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SQuAD
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
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How many works did Chopin write in 1842?
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{ "text": [ "six" ], "char_spans": [ { "start": [ 139 ], "end": [ 141 ] } ], "token_spans": [ { "start": [ 27 ], "end": [ 27 ] } ] }
[ "six" ]
SQuAD
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
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How many works did Chopin write in 1843?
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{ "text": [ "six shorter pieces" ], "char_spans": [ { "start": [ 168 ], "end": [ 185 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 35 ] } ] }
[ "six shorter pieces" ]
SQuAD
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
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How many works did Chopin write in 1845?
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{ "text": [ "three mazurkas" ], "char_spans": [ { "start": [ 264 ], "end": [ 277 ] } ], "token_spans": [ { "start": [ 55 ], "end": [ 56 ] } ] }
[ "three mazurkas" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What instrument did every composition by Frédéric include?
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{ "text": [ "piano" ], "char_spans": [ { "start": [ 41 ], "end": [ 45 ] } ], "token_spans": [ { "start": [ 7 ], "end": [ 7 ] } ] }
[ "piano" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What concept was Frédéric credited with creating?
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{ "text": [ "instrumental ballade" ], "char_spans": [ { "start": [ 340 ], "end": [ 359 ] } ], "token_spans": [ { "start": [ 62 ], "end": [ 63 ] } ] }
[ "instrumental ballade" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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Whose music did Frédéric admire the most and thus provide influence on his work?
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{ "text": [ "J. S. Bach, Mozart and Schubert" ], "char_spans": [ { "start": [ 620 ], "end": [ 650 ] } ], "token_spans": [ { "start": [ 110 ], "end": [ 116 ] } ] }
[ "J. S. Bach, Mozart and Schubert" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What features marked Frédéric's performance style and made them unique?
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{ "text": [ "nuance and sensitivity" ], "char_spans": [ { "start": [ 285 ], "end": [ 306 ] } ], "token_spans": [ { "start": [ 53 ], "end": [ 55 ] } ] }
[ "nuance and sensitivity" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What establishments did Frédéric frequently visit in Paris that influenced his career?
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{ "text": [ "Paris salons" ], "char_spans": [ { "start": [ 705 ], "end": [ 716 ] } ], "token_spans": [ { "start": [ 131 ], "end": [ 132 ] } ] }
[ "Paris salons" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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Which instrument do every one of his compositions include?
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{ "text": [ "piano" ], "char_spans": [ { "start": [ 41 ], "end": [ 45 ] } ], "token_spans": [ { "start": [ 7 ], "end": [ 7 ] } ] }
[ "piano" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What concept did Chopin create?
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{ "text": [ "instrumental ballade" ], "char_spans": [ { "start": [ 340 ], "end": [ 359 ] } ], "token_spans": [ { "start": [ 62 ], "end": [ 63 ] } ] }
[ "instrumental ballade" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What are two things Chopin's performances were known for?
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{ "text": [ "nuance and sensitivity" ], "char_spans": [ { "start": [ 285 ], "end": [ 306 ] } ], "token_spans": [ { "start": [ 53 ], "end": [ 55 ] } ] }
[ "nuance and sensitivity" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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What three composers influenced Chopin's work?
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{ "text": [ "J. S. Bach, Mozart and Schubert" ], "char_spans": [ { "start": [ 620 ], "end": [ 650 ] } ], "token_spans": [ { "start": [ 110 ], "end": [ 116 ] } ] }
[ "J. S. Bach, Mozart and Schubert" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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Chopin wrote some music to lyrics, what language were the lyrics?
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{ "text": [ "Polish" ], "char_spans": [ { "start": [ 155 ], "end": [ 160 ] } ], "token_spans": [ { "start": [ 32 ], "end": [ 32 ] } ] }
[ "Polish" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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c2c7873559754a6e96caa79680b7cd50
What instrument is involved in all of Chopin's work?
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{ "text": [ "piano" ], "char_spans": [ { "start": [ 41 ], "end": [ 45 ] } ], "token_spans": [ { "start": [ 7 ], "end": [ 7 ] } ] }
[ "piano" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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755baf7acf274c8ab5e7070bd4a46dbe
Chopin composed several songs to lyrics of what language?
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{ "text": [ "Polish" ], "char_spans": [ { "start": [ 155 ], "end": [ 160 ] } ], "token_spans": [ { "start": [ 32 ], "end": [ 32 ] } ] }
[ "Polish" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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52a264c99a51497080560c208ba81429
Chopin's performances were known for what?
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{ "text": [ "nuance and sensitivity" ], "char_spans": [ { "start": [ 285 ], "end": [ 306 ] } ], "token_spans": [ { "start": [ 53 ], "end": [ 55 ] } ] }
[ "nuance and sensitivity" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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d217cd19b7ba4a77b64b2359add43c82
What three composers did Chopin take inspiration from?
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{ "text": [ "J. S. Bach, Mozart and Schubert" ], "char_spans": [ { "start": [ 620 ], "end": [ 650 ] } ], "token_spans": [ { "start": [ 110 ], "end": [ 116 ] } ] }
[ "J. S. Bach, Mozart and Schubert" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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78edb8fd54184217b13c7b43d3aca6f8
What instrument was all of Chopin's compositions written for?
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{ "text": [ "piano" ], "char_spans": [ { "start": [ 41 ], "end": [ 45 ] } ], "token_spans": [ { "start": [ 7 ], "end": [ 7 ] } ] }
[ "piano" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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f9b55bb99f8a45bbbca9829757d9cd94
What language were some songs written in that Chopin wrote music for?
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{ "text": [ "Polish" ], "char_spans": [ { "start": [ 155 ], "end": [ 160 ] } ], "token_spans": [ { "start": [ 32 ], "end": [ 32 ] } ] }
[ "Polish" ]
SQuAD
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
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Of what venue was Chopin an often invited guest?
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{ "text": [ "Paris salons" ], "char_spans": [ { "start": [ 705 ], "end": [ 716 ] } ], "token_spans": [ { "start": [ 131 ], "end": [ 132 ] } ] }
[ "Paris salons" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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d6f529c4bf674758b4b267d6f36f7d2f
Who was Frédéric's first professional teacher in music?
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{ "text": [ "Wojciech Żywny" ], "char_spans": [ { "start": [ 143 ], "end": [ 156 ] } ], "token_spans": [ { "start": [ 27 ], "end": [ 28 ] } ] }
[ "Wojciech Żywny" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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c4f38ddf430e45e9b2ae85c7b4eb8870
Which sister did Frédéric play duets with sometimes while being tutored at this time?
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{ "text": [ "Ludwika" ], "char_spans": [ { "start": [ 176 ], "end": [ 182 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "Ludwika" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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a0a4d5971525422a916f8ccddc05a73f
What did Frédéric compose during the year of 1817?
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{ "text": [ "two polonaises" ], "char_spans": [ { "start": [ 405 ], "end": [ 418 ] } ], "token_spans": [ { "start": [ 76 ], "end": [ 77 ] } ] }
[ "two polonaises" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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0974a5fa94e14d52a9bfeecd0faa0fce
What is the earliest surviving musical notation composed by Frédéric?
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{ "text": [ "a polonaise in A-flat major of 1821" ], "char_spans": [ { "start": [ 465 ], "end": [ 499 ] } ], "token_spans": [ { "start": [ 92 ], "end": [ 100 ] } ] }
[ "a polonaise in A-flat major of 1821" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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bd8cb2d006a04bc7ae4ea69fd3ab34fe
Who was Chopin's initial piano teacher?
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{ "text": [ "Wojciech Żywny" ], "char_spans": [ { "start": [ 143 ], "end": [ 156 ] } ], "token_spans": [ { "start": [ 27 ], "end": [ 28 ] } ] }
[ "Wojciech Żywny" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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7024e05aeeb34e73b52d1841ccce767b
Which of his sisters did Chopin sometimes duet with?
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{ "text": [ "Ludwika" ], "char_spans": [ { "start": [ 176 ], "end": [ 182 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "Ludwika" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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d278e0f2155742c4bb8b94a270fbe7ab
What year did Chopin compose his first work?
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{ "text": [ "1817" ], "char_spans": [ { "start": [ 388 ], "end": [ 391 ] } ], "token_spans": [ { "start": [ 73 ], "end": [ 73 ] } ] }
[ "1817" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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382aaa1749ee4db5b8ac8827d10554e8
During what years did Chopin receive instruction from Żywny?
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{ "text": [ "1816 to 1821" ], "char_spans": [ { "start": [ 107 ], "end": [ 118 ] } ], "token_spans": [ { "start": [ 19 ], "end": [ 21 ] } ] }
[ "1816 to 1821" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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38d21bbb98de4ce9842c298e12d30dbc
What is the name of Chopin's first music teacher that was not an amateur musician?
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{ "text": [ "Wojciech Żywny" ], "char_spans": [ { "start": [ 143 ], "end": [ 156 ] } ], "token_spans": [ { "start": [ 27 ], "end": [ 28 ] } ] }
[ "Wojciech Żywny" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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95388484e700408a9c799c448fb5f19c
Which of Chopin's sisters would play music with him?
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{ "text": [ "Ludwika" ], "char_spans": [ { "start": [ 176 ], "end": [ 182 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "Ludwika" ]
SQuAD
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
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6cc948e82a7945a180a953730234bc03
Who was Chopin's earliest piece of music, that there is a record of, dedicated to?
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{ "text": [ "Wojciech Żywny" ], "char_spans": [ { "start": [ 143 ], "end": [ 156 ] } ], "token_spans": [ { "start": [ 27 ], "end": [ 28 ] } ] }
[ "Wojciech Żywny" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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675f0784216f44628cc967a2744a031f
What event was Frédéric a part of when he arrived in Paris during the later part of September in 1831?
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{ "text": [ "the Polish Great Emigration" ], "char_spans": [ { "start": [ 122 ], "end": [ 148 ] } ], "token_spans": [ { "start": [ 23 ], "end": [ 26 ] } ] }
[ "the Polish Great Emigration" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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41590cdf729c436da94892d91c534f15
What version of Frédéric's birth name did he begin using after arriving in France?
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{ "text": [ "French" ], "char_spans": [ { "start": [ 173 ], "end": [ 178 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "French" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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d7e6bd419d2242ca9ced30f4e1900e2a
In what year did Frédéric officially acquire French citizenship?
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{ "text": [ "1835" ], "char_spans": [ { "start": [ 251 ], "end": [ 254 ] } ], "token_spans": [ { "start": [ 46 ], "end": [ 46 ] } ] }
[ "1835" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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fa35aaa154184f0bbb205cf5e7392e93
What were the two kinds of relationships stated as Frédéric having with his fellow Poland natives in exile?
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{ "text": [ "friends and confidants" ], "char_spans": [ { "start": [ 355 ], "end": [ 376 ] } ], "token_spans": [ { "start": [ 67 ], "end": [ 69 ] } ] }
[ "friends and confidants" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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5a901978e91c4abdaa4513dbe0c56f20
What nationality is stated as the one Frédéric felt most identified by?
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{ "text": [ "Polish" ], "char_spans": [ { "start": [ 126 ], "end": [ 131 ] } ], "token_spans": [ { "start": [ 24 ], "end": [ 24 ] } ] }
[ "Polish" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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8bfbb09b118d4532952c36af82fdaea7
When did Chopin reach Paris?
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{ "text": [ "September 1831" ], "char_spans": [ { "start": [ 32 ], "end": [ 45 ] } ], "token_spans": [ { "start": [ 6 ], "end": [ 7 ] } ] }
[ "September 1831" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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b94671f8b64041178a808f75585bcabb
By not going back to Poland Chopin became part of what?
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{ "text": [ "Polish Great Emigration" ], "char_spans": [ { "start": [ 126 ], "end": [ 148 ] } ], "token_spans": [ { "start": [ 24 ], "end": [ 26 ] } ] }
[ "Polish Great Emigration" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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41dcfe10a7c34ae6ab66f4810865b6e5
In what year did Chopin become a French citizen?
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{ "text": [ "1835" ], "char_spans": [ { "start": [ 251 ], "end": [ 254 ] } ], "token_spans": [ { "start": [ 46 ], "end": [ 46 ] } ] }
[ "1835" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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4b32a4c386a44c3791287bacb69f9eb6
What is the name of Chopin's biographer?
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{ "text": [ "Adam Zamoyski" ], "char_spans": [ { "start": [ 451 ], "end": [ 463 ] } ], "token_spans": [ { "start": [ 82 ], "end": [ 83 ] } ] }
[ "Adam Zamoyski" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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13c6a1a763f24590a34ffce87a478036
After 1831, what country did Chopin never return to?
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{ "text": [ "Poland" ], "char_spans": [ { "start": [ 73 ], "end": [ 78 ] } ], "token_spans": [ { "start": [ 14 ], "end": [ 14 ] } ] }
[ "Poland" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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9038a549aad443f1a4d96f36ad34b80b
What country's passport did he have from 1835?
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{ "text": [ "France" ], "char_spans": [ { "start": [ 154 ], "end": [ 159 ] } ], "token_spans": [ { "start": [ 29 ], "end": [ 29 ] } ] }
[ "France" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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50426eb098b04c03a64a8e9f3187b3d9
What language was Chopin never completely at ease speaking?
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{ "text": [ "French" ], "char_spans": [ { "start": [ 173 ], "end": [ 178 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "French" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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1c59a186fbe2416a9b8cb5f89a8cfc8a
What biographer of Chopin wrote that Chopin never considered himself French?
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{ "text": [ "Adam Zamoyski" ], "char_spans": [ { "start": [ 451 ], "end": [ 463 ] } ], "token_spans": [ { "start": [ 82 ], "end": [ 83 ] } ] }
[ "Adam Zamoyski" ]
SQuAD
Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France he used the French versions of his given names, and after receiving French citizenship in 1835, he travelled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.
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a8d3241a98a445a7bd13d0bfe4883455
Due to the numbers of expatriates of Poland after the uprising, what did it become to be known as?
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{ "text": [ "Polish Great Emigration" ], "char_spans": [ { "start": [ 126 ], "end": [ 148 ] } ], "token_spans": [ { "start": [ 24 ], "end": [ 26 ] } ] }
[ "Polish Great Emigration" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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b62498fb170e4407b85934517ef2367f
What address did Frédéric live at during his stay in Paris?
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{ "text": [ "38 Rue de la Chaussée-d'Antin" ], "char_spans": [ { "start": [ 88 ], "end": [ 116 ] } ], "token_spans": [ { "start": [ 18 ], "end": [ 24 ] } ] }
[ "38 Rue de la Chaussée-d'Antin" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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484515b1fb87469a9c194793c9f24bc5
How far down the road did Liszt live from Frédéric during this time?
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{ "text": [ "a few blocks" ], "char_spans": [ { "start": [ 172 ], "end": [ 183 ] } ], "token_spans": [ { "start": [ 38 ], "end": [ 40 ] } ] }
[ "a few blocks" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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cb8930669f0a42cc91c0e0e61c9715ea
How many times did Frédéric and Liszt collaborate in performances during the years of 1833 to 1841?
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{ "text": [ "seven" ], "char_spans": [ { "start": [ 218 ], "end": [ 222 ] } ], "token_spans": [ { "start": [ 47 ], "end": [ 47 ] } ] }
[ "seven" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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af0a99686845432d8aca83550b64cd87
For whose benefit was the first of these concerts performed for on 2 April 1833?
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{ "text": [ "Harriet Smithson" ], "char_spans": [ { "start": [ 382 ], "end": [ 397 ] } ], "token_spans": [ { "start": [ 77 ], "end": [ 78 ] } ] }
[ "Harriet Smithson" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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3a40e29b394e4b5a95bf13ee6a23c5d0
At which two establishments was the last of these performances conducted at on 25 and 26 April 1841?
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{ "text": [ "Salle Pleyel and the Paris Conservatory" ], "char_spans": [ { "start": [ 709 ], "end": [ 747 ] } ], "token_spans": [ { "start": [ 134 ], "end": [ 139 ] } ] }
[ "Salle Pleyel and the Paris Conservatory" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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c224d3589f284bc9a6f7eff0b7147969
When was the first time Liszt and Chopin performed together?
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{ "text": [ "2 April 1833" ], "char_spans": [ { "start": [ 271 ], "end": [ 282 ] } ], "token_spans": [ { "start": [ 58 ], "end": [ 60 ] } ] }
[ "2 April 1833" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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ba9f4a0bd0384f4c816425a6e83dbb3d
What was the charity that Liszt and Chopin last performed for?
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{ "text": [ "the Beethoven Memorial in Bonn" ], "char_spans": [ { "start": [ 665 ], "end": [ 694 ] } ], "token_spans": [ { "start": [ 125 ], "end": [ 129 ] } ] }
[ "the Beethoven Memorial in Bonn" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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Where did Liszt and Chopin last perform together?
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{ "text": [ "Salle Pleyel and the Paris Conservatory" ], "char_spans": [ { "start": [ 709 ], "end": [ 747 ] } ], "token_spans": [ { "start": [ 134 ], "end": [ 139 ] } ] }
[ "Salle Pleyel and the Paris Conservatory" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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When Liszt lived close to Chopin, where did he call home?
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{ "text": [ "the Hôtel de France on the Rue Lafitte" ], "char_spans": [ { "start": [ 132 ], "end": [ 169 ] } ], "token_spans": [ { "start": [ 29 ], "end": [ 36 ] } ] }
[ "the Hôtel de France on the Rue Lafitte" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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How many times did Chopin and Liszy perform together in public?
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{ "text": [ "seven" ], "char_spans": [ { "start": [ 218 ], "end": [ 222 ] } ], "token_spans": [ { "start": [ 47 ], "end": [ 47 ] } ] }
[ "seven" ]
SQuAD
The two became friends, and for many years lived in close proximity in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Lafitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.
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Who did the first concert of Chopin and Liszt benefit?
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{ "text": [ "Harriet Smithson" ], "char_spans": [ { "start": [ 382 ], "end": [ 397 ] } ], "token_spans": [ { "start": [ 77 ], "end": [ 78 ] } ] }
[ "Harriet Smithson" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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Where did Chopin head to during the Revolution of 1848?
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{ "text": [ "London" ], "char_spans": [ { "start": [ 62 ], "end": [ 67 ] } ], "token_spans": [ { "start": [ 14 ], "end": [ 14 ] } ] }
[ "London" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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Who provided the majority of funds for his concert tour in London?
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{ "text": [ "Jane Stirling" ], "char_spans": [ { "start": [ 206 ], "end": [ 218 ] } ], "token_spans": [ { "start": [ 40 ], "end": [ 41 ] } ] }
[ "Jane Stirling" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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Where did Chopin go in the spring of 1848?
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{ "text": [ "London" ], "char_spans": [ { "start": [ 62 ], "end": [ 67 ] } ], "token_spans": [ { "start": [ 14 ], "end": [ 14 ] } ] }
[ "London" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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f5e1b978c61249bdb39813cc92b99ce4
What two people suggested the 1848 tour?
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{ "text": [ "Jane Stirling and her elder sister" ], "char_spans": [ { "start": [ 206 ], "end": [ 239 ] } ], "token_spans": [ { "start": [ 40 ], "end": [ 45 ] } ] }
[ "Jane Stirling and her elder sister" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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ef94746ce8424eb7a4a2f52a919c202e
Who paid for most of the 1848 music tour of Chopin?
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{ "text": [ "Jane Stirling" ], "char_spans": [ { "start": [ 206 ], "end": [ 218 ] } ], "token_spans": [ { "start": [ 40 ], "end": [ 41 ] } ] }
[ "Jane Stirling" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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345109af72ff4ee4957cf78b75ee4455
What was happening in April 1848 in Paris?
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{ "text": [ "Revolution" ], "char_spans": [ { "start": [ 21 ], "end": [ 30 ] } ], "token_spans": [ { "start": [ 5 ], "end": [ 5 ] } ] }
[ "Revolution" ]
SQuAD
In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.
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fe24dba30275402e9711a9c7e9207927
What was Jane Stirling's national heritage?
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{ "text": [ "Scottish" ], "char_spans": [ { "start": [ 191 ], "end": [ 198 ] } ], "token_spans": [ { "start": [ 38 ], "end": [ 38 ] } ] }
[ "Scottish" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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df348baadd6f4060aa7ddbd3590db0aa
How many doctors saw Frédéric by the 3rd of December?
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{ "text": [ "Three" ], "char_spans": [ { "start": [ 103 ], "end": [ 107 ] } ], "token_spans": [ { "start": [ 20 ], "end": [ 20 ] } ] }
[ "Three" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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bcb8c2f7e3054ac4a98de65cce7a1c32
What did Frédéric have trouble playing as a result of his growing illness?
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{ "text": [ "piano" ], "char_spans": [ { "start": [ 272 ], "end": [ 276 ] } ], "token_spans": [ { "start": [ 58 ], "end": [ 58 ] } ] }
[ "piano" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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6dad20f25d134e2299b373d5a9727102
What condition did Frédéric describe the piano that arrived to him through many dangerous obstacles?
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{ "text": [ "best possible condition" ], "char_spans": [ { "start": [ 475 ], "end": [ 497 ] } ], "token_spans": [ { "start": [ 103 ], "end": [ 105 ] } ] }
[ "best possible condition" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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58529fa541e842e6a09e78f3bc0b2148
How many doctors visited Chopin?
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[ "3" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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40bdfed7dc2f43618f0c5e93c434386a
What month did Chopin's piano arrive?
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{ "text": [ "December" ], "char_spans": [ { "start": [ 5 ], "end": [ 12 ] } ], "token_spans": [ { "start": [ 2 ], "end": [ 2 ] } ] }
[ "December" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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What did Chopin compalin about?
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{ "text": [ "his bad health" ], "char_spans": [ { "start": [ 39 ], "end": [ 52 ] } ], "token_spans": [ { "start": [ 7 ], "end": [ 9 ] } ] }
[ "his bad health" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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What did Chopin have a hard time getting delivered to Majorca?
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{ "text": [ "his Pleyel piano" ], "char_spans": [ { "start": [ 261 ], "end": [ 276 ] } ], "token_spans": [ { "start": [ 56 ], "end": [ 58 ] } ] }
[ "his Pleyel piano" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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What month did Chopin's Pleyel piano arrive in Majorca?
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[ "December" ]
SQuAD
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
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Who did Chopin send his Preludes to?
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{ "text": [ "Pleyel" ], "char_spans": [ { "start": [ 265 ], "end": [ 270 ] } ], "token_spans": [ { "start": [ 57 ], "end": [ 57 ] } ] }
[ "Pleyel" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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When was the first fictionalized account of Chopin's life?
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{ "text": [ "1901" ], "char_spans": [ { "start": [ 188 ], "end": [ 191 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 33 ] } ] }
[ "1901" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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Where was the first fictionalized account of Chopin's life created?
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{ "text": [ "Milan" ], "char_spans": [ { "start": [ 179 ], "end": [ 183 ] } ], "token_spans": [ { "start": [ 31 ], "end": [ 31 ] } ] }
[ "Milan" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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Who is responsible for the first fictionalized account of Chopin's life?
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[ "Giacomo Orefice" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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What is thought to be the first fictionalized work about Chopin?
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{ "text": [ "Chopin" ], "char_spans": [ { "start": [ 56 ], "end": [ 61 ] } ], "token_spans": [ { "start": [ 8 ], "end": [ 8 ] } ] }
[ "Chopin" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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Who wrote the fictionalized "Chopin?"
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[ "Giacomo Orefice" ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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When was the fictionalized "Chopin" produced?
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{ "text": [ "1901." ], "char_spans": [ { "start": [ 188 ], "end": [ 192 ] } ], "token_spans": [ { "start": [ 33 ], "end": [ 34 ] } ] }
[ "1901." ]
SQuAD
Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
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Where was the fictionalized "Chopin" produced?
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{ "text": [ "Milan" ], "char_spans": [ { "start": [ 179 ], "end": [ 183 ] } ], "token_spans": [ { "start": [ 31 ], "end": [ 31 ] } ] }
[ "Milan" ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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The Warsaw Chopin Society holds the Grand prix du disque de F. Chopin how often?
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[ "every five years." ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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What is the name of the event that The Warsaw Chopin Society holds?
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[ "Grand prix du disque de F. Chopin" ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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On Chopin's 200th anniversary critics of what publication made recommendations on recordings of Chopin's work?
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{ "text": [ "The New York Times" ], "char_spans": [ { "start": [ 115 ], "end": [ 132 ] } ], "token_spans": [ { "start": [ 21 ], "end": [ 24 ] } ] }
[ "The New York Times" ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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Who organizes the Grand prix du disque de F. Chopin for notable Chopin recordings?
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{ "text": [ "The Warsaw Chopin Society" ], "char_spans": [ { "start": [ 339 ], "end": [ 363 ] } ], "token_spans": [ { "start": [ 59 ], "end": [ 62 ] } ] }
[ "The Warsaw Chopin Society" ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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How often is the Grand prix du disque de F. Chopin for notable Chopin recordings held?
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{ "text": [ "every five years." ], "char_spans": [ { "start": [ 449 ], "end": [ 465 ] } ], "token_spans": [ { "start": [ 78 ], "end": [ 81 ] } ] }
[ "every five years." ]
SQuAD
Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand prix du disque de F. Chopin for notable Chopin recordings, held every five years.
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Upon Chopin's bicentenary, who recommended a list of who should perform Chopin?
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{ "text": [ "The New York Times" ], "char_spans": [ { "start": [ 115 ], "end": [ 132 ] } ], "token_spans": [ { "start": [ 21 ], "end": [ 24 ] } ] }
[ "The New York Times" ]
SQuAD
Chopin was educated in the tradition of Beethoven, Haydn, Mozart and Clementi; he used Clementi's piano method with his own students. He was also influenced by Hummel's development of virtuoso, yet Mozartian, piano technique. He cited Bach and Mozart as the two most important composers in shaping his musical outlook. Chopin's early works are in the style of the "brilliant" keyboard pieces of his era as exemplified by the works of Ignaz Moscheles, Friedrich Kalkbrenner, and others. Less direct in the earlier period are the influences of Polish folk music and of Italian opera. Much of what became his typical style of ornamentation (for example, his fioriture) is taken from singing. His melodic lines were increasingly reminiscent of the modes and features of the music of his native country, such as drones.
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Whose piano method did Chopin teach his students?
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{ "text": [ "Clementi" ], "char_spans": [ { "start": [ 69 ], "end": [ 76 ] } ], "token_spans": [ { "start": [ 13 ], "end": [ 13 ] } ] }
[ "Clementi" ]
SQuAD
Chopin was educated in the tradition of Beethoven, Haydn, Mozart and Clementi; he used Clementi's piano method with his own students. He was also influenced by Hummel's development of virtuoso, yet Mozartian, piano technique. He cited Bach and Mozart as the two most important composers in shaping his musical outlook. Chopin's early works are in the style of the "brilliant" keyboard pieces of his era as exemplified by the works of Ignaz Moscheles, Friedrich Kalkbrenner, and others. Less direct in the earlier period are the influences of Polish folk music and of Italian opera. Much of what became his typical style of ornamentation (for example, his fioriture) is taken from singing. His melodic lines were increasingly reminiscent of the modes and features of the music of his native country, such as drones.
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Whose piano method did Chopin use with his students?
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[ "Clementi" ]
SQuAD
Chopin was educated in the tradition of Beethoven, Haydn, Mozart and Clementi; he used Clementi's piano method with his own students. He was also influenced by Hummel's development of virtuoso, yet Mozartian, piano technique. He cited Bach and Mozart as the two most important composers in shaping his musical outlook. Chopin's early works are in the style of the "brilliant" keyboard pieces of his era as exemplified by the works of Ignaz Moscheles, Friedrich Kalkbrenner, and others. Less direct in the earlier period are the influences of Polish folk music and of Italian opera. Much of what became his typical style of ornamentation (for example, his fioriture) is taken from singing. His melodic lines were increasingly reminiscent of the modes and features of the music of his native country, such as drones.
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aa62a248f8ed45bdbb55ce18aff85fc8
Who did Chopin say were the two most important composers in his own music influences?
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{ "text": [ "Bach and Mozart" ], "char_spans": [ { "start": [ 235 ], "end": [ 249 ] } ], "token_spans": [ { "start": [ 45 ], "end": [ 47 ] } ] }
[ "Bach and Mozart" ]
SQuAD
Chopin was educated in the tradition of Beethoven, Haydn, Mozart and Clementi; he used Clementi's piano method with his own students. He was also influenced by Hummel's development of virtuoso, yet Mozartian, piano technique. He cited Bach and Mozart as the two most important composers in shaping his musical outlook. Chopin's early works are in the style of the "brilliant" keyboard pieces of his era as exemplified by the works of Ignaz Moscheles, Friedrich Kalkbrenner, and others. Less direct in the earlier period are the influences of Polish folk music and of Italian opera. Much of what became his typical style of ornamentation (for example, his fioriture) is taken from singing. His melodic lines were increasingly reminiscent of the modes and features of the music of his native country, such as drones.
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d11e5f5acbf94b8581977bedf9c76640
Chopin looked to Beethoven, Mozart, Clementi and who for his own music education?
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{ "text": [ "Haydn" ], "char_spans": [ { "start": [ 51 ], "end": [ 55 ] } ], "token_spans": [ { "start": [ 9 ], "end": [ 9 ] } ] }
[ "Haydn" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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a9d9cc462dc94186808bb8439d1c6f17
What is the name of the oldest music essay competition?
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{ "text": [ "International Chopin Piano Competition" ], "char_spans": [ { "start": [ 152 ], "end": [ 189 ] } ], "token_spans": [ { "start": [ 25 ], "end": [ 28 ] } ] }
[ "International Chopin Piano Competition" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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2b91fd8847194cd39ac4d29091a5f6f0
What year was the International Chopin Piano Competition founded?
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{ "text": [ "1927" ], "char_spans": [ { "start": [ 203 ], "end": [ 206 ] } ], "token_spans": [ { "start": [ 32 ], "end": [ 32 ] } ] }
[ "1927" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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c841fac077f14a6badb16cd9d87dfd31
Where is the International Chopin Piano Competition held?
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{ "text": [ "Warsaw" ], "char_spans": [ { "start": [ 237 ], "end": [ 242 ] } ], "token_spans": [ { "start": [ 40 ], "end": [ 40 ] } ] }
[ "Warsaw" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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43006cf30e494df29581da3fc4731e80
How often is the International Chopin Piano Competition held?
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{ "text": [ "every five years" ], "char_spans": [ { "start": [ 217 ], "end": [ 232 ] } ], "token_spans": [ { "start": [ 36 ], "end": [ 38 ] } ] }
[ "every five years" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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02f3e39290af42a6a3590b8ce04dda86
The Fryderyk Chopin Institute of Poland includes approximately how many recordings of Chopin's work from Youtube?
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[ "1,500" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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c6196c601be348c88f97e0003534be56
What is the world's oldest monographic music competition?
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{ "text": [ "the International Chopin Piano Competition" ], "char_spans": [ { "start": [ 148 ], "end": [ 189 ] } ], "token_spans": [ { "start": [ 24 ], "end": [ 28 ] } ] }
[ "the International Chopin Piano Competition" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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8387ed040f1e425a983217b26938b621
When was the International Chopin Piano Competition established?
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{ "text": [ "1927" ], "char_spans": [ { "start": [ 203 ], "end": [ 206 ] } ], "token_spans": [ { "start": [ 32 ], "end": [ 32 ] } ] }
[ "1927" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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3a5f589772ca49bd8ec7b6eba9071535
There are over 80 societies throughout the world that have been established because of Chopin and his music according to who?
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[ "The Fryderyk Chopin Institute of Poland" ]
SQuAD
Chopin's music remains very popular and is regularly performed, recorded and broadcast worldwide. The world's oldest monographic music competition, the International Chopin Piano Competition, founded in 1927, is held every five years in Warsaw. The Fryderyk Chopin Institute of Poland lists on its website over eighty societies world-wide devoted to the composer and his music. The Institute site also lists nearly 1,500 performances of Chopin works on YouTube as of January 2014.
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49f9da7ffa854c56813be46ff4c15b0b
How many known works of Chopin's music were on YouTube up to the beginning of 2014?
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[ "nearly 1,500" ]
SQuAD
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
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45ca071155fd4d8e88557c7ee418397d
Who was the host of the gathering where Frédéric was introduced to George Sand?
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{ "text": [ "Marie d'Agoult" ], "char_spans": [ { "start": [ 30 ], "end": [ 43 ] } ], "token_spans": [ { "start": [ 8 ], "end": [ 9 ] } ] }
[ "Marie d'Agoult" ]
SQuAD
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
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6b5dd9eb58134eb1a220d5024dd02d71
What did Frédéric label the place in which he placed Maria and her mother's letters about the unlikely marriage?
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{ "text": [ "My tragedy" ], "char_spans": [ { "start": [ 713 ], "end": [ 722 ] } ], "token_spans": [ { "start": [ 152 ], "end": [ 153 ] } ] }
[ "My tragedy" ]