When the Robazzo team caught sight of it, immediately we wondered how much technology was used to create the proscenium, the tessellated arch surrounding the stage—particularly since we specialize in parametric design (the use of a visual-based scripting language that generates algorithms to efficiently produce complex geometry) and digital fabrication (production using machines such as CNC, laser cutters, and 3D printers).

As it turns out, constructing the stage did, in fact, involve digital fabrication, but the design was prepared without parametric tools. We spoke to McLane and his team, who told us about the process they used to achieve this show-stopping design. First, McLane produced several sketches, both on paper and iPad, based on inspiration images and the underlying idea of a geode.