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The following year saw the release of Andain's second single, "Beautiful Things", which since became the band's biggest hit and signature song. Being released and promoted as a remix by Gabriel & Dresden, the song made its first appearance on Tiësto's compilation album "Nyana", eventually spawning a single. With enthusiastic reception from the club music scene, it has since become recognised as the band's signature track, spawning several remixes from Black Hole over the years. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 1 |
The following year saw the release of Andain's second single, "Beautiful Things", which since became the band's biggest hit and signature song. Being released and promoted as a remix by Gabriel & Dresden, the song made its first appearance on Tiësto's compilation album "Nyana", eventually spawning a single. With enthusiastic reception from the club music scene, it has since become recognised as the band's signature track, spawning several remixes from Black Hole over the years. | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 0 |
While the sound of Andain would appear to be promoted as club oriented, a batch of leaked demos, namely "Time", "Get Up", "Make Me", "Ave Maria", and "You Once Told Me", would reveal a more experimental style of electronica with fusions of acoustic elements. As the leak would denote, the band was planning to record a full-length album, that was initially scheduled for a release in 2003. Meanwhile, "Beautiful Things" earned a nomination for Best Progressive / Trance under the Winter Music Conference 2004, with also Andain being nominated for Best New Dance Group. The year was also marked by a less prominent release from the band, with the track "Here is the House", a cover of Depeche Mode, presented on the compilation album "Bloom" by Gabriel & Dresden. | While no further news were published about the status of the anticipated album, an announcement from July 2005 stated that Andain was working on new material. However, due to high demands from other projects, the group suspended in 2006. | 1 |
While the sound of Andain would appear to be promoted as club oriented, a batch of leaked demos, namely "Time", "Get Up", "Make Me", "Ave Maria", and "You Once Told Me", would reveal a more experimental style of electronica with fusions of acoustic elements. As the leak would denote, the band was planning to record a full-length album, that was initially scheduled for a release in 2003. Meanwhile, "Beautiful Things" earned a nomination for Best Progressive / Trance under the Winter Music Conference 2004, with also Andain being nominated for Best New Dance Group. The year was also marked by a less prominent release from the band, with the track "Here is the House", a cover of Depeche Mode, presented on the compilation album "Bloom" by Gabriel & Dresden. | Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | 0 |
While no further news were published about the status of the anticipated album, an announcement from July 2005 stated that Andain was working on new material. However, due to high demands from other projects, the group suspended in 2006. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 1 |
While no further news were published about the status of the anticipated album, an announcement from July 2005 stated that Andain was working on new material. However, due to high demands from other projects, the group suspended in 2006. | Andain was a San Francisco-based electronic music duo, originally formed in 2000. They broke through in 2002 after being discovered by DJ Tiësto, reaching clubbers worldwide with their singles "Summer Calling" in 2002 and "Beautiful Things" in 2003. The band members initially included producer Josh Gabriel, singer and songwriter Mavie Marcos, and guitarist David Penner, before the group disbanded in 2006. Andain returned again in 2011 as Josh and Mavie, making their comeback with the single "Promises". The successive year saw the release of the band's first and only full-length album, on September 12, 2012, following a year of touring and performing. Andain was eventually concluded in 2014. | 0 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | 1 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 1 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | The following year saw the release of Andain's second single, "Beautiful Things", which since became the band's biggest hit and signature song. Being released and promoted as a remix by Gabriel & Dresden, the song made its first appearance on Tiësto's compilation album "Nyana", eventually spawning a single. With enthusiastic reception from the club music scene, it has since become recognised as the band's signature track, spawning several remixes from Black Hole over the years. | 0 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | 1 |
Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | 1 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | 0 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | 1 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | Andain:1951653 | 0 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | 1 |
After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 0 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | 1 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 0 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | 1 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | The following year saw the release of Andain's second single, "Beautiful Things", which since became the band's biggest hit and signature song. Being released and promoted as a remix by Gabriel & Dresden, the song made its first appearance on Tiësto's compilation album "Nyana", eventually spawning a single. With enthusiastic reception from the club music scene, it has since become recognised as the band's signature track, spawning several remixes from Black Hole over the years. | 0 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | 1 |
As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 0 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | 1 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | 0 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | 1 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | 0 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 1 |
While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | While no further news were published about the status of the anticipated album, an announcement from July 2005 stated that Andain was working on new material. However, due to high demands from other projects, the group suspended in 2006. | 0 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | 1 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 1 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | 0 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | 1 |
On August 10, 2012, the anticipated album was officially announced on Andain's Facebook page. Titled "You Once Told Me", the record was finally released on September 24, 2012, featuring 11 tracks. Among the tracks, the album also featured new versions of the previously leaked "Ave Maria" and "You Once Told Me", while the exclusive iTunes LP Deluxe Version of the album housed another 8 additional bonus tracks, including the original version of "Summer Calling", and "Beautiful Things" in its classic club interpretation by Gabriel & Dresden. | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | 1 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 1 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 0 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | While the album was still being prepared for release, "Turn Up the Sound" was selected to make an official appearance. As the third single taken from the album, the song made its debut as a three track remix EP on June 18, 2012, while the album version followed two weeks later, on July 2, 2012, along with additional remixes. Incidentally, the production of the song had been rewritten since the leak in 2009, with exception of the last part of the song, which preserved its original club oriented composition. | 1 |
Succeeding the release of "You Once Told Me", the album also spawned two additional singles. First out, "What's It's Like" was released on December 31, 2012, as an 8 track remix EP. In spite of the song's soft-rock nature, the remix EP sported a set of club mixes, lastly complemented by the album version. As the album's title track, "You Once Told Me" followed along one year later, released on December 16, 2013. The remix EP sported 6 tracks, featuring five trance remixes along with the album version, concluding the fifth single taken from the album. | Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | 0 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | Andain would eventually reform in 2007 as Mavie and Josh, and the intent was set to create a new album. Two years later, an interview with Josh by Trance.nu would reveal the word of their next single, "Promises" – although, no word of an estimated release date was mentioned at the time. Nevertheless, the word of Andain began to stir into motion again, further supported by the leak of a new demo, "Turn Up the Sound". | 1 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | Andain was a San Francisco-based electronic music duo, originally formed in 2000. They broke through in 2002 after being discovered by DJ Tiësto, reaching clubbers worldwide with their singles "Summer Calling" in 2002 and "Beautiful Things" in 2003. The band members initially included producer Josh Gabriel, singer and songwriter Mavie Marcos, and guitarist David Penner, before the group disbanded in 2006. Andain returned again in 2011 as Josh and Mavie, making their comeback with the single "Promises". The successive year saw the release of the band's first and only full-length album, on September 12, 2012, following a year of touring and performing. Andain was eventually concluded in 2014. | 0 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | After four years in the making, Andain's new album was handed in to the label in early April, 2011. Subsequently, with "Promises" getting closer to an official release, the single was given support by some of the most recognized DJs of the EDM scene, being promoted with remixes by the likes of Gabriel & Dresden and Mÿon & Shane 54. Eventually, the album version debuted with the official music video on June 1, 2011, while the single followed on June 6, 2011. | 1 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 0 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | As the second single from the upcoming album, "Much Too Much" was released on January 30, 2012, while the official music video followed on February 2, 2012. The single was later succeeded by a three track remix EP on February 27, 2012, and a standalone remix by Mike Shiver on April 23, 2012. | 1 |
According to the band's website, the members have moved on to new projects, including a solo career for Mavie. | Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | 0 |
Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | 1 |
Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | While the sound of Andain would appear to be promoted as club oriented, a batch of leaked demos, namely "Time", "Get Up", "Make Me", "Ave Maria", and "You Once Told Me", would reveal a more experimental style of electronica with fusions of acoustic elements. As the leak would denote, the band was planning to record a full-length album, that was initially scheduled for a release in 2003. Meanwhile, "Beautiful Things" earned a nomination for Best Progressive / Trance under the Winter Music Conference 2004, with also Andain being nominated for Best New Dance Group. The year was also marked by a less prominent release from the band, with the track "Here is the House", a cover of Depeche Mode, presented on the compilation album "Bloom" by Gabriel & Dresden. | 0 |
With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | 1 |
With "Promises" creating a stir as the comeback song for Andain in 2011, the band received another nomination for the International Dance Music Awards 2012. The song received two nominations under the categories Best Trance Track and Best Chillout / Lounge Track. However, as a song in the downtempo genre, no specific remix had been reported for the first category. | Andain began as an experimental electronica group in 2000, making their breakthrough in 2002 with the song "Summer Calling", after getting attention from Tiësto and signing with Black Hole. This eventually lead to the production of a club remix by Josh Gabriel, which was then promoted on Tiësto's compilation album "", to later be released as a 12" single with the B-side "Gabriel & Dresden Remix". | 0 |
Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | Following the success of their single "Beautiful Things", Andain earned a nomination for International Dance Music Awards in 2004, with the song being selected for the category Best Progressive / Trance. Simultaneously, the band itself was also nominated for Best New Dance Group. "Beautiful Things" would eventually also reward a trophy, as Andain was chosen to receive the Sunset Music Awards in 2010, during the Polish Sunrise Festival. | 1 |
Andain also earned a nomination for the International Dance Music Awards 2013, this time with another entry in the category Best Chillout / Lounge Track, honoring Zetandel's remix of "Much Too Much", taken from the initial release of the 2012 single. | Andain was a San Francisco-based electronic music duo, originally formed in 2000. They broke through in 2002 after being discovered by DJ Tiësto, reaching clubbers worldwide with their singles "Summer Calling" in 2002 and "Beautiful Things" in 2003. The band members initially included producer Josh Gabriel, singer and songwriter Mavie Marcos, and guitarist David Penner, before the group disbanded in 2006. Andain returned again in 2011 as Josh and Mavie, making their comeback with the single "Promises". The successive year saw the release of the band's first and only full-length album, on September 12, 2012, following a year of touring and performing. Andain was eventually concluded in 2014. | 0 |
Romero attended Dartmouth College, Hanover, New Hampshire and studied under Varujan Boghosian and Frank Moss. He briefly attended the Institute of American Indian Arts. At the University Of New Mexico in Albuquerque, Romero earned his MFA Degree in printmaking. At the School for Advanced Research, he furthered his painting techniques as a Dubin Fellow in 2002. In 2008, he was chosen to be the SWAIA Indian Market poster artist. | Romero's work was part of "Stretching the Canvas: Eight Decades of Native Painting" (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center in New York. | 1 |
Romero attended Dartmouth College, Hanover, New Hampshire and studied under Varujan Boghosian and Frank Moss. He briefly attended the Institute of American Indian Arts. At the University Of New Mexico in Albuquerque, Romero earned his MFA Degree in printmaking. At the School for Advanced Research, he furthered his painting techniques as a Dubin Fellow in 2002. In 2008, he was chosen to be the SWAIA Indian Market poster artist. | Mateo Romero (born 1966) is a Native American painter. He was born in Berkeley, California, and is a member of the Cochiti Pueblo. | 0 |
Mateo began painting narrative scenes providing social commentary on contemporary Pueblo life. Subject matter for his paintings falls into four categories: "Addictions," "Indian Gaming," "Bonnie and Clyde," and "Voices at Wounded Knee," according to writer Gregory Schaaf, PhD. He moved towards mixed media and began working with historical photographs his "Dancers" series, which employs a technique he personally invented that incorporates asphalt into the surface. | Romero attended Dartmouth College, Hanover, New Hampshire and studied under Varujan Boghosian and Frank Moss. He briefly attended the Institute of American Indian Arts. At the University Of New Mexico in Albuquerque, Romero earned his MFA Degree in printmaking. At the School for Advanced Research, he furthered his painting techniques as a Dubin Fellow in 2002. In 2008, he was chosen to be the SWAIA Indian Market poster artist. | 1 |
Mateo began painting narrative scenes providing social commentary on contemporary Pueblo life. Subject matter for his paintings falls into four categories: "Addictions," "Indian Gaming," "Bonnie and Clyde," and "Voices at Wounded Knee," according to writer Gregory Schaaf, PhD. He moved towards mixed media and began working with historical photographs his "Dancers" series, which employs a technique he personally invented that incorporates asphalt into the surface. | Mateo Romero was born on December 9, 1966. His father, Santiago Romero was a Southern Keresan Cochiti artist. His mother is Nellie Guth, a European-American. His father's mother, Teresita Chavez Romero, was a traditional ceramicist, known for her seated clay figurines and functional jars or "ollas". Mateo's Indian name is "He-tse-tewa" or "War Shield." | 0 |
Romero's work was part of "Stretching the Canvas: Eight Decades of Native Painting" (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center in New York. | Romero attended Dartmouth College, Hanover, New Hampshire and studied under Varujan Boghosian and Frank Moss. He briefly attended the Institute of American Indian Arts. At the University Of New Mexico in Albuquerque, Romero earned his MFA Degree in printmaking. At the School for Advanced Research, he furthered his painting techniques as a Dubin Fellow in 2002. In 2008, he was chosen to be the SWAIA Indian Market poster artist. | 1 |
Romero's work was part of "Stretching the Canvas: Eight Decades of Native Painting" (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center in New York. | Mateo Romero was born on December 9, 1966. His father, Santiago Romero was a Southern Keresan Cochiti artist. His mother is Nellie Guth, a European-American. His father's mother, Teresita Chavez Romero, was a traditional ceramicist, known for her seated clay figurines and functional jars or "ollas". Mateo's Indian name is "He-tse-tewa" or "War Shield." | 0 |
Italian Democratic Socialists:788711 | The Italian Democratic Socialists (, SDI) were a social-democratic political party in Italy. The party was the direct continuation of the Italian Socialists, the legal successor of the historical Italian Socialist Party. Also the Italian Democratic Socialist Party, the other long-time Italian social-democratic party, was merged into it. | 1 |
Italian Democratic Socialists:788711 | The SDI were founded in 1998 by the merger of the Italian Socialists (Enrico Boselli, Roberto Villetti and Ottaviano Del Turco), the Italian Democratic Socialist Party (Gian Franco Schietroma and Giorgio Carta), a portion of the Labour Federation, a portion of the Socialist Party (Ugo Intini) and the Socialist League (Claudio Martelli and Bobo Craxi). | 0 |
The Italian Democratic Socialists (, SDI) were a social-democratic political party in Italy. The party was the direct continuation of the Italian Socialists, the legal successor of the historical Italian Socialist Party. Also the Italian Democratic Socialist Party, the other long-time Italian social-democratic party, was merged into it. | The party's long-time leader was Enrico Boselli, a former President of Emilia-Romagna (1990–1993). | 1 |
The Italian Democratic Socialists (, SDI) were a social-democratic political party in Italy. The party was the direct continuation of the Italian Socialists, the legal successor of the historical Italian Socialist Party. Also the Italian Democratic Socialist Party, the other long-time Italian social-democratic party, was merged into it. | In their first appearance on the national stage, the 1999 European Parliament election, the SDI won 2.2% of the votes and two MEPs. In December 1999, the SDI formed a short-lived centrist alliance (The Clover) with the Union for the Republic and Italian Republican Party, which was responsible for the fall of the D'Alema I Cabinet in December 1999. | 0 |
The party's long-time leader was Enrico Boselli, a former President of Emilia-Romagna (1990–1993). | In 2007 the SDI were merged with other descendants of the PSI to form the modern-day Italian Socialist Party. | 1 |
The party's long-time leader was Enrico Boselli, a former President of Emilia-Romagna (1990–1993). | In their first appearance on the national stage, the 1999 European Parliament election, the SDI won 2.2% of the votes and two MEPs. In December 1999, the SDI formed a short-lived centrist alliance (The Clover) with the Union for the Republic and Italian Republican Party, which was responsible for the fall of the D'Alema I Cabinet in December 1999. | 0 |
In 2007 the SDI were merged with other descendants of the PSI to form the modern-day Italian Socialist Party. | The party's long-time leader was Enrico Boselli, a former President of Emilia-Romagna (1990–1993). | 1 |
In 2007 the SDI were merged with other descendants of the PSI to form the modern-day Italian Socialist Party. | In April 2007, during a party convention, Boselli launched the proposal of a "Socialist Constituent Assembly", open to all the Italian social democrats and especially to the remnants of the old Italian Socialist Party, while Ottaviano Del Turco supported the entry of the SDI in the Democratic Party (PD). Boselli was re-elected secretary of the party with 784 votes out of 787 and only 3 abstentions. In May Del Turco and his faction left and formed the Reformist Alliance, which would merge into the PD. | 0 |
The SDI were founded in 1998 by the merger of the Italian Socialists (Enrico Boselli, Roberto Villetti and Ottaviano Del Turco), the Italian Democratic Socialist Party (Gian Franco Schietroma and Giorgio Carta), a portion of the Labour Federation, a portion of the Socialist Party (Ugo Intini) and the Socialist League (Claudio Martelli and Bobo Craxi). | In the 2004 European Parliament election two SDI MEPs were elected on the United in the Olive Tree ticket. | 1 |
The SDI were founded in 1998 by the merger of the Italian Socialists (Enrico Boselli, Roberto Villetti and Ottaviano Del Turco), the Italian Democratic Socialist Party (Gian Franco Schietroma and Giorgio Carta), a portion of the Labour Federation, a portion of the Socialist Party (Ugo Intini) and the Socialist League (Claudio Martelli and Bobo Craxi). | The party's long-time leader was Enrico Boselli, a former President of Emilia-Romagna (1990–1993). | 0 |
In their first appearance on the national stage, the 1999 European Parliament election, the SDI won 2.2% of the votes and two MEPs. In December 1999, the SDI formed a short-lived centrist alliance (The Clover) with the Union for the Republic and Italian Republican Party, which was responsible for the fall of the D'Alema I Cabinet in December 1999. | The SDI re-entered The Olive Tree coalition and in 2000 they were originally touted for inclusion in the Democracy is Freedom – The Daisy joint list, before being rejected by the Christian-inspired parties of the alliance, notably including the Italian People's Party. For the 2001 general election the SDI thus formed an unusual alliance (The Sunflower) with the Federation of the Greens, which was disbanded soon after the election, due to political divergences and ultimately to the disappointing electoral result: 2.2% of the vote, while the two parties' combined result in 1999 had been 4.0%. | 1 |
In their first appearance on the national stage, the 1999 European Parliament election, the SDI won 2.2% of the votes and two MEPs. In December 1999, the SDI formed a short-lived centrist alliance (The Clover) with the Union for the Republic and Italian Republican Party, which was responsible for the fall of the D'Alema I Cabinet in December 1999. | However, several groups, including a large portion of the New Italian Socialist Party, The Italian Socialists, Democracy and Socialism and the Association for the Rose in the Fist, decided to join forces with the SDI. This happened on 5 October 2007, when they were merged into a unified Socialist Party, later renamed Italian Socialist Party on 7 October 2009 to recall the historical party of the same name. The new party obtained 1.0% of the vote and no seats in Parliament in the 2008 general election. | 0 |
The SDI re-entered The Olive Tree coalition and in 2000 they were originally touted for inclusion in the Democracy is Freedom – The Daisy joint list, before being rejected by the Christian-inspired parties of the alliance, notably including the Italian People's Party. For the 2001 general election the SDI thus formed an unusual alliance (The Sunflower) with the Federation of the Greens, which was disbanded soon after the election, due to political divergences and ultimately to the disappointing electoral result: 2.2% of the vote, while the two parties' combined result in 1999 had been 4.0%. | In their first appearance on the national stage, the 1999 European Parliament election, the SDI won 2.2% of the votes and two MEPs. In December 1999, the SDI formed a short-lived centrist alliance (The Clover) with the Union for the Republic and Italian Republican Party, which was responsible for the fall of the D'Alema I Cabinet in December 1999. | 1 |
The SDI re-entered The Olive Tree coalition and in 2000 they were originally touted for inclusion in the Democracy is Freedom – The Daisy joint list, before being rejected by the Christian-inspired parties of the alliance, notably including the Italian People's Party. For the 2001 general election the SDI thus formed an unusual alliance (The Sunflower) with the Federation of the Greens, which was disbanded soon after the election, due to political divergences and ultimately to the disappointing electoral result: 2.2% of the vote, while the two parties' combined result in 1999 had been 4.0%. | In the 2006 general election the RnP list won only 2.6% of the vote, much less than the combination of the two parties before the alliance, as the Radicals lost voters in their strongholds in the North to Forza Italia, while the Socialists lost ground in the South to The Olive Tree parties (see electoral results of the Rose in the Fist). | 0 |
In the 2004 European Parliament election two SDI MEPs were elected on the United in the Olive Tree ticket. | The SDI re-entered The Olive Tree coalition and in 2000 they were originally touted for inclusion in the Democracy is Freedom – The Daisy joint list, before being rejected by the Christian-inspired parties of the alliance, notably including the Italian People's Party. For the 2001 general election the SDI thus formed an unusual alliance (The Sunflower) with the Federation of the Greens, which was disbanded soon after the election, due to political divergences and ultimately to the disappointing electoral result: 2.2% of the vote, while the two parties' combined result in 1999 had been 4.0%. | 1 |
In the 2004 European Parliament election two SDI MEPs were elected on the United in the Olive Tree ticket. | In 2001 Claudio Martelli and Bobo Craxi left the party in order to form, along with Gianni De Michelis, the New Italian Socialist Party (NPSI), which joined the House of Freedoms centre-right coalition, while in 2004 Giorgio Carta left to re-establish the Italian Democratic Socialist Party. | 0 |
In 2001 Claudio Martelli and Bobo Craxi left the party in order to form, along with Gianni De Michelis, the New Italian Socialist Party (NPSI), which joined the House of Freedoms centre-right coalition, while in 2004 Giorgio Carta left to re-establish the Italian Democratic Socialist Party. | In the 2006 general election the RnP list won only 2.6% of the vote, much less than the combination of the two parties before the alliance, as the Radicals lost voters in their strongholds in the North to Forza Italia, while the Socialists lost ground in the South to The Olive Tree parties (see electoral results of the Rose in the Fist). | 1 |
In 2001 Claudio Martelli and Bobo Craxi left the party in order to form, along with Gianni De Michelis, the New Italian Socialist Party (NPSI), which joined the House of Freedoms centre-right coalition, while in 2004 Giorgio Carta left to re-establish the Italian Democratic Socialist Party. | The SDI were founded in 1998 by the merger of the Italian Socialists (Enrico Boselli, Roberto Villetti and Ottaviano Del Turco), the Italian Democratic Socialist Party (Gian Franco Schietroma and Giorgio Carta), a portion of the Labour Federation, a portion of the Socialist Party (Ugo Intini) and the Socialist League (Claudio Martelli and Bobo Craxi). | 0 |
In 2005 the SDI entered in alliance with the Italian Radicals, a liberal–libertarian party, forming the Rose in the Fist (RnP) electoral list. In 2006 Socialist Unity of Claudio Signorile joined the SDI, while some members of NPSI, as Donato Robilotta, founded the Reformist Socialists and directly joined the Rose in the Fist. | In the 2006 general election the RnP list won only 2.6% of the vote, much less than the combination of the two parties before the alliance, as the Radicals lost voters in their strongholds in the North to Forza Italia, while the Socialists lost ground in the South to The Olive Tree parties (see electoral results of the Rose in the Fist). | 1 |
In 2005 the SDI entered in alliance with the Italian Radicals, a liberal–libertarian party, forming the Rose in the Fist (RnP) electoral list. In 2006 Socialist Unity of Claudio Signorile joined the SDI, while some members of NPSI, as Donato Robilotta, founded the Reformist Socialists and directly joined the Rose in the Fist. | However, several groups, including a large portion of the New Italian Socialist Party, The Italian Socialists, Democracy and Socialism and the Association for the Rose in the Fist, decided to join forces with the SDI. This happened on 5 October 2007, when they were merged into a unified Socialist Party, later renamed Italian Socialist Party on 7 October 2009 to recall the historical party of the same name. The new party obtained 1.0% of the vote and no seats in Parliament in the 2008 general election. | 0 |
In the 2006 general election the RnP list won only 2.6% of the vote, much less than the combination of the two parties before the alliance, as the Radicals lost voters in their strongholds in the North to Forza Italia, while the Socialists lost ground in the South to The Olive Tree parties (see electoral results of the Rose in the Fist). | In 2005 the SDI entered in alliance with the Italian Radicals, a liberal–libertarian party, forming the Rose in the Fist (RnP) electoral list. In 2006 Socialist Unity of Claudio Signorile joined the SDI, while some members of NPSI, as Donato Robilotta, founded the Reformist Socialists and directly joined the Rose in the Fist. | 1 |
In the 2006 general election the RnP list won only 2.6% of the vote, much less than the combination of the two parties before the alliance, as the Radicals lost voters in their strongholds in the North to Forza Italia, while the Socialists lost ground in the South to The Olive Tree parties (see electoral results of the Rose in the Fist). | The Italian Democratic Socialists (, SDI) were a social-democratic political party in Italy. The party was the direct continuation of the Italian Socialists, the legal successor of the historical Italian Socialist Party. Also the Italian Democratic Socialist Party, the other long-time Italian social-democratic party, was merged into it. | 0 |
Throughout several centuries the lands of modern Belarus and the Republic of Lithuania were both parts of the Grand Duchy of Lithuania. Therefore, the history of Belarusian Jews is closely related to the history of Jews in Lithuania and historically they could be seen as a subset of Lithuanian Jews. | While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | 1 |
Throughout several centuries the lands of modern Belarus and the Republic of Lithuania were both parts of the Grand Duchy of Lithuania. Therefore, the history of Belarusian Jews is closely related to the history of Jews in Lithuania and historically they could be seen as a subset of Lithuanian Jews. | Upon annexation of Belarusian lands, Russian czars included the territory into the so-called Pale of Settlement, a western border region of Imperial Russia in which the permanent residence of Jews was allowed. Though comprising only 20% of the territory of European Russia, the Pale corresponded to the historical borders of the Polish–Lithuanian Commonwealth and included much of present-day Belarus, Republic of Lithuania, Poland, Moldova, Ukraine, and parts of western Russia. | 0 |
Throughout several centuries the lands of modern Belarus and the Republic of Lithuania were both parts of the Grand Duchy of Lithuania. Therefore, the history of Belarusian Jews is closely related to the history of Jews in Lithuania and historically they could be seen as a subset of Lithuanian Jews. | The origin of Belarusian Jews has been the subject of much speculation. It is believed that they were made up of two distinct streams of Jewish immigration. The older and significantly smaller of the two entered the territory that would later become the Grand Duchy of Lithuania from the east. These early immigrants spoke Judeo-Slavic dialects which distinguished them from the later Jewish immigrants who entered the region from the Germanic lands. | 1 |
Throughout several centuries the lands of modern Belarus and the Republic of Lithuania were both parts of the Grand Duchy of Lithuania. Therefore, the history of Belarusian Jews is closely related to the history of Jews in Lithuania and historically they could be seen as a subset of Lithuanian Jews. | The fury of the 1648–1657 Cossack rebellion in the Polish–Lithuanian Commonwealth destroyed the organization of the Jewish communities in Belarus. The survivors who returned to their old homes in the latter half of the 17th century were practically destitute. The wars which raged constantly in the Lithuanian territory brought ruin to the entire country and deprived the Jews of the opportunity to earn more than a bare livelihood. The intensity of their struggle for existence left them no time to reestablish the conditions which had existed up to 1648. John Casimir (1648–1668) sought to ameliorate their condition by granting various concessions to the Jewish communities of Lithuania. Attempts to return to the old order in the communal organization were not wanting, as is evident from contemporary documents. Thus in 1672, Jewish elders from various towns and villages in the Grand Duchy of Lithuania secured a charter from King Michał Korybut Wiśniowiecki (1669–1673), decreeing "that on account of the increasing number of Jews guilty of offenses against the "Szlachta" and other Christians, which result in the enmity of the Christians toward the Jews, and because of the inability of the Jewish elders to punish such offenders, who are protected by the lords, the king permits the "kahals" to summon the criminals before the Jewish courts for punishment and exclusion from the community when necessary." The efforts to resurrect the old power of the "kahals" were not successful. The impoverished Jewish merchants, having no capital of their own, were compelled to borrow money from the nobility, from churches, congregations, monasteries, and various religious orders. Loans from the latter were usually for an unlimited period and were secured by mortgages on the real estate of the "kahal". The "kahals" thus became hopelessly indebted to the clergy and the nobility. | 0 |
As early as the 8th century Jews lived in parts of the lands of modern Belarus. Beginning with that period they conducted the trade between Ruthenia, Lithuania, and the Baltic, especially with Danzig, Julin (Vineta or Wollin, in Pomerania), and other cities on the Vistula, Oder, and Elbe. | While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | 1 |
As early as the 8th century Jews lived in parts of the lands of modern Belarus. Beginning with that period they conducted the trade between Ruthenia, Lithuania, and the Baltic, especially with Danzig, Julin (Vineta or Wollin, in Pomerania), and other cities on the Vistula, Oder, and Elbe. | During the first years of Soviet occupation of Belarus, Jews were able to get managing positions in the country. For some time in the 1920s, Yiddish was an official language in East Belarus along with Belarusian, Polish and Russian. Yakov Gamarnik, a Ukrainian Jew, was First Secretary of the Communist Party of Belorussia (i.e. the de facto head of state) from December 1928 to October 1929. However, the Soviet policy later turned against the Jews (see "Stalin's antisemitism"). | 0 |
As early as the 8th century Jews lived in parts of the lands of modern Belarus. Beginning with that period they conducted the trade between Ruthenia, Lithuania, and the Baltic, especially with Danzig, Julin (Vineta or Wollin, in Pomerania), and other cities on the Vistula, Oder, and Elbe. | Some of the cities which later became the important centers of Jewish life in Belarus were at first mere villages. Hrodna, one of the oldest, was first mentioned in the chronicles of 1128. Navahrudak was founded somewhat later by Yaroslav I the Wise; Kerlov in 1250; Voruta and Twiremet in 1252; Eiragola in 1262; Halshany and Kowno in 1280; Lida, Telšiai, Vilna and Troki in 1320. | 1 |
As early as the 8th century Jews lived in parts of the lands of modern Belarus. Beginning with that period they conducted the trade between Ruthenia, Lithuania, and the Baltic, especially with Danzig, Julin (Vineta or Wollin, in Pomerania), and other cities on the Vistula, Oder, and Elbe. | Hence when the favorable moment arrived, the Lithuanian nobility endeavored to secure greater power over the Jews. At the Diet of Vilna in 1551 the nobility urged the imposition of a special polltax of one "ducat" per head, and the Volhynian nobles demanded that the Jewish tax-collectors be forbidden to erect tollhouses or place guards at the taverns on their estates. | 0 |
The origin of Belarusian Jews has been the subject of much speculation. It is believed that they were made up of two distinct streams of Jewish immigration. The older and significantly smaller of the two entered the territory that would later become the Grand Duchy of Lithuania from the east. These early immigrants spoke Judeo-Slavic dialects which distinguished them from the later Jewish immigrants who entered the region from the Germanic lands. | The peculiar conditions that prevailed in Belarus compelled the first Jewish settlers to adopt a different mode of life from that followed by their western ethnic brethren. At that time there were no cities in the western sense of the word in Belarus, no "Magdeburg Rights" or close guilds at that time. | 1 |
The origin of Belarusian Jews has been the subject of much speculation. It is believed that they were made up of two distinct streams of Jewish immigration. The older and significantly smaller of the two entered the territory that would later become the Grand Duchy of Lithuania from the east. These early immigrants spoke Judeo-Slavic dialects which distinguished them from the later Jewish immigrants who entered the region from the Germanic lands. | Atrocities against the Jewish population in the German-conquered areas began almost immediately, with the dispatch of "Einsatzgruppen" (task groups) to round up Jews and shoot them. Local anti-semites were encouraged to carry out their own pogroms. By the end of 1941, there were more than 5,000 troops devoted to rounding up and killing Jews. The gradual industrialization of killing led to adoption of the Final Solution and the establishment of the Operation Reinhard extermination camps: the machinery of the Holocaust. Of the Soviet Jews who were killed in the Holocaust, 246,000 Jews were Belarusian: some 66% of the total number of Belarusian Jews. | 0 |
The origin of Belarusian Jews has been the subject of much speculation. It is believed that they were made up of two distinct streams of Jewish immigration. The older and significantly smaller of the two entered the territory that would later become the Grand Duchy of Lithuania from the east. These early immigrants spoke Judeo-Slavic dialects which distinguished them from the later Jewish immigrants who entered the region from the Germanic lands. | While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | 1 |
The origin of Belarusian Jews has been the subject of much speculation. It is believed that they were made up of two distinct streams of Jewish immigration. The older and significantly smaller of the two entered the territory that would later become the Grand Duchy of Lithuania from the east. These early immigrants spoke Judeo-Slavic dialects which distinguished them from the later Jewish immigrants who entered the region from the Germanic lands. | Jewish political organizations, including the General Jewish Labour Bund, participated in the creation of the Belarusian People's Republic in 1918. | 0 |
While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | As early as the 8th century Jews lived in parts of the lands of modern Belarus. Beginning with that period they conducted the trade between Ruthenia, Lithuania, and the Baltic, especially with Danzig, Julin (Vineta or Wollin, in Pomerania), and other cities on the Vistula, Oder, and Elbe. | 1 |
While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | Hence when the favorable moment arrived, the Lithuanian nobility endeavored to secure greater power over the Jews. At the Diet of Vilna in 1551 the nobility urged the imposition of a special polltax of one "ducat" per head, and the Volhynian nobles demanded that the Jewish tax-collectors be forbidden to erect tollhouses or place guards at the taverns on their estates. | 0 |
While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | The peculiar conditions that prevailed in Belarus compelled the first Jewish settlers to adopt a different mode of life from that followed by their western ethnic brethren. At that time there were no cities in the western sense of the word in Belarus, no "Magdeburg Rights" or close guilds at that time. | 1 |
While the origin of these eastern Jews is not certain, historical evidence places Jewish refugees from Babylonia, Palestine, the Byzantine Empire and other Jewish refugees and settlers in the lands between the Baltic and Black Seas that would become part of the Grand Duchy of Lithuania. The later and much larger stream of immigration originated in the 12th century and received an impetus from the persecution of the German Jews by the Crusaders. The traditional language of the vast majority of Lithuanian Jews, Yiddish, is based largely upon the Medieval German and Hebrew spoken by the western Germanic Jewish immigrants. | Hence when the favorable moment arrived, the Lithuanian nobility endeavored to secure greater power over the Jews. At the Diet of Vilna in 1551 the nobility urged the imposition of a special polltax of one "ducat" per head, and the Volhynian nobles demanded that the Jewish tax-collectors be forbidden to erect tollhouses or place guards at the taverns on their estates. | 0 |
The peculiar conditions that prevailed in Belarus compelled the first Jewish settlers to adopt a different mode of life from that followed by their western ethnic brethren. At that time there were no cities in the western sense of the word in Belarus, no "Magdeburg Rights" or close guilds at that time. | Throughout several centuries the lands of modern Belarus and the Republic of Lithuania were both parts of the Grand Duchy of Lithuania. Therefore, the history of Belarusian Jews is closely related to the history of Jews in Lithuania and historically they could be seen as a subset of Lithuanian Jews. | 1 |
The peculiar conditions that prevailed in Belarus compelled the first Jewish settlers to adopt a different mode of life from that followed by their western ethnic brethren. At that time there were no cities in the western sense of the word in Belarus, no "Magdeburg Rights" or close guilds at that time. | The charter itself was modeled upon similar documents granted by Casimir the Great, and earlier by Boleslaw of Kalisz, to the Jews in Poland in 1084. Under the charter, the Jews of the Grand Duchy of Lithuania formed a class of freemen subject in all criminal cases directly to the jurisdiction of the grand duke and his official representatives, and in petty suits to the jurisdiction of local officials on an equal footing with the lesser nobles ("szlachta"), "boyars", and other free citizens. The official representatives of the grand duke were the elder ("starosta"), known as the "Jewish judge" ("judex Judæorum"), and his deputy. The Jewish judge decided all cases between Christians and Jews and all criminal suits in which Jews were concerned; in civil suits, however, he acted only on the application of the interested parties. Either party who failed to obey the judge's summons had to pay him a fine. To him also belonged all fines collected from Jews for minor offenses. His duties included the guardianship of the persons, property, and freedom of worship of the Jews. He had no right to summon any one to his court except upon the complaint of an interested party. In matters of religion the Jews were given extensive autonomy. | 0 |
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