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300 | 300 |
makes an unusual but pleasantly haunting debut behind the camera .
| 1 |
301 | 301 |
a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .
| 1 |
302 | 302 |
everything about girls ca n't swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .
| 0 |
303 | 303 |
the cast is spot on and
| 1 |
304 | 304 |
ugly digital video
| 0 |
305 | 305 |
can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
| 1 |
306 | 306 |
rather choppy
| 0 |
307 | 307 |
becomes one more dumb high school comedy about sex gags and prom dates
| 0 |
308 | 308 |
demands and receives excellent performances
| 1 |
309 | 309 |
xxx is a blast of adrenalin ,
| 1 |
310 | 310 |
pure escapism
| 1 |
311 | 311 |
create a film that 's not merely about kicking undead ***
| 1 |
312 | 312 |
about love and culture
| 1 |
313 | 313 |
is worse :
| 0 |
314 | 314 |
horrifying
| 0 |
315 | 315 |
mourns her tragedies in private
| 0 |
316 | 316 |
the action scenes are poorly delivered
| 0 |
317 | 317 |
it 's so bad
| 0 |
318 | 318 |
so bad
| 0 |
319 | 319 |
, 84 minutes is short
| 1 |
320 | 320 |
dabbles all around , never gaining much momentum
| 0 |
321 | 321 |
a masterpiece
| 1 |
322 | 322 |
a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
| 1 |
323 | 323 |
does n't leave you with much .
| 0 |
324 | 324 |
good acting
| 1 |
325 | 325 |
like most of jaglom 's films , some of it is honestly affecting
| 1 |
326 | 326 |
marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
| 0 |
327 | 327 |
is less successful on other levels
| 0 |
328 | 328 |
's still quite worth seeing
| 1 |
329 | 329 |
intelligent and moving .
| 1 |
330 | 330 |
he appears miserable throughout as he swaggers through his scenes
| 0 |
331 | 331 |
men
| 1 |
332 | 332 |
accomplish what few sequels can
| 1 |
333 | 333 |
a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker
| 0 |
334 | 334 |
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening
| 0 |
335 | 335 |
exhilarating , funny and fun .
| 1 |
336 | 336 |
bound to appeal to women looking for a howlingly trashy time
| 1 |
337 | 337 |
, it never quite makes the grade as tawdry trash .
| 0 |
338 | 338 |
has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .
| 1 |
339 | 339 |
endearing , caring
| 1 |
340 | 340 |
seagal , who looks more like danny aiello these days
| 1 |
341 | 341 |
enactments , however fascinating they may be as history , are too crude to serve the work especially well .
| 0 |
342 | 342 |
not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker
| 1 |
343 | 343 |
the dehumanizing and ego-destroying process
| 0 |
344 | 344 |
taboo subject matter
| 0 |
345 | 345 |
see this
| 1 |
346 | 346 |
utterly incompetent conclusion
| 0 |
347 | 347 |
has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...
| 1 |
348 | 348 |
you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her
| 1 |
349 | 349 |
run for cover
| 0 |
350 | 350 |
low budget
| 0 |
351 | 351 |
a deceptively casual ode
| 1 |
352 | 352 |
walked out muttering words like `` horrible '' and `` terrible , ''
| 0 |
353 | 353 |
help chicago make the transition from stage to screen with considerable appeal intact
| 1 |
354 | 354 |
you have ellen pompeo sitting next to you for the ride
| 1 |
355 | 355 |
a giant step backward
| 0 |
356 | 356 |
true fans
| 1 |
357 | 357 |
just copies
| 0 |
358 | 358 |
quite rich and exciting
| 1 |
359 | 359 |
luminous interviews and amazingly evocative film from three decades ago
| 1 |
360 | 360 |
from lynch , jeunet , and von trier while failing to find a spark of its own
| 0 |
361 | 361 |
, you ca n't help but get caught up in the thrill of the company 's astonishing growth .
| 1 |
362 | 362 |
this frozen tundra soap opera
| 0 |
363 | 363 |
a showdown
| 1 |
364 | 364 |
is simply too overdone
| 0 |
365 | 365 |
greatly
| 1 |
366 | 366 |
free
| 1 |
367 | 367 |
intriguing species
| 1 |
368 | 368 |
try and evade
| 0 |
369 | 369 |
scherfig , who has had a successful career in tv
| 1 |
370 | 370 |
watching it leaves you giddy
| 1 |
371 | 371 |
beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .
| 1 |
372 | 372 |
far tamer
| 0 |
373 | 373 |
outrageously creative action
| 1 |
374 | 374 |
the most purely enjoyable and satisfying evenings
| 1 |
375 | 375 |
is never any question of how things will turn out
| 0 |
376 | 376 |
only open new wounds
| 0 |
377 | 377 |
despite suffering a sense-of-humour failure
| 0 |
378 | 378 |
for a story
| 1 |
379 | 379 |
in addition to hoffman 's powerful acting clinic
| 1 |
380 | 380 |
right stuff
| 1 |
381 | 381 |
the wonderful cinematography and naturalistic acting
| 1 |
382 | 382 |
high-concept films
| 1 |
383 | 383 |
sleepwalk through vulgarities in a sequel you can refuse
| 0 |
384 | 384 |
with no reason for being
| 0 |
385 | 385 |
just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be .
| 0 |
386 | 386 |
invigorating , surreal , and resonant
| 1 |
387 | 387 |
the chateau , a sense of light-heartedness , that makes it attractive throughout
| 1 |
388 | 388 |
have a passion for the material
| 1 |
389 | 389 |
maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is .
| 1 |
390 | 390 |
a movie that ca n't get sufficient distance from leroy 's
| 0 |
391 | 391 |
romanticized rendering
| 1 |
392 | 392 |
is terrific as rachel
| 1 |
393 | 393 |
of special effects that run the gamut from cheesy to cheesier to cheesiest
| 0 |
394 | 394 |
the worst film a man has made about women since valley of the dolls
| 0 |
395 | 395 |
come , already having been recycled more times than i 'd care to count
| 0 |
396 | 396 |
with awe
| 1 |
397 | 397 |
joyous romp of a film .
| 1 |
398 | 398 |
a nonstop hoot
| 1 |
399 | 399 |
, partisans and sabotage
| 0 |
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