty for an obstruction of justice conviction stemming from a grand jury appearance in 2003. However, U.S. District Judge Susan Illston then delayed the sentence pending his appeal. He was sentenced to 30 days of house arrest. He also received two years of probation and was ordered to perform 250 hours of community service.
Bonds appealed his conviction to the U.S. Court of Appeals for the Ninth Circuit. In 2013, a three-judge panel of the Ninth Circuit affirmed his conviction, but in 2015 his appeal was reheard by the full court en banc, which voted 10–1 to overturn his conviction.
Players' union licensing withdrawal
In 2003, Bonds withdrew from the MLB Players Association (MLBPA) licensing agreement because he felt independent marketing deals would be more lucrative for him. Bonds is the first player in the 30-year history of the licensing program not to sign. Because of this withdrawal, his name and likeness are not usable in any merchandise licensed by the MLBPA. In order to use his name or likeness, a company must deal directly with Bonds. For this reason, he does not appear in some baseball video games, forcing game-makers to create generic athletes as replacements. These generic video games replacements tended to be white and sometimes had different handedness which was done likely to avoid potential player likeness lawsuits from Bonds.
Game of Shadows
In March 2006 the book Game of Shadows, written by Lance Williams and Mark Fainaru-Wada, was released amid a storm of media publicity including the cover of Sports Illustrated. Initially small excerpts of the book were released by the authors in the issue of Sports Illustrated. The book alleges Bonds used stanozolol and a host of other steroids, and is perhaps most responsible for the change in public opinion regarding Bonds's steroid use.
The book contained excerpts of grand jury testimony that is supposed to be sealed and confidential by law. The authors have been steadfast in their refusal to divulge their sources and at one point faced jail time. On February 14, 2007, Troy Ellerman, one of Victor Conte's lawyers, pleaded guilty to leaking grand jury testimony. Through the plea agreement, he will spend two and a half years in jail.
Love Me, Hate Me
In May 2006, former Sports Illustrated writer Jeff Pearlman released a revealing biography of Bonds entitled Love Me, Hate Me: Barry Bonds and the Making of an Anti-Hero. The book also contained many allegations against Bonds. The book, which describes Bonds as a polarizing, insufferable braggart with a legendary ego and staggering talent, relied on over five hundred interviews, none with Bonds himself.
Bonds on Bonds
In April 2006 and May 2006, ESPN aired a few episodes of a 10-part reality TV (unscripted, documentary-style) series starring Bonds. The show, titled Bonds on Bonds, focused on Bonds's chase of Babe Ruth's and Hank Aaron's home run records. Some felt the show should be put on hiatus until baseball investigated Bonds's steroid use allegations. The series was canceled in June 2006, ESPN and producer Tollin/Robbins Productions citing "creative control" issues with Bonds and his representatives.
Personal life
Bonds met Susann ("Sun") Margreth Branco, the mother of his first two children (Nikolai and Shikari), in Montreal, Quebec, in August 1987. They eloped to Las Vegas February 5, 1988. The couple separated in June 1994, divorced in December 1994, and had their marriage annulled in 1997 by the Catholic Church. The divorce was a media affair because Bonds had his Swedish spouse sign a prenuptial agreement in which she "waived her right to a share of his present and future earnings" and which was upheld. Bonds had been providing his wife $20,000/month in child support and $10,000 in spousal support at the time of the ruling. During the hearings to set permanent support levels, allegations of abuse came from both parties. The trial dragged on for months, but Bonds was awarded both houses and reduced support. On August 21, 2000, the Supreme Court of California, in an opinion signed by Chief Justice Ronald M. George, unanimously held that "substantial evidence supports the determination of the trial court that the [prenuptial] agreement in the present case was entered into voluntarily." In reaction to the decision, significant changes in California law relating to the validity and enforceability of premarital agreements soon followed.
In 2010, Bonds's son Nikolai, who served as a Giants batboy during his father's years playing in San Francisco and always sat next to his dad in the dugout during games, was charged with five misdemeanors resulting from a confrontation with his mother, Sun Bonds, who was granted a restraining order against Nikolai.
In 1994, Bonds and Kimberly Bell, a graphic designer, started a relationship that lasted from 1994 through May 2003. Bonds purchased a home in Scottsdale, Arizona, for Kimberly.
On January 10, 1998, Bonds married his second wife, Liz Watson, at the San Francisco Ritz-Carlton Hotel in front of 240 guests. The couple lived in Los Altos Hills, California, with their daughter Aisha during their ten-and-a-half years of marriage before Watson filed for legal separation on June 9, 2009, citing irreconcilable differences. On July 21, 2009, just six weeks later, Watson announced that she was withdrawing her Legal Separation action. The couple were reconciled for seven months before Watson formally filed for divorce in Los Angeles on February 26, 2010. On June 6, 2011, Bonds and Watson filed a legal agreement not to take the divorce to trial and instead settle it in an "uncontested manner," agreeing to end the marriage privately at an unspecified later date without further court involvement.
Several of Bonds's family and extended family members have been involved in athletics as either a career or a notable pastime. Bonds has a younger brother, Bobby Jr., who was also a professional baseball player. His paternal aunt, Rosie Bonds, is a former American record holder in the 80 meter hurdles, and competed in the 1964 Olympics. In addition, he is a distant cousin of Hall of Famer Reggie Jackson.
Among Bonds's many real estate properties is a home he owns in the exclusive gated community of Beverly Park in Beverly Hills, California.
An avid cyclist, Bonds chose the activity to be a primary means of keeping in shape and great passion since his playing career. Because knee surgeries, back surgeries, and hip surgeries made it much more difficult to run, cycling has allowed him to engage in sufficient cardiovascular activity to help keep in shape. As a result of the cycling, he has lost 25 pounds from his final playing weight of 240 pounds.
Bonds is an active practitioner of Brazilian jiu-jitsu and was promoted to blue belt in the martial art in 2023.
Legacy
During late 2007, Chicago rapper Kanye West recorded a song titled "Barry Bonds" named after the slugger for his album Graduation.
Career distinctions
Besides holding Major League career records in home runs (762), walks (2,558), and intentional walks (688), at the time of his retirement, Bonds also led all active players in RBI (1,996), on-base percentage (.444), runs (2,227), games (2,986), extra-base hits (1,440), at-bats per home run (12.92), and total bases (5,976). He is 2nd in doubles (601), slugging percentage (.607), stolen bases (514), at-bats (9,847), and hits (2,935), 6th in triples (77), 8th in sacrifice flies (91), and 9th in strikeouts (1,539), through September 26, 2007.
Bonds is the lone member of the 500–500 club, which means he has hit at least 500 home runs (762) and stolen at least 500 bases (514); no other player has even 400 of both. He is also one of only five baseball players all-time to be in the 40–40 club (1996), which means he hit 40 home runs (42) and stole 40 bases (40) in the same season; the other members are José Canseco, Alex Rodriguez, Alfonso Soriano, and Ronald Acuña Jr.
Records held
Home runs in a single season (73), 2001
Home runs in a career (762)
Home runs since turning 40 years old (74)
Home runs in the year he turned 43 years old (28)
Consecutive seasons with 30 or more home runs (13), 1992–2004
Slugging percentage in a single season (.863), 2001
Slugging percentage in a World Series (1.294), 2002
Consecutive seasons with .600 slugging percentage or higher (8), 1998–2005
On-base percentage in a single season (.609), 2004
Walks in a career (2,558)
Walks in a single season (232), 2004
Consecutive games with a walk (18)
Intentional walks in a career (688)
Intentional walks in a single season (120), 2004
Consecutive games with an intentional walk (6)
MVP awards (7—closest competitors trail with 3), 1990, 1992–93, 2001–2004
Consecutive MVP awards (4), 2001–2004
National League Player of the Month selections (13) (2nd place, either league, Frank Thomas, 8; 2nd place, N.L., George Foster, Pete Rose, and Dale Murphy, 6)
Oldest player (age 38) to win the National League batting title (.370) for the first time, 2002
Putouts as a left fielder (5,226)
Career games with at least one home run and one stolen base (102)
Records shared
Consecutive plate appearances with a walk (7)
Consecutive plate appearances reaching base (15)
Tied with his father, Bobby, for most seasons with 30 home runs and 30 stolen bases (5); they are the only father-son members of the 30–30 club
Other accomplishments
Awards and distinctions
Five-time SF Giants Player of the Year (1998, 2001–2004)
Three-time NL Hank Aaron Award winner (2001–02, 2004)
Listed at #6 on The Sporting News' list of the 100 Greatest Baseball Players, the highest-ranked active player, in 2005.
Named a finalist to the Major League Baseball All-Century Team in 1999, but not elected to the team in the fan balloting.
Rating of 340 on Baseball-Reference.com's Hall of Fame monitor (100 is a good HOF candidate); 10th among all hitters, highest among eligible hitters not in HOF yet.
Only the second player to twice have a single-season slugging percentage over .800, with his record .863 in 2001 and .812 in 2004. Babe Ruth was the other, with .847 in 1920 and .846 in 1921.
Became the first player in history with more times on base (376) than official at-bats (373) in 2004. This was due to the record number of walks, which count as a time on base and as a plate appearance, but not an at-bat. He had 135 hits, 232 walks, and 9 hit-by-pitches for the 376 number.
Tenth all-time in plate appearances with 12,606. He is the only player in the top ten of this category to not obtain 3,000 hits and just one of two players with as many as 12,000 plate appearances to not do so (the other being Omar Vizquel).
With his father Bobby (332, 461), leads all father-son combinations in combined home runs (1,094) and stolen bases (975), respectively through September 26, 2007.
Played minor league baseball in both Alaska and Hawaii. In 1983, he played for the Alaska Goldpanners of Fairbanks in the Alaska Baseball League, and in 1986, he played for the Hawaii Islanders in the Pacific Coast League.
Featured on the cover of Sports Illustrated. He has appeared as the main subject on the cover eight times in total; seven with the Giants and once with the Pirates. He has also appeared in an inset on the cover twice. He was the most recent Pirate player to appear on the cover, until Jason Grilli was featured in SIs edition of July 22, 2013.
See also
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet
Barry Bonds at the SABR Baseball Biography Project
Barry Bonds at Baseball Almanac
Barry Bonds at Pura Pelota (Venezuelan Professional Baseball League)
Barry Bonds Official website
Barry Bonds at IMDb
Bonds archive at Los Angeles Times |
Darin_Erstad | https://en.wikipedia.org/wiki/Darin_Erstad | [
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] | [
"https://en.wikipedia.org/wiki/Darin_Erstad"
] | Darin Charles Erstad (; born June 4, 1974) is an American former professional baseball player and the former head coach of the University of Nebraska Cornhuskers baseball team. Erstad spent most of his playing career with the Los Angeles Angels of Anaheim franchise (1996–2006) before signing with the Chicago White Sox in 2007. Erstad batted and threw left-handed. He was a two-time MLB All-Star and a three-time Gold Glove Award winner. He was the first overall pick in the 1995 Major League Baseball draft.
Early life
High school
Erstad graduated in 1992 from Jamestown High School in Jamestown, North Dakota. He was a placekicker and punter on the school football team, logging a school-record 50-yard field goal. Erstad also played hockey (36 goals and 24 assists in 26 games) and participated in track and field (winning state titles in 110 and 300-meter hurdles).
Erstad played American Legion baseball (Jamestown had no high school baseball team) and hit .492 with 18 home runs and 86 RBI for Jamestown in 1992. He was also 10–2 with a 2.18 ERA as a pitcher, and was named AP North Dakota Athlete of the Year in 1992.
College
Erstad attended the University of Nebraska–Lincoln, playing baseball there for three years and held the school record for career hits with 261. In his final year there, Erstad hit .410 with 19 home runs and 79 RBIs, earning First-Team All-American status and was a finalist for the 1995 Golden Spikes Award.
Darin started his junior campaign on a tear and never stopped hitting. He was at his best against the conference's top team, Oklahoma. In five games with the first-place Sooners, he batted .429 and blasted three home runs. Oklahoma lefty Mark Redman—with whom Darin would share conference Player of the Year honors—was among his biggest victims. The Huskers finished 35–23, and Darin led the Big Eight with a .410 average. He was the only batter in the conference to surpass 100 hits, and also led all players with seven triples. Named a First Team All-American by Collegiate Baseball, Darin set career highs with 19 homers and 76 RBIs.
In 1993 and 1994, Erstad played collegiate summer baseball with the Falmouth Commodores of the Cape Cod Baseball League (CCBL). He was named league MVP in 1994 and in 2001 was inducted into the CCBL Hall of Fame.
Erstad was also the starting punter on the Cornhuskers football team and was part of their 1994 National Championship squad, averaging 42.6 yards per punt, the 14th best mark in the country that year.
Professional career
In his 14-season career, Erstad compiled a .282 batting average with 124 home runs and 699 RBIs in 1654 games. His career .9955 fielding percentage as an outfielder is second all-time through 2019 behind Jon Jay. He was selected to the American League All-Star team twice (1998, 2000) and had eight game-ending walk-off RBI in his career.
Angels
1995–2000
The then California Angels chose Erstad as the first pick overall in the 1995 Major League Baseball draft from the University of Nebraska. He made his major league debut the next year, batting .284 over 57 games. Erstad played his first full season in 1997, batting .299 with 16 home runs and 99 runs scored. Posting similarly solid statistics the next year, Erstad made his first of two All-Star appearances before having a disappointing season in 1999.
Erstad had a career season in 2000, when he finished eighth in the American League in MVP voting. That year, he led the American League in hits (240), singles (170) and at-bats (676); he was second in total bases (366) and third in runs (121). Erstad also hit .355, finishing second in the batting race behind Nomar Garciaparra (.372), became the first player in Major League history to record 100 RBIs as a leadoff hitter, and won the AL Silver Slugger Award.
On June 10, 2000, Erstad hit a double in the Angels' 10–3 win over Arizona. With a major league-leading 100 hits in 61 games, he became the fastest to reach the 100-hit mark since Hall of Famer Heinie Manush did it in 60 games for the 1934 Washington Senators. With three hits on August 29, 2000, he reached 200 hits faster than any player in 65 years. Erstad was just 26 years old at the end of the season, an age at which many players enter their prime, leading many to believe more superstar seasons were ahead of him.
Erstad is one of only five batters, through August 2009, to have hit both a leadoff and walk-off home run in the same game (having done so in 2000), the others being Billy Hamilton (1893), Victor Power (1957), Reed Johnson (2003), and Ian Kinsler (2009).
2001–2006
Although Erstad never hit .300 again after the 2000 season, he was a vital part of the 2002 World Series Champion Angels. After batting .421 in the American League Division Series against the New York Yankees and .364 in the American League Championship Series against the Minnesota Twins, Erstad batted .300 in the seven-game series vs. the National League Champion San Francisco Giants. He hit a key home run in Game 6 of the series with the Angels trailing, 5–3, in the eighth inning and facing elimination, and he also caught the final out of Game 7 hit by Kenny Lofton off Troy Percival into center field. When the Angels won the World Series in 2002, Erstad became the second player hailing from North Dakota to be on a World Series winning roster. Roger Maris was the first with the 1961 Yankees and 1967 Cardinals.
Throughout Erstad's Angels career, his defense remained exceptionally strong. He led all major league center fielders in range factor (3.39) in 2002. Erstad won Gold Glove awards in 2000, 2002, and 2004, when he made a transition from the outfield to first base. He is the only player in MLB history to have won Gold Gloves as an infielder and as an outfielder. He was also the first to win the award at different positions (though all outfield Gold Gloves are voted on together) until Plácido Polanco won an NL Gold Glove as a third baseman for the Philadelphia Phillies in 2011 after having won two Gold Gloves as a second baseman, thus both being infield awards.
Though he compiled a career high 21 game hit streak in 2005, he only played in 40 games in 2006, his last season with the Angels. In 11 years with the franchise, Erstad compiled a .286 batting average and a cumulative .339 postseason average over three seasons. He currently ranks near the top of several franchise records.
White Sox and Astros
Having signed a $750,000 contract in the off-season, Erstad hit a home run in his first at-bat as a member of the Chicago White Sox on opening day 2007 off CC Sabathia. He finished the season having batted .248 with a .650 OPS over 87 games. He played the following two seasons with the Houston Astros. Erstad found success in the first season, batting .276, but struggled near the end of the second season as a role player, ending the season with a .194 batting average. When catcher Chris Coste joined Erstad on the Astros roster in July 2009, they became the first two players born in North Dakota to play together on the same team in major league history.
On June 17, 2010, when asked if he would continue playing baseball, Erstad said that he was "done".
Erstad was on the 2015 ballot to be inducted into the Baseball Hall of Fame. Erstad received one vote and fell off the ballot.
Coaching career
On July 5, 2010, the Lincoln Journal Star reported that Erstad accepted a position to become a volunteer coach for the Nebraska baseball team. On July 8, Nebraska head baseball coach Mike Anderson revealed Erstad as the college team's next hitting coach. On June 2, 2011, after Anderson was fired, Erstad was hired as Nebraska's head baseball coach. Erstad was named the 23rd head coach of the Nebraska baseball program.
During his eight years as head coach, the Huskers made four NCAA tournament appearances and qualified for the Big Ten Tournament seven times. He had a coaching record of 267-193-1, which was the fourth-best in Nebraska baseball history for a head coach.
Erstad was named Big Ten Coach of the Year in 2017 after leading the Huskers to the conference championship during the regular season. Six times, Nebraska finished in the top four of the conference standings, including four times in the top two. Three times, Nebraska finished second in the Big Ten Tournament.
Erstad resigned as coach of the Nebraska Cornhuskers after eight seasons on June 3, 2019.
Head coaching record
Personal and hometown
Erstad has three children with his wife, Jessica: a daughter, Jordan Elizabeth, and two sons, Zack and Adam.
During Erstad's tenure with the Angels, his hometown carried all Angels games over the radio; most North Dakota stations only carry Minnesota Twins games. As of July 2009, he ranked second to Travis Hafner in all-time home runs hit by a player born in North Dakota.
See also
List of Major League Baseball career stolen bases leaders
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet |
David_Bell_(baseball) | https://en.wikipedia.org/wiki/David_Bell_(baseball) | [
230
] | [
"https://en.wikipedia.org/wiki/David_Bell_(baseball)"
] | David Michael Bell (born September 14, 1972) is an American former professional baseball third baseman and second baseman, former coach, and former manager who most recently managed the Cincinnati Reds of Major League Baseball (MLB). Over the course of his 12-year MLB playing career, Bell appeared at all four infield positions while playing for the Cleveland Indians, St. Louis Cardinals, Seattle Mariners, San Francisco Giants, Philadelphia Phillies, and Milwaukee Brewers, but played primarily at third and second. Bell made his MLB debut for the Indians in 1995.
After his retirement as an active player, Bell served as a coach for the Chicago Cubs and the St. Louis Cardinals. After managing the Triple-A Louisville Bats and (former) Double-A Carolina Mudcats, both of which are or were in the Reds organization, Bell was chosen as the Reds manager in 2018. Bell spent seven seasons with the team before he was fired just before the end of the 2024 season.
The grandson of Gus Bell, son of Buddy Bell, and brother of Mike Bell, David Bell is a member of one of five families to have three generations play in the Major Leagues. In addition, David and Buddy are the fifth father-son pair to serve as major league managers, joining Connie and Earle Mack, George and Dick Sisler, Bob and Joel Skinner, and Bob and Aaron Boone.
Amateur career
Bell attended Moeller High School in Cincinnati, Ohio. Playing for the school's varsity baseball team for three years, where he ranks in the Top Ten in five career categories including doubles and plate appearances. He ranks among the top in Single Season Doubles and Most Doubles in one game. He also played Mickey Mantle and Connie Mack Baseball National Championship teams in 1988 and 1989 respectively as well as leading Moeller to a state championship in 1989. Bell was also a member of the Moeller boys' basketball team. Bell committed to play baseball at the University of Kentucky as a junior.
Professional career
Cleveland Indians
After the Cleveland Indians selected Bell with their pick in the seventh round (190th overall), Bell decided to forgo his commitment to Kentucky.
Bell made his major league debut on May 3, 1995 as a pinch hitter for Jim Thome and stayed in the game in a defensive replacement. He was optioned to the Buffalo Bisons on May 8, 1995. He hit .272 with eight home runs and 34 RBIs in 70 games.
St. Louis Cardinals
On July 27, 1995, Bell was traded to the St. Louis Cardinals along with Pepe McNeal and Rick Heiserman for Ken Hill.
Return to Cleveland
On April 14, 1998, Bell was claimed off waivers by the Indians. On April 15, he hit the first inside-the-park home run in Jacobs Field history, and the first for the Indians since 1989.
Seattle Mariners
On August 31, 1998, Bell was traded to the Seattle Mariners for Joey Cora. Bell was re-signed on December 19, 2001.
San Francisco Giants
On January 25, 2002, Bell was traded to the San Francisco Giants for Desi Relaford so he could have a chance to play every day. Bell scored the 2002 NLCS winning run for the San Francisco Giants from second on Kenny Lofton's single. Bell was the runner bearing down on home plate in Game 5 of the 2002 World Series when J. T. Snow lifted 3 year old batboy Darren Baker out of harm's way. Near the end of the season, he won the 2002 Willie Mac Award for his spirit and leadership – as voted on by his teammates and coaching staff.
Philadelphia Phillies
On December 2, 2002, Bell signed a four-year $17 million deal with the Philadelphia Phillies. He made Major League history on June 28, 2004, by joining his grandfather, Gus Bell, as the first grandfather-grandson combination to hit for the cycle.
Milwaukee Brewers
Bell was traded from the Philadelphia Phillies to the Milwaukee Brewers on July 28, 2006, in a deal that swapped him for minor league pitcher Wilfrido Laureano. The Brewers chose not to re-sign Bell after the 2006 season, and he became a free agent.
Coaching career
On October 31, 2008, the Cincinnati Reds named Bell the manager for their Double-A affiliate, the Carolina Mudcats. Bell spent three seasons as the Mudcats manager. In November 2011 he was named manager of the Reds' Triple-A affiliate Louisville Bats.
On October 23, 2012, the Chicago Cubs named Bell the third base coach for the Major League club.
On December 17, 2013, the St. Louis Cardinals announced hiring Bell as their new assistant hitting coach.
From 2015 through 2017, Bell served as the Cardinals' bench coach. He left the team on October 20, 2017, to become the vice president of player development for the San Francisco Giants.
Managing career
Cincinnati Reds
On October 21, 2018, the Cincinnati Reds announced Bell had been hired as the 63rd manager in franchise history. The contract spans three years with a club option for a fourth.
In an April 7, 2019, game against the Pittsburgh Pirates, Bell was ejected after his role in a bench clearing incident involving Chris Archer, Derek Dietrich, Yasiel Puig, Amir Garrett, Keone Kela, and Felipe Vázquez. This was Bell's first career managerial ejection. Bell received a one-game suspension following the incident on April 9. On July 30, 2019, another bench-clearing mash-up occurred between the Reds and Pirates, with Bell (who had been ejected from the game in the previous half-inning) involved in it. On August 1, 2019, Bell received a 6-game suspension without eligibility to appeal.
On September 22, 2021, Bell agreed to a two-year contract extension with the Reds.
On July 28, 2023, Bell agreed to a contract extension with the Reds through 2026. However, on September 22, 2024, the Reds fired Bell with five games left in the season.
Managerial record
As of September 22, 2024
See also
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet
David Bell managerial career statistics at Baseball-Reference.com
David Bell at the SABR Baseball Biography Project
David Bell at Baseball Almanac |
Jeff_Kent | https://en.wikipedia.org/wiki/Jeff_Kent | [
230
] | [
"https://en.wikipedia.org/wiki/Jeff_Kent"
] | Jeffrey Franklin Kent (born March 7, 1968) is an American former professional baseball second baseman. He played 17 seasons in Major League Baseball (MLB) from 1992 to 2008 for the Toronto Blue Jays, New York Mets, Cleveland Indians, San Francisco Giants, Houston Astros, and Los Angeles Dodgers.
Kent won the National League Most Valuable Player award in 2000 with the San Francisco Giants, and is the all-time leader in home runs among second basemen. He drove in 90 or more runs from 1997 to 2005. Kent is a five-time All-Star, and his 560 career doubles put him in 30th on the all-time doubles list.
Kent attended the University of California, Berkeley (UC Berkeley), where he played college baseball for the Golden Bears before being selected in the 20th round of the 1989 MLB draft by the Blue Jays.
Early life
Born in Bellflower, California, Kent graduated from Edison High School in Huntington Beach, California, where he was dismissed from the baseball team after clashing with his coach over a position change.
College career
Kent played college baseball at UC Berkeley from 1987 to 1989. In 1988 he played both collegiate summer baseball with the Cotuit Kettleers of the Cape Cod Baseball League and the College World Series.
Professional career
Draft and minor leagues
Kent was selected in the 20th round of the 1989 MLB Draft by the Toronto Blue Jays.
Toronto Blue Jays (1992)
After three seasons in the minor leagues, Kent was invited to spring training with the Blue Jays in 1992 and made the opening day roster. He made his debut on April 12 against the Baltimore Orioles and recorded his first career hit in his first career at-bat, a double in the 6th inning against José Mesa. He hit his first home run on April 14 against New York Yankees pitcher Lee Guetterman. He saw limited at-bats early in the season; however, an injury to starting third baseman Kelly Gruber granted Kent a more regular role in the line-up.
New York Mets (1992–1996)
Kent was traded to the Mets on August 27, 1992, for pitcher David Cone, as Toronto bolstered their pitching rotation for a successful World Series run; Kent earned a World Series ring despite the trade. Kent's time with the Mets was marked with some success and some failure. Although he batted well, particularly for a second baseman, the Mets were among the worst teams in the National League. Furthermore, he acquired a very poor reputation in the clubhouse, where he was known for a quick temper and isolationism. He refused to participate in his hazing ritual with the Mets, feeling he had left his rookie status back in Toronto. During the 1992 season, he started the only game of his career at shortstop in order to allow Willie Randolph to play his final career game at second base.
Cleveland Indians (1996)
In a deal made prior to the 1996 trade deadline, the Mets sent Kent and José Vizcaíno to the Cleveland Indians for Álvaro Espinoza and Carlos Baerga. The following offseason, Kent was again traded, this time to the San Francisco Giants along with José Vizcaíno and Julián Tavárez. The San Francisco trade was initially very unpopular, as it sent Matt Williams, a longtime Giant and a fan-favorite, to the Indians. Brian Sabean, in his first year as general manager of the Giants, was so widely criticized for the move that he famously defended himself to the media by saying, "I am not an idiot."
San Francisco Giants (1997–2002)
Kent's career took off in San Francisco, starting in 1997. Immediately inserted in the line-up behind superstar Barry Bonds, and with the confidence of manager Dusty Baker, Kent finally rose to his full potential, hitting .250 with 29 home runs and 121 RBI. He was consistently among the top RBI hitters in the league over his next five seasons with the Giants, amassing 689 RBI over six years. He also won the 1998 Willie Mac Award for his spirit and leadership. Kent's contributions were recognized in 2000 (33 home runs, 125 RBI, .334 batting average, and a .986 fielding percentage) with the National League MVP Award, beating out teammate and perennial MVP candidate Barry Bonds. Despite the fact that Bonds overshadowed Kent in almost every offensive category, it was Kent's clutch hitting in RBI spots that won many games for the Giants that year, and ultimately won him the award. The Giants finished first in the NL West at 97–65, but lost to the Mets in the National League Division Series 3–1.
In 2002, Kent had another stellar year for a second baseman (37 home runs, 108 RBI, .313 batting average, and a .978 fielding percentage). The combination of Kent and MVP-winner Bonds propelled the Giants to a 95–66 record, good enough for the NL Wild Card. The Giants would beat the Atlanta Braves in the National League Division Series 3–2 and the St. Louis Cardinals in the National League Championship Series 4–1. In the World Series for the first time since 1989, the Giants would nearly clinch the championship (failing to hold a 5–0, 7th-inning lead) in the sixth game, before falling to the Anaheim Angels in seven games. Despite the team's success that season, Kent's relationship with the Giants had soured. The Giants front office had lost confidence in Kent after an incident during spring training left him with a broken wrist. Kent had initially claimed that he had broken his wrist after slipping and falling while washing his truck; ensuing media reports indicated that, in reality, Kent had crashed his motorcycle while performing wheelies and other stunts, in direct violation of his contract.
In addition, growing tension that had been developing between Kent and Bonds for years finally boiled over: a midseason fight in the Giants dugout was widely reported in 2002 and caught on television. The feud between the two was so bad that, at the end of the season, San Francisco Chronicle beat reporter Ray Ratto said of the two, "The one who lives longer will attend the other's funeral, just to make sure he's dead." The departure of manager Dusty Baker also factored into Kent's eventual decision to leave the Giants.
Houston Astros (2003–2004)
During the 2002 offseason, Kent signed a two-year, $19.9 million deal with the Houston Astros, citing his desire to be closer to his family's Texas ranch.
Kent turned one of the outs and collected an assist during a triple play on August 19, 2004, against Philadelphia, when Todd Pratt grounded out with the bases loaded in the fifth inning. Kent forced Marlon Byrd out at second base before throwing Pratt out at first base. It was Houston's first triple play turned in 13 years.
From May 14 to June 11, he collected a hit in 25 straight games, which set a new franchise record; Willy Taveras topped his mark in 2006. On October 2, 2004, he hit his 288th home run as a second baseman, surpassing Ryne Sandberg as the all-time home run leader at that position. In Game 5 of the 2004 National League Championship Series, Kent hit a three-run walk-off home run in the bottom of the ninth to break a scoreless tie and put Houston ahead of the St. Louis Cardinals three games to two in the series. However, the Cardinals would win Games 6 and 7 in St. Louis to capture the pennant.
Los Angeles Dodgers (2005–2008)
On December 14, 2004, he signed a $21 million contract for three years with his hometown Los Angeles Dodgers. Kent started at second base for the National League in the 2005 Major League Baseball All-Star Game at Comerica Park, his fifth career All-Star selection and fourth career All-Star start. Kent became the first player in the history of the Dodgers–Giants rivalry to make and start the Midsummer Classic for both clubs. Joc Pederson has since joined this list. Kent had a good 2005 season, leading the Dodgers in batting average, on-base percentage, slugging, runs, hits, doubles, home runs and RBI (.289, .377, .512, 100, 160, 36, 29, and 105 respectively). While missing games early on in the 2006 season because of an oblique injury, he came back late in the season and helped the Dodgers reach the postseason. After the 2005 season, Kent signed an extension that would take him to the 2008 season. His last major league at-bat took place on October 15, 2008 in game five of the 2008 NLCS, in which he struck out looking against Cole Hamels to end the 7th inning. Following 2008, Kent announced his retirement from baseball on January 22, 2009.
Career statistics
In 2,298 games over 17 seasons, Kent posted a .290 batting average (2461-for-8498) with 1320 runs, 560 doubles, 47 triples, 377 home runs, 1518 RBI, 94 stolen bases, 801 bases on balls, .356 on-base percentage and .500 slugging percentage. He finished his career with a .978 fielding percentage. In 49 postseason games, he hit .276 (47-for-170) with 25 runs, 11 doubles, 9 home runs, 23 RBI and 13 walks. Kent hit 351 home runs as a second baseman, the most in MLB history in either league; he is one of only two second baseman to hit 300 home runs at the position of second base.
Post-playing career
Kent and his wife Dana reside near Austin, Texas, where they raise their four children, a daughter and three sons. He also owns the 4,000-acre (1,600 ha) "Diamond K" cattle ranch near Tilden, Texas. In 2008, Kent purchased the Lakecliff Country Club in Spicewood, Texas. Kent also owns Kent Powersports, a chain of motorcycle and ATV dealerships.
Kent appeared as a contestant on the Summer 2009 television series Superstars, where he was teamed with actress Ali Landry in a series of sports competitions. They finished in fifth place in the competition. In 2012, Kent participated in Survivor: Philippines, the 25th season of the American CBS competitive reality television series Survivor. He was the ninth contestant voted off, which placed him tenth and made him the second member of the jury, giving him a right to vote for the eventual winner at the Final Tribal Council. When he was voted off, Kent claimed that the million dollar prize was "six hundred grand by the time Obama takes it".
He has been an advocate for Major League Baseball using blood tests for HGH. Since 2011, Kent has served as a spring training instructor for the San Francisco Giants. He also coaches his sons' Little League teams, and in 2014 he became a volunteer assistant for Southwestern University's baseball team. In 2011, Kent donated $100,000 and raised awareness to help reinstate the Cal baseball program, which was being cut for cost-saving purposes. In 2014, Kent announced the creation of the Jeff Kent Women Driven Scholarship Endowment to provide a full scholarship each year to one female student-athlete at UC Berkeley in perpetuity.
In 2008, Kent donated to the campaign to ban same-sex marriage in California.
National Baseball Hall of Fame consideration
Eligible for the National Baseball Hall of Fame for the first time in 2014, Baseball Writers' Association of America (BBWAA) voters gave Kent just 15.2% of their votes in his first year, well short of the 75% required for induction. Among 17 returnees to the ballot in 2015, Kent was one of only three who saw a decrease in support, dropping to 14.0%. His support increased in subsequent elections, reaching 32.7% in 2022, his ninth appearance on the ballot. In 2023, his tenth and final appearance on the BBWAA ballot, he received 46.5%, falling short of the necessary threshold. Kent's underperformance relative to his offensive prowess has been attributed to poor defense, the tainted era he played in, and his reputation as a negative presence in the locker room.
Personal life
Kent and his wife, Dana, are members of the Church of Jesus Christ of Latter-day Saints. His daughter, Lauren, and his eldest son, Hunter, both attended Brigham Young University (BYU) in Provo, Utah. Lauren graduated from BYU in December 2017, and Hunter played on the practice squad for the Cougars, before taking leave to serve a two-year mission in Mexico.
Kent's son, Colton, played his prep baseball at Lake Travis High School, in Austin, Texas. Colton signed to play college baseball at BYU, but transferred to the College of Southern Idaho (CSI) after a year at BYU.
Kent's other son, Kaeden, currently plays baseball at Texas A&M University.
Accomplishments
Five-time All-Star (1999–2001, 2004–05)
Four-time Silver Slugger (2000–2002, 2005)
National League MVP (2000)
Finished 6th in National League MVP voting (2002)
Finished 8th in National League MVP voting (1997)
Finished 9th in National League MVP voting (1998)
Finished Top-5 in RBIs (1997, 1998, 2000, 2002)
All-time leader in home runs as a second baseman (377)
Only second baseman to have 100 or more RBIs in six consecutive seasons (1997–2002)
Hit for the cycle (1999)
See also
List of Major League Baseball career home run leaders
List of Major League Baseball career hits leaders
List of Major League Baseball career doubles leaders
List of Major League Baseball career runs scored leaders
List of Major League Baseball career runs batted in leaders
List of Major League Baseball career total bases leaders
List of Major League Baseball players who hit for the cycle
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet, or Pelota Binaria (Venezuelan Winter League) |
J._T._Snow | https://en.wikipedia.org/wiki/J._T._Snow | [
230
] | [
"https://en.wikipedia.org/wiki/J._T._Snow"
] | Jack Thomas Snow Jr. (born February 26, 1968) is an American former professional baseball player and television sports color commentator, and current bench coach for the Oakland Ballers. He played as a first baseman in Major League Baseball from 1992 to 2006, most notably as a member of the San Francisco Giants. Snow excelled as a defensive player, winning six consecutive Gold Glove Awards as a first baseman between 1995 and 2000. After his playing career, Snow worked in radio and television broadcasting. He has also worked as a special assistant to the General Manager for the Giants.
Early life
Snow was born in Long Beach, California, to former NFL player Jack Snow and Merry Carole Shane, who died in 1998 from thyroid cancer. He has two sisters, Michelle and Stephanie.
His father worked with him at first base, throwing balls from shortstop purposely in the dirt to improve his fielding skills. He played recreational baseball in Seal Beach, for what is now known as, Seal Beach PONY. Snow attended Los Alamitos High School in Los Alamitos, California and was awarded All-Orange County honors in baseball, football, and basketball. He played safety his junior year (1984) and quarterback his senior year (1985) on the varsity football team. Receiver Rob Katzaroff set an Orange County record with 93 single-season receptions (a record which still stands after the 2022 season) while Snow played quarterback. On the basketball team, Snow played point guard. On the baseball team, Snow played with future Giants reliever Robb Nen and future UCLA Bruins outfielder Katzaroff. All three Griffin baseball players from the 1985 season were eventually drafted to play minor league baseball.
College career
After high school, Snow attended the University of Arizona and played three seasons for the Arizona Wildcats baseball team, where his teammates included Kenny Lofton, Alan Zinter, Scott Erickson, Trevor Hoffman, and Kevin Long. In 1988, he played collegiate summer baseball for the Orleans Cardinals of the Cape Cod Baseball League.
Professional career
Draft and minor leagues
The New York Yankees selected Snow in the fifth round of the 1989 Major League Baseball draft.
New York Yankees (1992)
He made his major league debut with the Yankees at the end of the 1992 season.
California Angels (1993–1996)
After the 1992 season, the Yankees traded Snow, Jerry Nielsen, and Russ Springer to the California Angels for Jim Abbott. Snow played for the Angels from 1993 to 1996, where he won two Gold Glove Awards.
San Francisco Giants (1997–2005)
Snow was traded to the Giants after the 1996 season for left-handed pitcher Allen Watson and minor league pitcher Fausto Macey.
While a switch-hitter earlier in his career, Snow batted exclusively left-handed after 1998. In 2000, he led the league in sacrifice flies with 14. After a two-year injury-riddled stretch from 2002 to 2003 when his batting average was .246, Snow rebounded in 2004 with a .327 average, hitting .387 after the All-Star break (which ranked second only to Ichiro Suzuki in the Major Leagues).
On June 26, 1999, Snow tagged out Los Angeles Dodgers pitcher Carlos Pérez using the "hidden ball trick", the last successful execution of the play in the 20th century.
In the 2000 National League Division Series against the New York Mets, with the Giants trailing 4–1 in the bottom of the ninth, Snow hit a three-run pinch-hit homer against Mets reliever Armando Benítez. However, the Giants failed to capitalize on their momentum, eventually falling in the 10th inning and going on to lose the series.
In the 2002 World Series, Snow was scoring a run in Game 5 off a Kenny Lofton triple and lifted 3-year-old Darren Baker, the Giants' batboy and son of then Giants’ manager Dusty Baker, by the jacket as he was crossing home plate. Darren had run out to collect Lofton's bat before the play was completed. This turned into a touching and memorable incident, but easily could have resulted in disaster with a small child wandering into the path of Snow and David Bell as they both barreled home to score. Following the incident with Darren Baker, Major League Baseball required batboys and girls to be at least 14 years of age. A photograph of this incident now hangs in the Baseball Hall of Fame, in Cooperstown, New York.
In the 2003 National League Division Series against the Florida Marlins, with the Giants trailing 7–6 in Game 4 in the ninth inning, he attempted to score from second base on a single to left field, but Jeff Conine's throw to the plate came in time as catcher Iván Rodríguez tagged Snow at the plate as Snow barreled into him, ending the game and the series. According to the Elias Sports Bureau, it was the first postseason series to end with the potential tying run thrown out at the plate.
Boston Red Sox (2006)
Snow's tenure with the Giants effectively ended when the team declined to offer him salary arbitration before the 2006 season. He signed a one-year, $2 million contract with the Boston Red Sox on January 6, 2006. After his father's death in 2006, Snow wore his father's number 84 in his honor. He served primarily in a platoon with Kevin Youkilis at first base until he requested to be designated for assignment due to a lack of playing time. He was granted his designation June 19, and was officially released eight days later.
San Francisco Giants (2008) and retirement
At the end of the 2006 season, Snow retired from baseball and began working as a color commentator on Giants radio broadcasts alongside play-by-play announcer Dave Flemming. He has also served as an advisor to the Giants' general manager, Brian Sabean, and as a roving minor league instructor for the Giants. Since 2013, he has worked as a college baseball broadcaster for the Pac-12 Network.
On September 24, 2008, the Giants signed Snow to a one-day contract to allow him to retire as a Giant. However, rather than immediately retiring after signing the symbolic contract and receiving no actual pay as is usually done, Snow was penciled into the starting lineup and took the field on September 27 against the Dodgers, but was replaced before the first pitch. It was a move that allowed Snow to officially take the field as a Giants player one last time. Eugenio Vélez, Omar Vizquel, and Rich Aurilia threw balls in the dirt to mess with Snow during fielding practice prior to the first pitch, but Snow still made the plays. For his brief official appearance, he received the prorated league minimum salary of $2,100.
In 28 postseason games, Snow batted .327 (32-for-98) with 11 runs, 3 home runs and 15 RBI.
Coaching career
On January 18, 2024, Snow was announced as the first base coach and bench coach for the Oakland Ballers of the Pioneer League during their inaugural season.
Personal life
Snow lives in Northern California with his wife Gina.
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet |
Reggie_Sanders | https://en.wikipedia.org/wiki/Reggie_Sanders | [
230
] | [
"https://en.wikipedia.org/wiki/Reggie_Sanders"
] | Reginald Laverne Sanders (born December 1, 1967) is an American former right fielder in Major League Baseball. He batted and threw right-handed. He played professionally with the Cincinnati Reds, St. Louis Cardinals, Pittsburgh Pirates, Atlanta Braves, San Francisco Giants, San Diego Padres and Kansas City Royals, and was a member of the Arizona Diamondbacks' 2001 World Series championship over the New York Yankees. Sanders possessed a rare capacity for power and speed and is one of only eight MLB players to record over 300 home runs and over 300 steals.
Early career
Sanders was 23 years old when he made his major league debut on August 22, 1991, after being selected in the seventh round of the 1987 amateur draft by the Cincinnati Reds. He attended Spartanburg Methodist College before beginning his pro career with the Rookie-level Billings Mustangs of the Pioneer League in 1988.
Baseball career
Sanders gained some notoriety during the 1994 season when Pedro Martínez hit him with a pitch to end his bid for a perfect game with one out in the eighth inning. Sanders responded by charging the mound and igniting a bench-clearing brawl. He was ridiculed by some in the press for believing that a pitcher would abandon an attempt at a perfect game to intentionally hit a batter.
On August 20, 2003, Sanders became the fortieth player in MLB history to hit two home runs in an inning, doing so for the Pittsburgh Pirates against the St. Louis Cardinals in the top of the 5th inning. He was only the third Pirates player to accomplish the feat. Sanders' first home run of the inning came as the third in a back-to-back-to-back string for the Pirates; the second was a grand slam.
With the Cardinals, Sanders had a breakout of sorts during the 2005 National League Division Series against the San Diego Padres. In a three-game sweep of the Padres, Sanders had 10 runs batted in, a new record for a division series. In Game 1 of the 2005 NLCS, Sanders hit a two-run home run to give the Cardinals a two-run lead, making it his seventh career postseason home run. However, the Cardinals would lose the series in six games, giving the Houston Astros their first NL pennant and trip to the World Series.
On June 10, 2006, as a member of the Royals, Sanders hit his 300th home run. This made him the fifth member of Major League Baseball's 300-300 club, as he had stolen the 300th base of his career on May 1. He became the first player in history to join the club at his home stadium. Steve Finley of the San Francisco Giants joined the 300-300 club as its sixth member on June 14, four days after Sanders achieved the feat. Sanders hit 20 or more home runs in one season for six different teams. He hit at least 10 home runs in a season for every major league team he played for (seven in all).
Sanders missed the majority of the 2007 season due to an injury and became a free agent after the season.
Career statistics
In 64 postseason games, Sanders batted .195 (43-for-221) with 24 runs, 7 home runs, 25 RBI, 9 stolen bases and 26 walks.
See also
List of Major League Baseball career home run leaders
List of Major League Baseball career runs scored leaders
List of Major League Baseball career stolen bases leaders
References
External links
Career statistics and player information from ESPN, or Baseball Reference, or Fangraphs |
Rich_Aurilia | https://en.wikipedia.org/wiki/Rich_Aurilia | [
230
] | [
"https://en.wikipedia.org/wiki/Rich_Aurilia"
] | Richard Santo Aurilia (; born September 2, 1971) is an American former Major League Baseball shortstop who played for several teams between 1995 and 2009.
Amateur career
Aurilia was born in Brooklyn, New York and grew up a New York Mets fan. Before being drafted by Texas, Aurilia was a standout at St. John's University, where he represented the Red Storm as an All-Big East selection in 1992. In 1991, he played collegiate summer baseball in the Cape Cod Baseball League for the Hyannis Mets.
Aurilia is also a graduate of Xaverian High School in Brooklyn, New York. He was inducted into the school's Hall of Fame, and his number 22 was retired by his local baseball league, Our Lady of Grace, where he played as a youngster in Gravesend, Brooklyn, New York.
Professional career
Texas Rangers (1992–1994)
The 24th round pick of the Texas Rangers in the 1992 Major League Baseball draft, Aurilia played in the Rangers minor league system before being traded along with Desi Wilson to the San Francisco Giants for John Burkett on December 22, 1994. He had worked as a stagehand at the Metropolitan Opera House during the 1993–94 baseball offseason.
San Francisco Giants (1995–2003)
Aurilia made his Major League debut on September 6, 1995, as a defensive replacement in a game against the Montréal Expos. This would begin his long, solid run as the Giants shortstop. On June 14, 1997, during his first stint with the Giants, Aurilia hit the first-ever grand slam in interleague play at the expense of the Anaheim Angels' Allen Watson, a former teammate. The Giants went on to win the game 10–3. 2001 would prove to be a banner year for Aurilia as he collected a National League best 206 hits, all leading to a .324 batting average with 37 home runs, 97 RBI, an NL All-Star nod, and a Silver Slugger Award. However, his career best 37 home run year in 2001 was overshadowed by teammate Barry Bonds' record breaking 73 home runs in the same season.
From 1999 to 2001, he led NL shortstops in home runs. Production trailed off in 2002, but Aurilia shined once again in San Francisco's failed 2002 run for a World Series Championship. In 14 postseason games that season, he batted .296, with 5 home runs and 14 RBI (an NL record for a shortstop in the postseason). He also was a Roberto Clemente Award nominee.
Seattle Mariners (2004)
After offensive stagnation in 2003, the Giants severed their nine-year relation with the shortstop, granting him free agency on October 27. Soon after, Aurilia signed on with the Seattle Mariners to patrol the M's infield.
San Diego Padres (2004)
The lifetime National Leaguer could not get a grip on American League pitching, and was dealt to the San Diego Padres in July 2004. He continued to struggle in spacious Petco Park, and was not tendered a contract for 2005.
Cincinnati Reds (2005–2006)
Needing a veteran infielder, the Reds signed Aurilia to a minor league contract on January 22, 2005. The versatile infielder played well for the Reds, collecting 14 home runs and 68 RBI while playing games at shortstop, second base, and third base. The Reds then re-signed him on January 8, 2006.
Aurilia served as an everyday player rotating between shortstop, second base, first base and third base for the Reds in 2006. He finished the year with 23 home runs, 70 RBI, and a batting average of exactly .300—his highest in all three categories since 2001.
San Francisco Giants (2007–2009)
In the 2006 offseason, Aurilia signed a two-year, $8 million contract with his old team, the Giants. During the 2007 season, he appeared in 99 games (mostly at first base), starting in 81 of them. Aurilia was placed on the 15-day disabled list with a neck injury that had been slow to heal, limiting his range of movement and causing headaches. At the time, he was batting only .236 with two home runs. Aurilia returned to the Giants' lineup on July 4, hitting a home run in a 9–5 win over the Cincinnati Reds. He finished the season batting .252 with five home runs, 33 RBI, and a .304 on-base percentage. Aurilia posted better numbers in each of those categories during the 2008 season, where he remained generally healthy throughout the year, one factor that led him to have considerably more playing time (99 games started).
On February 9, 2009, Aurilia re-signed with the San Francisco Giants to a minor league deal. It was announced on April 4 that Aurilia had made the Giants final roster. He went on to appear in 60 games during the 2009 season, starting in 22 of them, playing either first or third base. There was considerable uncertainty whether Aurilia would stay with the team for the entire season, but he was placed on the DL twice in order to free up a roster spot long enough for the September roster expansion. Knowing that the organization would not be bringing him back for the 2010 season, Aurilia played his final game as a Giant on October 1 at home against the Arizona Diamondbacks, receiving standing ovations from the home fans in appreciation for 12 years with the team.
Retirement
Aurilia announced his retirement on April 11, 2010. He is currently a member of NBC Sports Bay Area.
Career statistics
In 1652 games over 15 seasons, Aurilia posted a .275 batting average (1576-for-5721) with 745 runs, 301 doubles, 22 triples, 186 home runs, 756 RBI, 450 bases on balls, .328 on-base percentage and .433 slugging percentage. He finished his career with a .976 fielding percentage playing at shortstop, first, second and third base. In 25 postseason games, he hit .224 (22-for-98) with 17 runs, 6 doubles, 6 home runs, 18 RBI and 7 walks.
Personal life
He finished second in a pro on pro challenge on Guy's Grocery Games on September 20, 2015. His charity was the Make-A-Wish Foundation.
Aurilia married Raquel Garcia on January 18, 1997, with whom he has two sons: Chaz Aiden, (born August 18, 2001) and Gavin Shea, (born October 1, 2003). Both he and his wife appeared as Jurors No. 9 and 10 in episodes of General Hospital which aired on December 11 and 12, 2003. The storyline was the trial of Sonny Corinthos, played by Maurice Benard who made the arrangement possible and is a cousin of Aurilia's Giants teammate Marvin Benard.
He and his family reside in homes in Healdsburg, California and Phoenix, Arizona.
See also
List of NL Silver Slugger Winners at Shortstop
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors) |
Scott_Spiezio | https://en.wikipedia.org/wiki/Scott_Spiezio | [
230
] | [
"https://en.wikipedia.org/wiki/Scott_Spiezio"
] | Scott Edward Spiezio (; born September 21, 1972) is an American former professional baseball infielder. He is well known for his time as a member of the Anaheim Angels, when he hit a three-run home run in Game Six of the 2002 World Series against the San Francisco Giants, sparking the Angels to a dramatic come-from-behind victory. He also played for the Oakland Athletics, Seattle Mariners, and St. Louis Cardinals, and is the son of former major leaguer Ed Spiezio.
In addition to Spiezio's pivotal moment helping the Angels win the World Series, 2002 was also his most productive full season, with a .807 OPS. Spiezio was a utility player on the St. Louis Cardinals 2006 World Series championship team.
Amateur career
Spiezio attended Morris High School in Morris, Illinois, and was a letterman in baseball. In baseball, he was named his league's MVP and was an All-State selection.
Spiezio played college baseball for the University of Illinois at Urbana–Champaign. He made the All-Big 10 Team in baseball in 1992 and 1993. In 1992, he played collegiate summer baseball with the Wareham Gatemen of the Cape Cod Baseball League, and returned to the league in 1993 to play for the Cotuit Kettleers.
Professional career
Oakland A's
Spiezio was selected by the Oakland Athletics in the 1993 player draft and signed later that year. He made his debut with the 1996 A's and established himself as a classic utility player, making starts at first base, second base, and third base, and as a switch hitter with more power when batting left-handed.
Anaheim Angels
Spiezio signed as a free agent with the Anaheim Angels ahead of the 2000 season. During his years with the Angels, he made appearances in left field and right field, as well as first, second, and third base. In 2002, he had a career year. Playing every day, he set career highs in batting average, on-base percentage and RBI. It was in the postseason that he had his greatest success. Spiezio batted 18 for 55 (.327) for Anaheim in the playoffs that year. In Game 6 of the 2002 World Series, with Anaheim trailing three games to two in the series, trailing 5–0 in the seventh inning of the game, and facing a Series loss, Spiezio hit a three-run homer off of Félix Rodríguez to pull his team to within two runs. A lead off homer by Darin Erstad followed by a two-run double by Troy Glaus in the next inning won the game for the Angels by a 6–5 score, and the Angels would go on to win their first ever World Series championship 4–3. Spiezio tied Sandy Alomar Jr.'s postseason record with 19 RBI in one postseason that was set in 1997.
Seattle Mariners
After the 2003 season, Spiezio became a free agent and signed a contract with the Seattle Mariners. The next two seasons were the worst of his career. He tripped over a mound during 2004 spring training, resulting in a debilitating back injury. At one point, there were concerns the injury could threaten his career and potentially leave him paralyzed. He hit .215 that season and played only 29 games the next year (compiling an .064 average) before the Mariners released him on August 19, 2005.
St. Louis Cardinals
On February 18, 2006, Spiezio signed a minor league contract with the St. Louis Cardinals with an invitation to the club's spring training. Spiezio played well enough during the Cardinals' exhibition to secure a roster spot with the team as a reserve infielder entering the 2006 season. This move would reunite Spiezio with his former Angels teammate, shortstop David Eckstein.
Spiezio, used as a pinch hitter and all-around reserve player as well as the primary backup to Scott Rolen at third base, had his best season since 2002 for the 2006 Cardinals, hitting 13 home runs and driving in 52 runs despite only getting 276 at-bats. He would have another dramatic moment in the playoffs. With the Cardinals trailing, 6–4, in the seventh inning of Game 2 of the 2006 National League Championship Series, Spiezio hit a two-run triple to tie the score. The Cardinals went on to win the game and the series in seven games, then proceeded to win the 2006 World Series, earning Spiezio his second World Series ring.
On November 16, 2006, Spiezio signed a two-year contract to return to the Cardinals until the end of the 2008 season, with a club option for 2009. The deal was worth an estimated $4.5 million.
On June 15, 2007, Spiezio took the mound as a relief pitcher in the bottom of the eighth inning of a lopsided loss against the Athletics. His fastball was clocked as high as 87 mph. He pitched one inning, giving up one walk, no hits, no runs, and no strikeouts. After having pitched in one game, Spiezio played six positions in his career (seven counting designated hitter), missing catcher, shortstop, and center field.
Release
On August 7, 2007, Spiezio received IV fluids. He was described as being "irritable and anxious". Spiezio disconnected his IV and left the stadium rather than accept medical treatment. On August 9, 2007, the Cardinals placed him on the restricted list. The Cardinals stated that Spiezio would be seeking treatment for an unspecified substance abuse problem. On September 14, 2007, Spiezio was removed from the restricted list after 36 days and also reactivated to play in that evening's home game.
On February 27, 2008, the Cardinals released Spiezio after police in Irvine, California issued a warrant for his arrest. The warrant was issued on six charges relating to a car crash on December 30, 2007. According to Irvine police, a drunken Spiezio crashed his BMW into a fence, then ran from the scene. In April, he pleaded guilty to two misdemeanors and was sentenced to three years' probation and 80 hours community service. He was also ordered to undergo three months of alcohol treatment and attend Alcoholics Anonymous meetings.
On March 31, 2008, Spiezio signed a minor league deal with the Atlanta Braves and was assigned to their top affiliate, the Richmond Braves. He showed signs of his old form, batting .333 in five games. However, he was released on April 12 for being unprepared to play in a game. Spiezio later said that while he was sober at the time, he was in a deep depression after being released by the Cardinals and wasn't ready to take the field. Combined with a strained relationship with his first wife and the prospect of not being able to see his kids for two months, he decided to go home for the year.
Independent leagues
Spiezio believed he was finished with baseball after his major league career, but decided to give it another shot in 2009. The Angels put him in touch with the Orange County Flyers of the independent Golden Baseball League. Flyers manager Phil Nevin, a former major leaguer, decided to sign Spiezio after letting him work out for a week and getting assurances he was mentally ready to play. Spiezio signed another one-year deal to play the 2010 season for the Newark Bears. He hit .279 with three home runs and 35 RBI while appearing in 52 games.
Personal life
Spiezio is the son of two-time World Series champion Ed Spiezio.
On April 7, 2015, at 2:30 AM, police in Ottawa, Illinois, responded to a call that Spiezio punched out a window at the apartment where his then-girlfriend and infant son lived. Spiezio fled police and was later found through the use of a K-9 tracker behind a building, resulting in him being tased in order to be brought into custody. No charges were immediately filed.
In a 2022 interview with The Athletic, Spiezio revealed that he had spent the better part of 13 years battling substance abuse. He traced his downward spiral to the 2004 spring training injury, when the strain of being sidelined led him to begin drinking heavily, eventually drinking as much as a gallon of vodka per day. Over the years, he also became a cocaine addict. He admitted that during his time with the Cardinals, he frequently drank during games. As early as 2006, he had alienated so many of his friends in his hometown that no one joined him to celebrate the 2006 World Series win; in contrast, his friends threw him a huge party after the 2002 Series. By 2022, he had 12 stints in rehab and five arrests. His drug habit cost him both of his marriages and strained relationships with his family. His parents did not speak to him at all from 2005 to 2007 and had only sporadic contact with him from 2007 to 2011. He finally bottomed out in 2018, when he went to the hospital with severe jaundice from a badly damaged liver. He has been sober since then.
See also
List of second-generation Major League Baseball players
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors) |
Shawon_Dunston | https://en.wikipedia.org/wiki/Shawon_Dunston | [
230
] | [
"https://en.wikipedia.org/wiki/Shawon_Dunston"
] | Shawon Donnell Dunston (born March 21, 1963) is an American former professional baseball player. A shortstop, Dunston played in Major League Baseball (MLB) from 1985 through 2002. On January 13, 2023, he was selected as a member of the 2023 class of the Chicago Cubs Hall of Fame.
Dunston was the first overall pick in the 1982 MLB draft by the Chicago Cubs, and played for the Cubs (1985–95, 1997), San Francisco Giants (1996, 1998, 2001–02), Pittsburgh Pirates (1997), Cleveland Indians (1998), St. Louis Cardinals (1999, 2000) and New York Mets (1999). Dunston was named an All-Star in 1988 and 1990.
Early life
Dunston was born in the East New York section of Brooklyn, New York, on March 21, 1963. As a youth, he lived in the Linden Apartments, a public housing facility, with his father, Jack, mother, Brenda, and younger sister, Kindra. Jack worked as a cab driver and delivered furniture, while Brenda worked in a women's clothing store.
Dunston attended the nearby Thomas Jefferson High School. He played for the school's baseball team as an infielder. In his senior season at Thomas Jefferson, Dunston had a .790 batting average, 10 home runs, and stole 37 bases without being caught stealing in 26 games.
Playing career
As a shortstop, Dunston was considered one of the best prospects available in the 1982 Major League Baseball draft. The Chicago Cubs selected Dunston with the first overall selection of the draft out of Thomas Jefferson High School. He was the first player from the New York area to be chosen with the first overall pick in the draft. Opting to represent himself, Dunston signed a one-year contract with the Cubs for $100,000, and was assigned to the Cubs' Rookie-level minor league baseball affiliate in the Gulf Coast League.
Dunston competed with Larry Bowa for the role as the starting shortstop for the Cubs in spring training in 1985. Dunston initially won the job over Bowa. He made his debut in the major leagues on April 9. However, Dunston struggled offensively and defensively, batting .194 and committing nine errors in 23 games. As a result, he was sent back to the minor leagues, with Bowa regaining the starting role. After playing well for the Iowa Cubs, the Cubs recalled Dunston in August, and released Bowa.
In 1988 and 1990 he joined double-play partner Ryne Sandberg as an All-Star and was a key contributor to the Cubs' NL East division title in 1989, hitting .278 with 20 doubles, 6 triples, 9 home runs, 60 runs batted in and 19 stolen bases. Due to become a free agent after the 1991 season, Dunston instead signed a four-year, $12 million contract to remain with the Cubs without testing the open market. However, he injured his back that offseason, and required surgery to repair a herniated disk in May 1992. The Cubs opted not to protect Dunston from being eligible to be selected in the 1992 Major League Baseball expansion draft, but neither the Colorado Rockies nor the Florida Marlins selected him.
After the 1995 season, he was granted free agency. The Cubs wanted to move Dunston to third base, but he preferred to remain at shortstop. As a result, he signed with the San Francisco Giants for the 1996 season, receiving a one-year contract worth $1.5 million. He signed with the Cubs for the 1997 season, receiving $2 million.
On August 31, 1997, the Cubs traded Dunston to the Pittsburgh Pirates, who lost two shortstops, Kevin Elster and Kevin Polcovich, to injuries. He hit two home runs in his first game with the Pirates, and three in his first three games. He became a free agent after the season, and signed a one-year contract with the Cleveland Indians for $400,000. On July 23, 1998, the Indians traded Dunston, José Mesa, and Alvin Morman to the Giants for Jacob Cruz and Steve Reed. Dunston was batting .237 at the time of the trade. With the Giants, Dunston batted .176 in 51 at-bats. Dunston became a free agent after the season and signed with the St. Louis Cardinals on a one-year contract worth $500,000.
On July 31, 1999, the Cardinals traded Dunston to the New York Mets for Craig Paquette. He replaced rookie Melvin Mora on the Mets roster. Dunston became a free agent after the season and signed with the Cardinals for the 2000 season. He signed with the Giants that next offseason, playing with them in 2001 and 2002. He reached the 2002 World Series, his first, as a member of the Giants. He hit a home run off Kevin Appier of the Anaheim Angels in game six, but the Angels won the game and the series.
Dunston was a career .269 hitter with 150 home runs and 668 RBI in 1814 games. He seldom walked, so in spite of his batting average, his on-base percentage was the second-worst among players with at least 4500 plate appearances during their careers. At the end of his career, he was used mainly as a fourth outfielder and a role player off the bench.
He wore jersey #12 while with the Chicago Cubs.
Playing style
Bill James noted that Dunston was an "eternal rookie, a player who continued until the end of his career to make rookie mistakes." Dunston was known, especially early in his career, for his unusually strong throwing arm at the shortstop position.
He won the 1996 Willie Mac Award for his spirit and leadership.
Post-playing career
Dunston became eligible for the National Baseball Hall of Fame in 2008; 75% of the vote was necessary for induction, and 5% was necessary to stay on the ballot. He received 0.2% of the vote, thus being dropped off the Baseball Writers' Association of America's ballot.
During his career, Dunston resided in Fremont, California.
Personal
Dunston has a son, Shawon Jr., who has played minor league baseball. One of Dunston's three daughters, Jasmine Dunston, became the White Sox Director of Minor League Operations in 2022.
See also
List of Major League Baseball career stolen bases leaders
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet
"Shawon-O-Meter" |
Tim_Salmon | https://en.wikipedia.org/wiki/Tim_Salmon | [
230
] | [
"https://en.wikipedia.org/wiki/Tim_Salmon"
] | Timothy James Salmon (born August 24, 1968), nicknamed "King Fish", is an American former professional baseball player and current sportcaster. He played his entire career in Major League Baseball (MLB) from 1992 to 2006 with the Anaheim Angels as an outfielder and designated hitter. Salmon was an integral member of the Angels team that won the 2002 World Series. He is an analyst for Bally Sports West's Angels Live pre-and-postgame shows.
Salmon is considered one of the most prolific and beloved players in Angels history. At the time of his retirement, Salmon had the most home runs in Angels history with 299, since surpassed by Mike Trout in 2020. He was inducted into the Angels Hall of Fame in 2015.
Early life
Salmon was born on August 24, 1968, in Long Beach, California, and was raised in the Belmont Shore neighborhood of the city. When he was three years old, Salmon provoked a two-hour search after he wandered out of the house and was found watching games at the baseball field in a local park. Salmon's parents divorced when he was young, causing him to initially move to Texas with his mother and brother before splitting time between there and his father's house in Arizona under joint custody. Salmon cites his older brother and grandmother as sources of stability in his childhood.
Salmon attended Greenway High School in Phoenix, Arizona. He was a three-sport varsity athlete, primarily playing baseball and football while also playing basketball. As a member of the school's football team, Salmon played various positions, mostly punter and wide receiver, and received scouting interest from various college football programs. As a senior in 1986, Salmon was a member of a state championship-winning Babe Ruth League team. At the age of 17, he was drafted in the 18th round by the Atlanta Braves in the 1986 amateur draft but he did not sign. In high school, Salmon was undecided about which sport to pursue, but he ultimately chose to join Grand Canyon University's baseball team. In 1988, he played collegiate summer baseball with the Cotuit Kettleers of the Cape Cod Baseball League.
Professional career
Minor leagues
Salmon was selected by the California Angels in the third round of the 1989 MLB Draft, the 69th overall pick. He was initially assigned to the Bend Bucks, an Angels affiliate in the Class A Short Season Northwest League. In his first minor league season, Salmon posted a .245 batting average with 6 home runs and 31 RBIs in 55 games. In 1990, he was promoted to the A-Advanced Palm Springs Angels. During a May 26 game against the San Bernardino Spirit, Salmon was hit in the face by Kerry Woodson's fastball, fracturing his jaw. He was hospitalized and had his jaw wired shut, sidelining him for a large portion of the season. One doctor likened Salmon's injury to "breaking glass in a sock," but Salmon stated he didn't feel any pain. Up until the injury, he was batting .288 with 2 home runs and 21 RBIs in 36 games. Salmon returned to the field in 1990 with the Double-A Midland Angels, posting a .268 batting average with 3 home runs and 16 RBIs in 27 games. He spent all of 1991 with Midland, batting .245 and hitting 23 home runs with 94 RBIs in 131 games. In the 1992 season, Salmon was promoted to play for the Triple-A Edmonton Trappers, batting .347 with 29 home runs and 105 RBIs, all of which were new career highs in his minor league tenure. He won the Baseball America Minor League Player of the Year Award that season.
Major leagues
1992–1995: Early success, Rookie of the Year
On August 20, 1992, Salmon was called up to the big leagues by the Angels. Some baseball media members considered Salmon to be the most anticipated Angels call-up since Wally Joyner in 1986. He made his MLB debut on August 21, starting in right field and going 0-for-4 with a walk against the New York Yankees in Yankee Stadium. Salmon recorded his first hit the next day, a single off of Yankees starter Mélido Pérez in the 7th inning. He recorded his first career home run on August 23, a solo shot to left field off eventual teammate Scott Sanderson in the 4th inning. In his brief first season in the majors, Salmon batted .177 with 2 home runs and 6 RBIs in 23 games.
In 1993, Salmon joined the team as the everyday starter in right field for his true rookie season. By August, Salmon was batting .279 with 23 home runs and 71 RBIs, earning him media consideration as the frontrunner for the American League's Rookie of the Year award. Salmon finished the season batting .283 with 31 home runs and 95 RBIs. He won the American League Rookie of the Year award, only the fourth AL player ever to receive a unanimous vote.
Salmon started his 1994 season slow. Through May 3, he was batting .225 with 3 home runs, a point at which Angels hitting instructor Rod Carew had a meeting with Salmon, persuading him to be more aggressive at the plate. He took Carew's advice and results quickly followed: in a three-game stretch from May 10 to May 13, Salmon compiled a total of 13 hits, joining Joe Cronin and Walt Dropo in a three-way tie for the most hits in a three-game period in American League history. The set of games included a 5-for-5 performance with 2 home runs in a blowout victory over the Seattle Mariners in the Kingdome on May 13, raising his season batting average to .336 by the end of the day. Salmon received the AL Player of the Week Award for May 9–May 15, a first for his career. He finished the strike-shortened season batting .287 with 23 home runs and 70 RBIs in 100 games.
1995 was one of Salmon's career-best years at the plate. He set career highs in batting average at .330, on-base plus slugging (OPS) at 1.024, hits with 177, runs with 111, and total bases with 319. He received a Silver Slugger Award that year, and his 6.6 wins above replacement (WAR) ranked 7th among all players and 5th among position players in the American League. He placed 7th in AL Most Valuable Player Award voting.
1996–1999: Move to cleanup spot
With the emergence of Angels left fielder Garret Anderson in the previous season and continued production from center fielder Jim Edmonds, Salmon was the eldest of a young outfield that some members of the media considered to be second-best in the AL, only behind the Cleveland Indians trio of Albert Belle, Kenny Lofton, and Manny Ramirez. Through April 1996, Salmon was batting .281 with 3 home runs and 11 RBIs. By the All-Star break, he was batting .293 with 22 home runs and 58 RBIs, but he did not receive an All-Star selection. Salmon finished the season batting .286 with a team-leading 30 home runs and 98 RBIs. He led AL right fielders in putouts with 302 and was second in right fielder assists with 13. He led the AL in most games played in the outfield with 153.
In 1997, Salmon was moved to the cleanup spot for the first time in his career after primarily batting third every year since his true rookie season. The move resulted in an increased amount of RBIs for Salmon, including 60 before the All-Star break. Salmon finished the year batting .296 with 33 home runs and set career-highs in plate appearances with 695, At bats with 582, and RBIs with 129. He drove in Darin Erstad 23 times and Dave Hollins 22 times. He led AL outfielders in double plays with 5 and right field assists with 15. His 129 RBIs ranked 7th in the major leagues. He finished seventh in AL MVP voting, receiving 84 points and a 21% share.
During spring training in 1998, Salmon suffered a strain to his Achilles tendon but was able to continue playing. On April 22, Salmon left the game in the third inning after straining the arch in his left foot. He was placed on the 15-day disabled list and would not return until May 9. Salmon was named the AL Player of the Week for August 9, a span in which he batted .480 with 12 hits, 4 home runs, and 9 RBIs. He finished the season batting .300 with 26 home runs and 88 RBI. His .410 on-base percentage (OBP) ranked fourth in the American League. Salmon maintained his status as the cleanup batter throughout the year, making 93 of his 130 starts there.
Salmon received the third AL Player of the Week award of his career on April 18, 1999, after batting .481 with 2 home runs and 12 RBIs. On May 3, Salmon was removed from a game with an injury to his left wrist; X-rays taken that evening were negative and he was diagnosed with a sprain. On May 11, Salmon was placed on the 15-day disabled list, retroactive to May 4. Salmon missed 62 games with the injury and did not return until July 17. He finished the 1999 season batting .266 with 17 home runs and 69 RBIs in 98 games.
2000–2002: Veteran presence and World Series
With longtime pitcher Chuck Finley departing the team after 1999 and shortstop Gary DiSarcina playing his final MLB game on May 8, Salmon became the longest-tenured player on the field for the Angels early in the 2000 season. He received his fourth career AL Player of the Week award on August 6 after batting .583 with 2 home runs and 7 RBIs. On August 18, Salmon hit a fourth-inning home run off Roger Clemens, the 223rd home run of his career, surpassing Brian Downing for the most in Angels history. He earned the Player of the Week award again for August 27 after batting .500 with 2 home runs, one of which gave him his 30th on the year and made the Angels the first AL team that season to have four different players hit 30 home runs. His season stats improved from his injury-shortened 1999 season, batting .290 with 34 home runs and 97 RBIs while setting career highs in games played with 158 and walks with 104. His 108 runs scored ranked 10th in the AL and his 4 outfield double plays ranked second.
During the 2000–01 offseason, Salmon underwent surgery on both his right foot and his left shoulder, preventing him from conducting his regular weight training regimen. During spring training, he suffered a strain on his abdomen. Before the start of the season, Salmon, who was about to finish a four-year contract, briefly considered signing with the Arizona Diamondbacks, but instead signed a four-year, $40-million extension with the Angels. Through the first month of the 2001 season, Salmon batted .233 with 3 home runs, 10 RBIs, and 12 strikeouts. His struggles continued throughout the season and his batting average dipped to a season-low .195 on May 26. By the end of the season, he was batting .227, a career-low when excluding his abbreviated 1992 call-up season. He hit 17 home runs and 49 RBIs in 137 games. Team manager Mike Scioscia attributed Salmon's struggles to the two surgeries and spring training injury he endured.
In 2002, Salmon's regular season stats rebounded as he batted .286 with 22 home runs and 88 RBIs in 138 games. He helped lead the Angels to a 99-win season and a berth into the 2002 American League Division Series as the wild card team – it was the first postseason appearance of Salmon's career and the first for the Angels franchise since the 1986 American League Championship Series. During the ALDS, Salmon went 5-for-19 (.263) with 2 home runs and 7 RBIs in the team's 3–1 series victory over the New York Yankees. During the 2002 American League Championship Series, he went 3-for-14 (.214) with 3 walks as the Angels sealed their first ever American League pennant and a trip to the World Series with a 4–1 series victory over the Minnesota Twins. During Game 2 of the 2002 World Series, Salmon went 4-for-4 with 2 home runs, the first being a 2-run home run off Russ Ortiz in the second inning to make the score 7–4 Angels and the second also coming as a 2-run home run off of Félix Rodríguez to break the tie and give the Angels the 11–9 lead en route to their 11–10 victory. In Game 3, Salmon went 1-for-4 with an RBI, 2 walks, and 2 runs scored, and a stolen base. During Game 6, he went 2-for-4. Overall, Salmon went 9-for-26 (.346) with 2 home runs, 5 RBIs, 4 walks, and a 1.067 OPS as the Angels defeated the San Francisco Giants to win their first ever World Series. Salmon posted a 21.89% championship win probability added (cWPA) during the series, the highest out of anyone on the team and second-highest in the series behind Barry Bonds's 22.94%.
2003–2006: Surgery and final seasons
In 2003, his age-34 season, Salmon faced a positional change for the first time in his career as he platooned with Jeff DaVanon in right field and made the rest of his appearances as a designated hitter. He played 78 games in right field and 68 as the designated hitter. He finished the season batting .275 with 19 home runs and 72 RBIs.
In 2004, Salmon's stint as a primary outfielder for the team effectively came to an end as he was the designated hitter in 39 appearances, pinch hitter in 14, and outfielder in 8. Through 60 games, Salmon was batting .253 with 2 home runs and 23 RBIs. On July 26, Salmon told the media that he was contemplating retiring after the 2005 season, the extent of his contract. On August 12, it was announced that Salmon would need surgery for his torn rotator cuff and biceps tendon. He signaled a desire to finish out the season and help the Angels in their playoff hunt before undergoing the procedure. By August 29, Salmon was experiencing too much pain in his arm to swing a bat but still said he hoped to return that season; he was placed on the 15-day disabled list in the meantime. On September 1, Salmon decided to undergo the surgery that would end his 2004 season and likely sideline him for all of 2005 due to its expected eight-to-10 month recovery window. Because Salmon's contract was due to expire following the 2005 season, there was speculation that the injury and subsequent surgery could be career-ending. As expected, Salmon missed all of the 2005 season while recovering.
In January 2006, a 37-year-old Salmon was extended a non-roster invite to spring training. Following spring training, Salmon made the major league roster and signed a one-year deal worth $400,000 to serve as a designated hitter. On May 13, Salmon hit the 1,000th RBI of his career, following Garret Anderson as the second player in Angels history to drive in 1,000 runs for the franchise. On September 28, Salmon announced he would officially retire at the end of the 2006 season. He played his final major league game on October 1, 2006, against the Oakland Athletics. His name and jersey number were cut into the infield and outfield grass of the playing field at Angel Stadium. Salmon finished his major league career with a .282 batting average, 1,674 hits, 299 home runs, 1,016 RBIs, 986 runs scored, 48 stolen bases, a .385 OBP, .498 SLG, 128 OPS+, 40.5 WAR, and 1,672 games played.
Legacy
As of 2024, Salmon is the Angels' all-time leader in walks (965). He is second in franchise history with 299 home runs, 1,016 RBIs and 986 runs scored. He is one of only three Angels players to have won the Rookie of the Year award, the others being Mike Trout in 2012 and Shohei Ohtani in 2018.
Salmon returned to Angel Stadium as a player in the 2010 All-Star Legends & Celebrity Softball Game where he received a standing ovation before hitting two home runs for the American League and receiving the game's MVP award.
Salmon's jersey number, 15, has not been officially retired by the Angels. The number was out of circulation from his retirement until the team issued it to Randal Grichuk in 2023. On August 22, 2015, Salmon was inducted into the Angels Hall of Fame alongside former pitchers Dean Chance and Mike Witt during a pregame ceremony at Angel Stadium. On August 29, 2016, he was inducted into the Pacific Coast League Hall of Fame with a ceremony at Smith's Ballpark in Salt Lake City, the home of the Angels' Triple-A affiliate Salt Lake Bees.
Personal life
Salmon, his wife Marci, and their four children reside in Scottsdale, Arizona. While Salmon was with the Angels, the family lived in Newport Beach, California. His son played baseball while his daughter played softball.
Salmon is a Christian. During his time with the Angels, he would lead weekly chapel services in the team's clubhouse. Salmon has served as the head baseball coach at Scottsdale Christian Academy since 2015. He coached his son from 2015 to 2018.
See also
List of Major League Baseball career home run leaders
List of Major League Baseball career runs batted in leaders
List of Major League Baseball players who spent their entire career with one franchise
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet |
Troy_Glaus | https://en.wikipedia.org/wiki/Troy_Glaus | [
230
] | [
"https://en.wikipedia.org/wiki/Troy_Glaus"
] | Troy Edward Glaus (; born August 3, 1976) is an American former professional baseball third baseman and first baseman. Glaus played in Major League Baseball (MLB) with the Anaheim Angels (1998–2004), Arizona Diamondbacks (2005), Toronto Blue Jays (2006–2007), St. Louis Cardinals (2008–2009), and the Atlanta Braves (2010). Glaus lettered in baseball while attending UCLA. He won a bronze medal in baseball at the 1996 Summer Olympics as a member of the U.S. national baseball team. Glaus was a four-time All-Star and won World Series MVP honors in 2002.
Professional career
In 13 seasons, Glaus hit .254 with 320 home runs and 950 RBI in 1537 games. In 19 postseason games, he hit .347 with nine home runs and 16 RBI. Glaus has been selected to four All-Star Games, three with the Angels and one with the Blue Jays.
Anaheim Angels
Glaus began his career with the Angels in 1998 and was installed as the team's starting third baseman in 1999.
Glaus had a breakout season in 2000, becoming the all-time single season home run leader in Angels history with 47 while leading third baseman in adjusted range factor (2.95) in 2000.
Glaus participated in the 2001 MLB All-Star Game and posted his second consecutive 40 home run season with 41 on the year.
In 2002, Glaus failed to reach the 40 home run club for the first time since the 1999 season, but he managed to hit thirty home runs in helping the Angels make the playoffs for the first time in 16 years. The Angels beat the San Francisco Giants in seven games in the 2002 World Series to win their first world championship title in team history. Glaus was awarded the World Series MVP award as he hit .385 with three home runs and eight RBIs and hit a go-ahead double in Game 6 to finish a five-run comeback for the Angels. Glaus had another All-Star year in 2003.
Glaus missed much of the 2004 season with a shoulder injury. 2004 was the last year of his contract with the Angels. As an established veteran, he was in demand on the free agent market and able to field lucrative offers for long-term contracts. Although Glaus had spent his entire career an Angel, and was a fan favorite, the team decided not to pursue Glaus' return. Amid concerns about Glaus' future health after his injury, the team decided to go with the much lower-priced alternative of turning the third base position over to young prospect Dallas McPherson, who they felt had a good chance to soon become as productive as Glaus had been.
Arizona Diamondbacks
Glaus ultimately signed with the Arizona Diamondbacks for US$45 million over four years. He worked through his back problems in the 2005 season with the Diamondbacks, hitting 37 home runs with 97 RBIs. He also led the league in adjusted range factor (2.92), but his 24 errors tied him with David Wright for the most errors by a third baseman in the Major Leagues, and he had a Major League-low .946 fielding percentage at third.
Toronto Blue Jays
After the 2005 season, Glaus was traded to the Toronto Blue Jays in the off-season along with minor league shortstop Sergio Santos. The trade sent pitcher Miguel Batista and second baseman Orlando Hudson to the Diamondbacks. The Jays badly needed a power bat a year after letting go of Carlos Delgado, however the emergence of Hudson at second base gave the statistical advantage of this trade to the Diamondbacks. Although Glaus was converted from shortstop to third base in the minors (and played 10 games at shortstop for the Angels), he started at shortstop for the Toronto Blue Jays against the Chicago White Sox on May 26, 2006, due to the demotion of shortstop Russ Adams. Glaus was not expected to do much fielding due to the fact the pitcher that day was known to induce many fly balls, instead of ground balls. This defensive alignment didn't affect his hitting, collecting two hits with a home run. Glaus made several starts at shortstop for the Blue Jays, usually when Toronto was facing National League opponents at their home ballpark, where there is no DH.
After hitting 38 home runs and 104 RBI in the 2006 season, Glaus earned a single 10th place vote for the 2006 American League MVP Award.
In 2006, Glaus had the lowest zone rating of any Major League third baseman (.741).
In 2007 Glaus's production was hampered all year by foot injuries and his production fell.
On December 13, 2007, he was cited in the Mitchell Report.
St. Louis Cardinals
Glaus was traded to the St. Louis Cardinals in exchange for fellow third baseman Scott Rolen on January 14, 2008. This worked out well for the Cardinals, as Glaus did about as well as, or better than, his career rates in most offensive categories. Furthermore, Glaus committed only seven errors in 146 games and led the league with a .982 fielding percentage at 3B.
On September 3, 2008, he hit his 300th career home run off Doug Davis of the Arizona Diamondbacks in the third inning.
He underwent arthroscopic right shoulder surgery on January 21, 2009. The Cardinals initially expected him to be ready around the start of 2009 season, but after a setback in his rehabilitation he was placed on the 15-day DL; after another reassessment the Cardinals announced that they did not expect him to return until June 2009. On July 11, 2009, he was assigned to the Palm Beach Cardinals of the Florida State League on a rehabilitation assignment. He returned September 2, against the Brewers in the bottom of the 6th inning.
Atlanta Braves
Following an injury-shortened 2009 season with the St. Louis Cardinals, Glaus signed a one-year $1.75 million contract with the Atlanta Braves, a deal that allowed him to earn an additional $2.25 million in performance and roster bonuses. He became the starting first baseman in 2010.
After a rough April in which he hit below the Mendoza Line, Glaus rebounded to become Player of the Month in May, hitting .330 with six home runs and 28 RBI. As of August 9, Glaus was hitting .242 with 14 home runs and 63 RBI.
Glaus's production faltered in July and August. After Atlanta acquired Derrek Lee on August 18 to play first base, Glaus was placed on the DL with knee fatigue. Glaus had a few setbacks, but returned to Atlanta in a back-up role behind Derrek Lee and rookie Freddie Freeman.
Glaus made only one appearance at third base during the regular season, but was used at third base in Game 2 of the NLDS against the San Francisco Giants, starting a key double play. Glaus then started Game 4 of the series at third base.
Personal life
Glaus relocated to San Diego in 2020, with his wife, Ann. He also has one son, Ty.
See also
References
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet, or Behind the Dugout, or St. Louis Cardinals Scout, or Pura Pelota (Venezuelan Winter League)
Troy Glaus at Olympedia
Troy Glaus at Olympics.com |
John_Carpenter_filmography | https://en.wikipedia.org/wiki/John_Carpenter_filmography | [
231
] | [
"https://en.wikipedia.org/wiki/John_Carpenter_filmography"
] | John Carpenter is an American film director, producer, writer and composer. He has contributed to many projects as either the producer, writer, director, actor, composer or a combination of the five.
Films
As writer, producer and/or composer only
Editor only
Last Foxtrot in Burbank (1973)
Executive producer only
The Philadelphia Experiment (1984)
Vampires: Los Muertos (2002)
Short films
Acting roles
Highest-grossing films
This is a list of films directed by John Carpenter that grossed more than $10 million at the US box office according to Box Office Mojo. Carpenter's films have grossed domestically a total of more than $282 million, with an average of $18 million per film.
Television
TV movies
TV series
Video games
See also
John Carpenter's unrealized projects
References
Bibliography
External links
John Carpenter filmography at IMDb |
Dark_Star_(film) | https://en.wikipedia.org/wiki/Dark_Star_(film) | [
231
] | [
"https://en.wikipedia.org/wiki/Dark_Star_(film)"
] | Dark Star is a 1974 American independent science fiction comedy film produced, scored and directed by John Carpenter and co-written with Dan O'Bannon. It follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.
Beginning as a University of Southern California student film produced from 1970 to 1972, it was gradually expanded to feature-length until it appeared at Filmex in 1974, and subsequently received a limited theatrical release in 1975. Its final budget is estimated at $60,000. While initially unsuccessful with audiences, it was relatively well received by critics, and continued to be shown in theaters as late as 1980. The home video revolution of the early 1980s helped the movie achieve "cult classic" status. O'Bannon collaborated with home video distributor VCI in the production of releases on VHS, LaserDisc, DVD, and eventually Blu-ray.
Dark Star was Carpenter's feature directorial debut; he also scored the film. It was the feature debut for O'Bannon, who also served as editor, production designer, and visual effects supervisor, and appeared as Sergeant Pinback.
Plot
In the mid-22nd century, mankind has begun to colonize interstellar space. Armed with artificially intelligent Thermostellar Triggering Devices, which can talk and reason, the scout ship Dark Star searches for "unstable planets" which might threaten future colonization.
Twenty years into its mission (the crew only aging three years in that time), the Dark Star has aged and suffers frequent malfunctions of most systems. Commanding officer Powell has died in one such event (electrocuted by his malfunctioning chair), but remains aboard in cryogenic suspension. Lieutenant Doolittle, a former surfer from Malibu, has taken over as commander. The tedium of their work has driven the crew of Pinback, Boiler, and Talby "around the bend", so they have created distractions for themselves.
Pinback plays practical jokes, maintains a video diary, and has adopted a ship's mascot in the form of a mischievous beach-ball-like alien who refuses to stay in a storage room. After it attempts to push him down an elevator shaft, he eventually accidentally kills it with a tranquilizer gun (which pops the alien like a balloon). He claims to really be Bill Froug and says that the real Pinback committed suicide prior to the mission, and he inadvertently took Pinback's place.
En route to their next target in the Veil Nebula, the Dark Star is hit by electromagnetic energy during a space storm, resulting in another on-board malfunction. Thermostellar Bomb #20 receives an erroneous order to deploy, but the ship's computer talks it back into the bomb bay, which it reluctantly does. Subsequently, Pinback's alien activates the bomb circuits while loose from the storage room, causing Bomb #20 to again emerge from the bomb bay. Once again, the computer is able to convince the bomb to return to the bomb bay, which the bomb again reluctantly does, but not before warning, "This is the last time." An accident with a laser while the ship's crew is preparing for a real bomb run causes mayhem, seriously damages the ship's computer, and damages the bomb-dropping mechanism, causing Bomb #20 to become stuck in the bomb bay while counting down to detonation. This time the crew cannot convince the bomb to stand down. Doolittle revives Powell, who advises him to teach the bomb phenomenology. Doolittle space walks out to have a philosophical conversation with the bomb, but accidentally teaches it Cartesian doubt. With seconds left until detonation, the bomb agrees to suspend its countdown for the moment while it ponders Doolittle's ideas.
Pinback opens the airlock to admit Doolittle back into the ship, but accidentally ejects Talby, who was in the airlock attempting to repair the laser. Doolittle uses his rocket pack to go after Talby, who is in a space suit but has no maneuvering device. The bomb, having learned Cartesian doubt, trusts only itself. It is convinced that only it exists, and that its sole purpose in life is to explode, and it does so. Dark Star is destroyed, along with Pinback and Boiler. Talby and Doolittle, at a distance from the ship, are thrown clear. The former drifts into and is taken away by the Phoenix Asteroids, a travelling cluster with which he has long been fascinated. Doolittle, falling toward the unstable planet, finds an oblong hunk of debris, and surfs into the atmosphere, to die as a falling star.
Cast
Brian Narelle as Lieutenant Doolittle
Dan O'Bannon as Sergeant Pinback
O'Bannon also voiced Bomb #19 and Bomb #20, although he is credited for those roles as "Alan Sheretz" and "Adam Beckenbaugh" respectively.
Cal Kuniholm as Boiler
Andreijah "Dre" Pahich as Talby
John Carpenter as Talby (voice)
Joe Saunders as Commander Powell
John Carpenter as Commander Powell (voice)
Barbara "Cookie" Knapp as Computer
Miles Watkins as Mission Control
Nick Castle as Alien
Production
Screenplay
The screenplay was written by Carpenter and O'Bannon while they were film students at the University of Southern California. Initially titled The Electric Dutchman, to the original concept was Carpenter's, while O'Bannon "flesh[ed] out many of the original ideas" and contributed many of the funniest moments. The title was changed to Planetfall, before settling with Dark Star. According to O'Bannon, "The ending was copped from Ray Bradbury's story 'Kaleidoscope'", found in the short story collection The Illustrated Man (1951). O'Bannon references one of his USC teachers, William Froug, when Pinback says in a video diary entry, "I should tell you my name is not really Sergeant Pinback, my name is Bill Frug."
Filming, reshoots, and edits
The film began as a 45-minute 16mm student project with a final budget of six thousand dollars. Beginning with an initial budget of one thousand dollars from USC in late 1970, Carpenter and O'Bannon completed the first version of the film in early 1972. Carpenter had to dub his own voice over that of Pahich, who had a thick accent.
With no money left, they needed an investor to achieve feature film length, and Jonathan Kaplan gave them $10,000 in financial support, which with the support of Canadian distributor Jack Murphy (credited as "Production Associate") allowed them to shoot an additional fifty minutes 1973. These scenes included the asteroid storm, Doolittle playing bottles on strings as a musical instrument, the scenes in the crew sleeping quarters, the scenes in the hallways of the ship (Pinback with the sunlamp, Boiler with the laser gun, etc.), and, importantly, all the scenes featuring the beach ball alien. Kuniholm and Pahich had shorter hair by this time, and wore wigs for continuity with the 1971 footage.
Through John Landis, a friend of O'Bannon, the movie came to the attention of producer-distributor Jack H. Harris, who obtained the theatrical distribution rights. Deeming about 30 minutes of the film "boring and unusable" (including a protracted scene of the crew sleeping in their quarters, not responding to the computer voice), he insisted that cuts be made, and additional 35mm footage be shot to bring the movie back up to a releasable length. Other edits that Harris mandated, in order to secure a more marketable G rating, toned down rough language, and blurred of a wall of nude centerfolds. O'Bannon later lamented that as a result of the alterations for commercial distribution, "We had what would have been the world's most impressive student film and it became the world's least impressive professional film".
Special effects
O'Bannon created many of the special effects. Ron Cobb designed the ship, O'Bannon and Greg Jein did the model work, and Bob Greenberg did the animation. Cobb drew the original ship design on a napkin while eating at the International House of Pancakes.
To depict the transit of the Dark Star into hyperspace, O'Bannon devised an animated effect in which the stars in the background turn into streaks of light while the ship appears to be motionless. He achieved this by tracking the camera while leaving the shutter open. This is considered to be the first depiction in cinema history of a spaceship jumping into hyperspace. It is thought that O'Bannon was influenced by the striking "star gate" sequence created by Douglas Trumbull for 2001: A Space Odyssey (1968). The same effect was later employed in Star Wars (1977).
Soundtrack
Dark Star's score mainly consists of electronic music created by Carpenter, using a modular synthesizer. In 1980, subsequent to the film's re-release the previous year, a soundtrack album was released, containing not only music, but also sound effects and dialogue from the film. The album was remastered for a limited 2016 vinyl rerelease, which included an additional seven-inch record containing remakes and other bonus tracks.
The song played during the opening and closing credits is "Benson Arizona". It concerns a man who travels the galaxy at the speed of light, while missing his beloved back on Earth. The music was written by Carpenter, and the lyrics by Bill Taylor. The lead vocalist was John Yager, a college friend of Carpenter. Yager was not a professional musician, "apart from being in a band in college". Benson, Arizona is a real-life location, and has named a county road "Dark Star Road" in honor of the film. Additionally, the famous reverb/delay VST Valhalla Supermassive includes a preset called Benson Arizona in tribute to the movie.
Release
The completed film premiered on March 30, 1974, at Filmex, the Los Angeles International Film Exposition. At the time, Carpenter described the movie as "Waiting for Godot in outer space." Harris sold it to Bryanston Pictures, which opened it in fifty theatres on January 16, 1975.
In June 1979, after Carpenter and O'Bannon had found commercial success with other films, Atlantic Releasing Corporation rereleased Dark Star, noting on a promotional poster that it was "from the author of Alien & the director of Halloween", and including the tag line, "The Ultimate Cosmic Comedy!"
Home media
In August 1983, VCI Entertainment released a theatrical cut of Dark Star on videocassette. It was criticized by O'Bannon. A new video master was sourced from O'Bannon's personal 35mm print, and a widescreen "Special Edition" of the film was released by 1986.
O'Bannon later re-edited the movie into a seventy-two minute director's cut, removing much of the footage that had been shot and added after Harris had bought the distribution rights. This version was released on LaserDisc in 1992.
The film was released on DVD March 23, 1999. Both the original theatrical version and a shorter, sixty-eight minute "special edition" were included.
A two-disc "Hyperdrive Edition" DVD set was released on October 26, 2010. Along with the two versions of the movie previously released on DVD, it included a feature-length documentary, Let There be Light: The Odyssey of Dark Star, which explores the origins and production of the film.
In 2012, a "Thermostellar Edition" was released on Blu-ray. It included the special features of the 2010 release, but not the shorter special edition of the movie, only the theatrical version.
Reception
Audience reactions
While greeted enthusiastically by the crowd at Filmex, the film was not well-received upon its initial theatrical release. Carpenter and O'Bannon reported nearly empty theatres, and little reaction to the humor in the movie. However, the home video revolution of the early 1980s saw Dark Star become a cult film among sci-fi fans. Director Quentin Tarantino called the film a "masterpiece."
Critical response
An early review from Variety, recalled by Carpenter as "the first bad review I got", described the film as "a limp parody of Stanley Kubrick’s 2001: A Space Odyssey that warrants attention only for some remarkably believable special effects achieved with very little money." After its re-release in 1979, Roger Ebert gave the movie three stars out of four, writing: "Dark Star is one of the damnedest science fiction movies I've ever seen, a berserk combination of space opera, intelligent bombs, and beach balls from other worlds." Review aggregator Rotten Tomatoes gives it a 74% "Fresh" score based on 34 reviews, with an average rating of 6.4/10. The website's critics consensus reads, "A loopy 2001 satire, Dark Star may not be the most consistent sci-fi comedy, but its portrayal of human eccentricity is a welcome addition to the genre." Leonard Maltin awarded it two and a half stars, describing it as "enjoyable for sci-fi fans and surfers", and complimenting the effective use of the limited budget.
Legacy
Influence
The "Beachball with Claws" segment of the film was reworked by O'Bannon into the science fiction-horror film Alien (1979). After witnessing audiences failing to laugh at parts of Dark Star which were intended as humorous, O'Bannon commented, "If I can't make them laugh, then maybe I can make them scream." Doug Naylor has said in interviews that Dark Star was the inspiration for Dave Hollins: Space Cadet, the radio sketches that evolved into science fiction sitcom Red Dwarf.
Dark Star has also been cited as an inspiration for the machinima series Red vs. Blue by its creator Burnie Burns. Metal Gear series creator Hideo Kojima revealed the iDroid's voice was inspired by the female computer voice from Dark Star. Benson, Arizona, has a Dark Star Road, referencing the film's song named after the city.
Indie rock band Pinback adopted its name from the character Sergeant Pinback, and often used samples from the movie in its early work. Synth-pop band Erasure sampled dialogue from this film (along with Barbarella) in their song "Sweet, Sweet Baby", the B-side to "Drama!", the debut single off their album Wild! (1989). The Human League used a sample from the film at the end of "Circus of Death", the B-side of their debut single, "Being Boiled".
Cem Oral, under the alias Oral Experience, sampled dialogue from this film in his song "Never Been on E". The name of Pinbacker, the antagonist in Danny Boyle's film Sunshine (2007), also was inspired by Sergeant Pinback. Trevor Something used samples from Doolittle's conversation with the bomb in his 2014 mixtape Trevor Something Does Not Exist.
Progressive metal band Star One used the plot of the movie for their song "Spaced Out," with the name take from the film tagline "The Spaced Out Odyssey". German Digital Hardcore artist Bomb 20 is named after Bomb #20 from this film. Gravity Wine Co., based in Victoria, Australia, produces a red wine blend of Syrah and Grenache that is called Dark Star and which has "Dark Star - Phoenix Asteroids" written as a title at the top of the information section on its label.
See also
List of American films of 1974
References
Further reading
Holdstock, Robert. Encyclopedia of Science Fiction, Octopus Books, 1978, pp. 80–81. ISBN 0-7064-0756-3
Cinefex magazine, issue 2, Aug 1980. Article by Brad Munson: "Greg Jein, Miniature Giant". (Discusses Dark Star, among other subjects.)
Fantastic Films magazine, Oct 1978, vol. 1 no. 4, pages 52–58, 68–69. James Delson interviews Greg Jein, about Dark Star and other projects Jein had worked on.
Fantastic Films magazine, Sep 1979, issue 10, pages 7–17, 29–30. Dan O'Bannon discusses Dark Star and Alien, other subjects. (Article was later reprinted in "The very best of Fantastic Films", Special Edition #22 as well.)
Fantastic Films magazine, Collector's Edition #17, Jul 1980, pages 16–24, 73, 76–77, 92. (Article: "John Carpenter Overexposed" by Blake Mitchell and James Ferguson. Discusses Dark Star, among other things.)
Bradbury, Ray, Kaleidoscope Doubleday & Company 1951
Foster, Alan Dean. Dark Star, Futura Publications, 1979. ISBN 0-7088-8048-7. (Adapted from the script by Dan O'Bannon and John Carpenter)
External links
Dark Star at the AFI Catalog of Feature Films
Dark Star at IMDb
Dark Star at the TCM Movie Database
Dark Star at AllMovie
Dark Star at Rotten Tomatoes
Dark Star at The Official John Carpenter
Dark Star at the British Film Institute |
Assault_on_Precinct_13_(1976_film) | https://en.wikipedia.org/wiki/Assault_on_Precinct_13_(1976_film) | [
231
] | [
"https://en.wikipedia.org/wiki/Assault_on_Precinct_13_(1976_film)"
] | Assault on Precinct 13 is a 1976 American independent action thriller film written, directed, scored, and edited by John Carpenter. It features Austin Stoker as a police officer who defends a defunct precinct against a relentless criminal gang, and Darwin Joston as a death row-bound convict who assists him. Laurie Zimmer, Tony Burton, Martin West, and Nancy Kyes co-star as other defenders of the precinct.
Carpenter was approached by producer J. Stein Kaplan to make a low-budget exploitation film for under $100,000, on the condition that Carpenter would have total creative control. Carpenter's script, originally titled The Anderson Alamo, was inspired by the Howard Hawks Western film Rio Bravo and the George A. Romero horror film Night of the Living Dead. Despite controversy with the MPAA over a scene involving the violent killing of a young girl, the film received an R rating and opened in the United States on November 5, 1976.
Assault on Precinct 13 was initially met with mixed reviews and unimpressive box-office returns in the United States, but when the film premiered in the 1977 London Film Festival, it received an ecstatic review by festival director Ken Wlaschin that led to critical acclaim first in Britain and then throughout Europe. It has garnered a cult following and reappraisal from critics, with many evaluating the film as one of the best action films of its era and of Carpenter's career. A remake was released in 2005, directed by Jean-François Richet and starring Ethan Hawke and Laurence Fishburne.
Plot
In South-Central Los Angeles, a local gang, Street Thunder, steals a cache of assault rifles and pistols. At 3:00 am on a Saturday in Anderson, a crime-infested ghetto, a team of heavily armed LAPD officers ambush and kill six members of the gang. Later, the gang's four warlords swear a blood oath of revenge against the police and the citizens of Los Angeles.
Lieutenant Ethan Bishop, a newly promoted highway patrol officer, is assigned to take charge of the decommissioned Anderson police precinct during the last few hours before it is permanently closed. Only a skeleton staff remains, including Sergeant Chaney and the station's two secretaries, Leigh and Julie. A prison bus commanded by a man named Starker arrives seeking medical help for one of three men being transported to the state penitentiary: Napoleon Wilson, a convicted murderer; Wells; and Caudell, who is sick. Across town, the Street Thunder warlords drive around looking for people to kill. One of the warlords fatally shoots a little girl, Kathy, and the driver of an ice cream van. Kathy's father, Lawson, pursues and kills the warlord before other gang members chase him into the Anderson precinct. In shock, Lawson is unable to communicate what has happened to him.
As Starker's prisoners are placed in cells, the telephone lines go dead, and the station's electricity goes out. While Starker prepares to move the prisoners back onto the bus, the gang opens fire on the precinct, using weapons fitted with silencers. In seconds, they kill Chaney, the bus driver, Caudell, Starker, and two officers accompanying Starker. Bishop unchains Wilson from Starker's body and puts Wilson and Wells back into the cells. When the gang members begin a second wave of shooting, Bishop sends Leigh to release Wells and Wilson, and the four of them repel an attempted invasion. However, Julie is killed during the firefight, while Leigh is shot and wounded in one arm.
The gang members remove all evidence of the skirmish to avoid attracting outside attention. Bishop hopes that someone has heard the police weapons firing, but the neighborhood is too sparsely populated, due to most of the housing being scheduled for demolition, for nearby residents to pinpoint the location of the noise. Wells is chosen to sneak out of the precinct through a sewer line. After hot-wiring a nearby car, he is killed by a gang member hiding in the back seat before he can get to a telephone. Meanwhile, two police officers responding to reports of gunfire find the dead body of a telephone repairman hanging from a pole near the police station and call for backup.
As the gang rallies for an all-out final assault, Wilson, Leigh, and Bishop retreat to the station's basement, taking the still-catatonic Lawson with them. They protect themselves with a large, durable metal sign as the gang violently storms the building. Bishop shoots a tank full of acetylene gas, which explodes and kills all the gang members in the narrow basement hallway. The remainder of the gang flees as police arrive to secure the station. Venturing down into the basement, the officers discover that Bishop, Leigh, Wilson, and Lawson are the only survivors. Lawson is strapped onto a stretcher and removed. Another stretcher is offered to Leigh, but, after she and Wilson exchange a long look, she declines it and exits unassisted. When an officer attempts to handcuff Wilson, Bishop angrily intervenes before asking Wilson to walk out of the station with him.
Cast
Production
Following the release of Dark Star, Assault and a second script entitled Eyes were supposed to be two low-budget films written and directed by John Carpenter, with financing by J. Stein Kaplan. After reviewing the first draft of Assault and following the sale of the script Eyes to Barbra Streisand and Jon Peters, later renamed Eyes of Laura Mars, Kaplan and Kaufman concentrated on just Assault. "J. Stein Kaplan was a friend of mine from USC," said Carpenter. "He knew Joseph Kaufman from his days in Philadelphia … Basically their fathers were funding Assault on Precinct 13". The two families of the producers formed the CKK Corporation to finance the film.: 1
Screenplay
Carpenter had hoped to make a Howard Hawks-style Western like El Dorado or Rio Lobo, but when the $100,000 budget prohibited it, Carpenter refashioned the basic scenario of Rio Bravo into a modern setting.: 2 Carpenter employed the pseudonym "John T. Chance" for his original version of the script, entitled The Anderson Alamo, but he used his own name for the writing credit on the completed film.: 3 The script was written in eight days. Carpenter joked, "The script came together fast, some would say too fast."
Carpenter's script makes many allusions to film history and inspirations for this film. It has many references to the films of Howard Hawks. For example, the character of Leigh, played by Laurie Zimmer, was a reference to Rio Bravo writer Leigh Brackett. The running gag of having Napoleon Wilson constantly ask, "Got a smoke?", was inspired by the cigarette gags used in many of Hawks's Westerns. Also, subtle references are made to directors Sergio Leone and Alfred Hitchcock. The day and time titles were used to make the film feel more like a documentary.: 5&10
Pre-production
Assault underwent several months of preproduction.: 44 Carpenter assembled a main cast that consisted mostly of experienced but relatively obscure actors. The two leads were Austin Stoker, who had appeared previously in Battle for the Planet of the Apes and Sheba, Baby, and Darwin Joston, who had worked primarily in television and was also Carpenter's next-door neighbor. After an open casting call, Carpenter added Charles Cyphers and Nancy Loomis to the cast.
Behind the scenes, Carpenter worked with cinematographer Douglas Knapp (a fellow USC student), art director Tommy Lee Wallace, sound mixer Bill Varney and property master Craig Stearns. "I hardly knew what the job required," said Wallace, "but he believed in me, and, of course my price was right. It was typical of John during those lean days. He made the very best of whatever talent and facilities he had around him." Carpenter drew storyboards for key sequences, including the "ice cream truck" sequence, the death of the white warlord, Napoleon Wilson struggling to get the keys off the guard after the siege starts, and the failed escape by prisoner Wells.: 13
Principal photography
Assault started in November 1975 and was shot in only 20 days, including Thanksgiving, on a budget of $100,000.: 43 The film was shot on 35-mm Panavision in a 2.39:1 anamorphic aspect ratio on Metrocolor film stock, and was Carpenter's first experience with Panavision cameras and lenses. Carpenter has referred to this film as the most fun he has ever had directing.
Two weeks of shooting indoors were followed by two weeks on-location.: 70 The interiors of the police station were shot on the now-defunct Producers Studios set, while the exterior shots and jail cells were from the old Venice police station.: 87 The bus traveling to Sonora was shot on a closed section of the Los Angeles freeway system, with cast and crew having lunch on the freeway.: 77–86 Carpenter's philosophy to making Assault, which he believes can be applied to making any low-budget film, was to shoot as little footage as possible and extend the scenes for as long as he could.
The first scene, in which several gang members of Street Thunder are gunned down by cops, was shot at USC. The gang members were played by USC students, who Carpenter remembered had a lot of fun finding ways of dying while spilling blood over themselves.
"The first night I saw dailies," replied art director Wallace, "projected on a bedsheet in the producer's ratty apartment… My jaw dropped and I sat up so straight I cast a shadow with my head. This looked like a zillion dollars. This looked like a real movie."
Music
One of the film's distinctive features is its score, written in three days by John Carpenter and performed by Carpenter and Tommy Lee Wallace.: 192 Carpenter, assisted by Dan Wyman, had several banks of synthesizers that would each have to be reset when another sound had to be created, taking a great deal of time. "When I did my original themes for [Assault] … it was done with very old technology," replied Carpenter. "It was very difficult to get the sounds, and it took very long to get something simple." Carpenter made roughly three to five separate pieces of music and edited them to the film as appropriate.
The main title theme, partially inspired by both Lalo Schifrin's score to Dirty Harry and Led Zeppelin's "Immigrant Song", is composed of a pop synthesizer riff with a drum machine underneath that "builds only in texture, but not thematically," according to David Burnand and Miguel Mera. A held, high synthesizer note, with no other changes except inner frequency modulations, becomes the musical motif of the gang members, and reoccurs during certain violent acts in the film. In the film, synthesizers and drum machines represent the city and the gang.
Carpenter also uses a plaintive electric piano theme when Lt. Bishop first enters the abandoned precinct. It reoccurs in the film during the quiet moments of the siege, becoming in effect a musical articulation of rhythm of the siege itself. Bishop is heard whistling the tune of this particular theme at the beginning and end of the film, making the electric piano theme "a non-diegetic realization of a diegetic source." Burnand and Mera have noted that "there is some attempt to show the common denominators of human behavior regardless of 'tribal' affiliations, and there is a clear attempt to represent this through simple musical devices."
Many film critics who praised the film also praised the musical score by Carpenter. As John Kenneth Muir noted, "Carpenter wrote the riveting musical score for Assault... The final result was a unique, synthetic sound that is still quite catchy, even after 20 years … Delightfully, it even serves as a counterpoint in one important scene." Dave Goldner of SFX wrote that Assault had "one of the most catchy theme tunes in film history." In early 2004, Piers Martin of NME wrote that Carpenter's minimalist synthesizer score accounted for much of the film's tense and menacing atmosphere and its "impact, 27 years on, is still being felt."
A vocal version of the theme, titled You Can't Fight It, with lyrics and production by Kenny Lynch, was recorded by Trinidad singer Jimmy Chambers and released in the UK as a 45 on the Pye label in April 1978, but it failed to chart and is now a rare item. Beyond its use in the film, the score is often cited as an influence on various electronic and hip hop artists with its main title theme being sampled by artists including Afrika Bambaataa, Tricky, Dead Prez, and Bomb the Bass.: 192 The main theme was reworked in 1986 as an Italo disco 12" and more famously as the 1990 UK-charting rave-song "Hardcore Uproar".
Despite this influence, except for a few compilation appearances,: 193–195 the film's score remained available only in bootleg form until 2003, when it was given an official release through the French label, Record Makers.
Post-production
Carpenter edited the film using the pseudonym John T. Chance, the name of John Wayne's character in Rio Bravo; his frequent collaborator Debra Hill served as assistant editor.: 49 According to Carpenter, the editing process was a bare-bones process. One mistake Carpenter was not proud of was one shot "cut out of frame", which means the cut is made within the frame so a viewer can see it. Assault was shot on Panavision, which takes up the entire negative, and edited on Moviola, which cannot show the whole image, so if a cut was made improperly (i.e., frame line not lined up properly), then one would cut a half of a sprocket into the film and "cut out of frame," as happened to Carpenter. In the end, it did not matter because he said, "It was so dark, no one could see it, thank God!"
Tommy Lee Wallace, the film's art director, spoke admiringly about Carpenter during post. "[Carpenter] asked if I could cut sound effects. The answer, of course, was 'Sure!' Once again, here I was, a perfectly green recruit, yet John made a leap of faith … he further insisted we get the best processing money could buy, which at that time was the legendary MGM color labs. Finally, he insisted we get the best post-production sound money could buy, which was Samuel Goldwyn Sound, another legend. The expense for this unorthodox approach ate up a huge amount of the budget. The production manager fumed that we were exploiting people to pay for processing— and it was true."
Release
Although the film's title is Assault on Precinct 13, the action mainly takes place in a police station referred to as Precinct 9, Division 13, by Bishop's staff sergeant over the radio. The film's distributor was responsible for the misnomer. Carpenter originally called the film The Anderson Alamo before briefly changing the title to The Siege to shop to distributors. The film was acquired by Irwin Yablans. During post-production, however, the distributor rejected Carpenter's title in favor of the film's present name. The moniker "Precinct 13" was used to give the new title a more ominous tone. When the film became popular in Britain, Michael Myers of Miracle Films purchased the British theatrical distribution rights.
The film was released in Germany on September 3, 1979, under the title Assault – Anschlag bei Nacht, or Assault–Attack at Night.: 168
The most infamous scene in the movie occurs when a gang member casually shoots a little girl (Kathy) standing near an ice-cream truck, with her death being shown in graphic, bloody detail. The MPAA, headed by Richard Heffner at the time, threatened to give the film an X rating if the scene were not cut. Following the advice of his distributor, Carpenter gave the appearance of complying by cutting the scene from the copy he gave to the MPAA, but he distributed the film with the "ice-cream truck" scene intact, a common practice among low-budget films. Carpenter regrets shooting the ice-cream scene in such an explicit fashion: "…it was pretty horrible at the time … I don't think I'd do it again, but I was young and stupid."
The film eventually received an R rating and has a running time of 91 minutes.
Reception
Initial reception
Assault was first released in Los Angeles at the State Theater on November 3, 1976, to mixed reviews and unimpressive box-office earnings. Whitney Williams of Variety wrote, "Some exciting action in the second half packs enough interest to keep this entry alive for the violence market... John Carpenter's direction of his screenplay, after a pokey opening half, is responsible for the realistic movement." Dan O'Bannon, Carpenter's co-writer on Dark Star, attended the Los Angeles premiere. At this point in their professional relationship, O'Bannon was jealous of Carpenter's success and reluctantly attended the premiere. O'Bannon was disgusted by the film and told Carpenter so. According to author Jason Zinoman, O'Bannon saw a reflection of the coolness that Carpenter displayed toward him in the film's casual disregard for the humanity of its characters. It reminded him of how easily their friendship had been discarded. "His disdain for human beings would be serviced if he could make a film without people in it," replied O'Bannon.
The film opened at the Cannes Film Festival in May 1977, where it received favorable notices from some of the British critics. "Carpenter at Cannes wiped us off the face of the earth with Precinct 13" replied director George A. Romero, who was at the festival with his film Martin. "Right from the scene when the little girl gets blown away, I was blown away." As a result, festival director Linda Myles booked the film for the Edinburgh Film Festival in August 1977. However, the film did not get critical acclaim until it was screened at the 21st London Film Festival on December 1, 1977.: 153 Ken Wlaschin, festival director, described the film in the brochure:
John Carpenter, whose small-budget science-fiction epic Dark Star was widely acclaimed, has turned his inventive imagination to the thriller for his first solo directional effort. The result, even without taking into consideration his tiny budget and cast of unknowns, is astonishing. Assault on Precinct 13 is one of the most powerful and exciting crime thrillers from a new director in a long time. It grabs hold of the audience and simply doesn't let go as it builds to a crescendo of irrational violence that reflects only too well our fears of unmotivated attack... It is a frightening look at the crumbling of rational ideas of law and order under an irresistible attack by the forces of irrationality and death.
Wlaschin found Assault to be the best film of the London Film Festival and included it in his "Action Cinema" section of that festival. It became one of the festival's best-received films, garnering tremendous critical and popular acclaim.: 156 According to Derek Malcolm of the Guardian, the applause was "deafening". Carpenter was delighted by the new praise.
The overwhelmingly positive British response to the film led to its critical and commercial success throughout Europe. Derek Malcolm of Cosmopolitan wrote, "[The film] is fast becoming one of the cult movies of the year ... The great virtue of the film is the way it grabs hold of its audience and simply refuses to let go. It exploits all our fears of irrational violence and unmotivated attack, and at the same time manages to laugh at itself without spoiling the tension - a very considerable feat. Carpenter, who is clearly a director with places to go, has succeeded in making a comedy that scares the pants off us. And don't think you're laughing at it. As a matter of fact, it's laughing at you." Malcolm later wrote that he held some reservations about the film: "I don't feel like going on and on about the movie, partly because I think it is in grave danger of being oversold anyway, and partly because it isn't much more to me than tremendous fun". The film broke one house record in the UK and was named one of the best films of the year by critics and moviegoers.: 162
Later reception
Over the years, the film has received acclaim from critics, emphasizing John Carpenter's resourceful abilities as director, writer, editor, and music composer, and Douglas Knapp's stylish cinematography, as well as exceptional acting from Austin Stoker, Darwin Joston, Laurie Zimmer, and Tony Burton.
Vincent Canby of The New York Times wrote, "[Assault] is a much more complex film than Mr. Carpenter's 'Halloween,' though it's not really about anything more complicated than a scare down the spine. A lot of its eerie power comes from the kind of unexplained, almost supernatural events one expects to find in a horror movie but not in a melodrama of this sort … If the movie is really about anything at all, it's about methods of urban warfare and defense. Mr. Carpenter is an extremely resourceful director whose ability to construct films entirely out of action and movement suggests that he may one day be a director to rank with Don Siegel." Jeffrey Wells of Films In Review wrote, "Skillfully paced and edited, Assault was rich with Hawksian dialogue and humor, especially in the clever caricature of the classic 'Hawks woman' by Laurie Zimmer." Tom Allen and Andrew Sarris of the Village Voice described the film as "one of the most stylishly kinetic independent films of the 1970s." Alan Jones of Starburst wrote, "Bravura remake of Rio Bravo."
Dave Golder of SFX magazine hailed the film as, "A superb, bloody thriller about a siege in an abandoned L.A. cop station." In his book The Horror Films of the 1970s, John Kenneth Muir gave the film three and a half stars, calling it "a lean, mean exciting horror motion picture... a movie of ingenuity, cunning and thrills." Mick Martin & Marsha Porter of the Video Movie Guide gave the film four and a half stars out of five, writing, "…John Carpenter's riveting movie about a nearly deserted L.A. police station that finds itself under siege by a youth gang. It's a modern day version of Howard Hawks' Rio Bravo, with exceptional performances by the entire cast." In 2003, Dalton Ross of Entertainment Weekly described Assault as "a tight, tense thriller … Carpenter's eerie score and Douglas Knapp's stylish cinematography give this low-budget shoot-out all the weight of an urban Rio Bravo." Leonard Maltin also gave the film three and a half stars out of four: "A nearly deserted L.A. police station finds itself under a state of siege by a youth gang in this riveting thriller, a modern-day paraphrase of Howard Hawks' Rio Bravo. Writer/director Carpenter also did the eerie music score for this knockout."
Tim Pulleine of The Guardian described the film as superficial despite successfully meeting the requirements of the genre. Brian Lindsey of Eccentric Cinema gave the film 6 out of a scale of 10, saying the film "isn't believable for a second—yet this doesn't stop it from being a fun little B picture in the best drive-in tradition".
The film has a 96% approval rating on Rotten Tomatoes based on 50 reviews, with an average rating of 7.8/10. It is Carpenter's highest-rated film as writer-director on the website. The site's consensus reads: "Lean, taut and compellingly gritty, John Carpenter's loose update of Rio Bravo ranks as a cult action classic and one of the filmmaker's best." On Metacritic, the film has a weighted average score of 89 out of 100, based on 7 critics, indicating "Universal acclaim".
Accolades
John Carpenter won the 1978 annual British Film Institute award for the "originality and achievement of his first two films", Dark Star and Assault, at the 1977 London Film Festival.
The film is recognized by American Film Institute in these lists:
2001: AFI's 100 Years...100 Thrills – Nominated
Legacy and remake
Assault on Precinct 13 is now considered by many to be one of the greatest and most underrated action films of the 1970s, as well as one of the best films in John Carpenter's career. In the July 1999 issue, Premiere put the film on its list of 50 "Lost and Profound" unsung film classics, writing:
A trim, grim, vicious, and incredibly effective action movie with no cut comic-relief bit players, no winks at the audience, and no stars. Just a powder keg of a premise (lifted in part from Howard Hawks's Rio Bravo), in which a quasiterrorist group's killing spree culminates in the action described in the title. Carpenter's mastery of wide-screen and almost uncanny talent at crafting suspense and action sequences make Assault such a nerve-racking experience that you may have to reupholster your easy chair after watching it at home.
In 1988, Alan Jones of Starburst said Assault is "arguably still the best film [Carpenter] ever made." In 2000 John Kenneth Muir placed the film at No. 3 on his rated list of John Carpenter's filmography, behind The Thing and Halloween. In October 2007, Noel Murray and Scott Tobias of The A.V. Club also ranked Assault at No. 3 of John Carpenter's best films ("The Essentials"), saying, "The first John Carpenter film that really feels like a John Carpenter film, this homage to Howard Hawks Westerns suggests a path that Carpenter's career might've taken if Halloween hadn't become such a hit. Carpenter's made many different kinds of movies over the course of his long career, but he hasn't gotten to return often enough to terse tales of gun-toting heroes and villains." In Jeff Chang's 2005 book, Can't Stop Won't Stop, he cites Assault on Precinct 13 as the start of "the urban horror" genre. Chang describes the film
Instead of Indian braves, Zulu warriors, or graveyard zombies, Assault on Precinct 13's heroes defended themselves in a desolate police station against marauding waves of dark, heavily armed gang members seeking revenge for their cop-killed brothers.
In his fifth edition of The New Biographical Dictionary of Film in 2010, film historian David Thomson described Assault as "a Hawksian set of a police station besieged by hoodlums - economical, tense, beautiful, and highly arousing. It fulfills all Carpenter's ambitions for gripping the audience emotionally and never letting go." Writers Michelle Le Blanc and Colin Odell have written of the film: "[Assault] looks as fresh as the day it was first screened; its violence still shocking, its soundtrack still effective, and both the dialogue and its delivery are top notch, all in a film whose $100,000 budget wouldn't satisfy the catering demands of the average Hollywood picture. This is because there is an overriding vision, a consistency to Carpenter's work that rewards repeat viewing and presents a single unifying world view."
Film director Edgar Wright and actor Simon Pegg are big fans of Assault. "You wouldn't really call it an action film," claims Pegg, "because it was pre- the evolution of that kind of film. And yet it is kind of an action film in a way." "It's very much his [Carpenter's] kind of urban Western", adds Wright, "in the way it is staging Rio Bravo set up in downtown '70s LA... And the other thing is, for a low-budget film particularly, it looks great." In October 2011, artist Tyler Stout premiered his mondo-style poster of Assault. Stout's poster would later serve as the cover on the Region B Blu-ray of Assault.
Assault has influenced a number of action films that came after, setting the rules for the genre that would continue with films such as Die Hard and The Matrix. The second section of From Dusk till Dawn was described by Variety as a "Night of the Living Dead-tinged offshoot of ... Assault on Precinct 13". The character of Scott wears a t-shirt with the words 'Precinct 13' on it as a homage to the film. In 2002, the film inspired Florent Emilio Siri's quasi-remake The Nest. The core plot of the film has reportedly inspired a 2019 Indian Tamil film Kaithi.
As a result of the film, John Carpenter went on to work with producer Irwin Yablans on Halloween, the most successful film of Carpenter's career. Due to the success of Assault in London, Carpenter named the Shape in Halloween after Michael Myers of Miracle Films, the British distributor for Assault. Myers's son Martin considered the tribute as a "tremendous honor" and "a lasting memorial to his late father". Donald Pleasence would go on to star in Carpenter's Halloween because his daughters were big fans of Assault. Debra Hill, the film's script supervisor, went on to produce Carpenter's future features and become his girlfriend.
In 2005, the film was remade by director Jean-François Richet and starring Ethan Hawke and Laurence Fishburne. The Richet remake has been praised by some as an expertly made B-movie, and dismissed by others as formulaic, with many critics preferring the original Assault to the remake.
Themes and analysis
Critics and commentators have often described Assault as a cross between Howard Hawks's Rio Bravo and George A. Romero's Night of the Living Dead. Carpenter acknowledges the influence of both films.
In his 2000 book The Films of John Carpenter, John Kenneth Muir deconstructs Carpenter's use of Rio Bravo as a template for Assault: "Although [the film's] premise may sound like typical 1970s picture, it was quintessential Carpenter in execution — which meant it was really quintessential Howard Hawks. Of primary importance was not the bloodshed or action, but rather the developing friendship and respect in evidence between the white convict Napoleon Wilson and black cop Lt. Bishop … also important in [Assault]'s homage to director Hawks was the unforgettable presence of actress Laurie Zimmer as a prototypical 'Hawksian Woman,' i.e., a female who gives as good as she gets and is both tough and feminine at the same time."
As with most of Carpenter's antagonists, Street Thunder is portrayed as a force that possesses mysterious origins and almost supernatural qualities. "Rather than going for any particular type of gang," replied Carpenter, "I decided to include everybody." The gang members are not humanized and are instead represented as though they were zombies or ghouls—they are given almost no dialogue, and their movements are stylized, with a slow, deliberate, relentless quality. Carpenter has acknowledged the influence of George A. Romero's Night of the Living Dead on his portrayal of the gang.
Assault was shot in 2.35:1 anamorphic Panavision widescreen, Carpenter's first use of the format that he would use on all of his feature films. "I just love Panavision," replied Carpenter. "It's a cinematic ratio."
Home video releases
Assault was released on VHS by Media Home Entertainment in 1978 and on laserdisc by Image Entertainment on March 12, 1997. The '97 laserdisc came with commentary by John Carpenter, an isolated music score track and the original theatrical trailer.
The film was one of the first films to be released on the DVD medium on November 25, 1997, also by Image Entertainment. On March 11, 2003, Image Entertainment released in new widescreen "Special Edition" DVD of the film. Dalton Ross of Entertainment Weekly gave this 2003 DVD release a B+. Brian Lindsay of Eccentric Cinema gave the film's 2003 DVD release a 10 out of 10, the website's highest rating. Special features of the 2003 DVD release include:
Film shown in anamorphic widescreen (2.35:1) with monaural Dolby Digital 2.0 audio.
Q & A interview session with writer/director John Carpenter and actor Austin Stoker at American Cinematheque's 2002 John Carpenter retrospective (23 minutes)
Original theatrical trailer
2 radio spots
Behind-the-scenes and lobby card stills gallery (16 minutes)
Full-length audio commentary by writer/director Carpenter taken from a 1997 laserdisc release
Isolated music score, also taken from the 1997 laserdisc release
The film was later released on UMD video for the PlayStation Portable on July 26, 2005 and in a "Restored Collector's Edition" for both DVD and Blu-ray Disc in 2008 and 2009, respectively. Both releases have all of the special features found on the 2003 "Special Edition" DVD.
Assault on Precinct 13 was re-released on November 19, 2013, as Shout! Factory acquired the rights to release the film in the United States under its sublabel Scream Factory in a 'Collector's Edition'. Special features for this set include new interviews with actress Nancy Loomis Kyes and art director/sound effects designer Tommy Lee Wallace, and from previous editions, audio commentary from John Carpenter and Austin Stoker, theatrical trailer, and radio spots. All other special features from the previous editions have been excluded from this set. The film has also received Blu-ray releases in Germany, on May 25, 2012, in a '3-Disc Limited Collector's Edition' which includes two DVDs and contains a 24-page booklet in addition to the special features available on the Image Entertainment DVD and Blu-ray, with a subsequent standard edition released on November 16, 2012, in Australia, it is available via Umbrella Entertainment, released August 5, 2015. A '40th Anniversary Edition' became available in the United Kingdom by Second Sight, and features John Carpenter's score for the film on a bonus disc. The Blu-ray of the film is presented in its original aspect ratio of 2.35:1, with 5.1 DTS-HD surround sound and dual mono sound, and a plethora of special features including new interviews with actor Austin Stoker, executive producer Joseph Kaufman, and art director and sound effects designer Tommy Lee Wallace, along with commentaries from Wallace and John Carpenter, trailer and radio spots, and five art cards.
See also
List of American films of 1976
List of hood films
Notes
References
Further reading
Boulenger, Gilles (2003). John Carpenter: The Prince of Darkness (First US ed.). Beverly Hills, CA: Silman-James Press. ISBN 1-879505-67-3.
Conrich, Ian; Woods, David, eds. (2004). The Cinema of John Carpenter: The Technique of Terror. London, England: Wallflower Press. ISBN 1-904764-14-2.
Le Blanc, Michelle; Odell, Colin (April 28, 2011). John Carpenter (Creative Essentials) (Paperback ed.). Great Britain: Kamera Books. ISBN 978-1842433386.
Muir, John Kenneth (2000). The Films of John Carpenter (Hardcover ed.). New York, NY: McFarland and Company Inc. ISBN 0-7864-0725-5.
Zinoman, Jason (July 7, 2011). Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror (Hardcover ed.). New York, NY: The Penguin Press. ISBN 978-1594203022.
Baily, K. (March 12, 1978). Sunday People.
Barker, F. (March 9, 1978). The Evening News.
Barkley, F. (March 12, 1978). Sunday Express.
Bernandes, H. (1995). Armante Cinema 45 (in Spanish). p. 37.
Bitomsky, Hartmut; Hofmann, Felix (February 2, 1979). "Assault on Precinct 13" (in German). Internationale Filmfestspiele Berlin [Program]. Retrieved 2012-08-25.
Bordwell, David (April 10, 2006). The Way Hollywood Tells It: Story and Style in Modern Movies (First ed.). University of California Press. p. 59. ISBN 978-0520246225.
Brien, A. (March 12, 1978). Sunday Times.
Christie, I. (March 11, 1978). Daily Express.
Chute, David (March 13, 1979) "Second sight: on becoming king of the Bs". Boston Phoenix. pp. 4, 12. Retrieved 2012-08-25.
Coleman, J. (March 10, 1978). New Statesman.
Combs, Richard (1977/8). Sight and Sound 47. pp. 1, 58-9.
Davies, R. (March 12, 1978). Observer.
Dignam, V. (March 10, 1978). Morning Star.
Dixon, Wheeler Winston (August 24, 2010). A History of Horror (Paperback ed.). Rutgers University Press. pp. 130, 132 & 135. ISBN 978-0813547961.
Divine, C. (2000). "Noir Romantics: The Urban Poetry of Assault on Precinct 13". Creative Screenwriting. pp. 5,7, 20-22.
Gibbs, P. (March 10, 1978). Daily Telegraph.
Gow, G. (1978). Films and Filming. pp. 5, 24, 45.
Harmsworth, M. (March 12, 1978). "Cracker in the ghetto". Sunday Mirror.
Hutchinson, T. (March 12, 1978). Daily Telegraph.
Klein, David (December 30, 2011). If 6 Was 9 And Other Assorted Number Songs (Paperback ed.). lulu.com. p. 73. ISBN 978-1257759330.
Maltin, Leonard (Winter 2007/2008). "Overstaying Your Welcome". DGA Quarterly. Retrieved 2012-08-04.
Maltin, Leonard (August 12, 2008). "Post #2". Penguin.com. Retrieved 2012-08-04.
Milne, Tom (1978). Monthly Film Bulletin 529. p. 19-20.
Plowright, M. (September 1978). "A hoodlum siege that could happen". Glasgow Herald.
Sigal, C. (March 18, 1978). Spectator.
S.M. (1978). Films Illustrated.
Thirkell, A. (March 10, 1978). "Guns in the ghetto". Daily Mirror.
Walker, A. (March 9, 1978). Eveing Standard.
Williams, T. (1979). "Assault on Precinct 13: The Mechanics of Repression". In Wood, Robin; Lippe, R. (eds). The American Nightmare: Essays on the Horror Film. Toronto, Canada: Festivals of Festivals. pp. 67–73.
External links
Assault on Precinct 13 at IMDb
Assault on Precinct 13 at AllMovie
Assault on Precinct 13 (1976) on the Official John Carpenter website
Assault on Precinct 13 Trailer on YouTube |
Halloween_(1978_film) | https://en.wikipedia.org/wiki/Halloween_(1978_film) | [
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] | [
"https://en.wikipedia.org/wiki/Halloween_(1978_film)"
] | Halloween (advertised as John Carpenter's Halloween) is a 1978 American independent slasher film directed and scored by John Carpenter, who co-wrote it with its producer Debra Hill. It stars Donald Pleasence, Jamie Lee Curtis (in her film debut), P. J. Soles, and Nancy Loomis. Set mostly in the fictional Illinois town of Haddonfield, the film follows mental patient Michael Myers, who was committed to a sanitarium for murdering his teenage sister one Halloween night during his childhood; he escapes 15 years later and returns to Haddonfield, where he stalks teenage babysitter Laurie Strode and her friends while his psychiatrist Dr. Samuel Loomis pursues him.
The film was shot in Southern California throughout May 1978, produced by Compass International Pictures and Falcon International Productions. The film was released by Compass International and Aquarius Releasing in October and grossed $70 million on a budget of $300,000–325,000, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Psycho (1960) and Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Halloween spawned a film franchise comprising 13 films which helped construct an extensive backstory for Michael Myers, sometimes narratively diverging entirely from previous installments; a novelization, video game, and comic book series have also been based on the film.
Plot
On the night of Halloween 1963 in the suburban Illinois town of Haddonfield, six-year-old Michael Myers brutally stabs his teenage sister Judith to death with a chef's knife. 15 years later, his psychiatrist Dr. Samuel Loomis drives with nurse Marion Chambers to the sanitarium where Michael is incarcerated to escort him to a court hearing. After Loomis exits their car to unlock the main gate, Michael jumps on the roof and attacks Marion. She runs from the vehicle, allowing Michael to steal the car and drive away.
Michael makes his way back to Haddonfield, killing a mechanic and stealing his coveralls before stealing a white mask from a local hardware store. He begins stalking teenager Laurie Strode, whom he saw drop off a key at his long-abandoned childhood home that her father is trying to sell. Laurie notices Michael throughout the day, but her friends Annie Brackett and Lynda Van Der Klok dismiss her concerns. Loomis arrives in Haddonfield and discovers that Michael has stolen Judith's tombstone from the local cemetery. He meets up with the town sheriff, Annie's father Leigh Brackett, and they begin to search for Michael. While they investigate the old Myers house, Loomis describes how he realized that Michael is pure evil.
That night, Michael follows Annie and Laurie to their babysitting jobs. Laurie watches Tommy Doyle, while Annie stays with Lindsey Wallace across the street. Michael spies on Annie and kills the Wallace family dog. Tommy spots Michael from the windows and thinks he is the boogeyman, but Laurie dismisses him. Annie later takes Lindsey to the Doyle house for the night so she can pick up her boyfriend. Michael hides in her car and strangles her before slitting her throat. Lynda and her boyfriend Bob arrive at the Wallace house and find it empty. After having sex, Bob goes downstairs to get a beer from the kitchen, where Michael pins him to the wall with a chef's knife. Michael then poses as Bob in a ghost costume and confronts Lynda, who teases him to no effect. Annoyed, she calls Laurie to find out what happened to Annie, but Michael strangles her to death with the phone cord while Laurie listens on the other end. Meanwhile, Loomis discovers the stolen car and searches the streets.
Worried by the phone call, Laurie goes to the Wallace house and finds her friends' bodies and Judith's tombstone in the upstairs bedroom. She runs to the hallway where Michael slashes her arm, causing her to fall over the banister. Dazed and injured, she manages to escape the house with him in pursuit. She makes it back to the Doyle house, but realizes she has lost the keys to the front door. Tommy lets her in and she orders him and Lindsey to hide. Laurie calls for help, only to find the phone is dead. Michael sneaks in through the window and attacks her again, but she stabs him in the neck with a knitting needle.
Thinking Michael is dead, Laurie staggers upstairs to check on the children, where Michael appears again. While Tommy and Lindsey hide in the bathroom, Laurie hides in the bedroom closet. Laurie stabs Michael in the eye with a coat hanger and then in the chest with his own knife. After she sends Tommy and Lindsey to a neighbor's house to call the police, Michael rises again. Seeing the children running from the house, Loomis goes to investigate and sees Michael strangling Laurie. She breaks free by pulling his mask off, revealing his face. Loomis shoots him six times, knocking him off the balcony. When Loomis goes to check on the body, he is unsurprised to see that Michael has vanished. He stares off into the distance as Laurie sobs in terror.
Cast
Analysis
Themes
Scholar Carol J. Clover has argued that the film, and its genre at large, links sexuality with danger, saying that killers in slasher films are fueled by a "psychosexual fury" and that all the killings are sexual in nature. She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not." Equating sex with violence is important in Halloween and the slasher genre according to film scholar Pat Gill, who made a note of this in her essay "The Monstrous Years: Teens, Slasher Films, and the Family". She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. One by one they are killed ... by Michael Myers an asylum escapee who years ago at the age of six murdered his sister for preferring sex to taking care of him." Carpenter has distanced himself from these interpretations, saying "It has been suggested that I was making some kind of moral statement. Believe me, I'm not. In Halloween, I viewed the characters as simply normal teenagers." In another interview, Carpenter said that readings of the film as a morality play "completely missed the point," adding, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out. She uses all those phallic symbols on the guy." Debra Hill, who co-wrote and produced the film, also dismissed the idea saying, "There was absolutely no intent for that to be the underlying reason. I was raised a Catholic schoolgirl and what leaked into the script is my Catholic sensibility. It was totally unintentional."
Some feminist critics, according to historian Nicholas Rogers, "have seen the slasher movies since Halloween as debasing women in as decisive a manner as hard-core pornography." Critics such as John Kenneth Muir state that female characters such as Laurie Strode survive not because of "any good planning" or their own resourcefulness, but sheer luck. Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr. Loomis arrives to shoot Myers. However, Clover has argued that despite the violence against women, Halloween and other slasher films turned women into heroines. In many pre-Halloween horror films, women are depicted as helpless victims and are not safe until they are rescued by a strong masculine hero. Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the "final girl" who ultimately triumphs. Strode fights back against Myers and severely wounds him. Had Myers been a normal man, Strode's attacks would have killed him; even Loomis, the male hero of the story, who shoots Michael repeatedly with a revolver, cannot kill him. Aviva Briefel argued that moments such as when Michael's face was temporarily revealed are meant to give pleasure to the male viewer. Briefel further argues that these moments are masochistic in nature and give pleasure to men because they are willingly submitting themselves to the women of the film; they submit themselves temporarily because it will make their return to authority even more powerful.
Critics, such as Gill, see Halloween as a critique of American social values. She remarks that parental figures are almost entirely absent throughout the film, noting that when Laurie is attacked by Michael while babysitting, "No parents, either of the teenagers or of the children left in their charge, call to check on their children or arrive to keen over them."
According to Gill, the dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city." Halloween and slasher films, generally, represent the underside of suburbia to Gill. Myers was raised in a suburban household and after he escapes the mental hospital he returns to his hometown to kill again; Myers is a product of the suburban environment, writes Gill.
Michael is thought by some to represent evil in the film. This is based on the common belief that evil never dies, nor does evil show remorse. This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff. Loomis states, "I spent eight years trying to reach him [Michael Myers], and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil." Loomis also refers to Michael as "evil" when he steals his car at the sanitarium.
Aesthetic elements
Historian Nicholas Rogers notes that film critics contend that Carpenter's direction and camera work made Halloween a "resounding success." Roger Ebert remarks, "It's easy to create violence on the screen, but it's hard to do it well. Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial . ... " The opening title, featuring a jack-o'-lantern placed against a black backdrop, sets the mood for the entire film. The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays. After the camera fully closes in, the jack-o'-lantern's light dims and goes out. Film historian J.P. Telotte says that this scene "clearly announces that [the film's] primary concern will be with the way in which we see ourselves and others and the consequences that often attend our usual manner of perception." Carpenter's first-person point-of-view compositions were employed with steadicam; Telotte argues, "As a result of this shift in perspective from a disembodied, narrative camera to an actual character's eye ... we are forced into a deeper sense of participation in the ensuing action." Along with the 1974 Canadian horror film Black Christmas, Halloween made use of seeing events through the killer's eyes.
The first scene of the young Michael's voyeurism is followed by the murder of Judith seen through the eye holes of Michael's clown costume mask. According to scholar Nicholas Rogers, Carpenter's "frequent use of the unmounted first-person camera to represent the killer's point of view ... invited [viewers] to adopt the murderer's assaultive gaze and to hear his heavy breathing and plodding footsteps as he stalked his prey." Film analysts have noted its delayed or withheld representations of violence, characterized as the "false startle" or "the old tap-on-the-shoulder routine" in which the stalkers, murderers, or monsters "lunge into our field of vision or creep up on a person." Critic Susan Stark described the film's opening sequence in her 1978 review:
In a single, wonderfully fluid tracking shot, the camera establishes the quiet character of a suburban street, the sexual hanky-panky going on between a teenage couple in one of the staid-looking homes, the departure of the boyfriend, a hand in the kitchen drawer removing a butcher's knife, the view on the way upstairs from behind the eye-slits of a Halloween mask, the murder of a half-nude young girl seated at her dressing table, the descent downstairs and whammo! The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means.
Production
Concept
After viewing Carpenter's film Assault on Precinct 13 (1976) at the Milan Film Festival, independent film producer Irwin Yablans and financier Moustapha Akkad sought out Carpenter to direct a film for them about a psychotic killer that stalked babysitters. In an interview with Fangoria magazine, Yablans stated: "I was thinking what would make sense in the horror genre, and what I wanted to do was make a picture that had the same impact as The Exorcist." Carpenter agreed to direct the film contingent on his having full creative control, and was paid $10,000 for his work, which included writing, directing, and scoring the film. He and his then-girlfriend Debra Hill began drafting the story of Halloween. There were claims as early as 1980 that the film at one point was supposed to be called The Babysitter Murders but Yablans has since debunked this stating that it was always intended to be called (and take place on) Halloween. Carpenter said of the basic concept: "Halloween night. It has never been the theme in a film. My idea was to do an old haunted house film."
Film director Bob Clark suggested in an interview released in 2005 that Carpenter had asked him for his own ideas for a sequel to his 1974 film Black Christmas (written by Roy Moore) that featured an unseen and motiveless killer murdering students in a university sorority house. As also stated in the 2009 documentary Clarkworld (written and directed by Clark's former production designer Deren Abram after Clark's tragic death in 2007), Carpenter directly asked Clark about his thoughts on developing the anonymous slasher in Black Christmas:
... I did a film about three years later, started a film with John Carpenter, it was his first film for Warner Bros. (which picked up Black Christmas), he asked me if I was ever gonna do a sequel and I said no. I was through with horror, I didn't come into the business to do just horror. He said, 'Well what would you do if you did do a sequel?' I said it would be the next year and the guy would have actually been caught, escape from a mental institution, go back to the house and they would start all over again. And I would call it Halloween. The truth is John didn't copy Black Christmas, he wrote a script, directed the script, did the casting. Halloween is his movie and besides, the script came to him already titled anyway. He liked Black Christmas and may have been influenced by it, but in no way did John Carpenter copy the idea. Fifteen other people at that time had thought to do a movie called Halloween but the script came to John with that title on it.
Screenplay
It took approximately 10 days to write the screenplay. Yablans and Akkad ceded most of the creative control to writers Carpenter and Hill (whom Carpenter wanted as producer), but Yablans did offer several suggestions. According to a Fangoria interview with Hill, "Yablans wanted the script written like a radio show, with 'boos' every 10 minutes." By Hill's recollection, the script took three weeks to write, and much of the inspiration behind the plot came from Celtic traditions of Halloween such as the festival of Samhain. Although Samhain is not mentioned in the plot of the first film, Hill asserts that:
... the idea was that you couldn't kill evil, and that was how we came about the story. We went back to the old idea of Samhain, that Halloween was the night where all the souls are let out to wreak havoc on the living, and then came up with the story about the most evil kid who ever lived. And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made Halloween work.
Hill, who had worked as a babysitter during her teenage years, wrote most of the female characters' dialogue, while Carpenter drafted Loomis' speeches on the soullessness of Michael Myers. Many script details were drawn from Carpenter's and Hill's own backgrounds and early careers: The fictional town of Haddonfield, Illinois was derived from Haddonfield, New Jersey, where Hill was raised, while several of the street names were taken from Carpenter's hometown of Bowling Green, Kentucky. Laurie Strode was allegedly the name of one of Carpenter's old girlfriends, while Michael Myers was the name of an English producer who had previously entered, with Yablans, Assault on Precinct 13 in various European film festivals. Homage is paid to Alfred Hitchcock with two characters' names: Tommy Doyle is named after Lt. Det. Thomas J. Doyle (Wendell Corey) from Rear Window (1954), and Dr. Loomis' name was derived from Sam Loomis (John Gavin) from Psycho, the boyfriend of Marion Crane (Janet Leigh, who is the real-life mother of Jamie Lee Curtis). Sheriff Leigh Brackett shared the name of a Hollywood screenwriter and frequent collaborator of Howard Hawks.
In devising the backstory for the film's villain, Michael Myers, Carpenter drew on "haunted house" folklore that exists in many small American communities: "Most small towns have a kind of haunted house story of one kind or another," he stated. "At least that's what teenagers believe. There's always a house down the lane that somebody was killed in, or that somebody went crazy in." Carpenter also took inspiration from the character of The Gunslinger from Westworld (1973) for Michael Myers. Carpenter's inspiration for the "evil" that Michael embodied came from a visit he had taken during college to a psychiatric institution in Kentucky. There, he visited a ward with his psychology classmates where "the most serious, mentally ill patients" were held. Among those patients was an adolescent boy, who possessed a blank, "schizophrenic stare." Carpenter's experience inspired the characterization that Loomis gave of Michael to Sheriff Brackett in the film. Debra Hill has stated the scene where Michael kills the Wallaces' German Shepherd was done to illustrate how he is "really evil and deadly".
The ending scene of Michael disappearing after being shot six times and falling off the balcony, was meant to terrify the imagination of the audience. Using a montage of the houses as Michael's breathing is heard, Carpenter tried to keep the audience guessing as to who Michael Myers really is—he is gone, and everywhere at the same time; he is more than human; he may be supernatural, and no one knows how he got that way. To Carpenter, keeping the audience guessing was better than explaining away the character with "he's cursed by some..."
Carpenter has described Halloween as: "True crass exploitation. I decided to make a film I would love to have seen as a kid, full of cheap tricks like a haunted house at a fair where you walk down the corridor and things jump out at you."
Casting
The cast of Halloween included veteran actor Donald Pleasence and then-unknown actress Jamie Lee Curtis. The low budget limited the number of big names that Carpenter could attract, and most of the actors received very little compensation for their roles. Pleasence was paid the highest amount at $20,000, Curtis received $8,000, and Nick Castle earned $25 a day. The role of Dr. Loomis was originally intended for Peter Cushing, who had recently appeared as Grand Moff Tarkin in Star Wars (1977); Cushing's agent rejected Carpenter's offer due to the low salary. Christopher Lee was approached for the role; he too turned it down, although the actor later told Carpenter and Hill that declining the role was the biggest mistake he made during his career. Yablans then suggested Pleasence, who agreed to star because his daughter Lucy, a guitarist, had enjoyed Assault on Precinct 13 for Carpenter's score.
In an interview, Carpenter admits that "Jamie Lee wasn't the first choice for Laurie. I had no idea who she was. She was 19 and in a TV show at the time, but I didn't watch TV." He originally wanted to cast Anne Lockhart, the daughter of June Lockhart from Lassie, as Laurie Strode. However, Lockhart had commitments to several other film and television projects. Hill says of learning that Jamie Lee was the daughter of Psycho actress Janet Leigh: "I knew casting Jamie Lee would be great publicity for the film because her mother was in Psycho." Curtis was cast in the part, though she initially had reservations as she felt she identified more with the other female characters: "I was very much a smart alec, and was a cheerleader in high school, so [I] felt very concerned that I was being considered for the quiet, repressed young woman when in fact I was very much like the other two girls."
Another relatively unknown actress, Nancy Kyes (credited in the film as Nancy Loomis), was cast as Laurie's outspoken friend Annie Brackett, daughter of Haddonfield sheriff Leigh Brackett (Charles Cyphers). Kyes had previously starred in Assault on Precinct 13 (as had Cyphers) and happened to be dating Halloween's art director Tommy Lee Wallace when filming began. Carpenter chose P. J. Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally." Soles was an actress known for her supporting role in Carrie (1976) and her minor part in The Boy in the Plastic Bubble (1976) and would subsequently play Riff Randall in the 1979 film Rock 'n Roll High School. According to Soles, she was told after being cast that Carpenter had written the role with her in mind. Soles's then-husband, actor Dennis Quaid, was considered for the role of Bob Simms, Lynda's boyfriend, but was unable to perform the role due to prior work commitments.
The role of "The Shape"—as the masked Michael Myers character was billed in the end credits—was played by Nick Castle, who befriended Carpenter while they attended the University of Southern California. After Halloween, Castle became a director, taking the helm of films such as The Last Starfighter (1984), The Boy Who Could Fly (1986), Dennis the Menace (1993), and Major Payne (1995). Tony Moran plays the unmasked Michael at the end of the film. Moran was a struggling actor before he got the role. At the time, he had a job on Hollywood and Vine dressed up as Frankenstein. Moran had the same agent as his sister, Erin, who played Joanie Cunningham on Happy Days. When Moran went to audition for the role of Michael, he met for an interview with Carpenter and Yablans. He later got a call back and was told he had got the part. Moran was paid $250 for his appearance. Will Sandin played the unmasked young Michael in the beginning of the film. Carpenter also provided uncredited voice work as Paul, Annie's boyfriend.
Filming
Akkad agreed to put up $300,000 ($1.4 million in 2022) for the film's budget, which was considered low at the time (Carpenter's previous film, Assault on Precinct 13, had an estimated budget of $100,000). Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria: "Two things made me decide. One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame. Second, he told me he didn't want to take any fees, and that showed he had confidence in the project". Carpenter received $10,000 for directing, writing, and composing the music, retaining rights to 10 percent of the film's profits.
Because of the low budget, wardrobe and props were often crafted from items on hand or that could be purchased inexpensively. Carpenter hired Tommy Lee Wallace as production designer, art director, location scout and co-editor. Wallace created the trademark mask worn by Michael Myers throughout the film from a Captain Kirk mask purchased for $1.98 from a costume shop on Hollywood Boulevard. Carpenter recalled how Wallace "widened the eye holes and spray-painted the flesh a bluish white. In the script it said Michael Myers's mask had 'the pale features of a human face' and it truly was spooky looking. I can only imagine the result if they hadn't painted the mask white. Children would be checking their closet for William Shatner after Tommy got through with it." Hill adds that the "idea was to make him almost humorless, faceless—this sort of pale visage that could resemble a human or not." Many of the actors wore their own clothes, and Curtis' wardrobe was purchased at J.C. Penney for around $100. Wallace described the filming process as uniquely collaborative, with cast members often helping move equipment, cameras, and helping facilitate set-ups. The vehicle stolen by Michael Myers from Dr Loomis and Nurse Marion Chambers at the Smith Grove Sanitarium was an Illinois government-owned 1978 Ford LTD station wagon rented for two weeks of filming. When filming was complete, the car was returned to the rental company who put it up for auction. Its next owner left it in a barn for decades until selling it to its new owner who has completely restored both its interior and exterior.
Halloween was filmed in 20 days over a four-week period in May 1978. Much of the filming was completed using a Panaglide, a clone of the Steadicam, the then-new camera that allowed the filmmakers to move around spaces smoothly. Filming locations included South Pasadena, California; Garfield Elementary School in Alhambra, California; and the cemetery at Sierra Madre, California. An abandoned house owned by a church stood in as the Myers house. Two homes on Orange Grove Avenue (near Sunset Boulevard) in the Spaulding Square neighborhood of Hollywood were used for the film's climax, as the street had few palm trees, and thus closely resembled a Midwestern street. Some palm trees, however, are visible in the film's earlier establishing scenes. The crew had difficulty finding pumpkins in the spring, and artificial fall leaves had to be reused for multiple scenes. Local families dressed their children in Halloween costumes for trick-or-treat scenes.
Carpenter worked with the cast to create the desired effect of terror and suspense. According to Curtis, Carpenter created a "fear meter" because the film was shot out-of-sequence and she was not sure what her character's level of terror should be in certain scenes. "Here's about a 7, here's about a 6, and the scene we're going to shoot tonight is about a 91/2", remembered Curtis. She had different facial expressions and scream volumes for each level on the meter. Carpenter's direction for Castle in his role as Myers was minimal. For example, when Castle asked what Myers' motivation was for a particular scene, Carpenter replied that his motivation was to walk from one set marker to another and "not act." By Carpenter's account the only direction he gave Castle was during the murder sequence of Bob, in which he told Castle to tilt his head and examine the corpse as if it "were a butterfly collection."
Musical score
Carpenter did the score as he was told that the film "wasn't scary" after doing a test screening. Instead of utilizing a more traditional symphonic soundtrack, the film's score consists primarily of a piano melody played in a 10/8 or "complex 5/4" time signature, composed and performed by Carpenter. It took him three days to compose and record the entire score for the film. Following the film's critical and commercial success, the "Halloween Theme" became recognizable apart from the film. Carpenter said it was also done in an hour. Critic James Berardinelli calls the score "relatively simple and unsophisticated", but admits that "Halloween's music is one of its strongest assets". Carpenter once stated in an interview, "I can play just about any keyboard, but I can't read or write a note." In Halloween's end credits, Carpenter bills himself as the "Bowling Green Philharmonic Orchestra", but he also received assistance from composer Dan Wyman, a music professor at San José State University.
Some non-score songs can be heard in the film, one an untitled song performed by Carpenter and a group of his friends in a band called The Coupe De Villes. The song can be heard as Laurie steps into Annie's car on her way to babysit Tommy Doyle. Another song, "(Don't Fear) The Reaper" by classic rock band Blue Öyster Cult, also appears in the film. It plays on the car radio as Annie drives Laurie through Haddonfield with Myers in silent pursuit.
The soundtrack was first released in the United States in October 1983, by Varèse Sarabande/MCA. It was subsequently released on CD in 1985, re-released in 1990, and reissued again in 2000. On the film's 40th anniversary, coinciding with the release of Anthology: Movie Themes 1974–1998, a cover of the theme by Trent Reznor and Atticus Ross was released.
Release
Theatrical distribution
Halloween premiered on October 24, 1978, in downtown Kansas City, Missouri, at the AMC Empire theatre. Regional distribution in the Philadelphia and New York City metropolitan areas was acquired by Aquarius Releasing. It grossed $1,270,000 from 198 theatres across the U.S. (including 72 in New York City and 98 in Southern California) in its opening week. The film grossed $47 million in the United States and an additional $23 million internationally, making the theatrical total $70 million, making it one of the most successful independent films of all time; the film sold approximately 20,153,846 tickets during its initial theatrical release, and remains the most successful release of any Halloween film and the third most successful film in the slasher genre behind Scream (1996) and Scream 2 (1997).
On September 7, 2012, the official Halloween Movies Facebook page announced that the original Halloween would be re-released starting October 25, 2013, in celebration of the film's 35th anniversary in 2013. A new documentary was screened before the film at all locations, titled You Can't Kill the Boogeyman: 35 Years of Halloween, written and directed by HalloweenMovies.com webmaster Justin Beahm.
Television rights
In 1980, the television rights to Halloween were sold to NBC for approximately $3 million. After a debate among Carpenter, Hill and NBC's Standards and Practices over censoring of certain scenes, Halloween appeared on television for the first time in October 1981. To fill the two-hour time slot, Carpenter filmed twelve minutes of additional material during the production of Halloween II. The newly filmed scenes include Dr. Loomis at a hospital board review of Michael Myers and Dr. Loomis talking to a then-6-year-old Michael at Smith's Grove, telling him, "You've fooled them, haven't you, Michael? But not me." Another extra scene features Dr. Loomis at Smith's Grove examining Michael's abandoned cell after his escape and seeing the word "Sister" scratched into the door. Finally, a scene was added in which Lynda comes over to Laurie's house to borrow a silk blouse before Laurie leaves to babysit, just as Annie telephones asking to borrow the same blouse. The new scene had Laurie's hair hidden by a towel, since Curtis was by then wearing a much shorter hairstyle than she had worn in 1978.
In August 2006, Fangoria reported that Synapse Films had discovered boxes of negatives containing footage cut from the film. One was labeled "1981" suggesting that it was additional footage for the television version of the film. Synapse owner Don May Jr. said, "What we've got is pretty much all the unused original camera negative from Carpenter's original Halloween. Luckily, Billy [Kirkus] was able to find this material before it was destroyed. The story on how we got the negative is a long one, but we'll save it for when we're able to showcase the materials in some way. Kirkus should be commended for pretty much saving the Holy Grail of horror films". He later claimed: "We just learned from Sean Clark, long time Halloween genius, that the footage found is just that: footage. There is no sound in any of the reels so far, since none of it was used in the final edit".
Home media
Since Halloween's premiere, it has been released in several home video formats. Early VHS versions were released by Media Home Entertainment. This release subsequently became a collectors' item, with one copy from 1979 selling on eBay for $13,220 in 2013. On August 3, 1995, Blockbuster Video issued a commemorative edition of the film on VHS.
As stated, the film was first released on VHS in 1979 and again in 1981 by Media Home Entertainment. The synopsis on the back misspelled Myers as Meyers. The film was also released on Betamax around that same time. It was not released in CED format (capacitance electronic disc), unlike Halloween II and Halloween III, but it was released on Laser Disc.
The film was released for the first time on DVD in the United States by Anchor Bay Entertainment on October 28, 1997. To date, that DVD release is the only one to feature the original mono audio track as heard in theaters in 1978 and on most home video releases that preceded it. Anchor Bay re-released the film on DVD in various other editions; among these were an "extended edition," which features the original theatrical release with the scenes that were shot for the broadcast TV version edited in at their proper places. In 1999, Anchor Bay issued a two-disc limited edition, which featured both the theatrical and "extended editions," as well as lenticular cover art and lobby cards. In 2003, Anchor Bay released a two-disc "25th Anniversary edition" with improved DiviMax picture and audio, along with an audio commentary by Carpenter, Curtis and Hill, among other features.
On October 2, 2007, the film was released for the first time on Blu-ray by Anchor Bay/Starz Home Entertainment. The following year, a "30th Anniversary Commemorative Set" was issued, containing DVD and Blu-ray versions of the film, the sequels Halloween 4: The Return of Michael Myers and Halloween 5: The Revenge of Michael Myers, and a replica Michael Myers mask. A 35th-anniversary Blu-ray was released in October 2013, featuring a new transfer supervised by cinematographer Dean Cundey. This release earned a Saturn Award for Best Classic Film Release. In September 2014, Scream Factory teamed with Anchor Bay Entertainment to release the film as part of a Blu-ray boxed set featuring every film in the series (up to 2009's Halloween II), made available in a standard and limited edition.
The film was released by Lionsgate Home Entertainment (Anchor Bay's successor) in an Ultra HD Blu-ray and Blu-ray edition for the film's 40th anniversary. It is also available online for computer and other devices viewing (streaming rentals) and downloadable files through Amazon.com, Apple's iTunes Store download application and Vudu.com computer servers.
In September 2021, Scream Factory released a new 4K Ultra HD Dolby Vision scan of the film, as well as its first four sequels.
Reception
Critical response
Contemporaneous
Upon its initial release, Halloween performed well with little advertising, relying mostly on word-of-mouth, but many critics seemed uninterested or dismissive of the film. Pauline Kael wrote a scathing review in The New Yorker suggesting that "Carpenter doesn't seem to have had any life outside the movies: one can trace almost every idea on the screen to directors such as Hitchcock and Brian De Palma and to the Val Lewton productions" and musing that "Maybe when a horror film is stripped of everything but dumb scariness—when it isn't ashamed to revive the stalest device of the genre (the escaped lunatic)—it satisfies part of the audience in a more basic, childish way than sophisticated horror pictures do."
The Los Angeles Times deemed the film a "well-made but empty and morbid thriller", while Bill von Maurer of The Miami Times felt it was "surprisingly good", noting: "Taken on its own level, Halloween is a terrifying movie—if you are the right age and the right mood." Susan Stark of the Detroit Free Press branded Halloween a burgeoning cult film at the time of its release, describing it as "moody in the extreme" and praising its direction and music.
Gene Siskel of the Chicago Tribune gave the film three and a half stars out of four and called it "a beautifully made thriller" that "works because director Carpenter knows how to shock while making us smile. He repeatedly sets up anticipation of a shock and delays the shock for varying lengths of time. The tension is considerable. More than once during the movie I looked around just to make sure that no one weird was sitting behind me." Gary Arnold of The Washington Post was negative, writing "Since there is precious little character or plot development to pass the time between stalking sequences, one tends to wish the killer would get on with it. Presumably, Carpenter imagines he's building up spine-tingling anticipation, but his techniques are so transparent and laborious that the result is attenuation rather than tension."
Lou Cedrone of The Baltimore Evening Sun referred to it as "tediously familiar" and whose only notable element is "Jamie Lee Curtis, whose performance as the intended fourth victim, is well above the rest of the film."
Tom Allen of The Village Voice praised the film in his November 1978 review, noting it as sociologically irrelevant but praising its Hitchcock-like technique as effective and "the most honest way to make a good schlock film". Allen pointed out the stylistic similarities to Psycho and George A. Romero's Night of the Living Dead (1968).
The following month, Voice lead critic Andrew Sarris wrote a follow-up feature on cult films, citing Allen's appraisal of Halloween and writing in the lead sentence that the film "bids fair to become the cult discovery of 1978. Audiences have been heard screaming at its horrifying climaxes". Roger Ebert gave the film similar praise in his 1979 review in the Chicago Sun-Times, referring to it as "a visceral experience—we aren't seeing the movie, we're having it happen to us. It's frightening. Maybe you don't like movies that are really scary: Then don't see this one." Ebert also selected it as one of his top 10 films of 1978. Once-dismissive critics became impressed by Carpenter's choice of camera angles and simple music and surprised by the lack of blood and graphic violence.
Retrospective
Years after its debut, Halloween is considered by many critics as one of the best films of 1978. On the review aggregation website Rotten Tomatoes, which records both contemporaneous and more recent reviews, Halloween holds a 96% approval rating based on 84 critic reviews, with an average rating of 8.8/10. The consensus reads: "Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films." On Metacritic, the film has a weighted average score of 90 out of 100 based on 21 critics, indicating "universal acclaim".
Many compared the film with the work of Alfred Hitchcock, although TV Guide calls comparisons made to Psycho "silly and groundless" and some critics in the late 1980s and early 1990s blamed the film for spawning the slasher subgenre, which they felt had rapidly descended into sadism and misogyny. Scholars such as Adam Rockoff dispute the recurring descriptions of Halloween as overtly violent or gory, commenting that the film is in fact "one of the most restrained horror films", showing very little onscreen violence. Almost a decade after its premiere, Mick Martin and Marsha Porter critiqued the first-person camera shots that earlier film reviewers had praised and later slasher-film directors used for their own films (for example, 1980's Friday the 13th). Claiming it encouraged audience identification with the killer, Martin and Porter pointed to the way "the camera moves in on the screaming, pleading victim, 'looks down' at the knife, and then plunges it into chest, ear, or eyeball. Now that's sick."
Accolades
Halloween was nominated for the Saturn Award for Best Horror Film by the Academy of Science Fiction, Fantasy & Horror Films in 1979, but lost to The Wicker Man (1973). In 2001, Halloween ranked #68 on the American Film Institute TV program 100 Years ... 100 Thrills. The film was #14 on Bravo's The 100 Scariest Movie Moments (2004). Similarly, the Chicago Film Critics Association named it the 3rd scariest film ever made. In 2006, Halloween was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time. In 2010, Total Film selected the film as one of The 100 Greatest Movies of All Time. In 2017, Complex magazine named Halloween the best slasher film of all time. The following year, Paste listed it the best slasher film of all time, while Michael Myers was ranked the greatest slasher villain of all time by LA Weekly.
American Film Institute lists
AFI's 100 Years ... 100 Thrills – #68
AFI's 100 Years ... 100 Heroes & Villains:
Michael Myers – Nominated Villain
AFI's 100 Years ... 100 Movies (10th Anniversary Edition) – Nominated
Legacy
Halloween is a widely influential film within the horror genre; it was largely responsible for the popularization of slasher films in the 1980s and helped develop the slasher genre. Halloween popularized many tropes that have become completely synonymous with the slasher genre. Halloween helped to popularize the final girl trope, the killing off of characters who are substance abusers or sexually promiscuous, and the use of a theme song for the killer. Carpenter also shot many scenes from the perspective of the killer in order to build tension. These elements have become so established that many historians argue that Halloween is responsible for the new wave of horror that emerged during the 1980s. Due to its popularity, Halloween became a blueprint for success that many other horror films, such as Friday the 13th and A Nightmare on Elm Street, followed, and that others like Scream parodied.
The major themes present in Halloween also became common in the slasher films it inspired. Film scholar Pat Gill notes that in Halloween, there is a theme of absentee parents but films such as A Nightmare on Elm Street and Friday the 13th feature the parents becoming directly responsible for the creation of the killer.
There are slasher films that predated Halloween, such as Silent Night, Bloody Night (1972), The Texas Chain Saw Massacre (1974) and Black Christmas (1974) which contained prominent elements of the slasher genre; both involving a group of teenagers being murdered by a stranger as well as having the final girl trope. Halloween, however, is considered by historians as being responsible for the new wave of horror films, because it not only used these tropes but also pioneered many others. Rockoff notes that it is "difficult to overestimate the importance of Halloween," noting its pioneering use of the final girl character, subjective point-of-view shots, and holiday setting. Rockoff considers the film "the blueprint for all slashers and the model against which all subsequent films are judged."
Related works
Novelization and video game
A mass market paperback novelization of the same name, written by Curtis Richards (a pseudonym that was used by author Richard Curtis), was published by Bantam Books in 1979. It was reissued in 1982. it later went out of print. The novelization adds aspects not featured in the film, such as the origins of the curse of Samhain and Michael Myers' life in Smith's Grove Sanatorium, which contradict its source material. For example, the novel's version of Michael speaks during his time at the sanitarium; in the film, Dr. Loomis states, "He hasn't spoken a word in fifteen years."
In 1983, Halloween was adapted as a video game for the Atari 2600 by Wizard Video. None of the main characters in the game were named. Players take on the role of a teenage babysitter who tries to save as many children as possible from an unnamed, knife-wielding killer. In another effort to save money, most versions of the game did not even have a label on the cartridge. It was simply a piece of tape with "Halloween" written in marker. The game contained more gore than the film, however. When the babysitter is killed, her head disappears and is replaced by blood pulsating from the neck as she runs around exaggeratedly. The game's primary similarity to the film is the theme music that plays when the killer appears onscreen.
Sequels and remake
Halloween spawned nine sequels, an unrelated spin-off film and two films in a remake series.
Of the subsequent films, only the first sequel was written by Carpenter and Hill. It begins exactly where Halloween ends and was intended to finish the story of Michael Myers and Laurie Strode. Carpenter did not direct any of the subsequent films in the Halloween series, although he and Hill did produce Halloween III: Season of the Witch, the plot of which is unrelated to the other films in the series due to the absence of Michael Myers. He, along with Alan Howarth, also composed the music for the second and third films. After the negative critical and commercial reception for Season of the Witch, the studio brought back Michael Myers in Halloween 4: The Return of Michael Myers. Financier Moustapha Akkad continued to work closely with the Halloween franchise, acting as executive producer of every sequel until his death in the 2005 Amman bombings.
With the exception of Halloween III, the sequels further develop the character of Michael Myers and the Samhain theme. Even without considering the third film, the Halloween series contains continuity issues, which some sources attribute to the different writers and directors involved in each film.
A remake was released in 2007, and was followed by a 2009 sequel.
An eleventh installment was released in 2018, as a direct sequel to the original film, disregarding the previous sequels, and retconning the ending of the first film. It was followed by two direct sequels: Halloween Kills (2021) and Halloween Ends (2022).
See also
List of films set around Halloween
Notes
References
Works cited
External links
Halloween essay by Murray Leeder on the National Film Registry website [1]
Halloween essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 748–750 America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
Official website of the Halloween series
Halloween at IMDb
Halloween at AllMovie
Halloween at Box Office Mojo
Halloween at Rotten Tomatoes
Halloween at the TCM Movie Database
Halloween at the AFI Catalog of Feature Films |
The_Fog | https://en.wikipedia.org/wiki/The_Fog | [
231
] | [
"https://en.wikipedia.org/wiki/The_Fog"
] | The Fog is a 1980 American independent supernatural horror film directed by John Carpenter, who also co-wrote the screenplay and created the music for the film. It stars Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh and Hal Holbrook. It tells the story of a strange, glowing fog that sweeps over a small coastal town in Northern California.
Filmed in the spring of 1979, The Fog was scheduled to be released at Christmas that year by AVCO Embassy Pictures, but its release date was delayed to February 1, 1980. The film divided critics upon release, receiving praise for its visuals and acting, and criticism for its structure and screenplay. Despite mixed reviews, the film grossed $21.3 million domestically.
The Fog contains themes of revenge and repressed corrupt historical events resurfacing in contemporary small-town America. In the years since its original release, it has established a cult following. A remake was released in 2005.
Plot
On the eve of the centennial of the small coastal town Antonio Bay in Northern California, old Mr. Machen tells ghost stories to children by a campfire on the beach. One story is about a clipper ship that crashed against the rocks nearby, causing all of its crew to drown after mistaking a campfire for a lighthouse while sailing through an unearthly fog. Machen finishes the story as midnight strikes and paranormal activity begins occurring around the town. Town priest, Father Malone, discovers his grandfather's diary. The journal reveals that a century earlier, in 1880, the 6 founders of Antonio Bay (including Malone's grandfather) deliberately wrecked a clipper ship named the Elizabeth Dane, so that its wealthy, leprosy-afflicted owner Blake would not establish a leper colony nearby. The conspirators used the gold plundered from the ship to establish the town.
Meanwhile, out at sea, a strange, glowing fog envelops a fishermen's trawler. The fog brings with it the Elizabeth Dane, carrying the vengeful ghosts of Blake and his crew, who kill the fishermen. The following morning, local radio DJ Stevie Wayne is given a piece of driftwood by her son Andy, who found it on the beach. It is inscribed with the word "DANE". Stevie takes it with her to the lighthouse where she broadcasts her radio show. As she is listening to music on a cassette, the driftwood begins seeping water. As the water touches her cassette player, a man's voice is inexplicably heard on the tape, swearing revenge, and the words "6 must die" appear on the wood before it bursts into flames. Stevie extinguishes the fire and sees that the wood once again reads "DANE", and the tape is once again playing normally.
Town resident Nick and hitchhiker Elizabeth find the lost fishing trawler adrift and the corpse of one of the fishermen. Later, while Elizabeth is in the autopsy room alone, the fisherman's corpse briefly comes to life and accosts her before collapsing. Nick and coroner Dr. Phibes see the now-lifeless corpse has carved the number 3 on the floor with a scalpel. That evening, as the town begins its celebrations, local weatherman Dan is killed by the ghosts at the weather station. The fog has returned and starts moving inland, disrupting the town's telephone and power lines. Using a backup generator, Stevie begs her listeners to go to her house and save her son. The ghosts kill her son's babysitter but Nick and Elizabeth rescue Andy.
Stevie advises her listeners to head to the town's church, but then finds herself trapped and under siege by the ghosts when the fog envelops her lighthouse. Seeking refuge inside the church, a group of townsfolk finds a large gold cross in the wall cavity, made from the rest of the stolen gold from the Elizabeth Dane, just as the fog begins enveloping the church and the ghosts begin their attack. Malone, knowing that the ghosts have returned to take 6 lives instead of the 6 original conspirators, offers the gold and himself to spare the others. The ghost of Blake himself seizes the gold cross and he and his crew disappear in a blinding flash of light as the fog miraculously vanishes. Stevie, now alone again at the lighthouse, warns her listeners that the fog could come again and instructs any ships that can hear her to keep an eye out for it.
After everyone leaves the church, Malone remains inside and wonders why he was spared given that there were only 5 deaths. The fog then reappears along with the ghosts, and Blake decapitates Malone, making 6.
Cast
Themes and interpretations
The Fog's central themes are revenge and the resurfacing of "repressed past events" in small-town America, as it focuses on the supernatural vengeance inflicted on the residents of a community that has prospered from looted salvage. William Fischer of Collider describes the film as one preoccupied with "an all-American town getting ready to celebrate its founding, a founding marred by a dark crime. When Father Patrick Malone discovers the horrible truth and brings it to the attention of Mayor Kathy Williams, she shrugs it off and dismisses any impact or introspection it might cast over the centenary. It was so long ago, she reasons, and what is there to do about it? And she has a point; there’s no changing the past, and at a certain distance, there’s no rectifying it."
Writer Peter Hutchings notes that, while the film contains these implicit themes, that Carpenter is "more interested in conjuring up a sinister atmosphere than he is in exploring some of the social ramifications of such a story".
Production
Development
The initial inspiration for The Fog came to Carpenter when he and his collaborator and then-girlfriend, Debra Hill, were promoting their film Assault on Precinct 13 (1976) in England; the two visited Stonehenge during the trip, where they witnessed an eerie fog rolling over the landscape from a distance. Carpenter stated that he drew additional inspiration for the story from the British film The Trollenberg Terror (1958), which dealt with monsters hiding in the clouds.
In the DVD audio commentary for the film, Carpenter noted that the story of the deliberate wreckage of a ship and its subsequent plundering was based on an actual event (the wrecking of the Frolic) that took place in the 19th century near Goleta, California (this event was portrayed more directly in the 1975 Tom Laughlin film, The Master Gunfighter). The premise also bears strong resemblances to Massimo Pupillo's 1965 Terror-Creatures from the Grave as well as the John Greenleaf Whittier poem The Wreck of the Palatine which appeared in The Atlantic Monthly in 1867, about the wreck of the ship Princess Augusta in 1738, at Block Island, within Rhode Island.
Carpenter named characters in the screenplay after people with whom he had collaborated on previous projects. Among them are Dan O'Bannon, a screenwriter who worked with Carpenter on Dark Star (1974); Nick Castle, who portrayed Michael Myers in Halloween; Tommy Wallace, an editor, sound designer and art designer who worked on Dark Star and Assault on Precinct 13, as well as several other subsequent projects. The babysitter in the film, Mrs. Kobritz, is named after Richard Kobritz, who produced Carpenter's 1978 television film Someone's Watching Me!.
Other references that are interwoven into the film include the name of the John Houseman character "Mr. Machen" (a reference to Welsh horror fantasist Arthur Machen); a radio report that mentions Arkham Reef; and the town's coroner Dr. Phibes was named after the titular character of the horror films starring Vincent Price from the early 1970s.
The Fog was part of a two-picture deal with AVCO Embassy Pictures, along with Escape from New York (1981).
Casting
Cast as the female lead was Adrienne Barbeau, Carpenter's wife, who had appeared in Carpenter's TV movie Someone's Watching Me! in 1978. This was her first feature film. Barbeau also appeared in Carpenter's next film, Escape from New York (1981).
Tom Atkins, a friend of Barbeau's, was cast as Nick Castle. The Fog was Atkins' first appearance in a Carpenter film, and he also appeared in Carpenter's next film, Escape from New York (1981) as well as Halloween III: Season of the Witch (1982), which was produced and scored by Carpenter.
Jamie Lee Curtis, who was the main star of Carpenter's 1978 hit Halloween, appeared as Elizabeth. Commenting on the role and on appearing in another of Carpenter's films, she said: "That's what I love about John. He's letting me explore different aspects of myself. I'm spoiled rotten now. My next director is going to be almost a letdown." In a retrospective interview, Curtis stated that her part was written into the film by Carpenter, who felt sympathy for her after the success of Halloween had failed to lead to her obtaining other roles.
This was the first collaboration between Carpenter and character actor George Buck Flower, who would go on to appear in four more films directed by Carpenter: Escape from New York (1981), Starman (1984), They Live (1988) and Village of the Damned (1995).
Filming
Filming took place from April to May 1979 at Raleigh Studios in Hollywood, California (interior scenes) and on location at several other cities in California, including Point Reyes; Bolinas; Inverness; and the Episcopal Church of the Ascension in Sierra Madre. The original production budget was approximately $900,000.
The film was shot by cinematographer Dean Cundey, and Carpenter stated the appearance of the film was inspired by the Val Lewton-produced horror films I Walked with a Zombie (1943) and Isle of the Dead (1945), which he described as "very shadowy, all suggestion, and he has all sorts of melodrama going. I was a real fan of that sort of thing." Although a lower-budget independent film, Carpenter chose to shoot in the anamorphic 2.35:1 format to elevate its visual appearance.
Post-production
After viewing a rough cut of the film, Carpenter was dissatisfied with the results. Recalling the experience, Carpenter commented: "It was terrible. I had a movie that didn't work, and I knew it in my heart".
Carpenter subsequently added the prologue with Mr. Machen (John Houseman) telling ghost stories to fascinated children by a campfire (Houseman played a similar role in the opening of the 1981 film Ghost Story), which was filmed on a soundstage. Carpenter added several other new scenes and re-shot others in order to make the film more comprehensible, more frightening and gorier. Among the additions were the sequence in which Curtis's character is approached by a walking-dead corpse in the morgue, as well as the finale in which Barbeau's character ascends to the roof of the lighthouse to escape the mariner ghosts.
Carpenter and Debra Hill said the necessity of a re-shoot became especially clear to them after they realized that The Fog would have to compete with horror films that had higher gore content. Approximately one-third of the finished film is the additional footage completed during reshoots. The reshoots increased the film's budget from $900,000 to $1.1 million.
Music
Carpenter's musical score for The Fog features prominent synthesizer and elements of drone music, and was largely composed in the key of A minor. As the film progresses, its score shifts to the key of B major and features a flatter pitch. The score has been released on compact disc and vinyl in several different editions since the film's release.
Release
Marketing
In addition to the final $1.1 million production budget, AVCO Embassy spent over $3 million solely on advertising which included TV spots, radio spots, print ads and even the placement of fog machines (costing £350 each) in the lobbies of selected theaters where the film was showing. A further undisclosed amount was spent on 600 prints of the film, 540 of which were distributed to American cinemas. Originally, the film was set for release during Christmas 1979, but AVCO Embassy president Bob Rehme opted to wait until February 1980, when there would be less major box office competition from other films and more theater screens available.
Box office
The film was given a staggered release in various cities by AVCO Embassy Pictures beginning February 1, 1980, before expanding to further locations later that month. Its theatrical run lasted a total of 152 weeks, and it ultimately grossed $21.3 million in the United States and Canada, with $11 million of that total being "rentals" (i.e. the share of the film's box office gross that goes to the film's distributors/studio).
Home media
The Fog has been released on various home video formats since the early 1980s: Magnetic Video released it on betamax and VHS in the fall of 1980, Embassy Home Entertainment reissued the film again on VHS in 1985. MGM Home Entertainment released the film on VHS in 2000 before issuing a special edition DVD in August 2002. Another special edition DVD was released in Europe in 2004.
Scream Factory released the film on Blu-ray in July 2013, before reissuing it on 4K UHD on September 13, 2022, in both standard and limited steelbook editions.
Reception
Contemporaneous
Upon its original release, The Fog received mixed responses from film critics. Ernest Leogrande of the New York Daily News gave the film a middling two out of four-star review, praising the performances but writing that "Carpenter obviously is entranced by ghost stories, but he seems willing to sacrifice story for effect." Kevin Thomas of the Los Angeles Times similarly lauded the acting, and complimented the film as "an elegant and scary thriller of the supernatural that's far more impressive and satisfying than Carpenter's grisly and pointless (but profitable) Halloween."
The New York Times's Vincent Canby praised the film's visual elements, but felt it ultimately paled in comparison to Carpenter's Halloween, describing it as "neither a rewarding ghost story nor... science-fiction, though it borrows freely from both genres... Unlike Halloween, which was a model of straight-forward terror and carefully controlled suspense, The Fog is constructed of random diversions. There are too many story lines, which necessitate so much cross-cutting that no one sequence can ever build to a decent climax." In his 1980 review, Roger Ebert gave the film two out of four stars, commenting: "The movie's made with style and energy, but it needs a better villain. This isn't a great movie but it does show great promise from Carpenter." Similarly, Leonard Maltin rated the film 21⁄2-stars-out-of-4 and called it a "well-directed but obvious ghost story."
Reassessment
In the years following its release, The Fog has amassed a cult following, and later came to be considered, as Carpenter opined regarding his creation, "a minor horror classic" though he also stated it was not his favorite film due to re-shoots and low production values. This is one of the reasons he agreed to the 2005 remake.
On the review aggregator website Rotten Tomatoes, 75% of 69 critics' reviews are positive, with an average rating of 6.6/10. The website's consensus reads: "A well-crafted return to horror for genre giant John Carpenter, The Fog rolls in and wraps viewers in suitably slow-building chills." Metacritic, which uses a weighted average, assigned the film a score of 55 out of 100, based on 11 critics, indicating "mixed or average" reviews.
In a 2002 review (for the DVD release of the film), Slant reviewer Ed Gonzalez gave the film 3.5 stars out of four, and stated that "Carpenter's use of 2.35:1 anamorphic widescreen is beyond legendary and his compositions evoke a town that may as well be the last remaining one on the face of the earth." In 2018, The Guardian called it "one of the director's most atmospheric, the shots of a wave-lashed cove and fog-choked headland making the town's impending reckoning almost poetic."
In the early 2010s, Time Out conducted a poll of over 100 authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films. The Fog placed at number 77 on their top 100 list.
Zombiemania: 80 Movies to Die For author Arnold T. Blumberg wrote that the film was "a very effective small scale chiller" and "an attempt to capture the essence of a typical spooky American folktale while simultaneously paying homage to the EC Comics of the 1950s and the then very recent Italian zombie influx."
Novelization
A novelization of the movie, written by Dennis Etchison, was published by Bantam Books in January 1980. The novel clarifies the implication in the film that the six who must die were not random but in fact descendants of the six original conspirators.
Remake
In 2005, the film was remade under the direction of Rupert Wainwright with a screenplay by Cooper Layne and starring Tom Welling and Maggie Grace. Though based on Carpenter and Hill's original screenplay, the remake was made more in the vein of a "teen horror film" and given a PG-13 rating (the original film was rated R). Green-lit by Revolution Studios with just eighteen pages of script written, the film was panned for its poor script and acting and has a Rotten Tomatoes rating of 4%.
See also
List of ghost films
References
Sources
External links
The Fog – official John Carpenter website
The Fog at AllMovie
The Fog at the AFI Catalog of Feature Films
The Fog at IMDb
The Fog at the TCM Movie Database
The Fog at Rotten Tomatoes
The Fog at Mubi |
Escape_from_New_York | https://en.wikipedia.org/wiki/Escape_from_New_York | [
231
] | [
"https://en.wikipedia.org/wiki/Escape_from_New_York"
] | Escape from New York is a 1981 American independent science fiction action film co-written, co-scored and directed by John Carpenter, and starring Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence, Isaac Hayes, Adrienne Barbeau and Harry Dean Stanton.
The film, set in the near-future world of 1997, concerns a crime-ridden United States, which has converted Manhattan Island in New York City into the country's sole maximum security prison. Air Force One is hijacked by anti-government insurgents who deliberately crash it into the walled borough. Former Special Forces and current federal prisoner Snake Plissken (Russell) is given just 24 hours to go in and rescue the President of the United States, after which, if successful, he will be pardoned.
Carpenter wrote the film in the mid-1970s in reaction to the Watergate scandal. After the success of Halloween (1978), he had enough influence to begin production and filmed it mainly in St. Louis, Missouri, on an estimated budget of $6 million. Debra Hill and Larry J. Franco served as the producers. The film was co-written by Nick Castle, who played Michael Myers in Halloween.
Released in the United States on July 10, 1981, the film received positive reviews from critics and was a commercial success, grossing more than $50 million at the box office. The film was nominated for four Saturn Awards, including Best Science Fiction Film and Best Direction. The film became a cult classic and was followed by a sequel, Escape from L.A. (1996), which was also directed and written by Carpenter and starred Russell.
Plot
In 1988, amidst war between the United States and an alliance of China and the Soviet Union, Manhattan has been converted into a maximum security prison to address a 400% increase in crime. The island is walled off from the outside world and under heavy police surveillance.
In 1997, while flying President John Harker to a peace summit in Hartford, Air Force One is hijacked by a terrorist. The President is handcuffed with a briefcase and put into an escape pod that drops into Manhattan as the aircraft crashes.
Police are dispatched to rescue the President. Romero, a subordinate of the Duke of New York (a powerful crime boss), warns the President has been captured and will be killed if any further rescue attempts are made. Meanwhile, former Special Forces soldier Snake Plissken is about to be imprisoned in Manhattan after being convicted of robbing the Federal Reserve. Police Commissioner Bob Hauk offers a deal to Snake: if he rescues the President in time for the summit, Hauk will arrange a presidential pardon. To ensure his cooperation, Hauk has Snake injected with micro-explosives that will sever his carotid arteries in 22 hours. If Snake is successful, Hauk will neutralize the explosives.
Snake uses a stealth glider to land atop the World Trade Center, then follows the signal of the President's tracking device to a vaudeville theater, only to find the tracker on the arm of a deluded vagrant. Snake is convinced the President is dead, but Hauk warns Snake he will be killed if he returns without the President. Inspecting the escape pod, Snake is ambushed by dozens of starving "crazies" and his radio is destroyed. He is rescued by "Cabbie", a jovial character who drives a taxi.
Cabbie takes Snake to Harold "Brain" Hellman, an adviser to the Duke and a former associate of Snake's. An engineer, Brain has established a small gasoline refinery fueling the city's remaining cars; he tells Snake the Duke plans to lead a mass escape across the 69th Street Bridge, using the President as a human shield. Snake forces Brain and his girlfriend Maggie to lead him to the Duke's hideout at Grand Central Terminal. Snake finds the President but gets shot in the leg with a crossbow bolt and is overpowered by the Duke's men.
While Snake is forced to fight against Duke's champion Slag in a deathmatch, Brain and Maggie kill Romero and flee with the President. Snake kills Slag and finds the trio trying to escape in the glider. Inmates drop the glider off the roof, forcing the group back down to street level where they are confronted by the Duke and his followers. Cabbie arrives and offers to take them across the bridge. Cabbie reveals he bartered with Romero for a cassette tape that contains information about nuclear fusion, intended to be an international peace offering. The President demands the cassette, but Snake retains it.
The Duke pursues them onto the bridge in his customized Cadillac, setting off mines as he tries to catch up. Brain guides Snake, but they hit a mine and Cabbie is killed. As they continue on foot, Brain accidentally stumbles onto another mine. A distraught Maggie sacrifices herself to slow down the Duke. Snake and the President reach the containment wall and guards hoist the President up. The Duke opens fire, killing the guards before Snake subdues him. As Snake is being lifted up by the rope, the Duke attempts to shoot him, but the President takes up a dead guard's rifle and kills the Duke. Snake is hoisted to safety and Hauk's doctor removes the explosives with seconds to spare.
As the President prepares for a televised speech to the leaders at the summit meeting, he thanks Snake for saving him but offers only half-hearted regret for the deaths of his colleagues; Snake walks away in disgust. Hauk offers Snake a job as his deputy but he keeps walking. The President's speech commences and he plays the cassette. To his embarrassment, it only plays Cabbie's favorite song, "Bandstand Boogie". As Snake walks away a free man, he pulls the real cassette from his pocket and destroys it.
Cast
In addition, frequent Carpenter collaborators Nancy Stephens appeared as the "Hijacker" and Buck Flower appeared as the "Drunk with the president's tracker", respectively, while then-active professional wrestler
Ox Baker played "Slag". The narrator was voiced by an uncredited Jamie Lee Curtis. Actor Joe Unger filmed scenes as Snake's partner-in-crime Bill Taylor, but they were cut from the final film.
Production
Development and writing
Carpenter originally wrote the screenplay for Escape from New York in 1976, in the aftermath of Nixon's Watergate scandal. Carpenter said, "The whole feeling of the nation was one of real cynicism about the president." He wrote the screenplay, but no studio wanted to make it because, according to Carpenter, "[i]t was too violent, too scary, [and] too weird". He had been inspired by the film Death Wish, which was very popular at the time. He did not agree with this film's philosophy, but liked how it conveyed "the sense of New York as a kind of jungle, and I wanted to make a science-fiction film along these lines".
International Film Investors agreed to provide 50% of the budget, and Goldcrest Films signed a co-financing deal with them. They ended up providing £720,000 of the budget and making a profit of £672,000 from their investment after earning £1,392,000.
Casting
AVCO Embassy Pictures, the film's financial backer, preferred Charles Bronson, Tommy Lee Jones or Chuck Norris to play the role of Snake Plissken to Carpenter's choice of Kurt Russell, who was trying to overcome the "lightweight" screen image conveyed by his roles in several Disney comedies. Carpenter refused to cast Bronson on the grounds that he was too old, and because he worried that he could lose directorial control over the film with an experienced actor. At the time, Russell described his character as "a mercenary, and his style of fighting is a combination of Bruce Lee, The Exterminator, and Darth Vader, with Eastwood's vocal-ness." Russell suggested that the character should wear an eyepatch. All that matters to Snake, according to the actor, is "the next 60 seconds. Living for exactly that next minute is all there is." Russell used a rigorous diet and exercise program to develop a lean and muscular build. He also endeavored to stay in character between takes and throughout the shooting, as he welcomed the opportunity to get away from the Disney comedies he had done previously. He did find it necessary to remove the eyepatch between takes, as wearing it constantly seriously affected his depth perception.
Pre-production
Carpenter had just made Dark Star, but no one wanted to hire him as a director, so he assumed he would make it in Hollywood as a screenwriter. The filmmaker went on to do other films with the intention of making Escape later. After the success of Halloween, Avco-Embassy signed producer Debra Hill and him to a two-picture deal. The first film from this contract was The Fog. Initially, the second film he was going to make to finish the contract was The Philadelphia Experiment, but because of script-writing problems, Carpenter rejected it in favor of this project. However, Carpenter felt something was missing and recalls, "This was basically a straight action film. And at one point, I realized it really doesn't have this kind of crazy humor that people from New York would expect to see." He brought in Nick Castle, a friend from his film-school days at University of Southern California, who played "The Shape" in Halloween. Castle invented the Cabbie character and came up with the film's ending.
The film's setting proved to be a potential problem for Carpenter, who needed to create a decaying, semi-destroyed version of New York City on a shoestring budget. The film's production designer Joe Alves and he rejected shooting on location in New York City because it would be too hard to make it look like a destroyed city. Carpenter suggested shooting on a movie back lot, but Alves nixed that idea "because the texture of a real street is not like a back lot." They sent Barry Bernardi, their location manager (and associate producer), "on a sort of all-expense-paid trip across the country looking for the worst city in America," producer Debra Hill remembers.
Bernardi suggested East St. Louis, Illinois, because it was filled with old buildings "that exist in New York now, and [that] have that seedy run-down quality" that the team was looking for. East St. Louis, sitting across the Mississippi River from the more prosperous St. Louis, Missouri, had entire neighborhoods burned out in 1976 during a massive urban fire. Hill said in an interview, "block after block was burnt-out rubble. In some places, there was absolutely nothing, so that you could see three and four blocks away." Also, Alves found an old bridge to serve as the "69th St. Bridge". The filmmaker purchased the Old Chain of Rocks Bridge for one dollar from the government and then gave it back to them, for the same amount, once production was completed, "so that they wouldn't have any liability," Hill remembers. Locations across the river in St. Louis were used, including Union Station and the Fox Theatre, both of which have since been renovated, as well as the building that would eventually become the Schlafly Tap Room microbrewery.
Filming
Carpenter and his crew persuaded the city to shut off the electricity to 10 blocks at a time at night. The film was shot from August to November 1980. It was a tough and demanding shoot for the filmmaker as he recalls. "We'd finish shooting at about 6 am and I'd just be going to sleep at 7 when the sun would be coming up. I'd wake up around 5 or 6 pm, depending on whether or not we had dailies, and by the time I got going, the sun would be setting. So for about two and a half months I never saw daylight, which was really strange." The gladiatorial fight to the death scene between Snake and Slag (played by professional wrestler Ox Baker) was filmed in the Grand Hall at St. Louis Union Station. Russell has stated, "That day was a nightmare. All I did was swing a [spiked] bat at that guy and get swung at in return. He threw a trash can in my face about five times ... I could have wound up in pretty bad shape." In addition to shooting on location in St. Louis, Carpenter shot parts of the film in Los Angeles. Various interior scenes were shot on a sound stage; the final scenes were shot at the Sepulveda Dam in Sherman Oaks. New York served as a location, as did Atlanta, to use their futuristic-looking rapid-transit system (the latter scenes were cut from the final film). In New York City, Carpenter persuaded federal officials to grant access to Liberty Island. "We were the first film company in history allowed to shoot on Liberty Island at the Statue of Liberty at night. They let us have the whole island to ourselves. We were lucky. It wasn't easy to get that initial permission. They'd had a bombing three months earlier and were worried about trouble".
Carpenter was interested in creating two distinct looks for the movie. "One is the police state, high tech, lots of neon, a United States dominated by underground computers. That was easy to shoot compared to the Manhattan Island prison sequences, which had few lights, mainly torch lights, like feudal England". Certain matte paintings were rendered by James Cameron, who was at the time a special-effects artist with Roger Corman's New World Pictures. Cameron was also one of the directors of photography on the film. As Snake pilots the glider into the city, three screens on his control panel display wireframe animations of the landing target on the World Trade Center and surrounding buildings. Carpenter initially wanted high-tech computer graphics, which were very expensive, even for such a simple animation. The effects crew filmed the miniature model set of New York City they used for other scenes under black light, with reflective tape placed along every edge of the model buildings. Only the tape is visible and appears to be a three-dimensional wireframe animation.
Music
Soundtrack
Release
Home media
LaserDisc releases
Escape from New York was released on LaserDisc 10 times between 1983 and 1998. A 1994 Collector's Edition includes a commentary track by John Carpenter and Kurt Russell that is still included on more recent DVD releases of the film.
DVD releases
Escape from New York was released on DVD twice by MGM (USA), and once by Momentum Pictures (UK). One MGM release is a barebones edition containing just the theatrical trailer. Another version is the Collector's Edition, a two-disc set featuring a high definition remastered transfer with a 5.1 stereo audio track, two commentaries (one by John Carpenter and Kurt Russell, another by producer Debra Hill and Joe Alves), a making-of featurette, the first issue of a comic book series titled John Carpenter's Snake Plissken Chronicles, and the 10-minute Colorado bank robbery deleted opening sequence.
MGM's special edition of the 1981 film was not released until 2003 because the original negative had gone missing. The workprint containing deleted scenes finally turned up in the Hutchinson, Kansas, salt-mine film depository. The excised scenes feature Snake Plissken robbing a bank, introducing the character of Plissken and establishing a backstory. Director John Carpenter decided to add the original scenes into the special edition release as an extra only: "After we screened the rough cut, we realized that the movie didn't really start until Snake got to New York. It wasn't necessary to show what sent him there." The film has been released on the UMD format for Sony's PlayStation Portable.
Blu-ray release
On August 3, 2010, MGM Home Entertainment released Escape From New York as a bare-bones Blu-ray. Scream Factory, in association with Shout! Factory, released the film on a special edition Blu-ray on April 21, 2015.
Reception
Box office
Escape from New York opened in New York and Los Angeles July 10, 1981. The film grossed $26 million in American theaters in summer 1981. Worldwide it grossed over $50 million.
Critical response
The film received generally positive reviews. Newsweek magazine wrote of Carpenter: "[He has a] deeply ingrained B-movie sensibility – which is both his strength and limitation. He does clean work, but settles for too little. He uses Russell well, however". In Time magazine, Richard Corliss wrote, "John Carpenter is offering this summer's moviegoers a rare opportunity: to escape from the air-conditioned torpor of ordinary entertainment into the hothouse humidity of their own paranoia. It's a trip worth taking". Vincent Canby, in his review for The New York Times, wrote, "[The film] is not to be analyzed too solemnly, though. It's a toughly told, very tall tale, one of the best escape (and escapist) movies of the season". On the other hand, in his negative review for the Chicago Reader, critic Dave Kehr, wrote "it fails to satisfy – it gives us too little of too much".
Christopher John reviewed Escape from New York in Ares Magazine #10 and commented that "It is solid summer entertainment of unusually high caliber. By not pretending to be more than it is, but by also not settling for any less than it could be, Escape becomes an exciting, fast-moving drama, the likes of which we haven't seen in years."
On the review aggregator website Rotten Tomatoes, 88% of 72 critics' reviews are positive, with an average rating of 7.3/10. The website's consensus reads: "Featuring an atmospherically grimy futuristic metropolis, Escape from New York is a strange, entertaining jumble of thrilling action and oddball weirdness." Metacritic, which uses a weighted average, assigned the film a score of 76 out of 100, based on 12 critics, indicating "generally favorable" reviews.
Legacy
Cyberpunk pioneer William Gibson credits the film as an influence on his 1984 science fiction novel Neuromancer. "I was intrigued by the exchange in one of the opening scenes where the Warden says to Snake 'You flew the Gullfire over Leningrad, didn't you?' It turns out to be just a throwaway line, but for a moment it worked like the best SF where a casual reference can imply a lot". Popular video game director Hideo Kojima copied aspects of the film for his Metal Gear series. Solid Snake heavily resembles the character Snake Plissken. In Metal Gear Solid 2: Sons of Liberty, Snake even uses the alias "Pliskin" to hide his real identity during most of the game. J. J. Abrams, producer of the 2008 film Cloverfield, mentioned that a scene in his film, which shows the head of the Statue of Liberty crashing into a New York street, was inspired by the poster for Escape from New York. Empire magazine ranked Snake Plissken number 29 in their "The 100 Greatest Movie Characters" poll.
Other media
Sequels
A sequel, Escape from L.A., was released in 1996, with Carpenter returning along with Russell, now also a producer and co-writer.
A remake for Escape from New York began development in 2007, when New Line Cinema won the rights to remake in a bidding war. Gerard Butler was attached to play Snake Plissken, Neal H. Moritz would produce through his Original Film company, and Ken Nolan would be in charge of the screenplay. Len Wiseman was announced to direct, but was later replaced by Brett Ratner, who also stepped down from the project. In April 2010, Variety reported that Breck Eisner was being looked at to direct a remake of Escape from New York, with David Kajganich and Allan Loeb providing revisions to the script. It was later announced in 2011 that New Line had dropped the remake completely. In January 2015, 20th Century Fox purchased the remake rights, with The Picture Company producing. In March 2017, it was announced that Robert Rodriguez would direct a remake of the film with Carpenter producing it. In February 2019, it was reported that Leigh Whannell would be writing the script after Luther creator Neil Cross completed a recent iteration of the project. Wyatt Russell, son of Kurt, was considered to portray Snake Plissken, but he expressed no interest in playing the role, considering it "career suicide." In November 2022, it was revealed that Radio Silence would be directing the film, with Andrew Rona, Alex Heineman, and Radio Silence producing, and Carpenter serving as an executive producer. They are currently searching for a writer. The next month, the film was confirmed to be a sequel, rather than a remake.
Novelization
In 1981, Bantam Books published a movie tie-in novelization written by Mike McQuay that adopts a lean, humorous style reminiscent of the film. The novel includes significant scenes that were cut from the film, such as the Federal Reserve Depository robbery that results in Snake's incarceration. The novel provides background on the relationship between Snake and Hauk—presenting the characters as disillusioned war veterans, and deepening the relationship that was only hinted in the film. The novel also explains how Snake lost his eye during the Battle for Leningrad in World War III, how Hauk became warden of New York, and Hauk's quest to find his crazed son, who lives somewhere in the prison. The novel gives greater detail on the world in which these characters live, at times presenting a future even bleaker than the one depicted in the film. It explains that the West Coast is a no-man's land, and the nation's population is gradually being driven insane by nerve gas as a result of World War III. The novel also clarifies that the president's plan for the cassette tape is not benevolent. Rather than presenting to the world a new energy source in the form of nuclear fusion (as claimed in the film), the tape actually reveals the successful development of a "fallout-free thermonuclear weapon, which would grant the US supremacy in the global conflict.
Comic books
Marvel Comics released the one-shot The Adventures of Snake Plissken in January 1997. The story takes place sometime between Escape from New York and before his famous Cleveland escape mentioned in Escape from L.A. Snake has robbed Atlanta's Centers for Disease Control of some engineered metaviruses and is looking for buyers in Chicago. Finding himself in a deal that is really a set-up, he makes his getaway and exacts revenge on the buyer for ratting him out to the United States Police Force. In the meantime, a government lab has built a robot called ATACS (Autonomous Tracking And Combat System) that can catch criminals by imprinting their personalities upon its program to predict and anticipate a specific criminal's every move. The robot's first test subject is America's public enemy number one, Snake Plissken. After a brief battle, the tide turns when ATACS copies Snake to the point of fully becoming his personality. Now recognizing the government as the enemy, ATACS sides with Snake. Unamused, Snake sucker punches the machine and destroys it. As ATACS shuts down, it can only ask him, "Why?" Snake just walks off, answering, "I don't need the competition".
In 2003, CrossGen published John Carpenter's Snake Plissken Chronicles, a four-part comic book miniseries. The story takes place a day or so after the events of Escape from New York. Snake has been given a military Humvee after his presidential pardon and makes his way to Atlantic City. Although the director's cut of Escape from New York shows Snake was caught after a bank job, this story has Snake finishing up a second heist that was planned before his capture. The job entails stealing the car in which John F. Kennedy was assassinated from a casino before delivering it to a buyer in the Gulf of Mexico. Snake partners with a man named Marrs who ends up double-crossing him. Left for dead in a sinking crab cage, Snake escapes and is saved by a passing fisherman named Captain Ron (an in-joke referring to Kurt Russell's 1992 comedy, Captain Ron). When Ron denies Snake's request to use his boat to beat Marrs to the robbery, Snake decides to kill him. When Snake ends up saving Ron from the Russian mob, who wants money, Ron changes his mind and helps Snake. Once at the casino, Snake comes face-to-face with Marrs and his men, who arrive at the same time, ending in a high-speed shootout. Snake gets away with the car and its actress portraying Jackie Kennedy, leaving Marrs to be caught by the casino owner, who cuts him a deal to bring his car back and live. After some trouble, Snake manages to finally get the car to the buyer's yacht, using Ron's boat, and is then attacked by Marrs. Following the firefight, the yacht and car are destroyed, Marrs and Captain Ron are dead, and Snake makes his escape in a helicopter with the 30 million credits owed to him for the job.
In 2014, BOOM! Studios began publishing an Escape from New York comic book by writer, Christopher Sebela. The first issue of the series was released on December 3, 2014, and the story picks up moments after the end of the film.
BOOM! released a crossover comics miniseries between Snake and Jack Burton titled Big Trouble in Little China/Escape from New York in October 2016.
Board games
An Escape from New York board game was released in 1981 by TSR, Inc. Another board game was crowd-funded in 2022.
Cancelled anime
In 2003, Carpenter was planning an anime spin-off of Escape from New York, with Outlaw Star's Mitsuru Hongo slated to direct.
Cancelled video game
A video game adaptation was in development in 2004-2005.
References
Bibliography
John Walsh,Escape from New York: The Official Story of the Film, Titan Books, December 14, 2021.
External links
Escape from New York at IMDb
Escape from New York at the TCM Movie Database
Escape from New York at AllMovie
Escape from New York at Box Office Mojo
Escape from New York at John Carpenter's official website |
The_Thing_(1982_film) | https://en.wikipedia.org/wiki/The_Thing_(1982_film) | [
231
] | [
"https://en.wikipedia.org/wiki/The_Thing_(1982_film)"
] | The Thing is a 1982 American science fiction horror film directed by John Carpenter from a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing", an extraterrestrial life-form that assimilates, then imitates, other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot R.J. MacReady, with A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.
Production began in the mid-1970s as a faithful adaptation of the novella, following 1951's The Thing from Another World. The Thing went through several directors and writers, each with different ideas on how to approach the story. Filming lasted roughly twelve weeks, beginning in August 1981, and took place on refrigerated sets in Los Angeles as well as in Juneau, Alaska, and Stewart, British Columbia. Of the film's $15 million budget, $1.5 million was spent on Rob Bottin's creature effects, a mixture of chemicals, food products, rubber, and mechanical parts turned by his large team into an alien capable of taking on any form.
The Thing was released in 1982 to negative reviews that described it as "instant junk" and "a wretched excess". Critics both praised the special effects achievements and criticized their visual repulsiveness, while others found the characterization poorly realized. The film grossed $19.6 million during its theatrical run. Many reasons have been cited for its failure to impress audiences: competition from films such as E.T. the Extra-Terrestrial, which offered an optimistic take on alien visitation; a summer that had been filled with successful science fiction and fantasy films; and an audience living through a recession, diametrically opposed to The Thing's nihilistic and bleak tone.
The film found an audience when released on home video and television. In the subsequent years, it has been reappraised as one of the best science fiction and horror films ever made and has gained a cult following. Filmmakers have noted its influence on their work, and it has been referred to in other media such as television and video games. The Thing has spawned a variety of merchandise – including a 1982 novelization, "haunted house" attractions, board games – and sequels in comic books, a video game of the same title, and a 2011 prequel film of the same title.
Plot
In Antarctica, a Norwegian helicopter pursues a sled dog to an American research station. The Americans witness the passenger accidentally blow up the helicopter and himself. The pilot fires a rifle and shouts at the Americans, but they cannot understand him and he is shot dead in self-defense by station commander Garry. The American helicopter pilot, R.J. MacReady, and Dr. Copper leave to investigate the Norwegian base. Among the charred ruins and frozen corpses, they find the burnt corpse of a malformed humanoid, which they transfer to the American station. Their biologist, Blair, autopsies the remains and finds a normal set of human organs.
Clark kennels the sled dog, and it soon metamorphoses and absorbs several of the station dogs. This disturbance alerts the team, and Childs uses a flamethrower to incinerate the creature. Blair autopsies the Dog-Thing and surmises it is an organism that can perfectly imitate other life-forms. Data recovered from the Norwegian base leads the Americans to a large excavation site containing a partially buried alien spacecraft, which Norris estimates has been buried for over a hundred thousand years, and a smaller, human-sized dig site. Blair grows paranoid after running a computer simulation that indicates the creature could assimilate all life on Earth in a matter of years. The group implements controls to reduce the risk of assimilation.
The remains of the malformed humanoid assimilate an isolated Bennings, but Windows interrupts the process and MacReady burns the Bennings-Thing. The team also imprisons Blair in a tool shed after he sabotages all the vehicles, kills the remaining sled dogs, and destroys the radio to prevent escape. Copper suggests testing for infection by comparing the crew's blood against uncontaminated blood held in storage, but after learning the blood stores have been destroyed, the men lose faith in Garry's leadership, and MacReady takes command. He, Windows, and Nauls find Fuchs's burnt corpse and surmise he committed suicide to avoid assimilation. Windows returns to base while MacReady and Nauls investigate MacReady's shack. During their return, Nauls abandons MacReady in a snowstorm, believing he has been assimilated after finding his torn clothes in the shack.
The team debates whether to allow MacReady inside, but he breaks in and holds the group at bay with dynamite. During the encounter, Norris appears to suffer a heart attack. As Copper attempts to defibrillate Norris, his chest transforms into a large mouth and bites off Copper's arms, killing him. MacReady incinerates the Norris-Thing, but its head detaches and attempts to escape before also being burnt. MacReady hypothesizes that the Norris-Thing demonstrated that every part of the Thing is an individual life-form with its own survival instinct. He proposes testing blood samples from each survivor with a heated piece of wire and has each man restrained, but is forced to kill Clark after he lunges at MacReady with a scalpel. Everyone passes the test except Palmer, whose blood recoils from the heat. Exposed, the Palmer-Thing transforms, breaks free of its bonds, and infects Windows, forcing MacReady to incinerate them both.
Childs is left on guard while the others go to test Blair, but they find that he has escaped, and has been using vehicle components to assemble a small flying saucer, which they destroy. Upon their return, Childs is missing, and the power generator is destroyed, leaving the men without heat. MacReady speculates that, with no escape left, the Thing intends to return to hibernation until a rescue team arrives. MacReady, Garry, and Nauls agree that the Thing cannot be allowed to escape and set explosives to destroy the station, but the Blair-Thing kills Garry, and Nauls disappears. The Blair-Thing transforms into an enormous creature and breaks the detonator, but MacReady triggers the explosives with a stick of dynamite, destroying the station.
While MacReady sits by the burning remnants, Childs returns, claiming he got lost in the storm while pursuing Blair. Exhausted and slowly freezing to death, they acknowledge the futility of their distrust and share a bottle of Scotch whisky.
Cast
Kurt Russell as R.J. MacReady, the helicopter pilot
A. Wilford Brimley as Blair, the senior biologist
T. K. Carter as Nauls, the cook
David Clennon as Palmer, the assistant mechanic
Keith David as Childs, the chief mechanic
Richard Dysart as Dr. Copper, the physician
Charles Hallahan as Norris, the geologist
Peter Maloney as George Bennings, the meteorologist
Richard Masur as Clark, the dog handler
Joel Polis as Fuchs, the assistant biologist
Donald Moffat as Garry, the station commander
Thomas Waites as Windows, the radio operator
The Thing also features Norbert Weisser as one of the Norwegians, and an uncredited dog, Jed, as the Dog-Thing. The only female presence in the film is the voice of MacReady's chess computer, voiced by Carpenter's then-wife, Adrienne Barbeau. Producer David Foster, associate producer Larry Franco, and writer Bill Lancaster, along with other members of the crew, make a cameo appearance in a recovered photograph of the Norwegian team. Camera operator Ray Stella stood in for the shots where needles were used to take blood, telling Carpenter that he could do it all day. Franco also played the Norwegian wielding a rifle and hanging out of the helicopter during the opening sequence. Stunt coordinator Dick Warlock also made a number of cameos in the film, most notably in an off-screen appearance as the shadow on the wall during the scene where the Dog-Thing enters one of the researcher's living quarters. Clennon was originally intended to be in the scene, but due to his shadow being easily identifiable Carpenter decided to use Warlock instead. Warlock also played Palmer-Thing and stood in for Brimley in a few scenes that involved Blair.
Production
Development
Development of the film began in the mid-1970s when David Foster and fellow producer Lawrence Turman suggested to Universal Pictures an adaptation of the 1938 John W. Campbell novella Who Goes There?. It had been loosely adapted once before in Howard Hawks's and Christian Nyby's 1951 film The Thing from Another World, but Foster and Turman wanted to develop a project that stuck more closely to the source material. Screenwriters Hal Barwood and Matthew Robbins held the rights to make an adaptation, but passed on the opportunity to make a new film, so Universal obtained the rights from them. In 1976, Wilbur Stark had purchased the remake rights to 23 RKO Pictures films, including The Thing from Another World, from three Wall Street financiers who did not know what to do with them, in exchange for a return when the films were produced. Universal in turn acquired the rights to remake the film from Stark, resulting in him being given an executive producer credit on all print advertisements, posters, television commercials, and studio press material.
John Carpenter was first approached about the project in 1976 by co-producer and friend Stuart Cohen, but Carpenter was mainly an independent film director, so Universal chose The Texas Chain Saw Massacre (1974) director Tobe Hooper as they already had him under contract. The producers were ultimately unhappy with Hooper and his writing partner Kim Henkel's concept. After several more failed pitches by different writers, and attempts to bring on other directors, such as John Landis, the project was put on hold. Even so, the success of Ridley Scott's 1979 science fiction horror film Alien helped revitalize the project, at which point Carpenter became loosely attached following his success with his influential slasher film Halloween (1978).
Carpenter was reluctant to join the project, for he thought Hawks's adaptation would be difficult to surpass, although he considered the film's monster to be unnotable. Cohen suggested that he read the original novella. Carpenter found the "creepiness" of the imitations conducted by the creature, and the questions it raised, interesting. He drew parallels between the novella and Agatha Christie's mystery novel And Then There Were None (1939), and noted that the story of Who Goes There? was "timely" for him, meaning he could make it "true to [his] day" as Hawks had in his time. Carpenter, a fan of Hawks's adaptation, paid homage to it in Halloween, and he watched The Thing from Another World several times for inspiration before filming began. Carpenter and cinematographer Dean Cundey first worked together on Halloween, and The Thing was their first big-budget project for a major film studio.
After securing the writer and crew, the film was stalled again when Carpenter nearly quit, believing that a passion project of his, El Diablo (1990), was on the verge of being made by EMI Films. The producers discussed various replacements including Walter Hill, Sam Peckinpah and Michael Ritchie, but the development of El Diablo was not as imminent as Carpenter believed, and he remained with The Thing.
Universal initially set a budget of $10 million, with $200,000 for "creature effects", which at the time was more than the studio had ever allocated to a monster film. Filming was scheduled to be completed within 98 days. Universal's production studios estimated that it would require at least $17 million before marketing and other costs, as the plan involved more set construction, including external sets and a large set piece for the original scripted death of Bennings, which was estimated to cost $1.5 million alone. As storyboarding and designs were finalized, the crew estimated they would need at least $750,000 for creature effects, a figure Universal executives agreed to after seeing the number of workers employed under Rob Bottin, the special make-up effects designer. Larry Franco was responsible for making the budget work for the film; he cut the filming schedule by a third, eliminated the exterior sets for on-site shooting, and removed Bennings's more extravagant death scene. Cohen suggested reusing the destroyed American camp as the ruined Norwegian camp, saving a further $250,000. When filming began in August, The Thing had a budget of $11.4 million, and indirect costs brought it to $14 million. The effects budget ran over, eventually totaling $1.5 million, forcing the elimination of some scenes, including Nauls's confrontation of a creature dubbed the "box Thing". By the end of production, Carpenter had to make a personal appeal to executive Ned Tanen for $100,000 to complete a simplified version of the Blair-Thing. The final cost was $12.4 million, and overhead costs brought it to $15 million.
Writing
Several writers developed drafts for The Thing before Carpenter became involved, including Logan's Run (1967) writer William F. Nolan, novelist David Wiltse, and Hooper and Henkel, whose draft was set at least partially underwater, and which Cohen described as a Moby-Dick-like story in which "The Captain" did battle with a large, non-shapeshifting creature. As Carpenter said in a 2014 interview, "they were just trying to make it work". The writers left before Carpenter joined the project. He said the scripts were "awful", as they changed the story into something it was not, and ignored the chameleon-like aspect of the Thing. Carpenter did not want to write the project himself, after recently completing work on Escape from New York (1981), and having struggled to complete a screenplay for The Philadelphia Experiment (1984). He was wary of taking on writing duties, preferring to let someone else do it. Once Carpenter was confirmed as the director, several writers were asked to script The Thing, including Richard Matheson, Nigel Kneale, and Deric Washburn.
Bill Lancaster initially met with Turman, Foster and Cohen in 1977, but he was given the impression that they wanted to closely replicate The Thing from Another World, and he did not want to remake the film. In August 1979, Lancaster was contacted again. By this time he had read the original Who Goes There? novella, and Carpenter had become involved in the project. Lancaster was hired to write the script after describing his vision for the film, and his intention to stick closely to the original story, to Carpenter, who was a fan of Lancaster's work on The Bad News Bears (1976). Lancaster conceived several key scenes in the film, including the Norris-Thing biting Dr. Copper, and the use of blood tests to identify the Thing, which Carpenter cited as the reason he wanted to work on the film. Lancaster said he found some difficulty in translating Who Goes There? to film, as it features very little action. He also made some significant changes to the story, such as reducing the number of characters from 37 to 12. Lancaster said that 37 was excessive and would be difficult for audiences to follow, leaving little screen time for characterization. He also opted to alter the story's structure, choosing to open his in the middle of the action, instead of using a flashback as in the novella. Several characters were modernized for contemporary audiences; MacReady, originally a meteorologist, became a tough loner described in the script as "35. Helicopter pilot. Likes chess. Hates the cold. The pay is good." Lancaster aimed to create an ensemble piece where one person emerged as the hero, instead of having a Doc Savage-type hero from the start.
Lancaster wrote thirty to forty pages but struggled with the film's second act, and it took him several months to complete the script. After it was finished, Lancaster and Carpenter spent a weekend in northern California refining the script, each having different takes on how a character should sound, and comparing their ideas for scenes. Lancaster's script opted to keep the creature largely concealed throughout the film, and it was Bottin who convinced Carpenter to make it more visible to have a greater impact on the audience. Lancaster's original ending had both MacReady and Childs turn into the Thing. In the spring, the characters are rescued by helicopter, greeting their saviors with "Hey, which way to a hot meal?". Carpenter thought this ending was too shallow. In total, Lancaster completed four drafts of the screenplay. The novella concludes with the humans clearly victorious, but concerned that birds they see flying toward the mainland may have been infected by the Thing. Carpenter opted to end the film with the survivors slowly freezing to death to save humanity from infection, believing this to be the ultimate heroic act. Lancaster wrote this ending, which eschews a The Twilight Zone-style twist or the destruction of the monster, as he wanted to instead have an ambiguous moment between the pair, of trust and mistrust, fear and relief.
Casting
Anita Dann served as casting director. Kurt Russell had worked with Carpenter twice before and was involved in the production before being cast, helping Carpenter develop his ideas. Russell was the last actor to be cast, in June 1981, by which point second unit filming was starting in Juneau, Alaska. Carpenter wanted to keep his options open for the lead R.J. MacReady, and discussions with the studio considered Christopher Walken, Jeff Bridges, and Nick Nolte, who were either unavailable or declined, and Sam Shepard, who showed interest but was never pursued. Tom Atkins and Jack Thompson were strong early and late contenders for the role of MacReady, but the decision was ultimately made to go with Russell. In part, Carpenter cited the practicality of choosing someone he had found reliable before, and who would not balk at the difficult filming conditions. It took Russell about a year to grow his hair and beard out for the role. At various points, the producers also met with Brian Dennehy, Kris Kristofferson, John Heard, Ed Harris, Tom Berenger, Jack Thompson, Scott Glenn, Fred Ward, Peter Coyote, Tom Atkins, and Tim McIntire. Some passed on the idea of starring in a monster film, while Dennehy became the choice to play Copper. Each actor was to be paid $50,000, but after the more-established Russell was cast, his salary increased to $400,000.
Geoffrey Holder, Carl Weathers, and Bernie Casey were considered for the role of mechanic Childs, and Carpenter also looked at Isaac Hayes, having worked with him on Escape from New York. Ernie Hudson was the front-runner and was almost cast until they met with Keith David. The Thing was David's first significant film role, and coming from a theater background, he had to learn on set how to hold himself back and not show every emotion his character was feeling, with guidance from Richard Masur and Donald Moffat in particular. Masur (dog handler Clark) and David discussed their characters in rehearsals and decided that they would not like each other. For senior biologist Blair, the team chose the then-unknown Wilford Brimley, as they wanted an everyman whose absence would not be questioned by the audience until the appropriate time. The intent with the character was to have him become infected early in the film but offscreen, so that his status would be unknown to the audience, concealing his intentions. Carpenter wanted to cast Donald Pleasence, but it was decided that he was too recognizable to accommodate the role. T. K. Carter was cast as the station's cook Nauls, but comedian Franklyn Ajaye also came in to read for the role. Instead, he delivered a lengthy speech about the character being a stereotype, after which the meeting ended.
Bottin lobbied hard to play assistant mechanic Palmer, but it was deemed impossible for him to do so alongside his existing duties. As the character has some comedic moments, Universal brought in comedians Jay Leno, Garry Shandling, and Charles Fleischer, among others, but opted to go with actor David Clennon, who was better suited to play the dramatic elements. Clennon had read for the Bennings character, but he preferred Palmer's "blue-collar stoner" role to a "white collar science man". Powers Boothe, Lee Van Cleef, Jerry Orbach, and Kevin Conway were considered for the role of station commander Garry, and Richard Mulligan was also considered when the production experimented with the idea of making the character closer to MacReady in age. Masur also read for Garry, but he asked to play the dog handler Clark instead, as he liked the character's dialogue and was also a fan of dogs. Masur worked daily with the wolfdog Jed and his handler, Clint Rowe, during rehearsals, as Rowe was familiarizing Jed with the sounds and smells of people. This helped Masur's and Jed's performance onscreen, as the dog would stand next to him without looking for his handler. Masur described his character as one uninterested in people, but who loves working with dogs. He went to a survivalist store and bought a flip knife for his character, and used it in a confrontation with David's character. Masur turned down a role in E.T. the Extra-Terrestrial to play Clark. William Daniels and Dennehy were both interested in playing Dr. Copper, and it was a last-second decision by Carpenter to go with Richard Dysart.
In early drafts, Windows was called Sanchez, and later Sanders. The name Windows came when the actor for the role, Thomas Waites, was in a costume fitting and tried on a large pair of dark glasses, which the character wears in the film. Russell described the all-male story as interesting since the men had no one to posture for without women.
Filming
The Thing was storyboarded extensively by Mike Ploog and Mentor Huebner before filming began. Their work was so detailed that many of the film's shots replicate the image layout completely. Cundey pushed for the use of anamorphic format aspect ratio, believing that it allowed for placing several actors in an environment, and making use of the scenic vistas available, while still creating a sense of confinement within the image. It also enabled the use of negative space around the actors to imply something may be lurking just offscreen.
Principal photography began on August 24, 1981, in Juneau, Alaska. Filming lasted about twelve weeks. Carpenter insisted on two weeks of rehearsals before filming as he wanted to see how scenes would play out. This was unusual at the time because of the expense involved. Filming then moved to the Universal lot, where the outside heat was over 100 °F (38 °C). The internal sets were climate-controlled to 28 °F (−2 °C) to facilitate their work. The team considered building the sets inside an existing refrigerated structure but were unable to find one large enough. Instead, they collected as many portable air conditioners as they could, closed off the stage, and used humidifiers and misters to add moisture to the air. After watching a roughly assembled cut of filming to date, Carpenter was unhappy that the film seemed to feature too many scenes of men standing around talking. He rewrote some already completed scenes to take place outdoors to be shot on location when principal photography moved to Stewart, British Columbia.
Carpenter was determined to use authentic locations instead of studio sets, and his successes on Halloween and The Fog (1980) gave him the credibility to take on the much bigger-budget production of The Thing. A film scout located an area just outside Stewart, along the Canadian coast, which offered the project both ease of access and scenic value during the day. On December 2, 1981, roughly 100 American and Canadian crew members moved to the area to begin filming. During the journey there, the crew bus slid in the snow toward the unprotected edge of the road, nearly sending it down a 500-foot (150 m) embankment. Some of the crew stayed in the small mining town during filming, while others lived on residential barges on the Portland Canal. They would make the 27-mile (43 km) drive up a small, winding road to the filming location in Alaska where the exterior outpost sets were built.
The sets had been built in Alaska during the summer, atop a rocky area overlooking a glacier, in preparation for snow to fall and cover them. They were used for both interior and exterior filming, meaning they could not be heated above freezing inside to ensure there was always snow on the roof. Outside, the temperature was so low that the camera lenses would freeze and break. The crew had to leave the cameras in the freezing temperatures, as keeping them inside in the warmth resulted in foggy lenses that took hours to clear. Filming, greatly dependent on the weather, took three weeks to complete, with heavy snow making it impossible to film on some days. Rigging the explosives necessary to destroy the set in the film's finale required 8 hours.
Keith David broke his hand in a car accident the day before he was to begin shooting. David attended filming the next day, but when Carpenter and Franco saw his swollen hand, they sent him to the hospital where it was punctured with two pins. He returned wearing a surgical glove beneath a black glove that was painted to resemble his complexion. His left hand is not seen for the first half of the film. Carpenter filmed the Norwegian camp scenes after the end scenes, using the damaged American base as a stand-in for the charred Norwegian camp. The explosive destruction of the base required the camera assistants to stand inside the set with the explosives, which were activated remotely. The assistants then had to run to a safe distance while seven cameras captured the base's destruction. Filmed when the heavy use of special effects was rare, the actors had to adapt to having Carpenter describe to them what their characters were looking at, as the effects would not be added until post-production. There were some puppets used to create the impression of what was happening in the scene, but in other cases, the cast would be looking at a wall or an object marked with an X.
Art director John J. Lloyd oversaw the design and construction of all the sets, as there were no existing locations used in the film. Cundey suggested that the sets should have ceilings and pipes seen on camera to make the spaces seem more claustrophobic.
Post-production
Several scenes in the script were omitted from the film, sometimes because there was too much dialogue that slowed the pace and undermined the suspense. Carpenter blamed some of the issues on his directorial method, noting that several scenes appeared to be repeating events or information. Another scene featuring a snowmobile chase pursuing dogs was removed from the shooting script as it would have been too expensive to film. One scene present in the film, but not the script, features a monologue by MacReady. Carpenter added this partly to establish what was happening in the story and because he wanted to highlight Russell's heroic character after taking over the camp. Carpenter said that Lancaster's experience writing ensemble pieces did not emphasize single characters. Since Halloween, several horror films had replicated many of the scare elements of that film, something Carpenter wanted to move away from for The Thing. He removed scenes from Lancaster's script that had been filmed, such as a body suddenly falling into view at the Norwegian camp, which he felt were too clichéd. Approximately three minutes of scenes were filmed from Lancaster's script that elaborated on the characters' backgrounds.
A scene with MacReady absentmindedly inflating a blow-up doll while watching the Norwegian tapes was filmed but was not used in the finished film. The doll would later appear as a jump scare with Nauls. Other scenes featured expanded or alternate deaths for various characters. In the finished film, Fuchs's charred bones are discovered, revealing he has died offscreen, but an alternate take sees his corpse impaled on a wall with a shovel. Nauls was scripted to appear in the finale as a partly assimilated mass of tentacles, but in the film, he simply disappears. Carpenter struggled with a method of conveying to the audience what assimilation by the creature actually meant. Lancaster's original set piece of Bennings's death had him pulled beneath a sheet of ice by the Thing, before resurfacing in different areas in various stages of assimilation. The scene called for a set to be built on one of Universal's largest stages, with sophisticated hydraulics, dogs, and flamethrowers, but it was deemed too costly to produce. A scene was filmed with Bennings being murdered by an unknown assailant, but it was felt that assimilation, leading to his death, was not explained enough. Short on time, and with no interior sets remaining, a small set was built, Maloney was covered with K-Y Jelly, orange dye, and rubber tentacles. Monster gloves for a different creature were repurposed to demonstrate partial assimilation.
Carpenter filmed multiple endings for The Thing, including a "happier" ending because editor Todd Ramsay thought that the bleak, nihilistic conclusion would not test well with audiences. In the alternate take, MacReady is rescued and given a blood test that proves he is not infected. Carpenter said that stylistically this ending would have been "cheesy". Editor Verna Fields was tasked with reworking the ending to add clarity and resolution. It was finally decided to create an entirely new scene, which omitted the suspicion of Childs being infected by removing him completely, leaving MacReady alone. This new ending tested only slightly better with audiences than the original, and the production team agreed to the studio's request to use it. It was set to go to print for theaters when the producers, Carpenter, and executive Helena Hacker decided that the film was better left with ambiguity instead of nothing at all. Carpenter gave his approval to restore the ambiguous ending, but a scream was inserted over the outpost explosion to posit the monster's death. Universal executive Sidney Sheinberg disliked the ending's nihilism and, according to Carpenter, said, "Think about how the audience will react if we see the [Thing] die with a giant orchestra playing". Carpenter later noted that both the original ending and the ending without Childs tested poorly with audiences, which he interpreted as the film simply not being heroic enough.
Music
Ennio Morricone composed the film's score, as Carpenter wanted The Thing to have a European musical approach. Carpenter flew to Rome to speak with Morricone to convince him to take the job. By the time Morricone flew to Los Angeles to record the score, he had already developed a tape filled with an array of synthesizer music because he was unsure what type of score Carpenter wanted. Morricone wrote complete separate orchestral and synthesizer scores and a combined score, which he knew was Carpenter's preference. Carpenter picked a piece, closely resembling his own scores, that became the main theme used throughout the film. He also played the score from Escape from New York for Morricone as an example. Morricone made several more attempts, bringing the score closer to Carpenter's own style of music. In total, Morricone produced a score of approximately one hour that remained largely unused but was later released as part of the film's soundtrack. Carpenter and his longtime collaborator Alan Howarth separately developed some synth-styled pieces used in the film. In 2012, Morricone recalled:
I've asked [Carpenter], as he was preparing some electronic music with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said – "I got married to your music. This is why I've called you." ... Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score.
Carpenter said:
[Morricone] did all the orchestrations and recorded for me 20 minutes of music I could use wherever I wished but without seeing any footage. I cut his music into the film and realized that there were places, mostly scenes of tension, in which his music would not work ... I secretly ran off and recorded in a couple of days a few pieces to use. My pieces were very simple electronic pieces – it was almost tones. It was not really music at all but just background sounds, something today you might even consider as sound effects.
Design
Creature effects
The Thing's special effects were largely designed by Bottin, who had previously worked with Carpenter on The Fog (1980). When Bottin joined the project in mid-1981, pre-production was in progress, but no design had been settled on for the alien. Artist Dale Kuipers had created some preliminary paintings of the creature's look, but he left the project after being hospitalized following a traffic accident before he could develop them further with Bottin. Carpenter conceived the Thing as a single creature, but Bottin suggested that it should be constantly changing and able to look like anything. Carpenter initially considered Bottin's description of his ideas as "too weird", and had him work with Ploog to sketch them instead. As part of the Thing's design, it was agreed anyone assimilated by it would be a perfect imitation and would not know they were the Thing. The actors spent hours during rehearsals discussing whether they would know they were the Thing when taken over. Clennon said that it did not matter, because everyone acted, looked and smelled exactly the same before (or after) being taken over. At its peak, Bottin had a 35-person crew of artists and technicians, and he found it difficult to work with so many people. To help manage the team, he hired Erik Jensen, a special effects line producer who he had worked with on The Howling (1981), to be in charge of the special make-up effects unit. Bottin's crew also included mechanical aspect supervisor Dave Kelsey, make-up aspect coordinator Ken Diaz, moldmaker Gunnar Ferdinansen, and Bottin's longtime friend Margaret Beserra, who managed painting and hair work.
In designing the Thing's different forms, Bottin explained that the creature had been all over the galaxy. This allowed it to call on different attributes as necessary, such as stomachs that transform into giant mouths and spider legs sprouting from heads. Bottin said the pressure he experienced caused him to dream about working on designs, some of which he would take note of after waking. One abandoned idea included a series of dead baby monsters, which was deemed "too gross". Bottin admitted he had no idea how his designs would be implemented practically, but Carpenter did not reject them. Carpenter said, "What I didn't want to end up with in this movie was a guy in a suit ... I grew up as a kid watching science-fiction monster movies, and it was always a guy in a suit." According to Cundey, Bottin was very sensitive about his designs, and worried about the film showing too many of them. At one point, as a preemptive move against any censorship, Bottin suggested making the creature's violent transformations and the appearance of the internal organs more fantastical using colors. The decision was made to tone down the color of the blood and viscera, although much of the filming had been completed by that point. The creature effects used a variety of materials including mayonnaise, creamed corn, microwaved bubble gum, and K-Y Jelly.
During filming, then-21-year-old Bottin was hospitalized for exhaustion, double pneumonia, and a bleeding ulcer, caused by his extensive workload. Bottin himself explained he would "hoard the work", opting to be directly involved in many of the complicated tasks. His dedication to the project saw him spend over a year living on the Universal lot. Bottin said he did not take a day off during that time and slept on the sets or in locker rooms. To take some pressure off his crew, Bottin enlisted the aid of special effects creator Stan Winston to complete some of the designs, primarily the Dog-Thing. With insufficient time to create a sophisticated mechanical creature, Winston opted to create a hand puppet. A cast was made of makeup artist Lance Anderson's arm and head, around which the Dog-Thing was sculpted in oil-based clay. The final foam-latex puppet, worn by Anderson, featured radio-controlled eyes and cable-controlled legs, and was operated from below a raised set on which the kennel was built. Slime from the puppet would leak onto Anderson during the two days it took to film the scene, and he had to wear a helmet to protect himself from the explosive squibs simulating gunfire. Anderson pulled the tentacles into the Dog-Thing and reverse motion was used to create the effect of them slithering from its body. Winston refused to be credited for his work, insisting that Bottin deserved sole credit; Winston was given a "thank you" in the credits instead.
In the "chest chomp" scene, Dr. Copper attempts to revive Norris with a defibrillator. Revealing himself as the Thing, Norris-Thing's chest transforms into a large mouth that severs Copper's arms. Bottin accomplished this scene by recruiting a double amputee and fitting him with prosthetic arms filled with wax bones, rubber veins and Jell-O. The arms were then placed into the practical "stomach mouth" where the mechanical jaws clamped down on them, at which point the actor pulled away, severing the false arms. The effect of the Norris-Thing's head detaching from the body to save itself took many months of testing before Bottin was satisfied enough to film it. The scene involved a fire effect, but the crew were unaware that fumes from the rubber foam chemicals inside the puppet were flammable. The fire ignited the fumes, creating a large fireball that engulfed the puppet. It suffered only minimal damage after the fire had been put out, and the crew successfully filmed the scene. Stop-motion expert Randall William Cook developed a sequence for the end of the film where MacReady is confronted by the gigantic Blair-Thing. Cook created a miniature model of the set and filmed wide-angle shots of the monster in stop motion, but Carpenter was not convinced by the effect and used only a few seconds of it. It took fifty people to operate the actual Blair-Thing puppet.
The production intended to use a camera centrifuge – a rotating drum with a fixed camera platform – for the Palmer-Thing scene, allowing him to seem to run straight up the wall and across the ceiling. Again, the cost was too high and the idea abandoned for a stuntman falling into frame onto a floor made to look like the outpost's ceiling. Stuntman Anthony Cecere stood in for the Palmer-Thing after MacReady sets it on fire and it crashes through the outpost wall.
Visuals and lighting
Cundey worked with Bottin to determine the appropriate lighting for each creature. He wanted to show off Bottin's work because of its details, but he was conscious that showing too much would reveal its artificial nature, breaking the illusion. Each encounter with the creature was planned for areas where they could justify using a series of small lights to highlight the particular creature-model's surface and textures. Cundey would illuminate the area behind the creature to detail its overall shape. He worked with Panavision and a few other companies to develop a camera capable of automatically adjusting light exposure at different film speeds. He wanted to try filming the creature at fast and slow speeds thinking this would create a more interesting visual effect, but they were unable to accomplish this at the time. For the rest of the set, Cundey created a contrast by lighting the interiors with warmer lights hung overhead in conical shades so that they could still control the lighting and have darkened areas on set. The outside was constantly bathed in a cold, blue light that Cundey had discovered being used on airport runways. The reflective surface of the snow and the blue light helped create the impression of coldness. The team also made use of the flamethrowers and magenta-hued flares used by the actors to create dynamic lighting.
The team originally wanted to shoot the film in black-and-white, but Universal was reluctant as it could affect their ability to sell the television rights for the film. Instead, Cundey suggested muting the colors as much as possible. The inside of the sets were painted in neutral colors such as gray, and many of the props were also painted gray, while the costumes were a mix of somber browns, blues, and grays. They relied on the lighting to add color. Albert Whitlock provided matte-painted backdrops, including the scene in which the Americans discover the giant alien spaceship buried in the ice. A scene where MacReady walks up to a hole in the ice where the alien had been buried was filmed at Universal, while the surrounding area, including the alien spaceship, helicopter, and snow, were all painted.
Carpenter's friend John Wash, who developed the opening computer simulation for Escape from New York, used a Cromemco Z-2 to design the computer program showing how the Thing assimilates other organisms. Colors were added by placing filters in front of an animation camera used to shoot the computer frames. Model maker Susan Turner built the alien ship approaching Earth in the pre-credits sequence, which featured 144 strobing lights. Drew Struzan designed the film's poster. He completed it in 24 hours, based only on a briefing, knowing little about the film.
Release
Marketing
The lack of information about the film's special effects drew the attention of film exhibitors in early 1982. They wanted reassurance that The Thing was a first-rate production capable of attracting audiences. Cohen and Foster, with a specially employed editor and Universal's archive of music, put together a 20-minute showreel emphasizing action and suspense. They used available footage, including alternate and extended scenes not in the finished film, but avoided revealing the special effects as much as possible. The reaction from the exclusively male exhibitors was generally positive, and Universal executive Robert Rehme told Cohen that the studio was counting on The Thing's success, as they expected E.T. the Extra-Terrestrial to appeal only to children. While finalizing the film, Universal sent Carpenter a demographic study showing that the audience appeal of horror films had declined by seventy percent over the previous six months. Carpenter considered this a suggestion that he lower his expectations of the film's performance. After one market research screening, Carpenter queried the audience on their thoughts, and one audience member asked, "Well what happened in the very end? Which one was the Thing ...?" When Carpenter responded that it was up to their imagination, the audience member responded, "Oh, God. I hate that."
After returning from a screening of E.T. the Extra-Terrestrial, the audience's silence at a trailer of The Thing caused Foster to remark, "We're dead". The response to public pre-screenings of The Thing resulted in the studio changing the somber, black-and-white advertising approved by the producers to a color image of a person with a glowing face. The tagline was also changed from "Man is the warmest place to hide" – written by Stephen Frankfort, who wrote the Alien tagline, "In space, no one can hear you scream" – to "The ultimate in alien terror", trying to capitalize on Alien's audience. Carpenter attempted to make a last-minute change of the film's title to Who Goes There?, to no avail. The week before its release, Carpenter promoted the film with clips on Late Night with David Letterman. In 1981, horror magazine Fangoria held a contest encouraging readers to submit drawings of what the Thing would look like. Winners were rewarded with a trip to Universal Studios. On its opening day, a special screening was held at the Hollywood Pacific Theatre, presided over by Elvira, Mistress of the Dark, with free admission for those in costume as monsters.
Box office
The Thing was released in the United States on June 25, 1982. During its opening weekend, the film earned $3.1 million from 840 theaters – an average of $3,699 per theater – finishing as the number eight film of the weekend behind supernatural horror Poltergeist ($4.1 million), which was in its fourth weekend of release, and ahead of action film Megaforce ($2.3 million). It dropped out of the top 10 grossing films after three weeks, and ended its run earning a total of $19.6 million against its $15 million budget, making it only the 42nd highest-grossing film of 1982. It was not a box office failure, nor was it a hit. Subsequent theatrical releases have raised the box office gross to $19.9 million as of 2023.
Reception
Critical reception
The film received negative reviews on its release, and hostility for its cynical, anti-authoritarian tone and graphic special effects. Some reviewers were dismissive of the film, calling it the "quintessential moron movie of the 80's", "instant junk", and a "wretched excess". Starlog's Alan Spencer called it a "cold and sterile" horror movie attempting to cash in on the genre audience, against the "optimism of E.T., the reassuring return of Star Trek II, the technical perfection of Tron, and the sheer integrity of Blade Runner".
The plot was criticized as "boring", and undermined by the special effects. The Los Angeles Times's Linda Gross said that The Thing was "bereft, despairing, and nihilistic", and lacking in feeling, meaning the characters' deaths did not matter. Spencer said it featured sloppy continuity, lacked pacing, and was devoid of warmth or humanity. David Ansen of Newsweek felt the film confused the use of effects with creating suspense, and that it lacked drama by "sacrificing everything at the altar of gore". The Chicago Reader's Dave Kehr considered the dialogue to be banal and interchangeable, making the characters seem and sound alike. The Washington Post's Gary Arnold said it was a witty touch to open with the Thing having already overcome the Norwegian base, defeating the type of traps seen in the 1951 version, while New York's David Denby lamented that the Thing's threat is shown only externally, without focusing on what it is like for someone who thinks they have been taken over. Roger Ebert considered the film to be scary, but offering nothing original beyond the special effects, while The New York Times's Vincent Canby said it was entertaining only if the viewer needed to see spider-legged heads and dog autopsies.
Reviews of the actors' performances were generally positive, while criticizing the depictions of the characters they portrayed. Ebert said they lacked characterization, offering basic stereotypes that existed just to be killed, and Spencer called the characters bland even though the actors do the best they can with the material. Time's Richard Schickel singled Russell out as the "stalwart" hero, where other characters were not as strongly or wittily characterized, and Variety said that Russell's heroic status was undercut by the "suicidal" attitude adopted toward the film's finale. Other reviews criticized implausibilities such as characters wandering off alone. Kehr did not like that the men did not band together against the Thing, and several reviews noted a lack of camaraderie and romance, which Arnold said reduced any interest beyond the special effects.
The film's special effects were simultaneously lauded and lambasted for being technically brilliant but visually repulsive and excessive. Cinefantastique wrote that the Thing "may be the most unloved monster in movie history ... but it's also the most incredible display of special effects makeup in at least a decade." Reviews called Bottin's work "genius", noting the designs were novel, unforgettable, "colorfully horrific", and called him a "master of the macabre". Arnold said that the "chest chomp" scene demonstrated "appalling creativity" and the subsequent severed head scene was "madly macabre", comparing them to Alien's chest burster and severed head scenes. Variety called it "the most vividly gruesome horror film to ever stalk the screens". Conversely, Denby called them more disgusting than frightening and lamented that the trend of horror films to open the human body more and more bordered on obscenity. Spencer said that Bottin's care and pride in his craft were shown in the effects, but both they and Schickel found them to be overwhelming and "squandered" without strong characters and story. Even so, Canby said that the effects were too "phony looking to be disgusting". Canby and Arnold said the creature's lack of a single, discernible shape was to its detriment, and hiding it inside humans made it hard to follow. Arnold said that the 1951 version was less versatile but easier to keep in focus.
Gross and Spencer praised the film's technical achievements, particularly Cundey's "frostbitten" cinematography, the sound, editing, and Morricone's score. Spencer was critical of Carpenter's direction, saying it was his "futile" attempt to give the audience what he thinks they want and that Carpenter was not meant to direct science fiction, but was instead suited to direct "traffic accidents, train wrecks, and public floggings". Ansen said that "atrocity for atrocity's sake" was ill-becoming of Carpenter.
The Thing was often compared to similar films, particularly Alien, Invasion of the Body Snatchers (1978), and The Thing from Another World. Ebert and Denby said that The Thing seemed derivative compared to those films, which had portrayed the story in a better way. Variety called it inferior to the 1951 version. Arnold considered The Thing as the result of Alien raising the requirement for horrific spectacle.
The Thing from Another World actor Kenneth Tobey and director Christian Nyby also criticized the film. Nyby said, "If you want blood, go to the slaughterhouse ... All in all, it's a terrific commercial for J&B Scotch". Tobey singled out the visual effects, saying they "were so explicit that they actually destroyed how you were supposed to feel about the characters ... They became almost a movie in themselves, and were a little too horrifying." In Phil Hardy's 1984 book Science Fiction, a reviewer described the film as a "surprising failure" and called it "Carpenter's most unsatisfying film to date". The review noted that the narrative "seems little more than an excuse for the various set-pieces of special effects and Russell's hero is no more than a cypher compared to Tobey's rounded character in Howard Hawks' The Thing". Clennon said that introductory scenes for the characters, omitted from the film, made it hard for audiences to connect with them, robbing it of some of the broader appeal of Alien.
Accolades
The Thing received nominations from the Academy of Science Fiction, Fantasy and Horror Films for Best Horror Film and Best Special Effects, but lost to Poltergeist and E.T. the Extra-Terrestrial, respectively. The film was nominated at the Razzie Awards for Worst Musical Score.
Post-release
Performance analysis and aftermath
In a 1999 interview, Carpenter said audiences rejected The Thing for its nihilistic, depressing viewpoint at a time when the United States was in the midst of a recession. When it opened, it was competing against the critically and commercially successful E.T. the Extra-Terrestrial ($619 million), a family-friendly film released two weeks earlier that offered a more optimistic take on alien visitation. Carpenter described it as the complete opposite of his film. The Thing opened on the same day as the science fiction film Blade Runner, which debuted as the number two film that weekend with a take of $6.1 million and went on to earn $33.8 million. It was also regarded as a critical and commercial failure at the time. Others blamed an oversaturation of science fiction and fantasy films released that year, including Conan the Barbarian ($130 million), Poltergeist ($121.7 million), Star Trek II: The Wrath of Khan ($97 million), Mad Max 2 ($34.5 million), and Tron ($33 million). Some analysts blamed Universal's poor marketing, which did not compete with the deluge of promotion for prominent films released that summer. Another factor was the R rating it was given, restricting the audience to those over the age of 17 unless accompanied by an adult. In contrast, Poltergeist, another horror film, received a PG rating, allowing families and younger children to view it.
The impact on Carpenter was immediate – he lost the job of directing the 1984 science fiction horror film Firestarter because of The Thing's poor performance. His previous success had gained him a multiple-film contract at Universal, but the studio opted to buy him out of it instead. He continued making films afterward but lost confidence, and did not openly talk about The Thing's failure until a 1985 interview with Starlog, where he said, "I was called 'a pornographer of violence' ... I had no idea it would be received that way ... The Thing was just too strong for that time. I knew it was going to be strong, but I didn't think it would be too strong ... I didn't take the public's taste into consideration." Shortly after its release, Wilbur Stark sued Universal for $43 million for "slander, breach of contract, fraud and deceit", alleging he incurred a financial loss by Universal failing to credit him properly in its marketing and by showing his name during the end credits, a less prestigious position. Stark also said that he "contributed greatly to the [screenplay]". David Foster responded that Stark was not involved with the film's production in any way, and received proper credit in all materials. Stark later sued for a further $15 million over Foster's comments. The outcome of the lawsuits is unknown.
Home media
While The Thing was not initially successful, it was able to find new audiences and appreciation on home video, and later on television. Sidney Sheinberg edited a version of the film for network television broadcast, which added narration and a different ending, where the Thing imitates a dog and escapes the ruined camp. Carpenter disowned this version, and theorized that Sheinberg had been mad at him for not taking his creative ideas on board for the theatrical cut.
The Thing was released on DVD in 1998 and featured additional content, such as The Thing: Terror Takes Shape – a detailed documentary on the production, deleted and alternate scenes, and commentary by Carpenter and Russell. An HD DVD version followed in 2006 containing the same features, and a Blu-ray version in 2008 featuring just the Carpenter and Russell commentary, and some behind-the-scenes videos available via picture-in-picture during the film. A 2016 Blu-ray release featured a 2K resolution restoration of the film, overseen by Dean Cundey. As well as including previous features such as the commentary and Terror Takes Shape, it added interviews with the cast and crew, and segments that focus on the music, writing, editing, Ploog's artwork, an interview with Alan Dean Foster, who wrote the film's novelization, and the television broadcast version of The Thing that runs fifteen minutes shorter than the theatrical cut. A 4K resolution restoration was released in 2017 on Blu-ray, initially as a United Kingdom exclusive with a limited run of eight thousand units. The restoration was created using the original film negative, and was overseen by Carpenter and Cundey. A 4K Ultra HD Blu-ray was released in September 2021.
MCA released the soundtrack for The Thing in 1982. Varèse Sarabande re-released it in 1991 on compact disc and Compact Cassette. These versions eventually ceased being manufactured. In 2011, Howarth and Larry Hopkins restored Morricone's score using updated digital techniques and arranged each track in the order it appears in the film. The album also includes tracks composed by Carpenter and Howarth for the film. A remastered version of the score was released on vinyl on February 23, 2017; a deluxe edition included an exclusive interview with Carpenter. In May 2020, an extended play (EP), Lost Cues: The Thing, was released. The EP contains Carpenter's contributions to The Thing's score; he re-recorded the music because the original masterings were lost.
Other media
A novelization of the film was published by Alan Dean Foster in 1982. It is based on an earlier draft of the script and features some differences from the finished film. A scene in which MacReady, Bennings, and Childs chase infected dogs out into the snow is included, and Nauls's disappearance is explained: Cornered by the Blair-Thing, he chooses suicide over assimilation.
In 2000, McFarlane Toys released two "Movie Maniacs" figures: the Blair-Thing and the Norris-Thing, including its spider-legged, disembodied head. SOTA Toys released a set featuring a MacReady figure and the Dog-Thing based on the film's kennel scene, as well as a bust of the Norris-Thing's spider-head. In 2017, Mondo and the Project Raygun division of USAopoly released The Thing: Infection at Outpost 31, a board game. Players take on the role of characters from the film or the Thing, each aiming to defeat the other through subterfuge and sabotage.
In April 2023, it was announced that The Thing and characters from the film would be featured in the upcoming video game, Funko Fusion, set to be released in 2024. The game is set to include R.J. MacReady, Childs and Dr. Copper.
In November 2023, it was announced that The Thing would be featured in the video game, Pinball M. The Thing Pinball, a table based on the film, was released on November 30, 2023. The table includes R.J. MacReady and various other elements from the film.
Thematic analysis
The central theme of The Thing concerns paranoia and mistrust. Fundamentally, the film is about the erosion of trust in a small community, instigated by different forms of paranoia caused by the possibility of someone not being who they say they are, or that your best friend may be your enemy. It represents the distrust that humans always have for somebody else and the fear of betrayal by those we know and, ultimately, our bodies. The theme remains timely because the subject of paranoia adapts to the age. The Thing focuses on being unable to trust one's peers, but this can be interpreted as distrust of entire institutions.
Developed in an era of cold-war tensions between the United States and the Soviet Union, the film refers to the threat of nuclear annihilation by mutually assured destruction. Diabolique's Daniel Clarkson Fisher notes that preferring annihilation to defeat is a recurring motif, both in MacReady's destruction of the chess computer after being checkmated and his vow to destroy the Thing even at the expense of the team. Clarkson Fisher and Screen Rant's Michael Edward Taylor see the team's accusatory distrust and fear of assimilation as an expression of the American Red Scare of the 1950s and 1960s, while Taylor also sees a commentary on the isolationism of the me generation in the 1970s. Slant Magazine's John Lingsan said the men display a level of post-Vietnam War (1955–1975) "fatigued counterculturalism" – the rejection of conventional social norms, each defined by their own eccentricities.
The Atlantic's Noah Berlatsky said that unlike typical horror genre films, women are excluded, allowing the Thing to be identified as a fear of not being a man, or being homosexual. Vice's Patrick Marlborough considered The Thing to be a "scathing examination" of manliness, noting that identifying the Thing requires intimacy, confession, and empathy to out the creature, but "male frailty" prevents this as an option. Trapped by pride and stunted emotional growth, the men are unable to confront the truth out of fear of embarrassment or exposure. Berlatsky noted that MacReady avoids emotional attachments and is the most paranoid, allowing him to be the hero. This detachment works against him in the finale, which leaves MacReady locked in a futile mistrust with Childs, each not really knowing the other.
Nerdist's Kyle Anderson and Strange Horizons's Orrin Grey analyzed The Thing as an example of author H. P. Lovecraft's cosmic horror. Anderson's analysis includes the idea of cosmic horror in large part coming "from the fear of being overtaken", connecting it to Lovecraft's xenophobia and Blair's character arc of becoming what he most fears. In contrast, Anderson compares Blair to MacReady, who represents a more traditional Hollywood film protagonist. Grey describes the creature as fear of the loss of self, using Blair's character as an example. Discussing The Thing in the context of the first of three films in Carpenter's "Apocalypse Trilogy", Grey states the threat the monster poses to the world "is less disconcerting than the threat posed to the individual concept of self."
The Thing never speaks or gives a motive for its actions, and ruthlessly pursues its goal. Den of Geek's Mark Harrison and Ryan Lambie said that the essence of humanity is free will, which is stripped away by the Thing, possibly without the individual being aware that they have been taken over. In a 1982 interview, when given the option to describe The Thing as "pro-science" like Who Goes There? or "anti-science" like The Thing from Another World, Carpenter chose "pro-human", stating, "It's better to be a human being than an imitation, or let ourselves be taken over by this creature who's not necessarily evil, but whose nature it is to simply imitate, like a chameleon." Further allusions have been drawn between the blood-test scene and the epidemic of HIV at the time, which could be identified only by a blood test.
Since its release, many theories have been developed to attempt to answer the film's ambiguous ending shared by MacReady and Childs. Several suggest that Childs was infected, citing Dean Cundey's statement that he deliberately provided a subtle illumination to the eyes of uninfected characters, something absent from Childs. Similarly, others have noted a lack of visible breath from the character in the frigid air. While both aspects are present in MacReady, their absence in Childs has been explained as a technical issue with the filming. During production, Carpenter considered having MacReady be infected, and an alternate ending showed MacReady having been rescued and definitively tested as uninfected. Russell has said that analyzing the scene for clues is "missing the point". He continued, "[Carpenter] and I worked on the ending of that movie together a long time. We were both bringing the audience right back to square one. At the end of the day, that was the position these people were in. They just didn't know anything ... They didn't know if they knew who they were ... I love that, over the years, that movie has gotten its due because people were able to get past the horrificness of the monster ... to see what the movie was about, which was paranoia." However, Carpenter has teased, "Now, I do know, in the end, who the Thing is, but I cannot tell you."
Legacy
Retrospective reassessment
In the years following its release, critics and fans have reevaluated The Thing as a milestone of the horror genre. A prescient review by Peter Nicholls in 1992 called The Thing "a bleak, memorable film [that] may yet be seen as a classic". It has been called one of the best films directed by Carpenter. John Kenneth Muir called it "Carpenter's most accomplished and underrated directorial effort", and critic Matt Zoller Seitz said it "is one of the greatest and most elegantly constructed B-movies ever made".
Trace Thurman described it as one of the best films ever, and in 2008, Empire magazine selected it as one of The 500 Greatest Movies of All Time, at number 289, calling it "a peerless masterpiece of relentless suspense, retina-wrecking visual excess and outright, nihilistic terror". It is now considered to be one of the greatest horror films ever made, and a classic of the genre. Several publications have called it one of the best films of 1982, including Filmsite.org, Film.com, and Entertainment Weekly. Muir called it "the best science fiction-horror film of 1982, an incredibly competitive year, and perhaps even the best genre motion picture of the decade". Complex named it the ninth-best of the decade, calling it the "greatest genre remake of all time". Numerous publications have ranked it as one of the best science fiction films, including number four by IGN (2016); number 11 by Rotten Tomatoes (2024); number 12 by Thrillist (2018); number 17 by GamesRadar+ (2018); number 31 by Paste (2018); number 32 by Esquire (2015) and Popular Mechanics (2017).
Similarly, The Thing has appeared on several lists of the top horror films, including number one by The Boston Globe; number two by Bloody Disgusting (2018); number four by Empire (2016); and number six by Time Out (2016). Empire listed its poster as the 43rd best film poster ever. In 2016, the British Film Institute named it one of ten great films about aliens visiting Earth. It was voted the ninth best horror film of all time in a Rolling Stone readers poll, and is considered one of the best examples of body horror. GamesRadar+ listed its ending as one of the 25 best of all time. Review aggregation website Rotten Tomatoes, which has compiled old and contemporary reviews, reports that 84% of 83 critics provided positive reviews for the film, with an average rating of 7.4/10. The site's critics consensus reads: "Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects." On Metacritic, a similar website that aggregates both past and present reviews, the film has a weighted average score of 57 out of 100 based on 13 critics, indicating "mixed or average reviews".
In a 2011 interview, Carpenter remarked that it was perhaps his favorite film from his own filmography. He lamented that it took a long time for The Thing to find a wider audience, saying, "If The Thing had been a hit, my career would have been different. I wouldn't have had to make the choices that I made. But I needed a job. I'm not saying I hate the movies I did. I loved making Christine (1983) and Starman (1984) and Big Trouble in Little China (1986), all those films. But my career would have been different."
Cultural influence
The film has had a significant effect on popular culture, and by 1998, The Thing was already considered a cult classic. It is listed in the film reference book 1001 Movies You Must See Before You Die, which says "one of the most influential horror movies of the 1980s, much imitated but rarely bettered ... It is one of the first films to unflinchingly show the rupture and warp of flesh and bone into grotesque tableaus of surreal beauty, forever raising the bar of cinematic horror." It has been referred to in a variety of media, from television (including The X-Files, Futurama, and Stranger Things) to games (Resident Evil 4, Tomb Raider III, Icewind Dale: Rime of the Frostmaiden, and Among Us), and films (The Faculty, Slither, and The Mist).
Several filmmakers have spoken of their appreciation for The Thing or cited its influence on their own work, including Guillermo del Toro, James DeMonaco, J. J. Abrams, Neill Blomkamp, David Robert Mitchell, Rob Hardy, Steven S. DeKnight, and Quentin Tarantino. In 2011, The New York Times asked prominent horror filmmakers what film they had found the scariest. Two, John Sayles and Edgar Wright, cited The Thing. The 2015 Tarantino film The Hateful Eight takes numerous cues from The Thing, from featuring Russell in a starring role, to replicating themes of paranoia and mistrust between characters restricted to a single location, and even duplicating certain angles and layouts used by Carpenter and Cundey. Pieces of Morricone's unused score for The Thing were repurposed for The Hateful Eight. Tarantino also cited The Thing as an inspiration for his 1992 film Reservoir Dogs.
The film is screened annually in February to mark the beginning of winter at the Amundsen–Scott South Pole Station. In January 2010, Clarkesworld Magazine published "The Things", a short story by Peter Watts told from the Thing's point of view; it is unable to understand why humans are hostile toward it and horrified to learn that they do not shapeshift. The story received a 2011 Hugo Award nomination. In 2017, a 400-page art book was released featuring art inspired by The Thing, with contributions from 350 artists, a foreword by director Eli Roth, and an afterword by Carpenter.
The 2007 Halloween Horror Nights event at Universal Studios in Orlando, Florida, featured "The Thing: Assimilation", a haunted attraction based on the film. The attraction included MacReady and Childs, both held in stasis, the Blair-Thing and the outpost kennel.
Sequels
Dark Horse Comics published four comic book sequels starring MacReady, beginning in December 1991 with the two-part The Thing from Another World by Chuck Pfarrer, which is set 24 hours after the film. Pfarrer was reported to have pitched his comic tale to Universal as a sequel in the early 1990s. This was followed by the four-part The Thing from Another World: Climate of Fear in July 1992, the four-part The Thing from Another World: Eternal Vows in December 1993, and The Thing from Another World: Questionable Research. In 1999, Carpenter said that no serious discussions had taken place for a sequel, but he would be interested in basing one on Pfarrer's adaptation, calling the story a worthy sequel. A 2002 video game of the same name was released for Microsoft Windows, PlayStation 2, and Xbox to generally favorable reviews. The game's plot follows a team of U.S. soldiers investigating the aftermath of the film's events.
In 2005, the Syfy channel planned a four-hour miniseries sequel produced by Frank Darabont and written by David Leslie Johnson-McGoldrick. The story followed a Russian team who recover the corpses of MacReady and Childs, as well as remnants of the Thing. The story moves forward 23 years, where the Thing escapes in New Mexico, and follows the attempts at containment. The project never proceeded, and Universal opted to continue with a feature film sequel. A prequel film, also titled The Thing, was released in October 2011 to a $31 million worldwide box office gross and mixed reviews. The story follows the events after the Norwegian team discovers the Thing. In 2020, Universal Studios and Blumhouse Productions announced the development of a remake of Carpenter's The Thing. The remake was described as incorporating elements of The Thing from Another World and The Thing, as well as the novella Who Goes There? and its expanded version Frozen Hell, which features several additional chapters.
Although released years apart, and unrelated in terms of plot, characters, crew, or even production studios, Carpenter considers The Thing to be the first installment in his "Apocalypse Trilogy", a series of films based around cosmic horror, entities unknown to man, that are threats to both human life and the sense of self. The Thing was followed by Prince of Darkness in 1987, and In the Mouth of Madness in 1994. All three films are heavily influenced by Carpenter's appreciation for the works of Lovecraft.
References
Notes
Citations
Works cited
External links
The Thing at the AFI Catalog of Feature Films
The Thing at AllMovie
The Thing at IMDb
The Thing at the TCM Movie Database
The Thing at Discogs (list of releases)
The Thing at Letterboxd
The Thing at theofficialjohncarpenter.com
Who Goes There? by John W. Campbell, the novella on which The Thing is based |
Christine_(1983_film) | https://en.wikipedia.org/wiki/Christine_(1983_film) | [
231
] | [
"https://en.wikipedia.org/wiki/Christine_(1983_film)"
] | Christine (titled onscreen as John Carpenter's Christine) is a 1983 American supernatural horror film co-scored and directed by John Carpenter and starring Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky and Harry Dean Stanton. The film also features supporting performances from Roberts Blossom and Kelly Preston.
Adapted by Bill Phillips (who has a cameo as the boombox-toting junkyard worker) from Stephen King's 1983 novel of the same name, the movie follows the changes in the lives of Arnie Cunningham, his friends, his family, and his teenage enemies after he buys a classic red and white 1958 Plymouth Fury named Christine, a car that seems to have a mind of its own and a jealous, possessive personality, which has a bad influence on Arnie.
Released in the United States on December 9, 1983, Christine received generally positive reviews from critics and grossed $21 million at the box office. The film has since become a cult classic.
Plot
In 1957, at a car factory in Detroit, a red 1958 Plymouth Fury slams its hood shut by itself on a worker's hand, while another worker is found dead inside the car after dropping cigar ash on its seats.
In 1978 Rockbridge, California, nerdy high school senior Arnold "Arnie" Cunningham is bullied on the first day of school by classmate Buddy Repperton and his gang, but Arnie's best friend Dennis Guilder intervenes with help from a teacher, who sends Buddy and his gang to the principal's office. Buddy is subsequently expelled for carrying a switchblade.
After school, Arnie and Dennis see a dilapidated 1958 Plymouth Fury for sale at the home of George LeBay, the brother of the recently deceased original owner, who tells them the car's name is Christine. Despite Dennis' objections, Arnie purchases the car. Since Arnie's parents refuse to let him keep the car at their house, he begins to restore Christine at a local garage owned by the gruff Will Darnell, who offers Arnie a part-time job and access to parts he needs to fix Christine. Soon, Arnie develops a rebellious, arrogant personality, worrying his parents and Dennis.
Dennis confronts LeBay, who reveals that his late brother was also obsessed with Christine, that his five-year-old niece choked to death in the car, and that his sister-in-law and later his brother both committed suicide in it. At night, Dennis breaks into the garage to inspect Christine, but when Christine's radio begins playing 1950s rock and roll music, he flees.
Arnie begins a relationship with a new student, Leigh Cabot, who has rejected all the other boys at school. While playing a football game, Dennis is stunned by the sight of Arnie and Leigh kissing in front of the now fully restored Christine, causing him to sustain a severe injury that permanently ends his football career.
One night, when Arnie and Leigh are attending a drive-in theater, Leigh expresses jealousy over Christine. While alone in the car, Leigh nearly chokes to death on a hamburger, as Christine briefly locks her doors to keep Arnie from saving her. After Arnie drives Leigh home, she vows to never get into his car again. Later that night, Buddy and his gang sneak into Darnell's garage and vandalize Christine. Arnie, angered by the destruction, breaks up with Leigh and assaults his father when he confronts him about Christine after dinner.
The next day, Arnie returns to the garage alone and watches as Christine repairs herself. Over two evenings, the car kills Buddy and all his gang members, blowing up a gas station in the process. Christine drives away in flames and returns to Darnell's garage, where she crushes him to death against the steering wheel. By morning, Christine is back in perfect condition when the police find Darnell's body. State Police detective Rudy Junkins questions Arnie about the death of Darnell and one of Buddy's gang members, but the car's pristine condition and Arnie's alibi convince the detective he was not involved.
Leigh and Dennis conclude that Christine is responsible for Arnie's insanity. They plan to lure Christine to Darnell's garage and smash her with a bulldozer, but Christine surprises them by emerging from a pile of scrap metal. Leigh flees on foot while Dennis battles Christine with the bulldozer. Arnie is now driving Christine, and in an attempt to run Leigh down, Christine crashes into Darnell's office. Arnie is thrown through the windshield and impaled on a shard of glass. He reaches out to touch Christine's grille one last time, and Christine responds by playing "Pledging My Love" by Johnny Ace on her radio as Arnie dies.
Christine continues to attack, until Dennis and Leigh corner her and flatten her with the bulldozer. The next day, Dennis, Leigh, and Junkins watch as the remains of Christine are crushed into a cube at a junkyard. Junkins congratulates the teens for stopping Christine, but they regret not being able to save Arnie. The sound of a 1950s rock and roll song spooks them briefly, but it proves to be coming from a boombox carried by a junkyard worker. Unnoticed by any of them, Christine's grill twitches slightly.
Cast
Production
Conception
Producer Richard Kobritz had previously produced the 1979 miniseries Salem's Lot, also based on a Stephen King novel. Through producing the miniseries, Kobritz became acquainted with King, who sent him manuscripts of two of his novels, Cujo, and Christine. Kobritz purchased the rights to Christine after finding himself attracted to the novel's "celebration of America's obsession with the motorcar."
Kobritz's first choice for director was John Carpenter, who was initially unavailable owing to two projects: an adaptation of another King novel, Firestarter, and an adaptation of the 1980 Eric Van Lustbader novel The Ninja. However, production delays on these projects allowed Carpenter to accept the director position for Christine. Kobritz and Carpenter had previously collaborated in the 1978 television film Someone's Watching Me!. Bill Phillips was Carpenter's choice for writer and was brought on shortly after Carpenter arrived. Carpenter was also joined by special effects supervisor Roy Arbogast, who had previously worked with Carpenter in The Thing (1982). According to Carpenter, Christine was not a film he had planned on directing, saying that he directed the film as "a job" as opposed to a "personal project." He had previously directed The Thing, which had done poorly at the box office and led to critical backlash. In retrospect, Carpenter stated that upon reading Christine, he felt that "It just wasn't very frightening. But it was something I needed to do at that time for my career."
King's novel, the source material for Carpenter's film, made it clear that the car was possessed by the evil spirit of its previous owner, Roland D. LeBay, whereas the film version of the story shows that the evil spirit of the car manifested itself on the day it was built. Other elements from the novel were altered for the film, particularly the execution of the death scenes, which the filmmakers opted for a more "cinematic approach."
Casting
Initially, Columbia Pictures had wanted to cast Brooke Shields in the role of Leigh because of her publicity after the release of The Blue Lagoon (1981), and Scott Baio as Arnie. The filmmakers declined the suggestion, opting to cast young actors who were still fairly unknown. Kevin Bacon auditioned for the role, but opted out when offered the lead in Footloose (1984). Carpenter cast Keith Gordon in the role of Arnie after an audition in New York City; Gordon had some experience in film, and was also working in theater at the time; John Stockwell was cast at an audition in Los Angeles.
Nineteen-year-old Alexandra Paul was cast in the film after an audition in New York City; according to Carpenter, Paul was an "untrained, young actress" at the time, but brought a "great quality" about the character of Leigh. According to Paul, she had not read any of King's books or seen Carpenter's films, and read the novel in preparation.
Filming
Christine was shot largely in Los Angeles, California, while the location for Darnell's garage was located in Santa Clarita. Filming began in April 1983, mere days after the King novel had been published. An abandoned furniture factory in Irwindale was used for the opening scene. The film's stunts were primarily completed by stunt coordinator Terry Leonard, who was behind the wheel of the car during the high-speed chase scenes, as well as the scene in which the car drives down a highway engulfed in flames. During that scene, Leonard wore a Nomex firefighter's suit complete with breathing apparatus.
Alexandra Paul's identical twin sister Caroline Paul wrote that she and her sister pulled a prank during filming, sending Caroline on set in place of Alexandra without telling Carpenter that they had made the switch until after he had shot a scene. She wrote, "My highly skilled clutch-pushing actually made it into the movie."
The car
Although the car in the film is identified as a 1958 Plymouth Fury – and in 1983 radio ads promoting the film, voiceover artists announced, "she's a '57 Fury" – two other Plymouth models, the Belvedere and the Savoy, were also used to portray the malevolent automobile onscreen. John Carpenter placed ads throughout Southern California searching for models of the car, and was able to purchase twenty-four of them in various states of disrepair, which were used to build a total of seventeen copies of the film car. All cars were two door hardtops.
Total production for the 1958 Plymouth Fury was only 5,303, and they were difficult to find and expensive to buy at the time. In addition, the real-life Furys only came in one color, "Sandstone White" with a "Buckskin Beige" interior, seen on the other Furys on the assembly line during the initial scenes of the movie, though the car in King's novel was ordered with a red-and-white custom paint job.
Originally, Carpenter had not planned to film the car's regeneration scenes, but gave special effects supervisor Roy Arbogast three weeks to devise a way for the car to rebuild itself. Arbogast and his team made rubber molds from one of the cars, including a whole front end. One of the cars was stripped of its engine to accommodate internally-mounted hydraulics that pulled the framework inward, crumpling the car, with the shot then run backwards in the final film. Twenty-three cars were used in the film. Initially sold as scrap metal after filming ended, one of the best known surviving vehicles was eventually rescued from the junkyard and restored. It was subsequently bought by collector Bill Gibson of Pensacola, Florida. One of the Christines was auctioned off at an auto-auction in Florida in January 2020.
Release
Box office
Christine was released in North America on December 9, 1983, to 1,045 theaters. In its opening weekend Christine brought in $3,408,904 landing at #4. The film dropped 39.6% in its second weekend, grossing $2,058,517 slipping from fourth to eighth place. In its third weekend, it grossed $1,851,909 dropping to #9. The film remained at #9 its fourth weekend, grossing $2,736,782. In its fifth weekend, it returned to #8, grossing $2,015,922. Bringing in $1,316,835 in its sixth weekend, the film dropped out of the box office top ten to twelfth place. In its seventh and final weekend, the film brought in $819,972 landing at #14, bringing the total gross for Christine to $21,017,849.
Critical response
On the review aggregator website Rotten Tomatoes, Christine holds a 72% approval rating based on 39 reviews, with an average rating of 6.1/10. The consensus reads: "The cracks are starting to show in John Carpenter's directorial instincts, but Christine is nonetheless silly, zippy fun.”
Roger Ebert gave the movie three out of four stars, saying: "By the end of the movie, Christine has developed such a formidable personality that we are actually taking sides during its duel with a bulldozer. This is the kind of movie where you walk out with a silly grin, get in your car, and lay rubber halfway down the Eisenhower." Janet Maslin of The New York Times gave the film a middling review, saying: "The early parts of the film are engaging and well acted, creating a believable high-school atmosphere. Unfortunately, the later part of the film is slow in developing, and it unfolds in predictable ways." Variety gave the film a negative review, stating: "Christine seems like a retread. This time it's a fire-engine red, 1958 Plymouth Fury that's possessed by the Devil, and this deja-vu premise [from the novel by Stephen King] combined with the crazed-vehicle format, makes Christine appear pretty shop worn." Time Out said of the film: "Carpenter and novelist Stephen King share not merely a taste for genre horror but a love of '50's teenage culture; and although set in the present, Christine reflects the second taste far more effectively than the first." In 2023, John Carpenter reflected on the movie:“I love my cast in that movie. Keith Gordon was fabulous, and Alexandra Paul was… I believe she’d been a model, and she’s just a terrific actress. And the great character actor Harry Dean Stanton was on that. Harry Dean is quite a character, I really loved him. But it was a fun movie to make and easy — nothing tough about it. And it did OK, you know, it opened alright. So people were kind, which is nice.“
King's reaction
While he was promoting the film adaptation of Dreamcatcher in 2003, Stephen King mentioned Christine as one of two film adaptations of his work that had "bored" him, stating:
"I may just be the most adapted novelist in modern times... and I don't say that with pride so much as with a kind of stunned bemusement. Several honorable adaptations have come from this thirty-year spew of celluloid... and the best of those have had few of the elements I'm best known for: science fiction, fantasy, the supernatural, and pure gross-out moments... The books that do have those elements have, by and large, become films that are either forgettable or outright embarrassing. Others -- I'm thinking chiefly of Christine and Stanley Kubrick's take on The Shining -- should have been good but just... well, they just aren't. They're actually sort of boring. Speaking for myself, I'd rather have bad than boring."
Home media
The film was released on VHS by Columbia Pictures, and on DVD on August 4, 1998, and re-released on DVD in 2004. On March 12, 2013, Twilight Time video released the film on Blu-ray for the first time in a limited edition run numbered at 3,000 copies. On September 29, 2015, Sony Pictures Home Entertainment re-released the film on Blu-ray. The film was released on 4K UHD Blu-ray on September 11, 2018.
Soundtrack
Two soundtracks were released, one consisting purely of the music written and composed by John Carpenter and Alan Howarth, the other consisting of the contemporary pop songs used in the film.
Score
Songs appearing in film
The soundtrack album containing songs used in the film was entitled Christine: Original Motion Picture Soundtrack and was released on LP and cassette on Motown Records. It contained 10 (of the 15) songs listed in the film's credits, plus one track from John Carpenter and Alan Howarth's own score. The track listing was as follows:
George Thorogood and the Destroyers – "Bad to the Bone"
Buddy Holly & the Crickets – "Not Fade Away"
Johnny Ace – "Pledging My Love"
Robert & Johnny – "We Belong Together"
Little Richard – "Keep A-Knockin'"
Dion and The Belmonts – "I Wonder Why"
The Viscounts – "Harlem Nocturne"
Thurston Harris – "Little Bitty Pretty One"
Danny & The Juniors – "Rock 'n' Roll is Here to Stay"
John Carpenter & Alan Howarth – "Christine Attacks (Plymouth Fury)"
Larry Williams – "Bony Moronie"
The following tracks were not included on this LP release, but were used in the film and listed in the film's credits:
ABBA – "The Name of the Game"
Bonnie Raitt – "Runaway"
Ritchie Valens – "Come on, Let's Go"
Tanya Tucker – "Not Fade Away"
The Rolling Stones – "Beast of Burden"
Proposed remake
In June 2021, Sony Pictures Entertainment and Blumhouse Productions announced the development of a remake of the film with Bryan Fuller set to write and direct the film and Jason Blum, Vincenzo Natali and Steve Hoban producing. As of September 2023, no aspect of the project has moved forward.
Cultural references
The film Taarzan: The Wonder Car by Indian filmmaking duo Abbas–Mustan is loosely based on Christine.
The film is parodied in the Futurama episode "The Honking", wherein a metamorphic Bender-turned-car haunts the crew.
The film is referred to in the song "Autopilot" by Allison Ponthier.
David Gordon Green said his 2022 film Halloween Ends is a love letter to Christine and John Carpenter's body of work in general.
See also
You Drive
List of films about automobiles
List of American films of 1983
References
Bibliography
Benjaminson, James (1994). Plymouth, 1946–1959. Motorbooks International. ISBN 978-0-87938-840-9.
Von Doviak, Scott (2014). Stephen King Films FAQ: All That's Left to Know About the King of Horror on Film. Applause Theatre & Cinema. ISBN 978-1-48035-551-4.
Kerr, Joe; Wollen, Peter (2004). Autopia: Cars and Culture. University of Chicago Press. ISBN 978-1-86189-132-7.
External links
Christine at IMDb
Christine at Rotten Tomatoes
Christine at AllMovie
Christine at Box Office Mojo
Christine at the AFI Catalog of Feature Films
Christine at the TCM Movie Database |
Starman_(film) | https://en.wikipedia.org/wiki/Starman_(film) | [
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"https://en.wikipedia.org/wiki/Starman_(film)"
] | Starman is a 1984 American science fiction romance drama film directed by John Carpenter that tells the story of a non-corporeal alien who has come to Earth and cloned a human body (portrayed by Jeff Bridges) in response to the invitation found on the gold phonograph record installed on the Voyager 2 space probe. The original screenplay was written by Bruce A. Evans and Raynold Gideon, with Dean Riesner making uncredited re-writes.
The film received positive reviews but faltered in its initial box office debut. Bridges was nominated for the Academy Award for Best Actor for his role. It inspired the short-lived Starman television series in 1986.
Plot
"Starman is a love story. It's It Happened One Night.— John Carpenter
The Voyager 2 space probe, launched in 1977, carries a phonographic disc with a message of peace, inviting alien civilizations to visit Earth. The probe is intercepted by a planet which then sends a scout vessel to establish first contact with Earth. Instead of greeting the vessel, the U.S. government shoots it down. Crashing in Chequamegon Bay, Wisconsin, the lone alien occupant, looking like a floating ball of energy, finds the home of recently widowed Jenny Hayden. The alien uses a lock of hair from her deceased husband, Scott, to clone a body for himself. The alien "Starman" has seven spheres with him which provide energy to perform miraculous feats. He uses the first to send a message to his people stating that Earth is hostile and his spacecraft was destroyed. He arranges to rendezvous with them in three days' time. He then uses the second sphere in self-defense and the third to create a holographic map of the United States, coercing Jenny into taking him to the rendezvous in Arizona.
Jenny, however, attempts to escape. Having a very basic understanding of the English language from the phonographic disk, the Starman learns to communicate with Jenny and assures her that he means no harm. He explains that if he does not reach the rendezvous point, Arizona's Barringer Crater, in three days, he will die. Jenny teaches him how to drive a car and use credit cards, so he can continue the journey alone. When he resurrects a dead deer, she is moved and decides to stay with him. The authorities pursue the pair across the country. A police officer shoots and critically wounds Jenny. To escape, the Starman crashes their car into a gas tanker and uses another sphere to protect them from the explosion. They take refuge in a mobile home that is being towed. He uses another sphere to heal Jenny. After being assured that Jenny will recover, he proceeds to hitchhike toward Arizona without her, but Jenny reaches him while he and his driver are stopped at a roadblock. Reunited, they hitchhike together, resuming their journey towards the crater.
Later, while stowing away on a railroad boxcar, the two have sex. The Starman tells Jenny, "I gave you a baby tonight." Jenny reveals that she is infertile, but he assures her that she is pregnant. He explains that Scott is the posthumous father, as Starman used Scott's DNA to clone himself. As a child also of Starman, their son will possess all the Starman's knowledge and will grow up to be a teacher. Starman offers to stop the pregnancy if she wishes, but Jenny embraces him, accepting the gift. They accidentally travel too far on the train and arrive in Las Vegas. Jenny loses her wallet. The Starman uses one of their last quarters in a slot machine, which he manipulates to win the $500,000 jackpot. They buy a Cadillac to complete their journey to Arizona.
National Security Agency director George Fox learns that the Starman's flight trajectory, prior to being shot down, was to the Barringer Crater and arranges to have the Army capture the Starman, dead or alive. SETI scientist Mark Shermin, another government official involved in the case, criticizes Fox's heavy-handed approach and reminds him that the Starman was invited to Earth. Appalled to learn that Fox is planning to vivisect the alien, Shermin then resolves to help the Starman escape rather than let Fox capture him.
Jenny and the dying Starman reach the crater as Army helicopters pursue them. Just as they are surrounded, a large spaceship appears and descends into the crater. Light surrounds the couple and the Starman is fully healed. While preparing to leave, he tells Jenny he will never see her again. Jenny asks him to take her with him, but he says she would die on his world. He then gives her his last sphere, saying that their son will know what to do with it. Jenny watches as the ship departs.
Cast
Production
Starman spent five years in development at Columbia. The original script by Bruce A. Evans and Raynold Gideon was purchased by the studio at the urging of executive producer Michael Douglas, shortly before it optioned Steven Spielberg's Night Skies. Evans and Gideon's first, and only, rewrite was rejected by both the studio and Douglas. Screenwriter Dean Riesner came onto the project in late 1981 after director Mark Rydell left the project due to artistic differences with Douglas. Riesner had no idea that he would spend over two years struggling with the incessant demand for rewrites—he eventually authored five rewrites of Starman with six different directors, but did not receive screen credit because, according to him, "the Writers Guild, in their infinite wisdom, decided I didn't contribute 50 percent of the screenplay." Carpenter personally campaigned for Riesner's credit; advocating Evans and Gideon's initial draft was an entirely different movie (than the shooting script Riesner later authored) -- Carpenter said that the alien actually flew around like Superman in the initial script. Carpenter was reportedly outraged when the WGA arbitration ruled in favor of original writers, Gideon and Evans. The director resolved to thank his screenwriter by including an on-screen dedication to Reisner in the film's end credits sequence. The Writers' Guild deemed Carpenter's on-screen accolade as a deliberately provocative violation of their ruling. For a short time the Guild were threatening to force Columbia to destroy all prints of the film (in exhibition) containing Carpenter's offending dedication to Reisner! Other uncredited writers who worked on the script were Edward Zwick and Diane Thomas. Columbia chairman, Frank Price was disappointed with Spielberg's Night Skies script. Price consulted with their marketing department, it was determined Night Skies' narrative was too Disney and would only appeal to children (Starman was for a more mature audience). Insisting the picture would not be profitable, Frank Price put their Spielberg project into turnaround. Night Skies was eventually retitled E.T. the Extra-Terrestrial, which became the highest-grossing film of its time; whereas Starman would make less the a tenth of the revenue E.T. garnered—upon which Riesner commented, "Goes to show how wrong you can be in this business."
According to Riesner, producers at Columbia were concerned at the initial box office returns for E.T., because Starman (while Riesner was working its second rewrite) was too similar. Adrian Lyne worked with Michael Douglas on the project, for about a year, before departing to direct Flashdance for Paramount. He was replaced by John Badham, who worked with Douglas for 'some months' (developing the project); Columbia actually gave them an October, 1982 start-date to begin principal photography. In 1985 Badham acknowledged his initial enthusiasm for the script, "I wanted Tom Conti for the lead role [Badham had seen him in London doing “Whose Life Is It Anyway?"] and he was anxious to do it." But in the summer of 1982, Variety published the first review of E.T., as soon as he read it he realized the two projects were too similar. Douglas immediately ordered script revisions, but Badham eventually moved on to take over directing duties on WarGames. Riesner was charged with keeping Starman essentially the same while making it distinct from E.T, and would work with three subsequent directors: Tony Scott, Peter Hyams, and John Carpenter. Whereas Scott was more interested in style than narrative drive and wanted to cast Philip Anglim, and Hyams pushed for a more conventional science fiction approach, Carpenter, who was eager to shed his image as a maker of exploitative thrillers, wished to emphasize the cross-country rapport that develops between the two leads, as in The Defiant Ones, The 39 Steps, and It Happened One Night over special effects. Riesner dropped the "heavy political implications" from the script to comply with this.
Parts of the film were shot in Tennessee, Iowa, Arizona, Nevada, and Monument Valley, Utah.
Reception
Box office
Starman grossed $2.9 million in its opening weekend, debuting at number 6. It was released the same week as David Lynch's film Dune and one week after the release of Peter Hyams's film 2010: The Year We Make Contact. The film grossed a total of $28.7 million from its domestic run.
Critical response
The review aggregator Rotten Tomatoes reports an approval rating of 86% based on 35 reviews, with an average rating of 6.9/10. The site's critics consensus reads: "What initially begins as sci-fi transforms into a surprisingly sweet, offbeat drama, courtesy of John Carpenter's careful direction." The aggregator Metacritic gives the film a score of 71 out of 100, based on seven critics, indicating "generally favorable reviews".
Roger Ebert gave the film three stars out of four and wrote "Starman contains the potential to be a very silly movie, but the two actors have so much sympathy for their characters that the movie, advertised as space fiction, turns into one of 1984's more touching love stories." In a highly positive review praising the film along with its actors and director, Janet Maslin stated "If Starman doesn't make a major difference in Jeff Bridges's career, Mr. Bridges is operating in the wrong galaxy." Duane Byrge wrote for The Hollywood Reporter that the film had "an amusing and appealing storyline" and a "winning performance" by Jeff Bridges, describing it as "an often on-target look at current American culture". However, he found the script "one-dimensional in certain plotting aspects, especially in regard to the single-minded military forces", but praised it for "an uplifting and humane message" and Carpenter for "fluid storytelling", and commended the "evocative score and the special visual effects" as "first-rate".
Mark Harrison wrote for Den of Geek that it was "a classic sci-fi date movie" and "not only an outlier in [Carpenter's] body of work but also an inarguable product of his direction". According to Harrison, Carpenter had taken "a potential E.T. knock-off and turned it into a modern spin on a more classical Hollywood genre", and praised it for a "canny reversal of gender roles" where "Bridges is the naïve ingenue who knows nothing about the world (or our world, anyway) and Allen is the more cynical character who is pulled into a cross-country adventure with him." He added "the film really lives or dies on the chemistry of the leads. Fortunately, Bridges and Allen are both on spectacular form here", believing that Karen Allen's portrayal "might be her best ever performance." He concluded that "Starman is a bittersweet, genre-bending date movie that really ought to be celebrated as one of the more lovable entries in the John Carpenter canon."
Alan Jones awarded it four stars out of five for Radio Times, arguing that "John Carpenter's religious sci-fi parable has as much heart and emotion as it does special effects, and gives Oscar-nominated Jeff Bridges a real chance to stretch his acting talent." He described it as "funny, suspenseful and moving" and concluded that "this engaging space odyssey is one of Carpenter's best efforts." Halliwell's Film Guide was less positive, describing it as a "derivative but eccentric science-fiction fantasy with lapses of narrative and a general attempt to make the love story predominant over the hardware". The review by Time Out called it "a rather lame sci-fi love story" which "lacks the drive, energy and surprise which one associates with Carpenter." It continued "The best special effects are in the first five minutes. Thereafter, it's all rather predictable. The normally excellent Bridges shuffles his way through a robotic performance as though he's just been unplugged, and the film's (very) basic gag – his naïve response to what he experiences – wears thin pretty quick." Colin Greenland reviewed Starman for Imagine magazine, and stated that it "starts well, with engaging performances from Karen Allen as the woman trying not to go crazy and Jeff Bridges as the man in the borrowed body. But then director John Carpenter changes his mind, and turns it into an irritatingly soft-headed love story. What a waste of a promising idea."
Awards and honors
Jeff Bridges was nominated for the Academy Award for Best Actor, making Starman the only film by John Carpenter to receive an Academy Award nomination. Bridges was also nominated for the Golden Globe Award for Best Actor – Drama and was awarded the Saturn Award for Best Actor. Karen Allen also received a nod for Best Actress from the Academy of Science Fiction, Fantasy & Horror Films. The film itself was nominated Best Science Fiction Film. Jack Nitzsche received a Golden Globe nomination for his score.
The film was nominated for, but does not appear on the following lists:
2002: AFI's 100 Years...100 Passions – Nominated
2008: AFI's 10 Top 10: Nominated Science Fiction Film
Soundtrack
The soundtrack to Starman was released on December 14, 1984. The album also contains a rendition of "All I Have to Do Is Dream" performed by stars Jeff Bridges and Karen Allen.
Home media
The film was released on Blu-ray on August 11, 2009. A collector's edition reissue would later be released on December 18, 2018 by Shout Factory.
Remake
In April 2016, The Hollywood Reporter reported that Shawn Levy would direct and produce a remake written by Arash Amel. Michael Douglas, who was a producer of the original, was also on board to produce, while Dan Cohen and Robert Mitas were executive producing, and Matt Milam and Adam North were overseeing the project for Columbia. In 2021, Levy declared the remake to be improbable, as he could not find a good draft that was worthy of adaptation.
In popular culture
The City of Prague Philharmonic Orchestra covered "Starman Leaves (End Title)" for their 2005 cover compilation album, The Science Fiction Album. The 2010 single "Symphonies" by Dan Black, and its remix featuring Kid Cudi, sampled CoPPO's cover of the song. At the end of the music video the lead character is beamed away by a bright circular spaceship, similar to the manner in which the Starman from the film departs Earth. The music video itself contains scenes which pay homage to several Jeff Bridges films, including Tron and King Kong.
In Guardians of the Galaxy Vol.2, flashbacks revealing the courtship of Peter Quill's parents feature a 1978 Ford Mustang King Cobra.
See also
Starman (TV series)
References
External links
Starman at IMDb
Starman at the TCM Movie Database
Starman at Rotten Tomatoes
Starman at Metacritic
Starman at AllMovie |
Big_Trouble_in_Little_China | https://en.wikipedia.org/wiki/Big_Trouble_in_Little_China | [
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] | [
"https://en.wikipedia.org/wiki/Big_Trouble_in_Little_China"
] | Big Trouble in Little China (also known as John Carpenter's Big Trouble in Little China) is a 1986 American fantasy action-comedy film directed by John Carpenter, and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong. The film tells the story of truck driver Jack Burton (Russell), who helps his friend Wang Chi (Dun) rescue Wang's green-eyed fiancée from bandits in San Francisco's Chinatown. They go into the mysterious underworld beneath Chinatown, where they face an ancient sorcerer named David Lo Pan (Hong), who requires a woman with green eyes to marry him in order to be released from a centuries-old curse.
Although the original screenplay by first-time screenwriters Gary Goldman and David Z. Weinstein was envisioned as a Western set in the 1880s, screenwriter W. D. Richter was hired to rewrite the script extensively and modernize it. The studio hired Carpenter to direct the film and rushed Big Trouble in Little China into production so that it would be released before a similarly themed Eddie Murphy film, The Golden Child, which was slated to come out around the same time. The project fulfilled Carpenter's long-standing desire to make a martial arts film.
Despite receiving generally positive reviews, the film was a commercial failure, grossing $11.1 million in North America, below its estimated $19 to $25 million budget. This left Carpenter disillusioned with Hollywood and influenced his decision to return to independent filmmaking. In later years, the film gained a steady audience on home video, and has become a cult classic.
Plot
Truck driver Jack Burton wins a bet with his friend Wang Chi. To make sure he follows through on payment, Jack accompanies him to the airport to pick up Wang's Chinese fiancée Miao Yin, where a Chinese-American street gang, the Lords of Death, tries to kidnap another Chinese girl. She is being met by her friend Gracie Law. After Jack intervenes, they take Miao Yin instead.
Jack and Wang track the Lords of Death to Chinatown, where they find a funeral procession that erupts into a battle between the Chang Sing and Wing Kong, two ancient Chinese warrior societies. When "The Three Storms" – Thunder, Rain, and Lightning, warriors with weather-themed powers – appear, slaughtering the Chang Sing, Jack attempts to gun his big-rig through the crowd, but runs over David Lo Pan, a man directing the Three Storms. Horrified, Jack exits his truck, but finds Lo Pan unhurt and glowing with magic. Wang hurriedly guides Jack through the alleys; they escape, but Jack's truck is stolen.
Wang takes Jack to his restaurant, where they meet with Gracie, her journalist friend Margo, Wang's friend Eddie Lee, and magician Egg Shen, a local authority on mysticism and Lo Pan. They explain to Jack (who only wants his truck back) the ancient knowledge and sorcery the Chinese brought with them to America. The group devises a plan to infiltrate a brothel, where they believe Miao Yin is held. They break in, but are interrupted by the Storms who kidnap Miao Yin, and take her to Lo Pan.
Jack and Wang track down the front business used by Lo Pan and impersonate telephone repairmen to gain access, but are quickly subdued by Rain. After being tied up and beaten by Thunder, they meet Lo Pan – however, he now appears as a crippled old man.
Wang tells Jack that Lo Pan needs a green-eyed girl to break an ancient curse, and he intends to sacrifice Miao Yin. Centuries ago, Lo Pan was defeated in battle by Emperor Qin Shi Huang. He cursed Lo Pan with incorporeality; although he can be temporarily granted a decrepit body by supplication to the gods, he can permanently break the curse by marrying a woman with green eyes and sacrificing her. Jack and Wang's friends attempt to save them, and are also captured.
After getting the drop on Thunder, Jack, Wang, and Eddie escape and free women kept in cells. An orangutan-like Wild-Man recaptures Gracie before she escapes. Lo Pan notes that Gracie has green eyes, too, and decides to sacrifice her while making Miao Yin his wife.
Wang and Jack regroup with the Chang Sing and Egg Shen, and enter a cavern to return to Lo Pan's headquarters. Egg pours the group a potent potion. They interrupt the wedding, and start a battle. Wang kills Rain in a sword duel, while Jack and Gracie chase Lo Pan, who has regained his corporeal form by consuming a few drops of Miao Yin's blood. Wang joins them; Lo Pan attempts to kill Jack with a throwing knife, but he catches it and kills him with a throw to his head.
Thunder – who had been distracted with Wang – reappears, and, enraged at finding Lo Pan dead, swells up and explodes. Jack, Wang, Gracie, and Miao Yin are cornered by Lightning in a corridor, who triggers a collapse. Egg rescues them with a rope and kills Lightning by dropping a Buddha statue on him when he tries to follow. After finding Jack's truck and dealing with the remaining Wing Kong guards, the group escapes back to Wang's restaurant.
The group celebrates in the restaurant; Wang and Miao Yin prepare to marry, while Eddie pairs with Margo. With his old enemy defeated, Egg takes a long overdue vacation. Gracie offers to join Jack, but he leaves alone. Unbeknownst to him, the Wild-Man survived the battle and has stowed away on his truck.
Cast
Al Leong, Gerald Okamura and Nathan Jung appear as Wing Kong hatchet men. Lia Chang and Cary-Hiroyuki Tagawa have minor roles as Wing Kong members. Frank Ho, Conan Lee (Uncredited) and James Lew (the film's martial arts choreographer) appear as Chang Sing warriors. Jerry Hardin appears in the beginning of the film as a lawyer.
Production
Screenplay
Big Trouble in Little China originated from a script by first-time screenwriters Gary Goldman and David Z. Weinstein. Goldman had been inspired by a new wave of martial arts films that had "all sorts of weird actions and special effects, shot against this background of Oriental mysticism and modern sensibilities", such as The Butterfly Murders; Weinstein, for his part, was fascinated by the historical Tong Wars of 19th-century San Francisco's Chinatown. The duo combined these interests with a shared fondness for classic westerns to write the first iteration of the screenplay. Entitled Lotus, the script took place in the 1880s: friends cowboy Wiley Prescott and Chinese railroad worker Sun are set to meet Sun's fiancée Lotus as she arrives to San Francisco, but are opposed by sorcerer Lo Pan who captures Sun's fiancée and separates Prescott from his horse as the story progresses into a mystical realm. They submitted the script to TAFT Entertainment Pictures executive producers Paul Monash and Keith Barish during the summer of 1982; the script, now renamed Big Trouble in Little China, was soon optioned by 20th Century Fox.
The Weird West setting of the screenplay led to objections from producers; Monash remarked that "the problems [with the script] came largely from the fact it was set in turn-of-the-century San Francisco." Because Goldman and Weinstein were unwilling to update their story to a modern setting, and from the producer's desire to bring a new perspective to the writing, the original duo were removed from the project while screenwriter/script doctor W. D. Richter (Academy Award-nominated writer of Brubaker) was brought in to extensively rewrite the script. Richter modernized the setting to avoid distancing audiences; though basic elements of the story were retained, such as Lo Pan, Richter rewrote the story "nearly from scratch". In particular, he approached the story as a comedy: the straightforward cowboy hero Prescott reimagined as the blowhard trucker Jack Burton. His draft was written in 10 weeks, a process that included research into Chinese mythology. While admitting that he invented or changed some lore, Richter expressed a desire for those portions of the script to be "as authentic as possible" despite coming from a white writer, contrasting his approach with modern criticisms of Charlie Chan.
Richter's script was shopped around to directors by the studio. Fox wanted to deny Goldman and Weinstein writing credit, and eliminated their names from press releases in favor of solely crediting Richter. In March 1986, the Writers Guild of America, West determined that "written by" credit would go to Goldman and Weinstein, based on the WGA screenwriting credit system which protects original writers; Richter would instead receive an "adaptation by" credit for his work on the script.
Direction
The project was also offered to Richter to direct, due to its perceived similarity to his previous directorial outing The Adventures of Buckaroo Banzai Across the 8th Dimension; however, Richter turned it down as he wished to direct smaller movies rather than another expansive action-adventure film. Barish and Monash first offered the project to Carpenter in July 1985, with the idea he would produce an adventure movie in the model of Indiana Jones. Having found the earlier Goldman/Weinstein script creative but unfocused – "too huge and bizarre" – Carpenter was impressed by Richter's scripting of "an action/adventure/comedy/mystery/ghost story/monster movie" and signed onboard. Carpenter made his own additions to Richter's rewrites, which included strengthening the Gracie Law role by linking her directly to Chinatown, removing a few action sequences due to budgetary restrictions, and adjusting material that could offend Chinese Americans. Richter, who had befriended Carpenter while the two were attending USC film school, found that Carpenter's notes built on what had already been established and made his part in the script-editing process easy. Carpenter remarked that the "offbeat" characters had a "very 1930s Howard Hawks" quality to them — with respect to their rapid-fire delivery of dialogue, especially between Jack Burton and Gracie Law.
Carpenter had discovered a fondness for Hong Kong action cinema while in film school, with the "strange, yet bloody and violent and innocent [and] 'what is this exactly?' vibe" of movies like Five Fingers of Death, Master of the Flying Guillotine, and Zu Warriors from the Magic Mountain providing inspiration. He saw Big Trouble in Little China as the opportunity to fulfill a decade-long desire to make his own kung fu movie.
Carpenter and Russell saw the film as an inverse of traditional scenarios in action films that featured a Caucasian protagonist helped by a minority sidekick. In Big Trouble in Little China, Jack Burton, despite his bravado, is constantly portrayed as rather bumbling; in a climactic fight sequence, he knocks himself unconscious before the battle begins. Wang Chi, on the other hand, is constantly portrayed as highly skilled and competent. On the commentary track recorded for the DVD release, Carpenter described the film as about a sidekick (Burton) who thinks he is a leading man. According to Carpenter, the studio "didn't get it" and made him write something that would explain the character of Jack Burton. Carpenter came up with a prologue scene where Egg Shen reassures the audience (vis-à-vis a lawyer character) that "Jack Burton is a man of courage."
Competition with The Golden Child
Production of Big Trouble in Little China was partially shaped by its anticipation of competition with Paramount Pictures' upcoming The Golden Child. The two movies share similar themes, both comedic action-adventures following a Californian everyman drawn into a plot centering around Chinese mysticism. Carpenter himself had been offered The Golden Child, declining due to his commitment to Big Trouble; though he initially dismissed the films as "not really similar", as production of The Golden Child progressed he came to view the two movies as "basically the same".
The box-office draw of superstar Eddie Murphy led Fox to fear their movie would lose in a direct competition. To beat the rival production to in theaters, Big Trouble went into production in October 1985 so it could open in July 1986, five months before The Golden Child's Christmas release. Carpenter was hired by 20th Century Fox because of his reputation for working fast, and the film had a limited preproduction schedule of 10–12 weeks.
Casting
Carpenter initially looked for a major star for the lead role to compete with The Golden Child's casting of Murphy; the director wanted Clint Eastwood or Jack Nicholson, but neither actor was available. The studio felt Kurt Russell was an up-and-coming star — additionally, Russell had previously been directed by Carpenter in Elvis, Escape from New York, and The Thing and the duo had developed a longstanding friendship. Russell was initially unsure if he could find an interesting way to play Burton, but valued working with Carpenter. After discussions with the director and rereading the script, he saw the movie as a opportunity to play a type of action hero that differed from his prior roles like Snake Plissken. mixing a leading-man archetype with comic-relief behavior: "I've never played a hero who has so many faults. Jack is and isn't the hero. He falls on his ass as much as he comes through. [...] He thinks he knows how to handle situations and then gets into situations he can't handle but somehow blunders his way through anyhow." Russell took inspiration from John Wayne's characters in portraying Burton, albeit heightening the bravado to a comedic level. Carpenter and Russell's familiarity allowed the actor to improvise and explore outside the script during shooting.
Kim Cattrall, cast as Gracie Law, considered Big Trouble in Little China an ideal role for that point in her career. Keen to avoid typecasting — first as a dramatic actress due to work in various TV dramas, then as a comedienne from roles in Porky's and Police Academy — Cattrall saw the role as not only synthesizing both drama and humor but also showing new facets of her acting ability. Though her character is often in peril, Cattrall did not view Law as a damsel in distress: "I'm not screaming for help the whole time. I think the humor comes out of the situations and my relationship with Jack Burton. I’m the brains and he's the brawn". Carpenter liked how Cattrall had a "comedic sense" yet could be serious, standing up for her acting abilities against studio pressure to cast a "rock star" as the love interest.
Casting the Asian characters in the movie was approached with care. Year of the Dragon, released 1985, had drawn much controversy for its depiction of Chinese-Americans. Carpenter and producers met with community leaders to assuage concerns about the writing of the movie and hired a casting director who represented many Chinese and Asian-American actors.
Dennis Dun was drawn to Big Trouble in Little China as he was a fan of Richter's Buckaroo Banzai. Carpenter was familiar with Dun's role in Year of the Dragon, and met with the actor twice before casting him in the role of Wang Chi only a few days before principal photography. He was drawn to the portrayal of Asian characters in the movie, appreciating that, like him, Wang was second-generation American and could be portrayed as Chinese yet still "a regular, American guy" rather than "foreign" or a punchline as many of Dun's previous roles had made him feel. The martial arts sequences were not hard for Dun, who had "dabbled" in training as a kid and performed in Chinese opera as an adult.
Principal photography
Kurt Russell lifted weights and began running two months before production began to prepare for the physical demands of principal photography. In addition, Carpenter and his cast and crew did a week's rehearsals that mainly involved choreographing the martial arts scenes.
Although the early exterior establishing scenes were filmed on location in Chinatown, most of the film was shot on sets built in the Fox lot in Los Angeles. Production designer John Lloyd designed the elaborate underground sets and recreated Chinatown with three-story buildings, roads, streetlights, sewers and so on. This was necessary for the staging of complicated special effects and kung fu fight sequences that would have been very hard to do on location. This forced the filmmaker to shoot the film in 15 weeks with a $25 million budget. For the film's many fight scenes Carpenter worked with martial arts choreographer James Lew, who planned out every move in advance. Says Carpenter, "I used every cheap gag – trampolines, wires, reverse movements and upside-down sets. It was much like photographing a dance."
Visual effects
Boss Film Studios handled the numerous effects for the film. Richard Edlund, head of Boss Film Studios, described Big Trouble as probably its favorite film at the time after Ghostbusters. The effects budget for the film was just under $2 million; though Edlund considered this barely adequate, as Big Trouble was Boss Film's first project for Fox he viewed the production as an opportunity to secure further work from the studio. Richter's script included many fantastical creatures and settings, though many were only loosely defined and left up to Boss Film to design the ultimate appearance of. Steve Johnson led work on many effects, including Lo Pan's old age makeup (a wizened appearance inspired by Dick Smith's work on Little Big Man) and transformation into his middle-aged form, the "wild man" (a shaggy-haired apelike demon), a fishlike "sewer demon" (designed by Screaming Mad George and puppeteered by Noble Craig), and the explosive death of Thunder. One of the most difficult effects was the "Guardian", a floating creature dotted with eyeballs that scouts for Lo Pan. Also designed by Screaming Mad George, this complex effect took approximately 60 artists and cost over $100,000 to create due to its many points of articulation — far more complex than the similar character Slimer the crew had created for Ghostbusters. It was powered by several puppeteers and dozens of cables to control its facial expressions. To create the appearance of the Guardian flying freely, two puppets were created — a front and rear view — and it was filmed with a proprietary matting system specially designed for it.
Though Carpenter found Edlund professional and straightforward to work with, he had concerns during production about the scale of Boss Film's operation; the director would notice instances where they called to cut down on effects due to budget or capability, only for such concerns to recede when the company secured additional work (a pattern of behavior he had noticed with many effects shops). Edlund was surprised by these remarks, reflecting that despite limited preparation time the studio had no major difficulties on Big Trouble.
Music
With the soundtrack, Carpenter wanted to avoid a stereotypically "Chinese" sound, as he found that "other scores for American movies about Chinese characters are basically rinky tink, chop suey music. I didn’t want that for Big Trouble". Carpenter instead focused on a general fantasy-music feeling with his trademark synthesizer scoring, bringing in a rock 'n' roll feel. As with several of his other film scores, Carpenter collaborated with Alan Howarth. The title theme, "Pork Chop Express", was partially inspired by the temp score's use of "Just Got Paid" by ZZ Top for the opening scene.
The theme song "Big Trouble in Little China", which plays over the closing credits, was performed by The Coup De Villes — a group consisting of Carpenter alongside friends Tommy Lee Wallace (second-unit director on the film) and Nick Castle. Though all three members appear in the music video, the song was primarily performed by Carpenter excepting backing vocals by Castle.
John Carpenter was nominated for a Saturn Award for Best Music for this film.
Reception
Box office
Opening in 1,053 theaters on July 2, 1986, Big Trouble in Little China grossed $2.7 million in its opening weekend and went on to gross $11.1 million in North America, well below its estimated budget of $19–25 million, making it a box-office bomb. The film was released in the midst of the hype for James Cameron's blockbuster Aliens, which was released 16 days after. On the DVD commentary for Big Trouble in Little China, Carpenter and Russell discuss this among possible reasons for the film's disappointing box office gross.
Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 74% based on 65 reviews, with an average rating of 6.4/10. The site's consensus reads: "Brimming with energy and packed with humor, Big Trouble in Little China distills kung fu B-movies as affectionately as it subverts them." On Metacritic it has a score of 53% based on reviews from 15 critics, indicating "mixed or average reviews". Audiences surveyed by CinemaScore gave the film a grade "B+" on scale of A to F.
Ron Base, in his review for the Toronto Star, praised Russell's performance. "He does a great John Wayne imitation. But he's not just mimicking these heroes, he is using them to give his own character a broad, satiric edge." Walter Goodman in The New York Times wrote, "In kidding the flavorsome proceedings even as he gets the juice out of them, the director, John Carpenter, is conspicuously with it." Writer Harlan Ellison, widely known in Hollywood for his brutally honest critiques, praised the film, writing that it had "some of the funniest lines spoken by any actor this year to produce a cheerfully blathering live-action cartoon that will give you release from the real pressures of your basically dreary lives." In his review for Time, Richard Corliss wrote, "Little China offers dollops of entertainment, but it is so stocked with canny references to other pictures that it suggests a master's thesis that moves."
However, in his review for the Chicago Sun-Times, Roger Ebert wrote, "special effects don't mean much unless we care about the characters who are surrounded by them, and in this movie the characters often seem to exist only to fill up the foregrounds," and felt that it was "straight out of the era of Charlie Chan and Fu Manchu, with no apologies and all of the usual stereotypes." Paul Attanasio, in The Washington Post, criticized the screenwriters for being "much better at introducing a character than they are at developing one". David Ansen wrote, in his review for Newsweek, "though it is action packed, spectacularly edited and often quite funny, one can't help feeling that Carpenter is squeezing the last drops out of a fatigued genre." In his review for The Times, David Robinson felt that Carpenter was "overwhelmed by his own special effects, without a strong enough script to guide him."
Alex Stewart reviewed Big Trouble in Little China for White Dwarf No. 83, and stated that the film was "Amiable nonsense, delivered with panache by fearsome demons and flying swordsmen; and the jokes work. Wayne Crawford should take notes."
Legacy
After the commercial and critical failure of the film, Carpenter became very disillusioned with Hollywood and became an independent filmmaker. He said in an interview, "The experience [of Big Trouble] was the reason I stopped making movies for the Hollywood studios. I won't work for them again. I think Big Trouble is a wonderful film, and I'm very proud of it. But the reception it received, and the reasons for that reception, were too much for me to deal with. I'm too old for that sort of bullshit."
It has since enjoyed a resurgence on television and home video, and has received a good deal of retroactive positive press. Some critics and fans considered it one of Carpenter's best movies. Empire magazine voted Big Trouble in Little China the 430th greatest film in their "500 Greatest Movies of All Time" list.
Home media
Big Trouble in Little China was released on a two-disc special edition DVD set on May 22, 2001. Entertainment Weekly gave the DVD a "B+" rating and wrote, "The highlight of this two disc set – which also features deleted scenes, an extended ending, trailers, and a 1986 featurette – is the pitch perfect Russell and Carpenter commentary, which delves into Fox's marketing mishaps, Chinese history, and how Russell's son did in his hockey game." In his review for the Onion A.V. Club, Noel Murray wrote, "If nothing else, this is a DVD designed for Big Trouble cultists; it's packed with articles from Cinefex and American Cinematographer that only a genre geek would appreciate."
A single-disc movie-only DVD version was later released, with the only special features being the Carpenter/Russell commentary and the theatrical trailer.
A Blu-ray Disc edition of the film was released on August 4, 2009. It contains the same content as the double-disc DVD release. In 2013, the film was released on Blu-ray Disc in the United Kingdom by Arrow Films as a regular case and Steelbook.
On December 3, 2019, Scream Factory released a two-disc "Collector's Edition" Blu-ray of the film in the U.S., which included a bevy of new bonus features.
Other media
Sequel
In June 2015, TheWrap reported that Dwayne Johnson was developing a remake to be produced under his Seven Bucks Productions film studio. Ashley Miller and Zack Stentz were hired as screenwriters, with Johnson planned to star as Burton. Though Johnson expressed interest in having the original director involved in the film, Carpenter remained "ambivalent" about a remake and did not meet with Johnson. By 2018, Seven Bucks was instead developing the film to be a sequel rather than a remake. In a 2019 interview, screenwriter Stentz explained that his script had been for a remake and he had not been contacted about the film's revised concept; he was unaware of any new scripts being commissioned and also suspected that the then-recent acquisition of 21st Century Fox by Disney had placed the project into limbo.
Video game
A tie-in video game of the same name was published in 1986 by Electric Dreams Software for the ZX Spectrum, Commodore 64 and Amstrad CPC. Critical reception was mixed.
Comic book series
On February 27, 2014, Boom! Studios announced they were working on a comic book series. The comic book is written by Eric Powell and John Carpenter with artwork by Brian Churilla. The series began in June 2014.
Boom! released a crossover limited series between Jack Burton and Snake Plissken titled Big Trouble in Little China/Escape from New York in October 2016.
A previously projected comic book series previewed by Top Cow Productions at the 2009 San Diego Comic-Con failed to appear.
On June 14, 2017, Boom! announced a new four-issue limited series, to be published in September 2017, called Big Trouble in Little China: Old Man Jack, written by Carpenter and Anthony Burch, with art by Jorge Corona. Taking place in 2020, Jack Burton comes out of retirement to battle Ching Dai and save the world.
Vinyl figures
In February 2015, Funko released a line of ReAction and Pop! vinyl figures based on Big Trouble in Little China.
Board game
On July 15, 2016, Boom! Studios announced a partnership with Everything Epic and Flipside to create a board game based on the film. It was released in 2018, and is a highly thematic cooperative miniatures board game for 1–4 players.
Card game
In August 2016, Upper Deck released the Legendary: Big Trouble in Little China deck-building card game. It is a semi-cooperative game for 2–5 players using the deck-building mechanic in which players purchase cards from a central pool to work together against the "villain" deck. The cards feature original artwork based on characters from the movie. It comes with 400 cards and a special playmat, and retails for around $40.
Influence
Marvel supervillain The Mandarin in the 1990s Iron Man comic run by John Byrne and John Romita Jr. was modeled in appearance after Lo Pan.
The film's portrayal of the lightning sorcerer/demigod character has been occasionally described as an inspiration for the character of Raiden from Mortal Kombat, introducing the archetype of a straw hat–wearing monk able to control lightning with his hands to non-Asian audiences (in traditional Chinese and Japanese culture, the lightning god has an appearance more similar to that of a traditional Asian creature). Additionally, the character David Lo Pan has been credited as the original inspiration for the soul-stealing Mortal Kombat villain Shang Tsung.
The twenty-third episode of the second season of the 2012 Teenage Mutant Ninja Turtles TV series, "A Chinatown Ghost Story," uses concepts from the film, but renames the antagonist Lo Pan to Ho Chan and replaces the Storm figure Rain with Wind. In addition, James Hong (Lo Pan) reprises his Little China performance as the principal villain character.
The song "We Have Candy" by the South African rap-rave group Die Antwoord features lead singer Ninja reciting some of Jack Burton's dialogue from the film.
In 2006, American experimental rock band Man Man released an album with the title Six Demon Bag, which is a reference to a line in the film.
A 2012 parody music video of the song "Gangnam Style" was entitled Lo Pan Style and featured the storyline and characters from the movie, including a cameo by James Hong.
New Zealand director Taika Waititi cited the film as an influence on Thor: Ragnarok (2017).
The Regular Show season 3 episode "Fortune Cookie" features a villain called The Warlock, who bears a resemblance to Lo Pan; he also played by James Hong.
The title of the Rick and Morty season 2 episode "Big Trouble in Little Sanchez" is a reference to the film.
In the Randy Cunningham: 9th Grade Ninja season 2 episode "Big Trouble in Little Norrisville," the titular place is a reference to Little Chinatown (the title of the episode also references the film). James Hong (who played Lo Pan) also provides a guest voice role as the Shopkeeper.
The American hard rock band Lo-Pan is named after Hong's character in the movie.
See also
List of cult films
List of martial arts films
References
External links
Big Trouble in Little China at IMDb
Big Trouble in Little China at AllMovie
Big Trouble in Little China at Box Office Mojo
Big Trouble in Little China at John Carpenter's official website
The Wing Kong Exchange discussion of film influence.
Erasing Clouds retrospective article |
Prince_of_Darkness_(film) | https://en.wikipedia.org/wiki/Prince_of_Darkness_(film) | [
231
] | [
"https://en.wikipedia.org/wiki/Prince_of_Darkness_(film)"
] | Prince of Darkness is a 1987 American supernatural horror film, written, co-scored and directed by John Carpenter, and starring Donald Pleasence, Victor Wong, Jameson Parker, and Lisa Blount. The second installment in what Carpenter calls his "Apocalypse Trilogy"—which began with The Thing (1982) and concludes with In the Mouth of Madness (1994)—the film follows a group of quantum physics students in Los Angeles who are asked to assist a Catholic priest in investigating an ancient cylinder of liquid discovered in a monastery, which they come to find is a sentient, liquid embodiment of the son of Satan.
Plot
A Catholic priest invites quantum physicist Professor Howard Birack and his students to join him in the basement of the Los Angeles monastery Saint Goddard’s, belonging to "The Brotherhood of Sleep", an old order who communicate through dreams. The priest requires their assistance in investigating a mysterious cylinder containing a swirling green liquid. Among the thirteen academics present are wise-cracking Walter Fong, demure Kelly, the highly-strung Susan Cabot, laid-back Mullins, and lovers Brian Marsh and Catherine Danforth. Later, at Saint Goddard’s, fellow scientists Calder, Lisa, Etchinson, Lomax, Frank Wyndham, and Dr. Paul Leahy join to assist with research.
They decipher an ancient text found next to the cylinder that describes the liquid as the corporeal embodiment of Satan. The team also learns Jesus Christ was an extra-terrestrial who was executed for heresy after trying to warn the people of Earth about the vessel in which Satan was trapped. The liquid is then discovered to be sentient. The academics use a computer to analyze the books surrounding it, and find that they included differential equations. Over a period of two days, small jets of liquid escape from the cylinder. After becoming transfixed by the substance while alone in the cylinder chamber, Susan becomes the first to be infected by the evil liquid as it lodged itself down her throat. She soon begins to hunt down the others and kill or infect them, starting with having one of the entranced homeless people brutally stabbing Wyndham to death after trying to leave the church. The death is witnessed by the group. Soon, members of the group such as Mullins, Lisa, Calder, and later Dr. Leahy are exposed to the liquid and become possessed. Anyone who attempts to flee the monastery is killed by the growing mass of enthralled homeless people who have surrounded the premises. Etchinson is stalked and surprised as he tries to leave for an appointment, becoming impaled by the leader of the forsaken mob.
Professor Birack and the priest theorize that Satan is actually the offspring of the "Anti-God", an even more powerful force of evil bound to the realm of anti-matter. The survivors find themselves sharing a recurring dream (a tachyon transmission sent as a warning from the future, "year one-nine-nine-nine") showing a shadowy figure emerging from the front of the church. The hazy transmission changes slightly with each occurrence of the dream, revealing progressively more detail. The narration of the transmission each time instructs the dreamer that they are witnessing an actual broadcast from the future.
Walter, trapped in a closet, witnesses the possessed bringing the cylinder to a sleeping Kelly. It opens itself and the remaining liquid transfuses into Kelly’s body, causing her to become the physical vessel of Satan: a gruesomely disfigured being, with powers of telekinesis and regeneration. Kelly attempts to summon the Anti-God through a dimensional portal using a makeup compact mirror, but the mirror is too small and the effort fails.
Hell starts to break loose as all the others, who have been infected and controlled by the green goo, start a vicious attack and try to break through the walls and barricade that the survivors have put up. Lomax is taken over and subdued by a lurking and possessed Mullins during a failed attempt to rescue a panicking Walter and escape. While the rest of the team is occupied fighting the possessed, Kelly finds a large wall mirror and draws the Anti-God's hand through it. Catherine, the only one free to act, tackles Kelly, causing both of them to fall through the portal. The priest then shatters the mirror with an axe, trapping Kelly, the Anti-God, and Catherine in the other realm. Catherine is seen briefly on the other side of the mirror reaching out to the portal before it closes. Immediately, the possessed die, the street people wander away, and the survivors (Brian, Walter, Professor Birack, and the priest) are rescued.
Brian has the recurring dream again, and now sees that Catherine (apparently possessed) is the figure emerging from the church. Brian awakens and finds Catherine, seemingly Satan's vessel, lying in bed with him. This is shown to be another dream, and he awakens screaming. Rising, he approaches his bedroom mirror, hand outstretched, the screen going black just before he touches the mirror.
Cast
Analysis
Film critic John Kenneth Muir suggests that Prince of Darkness serves as a parable for the AIDS epidemic that was at its peak during the time the film was made. Throughout the film, demonic possession is depicted as something that is transmitted like a communicable disease, via fluid passed between people. Muir goes on to note a number of references to homosexuality in the film, namely regarding the character of Walter, who makes several statements implying that he is gay (although he briefly flirted with Lisa, one of the female characters). In particular, Muir notes a sequence in which Walter, attacked by a number of possessed women while trapped inside a closet, emerges and flees. In addition to this, Muir writes that the film "pointedly asks some rather big questions about human nature, our existence, and the universe at large."
Production
Prince of Darkness was shot in Los Angeles, California in 30 days. Carpenter became inspired while researching theoretical physics and atomic theory. He recalled, "I thought it would be interesting to create some sort of ultimate evil and combine it with the notion of matter and anti-matter." This idea, which would eventually develop into the screenplay for Prince of Darkness, was to be the first of a multi-picture deal with Alive Pictures, where Carpenter was allocated $3 million per picture and complete creative control.
Executive producer Shep Gordon was also manager to singer Alice Cooper, and suggested Cooper record a song for the film. Carpenter also cast Cooper as one of the homeless zombies. Cooper allowed the "impaling device" from his stage show to be used in the film in the scene where Cooper's character kills Etchinson. The song Cooper wrote for the film, also titled "Prince of Darkness", can be heard briefly in the same scene playing through Etchinson's headphones.
Carpenter cast people that he had worked with previously, including Victor Wong, Dennis Dun and Donald Pleasence. It was Peter Jason's first film for Carpenter, and he would afterward become a Carpenter regular. The film was shot with wide-angle lenses, which combined with anamorphic format to create a lot of distortion.
Carpenter wrote the screenplay but was credited as "Martin Quatermass," which, along with the name of Professor Birack's institution (Kneale University), was an homage to British film and television writer Nigel Kneale and his best-known character, Bernard Quatermass. The story features elements associated with Kneale, including a confrontation with ancient evil (Quatermass and the Pit and The Quatermass Conclusion), messages from the future (The Road), and the scientific investigation of the paranormal (The Stone Tape). Kneale was displeased with the homage, fearing that viewers might believe that he had something to do with the film.
The poster for Prince of Darkness was created and designed by Henry Rosenthal, who worked for print production vendor Rod Dyer. According to Carpenter in the DVD audio commentary, the post-production was done at the Walt Disney Studios in Burbank, California.
In an interview with Michael Doyle in the November 2012 issue of Rue Morgue, John Carpenter revealed how he created the eerie dream sequences in Prince of Darkness that feature a shadowy figure emerging from a church doorway. Carpenter first shot the action of the figure (played by actor Jessie Ferguson) with a video camera and then "re-photographed it on a television set" in order to give the image a peculiar, dislocated feeling that also appeared as if it was being filmed live. Doyle also reminded Carpenter that the director himself provided the disembodied voice that narrates each dream.
Soundtrack
Release
Critical reception
On review aggregator Rotten Tomatoes, Prince of Darkness holds an approval rating of 63%, based on 40 reviews, and an average rating of 6.2/10. Its consensus reads, "Prince of Darkness has a handful of chillingly clever ideas, but they aren't enough to put John Carpenter's return to horror at the same level as his classic earlier outings." On Metacritic, the film has a weighted average score of 50 out of 100, based on 10 critics, indicating "mixed or average reviews".
In his review for the Washington Post, Richard Harrington wrote, “At one point Pleasence vows that 'it's a secret that can no longer be kept.' Here's another: 'The Prince of Darkness stinks.' It too deserves to be shut up in a canister for 7 million years". Liam Lacey, in his review for The Globe and Mail, wrote, “There is no character really worth caring about, no sympathy to any of these characters. The principal romantic couple, Jameson Parker and Lisa Blount, are unpleasant enough to create an unfortunate ambivalence about their eternal destinies”. In his review for the New York Times, Vincent Canby called the film a "surprisingly cheesy horror film to come from Mr. Carpenter, a director whose work is usually far more efficient and inventive." Nigel Floyd in Time Out gave a positive review of the film, calling Prince of Darkness "engrossing" and adding "the claustrophobic terror generated by fluid camerawork and striking angles" leads "to a heart-racing climax".
In 2004, Jim Emerson wrote that Prince of Darkness was an undervalued horror film: "What makes me goose-pimply about Prince of Darkness is its goofy-but-ingenious central conceit and its truly surrealistic imagery, some of which could have sprouted out of Buñuel and Dali's Un Chien Andalou."
Like most of Carpenter's films, Prince of Darkness went on to have a cult following.
The dream sequence narrations have been sampled by a variety of musicians and producers over the years, including DJ Shadow on his debut Endtroducing..... LP and Marilyn Manson on the track Down in the Park on the Lunchbox CD single.
Accolades
In 1988, the film was nominated for a Saturn Award for best music, and won the Critics Award at the Avoriaz Fantastic Film Festival.
Home media
On September 24, 2013, the film was released by Scream Factory on Blu-ray and DVD. On February 18, 2019 the film was released on 4K by StudioCanal. In January 2021, Scream Factory issued their own 4K release of the film, which includes both a 4K UHD disc and a Blu-ray disc.
References
Bibliography
Boulenger, Gilles. John Carpenter Prince of Darkness. Los Angeles: Silman-James Press (2003). ISBN 1-879505-67-3.
Doyle, Michael. "The Essence of Evil", Rue Morgue #128 (November 2012), p. 16-22.
Muir, John Kenneth (2015). The Films of John Carpenter. Jefferson, North Carolina: McFarland. ISBN 978-0-786-49348-7.
Powell, Anna (2004). ""Something Came Leaking Out": Carpenter's Unholy Abominations". In Conrich, Ian; Woods, David (eds.). The Cinema of John Carpenter: The Technique of Terror. London: Wallflower Press. pp. 140–159. ISBN 978-1-904-76414-4.
External links
Prince of Darkness at IMDb
Prince of Darkness at the TCM Movie Database
Prince of Darkness at AllMovie
Prince of Darkness at Box Office Mojo
Prince of Darkness at Rotten Tomatoes
Prince of Darkness at Metacritic
Prince of Darkness at theofficialjohncarpenter.com
Prince of Darkness at Trailers from Hell |
They_Live | https://en.wikipedia.org/wiki/They_Live | [
231
] | [
"https://en.wikipedia.org/wiki/They_Live"
] | They Live is a 1988 American science fiction action horror film written and directed by John Carpenter, based on the 1963 short story "Eight O'Clock in the Morning" by Ray Nelson. Starring Roddy Piper, Keith David, and Meg Foster, the film follows a drifter who discovers through special sunglasses that the ruling class are aliens concealing their appearance and manipulating people to consume, breed, and conform to the status quo via subliminal messages in mass media.
Having acquired the film rights to the Nelson-penned short story prior to the production of They Live, Carpenter used the story as the basis for the screenplay's structure, which he wrote under the pseudonym "Frank Armitage". Carpenter has stated that the themes of They Live stemmed from his dissatisfaction with the economic policies of then-U.S. President Ronald Reagan, as well as what Carpenter saw as increasing commercialization in both popular culture and politics.
They Live was a minor success upon release, debuting at #1 at the North American box office. It initially received negative reviews from critics, who lambasted its social commentary, writing, and acting; however, it later gained a cult following and experienced a significantly more favorable critical reception. It is now regarded by many as one of Carpenter's best films. The film has also entered the pop culture lexicon, notably having a lasting effect on street art (particularly that of Shepard Fairey).
Plot
Nada, a homeless man, comes to Los Angeles, California in pursuit of a job, where he spots a preacher warning that "they" have recruited the rich and powerful to control humanity. He finds employment at a construction site and befriends his coworker Frank, who invites him to live in a shantytown near a church and meets their community leader Gilbert.
A hacker takes over TV broadcasts, alerting that humanity is "their cattle" and the only way to unfold the truth is to shut off the signal at its source. Those watching the broadcast complain of headaches. Nada follows Gilbert and the preacher into the church, discovering a recording of gospel music playing that unbeknownst to Nada obscures a meeting with a group including the hacker. Nada also uncovers equipment and boxes inside, but escapes when he bumps into the preacher. The shantytown and church are destroyed in a police raid, and the hacker and preacher are brutalized by law enforcement officers.
Nada retrieves one of the boxes from the church and takes a pair of sunglasses from it, concealing the box in a trash pile. He finds out they make the world appear monochrome, but also reveal subliminal messages in the media to consume and conform. The most puzzling reveal, however, is they also disclose that many people are actually ghoulish, bug-eyed aliens hiding under human facades. Additionally, the creatures have wristwatch communicators that allow them to teleport, along with surveillance drones. When a group of aliens at a supermarket realize Nada can detect them, he is confronted by two alien police officers. He kills them, steals their guns, and enters a bank, where he sees that multiple employees and customers are aliens. He kills several and escapes by taking a human, Holly Thompson, hostage. Nada attempts to persuade her to put on the glasses, but she throws him out of a window and down a hill.
While Nada retrieves another pair of sunglasses from the trash pile, Frank comes to give Nada his paycheck and orders him to stay away following Nada's killing spree becoming widespread news. When Nada tries to put the glasses on him, Frank resists and a lengthy brawl ensues. After subduing him, Nada places the glasses on Frank, who sees the aliens for himself and goes into hiding with Nada. The two run into Gilbert, who introduces them to the human resistance. They are given contact lenses to replace the sunglasses, and learn about the aliens using global warming to make Earth's atmosphere similar to their homeworld, while depleting its resources for their own gain. They also learn that the aliens have been bribing human collaborators in exchange for wealth. Holly joins the meeting, bringing information about where the signal may be coming from. She apologizes to Nada for striking him, claiming she hadn't known what was occuring. Soon afterwards, the meeting is raided by police, with the majority of those present killed and the survivors scattered. Nada and Frank are cornered in an alley, but Frank activates an alien wristwatch, opening a portal to the alien's spaceport on Earth under Cable 54, an alien-run news network.
Coming across a meeting of aliens and collaborators celebrating the defeat of the human resistance, they are approached by a drifter from the shantytown, now a collaborator. Mistaking them for new recruits, he gives the pair a tour of the facility, where the aliens broadcast a signal that prevents humans from identifying them and their hidden messages. Nada and Frank locate Holly and fight their way to the transmitter on the roof, but Holly, herself a collaborator responsible for the raid, murders Frank. Nada kills Holly and destroys the transmitter, but is mortally wounded by a police helicopter. With the signal shut down, Nada gives them the middle finger as he dies.
Meanwhile, humans all over the world discover aliens hiding among them.
Cast
Roddy Piper as Nada
Keith David as Frank Armitage
Meg Foster as Holly Thompson
Raymond St. Jacques as Street Preacher
George Buck Flower as Drifter / Collaborator
Peter Jason as Gilbert
Sy Richardson as Black Revolutionary
Susan Blanchard as Ingenue
Norman Alden as Construction Foreman
Kerry Rossall as 2nd Unit Guard
Themes
Carpenter has said that the film's political commentary derives from his dissatisfaction with then–U.S. President Ronald Reagan's economic policies—also known as Reaganomics—and what Carpenter viewed as increasing commercialization in both the popular culture and politics of the era.
Upon the film's release, Carpenter remarked, "The picture's premise is that the 'Reagan Revolution' is run by aliens from another galaxy. Free enterprisers from outer space have taken over the world, and are exploiting Earth as if it's a third world planet. As soon as they exhaust all our resources, they'll move on to another world... I began watching TV again. I quickly realized that everything we see is designed to sell us something. ... It's all about wanting us to buy something. The only thing they want to do is take our money." To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which "is seen in black and white. It's as if the aliens have colonized us. That means, of course, that Ted Turner is really a monster from outer space." The director commented on the alien threat in an interview: "They want to own all our businesses. A Universal executive asked me, 'Where's the threat in that? We all sell out every day.' I ended up using that line in the film." The aliens were deliberately made to look like ghouls, according to Carpenter, who said "The creatures are corrupting us, so they, themselves, are corruptions of human beings."
In 2017, in response to neo-Nazi interpretations of the film's themes, Carpenter further clarified that the film "is about yuppies and unrestrained capitalism" and "has nothing to do with Jewish control of the world".
Production
Development
The idea for They Live came from a short story called "Eight O'Clock in the Morning" by Ray Nelson, originally published in The Magazine of Fantasy & Science Fiction in November 1963, involving a protagonist, George Nada, and an alien invasion in the tradition of Invasion of the Body Snatchers, which Nelson, along with artist Bill Wray, adapted into a story called "Nada" published in the Alien Encounters comics anthology in April 1986. John Carpenter describes Nelson's story as "... a D.O.A.-type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o'clock in the morning to solve the problem." Carpenter acquired the film rights to both the comic book and short story and wrote the screenplay, using Nelson's story as a basis for the film's structure.
Because the screenplay was the product of so many sources—a short story, a comic book, and input from cast and crew—Carpenter decided to use the pseudonym "Frank Armitage", an allusion to one of the filmmaker's favorite writers, H. P. Lovecraft (Henry Armitage is a character in Lovecraft's The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft's worldview, and according to the director "Lovecraft wrote about the hidden world, the 'world underneath'. His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live."
Casting
For the role of Nada, the filmmaker cast professional wrestler Roddy Piper, whom he had met at WrestleMania III earlier in 1987. For Carpenter, it was an easy choice: "Unlike most Hollywood actors, Roddy has life written all over him." Carpenter was impressed with Keith David's performance in The Thing and needed someone "who wouldn't be a traditional sidekick but could hold his own." To this end, Carpenter wrote the role of Frank specifically for David.
Filming
They Live was shot in eight weeks during March and April 1988, principally on location in downtown Los Angeles, with a budget only slightly greater than $3 million. One of the highlights of the film is a five-and-a-half-minute alley fight between Nada and Frank over a pair of the special sunglasses. Carpenter recalls that the fight took three weeks to rehearse: "It was an incredibly brutal and funny fight, along the lines of the slugfest between John Wayne and Victor McLaglen in The Quiet Man."
Music
Music for the film was composed by John Carpenter and Alan Howarth.
Release
They Live was theatrically released in North America on November 4, 1988, and debuted at #1 at the box office, grossing $4.8 million during its opening weekend. The film spent two weeks in the top ten. The film's original release date, advertised in promotional material as October 21, 1988, had been pushed back two weeks to avoid direct competition with Halloween 4: The Return of Michael Myers.
Reception
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 86% based on 73 reviews, and an average rating of 7.30/10. The website's critical consensus reads: "A politically subversive blend of horror and sci fi, They Live is an underrated genre film from John Carpenter." Metacritic gives the film a weighted average rating of 55 out of 100 based on 22 reviews, indicating "mixed or average reviews".
In his review for the Chicago Reader, Jonathan Rosenbaum wrote, "Carpenter's wit and storytelling craft make this fun and watchable, although the script takes a number of unfortunate shortcuts, and the possibilities inherent in the movie's central concept are explored only cursorily." Jay Carr, writing for The Boston Globe, said "[o]nce Carpenter delivers his throwback-to-the-'50s visuals, complete with plump little B-movie flying saucers, and makes his point that the rich are fascist fiends, They Live starts running low on imagination and inventiveness", but felt that "as sci-fi horror comedy, They Live, with its wake-up call to the world, is in a class with Terminator and RoboCop, even though its hero doesn't sport bionic biceps".
In her review for The New York Times, Janet Maslin wrote, "Since Mr. Carpenter seems to be trying to make a real point here, the flatness of They Live is doubly disappointing. So is its crazy inconsistency, since the film stops trying to abide even by its own game plan after a while." Richard Harrington wrote in The Washington Post, "it's just John Carpenter as usual, trying to dig deep with a toy shovel. The plot for They Live is full of black holes, the acting is wretched, the effects are second-rate. In fact, the whole thing is so preposterous it makes V look like Masterpiece Theatre." Rick Groen, in The Globe and Mail, wrote, "the movie never gets beyond the pop Orwell premise. The social commentary wipes clean with a dry towelette – it's not intrusive and not pedantic, just lighter-than-air."
The 2012 documentary film The Pervert's Guide to Ideology, presented by the Slovene philosopher and psychoanalyst Slavoj Žižek, begins with an analysis of They Live. Žižek uses the film's concept of wearing special sunglasses that reveal truth to explain his definition of ideology. Žižek states:
They Live is definitely one of the forgotten masterpieces of the Hollywood Left. … The sunglasses function like a critique of ideology. They allow you to see the real message beneath all the propaganda, glitz, posters and so on. … When you put the sunglasses on, you see the dictatorship in democracy, the invisible order which sustains your apparent freedom.
Legacy
They Live was ranked #18 on Entertainment Weekly magazine's "The Cult 25: The Essential Left-Field Movie Hits Since '83" list in 2008.
Rotten Tomatoes ranked the fight scene between Roddy Piper's character Nada and Keith David's character Frank Armitage seventh on their list of "The 20 Greatest Fight Scenes Ever". The fight scene influenced the 2008 film The Wrestler, whose director, Darren Aronofsky, interpreted the scene as a spoof. The fight scene was parodied by the TV show South Park in the episode "Cripple Fight". Shepard Fairey credits the film as a major source of inspiration, sharing a similar logo to his Andre the Giant Has a Posse campaign. "They Live was...the basis for my use of the word 'obey'", Fairey said. "The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising".
Novelist Jonathan Lethem called They Live one of his "favorite movies of the eighties, hands down". He said, "It's a great movie...Look at what it does to people, look at how it emboldens and provokes...It's disturbing and ridiculous and outrageous and uncomfortable, but I think it's the kind of great movie that doesn't really need defense, it just needs to be given the air". Lethem wrote a book-length homage to the movie for the Soft Skull Press Deep Focus series.
The 2013 video game Saints Row IV features an extended parody of the film with Roddy Piper and Keith David voicing fictionalized versions of themselves in a recreation of the fight scene between Nada and Armitage.
Rock band Green Day paid homage to They Live in their music video for "Back in the USA" from the album Greatest Hits: God's Favorite Band. Similarly, punk band Anti-Flag used the film as inspiration for the music video for their song "The Disease". David Banner and 9th Wonder also used the film as the influence behind their 2010 video for "Slow Down".
Minnesota-based alternative hip-hop artist P.O.S. used scenes from the film interspersed with clips of himself for the song "Roddy Piper" from his 2017 album Chill, Dummy.
In July 2018, the film was selected to be screened in the Venice Classics section at the 75th Venice International Film Festival.
The film is noted for a popularly quoted line spoken by Nada: "I have come here to chew bubblegum and kick ass. And I'm all out of bubblegum".
The main character Duke Nukem in the video game Duke Nukem 3D was made to be a mix of 80's and 90's action film stars, including Roddy Piper, Arnold Schwarzenegger, Bruce Willis, Kurt Russell, and Bruce Campbell. His look was partially based on Nada's appearance, sporting similar sunglasses and quoting many lines from the film.
Home media
They Live was released on VHS by MCA Home Video in 1989. It was later released on DVD by Universal Home Entertainment on October 17, 2000.
On March 2, 2012, the film was released on Blu-ray by StudioCanal. On November 6, 2012, Shout! Factory released a "Collector's Edition" of the film on both DVD and Blu-ray.
In 2014, Universal Pictures released They Live on DVD along with The Thing, Village of the Damned, and Virus as part of the 4 Movie Midnight Marathon Pack: Aliens.
On January 19, 2021, Shout! Factory released the "Collector's Edition" of the film on 4K Ultra HD Blu-ray.
Awards and honors
Future
In 1996, while promoting Escape from L.A., Carpenter revealed that he'd always wanted to make a sequel to They Live as it's one of his favorite films, but was never able to get interest or financial backing for the project.
In 2010, a remake movie was stated as being in development with Carpenter in a producing role. In 2011, Matt Reeves signed on to direct and write the screenplay. The project eventually shifted away from being a direct remake of They Live, to a re-adaptation of "8 O'Clock in the Morning" with intents of abandoning the satirical and political elements of the original movie. By October 2023, producer Sandy King stated that a modern audience could see similarities with events of the movie going on in a real-world context, while stating that an expansion from They Live would be announced shortly; while acknowledging the possibility of a sequel becoming a reality.
Notes
References
Further reading
Wilson, D. Harlan (2015). They Live. New York: Wallflower Press. ISBN 978-0-231-85074-2. OCLC 894509133.
External links
They Live at John Carpenter's official movie site
They Live at IMDb
They Live at the TCM Movie Database
They Live at AllMovie
They Live at the AFI Catalog of Feature Films
They Live at Rotten Tomatoes |
Memoirs_of_an_Invisible_Man_(film) | https://en.wikipedia.org/wiki/Memoirs_of_an_Invisible_Man_(film) | [
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] | [
"https://en.wikipedia.org/wiki/Memoirs_of_an_Invisible_Man_(film)"
] | Memoirs of an Invisible Man is a 1992 American comedy-drama film directed by John Carpenter and starring Chevy Chase, Daryl Hannah, Sam Neill, Michael McKean and Stephen Tobolowsky. The film is loosely based on Memoirs of an Invisible Man, a 1987 novel by H.F. Saint. According to screenwriter William Goldman's book Which Lie Did I Tell?, the film was initially developed for director Ivan Reitman; however, this version never came to fruition, due to disagreements between Reitman and Chase. The film was a critical and commercial failure.
Plot
Nick Halloway is a stock analyst who spends most of his life avoiding responsibility and connections with other people. At his favorite bar, the Academy Club, his friend George Talbot introduces him to Alice Monroe, a TV documentary producer. Sharing an instant attraction, Nick and Alice make out in the ladies' room and set a lunch date for Friday.
The following morning, a hungover Nick attends a shareholders' meeting at Magnascopic Laboratories. Unable to endure the droning presentation by Dr. Bernard Wachs, Nick leaves the room for a nap. A lab technician accidentally spills his mug of coffee onto a computer console, causing a meltdown, and the entire building is evacuated. The building seems to explode, but there is no debris. Instead, much of the building is rendered invisible, including Nick.
Shady CIA operative David Jenkins arrives on the scene and discovers Nick's condition. While they are transferring him to an ambulance, the agents joke about how Nick will spend the rest of his life being studied by scientists. In a panic, Nick flees. Jenkins convinces his supervisor Warren Singleton not to notify CIA headquarters so that they can capture and take credit for Nick, who could become the perfect secret agent.
Nick hides at the Academy Club. He locates Dr. Wachs and asks for his help to reverse his condition. Wachs agrees to help, but Jenkins kills him to keep Nick's invisibility a secret. Jenkins' team gets a hold of Nick's background information but it doesn't prove very useful in finding him. It says that Nick has never been married, his parents are both dead, he has no relatives, a few friends but none that he's very close to, and he's not really dedicated to his job as he does it fast and loose. After reviewing Nick's profile, Jenkins says that Nick was an invisible man even before the accident. Nick infiltrates the CIA headquarters to find any information that can be used against them. Jenkins discovers Nick and tries to recruit him, but Nick is disgusted by the idea of him killing people. They have a confrontation, but Nick gets away.
Nick goes to San Francisco and stays in George's remote beach house. George arrives with his wife Ellen, Alice, and another friend, to spend the weekend. Nick phones Alice and tells her to meet him nearby. He reveals his condition to Alice, and she promptly faints. When she revives, Alice decides to stay with Nick and help him. They travel to Mexico, where Nick can start a new life. To make money, he trades stocks using Alice as a proxy. Jenkins tracks them down, and shoots Nick with a tranquillizer gun. Nick falls into a river, revives and escapes. He makes his way to a video store, where he records his memoirs on video tape, including an ultimatum for Jenkins: exchange Alice for the tape, or Nick will give it to the CIA and the press. Jenkins agrees to the exchange.
At the arranged time for the exchange, Jenkins puts Alice into a cab and orders his men to surround the phone booth where he thinks Nick is. The man in the phone booth turns out to be George, who is dressed in Nick's concealing clothing. Nick is disguised as the cab driver; he takes Alice away, pursued by Jenkins. They continue the chase on foot into a building still under construction, in the course of which Nick gets covered with concrete dust, outlining his silhouette. At the top, by taking off his jacket (which has the largest amount of dust on it), Nick tricks Jenkins into thinking that he has become desperate enough to commit suicide. Nick holds the jacket out to his side and pretends to begin to fall. Jenkins lunges at the jacket to try to save him, but ends up plunging off the building to his death.
Believing Nick to be dead, Singleton releases Alice. Nick reunites with Alice and they leave for Switzerland. The film ends with shots of Nick's apparently empty clothing skiing down a mountainside towards their chalet, where a pregnant Alice greets him with a hot drink and a kiss.
Cast
* Pseudonym for John Carpenter.
Production
Development
In 1986, Harry F. Saint's Memoirs of an Invisible Man was still unfinished when Hollywood agent William Morris gave it to Chevy Chase to read. The actor instantly got interested, which led to a bidding war among studios. Warner Bros paid $1.35 million for the film rights.
William Goldman was assigned to write the screenplay in the mid 1980s, by which time Ivan Reitman was attached to direct. It was Goldman's first screenplay after what he called his "leper" period when he was in no demand to write scripts; he attributes his comeback to being represented by CAA.
The project was largely a vanity project shepherded by Chase through the studio. (The film is billed as "A Cornelius Production": Cornelius is Chevy Chase's real first name.) He wanted to make a film about the loneliness of invisibility, intending the film to be a bridge into less comedic roles. Goldman did three drafts of the script and Warners was prepared to greenlight the film. However Chase was unhappy with the script. Reitman wanted to proceed with the script, but the studio backed Chase, and Reitman left the project.
Goldman also left the project, reportedly saying to Chase, "I'm sorry, but I'm too old and too rich to put up with this shit." (Goldman later said that he had no memory of saying this but had read in a magazine that he had, adding "Wouldn't that be neat if it was me...?") He also said that Mark Canton, head of the studio, did not pay the writer for all his work, causing Goldman to initiate a lawsuit against them.
Chase found Goldman's script too comedic—"Clark Griswold becoming invisible"—and sought screenwriters to rework it, reportedly to do something "more serious, with more adventure", eventually approaching Dana Olsen and Robert Collector. Richard Donner was attached to direct for eight months due to his experience with visual effects, something that made various potential directors turn down the project. Eventually someone suggested John Carpenter, and Chase approved the idea. Carpenter was then embroiled in a legal dispute with They Live production company Alive Films regarding his contract. He had several projects fall through: a film with Cher called Pincushion, Exorcist III, and a version of Dracula. He was reluctant to make Memoirs at first. "When you have lots of money and lots of time, it's really grueling. I enjoy being an independent, and it's not possible to be one in this situation. But then I thought. 'Why not?' I hadn't done a movie for a long time." The actor had to convince Warner Bros. that Carpenter, whom they still saw as a horror director, could work well for the picture.
Writing
Carpenter spent eighteen months working along with Olsen and Collector to make the script akin to "North by Northwest meets Starman", developing the love story to give the protagonist Nick a stronger motivation in escaping the villains. During the period, Chase lost 20 pounds, knowing that production and effects work would be physically demanding.
"What we tried to do with Memoirs is show his character going through changes," said Carpenter. "Chevy didn’t want to just play somebody like Clark Griswold from the Vacation movies, who never changes." "It’s not about the kind of situation where Claude Rains became invisible and went
nuts, nor is it about a wacky guy who’s invisible and looks up girls' skirts throughout the movie," said Chase. "It’s mostly about the peril of being invisible—not the fun or joy of it."
Filming
Filming lasted 84 days between April and June 1991. Parts of the film were shot in Snowbird, Utah.
Carpenter said that due to the effects work by Industrial Light & Magic, "we essentially had to shoot the same movie twice", as after normal takes the effects team would set up their bulky VistaVision motion control cameras to film the same elements again while gathering digital data for the computer-generated imagery.
According to visual effects supervisor Bruce Nicholson, "Success in this movie was showing invisibility in detail". During nine months of preparation, Nicholson studied four previous films on the subject: The Invisible Man, which receives an homage in the scene where Nick is shown to have his head wrapped in bandages and is wearing large dark goggles; its sequel The Invisible Man Returns; Bedknobs and Broomsticks; and Ghost.
Chase wore a blue bodysuit below his clothing, so that computer artists could erase his body through chroma key and match the clothes with computer-generated replicas so that even the inside of the clothing could be seen, along with other touches such as erasing the shadow made by Chase's body. A particularly elaborate effect had Nick's invisible face being covered in flesh-colored make-up. The make-up was applied to Chase as his head was covered in viscous blue cosmetic, tongue and teeth coated with blue food coloring, and the cornea of each eye covered with blue contact lenses, an uncomfortable makeover made worse by the June heat and heavy studio lighting.
An alternate ending was filmed showing Alice giving birth to an invisible child. Carpenter later stated that this ending was cut because "Warner Brothers was worried that the audience would react to the invisible baby as if it were a freak, an unfortunate and innocent diabolical child. Warner Brothers is in the business of making audience-friendly, non-challenging movies. I was aware of this when I signed on [to the film], so I guess I shouldn't complain. Still, we could have released a somewhat stronger version of the picture. But it was a big studio film and it suffered from what a lot of studio movies suffer from: the audience preview process, when you cut every highpoint and lowpoint, and make it very bland."
Carpenter would go on to say that the production of the film was very troubling and vigorous. While also battling studio executives, Carpenter claimed Chase and Hannah were "the stuff of nightmares" and "impossible to direct". In particular, Chase would often refuse to wear his special effects makeup and would remove it prematurely, ruining a day's worth of filming.
Music
This is one of the few John Carpenter films not scored by the director, with Shirley Walker composing the music instead. Unlike prior collaborators Ennio Morricone on The Thing and Jack Nitzsche on Starman, Walker would team back up with Carpenter, the two co-scoring the subsequent Escape From L.A..
Reception
Box office
The film debuted at No. 2. It went on to gross $14,358,033 USD.
Critical reception
The film received mostly negative responses from critics. It has a 28% approval rating on Rotten Tomatoes, based on 36 reviews with an average rating of 4.8/10. The website's critical consensus reads: "It boasts an intriguing cast and the special effects were groundbreaking, but they can't compensate for Memoirs of an Invisible Man's sadly pedestrian script". Metacritic gives the film a weighted average score of 48 out of 100, based on 19 critics, indicating "mixed or average reviews".
Roger Ebert wrote of the film, "The plot is lazy and conventional. What is good about the movie involves Chase and Hannah, who have to work out between them the logistical problems of their strange relationship." Reviewing the movie for The Washington Post, Desson Howe mused, "Memoirs of an Invisible Man isn't a movie. It's an identity crisis. The previews would have you believe it's a zany comedy. But the jokes are too few and far between. And if it's a comedy, why is John Carpenter directing it? This is the man who did Halloween ... if Memoirs wants to get serious, why is Chevy Chase in the lead? This is the man who starred in National Lampoon's European Vacation."
While reviewing the DVD release of the film for Film Freak Central, Bill Chambers wrote that Carpenter's use of effects makes the film worth seeing. He feels that the scene where Nick's body is outlined by raindrops is more effectively imagined than an identical scene in Daredevil.
A new Blu-ray release from distributor Shout! Factory was from a new 2K scan of the original film elements.
In 2023, John Carpenter said:It gave me a chance to make a quasi-serious movie. But Chevy Chase, Sam Neill — who I love and had a longtime friendship with — and Warner Bros. … I worked for them, and it was pleasant. No, it wasn’t pleasant at all. I’m lying to you. It was a horror show. I really wanted to quit the business after that movie. God, I don’t want to talk about why, but let’s just say there were personalities on that film … he shall not be named who needs to be killed. No, no, no, that’s terrible. He needs to be set on fire. No, no, no. Anyway, it’s all fine. I survived it.
References
Bibliography
Boulenger, Gilles (2001). John Carpenter: The Prince of Darkness. Silman-James Press. ISBN 978-1879505674.
Ferrante, Anthony C. (March 1992). "Memoirs of an Invisible Director". Fangoria. No. 110. pp. 42–45. Retrieved October 28, 2019.
Shapiro, Marc (October 1991). "Memoirs of an Invisible Man". Starlog. No. 171. pp. 41–45. Retrieved October 28, 2019.
Shapiro, Marc (May 1992). "I'm Invisible and You're Not". Starlog. No. 178. pp. 7–9. Retrieved October 28, 2019.
Swires, Steve (April 1992). "John Carpenter's Guide to Hollywood (In)visibility". Starlog. No. 177. pp. 28–33, 71. Retrieved October 28, 2019.
External links
Memoirs of an Invisible Man at IMDb
Memoirs of an Invisible Man at Box Office Mojo
Memoirs of an Invisible Man at AllMovie
Memoirs of an Invisible Man at Rotten Tomatoes |
In_the_Mouth_of_Madness | https://en.wikipedia.org/wiki/In_the_Mouth_of_Madness | [
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] | [
"https://en.wikipedia.org/wiki/In_the_Mouth_of_Madness"
] | In the Mouth of Madness is a 1994 American supernatural horror film directed and scored by John Carpenter and written by Michael De Luca. It stars Sam Neill, Julie Carmen, Jürgen Prochnow, David Warner and Charlton Heston. Neill stars as John Trent, an insurance investigator who visits a small town while looking into the disappearance of a successful author of horror novels, and begins to question his sanity as the lines between reality and fiction seem to blur. Informally, the film is the third installment in what Carpenter refers to as his "Apocalypse Trilogy", preceded by The Thing (1982) and Prince of Darkness (1987).
In the Mouth of Madness pays tribute to the works of author H. P. Lovecraft in its exploration of insanity, and its title is derived from the Lovecraft novella At the Mountains of Madness. Distributed by New Line Cinema, In the Mouth of Madness received mixed reviews upon release.
Plot
In the midst of an unspecified disaster, Dr. Wrenn visits John Trent, a patient in a psychiatric hospital, and Trent recounts his story:
Trent, a freelance insurance investigator, has lunch with the owner of an insurance company, who asks Trent to work with his largest client investigating a claim by New York-based Arcane Publishing. During their conversation, Trent is attacked by a man with mutated eyes wielding an axe who, after asking him if he reads popular horror novelist Sutter Cane, is shot dead by police. The man was Cane's agent, who went insane and killed his family after reading one of Cane's books.
Trent meets with Arcane director Jackson Harglow, who tasks him with investigating the disappearance of Cane and recovering the manuscript for his final novel. He assigns Cane's editor, Linda Styles, to accompany him. Linda explains that Cane's stories have been known to cause disorientation, memory loss and paranoia in "less stable readers". Trent is skeptical, convinced the disappearance is a publicity stunt. Trent notices red lines on the covers of Cane's books, which, when aligned properly, form the outline of New Hampshire and mark a location alluded to be Hobb's End, the fictional setting for many of Cane's works.
Linda experiences bizarre phenomena during the late-night drive, and they inexplicably arrive at Hobb's End in daylight. Trent and Linda search the small town, encountering people and landmarks described as fictional in Cane's novels. Trent believes it all to be staged, but Linda disagrees. She admits to Trent that Arcane's claim was a stunt to promote Cane's book, but the time distortion and exact replica of Hobb's End were not part of the plan.
Linda enters a church to confront Cane, who exposes her to his final novel, In the Mouth of Madness, which drives her insane; she begins embracing and kissing a mutated Cane. A man who had previously attempted to stop Cane's insidious agenda approaches Trent in a bar and warns him to leave, then commits suicide, proclaiming to merely be "a character written to do it."
Outside, a mob of monstrous-looking townspeople descend upon Trent. Trent drives away, but is repeatedly teleported back to the center of town. After crashing his car, Trent awakens inside the church with Linda, where Cane explains that the public's belief in his stories freed an ancient race of monstrous beings called "The Old Ones" which will reclaim the Earth. Cane reveals that Trent is merely one of his characters, who must follow Cane's plot and return the manuscript of In the Mouth of Madness to Arcane, furthering the end of humanity.
After giving Trent the manuscript, Cane tears himself and a wooden door behind him open as if they were paper, creating a portal to the dimension of Cane's monstrous masters. Trent sees a long tunnel that Cane said would take him back to his world, and urges Linda to come with him. She tells him she can't, because she has already read the entire book. Trent races down the hall, with Cane's monsters close on his heels. He suddenly finds himself lying on a country road, apparently back in reality. During his return to New York, Trent destroys the manuscript. Back at Arcane, Trent relates his experience to Harglow. Harglow claims ignorance of Linda; Trent was sent alone to find Cane, and the manuscript was delivered months earlier. In the Mouth of Madness has been on sale for weeks, with a film adaptation in post production. Trent then encounters a reader of the newly released novel, who is bleeding from his altered eyes; Trent murders him with an axe. Trent is then arrested for murder and sent to the asylum.
After Trent finishes telling his story, Dr. Wrenn judges it a meaningless hallucination. Trent wakes the following day to find the asylum abandoned, and he departs as a radio announces that the world has been overrun with monstrous creatures, including mutating humans, and that outbreaks of suicide and mass murder are commonplace. Trent then goes to see the In the Mouth of Madness film where he discovers that he is the main character. As he watches his previous actions play out on screen - including a scene where he insisted to Linda "This is reality!" - Trent begins laughing and crying hysterically, finally realizing that he is just a work of fiction.
Cast
In addition, Frances Bay plays Mrs. Pickman, while Wilhelm von Homburg appears as Simon. Hayden Christensen makes his film debut, briefly seen as a paper boy.
Production
Michael De Luca wrote the script in the late 1980s and one of the first directors he offered it to was John Carpenter, who initially passed on the project. New Line Cinema later announced production in 1989 with director Tony Randel to direct. Later, Mary Lambert was also attached to direct. Finally, Carpenter signed on as director in December, 1992, and filming took place from August to October, 1993. The film had a budget of approximately $8 million.: 21
The town scenes in Hobb's End were filmed on Main Street Unionville, and the exterior of the Black Church is actually the Cathedral of the Transfiguration. Both are located in Markham, Ontario. The rest of the film was shot on location in Toronto, Ontario due to its unique mix of "New York skyscrapers and New England remoteness" according to Carpenter.
The visual effects for the film were done by Industrial Light & Magic, and the practical effects (including creature prosthetics and animatronics) were done by the KNB EFX Group. It took seven weeks for KNB to create all the practical effects for the film, the biggest of which was an "eighteen-foot Wall of Monsters" that was mounted on rollers and operated by a crew of twenty-five people. "We had under seven million [dollars] to spend on the picture", Carpenter said in 2001. "It was tough. The monsters had to be outrageous Lovecraftian demons, but in H.P. Lovecraft's novels, they are always so horrible that they are beyond description, that they are too terrifying to see. So how do you visualize something like that? Well, very, very quickly. They also had to be slightly cartoonish since Sam Neill spends most of the movie ridiculing horror only to discover it's all too real."
Influences
In the Mouth of Madness pays tribute to the work of seminal horror writer H. P. Lovecraft, with many references to his stories and themes. Its title is a play on Lovecraft's novella, At the Mountains of Madness, and insanity plays as great a role in the film as it does in Lovecraft's fiction. The opening scene depicts Trent's confinement in an asylum, with the bulk of the story told in flashback, a common technique of Lovecraft. Reference is made to Lovecraftian settings and details (such as a character who shares the name of Lovecraft's Pickman family). Sutter Cane's novels have similar titles to H.P. Lovecraft stories: The Whisperer of the Dark (The Whisperer in Darkness), The Thing in the Basement (The Thing on the Doorstep), Haunter out of Time (The Haunter of the Dark/The Shadow Out of Time), and The Hobbs End Horror (The Dunwich Horror), the latter also referencing Hobbs End underground station from Nigel Kneale's Quatermass and the Pit.
The film also can be seen as referencing Stephen King, who, like Lovecraft, writes horror fiction set in New England hamlets. In fact, the characters even directly compare King (unfavorably) to Sutter Cane within the film itself.
Linda Styles tells Trent early in the film, "You can forget about Stephen King, Cane outsells them all!"
The film's main theme, heard during the opening credits, was inspired by the Metallica song "Enter Sandman". Carpenter had originally wanted to use the song, but was unable to secure the rights and instead composed his own theme, with the help of composer Jim Lang and guitarist Dave Davies of The Kinks.
Release
Box office
In the Mouth of Madness premiered at Germany's Fantasy FilmFest on August 10, 1994 and was released in the United States on February 3, 1995. For its worldwide release, the film opened at the #4 spot and grossed $3,441,807 in 1,510 theaters in its first weekend. It fell to #7 in its second week before leaving the top 10 in week three. The film ended up grossing $8,924,549 on a budget ranging from $8 million to $14 million, making it a box-office failure.
Critical reception
On review aggregator Rotten Tomatoes, In the Mouth of Madness holds an approval rating of 60% based on 50 reviews, with a weighted average rating of 5.8/10. The website's critical consensus reads, "If it fails to make the most of its intriguing premise, In the Mouth of Madness remains a decent enough diversion for horror fans and John Carpenter completists." On Metacritic the film has a weighted average score of 53 out of 100 based on 17 critics, indicating "mixed or average reviews".
Critics generally commended the film on its technical aspects, particularly its special effects, acting, and directing, but perceived it as being too complicated, confusing, pretentious, and underwhelming. Roger Ebert gave the film two out of four stars, saying that the film has an intriguing premise, but squanders it by relying on hackneyed jump scares and gore, taking the form of "a horror house movie, in which the protagonists creep along while creatures leap at them." Gene Siskel gave the film the same rating, as did James Berardinelli, who said the film "comes close to doing something interesting but gets cold feet" and is "confusing, weird, and not very involving", comparing the film to buying an exotic sports car only to drive it slowly. Lisa Schwarzbaum, writing in Entertainment Weekly, gave the film a C rating, remarking that "much of it [is] bloatedly self-indulgent and a small part wicked funny", with only a smattering of successful moments.
In fully positive reviews from the time period, Kevin Thomas of the Los Angeles Times called it "a thinking person's horror picture that dares to be as cerebral as it is visceral". John Hartl of the Seattle Times also gave the film a positive review, saying it's "a stylized collection of well-timed shockers, helped along by the contributions of its capable cast." The Chicago Reader gave it three stars, calling it "a must see". In a later review, Chris Stuckmann also awarded the film with an "A," noting its ambition, creativity, and originality alongside Carpenter's direction. Reel Film Reviews gave the film three out of four stars.
French magazine Cahiers du Cinéma listed the film as #10 on its 1995 Top 10 List.
Awards
Home media
Following the early VHS releases, a Blu-ray version of the film by New Line Cinema was released in 2013. In 2016, the film was re-released on DVD by Warner Archive Collection. In 2018, Shout! Factory re-released the film under its Scream Factory sub-label as a Collector's Edition Blu-ray.
References
External links
In the Mouth of Madness at IMDb
In the Mouth of Madness at AllMovie
In the Mouth of Madness at Rotten Tomatoes
In the Mouth of Madness at theofficialjohncarpenter.com |
Village_of_the_Damned_(1995_film) | https://en.wikipedia.org/wiki/Village_of_the_Damned_(1995_film) | [
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"https://en.wikipedia.org/wiki/Village_of_the_Damned_(1995_film)"
] | Village of the Damned is a 1995 American science fiction-horror film directed by John Carpenter, written by David Himmelstein, and starring Christopher Reeve, Linda Kozlowski, Kirstie Alley, Michael Paré, Mark Hamill, and Meredith Salenger. It is a remake of the 1960 film of the same name, itself based on the 1957 novel The Midwich Cuckoos by John Wyndham. The 1995 version is set in Northern California, whereas the book and original film are both set in England. The 1995 film was marketed with the tagline, "Beware the Children".
This was the last publicly released film starring Reeve before he was paralyzed in an equestrian accident in May 1995, as well as his last theatrically released film. The film received negative reviews from critics and failed at the box office upon release.
Plot
The people and animals of the sleepy coastal town of Midwich in Marin County, California fall asleep at a 10 AM "blackout" and regain consciousness at 4 PM. Following the blackout, ten women of child-bearing age mysteriously fall pregnant, including a virgin girl and a married woman who has not been sexually active for a year due to her husband being away for work in Tokyo. None of them seek abortions after having dreams, and all the babies are born the same night in a barn – five boys and five girls, though the virgin's daughter is stillborn due to umbilical cord asphyxia. The surviving children are healthy but have pale skin, white-blonde hair, cobalt eyes, and fierce intellect.
However, they do not appear to possess a conscience or individual personalities. They display eerie psychic powers that can result in violent and deadly consequences whenever they experience pain or provocation. The children soon "pair off" like mates, except for David, whose intended mate was the stillborn girl. As a result, David is the outcast of the group. Although he retains some degree of psychic powers, he also has the ability to show human compassion. He talks to his mother, Jill McGowan, the school principal, and begins to understand his situation. The children's leader is Mara, the daughter of the physician, Dr. Alan, and his wife, Barbara. As a baby, Mara used her powers to force her mother to commit suicide by jumping off a cliff.
The children develop a bad reputation in town after causing several injurious and fatal "accidents" to townsfolk, and eventually move to their classroom at a local barn for survival. Local priest Father George attempts to shoot them, only for Mara to use her powers and force George to shoot himself. Soon, it is learned that there are other colonies of blackout children in foreign countries, but due to their inhuman nature, they were quickly eliminated, in some cases at the cost of destroying the entire town. One of the scientists, Dr. Susan Verner, is forced to show the children the well-preserved alien corpse of David's intended mate she secretly kept for research. The children force her to commit suicide by impaling herself. An angry mob gathers to attempt to kill the children, but their unsuccessful efforts lead Midwich into chaos, and the rest of the scientific team flees.
Alan devises a plan to detonate a bomb inside a briefcase in the children's classroom. By thinking of a brick wall, he is able to create a mental barrier and keep the presence of the bomb a secret from the children. Jill begs him to spare David because he is not like the others. Alan attempts to do this by asking David to leave to get his notebook from his car. The rest of the children begin to suspect that Alan is hiding something. Mara's true face shows through as she breaks through Alan's defenses, revealing the bomb. The other children look at the clock, and the bomb explodes, killing everyone inside, including Alan. Jill holds David outside during the explosion.
While driving, Jill tells David: "We'll go someplace where nobody knows who we are."
Main cast
Christopher Reeve as Dr. Alan Chaffee, the town doctor
Linda Kozlowski as Jill McGowan, the school principal, and a widow who becomes the mother of David
Kirstie Alley as Dr. Susan Verner, an epidemiologist working for the federal government of the United States, who investigates the mass pregnancies
Michael Paré as Frank McGowan, Jill's late husband
Meredith Salenger as Melanie Roberts, a virgin whose baby is stillborn
Mark Hamill as Reverend George, the town minister
Pippa Pearthree as Sarah, Reverend George's wife
Peter Jason as Ben Blum
Constance Forslund as Callie Blum
Karen Kahn as Barbara Chaffee, Dr. Chaffee's wife
George Buck Flower as Carlton
Squire Fridell as Sheriff
The Children
Thomas Dekker as David McGowan, son of Jill McGowan
Lindsey Haun as Mara Chaffee, daughter of Dr. Alan and Barbara Chaffee
Cody Dorkin as Robert, brother of Melanie Roberts
Trishalee Hardy as Julie, daughter of Ben and Callie Blum
Jessye Quarry as Dorothy
Adam Robbins as Isaac, son of Reverend George and Sarah
John Falk as Matt
Renee Rene Simms as Casey
Danielle Keaton as Lily
Production
Development
According to Carpenter, there had been attempts to remake Village of the Damned since Invasion of the Body Snatchers had been successfully remade in 1978. In 1981, Lawrence Bachmann, who was head of MGM-British Studios when the 1960 film was made, said he was going to remake the movie. "I couldn't really do the book properly then," he said. "Twenty years ago, you couldn't talk about abortion; censorship didn't even allow you to mention impregnation. This time, we'll do it right." The project wound up at Universal, who approached Carpenter to remake it. He said, "I thought, 'Sure, it's an obvious choice, it's easy, that's a pretty easy movie to make.'"
Carpenter saw the original when he was 12 "and it stuck in my mind for several reasons. The whole idea of a whole town blacking out was 'Wow!' Also, I somehow got this incredible crush on one of the girls in the original. She was the first love object I had; I wanted her to zap me and take me over and make me do whatever she wanted." He said, "I also knew exactly where to shoot it. I live up there, Inverness, California, and Point Reyes, where we shot The Fog in 1979. I have a house up there. It's paradise; you can stand anywhere, put the camera down and shoot, and you've got it, it's there. It's a small town, plus it's home; I get to shoot at home for a change. So off we went."
Script
Carpenter rewrote the script by David Himmelstein. "It's a truly great novel," he said. "It's funny but in all the drafts of the script I read everybody was trying to go in a different direction from the old picture and the novel. They avoided it being about an alien visitation, strangely. Come on, guys, we've got to tell the story now. It's there. So I went back to the original roots of it. Should be pretty good."
"You don't have to do much to the original, really," he said. "You've got to bring it up to date, humanize it a little and make the characters rich. When the original was made, you couldn't say the word `pregnant' on screen. So the birth scenes and the women weren't dealt with."
Shooting
Carpenter said his relationship with the studio was "a good marriage, because we all had the same goals in mind...we all knew what story we wanted to tell. I can't tell you how impressed I am with Universal; the way they treated me, you can't get better than that."
Unlike its predecessor, the film was shot in widescreen color. Lloyd Paseman of The Register-Guard said that the shooting in widescreen color and the fact that major actors such as Christopher Reeve, Mark Hamill and Kirstie Alley were a part of the film made it so that the film was "anything but cheap".
Additional graphic violence was added in the remake. The children cause one adult to kill herself by stabbing herself with a scalpel and another adult to immolate herself.
"It was fun to do a drama like Village, as opposed to In The Mouth of Madness, which had a little edge to it," said Carpenter. "This is more straight. This is more a baby-boomer, middle-class kind of a movie. There's nothing wrong with that; I just hadn't done one of those in a long time. If you make a movie over $10 million, you have got to try to reach out to the broadest audience you can find. If you make it under $10 million, you're able to make it more quirky, more daring, more subversive, if you want to use that word. That's the joy of low-budget filmmaking. You can be tough, you can be down, you can be all sorts of things that from a business standpoint you can't do when you get over a certain budget."
If the children applied moderate psychic powers, their pupils would have the appearance of being green or red, and the color became a bright white when they applied strong psychic powers.
Charlotte Gravenor, the hairstylist, bleached the hair of the actors who played the children, and then applied white hairspray to their hair. This made them appear like aliens. Bruce Nicholson and Greg Nicotero applied a special effect where the eye pupil colors change when the children seize control of the adults.
Soundtrack
Reception
In addition to being a failure at the box office, the film received negative critical response. Based on 38 reviews collected by Rotten Tomatoes, Village of the Damned holds a 29% approval rating from critics, with an average score of 4 out of 10. In 1996, the film was nominated at the 16th Golden Raspberry Awards for Worst Prequel, Remake, Rip-off or Sequel but lost to The Scarlet Letter.
Lloyd Paseman of The Register-Guard said that while the remake did not attempt to make Village of the Damned "something" that its predecessor was not, the film had "mediocre" dialogue and plot development. He gave it two stars out of four. Paseman also remarked that in this film Reeve made an "earnest" attempt, that Kozlowski did the highest quality acting for the film, that Dekker was "credible", and that Hamill was "badly miscast". Janet Maslin of The New York Times was more enthusiastic, regarding it as "John Carpenter's best horror film in a long while". The remake was "mostly more sly than frightening ... restaging the original story with fresh enthusiasm and a nice modicum of new tricks."
In a 2011 interview, Carpenter described the film as a "contractual assignment" that he was "really not passionate about".
Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.
In pop culture
The design of the characters in the music video for M83's "Midnight City" is based on the film.
References
External links
Village of the Damned at AllMovie
Village of the Damned at IMDb
Village of the Damned at the TCM Movie Database
Village of the Damned at the AFI Catalog of Feature Films
Village of the Damned at Box Office Mojo
Village of the Damned at Rotten Tomatoes
Village of the Damned at Metacritic |
Escape_from_L.A. | https://en.wikipedia.org/wiki/Escape_from_L.A. | [
231
] | [
"https://en.wikipedia.org/wiki/Escape_from_L.A."
] | Escape from L.A. (stylized on-screen as John Carpenter's Escape from L.A.) is a 1996 American post-apocalyptic action film co-written, co-scored, and directed by John Carpenter, co-written and produced by Debra Hill and Kurt Russell, with Russell also starring as Snake Plissken. A sequel to Escape from New York (1981), Escape from L.A. co-stars Steve Buscemi, Stacy Keach, Bruce Campbell, Peter Fonda, and Pam Grier. Escape from L.A. failed to meet the studio's expectations at the box office and received polarized reactions from critics. The film later found a strong cult following.
Plot
In 2000, a massive earthquake strikes the city of Los Angeles, cutting it off from the mainland as the San Fernando Valley floods. Declaring that God is punishing Los Angeles for its sins, a theocratic presidential candidate wins election to a lifetime term of office. He orders the United States capital relocated from Washington, D.C. to his hometown of Lynchburg, Virginia and enacts a series of strict morality laws, banning such things as smoking, alcohol, drugs, premarital sex, firearms, profanity, and red meat. Violators are given a choice between loss of U.S. citizenship and permanent deportation to the new Los Angeles Island, or repentance and death by electrocution. Escape from the island is made impossible due to a containment wall erected along the mainland shore and a heavy federal police presence monitoring the area.
By 2013, the U.S. has developed a superweapon known as the "Sword of Damocles," a satellite system capable of targeting electronic devices anywhere in the world and rendering them useless. The president intends to use it to dominate the world by destroying hostile nations' ability to function. His daughter Utopia steals the remote control for the system and escapes to Los Angeles Island in order to deliver it to Cuervo Jones, a Peruvian Shining Path revolutionary. Cuervo has marshaled an invasion force of third world nations and is planning to attack the U.S.
Facing deportation for a series of crimes, Snake Plissken is offered a chance to earn a pardon by traveling to the island and recovering the remote, a task that a previous rescue team failed to accomplish. To force his compliance, the president has one of his officers infect Snake with a virus that will kill him within 10 hours and promises that he will receive the cure upon completing the mission. The president is not concerned with Utopia's safety, regarding her as a traitor.
Snake is issued equipment and sent to Los Angeles in a one-man submarine. As he explores the island, he meets "Map to the Stars" Eddie, a swindler who sells interactive tours and one of Cuervo's associates. Along the way, Snake is helped by Pipeline, a surfing enthusiast; Taslima, a woman deported for her Muslim faith; and Hershe Las Palmas (formerly Carjack Malone), a trans woman and past criminal associate of Snake's.
Eddie captures Snake and turns him over to Cuervo, who uses the Sword of Damocles to shut down Lynchburg in retaliation for Snake's presence. Cuervo threatens to inflict the same fate on the rest of the U.S. unless his demands are met. Snake escapes, and teams up with Hershe and her soldiers. The group travels by glider to the invasion staging area, at the "Happy Kingdom" in Anaheim. During a fight against Cuervo's troops, Snake takes the remote and Eddie alters one of the units he sells for his tours to match it. Snake, Eddie, Utopia, Hershe, and a group of Hershe's soldiers escape the island in a helicopter. Eddie shoots Cuervo, who fires a rocket launcher and hits the helicopter before dying. Hershe and her men are incinerated, Eddie jumps clear at liftoff, and Snake and Utopia do the same over the mainland and leave the helicopter to crash once Snake alerts the president to their approach.
At the crash site, the president and his officers find that both Snake and Utopia are carrying remotes and take the one held by Utopia (slipped into her pocket without her noticing), incorrectly thinking that Snake has switched them. As Utopia is taken to the electric chair, Snake learns that the virus infecting him only causes a severe case of influenza that subsides within hours. The president tries to use Utopia's remote to neutralize an invasion force threatening Florida, but it only plays a recorded introduction to one of Eddie's tours.
Furious, the president orders his officers to kill Snake on the spot, but he proves to be only a hologram projected from a miniature camera that had been issued to him. Disgusted at the world's never-ending class warfare, he programs the real remote and triggers every satellite in the Sword of Damocles system, deactivating all technology on Earth and saving Utopia from electrocution as the power fails. Snake tosses the now-useless camera aside and lights a cigarette, then blows out the match and mutters, "Welcome to the human race."
Cast
Production
Escape from L.A. was in development for over 10 years. In 1987, screenwriter Coleman Luck was commissioned to write a screenplay for the film with Dino De Laurentiis's company producing, which John Carpenter later described as being "too light, too campy". Carpenter stated one of the reasons it took so long to develop a sequel was because of his negative views on sequels, especially in regards to the ones that followed on from Halloween.
Eventually, Carpenter and Kurt Russell got together to write with their long-time collaborator Debra Hill with Russell instigating the process as he took inspiration from contemporary events in Los Angeles such as the 1994 Northridge earthquake and the 1992 Los Angeles riots. Carpenter insists that Russell's persistence allowed the film to be made, since "Snake Plissken was a character he loved and wanted to play again." Carpenter credited that same enthusiasm with motivating Russell's work on the script, declaring "I used his passion to do the movie to get him to write more".
Filming
Carpenter has described Escape from L.A. as both "fun to make" and requiring "months of nights" of work. Carpenter would later recall that the theme park scene, shot at night on a Universal backlot, resulted in a noise complaint from Rick Dees which forced them to cease using live ammunition. CG supervisor David Jones has expressed his distaste for the resulting effects used in the battle, which he described as "a little iffy". Although uncredited, Tony Hawk has claimed that he and fellow professional skateboarder Chris Miller worked as stunt doubles for Peter Fonda and Kurt Russell during the surfing scene. Several scenes were shot in Carson, including the Sunset Boulevard and freeway sequences. The Sunset Boulevard scene was filmed in a landfill, where production staff constructed over 120 structures to create a shanty town. To create the impression of a crowded post-apocalyptic freeway, 250 broken cars were sourced from a junkyard in Ventura.
Music
Soundtrack
"Dawn" – Stabbing Westward
"Sweat" – Tool
"The One" – White Zombie
"Cut Me Out" – Toadies
"Pottery" – Butthole Surfers
"10 Seconds Down" – Sugar Ray
"Blame (L.A. Remix)" – Gravity Kills
"Professional Widow" – Tori Amos
"Paisley" – Ministry
"Fire in the Hole" – Orange 9mm
"Escape from the Prison Planet" – Clutch
"Et Tu Brute?" – CIV
"Foot on the Gas" – Sexpod
"Can't Even Breathe" – Deftones
Score
The film's score has been released twice, the first on both CD and cassette by Milan Records in 1996 and again as an expanded CD release by specialty label La-La Land Records in 2014 that featured pieces of music that were recorded for but ultimately cut from the film.
Release
Home media
Escape from L.A. was initially released on DVD in the United States on December 15, 1998, and later reissued on September 26, 2017.
The film was released on Blu-ray by Paramount on May 4, 2010. In 2020, Shout! Factory released a new 4K restoration on Blu-ray. In 2022, the 4K restoration was released on 4K Blu-ray. Upon its release, an English audio encoding error was noted by several reviewers, prompting Paramount to correct the issue in unreleased discs and launch a replacement program for initial purchasers.
Reception
Box office
Escape from L.A. grossed $25,477,365 in the United States and Canada from its $50 million budget, about as much as its predecessor but little more than half its significantly higher budget. Internationally it grossed $16.8 million for a worldwide total of $42.3 million.
Critical response
The film received mixed reviews and has a 53% approval rating from Rotten Tomatoes based on 57 reviews, with an average score of 5.6/10. The site's consensus reads: "Escape from L.A. has its moments, although it certainly suffers in comparison to the cult classic that preceded it". Roger Ebert gave the film three-and-a-half stars out of a possible four and wrote that the movie felt it was an attempt to satirize the genre while exploiting it: "[Escape from L.A.] has such manic energy, such a weird, cockeyed vision, that it may work on some moviegoers as satire and on others as the real thing."
Todd McCarthy of Variety wrote, "A cartoonish, cheesy, and surprisingly campy apocalyptic actioner, John Carpenter's Escape From L.A. is spiked with a number of funny and anarchic ideas, but doesn't begin to pull them together into a coherent whole." Owen Gleiberman of Entertainment Weekly rated it C+ and wrote, "Carpenter never was the filmmaker his cult claimed him to be, but in Escape From L.A., he at least has the instinct to keep his hero moving, like some leather-biker Candide." Stephen Holden of The New York Times wrote that the film's in-jokes "go a long way toward keeping afloat a hopelessly choppy adventure spoof that doesn't even to try to match the ghoulish surrealism of its forerunner."
Kevin Thomas of the Los Angeles Times wrote, "With much humor and high adventure, John Carpenter's Escape From L.A. brilliantly imagines a Dante-esque vision of the City of Angels." Peter Stack of The San Francisco Chronicle rated it 3/4 stars and called it "dark, percussive and perversely fun." Esther Iverem of The Washington Post wrote that the film "tries but fails to be an action-hero flick or even a parody of one." Marc Savlov of The Austin Chronicle rated it 3/5 stars and wrote, "Loud, rollicking, alternately ultraviolent and hilarious, Escape from L.A. is Snake redux, and what more do you need, really?" Nigel Floyd of Time Out London wrote, "After 15 years of computer-generated effects, apocalyptic sci-fi and Arnie movies with flippant kiss-off lines, the sequel feels hackneyed and pointless." Kim Newman of Empire rated it 2/5 stars and wrote, "Apart from a few good characters, this is really not up to scratch in most departments especially the ludicrous plot."
In a 2013 retrospective, Alan Zilberman of The Atlantic called Snake Plissken "a pro-nostalgia antihero, disgusted by the world around him." While contrasting the film's then-futuristic plot elements against modern-day reality, Zilberman writes that the film's ending is more profound today, as Plissken would be annoyed by our fascination with technology, citing the example of two friends who ignore each other while transfixed with their smart phones.
John Carpenter later reflected:
Escape from L.A. is better than the first movie. Ten times better. It's got more to it. It's more mature. It's got a lot more to it. I think some people didn't like it because they felt it was a remake, not a sequel... I suppose it's the old question of whether you like Rio Bravo or El Dorado better? They're essentially the same movie. They both had their strengths and weaknesses. I don't know–you never know why a movie's going to make it or not. People didn't want to see Escape that time, but they really didn't want to see The Thing... You just wait. You've got to give me a little while. People will say, you know, what was wrong with me?
He reiterated his statement in another interview: "It is a better movie. It didn't do what the first one did for some reason. Maybe it was too dark, too nihilistic. I don't know. They didn't dig it as much as the first one. It did okay, but it just wasn't a hit."
About the cult following, Carpenter said: "I'm just delighted that it's gaining that popularity. I really dig Escape from L.A., and I always have."
Other media
Escape from Earth
A sequel of the movie, titled Escape from Earth, was meant to be produced after Escape from L.A. but the underperformance of the latter changed the plans. According to John Carpenter, Escape from Earth would have picked up with Snake Plissken right after the ending of Escape from L.A., which saw him activating a superweapon known as the Sword of Damocles: "Escape from Earth was kind of Snake Plissken in a space capsule, flying interstellar. So there'd be a lot of special effects in it. Which I never care about too much. But that's what it would look like."
Comic books
Marvel Comics released the one-shot The Adventures of Snake Plissken in January 1997. The story takes place sometime between Escape from New York and his famous Cleveland escape mentioned in Escape from L.A.. Snake has robbed Atlanta's Centers for Disease Control of some engineered metaviruses and is looking for buyers in Chicago. Finding himself in a deal that's really a set-up, he makes his getaway and exacts revenge on the buyer for ratting him out to the United States Police Force. In the meantime, a government lab has built a robot called ATACS (Autonomous Tracking And Combat System) that can catch criminals by imprinting their personalities upon its program in order to predict and anticipate a specific criminal's every move. The robot's first test subject is Snake. After a brief battle, ATACS copies Snake to the point of fully becoming his personality. Now recognizing the government as the enemy, ATACS sides with Snake. Snake punches the machine and destroys it, reasoning, "I don't need the competition."
Cancelled video game
An Escape from L.A. video game was announced for the Sega Saturn, Sony PlayStation, Panasonic M2, and PC in 1996, but was later cancelled.
References
External links
Escape from L.A. at IMDb
Escape from L.A. at AllMovie
Escape from L.A. at the TCM Movie Database
Escape from L.A. at Box Office Mojo
Escape from L.A. at theofficialjohncarpenter.com |
Vampires_(1998_film) | https://en.wikipedia.org/wiki/Vampires_(1998_film) | [
231
] | [
"https://en.wikipedia.org/wiki/Vampires_(1998_film)"
] | Vampires (also known as John Carpenter's Vampires) is a 1998 American neo-Western action horror film directed and scored by John Carpenter and starring James Woods. It was adapted from the novel Vampire$ by John Steakley.
Woods stars as Jack Crow, the leader of a team of vampire hunters. After his parents were murdered by vampires, Crow was raised by the Catholic Church to become their "master slayer". The plot is centered on Crow's efforts to prevent a centuries-old cross from falling into the hands of Jan Valek (a reference to Valac, played by Thomas Ian Griffith), the first and most powerful of all vampires. The film also stars Daniel Baldwin as Tony Montoya, Crow's best friend and fellow hunter; Sheryl Lee as Katrina, a prostitute who has a psychic link to Valek after being bitten; Tim Guinee as Father Adam Guiteau; and Maximilian Schell as Cardinal Alba.
The film was followed by two direct-to-video sequels, Vampires: Los Muertos (2002) and Vampires: The Turning (2005).
Plot
Jack Crow leads his team of Vatican-sponsored vampire hunters in a daylight raid on an abandoned house in New Mexico. Finding a 'nest' of vampires, the team subdue the creatures with gunfire, pikes, and wooden stakes, using a modified crossbow attached to a mechanical winch to pull them outside, where they are incinerated by sunlight. Despite disposing of nine basic vampire 'goons', Jack is concerned about not having found the nest's 'master' — an older and more powerful vampire.
While the team drunkenly celebrates with prostitutes at a local motel, the master vampire, Valek, arrives and bites one of the prostitutes, Katrina, initiating her transformation into a vampire. He swiftly murders the hunters, with only Crow and his trusted lieutenant Tony Montoya escaping alive with Katrina. Disturbed that Valek recognized him by name, Crow orders Montoya to lie low with Katrina, hoping to use her growing psychic link with Valek to track him down.
After burying his team and burning down the motel, Crow reports to his superior, Cardinal Alba, who confirms that Valek was a disgraced priest who led a rebellion against the church, leading to his execution and transformation into the first vampire. Valek has already killed another group of slayers in Germany, and Alba instructs Crow to form a new team, accompanied by archivist Father Adam Guiteau. Suspecting that his team was betrayed, Crow interrogates Guiteau and dispels his heroic notions of vampire hunting, showing him a map of vampire activity which indicates the vampires are searching the southwest for an unknown object.
Guarding Katrina at a hotel, Montoya explains the changes she is experiencing. Horrified, she attempts suicide and bites Montoya when he rescues her, which he hides from Crow and Guiteau when they arrive. Crow decides to pursue Valek without gathering a new team, and Katrina is linked with Valek when he questions and kills a priest. Sensing Guiteau is hiding something, Crow threatens him, recounting that he killed his own father for being bitten by a vampire and killing Jack's mother in front of him. Guiteau reveals that Valek is seeking an ancient relic, the "Black Cross" of Béziers, and Crow welcomes him to the team as his new slayer.
Using Katrina's psychic link, Jack, Montoya, and Guiteau learn that Valek has roused seven additional masters. They follow the vampires to a Spanish mission, where Valek has slaughtered the monks and seized the cross. Guiteau realizes that Valek plans to complete his own exorcism, making him immune to sunlight and virtually unstoppable. Searching a nearby abandoned town, they suspect at least thirty new goons have been transformed. Guiteau volunteers as 'bait' for the masters, allowing Jack to harpoon them and Montoya to drag them into the sunlight. While they manage to kill most of his lieutenants, Valek and his undead army overwhelm them at sundown; Crow is captured, Guiteau takes cover and Montoya flees with Katrina, only for her to fully transform and bite Montoya on the throat before joining Valek.
Cardinal Alba reveals himself as Valek’s ally; having grown to fear death, he has agreed to help Valek recreate the original ritual in exchange for becoming a vampire himself. The ritual requires the participation of a priest and the blood and crucifixion of a "crusader" — Jack. Guiteau kills Alba before he can complete the ritual and holds off the vampire horde by threatening to kill himself which would leave Valek without a priest. Montoya and Guiteau rescue Crow as the sun rises, and Crow confronts Valek, impaling him with the Béziers Cross before destroying him in daylight.
Guiteau and Crow prepare to slay Montoya and Katrina, knowing their transformations are irreversible. However, to repay Montoya’s two days of loyalty after being bitten, Crow grants them a two-day head start. As Montoya and Katrina depart, Jack and Guiteau head off to kill the remaining vampires.
Cast
Production
Largo Entertainment bought the rights to John Steakley's novel in 1992 and planned on turning the film into the studio's next big project. Although Carpenter, alongside Sam Raimi, Peter Jackson, and Ron Underwood, had all been considered, Russell Mulcahy was the first to be the attached director. Dolph Lundgren had been cast in the lead role of Jack Crow, and it was reported that Willem Dafoe was being eyed for a secondary role, likely the role of antagonist vampire Valek. Many proposed drafts for the film existed, including one that took place entirely at The Vatican and featured a vampirized Pope as the villain, and another that took place in a distant high-tech future where vampires are commonplace and vampire hunters are as abundant as police officers. The film was slated for a Summer 1996 release date with a budget of $50–$60 million, but conflicts between Mulcahy and the studio forced him to leave the project before filming began, taking Lundgren with him. The two would immediately begin working on Silent Trigger, which borrowed elements from the unused scripts for Vampires.
Shortly after finishing work on Escape from L.A., John Carpenter was thinking about quitting filmmaking because "it stopped being fun". Largo Entertainment approached him with a project called Vampires, an adaptation of the novel of the same name by John Steakley. They gave him two screenplays; one by Don Jakoby and one by Dan Mazur. Carpenter read both screenplays and the novel, and he saw the potential for a film he'd been interested in making. "I went into my office and thought, 'It's going to be set in the American southwest and it's a western – Howard Hawks.'" Carpenter had always wanted to make a film that experimented with mixing the horror and western genres, and felt Vampires was perfect for him. "The story is set up like a western. It's about killers for hire. They're a western cliché. In this movie they’re paid to kill vampires." In terms of tone and look, Carpenter felt that his film was "a little more like The Wild Bunch than Hawks in its style, but the feelings and the whole ending scene is a kind of replay on Red River."
The film was originally set to be made with a budget $60 million, but was slashed down to $20 million at the last minute. To accommodate the sudden budgetary concerns, he wrote his own screenplay, taking elements from the Jakoby and Mazur scripts, the book, and some of his own ideas, alongside writer and frequent collaborator Michael De Luca. For this film, Carpenter wanted to get away from the stereotype of gothic vampires as he said in an interview, "My vampires are savage creatures. There isn't a second of brooding loneliness in their existence. They're too busy ripping and tearing humans apart."
Casting
Carpenter was looking for someone unique to play the character of Jack Crow and was actively avoiding "just another musclebound meathead", eventually settling for James Woods. He had considered Clint Eastwood, Kurt Russell, Bill Paxton, Al Pacino, Joe Pesci, and R. Lee Ermey for the role, but all of those actors either declined the role or couldn't sign on due to scheduling conflicts. Ermey's casting was rejected by the studio, who believed he did not hold the star power to front a blockbuster. Carpenter cast James Woods as Jack Crow because he wanted "the vampire slayer to be as savage as the prey he's after, a guy who's just as menacing as the vampires. James Woods is the kind of guy you'd believe could and would chew off the leg of a vampire." Woods was interested in doing the film because he had never been offered a horror film before and wanted to try something new. Contrary to his reputation, Carpenter didn't find the actor difficult to work with because "we had a deal. He would give me one take as it's written and I would let him improvise...Many of his improvisations were brilliant. When I needed him to be more focused and disciplined, I had the take from the script that was straighter."
Alec Baldwin, an outspoken fan of Carpenter's work, had been cast to play Montoya but quickly dropped out and recommended the role to his brother, Daniel. Carpenter had not seen any of Daniel Baldwin's work and had the actor read for him. He had seen Sheryl Lee on Twin Peaks and cast her based on her work on the show. Carpenter's wife and the film's producer Sandy King cast Thomas Ian Griffith because she and the director wanted "someone who looks formidable, but is also alluring. There always has to be something alluring about the evil nature of the vampire." Dolph Lundgren was also approached about returning as Valek instead of Jack Crow, but he was not interested in playing the villain and declined.
Filming and post-production
Principal photography began during June 1997 in New Mexico and concluded on August 4, 1997. Midway through production, Carpenter left the film due to creative interference, and special make-up effects artist Greg Nicotero took over for a few days until Carpenter was persuaded back. In the credits, the film bears a 1997 copyright year rather than a 1998 copyright year, presumably because post-production work had been completed prior to 1998.
The MPAA took issue with the film's over-the-top violence, threatening to give it an NC-17 rating unless some of the gore was cut. Ultimately, about 20 seconds of footage was cut from the film. King said, "We satisfied the ratings board by just cutting short of a few things that went into really gruesome stuff."
Soundtrack
Reception
Box office
The film opened at #1 but dropped to #8 on its second week. The film grossed $20,308,772 in the United States on a $20 million budget. Although worldwide numbers are not official, Carpenter stated the film was a massive success overseas, particularly in Japan, and pulled in well over its $20 million budget. It later went on to pull in a further $42 million on home video rental and purchase sales. Vampires was Carpenter's only financially successful film of the 90s, and to date it is the last financially successful film that John Carpenter has directed.
Critical response
The film was originally released to varied critical reviews, appearing on both best-of-the-year and worst-of-the-year lists. Positive reviews were based on the film's acting, direction, and visual style, while negative reviews felt the film lacked a coherent plot or likable characters. On Rotten Tomatoes, Vampires holds a 42% rating based on 52 reviews. The site's consensus was: "Nothing but one showdown after another." On Metacritic the film has a score of 42% based on reviews from 19 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "D+" on an A+ to F scale.
In its positive reviews, Liam Lacey of The Globe and Mail called it "crude, rude, nasty fun". Robert Gonsalves of efilmcritic.com gave the film four out of five stars, calling Vampires "grungy, disreputable fun — the kind of blood-and-tequila western that can only be made nowadays when disguised as a horror movie." Sean Axmaker of Stream On Demand gave the film 3.5 stars out of four, calling it "Carpenter in his prime form", giving particular points to its world building and acting. Negative reviews such as The New York Times' Lawrence Van Gelder's said it was "ridiculous without being awful enough to be hilarious". Michael Dequina of The Movie Report was also unimpressed, giving the film 1.5 stars out of five, saying "there's no real plot" further believing the film featured "some of the most unlikable characters in recent memory". Paul Tatara of CNN gave the film a particularly hostile review, lambasting Carpenter as a filmmaker and finishing his review by saying "as foul as it is, I'd argue that the main reason kids shouldn't see 'John Carpenter's Vampires' is because it might stunt their emotional and creative development."
Other critics saw the film as mediocre at best. Roger Ebert gave the film two-and-a-half stars out of four, and noted that it "has a certain mordant humor and charm", but was ultimately "not scary, and the plot is just one gory showdown after another." Marc Savlov of the Austin Chronicle gave the film three stars out of five, stating he enjoyed the film's cinematography, which he described as "a comic book brought to life", but further noted that the film takes itself far too seriously and suggests the film may have worked better as a dark comedy. James Berardinelli gave the film two and a half stars out of four, stating "Vampires is decent enough, but it's unlikely anybody will remember this film in the following years, or perhaps even in following weeks."
In one of Vampires's most positive reviews, Gene Siskel awarded the film with four out of four stars, calling the film "a high-action homage to westerns and classic horror that actually has a unique story and masterful cinematography" and "a film that should put John Carpenter back on the map as a horror director and a film director in general." Siskel also expressed his fondness in the fact that film starred an all-adult cast without any teenagers and portrayed both vampires and vampire hunters in an original way. At the end of the year, he placed James Woods as his pick for his "Best Actor" suggestion to the Oscars.
John Steakley, the author of the original novel, liked the film but said it contained much of his dialogue and none of his plot.
Accolades
According to Carpenter, Gary Kibbe was shortlisted for the Best Cinematography at the 71st Academy Awards.
See also
Vampire film
References
External links
Vampires at IMDb
Vampires at AllMovie |
Ghosts_of_Mars | https://en.wikipedia.org/wiki/Ghosts_of_Mars | [
231
] | [
"https://en.wikipedia.org/wiki/Ghosts_of_Mars"
] | Ghosts of Mars (titled onscreen as John Carpenter's Ghosts of Mars) is a 2001 American space Western action horror film written, directed and scored by John Carpenter. It was produced by Screen Gems and distributed by Sony Pictures Releasing. It stars Natasha Henstridge, Ice Cube, Jason Statham, Pam Grier, Clea DuVall and Joanna Cassidy. Set on a colonized Mars in the 22nd century, the film follows a squad of police officers and a convicted criminal who fight against the residents of a mining colony who have been possessed by the ghosts of the planet's original inhabitants.
Ghosts of Mars received mostly negative reviews and was a box office bomb, earning $14 million against a $28 million production budget. The film would be John Carpenter's last until his return with The Ward in 2010.
Ghosts of Mars has received a cult following since its release, with critics praising the action sequences, soundtrack and blending of genres. Given the film's debt to Western cinema, particularly the works of Howard Hawks, it has been considered by a number of critics as an example of the Weird Western subgenre.
Plot
Set in the year 2176, Mars has been 85% terraformed, giving the planet an Earth-like atmosphere. Martian society has become matriarchal, centering on the city of Chryse, with smaller outposts connected by an expansive network of trains. In the wake of a series of mysterious 'incidents', Police Officer Melanie Ballard is called before a tribunal to give testimony following a disastrous mission to the remote mining outpost Shining Canyon to retrieve convicted felon James 'Desolation' Williams, of which she is apparently the sole survivor.
Through a series of flashbacks (and flashbacks within flashbacks as new perspectives are incorporated into the narrative), Ballard recounts details of the mission. Accompanied by commanding officer Helena Braddock, cocky sergeant Jericho Butler and rookie officers Bashira Kincaid and Michael Descanso, Ballard arrives at Shining Canyon to find the town seemingly deserted. Investigating the local jail, Braddock discovers a trio of individuals who appear to have sealed themselves into one of the cells; among them science officer Dr Arlene Whitlock.
Ballard and Butler find a number of disoriented miners and the convict Williams, who has escaped. The group are attacked by several of the miners, causing Ballard and Williams to band together and incapacitate them. Ballard is forced to shoot and kill one of them, causing the affliction to be passed on to one of the three survivors. Butler, venturing out to the edge of town in pursuit of one of the feral miners, discovers a row of severed heads mounted on spikes, including the head of Commander Braddock and a large assembly in the canyon below committing horrific acts of self-mutilation and ritualistic execution.
Friends of Williams arrive and force Ballard and Butler to release him. While they originally plan on leaving the officers and remaining miners to die, Ballard convinces them to work together to survive. Their initial effort to escape is halted when the army of feral miners converge on their position, killing, injuring and infecting several of them. Confronted by Ballard, Whitlock eventually explains that she fled from her post after discovering an ancient underground vault created by an extinct Martian civilization. When the door to the vault was opened, it released hostile spirits or "ghosts", which took possession of the workers, causing their violent behavior. Killing a possessed human merely releases the Martian spirit to possess another host. Ballard surmises that these Martian spirits believe humans to be an invading race. Ballard is briefly possessed until Butler feeds her a hallucinogenic drug, which forces the Martian spirit to leave her body.
The group are forced to flee as the possessed workers breach the jail, leaving only Ballard, Williams, Butler, Kincaid and Whitlock left alive. While they are able to make it to the train, Ballard realizes that they have a duty to exterminate the Martian threat and decide to return to Shining Canyon to overload the outpost's nuclear power plant, assuming that the ensuing atomic blast will vaporize the spirits. While they are able to initiate the meltdown, Whitlock is possessed, while Butler, Kincaid and the two train operators are killed. Boarding the train, the two watch as the army is engulfed in the explosion. Williams tends to Ballard's wounds. Unwilling to face the authorities, he handcuffs Ballard to her cot and leaves. She moves to shoot him, but realizes her respect for him and lets him escape.
Resting after her tribunal, Ballard is woken by an alert that the city is under attack. Realizing their attempt to destroy the spirits failed, she readies herself to face the onslaught alone until she is greeted by Williams, who hands her a weapon. The two agree to fight their way out of the city together.
Cast
Production
It has been widely reported that the script to Ghosts of Mars originally started off as a potential Snake Plissken sequel. However, this rumor has been publicly dispelled by the film's producer, Sandy King Carpenter.
Michelle Yeoh, Franka Potente and Famke Janssen were the first choices for the role of Melanie Ballard, but they turned it down. Courtney Love was originally cast, but she left the project. Natasha Henstridge replaced her by the suggestion of her boyfriend Liam Waite. Jason Statham was originally going to play Desolation Williams, but he was replaced by Ice Cube because the producers needed some star power for the part, and Statham instead played the character of Jericho Butler.
Although Mars has a day/night cycle almost identical in length to Earth's, most of the film is set at night. Mars is shown only once in the daytime, in a flashback when a scientist describes how she found and opened a tunnel, unleashing the alien spirits.
Filming began on August 8, 2000, and ended on October 31, 2000. Production had to be shut down for a week when Henstridge fell ill due to extreme exhaustion, as she had just done two other films back-to-back before joining production at the last moment.
Much of the film was shot in a New Mexico gypsum mine. The pure white gypsum had to be dyed with gallons of food coloring to recreate the red Martian landscape.
Release
Critical reception
Ghosts of Mars received mostly negative reviews. Rotten Tomatoes gives the film a score of 23% based on 111 reviews with the consensus stating "John Carpenter's Ghosts of Mars is not one of Carpenter's better movies, filled as it is with bad dialogue, bad acting, confusing flashbacks, and scenes that are more campy than scary." On Metacritic, the film has a score of 35 out of 100 based on 26 reviews, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "C−" on an A+ to F scale.
Rita Kempley of The Washington Post called the film "a schlocky, sluggish shoot-em-up", giving the film one star out of five, and later listing the film as the third worst film of the year. Marc Savlov of The Austin Chronicle gave the film one star out of five, saying: "Ghosts of Mars is a muddled, derivative, and embarrassing disaster straight on through." Bruce Fretts of Entertainment Weekly said about the film "...it's distressingly amateurish and hackneyed to the point of absurdity," further adding "it's dishearting to see the 'master of horror' bring himself to both write and direct a film with such a prepubescent understanding of horror". James Berardinelli gave the film 1.5 stars out of four. Rob Gonsalves of eFilmCritic.com suggested that the film was symbolic of "Carpenter at rock bottom". According to press reviews, factors contributing to the box office failure of the film included "poor set designs, hammy acting and a poorly developed script".
Conversely, Roger Ebert of the Chicago Sun-Times, gave the film three stars out of four, writing: "Ghosts of Mars delivers on its chosen level and I enjoyed it, but I wonder why so many science-fiction films turn into extended exercises in Blast the Aliens...this is an instance where it works." Richard Roeper also awarded the film three stars out of four, saying: "is it stupid? Certainly. I think that's the point. Carpenter is a smart man and he knows exactly what he's doing. I miss seeing campy action flicks like this at the drive-in." David Stratton and Margaret Pomeranz, film critics for The Movie Show, both awarded the film three stars out of five. In his review, Stratton made the following observation: "John Carpenter doesn't seem to have moved forward from the 70s and early 80s, when he made his best films. Though it's not terribly exciting, Ghosts Of Mars does have a marvelously skewed vision and can deliver genuine morbid laughs when it wants to."
Ice Cube was very critical about the movie: "I don't like that movie. I'm a big fan of John Carpenter and the only reason I did it was because John Carpenter directed it but they really didn't have the money to pull the special effects off." Natasha Henstridge is more fond of the movie: “I loved the experience of making the film. It was just brilliant“, she said. “I really loved making the film because I’d just had a young kid and now I get to train all the time and do all this kickboxing and martial arts and all of that, and being a chick action star is pretty cool; it’s pretty kick-ass. That part of it, I loved it! That part was pretty awesome.“ She also enjoyed working with John Carpenter: “I loved John! John’s a hoot and I just love him; a great sense of humor, a great guy. Really loved working with him.“
Responding to the criticism towards the film, Carpenter stated he was intentionally trying to make Ghosts of Mars as over-the-top and tongue-in-cheek as possible. He claimed he was trying to make a mindless and silly, yet highly entertaining and thrilling, action flick where "the universe allows its characters and plot points to be silly without becoming full-fledged comedies", akin to 80s movies like Commando, Rambo: First Blood Part II and Predator. Looking back on the film and its criticism, he stated he was frustrated that most people thought the film was meant to be a serious horror movie, and feels that he should've made the film more openly comedic and "in on the joke", saying "I have no power over what critics say, but when people complained about the movie being campy and not scary...the name of the movie is Ghosts Of Mars, I figured the campiness would be self-explanatory."
Box office
The film opened at No. 9 in the North American box office in its opening weekend (8/24-26) with $3,804,452, grossed $8,709,640 in the North American domestic box office, and $5,301,192 internationally, totaling $14,010,832 worldwide. On a budget of $28 million, Ghosts of Mars was a box office disappointment.
Soundtrack
For the film's soundtrack, John Carpenter recorded a number of synthesizer pieces and assembled an all-star cast of guitarists (including thrash metal band Anthrax, virtuoso Steve Vai, genre spanning Buckethead, and former Guns N' Roses/current Nine Inch Nails guitarist Robin Finck) to record an energetic and technically proficient heavy metal score. Reaction to the soundtrack was mixed; many critics praised the high standard of musicianship and the strong pairing of heavy metal riffs with the film's action sequences, but complained about the overlong guitar solos, the drastic differences between the cues used in the film and the full tracks and the absence of any of the film's ambient synth score from the soundtrack CD.
Track listing
"Ghosts of Mars" (3:42) – Steve Vai, Bucket Baker & John Carpenter
"Love Seige [sic]" (4:37) – Buckethead, Robin Finck, John Carpenter & Anthrax (Scott Ian, Paul Crook, Frank Bello & Charlie Benante)
"Fight Train" (3:16) – Robin Finck, John Carpenter & Anthrax
"Visions of Earth" (4:08) – Elliot Easton & John Carpenter
"Slashing Gash" (2:46) – Elliot Easton & John Carpenter
"Kick Ass" (6:06) – Buckethead, John Carpenter & Anthrax
"Power Station" (4:37) – Robin Finck, John Carpenter & Anthrax
"Can't Let You Go" (2:18) – Stone (J.J. Garcia, Brian James & Brad Wilson), John Carpenter, Bruce Robb & Joe Robb
"Dismemberment Blues" (2:53) – Elliot Easton, John Carpenter & Stone
"Fighting Mad" (2:41) – Buckethead & John Carpenter
"Pam Grier's Head" (2:35) – Elliot Easton, John Carpenter & Anthrax
"Ghost Popping" (3:20) – Steve Vai, Robin Finck, John Carpenter & Anthrax
See also
List of ghost films
List of films set on Mars
Mars in fiction
List of films featuring extraterrestrials
References
External links
Ghosts of Mars at IMDb
Ghosts of Mars at AllMovie
Ghosts of Mars at Box Office Mojo
Ghosts of Mars at Rotten Tomatoes
Ghosts of Mars at Metacritic
Ghosts of Mars at John Carpenter's official site |
The_Ward_(film) | https://en.wikipedia.org/wiki/The_Ward_(film) | [
231
] | [
"https://en.wikipedia.org/wiki/The_Ward_(film)"
] | The Ward (titled onscreen as John Carpenter's The Ward) is a 2010 American supernatural psychological horror film directed by John Carpenter and starring Amber Heard, Mamie Gummer, Danielle Panabaker, Laura-Leigh, Lyndsy Fonseca and Jared Harris. Set in 1966, the film chronicles a young woman who is institutionalized after setting fire to a house, and who finds herself haunted by the ghost of a former inmate at the psychiatric ward. As of 2024, this is Carpenter's most recent film as a director.
The film was shot on location at the Eastern State Hospital in Medical Lake, Washington.
Plot
In rural Oregon, at the North Bend Psychiatric Hospital in 1966, a young patient named Tammy is killed by an unseen force at night.
Kristen (Amber Heard), a troubled young woman, sets fire to an abandoned farmhouse and is arrested. The local police take her to North Bend, where she meets the other patients in the ward: artistic Iris (Lyndsy Fonseca), seductive Sarah (Danielle Panabaker), wild Emily (Mamie Gummer), and child-like Zoey (Laura-Leigh). Kristen is taken to a room previously occupied by their friend, Tammy, and meets therapist Dr. Stringer (Jared Harris). She reveals that she is unable to recall anything about her past. She is attacked by a horribly deformed figure that had been staring at her earlier, but upon telling the nurse this, she is drugged and put through intense electroshock therapy.
Dr. Stringer uses hypnotherapy to unlock Iris's hidden memories. After the session, Iris is killed by transorbital lobotomy by the deformed figure. Kristen finds Iris' sketch of her attacker with the name 'Alice Hudson', a former patient at the hospital. That night, Kristen and Emily attempt to find Iris and escape. However, Kristen is thwarted by Alice and loses consciousness while Emily is caught.
Alice kills Sarah. Kristen discovers that all the girls had killed Alice together because Alice constantly hurt them. Now she is after the girls for revenge. Kristen tries to talk Emily down from attempting suicide but Alice kills her by slitting her throat with a scalpel. Kristen plans to escape again by holding Zoey as a pretend hostage but is drugged and placed in a straitjacket. She escapes it and she and Zoey try to get out. Zoey is killed by Alice off-screen. After a lengthy chase, Kristen seemingly manages to destroy Alice. She finds Alice's file in Dr. Stringer's office, which has each of the girls' names, including Kristen herself.
Dr. Stringer, catching her in his office, reveals that Kristen is actually one of many personalities of the real Alice Hudson, who was kidnapped at age eleven, eight years earlier, and left chained for two months in the basement of the same farmhouse Kristen burned down. In order to survive the trauma, she developed Dissociative Identity Disorder, creating each one of the girls from the ward as a different personality. Over time, Alice's own personality became so overwhelmed by the others that she became lost. Dr. Stringer attempted experimental techniques to bring Alice's own personality back, resulting in the manifestation of Ghost Alice, who destroyed the individual personalities one by one. Her treatments were working until 'Kristen' appeared, as an attempt of Alice's mind to protect the other personalities so she wouldn't need to face her trauma.
As the Kristen personality tries to come to terms with all this, Ghost Alice appears before her and the two begin to fight, each determined to emerge as the dominant personality. During this hallucinatory altercation, "Kristen" falls out the window and hits the ground several stories below. Alice manages to survive the incident, and the Kristen personality finally fades away, reverting Alice to her true self. While being treated for her injuries, Alice is visited by her parents, whom her other personalities had originally written off as strangers. She tells Dr. Stringer that she remembers what happened, and finally accepts that she has to face her trauma, resolving not to run from it anymore.
At the end of the movie, Alice, who has seemingly been rehabilitated, packs her belongings as she prepares to leave the hospital. But, when she opens the medicine cabinet above her sink, Kristen lunges out at her, suggesting that the personality is still strong and refuses to be destroyed.
Cast
Amber Heard as Kristen, the main protagonist. A girl with no memories of her life but a strong belief that she is not crazy. She feels the constant need to escape the ward no matter the cost. She is the first to notice the other girls are disappearing and that a vengeful ghost might be the one behind it.
Mamie Gummer as Emily. She is tough and free-spirited but also the one who mostly acts in a wild, insane manner, annoys the other patients, and calls everyone crazy, which often starts conflict among girls, especially between her and Sarah. Initially, she tries to intimidate and scare Kristen, but eventually, Kristen's strength makes her admire her. She hides a guilty feeling inside her though it seems unlikely she will open to it.
Danielle Panabaker as Sarah, a vain, beautiful redhead and the flirtatious one of the group. She flirts with a male nurse but is turned down because she is a mental patient. She often puts down the other girls through her snobbish and snooty disposition.
Laura-Leigh as Zoey, a girl who has suffered emotional trauma so severe that she keeps acting and dressing like a little girl. She carries around a stuffed rabbit everywhere she goes. She seems oppressed by the others due to her instant trust in Kristen.
Lyndsy Fonseca as Iris, artistically talented, prim, and proper, is the first of the girls to befriend Kristen. She is nice and kind to everyone. She also carries a sketchbook where she likes to draw. She seems to be the most aware of their situation in the ward since she explains to Kristen everything about their seclusion.
Mika Boorem as Alice, a girl who used to be a patient at the ward but is nowhere to be found anymore. Kristen tries to find out what happened to her during her time at the Ward.
Jared Harris as Dr. Stringer, the girls' psychiatrist. He seems hopeful about curing Kristen, though his real intentions seem mysterious the whole time.
Sydney Sweeney as Young Alice, a young girl who Kristen sees in flashbacks, both hands chained in a cellar. Nothing is really explained about her in the beginning.
Dan Anderson as Roy, the chief orderly at the ward. Serious and unpredictable, tries to maintain order inside the ward. He is the main target of Sarah's flirting.
Susanna Burney as Nurse Lundt, the chief nurse at the ward, tends to consider Kristen a loose end, and constantly tries to act without the authority of Dr. Stringer.
Sali Sayler as Tammy, a girl who disappears from the ward unexpectedly. Her disappearance upsets the other girls. Her empty room is later occupied by Kristen. She is the mastermind behind Alice's "death" at the hands of the girls.
Mark Chamberlin as Mr. Hudson, the sad man (as Emily describes him and his wife). They constantly visit the ward and are often seen watching the girls from a window.
Jillian Kramer as Monster Alice, the ghost responsible for the disappearances. Using surgical tools as torture means on her victims. Not much is clear about her other than the fact that she is getting rid of the girls one by one.
Production
The film marks a return for Carpenter after a ten-year hiatus of not making any films; his last was the 2001 film Ghosts of Mars. According to Carpenter, "I was burned out...I had fallen out of love with cinematic storytelling". Despite this, in the meantime he had done two episodes for the anthology TV show Masters of Horror. Carpenter said that the series reminded him of why he fell in love with the craft in the first place. Carpenter said that the script "came along at the right time for me", and he was particularly fascinated by how the film took place within a single location.
The film was shot on location in Spokane, Washington, and at the Eastern State Hospital in Medical Lake, Washington. The outside of the hospital is based on the real life, now demolished, McAuley hospital set in the adjacent town of Coos Bay, OR. The film was shot at a real operating mental hospital, and the crew was caged in to prevent patients from intervening.
Release
The first footage revealed from the film was on the French channel Canal+. The film premiered on September 13 at the 2010 Toronto International Film Festival. The Ward was released in the UK on January 21, 2011. After its debut in a handful of film festivals in late 2010, The Ward was released in a few US theatres on July 8, 2011, where it grossed $7,760. The worldwide gross was $5.3 million. It was released on DVD and Blu-ray Disc in the US on August 16, 2011, and in the UK on October 17, 2011.
Reception
The Ward received generally negative reviews. Rotten Tomatoes, a review aggregator, reports that 33% of 72 surveyed critics gave the film a positive review; the average rating is 4.5/10. The site's consensus states: "Lacking the hallmarks of his best work, The Ward proves to be a disappointingly mundane swan song for director John Carpenter." Metacritic rated it 38/100 based on 18 reviews.
Dennis Harvey of Variety wrote, "As usual Carpenter uses the widescreen frame with aplomb, but pic suffers from too little character detailing (even if a late twist explains that), rote scares, and emphasis on a hectic pace over atmosphere." Michael Rechtshaffen of The Hollywood Reporter called it "an atmospheric supernatural thriller that has been stripped of the filmmaker's later excesses". Tim Grierson of Screen International wrote, "Tight as a drum and plenty of fun, John Carpenter's first film in nine years is hardly a groundbreaker, but when the execution is this expert, why complain?" Film Journal International wrote, "Genre veteran John Carpenter's sleekly professional ghost story is well-acted and directed but sadly derivative. Horror fans have seen it all before." The Guardian's Phelim O'Neill also considered the film to be unoriginal, but nevertheless "a well-made film, with some finely crafted shocks"
Jeannette Catsoulis of The New York Times wrote that the film "continues the painful decline of a director who seems more nostalgic for past glories than excited about new ideas". Robert Abele of the Los Angeles Times wrote that the film "feels like a foot-wetting exercise rather than a full-bodied romp in familiar waters". Owen Gleiberman of Entertainment Weekly rated it B− and wrote, "While he does bring his trademark craftsmanship to this snake-pit mental-asylum thriller, the picture has too many old-movie bits rattling around in it." Adam Nayman of Fangoria wrote, "The problem with The Ward is not so much its lack of style as the fact that the director doesn't seem to have much interest in the material". David Harley of Bloody Disgusting rated it 1/5 stars and wrote, "If someone other than Carpenter had been at the helm of The Ward, then no one would be talking about it." Serena Whitney of Dread Central rated it 3.5/5 stars and wrote, "John Carpenter's The Ward is a mediocre thriller that lacks any true original scares and blatantly rips off a twist ending from a far better film."
References
Further reading
Radish, Christina (June 8, 2011). "Exclusive: Director John Carpenter Talks THE WARD and His Thoughts on Hollywood Remaking His Films". Collider. Retrieved April 22, 2015.
Radish, Christina (September 11, 2010). "John Carpenter Exclusive Interview THE WARD". Collider. Retrieved April 22, 2015.
Eggertsen, Chris (June 3, 2011). "Interview with 'The Ward' Director John Carpenter". Bloody Disgusting. Retrieved April 22, 2015.
Nemiroff, Perri (July 6, 2011). "Interview: The Ward's Lyndsy Fonseca". Cinema Blend. Retrieved April 22, 2015.
Radish, Christina (June 7, 2011). "Amber Heard Talks THE WARD and NBC's THE PLAYBOY CLUB". Collider. Retrieved April 22, 2015.
Zinoman, Jason (June 24, 2011). "A Lord of Fright Reclaims His Dark Domain". The New York Times. Retrieved April 22, 2015.
Bibbiani, William (July 5, 2011). "Interview: John Carpenter on 'The Ward'". CraveOnline. Retrieved April 22, 2015.
External links
The Ward at IMDb
The Ward at AllMovie
The Ward at Metacritic
The Ward at Rotten Tomatoes |
Mark_O%27Halloran_(rugby_league) | https://en.wikipedia.org/wiki/Mark_O%27Halloran_(rugby_league) | [
232
] | [
"https://en.wikipedia.org/wiki/Mark_O%27Halloran_(rugby_league)"
] | Mark O'Halloran (born 6 March 1981) is a former professional rugby league footballer who played for the Wests Tigers and the Penrith Panthers in the NRL, and the London Broncos in the ESL. His junior club was Burwood United in the Balmain District Competition. O'Halloran's position of choice was as a centre although he had also played as a wing, a defensive second rower, and briefly played five eighth in the English Super league.
Background
O'Halloran was born in Sydney, New South Wales, Australia.
Playing career
O'Halloran made his NRL début for Wests Tigers in 2001 and played 28 first grade games, mostly as a centre. In 2004, O'Halloran moved to England, where he played in the Super League for the London Broncos.
O'Halloran returned to Australia from England and played for the Penrith Panthers in the NRL.
O'Halloran played in the USA international team having played one game in 2007.
Post playing
Since retiring, O'Halloran has become a PD/H/PE teacher and currently works at St Patrick's College, Strathfield.
References
External links
Penrith Panthers profile
NRL stats
NRL points
Hunslet 4–70 London |
Robert_Fico | https://en.wikipedia.org/wiki/Robert_Fico | [
232
] | [
"https://en.wikipedia.org/wiki/Robert_Fico"
] | Robert Fico (Slovak: [ˈrɔbert ˈfitsɔ]; born 15 September 1964) is a Slovak politician who is currently serving as the prime minister of Slovakia since 2023. He previously served as prime minister from 2006 to 2010 and from 2012 to 2018. He founded the left-wing political party Direction – Social Democracy in 1999 and has led the party since. Fico holds a record as the longest-serving prime minister in the country's history, having served for over 10 years. First elected to Parliament in 1992, he was appointed the following year to the Czechoslovak delegation of the Parliamentary Assembly to the Council of Europe. Following his party's victory in the 2006 parliamentary election, he formed his first Cabinet. His political positions have been described as populist, left-wing and conservative.
After the 2010 parliamentary election, Fico served as an opposition member of parliament, effectively holding the position of the leader of the opposition. Following a motion of no confidence against the Iveta Radičová cabinet, Fico was re-appointed prime minister after leading Smer to a landslide election victory in the 2012 parliamentary election, winning 83 seats and forming a government with an absolute majority in Parliament, the first such since 1989. In 2013, Fico declared his candidacy for the 2014 presidential election. Fico lost the election to his political rival Andrej Kiska in the second round of voting on 29 March 2014. In March 2018, owing to the political crisis following the murder of Ján Kuciak, Fico delivered his resignation to Kiska, who then charged Deputy Prime Minister Peter Pellegrini with the formation of a new government.
During the 2023 parliamentary election, Fico vowed to end military support for Slovakia's neighbor Ukraine, which was being invaded by Russia. His party Smer won 22.95% of the vote and 42 seats, becoming the largest party. Fico formed a coalition with Voice – Social Democracy (Hlas), a party founded in 2020 by Pellegrini and other dissidents of Fico's Smer, and with the Slovak National Party, and began his fourth term as prime minister on 25 October. Fico's government has stopped military aid to Ukraine, moved to take greater control of the media, and abolished the Special Prosecutor's Office that dealt with corruption. These moves sparked mass protests.
On 15 May 2024, Fico was hospitalized after an attempted assassination. Following initial reports of his "life-threatening" condition, he underwent emergency surgery and survived.
Early life and education
Fico was born on 15 September 1964 in the town of Topoľčany, northwestern Nitra Region. His father, Ľudovit Fico, was a forklift operator, and his mother, Emilie Ficová, worked in a shoe store. He has two siblings. His brother Ladislav is a construction entrepreneur, and his sister Lucia Chabadová, who is fourteen years younger, is a prosecutor. Fico grew up and lived with his family in the village of Hrušovany, until the age of six, when they moved to the nearby town of Topoľčany.
Fico has described his childhood ambitions as wanting to become either a politician, a sports reporter, or an archaeologist. After completing elementary school, he enrolled in the local Gymnasium of Topoľčany, graduating in the summer of 1982. Later the same year he enrolled in the Law Faculty of the Comenius University in Bratislava, in what was then Czechoslovakia. His teachers were impressed with him, and one of his teachers from university, the future prime minister Jozef Moravčík, described him as "ambitious, very confident and very involved in discussions." He graduated as juris doctor in 1986 specializing in criminal law.
After graduating from university, Fico completed his mandatory military service as an assistant military investigator, stationed in the now-Czech town of Janovice, between 1986 and 1987. He later worked for the Institute of State and Law of the Slovak Academy of Sciences, as well as with the Justice Ministry until 1992. During this period he wrote and completed his PhD degree, with a thesis on "The death penalty in Czechoslovakia". In the early 1990s, he undertook studies at the School of Slavonic and East European Studies in London under a Masaryk scholarship. In 2002, he completed his postgraduate study, earning him the title of associate professor.
Early career (1992–2006)
Fico joined the Communist Party of Czechoslovakia in 1986, having applied in 1984. After the Velvet Revolution of 1989, and the collapse of the Communist regime in Czechoslovakia, Fico joined the Party of the Democratic Left (SDĽ), a successor of the Communist Party of Slovakia. He was first elected as Member of Parliament in 1992. From 1994 to 2000 Fico represented Slovakia as its legal counsel at the European Court of Human Rights but lost all 14 cases which he handled. In 1998, he was elected deputy chairman of the party. Later in 1998, Fico ran for the post of general prosecutor; his party endorsed another candidate instead, arguing that Fico was too young.
In the 1998 elections that saw the fall of the government of Vladimír Mečiar, Fico received the biggest number of preferential votes among his party colleagues. A year later, when support for the SDĽ dropped below the threshold required to get into parliament, he left the party, saying he was disappointed with the way the government worked. As early as in the autumn of 1998, a four-person group consisting of Fico, his associate Frantisek Határ, political strategist Fedor Flašík, and media executive Monika Flašíková-Beňová had begun to discuss and lay plans for launching a new political party on the left. These plans were driven by the falling popularity of the existing parties, and the rising popularity of Fico.
Almost immediately after leaving SDĽ, the group founded Direction – Social Democracy (SMER), which Fico first labelled a party of the third way, with himself as leader. Fico established himself as an opposition politician criticizing the unpopular reforms of the right-wing government of Mikuláš Dzurinda. In order to keep SMER from repeating the fate of his previous party, Fico introduced a strict set of regulations for his new party, called the "clean hands" policy. The rules stipulated that no one with ties from the previous Communist regime or people who had background with other political parties was allowed to hold party office. This created a new generation of politicians uninvolved in previous corruption scandals; among them was Monika Flašíková-Beňová, Robert Kaliňák, and Pavol Paška. Another rule was that all party chapters on the regional and local levels were to be 100% financially self-sufficient, and all financial donations were to be made public to the media.
Between 2002 and 2006, Smer was the main opposition party in the Slovak parliament. In 2004, it merged with nearly all the leftist parties active on the Slovak political scene, including its parent party SDĽ, becoming the single most dominant political party in Slovakia.
First premiership (2006–2010)
In the 2006 Slovak parliamentary election, SMER won with 29.1% of the votes. The election victory came after a campaign focused on reversing the deeply unpopular austerity reforms within the healthcare and education sectors, reforms which were pushed through by then ministers Rudolf Zajac and Martin Fronc. They subsequently formed a coalition government with Vladimír Mečiar's People's Party – Movement for a Democratic Slovakia (HZDS) and Ján Slota's Slovak National Party (SNS). SNS is a right-wing populist party which has been known for making anti-Roma and anti-Hungarian comments, including a drunken public speech by Ján Slota, in which he threatened to "get in tanks and level Budapest to the ground."
A large part of Fico's election victory in 2006 was attributed to his loud criticism of the previous right-wing government's economic, tax, social, pension and legislative reforms, which had been backed by international bodies like the International Monetary Fund, the World Bank, and the OECD. One reaction to the coalition came from the European-wide Party of European Socialists (PES), who suspended SMER's application to join the PES. In late February 2008, the Assembly of the PES conditionally reinstated the application after both SMER and SNS signed a letter committing themselves to respect minority rights. Fico never publicly condemned SNS' remarks and speeches, and government-level relations between Slovakia and Hungary deteriorated in his first term in office. Several meetings between the two countries' prime ministers were abruptly cancelled, and those few that did take place resulted in little improvement of relations.
On 10 April 2007, the deputy director of the Slovak Land Fund and HZDS nominee Branislav Bríza signed a contract on the basis of which restitutors from eastern Slovakia became the owners of lucrative land in the Tatra village of Veľký Slavkov. These restitutors then quickly sold the land to the company GVM for 13 million Slovak crowns (Slovak currency prior to euro). The figurehead of the company was a friend of Mečiar Milan Bališ. Bríza did so while his boss Hideghéty was on vacation. 10 April was the last day when Bríza had full power acting on behalf of his boss in the absence of his boss. This was the seventh suspicious contract he had signed up to that point. Such practices were previously criticized by Fico as they were common during the tenure of his Coalition partner HDZS leader Mečiar. This scandal almost led to the collapse of the Coalition. It led to the Minister of Agriculture for HDZS Miroslav Jureňa resigning. Fico demanded Bríza to resign. Estimated damage to the state was half a billion Slovak crowns. Justice was delivered on 8 September 2015 when Bríza was deemed guilty and sentenced to 2 years probation.
Leader of the Opposition (2010–2012)
Before the 2010 election, Fico's party was in a relatively strong position according to several polls; however, just before the election, a political scandal broke out, and was described as one of the gravest in the country's 17-year history. A voice recording surfaced, with a voice strongly resembling that of Fico, in which he claimed to have raised several million euros in undeclared funds for the 2002 election, as well as calling for a "parallel financial structure" to be created for the financing of Smer's election campaign. Slovak media sources, such as Sme, carried the news about the recording in great detail; Fico dismissed it as a forgery.
Fico attacked the media sources that published information about the recording, saying: "Should I go over there and give you a smack because you are scoundrels? What you are doing is unheard of. You are masturbating on the prime minister every day." Sme announced Fico has since been questioned on the matter. Former Minister of Justice Daniel Lipšic told the press he has "handed the recording to the general attorney office." In the election, Fico's SMER remained the biggest party in Parliament, with 62 seats, while his coalition partners were decimated, with the HZDS being completely shut out. Unable to find a partner willing to give him the 14 seats he needed to stay in office, Fico resigned. He said he "respects the election result", and expressed his desire to lead a resolute opposition after his narrow loss.
Second premiership (2012–2018)
2012 parliamentary election
Following the fall of the centre-right coalition government that replaced his, Fico's Smer-SD returned to power being the first party since the breakup of Czechoslovakia to win an absolute majority of seats. Fico initially sought to form a national unity government with SDKU or KDH. When this failed, he formed the first one-party government in Slovakia since 1993.
2014 presidential election
On 18 December 2013, Fico officially announced his candidacy for the upcoming 2014 presidential election. He said: "I understand my candidacy as a service to Slovakia." He argued that he did not see his candidacy as an adventure, an escape or an attempt to culminate his political career. His campaign ran under the motto "Ready for Slovakia". On 9 January 2014, the Slovak Parliament, under Speaker Pavol Paška, officially approved the candidatures of Fico and 14 other candidates. Fico was defeated by the independent candidate Andrej Kiska, whose support from the Slovak right wing led him to victory by a wide margin (approximately 59%–41%) in the second round of voting on 29 March 2014.
2016 parliamentary election
Fico's party won the 2016 parliamentary elections, amassing a plurality of seats; it failed to win a majority. On 7 March 2016, Andrej Kiska, the then President of Slovakia, invited each elected party, with the exception of Kotleba – People's Party Our Slovakia, for post-election talks. Fico was given the first opportunity by the President to form a stable coalition. On 17 March, Fico informed Kiska that he would form a four-party government coalition, including Smer–SD, the Slovak National Party, Most–Híd and Network.
Resignation
On 14 March 2018, Fico publicly stated that he was ready to tender his resignation as prime minister in order to avoid a snap election, as well as to "solve the political crisis" involving the murder of investigative journalist Ján Kuciak. Kuciak also examined the work of the Italian mafia 'Ndrangheta in Slovakia. According to the police, Mária Trošková, who is an assistant to Fico, could have ties to 'Ndrangheta. In the immediate aftermath of the crime, Fico implied that he had taken personal control of the investigation while posing with €1m in cash. At the time, he said he wanted to give a clear pro-European and pro-NATO orientation direction to his party. Fico had earlier in March accused President Kiska of plotting with George Soros to topple his government.
Fico's announcement came after a meeting with President Kiska. In that meeting, Fico laid out a number of specific conditions that needed to be met by the president in order for him to resign. Those conditions were amongst others, that the result of the 2016 Slovak parliamentary election be respected, that the current ruling government coalition must continue, and that Smer-SD as the largest party currently in parliament, name the next prime minister. Fico stated that he already had a candidate in mind. Slovak media widely reported that the next prime minister would be Deputy Prime Minister Peter Pellegrini. On 15 March, President Kiska formally accepted the resignation of prime minister Fico and his cabinet, and thereby tasked Pellegrini with forming a new government.
Political wilderness (2018–2022)
Fico spent a number of years after his 2018 resignation in the political wilderness. During the COVID-19 pandemic, Fico advocated against vaccines, masks and lockdowns and spread disinformation about vaccine effects.
Third premiership (2023–present)
In 2022 and 2023, Fico was a loud critic of the Von der Leyen Commission and her foreign and military policies in relation to Russian invasion of Ukraine. He also expressed disagreements with the European Commission in questions of immigration. Simultaneously, he continued to applaud and support his party's former presidential candidate and European Commissioner candidate Maroš Šefčovič. His campaign for premier used all of these planks. Fico's new cabinet was sworn in on 25 October 2023. Fico attended a two-day European Union (EU) summit that began the next day. In 2023, Fico referred to adoption by same-sex couples as a perversion, stated that he would never support same-sex marriage. He said that "gender ideology in schools is unacceptable".
Fico's ruling coalition passed a law that shut down the Special Prosecutor's Office, which had dealt with serious corruption. Investigations by the office had led to many high-profile corruption cases and convictions, many of them involving Fico's MPs, party members and business partners. The changes also include a reduction in punishment for corruption. The ruling coalition fast-tracked the amendments through parliament, limiting the time for debate and preventing the draft law from being reviewed by experts and others usually involved in the process. The changes were opposed by the Slovak president and opposition, and sparked large protests in Slovakia.
Fico's government has also moved to take greater control of the media. Under the plans, the current public radio and television network RTVS would be replaced by a new organization, controlled by a government-appointed council. This was condemned as an attack on press freedom by President Zuzana Caputova, local journalists, the opposition, international media organizations, the European Commission and others, who warned that the changes would give the government full control of Slovak public television and radio. These proposed changes also led to mass protests.
Attempted assassination
On 15 May 2024, around 14:30 (2:30 PM), Fico was injured in a shooting in Handlová, Slovakia, in front of the city's House of Culture after a government meeting, and was subsequently hospitalized at the F.D. Roosevelt Hospital in Banská Bystrica. A 71-year-old poet named Juraj Cintula was immediately detained by police as a primary suspect. Fico was reportedly in a "life-threatening" condition following the attack, having suffered wounds to his stomach, arms, and legs but was stabilised following emergency surgery, and was expected to recover according to deputy prime minister Tomáš Taraba.
On 30 May, Fico was discharged from hospital and was allowed to continue his recovery at home. On 5 June 2024, Fico made his first comments on the attack, saying that he forgave the attacker as he is only the "messenger of evil" of the opposition. He added that he expected to return to work later that month or in July.
Senior politicians from Fico's ruling coalition blamed independent media and the opposition for the assassination attempt, alleging that they influenced the shooter. Slovak journalists and opposition leaders feared that the government would use the assassination attempt to crack down on them. The shooting was unanimously condemned by the National Council.
Ideological views
Fico originally advocated the third way (recognition of the value of the market and business, but the role of government and a strong state), at the same time but his views gradually evolved. He is committed to the left and patriotism, on the basis of which he renamed the Smer party to the Slovak Social Democracy. Fico is critical of the Western model of the left, which he calls "the Brussels left". In response to the fact that the European Socialists suspended Smer's full membership and Hlas's associate membership of the Party of European Socialists (PES), Fico said that he was proud of his party, Smer, and did not intend to change his views.
Fico appreciates Alexander Dubček, Gustáv Husák, Milan Rastislav Štefánik, Ľudovít Štúr, Anton Bernolák, Vladimír Clementis, Ladislav Novomeský, Vladimír Mináč, and Christian personalities of Slovak history, starting with Cyril and Methodius and ending with Cardinal Korec. Among foreign politicians, he appreciates Willy Brandt. He has also been compared to right-wing European leaders such as Viktor Orbán.
Fico is a member of the Slovak Matica, which he supports, and Slovak Union of Anti-Fascist Fighters. From a geopolitical point of view, he has been talking about "the politics of the four world directions" for a long time.
Domestic policy
Mass media
Fico's government has moved to take greater control of the media. The public radio and television network RTVS was replaced by a new organization, controlled by a government-appointed council. There was strong opposition to the plans both inside and outside Slovakia. Noel Curran, the European Broadcasting Union (EBU) director general, said in a statement that "This appears to be a thinly veiled attempt to turn the Slovak public service broadcaster into state-controlled media". In 2023, Fico's government also cut off communication with four domestic media outlets, calling them "hostile" and "not objective enough". Instead, it favors pro-Russian media such as Hlavné správy.
Labour policies
At the start of his second term as Prime Minister in 2012, Fico introduced a new Labour Code, which granted entitlement to a lay-off notice period, as well as severance pay, reduced overtime, making layoffs more expensive for employers, shorter temporary work contracts, and more power for trade unions. In addition, it curbed the chaining of fixed-term employment contracts, whereby it was possible to extend a fixed-term employment contract three times over three years. The Labour Code was revised in 2014 when it introduced severe restrictions of the work on agreement performed outside regular employment. Under the latest revision, employers were able to conclude agreements with employees for 12 months only.
Finance
One of the few modifications Fico's government implemented was a slight modification to the unusual flat tax system introduced by the previous government, in a way that slightly decreased or eradicated a tax-free part of income for higher income earners. A lower value added tax was imposed on medications and books; despite his electoral promises, Fico failed to extend this onto a wider group of products such as groceries. Among the measures were controversial legislative changes which effectively banned private health insurance companies from generating profit. As a result, Slovakia is being sued by several foreign shareholders of local health insurers through international arbitrations.
Road tolls
In 2010, Fico faced large-scale protests and a blockade of major cities by truckers upset about what they considered to be badly implemented tolls on the highways. Truckers demanded that fuel prices be lowered to compensate for the tolls. Fico initially refused to speak with representatives of the truckers, saying he would not "be blackmailed". A few days later, he capitulated, and the cuts given to truckers amounted to about €100,000,000.
Retail Chains
In 2007, Fico criticised retail chains for price gouging. He said he would change the law to curb "the abuse of economic power by some retail chains".
Nationalisation
In August 2008, Fico threatened the foreign shareholders of the local gas distributor SPP (the French Gaz de France and the German E.ON) with nationalization of their subsidiary and seizure of their ownership shares in a dispute over retail gas prices.
Foreign policy
European Union
In foreign relations with Europe, Fico's government faced controversies due to its affiliation with the internationally isolated parties of Vladimír Mečiar and Ján Slota. Under his leadership, Slovakia entered the Eurozone in 2009, and Fico himself in a speech to the Oxford Union praised Slovakia's entry into the EU as a "success story." Fico opposed Kosovo's unilateral declaration of independence from Serbia, which he called a "major mistake". Slovakia has not recognised Kosovo as a sovereign state; one of Fico's three cabinets have recognised Kosovo and he continued to iterate his opposition towards recognition afterwards. Responding to the 2013 Euromaidan protests in Ukraine, Fico declared that the "EU is no religious obligation", and said the EU was "so in love with itself" that it is convinced there is no better alternative to it in the world. He subsequently condemned the use of violence but said that the protests were an internal affair in Ukraine.
Commenting on Brexit in November 2016, Fico stated that it was unclear what the United Kingdom (UK) wanted, adding that it "must suffer" more than the 27 countries who would remain in the bloc. He also stated that the UK would not be allowed to make EU workers "second-class citizens" while still receiving the benefits of the EU single market. In light of the election of Donald Trump, he commented that it might spur Europe to bolster its military. In August 2017, Fico said: "The fundamentals of my policy are being close to the (EU) core, close to France, to Germany. I am very much interested in regional cooperation within the Visegrád Four but Slovakia's vital interest is the EU.
Immigration and Islam
Fico rejected European Commission's plan to distribute refugees and economic migrants from the Middle East and Africa among EU member states, saying: "As long as I am prime minister, mandatory quotas will not be implemented on Slovak territory." He stated that "thousands of terrorists and Islamic State fighters are entering Europe with migrants, and added: "We monitor every single Muslim in Slovakia."
In May 2016, Fico stated that Slovakia would not accept "one single Muslim" migrant into the country, weeks before the country was scheduled to take over the Presidency of the Council of the EU. He further stated: "When I say something now, maybe it will seem strange, but I'm sorry, Islam has no place in Slovakia. I think it is the duty of politicians to talk about these things very clearly and openly. I do not wish there were tens of thousands of Muslims." On 30 November 2016, the Slovak parliament under Fico government passed a bill that requires all religious movements and organizations to have a minimum of 50,000 verified practicing members in order to become state-recognized, up from 20,000.
Russia
After coming to power in 2006, Fico declared that Slovakia's relations with Russia would improve after eight years of "neglect". Fico referred to "Slavonic solidarity". which was a central theme of the Slovak National Awakening in the 1850s. On 4 April 2008, during a visit by Russian prime minister Viktor Zubkov, Fico said: "In Slovakia, there have been efforts to deliberately ignore Slavonic solidarity." Slovakia modernised Russian MiG fighters in Russia and did not buy new jets from the West. Fico accused Georgia of "provoking Russia" in 2008 when Russia invaded Georgia.
In June 2008, The Slovak Spectator published a piece which summarized his foreign policy in this way: Compensating for his lack of close political allies within the EU, the former Czech Social Democratic Party leader Jiří Paroubek being a notable exception, Fico sought to strengthen relations with several non-EU countries such as Serbia and Russia. This broke with a pro-NATO, Western-focused trend established after the 1998 Slovak election. Under his premiership, the Slovak foreign ministry rejected the March 2014 Crimean status referendum, which incorporated Crimea into Russia; Fico himself remained silent on the issue. Regarding the EU sanctions against Russia for its illegal annexation, Fico denounced them as "senseless" and a "threat to the Slovak economy".
Fico condemned the Russian invasion of Ukraine in February 2022; he also opposed European sanctions against Russia for the invasion, arguing that the sanctions help Russian autarky and only harm the Russian population and European population rather than the regime. Fico invited the Russian diplomat Igor Bratchikov to speak at the celebration of the Slovak National Uprising on 29 August 2022. In 2023, Fico said that the annexation of Crimea by the Russian Federation violated international law but that Ukraine re-taking Crimea would not solve the Russo-Ukrainian War.
Ukraine
Responding to the Russian invasion of Ukraine, Slovakia's neighbor, Fico opposed helping Ukraine to defend itself militarily. He also vowed to block Ukraine from joining NATO and argued that the accession of Ukraine to the EU by 2025 was unrealistic. Fico said that selling or sending Ukraine weapons and military equipment to defend itself has only encouraged more violence. In September 2023, he vowed that if his party won the election "We will not send a single bullet to Ukraine". Fico said that efforts should instead focus on reaching a ceasefire and pushing Ukraine and Russia toward peace talks. He said "Why don't we force the warring parties [to] sit down and find some sort of compromise that would guarantee security for Ukraine?". In May 2023, Fico praised the peace plans put forward by the Holy See, Brazil and China. In October 2023, after his re-election, Fico announced Slovakia would not sell or send any more military equipment to Ukraine but would continue to help Ukraine in a humanitarian way and would try to start peace talks.
In January 2024 Fico said that "Ukraine is not an independent and sovereign country" and said the only way to end Russia's invasion is for Ukraine to give up some of its land to the invaders.Fico has been accused of spreading pro-Russian disinformation about the Ukrainian war, for example repeating Kremlin claims that the Donbas War began when "Ukrainian Nazis and fascists started murdering the Russian population of Donbas". Members of the Party of European Socialists called for Fico's party to be expelled from the group for allegedly spreading Russian propaganda and for seeking a coalition with the neo-fascist Republic Movement.
Hungary
Tension between Slovakia and Hungary, unstable from the past, was inflamed in 2006 following the parliamentary election and Fico's decision to include nationalist Ján Slota and his Slovak National Party into his governing coalition. Slota was known for his fierce anti-Hungarian rhetoric, including that "Hungarians are a tumor on the Slovak nation that needs to be immediately removed." In the wake of the election several incidents occurred which further inflamed nationalist sentiment on both sides, including the alleged beating of a Hungarian woman in South Slovakia. Fico reacted by condemning the extremism but rebuked the Hungarian government by declaring: "The Slovak government doesn't need to be called on to strike against extremism." The row heated up again in September 2007, when Fico's government introduced a law making the Beneš decrees inviolable. This was in response to demands from ethnic Hungarian politicians that compensations should be made to persons affected by the decrees.
In May 2008, Fico labelled Hungary a potential threat during a speech commemorating the 161st anniversary of the day that Slovaks demanded national equality with other nations within the Austro-Hungarian Monarchy. Fico used the anniversary to openly criticise the political situation in Hungary and warn about the influence it might have on Slovakia. Especially he warned against the Hungarian right-wing politician Viktor Orbán, and his party Fidesz, which he called an "extreme nationalist party." Since then, relations between the two countries have slightly improved. By 2022, Fico's relationship with Orbán's government in Hungary had warmed considerably. In 2022, Fico welcomed Orbán's re-election in Hungary, praising his nationalistic approach and stance on the Russo-Ukrainian war. Similarly, Hungarian Foreign Minister Péter Szijjártó welcomed Fico's return to office in 2023, commenting: "Robert Fico has the same views on the war, migration and gender issues as us."
United States
Fico was a vocal opponent of the one-time planned construction of new U.S. anti-ballistic missile and radar systems in military bases in neighbouring Czech Republic and Poland, and one of his first steps upon taking office was withdrawing Slovak troops from Iraq. Fico described the Iraq War as "unjust and wrong" and said that the US-led invasion of Iraq in March 2003 "caused huge tensions", adding that to speak "about any democracy in Iraq is a fantasy" and that "the security situation [in Iraq] is catastrophic". In November 2013, Fico visited the U.S. President Barack Obama in Washington, D.C., where they spoke about the US-Slovak partnership, which Fico's spokesperson said is "based on shared democratic values and principles," after which he affirmed the strategic partnership between the two countries. In February 2023, Fico and SMER-SD were vocal opponents of the Slovak–American Defence Cooperation Agreement as disadvantageous to Slovakia, attacking Cabinet of Eduard Heger, especially Minister of Defence Jaroslav Naď, as well as President Zuzana Čaputová, accusing the latter of being an "American servant", in reference to promotion of American military and political interests in Slovakia.
Israel
In October 2023, Fico condemned the Hamas-led attack on Israel but rejected "considerations of razing the Gaza Strip to the ground or denying humanitarian aid in this area". In December 2023, he criticized the "hypocrisy" of the EU, which he claimed was reluctant to talk about the high civilian death toll in the Gaza Strip.
Relationship with the media
During his press conferences he often verbally attacks, belittles and taunts the present journalists, often accusing them of bias and attacks on his government. On several occasions he has openly and on record used profanities against specific journalists, such as "idiots", "pricks", "prostitutes", "snakes", and "hyenas". He has also been recorded ridiculing journalists' physical appearance. In 2009, Fico repeatedly described the Slovak press as a "new opposition force" that was biased and was harming national and state interests. Fico also accused the press of failing to "stand behind the common people." In July 2012, Fico declared "Eternal Peace" between him and the Slovak press. He also stated his desire to change his attitude towards the media, saying "I think it is enough" and that he does not plan any further lawsuits against media outlets except in extraordinary situations. Fico further said: "You have to spend an incredible amount of energy on it [lawsuits], it means several years of conflict, one conflict takes usually five or six years [to resolve]." He added that lawsuits involve "legal fees, paying a lawyer, everything around that". In November 2016, Fico termed journalists questioning him about allegations of public procurement rules during Slovakia's EU presidency as "dirty, anti-Slovak prostitutes". He also stated the accusations were a targeted attack to smear the country's presidency of the EU.
In November 2021, Fico described journalists as "Soros' corrupt gang of swines for whom water is already boiling." He says that the media is "obsessed" with him and his party; they want to "destroy" it and are "waging a jihad against it." In 2022, Fico repeatedly stated that journalists were an "organized criminal group with the aim of breaking Slovak statehood" and called on the Slovak Police Force to investigate them. In June 2023, Reporters Without Borders asked Fico to stop legitimizing harassment of journalists. This occurred after Fico participated in a discussion with Daniel Bombic, a Slovak YouTuber known as Danny Kollar, for whose arrest three international warrants had been issued due to alleged online harassment and extremist crimes. Matej Príbelský, a journalist of Aktuality.sk who reported on the discussion, received multiple hateful messages and comments, including calls for violence, after Bombic asked his followers to "transmit their comments and impressions" to Príbelský, saying that "the score-settling will follow". RDF reasoned that Fico was legitimizing harassment of journalists by participating in the discussion and not denouncing the calls for violence against Príbelský.
Personal life
Fico is married to Svetlana Ficová (née Svobodová), a lawyer and associate professor from Žilina. They were classmates while both were studying law at the Comenius University in Bratislava, and they married in 1988. They have one son together, Michal, who studied at the University of Economics in Bratislava. Apart from his native Slovak, Fico is fluent in English and Russian.
Religion
Fico has rarely discussed his religious life in public. In his application to join the Communist Party of Czechoslovakia in 1984, Fico stated that he was "strictly atheistic", as was required in order to be accepted. According to the testimonial from college added to the application, he held a "scientific Marxist-Leninist worldview" and "no problems with regards to religion."
In a promotional video during presidential election campaign in 2014, Fico said he grew up in a Catholic family and that he considers himself a Catholic. He discussed his baptism, Holy Communion, Confirmation and how the Catholic faith had impacted his childhood. He stated: "Perhaps if I did my profile in relation to the Catholic Church, I would end up better off than any MP of the KDH." He also described growing up with his grandfather, a man who "very strictly respected the rules of standard Christian life", stating that it profoundly impacted him. Patrik Dubovský, a historian and former researcher of the National Memory Institute, considers it to be an attempt to manipulate public opinion because "confirmation was in direct conflict with Communist Party membership, whose political programme was based on atheism." During the Communist period, religiously active people were severely persecuted, especially after the repression of Charter 77.
During a televised debate, Fico refused to answer a television presenter's question about whether he is a Christian or an atheist, and said that he considered it a private matter. Regarding the sacraments, Fico said that he was baptised as an infant and the Holy Communion with Confirmation followed afterwards, as he said it was with every child who grew up in his home village.
Alleged extramarital affairs
In August 2010, Fico was photographed around midnight in a gay bar in downtown Bratislava together with a woman, who was later revealed to be 25-year-old Jana Halászová, a secretary at the Smer-SD party headquarters. It was later revealed that Halászová had been given extensive privileges, including her own parking space in the Parliament car park, without being a member. In addition, both her sister and step-mother had recently been given jobs within various ministries.
In August 2013, Fico was photographed while embracing and kissing his now-secretary Halászová, after taking her for a private dinner at a chateau in Čereňany, 160 kilometres from Bratislava. The photos created another round of speculation about the true nature of their relationship, as well as whether or not he had used public funds to pay for the dinner.
In 2020, Slovak daily newspaper Denník N identified Katarína Szalayová as Fico's lover. She used a luxury car worth around €40,000, even though her net monthly salary of the prosecution office employee was around €600. After leaving the prosecution office, Szalayová gained employment in the law firm of Robert Kaliňák, former deputy prime minister during Fico's cabinets and incumbent member of SMER–SD party presidium.
References
External links
"The Fico Threat", by Martin M. Simecka (March 2009 essay in Salon)
"Fico profile"
"Slovakia's election: Slovakia turns left". The Economist. 11 March 2012. |
London_Broncos | https://en.wikipedia.org/wiki/London_Broncos | [
232
] | [
"https://en.wikipedia.org/wiki/London_Broncos#1994%E2%80%932005:_Broncos_and_Super_League"
] | The London Broncos are a professional rugby league club based in Wimbledon, England. They play their home games at Plough Lane and compete in Super League, the top tier of British rugby league.
Whilst the club has never won a major trophy, they have finished second in the League Championship once and have been Challenge Cup runners-up once. They have also won the Championship Grand Final, to gain promotion to the Super League, on two occasions.
Originally formed as Fulham Rugby League Club in 1980, they have also previously been known as London Crusaders and Harlequins Rugby League. London's home colours are black and red.
History
Origins
Professional rugby league was briefly represented in London during the 1930s by London Highfield (1933), Acton and Willesden (1935–36) and Streatham and Mitcham (1935–36). All these were speculative clubs set up by local businessmen purely as money making exercises, and were ultimately driven out of business through poor finances. Thereafter, the sport of rugby league in England remained exclusively a northern based game for over forty years until the formation in 1980 of a new club in London, Fulham.
1980–1991: Fulham R.L.F.C.
In June 1980, Fulham Football Club chairman Ernie Clay set up a rugby league team at Craven Cottage, with the primary intention of creating another income stream for the football club. Warrington director Harold Genders, who had helped to persuade Clay of the potential benefits of establishing a rugby league club in the capital, resigned from the Warrington board to become managing director of Fulham R.L.F.C. The Rugby Football League (RFL), keen to encourage the expansion of the sport beyond its traditional northern heartland, accepted the new club at once. One of the game's leading players, Reg Bowden, was recruited by Genders to act as player-coach and the club's first signing was Roy Lester, on a free transfer from Warrington. Within nine weeks, Genders and Bowden had assembled a team of very experienced players, most of whom were approaching retirement, together with a few promising youngsters.
The first match, on 14 September 1980, was a major success; nearly 10,000 Londoners attended the game at Craven Cottage to see the newly formed side convincingly beat highly regarded Wigan 24–5. On 15 February 1981, more than 15,000 were present to see Fulham take on Wakefield Trinity in the Challenge Cup, a club attendance record that still stands. The new Fulham RL team quickly proved to be very competitive and went on to win promotion at the end of their inaugural season. After that initial success, however, immediate relegation from the first division in 1981–82 was something of a reality check.
Fulham played two "home" games against Swinton and Huddersfield at Widnes in 1983 as the pitch at the Cottage had disintegrated in the wet winter following the collapse of the main drain to the River Thames under the Miller Stand.
The club also played several one-off games in 1983 at various football grounds around London; matches were played at Wealdstone's Lower Mead stadium, Hendon's Claremont Road ground, Brentford's Griffin Park and Chelsea's Stamford Bridge.
Despite winning the Division Two Championship comfortably in 1982–83, a second immediate relegation in 1983–84, coupled with continuing financial losses, saw Clay, under pressure from the Fulham football club board, pull the plug at the end of their fourth season. However, with the backing of supporters Roy and Barbara Close and the appointment of a new coach, former player Roy Lester, Fulham RL still had a future. Most of the existing players moved on as free agents, and a new squad began life based at the Crystal Palace National Sports Centre for the 1984–85 season.
After a single season, the club then moved to a new home at Chiswick Polytechnic Sports Ground in the summer of 1985, and would remain there for five years. Bill Goodwin replaced Lester as coach from 1986 to 1987. In August 1986, Fulham hit a serious cash crisis and were forced to withdraw temporarily from the RFL only 11 days before the start of the season, but were able to re-launch in September. Bev Risman was appointed coach at Fulham in 1987. The team was in the bottom half of the second division and continually struggled for success, and Risman left after a couple of seasons and Bill Goodwin returned. Phil Sullivan was coach for just two months between January and February 1989, thereafter Goodwin came in for his third spell and held the reins until May 1989 when Ross Strudwick was appointed.
The club returned to the Crystal Palace National Sports Centre in 1990, this time making it their home for three seasons.
In May 1991, York and Fulham toured Russia.
1991–1994: London Crusaders
Prior to the start of the 1991–92 season the club's name was officially changed from Fulham RLFC to London Crusaders RLFC. A slightly more successful period on the pitch begun at this point. Ross Strudwick was replaced as coach by Darryl van der Velde in 1992 but continued as club manager until 1993.
In June 1993 the club moved once again, from Crystal Palace National Sports Centre to Barnet Copthall arena. In November 1993, London Crusaders imposed a 20% pay cut on all staff to ease financial problems. With the club in financial straights, the RFL briefly took ownership of the Crusaders in 1993–94 to protect their southern outpost, but the club were then acquired by new owners Britannic Shipping; Strudwick stepped down as manager to give the club's new owners a clean slate.
Despite the club's financial problems, the team proved very competitive on the pitch under coach Tony Gordon and narrowly missed out on automatic promotion back to the First Division by a single point. The climax of the Crusaders' era was a May 1994 appearance in the Divisional Premiership Final at Old Trafford; although they lost 22–30 to Workington Town, the club had gone into the game with the knowledge that an exciting take-over bid had just been announced.
1994–2005: London Broncos
In the spring of 1994, just prior to the Divisional Premiership Final, it was announced that the successful Australian NRL club Brisbane Broncos was buying the London Crusaders club, which would be renamed London Broncos from the start of the forthcoming 1994–95 season. Gordon was replaced by a Brisbane coach, Gary Grienke. The first home game under the new Broncos moniker was against Keighley at Hendon F.C.'s ground at Claremont Road, though most home games were still played at Barnet Copthall.
For the 1995–96 season the club found another new home base, returning to south-west London at The Stoop Memorial Ground, home of Harlequins Rugby Union Club. Despite finishing fourth in the Second Division the previous season, London Broncos were selected by the RFL to be part of the radical new Super League competition scheduled to begin in the summer of 1996, on the basis that the RFL felt it was commercially essential for the sport's national profile to have a team based in the nation's capital. The regular 1995–96 season, deliberately made brief to accommodate for Super League, ran from August 1995 to January 1996 and saw London included together with the top ten teams from the 1994–95 First Division in a 'Centenary League Championship', effectively a "dry run" for Super League. Faced with much stronger opposition, London struggled and finished second from last.
The club moved once more prior to the start of the 1996 inaugural summer season of Super League, this time to south-east London to play at The Valley, home of Charlton Athletic, which is when current owner David Hughes initially became involved with the club. Former Brisbane Broncos coach Tony Currie was appointed to the role of head coach. The team performed far beyond initial expectations and eventually finished a highly creditable fourth, with Greg Barwick the top points scorer for the club. That season also brought the best London home attendances since the first season at Craven Cottage. Tony Rea retired from playing to take up the Chief Executive role at the club.
After only one season at The Valley, the club were on their way back to south-west London to play at the Stoop Memorial Ground again for the 1997 season. The second season of Super League saw an even greater improvement in the team's performance, finishing a remarkable second to the eventual champions, Bradford Bulls. This represents London's best ever final league position to date. Richard Branson's highly successful Virgin Group became the majority shareholders and primary sponsors of the club, and the immediate future looked very bright. Highlights that year included victories at the Stoop over Canberra in the World Club Challenge and comprehensive league victories against Bradford and Wigan.
In 1998, as part of rugby league's "on the road" scheme, London Broncos played Bradford Bulls at Tynecastle in Edinburgh in front of over 7,000 fans. Success continued in 1998 with a first appearance in the Challenge Cup semi-finals, losing to Wigan. Head coach Tony Currie left the club at the end of the 1998 Super League season and was replaced by Dan Stains.
In 1999, the club went one stage better in the Challenge Cup. Following a famous last-minute semi-final victory over Castleford, the Broncos reached the Challenge Cup Final at Wembley Stadium for the first time, but despite taking a shock early lead in the game and performing bravely, they were soundly defeated 52–16 by red-hot favourites Leeds.
The club returned to the Valley for the 2000 season, but sacked Stains after enduring a long losing streak. Tony Rea was appointed temporary joint head coach with Stains' assistant Les Kiss. Rea and Kiss managed to steer Broncos out of the slump. In 2000, the experienced John Monie was appointed Head Coach. Monie only stayed in the job until the last month of the 2000 Super League season with the club having had mediocre results during his tenure. Rea took over as caretaker coach until the end of the season and Broncos eventually reached mid-table security. Rea then resigned his Chief Executive role at the end of the 2000 season to become Head Coach on a full-time basis.
York made an approach to the Virgin Group to buy the London Broncos in August 2001, with the aim of buying a Super League place for a proposed merged club to be based in York under a new name, York Wasps. This attempt was thrown out when Richard Branson rebuffed the offer as 'ridiculous, and speculative at best'.
In 2002, fervent club supporter David Hughes purchased the majority shareholding from Virgin in a major restructuring of the club. The Broncos moved once again, to play their home matches at Griffin Park as tenants of Brentford FC. 2003 marked the club's first Super League playoff appearance, losing in the first round to St. Helens 24–6 at Knowsley Road.
The 2005 season was marked by significant activity off the pitch as the club welcomed new chairman and majority shareholder Ian Lenagan who had bought 65% of the shares. This was followed by the announcement of a partnership with Harlequins Rugby Union Club that saw the club return to The Stoop Memorial Ground, this time formally renamed as Harlequins RL and adopting the host club's kit and crest for the 2006 season.
2006–2011: Harlequins Rugby League
Ian Lenagan became the majority shareholder in the London Broncos in July 2005 and within a week of his arrival, the team was formally renamed "Harlequins RL". Press releases of the time suggested that this would make the combined club "a powerhouse in both codes" according to Mark Evans of the Union club and provide a "very, very strong future for rugby league in the capital" according to Lenagan. The arrangement between the clubs was described as a "long-term partnership".
At the time of the announcement there were many projected benefits of the two clubs sharing and pooling; both clubs were to play at the same ground and have access to the training facilities at the Richardson Evans Playing Fields, Roehampton Vale, though this was little more than a public park and not actually fit for a professional club of either code. In practice, there was no integration between the rugby codes, no joint player development, and the administrative and commercial resource sharing was little more than the RU club allowing the RL club some shared office space.
The sole integration programme appeared to be a combined fund raising lottery – which folded long before the Rugby League club permanently left the Twickenham Stoop – and two "double header" match days. These were in 2006, in which the Union side played first, followed by the League side, but the lengthy two hour gap between fixtures was a deterrent to the Union supporters and the majority had left the ground before the kick-off of the League fixture. Plymouth Albion and Leeds Carnegie were the Union opponents for the Union team whilst the Rugby League team played Huddersfield and St Helens.
On the field, the Harlequins RL club started with an encouraging 8,213 watching the home game against St Helens on 11 February 2006 but a heavy loss was followed by further consecutive home losses against Wakefield and Castleford, before a thumping 0–60 home defeat to Leeds. It was not until the fifth home game in the season that the team won at the Twickenham Stoop against Catalans Dragons in round 9.
Whilst the club started with a goal of 5,500 average home ground attendance by mid 2007. the actual attendance average was around the 3,500 level.
A 38–18 loss against bottom of the table Catalan, who were in their first year in Super League, was followed by a close home defeat to a Wigan team after each team scored. Harlequins were at this point 9th out of 12.
On 8 July 2006, Ian Lenagan removed Tony Rea as head coach, and moved him "upstairs" to a position on the club's board of directors. In his place, Brian McDermott, an assistant coach at Leeds Rhinos, was appointed as head coach. Results at home improved, taking Harlequins RL to 7th place in Super League XI.
The 2007 season saw the team pull off an incredible opening win against St Helens and by 7 July the team was 5th in the table, but a collapse in form in the second half of the season – a recurring theme of the McDermott reign – saw the team win only once from eight matches to finish 9th.
At the end of the season, Ian Lenagan took over control of fellow Super League side Wigan Warriors and was given two years to sell his Harlequins shares.
In 2008, Harlequins RL got off to a good start, winning six from the first ten games, but as was customary a second half of the season collapse saw the club won only five from the last seventeen games to finish in 9th again.
In 2009, the club was playing very well in the early part of the season, which extended up until 12 June with ten wins from sixteen, but yet again the rest of the season proved miserable with one win from 12 seeing the club slide from 5th position to 11th.
Home supporters were particularly displeased with the 0–48 home loss to Castleford and the 0–36 half time score v Bradford.
By round 12 in 2010, the club had won only one game from the first eleven and were bottom of the table, meaning that McDermott had seen the team win just twice in twenty three games, and at half-time away at Wigan the team were losing 24–6 before pulling off their finest comeback as Harlequins RL to win 38–26. That result seemed to spur the team into life briefly, with three more wins from the next four, but after that there was an end-of-season collapse to join the start-of-season collapse.
The round 25 game at Catalan saw the Quins bottom of the table with Catalan on a similar points tally and the game looked likely to decide who would finish bottom. The Quins were winning 16–12 with just a couple of minutes to go when Catalan were over the line with ball in hand, but Will Sharp stripped the ball from the Dragons player and Quins managed to hold out for the win.
The final game under McDermott saw Harlequins lose to Warrington at home; 7 wins from his last 38 games.
It was a shock to Harlequins RL supporters to see McDermott's assistant take over but this bizarre decision seemed to be warranted as Rob Powell oversaw three wins from their first three matches, placing them at the top of the ladder.
Away wins at Leeds Rhinos and St Helens seemed to herald a new dawn, however, the club's run of success was ended with a club record 82–6 defeat to Warrington Wolves on 20 March 2011 and the team were within a try of losing by the all-time Super League record margin of −80 held by Salford City Reds.
After that the Harlequins only won two more games in the next six months and the Harlequins RL era drew to a close when the club played St Helens in their final game under that name on 10 September 2011.
2012–present: Return to London Broncos
The club announced on 1 November 2011 that it would be returning to the London Broncos name from the 2012 season. In addition, the team unveiled a new logo as well as new colours of black, light blue and silver. On 4 February, London Broncos played their first competitive match against St. Helens since reverting to that name. The game was won by St. Helens 34–24 in front of a 4,924 crowd, which was higher than all of their attendances in the year before. In the match, seven players made their debuts for the club.
In the 2012 season, the Broncos played two home games "on the road" away from the Twickenham Stoop, on 6 June vs Bradford at Leyton Orient FC's Brisbane Road, where they were narrowly beaten 22–29 in front of 2,844 fans, and on 20 June vs Hull F.C. at Gillingham FC's Priestfield Stadium, as recognition for the work Medway Dragons had done in growing rugby league in Kent. The game proved to be popular with 3,930 turning up to watch London narrowly beaten 12–14 by Hull.
Tony Rea was appointed as the club's head coach for a second time in August 2012 taking over from Rob Powell. In 2013, London Broncos used four venues for their home games with the majority being played at the Twickenham Stoop. On 8 June 2013, London once again played a home game at Priestfield Stadium, this time being heavily beaten 82–10 by Warrington in front of 3,041 fans. On 28 March, London had to play a home game at Esher RFC's ground at Molesey Road due to a waterlogged pitch at the Stoop. For the next home game on 6 April, Harlequins RU didn't allow London to use the Stoop due to a Heineken Cup game, forcing them to play Bradford at Adams Park in High Wycombe.
London Broncos had a successful Challenge Cup campaign in 2013, reaching the semi-finals for the first time since their Wembley appearance in 1999. In round 4, London beat part-timers Featherstone Rovers 24–12 and in round 5, defeated Bradford 25–16. In the quarter-finals, London Broncos beat part-timers Sheffield Eagles 29–10 to book a place in the semi-finals. On 27 July, London Broncos' dream of reaching the Wembley final for the second time came emphatically to an end with a televised 0–70 defeat by Wigan, a record score in a Challenge Cup semi-final.
On 29 June 2013, London Broncos announced the loan signing of Australian Jamie Soward until the end of the season. Soward quickly became a fans favourite with a man of the match performance on his debut v Salford (scoring a try and kicking five goals) and received a standing ovation from the crowd despite being defeated 30–44. Soward put in impressive performances in his short venture in England and in 9 games scored 67 points (5 tries, 23 goals, 1 drop goal).
The club's financial struggles were made evident when, on 20 November 2013, the club announced that it would have to enter administration in ten working days if a new owner was not found. On 3 December 2013, London Broncos announced, "The club will be instructing lawyers to file a further notice of intention to appoint administrators at court, which shall be effective for 10 business days". The club's saviour David Hughes later decided to carry on putting millions into the club.
On 13 December 2013, London Broncos announced a move to the Hive Stadium in Canons Park, the new home of Barnet F.C., from the start of the 2014 season. After London lost 21 players from their 2013 squad, they faced a huge task to build up their squad again with minimal finances. The Broncos managed to retain twelve players from 2013 and in the off season signed 16 players (five on loan) including Tongan international fullback Nesiasi Mataitonga and former England international hooker Scott Moore. Tony Rea quit as coach following Broncos' 11-game winless start to the new Super League season. Assistant coach Joey Grima became head coach, having been asked to take charge for the rest of the season and next.Rea replaced by Grima at Broncos. Despite several closely contested games in 2014, the team struggled throughout the season against teams with far more strength in depth and much greater financial resources, and finished the season bottom of the Super League table, with only one win.
A supporters club (the LBSA) was founded in 2014 in order for fans to have a voice regarding their team. In July, at a pre-match lunch hosted by former Broncos Martin Offiah and Shaun Edwards, the LBSA announced its Hall of Fame, with six inaugural inductees: Reg Bowden, Peter Gill, Mark Johnson, Hussain M’Barki, Rob Purdham, Steele Retchless and Scott Roskell.
2015–2018: Relegation to the Championship
On 13 July 2014, London Broncos were relegated from the Super League to the Championship after a 72–12 loss to Warrington.
The capital club had competed in all 19 Super League seasons and this was the club's first relegation since 1984 as Fulham RL and the first time the club competed in the second tier since 1995.
Relegation bought another mass exodus of players, with the club losing many key homegrown and non-homegrown players.
In the 2015 season, London Broncos had a poor season. Head Coach Joey Grima had issues with senior players like Foran, Cordoba, Mathers, Adamson and Lovegrove which meant that by about a third of the way into the season none were selectable. The club trained players went into the double digits that season but of them only Alex Walker and Matt Davis would be successful in the long run. As pressure built, Grima resigned leaving Andrew Henderson in charge. Henderson had too much to do and Broncos were a long way short of making the Super 8 play-offs that would have given them a chance of promotion back to Super League. However a surprise away win in the qualifiers at Dewsbury Rams saw the club make it to the Championship Shield Grand Final in Widnes but they were heavily beaten 36–4 by Featherstone Rovers.
In 2016, London Broncos moved to Ealing having signed a three-year deal to play at the Trailfinders Sports Ground, home of rugby union side Ealing Trailfinders. On 3 July, the Broncos beat Dewsbury 36–6 to secure a place in the Qualifiers against the bottom 4 Super League teams for promotion. Henderson signed Penrith Panthers playmaker Jamie Soward, who had previously played for the Broncos in 2013, until the end of the season. London Broncos finished 2nd in the Championship heading into the Qualifiers for a place in the Super League. The Broncos started the Qualifiers with a narrow 34–30 away loss to Leigh. London then won their first game in the competition, setting a record club score victory over Batley 76–16 at the Trailfinders Sports Ground. The following week, Henderson's team put in a gutsy performance despite going down 28–42 to Leeds in front of a record rugby league crowd at the ground of 1,845 in front of the Sky Sports cameras.
In 2017 the Broncos again finished second and reached the qualifiers for a second consecutive year. The team put in several impressive performances including a close 38–40 loss against Warrington Wolves; lost by just two points against Catalans Dragons away and came within six points of beating Hull KR. However the last two games were both hammerings whilst Broncos also blew the lead against Featherstone to draw on the hooter and only actually beat Halifax. Shortly after the season finished Andrew Henderson, who had successfully managed the club through a troubled period, left to help manage Warrington Wolves.
Danny Ward was promoted to Head Coach and in 2018 the Broncos got off to a flying start with seven wins in a row to go first in the Championship table with five straight wins, breaking their previous record for the best start to a season with a 68–12 home victory over Batley Bulldogs. A mid-season slump saw the club needing an improbable sequence of results to make the play-offs but six wins and a draw from the last seven saw the club achieve exactly that and make Super 8s – the Qualifiers.
2018–present: Promotion and subsequent relegation
Following a strong 2018 campaign in the Championship, Danny Ward carried off the Championship Head Coach of the Year Award at the end of season awards dinner held at the Principal Hotel in Manchester. The Broncos finished second in the regular season and commenced their Super 8s – Qualifiers campaign with a one-point win over the Widnes Vikings in which Jarrod Sammut kicked a vital 79th minute drop goal to secure the victory. This good start was followed up with key victories over Salford, Toulouse and Halifax to leave the Broncos with 8 points in the Qualifiers table sitting in fifth behind the Toronto Wolfpack in fourth, which meant London faced the Wolfpack away at the Lamport Stadium in Toronto on 7 October 2018 to decide the final Super League place in the so-called 'Million Pound Game'. London won a very tense and defensive game 4–2, thus earning promotion to Super League for the 2019 season. However, in spite of handing table leaders St Helens two of their three losses in the 2019 season, and several other notable wins against stronger opponents, Broncos were relegated after only one season back in the top flight, after losing their final game of the season to Wakefield.
With the entire 2020 Championship season cancelled due to the COVID-19 pandemic, the RFL advised the Broncos that their present ground at Ealing would be deemed as unsuitable for top level matches should they return to the Super League, so in December 2020 the club entered into discussions with AFC Wimbledon to groundshare at their newly built Plough Lane stadium in Wimbledon. The agreement was confirmed in mid July 2021 and the club played its first game at its new home in January 2022, a pre-season friendly against Widnes.
In the 2022 RFL Championship season, London started poorly and for most of the season were in the relegation zone. The club managed to win four of their last ten matches in the league to avoid relegation and finish 11th on the table.
The 2023 RFL Championship season saw London finish 5th in the table and qualify for the playoffs. They would go on to defeat Sheffield in the opening playoff game and then beat league leaders Featherstone, who had finished 18 points above them in the regular season, to reach the playoff final. London would then go on to upset Toulouse Olympique in the Million Pound Game 18–14 to seal a spectacular return to the Super League.
London started the 2024 Super League season with ten consecutive losses where they conceded nearly 40 points a game. London earned their first win in round 11 against fellow strugglers Hull F.C., recording a 34–18 victory. Further victories came in an upset against play-off chasers Catalans Dragons and the return fixture against Hull F.C. The Broncos finished bottom of the table on the final day of the season, following a 0–54 defeat to Warrington Wolves, having entered the matchweek one point difference higher than Hull F.C. At the end of the season, David Hughes, who had owned the club for 27 years, put the club up for sale.
Stadium
The Broncos have played home matches at numerous different grounds around London since the club's original formation. In 2021 they hoped to move their home ground to Plough Lane stadium in Wimbledon, as tenants of AFC Wimbledon, looking to agree a ten-year lease with break and extension clauses. Until an arrangement to use Plough Lane was reached, the club continued to play at Trailfinders Sports Ground. The Broncos finally began play at Plough Lane in 2022.
Colours and badge
Colours
The original Fulham team wore an all black kit, with a broad white chevron, bordered with red, across the chest. As London Crusaders, the kit used the same colours, but in a variety of designs over the seasons. London Broncos wore red, yellow and blue also in a variety of styles, with red being the predominant colour for the last 5 years of their existence. When the club became known as Harlequins RL they adopted the colours of host rugby union side Harlequins. When the club returned to being known as the London Broncos, the home kit was black with a light blue trim and the reverse for the away kit. In 2015, the London Broncos reverted to their original Fulham colours, much to the approval of long-term fans, with their home kit being predominantly black with a broad white chevron and a red strip bordering the chevron. The away kit is predominantly red with a broad black chevron with white border. For the 2022 season, the club will play in blue and yellow, referencing the traditional colours of their new hosts in Wimbledon. The club have indicated that they will revert to Black from 2023.
Badge
As Fulham RLFC, the club utilised the badge of the host football club, which at the time was the emblem of the local administrative borough, Hammersmith and Fulham. The first badge as London Broncos was a red and white crest with a horse's head on the front with London inscripted on the top. This was worn, with some minor adjustments, until 2006 when the club became known as Harlequins RL.
As Harlequins RL, the club crest was the same as that of the host rugby union team. This was used up until 2011.
In 2012, the club reverted to the name London Broncos and created a new crest, based on the original Broncos badge but featuring a horse's head in a modern stylised fashion, depicted in silver and blue.
Kit sponsors and manufacturers
2024 squad
Where a player has played internationally for more than one country, the nations are indicated with the most recently represented first. A slash (/) indicates an uncapped player of dual nationality.
2024 transfers
Players In
Club officials
Backroom staff
Chairman: David Hughes
CEO: Jason Loubser
Head of Commercial: Mark Kemp
Football Manager: Dom Fenton
Head of Community: John Keyes
Commercial: Izzy Lovell
Head of Medical:
1st Team / Lead Academy Physiotherapist:
Sports therapist:
Coaching staff
Head coach: Mike Eccles
Assistant coach: Rhys Lovegrove
Head of Youth: Chris Baxter
Academy & Reserves Head Coach: Kieran Robertson
List of former head coaches
Also see Category:London Broncos coaches.
Seasons
Supporters' Player of the Year Awards
The London Broncos Supporters Association (LBSA) inaugurated the Fan's Player and Young Player of the Year awards in 2014, with Matt Cook and Joe Keyes the first winners. The award has been held every year, with the exception of the cancelled 2020 season. In 2022, a Women's Player of the Year was awarded for the first time.
Honours
League
Division 1 / Super League:
Runners up (1): 1997
Division 2 / Championship:
Winners (2): 1982–83, 2023
Runners up (3): 2016, 2017, 2018
Million Pound Game:
Winners (1): 2018
Domestic Cups
Challenge Cup:
Runners up (1): 1999
Player Records
Up to and including 20 September 2024. Current players appear in bold.
Most appearances
Most tries
Most goals
Most points
Note: Tries scored before the 1983–84 season were worth 3pts
Hall of Fame
In 2014, the LBSA launched the club's Hall of Fame, and announced seven inaugural inductees. As of 2019, the Hall of Fame has 11 members:
Team Records
Up to and including 12 May 2024.
Note: The attendance for the match against Trafford Borough on 7 January 1990 is unknown.
Biggest Wins
Biggest Defeats
Highest Home Attendances
Lowest Home Attendances
Note: This list does not include matches during the COVID-19 affected 2020 and 2021 seasons.
Women's team
In 2021, the London Broncos formed a women's team to take part the inaugural season of the RFL Women's Super League South. In 2022, the Broncos finished the regular season at the top of the table, but lost to Cardiff Demons in the Grand Final. The following season they took the 2023 Women's Super League South title with a 22–10 win over Cardiff in the Grand Final. In 2024, the Super League South became the Southern Women's Championship. On 7 September 2024, London defeated Cardiff 28–8 in the Grand Final of the Southern Championship to qualify for the National Championship final.
See also
Sport in London
Notes
References
External links
Official website |
Steele_Retchless | https://en.wikipedia.org/wiki/Steele_Retchless | [
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"https://en.wikipedia.org/wiki/Steele_Retchless"
] | Steele Retchless (born 16 June 1971) is a former United States international rugby league footballer who played as a second-row and prop forward in the 1990s, and 2000s. He played for the Brisbane Broncos and the South Queensland Crushers in the ARL Premiership and the London Broncos in the European Super League. He also played for the Ipswich Jets and Easts Tigers in the Queensland Cup.
Background
Steele Retchless is the son of former Brisbane Rugby League player Mick Retchless.
Playing career
Early years
He played his junior football for Fortitude Valley Diehards and made his senior début for the club in 1991. In 1993, Retchless switched to Wests Panthers contesting successive finals and winning the Brisbane Rugby League premiership in his first year at the club.
Retchless joined first grade Australian Rugby League premiership side the Brisbane Broncos in 1995. During a two-year contract he made 11 appearances. In 1997, Retchless moved to the South Queensland Crushers and participated in 22 matches. The Crushers picked up a second successive wooden spoon and folded at the end of the season.
London Broncos
The collapse of the Crushers presented an opportunity to play in Britain's Super League for the London Broncos. During seven seasons at the club, Retchless set a club record number of appearances. In 1998 against Bradford Bulls, he made a Super League record of 66 tackles in a game. That season he was named in 1998's Super League III Dream Team.
In 1999, Retchless scored a memorable last minute try in the Challenge Cup semi-final to earn the London Broncos a place in their first ever final. In his final season at the club, 2004, Retchless was awarded Player of the Year.
Post-Broncos career and retirement
After his time in London, Retchless returned to Australia to play in the Queensland Wizard Cup for Ipswich Jets in 2005. After finishing that season as a leading contender for the Qantas Player of the Year, Retchless played a season for Easts Tigers in 2006. Easts made the finals but were subsequently beaten by Redcliffe in the major Semi-Final, with Redcliffe going on to win the premiership. Retchless won the Player of the Year award for Easts Tigers and also Best Forward in his final season.
Retchless played his last game for Easts Tigers in a Queensland Wizard Cup preliminary final defeat by the Redcliffe Dolphins in 2006.
Retchless is currently on the coaching staff at Easts Tigers alongside former International Darren Smith.
Personal life
He is the father to 2 boys and 1 girl.
Career highlights
Junior Clubs: Fortitude Valley Diehards
Senior Clubs: Fortitude Valley Diehards, Western Suburbs Panthers, Brisbane Broncos, South Queensland Crushers, London Broncos, Ipswich Jets, Eastern Suburbs Tigers
First Grade Stats: 143 career games in QLD Comp (Approx.) 235 career games in ARL & English Super League scoring 21 tries, including a club record 202 games for London Broncos.
Most tackles made in any Super League Match: 66 by Steele Retchless (against Bradford in 1998. This was all-time Super League record). – since beaten by Morgan Smithies
Representative games
Retchless qualified to play for the USA Tomahawks through his grandfather, Stuart Beck, who was raised in Iowa, and his mother, who was born in Washington, D.C. Beck arrived in Australia from the United States, captaining his adopted homeland in the sport of baseball.
References
External links
Steele Retchless – A Life Less Ordinary
London Broncos profile |
Academy_of_Science,_St._Louis | https://en.wikipedia.org/wiki/Academy_of_Science,_St._Louis | [
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"https://en.wikipedia.org/wiki/Academy_of_Science,_St._Louis"
] | The Academy of Science, St. Louis (sometimes rendered as Academy of Science - St. Louis) is a non-profit organization in St. Louis, Missouri, dedicated to science literacy and education. Founded in 1856 by a group of scientists and businessmen, including George Engelmann and James B. Eads, the Academy has been involved in many science-related activities in the city.
The Academy was long known for its study collections, library, and museums—most notably the Museum of Science and Natural History in Clayton, Missouri, which operated from 1959 until about 1990. The organization gave its books to local college libraries, while some of its study collections were absorbed by the St. Louis Science Center, which the Academy helped to raise funds for.
Today, the Academy works to expand scientific outreach, education, resource sharing, and the recognition of scientific accomplishment.
History
Early years
In the 1830s, a Western Academy of Natural Sciences in St. Louis was founded as a counterpart to the Eastern Academy of Natural Sciences. It aimed to explore the West and discover natural resources.
In 1856, the Academy was reorganized into the Academy of Science of St. Louis by 15 founding members, including a dozen physicians, a lawyer, an engineer and a businessman. The new Academy held its first meeting on March 10, 1856, and pledged to advance science in what was then the rapidly growing city of St. Louis. More specifically, the Academy's mission was to promote "Zoology, Botany, Geology, Mineralogy, Paleontology, Ethnology, Chemistry, Physics, Mathematics, Meteorology, Comparative Anatomy, and Physiology."
Founders
Dr. George Engelmann, a physician and the Academy's first president and a prominent amateur botanist, helped plan the renowned Missouri Botanical Garden.
Frederick Adolphus Wislezenus, a doctor and an accomplished observer of Western natural history, helped found the Missouri Historical Society.
Karl Andreas Geyer, a naturalist, was also a strong influence on the organization.
James B. Eads, a self-taught engineer, who built the Eads Bridge over the Mississippi River;
Attorney Nathaniel Holmes, who acquired numerous publications from other science societies for the Academy;
Charles P. Chouteau, owner of the American Fur Trading Co., who studied the region's natural history and contributed to the museum's collections.
Benjamin Shumard, who assisted in Missouri's first exhaustive geological survey; Simon Pollak, who helped found the Missouri School for the Blind;
Moses Linton, a St. Louis University Medical School teacher, who first published the St. Louis Medical and Surgical Journal;
William M. McPheeters (1815-1905), a St. Louis Medical College and Missouri Medical College teacher;
Moses M. Pallen, a St. Louis University teacher who served as St. Louis' health officer;
Charles A. Pope, a St. Louis Medical College Dean, who allowed Academy members to meet and house their collections and library in one of the college's buildings;
Hiram A. Prout, who came to teach medicine and became an expert paleontologist;
Charles W. Stevens, a St. Louis Medical College teacher, who became superintendent of the St. Louis County Insane Asylum;
W. H. Tingley, a physician;
John H. Watters, a St. Louis Medical College and Missouri Medical College teacher.
First century (1856-1956)
Academy members started a museum collection, maintained a library, published a journal, and corresponded with leading scientists of the day, providing information concerning the lands that lay adjacent and to the west of St. Louis.
Early members of the Academy collected natural history specimens for their society. These items were stored and made available to the public in various museums throughout the Academy's history. Choteau and Wislizenus accumulated botanical, zoological and geological specimens from the vast and little-known regions of the American West. In later years, collectors such as Henry M. Whelpey (Native American artifacts) and Stratford Lee Morton (minerals, sea shells and fossils) donated their collections to the Academy.
For many years, the Academy published one of the world's most respected scientific journals, Transactions of the Academy of Science of St. Louis. Scientific societies of the eastern United States and in Europe were eager to receive copies of Transactions, which contained papers on the natural history and geology of the American West. Outstanding scientist and Academy member African-American Charles Henry Turner, a devoted entomologist, published over 50 papers on subjects in neurology, invertebrate ecology and animal behavior in the Academy's world-renowned Transactions.
Second century (1956-)
In 1958, the Academy sold its building at 4642 Lindell Boulevard, leaving the organization temporarily homeless. That same year, Murl Deusing, curator of education at the Milwaukee Public Museum, was hired to become the Academy's director at an annual salary of $12,000 a year ($126,727 today). His offices were to be in the academy's planned museum in Oak Knoll Park in Clayton, Missouri.
This was to be the fourth Academy museum: the St. Louis Museum of Science and Natural History. It was partially funded through a $50,000 gift from J. Lionberger Davis, a St. Louis lawyer and banker who had previously given objects worth "hundreds of thousands of dollars" to the Saint Louis Art Museum. The donation to the Academy helped the organization qualify for a $45,000 grant from the trust fund of one A. P. Greensfelder, whose grant specified that it be disbursed only after the Academy raised another $135,000. Academy president Stratford Lee Morton said at the time that he hoped to raise a total of $500,000 for the academy's proposed museum of science and industry and museum of Ozark-area natural history.
In 1959, the academy installed part of its collections in two stone mansions in the park and opened the museum. The academy paid just $1 per year in rent, but was responsible for upkeep on the buildings. The museum, which was free to enter, was immediately popular with the public. Its informal science classes drew thousands of children, while exhibits such as an Egyptian mummy and an adult gorilla skeleton attracted adults as well. Its study collections included local rocks and minerals; fossil mollusks; archeological items; herpetology; and antique lamps, lighting equipment, and radios. Archival holdings at the museum included two linear feet of meeting minutes and other Academy documents from 1856 to 1941.
But within a few years, the academy was struggling to fund its maintenance. Similar funding problems with the Saint Louis Zoo and the Saint Louis Art Museum led city leaders in 1969 to propose a tax levy to support all three institutions. When voters approved the levy in 1971, control of the museum and its collection passed to a Board of Commissioners. The museum was eventually closed and part of the collection was transferred to the new Saint Louis Science Center. In the late 1980s, the Academy helped lead the campaign to build the new science center, which opened in 1992.
Throughout its history, the Academy has promoted important scientific work and continues to be a staunch supporter of mathematics and science education. Academy-sponsored lectures, exhibits and television productions have been an important part of the St. Louis area's educational scene.
The Academy promotes science and increasing science literacy among students and the general public. More than 600 professional scientists have volunteered through the Academy to speak at elementary and secondary schools, universities, civic and youth organizations and other community groups. Many also serve as mentors for the over 450 students who are members of the Junior Academy of Science of St. Louis, for students in the sixth through twelfth grades in the St. Louis Area.
References
External links
As of this edit, this article uses content from "official website", which is licensed in a way that permits reuse under the Creative Commons Attribution-ShareAlike 3.0 Unported License, but not under the GFDL. All relevant terms must be followed.
Academy of Science of St. Louis: Meeting Minutes Finding Aid at the St. Louis Public Library |
George_Engelmann | https://en.wikipedia.org/wiki/George_Engelmann | [
233
] | [
"https://en.wikipedia.org/wiki/George_Engelmann"
] | George Engelmann, also known as Georg Engelmann, (2 February 1809 – 4 February 1884) was a German-American botanist. He was instrumental in describing the flora of the west of North America, then very poorly known to Europeans; he was particularly active in the Rocky Mountains and northern Mexico, one of his constant companions being another German-American, the botanical illustrator Paulus Roetter.
Biography
Origins
George Engelmann was born in Frankfurt am Main, Germany, the oldest of thirteen children, nine of whom reached maturity. His father, Julius Bernhardt Engelmann, was a member of a family from which for several successive generations were chosen ministers for the Reformed Church at Bacharach-on-the-Rhine. Julius was a graduate of the University of Halle, and was also educated for the ministry, but he devoted his life to education. He established a school for young women in Frankfurt, which was rare at the time. George Engelmann's mother, Julie Antoinette, was the only daughter of Antoinette André and George Oswald May. The latter, in his earlier years, was an artist of note at the Court of Weimar. Julie Antoinette was Julius Engelmann's coadjutor in the school for young women, and its success was largely due to her management and tact.
His cousin, Adolph Engelmann, was a colonel during the Mexican-American War and the American Civil War.
Education
George Engelmann received his early education at the gymnasium in Frankfurt. According to himself, he first became interested in plants around age 15. He voluntarily devoted much of his time after school duties to studying history, modern languages, and drawing.
Assisted by a scholarship (founded by the “Reformed Congregation of Frankfurt”), in 1827 he began to study sciences at the University of Heidelberg, where he met Karl Schimper and Alexander Braun. With the latter especially an intimate friendship and correspondence were preserved unbroken until Braun's death in 1877. He also retained friendship with Schimper. However, that erratic genius abandoned botany despite obtaining a remarkable grasp of philosophical botany and laying the foundations of phyllotaxy.
In 1828 young Engelmann's studies at Heidelberg were interrupted by his having joined the students in a political demonstration. He thereupon left Heidelberg and entered the University of Berlin, where he stayed for two years. In 1831, he received the degree of MD from the University of Würzburg.
His dissertation for the medical degree, more related to botany than to medicine, was published at Frankfurt in 1832 under the title of De Antholysi Prodromus. It was devoted to morphology — mainly to the structure of monstrosities and aberrant forms of plants — and was illustrated by five plates of figures drawn and transferred to the lithographic stone by the author's own hand. Its subject was so directly in line with that of a treatise on the metamorphosis of plants by Johann Wolfgang von Goethe that it was heartily welcomed by the poet-philosopher, whose own life was then approaching its close. Having received Engelmann's treatise through his correspondent Marianne von Willemer, Goethe inquired after the young author, saying that Engelmann had completely apprehended Goethe's ideas concerning vegetable morphology, and had shown a peculiar genius for their development. So strong was his confidence in Engelmann's ability that he offered to give him his whole store of unpublished notes and sketches.
In 1832 Engelmann went to Paris, where he again became associated with Braun, and also with Louis Agassiz.
Emigration to United States
Wishing to visit America, he accepted a proposition from his uncles to become their agent for the purchase of lands in the United States. In September 1832, he sailed from Bremen for Baltimore, Maryland. In addition to his duties assessing land investment opportunities, he also spent time on botanical travels, first visiting Thomas Nuttall in Philadelphia. He then went to St. Louis, Missouri, and from there around to the adjacent states. He settled with his relatives and the lawyer Gustav Koerner on a farm in St. Clair County, Illinois near Belleville for three years.
For the purpose of forming a correct judgment of the lands of the new country to which he had come, he made many long, lonesome, and often adventurous horse-back journeys in Illinois, Missouri, and Arkansas. He often suffered sickness and hardship upon those journeys, but he persevered until he finished all the business he had planned to do. He made much use of his scientific, as well as practical, knowledge in the prosecution of that business, doing mineralogical and geological work, but only the botanical notes which he then made were used in his subsequent scientific career.
Medical practice
Having completed his business engagement, in the autumn of 1835 Engelmann moved to St. Louis and established a medical practice. During the three years that had passed since he left his native land the slender means he brought with him became exhausted, and he began the practice of his profession in absolute poverty. To furnish an office he was even obliged to part with his gun and with the faithful horse which had carried him on so many long and lonesome journeys. At that time St. Louis was little more than a frontier trading post, but Engelmann had strong faith in its future greatness, and he lived to see it become one of the chief cities of the United States. In 1836 he founded a German newspaper called Das Westland, which contained valuable articles on life and manners in the United States, and gained a high reputation both in the United States and in Europe.
Four years were passed before he had laid the foundation of his medical practice and had earned the means of making a visit to his old German home. In 1840 he returned to Germany, where in Kreuznach he married his cousin Dorothea Horstmann on June 11. (Their son George Julius Engelmann became a noted gynecologist.) They soon returned to America. Upon reaching New York City, Engelmann for the first time met Asa Gray, already the most noted of American botanists, and the friendship between those two eminent men thus begun was broken only by death. This friendship is noteworthy because of the evidently beneficial effect which it had upon botanical science in America.
Upon his return to St. Louis with his young wife, Engelmann immediately resumed his medical practice. Then, and long afterward, a large proportion of the inhabitants of St. Louis were of French and German-speaking families, and his familiarity with those languages, as well as with the English, gave him great advantage in extending his practice. Because of this and of his great professional ability, as the years went on he acquired a financial competence that gave him an independence. Never, however, did he take advantage of his success in this respect to lessen his labors, for whenever his medical labors were relaxed his scientific work fully engrossed his attention.
The confidence he inspired in his medical clientele was such that as he grew older he could take long vacations and resume his practice almost at will. After 1869, he no longer kept a medical office and attended the few patients he saw in his study. Still, it was always difficult for him to refuse medical aid to those who sought it, and even up to the last year of his life there were old friends to whose families he was the only acceptable medical adviser and whose appeal for aid he could not refuse. Illustrating this fact, as well as Engelmann's energetic manner, his son relates the following incident: “It was a bitter, sleety winter night, when the ringing of the doorbell awoke me, and I heard an urgent call for father from the messenger of a patient. I would not arouse him, and proposed to go myself; but he had heard all, and, hurrying into his clothes, was ready to go in spite of my remonstrance 'What of the night?' he said, vexed at my interference, 'Am I already useless, to be cast aside? I would rather die in harness than rust out.' So I helped him down the icy steps, through the blinding sleet, into his carriage, and off on his mission of mercy.”
Botanical studies
Engelmann devoted himself to his medical practice, but in his later years made a specialty of botany.
An 1842 monograph on dodders, a very difficult genus to examine, had established his reputation as a botanist.
He took several vacations from his medical practice and devoted them all to the gathering of data for his scientific work, the details of which were elaborated at his home. One of these vacations extended from 1856 to 1858, the greater part of the first summer having been spent in botanical work at the Harvard gardens and herbarium in companionship with Asa Gray. Then, with his wife and young son, he visited his native land and other parts of Europe, occupying his time with scientific observation and study. In 1868 Dr. Engelmann and his wife again visited Europe for a year, the son being then in Berlin pursuing his medical studies. These visits to Europe were also the occasions of frequent and familiar personal interviews with men whose names were well known to the scientific world, such as Joseph Dalton Hooker, Alexander Braun, De Bary, Virchow, and others.
In 1859, he published Cactaceae of the Boundary which studied cacti on the border of the United States and Mexico.
He also made special studies of the pines, rushes, spurges, and other little-known and difficult groups, contributing numerous articles on them to the St. Louis Academy of Sciences, to the American Academy of Arts and Sciences, and to government reports. Material in his specialties collected by the federal government was sent to him for examination. He was one of the earliest to study the North American vines, and nearly all that is known scientifically of the American species and forms is due to his investigations. His first monograph on The Grape-Vines of Missouri was published in 1860, and his latest on this subject shortly before his death. His two major works on cacti remain important today.
He was a founder and longtime president of the St. Louis Academy of Sciences, and encouraged the wealthy St. Louis businessman Henry Shaw to develop his gardens to be of scientific as well as public use; "Shaw's Gardens" became the Missouri Botanical Garden. On a visit to England in 1857, he had consulted with William Jackson Hooker on the establishment of Shaw's gardens. He was also one of the original founders of the National Academy of Sciences. With Asa Gray and Ferdinand Lindheimer he edited the exsiccata-like series Lindheimer Flora Texana exsiccata.
Phylloxera
In 1861, Engelmann had published a pioneering paper in the United States examining plant diseases. It focussed on the grape. He also established an herbarium for 10 species of grape he had discovered.
He then played an important, but little known role in rescuing the French wine industry. In the 1870s French vineyards came under attack by a small insect, Phylloxera vastatrix, an aphid-like pest which sucks sap from the roots of grape vines. Growers observed that certain imported American vines resisted this pest, and the French government dispatched a scientist to St. Louis to consult with the Missouri state entomologist and with Engelmann, who had studied American grapes since the 1850s. Engelmann verified that certain living American species had resisted Phylloxera for nearly 40 years. In addition, Vitis riparia, a wild vine of the Mississippi Valley, did not cross pollinate with less resistant species, the cause of previous grafting failures. Engelmann arranged to have millions of shoots and seeds collected and sent to France, where the species proved to be very successful in providing rootstock.
Other fields
While botanical investigations constituted much the greater part of Dr. Engelmann's scientific work, he always had in hand data for other investigations. For example, he began meteorological observations when he first settled at St. Louis, and personally, or by proxy during his absence, he continued them without intermission until his death — a longer period, it is believed, than that of similar observations by any one man in America.
Engelmann often compared meteorological data with his friend and contemporary Augustus Fendler. The two also collaborated on horticultural experiments on cacti, and frequently corresponded on the matter of specimen collection.
Among the animals he studied were tapeworms (Taenia), the opossum, squirrels and mudpuppies (Menobranchus).
He was elected to the American Philosophical Society in 1862.
Later explorations
The death of his wife on January 29, 1879, greatly affected him. He turned to plants, seeking relief in study, but life and a continuance of its labors seemed to be almost hopeless. His condition changed but little during the remainder of the winter, but when in the spring C. S. Sargent came with the proposition that he should join him in a journey through the forests of the Pacific Coast region he accepted it. That journey, although a difficult one for a man of his age, was of great benefit to him physically. His shattered spirit also was much revived and, among his friends, he resumed and sustained his lifelong habit of cheerfulness of manner.
Legacy
He is commemorated in the names of several plants, including Engelmann Oak (Quercus engelmannii), Engelmann Spruce (Picea engelmannii), Apache Pine (Pinus engelmannii), Engelmann's quillwort or Appalachian quillwort (Isoetes engelmannii), and Engelmann's Prickly-pear (Opuntia engelmannii).
Engelmann's botanical collection, valuable as containing the original specimens from which many western plants have been named and described, was given to the Missouri Botanical Garden. This gift led to the founding of the Henry Shaw School of Botany as a department of Washington University in St. Louis, where an Engelmann professorship of botany has been established by Shaw in his honor.
Engelmann was interred in Bellefontaine Cemetery in St. Louis.
Bibliography
See also
Thomas Volney Munson, another phylloxera consultant and grape expert
Friedrich Adolph Wislizenus, plant collector
Notes
References
Wilson, J. G.; Fiske, J., eds. (1900). "Engelmann, George" . Appletons' Cyclopædia of American Biography. New York: D. Appleton.
Isely, Duane (2002). One Hundred and One Botanists. Purdue University Press.
McKelvey, Susan Delano (1955). Botanical Exploration of the Trans-Mississippi West. Arnold Arboretum of Harvard University.
Shaw, Elizabeth A. (1986). "Changing botany in North America: 1835–1860, The Role of George Engelmann". Annals of the Missouri Botanical Garden. 73 (3): 508–519. doi:10.2307/2399190. JSTOR 2399190.
White, Charles Abiather (1896). Biographical Memoir of George Engelmann . Washington, D.C.: National Academy of Sciences.
External links
Engelmann Online-an effort by the Missouri Botanical Garden to digitize various Engelmann collections under a shared portal.
Views of the Borderlands: The Report on the United States and Mexican Boundary Survey, 1857–1859 - Paula Rebert Archived 2012-06-25 at the Wayback Machine |
Cuscuta | https://en.wikipedia.org/wiki/Cuscuta | [
233
] | [
"https://en.wikipedia.org/wiki/Cuscuta"
] | Cuscuta (), commonly known as dodder or amarbel, is a genus of over 201 species of yellow, orange, or red (rarely green) parasitic plants. Formerly treated as the only genus in the family Cuscutaceae, it now is accepted as belonging in the morning glory family, Convolvulaceae, on the basis of the work of the Angiosperm Phylogeny Group. The genus is found throughout the temperate and tropical regions of the world, with the greatest species diversity in subtropical and tropical regions; the genus becomes rare in cool temperate climates, with only four species native to northern Europe.
Folk names include strangle tare, strangleweed, scaldweed, beggarweed, lady's laces, fireweed, wizard's net, devil's guts, devil's hair, devil's ringlet, goldthread, hailweed, hairweed, hellbine, love vine, pull-down, angel hair, and witch's hair.
Description
Cuscuta can be identified by its thin stems appearing leafless, with the leaves reduced to minute scales. In these respects it closely resembles the similarly parasitic, but unrelated genus, Cassytha. From mid-summer to early autumn, the vines can produce small fruit that take the same color as the vine, and are approximately the size of a common pea. It has very low levels of chlorophyll; some species such as Cuscuta reflexa can photosynthesize slightly, while others such as C. europaea are entirely dependent on the host plants for nutrition.
Dodder flowers range in color from white to pink to yellow to cream. Some flower in the early summer, others later, depending on the species. The seeds are minute and produced in large quantities. They have a hard coating, and typically can survive in the soil for 5–10 years, sometimes longer.
Dodder seeds sprout at or near the surface of the soil. Although dodder germination can occur without a host, it has to reach a green plant quickly and is adapted to grow towards the nearby plants by following chemosensory clues. If a plant is not reached within 5 to 10 days of germination, the dodder seedling will die. Before a host plant is reached, the dodder, as other plants, relies on food reserves in the embryo; the cotyledons, though present, are vestigial.
Parasitism
After a dodder attaches itself to a plant, it wraps itself around it. If the host contains food beneficial to dodder, the dodder produces haustoria that insert themselves into the vascular system of the host. The vestigial root of the dodder in the soil then dies. The dodder can grow and attach itself to multiple plants. In tropical areas, it can grow more or less continuously and may reach high into the canopy of shrubs and trees; in cold temperate regions, it is an annual plant and is restricted to relatively low vegetation that can be reached by new seedlings each spring.
Dodder is parasitic on a very wide variety of plants, including a number of agricultural and horticultural crop species, such as alfalfa, lespedeza, flax, clover, potatoes, chrysanthemum, dahlia, helenium, trumpet vine, ivy and petunias. It is an ectoparasite and is categorized as holoparasitic plant, or a plant that is non-photosynthetic and is completely dependent on a host.
Dodder ranges in severity based on its species and the species of the host, the time of attack, and whether any viruses are also present in the host plant. By debilitating the host plant, dodder decreases the ability of plants to resist viral diseases, and dodder can also spread plant diseases from one host to another if it is attached to more than one plant. This is of economic concern in agricultural systems, where an annual drop of 10% yield can be devastating. There has been an emphasis on dodder vine control in order to manage plant diseases in the field.
Host location
A report published in Science in 2006 demonstrated that dodder use airborne volatile organic compound cues to locate their host plants. Seedlings of C. pentagona exhibit positive growth responses to volatiles released by tomato and other species of host plants. When given a choice between volatiles released by the preferred host tomato and the non-host wheat, the parasite grew toward the former. Further experiments demonstrated attraction to a number of individual compounds released by host plants and repellence by one compound released by wheat. These results do not rule out the possibility that other cues, such as light, may also play a role in host location.
Host defenses
Less is known about host defenses against dodder and other parasitic plants than is known about plant defenses against herbivores and pathogens. In one study, tomato plants were found to employ complex mechanisms to defend against dodder. Two pathways, using jasmonic acid and salicylic acid, were activated in response to attack by Cuscuta pentagona. Dodder attack was also found to induce production of volatiles, including 2-carene, α-pinene, limonene, and β-phellandrene. It is not known if or how these volatiles defend the host, but they could potentially interfere with the dodder's ability to locate and select hosts. Also, the presence of trichomes on the tomato stem effectively blocks the dodder from attaching to the stem.
Prevention and treatment
Many countries have laws prohibiting import of dodder seed, requiring crop seeds to be free of dodder seed contamination. Before planting, all clothes should be inspected for dodder seed when moving from an infested area to a non-infested crop. When dealing with an infested area, swift action is necessary. Recommendations include planting a non-host crop for several years after the infestation, pulling up host crops immediately, particularly before the dodder produces seed, and use of preemergent herbicides such as Dacthal in the spring. Examples of non-host crops include grasses and many other monocotyledons. If dodder is found before it chokes a host plant, it may be simply removed from the soil. If choking has begun, the host plant must be pruned significantly below the dodder infestation, as dodder is versatile and able to grow back from its haustoria.
Use in Chinese traditional medicine
C. chinensis seeds (simplified Chinese: 菟丝子; traditional Chinese: 菟絲子; pinyin: túsīzǐ) have long been used for osteoporosis in China and some other Asian countries. C. chinensis is a commonly used traditional Chinese medicine which is believed to strengthen the liver and kidneys. Cuscuta species are also used as medicine in Himalayan regional medical traditions.
See also
List of Cuscuta species
Gallery
References
Further reading
Everitt, J.H.; Lonard, R.L.; Little, C.R. (2007). Weeds in South Texas and Northern Mexico. Lubbock: Texas Tech University Press. ISBN 0-89672-614-2
Haupt, S.; Oparka, KJ; Sauer, N; Neumann, S (2001). "Macromolecular trafficking between Nicotiana tabacum and the holoparasite Cuscuta reflexa". Journal of Experimental Botany. 52 (354): 173–177. doi:10.1093/jexbot/52.354.173. ISSN 1460-2431. PMID 11181727.
Hibberd, J. M.; Bungard, R. A.; Press, M. C.; Jeschke, W. D.; Scholes, J. D.; Quick, W. P. (1998). "Localization of photosynthetic metabolism in the parasitic angiosperm Cuscuta reflexa". Planta. 205 (4): 506–513. Bibcode:1998Plant.205..506H. doi:10.1007/s004250050349. ISSN 0032-0935. S2CID 20017828.
Haberhausen, Gerd; Zetsche, Klaus (1994). "Functional loss of all ndh genes in an otherwise relatively unaltered plastid genome of the holoparasitic flowering plant Cuscuta reflexa". Plant Molecular Biology. 24 (1): 217–222. doi:10.1007/BF00040588. ISSN 0167-4412. PMID 8111019. S2CID 36298133.
Jeschke, W. Dieter; Bäumel, Pia; Räth, Nicola; Czygan, Franz-C.; Proksch, Peter (1994). "Modelling of the flows and partitioning of carbon and nitrogen in the holoparasiteCuscuta reflexaRoxb. and its hostLupinus albusL". Journal of Experimental Botany. 45 (6): 801–812. doi:10.1093/jxb/45.6.801. ISSN 0022-0957.
Stewart, Amy (2009). Wicked Plants: The Weed that Killed Lincoln's Mother and Other Botanical Atrocities. Etchings by Briony Morrow-Cribbs. Illustrations by Jonathon Rosen. Algonquin Books of Chapel Hill. ISBN 978-1-56512-683-1.
Cudney, D.W.; Orloff, S.B.; Reints, J.S. (1992). "An integrated weed management procedure for the control of dodder (Cuscuta indecora) in alfalfa (Medicago sativa)". Weed Technology. 6 (3): 603–606. doi:10.1017/S0890037X00035879.
External links
Costea, M. 2007–onwards. Digital Atlas of Cuscuta (Convolvulaceae)
Cuscuta on Parasitic Plant Connection
Cuscuta on National Public Radio
Flora of China: Cuscuta
Lanini, W. T., et al. Dodder. Pest Notes Jan 2002: 1–3. 15 July 2005. Online (pdf file).
Swift, C. E. Cuscuta and Grammica species – Dodder: A Plant Parasite. Colorado State University Cooperative Extension. Online.
Dodder (Cuscuta species). Weed Listings. 2005. Online.
Medicinal uses of Cuscuta in Armenia
Chamovitz, D. Common Scents: Plants Constantly Catch a Whiff of Their Neighbors' Perfume. Scientific American May 22, 2012. |
List_of_awards_and_nominations_received_by_Denzel_Washington | https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Denzel_Washington | [
234
] | [
"https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Denzel_Washington"
] | The following article is a List of awards and nominations received by Denzel Washington.
Denzel Washington is an American actor, director, and producer. He has received numerous accolades including two Academy Awards, two Golden Globe Awards, a Screen Actors Guild Award, and a Tony Award as well as nominations for a Grammy Award, and two Primetime Emmy Awards. Over his career, he has received numerous honorary awards including the BAFTA Los Angeles Britannia Award in 2007, the Golden Globe Cecil B. DeMille Award in 2016, and the AFI Life Achievement Award in 2019. He was awarded the Presidential Medal of Freedom by Joe Biden in 2022.
Washington has received ten Academy Award nominations winning once for Best Supporting Actor for his portrayal of a soldier in the Edward Zwick Civil War film Glory (1989), and Best Actor for playing a corrupt cop in Antoine Fuqua's crime thriller Training Day (2001). He was Oscar-nominated for playing Steve Biko in the historical epic Cry Freedom (1987), the title role in the biographical drama Malcolm X (1992), Rubin Carter in the sports drama The Hurricane (1999), an Airline pilot fighting substance abuse in Flight (2012), a working class family man in the period drama Fences (2015), a Los Angeles lawyer in the legal drama Roman J. Israel, Esq. (2017), and Macbeth in the thriller The Tragedy of Macbeth (2021).
Washington is one of eight actors who has been nominated for an acting Academy Award in five different decades (1980s, '90s. 2000s, '10s and '20s), joining Laurence Olivier, Katharine Hepburn, Paul Newman, Jack Nicholson, Michael Caine, Meryl Streep and Frances McDormand. He has received nine Golden Globe Award nominations winning twice for his performances in Glory (1989) and The Hurricane (1999). He has also received seven Screen Actors Guild Award nominations winning for Outstanding Actor in a Leading Role for his performance in the film adaptation of Fences (2015).
For his work on stage he received the Tony Award for Best Actor in a Play for his role as Troy Maxon in the Broadway revival of the August Wilson play Fences (2010). He was Tony-nominated for playing a Hickey, hardware salesman in the revival of the Eugene O'Neill play The Iceman Cometh (2018). He received two Primetime Emmy Award nominations for his work with documentary series on the baseball player Hank Aaron and photographer Gordon Parks. He was nominated for the Grammy Award for Best Spoken Word Album for Children for the folk tale, John Henry in 1996.
Major associations
Academy Awards
Emmy Awards
Golden Globe Awards
Grammy Awards
Screen Actors Guild Awards
Tony Awards
Critics awards
Miscellaneous awards
Honorary awards
Notes
== References == |
Jenna_Ortega | https://en.wikipedia.org/wiki/Jenna_Ortega | [
234
] | [
"https://en.wikipedia.org/wiki/Jenna_Ortega"
] | Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014–2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016–2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix.
Ortega received praise for her performance as a traumatized high school student in the drama film The Fallout (2021). She gained wide recognition for portraying Wednesday Addams in the Netflix horror-comedy series Wednesday (2022–present), for which she received nominations at the Golden Globe, Primetime Emmy, and Screen Actors Guild Awards. She also starred in the slasher films Scream, X (both 2022) and Scream VI (2023), which established her as a scream queen, and the fantasy film Beetlejuice Beetlejuice (2024).
Ortega has been featured on lists such as The Hollywood Reporter's 2023 Power 100 and Forbes's 2024 30 Under 30. Outside of acting, Ortega has supported various charitable causes and worked as an ambassador for multiple brands.
Early life
Jenna Marie Ortega, the fourth of six siblings, was born on September 27, 2002, in Palm Desert, California. Her father, a former sheriff who works at a California district attorney's office, is of Mexican descent, and her mother, who is of Mexican and Puerto Rican descent, works as an emergency room nurse. Ortega's maternal great-grandmother was an undocumented immigrant from Sinaloa, Mexico, and her maternal grandfather was from Puerto Rico. Ortega grew up in La Quinta, California, and has described her childhood self as "loud and extroverted". She wanted to act from the age of six and begged her mother to let her pursue a career for three years. Her mother attempted to distract her with other activities, including soccer and school. Ortega almost quit pursuing acting to participate in the former. Her mother later bought her a monologue book and posted a video of nine-year-old Ortega performing. A casting director watched the video and signed her to an agency.
Ortega's mother began driving her to Los Angeles to attend auditions, a trip that sometimes took as long as six hours roundtrip, up to five days a week. She struggled to secure parts because few roles for Latinas existed and she "didn't look [a certain] way"; such experiences damaged her self-esteem. She considered dyeing her hair blonde in an attempt to book more roles. For the first year, Ortega, who had no connections in the film industry, limited her auditions to commercials; she secured parts in 12 national campaigns, including three McDonald's commercials. From Mondays to Fridays, she acted in Los Angeles for a few days and returned home to attend school. She enrolled in public school, attending Amelia Earhart Elementary School and John Glenn Middle School. She dropped out of school during eighth grade to act in Disney projects and got an apartment in Los Angeles after securing a role in Stuck in the Middle (2016–2018). During that time, Ortega worked in Los Angeles during the workweek and went home on weekends.
Career
2012–2017: Early acting roles and Disney
Ortega made her acting debut in the sitcom Rob (2012) and later made a guest appearance in the CSI: NY episode "Unspoken". In 2013, she made her film debut in a minor role as the vice president's daughter in the superhero film Iron Man 3. In the same year, Ortega appeared in the horror film Insidious: Chapter 2 as a part of the supporting cast. From 2014 to 2019, Ortega had a recurring role on The CW comedy television series Jane the Virgin as a younger version of Jane Villanueva, who is portrayed by Gina Rodriguez as an adult. Declan Gallagher of Entertainment Weekly commended Ortega's performance, writing that "she eschews the trappings of a typical child actor". She also starred in the direct-to-video comedy film The Little Rascals Save the Day (2014) and the Netflix sitcom Richie Rich (2015). Ortega appeared in the comedy-drama film After Words (2015) as Anna Chapa, the daughter of a male escort. The Los Angeles Times praised her as "adorable", whereas The Arizona Republic found her "horribly cloying".
From 2016 to 2018, Ortega led the Disney Channel sitcom Stuck in the Middle as Harley Diaz, an aspiring inventor who is the middle child of the seven siblings. She said that booking the role was "one of the best days of my life". Ortega drew inspiration from her own family and relationships with her siblings; she felt her experience starring on the show was akin to reality television. Common Sense Media praised Ortega's performance, saying she "commands this role, pleading her case as a long-suffering middle kid while finding the humor in the many calamities that befall her efforts to shine". Ortega garnered three Imagen Award nominations for Best Young Actor – Television, including a win in 2018. She also voiced Princess Isabel in Elena and the Secret of Avalor (2016) and Elena of Avalor (2016–2020).
2018–2021: Transition to mature roles
In 2018, Ortega starred in the film Saving Flora in the lead role of Dawn, a circus owner's daughter. After Stuck in the Middle ended, she aimed to act in more mature projects but found people assumed Disney roles were "all you can do, or all you were meant for". She considered quitting acting several times, saying that she "was too old for the young roles and too young for the older roles". In 2018, she was cast as Ellie Alves in the second season of the Netflix thriller series You, which was released on December 26, 2019. Like the show's first season, the second season received positive reviews; The Hollywood Reporter's Robyn Bahr noted Ortega as "a standout performer". Ortega was slated to return for the third and fourth seasons but was unable to do so due to scheduling conflicts.
Ortega played Phoebe, the love interest of Judah Lewis's character, in Netflix's horror film The Babysitter: Killer Queen, which was released in September 2020 to negative critical reviews. She also voiced a travel vlogger named Brooklynn in the Netflix animated show Jurassic World Camp Cretaceous (2020–2022). In 2021, she made her writing debut with the book It's All Love: Reflections for Your Heart & Soul, which contains a series of quotes and statements regarding faith and love. She starred in the Netflix comedy movie Yes Day (2021), portraying a stubborn teenager who wants more independence from her parents. She appreciated how people of color were shown in "a casual setting where it's acknowledged" in lieu of "shoving it down your throat". Yes Day was released in March 2021 to mixed reviews. IndieWire lauded Ortega as "very capable", and the Associated Press referred to her as "an impressively poised young actor".
Ortega had a leading role in the high-school drama film The Fallout, starring as a student who is navigating her emotional trauma after a school shooting. To prepare for the role, she looked at photographs and watched videos and interviews about school shootings; processing such events afterward "kind of came naturally". She also participated in the March for Our Lives movement, which led demonstrations in support of U.S. gun control legislation. Ortega, who describes herself as "such an insecure individual", found it easy to portray her character as relatable. The Fallout premiered at South by Southwest on March 17, 2021, and was released on HBO Max on January 27, 2022. The film received a positive response from critics, and Ortega's acting was applauded. Richard Roeper of the Chicago Sun-Times described her performance as "grounded and deeply moving", while The Hollywood Reporter wrote that her "beautifully nuanced turn understands the nothing-to-look-at-here façade and the chinks in the armor".
2022–present: Mainstream breakthrough
In the slasher film Scream (2022)—the fifth film in the Scream franchise—Ortega played Tara Carpenter, on which she stated: "I don't even think there are words in the English language to correctly express how happy, excited and nervous I am for this journey". Directors Matt Bettinelli-Olpin and Tyler Gillett cast Ortega because of her ability to play both horror and comic tones, and for the sound of her scream. She felt nervous about joining a well-known franchise, wanting to "do it justice" without "ripping anybody off". She said that working on the film taught her the importance of cast chemistry to the natural flow of the production process. Scream was a critical and commercial success, becoming the 28th-highest-grossing film of 2022. According to The A.V. Club, Ortega demonstrated "incredible" resilience and resolve in her role. She also won the MTV Movie Award for Most Frightened Performance.
Ortega later appeared in the Foo Fighters–led horror film Studio 666 (2022). Reviewers said she was underused; according to the Los Angeles Times, "[n]ot even [a] cameo from ... 2022's newly minted Scream Queen Jenna Ortega ... can offer true horror bona fides to this flick". She then starred in the slasher film X (2022), which was directed and written by Ti West, who said Ortega was "fearless in her commitment". Ortega signed onto the project because of its script, calling it "the most outrageous thing I've ever read", and the opportunity to work with West. She found the filming process to be enjoyable and unique due to West's style of shooting. X became Ortega's best-reviewed film on review aggregator Rotten Tomatoes; The Australian dubbed her and co-star Mia Goth "scene-stealers". The comedy-horror American Carnage was Ortega's final film release of 2022. The A.V. Club said she was continuing "her streak as the new it-girl of horror with a stubborn punk persona that masks her care for other people", while IGN lauded her "no-shits-given shell".
In May 2021, Ortega was cast as Wednesday Addams in the Netflix comedy-horror series Wednesday (2022), which she called a "new chapter" in her career. She auditioned through a Zoom call with director Tim Burton, during which she read a four-page monologue. The casting team felt her portrayal offered the character the necessary empathy. She was initially hesitant to accept the part because she wanted to focus on film acting and feared working on another television series would prevent her from booking the roles she wanted. To prepare for the role, Ortega underwent "the most physical transformation I've ever done", cutting her hair and dying it black, as well as altering her mannerisms, style of speaking, and facial expressions. She also learned to play cello and speak German, read the original Addams Family comic, and watched the 1960s television adaptation. Ortega called the production of Wednesday's first season her "most overwhelming job" in 2022, and spoke about being in a constant state of confusion and stress over the direction of the series and character. She said that she had never "had to put my foot down on a set in the way that I had to on Wednesday", believing that the initial writing was nonsensical from a character standpoint and did not suit Wednesday's personality. While filming some scenes, Ortega would change her lines without informing the crew.
Upon Wednesday's release, critics widely praised Ortega: CNN said that her performance sets the series apart from similar spin-offs, being "relentlessly strange, a portrait in unblinking intensity and oddly endearing all at once". Wednesday became one of Netflix's most-watched shows, receiving over 1 billion viewing hours within a month. Ortega's performance received nominations for a Golden Globe Award and a Screen Actors Guild Award. She was also nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series, becoming the category's second-youngest nominee. She later spoke about her discomfort with becoming well-known for her work on the show, having had a creatively unpleasant experience filming it.
In March 2023, Ortega hosted an episode of NBC's sketch comedy series Saturday Night Live. Ortega reprised her role as Tara Carpenter in Scream VI. She said her character had more personality in the film than in the previous installment, in which she "was screaming and crying the entire time". When creating Tara's personality, Ortega considered several of the character's traits, including her favorite color, fashion style, makeup, and sense of humor. Scream VI was released in March 2023 and grossed over $169 million on a budget of $33–35 million. Deadline Hollywood attributed its box-office success partially to Ortega's star power. In a review, Variety's Owen Gleiberman praised her "surly spunk", and Slant Magazine said she "fantastically embodie[d] the role". In November 2023, Ortega reportedly exited the Scream franchise due to scheduling conflicts with the filming of Wednesday's second season. The Hollywood Reporter later said she left the franchise after an unsuccessful request for seven-figure pay. In the crime thriller film Finestkind (2023), she played Mabel, a drug dealer's daughter who is seeking her own path in life. The film premiered at the Toronto International Film Festival to negative reviews. Many journalists said Ortega had been miscast.
Ortega began 2024 with a starring role in the drama Miller's Girl, opposite Martin Freeman. The film tells the story of Cairo Sweet (Ortega), a high schooler whose writing ability captures her teacher's interest, which leads to a complicated relationship between the two. She called her character "the most complex character that I've ever played" and described the material as risky since she thought it would provoke discussions on topics people may find disturbing. RogerEbert.com's Christy Lemire found Ortega "magnetic enough" to maintain the viewer's interest, although she thought the character's motives were predictable and illogical; Mark Kennedy of the Associated Press dubbed the film "a pointless, awkward turn" in her career. Ortega appeared in and executive produced the romantic drama Winter Spring Summer or Fall, which premiered at the 2024 Tribeca Festival. Director Tiffany Paulsen described Ortega as the casting team's first choice for the role of Remi Aguilar, a driven genius who falls in love with a rebellious musician. She later starred in the music video for Sabrina Carpenter's song "Taste".
Ortega starred in Burton's fantasy film Beetlejuice Beetlejuice (2024)—a sequel to Beetlejuice (1988)—playing Astrid Deetz, the cynical teenage daughter of Lydia Deetz. It opened the 81st Venice International Film Festival and received generally positive reviews. The Guardian commented that Ortega portrayed her character with "just the right note of soulful sullenness". Rolling Stone said she was an "unimpeachable" casting choice and commended the emotions she conveyed using a "world-class deadpan stare". In a more negative review, The Independent stated that she "can't help but seem a little bland and strait-laced" acting opposite Michael Keaton as Betelgeuse.
Upcoming projects
Ortega has joined the cast of Klara and the Sun (2025) to be directed by Taika Waititi. She is set to appear in and executive produce an untitled Trey Edward Shults film that will co-star The Weeknd and Barry Keoghan. She is due to star in Death of a Unicorn (2025), a dark comedy co-starring Paul Rudd, and Alba; both will be produced and distributed by A24.
Ortega is slated to reprise her role as Wednesday in the second season of Wednesday. She became an executive producer, which she described as a "natural progression" since the first season was "naturally already very collaborative". Ortega helped oversee the costumes, characters, and scripts.
Other ventures
Activism and philanthropy
Ortega has used her platform to support various causes, including Pride Over Prejudice—a DoSomething campaign that advocates for immigrants and refugees—the National Bullying Prevention Center, the AIDS Healthcare Foundation, the Geena Davis Institute on Gender in Media, Planned Parenthood, and the Joint United Nations Programme on HIV and AIDS. She is pro-immigration and anti-discrimination, telling Teen Vogue: "It's important to embrace your culture today because there are so many different ethnicities in America. At the end of the day, you are you. You've got to stay true to yourself, and you can't change yourself in order to fit in or to make someone else feel comfortable." Ortega is also an advocate for women's rights.
In 2016, Ortega organized a meet-and-greet event for fans to raise money for a young girl with cancer. At the 2018 Radio Disney Music Awards, Ortega wore a jacket displaying the words "I Do Care and U Should Too" in response to the clothing First Lady of the United States Melania Trump wore on a visit to see immigrant children who were being housed without their parents. Trump's jacket read, "I Really Don't Care, Do U?". Ortega's protest gained significant media coverage; she told the Associated Press that Trump's apparel displayed a lack of judgement and as the first lady, she ought to show concern for migrant children. Ortega later said: "We should all care about each other and our country ... we are one country under God". In 2019, Ortega appeared at numerous We Day benefit concerts across the U.S. and Canada to raise funds for WE Charity.
In 2023, Ortega, as part of a group called Artists4Ceasefire, signed a letter urging the United States Congress and President Joe Biden to call for an immediate ceasefire in the Gaza Strip during the Israeli–Palestinian conflict. She later condemned the Tel al-Sultan attack and emphasized the need for a ceasefire.
Endorsements
In 2020, Ortega was named a brand ambassador for the cosmetics manufacturer Neutrogena and was the face of its "My Quinceañera Journey" campaign. In 2023, she became an ambassador for the sportswear company Adidas and the luxury fashion brand Dior. She was the face of Adidas Sportswear, the company's first new line in 50 years, as well as one of the faces of the #DareInGrisDior campaign. She starred alongside Danny Ramirez, Olivia Negron, and Patricia Mauceri in an advertisement for Doritos that aired at the Super Bowl LVIII in February 2024. The A.V. Club enjoyed the ad but opined that fans of Wednesday would be dissatisfied by Ortega's lack of goth,
while TVLine stated that her limited screen time was "a real miscalculation".
Artistry
Influences
Ortega was initially inspired to pursue acting after watching Dakota Fanning in the 2004 thriller film Man on Fire. Ortega was unable to understand how a young child could perform in a way that could scare her so much; she analyzed the film several times and decided she wanted to be "the Puerto Rican version of [Fanning]". She also admired Fanning's sister, Elle, and followed both of their careers as a child. As she matured, Ortega aspired to be "the female version" of Denzel Washington, who appeared alongside Dakota Fanning in Man on Fire. She also admires Gina Rodriguez and fellow Disney Channel stars Selena Gomez and Zendaya. Ortega said she admires Rodriguez because they are both Latina actresses who struggled to break into the acting industry due to their lack of connections. In 2021, Ortega named Riz Ahmed as a career role model and praised his acting, manner of speaking, and activism.
Acting style and role choices
Megan Park, who directed Ortega in The Fallout, said that she knows "when to give her all and when to hold back" while acting, adding that "to have that understanding of herself as a performer at such a young age" is extremely rare. Burton compared Ortega's acting style to silent film acting, saying she expresses emotion through her eyes without words. Ortega says she tries not to be more prepared than necessary for a scene because "you never know what you're going to say next or what your next facial expression is going to be" in real life.
The Dodge College professor and agent Joe Rosenberg describes Ortega as an actress who has "a feel for the right project at the right time" and is "savvy" with her role choices. Ortega feels taking more varied acting roles is important to her to avoid being typecast; she told Entertainment Tonight in 2021 that she did not want to be "pigeonholed as an actor" and that her desire to accept the most diverse roles possible made the transition to mature roles easier for her. Ortega stated that she looks for projects that will have a "forever effect" for her, such as The Fallout. She has said she feels most comfortable starring in horror works, describing such projects as "very therapeutic". In 2023, Ortega said she is mindful of not "over-indexing on the gore scale" and feels "very conflicted" about her interests because there is "a part of me that always feels like the girl in the Coachella Valley".
Media image
Commenting on Ortega's off-screen persona, Who What Wear wrote in 2022 that she is "poised, mature, and wise beyond her years" while providing "an essence of relatability". A 2023 Harper's Bazaar story describes her as "quiet and contemplative", while Vanity Fair wrote that she has a "black-hole persona" but is "much warmer and more cheerful than you'd expect". Ortega has been noted for her work in horror and has been described as a horror icon by journalists. Media publications have dubbed her "Gen Z's scream queen", and the Hollywood Foreign Press Association called her the "scream queen for the 21st century". Ortega attributes her "instinctive" scream and "really ugly crying face" for the positive reception her horror work has received from audiences.
In 2018, The Hollywood Reporter named Ortega one of "Hollywood's Top 30 Stars Under Age 18". The magazine later referred to her as the "Next Big Thing" in 2022 and "The Gen Z Obsession" in 2024. In 2023, Ortega appeared on Variety's "Young Hollywood Impact Report", a list of breakthrough performers, and The Hollywood Reporter's Power 100, a list of the most powerful women in entertainment. Complex also listed her among the best actors in their 20s. Forbes included her on the 2024 edition of its 30 Under 30 in the Hollywood & Entertainment category.
Ortega has also been called a style icon by Harper's Bazaar. Her initial red-carpet style featured bright colors, patterned clothing, and many accessories. Enrique Melendez, her stylist, dressed Ortega in RED Valentino and Thom Browne, wanting her wardrobe to be age-appropriate, fashionable, and stylistically interesting. They later tried to move away from the "feminine and flirty and frilly" style of other Disney actresses. After her role in You, Ortega began wearing heavier makeup and darker clothing. Media publications said her later style borrowed from Wednesday's while incorporating high fashion and described it as goth glam. According to Vogue, her off-screen style has a "dark, gothic fashion sensibility". Ortega said that playing Wednesday has "changed my taste a lot" and she has "a hard time getting her off of me, at least clothing-wise".
Ortega is active on Instagram but has described social media overall as being a "comparing game" and "very manipulative". She has said she became fearful of her comments on social media being misinterpreted following the release of Wednesday, adding: "Because I naturally tend to be sarcastic or dry, it's very easy for me to find myself in trouble ... [People] see your vulnerability and twist it in a way that you don't always expect." As a minor, Ortega was sent explicit images of herself that were AI-generated, which later led to her deleting her Twitter account.
Personal life
Ortega stated that she would like to be a "private person" and not discuss her romantic life publicly, believing that it distracts audiences from her work. She has described the concept of celebrities as "absolutely ridiculous". Ortega has said that her friends and family give her a sense of safety that helps her deal with the more challenging parts of her career, adding that her family "keep[s] [her] feet on the ground". She states that growing up in an industry dominated by adults forced her to mature faster than normal.
Filmography
Film
Television
Music videos
Awards and nominations
Notes
References
External links
Jenna Ortega on Instagram
Jenna Ortega at IMDb |
Victoria_Pedretti | https://en.wikipedia.org/wiki/Victoria_Pedretti | [
234
] | [
"https://en.wikipedia.org/wiki/Victoria_Pedretti"
] | Victoria Pedretti (born March 23, 1995) is an American actress. After appearing in short films, she gained wide recognition for starring in the Netflix horror series The Haunting of Hill House (2018) and The Haunting of Bly Manor (2020), which established her as a scream queen. She earned further recognition for playing Love Quinn in the Netflix thriller series You (2019–2023). For these roles, she received nominations at the Critics' Choice, MTV and Saturn Awards.
Pedretti played Leslie Van Houten in the comedy-drama film Once Upon a Time in Hollywood (2019), which was followed by roles in the biographical drama films Shirley (2020) and Origin (2023), and the thriller film Ponyboi (2024). She made her Broadway debut playing Petra Stockmann in a revival of An Enemy of the People (2024).
Early life and education
Victoria Pedretti was born on March 23, 1995, in Philadelphia. She was raised Jewish, and had a bat mitzvah. She was diagnosed with ADD when she was seven years old. She first expressed an interest in musical theatre while attending Pennsbury High School in Fairless Hills. She received her Bachelor of Fine Arts at the Carnegie Mellon School of Drama in Pittsburgh, where she said her professors advised her not to pursue acting.
Career
Pedretti began acting in 2014, having roles in two short films: Sole where she played the female protagonist, and Uncovering Eden where she played Edie.
In 2017, Pedretti was cast in Mike Flanagan's Netflix supernatural horror drama series The Haunting of Hill House, in which she played Eleanor "Nell" Crain. It was released in 2018 to critical acclaim, and became Pedretti's breakthrough role. Chad Collins of Dread Central called her the "soul of The Haunting of Hill House", and Lucy Mangan of The Guardian called her "scene-stealing". Dakota Moss of MovieWeb wrote: "Pedretti's emotions to the role add a horrifying realism to the character, and viewers can feel all of Nell's pain and anguish to the very end. This is one of the defining roles for Victoria Pedretti, and she's only getting started." She received Saturn Award and MTV Award nominations for the role and was established as a scream queen.
Pedretti auditioned for the role of Guinevere Beck on the thriller series You but did not land the part. The directors later cast her as Love Quinn in the show's second season, after seeing her previous acting work and her chemistry with her co-star Penn Badgley. The second season was released by Netflix in 2019 to critical acclaim. Writers for Elle said Pedretti "delivered the perfect amount of spook and smoulder to keep us on the edge of our seats for all ten episodes." Also in 2019, Pedretti appeared as Leslie Van Houten in Quentin Tarantino's comedy-drama film Once Upon a Time in Hollywood, which was a commercial success, and earned her a shared nomination for the Critics' Choice Movie Award for Best Acting Ensemble.
In 2020, Pedretti starred as Evelyn Porter in the pilot episode of the anthology series Amazing Stories. She also appeared in the short film This is Not a Love Letter and played Katherine in the biographical-drama film Shirley. A follow up series to The Haunting of Hill House was announced in 2019 with Pedretti cast in the leading role; it was released as The Haunting of Bly Manor in 2020 and saw Pedretti playing Danielle "Dani" Clayton. Alan Sepinwall of The Hollywood Reporter wrote that "Her appealing vulnerability, and her talent for making the supernatural feel like something painfully real to Dani, do a lot of the heavy lifting this time around. Katerina Daley of Screen Rant said that her performance "has absolutely been a star-making one..." Angelica Jade Bastién of Vulture magazine said Pedretti "has proven herself to be one of the most exciting young actors to watch". She was nominated for a Critics' Choice Super Award and won Best Frightened Performance at the 2021 MTV Movie & TV Awards.
Pedretti reprised the role of Love Quinn for the third season of You, which was released on October 15, 2021. Filming was done amidst the COVID-19 pandemic, where the intimate scenes posed a challenge to film: "This is not a show where you can be like, 'Nobody's going to kiss. It'll be fine.' So it took months to figure out how to do it safely. [...] It's weird. We have a rapport. We played a couple before, but it didn't just immediately come back after being in a global pandemic." She was nominated for Best Villain at the 2022 MTV Movie & TV Awards. Also in 2021, Pedretti appeared in singer-songwriter Kacey Musgraves' Star-Crossed: The Film, a companion feature to Musgraves' album of the same name, in a cameo role as a woman participating in a heist. A clip from the film featuring Pedretti later served as the music video for Musgraves' song "Simple Times".
Pedretti was announced in 2021 to star in the film Lucky, based on the memoir of the same name, in which she would be portraying writer Alice Sebold during her freshman year at Syracuse University. However, in November that same year, the film was cancelled after losing its financing. She was announced in 2022 to be headlining the Hulu original series Saint X, but she reportedly left the series due to creative differences, with Alycia Debnam-Carey replacing her in the lead role.
In 2023, Pedretti played Irma Eckler in Ava DuVernay's acclaimed biographical drama film Origin.
In 2024, Pedretti starred as Angel in the thriller-drama film Ponyboi, which was described as the "queer breakout" of that year's Sundance Film Festival. On accepting the role, Pedretti said that "I think the most important films to be made are the ones that deal with subject matters that people aren't well-versed in and with characters they haven't seen before. This was an incredible opportunity for that to happen." She also starred in the short films Fall Risk and Merci, Poppy as Dylan and Poppy respectively. That same year, she made her Broadway debut in the Sam Gold directed adaptation of the Henrik Ibsen play, An Enemy of the People, at the Circle in the Square Theatre. Gold said of her casting that "She worked really hard in auditions and won the part for proving herself a really strong state actor who could take direction and take [it] all on her shoulders..." On her first stage production, Pedretti said that "doing theater, it’s very ideal. I’d love to keep doing this." Greg Evans of Deadline Hollywood believed Pedretti "is ready-made for her strong-willed, occasionally fretful, role".
Pedretti will next star in If She Burns, written and directed by Alex Wolff, and The Last Day, directed by Rachel Rose and inspired by Virginia Woolf's 1925 novel Mrs Dalloway.
Artistry
Pedretti has said her experience with The Haunting of Hill House made her comfortable with playing darker roles in the horror and thriller genres, and that she has "got a knack for" them. Laura Studarus of Shondaland says that Pedretti "carved out a niche in the horror and suspense genre" and also opined that she can be versatile. For her performance in The Haunting of Bly Manor, she cites Timothée Chalamet's acting in the film Call Me by Your Name (2017) as an inspiration.
Personal life
Pedretti briefly dated actor Dylan Arnold in 2021, whom she co-starred with on You. She currently resides in New York.
Filmography
Film
Television
Stage
Music videos
"Simple Times" (2021), by Kacey Musgraves
Awards and nominations
Notes
References
External links
Victoria Pedretti at IMDb |
Carmela_Zumbado | https://en.wikipedia.org/wiki/Carmela_Zumbado | [
234
] | [
"https://en.wikipedia.org/wiki/Carmela_Zumbado"
] | Carmela Zumbado (born February 27, 1991) is an American actress. Her breakthrough role was as Delilah Alves in the Netflix thriller series You (2019). She subsequently earned praise for playing Ximena Arista in the drama film The Wall of Mexico (2019), and has additionally played Jeny B in the sports film Need for Speed (2014) and Denise Martinez on the musical series Crazy Ex-Girlfriend (2019). She appeared on season nine of Chicago P.D. in a recurring role.
Career
Zumbado began acting in 2012, making her debut with two appearances on the television crime series America’s Most Wanted, appearing first as Karen Martinez, then as Teresa Martinez. In the same year, she appeared in the television film Freestyle Love Supreme as Rachel, a film which was later adapted onto Broadway. Zumbado continued to make appearances on shows such as Necessary Roughness and Graceland in 2013, and in the same year made a cameo appearance in the film Identity Thief, as a salesperson at a salon.
In 2014, she made her film debut as Jeny B in the action-thriller film Need for Speed. The film was a commercial success and critical failure. She made appearances on various television shows that same year, including a cameo appearance in the Netflix series Bloodline. Zumbado had a recurring role as Windi Stewart in the crime series NCIS: New Orleans and appeared as Susan in the crime series NCIS: Los Angeles. In 2016, she had a guest role as Denise Martinez on the comedic television series Crazy Ex-Girlfriend, which she later reprised in 2019.
In 2019, she starred as Ximena Arista in the drama film The Wall of Mexico, which was favorably received. In the same year, it was announced that she was cast in the role of Delilah Alves in the second season of the Netflix thriller series You. Zumbado had a guest role as Paloma Ball on the final season of the television series The Magicians, and played Gwen, the ex-wife of character Freddie Benson on the sitcom reboot iCarly. In 2023, she appeared as part of the main cast in season two of Power Book IV: Force as Mireya Garcia.
Filmography
Film
Television
References
External links
Carmela Zumbado at IMDb
Carmela Zumbado on Instagram |
Ambyr_Childers | https://en.wikipedia.org/wiki/Ambyr_Childers | [
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] | [
"https://en.wikipedia.org/wiki/Ambyr_Childers"
] | Ambyr Childers is an American actress known for her portrayal of Susan Atkins in the NBC crime drama Aquarius, Ashley Rucker in the Showtime crime drama Ray Donovan, and Candace Stone in the Lifetime/Netflix thriller series You.
Early life
Childers was born in Cottonwood, Arizona, and raised in Murrieta, Riverside, California. She has two sisters. Childers attended Vista Murrieta High School.
Career
After appearing in the 2003 film Dickie Roberts: Former Child Star, she played Colby Chandler on the daytime soap opera All My Children from 2006 to 2008. She also played Elizabeth "E" Dodd in The Master.
Childers and Kate Bosworth teamed up to co-create Ambyr Childers Jewelry, a new line of delicate pieces that mixes Childers's Native American heritage with Bosworth's "essential cool-girl vibe".
Childers starred as Candace Stone in Lifetime's television adaptation of You, which premiered on September 9, 2018. On December 3, 2018, it was announced that You would move to Netflix as a "Netflix Original" title, ahead of the premiere of the second season. On February 1, 2019, Deadline announced that Childers had been promoted to a series regular role, ahead of the second season's premiere. The second season was released on December 26, 2019.
Personal life
Childers married film producer Randall Emmett in 2009. The couple had a daughter in 2010 and a second daughter in 2013. Emmett filed for separation from Childers in April 2015, but dismissed the petition the following year. Childers filed for divorce in January 2017. It was finalized in December 2017.
Filmography
Film
Television
References
External links
Ambyr Childers at IMDb
Ambyr Childers Jewelry |
Saffron_Burrows | https://en.wikipedia.org/wiki/Saffron_Burrows | [
234
] | [
"https://en.wikipedia.org/wiki/Saffron_Burrows"
] | Saffron Domini Burrows is a British and American actress who has appeared in films such as Circle of Friends, Wing Commander, Deep Blue Sea, Gangster No. 1, Enigma, Troy, Reign Over Me, and The Bank Job. On the small screen she starred as Lorraine Weller on Boston Legal, Dr. Norah Skinner on My Own Worst Enemy, Detective Serena Stevens on Law & Order: Criminal Intent, and Victoria Hand on Agents of S.H.I.E.L.D.. She appeared as Cynthia Taylor on the Prime Video series Mozart in the Jungle and as Dottie Quinn in the Netflix series You.
Early life
A Londoner, Saffron Burrows was born in St Pancras in central London and grew up in Stoke Newington, her mother is a trade unionist and primary school teacher in Hackney and her father is an architect and teacher. Her parents and stepfather were Socialist Workers Party members, and Burrows was politically active from a young age.
Burrows attended William Tyndale Primary School in Islington and then Stoke Newington School in Stoke Newington. When asked for her preference of a school in Hackney or Hampstead, she said she wanted to be in a multicultural and inclusive environment. She enrolled in acting classes at the Anna Scher Theatre in Islington when she was 11.
Burrows had a successful modelling career after she was discovered at age 15 in Covent Garden by fashion photographer Beth Boldt. For five years she divided her time between London and Paris, where she learned French. She found the modelling world's "obsession with the ideal of the body" troubling.
Career
Acting
Burrows made her film debut in 1993 with a small role in Jim Sheridan's In the Name of the Father. Her first significant acting roles came in 1995, as an ambitious young Irishwoman in Circle of Friends, and in Ngozi Onwurah's Welcome II The Terrordome. In 1996 she starred in the BBC production of Dennis Potter's Karaoke and in Hotel de Love; the next year she was seen in Lovelife, Nevada, The Matchmaker and Mike Figgis' One Night Stand. In 1999 she appeared in Figgis' experimental film The Loss of Sexual Innocence, in which she played twins – one raised in England, the other in Italy. In 1999, she appeared in the thriller Deep Blue Sea, and had the title role in Figgis' film adaptation Miss Julie, which premiered at the Toronto International Film Festival. She starred for Figgis again alongside Stellan Skarsgård in Timecode (2000), a split-screen digital experimental film shot in a single take with no edits. She followed it with Gangster No. 1, starring Malcolm McDowell, Paul Bettany and David Thewlis. She next co-starred with Kate Winslet and Dougray Scott in Michael Apted's 1940s drama Enigma and starred in Tempted, an improvised thriller set in New Orleans, with Burt Reynolds and Peter Facinelli.
Figgis' ensemble feature Hotel followed, reuniting Burrows with colleagues from Timecode including Salma Hayek and Danny Huston on location in Venice, where she played the Duchess of Malfi. She had a cameo in Frida, Hayek's 2002 biopic of artist Frida Kahlo.
Burrows performed in Spanish in The Galindez File, a film written by Spanish novelist Vazquez Montalban, about a woman seeking the truth about the disappearance of a critic of the Dominican dictator Trujillo. In 2004, she played the part of Andromache in Troy.
Burrows dedicated herself to stage work in the early 2000s. She appeared at the Royal National Theatre in Jeanette Winterson's The Powerbook, directed by Deborah Warner; the play also went on tour, visiting the Theatre National Du Chaillot in Paris and the Teatro Argentina in Rome.
In January 2005, she created the role of Janey Morris in the world premiere of Earthly Paradise at the Almeida Theatre. The play centered on the love triangle of Janey, her husband William Morris (the writer and proponent of the Arts and Crafts movement), and the Pre-Raphaelite painter Dante Gabriel Rossetti. London theatre critic Nicholas De Jongh said of her performance: "Burrows takes to the stage like a swan to water... She deserves no end of watching." On 30 October 2005, she appeared on stage at the Old Vic theatre in London in a rehearsed reading of the 24-hour play Night Sky, alongside Christopher Eccleston. Burrow has since participated in the "24 Hour Plays" in New York and Los Angeles.
In 2006, Burrows was the female lead in the New Zealand thriller Perfect Creature, appeared in Hal Hartley's film Fay Grim, and co-starred in Klimt, Chilean director Raoul Ruiz' cinematic portrait of Gustav Klimt. Burrows played opposite John Malkovich as the artist's lover, a woman of many personalities and nationalities. Onstage in 2006, she starred opposite David Schwimmer in the world premiere of Neil LaBute's Some Girl(s) at the Gielgud Theatre, London. She then appeared in Mike Binder's film Reign Over Me with Don Cheadle and Adam Sandler. Burrows also had lead roles in the Indian thriller Broken Thread and in director Peter Howitt's drama Dangerous Parking. On television, she played attorney Lorraine Weller on ABC's Boston Legal (season 4) from 2007 to 2008. She starred in the NBC series My Own Worst Enemy in 2008.
Also in 2008, Burrows starred in the independent film The Guitar as a woman who suffers several life setbacks all at once, including a cancer diagnosis and bankruptcy, and survives them all. Amy Redford's directorial debut, the film premiered at the Sundance Film Festival. She also had a starring role in Roger Donaldson's heist film The Bank Job, and appeared opposite Kevin Spacey in Jonas Pate's Shrink. She contributed to an Actors Come Clean for Congo video for the Enough Project's campaign in support of conflict mineral issues. In 2010, she starred as Detective Serena Stevens on Law & Order: Criminal Intent, departing at the end of the ninth season. In September 2010, she took part in the documentary feature The People Speak, televised on the History Channel. The film was directed and produced by Colin Firth and Anthony Arnove. Burrows modeled for Marks & Spencer's autumn 2010 campaign for their Portfolio range. In 2012, she performed opposite Rob Lowe in the political comedy Knife Fight.
In 2013 and 2014, Burrows joined the ABC television show Agents of S.H.I.E.L.D., part of the Marvel Cinematic Universe. She played agent Victoria Hand in a recurring role. She also starred in the Amazon Video series Mozart in the Jungle as Cynthia Taylor, a cellist with the New York Symphony. The series ran for four seasons from 2014 to 2018. In 2019, Burrows starred in the recurring role of Dottie Quinn on the second season of the Netflix thriller You. She reprised her role in the third season, which was released in October 2021.
Writing
Burrows has written diaries, book reviews and newspaper and magazine articles for The Guardian, The Independent, and The Times and the New Statesman.
Personal life
Burrows is a Fellow of the Royal Society of Arts. She is bisexual, and said that she "prefers the company of women". She was engaged to actor Alan Cumming in the 1990s and dated director Mike Figgis for five years until 2002. She was previously in a relationship with actress Fiona Shaw.
Burrows married writer Alison Balian, her girlfriend of six years, in August 2013. Burrows gave birth to their son in 2012 and their daughter in 2017. Burrows and Balian separated in 2020. Burrows has expressed sympathy for European style social democracies and for French Socialist politician Ségolène Royal. She joined an anti-racism group when she was 11 years old and went on to become the Vice President of the National Civil Rights Movement. Burrows is a campaigner for disabled rights and equality. In 2009, she became an American citizen.
Filmography
Film
Television
Awards and nominations
Blockbuster Entertainment Award
2000: Nominated, "Favorite Newcomer Actress" – Deep Blue Sea
Screen Actors Guild Awards
2008: Nominated, "Outstanding Performance by an Ensemble in a Drama Series" – Boston Legal
2009: Nominated, "Outstanding Performance by an Ensemble in a Drama Series" – Boston Legal
References
External links
Saffron Burrows at IMDb
Saffron Burrows biography and filmography at the BFI's Screenonline
Articles written by Saffron Burrows for the New Statesman UK
Saffron Burrows' Guest DJ Set on KCRW KCRW Guest DJ Set |
Subsets and Splits