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[ { "from": "human", "value": "Write me a song called Feeling Whitney with the following description: On “Feeling Whitney,” Post sings to a light acoustic melody as he expresses the pain he goes through in the belief that he is “the man” when in fact he is having a heavy struggle with his drug addiction. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI've been looking for someone...\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh, ooh\n[Verse 1]\nAnd I've been looking for someone to put up with my bullshit\nI can't even leave my bedroom so I keep it pouring\nAnd I ain't seen the light of day since, well, that's not important, it's been long\nAnd I was feeling Whitney, me and my homies sip the Houston\nCars and clothes, thought I was winnin', you knew I was losing\nYou told me to wake up but my clock always stays on snooze and I'm done\n[Chorus]\nTo each their own and find peace in knowin'\nAin't always broken, but here's to hopin'\nShow no emotion, against your coding\nJust act as hard as you can\nYou don't need a friend\nBoy, you're the man\n[Post-Chorus]\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh, ooh [Verse 2]\nAnd I've been looking for someone that I can buy my drugs from\nIt seems like every plug ran east to Utah, became Mormons\nDrought comes around, feels like I have no one to depend on\nSober, ugh\nI had eighty beers on Tuesday night, I had nothing to do then\nI put on a little Dwight and sang a happy tune\nAnd lit a cigarette, stepped out the door, had an appearance\nDrank more\n[Chorus]\nTo each their own and find peace in knowin'\nAin't always broken, but here's to hopin'\nShow no emotion, against your coding\nJust act as hard as you can\nYou don't need a friend\nBoy, you're the man\n[Post-Chorus]\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh\nOoh, ooh, ooh, ooh, ooh, ooh-ooh, ooh" } ]

[ { "from": "human", "value": "Write me a song called Después De Las 12 with the following description: “Después De Las 12” es la primera canción oficial de Ozuna en el año 2017. Sale como sencillo para su próximo álbum, Odisea (The Album). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAja, (oh oh, baby)\nHi, Doble A & Nales\nLos Presidentes\n[Pre-Coro]\nSe que molesta el sistema\nY la vida que tengo\nLe duele que la movie en alta\nSiempre la mantengo\nDespués de las doce (baby)\nCuando llegó a la disco\nLas babys que ya me conocen\nEn botellas se van veinte mil ya\nDespués de las doce\n[Coro]\nSiempre ready andamo\nDe nadie nos dejamos\nY la formamos, donde queramos\nDespués de las doce (baby)\nCuando llegó a la disco\nLas baby que ya me conocen\nEn botella se van veinte mil ya\nDespués de las doce (Ozuna, Los Presidentes)\nSiempre ready andamo\nDe nadie nos dejamos\nY la formamos, donde queramos\nDespués de las doce [Verso]\nTengo la movie eleva'\nEso es lo que se comenta\nTengo la movie eleva'\nY le estoy parando venta\nA to' esta gente, que se lamenta\nPorque duermo encima de billete de cien\nLas mujeres están bien\nAhora vivimo' bien\nNo me dejo chequear, que inventa\nQue mi cuarenta\nTiene el chipete encendío\nNo force tu pana mio\nQue tengo los morenos activo\nReady pa' hacerte tu lio\nTengo la movie eleva'\nEso es lo que se comenta\nTengo la movie eleva'\nPero tengo para to'a sus ventas\n(Ozuna)\n[Pre-Coro]\nSe que molesta el sistema\nY la vida que tengo\nLe duele que la movie en alta\nSiempre la mantengo\nDespués de las doce (baby)\nCuando llegó a la disco\nLas babys que ya me conocen\nEn botellas se van veinte mil ya\nDespués de las doce [Coro]\nSiempre ready andamo\nDe nadie nos dejamos\nY la formamos, donde queramos\nDespués de las doce (baby)\nCuando llegó a la disco\nLas baby que ya me conocen\nEn botella se van veinte mil ya\nDespués de las doce\nSiempre ready andamo\nDe nadie nos dejamos\nY la formamos, donde queramos\nDespués de las doce\n[Outro]\n(Ha, Ha, Ha)\nOdisea, El Album\nEl Negrito de Ojos Claro\nLos Presidentes\nDoble A & Nales\n(Doble A & Nales)\nDimelo Hi\nControlando a nivel mundial\nDimelo Vi\nReme" } ]

[ { "from": "human", "value": "Write me a song called Bad Bitch with the following description: Check out the official video, complete with cameos from Travi$ Scott, Lil Durk and DJ Khaled. Directed by Eif Rivera, the video suits the song perfectly: Montana flaunts his wealth and obsession with “bad” women.\nhttps://www.youtube.com/watch?v=2yfjYdRWd5E Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: French Montana & \nJeremih\n]\nRemo the Hitmaker\nHaan\nOh, yeah-yeah-yeah\nUh, uh\n (Yeah, yeah, yeah)\nUh, uh\n[Chorus: Jeremih & \nFrench Montana\n]\nGot a good thing goin' with a bad bitch\nYou know who to call when you need it \n(You need it)\nWish I had another you, I'm greedy\nSometimes like that nigga get greedy\nGod damn I fell in love with a bad bitch\nYou know that every time you leave me\nEven though I know how men be talkin'\nI just know that nigga wanna be me\nCame in here and fell in love with a bad bitch (Yeah)\nBack then she ain't have shit\nNow she grown up, she got ass, tits (Yeah)\nWanna know where she got that ass at\n (Haan)\nShe hit my heart, a toot, toot on it \n(Toot on it)\nShe got a dump truck, I put a boot on it \n(Boot on it)\nDon't mind spendin' this loot on it \n(Loot on it)\nTreat her like my whip, I put some shoes on her \n(Shoes on her)\n[Verse 1: French Montana & \nJeremih\n]\nGot a dump truck, put a boot on her \n(Boot on her)\nI don't mind trickin', spendin' loot on her \n(Loot on her)\nWalk up in the club, and toot, toot on her (Toot on her)\nShe's a bad bitch, put shoes on her (Shoes on her)\nGod damn, fell in love with a bad bitch\nSaid, \"French, take me to Paris\"\nDominican mami from Cali\nI said, \"Gon' bend it over, let me grab it\"\nI said, \"Gon' bend it over, make it nasty\"\nWalked up in the club, rollin', Stevie Wonder glasses\nI ain't lookin' at you niggas, lookin' way past you\nYoung, fly, G's up, pocket full of cash\nYou know where to find me, you know when you need me\nAll my dogs eat, they'll tell you I ain't greedy\nI ain't gon' love her, too much to leave her\nI ain't goin' public, shawty is sleazy [Chorus: Jeremih & \nFrench Montana\n]\nGot a good thing goin' with a bad bitch\nYou know who to call when you need it\nWish I had another you, I'm greedy\nSometimes like that nigga get greedy\nGod damn I fell in love with a bad bitch\nYou know that every time you leave me\nEven though I know how men be talkin'\nI just know that nigga wanna be me\nCame in here and fell in love with a bad bitch (Yeah)\nBack then she ain't have shit\nNow she grown up, she got ass, tits (Yeah)\nWanna know where she got that ass at \n(Haan)\nShe hit my heart, a toot, toot on it \n(Toot on it)\nShe got a dump truck, I put a boot on it \n(Boot on it)\nDon't mind spendin' this loot on it \n(Loot on it)\nTreat her like my whip, I put some shoes on her\n[Verse 2: French Montana & \nJeremih\n]\nPull up with my niggas, make a move\nRed light, green light, no it ain't Gucci\nUsed to walk up in the store, couldn't afford that\nNow I walk up in the store, buyin' all that\nDrink it to the head, man, nigga feelin' woozy\nPull up in the old school, boy I'm on some new shit\nRed to the head, man we gettin' all that\nAnd shorty phone answers, she don't ever call back\nAnd I can see why these niggas hate me\nPull up in a drop and the watch 80\nPull up to the front but a nigga faded\nGot a new crib and the shit gated\nCame from the bottom, watch a nigga ball out\nDrink it to the head, smoke 'til you fall out\nCountin' up this money, nigga, keep the door locked\nAll my niggas gettin' to this money, no lie [Chorus: Jeremih]\nGot a good thing goin' with a bad bitch\nYou know who to call when you need it\nWish I had another you, I'm greedy\nSometimes like that nigga get greedy\nGod damn I fell in love with a bad bitch\nYou know that every time you leave me\nEven though I know how men be talkin'\nI just know that nigga wanna be me\nCame in here and fell in love with a bad bitch (Yeah)\nBack then she ain't have shit\nNow she grown up, she got ass, tits (Yeah)\nWanna know where she got that ass at\nShe hit my heart, a toot, toot on it (Yeah)\nShe got a dump truck, I put a boot on it\nDon't mind spendin' this loot on it (Yeah)\nTreat her like my whip, I put some shoes on her, yeah" } ]

[ { "from": "human", "value": "Write me a song called Focus with the following description: Big Sean’s vlog about focusingExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Focus\nFocus can be the difference between on and off\nWinning and losing\nGood and great\nBetween great and the best\nFocusing could be the most self-fulfilling thing you could do for yourself because with focus comes accomplishment\nFocusing could bring out your greatest talents and give you true purpose in this world\nIt can take your natural ability and magnify it to extraordinary\nOne thing I learned and I'm sure most of us know is what you focus on\nWhat you put your energy into\nIs exactly what we should expect back\nThat's just the law of the universe\nKarma\nI seen it happen like 10,000 times\nIt is proven that 1+1 being two\nFocus is the key to being successful in any situation\nIf you focus on the wrong, you'll get the wrong things\nThere's no way to focus on one thing and expect something different\nHow you focus on something is giving attention to it\nEven if you don't like it and still focus on not liking it, you're still putting your attention to it and will still attract it\nFor example, if you focus on wanting a new car, you'll keep attracting the idea of wanting a new car\nBut it is easy to confuse that, because wanting a new car isn't the way to manifest it\nYou're simply just wanting a new car and not obtaining a new car\nRemember, the intent of your focus is so important\nThere's a difference between focusing on wanting a new car and focusing on a car being yours\nWe really should be clear on what we focus on Honestly, I feel like time is the most valuable thing we have ever been given and focus runs parallel to that\nBecause every second of the day we're focused on something, whether you realize it or not\nI for sure am a victim of focusing on the wrong things sometimes\nI spent a little too much time on my phone looking at comments, focusing on how it'd feel a little too long\nBut that's just human\nIt's very rare that you'd probably focus on 100% of your time on what you need to\nBut the biggest advantage is to quickly catch yourself and be able to reset your focus\nFor me, there's no way I could focus on something I don't love\nAt least not for long\nI'm just not content with my spending my life miserable and I just personally can't live like that\nIt is not a party of vibration you could tell how you feel\nYour inner guidance system\nYour feelings\nIf I feel good, I'm doing the right thing\nIf not then it's not what I'm supposed to be doing\nHow does what you focus on makes you feel?\nRemember, it's never too late or too early to know what makes you happy and to make that change by any means necessary\nI went into my last album focused\nI wanted to focus on making music that would change people's lives, help lift their moods up\nMusic that I felt that was undeniably great to me and talk about what directly affected me\nAnd that's what I did\nI never focused so much on executing these things while making music and what'd you know?\nMy first number one album and my most successful one yet You can't measure success by anything but happiness\nI say that all the time\nAnd if you focus your energy on what makes you happy\nWhat do you think will happen?\nExactly\nIt always work out\nRewire any thoughts you had prior and know that you are what you focus on\nFocus" } ]

[ { "from": "human", "value": "Write me a song called Mountains with the following description: Mountains is LSD’s fourth single and the last one before their debut album is published, the track was released on November 1st, just three months after the release of their hit single Thunderclouds. The track just like the other 3 previous singles features vocals from Sia and Labrinth and it was accompanied by an animated lyric video Sia teased in a tweet. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Labrinth, \nSia\n & \nBoth\n]\nHeck yeah, I breathe you\nDarlin', I see you\nI hope you see me too\nI want to know you\nHere ain't no rocky ground\nYeah, I put one million down\nWhen you walk, I kiss the ground\nHey, hey, I love you\n[Chorus: Labrinth & \nBoth\n]\nSo what we gotta lose? What we gotta move?\nI move mountains (Sing)\nI can see it through\nI can do it too\nLike a prophet (Sing, sing)\nWhat we gotta lose? What we gotta move?\nI move mountains\nI'd do anything for you\nAnything to move\nMove mountains\nSing it!\n[Post-Chorus: Sia]\nMountains, mountains\nMountains, mountains\nMountains, mountains\nMountains, mou-mou-mou [Verse 2: Labrinth & \nSia\n]\nLord, I am so blessed\n'Cause you come with interest\nFill up my pockets\nI want to own \nyou\n[Chorus: \nLabrinth\n & Both]\nSo what we gotta lose? What we gotta move?\nI move mountains (Sing)\nI can see it through\nI can do it too\nLike a prophet (Sing, sing)\nWhat we gotta lose? What we gotta move?\nI move mountains (Sing)\nI'd do anything for you\nAnything to move\nMove mountains\nSing it!\n[Post-Chorus: Sia]\nMountains, mountains\nMountains, mountains\nMountains, mountains\nMountains, mou-mou-mou" } ]

[ { "from": "human", "value": "Write me a song called Breathe with the following description: “Breathe,” following an emotional track, “How Could You Leave Us,” highlights the importance of taking a breath. NF also talks about his past in Gladwin, Michigan, a broken relationship, his depression, and pain he has experienced in the past.\nThe chorus is sung by Fleurie, an uncredited feature, who also appeared on NF’s 2015 track “Mansion.” The chorus also samples Fleurie’s 2016 track “Breathe,” which talks about the same concept.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nBreathe\nBreathe\n[Verse 1]\nI grew up in a small place, had to drive an hour just to see a movie\nI'm a simple person, city life just doesn't move me\nI'd rather be home with my grandparents and playing Euchre\nDidn't wanna leave but this dream's calling, I had to do it\nI left my girl there, wish I would've done it different\nShe was right when she told me that I don't ever listen\nI told her I would change a million times and never did it\nApologies don't mean a thing if you don't ever fix it\nI love what I do but it's not what I expected\nThis industry is not your friend, well that's my perspective\nSometimes the closest people to you make you feel protected\nBut those are the same people that hurt you most and leave you guessing\nSome people say nobody's perfect but expect perfection\nHow you supposed to find the answer if you don't ask the question?\nSometimes I look into the mirror and talk to my reflection\nWhen I go home and turn the music off, what am I left with?\n[Chorus]\nBreathe\nBreathe [Verse 2]\nWe used to be close but as time passed, we became disconnected\nYou never felt love and I always felt disrespected\nYour family thought I was a joke, I was always defensive\nThey just wanted what was best for you, I just couldn't accept it\nAnd hurting you was not a part of my plan or my intentions\nBut I was immature, I guess I had to learn some lessons\nWe grew apart and our lives went in different directions\nAnd there's a lot of responsibilities that I neglected\nI had a lot that was bottled inside, couldn't express it\nAnd this pain won't leave, I can feel the depression\nIt's taking over my body, feels like I'm always stressing\nDoctor told me I should sleep, but I'm always restless\nI lay awake at night and think, my thoughts are relentless\nI need a moment to breathe, I need a moment to vent this\nI seem to be the only person that I play pretend with\nAnd when I turn the music off, what am I really left with huh?\n[Chorus]\nBreathe\nBreathe" } ]

[ { "from": "human", "value": "Write me a song called Never Enough with the following description: Just as “Like Toy Soldiers”, “Never Enough” serves as a comment on the rap feuds that Shady/Aftermath had just come victorious off, with Murder Inc. and Benzino, co-owner of the magazine The Source. Except from the chorus performed by Nate Dogg, neither 50 or Em aim their lines at anyone specific, instead they elaborate on rap battles in general. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Eminem]\nThere's not much you could do or say to phase me\nPeople think I'm a little bit crazy\nI get it from all angles, even occasionally Doc Dre-zie\nWill have to step in every once in a while to save me\nTo make me stop and think about it 'fore I just say things\nSometimes I forget what other people just may think\nA lot of rappers probably wouldn't know how to take me\nIf they heard some shit, I'd lay the tape 'fore they erased me\nI may be a little too fast-paced and racy\nSometimes the average listener rewinds and plays me\nTwenty times 'cause I say so many rhymes it may seem\nLike I'm goin' too fast 'cause my mind is racing\nAnd I could give a fuck what category you place me\nLong as when I'm pushing up daisies\nAnd gone as long as you place me amongst one of them greats\nWhen I hit the heavenly gates I'll be cool beside Jay-Z\nFor every single die-hard fan who embraced me\nI'm thankful for the talent in which God gave me\nAnd I'm thankful for the environment that he placed me\nBelieve it or not, I thank my mom for how she raised me\nIn the neighborhood daily that jumped and chased me\nIt only made me what I am today, see\nRegardless of what anybody believes who hates me\nYou ain't gonna make or break me\nTryna strip me of my credibility and make me look fake, G\nYou're only gonna be in for a rude awakening\n'Cause sooner or later you haters are all gonna face me\nAnd when you face me with all the shit you've been saving\nTo say to me, you had all this time to think about it\nNow don't pussy out and try to about face me\n'Cause I've been patiently waiting for the day\nThat we finally meet in the same place to see\n, [Chorus: Nate Dogg]\nNo matter how many battles I been in and won\nNo matter how many magazines on my nuts\nNo matter how many emcees I eat up\nOh, it's never enough\nNo matter how many battles I been in and won\nNo matter how many magazines on my nuts\nNo matter how many emcees I eat up\nOh oh, it's never enough\n[Verse 2: 50 Cent]\nMy flow's untouchable, now you gotta face it\nUh oh, it gets worse when I go back to the basics\nYou gon' say the wrong shit and get your whole face split\nThe smell of victory, love it so much I can taste it\nI spot my target, blaze it, direct hit\nGraze it, your peace talk, save it\nYour shit sounds dated, you're overrated\nI'm obligated to study your moves then crush you motherfuckers\nIf I'm the best and the worst, then God's gift is a curse\nSoldier\n trained to destroy – you payin' attention, boy?\nI spit shit, slick shit, so quick you miss it\nTo be specific I go ballistic as hieroglyphic\nMy music is a drug, press play, you ain't gotta sniff it\nShoot it or pop it, roll it, bag it or chop it\nIt'll get you high over and over, but you gotta cop it\nWhen it's hot, it's hot, your hatin' is undeniable, stop it [Chorus: Nate Dogg]\nNo matter how many battles I been in and won\nNo matter how many magazines on my nuts\nNo matter how many emcees I eat up\nOh, it's never enough\nNo matter how many battles I been in and won\nNo matter how many magazines on my nuts\nNo matter how many emcees I eat up\nOh oh, it's never enough" } ]

[ { "from": "human", "value": "Write me a song called The Percocet & Stripper Joint with the following description: “The Percocet & Stripper Joint” is about Future’s addiction to Percocets—a painkiller which includes the combination of oxycodone and paracetamol (aka acetaminophen or Tylenol); in this track, Future highlights the extent of his drug use—even stretching to painkillers—while he’s in a strip club. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAw yeah\nAw yeah, aw yeah, yeah, yeah, yeah\nYeah\nCheck this out\n[Verse 1]\nI get mad zooted, I got this bad thing I recruited\nMy passion is a movie, I say fuck her 'cause I screwed her\nI stay on Miley Cyrus, everywhere I go I'm screwed up\nI know my Texas niggas got my back and that's for sure though\nSippin' on Easter Pink\n like it's \nTanqueray\nWe ain't never gon' give this perfect life up\nI know the boys saying they gettin' to the money over there\nBaby, trust me, these niggas nothin' like us\nI put charisma in my lingo and she fell for me\nI gave her realness, and that’s all she gonna get from me\nBona fide superstar, I'm straight up out the hood-uh\nI just did a dose of Percocets with some strippers\n[Chorus]\nI just did a dose of Percocet with some strippers\nI just poured this lean in my cup like it's liquor\nI just need a whole lot of drugs in my system\nI just tried acid for the first time, I feel good [Verse 2]\nTreasure bring misery,\n codeine in my delivery\nI pulled up in a big B, swervin' like a hippie\nMovin' with the dopers and pushers\nIn the Rover duckin' undercover, huggin' the Interstate\nCoppin' a couple cakes and the drum hangin' under me\nGot a chain hangin' over me\nGod watching over me, all my angels watch over me\nI bag it like groceries, keep some cash flowing over me\nGot some money all in my hand and I stack it all under me\nThe young niggas under me, they gon' stand up in any war\nWe built this shit ground up like the head of a seminar\nI talk for the real ones\nI talk for them niggas that feel this shit out in Belgium\nFreeband Gang\n[Chorus]\nI just did a dose of Percocet with some strippers\nI just poured this lean in my cup like it's liquor\nI just need a whole lot of drugs in my system\nI just tried acid for the first time, I feel good" } ]

[ { "from": "human", "value": "Write me a song called Freaks with the following description: While French Montana has pushed back Excuse My French until May, his second single off his Bad Boy debut has hit the Internet.\n“Freaks” features Nicki Minaj and sounds like a perfect song for those late summer nights. This club banger features the smooth lyrics from French Montana and the Jamaican Accent crazy lyrics from Nicki. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Nicki Minaj]\nHa Ha Ha Ha Ha Ha!!! Montana!!!\n[Chorus: Vicious, \nNicki Minaj\n, \nFrench Montana\n]\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\n(\nI-I-I don't need to say playboy, I say play nigga!\n)\nFreak, some gyal a freak a di week, some gyal a -\n(\nI don't need to say playboy, I said play nigga!\n)\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a - (\nWatch this\n)\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a - (\nTurn the lights on\n)\n(\nMONTANA!!!\n)\n[Verse 1: French Montana]\nLights up the fire, you know we get higher\nRolling up loud, real niggas moving quiet\nLike it then I buy it, you donkeys on a diet\nBringing all my jewels, how you know I start a riot\nRiding with the bliquor, messing up her make up\nYou blowing up her phone, she ain't trying to pick up\nDrinking out the bottle, I'm leaning with a model\nI throw a hundred racks up, you think I hit the lotto\nRiding with the wolves, I ain't talkin Minnesota\nShorty coming over, go and bend it over\nLet me plank on it, put a drink on it\nHeard you a freak (haan), put my name on it (Montana, haan) [Chorus: Vicious]\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a - (\nTurn the lights on\n)\n[Bridge: French Montana & \nNicki Minaj\n]\nThis girl tell me, say she horny\nShe want to give it to me out the door\nThis girl fuck me like she know me\nShe backed it up then she tipped on her toes\n (\nMmm\n)\n[Verse 2: Nicki Minaj]\nHe said he met this little girl by the name of Onika\nWay my body shape, all the boys wanna freak her\nBrag and I boast, they be doin the most\nIf I look at his friend, he'll be grippin the toaster\nSo I took him to the crib to kill him with it\nPut my legs behind my head, I hit the ceiling with it\nWhen I put it in his mouth I couldn't believe it\nHe looked me in my eyes and said he wanna breed it\nPassa Passa,\n you ain't got no wins in mi casa\nBig fat pussy; Mufasa\nHit up Green Acres, hit up Kings Plaza\nSome of them say them gully, some of them say them gaza, waa [Chorus: Vicious & \nNicki Minaj\n]\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a - (\nYeah, yeah\n)\nFreak, some gyal a freak a di week, some gyal a - (\nHey, hey, hey\n)\nFreak, some gyal a freak a di week, some gyal a - (\nTurn the lights on\n)\n[Bridge: French Montana]\nThis girl tell me, say she horny\nShe want to give it to me out the door\nThis girl fuck me like she know me\nShe backed it up then she tipped on her toes\n[Bridge 2: Nicki Minaj]\nWhere my bad bitches at?\nWhere my bad bitches at?\nPretty gang make noise\nPretty gang make noise\nPretty gang act the fuck, act the-act the fuck up\n[Bridge 3: French Montana]\nWhere my bad bitches at?\nWhere my bad bitches at?\nRu-rude girls make noise\nRu-rude girls make noise\nRu-rude girl act the fucked up, act, act the fuck up\nAct the fuck up, act, act the fuck up [Chorus: Vicious]\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a -\nFreak, some gyal a freak a di week, some gyal a - (\nTurn the lights on\n)\n[Bridge: French Montana]\nThis girl tell me, say she horny\nShe want to give it to me out the door\nThis girl fuck me like she know me\nShe backed it up then she tipped on her toes\n[Outro: Nicki Minaj & \nFrench Montana\n]\nYoung Money, I don't even say my name anymore, playnigga\nI don't even say playboy, I say playnigga\nAnd what the fuck you talking about with them fake figures?\nI come through like, I mean no Nicki\nI came through South side Jamaica Queen bitch\nAnd everyboody know you are on my dick\nHa Ha Ha Ha Ha Ha, Montana\nHaaaaan" } ]

[ { "from": "human", "value": "Write me a song called Lord Forgive Me with the following description: “Lord Forgive Me” is about 21’s struggles and how he had to do some bad things to make money—which mostly involved gang activity. The chorus highlights 21 asking God for his forgiveness because of all the bad things he had done to get his money. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nFuck 12\n)\n[Verse 1]\nA hundred a zip and I'm sippin' on drop\nI hit for a hunnid and I bought me a drop\nI pulled up on her and panties just drop\nUp 32 shots and you niggas gon' drop\nOff with your top (Head), give a fuck 'bout your block 1-2\nHigh speed chasing, give a fuck 'bout the cops\nWhen I see 12, put the dope in my sock\nNiggas be rappin', I came up off rocks\nI'm thuggin', Im thuggin', I feel like I'm 'Pac\nThey tried to betray me\nI'm mad at myself 'cause I keep it real with all these niggas\nNiggas actin' like bitches, niggas all in they feelings\nThese niggas acting like women\nDrowning in money, I'm swimmin'\nThese bitches acting like pigeons\nI just want a couple million, I just want a couple million\nAnd I'm still loyal to the gang\nThese other niggas, man, they lame\nI really sold cocaine, Gas stank propane\nGlock .40, nigga bang, Blood, Crip, nigga, bang\nI heard you got your chain took and had to get another damn chain\n21, nigga, the gang, slaughter your daughter, the gang\nMAC 90 got range, young savage got aim\nI bought a new Rollie, it's plain, you niggas best stay in your lane\nI pull up and fuck on your main\nI'm covered in money, I'm drippin'\nThese niggas they telling, they snitchin'\nSo we gon' fuck on all they bitches, I be 'round lot of henchmen\nMoving like I'm John Gotti, 12 gauge, nigga, shotty\nHit 'em all in the body, I just caught another body\nLord, forgive me, I'm sorry, I can't help it, I'm a street nigga\nI had to get some money, I watched my momma struggle\nI jumped off the porch, had to use my muscle [Chorus]\nLord forgive me, lord forgive me, lord\nThey keep askin' why I got that sword in my face (Tayman)\nLord forgive me, lord forgive me, lord\nI just beat another case\nI just went and bought a Wraith\nI just nutted on her face\nBrand new rollie with the face\nNo face, no case\n[Verse 2]\nLord, forgive me for my sins, I was struggling, tryna win\nI had to lose a lot of friends, nigga, tryna chase them Ms\nCooking up crack, it's illegal, riding with a Desert Eagle\nI'm a felon, that's illegal, main bitch, she illegal\nHunnid pounds of Cali' reefer, \nCall of Duty\n heat seeker\nPull up on your in a Regal, window down, nigga, creeping\nNigga rapping? I'm preachin', nigga, we are not equal\nIn the trenches, niggas beefing, I remember not sleeping\nHit the club and get to squeezing, shoot it up for no reason\nI was living like a demon, I was living like a demon\n[Interlude]\nNow I lay me down to sleep, I pray the Lord, my soul to keep\nIf I should die before I wake, I pray the Lord my soul to take [Chorus]\nLord, forgive me, Lord, forgive me, Lord\nThey keep askin' why I got that sword in my face (Tayman)\nLord, forgive me, Lord, forgive me, lord\nI just beat another case\nI just went and bought a Wraith\nI just nutted on her face\nBrand new Rollie with the face\nNo face, no case" } ]

[ { "from": "human", "value": "Write me a song called We’re Good (Radio Edit) with the following description: “We’re Good” is a song by singer-songwriter Dua Lipa, which appears on the re-issue of her second studio album, Future Nostalgia: The Moonlight Edition (2021).\nThe difference between the radio edit of the song and the album version of the song is that the radio edit replaces the lyric “like sleeping and cocaine” to “that’s never gonna change.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm on an island, even when you're close\nCan't take the silence, I'd rather be alone\n[Pre-Chorus]\nI think it's pretty plain and simple, we gave it all we could\nIt's time I wave goodbye from the window\nLet's end this like we should and say we're good\n[Chorus]\nWe're not meant to be, that's never gonna change\nSo let's at least agree to go our separate ways\nNot gonna judge you when you're with somebody еlse\nAs long as you swear you won't be pissеd when I do it myself\nLet's end it like we should and say we're good\n[Verse 2]\nNo need to hide it, go get what you want\nThis won't be a burden if we both don't hold a grudge\n[Pre-Chorus]\nI think it's pretty plain and simple, we gave it all we could\nIt's time I wave goodbye from the window\nLet's end this like we should and say we're good\n[Chorus]\nWe're not meant to be, that's never gonna change\nSo let's at least agree to go our separate ways\nNot gonna judge you when you're with somebody else\nAs long as you swear you won't be pissed when I do it myself\nLet's end it like we should and say we're good [Bridge]\nNow you're holding this against me like I knew you would\nI'm trying my best to make this easy\nSo don't give me that, just say we're good\n[Chorus]\nWe're not meant to be, that's never gonna change\n(That's never gonna change)\nSo let's at least agree to go our separate ways\n(To go our separate ways, oh)\nNot gonna judge you when you're with somebody else\nAs long as you swear you won't be pissed when I do it myself\nLet's end it like we should and say we're good" } ]

[ { "from": "human", "value": "Write me a song called Emotions with the following description: The lead single from Mariah’s second solo album of the same name. It peaked at #1 on the Billboard Hot 100 (her fifth in a row) for three weeks. Produced and written by Mariah along with David Cole and Robert Clivilles (collectively known as C&C Music Factory), it samples “Best of My Love” by The Emotions. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above\n[Verse 1]\nI feel good, I feel nice\nI've never felt so satisfied\nI'm in love, I'm alive\nIntoxicated, flying high\n[Pre-Chorus]\nIt feels like a dream\nWhen you touch me tenderly\nI don't know if it's real\nBut I like the way I feel inside\n[Chorus]\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above\n[Verse 2]\nIn the morning when I rise\nYou are the first thing on my mind\nAnd in the middle of the night\nI feel your heartbeat next to mine [Pre-Chorus]\nIt feels like a dream\nWhen you love me tenderly\nI don't know if you're for real\nBut I like the way I feel inside\n[Chorus]\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above\n[Bridge]\nYou know the way to make me lose control\nWhen you're looking into my eyes\nYou make me feel so high\n[Chorus]\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above\nYou've got me feeling emotions\nDeeper than I've ever dreamed of\nYou've got me feeling emotions\nHigher than the heavens above" } ]

[ { "from": "human", "value": "Write me a song called Reply To This with the following description: Reply 2 This is an unreleased song that Charlie Puth played and revealed that he’s still working on during his Instagram Live stream on July 24, 2020.\nOn August 3, 2020, Charlie shared another snippet on his socials with the caption stating:\nTell me to drop it and I will… Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Live Stream Snippet\n[Chorus]\nYou don't need to reply to this\nJust want you to know, you're the one I miss\nYou don't need to reply to this\nMight've said too much, but I wonder if you\n[Post-Chorus]\nThink a little bit about me\nBaby, do you?\nThink a little bit about me still\nThink a little bit about me\nBaby, do you?\nThink a little about me still\n[Chorus]\nYou don't need to reply to this\nJust want you to know, you're the one I miss\nYou don't need to reply to this\nMight've said too much, but I wonder if you\nTwitter Snippet\n[Verse]\n...your head\nAnd maybe you'll start to miss the way that it was (No) [Pre-Chorus]\nNothing I do, nothing I say\nIs gonna change everything I did wrong\nAll that I want is you to know\nHow I'm feeling ever since you've been gone\n[Chorus]\nYou don't need to reply to this\nJust want you to know, you're the one I miss\nYou don't need to reply to this\nMight've said too much, but I wonder if you\nAdditional Leak\nHow you been?\nIt's been a while since we spoke [?]\nNow, it's three o'clock in the morning and I'm sleepin' here alone" } ]

[ { "from": "human", "value": "Write me a song called Type a Way with the following description: “Type of Way” marks the first time Chris Brown and Eric Bellinger were in a track together. Before this song, Eric was one of the Chris Brown songwriters since his album F.A.M.E in 2011 with the song Oh my Love. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eric Bellinger]\nGonna make you feel some type of way\nOh, woah, oh, woah\n(\nOG Parker\n)\nGonna make you feel some type of way, way, way, yeah\nThis gon' be your favorite song\n[Chorus: Chris Brown, \nEric Bellinger\n]\nBet I make you feel (\nHo\n) some type of way\nOf way, of way\nWhen I give it to you night and day\nAnd day, and day\nBet I make you feel some type of way-ay (Yeah)\nOf way-ay (Oh), of way-ay (Yeah, yeah)\nWhen I give it to you night and day (Give it to you, \nsheesh\n)\nAnd day (\nYeah\n), and day (\nIt’s Eazy\n)\n[Verse 1: Eric Bellinger]\nTurn you to a fiend, yeah, fresh out it (Uh)\nMake you scream (Uh), make you call me zaddy\nCome over to the floor\nGive you rounds (Rounds), make you want more (Woah, woah)\nDrop it, make it wobble, girl, I love it when you poppin' it (Yee)\nGobble, need that bobble (Yeah, yeah), get the genie out the bottle, yeah\nMake you feel good (Yeah), won't you knock, knock on wood tonight?\nTonight, yeah, yeah [Pre-Chorus: Eric Bellinger]\nSo careful what you wish for (You might get it)\nYou might get it, yeah (Just wanna show you)\nLet me show you somethin’ different, yeah\n[Chorus: Chris Brown, \nEric Bellinger\n]\nBet I make you feel (\nHo\n) some type of way (\nOf way, uh\n)\nOf way (\nOf way, uh\n), of way (\nOf way when I\n)\nWhen I give it to you night and day (\nWoo, yeah, ayy\n)\nAnd day (\nDay and night, I know what to do\n), and day (\nYeah\n)\nBet I make you feel some type of way-ay (\nIt's Eazy, bet I make you feel some type of way, yeah, yeah\n)\nOf way-ay (\nYeah, yeah, yeah\n), of way-ay (\nYeah, yeah\n)\nWhen I give it to you night and day (\nWhen I give it to you night and day, yeah\n)\nAnd day (\nDay, yeah\n), and day (\nSome type of way\n)\n[Verse 2: Chris Brown, \nEric Bellinger\n]\nYeah, you know what I need, I'm the best at it\nNow you on your knees, trickin' me with magic\nShe gon' make it disappear with the lights on\nKnow my battin' average, lay down on my mattress\nI'm a pro, don't need the practice\nBody like a bottle, bank account, go ’head and run it up\nSpendin’ every dollar, ain't no problem, I don’t give a fuck\nConsider it a gift, wanna make you feel rich\nTonight (\nTonight\n), yeah, yeah [Pre-Chorus: Chris Brown, \nEric Bellinger\n]\nSo careful what you wish for (\nYou might get it\n)\nYou might get it (\nJust wanna show you\n)\nLet me show you somethin' different, yeah\n[Chorus: Chris Brown, \nEric Bellinger\n]\nBet I make you feel (\nHo\n) some type of way (\nOf way, ayy\n)\nOf way (\nOf way, ayy\n), of way (\nOf way when I\n)\nWhen I give it to you night and day (\nWoo, yeah, yeah\n)\nAnd day (\nDay and night, I know what to do\n), and day (\nIt's Eazy\n)\nBet I make you feel some type of way-ay (\nBet I make you feel some type of way, yeah, yeah\n)\nOf way-ay (\nYeah, yeah, yeah\n), of way-ay (\nYeah, yeah\n)\nWhen I give it to you night and day (\nWhen I give it to you night and day, yeah\n)\nAnd day (\nDay, yeah\n), and day (\nSome type of way\n)\n[Outro: Eric Bellinger]\nMake you feel some type of way\n(Gonna make you feel some type of way)\nOh, woah (OG Parker)\nStill make you feel some type of way\n(Gonna make you feel some type of way)\nYFS" } ]

[ { "from": "human", "value": "Write me a song called Intro with the following description: “Intro” is Logic’s official return to rapping under his stage name following his “retirement” album, 2020’s No Pressure.\nOn the track, Logic raps about his growth from dropping out of high school to reaching the peak of the music industry. He details that some of these raps were written 12 years prior, but were polished and combined with his current story.\nLogic announced his return just over a day before this track’s release with an image taking inspiration from the image Michael Jordan released when he was un-retiring. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, ayy\n[Verse]\nI got rent, I got bills, but I want a record deal\nDon't wanna give up on my dreams 'cause I know I got skills\nPeople sayin' I won't make it, sometimes that's how it feels\nDreams and ambitions of makin' millions from record deals\nEmotions, I let it spill, I'm goin' in for the kill\nGive 'em my everything still, I hope you feel me for real\nJust me and all my homies, we want it now more than ever\nDestined to work a nine-to-five, man, fuck all that, whatever\nI want this life forever\nI wanna make it out my hood, I wanna do shit better\nI got nothin' to my namе, not even no GED\nBut I don't wanna be somе has-been, lookin' back at forty-three\nWonderin' who he could be if he had the guts to take the leap\nThat's why I'm here to take the beat\nAnd not repeat the cycle of people who never lived their dreams\nI was destined a life of nothin', my parents both fiends\nMy name is Logic, I wrote this record at nineteen\nAnd now at thirty-one, I read pages from my old rhyme book\nThinkin' 'bout the time that it took to get here\nSee it clear like Visine, me and my regime made it by any means\nUsed to eat at Denny's, now it's Nobu, hella clean\nRelieve the pain like ketamine\n, \nrelive the pain and let 'em in\nStarted as a freshman, now Logic a veteran\nThinkin' 'bout the time it took to get here\nI signed a deal and made the mills, can finally afford to pay the bills\nThis world is cold as fuck like I'm from the 'Ville\nLet that last line chill, everything I ever wanted, now I got it\nFuck a subject, school, I dropped it, grabbed a gat and cocked it\nMe and my homies in the lab, dope shit, what we concocted\nYo, I been to hell and back, motherfuck a platinum plaque\nNone of that, that don't mean shit if your family ain't got your back\nI'm unretired, yeah, I'm back, that's a fact, that's that" } ]

[ { "from": "human", "value": "Write me a song called Lust for Life with the following description: On “Lust for Life,” Drake raps about his newfound fame and how people around him act differently.\nThe title Lust for Life was first used for Irving Stone’s 1934 biographical novel about Vincent Van Gogh, which was made into a film of the same name in 1956. It has also been used to name songs and albums by Iggy Pop, Lana Del Rey, Childish Gambino, Girls and Heavenly. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nI'm tryna do it all tonight\n, \nI got plans\nI got a certain lust for life and as it stands\nEverything is going as right as it can\nThey tryna shoot down my flight before it lands, before it lands\nBut you could miss me with all that\nDiss me, then crawl back\nI really wish y'all would fall back\nBut gettin' rich s'posed to solve that\nAnd these days, women make offers\nAnd who the hell am I to say (No, no, no)?\nMy ex sendin' late night texts\n'Cause she don't know how to let (Go, go, go)\nUh, she in love\nAnd as for them pretty light-skinned models\nStandin' in the cold, ah, yeah, they with us\nLet them girls in for a drink and I'm all in they ear\nSayin' she should be the one I see every time that I'm here\nBut when am I really even here?\nBlack Suburban with the tint on it\nFresher than a pillow with a mint on it\nThe game got these old handprints on it\nBut I'mma be the one to pour cement on it\nUh, and start over\nAnd show up in a Margiela tux, I don't really give a fuck\nAnd we only gettin' older\nSo what I tend to do is to think of today as the past\nIt's funny when you comin' in first, but you hope that you last\nYou just hope that it last [Outro]\nThrow your ones up in the air\nThrow your ones up in the air for her, oh-oh\nThrow your ones up in the air\nThrow your ones up" } ]

[ { "from": "human", "value": "Write me a song called Want To (Demo) with the following description: “Want To” is an unreleased song by Dua Lipa which was supposed to be on her self-titled debut album expected on June 2nd, 2017. Unfortunately, the song was not included on the tracklist because Lipa said that the song was never finished.\nWant To is more dark than Lipa’s other music. Similar to Last Dance, Want To features a drop after the chorus.\nUnfortunately, a demo of the song leaked online during April, alongside Between a Bullet And A Heartbreak, and New York (Mend My Broken Heart)\nThe song was finaly revealed officaly during the “jaguar x Dua Lipa” event in Amsterdam. The song is now out and is part of Dua’s Complete Edition of her album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGimme release, keep the drugs\nGimme relief, keep the love\nJust gimme a piece of that, one piece of that\nGive it to me, don't judge\nJust give it to me, no heart\nNo second degree tonight, run free tonight\n[Chorus]\nI won't stop, nah, no\nGuess what?\nEh la, eh la, it's my body\nRide a golden light\nEh la, eh la, it's my body\nI'll dance if I want to\n[Post-Chorus]\nEh la, eh la, it's my body\nEh la, eh la, it's my body\n[Verse 2]\nSome people do\nBut some, they just like to talk (\nokay\n)\nSome shoot the breeze\nBut some like to leave a mark (\nokay\n)\nSome need the light\nAnd some people like the dark (\nokay, yeah\n) [Chorus]\nI won't stop, nah, no\nGuess what?\nEh la, eh la, it's my body\nRide a golden light\nEh la, eh la, it's my body\nI'll dance if I want to\n[Post-Chorus]\nEh la, eh la, it's my body\nEh la, eh la, it's my body\n[Bridge]\nDon't cry for us\nNo time for us\nWhen we're at some party\nWhen you grab somebody\nDon't cry for us\nNo time for us\nWhen we're at some party\nWhen you grab somebody\n[Outro]\nAh-ooh\nMy body, my body, my body (Eh la, eh la, it's my body)\nYeah (Eh la, eh la, it's my body)\nMy body, my body, my body\nEh la, eh la, it's my body\nGonna dance if I want to, want to\nGonna dance if I want to, want to (Eh la, eh la, it's my body)" } ]

[ { "from": "human", "value": "Write me a song called Danger with the following description: “Danger” is the the opening track of Vinyl Days, Logic’s 2022 studio album. It features a cameo from actor and director Morgan Freeman and DJ Funkmaster Flex, who is featured frequently throughout the project. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Morgan Freeman]\nI'm Morgan Freeman\nAnd I just wanted to take a moment out of my day\nTo inform every other rapper in the game that Logic is the G.O.A.T.​\n[Break: Funkmaster Flex]\nHaha, ha, retired for what?\nIt's the birth of the \nblack white boy\nRetired for what? Logic never left\nRetired for what? He just got tired of the garbage (Haha)\nFrom you, you, you, and definitely you\nFor sure\n[Outro: Funkmaster Flex]\nBar for bar, what you wanna do?" } ]

[ { "from": "human", "value": "Write me a song called Humble (The Chainsmokers Cover) with the following description: The Chainsmokers premiered this live cover on their Memories…Do Not Open tour through Europe.\nTo introduce it, the band’s drummer Matt McGuire performs a solo with burning drum sticks and Alex Pall challenges Andrew Taggart to do something as impressive.\nThe song was uploaded to social media on February 28, 2017, but not officially released.\nThe duo admitted on Instagram that this version is based on Skrillex’s remix of Kendrick Lamar’s “Humble.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Andrew Taggart]\nI remember making bedroom hits, and now we're counting this\nThen I took the \"Selfie,\" this ain't healthy, kids ain't down with this\nWanna meet the plan I took for granted 'til the xanax hits\nI can't even read it, 'cause I'm the one to kill the analysts\nA.M. to the P.M., P.M. to the A.M., funk\nDon't let me down, we're back in town for the greatest, funk\nWe're just playing around and I still miss my momma, funk\nChris Martin in my apartment, how the fuck we do this, funk\nThe \"Sick Boy\" just went viral\nPlatinum going on the top, Billy Idol\nAlex P on TMZ, hello like Lionel\nThere's levels to it, you and I know\n[Chorus: Kendrick Lamar]\nBitch, be humble\n(Bitch, hol' up, bitch)\n(Bitch, hol' up, bitch)\n(Bitch, hol' up, bitch)\n(Hol' up, hol' up, hol' up)\n(Bitch), sit down, be humble (hol' up, bitch)\nSit down, be humble, bitch, sit down\n[Bridge: Andrew Taggart]\nThese songs aren't for the critics, they're for every kid at home\nThat wants to push the limits and\nThese songs are not for the critics, they're for every kid at home\nThat wants to push the limits and\nThese songs are not for the critics, they're for every kid at home\nThat wants to push the limits and not...\nThese songs are not for the critics, they're for every kid at home\nThat wants to push the limits, sit down [Chorus: Kendrick Lamar]\n(Bitch, hol' up, bitch)\n(Bitch, hol' up, bitch)\n(Hol' up, hol' up, hol' up)\n(Hol' up, hol' up, hol' up)\nBitch, sit down\n(Hol' up, hol' up, bitch)\nSit down\n(Hol' up, hol' up, bitch)\nSit down\n(Hol' up, hol' up, bitch)\nBitch, sit down" } ]

[ { "from": "human", "value": "Write me a song called Better with You with the following description: I want you to fall into my arms\nI’ll be who you’re depending on\nWhen you’re most vulnerableExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Verse:\nI want you to fall into my arms\nI'll be who you're depending on\nWhen you're most vulnerable\nI can see the future in your eyes\nThey're telling me everything's gon be just fine\nEverything gon be alright\nHook:\nI feel like everything's better with you\nEverything's better with you\nEverything's better\nEverything's better with you\nI feel like everything's better with you\nSun shines more when I'm together with you\nWanna get lost in forever\nBaby, Everything's better with you\nVerse 2:\nEven when my skies go gray\nAnd nothing seems to go my way\nI always find happiness in you\nHey\nGod finally answered my prayers\nLending me one of his angels\nYou're a blessing if I've ever seen one Bridge:\nBaby girl, time after time\nYou are always there when you're needed the most\nAin't no need to question it you know I'm yours\nStay down for me\nEverything get easier when you're around\nHook:\nI feel like everything's better with you\nEverything's better with you\nEverything's better\nEverything's better with you\nI feel like everything's better with you\nSun shines more when I'm together with you\nWanna get lost in forever\nBaby, Everything's better with you\nVerse 3:\nHey, you make my heart race and the time stopped\nBoth of our hearts race to the finish line\nYou gave me a head start and still won\nYou're number one in my heart\nBridge:\nAye time after time\nYou are always there when you're needed the most\nAin't no need to question it you know I'm yours\nStay down for me\nEverything get easier when you're around Hook:\nI feel like everything's better with you\nEverything's better with you\nEverything's better\nEverything's better with you\nI feel like everything's better with you\nSun shines more when I'm together with you\nWanna get lost in forever\nBaby, Everything's better with you" } ]

[ { "from": "human", "value": "Write me a song called Oh Santa! (Remix) with the following description: “Oh Santa!” is a holiday collaboration between Mariah Carey, Ariana Grande, and Jennifer Hudson and a remix of Carey’s 2010 single of the same name.\nThe song premiered the same day as the Apple TV+ original holiday program, Mariah Carey’s Magical Christmas Special, which the song is featured in. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Background Vocalists, \nJennifer Hudson\n & \nAriana Grande\n]\nOh, Santa's gon' come and make him mine this Christmas\nSanta's gon' come and make him mine, mine \n(Oh, Santa)\nSanta's gon' come and make him mine this Christmas (\nOh, Santa\n)\nSanta's gon' come and make him mine, mine (Oh, oh)\n[Verse 1: Mariah Carey, Jennifer Hudson & Ariana Grande]\nSanta\nIf you get this letter, won't you help me out?\nI know you're kinda busy with your elves right now\nAnd I don't know how\nYou do the things you do while I'm asleep on Christmas Eve\nBut it's amazing\nAnd I bet that you could bring me back my baby\nBecause every time I see Christmas lights\nI feel this void inside and I just can't take it\n[Pre-Chorus: Mariah Carey, \nAriana Grande\n, \nAll\n]\nI saw them shopping last week\nAnd his new girl was so bleak\nAnd then I swore to myself\nSanta's gonna come and make him minе this Christmas night\n[Chorus: Mariah Carey, Jennifer Hudson & Ariana Grande]\nHo, ho, ho\nSanta's gon' come and make him mine this Christmas\nSanta's gon' comе and make him mine, ho, ho, ho\nSanta's gon' come and make him mine this Christmas night [Verse 2: Jennifer Hudson, \nAriana Grande\n, \nMariah Carey\n, \nAll\n]\nOh, Santa\nI heard that it's really gonna snow this year\nSo I hope Rudolph and his other eight reindeer\nGet you safely here\nSo you can scoop him up and swoop him right down my chimney\nI've been really, really, really good this year\nSo put on that red suit and make him appear\nBecause Christmas cheer\nJust ain't the same without my baby\nCome on, ole Kris Kringle, save me\n[Pre-Chorus: Mariah Carey, \nJennifer Hudson\n, \nAriana Grande\n, \nAll\n]\nThey say it's unrealistic\nBut I believe in ya, Saint Nick\nSo grant this wish for me right quick\nSanta, won't ya come and make him mine this Christmas night?\n[Chorus: All]\nHo, ho, ho\nSanta's gon' come and make him mine this Christmas\nSanta's gon' come and make him mine, ho, ho, ho\nSanta's gon' make him mine this Christmas night\n[Bridge: Jennifer Hudson \nwith Ariana Grande\n, \nBackground Vocalists\n]\nOh, Santa\nOh, Santa\n (Oh)\nCome on, Santa\nSanta gon' come and make him mine this Christmas (Oh, Santa)\nSanta gon' come and make him mine, mine\nSanta gon' come and make him mine this Christmas\nSanta gon' come and make him mine, mine [Verse 3: Mariah Carey, Jennifer Hudson, & Ariana Grande]\nOh, oh, oh, oh, Santa Claus\nIf you get this letter, please don't make me wait\n'Cause all December, I'll be counting down the days\nSo hop on your sleigh\nI promise that I won't forget the milk and cookies\n[Pre-Chorus: Mariah Carey]\nThe tree's all sparkly and gold\nBut inside, I feel so cold\nSo soon as you leave the North Pole\nSanta, won't you come and make him mine this Christmas?\n[Chorus: Background Vocalists, \nMariah Carey\n, \nJennifer Hudson\n, (Ariana Grande)]\nSanta's gon' come and make him mine, ho, ho, ho\n(Santa's gon' come and make him mine)\nSanta's gon' come and make him mine this christmas\n(Oh, I know you will)\nSanta's gon' come and make him mine, ho, ho, ho \n(Whoa, whoa)\nSanta's gon' come and make him mine, mine \n(Santa)\n(Hey, I know he will)\nSanta's gon' come and make him mine, ho, ho, ho\nSanta's gon' come and make him mine this Christmas\nSanta's gon' come and make him mine, ho, ho, ho\nSanta's gon' come and make him mine, mine [Outro: Mariah Carey]\nOh, Santa's gonna come and make him mine this Christmas" } ]

[ { "from": "human", "value": "Write me a song called Don’t Ever Play Yourself with the following description: Another One of Khaled’s famous life advice slogans is turned into a song.\n“Don’t Ever Play Yourself” is a hook-less song that features verse after verse by Jadakiss, Fabulous, Fat Joe, Busta Rhymes and Kent Jones.\n\n\n\n\n\n\n\nVine\n — \nVine\nThe entertainment network where videos and personalities get really big, really fast. Download Vine to watch videos, remixes and trends before they blow up.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled]\nD-D-DJ\nD-D-DJ Khaled!\n[Verse 1: Jadakiss]\nUh\nPat them down count the money, let 'em see the work, yeah\nThat's the definition of a major key alert\nAnother nigga gotta die, won't be the first, nah\nWon't be the last, all we see is cash, yeah\nYour real story don't match what you rappin' 'bout (liar)\nSo keep the movies in, stop actin' out\nAnd I ain't talking 'bout no watch or no cars neither\nEverything will get copped at Allah's leisure\nWas a crack monster, I had the hard fever\nSwitch from the bald head to the dark Caesar\nUsed to be the capsules, now they love the plastics\nI ain't tryna get caught up in this thug-rap shit (never)\nRather be bumper to bumper in drug traffic\nCash on deck whenever the plug ask kid\nYou don't sweat the small things, they become drastic\nNext thing is cremation or a casket\nFuck fallin' back, I need all of that\nI need my name in the cocaine almanac, Jada\nReal dope boy put me in the hall of smack\nWent to job interviews, they ain't call us back (hahaha)\nEither way I ain't never evil\nWhy do you think the streets love me? I ain't never leave 'em (never)\nHeart stops, but the words are forever breathing\n (forever)\nYou hatin' cause we the best, find a better reason [Verse 2: Fabolous]\nFirst thing first don't ever play yourself (ever)\nOh another thing, I ain't ever play myself (never)\nEven when they all changed up, I stayed myself (it's me)\nDid what worked for me, then bossed up and paid myself (woo)\nSee I’m showing the Piguet off, gave the Rollie a day off\nStill got that work, I don't know about no layoffs (nah)\nTeam still ballin' so I guess we in the playoffs (swish)\nTeam full of baddies, all my bitches in a slayoff (ahh)\nSee we be in the party wasted, no part of fake shit (yeah)\nNothin' but love 'round me, Cartier bracelets\n (oh)\nI feel like Frank White walkin' into Arty Clay shit (oh)\nYou niggas got fat while everybody starved\nMy city don't sleep, I ain't ever noddin' off\nWhen you're in the Benz, it piss everybody off\nSo I ain't stall, I do me, I ain't y'all (nah)\nThis New York nigga let 'em hang, giant balls (ahh)\nOdell Beckham, respect him, you can't check him\n (you can't)\nBlindside hoes hit me when I don't expect 'em (hey bighead)\nThen I hit 'em with the curve from the major league (hol' up)\nGotta wait your turn, that's a major key\n[Verse 3: Fat Joe]\nMami yellin' I'm the greatest\nBack to back with the slow cum\nIn the lane, I got her so strung, I don't even know her\nEvery night I meet a new wife\nNow ask your wife what this dick like\nBalmain Joe, every time you see, a nigga flee\nMr. Officer, I was only grabbin' ID\nMami only listen to Romeo\nWild cowboy, I be speakin' through the yayo\nBout to let the cans go, woah\nFuck your bitch and let your mans know, so\nYeah, now it's the Don in the Don, couple laughs in the Uber\nOnly drivin' Uber cause I'm franchised in Cuba\nThis is big money talk and you tied to the sideline\nBrian Scalabrine, niggas always tryna high five\nGotta stay away from they driftin', all sauce\nEvery day Vera Wang, nigga, cloth talk [Verse 4: Busta Rhymes]\n(\nThe Conglomerate\n)\nNow I'm takin' over everything like that's my callin'\nWakin' up in pussy like beautiful Sunday mornin'\nNow we swimmin' in the money like a line of dolphins\n (closed caskets, nigga)\nPrepare for killin', now please line up all of the coffins (Closed caskets, nigga)\nThink we playin'? Niggas think it's funny?\nPop you in your shit, brotha\nNow make room for the money, MOVE!\nIf you don't make room, I'll beat a nigga past painful\nMake a fool of yourself, I'll beat you past shameful\nI get this bread and shine like an angel\nOne of the last with bars, you niggas better be grateful\n(Thank you so much)\nI Diddy bop and drop on you niggas\nI count bread and take it to the top on you niggas (Mountaintop)\nBlah blah blah blah, you sound alike, my niggas\nBlah, blah, but when I do it, I finesse, I got it locked, my niggas\nI give you new brand shit, fuck you gon' do?\nAnd know we love the boom bap, oh yeah we do this too\nYeah, fuck with the realer side, oh you against us, nigga?\nYou better run and hide, until I'm finished, nigga\nDon't play yourself\nPlay yourself and lay yourself dead in a casket\nPray yourself, end in a basket\nHate yourself\nCause you ain't ask if you could possess you a heater\nOr you could be you a leader for the people\nYou talk a lot, I've seen the truth like Sevyn Streeter\nDon't you ever play yourself [Verse 5: Kent Jones]\nI saw a lot of niggas fade out right after I put my tape out\nI offered to help you shape up\nI see that you'd rather flake out\nSellin' stories on them tracks\nThat nobody can seem to make out\nThat's why I keep a good head and shoulders\nTo keep all the flakes out\nSeen a lot of singles chart on and off durin' the climb up\nI bet if I had the clippers, they prolly all had a line up\nYou worried 'bout your followers, so hurt when I follow up\nIt's the ones with the most pride end up bein' the swallowers\nFuck a beat for a verse when I could do all three\nNo pop artist but pop is what you rappers do call me\nA lot of washed out niggas tryna find hope in\nI'm just tryna raise a son like my blinds' open\nI know the hood well, but glad I ain't stuck in the streets\nI'm pop chartin' but hood niggas got my song on repeat\nI'm still loaded with illest ammo up under the seat\nI'm playin' hopscotch with all the charts up under my feet\nWhile you do it for the 'Gram, I do it for my Grammy\nFuck a gold trophy, I'm talkin' my mom's mammy\n (haha)\nYou gotta finish bigger than you start\nOr fall victim to bench stories, you ain't even part of it all\nStart from the bottom or oh, please, don't start at all\nI build a ship just to survive my own flood, I feel like Noah\nCause all he had was little rocks, an ark, and saw\nRoad to riches, I'm still in gear while you park your car\nYour baby wanna get nailed in the sprinter Lexus\nText back and told her\n\"Please be hammered so you can sex us\"\nMy arm strong, if Louisiana then tell her Texas\nAnd if it's not immediate then don't even send a message\nFYI I'll be free 'round 2 or 3\nAnd two things you gotta be, New Orleans\nI'm an organ donor, I'm alive with no heart in me\nSo never say my name in vain\nCause bitch there's no arteries\nJones" } ]

[ { "from": "human", "value": "Write me a song called When I Was Your Man with the following description: “When I Was Your Man” is a song by American singer-songwriter Bruno Mars, from his second studio album Unorthodox Jukebox (2012). The song was written by Mars, Philip Lawrence, Ari Levine and Andrew Wyatt, while production was handled by The Smeezingtons. It was released as the third promotional single taken from the album and as the second official single.\n“When I Was Your Man” is a soul piano ballad about a pre-fame heartbreak as he regrets a girl that he let get away, expressing his earnest hope that her new man is giving her all the love and attention he was unwilling, or unable to provide when they were together. It received positive reviews from music critics, who praised Mars' vocals and named it a “vulnerable and emotional ballad”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSame bed, but it feels just a little bit bigger now\nOur song on the radio, but it don't sound the same\nWhen our friends talk about you, all it does is just tear me down\n'Cause my heart breaks a little when I hear your name\n[Pre-Chorus]\nIt all just sounds like (Ooh, ooh)\nMm, too young, too dumb to realize\n[Chorus]\nThat I should've bought you flowers\nAnd held your hand\nShoulda gave you all my hours\nWhen I had the chance\nTake you to every party\n'Cause all you wanted to do was dance\nNow my baby's dancin'\nBut she's dancin' with another man\n[Verse 2]\nUh, my pride, my ego, my needs, and my selfish ways\nCaused a good, strong woman like you to walk out my life\nNow I'll never, never get to clean up the mess I made, oh\nAnd that haunts me every time I close my eyes [Pre-Chorus]\nIt all just sounds like (Ooh, ooh)\nMm, too young, too dumb to realize\n[Chorus]\nThat I should've bought you flowers\nAnd held your hand\nShoulda gave you all my hours\nWhen I had the chance\nTake you to every party\n'Cause all you wanted to do was dance\nNow my baby's dancin'\nBut she's dancin' with another man\n[Bridge]\nAlthough it hurts\nI'll be the first to say that\nI was wrong\nOh, I know I'm probably much too late\nTo try and apologize for my mistakes\nBut I just want you to know\n[Chorus]\nI hope he buys you flowers\nI hope he holds your hand\nGive you all his hours\nWhen he has the chance\nTake you to every party\n'Cause I remember how much you love to dance\nDo all the things I should've done\nWhen I was your man\nDo all the things I should've done\nWhen I was your man" } ]

[ { "from": "human", "value": "Write me a song called Hell Breaks Loose with the following description: On “Hell Breaks Loose,” Detroit rapper Eminem links up with his mentor Dr. Dre for an aggressive banger. The artists discuss their eccentric personalities and tendency to bring mayhem on the Relapse: Refill exclusive track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Eminem]\nI want you to understand something\nThat when I come up in this bitch, I want the fans jumping\nI want the fists pumping in the air, \nI don't look like a millionaire\nBut I feel like a million bucks, \nladies won't ya fill your cups?\nShady's come to feel ya up, are you a D or a C cup?\nYou could even be a B,\n \nit's just me and D.R.E\nYou'll be in the ER, we are strapped with so much TNT\nWe may blow, no, not even CPR from the EMTs\nCould help you to resuscitate, you, busters, must be flustered, wait\nYou \ncan't cut the mustard\nWhat's your problem, \ncan't you bust a grape?\n(Chkk-chk-chk) What's my name?\nShady came and just crushed the game\nIt's really not even fair to them\n'Cause they pale in comparison\nSo much they might as well wear his skin\nDon't you wish you could just share his pen?\n'Cause this shit's getting embarrassin'\nThe fog is thick and the air is thin\n'Cause he won't even let them try to breathe\nLa-dididi-dadada-didi\nHe makes it look so easy, girl, you just hit the lottery\n[Chorus: Eminem & Nikki Grier]\nNow this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Hoo!)\nTry to restrain us, you can't contain us\nWe're still gonna make a statement no matter what we do (Yeah!)\nEverywhere we go it seems, we're looking for any excuse\nTo just cut loose (Come on!)\nSo this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Hoo!) [Verse 2: Dr. Dre & \nEminem\n]\nThis is when shit hits the fan like it just splattered on Stan\nThis is the only moment that matters, \nyour homie rolled in with Mathers\nNow chaos erupts, Em's in back, Dre's in the front\nSo do what we say at once, this song’s like a seance, it haunts\nIt makes them stay in a trance, no choice, they have to dance\nIt's like the playoffs, just making sure that we stay in the hunt\nTake a day off of what? Man, you better lay off the blunts\nYou must be smoking something, you think I ain't smoking nothing, \nstay off my nuts\nNow hit the floor, baby, time to wipe away all the rust\nShake all them cobwebs loose\nLoosen up with a little bit of \nGrey Goose\nYeah, girl, shake that caboose\nI don't wanna see you try to make no excuse\nD.R.E is on the loose\nA mongoose when it comes to the chronic use\nYou know, I can't stand to lose\nMe and my goons are like animals\nWe come through like a pack of wolves\nAnd we came here to retract the roof\nYeah, man, ain't that the truth?\nGirl, your man's back in the booth\nDefinitely back up in this bitch\nAnd this is when all hell breaks loose\n[Chorus: Eminem & Nikki Grier]\nNow this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Yeah!)\nTry to restrain us, you can't contain us\nWe're still gonna make a statement no matter what we do (Oh!)\nEverywhere we go it seems, we're looking for any excuse\nTo just cut loose (Come on!)\nSo this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Hoo!) [Verse 3: Eminem]\nNow, I know you're feeling discouraged, but, homie, just mark my words\nI'm murderin' the flow, liquid courage, I'm finna blow\nAs soon as we hit the door, power surges head to toe\nI'm sure to push it as far as words are meant to go\nWe're in the indigo Winnebago with tinted windows\nFerocious as we proceed to beat up the block wit' your ho\nWith speakers knocking, it's three-o'clock\n, me and Doc then proceed to drop\nE and hop out the vehicle and knock on your door\n[Verse 4: Dr. Dre]\nYeah, so let us in 'fore we huff and puff and we blow\nWe ain't bluffing for nothing, we'll knock the stuffing out you\nRevenge is so sweet, move 'til you injure your feet\nYeah, move it or lose it, freak, move to the beat\nLose yourself indubitably\nPass up on that little cute chick right there?\nThat'd be pretty damn stupid to me\nBorn and raised in the C-P-T, yeah, Los Angeles, rules of the streets\nThem haters hatin' on me, but I refuse to lose any sleep\nKeep that deuce-deuce in the seat\nDre fall off? That's news to me\n[Chorus: Eminem & Nikki Grier]\nNow this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Hoo!)\nTry to restrain us, you can't contain us\nWe're still gonna make a statement no matter what we do (Yeah!)\nEverywhere we go it seems, we're looking for any excuse\nTo just cut loose (Come on!)\nSo this'll be the part of the song that they drop the needle on\nAnd hell breaks loose (Hoo!)" } ]

[ { "from": "human", "value": "Write me a song called Family Business with the following description: The stories in this song are not actually all about Kanye’s family. Per Complex, Tarrey Torae (who sings “they don’t mean a thang” toward the end) helped Kanye with the stories for this song.\nKanye was like, ‘I need this to be about real-life family,’“ recalled Tarrey. \"I’m the oldest of 48 grandkids on my mom’s side and I’m in the middle of 36 grandkids on my father’s side. So when he said, ‘I need material.’ I was like, ‘I got plenty of material.’” Tarrey went on to tell Kanye about taking baths with her cousins, sleeping six in a bed, and her auntie who was known for her bad cooking. In fact, at the end when Kanye says “Let’s get Stevie out of jail,” he’s actually referring to Tarrey’s godbrother. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHow's your son?\n(\nAll, all, all tha-thang, thang, all, all tha-thang, thang, thang\n)\nHe made the team this year?\nAight, they said he wasn't tall enough\n(\nAll, all that glitters is not gold, all gold is not reality, real is what you lays on me\n)\nMa', we here, we gon' cook this Sunday, okay? So come by\nDamn, that's your new girlfriend?\n[Verse 1]\nThis is family business\nAnd this is for the family that can't be with us\nAnd this is for my cousin locked down, know the answer's in us\nThis why I spit it in my songs so sweet, like a photo of your granny's picture\nNow that you're gone, it hit us\nSuper hard on Thanksgiving and Christmas, this can't be right\nYo, you heard the track I did, man? \"This Can't Be Life\"\nSomebody please say grace, so I can save face\nAnd have a reason to cover my face\nI even made you a plate, soul food, know how Granny do it\nMonkey bread on the side, know how the family do it\nWhen I brought it, why the guard had to look all through it?\nAs kids, we used to laugh, who knew that life would move this fast?\nWho knew I'd have to look at you through a glass?\nAnd look, you tell me you ain't did it, then you ain't did it\nAnd if you did, then that's family business [Chorus]\nAnd I don't care about (All, all, diamond ring, diamond ring)\nThey don't mean a thing\n(All, all, all, tha-thang, thang, all, all tha-thang, thang, thang)\nAll these fancy things\nI tell you that all is my weight in gold\n(All, all that glitters is not gold, all gold is not reality, real is what you lays on me)\nNow, all I know, I know all these things\n[Verse 2]\nYeah, this is family business\nAnd this is for everybody standing with us\nCome on, let's take a family Grammy picture\nAbi, remember when they ain't believe in me?\nNow she like, \"See! That's my cousin on TV!\"\nNow, we gettin' it and we gon' make it\nAnd they gon' hate it, and I'm his favorite\nI can't deny it, I'm a straight rider\nBut when we get together, be Electric Slidin'\nGrandma, get 'em shook up\nAw, naw, don't open the photobook up\nI got a Aunt Ruth that can't remember your name\nBut I bet them Polaroids'll send her down memory lane\nYou know that one auntie, you don't mean to be rude\nBut every holiday, nobody eating her food\nAnd you don't wanna stay there 'cause them your worst cousins\nGot roaches at they crib like them your first cousins\nAct like you ain't took a bath with your cousin\nFit three in the bed if it's six of y'all\nI'm talkin' 'bout three by the head and three by the leg\nBut you ain't have to tell my girl I used to pee in the bed [Bridge]\nRain, rain, rain, go away\nLet the sun come out and all the children say\n (Uh)\nRain, rain, rain, go away\n (Yeah)\nLet the sun come out and all the children say\n (Yeah, yeah, yeah)\n[Verse 3]\nI woke up early this morning with a new state of mind\nA creative way to rhyme without using nines and guns\nKeep your nose out the sky, keep your heart to God\nAnd keep your face to the risin' sun\nAll my niggas from the Chi' is my family, dawg\nAnd my niggas ain't my guys, they my family, dawg\nI feel like, one day, you'll understand me, dawg\nYou can still love your man and be manly, dawg\nYou ain't gotta get heated at every housewarmin'\nSittin' here, grillin' people like George Foreman\nWhy Uncle Ray and Aunt Sheila always performin'?\nSecond she storm out, then he storm in\nY'all gon' sit down, have a good time this reunion\nAnd drink some wine like Communion\nAnd act like everything fine and if it isn't\nWe ain't letting everybody in our family business, uh\n[Chorus]\n(\nAll, all, diamond ring, diamond ring\n)\nThey don't mean a thing\n(\nAll, all, all tha-thang, thang, all, all tha-thang, thang, thang\n)\nThey don't mean a thing\n(\nAll, all that glitters is not gold, all gold is not reality, real is what you lays on me\n)\nThey don't mean a thing, a thing\nAnd I don't care about\n (\nAll, all, diamond ring, diamond ring\n)\nThey don't mean a thing\n (\nAll, all, all tha-thang, thang, all, all tha-thang, thang, thang\n)\nAll these fancy things\nI tell you that all is my weight in gold\n \n(\nAll, all that glitters is not gold, all gold is not reality, real is what you lays on me\n)\nAnd all I know, I know all these things [Outro]\nAll these things\nCLK Mercedes \nBenz\nAll these things\nA whole lotta money\nAll these things\nMommy and Daddy, can you please stop fighting?\nAll these things (And I don't care about)\nAll these things\nLet's get Stevie out of jail" } ]

[ { "from": "human", "value": "Write me a song called Order More (Remix) with the following description: G-Eazy releases a remix to “Order More” off of his 2015 sophomore album When It’s Dark Out, featuring guest verses from Yo Gotti and Lil Wayne. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Starrah]\nCut it up\nI got racks on the menu\nShe need more, shawty, cash on the menu\nShow some more, need that ass on a menu\nMake it clap we got cash on the menu\n[Chorus: Starrah]\nOooh, fuck around and order more money\nOooh, fuck around and order more\nOooh baby, we gon' order more money\nOooh, fuck around and order more\n[Verse 1: G-Eazy]\nI'm popping champagne, now I'm pouring more\nI just ran out of ones it's time to order more\nSo if you want this cash, you gotta show some more\nThat private dance is through that corridor (Let's go)\nI'm off drugs and a bunch of shots\nAfter party at my crib, oh, with a bunch of thots (Ha-ha)\nSo order more bottles, don't care what the cost\n (Nah)\nMy neighbor is a bitch, they tried to call the cops (You bitch)\nFuck you I'm living life, all good don't need advice\n (Aye)\nPussy is my favorite vice, I see you, I get enticed (Yeah)\nThem titties nice, tonight, I'ma hit it twice\n (Aye)\nComing home on that Bay Bridge (Aye)\n2 AM on them city nights, yeah\n (Let's go) [Chorus: Starrah & \nG-Eazy\n]\nOooh, fuck around and order more money (\nAye\n)\nOooh, fuck around and order more\nOooh, baby, we gon' order more money\nOooh, fuck around and order more\n[Verse 2: Yo Gotti]\nKeep a bag, blow a bag, throw a bag, it ain't nothin'\nI'm the weatherman, thunderstorm, forecast whole hundred\nDon't want no model girl, I want a bottle girl\nAnd you want a baller girl, and I'm right here balling, girl (Swish)\nI'mma send you an Uber (Uber), and she from Aruba\nShe know nothing about this thug life, she like, \"What is a shooter?\" (Woo)\nTook her down in Miami, put that bitch on a scooter\nTook her straight to the Fountainbleau,\n I know just how to do her\nShe said she had a man, but she know how to maneuver\nShe give me head underwater, so I'mma call her my scuba\nDoubt, Rolls Royce on deck, travel\nShawty's ass so fat, rattle\nTold a bitch I love her, liar\nWaitress all out of ones, fired\nPfft, I got old money, I can retire with it\nTryna fuck a check up now, ain't tryna die with it\nMoney bag, money bag\nGot a whole bunch of stacks, got a whole lotta ass\nIf for her, I just might [Chorus: Starrah & \nYo Gotti\n]\nOooh, fuck around and order more money (\nYuh\n)\nOooh, fuck around and order more (\nGotti\n)\nOooh, baby, we gon' order more money (\nPfft\n)\nOooh, throw a pound and order more\n[Verse 3: Lil Wayne]\nI'm about to order some more money, just to throw it at her\nThat money doesn't matter, I'll make it back mañana\nI hit it like a batter, I make it rat-a-tat-a\nI never give her answers, I never give her data\nMama, she a dancer, she dance her fucking ass off\nShe take her fucking pants off, and dance her fucking ass off\nShe let me feel that ass soft, \ncharge it to my Black Card\nShe fucked me for that iPhone, she so tired of that Android\nAn outdoor person, having orgies in my backyard\nI think her ass got steroids, this dick, it feel like heroin\nLil Tunechi, the East landlord, but I had to expand, Lord\nShining on these niggas, got them looking for some tan oil\nI got all these bands, boy, these hoes call me Band Boy\nWeezy F. Band Boy stay in pussy, not on the tabloids\nAnd just to think I was the bag boy\nNow I got that bag, boy, drop that Coupe on alloys\nJust order some more cash, boy, just order some more cash, boy\n[Chorus: Starrah & \nLil Wayne\n]\nOooh, fuck around and order more money (\nOrder some more cash boy\n)\nOooh, fuck around and order more (\nDrop that Coupe on alloys\n)\nOooh, baby we gon' order more money (\nNow I got that bag, boy, now I got that bag, boy\n)\nOooh, throw a pound and order more (\nWeezy F. Band Boy, just order some more cash, boy\n) [Outro: Lil Wayne]\nOh, yeah, it's Young Mula, baby" } ]

[ { "from": "human", "value": "Write me a song called Where You At with the following description: “Where You At” is the 10th track on Wayne’s 3rd studio album 500 Degreez.\nThis song gained attention in September 2016 when Kendrick Lamar rapped over the songs lyrics as part of a live stream where he begging Wayne not to retire at age 35.\nThis is the only track on 500 Degreez to receive a music video.\nOn this Mannie Fresh produced track, Wayne asks where the soldiers and hustlers of the hood are. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nAll my niggas if you with me\nWhere you at? (oh!)\nAll my soldiers if you with me\nWhere you at? (oh!)\nAll my hustlers if you with me\nWhere you at? (oh!)\nWhere you at? (oh!)\nWhere you at? Say (oh!)\nNiggas if you with me\nLet me hear you say (oh!)\nSoldiers if you with me\nLet me hear you say (oh!)\nHustlers if you with me\nLet me hear you say (oh!)\nSay, say (oh!)\nSay, say (oh!)\n[Verse 1]\nAye (Oh!)\nI come and do my thang and hold down my side\nEagle Street man throw my set up high\nWeezy we gang call them boys that squad\nThat squad, squad up! you know\nAnd we get a lot of dough on the strength of me\nGet a lotta dro on the strength of Fee\nGet a lot of blow\nBut keep that on the D\nD what?...DL! you know\nAnd oh you don't wanna fuck with a nigga\n'Cuz a nigga might fuck with the trigger\nLeave a nigga on the floor\nTruly I don't buck with you nigga\nLet my tooly talk, talk to you nigga\nBitch man is an itch to a rich man whoa\n'20s on the six with the kicks sitting low\nSticky in my swish man gasoline floor\nFire spit man Weezy is about to blow\nYa know! [Hook]\n[Verse 2]\nAye (oh!)\nPass the pine to the pimp old juice killer\nCatch your eye in one glimpse old school with the\nAss up high the front dip drip bam\nMami like damn, Lil Wayne stop playing\nBaby I'm a baller I hustle with my father\nIt's the Birdman and Birdman Jr\nI flip them birds man eighteen grand just order\nEighty-five for half and forty-five for quarter\nYeah! Tity baby put it in the air\nI'm jumping out this atmosphere\nAnd I'm jumping in your bitch if she had a player\nJumping in the painted thing on them dang-a-dangs\nYou see the arm when I pass nigga bang-a-lang\nYou now I'm armed we can mash man it ain't a thing\nYou know I'm calm but I'm a gorilla ain't a game\nI got a banana clip for all you orangutans\nLet's bang!\n[Hook]\n[Verse 3]\nAye (oh!)\nIt's young Weezy can't none see me dawg\nI get you done easy with one easy phone call\nAnd the sawed-off make your arms fall off\nLike a short sleeved polo, won't bother me no more\nIce like strobe light, look like I'm moving slow mo'\nFerrari look nice on low pro Yokohomas\nWith '20 inch chromes poking out 'em\nChrissy till the dome tote the ganja\nRed-bone in the shower\nHello! Pocahontas give a long stroke poke for hours\nFloating vagina hoe, I'mma holla\nSold coke in the '90s, I'm honest man\nNothing big maybe ounces, grams\nBut I know how to double, and sometimes it's scams\nBut I know to hustle, and some Glocks'll jam\nBut I know how to bust 'em, and some drops'll slam\nAll alloy buttons that's all stunting\nThat boy's something\nYeah! [Hook]\n[Outro]\nThis 500 Degreez right here. They can’t stop your boy\nB, Slim, B, Fresh, put the house on your boy\nPut everything you own on your boy, I got us\nThis gotta be the last song on the album\n‘Cause once nigga hear this, nigga don’t wanna hear no fuckin’ more\nAnd mind you I’m not a rapper, don’t get that shit twisted nigga\nI just do this shit cause I gotta feed\nFeed my fuckin' seed, y'know I’m sayin'\nFuck y'all" } ]

[ { "from": "human", "value": "Write me a song called Testimony with the following description: On “Testimony,” Kodak talks about his salvation and his blessings. With that, he also highlights the trouble the devil afflicted him with throughout his life—from hustling at a young age to his recent legal problems. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI'm God-sent, I know I’m God-sent\nI swear 'fore God\nYou know what I'm talkin’ 'bout?\nNow, I done overcame so much obstacles\nCame up from up under so much rocks and shit\nEven though I be out here schemin' like a demon semen\nI know I'm God-sent\nThis gotta be God\n[Verse 1]\nI'm God-sent, like He sent me up so I can relay these messages\nLike He use me as his vessel, like He use me as an instrument\nTryna locked me in a box, they hate how God just keep on blessin' me\nThey locked me in a box, I pray to God this ain't my destiny\nI don't drink no lean, I’m sippin’ on holy water like this my medicine\nI'm a livin’ testimony, every album like a testament\nEverything I went through made me who I am 'cause he be testin' me\nSo I'm breakin’ bread with all my fam 'cause I don't take no ecstasy\nI done sacrificed my niggas 'cause none of my niggas see the best in me\nThey want me slingin' metal like the Devil, but I'm Heaven-sent\nMy brother, my mother them addicts fuck my daddy 'cause he neglected me\nI'm 20 years old, but I act like I been here before, like I'm a veteran\nHe speak this shit through me like I'm a prophet, but I'm a reverend\nPut my blood, sweat and tears in all these lyrics 'cause this my Exodus\nI'm dyin' so I can live, so I can live, I resurrected it\nI'm dyin' so I can live, so I can live, I resurrected it [Chorus]\nAyy, blood in my eyes, I'm goin' blind, oh\nStuck in these streets, feel like my life froze\nI've been runnin' these streets, got me dehydrated\nI've been livin' so crazy, feel like I'm dyin', baby\nBlood in my eyes, I'm goin' blind, oh\nI'm stuck in these streets, feel like my life froze\nI've been runnin' these streets, got me dehydrated\nI've been livin' so crazy, feel like I'm dyin', baby\n[Verse 2]\nI just shot a nigga, now I can't sleep\nMy brother, he just washed me down with bleach, oh\nProject baby, snotty nose, head peezy\nNow everybody 'round the world tryna be me\nMiss my niggas, hope they see me on the TV\nI'm on Instagram showin' off my VV's\nYou won't understand that this wasn't easy\nI been walkin' 'round with my head peezy\nShot a nigga, took a shower with the bleach, Yahweh\nMama, I fell victim to the streets, I'm sorry\nI'm in middle school; sellin' weed in the hallway\nI was skippin' school, got in beef, started robbin'\nJackboy, that's my G, we like Batman and Robin\nGod, I know you lookin' out for me through the darkness [Chorus]\nBlood in my eyes, I'm goin' blind, oh\nStuck in these streets, feel like my life froze\nI've been runnin' these streets, got me dehydrated\nI've been livin' so crazy, feel like I'm dyin', baby\nBlood in my eyes, I'm goin' blind, oh\nI'm stuck in these streets, feel like my life froze\nI've been runnin' these streets, got me dehydrated\nI've been livin' so crazy, feel like I'm dyin', baby" } ]

[ { "from": "human", "value": "Write me a song called Dear Moleskine (2012) with the following description: Moleskine is a popular brand of notebooks/journals. So in essence, Jay’s original “Dear Moleskine” can be translated “dear diary”\nHe goes on to ask if any of his listeners have ever been depressed like he is and then details his depression. Kendrick Lamar responds with his own depression citing the all too common neighborhood kid “Little Johnny” caught in unnecessary gang violence who meets an untimely death.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Jay Electronica]\nHave you ever ever ever been depressed so bad\nIt was a struggle every day not to regret your past\nFeeling cursed like you never ever get your swag\nAnd you was speeding down the highway when your threshold pass\nWhen you cried all your tears out\nAnd one page of your diary can tell you what your year ’bout\nThat’s a lonely place\nMy mama said “Son, why such a lonely face?”\nBecause the pressure’s on me\nPlus I feel like Bill Murray trapped in Punxsutawney\nDr. Phil told me that I can sell crack or hit the army\nLook at where we live at\nTell me you don’t hear that\nTell me you don’t feel that\nShow me to the way out\nTell me when pastor Raphael gon’ reveal that\nIf not, man I’m outta here\nI’m just a sleep walking robot that’s outta gear\nI stick my nose out the water to the sky for air\nLama sabachthani\nI’m trying to see light but the devil trying to blind me\nThe grim reaper walking with his shovel right behind me\nTrying to introduce me to the untimely unkindly\nI Walk the line finely like Johnny Cash\nBut I keep getting visits from the ghost of the past\nSo I spark another L then I go to the pad [Bridge]\n[Verse 2: Kendrick Lamar]\nYeah I can reconcile being depressed real bad\nI’m a thinker not a drinker but still I hennessy drag\nAlcohol numbs the pain like with novacane stabs\nIn your arteries pardon me but my city go mad\nVia Compton California, corners with coroners and karma on em\nColors corresponding to gangs upon us\nCommon corrupted crip & piru’s cripple the city\nTriple the crime, Bible nor the Qur’an can save\nWelcome don’t be afraid, your city similar right?\nWhere the choppers kidnap the night and police silence your rights\nStare at the sky wonder will you live to see 25?\nI’m 22 at 20 I knew I was against the odds\nThis kid named Jonathan was monitorin’\nHis momma & sister, his older cousin he honoured him\nAnonymous bodies on his burner was astonishin’\nTo Johnny he might have been a modern day rider then\nHe walking outside again, he see the lifestyle of an active member\nPull out a mac 11, now his eyes is big\nFascinated by mayhem, what’s his cousin to say now?\nHe wanna be from the hood that he’s from and thats one\nMore gangster under the family tree, took em under his wings like KFC\nCrip crazy, rocking matching t-shirts that says “the hood made me”\nNo love just spread slugs thats the policy, the leader and the prodigy\nNow shorty do-wap, holdin a ou-wap, hanging with rah rah’s with blah blah’s\nThat sit on the block catching fades, hitting licks, going on missions with lunatics\nA 9th grade menace thugging for 6 months, smoking like 6 blunts\nAn hour the power of banging, he was walking… *3 Gun Shots*\nLittle Johnny [Outro: Malcolm X]\nI think you’ll find, sir, that there will come a time\nWhen black people wake up and become intellectually independent enough to think for themselves\nAs other humans are intellectually independent enough to think for themselves\nThen the black man will think like a black man and he will feel for other black people\nAnd this new thinking and feeling will cause black people to stick together\nAnd then at that point you’ll have a situation\nWhere when you attack one black man, you are attacking all black men\nAnd this type of black thinking will cause all black people to stick together\nAnd this type of thinking also will bring an end\nTo the brutality inflicted upon black people by (black people)\nAnd it is the only thing that will bring an end to it\nNo federal court, state court or city court will bring an end to it\nIt’s something that the black man has to bring an end to" } ]

[ { "from": "human", "value": "Write me a song called Trainwreck with the following description: “Trainwreck” serves as the third track from Demi Lovato’s debut studio album, Don’t Forget. It was the only song on the album completely written by Lovato themselves. The song is about an unstable man and how despite his reckless behavior, both people in the relationship have managed to remain together through their tumultuous relationship. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLa-di-da\nYeah\n[Verse 1]\nYou fled from medication 'cause it only causes pain\nYou won't go to the doctor, he keeps calling you insane\nYou're lost even when you're going the right way\nYou mean the world to me, even though you might be crazy\n[Chorus]\nAnd you said we wouldn't make it\nBut look how far we've come\nFor so long my heart was breaking\nBut now we're standing strong\nThe things you say make me fall harder each day\nYou're a trainwreck, but I wouldn't love you if you changed\nNo, yeah\n[Verse 2]\nI shook your hand and you pulled it right away, yeah\nYou asked me to dance and instead I said, \"No way\"\nInside, I was dying to give it a try\nAnd you begged me, so I stayed\nI knew you were different from the way I caved [Chorus]\nAnd you said we wouldn't make it\nBut look how far we've come\nFor so long my heart was breaking\nBut now we're standing strong\nThe things you say make me fall harder each day\nYou're a trainwreck, but I wouldn't love you if you changed\nNo, yeah\n[Bridge]\nWe were so different, but opposites attract\nSo my hope kept growing and I never looked back\nYou're one of a kind\nNo one can change this heart of mine, oh\n[Chorus]\nAnd you said we wouldn't make it\nBut look how far we've come\nFor so long my heart was breaking\nAnd now we're standing strong\nThe things you say make me fall harder each day\nYou're a trainwreck, but I wouldn't love you if you changed\nNo, yeah\n[Outro]\nOne more thing I thought I'd share with someone special\nI'm falling like I've never fell before\nIt's funny, you said we'd never make it, and look how far we've come\nYou're a trainwreck\nBut with you, I'm in love" } ]

[ { "from": "human", "value": "Write me a song called The Middle with the following description: “The Middle” serves as the ninth track from Demi Lovato’s debut studio album, Don’t Forget. “The Middle” is a song about pursuing a relationship with a mysterious but intriguing man, not caring where it’s headed or even if it ends abruptly. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nKnew where I was goin' when you left the room\nYou're the kinda guy who makes wanna follow through to you\nI've been trying to leave here for the longest time\nThe second that I saw you, I just knew I found my ride\nBye\n[Pre-Chorus 1]\nI like it, I like it, I like it\nI like it, I like it, I like it\n[Chorus]\nI wanna crash, I wanna fall\nI wanna be somewhere in the middle\nSomewhere in the middle of something\nIt's better than nothing\nI just need a little, I just need a little\nAnd I don't wanna be nowhere\nSomething's making me go there\nSomewhere in the middle with you\n[Break]\nI like it, I like it, I like it\nAnd I like it, I like it, I like it\n[Verse 2]\nLosing my direction, that's the way it should be\nFeeling a connection when you're standing next to me\nI wanna be rolling, I just wanna be rolling with you [Pre-Chorus 2]\nAll of the things you say (\nI like it, I like it\n)\nTaking me far away (\nI like it\n)\n[Chorus]\nI wanna crash (\ncrash\n), I wanna fall (\nfall\n)\nI wanna be somewhere in the middle\nSomewhere in the middle of something (\nsomething\n)\nIt's better than nothing (\nnothing\n)\nI just need a little, I just need a little\nAnd I don't wanna be nowhere (\nnowhere\n)\nSomething's making me go there\nSomewhere in the middle with you\n[Bridge]\nMaybe you'll save me\nYou're gonna take me from this crazy I've been painting\n'Cause I just need a little, I just need a little\nSomewhere in the middle with you\n[Chorus]\nCrash (\ncrash\n), I wanna fall (\nfall\n)\nI wanna be somewhere in the middle\nSomewhere in the middle of something (\nsomething\n)\nIt's better than nothing (\nnothing\n)\nI just need a little, I just need a little\nAnd I don't wanna be nowhere (\nnowhere\n)\nSomething's making me go there\nSomewhere in the middle with you [Outro]\n(\nCrash, fall\n)\nI like it, I like it\nSomewhere in the middle with you\n(\nCrash, fall\n)\nI like it, I like it\nSomewhere in the middle with you (\nyou\n)\nMiddle with you" } ]

[ { "from": "human", "value": "Write me a song called Better Than Yours with the following description: Kanye freestyles over Kelis' “Milkshake” hit.\nTrack 20 off Freshmen Adjustment 2, and Track 2 off Kon The Louis Vuitton Don. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Kanye West]\nMy raps is better than yours\nMy plaques is better than yours\nMy tracks is better than yours\nYou can have one but I have to charge\n[Verse 1: Kanye West]\nWe can start with the hits on my arm I already got the bomb\nNow all I need is my first LP to go gold\nThen I will have the qualm uh-uh uh-uh uh-uh\nI'm Kon the Louis Vuitton Don\nBought my Mom a purse now she Louis Vuitton Mom\nStill might throw on a little low arm they want me to stop, go on, go on\nThey don't want me to shop and me spending that hard\nOh my God is that a black card\nI turned around and replied why yes\nBut I prefer the term African American Express\n[Chorus: Kanye West]\nMy plaques is better than yours\nMy raps is better than yours\nMy tracks is better than yours\nYou can have one but I have to charge\n[Bridge: Kanye West]\nLa la, la la, la\nOff MTV\nLa la, la la, la\nWhen you gonna go out with me [Verse 2: Kanye West]\nBrains Power and Muscle like Dame Puffy and Russell\nYour boy back on his hustle don't know you don't discuss you\nEvery rapper want to know when they can get to work\nEvery stylist want to know where they can get the shirts\nEverybody ripping my style like the shit that hurts\nBut they don't give me my credit that's the shit that hurts\nThere's something I might say, there's something I might play\nA beat I might made might make they life change\nAnd save they whole deal, they wrist is on chill\nThey house is on hill, you could be Lauryn Hill\nSee y'all write songs to keep the lights on\nI'ma go in Def Jam and turn the brights on\nMan I'm just sayin'\nWhen I wanted to rap y'all thought I was just playin'\nNow y'all just prayin'\n[Chorus: Kanye West]\nCause my raps is better than yours\nMy plaques is better than yours\nMy tracks is better than yours\nYou can have one but I have to charge\n[Verse 3: Common]\nYou was a vic in high school, now you a thug?\nBetter step in the name of love\nBefore you giving pain a hug\nNeeding dope is like pain to drugs\nOr aiming slugs til the game unplugged\nLike a scoreboard with vice and warlords\nHot merchandise prices they want more for it\nYou was pink as ice single need to think it twice\nOver the bitch and you came out like freaks in the night\nFreed your mind at a cheaper price\nOn the street trying to seek advice\nI'm on point like I speak to dice\nTook the underground at a steeper heights\nMay real niggas see the light, got fat girls eating right [Outro: Kanye West & \nCommon\n]\nHaha, we in this bitch, yeah\nHahaha\nIt's Common and Kanye\nY'all niggas know what time it is, motherfuckers\nChi-Town,\n \nDJ Pharris\nHeavy Hitters what up?\nMike Love\n What Up?\nDJ Enuff\nPharrell! That's my favorite producer by the way\nThat's why I had to rap on this\n'Cause his tracks is better than yours\nMy tracks is better than yours\nJust Blaze tracks is better than yours\nYou can have one but we all gonna\nCharrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrge aaawwwww\nPlain Pat, what up?\nBig John, what up?\nJohn Mnop, what up?\nDon C, what up?\nJ.B., what up?\nGLC, what up?\nBang, what up? Yeah\nReally Doe, what up?\nArrowstar, what up? Yeah!\nOh, and did I mention the new head of my management, Benny Medina?\nYo G, Hop, we taxin these niggas right now\nPlain Pat what up? That's all" } ]

[ { "from": "human", "value": "Write me a song called Tell Your Friends (Remix) with the following description: This unexpected remix of The Weeknd’s “Tell Your Friends” off his second studio album Beauty Behind the Madness, came out on September 5 over OVOSound Radio.\nIt has been almost two years since they last collaborated on the song “Live For” and it was thought they would never collaborate again after they started beefing with each other.\nSimilar to “Hotline Bling,” Drake appears to be addressing a specific woman in his life. Lines like “the ball is in your court” and “you’re too famous to buy you purses” might point to Serena Williams. The pair were recently spotted at dinner together.\nIt was reported Serena’s friends had warned her to stay away from Drake, claiming he was just a “player.” Now, Drizzy might be clapping back, implying he does want something more – and to tell your friends that.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nYeah, live from the Waldorf in Berlin\nComing at you once again\nWith stories of truth and stories of sin\nYeah\n[Verse 1: Drake]\nYeah, the ball is in your court\nNo defense, nobody's keeping score\nNo offense but I've played this before\nMaybe you can and you just don't care anymore\nEvolving\nEvolving\nEvolving\nYeah\nAnd I’m right back here when I said I wouldn't\nYou were never a good girl but you're a better woman now\nEvolving\nEvolving\nEvolving, evolving\nLook, you remind me of Jane Birkin, your body insane in person\nWanna do special things for you, you deserve it\nBut you're too famous to buy you purses\nThat barely scratches the surface\nThis time is different, you give me purpose\nTell me you taking it serious, I gotta ask how serious?\n'Cause your serious has just been not that serious\nGot me on tour acting like I'm not that curious\nIgnoring all the pussy that's thrown at me\nBeen thinking 'bout home actually\nWhere Roxx has Kim and Mark has Ashley and Niks has Ezee\nAnd I, I don’t even know what I have anymore\nEvolving\nEvolving\nEvolving\nEvolving\nE... [Verse 2: The Weeknd]\nWe are not the same I am too reckless\nI'm not tryna go in that direction\nThese niggas they been doing too much flexing\nAnd they're about to call the wrong attention\nAnd I ain't got no patience, no more testing\nI do shit how I want, don't need no blessing\nXO niggas ain't nothing to mess with\nNobody stopping us, oh no we're destined\nAnd everybody around you is so basic\nI'm never rocking white, I'm like a racist\nI don't drink my liquor with a chasin'\nAnd money is the only thing I'm chasin'\nAnd some dope dimes on some coke lines\nGive me head all night, cum four times\nBaby girl just wanna smoke a pound\nDo an ounce, get some dick\nTell her friends about it\n[Hook: The Weeknd]\nGo tell your friends about it (About it)\nGo tell your friends about it (About it)\nGo tell them what you know, what you seen\nHow I roll, how I did it on the low\nGo tell your friends about it (About it)\nGo tell your friends about it (About it)\nGo tell them what you know, what you seen\nHow I roll, how I be off that coke\nGo tell your friends about it (About it)\nGo tell your friends about it\nI'm that nigga with the hair\nSingin' 'bout poppin' pills, fuckin' bitches, livin' life so trill [Verse 3: The Weeknd]\nLast year I did all the politicin'\nThis year I'm all focused on the vision\nI think these hoes deserve another fixing\nI'm talking about the ones from the beginning\nDon't believe the rumours bitch, I'm still a user\nI'm still rocking camo and still roll with shooters\nI'm a villain in my city, I just made another killing\nI'mma spend it all on bitches\nAnd everybody fuckin, everybody fucking\nPussy on the house, everybody fucking\nAnd I miss my city man it's been a minute\nM.I.A. a habit, Cali was the mission\nCruise through the west-end in my new Benz\nI'm just tryna live life through a new lens\nDriving by the streets I used to walk through\nWhen I had no crib I guess you call that shit a miracle\n[Hook: The Weeknd]\nGo tell your friends about it (About it)\nGo tell your friends about it (About it)\nGo tell them what you know, what you seen\nHow I roll, how I be on the low\nGo tell your friends about it (About it)\nGo tell your friends about it\nI'm that nigga with the hair\nSinging 'bout popping pills, fucking bitches, living life so trill [Verse 4: The Weeknd]\nMy cousin said I made it big and it's unusual\nShe tried to take a selfie at my Grandma's funeral\nUsed to roam on Queen, now I sing Queen street anthems\nUsed to hate attention, now I pull up in that wagon\nI was broken, I was broken, I was so broke\nI used to roam around the town when I was homeless\nMe and Lamar would rob a nigga for his Jordans\nAnd flip it just to get these hoes another nose fix\nNow we get faded, when we want girl, we got choices\nLay them on the fucking table, we got choices\nAnd if they wanna fuck my niggas, they got choices\nThey told me not to fall in love, that shit is pointless\nYeah, that shit is pointless\nThey told me not to fall in love, that shit is pointless\nYeah, that shit is pointless\nIt's only meant to fall in love\nThat shit is pointless\n[Hook: The Weeknd]\nGo tell your friends about it (About it)\nGo tell your friends about it (About it)\nGo tell them what you know, what you seen\nHow I roll, how I be off that coke\nGo tell your friends about it (About it)\nGo tell your friends about it\nI'm that nigga with the hair\nSinging 'bout popping pills, fucking bitches, living life so trill\nLife so trill\nLife so trill\nLife so trill" } ]

[ { "from": "human", "value": "Write me a song called Castles Crumbling (Taylor’s Version) [From The Vault] with the following description: Swift wrote “Castles Crumbling” around 2010 for her third studio album, Speak Now. Since then, fans gained knowledge of the song, but no part of it was actually ever heard until it was released as a From The Vault track on Speak Now (Taylor’s Version) on July 7th, 2023, featuring Taylor’s long-time friend, Hayley Williams.\nIn June 2023, a fan gifted Hayley with a bracelet themed after Speak Now, fact to which she said that was “coming at a very interesting time.” Her reaction brought fans to speculate about her appearence on the album, which was later confirmed when Swift posted its tracklist. While announcing it, Taylor mentioned that Hayley’s band, Paramore, was a huge influence to her around the time that she wrote Speak Now.\nAlthough “Castles Crumbling” marks their first collaboration, Hayley had already been a guest star during Swift’s 2011 Speak Now Tour, and had also made an appearence in the music video for her 2015 single, “Bad Blood.” Hayley is also heavily rumoured to have been the inspiration behind the song “Speak Now.”\nLastly, two days before the song came out, Swift revealed on Twitter that Paramore would be an opening act for several of Taylor’s The Eras Tour dates in 2024. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)" } ]

[ { "from": "human", "value": "Write me a song called Mosh with the following description: In this political protest song, released online as a single right before the U.S. Presidential election in 2004, Eminem states clearly that he passionately disagrees with the Bush administration’s agenda to continue the occupation of Iraq and the War On Terror in the Middle East.\nBy opening the song with the sound of children reciting the Pledge of Allegiance he illustrates how American culture indoctrinates us from a very young age to be obedient to the flag, even while our leaders are making long term plans to send those very same children to war as soon as they are old enough to die on a battlefield.\nThe animated video for “Mosh” depicts a U.S. soldier returning home from Baghdad, only to be told he must go back, leaving his family behind in a country that doesn’t even take care of its own citizens properly, while promising to rebuild another nation through the violence of war.\nAmerican troops who served in the Iraq War were forced to do many tours of duty during this time. This was due to a lack of people willing to enlist to fight in the controversial conflict due to its occupational nature. The song expresses the righteous anger millions of people felt at George W. Bush for not bringing the U.S. troops home immediately when so many Americans and allies around the world were against the war.\n“Mosh” demands we look at the hypocrisy of our political leaders while imagining what it would be like if American people really supported the troops by sticking together to demand they be brought home from an unconstitutional, illegal war that only we can end.\n\n\n\nThe song ends with the voices of children giggling and asking if we can hear them. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI pledge allegiance to the flag\nOf the United States of America\nAnd to the republic for which it stands\n (People)\nOne nation, under God, indivisible\nWith liberty and justice for all\n (It feels so good to be back)\n(Mosh with me now)\n[Verse 1]\nScrutinize every word, memorize every line\nI spit it once, refuel, re-energize, and rewind\nI give sight to the blind, my insight through the mind\nI exercise my right to express when I feel it's time\nIt's just all in your mind, what you interpret it as\nI say to fight, you take it as \"I'ma whip someone's ass\"\nAnd if you don't understand, don't even bother to ask\nA father who has grown up with a fatherless past\nWho has blown up now to rap phenomenon that has\nOr at least shows no difficulty multitaskin'\nAnd juggling both, perhaps mastered his craft slash\nEntrepreneur who's helped launch a few more rap acts\nWho's had a few obstacles thrown his way through the last half\nOf his career, typical manure, movin' past that\nMr. Kiss-His-Ass-Crack, he's a class act\nRubber Band Man\n, \nyeah, he just snaps back [Chorus]\nCome along, follow me as I lead through the darkness\nAs I provide just enough spark that we need\nTo proceed, carry on, give me hope\nGive me strength, come with me and I won't steer you wrong\nPut your faith and your trust as I guide us through the fog\nTo the light at the end of the tunnel, we gon' fight, we gon' charge\nWe gon' stomp, we gon' march through the swamp\nWe gon' mosh through the marsh, take us right through the doors, come on\n[Verse 2]\nAll the people up top, on the side and the middle\nCome together, let's all form and swarm just a little\nJust let it gradually build from the front to the back\nAll you can see is a sea of people, some white and some black\nDon't matter what color, all that matters we're gathered together\nTo celebrate for the same cause no matter the weather\nIf it rains, let it rain, yeah, the wetter, the better\nThey ain't gon' stop us, they can't, we're stronger now more than ever\nThey tell us no, we say yeah, They tell us stop, we say go\nRebel with a rebel yell, raise hell, we gon' let 'em know\nStomp, push, shove, mush, fuck Bush\nUntil they bring our troops home, come on, just\n[Chorus]\nCome along, follow me as I lead through the darkness\nAs I provide just enough spark that we need\nTo proceed, carry on, give me hope\nGive me strength, come with me and I won't steer you wrong\nPut your faith and your trust as I guide us through the fog\nTo the light at the end of the tunnel, we gon' fight, we gon' charge\nWe gon' stomp, we gon' march through the swamp\nWe gon' mosh through the marsh, take us right through the doors, come on [Verse 3]\nImagine it pourin', just rainin' down on us\nMoshpits outside the Oval Office\nSomeone's tryna tell us somethin', maybe this is God just\nSayin' we're responsible for this monster, this coward\nThat we have empowered, this is Bin Laden\nLook at his head noddin'\nHow could we allow somethin' like this without pumpin' our fists?\nNow this is our final hour\nLet me be the voice and your strength and your choice\nLet me simplify the rhyme just to amplify the noise\nTry to amplify it, times it, and multiply it by six\n'Teen million people all equal at this high pitch\nMaybe we can reach Al-Qaeda through my speech\nLet the president answer a higher anarchy\nStrap him with an AK-47, let him go\nFight his own war, let him impress daddy that way\nNo more blood for oil\nWe got our own battles to fight on our own soil\nNo more psychological warfare\nTo trick us to thinkin' that we ain't loyal\nIf we don't serve our own country, we're patronizin' a hero\nLook in his eyes, it's all lies\nThe stars and stripes have been swiped, washed out, and wiped\nAnd replaced with his own face, mosh now or die\nIf I get sniped tonight, you'll know why\n'Cause I told you to fight [Chorus]\nSo come along, follow me as I lead through the darkness\nAs I provide just enough spark that we need\nTo proceed, carry on, give me hope\nGive me strength, come with me and I won't steer you wrong\nPut your faith and your trust as I guide us through the fog\nTo the light at the end of the tunnel, we gon' fight, we gon' charge\nWe gon' stomp, we gon' march through the swamp\nWe gon' mosh through the marsh, take us right through the doors, come on\n[Outro: Eminem & \nHailie Jade\n]\nAnd as we proceed\nTo mosh through this desert storm\nAnd these closing statements\nIf they should argue, let us beg to differ\nAs we set aside our differences\nAnd assemble our own army\nTo disarm this weapon of mass destruction\nThat we call our president for the present\nAnd mosh for the future of our next generation\nTo speak and be heard\nMr. President, Mr. Senator\nCan you guys hear us?" } ]

[ { "from": "human", "value": "Write me a song called Like Dat with the following description: “Like Dat” is an unreleased song by Fergie, which leaked online on February 9th, 2019. The song features production by Major Lazer, with guest vocals by rapper Iggy Azalea. A second version of the song, featuring rapper YG, was also leaked online on the same day. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like\n(Never seen a booty bounce like that)\n[Verse 1: Major Lazer]\nYo, is that real or is it fake?\nI must be seeing double, gotta be making a mistake\nShe be droppin’ it on the floor\nMaking the earth shake\nLike an earthquake, it feel like a movie, first date\nShe do with the jump ting\n[?]\nBaby, let me touch it please\nMake me wanna beg for the sampling\nYou been a bad girl\nI think you deserve to get a spankin’\n[Chorus]\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like\nLike that, like that, like that\n(Never seen a booty bounce like that)\n(Is that real?) [Verse 2: Iggy Azalea]\nAss shakin' like a polaroid, don’t you get the picture?\nOoo, she so bad, lil mama gon' get a whippin'\nShe don’t strip but what she doin’ might be worthy of a tippin’\nBaby, ball and watch that booty get to dribbling’, dribblin’\nAll the boys sittin' wishin' they were worthy of a minute\nFunny things is that they wouldn’t even know what to do with it\nI could put it down, my daddy let me know where I should sit it\nMaybe right there in your lap then throw it back, back, back\nI make it clap, clap, clap standing ovation\nStart slow then I go fast, ain’t no practicing patience\nAin't no girl out here like Iggy, you know ain’t no replacement\nNow where the hell is Marky Mark for all these good vibrations?\n[Chorus]\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nLike that, like that, like that\n[Verse 3: Fergie]\nI didn't know bodies moved that way\nBig booty butt turn a straight girl gay\nAstronauts have a real good day\n'Cause you can see that thing up in outer space\nSo pop it, pop it\nTurn round and, baby, drop it\nShow mama that you got it, got it\nI'm hella dizzy like ooo [Chorus]\nNever seen a booty bounce like that\nNever seen a booty bounce like that\nNever seen a booty bounce" } ]

[ { "from": "human", "value": "Write me a song called And You Don’t Remember with the following description: “And You Don’t Remember” is a song recorded by Mariah Carey for her second studio album, Emotions. One of the album’s more gospel infused songs it features organ chord changes and holds minimal production in order to give the vocals a more “raw and sixties feel.”\nThis song is also featured in an advertisement for Sony MiniDisc which was aired in Japan in 1991.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nShattered dreams\nCut through my mind\nTragically our love has died\nMemories confine my head\nBitterly I face the end\n[Pre-Chorus]\nTrustingly, I gave my self to you\nI let you inside\nBelieving your lies\n[Chorus]\nAnd you don't remember\nEvery time you told me\nYou were mine forever\nFor eternity\nAnd you don't remember\nHow you used to hold me\nHow we'd melt together\nHow you needed me\nHow we used to be in love\n[Verse 2]\nStranded here\nIn nothingness\nWith only tears\nAnd loneliness [Pre-Chorus]\nFoolishly, I gave my soul to you\nI let you inside\nBelieving your lies\n[Chorus]\nAnd you don't remember\n(And you don't remember)\nEvery time you told me\n(Every time you told me)\nYou were mine forever\nFor eternity\nAnd you don't remember\n(And you don't remember)\nHow you used to hold me\n(How you used to hold me)\nHow we'd melt together\nHow you needed me\nHow we used to be\n[Bridge]\nHelplessly, I fell so deep\nI was so naive to let you in\nWhy did I let you in\nTo my heart [Chorus]\nAnd you don't remember\n(Every time you told me)\nAnything that you told me\nYou were mine forever\nFor eternity\nYes, you will\nI know you don't remember\n(I know you don't remember)\nHow you used to hold me\n(How you used to hold me)\nHow we'd melt together, together\nHow you needed me\nHow we used to be in love" } ]

[ { "from": "human", "value": "Write me a song called The Hero with the following description: The last track in the album, featured in the movie’s credits. It uses a lot of the themes from previous tracks, (especially from the Battle Theme) as well as being the only song in the album with lyrics besides ‘Flash’s Theme’. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHa-ha-ha-ha-ha-ha-ha\n[Verse 1]\nSo you feel like you ain't nobody?\nAlways needed to be somebody?\nPut your feet on the ground\nPut your hand on your heart\nLift your head to the stars\nAnd the world's for your taking\nAll you gotta do is save the world, yeah\n[Verse 2]\nSo you feel it's the end of the story?\nFind it all pretty satisfactory?\nWell I tell you, my friend\nThis might seem like the end\nBut the continuation\nIs yours for the making\nYes, you're a hero, ooh yeah\n[Orchestral Break]\n[Guitar Solo] [Flash's Theme - Reprise]\nFlash!\nA-ah!\nHe's for every one of us\nStand for every one of us\nHe'll save with a mighty hand (he'll save with a mighty hand)\nHe'll save with a mighty hand (he'll save with a mighty hand)\nHe saved with a mighty hand (save us)\nEvery man every woman every child (man, woman, child)\nHe's the mighty (mighty)\nFlash!\nA-ah!" } ]

[ { "from": "human", "value": "Write me a song called Technology with the following description: “Technology” is an uptempo track that deals with Chris' frustrations of relying on technology to sustain a long distance relationship.\nThe track was initially teased by Chris in a now-deleted Instagram post in November 2016. Leak site MusicMafia sold the track in June 2018, and the full audio leaked online in September 2019—almost 3 years later. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIf you ever wonderin' where I am\nAnchor to my own wonderland\nThese different time zones\nHow do I ever land by you\nBy you?\nYeah, all these days go by and feels like I'm countin' sand\nI want you around me to fill up this emptiness\nGirl, help me write the story with a happy endin' with you\n(Oh, yeah) For you\n[Chorus]\nI want you close (Close), closer, baby\n'Cause this long-distance ain't workin' for me (No)\nWhy do you have to be overseas?\n'Cause this technology, you know it\n[Post-Chorus]\nIt don't do it for me (Hey! Hey, yeah)\nFor me (No, it don't, hey! It don't)\nIt don't do it for me (Hey! No, it don't, hey!)\nFor me\n(It don't do it, baby, no)\nIt don't do it for me (Yeah!)\n[Refrain]\nBaby, you know I'm in love\nYour body, I got the answers (For me)\nWhy you teasin' me all the time?\n('Cause it don't) It don't do it for me\nBaby, you know I'm in love (Yeah)\nYour body, I got the answers (For me)\n(Oh, yeah)\nIt don't do it for me [Verse 2]\nI've been drinkin' way too much\nTime goes so slow, an orbit around the sun\nIs there any chance you could fly to me?\nTo me, please?\nDon't hang up your cell phone, don't give up on me\nI'm tryna make this FaceTime last\nActin' like any time minutes ain't free\nOh-oh, I need you here with me, yeah\nTo write this song (Oh-oh), about you\n[Chorus]\nI want you close (Close), closer, baby\n'Cause this long-distance ain't workin' for me (No, woah)\nWhy do you have (Have) to be overseas? (You have all this water)\n'Cause this technology, you know it\n[Post-Chorus]\nIt don't do it for me (Hey!)\nIt don't, it don't do it for me\nIt don't, it don't do it for me (Hey!)\nIt don't, it don't do it for me (Hey!)\n(It don't do it baby, no)\nIt don't, it don't do it for me\n[Verse 3]\nGirl, I need all of your love\nSun down to sun up (Yeah, for me)\nFor me, oh, baby\nIt don't do it for me (It don't do it for me)\nGive it here, give it here (Yeah)\nGirl, I know you been waitin' (For me)\nAnd you know that\nIt don't do it for me [Refrain]\nBaby, you know I'm in love\nYour body, I got the answers\nWhy you teasin' me all the time?\n(For me)\nBaby, you know I'm in love\nYour body, I got the answers\nWhy you teasin' me all the time?" } ]

[ { "from": "human", "value": "Write me a song called Amen with the following description: Amen is the newest drop from Pusha T which features Kanye West & Young Jeezy. The cut was released on Monday, August 15th, 2011. Things are looking better for Pusha T with each new release, which Amen has proven yet again. It’s worthy addition to the impressive body of work Pusha T has been developing over the years. We’re looking forward to hearing what’s next.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Shawty Redd]\nIn the midst of negativity\nA positive sight can be blurred\nAnd the visions that we thought were good\nSeems to let evil occur\nWhile still possessing our human form\nWe live life searching for greatness since the day we was born\nAnd as we bow our heads at night, rich, wealthy\nOr poor with dislike, we pray, asking for\nForgiveness for our sinful ways\nWith mind, body, spirit and faith, we pray\nAmen\n[Interlude: Shawty Redd]\nYeah (amen) you like that right? (amen)\nI wrote it myself by the way (amen)\nYo, Young, Jeezy, Jizzle, Snowman (amen, amen)\nWe gotta give the streets what they want, man (amen)\nFuck the goddamn shit (amen)\nYou gotta get it in, bruh, let's get it (amen)\n[Verse 1: Kanye West]\nYou like that, don’t ya? I wrote it myself, by the way\nAnd I don’t mean to be selfish, \nbut I picture myself gettin' paid\nAnd you might catch pneumonia, 'cause I'm colder than a elf on a sleigh\nUh, me and Pusha back on it,\n now everybody help us pray\nLord forgive my sins and all my friends\nDollars make sense, I’m tryin' to get paid [Verse 2: Pusha T]\nTryna get saved? (Too late!) time to get paid\nGot a gun and a stockin' mask, niggas thought I was tryna get waves\nI’ma let all y'all niggas pray for it, my young niggas knockin' off a K for it\nSold my soul on the back end, only fuckin' way I’ma pay for it\nFront that shit you put a flame on\n, my niggas locked in a cage for\nThey keep tellin' me to go hard, number one spot you was made for\nYuugh! I made more, front of the grill, got a racehorse\nCalifornia Crayola red, \"Glow In The Dark\" like a Ye tour\nFuck niggas steppin' in my lane for, not knowin' that it’s a landmine?\nSoon as a nigga feel a cool breeze, throw the top up like a gang sign\nRed or blue, Crip or Blood, solitaires, diamond studs\nLike chandeliers, I’ma flood, black Jesus piece like it’s dipped in mud\nFashion gods, notice mine, rollerball spikes, I’m Pokémon\nParis shit, Louis Vuitton, under bright lights, where do you belong?\n[Chorus: Shawty Redd]\nPlease Lord, yeah, it’s gettin' realer everyday\nNiggas killin’, niggas starvin', ayy, 'cause they can’t find no yay\nSee the first they roll around and their bills they cannot pay\nSo some be trappin', some be dyin', bow our heads and let us pray\nAmen\n[Verse 3: Kanye West]\nAmen, how many people do you know hatin’\nOn your downfall, sittin' there, waitin’?\nWhen you shine, I don't know what they gon' say then\nEverything I do now stadiums\nSo tell me what they really gon’ say to him\nAnd I’m headed straight to the ATM\nFinna go HAM, nigga finna go in\nNigga you'll get it when pigs fly\nWhen Yeezy fake, Devil’s pie\nPiece of cake, Kit-Kat\nI need a break, God’s child\nJesus Christ, club like a broken neck\nI need the ice, I need the lights, uhh\nIn Egypt they fightin’ for freedom\nCop pull you over, no reason, beat 'em [Chorus: Shawty Redd]\nPlease Lord, yeah, it’s gettin' realer everyday\nNiggas killin’, niggas starvin', ayy, 'cause they can’t find no yay\nSee the first they roll around and their bills they cannot pay\nSo some be trappin', some be dyin', bow our heads and let us pray\nAmen\n[Verse 4: Jeezy]\nI got them units packed in that black van like the A-Team\nEven seen 'em come 2-tone like a Saleen (Saleen?)\nSaleen, yeah that’s a Mustang\nBreak ‘em down in the night, that's what I call hustlin'\nThey say they want that dumb shit, well, this is ignorant\nCondo on the timepiece, yeah, now that's ignorant\nThey like, \"Young, you a fool\", yeah I coulda bought some real estate\nInstead I bought a half a block and tried to sew up half the streets\nI’m on 75-75, when they was going for the 25\nGuess who’s pickin’ up a trey? Just an ordinary day\nWith extraordinary pay, extraordinary risk\nCan’t even explain, got an extraordinary wrist\nI talk it 'cause I lived it' man, this shit ain't really nothin' to me\nTell ya like Sosa told Tony, “Don't you fuck with me”\n[Chorus: Shawty Redd]\nPlease Lord, yeah, it’s gettin' realer everyday\nNiggas killin’, niggas starvin', ayy, 'cause they can’t find no yay\nSee the first they roll around and their bills they cannot pay\nSo some be trappin', some be dyin', bow our heads and let us pray\nAmen [Outro: Shawty Redd]\nAmen, amen, amen, amen\nAmen, amen, amen, amen\nAmen, amen, amen, amen" } ]

[ { "from": "human", "value": "Write me a song called I Wish You Would with the following description: This is a song about an ex-lover who she doesn’t exactly think she will never ever get back together with. Although their relationship is over, she has no bitter feelings towards him. A part of her wishes he would try to get back with her, as she would not decline. It also flirts with the idea of a friends with benefits relationship.\nA fan who attended the 1989 Secret Sessions held by Queen T herself posted the following story on Tumblr:\nTaylor said that she wrote “I Wish You Would” a couple of months after her and Harry [Styles of One Direction] broke up, and they decided to become friends again and she said this was the first time she had become friends with an ex to the point where they were comfortable enough to talk about why the relationship didn’t work out. She said he told her about how, after they broke up, he bought a house literally one road adjacent to hers. Every day he would drive home, and accidentally turn into her street, and he told her how he just wanted to stop at her house and see her, but he never did. She said this song is about while he was in the car making the decision to get out the car and see her, she was sitting in her bedroom, wishing he would make the move and go back to her and just pitch up at her house. She compared it to a classic John Hughes movie where both parties want the same thing but neither has the guts to say anything. Honestly, she spoke so fondly of that relationship. She really does miss it.\n\n​http://instagram.com/p/uY9DhLjvN2/?modal=true\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's 2 AM in your car\nWindows down, you pass my street, the memories start\nYou say, \"It's in the past,\" you drive straight ahead\nYou're thinkin' that I hate you now\n'Cause you still don't know what I never said\n[Chorus]\nI wish you would come back\nWish I never hung up the phone like I did, I\nWish you knew that\nI'd never forget you as long as I live and I\nWish you were right here, right now, it's all good\nI wish you would\n[Verse 2]\nIt's 2 AM in my room\nHeadlights pass the window pane, I think of you\nWe're a crooked love in a straight line down\nMakes you want to run and hide\nBut it makes you turn right back around\n[Chorus]\nI wish you would come back\nWish I never hung up the phone like I did, I\nWish you knew that\nI'd never forget you as long as I live and I\nWish you were right here, right now, it's all good\nI wish you would\nI wish we could go back\nAnd remember what we were fighting for and I\nWish you knew that\nI miss you too much to be mad anymore and I\nWish you were right here, right now, it's all good\nI wish you would [Post-Chorus]\nI, I-I-I, I, I, I wish, I wish, I\nI, I-I-I, I, I, I wish, I wish, I\nI, I-I-I, I, I, I wish, I wish, I (Hey)\n[Bridge]\nYou always knew how to push my buttons (I, I-I-I, I, I, I wish, I wish, I)\nYou give me everything and nothin' (I, I-I-I, I, I, I wish, I wish, I)\nThis mad, mad love makes you come runnin' (I, I-I-I, I, I, I wish, I wish, I)\nTo stand back where you stood (I, I-I-I, I, I, I wish, I wish, I)\nI wish you would, I wish you would\n(I wish you would, I wish you would)\nI wish you would, I wish you would (I, I-I-I, I, I, I wish, I wish, I)\n(I wish you would, I wish you would)\n(I, I-I-I, I, I, I wish, I wish, I)\n[Verse 3]\n2 AM, here we are\nSee your face, hear my voice in the dark\nWe're a crooked love in a straight line down\nMakes you wanna run and hide\nBut it made us turn right back around\n[Chorus]\nI wish you would come back\nWish I never hung up the phone like I did, I\nWish you knew that\nI'd never forget you as long as I live and I\nWish you were right here, right now, it's all good\nI wish you would\nI wish you would come back\nWish I never hung up the phone like I did, I\nWish you knew that\nI'd never forget you as long as I live and I\nWish you were right here, right now, it's all good\nI wish you would\nI wish we could go back\nAnd remember what we were fighting for and I\nWish you knew that\nI miss you too much to be mad anymore and I\nWish you were right here, right now, it's all good\nI wish you would [Outro]\nYou always knew how to push my buttons (I, I-I-I, I, I, I wish, I wish, I)\nYou give me everything and nothin' (I, I-I-I, I, I, I wish, I wish, I)\nThis mad, mad love makes you come runnin' (I, I-I-I, I, I, I wish, I wish, I)\nTo stand back where you stood (I, I-I-I, I, I, I wish, I wish, I)\nI wish you would, I wish you would\n(I wish you would, I wish you would)\n(I, I-I-I, I, I, I wish, I wish, I)\nI wish you would, I wish you would\n(I wish you would, I wish you would, I wish you would)\n(I, I-I-I, I, I, I wish, I wish, I)\nI, I-I-I, I, I, I wish, I wish, I\nI, I-I-I, I, I, I wish, I wish, I\nI wish you would" } ]

[ { "from": "human", "value": "Write me a song called Dedication 3 with the following description: The intro to Lil Wayne’s 3rd installment of the Dedication series with DJ Drama. Wayne, Mack Maine, Gudda Gudda & Willie The Kid rap over “The Art Of Storytelling Part 4” instrumental, which was on DJ Drama’s official Gangsta Grillz album and was a continuation of Outkast’s Art Of Storytelling series. The beat was produced by Don Cannon. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne & \nDJ Drama\n]\nAnd this is just a mixtape\nDamn, haha\nWell, it's a little more than that\nIt's more like a message\nMore like a change for the better\nAnd this is just a mixtape\nDamn\nIt's more of a dedication\nD3!\nAnd this is just a mixtape\nDamn\nThis what y'all was waiting for?\nDJ Drama!\n[Chorus: Lil Wayne & \nDJ Drama\n]\nAnd I'ma keep fucking this world\n'Til you motherfuckers come for me, yah (\nIll!\n)\nDon't worry if me got a gun\nYou should have a gun for me, yah\n (\nGangsta Gri-zillz!\n)\nAnd all these niggas is killers\nAnd all these killers with me, yeah\nBut you should be more afraid of the killer in me (\nOhh!\n)\n'Cause I'm about to kill 'em (I'm about to kill 'em)\n'Cause I'm about to kill 'em (I'm about to kill 'em)\nSo fuck it, I'ma kill 'em (So fuck it, I'ma kill 'em) (\nGangsta!\n)\nSo fuck it, I'ma kill 'em (So fuck it, I'ma kill 'em, yeah!)\nAnd I'ma keep fucking this world\n'Til you motherfuckers come for me, yah\nDon't worry if I got a gun\nYou should have a gun for me, yah\n (\nGangsta Gri-zillz!\n)\nAnd all these niggas is killers\nAnd all these killers with me, yah (\nGangsta!\n)\nBut you should be afraid of me (\nGangsta Gri-zillz!\n) [Verse 1: Gudda Gudda]\nYoung veteran, soon to be OG\nPlus, I spit like a crackhead with no teeth\nI hear you little niggas barking, want more beef\nYou like a nigga with no guns, you gets no peace\nAnd when it comes to money, my shit is obese\nLike Della Reese;\n I need celery\nMore money—what the fuck these niggas telling me?\nI'm Young Lucifer, take 'em all to Hell with me, yeah\nDrop 'em off in a firestorm\nYM riot squad, get our riot on\nIf he testify like Common, see the firebomb\nIf you know what's best, motherfucker, get your quiet on\nThese niggas starving out here, getting they diet on\nWhile I'm eating, nigga, gripping on my Styrofoam\nOne-man game, nigga, I'ma die alone\nFor now, I'm with your girl, getting my Rowdy Roddy Piper on\n[Verse 2: Willie the Kid]\nWillie the Kid, pull guns like a hamstring\nNo bull, I push Pro-V's like Pantene\nBlow like a trombone, funny niggas—tambourine\nPlayers get jumped like a trampoline, tangerine gators\nThey naysayers, mascara wearers\nAnd my niggas on paper, getting paper like ballplayers\nNo blood, no foul; yeah, my heart cold as Moscow\nWe nap your kin like a hot towel\n (\nGangsta!\n)\nAll my hoes hostile; not me; never tell me, \"Not now\"\nRap niggas, forty-cal' to your brow (Ugh, ugh)\nRoof-remover: we leave your brain with more air\nManeuver: I leave your bitch with a moist chair (\nGangsta Gri-zillz!\n)\nSeduce her; yeah, you rappers should be tired of lying\nBut I know it's hard like a tire iron\nBut yet, it's complex, like it's Mayan science\nOr Aztec math\nI'm crazy as a mesc' tab; I feed niggas like a mess hall\nAnd yes, y'all, it's Willie—how I address y'all\nOr like a stylist, nobody's fly as this\nYou crazy? I'm getting brain like a psychiatrist [Chorus: Lil Wayne & \nMack Maine\n]\nAnd I'ma keep fucking this world\n'Til you motherfuckers come for me, yah (\nGangsta Gri-zillz!\n)\nDon't worry if me got a gun\nYou should have a gun for me, yah\nAnd all these niggas is killers (\nKillers with you\n)\nAnd all these killers with me, yeah (\nGangsta!\n)\nBut you should be afraid of me (\nGangsta!\n)\n'Cause I'ma kill 'em, I'ma kill 'em\nYeah, I'ma kill 'em, yes, I'ma kill 'em\nAnd I'ma kill 'em, I'ma kill 'em\nI'ma kill 'em\n[Verse 3: Mack Maine]\nThey say powder makes you hyper, reefer makes you calm\nCigarettes give you cancer, woo-woos make you dull\nWhile I sip the purple harlot, thick as my Southern drawl\nPut me on the ocean floor with a mermaid with no drawers\nThey got bats up in the cave, upside-down\nBlood rushing to they head, they reacting off sound\nAs I stand on the mound, pitching for the crown\nUptown-bound, face painted like a clown\nReciting scriptures from the chapters, Proverbs, Leviticus\nOld-ass rappers complaining what the business is\n'Bout the state of hip, sounding like some bitches\nHop your ass up off a rich nigga dick, it's ridiculous\nThe new school, nigga\nWhat you need to do is become a resident under conditions\nGet your ass up off your ass, and get your ass up on a mission\nBecome some competition, like Federer and Nadal\nYoung Money, nigga, we ball, like Kobe or Chris Paul\nForgiving a wack cracker, still sipping Cristal\nWaving the lifeline, since life's a bitch, y'all\nRaising up the skirts of Jezebels for no cash\nLike, \"Bitch, gimme that ass\"\nOr pulling up to the lot, like, \"Gimme that Jag'\"\nNo, pulling up to the lot, like, \"Gimme that Lam'\"\nThey study me, yeah, they cram, like I'm a final exam\nIf I hit you in your back, you'll need a spinal exam\nI'm something like a rhino or ram: animal, beast\nIrritating you pussies like chlamydia, yeast\nYM militia, you niggas better retreat\nOr be like this beat: R.I.P., deceased [Post-Chorus: Lil Wayne]\n'Cause I'ma kill 'em, I'ma kill 'em\nYeah, I'ma kill 'em, yes, I'm kill 'em\nAnd I'ma kill 'em, I'ma kill 'em\nI'ma kill 'em (\nGangsta Gri-zillz!\n)\n[Verse 4: Lil Wayne]\nYeah, already, you better call every pallbear-ier in y'all area\nThe ball carrier gon' get popped\nIf I'm coming around the block, the ensuing drive gets stopped\nHe gon' drop like a flop\nOn the court, I love sports, that's why I play my bitches\n'Cause I got game; that's why you pay my bitches, yeah\nSame hustle, new money\nI'm just hip-hopping like two bunnies (\nGangsta!\n)\nWho run it? Bitch nigga, moi\nThat was French, nigga, not a kiss, nigga, nah\nHa, no homo\nRappers get ate like four on four\nThey say I fucked so-and-so\nAnd I be like \"So, so \nand\n so\"\nNikes on they neck, they like, \"Let me breathe\"\n\"I'm sorry, but I can't—this is how we feed\"\n (\nGangsta Gri-zillz!\n)\nThis is why we hot, this is how we freeze\nToo fast to follow, this is why we lead\nAnd the money in our pockets isn't why we G's, see\nThis is how we shoot, and this is how we leave (\nGangsta!\n)\nYou know we tote steel, this is how we is\nYou can get the steel if you try these thieves\nNow, pass me the Swisher, let me climb these trees\nAnd them haters say we couldn't; this is why we be's\nThe shit like pudding\nPutting it down, like gravity's pulling\nPutting it down, like gravity's pulling\nPutting it down, like gravity's pulling me\nTo the ground (\nGangsta Gri-zillz!\n)\n[Outro: Lil Wayne & \nDJ Drama\n]\nYoung\nYoung, Young\nDedication 3\nYoung\nY'all ready?!\nYoung Mula, crazy—" } ]

[ { "from": "human", "value": "Write me a song called Say Ahh with the following description: “Say Ahh” is a remix of fellow Virginian Trey Songz‘ 2010 single “Say Aah” which featured rapper Fabolous.\nThe track features rapper T-Breezy, who would later go by Luvaboy TJ and become a part of Chris' OHB (Original Hood Bosses) crew. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown, \nDJ Drama\n]\n(Rhythm & Streets)\nYeah, man\nIn My Zone, baby\nIt's like this, uh\nHuh, you ready?\n[Chorus: Chris Brown]\nAll the girls, I know you sexy\nTake it off and, oh, girl, let me\nLet me rub on yo' thighs (Ahh-ahh-ahh-ahh-ahh)\nWhen I look in your eyes (Ahh-ahh-ahh-ahh-ahh)\nMoney (You ready?)\nAll the girls, I know you sexy\nTake it off and, oh, girl, let me\nLet me rub on yo' thighs (Ahh-ahh-ahh-ahh-ahh)\nWhen I look in your eyes (Ahh-ahh-ahh-ahh-ahh)\nMoney ain't a—\nAll the girls, I know you sexy\nTake it off and, oh, girl, let me\nLet me rub on yo' thighs (Ahh-ahh-ahh-ahh-ahh-ahh)\nWhen I look in your eyes (Ahh-ahh-ahh-ahh-ahh-ahh, \nGangsta Grillz\n)\nMoney ain't no thing to me, lil' shawty\n'Cause we gon' change them sheets when we naughty\nLet me hear you say ahh, say ahh [Verse 1: Chris Brown]\nBaby (Baby), I got you pulling on the covers\nForty-five minutes in it and I'm still under\nBet I make it thunder\nHurricane season, wet drippin' on my face\nDamn, who turned on the sprinkler?\nShawty (Shawty), I love it when you're on top, baby\nGo, girl\nAnd, baby, when I'm in it\nWe going for the second round, third round, fourth round\nBad and you know it, clap your hands (Hands)\nMight as well leave off your pants (Pants)\nKnow what's about to happen now (Happen now)\nBaby girl, l-let me take you down, take you down\n[Chorus: Chris Brown, \nT-Breezy\n]\nAll the girls, I know you sexy\nTake it off and, oh, girl, let me\nLet me rub on yo' thighs (Ahh-ahh-ahh-ahh-ahh-ahh)\nWhen I look in your eyes (Ahh-ahh-ahh-ahh-ahh-ahh)\nMoney ain't no thing to me, lil' shawty\n'Cause we gon' change them sheets when we naughty\nLet me hear you say ahh, say ahh\nWoo! Yo Chris, I got 'em, Chris\nListen, uh, yeah [Verse 2: T-Breezy]\nI'm flyer than a spaceship, so fresh, so clean\nShorty wanna ride on my scream machine\nHave her like ahh-ahh-ahh-ahh\nYou ain't gotta panic, you with a sex mechanic\nI just wanna be your friend, I don't wanna be ya man\nI can have you feelin' legless, Ms. Lieutenant Dan\nSweep ya feet off the concrete, lookin' like eye candy\nWanna rip it off when you screamin', \"Those are my panties\"\nUh, shorty mind is official, I'm harder than a missile (Uh)\nShorty get the neck bone down to the gristle\nI don't know if it's the drink or if she a fan\nAll I know is that she 'bout to go to La La Land\nWith T-Bree in the back of the VIP\nWe bumpin' to CB, I'm hittin' the lottery (Cha-Ching)\nWhat? Chip in, you ain't sippin' this here for free (No)\nMy hustle so real, got you caught up in the breeze\n[Chorus: Chris Brown]\nAll the girls, I know you sexy\nTake it off and, oh, girl, let me\nLet me rub on yo' thighs (Ahh-ahh-ahh-ahh-ahh-ahh)\nWhen I look in your eyes (Ahh-ahh-ahh-ahh-ahh-ahh)\nMoney ain't no thing to me, lil' shawty\n'Cause we gon' change them sheets when we naughty\nLet me hear you say ahh, say ahh" } ]

[ { "from": "human", "value": "Write me a song called Never Surrender with the following description: Khaled offers one of his best experiments, bringing in Akon, Anthony Hamilton and John Legend to croon over a posse cut spanning six-and-a-half minutes. It’s a bit more like a power-ballad than traditional cuts with multiple guests, Scarface and Jadakiss add some much-needed diversity to the usual list of collaborators. Every artist really came to the party here, Scarface verse tops everything on the record, it really about what happens in the hood, murdering your best friend over some money then karma haunts you back! Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled & \nAnthony Hamilton\n]\nKeep your circle tight\nTrust no one, nobody \n(Nobody, nobody, no no no)\nDJ Khaled!\n[Verse 1: Scarface]\nGotta be careful who you trusting\nBe aware of your surroundings when you hustling\nThem niggas smiling at you ain't your friends, dawg\nAll the real ones are dead or in the pen y'all\nYou fuck with dude, he your day one\nAlmost had it all then the day comes\nWhen they walking through your house with the strap out\nPoint it at your head, got the bread then you blacked out\nBright lights down the hallways\nLeft his best friend for dead for the small wage\nThey say that every dog's got a day coming\nIt's like you seein' a ghost but he ain't say nothing\nEyes wide shut like you looking at me\nWindow pane to the soul say they niggas happy\nBut the pictures say them words we ain't tryna stomach\nThe homie didn't keep it one hundred\nThe cops doing round-ups, say they got a suspect\nFinally got a name now I'm stunned thinkin \"Fuck that\" (Fuck that)\nFor the money, niggas murder what they close to (Get this nigga)\nEntire families, these motherfuckers ghost you\nSmoke you, was it worth what the life was?\nJust prepare for the payback cause it strikes cuz\nWas it worth what that life was?\nPrepare for the payback when it strikes cuz [Bridge: John Legend]\nCause when you need it the most\nAin't no one ever around\nCold world, cold world\n[Verse 2: Jadakiss]\nYo, the pain's unbearable, remains unawareable\nHe fuck around, jump off a building if you dare him to\nThe greats, they done already killed him, who you compare him to\nTo really figure out what he said will take a year or two\nFamily over everything,\n skills over politics\nHe don't need the accolades as long as you acknowledge it\nJust playing the hand you was dealt, no aces\nBetrayal is worse than death in most cases\nThe world is filled with hypocrites, that's so racist\nMultiple shots to the face, no chasers\nMad cause you blew up quick and you excited\nYour man that you grew up with get you indicted\nThis was your nigga, yo, for him, you let the trigger go\nFound out at the trial they got audio and video\nShit don't always happen how you plan it\nGet jammed up and really find out who your fam is\nYou could feel the picture, you don't need to see the canvas\nThat nigga Jay'll Hawk you, he don't even play for Kansas\nYou know when it's someone you love, the hurt's pure\nWhen you front tryna hold it in, it hurts more\nYou was right there back-to-back with me my first war\nEven had a crack spot together, the first floor\nUsed to buzz 'em in then meet 'em right by the first door\nThat was 'prolly a year before I went on my first tour\nFriendship was worth more than a couple of ounces\nYou was 'sposed to be with me arguing with the bouncers\nInstead, you ended up somewhere far in the mountains\nTalking 'bout what we was doing, what we was counting\nNothing but old pictures of old sixes\nOld BM's with the kits, old Schnitzers\nTwo sides, both wishes\nKarma is the sister of life, they both bitches [Bridge: Anthony Hamilton & \nMeek Mill\n]\nSee there's a story in my life\nThere's a story in my pain\nThere's a story in my tears, oh-oh oh (\nYeah, for life\n)\nThere's a story in me\n[Verse 3: Meek Mill]\nLord forgive me for my sins, I was chasin' ends\nAnd I'm into makin' money, I ain't into making friends\nCause these niggas rattin', I ain't finna take a chance\nHomie said he 'bout that action, they grab him, he take the stand\nDamn, say loyalty make a man\nGot a homie and he told, I don't even shake his hand\nI don't even crack a smile, knew him since a child\nMan this game so foul but niggas made vows\nTo a code I never break, ridin' in the heavyweight\nThirty-six Os in the bird, call it featherweight\nNever on time, when I show up, I be ready late\nNiggas got fat while we starved, they already ate\nAnd I'm tryna get full, mask on, clip full\nIf he got the money, we attack him like a pit bull\nWe sellin' soft and sellin' hard like it's a brick store\nOn my dick, nigga, thought that's what your bitch for\nHah!\n[Bridge: Akon & \nJohn Legend\n]\nMy pain ain't never been told (\nAin't never been told\n)\nAll the success that I'm suffering from\nCame from this knowledge I sold (\nThis knowledge I sold\n)\nMy family fucks with me\nAnd fought the enemy that stood in my way (\nIn my way\n)\nThat's why I don't trust nobody\nAnd I doubt you'll ever see that day [Chorus: Akon]\n'Fore I surrender to you (Surrender)\nSurrender to you (Surrender)\nSurrender to you (Surrender to you, which I will never do)\n[Bridge: John Legend & \nAnthony Hamilton\n]\nCause when you need it the most\nAin't no one ever around \n(Nobody's around)\nCold world \n(Cold world)\n cold world \n(Mmm, yes it is, yeah)\nAnd the ones that you keep close\nAre the ones that'll take you down (\nAlways take you down\n)\nCold world \n(Cold)\n a cold, cold world\n[Chorus: Akon & \nAnthony Hamilton\n]\n'Fore I surrender to you (Surrender)\nSurrender to you (Surrender)\nSurrender to you (Surrender to you)\nFore I surrender to you (Surrender)\nSurrender to you (Surrender)\nSurrender to you (Surrender to you, which I will never do)\nOh-ohh, oh-whoa\nOh-ohh \n(oh-ohh)\n oh-ohh\n[Outro: Anthony Hamilton, \nAkon\n & \nJohn Legend\n]\nSee there's a story in my life (\nHey\n, \nsurrender\n)\nThere's a story in my pain (\nHey\n, \nsurrender\n)\nThere's a story in my tears, oh-oh oh \n(Surrender)\nThere's a story in me\nI won't surrender, I won't surrender, ohh no no no" } ]

[ { "from": "human", "value": "Write me a song called Me Myself & I (Freestyle) with the following description: Sean gives a gift to his fans, hours before his 3rd LP, Dark Sky Paradise, drops. The beat samples Beyoncé’s “Me Myself and I”.\nhttps://twitter.com/BigSean/status/569980398354210818\nhttps://twitter.com/BigSean/status/569980562783526912\nhttps://twitter.com/BigSean/status/569980791805116416\nhttps://twitter.com/BigSean/status/569981705337106435 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nUh huh, Rob Got Beats on the beat\nWe Ready? Yeah\nMan this like one of my favorite Beyonce songs, man\nWhat up though, Bey? Yeah\nSean Don\n[Verse]\nMan, this one for the ones who hold me down so we forever on the rise\nLong as I got charts, it's never me, myself & I\nStraight up, champagne\nMan this one for the ones who cop the album and they ain't need a receipt\nAll the internet plumbers, you know looking for the leaks\nBeen trying to find middle ground, like yellow lines in the street\nThis show is just getting started, don't worry man take a seat\nI got mom and bro around like whats better than the family\nDid a show at House of Blues that shit was better than the Grammy's\nOn the phone with my dad trying to handle whats out of hand\nReminiscing we used to play 5-on-5, no hand to hands (ballin)\nFunny man what all those times meant to us\nGirls ask me why they call me big, that shit ambiguous\nRappers who was killin shit, lately I can't feel that shit\nYa'll used to didn't feel my shit and now ya'll like \"you hear this shit?\"\nDetroit niggas, say whats up doe, where I be\nFresh as my nigga IB, what up to Don C\nThe most improved player, watch me turn that I to a V\nOn my third LP but by the time its IV\nThat's the fourth, don't be surprised if I'm in first with high leads\nWe came a long way from having hands together like God Please\nDo I really gotta emphasize, my mind spaced out\nYeah I call that bitch the enterprise\nI hop up on the song with Em, Jay, and K, watch me hold my own\nBitch it's Sean\nVerses standing out like it close at 10 o'clock and its 10:05\nOh boy, I spit that spiritual\nYeah I'm the underdog but Underdog was a superhero too\nAnd my city going through hell, they need a miracle too\nYou're more about showing off, I'm more about show and prove\nYa'll braggin about so and so, like \"Oh, he really it?\nThe new nigga in rap? Well, can he really spit?\"\nOr do he just hide behind his skits like half of these rappers do\nAnd then ya'll fucking go and praise him and his bitch like they savior of this shit\nI'm like \"Aw, man. Here we go\"\nI'm not the same man I was a year ago\nI learned that life could be a merry-go\nMoving at a stand still is the scenario\nI also learned some girls can fit the stereotype if they got a stereo\nCrazy what a cold bitch'll do for palm trees\nType that can't hold my hand even if they palm read\nGot a good girl at home, yeah that's all me\nI gave my number out on the outro I'm like \"call me\", real nigga\nSince they cut my umbilical, I pass weed in my physical\nYeah my woman is vegan, she got my ass trying different food\nI got her listenin to music that she wouldn't listen to\nGot her vibin to Nas, she like \"Man, This what I been missin, boo?\"\nI'ma do what I didn't do, all the ridicule is just fuel\nI'ma take this little profit, I gotta flip it, no reciprocal\nNigga, fuck open arms, nigga open the safe\nRespect in this bitch like a gun on my waist\nRappin like I got a gun in my face\nI treat my life like I be runnin a race\nSupa Dupa flow, up up and away\nYou at the top, well I'm on the way\nI'ma come for your spot then I cum in your face\nI been trying to make I gotta have it to a habit\nAddicted to the mathematics, I'ma add-it addict\nBeware of the niggas who abandon when your shit was abandoned\nBut there for the mansion\nThen hit after hit after hit\nSomebody tell me what's the fuckin batting average\nDark Sky Paradise, you niggas can have it\nClique rainin so hard, you can white water raft it [Outro]\nMan, we just fucking around, man\nJust off the top, on the spot, just fuckin around\nWe was in three different cities today, man\nShout out to my old team\nMan, we been going hard as fuck\nMy nigga Xeno, Mike Carcen, DJ Mo Beats, waddup doe\nAmir, Key Wayne, Earl Mac, Dark Sky Paradise shit man\nBoogie waddup doe\nHey the album out tomorrow, man I can't believe this shit\nI can't believe it\nHey waddup doe Detroit\nMan waddup doe to my family, my friends, my fans\nI do this for ya'll\nWe put our hearts into this shit\nMy boys damn near gone\nI don't know its like 5 in the morning\nWe ain't slept in fuckin days\nWe do this from the heart man\nAnd we did out our way\nBoss up, it's time to get it, yeah\nCountin blessings over money\nStraight up" } ]

[ { "from": "human", "value": "Write me a song called White Horse with the following description: Swift told Billboard magazine: “It’s one of the songs that I am really proud of on the record because it’s so sparse – it’s guitar, piano and cello. It talks about falling in love and the fairy tales that you are going to have with this person, and then there is that moment where you realize that it is not going to happen. That moment is the most earth shattering moment.”\nOf note, “White Horse” was the second song to contribute to Taylor’s streak of 5th song of the album “emotional vulnerable” ballads. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSay you're sorry, that face of an angel\nComes out just when you need it to\nAs I paced back and forth all this time\n'Cause I honestly believed in you\nHoldin' on, the days drag on\nStupid girl, I shoulda known, I shoulda known\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around\n[Verse 2]\nMaybe I was naive, got lost in your eyes\nAnd never really had a chance\nMy mistake, I didn't know to be in love\nYou had to fight to have the upper hand\nI had so many dreams about you and me\nHappy endings, now, I know\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around [Bridge]\nAnd there you are on your knees\nBeggin' for forgiveness, beggin' for me\nJust like I always wanted\nBut I'm so sorry\n[Chorus]\n'Cause I'm not your princess, this ain't our fairytale\nI'm gonna find someone someday who might actually treat me well\nThis is a big world, that was a small town\nThere in my rear view mirror disappearing now\nAnd it's too late for you and your white horse\nNow, it's too late for you and your white horse\nTo catch me now\n[Outro]\nOh, whoa, whoa, whoa\nTry and catch me now, oh\nIt's too late to catch me now" } ]

[ { "from": "human", "value": "Write me a song called Supermodel with the following description: On “Supermodel,” SZA discusses her insecurities and gets back at a previous boyfriend who did her wrong.\nSZA described this song and its real-world context in a May 2016 interview with Entertainment Weekly:\nI’m just getting ugly. All my dirty laundry is on the line. There’s a song where I talk about sleeping with my ex-boyfriend’s friend because he purposefully left me on Valentine’s Day, which will be the first time he hears about it.\nThe voice whispering at the end of the song belongs to Pharrell Williams and the voice in the intro is SZA’s mother in a message to her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Skit: Mommy]\nThat is my greatest fear\nThat if, if I lost control\nOr did not h\na\nve control, things would just, you know\nI would be fatal\n[Verse 1]\nI'm writing this letter to let you know I'm really leaving\nAnd no, I'm not keeping your shit\nHeard you got some new homies, got some new hobbies\nEven a new ho too\nMaybe she can come help you\nMaybe she can come lick you\nAfter we're done, what's done is done\nI don't want nothing else to do with it\nLet me tell you a secret\nI've been secretly banging your homeboy\nWhy you in Vegas all up on Valentine's Day?\nWhy am I so easy to forget like that?\nIt can't be that easy for you to get like that\nOh, no, she didn't, ooh, yes, I did\nOh, no, she didn't, I'll do it again\n[Chorus]\nLeave me lonely for prettier women\nYou know I need too much attention for shit like that\nYou know you wrong for shit like that\nI could be your supermodel if you believe\nIf you see it in me, see it in me, see it in me\nI don't see myself\nWhy I can't stay alone just by myself?\nWish I was comfortable just with myself\nBut I need you, but I need you, but I need you [Verse 2]\n\"Ooh, just get a load of them, they got chemistry\"\nAll they could say, we like brother and sister\nLook so good together\nBet they fuckin' for real, and they was right\nThat's why I stayed with ya, the, the dick was too good\nIt made me feel good for temporary love\nYou was a temporary lover\n[Chorus]\nLeave me lonely for prettier women\nYou know I need too much attention for shit like that\nYou know you wrong for shit like that\nI could be your supermodel if you believe\nIf you see it in me, see it in me, see it in me\nI don't see myself\nWhy I can't stay alone just by myself?\nWish I was comfortable just with myself\nBut I need you, but I need you, but I need you" } ]

[ { "from": "human", "value": "Write me a song called Over Now with the following description: On “Over Now,” Post discusses breaking free from a bad relationship with a materialistic girl. While he was head over heels for her, he came to his senses and declares things to be “over now” and wishes her nothing but bad luck.\nDue to the rock-like beat (with help on the drums from the lead drummer of Mötley Crüe, Tommy Lee) and more aggressive lyrics/vocals, “Over Now” certainly stands out amongst the other songs on Post’s hip-hop-dominant sophomore album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAhahah, yeah\n(Yeah, yeah, yeah)\n[Verse 1]\nWhen you leave me, make me jump up off my roof\nDidn't faze you, would've given you the moon\nEven after everything that we've been through\nI ain't never met nobody like you\nWhy you always tryna tell me that it's cool?\nNeed to quiet 'cause you never tell the truth\nFelt like ballin' was the only thing to do\nTrade my woman for some diamonds and a coupe\n[Pre-Chorus]\nWhen she's comin' for my heart, it feels like Armageddon\nI'ma turn the tables, promise you will not forget it\nWon't apologize, don't give a fuck if you're offended\nNo discussion, yeah, we gotta go our separate ways\nWon't take me down in flames\nI don't even wanna know your name\nWatch how everything is gonna change, yeah, ayy\n[Chorus]\nI'ma pull up in a Bentley\nWith a fuckin' hunnid thousand in my pocket, yeah, yeah\nI'ma pull in, swang my door open\nStuntin', knowin' everybody watchin', yeah, yeah\nAnd help another bitch out the whip\nAnd I don't give a fuck if you don't like it, yeah, yeah\nJust to show you that it's over\nIt don't matter what you gotta say about it, yeah\nI'ma put that bitch pussy in a motherfuckin' bodybag\nSo you know that I'm never ever coming back\nYou kept your heart on the counter in a Prada bag\nI used to never ever want to see the light of day, yeah\nI was an idiot\nBeggin' on my knees onto the floor\nNow, I don't even want you anymore, anymore\nIt's over now\nIt's over now, yeah, yeah, yeah, ayy [Verse 2]\nFeels like a knife in my throat, you treat this like it's a joke\nI bet you've done this before, I ain't surprised, yeah\nI wasn't tryna let go, but you'll know why when I'm ghost\nI hope you wind up alone, dead in my eyes, yeah\nAin't religious, only Christian when it's Dior\nOnly prayin' for the Amex and the gold\nYou ain't stop me, no, you only was a detour\nTried to drive me crazy, you ran out of road\n[Pre-Chorus]\nWhen she's comin' for my heart, it feels like Armageddon\nI'ma turn the tables, promise you will not forget it\nWon't apologize, don't give a fuck if you're offended\nNo discussion, yeah, we gotta go our separate ways\nWon't take me down in flames\nI don't even wanna know your name\nWatch how everything is gonna change (Is gonna change), yeah, ayy\n[Chorus]\nI'ma pull up in a Bentley\nWith a fuckin' hunnid thousand in my pocket, yeah, yeah\nI'ma pull in, swang my door open\nStuntin', knowin' everybody watchin', yeah, yeah\nAnd help another bitch out the whip\nAnd I don't give a fuck if you don't like it, yeah, yeah (I don't give a fuck)\nJust to show you that it's over\nIt don't matter what you gotta say about it, yeah (What you gotta say about it)\nI'ma put that bitch pussy in a motherfuckin' bodybag (In a bodybag)\nSo you know that I'm never ever coming back (Never coming back)\nYou kept your heart on the counter in a Prada bag (In a Prada bag)\nI used to never ever want to see the light of day, yeah\nI was an idiot\nBeggin' on my knees on to the floor (To the floor)\nNow I don't even want you anymore, anymore\nIt's over now\nIt's over now\n(It's over now)" } ]

[ { "from": "human", "value": "Write me a song called Rain On Me with the following description: “Rain On Me” is about persevering through your troubles and finding solace and comfort in the fact that things will get better. It is the second single off Chromatica, Gaga’s sixth studio album, and marks the first collaboration between Lady Gaga and Ariana Grande.\nThe collaboration was first confirmed through her Twitter account on April 22, along with the other tracks and collaborations from the album. On May 15, she revealed the song’s official cover and release date.\nGaga also expressed the meaning of the song via Vulture:\nThis is about an analog of tears being the rain. And you know what it’s also a metaphor for, is the amount of drinking that I was doing to numb myself. I’d rather be dry. I’d rather not be drinking, but I haven’t died yet. I’m still alive. Rain on me. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lady Gaga]\nI didn't ask for a free ride\nI only asked you to show me a real good time\nI never asked for the rainfall\nAt least I showed up, you showed me nothin' at all\n[Pre-Chorus: Lady Gaga]\nIt's comin' down on me\nWater like misery\nIt's comin' down on me\nI'm ready, rain on me\n[Chorus: Lady Gaga]\nI'd rather be dry, but at least I'm alive\nRain on me, rain, rain\nRain on me, rain, rain\nI'd rather be dry, but at least I'm alive\nRain on me, rain, rain\nRain on me\n[Drop: Lady Gaga, \nAriana Grande\n]\nRain on me\nMm, oh yeah, baby\nRain on me\n[Verse 2: Ariana Grande]\nLivin' in a world where no one's innocent\nOh, but at least we try, mm\nGotta live my truth, not keep it bottled in\nSo I don't lose my mind, baby, yeah [Pre-Chorus: Ariana Grande, \nLady Gaga\n]\nI can feel it on my skin (\nIt's comin' down on me\n)\nTeardrops on my face (\nWater like misery\n)\nLet it wash away my sins (\nIt's comin' down on me\n)\nLet it wash away, yeah-yeah\n[Chorus: Both, \nLady Gaga\n, \nAriana Grande\n]\nI'd rather be dry, but at least I'm alive\nRain on me, rain, rain\nRain on me, rain, rain\nI'd rather be dry, but at least I'm alive\nRain on me, rain, rain\nRain\n (\nRain\n) \non\n (\nOn\n) me\n[Drop: Ariana Grande, \nBoth\n, \nLady Gaga\n]\nRain on me\nRain on me\nOh yeah, yeah\nRain on me, ooh, yeah\nRain on me\nRain on me, ooh\n[Bridge: Both, \nLady Gaga\n, \nAriana Grande\n]\nHands up to the sky\nI'll be your galaxy\nI'm about to fly\nRain on me, tsunami\nHands up to the sky\nI'll be your galaxy\nI'm about to fly\nRain on me\n (\nRain on me\n) [Chorus: Both, \nAriana Grande\n, \nLady Gaga\n]\nI'd rather be dry, but at least I'm alive (\nRain on me\n)\nRain on me, rain, rain\nRain on me, rain, rain (\nRain on me\n)\nI'd rather be dry, but at least I'm alive (\nAt least I'm alive\n)\nRain on me, rain, rain (\nRain on me, baby\n)\nRain on me\n (\nRain on me\n)\n[Outro: Both, \nLady Gaga\n]\nI hear the thunder comin' down\nWon't you rain on me? Eh, eh, yeah\nRain on, woo\nI hear the thunder comin' down\nWon't you rain on me? Eh, eh, yeah\nRain on me" } ]

[ { "from": "human", "value": "Write me a song called I Just Need a Moment* with the following description: On December 16, 2017, NF posted a teaser for a new track on his Instagram account. The track is very similar to “If You Want Love” and “Lie.” The video was deleted shortly after but you can find it here:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Lyrics from Snippet]\n[Verse]\nI just need a moment\nI just need a minute\nTo tell you how I feel\nI think we agree\nThis isn't, this isn't going well\nI think we need some changing\nI think we need some changes" } ]

[ { "from": "human", "value": "Write me a song called Je ne veux pas la fin de nous with the following description: “Je Ne Veux Pas La Fin De Nous” is the French Version of Michael Jackson’s hit duet “I Just Can’t Stop Loving You” from 1987’s Bad. Although released in French regions in 1987, it was not released in LP form until the Anniversary production of Bad, Bad 25, in 2012. The future ex-wife of the late Flyers and 76ers owner Ed Snider, Christine Decroix, translated the lyrics, credited as “Coco”. She went on to star in “Les Vraies Housewives”, the French installment of “The Real Housewives”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verset 1: Michael & \nSiedah\n]\nJe ferme les yeux, je me sens fiévreux, sans toi j'ai froid\nJ'aimerais t'appeler, j'aimerais prononcer, que toi, que toi\nCe que je ressens, personne ne comprend, je me sens si bien de t'aimer\nPour la première fois, je sais que c'est toi, j'ai besoin de rêver, je vais t'emmener\nL'été finira, près du feu de bois, on fera l'amour\nBlottie contre toi, je te dirai tout bas, tu me rends folle\nCe que je ressens, personne ne comprend, je me sens si bien près de toi\nJ'en \nperds\n ma fierté, \nje ne veux plus tricher, la vérité pour moi, c'est la vie avec toi\n[Chorus: \nLes Deux\n & Michael]\nJe ne veux pas la fin de nous, je ne veux pas la fin de nous\nEt si ça stoppe, je crois que je deviendrais fou\nJe ne veux pas la fin de nous\n[Verset 2: Michael & \nSiedah\n & \nLes Deux\n]\nEt dans cet univers, sans toi c'est un enfer, ne t'en vas pas\nEt pouvoir t'embrasser, j'en tremble \nrien que d'y\n penser, tout te donner\nLes femmes d'avant toi, ne comptent même pas, \nj'ai oublié tout ton passé\n (\nPassé\n)\nLa terre peut trembler,\n la guerre éclater\nJe supporterai tout,\n \nécoute-moi mon amour\n[Chorus: \nLes Deux\n & Michael]\nJe ne veux pas la fin de nous, je ne veux pas la fin de nous\n(\nOh, oh, and it feels\n)\nEt si ça stoppe, je crois que je deviendrais fou\n(\nUh-huh\n)\nJe ne veux pas la fin de nous [Bridge: Michael & \nSiedah\n & \nLes Deux\n]\nNotre amour brillera dans ce monde\nIl m'a vraiment tout apporté\nDonne-moi ton corps et ton âme\nPour te dire amour, toujours, \nje veux te garder\n[Chorus: \nLes Deux\n]\nJe ne veux pas la fin de nous, je ne veux pas la fin de nous\n(\nNo, baby, if I can't stop\n) (Oh)\nEt si ça stoppe, je crois que je deviendrais fou\n(Oh! Oh! Oh, oh) (\nWhat will I do?\n)\nJe ne veux pas la fin de nous, je ne veux pas la fin de nous\n(Hee-hee-hee, without you, girl, you know I do)\nEt si ça stoppe, je crois que je deviendrais fou\n(Oh, oh) (\nOh, woah-woah!\n)" } ]

[ { "from": "human", "value": "Write me a song called Give It All to Me with the following description: DJ Khaled’s recent reggae signee Mavado\nAlbums) from Jamaica, teams up with (neighbour) Trinidadian Onika Maraj, for a chilled out track from his forthcoming album with Khaled’s We The Best Music Group. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mavado & \nNicki Minaj\n]\nI want you give it all to me (\nMavado\n)\nI want you give it all to me (\nLong time me na' see no bad man like you, seen!\n)\nGal the way you a wind, gal you know say it groovy\n(We The Best)\nYou a tell me you bad, now a time 'fi you prove it\n[Verse 1: Mavado]\nParty 'til the sun comes up\n'Til the sun goes down\nTurn up the sound\nBad girls all around\nOh so round like a English pound\nLike a dog me a roam\nLike a dog to a bone\nNo long talk like no phone\nLike a Benz with chrome me haffi make her my own\n[Chorus: Mavado]\nSo girl, I want you give it all to me\nGive it all to me\nGyal the way you a whine, gyal you know say it groovy\nYou groovy\nDem ah pree, dem ah stare, dem ah watch like movie\nMovie\nYou a tell me you bad, now a time 'fi you prove it\nSo prove it [Verse 2: Nicki Minaj]\nAyo Mavado, tell em lick a shot; hollow\nTell 'em say we straight; arrow\nTell 'em the flow tight; narrow\nEveryting me did a'start, them borrow\nCruised up, link my dudes up\nThe coupe black and blue, yup, it's bruised up!\nI'm like, \"Who's up?\" Girls is used up\nThese bitches is my sons, I tied my tubes up!\nTell 'em again, bad gyal, toast is oozed up\nI hit up Instagram, post some nudes up\nUhn, bonfire, rev it, pop a wheelie!\nCaribbean girls run it, ask RiRi!\n[Chorus: Mavado]\nSo girl, I want you give it all to me\nGive it all to me\nGyal the way you a whine, gyal you know say it groovy\nYou groovy\nDem ah pree, dem ah stare, dem ah watch like movie\nMovie\nYou a tell me you bad, now a time 'fi you prove it\nSo prove it\n[Verse 3: Mavado]\nBadness check, sexiness check\nWalk past, man a broke them neck\nStyle check, intelligence check\nPandemonium when you step\nSay just send me a text\nWhatsapp message, me na' use BBM\nGal you hotter than them, gal you a problem [Chorus: Mavado]\nSo mi seh girl, I want you give it all to me\nGive it all to me\nGyal the way you a whine, gyal you know say it groovy\nYou groovy\nDem ah pree, dem ah stare, dem ah watch like movie\nMovie\nYou a tell me you bad, now a time 'fi you prove it\nSo prove it\n[Bridge: Nicki Minaj]\nI'll handle you\nLet me dance for you\nI might be thinking 'bout leaving my mans for you\nI'll handle you\nLet me dance for you\nI might be thinking 'bout leaving my mans for you, (yeah)\n[Outro: Mavado & \nNicki Minaj\n]\nLike a dog me a roam\nLike a dog to a bone\nNo long talk like no phone\nLike a Benz with chrome me haffi make her my own\nMake me your own baby\nMake me your own baby\nI'm here, I'm here, I'm here\nSo girl, (\nPretty Gang in a' the place\n) a want you give it all to me\nGive it all to me\n(\nMavado\n) Gal the way you a wind, gal you know say it groovy\nYou groovy" } ]

[ { "from": "human", "value": "Write me a song called Trauma with the following description: “Trauma” is a ballad that NF uses to show a different side to his artistry, contrasting greatly against the dark, powerful hip-hop tracks in his discography.\nThe track itself pairs NF’s voice with the subtle notes of a piano and strings as he sings about longing for a connection with someone special while in a time of need.\nHaving this softer track allows the instrumentation and tone to flow into “Time,” the fourth and final single of The Search. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSay you're there when I feel helpless\nIf that's true, why don't you help me?\nIt's my fault, I know I'm selfish\nStand alone, my soul is jealous\nIt wants love, but I reject it\nTrade my joy for my protection\n[Chorus]\nGrab my hand, I'm drowning\nI feel my heart pounding\nWhy haven't you found me yet?\nI hold you so proudly\nTraumas, they surround me\nI wish you'd just love me back\n[Verse 2]\nSay you're here, but I don't feel it\nGive me peace, but then you steal it\nWatch them laugh at all my secrets\nScream and yell, but I feel speechless\nAsk for help, you call it weakness\nLied and promised me my freedom\n[Chorus]\nGrab my hand, I'm drowning\nI feel my heart pounding\nWhy haven't you found me yet?\nI hold you so proudly\nTraumas, they surround me\nI wish you'd just love me back [Outro]\nGrab my hand, I'm drowning\nI feel my heart pounding\nWhy haven't you found me yet?" } ]

[ { "from": "human", "value": "Write me a song called Love Someone with the following description: Cyrus has not confirmed or denied rumors that this song is about her fiancé, though she did talk about exploring more mature subject matter in a recent NPR interview.\nAt one point, it was fun for me as a little girl to get dressed up as a pop star, because I wasn’t one. It was fun for me to write about relationships in this innocent way, because I was young and innocent and discovering love and what that meant. And so now, I write about it in a more evolved way, or a way that feels happy or more confident. But that’s because as I grow up, I understand who I am in a different way. I’m happy to be who I am rather than running from it. But running from who you are is a total normal part of growing up, too, because you’re just trying to figure out what parts of yourself you like and what parts of yourself you want to work on.\" Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou gotta love someone\n[Verse 1]\nI don't know what you’ve been told\nOr what they say about me\nI never give up, but give it a rest\nI ain't got time to worry 'bout a mess\nAnd I’m kinda getting tired of dealin' with all your stress\nI'm startin' to think you have no heart, yeah\nYou don't even have a soul\nYou always give in or ya try too late\nAll I do is give and all you do is take\nI'm tired of protecting you from what you need to know (Come on)\n[Chorus]\nEver since the day that I met you\nI knew you weren't the one\nBut nothing ever stops me from forgetting\nPacking all my shit and movin' on\nHey, yeah\n[Verse 2]\nI’m not sure I’d even go\n'Cause I made your house my home\nIt’s come to an end, I hate how it's been\nLights are getting dim and the walls are caving in\nAnd it's time for this queen to go and find another throne\nWhen I give it up, I give it all\nI went and made you my life\nDon't you dare say I don’t care\nWhen I need you most, you know you're never there\nIt'd be a cold day in hell before I'd ever be your wife, that's right [Chorus]\nEver since the day that I met you\nI knew you weren't the one\nBut nothing ever stops me from forgetting\nPacking all my shit and moving on\n[Bridge]\nKickin' off my shoes and runnin' towards the sun\nI said \"Nothing's really worth it unless you're having fun\"\nTo make somebody stay\nYou gotta love someone\nYou gotta love someone\n[Chorus]\nEver since the day that I met you\nI knew you weren't the one\nBut nothing ever stops me from forgetting\nPacking all my shit and moving on\n[Outro]\nYou gotta love someone\nYou gotta love someone\nYou gotta love someone\nYou gotta love someone" } ]

[ { "from": "human", "value": "Write me a song called Hell Yeah with the following description: Half of Black Hippy teams up with all sorts of claims regarding females.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Ab-Soul]\nSoulo back up in this ho, man I hope the magnum fit\nSoulo back up in this ho, man that pussy magnifique\nKnow I row the showboat, all aboard the penmanship\nAll I do is give you gifts, everyday's December 25th\nEverywhere you turn I'm there ya bitch, tell your homie, tell your bitch\nBad to the bone, only thing stay when you go, is your skeleton\nWhy your grin so devilish, \nyou gon' go to hell for this\nTo hell with them to tell the truth I hope allah piss in hell on them\nAhah was a problem before momma gave me baba\nMind stay larger than an island, never been to the Bahamas (Soulo)\nI was just a toddler in ninja turtle pajamas\nI ain’t know the world was fucked up like vaginas\nNow I don't give a fuck, now I'mma live it up, now I'mma pick it up (Hell yeah)\nNow they wanna pay, now she wanna fuck, now he wanna hate (Hell yeah)\nHeaven don't seem far from here, staring thru these Cartiers\nAfter all these mothafuckin' years nigga yea nigga\n[Chorus]\nMan we breaking all the rules, Take that bullshit elsewhere\nWelcome to America, die or pay for healthcare\nI'm tryna tell ya, we living in hell here\nAnd if you agree with me, Let me get a hell yeah!\nHell yeah! (Yeah) Hell yeah! (Yeah)\nHell yeah! Let me get a hell yeah\nI'm tryna tell ya, we living in hell here\nAnd if you agree with me, Let me get a hell yeah [Verse 2: ScHoolboy Q]\nSchoolboy back up in this ho, pussy, hoes and ash trays\nSchoolboy back up in your ho, bitch might want my last name\nYeah, yeah, nigga blow this fire (Hey! Hey!)\nHigh above hell, what the hell, nigga might bring hell\nRoll with it uh, fuck with a nigga, ride with a nigga, learn with a nigga\nHighway to hell, fuck with a nigga, ride with a nigga, burn with a nigga\nLil' nigga with a gun and he gang bang, lil' girl turn lost she a gang bang\nNo love so it's fuck the world, got free and she fucked the world, damn\nGoddamn girl, make a nigga wanna hurl\nThrowing up signs, I done lost my mind, you know them caution signs\nMay have bought my grind, these drugs of mine, gamble with ya life\nAnd I'll roll the nine, flatline, flatline, go to hell mothafucka, every shot divine\nNo back bone, weary spine, gotta keep ya head straight 'fore ya fall off\nMe and Soul locomotives that hauled off, get up out the way or get your fame\nRandy Moss, heaven in this fucking beer, swagging in these Cartiers\nEspecially after all these fucking years nigga yea nigga\n[Bridge: Kendrick Lamar]\nMothafuck the government, mothafuck the system\nMothafuck you, I'm just living how I am living\nHiiipower, that's a nigga religion\n'til Jesus come back and he tell me something different\n[Verse 3: Ab-Soul]\nSolo back up in this ho, man I hope the magnum fit\nSolo back up in this ho, I hope she don't tell my bitch\nGod damn I'm so ignorant at the same time so brilliant\nCuttin up, cesarean, but keep it on the low, librarian\nStill mobbin' deep like Havoc and Prodigy\nTryna document an odyssey for every odd to see\nHell yea I know they trynna rewrite the constitution\nI'm still rollin blunts drunk as fuck stuck on stupid\nHell yeah I'm 'bout that, you can't tell my nig?\nLong term I got a legacy to leave my kids\nHow I'm 'posed to live man, the reaper keep breathing down\nThe back of my neck and my landlord need a check, fuck\nHell yeah, I'mma survive out here\nEven if it mean flipping pies out here, yeah\nHell yeah I'm on the top of my shit\nHell yeah her tonsils topple on the top of my dick, yeah\nHell yeah we been patrolin the game, \nwatching the throne\nPlotting on Jay and Kanye, Marshall and Andre\nLil Wayne, Drake, Wiz Khalifa, Wale\nThat bitch Nicki, J. Cole, Rozay [Outro: Ab-Soul]\nSoul!! Hell yeah\nHell yeah\nH-H-H-Hell yeah" } ]

[ { "from": "human", "value": "Write me a song called Rush Ya Clique with the following description: Even though it featured Eminem, “Rush Ya Clique” wasn’t released as a single from Night Life EP – only “The Rah Rah” was.\nEminem went on to mention the Outsidaz in his verse on “Fine Line” from the compilation album Shady XV some 14 years later:\nPut a thousand lighters in the sky for the Outsidaz\nWow, I must have had Alzheimer’s\nLong time since I shouted them out, ‘bout time\nCause it’s been on my mind lately how\nZee, you always supported me\nYou vouched, I will never forget that and\nHow you guys accepted me for me and Pace\nI love you too, you slept on my couch\nAnd I’ve been thinkin’ ‘bout the time when I slept on the floor at The Outhouse Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Pace Won]\nYeah-yeah-yeah-yeah (Come on!)\nD.U., what up? (Yo, yo)\nShow me love, baby, show me love\nCome on! Outsidaz\nEminem, Az-Izz! Outsidaz!\n[Chorus: Pace Won]\nBust your lip, rush ya clique, what!\nOutz in the area tearing things up\nCrush your chick, touch your trick, what!\nOutz in the area tearing things up (Sing it with me!)\nBust your lip, rush ya clique, what!\nOutz in the area tearing things up\nCrush your chick, touch your trick, what!\nOutz in the area tearing things up\n[Verse 1: Az-Izz]\nYo, I'm finally convinced my kindness and innocence\nIs a crime in a sense, climbing a fence\nDiagonally bent, dying in agony in a magically event\nOutz in a fear of family presents\nCapped in clak smoke, pack toast in a black coat\nTo roast motherfuckers, over lactose\nStay skee'd off laced weed\nI take cheese, and page trees in the Bricks\nRolling box of Tracies [Verse 2: Pace Won]\nCall a go-go dancer\nGet up in that ass and wreck shop like colon cancer\nHit it from the back, bitch can't hold her pants up\nOnce for my cock\nTwice for my block, I got it locked like handcuffs\nPacer got a razor, get you and your man cut\nSwing a blow you can't duck, throw up your hands, what?\nNobody on earth could see Pacer\nI get your shit then peel off like Speed Racer\n[Chorus: Pace Won]\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up (Sing it with me!)\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up\n[Verse 3: Slang Ton & \nEminem\n]\nI hit you bastards raps fast as Janet Jackson's coochie\nYour raps is half mastered, mad average, wack booty\nAnd if you ever wanna get a deal\nYou should either OD off skill pills or steal my reel-to-reels (\nHere, look!\n)\nMost of y'all emcees ain't tight as y'all should be when\nI'm tighter than the jeans that show hoochie chicks' coochie prints\nOutsidaz, we hot as Hell's flames is\nAnd I'm Slang-iz, my tapes get pumped like twelve gauges [Verse 4: Eminem]\nI'm so weeded (How weeded are you?)\nI'm so weeded, I can freestyle for sixteen bars (Ha ha ha)\nRight off the top, then go back to the top and then repeat it (Ha)\nWrite it down on the paper and still be able to read it (Sorry)\nI can't read, but I still write to my pen pals (Uh, uh, dear)\nI can't fly, but I still float on cement clouds (Whee!)\nI can't see cause my eyes already been gouged\nOut;\n \nI been down with the Outz for ten thou-\nSand years\n (\nSo dunn, here?\n)\nTo the weird kids with piercings in more than one ear\nLauryn, huh? Hill? (\nThere's more than one, ill!\n)\nWhat? You want me to stop? Here?\n[Chorus: Pace Won]\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up (Sing it with me!)\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up\n[Verse 5: Young Zee]\nYeah, your girl could suck my dick chewing Big Red\nTill she choke and scrape her wisdom tooth on my dickhead (AHH!)\nPuff a tray bag, Outz never pay cabs\nBust a A-rab, front on taking us up eighth Ave (Errrrr!)\nYeah, we all OD off Valiums\nWhat be the outcome? We selling twenty million albums\nAnd your record, ain't nobody buy that\nYou fell off, and had to take your five back\nAnd push a white Ac, with a bike rack [Verse 6: Axe]\nIt's the A, the X, the E\nWhy pay for ass, if I can sex for free?\nEff with we, what you expect to see?\nDeath's your destiny\nWhen it's my time for rest in peace\nBet they find my pistol next to me\nMy dick is giving ecstasy\nShit I say, spread like leprosy\nI'm on a quest to be, the best emcee\nLiving recklessly, cock the weaponry\nLay you on your back\nLike Lei Wulong from Tekken 3\nYo follow, never question me\n[Chorus: Pace Won]\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up (Sing it with me!)\nBust your lip, rush ya clique, what?\nOutz in the area tearing things up\nCrush your chick, touch your trick, what?\nOutz in the area tearing things up\n[Outro: Pace Won]\nC'mon yo\nBust your lip, rush ya clique, what?\nCrush your chick, touch your trick, what?\nSnuff your bitch, crush your whip, what?\nOutz in the area tearing things up\nOutworld baby" } ]

[ { "from": "human", "value": "Write me a song called Fat with the following description: Weird Al turns Michael Jackson’s “Bad” into the life of an obese man.\n\nIn the video, a close parody of the Martin Scorsese-directed original (down to using the same subway sets), Al even mocks the controversial “crotch grab”, but with random sound effects whenever he performs it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYour butt is wide, well mine is too\nJust watch your mouth or I'll sit on you\nThe word is out, better treat me right\n'Cause I'm the king of \ncellulite\nHam on, ham on, ham on whole wheat, all right\nMy zippers bust, my buckles break\nI'm too much man for you to take\nThe pavement cracks when I fall down\nI've got more chins than Chinatown\n[Pre-Chorus]\nWell, I've never used a phone booth\nAnd I've never seen my toes\nWhen I'm goin' to the movies\nI take up seven rows\n[Chorus]\nBecause I'm fat, I'm fat, come on\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, come on you know\n(Fat, fat, really really fat)\nDon't you call me pudgy, portly or stout\nJust now tell me once again who's fat [Verse 2]\nWhen I walk out to get my mail\nIt measures on the Richter scale\nDown at the beach, I'm a lucky man\nI'm the only one who gets a tan\nIf I have one more pie a la mode\nI'm gonna need my own zip code\n[Pre-Chorus]\nWhen you're only having seconds\nI'm having twenty-thirds\nWhen I go to get my shoes shined\nI gotta take their word\n[Chorus]\nBecause I'm fat, I'm fat, sham on\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it you know\n(Fat, fat, really really fat)\nAnd my shadow weighs forty-two pounds\nLemme tell you once again who's fat\n[Bridge]\nIf you see me comin' your way\nBetter give me plenty space\nIf I tell you that I'm hungry\nThen won't you feed my face [Chorus]\nBecause I'm fat, I'm fat, sha mone\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it, you know\n(Fat, fat, really really fat)\nWoo woo woo\n, \nwhen I sit around the house\nI really sit around the house\nYou know I'm fat, I'm fat, come on\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it, you know it\n(Fat, fat, really really fat)\nYou know, you know, you know, come on\n(Fat, fat, really really fat)\nAnd you know all by myself I'm a crowd\nLemme tell you once again\nYou know I'm huge, I'm fat, you know it\n(Fat, fat, really really fat)\nYou know I'm fat, you know, hoo\n(Fat, fat, really really fat)\nYou know I'm fat, I'm fat, you know it, you know\n(Fat, fat, really really fat)\nAnd the whole world knows I'm fat and I'm proud\nJust tell me once again who's fat" } ]

[ { "from": "human", "value": "Write me a song called Hold On, We’re Going Home with the following description: Volumes covered “Hold On, We’re Going Home” originally by Drake for the compilation album Punk Goes Pop 6. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nI got my eyes on you, you're everything that I see\nI want your hot love and emotion, endlessly\nI can't get over you, you left your mark on me\nI want your hot love and emotion, endlessly\n[Pre-Chorus]\n'Cause you're a good girl and you know it\nYou act so different around me\n'Cause you're a good girl and you know it\nI know exactly who you could be\n[Chorus]\nJust hold on, we're going home \n(Going home)\nJust hold on, we're going home \n(Going home)\nIt's hard to do these things alone \n(Things alone, things alone)\nJust hold on, we're going home \n(Going home)\n[Verse]\nI got my eyes on you, you're everything that I see\nI want your hot love and emotion, endlessly\nI can't get over you, you left your mark on me\nI want your hot love and emotion, endlessly\n[Pre-Chorus]\n'Cause you're a good girl and you know it\nYou act so different around me\n'Cause you're a good girl and you know it\nI know exactly who you could be [Chorus]\nOh, just hold on, we're going home \n(Going home)\nJust hold on, we're going home \n(Going home)\nIt's hard to do these things alone \n(Things alone, things alone)\nIf you just hold on, we're going home \n(Going home)\n[Bridge]\nYou're the girl, you're the one\nI gave you everything I loved\nI think there's something, baby\nI think there's something, baby\nYou're the girl, you're the one\nI gave you everything I loved\nI think there's something, baby\nI think there's something\n[Pre-Chorus]\n'Cause you're a good girl and you know it\nYou act so different around me\n'Cause you're a good girl and you know it\nI know exactly who you could be\n[Chorus]\nOh, just hold on, we're going home \n(Going home)\nJust hold on, we're going home \n(Going home)\nIt's hard to do these things alone \n(Things alone, things alone)\nJust hold on, we're going home \n(Going home) Take me home, I wanna go home\nIt's hard to do these things alone\nJust hold on, we're going home\nWe're going home\n[Outro]\nHome! Home!\nWould you take me home?\nWould you take me home?\nWould you take me home?" } ]

[ { "from": "human", "value": "Write me a song called My Conscience with the following description: “My Conscience” is the initial title of the song “Guilty Conscience” by American rapper Eminem, featuring American hip-hop record producer Dr. Dre. The song under the latter title would be released as the third and final single from Eminem’s The Slim Shady LP (1999). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mark Avery]\nMeet Eddie, twenty-three years old. Fed up with life and the way things are going, he decides to rob a liquor store. But on his way in, he has a sudden change of heart and suddenly his conscience comes into play\n[Verse 1: Dr. Dre]\nAlright stop, now before you walk in the door\nOf this liquor store and try to get money out the drawer\nYou better think of the consequence (But who are you?)\nI'm your mothafuckin' conscience!\n[Eminem]\nThat's nonsense\nGo in, gaffle the money and run to one of your Aunt's cribs\nAnd borrow a damn dress and one of her blond wigs\nTell her you need a place to stay, you'll be safe for days\nIf you shave your legs with Renee's razor blades\n[Dr. Dre]\nYeah but if it all goes through like it's supposed to\nThe whole neighborhood knows you and they'll expose you\nThink about it before you walk in the door first\nLook at the store clerk, she's older than George Burns!\n[Eminem]\nFuck that, do that shit, shoot that bitch\nCan you afford to blow this shit, are you that rich?\nWhy you give a fuck if she dies? Are you that bitch?\nDo you really think she gives a fuck if you have kids? [Dr. Dre]\nMan don't do it, it's not worth it to risk it (You're right!)\nNot over this shit, drop the biscuit (I will!)\nDon't even listen to Slim yo, he's bad for you\n(You know what Dre, I don't like yo attitude)\n[Hook]\nThese voices, these voices, I hear them\nAnd when they talk, I follow, I follow\nI follow, I follow all these voices\n[Interlude: Mark Avery]\nMeet Stan, 21 years old. After meeting a young girl at a rave party, things start getting hot and heavy in an upstairs bedroom. Once again, his conscience comes into play\n[Verse 2: Eminem & (Dr. Dre)]\nNow listen to me, while you're kissing her cheek\nAnd smearing her lipstick, slip this in her drink\nNow all you gotta do is nibble on this little bitch's earlobe\n(Yo, this girl's only fifteen years old\nYou shouldn't take advantage of her, it's not fair)\nYo, look at her bush, does it got hair?\nFuck this bitch right here on the spot, bare\n'til she passes out and she forgot how she got there\n(Man, ain't you ever seen that one movie, Kids?)\nNo but I seen the porno with Sun Doobiest!\n(Shit, you wanna get hauled off to jail?)\nMan, fuck that, hit that shit raw dog and bail [Hook]\n[Interlude: Mark Avery]\nMeet Grady, a 29-year-old construction worker. After coming home from a hard day's work, he walks in the door of his trailer park home to find his wife in bed with another man (What the fuck?)\n[Verse 3: Dr. Dre & (Eminem)]\nAlright, calm down, relax, start breathing\n(Fuck that shit, you just caught this bitch cheating\nWhile you at work she's with some dude trying to get off\nFuck slitting her throat, cut this bitch's head off!)\nWait, what if there's an explanation for this shit?\n(What, she tripped, fell, landed on his dick?)\nAlright, Shady, maybe he's right Grady\nBut think about the baby before you get all crazy\n[Eminem & (Dr. Dre)]\nOkay, thought about it? Still wanna stab her?\nGrab her by the throat, get your daughter and kidnap her?\nThat's what I did, be smart don't be a retard\nYou gonna take advice from somebody who slapped Dee Barnes?\n(What you say?) What's wrong? Didn't think I'd remember?\n(I'ma kill you, mothafucka!) Uhh-ahh, temper, temper\nMr. Dre, Mr. N.W.A, Mr. AK\nComing straight outta Compton, y'all better make way\nHow in the fuck you gonna tell this man not to be violent? [Dr. Dre]\nCause he don't need to go the same route that I went\nBeen there, done that, aw fuck it, what am I saying?\nShoot 'em both Grady, where's your gun at?" } ]

[ { "from": "human", "value": "Write me a song called Addicted to You with the following description: “Addicted to You” is a song recorded by Shakira for her ninth studio album Sale el Sol (2010). The song was released as the fifth and final single from the album on 13 March 2012.\nCritical reception towards “Addicted to You” was mostly positive. Jennifer Schaffer from The Stanford Daily commented that the song prevents the listener from getting “lulled” and “hurries back to the hip-swaying dance beat”. Michelle Morgante from The Boston Globe picked the song as an example of Shakira’s “new merengue-rock hybrid that lays down bare horn riffs over a driving beat in a groove that is irresistible”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Addicted to You\"]\n[Verso 1]\nDebe ser el perfume que usas\nO el agua con la que te bañas\nPero cada cosita que haces\nA mí me parece una hazaña\nMe besaste esa noche\nCual si fuera el último día de tu boca\nCada vez que yo me acuerdo\nYo siento en mi pecho el peso de una roca\n[Pre-Coro]\nSon tus ojos marrones\nEsa veta verdosa\nEs tu cara de niño\nY esa risa nerviosa\n[Coro]\nI'm addicted to you\nPorque es un vicio tu piel\nBaby, I'm addicted to you\nQuiero que te dejes querer\nI'm addicted to you\nPorque es un vicio tu piel\nBaby, I'm addicted to you\nQuiero que te dejes querer [Verso 2]\nPor el puro placer de flotar\nAhora si me llevó la corriente\nYa no puedo dormir ni comer\nComo lo hace la gente decente\nUn recuerdo ha quedado\nAsí como un broche prendido a mi almohada\nY tú en cambio que tienes memoria de pez\nNo te acuerdas de nada\n[Pre-Coro]\nSon tus manos de hombre\nEl olor de tu espalda\nLo que no tiene nombre\nLo logró tu mirada\n[Coro]\nI'm addicted to you\nPorque es un vicio tu piel\nBaby, I'm addicted to you\nQuiero que te dejes querer\nI'm addicted to you\nPorque es un vicio tu piel\nBaby, I'm addicted to you\nQuiero que te dejes querer" } ]

[ { "from": "human", "value": "Write me a song called Paranoid (Remix) with the following description: This is the remix version featuring B.o.B, as Joe Moses was not in the remix. Like the original version, it was produced by Mustard.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ty Dolla $ign]\nDolla $ign\nMustard on the beat, ho\n[Chorus: Ty Dolla $ign]\nI see two of my bitches in the club\nAnd I know they know about each other\nI think these bitches tryna set me up\nMaybe I’m just paranoid\n[Verse 1: Ty Dolla $ign]\nI got a bad light skin from the valley\nShe be in the club with no panties\nLittle bitch, she used to be my favorite\nBut now we don’t speak the same language\nI love my bitch, I could bang it\nBut my dark skin bitch know how to take dick\nI got em both the same damn red bottoms\nAnd bought em both the same damn fragrance\nBoth of my bitches drive Range Rovers\nNone of my bitches can stay over\nBoth of my bitches look good as fuck\nYour bitch look like a boogawolf\n[Chorus: Ty Dolla Sign]\nI see two of my bitches in the club\nAnd I know they know about each other\nI think these bitches tryna set me up\nMaybe I’m just paranoid\n[Bridge: Ty Dolla Sign]\nYeah I’m paranoid, I’m trippin'\nI’ve been smoking, I’ve been sippin'\nI’m fuckin around with two bitches\nBut I never made them hoes my missus\n[Verse 2: B.o.B]\nWomen talk, women talk\nShe run her mouth so much she can’t hear her own thoughts\nTell my old ho, she my new bitch\nTell my new bitch, she my old ho\nWell, she used to be yo' ho\nDead, hold up, flatline\nI fuck a bitch to sleep, nap time\nI put my name on it if that’s mine\nPussy so wet she thought it got baptized\nAsk me where I’m at, that’s a set-up\nYou ain’t talkin' bout nothin', bitch shut up\nIf you got a side chick, nigga what up\nBoth my girls in the club 'bout to nut up\nStalking on my network\nGot her looking so hard that her neck hurt\nAnd I ain’t trippin', I got room for 'em both\nThis is HAM Squad, I just doubled up my net worth\n[Chorus: Ty Dolla Sign]\nI see two of my bitches in the club\nAnd I know they know about each other\nI think these bitches tryna set me up\nMaybe I’m just paranoid [Bridge: Ty Dolla Sign]\nYeah I’m paranoid, I’m trippin'\nI’ve been smoking, I’ve been sippin'\nI’m fuckin around with two bitches\nBut I never made them hoes my missus\nYeah I’m paranoid, I’m trippin'\nI’ve been smoking, I’ve been sippin'\nI’m fuckin around with two bitches\nBut I never made them hoes my missus\n[Chorus: Ty Dolla Sign]\nI see two of my bitches in the club\nAnd I know they know about each other\nI think these bitches tryna set me up\nMaybe I’m just paranoid" } ]

[ { "from": "human", "value": "Write me a song called Artist Archive: Dua Lipa with the following description: Welcome to the Dua Lipa Artist Archive! This page aims to be a comprehensive guide for anyone interested in Dua’s career.\nThis archive includes:\n\nInterviews (magazines, radio, video)\nPhotoshoots\nAwards and accomplishments\nCritical reviews\nNotable references (official websites and social media posts)\n\nThis page is very much a work in progress. Please message beginagain if you’re interested in contributing!Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "2019-present: \nFuture Nostalgia\n Era\nAwards & Accomplishments\nDate\n - Award/Accomplishment\nAppearances & Shows\n11/1/2019\n - \nThe Graham Norton Show\n11/3/2019\n - MTV Europe Music Awards\n11/10/2019\n - \nThe Voice of Germany\n11/24/2019\n - American Music Awards\n11/27/2019\n - ARIA Music Awards\n11/28/2019\n - \nSunrise\n12/4/2019\n - MNET Asian Music Awards\n12/17/2019\n - \nThe Voice\n12/19/2019\n - \nThe Tonight Show Starring Jimmy Fallon\n12/20/2019\n - \nGood Morning America\n1/1/2020\n - \nDick Clark's New Year's Rockin' Eve\n1/9/2020\n - \nThe Ellen Degeneres Show\n2/7/2020\n - Sanremo Music Festival\n3/30/2020\n - \nThe Late Late Show with James Corden\nDiscography\n11/1/2019\n - \"Don't Start Now\"\n12/13/2019\n - \"Future Nostalgia\"\n1/31/2020\n - \"Physical\"\n3/18/2020\n - \"Physical (Remix)\" (ft. Hwasa)\n3/25/2020\n - \"Break My Heart\"\n3/27/2020\n - \nFuture Nostalgia Filmography\n11/1/2019\n - \"Don't Start Now\"\n12/16/2019\n - \"Future Nostalgia\"\n1/31/2020\n - \"Physical\"\n3/26/2020\n - \"Break My Heart\"\nInterviews\n4/7/2020\n - \"Dua Lipa's Unplanned, Uncertain, Unprecedented Album Launch,\" \nThe New York Times\n4/10/2020\n - \"Dua Lipa: 'If somebody told me not to discuss issues I'm passionate about? I wouldn't listen,'\" \nNME\n4/14/2020\n - \"Dua Lipa Is Ready For the Party On the Other Side,\" \nELLE.com\n4/18/2020\n - \"Dua Lipa interview: New Rules for Living with No 1,\" \nThe Scotsman\n4/22/2020\n - \"Dua Lipa on How She Became the World's Quarantine Queen,\" \nHighsnobiety\n5/6/2020\n - \"Dua Lipa: 'You can't allow other people's words to affect your growth,'\" \nBritish GQ\n2015-2019: \nDua Lipa\n Era\n \nand Pre-\nFuture Nostalgia\nAwards & Accomplishments\n10/22/2017\n - BBC Radio 1's Teen Award for Best Single, \"New Rules\"\n12/08/2017\n - BBC Music Award for Album of the Year, \nDua Lipa\n12/30/2017\n - The Beano Award for Pop Song of the Year, \"New Rules\"\n2/21/2018\n - Brit Award for Best Female Solo Artist\n2/21/2018\n - Brit Award for British Breakthrough Act\n10/21/2018\n - BreakTudo Award for Artist on the Rise\n11/16/2018\n - Bambi Award for International Music Honor\n2018\n - D&AD Award for Direction for Music Videos, \"New Rules\" music video\n2/20/2019\n - Brit Award for British Single of the Year, \"One Kiss\" with Calvin Harris\nAppearances & Shows\nDate\n - Appearance at show\nDiscography\nAs a lead artist:\n8/21/2015\n - \"New Love\"\n10/30/2015\n - \"Be the One\"\n2/9/2016\n - \"Last Dance\"\n5/6/2016\n - \"Hotter than Hell\"\n7/8/2016\n - \nSpotify Sessions\n8/26/2016\n - \"Blow Your Mind (Mwah)\"\n10/29/2016\n - \"Room for 2\"\n1/6/2017\n - \"Thinking 'Bout You\"\n1/27/2017\n - \"Scared to Be Lonely\" (with Martin Garrix)\n4/2/2017\n - \nThe Only\n4/21/2017\n - \"Lost in Your Light\" (feat. Miguel)\n6/2/2017\n - \nDua Lipa\n6/21/2017\n - \"Bridge over Troubled Water\" (with Artists for Grenfell)\n12/8/2017\n - \nLive Acoustic\n4/6/2018\n - \"One Kiss\" (with Calvin Harris)\n9/6/2018\n - \"Electricity\" (with Silk City)\n9/6/2018\n - \"Want To\"\n10/19/2018\n - \nDua Lipa\n (Complete Edition)\n1/24/2019\n - \"Swan Song\"\nAs featured artist:\n11/18/2016\n - \"No Lie\" (with Sean Paul)\n4/28/2017\n - \"My Love\" (with Wale, Major Lazer and Wizkid)\n6/21/2017\n - \"Bridge over Troubled Water\" (with Artists for Grenfell)\n10/26/2018\n - \"If Only\" (with Andrea Bocelli)\nFilmography\nAs a lead artist:\n8/21/2015\n - \"New Love\"\n10/29/2015\n - \"Be the One\"\n2/18/2016\n - \"Last Dance\"\n5/6/2016\n - \"Hotter than Hell\"\n9/12/2016\n - \"Blow Your Mind (Mwah)\"\n10/28/2016\n - \"Room for 2\"\n2/22/2017\n - \"Thinking 'Bout You\"\n5/26/2017\n - \"Lost in Your Light\" (feat. Miguel)\n7/7/2017\n - \"New Rules\"\n1/12/2018\n - \"IDGAF\"\n5/3/2018\n - \"One Kiss\" (with Calvin Harris)\n9/6/2018\n - \"Electricity\" (with Silk City)\n1/24/2019\n - \"Swan Song\"\nAs featured artist:\n1/10/2017\n - \"No Lie\" (with Sean Paul)\n8/15/2017\n - \"My Love\" (with Wale, Major Lazer and Wizkid)\n6/21/2017\n - \"Bridge over Troubled Water\" (with Artists for Grenfell)\n11/2/2018\n - \"If Only\" (with Andrea Bocelli)\nInterviews\nDate\n - Article Name, Publisher Name, Date Published" } ]

[ { "from": "human", "value": "Write me a song called Ahora Dice (Real Hasta La Muerte Remix) with the following description: This the remix of the song “Ahora Dice”, which was a very highly successful hit, originally by Chris Jeday, J Balvin, Ozuna and Arcangel, and that in this remix version features Anuel AA (actually in jail), Cardi B, and Offset of Migos.\nThe reason why the song carries the “Real Hasta La Muerte” in the title is because this remix is to remember and keep alive the music of Anuel AA, a Puerto Rican rapper who’s currently in jail, and while he was free he created a solid movement inside of music, attracting many followers.\nThis song combines English and Spanish speaking trap artists, as such songs are growing and becoming more mainstream.\nPrevious other songs that combined both cultures include songs such as Cardi B’s “Bodak Yellow” remix featuring Messiah, Karol G and Bad Bunny’s “Ahora Me Llama” remix featuring Quavo (also from Migos), and Post Malone’s “Rockstar” remix featuring Ozuna and Nicky Jam.\nThis is occurring due to Latin Trap growing in the music world, and more people are now listening to such songs featuring the two cultures collaborating. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Ahora Dice (Real Hasta La Muerte Remix)\" ft. Arcángel, Anuel AA, Cardi B & Offset]\n[Intro: Anuel AA, \nArcángel\n, \nJ Balvin\n, \nAnuel AA & Ozuna\n]\nReal hasta la muerte, ¿oíste, bebé? (\nAh, ah-ah; ¡auh!\n)\nTú no quieres saber na' de mí (\nUh, na-na\n)\nDime qué fue lo que yo hice mal (\nDime qué pasó\n)\nTe pusieron en contra de mí (\nUh, na-na\n)\nPero es peor pedir perdón que perdonar\nSe murió una flor (\nFlor\n), y cambió de color (\nYeah-yeh\n)\nTú era' mi diabla y yo te daba calor\nFumando pa' olvidarte, pa' matar el dolor\nY a vece' quiero morirme, pero nadie ha muerto de amor (\nHuh\n)\n[Coro: Ozuna, \nJ Balvin\n, \nArcángel\n, \nOzuna & Anuel AA\n, *Ozuna & J Balvin*, \n*Ozuna, Arcángel & Anuel AA*\n, \n*Ozuna & Arcángel*\n]\nAhora dice que no me conoce, no-no-no-no-no\nY si me ha visto se supone\n que en el pasado fue\nYo sí me acuerdo cómo lo hacíamos\nCómo en la cama nos matábamos\n (\nLeggo\n)\nAhora dice que no me conoce\n, *no-no-no-no-no*\nY si me ha visto se supone\n *que en el pasado fue*\nYo sí me acuerdo cuando lo\n \n*hacíamos*\n*Cuando en la cama nos matábamos*\n[Verso 1: Anuel AA]\nTe dejaste manipular, tú no sabes amar\nTú dices que tú me odia', pero tú no me va' a olvidar\nTú sabes que tus pierna' yo te las pongo a temblar\nYo te devoraba y tú empezaba' a gritar\nSi se muere el amor te traicionan\nTe aman, se van y te odian\nY en la muerte es como a las persona'\nQue te dejan solo despué' que te lloran\nHablando con la luna como un lobo buscando a su loba\nBuscando al demonio que te está devorando en su alcoba\nHablándote mal de mí como si yo ya me morí\nDile a ese infeliz que te la coma como yo te la comí\nY que te haga mojarte como yo te hice venirte\nTú dijiste que encima 'e mi cuerpo estrujá' tú querías morirte, eh [Puente: J Balvin, \nJ Balvin & Ozuna\n, \nOzuna & Anuel AA\n]\nSolo yo he podido \nllegarle\nTu cuerpo \nsabe elevarse\nY cuando \ntus piernas temblaban\nNo decías nada, no, no\n[Pre-Coro: Ozuna & \nArcángel\n]\nYo sé que nuestro amor es periódico de ayer\n¿Tú crees que es fácil mirarte a la cara y que me diga':\n\"Yo no, no te conozco\"? Pues, 'tá to' bien\nTarde o temprano el karma a ti te va a caer, vas a volver\nSolita, yo sé que vas a caer\nVa a volver a llamarme pa' que te lo vuelva a hacer\nAy, nena, no trate', que no me voy a envolver\nPorque dicen, y yo creo, que Lucifer es mujer\n[Coro: Cardi B, \nCardi B & Ozuna\n, \nCardi B & Anuel AA\n]\nAhora dice que no me conoce, \nno-no-no-no-no\nY si me ha visto se supone \nque en el pasado fue\nYo sí me acuerdo cómo lo hacíamos\nCómo en la cama nos matábamos\n[Verso 2: Cardi B & \nOffset\n]\nYou ain't cherish shit when you had it\nTurn me back to a savage\nGrab your stuff while you at it\nNow my heart is cold as my Patek, uh\nMan, I guess you feel away now\nSee me on the way up, you on your way down\nYou had you a ten, but now you a dub\nYou ain't here, but you wishing you was\nYou gon' miss grabbing this ass\nNow you can miss me with them subs\nYou don't gotta check on me\n'Ca-ca-cause I got a check on me\nI don't need nothing from nobody\nNot you especially \n(Let up)\nAnd-and you know that I'm the baddest\nCartier glasses, Fendi fabric\nAnd I'm years away from basic\nAnd I'm miles away from average, but\nOne thing ain't adding up to me\nHow you gon' mess with a bitch that look up to me?\nOff' [Verso 3: Offset]\nI cannot let up (Let up)\nHug me like a Gucci sweater (Sweater)\nAin't nobody drippin' wetter (Drippin')\nI took the time to write a letter (I took the time)\nWe worked hard out the ghetto\nI don't deserve your heart, know you fed up (Nah)\nWe both had a broken heart when we met up (Eh)\nYour body a piece of art, you don't sell it (Uh)\nYou know that I miss it, I just wanna kiss it\nI scroll through the phone, lookin' how we would kick it (Kick it)\nKnock at the door, it's a visit (Huh)\nShe take that shit off then I fuck in the kitchen (Smash)\nHis and hers, Mr. and Mrs. (Hey)\nWhen I talk to her baby girl listens (Listen)\nI had a dream and you was in it (Dream)\nWhen you gone, I feel like I been sinnin'\nCome back, come back, come back (Come back)\nYou not really rich, got the bomb pack (Bomb)\nDive in the water, have fun with that (Dive)\nI might put a daughter or son in that (I might)\nI bought you a ring and five hundred racks (Hey)\nShe like the triangle Balenci bag (Drip)\nYou know you an angel, come save the bad (Angel)\nIf you really love me then take me back [Pre-Coro: J Balvin & \nOzuna\n]\nJ Balvin, man\nYo sé que nuestro amor es periódico de ayer\n¿Tú crees que es fácil mirarte a la cara y que me diga':\n\"Yo no, no te conozco\"? Pues, 'tá to' bien\nTarde o temprano el karma a ti te va a caer, vas a volver\nSo-so-solita, yo sé que vas a caer\nVa a volver a llamarme pa' que te lo vuelva a hacer\nAy, nena, no trate', que no me voy a envolver\nPorque dicen, y yo creo, que Lucifer es mujer\n[Coro: Arcángel, \nJ Balvin & Ozuna\n, \nJ Balvin & Anuel AA\n]\nY ahora dice que no me conoce, no-no-no-no-no\nY si me ha visto se supone que en el pasado fue\nYo sí me acuerdo cómo lo hacíamos\nCómo en la cama\n \nnos matábamos\n[Outro: Offset]\n¡Uh!" } ]

[ { "from": "human", "value": "Write me a song called The Blinding with the following description: With an all-star array of producers building a constantly-shifting, dynamic beat, Jay and Jay trade bars that range from the grandeur of their status in hip hop to their spiritual ancestry to the introspective.\nTravis chips in with a hypnotic chorus. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Swizz Beatz]\nThis shit make you wanna talk crazy, crazy, crazy\nI'm tryin' to...\nKayfa ḥal-uk? Kayfa ḥal-uk, habibi?\n[Verse 1: Jay Electronica & \nJAY-Z\n]\nOnce upon a time there was a likkle yout, the cub of a lion\nA stowed away captive, a long way home from Zion\nThe dove Prince sang about in \"Purple Rain\" cryin'\nTo the midget you heard tale of on the shoulders of the giant\nListen, I named my son, Sir, so you gotta call my son, \"Sir\"\nThat boy already knighted, he ain't even out his romper\nYou speakin' on the kingdom, you better watch your tongue, sir\nI send you where you never been, you forget where I'm from, sir?\nThat gossip I send bald heads, Lou Gossett out the gun, sir\nI'm brazy, I'm so brazen, I'm \"Raisin in the Sun\" sir\nYou can catch this broad daylight, you know the Kingdom come, sir\nThat wheel inside the wheel\n, \na half a mile in circumference\nIt's the return of the Mahdi\n, \nit's the return of the Akhis\nIt's the return of the lost and found tribe of Shabazz, the Annunakis\nIt's the return of Mr. Shakur spittin' out phlegm at paparazzi\nThat's my new style\n[Chorus: Travis Scott]\nBlinding (\nHit-Boy\n)\nBlinded by the light\nSee the stars and our sun [Verse 2: Jay Electronica & \nJAY-Z\n]\nThe gift that keeps givin' like Babushka\nKush crushed up in the studio, rollin' Kate Bush up\nExtra, extra, it's Mr. Headlines\nWho signed every contract and missed the deadlines\n40 days, 40 nights, tryna live up to the hype\nIt's the road less traveled,\n \nit's the one who missed the flights\nHov hit me up like, \"What, you scared of heights?\nKnow your sister tired of workin', gotta do her something nice\"\nI'm like, \"Don't he know I stay up for Falon late nights?\"\nShe need bread, she need rice, she need threads, she need ice\nEither tell it to my bank account or say it to the dice\nWhen I lay down in my bed it's like my head in the vice\nWhen I look inside the mirror all I see is flaws\nWhen I look inside the mirror all I see is Mars\nIn the wee hours of night, tryna squeeze out bars\nBismillah\n, just so y'all could pick me apart?\n[Chorus: Travis Scott]\nBlinding\nBlinded by the light\nSee the stars and our sun\n[Outro]\nHit Boy\nG. Ry got me" } ]

[ { "from": "human", "value": "Write me a song called Nobody with the following description: “Nobody” is a bonus track from the deluxe edition of Selena Gomez' second solo album Revival, which was released on 9 October 2015.\nSelena says that the song is about God.\nhttps://twitter.com/selenagomez/status/652521471017771008\nSelena told iHeartRadio:\n‘Nobody’ is written about my faith, my connection with God. Anyone can interpret that however they want. It’s a beautiful record, but that was my intention when I wrote the song. No human being can love you the way that your higher power can, and I think it’s beautiful. You have to love yourself. You have to find that within your heart and that’s when I was able to discover myself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNo heart, no hands, no skin, no touch\nCan get me there, nowhere enough\nTo love me like you do, to love me like you do\nNo kiss, no lips, no feel, no rush\nCan you keep me high, I swear no one\nCan love me like you do, can love me like you do, no\n[Chorus]\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's gonna love me like you do\nLike you, ooh\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's ever led me to the truth\nLike you, ooh\nNobody's gonna love me like you\nNobody, nobody ooh\n[Verse 2]\nNo oxygen, can barely breathe\nMy darkest sin, you've raised release\nAnd it's all because of you, all because of you\nI don't know what it is, but you've pulled me in\nNo one compares, could ever begin\nTo love me like you do\nAnd I wouldn't want them to\nCause... [Chorus]\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's gonna love me like you do\nLike you, ooh\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's ever loved me to the truth\nLike you, ooh\n[Chorus]\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's gonna love me like you do\nLike you, ooh\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's ever loved me to the truth\nLike you, ooh\n[Bridge]\nI don't want nothing else\nNot when I had the best\nI don't want nothing else\nBecause you showed me the best [Chorus]\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's gonna love me like you do\nLike you, ooh\nNobody's gonna love me like you\nNobody, uh\nNobody, no uh\nNobody's ever loved me to the truth\nLike you, ooh" } ]

[ { "from": "human", "value": "Write me a song called Music Box with the following description: Track 6 From Eminem’s 6th Solo Album: Relapse: Refill.\nEminem’s Alter Ego (Slim Shady) Takes over for this song as he describes his murderous ways, whilst referencing many classic horror movies.\nThis song also presents an homage to Edgar Allan Poe’s poem “ Tell-Tale Heart”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\nYeah, girl\nCan you hear that? It's playing our song\nAre you sleepy? Take a nap\nYou're not afraid of the dark, are you?\n[Verse 1]\nYou hear the beat as it makes ya not want to go to sleep\nI knock on Dakota's door; it's locked, so I go to creep\n'Round the back with binoculars, not 'cause I wanna peep\nBut because I'm hungry, she smells like tacos, I wanna eat\nVisions of hot chocolaty marshmallows, all so sweet\nWith sugar plums; oh, look\nHere comes Marshall, he's on your street\nHe's placing hot, smoldering charcoals beneath your feet\nNow walk on 'em; he's dancing with carcasses cheek to cheek\nLike a Thanksgiving turkey, a holiday ham\nCinnamon sprinkled on toast, strawberry marmalade jam\nFlavor my favorite graham crackers with JonBenét Rams'\nI guess a modern-day Jack the Ripper is all that I am\n[Chorus]\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nBut I can hear you, my love, you keep calling me\n(My music box)\nAlthough we're worlds apart, you mean the world to me\n(My music box, my music box)\nSo once you call, I come, I will answer\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nI hear my music box playing a song for me\n(My music box)\nSo won't you twirl around and do a whirl for me?\n(My music box, my music box)\nAnd would you be my private little dancer? [Verse 2]\nI almost look comatose; who wants to be sober? Gross\nI foam like a Doberman, mouth open, I overdose\nPut coke up my nostrils in both my holes, then I plug my nose\nMy pupils quadruple in size, eyes are so bugged, I know\nI put on my mother's makeup\n, get naked and run around\nWavin' the gun around, \nI think I'm down to a hundred pounds\nThere's thunder, I wonder how come it rains, but the sun is out?\nThe devil's upset with his wife, they must be sluggin' it out\nI must be buggin' the fuck out, but what the fuck about?\nVoices are leading me up to the attic, I love my house\nThey pull and they tug my blouse, the sound of a music box\nComes from inside a toy chest, but what do I do? It's locked\nI pick it and open it, but it's stuffed full of human parts\nI dig 'til I find it, I wind it up, and the tune just starts\nIt's playing a song, so beautiful, and the room is dark\nThe moon is full, I smell a funeral, guess I'll loom in the park\n[Chorus]\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nBut I can hear you, my love, you keep calling me\n(My music box)\nAlthough we're worlds apart, you mean the world to me\n(My music box, my music box)\nSo once you call, I come, I will answer\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nI hear my music box playing a song for me\n(My music box)\nSo won't you twirl around and do a whirl for me?\n(My music box, my music box)\nAnd would you be my private little dancer? [Verse 3]\nI'm fixated on asphyxiatin' and breakin'\nThis little chick's neck like a Pixy Stick\nThe sick, Satan-worshippin' bitches get horse whippings\nI'm in the back, \nthrough the back door slippin'\nThrough the crack\n, leavin' the corpse drippin'\nThe mortician of love, sent from above\nForced entry, the more wenchy the more stingy I become\nBeen doing this for more than a quarter-century,\n I'm just numb\nAm I dreaming, is it real? Someone pinch me on the buns\nThe time has come to tie her up, gotta roll me the ladder\nI've had enough of the chatter\nClimb up to the window, look at her\nThen climb in slow to shatter her brain matter and batter her\nWith a bat; a matter of fact, that will splatter her\nBut before I do that, I'll have a chat to flatter her\nGive her two compliments back to back, like \"Tabitha\nI'm your secret admirer, I'm back to ravish ya\nSo strong is your fight, but you're no match for Dracula\"\nProlonging her plight as I go back to stabbin' her\nDismember her limbs, simple as that: cadaver her\nZoom in with the lens, then pan back the camera\nStand back, 'cause here comes your man Jack, so Pamela\n[Chorus]\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nBut I can hear you, my love, you keep calling me\n(My music box)\nAlthough we're worlds apart, you mean the world to me\n(My music box, my music box)\nSo once you call, I come, I will answer\n(My music box)\n'Cause when the lights are off, I see the girl's asleep\n(My music box)\nI hear my music box playing a song for me\n(My music box)\nSo won't you twirl around and do a whirl for me?\n(My music box, my music box)\nAnd would you be my private little dancer?" } ]

[ { "from": "human", "value": "Write me a song called Dinnertime with the following description: “Dinnertime” is a track about Lil Wayne quite literally eating his competition alive. Which was supposed to be on Tha Carter III, but was scrapped, and now all we have is a leak. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Waiter talking]\nHere you are, sir, just how you like\nCareful, it's hot\nEnjoy...\n[Verse 1]\nOkay, come be my appetizer\nMy fruit, my apple cider, my colada\nMy papaya, how you want it?\nI told the waiter what I wanted\nI told him don't bring me a plate\nIf it don't have a rapper on it\nChef Angel on the beat\nAnd me I'm just snackin' on it\nYeah, I'm eatin' with my hands\nI'm gonna need a napkin, homie\nYou lookin' like a glazed pig\nWith an apple on it\nI'mma need a Snapple, homie\nAnd another after, homie\nSnap crackle, homie\nThere goes another rapper\nJust consider that bologna\nYou are just a macaroni\nIn my tuna casserole\nI'm gettin' fat and you bony\nYou lookin' like Nicole\nRichie call me Biggie\nI got faith and soul\nBowl of french of fries\nTell 'em bitches bonjour\nBoy, I eat your food\nHot and cold\nAnd I'm no where near full [Interlude: Waiter talking]\nHope you enjoyed your appetizer\nHere's your main course...\n[Verse 2]\nGood 'cause I'm bout hungrier than a mothafucka\nFinger lickin' good never been a thumb sucker\nI eat your ass good, never leave a crumb sucka\nNever been a club hopper I'm a club jumper\nThat mean I get the club jumpin', I'm grubbin\nRappers say, \"Hello Wayne\", I reply, \"What up supper?\"\nI could fry your ass up a saute\nMarinade ya all day\nI like my shit saute\n'Cause all the rappers salty\n'Cause all the rappers fault me\nFor bein' the best of all thee\nRappers call on me\n'Cause I'm the best rapper rappin'\nRappers you can call me\nThe best rapper rappin'\nI'm a dog I'm a beast\nI'm a feast\nCarter get it in order\nOrder me I oughta be an artery\n'Cause I'm a bloody buzzin' B\nI'm a beast I at least\nShould get a piece of that pie\nBefore I die\nBecause I if no one else deserve\nNow where is my dessert? [Interlude: Waiter talking]\nAnd now for dessert...\n[Verse 3]\nYes, this is dessert\nFor his and hers\nI'll take his her\nKiss her\nMake her pussy purr\nWet zipper\nNever tip her\nNever fall in love with a stripper\nLike strawberries, I dip her\nIn whip cream, I whip her\nI let her melt, then sip her\nLike sizzurp, I'm tryna quit the sizzurp\n'Cause moms say quit the sizzurp\nBut my auntie mom trippin', she a tripper\nAnd I can eat you quicker\nBut I'm gonna take my time with it\nLike a 3 legged cake I gotta climb in it\nBut ain't shit sweet when I'm in it\nWhen I'm in it, I told her you gonna miss me\nIf I hit it\nI'm done with it\nAnd can't nobody else do what I done with it\nNot what I done did it\nMy tongue drippin'\nFeed me rappers or feed me beats [Digests]\n[Outro]\nYoung Mula Baby, hehe" } ]

[ { "from": "human", "value": "Write me a song called I’m Still Breathing with the following description: “I’m Still Breathing” is about a love affair that has ended, leaving Katy heartbroken. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI leave the gas on, walk the alleys in the dark\nSleep with candles burning, I leave the door unlocked\nI'm weaving a rope and running all the red lights\nDid I get your attention? 'Cause I'm sending all the signs that\nThe clock is ticking and I'll be giving my two weeks\nPick your favorite shade of black, you'd best prepare a speech\nSay something funny, say something sweet\nBut don't say that you loved me\n[Chorus]\nI'm still breathing\nBut we've been dead for a while\nThis sickness has no cure\nWe're going down for sure\nAlready lost our grip\nBest abandon ship, oh\n[Verse 2]\nMaybe I was too pale, maybe I was too fat\nMaybe you had better, better luck in the sack\nNo formal education, I swore way too much\nI swear you didn't care 'cause we were in love\nSo as I write this letter and shed my last tear, know\nIt's all for the better that we end this here\nLet's close this chapter, say one last prayer\nBut don't say that you loved me [Chorus]\nI'm still breathing\nBut we've been dead for a while\nThis sickness has no cure\nWe're going down for sure\nOh, we've been diagnosed\nSo let's give up the ghost\n'Cause I'm still breathing\nBut we've been dead for a while\nThis sickness has no cure\nWe're going down for sure\nAlready lost our grip\nBest abandon ship, oh\n[Outro]\nYeah, yeah, yeah, yeah, yeah\nOh, I'm still breathing, I'm still breathing\nOh" } ]

[ { "from": "human", "value": "Write me a song called You Stay with the following description: “You Stay” is a collaboration between DJ Khaled, Meek Mill, Jeremih, J. Balvin and Lil Baby that appears on Khaled’s eleventh studio album, Father of Asahd.\nOn the track, the artists ponder why their significant other decides to stay with their respective man when she is treated poorly.\nThis track was leaked on April 15th, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: India, \nJeremih\n, & \nDJ Khaled\n]\nSabes bien que fue un engaño\nLo que me hiciste fue un pecado\nAsí mismo me engañaste\nY lloras hoy porque fallaste\nCómo tratas de buscarme\nDespués que tú me traicionaste\nAhora tengo que alejarme\nBusqué la forma de olvidarte\n(Ayy, come here, man, haha)\nOoh\n(Señorita, she is beautiful, no?)\nWe The Best Music\n (Oh-nah-nah)\nSabes bien que fue un engaño (Oh-nah-nah)\nLo que me hiciste fue un pecado (\nAnother one\n)\nAsí mismo me engañaste (\nDJ Khaled\n)\n[Bridge: Jeremih]\nWhy, oh, why? You stay, you stay\nAnd cry every night, you stay, you stay\nI don't know why, oh, why, you stay, you stay, oh\nI think you too loyal, you stay, you stay\n[Verse 1: Meek Mill]\nUh, I don’t know how you do it, but you did it, I'll admit it\nAnd who am I to be a critic and tell you different?\nYou know I never speak on that nigga, it's not my business\nBut I could tell you that his level’s no competition\nAnd I'm optimistic that I'm 'bout to hit it\nAnd um, I can tell you've been crying in Honda Civics\nBecause I caught you slipping, left you no choice\nYou ever cry again, it's gon' be in a Rolls Royce\nI wipe your face with them new hundreds to make your tears dry\nHitting it on a jet, this ain't no red eye\nGot you chasing dreams, and it ain’t even bedtime\nAnd don’t you dare bring up your ex 'cause he a dead guy\nI wonder [Chorus: Jeremih]\nWhy, oh, why? (Oh, why?)\nDo you ride, do you stick by his side\nIf he makes you cry every night?\nGirl, I see the pain in your eyes\nI don’t know why, oh, why, you stay, you stay, oh\nYou stay, you stay\nYou stay, tell me why you\n[Verse 2: Jeremih & \nDJ Khaled\n]\nI think you're too loyal\nI think you do too much for someone who don't do shit for you, girl\nAnd that's real\nThat ain’t the way love supposed to feel\nBut you say he's the one for you\nThen complain how he don't show you\nBut you ain't gotta take that\nBaby, you can't take that\nHit the gym and get your shape back, oh\nFuck that nigga\nDon't understand why you still trust that nigga (Work)\nWith your mind and your heart and your soul (\nLet's go\n)\nFor your goals, in control, you let it go (Work)\nI just want to see you happy\nI just want to see you laughing\nI just want to see you smiling\nI can tell you need somebody who really about you\nWho gon' see about you\n'Cause it's been a while, so baby [Chorus: Jeremih]\nWhy, oh, why? (Oh, why?)\nDo you ride, do you stick by his side\nIf he makes you cry every night?\nGirl, I see the pain in your eyes\nI don't know why, oh, why, you stay, you stay, oh\nYou stay, you stay\nI think you too loyal\n[Verse 3: Lil Baby & \nJ Balvin\n]\nYou give him chance after chance\n'Cause you say maybe one day, he'll grow up and be a man\nAnd lately, you been pouring out your heart on the 'Gram\nBut you been playing your part from the start, I understand\nI put carats on your hand\nBut see, I'm one of them bad guys\nAnd I can't guarantee the world\nBut I promise you'll be better than last time\nAs long as you're loyal\nYou got a plan, I'll do more than spoil\nI'll be there to support you\nDrop top in the wintertime, whatever just to see you smile\nPrivate jet from time to time, by the ocean, I'll drive you wild\nWhatever your decision, I'm with it, no asking why\nI catch you slippin' at all, you gon' be mine (\nJ Balvin, men\n; ¡wuh!) [Outro: J Balvin, \nJeremih\n, & \nDJ Khaled\n]\nMa', la verdad es un orgullo tenerte a mi lado\nCuando tus ojos brillan en la luz son los que me fascinan\nNo hay quién te gane\nYou stay, you stay, oh\nYou stay, you stay, oh, you stay\nTell me why you\n (\nAnother one\n)\nMa', la verdad es un orgullo tenerte a mi lado\nCuando tus ojos brillian me dan luz solo que me fascinan\nNo hay quién te gane\nYou stay, you stay, oh\nYou stay, you stay, oh\nThink you're too loyal" } ]

[ { "from": "human", "value": "Write me a song called The World’s Greatest with the following description: “The World’s Greatest” is originally a soul-filled track by R. Kelly. Imagine Dragons has only played the song twice, both in 2015. The band used the song as a segue into either “The Fall” or “Hopeless Opus.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI'm that star up in the sky\nI'm that mountain peak up high\nHey, I made it\nI'm the world's greatest\nAnd I'm that little bit of hope\nWhen my back's against the ropes\nI can feel it\nI'm the world's greatest\nI'm that star up in the sky\nI'm that mountain peak up high\nHey, I made it\nI'm the world's greatest\nAnd I'm that little bit of hope\nWhen my back's against the ropes\nI can feel it\nI'm the world's greatest" } ]

[ { "from": "human", "value": "Write me a song called GPS with the following description: Canción anunciada en mayo de 2017 por medio del instagram de Maluma y uno de los tres singles principales que salieron junto con el cortometraje “X (The Film)” que sirven como anticipo para el nuevo álbum de Maluma F.A.M.E. que se espera salga a comienzos del 2018, GPS es la primera colaboración entre el artista colombiano y French Montana, que anteriormente ya había hecho música inspirado por el ritmo latino con “Unforgettable”.\nEsta canción utiliza el sample del resorte de una cama, sample que fue popularizado por la canción “Or Nah (Remix)” de Ty Dolla $ign junto con The Weeknd Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"GPS\" ft. French Montana]\n[Intro: Maluma]\nRudeboyz\nAh, yo'\nEsto es una historia real, mi amor\nIly Wonder\nTú sabes que te estoy hablando a ti\nMe ahogo en tus mares, mamacita (Oh, oh)\nDice\n[Verso 1: Maluma]\nHoy pienso que ella me ama\nPorque amanezco en su cama\nVan-Van varias noche' de eso\nCreo que la matan mis beso' (Oh)\nSiento que puedo nadar\nFlotando entre sus piernas pongo dulce el mar\nSiento que en sus aguas puedo navegar\nYa llegué a la orilla y no me voy a ahogar\n[Coro: Maluma]\nYo no necesito un GPS (Oh, no)\nPa' llegarte siempre donde estés (Uh, uh)\nDéjame contarte, yo no vine a amarte (Oh)\nSolo vine a darte hasta las seis (Ey, ey)\nYo no necesito un GPS (Oh, no)\nPa' llegarte siempre donde estés (Uh, uh)\nDéjame contarte, yo no vine a amarte (Oh)\nSolo vine a darte hasta las seis (¡Uh!) [Verso 2: Maluma]\nSei' de la mañana, sé que tiene gana\nPero me lo mama (Mama), me lo mantiene contento\nEn su mente siempre hay malos pensamiento'\nCon un beso, siempre me roba el aliento\nEn-Entre vinos y esposas (Woh), ella es peligrosa (Rrah)\nEn San Valentín, pide látigo en vez de rosas\nElla es otra cosa, sabe que es virtuosa\nNo soy fotógrafo, pero en mi cámara posa\n[Pre Coro: Maluma]\nMándame una foto que motive\nQue me vuelva loco y que me active\nDéjame dártelo, yo quiero dártelo (Uh, uh)\nParte por parte, voy a secuestrarte, no me digas que no\n[Coro: Maluma & \nFrench Montana\n]\nYo no necesito un GPS\nPa' llegarte siempre donde estés\nDéjame contarte (Eh), yo no vine a amarte (Eh)\nSolo vine a darte hasta las seis (Ey, ey)\nYo no necesito un GPS (No, oh)\nPa' llegarte siempre donde estés (Donde estés)\nDéjame contarte, yo no vine a amarte\nSolo vine a darte hasta las seis \n(Montana) [Verso 3: French Montana]\nShawty, I'ma take you where there is no navigation\nPull up to the crib, there's a sticky situation\nKnow me, let you cuff her, got her on probation\nHi-hit me when you miss me, I'ma come for visitation\nGot up in her head now, silk sheets getting head now\nAnd only when I'm just takin' off is when we layin' down\nColombia like tato, hit up Capo like I'm Chapo\nDrinking Blue Dot out the bottle, out the case like Desperado\nI don't need no GPS, mami, vamo' a hacer el sex\nConmigo, shawty, no stress, do your right hasta las diez\n(Montana!)\n[Pre Coro: Maluma]\nMándame una foto que motive\nQue me vuelva loco y que me active\nDéjame dártelo, yo quiero dártelo (Uh, uh)\nParte por parte, voy a secuestrarte, no me digas que no\n[Coro: Maluma]\nYo no necesito un GPS (Oh, no)\nPa' llegarte siempre donde estés (Uh, uh)\nDéjame contarte, yo no vine a amarte\nSolo vine a darte hasta las seis (Ey, ey)\nYo no necesito un GPS (Oh, no; ¡oh!)\nPa' llegarte siempre donde estés (Uh, uh)\nDéjame contarte, yo no vine a amarte (Oh)\nSolo vine a darte hasta las seis [Outro: Maluma & \nFrench Montana\n]\nRudeboyz\nAlright, alright, baby\nYou know what it is\nIly Wonder\nWhen you hear that\nYou know who it is\nMaluma\nDirty Boy, baby\nMontana!\nMuah\nHuh!\nMaluma!\n (Jaja)\nEy, ey" } ]

[ { "from": "human", "value": "Write me a song called Move with the following description: This is the sixth track on Migos' mixtape, Rich Nigga Timeline. Produced by Zaytoven.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Quavo]\nMillion dollars make a nigga motherfucking move\nMove, move, move, uh!\nTwo thousand dollars buy a bad bitch shoes\nGod done know she gone move\nPull out the chopper, everybody move\nRaw, baw, raw, graw, get the fuck back\nTreat you like a cow, nigga you better move\nMove\nYou better move, move it\nYou better move, you better move, move it\nYou got to move (get out), you got to move (move)\nYou got to move (move), you got to move!\n[Verse 1: Quavo]\nWhen the plug make the call, know that I can move the ball\nNigga can you flip it all, can you make a fifty ball\nIn the streets I’m a wizard, call me Quavo John Wall\nSelling rolls, no Quan, Roll Latifah said it all\nGot to have a gas mask in the kitchen cause I cough\nMove the work out to Memphis so shout out to Dolph\nYou niggas is fiction, I know that you false\nRick Ross ain’t the only nigga in the world boss\nPut the Forgi’s on the old school, riding Chevy T-top\nWhen a nigga walk up on me, freeze him like a freeze pop\nFeeling like a DJ, hit em with the rerock\nFeeling like I’m LOX nigga rerock on the D-block\nFucking with the Chi-town niggas out in O-block\nFinger fuck the pot, I can make it snow on your block\nNigga just was cooking, that’s the reason why the stove hot\nSeeing money, in my dreams I had a bank roll knot [Chorus: Quavo]\nMillion dollars make a nigga motherfucking move\nMove, move, move, uh!\nTwo thousand dollars buy a bad bitch shoes\nGod done know she gone move\nPull out the chopper, everybody move\nRaw, baw, raw, graw, get the fuck back\nTreat you like a cow, nigga you better move\nMove\nYou better move, move it\nYou better move, you better move, move it\nYou got to move (get out), you got to move (move)\nYou got to move (move), you got to move!\n[Verse 2: Offset]\nI’m a criminal, I got to move my operation\nYou don’t got the money on time, my nigga what’s your occupation\nI played em with the muslim, we came up with the [?]\nWe would never be in cases, never in investigations\nTold em As-salamu alaykum cause my niggas kept it sacred\nI’m feeling like Big Meech I got a hundred million in my vases\nI got GD in my vessel, pistol popping like it’s kettle\nI can make 100 thousand dollars with no effort\nGot a thousand niggas with me, they looking for you like bounties\nImma put a tax on the gas moving out the county\nSipping Actavis, got me drowsy, trapping, capping, Maui Waui\nI got bricks up in the U-haul, I got workers in the mountains\nHow fast can you count it, my nigga I don’t need to count it\nYou a cannibal, run off with the pack, eat em like animals\nBricks up in Florida, they calling me a Seminole\nI know how to move em, Michael Jackson, I’m a smooth criminal [Chorus: Quavo]\nMillion dollars make a nigga motherfucking move\nMove, move, move, uh!\nTwo thousand dollars buy a bad bitch shoes\nGod done know she gone move\nPull out the chopper, everybody move\nRaw, baw, raw, graw, get the fuck back\nTreat you like a cow, nigga you better move\nMoooooove\nYou better move, move it\nYou better move, you better move, move it\nYou got to move (get out), you got to move (move)\nYou got to move (move), you got to move!\n[Verse 3: Takeoff]\nDrinking on Activis, whip the work then I’m packing it\n100K in the attic, I got the bricks in the cabinet\nThough the work is immaculate, I be trapping and dabbing it\nOn the island I’m cooling it, had the kush in my Loubotins\nThat's an intruder in the window, I’m shooting it then fly to Bermuda\nPull up with choppers with the coolers in it\nI’m trapping, got a half a bag but don’t know what to do with it\nFuck a milli, bet a thou'll make your bitch get loose with it\nSelling out arenas, fuck a nigga’s city up, we used to it\nThey never seen 100 thousand cause you niggas new to it\nQC that’s the label got a solid foundation\nMy nigga trapping out vacants, we smoking gas like Jamaica\nBlack and white Bentley Musalnne but I am not racist\nTraveling around the world to go get Benjamin faces\nIf you ain’t talking bout money then I get aggravated\nGet up out my face if you ain’t talking Benjamin Faces\nTaking trips across the nation [Chorus: Quavo]\nMillion dollars make a nigga motherfucking move\nMove, move, move, uh!\nTwo thousand dollars buy a bad bitch shoes\nGod done know she gone move\nPull out the chopper, everybody move\nRaw, baw, raw, graw, get the fuck back\nTreat you like a cow, nigga you better move\nMoooooove\nYou better move, move it\nYou better move, you better move, move it\nYou got to move (get out), you got to move (move)\nYou got to move (move), you got to move!" } ]

[ { "from": "human", "value": "Write me a song called 2015 The Breakfast Club Interview with the following description: Our lord and savior Yeezus returns to The Breakfast Club on Power 105.1 to reunite with Charlamagne Tha God and speak on recent events at Grammys, his new music, Drake, and much more. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Envy: Special guest here this morning\nCharlamagne Tha God: He's Back!\nEnvy: He's back! Kanye West\nKanye West: Wassup\nEnvy: \nI didn't think it was gonna happen, I said I bet Kanye's not gonna come back up here I thought it was a wrap\nKW: I'm coming back every time\nCTG: Let me start with some positivity, man. I think \n\"Only One\"\n and \n\"Wolves\"\n is dope records\nKW: Oh wow thank you!\nCTG: I think they're really dope tunes\nKW: Yeah\nAngela Yee: This is starting way different than the last one!\n(All laughing)\nKW: But! But! I don't like \n\"FourFiveSeconds\"\n! And why did you do that at the Grammys? (laughing)\nCTG: I do like \"FourFiveSeconds\" though AY: He loved that song\nCTG: I don't like the auto-tune when you sing but I like \"FourFiveSeconds\"\nKW: I don't like auto tune either but I need it\nCTG: Really? Why? I hear people say that, why?\nKW: Cause, I could do, I can like bend my voice in other ways, like at the end of Runaway and everything? I like to do that\nCTG: I got you. \nAnd thank you for inviting me to the fashion show as well\nKW: Yeah\nCTG: I didn't feel like I belonged there\nAY: We thought it was a set up, he's gonna walk in (laughing)\nEnvy: We definitely thought it was a set up, we said he's gonna get beat up in there, he's gonna get jumped\nCTG: I felt like it was only right. You came here, you know what I'm saying? Through all the slander, why wouldn't I come to the fashion show?\nKW: Yeah\nEnvy: You put him next to Drake which was kind of awkward\nCTG: They didn't put me next to Drake. I went to stand in the back and Drake happened to be back there\nAY: Charlamagne was standing by Drake the whole time\nEnvy: Now lets talk about your shoes that just been released, Yeezy Boosts\nKW: Yeah I heard y'all don't like those\nAY: No not y'all, I said that I actually have a pair of shoes that look like them and I like them\nCTG: That's not a good thing when a girl has shoes that look like mens shoes\nAY: Why?\nCTG: I like the black colour. The grey colour when I first saw them looked like a paper mache project. But the black ones look tough\nKW: Yeah we coming with the black ones real soon\nAY: But that is a big accomplishment for you, you put that out, limited run at first, and they sold out and now people are buying them online for over $1500\nEnvy: 1500 for them\nKW: \nyeah see I don't want them to be limited, that's something that the company did. I wanted as many people to get them as possible. And I don't want the price to be $350, I don't want to play this sneaker culture game and all this where they be reselling them for higher prices and stuff, I just want people to have what I make. \nThere's no limited release to the \nCollege Dropout\n, or a limited release of \nGraduation\n. You know and I think in clothing right now there's a real separatism,\n there's $5000 sweat shirts everybody spending that money trying to show up in the club\n, and act like they.. You know what I'm saying? We need to spend that money on our families. My point, and what I'm doing in clothing right now is I'm going and taking the talent. \nI came from the Ralph show and I was talking to Ralph like man, I need your help,\n \ncause you know how to make clothes and I think I know what my generation wants. But it's very difficult if you don't have that production and that experience that Ralph has. and it's really difficult to get those price points, you know the Zara and H&M price points if you don't got the factories, if you don't got the boats.\n You know I talked about this before\nCTG: So why is it $350? Cause it's hard to.. KW: I have no idea they just priced it that. I think they just, I think their logic was they didn't want it to go from um, the other company and go to Adidas and be like man, why they drop the price? Cause sometimes the public won't always understand the transition. Like Steve Jobs always had the iPad in his head, but he couldn't do it coming from a keyboard and a floppy disk to the iPad, he has to walk people in to this\nEnvy: I thought the whole idea of you going to Adidas was you would have more control, and it was your ish, and you could do everything\nCTG: Over price points\nKW: Yeah I do have a lot more, at least I could do something! But any relationship that starts off you ain't gonna have all the control. You know what I'm saying? It's a marriage. Usually the first year of any situation is the toughest, and then when you guys start to communicate, you know it cane be powerful\nEnvy: Now explain this to me. I'm a sneakerhead, I have tonnes of sneakers. I assumed it to be like, I don't like to compare, but the other sneakers you did, like leather, they were more of a sneaker sneaker, like you could ball out in your others sneakers, this one I don't think I could play basketball in\nKW: You actually could play basketball in this one better. Because first of all its got boosts which is the best technology and I'm not just saying that contractually with Adidias, I'm saying that from someone that goes to the gym, and if I'm wearing that like my Boosts actually I feel better cause I have problems with the back of my achilles from performing so much\nCTG: I did say fat girls with cankles, it look like they'll be comfortable for them\nKW: \nYeah! I mean people joke that they look sorta like the Uggs, right? But what's really bugged out is I'm actually working on trying to make a sexier Ugg. Cause you see Uggs all the time\nEnvy: They are comfortable\nKW: \nAnd I see, you know, I see stuff for the future. I'm always, I'm such a futurist that I have to slow down and talk in the present.\n This was a proposition to where I think shoes will go. I think the colour palates, with the red over here and the thirty different colours, the Black History Month version and all that, I think that's gonna be out of there in the future. This is for me, as humbly I would say I am the most influential person in footwear right now\nCTG: There's no way to humbly say that\nKW: Well truthfully, I am the most influential person in footwear. [?]\nEnvy: Those are re-releases but when it comes to new sneakers I think he is\nAY: How hard is it to get that balance between wanting to get something people can afford, but then also wanting to use those materials and make things really special, you know things that make them more for you\nKW: Yeah those materials is all a game that the factories play too. \nSilk is in style, silk is more expensive from the factories.\n You can get everything for a better price, it's all in how you negotiate with the factories. And my end goal, ten years from now will be to have everything at a \nZara level\n, like I think when Steve made it with phones, it wasn't a show of class anymore. \nYou know you had the Vertu phone, the $4000 phone you felt like you was better than somebody\nCTG: I don't understand this talk at all [?]\nKW: The phone, I'm talking about the vertu phone\nCTG: Oh phones!\nKW: \nYeah I'm not clear a speaker, you know I had this car accident and everything and I just and ever since then I've been a mumble mouth.\n But what I'm saying is, people are trying to put on a jacket to try and act like they are better than you. I think this idea of being better than the next man is the wrong mentality in the first place. We were born in to a broken world that has been separated by race, religion and class\nCTG: But you confuse me when you say stuff like that cause you do act like you are better than people\nKW: No\nCTG: Like the Grammy's is a great example, when you run up there and tell everyone respect the artistry, but it's like you're not respecting the artistry\nKW: Yeah that. And I deserved it that was completely hypocritical. I'm go ahead and tell y'all like the other day. \nI went to dinner and I sat down with Taylor Swift,\n right, and ironically they were playing the Beck album\nAY: Ironically or you think they did that on purpose?\nKW: No they did it on purpose so I could finally hear it and I was like man\nCTG: So you hadn't even heard it when you did the Grammy rant?\nKW: I was like man, this is like kinda good, I ain't gonna lie\n(All laughing)\nCTG: So you hadn't even heard the Beck album when you did the rant?\nKW: Nah! I hadn't even heard it man, I just\n(all laughing)\nAY: Charlamagne you do that all the time, you say somebody is wack without hearing the album\nCTG: But I admit it! When did I do that? That's not true. I can't even say if Beck didn't deserve it cause I didn't hear it\nAY: And that was an argument we had cause I was like Kanye might not know, a lot of people hadn't even heard Beck, I'd never heard it, so. People were saying no I'm sure he heard it, he had to have heard it to say that\nKW: You know what? I bet you the album is really good. I'm gonna listen to the album and maybe it was potentially an album of the year \nbut the Grammy's still have a commercial component to it. They wanna sell commercials, so they have these big superstars sitting in the audience and they're advertising they're performing 'coming up next' that's what they try to do to get those views.\n You don't have these people sitting here and you know, have them and their hearts beating and stuff like we work too hard for all that, to be losing in a situation where, cause I mean who's winning? We don't get none of that advertising money. Y'all don't play with us. That's what my main point it\nCTG: Why you think superstars go where they're tolerated, like yourself you go where you're tolerated but not celebrated. \nYou don't come to the Soul Train awards, or the BET Hip Hop awards, you'll hear 'Kanye won' but Kanye is not here to accept this award\nKW: That's why we need to support the people that support us, and not just particularly a black thing. We always say this is a black show, you know it's gonna be a while. I ain't got the answers on how to change the voting system, I ain't got the answers on how to make it everyone is honoured in the proper way, and sometimes maybe there's two people that should win. Who's to say who should win? But I think it'd be a class thing to. You know it carries more weight if you win a Grammy than if you win a BET award, so we still go\nCTG: Says who though?\nKW: Says society. And this is what this is about, this is why I respect this show because this is the voice of society, this is I'd say the voice of the barber shop, this the voice of the streets, and you know the Grammy's are, it's a statement of classicism. Like if you go to my house Imma hit the stunt button for a second. You see my \n21 Grammy's\n laid out that my wife forced me to take out of the bathroom and put in one place\nCTG: That's why it's interesting to hear you get at the Grammy's cause you could be selfish and say 'well I've got 21, whatever'\nKW: Yeah I mean I think I deserve more\n(All laughing)\nKW: You know it’s all, like I said we was born into a world that’s separated by class, race, and religion. So class is one of the things people want, you want to be first class, but in a plane crash everybody dead. It ain’t no class then, it’s just a whole crash. Some of the things, when I first came out with the idea of \nDONDA\n and I was tweeting out all these idea; airplane design, this design, this design. You know you see of course like me and Kim, we can take private but we really wanna be in the airport, we wanna be next to the people. I get inspiration when I see what people are wearing, I get inspiration when I see what people are going through. I see people walking a line slower or getting patted down, you know I gotta tell you this one good story about class. I was going to London where I’m going tonight, and I was in the first class line and it was real crowded. And I looked at the coach line for customs and it was completely empty. We went over to the coach line and got through right away. And everybody that’s sitting there with their Hermes belts and their big hats, they didn’t want to lower they class in order to get through faster when time is the only luxury. It’s a lot of stuff that I’ve been learning over the past couple of years and I’ve used my money and my position and my relationships to learn about class and I think my approach is I think more, Robin Hood now\nCTG: Its more ghetto. Even though you’re getting up in class its still rachet\nKW: Yeah I guess. I mean ghetto is fun. I’m from Chicago, \nmy wife got a big ass,\n we stay ghetto\nEnvy: Did you reach out to Beck after though? Did you reach out to Beck after you heard his album like maybe I slipped up a little bit, maybe I went too far?\nKW: Yes I got his number and I was supposed to call but I keep forgetting\nAY: What? You did not forget, you just don’t know what to say\nCTG: \nDon’t feel bad because I thought Beck was a beer until you jumped on there\nAY: Beck was very humble about it though, he agreed. He was like ‘Yeah I mean, Beyonce should’ve won’ it wasn’t like he disagreed with you. But I felt bad for him\nKW: No I felt good for him because think of all the good stuff that happen to me in the past 7 days, 8 days. \nThe person that won the most is Beck. Because if I hadn’t done that then his album of the year would have never been mentioned.\n Now its in all the chatter; \n‘Kanye West Messes Up Again’\n \n‘Kanye West Donkey of the Day’.\n \nYou know I’m already the enemy so you can’t get no worse than the villain\nAY: \nIt has to be hard to win an award and have all these different people saying you shouldn’t have won. And then you have the Beehive going in and leaving negative nasty comments and how terrible he is\nCTG: Well its all subjective though\nKW: Yeah it is all subjective but\nBut you know, he should win an award for what he did. You know, rock album or something like that. But he shouldn’t have won that award in my opinion. But who am I to have an opinon. Ya know?\nCTG: You’re Kanye West\nKW: Exactly\nCTG: If you don’t respect it then it’s not to be respected. But one thing we always ask in the barbershops is why is Kanye always caping for Beyonce? I love Beyonce, I’m a \nPinkett-Smith-Winfrey-Knowles-Carter,\n \nbut it seems like you’re always coming to her aid. And nobody, Beyonce don’t need no caping she’s Beyonce\nKW: \nI know it’s really ironic that it’s always Beyonce for some reason. Why is It Beyonce?\n \nWhy don’t I go off on whoever going off on my wife on twitter?\n I think Beyonce is a great representation of an artist working hard and trying their best and getting the results from it. So say Beyonce’s previous album wasn’t as well received as this new album, and she got low like how I got low on my new album, and delivered something that everybody loved. In America we have to respect greatness when we see it and we can’t smack it in the face at the cost of some votes splitting, at the cost of blowing someone who can sell some t-shirts. If you see something that’s great, you got to respect it. I remember I was trying to get on the basketball team in 8th grade, I hit every free throw, hit every layup, and I looked on the list and I wasn’t on the list. \nAnd the coach just gave me the Kanye shrug\n[Laughter]\nKW: You know that’s like the best thing cause you get to leave school...\nAY: Get all the chicks\nKW: Yeah. We had a small gym, where like you’d run into a broadway stage like if you hit a layup and stuff\nCTG: So hurt people hurt people. He probably said ‘Kanye I’mma let you finish but you’re not going to make this basketball team\nKW: Now my point is, you not gonna have somebody hit all the shots and you not give them that credit. And I think a lot of times its exactly what you say, Beyonce don’t need no help. People look at Beyonce cause she's rich, respect to Hov she’s a beautiful woman, she’s talented. And so they figure she’s got everything and so you don’t even need nothing else. But I think she deserves the proper accolades because she’s an inspiration\nCTG: \nShe got 20 Grammys! 21..20?\nAY: Not album of the year\nCM: I thought she did win that one went there for album of the year\nKW: I don’t think she’s ever one an album of the year Grammy.\n And this is funny because Taylor was talking to me about this. \nShe was saying that when she was the victim she won every award and now that she's powerful and the biggest selling artist, now she's not winning awards anymore, cause they're like \"what do you need?\"\n It's once again, it's that moment where the rich people, our line is getting clogged up because it's a practical joke that everybody in the airport is playing on the rich people, as they should, \nbecause as rich people, our focus shouldn't be on how we get a new Phantom, how we get a bigger house.\n Our focus should be on how do we help the middle to the lower class to have a better life. \nAnd I think that we get distracted with luxury, so-called luxury goods, so-called luxury cars, like... And I embrace this, any time a rich person gets the piss taken out of them it's cool, don't do it to me all the time and stuff but...\nCTG: \nBut you know that's always what we felt about you because you used to speak up like when you said George Bush don't care about black people, you were speaking up for the have-nots.\n But now it seems like you were just fighting for the civil rights of rich people lately. (Laughter)\nKW: I think it's the rights of everyone. And another thing that I used to get really caught up on was with race. You know, with race it's like, okay we know it's racist people, we know that a lot of white men over the age of 60 are racist, we embrace that. We know that a lot of people that are in power don't really... \nthey're like Donald Sterling.\n We understand that. We know that, but the world is moving. 10 years from now, 20 years from now, every person of color or female or any minority that comes into power will eventually shift it. \nYou got the ozone layer, you got all this stuff you see 100 years from now the entire world might be black. Just to even survive on the earth, period\nEnvy: Now you mentioned you stood up for Beyoncé, people asked, you stood up for Beyoncé, you stand up for her maybe more than you stand up for your own wife. Recently, people been going at your wife crazy, from the Paper magazine cover, \nthey say, \"Why would she do that? She has money, is it just for fame? Is it just for Instagram? Is it just for attention?\n \nYou know even Amber Rose came on the program a couple of days ago and said your wife was fake.\n How do you reply to all of these people and what do you say to everybody? Even with us, when we seen her on the cover it was kind of like, yo Kim is filthy, you know, she has a child, she has a family, why would she do that cover?\nKW: Which question... let's do the cover first. One of the things in breaking class is respected art can break class. So one of the things that shut up a lot of people is the fact that \nJean-Paul Goude took the photograph, that used to shoot Grace Jones. And Grace Jones' figure, physique was as new and different as Kim's physique was. And our position of power, we're not gonna accept the physique\n that was given to us. You know, that was told to us that was the proper way to look. My daughter has a chance of being shaped like my wife, so until she, between this age and 'til the age she's like that, I'm gonna be fighting for that shape to be considered the highest of class. Or not the highest of class, at least equal to what someone looks at, like a skinny model for. \nMy first introduction, one of my first introductions to beauty was the Helmut Newton book, this really big book, and every woman in there was naked. This is a straight photographer, he did Playboy and he'll do St. Laurent ads and the highest level taste, and I was really drawn to the beauty of the way their photographs were set up and to the fact that I was attracted to the women also.\n I liked the two things at once. I like the physical attraction and I like the way the shot was set up. I think that with my wife, it had been a lot of times earlier in her career where she didn't have the access to that level of photographer, of course he's passed away now. So now that she has the access to a Jean-Paul Goude, \na Steven Klein,\n a [?], I can name all the really high level, Jackie Nicholson, all the high level photographers, now, you know it's important for her to stand, I think, for her to stand up in all of her glory and all her power. Now her power is in her body, is in her nudity. Her power is in her mind, her power is in her family, but body is one of the powers\nCTG: What happens when she gets older, though?\nKW: Well, she's got, she gon' always have that body but she's gonna have mind, family, and she's gonna create a legacy\nCTG: You know, you name all those brands and stuff but the hood don't know that so the hood, the hood is like, \"Kanye, just tell your wife she don't gotta get naked no more.\"\nKW: But, she can get naked if she wants to, \nit's not illegal to get naked\n and, you know, and then think about this, \nlike if Adam had never ate the apple, we'd all be naked.\n So...\nCTG: You hit us with that last time, I still have not understood that one in two years. I've been tryna figure that one out for two years\nAY: \nBut listen, do you feel compelled to reach out to Amber Rose, being that that's your ex-girlfriend and saying, \"Listen, calm it down, leave my wife alone and just chill out.\"?\nKW: She's just soaking in the moment, nobody feel compelled to do nothing. If Kim had dated me when I first wanted to be with her, it wouldn't be an Amber Rose. You know what I'm saying? Like... (laughter)\nEnvy: So it's your fault, Kim, it's your fault. He holla'd at you before\nCTG: \nBut Amber said Kim was sending you naked pictures while y'all was together though\nKW: \nI wish. I would have gladly, happily have liked to. Cause by the way it's very hard for a woman to want to be with someone that's with Amber Rose so she wasn't sending nothing, you know what I'm saying? Like I had to take thirty showers before I got with Kim, you know? (Laughter) I'm sorry, please.. wait, don't ask me no more cause I just wanna be respectful, man\nCTG: \nListen, I saw you say, I was watching something on TV and they said you were saying that fashion lines didn't want to deal with you cause you were married to a reality show star.\n Just on a business level, cause personally we can tell you're happy, just on a business level do you feel the Kardashian brand has hurt Kanye West's brand?\nKW: No, it's helped. \nCause it just showed, like, my ability to bring Mos Def into the studio with Jay Z.\n My ability to bridge the gap. To bridge, you know, somebody's sitting over at this lunch table, they're the fashion world, they're all cool and stuff and somebody's sitting over at this lunch table, they're a celebrity and they have a perception about that. And you know, I showed people the power of what happens when you work together. \nAnd now, you know, Kim can sell a dress faster than any magazine cover\nAY: \nAnd you got her on the cover of Vogue which is something we thought was never gonna happen, the way that Anna Wintour felt and how she had expressed that in the past\nEnvy: \nWhat did she say? She said something today or earlier today?\nAY: Oh about bringing North West to the fashion show. That was alleged though, they said allegedly she said that's not the proper place for a child. You know?\nKW: Yeah I can't speak on alleged comments\nCTG: \nDoes it bother you when you see the news and they're like, \"North West was crying at a fashion show\", I mean she's a baby, that's what babies do\nAY: And she's at her daddy's fashion show, which makes sense, I mean I think you would want your daughter front row at your fashion show\nKW: Yeah, yeah, I mean think about it, no one can tell me where to have my child or not, you know?\nEnvy: I got four of them and they cry. You can't tell them when to cry or when not to cry, they gon' cry\nCTG: \nDame Dash at the BET Awards, BET Honors. Why'd you let him present you with that award?\nKW: \nBecause he presented me to the world. You know, I wouldn't have a record deal if it wasn't for Dame Dash\nEnvy: \nHow was that first conversation? Cause at one time he hated you, well I'm not gonna say he hated you but he was very upset\nAY: I don't think he hated you, he just felt you weren't loyal to him\nKW: \nAnd I wasn't, and this was an extremely visionary move on my part to move with, to roll with Jay Z\nEnvy: It was a smart move\nCTG: \nDid you tell Dame that? If he's the one that believed in you then why does Hov get the credit and the \"Big Brother\" records?\nKW: I mean, I mention Dame a lot in raps, but you know, the story is not done. Y\nou know, sometimes it's been moments where like I was wildin' out and Jay was like, \"Ye you got to sit this down right now, sit these couple plays out\" and you know, it was the moment when Roc-a-fella split. It made more sense for me career-wise to roll with Jay even though Dame had supported me.\n \nAnd I wonder, I say, where would we be, you know, if I had rolled with Dame? Would we have been, would I have been more successful? Would I have been less successful?\n I can't say, but at that time, you know, I came to Roc-a-fella because Jay Z was my idol. And it would have been very hard for me, you know, at that young state where I was to separate from my idol. \nYou know, and that's the decision I made and then do I say there was some disloyalty or not? Yeah, I own up to that.\n Is it anything that me and Dame could do together now to make money? I think so. Will I do it?\nCTG: \nHe's got a film company, right?\nKW: \nYeah we're gonna work on films and actually I really like the films that he's doing.\n He had all types of ideas and Dame is like the original person who understood culture and really was in it in every situation and would go, you know, \nBeans had a problem, he would go pick Beans up.\n \nHe'd have us on a jet with them, talking to us direct, talking to me and GLC directly. He was talking to me about GLC with the film company, like \"Yo we gotta put out GLC's album\"\n, you know just kind of reminding me, similar to what you was saying last time we was talking about having the real niggas, you definitely got to say Dame's a real nigga. So when he came over to the crib and I just saw him, I missed him, man I missed the good, I missed the bad, I missed all of that because all of that is what created \nCollege Dropout.\n \nThat tension, all of that is what created \nLate Registration.\n And we creating something new now in the fashion world and in the film world\nEnvy: \nWe realized the other day that you still have a love for music and the reason I say that is I don't know who we were talking to (Tyga), we was talking to Tyga,\n \nwe was talking to Ty Dolla $ign,\n and I heard a remix with so many different people, and it's like Kanye's in the studio working with everybody\nCTG: You've always got the new guys that may not even be next in the studio with you so you keep your ear to the streets\nKW: You know I just gotta, I have to work. You know I think a lot of times people get rich, people get comfortable, people fall in love and everything. You know, I went to this Drake concert in Germany. I flew to the concert to go see it. And he got this one line where he say like, something about people be falling in love with famous girls and dadada and they don't have be working as much. And he rapped it, and then when he rapped it he knew I was in the concert so he like looked down and stuff\nCTG: \"Too in love with fashion and women\" or something like that\nKW: Yeah something like that but you know, he was right. You know what I'm saying? \nI gotta get on my job and that's why I got on the end of that \"Blessed.\"\n Hello, I'm back! We back in the studio, it's times that I gotta go pick my daughter up and take her to dance class in the morning and I try to create a regiment, but at least if I go to the studio like 6 hours a day. And it's funny cause when I first sat with Tyga, like me and \nVirgil\n seen Tyga at the Balmain store and we knew he was fresh. \nYou know, certain people, they have a certain talent with clothing: a Tyga,\n \nA$AP Rocky.\n Certain people got a certain talent with the bars and shit: Young Thug, Big Sean. You know, and I sat in the studio with, it was me, Thug, Sean, Travi$, Tyga, and I was just saying how we gotta bring our resources together. We have to see how we can help each other to make each other way fresher, share information, build, \nhave cyphers like back in the Wu-Tang era, like people used to have cyphers.\n So last night when I working on \n\"All Day\"\n at Q-Tip's house, it was like me, \nVic Mensa,\n Q-Tip, and we was just building on culture, culture, culture and instead of trying to write bars, we built on that and then I started writing the bars. Then they started coming and we started bouncing ideas off each other so with me, I'm only a humble servant. If you have power you have to empower. \nYou have the power to give power away, what I said on the song, \"Power.\" \"No one man should have all that power\" is a true statement.\n No man has the power, the power is in the people. The people give you the power. The people chose me to be the people's champ. Soon as I go up and talk about, \"I, I, me, me\" you lose that. And then you got next generations, you got, no matter how I hard I try, Drake is gonna speak to a generation in a way that I might not have been at that same basketball game he was at. That same high school game, watched that same TV show, went to that same club. Tyga's gonna speak to a certain generation, Big Sean's gonna speak to a certain generation, and it's important for a revolution, like \nCommon said on that song he just won for, it's the youth and the OGs have to come together.\n You need the energy of the youth and the knowledge of the OGs\nCTG: \nThat's in the Bible, old men for council, young men for war\nKW: That's why I sit with \nPuff,\n I sit with Dame, I sit with Jay, \nI sit with Farrakhan.\n I talk to the OGs and try to figure out how we can help each other\nCTG: \nNow with Tyga, mentioning Tyga, you're executive producing his album.\n \nDo you feel like his relationship with your sister-in-law is inappropriate?\nKW: I think that, that's a good question right there. I think he got in early, I think he was smart. (Laughter)\nCTG: \nI told him he's redshirting her, and I said that's a great redshirt prospect,\n and let's be clear, \nRussell was 35 when he met Kimora, she was 17.\n But I'm from the south too so I don't know\nKW: \nThey're closer in age than a lot of relationships that I know, you know?\nCTG: \nHe's 25, she'll be 18 in August\nKW: Yeah I knew Tyga was smart\nCTG: Tyga came up here though and said they were just friends. I mean that's what he's supposed to say but...\nKW: Yeah I can't speak on that, I can't speak on nobody's relationship\nCTG: Thank you Ye, we appreciate that a whole lot, Ye\nEnvy: Your album, what kind of album are we getting? What should we expect?\nKW: Bars. Songs. You know, cook out music that just feels good, you know, like my last album was a protest to music. I was like, \"I'ma take my ball and go home.\" If y'all ain't gonna let me play the way I wanna play or do clothes or do this, \nstart shootin' the ball real slow, might be at the free throw for a long time just...\n That was my whole album. The album don't even got no music. I just let y'all have a little music on there on \"Bound\" but that was it. But this album's just embracing the music, embracing joy, and being of service to the people. I just hope that people like it and enjoy it, you know? That's it\nCTG: \nYou mentioned Minister Farrakhan, I also saw you say when you was backstage at the Grammy's you said you didn't want to speak to much cause you didn't want to jeopardize your clothing line, but a lot of people don't like to stand next to the Minister cause they feel like he jeopardizes their business. Why are you not afraid to show your relation with the Minister?\nKW: You know, it's interesting cause I actually asked for the Minister to give me my BET Visionary award and he felt like it wasn't the right time, and maybe for reasons just like that. \nRight now I'm working on a documentary with him about him and about his music. He's a classically trained violinist.\n And he's also one of the most humane people and now he's got that stamp in the \nsame way how my wife was stamped with the sextape,\n \nthe Minister was stamped with (bigotry) yeah.\n And it's important that while he's still alive he has to see the people appreciate his message, cause you ever hear him talk, it's about humanity. It's about one race. Soon as you hear his name, I see peoples' faces change, they have a perception. It's a lot that I can learn from him, perhaps the Minister mentioned Beck won too many times, or something like that and it's things I can learn in my path of how to always keep my communication as open as possible cause right now it's right at that tip where it's like... yeah we gotta have him cause he's gonna bring some excitement to the Grammy's and all that. \nBut we're working on this documentary and it's amazing,\n it shows that he had a white violin instructor, but then he talked about because he was black he couldn't get the white instructor and there was no black instructors that could instruct him well enough. And he talks about how he was asked to stop doing music, he had to choose between the \nNation and music\n and then how the \nhonorable Elijah Muhammad asked him to come in one day to play the violin and he embraced his passion of music\n and it's a beautiful story about a beautiful soul that's very misunderstood and one of almost powerful messengers and it's very important that we protect our messengers, very important that we support them\nCTG: Yeah the Minister's very sharp. You think it's kind of confusing when he'll say negative things about Jewish people but then say we should learn from them? That's kind of a confusing method\nKW: Yeah we definitely should learn from them. We should learn from us, I'm tired of the \"us\" and \"them\", us meaning we should learn from human beings. The first thing I think we're going to do to stop racism is stop focusing on racism. And I understand that it's somebody going to work right now that has a white boss that's talking down to them because they're black. I'm not trying to deny that, but I'm saying we understand that people is different races, it's like light skinned against dark skinned. It just slows down the conversation, I don't know if it's 8, excuse me for this statement\nCTG: It makes a great joke and stuff\nKW: yeah, yeah it does\nCTG: Especially on the light skinned\nEnvy: Shut up (Laughter)\nKW: Also every... people are human beings so everything this man says, when I talk to him pretty much everything he says is correct, but everything a person says is not gonna be correct. Every move a person makes is not gonna be well timed but sometimes those mistimed moves can inspire the next generation like Pac used to say. \nHe said, \"I might not change the world but I'ma inspire somebody that changes the world.\"\n When I think about, \nokay I wanna do surround vision,\n \nI wanna do my movie theatre,\n \nI wanna do my clothing line,\n I wanna do this, my goal is, man maybe there's a 4 year old that's gonna see that and cure cancer one day. Maybe we could keep... if your job is inspiration, you have to keep pushing that at all costs cause you never know who's gonna be inspired by that. And a lot of the reasons why I'm successful now is the people who work with me now grew up on \nThe College Dropout.\n You know, before when I was going in years ago, everyone they listened to rock, they liked \nBruce Springsteen,\n like they don't even know about \nThe College Dropout.\n So now they know what we brought to the table, and they wanna be a part of this, this movement in a way\nCTG: \nLast year when it was so much racial tension and you know the police brutality and stuff, like it's almost like people wanted you to say something. Were you purposely falling back from being vocal about the Mike Brown situation and things like that?\nKW: \nYeah my dad would email me and say stay out of it. My dad is like a thousand times smarter than me, and a thousand times more social than me. He like literally lived at a homeless shelter. He emailed me and told me stay out of it, that's my only parent, you know, so I have to listen to him, sometimes\nEnvy: Why, why'd he say that?\nKW: I think he was just trying to be protective of his son. You know, I can't run in front of every bullet. I just can't run in front of every single bullet\nCTG: Is it in the music with this album, maybe?\nKW: Oh yeah, we definitely... \nyeah, you know I'm always gonna talk about what's going on, like Marvin Gaye would say.\n It's definitely gonna be in there\nAY: How much of this album is done?\nKW: Uh I think 80 percent, I'm tryna get it finished. I'm tryna get it to the people as soon as possible\nEnvy: How are you gonna release it? Is it gonna be like a...\nAY: Suprise?\nCTG: \nYou can't have a release date, you can't do it, it's played out. It's last year's fashion, you can't do it\nKW: \n100% release dates is played out, so the surprise is gonna be a surprise. There goes the surprise\nEnvy: No surprise\nCTG: \nNow one thing the hood all wants to know, where did that soft whisper Michael Jackson voice come from? It debuted on the Kris Jenner show a couple years ago\nEnvy: When did the hood wanna know that?\nAY: I don't think the hood watches that show\nCTG: You've used it in more than that setting. Where did that come from? Is that like a... I don't know, you're in a shell? I dunno\nKW: \nMan don't, nobody wants, the worst thing... the thing that America doesn't want... America and the world, they antagonize black men. Black men aren't intimate in their own country and they're not in power and all this so you constantly get poked at. But the thing that they hate the most is the angry black man, even though they can cause you to be angry. They hate that, and you know, if you could just understand how to not get angry, in a boxing match, you know if you get angry, you lost. This is a match of life, a match of culture, and if I'm angry all the time I've already lost. So I just need to stop being angry. And people say, yeah what does he have to be angry about? I got enough to be happy about to focus on that, to not be angry about stuff, and plus it helps you work better, when I'm calm\nEnvy: \nNow the hood wants to know, this is a barbershop question, does Beyoncé and Kim have a problem? Cause it seems like people pin them against each other\nCTG: Question mark, boom. Does Beyoncé and Kim have a problem?\nKW: Nah they love each other. They respect each other. When Beyoncé's working on her album she has pictures of Kim on the wall because Kim represents powerful women. \nKim be playing, what's the song, \"I know you care\", what's that song?\nCTG: \n\"7/11\"\nKW: Yeah, \"7/11\", \nplaying that video,\n playing it for our daughter\nCTG: Kim's not the only picture on the wall, right?\nKW: No it's some other (laughter)\nCTG: I was like \"that's weird\"\nKW: They definitely respect each other but it's all... \nmaybe there's a LeBron James - Kobe element to it but I ain't say that\n... (laughter)\nCTG: \nBut they're not even in the same lane, like Kim don't sing and she's not entertaining\nEnvy: In the bad mommy lane\nAY: The MILF lane, is that what you're tryna say?\nEnvy: I wasn't gonna say that... but they're bad, beautiful mommy lane\nAY: \nWhen it comes to raising North West, does it concern you?\nAre you like, okay, obviously she's gonna be spoiled because we're her parents,\n but does it concern you that you wanna make sure she's got some type of street sense or anything like that? Do you even think about that?\nKW: Yeah, my friends, we call them her uncles. Her uncles definitely gonna put her on and definitely. \nIt's this toy, I wish I knew, what's the name of the brand of the toy, Gabe? What's the name of the store we went to?\nGabe: Sweet William\nKW: Sweet William, they got these toys that my daughter got. \nVanessa Beecroft that did the fashion show, she bought my daughter 3 wolves.\n Cause I would see toys that people would see and giver and I'd be like, these toys is weak. She gotta have better toys than this. And sure enough, when she got these wolves from this toy store, she was going crazy, this the happiest I've ever seen her right. So of course, me, I'm gonna go and buy every single toy there. And I was just having a conversation with my wife yesterday like, we can't give her all these toys though. Can't just walk in and give her all the toys at once. She's like, \"We'll just give them all for her birthday.\" We can't give her, she can't have everything for her birthday. We're gonna have to piece this out. \nSo I am very conscientious about the idea of someone being too spoiled cause I think I've been spoiled in the past\nAY: Is that where the song, \n\"Wolves\"\n came from? Those wolves?\nKW: I'm always thinking about wolves for some reason, that's always been on my mind\nCTG: Let's go back to Dame for a second\nKW: I'm just gon' go ahead and give y'all a soundbyte that y'all want, and I'm just gon' go ahead and say it, where the \"Wolves\" song came from. I'm just gon' go ahead and say it, cause maybe this will promote it happening, so I'ma go ahead and put it out in the real world. The \"Wolves\" song came from a conversation that me and Drake had where we was gonna do an album together, and the album was called \nWolves\nCTG: \nJay would've been pissed off about that. Cause when Jay came here I asked him if he would ever do another album with an artist, I said Nas specifically and he said, \"No because me and Ye already started that.\"\nKW: Yeah, so and that's what happened. Me and Jay started talking about \nWatch the Throne\n and \nDrake went and did all the records with Wayne and the tour\n and we never did it but I just went out and put it in the, I put it out in the world\nCTG: Did you ask Drake?\nKW: Y'all don't like it then y'all can send it right back\nCTG: So you asked Drake to do an album?\nKW: Yeah I asked him and we talked about it and he said yeah we was gon' do it and actually he was sending beats back and forth. You know, I got this one record with Young Thug that I think we're gonna put on \nRihanna's album.\n I know I'm giving a lot of information away today\nCTG: That's what you're here for Ye\nEnvy: We appreciate it, thank you\nAY: We're excited\nCTG: \nLet's talk about you and Dame, does that effect you and Jay's relationship now?\nKW: Nobody's relationship effects any relationship. Everybody need to just have a good relationship. If anything, we all helped each other at a certain point and we all see each other at a certain point\nCTG: \nDo you and Jay still have a good relationship? Cause you said that was your idol but you work hard so your idols become your rivals\nKW: I wouldn't be sitting here today right now if it wasn't for Jay. Jay helped me, period. In every single way that you can think. Whether it was like, holding me down when I'm in New York, I'm the dude in the pink Polo and the bad attitude. And I'm still here. Jay Z\nAY: So is this Drake and Kanye album gonna happen?\nKW: I don't know, it might happen cause I threw it out there\nCTG: Don't do it, man\nKW: \nHe'd probably be mad that I mentioned it on y'all show since he dislikes y'all so much\nEnvy: He hates him, the big black bully over there, he hates him\nCTG: \nSo is it true that one time you were in a restaurant and when you had the pink, back in the pink Polo days, some dudes in New York were gon' rob you?\nEnvy: Chelsea Diner, 14th Street\nCTG: And Beanie came through with the pistol and held you down?\nKW: Yeah that's true\nCTG: \nDo you feel like you may owe Beanie something for that?\nKW: I'm not gonna put out some... Let me see\nCTG: Ye got media training. This is a new Ye, he thinks about things\nAY: He doesn't want to say something that could be misconstrued\nCTG: This is a new Ye!\nEnvy: Beans might still be on them papers, let me think about how I'ma say this one\nKW: Okay I know this gon' sound like a somewhat politically correct answer like one of these politician type answers but I owe every hip-hop artist in a way. And I don't mean for you to come to Houston Street and stand in front of my apartment and ask for beats and a verse or something like that. But I owe hip-hop. You know, just like, saying like, \nBen Horowitz is the only VC out in San Fran that believes in rap.\n \nYou know, he gave Nas a piece of Rap Genius and all that.\n \nYou know, he used to be in a rap group.\n But, you know we all owe hip-hop. And I believe that I do have the ability, \nI believe that I'ma be the head of the first trillion dollar company.\n \nAnd 100% when I get to that point, no rapper would ever have to worry about anything. My plan is to be coming one by one, Big Daddy Kane, here come his crib, everybody's crib\nCTG: Hip-hop reparations?\nKW: Yeah exactly,\n \nlike the Forrest Gump moment after he got an apple and came to everybody.\n I owe every hip-hop artist because I wouldn't have made it this far without all of them. \nLook at my daughter's name, that's hip-hop. Her name's Nori!\nCTG: So you did name your daughter after N.O.R.E.?\nKW: There's an element of that in there\nCTG: \nWhen N.O.R.E. heard \"Only One\", N.O.R.E. was tweeting, nah I think he's talking about his daughter. Like N.O.R.E. thought for a moment... he did! N.O.R.E. tweeted that!\nKW: \n\"Only One\"\n has nothing to do with Noreaga\nCTG: I didn't think so\nKW: It don't have nothing to do with Noreaga whatsoever, but everything else in my life does\nCTG: Let's talk about some of your artists for a second, like you got a close relationship with Drake, \nwhere at one point Pusha T and Drake had a little issue.\n \nAnd Pusha was hurt because you came out at OVO Fest\nKW: Yeah, we got over it. (Laughter)\nCTG: Kanye, new Kanye, I'm telling you!\nEnvy: \nTeyana Taylor, what's going on with her?\nKW: She put out an amazing album\nCTG: She's your artist, like she's very talented but it seems like you don't support her, like you don't stand by her like you should maybe\nKW: You know what, I don't support her enough. I need to do more. I need to rap on some remixes. I need to go shoot some videos.\n A lot of times it just, you know, when you're focusing on clothing, you're focused on your family, your focus is on all these different things, you know. It's hard to put all the focus, but yeah I do need to put some more focus on her. I haven't put enough focus into her\nCTG: You are a true gentleman. Two weeks ago you were bumrushing the stage, calling out Beck, far from humble, and now you're humble as can be right now\nEnvy: It seems like love for the music, \nlike you brought out Fetty Wap when he was performing at his show, who's a Jersey artist who's pretty new,\n and it's telling me that you're back to that element of music again, and that's what people are excited about\nKW: Yeah and I was able to get... You know what's so funny is right after I did the fashion show I went to go shoot the \n\"Blessings\" video with Drake and Sean and I was so happy.\n I was so happy to be able to go do that. And I used to be resentful of having to do music. But because I was able to shit, now I can take a piss, you know it's like somebody tells you do one you one...\nCTG: I usually piss first but I feel what you're saying\nKW: So you know I'm just happy to just keep creating and just inspire people through joy and accomplishment. \nAnd like, with the Adidas thing, they gave me a little bit of oxygen.\n I couldn't breathe, y'all was looking at a person suffocating. At least I got some ideas out. Maybe that's 10%, 5% of what I really wanna do, like I wanna be supported by Disney in the same way how Adidas supported me I want Disney Imagineering to support my ideas. \nIn the same energy that fashion week had and the same front row and all that\nBob Iger, I'm telling you, I'ma bring that, I know, you know, right now our brands might not mix but I'm a family man. Thank you for \nFrozen\n, that's like a second nanny\nAY: \nYou've been reluctant though to call yourself a designer - at what point will you say, \"I am a designer.\" Do you feel like there is gonna be a point or you're just a creator?\nKW: I don't even want to give myself any form of a title anymore. I'm not calling myself a genius, \nI'm not calling myself a visionary.\n The only thing I can say I am is a servant. I wanna serve, and if I can get a group of amazing designers together to create something to be able to serve the public, then that's my job. I'm just a humble servant\nCTG: How do we know you're telling us the truth and you're not just being politically correct cause of your corporate connects?\nKW: Well you know I'm never politically correct. I just speak from my heart of exactly where I'm at at that time\nEnvy: \nNow recently you said when you first got with Kim you lost a lot of friends. Why was that and who? Who were your friends that you lost?\nKW: You know, when I said that in the interview, I said so-called friends\nAY: Yeah those were just fashion people that you were getting to know?\nKW: Yeah getting to know. It's all this, \"Oh should we let him sit at the table, should we not let him sit at the table?\" but there were some people in fashion that did stand by us. \nThere's Carine Roitfeld, there's Riccardo Tisci, even Anna Wintour, they were a part of the anti-KimYe movement. They were standing on the front line when there was an anti-KimYe movement, and now they're here, every meeting, any meeting, any dinner they have, they'll be like, \"Man, see, I told y'all\", like Riccardo dressed her, Carine put her on a magazine, Anna put her on a magazine.\n So that statement was a little bit out of context because it wasn't everybody, but there was a lot of people, and so be it, they was wrong and we was right\nAY: \nDo you hold grudges or are you cool to work with people even after that?\nCTG: You just know they're fake, you know how to deal with them\nKW: Yeah I don't hold no, yeah I've never held a grudge anyway\nCTG: \nYou can see he's back here\nAY: They said after you left the station you were really flustered when you went to go see Sway and a lot of people were saying, \"Y'all messed up his whole day after the interview with The Breakfast Club.\"\nKW: That was beautiful, man, at least that happened. At least the \"How Sway!?\", I know you was mad you ain't get that part\nCTG: I'd like the \"You ain't got the answers, Charlamagne\"\nEnvy: That was a good one though, a good soundbyte\nKW: You got me suped up, you charged me up for that joint but you know what, it's like he really didn't have the answers, you know, that was incorrect. That was incorrect, what he was saying. I could have said it in a calmer way but he was misinformed\nCTG: The only thing I was saying last time was those fashion people don't love you, so it's like, why ask them for help? You're Kanye, and as you can see, you're doing pretty okay for yourself\nKW: Well I needed that help because still now I got like... \none of my head designers worked at Margiela for a while.\n \nOne of... the girl who worked on the shoes worked at Celine.\n \nI've been pulling that talent from a place that was only for the $4000 jacket lines to a place that we're gonna be delivering shoes at $200, $100, we might get some shoes down to $60.\n I mean, we about to flip this whole thing on its head, it's a new idea of apparel. And they've got information, and I had to ask them, I had to be humble, I had to beg to go to dinners, and I had to explain to them, \"why should we work with you, Ye, how we know you're not just another celebrity that's gonna wear a red leather jacket and you're gonna diss us in public?\" It's been a long journey and now we gained some ground and now I can give some dope shit to the people. \nBut these people are knowledgeable, man, they went to the Yale of fashion\nAY: These are the experts and you're trying to learn from them to get better in the fashion world\nKW: \nYeah I hate when people be talking about, \"I just designed a restaurant\", you be like, \"Yeah it look like you designed this restaurant.\"\nCTG: \nDid you get backlash from E when you told Terrence J and Khloe take the E logos off. \nThe Kardashians own a percentage of this\nKW: \nThat was turnt, I'm really happy I did that, man. That was like, really ignorant\nCTG: Did E give backlash, like, \"Kris control your son\" or something like that?\nKW: Yeah because they was happy cause they got more ratings and by the way, my opinion from someone that's knowledgeable, you know, what's offensive to me is overbranding, all that, that's too much. That's not futuristic, that's in the now and in the past. They gotta be forward, man. We gotta promote forward ideas cause beauty is important. If beauty wasn't important, my wife wouldn't be so famous\nCTG: She don't get insulted when you say that?\nKW: What?\nCTG: You said at the afterparty that if it wasn't for beauty, the Kardashians wouldn't be famous. If I said that it could come off as insulting\nKW: But they're beautiful, you know how many people wanna be that beautiful?\nCTG: But they don't have anything else? Brains?\nKW: \nObviously they connect to some business sense because they're all successful, family and all multimillionaires.\n \nOne thing I think about with me is look how long it's taking me to turn any of my friends to a multimillionaire. Kim did it like that. She did it out the gate, she was like, \" We gon' take Khloe, we gon' take Kourtney, we gon' take Kourtney's boyfriend, we gon' take the kids, we gon' take this and we all gon' be millionaires like that.\"\n Reality is like rap. It's so futuristic, it's the new... my wife is a visionary at the end of the day. \nSNL wants to make skits and be like, \"What did you do, Kim?\"\n I don't know nobody else that is as successful at what she's doing as her\nCTG: I only got a couple more questions. Was \n\"Only One\"\n therapeutic for you? Like did it bring you to tears in the studio, maybe?\nKW: Yeah, yeah, 100% and it brought my wife to tears. Anybody I play it for. And people ask me why did I go \"Only One\" over \n\"All Day.\"\n \"Only One\" made me feel like me. \nIt made me feel like this was the song I had to play back in the studio if Cam'Ron and Jim Jones and whoever played 30 Dipset records, what am I gonna play to be the pink Polo? What am I gonna play that's gonna stand out?\n What point do I have? That was my problem, my issue I had once I got... which I love \nCruel Summer\n, I think it's amazing, but I felt like I started sort of blending in with the pack in a way, with a record like \n\"Clique\"\n, \nwhich was a great song, we still perform it, but it's important for me to innovate.\n Even with Drake, I think he'll tell you, it's important to have a \nYeezus\n album, \nit's important to have whatever this next thing is because you need vibes from all directions. You need innovators. My job in life is to innovate.\n I think that \n\"Only One\"\n is an innovative record, I think \n\"FourFive\"\n is an innovative record, I think \"Wolves\" is a less innovative but it's the third proposition this year off the album. \n\"Wolves\"\n sounds like like \n808s\n a bit, it sounds like signature Kanye post-\n808s\n, Drake whirl record. That's a run-on, you got a proper run-on so you can say you understand what I'm talking about\nCTG: The record sounds so personal and this may sound crazy but my grandmother who I loved dearly, she was my second mom, she passed away and I had a dream about her and it was like she was talking to me in my dreams. I wonder if you had like a vision of your mother speaking to you maybe, that caused that record\nKW: Yeah that's exactly what it is. I didn't realize I said, \"Hello my only one.\" It's literally like those movies you see where it's like someone's talking to you. I murmured that and I realized after the fact I said \"only one.\" \nAnd my name, Kanye, my mother named me that, it means only one. That's the meaning of my name.\n Then, after the song was out, my cousin, Abigail, which I promise I got you some shoes, I'm looking for a size 6, they run a little bit big, said you know that our grandmother, Mawmaw used to say \"Now I lay me down to sleep, I pray the Lord our soul to keep\" before she would put me to bed, and my grandmother actually named me Omari, which is the first line, \"Hello 'Mari.\" So I realized at that point that they were both talking to me. It wasn't just my mom, that my grandmother was speaking to me, these generations. So now I'm working on a video game for \"Only One\" and the idea is it's my mother going through the gates of Heaven and you gotta bring her to the highest gates of Heaven by holding her to the light. We've been working on it for like 6 months\nCTG: \nIs that why you kept the lights low at the Grammys? Cause that was the first thing you performed and you felt like you might break down?\nKW: Nah it was supposed to be more smoke on it and the practice version was better and I wasn't completely satisfied with the visuals on the Grammys.\n \nThat's why I turnt up on the SNL visuals. I was like I ain't playing, they gotta know I ain't playing. These visuals gotta hurt!\nAY: \nWorking with Paul McCartney, I read an article where they compare you to John Lennon. Has Paul McCartney ever said anything to you about that?\nKW: Nah but we talk about any and everything, but I do think that there's the angst that I feel from the world, the angst that I feel from what people are going through in Chicago, what people are going through financially, what people are going through with just... I feel like John felt like that. And when I got past the Gucci store, and got past how cool my jacket was, I finally was, like the song says, the \"man I always knew you could be.\" When I became a protector, a dad, a husband, I finally could stand up and stand for something\nEnvy: Well we appreciate you joining us, man\nCTG: THE NEW IMPROVED, MEDIA-TRAINED YE!\nEnvy: Kanye West, we appreciate you joining us, we're glad you came back\nKW: I'm happy to be here\nEnvy: I didn't think you was gonna come back and Charlamagne, man\nAY: I love that this started so different, he loves your new songs\nEnvy: Calmer guy, humbler guy\nCTG: Well listen, when I gave him Donkey of the Day last time, what did I say? I said a guy that's so easy to like, but he makes it hard to like him with just a couple antics. But that's part of being human, right?\nKW: Yeah\nEnvy: Ladies and gentlemen, it's Kanye West! It's The Breakfast Club! Good morning!" } ]

[ { "from": "human", "value": "Write me a song called (I Can’t Get No) Satisfaction with the following description: “(I Can’t Get No) Satisfaction” is a song recorded by Britney Spears for her second studio album, Oops!…I Did It Again. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI can't get no satisfaction\nI can't get no satisfaction\nAnd I try, and I try, and I try, and I try\nI can't get no satisfaction\n[Verse 1]\nOh, when I'm driving in my car\nAnd that man comes on the radio\nHe's telling me more and more\nAbout some useless information\nSupposed to fire my imagination\nI can't get no, no no, no\nHey, hey hey, hey\nThis is what I say, yeah, yeah\n[Chorus]\nI can't get no satisfaction\nI can't get no reaction\nAnd I try, and I try, and I try, and I try, baby\nI can't get no, I can't get no satisfaction\n[Verse 2]\nOh, when I'm watching my TV, uh, uh\nAnd that girl comes on and tells me\nHow tight my skirts should be\nBut she can't tell me who to be, baby\nI've got my own identity, uh\nI can't get no, no no, no [Bridge]\nI can't get no satisfaction\nI can't get no satisfaction\nI can't get no satisfaction\nI can't get no satisfaction\nAnd I try, and I try, and I try, and I try\nI just can't get no\n[Chorus]\nI can't get no (Ooh yeah)\nSatisfaction (No no no)\nI can't get no (I can't get no satisfaction)\nSatisfaction (Oh)\nI can't get no (No, baby)\nSatisfaction (This is what I'm saying)\nI can't get no (I can't get no)\nSatisfaction (I can't get no, no)\nI can't get no (I can't, give me)\nSatisfaction (I need your satisfaction)\nI can't get no (No, baby)\nSatisfaction (I can't get no)\n(I can't get no) No matter what I do\nNo matter what I say\n(Satisfaction) everywhere I go\nThey say it's not okay\n(I can't get no) no matter what I do\nNo matter what I say\n(Satisfaction) everywhere I go\nThey say it's not okay\nI can't get no, satisfaction (I can't get no satisfaction)\nI can't get no, satisfaction (This is what I say)\nI can't get no\nI can't get no satisfaction, baby" } ]

[ { "from": "human", "value": "Write me a song called Afire Love with the following description: Ed wrote this song about his grandfather’s death, and how he wished he’d known him better.\nIn “Supermarket Flowers”, Ed talks about the death of his grandmother. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThings were all good yesterday\nAnd then the devil took your memory\nAnd if you fell to your death today\nI hope that Heaven is your restin' place\nI heard the doctors put your chest in pain\nBut then that could've been the medicine\nAnd now you're lyin' in the bed again\nEither way, I'll cry with the rest of them\n[Pre-Chorus]\nAnd my father told me, \"Son\nIt's not his fault he doesn't know your face\nAnd you're not the only one\"\nAlthough my grandma used to say\nThat he used to sing\n[Chorus]\nDarlin', hold me in your arms the way you did last night\nAnd we'll lie inside for a little while here, oh\nI could look into your eyes until the sun comes up\nAnd we're wrapped in light, in life and love\nPut your open lips on mine and slowly let them shut\nFor they're designed to be together, oh\nWith your body next to mine, our hearts will beat as one\nAnd we're set alight, we're afire love [Post-Chorus]\nLove, love\n[Verse 2]\nAnd things were all good yesterday\nBut then the devil took your breath away\nAnd now, we're left here in the pain\nBlack suit, black tie, standin' in the rain\nAnd now, my family is one again\nStapled together with the strangers and a friend\nCame to my mind, I should paint it with a pen\nSix years old, I remember when\n[Pre-Chorus]\nMy father told me, \"Son\nIt's not his fault he doesn't know your face\nAnd you're not the only one\"\nAlthough my grandma used to say\nThat he used to sing\n[Chorus]\nDarlin', hold me in your arms the way you did last night\nAnd we'll lie inside for a little while here, oh\nI could look into your eyes until the sun comes up\nAnd we're wrapped in light, in life and love\nPut your open lips on mine and slowly let them shut\nFor they're designed to be together, oh\nWith your body next to mine, our hearts will beat as one\nAnd we're set alight, we're afire love [Post-Chorus]\n(Ah-ooh) Love, love\n(Ah-ooh) See the love, the love, the love, the love\n(Ah-ooh) See the love, the love, the love, the love\n(Ah-ooh) See the love, the love, the love, the love\n[Bridge]\nAnd my father and all of my family\nRise from their seats to sing \"Hallelujah\"\nAnd my brother and all of my family\nRise from their seats to sing \"Hallelujah\"\nAnd my brother and all of my family\nRise from their seats to sing \"Hallelujah\"\n(And all my brothers and my sisters, yeah)\nAnd my father and all of my family (Ah)\nRise from their seats to sing \"Hallelujah\"\n[Outro]\n(Ah-ooh)\n(Ah-ooh) See the love, the love, the love, the love\n(Ah-ooh) See the love, the love, the love, the love\n(Ah-ooh) See the love, the love, the love, the love\n(Ah-ooh, ah-ooh)" } ]

[ { "from": "human", "value": "Write me a song called I’m Lost Too with the following description: Song about Stunna’s breakup with Savannah Overstreet\nhttps://instagram.com/p/8t-ni_DQkg/?taken-by=savannahhh130Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "COMING SOON\n[Verse: P-Stunna]\nCOMING SOON" } ]

[ { "from": "human", "value": "Write me a song called All We Got with the following description: “All We Got” talks about Chance’s life at the time of the release of his third mixtape Coloring Book and serves as the intro to the tape. It features Chance’s idol and hometown hero Kanye West, as well as the Chicago Children’s Choir.\nThe intro to Chance’s second mixtape, Acid Rap, sampled Kanye West’s “Intro” on his Freshmen Adjustment Vol. 2 mixtape. It was only fitting that Chance brought in Kanye for the intro to his new mixtape. He uses the same “and we back” lyrics on the intro to this song, too.\nThree months before this song’s release Chance appeared on “Ultralight Beam,” the intro to Kanye’s album, The Life of Pablo. Chance continues “Ultralight Beam”’s gospel sound in this song, as he raps about music, his girlfriend, and religion. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chance The Rapper]\nAnd we back\nAnd we back, and we back, and we back, and we back, and we, huh\nAnd we back, and we back, nah, nah, nah\n[Verse 1: Chance The Rapper]\nHey, this ain't no intro, this the entree\nHit that intro with Kanye and sound like André\nTryna turn my baby mama to my fiancée\nShe like music, she from Houston like Auntie Yoncé\nMan my daughter couldn't have a better mother\nIf she ever find another, he better love her\nMan I swear my life is perfect, I could merch it\nIf I die I'll prolly cry at my own service, igh-igh!\nIt was a dream, you could not mess with the Beam\nThis is like this many rings\nY'all know wha' mean?\nThis for the kids of the king of all kings\nThis is the holiest thing\nThis is the beat that played under the Word\nThis is the sheep that ain't like what it heard\nThis is officially first\nThis is the third\n[Chorus: Kanye West, \nChance The Rapper\n, & \nBoth\n]\nThis is the bom-bom-bom\nBom-bom-bom\nBom-bom-bom\nMusic is all we got\nOh, bom-bom-bom\nSo we might as well give it all we got\nThis is the bom-bom-bom (\nHuh\n)\nBom-bom-bom\nBom-bom-bom\nMusic is all we got\n, got, got\nOh, bom-bom-bom\nSo we might as well give it all we got [Verse 2: Chance The Rapper, \nChance The Rapper & Kanye West\n]\nAyy, ayy, I get my word from the sermon\nI do not talk to the serpent\nThat's the holistic discernment\nDaddy said I'm so determined\nTold me these goofies can't hurt me\nI just might make me some Earl tea\nI was baptized like real early\nI might give Satan a swirlie\nWish I could tell you it's ready\nTell you it's ready today\nThey don't give nothin' away\nYou gotta fight for your way\nAnd that don't take nothin' away\n'Cause at the end of the day\n[Chorus: Kanye West & \nChance The Rapper\n]\nMusic is all we got\nMusic is all we got\nMusic is all we got\nOh, bom-bom-bom\nSo we might as well give it all we got\nMusic is all we got (\nHuh, huh\n)\nMusic is all we got (\nHuh, huh\n)\n[Outro: Kanye West & Chicago Children's Choir]\nWe know, we know we got it\nWe know, we know we got it\nWe know, we know we got it\nWe know, we know we got it\nMusic\nWe know, we know we got it\nWe know, we know we got it\nWe know, we know we got it\nWe know, we know we got it\nMusic\nMusic is all we got [Produced by Kanye West & The Social Experiment]" } ]

[ { "from": "human", "value": "Write me a song called ​imagine with the following description: “imagine,” the first promotional single from thank u, next, is about an unattainable love that is “now and forever” unreachable. The track has been described to be the opposite of “thank u, next,” which has a central message of self-empowerment.\nAlthough it’s not confirmed, the inspiration for “imagine” likely lies in the death of Grande’s ex-boyfriend Mac Miller, who passed away from a drug overdose shortly after the two parted ways. This could suggest the song is about the unattainability of their love now that Miller has passed. Many of the lines in this track also mirror Mac’s 2016 track “Cinderella”, which was confirmed to be about Ariana.\n\n\n\n\nThe track was teased in the music video for Sweetener single, “breathin,” similar to what she had done before with the “no tears left to cry” music video.\nInterestingly, Ariana continues to associate her music to her exes, as the cover art designer for the single was her ex-boyfriend and backup dancer, Ricky Alvarez. He keeps it pretty simple, black and white with these characters on it – 想像. These translate to “imagine” in Chinese and to “imagination” in Japanese. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nStep up, the two of us, nobody knows us\nGet in the car like, \"Skrrt\"\nStaying up all night, order me pad thai\nThen we gon' sleep 'til noon\nMe with no makeup, you in the bathtub\nBubbles and bubbly, ooh\nThis is a pleasure, feel like we never\nAct this regular\n[Pre-Chorus]\nClick, click, click and post\nDrip-drip-dripped in gold\nQuick, quick, quick, let's go\nKiss me and take off your clothes\n[Chorus]\nImagine a world like that\nImagine a world like that\nWe go like up 'til I'm 'sleep on your chest\nLove how my face fits so good in your neck\nWhy can't you imagine a world like that?\nImagine a world\n[Verse 2]\nKnew you were perfect after the first kiss\nTook a deep breath like, \"Ooh\"\nFeels like forever, baby, I never\nThought that it would be you\nTell me your secrets, all of the creep shit\nThat's how I know it's true\nBaby, direct it, name in the credits\nLike the movies do [Pre-Chorus]\nClick, click, click and post\nDrip-drip-dripped in gold\nQuick, quick, quick, let's go\nKiss me and take off your clothes\n[Chorus]\nImagine a world like that\nImagine a world like that\nWe go like up 'til I'm 'sleep on your chest\nLove how my face fits so good in your neck\nWhy can't you imagine a world like that?\nImagine a world\n[Outro]\nCan you imagine it?\nCan you imagine it?\nCan you imagine it?\nCan you imagine it?\nCan you imagine it? (Can you imagine?)\nCan you imagine it? (Can you imagine?)\nCan you imagine it? (Can you imagine?)\nOoh, imagine it (Can you imagine?)\nImagine it, imagine it\nImagine it, imagine it\nImagine, imagine\nImagine, imagine\nImagine, imagine" } ]

[ { "from": "human", "value": "Write me a song called Count It with the following description: “Count It” is an unreleased track by Lil Uzi Vert that was first seen when Uzi was filming a music video for the track on April 6, 2020.\nLil Uzi confirmed the track’s title and its accompanying music video with a tweet on April 19, 2020. It is unclear if the track will appear on any of Uzi’s upcoming projects. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Chorus]\n...A-ha-ha-ha\nCount it, count up the money\nCount it, count up the stacks\nCount it, count up the bands\nCount it, count up the racks (A-ha-ha-ha)\nCount it, count up the money\nCount it, count up the stacks\nCount it, count up the bands\nCount it, count up the racks (A-ha-ha-ha)\nCount it, count up the money\nCount it, count up the stacks\nCount it, count up the bands\nCount it, count up the racks\nCount it... (A-ha-ha-ha)...\n[Verse]\n...[?] boy, you know how to act boy\n[?], trench boy, [?]\nLike that bitch was fan, boy\nDon't ask boy, rockstar swag with the bling, boy\nI'm little Uzi but I stay with that MAC, boy (That MAC, boy)...\n...Boy don't call me 'less you want some action\nYou see [?], I'm gettin' so accurate\nEvery time I do a handstand, make that...\n...We got silencers without no attachments\nI believe that I can fly every time I make that pack lift\nPlain Patek Philipe on my wrist, man this shit look like a Atlas" } ]

[ { "from": "human", "value": "Write me a song called Clear with the following description: \n“Clear” is a song by Miley Cyrus. It serves as the eighth track from her debut studio album, Meet Miley Cyrus. The album was released as a double-album alongside the second soundtrack for the Disney Channel original series, Hannah Montana, which Cyrus starred in.\nThe song is unlike anything Miley had recorded prior to, as it has a beach, reggae vibe. In her autobiography, \"Miles to Go”, Miley described the song as being about “breaking up [with Nick Jonas] and how much that would suck, and kind of taking on that feeling.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's 6 a.m. and I'm wide awake\n'Cause I can't stop thinkin'\n'Bout the stuff you were sayin' to me\nAnd I, I can't let it slide\nThe paper's not here yet, the sun's not up\nBut I'm not afraid\nTo tell you what I feel inside\nI had one of those dreams that makes it all so\n[Chorus]\nClear to me now\nI got a whole new perspective\nIt's so clear to me now\nYou can't treat me that way\nIt appears to me how\nLong you tried to make me think\nIt was me who was being the fake\nSo clear\n[Verse 2]\nWhy did I smile when I hurt inside?\nSaid I was okay, when I knew it's a lie\nI wanted to believe in you\nYou took your chances and one was me\nSo I'll just forgive you and set you free\nYeah, I'm on my way\nYeah, I'm stepping out of the haze, and it's so [Chorus]\nClear to me now\nI got a whole new perspective (Oh, oh)\nIt's so clear to me now\nYou can't treat me that way\nIt appears to me how\nLong you tried to make me think\nIt was me who was being the fake\nSo clear\n[Bridge]\nI wanna put the past behind\nTry and maybe I can find better days\nThe first time in a while\nThink I even feel a smile on my face\n(Oh, oh, oh, oh-oh)\nI got a whole new perspective\n(Yeah, I do)\n(It's so clear)\nYou can't treat me that way, it's so\n[Chorus]\nClear to me now\nI got a whole new perspective (So clear)\nIt's so clear to me now (Now)\nYou can't treat me that way (So clear)\nIt appears to me how\nLong you tried to make me think\nIt was me who was being the fake\nSo clear [Outro]\nYeah, so clear, so clear, so clear\nSun's going down on a Saturday\nAnd I feel alright, I feel okay" } ]

[ { "from": "human", "value": "Write me a song called FIND YOUR WAY BACK (MeLo-X Remix) with the following description: This version of “FIND YOUR WAY BACK”, now remixed by MeLo-X, comes with the release of the deluxe version of The Lion King: The Gift and Beyoncé’s visual album BLACK IS KING.\nIn this song, Beyoncé plays with Simba’s story and narrative within The Lion King to talk about fathers and finding your own way. This is notable as the singer has had her own well-publicized journey with her father Matthew Knowles, who managed her early in her career. After a period of seeming estrangement, she has been seen with her father again since Lemonade. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Bankulli]\nRikirobo roborebe\nMamasibo robirebi rebi\nSkindanu dinda dundun\nSibirobo roborebe\nOroboskibo robi rebirebi\nSkidin dadun dadun daya\n[Verse 1: Beyoncé]\nDaddy used to take me walkin' down the street\nDaddy used to take my hand, say, \"Follow me\"\nDaddy used to leave me back home all the time\nI got big enough to run around, Daddy left me outside\n[Chorus: Beyoncé]\nHe said, \"Find your way back\nBig, big world, but you got it, baby\nFind your way back\nDon't let this life drive you crazy\nFind your way back\nCome back home 'fore the street lights on\nFind your way back\nFind your way back\"\n[Verse 2: Beyoncé]\nDaddy used to tell me, \"Look up at the stars\nIt's been a long time, but remember who you are\nCircle of life, but one day, I might not make it\nCircle of life, but one day, I might not make it\" [Chorus: Beyoncé]\n\"But you just gotta find your way back\nBig, big world, but you got it, baby\nFind your way back\nDon't let this life drive you crazy\nFind your way back\nCome back home 'fore the street lights on\nFind your way back\nFind your way back\"\n[Refrain: Beyoncé]\nDaddy used to teach me all my moves\nRunnin' 'round wild, had to tie my shoes\nItty bitty child with a smile like you\nWild, wild child, look a lot like you\nDaddy used to teach me all my tricks\nRunnin' 'round wild, had to get my fix\nDaddy used to teach me all my plays\nOn a marathon, had to run my race\n[Chorus: Beyoncé]\n\"Find your way back\nBig, big world, but you got it, baby\nFind your way back\nDon't let this life drive you crazy\nFind your way back\nCome back home 'fore the street lights on\nFind your way back\nFind your way back, yeah\" [Bridge: Bankulli]\nSkindanu dinda dundun\n[Refrain: Beyoncé]\nDaddy used to teach me all my moves\nRunnin' 'round wild, had to tie my shoes\nItty bitty child with a smile like you\nWild, wild child, look a lot like you\nDaddy used to teach me all my tricks\nRunnin' 'round wild, had to get my fix\nDaddy used to teach me all my plays\nOn a marathon, told me, \"Run my race\"\n[Outro: Bankulli & \nBeyonce\n]\nFind your way back\nRikirobo roborebe\nMamasibo robirebi rebi\nSkindanu dinda dundun\nSibirobo roborebe\nOroboskibo robi rebirebi\nSkidin dadun dadun daya" } ]

[ { "from": "human", "value": "Write me a song called The Monster with the following description: “The Monster” is Eminem’s fourth single from The Marshall Mathers LP 2. Incidentally, it also marks the fourth time Eminem and Rihanna have collaborated.\nThis dark and emotional track has Eminem considering his Shady alter-ego a monster. The monster could also be the fame which has taken so much from him, or perhaps the true monster is his mind and the demons that plague it.\nThis hook was co-written by Bebe Rexha and Jon Bellion, and went on to win the award for Best Rap/Sung Collaboration at the 2015 Grammys. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rihanna]\nI'm friends with the monster that's under my bed\nGet along with the voices inside of my head\nYou're tryin' to save me, stop holdin' your breath\nAnd you think I'm crazy, yeah, you think I'm crazy\n[Verse 1: Eminem]\nI wanted the fame but not the cover of \nNewsweek\nOh well, guess beggars can't be choosey\nWanted to receive attention for my music\nWanted to be left alone in public, excuse me\nFor wantin' my cake, and eat it too, and wantin' it both ways\nFame made me a balloon 'cause my ego inflated\nWhen I blew, see,\n \nbut it was confusing\n'Cause all I wanted to do's be the Bruce Lee of loose leaf\nAbused ink, used it as a tool when I blew steam\nWhoo! Hit the lottery, ooh-wee!\nBut with what I gave up to get it was bittersweet\nIt was like winnin' a used mink\nIronic 'cause I think I'm gettin' so huge I need a shrink\nI'm beginnin' to lose sleep: one sheep, two sheep\nGoin' coo-coo and kooky as Kool Keith\nBut I'm actually weirder than you think, 'cause I'm—\n[Chorus: Rihanna]\nI'm friends with the monster that's under my bed\nGet along with the voices inside of my head\nYou're tryin' to save me, stop holdin' your breath\nAnd you think I'm crazy, yeah, you think I'm crazy\nWell, that's nothin' [Post-Chorus: Rihanna & \nBebe Rexha\n]\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\nWell, that's nothin'\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n[Verse 2: Eminem]\nNow, I ain't much of a poet\nBut I know somebody once told me to seize the moment\nAnd don't squander it\n \n'cause you never know when it all\nCould be over tomorrow, so I keep conjurin'\nSometimes I wonder where these thoughts spawn from\nYeah, ponderin'll do you wonders\nNo wonder you're losin' your mind, the way it wanders\nYodel-odel-ay-hee-hoo!\n \nI think it went wanderin' off down yonder\nAnd stumbled onto Jeff VanVonderen\n'Cause I need an interventionist\nTo intervene between me and this monster\nAnd save me from myself and all this conflict\n'Cause the very thing that I love's killin' me and I can't conquer it\nMy OCD's conkin' me in the head,\n \nkeep knockin'\nNobody's home, I'm sleepwalkin'\nI'm just relayin' what the voice in my head's sayin'\nDon't shoot the messenger, I'm just friends with the— [Chorus: Rihanna]\nI'm friends with the monster that's under my bed\nGet along with the voices inside of my head\nYou're tryin' to save me, stop holdin' your breath\nAnd you think I'm crazy, yeah, you think I'm crazy\nWell, that's nothin'\n[Post-Chorus: Rihanna & \nBebe Rexha\n]\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\nWell, that's nothin'\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n[Verse 3: Eminem]\nCall me crazy, but I have this vision, one day that\nI'll walk amongst you a regular civilian\nBut until then, drums get killed and\nI'm comin' straight at MCs, blood gets spilled and\nI'll take you back to the days that I'd get on a Dre track\nGive every kid who got played that\n \npumped-up feelin'\nAnd shit to say back to the kids who played him\nI ain't here to save the fuckin' children\nBut if one kid out of a hundred million\nWho are goin' through a struggle, feels it and relates, that's great\nIt's payback, Russell Wilson fallin' way back\nIn the draft, turn nothin' into somethin', still can make that\nStraw into gold, chump, I will spin—Rumpelstiltskin in a haystack\nMaybe I need a straightjacket\nFace facts: I am nuts for real, but I'm okay with that\nIt's nothin', I'm still friends with the [Chorus: Rihanna, \nEminem\n & \nBoth\n]\nI'm friends with the monster that's under my bed\nGet along with the voices inside of my head\nYou're tryin' to save me, stop holdin' your breath\nAnd you think I'm crazy, yeah, you think I'm crazy\nI'm friends with the monster that's under my bed\n(\nGet along with\n) Get along with the voices inside of my head\n(\nYou're tryin' to\n) You're tryin' to save me, stop holdin' your breath\n(\nAnd you think\n) And you think I'm \ncrazy, yeah, you think I'm crazy\nWell, that's nothin'\n[Post-Chorus: Rihanna & \nBebe Rexha\n]\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\nWell, that's nothin'\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)\n(\nYoo-ooh, ooh-ooh\n)" } ]

[ { "from": "human", "value": "Write me a song called Burning Man with the following description: On “Burning Man,” watt recruits an up and coming artist, Post Malone.\nThroughout are guitar-driven rock vibes and melodic vocals from Posty himself. The idea of “Burning Man” originated from watt’s appearance at the Burning Man festival, which took place in Nevada, averaging 70,000 people in attendance.\nThe official music video features an office worker dashing through hallways doused in flames. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Post Malone]\nOhh, huh\nOhh!\n[Chorus: watt]\nBaby, got the beat that won't stop, the feeling gets stronger\nBaby, got the hand that keeps feeding me, no more hunger\nGet high, get lost in paradise\nThis feeling's all we got tonight\nBaby, I'm a burning man, baby\nBurning man, baby\n[Verse 1: Post Malone]\nAyy, I felt something I never had before\nI'm paranoid, I keep peeking out the peephole\nOn the mother ship, sippin' on some Pinot\nIn the mirror, I seen a list of people\nI sped off and landed in Nevada\nWhat happened next just don't really matter\nCan't take everything, seems so scattered\nTakes hold of my breath, oh, like asthma\nHey, and I'm all out of tequila\nAnd me and lil' mama drop more acid than a Beatle\nI'm trippin' too hard I had to ditch out on the dealer\nHop in the El Dorado, I'ma see you señorita [Chorus: watt]\nBaby, got the beat that won't stop, the feeling gets stronger\nBaby, got the hand that keeps feeding me, no more hunger\nGet high, get lost in paradise\nThis feeling's all we got tonight\nBaby, I'm a burning man, baby\nBurning man, baby\n[Verse 2: watt]\nI didn't want it, but fuck it, I guess I'm really in it\nMy blood is rushing, my heart is going a mile a minute\nMy Mr. Mojo is rising, forever 27\nI say hello to heaven, yeah yeah\nFive days in and I lost my soul\nAll these women and all these drugs\nFind myself when I lost control\nWho knew a bad trip could be beautiful?\n[Chorus: watt]\nBaby, got the beat that won't stop, the feeling gets stronger\nBaby, got the hand that keeps feeding me, no more hunger\nGet high, get lost in paradise\nThis feeling's all we got tonight\nBaby, I'm a burning man, baby\nBurning man, baby [Instrumental Breakdown]\n[Chorus: watt]\nBaby, got the beat that won't stop, the feeling gets stronger\nBaby, got the hand that keeps feeding me, no more hunger\nGet high, get lost in paradise\nThis feeling's all we got tonight\nBaby, I'm a burning man, baby\nBurning man, baby" } ]

[ { "from": "human", "value": "Write me a song called DEAD FRIENDS with the following description: Originally composed as a ballad, “DEAD FRIENDS” is a self-described “anthemic” eulogy for Demi Lovato’s friends who have passed away. It serves as the thirteenth track on Lovato’s eighth studio album HOLY FUCK. The song finds Lovato expressing survivor guilt after the singer-songwriter previously “danced with the devil”.\nHonouring their late friends has been a recurring lyrical theme in Lovato’s past releases, including songs like “Unforgettable (Tommy’s Song)” (2021) and “Nightingale” (2013). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm breathing in and out\nThey don't, they don't\nI watch the sun go down\nThey won't, they won't\nI'm waking up right now\nAnd they never will\nAgain, I still can't understand\n[Pre-Chorus]\nI danced with the devil\n, I made it through hell and I don't know why\nHow am I different? I did and they didn't and it doesn't feel right\n[Chorus]\nI miss the hell we can't raise, I miss the time we can't waste\nI miss the texts they can't send, I miss my dead friends\nWe had the rest of our lives, didn't get to say goodbye\nGod only knows where they went, I miss my dead friends\n[Verse 2]\nI spot the satellites like we used to do\nBlow smoke rings to the sky like they'll fly to you\nSometimes, I wish that I could jump right into\nThe blue for a moment with you\n[Pre-Chorus]\nI danced with the devil, I made it through hell and I don't know why\nHow am I different? I did and they didn't, and it doesn't feel right [Chorus]\nI miss the hell we can't raise, I miss the time we can't waste\nI miss the texts they can't send, I miss my dead friends\nWe had the rest of our lives, didn't get to say goodbye\nGod only knows where they went, I miss my dead friends\n[Post-Chorus]\nI miss my dead friends, I miss my dead friends\nI'll see them again, I miss my dead friends\n[Chorus]\nI miss the hell we can't raise, I miss the time we can't waste\nI miss the texts they can't send, I miss my dead friends\nWe had the rest of our lives, didn't get to say goodbye\nGod only knows where they went, I miss my dead friends (Yeah)\n[Post-Chorus]\nI miss my dead friends, I miss my dead friends\nI'll see them again, I miss my dead friends\nI miss my dead friends, I miss my dead friends\nI'll see them again, I miss my dead friends" } ]

[ { "from": "human", "value": "Write me a song called Too Good with the following description: “Too Good” is about a couple who go out of their way to treat each other well, while they feel like their love is taken for granted.\nCarrying the same Caribbean and dancehall beat as that of “Work,” their most recent duet prior to this song, and “One Dance,” this is the fourth collaboration between Rihanna and Drake (after “What’s My Name?” and “Take Care”). All four songs focus on relationships.\nRihanna and Drake used to be in a relationship—while their recent return collaborations have started rumors that they’re together, Rihanna clarified that she’s still single and their reunion is only professional.\nDrake’s third verse interpolates Jamaican dancehall artist Popcaan’s “Love Yuh Bad”—and the track includes a direct sample of Popcaan’s verse on the outro. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nOh yeah, yeah, yeah\nOh yeah, yeah, yeah\nYeah\n[Verse 1: Drake]\nLook...I don't know how to talk to you\nI don't know how to ask you if you're okay\nMy friends always feel the need to tell me things\nSeems like they're just happier than us these days\nYeah\nThese days I don't know how to talk to you\nI don't know how to be there when you need me\nIt feels like the only time you see me\nIs when you turn your head to the side and look at me differently\nYeah\n[Pre-Chorus: Drake]\nAnd last night I think I lost my patience\nLast night, I got high as your expectations\nLast night, I came to a realization\nAnd I hope you can take it\nI hope you can take it, oh\n[Chorus: Drake]\nI'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it\nNo, I'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it [Verse 2: Rihanna]\nI don't know how to talk to you\nI just know I found myself getting lost with you\nLately you just make me work too hard for you\nGot me on flights overseas, and I still can't get across to you\n[Pre-Chorus: Rihanna]\nAnd last night I think I lost my patience\nLast night, I got high as your expectations\nLast night, I came to a realization\nAnd I hope you can take it\nI hope you can take it, oh\n[Chorus: Drake & Rihanna]\nI'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it\nNo, I'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it\n[Verse 3: Drake]\nYears go by too fast\nI can't keep track\nHow long did we last?\nI feel bad for asking\nIt can't end like this\nWe gotta take time with this\nCock up yuh bumper, sit down pon it\nLet me see if this is something I can fix (\nSix\n)\nYou got somebody other than me\nDon't play the victim when you're with me\nFree time is costing me more than it seems\nSacrificing things\nAnd I wanna tell you my intentions\nI wanna do the things that I mention\nI wanna benefit from the friendship\nI wanna get the late night message from you, from you\nI put my hands around you\nGotta get a handle on you\nGotta get a handle on the fact that I [Chorus: Drake & Rihanna]\nI'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it\nNo, I'm too good to you\nI'm way too good to you\nYou take my love for granted\nI just don't understand it\n[Outro: Popcaan]\nGyal a you mi waan\nPay fi yuh visa meck yo fly out regular\nBaby, cock up yuh bumper, sit down pon it\nGyal yo pum pum good and yuh fit\nMi wi give you everything weh deh in my wallet\nAnd in my pocket\nCock up yuh bumper, sit down pon it\nGyal yo pum pum good and yuh fit\nMi wi give you everything weh deh in my wallet\nAnd in my pocket" } ]

[ { "from": "human", "value": "Write me a song called Day One with the following description: “Day One” stresses the value of loyalty and covers the importance of staying down for the team, keeping it real & 100 since the beginning.\nGotti & Future also collaborated on “Drug Money.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nI'm in this bitch with Yo\nWe on that millionaire shit, we can't be worrying bout none of that broke business, you feel me\n[Chorus: Future]\nI just fucked up the whole check on my Rollie\n (Yeah)\nYou better come at me correct, 'cause you don’t know me (Turn up)\nA half a million round my neck, I'm still the old me (Skrt)\nI’m on that sour, nigga, I ain't movin' slowly\nHey, hey, I got that check on me, I've been like that from day one\nI keep my niggas with me, I've been like that from day one\nI drive the newest whips, I've been like that from day one (Skrt, skrt)\nI made that gwala flip, I've been like that from day one (Br-br-brt)\n[Verse 1: Future]\nI'm on promethazine,\n \nmy coupe the color Akon\nI got my hoodie on, ain't goin' not like Trayvon\nI'm on my hustle, since a young I learned to stay down\nI got young Nino with me and he shoot up playgrounds\nPut VVS's and my watch is presidential\nIf I fuck yo bitch you tell me can you keep it confidential?\nAin't no pressure on my presidents, these Franklins are official\nAnd my coupe is so official, riding round with all my pistols\n30 round that clip from since the day one\nI add-on all my whips, I never trade one\nI'm doing 100 miles I'm on the streets and I ain't racin'\nI drive the most expensive cars\nThat's very fast and very spacious\nAye look at these niggas, they all shooters\nWe came from the bottom, we eat noodles\n (woo)\nVery bad bitches on my radar\nYou are not a real nigga, nigga, you’s a hater [Chorus: Future]\nI just fucked up the whole check on my Rollie\n (Yeah)\nYou better come at me correct, 'cause you don’t know me (Turn up)\nA half a million round my neck, I'm still the old me (Skrt)\nI’m on that sour, nigga, I ain't movin' slowly\nHey, hey, I got that check on me, I've been like that from day one\nI keep my niggas with me, I've been like that from day one\nI drive the newest whips, I've been like that from day one (Skrt, skrt)\nI made that gwala flip, I've been like that from day one (Br-br-brt)\n[Verse 2: Yo Gotti]\nCuban link I'm rockin' cost two hundred (Shit two hundred)\nGas prices high, (Whew) Exxon (Gas)\nAll white foreigns, make 'em hate some (They hate)\nDesigner clothes, look like I shop in London (I might)\nI got that yellow AP, different from my old one (Shit different)\nYou talk that plug talk, but nigga, you don't know one (Trippin)\nI'm one hundred dawg, I stand out from no one (Gotti)\nBought a brick from me, I sold him a fake one (Finesse)\nI take so many, been like that from day one (Finesse)\nUp off with them Cubans and them Haitians (Sak pasé)\nI fuck with them gangstas and them killers (Killers)\nI know bitches realer than you niggas (I do)\nI know the streets gon' be the streets (I do)\nFuck niggas don't deserve to eat (They don't)\nAnd it been that day since day one (Day one)\nIf a nigga get wrong I'mma spray some\nHundred round draw, house look like Graceland, king [Chorus: Future]\nI just fucked up the whole check on my Rollie\n (Yeah)\nYou better come at me correct, 'cause you don’t know me (Turn up)\nA half a million round my neck, I'm still the old me (Skrt)\nI’m on that sour, nigga, I ain't movin' slowly\nHey, hey, I got that check on me, I've been like that from day one\nI keep my niggas with me, I've been like that from day one\nI drive the newest whips, I've been like that from day one (Skrt, skrt)\nI made that gwala flip, I've been like that from day one (Br-br-brt)" } ]

[ { "from": "human", "value": "Write me a song called Kim Kardashian and Kanye West: Keeping Up with Kimye with the following description: The iconic (and protested) Kimye Vogue cover article.\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "From London to Paris to Los Angeles, Hamish Bowles joins Kim Kardashian and Kanye West in their quest for world domination—and the perfect wedding dress.\nThe fast-cooling Los Angeles afternoon air is filled with the scent of eucalyptus and mimosa, the gurgle of water as it tumbles down a fountain wall into a picture-perfect azure pool, the exultant strains of \nPharrell Williams’s “Happy,”\n and a chorus of “Old MacDonald Had a Farm,” performed in unhappy a cappella by Annie Leibovitz and Kris Jenner.\nThe frantic warblings of this unlikely duo are intended to entertain the geographically named North West, perched between her father, Kanye West, creative polyglot, and his fiancée, North’s mother, Kim Kardashian, cultural phenomenon—or Kimye, as the media has dubbed the telegenic pair while it relentlessly tracks their every move. North (“Kanye’s side of the family calls her Nori,” says Kim) is poised on her mother’s knee, a knee that is currently enveloped in a fall of Lanvin satin the color and consistency of double cream, fashioned by Alber Elbaz into a wedding dress of fifties haute couture magnificence. The dress is a fitting complement to Kim’s voluptuous movie-star beauty, with her flashing Ava Gardner looks and Sophia Loren figure that have helped to \nestablish a new contemporary body paradigm after an era of waifs.\nSmall wonder that Kim idolizes Elizabeth Taylor, whom she first became aware of as a supportive friend of Michael Jackson. Taylor once lent Kim her Cleopatra cape for a photo shoot, and \nKim conducted Taylor’s last interview (by phone and e-mail), about her legendary jewels.\n “Everything seemed so selfless for her,” Kim remembers. “We talked about the jewelry and how it ultimately didn’t belong to her; she just wanted to help people.” When Taylor’s estate was sold to benefit the Elizabeth Taylor AIDS Foundation, Kim even acquired some of those jewels herself. She also went to look at Taylor’s house. “It was just so enchanting,” she remembers, “with a garden with really pretty trellises and beautiful roses, but it wasn’t realistic for me to purchase. It only had a one-car garage.”\nAlthough North has inherited her father’s furrowed, quizzical brow, the pretty ten-month-old who is the focus of all this attention seems an island of preternatural serenity in the roiling sea of frenetic activity that is la vie Kimye.\nNorth’s parents have already involved her in their creative lives. “I take pictures of her all the time and dress her up,” says Kim. “I put Kanye’s big chains around her, and I put a little Louis bag and some Jordans, and I was like, ‘What up, Daddy?’ ” Kanye, meanwhile, has made an adorable little stop-frame video of North caught in her natural movements that he’s edited to make it appear as if she’s break-dancing.\n“Anybody need anything?” asks the agelessly glamorous, apricot-skinned Kris, fluttering eyelashes as thick, long, and lustrous as a hummingbird’s wings. “Water? Vodka? Get on my train!” she laughs. “Just kidding!” Kris (who, as Kim notes, “goes by the name of Lovey, not Grandma!”) is an astute businesswoman and an executive producer of Keeping Up with the Kardashians, now in its eighth season. Her home office is stacked with Kardashian product and magazine spreads—there is even a framed copy of her estranged husband Olympic gold medalist Bruce Jenner’s 1979 GQ cover.\nWhen Kim was an impressionable little girl\n, she remembers, her fashion-mad mom “would always wear really tight—she was into Vicky Tiel, Moschino, or Chanel—with huge Moschino heart earrings. She had an amazing body and was always so in shape. One time Kourtney and I sat in my mom’s closet—we must’ve been eight or nine—and we were like, ‘If Mom dies, we’re going to write down who gets what.’ We went through every last piece of her wardrobe. We were so mean then!”" } ]

[ { "from": "human", "value": "Write me a song called Smells Like Me with the following description: “Smells Like Me” is the fourth single from Charlie Puth’s third studio album, CHARLIE. It was first shared on Charlie Puth’s now deleted TikTok on November 15, 2021, captioned:\nI really thought this was gonna suck…\nCharlie shared the story about the song on Twitter on August 3, 2022, in a now-deleted tweet, stating:\nIt’s about when you think of the person you were with for so long having sex with someone new but with they’re wearing clothes that smell like you still while they…. lol Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(One, two, three, four)\n[Verse 1]\nLonely when you're in his arms\nYeah, you know I prayed for that, prayed for that, yeah\nYour laundry dipped in my cologne\n'Cause you know it takes you back, takes you back\n[Pre-Chorus]\nTell me, do you ever miss me when I'm gone? (Gone)\nWonderin' what body I'll be on (On)\nWe can reconsider if you want (Want)\nBaby, don't forget about me ever-er\n[Chorus]\nI hope the memory's killin' you over there\nDon't even front, you know that you just can't compare\nWhat it used to be\nI hopе your jacket smells like mе\nMy baby, yeah\nAnd when you touch him, does it really feel the same?\nOr are you lyin' there, thinkin' about the way\nThat it used to be?\nI hope your jacket smells like me\nMy baby [Verse 2]\nCandles, they're the same as mine\nBut it's not because of me, 'cause of me (Right)\nWhen will (When will) you quit wastin' your time?\nOh, \nif he knew that you keep little things to remind you\n[Pre-Chorus]\nTell me, do you ever miss me when I'm gone? (Gone)\nWonderin' what body I'll be on (On)\nWe can reconsider if you want (Want)\nBaby, don't forget about me ever-er\n[Chorus]\nI hope the memory's killin' you over there (Over there)\nDon't even front, you know that you just can't compare\nWhat it used to be (Oh)\nI hope your jacket smells like me\nMy baby, yeah\nAnd when you touch him, does it really feel the same? (Feel the same)\nOr \nare you lyin' there, thinkin' about the way\nThat it used to be? (That it used to be, oh)\nI hope your jacket smells like me\nMy baby\n[Bridge]\nAre you sleepin' in my T-shirt again?\nHow's it feel when you press it, press it\nUp against your skin, while you breathe it in\nI know that you remember, 'member [Chorus]\nI hope the memory's killin' you over there (Over there)\nDon't even front, you know that you just can't compare\nWhat it used to be (Yeah)\nI hope your jacket smells (Like) like me\nMy baby, yeah (Baby)\nAnd when you touch him, does it really feel the same? (Don't feel the same)\nOr are you lyin' there, thinkin' about the way\nThat it used to be? (Oh, yeah)\nI hope your jacket smells like me\nMy baby" } ]

[ { "from": "human", "value": "Write me a song called Man I Am with the following description: “Man I Am” is a song by Sam Smith from Barbie: The Album. The song is a reimagining of Ken doll’s identity in pop culture. Sam switches between a humorous, gravelly, mock “masculine” voice and a bubbly, normal vocal delivery in the chorus; juxtaposing two versions of Ken’s supposed identity.\nThe song is sarcastic in its emphasis on Ken’s desire to “break through.” Ken won’t let anyone stop him, not even women and especially not Barbie herself. The song uses irony with the hyperbolic rejection of women “ruling the world” and insisting that we all have been “taught a lie”.\nThough, in the pre-chorus, the character of Ken that Sam sings in touts his “six pack and tight G string” and “cars with dirty wheels.” Although he assures us he’s not gay, Ken admits he’s been on the “lay low,” a term commonly used to describe someone who participates in homosexual activity discreetly or on the “down low.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThis one is for the boys\nWith your greased up and heavy metal toys\nSo beefed up, you can't get through the door\nIt's your time to break through\nBad man to the rescue\nBarbie, your time is up\nYou will not take our voice\n[Pre-Chorus]\nSee, I'm the groove catcher, hottest thing\nSix-pack and tight G-string\nNo, I'm not gay, bro\nBut I've been on that lay low\nStrip clubs and dollar bills\nWall Street and dirty deals\nPopstars, exotic pills\nCars with dirty wheels\n[Chorus]\n'Cause that's the man I am\nBaby, treat me right, I'm free tonight\nThat's just the man I am\nSuper sleazy, born to be easy\nAnd all the papers say that there's no Ken without Barbie\nBut, baby, there's no woman who could possibly stop me\nThat's just the man I am\nSuper sleazy, sexy and freaky Ken tonight [Post-Chorus]\nWoah, woah\nSexy and freaky Ken tonight\nWoah, woah\nSexy and freaky Ken tonight\n[Verse 2]\nIt's time you realize\nThat in this world we've all been taught a lie\nYou think that women rule the world\nBut, baby, where I've been\nAll the things I've seen\nThis Ken has crossed the borderline\n[Pre-Chorus]\nSee, I'm the groove catcher, hottest thing\nSix-pack and tight G-string\nNo, I'm not gay, bro\nBut I've been on that lay low\nStrip clubs and dollar bills\nWall Street and dirty deals\nPopstars, exotic pills\nCars with dirty wheels\n[Chorus]\n'Cause that's the man I am\nBaby, treat me right, I'm free tonight\nThat's just the man I am\nSuper sleazy, born to be easy\nAnd all the papers say that there's no Ken without Barbie\nBut, baby, there's no woman who could possibly stop me\nThat's just the man I am\nSuper sleazy, sexy and freaky Ken tonight [Post-Chorus]\nWoah, woah\nSexy and freaky Ken tonight\nWoah, woah\nSexy and freaky Ken tonight\n[Outro]\nWoah, woah\nSexy and freaky Ken tonight (This one is for the boys)\nWoah, woah\nSexy and freaky Ken" } ]

[ { "from": "human", "value": "Write me a song called Santa’s Coming for Us with the following description: Sia gets in the Christmas spirit on “Santa’s Coming For Us,” the lead single off her first Christmas LP, Everyday Is Christmas. The track marks Sia’s first release under her Atlantic Records deal.\nThe music video stars different actors from, among other things, IT, Stranger Things and Gossip Girl.\nThe song hit #1 on the US Adult Contemporary Radio Charts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNights are getting shorter now, hot chocolate\nFills the air and Christmas cheer does too\nPickin' out your Christmas tree, so lovely\nThe joy this time it brings to you\n[Refrain]\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\nSanta's coming to town\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\nSanta's coming to town\n[Pre-Chorus]\nSing it to the deer in the sky\nSing it as they jingle, jingle, jingle tonight\nSing it to the moon, set it free\nYou're the angel on the top of my tree\nSing it to the spirit above\nSing your heart out with all of your love\nSanta's coming for us\n[Chorus]\nSanta's coming for us, Santa's coming for us\nSanta's coming for us, Santa's coming for us\nSanta's coming for us\nOh, Santa's coming for us [Verse 2]\nSend your letters off to Santa, baby\nTell him all your secret wishes too\nSend your letters off to Santa, baby\nHopin' all your wildest dreams come true\n[Refrain]\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\nSanta's coming to town\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\nSanta's coming to town\n[Pre-Chorus]\nSing it to the deer in the sky\nSing it as they jingle, jingle, jingle tonight\nSing it to the moon, set it free\nYou're the angel on the top of my tree\nSing it to the spirit above\nSing your heart out with all of your love\nSanta's coming for us\n[Chorus]\nSanta's coming for us, Santa's coming for us\nSanta's coming for us, Santa's coming for us\nSanta's coming for us\nOh, Santa's coming for us [Refrain]\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\nSanta's coming to town\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\nSanta's coming to town\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\n(Oh, do-do-do, oh, do-do-do)\nSanta's coming to town\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\n(Oh, da-da-da, oh, da-da-da)\nSanta's coming to town" } ]

[ { "from": "human", "value": "Write me a song called Run It with the following description: In “Run It,” Logic raps about coming up in the rap game and living out his dream as an artist. He is slowly earning the respect he feels he deserves, and anyone who is not aware of that will be soon. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nMe and my team gotta intervene\nWhat's the point of living if you ain't living a dream?\nWe live in a world where everybody want everything\nEverybody want a better thing\nTryna fool ya like it's picture perfect but it's just the editing\nMan, the game been waiting for a better king\nI've been posted with my Queen like Coretta King\nScreaming \"Money ain't a thing\", cause it ain't\nMan, I never knew that living out a dream\nMeant living out a suitcase, I've been working at a new pace\nSo much money on the road I ain't even had a minute\nNot a single second chilling in my new place\nMotherfuckers getting two-faced\nCause a brother finally eating\nNot to mention everybody gettin' two plates\nYou know I only got two traits\nDrop hits, get money—\nrun it\n[Verse 2]\nWhat the fuck is there left to talk about\nI told them my vision, let 'em know what it's all about\nIndustry only respect me because I'm ballin' out\nYou never know who there for you until you fallin' out\nAnd that's the reason I've been in the kitchen\nWorking on that nutrition, now let 'em listen\nBoy, this been my house, this is merely an addition\nFuck 'em and their permission, they was killin' the game\nWho the one that gave 'em remission?—you know the name\nWho else you know on the come up, do it like I does it\nLyrics all up in your skull like when the barber buzz it\nSay my last shit a classic, and I wonder was it?\nCome to think about it everybody seemed to love it\nI was workin' on a budget, second time around shit is different\nCause they know that boy good, know he does it\nI've been at it for the people that been lovin' my shit\nNot the people that been hating\nThey can suck my dick—\nrun it [Interlude]\nI'ma do somethin' different for the last one\nI'ma go in...\n[Verse 3]\nFeelin' like Matthew Mcconaughey\nOn an \nInterstellar\n mission in Chicago\nAt the bottom of the Riviera\nI wonder who I would be if I wasn't in my era\nI gotta beware of the people\nBut I take care of the people\nWhen I jump in the cockpit and rock it\nBeen done had this in my pocket\nI had to wait to unlock it\nOpen that locket and see the picture I painted\nNo, we ain't never acquainted\nOn the rise like a defendant\nThat was charged with possession like an exorcism\nMy division is solely my vision\nGod damn, can you feel it?\nUh, I had a dream I would run the game and kill it\nHad a dream, can you feel it?\nMotherfucker wanna push it to the limit\nGet up in it, make the shit infinite\nYeah you know I wanna win it, on my independent\nI've been at it like an addict\nNever at the party like I'm democratic\n'Lotta static on the radio\nFuck everything that they represent\nThis right here is heaven sent, never irrelevant\nNo never when I slide up in the spot\nJust a youngin' in the game\nTryna show 'em what I got, way back\nThat was the mentality, never truly reality\nLooking for validation\nWith all the wrong things on my mind for motivation\nJust chillin' at the crib on a PlayStation\n'Cause I never thought about it, never thought that people would have a song like mine in their rotation\nTil I wised up, got 'em sized up\nReady to go, I'm feelin' fired up\nMan it's been a good ride up\nEverybody want me to lace 'em\nI'm too tied up, \nthis a ransom—\nFist full of money then we head back to the mansion\n30 thousand people in the crowd, we expanding\nCouple years back you ain't give a damn\nAutographs off the plane whenever I land\nAll part of the plan, anything you wanna do you can\nJust go and get it, fuck 'em if they don't love 'em\nBe above it unless you're thinking your profession gon' be rap\nMatter fact, you should take a step back—cause I run it" } ]

[ { "from": "human", "value": "Write me a song called A Lot with the following description: On “Alot,” Philadelphia rapper Lil Uzi Vert boasts about his collection of jewelry and weaponry. On the track, Uzi aggressively threatens his opposition and flexes his material possessions.\nThis track marks Lil Uzi’s only contribution to Zaytoven’s October 2017 album Where Would The Game Be Without Me 2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nSlide around with the mop (yeah)\nAll we know is up the opps (yeah)\nBen Baller, cost a lot (yeah)\nLambo your parkin' lot (yeah, skrrt)\nShoot at his leg, he hop\nShoot at his leg, he hop\nShoot at his leg, he hop\nWhere would the game be?\n[Verse 1]\nI'm mixin' them words like a synonym\nShe tryna swallow like cinnamon (damn)\nRockin' Vements (uh, yeah)\nRockin' that shit like its Vetements\nLittle nigga I got hella bands (ayy)\nStand on my money, I'm 7'10\" (damn)\nFuck on your bitch 'cause she heaven sent\nSmell on that girl and she heaven scent\nOoh, that booty heaven sent (yeah)\nSmokin' that gas, that's my medicine (yeah)\nLittle nigga think he better than (what?)\nLil Uzi really a veteran (ooh)\nThis still my first not my second win (ayy)\nLil Uzi Vert with that tether skin (yeah)\nGettin' this money, what's happenin'? (Yeah)\nGettin' these girls is what's happenin'\nUsed to have Ashley, used to have Keisha\nThen I put dick all in Madison (yeah)\nMy new coupe peel out the Radisson (hey)\nMovin' that work, traffic (ayy)\nMove through the dirt, blacky sand (yeah)\nChopper gon' twerk, Pakistan (ayy)\nNowadays I just be havin' fans\nGo in the club and I'm throwin' bands\nOh you a stripper? Give me a dance\nWalk around with all my hundred bands (yeah)\nI got all types of girls\nJust know I'm always with something tan\nDiamonds so clear, that's spick and span\nThese niggas hatin', treat 'em like spam (yeah)\nI'ma stay real as I can (pull up)\nIn a Range, it's not a Lamb' (yeah) [Chorus]\nSlide around with the mop (yeah)\nAll we know is up the opps (yeah)\nBen Baller, cost a lot (yeah)\nLambo your parkin' lot (yeah, skrrt)\nShoot at his leg, he hop (skrrt)\nUsed to have Ashley, used to have Keisha\nThen I put dick all in Madison (yeah)\nMy new coupe peel out the Radisson\nDiamond fist, a lot (damn)\nDiamond wrist, a lot (ayy)\nPull up with the drop (yeah)\nGivin' what I got (got)\nThat's your bitch or not? (What?)\nI don't kiss a lot (What?)\nI'm gon' shoot my shot (Yeah)\nI don't miss a lot\n[Verse 2]\nDamn, 200 bands (what?)\nLook at you, gonna go shop again\nThey gettin' money, no stoppin' them (what?)\nFuck what they say when we flockin' in\nMy whip, she hoppin' in (skrrt)\nHelicopter that I chopper in (ayy)\nThis girl on my side so bad (yeah)\nBut too bad the scale only stop at 10\nSo that's why you're always mad (yeah)\n'Cause I'm always poppin' tags (woah)\nAnd I always come in first\nAnd you always gotta settle for less\nGot the Lambo, I ain't want a Jag\nHit the pedal and settle the gas (yeah)\nDolce Gabbana my bag (yeah)\nNike that Air when I smash (what?)\nDrive my car like NAS (yeah)\nI get fly like NASA (yeah)\nHad her in my path\nShe tried to wave and I drove right past (skrrt)\nYeah you know it's digital\nI don't know my dash (yeah)\nGet high off that hash (ayy)\nEyes red like a rash (damn)\nGrab it from the back, yeah\nGrab her waist real tight\nWhen I'm in, it make her bite me back\nAll different girls, like where your type be at?\nIf I got locked up would you write me back\nOr just chase another bag? Yeah [Chorus]\nSlide around with the mop (yeah)\nAll we know is up the opps (yeah)\nBen Baller, cost a lot (yeah)\nLambo your parkin' lot (yeah, skrrt)\nShoot at his leg, he hop (skrrt)\nUsed to have Ashley, used to have Keisha\nThen I put dick all in Madison (yeah)\nMy new coupe peel out the Radisson\nDiamond fist, a lot (damn)\nDiamond wrist, a lot (ayy)\nPull up with the drop (yeah)\nGivin' what I got (got)\nThat's your bitch or not? (What?)\nI don't kiss a lot (What?)\nI'm gon' shoot my shot (Yeah)\nI don't miss a lot" } ]

[ { "from": "human", "value": "Write me a song called So Good with the following description: “So Good” is a single by the Swedish pop-singer Zara Larsson and it’s released on January 27, 2017. The song includes the guest collaboration of American rapper Ty Dolla $ign. It is the title track of her debut album, So Good.\nLarsson first performed the song on January 16th, at the Swedish Sports Award Svenska Idrottsgalan.\nThe song plays out at the beginning of a relationship where Zara confidently states the impact that she knows her love can have on a certain someone. She persuades her lover to give in to his attractions and feel her love and its warm embrace.\nThe track is written by Larsson, Ty, Charlie Puth and LunchMoney Lewis, who is also responsible behind the production. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Zara Larsson]\nSo good, so good, so good, so good\nYou know my love is\nSo good, so good, so good, so good\nYou know my love is\n[Verse 1: Zara Larsson]\nMy love is more potent\nThan anything in the cup that you're holdin'\nOne little taste will have you open\nAye, I know you want some, you want some\nToo strong, no limits\nIt's not official, so take your time with it\nIt go straight to your head, control your mind with it\nAye, know you want some, you want some\n[Pre-Chorus: Zara Larsson]\nYou know I'm the only one that gets you higher\nGets you higher, babe\nAnd you ain't gotta worry 'cause you know I got it\nKnow I got it, babe\nYou be stuck on it 'cause my love so good\nSo you keep comin' back to get some more\nGot you in your feelings, all emotional\nMy love, my love [Chorus: Zara Larsson]\nSo good, so good, so good, so good\nYou know my love is\nSo good, so good, so good, so good\nYou know my love is\n[Verse 2: Zara Larsson]\nMy love ain't runnin' out\nGot an endless supply, there'll never be a drought\nI put you to sleep, you'll never leave the house\nAye, I know you want, know you want some\n[Pre-Chorus: Zara Larsson]\nYou know I'm the only one that gets you higher\nGets you higher, babe \n(High, babe)\nAnd you ain't gotta worry 'cause you know I got it\nKnow I got it, babe \n(You be)\nYou be stuck on it 'cause my love so good\nSo you keep comin' back to get some more\nGot you in your feelings, all emotional\nMy love, my love\n[Chorus: Zara Larsson]\nSo good, so good, so good, so good\nYou know my love is\nSo good, so good, so good, so good\nYou know my love is [Verse 3: Ty Dolla $ign]\n(Dolla, Dolla $ign)\nYeah, girl, your love so good, girl\nGot me comin' back for seconds\n, what's good, girl?\nGot me clearin' out my schedule, tryna link up\nGirl, you know you 'bout to get that thang beat up\nWhen I pull up, you know what I came for\nDolla lay the pipe, keep some dope D for you\nPut your body straight to sleep\nI got you wakin' up thankin' me\n[Pre-Chorus: Zara Larsson & \nTy Dolla $ign\n]\nYou be stuck on it 'cause my love so good\nYou got me stuck on that, your love so good\nSo you keep comin' back to get some more \n(Oh, oh)\nGot you in your feelings, all emotional \n(Ooh, yeah)\nMy love, \nmy love\n[Chorus: Zara Larsson & \nTy Dolla $ign\n]\nSo good, so good, so good, so good \n(So good)\nYou know my love is \n(Yeah)\nSo good, so good, so good, so good\nYou know my love is" } ]

[ { "from": "human", "value": "Write me a song called That’s How You Feel with the following description: “That’s How You Feel” is about a girl who Drake would like to spend time with but is unsure if his feelings for her are reciprocated.\nOn the song’s refrain, Drake samples Nicki Minaj’s live performance of “Boss Ass Bitch.” The sample’s lyrics implicate how Drake’s lover may be treating him.\nIn both verses of the song, Drake uses a chain rhyme scheme by taking the last syllable of each line and repeating it as the first syllable of the following line. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nYeah, woo\n[Verse 1: Drake]\nI'm just in the cut sittin' sideways\nWay that you lookin' all the time\nTime gets to tickin' and it takes a toll\nTold you I couldn't really draw the line\nLine ringin', sayin' that you told him things\nThings that you could've kept inside\nSidetrackin' me when I was good to you\nYou were somebody I would stand behind\n[Chorus: Drake]\nI know you like to drink 'til the sun up\nGrind 'til you come up\nWork all winter, shine all summer\nRide for your brother\nYou die for your mother\nKeep that shit a hunna\nI know you wanna\nVacay to a place where you could\nTake pictures, post on Insta\nYour friends say they miss ya\nBut they don't really miss ya [Refrain: Nicki Minaj & \nDJ Boof\n]\nRule number one, to be a boss-ass bitch (\nUh-huh\n)\nNever let a clown nigga try to play you (\nOkay\n)\nIf he play you, then rule number two (\nOkay\n)\nIs fuck his best friends and make 'em yes men (\nOkay\n)\nAnd– (\nWow, that's how you feel?\n)\n[Verse 2: Drake]\nI'm just in the cut sittin' sideways\nWay that you lookin' all the time\nTime, it done left you with a broken heart\nHardly excuses how you play with mine\nMindin' my business and you show up\nUp to no good, I should've seen the signs\nSignin' me up to do your dirty work\nWorkin' to try and get you off my mind\n[Chorus: Drake]\nI know you like to drink 'til the sun up\nGrind 'til you come up\nWork all winter, shine all summer\nRide for your brother\nYou die for your mother\nKeep that shit a hunna\nI know you wanna\nVacay to a place where you could\nTake pictures, post on Insta\nYour friends say they miss ya\nBut they don't really miss ya [Outro: Nicki Minaj & \nDJ Boof\n]\nWhat the fuck, this ain't Chanel, nigga?! Custom down?!\nWhat the fuck, I ain't smokin' hot?! Bust me down?!\nYou the same clown nigga that was runnin' me down?!\nNow you all up in my…'cause you wanna be down?! (\nOkay\n)\n(\nWow, that's how you feel?\n)" } ]

[ { "from": "human", "value": "Write me a song called What Goes Around Comes Around with the following description: On “What Goes Around Comes Around”, Michael warns karma towards a girl who betrayed him. He advises that she will go through the same mistreatment and heartbreak she gave him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(What goes around, yeah\nComes around, yeah)\n[Verse 1]\nI've had my eyes on you\nFor three long years\nWhen no one else wanted you\nI took you in and held you near\nBut then, you drifted away (Drifted away)\nAfter you said you'd always stay (Always stay)\nHow could you be so mean and untrue?\nHe didn't want you until he'd seen\nWhat my love did for you, yeah (Did for you)\n[Chorus]\nOoh, baby, what goes around comes around\nI knew he'd soon be gone\nYeah, baby, he put you down, now, you're the clown\nAnd you want me to come back home\n(Yeah, yeah, yeah)\n[Verse 2]\nI've had no love affairs\nFor three long years (Three long years)\nRemember how I used to care\nWhen you were down, I dried your tears (Dried your tears)\nWho did you think was the fool?\nI let you treat me so cruel\nThis is the moment of truth for you\nDo you think your playing is through?\nI don't think I can trust you [Chorus]\nOoh, baby, what goes around comes around\nI knew he'd soon be gone\nYeah, baby, he put you down, now, you're the clown\nAnd you want me to come back home?\nYeah, yeah, yeah\nWhat goes around comes around\nHe put you down, now, you're the clown\n(Goes around, yeah\nComes around, yeah)\n[Bridge]\n(I've had my eyes on you\nFor three long years\nWhen no one else wanted you\nI took you in and held you near, yeah)\n[Chorus]\nYeah, yeah, baby, what goes around comes around\nI knew he'd soon be gone\nNow, now, baby, he put you down, now, you're the clown\nAnd you want me to come back home?\nYeah, yeah, yeah\n[Outro]\nWhat goes around comes around\nHe put you down, now, you're the clown (Clown, ooh)\n(Don't you know, don't you know, don't you know, don't you know)\nYeah, yeah, baby, what goes around comes around\nHe put you down, now, you're the clown, yeah (Clown, ooh)\n(Don't you know, don't you know, don't you know, don't you know)\nNa-na-na-na-na-na, baby, what goes around comes around" } ]

[ { "from": "human", "value": "Write me a song called ​​m y . l i f e with the following description: On “m y . l i f e,” Cole recruits 21 Savage and Morray for a track on which they discuss the struggles of their respective come-ups and the benefits of their perseverance. They also speak on what their lives could have been like if they didn’t fight to make it out.\nThe instrumental of this track was first teased in Applying Pressure, the documentary for the album. Also in the short film, Cole and 21 Savage are seen having a discussion about the album, which can be considered foreshadowing his appearance on the record.\nJ. Cole has famously avoided features on his albums since 2014 Forest Hills Drive, turning it into a cultural phenomenon. This is notably the first of two tracks on The Off-Season that contain rapping from other artists, making them the first occurrences of a guest verse on a Cole solo album since 2013’s Born Sinner. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: J. Cole]\nOh, you came there, God\nYeah, yeah, yeah, yeah\nOh, Lord\nNo matter how, \nno matter how long it take, yeah\nNo matter how long it take, nigga\nOh, God, yeah\nYou better be\n[Verse 1: J. Cole]\nSpiralin' up, just like a rich nigga staircase (Spiral up)\nNo fly zone, please stay the fuck out my airspace (Out my face)\nNiggas say things behind backs that they wouldn't dare say (Dare say)\nKnow it's on sight when I see you, I'm workin' at Squarespace\nYeah, top of the mornin', I know that you thought I was dormant\nWoke up early from shots that were swarmin'\nA block full of opps, now the cops in an orbit\nGuess somebody got popped, now thеy knockin' on doors\nTryna find an informant but I ain't see Nathan\nI'm mindin' my business as God is my witness\nNo weapon gon' prospеr that’s formin' against me\nNigga, I'm starvin', immensely\nKnow when I'm done with these songs, you gon' miss me\nJa Morant, I'm on my Grizzly\nYou niggas just cubs but no, not the ones in the big leagues\nAfter \nThe Fall Off\n, I promise I'm comin' to sellin' out Wrigley's\nNigga, I'm just a product of poverty, full of narcotics to profit off quickly\nMy family tree got a history of users that struggle with demons\nNot really the hustler instincts\nTherefore, often, my pockets was empty\nSo while some of my partners was servin' up rocks on the corners, the project assemblies\nMe, I was startin' to envy, wanna be on the top where it's plenty\nWanna be in the spot like where every bitch want me like Rihanna droppin' new Fenty\nWhat I see in the sky, the 'Ville is the ceilin', can't reach up too high, evidently\nNah, shit, I can't reach up too high, evidently\nNever seen no one drivin' a Bentley\nI can't be out here moppin' up Wendy's [Chorus: Morray, \nJ. Cole\n, \nMorray & J. Cole\n]\nMy life is all I have\nMy rhymes, my pen, my pad\nAnd I done made it out the struggle, don't judge me\nWhat you sayin' now won't budge me\n'Cause where I come from (\nCome from\n), so often (\nSo often\n)\nPeople you grow up with layin' in a coffin\nBut I done made it through the pain and strife\nIt's my time now, my world, my life, my life\n[Verse 2: 21 Savage]\nSay what? The stuff that I've seen got me traumatized\nI let the K go when Johnny died\nSwangin' that muhfucka' side to side\nWe don't participate, ain't with that squashin' shit, all we believe in is homicide\nI got a good heart, so I send teddy bears every time we make they mommas cry\nI pray that my past ain't ahead of me (21)\nWhen I'm in love, I love heavily (On God)\nIf you betray me, you dead to me (21)\nI disrespect you respectfully (Straight up)\nI got some partners who left this Earth\nMaybe the pain made a better me (On God)\nJust know that they secrets is kept with me (On God)\nI feel like the streets is in debt with me (Straight up)\nI gave my heart away to all the dawg hoes 'cause that's who accepted me (21)\nI blame my pops for that shit 'cause if he didn't fail, he could've corrected me (21)\nGive all the props to my momma 'cause no matter what, she always protected me (On God)\nI promise you, it ain't no checkin' me (On God)\nJump in the water, get wet with me (Straight up, 21, 21)\nYou want my money or wanna have sex with me?\nCan't let the opps or the law get the best of me\nI get to answerin', you get to testin' me\nI see chicken, you niggas is breast to me\nPlanted a seed but it ain't a sesame\nCan't let you niggas or bitches grow next to me [Chorus: Morray, \nJ. Cole\n, \nMorray & J. Cole\n]\nMy life is all I have\nMy rhymes, my pen, my pad\nAnd I done made it out the struggle, don't judge me\nWhat you sayin' now won't budge me\n'Cause where I come from (\nCome from\n), so often (\nSo often\n)\nPeople you grow up with layin' in a coffin\nBut I done made it through the pain and strife\nIt's my time now, my world, my life, my life" } ]

[ { "from": "human", "value": "Write me a song called 6 God with the following description: On October 25th 2014, the day following his 28th birthday, Drizzy released the full version of “6 God,” along with “How Bout Now” and “Heat of the Moment,” dropping the songs early due to a hack-attack. The track was later included on If You’re Reading This It’s Too Late. The track famously samples “Haunted Chase” from Donkey Kong Country 2’s soundtrack, with the addition of a set of hats and booming basses.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Boi-1da and SykSense]\n[Intro]\nRrrr ting (Brrt, brrt)\n[Verse]\nI'll admit it, I'll admit it (Ga, grrra-ga-ga-ga-ga)\nWatch your motherfuckin' tone, boy (Watch that)\nGet hurt, boy (Get hurt)\nAww, here go another muhfucker that don't understand\nThe concept of puttin' money first, boy (First)\nI'm 'bout to hit you with the work, boy (Work)\nI'm 'bout to hit you with the work, boy (Work)\nI hate comin' through stuntin' on niggas that I know\nAhh, that's the worst, boy \n(Worst)\nI'll admit it, I'll admit it (I'll admit it)\nYou haven't been the man for like a minute\nI told you that I'm in it for the long haul\nYou can really get the business (Get it)\nI'll admit it, I'll admit it (I'll admit it)\nRolling swishers, hittin' swishes\nGot me feelin' like a ball hog\nI don't pass 'em when I get it (Naw)\nI'll admit it, I'll admit it (Why?)\nYou too worried 'bout the bitches (What you worried 'bout?)\nI got one girl, and she my girl, and nobody else can hit it (Try a ting)\nShe'll admit it, she'll admit it (Try a ting)\nShe ain't fuckin' with you niggas\nAnd just like every single other thing in my life\nYou can have her when I'm finished (Why?)\nI hear the talk on road is I'm the shit, boy\nPhone call back home, shit is hot up in the 6, boy (Hot up in the 6)\nShit hot up in the 6 right now\nShit hot up in the 6, boy (Hot up in the 6)\nShit is hot up in the 6 right now (Ga, ga, ga)\nCome see us and get it fixed, boy (Hey)\nBlack Benz on the road, boy (On the road)\nAlready had a Rolls Royce (On the road)\nSold a couple Bentley last week\nThem were my old toys (Man, this shit is old)\nI give a fuck about old boy (Man, that boy old)\nI give a fuck about his squad, boy (Man, that thing old)\nI give a fuck about your mob, boy (Oh)\nI'm the real 6 God, boy (Woah)\nI'm about to say a true thing (Yeah)\nI'm about to say a true thing (Yeah)\nYou was poppin' back when Usher wore a U-chain\nGoddamn, you changed\nI put it on 'erything, it's a Rrr Ting\nIt's a OVO come through murk things\nI know you heard things\nBitch, I know you heard things [Outro]\nYeah, I know you heard things, I know you\nI'm not new to this\nComing from the motherfucking 6 side\nI'm not new to this\nNiggas wouldn't make it on this side\nI'm not new to this, I'm not new, I'm not new\nYeah, I know you heard things\nNobody really likes us except for us\nYeah, all I ever needed was the squad so that's what's up\nYeah, my sound got the whole city in your way right now\nYeah, so I don't give a fuck about what anybody sayin' right now" } ]

[ { "from": "human", "value": "Write me a song called Baby/Where Did Our Love Go (Cover) with the following description: Mash up of Justin Bieber & The Supremes’s song performed by Little Mix for Week 8’s XFactor under the theme of “Guilty pleasures”.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Leigh-Anne, \nJesy\n, \nAll\n, \nJade, Perrie & Leigh-Anne\n]\nI know you love me, I know you care\nJust shout whenever and I'll be there\nYou are my love, you are my heart\nAnd we will never, ever, ever be apart\nAre we an item? (\nWoo!\n) Boy, quit playing (\nOh-oh-oh\n)\nWe're just friends, what are you sayin'? (\nSaying\n)\nSaid, \"There's another\" and looked right in my eye\nMy first love broke my heart for the first time and I was like\n[Chorus: All]\nBaby, baby, baby oh\nLike baby, baby, baby, oh\nLike baby, baby, baby, oh\nThought you'd always be mine, mine\n[Verse 2: Perrie, \nJesy\n, \nLeigh-Anne\n, \nJade\n]\nAnd I'm in pieces, baby, fix me\nAnd you shake me 'til you wake me from this bad dream\nI'm going down, \ndown\n, \ndown\n, \ndown\nAnd I just can't believe my first love won't be around\n[Bridge: Jade]\nBaby, baby, baby\nWhere did our love go?\nOoh, don't you want me? (Baby, baby, ooh, baby, baby)\nDon't you want me no more? (Baby, baby, ooh, baby, baby)\nI've got this burning, burning\nYearning feeling inside me (Baby, baby, ooh, baby, baby)\nOh, deep inside me\nAnd it hurts so bad, woah\n (Baby, baby, ooh, baby, baby) [Chorus: All]\nAnd I was like baby, baby, baby, oh\nLike baby, baby, baby, oh\nLike baby, baby, baby, oh\nThought you'd always be mine, mine\nBaby, baby, baby, oh\nLike baby, baby, baby, oh\nLike baby, baby, baby, oh\nThought you'd always be mine, mine" } ]

[ { "from": "human", "value": "Write me a song called Look Into My Eyes with the following description: Wiz Khalifa released this for free download on August 19th. It’s possible the track may be on Blacc Hollywood, and the album’s name is on the cover, but Wiz isn’t sure yet.\nhttps://twitter.com/wizkhalifa/statuses/369657970793406464\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt ain’t hard to tell I got money\nYou can see it if you’re blind\nYou can see it when it shine, you see it then it’s mine\nAlways on my hustle, always on my grind 24/7, 365\nCame up off the corner, quarters, nicks, and dimes\nNigga don’t believe me, look into my eyes\nNiggas moving pies, niggas losing lives\nNiggas doing time, they just tryna’ survive\nNiggas talking shit, see me then its fine\nBroke and rich nigga, it’s a very thin line\nSpeeding in my ride,\n \nsmoking weed, I’m getting high\nHope you niggas fire, gonna need em’ if you try\nAll black leather, all black Jordan 5's\nMoney in the bank, kay kay on my mind\nGot some niggas that I’m cool with, some gangster ass ties\nAll my niggas riding, all you niggas smiling\n[Hook]\nShades on so them haters can’t look into my eyes\nLook into my eyes, look into my eyes\nSo high that they say it’s hard to look into my eyes\nLook into my eyes, look into my eyes\nYou’ll see all the shit I been through if you look into my eyes\nLook into my eyes, look into my eyes\nYou gon’ see a real nigga when you look into my eyes\nLook into my eyes, look into my eyes [Verse 2]\nMy pops tell me I look tired when he look into my eyes\nSoon as the cameras come on I know how to look alive\nMy mom tell me I look stressed when she look into my eyes\nSo many people in my business I’m just trying to live my life\nYou can tell I took a dab if you look into my eyes\nSee them kay kay clouds floating if you look into my ride\nSay I look just like Sebastian if you look into my eyes\nKnow this whole world fucked up so I gotta raise him right\nSo we rolling, we smoking on that potent\nA boss I got my own shit, Breeze holding on that chrome shit\nHe down to let you hold it, we all the same we close knit\nRoll weed up by the ocean\n, you closing shop we open\nWe all know that the bullshit be talking and that real shit be walking\nIt’s a 9-11 I’m parking,\n \nyou ain't getting money that’s awkward\nProbably say I need a day off if you look into my eyes\nNiggas faking but I can’t I don’t look good in that disguise\n[Hook]" } ]

[ { "from": "human", "value": "Write me a song called The Cross with the following description: The Second track, from the God’s Son LP. Eminem produced the track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nBraveheart...\n[Chorus]\nI carry the cross\n, \nif Virgin Mary had an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross\nI carry the cross\n, if Virgin Mary had an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross\n[Verse 1]\nY'all can keep y'all weak beats from your corny producers\nThere's a new king of the streets, you're gonna get used to\nI was the old king of the streets, that y'all once hated\nBut now I reinvented myself, and y'all all waited\nNAS, N.A.S. mean Niggas Against Society\nNoisy I aim, not silently, \nnoose all surroundin'\n me\nI hang 'em, I string 'em up, ain't no thing, I just drop 'em\nTo which doctor you copped\nAnd you locked and it ain't what it was\nI changed it up from that pop shit, it's hard to see R&B\nRappers arguably, started fuckin' up the game horribly\n'Cause I parted the sea,\n then these novices targeted me\nBitches infatuated say they love me lyin' to me\nWhat I've discovered is my brother's tryin' to be\nThe next me, yeah I support him, but he's blinded I see\nJealousy, he love me to death — am I'm buggin'?\nI love him for life, we both still mournin' on our mothers' life\nAnd I don't need much but a Dutch, a bitch to fuck\nA six, a truck, some guns to bust\nI wish it was that simple, the last emperor, hit yo' ass\nWith the Nasty Nas diary, get out my path [Chorus]\nI carry the cross\n, if Virgin Mary would've an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross\nI carry the cross\n, if Virgin Mary had an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross\n[Verse 2]\nI can't keep a bitch 'cause none of them come before little Des\nI can't be too rich, too many hoes lined up for sex\nI can't rest until my niggas in houses with pretty maids\nWatering flowers in 'em\nWhile my niggas walk around in they trousers grinnin'\nGotta keep a lot of heat; \n.30 cals,\n 10 millimeters\n.40 cals plus the Heckler to set y'all straight\nYou too light? I shoot your freckles out\nYou too dark? The infrared show you what the TEC about\nHuh? I'm stressin' out, need more offices for bosses\nSecretaries and meetings with big sharks who mad greedy\nWe can sell mo' boats on the coast\nGive coats to the po', and give hope to the broke, then live low\nBut that ain't reality; I look happy, but under the smile You see a nigga who know, out of three women two out of three\nWill love you but lead you to they own hidden evil\nBitch! You the reason niggas be beefin', ho get on\n'Posed to be Earth\n, ain't worth the pussy that you sit on\nFrom here on it's a new day\nMillion dollars ain't what it was yesterday\nMany problems, many niggas, most involved but they fake\nHope y'all relate\n[Chorus]\nI carry the cross\n, if Virgin Mary had an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross\nI carry the cross\n, if Virgin Mary had an abortion\nI'd still be carried in the chariot by stampedin' horses\nHad to bring it back to New York\nI'm happy that the streets is back in New York\nFor you rappers, I carry the cross, I carry the cross" } ]