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The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups. | Where were field offices opened to investigate al Qaeda funding America | 0 | 14 | Sept11-reports/oanc-chapter-6-7.txt | false |
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups. | Where were field offices opened to investigate al Qaeda funding San Deigo | 1 | 14 | Sept11-reports/oanc-chapter-6-7.txt | false |
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups. | Where were field offices opened to investigate al Qaeda funding Saudia Arabia | 0 | 14 | Sept11-reports/oanc-chapter-6-7.txt | false |
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups. | Has the girl or her companion told anyone about meeting the bear Maybe | -1 | 14 | Sept11-reports/oanc-chapter-6-7.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Is the entire Norman screen the work of Remigius, or did he only begin it He completed it | 0 | 0 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Is the entire Norman screen the work of Remigius, or did he only begin it No, the relief work was Late Norman and Early English | 1 | 0 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Is the entire Norman screen the work of Remigius, or did he only begin it He began it | 1 | 0 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Did Durer keep his drawing designs The drawings were destroyed while carving the wood | -1 | 0 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | Which sculpture is a Gothic masterpiece Towers | 0 | 1 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | Which sculpture is a Gothic masterpiece Angel Choir | 1 | 1 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What picks up sediment after a heavy rain Rain | -1 | 1 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Who is Remigus and what time or period was he around The Reneissance painter | 0 | 2 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Who is Remigus and what time or period was he around The first bishop, Norman period | 1 | 2 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Who is Remigus and what time or period was he around The first bishop during the Late Norman and later English periods | 0 | 2 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | What notable geological features are located west of Algarve Golf facilities | -1 | 2 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave. | Who created the eastern transept Remigius | 0 | 3 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave. | Who created the eastern transept Hugh of Avalon | 1 | 3 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave. | Who created the eastern transept Hugh of Avalon created the eastern transept | 1 | 3 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave. | Who falls into a manhole Preetam's mother | -1 | 3 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What architectural style the Angel Choir belongs to French style | 0 | 4 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What architectural style the Angel Choir belongs to Lancet-Gothic | 1 | 4 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What architectural style the Angel Choir belongs to Gothic | 1 | 4 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What do "special tools" do with data Measure about weather | -1 | 4 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The three towers | 0 | 5 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The structure except the screen | 0 | 5 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The Norman Screen | 1 | 5 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods. | Why does Wegener propose the continents look like a giant jigsaw puzzle Edge of South America matches Africa | -1 | 5 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. | What object is contained within the fane and what is significant about the design of its center The statue by Michelangelo | 0 | 6 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. | What object is contained within the fane and what is significant about the design of its center The Norman Screen and its plain centre | 1 | 6 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. | What object is contained within the fane and what is significant about the design of its center The work of Remigius | 1 | 6 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. | Are larger sediments dropped in steeper or less steep areas than smaller sediments in the same stream The same areas | -1 | 6 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | Which building's spires were removed in 1807 Norman building of Remigius | 1 | 7 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | Which building's spires were removed in 1807 The English fane | 0 | 7 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | Which building's spires were removed in 1807 The church | 0 | 7 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | Whose idea was it to go to Elk River Castle The Parents | -1 | 7 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who is responsible for the rebuilding of the choir and eastern transept Hugh of Avalon | 1 | 8 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who is responsible for the rebuilding of the choir and eastern transept King of Avon | 0 | 8 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | What are the names of the two women with whom Mahender is involved Vineetha and tara | -1 | 8 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | What is the church's most striking feature Three towers | 0 | 9 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | What is the church's most striking feature Norman screen | 1 | 9 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | What is the church's most striking feature The great Norman screen | 1 | 9 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | Whose idea was it to go to Elk River Castle The Parents | -1 | 9 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness. | What is the style of the interior cathedral and why is there a problem with the choir Classic | 0 | 10 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness. | What is the style of the interior cathedral and why is there a problem with the choir Lancet-Gothi | 1 | 10 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness. | What is the style of the interior cathedral and why is there a problem with the choir Lancet-Gothic and St. Hugh's design of low vaulting is a serious defect | 1 | 10 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness. | If there were 798 gumballs in the box how much money would Mike and Jeff get each 20 giftcard | -1 | 10 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | To whom do we owe the rebuilding of the Norman building of Remigius The President | 0 | 11 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | To whom do we owe the rebuilding of the Norman building of Remigius Hugh of Avalon | 1 | 11 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | What makes the older speaker wonder about the female speaker's extravagance Sushi | -1 | 11 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | How many times the building of Remigius was rebuilt 2 | 0 | 12 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | How many times the building of Remigius was rebuilt At least 2 | 1 | 12 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | How many times the building of Remigius was rebuilt 1 | 0 | 12 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | The process of breathing depends on what muscle Lungs | -1 | 12 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who rebuilt the choir and eastern transept Hugh of Avalon | 1 | 13 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who rebuilt the choir and eastern transept English architects | 0 | 13 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | What is the flat area on both sides of a river Floodplain | -1 | 13 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | Which building's most striking feature is the great Norman screen Owers of the west front | 0 | 14 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | Which building's most striking feature is the great Norman screen The fane | 1 | 14 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | Which building's most striking feature is the great Norman screen The choir | 0 | 14 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. | How are the grants administered Through the Law Offices of Cohen and Cohen | -1 | 14 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | false |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who was responsible for initially building the choir and eastern transept and in what year did he start Remigius | 0 | 15 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who was responsible for initially building the choir and eastern transept and in what year did he start It wasn't the Hugh of Avalon | 0 | 15 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Who was responsible for initially building the choir and eastern transept and in what year did he start Hugh of Avalon in 1192 | 1 | 15 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept. | Was the initial indication that Pilar Gonzalez Ferreira's remains had been identified correctly Ramzi Binalshibh | -1 | 15 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What has the richness of sculpture and is masterpiece of Gothic style in England The angle Choir which encloses shrine | 1 | 16 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What has the richness of sculpture and is masterpiece of Gothic style in England Norman building of Remigiu | 0 | 16 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What has the richness of sculpture and is masterpiece of Gothic style in England Angel Choir | 1 | 16 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England. | What did Hughes do as soon as he arrived in Vegas in 1966 He bought several Strip properties | -1 | 16 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What is the issue with the nave and why is the axis of the west front conflicting with it The axis of the west front does not correspond to that of the nave, which is too wide for its height | 1 | 17 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What is the issue with the nave and why is the axis of the west front conflicting with it The axis of the east front does not correspond to that of the nave, which is too narrow for its height | 0 | 17 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What is the issue with the nave and why is the axis of the west front conflicting with it The nave had to be rebuilt after 1239 and the west front is too wide for the nave's height | 1 | 17 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | When and why did the UAE Minister of State for Foreign Affairs Hamdan bin Zayid threaten to break relations with the Taliban over Bin Laden July 1999 because of pressure from USA | -1 | 17 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | What was atop the three towers Atop the hill | 0 | 18 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | What was atop the three towers Wooden spires | 1 | 18 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | What was atop the three towers The red roofs of the town | 1 | 18 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807. | What was the weather like Charming, but cold | -1 | 18 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What was so much money spent on building that the Cano could not rebuild the nave entirely Money had to be spent in rebuilding the central tower, which fell in 1239 | 1 | 19 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What was so much money spent on building that the Cano could not rebuild the nave entirely Western transept and the west end of the nave | 0 | 19 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What was so much money spent on building that the Cano could not rebuild the nave entirely Money had to be spent in rebuilding the west wing which was too wide | 0 | 19 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius. | What caused a tranquility on the island of Menorca that lasted until 1287 The annual tribute that the Moors agreed to pay to Alfonso III | -1 | 19 | Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What is Tocqueville's second most famous publication The Old Regime and the Revolution | 1 | 0 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What is Tocqueville's second most famous publication Recollections | 0 | 0 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What is Tocqueville's second most famous publication The Old Regime and the Revolution, a second book | 1 | 0 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What is Tocqueville's second most famous publication L'Ancien Regime et la Revolution (1856) | 1 | 0 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | Why do the women switch houses To take a break from painful events | -1 | 0 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Was the Tocqueville's journey to England and Ireland 1835 published by his wife No | 1 | 1 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Was the Tocqueville's journey to England and Ireland 1835 published by his wife Yes | 0 | 1 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Was the Tocqueville's journey to England and Ireland 1835 published by his wife No, Recollections (1893) was published by his wife and his friend Gustave de Beaumont | 1 | 1 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | What relation is Susan Martinez De La Cruz to Jason Carberry Jason Carberry's ward | -1 | 1 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Tocqueville | 1 | 2 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Gustave de Beaumont | 0 | 2 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Alexis de Tocqueville | 1 | 2 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death. | How many subsidiary banks under Midwest Financial Group will adopt the First of America name, once they are acquired Eight Banks | -1 | 2 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What was Tocqueville's second most famous work Journeys to England and Ireland | 0 | 3 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | What was Tocqueville's second most famous work L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution | 1 | 3 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work. | When did the operatives who were assigned to planes arrive in the US September | -1 | 3 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. | What years was the old regime and revolution written and published 1848 | 0 | 4 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. | What years was the old regime and revolution written and published 1835 | 0 | 4 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. | What years was the old regime and revolution written and published 1856 | 1 | 4 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. | What text gave viewers the wrong impressio Clinton is on the Today Show | -1 | 4 | Wiki_articles/wikiAlexis de Tocqueville-31.txt | true |
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