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test_4800
pending
f5182912-ac9e-4949-b936-e420c4acb974
The bipolarity of this movie is maddening. One moment it's making fun of Latin Americans, American tourists and banana republics in general, the other it wants to be touching, with burned villages and orphans. Even the serious revolutionary hero, becomes a parody of a revolutionary at one point. But the comedy parts aren't even funny, because it's so obviously stolen from Star Wars. Yes, Star Wars, the "hero" is basically a rogue with a heart of gold. Add to this stereotypical sounds effects, Latin Americans who speak English with one another, and a villain that just disappears from the story. And whats the point? It's basically revolution propaganda with no resolution, and no planning (because, there is just no way these people can lead a country). The US government are bad guys, but who'll make money producing this? Not some poor farmer, that's for sure.
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neg
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test_4801
pending
48c4d1e4-e259-41b5-a6fd-a9a7aeba5d99
Just saw Coronado... Around here the only line they came up with to sell it is "from the FX team behind Independence Day". I think that says a great deal. No talk about writers, directors, actors...<br /><br />It's a cute little adventure story set in a banana republic in Mid America, but the storyline is thin.<br /><br />All the way through the movie I kept thinking about how much this movie looks like the cut-scenes from some action computer war game. Although the FXs are nice, they all too often are visible. Much like the cut scenes in CGs style like Command'n'Conquer.<br /><br />You almost instantly know that that particular truck, backdrop, bridge, castle, or jet fighter never existed. The look is smooth and nice, but not up to the standard we have come to expect of Action Adventures today. The movie is lacking a lot of obvious on-location filming.<br /><br />The acting, storyline is below average and the FXs are nice but not up to feature film standard. I am not surprised this thing went straight to video/DVD.<br /><br />
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neg
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test_4802
pending
d09daa5d-97d3-4cc1-86b6-100851b9d6f6
I went to see this film over Matchstick Men, in fact buying the tickets to Matchstick Men and going to the other, because it looked like a fun movie with action, romance, thrills, jungles, and exotic locations. They had all that but so do a lot of movies with a conception of story.<br /><br />All I can say is WHY WHY WHY WHY did they not just make it a straight narrative instead of some sappy flashback story.<br /><br />Here is all the movies from what I've seen the film was derived from: Of course, Indiana Jones and Romancing the Stone, but also True Lies, Proof of Life, that old 80s Tom Selleck movie, Bananas (Woody Allen), and Hero (from the use of digital extras).<br /><br />PS the only scene in the movie that was cool is when the central character finds her room blown up.
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neg
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test_4803
pending
3b35dc18-b3c5-47f3-bef1-e0ab3e017bbd
It didn't feel like a movie, and was thankfully short (under 90minutes), it felt more like a commercial of possibilties in computer graphics: Most of the special effects are great, to be sure. But that cerainly don't a great or even a good movie make. Not saying it's absolutely worthless viewing, since it's possible to see what are the possibilities in CGI or GCI, or what ever it's called.<br /><br />As I read somewhere, "You can't fix it in the cutting room", a bad story and non-directed actors, can't be fixed in the cutting room or even with the most magnificent special effects! Things can be improved in the cutting room if they have a real director and material to work from.<br /><br />However they thought this could be sold in USA is anyones idea, since USA is the crooks.<br /><br />And isn't it sooo typical of low budget stories, they have to create an imaginative country south of Mexico??<br /><br />Well Well I gace it 2! Just because of the special effects, the rest is absolute trash!
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neg
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test_4804
pending
f4338229-18fb-4c23-99a4-79bc2da502dc
So we're supposed to find it funny that this woman travels all the way to the jungle - to the warzone - just to find out why her fiancée didn't travel to Switzerland? Or are we supposed to take it seriously? It's not even remotely funny, clever or entertaining - it's stupid - and so is the movie. The lead actress is one of the most annoying characters I have ever seen in a movie - even worse than Jar-Jar Binks. Dialog tries very hard to be funny (almost all the time) but it never is. The number of funny jokes is somewhere between zero and nothing. And as for the plot - did they even once bothered to explain to us what are the rebels fighting for (other than being anti-government)? I guess that didn't matter to anyone - neither to the rebels nor to the characters who just blindly flew to the battlefield. Don't waste your time. "Coronado" is neither funny nor entertaining.
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neg
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test_4805
pending
42559b25-a67e-4c94-985e-5726424e6d30
This movie is just as bad as it gets. If you like logic (or the lack of it) á la National Treasure and bad acting as well, then it could be a movie for you.<br /><br />Otherwise spend your time in the sun and your money on a beer.<br /><br />Actually it looks like a bad produced promo or demo picture to promote the people involved (ie. actors, special effects and so on). Accidentially they produce really bad exposing of their lack of talent.<br /><br />In a case like this the film company should be ordered to pay back money to the costumers that are not satisfied with the product.<br /><br />It is really lousy.
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neg
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test_4806
pending
72dd8b74-3374-434f-99a9-492fee679e6b
Infamous for being "brought to you by the digital effects team behind Independence Day," Coronado is even more of a spectacular failure just from being juxtaposed with ID4. This ridiculous mess of a film starts off with a brainless premise and goes completely downhill from there. A wealthy, soon to be married couple in Beverly Hills are the subjects of this idiotic story. Claire's fiancée has taken off on a business trip right around Christmas, so she decides to spontaneously fly to Switzerland so they can spend the holiday together. I especially love that her initial reason for wanting to go was because he had left some documents at home that she thought he might need. She grabbed them up and yelled after him while he drove away, concluding that her best bet would be to fly to the other side of the planet rather than call his cell phone. I refuse to believe that a couple living in such a cavernous mansion as theirs were unaware of the existence of mobile phones.<br /><br />So up until this point, the movie is unbelievably bad, but check this out, THIS is where it starts to get bad! She gets to Switzerland and when she can't find her husband she gets some cake and calls her friend to whine about how unfair it all is. This woman is not an action hero, and she is DEFINITELY not a German Indiana Jones, for crying out loud. She is an overgrown cheerleader, a pampered sorority girl whose outdoor experience is probably limited to digging her spike heels out of the ground when she gets tipsy enough to wander onto the lawn during a wine and cheese party out on the bluffs.<br /><br />She gets a tip that her fiancée is in South America, so she, like, totally flies there to get him. Once there, this moron thinks she's going to go into the jungle by herself, sniff out the enemy base and rescue her poor helpless boyfriend. She laughs off a comment about the danger of going in there, then freaks out later because she finds out that there are battles going on. "You never said anything about battle!"<br /><br />There is one point where Claire and some journalist that she met up with drive this huge truck across a bridge that is hundreds of feet high and hundreds of feet across and suspended by two by fours. Literally. There are thousands of thin pieces of wood tied together with twine, and these morons decide to drive over it. Not only does it crumble under the weight of the truck, but Claire manages to fall off of it, falling hundreds of feet and landing on her back in the shallow river below. Later she recalls the event, laughing it off like, oh maybe it was only a hundred. At least she wasn't twirling gum on her fingers.<br /><br />What is truly sad about this catastrophically bad movie is that they even managed to coax a terribly performance out of the tremendously talented John Rhys-Davies, a REAL Indiana Jones veteran. There is a lot of nonsense about an uprising at the end of the film, where we meet an extremist rebel leader who, when we first meet him, has such a thick accent that he rolls his r's like he thinks he's in a Ruffles commercial, then later he talks like some guy they pulled off the streets of Venice Beach. Unbelievable.<br /><br />The special effects are negligible. The team that brought you Independence Day, by the very fact that they were involved with ID4, was simply going through the motions, throwing together some matted and blue screen shots, I have to believe because they just had nothing better to do. The story is astonishingly bad, and Kristin Dattilo, who many other IMDb users cite as the only reason to see the film, doesn't put the slightest effort into her performance. Maybe she thought the digital effects team behind Independence Day could superimpose some meaning into this mess.<br /><br />And given how far they've fallen, maybe they thought they could, too.<br /><br />They could at least have tried.
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neg
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test_4807
pending
f0f74a39-66e5-49d9-a78e-047c0e5c355f
Another awful movie from Hollywood. This time a female helps the revolution in a central American country. yeah yeah yeah. Hey lets make a movie without any sense of realism AT ALL. I am so sick of movies like this one. The actors and actresses are lousy, the effects are cheesy and the dialog horrible. And suddenly i see John Rhys-Davies as the evil president. From Gimli to Hugo Louis Ramos. I bet he is very proud of this. Well i shouldn't have expected much of this movie and i didn't. And i am glad cause this sucks bigtime. I wonder what kind of people who like this movie. My guess is younger people aged 12-16. And i guess some people like because of Kristin Dattilo. Well i am in neither of those group and i hate it. Rating: 2
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neg
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test_4808
pending
f5db92ad-2cce-4d6d-89a1-c351d62df8d7
Have you seen all the big adventures of last few decades? If you have don't bother with this one as you've already seen most of the scenes already - and I can guarantee that those scenes were originally in much better movies.<br /><br />The story (I'm sure that true storytellers will never forgive me) is childish and stupid (stupid in a way that making it play in a mortuary would result in a bunch of angry walking dead). Every character is based in a cliché and... well, they're nothing but the cliché. And yes, again all you need to be a hero is to be American.<br /><br />At least in Finland they advertised this to be the kind of movie the DVD was made for. Maybe I should sell my player then...<br /><br />1/10
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neg
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test_4809
pending
06058cbd-ba34-44e6-9ec6-1fd614655efb
Other than cop rock and that show where the kid dies from eating a spoiled hamburger he found under the bed, this has consistently been the worst and dumbest show to survive prime time. If not for Jason Lee's unjustifiable success in film, this show would have never made it out of conception if pitched with a relatively unknown as the lead. <br /><br />The concept is TERRIBLE. Moron redneck hick spends his lottery winnings to redeem himself with the white trash of his past. Is it funny? periodically but not consistently. Is it stupid? Each and every single episode. <br /><br />I've seen a lot of great shows come then go before their time yet this blunder has survived longer than I ever could have imagined. The dialog is incredibly unfunny as are the episode themes. Every episode for someone with an IQ over 100 is an absolute struggle. And the icing on the cake? Jason Lee's annoying voice narrating each episode. If it weren't for the state's Southern culture and rednecks of the south, this show wouldn't have an audience.<br /><br />If you're a moron and need a show completely lacking humor yet overflowing with bad taste, bad dialog and dimwit characters failing at life...well then you're probably an actor on this show.
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neg
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test_4810
pending
1acb64eb-df02-4232-abf3-d1d0d46630c1
I agree with the comments regarding the downward spin. The last view shows have been a little better, but surely the writers need some more direction. I think the characters are still interesting, although sometimes they spin into the "white trash" things a little too much. Subtlety and nuance goes a long way on shows like "Office". I would think the target audience is somewhat similar being they are both on the same night and lineup. One would think that Karma and the whole eastern religion thing is a big enough topic to bring some different and interesting shows, but they only scratch the surface of the subject. In my opinion it shows the contempt that many people have in Hollywood about the level of intelligence of the masses. We can handle more heady content. It has been proved before in many other shows.
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neg
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test_4811
pending
3f6aae33-29a3-4817-84ec-de2ad089f737
With the plethora of repetitive and derivative sitcoms jamming fall, summer, winter and spring line-ups, it's nice to see a show that sets itself from the lot in more than one area. <br /><br />'Earl' takes an unusual approach. It's not about the "daily musings of an eccentric family" (zzzz..) nor about the other boring stuff you see everywhere in sitcoms. The show is about this small-time white trash thief (Earl) who scratches off a lottery card and scores big time. Right at that moment, 'Karma' took it away from him. Overtime, he learns that that unusual incident was probably because of all the bad things he's been doing, so he sets off on a mission to right every wrong he ever did and he's got all his deeds on a paper.<br /><br />This is a brilliant premise for a sitcom. Thankfully, it landed in the right hands. The execution of the show produces extremely satisfactory results: you get an innovative comedy that is genuinely funny and really touching at many times. You can't help but fall in love with Earl's sincerity and steadfastness, Randy's simple mind, good heart and observations on life, Joy's wild, flamboyant personality and Darnell's mellow, chillin' demeanor that really endears him to you very easily.<br /><br />When you combine the show's innovation with its genuine humor, good heart, interesting characters and well-written dialogue, you really have a keeper. With shows like this (and the incomparable "The Office"), NBC is obviously on to something. Did they finally free a cubicle or two for quality assurance? Let's hope so. And let's hope for more quality shows like these will occupy the line-ups; shows that'll make both us TV viewers and NBC executives stop crying over the long gone days of NBC's golden days (Frasier, Seinfeld, Friends)
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neg
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test_4812
pending
78d0d116-0211-47ce-bf63-e3d4c44482d0
After I couldn't ignore the hype about the show, I started watching season one and it struck me as really good and I was hooked.... for about 5 episodes, then it started to spiral downwards. Why? First, Ethan Suplee is scripted to act as a complete idiot confirming that very obviously by spewing out semi-random stuff in great expectations of it somehow becoming the next best joke.<br /><br />Jaime Pressly's got stunning looks, but if she thinks stretching lips to explore parts of the face to which they normally never go to and making strange grimaces to accentuate everything she says is hilarious, she's way off track. Maybe she thought her character would be too flat, faded and she wanted to make it colorful and spicy, but made a flood of colors, overkill of spices and screams out loud for attention and it hurts my eyes, ears and intellect.<br /><br />I really, really wanted to love this show, like I said, the premise is great, (comes from the same shelf as The Fabulous Destiny of Amelie Poulain) and Jason Lee is doing a pretty good job here, along with some of the other actors but there is no way no how I would get 'sucked in' and forget that this is just a show, because Pressly's and Suplee's surreal, extreme characters abruptly wake me when they show up. It's worth to note that their characters and acting would be fine if this wasn't a 70 something-part series and if they didn't get that much screen time.
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neg
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test_4813
pending
50983632-005c-43dc-908c-4a2694789d38
It seems like people are attracted to shows that showcase pathetic lives that have no purpose what-so-ever. To me i give my sincerity to NBC for their dire efforts to make new changes in television, making laugh track free shows. They seem to always find big success, like The Office. When I first started to watch it seemed to me that it could have potential to be a smash hit. But after a couple of episodes, I really felt like going to church and donating every penny in my entire bank to pathetic people showcased in these lowlife, poor, disgraceful areas. And the end where they show Earl and the brother in bed together, it just seems to me that this show is trying to show the bad side of life, like street beggars or people who struggle to pay the rent and have no sense of what the real world of normal people in society are like. I just seem to always be disgusted when I watch the filth the people in this show live in. It's like Venice Beach in California, beautiful but so many hobos. Believe me I'm no rich guy, middle class, and not a clean freak either, a bit sloppy, but it just seems to me that the show just can't seem to get off of all the gruesome, schmuck people out there who have one leg. I just wish that they would show a little more class, not all filth and poorness and trailers and just below average life, it just seems to depress me. To me this show is nothing more than a showcase of what not to do in life, what not to be. It also shows me that education is the most important thing you can have because apparently these two don't have an ounce of smarts. This is a schmuck-u-mentary.
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neg
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test_4814
pending
95289a6b-1631-4165-97ec-9e077190d5d6
My Name is Earl(2005) <br /><br />Review:......For I have seen this.<br /><br />This is something else. First off, how is this rated so high? I cannot understand that. This "show" is filled to the top with either annoying people, stupid people, or just plain unlikeable. The "gags" are hideous.<br /><br />I saw one episode where the wife of Earl's brother wrapped and washed herself with dead fish. Not kidding. That wasn't funny, that's repulsive. Then she and Earl's extremely stupid brother(and I mean stupid) then had sex. I nearly threw up.<br /><br />This has to be one of the most desperate attempts at comedy in a long time. Jason Lee is a talented actor, but is trapped in a helpless role in this horrible "comedy".<br /><br />Earl is now in jail for this current season. Let's hope he gets the chair just so this show gets put out of it's misery.<br /><br />The Last Word: This show would be funny to people who think Larry the Cable guy is funny. To the rest of the world, NOT A CHANCE. Avoid like the plague.
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neg
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test_4815
pending
16405b54-4eaa-490c-ac34-812b2a88733b
I watched the first 10 minutes of this show I think I'm gonna barf now! One worst shows on TV. It's not even funny. It's so lame it's disgusting. I gave it a second and third change couldn't even make it through five minutes. Don't waste the time. This is one of the many shows that need to go bye bye. Speaking of regular night time shows that need to go. All the shows on CBS. All the Shows on ABC. All the Shows on FOX and Joe Buck. All the shows on the new CW network. All the shows on NBC.(Accept The Law and Order series). All the Morning and Afternoon talk shows. All the Court TV shows. And every reality show out there!! Every stupid game show. period the end! All the Home improvement shows! And all the Media News. all it is.Is a 24 hour loop of bad news. Yes,I do have Favorites Monk,The law & Orders thats it for me.
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neg
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test_4816
pending
c446e0d9-e1b4-496c-9b84-e91203203fd5
I saw this movie with very low expectations. I didn't know a lot about it so I wasn't sure if it was going to be worth it.<br /><br />The story did an OK job of getting you curious about these ruins they travel to. The suspense continues when the Mayans show up and force them to stay at the ruins.<br /><br />Then the movie turns from somewhat suspenseful to pointless. The amount of gore found in this movie did not balance out compared to whether it was truly necessary or used more for shock value.<br /><br />The fact that they didn't make any attempt to fight the vines from hell. They had fire and didn't try to burn it nor did they try to cut it with a knife to see if they could destroy it or not. They quickly jumped into a victim role and their helpless attitude was not real. It reminded me of the old horror movies where the people just scream and yell and don't have half a brain to try to fight back.
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neg
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null
test_4817
pending
f5881842-ac99-465e-814c-ed6a1fbbfe3d
God! Where do I begin? From start to finish, I could not help to hate this movie. Vines? Vines that make cell-phone noises?! Oh yeah, I'm so scared - I'm going to rid the weeds of earth! Come on people! The plot went nowhere, When the group discovered the ruin, and the village people (no pun intended) came to warn them and brandished weapons in front of their faces, don't worry, Amy (Jena Malone) was there to take pictures! That whole scene really had me wondering why she didn't take pictures of her beau, Jeff (Johnathon Tucker), sawing off Mathias (Joe Anderson) legs. When the idiots first threw down the rope after Mathias, how the rope was at least ten feet from the ground, but how it eventually was able to be a mere two to four feet from the ground. I cannot begin to cover everything that was wrong about this movie, there is just too much to cover. I will say the graphics as far as the gore were terrific, but it amounted to nothing since the acting and script were so terrifically bad.
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neg
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test_4818
pending
a2c98c94-1c65-464f-82e4-76eb4f44684e
This movie was really awful. It was not in the least bit frightening, or even startling. I went to see it with a bunch of friends and by the end of the night we were saying "The Ruins ruined my night." <br /><br />I would not recommend seeing this movie in theaters, renting it or even watching the movie on television by accident.It is an absolute waste of an hour and a half. <br /><br />The plot was nearly non-existent, the characters were horribly underdeveloped, and they gave no back story whatsoever for anything that was happening, and then left it completely open at the end as if preparing for a sequel.
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neg
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test_4819
pending
0e70efe6-dabb-4be2-8cc4-092cdbf4040c
The scariest thing about freshman director Carter Smith's new horror movie "The Ruins" is the closing credits that list comedian Ben Stiller as one of the executive producers. What was Stiller thinking when he sank his bucks into this chiller about cursed carnivorous undergrowth that creeps up on its victims and devours them. Oscar-nominated scenarist Scott B. Smith of "A Simple Plan," adapting his own bestselling novel, sticks steadfastly to the standard clichés and conventions of all twentysomething scary sagas where reckless youth do everything but tote signs begging the forces of evil to eat them. Were cretinous characters not enough to contend with in this nihilistic nonsense, we're treated to yet another film where American tourists find themselves in jeopardy simply because they are Americans. Furthermore, unlike really good horror movies that explain why the monsters have a need to feed, "The Ruins" provides no explanation for the supernatural shenanigans of its villainous vines. <br /><br />The set-up for "The Ruins" resembles the 2006 horror movie "Turistas" where slimy South Americans trapped brainless American backpackers and harvested them for their internal organs. Indeed, "Turistas" generated some legitimate thrills and chills. "The Ruins" spawns nothing in the way of either thrills or chills. A malicious mastiff that suddenly lurches on-camera to snarl at our heroes is as close as it gets to a thrill. <br /><br />The rest of "The Ruins" borrows from another movie: "The Descent," a superb, 2006 chiller about a bunch of babes plunged into a nightmare experience when they get lost in warren of caves inhabited by albino mutants with a blood lust for murder. A couple of other movies that served either intentionally or unintentionally come to mind, too. They are the straightforward 1968 Hammer horror classic "The Lost Continent" about murderous vegetation that menaces innocent bystanders in a sea of derelict ships and the Roger Corman cult class "The Little Shop of Horrors" (1961)about a New York florist that grows a man-eating plant in his shop.. <br /><br />"The Ruins" unfolds in the scenic, sunny Mexico where four frolicking American college kids, Eric (Shawn Ashmore of the "X-Men" movies), Stacy (Laura Ramsey of "The Covenant"), Jeff (Jonathan Tucker of "Sleepers") and Amy (Jena Malone of "Pride & Prejudice"), are wrapping up their tequila-soaked spring break. Stacy loses a prized earring in a motel swimming pool, but a helpful Teutonic, twentysomething tourist, Mathias (Joe Anderson of "Copying Beethoven") recovers it, and the group embraces him as newest best friend. These people live to party, and they have already made friends with a trio of Greek tourists. Mathias tells them about his wayward brother who has accompanied a cute female archaeologist to a remote Mayan pyramid that isn't listed in any guidebooks. He offers to take them with him and they accept. <br /><br />First rule of horror movies: if nobody knows about the place where you're going, you'd be well advised to avoid it. Since they have only one day left, and they haven't done anything adventurous, our two couples along with their Spanish-speaking Greek friend, Dimtri (newcomer Dimitri Baveas), decide to follow Mathias and check the pyramid out. They catch a bus into the interior of Mexico and look for a taxi to take them on the next leg of their journey. A cabbie glances at their map and warns them to stay away. Second rule of horror movies: when the natives warn you to steer clear, you steer clear. A crisp twenty dollar bill helps him change his mind, and he hauls them off to their destination and then he skedaddles in a heartbeat. <br /><br />No sooner have our heroes found the mysterious Mayan pyramid covered with undergrowth that looks suspiciously like a variation of Mississippi kudzu in the jungle than superstitious natives appear. They know that the pyramid is haunted, and they kill Dimtri without a qualm when he tries to dispel their fears. The remaining protagonists scramble to safety atop the pyramid while the paranoid natives surround them to prevent them from escaping. Eventually, the vines slink out to greet our heroes and eat them. At this point, "The Ruins" turns into "Bug," the recent and ridiculous Ashley Judd schizoid movie about insects that get under your skin. Before long our heroes are carving each other up in a futile effort to extract the vines from under their skin. One particularly gruesome scene shows the Americans lopping off the German guy's legs to save his life. By comparison, it makes the tortures of the Spanish Inquisition look tame. <br /><br />"The Ruins" ranks as just another vine mess with nothing to redeem it.
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neg
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test_4820
pending
315ab307-6bd5-4cad-8b93-b5f53c638a92
I have to say that this movie was not what i expected. Even though i have not read the book the fact that plants can one bait and then wait for a killing to happen only to have it drag off a corpse for lunch is about the worst scenario anyone has come up with. With the title ruins you would think that out of 3000 years that some kind of deity or ancient animal or god would be the culprit. This is like another movie primeval where you would think it was something strange that villagers fear the most, but not a crocodile. Either way this film was like that, it entices you to think about ruins of Mayan or Inca folklore resulting in awakening and old god or the people had another agenda for sacrifice or something to that effect. But plants?.... come on, is there nothing else producers can come up with to wow a crowd?. As for this movie it will hit the 'b' list in no time. I have to say that some of the gore was excellent to see, but it didn't make up for the rest of the film. And a plant mimicking a cell phone sound or peoples voices is just too much to be believed. I am a fan of horror films but i am not a stereo typed fan who relies on just gore or mechanical effects. I do rely on great suspense and whats the next scene going to bring for more suspense. The thing had a better story line than this did. Even the ring had me jumping for more, but the ruins is just that..... ruined for using a plant to coax victims into killing or be killed by the villagers. The premise was alright for the villagers to keep it at bay with salt and such but still a simple blow torch and lots of napalm can easily do the trick to end those pesky plants with a flesh eating disorder.
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neg
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test_4821
pending
652d7f4b-4a78-4c91-a82b-1415f1ed5970
When I saw 6.0 on IMDb, I was rather impressed and excited to watch this movie, as a 6 for a horror movie should be rather entertaining. At first I thought it was going to be some disturbing, unseen evil force (having not read the book) to terrify the audience -- but it turns out to be something rather mundane -- killer plants. Regardless, I am a rather open-minded individual when it comes to movies so I thought perhaps the movie would bring some kind of breakthrough spin on carnivorous vines.<br /><br />Unfortunately, it failed to meet my expectations due to the excessive amounts of cliché and lack of any originality. To top it off, the female lead character continues to annoy you off with her stupidity. Unless the movie is intentionally a bad B-rated movie that is entertaining in the hilarity of badness, no movie should ever ever ever have a main character irritate you if one expects the audience to care about the character. Such roles should be reserved for secondary characters. Characters were undeveloped, the monsters (plants in this case) left unexplained, and clichés were dripping all over.<br /><br />The only thing that is mildly effective are some of the bloody/gory scenes, although the gore pales in comparison with movies like High Tension or Ichi The Killer. Consistently failed logic (such as why would a character not watching the top of a rope during a second attempt at descending into the ruins when it just snapped and almost killed someone), even if minor, adds up and just continues to anger the audience. The movie could've saved itself by using characters or some kind of story device to reprimand or "redeem" idiot characters who just did something stupid (or at least let the character recognize or regret her own mistakes). But to continue to allow idiocy to preside will certainly cause the audience to abandon all care for the character, in turn taking away the terror of the movie.<br /><br />Overall this is a poorly done movie. An example of a well done movie involving pretty twenty-something's getting killed is the Texas Chainsaw Massacre remake (and the prequel too) that certainly instilled fear and had much less character logic flaws. In summary, if you have a lot of time to kill, go watch it if there's nothing else. Otherwise, don't waste your time with this sub-par flick and go see something actually scary and highly satisfying like The Hills Have Eyes remake.
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neg
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test_4822
pending
96f0cf6f-8adf-4ff3-97ad-4ba3e0f96874
Plants in an ancient Mayan pyramid structure killing all who come close. Yes it is weird, as the travelers do not figure it out until everything starts doing crazy. And in a movie like this, I just wished it went absurd and had marching bands being attacked by plants wielding machetes.<br /><br />Anyway, a group of people from America vacation and go into the mountains with a couple of other newly made German friends who know about the place. When they get there, Mayans began shouting at them and hide on the structure. And when there, thats when the plants decide to take them out, mimicking cell phone noises, humans, and ancient Mayan dead people.<br /><br />Nothing was really scary about the movie and was not even entertaining. Not even the weird ending could save this piece of crap. I kept looking for something really good to happen, but nothing. Oh well. "F"
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neg
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test_4823
pending
174a69e1-264f-464a-8490-ac9a91e120fe
The movie started off o.k. A couple of tourists on vacation in Mexico having a good time decide they should go on a hike. They uncover some hidden trails and end up and this huge temple like fortress. Angry villagers show up and try to deter them from climbing it, but because of the language barrier people get shot and the tourists end up climbing the stupid thing. Turns out the plants are evil blood-thirsty things that the villagers won't go near so they guard the temple so the tourists can't get off. There are a couple of scares in this movie, but nothing really makes sense. I mean they're PLANTS! Don't bother buying or renting the d.v.d. Wait till it comes out on cable.
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neg
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test_4824
pending
15a20709-3c96-4c54-9997-f8c3f9d80f69
I was REALLY disappointed with this movie. I had heard some great reviews about it and unfortunately missed seeing it in theaters. As a result of this, I was really excited to see it when it came to DVD. I thought that it was going to be a high-paced horror movie with a lot of scary surprises but instead it was a snail-paced predictable movie. It dragged and dragged without a climax in it and after all the difficulties that those people went through to try and escape, the ending was completely frustrating. I gave this movie two stars for one reason. This is not your typical horror movie with one central bad guy slashing a bunch of people to death. The story makes this movie unique and provides a change for people who watch a lot of horror movies. Even though I don't like this movie, I recommend that all horror fans do see it at least once. You may surprisingly like it. As for this horror fan, all I can say is that I hope there ISN'T a sequel to this forgettable movie.
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neg
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test_4825
pending
85fea5a1-4ee0-44c1-be99-41f61c600b60
It had potential...it really did. But there is so much about the movie that was ridiculous and laughable. I'm a horror movie weenie and I thought it was stupid; as did my 13-year old! I was expecting to be at least creeped-out. And, yes, the gross-factor of the vines squirming in the people was there; however, the lead-up to getting to the ruins is just dumb, dumb, dumb.<br /><br />I mean really who goes on a hike...in a jungle... with a total stranger... with a little water and a few snacks...IN FLIP FLOPS, NO LESS?! Puh-lease! Better still who goes to a foreign country and leaves the tourist area without an interpreter or being able to speak a bit of the language? Are these people complete morons?<br /><br />The German's brother isn't heard from and he doesn't call for assistance? Who doesn't do that? He just finds some Greeks and Americans to go on a little search and find?
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neg
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test_4826
pending
a48abb7b-254b-444d-8ce9-338338f85840
I have not seen such a stupid,dumb movie since quite a while. It absolutely has no logic, no horror- doesn't scare you, no suspense, not thrilling.. I mean I didn't find even one part of the movie appealing..<br /><br />I don't know what they were thinking when they made the movie.. You watch the whole movie to find out that, there is a plant that can walk around, drag human dead bodies and eat human flesh. Not just that but it can also talk i.e. imitate sounds, like a cellphone ringing or human talking... so its like, the plant makes the noise of a cell phone ringing, so they go after the cellphone and find out its a plant... how intelligent of the plant to setup an ambush. <br /><br />This clearly is the creativity level of a primary school kid... Bad!!!
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neg
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test_4827
pending
43bb1f7f-7c1b-4852-af1d-fa438833216c
The ruins is to Turistas as Deep Impact was to Armageddon, a worse version of a mildly entertaining movie, except much much worse. One of the characters is supposed to be going to medical school, so why are they all retards? "you can't keep cutting." -best line form this movie. This is an awful movie. I like horror movies, but fully appreciate that most of them are terrible, but had a bit of high hopes for this movie after seeing the reviews on IMDb. The situation they are in is stupid and how they handle it makes them stupid. It is awful, the one thing that makes it somewhat palatable is its cool Australian backdrop, despite the fact that they spend the vast majority of the movie in one place.
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neg
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test_4828
pending
0692a299-26a8-4e0a-8d0a-1dfbd6230689
If you value your life in any way, shape, or form, you will do yourself a courtesy and pass by this seemingly "interesting" movie on the DVD rack.<br /><br />I know what you're thinking, "I saw the preview and it looked GREAT!" However, buyer beware, I fell into the same trap. One of my friends expressed certain reluctance to watching this movie, but I forced her to sit it out. Oh, how I regret that decision.<br /><br />Like most horror movies, the movie starts out cheerfully in a sunny Mexican resort where two couples are lured to an ancient Mayan Ruin by a fellow resort-goer. Upon arrival, they are disturbed by the appearance of two jungle people who are all but oblivious to their greeting shouts. As if this isn't ominous enough, the tour group casts aside large plant growth and declares an unused path consumed by wildlife a perfect route to their destination. I guess it wouldn't be much of a movie if they utilized rational decision making and turned around just then, but, well, this wasn't much of a movie anyways.<br /><br />After some hiking, the sixsome (the resort goer brought a friend) stumble upon the ruins and at once their doubts are dispelled by its beauty and history. That is, until frantic tribal people emerge from the jungle armed with a vengeance for no reason in particular, shouting in an indecipherable language. Since when are brutal verbal assaults assuaged by calm, patronizing language - don't ask me - but nonetheless, the cast tries anyway, to no avail, obviously. Suddenly, the sixth trail member, Dimitri, is punctured with several arrowheads from the Mayans and all hell breaks loose. A gunshot finishes the job and the horrified travelers retreat quickly up the ruin.<br /><br />Now, if there was ever a plot to this movie, it ended here. The introduction took at most 20 minutes and it was unfortunately the best 20 minutes of the movie. On top of the ruins, the now fivesome realizes they are stranded by murderous locals and proceed to make countless good decisions, one of them being to use a withered rope to lower one of their members into the bowels of the ruin. Needless to say, the adventurer is seriously hurt and then trapped within the ruins and the two girlfriends are gravely injured trying to rescue him.<br /><br />The rest of the movie continues plotlessly, with no real horror, only only blood and gore, as displayed when one girl yanks a plant growing within her out, gushing torrents of blood and then again when somebody's legs are cut off, only to have the same plat from within the girl strangle him later.<br /><br />My only satisfactions in this movie were observing the very attractive Jonathon Tucker, playing Jeff McIntire, grow increasingly more frazzled and distressed and sitting long enough to ascertain that almost all of the cast dies a horrible, gruesome death. Their simulated pain seems an adequate compensation for the time suck that was this movie.<br /><br />Supposedly, the storyline goes that the ruin is an ancient house of of dangerous spirits with an evil, flesh eating plant to ward off and consume unlucky visitors. Unfortunately, I got no such warning from screaming bloodthirsty plants and the only evil thing relating to this movie that I am truly horrified by is the script writer.
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neg
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test_4829
pending
b5481c95-1a82-40b3-8c2d-d60714624c91
My review is divided into questions that you really should ask yourself: <br /><br />1. Plants eating people have been done HUNDREDS of times. It's been used by Nintendo in everything from Mario to Zelda to Metroid Prime. It's been used in plenty of low-budget 50's movies, on par with the lowest of the Godzilla franchise. And this brings it to a whole another level of cheese with plants that TALK. I've known no one who walked out, but I know a lot of people who absolutely broke out in hysteric laughing during parts of this movie. I was one of them. Doesn't the horror genre deserve something a little better than this pile of laughable crap? <br /><br />2. The characters easily could have been copy/pasted from Hostel or Wrong Turn or Wolf Creek or any other movie with collage kids with bad luck. Yet it's called "characterizing" when the movie takes hours of your time to tell you clichés that hundreds of characters before have had? Don't you ever wish a movie had characters that weren't just forgettable pieces of meat with legs? <br /><br />3. This was not gory. A guy cuts his skin off. Oh, my! (Not.) A guy gets his legs broken. Oh my! Gasp! (Not.) I have shown movies like this to my mother who hates everything to do with horror because it makes her sick, and she said: "I've seen PG movies worse than that! Why was it rated R?" So, why was it rated R? <br /><br />4. Here's the only plot the movie/book has: collage kids drink, have sex, get naked, cruse, bleed, and eventually die. This is possibly the most typical example of a cheap, thoughtless horror movie, yet people call this "mature"? What the . . .? <br /><br />5. I do not think I have ever seen something less original sense I watched A Beautiful Mind. <br /><br />Haven't you ever sat there and wished the horror genre, easily the most diverse genre out there, would do something . . . well, diverse? Something truly original?<br /><br />I just wish more horror movies would have actual horror, not just cheap collage parties put on film with a few splatters of fake blood tossed around.<br /><br />1/10
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neg
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test_4830
pending
5c75c900-3fa0-4afc-9ce1-e37f59bff523
First off, I saw another reviewer said this movie was "fantastic". Well nothing could be further from the truth! This movie is complete garbage!!! A moronic horror comedy that is NOT even slightly funny!! Don't take that mean that it's so bad that it's good because it's not. It's a total waste of time and money!<br /><br />Here's what I see in this waste of a DVD. A group of friends get together on a weekend, get drunk and then decide to make a backyard video. They grab Mom and Dad's video camera and start coming up with scenes on the spot. They all get a big kick out of watching themselves mug for the camera. They figure, if they think it's funny then everyone will think it's funny. Well, they're wrong. This backyard home video is garbage. The "acting" and comedic gore effects are lousy but I guess that's to be expected since this is nothing more then a home video.<br /><br />On the bright side, I guess the fact that this crap got out there gives hope to anyone out there who wants to make a movie. If these people could get their movie made and released on DVD then anyone can!<br /><br />0/10-- Save your money.
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neg
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test_4831
pending
09cb1e88-7496-4ab5-a4e4-f8786154bc38
I've watched a number of Wixel Pixel and Sub Rosa Extreme movies lately, and have found a lot to like about them.<br /><br />This SRE movie seemed a lot more slight than all the others I've seen. Perhaps that's because this is a comedy/horror movie rather than straight horror, and perhaps it's also because the humor didn't register with me very well.<br /><br />It's a little less than seventy minutes long, and the credits begin as the last ten minutes are beginning. There are some outtakes, goofs, and behind the scenes stuff going on while those credits roll.<br /><br />SRE movies do tend to be short, and tend to feel padded out in spite of that. This is no exception, with some scenes that tend to go on too long.<br /><br />The story involves a poor kid in Christmastown, California who'd been picked on by all his classmates. He'd had one shoe stolen, and unable to replace it, he was dubbed "Oneshoe McGroo." Due to an obsession with pirates, his parents gave him an eyepatch for Christmas with a Christmas tree emblazoned on the eyepatch.<br /><br />Many of the classmates are killed, and the few who remain gather together to decide what to do. They're picked off one by one by McGroo, who stalks around to the sound of sleigh bells ringing.<br /><br />The characters are pretty much all broad stereotypes, like the nerd named Dorkus, etc. There's an odd scene in which a kinky couple has sex; the woman is handcuffed and blindfolded, the man wears a large paper watermelon slice over his head. This reminded me of some of the stranger sex scenes from director Rinse Dream.<br /><br />The picture quality is good, and there are a lot of extras. But basically a pretty silly movie.<br /><br />Oh well, I guess you can never have too many Christmas horror movies. Still, there are a lot of other needy holidays.
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neg
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test_4832
pending
17b790ed-8626-4069-aeae-f3c1decead03
While this isn't one of Miss Davies' very worst films, it is pretty bad. And it's sad that in a revisionist fashion, recent IMDb raters have deliberately over-inflated the scores on some of her films to make up for her being slighted in the past--or so it seems. For years, conventional wisdom has been that Davies was a terrible actress and only got the roles she got because her beau, William Randolph Hearst, bought her way into Hollywood. This certainly is the image created in Orson Welles' CITIZEN KANE. It is true that Hearst did use his considerable wealth and clout to build Davies' career. With all this money, it's not surprising that she made some excellent films and it isn't surprising that people got snippy due to all the extra attention she got. Sleeping with the man who finances your films is bound to get noticed. However, despite this edge, she also made a decent number of bad films and I think we really need balance when it comes to the scores of her movies. After all, no rational person could believe that as of today (1/5/08), PEG O' MY HEART and two other Davies films recently shown on Turner Classic Movies (THE FLORODORA GIRL and MARIANNE) deserved the exceptionally high scores--ranking them higher than such films as HIGH NOON, BEN HUR, THE BEST YEARS OF OUR LIVES and ALL QUIET ON THE WESTERN FRONT!! In fact, MARIANNE would now rank as the fifth best movie ever according to IMDb with a score of 8.8!!! Considering most people out there don't even know who Marion Davies was AND most of her movies were financial disasters, this is a serious problem!! However, she was a much better actress than CITIZEN KANE implied and initially broke into films before she began sleeping with Hearst.<br /><br />What sets PEG O' MY HEART apart from these two other movies, is that MARIANNE and THE FLORODORA GIRL were pleasant little films--while PEG O' MY HEART is in some ways just terrible. Much of the reason was the terrible miscasting of Marion. While her French accent in MARIANNE was cute, in PEG her Irish accent just sounded bizarre--not particularly Irish. Plus, and perhaps I'm mistaken, but her continual use of the word 'ye' makes her sound like she should be doing Shakespeare, not a film set in 1933 Ireland! Also, there was a bizarre insistence that Marion should be the consummate multi-talented star--so they had her not just act but dance and sing. The singing actually fit the scripts in some of her films, but here it seemed out of place and seriously detracted from the film. It just seemed like you could almost hear Hearst shouting out "see--she IS a great actress---look at her sing and dance". Sadly, Marion just looked uncomfortable and out of place in many of these scenes. But for me, the biggest problem was the idea of having 36 year-old Marion playing such a youthful role. It was obvious that the character she played at the beginning of the film was supposed to be like the ones Mary Pickford played in the teens and twenties--complete with the pig tails and plucky attitude. Miss Pickford COULD carry off these roles even though she, too, wasn't a girl any more. But here, Marion had put on a bit of weight and looked at least 30. No offense--she looked fine for her age--but she DID NOT look like a teen! <br /><br />Oddly, with the millions that Hearts spent on Marion's career, he never realized that the most important thing he needed to spend his money on was a good script and one that fit Marion's talents. Believe me, I have rated several of her films very high (I especially adore SHOW PEOPLE), but here she just couldn't help but flop--this film was a turkey.
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neg
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test_4833
pending
0b6595f5-936b-4ad1-bd1d-7aae09832f84
Just watched this today on TCM, where the other reviewers here saw it.<br /><br />Sorry that I was the only one to find Davies a weak actress, with a truly awful attempt at an Irish (Irish-American or otherwise) accent. As she's the star, it was sort of hard for me to get past that -- especially as the other reviewers have said that this was her finest performance.<br /><br />Another particularly terrible Davies performance was in "Marianne" (1929), which I also watched today. In this film, given a 9 of 10 rating here, her accent switches from that of a (correct) French woman to an odd combination of Italian and Swiss.<br /><br />Interestingly, in TCM's one-hour bio of Davies -- "Captured on Film: The True Story of Marion Davies" (2001) -- film historian Jeanine Basinger claims that "one of the things that you note about Marion Davies in her sound work is how good she is at doing accents." Of course this bio also includes commentary by fans (make of that what you will).<br /><br />Davies was a very attractive young woman, and by all accounts a terrific comedienne in real life.<br /><br />And because a part of her anatomy added immeasurably to the real-life answer to Joseph Cotten's character's search for the meaning behind Kane's final word in the opening scene of the great "Citizen Kane," she's earned her spot among the great stories if Hollywood's history.<br /><br />But I think Welles & Mankiewicz got it right for the most part with the "Susan Alexander" facsimile of the real article.<br /><br />Don't bother voting as to whether you agree or disagree with this post as I really couldn't care less.
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neg
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test_4834
pending
941094d1-7661-41e8-af7f-191d73de8bf6
Bob Clampett's 'The Hep Cat' is a distinctly average cartoon only really notable for the fact that it was the first colour Looney Tune (previously Looney Tunes were all black and white while Merrie Melodies were in colour). The tale of a singing, dancing cat's attempts to woo a lady cat and a dog's attempts to catch the cat, 'The Hep Cat' lacks the trademark energy and pace of most Clampett shorts. To be fair, Clampett doesn't have a great deal to work with. Warren Foster's script is embarrassingly thin and, while he has spun straw into gold with other cartoons, Clampett doesn't manage it with 'The Hep Cat'. It's often said of Clampett that you can't mistake his cartoons for anyone else's and it's generally true but 'The Hep Cat' is an exception. There's flashes of Clampett genius, such as the chase scene in which the cat stops to ask the dog "Hey, are you following me". When the dog confirms that he is, the cat simply says "Oh" and the chase immediately resumes. Unfortunately, there's very little of such brilliance on show here. Knowing who directed it, 'The Hep Cat' is a bitter disappointment. We all have off days and this was clearly one of Clampett's!
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neg
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test_4835
pending
7c6f487f-ae8b-41a9-9e3f-2302b7ff04d6
This movie is about a group of people who are infected by a powerful man-made virus. They are pursued by government men into the desert.<br /><br />The premise of the film is quite interesting but is hampered by the fact that the delivery is extremely boring. At no point does the film engage with the viewer on any level. Granted, the miniscule budget is a problem but is not the reason for the film's failure. Much more at fault is the very po-faced delivery. There is a great deal of narration but, unfortunately, the narrator has an annoyingly over-dramatic voice. Very little seems to happen to these people and well before the end you will be rooting for the government men - the sooner they kill the protagonists the sooner the movie will end. A much better title for this film would have been Four People Run About In The Desert With Some Stock Footage Of A Helicopter. Overall, very tedious.
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neg
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test_4836
pending
d23f18ec-374d-41ae-82bb-8441b70e1387
The movie starts off promisingly enough, the use of imagery and simple short clips convey the bigger story, which would normally need a considerably higher budget than the one here. However it did start to worry me as it continued, combined with another overly husky Max Payne type voice over the movie was starting to look not so good. I hoped it was just the introduction to the story.<br /><br />The story is what really caught me and took me to this movie. The idea that a research scientist has created a virus that actually protects the cells it infects from other infection was an interesting scientific idea. Then that subjects who had the most bizarre disorders sought out the scientist and offered to be his human experiments made me think this could be one very good small movie. Yet the introduction hadn't gone well.<br /><br />There did seem to be a change of pace as the movie turned to recorded interviews with the four main characters in the movie, the test subjects. Although the acting wasn't superb, there seemed to be a lot of scope for character development throughout the movie, and the recordings were done quite well with a varied mix of characters. However these faded through the movie. They weren't used again after a few brief clips and I did feel that there was a missed opportunity to provide some great character development by reflecting back to them, however it wasn't to be.<br /><br />The imagery becomes increasingly disconnected from the story, often repeating to represent something that is still happening. This disconnection and repetition is reflected in the annoying and distracting commentary. It began reciting words one after the other. Short, meaningless sentences and reciting none too relevant or interesting scientific ramblings. If there was something to be described, four or five words would be used, it was too long, repetitive, circular, looping,...you're getting the idea.<br /><br />Now this could have been to reflect the confusion and of the character, slowly becoming caught up in his own thoughts, rambling due to lack of food and water. What it actually did was to cause me to totally switch off to the voice and by the closing stages of the movie I found that I hadn't been listening to some of the ramblings.<br /><br />A number of times that an event occurs the camera shows all the characters one after the other for their reaction, which seems to be somewhere between confused and thoughtful. There are repeated fades from the same scene to the same scene, for instance a character sleeping fades to black, then fades back in on the character sleeping again. Look, we know the character is asleep, we know time has passed, please move on. Overall there are just too many atmospheric cuts and long, hanging shots to fill time.<br /><br />The acting was not bad, and the characters were okay, but not exploited and developed. When they were interacting there were some truly cringeworthy moments. For example when one of them asks if they are hungry the camera looks to each of them and returns to a group shot, they pause, look to each other, turn back to camera and say slowly "No". It raised a snigger or two. Their dialogue was slow, glossy and either it was missing altogether or totally unnecessary, there seemed to be no middle ground where the dialogue hit spot on.<br /><br />However, there were some good scenes, but they were really hard to find unless you viewed them in isolation, and this is what it almost looks like has happened with this movie. The film has been looked at as a series of scenes and not as a complete story.<br /><br />Nowhere is this seen more than in the main storyline. The characters are infected with the virus that has been killing the animals, the one that was being engineered for them. We're told that it develops in stages to something dramatic, and so that is what we expect. What we get are the characters eating loads together, all throwing up once together, water pouring from their mouths in unconvincing streams, then they all fall asleep, these are the phases which all happen really early in the movie. Then, they all say "Good" together when asked how they are, and that's it. That's the virus done, nothing else happens.<br /><br />There could have been so much more done with this movie, so much more developed with the virus and it protecting them from all manner of harm. It could have explored a serious change of these characters as it infected and took over them, it could have developed these characters, shown them making decisions and doing things that connect back to their character shown in flashbacks to the interviews.<br /><br />The ending isn't even confusing, intriguing or thought provoking. It just shows something that happens and that's it, although in the long, drawn out style with the irritating voice over above it. I really struggled with this movie and watched a number of Press members walk out (including one famous TV critic leaving within the first twenty minutes), I stayed, but regretted the lost time.
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neg
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test_4837
pending
c3f957c0-5cee-4e0a-8ff8-44c27023c076
If you suffer from insomnia then Radiant would be the best way to send you into a 7-year coma. The film is so preposterously overwrought and mundane that it's hard to imagine that director Steve Mahone could overlook such obvious dullness.<br /><br />The story has an exiled Doctor (who we never get to see) move out into the desert to create a vaccine that will cure all diseases by filling the hosts full of antibodies that can combat any infection (yes, just like that episode of Futurama). The vaccines don't work and the human guinea pigs become infected with a virus that kills within 48 hours.<br /><br />Not wanting to be caught by the Government guys in masks the group head into the desert for cover, hoping that the sunshine will kill the virus. All of this is narrated by Michael, the only one of the quartet immune to the infection. And it's the most boring narration ever. They could have cast someone with an interesting voice but instead we get someone with less vocal personality than Clive Owen.<br /><br />On top of this the editor insists on fade-cutting more than half the movie, giving it a weird dream-like feel and increasing the audiences desire to go to sleep. It's no surprise that half of the audience walked out of this, I was not one of them for some reason. But I bloody well should have.<br /><br />The ending is supposed to be shocking and clever and foreboding. But it's plain and simply not. A relief yes, but not dramatic in the slightest.<br /><br />The utter cheapness of this production and muffled sound that renders a lot of the dialogue unintelligible cripples what could have been an interesting sci-fi story if it had better actors, cooler locations and a sense of urgency. As it is, Radiant is a snoozefest.
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neg
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test_4838
pending
9af6aeca-2bc6-4a8d-8a5e-5e630f98fe88
This movie is simply rubbish. I have to say I am an expert of rubbish movies. I reserve the "1" rating for movies that are rubbish but funny, but this film is just tedious and certainly not crappy in a funny way but crappy in a crappy way. It gets a "2" so those of you out there can distinguish between the ones that will make you laugh and the ones that will make you fall asleep. There are scenes in this movie where the actors are looking at something, their expressions are of amazement and there wide eyes and slack jaws tell the audience that what they are looking at is going to be profoundly amazing, this simply isn't it's just a cupboard or even more desert. It has to be pretty god damn awful for me to walk out, let me tell you, I walked out and so did quite a few people.
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neg
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test_4839
pending
de797265-d056-49a9-af5b-78e16868bd5f
Susan Slept Here turned out to be Dick Powell's swan song as a performer on the big screen. Of course he directed some more films and appeared frequently on television until he died. It's a pity he didn't go out with his performance in The Bad and the Beautiful.<br /><br />Frank Tashlin has done so many better films, I'm still not sure whatever possessed him to do this one. The premise is absolutely laughable. <br /><br />Dick Powell is a screenwriter who's looking to do more serious stuff than the fluff he's been writing. He had an idea for a film on juvenile delinquency so two friendly cops in Herb Vigran and Horace McMahon deposit 17 year old Debbie Reynolds on his doorstep. She's not a really bad kid and they don't want to put her in the system. So they give her to Dick Powell at Christmas time.<br /><br />I mean is there anyone out there who doesn't see a problem? The term jailbait comes immediately to mind. Additionally Powell has a girlfriend, the young and sexy Anne Francis. Why Debbie Reynolds is any competition here is beyond me.<br /><br />Susan Slept Here got one Oscar nomination. The song Hold My Hand, sung by Don Cornell in the background, was nominated for best song, but lost to Secret Love. <br /><br />Powell and Reynolds do have some funny moments together and Alvy Moore as Powell's factotum and Les Tremayne as his lawyer also get a few laughs. <br /><br />But it's not enough.
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neg
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test_4840
pending
fa559fdd-76cd-4652-ae63-b495a236ced1
A ridiculous comedy given an arms-flailing direction. I love one of the comments here: "Couldn't be made today". Well, neither could "The Philadelphia Story" without a car chase or two. Nonetheless, does that mean the picture is worse for the wear for being old-fashioned? I don't think "Susan Slept Here" was good for any generation and it should fester peacefully in the memories of Debbie Reynolds-buffs. There is no sparkle in this story of a screenwriter who latches onto a much-younger girl for 'script research'. Dick Powell makes his farewell screen appearance in what must have been an embarrassment to him. Reynolds is pallid. Produced by one Harriet Parsons--who gives her famous mother Louella a number of inane plugs. *1/2 from ****
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neg
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test_4841
pending
8117f133-70ed-4aea-aa28-daee10a08aac
This frothy romantic comedy is based on the kind of story I loved as a teenager, but now find rather distasteful. In the case of May-September attachments, doubtless what is on the mind of the elder party is either lust, or an inability to face the reality of aging, or both. And the younger is most likely looking for the kind parent that she (or he) lacked as a child. These underlying agendas seem more pathetic than romantic to me now; there is also something rather predatory about them.<br /><br />Dick Powell looked a bit embarrassed--as well he should--at playing the elder lover in this silly story. He was, at fifty, attempting the role of a thirty-eight-year-old man romancing a teen-ager. But young Debbie Reynolds was a knockout--pretty and saucy and full of vinegar--as a misbehaving seventeen-year-old presented as a kind of "gift" to the morally upright and honest screenwriter, as a subject for him to study. Her spirited performance wrung from me a better rating than this film would otherwise deserve. Anne Francis was cast as Powell's beautiful, but brittle fiancée, and handled her small role deftly.<br /><br />Some of the dialogue was quite amusing, too, so it's not a total washout.<br /><br />5/10
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neg
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test_4842
pending
201e684d-51db-4713-9b93-4b36ccf1c6ef
From what I understand, Fox was embarrassed they released a PG-13 Alien/Predator movie not so long ago. It was not well received by any means.<br /><br />Not exactly sure where to go next, seeing as they thought Anderson was the best director for the franchise and they had produced a true sci-fi gem, Fox turned to it's small, but knowledgeable group of monkeys for answers.<br /><br />These monkeys were by no means veterans of writing sci-fi flicks, but had seen Burton's Planet of the Apes remake and House of the Dead. <br /><br />Their first task: hire actors. Fox gave them a reasonable budget but the monkeys wanted to save the money. They hired fifteen TV actors shortly after.<br /><br />Now, the script. The monkeys wanted to save more of the budget so they wrote the movie themselves. Leaving out important aspects of the two franchises was the easy part. Thinking of great new lines for the general audience to remember years down the line - that was more difficult. They butted heads awhile and came up with a truly award-winning screenplay equipped with cliché characters, idiotic decisions an gaping plot holes.<br /><br />Fox was pleased thus far with the results but wanted to see what was to become of the centerpieces to the film - the aliens and predators. The monkeys again wanted to save money in the budget so they decided to trash the great robotics used in the otherwise terrible AvP original and go with the man-in-the-suit Alien seen in the old films. The actors playing the aliens had trouble fitting into the suits as they weren't properly sized by the monkeys so they jiggled their plastic heads throughout the film with honor. As for the predators, the monkeys decided one predator was enough this time around (again, saving budget) to fight the hordes of aliens that seemingly come out of nowhere. <br /><br />But what about the effects, you ask? Come on now, people. They may be monkeys but they clearly knew CGI would play a key role in the film. Without diving into the budget, the monkeys used a standard Final Cut program and cut and pasted some very nice fire and spark effects throughout. Putting red and green filters over the camera lens provided some excellent Predator visions.<br /><br />The setting was something the monkeys thought long and hard about. If this was to be on Earth, in Colorado of all places, they needed to make it realistic. This was where they admitted they might have made a mistake. See, the monkeys didn't have proper training in this department so they thought turning the lights off in the city and having the movie play out in the dead of night and in the rain was the right thing to do. They simply forgot people like to see the creatures instead of looking at shadows and rain the whole film. To add insult to injury, the monkeys accidentally filmed all the fight scenes incredibly close so no one could see what was fighting or who it was. But again, rookie mistake.<br /><br />The rating. Fox told the monkeys to make the movie R-rated. That was easy. Without showing how many of the injuries or deaths actually happened, the monkeys made a habit of showing the carnage after the fact. It was simple: the viewers got the gore they desired and the monkeys didn't have to film the majority of action shots involving that violence.<br /><br />Some of the actors originally had questions concerning the screenplay. Why does a blue liquid the Predator has endless amounts of magically disintegrate whatever he wants it to and nothing more than that? Why is an ex-convict driving around in a police car the entire movie? Why did the monkeys forget to show a full body shot of the Aliens? Why does a clock play a more memorable role than any of the main characters? The list of questions just kept growing but the monkeys ignored them and finished their masterpiece. <br /><br />Fox was thrilled with their work. So thrilled that they opened the movie nationwide on Christmas Day and even spent a few bucks advertising it the week before it came out. The monkeys had successfully made another installment in these cherished franchises.<br /><br />But some ask, what ever happened to the budget the monkeys forgot to use? They put it towards their next film: Aliens vs. Predator vs. Hulk Hogan. They knew the general public would be upset with the title but they have since released this statement:<br /><br />"To the people- do not worry about our upcoming film. It will be rated R and will have violence."<br /><br />And everyone lived happily ever after. The end.
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neg
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test_4843
pending
016c839c-3ac3-4e7c-90e3-4b7e8703d8ec
I love B movies, but I like to be aware from the beginning that I'm watching one. I can't believe someone could mess up a movie about aliens and predators so bad. <br /><br />Aliens and Predator are AWESOME. This movie made a big joke out of them. The creators didn't take this movie seriously at all. I am throughly disappointed in how the Strauss jerks handled this film. They made a mockery of amazing characters. It's like they were trying to be serious in the beginning, then their writers got high and gave up. Almost nothing was continuous, the main characters were awful and were NOT Aliens or Predators. I am so ridiculously sad that no one takes Alien and Predators seriously anymore. These characters are icons of American pop culture and the creators of this movie showed no respect to the original films. They should not be allowed to cash in on the names of the previous films and they should be ashamed of themselves
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neg
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test_4844
pending
00c01d0e-1376-4443-96fe-e9b2d6b347bd
I really, really don't understand how that movie could get a rating bigger than 4 here on IMDb. It's simply a huge mess, and I have to admit that I actually liked AvP 1: Close to no story, okay, I can live with that, but at least they got to the point pretty much at once. AvP 2 does not. After the stupid premise has been presented there is well over half an hour of stupid and unfitting teenager clichés, dumb as hell dialog and close to nothing else, except for a few Alien scenes that feel like an excuse to have that first half of the movie and Predator scenes that make you ask yourself whether those guys making the film even watched any other Predator movie or just didn't care enough to be bothered.<br /><br />After that, that crap-fest finally gets to the point where the Predator starts attacking the Aliens, or at least pretends doing so. And boy, is that Predator stupid, blind and deaf. It's awful. How he even managed to earn that stuff he has is beyond me. He misses with almost every shot, only notices Aliens when they're right in his face or if it's absolutely necessary for the script, so that he can move where he has to be. He even gets caught on surprise by puny human teenagers and deputies all of the time. What's that guy supposed to be? After the first hour of that abomination I was more or less constantly shaking my head at every scene. Close to no scene in this movie passes by without unbelievably stupid dialogs, stupid Predator actions or stupid lack there-of or stupid actions from our "heroes".<br /><br />Then, that thing finally ended. To my surprise not only me and my friends didn't know whether to laugh or to cry, but everybody I overheard leaving the room was half-crying, half-laughing about those 1 1/2 hours they just wasted.<br /><br />Don't watch. Never.
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neg
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test_4845
pending
b894d485-cd1e-4602-aacb-d9b63069418f
The review on the main page admits that the movie is horrible but that you should forgive it because it is nicely violent. No you shouldn't. There are spoilers at the end of this review but how I can "spoil" this rotten movie I have no idea. Even if you are a die hard Alien/Pred fan like I am wait for the DVD. It isn't worth a 3.99 rental either but you'll be much less inclined to truly hate this film if you pay that than 12 bucks or better per person plus concession purchases at a theater.<br /><br />In the theater I watched AVPr there were exactly two laughs, both by a girl sitting next to me. Other than that there was total silence throughout. No ooohs, or "that was bad ass!", nothing. Imagine being a patient on an operating table and just being given the anesthetic. Now you know what you'll feel like in the theater after the opening scene of AVPr.<br /><br />What was the budget on this movie? Like War of the Worlds, MI 3, and other f/x driven movies the director seems far more involved in what the CGI people can come up with than developing characters or a plot. Spielberg has tried and failed at this several times, usually with Tom Cruise. Sure the movies make money but should they? War of the Worlds and Minority Report had the budget to pay for a decent script, Tom Cruise et al, and SS himself but were still awful. I'm sure AVP wasted 90% of their budget on CG and had no choice but to hire any actor that would say yes even though the casting agent would have done better by going to the supermarket and picking actors at random.<br /><br />There is no tension developed in any scene so we are never close to being surprised. Who cares who gets killed? We didn't know any of them, we all know what happens when the lil aliens make their corporeal exit, we all know the blood is acid. In Alien, Aliens, 3, Resurrection, and even AVP the directors make use of the fact that the Aliens can think, can hide and can lay traps. This director decided that the Ridley Scott, James Cameron, and others were idiots for developing characters you actually want to see either live or get killed. In this installment you will never care who lives or dies, not a kid, a parent, a pregnant woman. The characters serve only one purpose in this movie, to die. The opening scenes establish the fact that the movie is going to be a predictable joke. The character development scenes mix clichés, bad humor, and bad acting and numb the viewer to the point where we really don't care if they get killed so long as they die in never before seen ways. But they don't. The director tried to make something different from those who preceded him in the Alien franchise but only succeeded in discarding the good parts of the first films, the human protagonists, and stealing the rest from other recent sci-fi films.<br /><br />There is not one original use of the either the Alien or Pred characters. The Pred actually has little trouble killing Aliens by the dozen even though the last movie led us to believe that Pred revered the Aliens as such a deadly foe that they used the killing of one as Rite of Passage. The AlienPred is never really developed as a fearsome creature. Its ability to inject parasites into a host is ripped from several different movies most recently probably was Hellboy where Samiel's dismembered tongue injected eggs into Hellboy or Doom where the mutated creatures would leave their tongues behind after they speared a victim's throat.<br /><br />Simply put we aren't given reason to care about anything in this movie. There is violence but it doesn't shock or surprise and is nothing that hasn't been seen in any of a hundred slasher flicks. The CG is OK and both species of alien are made to look and move as they have in movies past. But since the characters are never developed and the acting is so bad we kind of hope that they all die. The little girl was probably the best actor of the bunch but sadly we aren't made to care whether or not kids, women, or anyone else lives or dies. We just want the movie to end. Eventually it does but not before another stolen plot line from Resident Evil 2 has a nuke aim Gunnison's way to wipe out the "infection". And not before yet another stupid scene that is supposed to open the door for further sequels but does it? In a movie filled with bad scenes the worst may have been saved for last.<br /><br />Sorry for the repetition but everything bears repeating: bad script, no plot, unoriginal action scenes, uninspired direction, abysmal acting, decent f/x that were wasted because of the many flaws.<br /><br />I don't mind going to an indie film and being disappointed. The actors and directors and crew are probably getting their careers going and working on a shoestring budget. For a movie with this type of budget and hype I feel cheated along with disappointed. This movie is a painfully boring waste of time from the opening scene to closing credits. Sad to say that a preview of Hellboy 2 was the best part of AVPr and HB2 didn't even look that good.
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neg
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test_4846
pending
47b0c9bf-9d34-4603-9647-6fe028c4e7bb
This entry doesn't contain a spoiler. It doesn't have to. The movie is as predictable as the sunrise. The element in the first Alien movies was the suspense that something COULD happen. This was so in the first two Predator movies, though less prevalent. Requiem has totally removed the element of suspense and replaced it with blood and gore. You know people are going to die (well duh, it is a AvsP movie), but you know WHO is going to die and WHEN they are going to die, AND WHERE they are going to die before it happens. The directors should take a lesson from Hitchcock who said, "Suspense is not a time bomb going off under a table. Suspense is a bomb NOT going off under the table". What's the sense in going to a movie when you know exactly what is going to happen and when? If you really, really want to watch this movie, wait until it comes out on video and then RENT IT, but by no means would I ever buy it.
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neg
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test_4847
pending
cc57b2a2-2417-4996-9198-37e9749a6c04
The production value of AvP2 can be described by one adjective: AWFUL<br /><br />The script is ridiculous, even in the fictional area of AvP: What are the facehuggers good for on the Predator's ship? Why is the Predator cleaning up all signs of his influence and than wasting precious time with eviscerating and even presenting the body of an insignificant human cop? Why is the Predator alone? Why is the Predator equipping himself only on earth but on his home planet? Why does the Predator make his job so uneasy for himself by hunting down the Aliens rather than bombing the whole countryside like the humans do in the end? Why is the Predator dropping more & more of his few weapons rather than collecting them to keep them together after using one. In the end he is even dropping his armor before fighting the Predalien in hand to hand combat: what a bad plagiarism of the first predators final fight between Arny and the Predator. The Predator's gestures are so exaggerated that he is moving more like a Japanese sumo than like highly skilled extraterrestrial-safari-hunter. As one can see immediately the whole story is a mess. But it gets even worse because this botched-up job is filled up with boring patchwork of senseless interludes like a lengthy pizza ordering episode or some detailed information about the criminal past of the two brothers (Dallas & Ricky). The Sheriff is of course the friend of these two criminals who he puts regularly behind bars. (not convincing & absolutely superfluous for the plot).<br /><br />In addition to that the cast of actors is horrible. Compared to the high class of directors & actors of the former Aliens or Predator movies AvP2 is an embarrassingly bad piece of crap.<br /><br />At last the action of the movie is really poor. There is not a single scene of action combat in which the audience can see the whole set. Each and every fight is filmed in short & shaky bursts with close up zoom at nearly full darkness. That results in an atrocious experience for the audience because one can mostly see nothing but a dark shaky screen.<br /><br />I suggest the two directing brothers Strause to buy themselves a steadycam and get a lesson in modern CG so that the next film contains some visible action of visible figures and might not need to disguise their bad directing abilities in such a manner.<br /><br />I would advise anybody (even die hard AvP fans) against watching this film: prefer the first one or the original Aliens or the original Predator films but avoid disappointing yourself by wasting your precious time on this failure.
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neg
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test_4848
pending
92795382-e27b-4cf2-b55a-5f939230c8ff
There was a time when the Alien series was a success with even the third installment, Alien 3, showing promise under the guild of a fresh and young David Fincher. The first Predator was a box office hit mainly due to its story, "in peak" star Arnold Schwarzenegger and director John McTiernan (Die Hard). The films Alien, Aliens, Alien 3 and Predator were all highly successful and created massive followings among general film fans and science fiction fans alike. Arguably Predator 2 and Alien Resurrection should have signaled the end for both franchises, but studios were undeterred and saw the opportunity to pander to the rumours among fans and combine the two. Step in Paul W.S Anderson, Alien Vs Predator, and now the Brothers Strauss (visual effects graduates, not even directors or writers). The problem was that by allowing such profound and revolutionary creations of the Sci-Fi genre to fall into the hands of firstly a mediocre director and now directorial newbie's has led to nothing more than profanity, epitomised by incompetence. Upon witnessing Alien Vs Predator Requiem (AVPR) die-hard fans will feel sick to their stomachs that this series could have got any worse.<br /><br />One example of the cinematic deterioration of this franchise is in the opening scene and is likely to cause nausea among fans. The film begins with an Alien making its way onto the Predator ship, spurting from the predators chest, growing in to a full grown Predalien and bringing down the Predator craft (which now seems to have far less Predators on it than it did at the end of Alien Vs Predator) and all this occurs with the ship still in Earths atmosphere. Once the ship has crashed AVPR quickly resorts to cheap plot methods and basic narrative conventions, it makes no venture at utilizing any of the twists or subversions served up in the two original films. The wearisome plot progresses with tedious pace, punctuated only by the near rousing conflicts of Alien and Predator and when that runs the risk of boring us we are treated to either an alluring blonde in a bikini or rapid gunfire. AVPR is plagued by an endless array of continuity errors and plot holes with little or no narrative elucidation i.e. members of the public outwitting an elite military unit or the Predator not adhering to laws established in previous editions. This is a film that has a complete disregard for its predecessors, it breaks some of the most fundamental rules of a sequel and in doing so one gets the feeling that it is trying to set itself up as a stand alone feature. Independently the film has no heart, no conviction and no soul and with reference to the other films lacks even the most basic continuity. This is exemplified by the over arching narrative of the film as it undermines the basic premise of the first Alien. Because if the species had been encountered before then those in the first Alien film would have been more proficient and not so ill prepared when encountering them.<br /><br />On a cinematic note the film is close to being dire, I felt urged at some points to shine a torch at the screen, the lighting was so bad. Through utilizing such gloomy and dark effects the audience may feel as though they are being cheated out of some the action – which is ironically its purpose and also indicates the films lack of budget. As with all science fiction one scene normally surfaces as being the most memorable, in this instance it is probably the hospital impregnation scene as it ever so tenuously draws on the themes of the original Alien by literalizing it. The directing is poor, performances weak and the script rotten. AVPR is the product of a conveyor belt system of film-making in which ideas and techniques are assembled by ineffective people and then the finished product distributed among cinemas. This is personified by the absence of gory death scenes and drawn out blood battles because the certification will not allow it – a lower certification achieving a larger target audience. AVPR was purely a business venture and nothing more.
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neg
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test_4849
pending
6ac46c59-8464-4258-90f3-7d8952ba0472
I'm sorry to say that this movies was one of the biggest disappointments of the year. Following one of the biggest disappointments in movie monster match up history you would think that they would learn from the mistakes of the previous incarnation. The sequel falls into many of the same traps, the plot line was completely forced, the dialog was so bad that the film might be better on mute, and the action was contrived and far from the heart pounding brilliance of each monsters original films. The best part of AVP-Requiem is in fact the trailer, which as you go through the movie end up realizing that almost every single death and every really cool shot in the movie was already shown in the trailer which leaves little to be revealed and little to be excited about. I gave the movie an extra star for letting see the extra hot female in the almost nude. the movie played out like a color-by-number sci-fi monster fest which also played into the fact that nothing was a surprise when it happened, because you'd seen it a thousand times before. the main failing with both these movies is that the creators thought that setting the films in our time would make us be interested in the story more as if it may one day happen to us. but what drew people in when they released the arcade game back in the day was that it kinda took place within an over the top futuristic version of the ALIEN trilogy time line which allowed more of a suspension of disbelief. this is where the future movies need to draw inspiration from. because to be honest, seeing a waitress killed by the ALIEN we all have feared since childhood just really doesn't do it for us. lets take the series back to its roots. learn from the former masters and don't mess with a winning formula by trying to make a 'bold new vision' we liked the originals for a reason, we want to see that again. Lastly, the ending is the real WTF moment of the whole film, *SPOILER* after the big climax, the survivors are ambushed by Special-Ops soldiers who justify their horrific actions by saying 'we were following orders' and then turn on a dime and start acting all nice and are turned into saviors. then after the long pull back with one of the survivors looking ominously into the heavens, we cut to the most bizarre cliffhanger I've ever seen, with characters you never saw in the rest of the movie (Save the Government Dude) then with all the subtlety of a punch to the face they reveal that there will be yet another film with the hint of a plot line that would make a sci-fi channel original movie blush and turn up its nose. So, in summation, if you have to choose between this movie and doing any other activity on the face of the Earth, skip the movie and do the other thing instead.
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neg
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test_4850
pending
28f7f9fe-f4cd-4557-8ff8-782e288fb719
I was only fourteen when I first saw the Alien movies and I immediately came to like it. Original, terrifying and classic. Sigourney Weaver was the perfect choice for the female hero character and she would have deserved a statuette for her act. In 1979 something everlasting was born than the immortal series continued with a nothing less legendary movie than the first. Alien3 was a different point of view but I think this part was the most stressful and unique of all, this was my favourite. Unfortunately the last one was a failure in many ways. It was strained, illogical with full of meaningless massacres. I didn't like it at all, but I never thought that a worse part would ever be made in the future. Well as it turned out in 2004 I was wrong. Alien vs. Predator was a bad break, and it should have been directed by a more talented director or should have never been made at all. But when I saw Alien vs Predator Requiem I was totally shocked moreover devastated. When I sat down and decided to watch it with full of doubt, even than I had never thought that such a bad movie could be made. Without a screenplay, without a director and without actors I don't understand how can a film be made. Because this film misses these three terms. What you get is a nice massacre show without a story but with a lot of annoying and boring dialogues. Waste of money and waste of time. This movie is rather impudence, than honor to the fans of the both sides (Alien/Predator). Shame!
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neg
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test_4851
pending
3410384f-e4f9-4b91-9254-94ca3a7c12f1
With this movie I was really hoping that the idea was to make up for the hashed together ineptitude of the first AVP, and yet to my horror: Requiem is far worse than I could have imagined.<br /><br />My hopes were up in the opening moments of the film inside the Predator ship, and I almost breathed a sigh of relief when we finally saw the Predator home world (a throwaway digital matte painting, but still nice to finally see it) and then of course, the humans (if such poorly written characters can be referred to as such) are introduced...<br /><br />One must wonder why it seems to be impossible for Fox to make a good film out of Aliens and Predators. At the very least the supposed filmmakers could have done their homework.<br /><br />Characters are set up in the same manner in which we would expect from the worst Friday the 13th Sequel. The pizza delivery scene was cringe inducing as was every other scene of character interaction that followed it. Bimbos and teen non actors do not make for a REAL film, they make for a cheap flick, and Alien 1-3 and the Predator movies were good because they were produced above the concept (remember that the 1st Alien is a "B" movie done as an "A" movie) The Strause brothers really missed an opportunity, that could have been rectified by simply knowing their Alien+Predator roots: In both the Alien and Predator films we are introduced to characters that are part of a larger group (Alien: Refinery workers, Aliens: Marines, Alien 3: Convicts and in the Predator films we generally follow a main hero part of a unit; Predator, Arnold--Special forces, Predator 2: Danny Glover, Police) and it's easy to see where the filmmakers of both franchises started to go wrong: in Alien Ressurrection we have pirates...or something, AVP we have...explorers?...with guns?? and of course in AVP-R we have teen slasher clichés. What is there to identify with here? In concept the idea of a convict returning to a small town and a war vet returning seemed a set up for a First Blood type of action hero, but like many things it was never paid off.<br /><br />The Film-making is equally devoid of rhyme of reason. There is no sense of forward momentum to the action, just small sequences that build the most minuscule levels of tension or interest only to cut away just when they're getting interesting...taking the audience out of the movie at every turn. The action scenes themselves, though much ballyhooed in the trailers, are so darkly lit, it is literally impossible to tell what is going on during the fight scenes when they finally occur. Basically, the movie is hindered from many levels. Bad actors combined with poor direction and an atrocious screenplay (which as a screenwriter myself I noticed, seemed to hit every wrong note and cliché that only the most untalented writer devoid of ideas could have hashed together) The WRITING, if it can be called that, is not even direct to video quality, nor does it demonstrate a shred of respect for the established lore of the previous entries in the series. Why does the Predalien all the sudden have the ability to shoot alien embryos down a pregnant woman's throat to use her as an incubator for chestbursters? More than likely because the brain dead screenwriter needed a way to have more aliens for the predator to fight (and given the accelerated growth time even more so than the first AVP: as quickly as possible. Why must meaningless small talk between cardboard cutouts on sticks (meaning the supposed characters)substitute for real character development? (Remember a character is defined by what they DO, not SAY). Why is the Sheriff leading civilians to a cache of guns? (isn't he an officer of the law?) How does the bimbo of all people know where they are? Why does the Predalien wait for the Predator to VERY SLOWLY remove his mask before it attacks? Why are the aliens still falling into that nasty series-post-Alien 3 habit of hissing all the time to let their prey know to run? How on Earth did this series devolve to a character saying "People are dying...we need guns!" (how this writer even works is beyond me, and reflects badly on Fox's already destroyed artistic reputation. It's like everyone involved in the making of this film suffered from a mental impairment or really are that inept at every level of the film-making process. <br /><br />The EFFECTS are pretty lousy this time around. The Aliens look like men in suits and ADI is just getting lazy with their creature design. The Aliens look like modified leftovers from Alien Resurrection, with that same bulky musculature around the arms as if they did not learn from that movie that it was not a good design, nor a good one to recycle. Again, everything is shrouded in such a state of darkness not to create mystery or atmosphere, but simply to hide how bad the creatures look. And just like in AVP, Stan Winston is sorely missed when the fake looking Predator face is revealed.<br /><br />There are too many faults to list so I will just say this: Do not waste your money on this movie. Fox is beyond caring about the fans, as this cheap and trashy film is clearly evidence of. I felt bad having taken my girlfriend to see it (though it was free) and apologized to her profusely after. This is one die-hard fan who is done with the franchise.<br /><br />Note to Fox: What we really wanted wasn't a mindless slasher flick, it was a film adaptation of the original Darkhorse Comicbook, which was better than anything you've produced for this franchise post 1993.<br /><br />Signing off.
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neg
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test_4852
pending
9ef0338d-6cad-4f1e-8bbb-caf5d2d106d6
Starting where the last AVP left off, an Alien "chestburster" emerges from a dead Predator on a Predator spaceship, and causes the Predator space ship to crash into modern day Gunnison Colorado, where it breeds several more Aliens which start to cause havoc. The Predator race sends down a lone highly experienced and armed Predator to "clean up the mess". Our human characters are caught in the middle of the intergalactic battle.<br /><br />The biggest problem with this movie is the pacing. This movie moves along way too fast. The opening credits have only just rolled and already the Predator ship crashes into the Earth after the Alien grows to full hight, a hunter and son character are introduced but before we even get to learn their names they are both killed, then we see the Predator home-world and the lead Predator flies off to fight the Alien infestation, and all this happens within the first five minutes. This unnatural pace does not let up for the entire movie; the National Guard comes into town but within two minutes are all killed without even getting a good look at a single ones face, the manager of a pizza store gets one scene of character development only to be killed off the very next time we see him once again without even learning his name, random hobos, a coffee shop waitress and chef are killed again without learning their names. One moment our main characters are at home, the next running around town, the next in a gun store , the next in an APC, and this random set jumping over and over just doesn't ever let up leaving the audience no time to settle in leaving them grasping for straws.<br /><br />Another problem is the settings and time frame. The movie is set in modern day Gunnison Colorado. Every other Alien and Predator movie was shot in enthralling settings, such as industrial space ships, guerrilla war zone rainforest's, alien planets, and underground labyrinths. Now comes along AVP-R, set in a small modern day American town, with set "highlights" including a sporting goods store, parking lots, Pizza Shops, and little girl's bedrooms. I mean, were they actually trying to make the movie look as dull, drab and uninteresting as possible?! It's hard to perceive these monsters as frightening creatures when they are standing next to a shelf full of Reeboks, or hiding in the bushes outside little girls bedrooms.<br /><br />Continuity is a big issue with this film. The Alien series was set in the future, no human had even heard of an Alien before the first film, and the Aliens not only had never been to Earth, but if they ever did reach Earth, humanity would be destroyed. This movie ruins that entire concept by being set in modern day, with Average Joes seeing the Aliens all over the place, and by the end of the movie, humanity is not destroyed, not even suffering what could be considered minor losses. It pisses all over that entire concept of the other movies. Attempts to maintain continuity are made with massive Deus Ex Machina's. The Predator just happens to carry around a bottle of unlimited magic blue liquid that's just to melt away any bodies with just a single drop, the army at the end of the movie just happens to go to overly drastic measures and drop a nuclear warhead that just conveniently erases all evidence of the Aliens existence despite the fact there were many survivors of the incident who are witnesses, and many more bad attempts are made at filling up impossible to cover plot holes.<br /><br />Also, for a "Verses" movie, it has unrelenting bias in favor of the Predators. For the majority of the film, a lone Predator manages to kill dozens if not tens of dozens of Aliens, all at mêlée range while barely gaining a single scratch, while the Aliens just get slaughtered left right and center like clay pigeons, merely waiting their turn to be killed by the Predator without putting forth any effort to defend their selves. This movie should not be called "Alien vs. Predator", as much as it should be "Predator massacres Aliens". I mean, how can you have two species battle it out with suspense and tension, when one is portrayed as being vastly superior to the other? <br /><br />The characters in this film are amongst the biggest flaws. Not only do they pale in comparison to the characters from the previous Alien and Predator movies, but even as a stand alone movie they are bland, dreary, and even at times cringe worthy. The characters in this movie consist of I kid you not, horny couples wanting to get laid, pizza delivery boys, blonde bimbos, high school bullies, children, and a blatant copy and paste job ripping off Ripley and Newt; the worst and most cliché possible ideas for characters. Not only that, but all of the aforementioned characters are acted by teenagers. While the casting of teenagers is an obvious attempt to pull in younger audiences, its only effect is to make the movie look and feel like a typical teenybopper slasher-porn movie, with actors who are too young to have learned how to give a convincing performance, with them mostly having completely blank facial expressions delivering monotone dialog. Not only this, but these characters do some of the most cinematically retarded things ever, such as using Predator guns, commenting the powers out when it has been for hours, following dumb plans to get out of town rather than just walking out of town somewhat quickly, and just so many other idiocies that the movie actually had the audience in my theater sighing out of frustration.<br /><br />In the end this movie is just a horrible B movie, something deserving of the direct to DVD category. The fact this movie was a theatrical release astonishes me, as every part of the movie just ranks of amateur work.
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neg
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test_4853
pending
fea81aa6-2877-4a05-963e-80f14e4f8aff
If only I had read the review by Alex Sander (sic) on here rather than looking at the rating of over 6 from a select choice of the ignorant viewing public I would not have seen this desecration. Alien was a fantastic, dramatic and well made horror/sci-fi. Predator was a great sci-fi/action mess-about. I do really have only myself to blame though as I saw 'Alien versus Predator'. It too has an average grading of over 6 stars from the connoisseurs of film that frequent this site.<br /><br />STOP READING NOW IF YOU HAVE ANY FEAR OF THIS EVER SO SUSPENSE RIDDEN PLOT BEING RUINED FOR YOU.<br /><br />Right from the beginning this film was ridiculous. No explanation was offered for the Predator ship overrun/not overrun by Aliens. OK so maybe they were again going to throw aliens down to Earth to hunt them and something went wrong but how did this result in an Alien/Predator hybrid and why did the rest of the crew not realise sooner despite their great technology? The start was actually the most coherent and interesting part of the film because we had some idea of who was who or what was what and perhaps why. From then on it gets really ridiculous. I always leave my disbelief strictly suspended above the door of the screen before entering and collect it on the way out. I couldn't here.<br /><br />A father and son are hunting in the woods. The damaged ship crash lands to (from the view given) I would calculate at the very least 10 odd miles away through thick woodland. The man and boy track there alone and find the ship and get face hugged. Even at this point you feel very little for them mainly because the face huggers are almost comical rather than scary in their movement and actions and the father seems like such an irresponsible, dumb redneck muppet.<br /><br />An edgy, thriller-type scenario is introduced with an ex-con returning to the town near the crash site to be met by his somewhat emotionless, dull now cop friend from the bus. When I say introduced I mean a feeble attempt with crap actors and no feeling is played out. A slasher/horror element is then introduced with a sexy girl and the usual supposedly nerdy or somehow undesirable cute guy who gets beaten up by the over protective, crazy, nasty Jock type (American sportsman not a Scottish man). Oh the cute/not cute boy is the ex-con's brother by the way. Yes they're clever these director brothers whose name I will research in order to avoid any other shite they put out again. Then a modern role reversal oh so boring attempt at PC, Ripley credential type character introduction comes with a female soldier returning home to her husband and child.<br /><br />Guess what happens next? I won't tell you much more about the actual (smiles sadly to himself about the demise of storytelling in the large majority of recent films) plot just in case you have got this far and are not the brightest star in the Alien-ridden universe.<br /><br />The Predator is stupid for the reasons stated by the previous poster whose post I read too late. The Aliens are boring. The Predator-Alien is ridiculous. The action is at times exploitative, gratuitous, disgusting nonsense. The hospital scene with the pregnant mothers?!?! Oh I was shocked alright. Shocked at how low some people will go to get what? A scare? Some shock? To titillate the perverse? What? If you really wanted to shock, titillate and scare people who are not pregnant or expecting fathers or who have no souls why not just have the Alien/Predator shagging the saucy women and teenage girls rather than killing them? The characters have no depth and neither does the plot. It's filmed and paced badly. It's acted by disinterested people not that I can blame them. It further tarnishes two rather interesting and good sets of sci-fi characters. This film was rubbish and if you gain enjoyment from it I really have to worry about you. If you haven't seen it then well please make your own decision.<br /><br />PS Did I even mention the way that trained soldiers are all killed in about 20 seconds while amateur civilians survive throughout?
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neg
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test_4854
pending
4c5a1786-90cf-454d-9fd3-06ca6c302302
This film and the 1st AvP film both all over the whole Aliens and Predator franchise.<br /><br />They are awful films, badly acted, badly scripted and terribly directed. They just seem like someones desperate attempt to make money off of the good name of the original aliens and predator films but instead of delivering a well thought out, quality production, they came up with the predaturd.<br /><br />The original Alien/Aliens/Predator/Predator 2 films were great, they redefined the horror/thriller genre by inventing these insane (and yet still believable) creatures who took the role of the 'serial killer', as opposed to a human. <br /><br />These films are just milking the franchise and do nothing but darken its name.<br /><br />The Aliens vs Predator comic books were brilliant and had a great story. They were true to the Alien/Predator mythology, didn't crap all over the original stories etc... Why didn't they make the comic book into a great film? Because Hollywood are idiots, thats why.
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test_4855
pending
a787b7bc-79cc-4c43-81cb-72ae97d5e013
Turd Pie:<br /><br />* Take x2 franchises * Par-boil for 5 mins * Stir in mixed cardboard characters (non Actors work best) * Add 2 tons of clichés then bake in Your Plot-Hole Microwave until bored. * Serve with a Sprinkling of Dawson's Crack (not a Typo)<br /><br />Voila! - Money spinning Brain Rot for the Emo/World of Warcraft Generation <br /><br />Looking for the keys in drain was the best bit (?) <br /><br />Aside from the first 5 mins, its one of the worst films ever made. <br /><br />Utter, Utter, Nonsense.
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test_4856
pending
2f8ff573-cf5c-4cde-8c8c-3326cf604d0a
When I saw Alien vs. Predator a few years ago, I have to say as stupid as a sequel it was, it was still somewhat enjoyable. Now, there are unfortunately a shortage of good movies out in the theater lately, so my boyfriend and I decided to just go ahead and see what AVPR: Aliens vs Predator - Requiem was about. So we saw it a couple nights ago and I have to say that there was absolutely nothing thrilling about this horror sequel. It took a completely different turn from the first AVP movie, it's not a bad idea that they took Alien and Predator and put them in the up class suburbs, but from the idea of the first one explaining their reasons for existing, this was just an average and predictable horror sequel. Not to mention a story that keeps introducing new characters every scene where I wasn't sure who to keep in mind on who was the main character and why, so I couldn't really keep up with the story.<br /><br />From what I've gathered, of course the Predator and the Alien are up in space having to deal with the stuff of typical sit com neighbors, they're just beating the lights out of each other and they decide to why not? Go ahead and take it out on some Earthlings. So they crash and Alien is taking over the suburbia utopia. But teenagers, including a troubled couple who look like Ken and Barbie, a female marine and her daughter, among others, are going to make sure to kick some space butt, that is if the predator doesn't get there first. Because he is ticked off at the Alien, I guess for starting the party without him, lol, just kidding, actually for killing some of his friends.<br /><br />AVPR: Aliens vs Predator - Requiem isn't the worst movie by any standards, it's still pretty cool with a lot of the visual effects and the fight sequences between Alien and Predator are so cool to watch. Like the first sequel of Alien vs. Predator, the cast is the thing that ruins the film and just seems like they were not well developed, I know it's horror, but the original Alien and Predator films had characters, that you cared about and wanted to win. But it was a semi-decent sequel that I would say is worth a look for some fun, especially for Ken and Barbie's sake.<br /><br />4/10
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test_4857
pending
c1d2b698-6f8c-4f45-9ad8-af4d741f7dd2
My qualifications for this review? I own all the Alien and Predator movies & I have and have read almost all the books I can find that are related to this series.<br /><br />I can safely say, this movie is a Stinker. Save your money & don't waste your time. If you like mindless action, mindless gore, no plot to speak of & like being taken by Hollywood, see the movie.<br /><br />If you are a serious Alien series fan, send a message to the over stuffed, over paid suits in Hollywood & 20th Century Fox & don't give them a penny.<br /><br />This movie has so many plot holes in it you could sieve pasta through it. Read the other negative reviews to get the big picture, it has all be said accurately, so I don't have to repeat them.<br /><br />The characters in this movie are cardboard. You want them all dead. And, the movie doesn't disappoint, almost all of them die. Even the hot, bubble headed blond. Do you feel sorry for her? Nope. No plot, no character development....who cares. The Predators are now idiots too. They scan everything but their own dead warrior. They are suppose to be a high technology society, right? In the Predator movie, they scanned the soldiers and the girl to determine who was armed. Trophy kills. In AvP, they scanned Charles Weyland and let him go because he had Cancer. Major Plot hole!<br /><br />Also, the R rating is because they have kids in the movie that get a face hugger, lots of gore and violence and there is one hospital scene where a very large pregnant women is injected with chest bursters. She is implanted by the Hybrid Alien with 4 or 5 eggs in a mouth-to-mouth love scene-orgy and they all hatch in, say, 30 seconds. Sensational gore a plenty, nothing more. These scenes are laughable, not serious. It is almost like the violence happens and the Alien looks at the camera and waits for applause, a thumbs up or a nod of some sort.<br /><br />The Aliens in this movie are all on performance enhancing drugs. They develop fast and spread quickly all over the town, tons of them, everywhere in record spawn time. Pathetic because it does not stick to the series story line and adds nothing to the Aliens, Aliens Predator continuity.<br /><br />I have noticed the positive reviews are written by people who love the gore. Laughable. As a movie, as a continuation of the Aliens franchise and the development of the Aliens vs Predator franchise, this movie is a cheesecake cliché at best. If you have faithfully followed this series, all the rules are broken and the Aliens and Predators are reduced to comic book characters.<br /><br />There is not one fantastic, memorable action scene. There are almost no special effects worth remembering. There are no brand name actors. The plot is as thin as onion paper that ultimately ends with a, "We have two choices to get out of this mess...The Hospital or the center of town!". I just about wet myself. The center of town means everyone is going to get nuked by Big Brother who somehow knows the town has been infested because they have an AWAC in the air that can see the infestation on a radar screen in special effects Red Spots. I just about fell out of my chair. Special effects red spot alien radar on an AWAC over middle America. I am splitting my gut laughing.<br /><br />Having to get to the Helicopter Pad made me choke on my popcorn. Has anyone played a game called ZOMBIES!? You have to get your playing pieces to the Helicopter Pad to win. I almost wet myself laughing.<br /><br />The ending is enough to make you shake your head in wonderment. Who did 20th Century Fox hire to write this script!? OH, OH, ask me.... a Grade 5 student. There really can't be any other answer. Oh, yes there can be another answer... Low Budget Cheesecake Sci-Fi.<br /><br />The ending? "Col. Stevens takes the Predator pulse rifle to Ms. Yutani (Francoise Yip). She tells him that the earth is not ready for the technology it represents. Col. Stevens knows Yutani doesn't want the technology to use on earth." You are kidding me, right? Ms. Yutani? Who is Ms Yutani? (forshadow:Weyland-Yutani: The Corporation) She is in the movie exactly 2 seconds and yet, in her infinite far east wisdom, she says the world is not ready for the technology. Seriously??!! The Brothers Dweebs (Strause) as directors? Who is responsible for this hemorrhage-abortion of a movie? They are the Doug and Bob McKenzie of directors and yet Fox entrusted the flailing Alien franchise to them. They are touted as special effects experts and yet the movie is all low budget special effects. Hmmm, I see a pattern. Laughable.<br /><br />This movie is only made to empty your wallet. It serves no other purpose. It has no plot. It has no main characters worth mentioning. It is disjointed. It does not adhere to any of the character principles established in previous movies. It does nothing to advance the franchise. The special effects are lame, minimal and low budget. And, it has no ending to speak of. It is low budget and strictly designed to take your hard earned money. Nothing more.<br /><br />Save your money. Either watch it on TV where it will very quickly end up. Buy a bootleg or miss this bleeding ulcer altogether. There is a reason why Fox did not Preview this movie to the critics. The critics would have eaten this mess alive and no one would have gone to the theaters to see it. JR Giger, the original creator, is at this very moment, leaning over a toilet spilling his lunch.<br /><br />20th Century Fox, this movie is a stinker. It is as bad or worse than Alien 3. You insult us. <br /><br />Flush now...
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test_4858
pending
313e9eed-6cc1-4084-8e4d-ced0ebba5642
Ed Wood is rolling over in his grave. He could have made a hundred cult classics for the price of this waste-hole. The worst script in memory (it makes "X-Men 3" sparkle like "Citizen Kane"); the most amateur directing; pre-K cinematography; the cheesiest "special effects" (I'm talking about "Friday The 13th" sequel territory); and throw in a pointless, revolting, deeply disturbed, maternity ward sequence. The lack of any talent or sensibility that put this garbage on-screen is astounding. That the "industry" might reward anyone involved in this celluloid cess-pool with future projects ought to be cause for serious alarm.
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neg
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test_4859
pending
28340147-6bab-4955-bdd8-7b03f7752909
this movie made me watch Paul W.S. Anderson's AvP1 and enjoy it! I am not even going to dream of comparing Requiem to any of the Alien or Predator series' movies,this is a HORRIBLE TEENAGE B-HORROR FOOTAGE SET IN AN American SMALL TOWN NO ONE CARES ABOUT.<br /><br />AvP1 at least had heaps of handcrafted art carved into the movie sets,it had bags of eye-candy not previously seen in any of the original movies - but was ruined by unconvincing characters/acting.<br /><br />Requiem takes bad acting to the lowest imaginable level,and it also lacks in every other department just as much...it's a sacrilege to include alien and predator suits in this kind of rubbish.
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neg
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test_4860
pending
e4272518-c13e-44fe-afc5-fbbb2eb7046f
I loved the blood and gore. The kind of violence is what Alien and Predator movies are about which is no one is spared. This truly answers the question of how it would be like if aliens were on Earth. The answer to that is simple. We are screwed. The effects were beautiful. How ever there are some real problems with it.<br /><br />1) The acting was horrible on the part of the Human characters side witch almost put me to sleep because of how dry and boring it was which really interrupted the flow of the movie and was very annoying. The writers could have done SOOOOOOO much better. The good part was the Alien and Predator acting which I thought was done very well for the most part.<br /><br />2) The size of the Predator ship was much smaller then how it was in the first AvP movie. This I scratched my head on <br /><br />3) Predators having their mask on while still in the ship. This upset people and I cant understand why. Its not a plot hole like most people make it to be. So I say to you people calm the hell down. Its no big deal. If it will make you feel better, remember, they did have face-hugger's on bored in storage so that could be a good reason why.<br /><br />4) Predator firing its plasma caster inside the ship. I thought that was rather stupid on the Predators part. But then I began to think if it was a younger Predator that panicked.<br /><br />5)The hunter and his son almost instantly arriving at the crash site after it fell several miles away. At least they didn't bore us by showing them run through the woods for 30 min. so be happy about that.<br /><br />6) Why did only one Predator go? I thought this was odd. But then I thought that it was because he thought it was only one Predalien that he was dealing with and not an outbreak.<br /><br />7) Why didn't the Predators in the ship self destruct? Well if people were paying attention one did, but he was killed before he could completely activate it.<br /><br />8) The unlimited blue melting goo. I thought that was rather dumb.<br /><br />9) Predator hiding evidence with the goo but skins a cop. That was also dumb.<br /><br />10) The black out. Well come on people, an Alien and Pred did fight it out at a power station.<br /><br />11) Predalien being half face-hugger/queen. This really ticked me off. I am an Alien and Pred fanatic. I know for a fact that Aliens DO NOT DO THAT!! Just like they don't give birth like a human does like they showed in Alien4!! Out of all the comics, games, books, and the movies 1,2, and 3, CLEARLY shows their behavior. They need a queen to lay eggs, the eggs hatch into face-hugger's, face-hugger's infect host, the parasite pops out and kills host and grows into a drone if it infects a human, a Predalien with a Predator, and Runner with any kind of four legged animal. And then after living for years upon years then they molt into a Preatorian (a mini me queen that does not lay eggs) I can go on and on but I wont. But that scene alone nearly ruined the movie for me. If the directors are smart they would go back and edit that by making a face hugger infecting the pregnant women.<br /><br />Any way if you are going to see this movie, just go see it for the Aliens and Predators. And when the scene comes up where the Predalin infects that pregnant women... Close your eyes so you don't have to see that insult to the Alien and Pred universe.
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test_4861
pending
124928e1-587a-422c-a719-ce1a92e2931b
AVP2 is an awful movie. The dialogue was pointless, the acting was pathetic, it had virtually no story line and you can't really tell what the hell is going on half the time due to the continuity errors and plot holes.<br /><br />BUT! You will love it anyway. Because it pushes the boundaries on gore, violence, death, destruction and chaos. They EVEN kill children, newborns and unborn babies in this movie. You will be sitting there thinking "Oh my God, that is disgusting" And they surprise you by killing the 'sexy chick who always makes it out alive' when the predator and aliens are fighting in the hospital.<br /><br />It's like the movie industry has said "We know what we did in the first Alien Vs. Predator movie was was bad, so we're doing it again but this time we're getting help from psychopaths with vivid imaginations" It's predicable, moronic and down right pointless....but you will be thinking about it for a while after you see it.
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test_4862
pending
ae602c1d-7bc0-49fd-99c4-828932292012
Anyone who watched "Alien vs Predator" must've known that the conventions of the "Alien Quadrilogy" were not exactly adapted for the film. Amongst some of the unusual elements, the rapid growth of the Aliens over seemingly a matter of minutes, Aliens with extremely long tails, and so on. However the idea of the Predator species providing the impetus of city and temple building to create a hunt for would be warriors sounded so appealing that I couldn't resist.<br /><br />I had hoped the end of the film would not be the impetus of this sequel, and unfortunately I was wrong. For those who forgot how the first film ended, the dead Predator had an Alien burst through his chest which carried the traits of both species'.<br /><br />For this film, I'm going to just go through a list of "good" and "bad" traits.<br /><br />The Good: Lots of gorgeous people, especially the men. <br /><br />The Bad: Lots of gorgeous people get munched by both the mutant Predator/Alien, and the Predator.<br /><br />The Good: An interesting idea of the Predator planet. <br /><br />The Bad: An inconsistent scale of a town. Its a small town without many opportunities, but with a very sophisticated (read: big city) sewer system, and homeless. Is it a small town, or a city? The police force is one Sheriff and three Deputies, or so I counted.<br /><br />The Good: Um.... <br /><br />The Bad: Why do these mutant Aliens/Predators grow so fast? In a matter of five minutes, they seem to grow to their full size. I mean, c'mon...what are these things...Chia Pet Aliens??? And while we're on this subject, why is it that an Alien inside a Predator's body mutates, but an Alien in a human's body doesn't? Does that make sense?<br /><br />The Good: Still thinking... <br /><br />The Bad: Why would only one Predator come? And why does it pour acid over all the remnants of the "Aliens," but it decides to murder a cute deputy, and then skin him and hang him upside down. I mean, so much for being incognito!<br /><br />The Good: Ah...I'm stuck. I guess there's lots of loud sounds! <br /><br />The Bad: How do these mutated Alien/Predators procreate? Apparently they find a pregnant woman and in a kiss type of motion, they deposit several offspring into the woman's body. Yeah, just what you'd like to see, eh? Pregnant women having their bodies explode into mutant aliens- as if the previous way wasn't gross enough!!!. I mean, there isn't even an Alien Queen.<br /><br />The Good: Did I say that the guys in this movie are gorgeous? <br /><br />The Bad: When a nuclear device blows apart buildings, how does a helicopter manage to survive the blast? And how tacky is it for one of the passengers to mockingly chide the pilot "I told you not to crash!" I mean, given the nuclear fallout, when he wakes up in the morning, he'll have no hair left!!!<br /><br />I could go on and on, but I think you get the message. Mutated Alien/Predator bursts through dead Predator's body, grows over the matter of a couple of minutes, kills all the Predators and manages to get crashed on earth. More mutant Alien/Predators are created, while ONE measly Predator comes to earth to destroy this new mutant species. Predator kills humans. Mutant Alien/Predators kill humans. Humans kill humans. Sucks to be a human in this movie, eh?<br /><br />If you're impressed by lots of bangs and bumps, you'll love this movie.<br /><br />If you liked the first, I suggest you skip this sequel.
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test_4863
pending
f36cb270-e454-44ab-99ce-1dc0bf61c604
I am not even willing to vote a single star for this crap but IMDb does't have zero as rating option... worst movie i have ever watched.. Story of the movie 1. Predator ship crashes on earth 2. One alien and some face huggers are released and they start killing humans. 3. One predator arrives on earth and he starts killing aliens and humans. 4. Then one human jet drops a bomb and kills human, aliens and predator. 5. Some humans find the shoulder canon of the predator. 6. The End Directors should consider refunding money back to the viewers. If still you want to watch this movie, download from some torrent site and say thanks to me for saving you money.. all the movie has been filmed in some dark corner of the earth, you see just dark shadows even in action scenes.. too much violence.. I didn't expect it from a fox movie
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test_4864
pending
50f1ecd2-aedf-48bf-8516-8320b8a659f7
When I first became a father about 5.5 years ago, I was prepared for many of the sacrifices I'd have to make. I knew I'd have to change diapers and take them to swimming lessons and attend many a freezing Santa Claus parade, but I wasn't ready for the kind of sacrifice I made last night. This, in my humble opinion, is cruel and unusual punishment.<br /><br />Underdog is bad. It's not quite Karate Dog bad, but it makes The Shaggy Dog feel like Pulp Fiction. If Underdog were a television show, I'd recommend flipping on by. Not even the presence of Puddy and the voice of Banky Edwards can save it. Bow. Wow.<br /><br />It was also just about the best 80 minutes I've ever enjoyed. James was seated to the right of me and Michelle to the left, and I spent more time watching their reaction to this talking, flying mutt than watching the screen. At 5 and 3 years old, they were the target audience, and this movie nailed the target. There's a scene where Underdog belches loudly in another dogs face and Michelle thought it was the funniest scene ever captured on film. When Underdog was flying into outer space, James was literally at the edge of his seat, mesmerized. The kids absolutely loved Underdog, and that's why I was there. That's what last night was all about.<br /><br />Unless you're accompanying someone under the age of ten, you have no business wasting a second of your life watching this brutal film. But if you are looking to kill 80 minutes with your four year old, I won't judge. I had a blast.
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test_4865
pending
999cd0c4-5430-4476-a9af-1887c129f8b7
They did it again: ripped off an old show's title, then destroyed the nostalgia with boring "re-imagined" stuff. The '60's cartoon was one of the funniest of its time, a good-natured satire of super hero comic books. The character was drawn as 1/2 way between animal and human, the way Mickey Mouse is. Here they use a real beagle; that's about the same as making a Mickey Mouse watch with a real rat. <br /><br />Most of the clever schtick that made the original show funny is missing from this film. Instead, we get a clumsy ex-police dog who's even dumber than Cad. And some pet owners who add nothing to the story. Cheesy effects (the dog-talking animation is embarrassing). Poor scripting. A stereotyped dwarf playing Simon Bar Sinister. The gravelly noise box guy they hired to voice Underdog is painful. You'd think they'd at least gotten a voice impressionist to approximate Wally Cox's humorously distinctive voice for Underdog. But no. There are, at least, a few affectionate references to the source material (such as the rhyming lines), which lift it to a 4. <br /><br />Only small children that love dogs may enjoy this. Everybody else should get a DVD of the original cartoon series. Watch this only in desperation.
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test_4866
pending
be872612-16fa-4c4f-befe-63977efba9cf
Let me start of by saying that I never wanted to see this movie in the first place; I had to watch it one day, and I figured that I guess I can lighten up and enjoy it for what it is, and it might turn out to be entertaining. What I got going in with that expectation was one of the worst movies I have ever seen, bar none. First of all, there was nothing humorous in the least bit. The creators expected humor to be laughable/passable if they include sarcasm in every line that comes out of Underdog's mouth and use scene after scene of bland, played out aspects to "charm" the audiences light-hearted side, while still making them "ooh" and "ah" for more with boring action scenes and insipid, lackluster performances that made me want to yell at everyone in the audience that was enjoying it. The acting was dull, the humor was tedious and the characters/plot felt like they spent about 10 minutes creating their entire personalities which gave the uninspiring actors/actresses no range on how to portray their characters with the least bit of depth. This movie is plain and simply awful in every field and really only kids under the age of 10 will be able to enjoy it, which even though that's what age range it was aimed at, that does not excuse it for being so poorly daft and causing me to feel so penitent. Parents, spend your money on Up, Wall-E, The Spiderwick Chronicles, The Water Horse or Hotel for Dogs for the best, recent family/kids flicks, or even Alvin and the Chipmunks is better than this filth!
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test_4867
pending
dcd5862b-3d06-4496-a17f-1e1105d7d980
When Underdog the cartoon debuted in 1964, at the age of 7 I was hooked immediately. He was Top Dog (pun intended) in my book-(that is, until Batman premiered on ABC a year or so later). Even when it was clear that Disney was going to make a live-action version of the once popular Saturday morning cartoon, it was equally clear to me that it was going to be a piece of crap. Even reading the reviews in the papers seemed to confirm this. However, I made it a point to: a) never attempt to write a review unless I have seen the movie from start to finish; and b) never to spend one red cent on a movie that I'm almost certain I will hate.<br /><br />Thanks to YouTube I: a) am fully qualified to write this review; and b) it only cost me 84 minutes of my hard earned time.<br /><br />It also proves my point, namely, that this movie is not merely a piece of crap. It's a steaming pile of dog droppings. It resembles the TV series in name only, even though they almost got it right with Simon and Cad.<br /><br />All in all, Underdog is a huge waste of time- and money, which thankfully, I didn't have to spend.<br /><br />Rating: 1/2* out of *****
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test_4868
pending
ecbd5d53-731b-47a0-8c86-bb3f79936c98
Story of the creation of Underdog and adventures battling Simon Bar Sinister in a live action format. First we have Showshine picked up off the street and brought to a science experiment lab where Simon Bar Sinister works. He fights back when Sinister tries to inject him with a chemical and accident occurs, he gets superpowers and the lab blows up wounding Sinister. On the street Shoeshine runs afoul of Riff Raff, another dog and gets picked up by Jim Belushi who was a guard at the lab. Belushi's son discovers that Shoeshine has all these powers and eventually Shoeshine becomes Underdog, who will once again battle Sinister.<br /><br />Once you decided that under dog was going to be a real dog you've sort of limited yourself as to whether the film was going to work or not. For me the film half works and half doesn't. The part that doesn't is all of the stuff where you see Shoeshine, the dog, as a dog with his master. Some of the repartee is funny, but it just drags on and on as we get introduced to Sweet Polly and her mistress and we go through all the typical lets see what you can do stuff. Its a deadly 20 or 25 minutes and effectively kills the film. Its painfully dull and feels like it takes forever to get through it, which considering the film is say 75 minutes sans credits, is something you don't want to do.<br /><br />The parts that are good are anything with Simon Bar Sinister (Peter Dinklage is a blast) and anything where Underdog goes into action. Some how somewhere they managed to find a way to be both twistedly true to the spirit of the cartoon and to update it. Of course I could be wrong since the middle section is so dull, but I think not, since I do look forward to catching the end of this again on cable.<br /><br />As a whole its probably as awful as some people have said, but if you can wait for cable where you can stumble on the good parts, this is an okay cartoon to film adaption. (But wait for cable-really)
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test_4869
pending
4e0ee3de-7acb-416b-9c3d-b2fa60d41cfd
I didn't like Underdog!I mean it was really unnecessary and needed a big face lift and then it would have been maybe passable but for the main part i didn't like it.This wasn't like any other kid movie its one of those movies that wanted parents(who grew up watching the cartoon)to come with there kids to come see this,i am neither of them so the film didn't appeal to me in the slightest.I had some problems with it like i don't think Jason Lee was the right voice for Underdog it made it him sound sloppy and really unintelligent.Then it was really predictable which makes you feel tired and mad.The humor was really what made me mad it was just to unfunny and somewhat pathetic.The one thing that bothered me the most thought was how almost everything out of Underdog's mouth was sarcastic or rude.The acting was passable but needed a little improvement.If you have kids they might enjoy it, but if your not a kid by all means see it you might like it unlike me. 3.4 stars out of 10
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test_4870
pending
e44e5551-6568-4074-8b37-86740b448f74
Jason Lee does well to give this doggy movie fleeting promise, but it's not enough to distinguish it from any other bland family comedy<br /><br />This live-action, CG-enhanced adventure sees a shamed police dog (Jason Lee) transformed into a super-dog via an accident in the lab of scheming scientist Dr. Simon Barsinister (Peter Dinklage). Underdog sets about saving the city while attempting to keep his identity secret - a challenge given that he can both talk and fly.<br /><br />The odd gag raises a smile, but Underdog's human sidekicks (James Belushi and Alex Neuberger as father and son) are as dull as the predictable storyline. One for kids too young to have seen Superman. Or Spider-Man. Or even Shaggy Dog…
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test_4871
pending
cea825e5-169c-42c8-9325-2dbdf15263a7
Starring: James Belushi; Peter Dinklage; Alex Neuberger and Jason Lee Underdog is a true hero's tale. Here is the story of Shoeshine, a regular, playful little beagle. When he is dog napped by a megalomaniac midget hell-bent on destruction, something freaky happens.<br /><br />Our quirky little neighborhood pooch gains extraordinary powers. He can run as fast a cheetah; fly as fast a superhero and has the power of thunder. He is no longer Shoeshine; he is Underdog – the best crime-fighter in the animal kingdom. The city cannot sleep until Underdog rids it of the evil midget Dr. Simon Barsinister and his cronies.<br /><br />If you fancy some really light-hearted entertainment with all the clichés of superhero action flicks, then this one is for you. As for quality entertainment, this one is strictly for the juniors. Those of you hoping to enjoy the comedy of the fast-fading star -James Belushi - a word of caution: this is not one of his finer works.
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test_4872
pending
cdfbe929-9328-48d0-84e0-feb0f189e0c4
God, I never felt so insulted in my whole life than with this crap. There are so many ways to describe this piece of crap, that I think that if I said everything that came to mind, I would get banned by this site.<br /><br />How do I begin? Well, for one, it doesn't take knowledge of the original series to know that this movie is a slap to the face of people who've seen it. The biggest butchering of a theme song ever made is here, from a metal version, to a freaking RAP VERSION, what were they thinking? How does Underdog and a electronic-heavy musical style match? The story is so basic, that I will do something I don't usually do and not even give a summary. Just think this: A dog gets superpowers, fill in the rest. That's how predictable this movie is. And then comes the jokes....please kill me now. This style of humor that might not even get the kids laughing, it's that bad, well, expect that punch line after the sneezing. That was slightly funny.<br /><br />But what surprises me the most is why Jason Lee(Ny Name Is Earl), Patrick Warburton(Emperor's New Groove), and Jim Belushi(According to Jim) are all here. In the shows/movies I mentioned, the actors, in my opinion, do a good job, and, excluding Lee, are the best actors in this movie, but that says very little. The rest deserve Golden Rasberry nominations for this crap. I am very sad to see such good actors buried by this disaster.<br /><br />All in all, this is just as bad as Doogal, which I reviewed as well, and again, my head would explode if I saw anything worse than this.
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neg
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test_4873
pending
24afc8ee-b66b-4136-a7ce-23983d8d7565
Good things out of the way first:<br /><br />Underdog's voice acting was FINE. But Jason Lee being awesome himself, that really is no surprise.<br /><br />Peter Dinklage (Barsinister) also did fine, for what trash was given to him. He acted the part shockingly well. And so did Patrick Warburton, the moronic assistant. Now, it was idiotic character but he acted so extremely well, I actually liked the character better than the protagonists. The lines given to him were childish but witty.<br /><br />However. Alex Neuberger did awful and hope he never acts again. His "Scream" was so disgustingly fake. Silence. Silence. "aaahhhhhhh". In the scene where he hears the dog talk, an "oh no, impossible!" would have sufficed in place of the pathetic fake scream.<br /><br />And then there was the girl and her female dog that chased Patrick's character Cad on the roof. At first this makes sense, she's a "Reporter." A school reporter but still an inquiring mind regardless. But why, WHY the HELL did she carry her dog around? That was worthless and the damn dog didn't even say anything other than a heartless "oh, underdog!" Her presence was extremely unnecessary.<br /><br />Overall, the script was pathetic. The only reason I give this movie a 3 is Barsinister, his assistance, and underdog's voice.
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test_4874
pending
9718473a-25ce-46e5-aa6e-d55b05c318ba
I remember seeing the very first trailer for Underdog back last March, I also remember at the time smiling to myself ever so slightly. Sure it was a cheesy idea, but I genuinely thought at the time the concept might work, hell it couldn't be any worse than the disappointing Cats and Dogs could it? Then by December and I suddenly remembered the film I realised how likely the film was to suck, the fact it had been delayed in the UK made it seem inevitable it would be terrible, but the horrendous reviews just made me realise it was nigh on impossible for the movie to be any good. Still I swallowed my feelings and went to see the film with a friend today, as I entered my screen I was mortified, it was the very first time I'd be seeing a movie with a friend and being the only two in the screen! Little did I know for what I was about to endure. Underdog to put it blunt is horrendous, it really is. Imagine how bad you could think this movie is and then prepare yourself for a movie even worse, that is just how pathetic the movie is. While it aims to entertain kids it just seems an embarrassing mess that seems to insult kids rather than allow them to enjoy the movie. Matters cannot be helped by the fact that the story is beyond lacklustre, the acting is generally poor, and the movie just feels like an over-long, tired and downright boring Saturday cartoon! After a brief five minutes where I thought the movie might be passable the movie just suddenly seems to die and then limp on towards the already sign posted finale. I'm just amazed the movie was actually ever released, it's an embarrassment to Disney, hell half their straight to video sequels are better than this! What's even more terrifying is the fact the ending leaves room for a sequel!<br /><br />So lets get onto the acting (cracks knuckles). Okay let me be honest Jason Lee is decent, his voice suits the canine, and had he have been given a decent script he might have made the performance work. However, with such a dodgy script he just seems to flounder. In many ways it reminded me of Bill Murray in Garfield, Murray did what he could with what he had, but what he had wasn't enough to make it passable. Then we get onto the human actors, and well the majority of atrocious. Alex Neuberger plays the friend of Underdog, Jack. My biggest concern is that anybody would even take him seriously in an audition. The scene where he gets to fly with Underdog is perhaps the most cringe worthy scene in the past few years just because his acting is so poor. Not once did I believe he was a real person, in fact part of me is still convinced he was a robot made specially for the movie! James Belushi seems half dead in the film, he has nothing to work with, no decent lines, he just seems to wander around the set waiting to become relevant to the plot, which the writers try to do towards the end but do it in such a poor way its laughable. Thankfully Peter Dinklage is the one redeeming factor of the movie, he is great as Dr Barsinister and seems to be having a laugh in the role. He steals every scene he is in, although that's hardly difficult when he shares screen time with the extremely annoying Patrick Warburton. The rest of the cast are even worse, especially Taylor Momsen, she just needs to end her acting career right now!<br /><br />Underdog also fails dramatically in terms of delivering anything like a funny scene. When the funniest scene involves Underdog biting a can and causing dog food to explode everywhere you know there is something drastically wrong. This could be easily ignored if the movie had decent action or a good story, alas the movie is even worse in both of these terms. The effects are so ropey that any scene where Underdog flies just seems absurd, and the dog uses his powers to such little effect that you frequently forget he has superpowers. What's the point in making a film about a super dog if the damned dog never appears super? The final fight also verges on embarrassing purely because its ten minutes of nothingness, the dog flies, other stuff happens, some stuff gets chucked about, all of this is irrelevant as this stuff is happening for the sake of stuff happening. The script as well is dodgy at best and downright pain inducingly awful at worst. When someone says "Look its a plane, no its a bird, no its a frog...", yes you read that right, I just wanted to burst into tears there and then. Actually I wanted to walk out by remained compelled to see whether it could get any lower than that point, this happens near the end so it doesn't thankfully.<br /><br />Overall Underdog becomes the worst movie of 2008 at this early period, and is actually just as bad as last years Epic Movie. Luckily for Underdog, Meet the Spartans arrives over here soon and I expect that to be even worse. So in case you didn't get the point of my review, avoid the film at all costs, if you want to see a movie with a dog then watch Cats and Dogs, buy a real dog if necessary, just do not see this!
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neg
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test_4875
pending
0abf1eea-a99c-4243-ac3b-2e197933835d
I was browsing through the movies on demand and saw Underdog for free and it was only 82 minutes long so I decided to watch it. I wasn't expecting much but it exceeded my expectations of being awful. Everything about the movie was cringe worthy. The dialogue was atrocious including many terrible puns. The jokes were also terrible. I found myself yelling and flipping off my television screen while I was suffering through this trash. It hit its target audience very well but I don't see how anyone else could enjoy this film. It made me very angry and nearly cry because of everything terrible this film had going for it.<br /><br />The only enjoyable thing about this movie was being able to give it a 1/10 after viewing it. I beg you to avoid it at all costs. I understand the fact that its made for kids but there is nothing likable about it at all.
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test_4876
pending
89958752-672e-4643-8696-d26cffb9b2ee
Only three words are really required for this review: Piece of crap.<br /><br />If you enjoyed watching the cartoon as a child, you will find this movie to be a complete waste of your time and money. The best thing about your two hours in the auditorium will be your feet sticking to the floor.<br /><br />Yes, they do use all of the names and catch phrases. The even name the dog "Shoeshine" (in reference to the dog being "Shoeshine Boy" in the cartoon). They name the love interest Polly, but she isn't Miss Sweet Polly Purebred.<br /><br />My wife and son drug me to see this. They should have drugged me to see it.<br /><br />The original Underdog was voiced by Wally Cox, the ultimate nerd. This one is voiced by someone with a "smart alleck teenager that knows more than all the adults" attitude.<br /><br />As a stand alone movie, it is awful. As an homage to Underdog, it is even worse. It is not an homage. It is not a retelling of the story. It is not an updating of the story. It is purely an attempt to cash in on a known title and create merchandising. The next time I go to the store, I fear that I will see Underdog toys, pajamas, towels, sheets, clothing, etc. McDonalds and Burger King probably fought over the kid's meal rights for this.<br /><br />The worst part of this movie, however, is the soundtrack. THEY DO THE UNDERDOG THEME SONG TO RAP (read that with a silent "C" at the beginning)! Great, now that we are going to destroy something, let's go all the way.<br /><br />I knew that it would probably be bad before I went. My fears were confirmed when I arrived at my local 12 plex and found that they opened it for the first day and first showing in their smallest auditorium (and one of only four without stadium seating). Even the theatre people knew it was going to be garbage! Save your money on the tickets and invest it better by going out and buying the original series on DVD. It will be more entertaining and have better production values.
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test_4877
pending
fd85b901-a0bc-4eff-a465-dd963aa1f4fd
When I heard Disney had the rights to "Underdog",I figured at the very least it would be a cool Pixar partnership affair,and we'd get a great Adults & Kids film like "The Incredibles". Alas...I forgot how Disney must dumb down classic material for today's dumbed down youth. What were they thinking? "Underdog" was a product of the 60's,your Prime Fanbase is in their 40's and 50's,why would you refocus it to 5 year olds? It should have been done ala "Roger Rabbit",half animated half real. Instead we get characters like Riff Raff ( a WOLF!! ) dumbed into another dog."Underdog" can't have an "energy pill",as we're now so "enlightened" it would obviously be a steroid or drugs reference.The only good casting was Patrick Warburton as "Cad" because he actually sorta resembles the cartoon version. Otherwise,old school "Underdog" fans should avoid this like the plague it is. What next? A live action version of "The Go-Go Gophers" disguised as a re-visionist history lesson? ( My advanced apologies if Disney jumps on this! )
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test_4878
pending
1b186f0c-6b93-4aa6-a365-ec28934367c9
And now for another point of view: I didn't like it. I didn't finish it in fact. I know that "Unforgiven" is ranked by some as one of the greatest Westerns ever made. I know that it stars and was directed by Clint Eastwood, one of the icons of American cinema. I know that it won a bunch of Oscars. Still, I didn't like it. I don't like Westerns, and that's clearly a matter of taste, but I also don't admire Eastwood's acting. He is not and never has been a leading man. He is no Burt Lancaster, no Paul Newman, no John Wayne. In this film alone he is dwarfed by Richard Harris and Gene Hackman; they are both actors. No, Eastwood is a tall guy with a reedy voice who usually plays tough guys. Here he plays a retired tough guy. When I see him on screen, I see a man laboring at his acting. Then there's the anti-Western Western plot. It is too obviously intended to inject contemporary values -- a respect for the role of women, blacks, native Americans, and single parents; a disrespect for violence and drinking; the wholesomeness that comes with marriage, including interracial marriage, and small adorable children -- into a century in which those values weren't necessarily accepted, at least in these ways. By promoting those values, the movie comes across as mannered, if not preachy. Then there are the hoary movie stereotypes -- prostitutes with hearts of gold, the kid who can't shoot straight, the city slicker new to the wild West, the sage brush shimmering on a summer afternoon with a musical accompaniment in major chords. Finally there is the pacing of Eastwood's direction. I gave up after an hour. Eastwood was still riding north, chatting with Morgan Freeman and the kid who couldn't shoot straight, sixty minutes after the plot driven by the slashing of a prostitute was set in motion. It was way too slow. Somebody had to find these elements uncompelling. I am afraid it was me.
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test_4879
pending
d0354856-647b-4a51-a546-e7299eb0448d
Unforgiven is Clint Eastwoods last tribute to the once great west. But whilst i thought this was going to be good and raise the bar for future westerns to come i was sadly mistaken. Unforgiven, though simple in plot it falls flat on characters and emotions and i would certainly say that Unforgiven is Eastwoods worst film to date. Eastwoods himself seems too old to play the part of acting and directing which also adds a downfall to the overall look of the film.<br /><br />All the characters seem rushed and ragged around the edges especially Eastwoods character. The acting doesn't seem to flow and contribute to what the characters are feeling. The direction is poorly misled by quirky shots. So overall Unforgiven is not Eastwoods best and by far one of the worst westerns around.
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test_4880
pending
770c32e8-799f-4112-813d-f9e4cb1ac00d
This movie was an all around uninspiring film. It was a non-moving story that definitely does not get you thinking anything other then where is all the strong moving material the other critics say about the film The 3 main actors are good, and there is a few laughs but once again it becomes another movie that you keep watching in hopes of it getting better and it just doesn't. I watched this movie last night and wished that we hadn't wasted our precious time (while baby is sleeping) watching this film. <br /><br />I plan not to recommend this to my family and friends, as well as obviously anyone looking to rent it. I was pretty much non-impressed with everything about this film.
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test_4881
pending
d218a946-2037-439c-8340-5eb901e40167
I started watching this because I was looking for a nice 'background' comedy for my Sunday morning. Then I noticed that this was going to be a road-movie and I decided to actually watch this.<br /><br />First 15 minutes were awful, but I wanted to give this a chance, because I never judge a movie without watching it throughly. Then things started to get little better. This seemed like a nice road-movie about friendship.. But then the movie started to get horrible predictable cliché-twists and when the movie was over it left you feeling like you had wasted your time. Did this have anything to say? Why did they even make a movie like this? And I wasn't expecting a modern Citizen Kane, but still, I have several ideas how this movie could have been improved.<br /><br />So take my piece of advice; leave this alone and go watch a real road-movie. There are many of those. I won't make the directors of those movies seem bad by putting their names on this review.<br /><br />1/10
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test_4882
pending
2bcfc67c-1c06-44dc-b1aa-4bbdb7f662ad
Now that's it's 2008, who really has a care in the world about a guy like DB Sweeney, even back then he wasn't a big deal.<br /><br />Two Tickets to Paradise is an outlined story that's well and true where three friends hit the road under each of their personal circumstances. Again, a proved plot. The problem with this film, other than it's 'so bad it's compelling' title, is the script.<br /><br />Cliché after cliché three guys do the same things you've seen in every other road movie... and blow up vanna white's house.<br /><br />John C. McGinley's acting job is superb, especially compared to that of the late DB Sweeney's. (His career is dead, hence the late. though i hear he's moving to TV, good for him). Also, John C likely has the least awful character in the film.<br /><br />The score is so generic it actually feels like you're watching a third rate film from 1993, or Jeff Anderson's movie Now You Know (also set me back a few years, but at least that was more entertaining.) I mean, yah, i guess i enjoyed parts of it. But, the nerdy guy is annoying, DB tries to be this cool failed guitar player (with some rough influences, like some of the worst of classic rock) who has some strange relationship with a stripper, and John C is a gambler who's wife and kid leave him after the death of his father as well as a visit from one of his bookie's henchmen.<br /><br />I keep thinking up ways to make this movie better. But i think burning the script would have been a healthy start.<br /><br />But, as i've hinted this whole time, it's not the worst movie ever. And any chance i have to see McGinley in a starring role, i'll take it. Hopefully he starts getting some better projects.
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test_4883
pending
dc7c6b81-596e-43ba-818e-b52a5eb1826e
I love the Jurassic Park movies, they are three of my all time favorite movies.<br /><br />And I hate this game, if there was one game I wish I never own for the Super Nintendo was this one.<br /><br />How can a game based on a classic movie be just too awful? And to make it worst, I was scare of this game when I was a kid.<br /><br />How dumb was that but then again I was a kid when this game was first out.<br /><br />The game play in this game is just odd. One minute it's a action game and then it's a shooter. What in the world is wrong with making up your mind when making a video game.<br /><br />The Sound in the game is just terrible to listen.<br /><br />The music is just too sick to listen to.<br /><br />The Controllers in the game don't work most of the time.<br /><br />Jurassic Park the game is just a waste of time and money and won't be a classic.<br /><br />Avoid at all cost
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test_4884
pending
d2792393-91eb-4afb-8d0c-9e3856e6aa8a
Back in 1993 Sega released a dull, lackluster video game of one of the biggest films of all time. Quickly realizing their mistake they hashed out a different version of the game, claiming it would be bigger, tougher and better.<br /><br />Neither were. Both were slow, boring games.<br /><br />You can choose to be either Dr. Alan Grant or...a Raptor. Both have their problems. Why would Dr. Grant go around killing all those army guys (just what are they doing in the game)? And why a Raptor be killing other Raptors? Weird.<br /><br />Obviously not learning from their first mistake Sega really dropped the ball on the original release and the so-called Rampage Edition. One of the slowest, sluggish and dullest platformers I have ever played.
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test_4885
pending
b5e11fe4-9de8-4da6-884b-039366ef397c
I saw the trailers of this movie and found the cinematography and what was presented interesting. I saw the IMDb rating and 6.8 confirmed it to be an above average movie. Thus went to see it.<br /><br />The story is about Mandy Lane (Amber Heard) – a beautiful girl in high school who is a subject of male sexual desire. Mandy's friend Emmet's (Michael Welch) provocation to another fellow student to show his love for Mandy, leaves the fellow student drunk and jump down to death. Nine months pass and Mandy is invited for a summer weekend to a secluded ranch by her teenager friends – three girls and three boys go there! There is a security guard Garth (Anson Mount) who works at the ranch. During the first night itself the killings take place – one by one the members of the group are killed. Who is behind the killings? I wont tell here to spoil sports… Did I like the movie? NO. After usual interesting opening – the movie takes a downward turn with every unfolding of event. By half-time when the killer is revealed, one looses all interest in the remaining proceedings. There is a last twist in the tale to shock viewers, but rather it made me shake the head in dis-belief and laugh! All this for suspense? Huh…! Amber Heard acts and plays her role well as a shy and conscious girl – who is aware of her beauty and men's desire for her. The remaining cast are usual – nothing to say about. There are so many movies made of teenager boys and girls going to a secluded place and slowly someone killing them one by one – that it does not interest me anymore.<br /><br />Director Jonathan Levine tries hard to make the movie interesting by using contemporary chat talks of teenagers, loaded with sexual overtones, but does not allow the movie to rise above the mundane.<br /><br />The only and the most appealing saving grace of the movie is its cinematography by Darren Genet – who captures beautiful picture perfect images! (Stars 3 out of 10)
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test_4886
pending
9cc76b0b-e80d-449b-8c57-368f15072ae2
I finished watching Mandy Lane about an hour ago, and felt the urge to come straight home and get up here to warn anyone that's about to spend money on the DVD - DON'T.<br /><br />The supporting characters are shallow, the failure of acting is higher than that of Matthew McConaughey movies, and up until the end twist, the plot is everything but obvious. In nine out of ten, you can see the next scene coming 5 minutes before it starts. The whole movie is more or less without motive or message, and the half-way revealing of "the murderer" just plain out kills what little interest you might have left at that point. What could have saved this shallow, tedious movie is some decent splatter, or at least gore worthy of the genre "Slasher" - It fails there as well.<br /><br />If you need a background movie to a party that you can jump in and out of without missing anything, I recommend buying All The Boys Love Mandy Lane.<br /><br />If you're looking to sit down and actually concentrate your eyes on the screen for more than 15 seconds, I don't.
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test_4887
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df48fb10-a020-4f40-82e4-b750bc994cb8
How could this get a 6.0 rating? Are we as horror fans so used to horror films being so utterly bad these days, that when one comes along that has some, and i repeat 'only some', redeeming quality's, we get much too excited and give a rating that is just a wee bit too high? The director has a certain visual flair. No doubt about that. But in between some decent shots he forgot a good story, mood or scares. It had a very slow first act, lazy killing scene's, annoying and flat characters and a very stupid and very unbelievable twist. And what's with the portrayal of American teenagers in so many of these kinds of films? Do they always have to be this stupid, irritating and so godd#mn superficial. I don't remember teens being like this when i grew up here in Holland. All things considered, in can't give this film anything more that a 4 out of 10 rating.
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test_4888
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c1c433f1-62fa-4537-b370-f899e74c479e
All the boys seem to be sexually aroused by Mandy Lane. All the girls seem to be jealous of Mandy Lane. But, nothing seems to become of it, and this viewer wonders why? Mandy is beautiful and a magnet to every boy she meets, but we never get to know Mandy or any of the characters in the film. Mandy accepts an invitation, from her student friends, to go to a secluded ranch. Three boys and three girls drink and drug. In the film, the teenagers drink booze like its water, and take drugs to experience a psychedelic trip. And, there is absolutely no sex. In the meantime, the teenagers disappear one by one. But, the others are all drunk and high. Nobody, including those watching the film, cares or is at all concerned. Nobody, including the audience, seems to give a damn. Emmet, a fellow student, is the instigator of the entire event. There is a security guard, Garth (dashingly and handsomely played by Anson Mount), who guards and protects the ranch. Midway through the film, the killer is revealed, the tension is suddenly released like air let out of a balloon. The events are completely predictable, and the film just completely fizzles out. Mandy meets her match, but we don't ever know why--and, at the end of the film, there is still no sex. Does Mandy hypnotize the boys, or does she simply bore all of the boys and girls to their deaths? This absolutely-confused viewer can only conclude that Mandy wishes to get rid of the female and male competition--by killing off the manipulative girls and the nasty boys.<br /><br />Is Mandy worth all of the attention? The director (Jonathan Levine) seems to think so, but this viewer does not. The able cinematographer (Darren Genet) provides some stunning images but, in fact, his focus seems to be on Garth, who is quite the stud. Not all of the boys love Mandy, or do they? If you want to be bored enough to find out how this film winds up, my advice is to sleep midway through film, until you see the temptress Mandy and Garth's bulging crotch. But, don't wait for anything to happen. Yep, you guessed it. Mandy remains a virgin, and there's still no sex. I rank this film a 3 out of 10, but not because of Mandy. Why? Because all of the girls love Garth, and all voyeuristic eyes seem to be on Garth in a compromising position. But unfortunately, girls and boys, this film never seems to get beyond a disappointing and incomplete sexual fantasy. Mandy goes to a secluded ranch, and nothing sexual ever happens. The audience is led to horror on a ranch--and cannot help, but wonder why?
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test_4889
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f6078cf9-ba01-4ac4-9d7e-ab7d0e9be923
I was only cautiously enthusiast when renting "All the boys love Mandy Lane", as I instantly remembered hearing & reading a wide variety of opinions – both positive and negative – in the short period of time between its brief cinematic release and the distribution towards videostore shelves. Supposedly this was the most ingenious and refreshing new horror film in years, with non-stereotypical teen characters and unpredictable plot twists for a change. Okay, the basic concept may perhaps sound reasonably innovative but inevitably the screenplay quickly reverts to the same old and irritating slasher clichés, and once passed that point even the nifty stylistic trademarks can't save the film from dreadful mediocrity. The opening sequences are indeed terrific and literally bath in a moodily melancholic ambiance, which actually makes it all the more painful to witness the film sink towards the "ordinary" level of rudimentary slasher flick. After the sublime intro, showcasing a drunk macho kid miscalculate his jump off a rooftop in order to impress the titular beauty, "All the Boys Love Mandy Lane" turns out to be just another textbook and uninspired horror movie about a bunch of idiotic kids getting stoned and horny on a secluded ranch before getting killed off by a not-so-unidentified maniac. The film's entire pretentious set-up collapses faster than a ramshackle house of cards: we never get a proper explanation why Mandy herself behaves so frigid and haughty towards all her admirers (because she grew up an orphan, perhaps? Oh, boo-hoo), the boys soon enough illustrate they'd settle for sex with any random bimbo and not exclusively with the "divine" Mandy and the final twist – albeit undeniably offbeat – is just plain senseless. The middle section of is rather boring and doesn't even offer any genuinely horrific excitement (shotgun killings? Please!) or authentic rancid sleaze. My generous rating 4 out of 10 entirely goes to the grainy and unsettling 70's filming style (with faded colors, bizarre but beautiful photographic images…) and the surprisingly marvelous soundtrack. Director Jonathan Levine opted for the classic Bobby Vinton song "Sealed with a Kiss" to play during the trailer and end-credits, whereas I initially was convinced the film would inevitably feature Barry Manilow's cheesy love-song "Mandy".
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test_4890
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33694028-3db6-47a3-b886-b30b6b0f24bf
I read about this film on-line and after seeing the generally positive reviews it has received, and viewing the trailer, I decided to check it out for myself. What a disappointment! It starts out well enough. the opening scene was actually pretty tense, but from there it's all downhill. I can see that the filmmakers were trying to do something different with this movie, but by doing so, they took all the enjoyment out of watching it. Those choices combined with the "C.S.I" editing, use of music and montage, lack of suspense, scares, or humor really drag this film down. There's too much foreshadowing and to many "subtle" clues, so when the first twist arrives early on, you already know how the movie is going to end. I gave the movie three stars because I think the cast did a good job, other than that I can't recommend this movie.
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test_4891
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f4d7b435-5ca3-4fb6-987f-d444fde76874
Looking at these reviews and seeing all these high ratings leave me to believe that large amounts of red corn syrup will please just about any brain dead idiot. This movie is beyond useless. All the cliché's of a slasher film without any substance. I am sure I could go in to details about the movie but why bother when you can sum it up? Obviously everyone wants Mandy Lane and she apparently wants none of the guys. Throughout the movie you will see this.<br /><br />When she stops being friends to the typical boy trapped in friend-zone loser, he goes ballistic and when she goes on a road trip to the middle of no where (of course) he begins to hunt them one by one. Sounds decent so far right? But what made this movie suck beyond belief is when you find out that not only is her loser friend the killer but she is as well.. The plan was beyond ridiculous. Lets together kill all our friends and then kill each other. They give no reason why they wanted to do this and given Mandy Lane's "Goody Too Shoes" demeanor it makes you scratch your head even more as to what is actually motivating these characters to do anything they are doing. It's sad.. this movie had lots of potential but the director or writer apparently can't relate to the audience in anyway.
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test_4892
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a380896a-4f24-45f4-9f3f-fbe899109eb7
Think of this film as fan service, a wet dream for the slasher genre admirer. We start off with a gory prologue which is pretty much unrelated to the rest of the film. Flash forward nine months and the real meat of the plot begins: The virginal Mandy Lane is coveted by every jock and nerd in her school, and gets invited to spend a weekend at a ranch by three guys who think they can get lucky, and two bimbos obsessed with their weight and boob size. So.. you have a bunch of young students in a house in the middle of nowhere on a dark night, who want to do nothing but have sex, do drugs and drink booze. The only other company is a hunky ranch-hand who may or may not be suffering from Gulf War Syndrome. Hmm... potential future suspect maybe?<br /><br />So as you're probably ascertained by now, all the house-guests end up being slaughtered in a variety of bloody ways, and for a change the black man ISN'T the first to die. There are some conventions that still hold up though, like the scantily clad babe being chased by a car in a field. Or the lights going out mysteriously in the evening as our 'heroes' unwisely separate to tackle the problem. Even down to the so-called shocking twist at the end, the movie is like an old 80's horror updated for the noughties, and on this score it succeeds.<br /><br />Unfortunately, it also inherits a lot of the problems of the films of that era too, namely the paper-thin characters and the predictability of the whole enterprise. People get cut up, shot, bludgeoned etc but because of their innate hatefulness to the audience and stupidity in getting themselves in these situations, it's hard to care as the bodies stack up. Someone gets murdered, one of their friends goes out to look for them alone, BANG they're brown bread. Rinse, then repeat. Maybe one day we'll get a screenplay with plausible, intelligent, likable characters who make rational decisions but still end up being outwitted by a genius killer. Until then, we have to tolerate teenagers with the I.Q of pond-life being picked off by a deranged hoodie. Oh well.. 4/10
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test_4893
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866c2001-5c7b-443f-acf6-72227f05b3ae
I am a German student so sorry for eventually mistakes (I'm working on it ;) )<br /><br />The stylistic very interesting converted and with effective sound effects accentuated platitudinous action of the drama deflect in no way from the horrible bad actors (insincere and unnatural moves and expressions of feelings) and makes so the relatively weird and senseless story less better. Just the typical slasher-genre with in this case very odd action. Many by-plays destroy partly the main story and let the viewers up to the end into the dark, create weirdness and let surmise the senses of actions and the point mere hazily. For sure its an hit for slasher-fans but not for me. But although the interesting style of cinematography and adeptly use of light is turned out well.<br /><br />So not the best one...
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test_4894
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d1b61451-7806-41c1-9f98-38e028a91c56
With my two stars I will probably make it to the head of the IMDb „hated it"-list for this apparently tremendously popular TV series.<br /><br />Not least because of the enthusiastic comments on this website, I decided to purchase a DVD edition of the series. Because I usually find British humour suits me just fine. I gave up in the middle of the second instalment – and according to other comments the „funniest" bits were already through.<br /><br />So now I know, according to another comment, that I definitely lack a sense of humour. But then I had to laugh like crazy while watching (and re-watching) Fawlty Towers to which Black Books is – albeit faintly – thematically related. Why the different reactions? It might be a mere Generation Thing, and yet the differences can be pointed out.<br /><br />Both Fawlty Towers and Black Books are set in businesses which are meant to sustain their owners financially. Both businesses are not successful but seem – by a miracle – to survive. Fawlty Towers is funny because the protagonists have to deal with situations they cannot cope with. The funniness lies in the fact that they make a serious effort to succeed and while laughing one also feels sorry for them. Black Books has no situations, it's just there and the owner passes his time feeling sorry for himself. If a situation threatens to arise, it is quickly shooed away. It is remarkable how fast and how often a subject is dropped and the protagonists turn to something entirely different to produce an additional joke. Telling jokes – and not very good ones - seems to be all Black Books is about. Why a bookstore? A hardware store would have done the job just as well. <br /><br />No, stop, wait. It's a bookshop because below the veneer of rudeness, vulgarity and arrogance the protagonists are supposed to be delicate and CULTURED. They are not some lowbrow gorillas but bumbling semi-intellectual losers. Hey, they are like you and me. The manner in which the series makes that claim is the only way I can explain its success. There is nothing remarkable in the protagonist's actions, what's special about them is their economically unrealistic living conditions many viewers maybe envy them for. That protagonists that narcissistic and vapid convey a sense of belonging and companionship seems to be a trademark of the time the First World is presently living in.<br /><br />Recently I watched Tittybangbang, also a fairly new British TV comedy show. I found it uproariously funny. It is often quite tasteless or xenophobic – but always with a purpose and hitting the bull's eye in its social criticism. The humour is mainly created by situations or by characters with a purpose. The low ratings in IMDb might indicate that this brand of humour is not in keeping with the times, but I am glad it's still alive and kicking and hope it will continue to do so.
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test_4895
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cb8c4ac3-d400-474b-9f40-f26a6864f6fe
It's dreadful rubbish. I liked 'How Do You Want Me', 'Father Ted', 'Green Wing' and Bill Bailey's standup act but I file this with 'Hippies' and 'Planets Of The Apes' (the re-imagining) under 'Great Pedigree, went badly wrong'. My guess is that it appeals to the same people who like 'Withnail and I'. It's overwritten but to little end, a luvvie-ish air pervades it and Bernard Black is simply a less camp Withnail. And I thought it was self-indulgent even *before* Dylan Moran became the writer. But the set up raidiates such comic potential that for the first 2 episiodes I didn't even notice that it wasn't in the slightest bit chortle-worthy.<br /><br />The things they are saying/doing *should* be funny but somehow they don't manage to register as more than mildly amusing or "I can see how someone writing this down might have thought that this would be funny". What I am trying to say is that the situations/remarks are mildly humorous and yet too mundane/gentle/self-consciously surreal to be worth creating for and depicting in a sitcom. <br /><br />Life is too short. Avoid.
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test_4896
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e7bd6c40-7cf2-4bc0-bd48-261e8ba5a339
From the point of budget 2.5m CAD isn't very much when you look at the animatronics, puppetry in this film, that alone being the reason for the 9 week shoot. I was really keen to see this film and had hoped to catch it when it came out, instead got it on DVD recently. My main problem is it's just not funny at all, it's better than Tenacious D which hasn't got a funny bone in it's body. But this was a truly disappointing film.<br /><br />Trevor Matthews is a very strong physically performer, but his acting sucks! Rachel Skarsten gives what is possibly one of the most irritating and none funny performances I have ever seen. The only really BIG star in this is David Scott who's artwork for the monsters is fab! His special effects work is the main reason this film is worth watching, loved the Cyclops and Troll and and the Prof Monster was straight out of the Henson library.<br /><br />If you watch this it won't be the biggest waste of time, but if you are looking to see this for a great Horror Comedy Romp... Don't bother.
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test_4897
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ea05d568-90d3-4175-ac39-59bf520c1a3f
I've seen many horror, splatter, monster movies in my life. And of course also a lot of monster movies from the 50's and 60's. When I first stumbled over this one I thought this is from the 60's until I recognized it's from 2007.<br /><br />In fact the character of Jack Brook is interesting and the acting all in all is for a splatter movie quite good, but.... I expected a splatter movie and not a drama story about a aggressive plummer. The movie runs 80 Mminutes and I think the first kill is after 65 minutes. Although it takes hours to explain the story the reason where are the monsters come from takes at least 3 minutes... the we have another 20 minutes boring dialogue and finally a, in my opinion, not that well managed splatter sequence. Although we have Robert Englund starring here I only recommend this one to real hardcore horror fans.
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test_4898
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9fe60dff-6345-46ba-8711-deae76efd655
Jack Brooks (Trevor Matthews) is a college student with some severe anger issues. His family was brutally murdered when he was a child by a monster, and now he takes out his anger on everything and everyone.<br /><br />So when his professor (Robert Englund) begins to show signs of monsterism, he learns he has to control his rage and use it for good instead of evil, and fight the creatures that have been haunting his nightmares ever since that fateful night.<br /><br />Truly earns its B-rated rating, but what was cool about it was that it didn't focus on crappy B-rated CGI graphics. In fact, 0% of the film was CGI. The monsters were actually decently put together, and although the storyline was lacking, it was somewhat watchable...if for only one time.
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test_4899
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aad5ae16-41b7-4998-9e12-5f7e7c4fc296
it's embarrassing I had like 3 minutes on my way to a job to stop at the video store and it was 2 for 1 night and I was really intrigued by the half nekkid pic of the 'star'. <br /><br />I guess this film shows what the new york film school and sir daddy's fortune - judging by the bio of this clown in the lead - can do for you and you and you cause that's about what we have here and in addition a photoshopped pic of the lead "actor" with someone else's body in a still image that doesn't happen anywhere in the movie. it's weird cause in so many ways it had money thrown at it obviously low budget money buckets but from the outset when all the extras are laughing in their scene of terror it doesn't bode well would have maybe had some charm if it had been done for 2 cents! in short order I skipped scenes and fast forwarded to see the image on the box that was all I really cared about. strange, why don't I just rent a porno or something? but wow there is bad acting that's funny I guess and bad acting that's just bad. robert englund is pretty pathetic in this along with everyone else. it does make you appreciate the more not so straight to video horror that's out there. . . blah most of which I wouldn't bother with. shoulda watched uh hellraiser 3 if I wanted to see an 8 pack! I would imagine horny old gay guys with 2 minutes in the video store are going to be the principle renters of this and they ought to start a class action suit!
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