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[ { "from": "human", "value": "Write me a song called Switch with the following description: On June 20th 2018, 6LACK posted on his Instagram account that his second album is finally ready. On June 22nd, 6LACK dropped his single, “Switch.”\n\n“Switch” is the second solo track that 6LACK released in 2018. On July 16th, 6LACK released the music video to the single. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: 6LACK & \nTy\n Dolla $ign\n]\nI'm thinking 'bout a Yamaha (\nayy\n)\nI'm thinking 'bout a Yamaha\nTo get away from all the cameras\nI'm over it, don't wanna fantasize\nFate is 'round the corner, right (\nFate is 'round the corner right\n)\nIt hit me right between the eyes (\nHit me right between the eyes\n)\nIt's funny when they switch and pick a side\nAin't nobody gotta go through what I'm going through, no\nBut it seems like they all know what I'm supposed to do so\nLet's switch bodies for a day\nYou could me be and I could be you\nJuggle the pile of shit that's bound to come through\nYou can have it since it's automatic\n[Chorus: 6LACK & \nTy Dolla $ign\n]\nNow switch (\nswitch\n)\nTell me how it feels (\nfeels\n)\nTo be somebody else (\nelse\n)\nNow switch (\nswitch\n)\nIt wasn't what you thought it was (\nwas\n)\nAnother story to tell\n[Post-Chorus: 6LACK]\nWell, well\nWell, well, well, well\nWell, well, well, well\nWell, well\nWell, well, well\nWell, well, well, well\nWell, well [Verse 2: 6LACK]\n“So tell me lies, tell me lies, tell me lies\nYou and I ride or die\n, you and I\nEntertain these other bitches and I will not\nEntertain these other niggas, you know that\nIf I give you my heart, would you hold that?\nWould you put it up safe or would you fold that?\nIf I find out you cheating me, just know that\nI'ma kill you and that ho, ain't no going back”\nThat's what she told me, and how could I blame her?\nA small town girl, now she all famous (switch)\nMaybe it's my fault now, ain't like I've been livin' in the dark nah\nI told you everything from the start\nAnd you the one that had a change of heart\nGirl, you can have it after all the damage\n[Chorus: 6LACK & \nTy Dolla $ign\n]\nNow switch (s\nwitch\n)\nTell me how it feels (\nfeels\n)\nTo be somebody else (\nelse\n)\nNow switch (\nswitch\n)\nIt wasn't what you thought it was (\nwas\n)\nAnother story to tell\n[Post-Chorus: 6LACK]\nWell, well\nWell, well, well, well\nWell, well, well, well\nWell, well\nWell, well, well\nWell, well, well, well\nWell, well [Outro: 6LACK]\nI'm thinking I should speed it up\nTo get away from all the media\nI'm human, don't you think I had enough?\nMy woman claiming that I switched on her\nOnly 'cause I hit a switch on her\nShe wasn't really good at keeping up" } ]

[ { "from": "human", "value": "Write me a song called V12 with the following description: On “V12”, Rich The Kid teams up with Post Malone for an eerie and sad-sounding track about a fast-powered engine. They drop references to expensive cars, jewelry, and girls to flaunt their wealth.\nThis track is solely produced by Post and appears as the seventh track on Rich’s third studio album, BOSS MAN. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Post Malone]\nV6, ooh, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nTwelve gauge ready, blow shells\nV6, woah, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nDamn, she like me, I can tell\n[Verse 1: Rich The Kid]\nIs the Maybach a V12 or V6? (Skrrt)\nLil' bitch done seen the Rollie, now she seasick (Bitch)\nI want the neck, I want the head, I been fiendin' (I been fiendin')\nI think she said she want a bag, go to Neimans\nBut I'ma go'n and tell the truth, lil' mama nasty\nI can't give that bitch a dime, please don't ask me\nIt's Gucci, boy, this corduroy (Corduroy)\nWalk around with two chains like I'm Tity Boi (Like I'm Tity Boi)\nDrinkin' out the bottle like I'm Diddy, boy\nWe pull up and kill the scene, nigga, it's a casket\nWhen I went and copped the Lam' truck, I had to matte it\nI just gave her one hit, now the bitch an addict\nWhen I'm feelin' sad, I might buy a Patek\nI can tell she wanna fuck me with her friend as well\nHangin' out the roof like fuck 12 (Fuck 12)\nI got too much money, I can't go to jail (Go to jail)\nRich [Pre-Chorus: Post Malone & \nRich The Kid\n]\nSo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\n[Chorus: Post Malone]\nV6, ooh, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nTwelve gauge ready, blow shells\nV6, woah, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nDamn, she like me, I can tell\n[Verse 2: Rich The Kid]\nI can tell (I can tell)\nIf the money brand new just by the smell (By the smell)\nMight buy the bitch a Benz, a V12 (Skrrt)\nThey was closin' Barneys, had to Saks Fifth it (Had to Saks Fifth it)\nI'ma do the dash, I can't get a ticket (I can't get a ticket)\nOoh, I think they like me (Like me)\nThat's your girl? Then you better hold her tightly (Tightly)\nBetter do the right thing, nigga, Spike Lee (Spike Lee)\nIf you boss up, then you can be just like me (Like me)\nYou can cash out on a Maybach like me (Me)\nBought a mansion and my bitch she look like Angeli' ('Li)\nI was twelve, from my dad, I had stole a V (V)\nNow when I up in a foreign, I don't need a key\nYSL (YSL)\nWith the Louis, got Dior on my belt (On my belt)\nForgiato on the rims, you can tell (You can tell)\nI ain't cappin' 'cause that's bad for your health (Health, Rich) [Pre-Chorus: Post Malone & \nRich The Kid\n]\nSo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\nGo ride (\nIn a V12\n)\n[Chorus: Post Malone]\nV6, ooh, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nTwelve gauge ready, blow shells\nV6, woah, V12 (V12)\nJust shoppin', raise hell (Raise hell)\nPretty boy, baby, paint nails\nDamn, she like me, I can tell" } ]

[ { "from": "human", "value": "Write me a song called Superbowl XLV (45) Commercial with the following description: It’s important to note how the narrator speaks throughout this entire commercial. In the beginning, he asks some very stereotypical and almost ignorant questions. But the tone in his voice makes it clearly sarcastic and is obviously mocking those who ask these questions because they know nothing about the city. After he stops asking questions, he gets down to the facts that the city was built on hard work and that’s who this car was made for; the working man. He ends his speech with a very “take-it-or-leave-it” attitude that comes deep from the roots of the city.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Narrator]\nI gotta question for ya. What does this city know about luxury huh?\nWhat does a town that's been to hell and back know about the finer things in life?\nWell I'll tell ya. More than most.\nYou see its the hottest fires that make the hardest steel.\nAdd hard work and conviction,\nAnd the know how that runs generations deep in every one of us.\nThat's who we are. That's our story.\nNow it's probably not the one you've been reading in the papers\nThe one being written by folks who've never even been here and\nDon't know what we're capable of.\nBecause when it comes to luxury\nIt's as much about where its from as who its for.\nNow we're from America.\nBut this isn't New York City\n.\nOr the Windy City.\nOr Sin City.\nAnd we're certainly no one's Emerald City.\n[Selected God Choir background]\n[Eminem]\nThis is the Motor City and this is what we do." } ]

[ { "from": "human", "value": "Write me a song called Celebrity Scenarios with the following description: An early Kendrick Lamar track featured on Jay Rock’s debut mixtape, Watts Finest Vol. I.\nThis song details Kendrick’s “scenarios” in which he has sex with many famous singers and actresses. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kendrick Lamar]\nI'd like to thank everybody for coming out tonight\nI'd like to share with you, my celebrity scenarios\nI promise I won't tell baby girl\nI can hold water, I promise\n[Verse 1: Kendrick Lamar]\nI got this girl named Meagan Good\nWell, you could say that Meagan was bad\nThe way she talk dirty he done threw me the ass\nLike a quarterback Mr. McNabb\nShe introduce me to her friend Teairra Mari\nWell, see Mari put a nigga to sleep\nShe made her boy feel good even curled my feet\nNow please don't go back to Jay-Z\nIt's a rap, I used to fuck with Christina a while back\nWhich one, Aguilera or Milian, both of em\nThey did this little trick with their tongue\nI came faster than a NASCAR spinning backwards\nBrandi like to suck it she said she needed some practice\nIn the back of my bucket wasn't using no mattress\nBrooke Valentine like to take it from behind\nFace down, ass up, shit I love it when she climb\n[Chorus: Kendrick Lamar]\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin'\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin' else\nI promise, I won't tell nobody else\nI promise, I swear I won't say nothin' else\nI promise, just take off your clothes, nobody'll know\nPsych [Verse 2: Kendrick Lamar]\nAnd about Vivica\nI had her way before 50 Cent start dissing her\nOne thing I know, shit I hope he wasn't kissing her\nMan she could blow like a torch\nAnd dick without using a fork\nShe introduced me to Gabrielle of course\nUnion, had her on my backyard porch\nLegs up film rolling, action, cut\nShe looking at me like \"what happened, get up\"\n[?] fucked up so Holly came\nShit I felt that I lucked up\nGave her my last name, Trina moved on\nShe fucking with Lil Wayne now\nIt's OK, I ain't crying about my hand-me-downs\nI'ma sit back, take it for what it's worth\nBut for now I'm free, \"can you please lift up your skirt?\"\nWe can do lunch, later on be dessert\nI'll give you a job, since 106 didn't work\nOut\n[Chorus: Kendrick Lamar]\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin'\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin' else\nI promise, I won't tell nobody else\nI promise, I swear I won't say nothin' else\nI promise, just take off your clothes, nobody'll know\nPsych [Verse 3: Kendrick Lamar]\nCiara gave a nigga the goodies love tonight\nAnd Bow Wow wants to see my cars out the house\n[?] nigga maybe wanted to fight\nHe seen the burner on the draw and walked right out\nWill Smith knows exactly what I'm talkin' bout\nI had the same altercations when dealing with Jada\nBaby momma drama I start fucking Fantasia\nNothing serious, she thought of it as a favour\nAnd Lindsay Lohan, made my shit stand up\nLike a Voltron, I couldn't keep my pants up\nThe Pussycat Dolls want the fantasy of all\nLike, I'ma need some help trying to fuck all of y'all\nHour later, that's when Amerie called\nSaying \"this just one thing\"\nOK ma, \"you don't have to fiend for the ding-a-ling\"\nI'll be over there, make sure Eve over there\nI wanna see y'all mingling together\n[Bridge]\nRemember that time at my house\nRemember that time at your house\nRemember that time on the bed\nRemember that time on the couch\nRemember that time on the chair\nRemember when Nelly was downstairs\nWe all had a good time\nDidn't we all have fun\nAs celebrities can we? [Chorus: Kendrick Lamar]\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin'\nNow we can all be celebrity cousins\nAnd if I fuck I swear I won't say nothin' else\nI promise, I won't tell nobody else\nI promise, I swear I won't say nothin' else\nI promise, just take off your clothes, nobody'll know\nPsych" } ]

[ { "from": "human", "value": "Write me a song called Right Here (Human Nature Remix) with the following description: The remixed version of SWV’s song “Right Here” (titled “Right Here (Human Nature)”) was remixed by Teddy Riley.\nThe production of this song was heavily inspired by Michael Jackson’s classic recording “Human Nature”; also containing samples of Biz Markies “Nobody Beats The Biz” and Madonna’s “Don’t Stop.”\n\n\n\nThe song peaked at #2 on the Billboard Hot 100, topped Billboard’s R&B Singles chart for 7 weeks (staying on the chart for 54 weeks, making it one of the longest chart runs of all time) and topped Billboard’s Rhythmic Top 40 chart for three weeks in 1993. It sold over 500,000 copies and was certified Gold by the RIAA.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Pharrell Williams]\nS, The Double, The U, The V\n[Verse 1: Coko]\nLately there seems to be\nSome insecurities\nAbout the way I feel\nWhere I wanna be\nBoy, ya know it's with you\nNo one can do\nThe things you do to me\nNever to be mistaken\nLong as it's love we're making\nThere's gonna be some rain\nGonna be some pain\n[Pre-Chorus: Coko]\nBut as long as I know\nBoy, time will show\nOur love will grow\nAnd I know\n[Chorus: SWV]\nLove will be right here\nBe right here\nRight here\nBe right here\nNo fear\nHave no fear\nNo tears\nLove is here [Verse 2: Coko]\nTrue love, some don't believe in\nThat's just what I'm givin'\nI'm gonna keep it strong\nI'll be holdin' on to you\nNo one can do me like you do\nIt's true\nSure as the sun is shining\nOur love will keep on climbing\nThere's gonna be some rain\nGonna be some pain\n[Pre-Chorus: Coko]\nBut as long as I know\nBoy, time will show\nOur love will grow\nAnd I know\n[Chorus: SWV]\nLove will be right here\nBe right here\nRight here\nBe right here\nNo fear\nHave no fear\nNo tears\nLove is here [Interlude: Pharrell Williams]\nS, W, S, V\nS-S, W, Double-V, U\nS, W, U, V-V\n[Chorus: SWV]\nLove will be right here\nBe right here (Be right here)\nRight here (Right here)\nBe right here (Be right here)\nNo fear (No fear)\nHave no fear (Oh, oh)\nNo tears\nLove is here\n \n(Love's gonna be right here)\nRight here (Love will be right here)\nBe right here\nRight here (Love will be right here, yeah)\nBe right here\nNo fear (Love's gonna be right here)\nHave no fear\nNo tears\nLove is here\n (Love's gonna be right here)" } ]

[ { "from": "human", "value": "Write me a song called Suit & Tie with the following description: Released to much hype on January 14th, 2013 after a big reveal at midnight, this is JT’s first new song in six years. This song is from The 20/20 Experience. The music video was released one month later, on Valentine’s Day.\nCheck out his letter to his fans here.\nThis song samples Sly, Slick and Wicked’s “Sho' Nuff”. Throughout the song, you hear a part of the sample (Sample appears at 0:01 & 0:20). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Justin Timberlake & \nTimbaland\n]\nOoh-oh\nI be on my suit and tie, shit tied, shit tied\nI be on my suit and tie, shit tied, shit\nCan I show you a few things?\nA few things, a few things, little baby, 'cause\nI be on my suit and tie, shit tied, shit (\nCheck it\n)\nI be on my suit and tie, shit tied, shit\nLet me show you a few things\nLet me show you a few things\nWait a minute\nYou ready, JT?\n[Verse 1: Justin Timberlake]\nI can't wait 'til I get you on the floor, good-lookin'\nHey, going hot, so hot, just like an oven\nAnd ow! Burned myself, I just had to touch it\nBut it's so fire, and it's all mine\nHey, baby, and we don't mind all the watchin', ha\n'Cause if they study close, real close\nThey might learn somethin'\nShe ain't nothin' but a little doozy when she does it\nShe's so fire tonight\n[Chorus: Justin Timberlake]\nAnd as long as I got my suit and tie\nI'ma leave it all on the floor tonight\nAnd you got fixed up to the nines\nLet me show you a few things (Show you a few things)\nAll pressed up in black and white\nAnd you're dressed in that dress I like\nLove is swingin' in the air tonight\nLet me show you a few things (Show you a few things)\nLet me show you a few things\nShow you a few things about love\nNow we're in the swing of love\nLet me show you a few things\nShow you a few things about love, hey [Verse 2: Justin Timberlake]\nStop, let me get a good look at it\nOoh, so thick, now I know why they call it a fatty\nAnd ow! \nShit's so sick, got a hit and picked up a habit\nBut that's alright, 'cause you're all mine (You're all mine)\nAw, go on and show 'em who you call, \"daddy\"\nI guess they're just mad 'cause, girl, they wish they had it\nOoh, my killer, my Thriller, yeah, you're a classic\nAnd you're all mine tonight\n[Chorus: Justin Timberlake]\nAnd as long as I got my suit and tie\nI'ma leave it all on the floor tonight\nAnd you got fixed up to the nines\nLet me show you a few things\nAll pressed up in black and white\nAnd you're dressed in that dress I like\nLove is swingin' in the air tonight\nLet me show you a few things\nLet me show you a few things\nShow you a few things about love\nNow we're in the swing of love\nLet me show you a few things\nShow you a few things about love, hey\n[Interlude: Justin Timberlake]\nGet out your seat, Hov [Verse 3: JAY-Z]\nUh! All black at the white shows\nWhite shoes at the black shows\nGreen card for the Cuban links\nY'all sit back and enjoy the light show\nNothing exceeds like excess\nStoute got gout from having the best of the best\nIs this what it's all about? I'm at the rest-\n-Aurant with my rant disturbing the guests\nYears of distress, tears on the dress\nTry to hide her face with some makeup sex\nUh! This is truffle season\nTom Ford tuxedos for no reason\nAll Saints for my angel, Alexander Wang too\nAss-tight denim and some Dunks\nI'll show you how to do this young\n, uh!\nNo papers, catch vapors\n, get high, out Vegas\nD'USSÉ's on doubles, ain't lookin' for trouble\nYou just got good genes so a nigga tryna cuff you\nTell your mother that I love her, 'cause I love you\nTell your father we go farther as a couple\nThey ain't lose a daughter, got a son\nI show you how to do this, huh, uh\n[Chorus: Justin Timberlake]\nAs long as I got my suit and tie\nI'ma leave it all on the floor tonight\nAnd you got fixed up to the nines\nLet me show you a few things (Show you a few things)\nAll pressed up in black and white\nAnd you're dressed in that dress I like\nLove is swingin' in the air tonight\nLet me show you a few things (Show you a few things)\nLet me show you a few things (Show you a few things)\nShow you a few things about love, love, love\nLe-le-let me show you a few things (Show you a few things)\nShow you a few things about love, hey\nOh! [Outro: Justin Timberlake]\nNo, no, no, no, yeah\nOoh, ooh, oh\nYeah, hey, hey\nStill swinging the night away\nSwinging the night away, oh\nYeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called Karaoke with the following description: This is a diss on everyone that uses auto-tune (except Kanye, Wayne, and T-Pain himself) Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: T-Pain & \nDJ Khaled\n]\nDear Akon... forgive me for what I'm 'bout to say\nDear Barry Weiss, I know you told me not to worry about it man\nBut I can't let it ride\nDear God, let's make it happen\nHahaha. Ha ha! I'm trying to be you nigga (yeah nigga)\nWatch me do me, watch me do me\nWatch me do me, watch me do me, yeah!\nNappy Boy, Nappy BOY!\nDJ Khaled! Ayo Pain, I want you to go in!\nDJ Khaled let's go man, \nWe the best!\nAy, ay, ay \nLISTEN!\n[Verse 1: T-Pain]\nI got up out the streets, so I ain't gotta steal\nBut listen to the radio, it's obvious I still kill (DAMN!)\nBut y'all was in the game way before me\nSo why you want to do some shit I did in '03? (ooh!)\nI'm laying low-key, for a long time\nBut don't act like you know me, this is the wrong time\nSo grab your microphone, set your Auto-Tune\nAnd I'mma bust a verse on yo' ass like I oughta do\nI ain't no gangsta dude, ain't gotta pop and bang ya\nBut you know I'm powerful when I'm pissing off the gospel singers (ooh yeah)\nI'm trying to feed my kids, y'all niggas can die slowly\nCause to me it sound like a bunch of karaoke [Interlude: DJ Khaled & \nT-Pain\n]\nAiyyo fuck the imposter!\nFuck these karaoke niggas man!\nT-Pain, they wanna live your life man\nThese are bitch-ass-niggas, man!\nIt's the DJ Khaled, Nappy Boys\nI'm going in, I'm going in\nAyo, T-Pain-\nYou know what Khaled, I know you right dog, let me get 'em again though\nTalk to them!\nAy, ay, listen\n[Verse 2: T-Pain]\nIt ain't all bad, some of it please me\nBut the only niggas that's cool is Kanye and Lil Weezy (Damn!)\nI'm a hit-maker, not a comedian\nSo why the fuck were these niggas laughing at me when I seen they ass? (Ooh!)\nThis shit will never work, a one-hit wonder bitch\nBut all that shit that you doing now make me wonder this\nNow why it's cool for you, but it's not for me?\nAnd why he ain't hop on my song and make it hot for me?\nBut you don't give a fuck, you just a swagger jacker\nNow I'm a certified Lamborghini-ist and Cadillac-er (ooh yeah)\nCause I'm trying to feed my kids, y'all niggas can die slowly\nCause just to me, it sounds like a bunch of karaoke [Interlude: DJ Khaled & \nT-Pain\n]\nY'all singin' the same old song\nY'all some karaoke niggas, karaoke fuck niggas\nThis is Nappy Boy, this is DJ Khaled!\nWe global with this hood shit, this what we do!\nWhy you wanna live our life?\nYou wanna live our lifestyle, aiyyo T-Pain!\nWhat up Khaled?\n Get 'em\n[Verse 3: T-Pain]\nYo, let me get a moment of silence, for the late great \nRoger Troutman\nY'all niggas ain't holdin' him down, so we had to put me at you\nBitch, I'm Teddy Pain, the son of Teddy Riley\nThe father of the game, you pussy niggas wild'n\nHow many niggas really wanna test?\nPain the originator, Khaled be the best\nAll these motherfuckers tryin' to do what I did\nStealing food from an infant, style from a kid\nTwenty-four years, twenty-four cars\nBitch we the best, we got plenty more stars\nEvery time you pussy motherfuckers try to stop me\nIt's plenty more hits, plenty more bars\nYeah, that's not cool baby, so that's not happening\nY'all keep on stealing from me, let me try this rapping thing\nI know you know I hear you, isn't that embarrassing?\nSet the game on fire, Teddy Gasoline\nPussy niggas step up if you really got good game\nI got a lot of shit to say about a nigga, but it's really not good things\nThat ain't no disrespect man, y'all keep doing your shit\nBut my daughter told me to tell you to get off her daddy's dick [Outro: DJ Khaled]\nAiyyo Pain, man I'mma call these niggas out\nI'mma pull them skirts, man\nThey fuck - ayo, let me get them!\nFUCK IT!\nIt's the DJ Khaled don-dada\nBig dog pitbull Terror Squadian\nA.K.A. WE THE BEST!\nA.K.A. shit on niggas dot-com!\nA.K.A. Nappy Boy, bitch!\nWe global... we global" } ]

[ { "from": "human", "value": "Write me a song called Street Dreams II with the following description: “Street Dreams II” is the sequel to “Street Dreams,” a track that Logic never officially released, but wishes he had been able to.\nHe used the song to pay homage to Big L, who Logic has mentioned to be one of the key influencers as he honed in on his craft of rapping.\nSimilar to its predecessor, Logic creates a fictional story about a series of events. He robs a store with his in-house producer, 6ix, similar to he was with his ex-friend, Shy Grey (aka Castro) in the first song, and pulls off other mischievous acts, but in the end, it’s revealed to be a dream. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nUh, suddenly I'm in the whip, with the gat, full clip\nOut the blue, like a crip\n, doin' 90 on the backroad\nOutta nowhere my girl hit me on the bat phone\nI could hear it in her voice, know she just wasn't alone\nThen a voice I didn't recognize\nSaid \"If you wanna' see your wife alive, bring a million in cash and she's gonna survive\"\nLook at the clock, pitch black, it's 11:05\nHung up the phone, you know I put that shit in hyper-drive\nThen I call my homie 6ix to tell him I'ma need his help\nI'ma be outside in five, get the gat under ya belt\nThen I felt the sweat from my palm on the steering wheel\nI tried to shake it, man, I can't believe this shit is real\nHeart pumping on the 101, this shit right here ain't no fun\nLive and die by the gun, get you some\nYeah, I pull up to the crib, pick up 6ix, now we out this bitch\nOnly thing that's on my mind is \"Put this fucker in a ditch\"\nSoon as I get there, boy, I'm lightin' up that ass\nI'ma fill him with lead and they never finna count the cash\n'Til I look up at the dash and realize I'm out of gas\nSo I stopped at the station, piss like probation\nTell my boy to fill up as I head inside to pay\nOpen the door and see a white guy at the counter named Clay\nPull out a 50 and told him to hurry\nHe movin' slow like he ain't got a worry in the world\nAnd a attitude; maybe I was actin' rude\nHold up, if the person you love was kidnapped, what would you do?\nHe saw my gat in my jacket and froze\nI told him I ain't want no problem but he chose\nTo reach for the shotty anyway, so I blew him away\nJust tryna get some gas, now his brain's blast (uh)\nFrozen, thinkin' 'bout what just happened, now it's in the past\nJump in the whip 0 to 60, yeah, we out fast\nSee that red and blue flash, damn, the cops is on my ass (\n*Sirens*\n)\nHear them sirens, flashing lights in my rear view\nThis shit like a movie in a theater near you\n120 now, I feel like OJ\n(\nThe cops are gonna get us\n)\nNo they won't, everything will be okay\nSwerve left, swerve right, now they almost out of sight\nFinna pull under the bridge, they won't spot me here at night\nSlow it down, play it cool, mama, she ain't raised no fool\nSit back, breathe slow, (\nHoly shit!\n), there they go\nMan they found us, I don't know how but they came around us\nFuck the police, no, they never do astound us\nIn the back of my mind, I know I gotta get the cash\nIt's in my secret stash, wish I had another path\nOut the window I can hear the bullets blast, wish I had a mask (\n*Gunshots*\n)\nMake it to the crib, that's my only task\nAdrenaline in my body, could take on anybody\nComing down to the wire, they blew my tire then we flip [Interlude]\n*Car crash*\nFreeze you motherfucker!\n (\n*Gunshots*\n)\n6ix, come on get up!\nI'm shot, I'm shot!\n What? \nI'm shot!\n (\n*Gunshots*\n)\nGet the fuck on the ground!\nAww, fuck, fuck!\nThey got me!\n[Verse 2]\nHe bleedin' slow, blood dripping from his torso\nWill he ever get to see his son grow?\nWhat's the picture they gon' paint after he go?\nLast song he ever sung when the bullet hit his lung\nMan, I shoulda never called, he'd be alive if he ain't come\nAll he tried to do was help save my wife\nWish I could've saved his life, I wish I could take it back\nNow my best friend's life curtain call, fade to black\nIt just ain't no turning back, pulled out the gat\nAnd put a bullet through the man in blue and it came out his back\nJump in the whip, no looking back\nFirst time in the front seat of that white and black\nSide streets through the city, ain't nobody fucking with me\nYeah, you know I had to duck 'em all, \nscreamin' \"Motherfuck the law\"\nNext thing I saw was a block from my crib\nThinkin' 'bout my shorty, she my rib\nPull up in the driveway\nNo cops in sight but just might somehow pull up my way\nOpen the stash, get the cash, now I'm back out\nSo I put the Audi in reverse and then I back out\nLook at the addy in the text with my girl whereabouts\nFive minutes later, now I'm creeping in a warehouse\nLot of goons, lot of guns, now I'm shooting just for fun\nI don't give a fuck where they come from, I'm killing everyone\nFinally make it to the back, all alone, pitch black\nHear a sound, what was that? Think it came from over there\nLights on, now I see my wife, she's tied up to a chair\nWith a gun to her head and a man gripping her hair\nAll I did was stop and stare, he took the gag out of her mouth\nAnd she started calling my name (\nBobby!\n) but didn't seem to be in pain\nReally shaken up (\nBobby!\n), I felt like I was waking up\nSo I shot him quick in the neck and he hit the floor (Bobby)\nBefore I untied her, I shot him four more times\nPut a bullet in his spine, was he dead? (\nBobby!\n) Let's see (\nBobby!\n)\nStaring at the man, gun in his hand, it couldn't be (\nBobby!\n)\nThe man who kidnapped my wife (\nBobby!\n) was me (\nBobby!\n) [Outro: Logic & \nKevin Randolph\n]\nBobby!\nWhat? What—what?\nMan, get your ass up nigga, we at the studio!\nSay what?\nDamn, man. C'mon, hurry up, man! What's wrong with you?\nWake up, here. Come on\nWait, we're at the studio right now? We're here already?\nDamn, man, since you started smoking weed you always fucking late!\nMan, shut the fuck up Kev\nStoney Bob neck ass" } ]

[ { "from": "human", "value": "Write me a song called Alright with the following description: This song was an iTunes bonus track from Twista’s 2009 album Category F5, and the first collaboration between Twista and Kanye since Impossible in 2006. The beat contains an interpolated sample of a clip from Drag Rap by The Showboys.\nhttps://youtu.be/4hR_0POjBs8?t=130 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kanye West]\nOn a scale of one to ten, what do you rate yourself\nHere's some champagne, hydrate yourself\nI know I'm lookin' good, you lookin' great yourself\nI mean you shittin' on these bitches, you should hate yourself\nMy style so cold, I could skate myself\nBut I go so hard, I could make it melt\nI mean the flow so solar every bar, could power an electric car My, my, my, whips is side-by-side, he just talkin', mine's outside\nDo you mind if I take you on a test, do you have all-wheel drive\nAnd if that baby purr, I'm gonna baby her\nBitches gon' hate and maybe worse\nCause your ice so brrr I copped you a baby fur just to work\nI know you was on pur-pur, but this is a whole new arena\nSee, niggas come by talkin' bout they make it rain\nI'll make that bitch Katrina\nMr. Kanye Omari, with my Entourage, \nno Ari\nAnd a motorcycle jacket, no Harley\nShe said dude, that's cool (Gnarly)\n[Chorus]\nAlright alright, alright\nAlright alright, alright\nAlright alright, alright\nAlright, alright\n[Verse 2: Twista]\nTwista where you at, abracadabra, did he vanish\nHurry up and come out, but I ain't want to panic\nI say that I'm in the zone, but they don't understand it\nPhysically I'm here, but mentally I'm on another planet\nAnd it only kinda made 'em look at me like I was stupider\nNow they askin' which planet, is it Jupiter\nSo I let the money show cause I know stacks could talk\nI'm mackin' on bitches with my intergalactic thoughts\nIn my Mercedes Benz, pull up on a chick\nAnd holla at her and her lady friends\nLike as rich as an Arabian, I'm kickin' pure flows\nEuros they pay me in for what I put together in the dungeon\nI'm lookin' for a UK chick with a nice onion\nNever beat it up like Paul Bunyan\nAnd I can't believe they let an American Werewolf in London\nEspecially when drinking G's with a tonic\nSteady be trippin' while smokin' on the hydroponic\nWhen I spit it like this they be callin' me bionic\nKanye with the Twist, nigga (how ironic)\nAnd I'm astonished haters don't wanna see me on\nThey wanna know how Twista get the easy dome\nSwag off the chain, twenty-threes be chrome\nArtful Dodgers with the Yeezys on (Gone) [Chorus]\nAlright alright, alright\nAlright alright, alright\nAlright alright, alright\nAlright, alright\n[Verse 3: Twista]\nI'm blowin' on flame but yours is all white\nAnd I'ma pull up in the Bentley all white\nStep up in the club with nothing but all dykes\nSippin' on some Louis and partyin' all night\nPhony-ass people, I don't feel they demeanor\nSo I hop in the rocket and go and chill over Venus\nOne of rap's heroes, who came from zero\nMakin' something out of nothing, call me Gilbert Arenas\nNow I'm fuckin' with divas that rock the stadiums\nBlow my brains back 'til my face be numb\nI am the shit, It don't make me numb\nRockin' wit a swagger like I got an eight-feet gun\nAnd my flow be colossal cause I spit the impossible\nWhether with rhythm no limit to what I can do\nSee through a prism when I conquer an obstacle\nAnd always get money no matter how illogical\nI follow through because, uh\n[Chorus]\nAlright alright, alright\nAlright alright, alright\nAlright alright, alright\nAlright, alright" } ]

[ { "from": "human", "value": "Write me a song called World Wide with the following description: On “World Wide,” he talks about the road that he has traveled and thanks the fans for support him this far.\nLogic took to Facebook and asked all of his fans to call him and leave a brief message on why they love his music:\n\nIn Just Another Day Ep. 10, it shows Logic recording the first verse.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHahahaha!\nOh you gon' highlight shit? (Hahaha)\nGon' get jealous like shit? (Hahahaha)\nI hope you record it like shit? (Hahaheheheha)\n'Cause I am GRVTY like shit? (Hehe fuck)\nAnd I am, sleep tight\nWait, wait, are you recording?\nAnd to immediately get into our show\nI want to bring out the host of tonight's show\nYou all know him\nA very wonderful, wonderful personality of show business\n[Verse 1: Logic]\nNow ain't it funny how the whole thing changed\nThey said I'd never make it, now their words rearranged\nI went from nothing to something\nBut I was something all along\nWho you know on the come-up doing numbers in Hong Kong?\nGot fans in LA, got fans in NY\nGot fans down in Atlanta and all the way to the Chi'\nWe world wide (World wide)\nWorld wide motherfucker\nThey think we pay for promotion but our strength is in numbers\nIt's so comical, so hilarious\nAll these stupid groupie bitches want to marry us\nAnd just a year ago, I had to pay to perform\nAnd now venues across the country dropping stacks to go on\nI've been working for years and sometimes I get heated\nBut those who don't learn from history are doomed to repeat it\nI do it for the fans, they know what the message is\nRattPack is world wide, don't believe it? Check the messages [Interlude: Fans]\nI love you! Come to Miami please! Um, you're perfect, you're beautiful, ok, bye I love you! Bye! Bye bye, we love you\nYo, what up Logic? My name is Adam [?] and I'm currently living in Tokyo. I'm a huge fan of your music and you're doing great stuff for the rap game\nHi Logic! This is Melissa, I'm calling from Paris. I really like your music, I love your lyrics. Keep making us happy with your music. Kisses from France. Bye!\nSup Logic, it's, uh, Jason here from London calling you. Your music is dope, uh, I love what you do. We're waiting for you over here and we'll take care of you as soon as you come here\nYo Logic, what's good man? My name is Brandon, I'm 18 years old, I'm from Switzerland, I'm a huge fan, man, keep up the good work. Keep it comin' bro, you know?\nYo, yo, I'm from Brazil, nigga, Logic is the shit. Young Sinatra\nHey, this is Tyson from Cobalt, Ontario, Canada, your music's the shit. Keep up the good work\nHey Logic, my name's Amanda, I am from Puerto Rico. Oh my god, like, if I ever met you, it would be the happiest day ever. I would love it if you came over to Texas, I would fly all the way over there to come see you. Bye!\nHey, my sweetheart, I just wanted to tell how much I love your music. Keep doing what you're doing because we all love you so much. Te queremos mucho, bye\nHey Logic, I'm from Canada and I fuckin' love your music\nLogic, it's Jacob from Alaska, just wanna tell you that you're the shit\n[Verse 2: Logic]\nAnd now I'm back but I'ma switch the style up\nWe moving at high speed, these fuckers is dial-up\nYou know I formulate my words like a dissertation\nSo let a brother proceed like litigation\nI know you feel this deep inside of you, no penetration\nWe got something for everybody but in moderation\nYou gotta crawl 'fore you walk, I ball but you block\nShare knowledge like it's stocks \nsince the West Deer Park\nBack in the days a 9 millimeter strays that grazed\nMy old apartment\nWherever I dreamed, that's where my heart went\nNow, as a baby my Mama was on the bottle\nCouldn't wait 'til I was of age to hit the lotto\nOr the throttle and I'm gone\nLike fuck the world, all I had was music and my girl\n'Til that shit fell apart and this life unfurled\nNevertheless, I attest \"Am I blessed?\" Hell yes\nOccasional stress, but I only bite what I can digest\nBack in the day it was jeans and white tee's\nNow I got so many sponsors I can't keep up with the companies\nNow I'm not bragging about material possessions\nI'm trying to teach you a lesson about business and progression\nAnd what happens when you perfect the image in your profession\nAin't no second guessing, you know it's all about perception\nI used to talk about the things I wasn't really doing\nBut I had to visualize it before I began pursuing it\nYeah, huh, and now a motherfucker doing it\nBut business aside, it's been a beautiful ride\n'Cause I do it for the fans and brush the haters aside\nI can't wait for the day I'll look within the eyes of my bride\n'Cause every lion needs its queen to make its children its pride\nBut these haters really don't know what the message is\n(Message is)\nDon't know what the message is\nOnce again, don't believe it? Check the messages [Interlude: Fans]\nSup Logic, um, I'm from Danbury, Connecticut\nYo what's up, Logic? This is Steven from San Antonio, Texas\nYo, what up? My dude Logic, yeah I'm from same old West Deer Park, man, it's ya boy [?]\nHey Logic, this is Sarah [?], your number one fan from Detroit\nYo Logic, it's [?] off from Gaithersburg High School! You know, you know, you know, you know, bitch you know! Yeah, your music real dope, son. I be cranking that shit with my mom and shit\nDude, what's up? I'm from Maryland. I'm from College Park, University of Maryland. I've seen all of your videos\nWhat's up, Logic? I'm from Santa Cruz, California\nYo man, I'm from San Jose\nWhat's good, Logic? From Pittsburgh, Pennsylvania\nAyy yo, what's up, Logic? It's Mike Mays, I'm from the bay\nYo, what up, Logic? This Daniel [?] from Forstmann, Arkansas\nHey, it's Michala from Portland, Oregon\nAlbuquerque, New Mexico\nAustin, Texas\nCincinnati, Ohio\nLong Island\nI'm from Virginia\nSouth Dakota\nChicago, [?] area\nNew York\nGrandswood, North Carolina, dude!\nAnaheim, in California\nColorado, North Eastern Nevada\nMaui, Hawaii\n[?], California\nSouth Carolina\nNew York\nLos Angeles, California\nThe Bronx, New York\nLos Angeles, California\nRaleigh, North Carolina\n[?], Florida\nColorado\nTexas I love you. *laughs* I sound like the-\nI love you!\nI love you. *laughs*\nHey, I'm just calling you, and I hope you hear this but I think you're sexy as hell\nYou're such a genius and I totally admire your work\nI love your music, like, you don't even know, like, there's no words to explain how much I love your music\nI really, really, really, really, really love your music\nI love your music\nI freakin' love your music, you're amazing! Loving every bit of all of your new music\nI fucking love your music\nI love your music\nI love your music\nOh my god, Logic! I'm a true BobbySoxer!\nI'm a BobbySoxer all day, every day. I will forever rep it\nBobbySoxer\nBobbySoxer all day\nRattPack, RattPack, boy! All day\nRattPack for life\nRattPack for life\nRattPack all day\nRattPack 'til I die. I am in love with your music\nYoung Sinatra\nYoung Sinatra\nYoung Sinatra\nYour music, it like, truly inspires me\nYour music is definitely inspirational\nYou're my favorite rapper!\nAll I do is grind, all I do is get this money, all I do is rhyme\nAight nigga, we fucks with you up out here\nMan, I bump your shit all day, dude! Playing that purp durp skurp durp to your shit, dude\nLogic, you are my idol\nWhat's good, Logic? It's Dalton Cole from Los Angeles, California, man! Know what I just love about your music is that it's just a variety of everything and that's what the world needs! A variety of taste and not just one kind of thing, you know? Leading people to all different things 'cause that's what makes the world a beautiful place it is, is by- it's not just looking at one thing but just sharing all the different genres and I'm just grateful for that, man. That somebody's doing that and I'm just grateful to be your fan. Making music for the world and for the good, and that love is deliberated, brother, so, thank you\n[Outro]\nI just want to take a, take a moment of your time right now. I just want to thank everybody. I'm nothing without the fans, I'm nothing without my team. It's been a long journey, and this is just the beginning. Thank you all so much. I truly, I truly love you all from the bottom of my heart. Man, this shit is crazy. Since day 1, I been at it. I know I probably sound real, real tired but, shit, the whole RattPack been up for the like past 4 days trying to finish up this mixtape. It's just been crazy. But you already know what it is. Logic, Young Sinatra, shout out to the Bobby Soxers, RattPack all day, Visionary. I love ya'll\n(Sinatra)" } ]

[ { "from": "human", "value": "Write me a song called Can A Drummer Get Some with the following description: As the album’s (almost) title track and intro, “Can A Drummer Get Some” sets the stage for the entire album. Travis comes out swinging, making it clear from the jump that this album is going to be like he wants it for a turn and will be awesome. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Swizz Beatz]\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a– can a drummer get\nCan a– can a drummer get\nCan a– can a drummer get\n(Can a drummer get some?)\n[Verse 1: The Game]\nBoom, guess who stepped in the room?\nDraped in black diamonds like a fucking Monsoon\nBack from the dead but they never found my killer\nSo I jumped up out the grave like Michael Jackson in Thriller\nIller than most MCs 'cause I be killin' 'em\nMost emcees turn into ghost emcees\nYeah, give a drummer some\nIf 32 Seville when that all black Hummer run\nFace/Off,\n Nicolas Cage with a gauge\nI'm famous for killing rappers, my style - grenade\nCook shit like Rae, the chef Raekwon\nThe beats are filet mignon without the A1\nWho bark like a Pitbull, you? Bitch please\nI ate your favorite rapper’s heart out with a 16\nDidn't hit the switch on something with big fiends\nMake money with Ruff Ryders, homie, that's Swiss cheese [Chorus: Swizz Beatz]\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a– can a drummer get\nCan a– can a drummer get\nCan a– can a drummer get\n(Can a drummer get some?)\n[Verse 2: Lil Wayne]\nBang, guess who checked in the game\nSmoke in the air like LeBron James\nRunning this shit like he Ron Dayne\nPull out my dick and just pee on flames\nShe on Wayne, but she ain't what I be on\nI'm beyond, I pee on you peons for eons\nI'm in my prime like Deion, I'ma shine like neon\nI'm a Lion like Leon\nBut I'm 'bout to go off, 'cause that is all I know of\nI don't have to show y'all, I'd rather show off\nYeah, Travis on the drums, Travis on the beat\nWayne got the smoke and Game got the heat\nWeezy F, I'm a F'ing star, haha\nGet it? F and star\nAnd it's the rock you bastards\nIf I'm the rock star we'll rock you bastards [Chorus: Swizz Beatz]\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a– can a drummer get\nCan a– can a drummer get\nCan a– can a drummer get\n(Can a drummer get some?)\n[Verse 3: Rick Ross]\n2Pac in Juice,\n Radames on the loose\n10 chains 'round my neck, haters wish it was a noose\nLong Maybach and I wish it was a coupe\nKush out the jar, car smellin' like Joop\nQuarter milli on the seat, yeah I know I’m a goof\nDesigner underwear she knows I’m the Gucc'\nGot the wide body, I'm a fat mother fucker\nIn Swahili I'm screaming \"stack motherfucker\"\nYa homie won't stop until I decide to\nUntil then I'm making rollies for the homies to ride to\nSmokes on the folds, folks wanna know\nBitch I'm a boss, best foot's on the blow\nKeep the hat pulled over, Big P on the front\nTravis on the drums, big weed on the blunt\nBeing Savage where I'm from, girls menage from the jump\nDon't trap me like a punk, Travis handing me the pumps, so [Chorus: Swizz Beatz]\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a– can a drummer get\nCan a– can a drummer get\nCan a– can a drummer get\n(Can a drummer get some?)\n[Chorus: Swizz Beatz]\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a drummer get some?\nCan a– can a drummer get\nCan a– can a drummer get\nCan a– can a drummer get\n(Can a drummer get some?)" } ]

[ { "from": "human", "value": "Write me a song called Forgiato with the following description: “Forgiato” is the name given to a rough, unreleased track (referred to as an ‘Idea’) by Travis Scott. Recorded in 2013, it seems the idea was never developed and the song was scrapped. It leaked online on October 6, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWith it, ayy, ayy, ayy\nWe doin' it big\nSonny Digital\nBig forever\n[Pre-Chorus]\nStraight up\nI fell asleep dreamin' (Brrr)\nI woke up freaky bitches with my semen (Straight up)\nMy momma told me break 'cause she believin' (La Flame)\nThat one day her lil' boy'll see them demons (Bless up)\nWith it, ayy, ayy, ayy, ayy\n[Chorus]\nForgiatos comin' off the boat, I don't know\nI got models, liquor (Brr), tell me what you want (Straight up)\n'Cause we wildin' up in here (Ooh-ooh)\nAnd we wildin' up in (Ooh-ooh)\nWith it, ayy, ayy, ayy\n[Open Verse]\n[Pre-Chorus]\nWith it, ayy, ayy, ayy (Straight up)\nI fell asleep dreamin' (Brrr)\nI woke up freaky bitches with my semen (Straight up)\nMy momma told me break 'cause she believin' (La Flame)\nThat one day her lil' boy'll see them demons (Bless up)\nWith it, ayy, ayy, ayy, ayy [Chorus]\nForgiatos comin' off the boat, I don't know\nI got models, liquor (Brr), tell me what you want (Straight up)\n'Cause we wildin' up in here (Ooh-ooh)\nAnd we wildin' up in (Ooh-ooh)\nWith it, ayy, ayy, ayy" } ]

[ { "from": "human", "value": "Write me a song called Heart in Pieces with the following description: On the third track of the deluxe edition of their 2020 collaborative album, Pluto x Baby Pluto, Future and Lil Uzi Vert go into detail about how they’ve been dealing with a break up that’s “left their hearts in pieces.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Uzi Vert & \nFuture\n]\nYeah, it's just me and me, uh\nI don't trust these niggas, no, it's just me and me, yeah\nUh, and these boys ain't seein' me (Ayy)\nNo, it still didn't work when you tried bein' me (\nEscomoe freezin'\n)\n[Chorus: Lil Uzi Vert]\nI been right for so long\nI don't need nothin', never doin' no wrong\nBroke nigga can't get me out of my zone\nTold that girl just to leave me alone\n'Cause I do way better when I'm on my own\nI don't know what she gon' do when I'm gone\nShe left my heart in pieces, now it's torn\nI know that I'm never coming back home\n[Verse 1: Lil Uzi Vert]\nShe left my heart in pieces, now it's torn\nI swear that my heart, it probably need bandages\nNo, I can't do nothin' with a lil' Ghost\nI had to go and just get me a Phantom, bitch\nShe said I'm hot like a motherfucking candlestick\nDon't need the lighter, bitch, I get the candle lit\nWhen you get money, don't even know what family is\nI am so famous, don't look where the camera is\nHate when they always take pictures of me\nPaparazzi always following me\nI'm givin' motivation to my niggas that's locked down watchin' TMZ\nI can not tell none of these niggas what I got goin' on\n'Cause they might tell on me\nJust to get my old flow back, I had to take some DMT\nAnd I know you got a man, but I treat you equally\nAnd you know I got a girl, but you know that cheaters cheat\nSaid I'm a dawg, she said \"Me too\", girl, walk on your knees\nShe said that she like the way I dress, I do it Japanese\nBoy, I take care of your main girl, ain't no askin' me\nOnly thing that I can say, that your girl's a nasty freak\nMake her-make her ride it slow, yeah, bring it back for me\nEvery time she's on that pole, yeah, it's the ass for me, uh [Chorus: Lil Uzi Vert]\nI been right for so long\nI don't need nothin', never doin' no wrong\nBroke nigga can't get me out of my zone\nTold that girl just to leave me alone\n'Cause I do way better when I'm on my own\nI don't know what she gon' do when I'm gone\nShe left my heart in pieces, now it's torn\nI know that I'm never coming back home\n[Verse 2: Future]\nI know you turn me on\nThrow a nigga backend knowin' it's just for me\nIt's the way she ride that pole, yeah, it's that ass for me\nCould be your showoff and I like it, I love it, personally\nIt's about levelin' up, bezelin' up, another clarity\nIt's about windin' you up and then baggin' you up\nAnd I'm doing it thoroughly, yeah\nI do it thoroughly, too international (International)\nType of nigga make a bitch bank increase, yeah\nCartier frames on the cheek, yeah\nHand-made stitch Japanese\nDrive the bitch truck 'cause it's rich ice cream (Rich as ice cream)\nPrivate party on the daily, makin' love in a Mercedes\nConcert started, got a few faded\nAin't playin' with the Ferrari, these bitches too faded\nAin't nowhere to park it, I done ran out of space\nTell me \"Go to Mars\", but I'm feelin' outer space\nIf the money get marked, then it could be traced\nTime to be real, bitch, you can't betray\nKeep the shit real, gotta make shit shake\nGotta turn up now, can't make no mistake\nGotta push more weight, get you back in shape\nShe ain't got no ways, I'ma find her a way\nFind a location, then relocate\nSomewhere off of the ocean, they can't find no trace [Chorus: Lil Uzi Vert]\nI been right for so long\nI don't need nothin', never doin' no wrong\nBroke nigga can't get me out of my zone\nTold that girl just to leave me alone\n'Cause I do way better when I'm on my own\nI don't know what she gon' do when I'm gone\nShe left my heart in pieces, now it's torn\nI know that I'm never coming back home\n[Outro: Future]\nDiamonds fallin' on you like confetti, baby\nThat's gon' mean a hater gon' have somethin' to say\nAll I ever got was fake love\nAll I ever got was fake love\nThat's the type of shit that make me cold\nThat's what make me cold\nThat's what make me cold" } ]

[ { "from": "human", "value": "Write me a song called Rumors with the following description: “Rumors” is Lizzo’s first release of 2021, and her first major release since her critically acclaimed 2019 album Cuz I Love You. Fellow rapper Cardi B features on the track, marking the first collaboration between the two. “Rumors” likely acts as the debut single to Lizzo’s follow-up album.\nThe song was teased with an a capella snippet on August 1, 2021, through Lizzo’s TikTok account, with a second one following on August 6. On August 9, she revealed Cardi B as the feature through a FaceTime call posted on her socials. The two held a livestream on YouTube ahead of the music video’s release alongside the single on the night of August 12th. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lizzo]\nThey don't know I do it for the culture, goddamn\nThey say I should watch the shit I post, oh, goddamn\nSay I'm turnin' big girls into hoes, oh, goddamn\nThey say I get groupies at my shows, oh, goddamn\n[Verse 1: Lizzo]\nAll the rumors are true, yeah\nWhat ya heard, that's true, yeah\nI fuck him and you, yeah\nIf you believe I do that\nHad to cut some hoes loose, yeah\nNDA, no loose lips\nNow them hoes tryna sue me\nBitch, I don't give two shits\nAll the rumors are true, yeah\nI've been in the bamboo, yeah\nFocused on this music\nMy ex nigga, he blew it\nLast year, I thought I would losе it\nReadin' shit on the internеt\nMy smoothie cleanse and my diet\nNo, I ain't fuck Drake yet (Ha)\n[Pre-Chorus: Lizzo]\nSpendin' all your time tryna break a woman down\nRealer shit is goin' on, baby, take a look around\nIf you thought that I was ratchet with my ass hangin' out\nJust wait until the summer when they let me out the house, bitch [Chorus: Lizzo & \nCardi B\n]\n(Talkin', talkin', talkin')\nGive 'em somethin' to talk about\nSick of rumors (Ooh)\nBut haters do what they do (\nUh\n)\nHaters do what they do (Cardi)\n[Verse 2: Cardi B, \nCardi B & Lizzo\n, \nLizzo\n]\nAll the rumors are true, yeah\nFake ass, fake boobs, yeah\nMade a million at Sue's, yeah\nY'all be runnin' with fake news, yeah\nCardi ain't poppin', no, that's a machine (Huh?)\nNobody listen, they buyin' them streams (Hmm)\nThey even post it on blogs overseas\nAnd lie in a language I can't even read\nThe fuck do this mean?\nLook, I'm a Bronx bitch with some pop hits\nUsed to pop off when they pop shit (Woo)\nBut I'm calmed down and I'm locked in\nAnd my records live in the top ten\nLizzo, teach me about big girl coochie (\nOkay\n)\nLast time I got freaky, the FCC sued me\nBut I'ma keep doin' what I wanna do\n'Cause all the rumors are\nAll the rumors are true\n, \nyeah [Bridge: Lizzo, \nLizzo & Cardi B\n]\nThey hated on me since school, yeah\nI never thought I was cool, yeah\nNow me and Cardi, we cool, \nyeah\nI love hoes on poles, yeah (Woo)\nI am body goals, yeah\nThis shit from my soul, yeah\nBlack people made rock and roll, yeah\n[Pre-Chorus: Lizzo]\nWhy you spendin' all your time tryna break a woman down?\nRealer shit is goin' on, baby, take a look around\nIf you thought that I was ratchet with my ass hangin' out\nJust wait until the summer when they let me out the house, bitch\n[Chorus: Lizzo & \nCardi B\n]\nWhat they say? (\nYeah\n)\nWhat they say? (\nYeah\n)\n(Talkin', talkin', talkin')\nGive 'em somethin' to talk about\nSick of rumors (Ooh)\nBut haters do what they do\nHaters do what they do\n[Outro: Lizzo]\nAll the rumors are true\nRumors, yeah (Yeah)\nSheesh" } ]

[ { "from": "human", "value": "Write me a song called Love You Different with the following description: On “Love You Different,” Justin Bieber taps BEAM on a dancehall and EDM-friendly cut that sees the two artists proudly sing about the love they have for their respective significant others that they feel overly grateful as they feel that it is undeserved. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Justin Bieber]\nI will love you different\nJust the way you are\nAnd I will love you different\n[Verse 1: Justin Bieber]\nYou pull up in a foreign\nYou that New York time, easy Sunday morning (Front seat)\nWhen we touch, I think we skip a beat (Beep, beep, beep)\nIt's a movie with you, got me at the edge (Let me see)\n[Pre-Chorus: Justin Bieber]\nThere’s beauty on your lips\nI drown with every kiss, I'm not used to this\nThere's nothin’ I won't give\nDon't like makin' promises, just remember this\n[Chorus: Justin Bieber]\nI will love you different\nJust the way you arе\nAnd I will love you different\nThat's what you been lookin' for\n[Post-Chorus: Justin Bieber]\nYou'rе the fruit of my life\nThat patient kind, that tongue got me tongue-tied\nAnd that's why I will love you different\nJust the way you are [Verse 2: Justin Bieber]\nNo matter how different, you’re beautiful\nI can’t make this up, no, baby\n, ain't no need to beat your face in\nFenty,\n want you on the cover, undercovers ain’t no rubbers\nOn this planet, I'll treat you like a mother, let's make babies\n[Pre-Chorus: Justin Bieber]\nThere's beauty on your lips\nI drown with every kiss\nI’m not used to this\nThere's nothin' I won't give\nDon't like makin' promises\nJust remember this\n[Chorus: Justin Bieber]\nI will love you different\nJust the way you are\nAnd I will love you different\nThat's what you been lookin' for\n[Post-Chorus: Justin Bieber & \nBEAM\n]\nYou're the fruit of my life\nThat patient kind, that tongue got me tongue-tied\nAnd that's why I will love you (\nOoh\n) different (\nOoh\n)\nJust the way you are [Verse 3: BEAM]\nI and I need you in my life\nEven when the fire burnin', I need you fi di light\nIt's a different night with you right by my side\nYou mix the color, color, color, color, see the future bright\nThis the mutual, it's not usual when I'm around you, I-I-I (Oh)\nDem goosebumps, dem goosebumps, the truth hurt and you know\nA real ting we feel this time (Oh)\nYou gimme goosebumps, yeah, yeah\n[Chorus: Justin Bieber]\nI will love you different\nJust the way you are\nAnd I will love you different\nThat's what you been lookin' for" } ]

[ { "from": "human", "value": "Write me a song called Stone Cold Crazy with the following description: Off the 1974 album Sheer Heart Attack Though not released as a single, “Stone Cold Crazy” was in heavy rotation in Queen concerts during the 1970s. It’s been called “thrash metal before the term was invented.” The tongue-in-cheek lyrics go through the mind of someone who’s mad as hell, and thus gets a bad rep.\nFreddie played an early version in the late 60s with his first band, Wreckage. It was the first song Queen performed live in 1970, but it underwent many changes musically and lyrically before getting recorded, resulting in credit going to the entire band.\nIn 1990, Metallica covered the song for Atlantic Records 40th anniversary compilation Rubaiyat. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Guitar Intro]\n[Verse 1]\nSleeping very soundly on a Saturday morning\nI was dreaming I was Al Capone\nThere's a rumour going round\nGotta clear out of town\nYeah, I'm smelling like a dry fish bone\nHere come the law\nGonna break down the door\nGonna carry me away once more\nNever, never, never get it any more\nGotta get away from this stone cold floor\n[Chorus]\nCrazy (stone cold crazy, you know)\nWoo! Aw!\n[Guitar Solo]\n[Verse 2]\nRainy afternoon, I gotta blow a typhoon\nAnd I'm playing on my slide trombone\nAnymore, anymore, cannot take it anymore\nGotta get away from this stone cold floor [Chorus]\nCrazy (stone cold crazy, aw! You know)\n[Guitar Solo]\n[Verse 3]\nWalking down the street, shooting people that I meet\nWith my rubber tommy water gun\nHere come the deputy\nHe's gonna come and getta me\nI gotta get me get up and run\nThey got the sirens loose\nI ran right outta juice\nThey're going to put me in a cell\nIf I can't go to heaven\nWill they let me go to hell?\n[Chorus]\nCrazy (stone cold crazy, you know)\n[Outro]\nOw!" } ]

[ { "from": "human", "value": "Write me a song called July 7th 2016 - BEYONCÉ.COM Homepage Update with the following description: In response to the July 5, 2016 murder of Alton Sterling and the July 7, 2016 murder of Philando Castile by the hands of police officers, the homepage of beyoncé.com was updated July 7, 2016 with a stark call-to-action to stop police brutality. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "WE ARE SICK AND TIRED OF THE KILLINGS OF YOUNG MEN AND WOMEN IN OUR COMMUNITIES.\nIT IS UP TO US TO TAKE A STAND AND DEMAND THAT THEY “STOP KILLING US.”\nWE DON'T NEED SYMPATHY. WE NEED EVERYONE TO RESPECT OUR LIVES.\nWE'RE GOING TO STAND UP AS A COMMUNITY AND FIGHT AGAINST ANYONE WHO BELIEVES THAT MURDER OR ANY VIOLENT ACTION BY THOSE WHO ARE SWORN TO PROTECT US SHOULD CONSISTENTLY GO UNPUNISHED.\nTHESE ROBBERIES OF LIVES MAKE US FEEL HELPLESS AND HOPELESS BUT WE HAVE TO BELIEVE THAT WE ARE FIGHTING FOR THE RIGHTS OF THE NEXT GENERATION, FOR THE NEXT YOUNG MEN AND WOMEN WHO BELIEVE IN GOOD.\nTHIS IS A HUMAN FIGHT. NO MATTER YOUR RACE, GENDER OR SEXUAL ORIENTATION. THIS IS A FIGHT FOR ANYONE WHO FEELS MARGINALIZED, WHO IS STRUGGLING FOR FREEDOM AND HUMAN RIGHTS.\nTHIS IS NOT A PLEA TO ALL POLICE OFFICERS BUT TOWARD ANY HUMAN BEING WHO FAILS TO VALUE LIFE. THE WAR ON PEOPLE OF COLOR AND ALL MINORITIES NEEDS TO BE OVER.\nFEAR IS NOT AN EXCUSE. HATE WILL NOT WIN.\nWE ALL HAVE THE POWER TO CHANNEL OUR ANGER AND FRUSTRATION INTO ACTION. WE MUST USE OUR VOICES TO CONTACT THE POLITICIANS AND LEGISLATORS IN OUR DISTRICTS AND DEMAND SOCIAL AND JUDICIAL CHANGES.\nWHILE WE PRAY FOR THE FAMILIES OF ALTON STERLING AND PHILANDO CASTILE, WE WILL ALSO PRAY FOR AN END TO THIS PLAGUE OF INJUSTICE IN OUR COMMUNITIES.\nCLICK IN TO CONTACT THE POLITICIANS AND LEGISLATORS IN YOUR AREA. YOUR VOICE WILL BE HEARD.\n—BEYONCÉ" } ]

[ { "from": "human", "value": "Write me a song called DUCKWORTH. with the following description: “DUCKWORTH.” is a street tale about how Anthony “Top Dawg” Tiffith was planning a second robbery at a local KFC where Kendrick’s father, nicknamed “Ducky,” was working back in the ‘90s. The robbery could have resulted in Ducky’s death, but his generosity caused Top Dawg to refrain from harming him. This happened many years before Top Dawg would coincidentally sign a 15-year-old Kendrick to his label, Top Dawg Entertainment. Duckworth is Kendrick’s legal surname.\nOn the song “​untitled 02 | 06.23.2014,” Kendrick touches on his relationship with Top and how dangerous he can be:\nMe and Top is like a Kobe and Phil\nA father figure, fuck with him, you get killed\nFuck with me and he’ll kill you himself\nThe producer, 9th Wonder, samples Ted Taylor’s 1978 song “Be Ever Wonderful,” Hiatus Kaiyote’s 2015 track “Atari,” 1976’s “Ostavi Trag” by September, 1975’s “Let the Drums Speak” by the Fatback Band, and 1972’s “Mole on the Dole” by Climax Blues Band. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Bēkon & \nKid Capri\n]\nIt was always me versus the world\nUntil I found it's me versus me\nWhy, why, why, why?\nWhy, why, why, why?\nJust remember, what happens on Earth stays on Earth\n!\nWe gon' put it in reverse\n[Bridge: Ted Taylor (Sampled)]\nDarling, I told you many times\nAnd I am telling you once again\nJust to remind you, sweetheart\nThat my—\n[Verse: Kendrick Lamar]\nOh, Lamar\nHail Mary and marijuana, times is hard\nPray with the hooligans, shadows all in the dark\nFellowship with demons and relatives, I'm a star\nLife is one funny ma'fucker\nA true comedian, you gotta love him, you gotta trust him\nI might be buggin', infomercials and no sleep\nIntroverted by my thoughts; children, listen, it gets deep\nSee, once upon a time inside the Nickerson Garden projects\nThe object was to process and digest poverty's dialect\nAdaptation inevitable: gun violence, crack spot\nFederal policies raid buildings and drug professionals\nAnthony was the oldest of seven\nWell-respected, calm and collected\nLaughin' and jokin' made life easier; hard times, mama on crack\nA four-year-old tellin' his nanny he needed her\nHis family history: pimpin' and bangin'\nHe was meant to be dangerous\n, \nclocked him a grip and start slangin'\nFifteen, scrapin' up his jeans with quarter pieces\nEven got some head from a smoker last weekend\nDodged a policeman, workin' for his big homie\nSmall-time hustler, graduated to a brick on him\nTen-thousand dollars out of a project housing, that's on the daily\nSeen his first mill' twenty years old, had a couple of babies\nHad a couple of shooters, caught a murder case\nFingerprints on the gun they assumin', but witnesses couldn't prove it\nThat was back when he turned his back and they killed his cousin\nHe beat the case and went back to hustlin'\nBird-shufflin', Anthony rang\nThe first in the projects with the two-tone Mustang, that 5.0 thing They say 5-0 came\n, \ncirclin' parking lots and parking spots\nAnd hoppin' out while harrassin' the corner blocks\nCrooked cops told Anthony he should kick it\nHe brushed 'em off and walked back to the Kentucky Fried Chicken\nSee, at this chicken spot, there was a light-skinned nigga that talked a lot\nWith a curly top and a gap in his teeth, he worked the window\nHis name was Ducky\n, \nhe came from the streets, The Robert Taylor Homes\nSouthside Projects, Chiraq, the Terror Dome\nDrove to California with a woman on him and five-hundred dollars\nThey had a son, hopin' that he'd see college\nHustlin' on the side with a nine-to-five to freak it\nCadillac Seville, he'd ride his son around on weekends\nThree-piece special with his name on the shirt pocket\n'Cross the street from the projects, Anthony planned to rob it\nStuck up the place before, back in '84\nThat's when affiliation was really at gears of war\nSo many relatives tellin' us, sellin' us devilish works, killin' us, crime\nIntelligent, felonious prevalent proposition with 9's\nDucky was well-aware\nThey robbed the manager and shot a customer last year\nHe figured he'd get on these niggas' good sides\nFree chicken every time Anthony posted in line, two extra biscuits\nAnthony liked him and then let him slide, they didn't kill him\nIn fact, it look like they're the last to survive\n, \npay attention\nThat one decision changed both of they lives, one curse at a time\nReverse the manifest and good karma, and I'll tell you why\nYou take two strangers and put 'em in random predicaments\nGive 'em a soul, so they can make their own choices and live with it\nTwenty years later, them same strangers, you make 'em meet again\nInside recording studios where they reapin' their benefits\nThen you start remindin' them about that chicken incident\nWhoever thought the greatest rapper would be from coincidence?\nBecause if Anthony killed Ducky, Top Dawg could be servin' life\nWhile I grew up without a father and die in a gunfight\n*\nGunshot\n* [Outro: Kendrick Lamar]\nThgifnug a ni eid dna rehtaf a tuohtiw pu werg I elihW\nEfil 'nivres eb dluoc gwaD poT ,ykcuD dellik ynohtnA fi esuaceB\nEcnedicnioc morf eb dluow reppar tsetaerg eht thguoht reveohW?\nTnedicni nekcihc taht tuoba meht 'nidnimer trats uoy nehT\nStifeneb rieht 'nipaer yeht erehw soiduts gnidrocer edisnI\nNiaga teem me' ekam uoy ,sregnarts emas meht ,retal sraey ytnewT\nTi htiw evil dna seciohc nwo rieht ekam nac yeht os luos a me' eviG\nStnemaciderp modnar ni me' tup dna sregnarts owt ekat uoY\nYhw uoy llet ll'I dna ,amrak doog dna tsefinam eht esreveR\nEmit a ta esruc eno ,sevil yeht fo htob degnahc noisiced eno tahT\nNoitnetta yaP—\nErac tuB\n—Tpecnoc etalucammi ,siht ekil eno ecnis retrauq eniacoC\nAND ym edisni ytlayor tog ,ytlayoL\n—Tog I ,tog I ,tog I ,tog I\nSo, I was takin' a walk the other day…" } ]

[ { "from": "human", "value": "Write me a song called 8th Grade with the following description: Mariah wrote this song about her first crush in 8th grade. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Mariah Carey]\nI'm not your world\nNo, I'm not your life\nTell me what that means to you\nIf it was me that was by your side\nLimitless, without no rules\nNothin' to lose\nNever no pressure\nJust put yourself into my shoes\nI'm not your world\nNo, I'm not your life\n[Verse 1: Mariah Carey]\nThat cigarette, put it out, put it out\nKeep lookin' my way, turn around, turn around\nThis is a moment you can't buy\nI see that longing in your eyes\n[Pre-Chorus: Mariah Carey]\nSomethin' is tellin' me you're ready, am I wrong?\nMaybe the lyrics are too heavy in my song\nHow would you feel if you had me, then I was gone?\nBetter not be leadin' me on\n[Chorus: Mariah Carey]\nI'm not your world\nNo, I'm not your life\nTell me what that means to you\nIf it was me that was by your side\nLimitless, without no rules\nNothin' to lose\nNever no pressure\nJust put yourself into my shoes\nI'm not your world\nNo, I'm not your life [Verse 2: Mariah Carey]\nI'm a confirmation, should you feel unsure\nI'm that security when you're insecure\nI'll be that baby girl when you're immature\nDon't be ambivalent towards me\n[Pre-Chorus: Mariah Carey]\nSomethin' is tellin' me you're ready, am I wrong?\nMaybe the lyrics are too heavy in my song\nHow would you feel if you had me, then I was gone?\nBetter not be leadin' me on\n[Chorus: Mariah Carey]\nI'm not your world\nNo, I'm not your life\nTell me what that means to you\nIf it was me that was by your side\nLimitless, without no rules\nNothin' to lose (Nothing)\nNever no pressure (Never)\nJust put yourself into my shoes (Into my shoes)\nI'm not your world\nNo, I'm not your life (I'm not your life, oh baby I'm)\nI'm not your world\nNo, I'm not your life (Baby, I wanna be your life)\nTell me what that means to you\nIf it was me that was by your side\nLimitless, without no rules (Limitless)\nNothin' to lose (Nothing to lose)\nNever no pressure (No pressure)\nJust put yourself into my shoes\nI'm not your world\nNo, I'm not your life, baby\nAhh [Outro: Mariah Carey & \nTimbaland\n]\nBreak it down\n(I'm not your world\nNo, I'm not your life\nTell me what that means to you)\nSaid, I'm not your world\n(By your side\nLimitless, without no rules\nNothin' to lose)\nNothin' to lose, no pressure\nUh\n (Limitless, without no rules\nNothin' to lose)\nNothing (\nC'mon, MC\n)\nOoh, ooh, ooh, ooh (\nC'mon\n)\nNothin' to lose, no pressure (\nBreak it\n)\nNo pressure (\nBreak it\n)\nOoh (\nC'mon, MC\n)\nAh, ah, ah, ah (\nUh, c'mon\n)\nLa-da-da-da-da-da, I'm not your life (\nWhat you say, girl?\n)\nLimitless, without no rules (\nBreak it\n)\nYour life (\nC'mon, what you say, girl?\nWhat you say, girl?\nWhat you say, girl?\nC'mon\n)" } ]

[ { "from": "human", "value": "Write me a song called Swimming Pools (Black Hippy Remix) with the following description: One of two Black Hippy remixes featured on the deluxe versions of good kid, m.A.A.d city. It appears as an exclusive bonus track on Spotify. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by T-Minus]\n[Intro: Ab-Soul]\nPlayas always trying to pop bottles\nNiggas love to pop bottles\nThen get you a table my nigga\nGet you a table my nigga\n[Bridge: Kendrick Lamar]\nPour up, drank, head shot, drank\nSit down, drank, stand up, drank\nPass out, drank, wake up, drank\nFaded, drank, faded, drank\n[Verse 1: Jay Rock]\nNo syrup in this cup but this that po' up\nWhen you see me po' up, turn up til you throw up\nLike a bulemic fiending, for hurl over them toilets\nIf I run out of liquor in your city, yo where the store at?\nOne bottle, two bottles I'm a soldier, never sober\nCup runneth over, don't give a fuck about cirrhosis\nOne life, that's all we have, Ok lets toast to that\nThen dive in a pool full of liquor\nSwim laps like Michael Phelps\n[Hook: Kendrick Lamar]\nNigga, why you babysittin only two or three shots?\nI'mma show you how to turn it up a notch\nFirst you get a swimming pool full of liquor, then you dive in it\nPool full of liquor, then you dive in it\nI wave a few bottles, then I watch em all flock\nAll the girls wanna play Baywatch\nI got a swimming pool full of liquor and they dive in it\nPool full of liquor I'mma dive in it [Bridge: Kendrick Lamar]\nPour up, drank, head shot, drank\nSit down, drank, stand up, drank\nPass out, drank, wake up, drank\nFaded, drank, faded, drank\n[Verse 2: Ab Soul]\nUsed to wake up every morning to a glass of Alize\nHope this dollar shot of E&J will take the pain away\nAim and shoot, shots of Ciroc will make the girls get loose\nWith it we all trippin' off the hen like a female chicken\nYou with it? \n(Soulo)\nSpread your wings, you probably won't get far\nI honestly wouldn't advise operating a car\nTry not to let the peer pressure get the best of ya\nAnd end up giving it up in a restroom like the rest of us\n[Hook: Kendrick Lamar]\nNigga, why you babysittin' only two or three shots?\nI'mma show you how to turn it up a notch\nFirst you get a swimming pool full of liquor, then you dive in it\nPool full of liquor, then you dive in it\nI wave a few bottles, then I watch em all flock\nAll the girls wanna play Baywatch\nI got a swimming pool full of liquor and they dive in it\nPool full of liquor I'mma dive in it [Bridge: Kendrick Lamar]\nPour up, drank, head shot, drank\nSit down, drank, stand up, drank\nPass out, drank, wake up, drank\nFaded, drank, faded, drank\n[Verse 3: ScHoolboy Q]\nSo it's that groovy little nigga\nKnown for popping them bottles\nUnder my pants be a golden dick\nBitch, everything about me solid\nBurberry nigga, them be my draws\nAlexander McQueen in closets\nSwagged out king, yeah, nigga, I'm Puff, uh\nHave that pussy throbbing\nSomeone tell me where the drugs at, I'm into that\nTwisting off them molly caps\nCiroc too don't fuck wit Goose\nCan I get a shot, swim in your juice\nWorth a stack a minute, everyday that shit repeat\nI ain't tryna sweep you off your feet\nBitch, did you see your tab receipt?\n[Hook: Kendrick Lamar]\nNigga why you babysittin' only two or three shots?\nI'mma show you how to turn it up a notch\nFirst you get a swimming pool full of liquor, then you dive in it\nPool full of liquor, then you dive in it\nI wave a few bottles, then I watch em all flock\nAll the girls wanna play Baywatch\nI got a swimming pool full of liquor and they dive in it\nPool full of liquor I'mma dive in it [Bridge: Kendrick Lamar]\nPour up, drank, head shot, drank\nSit down, drank, stand up, drank\nPass out, drank, wake up, drank\nFaded, drank, faded, drank\n[Interlude: Kendrick Lamar]\n(Sherane)\nAw man... where is she taking me...\nWhere is she taking me...\n[Verse 4: Kendrick Lamar]\nAll I, all I, all I, all I\nAll I have in life is my new appetite for failure\nAnd I got hunger pain that grow insane\nTell me do that sound familiar?\nIf it do then you're like me\nMaking excuse that your relief\nIs in the bottom of the bottle\nAnd the greenest indo leaf\nAs the window open I release\nEverything that corrode inside of me\nI see you joking, why you laugh?\nDon't you feel bad?\nI probably sleep, and never ever wake up\nNever ever wake up, never ever wake up\nIn God I trust\nBut just when I thought I had enough\n[Outro: Kendrick Lamar]\nMore, more, bless me more\nWe gon drink this mothafucka down, more\nBottoms up then we pass it round, more\nFill it up more, not enough, more\nBless me more\nWe gon drink this mothafucka down, more\nBottoms up then we pass it round, more\nFill it up more, not enough, more\nFill it up more, not enough, more\nFill it up more, not enough, more" } ]

[ { "from": "human", "value": "Write me a song called Hands Up (My Last) with the following description: Weezy samples Big Sean’s My Last on this beautiful track from the Sorry 4 The Wait mixtape\nHATERS: shush!\nwayne released this mixtape 6 months after being in jail for 9 months Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\n[Verse]\nUh, let's get fucked up\nOn the road to riches, you're just a speed bump\nFunny how the heater make a nigga freeze up\nWe smoke a tree down 'til it's just a tree stump\nThat Eastside nigga, bang on you bitches\nI'm goin' at your neck, strangle you bitches\nGot a long-ass list full of bad-ass bitches\nAnd I stay burned out like a bad transmission\nI'm on, like the lights, I light up\nThe kush, knock out, Tyson fights, I'm talkin' 'bout\nAss and titties, Sex and the City\nWeezy F Baby and the 'F' is for \"Forget it\"\nI'm lovin' my shine, sippin' on fine wine\nUp in some fine dime, then she give me Einstein\nYoung Money, motherfucker, yeah, we picked a fine time\nI'm a seventeen, nigga, bitch, I don't mind dyin', man\nI just ended up on e'ry bitch's sex list\nGenie in the bottle, get a motherfuckin' deathwish\nThugga in this bitch, he say, \"Fuck y'all niggas\"\nBreakin' buds down the size of a football nigga\nRed beam, gimme the light, no Sean Paul, nigga\nLet Nina bust in your face, like a porn star, nigga\nYeah, I keep a Brian Pumper, no homo\nThe shit I'm on got the world movin' in slow-mo, man\nI told Mack I was gon' do it\nAbove the law, but under the influence, man\nI was on my skateboard, \"Kick Push\" swagger\nGot my girl to the room, got behind her like a shadow [Chorus]\nI had her ass up in the air\nI swear I got, swear I got the\nLargest clip in the world right here in my gat\nYeah\nAnd I wish a nigga play, I'ma bust a nigga ass\nHate Young Money? Then fuck you in the ass\n187 and a hockey mask\nHaha\nYMCMB gon' ball 'til we fall\nAnd it's fuck all y'all\nHaha\nBall 'til we fall\nAnd it's fuck all y'all\nWe straight, \nSorry 4 the Wait\n[Outro]\nYeah\nI'm boolin' in this bitch\nYeah\nShoutout to my nigga, [?]\nShoutout to my lil' brother, Capo\nShoutout to the big homie, Game, shoutout to my nigga, Menace\nShoutout to my nigga, Top Dawg, my nigga, Jay\nYeah, uh\nFive, I see you\nMatter fact, I be you, nigga\nYeah\nShoutout to all my [?]\nYou already know what it is\nIf you under the [?]\nFuck with me\nYeah\nSwag is stupid, man\nStupid Macknupid, man\nCarter 4 comin' soon, yeah\nSorry 4 the Wait\nSorry 4 the Wait\n[?] I be you, nigga\nHands up in the air\nI just want the, I just want the baddest bitch\nUp in the world right here in my lap\nYeah, ha\nFuck with a nigga, man\nIt's Young Money 'til I die\nWe run this shit\nCatch up, niggas" } ]

[ { "from": "human", "value": "Write me a song called Boyfriend with the following description: “Boyfriend” is a single by the American singer Ariana Grande and duo Social House. Grande revealed the single’s title & release date on a teaser from Twitter.\n\n\n\n\nSocial House helped produce many of Grande’s cuts such as “goodnight n go” from her 2018 album Sweetener & two Billboard Hot 100 number-one singles, “thank u, next” and “7 rings” from her 2019 smash, thank u, next. Moreover, she provided back up vocals for the duo’s April 2019 single, “Haunt You.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Ariana Grande]\nI'm a motherfuckin' train wreck\nI don't wanna be too much\nBut I don't wanna miss your touch\nAnd you don't seem to give a fuck\nI don't wanna keep you waiting\nBut I do just what I have to do\nAnd I might not be the one for you\nBut you ain't allowed to have no boo\n[Pre-Chorus: Ariana Grande]\n'Cause I know we be so complicated\nBut we be so smitten, it's crazy\nI can't have what I want, but neither can you\n[Chorus: Ariana Grande]\nYou ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend)\nBut you don't want me to see nobody else\nAnd I don't want you to see nobody\nBut you ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend)\nBut you don't want me to touch nobody else (Nobody)\nBaby, we ain't gotta tell nobody\n[Verse 2: Mikey]\nEven though you ain't mine, I promise the way we fight\nMake me honestly feel like we just in love (Love)\n'Cause, baby, when push comes to shove (Shove)\nDamn, baby, I'm a train wreck, too (Too)\nI lose my mind when it comes to you\nI take time with the ones I choose\nAnd I don't want a smile if it ain't from you, yeah [Pre-Chorus: Mikey]\nI know we be so complicated\nLovin' you sometimes drive me crazy\n'Cause I can't have what I want and neither can you (No, no)\n[Chorus: Ariana Grande]\nYou ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend)\nBut you don't want me to see nobody else\nAnd I don't want you to see nobody\nBut you ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend)\nBut you don't want me to touch nobody else (Nobody)\nBaby, we ain't gotta tell nobody\n[Verse 3: Scootie & \nAriana Grande\n]\nI wanna kiss you (\nYeah\n), don't wanna miss you (\nYeah\n)\nBut I can't be with you 'cause I got issues (No)\nYeah, on the surface, seem like it's easy\nCareful with words, but it's still hard to read me\nStress high when the trust low (\nMmm\n)\nBad vibes, where'd the fun go? (\nOh\n)\nTry to open up and love more (\nLove more\n)\nTry to open up and love more\n[Bridge: Scootie, \nAriana Grande\n & \nBoth\n]\nIf you were my boyfriend\nAnd you were my girlfriend\nI prolly wouldn't \nsee nobody else\nBut I can't guaran\ntee that by myself [Chorus: Ariana Grande]\nYou ain't my boyfriend (Boyfriend, \nyou ain't my boyfriend\n)\nAnd I ain't your girlfriend (Girlfriend, \nI ain't your girlfriend\n)\nBut you don't want me to see nobody else (Nobody)\nAnd I don't want you to see nobody\nBut you ain't my boyfriend (Boyfriend, \nyou know you ain't my boyfriend\n)\nAnd I ain't your girlfriend (Girlfriend, yeah, \nmmm\n)\nBut you don't want me to touch nobody else (Nobody)\nBaby, we ain't gotta tell nobody (Oh yeah)\nYou ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend)\nBut you don't want me to see nobody else\nAnd I don't want you to see nobody\nBut you ain't my boyfriend (Boyfriend)\nAnd I ain't your girlfriend (Girlfriend, yeah)\nBut you don't want me to touch nobody else (Nobody)\nBaby, we ain't gotta tell nobody" } ]

[ { "from": "human", "value": "Write me a song called Rumors with the following description: “Rumors,” an upbeat pop-infused track, is the fifth single and third song from Sabrina’s debut studio album, Truth Is. The track features British singer-songwriter ZAYN, marking their first collaboration together.\nFans were made aware of the song back in 2016, when Sabrina posted a picture to her Instagram stories of a whiteboard with a potential project’s track-list that included “Rumors.”\nTwo days before the song’s release, ZAYN posted a snippet of the pre-chorus to his Twitter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Sabrina Claudio]\nI heard (I heard)\nThat you want to be closer to me\nI heard (I heard)\nThat you said you've seen me in your dreams\n[Pre-Chorus: Sabrina Claudio]\nHe said, she said\nYou like the way I smile\nHe said, she said\nYou like my confidence and style\nHe said, she said\nYou wanna hold my hand and more\nAnd more\n[Chorus: Sabrina Claudio]\nAll these rumors spreading around\nAnd I kinda like the way they sound\nAll these rumors 'bout you and me\nHow can we make this a reality? Oh\n[Verse 2: ZAYN & \nSabrina Claudio\n]\nHe said she said your body's a temple\nAnd I think I'd pray just for the sight of you\nDeep thinkin', let me see inside of you (\nInside of you\n)\nI been sinkin', let me just confide in you [Pre-Chorus: Sabrina Claudio & \nZAYN\n]\nHe said, she said\nYou like the way I smile\nHe said, she said\nYou like my confidence and style (\nI like her confidence and style\n)\nHe said, she said\nYou wanna hold my hand and more (\nHold her hand and more\n)\nAnd more\n[Chorus: Sabrina Claudio & ZAYN]\nAll these rumors spreading around\nAnd I kinda like the way they sound\nAll these rumors 'bout you and me\nHow can we make this a reality? Oh\n[Post-Chorus: Sabrina Claudio]\nHe said, she said\nMmm\nHe said, she said\nShe said\n[Bridge: Sabrina Claudio & ZAYN]\nI like what I'm hearing, so my attention, you got tonight\nIf you're half as good as you say you are, let's stop wastin' time\nKnow we can keep talkin' through everybody that's in this room\nOr we can come face-to-face and find out if it's true [Chorus: Sabrina Claudio & ZAYN, \nSabrina Claudio\n]\nAll these rumors spreading around (\nSpreading around\n)\nAnd I kinda like the way they sound (\nThey way they sound\n)\nAll these rumors 'bout you and me (\nOh, you and me\n)\nHow can we make this a reality? Oh\n[Outro: Sabrina Claudio \nwith ZAYN\n]\nHe said, she said\nHe said, she said, yeah\nHe said, she said" } ]

[ { "from": "human", "value": "Write me a song called Let Me Go with the following description: “Let Me Go” is about letting go of a relationship on the verge of collapsing. The protagonist embraces their feeling of doubt and urges their partner to end the relationship, while also wishing their best.\nIn the week prior to the song’s release, rumors of a collaboration between Hailee Steinfeld, Alesso, Florida Georgia Line, and Watt appeared online. According to the website HeadLinePlanet, the rumors were officially confirmed by the label on September 5, 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Hailee Steinfeld]\nYou made plans and I, I made problems\nWe were sleepin' back to back\nWe know this thing wasn't built to last, yeah\nGood on paper, picture-perfect\nChased the high too far, too fast\nPicket white fence, but we paint it black\n[Pre-Chorus: Hailee Steinfeld]\n(Ooh)\nAnd \nI wished that you would hurt me harder than I hurt you\n(Ooh)\nAnd I wish you wouldn't wait for me, but you always do\n[Chorus: Hailee Steinfeld]\nI've been hopin'\nSomebody loves you in the ways I couldn't\nSomebody's taking care of all of the mess I made\nSomeone you don't have to change\nI've been hopin'\nSomeone will love you, let me go\n[Drop: Hailee Steinfeld]\nSomeone will love you, let me go\n(D-don't)\nI've been hopin'\nSomeone will love you, let me go [Verse 2: Florida Georgia Line]\nIt's been some time, but this time ain't even\nI can leave it in the past\nBut you're holdin' on to what you never had, it's\nGood on paper, picture-perfect\nChased the high too far, too fast\nPicket white fence, but we paint it black\n[Pre-Chorus: Hailee Steinfeld]\n(Ooh)\nAnd I wished that you would hurt me harder than I hurt you\n(Ooh)\nAnd I wish you wouldn't wait for me but you always do\n[Chorus: Hailee Steinfeld]\nI've been hopin'\nSomebody loves you in the ways I couldn't\nSomebody's taking care of all of the mess I made\nSomeone you don't have to change\nI've been hopin'\nSomeone will love you, let me go\n[Drop: Hailee Steinfeld]\nSomeone will love you, let me go\n(D-don't)\nI've been hopin'\nSomeone will love you, let me go (Go, go, go)\nSomeone will love you, let me go (Go, go, go)\nSomeone will love you, let me go (Go, go, go)\n(\nSomeone will love, someone will love\n)\nSomeone will love you, let me go (Go, go, go)\nSomeone will love you, let me go [Chorus: Hailee Steinfeld]\nI've been hopin'\nSomebody loves you in the ways I couldn't\nSomebody's taking care of all of the mess I made\nSomeone you don't have to change\nI've been hopin'\nSomeone will love you, let me go" } ]

[ { "from": "human", "value": "Write me a song called Down with the following description: “Down” is the lead single from Fifth Harmony’s third studio album and features rapper Gucci Mane. The song marks their first official single as a foursome, with former member Camila Cabello, leaving in 2016.\nThe group teased the song on their social media platforms in the week prior to the release. Fifth Harmony debuted the song live on Good Morning America as a part of the Summer Concert series on June 2nd 2017:\nWhat was such a beautiful moment was when we premiered “Down” on “Good Morning America.” It was the first music we gave [as a quartet] and it was our highest-debuting single. We found out in the car, and we were crying to each other. We were so excited. It felt so beautiful, and it pierced our souls. Everything that’s come after has been a blessing\n-Ally, via LA Times\nThere’s also a Spanish version of the song, which was first performed at the Kids Choice Awards Mexico 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Gucci Mane]\nIt's Gucci\nFifth Harmony\n[Verse 1: Lauren]\nI need somebody with some patience\n'Cause you know I got a temperament\nAnd yeah, you got a reputation\nNothin' that a little love can't fix\nThere ain't no kind of situation\nWhere I wouldn't cross a line for you\nFBI interrogation\nI would get up there and lie for you\n[Pre-Chorus: Dinah]\nWhen push come to shove\nYou show me love\nWhen push come to shove, ayy\n[Chorus: Lauren & Normani]\nLong as you're holding me down, down, down\nI'm gon' keep lovin' you down, down, down\nLong as you're holding me down, down, down\nI'm gon' keep lovin' you down, down, down\nI'm gon' keep lovin' you [Verse 2: Normani, \nDinah\n & \nAlly\n]\nYou the type that I could bake for (\nBake for\n)\n'Cause baby, you know how to take that cake (\nTake that cake\n)\nAnd I'm the only one you wait for\n'Cause, baby, you know that I'm worth that wait (\nOoh\n)\n[Pre-Chorus: Ally, \nAlly & Dinah\n, \nLauren\n]\nWhen push come to \nshove\nYou show me \nlove\n (\nYou show me love\n)\nWhen push come to \nshove\n, ayy\n[Chorus: Fifth Harmony & \nGucci Mane\n]\nLong as you're holding me down, down, down\nI'm gon' keep lovin' you down, down, down\nLong as you're holding me down, down, down\nI'm gon' keep lovin' you down, down, down (\nit's Gucci\n)\nI'm gon' keep lovin' you (\nGo\n)\n[Verse 3: Gucci Mane]\nIt's like Bonnie and Clyde just walked in (Uh?)\nA gangsta and his bride just walked in (Yeah)\nWe on the same team and we ballin' (Oh)\nGot me showin' off my ring like I'm Jordan (Ayy)\nAnd I'ma hold you down like you hold me (Uh)\nAnd I'll never tell a soul what you told me (Shh)\nWhen I was sittin' in the cell is when you showed me (Uh)\nIt takes a real one to put up with the old me (Damn)\nThat's why you in the coupe with the low seat (Coupe)\nThat's why we at the game on the floor seats (Ayy)\nThe diamonds, you can see 'em from the nosebleeds\nYou make a man feel like he won a trophy (It's Gucci) [Chorus: Fifth Harmony, \nLauren\n, \nAlly\n, \nNormani\n & *Dinah*]\nLong as you're holding me down, down, down (\nDown\n)\nI'm gon' keep lovin' you down, down, down\n(\nI'm gon' keep lovin' you down\n)\nLong as you're holding me down, down, down\n(\nLong as you're holding me down\n, \nI'ma love you down\n)\nI'm gon' keep lovin' you down, down, down\nLong as you're holding me down, down, down\n(\nLong as you're holding me down\n, *yeah*)\nI'm gon' keep lovin' you down, down, down, down\n(\nDown, down, down, down\n)\nLong as you're holding me down, down, down\n(\nI'm gon' love you down\n)\nI'm gon' keep lovin' you down, down, down\n(*Long as you're loving me, babe*)\nI'm gon' keep lovin' you" } ]

[ { "from": "human", "value": "Write me a song called Dick Pleaser with the following description: This song is from the mixtape Dedication 3 and Wayne and Jae Millz are just talking about women and their sexual escapades. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nMarley, I be you!\nShout-out Too Short\nI'm going in\nThe Aphilliates, nigga! Holla at your boy\n[Bridge: Lil Wayne]\nI got a bitch named Keisha, she a real dick pleaser\nBut shawty from Cuba, still working on her visa\nHer girlfriend, Lisa—met her in Puerto Rico\nHow she don't suck dick but expect for me to eat her?\nI got a bitch named Keisha, she a real dick pleaser\nI got a bitch named Keisha, she a real dick pleaser\n[Verse 1: Lil Wayne]\nI got a bitch named Keisha, she a real dick pleaser\nBut shawty from Cuba, still working on her visa\nHer girlfriend, Lisa—met her in Puerto Rico\nHow she don't suck dick, but expect for me to eat her?\nThat ho crazy, man, you don't wanna meet her\nBut her homegirl, Nita, swallow cum by the liter\nShe look good in boy shorts and a beater\nBut this other girl, Quita, way sexier than Nita\nI ain't lying—she the... hottest bitch, heater\nBut I'm a fucking freezer, yeah, I'ma fucking leave her\nYeah, I'm a fucking eagle, flyer and deeper\nSmoke like a Cohiba, \nyour ho give me cerebral\nNow, get low and touch your toes for my people\nAnd if you ain't fucking them, you ain't fucking me either\nYou think your man hot? Well, fuck it, me: ether\nHeard I got guap, wanna kick it like FIFA\nEvery day Christmas 'cause I'm smoking that wreath-a\nKeep a lot of bitches like Queen Latifah\nI am Southern-land, not Kiefer\nY-M-E for \"Young Money Entertainment,\" ha\nRun, dummy, finna bang it\nYou want beef? Then my money will arrange it\nI am not fucking finna aim it\nBut that Nina Ross shout for me when I'm angry\nYeah, Hollygrove, biatch\nSloppy like Joe, you better go get G-I\nAll my guns knee high, M-O-N-E-Y\nThat's what I rely on, I'm gone\n\"He high\"—yep, I'm three-high\nI'm just schoolin' these fucks like DeVry\nCollege institution, finals and confusion\nStop with your excuses; hip-hop, I am seducin'\nBeat you like producers, eat you like produce\nMan, I'll fuck your girl 'til her pussy got no juice\nNow, she can't produce, so you won't be needing that, baby\n'Cause all you really need is Weezy F. Baby [Interlude: DJ Drama]\nAll right, let me vent for a minute. See, the problem I got with the game is: There are no gatekeepers in hip-hop. Who's letting these wack niggas in? I mean, can someone please put a combination lock on the door? And stop giving out the code? Goddamn! Hey, Millz, show 'em how it's done!\n[Verse 2: Jae Millz]\nI knew this freak named Tammy from around the way\nShe used to go to Catholic school back in the day\nNow, she stripping in Sue's for a stack a day\nBut she bring it all to Daddy, so that's okay\nI got a bitch named Lola, true dick-smoker\nPart-time broker; late nights, she work at Strokers\nHer cousin named Mocha got a insane spine\nBut it's crazy 'cause I fucked 'em both at the same time\nI even got a bitch in the Bay named Jessica\nI swear, she might give the best mouth in America\nVanessa got a attitude, but her ass meaner\nShe remind me of this ho I used to fuck named Sabrina\nUgly lil' thing from the home of the Ravens\nI only kept her 'round 'cause the ass was amazing\nTiffany and Emily, my bona fide sluts\nWhen I cum, they touch tongues and share that nut\nGot a white chick down in Florida named Sasha\nOn my mama, her head golden like an Oscar\nAnd I met her through Tasha\nAt the condo, she let me fuck her on the washer\nSeptember nigga, so you know he nasty\nAnd if she nasty, we do the nasty\nNow, I tell a bitch like this\nYou gotta take ten dicks before you meet the president\nYoung Money! (\nGangsta Grillz, you bastards!\n) [Verse 3: Lil Wayne]\nOkay, I know this one honey\nI call her \"Track Star\" 'cause when we fuck, she run from me\nAnd I'm hella fly, and her dude dumb-bummy\nAnd I don't get girls, I make her get one for me\nMy weed real plummy and real gummy\nAnd my flow is harder than an anvil, honey\nShoot these niggas with the handheld, honey\nI paper-chase, fuck standstill money\nNiggas kill with me and kill for me\nBest believe we riding if the fan belt running\nLeave a motherfucker just laying there, bloody\nI'm from the Dirty and I make it rain—damn, that's muddy!\nShe just wanna be my cuddy buddy\nAnd on these tracks, I go nutty-butty\nWhat it dizz-oo? Is you or is you ain't my baby?\nBaby?" } ]

[ { "from": "human", "value": "Write me a song called Almost Like Praying with the following description: The song was made by Lin-Manuel Miranda in order to raise funds to help Puerto Rico. The island was devastated in September 2017 by hurricane Maria, leaving the entire island without power and in shortage of food and medicine. Miranda’s family is from the island and has been working since the hurricane struck to help out the people in Puerto Rico. The song lists all the towns in Puerto Rico.\n\n\n\n\n \nOf course, this isn’t the first time Lin has talked about hurricanes in his work. A song from his smash-musical Hamilton is called “Hurricane”, which he sings in the cast recording as Alexander Hamilton. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Click here to donate to the Hispanic Federation's Puerto Rico relief effort 🇵🇷\n[Lin-Manuel Miranda]\nSay it loud and there's music playing…\nSay it soft and it's almost like praying\nIt's almost like praying\nIt's almost like praying\nIt's almost like praying\nIt's almost like—\n[Luis Fonsi]\nCabo Rojo, Corozal\nNaguabo, Guaynabo\n[Marc Anthony]\nSan Lorenzo y San Germán\nSan Sebastián, mi viejo San Juan\n[Camila Cabello, \nAnthony Ramos\n]\nIsabela, Maricao\nFajardo, Dorado\n[Ednita Nazario, Gilberto Santa Rosa]\nHormigueros, Humacao\nLuquillo, Hatillo [Ruben Blades, Juan Luis Guerra]\nVega Alta, Vega Baja\nToa Alta, Toa Baja, Mayagüez\n[Joell Ortiz, John Leguizamo, Lin-Manuel Miranda]\nYes!\n[Ruben Blades, Juan Luis Guerra]\nOtra vez!\n[Joell Ortiz, John Leguizamo, Lin-Manuel Miranda]\nYes!\n[Ruben Blades, Juan Luis Guerra]\nAguadilla, Quebradillas\nGuayanilla, Juana Díaz\nY Cayey, hey\n[Lin-Manuel Miranda]\nIt's almost like praying\nIt's almost like praying\nIt's almost like praying\n[Ruben Blades, Jennifer Lopez]\nPuerto Rico, Puerto Rico… [Jennifer Lopez]\nArecibo, Guánica\nCulebra, Las Piedras\n[Gilberto Santa Rosa]\nOrocovis, Guayama\n[Gilberto Santa Rosa, Rita Moreno]\nGurabo, Maunabo\n[Ruben Blades, Dessa, Ana Villafañe]\nAguas Buenas, Salinas\nRío Grande, Sabana Grande\n[Tommy Torres]\nYabucoa, Florida\n[Jennifer Lopez, Gloria Estefan]\nPeñuelas, Santa Isabel\n[Pedro Capó, Tommy Torres]\nNaranjito, Barranquitas\nCarolina, Aibonito, Bayamón\n[Alex Lacamoire, Joell Ortiz, Lin-Manuel Miranda]\nHey! [Pedro Capó, Tommy Torres]\nRincón\n[Alex Lacamoire, Joell Ortiz, Lin-Manuel Miranda]\nHey!\n[Pedro Capó, Tommy Torres]\nBarceloneta, Las Marías\nComerío, Moca, Ponce, Manatí, Así\n[Lin-Manuel Miranda]\nIt's almost like praying\n[Camila Cabello]\nPuerto Rico, Puerto Rico\n[Luis Fonsi]\nBoricua, Boricua, Puerto Rico\n[Fat Joe]\nYo, Utuado, Aguada, Adjuntas y Caguas\n[PJ Sin Suela]\nCanóvanas, Cataño, Juncos y Lajas\n[Dessa]\nJayuya, Villalba, Arroyo, te amo\n[Dessa, Fat Joe]\nLa cueva de Camuy, los baños de Coamo\n[Gina Rodriguez]\nTrujillo Alto, Ceiba, Ciales\nLa isla de Vieques, El grito de Lares\n[Joell Ortiz]\nYauco\n[Gina Rodriguez]\nCidra\n[Joell Ortiz]\nAñasco\n[Gina Rodriguez]\nPatillas\n[Joell Ortiz, Gina Rodriguez]\nMorovis, Loíza, lo hiciste\n[Marc Anthony, Luis Fonsi]\nPuerto Rico...\n[Dessa]\nPuerto Rico...\n[Juan Luis Guerra]\nPuerto Rico, Puerto Rico...\n[Ednita Nazario]\nLai lo le lo le, le lo le lo lai…\n[Joell Ortiz]\nPuerto Rico!\n[Marc Anthony, Luis Fonsi]\nPuerto Rico...\n[Gilberto Santa Rosa]\nPuerto Rico, Borinquen\nCien por treinta y cinco la isla completa\nSí somos Boricua, ha, ahora que se sepa\n[Marc Anthony, Luis Fonsi]\nPuerto Rico…\n[Gloria Estefan]\nPuerto Rico\n[Rita Moreno]\nAsí es\n[Gloria Estefan]\nPuerto Rico\n[Ruben Blades]\nPuerto Rico\n[Fat Joe]\nPuerto Rico! Ho! Ho!\n[Ruben Blades]\nPuerto Rico, Puerto Rico, Puerto Rico, Puerto Rico\n[Ednita Nazario]\nTierra linda mía, yo te quiero\n[Camila Cabello]\nOohhh\n[Marc Anthony, Luis Fonsi]\nPuerto Rico...\n[Lin-Manuel Miranda]\nAnd there's music, and there's music\nAnd there's music playing-\n[Camila Cabello]\nPuerto Rico\n[Marc Anthony]\nAy, Puerto Rico, eh\nMi Puerto Rico, ah\n[Anthony Ramos]\nViva\n[Jennifer Lopez]\nPuerto Rico, Puerto Rico, Puerto Rico\n[Lin-Manuel Miranda]\nSay it soft and it's almost like praying" } ]

[ { "from": "human", "value": "Write me a song called Come to Life (Deluxe Version) with the following description: “Come to Life (Deluxe Version)” is an alternative version of Kanye West’s song “Come to Life” with vocals from California native, Tyler, the Creator.\nIn the song, Kanye talks about his desire to live another life while also portraying his divorce with American supermodel, Kim Kardashian. The rapper speaks on problems throughout his life and his marriage while mentioning his extreme regret.\nOn July 17, 2021, Tyler and Kanye West would have been seen in the studio working on the album Donda, with chances of a collaboration between the artists. Later, this version of the song appeared exclusively on the Donda Stem Player before being released officially on November 14, 2021. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMy soul cries out Hallelujah and I thank God for saving me\nI thank God for—\n​\n[Chorus: Kanye West]\nHere go all your problems again (\nI thank God\n)\nThree, two, one, you're pinned (\nI thank God\n)\nUncle now he back in the pen' (\nHallelujah\n)\nAuntie shut down again\nDid she finally come to life? (\nThank you, Jesus\n)\nEver wish you had another life?\nEver wish you had another life?\nEver wish you had another life?\n[Verse 1: Kanye West]\nDon't you wish the night would go numb?\nI've been feelin' low for so long\nI ain't had a high in so long\nI been in the dark for so long\nNight is always darkest 'fore the dawn\nGotta make my mark 'fore I'm gone\nI don't wanna die alone\nI don't wanna die alone\nI get mad when she gone\nMad when she home\nSad when she gone\nMad when she home\nSad when she gone (\nLoosen right now, the spirit that wants to run\n)\nFloatin' on a silver lining (\nIn the name of Jesus\n)\nYeah, you know where to find me, ridin' on a silver lining\nAnd my God won't deny me, tell the Devil, \"Get behind me\"\nAnd all the stars are aligned, lift me up every time\nYou know exactly where to find me [Interlude]\nHallelujah (Thank you, Jesus)\nHallelujah (Yes)\nHallelujah\n[Pre-Chorus: Kanye West \n with Tyler, The Creator\n]\nDid those ideas ever really come to life?\nMake it all come to life\nMake it all \ncome to life\nPrayin' for a change in your \nlife\nWell, maybe it's gon' \ncome tonigh\nt\n[Chorus: Kanye West \nwith Tyler, The\n Creator\n]\nSadness settin' in again\nThree, two, one, you're pinned\nUncle right back in the pen'\nTell me how \nauntie been\nTook your thoughts and \npenciled 'em in\nShould've wrote 'em down in pen\nAnd maybe they'll \ncome to life\nAnd maybe they'll come to life\nSadness settin' in again\nThree, two, one, you're pinned\nUncle right back to the pen'\nTell me how auntie been\nThoughts, you had penciled 'em in\nProbably should've wrote 'em in pen\nAnd maybe they'll come to life\nThey could finally come to life\nThey could finally come to life [Verse 2: Kanye West]\nYou know where to find me, they cannot define me\nSo they crucify me\n, how so fazed when I leave?\nCome and purify me, come and sanctify me\nYou the air that I breathe, \nthe ultra-ultralight beam\nBrought a gift to Northie, all she want was Nikes\nThis is not about me, God is still alive, so I'm free\nFloatin' on a silver lining, floatin' on a silver lining\nSo when I'm free, I'm free" } ]

[ { "from": "human", "value": "Write me a song called Emotional (Version 1) with the following description: “Emotional” is a series of unreleased tracks by Big Sean, all thought to have been recorded in 2016 during sessions for I Decided. The track finds Sean reflecting on a failing relationship with a girl who is overdramatic and acts hurt by everything Sean does.\nThis version, produced by DJ Mustard, is thought to be the earliest of the three. It lacks a refrain that can be found on the other two versions, and appears less developed overall. The song leaked online on April 20, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nUh-uh\nWoah, woah, woah\nMustard on the beat, ho\n[Verse 1]\nWhy, why are you bringing this to work? (Work)\nDon't you know that business comes first? (All the time)\nDon't you know I been through the same shit and worse (Straight up)\nDead relationships, it's time to put it in the dirt (Dirt)\nWhy, why, why, why are you actin' like a bitch? (Bitch)\nI got time for everythin' but this shit (No time)\nDamn, everytime I'm real with you, I make it worse\nSeems like every day you mad at me, you mad it hurt (Hurt, hurt)\n[Chorus]\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah (Huh?)\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah\n[Verse 2]\nYou must be tryna get rid of me\nYou know that shit don't sit with me (No)\nYou are the epitome of the shit that get to me\nChill, chill, chill, I don't mean to be cold, shit (Uh-huh)\nMichigan one-below shit (No)\nBut you need to know this (Know)\nEverytime you push me to the edge (Edge)\nI just wish that you would shut up, give me head (Head)\nI just wish that you would show a little respect (A little)\nBecause even we face-to-face, it's like we don't connect (Shit) [Chorus]\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah (I just gotta ask, like)\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah\n[Bridge]\nEmotional, woah, woah, woah, woah\nOh-oh-oh-oh\n[Verse 3]\nI'm on a Mission Impossible\nI turned my fantasy optical\nPot to piss in to a pot of gold\nI got the lava flow\nVision bigger than Galapagos\nMiddle fingers to your honor though (Look)\nYou got an attitude problem, I got a lattitude problem\nI'm up out the bullshit\nYou gon' make me get the mask\nAnd the Batman like we in Gotham\nKnow that's an option\nI'm a little off the Henessey\nJust so you know the authenticity\nWhy you gotta be the centerpiece?\nAnd kill off all the energy\nWhy can't we just live in synergy? (Huh? Huh?) [Chorus]\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah (I just gotta ask, like)\nWhy are you so emotional? Woah, woah, woah, woah\nEmotional, woah, woah, woah, woah (Uh-huh)\nWhy are you so emotional? Woah, woah, woah, woah\n(Why? You need to keep that bullshit to yourself, man)\nEmotional, woah, woah, woah, woah (I gotta ask, like)\n(You come around fuckin' the vibe up, we ain't got no time for that)\nWhy are you so emotional? Woah, woah, woah, woah\n(It's only time to boss up, straight up)\n[Outro]\nEmotional, woah, woah, woah, woah\nOh-oh-oh-oh (Uh-huh)\nEmotional, woah, woah, woah, woah (Why you bein' so)\nOh-oh-oh-oh" } ]

[ { "from": "human", "value": "Write me a song called Expensive with the following description: Two months after releasing his star-studded first Featuring Ty Dolla $ign single “Ego Death,” Ty Dolla $ign recruits another superstar on “Expensive,” the Nicki Minaj-assisted second single from his upcoming album.\n“Expensive” focuses on the purchases that Ty Dolla makes to satisfy his significant other, while Nicki raps from the opposite perspective and makes it clear that she expects to be spoiled by her partner.\nTy Dolla $ign first played a short snippet of Nicki Minaj’s vocals on Instagram Live on March 3, 2020, before revealing the hook and the beginning of Nicki’s verse on April 13, 2020. A leak of the song included a verse from California rapper G-Eazy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ty Dolla $ign & \nNicki Minaj\n]\nUh\n (Damn James)\n(\nBluey, why you do it to 'em?\n)\nRrrrrr\n, \nDolla $ign, Dolla $ign\n (Dolla $ign)\n[Chorus: Ty Dolla $ign]\nShe so expensive, okay ('Kay)\nShe so expensive, okay ('Kay)\nBeamers or the Benzes, okay (Yeah)\nDiamond tennis necklace, okay\nLambo or the double R truck, yeah, yeah (Ooh)\nShe gon' let a superstar fuck, yeah, yeah (Ooh)\nShe so expensive, okay (Skrrt)\nShe so expensive, okay\n[Verse 1: Ty Dolla $ign]\nShe got expensive taste (Taste), ayy\nShe got a slim thick waist (Waist), ayy\nGirl, it's not your face, it’s your ass, uh-huh\nI mean, girl, it’s not your ass, it’s your face, ayy\nYour bitch in the nosebleeds\nMy girl in the courtside floor seats (Seats)\nYour bitch a four to me\nI'ma take my girl to Dior this week\nAll my bitches slim-thick and athletic (‘Letic)\nShe ain’t my girl if she ain’t got a Patek (Patek)\nAll my bitches gotta fit my aesthetic ('Sthetic)\nShe ain’t your girl, she right here in my section (Let’s go) [Chorus: Ty Dolla $ign]\nShe so expensive, okay ('Kay)\nShe so expensive, okay ('Kay)\nBeamers or the Benzes, okay (Yeah)\nDiamond tennis necklace, okay\nLambo or the double R truck, yeah, yeah (Ooh)\nShe gon' let a superstar fuck, yeah, yeah (Ooh)\nShe so expensive, okay (Skrrt)\nShe so expensive, okay\n[Verse 2: Nicki Minaj]\nI got a shopping problem, got expensive taste\nBustdown Patek with the expensive face\nGotta get me ice if he tryna skate\nGotta swipe the AmEx if we go on a date (Uh)\nIf we go on a date, gotta blow on my cake\nBut don't hit me if it's tiny, girl from Xscape\nNeed studs for my ears, Louis scarf for my hairs\nLatest bag from Chanel and I ain't tryin' to wait (Uh)\nUh, I'm tryna meet the plug, no sockets\nUh, pussy deep, so is my pockets\nUh, Tom Ford heels with the locket\nUh, a nigga get me, he better lock it, uh\n[Chorus: Ty Dolla $ign]\nShe so expensive, okay ('Kay)\nShe so expensive, okay ('Kay)\nBeamers or the Benzes, okay (Yeah)\nDiamond tennis necklace, okay\nLambo or the double R truck, yeah, yeah (Ooh)\nShe gon' let a superstar fuck, yeah, yeah (Ooh)\nShe so expensive, okay (Skrrt)\nShe so expensive, okay" } ]

[ { "from": "human", "value": "Write me a song called Skyfall with the following description: “Skyfall” is the theme song for the twenty-third James Bond film of the same name.\nIn 2013, “Skyfall” won “Best Original Song” at the 70th Golden Globes and then Best Original Song at the 85th Academy Awards. A year later, it won “Best Song Written for Visual Media” at the 56th Grammy Awards. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThis is the end\nHold your breath and count to ten\nFeel the Earth move, and then\nHear my heart burst again\nFor this is the end\nI've drowned and dreamt this moment\nSo overdue, I owe them\nSwept away, I'm stolen\n[Chorus]\nLet the sky fall when it crumbles\nWe will stand tall\nFace it all together\nLet the sky fall\nWhen it crumbles\nWe will stand tall\nFace it all together at Skyfall\nAt Skyfall\n[Verse 2]\nSkyfall is where we start\nA thousand miles and poles apart\nWhere worlds collide and days are dark\nYou may have my number, you can take my name\nBut you'll never have my heart [Chorus]\nLet the sky fall (Let the sky fall)\nWhen it crumbles (When it crumbles)\nWe will stand tall (We will stand tall)\nFace it all together\nLet the sky fall (Let the sky fall)\nWhen it crumbles (When it crumbles)\nWe will stand tall (We will stand tall)\nFace it all together at Skyfall\n[Post-Chorus]\nLet the sky fall\nWhen it crumbles\nWe will stand tall\nLet the sky fall\nWhen it crumbles\nWe will stand tall\n[Bridge]\nWhere you go I go\nWhat you see I see\nI know I'd never be me without the security\nOf your loving arms keeping me from harm\nPut your hand in my hand and we'll stand\n[Chorus]\nLet the sky fall (Let the sky fall)\nWhen it crumbles (When it crumbles)\nWe will stand tall (We will stand tall)\nFace it all together\nLet the sky fall (Let the sky fall)\nWhen it crumbles (When it crumbles)\nWe will stand tall (We will stand tall)\nFace it all together at Skyfall [Outro]\nLet the sky fall\nWe will stand tall\nAt Skyfall\nOoh" } ]

[ { "from": "human", "value": "Write me a song called 4PM in Calabasas with the following description: On “4PM In Calabasas,” Drake throws jabs at Puff Daddy, Joe Budden, and Meek Mill. The song is a continuation of his AM/PM series, following “9AM in Dallas,” “5AM in Toronto” and “6PM in New York.” This addition to the series takes place in Calabasas, California, which happens to be the location of a home Drake owns and identifies as “the safehouse.” He often spends time there to seclude himself and escape from the media and tensions of the rap game.\nThe track aired on Episode 23 of OVO Sound Radio moments after his collaboration with Gucci Mane on “Back On Road” and Justin Bieber-assisted “One Dance (Remix).”\nOn August 2, 2019, the song was re-released after Drake dropped Care Package on all major streaming platforms — a project he describes as “some of our most important moments together available in one place.” The release comes nearly six months after Drake re-released his breakout mixtape So Far Gone. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nYeah\nAll you self-promoters are janky\nWe established like the Yankees\nThis whole fuckin' game thankless\nWe movin' militant but somehow you the one tankin'\nNo limit to where I can take it\nAnd you know me as a Cris' bottle sender, check picker-upper\nI thought we looked out for one another\nSaw us all as brothers in the struggle, too blessed to be humble\nI guess it's different in the city I come from\nAll the sudden I got people showing how much they truly resent me\nThey whole demeanor just spells envy, they tryna tempt me\nThe higher I get, the less they accept me\nEven had the OG's tryna press me, ha-ha-ha, ha\nNo way out 'cause I'm already in it\nI'm not attending when I do a show and get a ticket\nGood business can clean millions, I got the vision\nI been had it since \"No Scrubs\" and \"No Pigeons\"\nEven back when I wasn't as poppin'\nWhen they told me take an R&B nigga on the road\nAnd I told 'em no and drew for Kendrick and Rocky\nI tried to make the right choices with the world watching\n\"Mike never tried to rap like Pac, Pac never tried to sing like Mike\"\nThose my dad's words to me when I asked him how to make it in life\nAnd I always said my mother gave the greatest advice, yeah\nLook at me now, they look at me like the golden child\nCan't nobody hold me down\nEspecially not right now\nCertain shit is just too wild to reconcile\nTake that, take that\nNo love in they heart so they fake that\nDiCaprio level the way they play that\nDamn, nigga, what is that?\nY'all don't hear no songs\nThey hit my phone like, \"You did that\"\nThey even hit my line like, \"Where you been at?\"\nIt's always on some shit like\n\"When can I get a favor?\" or, \"Where my bitch at?\"\nLike I'm about to tell you where she been at\nCosta Careyes, I got her kidnapped\nShe ain't sorry and I ain't sorry, it's too late for sorry\nGreen, white, and red on my body 'cause I'm dipped in Ferrari\nAll she wanna do is get high and listen to PARTY\nShe complain, I tell the driver to drop her at Barneys\nMy summer diet is just Rosé and calamari\nLook, now you got me started\nI'm the black sheep, rest in peace to Chris Farley\nI got a lot to lose 'cause in every situation I'm the bigger artist\nAlways gotta play it smarter\nY'all shook up, I'm here on the cookup\nCameras pointing every time I look up\nThat's why I gotta duck behind Chubb's shoulder just to hit the kush up\nSponsorship dollars is sky high\nHe be like, \"Drake, will you please stop smoking la-la?\"\nChubbs, why try? I'm a thug, I'ma die high\nGot the rose pink tinted lenses, it's a Wednesday\nArchitects takin' dimensions, they redoin' the entrance\nYeah, redoin' the entrance\nKinda like when you niggas drop on some again and again shit\nAnd you still never quite get it\nMeantime, Drizzy over there, tryna make you, make you dance to this\nYeah, I make you dance to this\nI roll big body, wide body, Calabasas road winder\nSun shinin', waxed tires\nSee Kris Jenner, I beep twice and I wave\nThe rest of you boys, I blow Keeks right in your face\nPistol by my bed, I'm sleep, but I'm awake\nFor that one night when niggas try reach inside my safe\nDon't push me 'cause I'm way too uneasy nowadays\nThese guys move so greezy nowadays\nI tell you my life and y'all don't believe me when I say it\nSave my stories for down the line\nI'm too ahead of the curve every time\nJust total the hits and see what you find, you SWV\n'Cause you weak and I'm always, always on your mind [Outro]\nYeah, and we can't stop\nMake you dance to this, uh\nI'ma make you One Dance to this\nA-ha-ha-ha, ha\nBad breed, bad bwoy\nUh-huh, yeah\nThat's right, yeah" } ]

[ { "from": "human", "value": "Write me a song called Lift Yourself (PurppYe) with the following description: On April 28, 2018, Smokepurpp posted a tweet captioned:\nWaddup Ye @kanyewest BARS 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥\nThe tweet also contained a screenshot and a link to a website where a remix of Kanye West’s “Lift Yourself” was uploaded.\nThis upload style mirrors that of Kanye’s, whereas the linked website solely consisted of an image centered on the page that began playing an audio file when clicked. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Smokepurpp & \nAmnesty\n]\nHard to see, ooh\nThe hang ups we have today-ay-ay\nAyy\nSaid we need to strive for more liberty\nIt's Lil Purpp man, I'ma talk my shit\nYour favorite lyricist\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nYou know what the fuck goin' on bitch, esskeetit\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nLotta niggas been sayin' I ain't lyrical\nSo I'm 'bouta get real lyrical on this shit\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nAyy, shoutout J. Cole too\nYou know what goin' on\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nAyy, ayy bitch, ayy\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nEsskeetit, esskeetit, huh?\nEsskeetit, esskeetit\nLift yourself upon your feet, let's get it on\nYourself up on your feet, let's get it on\nScooby-dooby-doo, esskeetit\nHuh? Huh?\nHard to see, ooh\nEsskeetit, it's your favorite lyricist\nThe hang ups we have today-ay-ay\nSaid we need to strive for more liberty\nEsskeetit, esskeetit, esskeetit, huh?\nLift yourself upon your feet\nYourself up on your feet\nScooby-dooby-doo-ba-boo\nEsskeetit, esskeetit, esskeetit, huh?\nLift yourself upon your feet\nYourself up on your feet\nEsskeetit, esskeetit [Verse 1: Smokepurpp]\nEsskeetit, esskeetit, huh?\nScooby-dooby-ba-boo\n'Sskeetit, 'sskeetit, 'sskeetit, huh?\n'Sskeetit, huh? 'sskeetit\nScooby-dooby-ska-ska\n'Sskeetit, 'sskeetit, 'sskeetit\n'Sskeetit, 'sskeetit, 'sskeetit\nShoutout J. Cole, ayy\nScooby-dooby-pa-pa\nEsskeetit, huh? Huh?\nEsskeetit, huh? Esskeetit\nIt's your favorite lyricist\nEsskeetit! Huh? Esskeetit!\n[Interlude: Smokepurpp, \nKanye West\n & \nAmnesty\n]\nHard to see, ooh\nThe hang ups we have today-ay-ay\nIt's your motherfucking favorite lyricist\nBut they don't really realize, though\nTalk your shit Ye\nSaid we need to strive for more liberty\nThis next verse\nTalk your shit Ye\nThis next verse though\nEsskeetit!\nLift yourself upon your feet\nThese bars\nLift yourself upon your feet\nWatch this some shit, go [Verse 2: Kanye West]\nPoopy-di scoop\nScoop-diddy-whoop\nWhoop-di-scoop-di-poop\nPoop-di-scoopty\nScoopty-whoop\nWhoopity-scoop, whoop-poop\nPoop-diddy, whoop-scoop\nPoop, poop\nScoop-diddy-whoop\nWhoop-diddy-scoop\nWhoop-diddy-scoop, poop" } ]

[ { "from": "human", "value": "Write me a song called All da Smoke with the following description: “All The Smoke” is one of the standouts from Super Slimey — Future & Thugger make it known they aren’t scared of anyone, want to kill all their enemies, and trained to go and prepared for action at all times.\n “Smoke” is a term or slang for gunplay as in gunsmoke — see 21 Savage “All The Smoke” — Thugger and Future are prepared for war. The official music video dropped on January 11, 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: \nFuture\n & Young Thug]\nYou it, I'm it, everybody it\nWe want all the smoke\nWe want all the smoke (\nHow it 'posed to\n)\nWe want all the smoke\nWe want all the smoke, smoke\nYeah he just, he just breaking up the ice\nWe leaning, facts\nYeah\nSlatt\n[Verse 1: Future & \nYoung Thug\n]\nStackin' it tall (\nThugger\n)\nEvery nigga out my city became a boss (\nBecame\n)\nDolce, Rollie, holy moly, no days off (\nWoo, woo\n)\nPyrex, cook it up like Kyrie, trade you off (\nLet's go\n)\nGreen and white like Celtics, don't play with me, play with a fork (\nPlay with a woop\n)\nI'm superior, I'm imperial, I ain't feelin' you (\nOoh\n)\nI could eat me some heroin or buy a brick (\nYeah, yeah\n)\nI got Barry Bonds on my wrist (\nYeah\n)\nBlowed your college fund (\nWhere?\n), on my bitch (\nWoo, woo\n)\nOut the slums, taking a chance, toting tommy guns (\nBrrt\n)\nLeft out of school, started selling rocks, bought me a drop (\nSkrrt\n)\nCartier frames, Cartier rings, Cartier socks (\nOn God\n)\nHomicide Gang, they gon' put you on Fox (\nHomicide, Homicide\n)\nPutang ran up a whole M sittin' in the box\n (\nFacts\n)\nMy dog rock a Rollie in the feds, nigga, and still move blocks (\nFacts\n)\nWe had the bando goin' crazy in the SWAT's (\nIn the where?\n)\nTen-four, they runnin' up on all the opps [Chorus: Future & \nYoung Thug\n]\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nAw yeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nHuh\n)\n[Verse 2: Young Thug]\nThis money turning me on, ayy\nThis money turning me on (On, turn me on)\nI'm thinkin' out loud, but these hundreds got a nigga gone (Woo)\nFar gone, I'm so gone on it\nThree hundred racks for a Bentley truck, yeah yeah\nTake the factories off and go'n and lift it up, yeah yeah (Lift it up)\nCash all on your bitch, she on the living room floor (Yeah)\nHaving a private party, you know how that go (Let go)\nMusic all in my ears (Yeah), instruments in my ears (What)\nI'm in the backyard feeding deers (Then what?)\nI'm in a penthouse poppin' seals (Then what?)\nI got \npom-poms\n in my rear (Woo)\nChanel CoCo in my dear (CoCo)\nI missed a couple shows for my deal\nIf I could take it back I will (If I could take it back on 'em)\nAnd don't you take that to the head (No)\nYou know I got you in my will (Yeah)\nTold big dawg bring the bricks in\nGot a hundred more at the crib (Ayy)\nMake the dope do the windmill (Yeah)\nNigga swing through at your wheels (Brrt)\nThey done quoted two on killed\nAnd I was in Miami countin' a mil' (Ayy)\nI told my bitch, \"No more ass shots\"\nShe stopped all the way like a stop sign when it's traffic time\nMy diamonds dark brown like Budweiser (Like Budweiser)\nCount a half a mil with my bitch, now her feelings sloppy (Yeah, yeah)\nCame up out the projects, ain't have shit, yeah\n (On God)\nI wiped a nigga nose for a ticket (Slime)\nHit it from the back (Yeah)\nMake her say slime, say slatt (Yeah, yeah)\nHow you dig that?\nWhipped up the fish Parkay and got racks, ayy [Chorus: Future & \nYoung Thug\n]\nWe want all the smoke\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke (\nYeah\n)\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\n[Outro: Young Thug]\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke\nWe want all the smoke" } ]

[ { "from": "human", "value": "Write me a song called Apologize with the following description: Kanye describes his relationship with a girl he dated before he became famous. After blowing up, Kanye began to live the celebrity lifestyle, choosing to ignore her and their history due to his new status and work obligations. Consequently, the girl has chosen to numb this pain by getting away and focusing on school instead so she doesn’t get hurt again.\nSamples The Masqueraders “It’s a Terrible Thing to Waste Your Love” from their 1977 album Love Anonymous. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAh-ahem\nThere's something I did\nThere's something I can explain how to-\nI can't speak for everybody but, um, man\n[Verse 1]\nIt must be more good women than men, percentage-wise\nSo her chance of having a husband just minimized\nThat's why a lot of girls claim they ain't into guys (\nHaha\n)\nAnd mess with other girls part-time to improvise (\nHaha\n)\nI knew she wasn’t bi, no, I seen it in her eyes\nBut I'm like any other guy trying to get in her thighs\nShe telling me 'bout how black people should enterprise (\nHaha\n)\nAnd I'm like, if you don't get your ass in this ride from Enterprise (\nHaha\n)\nThat I rented yesterday and gotta have in by five\nWith the gas fully filled up like I didn't drive\nTold her I had a girl, dawg, fuck it, I didn't lie (\nHaha\n)\nTold her this rap game is alright, I'm just getting by (\nHaha\n)\nShe had a little weed and we get a little high\nAnd I'm looking in her eyes and I'm loving her vibe\nTold me back in '95, she fell in love with the Tribe (\nHaha\n)\nBoo, back in '92, I was just like you (\nHaha\n)\nPlease, don't be confused by the ice and jewels\nI'm like any other nigga, buy ice to stay cool\nLike any other nigga that claim they hate school (\nHaha\n)\nAnd think, \"Yeah, Free's banging but she's no Rachel\" (\nHaha\n) [Chorus]\nWe ball 'til we fall, hit the mall. after we hit, don't call\nWe fill your lives with nothing but lies (\nHaha\n) and I would like to apologize (\nHaha\n)\nWe ball 'til we fall, hit the mall, after we hit, don't call\nWe fill your lives with nothing but lies (\nHaha\n) and I would like to apologize (\nHaha\n)\nBut you can't stand right here and tell me everything is going to be alright (\nHaha\n)\n'Cause until that a real (\nHaha\n) man stands up, I'm going to have to improvise (\nHaha\n)\n[Verse 2]\nWas it something I did wrong? (\nHaha\n) Yeah, I know I'm wrong\nShe's at home alone and I'm always gone\nHate it when she mad but more when she passive (\nHaha\n)\nNow she on the internet, looking for classes (\nHaha\n)\nOut of state though, man, that hurt, yo\nBut I got work though, and I'm at work, yo\nAnd she don't call a lot\nAnd when she do, she pouring out her heart (\nHaha\n)\n\"You never listen to me,\" then the call drop, hmm\nAnd I promised her everything\nTold her when I get a deal, I'll get her a wedding ring\nBut when I got my deal, I was back in the ring (\nHaha\n)\nFighting my urges, strip club splurges (\nHaha\n)\nNever had money, so I felt like a virgin\nAnd I'm trying to break the bank's cherry\nTryna see, can I afford Canaries\nWith a Ferrari (\nHaha\n) and a dinner date with Halle Berry? (\nHaha\n)\nWent from fifty G's to fifteen hundred in a week\nNow I'm trying to call\nOne ring, two rings, seven rings, eight rings\nHer mother picked up the phone (\nHaha\n)\nLike, \"She in school and she don't stay here no more\" (\nHaha\n)\nI guess there's more good women than men, percentage-wise\nSo her chance of having a husband just minimized\nI guess that's why she says she ain't into guys (\nHaha\n)\nAnd focus on school full-time to improvise (\nHaha\n) [Chorus]\nWe ball 'til we fall, hit the mall. after we hit, don't call\nWe fill your lives with nothing but lies (\nHaha\n) and I would like to apologize (\nHaha\n)\nWe ball 'til we fall, hit the mall, after we hit, don't call\nWe fill your lives with nothing but lies (\nHaha\n) and I would like to apologize (\nHaha\n)\nBut you can't stand right here and tell me everything is going to be alright (\nHaha\n)\n'Cause until that real (\nHaha\n) man stands up, I'm going to have to improvise (\nHaha\n)\nYou can't stand right here and tell me everything is going to be alright (\nHaha\n)\n'Cause until that (\nHaha\n) man stands up, I'm going to have to improvise (\nHaha\n)\nYou can't stand right here and tell me everything is going to be alright (\nHaha\n)\n'Cause until that (\nHaha\n) man stands up, I'm going to have to improvise (\nHaha\n)" } ]

[ { "from": "human", "value": "Write me a song called Jungle with the following description: “Jungle” gets its title from a nickname for Lawrence Heights, a particularly rough neighborhood in Toronto.\nThe song sounds like an ode to a particular girl back in the Jungle who Drake struggles to stay connected to as his fame grows.\nThe term “jungle” could also refer to the chaos of Drake’s life—both the whirlwind of his public success and his private emotional turmoil.\n\nDrake released a short film titled Jungle on his OCTOBER’S VERY OWN blog. You can hear a snippet of this song at the end.\n\nThe song samples Gabriel Garzon Montano’s “6 8”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Gabriel Garzón Montano]\n(Put a bib on me)\n(Put a bib on me)\nRock me real slowly\nPut a bib on me\nI'm just like a baby, droolin' over you\nThe things you do\n[Verse 1: Drake]\nThese days I'm lettin' God handle all things above me\nThe things I can't change are the reason you love me\nListen, you can hear them callin' my name\nI'm all over the place, I can't sit in one place\nI'm not ashamed at all\nStill findin' myself, let alone a soulmate, I'm just sayin'\nFeel like we one and the same\nOur relationship changed that, or it never existed\nWhenever they say somethin' 'bout us, you listen\nBut fuck what they talkin' about on your timeline\nThat's cuttin' all into my time with you\nFuck what they talkin' about on your timeline\nThat's cuttin' all into my time with you\nMy time with you, my\n[Chorus: Gabriel Garzón Montano]\nRock me real slowly\nPut a bib on me\nI'm just like a baby, droolin' over you\nThe things you do [Verse 2: Drake]\nShe said, \"You're my everything\"\n\"I love you through everything\"\nI done did everything to her\nShe forgave me for everything\nThis a \"forever\" thing\nHate that I treat it like it's a \"whatever\" thing\nTrust me, girl, this shit is everything to me\nShe from the jungle\nShe from the jungle\nI take somebody else's car, drive there undercover\nThis shit is everything to me\nThis shit is everything\nDon't know where we stand\nI used to hit you 'bout everything, oh\nAre we still good? Are we still good?\nAre we still good? Are we still good?\nIf I need to talk, are you around?\nAre you down for the cause?\nAre you down? Are you down? Are you down?\nAre you down for the cause?\nAre you down? Are you down? Are you down?\nAre you down for the cause?\nYou still down? You still down? You still down?\n[Chorus: Gabriel Garzón Montano & \nDrake\n]\nRock me real slowly (\nYeah\n)\nPut a bib on me\nI'm just like a baby, droolin' over you\n(Give me back) The things you do [Verse 3: Drake]\nYeah, these days, these new girls, they got me nervous\nThey go to school and do bottle service\nThey can't decide, they keep switchin' majors\nBeing indecisive makes me anxious\nCall your number and it's out of service\nWho can I call for your information?\nWhat am I supposed to do after we done everything that we done?\nWho is your replacement?\nAre we still good? Are we still good?\nAre we still good? Are we still good?\n[Outro: Gabriel Garzón Montano]\n(The things you do)\n(Rock me real slowly)\n(Rock me real slowly)\n(I'm just like a baby, droolin' over you)\n(Rock me real slowly)\n(Rock─, put a bib on me)\n(Give me back)" } ]

[ { "from": "human", "value": "Write me a song called All I Know with the following description: “All I Know” is the first collaboration between Kamaiyah and Travis Scott. It’s presumed to be the song that Kamaiyah confirmed the pair recorded together in a 2016 interview.\nAccording to an early tracklist and Travis on the first episode of .WAV Radio, the song was set to appear on Travis' sophomore album, Birds in the Trap Sing McKnight. In the end, it was taken off of the album for unknown reasons. An early version of the song leaked online two days prior to this version’s release after it was sold by Music Mafia. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Scott]\nUhh-uhh\n[Chorus: Travis Scott]\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah (Ooh-ooh)\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah (Straight up)\n[Verse 1: Kamaiyah & \nTravis Scott\n]\nHot girl, keep a black bandana\nGettin' jiggy like a background dancer\nI just come through, stunt through (\nYeah, yeah\n)\nI'ma set the waves and the standards\nPissed 'em off, now they all can't stand her\nWhy they mad?\n'Cause they know that I'm the answer (\nOoh-ooh\n)\nI give no fucks, so what?\nNo home trainin' no manners (\nYeah\n)\nI'm sippin' Moet, I keep sippin' Moet (\nYeah, yeah\n)\nThese hoes be so pressed, but these hoes ain't no threat (\nYeah, yeah\n)\nDisrespect me and I show no respect (\nYeah, yeah\n)\nI show mo' neglect with this ice on my neck\nI be stuntin', you know my team is big money\nChasin' that green like a junkie\nI'm ham on the beat, they can't touch me (\nYou can't touch this\n) [Chorus: Travis Scott]\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah (Straight up)\n[Verse 2: Travis Scott]\nBust down, bust down, bust down (Yeah)\nWay you take it down, got me up now (Ooh-ooh)\nOutta Houston from the Oaktown (Yay)\nWay too loud to interrupt now\nAll I know is how to do it for the set (Yeah, yeah)\nAll I know is how to get it from the go (Yah)\nAll I know is how to, and I'm the best\nAll I know is how to, and how to roast\nSti- , still friends, still (It's lit)\nStill, still rent still (Yeah, yeah)\nStill squad, still friends, still\nStill runnin' up the bill\nStill racking up the hill, still\nStill goin' after bills, still (Sheesh)\nAin't gon' lie, you the truth, huh (Truth)\nSave some time, hop up in my coupe, uh (Coupe)\nBest fam and I'm in the roup, uh\nMet mans servin' in my roof, huh [Chorus: Travis Scott]\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah\nAll I know, all I know is this\nAll I know, all I know is this\nAll I know, all I know is ballin' (Yeah)\nAll I know, all I know is this, yeah, yeah (Straight up)" } ]

[ { "from": "human", "value": "Write me a song called Gonna Love Ya with the following description: “Gonna Love Ya” is the sixth single of the second studio album Stories by Avicii. It was released on 1 October 2015, one day ahead of the album release.\nThe song features vocals of Alessandro Cavazza. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI'm gonna love ya, like no one could\nMake your heart feel the way it should\nI'm gonna hold ya, when no one would\nCause I swear you deserve so good\n[Verse 1]\nLivin' up in California\nLovin' life but I've been waiting for ya\nTwist my dreams and turn my fate\nBut God I hope it's not too late\n[Pre-Chorus]\nI'm gonna love ya, I'm gonna love ya\nI'm gonna love ya, like no one could\n[Chorus]\nI'm gonna love ya, like no one could\nMake your heart feel the way it should\nI'm gonna hold ya, when no one would\nCause I swear you deserve so good\n[Verse 2]\nSometimes it's hard to have the upper hand\nWhen every dream you've had is turning into sand\nYou need someone to make your day\nBut he took your breath and blew it away [Chorus]\nI'm gonna love ya, like no one could\nMake your heart feel the way it should\nI'm gonna hold ya, when no one would\nCause I swear you deserve so good\n[Bridge]\nI'm gonna love ya, I'm gonna love ya\nI'm gonna love ya, like no one could\nI'm gonna love ya, I'm gonna love ya\nI'm gonna love ya, like no one could\nI'm gonna love ya, I'm gonna love ya\nI'm gonna love ya, like no one could\nI'm gonna love ya, I'm gonna love ya\nI'm gonna love ya, like no one could\n[Outro]\nI'm gonna love ya like he never could\nCause I know you deserve so good" } ]

[ { "from": "human", "value": "Write me a song called She Wasn’t Lasting with the following description: In “She Wasn’t Lasting”, Uzi addresses kicking out a “side-hoe” or “side-bitch” — a girl who is secondary to his primary girl in addition to the majority of the braggadocios lyrics present here and in most of his music. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nLil Uzi Vert, um, yeah I'm gon' rage\nYeah, Fuckin' yo bitch on the stage (yeah)\nFuckin' your bitch in the face (yeah)\nI leave you gone with no trace (yeah)\nCartier all on my face, (yeah)\nRay ban's not on my face (yeah)\nDuckin' and dodgin' on 12 (Aye)\nDuckin' away from the snitches\nDuckin' away from the bitches\nI just be stackin' my riches, (Um Yeah)\nIf you see me with that bitch best believe I'm gon hit it\nI don't buy none of my clothes from Lennox\nYeah my chopper that bitch big as a midget\nWalk around in Balmain jeans\nSo much money a nigga just be limpin'\nAw yeah, I don't want that hoe\nKeep my hammer close, I don't trust a soul\nCountin' up them blue hundreds\nBut my money old\nJumpin' in my whip ain't no handles on the door\nLike What\n[Chorus]\nYeah, you is not a bad chick (no)\nLookin' at you hoe, you was kinda average\nOn the real girl, you a slick trash bitch\nI kicked her out the door she knew it wasn't lasting\n(like what) Yeah You is not a bad chick (no)\nLookin' at you hoe, you was kinda average\nOn the real girl, you a slick trash bitch\nI kicked her out the door she knew it wasn't lasting [Open Verse]\n[Chorus]\nYeah, you is not a bad chick (no)\nLookin' at you hoe, you was kinda average\nOn the real girl you a slick trash bitch\nI kicked her out the door she knew it wasn't Lasting\n(like what) Yeah You is not a bad chick (no)\nLookin' at you hoe, you was kinda average\nOn the real girl you a slick trash bitch\nI kicked her out the door she knew it wasn't lasting" } ]

[ { "from": "human", "value": "Write me a song called Bibia Be Ye Ye with the following description: In an interview with BBC Radio 1Xtra, Ed said that he had the most fun writing this song with Ghanaian star Fuse ODG.\nI wrote a song in Twi, the Ghanaian dialect in Ghana, at Fuse’s house with all his mates. That was probably the most fun experience because like…being in the studio with someone like Fuse is just a party the whole time.\nThey wrote several other songs but only this made it on the album. Ed played a portion live on French television: \n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nBibia be ye ye\n[Verse 1]\nI lost my shoes last night, I don't know where I put my keys\nI was tired and fell asleep beneath an oak tree\nI bet my mother's proud of me\nFrom each scar upon my knuckle and each graze upon my knee\nAnd all I know\nIs I got a cab and then threw up upon his car seat\nHe kicked me out and then I walked in the rain\nI tell myself in every way I won't be doing this again\nAnd tomorrow's a brand new day\n[Chorus]\nSomeone told me, \"Always say what's on your mind\"\nAnd I am only being honest with you, I\nI get lonely and make mistakes from time to time\nSe enioma enko ye,\n \nbibia be ye ye\n[Post-Chorus]\nBibia be ye ye, ye ye, ye ye\nBibia be ye ye\n[Verse 2]\nI remember less and less and mostly things that I regret\nIn my phone are several texts from girls I've never met\nAnd in the pocket of my jeans are only coins and broken dreams\nMy heart is breaking at the seams and I'm coming apart now\nNow things are looking up, I'll find my shoes right next to the oak tree\nAnd I'll get a bus straight into town and spend the afternoon\nLooking around for the things that I left on the ground\nAnd say you're with me, tomorrow's a brand new day [Chorus]\nSomeone told me, \"Always say what's on your mind\"\nAnd I am only being honest with you, I\nI get lonely and make mistakes from time to time\nSe enioma enko ye,\n \nbibia be ye ye\n[Post-Chorus]\nWo nooma (Be ye ye)\nWo nooma maaaa ye (Be ye ye)\nWo nooma (Be ye ye)\nWo nooma maaaa ye (Be ye ye)\nWo nooma (Be ye ye)\nWo nooma maaaa ye (Be ye ye)\nWo nooma (Be ye ye)\nWo nooma maaaa ye (Be ye ye)\n[Chorus]\nSomeone told me, \"Always say what's on your mind\"\nAnd I am only being honest with you, I\nI get lonely and make mistakes from time to time\nSe enioma enko ye,\n \nbibia be ye ye\n[Post-Chorus]\nBibia be ye ye, ye ye, ye ye\nBibia be ye ye\nWo nooma\n (\nBe ye ye\n)\nWo nooma maaaa ye\n (\nBe ye ye\n; bibia be ye ye, ye ye ye ye)\nWo nooma\n (\nBe ye ye\n)\nBibia be ye ye [Outro]\nWo nooma (Be ye ye)\nWo nooma maaaa ye (Be ye ye)\nWo nooma (Be ye ye)\nWo nooma maaaa ye" } ]

[ { "from": "human", "value": "Write me a song called Faded with the following description: “Faded” is a club-bopping track about getting drunk and high. Additionally, Tyga make references to numerous movies, rappers, and athletes in his two verses while Wayne make sexual allusions to his women in his verse. It was released as the fourth single from Tyga’s debut album, Careless World: Rise of the Last King.\nThe song peaked at #33 on the Billboard Hot 100, which became Tyga’s then-second highest solo charting single of his career and it was named the 42th best song of 2012 by Complex.\nThe official music video was released on March 31, 2012, and features cameo appearances from Birdman and Mack Maine. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Tyga]\nHahah, I don't give a fuck, shit\nAhhh-ah-ah-ah-ah, hah!\n[Verse 1: Tyga]\nYoung Nino, fuck a bitch in a peacoat\nCarlito, Scarface, Al Pacino\nBun B though, Pimp C, R.I.P though\nI goes deep in that pussy; Dan Marino\nShe wanna be the one, fuck her to my own single\nBreak a bitch heart, no future; Miss Cleo\nSnapback, au-au-automatic reload\nFlyer than a fucking beetle, you can’t beat 'em\nHah, vampire fuck up your evening\nI pop up and eat lunch, leave you in the cement\nDon’t believe it? Stripe like A-fucking-didas\nThe gun Selena, give a nigga Bieber fever\nHah, hah, real fucking hot\nPut it in pot, take a shot, higher than a tube sock\nYou's a bop, give me top top as I load the whop\nMan these niggas say I’m fly but to her I’m God\n[Chorus: Tyga]\nI’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, and I don’t give a fuck [Verse 2: Tyga]\nFuck is up? Niggas stomping in my Chucks\nYeah I make it reindeer cause I’m all about my bucks\nUse the butt up in the front, d-dick up in her cunt\nAnd I put it in her hole, hole-in-one, putt putt\nAughh! Su-Super McNasty\nWhy you McLovin w\nhen the bitch call me daddy?\nPimp, no caddy, she wish she never had me\nTreat her like a dog (dog) called the bitch Lassie (hah!)\nYoung savvy, bang her like Cincinnati\nAbove average, \nf-fly like I’m Aladdin\nThey bend backwards, thr-throw the pussy at them\nI’m Ben Wallace, dunk up in your basket (haha)\nU-uh, balls in the air\nNo games, I’m serious, double dare\nThere’s too many bitches, why these niggas wanna stare?\nPat Ron up in here, nigga this ain’t no beer\n[Chorus: Tyga & \nLil Wayne\n]\nI’m faded faded faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded (\nyeah\n)\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, and I don’t give a fuck [Verse 3: Lil Wayne]\nMama, there go that monster\nAbracadabra, Magic Johnson\nMy motherfucking doctor said I need a doctor\nSo I called House, now I am a pill popper\nFaded like skinnys, Young Money we winning\nI told her if I change, she won’t get a penny\nMilking this shit, pregnant bitch titties\nBringing home the bacon, I’m fucking Miss Piggy\nLoaded like a semi, send me naked pictures\nShe knows my dick, she call that nigga Richard\nPrior to me cumming, I had to stick my thumb in\nHer ass one time, smell my finger, make you vomit\nFlyer than a hornet, the shoe fit; I worn it\nShe tried to jack me off, can’t beat it, join it\nTunechi, coochie, that what she call it\nFlag, scarlet, I killed it, mourning\n[Chorus: Tyga & \nLil Wayne\n]\nI’m faded, faded, faded ,faded\nMy nigga, I’m faded, faded, faded (\nyeah\n)\nMy nigga, I’m faded faded faded\nMy nigga, I’m faded, faded, faded (\nuhh\n)\nMy nigga, I’m faded faded faded\nMy nigga, I’m faded, faded, faded (\nYoung Mula baby!\n)\nMy nigga, I’m faded, faded, faded\nMy nigga, I’m faded, faded, and I don’t give a fuck" } ]

[ { "from": "human", "value": "Write me a song called Do You Know Where Your Children Are (Original Version) with the following description: One of few controversial tracks written by Michael, this track was originally recorded for Bad in 1987 but didn’t make the cut. This track takes inspiration from the ‘80s television broadcast: “Its 10pm. Do You Know Where Your Children Are?”. MJ later rerecorded the track during the Dangerous sessions in 1991. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nFather comes home from work, and he's scared to death\nMother cries for the kid, and the note she read\nFather runs to the table, he says \"What's going on?\"\nMother cries desperately, \"Our little baby's gone!\"\n[Chorus]\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\n[Verse 2]\nShe wrote that she is tired of stepdaddy using her\nSaying that he'll buy her things while sexually abusin' her\nJust think that she's all alone somewhere out on the street\nHow will this girl survive? She ain't got nothin' to eat\n[Chorus]\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are [Bridge]\nSave me (From this living hell)\nSave me ('Cause I, I wanna help)\nSave me (I'm tired and I'm mad)\nSave me ('Cause this, it ain't no joke)\nSave me ('Cause I'm out for blood)\nSave me ('Cause I don't wanna ignore)\nSave me (It's time I replied)\nSave me (Uh-uh)\nSave me (Hee-hee)\n[Verse 3]\nNow, she's on the move, she's off to Hollywood\nShe says she wanna be a star, she heard the money's good\nShe gets off from the train station, a man is waiting there\n\"I'll show you where the money is, girl, just let down your hair\"\nHe is takin' her on the streets of Sunset Boulevard\nShe's sellin' her body, hah, girl, that will take you far\nThe police come 'round the corner, somebody there told\nHe's arresting this little girl, she's only 12 years old\n[Chorus]\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are\nDo you know where your children are?\nBecause it's now 12 o'clock\nIf they're somewhere out on the street\nJust imagine how scared they are" } ]

[ { "from": "human", "value": "Write me a song called Love Me Tender with the following description: Love Me Tender (a remake) singing over Cage’s cover of Love Me Tender in the original motion picture soundtrack; Wild At Heart (1990).Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Love me tender, love me sweet\nNever let me go\nYou have made my life complete\nAnd I love you so\nLove me tender, love me true\nAll my dreams fulfill\nFor my darling, I love you\nAnd I always will\nLove me tender, love me long\nTake me to your heart\nFor it's there that I belong\nAnd we'll never part\nLove me tеnder, love me truе\nAll my dreams fulfill\nFor my darling, I love you\nAnd I always will\nLove me tender, love me, dear\nTell me you are mine\nI'll be yours through all the years\n'Til the end of time\nLove me tender, love me true\nAll my dreams fulfill\nFor my darling, I love you\nAnd I always will" } ]

[ { "from": "human", "value": "Write me a song called Run Run Run with the following description: Kelly Clarkson puts one of her first collaborations onto her fifth album, Piece By Piece. Along with John Legend, they cover “Run Run Run”, which was originally a Tokio Hotel song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kelly Clarkson]\nI wonder how your body tastes\nInside of someone else's place\nPull away your eyes, there's nothin' left to heal\nI'm alone, but I know everything you feel\n[Chorus: Kelly Clarkson]\nAnd you waited on the rain\nThrough tears, my heart is caged\nAnd we fall through fate and we rise and rise again\nAnd I run, run, run, run, run\nAnd I run, run, run, run, run\nI run, run, run, run, run\nI just run, run, run\n[Verse 2: John Legend \nwith Kelly Clarkson\n]\nTell me how you close the door\nKnowin' nobody could love you more\nTellin' all your friends that this love was just made for bleedin'\nOh, \nhung up underwater, but still we keep on tryna breathe in\n[Chorus: Kelly Clarkson & John Legend]\nAnd you waited on the rain\nThrough tears, my heart is caged\nAnd we fall through fate and we rise and rise again\nAnd I run, run, run, run, run\nAnd I run, run, run, run, run\nI run, run, run, run, run\nI just run, run, run [Bridge: Kelly Clarkson]\nOur lust for fighting\nTied up in silence\nOh yeah\n[Chorus: Kelly Clarkson & John Legend]\nAnd you waited on the rain\nThrough tears, my heart is caged\nAnd we fall through fate and we rise and rise again\nAnd I run, run, run, run, run\nAnd I run, run, run, run, run\nI run, run, run, run, run\nI just run, run, run\nAnd I run, run, run, run, run\nAnd I run, run, run, run, run\nI run, run, run, run, run\nI just run, run, run\n[Bridge: Kelly Clarkson & John Legend]\nOur lust for fighting\nTied up in silence" } ]

[ { "from": "human", "value": "Write me a song called Champion with the following description: An anthem from Kanye West’s album Graduation containing a jazz and reggae influence, eschewing trumpets in favor of bright synthesizers and featuring breezy hooks provided by a chopped-up vocal sample of “Kid Charlemagne” by Steely Dan. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain]\nDid you realize\nThat you were a champion in their eyes?\n[Chorus: Kanye West]\nYes, I did\nSo I packed it up and brought it back to the crib\nJust a lil' somethin', show ya how we live\nEverybody want it but it ain't that serious\nMhm, that's that shit\nSo if you gon' do it, do it just like this\n[Refrain]\nDid you realize\nThat you were a champion in their eyes?\n[Verse 1: Kanye West]\nYou don't see just how wild the crowd is?\nYou don't see just how fly my style is?\nI don't see why I need a stylist\nWhen I shop so much I can speak Italian\nI don't know, I just want it better for my kids\nAnd I ain't sayin' we was from the projects\nBut every time I wanted layaway or a deposit\nMy dad'd say, \"When you see clothes, close your eyelids\"\nWe was sort of like Will Smith and his son\nIn the movie, I ain't talkin' 'bout the rich ones\n'Cause every summer he'd get some\nBrand new hare-brained scheme to get rich from\nAnd I don't know what he did for dough\nBut he'd send me back to school wit' a new wardrobe, but ayy [Refrain: Kanye West]\nDid you realize\nAyy, ayy, ayy\nThat you were a champion in their eyes?\n[Chorus: Kanye West]\nI think he did\nWhen he packed it up and brought it back to the crib\nJust a lil' somethin', show ya how we live\nEverything I wanted, man it seem so serious\nMhm, that's that shit\nSo if you gon' do it, do it just like this\n[Refrain]\nDid you realize\nThat you were a champion in their eyes?\n[Verse 2: Kanye West]\nWhen it feel like living's harder than dyin'\nFor me givin' up's way harder than tryin'\nLauryn Hill said her heart was in Zion\nI wish her heart still was in rhymin'\n'Cause who the kids gon' listen to? Huh?\nI guess me if it isn't you\nLast week I paid a visit to the institute\nThey got the dropout keepin' kids in the school\nI guess I'll cleaned up my act like Prince'll do\nIf not for the pleasure, least for the principle\nThey got the CD, they got to see me\nDrop gems like I dropped out of PE\nThey used to feel invisible\nNow they know they invincible [Refrain: Kanye West]\nDid you realize\nAyy, ayy, ayy\nThat you were a champion in their eyes?\n[Bridge: Chloe Mitchell]\nThis is the story of a champion\nRunners on their mark and they pop their guns\nStand up, stand up, here he comes\nTell me what it takes to be number one\nTell me what it takes to be number one\nThis is the story of a champion\nRunners on their mark and they pop their guns\nStand up, stand up, here he comes\nTell me what it takes to be number one\nTell me what it takes to be number one\n[Refrain]\nDid you realize\nThat you were a champion in their eyes?\n[Chorus: Kanye West]\nYes, I did\nSo I packed it up and brought it back to the crib\nJust a lil' somethin', show ya how we live\nEverybody want it but it ain't that serious\nMhm, that's that shit\nSo if you gon' do it, do it just like this\nLike this [Refrain]\nDid you realize\nThat you were a champion in their eyes?\n[Produced by Kanye West and Brian Miller]" } ]

[ { "from": "human", "value": "Write me a song called I Got Time with the following description: “I Got Time” features Chris Brown and Young Thug rapping and singing about having time in their schedule to make love to their significant others.\nThe track features a guest verse from Thug’s frequent collaborator, Southern rapper Shad Da God and production from Tariq Beats, A1, and IAmXayy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown]\n(\nXayy, why you do it to 'em?\n)\nYeah\n[Chorus: Chris Brown]\nSay, love, I wanna make love with you\nSee me and all of this paper (Ooh)\nBad ting, got the million shape-up (Huh), oh, yeah\nSay, love, don't be a stranger\n('Cause I got time)\nI got time today, yeah, I got time (Yeah, I got time)\nI got time today, yeah, I got time (Yeah, I got time)\nI got time today, yeah, I got time (Oh, I got time)\nI got time today, yeah, I got time for you\n[Verse 1: Chris Brown]\nWake up, you don't cover your face up, oh, ooh\nMakeup, you don't need no makeup, you perfect (Yeah)\nSay, love, I wanna link up, me and you\nSay less, don't gotta speak on what we gon' do\nI love, love when you send me a text sayin', \"Boo, come through\"\nYou love love letters wrote to you (Yeah)\nWhat if I only dream about you?\nDon't wake up, don't want to, here without you (You)\n[Chorus: Chris Brown]\nSay, love, I wanna make love with you (Yeah)\nSee me and all of this paper (All this paper, yeah, ooh)\nBad ting, got the million shape-up (Huh), oh, yeah\nSay, love, don't be a stranger (Don't be)\n('Cause I got time)\nI got time today (Yeah-yeah), yeah, I got time (Yeah, I got time)\nI got time today, yeah, I got time (Yeah-yeah, baby, I got time)\nI got time today, yeah, I got time (Oh, I got time)\nI got time today, yeah, I got time for you [Verse 2: Young Thug]\nI had to pay her tuition, the way this lil' baby was suckin' my nuts (I had to pay her tuition)\nI gotta keep this shit pimpin', man, I'm never fallin' in love with a slut (No)\nI gotta tell you, was written the way that a young nigga came up, yeah (I gotta tell you)\nLook at the opps behind us (Woah)\nLook at this foreign shit around us (Woo)\nI got a slime, yeah-yeah\nI got a slime (Yeah-yeah-yeah), yeah\nDrinkin' on green, yeah-yeah (Drinkin' on green)\nFeel like it's pine, yeah-yeah\nThe bitch ain't mine, yeah-yeah\nHer card is declined, yeah-yeah\nTriple my cups, triple my doses, I'm triplin' up (Triple up)\n[Verse 3: Shad da God]\n(Cut)\nI got some time to go gamble, I'm hittin' my point in the book (Hittin' my point in the book)\nFuck it, we choose to gamble, girl, but that shit addin' up (Hop in the trap with a player)\nHop in the trap with a P, we gon' stay with a AK and seven G's (Hop in the trap)\nHow you know it's less?\nI say look how this shit blessed (Blessed, blessed)\n'Cause you bust it one time and it's two-tone\nI'm tryna stand in that shit like a shoe line\nTimin' the essence, this AP worth ten dimes (Oh)\nTell me you choosin', are you tryna get walked down? (Yeah)\nYou can punch my number like the lunch line\nYou gon' see how the whip sound (See how the whip sound)\nIt gon' be pullin' up (Cut)\nI might just hop out, that stick in the tuck (\nYou\n) [Chorus: Chris Brown]\nSay, love, I wanna make love with you\nSee me and all of this paper (Ooh)\nBad ting, got the million shape-up (Huh), oh, yeah\nSay, love, don't be a stranger\n('Cause I got time)\nI got time today, yeah, I got time (Yeah, I got time)\nI got time today, yeah, I got time (Yeah, I got time)\nI got time today, yeah, I got time (Oh, I got time)\nI got time today, yeah, I got time for you" } ]

[ { "from": "human", "value": "Write me a song called Hot N’ Cold with the following description: “Hot N' Cold” is Issey Cross' cover of American singer-songwriter Katy Perry’s 2008 hit single.\nThe song received its TV debut on season seven of popular British reality show, Love Island. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou change your mind like a girl changes clothes\nYeah, you PMS like a bitch, I would know\nAnd you overthink, always speak cryptically\nI should know that you're no good for me\n[Chorus]\n'Cause you're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down\nYou're wrong when it's right\nIt's black and it's white\nWe fight, we break up\nWe kiss, we make up\n[Post-Chorus]\n(You) You don't really wanna stay, no\n(You) But you don't really want to go, oh\nYou're hot then you're cold\nYou're yes then you're no\nYou'rе in when you're out\nYou're up whеn you're down\n[Verse 2]\nWe used to be just like twins, so in sync\nThe same energy now's a dead (D-d-d-dead) battery\nUsed to laugh (Mm-mm) 'bout nothing (Mm-mm)\nNow you're plain boring (Boring)\nI should know\nThat you're not gonna change [Chorus]\n'Cause you're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down\nYou're wrong when it's right\nIt's black and it's white\nWe fight, we break up\nWe kiss, we make up\n[Post-Chorus]\n(You) You don't really wanna stay, no (Oh)\n(You) But you don't really wanna go, oh (Oh)\nYou're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down\n[Chorus]\n'Cause you're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down\nYou're wrong when it's right\nIt's black and it's white\nWe fight, we break up\nWe kiss, we make up [Chorus]\nYou're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down\nYou're wrong when it's right\nIt's black and it's white\nWe fight, we break up\nWe kiss, we make up\n[Post-Chorus]\nYou don't really wanna stay, no (Oh)\n(You) But you don't really wanna go, oh (Oh)\nYou're hot then you're cold\nYou're yes then you're no\nYou're in then you're out\nYou're up then you're down" } ]

[ { "from": "human", "value": "Write me a song called ​out for the night with the following description: “out for the night” is the fourth track off of 21 Savage’s sophomore album, i am > i was. The songs contains a sample from Carlos Santana’s 1970 track “Samba Pa Ti”.\nA sequel to this track, “out for the night, pt. 2”, was included as the only bonus track to the album’s deluxe edition, with an additional third verse by Travis Scott. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGive her back shots 'til her back hurt (Back shots)\nThumb through the money 'til my hands hurt (Cash out)\nWanna go on a date? You gotta dance first (Yah, yah)\nTake it to the paint, I gotta slam first (Yah, yah)\nShe be actin' stiff with the booty (On God)\nFeelin' like I'm Biggie rockin' Coogi (On God)\nDraco make you put up that lil' Uzi (On God)\nI don't want no features, niggas groupies (Straight up)\nPass her to the gang, quarterback sneak (Quarterback sneak)\nI was in my feelings, now it's, \"Fuck Kiki\" (Worried 'bout)\nLet lil' Tip hit that bitch\n, \non GP\n (Straight up)\nSmokin' gas, nigga, I re-up at the BP\n[Chorus]\nFive foot five (Five), she my ride or die (Die)\nNever tell a lie (Lie), we like Bonnie and Clyde (Clyde)\nLookin' at her thigh (Thigh), like, \"Do it come with rice?\" (Rice)\nShe don't like FaceTime, she would rather Skype\nBut I'm out for the night (Straight up)\nOut for the night (Straight up)\nOut for the night (Straight up)\nOut for the night (Straight up)\nYeah, I'm out for the night (On God)\nOut for the night (On God)\nOut for the night (On God)\nOut for the night (On God) [Verse 2]\nYeah, you workin' hard (Hard)\nAnd I see you (I do)\nAnd your bills late (Late)\nAnd your rent due (Yeah)\nAnd you never need a man to defend you (Straight up)\nYou already pissed off, on your menstrual (Straight up)\nAnd you been through (Yeah)\n'Cause he been through (Yeah)\nYou a star player (Star)\nAnd he benched you (Yeah)\nIn your corner, I'd never go against you (On God)\nBought a foreign, now it's friends wanna text you (Straight up)\nYou got off late (Late)\nAnd you worked out (Worked)\nYou ain't stunt his baby mama 'cause she burnt out (Burnt)\nYou got rid of him and made sure that we worked out (Facts)\nSo \nI put a hunnid racks in your purse\n now (Racks)\n[Chorus]\nFive foot five (Five), she my ride or die (Die)\nNever tell a lie (Lie), we like Bonnie and Clyde (Clyde)\nLookin' at her thigh (Thigh), like, \"Do it come with rice?\" (Rice)\nShe don't like FaceTime, she would rather Skype\nBut I'm out for the night (Straight up)\nOut for the night (Straight up)\nOut for the night (Straight up)\nOut for the night (Straight up)\nYeah, I'm out for the night (On God)\nOut for the night (On God)\nOut for the night (On God)\nOut for the night (On God)" } ]

[ { "from": "human", "value": "Write me a song called One with the following description: On “One,” Logic opens the Young Sinatra trilogy by discussing finally finding success; as a result of his hard work and dedication. The track is also sprinkled with some braggadocios bars about Logic’s work ethic and lyrical skill.\nLogic opens the track with a Frank Sinatra sample that details the age of 21, which is exactly with the stage of life he was at during this release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Frank Sinatra]\nWhen I was twenty-one\nIt was a very good year\nIt was a very good year for city girls\nWho lived up the stair\nWith all that perfumed hair\nAnd it came undone\nWhen I was twenty-one\n[Verse: Logic & \nFrank Sinatra\n]\nIt was all a dream just a year ago\nBussin' tables, and servin' food, but y'all don't hear it though\nNow, I'm on another level, but y'all ain't near it though\nMy soul bleedin' on the track, so spiritual\nIt's a blessing 'cause now, rappin' is my profession, yo\nSet to detonate, I'm just waitin' for my time to blow\nWhite boy at first glance, but when I rhyme they know\nRace don't mean a fucking thing the second that I flow\nIt's been a year and everything I said would happen has\nWhile everybody that I know was out havin' a blast\nI was right here in the studio bustin' my ass\nIt's been a year, I'm twenty-one, but I feel (\nThirty-five\n)\nYeah, and now, I got this\nI taste the blood, no one can stop this\nSecond I drop this, die hard fans is finna cop this\nWhile the rest of the world follows through fiber optics\nI took my time, see I studied the game, learned how to rhyme\nI was around drugs and gats, but never delved in crime\nHad other things in mind, so I began to grind\nFirst tape was a success\nLocally, I got press\nBut I knew this one right here would run the world a mess, but I digress\nA year ago, I was a youngin in his room\nStaring out the window, lookin' at the moon, knowing it's coming soon\nBut today, I board this rocket ship and sonic boom\n'Cause I am no longer a seed, homie, it's time to bloom" } ]

[ { "from": "human", "value": "Write me a song called World Ablaze with the following description: This song explains the troubles he and his ex-girlfriend went through while her mother had breast cancer. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: James Fauntleroy]\nStay close to me, so close to me\nThat's how it's supposed to be\nLong as you've been knowing me\nYou been holding me down\nI'm sure as fuck, so fuck hopefully\nI watch over you, you watch over me\nAnd that's how it's supposed to be\nAnd we are, alright\n[Hook: James Fauntleroy and Big Sean]\nNow, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright\nCause, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright\n[Post-Hook: James Fauntleroy & Big Sean]\nJust tell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be [Verse 1: Big Sean]\n\"Might not make it this time\"\nIs what not to say at this time\nSometimes, the truth ain't what you need to hear\nAnd you tell them they alright, knowing they need a cure\nHow I'mma believe in paradise if I don't see the sand\nOnly palm trees I got is this weed off in my hand\nAround the same time my mom said \"Sean, you need a plan\nMiss Freeman's son, across the street got shot, now she need a hand!\"\nTraumatized, God oh why's his momma cry\nNow I gotta look up, up in his momma eyes, gotta tell this momma lies\nLike, \"It's gonna be alright,\" knowing it ain't alright\nAnd I know it's so much pain, and there's probably more on the way\n[Hook: James Fauntleroy and Big Sean]\nNow, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright\nCause, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright\n[Post-Hook: James Fauntleroy & Big Sean]\nJust tell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be [Verse 2]\nYou know I love you momma like she mine\nWhether we together, or we trying\nWe fuck, three times, we smoke, tree times\nWe climb, I left, came back in town, it wasn't in time\nThe cancer done came, it just hit it's prime\nIt came from the breast, just spread to the spine\nIt might make her blind, \nshe stare at the blinds:\n\"This can't be my mom!\"\nGot me thinking, \n\"whats a girl to do, a girl to do?\nWhen her world's a pool?\nAnd she comes up for air, and it's walls of flames\nAnd all the stress is all propane\nShe's burned again\"\nHoping I could make her smile\nTake cancer and David Blaine it out\nPOOF! Disappear, God make an out!\n[Hook: James Fauntleroy and Big Sean]\nNow, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright\nCause, when the world's ablaze, the stars will fall\nThe lights go off\nSay it's going to be, alright\nIt's going to be, alright [Post-Hook: James Fauntleroy & Big Sean]\nJust tell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\nTell me it'll be, tell me it'll be\n[Outro: James Fauntleroy]\nStay close to me, so close to me\nThat's how it's supposed to be\nLong as you've been knowing me\nYou been holding me down\nI'm sure as fuck, so fuck hopefully\nI watch over you, you watch over me\nAnd that's how it's supposed to be\nAnd we are, alright\nAnd we are, alright\nAnd we are, alright" } ]

[ { "from": "human", "value": "Write me a song called Um Yea with the following description: “Um Yea” is a phrase and adlib coined by Lil Uzi Vert. Migos collaborated on their #1 hit “Bad and Boujee” with Lil Uzi.\n “Um Yea” is typically used to emphasize something usually used sarcastically.“ Um Yea” translates to “of course” or “obviously”.\nUzi uses the “Um Yea” adlib, like on “Left, Right”:\n“Um yeah, I was just in Miami\nYeah, guess who I fucked on the beach\nYeah, Chanel that’s all in my feet, yeah…\nUm, that’s double C, yeah\nWalking with that pocket rocket\n”\n\n “Put 200k in my safe, yeah (um yeah yeah)\nPut 300k in my safe, yeah (um yeah)”\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Offset]\nWe havin' a check by the way (Hey)\nHuh, woo woo woo (\nDJ Durel\n)\nYou feel me? you dig\nShit look easy, know what I mean\nHey\n[Chorus: Offset]\nDon't I look like I'm the shit lil' nigga? (Don't I?)\nLook at my motherfuckin' wrist lil nigga (Eh)\nThought you had hits but you missed lil nigga (Weuh)\nWhy you keep starin' at my bitch lil nigga? (Why?)\nYou little niggas keep gossiping (Lil' nigga)\nYou should go work for the blogs and them (Ha)\nDon't fuck with the gang, they the opposite (Nah)\nPop at them niggas, apocalypse (Brrt)\nUm, yeah, you cannot stop it (Hey)\nRun up that bag, we gon' go get a profit (Bag, bag)\nUm, yeah, this no Monopoly (Woo)\nBut we got colorful money and property\nUm, yeah, what's in your pocket? (Huh?)\nThe pocket rocket, please do not size me (Brrt)\nUm, yeah, bored on the private\nBoogers look snotty, I'm good on a thotty (thotty)\n[Verse 1: Offset]\nUh, yeah, I'm 'bout to get his ass hit (Hit)\nYeah, pay that lil' dime (Bah)\nYeah, if you get knocked for that body (Shh)\nYeah, do that lil' time (Appeal)\nYeah, half of a brick is a nine plus nine, can't show this on Vine (On the low though)\nYeah, most of you niggas drop dimes on dimes, you can't do the time (you a ho though, woo)\nElliot got me on blind, I'm blind, I can't see my time (shine)\nYeah, if I'm a gangster my bitch is a gangster, she ready to slide (she ready to ride)\nBitch I can't face it, I sip on the Matrix, I'm dead or alive (uhh)\nIf I go broke I'm not asking nobody, I'm ready to rob (ready to kick)\nSlob on my knob, canary diamonds, corn on the cob (yellow, ice)\nFifty K sloppy, all in my pocket, call it a Whopper (fifty ball)\nCan't kick it, no soccer, birds in the trap still sing like an opera (brr)\nRobinson 44 (uh), bitch take a trip in the chopper\nStill ballin' like forty-four, and we still pull up with choppers\nStill bustin' off forty-four, you talkin' 'bout guns or the profit (uh)\nYeah, go pick up a bigger load, from Pablo, Rico, and Papi (Rico)\nYou got them bricks, we gon' hit the door (boo)\nI'm in your hood, Robin [Chorus: Offset]\nDon't I look like I'm the shit lil' nigga? (don't I?)\nLook at my motherfuckin' wrist lil nigga (ehh)\nThought you had hits but you missed lil nigga (weuh)\nWhy you keep starin' at my bitch lil nigga? (why?)\nYou little niggas keep gossiping (lil nigga)\nYou should go work for the blogs and them (ha)\nDon't fuck with the gang, they the opposite (nah)\nPop at them niggas, apocalypse (brrt)\nUm, yeah, you cannot stop it (hey)\nRun up that bag, we gon' go get a profit (bag, bag)\nUm, yeah, this no Monopoly (woo)\nBut we got colorful money and property\nUm, yeah, what's in your pocket? (huh?)\nThe pocket rocket, please do not size me (brrt)\nUm, yeah, bored on the private\nBoogers look snotty, I'm good on a thotty (thotty)\n[Verse 2: Cardi B & \nOffset\n]\nBardi, uh\nAin't with the politicking with you, I don't need to vote (\nnah\n)\nI sell tracks that these tours need for seating rows (packed)\nI'm in the spot these whack bitches is competing for (weak, \nwho?\n)\nMatter fact I'm that bitch that's really eating the most (\nhrrr\n)\nI'm with your nigga 'cause he know just how treat a ho (\nsplurge\n)\nLet's talk money in Spanish 'cause I can speak it in both (díme)\nI been ballin' kinda like when Derek Jeter rose\n (woo)\nI'm with the papis with machetes so dimelo (\nahh\n)\nTravel with the hitters and you know they keep the pole (\nbaow, baow\n)\nBye now lil bitch, you can get pita-rolled (blah)\nHe kept the ice on my neck and kept that fever low (woo) [Chorus: Offset]\nDon't I look like I'm the shit lil' nigga? (don't I?)\nLook at my motherfuckin' wrist lil nigga (ehh)\nThought you had hits but you missed lil nigga (weuh)\nWhy you keep starin' at my bitch lil nigga? (why?)\nYou little niggas keep gossiping (lil nigga)\nYou should go work for the blogs and them (ha)\nDon't fuck with the gang, they the opposite (nah)\nPop at them niggas, apocalypse (brrt)\nUm, yeah, you cannot stop it (hey)\nRun up that bag, we gon' go get a profit (bag, bag)\nUm, yeah, this no Monopoly (woo)\nBut we got colorful money and property\nUm, yeah, what's in your pocket? (huh?)\nThe pocket rocket, please do not size me (brrt)\nUm, yeah, bored on the private\nBoogers look snotty, I'm good on a thotty (thotty)" } ]

[ { "from": "human", "value": "Write me a song called On the Floor (Radio Edit) with the following description: “On the Floor” is a song recorded by American singer Jennifer Lopez for her seventh studio album, LOVE?.\nA radio edit of the song is featured on Now That’s What I Call Music! 39. The radio edit is shorter in length (3:52) than the album version (4:44) and removes a few lines of lyrics in the first chorus and the last chorus. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Pitbull & \nJennifer Lopez\n]\nJLo!\nYa tú sabes, no es más nada\nIt's a new generation\nMr. Worldwide!\nOf party people\nYeah, get on the floor, dale\nGet on the floor, RedOne\nLet me introduce you to my party people in the club, ha!\n[Verse 1: Pitbull]\nI'm loose (I'm loose)\nAnd everybody knows I get off the chain\nBabe, it's the truth (It's the truth)\nI'm like Inception, I play with your brain\nSo I don't sleep or snooze (Snooze)\nI don't play no games so d-d-don't-don't-don't get it confused, no\n'Cause you will lose, yeah\nNow, now pu-pu-pu-pu-pump it up\nAnd back it up, like a Tonka truck, dale!\n[Verse 2: Jennifer Lopez, \nPitbull\n & \nBoth\n]\nIf you go hard, you gotta get on the floor (Hey)\nIf you're a party freak, then step on the floor (\nYeah\n)\nIf you're an animal, then tear up the floor\nBreak a sweat on the floor, yeah, we work on the floor (\nAh\n)\nDon't stop, keep it moving, put your drinks up (\nWoo!\n)\nPick your body up and drop it on the floor (Hey)\nLet the rhythm change your world on the floor (\nHahaha\n)\nYou know we're running shit tonight on the floor\nBrazil, Morocco, London to Ibiza\nStraight to L.A., New York, Vegas to Africa\n (\nAh\n) [Chorus: Jennifer Lopez & \nPitbull\n]\nDance the night away\nLive your life, and stay young on the floor (\nHahaha\n)\nDance the night away\nGrab somebody, drink a little more\nAsí mismo, así me gusta, así me gusta, así me gusta\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la\nTonight, we gon' be it on the floor (\nWoo!\n)\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la\nTonight, we gon' be it on the floor (\nLet's rock\n)\n[Verse 3: Jennifer Lopez, \nPitbull\n & \nBoth\n]\nI know you got it, clap your hands on the floor (Hey)\nAnd keep on rocking, rock it up on the floor (\nYeah\n)\nIf you're a criminal, kill it on the floor\nSteal it quick on the floor, on the floor (\nYeah\n)\nDon't stop keep it moving, put your drinks up (\nWoo!\n)\nIt's getting ill, it's getting sick on the floor (Hey)\nWe never quit, we never rest on the floor (\nYeah\n)\nIf I am not wrong, we'll probably die on the floor\nBrazil, Morocco, London to Ibiza\nStraight to L.A., New York, Vegas to Africa\n (\nDale\n)\n[Chorus: Jennifer Lopez & \nPitbull\n]\nDance the night away\nLive your life, and stay young on the floor (\nHa, dale, así me gusta\n)\nDance the night away\nGrab somebody, drink a little more\nDale, así me gusta, así me gusta, así me gusta\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la\nTonight, we gon' be it on the floor (\nLet's rock\n)\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la\nTonight, we gon' be it on the floor (\nLet's rock\n) [Verse 4: Pitbull]\nThat badonkadonk is like a trunk full of bass on an old school Chevy\nSeven-trey donkey donk (Yeah)\nAll I need is some vodka and some chonky Coke\nAnd watch, shit gon' get Donkey Konged (Hahaha)\nBaby, if you're ready for things to get heavy\nI get on the floor and act a fool if you let me, dale\nDon't believe me, just bet me (Hahaha)\nMy name ain't Keith, but I see why you sweat me (Hahaha)\nL.A., Miami, New York\nSay no more, get on the floor (Woo)\n[Chorus: Jennifer Lopez & \nPitbull\n]\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la (\nLet's rock\n)\nTonight, we gon' be it on the floor\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la (\nLet's rock\n)\nTonight, we gon' be it on the floor\nLa-la-la-la-la-la-la-la-la-la-la-la-la-la (\nWoo!\n)\nTonight, we gon' be it on the floor" } ]

[ { "from": "human", "value": "Write me a song called Thinking of You with the following description: “Thinking of You” is a song from Katy Perry’s One of the Boys, released as the third single from the album. The song became her first ballad to be released as a single.\nThe song finds Katy describing her past with a former lover, who she considered to have been her best relationship. Even though she’s with someone new, she isn’t as happy with her current boyfriend as she was with her ex. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nComparisons are easily done\nOnce you've had a taste of perfection\nLike an apple hanging from a tree\nI picked the ripest one, I still got the seed\n[Pre-Chorus]\nYou said move on, where do I go?\nI guess second best is all I will know\n[Chorus]\n'Cause when I'm with him, I am\nThinking of you (Thinking of you, thinking of you)\nThinking of you\nWhat you would do if\nYou were the one who was\nSpending the night (Spending the night, spending the night)\nOh, I wish that I\nWas looking into your eyes\n[Post-Chorus]\nEyes\n[Verse 2]\nYou're like an Indian summer in the middle of winter\nLike a hard candy with a surprise center\nHow do I get better once I've had the best?\nYou said there's tons of fish in the water, so the waters I will test [Pre-Chorus]\nHe kissed my lips, I taste your mouth, oh (I taste your mouth)\nHe pulled me in, I was disgusted with myself\n[Chorus]\n'Cause when I'm with him, I am\nThinking of you (Thinking of you, thinking of you)\nThinking of you\nWhat you would do if\nYou were the one who was\nSpending the night (Spending the night, spending the night)\nOh, I wish that I\nWas looking into\n[Bridge]\nYou're the best\nAnd yes, I do regret\nHow I could let myself let you go\nNow, now the lesson's learned\nI touched it, I was burned\nOh, I think you should know\n[Chorus]\n'Cause when I'm with him, I am (Oh)\nThinking of you (Oh; thinking of you, thinking of you)\nThinking of you\nOh, what you would do if\nYou were the one who was\nSpending the night (Spending the night, spending the night)\nOh, I wish that I\nWas looking into your\nYour eyes\nLooking into your eyes\nLooking into your eyes\nOh, won't you walk through\nAnd bust in the door and\nTake me away?\nOh, no more mistakes\n'Cause in your eyes, I'd like to stay [Outro]\nStay" } ]

[ { "from": "human", "value": "Write me a song called Stepdad with the following description: While over the course of his last albums, on songs such as “Headlights” and “Bad Husband”, Em started to apologize to family members for his behavior and for making private matters known to the world through his music, some family members are still feeling his wrath.\nFor instance on “Arose” off of Revival, where Em makes it clear that he has not forgiven his father for abandoning him and his mother when he was a newborn.\nOh, almost forgot to do something, thank my father too\nI actually learned a lot from you\nYou taught me what not to do\nOn this track, it is his stepdad that is under attack. In the song, Em reveals domestic violence against both Em and his mother. Previously, on “Insane” off of Relapse, Em accused his stepfather of sexually abusing him as a child, he has however later stated that most of the song is fiction. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAyo\n(This a song about)\nMy, my stepdad\n(Let's see if this ever happened to you)\nI, I hate\nMy, my stepdad\n[Verse 1]\nOne thing that sticks in my craw\nWhen I was six and I saw my stepfather hittin' my Ma\nSocked her right in her eyeball\nI'm startin' to think I'm psychotic\nWith all the pictures I draw of\nShit that I've already witnessed, it’s probably twisted my thoughts\nAll I can hear is drama with Mom and him\nI can always hear 'em arguin' down the hallways\nThe walls are thin so the noise is startin' to feel like the norm\nOur dog pissed on the carpet, he stomped it so hard\nDoctors had to put it down\nHe killed my chihuahua, this motherfucker!\n[Chorus]\nI, I, hate\nMy, my stepdad (Stepdad)\nSo tonight I'm sayin', \"Bye-bye stepdad\" (Stepdad) [Verse 2]\nOutside, I look like I'm calm\nInside, I'm a tickin' time bomb\n'Cause of this motherfucker, who sticks his dick in my mom (My mom)\nLast night, he said I left the kitchen light on\nBut he walked in there this morning and purposely flipped it, I saw him\nHickory switch to my bottom, I counted sixty-nine times\nHe swatted me with it, I'd cry\nHe just started hittin' me harder\nGod, I wish I could just jaw him\nIf I could get my weight up\nBut I'm just a second grader\nThis prick is bigger than I am\nBut I've been readin' at school about this shit called liquid cyanide\nI'm fantasizin' at night when he's sleepin' at just the right time\nSneak up with a lethal injection\nAnd put him down like they did to my dog\nI'm talkin' euthanasia (Euthanasia), like kids in Taiwan\nThis fuckin' shit's like Saigon (Saigon)\nNeighbors called police on him\nSo many battery charges, this dude's like lithium-ion\nThen Mom and him let bygones (Bygones)\nJust be bygones\nSo on eggshells, I walk and just try not to piss this guy off\nBut this is why I... [Chorus]\nI, I, hate\nMy, my stepdad (Stepdad)\nSo tonight I'm sayin', \"Bye-bye stepdad\" (Stepdad)\n[Verse 3]\nSo this year, I'm goin' into the fifth and I'm tall\nI'm five foot six on my block, I'm the toughest kid but I got\nWay bigger fish to fry\nWhich is why I'm tryin' to get this bitch to fly off\nThe handle and wait for the fist to fly to put this guy in a pine box\nHe's always lookin' for chaos but tonight I've cooked up a plan\nSo this Christmas, I got some color books and some crayons\nI'm layin' on the floor, in the living room with some friends colorin'\nHe walks by, kicks my arm and goes, \"Oops\" and just laughs\nI yelled for Mom (Mom) and as she's rushin' to my defense\nI stood up and said, \"Fuck you, punk\" and I took off and ran\nTo my bedroom, as I fled\nKnowin' shit would hit the fan\nSlammed the door and hid behind it with an aluminum bat\nHe kicked it in\nI swung it hard as I could at his head\nHis noodle went splat, he fell right at the foot of my bed\nI'm a little bit scared but my anger's overtooken the fear\nI threw down the bat and just started whoopin' his ass\nBeat him with my bare hands, the big bad wolf ain't so bad\n\"Ding-dong,\" the pussy is dead, the bully finally gets his\nStomped him until he pissed enough to fill a two-liter with\nThen buried him next to my dog\nAnd if I go to juvie for this, I'ma tell 'em [Chorus]\nI, I, hate\nMy, my stepdad (Stepdad)\nSo tonight I'm sayin', \"Bye-bye stepdad\" (Stepdad)\n'Cause I, I, hate\nMy, my stepdad (Stepdad)\nSo tonight I'm sayin', \"Bye-bye stepdad\" (Stepdad)" } ]

[ { "from": "human", "value": "Write me a song called 5 Fingaz to the Face with the following description: Performed as a cover by the cast, “5 Fingaz to the Face” is basically a “Baby Got Back” parody. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Leon & Victoria, All, Daniella & Matt, (All & Girls), Daniella & Leon, Matt & Avan, (Matt),Leon & Rex]\nYou know I flaunt ya, cause' girl I really want ya\nAnd you looking nice, got me cooler than a bag of ice\nNow freeze, freeze, freeze, now go\nDrop it fast and move it real slow\n(Ohhh!, What?!)\nWhat, you smell so fruity\nI'm a pirate and you're my booty (Arghh!)\nSo move it in close\nAnd let me have my daily dose (Oh!)\nGirl, I've been thinking about you, thinking about me\nWhat you think about it?\n[Chorus: Ariana & (Matt), Leon & Victoria, Elizabeth & (Matt)]\nFive fingaz to the face\n(Eh, eh, reh, rew)\nFive fingaz to the face\n(Woo, eh, eh, ehh)\nOh, it's like that\nFive fingaz to the face\nFive fingaz to the face\n(Eh, eh, eh, ehh)\n[Verse 2: Avan & Boys, Leon & (Boys), Matt & Rex, (All), Elizabeth, Matt & Rex, Leon & (Boys), Rex & (Girls), Matt, Avan & Leon, (Girls), Leon & Elizabeth, Victoria & Daniella]\nI love Martina, Vanessa, and Georgina\nIt's a ladies choice, so I'ma make sure to make some noise\n(Ho, oh)\nAnd now we're sweating, got my turbo engine revving (Vroom!)\nThey stop and stare, all the haters think it's just not fair\nThat I'm six foot one and I'm tons of fun\nAnd I'm about to put this club in gear\nSo fellas grab a cup, (What!)\nAll my ladies you know what's up, (Yeah!)\nPut your hands to the sky if you're feeling fly, and tell me that you, what?\nCause' I'm the man in charge, and ya know I'm living large\nI got a big white house and a fancy yacht, and a garage full of classic cars [Interlude (Spoken); Victoria, Rex, Ariana, Leon & Elizabeth]\nWhat you talking 'bout boy, oh calm down\nI know you don't think you can just come up in here and buy me!\nCome on, you know what I got for you\n[Chorus: Ariana & (Matt), Victoria & (Matt), Girls & (Matt & Avan)]\nFive fingaz to the face\n(Eh, eh, reh, rew)\nFive fingaz to the face\n(Woo, eh, eh, ehh)\nFive fingaz to the face\n(Yip, rih-pih-pih, reh rew)\nFive fingaz to the face\n(Eh, eh, eh, ehh, Yeah!)\n[Outro: All & Ariana]\nOhhh!\nWord" } ]

[ { "from": "human", "value": "Write me a song called Mask Off with the following description: “Mask Off” serves as a “rags-to-riches” story that explores the surface of Future’s past, from trapping to living a life of luxury. The slow and syrupy production by Metro Boomin samples the 1976 song, “Prison Song” by Tommy Butler, which featured Carlton Williams.\nThe song went on to become one of Future’s highest-charting singles ever, peaking at #5 on the Billboard Hot 100. The song is also certified 8X platinum by the RIAA.\n\n\n\n\nThe song also spawned the #MaskOffChallenge, which participants dance and play instruments to the song. It was a huge factor in the song’s popularity.\nThe song’s official music video was released on May 4, 2017, and two weeks later, on May 23, 2017, a remix featuring Kendrick Lamar was released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nCall it how it is (Call it how it is)\nHendrix\nI promise, I swear, I swear\nYou heard, spit it, yo\n[Chorus]\nPercocets (Ya), molly, Percocets (Percocets)\nPercocets (Ya), molly, Percocets (Percocets)\nRep the set (Yee), gotta rep the set (Gang, gang)\nChase a check (Chase it), never chase a bitch (Don't chase no bitches)\nMask on (Off), fuck it, mask off (Mask)\nMask on (Off), fuck it, mask off (Mask)\nPercocets ('Cets), molly, Percocets (Percocets)\nChase a check (Chase it), never chase a bitch (Don't chase no bitches)\n[Verse 1]\nTwo cups (Cup), toast up with the gang (Gang, gang)\nFrom food stamps to a whole 'nother domain, ya\nOut the bottom (Ye), I'm the livin' proof (Super)\nAin't compromisin' (Woah), half a million on the coupe (Gang, gang)\nDrug houses (where), lookin' like Peru (Woah, woah, woah)\nGraduated (Crazy), I was overdue (I'm on due)\nPink molly (Molly), I can barely move (Barely move)\nAsk about me ('Bout me), I'm gon' bust a move\nRick James (James), thirty-three chains (Thirty-three)\nOcean air (Air), cruisin' Biscayne\nTop off (Ya), that’s a liability (Big foreigns)\nHit the gas (Gas), boostin' my adrenaline (Big foreigns) [Chorus]\nPercocets (Ye), molly, Percocets (Big foreigns)\nPercocets (Ye), molly, Percocets (Big foreigns)\nRep the set (Ye), gotta rep the set (Gang, gang)\nChase a check (Chase it) (Ye), never chase a bitch (Don't chase no bitches) (Big foreigns)\nMask on (Off) (Ye), fuck it, mask off (Mask) (Big foreigns)\nMask on (Off) (Ye), fuck it, mask off (Mask) (Big foreigns)\nPercocets (Ye), molly, Percocets (Big foreigns)\nChase a check (Chase it) (Ye, ye), never chase a bitch (Don't chase no bitches)\n[Verse 2]\nFord or Maybach (Ford or), I drive anything (Ye)\nBuy my Range (Ye), make 'em go insane (Ye)\n(Oh my Lord, praise him be)\nMy guillotine, drank promethazine (Drank prometh')\nTEC and beams (Ya), go to those extremes (Let's go, let's go)\nParliament (Parliament), calamari Wednesday (Ya)\nParlay in Vegas, we was in attendance (What's good, what's good)\nBefore the business (Yeah), Theodore lenses\nTheo-Dur prescriptions (Ya), focus on the missions (Fo' my)\nIntermission (Hol' up), never take a break (We can pull up)\nSwitch states, touch down, foreign plates (Speech)\nAin't no way, ain't no fuckin' way (No)\nWe call the play, we didn't come to play (No)\nRob the bank, we gon' rob the game (Gang)\nThey gang, we gang (Gang)\nBut they are not the same (Freebandz) [Chorus]\nPercocets (Ye), molly, Percocets (Big foreigns)\nPercocets (Ye), molly, Percocets (Big foreigns)\nRep the set (Ye), gotta rep the set (Gang, gang)\nChase a check (Chase it) (Ye), never chase a bitch (Don't chase no bitches) (Big foreigns)\nMask on (Off) (Ye), fuck it, mask off (Mask) (Big foreigns)\nMask on (Off) (Ye), fuck it, mask off (Mask) (Big foreigns)\nPercocets (Ye), molly, Percocets (Big foreigns)\nChase a check (Chase it) (Ye, ye), never chase a bitch (Don't chase no bitches)\n[Outro]\nMask on, fuck it, mask off\nMask on, fuck it, mask off\nMask on, fuck it, mask off\nGas gone, never nod off\n(Cold chills, prison cells)\n(Oh my Lord, praise him be)" } ]

[ { "from": "human", "value": "Write me a song called Young Sinatra II with the following description: “Young Sinatra II” is the second track out of four to use the ‘Young Sinatra’ title.\nSimilar to the first track, Logic dives into his life at the current moment and how he’s making his dream of being a well-known artist come true.\nBoth “Young Sinatra” and “Young Sinatra II” sample the hook from “Life’s A Bitch.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, yeah, yeah, yeah\n[Verse 1]\nVarious women I'm swimming in like a shark\nHold up, that was the first one, let me run it back and restart\nYoung Sinatra ripping the beat apart\nShining like a diamond when I be rhyming\nBut y'all in the dark\nOn point like a poisonous dart\nI can feel it now, the fame is comin' soon\nHow can sky be the limit when there's footprints on the moon?\nNow, I used to bus tables, now I bust rhymes\nSpitting lines to the illest of dimes just to pass the time\nLiving like a Don, mafietic mind state\nHip-hop heads never die, we multiply then dominate\nNow I been flowin' since a adolescent up until the present\nRehearsin' flows for various shows\nYeah, that's how I roll\nGettin' respected, never neglected\nAs I infect it, they detect it, when I disect it\nRip it and wreck it, now that's on the record\nAs the vinyl spin so slowly\nBringing verses like a Holy\nBible, my flow is tribal\nMeet me in the street homie I'm liable\nTo get it right then and there\nMotherfuckers like, \"Where?\"\nHe come from?\nGot music for days and then some\nThey were stepping confident until I made 'em run\nYou know it's Logic\nIn your vicinity murder evil entities better known as your enemies\nYou feel it now\nSpark the L and you be coolin'\nChillin' relaxin' to this audio satisfaction\nI leave emcees missin' in action, leave you gashin\nFrom a thousand lashes\nWhile I'm laughing with a passion\nStand over you smiling 'til I hear sirens and now I'm dashing [Hook: AZ & \nNas\n]\nLife's a bitch and then you die\nThat buck that bought the bottle\nCoulda struck the lotto\nLife's a bitch and then you die\nGot rhymes 365 days annual plus some\n[Verse 2: Logic]\nThis second verse is dedicated to rappers that never made it\n'Cause they gave up on their dream\nIn other words they hesitated to take it\nBut I swear I'ma make it better than ever before\n'Cause half of y'all don't even know\nSee I be rolling through the streets\nIn a beamer bomber like Hiroshima\nHit you like Katrina 'til they like, \"Damn Gina!\" (\nDamn!\n)\nI eat MCs like fast food, hella rude\nI'm the reason that your favorite rapper's in a bad mood\nMy name is Logic, I was born in 1990\nAin't no need to remind me\nThat when you listen you wanna rewind me\nAll the labels wanna sign me for the right reasons\nWe aim to please\nHuntin' dollars and it's buck season\n'Cause [Outro: AZ & \nNas\n]\nLife's a bitch and then you die\nThat's why we get high\n'Cause you never know when you're gonna go\nLife's a bitch and then you die\nThat's why we puff lye\n'Cause you never know when you're gonna go\nLife's a bitch and then you die\nThat's why we get high\n'Cause you never know when you're gonna go\nLife's a bitch and then you die\nAyo, put the Grants over there in the safe, you know what I'm sayin'? (\nYeah, yeah\n)\n‘Cause we spendin' these Jacksons. The Washingtons go to wifey, you know how that go\nI'm sayin' this is what it's all about, right? Clothes, bankrolls and hoes, you know what I'm sayin'?\n (\nSinatra\n)\nYou know, then what, man? What- what?\n(\nLogic\n)" } ]

[ { "from": "human", "value": "Write me a song called Smooth Criminal with the following description: CHENDA makes his debut through Dancing Dead with his vibrant new rendition of Micheal Jackson’s ‘Smooth Criminal’. CHENDA is a rare talent that has both vocal and production abilities and that shines on this record. The Melbourne based artist provides his vocals for the refreshed track as well as a punchy, lively trap-esque drop.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[VERSE 1]\nAs he came into the window\nWas the sound of a crescendo\nHe came into her apartment\nHe left the bloodstains on the carpet\nShe ran underneath the table\nHe could see she was unable\nSo she ran into the bedroom\nShe was struck down, it was her doom\n[HOOK]\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nYou've been hit by-\nYou've been hit by-\nA smooth criminal\n[VERSE 2]\nAnnie, are you okay?\nWill you tell us that you're okay?\nThere's a sound at the window\nThen he struck you, a crescendo Annie\nHe came into your apartment\nHe left the bloodstains on the carpet\nAnd then you ran into the bedroom\nYou were struck down\nIt was your doom [HOOK]\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nAnnie, are you okay?\nSo, Annie, are you okay? Are you okay, Annie?\nYou've been hit by-\nYou've been hit by-\nA smooth criminal" } ]

[ { "from": "human", "value": "Write me a song called FFF with the following description: “FFF” narrates the experience of falling for someone who was supposed to only be a friend, and thinking it’s likely that the person reciprocates your feelings, but not being sure, and being worried to act on your attraction. Luckily, in Zara Larsson’s case, the boy who she wrote this song and “Love Me Land” about later became her boyfriend. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nUnusual, we got mutual friends\nIs it mutual if I kiss your lips?\nIf I'm truthful, then it all depends on your feelings\nCrucial, how I'm leanin' in\n'Cause I'm used to just divin' in\nI could lose you, that's the consequence of my feelings\n[Pre-Chorus]\nIs there a spark for us\nOr is it just purely platonic?\nIs this a story arc?\n'Cause if it are, it'd be iconic\nI wasn't gonna ask\nAfraid of asking you to dance\n(But here I am)\n[Chorus]\nFalling for a friend\nFalling for a friend, ooh\nBaby, don't pretend\nThat you don't feel it too\nI know you do\n[Verse 2]\nI wonder if we cross the line\nGo under covers, close the blind\nWill we be lovers or cut the ties forever? [Pre-Chorus]\nIs there a spark for us\nOr is it just purely platonic?\nIs this a story arc?\n'Cause if it are, it'd be iconic\nI wasn't gonna ask\nAfraid of asking you to dance\n(But here I am)\n[Chorus]\nFalling for a friend\nFalling for a friend, ooh\nBaby, don't pretend\nThat you don't feel it too\nI know you do\nOh, baby, here I am\nI'm falling for a friend, ooh\nCome on, don't pretend \n(Don't pretend that)\nThat you don't feel it too\nI know you do\n[Bridge]\nIs there a spark for us\nOr is it just purely platonic?\nIs this a story arc?\n'Cause if it are, it'd be iconic\nI've been pacin' around\nWaiting it out for just one chance\n(So here I am) [Chorus]\nFalling for a friend\nFalling for a friend, ooh\nBaby, don't pretend\nThat you don't feel it too\nI know you do\nOh, baby, here I am\nI'm falling for a friend, ooh\nCome on, don't pretend \n(Don't pretend that)\nThat you don't feel it too\nI know you do" } ]

[ { "from": "human", "value": "Write me a song called Whatever You Need with the following description: Backed by a sample of R&B group Tony! Toni! Toné!’s 1991 track: “Whatever You Want”, Meek Mill connects with R&B crooners Chris Brown and Ty Dolla $ign for the lead single off his third album Wins & Losses.\nThe record finds them enticing a female in their life telling her that they would “treat [her] just like a queen and give [her] fine things” from a G Wagon to a new Chanel purse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: YG]\n(\nMustard on the beat, ho\n)\n[Chorus: Chris Brown, \nTy Dolla $ign\n, \nChris Brown & Ty Dolla $ign\n]\nGirl, as long as you wrap your arms 'round me\nOoh, baby, I don't care what them people say\nI'm givin' you whatever you want\nGirl, you know I can provide\nWhatever you need (\nWhatever you need, babe\n)\nListen to your heart, baby\n[Verse 1: Meek Mill]\nYeah, I'm the only young nigga who poppin' that\nGot her jumpin' out the heat, they like, \"Who coppin' that?\"\nNew G-Wagon got her braggin', put a lock on that\nNiggas always hit her DM, she don't holla back, woo, woo, copy that\nCuffin', I've been cuffin'\nChanel bags like it's nothin', and she love them\nHer last nigga, he was bluffin', she said, \"Fuck him\"\nHe let that go, I'm like, \"He buggin,'\" now she thuggin' with a real one\nI've been ballin' on you 'cause you smart and loyal\nAll my homies know me best, they say I'm fallin' for you\nAnd that box be slippery like tryna walk on oil\nAnd I'll be there long as you there when I be callin' for you, facts\n[Chorus: Chris Brown, \nTy Dolla $ign\n, \nChris Brown & Ty Dolla $ign\n]\nGirl, as long as you wrap your arms 'round me\nOoh, baby, I don't care what them people say\nI'm givin' you whatever you want\nGirl, you know I can provide\nWhatever you need (\nWhatever you need, babe\n)\nListen to your heart, baby [Verse 2: Meek Mill]\nYeah, you can get whatever you want, whatever you need\nGot a one-way flight 'cause I ain't lettin' you leave\nWe ain't fuck first night, had me beggin' you please\nBut you love when I'm beggin', you told me get on my knees\nAnd I ate it, we got faded\nYou said, \"Put some Tory Lanez on\" and I played it\nIn Philly, we say you the main jawn and we save it\nFinally got a rich nigga, baby, you made it\nLong as you hold me down, you know that it's goin' down\nBe there when I turn around and I'll turn your world around\nI had to tone it down 'cause you made me slow it down\nBut I got you open now, so I'm 'bout to show you now\n[Bridge: Ty Dolla $ign]\nWhat makes you think that I would try to run a game on you?\nJust as sure as my name is Dolla\nI'll be there for you and I'll\nTreat you just like a queen and give you fine things\nYou'll never have to worry 'bout another in your place\nSo believe me when I say\n[Chorus: Chris Brown & \nTy Dolla $ign\n, \nChris Brown & Ty Dolla $ign\n]\nGirl, as long as you wrap your arms 'round me\nOoh baby, I don't care what them people say\nI'm givin' you whatever you want\nGirl, you know I can provide\nWhatever you need (\nWhatever you need, babe\n)\nListen to your heart, baby" } ]

[ { "from": "human", "value": "Write me a song called Hold You Down (Remix) with the following description: DJ Khaled celebrates his ‘Hold You Down’ single reaching Number 1 on Urban radio with the premiere of the official remix. Khaled gives the Bkorn and Lee On The Beats-produced track more of a Hip-Hop feel swapping out Chris Brown, August Alsina, Jeremih, and Future for Rick Ross, Fabolous, Ace Hood, and Usher.\nThe original version of ‘Hold You Down’ will be featured on DJ Khaled’s upcoming eighth studio LP ‘I Changed A Lot’. The release date for the album has yet to be revealed but that announcement is expected to come soon.\n\nhttp://www.youtube.com/watch?v=-ao7LpSIL7A Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Usher & \nDJ Khaled\n]\nI'll hold you remix (This the remix)\nI'll hold you remix\nYou are, you are\nBe sure you got a rider beside you to hold you down (DJ Khaled!)\n[Verse 1: Usher]\nI'll hold you down (We the best music), I'm on my way\nMy mama told me (you are) make sure you got a rider beside you\nEven if you ain't have all the money, fame and the power huh\nSo I found her, fly shit to jump up out her\nI pick her low valley, she rock with me, it don't matter\n[Chorus: Usher]\nThere goes my baby\nTogether we're better, you're a breath of fresh air\nHold this ready and I'm round\nYou hold me down, I'mma hold you down\nNow\n[Verse 2: Rick Ross]\nI'mma get money, nigga, smell it on my gear\nBlack bottle,\n \nboy, baller hood billionaire\n (ah)\nBoots in the mud, now it's marble floors (what)\nStaircases to the roof look like it's heaven's door\nSaid a prayer for my woes who be dead and gone\nHow could I let you down if you never hit the phone? (ah)\nThen they gave him all his money, make you go insane\nWe fucked the game, she said she knew that I would never change\nTrap star, two bricks in the match box\nGold D's, fat boy, peanut butter top (wah)\nI wanna spend a night with Jessica White (right)\nBut is a dopeboy really Jessica type? [Chorus: Usher]\nThere goes my baby\nTogether we're better, you're a breath of fresh air\nHold this ready and I'm round\nYou hold me down, I'mma hold you down\nNow\n[Bridge: Usher]\n[I'll hold you remix (I'll hold you, I'll hold you)\nI'll hold you remix now (huh)\nI'm on my way (we the best at holding it down) to hold you down]\n[Verse 3: Fabolous]\nWe the best\nYeah, we the best at holding it down\nShe said he don't hold her down right\nSome day she'll be done with him\nI say there's 7 days in the week, some day ain't one of them\nYou gotta know your worth, baby, don't give 'em no discount\nAll of mine are dime, you see a nine, it was a miscount\nAnd I'm the one to tell a bitch to bounce\nI'm the one who getting this amount\nI'm the one with this foreign shit\nName still getting mispronounced\nHold up, who you held down? When you ever put bail down?\nI'mma keep picking money up like the motherfucker fell down\nIt's an us versus y'all thing, we a small gang\nJust the two of us, baby, but we all bang\nBang, bang, bang like what set you claim\nAnd when they asked me that, baby, you know I said your name [Chorus: Usher]\nThere goes my baby\nTogether we're better, you're a breath of fresh air\nHold this ready and I'm round\nYou hold me down, I'mma hold you down\nNow\n[Bridge: Usher]\n[I'll hold you remix (I'll hold you, I'll hold you)\nI'll hold you remix now (huh)\nI'm on my way to hold you down]\n[Verse 4: Ace Hood]\nKeys to the whip, key to the mansion\nI fuck you while counting money, I'm just that romantic\nSee we be Bonnie and Clyde\n and I keep that heat like Udonis\nAnd if it ever go down I know you won't snitch to your honor\nThat's why you draped in designer, Chanel and all kind of shit\nShe with the realest and all 'em lames are too counterfeit\nIt's been a long time and she's still holding me down\n(This the remix)\nNevermind the hoes I've been fucking with that's out of town (let's ride)\nI have been through hell, had ups and downs\nBut in the long run still here\nI apologize for when I be talking that freak shit in the air\nShe still moaning, I know you want it, I go to switching that gear\nOn everything, she never changed for real\nThat's why [Chorus: Usher]\nThere goes my baby\nTogether we're better, you're a breath of fresh air\nHold this ready and I'm round\nYou hold me down, I'mma hold you down\nNow\n[Bridge: Usher]\n[I'll hold (you smart) you remix (I'll hold you, I'll hold you)\n(you loyal) I'll hold you remix now (you grateful)\nI'm on my way (I appreciate that) to hold you down] (you a genius)\nI'll hold you down (I'll hold you, I'll hold you down)\nI'm on my way to hold you down (another one)\nHold on uh yeah uh\nI'll hold you remix, yeah\nI'll hold you, I'll hold you\nI'll hold you remix (hold you down)" } ]

[ { "from": "human", "value": "Write me a song called Unusual You with the following description: “Unusual You” is an electropop song recorded by Britney Spears for her sixth studio album, Circus.\nIn the song, Britney describes a new type of guy who doesn’t follow the same pattern as the males in “Womanizer”, or “Shattered Glass”.\nIt received mostly positive reviews from critics, who commended it for being a departure of the rest of the album.\nIt was published as a promotional single only and was sent to radio stations in France and Australia. It didn’t manage to enter the charts, but it reached a peak in the now defunct US Pop 100 at #80. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNothing about you is typical\nNothing about you's predictable\nYou got me all twisted and confused (It's all new)\nUp 'til now, I thought I knew love\nNothing to lose and it's damaged 'cause\nPatterns will fall as quick as I do (But now)\n[Pre-Chorus]\nBridges are burning\nBaby, I'm learning a new way of thinking of\nLove, I can see, nothing will be just like it was\nIs that because?\n[Chorus]\nBaby, you're so unusual\nDidn't anyone tell you you're supposed to\nBreak my heart, I expect you to\nSo why haven't you?\nMaybe you're not even human 'cause\nOnly an angel could be so unusual\nSweet surprise, I could get used to\nUnusual you\n[Post-Chorus]\n(Ah-ah, ah-ah)\n(Ah-ah, ah-ah) [Verse 2]\nBeen so many things when I was someone else\nBoxer in the ring, tryna defend myself\nAnd the private eye to see what's going on (That's long gone)\nWhen I'm with you, I can just be myself\nYou're always where you say you will be\nShocking, 'cause I never knew love like this could exist\n[Pre-Chorus]\nTables are turning, my heart is soaring\nYou'll never let me down\nAnswer my call, here after all\nNever met anyone like you\n[Chorus]\nBaby, you're so unusual\nDidn't anyone tell you you're supposed to\nBreak my heart, I expect you to\nSo why haven't you?\nMaybe you're not even human 'cause\nOnly an angel could be so unusual\nSweet surprise, I could get used to\nUnusual you\n[Post-Chorus]\n(Ah-ah, ah-ah)\n(Ah-ah, ah-ah) [Bridge]\nCan't believe that I almost didn't try\nWhen you called my name\nNow everything is changed\n[Chorus]\nBaby, you're so unusual\nDidn't anyone tell you you're supposed to\nBreak my heart, I expect you to\nSo why haven't you?\nMaybe you're not even human 'cause\nOnly an angel could be so unusual\nSweet surprise, I could get used to\nUnusual you\n[Outro]\n(Ah-ah, ah-ah)\n(Ah-ah, ah-ah)" } ]

[ { "from": "human", "value": "Write me a song called Hard to Ignore (These Nights) with the following description: https://www.facebook.com/RobScotlan/videos/10154303375162619/?l=2078630952898658508Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "I feel good when I’m on my grind\nWrapped in my life, letting my light shine\nBeats, rhymes, and life, putting in that time\nTrying to keep it going, this little light of mine\nIf I could, I’d stay in my bubble\nFloat away at the first sign of trouble\nKeep out my space, you know I’m doing me\nI’ll let you do you, individuality\nThings are getting hard to ignore\nLife is always creeping up knocking at your door\nI’m feeling purged out, I try to close my mind\nShut the world out, this is my time\nDon’t bring your problems, don’t bring me your cross\nI won’t bear your burdens, I’m no Jesus Christ\nIf you got issues, don't extend your hand\nBut these nights, never seem to go as planned\nYou heard them gunshots, you saw them kids cry\nTuning in every night, the news is on at five\nAnd at six o'clock, back to flipping stations\nSwitching satellites to fictional situations\nWe invent problems, TNT knows drama\nCBS told me how you met your mama\nI got a Break Bad, then find something funny\nThen they tell me how I got to spend my money\nAnd in the meantime, far away from me\nThey got earthquakes, hurricanes tsunamis\nBe a savior that’ll cost me five\nAm I saint, give em ten, save a child’s life\nIt’s easy, just send a text\nMake it simple, dumb it down, then what’s next\nFlip the station, stare at my set\nSet my DVR, I’ve become the walking dead That’s all people register\nToo much truth then we drowning in this atmosphere\nTuning out the truth cause we don’t want to hear\nAction’s too hard, and doing nothing’s so much easier\nHands up, don’t shoot, that’s the next anthem\nUntil we lose steam and we forget about Ferguson\nOr what about Trayvon,, what about the mothers\nWhat do you tell your black son when you tuck him into covers\n2014 what happened to our civil rights\nPeople protesting like it’s '65\nEven as I write this song, I'm questioning my own self\nThe finger I’m pointing is at my own blood cells\nBut I’m a step to it, try to use the system\nTwist it to my benefit and then offer up my wisdom\nAnd in the meantime, I’m a deranged man\nCause' these nights never ever seem to go as planned" } ]

[ { "from": "human", "value": "Write me a song called Ronan (Taylor’s Version) with the following description: Swift wrote “Ronan” about a three-year-old boy named Ronan Thompson, who died of neuroblastoma after an eight-month battle in 2011. Ronan’s mother, Maya Thompson, who gets credit as a co-writer on the song, wrote about Ronan’s journey and the progression of his illness on a blog called Rockstar Ronan, which she now uses to write letters to Ronan about her life and his siblings.\nLittle did Maya know, Swift stumbled on the blog around the time Ronan died. She invited Maya backstage at her 2011 Speak Now Tour and they exchanged contact information. Shortly after, Swift told Maya she wrote “Ronan” as a tribute to her son and wanted to perform the song at a 2011 awareness fundraiser for Stand Up To Cancer. Maya recalled the phone call in a 2012 blog post:\n‘I wrote a song for Ronan,’ [Taylor] said. The tears started pouring down my cheeks as soon as I heard her say those words. But her words didn’t stop there. Not only did she write a song for you, but she wanted to know if it would be alright to perform it on the nationally televised Stand Up 2 Cancer show which is on every major network and is seen in over 100 countries. She wanted to know if she could use a picture of you in the background while she sang the song. She wanted to make me co-author of the song with her. She talked about how reading this blog and following our story has inspired her, and how amazing she thinks I am and all I am doing to bring awareness to childhood cancer.\nSwift has only performed “Ronan” a few times in her whole career, once on the Stand Up to Cancer telethon and a second time when the Thompson family went to her 1989 Tour in 2015. After meeting with the Thompson family, Swift asked if she could perform “Ronan” in his honor that night, and Maya wrote about the evening on her blog. Maya mentioned that she felt Ronan’s presence during the song, which she usually couldn’t listen to without sobbing.\nNotably, Swift’s mother was diagnosed with cancer in 2015, shortly before she performed “Ronan” at the 1989 Tour — her battle inspired Swift’s raw 2019 song “Soon You’ll Get Better.”\nAfter Big Machine Records sold Swift’s masters to mogul Scooter Braun in 2019, Maya expressed her fear and disappointment about Braun owning “Ronan” in two tweets. In July 2021, Maya announced on her blog that Swift rerecorded “Ronan” for Red (Taylor’s Version), allowing them to regain control of Ronan’s story.\nAll proceeds from “Ronan” went to charities that help fund cancer research, including the Thompson family’s own foundation they founded in Ronan’s name. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI remember your bare feet down the hallway\nI remember your little laugh\nRace cars on the kitchen floor, plastic dinosaurs\nI love you to the moon and back\nI remember your blue eyes looking into mine\nLike we had our own secret club\nI remember you dancing before bedtime\nThen jumping on me, waking me up\nI can still feel you hold my hand, little man\nAnd even the moment I knew\nYou fought it hard like an army guy\nRemember I leaned in and whispered to you\n[Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Verse 2]\nI remember the drive home, when the blind hope\nTurned to crying and screaming, \"Why?\"\nFlowers pile up in the worst way, no one knows what to say\nAbout a beautiful boy who died\nAnd it's about to be Halloween, you could be anything\nYou wanted if you were still here\nI remember the last day, when I kissed your face\nAnd whispered in your ear [Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nOut of this curtained room and this hospital gray\nWe'll just disappear\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Bridge]\nWhat if I'm standing in your closet trying to talk to you?\nAnd what if I kept the hand-me-downs you won't grow into?\nAnd what if I really thought some miracle would see us through?\nWhat if the miracle was even getting one moment with you?\n[Chorus]\nCome on, baby, with me\nWe're going to fly away from here\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\n[Outro]\nI remember your bare feet down the hallway\nI love you to the moon and back" } ]

[ { "from": "human", "value": "Write me a song called Forever Winter (Taylor’s Version) [From The Vault] with the following description: On the passionate winter ballad dubbed “Forever Winter,” Swift sings about her constant worry and stress over the actions of her friend. The heartfelt track describes Taylor’s anxiety regarding a loved one who suffers from a mental illness, most likely depression, and her desperation about wanting to be a summer sun — a warm piece of light — in their life, which, at the time, felt like the winter: cold and dark.\nThis song is highly rumoured to be about Swift’s old high school friend, Jeff Lang, who was struggling with addiction and mental health issues. He died two weeks after the release of her third studio album, Speak Now and, the day after his funeral, Swift attended the BMI Awards and dedicated the award she won to Jeff, saying:\nYesterday, I sang at the funeral of one of my best friends and he was 21, and I used to play my songs for him first, so I would like to thank Jeff Lang.\n\nAn old picture of Jeff Lang and Taylor Swift.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHe says he doesn't believe anything much he hears these days\nHe says, \"Why fall in love, just so you can watch it go away?\"\nHe spends most of his nights wishing it was how it used to be\nHe spends most of his flights getting pulled down by gravity\n[Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 3AM, pacin'\nHe says, \"It's not just a phase I'm in\"\nMy voice comes out beggin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Verse 2]\nHe seems fine most of the time, forcing smiles and never minds\nHis laugh is a symphony, when the lights go out, it's hard to breathe\nI pull at every thread trying to solve the puzzles in his head\nLive my life scared to death he'll decide to leave instead [Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 5AM, wasted\nLong gone, not even listening\nMy voice comes out screamin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Bridge]\nIf I was standing there in your apartment\nI'd take that bomb in your head and disarm it\nI'd say, \"I love you even at your darkest and\nPlease, don't go\"\n[Chorus]\nI didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go [Post-Chorus]\n(Ooh, ooh, ooh)\nI'll be your summer sun forever\n(Ooh, ooh, ooh) At 3AM, pacin'\nAll this time, I didn't know\n(Ooh, ooh, ooh) At 5AM, wasted\nI'd be in pieces on the floor\nForever winter if you go\n[Outro]\nHe says he doesn't believe anything much he hears these days\nI say, \"Believe in one thing, I won't go away\"" } ]

[ { "from": "human", "value": "Write me a song called What Would Meek Do? with the following description: Originally titled “How Do You Respond,” the sixth track of DAYTONA finds Pusha T and Kanye West responding to their haters.\nPusha lays a braggadocious verse about being among the “Top Five” in the game and “letting the jewels […] talk,” while also hinting at his past life as a drug dealer. Throughout the track, Push makes reference to Meek Mill’s 2017 incarceration.\nKanye’s verse finds him responding to backlash from a spree of controversial comments regarding MAGA and Donald Trump. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Kanye West]\nNiggas talkin' shit, Push—how do you respond?\n[Verse 1: Pusha T]\nI'm top five and all of them Dylan\nI am the hope, the dope dealers won\nPrice and the quote, the dope dealers want\nFeds takin' pictures like it's GQ (GQ)\nThis Avianne collarbone is see-through\nAngel on my shoulder, \"What should we do?\" (We do)\nDevil on the other, \"What would Meek do?\"\nPop a wheelie, tell the judge to Akinyele\nMiddle fingers out the Ghost, screamin' \"Makaveli\" (Come with me)\nHail Mary, the scale fairy\nTwo sides to every coin so we bail ready (Bail ready)\nHow do you respond?\nI let the monies and the fools talk\nI let the jewels and the hues talk\nWatch face came with a fuse box (Fuse box)\nChanel's on ya bitch\nThe coupe is 320, the roof's hit or miss\nMurder on the highway, the news is at six\nSee, I did it my way, the proof's in the bricks\nEghck! Smell it through the Tupperware (Tupperware)\nTwo can get you four like a double dare (Woo!)\nI'm the king of the oven-ware (Oven-ware)\nYou can piece the whole puzzle here [Refrain: Pusha T]\nNiggas talkin' shit, 'Ye—how do you respond?\n[Verse 2: Kanye West]\nPoop, scoop!\nWhoop! Whoopty-whoop!\nAm I too complex for ComplexCon?\nEverything Ye say cause a new debate\n\"You see, he been out of touch, he cannot relate\nHis hallway too long, bitch too bad\nGot a surrogate, his kid get two dads\"\nI be thinkin', \"What would 2Pac do?\"\nYou be thinkin' what New Kids on the Block do\nIf you ain't drivin' while Black, do they stop you?\nWill MAGA hats let me slide like a drive-thru?\nThat phone call from Ricky still hazy\nWhen heaven got an angel named Avery\nYou gotta watch who you callin' crazy\nYeezy, the newest billion-dollar baby\nIt won't feel right 'til I feel like Phil Knight\nGoin' for six rings like what Phil told Mike\nSeven pill nights, who know what that feel like?\nNo more hidin' the scars, I show 'em like Seal, right?\nHow do you respond?" } ]

[ { "from": "human", "value": "Write me a song called How Bout Now with the following description: On “How Bout Now,” Drake flexes on an old flame of his. She didn’t appreciate him when they were together but now that Drake is a big superstar, he boasts that he’s “up” and she’s “stuck” in life.\nThe track was first leaked on October 19, 2014, by hackers. Six days later, Drake officially released it on his SoundCloud account as one of three promo tracks—the other two being “6 God” and “Heat of the Moment”—for his then-upcoming album, Views.\nFour months later, on February 13, 2015, it was released as a bonus track on the physical version of If You’re Reading This It’s Too Late. Four years later, on August 2, 2019, it was made available on all streaming platforms, following the release of Care Package. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThat's the shit I'm talking 'bout though, like you changed up, you don't even fuckin' link nobody no more, you just dash me away like a cyattie. Yo, you cheesed me dog\n[Verse 1]\nAlways felt like my vision been bigger than the bigger picture\nCrazy how you gotta wait until it's dark out to see who really with you\nCrazy how even when it miss you\nShit'll come back around and get you\nCrazy like all my niggas, crazy like all my niggas\nRemember I deleted all my other girls' numbers out the phone for you?\nRemember when you had to take the bar exam\nI drove in the snow for you? Yeah\nYou probably don't remember half the shit a nigga did for you, yeah\n[Chorus]\nYeah, you ain't really fuck with me way back then\nBut how 'bout now? (Now)\n'Cause I'm up right now (I'm up right now)\nAnd you stuck right now (Stuck right now)\nOh, you thought you had it all figured out back then\nBut how 'bout now? (Now)\n'Cause I'm up right now (I'm up right now)\nAnd you stuck right now, yeah (Stuck right now)\nYou thought the little effort that you put in was enough, girl\nHow 'bout now? Yeah\nGirl, how 'bout now, how 'bout now, girl?\nWhat about now, girl, how 'bout now? [Interlude]\nMy heart belongs to you...\n[Verse 2]\nYeah, always been daddy's little angel\nI bought your dad a bunch of shit for Christmas\nHe ain't even say thank you\nI had no money left from actin', I was focused on the music\nI used to always try and burn you CDs of my new shit\nYou be like \"who's this?\" I be like \"me, girl\"\nYou be like \"oh, word, true shit?\"\nThen ask if we could listen to Ludacris\nThem car rides made me feel like I was losin' it\nYeah, made me feel I ain't have it like that\nOr I was average like that\nStarted drinkin' way more than I used to\nPeople form habits like that, girl\nYeah, man enough to tell you I was hurt that year\nI'm not even Christian, I still went to church that year\nGuess I just had to pretend that year\nI ain't even see my friends that year\nPlaces that I should've been\n[Chorus]\nYeah, you ain't really fuck with me way back then\nBut how 'bout now? (Now)\n'Cause I'm up right now (I'm up right now)\nAnd you stuck right now (Stuck right now)\nOh, you thought you had it all figured out back then\nGirl, how 'bout now? (Now)\n'Cause I'm up right now (I'm up right now)\nAnd you stuck right now, yeah (Stuck right now)\nYou thought the little effort that you put in was enough, girl\nHow 'bout now? Yeah\nGirl, how 'bout now, how 'bout now, girl?\nWhat about now, girl, how 'bout now? [Outro]\nMy heart belongs to you\nWhatever you need, there's nothin' I won't do\nWhatever you need, there's nothin' I won't do\nWhatever you need, there's nothin' I won't do\nWhatever you need, there's nothin' I won't do" } ]

[ { "from": "human", "value": "Write me a song called Our House with the following description: A humorous story describing his home life growing up.\nThis song was made in 1999, in the month before Eminem’s debut album came out. Based on this Paul Rosenberg interview in this Mandi Wright video, this song seems to have been intended for Em’s second album.\nFred Durst of Limp Bizkit sings the chorus, and DJ Lethal, also of Limp Bizkit, made the beat.\nLimp Bizkit and Eminem were both Interscope artists, and you can read about how this song came to fruition here. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nHere's the story\nOf a little boy\nGrowin' up in a suburban home\nTryna cope with everyday life\nWho lives in a little house\nThat was built in the middle of the street\n [?]\n[Verse 1: Eminem]\n\"Hey, Mom! 2Pac's on the jukebox\"\n\"So what, he shot two cops and raped a little girl while two dudes watched\"\n\"Nuh-uh! They were tryna frame him\"\n\"You and that Tupack Shaker...\"\n\"No! That ain't how you say his name, Mom!\nYou're so lame, don't you know anything?\"\n\"Yeah! I know that you'll probably go and join in a gang,\"\n\"Yeah, right. I'm out. \nWhere's my fuckin' Walkman at?\"\n\"Stop cussin' at me!\" \"Shut up, bitch!\" \"And quit talkin' Black!\"\nWell, slammed the door and I'm out\nNow, what? It's probably warm in the house\nFuck, I forgot my jacket, forgot it was winter\nI'm gettin' thinner, I'm hungry, is Mom cookin' dinner?\n\"Mom! Let me back in! I forgot my coat\nMom, come on, I'm not playin', it's cold!\nAlright, sorry, I need a jacket\nMom, look, my 2Pac tape, I just cracked it\nMa, please let me back in\nIt is Tupack Shaker, I just asked him\"\nI'm freezin', (Achoo) I'm sneezin'\nI'm breathin' too much cold air, I'm wheezin'\n\"I ain't did nothin', I didn't say 'I'm leavin'\"\nI said \"I'm goin' on the front porch to get somethin'\" (*snipping sounds*)\n\"Alright, here take your damn coat and leave,\"\n\"Fine, I'll leave— Mom, you cut off the sleeves!\" [Chorus: Fred Durst, \nEminem\n]\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house (\nOne, two, three\n), in the middle of the\n[Verse 2: Eminem]\nMy teacher's two-faced, he went to lower all my school grades [?]\nSince last Tuesday I had a toothache from Kool-Aid\nSo Mom kicked me out (Get out), and all I had in my suitcase\nWas one shoelace, a tube sock, and a tube of toothpaste\nSometimes it was cool\n'Cause I could go to Fred's, crash there, fool around and just skip school\nBut other times I'd rather just be home in my own room alone\nBeat my shit and nobody would know\nMy little brother sucked on a bottle 'til he was six\nSo I'd hide it inside the couch and say \"I don't know where it is\"\nBut as soon as Mom found it I would either be grounded\nOr kicked out of the house a thousand weeks and still countin'\nEven when I was underage\nMom was tellin' cops I was tryin' to run away\nI told her \"Someday, bitch, you're gonna pay\"\nPlease, Mom, please, Mom, please, I wanna stay\n(Let me stay)\n[Chorus: Fred Durst, \nEminem\n]\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house (\nYo\n), in the middle of the [Verse 3: Eminem]\nMy brother's incoherent, \nMom's a single parent\nWho ain't carin', starin' through me like I'm transparent\nMade it clear that I was just there to run her errands\nTold her friends that I was a son from her last marriage\nSent me up to the corner store with a little note\n\"Please, sell my stepson some cigarettes so I can smoke\"\nOne time I tried to fake sick to get attention\nBackfired, Mom sent me to school with a vengeance\nMy life's the worst thing that could ever happen to me\nI go to class and every teacher's always laughin' at me\nAnd Mom says white rappers get laughed at\nNot only that, she heard me upstairs, I can't rap\nAnd I'm stupid, I'll never make it averaging a D+\nI need to sit on my ass and sue people like she does\nOne time, I got food poisonin' from a hot dog\nMom sued and got $2,000 from Ball Park\n\"Hey, Ma. You got a dollar?\" \"I don't think so\nNow keep an eye on your brother, I'm goin' to bingo.\"\n\"But, Mom, you said you were broke.\" \"Who said?\nYou got your ears messed up from that damn rap music.\"\n[Chorus: Fred Durst]\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house, in the middle of the street\nOur house" } ]

[ { "from": "human", "value": "Write me a song called Starlight with the following description: This 1940’s themed song was inspired by Ethel and Bobby Kennedy.\nStarlight is a song I wrote actually after seeing a picture of um, Ethel and Bobby Kennedy when they were seventeen. I saw this picture about a year a half ago, and I didn’t know anything about like, what they were doing or what was going on in the picture, but I just thought ‘They look like they’re having the best night.’ And, um, and so I wrote this song about what the night might’ve been like. And um, I ended up meeting Ethel and going and playing it for her and she just loved it. It was such a fun moment when she was just in love with the song and so happy about it and um, it’s just this adorable picture that to me, it just like brought forth all these potentials for how that night could’ve been.\n–Taylor Swift\nTaylor Swift also briefly dated Conor Kennedy earlier in 2012, who is also rumored to have part in inspiring this song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight\nLike we're made of starlight\n[Verse 1]\nI met Bobby on the boardwalk, summer of '45\nPicked me up, late one night out the window\nWe were 17 and crazy, running wild, wild\nCan't remember what song it was playing when we walked in\nThe night we snuck into a yacht club party\nPretending to be a duchess and a prince\n[Chorus]\nAnd I said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Verse 2]\nHe said, “Look at you, worrying too much about things you can't change\nYou'll spend your whole life singing the blues if you keep thinking that way\"\nHe was trying to skip rocks on the ocean, saying to me\n\"Don't you see the starlight, starlight?\nDon't you dream impossible things?\" [Chorus]\nLike, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Bridge]\nOoh-ooh, he's talking crazy\nOoh-ooh, dancing with me\nOoh-ooh, we could get married\nHave ten kids and teach 'em how to dream\n[Guitar Solo]\n[Chorus]\nOh, my, what a marvelous tune\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Breakdown]\nLike we're made of starlight, starlight\nLike we dream impossible dreams\nLike starlight, starlight\nLike we dream impossible dreams [Outro]\nDon't you see the starlight, starlight?\nDon't you dream impossible things?" } ]

[ { "from": "human", "value": "Write me a song called Me Enamoré with the following description: “Me Enamoré” (translated to: “I fell in love”) is a very personal song that entails what it was like when Shakira met her husband, Gerard Piqué, for the first time. It has an upbeat tempo which corresponds to her excitement that she felt at the time of meeting him. It appears on her eleventh studio album “El Dorado” alongside other personal love songs from when she fell in love with her husband.\n“Me Enamoré” es una canción muy personal que cuenta la historia y las emociones que se sentía Shakira al conocer a su esposo, Gerard Piqué. El ritmo es optimista, lo cual corresponde con el entusiasmo que tenía ella. Esta canción aparece en su undécimo álbum, “El Dorado,” junto con otras baladas íntimas de la época en que se enamoró de su esposo. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Me Enamoré\"]\n[Verso 1]\nLa vida me empezó a cambiar\nLa noche que te conocí\nTenía poco que perder\nY la cosa siguió así\nYo con mis sostén a rayas\nY mi pelo a medio hacer\nPensé: \"Este todavía es un niño\"\nPero, ¿qué le voy a hacer?\n[Pre-Coro]\nEs lo que andaba buscando\nEl doctor recomendando\nCreí que estaba soñando, oh-oh, oh-oh\n¿De qué me andaba quejando?\nNo sé qué estaba pensando\nVoy pa'l cielo y voy pateando, oh-oh, oh-oh\n[Coro]\nMe enamoré, me ena-na-namoré\nLo vi solito y me lancé\nMe ena-na-namoré\nMe ena-na-namo-\nMira que cosa bonita\nQue boca más redondita\nMe gusta esa barbita\nY bailé hasta que me cansé\nHasta que me cansé, bailé\nY me ena-na-namoré\nNos enamoramos\nUn mojito, dos mojitos\nMira que ojitos bonitos\nMe quedo otro ratito [Verso 2]\nContigo yo tendría 10 hijos\nEmpecemos por un par\nSolamente te lo digo\nPor si quieres practicar\n[Pre-Coro]\nLo único que estoy diciendo\nVayámonos conociendo\nEs lo que he esta'o proponiendo, oh-oh, oh-oh\nNos vamos entusiasmando\nTodo nos va resultando\nQué bien lo estamos pasando, oh-oh, oh-oh\n[Coro]\nMe enamoré, me ena-na-namoré\nLo vi solito y me lancé\nMe ena-na-namoré\nMe ena-na-namo-\nMira que cosa bonita\nQue boca más redondita\nMe gusta esa barbita\nY bailé hasta que me cansé\nHasta que me cansé, bailé\nMe ena-na-namoré\nNos enamoramos\nUn mojito, dos mojitos\nMira que ojitos bonitos\nMe quedo otro ratito [Post-Coro]\nNunca creí que fuera así\nCómo te fijarías en mí\nToda la noche lo pensé\nEste es pa' mí o pa' más nadie\nE-es pa' mí o pa' más nadie\nEste es pa' mí o pa' más nadie\nE-e-es pa' mí o pa' más nadie\n[Coro]\nMe enamoré, me ena-na-namoré\nLo vi solito y me lancé\nMe ena-na-namoré\nMe ena-na-namo-\nMira que cosa bonita\nQue boca más redondita\nMe gusta esa barbita\nY bailé hasta que me cansé\nHasta que me cansé, bailé\nMe ena-na-namoré\nNos enamoramos\nUn mojito, dos mojitos\nMira que ojitos bonitos\nMe quedo otro ratito\n[Post-Coro]\nNunca creí que fuera así\nCómo te fijarías en mí\nToda la noche lo pensé\nEste es pa' mí o pa' más nadie\nE-es pa' mí o pa' más nadie\nEste es pa' mí o pa' más nadie\nE-e-es pa' mí o pa' más nadie" } ]

[ { "from": "human", "value": "Write me a song called Fly Away with the following description: A leftover track from Eminem’s 2010 Recovery album which got leaked in February of 2011. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Just Blaze]\nSome people ask me where I been lately\nThey thought I fell off, nobody could save me\nThey play in the background, I don't back down\nSo don't get it twisted and try to play me\nFirst I come out, they underrate me\nThen I come back, they still try to fade me\nThey say I'm nasty, say I'm crazy\nThey ask what me I think and I say maybe\nI'll fly away (Fly away)\nIt ain't nuttin' in the way so I may as well\nFly away (Fly away)\nAnd ain't nuttin' else to say so I may as well\nFly away (Fly away)\nI know you wanna see me down but we ain't gon'\nDie today (Die today)\n'Cause I done been to the top and there's nowhere else to go\n(Yeah, yeah) Yeah\nAnd the only way to see me's if you looking up from down below\n(Down below, yeah, yeah) Yeah\nThere's nuttin' else to say so I may as well\nFly away (Oh)\nYeah, there's nuttin' in my way so I may as well\nFly away\nI'm on top of this thing so I may as well fly away\nYeah [Verse 1: Eminem]\nGot my self-esteem back, got my confidence up\nI'ma step up on this stage now, I'm gonna strut\nAnd walk around with my pants hangin' off of my butt\nAnd you ain't 'bout to tell me nuttin', boy, get off of my nuts\nIt goes one for the money, two for the show\nMy shit don't stink, I don't think so\nWipe my ass with the tissue and roll it back up in the roll\nAre you ready now, here we go, the bald eagle has landed\nI'm back in your hair, sorry for leavin' you stranded\nI'm twice as dreaded, evil and rancid\nThey can't sit, I don't think anybody understands it\nEspecially when the world's silly putty in your hands, it's Play-Doh\nI ain't back to play, though, they say he died in a fatal\nCar crash, shows what they know\nShit if I did, it'd be a trailer not a car\nThe white trash star, I fuck an RV-up like Brett Favre\nHomie, you got it backwards, you're dipping your soup inside your crackers\nI can carry rap till my back hurts\nSet it down, go right back to the chiropractors\nGet my back right then I'm right back on you bastards\nI was chasing the dragon, I don't know what happened\nIt's like the feeling I had when I first started rappin', I just\nCouldn't seem to get back and recapture that magic, so I went back\nTo the lab, that's where I been at, when [Chorus: (condensed) Just Blaze]\nSome people ask me where I been lately\nThey thought I fell off, nobody could save me\nThey play in the background, I don't back down\nSo don't get it twisted and try to play me\nFirst I come out, they underrate me\nThen I come back, they still try to fade me\nThey say I'm nasty, say I'm crazy\nThey ask what me I think and I say maybe\nI'll fly away (Fly away)\nIt ain't nuttin' in the way so I may as well\nFly away (Fly away)\nAnd ain't nuttin' else to say so I may as well\nFly away\n[Verse 2: Eminem]\nI took a hiatus, haters, now I'm back to cause trouble\nGot the fuckin' shape of mushroom clouds for thought bubbles, I'm the *explosion*\nYou ain't fucking sick, the hospital\nWon't even give you cough drops for coughs, cocksucker\nYou think you hot? You ain't even lukewarm\nMy puke's hotter than you\nYou're soft, I use fire to cool me off\nI told 'em I'd grow up one day and show 'em I'd be able to choke clouds\nPick up lightning bolts and throw 'em\nTake the world by storm with these words I form\nGeorgi-porgi kissed the girls, make the girls cry for it\nMake 'em swarm, make 'em fight over the shirts I've worn\nSwoon over my sweat towels, it's mind blowin'\nYes, I'm livin' the dream, homie, can't nothing compare\nI’m so up, I’m stuck in midair, I’m lovin' it, yeah\nIt's like these people are steps now, all they do is stare\nThese haters are so pussy, they afraid to be scared\nThis is pay back, like I owe 'em back pay\nThey spat in my face, now I'm back to do them the same exact way\nAnd leave this rap game with a bad taste\nAnd slap it back out before I step back outta this crap, they\nSlap me, now I'm slappin' 'em back, hey\nFuck it, we're slap happy, yeah, okay, now I'm talking some smack, ayy\nAnd I ain't looking back, in fact\n, they can stare at my ass crack\nHow's that for hind sight? What the track say? [Chorus: Just Blaze]\nSome people ask me where I been lately\nThey thought I fell off, nobody could save me\nThey play in the background, I don't back down\nSo don't get it twisted and try to play me\nFirst I come out, they underrate me\nThen I come back, they still try to fade me\nThey say I'm nasty, say I'm crazy\nThey ask what me I think and I say maybe\nI'll fly away (Fly away)\nIt ain't nuttin' in the way so I may as well\nFly away (Fly away)\nAnd ain't nuttin' else to say so I may as well\nFly away (Fly away)\nI know you wanna see me down but we ain't gon'\nDie today (Die today)\n'Cause I done been to the top and there's nowhere else to go\n(Yeah, yeah) Yeah\nAnd the only way to see me's if you looking up from down below\n(Down below, yeah, yeah) Yeah\nThere's nuttin' else to say so I may as well\nFly away (Oh)\nYeah, there's nuttin' in my way so I may as well\nFly away\nI'm on top of this thing so I may as well fly away\nYeah" } ]

[ { "from": "human", "value": "Write me a song called Caretaker (Extended Version) with the following description: In this extended version of Caretaker, SZA adds a woman’s perspective. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: SZA]\nCan you turn everything up still?\nThank you\n[Verse 1: SZA]\nI'll take care of you, I will\nEven if I got a man now\nI heard you a fan now\nIt's a little bit too late to take care of me\nYou could still\nEven if I got a man now\n'least you know where I stand now\n'Cause I ain't been there (I ain't been there), hee (I ain't been there)\n'Cause I ain't been there, hee-hee hee-hee-hee\nI ain't been there, hey\nTell me everything you think I wanna hear\nI'll take care of you, I will\nEven if I got a man now\nI heard I've been fucking fans now\n[Verse 2: D.R.A.M.]\nStill let me take care of you\nEven if you got a man now\nCause I been fucking fans now\nIn the back seat of my van now\nStill I'll take care of you\nEven if you got a man now\nFuck that nigga I never shake his hand now\nThat's why I'll be there\nIma be there, there, there (say it with me)\nCause I wasn't there\nI swear, I'll be there just let me take care of you, of you" } ]

[ { "from": "human", "value": "Write me a song called HVN ON EARTH with the following description: Lil Tecca and Kodak Black team up for “HVN ON EARTH,“ a joyful track where the duo showcase their diligence—alongside proving their affection for their significant others.\nThe track was first previewed on August 14, 2023 through Tecca’s Instagram, later being released on August 18, 2023 as the third promotional single for Tecca’s 2023 album, TEC. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Tecca]\nH.O.E, H.O.E\n \n(\nI-I-I—\n)\nHeaven on earth, my H.O.E, H.O.E, H.O.E\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\nHeaven on earth, my—\n \n(\nI-I-I—\n)\nThat's my—that's my—\n (It's so)\nH.O.E, H.O.E\n (It's so)\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (It's so)\nThat's my H.O.E, H.O.E\n \n(\nI-I-I'm working on dying\n)\nHeaven on earth, my—\n (It's so)\nHeaven on earth, my—\n \n(\nBNYX\n)\nThat's my—that's my—\n \n(\nWe love you, Tecca\n)\n[Pre-Chorus: Lil Tecca]\nI never had the time to make a way\nI only had the time to make a play (Oh-oh, oh)\nI had to learn nobody savin' me\nIf you gon' run it up, then why wait? (\nThat's my—that's my—\n)\nThey see I got a lot up in my plate\nWhen you been workin', it's not 'bout the faith (Oh-oh, oh)\nShe on my phone and what she 'bout to say?\nShe let me know (\nThat's my—that's my—\n)\n[Chorus: Lil Tecca]\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (Oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—\nthat's my—\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (Oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—that's my— [Verse 1: Lil Tecca]\nYeah, nowadays I'm just thinkin' 'bout a bag\nGot '85 Undercovers on my ass\nThat ho, she say, \"Yo,\" 'cause I got money bags\nThe feds on my dope 'cause I got money stashed (\nThat's my—that's my—\n)\nEasy to get it, now go make it last\nYou gon' turn on me, I'ma watch you crash\nDon't give a fuck\n, no-one get a pass\nKnow if I said it, yeah, I meant that (\nThat's my—that's my—\n)\n[Bridge: Lil Tecca]\nYou got it goin', hold up now\nSay you wanna get high, then roll up now\nYou say you not gon' fold up now\nShe hit my line, said (\nThat's my—that's my—\n)\nI never showed them up no love now\nI can't say what's on my mind, get dumbed down\nThinkin' too much then my mind get shut down\nShe hit my line, said (\nThat's my—that's my—\n)\n[Chorus: Lil Tecca]\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (Oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—that's my—\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (Oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—that's my— [Verse 2: Kodak Black]\nEvery time I see her, shawty got on tights\nRain hit my wrist, water turn to ice\nWhat could I say? I'm just cut that way\nIf you play, you lay, I'ma take your life (\nThat's my—that's my—\n)\nI'm a killer, so don't push me\nI don't really care too much for pussy\nI ain't cheat the grind, look where it took me\nYou a stepper? What you want, a cookie? (\nThat's my—that's my—\n)\nThere's no question, I put the bros before bitches\nIn four seconds, Beamer go zero to sixty\nAin't no tellin' what do I got on this glizzy\nThere's no hesitation, I get on her business (\nThat's my—that's my—\n)\nI've been two years out the feds\nAnd I still been gettin' niggas pluckered\nPut a bounty on a nigga head\nTold him that the quicker picker-upper\n (\nThat's my—that's my—\n)\n[Bridge: Kodak Black & \nLil Tecca\n]\nThe AK made in Romania\nPourin' the drink by the tablespoon (\nOh-oh, oh\n)\nI feed a bad bitch baby food\nThey on my macadamia\n (\nOh-oh, oh\n)\nSprite spiked up, thank ya\nI'm in the suburbs, I'm servin' my neighbor (\nOh-oh, oh\n)\nI don't got time to respond to no haters\nBut I'ma kill all them lil' niggas later (\nOh-oh, oh\n)\nI promise [Pre-Chorus: Lil Tecca]\nI never had the time to make a way\nI only had the time to make a play (Oh-oh, oh)\nI had to learn nobody savin' me\nIf you gon' run it up, then why wait? (\nThat's my—that's my—\n)\nThey see I got a lot up in my plate\nWhen you been workin', it's not 'bout the faith (Oh-oh, oh)\nShe on my phone and what she 'bout to say?\nShe let me know (\nThat's my—that's my—\n)\n[Chorus: Lil Tecca & \nKodak Black\n]\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (\nShe let me know\n, oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\n (\nShe let me know\n)\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—that's my—\nH.O.E, H.O.E\nHeaven on earth, my H.O.E, H.O.E, H.O.E\n (\nShe let me know\n, oh-oh, oh)\nThat's my H.O.E, H.O.E\nHeaven on earth, my—\n (\nShe let me know\n)\nHeaven on earth, my—\n (Oh-oh, oh)\nThat's my—that's my—\n[Outro: Kodak Black]\nYeah, drum stick, pump rock\nShe like my vibe, uh, yeah \n(\nI-I-I—\n)\nGet it, slide, ooh, drum stick, let's get it (\nThat's my—that's my—\n)\nYeah (Ooh), drum stick, let's get it \n(\nI-I-I—\n)\nYeah (Ooh), drum stick, drum stick, rock, let's get it (\nThat's my—that's my—\n)\nOoh-ooh\n \n(\nI-I-I—\n)\nOoh-ooh, ooh-ooh\nOoh-ooh\nOoh-ooh, ooh-ooh\n \n(\nI-I-I—\n)\nOoh-ooh\nOoh-ooh, ooh-ooh\nOoh-ooh\nOoh-ooh, ooh-ooh\n (\nThat's my—that's my—\n)" } ]

[ { "from": "human", "value": "Write me a song called Next to You with the following description: “Next to You” is an emotional ballad that discusses a love so strong that not even the end of the world could break it. The track was released as the fifth single from F.A.M.E and features Canadian pop star Justin Bieber.\n“Next to You” did not match the success of the preceding singles off F.A.M.E., peaking at #26 on Billboard’s Hot 100 chart.\n“Next to You” marks the second collaboration between Chris and Justin following February 2011’s “Up (Remix).” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chris Brown, \nJustin Bieber\n]\nYou've got that smile that only Heaven can make\nI'll pray to God every day that you keep that smile\nYeah, you are my dream (You are my dream), there's not a thing I won't do\nI'll give my life up for you 'cause you are my dream\n[Pre-Chorus: Chris Brown & Justin Bieber]\nAnd baby, everything that I have is yours\nYou will never go cold or hungry\nI'll be there when you're insecure\nLet you know that you're always lovely, girl\n'Cause you are the only thing that I got right now\n[Chorus: Chris Brown]\nOne day when the sky is falling\nI'll be standing right next to you, right next to you\nNothing will ever come between us\n'Cause I'll be standing right next to you, right next to you\n[Verse 2: Chris Brown, \nJustin Bieber\n]\nIf you had my child (Yodel-lay-ah)\nYou would make my life complete (Yodel-lay-ah)\nJust to have your eyes on little me\nThat'd be mine forever (Ooh)\n[Pre-Chorus: Chris Brown & Justin Bieber, \nChris Brown\n]\nAnd baby, everything that I have is yours (\nOh, everything\n)\nYou will never go cold or hungry (\nOh\n)\nI'll be there when you're insecure (\nInsecure\n)\nLet you know that you're always lovely, girl\n'Cause you are the only thing that I got right now [Chorus: Chris Brown & Justin Bieber, \nJustin Bieber\n]\nOne day when the sky is falling\nI'll be standing right next to you, right next to you (\nWoah\n)\nNothing will ever come between us\nI'll be standing right next to you, right next to you\n[Bridge: Chris Brown, \nJustin Bieber\n]\nWe're made for one another (One another), me and you (And you, and you, and you)\nAnd I have no fear, I know we'll make it through\nOne day when the sky is falling\nI'll be standing right next to you, woah-oh\n[Chorus: Chris Brown, \nJustin Bieber\n]\nOne day when the sky is falling (\nWhen the sky is falling, falling, oh\n)\nI'll be standing right next to you (\nRight next to you, oh\n)\nRight next to you (\nRight next to you, oh\n)\nNothing will ever (\nNothing will ever\n) come between us (\nCome between us\n)\n(Oh-na-na, oh-na-na, oh-na-na)\nI'll be standing right next to you (\nWoah\n)\n(Oh-na-na, oh-na-na, oh-na-na)\nRight next to you (\nRight next to you\n)\n(Oh-na-na, oh-na-na)\n[Post-Chorus: Chris Brown, \nJustin Bieber\n]\n(Oh-na-na)\nOh yeah, \nstand by my side, side, side\n (Woah)\n(Oh-na-na, oh-na-na, oh-na-na)\nWhen the sky falls down\n(Oh-na-na, oh-na-na)\nI'll be there, I'll be there\n(Oh-na-na, oh-na-na) [Outro: Chris Brown, \nJustin Bieber\n, \nChris Brown & Justin Bieber\n]\nYou've got that smile that only Heaven can make\nI'll pray to God every day\n \nto keep you forever\nOh-oh" } ]

[ { "from": "human", "value": "Write me a song called Nothing Left to Say / Rocks with the following description: “Nothing Left to Say / Rocks” is a two part song, written, produced, and performed by Imagine Dragons, as the eleventh, and final song on their “Night Visions” album, released on September 4, 2012.\nThe final song was split up into two because the label limited the band to eleven songs on the album due to licensing budgets. They also specifically chose these two songs so that “Nothing Left to Say” (and the album as a whole) ended on a happier note with “Rocks”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: Nothing Left to Say]\n[Verse 1]\nWho knows how long I've been awake now?\nThe shadows on my wall don't sleep\nThey keep calling me\nBeckoning (Beckoning)\nWho knows what's right? The lines keep getting thinner\nMy age has never made me wise\nBut I keep pushing\nOn and on\nAnd on and on\n[Chorus]\n(Oh, oh oh) There's nothing left to say now\n(Oh, oh oh) There's nothing left to say now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh, oh oh) There's nothing left to say now\n(Oh, oh oh) There's nothing left to say now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n[Verse 2]\nBelow my soul, I feel an engine\nCollapsing as it sees the pain\nIf I could only shut it out\n(Shut it out, shut it out, shut it out)\nI've come too far to see the end now\nEven if my way is wrong\nAnd I keep pushing\nOn and on and on and on [Chorus]\n(Oh, oh oh) There's nothing left to say now\n(Oh, oh oh) There's nothing left to say now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh, oh oh) There's nothing left to say now\n(Oh, oh oh) There's nothing left to say now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n[Bridge]\nI keep falling, I keep falling down\nI keep falling, I keep falling down (Hey)\nI keep falling, I keep falling down\nI keep falling, I keep falling down\nIf you could only save me\nI'm drowning in the waters of my soul...\n[Chorus]\n(Oh, oh oh) There's nothing left to say now (Nothing left to say)\n(Oh, oh oh) There's nothing left to say now, oh!\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh, oh oh) There's nothing left to say now (Nothing left to say)\n(Oh, oh oh) There's nothing left to say now\n(Oh) I'm giving up, giving up, hey, hey, giving up now\n(Oh) I'm giving up, giving up, hey, hey, giving up now [Outro]\n[Part II: Rocks]\n[Verse 1]\nWhere do we go from here?\nWhere do we go from here?\nI threw some rocks up at your window\nI broke some rocks right through your window\n[Instrumental Bridge]\n[Verse 2]\nTimber, timber, we're falling down\nLet the forest hear our sound\nBoom, ba-doom ba-doom, ah-ooh ah-ooh\nBoom, ba-doom ba-doom, ah-ooh ah-ooh\nWhy can't I see\nWhat's right in front of me?\n[Outro]\nWe fall, we fall apart\nWe fall, we fall apart\nWe fall, we fall apart\nWe fall, we fall apart" } ]

[ { "from": "human", "value": "Write me a song called The Blanguage with the following description: Young Thug’s version of Drake’s “The Language”. The name of the song is even taken, and the letter B is added to symbolize Young Thug’s affiliation with the Blood Gang.\nNote how his flow is similar to Drake’s from the original song, and how even the cover art pays homage to one of his earlier mixtapes, So Far Gone.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug & \nDrake\n]\nMetro Boomin want some more\nMetro Boomin wa-a-a-a-ant more\nMetro Boomin want some m-o-o-o-o-ore-more\n (\nYeah, yeah\n)\nMetro Boomin want some more\n (\nYeah, yeah\n)\nMetro Boomin wa-a-a-a-ant more, nigga\n (\nYeah, yeah\n)\nMetro Boomin want some more, nigga\n (\nYeah, yeah\n)\n[Verse 1: Young Thug & \nDrake\n]\nLook, look (\nYeah, yeah\n)\nI fucked her then washed off my dick (\nYeah, yeah\n), with the curtains inside of the Phantom (\nYeah, yeah\n)\nIf he standing next to Young Thugger (\nYeah, yeah\n), I train them to kill for the camera (\nYeah, yeah\n)\nYou do not act grown when I'm 'round (\nYeah, yeah\n), you lil' baby, you need you a Pamper (\nYeah, yeah\n)\nI'm one slimy motherfucker (\nYeah, yeah\n)\n, \nthe devil ride my back like camels (\nYeah, yeah\n)\nI'm feelin' like Malcolm in the Middle (\nYeah, yeah\n), these bitches, they surround me, they can't miss him (\nYeah, yeah\n)\nI'm slimy, man, I'll wipe a nigga nose (\nYeah, yeah\n)\nThe next time won't be a roll of tissue (\nYeah, yeah\n)\nA young nigga came a long way (\nYeah, yeah\n)\nFrom standin' on the corner with them pistols (\nYeah, yeah\n)\nHey, I bought her lot of MissMe jeans (\nYeah, yeah\n)\nBut I will never ever miss her (Damn)\nI'm chillin' at the studio\nThese bitches wanna fuck on the banana boat (Ow)\nI'm on the outskirt, chasin' after green\nSmokin' orange kush, feelin' like a cantaloupe (Ow)\nI fell in love with Hannah Montana\nAll of her niggas dance at the cameras\nI fucked her 'cause I slimed out her brother\nThen I pulled off and left the bitch with the 'nana (Chee) [Bridge: Young Thug]\nOh, then the devil done caught my soul, huh\nNigga, the devil done caught my soul, huh\n(What you know 'bout that)\nHey, nigga, devil done caught my soul\n(What you know 'bout that)\nNigga, the devil done caught my soul (What)\nSoul, soul, soul, done caught my soul (Ow)\n[Verse 2: Young Thug & \nDrake\n]\nRanned up my money\nMy diamonds come wet like a fisherman (Ow)\nI catch your lil' bitch\nAnd I take her to shop up at Wish and shit (Oh-ow)\nI'm ballin', I never foul out, start with the figure eight\n(Oh-oh, oh-ow)\nYou pussy, you know you a cat\nI see your whiskers, you might Tigger it (Chee, chee)\nRoom at the Intercontinental (What? What? Yeah)\nRoom at the Intercontinental (Swag)\nMetro Rollie icey, it ain't December (Brrr, on God)\nI wanna see all of the baddest bitches sprint (Woo, woo)\nWith her friends dancing with the pole inside the middle\n(Woo, woo) (\nYeah, yeah\n)\nIs it a parade? (Chee, chee, chee) (\nYeah, yeah\n)\nGet 'em, nigga! (\nYeah, yeah\n)\nBabysitter, drink vanilla (What) (\nYeah, yeah\n)\nWe are realer, hey (Hey! \nYeah, yeah\n)\nFuck your mama, fuck your sister (\nYeah, yeah\n), fuckin' kill her, hey (Hey! \nYeah, yeah\n)\nRO'5 (Woo), caterpillar (Woo), rollin' with em, hey (Hey, \nyeah, yeah\n)\nFound my rhythm (\nYeah, yeah\n)\nNow that's his ass, run and kick him, hey (Hey, \nyeah, yeah\n)\nHey (\nYeah, yeah\n)\nI say the truth because she's the truth (Hey, \nyeah, yeah\n)\nNigga creepin' in that coupe (\nYeah, yeah\n)\nDoesn't fit the roof (Woo, woo, skrt, skrt)\nTalkin' shit, make deaf people listen to it, hey\nI'm bangin' blood, I could never flu it\nI'm bangin' blood, I could never flu it\nI'm bangin' blood, I could never flu it\n (\nYeah, yeah\n) [Bridge: Young Thug & \nDrake\n]\nI fucked her then washed off my dick\nWith the curtains inside of the Phantom\n(\nYeah, yeah, yeah, yeah, yeah, yeah\n)\nIf he standing next to Young Thugger (\nYeah, yeah\n)\nI train them to kill for the camera\n(\nYeah, yeah, yeah, yeah, yeah, yeah\n)\nI'm feelin' like Malcolm in the Middle (\nYeah, yeah\n)\nThese bitches, they surround me, they can't miss him\n(\nYeah, yeah, yeah, yeah, yeah, yeah\n)\nA young nigga came a long way (\nYeah, yeah\n)\nFrom standin' on the corner with them pistols\n(\nYeah, yeah, yeah, yeah, yeah, yeah\n)\nI’m chillin' at the studio (\nYeah, yeah\n)\nThese bitches wanna fuck on the banana boat\n(\nYeah, yeah, yeah, yeah, yeah, yeah\n)\nI'm on the outskirt, chasin' after green\nSmokin' orange kush (\nYeah, yeah\n)\nFeelin' like a cantaloupe (\nYeah, yeah\n)\nThen I pulled off, and left the bitch with the 'nana (\nYeah, yeah\n)\n[Interlude: Young Thug & \nDrake\n]\nMetro Boomin want some more (\nYeah, yeah\n)\nMetro Boomin wa-a-a-a-ant more (\nYeah, yeah\n)\nMetro Boomin want some m-o-o-o-o-ore, (\nYeah, yeah\n), more (\nYeah, yeah\n)\nMetro Boomin want some more (\nYeah, yeah\n)\nMetro Boomin wa-a-a-a-ant more (\nYeah, yeah\n), nigga\nMetro Boomin want some more, nigga [Outro: Young Thug]\nMetro Rollie icy, it ain't December\nI wanna see all of the baddest bitches sprint\nWith her friends dancing with the pole inside the middle\nIs it a parade?\nGet 'em, nigga\nGet 'em, nigga\nMetro Boomin want some more, nigga\nGet 'em, nigga" } ]

[ { "from": "human", "value": "Write me a song called Morning View with the following description: “Morning View” by Towkio off of his upcoming album World Wide .Wav, the sequel to his debut mixtape .Wav Theory.\nThis song was released to accompany his trip 100, 000 feet into the air which can be seen on his Instagram in which he is pictured wearing a spacesuit similar to the album cover. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Towkio]\nGood morning, faces out of pillow sheet\nI watch you dream, only time you seem at peace\nI've fallen into routine\nWe fight, fuck, then \nfall asleep\n[Chorus: Towkio]\nAnd then I wake up\nI think to myself, \"Ooh, what a morning view\"\nWhen I would like to keep it, arms reach\nI fall in synch with you, I'm \ncomfortable\nYeah, I said I wake up\nI can't help but think, \"Ooh, what a morning view\"\nI'd like to keep it, God said we're made to create\nYeah, that's what we want to do\nI say, \"Good morning\"\n[Verse 2: SZA]\nWe get the sun, as you wash all over your face\nStill taste you, still faded, might stay\nPlay hooky from work, I'd rather lay on you, what do you say?\nStill taste you, still faded, might stay\nNow that you've come back, why did you stay out?\n10:30, you got a crib, but you come for my morning view\nYou need a ride, it's gettin' late, you stay the night\nIt's 3 AM, no goin' home, we break in day\nYou back again to get a taste of that morning view\nOh, I see, oh, I see, oh, I see you [Chorus: SZA]\nWake up\nI think to myself, \"Oh, what a morning view\"\nI think to myself, \"Oh, what a morning view\"\nGood, good, good morning" } ]

[ { "from": "human", "value": "Write me a song called They Still Like Me with the following description: Track #3 off Dedication 2. Wayne raps over Dem Franchise Boyz' “Oh, I Think They Like Me”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Spoken: Lil Wayne]\nOK, OK, OK. Mhm, mm, mhm. That's what I'm talking 'bout, man. I killed that shit, man. Man, that right there—it's easy, man. You know what I mean? Give me something else, man, Drama. I'm on fire, man, rock. Watch this, man!\n[Intro: Lil Wayne, \nDJ Drama\n, & \nDJ drops\n]\nLet's do this for Hollygrove!\nYeah\nCan't forget Magnolia Projects!\nYoung\nShout to the N.O.!\n (\nDramatic, nigga!\n)\nYoung\nDJ Drama! Weezy F. Baby!\nDedication 2, let's go!\n (\nDramatic\n)\n[Verse: Lil Wayne & \nDJ drops\n]\nWeezy, motherfucker, what it do? Holla at me\nAll the niggas tryna hate me, and them bitches tryna have me, I'm a—\nMoney man, yep, I get it from my daddy, ho\nAnd boy, we can beef like Magnolia and Calliope\nHollygrove my barrio\n, let that automatic go\nTest me when I'm chilling, and I kill you from my patio\nBitch, my shadow look good, I'm just feeling Weezy\nHop in my shit and say goodbye 'cause the ceiling's leaving (\nGangsta!\n)\nBelieve me, they ain't tryna see me\nTell 'em I be the nigga with the burner in the beanie, I'm—\nThe fireman, she just call me when she steamin\nI wet her up and put her out and leave the bitch dreaming\nNiggas say they hot, but it's really not seeming\nIf these guys bad, then I gotta be a demon\nWayne's getting money like Damon and Keenan\nTry, take it from me, and I'm aiming and beaming\nBanging and leaving stains on the cement\nSlide the crackers something so they tame the policemen\nLeft in a Porsche, \ncame in a carnation\nI'm fresh, yeah, the Gucci sweats came with the creases\nI'm hot, but I'm cold, I just change with the seasons\nTryna put some cheese on my pieces\nIf you looking for your nigga, I be where the water gets deeper\nHugging on that money, tryna put it in a sleeper\nYeah, I'm here—who the fuck wanna say something?\nLeave your whole head empty like a straight pumpkin\nMake no assumptions, I'm hustling\nYour girlfriend guzzling when you thought she wasn't\nName still buzzing even when I'm doing nothing\nBut I'm never doing nothing, 'cause I'm always getting money\nIt's that simple, jackass, if you don't get it, you're a dummy\nAnd them niggas that diss me ain't nothing but pure pussy\nSure, honey, I done heard what you said\nBut if a nigga really cared, you'd already be dead\nJust a young-ass nigga with some old-ass bread\nYes, I keep them dollars running like them bitches got legs\nAnd my nigga Tez Po been riding with me since pegs\nAnd my right wrist is looking like a cracked-open egg, that's—\nWhite and yellow diamonds, adjust your lighting\nI got 'em so mad, but, \"Oh, I think they like me\" (\nGangsta Gri-Zillz!\n)" } ]

[ { "from": "human", "value": "Write me a song called Whatever Happens with the following description: “Whatever Happens” is the 15th track from Michael Jackson’s tenth studio album, Invincible.\nThe legendary guitarist Carlos Santana joined the King of Pop for this song. It was recorded in San Francisco in February 2001.\nI was very honored that he called me to work with him and I love the song.\nThe song is about a couple who is hitting hard times and are close to breaking up. The guy is trying to assure his girl that everything will be alright, but he’s trying too hard to make her girl happy. He needs to know that he shouldn’t take the world upon his shoulders and just being with her is what makes him happy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Michael Jackson]\nHe gives another smile, tries to understand her side\nTo show that he cares\nShe can't stay in the room\nShe's consumed with everything that's been going on\nShe says, \"Whatever happens, don't let go of my hand\"\n[Verse 2: Michael Jackson]\n\"Everything will be alright\", he assures her\nBut she doesn't hear a word that he says\nPreoccupied, she's afraid\nAfraid what they've been doing's not right\nHe doesn't know what to say, so he prays\nWhatever, whatever, whatever\n[Chorus: Michael Jackson]\nWhatever happens, don't let go of my hand\nSee, whatever happens, don't let go of my hand\nWhatever happens, don't you let go of my hand\n[Guitar Solo]\nDon't let go of my hand\nDon't let go of my hand\n[Verse 3: Michael Jackson]\nHe's working day and night, thinks he'll make her happy\nForgetting all the dreams that he had\nHe doesn't realize it's not the end of the world\nIt doesn't have to be that bad\nShe tries to explain, \"It's you that makes me happy\"\nWhatever, whatever, whatever [Chorus: Michael Jackson]\nWhatever happens, don't let go of my hand\nSee, whatever happens, don't you let go of my hand\nSee whatever happens, don't go of my hand\nSee whatever happens, don't you let go of my hand\nWhatever happens, don't let go of my hand\nWhatever happens, don't you let go of my hand\nWhatever happens, don't you let go of my hand\nWhatever happens, just don't let go of my hand\n[Outro: Carlos Santana & \nMichael Jackson\n]\nThank you, man\nThank you, Carlos" } ]

[ { "from": "human", "value": "Write me a song called Tuscan Leather with the following description: The six minute, six second introductory (and highly-anticipated) song off Drake’s third outing, Nothing Was The Same. The song’s title borrows from Tom Ford’s designer cologne, Tuscan Leather.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nYeah\nAlright, yeah\n[Verse 1: Drake]\nComin' off the last record\nI'm gettin' twenty million off the record\nJust to off these records, nigga, that's a record\nI'm livin' like I'm out here on my last adventure\nPast the present when you have to mention\nThis is nothin' for the radio, but they'll still play it though\n'Cause it's that new Drizzy Drake, that's just the way it go\nHeavy airplay all day with no chorus\nWe keep it thorough, nigga\nRap like this for all of my borough niggas\nI reached the point where don't shit matter to me, nigga\nI reached heights that Dwight Howard couldn't reach, nigga\nPrince Akeem, they throw flowers at my feet, nigga\nI could go a hour on this beat, nigga\nYeah, I'm just as famous as my mentor\nBut that's still the boss, don't get sent for\nGet hype on tracks and jump in front of a bullet you wasn't meant for\n'Cause you don't really wanna hear me vent more\nHot temper, scary outcome\nHere's a reason for niggas that's hatin' without one\nThat always let they mouth run\nBench players talkin' like starters, I hate it\nStarted from the bottom, now we here, nigga, we made it\nYeah, Tom Ford Tuscan Leather smellin' like a brick\nDegenerates, but even Ellen love our shit\nRich enough that I don't have to tell 'em that I'm rich\nSelf-explanatory, you just here to spread the story\nWassup? [Verse 2: Drake]\nSittin' Gucci Row like they say up at UNLV\nYoung rebel, Young Money, nothin' you could tell me\nPaperwork takin' too long, maybe they don't understand me\nI'll compromise if I have to, I gotta stay with the family\nNot even talkin' to Nicki, communication is breakin'\nI dropped the ball on some personal shit, I need to embrace it\nI'm honest, I make mistakes, I'd be the second to admit it\nThink that's why I need her in my life, to check me when I'm trippin'\nOn a mission, tryna shift the culture\nTell me who dissin', I got some things that'll hit the culprit\nThem strep throat flows, them shits to stop all of the talkin'\nAll of the talkin', got one reply for all of your comments\nFuck what you think, I'm too busy, that's why you leave a message\nBorn a perfectionist, guess that makes me a bit obsessive\nThat shit I heard from you lately really relieved some pressure\nLike ayy, B, I got your CD, you get an E for effort\nI piece letters together and get to talkin' reckless\nOwl chains like credentials,\n you know you see the necklace\nMy life's a completed checklist\nI'm tired of hearin' 'bout who you checkin' for now\nJust give it time, we'll see who's still around a decade from now\nThat's real\n[Verse 3: Drake]\nHow much time is this nigga spendin' on the intro?\nLately I've been feelin' like Guy Pearce in \nMemento\nI just set the bar, niggas fall under it like a limbo\nThe family all that matters, I'm just out here with my kinfolk\nOff everything my pen wrote, we went from Bundy to Winslow\nThis for shorty up on Glengrove who love when I catch my tempo\nI sip the Pora\n \nand listen to Cappadonna (Talk to 'em)\nThe fresh prince, just had dinner with Tatyana, no lie\nAll these nineties fantasies on my mind\nThe difference is that with mine, they all come true in due time\nI might come through without security to check if you're fine\nThat's just me on my solo like \"Fuck it\", like \"YOLO\"\nWanted to tell you, \"Accept yourself\"\nYou don't have to prove shit to no one except yourself\nAnd if you end up needin' some extra help, then I could help\nYou know, back on your feet and shit\nTryna get my karma up, fuck the guilty and greedy shit\nHow much time is this nigga spendin' on the intro?\nHow this nigga workin' like he got a fuckin' twin though?\nLife is soundin' crazy, 40 on Martin Scorsese\nAnd I wouldn't change a thing if you paid me\nNow real nigga, wassup?\nAyy, yeah, ayy\nHow much time is this nigga spendin' on the intro? [Spoken Outro: Curtis Mayfield]\nIf there's hell below, I'll see you when you get there\nAre you enjoyin' yourselves?\nIf we may, we would just like to close off with somethin' a bit inspirational\nHopefully something a bit relevant as to us all are having the same fears, shedding similar tears, and of course dying in so many years\nIt don't mean that we can't have a good life\nSo we'd like to just maybe close out with something, some food for thought, for all of us\n[Produced by Noah \"40\" Shebib]" } ]

[ { "from": "human", "value": "Write me a song called Mistletoe with the following description: On November 11th, 2021, Why Don’t We announced their cover of Justin Bieber’s “Mistletoe” as a surprise after fans got #GiveLoveBack trending with over 40k tweets on Twitter for the bands single, “Love Back.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Zach Herron, \nDaniel Seavey\n & \nCorbyn Besson\n]\nAlright, alright, alright\nYeah\n, yo, yo\nEy, yeah\nJustin we love you man\nLove you JB (Ey, B, this is for you)\nThis one for you\n[Verse 1: Corbyn Besson & \nDaniel Seavey\n]\nIt's the most beautiful time of the year\nLights fill the streets, spreading so much cheer\nI should be playing in the winter snow\nBut I'ma be under the mistletoe\nI don't wanna miss out on the holiday\nBut I can't stop staring at your face\nI should be playing in the winter snow\nBut I'ma be under the mistletoe\n[Chorus: Zach Herron]\n(With you) Shawty, with you\n(With you) Shawty, with you\n(With you) Under the mistletoe\n[Verse 2: Jonah Marais & \nJack Avery\n]\nEveryone's gathering around the fire\nChestnuts roasting like a hot July\nI should bе chilling with my folks, I know\nBut I'ma be under the mistlеtoe\nWord on the street, Santa's coming tonight\nReindeer's flying through the sky so high\nI should be making a list, I know\nBut I'ma be under the mistletoe [Chorus: Zach Herron]\n(With you) Shawty, with you\n(With you) Shawty, with you\n(With you) Under the mistletoe\n(With you) Shawty, with you\n(With you) Shawty, with you\n(With you) Under the mistletoe\n[Bridge: Daniel Seavey & \nJonah Marais\n]\nAyy love, the wise men followed the stars\nThe way I followed my heart\nAnd it led me to a miracle\nAyy love, so don't you buy me nothing (Don't you buy me nothing)\n'Cause I am feeling one thing, your lips on my lips\nThat's a merry, merry Christmas\n[Verse 3: Corbyn Besson & \nDaniel Seavey\n]\nIt's the most beautiful time of the year\nLights fill the streets, spreading so much cheer\nI should be playing in the winter snow\nBut I'ma be under the mistletoe\nI don't wanna miss out on the holiday\nBut I can't stop staring at your face\nI should be playing in the winter snow\nBut I'ma be under the mistletoe [Chorus: Zach Herron & \nDaniel Seavey\n]\n(With you) Shawty, with you\n(With you) Shawty, with you\n(With you) Under the mistletoe\n(With you) Shawty, with you\n(With you) Shawty, with you\n(With you) Under the mistletoe (\nUnder the mistletoe\n)\n[Outro: Daniel Seavey]\nKiss me underneath the mistletoe\nShow me, baby, that you love me so-oh-oh, oh, oh, oh\nYeah, kiss me underneath the mistletoe (Kiss me underneath the mistletoe)\nShow me, baby, that you love me so-oh-oh, oh, oh, oh" } ]

[ { "from": "human", "value": "Write me a song called Kissing You with the following description: This song appears on the American Target edition of Sam Smith’s album Gloria, released on 27th January 2023. It was originally sung by British singer, Des'ree, in 1996 as the soundtrack to the film Romeo and Juliet. It was composed by Timothy Atack.\nNoticeable is the increased depth and resonance of Sam’s voice as they mature. This adds to the emotional impact.\nSam sung this at his October 2022 concert at the Royal Albert Hall, London, and it was received with huge enthusiasm. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nPride can stand a thousand trials\nThe strong will never fall\nBut watching stars without you\nMy soul cries\n[Chorus]\nHeaving heart is full of pain\nOh, oh, the aching\n'Cause I'm kissing you, oh\nI am kissing you, oh\n[Verse 2]\nTouch me deep, pure and true\nGift to me forever\n[Chorus]\n'Cause I'm kissing you, oh\nI'm kissing you\n[Bridge]\nHmm, oh, hmm\nYeah, oh, oh\nHmm\nHmm [Chorus]\nWhere are you now?\nWhere are you now?\n'Cause I'm kissing you, oh\nI'm kissing you, oh" } ]

[ { "from": "human", "value": "Write me a song called ​m.A.A.d city with the following description: “m.A.A.d” is an acronym for both “my Angels on Angel dust” and “my Angry Adolescence divided.”\n“m.A.A.d” is also a reference to the 90s Compton based hip-hop group “WC and the Maad Circle.” The leader, WC, would go on to form Westside Connection, a group heavily associated with LA-based artists Ice Cube from N.W.A, and Mack 10.\nKendrick’s recent beat-down brings back early memories of similar situations, witnessing someone with their brains blown out at a burger stand back when he was 9 (probably referring to his Uncle Tony, or someone in a similar situation), he thinks he knows the person who did it but he censors their name. He also talks about how his cousin was killed back in ‘94.\nHe talks about his father telling him to get a job but he’s fired after his friends pressure him into staging a robbery. He gives his reason for why he doesn’t smoke when he tells a story of smoking marijuana laced with cocaine and “foaming at the mouth.”\nIn the final verse he tries to let the good shine through and offer respite for the youth and how they don’t have to succumb to the temptations and pressures of the street. He hopes that his experience and intelligence can do good for the youth living in similar situations. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: Produced by Sounwave]\n[Refrain: Kendrick Lamar & \nScHoolboy Q\n]\nIf Pirus and Crips all got along\nThey'd probably gun me down by the end of this song\nSeem like the whole city go against me\nEvery time I'm in the street, I hear—\nYawk! Yawk! Yawk! Yawk!\n[Chorus: Kendrick Lamar]\nMan down, where you from, nigga?\nFuck who you know—where you from, my nigga?\nWhere your grandma stay, huh, my nigga?\nThis m.A.A.d city I run, my nigga\n[Verse: Kendrick Lamar]\nBrace yourself, I'll take you on a trip down memory lane\nThis is not a rap on how I'm slingin' crack or move cocaine\nThis is cul-de-sac and plenty Cognac and major pain\nNot the drill sergeant, but the stress that weighin' on your brain\nIt was me, L Boog, and Yan Yan, YG Lucky ride down Rosecrans\nIt got ugly, wavin' yo' hand out the window — check yourself\nUh, Warriors and Conans,\n \nhope euphoria can slow dance\nWith society,\n \nthe driver seat the first one to get killed\nSeen a light-skinned nigga with his brains blown out\nAt the same burger stand where **** hang out\nNow this is not a tape recorder sayin' that he did it\nBut ever since that day, I was lookin' at him different\nThat was back when I was nine, Joey packed the nine\nPakistan on every porch is fine,\n \nwe adapt to crime\nPack a van with four guns at a time\nWith the sliding door, fuck is up?\nFuck you shootin' for if you ain't walkin' up, you fuckin' punk?\nPickin' up the fuckin' pump, pickin' off you suckers\nSuck a dick or die or sucker punch\nA wall of bullets comin' from AK's, AR's,\n \n\"Ayy, y'all—duck\"\nThat's what mama said when we was eatin' that free lunch\nAw man, goddamn, all hell broke loose\nYou killed my cousin back in '94, fuck yo' truce\nNow crawl your head in that noose\nYou wind up dead on the news\nAin't no peace treaty, just piecin' BGs up to pre-approve\nBodies on top of bodies, IVs on top of IVs\nObviously the coroner between the sheets like the Isleys\nWhen you hop on that trolley, make sure your color's correct\nMake sure you're corporate or they'll be callin' your mother collect\nThey say the governor collect all of our taxes, except\nWhen we in traffic and tragic happens, that shit ain't no threat\nYou movin' backwards if you suggest that you sleep with a TEC\nGo buy a chopper and have a doctor on speed dial, I guess\n​m.A.A.d. city [Chorus: Kendrick Lamar]\nMan down, where you from, nigga?\nFuck who you know—where you from, my nigga?\nWhere your grandma stay, huh, my nigga?\nThis m.A.A.d city I run, my nigga\n[Refrain: Kendrick Lamar & \nScHoolboy Q\n]\nIf Pirus and Crips all got along\nThey'd probably gun me down by the end of this song\nSeem like the whole city go against me\nEvery time I'm in the street, I hear—\nYawk! Yawk! Yawk!—\n[Part II: Produced by Terrace Martin]\n[Intro: MC Eiht]\nWake yo' punk-ass up\nIt ain't nothin' but a Compton thang\nG-yeah, real simple and plain\nLet me teach you some lessons about the street\n(Smoke somethin', nigga)\nHood ('Sup, cuz?)\nIt ain't nothin' but a Compton thang\nG-yeah, how we do\n[Verse 1: Kendrick Lamar]\nFresh outta school 'cause I was a high school grad'\nSleepin' in the living room of my mama's pad\nReality struck, I seen the white car crash\nHit the light pole, two niggas hopped out on foot and dashed\n (\nWatch out, cuz\n)\nMy pops said I needed a job, I thought I believed him\nSecurity guard for a month and ended up leavin'\nIn fact, I got fired 'cause I was inspired by all of my friends\nTo stage a robbery the third Saturday I clocked in\nProjects tore up, gang signs get thrown up\n (\nSup?\n)\nCocaine laced in marijuana\nAnd they wonder why I rarely smoke now\nImagine if your first blunt had you foamin' at the mouth\nI was straight tweakin',\n \nthe next weekend we broke even\nI made allegiance that made a promise to see you bleedin'\nYou know the reasons\n \nbut still'll never know my life\nKendrick a.k.a. \"Compton's Human Sacrifice\" [Interlude: MC Eiht]\nG-yeah, cocaine, weed\nNiggas been mixin' shit since the '80s, loc\nSherm sticks,\n \nbutt-nakeds\nDip, make a nigga flip\nCluck heads all up and down the block and shit\nOne time's crooked and shit\nBlock a nigga in\nAlondra, Rosecrans, Bullis, it's Compton\n[Verse 2: MC Eiht]\nI'm still in the hood, loc, yeah, that's cool\nShit, the hood took me under, so I follow the rules\nBut, yeah, that's like me, I grew up in the hood where they bang\nAnd niggas that rep colors is doin' the same thang\nPass it to the left so I can smoke on me\nA couple drive-bys in the hood lately, yeah\nCouple of IV's with the fuckin' spray-can\nShots in the crowd, then everybody ran\nCrew I'm finna slay, the street life I crave\nShots hit the enemy, hearts turn brave\nMount up, regulators in the whip\nDown the boulevard with the pistol grip, yeah\nTrip, we in the hood still\nSo, loc, grab a strap 'cause, yeah, it's so real, yeah\nDeal with the outcome, a strap in the hand\nAnd a bird and ten grand's where a mothafucka stand [Verse 3: Kendrick Lamar]\nIf I told you I killed a nigga at sixteen, would you believe me?\nPerceive me to be innocent Kendrick you seen in the street\nWith a basketball\n \nand some Now and Laters to eat?\nIf I mentioned all of my skeletons, would you jump in the seat?\nWould you say my intelligence now is great relief?\nAnd it's safe to say that our next generation maybe can sleep\nWith dreams of bein' a lawyer or doctor\nInstead of boy with a chopper that hold the cul-de-sac hostage\nKill 'em all if they gossip\nThe Children of the Corn,\n \nthey vandalizin' the option\nOf livin' a lie, drown their body with toxins\nConstantly drinkin' and drive\nHit the powder, then watch this flame that arrive in his eye\nListen, coward, the concept is aim and then bang it and slide\nOut that bitch with deposit, a price on his head, the tithes\nProbably go to the projects\nI live inside the belly of the rough, Compton, USA\nMade me an Angel on Angel Dust, what?\n[Scratches]\n​m.A.A.d city\nCompton\n[Outro]\nNigga, pass Dot the bottle, damn\nYou ain't the one that got fucked up\nWhat you holdin' it for?\nNiggas always actin' unsensitive and shit\nNigga, that ain't no word\nNigga, shut up\nHey, Dot, you good, my nigga?\nDon't even trip\nJust lay back and drink that" } ]

[ { "from": "human", "value": "Write me a song called Ojuelegba (Remix) with the following description: This is a remix of a hit song off WizKid’s sophomore album titled ‘Ayo(Joy)’. The song was produced by Nigerian producers; “Legendary Beatz”. Skepta on Hot97 explained how the remix came about.\nhttps://www.youtube.com/watch?v=DJssn3bcUtM#t=28m56s Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Wizkid]\nDami loun oluwa Wizzy\n[Verse 1: Wizkid]\nNi ojuelegba, they know my story\nFrom Mo'Dogg studio\nI be hustle to work, eh\nNi ojuelegba, o\nMe and Silly, from Mo'Dogg's studio\nWe been hustle to work, eh\nNi ojuelegba o, my people dey there\nMy people suffer, dem dey pray for blessing eh\nNi ojuelegba o, my people dey there\nDem dey pray for blessing, for better living eh eh\nKilo dale, aiye o le to yen o\nAiye o ni double, adura lo le se o\nCall on daddy, baba God\nAdura a gba o\nTisu eni ba dele\nA fowo bo n je\n[Chorus: Wizkid & Drake]\nI am feeling good tonight\nThis thing got me thanking God for life\nOh, I can’t explain\nI can’t explain eh yeah\nI am feeling good tonight\nThis thing got me thanking God for life\nI can’t explain\nI can’t explain eh yeah\nAre you feeling good tonight?\nThis thing got me thanking God for life\nI just can't explain\nI can't explain, no, no, yeah [Verse 2: Drake]\nLook, it's gon' be a long long time 'fore we stop\nBoy better know, they better know who make the scene pop\nAll I ever needed was a chance to get the team hot\nOnly thing I fear is a headshot or a screenshot\nPree me, dem a pree me\nYou know they only call me when they need me\nI never go anywhere, they never see me\nI'm the type to take it easy, take it easy\nI took girls in the very first text I sent\nI don't beg no lovers, I don't beg no friends\nIf you wanna link, we can link right now\nSkeppy, Wiz and Drake, it's a ting right now\n[Chorus: \nDrake & Wizkid\n, Wizkid]\nAre you feeling good tonight\nThis thing got me thanking God for life\nOh, I can’t explain\nI can’t explain eh yeah\nI am feeling good tonight\nThis thing got me thanking God for life\nI can’t explain\nI can’t explain eh yeah\n[Verse 3: Skepta]\nWhen I was in school, being African was a diss\nSounds like you need help saying my surname, Miss\nTried to communicate\nBut everyday is like another episode of Everybody Hates Chris\nEver since mum said, \"Son you are a king\"\nI feel like Floyd when I'm stepping into the ring\nJust spoke to the boy, said he's flying in with a ting\nWe're touching the road to celebrate another win, we're going in\nWhy am I repping these ends? Man I don't know\nThe government played roulette with my postcode\nAll I know is it's where my people dem are suffering\nI seen it before, narrate the story as it unfolds\nDad certified the settings and my mum knows\nMy mind full of more bullets than your gun holds\nNow I got the peng tings in the front row\nSaying, \"Skeppy come home, baby come home!\"\nYeah, I love the sun but I respect the rain\nLook forward to good times, can't forget the pain\nI was the kid in school with the £10 shoes\nWhite socks, jack-ups and the pepper grains\nSaid they're gonna respect me for my ambition\nRest in peace my niggas that are missing\nI had to tell my story cause they'd rather show you\nBlack kids with flies on their faces on the television [Bridge: Wizkid]\nE kira fun mummy mi o\nOjojumo lo n s’adura\nMon jaiye mi won ni won soro ju\nOjojumo owo n wole wa\nE kira fun mummy mi o\nOjojumo lo n s’adura\nMon jaiye mi won ni won soro ju\nWon ni won ni won soro ju\n[Chorus: Wizkid, \nDrake\n]\nI am feeling good tonight (\ntonight\n)\nThis thing got me thanking God for life (\nfor life\n)\nOh, I can’t explain\nI can’t explain eh yeah\nI am feeling good tonight (\ntonight\n)\nThis thing got me thanking God for life (\nthanking God for life\n)\nI can’t explain\nI can’t explain eh yeah" } ]

[ { "from": "human", "value": "Write me a song called Trap Queen (Remix) with the following description: Quavo’s remix of Fetty Wap’s hot single “Trap Queen”, which was first teased on Instagram is finally out! He fits in perfectly on this remix, and the timing is perfect because he recently had a similar song called “Trapper Girl” about a girl who likes to cook drugs with him.\nThe original version of the song has recieved a lot of love recently, with both Yo Gotti and French Montana remixing it, and with it recieving a CDQ iTunes version which you can purchase here.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Fetty Wap]\nRemy Boyz, yeaahhhh\n1738\n[Bridge: Fetty Wap]\nI'm like \"hey, what's up, hello\"\nSeen yo pretty ass soon as you came in that door\nI just wanna chill, got a sack for us to roll\nMarried to the money, introduced her to my stove\nShowed her how to whip it, now she remixin' for low\nShe my trap queen, let her hit the bando\nWe be countin' up, watch how far them bands go\nWe just set a goal, talkin' matchin' Lambos\nGot 50, 60 grand, 5 100 grams though\nMan, I swear I love her how she work the damn pole\nHit the strip club, we be letting bands go\nEverybody hating, we just call them fans though\nIn love with the money, I ain't never letting go\n[Hook x2: Fetty Wap]\nAnd I get high with my baby\nI just left the mall, I'm gettin' fly with my baby, yeaaahhh\nAnd I can ride with my baby\nI be in the kitchen cookin' pies with my baby, yeeaahhh\n[Verse: Quavo]\nI'm like \"hey, what's up, hello\"\nI met you in the kitchen whippin' in a bando\nAnd Imma need you to cook a baby\nAnd when you cook that baby, I'mma buy you a Mercedes\nLook at the thighs on her\nOh, I wanna ride on her\nAnd we in a coupe goin' crazy\nGo to Venezuela, that's a getaway vacation\nShe the trap queen, she cook it\nI'm the trap king, I bring the cash\nYou a pussy, so I took your bag\nIf you get money with your baby say \"yeaaahhh\" [Hook]" } ]

[ { "from": "human", "value": "Write me a song called You and Me with the following description: This is the 5th track on the album Rose Ave from the duo You+Me, formed by Alecia Moore (better known as P!nk) and Dallas Green (known from City and Colour)\n\nThe song is about two people who belong to eachother: they need echother, they help eachother, they think as one: they are madly in love with eachother. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou and me were always with each other\nBefore we knew the other was ever there\nYou and me, we belong together\nJust like a breath needs the air\nI told if you if you called I would come running\nAcross the highs, the lows and the in between\nYou and me, we've got two minds that think as one\nAnd our hearts march to the same beat\n[Chorus]\nThey say everything, it happens for a reason\nYou can be flawed enough but perfect for a person\nSomeone who will be there for you when you fall apart\nGuiding your direction when you're riding through the dark\nOh, that's you and me\n[Verse 2]\nYou and me, we're searching for the same light\nDesperate for a cure to this disease\nWell some days are better than others\nBut I fear no thing as long as you're with me\n[Chorus]\nThey say everything, it happens for a reason\nYou can be flawed enough but perfect for a person\nSomeone who will be there for you when you fall apart\nGuiding your direction when you're riding through the dark They say everything, it happens for a reason\nYou can be flawed enough but perfect for a person\nSomeone who will be there when you start to fall apart\nGuiding your direction when you're riding through the dark\n[Outtro]\nOh, that's you and me\nOh, that's you and me\nOh, that's you and me\nThat's you and me\nThat's you and me" } ]

[ { "from": "human", "value": "Write me a song called Navy Blue with the following description: “Navy Blue” was first teased by the Canadian model Charlotte D'Alessio, who is friends with the singer, during a Q&A session with fans on her Tumblr.\nFavorite song Char has ever made is called “Navy Blue” and it’s unreleased […] Keep an eye out. Their new albums are FUCKING CRAZY.\nLater on, Lawrence used the same title for her second tour and 5 months later, on Septemeber 5th, 2019, she acknowledged the existence of the song on a series of Instagram Stories updates.\n\nThen on Septemeber 25th, she announced the release date with a teaser on her social media.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nConversations in the silence\nWords are violent\nAnd the feeling's dying slow\nWe don't even try to hide it\nIt's like we like it\nI guess the pain is comfortable\n[Pre-Chorus]\nWe got delusions of a grand oblivion\nWe're only happy when we're higher than the sun\nConversations in the silence\nWords are violent\nAnd the color's fading slow\n[Chorus]\nDon't say the words we know are true\nJust one more night's not much to lose\nPretend that I'm not wrong for you\nJust one more night in navy blue, blue, blue\nJust one more night in navy blue, blue, blue, blue\nJust one more night in navy blue\n[Verse 2]\nI see your face in my reflection, craving attention\nIs it me or my ego?\nYou don't want to ask the question, keep me guessing\nThink we both can't be alone [Pre-Chorus]\nWe got delusions of a grand oblivion\nWe're only happy when we're higher than the sun\nSee your face in my reflection, craving attention\nAnd the color's dying slow\n[Chorus]\nDon't say the words we know are true\nJust one more night's not much to lose\nPretend that I'm not wrong for you\nJust one more night in navy blue, blue, blue\nJust one more night in navy blue, blue, blue, blue\nJust one more night in navy blue\n[Outro]\nOne more night in navy blue" } ]

[ { "from": "human", "value": "Write me a song called Feel So Close with the following description: Calvin Harris notably took over the singing duties in “Feel So Close” after previously stating that he was done with singing altogether, preferring to leave it to “people who can sing well” and freeing him up to solely produce.\nThankfully, he returned to lend the track its smooth, wistfully cool vocals. Harris has since permitted himself to sing again…at least when “the song suits [his] voice”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI feel so close to you right now, it's a force field\nI wear my heart upon my sleeve like a big deal\nYour love pours down on me, surround me like a waterfall\nAnd there's no stopping us right now\nI feel so close to you right now\n[Build]\n[Drop]\n[Verse 2]\nI feel so close to you right now, it's a force field\nI wear my heart upon my sleeve like a big deal\nYour love pours down on me, surround me like a waterfall\nAnd there's no stopping us right now\nI feel so close to you right now\n[Drop]\n[Bridge]\nAnd there's no stopping us right now\nAnd there's no stopping us right now\nAnd there's no stopping us right now\nI feel so close to you right now [Drop]" } ]

[ { "from": "human", "value": "Write me a song called Passionfruit with the following description: “Passionfruit” details Drake’s struggle to maintain trust in a long-distance relationship. Throughout the song, Drake explores how he is unable to maintain trust and faithfulness to this woman, eventually advising her to put a stop to the relationship. This is similar to another of Drake’s songs, “Marvin’s Room.”\nThere’s been much recent speculation over Drake’s love interests (such as Jennifer Lopez and Rihanna), and this song could refer to any number of them.\nThe smooth beat of the song reflects the tropical/dancehall influences that have been present in many songs from Views, including “Hotline Bling,” “One Dance,” and “Controlla.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Moodymann]\nHold on, hold on, fuck that\nFuck that shit\nHold on, I got to start this mothafuckin' record over again, wait a minute\nFuck that shit\nStill on this mothafuckin’ record\nI'ma play this mothafucka for y'all\nAyy, y’all get some more drinks goin' on\nI'll sound a whole lot better\n[Verse 1]\nListen\nSeein' you got ritualistic\nCleansin' my soul of addiction for now\n'Cause I'm fallin' apart, yeah\nTension\nBetween us just like picket fences\nYou got issues that I won’t mention for now\n’Cause we're fallin’ apart\n[Chorus]\nPassionate from miles away\nPassive with the things you say\nPassin' up on my old ways\nI can't blame you, no, no\nPassionate from miles away\nPassive with the things you say\nPassin' up on my old ways\nI can’t blame you, no, no [Verse 2]\nListen\nHarder buildin' trust from a distance\nI think we should rule out commitment for now\n'Cause we're fallin' apart\nLeavin'\nYou're just doing that to get even\nDon't pick up the pieces, just leave it for now\nThey keep fallin' apart\n[Chorus]\nPassionate from miles away\nPassive with the things you say\nPassin' up on my old ways\nI can't blame you, no, no\nPassionate from miles away\nPassive with the things you say\nPassin' up on my old ways\nI can't blame you, no, no\n[Outro: Zoë Kravitz]\nUm, trying to think of the right thing to say" } ]

[ { "from": "human", "value": "Write me a song called Rock My Body with the following description: Flipping the script on the 2003 Justin Timberlake classic, Amethyst seduces a potential lover into spending the night.\nThe track marks the Drag Race star’s return to their song cover roots, and serves as the lead single of her third album.\nLeading up to the song’s release, Amethyst shared on TikTok:\nI’m making it my life’s mission to breathe new life into the music that raised me. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDon't be so- be so-\nWalk away\nDon't be so- be so-\nWalk away\n[Verse 1]\nI just wanna know if\nBaby, can you treat me right?\nUh, pickin' up my touch\nBoy, I got you up, got you on my mind all night\nI never meant to take it all the way\nBut it's all the same\nI need you to put out the flame\n(I need you to put out the flame)\n[Pre-Chorus]\nYou've got me paranoid in\nLove that I can't afford in\nYour kiss tastes like poison\nAhh, ahh (Your kiss tastes like poison)\nYou know I've been explorin'\nI know that you enjoy it\nWatchin' me sip your poison\n(Watchin' me sip your poison) [Chorus]\nDon't be so quick to walk away\nDance with me\nCan you rock my body? Please stay\nDance with me\nYou don't have to admit you wanna play\nDance with me\nCan you rock me 'til the break of day?\nRock mе, rock me, rock me, rock me\n[Verse 2]\nLil' baddiе in the dress skin-tight, uh\nWho you think you're takin' home tonight? Yeah\nI just wanna feel your hands on my body\nPut the brakes on the Audi, pull it over, gettin' naughty\nCan you meet me at the afterparty?\nI'm the one trashed in the lobby\nI'm just beggin' you to rock my body\nSticky fingers, can't keep 'em off me (Let's go)\n[Pre-Chorus]\nYou've got me paranoid in\nLove that I can't afford in\nYour kiss tastes like poison\nAhh, ahh (Your kiss tastes like poison)\nYou know I've been explorin'\nI know that you enjoy it\nWatchin' me sip your poison\n(Watchin' me sip your poison) [Chorus]\nDon't be so quick to walk away\nDance with me\nCan you rock my body? Please stay\nDance with me\nYou don't have to admit you wanna play\nDance with me\nCan you rock me 'til the break of day?\n[Bridge]\nTalk to me, boy\nDressed to kill, but I don't mean no harm\nTalk to me, boy\nCan't deny that you're feelin' my charm\nTalk to me, boy\nHurry up 'cause you're takin' too long\nYeah, talk to me\nYou're gonna have me naked by the end of this song\n[Instrumental]\nWalk away\nDon't be so- be so-\nWalk away\n[Chorus]\nDon't be so quick to walk away\nDance with me\nCan you rock my body? Please stay\nDance with me\nYou don't have to admit you wanna play\nDance with me\nCan you rock me 'til the break of day? [Chorus]\nDon't be so quick to walk away\nDance with me\nCan you rock my body? Please stay\nDance with me\nYou don't have to admit you wanna play\nDance with me\nCan you rock me 'til the break of day?\nLike that" } ]

[ { "from": "human", "value": "Write me a song called Golden with the following description: “Golden,” featuring Sia, is a new single from Travie McCoy released ahead of his second solo album. It features production from Diplo and The Picard Bros. While an album release has yet to be confirmed, McCoy promised “new music coming … sooner than you think” upon announcing the release of the track. “Golden” was released on digital retailers on June 15, 2015; its music video was released on the same day. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-Chorus: Sia]\nYou got that look in your eyes, eyes\nI can tell you had bad dreams last night\nLet me take you in my arms; you can cry, cry\nLet me love you 'til you feel alright\n'Cause I am yours; you are mine, you are mine, mine\nNot going anywhere, I am standing by your side\nI will love you 'til the end of time, time\nI will love you 'til the day we die\n[Chorus: Sia]\nDon't fear, baby, 'cause you and me are golden\nWhen you can't breathe, it's you that I'll be holdin'\nYes, I'm all in, through thick and thin\nThis is good loving; you and me are golden\n[Verse 1: Travie McCoy]\nI gotta give it to her, she got a mean golden eye game\nHonestly it’s not a lot of O's to fit the rhyme scheme\nBut fuck it, for the sake of being overly cheesy\nI think it's cute we both like our eggs over easy\nAnd lately, I've been losing at love\nBut when you lookin' in the Lower East Side\nYou're bound to find nothing but bad luck\nDays can drift by, but I don't give a damn if you with me\nEven if the Earth exploded, I probably wouldn't notice\nNever has another narrowed down the field to nada\nSpend our days shopping at Target, 'cause she’s not concerned with Prada\nWe make hand-me-downs look designer\nGolden's in the eye of the beholder\nLove ya, girl [Chorus: Sia]\nDon't fear, baby, 'cause you and me are golden\nWhen you can't breathe, it's you that I'll be holdin'\nYes, I'm all in, through thick and thin\nThis is good loving; you and me are golden\n[Post-Chorus: Sia]\nYou and me are golden\nYou and me are golden\nYou and me are golden\nYou and me are golden\n[Verse 2: Travie McCoy]\nAnd honestly, she ain't even gotta say much\nI'll wait a whole day for that Midas touch\nMinus the fact she's the finest eyelids could open to\nMy highness, I'd travel the world and back in hopes to glow with you\nShe’s the Patti Mayonnaise to my Doug Funnie\nEvery kiss is 24 carats, no Bugs Bunny\nI used to live wild (Wild); she made me slow it down (Down)\nWho knows? Maybe one day, we'll have a golden child\nHaha, and that’s word to Eddie Murphy\nI wouldn't trade places if you threatened to hurt me\nTwo peas in a pod that could never be open\nI’m cool all by myself, but together we golden, yeah [Pre-Chorus: Sia]\nYou got that look in your eyes, eyes\nI can tell you had bad dreams last night\nLet me take you in my arms; you can cry, cry\nLet me love you 'til you feel alright\n'Cause I am yours; you are mine, you are mine, mine\nNot going anywhere, I am standing by your side\nI will love you 'til the end of time, time\nI will love you 'til the day we die\n[Chorus: Sia]\nDon't fear, baby, 'cause you and me are golden\nWhen you can't breathe, it's you that I'll be holdin'\nYes, I'm all in, through thick and thin\nThis is good loving; you and me are golden\nWe are golden, I ain't goin' anywhere" } ]

[ { "from": "human", "value": "Write me a song called 1 Question with the following description: Over a melodic track inspired by the 1988 Keith Sweat hit “Make It Last Forever,” E-40, Rick Ross, Jeremih, and Chris Brown come together to talk about their relations with the ladies. Although it is the first time these four have collaborated on one track, each artist has worked with the others and each guest has previously appeared on an E-40 song:\n\nChris Brown appeared on E-40’s “Function (Remix)” (2012) and “Episode” (2013)\nJeremih worked with E-40 and Too $hort on “Bout My Money” (2013), and 40 appeared on Jeremih’s “Knockin'” (2012)\nRick Ross and E-40 have been on several songs together, including 40’s “Champagne” (2013) and “Choices (Yup) (Remix)” (2015)\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nHitmaka\n)\n[Refrain: Jeremih]\nFaded, got me callin' you all through the night, oh no\nOoh, so baby, let's get fucked up, cut your phone off\nI swear I'll do you right (Uh)\nPut it on me, baby, oh\n[Chorus: Jeremih]\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now\n[Verse 1: E-40]\nUh, where you been all my life?\nI've been watchin' and lookin' at all your mentions\nI've been searchin' for you like a search engine\nIt really don't make no sense how bad you are\nWhen God created you, He made a star\nLet's put it together like the weather, make it last forever\nHave you sweatin' under the sheets, you know I get you wetter\nWe could hit the matinee, then go to lunch at Nobu\nBut you on your vegetarian, so I order tofu\nIt's mackin' on mine, so you know that I had to pop my P's\nI'm from the game, I'm wavy like the Seven Seas\nI can do it nice and slow or I could pick up speed\nWhen I leave, your pillow gon' smell like some Creed\nYou a Chanel wearin', Birkin bag carryin', drop McLaren steerin'\nWifey material, the type of woman I wanna be marryin'\nGot an amazin' Louboutin and purse collection\nI gotta pull you aside and ask you one question, uh [Chorus: Jeremih]\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now\n[Verse 2: Rick Ross]\nIt's the biggest (\nMaybach Music\n)\nI'm on the books and turnin' pages with a centerfold\nTouchin' paper, dirty money in the envelope\nCuban links but always ended up in Mexico\nA fetish for Ferraris, selfies at the Texaco (Woo)\nSee me winnin' now, it got me trendin' on the block\nSee who winnin', so they know she not another thot\nHer ponytail blow in the wind when we in the drop\nWe independent, so it's like we sold another block\nBoss\n[Interlude: Rick Ross]\n40 Water, you the pinnacle, man (Huh)\nDown South, smokin' good (\nM-M\n)\n[Chorus: Jeremih, \nRick Ross\n]\nOh-oh-oh-oh, oh-oh-oh (\nHuh, Maybach Music\n, uh)\nOne question, girl, are you mine now?\nMine now, mine now\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now [Verse 3: Chris Brown]\nKnow that people be listenin', so I won't be loud\nWon't make a scene, I'll take you through the cloud\nYou want fun, girl, you know I got it (Huh)\nJust stay up (Huh), 'cause we gon' do this all night\nWhen we make love (Yeah-yeah, babe, woo)\n[Refrain: Chris Brown, \nJeremih\n]\nFaded (Faded), got me (Got me)\nCallin' (Callin'), you all through the night, oh no (Oh no)\nOoh, so baby, let's get fucked up, cut your phone off (Off)\nSwear I'll do you right (Uh)\nPut it on me, baby\n (Woo), \noh\n[Chorus: Jeremih]\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now\nOh-oh-oh-oh, oh-oh-oh (Uh)\nOne question, girl, are you mine now?\nMine now, mine now" } ]

[ { "from": "human", "value": "Write me a song called Gangstas and Pimps with the following description: This track is number 5 on Lil Wayne’s third solo album 500 Degreez. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mannie Fresh]\nLadies and gentlemen\nThis one goes out to that little kid that got fried Spam for lunch\nI feel for you, I'm with you, I'm with you brother\nAnd this one right here is for that ghetto girl with the bad perm\nThat just burn baby, burn baby, burn\nPop open a malt liquor\nSmoke something until your scalp gets killed\n[Hook x2: Jazze Pha]\nGangstas and pimps\nLove lobsters and shrimps\nKool-Aid and chicken\nFlashy things and women\nAll I need\nIs Remy and weed\nSomebody not afraid\nTo co-sign for my Escalade\n[Verse 1: Lil Wayne]\nI'm just pimping baby you got a rule for me\nPut your mink on and slide in a cool for me\nHey you gotta get high and go low for me\nIt's Cash Money young money never know money\nIt's 500 Degreez it's not four buddy\nAnd the dro got me so scummy\nAnd to drum hole a whole hundred\nCan I put a whole hundred in your whole tummy\nHehe, man Weezy's a legend\nYou can tell by the bottom of my sleeve when you see what's in a bezel\nAnd he be on a level that's so terrific\nI'm in this bitch hold your pictures\nAnd hold your bitches cuz she gon want a part of me\nCuz she never see the roof of my car with me\nAnd you never see a tooth without a diamond on it\nThis is game at its finest homie\nPeep it [Hook: Jazze Pha]\n[Verse 2: Baby (Lil Wayne)]\nSee I was born from a gangsta, pa gave me a whip\nRan numbers with pimps and I laid down \ncents\nOne of a kind Birdman I shine\n22's on it? The bitch ain't mine\nI taught her the game ma, I gave it all to her\nWeezy Wee my son I give it all to him\n(The Birdman junior I'm the son of a stunna)\nMannie Fresh, Jazze Phezzy this our summer\n500 Degreez got rich off the four\nCadillac slant back cut side elbow\nCadillac smoke dro just me and the ho\nFlash from hard times from that coke and dope\nPut cars in moms name just to duck white folks\nWe eat lobster and shrimp, nigga park that Lambo\nI'm a V.I.P. nigga, pop bottles of Mo\nI pray that one day I'll open a better door\n[Hook: Jazze Pha]\n[Verse 3: Lil Wayne]\nAin't no mountain high enough\nTo me for cuz I keep on buying fi-fi stuff\nAnd the Eastside where we pump\nIt's my part of New Orleans\nBleed for ya I'm the heart of New Orleans\nHear you're fucking with a gangsta foe\nHope you never close your eyes I'll bang your ho\nAll she need is some guidance I'll tame your ho\nIt's big pimping over here man yeah man\nIf she looking for a daddy see the lil man\nWeezy Baby, don't fool yourself you need me baby\nEasy baby, I'm just trying to keep my bread cheesy baby\nSlick when I spit shit right\n26-inch got a deep-dish ma\nSweet as mami lips when I'm creeping by\nBaby gave me wings just to keep me fly\nWeezy I, hell yeah\nAnd I'm rolling with them [Hook x2: Jazze Pha]" } ]

[ { "from": "human", "value": "Write me a song called Medicine with the following description: “Medicine” is a song by American singer Jennifer Lopez featuring Moroccan-American rapper French Montana, released on April 3, 2019. It is the the third collaboration for the duo following the songs “Same Girl” and “I Luh Ya Papi”, included on Jennifer’s 2014 studio album A.K.A.. This is Lopez’s first release under Hitco Entertainment.\nMarking Jennifer’s return to a familiar and very loved sound explored in previous classics like “Get Right” and “Do It Well” the song is a funky horn-infused uptempo anthem about love. The music video for the song directed by Jora Frantzis was released on her official YouTube Channel on April 7th, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: French Montana]\nUptown\nMontana a.k.a. Young Wepa\nUptown\n[Verse 1: Jennifer Lopez & \nFrench Montana\n]\nOoh, don't get got\nHeard you got a bad rep, baby, don't ya? (\nWoo\n)\nI could be a lot\nDon't you ever say I never warned ya (Ayy)\nWho's better? Show me now\nWho been in my bed and 'round your homies\nOh, I could be a lot\nIf you don't believe me, I can show ya\n[Pre-Chorus: Jennifer Lopez & \nFrench Montana\n]\nDon't go thinkin' you can use me (\nWoo\n)\nIt don't take too much, you could lose me\nBest believe I'm comin' true with a new ting\nOh, you ain't been the only one\nI send shots like an Uzi (Baby)\nEven in plain sight, don't care who see (Baby)\nBest believe I'm comin' through with a new ting\nOh, you ain't been the only one, babe\n[Chorus: Jennifer Lopez & \nFrench Montana\n]\nThink you need some medicine\nI could be your medicine, yeah\nThink you need some medicine\nGive you a taste of what you give out\nThink you need some medicine (\nHey, hey, hey, hey\n)\nI could be your medicine, yeah (\nHey, hey, hey, hey\n)\nThink you need some medicine (\nHey, hey, hey, hey\n)\nGive you a taste of what you give out (\nHey, hey, hey, hey\n) [Verse 2: Jennifer Lopez & \nFrench Montana\n]\nOoh, don't get got\nHeard you got a bad rep, baby, don't ya? (\nAyy, ayy\n)\nI could be a lot\nDon't you ever say I never warned ya (Ayy)\nWho's better? Show me now\nWho been in my bed and around your homies\nOh, I could be a lot\nIf you don't believe me, I can show ya\n[Pre-Chorus: Jennifer Lopez & \nFrench Montana\n]\nDon't go thinkin' you can use me (\nHey\n)\nIt don't take too much, you could lose me (\nHey\n)\nBest believe I'm comin' true with a new ting\nOh, you ain't been the only one (\nHey\n)\nI send shots like an Uzi (Baby)\nEven in plain sight, don't care who see (\nAyy, hey\n)\nBest believe I'm comin' through with a new ting (\nAyy, ayy\n)\nOh, you ain't been the only one\n[Chorus: Jennifer Lopez & \nFrench Montana\n]\nThink you need some medicine\nI could be your medicine, yeah\nThink you need some medicine\nGive you a taste of what you give out\nThink you need some medicine (\nHey, hey, hey, hey\n)\nI could be your medicine, yeah (\nMontana\n)\nThink you need some medicine (\nHey, hey, hey, hey\n)\nGive you a taste of what you give out (\nJ. Lo down, baby, Uptown, baby\n) [Verse 3: French Montana]\nTouchdown, baby, b-bust down, baby (Ayy, ayy)\nThey drive you, Uptown, baby (Yeah)\nShawty, you Heaven-sent, yeah, my medicine\nMovin' on up, George Jefferson (Ayy, ayy)\nSouth Bronx where it happen\nOn a yacht catchin' fish, we don't get catfished\nNever seen it, magic; horse and carriage (Ayy, ayy)\nSicker than your average\n, the ladies be the baddest (Ayy, ayy, yeah)\nI know, yeah, drip drip out (Woo)\nMontana a.k.a. Young Wepa (Wepa)\nSaucy, ooh, drip drop (Woo)\nTop-top off the roof, a flip-flop (Flip-flop)\nMontana\n[Chorus: Jennifer Lopez & \nFrench Montana\n]\nThink you need some medicine (\nMontana\n)\nI could be your medicine, yeah (\nWoo\n)\nThink you need some medicine (\nHey, hey, hey, hey\n)\nGive you a taste of what you give out (\nHey, hey, hey, hey\n)\nThink you need some medicine (\nHey, hey, hey, hey\n)\nI could be your medicine, yeah (\nHey, hey, hey, hey\n)\nThink you need some medicine (\nHey, hey, hey, hey\n)\nGive you a taste of what you give out (\nHey, hey, hey, hey\n)" } ]

[ { "from": "human", "value": "Write me a song called Sober with the following description: “Sober” is a track dedicated to G-Eazy trying to find the balance between drinking for fun, but also being able to avoid the mistakes that can come with too much.\nAs it was described in an interview with MTV News, G is simply trying to keep his head on straight and live in moderation. As mentioned in the interview, Gerald has a whiskey deal, so him discussing sobriety seems counterproductive.\nAfter all, G doesn’t know what sober life is:\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Charlie Puth]\nOh, I know that I'll regret this when I'm sober\nBut every shot I'm getting closer, getting closer\nIs it true that eighty proof is the reason I'm with you?\nOh, I know that I'll regret this when it's over\n[Post-Chorus: Charlie Puth & \n(G-Eazy)\n]\nOoh-ooh, ooh, ooh (\nYou know\n)\nOoh-ooh, ooh (\nStory of my fucking life, haha\n)\nI just know that I'll regret this when it's over\n[Verse 1: G-Eazy]\nEazy\nUh, yeah, I might regret this when tomorrow comes\nBut them drunk nights are more fun than sober ones\nWith every shot, they're like \"Aw, here Kobe comes!\"\nBut I got this bad bitch tryna throw me buns\nIf I listened to my Uncs, all them older ones\nThey all talk about karma, how it slowly comes (Uh)\nBut life is short, enjoy it while you're young\nSpend my bank account tonight and have to borrow funds\nIt all started with a light glass\nNow I'm asking \"How long could tonight last?\"\nMan, she had the 'eeh' face with a tight ass\nIf I had a shot less, then I might pass\nBut I'm faded and I got a little sedated\nI can't believe we made it, every night we celebrate it\nI live like Jim Morrison, no telling where I'll take it\nI take her to my room, and I tell her, \"Get naked\" [Chorus: Charlie Puth]\nOh, I know that I'll regret this when I'm sober (Oh, yeah)\nBut every shot I'm getting closer, getting closer\nIs it true that eighty proof is the reason I'm with you?\nOh, I know that I'll regret this when it's over\n[Post-Chorus: Charlie Puth & \nG-Eazy\n]\nOoh-ooh, ooh, ooh, ooh-ooh, ooh\nI just know that I'll regret this when it's over\nOoh-ooh, ooh, ooh, ooh-ooh, ooh\nI just know that I'll regret this when it's over\n (\nYeah, uh\n)\n[Verse 2: G-Eazy]\nI slipped up with my ex and I smashed again\nStayed over, now she's 'bout to get attached again\nWalls built up around, they come crashing in\nPassed out at 6 A.M., but she's up at ten\nDoing this was not in my plans\nShe got up and saw rubbers in the trash can\nHoop earrings some bitch left on my nightstand\nCussed me out and stormed off like \"Alright then\" (Uh)\nOn both sides, that was bad for 'em\nWhy do people do things that be bad for 'em?\nSay we done with these things, then we ask for 'em\nWhen the sun comes down, then we transform\nYeah, you can probably bet this\nBy this time tomorrow, I'll probably regret this\nTry, but it all falls down like Tetris\nNo telling where an eighty proof gets us, yeah [Chorus: Charlie Puth]\nOh, I know that I'll regret this when I'm sober\nBut every shot I'm getting closer, getting closer\nIs it true that eighty proof is the reason I'm with you?\nOh, I know that I'll regret this when it's over\n[Post-Chorus: Charlie Puth]\nOoh-ooh, ooh, ooh, ooh-ooh, ooh\nI just know that I'll regret this when it's over\nOoh-ooh, ooh, ooh, ooh-ooh, ooh\nI just know that I'll regret this when it's over" } ]

[ { "from": "human", "value": "Write me a song called No One Else (Demo) with the following description: “No One Else\" is the demo version of Alison Iraheta’s song of the same name from her debut studio album, Just Like You.\nDioGuardi’s demo of the song appeared online on January 17, 2022. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI've got myself to blame for this\nGot myself to blame for the thing that I say\nTo sometimes push you away\nBut you, you don't ever turn to leave\nYou wear your heart upon your sleeve\nYou stay here, through all the laughter and tears\n[Chorus]\nThere's simply no one else in the world I could ever find\nLikes me when I'm low and still tolerates me when I'm high\nYou, you got me down\nYou kept coming 'round\nThere's simply no one else I could lean on a thousand times\nStill be there again and again, and never lose his mind\nYou know me so well that you can't even tell\nThat you're like no one else\nYou're like no one else\n[Verse 2]\nLook at the sorry in my eyes\nFor all the times I made you cry\nI was cruel, now I feel like a fool\nI know, it's not easy being you\nBut I thank god we're pulling through\n'Cause you see past all the damage in me, oh [Chorus]\nThere's simply no one else in the world I could ever find\nLikes me when I'm low and still tolerates me when I'm high\nYou, you got me down\nYou kept coming 'round\nThere's simply no one else I could lean on a thousand times\nStill be there again and again, and never lose his mind\nYou know me so well that you can't even tell\nThat you're like no one else\nYou're like no one else\n[Bridge]\nI told you I'd never love you\nYou said that it would be okay\nYou had enough love for us anyway\nAnd I told you I'd never need you\nBut oh, you proved me wrong again\nI pray to God that never ends\n[Chorus]\nThere's simply no one else in the world I could ever find\nLikes me when I'm low and still tolerates me when I'm high\nYou, you got me down\nYou kept coming 'round\nThere's simply no one else I could lean on a thousand times\nAgain and again and again, and never lose his mind\nYou know me so well that you can't even tell\nThat you're like no one else\nYou're like no one else" } ]

[ { "from": "human", "value": "Write me a song called Be Alright (Acoustic) with the following description: Acoustic version of the track which featured on Justin Bieber’s third studio album Believe. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDamn, I miss you\n[Verse 1]\nAcross the ocean, across the sea\nStarting to forget the way you look at me now\nOver the mountains, across the sky\nNeed to see your face, I need to look in your eyes\n[Chorus]\nThrough the storm and through the clouds, bumps on the road and upside down\nI know it's hard babe, to sleep at night, don't you worry\nCause everything's going to be alright\nBe alright\nThrough the long nights and the bright lights\nDon't you worry\nCause everything's going to be alright\nBe alright\nThrough the long nights and the bright lights\nDon't you worry\nCause everything's going to be alright\nBe alright\n[Verse 2]\nAll alone, in my room\nWaiting for your phone call to come soon\nAnd for you, oh, I would walk a thousand miles\nTo be in your arms, holding my heart\nOh I, oh I, oh I love you [Chorus]\nAnd everything's going to be alright\nBe alright, yeah yeah\n[Bridge]\nYou know that I care for you, I'll always be there for you\nI promise I'll just stay right here, yeah\nI know that you want me too\nBaby we can make it through anything\n[Chorus]\nAnd everything's going to be alright\nBe alright\n[Outro]\nThrough the long nights and the bright lights, don't you worry\nCause everything's going to be alright" } ]

[ { "from": "human", "value": "Write me a song called Stars with the following description: “Stars” is a song from the deluxe edition of Demi Lovato’s fifth album, Confident, released on 16 October 2015.\nPete Wentz revealed the track via Twitter on 26 August 2015.\n\n\n\n\nIt has also gained some recent attention for its similarities and alleged use of uncleared samples from “Infinity Guitars” by Sleigh Bells.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWalkin' in\nWe causin' a frenzy\nWalkin' in\nWe causin' a...\nKnock 'em all out\nBeat 'em like Rousey\nWe don't give a, we don't, we don't give a\nRollin' so deep, but we ain't thirsty\nRollin' so deep, but we ain't talkin' trash\nWe keepin' it classy\nWe don't give a, we don't, we don't give a\n[Pre-Chorus]\nOh, when the lights go out and it all goes down\nNo one even knows when tomorrow comes\n'Cause we live for now\nYou and I\n[Chorus]\nAnd we really don't need the light\n'Cause we're stars tonight\nOh, yeah, we really don't need the light\n'Cause we're stars tonight\nOh and we don't really need the light\n'Cause we're stars tonight\nOh, yeah, we don't really need the light\n'Cause we're stars... [Verse 2]\nWorking all week got me all crazy\nWorking all week got me all...\nDancing dirty\nGet a little swayze\nWe don't give a, we don't, we don't give a\nGet 'em hyped up, get 'em all talking\nGet 'em hyped up, get 'em all...\nLooking at you\nFeelin' so fancy\nWe don't give a, we don't, we don't give a\n[Pre-Chorus]\nOh, when the lights go out and it all goes down\nNo one even knows when tomorrow comes\n'Cause we live for now\nYou and I\n[Chorus]\nAnd we really don't need the light\n'Cause we're stars tonight\nOh, yeah, we really don't need the light\n'Cause we're stars tonight\nOh and we don't really need the light\n'Cause we're stars tonight\nOh, yeah, we don't really need the light\n'Cause we're stars... [Bridge]\nWe're the only ones who can fight the sun\nWe're forever young and we just begun\nWe're the only ones who can fight the sun\nWe're forever young and we live for now\nYou and I\n[Chorus]\nAnd we really don't need the light\n'Cause we're stars tonight\nOh, yeah, we really don't need the light\n'Cause we're stars tonight\nOh and we don't really need the light\n'Cause we're stars tonight\nOh, yeah, we don't really need the light\n'Cause we're stars..." } ]

[ { "from": "human", "value": "Write me a song called Offended with the following description: “Offended” is the ninth track off of Meek Mill’s DC4. The song features Young Thug and 21 Savage and they all talk about what they would do if one was to offend them.\nThe track brings an uplifting and head-bobbing vibe when you listen to it and Thug’s crooning hook amplifies the song better. It is important to note that Meek’s rival, Drake didn’t play his verse on OVO Sound Radio. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug]\nMeek Milly, Jeffery, woah\nM-M-M-Murda\n[Chorus: Young Thug]\nYeah, yeah\nFuck is you talkin' 'bout? Bitch, you offendin' me (Fuck is you talkin' 'bout?)\nI just might go 'head\nAnd let this lil' bitch suck my dick till it tickle me (Suck, suck it up)\nI just might go 'head\nAnd mix me a Sprite with some lean like it's chemistry\n (lean, lean)\nGoddamn, I had four hoes at one time, they was drilling me (Goddamn, damn, woo)\nI heard the lil' boy was plotting on killing me\nFuck 'round and lift up they soul like Lil Chino be wheelin'\n (Brrt, woo)\nI usually don't beg but I don't want the ceiling please (Woo-hoo)\nOxycontin fucking up kidneys\n[Verse 1: Young Thug]\nMolly, my cup look like bath salt\nAnd I'm too high horsed for asphalt\nTherefore I'm in clouds from day to dark\nThey say that I changed, it's the cash fault\nPay everybody like a cash cow\nI switch through the lanes like a NASCAR\nThe Rollie stainless, stainless\nWe young and rich and we dangerous\nI'm at Piccadilly's with your missus, nigga\nAnd the weed stinking like a chitlin, nigga\nThe money long like a Philly, nigga\nMake me catch you slipping then it's Christmas, nigga\nThe bulletproof can take a missile, nigga\nI got Benji on me and he Crippin' nigga\nI done wrapped the benji in the city, ho\nI done wrapped the Bentley in the bity, nigga\nPut a swimming pool in the living room\nHow I'm living, nigga, I ain't swimming, nigga\nOnly thing that me and Michael Phelps\nGot in common is that we winning nigga\nRock star lifestyle\nYour ho's going wild [Verse 2: Meek Mill]\nSaint Laurent shorty and toting that .40\nWe move through the city like BMF\nRocks on the chain like the rocks that I slang\nOnly difference them bitches, they VVS\nI know these bitches gon' change\nAnd fuck on whoever, whenever they see a check\nIf you do not fuck with the gang\nDon't act like you do, when you see us just keep it that\nSwing through your block, bring that sweeper back\nLand on your spot where your peoples at\nSmoke you where ever we see you at\nYou don't want no problem so keep at that\n'Fore you get your man murdered\nHitters in the van lurking\nI put bread on the beef (What you do?)\nTurn it to a hamburger\nPut that paper on the scale, nigga\nLittle homies talking big money\nWhen the wars on you'll tell, nigga\nPut a bag on your main hitta\nWhen them things hit 'em, that's an L, nigga\nSo you should be home before mama got dinner for sale, nigga\nAnd that’s all I’ma tell niggas, and that's it\n[Chorus: Young Thug]\nYeah, yeah\nFuck is you talkin' 'bout? Bitch, you offending me (Fuck is you talkin' 'bout?)\nI just might go 'head\nAnd let this lil' bitch suck my dick till it tickle me (Suck, suck it up)\nI just might go 'head\nAnd mix me a Sprite with some lean like it's chemistry\nGoddamn, I had four hoes one time, they was drilling me (Goddamn, damn, woo)\nI heard the lil' boy was plotting on killing me\nFuck 'round and lift up they soul like lil Chino be wheelin'\n (Brrt, woo)\nI usually don't beg, but I don't want the ceiling please (Woo-hoo)\nOxycontin fucking up my kidneys [Verse 3: 21 Savage]\nWoah, woah, woah\nEverywhere I go, I keep a chopper with me, whoa (21, 21)\nI ain't with that diss song shit, I been a shotta nigga, whoa\nHundred shottas with me, whoa\n, \nVVSs on me, whoa\nVVSs on me, bling\n, badaboom, badabing! (21)\nMob shit, send the hit, shoot up your car shit\nPut them blue tips in that cartridge (21)\nWe put them drums in them carbines (21)\nWe pull up on rappers and spark 'em (21)\nI might take your chain if it sparkle (Facts)\nStreet nigga really came from nothing (What?)\nStrip a nigga like Caine cousin (21)\nKill a nigga then you saying something (What?)\nYou was talking, nigga, I was hustling (What?)\nWe was shooting, nigga, you was ducking (Whoa)\nYou was texting, nigga, I was fucking (21)\nI was betting nigga, you was bluffing (21)\nHide and seek, nigga, I was hunching (Facts)\nCar foreign and my gun Russian\nSneak dissing, get a concussion (21, 21)\n[Chorus: Young Thug]\nYeah, yeah\nFuck is you talkin' 'bout? Bitch, you offendin' me (Fuck is you talkin' 'bout?)\nI just might go 'head\nAnd let this lil bitch suck my dick till it tickle me (Suck, suck it up)\nI just might go 'head\nAnd mix me a Sprite with some lean like it's chemistry\n (Lean, lean)\nGoddamn, I had four hoes at one time, they was drilling me (Goddamn, damn, woo)\nI heard the lil' boy was plotting on killing me\nFuck 'round and lift up they soul like Lil Chino be wheelin'\n (Brrt, woo)\nI usually don't beg but I don't want the ceiling please (Woo-hoo)\nOxycontin fucking up kidneys" } ]

[ { "from": "human", "value": "Write me a song called Put Me In The Game with the following description: https://www.youtube.com/watch?v=-WDP21hf4pU Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Intro:\nYeah Baby\nYoung money, Cash Money\nGet my EA sports on, ya know wat I'm talking bout?\nYea\nVerse 1:\nI got a bus like John Madden baby\nWe can go all around the world\nI never talked to them boys that sat on them benches\nI was in the game on fourth and inches\nCoach put me in the game on fourth and inches\nAnd I'ma leave them boys at the line of scrimmage\nYeah I see these boys all behind me winless\nI ain't Mario Williams but I'm not defenseless\nWide receiver catching Hail Mary's I'm Christian\n5 and out hydraul yes we stick shift\nComing with the quick hits, fast with instincts\nCornerbacks, safeties, I burn 'em like incense\nOn the field I'm daddy and the ball is my infant\nI don't need too much support but I'm in love with the pigskin\nAll I really know how to do is win\nSuper bowl champ, Disney World, let the kids in\nHall of fame Wayne, I'm putting my dibs in\nCatch me in the game on fourth and inches Chorus:\nI don't talk to 'em, I don't talk to 'em, I don't talk to 'em\nI don't, I don't talk to them boys that sat on them benches\nI was in the game on fourth and inches\nCoach put me in the game on fourth and inches\nPut me in the game on fourth and inches\nCoach put me in the game on fourth and inches\nAnd I'ma leave them boys at the line of scrimmage\nVerse 2:\nUhh I am a New Orleans Saint, and to the Houston Texans I'd like to say thanks\nReggie Bush baby! Reggie Bush baby!\nDrew Brees, Marques Colston, Sean Peyton\nI'm relentless, I'm offensive, I'm expensive, like Tom Benson\nSuper dome it's going down it's high time boys\nWe second lining on the fifty yard line boys\nHey quarterback I'm gonna bust through your line boy\nYour jersey says your last name, but you mine boy\nI'm so fast before I leave I been gone\nOkay you in the zone, I'm in the end zone\nWhere is your chinstrap? Why isn't it on?\n'Cause if I hit you you gone have to strap yo chin on\nSee the score on the goal line, it's on\nFourth and inches as the crowd chants this song\nChorus:\nI don't talk to 'em, I don't talk to 'em, I don't talk to 'em\nI don't, I don't talk to them boys that sat on them benches\nI was in the game on fourth and inches\nCoach put me in the game on fourth and inches\nPut me in the game on fourth and inches\nCoach put me in the game on fourth and inches\nAnd I'ma leave them boys at the line of scrimmage" } ]