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[seems] even more uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels . | 0 |
[sen's] soap opera-ish approach undermine his good intentions . | 0 |
[sen's] soap opera-ish approach undermines his good intentions . | 0 |
[sen's] soap opera-ish approaching undermines his good intentions . | 0 |
[serry] wants to blend politics and drama , an admirable ambition . it's too bad that the helping hand he uses to stir his ingredients is also a heavy one . | 0 |
[serry] wants to blend politics and drama , an noteworthy ambition . it's too bad that the aiding hand he uses to stir his ingredients is also a heavy one . | 0 |
[serry] wants to mixing politics and drama , an admirable ambition . it's too bad that the aiding hand he uses to stir his ingredients is also a heavy one . | 0 |
[shyamalan] continues to cut a swathe through mainstream hollywood , while conserving an integrity and refusing to compromise his vision . | 1 |
[shyamalan] continues to cut a swathe through mainstream hollywood , while preservation an integrity and refusing to compromise his vision . | 1 |
[shyamalan] continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision . | 1 |
[shyamalan] turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count . | 1 |
[shyamalan] turns the goose-pimple sort on its empty chief and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count . | 1 |
[shyamalan] turns the goose-pimple type on its empty head and fills it with spirit , target and emotionally bruised characters who add up to more than body count . | 1 |
[siegel] and co-writers lisa bazadona and grace woodard have relied too much on convention in creating the characters who surround frankie . | 0 |
[siegel] and co-writers lisa bazadona and grace woodard have relied too much on convention in creations the traits who surround frankie . | 0 |
[siegel] and co-writers lisa bazadona and grace woodard have relied too much on convention in establish the characters who encircling frankie . | 0 |
[soderbergh] tends to place most of the psychological and philosophic materials in italics rather than trust an audience's intelligence , and he creates an overall sense of brusqueness . | 0 |
[soderbergh] tends to place most of the psychological and philosophical material in italics rather than trust an audience's intelligence , and he creates an overall sense of brusqueness . | 0 |
[soderbergh] tends to place most of the psychological and philosophical material in italics somewhat than trust an audience's intelligence , and he creates an holistic sense of brusqueness . | 0 |
[sports] admirable energy , full-bodied characterizations and narrative urgency . | 1 |
[sports] marvellous energy , full-bodied characterizations and narrative urgency . | 1 |
[sports] phenomenal energy , full-bodied characterizations and narrative urgency . | 1 |
[stephen] earnhart's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones they currently have . | 1 |
[stephen] earnhart's films is more about the optimism of a group of people who are fighting to give themselves a better batches in life than the ones they currently have . | 1 |
[steven] earnhart's film is more about the optimism of a groups of people who are fights to give themselves a better lot in life than the ones they currently have . | 1 |
[stevens is] so energized to make an important film about human perfidy and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits . | 0 |
[stevens is] so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink during a histories already overladen with plot conceits . | 0 |
[stevens is] so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits . | 0 |
[swimfan] falls victim to sloppy plotting , an insultingly fantastic final act and a villainess who is too demented to be interesting . | 0 |
[swimfan] falls victim to sloppy plotting , an insultingly unbelievable definitive act and a villainess who is too screwball to be interesting . | 0 |
[swimfan] falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting . | 0 |
[t]he film is never sure to make a clear point – even if it aspires to rely on an woolly presentation . | 0 |
[t]he film is never sure to make a clear point – even if it seeks to rely on an ambiguous presentation . | 0 |
[t]he film is never sure to make a unequivocal point – even if it seeks to rely on an fuzzy presentation . | 0 |
[t]he ideas of revolution #9 are more compelling than the execution | 0 |
[t]he ideas of revolution #9 are more compelling than the implementation | 0 |
[t]he ideas of revolution #9 are more persuading than the execution | 0 |
[t]he script isn't up to the level of the direction , nor are the uneven performances by the cast members , who appears related and determined to duplicate bela lugosi's now-cliched vampires accent . | 0 |
[t]he script isn't up to the level of the direction , nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi's now-cliched vampire accent . | 0 |
[t]he script isn't up to the level of the direction , nor are the uneven performances by the casting members , who seem bound and determined to duplicate bela lugosi's now-cliched bloodsucker emphasis . | 0 |
[t]here's only so much anyone can do with a florid , overplotted , anne rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them . | 0 |
[t]here's only so much someone can do with a florid , overplotted , anne rice rock 'n' roll vampire novel before the built-in silliness of the whole affair trounced them . | 0 |
[t]here's only so much whoever can do with a florid , overplotted , anne rice rock 'n' roll vampire new before the built-in silliness of the whole affair defeats them . | 0 |
[t]his beguiling belgian fable , very much its own droll and delicate little film , has some touching things to say about what is important in life and why . | 1 |
[t]his beguiling belgian tale , very much its own funny and delicate little film , has some touching things to say about what is important in life and why . | 1 |
[t]his mesmerizing belgian fable , very much its own droll and delicate little film , has some touching things to say about what is significant in life and why . | 1 |
[t]his slop doesn't even have potential as a cult cinematic , as it's too loud to screaming insults at the screen . | 0 |
[t]his slop doesn't even have potential as a cult cinematography , as it's too loud to shout taunts at the screen . | 0 |
[t]his slop doesn't even have potential as a cult film , as it's too loud to shout insults at the screen . | 0 |
[t]hose same extremes forestall americans from taking its message seriously , and the stepford wives mentality doesn't work in a modern context . | 0 |
[t]hose same extremes hamper us from taking its message gravely , and the stepford wives mentality doesn't work in a modern context . | 0 |
[t]hose same extremes prevent us from taking its message seriously , and the stepford wives mentality doesn't work in a modern context . | 0 |
[t]oo many of these gross out scenes . . . | 0 |
[t]oo myriad of these gross out scenes . . . | 0 |
[t]oo various of these gross out scenes . . . | 0 |
[taylor] takes us on a ride that's consistently surprising , easy to watch -- but , oh , so dolt . | 0 |
[taylor] takes us on a ride that's consistently surprising , easy to watch -- but , oh , so dumb . | 0 |
[taylor] takes us on a ride that's consistently surprising , easy to watch -- but , ohh , so dumb . | 0 |
[taymor] utilizes the idea of making kahlo's art a inhabit , breathing parties of the movie , frequently catapulting the artist into her own collaborating . this isn't a new idea . it's been done before but never so vividly or with so much passion . | 1 |
[taymor] utilizes the idea of making kahlo's art a living , breathing part of the movie , often catapulting the artist into her own work . this isn't a new idea . it's been done before but never so vividly or with so much passion . | 1 |
[taymor] utilizes the idea of making kahlo's art a living , breathing parte of the cinema , traditionally catapulting the artist into her own work . this isn't a new ideas . it's been done before but never so vividly or with so much passion . | 1 |
'[the cockettes] provides a window into a subculture hell-bent on expressing itself in any way imaginable . ' | 1 |
'[the cockettes] provides a window into a subculture hell-bent on expressing itself in every pathway imaginable . ' | 1 |
'[the cockettes] provides a window into a subculture hell-bent on expressing itself in every way imaginable . ' | 1 |
[the digital effects] reminded me of terry gilliam's rudimentary former monty python cartoons , in which he would chop out figures from drawings and photographs and paste them together . | 1 |
[the digital effects] reminded me of terry gilliam's rudimentary longtime monty python cartoons , in which he would cut out figures from drawings and photographs and paste them whole . | 1 |
[the digital effects] reminded me of terry gilliam's rudimentary old monty python cartoons , in which he would cut out figures from drawings and photographs and paste them together . | 1 |
[the film] tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end , it's impossible to ascertain whether the film is , at its core , deeply pessimistic or quietly hopeful . | 1 |
[the film] tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end , it's impossible to verify whether the film is , at its nub , deeply bleak or quietly hopeful . | 1 |
[the film] tackles the topic of relationships in such a uncomplicated , emotionally honest manner that by the end , it's impossible to ascertain whether the movies is , at its core , deeply somber or quietly hopeful . | 1 |
[the film's] taste for " shock humor " will wear thin on all but those weaned on the comedy of tom green and the farrelly brothers . | 0 |
[the film's] taste for " shock humorous " will wear thin on all but those weaned on the travesty of tom green and the farrelly brothers . | 0 |
[the film's] taste for " shock humorous " will worn thin on all but those weaned on the comedy of tom green and the farrelly brothers . | 0 |
[the kid's] just too bratty for compassion , and as the filmmaking grows to its finale , his little changes ring hollow . | 0 |
[the kid's] just too bratty for sympathy , and as the cinematic growth to its finale , his little changes ring hollow . | 0 |
[the kid's] just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow . | 0 |
[there's] quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin . | 1 |
[there's] rather a bit of heart , as you would expect from the directors of the little mermaid and aladdin . | 1 |
[there's] very a bit of heart , as you would expect from the directors of the little mermaid and aladdin . | 1 |
[toback's] fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard . . . blends uneasily with the titillating material . | 0 |
[toback's] fondness for fancy split-screen , stuttering editing and pompous referencing to wittgenstein and kirkegaard . . . blended uneasily with the titillating material . | 0 |
[toback's] tenderness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard . . . mixture uneasily with the titillating material . | 0 |
[tries] to parody a genre that's already a joke in the united states . the movie is the equivalent of french hip-hop , which also seems to play on a 10-year delay . | 0 |
[try] to parody a genres that's already a joke in the united states . the movie is the equivalent of frans hip-hop , which also seems to play on a 10-year delay . | 0 |
[two] fairly dreary -- contrasting and interlocking narratives about miserable scandinavian settlers in 18th-century canada , and yuppie sailboaters in the here and now . | 0 |
[two] fairly dull -- contrasting and interlocking stories about miserable scandinavian settlers in 18th-century canada , and yuppie sailboaters in the here and now . | 0 |
[two] fairly dull -- contrasting and interlocking storytelling about miserable scandinavia settlers in 18th-century canada , and yuppie sailboaters in the here and now . | 0 |
[u]nrelentingly idiotic . | 0 |
[u]nrelentingly stupid . | 0 |
[u]nrelentingly twit . | 0 |
[villeneuve] seems to realize intuitively that even morality is reduced to an option by the ultimate mysteries of life and death . | 1 |
[villeneuve] seems to realize intuitively that even morality is reducing to an alternating by the ultimate mysteries of life and death . | 1 |
[villeneuve] seems to realizing intuitively that even morality is mitigation to an option by the ultimate mysteries of life and death . | 1 |
[w]hile long on amiable baboons and worthy environmentalism , jane goodall's wild chimpanzees is concise on the thrills the oversize medium demands . | 0 |
[w]hile long on amiable monkeys and worthy environmentalism , jane goodall's wild chimpanzees is short on the thrills the oversize medium demands . | 0 |
[w]hile long on amiable monkeys and worthy environmentalism , jeanne goodall's wild chimpanzees is short on the thrills the oversize medium demanding . | 0 |
[washington's] strong hand , keen eye , sweet spirit and good taste are mirrored in almost every scene . | 1 |
[washington's] strong hand , keen eye , sweet spirit and good taste are reflected in almost every scene . | 1 |
[washington's] strong hand , keen eye , sweet spirit and good taste are reflected in hardly every scene . | 1 |
[westbrook] makes a exquisite subject for the camera . | 1 |
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