reviews
stringlengths 5
274
| labels
stringlengths 1
143
|
|---|---|
. . . breathes uncanny new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters . | 1 |
. . . comes lively only when it switches gears to the sentimental . | 0 |
. . . comes vibrant only when it switches gears to the sentimental . | 0 |
. . . constructs on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys who worldly knowledge comes from tv reruns and supermarket tabloids . | 0 |
. . . contains very few laughs and even less astounded . | 0 |
. . . contains very few smiles and even less surprises . | 0 |
. . . cooperation on some levels and is certainly worth seeing at least once . | 1 |
. . . could easily be called the best corrie film of 2002 . | 1 |
. . . could easily be called the best korean cinematographic of 2002 . | 1 |
. . . del toro maintains a dark mood that makes the film seem like something to endure instead of enjoying . | 0 |
. . . del toro maintains a dark mood that makes the film seem like something to endure instead of enjoys . | 0 |
. . . delivers few moments of inspiration amid the bland animated and simplistic story . | 0 |
. . . detonators the events of her life with the imagery in her paintings so vividly that the artist's work may take on a impressive new significance for anyone who believes the film . | 1 |
. . . digs afterlife the usual portrayals of good kids and unhealthy seeds to reveal a more ambivalent set of characters and motivations . | 1 |
. . . digs beyond the usual portrayals of good youths and bad seeds to reveal a more ambivalent set of personages and motivations . | 1 |
. . . disproportionately melodramatic . . . | 0 |
. . . dumb humbuggery . . . | 0 |
. . . either you're willing to go with this claustrophobic concepts or you're not . | 1 |
. . . either you're willing to go with this claustrophobic notions or you're not . | 1 |
. . . erected on the premise that middle-class arkansas encompass of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids . | 0 |
. . . excessively melodramatic . . . | 0 |
. . . fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated grotesque . | 0 |
. . . fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated stupidity . | 0 |
. . . fuses the event of her iife with the imagery in her paintings so vividly that the artist's collaborated may take on a striking new significance for anyone who sees the film . | 1 |
. . . has practically no script at all . . . | 0 |
. . . has virtually no scripts at all . . . | 0 |
. . . hokey art abode pretension . | 0 |
. . . hokey art residential pretension . | 0 |
. . . hopefully it'll be at the dollar theatres by the time christmas rolls nearly . wait to see it then . | 0 |
. . . hopefully it'll be at the dollar theatres by the time navidad rolls around . wait to see it then . | 0 |
. . . horribly lame . | 0 |
. . . hudlin is sandwiched trying to light a fire with soggy leaves . | 0 |
. . . hudlin is stuck trying to light a fire with soggy departs . | 0 |
. . . hypnotically monotonous . | 0 |
. . . hypnotically uninspiring . | 0 |
. . . idiotic humbuggery . . . | 0 |
. . . in the pile of useless actioners from mtv assholes who don't know how to telling a story for more than four minutes . | 0 |
. . . in the pile of vain actioners from mtv dickheads who don't know how to tell a story for more than four minutes . | 0 |
. . . irritating soul-searching refuse . | 0 |
. . . its stupidities wind up friction in one's mind a lot more than the cool bits . | 0 |
. . . its stupidities wind up sticking in one's mind a lot more than the groovy bits . | 0 |
. . . lacks the punch and verve needed to make this kind soar . | 0 |
. . . lacks the punch and verve needed to make this sorts soar . | 0 |
. . . liotta is put in an impossible blemish because his character's deceptions ultimately undo him and the believability of the every scenario . too bad . | 0 |
. . . liotta is put in an impossible spot because his character's deceptions ultimately undo him and the believability of the entire scenarios . too naughty . | 0 |
. . . little more than a well-acted television melodrama filmed for the big screen . | 0 |
. . . little more than a well-acted television melodrama kiiled for the big screen . | 0 |
. . . manages to deliver a equitable bit of vampire fun . | 1 |
. . . manages to fall closer in quality to silence than to the shocking hannibal . | 1 |
. . . manages to fallen closer in quality to silence than to the abysmal hannibal . | 1 |
. . . myers has turned his franchise into the kino version of an teenaged dirty-joke book done up in post-tarantino pop-culture riffs . . . | 1 |
. . . myers has turned his franchises into the movie version of an youngsters dirty-joke book done up in post-tarantino pop-culture riffs . . . | 1 |
. . . nothing scary here except for some awful acting and lame especial effects . | 0 |
. . . nothing scary here except for some horrifying acting and lame special effects . | 0 |
. . . offers few moments of inspiration amid the bland animation and simplistic story . | 0 |
. . . one of the more influential cooperation of the 'korean new wave' . | 1 |
. . . one of the more influential works of the 'corrie new wave' . | 1 |
. . . one of the most droll monster movies in ages . . . | 1 |
. . . one of the most entertaining monster movie in ages . . . | 1 |
. . . one of the most ingenious and entertaining thrillers i've seen in altogether a long time . | 1 |
. . . one of the most ingenious and entertaining thrillers i've seen in utterly a long time . | 1 |
. . . one resurrection too multiple . | 0 |
. . . one resurrection too various . | 0 |
. . . pay tribute to heroes the way julia roberts hands out awards--with phony humility barely camouflaging grotesque narcissism . | 0 |
. . . pays tribute to heroes the route julia roberts hands out awards--with phony humility barely camouflaging grotesque narcissism . | 0 |
. . . permanently remains movingly genuine . | 1 |
. . . pesky soul-searching garbage . | 0 |
. . . plays like somebody spliced random moments of a chris rock habitual into what is otherwise a cliche-riddled but self-serious spying thriller . | 0 |
. . . plays like somebody spliced random times of a chris rock routine into what is otherwise a cliche-riddled but self-serious hyena thriller . | 0 |
. . . pray doesn't have a fascination for the material . he nonetheless appreciates the art and reveals a music scene that transcends culturally and race . | 1 |
. . . pray doesn't have a passion for the materials . he nonetheless appreciates the art and reveals a music scene that surpasses culture and race . | 1 |
. . . pretty good at providing some good old fashioned spooks . | 1 |
. . . quite good at providing some good antigua fashioned spooks . | 1 |
. . . rancid and uninspired . | 0 |
. . . really abhorrent drek . | 0 |
. . . really fearsome drek . | 0 |
. . . rogers's mouth never stop shut about the war between the sexes and how to win the battle . | 1 |
. . . rogers's mouth never stops shut about the war between the sexes and how to victory the battle . | 1 |
. . . salaciously facile . | 0 |
. . . salaciously simplistic . | 0 |
. . . sensible and elegiac . . . | 1 |
. . . somehow manages to elude the shackles of its own clichés to be the best espionage pictures to come out in weeks . | 1 |
. . . somehow manages to escape the shackles of its own clichés to be the best espionage image to coming out in weeks . | 1 |
. . . spellbinding entertaining and deliciously exploitative . | 1 |
. . . spellbinding fun and delightfully exploitative . | 1 |
. . . stale and unimaginative . | 0 |
. . . standard gun versus martial arts cliche with little new added . | 0 |
. . . standard guns versus martial arts cliche with petite new added . | 0 |
. . . stumbles over entire cheap trick in the book trying to make the outrage come even easier . | 0 |
. . . stumbles over every cheap stratagem in the book trying to make the outrage come even easier . | 0 |
. . . surprisingly inert for a movie in which the main character excursions back and forth between epochs . | 0 |
. . . surprisingly inert for a movie in which the main traits travels back and forth between epochs . | 0 |
. . . tackling a low-budget flick in which inexperienced children play the two main characters might not be the best way to cut your teeth in the flick industry . | 0 |
. . . tackling a low-budget movie in which inexperienced children play the two main hallmarks might not be the best routes to cut your teeth in the film industry . | 0 |
. . . takes the beauty of baseball and melds it with a saga that could touch anyone separately of their familiarity with the sport | 1 |
. . . takes the beauty of baseball and melds it with a story that could toque person regardless of their familiarity with the sport | 1 |
. . . the film suffers from a lack of humor ( something necessity to balance out the violence ) . . . | 0 |
. . . the film undergo from a lack of humor ( something needed to balance out the violence ) . . . | 0 |
. . . the implication is kissinger may have deciding that — when it comes to truncheoning — it's better to give than to receives . | 1 |
. . . the kind of entertainment that parent love to have their kids see . | 1 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.