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Surrealist humour is predominantly approached in cinema where the suspension of disbelief can be stretched to absurd lengths by logically following the consequences of unlikely, reversed or exaggerated premises. Luis Buñuel is a principal exponent of this, especially in "The Exterminating Angel". It is a prominent feature in the television and cinematic work of the British comedy troupe Monty Python (1969–2015). Other examples include "The Falls" by Peter Greenaway and "Brazil" by Terry Gilliam. | Surreal humour is also found frequently in avant-garde theatre such as "Waiting for Godot" and "Rosencrantz & Guildenstern Are Dead". In the United States, S. J. Perelman (1904–1979) has been identified as the first surrealist humour writer. | 1 |
Surrealist humour is predominantly approached in cinema where the suspension of disbelief can be stretched to absurd lengths by logically following the consequences of unlikely, reversed or exaggerated premises. Luis Buñuel is a principal exponent of this, especially in "The Exterminating Angel". It is a prominent feature in the television and cinematic work of the British comedy troupe Monty Python (1969–2015). Other examples include "The Falls" by Peter Greenaway and "Brazil" by Terry Gilliam. | In the early 20th century, several avant-garde movements, including the dadaists, surrealists, and futurists began to argue for an art that was random, jarring and illogical. The goals of these movements were in some sense serious, and they were committed to undermining the solemnity and self-satisfaction of the contemporary artistic . As a result, much of their art was intentionally amusing. | 0 |
Pearce was born in New York City, the only child of Margaret Clark and Robert E. Pearce. Her father was a foreign banking specialist, and her family moved to Europe when she was 18 months old. They lived in Brussels, Antwerp, Rome, and Paris. At age nine, she fell off a swing after losing her grip and landed on her chin. This left her with an undeveloped chin. She returned to the United States as a teenager, and boarded at the Masters School in Dobbs Ferry, New York. She graduated from Sarah Lawrence College in 1940, with a degree in drama. | She began working in nightclubs as a comedian and was cast in the original Broadway production of "On the Town" (1944–1946). Gene Kelly was so impressed by her that she became the only cast member to be included in the film version in 1949. Her comedic performance was well received by critics and public alike, and she was given her own television variety show, "The Alice Pearce Show". More movie roles followed, and she made appearances on Broadway, where she met her husband, director Paul Davis, during a production of "Bells Are Ringing". | 1 |
Pearce was born in New York City, the only child of Margaret Clark and Robert E. Pearce. Her father was a foreign banking specialist, and her family moved to Europe when she was 18 months old. They lived in Brussels, Antwerp, Rome, and Paris. At age nine, she fell off a swing after losing her grip and landed on her chin. This left her with an undeveloped chin. She returned to the United States as a teenager, and boarded at the Masters School in Dobbs Ferry, New York. She graduated from Sarah Lawrence College in 1940, with a degree in drama. | Pearce was a good friend of actor and photographer Cris Alexander. When Alexander was working on the illustrations for Patrick Dennis's bestseller "Little Me", he asked Pearce to appear in the work as Winnie, the reform school friend of Belle Poitrine, the biography's subject. She also appeared as several characters in Dennis' and Alexander's later project, "First Lady: My Thirty Days at the White House". | 0 |
She began working in nightclubs as a comedian and was cast in the original Broadway production of "On the Town" (1944–1946). Gene Kelly was so impressed by her that she became the only cast member to be included in the film version in 1949. Her comedic performance was well received by critics and public alike, and she was given her own television variety show, "The Alice Pearce Show". More movie roles followed, and she made appearances on Broadway, where she met her husband, director Paul Davis, during a production of "Bells Are Ringing". | Pearce was born in New York City, the only child of Margaret Clark and Robert E. Pearce. Her father was a foreign banking specialist, and her family moved to Europe when she was 18 months old. They lived in Brussels, Antwerp, Rome, and Paris. At age nine, she fell off a swing after losing her grip and landed on her chin. This left her with an undeveloped chin. She returned to the United States as a teenager, and boarded at the Masters School in Dobbs Ferry, New York. She graduated from Sarah Lawrence College in 1940, with a degree in drama. | 1 |
She began working in nightclubs as a comedian and was cast in the original Broadway production of "On the Town" (1944–1946). Gene Kelly was so impressed by her that she became the only cast member to be included in the film version in 1949. Her comedic performance was well received by critics and public alike, and she was given her own television variety show, "The Alice Pearce Show". More movie roles followed, and she made appearances on Broadway, where she met her husband, director Paul Davis, during a production of "Bells Are Ringing". | Pearce was diagnosed with terminal cancer before "Bewitched" began. She kept her illness a secret, although her rapid weight loss was quite evident during the second season of the sitcom. She died from ovarian cancer toward the end of the second year of "Bewitched" at the age of 48. The last episode Pearce appeared in was titled "Prodigy." It was completed many months before Pearce died, but it aired after her death as the last episode of Season #2. Pearce was cremated and her ashes were scattered at sea. | 0 |
During the 1953–1954 television season, Pearce was seen regularly on ABC's "Jamie", which starred Brandon deWilde. In 1964, Pearce was originally approached to play the part of Grandmama in the ABC television comedy series "The Addams Family". She turned down the part, which went to veteran actress Blossom Rock. In 1964, Pearce joined the cast of "Bewitched" as the nagging and nosy neighbor Gladys Kravitz. Pearce's scenes were almost entirely reactions to the witchcraft she had witnessed at the house across the street. Her hysterical accusations against Samantha, played by Elizabeth Montgomery, and the disbelief of her husband Abner (George Tobias), provided a common thread through many of the series' early episodes. She played the role until her death in 1966, and was replaced by Sandra Gould. Pearce was posthumously awarded an Emmy Award for this role. Her husband accepted the award on her behalf. | She began working in nightclubs as a comedian and was cast in the original Broadway production of "On the Town" (1944–1946). Gene Kelly was so impressed by her that she became the only cast member to be included in the film version in 1949. Her comedic performance was well received by critics and public alike, and she was given her own television variety show, "The Alice Pearce Show". More movie roles followed, and she made appearances on Broadway, where she met her husband, director Paul Davis, during a production of "Bells Are Ringing". | 1 |
During the 1953–1954 television season, Pearce was seen regularly on ABC's "Jamie", which starred Brandon deWilde. In 1964, Pearce was originally approached to play the part of Grandmama in the ABC television comedy series "The Addams Family". She turned down the part, which went to veteran actress Blossom Rock. In 1964, Pearce joined the cast of "Bewitched" as the nagging and nosy neighbor Gladys Kravitz. Pearce's scenes were almost entirely reactions to the witchcraft she had witnessed at the house across the street. Her hysterical accusations against Samantha, played by Elizabeth Montgomery, and the disbelief of her husband Abner (George Tobias), provided a common thread through many of the series' early episodes. She played the role until her death in 1966, and was replaced by Sandra Gould. Pearce was posthumously awarded an Emmy Award for this role. Her husband accepted the award on her behalf. | Pearce was diagnosed with terminal cancer before "Bewitched" began. She kept her illness a secret, although her rapid weight loss was quite evident during the second season of the sitcom. She died from ovarian cancer toward the end of the second year of "Bewitched" at the age of 48. The last episode Pearce appeared in was titled "Prodigy." It was completed many months before Pearce died, but it aired after her death as the last episode of Season #2. Pearce was cremated and her ashes were scattered at sea. | 0 |
During the rapid development of the Four Asian Tigers, the success of the Hong Kong entertainment industry and its TV drama programming served as a major influence for television and entertainment programming in the other rapidly-industrializing Asian nations, most notably Taiwan and South Korea. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 1 |
During the rapid development of the Four Asian Tigers, the success of the Hong Kong entertainment industry and its TV drama programming served as a major influence for television and entertainment programming in the other rapidly-industrializing Asian nations, most notably Taiwan and South Korea. | Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | 0 |
Many of these dramas have become popular throughout East Asia and Southeast Asia. Most popular Taiwanese dramas are also popular in Mainland China, Vietnam, Hong Kong and Macau, Japan, Thailand, Singapore, Malaysia, Indonesia and Philippines. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 1 |
Many of these dramas have become popular throughout East Asia and Southeast Asia. Most popular Taiwanese dramas are also popular in Mainland China, Vietnam, Hong Kong and Macau, Japan, Thailand, Singapore, Malaysia, Indonesia and Philippines. | Taiwanese drama (, T-drama, and TW-drama refer to dramatic programming of television programming extended stories usually dramatizing relationships through the general range of ten to forty one-hour episodes. They are produced in Taiwan and have gained increasing popularity in the Mandarin-speaking community internationally. The term "Taiwanese drama" is applied to Taiwanese miniseries in general, even including those with greater elements of comedy than of drama. | 0 |
Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | Many of these dramas have become popular throughout East Asia and Southeast Asia. Most popular Taiwanese dramas are also popular in Mainland China, Vietnam, Hong Kong and Macau, Japan, Thailand, Singapore, Malaysia, Indonesia and Philippines. | 1 |
Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | 1 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | 1 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | 1 |
Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | Taiwanese drama (, T-drama, and TW-drama refer to dramatic programming of television programming extended stories usually dramatizing relationships through the general range of ten to forty one-hour episodes. They are produced in Taiwan and have gained increasing popularity in the Mandarin-speaking community internationally. The term "Taiwanese drama" is applied to Taiwanese miniseries in general, even including those with greater elements of comedy than of drama. | 0 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | 1 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Taiwanese television drama:8999794 | 0 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | 1 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Many of these dramas have become popular throughout East Asia and Southeast Asia. Most popular Taiwanese dramas are also popular in Mainland China, Vietnam, Hong Kong and Macau, Japan, Thailand, Singapore, Malaysia, Indonesia and Philippines. | 0 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | 1 |
Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | Taiwanese drama (, T-drama, and TW-drama refer to dramatic programming of television programming extended stories usually dramatizing relationships through the general range of ten to forty one-hour episodes. They are produced in Taiwan and have gained increasing popularity in the Mandarin-speaking community internationally. The term "Taiwanese drama" is applied to Taiwanese miniseries in general, even including those with greater elements of comedy than of drama. | 0 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | 1 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | 1 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Taiwanese television drama:8999794 | 0 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | 1 |
Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | Taiwanese television drama:8999794 | 0 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | 1 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | It is common for the actors and actresses in Taiwanese dramas - especially "idol dramas" - to also be pop singers and rock musicians. | 0 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | 1 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | Taiwanese television drama:8999794 | 0 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | 1 |
Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 0 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | 1 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Taiwanese drama (, T-drama, and TW-drama refer to dramatic programming of television programming extended stories usually dramatizing relationships through the general range of ten to forty one-hour episodes. They are produced in Taiwan and have gained increasing popularity in the Mandarin-speaking community internationally. The term "Taiwanese drama" is applied to Taiwanese miniseries in general, even including those with greater elements of comedy than of drama. | 0 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | 1 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Taiwanese drama (, T-drama, and TW-drama refer to dramatic programming of television programming extended stories usually dramatizing relationships through the general range of ten to forty one-hour episodes. They are produced in Taiwan and have gained increasing popularity in the Mandarin-speaking community internationally. The term "Taiwanese drama" is applied to Taiwanese miniseries in general, even including those with greater elements of comedy than of drama. | 0 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | 1 |
Many popular Taiwanese dramas are based on Japanese manga, using shōjo manga in particular although some seinen manga have been made into dramas as well. Some examples include "Meteor Garden" (based on "Hana Yori Dango"), "It Started with a Kiss" (based on "Itazura na Kiss"), "Marmalade Boy", "Peach Girl", and "Love Buffet". In these adaptations, the characters' names are read as Chinese or are changed to more Chinese-sounding names, and of course, the setting is moved to Taiwan. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | 1 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Taiwanese television drama:8999794 | 0 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | 1 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 0 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Popular Taiwanese dramas generally divided into “idol dramas" （偶像劇） and Taiwanese Minnan dramas (台語劇). "Idol dramas" use the most popular singers and actors or actresses in the Taiwanese entertainment industry, most of whom are in their late teens or 20s, regardless of actual acting experience. The idol dramas cater primarily to the teen or 20s age group. The phenomenon started with 2001's "Meteor Garden". | 1 |
Furthermore, the popularity of Hong Kong dramas has resulted in the launch of a TVB affiliate network in the country, TVBS, with the network's entertainment channel sometimes producing local adaptations of popular Hong Kong dramatic programs. | Many of these dramas have become popular throughout East Asia and Southeast Asia. Most popular Taiwanese dramas are also popular in Mainland China, Vietnam, Hong Kong and Macau, Japan, Thailand, Singapore, Malaysia, Indonesia and Philippines. | 0 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Typical subjects can include first teenage experiences with dating. Characters often have some dark secret or painful past that makes it difficult for them to form lasting relationships, and the drama may show characters finding a way to work through their deep personal problems. Love triangles are a common feature. | 1 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 0 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Taiwanese dramas typically focus more on romance than other television dramas. Crime dramas, police dramas, lawyer dramas, and doctor dramas are less common in Taiwan than romantic dramas. Taiwanese dramas tend to have less violence and sexual content than many other soap operas and primetime dramas. | 1 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Taiwanese dramas are typically produced in Mandarin. Less commonly, they may be produced in Taiwanese Hokkien. Commonly characters will speak predominantly in Mandarin, but pepper their speech with Taiwanese. Sometimes characters, usually those playing the parts of parents or relatives coming from more rural and poorer areas, will speak in Taiwanese-accented Mandarin. | 0 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Taiwanese idol dramas share many similarities in genre with both Japanese dramas and Korean dramas, although they differ considerably in subject matter with Chinese dramas. For example, dramas based on nationalist sentiment and politics are much less common. Mainland Chinese dramas also use far more actors and actresses of varying ages. In contrast, the male and female leads and supporting actors in "idol dramas" are all exclusively in their late teens or 20s. | 1 |
Most Taiwanese speak Mandarin but the second common languages are Hakka and Taiwanese Hokkien. | Taiwanese dramas are also well known among expatriate/overseas Asian people. Fan clubs have appeared in other countries outside Taiwan dedicated to the appreciation of Taiwanese drama. Fan clubs also involved several countries in neighbouring Asian nations and elsewhere. | 0 |
Heath, who had not previously been a member of the U.S. national team, won the 100- and 200-meter freestyle events at the 1984 U.S. Olympic trials, and thereby qualified to compete in the two Olympic individual events and for the U.S. relay teams. As a newcomer to the U.S. trials, he made a dramatic statement by setting a new American record in the preliminary heats of the 200-meter freestyle. At the 1984 Summer Olympics in Los Angeles, he won three gold medals and a silver. | After the 1984 Olympics, Heath continued to swim for the U.S. national team, and remained a fixture on the freestyle relay teams. At the 1985 Pan Pacific Championships in Tokyo, gold medalists Scott McCadam, Heath, Paul Wallace and Biondi set a new world record of 3:17.08 in the 4×100-meter freestyle relay. Together with Biondi, Duffy Dillon and Craig Oppel, he won another gold medal in the 4×200-meter freestyle relay (7:17.63). Individually, Heath won a Pan Pacific Championships gold medal in the 200-meter freestyle (1:49.29) by beating Biondi (1:50.19) and Canadian Sandy Goss (1:50.56). He also won a Pan Pacific silver medal in the 100-meter freestyle (50.78), finishing a fraction of a second behind Biondi (50.44). Heath again swam for the U.S. relay teams at the 1986 World Aquatics Championships in Madrid; Tom Jager, Heath, Paul Wallace and Biondi won the 4×100-meter freestyle (3:19.89); and Eric Boyer, Heath, Dan Jorgensen and Biondi placed third in the 4×200-meter freestyle (7:18.29). | 1 |
Heath, who had not previously been a member of the U.S. national team, won the 100- and 200-meter freestyle events at the 1984 U.S. Olympic trials, and thereby qualified to compete in the two Olympic individual events and for the U.S. relay teams. As a newcomer to the U.S. trials, he made a dramatic statement by setting a new American record in the preliminary heats of the 200-meter freestyle. At the 1984 Summer Olympics in Los Angeles, he won three gold medals and a silver. | Heath accepted an athletic scholarship to attend the University of Florida in Gainesville, Florida, where he swam for coach Randy Reese's Florida Gators swimming and diving team in National Collegiate Athletic Association (NCAA) and Southeastern Conference (SEC) competition from 1983 to 1986. He was a member of the Gators' 1983 and 1984 NCAA men's championship teams, as well as four consecutive SEC championships teams. As a Gator swimmer, he won NCAA national titles in the 400-yard freestyle relay (1983), 800-yard freestyle relay (1983, 1984), and 200-yard freestyle (1984), and received nineteen All-American honors. His strong finish swimming the anchor leg for the Gators in the 4×100-yard freestyle relay provided the Gators' winning points in their first NCAA national team championship in 1983. He also won seven SEC titles, and was recognized as the SEC male swimmer of the year in 1983 and 1985. Heath graduated from the University of Florida with a bachelor's degree in exercise and sports science in 1988, and was inducted into the University of Florida Athletic Hall of Fame as a "Gator Great" in 1996. | 0 |
He won his first Olympic gold medal by swimming the lead-off leg in the men's 4×200-meter freestyle relay, and Heath and his American teammates David Larson, Jeff Float and Bruce Hayes set a new world record of 7:15.69, edging the Michael Gross-led West Germans by four one-hundredths (0.04) of a second. He won his second gold medal by helping set another world record of 3:19.03 in the men's 4×100-meter freestyle relay, together with fellow Americans Chris Cavanaugh, Matt Biondi and Rowdy Gaines, finishing sixty-five one-hundredths (0.65) of a second ahead of the second-place Australians. He then earned a third gold medal by swimming for the winning U.S. team in the preliminary heats of the 4×100-meter medley relay. In a word play on the title of the popular 1984 movie "Ghostbusters", American media dubbed Heath and his 4×200-meter relay teammates the "Gross Busters." | Heath, who had not previously been a member of the U.S. national team, won the 100- and 200-meter freestyle events at the 1984 U.S. Olympic trials, and thereby qualified to compete in the two Olympic individual events and for the U.S. relay teams. As a newcomer to the U.S. trials, he made a dramatic statement by setting a new American record in the preliminary heats of the 200-meter freestyle. At the 1984 Summer Olympics in Los Angeles, he won three gold medals and a silver. | 1 |
He won his first Olympic gold medal by swimming the lead-off leg in the men's 4×200-meter freestyle relay, and Heath and his American teammates David Larson, Jeff Float and Bruce Hayes set a new world record of 7:15.69, edging the Michael Gross-led West Germans by four one-hundredths (0.04) of a second. He won his second gold medal by helping set another world record of 3:19.03 in the men's 4×100-meter freestyle relay, together with fellow Americans Chris Cavanaugh, Matt Biondi and Rowdy Gaines, finishing sixty-five one-hundredths (0.65) of a second ahead of the second-place Australians. He then earned a third gold medal by swimming for the winning U.S. team in the preliminary heats of the 4×100-meter medley relay. In a word play on the title of the popular 1984 movie "Ghostbusters", American media dubbed Heath and his 4×200-meter relay teammates the "Gross Busters." | Heath was born in McAllen, Texas. He attended Highland Park High School in University Park, Texas (a Dallas suburb), and competed for the Highland Park High School swim team. In 1980, he set a new Texas state high school record in the boys' 200-yard freestyle (1:37.88); he set a second state record in the event in 1982 (1:37.53), breaking his own previous record in the process. | 0 |
In individual Olympic competition, Heath won a silver medal in the 200-meter freestyle (1:49.10) behind Gross's world record-setting performance (1:47.44). He also placed fourth in the 100-meter freestyle event final (50.41); the outcome was controversial, however, because of a premature starter gun and a quick start by Gaines, the winner. Gaines' coach, Richard Quick, knew of starter Frank Silvestri's propensity to fire the starter gun almost immediately when the swimmers mounted the blocks. Gaines gained about a meter's head start on the competition; video of the event later confirmed that one or more of the swimmers had not been set when the starter gun fired. | He won his first Olympic gold medal by swimming the lead-off leg in the men's 4×200-meter freestyle relay, and Heath and his American teammates David Larson, Jeff Float and Bruce Hayes set a new world record of 7:15.69, edging the Michael Gross-led West Germans by four one-hundredths (0.04) of a second. He won his second gold medal by helping set another world record of 3:19.03 in the men's 4×100-meter freestyle relay, together with fellow Americans Chris Cavanaugh, Matt Biondi and Rowdy Gaines, finishing sixty-five one-hundredths (0.65) of a second ahead of the second-place Australians. He then earned a third gold medal by swimming for the winning U.S. team in the preliminary heats of the 4×100-meter medley relay. In a word play on the title of the popular 1984 movie "Ghostbusters", American media dubbed Heath and his 4×200-meter relay teammates the "Gross Busters." | 1 |
In individual Olympic competition, Heath won a silver medal in the 200-meter freestyle (1:49.10) behind Gross's world record-setting performance (1:47.44). He also placed fourth in the 100-meter freestyle event final (50.41); the outcome was controversial, however, because of a premature starter gun and a quick start by Gaines, the winner. Gaines' coach, Richard Quick, knew of starter Frank Silvestri's propensity to fire the starter gun almost immediately when the swimmers mounted the blocks. Gaines gained about a meter's head start on the competition; video of the event later confirmed that one or more of the swimmers had not been set when the starter gun fired. | Michael Steward Heath (born April 9, 1964) is an American former competition swimmer who specialized in freestyle events. He is a three-time Olympic gold medalist, and a former world record-holder in two relay swimming events. A native of Texas, he won two national collegiate championship competing for the University of Florida. During his elite swimming career, Heath won ten medals in major international championships, including seven golds, two silvers and a bronze, spanning the Olympic Games, FINA World Championships, and Pan Pacific Championships. | 0 |
After the 1984 Olympics, Heath continued to swim for the U.S. national team, and remained a fixture on the freestyle relay teams. At the 1985 Pan Pacific Championships in Tokyo, gold medalists Scott McCadam, Heath, Paul Wallace and Biondi set a new world record of 3:17.08 in the 4×100-meter freestyle relay. Together with Biondi, Duffy Dillon and Craig Oppel, he won another gold medal in the 4×200-meter freestyle relay (7:17.63). Individually, Heath won a Pan Pacific Championships gold medal in the 200-meter freestyle (1:49.29) by beating Biondi (1:50.19) and Canadian Sandy Goss (1:50.56). He also won a Pan Pacific silver medal in the 100-meter freestyle (50.78), finishing a fraction of a second behind Biondi (50.44). Heath again swam for the U.S. relay teams at the 1986 World Aquatics Championships in Madrid; Tom Jager, Heath, Paul Wallace and Biondi won the 4×100-meter freestyle (3:19.89); and Eric Boyer, Heath, Dan Jorgensen and Biondi placed third in the 4×200-meter freestyle (7:18.29). | Heath, who had not previously been a member of the U.S. national team, won the 100- and 200-meter freestyle events at the 1984 U.S. Olympic trials, and thereby qualified to compete in the two Olympic individual events and for the U.S. relay teams. As a newcomer to the U.S. trials, he made a dramatic statement by setting a new American record in the preliminary heats of the 200-meter freestyle. At the 1984 Summer Olympics in Los Angeles, he won three gold medals and a silver. | 1 |
After the 1984 Olympics, Heath continued to swim for the U.S. national team, and remained a fixture on the freestyle relay teams. At the 1985 Pan Pacific Championships in Tokyo, gold medalists Scott McCadam, Heath, Paul Wallace and Biondi set a new world record of 3:17.08 in the 4×100-meter freestyle relay. Together with Biondi, Duffy Dillon and Craig Oppel, he won another gold medal in the 4×200-meter freestyle relay (7:17.63). Individually, Heath won a Pan Pacific Championships gold medal in the 200-meter freestyle (1:49.29) by beating Biondi (1:50.19) and Canadian Sandy Goss (1:50.56). He also won a Pan Pacific silver medal in the 100-meter freestyle (50.78), finishing a fraction of a second behind Biondi (50.44). Heath again swam for the U.S. relay teams at the 1986 World Aquatics Championships in Madrid; Tom Jager, Heath, Paul Wallace and Biondi won the 4×100-meter freestyle (3:19.89); and Eric Boyer, Heath, Dan Jorgensen and Biondi placed third in the 4×200-meter freestyle (7:18.29). | Heath was born in McAllen, Texas. He attended Highland Park High School in University Park, Texas (a Dallas suburb), and competed for the Highland Park High School swim team. In 1980, he set a new Texas state high school record in the boys' 200-yard freestyle (1:37.88); he set a second state record in the event in 1982 (1:37.53), breaking his own previous record in the process. | 0 |
The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | 1 |
The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | Bayside, Wisconsin:151313 | 0 |
The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | 1 |
The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | Two public primary school districts serve Bayside. The Fox Point-Bayside School District serves the eastern part of the village, where students attend Stormonth Elementary and Bayside Middle Schools. The western part of the village is served by the Maple Dale-Indian Hill School District, where students attend Indian Hill Elementary and Maple Dale Middle Schools. Nicolet High School in Glendale serves all students residing in Bayside. | 0 |
In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | 1 |
In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | In the village, the population was spread out, with 23.2% under the age of 18, 3.9% from 18 to 24, 20.0% from 25 to 44, 32.2% from 45 to 64, and 20.6% who were 65 years of age or older. The median age was 46 years. For every 100 females, there were 91.3 males. For every 100 females age 18 and over, there were 88.4 males. | 0 |
In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | 1 |
In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | According to the United States Census Bureau, the village has a total area of , all of it land. Lake Michigan borders the eastern edge of Bayside. Most of the village is in Milwaukee County, but a small portion at the end of Lake Drive bordering Fish Creek is in Ozaukee County. | 0 |
In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | 1 |
In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | According to the United States Census Bureau, the village has a total area of , all of it land. Lake Michigan borders the eastern edge of Bayside. Most of the village is in Milwaukee County, but a small portion at the end of Lake Drive bordering Fish Creek is in Ozaukee County. | 0 |
In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | 1 |
In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | The median age in the village was 48 years. 23.5% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 18.5% were from 25 to 44; 33.6% were from 45 to 64; and 20.8% were 65 years of age or older. The gender makeup of the village was 46.9% male and 53.1% female. | 0 |
In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | The land that became Bayside was originally inhabited by Native Americans, who surrendered their land the United States Federal Government in the 1830s. However, it is possible that the Potawatomi Chief Waubeka maintained a summer camp in Bayside and a winter camp in the Ozaukee County community that bears his name as late as 1845. | 1 |
In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | The median income for a household in the village was $88,982, and the median income for a family was $104,771. Males had a median income of $74,722 versus $41,935 for females. The per capita income for the village was $49,357. About 3.0% of families and 2.9% of the population were below the poverty line, including 3.9% of those under age 18 and 0.7% of those age 65 or over. | 0 |
In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | 1 |
In the 1890s and early 20th century, prominent Milwaukeeans, including Jacob Donges and Frederick Usinger, began to construct summer homes in the "Fairy Chasm" community near Lake Michigan. The Fish Creek Park Company, organized in 1892, was one group that built vacation homes in Ozaukee County portion of what would become Bayside. | The median age in the village was 48 years. 23.5% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 18.5% were from 25 to 44; 33.6% were from 45 to 64; and 20.8% were 65 years of age or older. The gender makeup of the village was 46.9% male and 53.1% female. | 0 |
Bayside grew rapidly during the post-war suburbanization and economic prosperity. Many of the homes in the village were constructed between 1950 and 1980. The village incorporated on February 13, 1953, to prevent annexation by the City of Milwaukee, as happened to other communities in the county, including the Town of Milwaukee and the Town of Granville. In 1955, some of the residents of the Fairy Chasm community in Ozaukee County petitioned to join Bayside. The southern part joined the village, while the northern portion became part of the City of Mequon. | In the 19th century, the community was part of the Town of Milwaukee, and most of the land was used for logging and then farming by the early Dutch-American settlers. | 1 |
Bayside grew rapidly during the post-war suburbanization and economic prosperity. Many of the homes in the village were constructed between 1950 and 1980. The village incorporated on February 13, 1953, to prevent annexation by the City of Milwaukee, as happened to other communities in the county, including the Town of Milwaukee and the Town of Granville. In 1955, some of the residents of the Fairy Chasm community in Ozaukee County petitioned to join Bayside. The southern part joined the village, while the northern portion became part of the City of Mequon. | Two public primary school districts serve Bayside. The Fox Point-Bayside School District serves the eastern part of the village, where students attend Stormonth Elementary and Bayside Middle Schools. The western part of the village is served by the Maple Dale-Indian Hill School District, where students attend Indian Hill Elementary and Maple Dale Middle Schools. Nicolet High School in Glendale serves all students residing in Bayside. | 0 |
Bayside grew rapidly during the post-war suburbanization and economic prosperity. Many of the homes in the village were constructed between 1950 and 1980. The village incorporated on February 13, 1953, to prevent annexation by the City of Milwaukee, as happened to other communities in the county, including the Town of Milwaukee and the Town of Granville. In 1955, some of the residents of the Fairy Chasm community in Ozaukee County petitioned to join Bayside. The southern part joined the village, while the northern portion became part of the City of Mequon. | In 1885, the Uihlein family, which owned the Joseph Schlitz Brewing Company, began purchasing land in Bayside, which became Nine Mile Farm, where the company bred draft horses for the brewery. The Uihlein family also kept chickens and cows on the property, and began reforesting the area around 1910. In 1969, the Schlitz Foundation considered getting rid of the land, which caused a debate in Bayside over whether it should become a public space or private developments. In 1971, the foundation donated the land to the National Audubon Society to create a nature center, which today is the 185-acre Schlitz Audubon Nature Center. | 1 |
Bayside grew rapidly during the post-war suburbanization and economic prosperity. Many of the homes in the village were constructed between 1950 and 1980. The village incorporated on February 13, 1953, to prevent annexation by the City of Milwaukee, as happened to other communities in the county, including the Town of Milwaukee and the Town of Granville. In 1955, some of the residents of the Fairy Chasm community in Ozaukee County petitioned to join Bayside. The southern part joined the village, while the northern portion became part of the City of Mequon. | As of the census of 2010, there were 4,389 people, 1,831 households, and 1,281 families living in the village. The population density was . There were 1,945 housing units at an average density of . The racial makeup of the village was 90.7% White, 3.3% African American, 0.3% Native American, 3.7% Asian, 0.1% Pacific Islander, 0.5% from other races, and 1.4% from two or more races. Hispanic or Latino of any race were 2.8% of the population. | 0 |
As of the census of 2010, there were 4,389 people, 1,831 households, and 1,281 families living in the village. The population density was . There were 1,945 housing units at an average density of . The racial makeup of the village was 90.7% White, 3.3% African American, 0.3% Native American, 3.7% Asian, 0.1% Pacific Islander, 0.5% from other races, and 1.4% from two or more races. Hispanic or Latino of any race were 2.8% of the population. | There were 1,831 households, of which 29.9% had children under the age of 18 living with them, 62.4% were married couples living together, 6.1% had a female householder with no husband present, 1.5% had a male householder with no wife present, and 30.0% were non-families. 26.3% of all households were made up of individuals, and 14.7% had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 2.89. | 1 |
As of the census of 2010, there were 4,389 people, 1,831 households, and 1,281 families living in the village. The population density was . There were 1,945 housing units at an average density of . The racial makeup of the village was 90.7% White, 3.3% African American, 0.3% Native American, 3.7% Asian, 0.1% Pacific Islander, 0.5% from other races, and 1.4% from two or more races. Hispanic or Latino of any race were 2.8% of the population. | Bayside, Wisconsin:151313 | 0 |
There were 1,831 households, of which 29.9% had children under the age of 18 living with them, 62.4% were married couples living together, 6.1% had a female householder with no husband present, 1.5% had a male householder with no wife present, and 30.0% were non-families. 26.3% of all households were made up of individuals, and 14.7% had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 2.89. | The median age in the village was 48 years. 23.5% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 18.5% were from 25 to 44; 33.6% were from 45 to 64; and 20.8% were 65 years of age or older. The gender makeup of the village was 46.9% male and 53.1% female. | 1 |
There were 1,831 households, of which 29.9% had children under the age of 18 living with them, 62.4% were married couples living together, 6.1% had a female householder with no husband present, 1.5% had a male householder with no wife present, and 30.0% were non-families. 26.3% of all households were made up of individuals, and 14.7% had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 2.89. | According to the United States Census Bureau, the village has a total area of , all of it land. Lake Michigan borders the eastern edge of Bayside. Most of the village is in Milwaukee County, but a small portion at the end of Lake Drive bordering Fish Creek is in Ozaukee County. | 0 |
The median age in the village was 48 years. 23.5% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 18.5% were from 25 to 44; 33.6% were from 45 to 64; and 20.8% were 65 years of age or older. The gender makeup of the village was 46.9% male and 53.1% female. | There were 1,831 households, of which 29.9% had children under the age of 18 living with them, 62.4% were married couples living together, 6.1% had a female householder with no husband present, 1.5% had a male householder with no wife present, and 30.0% were non-families. 26.3% of all households were made up of individuals, and 14.7% had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 2.89. | 1 |
The median age in the village was 48 years. 23.5% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 18.5% were from 25 to 44; 33.6% were from 45 to 64; and 20.8% were 65 years of age or older. The gender makeup of the village was 46.9% male and 53.1% female. | The village of Bayside is served by its own police department but contracts out its fire fighting and EMS services to the North Shore Fire Department. | 0 |
As of the census of 2000, there were 4,518 people, 1,769 households, and 1,326 families living in the village. The population density was 1,898.7 people per square mile (732.9/km2). There were 1,834 housing units at an average density of 770.8 per square mile (297.5/km2). The racial makeup of the village was 94.36% White, 2.77% African American, 0.15% Native American, 1.81% Asian, 0.09% Pacific Islander, 0.31% from other races, and 0.51% from two or more races. Hispanic or Latino of any race were 1.70% of the population. | The median income for a household in the village was $88,982, and the median income for a family was $104,771. Males had a median income of $74,722 versus $41,935 for females. The per capita income for the village was $49,357. About 3.0% of families and 2.9% of the population were below the poverty line, including 3.9% of those under age 18 and 0.7% of those age 65 or over. | 1 |
As of the census of 2000, there were 4,518 people, 1,769 households, and 1,326 families living in the village. The population density was 1,898.7 people per square mile (732.9/km2). There were 1,834 housing units at an average density of 770.8 per square mile (297.5/km2). The racial makeup of the village was 94.36% White, 2.77% African American, 0.15% Native American, 1.81% Asian, 0.09% Pacific Islander, 0.31% from other races, and 0.51% from two or more races. Hispanic or Latino of any race were 1.70% of the population. | According to the United States Census Bureau, the village has a total area of , all of it land. Lake Michigan borders the eastern edge of Bayside. Most of the village is in Milwaukee County, but a small portion at the end of Lake Drive bordering Fish Creek is in Ozaukee County. | 0 |
There were 1,769 households, out of which 31.5% had children under the age of 18 living with them, 67.3% were married couples living together, 5.4% had a female householder with no husband present, and 25.0% were non-families. 22.8% of all households were made up of individuals, and 10.5% had someone living alone who was 65 years of age or older. The average household size was 2.46 and the average family size was 2.89. | In the village, the population was spread out, with 23.2% under the age of 18, 3.9% from 18 to 24, 20.0% from 25 to 44, 32.2% from 45 to 64, and 20.6% who were 65 years of age or older. The median age was 46 years. For every 100 females, there were 91.3 males. For every 100 females age 18 and over, there were 88.4 males. | 1 |
There were 1,769 households, out of which 31.5% had children under the age of 18 living with them, 67.3% were married couples living together, 5.4% had a female householder with no husband present, and 25.0% were non-families. 22.8% of all households were made up of individuals, and 10.5% had someone living alone who was 65 years of age or older. The average household size was 2.46 and the average family size was 2.89. | According to the United States Census Bureau, the village has a total area of , all of it land. Lake Michigan borders the eastern edge of Bayside. Most of the village is in Milwaukee County, but a small portion at the end of Lake Drive bordering Fish Creek is in Ozaukee County. | 0 |
In the village, the population was spread out, with 23.2% under the age of 18, 3.9% from 18 to 24, 20.0% from 25 to 44, 32.2% from 45 to 64, and 20.6% who were 65 years of age or older. The median age was 46 years. For every 100 females, there were 91.3 males. For every 100 females age 18 and over, there were 88.4 males. | As of the census of 2000, there were 4,518 people, 1,769 households, and 1,326 families living in the village. The population density was 1,898.7 people per square mile (732.9/km2). There were 1,834 housing units at an average density of 770.8 per square mile (297.5/km2). The racial makeup of the village was 94.36% White, 2.77% African American, 0.15% Native American, 1.81% Asian, 0.09% Pacific Islander, 0.31% from other races, and 0.51% from two or more races. Hispanic or Latino of any race were 1.70% of the population. | 1 |
In the village, the population was spread out, with 23.2% under the age of 18, 3.9% from 18 to 24, 20.0% from 25 to 44, 32.2% from 45 to 64, and 20.6% who were 65 years of age or older. The median age was 46 years. For every 100 females, there were 91.3 males. For every 100 females age 18 and over, there were 88.4 males. | Two public primary school districts serve Bayside. The Fox Point-Bayside School District serves the eastern part of the village, where students attend Stormonth Elementary and Bayside Middle Schools. The western part of the village is served by the Maple Dale-Indian Hill School District, where students attend Indian Hill Elementary and Maple Dale Middle Schools. Nicolet High School in Glendale serves all students residing in Bayside. | 0 |
The median income for a household in the village was $88,982, and the median income for a family was $104,771. Males had a median income of $74,722 versus $41,935 for females. The per capita income for the village was $49,357. About 3.0% of families and 2.9% of the population were below the poverty line, including 3.9% of those under age 18 and 0.7% of those age 65 or over. | There were 1,769 households, out of which 31.5% had children under the age of 18 living with them, 67.3% were married couples living together, 5.4% had a female householder with no husband present, and 25.0% were non-families. 22.8% of all households were made up of individuals, and 10.5% had someone living alone who was 65 years of age or older. The average household size was 2.46 and the average family size was 2.89. | 1 |
The median income for a household in the village was $88,982, and the median income for a family was $104,771. Males had a median income of $74,722 versus $41,935 for females. The per capita income for the village was $49,357. About 3.0% of families and 2.9% of the population were below the poverty line, including 3.9% of those under age 18 and 0.7% of those age 65 or over. | The village of Bayside is served by its own police department but contracts out its fire fighting and EMS services to the North Shore Fire Department. | 0 |
Michael Demiurgos:3350737 | Tom Ellis portrays Michael in the fifth season of the live-action Fox/Netflix series "Lucifer", as the twin brother of Lucifer Morningstar. | 1 |
Michael Demiurgos:3350737 | Michael's power is known to only be matched by his brother Lucifer and surpassed only by God. His greatest power is the Demiurgic power that allows creation out of nothingness that is contained within him. Wielding it Michael was able to defeat his brother Lucifer and banish him from Heaven after his rebellion. The sole limitation on this power is that Michael does not have the ability to give the power shape, thus preventing him from creating. He needs the power of his brother, the Archangel Lucifer to do that. | 0 |
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