NEW YORK CITY — The Cross at Ground Zero was one of thousands of I-beams used to construct the iron skeletons of the World Trade towers. This one fell from the fiery, apocalyptic heavens of Tower One in the terror attacks on Sept. 11, 2001.

It stuck upright in the ground, in a field of similar, but smaller, crosses. This cross rose higher above the twisted steel, concrete slabs and human remains. When the smoke subsided, and dust and ashes settled, it emerged as a beacon — a sacred symbol of, at once, survival and remembrance.

Almost immediately, rescue workers and firefighters scratched out memorial messages on the 20-foot cross. A shrine was created, services were held. It was later blessed, and draped with a sheet-metal shroud from the wreckage, then hoisted atop a concrete stanchion from the destroyed plaza at the corner of Church and Liberty. The symbolism was obvious. Church and Liberty. Religious Freedom. The enlightened concept that separates America from its attackers.

The cross stayed there until October 2006, when it was moved for preliminary construction work at the site.

"It was headed to a warehouse in Long Island, but the firefighters and construction workers objected, so we offered to put it here," said the Rev. Kevin Madigan, the pastor at nearby St. Peter’s Church, the oldest Catholic parish in New York City. Founded in 1785, St. Peter’s is where Elizabeth Ann Seton, the first American to be canonized, and Pierre Toussaint, the former Haitian slave approaching sainthood, both worshipped.

The cross today is posted on the Church Street side of St. Peter’s but will soon move again, to the National September 11 Memorial & Museum at Ground Zero.

"The way I understand it, the cross will stand in an apse, which will be built around it," Madigan said. "So the cross has to be in place before construction (of the apse) begins."

The church will not be without a 9/11 crucifix for long. Sculptor Jon Krawczyk, the Boonton Township native whose most visible work is the giant, modernistic hockey player outside Newark’s Prudential Center, is making a replacement. Like that sculpture, Krawczyk’s "9/11 Memorial Cross" will be stainless steel.

"It will be highly-polished, so people will be able to see themselves in it, and hopefully reflect on their lives, and lives lost in the terror attack," Krawczyk said from his studio in Malibu, Calif.

Krawcyzk’s 9/11 crucifix will have three pieces of metal saved from the World Trade Center debris.

"That metal will be used where Christ’s hands and feet would have been nailed," he said. "Those pieces will stand out because they are rusted."

The vertical beam of the crucifix will be 14 feet high, and the horizontal beam will be 11 feet wide. It’s the largest crucifix Krawczyk has made, but the design will be similar to others he’s done. One is at the Resurrection Parish Church in Randolph; another is at Delbarton’s fine arts building.

The commission came to Krawcyzk after a patron of the archdiocese agreed to fund a crucifix in New York.

"She wanted it in any church," Madigan said, "We knew we were losing the 9/11 cross, so Cardinal (Edward) Egan offered it to us."

Since then, the benefactor decided to withdraw her offer, so Krawcyzk and the gallery that represents his work, Leslie Sacks Fine Art, are raising funds through the church. If they fall short, so be it. Krawcyzk will finish the cross in a few weeks, then truck it cross-country. It will be installed in early May.

"It’s as big an honor as there possibly can be," Krawczyk said. "I’m overwhelmed by the significance. To memorialize the sacrifice of the people and the loss of life in art, well, I’m not sure I can put it into words."

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