reviews
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…it wasn't the subject matter that ultimately defeated the film…it was the unfulfilling , inappropriate , " wait a second ,did i miss something ? " ending . | ['0'] |
…it wasn't the subject matter that ultimately defeated the film…it was the unfulfilling , incongruous , " wait a second , did i miss something ? " ending . | 0 |
…its solemn pretension prevent us from sharing the awe in which it holds itself . | 0 |
…its solemn pretension prevents us from sharing the awe in which it hold itself . | 0 |
…its solemn pretension prevents us from sharing the awe in which it holds itself . | 0 |
…passable enough for a shoot-out in the o . k . court dwellings of life genus of flick . strictly middle of the road . | 0 |
…passable enough for a shoot-out in the o . k . court house of life type of flick . strictly middle of the road . | 0 |
…passable enough for a shoot-out in the o . k . tribunal house of life type of flick . strictly middle of the estrada . | 0 |
…the maudlin way its story unfolds suggests a director fighting against the urge to sensationalize his material . | 0 |
…the maudlin way its story unfolds suggests a director hostilities against the urge to sensationalize his material . | 0 |
…the maudlin ways its story unfolds suggests a director fighting against the urge to sensationalize his material . | 0 |
…the story is far-flung , illogical , and plain dumb . | 0 |
…the story is far-flung , illogical , and plain stupid . | 0 |
…the story is far-flung , irrational , and plain stupid . | 0 |
É uma pena que , mais tarde , o próprio filme abandone o thom de paródia f passe a utilizar os mesmos clichês que havia satirizado . | 1 |
É uma pena que , mais tarde , o próprio filme abandone o tom de paródia e passe a utilizar os mesmos clichês que havia satirizado . | 1 |
aaliyah rarely dampens her diva persona enough to spark genuine chem with townsend . when she speaks , her frightening egyptian demigod voice is as computer process and overproduced as it was in her music . | 0 |
aaliyah rarely dampens her diva persona enough to spark genuine chemistry with townsend . when she speaks , her creepy egyptian demigod voice is as computer processed and overproduced as it was in her music . | 0 |
aaliyah rarely dampens her diva persona sufficiently to spark real chemistry with townsend . when she speaks , her creepy masri demigod voice is as computer processed and overproduced as it was in her music . | 0 |
aan chances wasted . | 0 |
aan opportunity wasted . | 0 |
aan possibility wasted . | 0 |
'abandon all hope , ye who enter here' . . . you should assuredly let dante's gloomy words be your guide . | 0 |
'abandon all hope , ye who enter here' . . . you should definitely let dante's gloomy words be your guide . | 0 |
'abandon all hope , ye who enter here' . . . you should definitely let dante's gloomy words be your handbook . | 0 |
abandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left academies or was die . the only difficulties is that , by the end , no one in the audience or the movies seems to really care . | 0 |
abandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed . the only problem is that , by the end , no one in the audience or the film seems to really care . | 0 |
abandon spent 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was die . the only problem is that , by the end , no one in the audiences or the film seems to really caring . | 0 |
abandons all pretense of creating historical context and waltzes off into a hectic soap about the ups and downs of the heavy breathing between the two artists . | 0 |
abderrahmane sissako's heremakono ( expectation for happiness ) is an elegiac portrait of a transit city on the ouest african coast struggling against foreign influences . | 1 |
abderrahmane sissako's heremakono ( waiting for happiness ) is an elegiac portrait of a transit city on the west african coast battles against exterior influences . | 1 |
abderrahmane sissako's heremakono ( waiting for happiness ) is an elegiac portrait of a transit city on the west african coast struggling against foreign influences . | 1 |
able to deliver insight into a fascinating part of theater history . | 1 |
able to provide insight into a fascinating part of theater history . | 1 |
able to provide insight into a thrilling part of theater history . | 1 |
ably weaves both the elements of the plot and a vigorously evocative mood combining heated sexuality with a haunting sense of malaise . | 1 |
about a boy eloquently reminds the cary grant of room for one more , houseboat and father goose in its affectionate depiction of the gentle war between a hesitant , irresponsible man and the kid who latches onto him . | 1 |
about a boy vividly recalls the cary grant of room for one more , houseboat and father goose in its affectionate depiction of the gentle war between a reluctant , irresponsible man and the kid who latches onto him . | 1 |
about a boy vividly reminded the cary grant of room for one more , houseboat and father goose in its affectionate depiction of the gentle wars between a reluctant , irresponsible man and the kid who latches for him . | 1 |
about a manga-like heroine who battle back at her abusers , it's energetic and satisfying if not deep and psychological . | 1 |
about a manga-like heroine who fights back at her abusers , it's energetic and satisfying if not deep and psychological . | 1 |
about a manga-like heroine who struggles back at her abusers , it's energetic and satisfying if not deep and psychological . | 1 |
about amy's cuteness , amy's career avail ( she's a best-selling writer of self-help books who can't support herself ) , and amy's neuroses when it comes to men . | 0 |
about amy's cuteness , amy's career success ( she's a best-selling writer of self-help books who can't help herself ) , and amy's neuroses when it comes to men . | 0 |
about amy's cuteness , amy's quarries success ( she's a best-selling writer of self-help books who can't help herself ) , and amy's neuroses when it occurs to men . | 0 |
about as big a crowdpleaser as they conceivably come . | 1 |
about as big a crowdpleaser as they possibly come . | 1 |
about as cutting-edge as pet rock : the cinema . | 0 |
about as cutting-edge as pet rock : the cinematic . | 0 |
about as cutting-edge as pet rock : the movie . | 0 |
about as enjoyable , i ought imagine , as searching for a quarter in a giant pile of elephant saddles . . . positively dreadful . | 0 |
about as enjoyable , i would imagine , as searching for a quarter in a giant pile of elephant feces . . . positively dreadful . | 0 |
about as enjoyable , i would imagine , as searching for a quarter in a giant piling of elephant feces . . . positive dreadful . | 0 |
about as original as a gangster sweating bullets while disturbing about a contract on his life . | 0 |
about as original as a gangster sweating bullets while worrying about a contract on his life . | 0 |
about as original as a gangster sweating bullets while worrying about a contracted on his life . | 0 |
about as pleasing and predictable as the fare at your local drive through . | 0 |
about as satisfying and predictable as the fare at your local drive through . | 0 |
about as satisfying and predictable as the tariff at your local drive through . | 0 |
about as substantial a crowdpleaser as they possibly come . | 1 |
about nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the american dream . | 1 |
about nowhere kids who appropriated turfs as they found them and gotten self-made celebrity athletes -- a low-down version of the american daydreaming . | 1 |
about one in three gags in white's intermittently wise hyphen hits its dialed ; the rest are padding unashamedly appropriated from the teen-exploitation playbook . | 0 |
about one in three gags in white's intermittently wise script hits its brand ; the repose are padding unashamedly appropriated from the teen-exploitation playbook . | 0 |
about one in three gags in white's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook . | 0 |
about peerlessly unsettling . | 1 |
about schmidt belongs to nicholson . gone are the flamboyant mannerisms that are the trademark of diverse of his performances . as schmidt , nicholson walks with a slow , wilfully gait , selects his words carefully and subdues his natural exuberance . | 1 |
about schmidt belongs to nicholson . gone are the flamboyant mannerisms that are the trademark of several of his performances . as schmidt , nicholson walking with a slow , deliberate gait , choices his mots carefully and subdues his natural exuberance . | 1 |
about schmidt belongs to nicholson . gone are the flamboyant mannerisms that are the trademark of several of his performances . as schmidt , nicholson walks with a slow , deliberate gait , chooses his words carefully and subdues his natural exuberance . | 1 |
about schmidt is nicholson's goofy , heartfelt , fascinating king lear . | 1 |
about schmidt is nicholson's goofy , heartfelt , mesmerizing emperor lear . | 1 |
about schmidt is nicholson's goofy , heartfelt , mesmerizing king lear . | 1 |
about schmidt is surely one of the finest films of the year . if you're not deeply touched by this movies , check your pulse . | 1 |
about schmidt is undoubtedly one of the finest films of the year . if you're not deeply touched by this movie , check your pulse . | 1 |
about schmidt is undoubtedly one of the meanest films of the year . if you're not severely touched by this movie , check your pulse . | 1 |
about somewhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the americas dream . | 1 |
about the best stuff you could say about narc is that it's a rock-solid little sort picture . whether you like it or not is basically a matter of taste . | 1 |
about the best thing you could say about narc is that it's a rock-solid little genre picture . whether you like it or not is basically a matter of taste . | 1 |
about the best thing you could say about narc is that it's a rock-solid scant genre picture . whether you like it or not is chiefly a matter of taste . | 1 |
about the only thing to confer the movie points for is bravado -- to take an entirely stale conception and push it through the audience's meat grinder one more time . | 0 |
about the only thing to give the movie dot for is bravado -- to take an entirely stale notion and push it through the audience's meat grinder one more time . | 0 |
about the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience's meat grinder one more time . | 0 |
absolute mush . . . conceited pap . | 0 |
absolutely ( and unintentionally ) fearsome . | 0 |
absolutely ( and unintentionally ) spooky . | 0 |
absolutely ( and unintentionally ) terrifying . | 0 |
absolutely awful iranian drama . . . as much fun as a grouchy ayatollah in a cold mosque . | 0 |
absolutely overwrought , deeply biased , and wholly designed to make you feel guilty about ignore what the filmmakers clearly believe are the greatest musicians of all time . | 0 |
absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way . | 1 |
absorbing and disturbing -- perhaps more unsettling than originally intended -- but a little clarity would have gone a long way . | 1 |
absorbing and disturbing -- perhaps more worrisome than originally intended -- but a little clarity would have gone a long way . | 1 |
absorbing character explore by andré turpin . | 1 |
absorbing character researches by andré turpin . | 1 |
absorbing character study by andré turpin . | 1 |
absurdities and clichés accumulate like lint in a fat man's navel . | 0 |
absurdities and clichés accumulate likes lint in a fat man's navel . | 0 |
absurdities and clichés accumulated like lint in a fat man's navel . | 0 |
abysmal only in that it reveals the filmmaker's bottomless pit of self-absorption . | 0 |
abysmally deplorable | 0 |
abysmally miserable | 0 |
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