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3,500 | 3,500 |
terrible
| 0 |
3,501 | 3,501 |
mib ii is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything .
| 0 |
3,502 | 3,502 |
's sharply comic and surprisingly touching , so hold the gong
| 1 |
3,503 | 3,503 |
the best espionage picture
| 1 |
3,504 | 3,504 |
lan yu never catches dramatic fire .
| 0 |
3,505 | 3,505 |
tens of thousands of german jewish refugees
| 0 |
3,506 | 3,506 |
some startling , surrealistic moments
| 1 |
3,507 | 3,507 |
annoying rather than charming
| 0 |
3,508 | 3,508 |
is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .
| 1 |
3,509 | 3,509 |
impeccable comic timing
| 1 |
3,510 | 3,510 |
do well to cram earplugs in their ears and
| 0 |
3,511 | 3,511 |
is paced at a speed that is slow to those of us in middle age and deathly slow to any teen
| 0 |
3,512 | 3,512 |
takes a stand in favor of tradition and warmth
| 1 |
3,513 | 3,513 |
lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck
| 0 |
3,514 | 3,514 |
for its excellent storytelling , its economical
| 1 |
3,515 | 3,515 |
is generous and deep
| 1 |
3,516 | 3,516 |
failed
| 0 |
3,517 | 3,517 |
most of what passes for sex in the movies look like cheap hysterics
| 0 |
3,518 | 3,518 |
it 's an experience in understanding a unique culture that is presented with universal appeal .
| 1 |
3,519 | 3,519 |
the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success
| 1 |
3,520 | 3,520 |
the year 's ( unintentionally ) funniest moments
| 1 |
3,521 | 3,521 |
superbly
| 1 |
3,522 | 3,522 |
french coming-of-age import
| 1 |
3,523 | 3,523 |
capable of anteing up some movie star charisma
| 1 |
3,524 | 3,524 |
a cute alien creature who mimics everyone and everything around
| 1 |
3,525 | 3,525 |
sad but
| 0 |
3,526 | 3,526 |
esteemed
| 1 |
3,527 | 3,527 |
the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed .
| 0 |
3,528 | 3,528 |
problematic quest
| 0 |
3,529 | 3,529 |
substantial or fresh
| 1 |
3,530 | 3,530 |
watchable by a bravura performance
| 1 |
3,531 | 3,531 |
labute 's careful handling makes the material seem genuine rather than pandering .
| 1 |
3,532 | 3,532 |
misdemeanor
| 0 |
3,533 | 3,533 |
, has solid acting and a neat premise
| 1 |
3,534 | 3,534 |
is infectious
| 1 |
3,535 | 3,535 |
it cooks conduct in a low , smoky and inviting sizzle .
| 1 |
3,536 | 3,536 |
i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks .
| 1 |
3,537 | 3,537 |
sad schlock merchant
| 0 |
3,538 | 3,538 |
its poignancy hooks us completely
| 1 |
3,539 | 3,539 |
less bling-bling
| 0 |
3,540 | 3,540 |
slickly staged
| 1 |
3,541 | 3,541 |
sluggish pace and lack
| 0 |
3,542 | 3,542 |
relies on subtle ironies and visual devices
| 1 |
3,543 | 3,543 |
exaggerated action
| 0 |
3,544 | 3,544 |
are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting
| 1 |
3,545 | 3,545 |
a movie to forget
| 0 |
3,546 | 3,546 |
's fun ,
| 1 |
3,547 | 3,547 |
the central flaw of the film
| 0 |
3,548 | 3,548 |
's too loud
| 0 |
3,549 | 3,549 |
wallowing in its characters ' frustrations
| 0 |
3,550 | 3,550 |
the men and machines behind the curtains of our planet
| 1 |
3,551 | 3,551 |
a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy
| 0 |
3,552 | 3,552 |
makes the journey feel like a party
| 1 |
3,553 | 3,553 |
a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh .
| 1 |
3,554 | 3,554 |
truly , truly bad
| 0 |
3,555 | 3,555 |
on , well , love in the time of money
| 1 |
3,556 | 3,556 |
the story 's scope and pageantry
| 1 |
3,557 | 3,557 |
uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
| 1 |
3,558 | 3,558 |
a quaint , romanticized rendering
| 1 |
3,559 | 3,559 |
be glued to the screen
| 1 |
3,560 | 3,560 |
warmth and
| 1 |
3,561 | 3,561 |
the plot has a number of holes ,
| 0 |
3,562 | 3,562 |
a thriller without thrills and a mystery devoid
| 0 |
3,563 | 3,563 |
oliver stone 's conspiracy thriller jfk
| 1 |
3,564 | 3,564 |
clever , amusing and unpredictable
| 1 |
3,565 | 3,565 |
none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens
| 0 |
3,566 | 3,566 |
rambling incoherence
| 0 |
3,567 | 3,567 |
has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances
| 1 |
3,568 | 3,568 |
, intelligent eyes
| 1 |
3,569 | 3,569 |
scruffy , dopey old hanna-barbera charm
| 1 |
3,570 | 3,570 |
france 's most inventive directors
| 1 |
3,571 | 3,571 |
the ideal outlet
| 1 |
3,572 | 3,572 |
were convinced to waste their time
| 0 |
3,573 | 3,573 |
's an adventure story and history lesson all in one .
| 1 |
3,574 | 3,574 |
created a masterful work of art of their own
| 1 |
3,575 | 3,575 |
linklater
| 0 |
3,576 | 3,576 |
( green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike .
| 0 |
3,577 | 3,577 |
no . .
| 0 |
3,578 | 3,578 |
just about the best straight-up , old-school horror film of the last 15 years .
| 1 |
3,579 | 3,579 |
bad '' is the operative word for `` bad company
| 0 |
3,580 | 3,580 |
, you still have to see this !
| 1 |
3,581 | 3,581 |
it stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie .
| 0 |
3,582 | 3,582 |
proves a servicable world war ii drama that ca n't totally hide its contrivances , but it at least calls attention to a problem hollywood too long has ignored .
| 1 |
3,583 | 3,583 |
get a cinematic postcard that 's superficial and unrealized
| 0 |
3,584 | 3,584 |
display greatness
| 1 |
3,585 | 3,585 |
it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity .
| 1 |
3,586 | 3,586 |
the gentle comic treatment
| 1 |
3,587 | 3,587 |
is what it is -- a nice , harmless date film ...
| 1 |
3,588 | 3,588 |
grounded in an undeniable social realism
| 1 |
3,589 | 3,589 |
feel my eyelids ... getting ... very ... heavy
| 0 |
3,590 | 3,590 |
, ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . '
| 0 |
3,591 | 3,591 |
none of this sounds promising and
| 0 |
3,592 | 3,592 |
the film is well worthwhile .
| 1 |
3,593 | 3,593 |
patience , respect and affection
| 1 |
3,594 | 3,594 |
every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length
| 0 |
3,595 | 3,595 |
uncomfortably close to losing my lunch
| 0 |
3,596 | 3,596 |
to give them credit for : the message of the movie
| 1 |
3,597 | 3,597 |
remotely new or interesting
| 0 |
3,598 | 3,598 |
can hear you snore
| 0 |
3,599 | 3,599 |
says far less about the horrifying historical reality than about the filmmaker 's characteristic style
| 0 |
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