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The $2 banknote has an obverse featuring Elizabeth II, the Queen of Canada at the time of its introduction on 2 September 1986. A photograph by Anthony Buckley was the basis of the portrait, which was engraved by Henry S. Doubtfire of De La Rue. Adjacent to the portrait is a vignette of the Parliament buildings. The reverse of the terra cotta banknote features American robins. This note would be the last Canadian $2 banknote, as the government announced during the 1995 Canadian federal budget speech that it would be withdrawn from circulation. It was withdrawn on 16 February 1996 and was replaced by a $2 coin, colloquially referred to as the toonie. One of five known $2 banknotes with a serial number containing the prefix sequence "AUH" was auctioned in September 2012 for . $5 note
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The obverse of the blue $5 banknote included a rendering of Wilfrid Laurier, and the bird on the reverse is the belted kingfisher. The portrait was engraved by Yves Baril, and to its right is a vignette of the Centre Block as it appeared during Laurier's premiership flying the Canadian Red Ensign, the flag of Canada at the time. The banknote was the first of this series to be introduced, on 28 April 1986. It was withdrawn on 27 March 2002. $10 note The prime minister featured on the $10 banknote obverse is John A. Macdonald, whose portrait was engraved by Thomas Hipschen of the Bureau of Engraving and Printing in the United States. Adjacent to the portrait is a vignette of the buildings of Parliament as they were during his premiership, flying the Canadian Red Ensign. The bird featured on the reverse is an osprey. The purple banknote was introduced on 27 June 1989 and withdrawn on 17 January 2001. $20 note
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The green $20 banknote has an obverse featuring Elizabeth II, the same engraving used for the $2 banknote, and a reverse featuring two common loons. The building vignette adjacent to the portrait is the Library of Parliament. The image of the loons was intended for a $1 banknote, but when it was decided to replace that with the $1 loonie coin, the image was instead used for the $20 banknote. It was introduced on 29 June 1993, making it the last of the series to be introduced, and withdrawn on 29 September 2004. In 2003, high-quality counterfeits of the banknote appeared in circulation in Ontario and Quebec. $50 note
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The obverse of the red $50 banknote includes William Lyon Mackenzie King, and the reverse has the snowy owl depicted on a background of an Arctic landscape. This portrait was also engraved by Thomas Hipschen, and was placed adjacent to the Parliament buildings flying the Canadian Red Ensign. The colour of this banknote differed slightly from the same denomination in the Scenes of Canada series, as its hue was blue-red instead of the earlier banknotes orange-red. Introduced on 1 December 1989 and withdrawn on 17 November 2004, the $50 bill was the last banknote of the series to cease being printed. It was the first Canadian banknote to feature the optical security device. $100 note
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Robert Borden is featured on the obverse of the brown $100 banknote, which has the Canada goose on its reverse. Yves Baril also engraved this portrait, and the banknote also depicts a vignette of the Centre Block with the Peace Tower flying the Union Jack, which was flown on all federal buildings from 1904 to 1945. The banknote was introduced on 3 December 1990 and withdrawn on 17 March 2004. Many merchants, including Food Basics, Jumbo Video, McDonald's Canada, No Frills, Shoppers Drug Mart, and Tim Hortons, stopped accepting the $100 banknote in 2001 as it became increasingly counterfeited. By 2013, counterfeit versions of the banknote represented half of all counterfeit banknotes in circulation in Quebec, and 80% of all counterfeit $100 banknotes in the province. $1000 note
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The pink-hued $1000 banknote has an obverse with the same portrait of Elizabeth II used on the $2 banknote adjacent to a vignette of the Centre Block and Library of Parliament, the modern flag of Canada flying from the Peace Tower. The reverse features a pair of pine grosbeaks, the engraving of which was based on a watercolour by John Crosby. Originally, it was intended to use an image of a spruce grouse, but its nickname "fool hen" was "considered too controversial". This was the first new $1000 bill printed since the 1954 Canadian Landscape series.
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The banknotes were often referred to as "pinkies" because of their colour. On average, a $1000 banknote remained in circulation for 13 years owing to its infrequent use. It was released on 4 May 1992. The banknote was withdrawn from circulation by the Government of Canada on 12 May 2000 at the request of the Bank of Canada, the Department of Finance, and the Royal Canadian Mounted Police (RCMP) as part of a program to reduce organized crime. At the time, 2,827,702 of the $1000 bills were in circulation, representing 0.3% of all circulating currency; in 2001, 520,000 banknotes were withdrawn from circulation and destroyed. By 2011, fewer than 1 million were in circulation, most of which were held by organized crime and used for money laundering. Printings Each printing of the banknote series is signed by the Governor of the Bank of Canada and the deputy governor.
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The Canadian Bank Note Company (CBN) printed the $2, $5, $20, $50, and $1000 banknotes, and the British American Bank Note Company printed the $2, $10, $20, and $100 banknotes. Security All banknotes featured intaglio printing, microprinting and fine lines, fluorescence, and unique colours and serial numbers. The intaglio printing is raised ink appearing on the large numeral, the Arms of Canada, parts of the portrait, and the horizontal bands containing the words "BANK OF CANADA". The fine but clear microprinting cannot be easily reproduced by photocopiers and printers, and appears on the background patterns of the banknotes, the facial portion of the portraits, and in the vignette of the Parliament buildings. The colours used on the banknotes were based on security inks that could not be easily replicated.
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The $20, $50, $100, and $1000 banknotes had a colour-shifting metallic foil security patch on the upper left corner, an optical security device that was difficult to reproduce with colour photocopiers and other commercial reproduction equipment of the time. It was a vacuum-deposited thin film consisting of ceramic layers developed by the Bank of Canada and the National Research Council of Canada in the early 1980s and was manufactured at the Bank of Canada roll-coating facility. The iridescent smooth patch would appear in a gradient between gold and green and show the face value of the banknote depending on the viewing angle, had no raised edges, and could not be peeled off the banknote. When photocopied, it would appear as a dark patch. All banknotes in the series were printed with a security ink that would fluoresce blue under ultraviolet light.
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The banknotes also had a feature causing photocopiers recognizing it to refuse to copy the banknote, and a digital watermark which had the same effect on personal printers and scanners. These features had no effect on devices that could not recognize them. This was the last Canadian banknote series to include planchettes, small green dots on the paper bills introduced in the 1935 Series (banknotes). These dots fluoresce blue under ultraviolet light and were used as a security feature. Some planchettes could be removed from legitimate bills, leaving a perfect bluish circle on the bill. Planchettes occurred with random position on both the obverse and reverse of banknotes, either on the surface or within the note.
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In the mid 1990s, the Bank of Canada tested a new substrate for use in printing banknotes. It printed 100,000 experimental $5 banknotes having a substrate of polymer core with paper at the sides. The project was discontinued because the supplier could not produce the substrate at the scale required by the Bank of Canada for printing banknotes. Counterfeiting An attempt to create a faithful counterfeit reproduction of the $50 banknote using colour photocopiers was recorded in 1990. By the mid 1990s, counterfeiters had found a way to accurately reproduce the metallic foil. Counterfeit banknotes did not usually properly reproduce the fine lines and microprinting, rendering it as smudged or blurry.
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The security features introduced in the Birds of Canada series led to a reduction in the counterfeit ratio of bills circulated in Canada to 4 parts per million (PPM) by 1990, one of the most secure currencies in the world. With the continuing advances in retail and commercial technology, by 1997 the counterfeit ratio had increased to 117 PPM, exceeding the 50 PPM de facto international benchmark. In late 2000, Wesley Weber scanned the $100 banknote, and for weeks used graphics software to correct the "fuzziness of the image" and improve its sharpness. He then conducted research to find a paper stock similar to that used for the real banknotes that would not fluoresce under ultraviolet light, and chose Mohawk Super Fine soft-white cotton fibre stock with eggshell finish. He used an inkjet printer to print three counterfeit bills per page, and stencilled onto each bill a metallic patch similar to the optical security device that he obtained from a company in New Jersey. He was arrested
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in 2001, by which time he had manufactured counterfeit banknotes with a face value of $6 million, and Canada's counterfeit ratio had increased to 129 PPM. That year, the Bank of Canada introduced the Canadian Journey Series, the banknotes of which were more resistant to counterfeiting.
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In 2003, a high-quality counterfeit version of the $20 banknote was found in circulation in Ontario and Quebec. These counterfeit banknotes had been manufactured using "high quality paper, a manual hot foil-stamping machine, and airbrushing equipment" and die cut. Several Bulgarian counterfeiters were convicted and sentenced for counterfeiting the banknotes in December 2006. By 2004, counterfeit Birds of Canada $20 banknotes represented nearly 65% of all counterfeit currency in Canada. Today, the Birds of Canada banknotes are relatively easy to counterfeit with inkjet printers. The Birds series and the original Canadian Journey Series are the most commonly counterfeited Canadian banknote series because of their lack of modern security features.
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Effectiveness The Bank of Canada commissioned a research survey of cash handlers and the general public to determine the effectiveness of the security features on the Birds of Canada and Canadian Journey series banknotes. The research found that participants correctly identified 84% of counterfeit banknotes based only on fluorescence features, 83% based only on microprinting and fine line features, and 80% based only on portrait features. Genuine banknotes were correctly identified 88%, 97%, and 89% of the time, respectively. The optical security device was the most effective security feature, used to correctly identify 98% of counterfeit banknotes and 95% of genuine banknotes. Detecting counterfeits using only touch was 74% effective for the $10 banknote and 82% effective for the $20 banknote. Using only vision, counterfeit detection was 92% effective for the $10 banknote and 86% effective for the $20 banknote. Using both improved performance to 94% for both banknotes.
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The general public correctly identified 72% of counterfeit banknotes, 80% of genuine $10 banknotes and 89% of genuine $20 banknotes. Commercial cash handlers, such as retail cashiers, correctly identified 86% of counterfeit banknotes, 89% of genuine $10 banknotes and 94% of genuine $20 banknotes. Bank tellers correctly identified 89% of counterfeit banknotes, 91% of genuine $10 banknotes and 95% of genuine $20 banknotes. All groups performed better with high-quality notes (that is, those that were clean and undamaged) with the exception that the general public misidentified many high-quality genuine $10 banknotes as counterfeit, which was attributed to the public's suspicion of new banknotes. The participants performed better at identifying counterfeit Birds of Canada banknotes than identifying counterfeit Canadian Journey banknotes.
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Reception A report by The Canadian Press stated that residents of Lunenburg were displeased with the design of the $100 banknote, as the reverse of the same denomination in the Scenes of Canada series featured a vignette of the fishing town. Many younger Canadians were unfamiliar with the Red Ensign, and thought the flag flown atop the buildings on the $5 and $10 banknote was the flag of the United States, precipitating media coverage known as the "flag flap". Currency collectors stated that the optical security device was not aesthetically pleasing, and that its placement and appearance were poor. Some compared it to the Australian commemorative $10 note issued in 1988, which had a reflective holographic badge featuring James Cook, as an example of a more aesthetically pleasing design.
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Collecting The Bank of Canada printed uncut sheets of the $5 banknotes with serial numbers between 6,000,000 and 6,939,999 and prefix ANU. Some of these were released for sale to collectors in 2002 when the Bank of Canada also issued the Lasting Impressions collectors set. This set contained two uncirculated $5 banknotes, one from this series and the other from the Canadian Journey Series, with matching serial numbers. The banknotes were in an embossed folder also containing an information booklet with the history of the denomination and the features of each banknote. A similar set for $10 banknotes had been released in 2001.
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Legacy A study commissioned by the Bank of Canada in 1994 stated that about 8,000 blind Canadians do not benefit from the large numerals or distinct colouration of the banknotes. In 1990, the Bank of Canada, via the Canadian National Institute for the Blind, had begun distributing to these individuals a free electronic device capable of determining the denomination of a banknote by reading the vertical bars adjacent to the serial number. Each device cost the Bank of Canada about , and 50–60 devices were requested every month, mostly from elderly individuals who used the device at home. Withdrawing the $1 banknote of earlier series and discontinuing printing of the $2 banknotes increased consumer use of the loonie and toonie. This decreased the costs of producing money and decreased the operational costs for some businesses, such as the Toronto Transit Commission, which estimated it would save annually by not having to "unfold, sort, and count $1 bills".
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The appearance of high-quality counterfeit $100 banknotes in 2001 from Windsor to Montreal resulted in about 10% of retailers to post signs that they would refuse to accept $100 banknotes in a cash transaction. Notes References External links Bank of Canada to Stop Issuing $1000 Note at the Collections Canada archive of the Bank of Canada website Banknotes of Canada 1986 in Canada
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The Nassau Interim Finance Authority is a New York State public-benefit corporation created to assist Nassau County, a suburban county adjacent to the city of New York on Long Island, emerge from a financial and debt crisis that began in the late 1990s. As of the start of 2022, NIFA, as it is known, was still in place and still supervising Nassau's finances under a control period that resumed in 2011 after a three-year hiatus. Organization NIFA is guided by a seven-member board appointed by the Governor of New York, with one member recommended by the Senate Majority Leader, one by the Assembly Speaker, and one by the State Comptroller. Its management team is headed by Evan Cohen, who serves as executive director. According to its 2020 annual report, NIFA had G&A expenses in 2020 of $1.834 million. It listed a staff of five persons. History
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Though the U.S. federal government was in surplus at the end of the Clinton administration, the Republican Party-led Nassau County government faced possible insolvency by 2000. The signs of the crisis began in 1999 and led that year to the Democratic Party taking control of the county legislature, in a previously solid Republican county. Among the many reasons cited for the situation the county found itself in were excessive union contracts to attract county government worker support for the Republican Party; a refusal by the Republican county executive Thomas Gulotta to raise taxes; and an increase in borrowing to close the gap, particularly for the purpose of paying an increasing number of property assessment appeals coming out of an assessment system that relied on outdated data.
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NIFA and the Gulotta administration Gulotta, a Republican, had proposed a tax increase in the early 1990s, and was almost defeated by North Hempstead Supervisor Benjamin Zwirn in 1993. Gulotta resisted further tax increases for the rest of his time in office, and was re-elected in 1997. Two years later, the county's finances began to implode. The first chairman of NIFA, Frank Zarb, said in a retrospective that bankruptcy was a "real possibility." In June 2000, Republican Governor George Pataki signed the legislation creating NIFA. As part of the introduction of NIFA, the state made payments to Nassau County of $105 million over five years.
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NIFA and the Suozzi administration
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Gulotta did not stand for re-election in 2001. When Nassau County's Conservative Party endorsed money market specialist Bruce Bent as its candidate, the Republicans endorsed Bent as well. Bent was defeated by then Glen Cove Mayor Thomas Suozzi. The county's financial situation had led the outgoing Gulotta administration to implement a 9.1% property tax increase in the 2002 budget, and Suozzi's first budget had a property tax increase of almost 20%. His final budget before he was defeated for re-election in 2009, by County Legislator Ed Mangano, had a 3.9% increase. There were no other county property tax increases in Suozzi's two terms though the total increased taxes levied by Suozzi during his tenure became a campaign issue during his successful run for Congress in 2016. Suozzi dealt with a NIFA control board for much of his eight years in office, though the control period ended in 2008. But NIFA remained in existence even after the end of the control period and continued to
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monitor county finances.
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NIFA and the Mangano administration After Mangano was sworn in as county executive in 2010 following his victory over Suozzi, he and the county legislature eliminated a home energy tax. That act reduced tax to the revenues county budget, and about a year after Mangano was sworn in, NIFA re-instituted a control period. A lawsuit by Nassau County contesting the legitimacy of the control board was unsuccessful, and NIFA articulated the limits of its duties and the budgetary reasons for a control board, in a statement. Prior to that court decision, the Republican leader in the county legislature, Peter Schmitt, appeared to liken the bipartisan members of NIFA to a Mafia family.
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The Mangano-NIFA relationship, with a control board in place, was marked by almost annual disputes over the budgets that Mangano submitted and the county legislature approved. A 2013 agreement between the police officers’ union and the county was criticized by NIFA. A multi-year plan submitted by the Mangano administration in 2015 was rejected by NIFA. NIFA implemented a wage freeze in 2011, though it was lifted over several years. NIFA rejected the county's 2016 budget, and implemented a quarterly review. In December 2017, NIFA ordered specific spending cuts after finding additional flaws in Mangano's budget. Jon Kaiman, who at the time was supervisor of the town of North Hempstead, was appointed by Governor Andrew Cuomo to be chairman of NIFA in 2013. Kaiman resigned in 2016 to run an unsuccessful effort to become the Democratic nominee for an open House seat. He was succeeded by banker Adam Barsky.
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NIFA and the Curran administration As 2018 began, Mangano was out of office, having chosen not to seek-re-election to a third term in 2017 following his indictment on 2016 on federal corruption charges. (He was ultimately convicted.) The two contenders for his position, Republican Jack Martins, a former State Senator and unsuccessful U.S. House of Representatives candidate a year earlier against Suozzi, and Democrat Laura Curran, a former newspaper reporter for the New York Daily News and a county legislator, both said during the campaign that steps must be taken to bring Nassau out from NIFA oversight. Curran won the election, and NIFA issued a deadline to offer any significant changes to the Mangano 2018 budget, the one with the NIFA-ordered cuts. Her selection of Mark Page as her chief budget officer was praised by NIFA chairman Adam Barsky, and Page had worked as a consultant to NIFA so was expected to understand its workings.
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In April 2018, Curran presented her first budget to NIFA and made a rare public appearance before the members. At that meeting, the "conundrum" that Curran faced, with a Republican legislative majority rejecting her plan to hike fees to help close the budget gap, was discussed. In one of the first significant actions under the Curran administration, NIFA in July 2018 overwhelmingly rejected a Curran administration request to borrow funds to pay for an earlier court judgement that went against the county for the wrongful conviction of two men. At the meeting where the vote was held, a report was discussed that talked about the country's "growing risks" in its budget.
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In October 2018, NIFA warned that Nassau County's deficit for 2019 could be $59 million, though that was the lowest estimate since 2014. In a pointed critique, NIFA also noted the continuing situation where almost 20 years after NIFA was created, Nassau had still not taken the steps to end its oversight. "“Other municipalities with fewer resources, such as Buffalo, Washington, D.C., and Detroit, have moved beyond the tight control of their oversight monitors and it seems incongruous that Nassau County, one of the wealthiest counties in the Country, is unable to do the same,” NIFA wrote in its report on the deficit estimate. In November 2018, NIFA approved the first budget of the Curran administration. The approval was unanimous. The budget did include $100 million in borrowing solely to pay back tax grievances. However, NIFA chairman Adam Barsky said "We always have concerns, but I think the concern over this budget is less severe, less concerning than prior budgets."
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The sometimes-uncomfortable position that NIFA could find itself in relative to the county was evident in December 2018 when NIFA hired an outside attorney to sit in on county negotiations with its labor unions. NIFA hired the same individual that the county legislature had rejected just a few months earlier, raising questions about whether its "seat at the table" was proper or an unauthorized expansion of its role in day-to-day operations. Critics called the move an "end-run" around the legislature's rejection, which had been proposed by Curran. NIFA's chairman Barsky got additional powers in March 2019 when he was granted "pre-approval" authority to sign off on labor agreements the county reaches, though the full NIFA board must ultimately accept the contract.
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In early April, local newspaper Newsday wrote a story questioning whether NIFA was treating Curran with a softer approach than Mangano. Republicans charged NIFA had been tougher on Mangano, and cited Curran's tardiness in filing various reports with NIFA—which Mangano filed on time—and the muted response from NIFA. Barsky denied the allegations. Soon after that, NIFA rejected half of the county's borrowing requests that needed to go through NIFA because adequate notice had not been given to the full NIFA board. In February 2020, NIFA took control of the finances of the Nassau University Medical Center, saying its perilous finances posed a "material threat" to Nassau County, given the county's backing of the financially troubled hospital. In June 2020, NIFA approved the use of Goldman Sachs as the financial advisor on any new borrowing the county might need to undertake as a result of the pandemic.
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By a 4-1 vote, NIFA approved the county budget for 2021 in mid-December 2020. However, noting the difficult economic times, NIFA said in its approval message that the county would need to develop a plan by March 31, 2021, to be updated regularly, on dealing with projections of future deficits. The budget approved by the county and NIFA did include NIFA borrowing long-term to help the county recover from the revenue shortfall created by the pandemic. (See below for more discussion on NIFA and the pandemic.) A NIFA report in April 2021 on the county's financial performance in the prior year reported at $43.3 million surplus fueled both by federal pandemic aid and the refinancing of longer-term debt, a deal that Newsday columnist Joye Browne called "the mother of all one-shots.". But in releasing the report, NIFA chairman Barsky said the county had not eliminated its structural deficit and that it still faced long-term financial issues.
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The rejection by the Nassau Patrolman's Benevolent Association of a contract offer led to NIFA chairman Barsky declaring in February 2021 that the union was "barking up the wrong tree" if it believed the rejection was going to lead to a better deal. NIFA would need to approve any deal. Strengthening county finances due to several different factors did lead to renewed discussion in fall 2021 whether NIFA needed to continue either the control period, or even its existence. As Newsday noted at the time, there also were questions about who was going to continue serving on NIFA itself.
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In October 2021, NIFA weighed in on what amounted to a battle of dueling tax cuts proposed by both Republicans and Democrats prior to the 2021 election. It said that a package of Republican cuts in fees and a boost in its sales tax revenue would throw the 2022 budget "out of balance." But it also said a Curran plan to cut $70 million in property taxes would "jeopardize" the budget as well. Those Republican amendments passed the legislature but were vetoed by Curran. The budget was passed with the Curran tax cuts in place, but needs NIFA approval. On Election Day 2021, Curran suffered a shocking loss in her attempt to be re-elected, falling to Republican candidate Bruce Blakeman. In December, NIFA approved the final Curran budget by a vote of 5-0. At the vote, NIFA executive director Evan Cohen said the Curran budget, approved by the legislature, had a potential shortfall of $39 million but had the lowest risks of any budget in several years. NIFA and the pandemic
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The prospect of NIFA staying with oversight over Nassau until 2051 was raised by Newsday in July 2020, given the huge deficit created by the pandemic and NIFA's ability to borrow money on a longer-term basis and at a lower interest rate. Also in July 2020, NIFA approved the sale of $230 million in short-term funding as Nassau County looked to fill a revenue hole created by the pandemic. In August 2020, Curran reversed course and proposed a financial plan that avoided longer-term borrowing through NIFA at least through 2020. Republicans had raised objection to such borrowing because the length of the term needed to get the best interest rate would mean that Nassau would not be able to end NIFA oversight for many years, since the bonds would be long-term.
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Also in August, NIFA spelled out a dire situation for county finances, saying that "draconian" measures might be needed to rescue the county's finances in the wake of the pandemic, including significant layoffs and property tax increases.
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As the start of the 2021 fiscal year neared, Curran proposed a budget that would have NIFA refinance $360 million in county and NIFA debt. Initial Republican opposition to the plan was based in part on the fact that such a plan would extend NIFA control over the county's financial operations. Barsky said Curran's spending plan was "perhaps ... the most challenging budget the county has prepared in recent memory." In early October, the county legislature's Finance and Rules committee approved a "declaration of need" that asked NIFA to refinance county debt over a 15-year period. This would be for less duration than the 30-year refinancing that could have kept NIFA supervising county finances until 2051. After some Republican resistance, the county ultimately accepted a plan to have NIFA borrow funds to save Nassau money on its financing costs as it sought to recover from the pandemic, raising the prospect that the agency will be part of the governance of the county for at least 35
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years from its inception, since it would be until 2035 or so that the debt would mature.
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The financing went through in an oversubscribed bond sale in February 2021. Approximately $1.1 billion in NIFA-backed bonds were sold out in less than two hours. The interest rate on the debt was approximately 1.3%. The debt taken on was not new debt but rather a restructuring. It saved the county approximately $435 million in debt service over the life of the 15-year bonds. The savings were enough that the expected hole in the county's budget as a result of the pandemic was effectively closed. The bonds carried a triple A rating from Fitch. It does keep NIFA in the picture until 2035. NIFA and the Blakeman administration
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In an interview Newsday conducted with Blakeman a few days after Election Day 2021, Adam Barsky, the chairman of NIFA, said he would work with Blakeman. "the same way I worked with Ed Mangano and Laura Curran, with a lot of respect." Barsky said the county was in "relatively good shape based on one-time resources, which are from the federal (pandemic) aid." He also referred to the large refinancing conducted by NIFA under the Curran administration as having put Nassau on more solid ground. "The question is how to use those funds to provide long-term structural balance to the budget," he was quoted as saying. "Utilizing the short-term resources for long-term expenses that will go on indefinitely will only dig the county into a deeper hole."
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In the November 8 issue of The Point, Newsday's daily politics newsletter, the question was raised how Blakeman and NIFA might work together. The article noted how the prior Republican county executive, Ed Mangano, joined with the county legislature in 2010 to end a home heating tax and blow a $40 million hole in the budget in the process. Given the extensive cuts in revenue that the Nassau Republicans promised during the 2021 election, which had just been completed at the time of the newsletter's publication, NIFA's Barsky raised the question of whether a similar scenario might play out next year. "We need to hear from the legislature and Bruce Blakeman and see what they plan to do," Barsky said. The newsletter article also noted that NIFA was two seats short of being at its full lineup of seven members.
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In December, when NIFA approved the 2022 budget, the final one of Curran's tenure, Barsky addressed the fact that Republicans in the election had promised large cuts in fees and taxes. Barsky said he has spoken with both Blakeman and legislative presiding officer Richard Nicolello about whether Republicans would try to enact the fee cuts in 2022. As quoted by Newsday, Barsky said, "Neither has committed to do one thing or another as of yet. I did explain to both of them that it really doesn't matter, because after we approve the budget, if there are things that take place post-budget that put the county out of balance, then NIFA will expect and require them to make necessary adjustments to account for whatever the change is. Whatever it is, if it puts a hole in the budget they're expected to fix that hole." Credit rating
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In August 2020, Fitch Ratings gave NIFA a AAA rating on approximately $400 million in sales tax-backed debt. In early November 2020 Fitch Ratings Service gave NIFA a short-term credit rating of F1 on an issue of variable rate bonds backed by the county's sales tax. That is Fitch's second-highest short-term credit rating. The AAA rating was affirmed in January 2021 when Fitch rated several new debt issuances. Moody's has had an Aa1 credit rating on NIFA since at least 2015. That is the second-highest level in its schedule of ratings. See also Buffalo Fiscal Stability Authority Development Authority of the North Country Erie County Fiscal Stability Authority Lower Manhattan Development Corporation Municipal Assistance Corporation for the City of NY New York State Housing Finance Agency State of New York Municipal Bond Bank Agency References External links NIFA website Nassau County, New York Politics of New York (state) Financial regulation in the United States
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Dr. Vyasanakere Prabhanjanacharya (); (born 15 June 1946), is an eminent Indian Sanskrit scholar known for his discourses on Sanatana Dharma. He is an expert in the Dvaita school of philosophy, founded by Sri Madhvacharya. Sri Prabhanjanacharya has written, edited and compiled numerous books on Veda, Upanishads, Ramayana, Mahabharata, Bhagavata etc. in the light of Madhva philosophy. He has won many titles and awards from Indian and International organizations. He was the chairman of the All India Madhwa Philosophical Conference held in Bangalore in 1994. He was the Principal and Professor (of Sanskrit) of the Government First Grade College in Bangalore. He opted for voluntary retirement from the job to focus on his spiritual and philosophical pursuits. He founded the Śrī Jayatīrtha Manuscript Library, which focuses on rare and unpublished works in Indian philosophy.
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He has also founded the Śrī Vyāsa Madhva Saṁśodhana Pratiṣṭhāna trust, which focuses on enriching Indian culture, tradition and values. The trust, through its publication wing, the Aitareya Prakaashana, publishes numerous works. Sri Prabhanjanacharya has critically edited Sarvamula Granthas - collection of all the works of Sri Madhvacharya, based on a 700-year old palmleaf manuscript. He has also brought out a series of books called StotraMālikā, which is a wonderful collection of hundreds of rare Stotras and stutis, mainly on the Vaiṣṇava tradition.
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Sri Prabhanjanacharya has also edited and published numerous books on the Mahabharata, Bhagavadgita and the Upanishads. In 2005, he was honoured with the President's award of Certificate of Honour (2005). He is the recipient of several prestigious awards including Rajyotsava Award-2002 (from Govt. of Karnataka), Vidyavachaspati, Jnanaratnakara, Vidyamanya Mahaprashasti and many others for his contribution to the Sanskrit, Indian Philosophy and Dvaita Vedanta. Early life Vyasanakere Prabhanjanacharya was born on 15 June 1946 in Vyasanakere, a village in the Bellary district of Karnataka. He obtained B.E. (Mechanical) from the Mysore University; B.A. from the Karnataka University; and M.A. (in Sanskrit) from the Bangalore University. He holds PhD from the Rashtriya Sanskrit Vidyapeetha; and D.Litt. from BHU for his critical edition of Sarvamūla works of Jagadguru Śrī Madhvācārya. Sanskrit works (edited/compiled/authored)
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Sanskrit Works (Edited critically with explanatory notes) 1-7) ŚrīMadhvācāryapraṇītāḥ Sarvamūlagranthāḥ [श्रीमध्वाचार्यप्रणीताः सर्वमूलग्रन्थाः] - collective works of ŚrīMadhvācārya based on an ancient manuscript ascribed to ŚrīAkṣobhyatīrtha; published in three scripts - Devanāgari (Year: 1999), Kannaḍa (2002) and Telugu (2003) Vol. 1: Gītāprasthānam [गीताप्रस्थानम्] Vol. 2: Sūtraprasthānam [सूत्रस्थानम्] Vol. 3: Upaniṣatprasthānam [उपनिषत्प्रस्थानम्] Vol. 4: Śrutiprasthānam [श्रुतिप्रस्थानम्] Vol. 5: Mahābhāratatātparyanirṇayaḥ, Yamakabhārataṃ ca [महाभारततात्पर्यनिर्णयः, यमकभारतं च] Vol. 6: Bhāgavatatātparyanirṇayaḥ [भागवततात्पर्यनिर्णयः] Vol. 7: Ācāragranthāḥ, Prakaraṇagranthāḥ, Stotragranthāśca [आचारग्रन्थाः, प्रकरणग्रन्थाः, स्तोत्रग्रन्थाश्च] 8) ŚrīPadmanābhatīrthakṛtā Brahmasūtrānuvyākhyānaṭīkā-Sannyāyaratnāvalī [श्रीपद्मनाभतीर्थकृता ब्रह्मसूत्रानुव्याख्यानटीका-सन्न्यायरत्नावली]
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9) Daśaprakaraṇāni (ŚrīPadmanābhatīrthakṛtavyākhyāsaṃvalitāni) [दशप्रकरणानि (श्रीपद्मनाभतीर्थकृतव्याख्यासंवलितानि)], 2001 10) ŚrīJayatīrthakṛtā Padyamālā [श्रीजयतीर्थकृता पद्यमाला] 11) ŚrīVādirājatīrthakṛtā Bhāgavatānukramaṇikā [श्रीवादिराजतीर्थकृता भागवतानुक्रमणिका] 12) ŚrīViṣṇutīrthakṛtaḥ Śrīmadbhāgavatadhṛtasāraḥ [श्रीविष्णुतीर्थकृतः श्रीमद्भागवतधृतसारः] 13) Śāntakavikṛtā ŚrīmadBhāgavatasaṅgraharatnamālā [शान्तकविकृता श्रीमद्भागवतसङ्ग्रहरत्नमाला] 14) Śrīmadbhāgavatadaśaślokī [श्रीमद्भागवतदशश्लोकी] 15) Gītābhāṣyabhāvaprakāśikā (ŚrīPadmanābhatīrthakṛtagītābhāṣyaṭīkā) [गीताभाष्यभावप्रकाशिका (श्रीपद्मनाभतीर्थकृतगीताभाष्यटीका)], 2009 16) Gītābhāṣyabhāvaprakāśikā (ŚrīNaraharitīrthakṛtā Gītābhāṣyaṭīkā) [गीताभाष्यभावप्रकाशिका (श्रीनरहरितीर्थकृता गीताभाष्यटीका)], 2009 17) ŚrīRāghavendratīrthakṛtaḥ Gītātātparyanirṇayaṭīkā-Nyāyadīpikābhāvadīpaḥ [श्रीराघवेन्द्रतीर्थकृतः गीतातात्पर्यनिर्णयटीका-न्यायदीपिकाभावदीपः]
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18) ŚrīVādirājatīrthakṛtaḥ Bhagavadgītālakṣālaṅkāraḥ [श्रीवादिराजतीर्थकृतः भगवद्गीतालक्षालङ्कारः], 2009 19) Śrīmadbhagavadgītā (ŚrīVidyādhirājatīrtha-ŚrīRāghavendratīrthavyākhyāsaṃvalitā) [श्रीमद्भगवद्गीता (श्रीविद्याधिराजतीर्थ-श्रीराघवेन्द्रतीर्थव्याख्यासंवलिता)], 2006 20) ŚrīSatyadharmatīrthakṛtaḥ Gītāmāhātmyasārasaṅgrahaḥ [श्रीसत्यधर्मतीर्थकृतः गीतामाहात्म्यसारसङ्ग्रहः] 21) ŚrīViṣṇutīrthakṛtaḥ Gītāsāroddhāraḥ [श्रीविष्णुतीर्थकृतः गीतासारोद्धारः] 22) VālmīkiRāmāyaṇam (ŚrīSatyaparāyaṇatīrthakṛtavyākhyānasametam) [वाल्मीकिरामायणम् (श्रीसत्यपरायणतीर्थकृतव्याख्यानसमेतम्)], 2017 23) Nārāyaṇapaṇḍitācāryakṛta Saṅgraharāmāyaṇam [नारायणपण्डिताचार्यकृत सङ्ग्रहरामायणम्], 2011 24) ŚrīRājarājeśvaratīrthakṛtaḥ Rāmasandeśaḥ (ŚrīViśvapatitīrthakṛtavyākhyānasahitaḥ) [श्रीराजराजेश्वरतीर्थकृतः रामसन्देशः (श्रीविश्वपतितीर्थकृतव्याख्यानसहितः)], 2019 25) Mahābhārata-Virāṭaparvan (ŚrīSatyadharmatīrthakṛtavyākhyāsametam) [महाभारतविराटपर्व (श्रीसत्यधर्मतीर्थकृतव्याख्यासमेतम्)], 2018
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26) Mahābhārata-Virāṭaparvan (LiṅgeriŚrīnivāsācāryakṛtavyākhyāsametam) [महाभारतविराटपर्व (लिङ्गेरिश्रीनिवासाचार्यकृतव्याख्यासमेतम्)], 2019 27) Yakṣapraśnaḥ (Śrīnivāsācāryakṛtavyākhyānasametaḥ) [यक्षप्रश्नः (श्रीनिवासाचार्यकृतव्याख्यानसमेतः)], 2020 28) Mahābhāratasārasaṅgrahaḥ [महाभारतसारसङ्ग्रहः] 29) Śāntakavikṛta Mahābhāratakathāsaṅgraharatnamālikā [शान्तकविकृत महाभारतकथासङ्ग्रहरत्नमालिका] 30) Sāvitryupākhyānam [सावित्र्युपाख्यानम्] 31) Mahābhāratatātparyanirṇayaḥ (ŚrīVādirājatīrthakṛtavyākhyānasametaḥ) [महाभारततात्पर्यनिर्णयः (श्रीवादिराजतीर्थकृतव्याख्यानसमेतः)], 1998 32) Nārāyaṇapaṇḍitācāryakṛtaḥ Aṃśāvatāraḥ [नारायणपण्डिताचार्यकृतः अंशावतारः], 1996 33) Aitareyopaniṣadbhāṣyam (Śrīviśveśavaratīrthaviracitaṭīkāsametam) [ऐतरेयोपनिषद्भाष्यम् (श्रीविश्वेशवरतीर्थविरचितटीकासमेतम्)], 1998 34) Īśāvāsyopaniṣadbhāṣyam (Śrīvyāsatīrthakṛtavyākhyāsametam) [ईशावास्योपनिषद्भाष्यम् (श्रीव्यासतीर्थकृतव्याख्यासमेतम्)], 2010
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35) ŚrīVādirājatīrthakṛtaṃ Ambhṛṇīsūktavyākhyānam [श्रीवादिराजतीर्थकृतं अम्भृणीसूक्तव्याख्यानम्] 36) ŚrīRāghavendratīrthakṛtaḥ Aitareyopaniṣanmantrārthasaṅgrahaḥ [श्रीराघवेन्द्रतीर्थकृतः ऐतरेयोपनिषन्मन्त्रार्थसङ्ग्रहः] 37) ŚrīRāghavendratīrthakṛtaṃ Ambhṛṇīsūktavyākhyānam [श्रीराघवेन्द्रतीर्थकृतं अम्भृणीसूक्तव्याख्यानम्] 38) Tantrasārasaṅgrahaḥ (ChalāriŚeṣācāryakṛtavyākhyānasahitaḥ) [तन्त्रसारसङ्ग्रहः (छलारिशेषाचार्यकृतव्याख्यानसहितः)], 1993 39) ŚrīRāghavendratīrthakṛtaḥ Tantrasāramantrodddhāraḥ [श्रीराघवेन्द्रतीर्थकृतः तन्त्रसारमन्त्रोद्द्धारः], 1998 40) Sumatīndratīrthakṛta Mantraratnakośaḥ [सुमतीन्द्रतीर्थकृत मन्त्ररत्नकोशः], 2006 41) Yatipraṇavakalpaḥ (Vyāsarāmācāryakṛtavyākhyānasahitaḥ) [यतिप्रणवकल्पः (व्यासरामाचार्यकृतव्याख्यानसहितः)], 2010 42) Raṅgapatibhikṣukṛtā Sannyāsapaddhatiḥ [रङ्गपतिभिक्षुकृता सन्न्यासपद्धतिः], 2016 43) ŚrīVādirājatīrthakṛtaḥ Pūjākalpaḥ [श्रीवादिराजतीर्थकृतः पूजाकल्पः], 2010 44) Āhnikapaddhatiḥ [आह्निकपद्धतिः], 2020
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45) ŚrīPāṅghriŚrīnivāsācāryakṛtaḥ Naivedya-Vaiśvadevanirṇayaḥ [श्रीपाङ्घ्रिश्रीनिवासाचार्यकृतः नैवेद्य-वैश्वदेवनिर्णयः] 46) ŚrīŚrīnivāsācāryakṛtiratnamālā [श्रीश्रीनिवासाचार्यकृतिरत्नमाला], 2018 47) ŚrīSatyanāthatīrthakṛtā Vijayamālā [श्रीसत्यनाथतीर्थकृता विजयमाला], 1993 48) ŚrīMadhvācāryakṛtā ŚrīNṛsiṃhanakhastutiḥ (Vyākhyāṣaṭkopetā) [श्रीमध्वाचार्यकृता श्रीनृसिंहनखस्तुतिः (व्याख्याषट्कोपेता)], 2020 49) Nārāyaṇapaṇḍitācāryakṛtaḥ Sumadhvavijayaḥ [नारायणपण्डिताचार्यकृतः सुमध्वविजयः], 1989 50) Nārāyaṇapaṇḍitācāryakṛtaḥ Sumadhvavijayaḥ (Bhāvaprakāśikāsametaḥ) [नारायणपण्डिताचार्यकृतः सुमध्वविजयः (भावप्रकाशिकासमेतः)], 1989 51) ŚrīVādirājatīrthakṛtaḥ Rugmiṇīśavijayaḥ (Mūlamātram) [श्रीवादिराजतीर्थकृतः रुग्मिणीशविजयः (मूलमात्रम्)], 52) ŚrīVādirājatīrthakṛtaḥ Rugmiṇīśavijayaḥ (Nārāyaṇācāryakṛtavyākhyāsaṃvalitaḥ) [श्रीवादिराजतीर्थकृतः रुग्मिणीशविजयः (नारायणाचार्यकृतव्याख्यासंवलितः)], 1996 and 2015
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53) ŚrīJayatīrthavijayaḥ (ŚrīSaṅkarṣaṇācāryakṛtavyākhyānasametaḥ) [श्रीजयतीर्थविजयः (श्रीसङ्कर्षणाचार्यकृतव्याख्यानसमेतः)], 1994 54) ŚrīVādirājatīrthakṛtaḥ Tīrthaprabandhaḥ (Mūlamātram) [श्रीवादिराजतीर्थकृतः तीर्थप्रबन्धः (मूलमात्रम्)] 55) ŚrīVādirājatīrthakṛtaḥ Tīrthaprabandhaḥ (Nārāyaṇācāryakṛtavyākhyāsaṃvalitaḥ) [श्रीवादिराजतीर्थकृतः तीर्थप्रबन्धः (नारायणाचार्यकृतव्याख्यासंवलितः)], 1991 56) ŚrīVādirājatīrthakṛtaḥ Sarasabhāratīvilāsaḥ [श्रीवादिराजतीर्थकृतः सरसभारतीविलासः], 1989 57) ŚrīSatyābhinavatīrthakṛtaḥ Rāmāmṛtamahārṇavaḥ [श्रीसत्याभिनवतीर्थकृतः रामामृतमहार्णवः], 2009 58) ŚrīSatyadharmatīrthakṛtā Virahimodasudhā (savyākhyā) [श्रीसत्यधर्मतीर्थकृता विरहिमोदसुधा (सव्याख्या)] 59) ŚrīSatyadharmatīrthakṛtaḥ Kavikaṇṭhamaṇiḥ (savyākhyaḥ) [श्रीसत्यधर्मतीर्थकृतः कविकण्ठमणिः (सव्याख्यः)] 60) ŚrīSatyadharmatīrthakṛtā Gaṅgālaharī (savyākhyā) [श्रीसत्यधर्मतीर्थकृता गङ्गालहरी (सव्याख्या)]
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61) ŚrīSatyadharmatīrthakṛtā Yaduvaracaritāmṛtalaharī (savyākhyā) [श्रीसत्यधर्मतीर्थकृता यदुवरचरितामृतलहरी (सव्याख्या)] 62) Śrīmadhvācāryakṛtaḥ Bilvalaṅgalaḥ sādhuḥ (ŚrīVijñānatīrthakṛtavyākhyāsametaḥ) [श्रीमध्वाचार्यकृतः बिल्वमङ्गलः साधुः (श्रीविज्ञानतीर्थकृतव्याख्यासमेतः)], 2014 63) Śrīmadhvācāryakṛtaḥ Bilvalaṅgalaḥ sādhuḥ (ŚrīSatyaparāyaṇatīrthakṛtavyākhyāsametaḥ) [श्रीमध्वाचार्यकृतः बिल्वमङ्गलः साधुः (श्रीसत्यपरायणतीर्थकृतव्याख्यासमेतः)], 2014 64) ŚrīKṛṣṇajayantīnirṇayaḥ (ŚrīRāmacandratīrthakṛtavyākhyāsametaḥ) [श्रीकृष्णजयन्तीनिर्णयः (श्रीरामचन्द्रतीर्थकृतव्याख्यासमेतः)], 2014 65) Śrīkṛṣṇajayantīnirṇayaḥ (ŚrīSatyaparāyaṇatīrthakṛtavyākhyāsametaḥ) [श्रीकृष्णजयन्तीनिर्णयः (श्रीसत्यपरायणतीर्थकृतव्याख्यासमेतः)], 2014 66) Brahmasūtravaibhavam [ब्रह्मसूत्रवैभवम्], 1991 67) ŚrīPūrṇaprajñavaibhavam [श्रीपूर्णप्रज्ञवैभवम्], 1992 68) Tāmraparṇīānandatīrthācāryakṛtā Tattvasārasamuddhṛtiḥ [ताम्रपर्णी आनन्दतीर्थाचार्यकृता तत्त्वसारसमुद्धृतिः], 2015
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69) Viṣṇucandrikā [विष्णुचन्द्रिका], 2014
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Compendium of Stotras (स्तोत्रसङ्ग्रहः) 70-81) Stotramālikā (in 12 volumes) [स्तोत्रमालिका (१२ सम्पुटेषु)] Vol. 1: Nityapaṭhanīyavaiṣṇavastotrāṇi [नित्यपठनीयवैष्णवस्तोत्राणि], 1994 Vol. 2: Keśavādibhagavadrūpastotramālikā [केशवादिभगवद्रूपस्तोत्रमालिका], 2016 Vol. 3: Daśāvatārastotramālikā [दशावतारस्तोत्रमालिका], 2016 Vol. 4: Saṅkīrṇastotramālikā (bhāgaḥ - 1) [सङ्कीर्णस्तोत्रमालिका (भागः - १)], 2016 Vol. 5: Saṅkīrṇastotramālikā (bhāgaḥ - 2) [सङ्कीर्णस्तोत्रमालिका (भागः - २)], 2017 Vol. 6: Sahasranāmastotramālikā [सहस्रनामस्तोत्रमालिका], 2016 Vol. 7: Lakṣmīstotramālikā [लक्ष्मीस्तोत्रमालिका], 2010 Vol. 8: Vāyustotramālikā [वायुस्तोत्रमालिका], 2017 Vol. 9: Tāratamyastotramālikā [तारतम्यस्तोत्रमालिका], 2017 Vol. 10: Devatāstotramālikā [देवतास्तोत्रमालिका], 2019 Vol. 11: Paurāṇikastotramālikā [पौराणिकस्तोत्रमालिका], 2019 Vol. 12: Gurustotramālikā [गुरुस्तोत्रमालिका], 2019
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82) ŚrīManmadhvācāryakṛtaṃ Dvādaśastotram (Vyākhyādvayasaṃvalitam) [श्रीमन्मध्वाचार्यकृतं द्वादशस्तोत्रम् (व्याख्याद्वयसंवलितम्)], 2003
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83) Stutimañjarī [स्तुतिमञ्जरी], 2013 84) Stotramālā [स्तोत्रमाला], 1986 85) ŚrīRāmasotramañjarī [श्रीरामस्तोत्रमञ्जरी], 1981 86) ŚrīJayatīrthastotramañjarī [श्रीजयतीर्थस्तोत्रमञ्जरी], 1988 87) ŚrīVādirājastotramañjarī [श्रीवादिराजस्तोत्रमञ्जरी], 1980 88) ŚrīJayatīrthaślokamālā-ŚrīJayatīrthastotramañjarī [श्रीजयतीर्थश्लोकमाला-श्रीजयतीर्थस्तोत्रमञ्जरी], 1981 89) Daśāvatārastutiḥ [दशावतारस्तुतिः], 1973 90) Śivastutiḥ [शिवस्तुतिः], 1973 91) Subhāṣitāni [सुभाषितानि्], 1973 92) Navaratnastotramañjarī [नवरत्नस्तोत्रमञ्जरी], 1998 93) Sarvamūla-ādyantaślokāḥ [सर्वमूल-आद्यन्दश्लोकाः], 2000 94) Bhramaragītā (ŚrībidarahaḷḷiŚrenivāsatīrthakṛtavyākhyāsametā) [भ्रमरगीता (श्रीबिदरहळ्ळिश्रीनिवासतीर्थकृतव्याख्यासमेता) ], 2019 95) Śrutigītā (ŚrīBidarahaḷḷiŚrenivāsatīrthakṛtavyākhyāsametā) [श्रुतिगीता (श्रीबिदरहळ्ळिश्रीनिवासतीर्थकृतव्याख्यासमेता)] , 2019 96) ŚrīRāghavendrastotramālikā [श्रीराघवेन्द्रस्तोत्रमालिका]
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97) ŚrīYadupatyācāryakṛtaṃ ŚrīVedavyāsagadyam (Vyākhyānadvayopetam) [श्रीयदुपत्याचार्यकृतं श्रीवेदव्यासगद्यम् (व्याख्यानद्वयोपेतम्)], 2020 98) ŚrīYadupatyācāryakṛtaṃ ŚrīVedavyāsakarāvalambanastotram (Vyākhyānasametam) [श्रीयदुपत्याचार्यकृतं श्रीवेदव्यासकरावलम्बनस्तोत्रम् (व्याख्यानसमेतम्)], 2019 Kannada works (edited/compiled/translated/authored) Edited Works [ಸಂಶೋಧಿತ ಕೃತಿಗಳು] 1-7) ŚrīMadhvācāryapraṇīta Sarvamūlagranthagaḷu, [ಶ್ರೀಮಧ್ವಾಚಾರ್ಯಪ್ರಣೀತ ಸರ್ವಮೂಲಗ್ರಂಥಗಳು], 2012 Vol. 1: Gītāprasthāna [ಸಂಪುಟ-೧: ಗೀತಾಪ್ರಸ್ಥಾನ] Vol. 2: Sūtraprasthāna [ಸಂಪುಟ-೨: ಸೂತ್ರಪ್ರಸ್ಥಾನ] Vol. 3: Upaniṣatprasthāna [ಸಂಪುಟ-೩: ಉಪನಿಷತ್ಪ್ರಸ್ಥಾನ] Vol. 4: Śrutiprasthāna, saṅkīrṇaprasthāna [ಸಂಪುಟ-೪: ಶ್ರುತಿಪ್ರಸ್ಥಾನ, ಸಂಕೀರ್ಣಪ್ರಸ್ಥಾನ] Vol. 5: Itihāsaprasthāna [ಸಂಪುಟ-೫: ಇತಿಹಾಸಪ್ರಸ್ಥಾನ] Vol. 6: Śrīmadbhāgavatatātparyanirṇaya [ಸಂಪುಟ-೬: ಶ್ರೀಮದ್ಭಾಗವತತಾತ್ಪರ್ಯನಿರ್ಣಯ] 8-19) Stotramālikā (12 sampuṭagaḷalli) [ಸ್ತೋತ್ರಮಾಲಿಕಾ (೧೨ ಸಂಪುಟಗಳಲ್ಲಿ)]
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Vol. 1: Nityapaṭhanīyavaiṣṇavastotramālikā [ಭಾಗ-೧: ನಿತ್ಯಪಠನೀಯವೈಷ್ಣವಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 2: Viṣṇustotramālikā [ಭಾಗ-೨: ವಿಷ್ಣುಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 3: Daśāvatārastotramālikā [ಭಾಗ-೩: ದಶಾವತಾರಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 4: Saṅkīrṇaviṣṇustotramālikā-1 [ಭಾಗ-೪: ಸಂಕೀರ್ಣವಿಷ್ಣುಸ್ತೋತ್ರಮಾಲಿಕಾ-೧] Vol. 5: Saṅkīrṇaviṣṇustotramālikā-2 [ಭಾಗ-೫: ಸಂಕೀರ್ಣವಿಷ್ಣುಸ್ತೋತ್ರಮಾಲಿಕಾ-೨] Vol. 6: Sahasranāmastotramālikā [ಭಾಗ-೬: ಸಹಸ್ರನಾಮಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 7: Lakṣmīstotramālikā [ಭಾಗ-೭: ಲಕ್ಷ್ಮೀಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 8: Vāyustotramālikā [ಭಾಗ-೮: ವಾಯುಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 9: Tāratamyastotramālikā [ಭಾಗ-೯: ತಾರತಮ್ಯಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 10: Devatāstotramālikā [ಭಾಗ-೧೦: ದೇವತಾಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 11: Paurāṇikastotramālikā [ಭಾಗ-೧೧: ಪೌರಾಣಿಕಸ್ತೋತ್ರಮಾಲಿಕಾ] Vol. 12: Gurustotramālikā [ಭಾಗ-೧೨: ಗುರುಸ್ತೋತ್ರಮಾಲಿಕಾ] Works related to Haridāsasāhitya [ಹರಿದಾಸಸಾಹಿತ್ಯದ ಕೃತಿಗಳು] 20) Kanakadāsakṛta Haribhaktisāra [ಕನಕದಾಸಕೃತ ಹರಿಭಕ್ತಿಸಾರ] 21) Kanakadāsara Samagra Kīrtanegaḷu [ಕನಕದಾಸರ ಸಮಗ್ರ ಕೀರ್ತನೆಗಳು]
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22) Santa-kavi-bhakta Śrīkanakadāsaru [ಸಂತ-ಕವಿ-ಭಕ್ತ ಶ್ರೀಕನಕದಾಸರು] 23) Śrīkanakadāsara Nuḍimuttugaḷu [ಶ್ರೀಕನಕದಾಸರ ನುಡಿಮುತ್ತುಗಳು] 24) Guru-varada-tande gopāladāsara Kṛtigaḷu [ಗುರು-ವರದ-ತಂದೆ ಗೋಪಾಲದಾಸರ ಕೃತಿಗಳು] 25) Śrīvijayadāsadarśana [ಶ್ರೀವಿಜಯದಾಸದರ್ಶನ] 26) Harikathāmṛtasāra (Mūla, Saṃśodhita āvṛtti) [ಹರಿಕಥಾಮೃತಸಾರ (ಮೂಲ, ಸಂಶೋಧಿತ ಆವೃತ್ತಿ)] 27) Harikathāmṛtasāra (anuvāda-vivaraṇe sahita) [ಹರಿಕಥಾಮೃತಸಾರ (ಅನುವಾದ-ವಿವರಣೆ ಸಹಿತ)] 28) Harikathāmṛtasāra (with the commentary of Kamalāpatidāsa) [ಹರಿಕಥಾಮೃತಸಾರ (ಕಮಲಾಪತಿದಾಸಕೃತವ್ಯಾಖ್ಯಾನಸಮೇತ)] 29) Harikathāmṛtasāra (with the commentary of Guruyogidhyeyaviṭhaladāsa) [ಹರಿಕಥಾಮೃತಸಾರ (ಗುರುಯೋಗಿಧ್ಯೇಯವಿಠಲದಾಸಕೃತವ್ಯಾಖ್ಯಾನಸಮೇತ)] 30) ŚrīKamalāpatidāsakṛta Sāragamanikāmañjūṣā [ಶ್ರೀಕಮಲಾಪತಿದಾಸಕೃತ ಸಾರಗಮನಿಕಾಮಂಜೂಷಾ] 31) Jagannāthadāsakṛta Tattvasuvvāli [ಜಗನ್ನಾಥದಾಸಕೃತ ತತ್ತ್ವಸುವ್ವಾಲಿ] 32) ŚrīPurandaradāsara Āyda Kṛtigaḷu [ಶ್ರೀಪುರಂದರದಾಸರ ಆಯ್ದ ಕೃತಿಗಳು] 33) ŚrīHaribhajanakalpadruma [ಶ್ರೀಹರಿಭಜನಕಲ್ಪದ್ರುಮ] 34) ŚrīHarigurubhajanāmṛta [ಶ್ರೀಹರಿಗುರುಭಜನಾಮೃತ ]
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35) Haridāsara Ugābhogagaḷu [ಹರಿದಾಸರ ಉಗಾಭೋಗಗಳು] 36) Haridāsakṛtimañjarī [ಹರಿದಾಸಕೃತಿಮಂಜರೀ] 37) Bhajanamañjarī [ಭಜನಮಂಜರೀ] 38) Lakṣmībhajanāmṛta [ಲಕ್ಷ್ಮೀಭಜನಾಮೃತ] 39) ŚrīAnantādrīśakṛta Veṅkaṭeśapārijāta [ಶ್ರೀಅನಂತಾದ್ರೀಶಕೃತ ವೆಂಕಟೇಶಪಾರಿಜಾತ] 40) Śrīmadhvapativiṭhaladāsaru [ಶ್ರೀಮಧ್ವಪತಿವಿಠಲದಾಸರು] Biographical Works [ಚರಿತ್ರಗ್ರಂಥಗಳು] 41) ŚrīVedavyāsadarśana [ಶ್ರೀವೇದವ್ಯಾಸದರ್ಶನ] 42) ŚrīPūrṇaprajñadarśana [ಶ್ರೀಪೂರ್ಣಪ್ರಜ್ಞದರ್ಶನ] 43) ŚrīPūrṇaprajñadarśana (Saṅkṣipta) [ಶ್ರೀಪೂರ್ಣಪ್ರಜ್ಞದರ್ಶನ (ಸಂಕ್ಷಿಪ್ತ)] 44) ŚrīJayatīrthadarśana [ಶ್ರೀಜಯತೀರ್ಥದರ್ಶನ] 45) ŚrīBrahmaṇyatīrtharu [ಶ್ರೀಬ್ರಹ್ಮಣ್ಯತೀರ್ಥರು] 46) ŚrīVyāsarājadarśana [ಶ್ರೀವ್ಯಾಸರಾಜದರ್ಶನ] 47) ŚrīVijayīndradarśana [ಶ್ರೀವಿಜಯೀಂದ್ರದರ್ಶನ] 48) ŚrīRaghūttamatīrtharu [ಶ್ರೀರಘೂತ್ತಮತೀರ್ಥರು] 49) ŚrīVedeśatīrtharu hāgū avara Śiṣya-praśiṣyaru [ಶ್ರೀವೇದೇಶತೀರ್ಥರು ಹಾಗೂ ಅವರ ಶಿಷ್ಯ-ಪ್ರಶಿಷ್ಯರು] 50) Kambālūru Śrīrāmacandratīrtharu [ಕಂಬಾಲೂರು ಶ್ರೀರಾಮಚಂದ್ರತೀರ್ಥರು] 51) ŚrīRāghavendradarśana [ಶ್ರೀರಾಘವೇಂದ್ರದರ್ಶನ]
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52) ŚrīRāghavendrakṛtimañjarī [ಶ್ರೀರಾಘವೇಂದ್ರಕೃತಿಮಂಜರೀ] 53) ŚrīRāghavendradarśana (saṅkṣipta) [ಶ್ರೀರಾಘವೇಂದ್ರದರ್ಶನ (ಸಂಕ್ಷಿಪ್ತ)] 54) ŚrīYādavāryakṛtimañjarī [ಶ್ರೀಯಾದವಾರ್ಯಕೃತಿಮಂಜರೀ] 55) ŚrīŚrīnivāsatīrthakṛtimañjarī [ಶ್ರೀಶ್ರೀನಿವಾಸತೀರ್ಥಕೃತಿಮಂಜರೀ] 56) ŚrīSatyadharmatīrthakṛtimañjarī [ಶ್ರೀಸತ್ಯಧರ್ಮತೀರ್ಥಕೃತಿಮಂಜರೀ] 57) ŚrīViṣṇutīrthakṛtimañjarī [ಶ್ರೀವಿಷ್ಣುತೀರ್ಥಕೃತಿಮಂಜರೀ] 58) Uḍupi Aṣṭamaṭhagaḷa Guruparampare [ಉಡುಪಿ ಅಷ್ಟಮಠಗಳ ಗುರುಪರಂಪರೆ] Translated Works [ಅನುವಾದಿತ ಕೃತಿಗಳು] 59) Mahābhāratatātparyanirṇaya (in 5 volumes) [ಮಹಾಭಾರತತಾತ್ಪರ್ಯನಿರ್ಣಯ (೫ ಸಂಪುಟಗಳಲ್ಲಿ)] 60) ŚrīNārāyaṇapaṇḍitācāryakṛta saṅgraharāmāyaṇa [ಶ್ರೀನಾರಾಯಣಪಂಡಿತಾಚಾರ್ಯಕೃತ ಸಂಗ್ರಹರಾಮಾಯಣ] 61) ŚrīVādirājatīrthakṛta rugmiṇīśavijaya [ಶ್ರೀವಾದಿರಾಜತೀರ್ಥಕೃತ ರುಗ್ಮಿಣೀಶವಿಜಯ] 62) ŚrīNārāyaṇapaṇḍitācāryakṛta sumadhvavijaya [ಶ್ರೀನಾರಾಯಣಪಂಡಿತಾಚಾರ್ಯಕೃತ ಸುಮಧ್ವವಿಜಯ] 63) ŚrīMadhvācāryakṛta sundarakāṇḍanirṇaya [ಶ್ರೀಮಧ್ವಾಚಾರ್ಯಕೃತ ಸುಂದರಕಾಂಡನಿರ್ಣಯ] 64) ŚrīMadhvācāryakṛta kṛṣṇāmṛtamahārṇava [ಶ್ರೀಮಧ್ವಾಚಾರ್ಯಕೃತ ಕೃಷ್ಣಾಮೃತಮಹಾರ್ಣವ]
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65) ŚrīJayatīrthakṛta padyamālā [ಶ್ರೀಜಯತೀರ್ಥಕೃತ ಪದ್ಯಮಾಲಾ] 66) Bhagavadgītā [ಭಗವದ್ಗೀತಾ] 67) ŚrīTrivikramapaṇḍitācāryakṛta harivāyustuti [ಶ್ರೀತ್ರಿವಿಕ್ರಮಪಂಡಿತಾಚಾರ್ಯಕೃತ ಹರಿವಾಯುಸ್ತುತಿ] 68) Madhvāmṛtamahārṇava [ಮಧ್ವಾಮೃತಮಹಾರ್ಣವ] 69) Ambhṛṇīsūkta (śrīvādirājatīrthakṛta vyākhyānasamEta) [ಅಂಭೃಣೀಸೂಕ್ತ (ಶ್ರೀವಾದಿರಾಜತೀರ್ಥಕೃತ ವ್ಯಾಖ್ಯಾನಸಮೇತ)] 70) Ambhṛṇīsūkta (śrīrāghavEndratīrthara vyākhyānasamEta) [ಅಂಭೃಣೀಸೂಕ್ತ (ಶ್ರೀರಾಘವೇಂದ್ರತೀರ್ಥರ ವ್ಯಾಖ್ಯಾನಸಮೇತ)] 71) Baḷitthāsūkta [ಬಳಿತ್ಥಾಸೂಕ್ತ] 72) ŚrīVādirājatīrthakṛta Tīrthaprabandha [ಶ್ರೀವಾದಿರಾಜತೀರ್ಥಕೃತ ತೀರ್ಥಪ್ರಬಂಧ] 73) Nārāyaṇapaṇḍitācāryakṛta aṃśāvatāra [ನಾರಾಯಣಪಂಡಿತಾಚಾರ್ಯಕೃತ ಅಂಶಾವತಾರ] 74) ŚrīRājarājeśvaratīrthakṛta maṅgaḷāṣṭaka [ಶ್ರೀರಾಜರಾಜೇಶ್ವರತೀರ್ಥಕೃತ ಮಂಗಳಾಷ್ಟಕ] 75) ŚrīAppaṇṇācāryakṛta śrīrāghavEndrastOtra [ಶ್ರೀಅಪ್ಪಣ್ಣಾಚಾರ್ಯಕೃತ ಶ್ರೀರಾಘವೇಂದ್ರಸ್ತೋತ್ರ] 76) Manusubhāṣita [ಮನುಸುಭಾಷಿತ] 77) Viduranīti [ವಿದುರನೀತಿ] 78) Saṃskṛtasūktimañjarī (subhāṣitagaḷa saṅgraha-anuvāda) [ಸಂಸ್ಕೃತಸೂಕ್ತಿಮಂಜರೀ (ಸುಭಾಷಿತಗಳ ಸಂಗ್ರಹ-ಅನುವಾದ)]
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79) Rāmāmṛtamahārṇava [ರಾಮಾಮೃತಮಹಾರ್ಣವ] 80) Pavitrapājaka [ಪವಿತ್ರಪಾಜಕ] Compiled Works [ಸಂಗ್ರಹಕೃತಿಗಳು] 81) Śrīvādirājatīrthakṛta Rugmiṇīśavijaya (mūla) [ಶ್ರೀವಾದಿರಾಜತೀರ್ಥಕೃತ ರುಗ್ಮಿಣೀಶವಿಜಯ (ಮೂಲ)] 82) Śrīnārāyaṇapaṇḍitācāryakṛta Sumadhvavijaya (mūla) [ಶ್ರೀನಾರಾಯಣಪಂಡಿತಾಚಾರ್ಯಕೃತ ಸುಮಧ್ವವಿಜಯ (ಮೂಲ)] 83) Śrījayatīrthaślokamālā, Padyamālā [ಶ್ರೀಜಯತೀರ್ಥಶ್ಲೊಕಮಾಲಾ, ಪದ್ಯಮಾಲಾ] 84) Brahmasūtranāmāvali [ಬ್ರಹ್ಮಸೂತ್ರನಾಮಾವಲಿ] Independent Works [ಸ್ವತಂತ್ರಕೃತಿಗಳು] 86) Madhvabhārata [ಮಧ್ವಭಾರತ] 87) Madhvasiddhānta [ಮಧ್ವಸಿದ್ಧಾಂತ] 88) Madhvasiddhāntasaurabha [ಮಧ್ವಸಿದ್ಧಾಂತಸೌರಭ] 89) Sarvamūlasaurabha [ಸರ್ವಮೂಲಸೌರಭ] 90) Sarvamūla-Sudhā [ಸರ್ವಮೂಲ-ಸುಧಾ] 91) Pravacanavinoda [ಪ್ರವಚನವಿನೋದ] 92) Pravacanabhāratī [ಪ್ರವಚನಭಾರತೀ] 93) Mahābhāratada Beḷaku [ಮಹಾಭಾರತದ ಬೆಳಕು] 94) Bhāgavatada Beḷaku [ಭಾಗವತದ ಬೆಳಕು] 95) Dvaitavāṅmayakke ŚrīRāghavendramaṭhada Koḍuge [ದ್ವೈತವಾಙ್ಮಯಕ್ಕೆ ಶ್ರೀರಾಘವೇಂದ್ರಮಠದ ಕೊಡುಗೆ ] 96) Gītāmāhātmya [ಗೀತಾಮಾಹಾತ್ಮ್ಯ] 97) Draupadī-Vidura [ದ್ರೌಪದೀ-ವಿದುರ] 98) Dvārakāmāhātmya [ದ್ವಾರಕಾಮಾಹಾತ್ಮ್ಯ]
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99) Gītāmadhu [ಗೀತಾಮಧು] 100) Gītādarśana [ಗೀತಾದರ್ಶನ] 101) Śrīpūrṇaprajñavaibhava [ಶ್ರೀಪೂರ್ಣಪ್ರಜ್ಞವೈಭವ] 102) Madhvasiddhānta mattu ŚrīRāghavEndrasvāmigaḷa sandeśa [ಮಧ್ವಸಿದ್ಧಾಂತ ಮತ್ತು ಶ್ರೀರಾಘವೇಂದ್ರಸ್ವಾಮಿಗಳ ಸಂದೇಶ] 103) Vyāsabhāratada Bhīmasena [ವ್ಯಾಸಭಾರತದ ಭೀಮಸೇನ] 104) Vivāhacandrikā [ವಿವಾಹಚಂದ್ರಿಕಾ] 105) Kurukṣetra [ಕುರುಕ್ಷೇತ್ರ] 106) Parimaḷa [ಪರಿಮಳ] 107) Pavitratuḷasi [ಪವಿತ್ರತುಳಸಿ] 108) MadhvaśāstravinOda [ಮಧ್ವಶಾಸ್ತ್ರವಿನೋದ] Critical Reviews [ವಿಮರ್ಶಾತ್ಮಕಕೃತಿಗಳು] 109) Pañcakanyeyaru [ಪಂಚಕನ್ಯೆಯರು ] 110) Śrībhāratāmṛta [ಶ್ರೀಭಾರತಾಮೃತ] 111) Pūrṇaprajñapraśasti [ಪೂರ್ಣಪ್ರಜ್ಞಪ್ರಶಸ್ತಿ] 112) Śrīmadhvācāryara kālanirṇaya [ಶ್ರೀಮಧ್ವಾಚಾರ್ಯರ ಕಾಲನಿರ್ಣಯ] 113) Śrījayatīrthara Mūlavṛndāvanasthaḷa [ಶ್ರೀಜಯತೀರ್ಥರ ಮೂಲವೃಂದಾವನಸ್ಥಳ] 114) Ṣaḍdarśanasaṅgraha [ಷಡ್ದರ್ಶನಸಂಗ್ರಹ] 115) Dvaitavāṅmaya [ದ್ವೈತವಾಙ್ಮಯ] 116) Dvaitavāṅmayataraṅga [ದ್ವೈತವಾಙ್ಮಯತರಂಗ] 117) Vedaśāstravinoda [ವೇದಶಾಸ್ತ್ರವಿನೋದ] 118) Ādyaśaṅkarācāryaru [ಆದ್ಯಶಂಕರಾಚಾರ್ಯರು, ೧೯೬೮], 1968 119) Vaidikasaṃskṛti [ವೈದಿಕಸಂಸ್ಕೃತಿ ]
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120) Ādhyātmika SatyānvEṣaṇe [ಆಧ್ಯಾತ್ಮಿಕ ಸತ್ಯಾನ್ವೇಷಣೆ ] Ācāragrantha [ಆಚಾರಗ್ರಂಥಗಳು] 121) ŚrīVedavyāsapūjāvidhi [ಶ್ರೀವೇದವ್ಯಾಸಪೂಜಾವಿಧಿ] 122) Ekādaśīvrata [ಏಕಾದಶೀವ್ರತ] 123) Ekādaśīmahime [ಏಕಾದಶೀಮಹಿಮೆ] 124) Śrīkṛṣṇajayantīvrata [ಶ್ರೀಕೃಷ್ಣಜಯಂತೀವ್ರತ] 125) Madhvanāmāvali [ಮಧ್ವನಾಮಾವಲಿ] 126) Adhikamāsa [ಅಧಿಕಮಾಸ] 127) Cāturmāsyavrata [ಚಾತುರ್ಮಾಸ್ಯವ್ರತ] 128) Sadācāravinoda (bhāga-1) [ಸದಾಚಾರವಿನೋದ (ಭಾಗ-೧)] 129) Sadācāravinoda (bhāga-2) [ಸದಾಚಾರವಿನೋದ (ಭಾಗ-೨)] 130) Sampradāyapaddhati [ಸಂಪ್ರದಾಯಪದ್ಧತಿ] 131) Taptamudrādhāraṇa [ತಪ್ತಮುದ್ರಾಧಾರಣ] English Works Authored by Dr. Vyasanakere Prabhanjanacharya
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Life and Works of Śrī Madhvācārya Nyāyamuktāvali of Śrī Rāghavendratīrtha Authenticy of Un-traceable quotations of Śrī Madhvācārya Light of Mahabharata (2014) Bhagavadgītā (translation) Ekādaśīvrata Holy Pājaka Aṃśāvatāra Extracts from "Madhvācārya for youth Workshop" (Vol-1), 2007 Extracts from "Madhvācārya for youth Workshop (Vol-2), 2008 Gītā Madhu (Essence of Bhagavadgītā), 1995 Light of Mahābharata, 2014 Glimpses of Bhāgavatam, 2005 The Glory of Bhagavadgītā, 1996 Śrī Rāghavendra Darshana (Life of Śrī Rāghavendra Svāmiji), 2017 Works of Śrī Rāghavendra Svāmiji Raghavendra Darshana (Abridged), 2015 Sadācāra Vinoda, 1996 Telugu Works Dr. Prabhanjanacharya has edited and brought out "Sarvamūlagranthas" of ŚrīMadhvācārya in the Telugu script in 2003.
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Vol. 1: Gītāprasthāna [సంపుటం-౧: గీతాప్రస్థానమ్] Vol. 2: Sūtraprasthāna [సంపుటం-౨: సూత్రప్రస్థానమ్] Vol. 3: Upaniṣatprasthāna [సంపుటం-౩: ఉపనిషత్ప్రస్థానమ్] Vol. 4: Śrutiprasthāna, saṅkīrṇaprasthāna [సంపుట-౪: శ్రుతిప్రస్థానమ్, సంకీర్ణప్రస్థానమ్] Vol. 5: Itihāsaprasthāna [సంపుటం-౫: ఇతిహాసప్రస్థానమ్] Vol. 6: Śrīmadbhāgavatatātparyanirṇaya [సంపుటం-౬: శ్రీమద్భాగవతతాత్పర్యనిర్ణయః] Works translated to other languages More than 30 works of Dr. Prabhanjanacharya have been translated to other languages. Works translated to Telugu
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Bhagavadgīta [భగవద్గీతా] , 2015 Harivāyustuti [హరివాయుస్తుతి], 2013 Śrīguru Madhvācaryula Caritramu [శ్రీమధ్వాచార్యులచరిత్రము], 2017 Śrī Jayatīrthulu [శ్రీజయతీర్థులు], 2005 Tīrthaprabandhamu [తీర్థప్రబంధము], 1996 Sadācāravinodamu [సదాచారవినోదము], 1995 Bhagavadgītā Māhātmya [భగవద్గీతామాహాత్మ్య], 2015 Mahābhāratamulu Bhīmasenudu [మహాభారతములు భీమసేనుడు], 2004 Aṃśāvatāramu [అంశావతారము], 2013 Pavitra pājaka Kṣetramu [పవిత్ర పాజకక్షేత్రము], 2015 Śrīmadbhagavata Sāramu [శ్రీమద్భాగవతసారము], 2015 Stotramālikā, Part-1 [స్తోత్రమాలికా - ౧], 1991 Stotramālikā, Part-2 [స్తోత్రమాలికా - ౨], 1992 Stotramālikā, Part-3 [స్తోత్రమాలికా - ౩], 1993 Works translated to Tamil
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Gītā Madhu [கீதாமது], 2005 Bhagavadgītā [பகவத்கீதா], 2005 Bhāgavatattin Oḷikkadirgaḷ [பாகவதத்தின் ஒளிக்கதிர்கள்], 2005 Ekādaśī Vratam [ஏகாதஶீ வ்ரதம்], 2006 Pūrnaprajña darśanam [பூர்ணப்ரஜ்ஞ தர்ஶனம்], 2007 Śrī Jayatīrthar [ஶ்ரீஜயதீர்த்தர்], 2016 Maṇampūṇḍi mahān (Biography of śrīraghūottamatīrtha) [மணம்பூண்டி மஹான்], 2009 Adhika Māsam [அதிக மாஸம்], 2018 Cāturmāsya Vratam [சாதுர்மாஸ்யவ்ரதம்], 2018 Tīrthaprabandham [தீர்த்தப்ரபந்தம்] Rāghavendra Darśanam [ராகவேந்த்ர தர்ஶனம்] Sundarakāṇḍa Nirṇayam [ஸுந்தரகாண்ட நிர்ணயம்] Works transkated to Hindi Bhāgavat Prakāś [भागवत प्रकाश], 2015 Śrī Rāghavendra Darśan [राघवेन्द्र दर्शन], 2020 Work translated to Marathi ŚrīPūrnaprajña Darśana [श्रीपूर्णप्रज्ञ दर्शन], 2017 Present Activities Founder-Director Dr. Vyasanakere Prabhanjanacharya the Founder-Director of the following institutions:
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Sri VyasaMadhwa Samshodhana Pratishthana Sri VyasaMadhwa Research Foundation Govardhana Pratiśthana Sri Raghavendra Vedanta Pathashala Sri Jayatīrtha Sanskrit Manuscripts Library Aitareya Prakaśana Dialy Classes Dr. Prabhanjanacharya has been conducting daily classes on Nyāya, Vyākaraṇa and Vedanta since 1985. As on December 2020, he has completed the teachings of - 1) Sarvamūla works of Śrī Madhvācārya with commentaries three times; 2) Nyāyasudhā of Śrī Jayatīrtha two times; 3) Brahmasūtra, Bhagavadgītā, Upaniṣads and Bhāgavatapurāna with commentaries several times. Awards, Honours and References Prabhanjanacharya is the recipient of many awards and honours. In 2005 he was awarded with prestigious President's award for his contribution to the Sanskrit language. Some of the awards conferred on him are listed below. Government Awards Awards from Spiritual Institutions Awards from other Institutions
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Special Honours President of All India Philosophical Conference-1994, Bangalore, organized by Sri Vishveshateertha Swamiji, pontiff of Sri Pejavara Adhokshaja Matha, Udupi. Other Honours Asthana Vidvan, Sri Paryaya Pejavara Adhokshaja Matha, Udupi Asthana Vidvan, Sri Paryaya Palimaru Matha, Udupi Asthana Vidvan, Sri Paryaya Kaniyur Matha, Udupi Dharmadhikari, SMSO Sabha, Tiruchanur, Andhra Pradesh Special Invitee World Sanskrit Conference - 1996, Bangalore. World Sanskrit Conference - 2000, New Delhi. Akhila Karnataka Sanskrit Conference - 1974 and 1978 World Geeta Conference, Bharatiya Vidya Bhavan, 2014 Recognitions
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Member, Central Govt. Nominee (HRD Representative), Project Committee of Sanskrit Dictionary Project, Deccan College Postgraduate & Research Institute, Poona. Ex-Member, Central Govt. Nominee(Ex) (HRD Representative), Purnaprajna Samshodhana Mandiram (Shodh Sansthan), Bangalore Vice President, National Institute of Vedic Sciences, Bangalore. Member, NAAC(National Assessment and Accreditation Council), UGC. Advisor, Mahabharata Samshodhana Pratishtana, Bangalore. Member, Expert Committee, DVS Research Foundation, Bangalore. Member, Expert Committee, Purnaprajna Samshodhana Mandiram, Bangalore. Ex-Member, Academic Council, Bangalore University Trustee, Purnaprajna Vidyapeetha, Bangalore Trustee, ABMM Abhivardhaka Mandala, Bangalore Member, Board of Studies, Jain University, Bangalore Dean, National Institute of Vedic Sciences, Bangalore Member, Vidyamanya Award Committee, Sri Pejavara Matha, Bangalore Member, Expert Committee, Sri Sudha Monthly
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Member, Expert Committee, Tattvavada Monthly Member, Expert Committee, Madhwa Siddhanta, SMSO Sabha, Tiruchanur
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References Dr. Prabhanjanacharya's achievements have been mentioned in several Reference Books. See also Dvaita Works of Madhvacharya Bannanje Govindacharya Aralumallige Parthasarathy Further reading Books by Dr Vyasanakere Prabhanjanacharya Download Upanyasas by Dr. Prabhanjanacharya on Gita,Bhagavata,Ramayana,Mahabharata etc. References Bibliography Dvaita Vedanta Indian Sanskrit scholars Dvaitin philosophers 20th-century Indian philosophers 21st-century Indian philosophers Madhva religious leaders Living people 1946 births
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Peter Elliott (born 9 October 1962 in Rotherham, Yorkshire) is a former middle-distance runner from the United Kingdom. During his career, he won the gold medal in the 1500 metres at the 1990 Commonwealth Games, the silver medal in the 1500 metres at the 1988 Olympic Games, and the silver medal in the 800 metres at the 1987 World Championships. Biography
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Elliott was brought up in Rawmarsh, near Rotherham, in the then West Riding of Yorkshire. He attended Rawmarsh Comprehensive School and later worked as a joiner at British Steel Corporation. Remarkably, he managed to establish himself as a world class athlete while working full-time. He began his athletic career by running in the Young Athletes League for his local club, Rotherham Harriers, and his 800m time of 1 minute 53.3 seconds has been the under-17 record since 1979. Elliott also held the UK under-17 record with a time of 1 minute 50.7 seconds, which stood for nearly 10 years. He excelled as a schoolboy athlete, winning four English Schools titles, twice at 800 metres and twice over the country. In August 1982, he set a 4 × 800 metres relay World Record of 7 minutes 3.89 seconds with fellow British athletes Sebastian Coe, Steve Cram and Garry Cook. At the 1983 World Championships held in Helsinki, he finished 4th in the 800m final.
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Elliott was unfortunate to miss out on selection for the 1500m at the 1984 Olympic Games in Los Angeles, losing out to the eventual gold and silver medallists, Sebastian Coe and Steve Cram, and the then world record holder, Steve Ovett. At the time, it was a very controversial decision. Ovett and Cram had already secured their places. The third place was either Coe's or Elliott's. Although Elliott defeated Coe at the AAA's Championships, which somehow came to be viewed as a "race off" between the two, the selectors opted for Coe. Elliott was selected for the 800m and qualified for the semi-finals, but had to withdraw due to an injury.
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Elliott won a bronze medal in the 800m at the 1986 Commonwealth Games in Edinburgh behind Steve Cram and Tom McKean. He then won a silver medal in the event at the 1987 World Championships in Rome. The following year, he won the silver medal in the 1500m at the Olympic Games in Seoul. He also finished fourth in the Olympic 800m final. In January 1990, he became the Commonwealth champion over 1500m in Auckland. Later in the year, Elliott ran an outstanding 1:42.97 over 800m in Seville (ranking him No. 1 in the world for 1990, and making him the third fastest Briton of all time over the distance). This made him the favourite to win both middle distance gold medals at the 1990 European Championships in Split. However, due to injury problems he only entered for the 1500m and was tripped in the semi-final. After an appeal by the British team he was reinstated (against his own wishes and those of some other athletes), and went on to finish fourth in the final. A year later, Elliott had his
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revenge when he defeated the European champion Jens-Peter Herold in the 1500m race at the European Cup in Frankfurt. He also won the Fifth Avenue Mile in 1987, 1989 and 1990, the latter in 3:47.83 min.
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After retiring from competition running in 1992, Elliott became a coach and race organiser. He joined Newcastle-based sports marketing agency Nova International, where he was Director of Running. In 2004 he became the Athlete Services Manager for Yorkshire at the English Institute of Sport in Sheffield. Personal bests References UK Athletics Hall of Fame UKA Young Athletes League Peter Elliott: Rotherham Harriers & AC Roll of Honour Power of 10 Profile: Peter Elliott
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1962 births Living people People from Rawmarsh English male middle-distance runners Olympic athletes of Great Britain Olympic silver medallists for Great Britain Athletes (track and field) at the 1984 Summer Olympics Athletes (track and field) at the 1988 Summer Olympics Commonwealth Games medallists in athletics Commonwealth Games gold medallists for England Commonwealth Games bronze medallists for England Athletes (track and field) at the 1986 Commonwealth Games Athletes (track and field) at the 1990 Commonwealth Games World Athletics Championships athletes for Great Britain World Athletics Championships medalists Athletes from Yorkshire Medalists at the 1988 Summer Olympics Olympic silver medalists in athletics (track and field)
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Throughout the years, the Cuban nation has developed a wealth of musicological material created by numerous investigators and experts on this subject. Early 20th century Apart from the work of some authors who provided information about the music in Cuba during the 19th century, that was usually included in chronicles covering a more general subject, the first investigations and studies specifically dedicated to the musical art and practice did not appear in Cuba until the beginning of the 20th century.
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At that time, musicological research and documentation in Cuba was not undertaken by professionals fully dedicated to that subject, but instead it was conducted by historians, ethnologists or composers such as polymath Fernando Ortiz (b. 1881) or composer Eduardo Sánchez de Fuentes (b. 1874). The controversy sustained by these distinguished personalities in reference to the possible African (or indigenous) roots of Cuban music spanned several decades, from the 1930s to the 1950s.
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Another important personality, María Muñoz (b. 1886), a Galician pianist, professor and choir conductor that graduated at the Madrid Conservatory under the guidance of Manuel de Falla, developed an outstanding musical activity in Cuba. Together with her husband Antonio Quevedo, she co-founded the Society of Contemporary Music in 1929, promoted the cultural journal “Musicalia” and founded the Havana Choral Society. Together with Fernando Ortiz, she gave summer courses on musicology at the Havana University from the 1930s. Those courses nurtured and stimulated the careers of some future outstanding musicologists such as María Teresa Linares Savio (b. 1920).
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One of the earliest contribution to musicological studies in Cuba was provided by Emilio Grenet, brother of the famous Cuban composer Eliseo Grenet. Emilio Grenet was born in Havana in 1901 and passed away in the same city, in 1941. He studied Sight-reading and Music theory with professor Armando Laguardia and worked as a pianist in New York City in 1923. After returning to Cuba he traveled to Spain where he met composer Joaquín Turina who introduced him to his professor of Harmony, Conrado del Campo. Grenet returned again to Cuba where he worked in the Education Ministry Radio Station, started his investigations about the genres of Cuban popular music and travelled to New York City to record with the orchestra of his brother Eliseo Grenet. He taught Musical composition to the renowned Cuban conductor Enrique González Mántici and Harmony to the composer and guitarist Vicente González Rubiera (Guyún).
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In 1939, Grenet published his important work "Cuban popular music", which represented a serious study of the Cuban popular music genres, and a thorough insight into the most important aspects of the musical creation in Cuba, from the 19th Century until that time. The book also included 80 scores of representative compositions. 1940s and 1950s
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In 1946, the famous Cuban writer, art critic and musicologist Alejo Carpentier (b. 104) established a benchmark with his work “La música en Cuba” (1946), an attempt to put together a comprehensive history of Cuban music from the 16th century until his time. Although the work presented as facts some controversial historical issues, such as the origins of the well known “Son de la Mateodora” and the “Cuban Contradanza”, this important study (based on extensive investigations conducted by Carpentier) offered a deep insight into Cuban music history never witnessed before.
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Coincidentally, young composers and musicologists such as Argeliers León (b. 1918) and Hilario González (b. 1920) were diligently working along with José Ardévol at “Grupo de Renovación Musical” to improve and renovate the Cuban musical panorama. In 1947, Argeliers León continued offering the musicology summer courses started by María Muñoz and Fernando Ortiz at the Havana University and served as a professor of such prominent students as pianist and professor Ana Margarita Aguilera Ripoll (b. 1903), author of the important compilation of children songs “Cancionero Infantil de Hispanoamérica.” Other contemporary Cuban musicologists were María Antonieta Henriquez, founder of the National Museum of Music, and Lydia Cabrera, an anthropologist renowned for her studies of Afro-Cuban music.
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Post revolutionary period (1959) After the Cuban Revolution in 1959, Pablo Hernández Balaguer (b. 1928) was teaching musicology at the Oriente University, an educational institution that offered the first Music Degree in the history of Cuba. Balaguer conducted an important study about the work of composer Esteban Salas and published the Music Catalog from the archives of the Santiago de Cuba Cathedral. He was a professor of several distinguished musicologists such as Virtudes Feliú Herrera (b. 1941), who conducted a thorough research into Cuban historical ritual and festive traditions. Her work has been compiled in the “Ethnographic Atlas of Cuba,” which received an award from the Cuban Academy of Science.
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Argeliers León and his wife María Teresa Linares Savio were the leading figures of Cuban musicology during the early decades after the Cuban Revolution (1959). Between 1961 and 1970, León was de director of the Institute of Ethnology and Folklore at the Academy of Sciences of Cuba and he also headed the Folklore Department at the National Theater of Cuba, the Music Department of the José Martí National Library and the Music Department at Casa de Las Américas. He served as professor at the Havana Municipal Conservatory, taught African cultures in Cuba at the Havana University and musicology at the Instituto Superior de Arte (ISA). As a musicologist he published several books which included Del Canto y el Tiempo (1974), where he proposed a subdivision in “generic complexes” to study the musical styles in Cuba.
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María Teresa Linares conducted extensive investigation on several areas of Cuban music history and published numerous books and articles. She worked as a professor at the Alejandro García Caturla Conservatory, the Havana University and the Institute of Ethnology and Folklore at the Academy of Sciences. Until year 2000 she was the director of the Museum of Music, and at a later time she was affiliated to the Fernando Ortiz Foundation.
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During the first decade of the Cuban Revolution (1960 to 1970) an emerging generation of musicologists started to acquire recognition within the Cuban musical scene. We should mention, in first place, two humble and dedicated investigators that had certain common characteristics. They both had university backgrounds and worked for many years at the José Martí National Library as researchers; also their main subjects of investigation were somewhat related to the musicological work of Alejo Carpentier. Alberto Muguercia (b. 19280), a lawyer from Santiago de Cuba holds the honor of having refuted one of the greatest myths in the history of Cuban music: The “Son de la Ma Teodora” origins. In his famous book “La música en Cuba”, Alejo Carpentier categorically attributed a 16th-century origin to a popular melody called Son de la Ma Teodora without conducting a thorough investigation about the subject, thus establishing an erroneous fact as a popular tradition. In a brilliant article about
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this subject: “Teodora Ginés: ¿Mito o realidad histórica? Muguercia demonstrated the inaccuracy of this theory.
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In turn, Zolia Lapique (b. 1930), a librarian and historian, refuted a theory formulated by Carpentier in reference to the French-Haitian origin of the “Contradanza Cubana”. She attributed an earlier development and other possible origins (Spanish and English) to this musical style in her outstanding article: “Aportes Franco-Haitianos a la contradanza cubana: mitos y realidades.” Other prominent members of this generation are: Cristóbal Díaz Ayala (b. 1930), author of a complete Cuban music discography, Jorge Ibarra (b. 1931), Leonardo Acosta (b. 1933), Dulcila Cañizares (b. 1936), Raul Martínez Rodríguez (b. 1937), Helio Orovio (b. 1938), Radamés Giro (b. 1940), Danilo Orozco (b. 1944) and Alberto Faya (1944). The second generation (1970s) and beyond
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The members of the second generation of Cuban musicologists that appeared during the Cuban Revolution period, graduated in their great majority either from the Havana Municipal Conservatory or the Instituto Superior de Arte (ISA), which from 1976 offered the first Musicology Degree in the history of Cuba. Many of them worked at a later time at the newly created Centro para la investigación y desarrollo de la música cubana (CIDMUC), founded in 1978. From this group we should mention two renowned musicologists that frequently worked in collaboration with each other: Victoria Elí (b. 1945) and Zoila Gómez (b. 1948). We should also mention Tamahra Martín (b. 1945), who dedicated two books to the Cuban choral music: “La música coral en Cuba” (1987) and “Música Coral” (1990).
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Two other important musicologists from this generation are: Alberto Alén Pérez (b. 1948) and Rolando Antonio Pérez Fernández (b. 1947). Alberto Alén applied his extensive knowledge of psychology and statistics to musical form analysis as well as music pedagogy, in publications such as: “La forma de las formas musicales” and “Diagnosticar la musicalidad”. Rolando Pérez developed extensive investigations about Afro-Cuban music and is well known for having documented and analyzed the process of transition from ternary rhythms to binary rhythms of the Cuban and Latin American popular music, during the 18th and 19th centuries, in his book: “Proceso de binarización de los ritmos ternarios africanos en América Latina (1987).” Olavo Alén (b. 1947) has closely followed the steps of Argeliers León in his studies of Afro-Cuban music and, most importantly, has elaborated and expanded León's theory of “generic complexes”, in works such as: “Géneros de la música cubana” from 1976.