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[ { "from": "human", "value": "Write me a song called Hard 2 Face Reality with the following description: The song was released on Justin’s SoundCloud and stayed there until it was removed in 2017. Later it was said there would be a music video with Poo Bear. Beginning 2018 Beats 1 confirmed “Hard 2 Face Reality” would release as a single by Poo Bear featuring Justin Bieber, and additionally Jay Electronica. It serves as the lead single for album “Poo Bear Presents Bearthday Music”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Poo Bear]\nSometimes it's hard to face reality, oh, oh\nEven though you might get mad at me, oh, oh\nSometimes it's hard to face reality\n[Verse 1: Poo Bear]\nShould've been adjusted to my life\nHad the opportunity to stay away for the last time\nNow you're standin' right in front of me\nIt hurts me to know that I lied\nTryna protect your feelings\nYou read in between the lines\nHope your heart has started healing, woah, oh\n[Chorus: Poo Bear]\nSometimes it's hard to face reality, oh, oh\nEven though you might get mad at me, oh, oh\nSometimes it's hard to face reality\n[Verse 2: Justin Bieber]\nDon't be afraid to stand alone\nDon't be afraid to stand outside your comfort zone\nI know it's hard away from home\nAnd it ain't easy all alone\nRelationships over the phone\nTalkin' to your significant other all night long [Chorus: Justin Bieber]\nSometimes it's hard to face reality, oh, oh\nEven though you might get mad at me, oh, oh\nSometimes it's hard to face reality\nSometimes it's hard to face reality\n[Verse 3: Jay Electronica]\nLove and death are quite similar\nHow they come and go like cat burglars\nReality is kinda hard to face\nLike actual facts is for flat-earthers\nRain's a requirement for flowers to grow\nAnd pain's a requirement for power to grow\nIt's a miracle how one can change\nFrom one what was just hours ago\nSuch is life though, it's just a cycle\nThe bigger picture and the smaller picture\nAre exactly the same, it's macro, micro\nCrack your atom and let your light glow\nOne day, you could be the king of pop\nAnd the next one just be \"Wacko\" Michael\nIt's human nature, just like he told us\nLet's face reality, crack the cycle\n[Bridge: Poo Bear]\nKnow it hurts to see the truth in your face\nCircumstances bring you down to your knees\nGo on and cry an ocean, but don't drown in it\nEnough to put your heart at ease\nOh, don't lose your self-esteem\nI apologize, for being a man\nIt's way harder than what it seems [Chorus: Justin Bieber & \nPoo Bear\n]\nSometimes it's hard to face reality, oh, oh \n(reality)\nEven though you might get mad at me, oh, oh \n(you might get mad at me, but I'll be at your bedside)\nSometimes it's hard to face reality\nSometimes it's hard to face reality" } ]

[ { "from": "human", "value": "Write me a song called Not My Problem (Solo Demo) with the following description: “Not My Problem (Solo Demo)” is the solo and original version of the seventeenth track on the expansive deluxe edition of Dua Lipa’s multi-award winning album, Future Nostalgia: The Moonlight Edition.\nThe solo demo does not feature the American rapper, JID, and contains more raw vocals from the audio sample which was used and reworked in the final version of the song.\nThe song leaked online on March 26, 2021 in commemoration of the first anniversary of Lipa’s sophomore studio album, Future Nostalgia. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWe doin' good\nWe doin' good\nThat's your problem\n[Verse 1]\nPulling me down like an anchor\nSayin' it's my fault, you're angered\nTelling me no one will love me (Watch your mouth)\nTelling me I'm gon' be lonely\n(Watch me, watch me, watch me, watch me now)\nYou and me on for a good run\nThinking that you were a good one\nUnder your palm, yeah, you like that (What the fuck?)\nNow it's my turn to bite back (I've had enough)\n[Pre-Chorus]\nOoh, did it to yourself (Yourself)\nPlaying with my mind (My mind)\nPutting me through hell (Hell)\nOoh, I'd be broken too (Too)\nIf you left me like (Me like) like I left you\nThat's your problem\n[Chorus]\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem)\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem) [Sample Interlude]\nI mean you act like I did it for that long\nI couldn't even do it that long\nThat's your problem\n[Verse 2]\nDoin' it all for reaction\nDoing the most in your caption\nMaking me seem like the bad guy (Watch your mouth)\nTry to bring me down, but nice try\n(Watch me, watch me, watch me, watch me now)\n[Pre-Chorus]\nI used to like you\nHow did I like you? (What the fuck?)\nI used to like you\nAnd now I don't (We doin' good)\nOoh, I'd be broken too (Too)\nIf you left me like (Me like) like I left you\nThat's your problem\n[Chorus]\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem)\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem) [Bridge]\nAnd my daddy said you're good for nothing (Yeah, yeah)\nCause he know you're always up to something (Yeah, yeah)\nAnd my friends, they don't wanna hear about it anymore, anymore\nI'm just happy that you're not my problem (Yeah, yeah)\n[Sample Interlude]\nAll you wanna talk about girls, hoes, chicks, this and that\nWanna be Mr. Instagram famous, comment, DMing\nThat's your problem\n[Chorus]\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem)\nNot my problem, not my problem\nCall it what you want, but you're not my problem\nCryin' all the time, but you're not my problem\nIf you got issues (That's your problem)" } ]

[ { "from": "human", "value": "Write me a song called Same Accord with the following description: “Same Accord” was appeared online on July 17th, 2019. It is unclear if it will be featured on any of Future’s upcoming projects.\nThe song was first teased back in 2017, in one of a pair of “Night Vision” clips posted to Future’s YouTube channel, the night before his self-titled record dropped. A small portion of the song appears on the outro of “Promise U That.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nPluto Cash\nYeah (Yeah, yeah, yeah)\n(Dope, dope, yeah, yeah, yeah)\nEither way, same difference\nWheezy Beats\n[Chorus]\nI been possessed in this oil (Yeah)\nI got my side bitch spoiled (Yeah, yeah)\nI always wonder if she loyal (I always wonder)\nI hope we on the same accord (Ooh)\nLet me flex all my rings\nLet's converse off codeine (Yeah)\nI keep on workin' like a machine\nIt ain't always like it seem\n[Verse 1]\nReality is when your dreams come true\nYou never know what you gon' run into\nHad 'em rotatin', comin' in by the twos\nYou stayed down, girl, you stayed so true\nThis one for you\nLet the champagne spill down for you\nIt won't be the same, you stay down for me\nMost importantly, I wanna be around for you\nI took some time out to make you fly\nYou put our business on the radar\nI see you wanna be famous\nI'm put trust in you gotta die with it [Chorus]\nI been possessed in this oil\nI got my side bitch spoiled\nI always wonder if she loyal (Always wonder if she loyal)\nI hope we on the same accord (I hope we on, uh, one accord, uh)\nLet me flex all my rings (Let me flex all my rings)\nLet's converse off codeine (Let's converse off codeine)\nI keep on workin' like a machine (I keep on workin' like a machine)\nIt ain't always like it seem (It ain't always like it seem)\n[Verse 2]\nPaint a picture, yeah, Milano\nWhen I send for you, come pronto (Know what I'm sayin')\nAnd my thick bitch had a condo\nI'll spit, chillin' in the combo\nFuck around, pass it out to Rondo (Pass, yeah, uh)\nTry'na block a nigga like Mutumbo (Nigga, bad man, wow)\nTryna glide all the way from the free throw (Grab a nigga standin' close)\nWe done fucked around, bought a speedboat (Yeah, yeah, woo, zoom, zoom)\nThis flat come with a kilo\nWhite girl like Aaliy-\nBig checks, breakin' green\nI know exactly what you need\nWe ain't gon' always agree\nI seen the devil in my sleep\nI think he jealous what I did to the game\nWon't let him take me off the streets\nThat's on my seeds [Chorus]\nI been possessed in this oil (Yeah)\nI got my side bitch spoiled (Yeah)\nI always wonder if she loyal (I always wonder)\nI hope we on the same accord (Ooh)\nLet me flex all my rings\nLet's converse off codeine\nI keep on workin' like a machine\nIt ain't always like it seem" } ]

[ { "from": "human", "value": "Write me a song called Baby with the following description: The hook of this song is reminiscent of the song “Taking my Ball” from the album Relapse (Refill).\nThe whole song is filled with dense rhymes and wordplay and is replete with pop culture references such as the titular hook which is a reference to the movie Dirty Dancing or the mention of The Mighty Thor who is a major Marvel comic book character.\nThe track was included on the bonus edition of MMLP2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOne thousand different houses and Münchausen,\n I'ma make you\nWanna punch out some-fuckin'-one: \"Ouch! What the fuck you hit me for?!\"\nScreamed life as I punch counter, in bunches out of anger\nI once encountered a stranger in a dumb gown\nBlack hoodie with a scythe, shit, I laughed in his face, spit\nBitch gave me an extra life, like, \"Take this!\nNow get your ass back in that game, bitch! Don't take shit\nFor granted, and don't take shit, give it!\"\nOnly bull you should take is by the horns, \na mixture of Whitey Ford\nAnd Mighty Thor, I everlast, pen is mightier than sword\nFinish writin', then record, replenish, keep writin' more\nNothing's ridin' on it but your pride, that's all you're fightin' for\nSo you fight, scratch, you claw, backs to wall, no one was there to catch you fall\nYou pick yourself back up, you dust your jacket off\nYou grab your balls like they're gargantuan\n and ask yourself how fuckin' bad you want it\nPull out your badge for whoopin' ass and flash it on 'em\nNobody's gonna back you in the corner, you're a hornet\nNo one's more ignorant than you fuckin' four in the mornin'\nYou're at the laboratory, stormin' like there's nothin' that's more important\nEmcees, you better consider this a formal warnin', you're in for it!\nGirl, what would you do if I said your body was off the chain\nAnd I told you I smile every single time I saw your face?\nI ain't finished, bitch, I meant \"in half\", oil the blades\nNobody wants to play, \nthey say I'm a spoiled lil' baby, but— [Chorus]\nNobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya\n'Cause nobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya\n[Verse 2]\nWhat goes through an addict's brain besides static pain\nAnd Big Daddy Kane, breakbeats and words? \nAn erratic train\nOf thought like splatter paint, scatter brain\nYeah, maybe that explains why you're back but don't rap the same (Yeah!)\nAnd you're lookin' way thinner 'cause your hunger got you lookin' like\nThey took away dinner\n (Chicka) \"Sugar Ray\" Leonard\nWouldn't sugar-coat a fuckin' booger though just to wipe that bitch on a hooker's coat\nWhen you say you're a (Chicka) what? (Chicka) GOAT\nNow fling that bitch from your fingertips, hope it lands on\nAnother rap singer's lips who can't think of shit anything of wit\nThat's interesting to spit, yo, who's king of this fuckin' English lit?\nLet your middle fingers flip on each hand while extendin' the shit\nHow low can you go? \nLower than Chuck D, ho\nHear the bassiness in my voice?\n \nRocky's back, where my Adrian's?\nNobody's crazy as Shady in an eighty million mile radius\nI'm what Tom Brady is to the Patriots\nTo rap;\n \nI'm not a man, I'm a weapon who just happened\nTo be a rapper who just happen to be on the crapper\nWhen it happened I had an epiphany in the bathroom\nI'd never be the same after now I'm back with an appe-\n-tite for destruction and a fuckin' recipe for disaster\nSo let's eat 'cause I'm famished, \nevery deed is a dastardly\nOne, evilest bastard, even you askin' for me to be po-\n-lite to people's like me havin' my teeth pulled [Chorus]\nNobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya\n'Cause nobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya\n[Verse 3]\nSo step inside a dimension demented side of a mind that's like\nAn inside of an engine \nwhile I multiply your undivided attention\nBut be reminded: if I didn't mention\nI lose my mind and my temper you'll be the first one who finds him offensive\nGot him climbin' the fences, lost some time to addiction\nBut look up \"rhyme\" in the dictio-nary, I'm in the picture\n\"Eminem\" is the synonym for it, I'm an enigma\nFuck it, let's get to the meatballs, I'm gonna skip the\nVeg and potatoes, edumacator (They are)\nShit, legends are made of, \nspit treacherous data\nShit that you would say to your worst enemy\nThis wretched is what you get when you mix Treach with a Jada\nThen combine 'em with Method Man and Redman\n \nwith metham-\n-phetamines in each left hand, in each right is a sledgehammer\nIn pajamas, standin' in front of a webcam\nBeatin' themselves in the head 'til Russell lets him off Def Jam\nMaybe I need my head exam-ed, \nHannibal Lecter with a dead lamb\nHangin' from his ceiling, drippin' with a bed pan\nI need meds, swear to God 'cause if I go off the edge\nT.I. ain't talkin' me off the ledge, man\nHeart-throb that'll fart, ah, nah\nMore like a smart slob, part blob that'll stab you with a sharp ob-\n-ject to the heart and leave claw marks all over the Wal-\n-Mart walls, little baby with large balls\nFuck mud-slingin', I'm blood-flingin'\nThere's nothing on this fuckin' Earth better than bein' the\nKing of the playground, I hate the swings, but I love bein'\nAn underdog 'cause when I'm pushed I end up swingin' (Ah!) [Chorus]\nNobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya\n'Cause nobody puts baby in the corner\nI'm only tryna warn ya\n'Cause that baby gets mad and gets to throwin' a tantrum\nHe'll fuckin' flip on ya" } ]

[ { "from": "human", "value": "Write me a song called Come to Life with the following description: On “Come to Life,” Kanye sings about his desire for another life, wishing he had listened more to his ex-wife Kim Kardashian’s thoughts, dreams, problems, and aspirations. He shares his mixed emotions about her presence and absence, expressing how he does not want to die alone without her at his side. He sings about the silver-lining, which he latches on to during his darkest nights, which are his children. He treats his children as one of the most important things in his life and the one thing holding him together amid the divorce.\nThis song was debuted during the finale of the third and final Donda Listening Party, held in Kanye’s hometown of Chicago, in which he was set on fire inside of a replica of his childhood home. He then reenacted his wedding to Kardashian, which could be interpreted as Kanye burning his past and bringing forth the life he has always wanted with Kardashian.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMy soul cries out Hallelujah and I thank God for saving me\nI thank God for...\n[Chorus]\nHere go all your problems again (\nI thank God\n)\nThree, two, one, you're pinned (\nI thank God\n)\nUncle now he back in the pen' (\nHallelujah\n)\nAuntie shut down again\nDid she finally come to life? (\nThank you, Jesus\n)\nEver wish you had another life?\nEver wish you had another life?\nEver wish you had another life?\n[Verse 1]\nDon't you wish the night would go numb?\nI've been feelin' low for so long\nI ain't had a high in so long\nI been in the dark for so long\nNight is always darkest 'fore the dawn\nGotta make my mark 'fore I'm gone\nI don't wanna die alone\nI don't wanna die alone\nI get mad when she gone\nMad when she home\nSad when she gone\nMad when she home\nSad when she gone (\nLoosen right now, the spirit that wants to run\n)\nFloatin' on a silver lining (\nIn the name of Jesus\n)\nYeah, you know where to find me, ridin' on a silver lining\nAnd my God won't deny me, tell the Devil, \"Get behind me\"\nAnd all the stars are aligned, lift me up every time\nYou know exactly where to find me [Interlude]\nHallelujah\n (\nThank you, Jesus\n)\nHallelujah\n (\nYes\n)\nHallelujah...\n[Pre-Chorus]\nDid those ideas ever really come to life?\nMake it all come to life\nMake it all come to life\nPrayin' for a change in your life\nWell, maybe it's gon' come tonight\n[Chorus]\nSadness settin' in again\nThree, two, one, you're pinned\nUncle right back in the pen'\nTell me how auntie been\nTook your thoughts and penciled 'em in\nShould've wrote 'em down in pen\nAnd maybe they'll come to life\nAnd maybe they'll come to life\nSadness settin' in again\nThree, two, one, you're pinned\nUncle right back to the pen'\nTell me how auntie been\nThoughts, you had penciled 'em in\nProbably should've wrote 'em in pen\nAnd maybe they'll come to life\nThey could finally come to life\nThey could finally come to life [Verse 2]\nYou know where to find me, they cannot define me\nSo they crucify me, how so fazed when I leave?\nCome and purify me, come and sanctify me\nYou the air that I breathe, the ultra-ultralight beam\nBrought a gift to Northie, all she want was Nikes\nThis is not about me, God is still alive, so I'm free\nFloatin' on a silver lining, floatin' on a silver lining\nSo when I'm free, I'm free" } ]

[ { "from": "human", "value": "Write me a song called Nosetalgia with the following description: This track illustrates the balance of the drug game. On one side you have Pusha T who’s sold cocaine half his life and on the other you have Kendrick Lamar, the kid who had to watch his father sniff it during the 80’s crack epidemic.\nThe song’s title is a pun on nose+nostalgia, and offers a perspective of looking back at a childhood growing up around cocaine. Scent is also the sense most closely linked to memory, and both verse include distinct references to smells. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Kanye West and Nottz]\n[Intro]\n(\nW-W-W-What is it?\n)\n[Verse 1: Pusha T]\nTwenty-plus years of selling Johnson & Johnson\nI started out as a baby-faced monster\nNo wonder it's diaper rash on my conscience\nMy teething ring was numbed by that nonsense\nGem Star razor and a dinner plate\nArm & Hammer and a Mason jar, that's my dinner date\nThen crack the window in the kitchen, let it ventilate\n'Cause I let it sizzle on the stove like a minute steak\nNigga, I was crack in the school zone\nTwo beepers on me, Starter jacket that was two-toned\nFour lockers, four different bitches got they mule on\nBlack Ferris Bueller, cuttin' school with his jewels on\nCouldn't do wrong with a chest full of chains and an arm full of watches\nWhat I sell for pain in the hood, I'm a doctor\nZhivago, tried to fight the urge\nLike Ivan Drago, \"If he dies, he dies\"\nLike Doughboy to Tre, if he rides, he rides\nThrowin' punches in his room, if he cries, he cries\nWe don't drink away the pain when a nigga die\nWe add a link to the chain, inscribe a nigga name in your flesh\nWe playin' on a higher game of chess\nOnce you delegate his bills, who gon' fuck his bitch the best?\nA million megapixels of the Pyrex\nStarted on the scale, digital my only Timex\nNigga, this is timeless, simply 'cause it's honest\nPure as the fumes that be fuckin' with my sinus\nNigga, this is Simon Says, Simon Red\nBlood on your diamonds 'til you dyin', dead, yuugh [Interlude]\nYou better change what comes out your speaker\nYou better change, ch-ch-change\nDee-dee-dee-dah, dee-dee-dee-dee-dee-dah-dee-day, ayy (What is it?)\n[Verse 2: Kendrick Lamar]\nYou wanna see a dead body?\nInstrumentals from my mama's Christmas party\nTrouble's on my mind\nI still smell crime,\n \nmy little brother cryin'\nSmokers repeatedly buying my Sega Genesis\nEither that or my auntie was stealin' it\nHit the pipe and start feelin' it\nOoh-wee, cut me some slack, weed never did that\nThis was different, jeez louise, please help me relax\nQuantum physics could never show you the world I was in\nWhen I was ten, back when nine ounces had got you ten\nAnd nine times out of ten, niggas don't pay attention\nAnd when it's tension in the air, nines come with extensions\nMy daddy turned a quarter-piece to a four and a half\nTook an L, started sellin' soap fiends bubble bath\nBroke his nails misusin' his pinky to treat his nose\nShirt buttoned open,\n \ntaco meat laying on his gold\nI said, \"Daddy, one day, I'ma get you right with thirty-six zips\nOne thousand grams of cocaine, then your name will be rich\nNow you can rock it up or sell it soft as leather interior\nDrop some ice cubes in it, Deebo on perimeter\"\nHe said, \"Son, how come you think you'll be my connect?\"\nI said, \"Pops, your ass is washed up, with all due respect\"\nHe said, \"Well, nigga, then show me how it all makes sense\"\nGo figure, motherfucker, every verse is a brick\nYour son dope, nigga\nNow reap what you sowed, nigga (Please reap what you sowed, nigga)\nI was born in '87, my granddaddy a legend\nNow the same shit that y'all was smokin' is my profession,\n \nlet's get it [Outro]\nYou better change what comes out your speaker\nYou better change, ch-change, ch-change, ch-change\nYou better change what comes out your speaker\nTh-Th-Th-Th-Th-They must be on the dick of who?\nTh-Th-Th-Th-Th-They must be on the dick of who?" } ]

[ { "from": "human", "value": "Write me a song called Yoncé with the following description: You can read the full lyrics and annotations on Beyoncé’s “Partition” here.\n\n\n\n\n\n\n\nBeyoncé - Partition\n — \nGenius\nPartition Lyrics: Part 1: Yoncé / Let me hear you say \"Hey, Ms. Carter!\" (Hey, Ms. Carter!) / Say, \"Hey, Ms. Carter!\" (Hey, Ms. Carter!) / Give me some! / See me up in the club with fifty-eleven\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSee me up in the club with fifty-eleven girls\nPosted in the back, got my fangs in my grill\nBrooklyn brim with my eyes sitting low\nAnd every boy in here with me got that smoke\nAnd every girl in here got to look me up and down\nAll on Instagram, cake by the pound\nCirculate the image every time I come around\nG's up tell me how I'm looking, babe\n[Breakdown]\nBoy, this all for you just walk my way\nJust tell me how it's looking, babe\nJust tell me how it's looking, babe\nI do this all for you, baby, just take aim\nAnd tell me how it's looking, babe\nAnd tell me how it's looking, babe, looking, babe\n[Verse 2]\nDrop the bass, mayne, the bass get lower\nRadio say \"speed it up,\" I just go slower\nHigh like treble, pumping on the mids\nYa man ain't never seen a booty like this\nAnd why you think ya keep my name rolling off your tongue\n'Cause when he wanna smash I'll just write another one\nI sneezed on the beat and the beat got sicker\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nLike-like liquor, like-like-like liquor\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nYoncé all on his mouth like liquor\nLike-like liquor, like-like-like liquor" } ]

[ { "from": "human", "value": "Write me a song called Money Longer with the following description: On “Money Longer,” Lil Uzi Vert contemplates how life has changed since he became famous. The song was first released a track on Uzi’s Soundcloud—a major promo tool for this North Philly rapper. Now that he’s signed to Atlantic Records, Uzi is turning underground buzz into real money.\nLil Uzi Vert included “Money Longer” on Lil Uzi Vert Vs. The World, a nine-song mixtape released on May 27, 2016,\n“Money Longer” was produced by Philly raised Maaly Raw and Atlanta legend DJ Cannon. DJ Cannon first heard Uzi on the radio while driving through Philly.\nUzi told Vibe:\nHe called my phone. He followed me on Twitter. Shout out to Philly, for real. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYeah, it do not matter\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster\n[Verse 1]\nMoney so old, dollars spoiled (Spoiled)\nYeah, my lil' bitch so spoiled (Spoiled)\nYeah, I rub her down in oil\nYeah, I got money, now you know it, yeah\nDiamonds on my teeth\nYeah, your shit look like foil\nYeah, Chris Brown said these hoes ain't loyal, yeah\nNone of these hoes got no morals, yeah\nAll my niggas G-ed up\nYeah, my glasses be Dita\nNever thought that it'd be days I could kick my feet up (Huh?)\nNever thought that she would need me that much if I leave her\n[Chorus]\nIt do not matter\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster [Verse 2]\nAll of this was faction\nNo time for actin', all this money lastin'\nLike, go out to eat, get that blackened salmon\nWhen I'm with my girl, we Pharrell and Vashtie\nWait, huh? That mean we are not lastin'\nIn that pussy, you know I like it rough, then I'm just blastin'\nYeah, tell that lil' bitch that I'm really from Mars\nUh, yeah, bitch, do not start\nYeah, pull up, my car automatic\nYeah, uh, done with the start, yeah\n[Chorus]\nIt do not matter\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster\nTurned to a savage, pocket got fatter, she call me daddy\nSmokin' that gas, gone off that Xanny, she on the powder\nNowadays I am on, my haters got sadder\nMoney got longer, speaker got louder, car got faster" } ]

[ { "from": "human", "value": "Write me a song called Who Wanna with the following description: 13th track of Lil Wayne’s 4th studio album “Tha Carter”\nAn earlier version appeared as “Won’t Fuck with Me” on Da Drought, the official 2004 mixtape that represented a scrapped version of Tha Carter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nSomebody call the slick police\nCapitol W\nWeezy Baby\nThis is the Carter man\nBrim low, all I can see is the flo', now let's go!\nRaj ya bangin 'em in the.. Raj I say ya bangin 'em in the..\nRaj I say ya bangin 'em in the head wit this one cut!\nWeezy Weezy say guard ya face bitch\nWeezy say guard ya neck bitch\nWeezy Baby, this is the Carter\n[Verse 1]\nI move it from a eighth to a slab, from a slab to a quarter\nFrom a quarter to a half, from a half to a hard one\nYou do the math, it's a horror\nWhile I be on the ave gettin' off one nineteen for a soft one\nBricks I loft 'em catch him he hot\nIf I catch you without my scratch I'm stretchin ya out\nIf you catch me without the burner, burn me\nI beg of you shoot off the leg of you and kick ya in the ass\nI'm dyin' of doom I say I'm sick with cash\nThese eyes are real see straight through ya liquid ass\nYou see me straight through the glass house picnic wagon\nYou could see it by my bitch face she thick with ass\nGet slick slick I click-click-blast on ya bitch ass\nSquad up shit click or smash on ya bitch ass\nSmash on ya bitch ass\nNow pick the grass up out ya ass and the caps out ya cap Aye! [Chorus]\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\n[Verse 2]\nHustle boy sell a nick to ya mom I'll sell a brick out ya house\nI'll sell a brick to a house nigga\nI'll send a clip to ya mouth back of the gun to ya nose\nFront of the gun to ya clothes I let it rip and I bounce\nLights off young Teddy Pender is out\nMask on scare the fuck out ya but ya ass grown\nI wasn't born with no silver spoon\nBut I can heat it in a spoon and pitch it in a balloon\nTomb sittin in ya room sing for me\nBut if ya don't gimmie no tune the semi go boom\nBut if ya dont hear me doe fool the semi go boom\nI'm try to make moves but they gimmie no room\nI takes my space I blaze the haze take ya babe to space\nShe gimmie major face, \nI sung \"Amazing Grace\"\nI was once lost but now I'm found\nFull of them pounds is how I'm found, aye! [Chorus]\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\n[Bridge]\nOh! Oh! Bang 'em in the head, whoa!\nOh! Oh! Bang 'em in the face, whoa!\nOh! Oh! Bang 'em in the neck, whoa!\nBrim low, all I can see is the flo', now let's go!\n[Verse 3]\nI know how to cook so I buy it soft\nI also sell it soft depending the cost\nYou know thats shells they toss defending they boss\nThey wipes 'em well across ya dentures like floss\nYou know I smell ya talk and I swear I knows bullshit and pussy near or far\nYa'll niggas better gear up for the comin of the boy\nFrom a young'n to a boy to young boy boy\nI dump toys boy at ya punk boy toys\nTake the pump out the trunk take a chunk out a chump\nBaby what have I done I created a monster\nWeezy Baby a gangster no wankster\nHell naw I smell ya'll\nDidn't know Jam Master well but I rocks with my shells on\nAnd the block still a hell zone\nGet a helmet for you and ya gal's dome I suggest! Aye! [Chorus]\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, tell 'em I'm waitin for 'em\nWho wanna fuck wit' me, I got the blazer for 'em\nWho wanna fuck wit' me, do you wanna fuck wit me, naw!\n[Outro]\nBang 'em in da head whoa!\nBang 'em in da face whoa!\nBang 'em in da neck whoa!\nBrim low, all I can see is the flo', now let's go\nBang 'em in da head whoa!\nBang 'em in da face whoa!\nBang 'em in da neck whoa!\nBrim low, all I can see is ya ho, now let's go" } ]

[ { "from": "human", "value": "Write me a song called ​nasty with the following description: Ariana shared a snippet of the track, under the assumed title of “nasty,” on her Instagram on March 24, 2020 with the caption:\ni miss making things\ncan’t wait to get back to work\nbut for now\nlet’s stay inside pls\nThe sexual track sees Ariana craving for her lover’s attention and touch. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThis bitch gon' make me...\n[Verse 1]\nYou got me all up in my feels, in all kind of ways\nI be tryna wait, but, lately, I just wanna keep it real (Real)\nNo more playin' safe, let's take it all the way\nI'm just sayin'\n[Pre-Chorus]\nI just wanna make time for ya (Yeah)\nSwear it's just right for ya\nLike this pussy designed for ya (Yeah)\nTen outta five on ya\nKnow I would sign on the line for ya (Yeah)\nBet I look nice on you (Yeah)\nOpen my mind for ya (Yeah)\n[Chorus]\nDon't wanna wait on it\nTonight, I wanna get nasty (Yeah, yeah)\nWhat you waitin' for? (What you waitin' for?)\nWhat you waitin' for?\nDon't wanna wait on it\nTonight, I wanna get nasty (Yeah, yeah)\nWhat you waitin' for? (Waitin' for?)\nWhat you waitin' for? (Waitin' for?)\nDon't wanna wait on it\nTonight, I wanna get (\nNasty\n)\nTonight, I wanna get (\nNasty\n) [Verse 2]\nPromise I'ma give it to you like you never had it\nI do it so good, it's gon' be hard to break the habit\nYou're like a whole constellation (Yeah)\nSwimming like you on vacation (Yeah)\nPromise I'm still gonna love you when you wake up in the AM\n[Pre-Chorus]\nI just wanna make time for ya\nSwear it's just right for ya\nLike this pussy designed for ya\nTen outta five on ya\nKnow I would sign on the line for ya\nBet I look nice on you (Yeah)\nOpen my mind for ya (My mind)\n[Chorus]\nDon't wanna wait on it\nTonight, I wanna get nasty (Oh hey)\nWhat you waitin' for? (What you waitin' for? Mmm)\nWhat you waitin' for? (Yeah)\nDon't wanna wait on it\nTonight, I wanna get nasty\nWhat you waitin' for? (What you waitin' for?)\nWhat you waitin' for? (What you waitin' for?)\nDon't wanna wait on it\nTonight, I wanna get nasty (Nasty, nasty, mmm, ah)\nTonight, I wanna get nasty (Oh woah, boy) [Bridge]\nBoy, you know the vibes, I don't waste no time\nTake what's on your mind, make it real life\nGet all the homies to bounce\nSwitch from the bed to the couch\nAnd get to know how I'm feelin' inside\nSo much conversation, words so sweet\nBeen so well-behaved, but, boy, I'm weak\nYeah, my body's gotta say something to you\nThat's one way to tell I speak the truth\n[Chorus]\nDon't wanna wait on it (Baby, I)\nTonight, I wanna get nasty (Oh hey)\nWhat you waitin' for? (What you waitin' for? Mmm)\nWhat you waitin' for? (Yeah)\nDon't wanna wait on it\nTonight, I wanna get nasty\nWhat you waitin' for? (What you waitin' for?)\nWhat you waitin' for? (What you waitin' for?)\nDon't wanna wait on it\nTonight, I wanna get nasty (Tonight, I wanna get, mmm)\n(Tonight, baby)\nTonight, I wanna get nasty (Oh)\nYeah" } ]

[ { "from": "human", "value": "Write me a song called E Più Ti Penso with the following description: Fourth track off of Andrea Bocelli’s Cinema.\nComposed by Ennio Morricone.\n“E Più Ti Penso” is a song from director Sergio Leone’s film Once Upon a Time in America.\n\nYou can know more of how the song was selected for the album on this video:\nhttps://www.youtube.com/watch?v=7EnY5PrTy7E&index=4&list=PLXPr1vo4H-B9BMkezg2vuSUPMVl-xxR6H Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse: Andrea Bocelli & \nAriana Grande\n]\nE più ti penso, e più mi manchi\nTi vedo coi miei occhi stanchi\nAnch'io vorrei, star lì con te\nStringo il cuscino, sei qui vicino\n[Chorus 1: Andrea Bocelli, \nAriana Grande\n, \nBoth\n]\nE notte fonda e sei lontano\nHo il vuoto intorno senza te\nIl sole più non c’è, no\nSono triste e sconsolato\nCome non son stato mai\nSenza te\nSenza te\n[Post-Chorus 1: Both]\nE se per caso non potessi rivederti\nIo so già che farei, non vivrei\n[Chorus 2: Andrea Bocelli, \nAriana Grande\n, \nBoth\n]\nE più ti penso, e più mi manchi\nSon poca cosa senza te\nMi sento un pesce che\nNon ha l'acqua per nuotare\nRespirare senza te\nSenza te\nSenza te [Outro: Both]\nE se per caso non potessi rivederti\nIo so già che farei, morirei" } ]

[ { "from": "human", "value": "Write me a song called Stronger with the following description: “Stronger” is a song recorded by Britney Spears for her second studio album, Oops!… I Did It Again (2000). It was the album’s third single, released after “Oops!… I Did It Again” and “Lucky”\n“Stronger” achieved commercial success worldwide, reaching the top five in Austria, Germany, and Sweden, while reaching the top ten in Finland, Ireland, Switzerland and the United Kingdom. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOoh, hey, yeah\n[Verse 1]\nHush, just stop\nThere’s nothing you can do or say (Baby)\nI've had enough\nI'm not your property as from today (Baby)\n[Pre-Chorus]\nYou might think that I won't make it\nOn my own\n[Chorus]\nBut now I'm stronger than yesterday\nNow it’s nothing but my way\nMy loneliness ain't killing me no more\nI, I'm stronger\n[Verse 2]\nThan I ever thought that I could be (Baby)\nI used to go with the flow\nDidn't really care 'bout me\n[Pre-Chorus]\nYou might think that I can't take it\nBut you're wrong [Chorus]\n'Cause now I'm stronger than yesterday\nNow it’s nothing but my way\nMy loneliness ain't killing me no more\nI, I'm stronger\n[Post-Chorus]\nCome on now\nOh, yeah\n[Bridge]\nHere I go, on my own\nI don't need nobody, better off alone\nHere I go, on my own now\nI don't need nobody, not anybody\nHere I go (Here I go, here I go, here I go...)\nAlright\n(Here I go, here I go, here I go) Here I go\n[Chorus]\nStronger than yesterday\nIt’s nothing but my way\nMy loneliness ain't killing me no more\nI, I'm stronger than yesterday\nNow it’s nothing but my way\nMy loneliness ain't killing me no more\nAnd I'm stronger than yesterday\nNow it’s nothing but my way\nMy loneliness ain't killing me no more (No more)\n(I'm) I, I'm stronger" } ]

[ { "from": "human", "value": "Write me a song called Nothin’ On You with the following description: Jay Park covered “Nothin' On You” originally by B.o.B. & Bruno Mars for the Japanese edition of the compilation album Punk Goes Pop 3.Expand -1Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Beautiful girls, all over the world\nI could be chasin but my time would be wasted\nThey got nothin on you, baby\nNothin on you, baby\nThey might say hi, and I might say hey\nBut you shouldn't worry, about what they say\n'Cause they got nothin on you, baby (Yeah...)\nNothin on you, baby\n(Nuh-nuh-nuh-nothin on you babe, nuh-nothin on you)\n[Verse 1]\nI know you feel where I'm comin from (from)\nRegardless of the things in my past that I've done (done)\nMost of it really was for the hell of the fun (the uh)\nOn the carousel, so around I spun (spun)\nWith no directions, just tryna get some (some)\nTryna chase skirts, livin in the summer sun (sun)\nAnd so I lost more than I had ever won (Wha?)\nAnd honestly, I ended up with none (Huh?)\n[Pre-Chorus 1]\nThere's so much nonsense, it's on my conscience\nI'm thinkin, \"Maybe I should get it out\"\nAnd I don't wanna sound redundant\nBut I was wonderin, if there was somethin that you wanna know\n(Somethin that you wanna know)\nBut never mind that, we should let it go (we should let it go)\n'Cause we don't wanna be a TV episode (TV episode)\nAnd all the bad thoughts, just let 'em go (go!)\nGo (Go!) Go (Heeeeey!) [Chorus:]\nBeautiful girls, all over the world\nI could be chasin but my time would be wasted\nThey got nothin on you, baby\n(Nuh-nuh-nuh-nothin on you babe, nuh-nottin on you)\nNothin on you, baby\n(Nuh-nuh-nuh-nothin on you babe, nuh-nothin on you)\nThey might say hi, and I might say hey\nBut you shouldn't worry, about what they say\n'Cause they got nothin on you, baby\n(Nuh-nuh-nuh-nothin on you babe, nuh-nothin on you)\nNothin on you, baby\n(Nuh-nuh-nuh-nothin on you babe, nuh-nuttin on you)\nYeaaaaah\n[Verse 2]\nHands down, there will never be another one (nope!)\nI been around and I never seen another one (naaaah...)\nBecause your style ain't really got nothin on\nAnd you wild when you ain't got nothin on (Ha ha!)\nBaby you the whole package, plus you pay your taxes\nAnd you keep it real while them other stay plastic\nYou're my Wonder Woman call me Mr. Fantastic\nStop... - Now think about it\n[Pre-Chorus 2]\nI've been to London, I've been to Paris\nEven way out there to Tokyo\nBack home down in Georgia, to New Orleans\nBut you always steal the show (steal the show)\nAnd just like that girl you got me froze (got me froze)\nLike a Nintendo 64 (sixty-fo')\nIf you never knew, well now you know (know!)\nKnow (Know!) Know (Heeeeey~!) [Chorus]\n[Verse 3]\nEverywhere I go, I'm always hearin yo' name (name, name, name, name...)\nAnd no matter where I'm at, girl you make me wanna sing (sing, sing, sing, sing...)\nWhether a bus or a plane (plane), or a car or a train (train)\nNo other girls in my brain, and you the one to blame\n[Chorus]" } ]

[ { "from": "human", "value": "Write me a song called Shot Me Down with the following description: David Guetta remixes Nancy Sinatra’s classic Bang Bang – which incidentally is also a cover of the song by Cher.\nPeep the original’s use in the opening of Kill Bill!\nhttps://www.youtube.com/watch?v=1xVDDBLOsnI Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Skylar Grey]\nI was five and he was six\nWe rode on horses made of sticks\nHe wore black and I wore white\nHe would always win the fight\n[Chorus: Skylar Grey]\nBang bang, he shot me down\nBang bang, I hit the ground\nBang bang, that awful sound\nBang bang, my baby shot me down\n[Drop: Skylar Grey]\nBang! Wizzz! Zap! Pow!\nBang! Wizzz! Zap! Pow!\n[Refrain: Skylar Grey]\nI was five and he was six\nWe rode on horses made of sticks\nHe wore black and I wore white\nHe would always win the fight\n[Chorus: Skylar Grey]\nBang bang, he shot me down\nBang bang, I hit the ground\nBang bang, that awful sound\nBang bang, my baby shot me down [Drop: Skylar Grey]\nBang! Wizzz! Zap! Pow!\nBang! Wizzz! Zap! Pow!\n[Chorus: Skylar Grey]\nBang bang, he shot me down\nBang bang, I hit the ground\nBang bang, that awful sound\nBang bang, my baby shot me down" } ]

[ { "from": "human", "value": "Write me a song called Outro (Cheers) with the following description: The final track off Obie Trice’s debut album “Cheers” is a hard-hitting, no-nonsense diss track aimed at Ja Rule, who had been beefing with both Eminem and 50 Cent. The song features D12 and is the second time that all the artists featured in the song (Obie Trice & D12) had collaborated on a Ja Rule diss track, the first song being “Doe Rae Me (a.k.a Haille’s Revenge). This song was the second diss track aimed at Ja off this album (\"Shit Hits The Fan” was the first). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nNah, we ain't done!\n[Verse 1: Eminem]\nI love being hated, it's great, it lets me know that I made it\nI wouldn't have it no other way, I wouldn't trade it for the world\nOnly lets me know that I'm loved\nBy so many other motherfuckers that ain't you, and it's bugged\n'Cause you keep fucking with us, we keep fucking you up\nAnd keep pulling the rug from up under you\nAnd what’s even more fucked up, is we enjoy what we're doing\nSo much there ain't nothing that we love more than \"Pulling Your Skirts Up\"\nAnd exposing you hoes so much, people are starting to wonder\nWhat's up with them fucking Wonder Woman underoos?\nDo unto others as you will have done unto you\nSo who the fuck you motherfuckers gonna run to\nWhen someone runs up with a mask and puts a gun to you?\nYou gon' ask yourself, how come your mans\nDidn't empty that last round that he had in Curtis Jackson's ass while he had the chance?\nYou keep asking us to keep it on wax but we can't\nThis is past any rationalization\nWe have captured national media attention\nConversation is senseless, you can sense the tension start building\nSoon as we enter the 106 & Park building\nSomeone's gonna get killed and I swear to God\nIf someone so much as even touches one of my people\nI'll put a million on his head\nAnd you ain't got the funds to match or counteract it\nBut I'd rather rap than get into this gangsta shit\nAnd it ain't because I'm a bitch\nIt's because I ain't a bitch, I don't endanger people that I'm with\nI'm a general, I ain't Bush, I don't send my soldiers to war\nIf I ain't there in the middle of the shit with 'em, so when I do get 'em\nOrders to storm your headquarters, you'll be fucking with a [Verse 2: Swifty McVay]\nFucking with a beef keeper, see you ain't eager to greet this lyrical meat cleaver\nThat'll eat ya, niggas wanna keep speaking\nLike it ain't even that deep\nI got heat that'll sweep a nigga's street\nSee I wouldn't fuck with me neither, only heaven can help ya\nI'll be searching for you longer than The Legend of Zelda\nWithout a failure, \nthere's gonna be hell to tell the\nCaptain\n that a basset hound couldn't even smell ya\nBody, when I hide ya, I be on that mob shit\nYou another Hoffa, under the Renaissance, bitch!\nYou get bombed like Lebanon\n with my own tactic\nI snatch your head like one of Saddam's kids\n[Verse 3: Obie Trice]\nMotherfucker, I'll handle you, we can have it out on any avenue\nAn \"Average Man\"\n flipped into an animal\nShoot out your mandibles, cannons and ammunition\nReload with precision, nigga, know the mechanicals\nBreak the pistol down, you should see them handles\nThe street taught the child, no read up manuals\nPushing crack vows, \nyoung Nino Brown\nChasing green is the dream, when you're young and brown\nBound to be a problem child, look what I'm involved in now\nA 'Dozen Dirty' niggas and they all get down\nResolve any problem that enlarge with ours\nWhen revolvers we said \"all men get down\"\n(Kuniva!) [Verse 4: Kuniva]\nWhile you're punching and tackling punks\nI'm handling chumps, packing a pump\nThat's longer than the elephant trunk\nOn the streets I'm a beast, I feast upon the weak\nSo speak beef, I'll shoot you and scream \"increase the peace\"\nA monster, pistol packing, pushing niggas off they Hondas\nStomp you, get it cracking, yanking bitches for they ganja\nSneaky as fuck, I don't think mama beat me enough\nWhen she was sleeping stuff, I was stealing the keys to the truck\nShut the fuck up! Before you end up dead in the dump truck\nOr in the streets taking a nap, bleeding and lugged up\n\"Who Want What?\" like M. Bleek, with this heat if you ten deep\nThen fuck it, it will be ten sleeping\n[Verse 5: Proof]\nThe muscle of Meyer Lansky, don't tussle with my hand speed\nClutch your burner, bust it and watch your man bleed\nWe ferocious, toast no holsters\nApproach us, throw heat straight from the shoulders\nWe the soldiers, y'all the youngsters (ha)\nYoungsters lungs puncture, dead in a dumpster\nFed to the monsters, head full of trauma\nYou scared of the drama, bombered the monster (Poof!)\nI'm back, nigga (Poof!), I reappear\nShoot like *Explosion*, you ain't seein' clear\nBlackness, carcass covered with catfish\nWe murkers with no purpose other than practice\n(Bizzy!) [Verse 6: Bizarre]\nThere's three things I hate: liars, fakes, and cheaters\nAlcoholics, sluts, and fucking wife beaters\nI guess that describes my life\nI don't even know who song this is\n \n(Obie Trice)\nBitch, Bizarre don't give a fuck about no hip hop\nAt my release party in a pink tank top and Reeboks\nThis Ja Rule beef I ain't getting in\nI'll need an R&B singer to sing at my wedding\nI'll turn your face into a fucking meat patty\nI'll fuck your mommy and go fishing with your granny\nI'll Shit on You, I'll pee on R. Kelly, too\nThis is Bizarre, see you \"Devil's Night 2\"" } ]

[ { "from": "human", "value": "Write me a song called Vntm.com with the following description: \n“Vtnm.com” annonce le retour de La Fouine et bien évidemment l'arrivée imminente de “Capitale du crime 3”.\nMême s'il est présenté en langage codé, l'essence du morceau réside dans son titre: “Vtnm.com” ou “Va niquer ta mère.com”.\nOrgueil, insolence, vulgarité et punchlines sont au rendez-vous. Le rappeur de Trappes a donc choisi de lancer sa compilation avec la casquette “Fouiny Baby” accompagné de DJ Khaled qui comme d'habitude ne sert qu'à crier en intro, à l'interlude et à la fin du morceau. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro - DJ Khaled]\nDJ Khaled, \nBanlieue Sale\nCrime's Capital 3\nLa Fouine : The Best french rapper in the game\nGet money\n[Refrain - La Fouine]\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\n[Couplet 1 - La Fouine]\nArgent sale pourtant j'ai fait l'odo\nJ'ai quelques traces de sang de keuf fraîches sur mon polo\nOn rappait dans la vec', personne croyait en nous\nEt on traînait en meute parce qu'on nous laissait en loup\nJ'goûtais la ceinture de mon père étant-étant petit\nSi j'fais la même avec ma fille elle aura des traces Gucci\nLa bague au doigt les fusils parés, chargés, prêt à cracher, voitures garées\nGuette l'angle mort comme les frères qu'ont parlé\nMaison d'arrêt, foyers d'mineurs j'étais jeune et fougueux\nJ'mène la belle vie comme un footeux, haineux, j'm'en fous d'eux\nJ'rentre pas dans le moule, j'donne pas mon boule\nIls s'arrachent les veuchs, rebeu j'ai fait la boule\nCapitale du Crime frère viens pas t'y aventurer\nMême Judas fut bien entouré, t'auras beau jurer\nSur la vie d'ta grosse pute de mère\nLyrics amères car le respect s'perd\nFouiny, baisse la tête qu'à la mosquée\nDémodé leur swagg a fait une O.D\nOn est rodés, parle en langage codé\nÀ chaque phrase autant d'insultes que de C.O.D [Pont - La Fouine]\nÀ force d'ouvrir ma gueule, j'finirai là-haut\nEt j'suis sûr que là-haut, on s'r'appellera d'en-bas\nIls m'auront refroidi, ils auront réussi\nVoilà ma story, Fouiny Baby\n[Refrain - La Fouine]\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\n[Couplet 2 - La Fouine]\nUne étoile verte sur un fond rouge\nJ'pars en couille ou j'pars en khourouj\nDepuis tout petit les keufs me recherchent, savent où me trouver, rien à prouver\nCherches les lovés, osé, audacieux, cagoulé, bra-braquer des bourges\nPourquoi tu me parles ? Pourquoi tu m'fixes\nQue le rap repose en paix, comme le string à FX\nYeah j'traine au VIP, au Hustler\nLes haineux parlent la chatte à leur soeur\nNique les illuminatis, nique les franc-maçons\nTrop d'avance MC note ma plaque d'immatriculation\nNigga' AK-47 sur ta vieille face\nJ'te blesse en attendant que Dieu le fasse [Refrain - La Fouine]\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com\nTiens mon mail, tiens mon-tiens mon mail\nTiens mon mail : Vaniquertamère.com" } ]

[ { "from": "human", "value": "Write me a song called Us with the following description: This is from Rita’s Upcoming album and was written by Ed Sheeran.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Note: Audio taken from live performance - please feel free to make edits as necessary\n[Verse 1]\nWedding night and I'm taking you home\nIt's too late to be safe alone\n19 cigarettes but I'll share the last one with you\nWe broke into your dad's house [?] in\nAnd we kissed on his old leather couch\nTil it was time to go home again\nWe've been drinkin' far too long\nWe always seem to do that\nBut I don't want this to go wrong\n[Chorus]\nSo tell me if you're fallin'\nCause darling I have almost reached that point\nWe all know the things we've taken\nBut it's not the chemicals\nLs that make me want you\nIt's the way you kiss me\nNot those shots of whiskey\nYou know I'm far from tipsy\nSo let's not fuck this up again\nWe are, we are in love\nWe are, we are us [Verse 2]\nSo that night I'm looking for [?]\nIt seems to me there's still [?]\nApologize, I can [?] anyway\nWe are two separate bodies, oh listen\nAnd with my arms around you, shadows turn into [?]\n[?]\nI am so hungover\nI'm glad I'm not alone\n[Chorus]\nSo tell me if you're fallin'\nCause darling I have almost reached that point\nWe all know the things we've taken\nBut it's not the chemicals that makes me want you\nIt's the way you kiss me\nNot those shots of whiskey\nYou know I'm far from tipsy\nSo let's not fuck this up again\nWe are, we are in love\nWe are, we are us\nWe are, we are in love\nAnd we are, we are us\n[Bridge]\nOn a weekend hideaway\nI found my best friend\n[?]\nThat we can do this again, I might have [?]\nCause if I spoke to my Lord\nHe'd probably say that all that I needed was you [Chorus]\nSo tell me if you're fallin'\nCause darling I have almost reached that point\nWe all know the things we've taken\nBut it's not the chemicals that makes me want you\nIt's the way you kiss me\nNot those shots of whiskey\nYou know I'm far from tipsy\nSo let's not fuck this up again\nWe are, we are in love\nWe are, we are us" } ]

[ { "from": "human", "value": "Write me a song called Put Your Hands In the Air with the following description: In the closing track of In My Zone 2, Chris encourages the beautiful ladies surrounding him to raise their hands if they’re down for some alone time with him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAh\n[Chorus: Chris Brown]\nPut your hands in the air\nIf you wanna freak somethin' down tonight\nP-P-P-Put your hands in the air\nAll my ladies, ladies, ladies\nDo it just like that (Oh-oh)\nJust like tha-a-a-a-at (Oh-oh)\nJust like that (Oh-oh)\nAll my ladies (Oh-oh)\nJust like that\n[Verse 1: Kevin McCall]\nPlans for the night? Yeah, they all on me\nAnd tell me what you like 'cause I'ma give get that shit and bull\n'Cause you got on your birthday suit and your sexy is callin', baby\nTonight is your night, you're the center of attention, the spotlight is on you\n[Pre-Chorus: Kevin McCall]\nGot your hair done\nIf you're feeling real good say, \"Yeah\"\nThrow your tens up and keep 'em right there\n[Chorus: Chris Brown]\nPut your hands in the air\nIf you wanna freak somethin' down tonight\nP-P-P-Put your hands in the air\nAll my ladies, ladies, ladies\nDo it just like that (Oh-oh)\nJust like tha-a-a-a-at (Oh-oh)\nJust like that (Oh-oh)\nAll my ladies (Oh-oh)\nJust like that [Verse 2: Chris Brown]\nUp in V.I.P. with the ladies party at Mansion\nWatch me do my dougie, bet the shawties think I'm handsome\nYeah, yeah, yeah, yeah\nHennessy and Baileys on the daily, CÎROC by the case load\nParty all night long, we ain't stopping 'til I say so\nIf you're lonely, come in here with me\nGirl, just work that thang, you know I'm a freak (Freak)\n[Pre-Chorus: Kevin McCall & Chris Brown]\nGot your hair done\nIf you're feeling real good say, \"Yeah\"\nSo throw your tens up and keep 'em right there\n[Chorus: Chris Brown, \nKevin McCall\n]\nPut your hands in the air\nIf you wanna freak somethin' down tonight\nP-P-P-Put your hands in the air (\nIn the air\n)\nAll my ladies, ladies, ladies (Ladies, oh)\nDo it just like that (Just like that, oh-oh)\nJust like tha-a-a-a-at (Just like that, oh-oh)\nJust like that (Just like that, woah, oh-oh)\nAll my ladies (Oh-oh, oh-oh)\nJust like that\n[Verse 3: Chris Brown]\nJust like that, just like this\nWhatever it is, shawty, you got it\nLike a game of tag, shawty, you got it\nAnd shawty got ass, that you can't miss\nShe the shit, lighters up or just put up your cellphone\nDark skin girls turn me on, so do redbones\nRacin' to the V.I.P., lookin' like a marathon\nToo many bottles left over, guess I'ma carry home\nBy the end, I'ma turn it up\nAnd all the niggas smokin', tell 'em burn it up\nShe got me pimped against the wall\nShe 'bout to make it stand up\nI'ma put my motherfuckin' hands up (Oh-oh) [Chorus: Chris Brown, \nKevin McCall\n]\nPut your hands in the air (Put your hands in the air)\nIf you wanna freak somethin' down tonight (Oh)\nP-P-P-Put your hands in the air (Oh-woah)\nAll my ladies, ladies, ladies (Oh-woah)\nDo it just like that (Just like that, oh-oh)\nJust like tha-a-a-a-at (Oh, oh-oh)\nJust like that (Oh, oh-oh)\nAll my ladies (Oh-oh)\nJust like that\n[Outro: DJ Drama]\nYou know what?\nWe so in our zone\nThere's nothin' more to do, man\nI might quit after this\nAnd like that, hahaha\nWe gone" } ]

[ { "from": "human", "value": "Write me a song called Accepting My Flaws with the following description: On “Accepting My Flaws,” the formal outro to the album, Future pours out his heart to Lori Harvey, his girlfriend at the time of this song’s release. With a single verse lasting nearly three minutes, Future details the many demons in his life and how Lori is helping him to overcome them. He admires her for loving and accepting him despite his many flaws. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Interlude]\nWas there to see all of the real raw shit, but you ain't stay\nWell, I got— kept it all to myself, you know what I mean? Haha\nIt's understandable\nYou know exactly who a motherfucker is, dawg\nYou know what I'm saying?\nYou know exactly who a motherfucker is\nYou could've been right here with a motherfucker, but you ain't wanna be right here with a motherfucker\nHow the fuck you gon' look at me now and try to holler at me like we motherfuckin' friends?\nYou know we ain't no motherfuckin' friends\n[Intro]\nYeah, nigga\nYou know how I fuckin' get it\nI know I ain't perfect, you know what I'm sayin'?\nPerfect\nThat's my rider, nigga (\n808 Mafia\n)\nShawty, ride with me\n[Chorus]\nLord, forgive me, I've been on a rampage\nGrim Reaper ridin' in the Rolls Royce, yeah, yeah\nSpent a day to sober up, then I popped me one up\nI can't pop up when I want with her, she popular\nI've been tryna fight my demons\n, \nI've been tryna fight my cup\nI always tell her she my therapy, I told her it was rough\nShe acceptin' all my flaws, I got diamonds with the cut\nI've been sufferin' withdrawals, missin' out on real love [Verse]\nDifferent, you a angel, true to me\nThey gon' try to convince me that it's different\nBut I know, it's in my spirit and I can feel it, yeah\nShe don't bring up when these bitches bein' miserable and typical\nTake my blood, baby, we goin' digital\nThousand dollar ski boots by Perry Ellis\nAnd I don't plan on taking no ski trip, they ain't even drip (Woo)\nChanel fanny pack out in Egypt, ain't no reason\nGucci bucket hat for all my heathens\nTemporary distractions, ain't no grievin' 'cause they reachin'\nCopy and they clone what I'm feedin', they be thievin'\nChina white in my home, be strategic, I got Fiji\nGrind up on my own 'cause I see how they mistreat me\nDon't you let 'em turn you on me, I see it, I can peep it\nClear like white Patron, I can see it, you conceited\nTalkin' on the phone, you can hear my tone, mischievous\nPlastic or the chrome, whatever we need to keep us heated\nCanary yellow stone, girl, shine on my demons\nI feel it in my bones when you takin' out my semen\nI purchased a couple Cashmere sweaters this evening\nTake you for a walk in the park like a deacon\nHalf a ticket, pullin' up on you and mamacita\nGive you the keys in her face to show her how I treat you\nI'm takin' you out on dinner dates, \ngot Franklins like Aretha\nTrained in the warzone, codeine in my one liter\nPain in my attitude, it's vicious and it's lethal\nCame off the avenue and ran into a diva\nBroken-hearted, baby had me down, had to get you\nYou out the garden, baby, I'm from the jungle with the leeches\nClouded my lungs up and I slowly started speakin'\nRain, thunderin', showin' you grace for this meetin'\nGivin' you compliments throughout the day and the weekend\nFall in love with revenge, hopin' that'll kill my demons\nSittin' out on my porch, I'm in disbelief\nGive me glory, give me Lori, that's victory\nMoment I drop your name, is it chemistry?\nFuck this money and fame if it's meant to be\nLike a rock star showin' up at a symphony\nRock hard, pissin' on my enemy\nFuck 'em all, we don't show 'em sympathy\nHer favorite color blue, I bought her Tiffany\nOut the trap spot, I got my dope degree\nThey persuaded me, they gon' try to persuade you to leave\nHad laid in it, played in it, and stayed in it for weeks\nMistakes like earthquakes, they can't break us a piece\nI'm not Catholic but had to have a talk with the priest\nAcrobatic flips, gettin' European cash 'cross the sea\nIt's so radical, automatic-al, I'm knowin' we elite\nFascinated by the lifestyle, you know it bring greed\nFascinated by your feistiness, okay\nFascinated over your crisis, it's warfare\nWhen we roll one, we converse, we like orphans\nCoast to coast, float the ocean like a starfish\nCheck my post, I'ma toast to the heartless\nThat's why I'm prayin' for better days on this continent\nI don't need a ghost to write my promises\nYou boost my confidence [Chorus]\nLord, forgive me, I've been on a rampage\nGrim Reaper ridin' in the Rolls Royce, yeah, yeah\nSpent a day to sober up, then I popped me one up\nI can't pop up when I want with her, she popular\nI've been tryna fight my demons, I've been tryna fight my cup\nI always tell her she my therapy, I told her it was rough\nShe acceptin' all my flaws, I got diamonds with the cut\nI've been sufferin' withdrawals, missin' out on real love" } ]

[ { "from": "human", "value": "Write me a song called Everybody’s Looking at Me with the following description: On “Everybody’s Looking at Me,” Detroit rappers Eminem and Proof team up on an energetic freestyle. The two artists rap about a variety of issues, including their interactions with the pressing media and their relationship with their Shady records label.\nThe track stems from a freestyle with Funk Flex, which he debuted in January 2012.\nThis song was also used in the background of ‘The Kiss (Skit)’. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Eminem]\nLights, action, cameras flashin'\nManagers, sponsors, concerts, monster mashin'\nFlashin'\nType who might throw his underwear in the trash like Marilyn Manson\nUpdated Axle Rose\nWhite version of Shaft, pimp slappin' hoes\nPull up like a Mac, jet black limo\nStretch so far back, can't see the back windows\nSteppin' out, pink hats, furs and minks\nChick on each arm, what the **** you think?\nRight arm got that kid from *NSYNC's chick on it\nLeft arm got that little P!nk chick on it\nMe and Dre at the VMA's again\nPissin' off all these lesbians and gays again\n[Verse 2: Proof]\nA'ight, dawg (\nHaha\n), you want war? [?]\nYou beatin' us—not a chance\nLet me show you what the clip does\n'Cause D12 is harder than virgins inside strip clubs\nYo, we bust thugs\nYou beatin' us is like twenty inch DUB's on Love Bugs:\nIt won't happen, [?] satisfaction\n[?] Funk Flux got you backspin\nActin' like you harder than life\nAyo, yo, we smarter [?]\nPeace to Obie Trice, rock a mic, it's only right\nOb' Trice [?] around the globe twice\nHow it feel with DeShaun chosen words\nPeace to Mark Labelle, Flex and Paul Rosenburg\nYo, Em-Diddy save me\nAyo, I think my dad's gone crazy [Verse 3: Eminem]\nMy head hits the pillow, a weepin' willow\nI can't sleep, a pain so deep, it bellows\nBut these cellos help just to keep me mellow\nHands on my head, touch knees to elbows\nI'm hunched over, emotion just flows over\nThese cold shoulders are both frozen, you don't know me\nI keep sayin' it, I can't stress it enough\nSo keep playin' it, and stand next to the subs\nI choke mics like asphyxiation\nWhen I'm stranglin' my own throat masturbatin'\nShit yeah, I'm a basket case\nAnd I mastered this rap s*** 'til my ass gets wasted\n'Til my assassination\n'Til I'm slain 'cause of some **** infatuation\n.44 mag's a fascination\nA taste for disaster, and if that's the case, then—\n[Verse 4: Proof]\nA'ight, dawg, you involved with a hog\nThat'll spit a bar like a brick of raw\nGet you off like porn tricks, born with natural ability\nTo put both hands up on the Statue of Liberty\nSmackin' an iller me with accurate agility\nAttack your facility then it's back to my killin' spree\nJigga, Nelly is cool, it's the wack ones that's killin' me\nWhile Clinton got head, I was in the sack with old Hillary\nThe fact I'm an ill MC strapped with artillery\nI got your family at your funeral clappin' with misery\nI can happen to him or me, better the other way\nPillow [?] watch her suffocate\nYou're hard, Doody, [?] for D12 (\nHaha\n)\n[?] Funk Flex, more noise than a seashell\nY'all faker than [?], we big in Dallas\nWe unsigned without the hype back before Rick Morales\nPut it down there, rip your lungs with talons\nY'all lack talents, in fact, you're all off balance\nI'ma say it like this: you're short like [?]\nAnd just tune in to [?] show on June 4th" } ]

[ { "from": "human", "value": "Write me a song called Runaway with the following description: Runaway is the 6th track on Linkin Park’s debut album Hybrid Theory.\nBasically, it describes what someone can feel when he or she feels that is tortured by society and simply decides to escape.\nThe song didn’t receive good criticism because some people consider it to be a song “written for teenagers”, and, as many can notice, it has a similar structure to “Crawling,” with very short raps from Mike. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chester Bennington]\nGraffiti decorations under a sky of dust\nA constant wave of tension on top of broken trust\nThe lessons that you taught me, I learned were never true\n[Pre-Chorus: Chester Bennington & \nMike Shinoda\n]\nNow I find myself in question\nThey point the finger at me again\nGuilty by association\nYou point the finger at me again\n[Chorus: Chester Bennington]\nI wanna run away, never say goodbye\nI wanna know the truth instead of wondering why\nI wanna know the answers, no more lies\nI wanna shut the door and open up my mind\n[Verse 2: Chester Bennington]\nPaper bags and angry voices\n under a sky of dust\nAnother wave of tension has more than filled me up\nAll my talk of taking action, these words were never true\n[Pre-Chorus: Chester Bennington & \nMike Shinoda\n]\nNow I find myself in question\nThey point the finger at me again\nGuilty by association\nYou point the finger at me again [Chorus: Chester Bennington]\nI wanna run away, never say goodbye\nI wanna know the truth instead of wondering why\nI wanna know the answers, no more lies\nI wanna shut the door and open up my mind\n[Bridge: Chester Bennington & \nMike Shinoda\n]\nI'm gonna run away and never say goodbye!\nGonna run away, gonna run away\nGonna run away, gonna run away\nI'm gonna run away and never wonder why!\nGonna run away, gonna run away\nGonna run away, gonna run away\nI'm gonna run away and open up my mind!\nGonna run away, gonna run away\nMind! \n(Gonna run away, gonna run away)\nMind! \n(Gonna run away, gonna run away)\nMind! \n(Gonna run away, gonna run away)\n[Chorus: Chester Bennington]\nI wanna run away, never say goodbye\nI wanna know the truth instead of wondering why\nI wanna know the answers, no more lies\nI wanna shut the door and open up my mind\n[Outro: Chester Bennington]\nI wanna run away and open up my mind\nI wanna run away and open up my mind\nI wanna run away and open up my mind\nI wanna run away and open up my mind" } ]

[ { "from": "human", "value": "Write me a song called Breathe (Rap Version) with the following description: Breathe peaked at #70 on the Billboard Hot 100 and #83 on Billboard’s R&B chart.\nThere is the lyrics from the original cd:\n\nThe song samples Dr. Dre’s song “What’s The Difference (Unreleased Version).”\nhttp://www.youtube.com/watch?v=X20MKkF9nDE Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Sean Paul]\nSean Paul and Blu Cantrell\nRemix that gon' make the head swell, yo\nYo, hey, yo, boom, yo, hey, yo, dutty, yeah\n[Chorus: Sean Paul & \nBlu Cantrell\n]\n(\nBreathe\n) So what's that supposed to be about, baby?\nGal, free up ya vibe and stop acting crazy\nReminisce 'pon all the good times daily\nWhy you trying to pose like I be acting shady? (\nBreathe\n)\nWhat's that supposed to be about, baby? (Hey, yo)\nGal, free up ya vibe and stop acting crazy\nSean Paul give you the good loving daily\nNow you trying to pose like I be acting shady? (Talk to me now, Blu)\n[Verse 1: Blu Cantrell]\nYou say you love me, say you love me\nBut you're never there for me, yeah (Hmm-mm)\nYou be crying, slowly dying\nWhen I decide to leave (Oh, oh)\n[Pre-Chorus: Blu Cantrell]\nAll we do is make up (Make up), then break up (Break up)\nWhy don't we wake up and see?\nWhen love hurts (Love hurts), it won't work (Won’t work)\nMaybe we need some time alone\nWe need to let it breathe [Chorus: Sean Paul & \nBlu Cantrell\n]\nSo what's that supposed to be about, baby? (\nBreathe\n)\nGal, free up ya vibe and stop acting crazy (\nBreathe\n)\nReminisce 'pon all the good times daily (\nBreathe\n)\nWhy you trying to pose like I be acting shady?\n[Verse 2: Blu Cantrell]\nYou're only lonely when your homie\nAin't got a ride or no loot, yeah (Yeah), uh-huh\nThen comes the drama\nSome other girl is claiming she's going out with you (Hmm-mm)\n[Pre-Chorus: Blu Cantrell]\nAll we do is make up (Make up), then break up (Break up)\nWhy don't we wake up and see?\nWhen love hurts (Love hurts), it won't work (Won’t work)\nMaybe we need some time alone\nWe need to let it breathe\n[Chorus: Sean Paul & \nBlu Cantrell\n]\nSo what's that supposed to be about, baby? (\nBreathe\n)\nGal, free up ya vibe and stop acting crazy (\nBreathe\n)\nShady (Shady), Shady (\nBreathe, breathe, ooh\n)\n[Verse 3: Sean Paul]\nDutty, yeah\nWhy, girl (C'mon, girl), for the fourth time\nIf I make it very clear to you\nYou're very dear to me\nAnd all my heart me share to you\nMe not unfair to you\nWoman, I want fa real and make you know\nThat I will always draw near to you\nBut me know me nah no fair to you (Eh!)\nMe stand up like a man and I'll be there (Okay)\nBecause I care for you\nLong time me a tell you me no have no gal a compare to you\nWoman, if you leave me now\nI'm gonna shed a lot of tear for you\nYou want to breathe and still you're not exhaling (Yo, yo)\nSay you want to leave 'cause this relationship failing (C'mon, girl)\nAin't nobody say that it would be smooth sailing\nGirl, I want to know why you bailing ship, yo [Chorus: Sean Paul & \nBlu Cantrell\n]\nSo what's that supposed to be about, baby? (\nBreathe\n)\nGal, free up ya vibe and stop acting crazy (\nBreathe\n)\nReminisce 'pon all the good times daily (Lady a good girl)\nWhy you trying to pose like I be acting shady? (Let it breathe)\n[Outro: Blu Cantrell & \nSean Paul\n]\n(\nShady, shady, shady, baby, baby\n) Baby, we need some time alone\nSo we can just breathe (Breathe)\nLet it breathe (Breathe)\n(Breathe) Breathing\n(Breathe, breathe) Let it breathe (Breathe)\nBreathe (Breathe, breathe), uh-uh-uh\nYeah, let it breathe, yeah (\nShady, shady, shady, baby, baby\n)\nTime to breathe, y'all\n(Breathe, breathe) Oh, breathe\nTime to breathe y'all\n (Breathe)" } ]

[ { "from": "human", "value": "Write me a song called Come Back Home with the following description: LAUV commented on the song during an interview with POND Magazine:\nI think one of the coolest for me to write and record was “Come Back Home.” It’s a little different. I felt like that was kind of the most beautiful moments whenever I was writing that song. It’s sonically a little bit different and a really perfect way to end the EP on a positive note and realize where your home is, where you belong.\n\n“Come Back Home” is the fifth track from Lauv’s debut EP “Lost In The Light”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDoubt, doubt, doubt\nIt kills everything that you love, oh\nNow, now, now\nI’m losing myself on the run\n[Pre-Chorus]\nAnd I flew to California\nThought I could leave\nEvery piece of you right here\nYeah I flew to California\nStill wide awake\nOh the sun burned it on clear\n[Chorus]\nHow I still love you\nI still love you\nBut sometimes you have to go\nTrade your heart for bones\nTo know you need to come back home\nCome back home\n[Verse 2]\nPaint-chipped skies\nNothing is ever as it seems\nBehind these codeine eyes\nBlind to the world in between [Pre-Chorus]\nAnd I flew to California\nThought I could leave\nEvery piece of you right here\nYeah I flew to California\nStill wide awake\nOh the sun burned it on clear\n[Chorus]\nHow I still love you\nI still love you\nBut sometimes you have to go\nTrade your heart for bones\nTo know you need to come back home\nCome back home\n[Bridge]\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway [Chorus]\nBut I still love you\nI still love you\nBut sometimes you have to go\nTrade your heart for bones\nTo know you need to come back home\nCome back home\n[Outro]\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway\nGetaway\nI always thought I needed a getaway" } ]

[ { "from": "human", "value": "Write me a song called Sangria Wine (Remix) with the following description: “Sangria Wine” is a song by Pharrell Williams & Camila Cabello. This remix of the song features vocals from Young Thug, J Balvin & Maluma.\nDue to vocal style and known collaboration dates, it can be inferred that Young Thug, J Balvin, and Maluma all recorded their parts for the song in 2016, likely before even Camila Cabello was given the song. However, this version of the song is a scrapped remix that would have been released after the original song as a “Megamix” according to the filename, but it was instead vaulted.\nThis remix was leaked on March 5, 2021. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Camila Cabello, \nPharrell Williams\n & \nYoung Thug\n]\nHoney said she want somebody break her off proper\nMan, she so relentless so nothing can stop her\nNever left the city (\nCome on, man\n) but she swear she's a yardie (\nHey darling\n)\n'Cause it's so awesome how I move my body\nShe do the sangria wine \n(Woo)\n, sangria wine \n(Uh-huh)\nMoving side to side \n(Woo)\n, front and behind \n(Uh-huh)\nSangria wine \n(Woo)\n, sangria wine \n(Uh-huh)\nSangria wine \n(Woo)\n, do the sangria wine, yeah \n(Uh-huh,\n \nThugger, drippy\n)\n[Verse 1: Young Thug]\nWhen we do the sixty-nine, that's the only time you ain't a dime (Yeah, yeah)\nYou're not his no more baby, yeah, you're mine (Yee-haw)\nI treat you the same, baby, no, no, know the Lord, mine (All equal)\nAyy, hey, shawty wanna break me off with something so proper\nPut the pedal to the metal, baby, now there's no stoppin'\nIf lil' mama don't got class then we callin' truancy\nAyo, Pharrell, what she say?\n[Chorus: Pharrell Williams, \nPharrell Williams & Camila Cabello\n & \nYoung Thug\n]\nHoney said she want somebody break her off proper\nMan, she so relentless so nothing can stop her (\nHey\n, woo)\nNever left the city (come on, man) but she swear she's a yardie (Yeah!)\nBecause it's so awesome how she move her body\nShe do the sangria wine\n (Woo), \nsangria wine\n (Uh-huh)\n(Woah, oh, oh, oh, oh, oh, oh, woah, oh, oh, oh, oh, oh, oh)\nMoving side to side\n (Woo), \nfront and behind\n (Uh-huh)\n(Woah, oh, oh, oh, oh, oh, oh, woah, oh, oh, oh, oh, oh, oh)\nSangria wine\n (Woo), \nsangria wine\n (Uh-huh)\n(Woah, oh, oh, oh, oh, oh, oh)\nSangria wine\n (Woo), \ndo the sangria wine\n (Uh-huh)\n(Woah, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh) [Bridge: Camila Cabello & \nMaluma\n]\n(Uno) Wait a minute\n(Dos) Wait a second \n(Maluma, baby)\n(Tres) ¿Qué, qué? \n(Dile)\n(Turbo sauce) (Woo!)\n[Verse 2: Maluma]\nSi te mueve' muy lento, me gusta\nSi aceleras tampoco disgusta\nTú sabe' tener el balance\nTú solo muévelo y no haga' pregunta'\nTú vas al gym con dedicación\nTienes un cuerpo a la perfección\nGrábate el numero, tres, cuatro, seis\nToca la puerta de mi habitación\nAhí te espero con un vino en la cama\nTengo reservas para to' el fin de semana\nManda un mensaje de texto para tu hermana\nY dile que esta noche no te esperen en tu casa\n[Bridge: J Balvin]\nJala, jala\nColombia in the building\n[Chorus: J Balvin, \nJ Balvin & Camila Cabello\n, \nPharrell Williams\n]\nHoney said she want somebody break her off proper\nMan, she so relentless so nothing can stop her \n(Woo)\nNever left the city \n(Come on, man)\n, but she swear she's a yardie \n(Yeah!)\nBecause it's so awesome how she move her body\nShe do the sangria wine\n \n(Woo)\n,\n sangria wine\n \n(Uh-huh)\nMoving side to side\n \n(Woo)\n, \nfront and behind\n \n(Uh-huh)\nSangria wine\n \n(Woo)\n, \nsangria wine\n \n(Uh-huh)\nSangria wine\n \n(Woo)\n, \ndo the sangria wine, yeah" } ]

[ { "from": "human", "value": "Write me a song called Rule the World with the following description: “Rule the World” sees 2 Chainz rapping about his respective partner. The Ariana Grande-assisted track arrives exactly a month after their “7 rings (remix),” following multiple comparisons to 2 Chainz previous works. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande & \n2 Chainz\n]\nYeah\nUh-huh\n(\nHitmaka\n)\n2 Chainz\n[Chorus: Ariana Grande & \n2 Chainz\n]\nTop down on the Dawn like I'm used to it (\nYeah\n)\nPrayin' he make it home like I'm used to it\nPrayin' he make it home, I got used to it (\nUsed to it\n)\nPrayin' he make it home like I'm used to it\nTop down on the Dawn like I'm used to it\nPrayin' he make it home, I got used to it\nPrayin' he make it home like he used to\nI realized we could rule the world\nI realized we could rule the world (Oh yeah, oh yeah)\n[Verse 1: 2 Chainz]\nYeah\nFell in love with a real one, this a dedication (Wow)\nHad 'em patiently waitin' for a revelation\nEven when I ain't around, ain't no separation\nYour skin's smooth, your eyes brown and you're far from basic\nThen we go to different places with no suitcases (Wow)\nBut when we come back, we got suitcases (Yeah)\nRight now I use love for a medication (Love)\nBack in the day I'd shoot Cupid with no hesitation (Bow, bow)\nI got more than 40 acres for my reparations\nPussy on my navigation, that's my destination (Tell 'em)\nPlease don't never tell on me, baby (Never tell)\nThat mean don't call 12 on me, baby (Don't call 12)\nAs long as the meal prepared for me, baby (It's prepared)\nThe mills I prepare, I share with you, baby (Share)\nOf course they gon' like this shit, look at it (Look)\nEverybody ain't happy, then look at me [Chorus: Ariana Grande & \n2 Chainz\n]\nTop down on the Dawn like I'm used to it (\nUsed to it\n)\nPrayin' he make it home like I'm used to it\nPrayin' he make it home, I got used to it\nPrayin' he make it home like I'm used to it (\nYeah\n)\nTop down on the Dawn like I'm used to it\nPrayin' he make it home, I got used to it (\nWow\n)\nPrayin' he make it home like he used to (\nWow,\n tell 'em, baby)\nI realized we could rule the world\nI realized we could rule the world (Oh yeah, oh yeah)\n[Verse 2: 2 Chainz]\nWhy don't we ride four deep\nRode so far, we on E\nShe on E, she on me (\nYeah, yeah\n)\nLet's try that way... okay\nShawty came in, walkin' like a model\nShaped like a bottle\nShe know if she mess with me, it's gon' be trouble\nI'ma bust that bubble\nI'ma always love her, mess up all the covers (Yeah, yeah)\nWatch me break it down like a foldin' chair\nSee me in the Chain Reactions, I got 40 pair\nSorry I ain't answer the phone, I was slappin' ass\nLast night ain't answer, I was pullin' hair\nY'all know me, so lowkey\nAll this ice on, I got cold feet\nMy shawty bad, she a trophy\nShe like to lay on me and call me cozy (Yeah) [Chorus: Ariana Grande & \n2 Chainz\n]\nTop down on the Dawn like I'm used to it\nPrayin' he make it home like I'm used to it\nPrayin' he make it home, I got used to it (\nPray for me\n)\nPrayin' he make it home like I'm used to it (\nAlright\n)\nTop down on the Dawn like I'm used to it (\nSkrrt\n)\nPrayin' he make it home, I got used to it (\nSkrrt\n)\nPrayin' he make it home like he used to\nI realized we could rule the world\nI realized we could rule the world (Oh yeah, oh yeah)\n[Outro: 2 Chainz & \nAriana Grande\n]\nSkrrt (\nYeah\n)\nYeah\nI'ma trap it out one way or another (\nYee\n)\nYeah (\nOh\n)\nOne thing about love, they say it's blind\nNo matter where you're from\nYou gon' bump into it one day\nTru" } ]

[ { "from": "human", "value": "Write me a song called Bye Bye Bye with the following description: “Bye Bye Bye” is the introductory song of ‘N Sync’s album No Strings Attached. It is arguably the quintet’s most popular song, and also arguably has the most overt messages: they’re breaking up with a girl for being a pain in the butt.\nTheir classic music video exemplifies how this girl continues to play with their emotions. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Justin, \nAll\n]\nHey, hey\nBye, bye, bye\nBye, bye\nBye, bye\n (Oh, oh)\n[Verse 1: JC \nwith All\n]\nI\n, I'm doing this tonight\nYou're\n probably gonna start a fight\nI\n know this can't be right\nHey baby, come on\nI\n loved you endlessly\nAnd\n you weren't there for me\nSo\n now, it's time to leave\nAnd make it alone\n[Pre-Chorus: \nJustin\n with JC, \nwith\n All\n]\nI know that I can't take no more\nIt ain't no lie\nI wanna see you out that door\nBaby, \nbye bye bye\n (\nBye bye\n)\n[Chorus: All, \nJustin\n, \nJC\n]\nDon't wanna be a fool for you\nJust another player in your game for two\nYou may hate me but it\n ain't no lie\nBaby\n, bye bye bye (Bye bye)\nDon't really wanna make it tough\nI just wanna tell you that I had enough\nMight sound crazy but it\n ain't no lie\nBaby\n, bye bye bye (\nOh oh\n) [Verse 2: Justin \nwith JC\n, \nwith All\n]\nYou\n just hit me with the truth \nnow\nGirl, you're more than welcome to\nSo\n, give me one good reason\nBaby, \ncome on\nI\n lived for you and me\nAnd\n now, I really come to see\nThat\n life would be much \nbetter\nOnce you're gone\n[Pre-Chorus: \nJC\n with Justin, \nwith\n All\n]\nI know that I can't take no more\nIt ain't no lie\nI wanna see you out that door\nBaby, \nbye bye bye\n (\nBye bye\n)\n[Chorus: All, \nJustin\n, \nJC\n]\nDon't wanna be a fool for you\nJust another player in your game for two\nYou may hate me but it\n ain't no lie\nBaby\n, bye bye bye (Bye bye)\nDon't really wanna make it tough\nI just wanna tell you that I had enough (\nOoh ooh\n)\nMight sound crazy but it\n ain't no lie\nBaby\n, bye bye bye\n... [Middle 8: All]\nI'm giving up, I know for sure\nI don't wanna be the reason for your love no more\n(Bye bye)\nI'm checkin' out, I'm signin' off\nI don't want to be the loser and I've had enough\n[Bridge: Justin, \nAll\n, \nJC\n]\nI don't wanna be your fool\nIn this game for two\nSo I'm leaving you behind\n(Bye bye bye, yeah)\nI don't wanna make it tough\n(Make it though)\nBut I've had enough\n \n(Bye bye...)\nAnd it ain't no lie\nBye bye\n (\nBaby\n)\n[Chorus: Justin, Joey & Lance, \nJC & Chris\n, \nJustin\n, \nJC\n]\nDon't wanna be a fool for you\n(I don't wanna be a fool)\nJust another player in your game for two\n(In this game for two)\nI don't wanna be a fool but it\n ain't no lie\nBaby\n, bye bye bye (\nAll:\n bye bye)\nDon't really wanna make it tough \n(Oh oh)\n(I don't wanna make it tough)\nI just wanna tell you that I had enough\n(But I've had enough)\nMight sound crazy but it\n ain't no lie [Outro: All]\nBye bye bye (\nBye bye\n)" } ]

[ { "from": "human", "value": "Write me a song called Shady 2.0 Cypher (2011 BET Hip-Hop Awards) with the following description: The now-famous performance by the Shady Records roster at the 2011 BET Awards. Shady and his crew go in over the instrumental of East Flatbush Project’s “Tried by 12.”\nAside from its lyrical content, the song also went viral due to Royce’s “Hi Rihanna” line. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem, \nYelawolf\n, \nJoe Budden\n]\nWelcome to Detroit\nThis is the BET\nShady 2.0\nCypher 2011\nMyself, Slaughterhouse\nAnd Yelawolf\nWhite Dawg (\nThank you, cracker king\n,) get 'em!\n(\nLet's get 'em\n)\n[Verse 1: Yelawolf]\nYeah\nPut these mothafuckas in a box, then I\nSend 'em away\n, \nput 'em in a gray 'llac and pop the trunk\nAyy, throw 'em in the back, jack; ha, dig 'em a grave\nPut a brick inside that Xerox when I print up a page\nMovin' keys, I can relate, 'cause I live in a cage\nI throw up the A, I take 'em to school, I give 'em a grade\nAn easy E for effort; that's WWA\nWhite with an attitude,\n \nalphabet soup is on my plate\nAll I got is Zs, they sleepin' on me, I can't get 'em awake\nI spoon-feed 'em a sound in a room full of deceivers and clowns\nWho believe in makin' it rain 'cause all they see is the clouds\nAnd I watch from the couch of the VIP like a potato\nWith a bunch of meatheads like, \"Fuck it, I'll just feed 'em a cow\"\nPlenty of white boys to pick from this year\nBut before you pick a pepper, you better pick up your heater\n'Cause even Peter Piper could pick up a mic\nBut what it's like to pick a fight with me\nIs like puttin' Nikes on a cheetah\nBetter speed up, or at least in my case Adidas\nI'm out this bitch, drinkin' Sprite by the two-liter\nHoller! Shady Records… [Verse 2: Joe Budden]\nSay I'm from the new school\nI'ma say, \"Check your tone and watch your mouth!\"\nIf they teachin' how to Dougie, I'm condonin' droppin' out\nForced to wild, y'all birthed me, then gave me up\nI just perfected being hip-hop's foster child;\n now check it\nDon't blame y'all for being trash, fans are coppin' it\nThe radio's the crime scene, the masses are the hostages\nIn my youth I'd throw shots, the fad was dodgin' it\nI'm grown, I ain't watchin' the throne, I'm sabotagin' it\nYou see that four-headed monster in the storm looms?\nSnipe 'em from a distance; the scope got a long zoom\nYou Super Mario thugs is in the wrong room\nGotta figure here you won't get bigger if you on shrooms\nIf it was left to me, I'd revive what the game be 'bout\nI'd have took the wine outta Amy house\nEnough raps from you scrub cats 'bout cockin' a snub back\nWayne couldn't teach me how to love that\nBut I got this chick from uptown, she my summer bunny\nBoth parents broke, but she come from money\nThink my bread is her paper to burn\nSo I lock her out, and now she doubt David is Stern\nShe so bad, I make her hit the telly from a taxi\nThen dead her in the Holiday Inn, learned that from Max B\nThat's why the haters envy, kinda wanna send me llamas\nI made it right before their eyes, like I was Benihana's\nIs it me, or is what I'm hearing just pitiful?\nAirwaves the same, now the stereo's typical\nMy skin's thick, so the critics ignored\nSo unafraid to die you'd think I did it before\nThe boy's Rodman with the trash talk\nMagic or Walt \nwith the black ball\nWay I bounce off the asphalt with cat paws, glass jaw\nHood of your mask will be the Blackfoot with no passport\nBody be found in a mansion in one of my trapdoors\nIf punks had award, you status whores categore\nProbably be that of awards\nBetween Michael Rapaport and Kenny Lattimore\nI know hip-hop's alive and well\nIf it died, you other crews wouldn't survive the smell [Interlude: Royce da 5'9\" & \nEminem\n]\nLadies and gentlemen... (You scared now?)\nMake that face at 'em, dog!\nCrooked I\nGet 'em!\n[Verse 3: Crooked I]\nI spot a victim, the plot'll thicken when the clock is tickin'\nI caught him slippin', I gotta give him a shot, I hit him\nWith proper spittin', hottest writtens and compositions\nSo competition's a contradiction\nSomebody mention they got a Crooked, highly fiction\nWe probly different, \ngot Gotti henchmen\nOpposition, I'll body quick as Bugatti engines\nI'm on a mission to get richer, the sickest lyric-kicker\nDiggin' a ditch for different spitters\nWeak lyricists get disfigured\nSip liquor, \nspit like a sick mixture\nOf Notorious, Pun and L; get the big picture?\nThe poster,\n I'll roast ya\nMy mind so deadly it's just like the beanie is close to a holster\nIt's over, control my whole coastal region\nLike I'm supposed to, \nflow is goin' postal even\nOpen season, heart close to freezin'\nRuthless as Eazy, nigga,\n approach, I'm squeezin'\nBelieve me, dopest West-Coaster breathin'\nSo most y'all hope I'm vegan; nope, I'm beefin'\nRappers need to keep it trill, give me a beat to kill\nToo many people still eatin' sleeping pills\nPeople sleepin' on my ether skills\nAnd y'all ain't even real, you 'bout to die in this cypher\nBefore you die you should do the Jada and leave a will, for real [Verse 4: Joell Ortiz]\nI ain't a rap dude, I'm a dude who rap\nBefore this I was movin' crack\nKillers y'all become when y'all rhyme, I salute and dap\nAnd if I blink, they'll remove your snaps\n, you ain't cool, you wack\nWith your foolish act\nSkinny jeans don't mean your ass shoot, it means your booty claps, haha\nDon't play like Tyler Perry\nThis the Slaughterhouse of pain, flow brown, tight and heavy\nWhen it come to sixteens, I'm a fiend\nSeen in the studio near a needle with a mean lean\nProbably writin' bars to Nas' \"Thief's Theme,\" \ngettin' my yaowa on\nMan, all these Olajuwons, we the dream team\nThis is an all day slaughter\nThey fiendin' for us to break, like Beyonce's water\nThe four quarters doin' all the eatin'\nAnd y'all gotta know why I made the cut, I'm Puerto Rican\nOrtiz keep the fire ready\nAnd tryna put me out's like tryna \nsteal a transvestite from Eddie\n[Interlude: Joell Ortiz, \nRoyce Da 5'9\"\n & \nEminem\n]\nHahahahahaha\nHahaha\nA'ight\n (\nAyo\n)\nYeah, Joe\nAll right, go ahead, rap\nLyrical miracles\n[Verse 5: Royce Da 5'9\"]\nI'm do-or-die dope\nAnd you can make the sticker sittin' on the door of that Phantom your suicide note\nHi, Rihanna, is Nicki livin' witchu?\nLet me know so I can buy binoculars and telescopes\nHi, Rihanna, I don't need to know you better\nYou tell me you love my music again, we go together\nBye, Rihanna—now back to y'all fools\nWe rock out, like the outside of a guitar school\nThousand dollar frames, I prefer to see the world through\nDon't ask me nuttin' 'bout Budden, I beat my girl too\nYou aks me why do I keep her, I say it's cheaper to\nThat's why I ride around in a Rolls, like Wiz Khalifa do\nRappers, I'm your daddy, I tell you straight as this\nYou don't kill, but your father will, like Jaden Smith\nI tell you like I tell my Spanish chick\nYou fly, but I ain't goin' down on no landin' strip\nSo get your wax on, like Daniel San\n, \nor I'ma have to\nRun\nLike De la Hoya in drag when cameras come\nPoint out the greatest rapper alive, I'll headshot him\nSmack his girl on the butt and buy her some \nred bottom\nBring every deceased rapper back to see his wife\nWhile I'm cyber-sexin' with Jessica Alba via Skype\nI’m on my D-boy, \nDeebo thing\nSpiritual steelo swing, like Cee-Lo Green\nGet out the camera with your B-Roll bling, you know your flow is wack\nWe cornered the market, like a Wal-Mart in a cul-de-sac\nYeah, this what two million singles sold\nAnd an album that's gold look like without having to sell your soul\nNickel\n[Interlude: Eminem, \nJoe Budden\n, \nRoyce Da 5'9\"\n & \nCrooked I\n]\nHuh? Huh?\nYeah (Yeah,) oh, wait (\nShady\n)\nWait go ahead, go ahead (\nShady\n) (\nYou gotta get 'em, too\n)\n(\nYou the boss, you better get 'em\n) Wait, can I rap?\n(\nYou the boss so you better [?] represent\n) Me, rap? \nAyo\nLyrical miracle, spiritual individual, criminal\nSubliminal in your swimming pool\n (\nWoah\n) (Oh)\n(\nMetaphysical\n) \nYo, yo, yo, yo\nAlright, yo (\nCome on, man, kick that shit I wrote you\n)\nDrop it\n(Hahaha) (\nKick that shit I wrote that one time, that John Blaze shit\n)\nYeah, yeah, yeah\nYeah, yeah\n[Verse 6: Eminem]\nYou 'bout to see peace destroyed, it'll never be restored\nWhen I unleash these beastly hordes on your CD stores\nWanna stop it? You gon' need a priest, at least three swords\nA license to ill from the Beastie Boys\n, three Ouija boards\nAnd a squeegee, and please be warned, don't ask what the squeegee's for\nOr the holy water, acid raps that'll eat these floors\nEat a hole in a rhyme book, you see these horns?\nAnd as for me, you ask, when I'm gone, will he be mourned?\nIs puke lukewarm?\nShould Casey Anthony do porn?\nCan that chick fit a newborn dead baby inside a frickin' shoebox with a shoehorn\nSmothered in chloroform,\n \nso she can go get her groove on?\nCan she duct-tape and Velcro a fetus?\nJoell, yo, tell Joe I need his\nEmpty box from his old shell-toed Adidas\nSo I can put these babies in a fetal position\nThey're gettin' elbows to the penis\nYeah, big deal\nI took some little kid's Big Wheel \nand spit in his frickin' big kids meal\nQuit tryna bite me and pinch, you wench, sit still!\nDid you just put your six-inch heel through my Benz windshield?!\nIs it dust we 'bout to kick up\n?\nCan Yelawolf fit a fifth of rum in a big cup\nBetween his stick shift in his frigging pickup\nAnd drink like a hick redneck hillbilly will 'til he gets hicc-ups?\nFlippin' the script up, like Mike Vick\nGettin' bit in his junk by a Pit, yup, I'm a sick pup\nI'd be a horrible magician, 'cause I'd fuck a trick up\nFix your lips up to say somethin' fly, or zip up!\nAyy, B, let's see:\nYou said you're gonna do X-Y-Z\n'Til you fuck around and get dropped\nLike an E when you add an I-N-G\nDon't put a K in front of that, though, when I MC\n'Cause I'm not the king of this microphone booth\n, \nit's more like a phone booth\nSuperman in this bitch, \nKryptonite won't do\nIt gives me more power\n, \nI bump the Fat Boys and\nEat rat poison, \ntake meteor showers\nFresh outta the mental hospital\nAnd me not flossin' a middle finger while I hop in a mosh pit\nWill be like Nas doin' gospel or R&B—\nyou crazy?\nMe pushin' up daisies, that thought is impossible\nAs if flashin' across the news\nPosdnuos was caught with a prostitute\nWith a huge johnson, boobs and a monstrous tube\nOf lube, and a bra, some boots, some panties, and an aqua blue Mazda\nSwallowin' a popsicle, playin' tonsil pool\nSo kill the rumors, it ain’t happenin'; I’ma rap 'til I'm fossil fuel" } ]

[ { "from": "human", "value": "Write me a song called Younger Now with the following description: “Younger Now,” released on Friday, August 18, 2017, is the second single off of Miley Cyrus' sixth studio album, Younger Now.\nLyrically, the song is about Cyrus not being afraid of the person who she used to be. She embraces her past and embraces the person she is today.\nMiley debuted the song on YouTube on 17 August 2017, after teasing the lyrics on her Instagram.\nShe performed it for the first time at the 2017 VMAs. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nFeels like I just woke up\nLike, all this time, I've been asleep\nEven though it's not who I am\nI'm not afraid of who I used to be\n[Chorus]\nNo one stays the same (Oh-oh, oh-oh)\nYou know what goes up must come down (Oh-oh, oh-oh)\nChange is a thing you can count on (Oh-oh, oh-oh)\nI feel so much younger now (Oh-oh, oh-oh)\n[Verse 2]\nFeels like I've been living in a dream\nBut never make it to the end\nMy eyes open when they feel the light (Yeah)\nIt's always right before I'm about to scream\n[Chorus]\nNo one stays the same (Oh-oh, oh-oh)\nYou know what goes up must come down (Oh-oh, oh-oh)\nChange is a thing you can count on (Oh-oh, oh-oh)\nI feel so much younger now (Oh-oh, oh-oh)\n[Bridge]\n(Oh-oh-oh) What goes up must come down\n(Oh-oh-oh) What goes up must come down\n(Oh-oh-oh) What goes up must come down\n(Oh-oh-oh) What goes up must come down (Yeah) [Chorus]\nNo one stays the same (Oh-oh, oh-oh)\nYou know what goes comes back around (Oh-oh, oh-oh)\nChange is a thing you can count on (Oh-oh, oh-oh)\nI feel so much younger now (Oh-oh, oh-oh)\n[Outro]\nI feel so much younger now (Yeah)\nI feel so much younger now" } ]

[ { "from": "human", "value": "Write me a song called Tattooed Heart with the following description: Roxy (Clara Rugaard), considered a favorite to win the competition, performs an Ariana Grande song on Teen Spirit to a raucous ovation.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou don’t need a lot of money\nHoney, you don’t have to play no games\nAll I need is all your loving\nTo get the blood rushing through my veins, oh\nI wanna say we’re going steady\nLike it’s 1954\nNo, it doesn’t have to be forever\nJust as long as I’m the name on your tattooed heart\n[Chorus]\nTattooed heart, tattooed heart\nOoh yeah\nTattooed heart, tattooed heart\nTattooed heart, tattooed heart\nWhoa-oh-oh-oh, yeah\n[Verse 2]\nYou don’t need to worry about making me crazy\n'Cause I’m way past that, yeah\nSo just call me if you want me\n'Cause you got me\nAnd I’ll show you how much I want to be on your tattooed heart\n[Bridge]\nWrap me in your jacket, my baby\nAnd lay me in your bed\nAnd kiss me underneath the moonlight\nDarling, let me trace the line on your tattooed heart [Chorus]\nTattooed heart, tattooed heart\nWoo, yeah\nTattooed heart, tattooed heart\nOh, ooh\nTattooed heart, tattooed heart\nJust as long as I'm the name on your tattooed heart" } ]

[ { "from": "human", "value": "Write me a song called Ski Mask Way with the following description: Also the title of a book someone ghostwrote for 50 on his G-Unit Books imprint, “Ski Mask Way” is the story of a robbing spree that starts in NY and ends in VA Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\nI'm tryna catch me something\nA little jux or something\n[Chorus]\nNigga, that watch is nice, that's what you bought for me?\nThat chain is nice, that's what you bought for me?\nThem earrings is nice, that's what you bought for me?\nTake that shit off, move, I'll break you off properly\nI get mine the fast way, ski mask way\nMake money, make money-money-money\nNigga, if you ask me, this the only way\nTake money, take money-money-money\n[Verse 1]\nYou wanna spray at me? Go 'head; the last nigga that tried\nGot hit, keeled over, and bled 'til he died\nYour little sister calling you stupid, reason why?\nHer and your mama in the living room now hog-tied\nI came up with two new ways to get rich, I can't wait\nGot a brand-new SIG and that old .38\nI be scheming to put a little bread on my plate\nWatching dreads serve skunk through a hole in the gate\nI stick a nigga for his shine, sell him back the next day\nYou thought I really wanted your pussy? Bitch, please\nThis the stash house, jackpot, there go them keys\nMy black G-Unit hoodie just reek of marijuana\nCocaine coming out my pores in the sauna\nI'm serious, man, I'm so sincere\nThis the flow right here that fucked up Jeffrey's career\nMake money, take money, yeah, nigga, YEAH! [Chorus]\nNigga, that watch is nice, that's what you bought for me?\nThat chain is nice, that's what you bought for me?\nThem earrings is nice, that's what you bought for me?\nTake that shit off, move, I'll break you off properly\nI get mine the fast way, ski mask way\nMake money, make money-money-money\nNigga, if you ask me, this the only way\nTake money, take money-money-money\n[Verse 2]\nWho's that peeping in my window?\nWow—the Feds on me now\nThey know when I'm sleeping, they know when I'm wake\nI know they got my phone tapped, I'm screaming, \"Fuck Jake!\"\nI'm trying to stay out them pens, so I switched states\nBad News, VA—now, that sounds great\nI see niggas with that ice on, rims shined up\nThis town's one big pussy, waiting to get fucked\nI holla at A.I. peoples to get gats\nThey charge me 500 apiece for two MACs\nThen I'm back doing me, I'm back out on a spree\nCatch me a nigga slipping out, pumping that D\nGet me a little crew, I'll have 'em pumping for me\nThe more product I take, the more paper we see\nChange my name in NY, they don't know where I be\nYeah, a nigga doing dirt, but a nigga low-key [Chorus]\nNigga, that watch is nice, that's what you bought for me?\nThat chain is nice, that's what you bought for me?\nThem earrings is nice, that's what you bought for me?\nTake that shit off, move, I'll break you off properly\nI get mine the fast way, ski mask way\nMake money, make money-money-money\nNigga, if you ask me, this the only way\nTake money, take money-money-money" } ]

[ { "from": "human", "value": "Write me a song called Slide Away (Demo) with the following description: “Slide Away (Demo)” is the demo version of Miley’s song of the same name. The song was allegedly intended for her now shelved albums, either for She Is Here or She Is Miley Cyrus, but it has been unconfirmed.\nA low quality version of the song leaked on September 3, 2020, and a second version in better quality leaked on August 22, 2021. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOoh\n[Verse]\nOnce upon a time, it was paradise\nOnce upon a time, I was paralyzed\nThink I'm gonna miss these harbor lights\nBut it's time to let it go\nOnce upon a time, it was made for us\nWoke up one day, it had turned to dust\nBaby, we were found, but now we're lost\nSo it's time to let it go\n[Pre-Chorus 1]\nI want my house in the hills\nI want my whiskey and pills\nYou want a wife and a kid\nI don't think I'm down\n[Chorus]\nSo won't you slide away?\nBack to the ocean, I'll go back to the city lights\nSo won't you slide away?\nBack to the ocean, la-la-la, you'll slide away\nSo won't you slide away?\nBack to the ocean, I'll go back to the city lights\nSo won't you slide away?\nBack to the ocean, la-la-la, you'll slide away [Verse]\nOnce upon a time, it was paradise\nOnce upon a time, I was paralyzed\nThink I'm gonna miss these harbor lights\nBut it's time to let it go\nOnce upon a time, it was made for us (For us)\nWoke up one day, it had turned to dust\nBaby, we were found, but now we're lost\nSo it's time to let it go\n[Pre-Chorus 2]\nI do get drunk and obscene\nI'm forever seventeen\nYou want your castle and queen\nI don't think I'm down\n[Chorus]\nSo won't you slide away?\nBack to the ocean, I'll go back to the city lights\nSo won't you slide away?\nBack to the ocean, la-la-la, you'll slide away\nSo won't you slide away?\nBack to the ocean, I'll go back to the city lights\nSo won't you slide away?\nBack to the ocean, la-la-la, you'll slide away [Outro]\nI want my house in the hills\nI want my whiskey and pills (Uh-uh)\nYou want a wife and a kid\nI don't think I'm down (Uh-uh)\nIt's time to let it go (Uh-uh)\nI go crazy (Uh-uh)\nSlide away (Uh-uh)\nBack to the ocean, it's time to let it go (Uh-uh)\nBack to the ocean, it's time to let it go (Uh-uh)\nBack to the ocean, it's time to let it go (Uh-uh)\nBack to the ocean, it's time to let it go (Uh-uh)\nBack to the ocean, it's time to let it go (Uh-uh)\nSlide away, slide away\nIt's time to let it go (Uh-uh)" } ]

[ { "from": "human", "value": "Write me a song called Forgive Myself with the following description: The spare simplicity of this ballad, reminiscent of Sam Smith’s early style, is what gives it its impact. The piano and solo cello backing is all that is needed, and the slow, rhythmic pace is like a heart beat. The song’s effectiveness depends most of all on Sam’s voice, which displays its remarkable vocal range. The high notes convey the pain of a failed romance; a track to cry to. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDo you think of me\nWhen you're in California alone?\nIt's a lonely place at the best of times, Lord knows\nI won't lie to you\nI could have given you more\nBut life got fast\nGood things don't last anymore\n[Pre-Chorus]\nNow and then you cross my mind\nIt takes me back to a sweeter time\nBut I let it go\nI let you go\n[Chorus]\n'Til I wake up in the morning, you're all that I see\nYou run through my head, in and out of my dreams\nBreathe for a minute, try and focus on me\nBut I can't think of anyone else\nNow my heart is broken and I'm crying on the floor\nAnd every part of me hopes you walk through the door\nBut you'rе not here, baby\nAnd I can't love anyonе else\n'Til I forgive myself [Verse 2]\nDid you lie to me⁠\nWhen you said I was all that you need⁠?\nGuess we'll never know all the beautiful things we could be\n[Pre-Chorus]\nNow and then you cross my mind\nIt takes me back to a sweeter time\nBut I let it go\nI let you go\n[Chorus]\n'Til I wake up in the morning, you're all that I see\nYou run through my head, in and out of my dreams\nBreathe for a minute, try and focus on me\nBut I can't think of anyone else\nNow my heart is broken and I'm crying on the floor\nAnd every part of me hopes you walk through the door\nBut you're not here, baby\nAnd I can't love anyone else\n'Til I forgive myself, ooh\n'Til I forgive myself, ooh\n'Til I wake up in the morning, you're all that I see\nYou run through my head, in and out of my dreams\nBreathe for a minute, try and focus on me\nBut I can't think of anyone else\nNow my heart is broken and I'm crying on the floor\nAnd every part of me hopes you walk through the door\nBut you're not here, baby\nAnd I can't love anyone else\n'Til I forgive myself" } ]

[ { "from": "human", "value": "Write me a song called Substance with the following description: “Substance” offers a more vulnerable side to Chris, with him opening up about how his girl’s lack of substance and stability lead him to substance abuse, turning to alcohol, lean, and Xanax, to numb the pain caused by his girl. In his last verse, he highlights how he is trying to better himself for her by going to rehab, and touches on his stint in prison and legal troubles. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown]\n(Yeah)\nRight now you warned\nOHB, yeah\n[Verse 1: Chris Brown]\nLet's talk about somethin'\nGirl, I need your acceptance\nYou're makin' assumptions\nBut you know it's nothin' (Yeah)\nThe liquor keep callin'\nYou know I need more\nIt's ninety-nine problems, can't take any more\nI'm 'bout to mix up this Sprite with the four\nOh, OHB 'bout to walk through\nOnly hot bitches in the bedroom\nPop a Xan', watch me get loose\nThrowin' all of these bands for you\n[Chorus: Chris Brown]\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you (Oh, woah)\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you (Ow!) [Verse 2: HoodyBaby, \nChris Brown\n, \nHoodyBaby & Chris Brown\n]\nGirl, who do you fuck when I ain't in the city? (\nYeah\n)\nDrivin' me crazy, way over the limit\nMy homies, they say that I'm trippin'\nFuck it, I'm trippin', I'm crazy, I'm whippin' (\nOh\n)\nMy heart is racin', this shit is amazin'\nThis negative energy\nHow did our love end up like the Kennedy's? (\nOh\n)\nMixin' up drugs, yeah, I got the remedy\nDamn\n, you fuckin' the enemy\nI gave you the best of me (\nOh\n)\nShowed you how to trap out the bando\nAnd left her the recipe, damn (\nYeah!\n)\n[Chorus: Chris Brown]\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you (Oh, woah)\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you\n[Verse 3: Tracy T, \nChris Brown\n, \nTracy T & Chris Brown\n]\nSubstance abuse (Yeah), substance from you (Yeah)\nThousand dollar tab, baby, this ain't bought food (Nah)\nThis a two-seater, baby, you can't \ncar pool\n (Skrrt)\nGot the old school, move like the car new (Woah)\nBands low, never make your girl spend it with me (\nYeah\n)\nWhen she gone, I get it back and spend another sixty\nStill cold hearted, say it's cold-hearted, woah\nShe shotgun, I drop the top, let your hair blow\nThem heels got you walkin' like you on the run\nway\nI don't play, but we got the game like a \narcade\nOn the witch hunt, I know you gon' make it right for me (Right for me, \noh, yeah\n)\nPut the pussy on the flight, make it tonight for me (\nOh\n, tonight for me)\nAnd, baby (Huh), I jump in that foreign\nShe hop in that passenger (\nOh\n)\nShe gon' move work, she lowkey in the Acura (\nYeah\n)\nBitch, ain't no cuffin', a boy still a bachelor (\nOw!\n) [Chorus: Chris Brown, \nYoung Lo\n]\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you (Oh, woah)\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (\nYeah\n, substance, oh)\nI need substance from you (\nLo\n)\n[Verse 4: Young Lo]\nFour in the mornin', I'm thinkin' of you (Yeah)\nJust got the seal and I'm pourin' it through (Woo)\nHow can I deal with this substance abuse?\nI'm only askin' this all 'cause of you (You)\nThese Xannies got me trippin' right now\nBabe, your love is like a Perc', my heart itchin' right now\nSee 'em flashes of your face, I wanna kiss you right now\nBut I know it's just the drugs that got me trippin' right now\nTried to offer you my heart, you used it like a playground\nFavorite groupies, jealously, I thought that you would stay 'round\nGuess it's back to prescriptions to deal with the symptoms\nI can't feel my face and I'm losin' my vision\n[Chorus: Chris Brown]\nSubstance, substance\nSubstance, substance (Oh, woah)\nHuh, all this substance abuse (Substance, oh)\nI need substance from you (Huh) [Verse 5: Chris Brown]\nIn recovery, rehabilitatin' from you\nTeach me a lesson, I'm drug testin', makin' all them moves\nWe both gettin' fucked up, what's your excuse?\nA new slave with a new fade, my chain a noose\nBitch, I'm sippin', you steady trippin' and politickin'\nTakin' vacations with your bitch, why she ain't postin' pictures\nI can lead her to that water if she wanna listen\nIf she don't drink, she gon' drown, I'm still gon' fuck some bitches (Ow!)\nYou know that pussy my addiction\nShe drivin' my stick, tryna fuck up my transmission\nI'm pissed off, withdrawals just fuckin' up my pimpin'\nTake a picture, nigga, see how I'm livin'\nAin't goin' back to prison, I got two felonies, dismissin' the case\nA couple million, got a .45 locked in the safe\nHella bitches, hella bitches piled up in the Wraith\nHollywood with the cameras all up in your face" } ]

[ { "from": "human", "value": "Write me a song called Too Easy with the following description: On “Too Easy,” Kanye details his ongoing trials and tribulations. He places particular emphasis on the chaos of the album cycle and the troubled waters regarding his split with Kim Kardashian. In his refrain, he calls back to the infamous rollout of his previous album that underwent numerous delays. West recalls the many grueling nights of labor amplified by the pressures of hype, inadvertently straining the relationships with those working closely with him. Transitioning to the chorus, he references his tattered history with the public but also calls out in desperation to the one who once was.\nIt’s worth noting how closely the production elements of this track emulate that of his unfinished and ultimately unreleased album TurboGrafx 16. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nTwo of them, two keys\nToo breeze, too easy\nToo breeze, too easy\nToo breeze, too easy (\nYeah\n)\n[Refrain]\nRemember at the dawn, waiting for my whole life (\nYeah\n)\nDoing all that producing at midnight (\nYeah\n)\nLiving on utter bliss, nothing but no mind (\nYeah\n)\nTurn around to leave nothing but new light (\nYeah\n)\n[Chorus]\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\nAin't no one to love me\nI ain't even gonna love me\nI needеd you to love me\nLove mе\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me [Refrain]\nRemember at the dawn, waiting for my whole life (\nYeah\n)\nDoing all that producing at midnight (\nYeah\n)\nLiving on utter bliss, nothing but no mind (\nYeah\n)\nTurn around to leave nothing but new light (\nYeah\n)\n[Chorus]\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\n[Instrumental Break]\n[Chorus]\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me\nAin't no one to love me\nI ain't even gonna love me\nI needed you to love me\nLove me" } ]

[ { "from": "human", "value": "Write me a song called Tell Me (Remix) with the following description: Tell me samples Tan Dun’s 2004 hit single, “Yearning for peace”Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Bobby Valentino and \nLil' Wayne\n]\nBobby Valentino *laughs*\n(\nYou back, son\n)\nAh, ayo Tim, drop that beat for me\n[Verse 1: Lil' Wayne]\nHey, slide over here and talk to the boy\nWhat are you drinking? I'mma buy the bar\nI was just thinking of seeing you tomorrow\nWaking up with no panties, no bra\nI ain't being nasty, I'm just being for real\nLet me take off my belt and give you the \nwhip appeal\nYeah, you hear about what I do in the streets\nBut you gon' love what I do in the sheets\nHa!\n[Verse 2: Bobby Valentino]\nSay, baby, what's your story?\nYou got the goods, it's plain to see\nThe kind that'll keep a brother on his knees\nAnd I'm so curious\nAfter the club, hang out with me\nValentino is sure to please\nFor now, let's have an \nApple Martini\nAnd get to know each other [Chorus: Bobby Valentino]\nOoh, now, tell me\nHow did you get that in those jeans?\nThe way you popping in, it's killing me\nLook over here, come follow me\nTell me\nHow did you get that in those jeans?\nThe way you dropping in, it's killing me\nI'll meet you in the VIP\n[Verse 3: Bobby Valentino]\nOoh, you sizzling, wanna lay you on the floor\nI'm a bad boy, just thought I'd let you know\nThese are the thoughts running through my mind\n'Cause I'm so curious, yeah\nCouple more shots, then we out the door\nSpeed off in the coupe, 'cause there's more in store\nCan't wait 'til I pull in my driveway, girl\nCan tell by now, I want you, yeah\n[Pre-Chorus: Bobby Valentino]\nYou's a sexy thing\nOoh, what's your name?\n'Cause you're the finest thing that walked in the club\nYour girls, they don't compare to\nYou, can't help but stare at you\nLet's make a toast to the good life [Chorus: Bobby Valentino and \nLil Wayne\n]\nOoh, now, tell me (Yeah)\nHow did you get that in those jeans?\nThe way you popping in, it's killing me\nLook over here, come follow me\nTell me\nHow did you get that in those jeans? (\nI got you, pimp\n)\nThe way you dropping in, it's killing me (\nIt's ya baby, baby, haha, yeah!\n)\nI'll meet you in the VIP\n[Verse 4: Lil Wayne]\nFly for a baby, eyes all hazy\nIzod maybe \nall the Ape is bathing\nRide with a gangsta, we high where the weather be\nPrecious like ya face, so heavenly\nI'm thanking God, like I better be\nYou know I'm very street\nAnd if we get caught, you can be my accessory\nAccess to the condo in Miami\nHave breakfast on the floor, butt naked we tanning\nBut, I'm too dark to tan\nMama, pardon ya man\nLet me spark while I can, you know\nNow you got my eyes following the places you go\nI'm caught up in ya vibe tryna kick it like Judo\nLuda outta town, I got the keys to the 2-door\nAnd we ain't gotta tell no one about the things you know\nYou know, holla at a G though\nI'm probably out wilding with Bobby Valentino, yeah [Pre-Chorus: Bobby Valentino]\nYou's a sexy thing\nOoh, what's your name\n'Cause you're the finest thing that walked in the club (You're the finest thing, yeah)\nYour girls, they don't compare to\nYou, can't help but stare at you\nLet's make a toast to the good life\n[Chorus: Bobby Valentino]\nOoh, now, tell me\nHow did you get that in those jeans?\nThe way you popping in, it's killing me\nLook over here, come follow me\nTell me (Oh, baby)\nHow did you get that in those jeans?\nThe way you dropping in, it's killing me\nI'll meet you in the VIP\nOoh, now, tell me\nHow did you get that in those jeans? (Oh)\nThe way you popping in, it's killing me\nLook over here, come follow me (Baby)\nTell me\nHow did you get that in those jeans?\nThe way you dropping in, it's killing me\nI'll meet you in the VIP (Oh, oh)" } ]

[ { "from": "human", "value": "Write me a song called Fly Out with the following description: The final song on Tha Carter II, “Fly Out” completes a trilogy of songs (“Fly In”, “Carter II”) on the album that all feature the same beat\nThis song sums up Lil Wayne’s street and rap credentials as he goes on for two minutes straight about how hard and adept as a rapper he is also repping his hood. There’s no hook, no pauses, just straight flow Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWe here\nI said we here\nThe back of Tha Carter, yeah\nThe back of Tha Carter\nTwo, uh\nYeah\nThis here is\nThe end of Tha Carter Two, people\nHey, yeah\n[Verse]\nI got the game on ball and chain\nI threw the key in the drain, I'm like a key in a drought\nI spent a G on these frames, but my vision is priceless\nSeeing through you niggas like a fuckin' psychic\nHearing through the grapevine, niggas wanna hate mine\nSay my name and die in the daytime\nYou catch my drift, man, you better be Peyton\nBoy, the heat's on, they makin' peace bonds\nI'm in this bitch throwin' up the \"17th\" sign\nStraight frowns, no daps, strapped three times\nThat Tec-11, AK-47, one Beretta\nReady for whatever, tell them pussy niggas, \"Come together\"\nHeavy better, nigga, super-soaker wet a nigga\nSix feet under flowers\n, you ain't nothin' but a petal, nigga\nI'm just a little nigga tryin' to be a civil nigga\nThirty years old, shit, that'll be a given, nigga\nQuit it, Wayne, your Mom is listenin'\nBut she ain't really trippin' 'cause the pots is pissed in\nThem niggas trippin' until the shots whistlin'\nHear them bullets hissin' like a cobra at attention\nI got a bitch and quit callin' women bitches\nAs long as she don't worry 'bout the coke in the kitchen\nNo preventin' the grind, I gotta get it\nI'm admitted to the game, true player, no quittin'\nThere you go shittin' on the way a nigga thinkin'\nOnly history I know is Benjamin Franklin\nAnd since the future ain't promised to no one\nI live every day like this is the sure one\nTrade in the tidal wave, this is the ocean\nStand in that heat 'til the motherfucking snow come\nAnd it feels so fuckin' good\nThrow my dope like a rope, let 'em tug and pull\nNo hope for the hopeless, rats and roaches\nRunning 'cross the porch, in the attic there's a fortune\nCome and get it, automatics in motion\nWe bangin' for the bread, nigga, even the molded\nI got my loaf, I got my toast\nChaperone of the South, I got my coast\nYeah, and until I die\nI'm the, the-the, the-the, the Best Rapper Alive" } ]

[ { "from": "human", "value": "Write me a song called I’ll Reach You with the following description: James Arthur’s original song ‘I’ll Reach You’ is about a couple who break up, and the ex-boyfriend leaves. When he realises he still loves her, he tries to come back to tell her about his feelings, but it’s too late as she has committed suicide.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Now we get off the train we take a backwards glance\nClose our eyes and pay a tribute to the memories passed\nI light a cigarette and hope that it will calm me down\nCause I can't beat the urge to tell you not to leave me now\nI see his cloud of smoke\nWhy does she not turn around?\nWhy does he not get off?\nIs it too late now?\nThis won't be okay\nThis won't be all right\nI won't see you tonight\nForever from now on\nWon't you turn this train around\nPlease make it stop now\nI'm going to run and run and run until I'll reach you\nI'll reach you\nI'll reach you\nWe feel so sick that our attempts amount to no avail\nI should have never put an ending to this fairytale\nI've wrote a million times\nBut I've had no replies\nI'll press my nose against the window hoping you'll arrive\nI don't know how to tell him soon that I won't be alive I hope he's okay\nI hope she's all right\nIt's been a long time\nForever's just too long\nI'm going to find you\nAnd I'll take you home tonight\nAnd I'm going to run and run and run and run 'till I reach you\nI'll reach you\nI'll reach\nShe's bleeding\nWon't someone help us?\nDon't you die on me now\nOh she's bleeding\nOh, Someone help us\nDon't you die on me now\nOh, I'm sorry\nShe's bleeding\nDon't you die on me now\nOh, she's bleeding\nWon't someone help her?\nDon't you die on me now\nWell I'll reach you" } ]

[ { "from": "human", "value": "Write me a song called Two Is Better Than One with the following description: “Two Is Better Than One” is the second single off the Boys Like Girls' album Love Drunk and features pop starlet, Taylor Swift, who also co-wrote the song. The pair also collaborated to pen the track “You’ll Always Find Your Way Back Home” for the soundtrack of Hannah Montana: The Movie.\nThis song performed well on charts, even reaching number 18 on the Canadian Billboard Hot 100.\nThe song laments on the singer’s realization that he needs a particular person in his life despite his previous doubts. This reflective, sombre piece is a love story at heart like many of the other tracks on Love Drunk, but takes a more vulnerable and delicate approach than many of the band’s more uptempo, rock songs.\nInterestingly, Taylor and Martin are also rumored to have had a brief relationship at the time the song was written. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought\n\"Hey, you know, this could be something\"\n'Cause everything you do and words you say\nYou know that it all takes my breath away\nAnd now I'm left with nothing\n[Chorus: Martin Johnson & Taylor Swift]\nSo maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one\n[Verse 2: Martin Johnson & \nTaylor Swift\n]\nI remember every look upon your face\nThe way you roll your eyes, the way you taste\nYou make it hard for breathing\n'Cause when I close my eyes and drift away\nI think of you and everything's okay\nI'm finally now believing\n[Chorus: Martin Johnson & Taylor Swift]\nThen maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one [Bridge: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought, hey (Hey, hey)\n[Chorus: Martin Johnson & Taylor Swift]\nMaybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\n[Outro: Martin Johnson & Taylor Swift]\nAnd I'm thinking, ooh, I can't live without you\n'Cause, baby, two is better than one\nThere's so much time to figure out the rest of my life\nBut I'll figure out with all that's said and done\nTwo is better than one\nTwo is better than one" } ]

[ { "from": "human", "value": "Write me a song called Fly Talkin’ with the following description: Fly Talkin' is the intro on 500 Degreez, the third studio album by Lil Wayne released on July 23, 2002.\nProducer of this track, Mannie Fresh introduces the listener to 500 Degreez and Lil Wayne. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Ladies and Gentleman\nWe've got a young man tonight that started out with Cash Money\nAnd gonna finish with Cash Money\nYa'll know him as Lil Weezy\nOff the Heezy, Fo Sheezy\nBetter believe me\nAnd he is, Birdman Junior\n500, 500, 500, Degreez, please\nAin't that some lovely shit? Bitch\nKeep coughin, he cough too much\nWipe em down, I wipe em down\nIt's 500 motherfucker\nI tell you, this summer is on lockdown\nHandlin' business, taking care of baby mammas\nTakin' care of bustas, takin' care of pimps\nI love them hoes, I love them hoes\nI pimp a bitch, 500 Degreez nigga" } ]

[ { "from": "human", "value": "Write me a song called Somebody to Love with the following description: “Somebody To Love” was a song pitched to OneRepublic by singer-songwriter JT Roach on the Season 1 finale of NBC’s Songland, the TV show frontman Ryan Tedder is working on as a producer. The show showcases the production and refinement process behind songs and highlights rising songwriting stars.\nOneRepublic first performed “Somebody to Love” at their 2019 concerts at the Red Rocks Amphitheater featuring the Colorado Symphony (both on August 27th and 28th) before it was officially released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNever could imagine the way the story happened\nYou with someone new\nI used to be your focus, now you don't even notice\nWhen I leave the room\n[Pre-Chorus]\nYou weren't even tryin' to make me jealous\nBut you can't help it, you can't help it\n[Chorus]\nAnd it kills me to know that you found\nSomebody to love, somebody to love\nTell me how can I go on without\nSomebody to love, somebody to love\nSomebody to love\nSomebody to love\nSomebody to\n[Verse 2]\nThey say that love comes easy\nWhenever it comes easy and I see it on your face\nI don't want you to be lonely\nBut right now, I'm the only one who feels this way\n[Pre-Chorus]\nAnd I ain't even tryin' to make you miss me, make you miss me\nI know we're history [Chorus]\nBut it kills me to know that you found\nSomebody to love, somebody to love\nTell me how can I go on without\nSomebody to love, somebody to love\nSomebody to love\nSomebody to love\n[Interlude]\nSomebody to\n(Some-bo-dy-to-love-some-bo)\nSomebody to\n(Wooo)\n[Pre-Chorus]\nYou weren't even tryin' to make me jealous\nBut you can't help it, you can't help it\n[Chorus]\nAnd it kills me to know that you found\nSomebody to love, somebody to love\nTell me how can I go on without\nSomebody to love, somebody to love\nSomebody to love\nSomebody to love [Outro]\nI used to be your focus, now you don't even notice\nWhen I leave the room" } ]

[ { "from": "human", "value": "Write me a song called Booty (Remix) with the following description: Blac Youngsta’s breakout single “Booty” peaked at #73 on Billboard’s Top 100 chart and spawned a Genius Verified video. Following its success, Youngsta linked up with R&B and rap moguls, Breezy, Trigga and Jeezy, to deliver the official remix. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nBeatmonster\nY-Y-Yung Lan on the track\n[Verse 1: Jeezy, \nBlac Youngsta\n]\n(\nToot-toot\n)\nChicken in the spot, jerk (Jerk)\nWhat's it in the pot? Work (Woo)\nPush button start, hit one button (Uh-huh)\nTurn the whole top to a 'vert (Damn, toot-toot)\nTote the AK, squirt (Boom)\nLamborghini truck, purp (Oh)\nNigga play with me, murked (Yeah)\nThen where you goin'? Church (Let's go, \ntoot-toot\n)\nStreet certified and your nigga know that (Uh, know that)\nTell them bitches go and free Kodak (Yeah)\nWhile they at it, tell 'em go and free Meechie (Free him)\nHad to cut them niggas off, they was leechin' (Fuck 'em, t\noot-toot)\nT-two Rolls-Royces, I'm geechin' (Damn, I'm geechin')\nFYI, your bitch freaky (Yeah)\nI'm hard on a bitch, it ain't easy (Yeah)\nSold soft for the rent, it wasn't easy (Hard, \ntoot-toot\n)\nTell judge gon' free Meek Mill (\nTwerk\n, Meek Mill)\nTwenty-one summers, I ain't sleep still (Nah)\nForehead ache like a Advil (White)\n1998 got cash still (Damn, \ntoot-toot, twerk\n)\nFlip that work with a gas grill (Ayy)\nFuck around, had to pay a gas bill (Yeah)\nWhite two-door cost your boy half a mill' (Vroom)\nWhat you think you bitch do on a half pill? [Chorus: Blac Youngsta]\n(Toot-toot) Twerk\nGirl, I wanna see you twerk\nI'll throw a lil' money if you twerk\nI don't really think you can twerk\n(Toot-toot) Twerk\nIf you broke, go to work\nMake that big booty twerk\nMake that big booty twerk\n(Toot-toot)\nCan I touch that booty?\nThat booty, that big ol' booty?\nShake that booty, can I lay on the booty?\nMike Tyson on the booty\nCopyright that booty (Toot-toot)\n[Verse 2: Chris Brown, \nBlac Youngsta\n]\nSmash, spank that ass, gas (Ooh)\nSmoke that, little bitty bitch, throat that, yeah (\nToot-toot\n, ooh-ooh)\nPop it, drop it, you know I got the money, bitch, stop it (Huh)\nYou a carbon copy, call me papi (\nToot-toot, \nuh)\nCan't pay the bills, she stupid, if she let me hit, I'll do it\nBig booty, Black and beautiful, soo-woo, chain got rubies (\nToot-toot\n)\nBatman, Bruce Wayne got groupies\nCatwoman, that pussy got boobies\nJump all in it, shoot\nFuck it up, back it up, toot-toot (\nToot-toot, twerk\n)\nBig ol' booty, bih, come over\nGot her titties in the Gucci\nShe fit the booty in them Fashion Nova's (\nToot-toot, twerk\n)\nYeah, you ain't no groupie, huh, I'm lyin' like Lucious\nHuh, that ass on stupid, and I'm tryna Smash Bandicoot it (\nToot-toot, twerk\n)\nI wanna put you on a better team\nHer booty shakin' on my dick is somethin' that I never seen\nI fuck her at the head of the bed and instead, I let her get ahead of me\nI'ma leave the dick in, bitch, you never gettin' rid of me (\nToot-toot\n)\nGot my money on that ass, okay, what you sellin' me? (\nTwerk\n)\nSay I gotta spend a bag, okay, what you tellin' me?\nI ain't playin' with your ass, already got too many felonies\nIf I pull this stick out, you gon' really get the rest of me [Chorus: Blac Youngsta]\n(Toot-toot) Twerk\nGirl, I wanna see you twerk\nI'll throw a lil' money if you twerk\nI don't really think you can twerk\n(Toot-toot) Twerk\nIf you broke, go to work\nMake that big booty twerk\nMake that big booty twerk\n(Toot-toot)\nCan I touch that booty?\nThat booty, that big ol' booty?\nShake that booty, can I lay on the booty?\nMike Tyson on the booty\nCopyright that booty (Toot-toot)\n[Verse 3: Trey Songz, \nBlac Youngsta\n]\nYeah, smack it up (Ayy), flip it, rub it down, BBD\nYeah, know you heard the news 'bout that BBC\nYeah, greatest in that box (Yeah), RIP Ali (\nToot-toot\n)\nMm, she say she love my kids, taste my legacy\nOoh, she go stupid (\nToot-toot\n), I'm no Cupid, I don't cuff her, I can't lose it\nWhen she say I'm sleepin' on her, I just say she just caught me snoozin' (\nToot-toot\n)\nGot a Uzi, she so woozy (Damn), that big booty such a doozy\nI'm too G, word to Gucci, light a J, that's word to Juicy, uh (Toot-toot, twerk)\nSpread it open like a flower when the sun hit, yeah, uh\nGirl, you like a Starburst, sunkissed, yeah (\nToot-toot, twerk\n)\nI got you bustin' like a hunnid drum clip, yeah, uh\nI throw a lil' money, you make me cum quick [Chorus: Blac Youngsta, \nTrey Songz\n]\n(Toot-toot) Twerk\nGirl, I wanna see you twerk (\nLil' bih\n)\nI'll throw a lil' money if you twerk\nI don't really think you can twerk\n(Toot-toot) Twerk\nIf you broke, go to work\nMake that big booty twerk\nMake that big booty twerk\n(Toot-toot)\nCan I touch that booty?\nThat booty, that big ol' booty?\nShake that booty, can I lay on the booty?\nMike Tyson on the booty\nCopyright that booty (Toot-toot)\n[Verse 4: Blac Youngsta]\nBounce that booty on the floor (Shake)\nShake it 'til you get a lil' sore (Shake)\nShow 'em your mama made a ho (Shake, toot-toot, shake)\nGon' 'head, get a little low (Shake)\nShake that booty in the car (Shake)\nShake that booty in the store (Shake)\n(Toot-toot, shake)\nPop it, stop it, drop it, pop it\nIf I hit Alexis Skyy, I'ma motherfuckin' rock it (Toot-toot, shake)\nI ain't got no fuckin' heart\nI can't be loyal to you, whore\nYou weren't here from the start\n[Chorus: Blac Youngsta]\n(Toot-toot) Twerk\nGirl, I wanna see you twerk\nI'll throw a lil' money if you twerk\nI don't really think you can twerk\n(Toot-toot) Twerk\nIf you broke, go to work\nMake that big booty twerk\nMake that big booty twerk\n(Toot-toot)\nCan I touch that booty?\nThat booty, that big ol' booty?\nShake that booty, can I lay on the booty?\nMike Tyson on the booty\nCopyright that booty" } ]

[ { "from": "human", "value": "Write me a song called New Cash Money with the following description: This a freestyle on Wayne’s Da Drought 3 mix tape and in this song he raps off of the beat “Down and Out.” In the song, he welcomes the new Cash Money artist, Brisco, into the fold Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Brisco & \nLil Wayne\n]\nHahaha\nUh-oh\nBrisco\nThe new Cash Money\nBelieve that!\nHahaha\nUgh (Yeah, yeah)\n[Verse 1: Brisco]\nI'm from the cocaine era, packs in my stroller\nTwo beepers and a flip, Star-Tech Motorola (What up)\nBally silks (Ugh), Kangol tilts (Kill it)\nStand straight when the boss talkin, hush your lips\nMob-affiliated contract hits\nI let the street declare war when you want that beef (Want that beef, yeah)\nTalk cheap, get money, I was taught to ride\nLoyalty came first, and we don't switch no sides\nI'm a savage on the block, nickel rocks and heroin hopes (Yeah)\nI walked the ghetto like them, but I was taking my notes (I was taking my notes, Wayne)\nCertified goon (Yeah), the lock's on standby (What up)\nI just need a couple real niggas I can stand by (Yeah, C-M-B)\nA bad bitch with hips (Ugh)\nAnd two niggas on the interstate, taking them trips (Let's get it, 12)\nI'm into carats like Bugs Bunny (Yeah)\nYoung Brisco (Ugh), the New Cash Money (Haha) [Break: Lil Wayne & \nBrisco\n]\nWayne!\nYeah\nHello, world\nHahaha\nThat was the homie, Brisco\nI am Weezy F.B\n.\nAnd we are them Cash Money Boys\nYou dig? Hahaha, yeah\n[Verse 2: Lil Wayne & \nBrisco\n]\nOne! Reportin' live from the booth (\nYeah!\n)\nI'm killing these bitches, Young Wayne Carruth (\nKill 'em, Wayne\n)\nUntamed and loose; blunts, drank and juice\nI was once a spark; into a flame, it grew\nI don't complain to you—don't complain to me\nEverbody got beef, and I just came to eat\nI'm in the game for keeps; if you in my lane, I beep (\nUgh\n)\nI been running this shit, and I never sprained my knee\nAnd guess who came home? Ronnie the O.G. (\nYeah\n)\nHe still on papers, nigga, we never free\nAnd for my homie Streets, I'ma twist one up\nHe can't even hit the kush; he gotta piss in a cup (\nUgh\n)\nWhat is this on my wrist? Shit is sicker than \"ugh\"\nYo, Brisco, there ain't a sky bigger than us (\nYeah\n)\nWhat's good? I'm in Diamonds—is you tipping or what? (\nYeah\n)\nI took your bitch and she ain't coming back to work for a month [Break: Lil Wayne & \nBrisco\n]\nWeezy Baby (\nUgh\n)\nCool, that's cool, let 'em live, Weez\nYou already know what it is\nAhem\nYeah, don't be scared now\nTell 'em, tell 'em\nWe just got started\nBut I done already told 'em\nYeah, ugh, Mack\nBut they didn't wanna hear me\nYeah, c'mon\nHahaha! Go!\n[Verse 3: Lil Wayne & \nBrisco\n]\nI'm in the all-red Flying Spur (Haha), on Asantis\n (Yeah)\nWith a bad redbone that look something like Ashanti (Hahaha)\nOK, light brown, Southern-tan \nMedina\n (\nUgh, ugh\n)\nWith a light-brown, thick thing like Trina (\nYeah, haha\n)\nUm, you prolly seen us (\nUh-huh, yeah\n)\nRipping the streets with no top between us\nYou're so genius\nThat's my word, you know I got you, twin (You know I got you)\nYou a real nigga, dog, thanks for letting me in (Ugh)\n (Believe that!)\nYeah, he in the game now, and I'm betting he win\nAnd I'm the rap landlord, just collecting my rent (\nUgh\n)\nI put the house on Lil' Bris', we gon' eat this year (We gon' eat this year)\nSilence for the real niggas who ain't see this year (Hold up)\nOpen your eyes, open your eyes—Cash Money has a new face (\nYeah, ugh\n)\nAnd we gon tie the shit up like a shoelace (Ugh)\nAnd that's me, the young hood messiah\n'0-7, I'ma set the fucking hood on fire\n (Yessir) [Break: Lil Wayne & \nBrisco\n]\nWhoa, yeah\nSuh—Suh—Suh—C-M-B\nHaha\nYoung Money\nListen, man\nWeezy and Brisco\nHahaha\nGet ready\nAs a matter of fact, you ain't\n[Outro: Brisco]\nC-M-B\nP-O-E\nE-Class, what it does?\nBrisco—Big Chuck, what it does?\nTriple C's, Street Mob\nG-12\nYeah\nSlim and Baby, what it is?\nWe gon' eat this year\nUgh\nThe whole faculty\nThe whole mob\nYeah\nI know" } ]

[ { "from": "human", "value": "Write me a song called Search Me with the following description: Hudson explained the meaning of the song on her site in 2001.\n“I was struggling with the fact that I would have the huge responsibility of how others would be affected through what I was doing or saying on stage. I don’t want to put on some kind of front that everything is good when it’s not. I wanted to keep it real, but still give people hope. I was trying to figure out how to combine the two, so I put my gifts on the shelf for a period of time. I looked back and realized God was with me through this season of my life. He knew one day I would wake up and remember the amazing gift I was given and how so many other people would love to be on the stage that I had been letting collect dust.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThrough this skin you see\nMy heart\nThrough this laughter you feel\nMy pain\nEven through this mask you see\nMy face\nFor You are the only one who really knows just who I am\n[Chorus]\nAnd you search me\nAnd you know all the secrets of my heart\nAnd you search me\nRevealing the mysteries of who You are\nYou search me\n[Verse 2]\nGrowing up never comes\nEasily\nIn Your hands, You're the potter\nMolding me\nThen why do I wear this mask and play this game\nOf hide and seek\nWhen You are the only one who really knows just who I am\n[Chorus]\nAnd you search me\nAnd you know all the secrets of my heart\nAnd you search me\nRevealing the mysteries of who You are\nAnd you search me\nAnd you know all the secrets of my heart\nAnd you search me\nRevealing the mysteries of who You are [Bridge]\nMy Father, my Father\nYou are my Father, oh, and I am Your child\nAnd you hear my cry, even at the midnight\n[Chorus]\nAnd you search me\nAnd you know all the secrets of my heart\nAnd you search me\nRevealing the mysteries of who You are\nAnd you search me\nAnd you know all the secrets of my heart\nAnd you search me\nRevealing the mysteries of who You are\nThe mysteries of who You are\nThe mysteries of who You are" } ]

[ { "from": "human", "value": "Write me a song called Outti with the following description: “Outti” is a defiant track from Detroit rapper Big Sean that appears on his second official project Finally Famous Vol. 2: UKNOWBIGSEAN. On the track, Sean boasts about eluding police officers, consuming illicit substances and having numerous sexual encounters with women. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Chorus:\nAlways (Out), A-Always (Out), Always (Out), O-Outti\nA-Always (Out), Always (Out) A-A-Always (Out, Always, Always..)\nOutta here, Outta here, Outta here, O-O-Outta here, Outta here, Outta Here, Outta here, O-O-Outta here\nA-Always (Out), Always (Out) A-A-Always (Out, Always, Always..)\nBig Sean:\nB-I- Muthafuckin G, Tryna duck the law, Oh i'm finna catch a charge like a fuckin credit card\nAye i'm so off-lean, How could a nigha not lean sippin on a 100 proof, I might as well drink gasoline...\nGoddamn i can't even taste it, I can't feel my face.. It feel like i gotta face-lift, lets face it\nNever been racist, White or dark liquor smokin like a power plant, Yeah a nighas that wasted\nYeah i gotta main bitch, but you can be my next girl, Said shes tryna pop a pill so she can be my X-Girl..\nYeah ima reckless, Wreck this but i still got up my F's, What the hell you think I rep? And im A-A-Always...\nChorus:\nAlways (Out), A-Always (Out), Always (Out), O-Outti\nA-Always (Out), Always (Out) A-A-Always (Out, Always, Always..)\nOutta here, Outta here, Outta here, O-O-Outta here, Outta here, Outta Here, Outta here, O-O-Outta here\nA-Always (Out), Always (Out) A-A-Always (Out, Always, Always..)" } ]

[ { "from": "human", "value": "Write me a song called Babylon with the following description: MA: Why did you decide to put Kendrick Lamar on the track version of “Babylon”, but not in the music video?\nSZA: Kendrick did that on his own. He surprised me. He just did it and they sent it to me. He was like, “I love this beat. I love where she took it” and I was like really? It was totally unbeknownst to me. It was just random.\n\n\n\n\n\n\n\nSZA Talks Near Death Experiences, Julia Roberts, and Her Vag on Twitter | Mass Appeal\n — \nMass Appeal\nSZA is not your average, average girl. She loves Pretty Woman, secretly wants to work at a Zoo, and wakes up every morning to prepare an açaí, guarana, coconut milk smoothie with an egg white omelet, referring to herself as the \"cookiest bitch that ever lived\" (as in, she loves to cook).\n\n\n\n\n\n\n\n\nSZA breaks down “Babylon” for Life + Times\n\n\n\nThis song is sampled in Lupe Fiasco’s Bone (Babylone Remix). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Directed by SZA & APLUSFILMZ]\n[Refrain]\nCrucify, cru-crucify me\nCrucify, cru-cru\n[Verse 1: SZA]\nI can't recall the last time I took, advice from anyone\nShaped like a \nfigure eight,\n who trusts pretty girls anyway?\nAnd I can't recall the last time I took advice from anyone\nI'm sure I'll be the death of me\nAnd I can't recall the last time I took love from anyone\nI called daddy, who's got one anyway? Not me\nAre you hating yourself? Do you really hate me?\nAre you hating yourself?\n[Chorus: SZA]\nWas it worth it? Would you do it again?\nAren't you tired (of) always making amends? Oh\nI know you hate me now (Here)\nI bet you hate me now (Here)\nBring on the thorny crown (Here)\nCru—\n[Verse 2: Kendrick Lamar]\nCross my heart then I hope to die\nWith a peace of mind (A peace of mind)\nPiece together my brain\nSoon as this beat rewind (Beat rewind)\nNitrogen and propane\nI spike your drink at times (Turn up, turn up)\nI make it hard to swallow this game\nYou throw up every line (Every line)\nI notice people got Napoleon complexes\nThat's my confession (Yeah, that)\nYou said that we're equal but I know you're beyond guessing\nThat I'm beyond desperate (Yeah, that)\n6AM on a Friday morning, my darkest hours\nThem heartless hours, my apartment is lost in a coffin\nI'm dead to the world like I popped me a couple downers\nDown & Out on my luck\nSalt water all on my tux and I call, she don't pick up\nThen I fall when summer is ending\nI mean, there's no pretending\nI'm stuck in my ways and you're offended, that's life\nThat's you, this me, that vice\nYou're wrong, I'm right, that's right\nI belong somewhere on ice\nI'm cold, and my new blood type?\nEven colder,\n \ncold shoulder\nBorn Sinner, you know? Cole showed us!\nI have nothing to lose\nMy dark side been well in-tuned\nA Gemini gon' show them faces\nAnd this here just one of my moods, Babylon [Chorus: SZA]\nWas it worth it? Would you do it again?\nAren't you tired of always making amends?\nI know you hate me now (here)\nI bet you hate me now (here)\nBring on the thorny crown (here)\nCrucify me\n[Refrain: SZA]\nCrucify, cru-crucify me\nCrucify, cru-cru\nCrucify, cru-crucify me\nCrucify, cru-cru\n[Verse 3: SZA]\nI'm really over the cryin' thing, wipin' my tears\nWho cries anyway? Spread like disease all over me\nWe did ungodly ghastly things, last night I mean\nWho's God anyway? You're mine any day\nIt's burning, take me\nI wanna feel your power, this final hour, tell me\nAre you losing yourself? Will you lose it for me?\nAre you losing yourself?\n[Chorus: SZA]\nWas it worth it? Would you do it again?\nAren't you tired of always making amends?\nI know you hate me now (Here)\nI bet you hate me now (Here)\nBring on the thorny crown (Here)\nCrucify me [Refrain: SZA]\nCrucify, cru-crucify me\nCrucify, cru-cru\nCrucify, cru-crucify me\nCrucify, cru-cru" } ]

[ { "from": "human", "value": "Write me a song called Heart Ain’t a Brain with the following description: In “Heart Ain’t a Brain,” Chris reflects on a past relationship. In the song, he details how the relationship ended as a result of it going nowhere and the amicable separation. However, in the chorus, Chris is regretful because he still loves her and tries to explain that they’re no longer together to his heart. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh, woah\nYeah\n[Verse 1]\nIt's a three-sixty turn, it's ending where we begin\nBeginning like here's the end, like kissing and missing class\nWhat we needed to learn was different than just some math\nThis the big picture, we missed it, the figures just didn't add up\n[Pre-Chorus]\nWe said let's not leave on bad terms\nIn between them bad words (Oh), it could be love, right? Uh-huh (Uh-huh)\nBut are we gon' leave when it's this good? Damn, it was just 'cause\nSeems this loving's all for nothing, baby, you know\n[Chorus]\nA heart ain't a brain\nBut I think that I still love you, still love you\nA happy ending makes you cry\n'Cause it ends when you don't want to, don't want to\nAnd it makes perfect sense to end it like the start\nHow do I explain this nonsense to my heart?\nA heart ain't a brain but I'm thinking that I still love you\nStill love you, still love— [Verse 2]\nIt's a plot twist, just when you said I got this\nRight when the fight has stopped, it seemed right but it felt wrong\nHeld on, all them nights we held on, we can't let it go\nBut if we don't then we will never know\n[Pre-Chorus]\nWe said let's not leave on bad terms\nIn between them bad words, it could be love, right? Uh-huh (Uh-huh, oh, oh)\nBut are we gon' leave when it's this good? Damn, it was just 'cause\nSeems this loving's all for nothing, baby, you know\n[Chorus]\nA heart ain't a brain\nBut I think that I still love you, still love you\nA happy ending makes you cry\n'Cause it ends when you don't want to, don't want to, yeah\nAnd it makes perfect sense to end it like the start\nBut how do I explain this nonsense to my heart? (Yeah)\nA heart ain't a brain but I'm thinking that I still love you\nStill love you, still love—\n[Bridge]\nOh-oh-oh-oh (Ooh)\nMy heart is aching thinking 'bout all the love we wasted\nOoh, ooh, ooh (Oh, oh, oh)\nMy heart's impatient, can't understand the time we're taking\nA heart can't have (Oh no), my heart can't decide (Can't decide, ooh)\nBut it's telling me it's right\nAnd I know that we should just call it quits\nBut I'm thinking that all of this gotta change (Woah, woah)\n'Cause my heart's going insane [Chorus]\nA heart ain't a brain\nBut I think that I still love you (Woah, my heart is going insane)\nA happy ending makes you cry (And a happy ending)\n'Cause it ends when you don't want to (Gonna make you cry, cry, cry, cry, oh)\nAnd it makes perfect sense to end it like the start (Oh)\nAnd how do I explain this nonsense to my heart?\nA heart ain't a brain but I'm thinking that I still love you (Oh)\nStill love you, still love you\n[Outro]\nWoah-ah, woah-woah-ah, woah\nA heart ain't a brain but I think I love you (Ooh, ooh, ha)\nWoah-ah, woah-woah-ah, woah\nA heart ain't a brain but I think I love you (Ah)\nWoah-ah, woah-woah-ah, woah (Oh)\nA heart ain't a brain but I think I love you (Oh, woah)\nWoah-ah, woah-woah-ah, woah\nA heart ain't a brain but I think I love you (Ah)\nWoah-ah, woah-woah-ah, woah\nA heart ain't a brain but I think I love you" } ]

[ { "from": "human", "value": "Write me a song called Love Lockdown with the following description: The fifth song in the groundbreaking album and its lead single. A song that was a drastic change in Kanye’s music, it was a sneak peek into Kanye’s influential album. It debuted in the 2008 MTV Video Music Awards.\nIn an NPR interview with Frannie Kelley and Ali Shaheed Muhammed, Saul WIlliams revealed that he helped write the song.\nThe song contains the main production elements present in all 808s and Heartbreak songs: Auto-Tune singing, electro pop influences and the use of the Roland TR-808 drum machine.\nThe song reached number 2 position in the Billboard Hot 100 and has sold over 3 million copies, so it’s one of Kanye’s best selling singles. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm not loving you, way I wanted to\nWhat I had to do, had to run from you\nI'm in love with you, but the vibe is wrong\nAnd that haunted me, all the way home\nSo you never know, never, never know\nNever know enough, 'til it's over love\n'Til we lose control, system overload\nScreaming, \"No, no, no, n-nooo!\"\nI'm not loving you, way I wanted to\nSee, I wanna move, but can't escape from you\nSo I keep it low, keep a secret code\nSo everybody else don't have to know\n[Chorus]\nSo keep your love lockdown, your love lockdown\nKeeping your love lockdown, your love lockdown\nNow keep your love lockdown, your love lockdown\nNow keep your love lockdown, you lose\n[Verse 2]\nI'm not loving you, way I wanted to\nI can't keep my cool, so I keep it true\nI got something to lose, so I gotta move\nI can't keep myself and still keep you too\nSo I keep in mind, when I'm on my own\nSomewhere far from home, in the danger zone\nHow many times did I tell you 'fore it finally got through?\nYou lose, you lose\nI'm not loving you, way I wanted to\nSee I had to go, see I had to move\nNo more wasting time, you can't wait for life\nWe're just racin' time, where's the finish line? [Chorus]\nSo keep your love lockdown, your love lockdown\nKeeping your love lockdown, your love lockdown\nNow keep your love lockdown, your love lockdown\nNow keep your love lockdown, you lose\n[Verse 3]\nI'm not loving you, way I wanted to\nI bet no one knew, I got no one new\nKnow I said I'm through, but got love for you\nBut I'm not loving you, the way I wanted to\nGotta keep it goin', keep the loving goin'\nKeep it on the roll, only God knows\nIf I be with you, baby, I'm confused\nYou choose, you choose\nI'm not loving you, way I wanted to\nWhere I wanna go, I don't need you\nI've been down this road too many times before\nI'm not loving you, way I wanted to\n[Chorus]\nSo keep your love lockdown, your love lockdown\nKeeping your love lockdown, your love lockdown\nNow keep your love lockdown, your love lockdown\nNow keep your love lockdown, you lose [Outro]\nYou lose, you lose\nYou lose, you lose\n[Produced by Kanye West & Jeff Bhasker]" } ]

[ { "from": "human", "value": "Write me a song called Don’t Panic with the following description: “Don’t Panic” was released on August 11th 2014, and was released as a single for French Montana’s album Mac and Cheese 4.\nThis song was highly anticipated as many snippets of a video were leaked prior. The video showcases Khloe Kardashian, Montana’s most recent lover who is also a celebrity personality. The full video was released on August 13th 2014.\nhttps://www.youtube.com/watch?v=sVReXN2sFck&feature=youtu.be&list=UUpmBpSoy6YQjcshNK6pSyIA Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDon't panic, nigga don't panic\nDon't panic, nigga don't panic\n[Hook]\nShawty fell in love with a hustler\nMan I took her from a buster\nNiggas keep talkin' like they know something\nI slide on your bitch like she on something\nDon't panic, don't panic\nWe just getting started nigga don't panic\nReal niggas getting cake\nWatch the fake niggas hate\nDon't panic, don't panic\nWe just getting started nigga don't panic\nDon't panic, don't panic\nWe just getting started nigga don't panic\n[Verse 1]\nTalking fish scales like a whole salmon\nSee you fuck niggas from four planets\nJust getting started nigga don't panic\nIf you a star, I'm a whole planet\nActing like she won't get it\nHave her run through the team like Jerome Bettis\nYou don't want it, don't look for it\nHave your bitch on a surfboard\nSurfboard, surfboard\nIf you want this money, gotta work for it\nPuff puff pass\n, with your looking ass\nBust it wide open, make it nasty [Hook]\nShawty fell in love with a hustler\nMan I took her from a buster\nNiggas keep talkin' like they know something\nI slide on your bitch like she on something\nDon't panic, don't panic\nWe just getting started nigga don't panic\nReal niggas getting cake\nWatch the fake niggas hate\nDon't panic, don't panic\nWe just getting started nigga don't panic\nDon't panic, don't panic\nWe just getting started nigga don't panic\n[Verse 2]\nI won’t let up\nSippin’ that Ciroc amaretto\nReal bitches gon’ wait on me\nFake bitches gon’ skate on me\nReal bitches getting cake\nFake bitches gon’ hate\nShe a model on the Gram\nGetting swallowed was the plan\nThis young thug need four bitches\nTake her to the crib take no pictures\nAss fat, let me get up on it\nBounce back early in the morning [Hook]\nShawty fell in love with a hustler\nMan I took her from a buster\nNiggas keep talkin' like they know something\nI slide on your bitch like she on something\nDon't panic, don't panic\nWe just getting started nigga don't panic\nReal niggas getting cake\nWatch the fake niggas hate\nDon't panic, don't panic\nWe just getting started nigga don't panic\nDon't panic, don't panic\nWe just getting started nigga don't panic\n[Bridge]\nDon't panic, nigga don't panic\nDon't panic\n[Hook]\nShawty fell in love with a hustler\nMan I took her from a buster\nNiggas keep talkin' like they know something\nI slide on your bitch like she on something\nDon't panic, don't panic\nWe just getting started nigga don't panic\nReal niggas getting cake\nWatch the fake niggas hate\nDon't panic, don't panic\nWe just getting started nigga don't panic\nDon't panic, don't panic\nWe just getting started nigga don't panic" } ]

[ { "from": "human", "value": "Write me a song called Bad Things with the following description: On this joint single with Machine Gun Kelly and Camila Cabello, a former member of Fifth Harmony, Cabello interpolates Fastball’s 1998 song “Out Of My Head.” The duo illustrates a hypothetical, sexually-charged relationship between two people who are content in their hedonistic ways and experiences. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Camila Cabello]\nAm I out of my head?\nAm I out of my mind?\nIf you only knew the bad things I like\nDon't think that I can explain it\nWhat can I say, it's complicated\nDon't matter what you say\nDon't matter what you do\nI only wanna do bad things to you\nSo good, that you can't explain it\nWhat can I say, it's complicated\n[Verse 1: Machine Gun Kelly]\nNothing's that bad\nIf it feels good\nSo you come back\nLike I knew you would\nAnd we're both wild\nAnd the night's young\nAnd you're my drug\nBreathe you in 'til my face numb\nDrop it down to that bass drum\nI got what you dream about\nNails scratchin' my back tatt\nEyes closed while you scream out\nAnd you keep me in with those hips\nWhile my teeth sink in those lips\nWhile your body's giving me life\nAnd you suffocate in my kiss\nThen you said [Pre-Chorus: Machine Gun Kelly]\nI want you forever\nEven when we're not together\nScars on my body so I can take you wherever\nI want you forever\nEven when we're not together\nScars on my body I can look at you whenever\n[Chorus: Camila Cabello]\nAm I out of my head?\nAm I out of my mind?\nIf you only knew the bad things I like\nDon't think that I can explain it\nWhat can I say, it's complicated\nDon't matter what you say\nDon't matter what you do\nI only wanna do bad things to you\nSo good, that you can't explain it\nWhat can I say, it's complicated\n[Verse 2: Machine Gun Kelly]\nI can't explain it\nI love the pain\nAnd I love the way your breath\nNumbs me like novacaine\nAnd we are\nAlways high\nKeep it strange\nOkay, yeah, I'm insane\nBut you the same\nLet me paint the picture\nCouch by the kitchen\nNothin' but your heels on\nLosin' our religion\nYou're my pretty little vixen\nAnd I'm the voice inside your head\nThat keeps telling you to listen to all the bad things I say\nAnd you said [Pre-Chorus: Machine Gun Kelly]\nI want you forever\nEven when we're not together\nScars on my body so I can take you wherever\nI want you forever\nEven when we're not together\nScars on my body I can look at you whenever\n[Chorus: Camila Cabello]\nAm I out of my head?\nAm I out of my mind?\nIf you only knew the bad things I like\nDon't think that I can explain it\nWhat can I say, it's complicated\nDon't matter what you say\nDon't matter what you do\nI only wanna do bad things to you\nSo good, that you can't explain it\nWhat can I say, it's complicated\n[Bridge: Camila Cabello]\nThe way we love, is so unique\nAnd when we touch, I'm shivering\nAnd no one has to get it\nJust you and me\nCause we're just living\nBetween the sheets [Pre-Chorus: Machine Gun Kelly & Camila Cabello]\nI want you forever\nEven when we're not together\nScars on my body so I can take you wherever\nI want you forever\nEven when we're not together\nScars on my body I can look at you whenever\n[Chorus: Camila Cabello]\nAm I out of my head?\nAm I out of my mind?\nIf you only knew the bad things I like\nDon't think that I can explain it\nWhat can I say, it's complicated\nDon't matter what you say\nDon't matter what you do\nI only wanna do bad things to you\nSo good, that you can't explain it\nWhat can I say, it's complicated" } ]

[ { "from": "human", "value": "Write me a song called Honeymoon Avenue with the following description: “Honeymoon Avenue” is the opening track from Ariana Grande’s debut album Yours Truly. Lyrics are believed to be about her ex-boyfriend, Graham Phillips.\n\n“Honeymoon Avenue” was originally a working title for Yours Truly.\nThe original version of “Honeymoon Avenue” was more upbeat, similar to an Amy Winehouse song, while the official release is simply a remix, which sounds more like a Justin Timberlake/Timbaland-fueled track.\nIn an interview, Ariana spoke about performing the song live:\nI almost cried last night when I was singing it onstage, ‘cause it’s about something that’s so special to me when I hear it. It strikes a personal chord. “Honeymoon Avenue” is about knowing you are at the end of a relationship and wishing it could not be the end and go back to the beginning and start over. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande & \nLeon Thomas III\n]\nShoo-doo-doo-dum-doo, da-da\nShoo-doo-doo-dum-doo, da-da\nSha-ba-da, sha-ba-da\n(\nDa, da\n) Uh-huh\n(\nDa, da\n) Ooh, yeah\n(\nDa, da\n) Mmm, ah\n(\nDa, da\n) \nIt's the Rascals\n[Verse 1]\nI looked in my rearview mirror and\nIt seemed to make a lot more sense\nThan what I see ahead of us, ahead of us, yeah\nUh, I'm ready to make that turn\nBefore we both crash and burn\n'Cause that could be the death of us, the death of us\n[Pre-Chorus]\nBaby, you know how to drive in rain\nAnd you decided not to make a change\nStuck in the same old lane\nGoin' the wrong way home\n[Chorus]\nI feel like my heart is stuck in bumper-to-bumper traffic\nI'm under pressure 'cause I can't have you the way that I want\nLet's just go back to the way it was\nWhen we were on Honeymoon Avenue\nHoneymoon Avenue, baby\nCoastin' like crazy\nCan we get back to the way it was? [Verse 2]\nHey, what happened to the butterflies?\nGuess they encountered that stop sign\nAnd my heart is at a yellow light, a yellow light\nHey, right when I think that we found it (Found it)\nWell, that's when we start turnin' around (Turnin' around)\nYou're sayin', \"Baby, don't worry\"\nBut we're still goin' the wrong way\n[Pre-Chorus]\nBaby, you know how to drive in rain\nAnd you decided not to make a change\nStuck in the same old lane\nGoin' the wrong way home\n[Chorus]\nI feel like my heart is stuck in bumper-to-bumper traffic\nI'm under pressure 'cause I can't have you the way that I want\nLet's just go back to the way it was\nWhen we were on Honeymoon Avenue\nHoneymoon Avenue, baby\nCoastin' like crazy\nCan we get back to the way it was?\n[Bridge]\nThey say only fools fall in love\nWell, they must've been talkin' about us\nAnd sometimes I feel like we've been here before\nI could be wrong, but I know I'm right\nWe're gon' be lost if we continue to fight\nHoney, I know, yeah\nWe can find our way home [Chorus]\nI feel like my heart is stuck in bumper-to-bumper traffic\nI'm under pressure 'cause I can't have you the way that I want\nLet's just go back to the way it was\nWhen we were on Honeymoon Avenue\nHoneymoon Avenue, my baby\nCoastin' like crazy\nCan we get back to the way it was?\nWhen we were on Honeymoon Avenue\nHoneymoon Avenue, baby\nCoastin' like crazy\nCan we get back to the way it was?\n[Outro]\nBaby, you know how to drive in rain\nAnd you decided not to make a change\nStuck in the same old lane\nGoin' the wrong way home\nI feel like my heart is stuck in—\nTraffic, I'm under\nPressure, pressure—\nLet's just go back to the way it was\nWhen we were on\nHoneymoon Avenue, Honeymoon Avenue\nHoneymoon Avenue, Honeymoon Avenue\nAvenue\nLet's just go back, b-b-b-back, back, back" } ]

[ { "from": "human", "value": "Write me a song called Rigamortus with the following description: From Team Kendrick:\nWhen rigor mortis occurs within a corpse, its muscles tighten, causing the body to become stiff and very difficult to move. The chemical reaction makes all blood gravitate to the areas of the body that are closest to the ground, leaving colorful spots as an indication of life that once existed. As the soul escapes, toxins remain causing the corpse to rot and decompose. This is the fate that Kendrick Lamar has deemed onto the competition, more commonly known as your favorite rapper. Amen!\nDeath can be so beautiful at times. Boasting bars as mad as Marilyn Manson, one grim rapper emerges to hold hip hop ransom. Hailing from Compton, Los Angeles, one of America’s most neglected graveyards, Kendrick yields his sickle (ballpoint pen) to pry open the caskets of lyricism, musicianship, and tradition. The emcee, once known as K. Dot, hence displays an air of irony in his verses, murdering the fraudulent with the same weapon used for shedding light on realness.\nSection.80 was released in the first week of July and continues to receive steady rotation from barbershop stereos to iPods on college campuses. A clear game changer, his debut album is dynamic in the sense that it brings forth the story of a generation incubated in the years of Reaganomics, while projecting the rebellious voice of a youth discontented by society’s harsh inflictions.\nDirectors, The ICU caught up with Kendrick Lamar at various locations throughout New York City to shoot this highly anticipated video off of Section 80. Accompanied by a triumphant three piece brass section, this funeral procession is not a mournful event, but rather a triumphant proclamation for a resurrecting art form. Chuuuch!\nThis track samples the Jazz composition “The Thorn” off of Willie Jones III’s album Next Phase. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAlright, here we go, third take\nReal quick, Ali\nMmm\n[Chorus]\nGot me breathing with dragons\nI'll crack the egg in your basket, you bastard\nI'm Marilyn Manson with madness\nNow just imagine the magic I light to asses\nDon't ask for your favorite rapper\n(He dead), yes, sir (Amen), church\n(He dead), I killed him (Amen), bitch\n[Verse 1]\nAnd this is rigor mortis and it's gorgeous when you die\nAli recorded\n \nand I'm Morpheus, the matrix of my mind\nI'm out the orbit, you an orphan and a hairdresser combined\nI'm on the toilet when I rhyme, if you the shit, then I decline\nI climax where you begin and then I end on cloud nine\nAnd that's important when you morph into an angel in the sky\nAnd don't be forging all my signatures, my listeners reply\nAnd tell me that you biting style, you got a hell of an appetite\nAnd I'ma be here for a while, just buckle up before the ride\nOr knuckle up if you can fight, we always making 'em duck or die\nA suit and tie is suitable and usual in suicide\nCSI just might investigate this fucking parasite\n(He dead, amen)\nThat's what they telling me\nAim it at your celebrity, this is studio felony\nFerragami so many and cool enough for the '70s\nNigga, payback's a bitch, and bitch, you been livin' in debt with me\nDead 'em all and especially\nLeave a call on his mother voicemail that say that he rest in peace\nBigger chopper the recipe\nWrestling? That's irrelevant, rather rest at your residence\nWhistling to the melody, couldn't think of a better D\nBetter be on your P and Q,\n \nit's just me, Jay Rock, Soul, and Q\nSolar system and barbecue, nothing else you can do [Chorus]\n(He dead), yup-yup (Amen), I killed him\n(He dead, amen), amen\nGot me breathing with dragons\nI'll crack the egg in your basket, you bastard\nI'm Marilyn Manson,\n \ndon't ask for your favorite rapper\n(He dead), yup-yup (Amen), I know\n(He dead), for sure (Amen), amen\nGot me breathing with dragons\nI'll crack the egg in your basket, you bastard\nI'm Marilyn Manson,\n \ndon't ask for your favorite rapper\n[Verse 2]\nI wrapped him and made him Casper, I capture the likes of NASA\nMy pedigree to fly past ya, I'll pass the weed to the pastor\nWe all are sinners, won't you send us to Bible study faster?\nYour hypocritist reaction a blasphemy, I assassin my casualty\nAnd it's casually done, and tell 'em my salary come\nIn lump sum one hundreds, don't talk to me 'bout no money\nThe sun is under my feet,\n \nand I come in peace to compete\nI don't run if you'd rather leap, my statistics go up in weeks\nAnd I go visit the nearest creek, and I get busy on many MC\nReally ballistic, anybody can see\nAny assistance, everybody deceased\nSome persistence, recognize I be\nReally too vicious, the permanent beast\nAnd the demolition breaking up the street\nBetter partition,\n \nbetter dot your T\nAnd I gon' mention how the far you see\nPutting my dick in the rap industry\nEverybody bitching, getting mad at me\nRecognize Kendrick in the battery\nAnd I'm charged up, and the catastrophe\nIs charged up, and the audacity\nOf y'all fucks never could hassle me\nAnd y'all luck just ran out, you'll see [Chorus]\n(He dead), yup-yup (Amen), I know\n(He dead), for sure (Amen), amen\nGot me breathing with dragons\nI'll crack the egg in your basket, you bastard\nI'm Marilyn Manson,\n \ndon't ask for your favorite rapper\n(He dead), yup-yup (Amen), I know\n(He dead), for sure (Amen), amen" } ]

[ { "from": "human", "value": "Write me a song called Make Some Noise with the following description: \n“Make Some Noise” is a song by Miley Cyrus, performed under her character Hannah Montana for the Disney Channel series of the same name the singer/actress stared in. It serves as the third track from the Hannah Montana 2 soundtrack which was released as a double-album alongside Miley Cyrus’s debut studio album, Meet Miley Cyrus. The song was released as a promotional single for the soundtrack and received exclusive airplay on Radio Disney. It managed to peak at #92 on the Billboard Hot 100. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's easy to feel like you're all alone\nTo feel like nobody knows\nThe great that you are, the good that's inside you\nIs trying so hard to break through\n[Pre-Chorus 1]\nMaybe it is your time to lift off and fly\nYou won't know if you never try\nI will be there with you all of the way\nYou'll be fine\n[Chorus]\nDon't let anyone tell you that you're not strong enough\nDon't give up, there's nothing wrong with just being yourself\nThat's more than enough\nSo come on and raise your voice\nSpeak your mind and make some noise\nAnd sing- hey, hey!\nMake some noise - hey, hey, yeah!\n[Verse 2]\nYou want to be known, you want to be heard\nAnd know you are beautiful\nYou have so much to give, some change you wanna live\nSo shout it out and let it show [Pre-Chorus 2]\nYou have a diamond inside of your heart\nA light that shines bright as the stars\nDon't be afraid to be all that you are\nYou'll be fine\n[Chorus]\nDon't let anyone tell you that you're not strong enough\nDon't give up, there's nothing wrong with just being yourself\nThat's more than enough\nSo come on and raise your voice\nSpeak your mind and make some noise\nAnd sing- hey, hey!\nMake some noise - hey, hey, yeah!\n[Bridge]\nYou can't just sit back and watch the world change\nIt matters what you have got to say\nThere is no one else who can stand in your place\nSo come on, it's never too late\n[Breakdown]\nMaybe it is your time to lift off and fly\nYou would not know if you never try\n[Chorus]\nDon't let anyone tell you that you're not strong enough\nDon't give up, there's nothing wrong with just being yourself\nThat's more than enough\nSo come on and raise your voice\nSpeak your mind and make some noise\nAnd sing- hey, hey!\nMake some noise - hey, hey yeah!\nHey, hey! - Make some noise\nSpeak your mind and make some noise [Outro]\nAnd sing - hey yeah, hey yeah, hey yeah\nMake some noise\nHey yeah, hey yeah, hey yeah\nMake some noise\nHey yeah, hey yeah, hey yeah\nMake some noise\nHey yeah, hey yeah, hey yeah\nMake some noise" } ]

[ { "from": "human", "value": "Write me a song called Nights Like This with the following description: “Nights Like This” serves as Kehlani’s first single of 2019 and features Ty Dolla $ign, marking the first collaboration between the two artists. Premiered exclusively on Zane Lowe’s Beats 1, the track discusses themes of dishonesty and misleading relationships, as seen in the song’s chorus:\nYou gon' say you want me, then go switch it up\nJust gon' play with my emotions just because, no (Oh)\nAccompanying the song’s debut, Kehlani released the official music video as well, which she had previewed on her social media. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kehlani]\nYou act like you need remindin'\nTryna do it over, bring it back and rewind it\nBut all that glitters isn't gold, I was blinded\nShould have never gave you my heart on consignment\n[Pre-Chorus: Kehlani]\nAnd I can't believe the lies that I went for\nThought you was mine, but you decided to be with him though\nYou took my feelings and just threw 'em out the window\nFeel like it's too hard to fall in love again, no\n[Chorus: Kehlani]\nOn some nights like this, shawty, I can't help but think of us\nI've been reminiscin', sippin', missin' ya\nCan you tell me what's with all this distant love?\nIf I called, would you pick it up?\nOn some nights like this, I just wanna text you, but for what?\nYou gon' say you want me, then go switch it up\nJust gon' play with my emotions just because, no (Oh)\n[Verse 2: Kehlani]\nAll them times I played the fool for you\nThinkin' we could put it back together, thought we had forever\nYou never see my point of view\nOur connection is so severed, you don't show no effort [Pre-Chorus: Kehlani]\nAnd I can't believe the lies that I went for\nThought you was mine, but you decided to be with him though\nTook my feelings and just threw 'em out the window\nFeel like it's too hard to fall in love again, no\n[Chorus: Kehlani]\nOn some nights like this, shawty, I can't help but think of us\nI've been reminiscin', sippin', missin' ya\nCan you tell me what's with all this distant love?\nIf I called, would you pick it up?\nOn some nights like this, I just wanna text you, but for what?\nYou gon' say you want me, then go switch it up\nJust gon' play with my emotions just because, no (Oh)\n[Bridge: Kehlani]\nYou gon' get my hopes high, girl\nYou gon' get my hopes high, girl\nJust gon' tell me more lies, girl\nJust gon' get my hopes high, girl\n[Verse 3: Ty Dolla $ign]\nI've been way too good to you, you take me for granted\nYou was my day one since back at Big B's house on Adams\nFirst day that we met, I flagged you down, I told you, \"Hit my line\"\nUsed to promise me you'd never switch on me like Gemini\nYou think I'm a fool, ain't nobody stupid\nI see all the signs, I see all the clues\nYeah, sometimes I reminisce 'bout that shit when I'm bingin'\nCan't believe it's been a whole year, yeah, but... [Chorus: Kehlani \nwith Ty Dolla $ign\n]\nOn some nights like this\n, shawty, I can't help but think of us\nI've been reminiscin', sippin', missin' ya (Missin' ya)\nCan you tell me what's with all this distant love? (Love)\nIf I called, would you pick it up?\nOn some nights like this, I just \nwanna text you, but for what?\nYou gon' say you want me, then go switch it up (\nSwitch it up\n)\nJust gon' play with my emotions just because, no (Oh)\n[Outro: Kehlani]\nYou gon' get my hopes high, girl\nYou gon' get my hopes high, girl\nJust gon' tell me more lies, girl\nJust gon' get my hopes high, girl" } ]

[ { "from": "human", "value": "Write me a song called ​successful with the following description: “successful” is an uplifting anthem that features Ariana sharing her joy of making it in the music industry, while also telling others that they too can make it.\nThe track was teased in her “No Tears Left To Cry” music video, and was hinted again in the “No Tears Left To Cry (BTS – Part 2)” video. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, yee, mmm\nAh, yeah\nYeah\nOoh-ooh (Yeah), yee\n[Verse 1]\nI just got some real good news from work, boy (It's a surprise, surprise)\nYou can't imagine what I'm 'bout to say (It's a surprise, surprise)\nIt's so hard to hold back, baby (It's a surprise, surprise)\nI'm so excited, I can hardly wait (It's a surprise, surprise)\nListen, bae\n[Pre-Chorus]\nTonight, I'm a baller, babe (Tonight, I'm a baller, baby)\nEven way beneath it, ooh, woah (Even way beneath me)\nWhat else is there to say, boy? (What else is there to say, boy?)\nSay, bae, you should play with me, babe (Yeah)\n[Chorus]\nIt feels so good to be so young\nAnd have this fun and be successful (Yee)\nI'm so successful (Yeah)\nAnd, girl, you too, you are so young\nAnd beautiful and so successful (Oh, woah, yee-yee, yeah)\nI'm so successful (Yee) [Verse 2]\nThis ain't nothin' ordinary for me (It's a surprise, surprise)\nWe ain't goin' to your favorite place (It's a surprise, surprise; yeah)\nYou keep askin', \"What is so special?\" (It's a surprise, surprise)\nYou really wanna know? You'll have to wait (It's a surprise, surprise)\n[Pre-Chorus]\nTonight, I'm a baller, babe (Tonight, I'm a baller, baby)\nEven way beneath it, ooh, woah (Even way beneath me)\nWhat else is there to say, boy? (What else is there to say, boy?)\nSay, bae, you should play with me, babe (Yee)\n[Chorus]\nIt feels so good to be so young\nAnd have this fun and be successful (I, I, I; hmm, hmm)\nI'm so successful\nAnd, girl, you too, you are so young (Hmm)\nAnd beautiful and so successful (Oh, woah, bae, yeah)\nI'm so successful (Yeah, yeah)\n[Bridge]\nLet me put my hands over your eyes\n(It's a surprise, surprise; mmm, yeah, mmm; it's a surprise, surprise)\nBoy, are you ready for your surprise?\n(It's a surprise, surprise, it's a surprise, surprise)\nMmm, ah, oh, I'ma give it to ya (Mhm)\nMmm, ah, oh, I'ma give it to ya (Oh, yeah)\nDo you like it, babe? (Do you like it, babe?)\nDoes it give you chills? (Does it give you chills?)\nDoes it make you feel... (Does it make you feel...)\nCold? (Yeah) [Pre-Chorus]\nOh, oh, oh, woah\nTonight, I'm a baller, babe (Tonight, I'm a baller, baby)\nEven way beneath it, ooh, woah (Even way beneath me)\nWhat else is there to say, boy? (What else is there to say, boy?)\nSay, bae, you should play with me, babe (Yeah)\n[Chorus]\nIt feels so good to be so young\nAnd have this fun and be successful\nI'm so successful (Yeah)\nAnd, girl, you too, you are so young\nAnd beautiful and so successful (Yeah)\nI'm so successful (Yeah, yeah)\n[Outro]\nMmm, mm-mm-mm-mm-mm\nMmm, ah, yeah\nAh, yeah" } ]

[ { "from": "human", "value": "Write me a song called Jealous with the following description: “Jealous” is track 7 of Beyoncé’s eponymous fifth studio album. A clear power ballad, the song broods contemplatively through layers of distorted vocals, echoing yelps, and other sorts of experimental production.\nLyrically, it expands on several intricacies of a relationship; she explains how the balance of promise isn’t very equal in the relationship. She asks how it’s alright for her guy to run off in his world while leaving her lonesome in her own. “Jealous” is one of the most vulnerable and intimate songs on the album, and explores the imperfect side of her that Beyoncé rarely shows.\nThe Atlantic editor Nolan Feeney even made comments to argue that perhaps “Jealous” was one of the most important songs on the album due to her admittance of her errors at the end of the song – a radical transition from the unapologetic “Irreplaceable” or “Single Ladies” Beyoncé.\nThe context of the song recalls “Kitty Kat”, but it functions on a more emotional level rather than sexual.\n\nThe video that accompanies “Jealous” is directed by Bey herself, Francesco Carrozzini and Todd Tourso; it’s shot in New York City and functions as one of the most beautifully shot videos on the album in terms of videography. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm in my penthouse half-naked\nI cooked this meal for you naked\nSo where the hell you at?\nJust one shot left of this drink in this glass\nDon't make me break it\nI wish that you were me\nSo you could feel this feeling\nI never broke one promise\nAnd I know when you not honest\nNow you got me yellin', that's because I'm jealous\n[Chorus]\nIf you're keepin' your promise, I'm keepin' mine\nOh, I'm jealous\nIf you're keepin' your promise, I'm keepin' mine (Oh, I'm jealous)\n[Post-Chorus]\nSometimes, I wanna walk in your shoes\nDo the type of things that I'll never, ever do\nSo I take one look in the mirror and I say to myself\n\"Baby girl, you can't survive like this\"\n[Verse 2]\nTake it one step further\nFreakum dress out my closet\nYoncé fillin' out this skirt\nI look damn good, I ain't lost it\nAnd I ain't missed a beat\nBoy, you been hangin' out at night, tonight, I'm stayin' out 'til tomorrow\nDancin' on them tables, ain't got no cares, no sorrows\nI ran into my ex, said, \"What up,\" to his besties\nNow we reminiscin' how we used to flex in Texas\n, don't be jealous [Chorus]\nIf you're keepin' your promise, I'm keepin' mine\nOh, I'm jealous\nIf you're keepin' your promise, I'm keepin' mine (I'm jealous)\n[Post-Chorus]\nSometimes, I wanna walk in your shoes\nDo the type of things that I'll never, ever do\nI take one look in the mirror and I say to myself\n\"Baby girl, you can't survive like this, no, no, no\"\n[Bridge]\nAnd I hate you for your lies and your covers\nAnd I hate us for makin' good love to each other\nAnd I love makin' you jealous, but don't judge me\nAnd I know that I'm bein' hateful, but that ain't nothing\nThat ain't nothing\nI'm just jealous, I'm just human\nDon't judge me\n[Chorus]\nIf you're keepin' your promise, I'm keepin' mine (Don't judge me)\nOh, I'm jealous\nIf you're keepin' your promise, I'm keepin' mine" } ]

[ { "from": "human", "value": "Write me a song called Highlights (Young Thug Demo) with the following description: Shortly after the arrival of “The Life of Pablo”, the original versions of some tracks have hit the web. Other tracks included in the leak were: Feedback, Wolves, Waves, Fade and a bunch of never released ones. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West & \nYoung Thug\n]\nHigh lights\nTell my baby I'm back in town\nHigh lights\nTell everybody I'm back in town\nHigh lights\nTell my baby I'm back in town\nHigh lights\n[Hook: Kanye West & \nYoung Thug\n]\nWe only makin' the highlights\nTell my mama, tell my mama, that I only want my whole life to only be highlights\nWe only makin' the highlights\nTell my mama, tell my mama, that I only want my whole life to only be highlights\n[Post-Hook: TWF Tony Williams]\nI wanna play with you all night long\nThen after tonight\n[Verse 1: Kanye West]\nCan we play that back one time?\nAnd after that night I'm gon' wanna play this shit back, I don't know\nSometimes I'm wishin' that my dick had GoPro\nSo I could play that shit back in slo-mo\nI just shot an amateur video; I think I should go pro [Hook: Kanye West & \nYoung Thug\n]\nWe only makin' the highlights (\nslow motion, slow motion\n)\nWe only makin' the highlights (\nslow motion, slow motion\n)\nTell my mama, tell my mama, that I only want my whole life to be only be highlights\n[Post-Hook: TWF Tony Williams]\nI wanna play with you all night long\nThen after tonight (slow motion)\n[Verse 2: Kanye West]\nI bet me and Ray J would be friends\nIf we ain't love the same bitch\nYeah, he might have hit it first\nOnly problem is I'm rich\n[Interlude: Carole King & \nKanye West\n]\nYou've got to get up every morning\nYou've got to get up every morning\nI live my life on the highlights\nYou've got to get up every morning\nWith a smile on your face\nAnd show the world that you've got love in your heart\nOh no, gotta play this shit back\n[Verse 3: Kanye West]\nAnd eventually there's gon' be so many niggas\n[?] pool party on the weekend, that's the business\nThere's one white girl told me she hate white cock\nThat's when I knew hip hop was the new rock\nWhen you know you gotta keep your business zip-loc'd\nCause the nigga still got her Gucci flip-flops\n[?] take her on a c-cold adventure\nOld bitches know I put the dick on they dentures\nMight tell 'em Lexington Steele is my mentor\nFamous people act so damn pretentious, huh?\nWhat she need is an hour of some inches, huh?\nGot a thick dick hopping on some trenches, huh?\nGot the Fruit of Islam in the trenches. huh?\nEven though they know Yeezus is a Christian, huh?\nShe spent a whole check on some Christians, huh?\nAnd that bitch ain't even religious, huh?\nI'm respected, I'm way too prestigious\nY'all motherfuckers throwing bows like Riddick\nCrack coke, crack sale, white niggas got mail\nMight drop a baby line and call that shit Pastel\nWalkin', livin', breathin', god, you know my past well\nHard to believe in God, your nigga got killed\nBad bitches fuckin' Rob, though he overweight\nI wish my trainer would, tell me what I overate\nSo when I'm on vacay, I need to kick back\nHah, huh, what you want?\nWant a boss or an R&B nigga with a six pack?\nI need every bad bitch up in Equinox\nI need to know right now if you a freak or not\nI need every bad bitch up in Equinox\nI need to know right now if you a freak or not\nI need every bad bitch up in Equinox\nI need to know right now if you a freak or not\nI need every bad bitch up in Equinox\nI need to know right now if you a freak or not [Sample: Jen Selter]\n(I love social media, I love fitness and I love photography)\n[Verse 4: Kanye West]\nI need at least seven days with Chloe Sevigny\nSince I saw Brown Bunny, it ain't never been the same\nI ain't gon' tell ya that I've never been a lame, but\nEver since with Hov, I got that Roc-A-Fella chain\nMan, shit just changed, shit just changed\nMy nigga Dame said let's get this change\nGet this thing, iPhone thing\nHop on [?] then I hit\n[Hook: Kanye West & \nYoung Thug\n]\nWe only makin' the highlights (\nslow motion, slow motion\n)\nWe only makin' the highlights (\nslow motion, slow motion\n)\nTell my mama, tell my mama, that I only want my whole life to be only be highlights\n[Post-Hook: TWF Tony Williams]\nI want to play with you all night long\nThen after the night\nI want to play with you all night long\nThen after the night\n[Hook: Kanye West & \nYoung Thug\n]\nWe only makin' the highlights\nTell my mama, tell my mama, that I only want my whole life to be only be highlights" } ]

[ { "from": "human", "value": "Write me a song called Runnin’ (Dying to Live) with the following description: \nA reworking of Runnin' (From tha Police) (1995).\nAll other artists' parts were taken out, 2Pac’s verse was replaced with a previously unreleased one, and a new beat with hook was constructed by Eminem with a sample from Edgar Winter’s “Dying to Live”. This version is now much more popular and well known than the original.\nThe song’s theme is running from the police, and is interspersed with old clips of the artists talking about their feud.\nThe original track was produced by Easy Mo Bee. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rob Marriott & \n2Pac\n]\nBetween you and Biggie it was like, who's gon’—who’s gon’— who rules the nigga kingdom and shit, basically, you know what I'm saying? I was like, this is like a fucking\nIt is that\nElection. It’s an election and shit\nIt is that\nYou know what I am saying?\nMe and Biggie's situation is smaller than that. Me and Biggie’s situation is like…\n[Chorus]\nYou know, I wonder if they'll laugh when I'm dead\nWhy am I fighting to live if I'm just living to fight?\n(You don't know?)\nWhy am I trying to see when there ain't nothing in sight?\nWhy am I trying to give when no one gives me a try?\nWhy am I dying to live if I'm just living to die?\n[Verse 1: The Notorious B.I.G.]\nCheck it, I grew up a fuckin' screw-up\nGot introduced to the game, got a ounce and fuckin' blew up\nChoppin' rocks overnight\nThe nigga Biggie Smalls tryna turn into the black Frank White\nWe had to grow dreads to change our description\nTwo cops is on the milk box missin'\nShow they toes, you know they got stepped on\nA fistful of bullets, a chest full of Teflon\nRun from the police, picture that\nNigga, I'm too fat, I fuck around and catch a asthma attack\nThat's why I bust back, it don't faze me\nWhen he drop, take his Glock and I'm Swayze\nCelebrate my escape, sold the Glock, bought some weight\nLay back, I got some money to make, motherfucker [Chorus]\nYou know, I wonder if they'll laugh when I'm dead\nWhy am I fighting to live if I'm just living to fight?\nWhy am I trying to see when there ain't nothing in sight?\nWhy am I trying to give when no one gives me a try?\nWhy am I dying to live if I'm just living to die?\n(It's on me)\n[Verse 2: 2Pac]\nBut still I'm havin' memories of high speed when the cops crashed\nAs I laugh, pushin' the gas while my Glocks blast\nWe was young and we was dumb, but we had heart\nIn the dark, will we survive through the bad parts?\nMany dreams is what I had, and plenty wishes\nNo hesitation in extermination of these snitches\nEnvious bitches, they still continue to pursue me\nA couple of movies, now the whole world's tryna screw me\nEven the cops tried to sue me, so what can I do?\nBut stay true, sippin' 22's of brew\nAnd now media is tryna test me\nGot the press askin' questions, tryna stress me\nMisery is all I see, that's my mind state\nMy history with the police will shake the crime rate\nMy main man had two strikes, slipped, got arrested, and flipped\nHe screamed \"Thug Life!\" and emptied the clip\nGot tired of runnin' from the police [Chorus]\nYou know, I wonder if they'll laugh when I'm dead\nWhy am I fighting to live if I'm just living to fight?\nWhy am I trying to see when there ain't nothing in sight?\nWhy am I trying to give when no one gives me a try?\nWhy am I dying to live if I'm just living to die?\n[Outro: 2Pac]\nThey wanted a new regime. And my regime includes East coast, includes West coast\n[The Notorious B.I.G.]\nI was more shocked than anything\nYou know what I'm sayin'?\nBut I wasn't more shocked of him dying\nI was more shocked of him… Pac is a strong dude, yo\nI know dude, you know what I'm sayin'? Real strong\nSo when they was like he got shot, I was just more like, \"Again?\" you know what I'm sayin'?\nHe always getting shot, or shot at\nHe going to pull through this one again\nMake a few records about it, and it's going to be over\nYou know what I'm sayin'?\nBut when he, when he died, I was just like, \"whoa\", you know what I'm saying? Kinda took me by\nI mean, even though we was going through our drama\nI would never wish death on nobody\nYou know what I'm sayin'?\nBecause there ain't no coming back from that" } ]

[ { "from": "human", "value": "Write me a song called ​the light is coming with the following description: “the light is coming,” a promotional single from Ariana Grande’s fourth studio album Sweetener, is about relying on positivity to get you through hard times. Before its official release on June 20th, 2018, Ariana previewed it during her performance at Wango Tango on June 2nd.\nThis track was first teased in the music video for “No Tears Left To Cry,” and was hinted at again in the second part of the behind-the-scenes series. Ariana once again teased the track at the end of her Billboard Music Award Performance, and on May 27, 2018, she posted a snippet of the song on social media. Later that day, Minaj teased the track by tweeting lyrics from her verse. It was teased again when Ariana posted an Instagram story in which she seemed to be rehearsing for Wango Tango 2018.\nAriana’s collaboration with Reebok was promoted in the music video, and the video was even a Reebok.com exclusive for its first 24 hours. This is similar to how Ari’s campaign with Guess was promoted in the video for “Side to Side.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou wouldn't let anybody speak and instead—\nYou wouldn't let anybody speak and instead—\n[Verse 1: Nicki Minaj]\nAyo, trophy wife, out, you won me\nUntil you had to find out it's one me\nNo-no-now you benched, aww, your bum knee\nNow I'm the bad guy, call me Chun-Li (Ooh)\n'Cause you was slippin', yep, you clumsy\nAnd everything I peeped, can't just unsee\nSips tea, and it's unsweet\nRe-respect bad gyal when mi done speak (Now, now)\nNow he shooting his shot like drive-by\nWhy-why-why you had to make me go call up my side guy?\nCa-ca-can't let a f-boy eff up my nice vibes\nYo, Ariana, come let me give you a high five\n[Chorus: Ariana Grande]\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead— [Verse 2: Ariana Grande]\n\"What did she say?,\" \"What did he say?\"\nYou don't listen 'cause you know everything\nYou don't even need dreams\nTellin' everybody, \"Stay woke, don't sleep\"\n[Refrain: Ariana Grande]\nAh, gonna break that shit down\nYou don't wait, tell 'em wait another round\nAh, guess you're way above it now\nAnd that's your way to love it now\n[Pre-Chorus: Ariana Grande]\nHow can they tell you shit that you've been through?\nThey are so confused, who cares about their rationale?\nIf it ain't your view\nThat's the bottom line\nKnow-it-all (Know-it-all)\nGive you a box of chances, every time you blow it all (Blow it all)\nAs if it were shade, you would just throw it all (Throw it all)\nIt's like you're trying not to glow at all (Glow at all)\nKnow-it-all (Know-it-all)\n[Chorus: Ariana Grande]\nThe light is coming to give back everything the darkness stole, stole, st-st-stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole, stole, stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole, stole, st-st-stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole, stole, stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead— [Verse 3: Ariana Grande]\nWhy do we have chemistry? (Ayy, yeah)\nWith a need for speed (Ayy, yeah)\nDoin' things that trouble clings (Ayy, yeah) to\nAnd burns off our wings\n[Refrain: Ariana Grande]\nAh, gonna break that shit down (Ayy, yeah)\nYou don't wait, tell 'em wait another round (Ayy, yeah)\nAh, guess you're way above it now (Ayy, yeah)\nAnd that's your way to love it now\n[Pre-Chorus: Ariana Grande]\nHow can they tell you shit that you've been through?\nThey are so confused, who cares about their rationale?\nIf it ain't your view\nThat's the bottom line\nYou wouldn't let anybody speak and instead—\nKnow-it-all (Know-it-all)\nGive you a box of chances, every time you blow it all (Blow it all)\nAs if it were shade, you would just throw it all (Throw it all)\nIt's like you're trying not to glow at all (Glow at all)\nKnow-it-all (Know-it-all)\n[Chorus: Ariana Grande]\nThe light is coming to give back everything the darkness stole, stole, st-st-stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole, stole, stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole, stole, st-st-stole\nYou wouldn't let anybody speak and instead—\nThe light is coming to give back everything the darkness stole\nYou wouldn't let anybody speak and inst—" } ]

[ { "from": "human", "value": "Write me a song called Selfish with the following description: The second song from TWENTY88’s self titled debut album is about the tension and stress faced in a relationship. Sean and Jhené take it in turn to provide the male and female perspectives, showing that there are two sides to an argument where both parties are seemingly at blame. Both are angry and are only after their own satisfaction. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Big Sean]\nYou know I ain't having that shit\n(Got you Bitch)\nHow could you be so selfish\nPhone off, careless\nYou ain't drinking no more that's bullshit\nI heard you're taking more shots than a full clip\nNo call, no text, huh?\nThat's how you feel when you stressed, huh?\nYou know I'm from a tribe called questions\nI need them answers now like it's test time\nDo you realize how many good girls I lost\nWhen I changed the number for you\nWhen I needed that peaceful sleep and still cuddled for you\nYou ain't even know when times got hard I bent up the budget\nI kept it subtle\nMight as well put jackets over the puddles for you\nYou’re acting irreplaceable, pfft, hardly\nI shoulda took the warning signs on nights I hit you and you ain’t get back to me\nThe morning time, you got me on the borderline\nI used to want to put the work in now I feel like overtime\n[Chorus: Big Sean & Jhené Aiko]\nWhen I hit you late night, texting\nPhone off, no stressing\nHow could you be so selfish, selfish, so selfish?\nPhone off, no texting\nNo pics, no calls, no sexting\nHow could you be so selfish, selfish, so selfish?\nI can't help it\nI can't help it\nI can't help it\nI can't help it\nSo, so selfish [Verse 2: Jhené Aiko]\nWhy would you just play with the one\nWho been there with you when no one would come\nCan't believe I stayed faithful\nTo somebody so ungrateful\nDon't you know there’s a line for my love?\nAnd you be out here lying on us\nAin't that some shit?\nAin't that a bitch?\nAnd you wonder why the past has changed us\nWonder why it ain't the same for us\nYou keep fuckin' up, it’s all on you\nYou just made it so hard for you\n[Chorus: Big Sean, \nJhené Aiko\n, \nBoth\n]\nLate night, texting\nPhone off, no stressing\nHow could you be so selfish, selfish, selfish?\nPhone off, texting\nNo pics, no calls, no sexting\nHow could you be so selfish, selfish, so selfish?\nI can't help it\nI can't help it\nI can't help it\nI can't help it\nSo, so selfish [Outro: Big Sean & Jhené Aiko]\nBreakdown\nI think it's time to break down\nLate night, texting\nPhone off, stressing\nTesting me now\nStressing me out, out, out\nHow could you be so—" } ]

[ { "from": "human", "value": "Write me a song called Perfect Strangers with the following description: On this track, Lil Wayne laments his love life – or, rather, his lack thereof. He seems to be addressing one woman in particular throughout the song, as their relationship has been crumbling due Wayne’s tendency to sleep with many different women, who he feels are strangers, thus making he and his girlfriend strangers in the process. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, yeah\nMmm...\n[Chorus]\nI don't know who you are anymore\nTalkin' to the man in her mirror\nThat been fuckin' with these bitches\nAnd it's dangerous, sleepin' with these strangers\nEvery night a different woman, doin' the same shit\nBut, you don't even call anymore\nAnd you don't even care, so who am I to love anyone?\nI know it's fucked up\nDifferent city, switchin' women\nPuttin' cups up, gettin' fucked up\n[Post-Chorus]\nAnd, we don't even talk anymore\nAin't got no time to spare\nSo who are we to trust anyone?\nAnd that's what's fucked up\nWe gon' end up by ourselves and not each other\nAnd that's so fucked up\n[Verse 1]\nDamn, love don't live here\nLove, I don't live here\nShe say, \"Why you leave your shit here?\"\nI'm tryna be sincere\nWhen we both know it ain't right\nShe hate that we can get loose\nBut I can never hang tight\nBut, we don't even make love anymore\nActin' like our phone got our attention\nThough we watchin' television, and it's painless\nWe act like we strangers\nI just don't know who we are anymore, damn\nI'm not supposed to be here\n'Cause love don't live here\nBut I'm here, and she here\nShe tell me stay all night\nShe just want a refill\nAnd then she want to start fights\n'Bout \"What about how she feel?\"\nShe tell me I'm a cheap thrill\nI know she don't mean that\nShe think I feed her lies\nBut I don't get no feedback\nAs she watch me pack\n\"Baby where my keys at?\"\nKiss her on the forehead and tell her that I'll be back\nHer teeth smacked [Chorus]\nI don't know who you are anymore\nTalkin' to the man in her mirror\nThat been fuckin' with these bitches\nAnd it's dangerous, sleepin' with these strangers\nEvery night a different woman, doin' the same shit\nBut you don't even call anymore\nAnd you don't even care\nSo who am I to love anyone?\nI know it's fucked up\nDifferent city, switchin' women, puttin' cups up\nGettin' fucked up\n[Post-Chorus]\nAnd, we don't even talk anymore\nAin't got no time to spare\nSo who are we to trust anyone?\nAnd that's what's fucked up\nWe gon' end up by ourselves and not each other\nAnd that's so fucked up\n[Verse 2]\nI was talkin' to myself the other day\nMy homies call me cray, my mama tell me, \"Pray\"\nShe say, \"I need a day\", I said, \"I need a bae\"\nShe said, \"Believe in faith\nMa, they love me either way\"\nHold up, wait\nLet me set my alarm\nYou say \"Don't sweat your alarm\"\nAnd now the pressure is on\nSo now there's sweat in my palm\nBut her reception ain't warm\nSo my deception performs\nAnd then that silence is awkward\nLike am I deaf or alone?\nI got a jet in the morn'\nAnd she upset and I'm calm\nAnd when a woman is scorned\nIs when your welcome is worn\nAnd now her temperature's showin'\nAnd I just weather her storm\nAnd she expect me to stay\nI be like, \"Let go my arm!\"\nShe said... [Chorus]\nI don't know who you are anymore​\nTalking to the man in her mirror\nI've been fuckin' with these bitches\nAnd it's dangerous, sleepin' with these strangers\nEvery night a different woman, doin' the same shit\nAnd she say, you don't even call anymore\nAnd you don't even care\nSo who am I to love anyone?\nI know it's fucked up\nDifferent city, switchin' women, puttin' cups up\nGettin' fucked up\n[Post-Chorus]\nShe say, we don't even talk anymore\nAin't got no time to spare\nSo who are we to trust anyone?\nAnd that's what's fucked up\nWe gon' end up by ourselves and not each other\nAnd that's what's fucked up\n[Outro]\nShe say we don't make love anymore\nActin' like our phone got our attention\nThough we watchin' television, now it's painless\nWe actin' like strangers\nLike we don't know who we are anymore\nPerfect strangers" } ]

[ { "from": "human", "value": "Write me a song called Hate Being Human with the following description: “Hate Being Human” is a phrase commonly associated with misanthropy, the hatred or distrust of humankind. On the track, Chris puts the phrase in context with imperfection; if his lover cannot accept him and his flaws—a theme he similarly explored in August 2012’s “Don’t Judge Me”—then life is just a penance of misanthropy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI hate, I hate\nOh, I hate being human\nI hate, I hate\n[Verse 1]\nSay that I will never tell a lie to my baby\nI swore that I would call after every show (Yeah)\nThere must be somethin' goin' on with my cellphone lately (Somethin' goin' on)\nThe last time that we spoke was weeks ago (Ain't spoke in weeks)\n[Pre-Chorus]\nIt's somethin' about this space\nBetween my lips and your lips, babe\nThat makes me forget the promises we made (Oh, no)\n[Chorus]\nAnd it's how hearts break (Break)\n'Causе ordinary people make mistakеs (Oh, yeah)\nI wish I was from outer space (Space)\n'Cause if bein' me means hurtin' you\nThen I confess (That I) I hate being human\nI hate (Oh), I hate (Oh)\nOh, I hate being human, I\nI hate (Hate), I hate (Hate it)\nOh, I hate being human [Verse 2]\nHalfway across the world, wakin' up to a stranger\nWhile you wakin' up alone from a bad dream (Ay, ya, ya)\nI got demons on my shoulders still at war with my angels\nThey say heaven and hell is reality (It's reality, oh)\n[Pre-Chorus]\nIt's somethin' about this space (This space)\nBetween my lips and your lips, babe (Baby)\nThat makes me forget the promises we made (Yeah-yeah)\n[Chorus]\nAnd it's how (It's how) hearts break (You know we could)\n'Cause ordinary people make mistakes (Oh, yeah)\nI wish I was from outer space (I wish, I wish, space, space)\n'Cause if bein' me means hurtin' you\nThen I confess (That I) I hate being human (Ooh)\nI hate (Oh), I hate (Baby)\nOh, I hate being human, I (Oh)\nI hate (Hate), I hate (Hate, hate it)\nOh, I hate being human\n[Outro]\nHurts to live\nAnd it hurts to lie\nHurts to love\nOh, and that's why\nI hate, I hate\nOh, I hate being human\n(\nI hate, I hate\n)\nOh, I hate being human\n(\nI hate, I hate\n)\nOh, I hate being human" } ]

[ { "from": "human", "value": "Write me a song called Sometimes with the following description: “Sometimes” is a song recorded by Britney Spears for her debut studio album, …Baby One More Time. It was released as the second single of the album on April 30, 1999.\n“Sometimes” attained worldwide success, peaking inside the top ten in eleven countries. In the United States, the song peaked at number twenty one. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou tell me you're in love with me\nLike you can't take your pretty eyes away from me\nIt's not that I don't wanna stay\nBut every time you come too close, I move away\n[Pre-Chorus]\nI wanna believe in everything that you say\n'Cause it sounds so good\nBut if you really want me, move slow\nThere's things about me you just have to know\n[Chorus]\nSometimes I run\nSometimes I hide\nSometimes I'm scared of you\nBut all I really want is to hold you tight\nTreat you right\nBe with you day and night\nBaby, all I need is time\n[Verse 2]\nI don't wanna be so shy, uh, oh\nEvery time that I'm alone, I wonder why\nHope that you will wait for me\nYou'll see that you're the only one for me [Pre-Chorus]\nI wanna believe in everything that you say\n'Cause it sounds so good\nBut if you really want me, move slow\nThere's things about me you just have to know\n[Chorus]\nSometimes I run (Sometimes)\nSometimes I hide\nSometimes I'm scared of you\nBut all I really want is to hold you tight\nTreat you right\nBe with you day and night\nAll I really want is to hold you tight\nTreat you right\nBe with you day and night\nBaby, all I need is time\n[Bridge]\nI'll just hang around and you'll see\nThere's nowhere I'd rather be\nIf you love me, trust in me\nThe way that I trust in you\nAh, ooh, yeah\n[Chorus]\nSometimes I run (Sometimes)\nSometimes I hide\nSometimes I'm scared of you (Ooh, ooh)\nBut all I really want is to hold you tight (Hold you tight)\nTreat you right\nBe with you day and night (Day and night)\nOoh, yeah [Chorus]\nSometimes I run (Sometimes)\nSometimes I hide\nSometimes I'm scared of you (Ooh, ooh)\nBut all I really want is to hold you tight\nI'll treat you right\nI'll be with you day and night (Day and night)\nAll I really want is to hold you tight\n[Outro]\nBe with you day and night\nSometimes I run (Sometimes)\nSometimes I hide\nSometimes I'm scared of you\nBut all I really want is to hold you tight\nTreat you right\nBe with you day and night" } ]

[ { "from": "human", "value": "Write me a song called Hot (Remix) with the following description: Young Thug and Gunna are joined by their friend and frequent collaborator, Travis Scott, for the remix of one of the most popular songs on So Much Fun. The remix features a new verse from Travis, which was accompanied by a music video starring the three artists literally on fire.\nThug posted on his Instagram story a screenshot of “Hot” being exported with an open verse, hinting at a remix. Travis Scott also posted a caption “H🔥T“ on his Instagram story that same day, leading many to believe Travis would be the artist featured on the remix.\nOn October 28, 2019, the first snippet of Travis' verse leaked online. The following day, a demo of the remix with an open verse where Gunna’s verse usually appeared surfaced online.\nThis marks the second time that Thug, Gunna, and Travis have all collaborated on the same song, following August 2016’s “Floyd Mayweather.“ Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Gunna]\nWheezy outta here\nHot, hot, hot, hot\nHot, hot, hot, hot\nHot, hot, hot, hot\nHot, hot, hot, hot\n[Chorus: Gunna]\nEverything litty, I love when it's hot\nTurned up the city, I broke off the notch\nGot some more millis, I keep me a knot\nI created history and made me a lot\nHe tried to diss me and ended on Fox\nWe call 'em chopsticks 'cause they gonna chop\nTook her out of Follies 'cause her pussy pop\nI run it like Nike, we got it on lock\n[Verse 1: Gunna]\nCartier eye\nI'm the bossman in a suit but no tie\nI can't be sober, I gotta stay high\nPour me some syrup in a Canada Dry\nRidin' in the spaceship like Bonnie and Clyde\nDon't worry, baby, I keep me some fire\nShenenehs and Birkins, she cannot decide\nThe latest Mercedes her go-to surprise\nDon't sleep on miss lady, her pussy a prize\nDick in her back while I'm grippin' her sides\nBigger Maybach, this ain't regular size\nWe really fly, we like pelican glide\nBitch, you ain't slick, I can tell the disguise\nUpgraded my wrist, put baguettes in that Sky\nShe sing, I might sign her and change her whole life\nI told her to gargle and work on her highs [Chorus: Gunna]\nEverything litty, I love when it's hot\nTurned up the city, I broke off the notch\nGot some more millis, I keep me a knot\nI created history and made me a lot\nHe tried to diss me and ended on Fox\nWe call 'em chopsticks 'cause they gonna chop\nTook her out of Follies 'cause her pussy pop\nI run it like Nike, we got it on lock\n[Interlude: Young Thug]\nCash, money, checks, cash\nAddy, Birkin, brand new extendos\nI just wanna fuck the bitch by myself\nI just passed her to the dawg like my Sprite\n[Verse 2: Young Thug]\nI took the Bentley coupe back, then I hopped in a Cayenne (Skrrt)\nI put the bitch in the front of the Bentley, in front of the driver (Skrrt)\nAyy, man, this synthetic weed, you can't smoke in the Rolls Royce, woah, woah (Yeah, yeah)\nI'm still double cupped up, I'm drinkin',\n I \nshoot off your tires, huh (Doo-doo-doo-doo-doo-doo-doo-doo)\nI'm in the coupe by myself\nI had to kick a door when I was 5\nKeep the awards on the shelf\nWhole sixteen round in the fire\nI'm sick and tired of these young niggas act like they firin', they tellin' these lies\nActin' like they the ones created this and they get all the drip from my guys\nYeah, Cartier eyes\nCartier coat, Cartiers the watch\nCartier love, Cartier the thot\nCartier specs, buffalo on the side\nPrincess cut diamonds, they Cartier, yeah\nCartier bag for the Cartier thot\nSky Wrangler coupe with two hundred the dash\nCartier jeans, ain't no way I can sag\nAin't no way I'ma ever gon' go out bad\nI can't go out, no way I'ma go out\nI just grip on her ass and I show out\nI sit like a champ and I wait on a hold-out\nI just whip up a new Chanel Patek\nI whip with the wrist and I don't break the door out\nTurn the whole top floor to a whorehouse\nHundred racks in ones, dude brought the flood out (\nOh\n) [Interlude: Young Thug & \nTravis Scott\n]\nCash, money, checks, cash (\nOoh, ah\n)\nAddy, Birkin, brand new extendos (\nOoh\n)\nI just wanna fuck the bitch by myself (\nAh\n)\nI just passed her to the dawg like my Sprite (\nOoh, it's lit\n)\n[Verse 3: Travis Scott]\nHot like the 504 Boyz how I move through the lobby (Hot)\nSince '012, La Flame been hot just to show you the timeframe (La Flame)\nHundred mil' down on my desk, but I'm still up deciding (Straight up)\nMatch the M's in my account to the truck in my driveway\n (Skrrt, skrrt)\nI'm in that four-door by myself\nKnow it's a hundred more niggas outside\nKnow they gon' ride 'til the death (Ooh)\nHad some good years, ain't no way I get tired\nI gotta do what I feel\nEvery day Super Bowl, fuck it, oh well\nI put a lot on myself\nIn the field, Richard Mille on like Odell (Let's go)\nShe slid her hand down my pants just to grab the torpedo (Doo-doo-doo)\nI had to go back and link with my slimes like I'm thirteen and zero (It's lit)\nI told her, \"Baby, this not the remix, this a part of the sequel\" (Part of the seq')\nNo, we not livin' the same, we not makin' the same, we not equal (No), yeah, yeah, yeah\nLook, mom, I can fly\nHad some troubles, put that shit in the sky\nBrought the angels, know the devil would try\nIt's so hot, you thought Paris Hilton done said it (Yeah, yeah)\nWhen we come out, we can't help but leave damage (Yeah, yeah, yeah)\nAfterparty, Astroworld out the planet (Yeah, yeah)\nLaid the map out, but they didn't understand it\nWhen I'm home, know that I fuck on a Grammy, yeah [Outro: Gunna]\nHot, hot, hot, hot\nHot, hot, hot, hot\nHot, hot, hot, hot, damn\nHot, hot, hot, hot" } ]

[ { "from": "human", "value": "Write me a song called Wide Awake with the following description: “Wide Awake” is a song inspired by Katy’s divorce from Russell Brand, in which she reveals that now that the relationship’s over she sees everything clearly. The song details how Russell led her to believe that he loved her, until he decided to end the relationship. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI'm wide awake\nI'm wide awake\n[Verse 1]\n(I'm wide awake)\nYeah, I was in the dark, I was falling hard with an open heart\n(I'm wide awake)\nHow did I read the stars so wrong?\n(I'm wide awake)\nAnd now it's clear to me that everything you see ain't always what it seems\n(I'm wide awake)\nYeah, I was dreaming for so long\n[Pre-Chorus]\nI wish I knew then what I know now\nWouldn't dive in, wouldn't bow down\nGravity hurts, you made it so sweet\n'Til I woke up on, on the concrete\n[Chorus]\nFallin' from cloud nine\nCrashin' from the high\nI'm letting go tonight\nYeah, I'm fallin' from cloud nine [Verse 2]\n(I'm wide awake)\nNot losing any sleep, I picked up every piece and landed on my feet\n(I'm wide awake)\nNeed nothing to complete myself, no\n(I'm wide awake)\nYeah, I am born again out of the lion's den\n, I don't have to pretend\n(And it's too late)\nThe story's over now, the end\n[Pre-Chorus]\nI wish I knew then what I know now\nWouldn't dive in, wouldn't bow down\nGravity hurts, you made it so sweet\n'Til I woke up on, on the concrete\n[Chorus]\nFallin' from cloud nine (It was outta the blue, I'm)\nCrashin' from the high\nI'm letting go tonight (Yeah, I'm letting you go, I'm)\nI'm fallin' from cloud nine\n[Bridge]\n(I'm wide awake)\nThunder rumbling, castles crumbling (I'm wide awake)\nI am tryin' to hold on\n(I'm wide awake)\nGod knows that I tried seeing the bright side (I'm wide awake)\nBut I'm not blind anymore [Break]\nI'm wide awake\nI'm wide awake\n[Chorus]\nYeah, I'm fallin' from cloud nine (It was outta the blue, I'm)\nCrashin' from the high\nYou know I'm letting go tonight (Yeah, I'm letting you go, I'm)\nI'm fallin' from cloud nine\n[Outro]\nI'm wide awake\nI'm wide awake\nI'm wide awake\nI'm wide awake\nI'm wide awake" } ]

[ { "from": "human", "value": "Write me a song called I Don’t Mind with the following description: In “I Don’t Mind”, Zayn has resigned to the idea of falling (most likely from the heights of fame and success that he achieved early on in his music career), back to earth to become grounded, before flying again on his own terms. This song depicts his fall as one of eventual triumph, as long as his lover is by his side throughout the experience. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI don't mind falling\nIf it means I get to fly again\nI put my all in\nLike a dream I’m trying to fight against\nI don't mind wishing\nWe're just dancing in the dark again\nThe light blows\nDon’t wanna spend time on the issue\nWe'll never grow old when I'm with you\n[Pre-Chorus]\nWhen I'm with, when I'm with, when I'm with\nWhen I'm with you\nThe sun never comes up\nWhen I'm with, when I’m with, when I’m with\nWhen I'm with you\nIt’s lit, you can't put it out\nI can find you when you're lost\nGirl you'll never see me running out\nFuck anybody else, there’s only you\n[Chorus]\nBut you know I got your back, I'm on your side\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nWhen you know I\nKnow you're playing with my mind\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nNo, I don't mind [Verse 2]\nI don't mind waiting\nIf you need some time to love again\nI don't want nothing\nJust a little something for the pain\nI don't mind wishing\nWe're just dancing in the dark again\nThe light blows\nDon't wanna spend time on the issue\nWe'll never grow old when I'm with you\n[Pre-Chorus]\nWhen I'm with, when I'm with, when I'm with\nWhen I'm with you\nThe sun never comes up\nWhen I'm with, when I'm with, when I'm with\nWhen I'm with you\nIt's lit, you can't put it out\nI can find you when you're lost\nGirl you'll never see me running out\nFuck anybody else, there's only you\n[Chorus]\nBut you know I got your back, I'm on your side\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nWhen you know I\nKnow you're playing with my mind\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nNo I don't mind [Bridge]\nI really don't mind if it's love\nBeen waiting for a sign in the night\nI really don't mind if it's love\nGirl you know\n[Chorus]\nBut you know I got your back, I'm on your side\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nWhen you know I\nKnow you're playing with my mind\nI don't mind\nYou can tell me your lies\nI don't mind\nYou can tell me all night\nWhen I'm with you\nNo I don't mind" } ]

[ { "from": "human", "value": "Write me a song called ME! with the following description: Taylor Swift teaches listeners a lesson about self-love and confidence with “ME!” featuring Panic! at the Disco frontman Brendon Urie. It’s a stark turn from her sixth studio album, reputation, released in 2017, which is known for its dark visuals and mature themes.\nAfter a YouTube credits leak the day before its release, the collaboration was confirmed by Swift herself when she appeared with Robin Roberts on ABC. Before Swift went on air, a Spotify billboard in London, England began to promote the track.\nThe music video for the song gained 65.2 million views on YouTube in its first 24 hours, making it the biggest 24-hour debut for a female or solo artist on the platform, as well as breaking the record for the biggest 24-hour VEVO debut, which she previously achieved with “Look What You Made Me Do.” It also broke the record for most first-day plays on US pop radio, another record previously held by “LWYMMD.”\nContradicting her own pattern, this is the first cover of one of Taylor’s lead singles to not feature a picture of herself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Taylor Swift]\nI promise that you'll never find another like me\n[Verse 1: Taylor Swift]\nI know that I'm a handful, baby, uh\nI know I never think before I jump\nAnd you're the kinda guy the ladies want\n(And there's a lotta cool chicks out there)\nI know that I went psycho on the phone\nI never leave well enough alone\nAnd trouble's gonna follow where I go\n(And there's a lotta cool chicks out there)\n[Pre-Chorus: Taylor Swift]\nBut one of these things is not like the others\nLike a rainbow with all of the colors\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Taylor Swift]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nBaby, that's the fun of me\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e [Verse 2: Brendon Urie, \nTaylor Swift\n]\nI know I tend to make it about me\nI know you never get just what you see\nBut I will never bore you, baby\n(And there's a lotta lame guys out there)\nAnd when we had that fight out in the rain\nYou ran after me and called my name\nI never wanna see you walk away\n(And there's a lotta lame guys out there)\n[Pre-Chorus: Both, \nBrendon Urie\n]\n'Cause one of these things is not like the others\nLivin' in winter, I am your summer\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Brendon Urie, \nBoth\n]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nLet me keep you company\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Bridge: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nStrike the band up, one, two, three\nI promise that you'll never find another like me\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nAnd you can't spell \"awesome\" without \"me\"\nI promise that you'll never find another like [Chorus: Both, \nTaylor Swift\n, \nBrendon Urie\n]\nMe-e-e (\nYeah\n), ooh-ooh-ooh-ooh (\nAnd I want ya, baby\n)\nI'm the only one of me (\nI'm the only one of me\n)\nBaby, that's the fun of me (\nBaby, that's the fun of me\n)\nEeh-eeh-eeh, ooh-ooh-ooh-ooh (\nOh\n)\nYou're the only one of you (\nOh\n)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Outro: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\" (\nOoh-ooh-ooh-ooh\n)\nBut you know there is a \"me\"\nI'm the only one of me\n (\nOh-oh\n)\nBaby, that's the fun of me\n(\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\n)\nStrike the band up, one, two, three\nYou can't spell \"awesome\" without \"me\"\nYou're the only one of you\n (Yeah, yeah)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e" } ]

[ { "from": "human", "value": "Write me a song called We’re Back with the following description: It’s all in the title… the whole album was produced between 2002 and 2006 : Em hasn’t released a lot of albums only Encore in 2004, which is not really acclaimed., he’s having drug problems and people are starting to think he’s ending his carrer…\nHe knows all of that and produces an album bringing new artists (Stat Quo, Cashis, Bobby Creekwater…).\nSo the whole song’s about Em and his team ending all the dumb debates and showing he still got and can bring new stuff. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Eminem]\nShady, we're back!\n[Verse 1: Eminem \nwith Obie Trice\n]\nNothin' can stop and nothin' can change it\nYou better just make new livin' arrangements\nIf you think you the top and king of the castle\nYou about to be thrown off the throne and ripped a new asshole\nAll I hear is I'm best at this and I'm best at that\nBut I don't hear my name, no, ne'er brought up in rap\nAnd I don't usually trip or dare get caught up in that\nBut when they say, \"one of the best\", I'm nowhere thought of as that\nNot even the same league as Jay-Z, Nas, Pac\nBiggie, \nor maybe they'll name me somewhere down at the bottom\nRight after AZ\n, \nor say \"he\nRipped that Biggie verse, or that Jay-Z\"\n\"Yo, his verses were crazy, on that 'Renegade', B!\nBut I ain't never bought no whole CD of Shady\nAnd all I hear is pop tunes come on the radi-\n-o, and they play 'em twenty times in a row daily\"\nAnd that very well maybe the same reason they don't say me\nWhen they speak on hip-hop legends, which has amazed me\n'Cause I thought the formula was to hit mainstream\nAnd make it big-b-big-big-baby-ba \nba-baby\n[Verse 2: Obie Trice]\nSo maybe the eighties made me crazy\nI've been tryna get my weight up since the ace Slim Shady\nGave me the gate key, paved the way\nSo lately, my stakes get better each day\nReplay my relay race, when I was chasin' the 8V at eighteen\nEight years later, his voice in Beijing\nNo choice, I chase cream, so [Refrain: Eminem]\nShady, we're back! (Stat Quo! Get 'em!)\n[Verse 3: Stat Quo]\nThis is what I eat, sleep and breathe and feed\nMy kids wit', it fulfill all my family needs (Come on)\nI treat the mic like the block, fuck with my rocks, and squeeze\nCritics expectin' me to underachieve\nI just deal with the hate I receive by rollin' back my sleeves\nSure was a breeze, I bring him right to his knees (Right to his knees)\nAnd tell him \"Suck my dick,\" (Woo) take a bow and I leave\nWith a sack full of unmarked cheese, I find it hard to believe\nWho to pull or proceed to be G's\nAnd claim they runnin' shit, nigga, I run me (I run me)\nAs a kid, teacher said I had a mouth on me\nThat same mouth got me the deal with Dre and E\nFolk in the hood be askin' where I be\nDawg, I'm out in Hawaii, don't like it? Drink my pee\nRecord song for the \"Detox\" LP\nFeet don't fail he\nNiggas got me bent like Cranberry and Belvee, I'ma die wealthy\nBoss in the game, what the fuck they gon' tell me?\nA-Town's entrée Aftermath\n, Shady!\n[Refrain: Eminem]\nShady, we're back! (Bobby Creek!) [Verse 4: Bobby Creekwater]\nWhat up?\nY'all market y'all block, they sent me to corner that\nRap game's an old flame, my nigga, I want 'em back\nLike mic check, pimp for what it's worth, I got the right net\nSittin' here, excited by some shit that ain't right yet\nNo regret, live by a code you don't know 'bout\nY'all niggas won't be satisfied 'til I show out\nGo out on a limb with Em, 'cause I'm with him\nPut a barrel to the apparel of you and some of them\n(None of them) Stand a chance, at the dance without a bowtie\nShady Records re-introduce you niggas to multi\nSo high off the light that they have given me\nAnd the haters like a chauffeur, because it's driven me\nTo a view with a vendetta, I am the epitome\nI don't give a fuck about ya, nigga, I'm just livin' me\nWe the reason for the season, so I'm breezin' through the track, nigga\n[Refrain: Eminem]\nShady! (Cashis!)\n[Verse 5: Ca$his]\nI can prove I'm here to do somethin' you'd never do\nFrom hand to hand coke sales, from my revenue\nI ain't been to a function, where I ain't snuck a weapon through\n'Cause my background reveals a one eight seven too\nTo the block, I'm the truth, to the cops, I'm the proof\nOf if there's niggas still out there, you just gotta shoot\nI carry over my street ethics to the booth\nAnd the shady crime fam, Al Capone in his youth\nThe difference between me and you, I already done it\nAnd lived the street life niggas run away from, if\nYou follow my life, in a midwest blunted\nPitchforks held high, four fifth by the stomach\nYou can find me right now, on the C.A. streets\nI'm on the roof of the buildin', shootin' at police\nSome of the homies feel opposition, can't kill me\nI'm a walkin' obituary, death live in me\nI take life through the pen, by the way, I'ma see\nOr have you raped in the pen, like American meat\nI'm connected, gettin' weight from MS 13\nWith SKs, ARs and Mini 14s\nI'm Cashis, the last of the real, wit' a strap\nOn Prozac, D's and E-Pills, it's a wrap\nGet the block on tip, two for tens of crack\nI'm in a lifetime contract, Shady's back\nNigga [Refrain: Eminem]\nShady, we're back! (Ha! I told you, \"We was back!\")\n[Outro: Eminem]\nHahahaha-hahaha! *pbbbbbbt* (\nWhat?\n)" } ]

[ { "from": "human", "value": "Write me a song called Want U 2 Want with the following description: Want U 2 Want is a song that was premiered on the Beats 1 Radio on Apple Music under Q-Tip’s time slot, Abstract Radio.\nThere have been no further details to an official release date or any further information about any future Kendrick Lamar and Q-Tip work.\nKendrick collaborated with Q-Tip’s A Tribe Called Quest group back in 2016, for “Conrad Tokyo”, off their politically charged sixth studio album.\nDuring an interview, Q-Tip stated Kendrick’s music was a direct influence on Tribe’s album;\nLike we were listening to ‘Bohemian Rhapsody’ by Queen, then ‘Money Trees’ by Kendrick and then we’d go to like Rakim. It was just a sonic exercise to hear all of those different records, not to geek out but to hear the common thread, sonically. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kendrick Lamar]\n[Chorus: Kendrick Lamar]\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\n[Bridge: Kendrick Lamar]\nHey, ho, hey, want me\nHey, ho, hey, want me\nHey, ho, hey, oh, oh [Verse 1: Kendrick Lamar]\nI wanna see you fall through, quick, fast, without havin' to call you\nQuick fast, I know just what they all do\nBut you can do it better and it's all cool\nNever seen a stop sign or a stop light\nI wanna see what livin' on the top like\nYou wanna see what livin' on the top like\nThen shadow me and take me on a joy-ride\nLook both ways wherever there I go\nIn case I run into you, I drive slow\nI know your sex-drive go all day\nThen we can roll [?] 'till tomorrow\nLights out for the insecure, self-centered\nI know your heart won't be the same when I\nDive in head first, I don't mind if I drown\nIn other words, girl I need you right now\nI said--\n[Chorus: Kendrick Lamar]\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me [Bridge 2: [Sample]]\nJust like I want you\nJust like I want you\nJust like I want you\nJust like I want you\n[Bridge 3:Q-Tip]\nShe needs me, uh, I need her, uh\nDowntown, uh, me first, uh, me first, uh me first\nShe needs me, uh, I need her, uh\n[Verse 2: Kendrick Lamar]\nI wanna pick your brain too, I wanna get the brain too\nTell the truth I might even stand in the rain to (I might even stand in the rain)\nJust to make you rain too\nSee your last one didn't recognize your worth (Uh-huh)\nAll good I let him go first, all good I let you go first\nI come right after then second round occur\n[Shortened Chorus: Kendrick Lamar]\nThe love of your name can only pertain\nTo the flame I got in my vein, I never complain\nWhen your name is mentioned, I can't hold back or restrain\nIt's the flame I got in my vein, I never complain\nI just want you to want me, want you to want me [Bridge 2: ?]\nJust like I want you\nJust like I want you\nJust like I want you\nJust like I want you\n[Bridge 3: Q-Tip]\nShe needs me, uh, I need her, uh\nDowntown, uh, me first, uh, me first, uh me first\nShe needs me, uh, I need her, uh" } ]

[ { "from": "human", "value": "Write me a song called D’s Up with the following description: Juelz Santana is on a serious roll to start 2017, and he continues with the release of his new banger, “D Up,” alongside Migos and Jim Jones. While the new track features a heavy dose of the Migos and that fresh Atlanta sound, Juelz and Jim bring through that classic Dipset feel to blend the eras in the best way possible. Juelz has so much more planned later in the year, and this is just a taste of big things to come. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Offset]\nYou know what I'm saying\nRich nigga shit\nIt's the only way to go\nWoo!\nHey!\n[Verse 1: Offset]\nForeign (foreign), Bugatti's (yea)\nDirty pistol havin' bodies (brrt)\nDon't know what it cost I just buy it (how much?)\nShe a whole 'nother bitch on the molly (woo)\nHavin' them racks, I been havin' them racks (racks)\nYoung nigga playin' monopoly (monopoly)\nThe devil keep tryna jump all on my back\nBut I'm the man, ain't stoppin' me (nah)\nFuckin' that bitch, she got too attached\nShe won't get a call or text from me (brr)\nThese niggas takin' my recipe (recipe)\nMoney on the right and the left of me (racks)\nGossippin' just like a bitch my nigga (gossip)\nI'm in the trap cookin' fish my nigga (trap)\nYou poppin' so fuck it let's hit my nigga (hit)\nSurrounded by dawgs, they pits my nigga (errr)\nI'm stayin' away from the lames and thotties, I'm bout to get me a profit (profit)\nI'm swervin' the lanes, my engines is 'Rari, 488 a 'Rari\nExcuse me pardon, colorful diamonds like I been playin' sorry (sorry)\nLook at my bitch she a barbie (barbie)\nDouble cup sippin' on bar (mud, drank, drank)\nGotta survive, the coolant it come with the TEC (brrt)\nRun up your check, then you go buy a Patek (run up a check, hey)\nWatery diamond, drippin' splash, wet (drip, splash, splash)\nWe got them choppers on deck when we boardin' them jets (aye) [Chorus: Quavo]\nI can not fuck up the reup, coco, ski up\nYeah, I got high paid shooters (high paid)\nI'm tellin' them niggas to D up (D up)\nDrop off, hardball\nGrandpa got a sawed-off (grandpa)\nCan't no work be stepped on (nah)\nNone of my niggas gon' fall off\nJumpin' out the trees with the ski's (with them ski's yeah)\nPull up on the plug with the fees (with them fees yeah)\nMake her pop a perky on her knees (on her knees yeah)\nI hook-shot that pot like Kareem (hook-shot)\n[Verse 2: Takeoff & \nJuelz Santana\n]\nChampionship on my ring\nI make my bitches trap out of Céline\nI put that ice in my watch, Mr. Freeze\nAnd I'm takin' the PJ just to go to Belize\nI need that big gun, I'm talkin' machine\nThese pussy niggas just blowin' out steam\nI get it lit 500 degrees\nChopper hit everything, bada boom bada bing\nBeat the pot with the stamina (beat it)\nFucking your bitches on cameras (smash)\nI got a bag of that Pamela\nPut it right in the trunk of my tarantula\nThat's a spider for you dumb fucks\nMoney comin' by the dump trucks\nBodies lay by the dumpsters\nIt's real mobsters amongst us\nKnots, trap out the bando it's hot\nFuck it invade the spot (spot)\nWrist watch, I put the wrist in the pot (pot)\nI had to seize the lot\nTick tock, bitch still on the clock now go get that money for daddy\nWhip rocks, soon as my work hit the block fiends line up for the package\nI need that money, give me the loot\nPlay with my money, how silly is you?\nI go to the dealer, I pick and I choose\nI look like Mister T with all my jewels\nIf you try take it, I pity the fool\nI take your honey, you Winnie the Pooh\nMy niggas got sticks that's bigger than you\nCan't swim with the sharks, then stay in the pool [Chorus: Quavo]\nI can not fuck up the reup, coco, ski up\nYeah, I got high paid shooters (high paid)\nI'm tellin' them niggas to D up (D up)\nDrop off, hardball\nGrandpa got a sawed-off (grandpa)\nCan't no work be stepped on (nah)\nNone of my niggas gon' fall off\nJumpin' out the trees with the ski's (with them ski's yeah)\nPull up on the plug with the fees (with them fees yeah)\nMake her pop a perky on her knees (on her knees yeah)\nI hook-shot that pot like Kareem (hook-shot)\n[Verse 3: Jim Jones & \nQuavo\n]\nI was hanging with the dealers then\nStill hanging with the dealers now\nThey know I just signed a deal, so they ask how I'm feelin' now\nI still run around and them phone calls\nPull up, pull the ceiling down (Skrt skrt)\nI bought the crib in Miami though, had to drop a quarter million now\nSo, what really talkin' 'bout and New York bring Porsches out\nI be thinkin' the days, that I was stuck in trail 'til the judge had to toss out it\nSummertime bring Forces out\nNo socks, with the powder in 'em\nGot my jewels on and my tank-top, big blunts with the loud up in 'em\nSkinny bells with the locks on it\nSoft top with the top on it\nMaster piece with the rocks on it\nBig broom with a mop on it\nExtendo clip, put a Glock on it (graow)\nHotbox, got the cops on me (woo)\nGood dope, put a sock on it (dope)\nTry the gang, get popped on it (gang) [Chorus: Quavo]\nI can not fuck up the reup, coco, ski up\nYeah, I got high paid shooters (high paid)\nI'm tellin' them niggas to D up (D up)\nDrop off, hardball\nGrandpa got a sawed-off (grandpa)\nCan't no work be stepped on (nah)\nNone of my niggas gon' fall off\nJumpin' out the trees with the ski's (with them ski's yeah)\nPull up on the plug with the fees (with them fees yeah)\nMake her pop a perky on her knees (on her knees yeah)\nI hook-shot that pot like Kareem (hook-shot)" } ]

[ { "from": "human", "value": "Write me a song called Statement on Wireless with the following description: via Wireless\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "To my beloved fans, it truly breaks my heart that I won't be able to perform as planned at Wireless and Roskilde this weekend. I got sick a few days ago and although I am on my way to bouncing back, my doctors have made it clear that I am not physically fit to fly or deliver the performance my fans expect and deserve from me. I will be focused on resting for a quick recovery. I have the best fans in the world and I can't wait to come back to make more incredible memories together" } ]

[ { "from": "human", "value": "Write me a song called Fly High with the following description: https://www.youtube.com/watch?v=kY4ItkezzQk Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Sample]\nTaking it slow, feeding my flame\nShuffling the cards of your game\nAnd just in time, in the right place\nSuddenly I will play my ace\n[Chorus: French Montana]\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nIt's money on our side, niggas talking 5 shots\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nTo the top we're flying high\nFlying high, flying high, flying high\n[Verse 1: Lil Durk]\nI did two on my first case, next case 21, the worst case\nI was 21 when I really sing the birthday\nI know niggas die before they seen they 10th birthday\nNiggas talk to me about fire\nTold my niggas I'd be rich they called me liar\nAnd now they buyin' fame but get burnt playing with this lighter\nI come through late nights with this 40 and bright they night up\nThey grabbed NumbaNine for a homicide\nLeft me traumatized, now I'm screamin' fuck the other side\nRider, grab the glizzy, I'mma slide 'em\nFuck all these rumors, I keep my pride on [?] [Chorus: French Montana]\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nIt's money on our side, niggas talking 5 shots\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nTo the top we're flying high\nFlying high, flying high, flying high\n[Verse 2: French Montana]\nGot a million when I bought a Ghost\nI don't date, I rather play the joke\nIn that European riding with a burner\nIf a nigga run up on me I'mma burn him\nNigga make me love it first\nNowhere to turn when niggas turn up\n100 racks, bought 'em on the flyer\n100 clip, don't play with that fire\nThey caught Max for the seven five\nLeft me traumatized, fuck the other side\nChiraq, Southside with Durk\nCoke boy nigga till the dirt\n[Chorus: French Montana]\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nIt's money on our side, niggas talking 5 shots\nSaid it's money on our side, niggas talking 5 shots\nNiggas talking fire hot\nTo the top we're flying high\nFlying high, flying high, flying high" } ]

[ { "from": "human", "value": "Write me a song called Two Models* with the following description: Chris shared a snippet of this track on Instagram on November 4th, 2019, with the caption:\nFinally been able to get in da yo Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from snippet:\n[Intro]\nYeah\nOh-oh-oh-oh\nCan you believe it?\n[Verse 1]\nI been feelin' stressed\nSo I feel the need to go and flex\nBut there's no tellin' how I'm comin' next\nNiggas got me upset, yeah\nOn the set\nAny nigga I can find, get the Tec (Brr)\nI am not a rough, no, you take different steps there\nI only smoke the loud, you be smokin' deaf\nTuxedo in a jet, double-R Saturdays\nIf you see what's on my neck\nMy shit lookin' like a treasure chest\nVVS, yeah\nDrop top, my Ferrari ceiling proof\nDon't be hatin' if you know that you ain't bullet proof (Ooh)\nBirds all in my home lookin' like a chicken coop\nShut the city down, take that bitch over from ten-to-two\n[Chorus]\nOoh yeah\nI be with two models\n[...]" } ]

[ { "from": "human", "value": "Write me a song called ​marjorie with the following description: “marjorie” is track 13 off of Taylor Swift’s ninth album evermore, and is a tribute to her late grandmother Marjorie Finlay. Appropriately, “epiphany” (the 13th track on evermore’s sister album, folklore), was in part about her grandfather, Dean.\nMarjorie, who passed in 2003, was an opera singer and helped inspire Taylor to pursue music. In the album notes, Marjorie is credited with background vocals.\nGiven that evermore also has a track titled “dorothea,” fan speculation suggests that this song may also allude to the story of Marjorie West, a four year-old girl who disappeared in Pennsylvania, where Swift grew up. Dorothea was the name of Marjorie West’s sister, and was reportedly the last person to see her before she went missing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNever be so kind\nYou forget to be clever\nNever be so clever\nYou forget to be kind\n[Pre-Chorus]\nAnd if I didn't know better\nI'd think you were talking to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Verse 2]\nNever be so politе\nYou forget your power\nNevеr wield such power\nYou forget to be polite [Pre-Chorus]\nAnd if I didn't know better\nI'd think you were listening to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Bridge]\nThe autumn chill that wakes me up\nYou loved the amber skies so much\nLong limbs and frozen swims\nYou'd always go past where our feet could touch\nAnd I complained the whole way there\nThe car ride back and up the stairs\nI should've asked you questions\nI should've asked you how to be\nAsked you to write it down for me\nShould've kept every grocery store receipt\n'Cause every scrap of you would be taken from me\nWatched as you signed your name Marjorie\nAll your closets of backlogged dreams\nAnd how you left them all to me [Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Outro]\nAnd if I didn't know better\nI'd think you were singing to me now\nIf I didn't know better\nI'd think you were still around\nI know better\nBut I still feel you all around\nI know better\nBut you're still around" } ]

[ { "from": "human", "value": "Write me a song called I Pray For You with the following description: Pusha’s favourite song off the album, “I Pray For You” is the fourth Clipse collaboration since the group ended in 2010, and the second in the past month. This is also the first track where No Malice has referred to himself as Malice since his conversion to Christianity in 2012.\nPusha T raps about what he has accomplished with his brother in their lives and careers, while Malice turns faith talk into some threats living up to his name, all over Labrinth’s gospel-like vocals and organ-heavy production reminiscent of church music.\nThe song was first revealed in Pusha T’s April 11, 2022 interview with Charlamagne tha God and it was later used for the album’s date announcement in a short trailer. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Labrinth]\nI pray for my enemies\nI pray for my friends\nI pray for the one who won't betray me again\nPray for the killers, I pray for the saints\nPlease, pray for me now\n‘Cause, darling, I pray for you\nI pray for you, mmm\nI pray for you, mmm\nI pray for you\nPray for you (You)\nI, you, ooh\n[Verse 1: Pusha T]\nRarely do you see the Phoenix rise from the ashes\nLightnin' struck twice on four classics\nSelf-preservation, we separate ourselves from the plastic\nThe ankle of my sweat still elastic, still do gymnastics\nIf Hov's still forever young\nThen I'ma somersault backwards through these chapters\nLand in thе soft-white, cook it till it's off-white\nThey quеstionin' my scorecard, hold it to a torch light\nI hid it in the porch light, see, I had the foresight\nMy 9-1-1 was pullin' up to matchin' Porsche night, ooh\nThe married drug dealer, even named my son Brixx\nHe raps what he lives, so fuck the nanny, gon' sit\nIt's the grown man in me\nSearchin' for the plug, that's the nomad in me\nStill the X factor, that's the Rohan in me\nReluctantly a role model\nThat drowned in too many gold bottles\nHarold Melvin without the Blue Notes\nThe past ten years, screamin', \"Uno\"\nThen side step back into the duo\nThe kings of the Pyrex\nI'm my brother's keeper if you listen and you dissect\nAll I talk is money if you listen to my dialect\nBitch, I shot \"Grindin'\" in my momma's momma's projects\nI'm just being honest with you, how is that for context?\nYou can live forever when the shit you write is timeless\nWe gon' live forever 'cause the shit we write is timeless [Bridge: Labrinth]\nOh\nOh, oh (Ooh)\n[Verse 2: Malice]\nTell me what I missed\nNew designer drugs and emotions I don't get\nI don't Hellcat, still paddle when I shift\nVietnam flashbacks, I get triggered by a sniff\nToday's top fives only strengthenin' my myth\nBelong on Rushmore just from chiselin' a brick\nStill fightin' demons, see, that curse is now my gift\nSecrets die with me, that's as deep as the abyss, that is no coincidence\nWhen I was in the mix, opened up your nose like I'm cuttin' it with Vicks\nSlavin' over stoves like I rub together sticks\nPaved another road so my soul would coexist\nBut Heaven only knows, I won't dig another ditch\nIn a suit and tie, like you puttin' on the ritz\nThree record deals show me ignorance was bliss\nTryna milk a game that is only two percent\nX told you Hell is hot, I told you, \"Repent\"\nFaith never waivered as I walked along the fence\nFaith moves mountains, so what are you up against?\nWatch my brother 'round you bitches, I know he pretends\nI greet you with the love of God, that don't make us friends\nI might whisper in his ear, \"Bury all of them\"\nLight another tiki torch and carry it again\nBack up on my high horse, it's chariots again\nPut the ring back on her finger, marry it again [Outro: Labrinth]\nOh\nOh, oh (Ooh)" } ]

[ { "from": "human", "value": "Write me a song called Father Stretch (Kendrick Lamar Demo) with the following description: On March 18, 2018, an eight-second snippet of Kendrick Lamar and Kanye West rapping over the “Father Stretch My Hands, Pt. 1” instrumental was leaked by a group known as MusicLeaks. The full song later leaked on March 23.\nKendrick has more of a pivotal role in the song than Kanye, and it’s possible that his verse serves as a reference for Kanye in the same manner as his “All Day” verse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-Chorus: Kanye West]\nWho can I make that them better right now?\nWho, oh I know that'll make it better right now?\nWho do I know that'll make 'em better right now?\nWho do you know?\n[Chorus: Kanye West]\nI just wanna feel liberated I, I, I\nI just wanna feel liberated I, I, I\nIf I ever instigated I, I\nTell me who will never related, I\n[Verse: Kendrick Lamar]\nAnnie, are you okay? Ooh, yeah (ooh, la-la)\nAnnie, are you okay? Ooh, yeah\nDo you like foreplay? Ooh, yeah\nDo you go both ways? I really need confirmation\nYour love is abomination, fucking you is like a bomb of nations\nArea 51 in that pussy, ah\nThe president 'bout to cum in that pussy, ah\nI got mind control, I got dick control\nI reel 'em in for the fishing pole\nI love legs like Robyn Fenty\nStretch them shits like limo Bentleys\nCatch them tits with an open mouth\nThe interview up outta that Oprah house\nYou know I love it when it's pokin' out\nYou know I'm thuggin' even in the drought, you know him\nI fuck around and crash a brand new Bugatti\nIn the mothafuckin' lobby so you know I'm in the building\nWon't you kiss it, baby? Take a picture\nI, I, I, I, I'm killin' em\nIlluminati want my money and my body\nEven Donny rollin' by me, looking aggravated that I made it\nFuck you and your mama, nigga\nI, I, I, I, I see the bitch in them, I got the Benjamin\nI got the dividend, \nI'm on my toes like Serena at the Wimbledon\nPie à la mode on a Monday for my woman-friend\nI'm in the mode of a mortal man\nI'm living in the orbit of deliverin'\nSex in a cathedral, empty, Grand Marnier that I reload, ten Gs\nIn the hallway, she a Leo, I'm a Gemini\nGive me mine, genocide, kill 'em all, thirty times [Pre-Chorus: Kanye West]\nWho can I make that them better right now?\nWho, oh I know that'll make it better right now?\nWho do I know that'll make 'em better right now?\nWho do you know?\n[Chorus: Kanye West]\nI just wanna feel liberated I, I, I\nI just wanna feel liberated I, I, I\nIf I ever instigated I, I\nTell me who will never related, I\n[Outro: Kanye West]\nWhy I fucked you this evening\nAt Southside, live for these things\nBy the way, how you feelin', forgot\nI don't give a fuck about your family and that, oh\nBack it up, back it up, oh oh\nBack it up, back it up, oh oh\nBack it up, back it up, oh oh\nBack it up, yeah" } ]

[ { "from": "human", "value": "Write me a song called Already Over with the following description: In “Already Over,” Carpenter explores the fragility of relationships that should’ve ended already, she takes us through a relationship between her and someone else where they know should’ve stayed friends, but haven’t fallen out of their routine of being lovers. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWe been talkin' for hours\n'Bout how we shouldn't talk for hours on end\nKissin' after a conversation\n'Bout how we'd probably be better off as friends\n[Pre-Chorus]\nSame time here next weekend\nSay we won't do this again\nMake me fall where I stand\nOnly like you can\n[Chorus]\nYeah, I say I'm done, but I'm still confused\nHow am I supposed to close the door when I still need the closure?\nAnd I change my mind, but it's still on you\nHow am I supposed to leave you now that you're already over?\nHow am I supposed to leave you now that you're already over?\n[Verse 2]\nSelfishly don't wanna give you\nTime to be on someone else's lips (Ah)\nBut I'll take three short hours over\nThree long weeks pretendin' like we don't exist, hmm (Ah)\n[Pre-Chorus]\nSame time here next weekend\nSay we won't do this again\nMake me fall where I stand\nOnly like you can [Chorus]\nYeah, I say I'm done, but I'm still confused\nHow am I supposed to close the door when I still need the closure?\nAnd I change my mind, but it's still on you\nHow am I supposed to leave you now that you're already over?\nHow am I supposed to leave you now that you're already over?\n[Bridge]\nAfter the aftermath, I know you'll be comin' back\nTo the back bedroom and it won't be the last\nOf the aftermath, I know you'll be comin' back\nTo the back bedroom and it won't be the last time\n[Chorus]\nI say I'm done, but I'm still confused\nHow am I supposed to close the door when I still need the closure? (Ooh)\nAnd I change my mind, but it's still on you\nHow am I supposed to leave you now that you're already over?\n[Outro]\nYeah, I like my bed, but it likes you too\nHow am I supposed to leave you now that you're already over?" } ]

[ { "from": "human", "value": "Write me a song called Playwright with the following description: Being a rapper is just one aspect of Logic.\nBut Logic, also being a father, leads to another mission in his life, and leads to him appreciating the family he is constructing from the ground up.\nAs a rapper, Logic has achieved a level of success and fame that many people aspire to. However, he recognizes that being a father is a much more important and fulfilling role in his life. Being a parent requires a lot of hard work and dedication, but it is also incredibly rewarding.\nDespite this talent, he doesn’t let himself get caught up in the idea of competition or the need to be the best. In fact, he actively wants his fellow rappers to succeed and win, recognizing that there is room for everyone to thrive in the rap world.\n\n\n\n\n\n\n\nfeeling like a Playwright ✍️\n — \nYouTube\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Logic]\nAhem\nYou, you, you, you\nYeah, yeah, yeah, ayy\n[Chorus: Logic]\nUh, uh, when the vibes is right\nChillin' with the homies, tryna dodge the plight\nRapper by day, but I'm a dad by night\nYou can have all the money, but your time finite\nUh, yeah, you know we doin' it right\nFamily over everything's a beautiful sight\nCruisin' in the Bronco on a Tuesday night\nMost don't live they lives by the rules they write\n[Verse: Logic]\nRappin' through the evenin' 'til I see the daylight\nOutKast, fuck the crowd and whatever they like\nLogic known for tellin' stories like a playwright\nStay Black, brothers and sisters it's how we stay right\nThis that midnight marauder shit\nFlow seamless over the beat, it's kind of like a partnership\nAren't you nervous you aren't the best?\n I never even thought of it\nHa, yeah\n'Cause, see, for me, it's not a contest\nI want all my brothers to win, all my brothers to win\nFor me, it's not a contest\nI want all my brothers to win, all my brothers to win (Uh, uh)\nI'm pressin' in (Uh, uh), the lesson is (Uh, uh)\nI'm investin' in (Uh), the rest of them (Uh)\nI'm pressin' in (Uh), the lesson is (Uh)\nI'm investin' in (Uh), the rest of them (Uh) [Chorus: Logic & Andy Hull]\nUh, uh, when the vibes is right\nChillin' with the homies, tryna dodge the plight\nRapper by day, but I'm a dad by night\nYou can have all the money, but your time finite\nUh, you know we doin' it right\nFamily over everything's a beautiful sight\nCruisin' in the Bronco on a Tuesday night\nMost don't live they lives by the rules they write\n[Bridge: Andy Hull]\nOh, swinging through the evening, until I see the daylight\nLet me know the sequence, until they feel the limelight\nSwinging through the evening, until I see the daylight\nLet me know the sequence, until they feel the limelight\n[Outro: Logic, \nBig Lenbo\n & \nC Dot Castro\n]\nYo, that's Castro's apartment right there\nHere he comes\nAyo, for real, like, I kind of gotta talk to him about tonight\nAh, yeah, fuck, what's up, niggas?\nWhat's up?\nOh, what's up, bro, how you doin'?\nBro, I'm fuckin' excited\nMe too, man\nMan, I can't wait, we gonna kill that shit\nAyy, Lenny, you got a \nNewport\n?\nYeah, I got you\nYou got a lighter?\nWhat? Nigga, goddamn, nigga\nYou want me to smoke that shit for you too?\nDamn, bro\nFuck, man, here\nThank you, what you wake up on the wrong side of the bread?\nAyy, Castro, man, I gotta talk to you about somethin'\nWhat's up?\nLook, bro, I love you\nBut I don't think you understand the definition of a hypeman\nWhat you mean?\nWhat I mean is that— look\nIt's the hypeman's job to alleviate pressure from the main act, you know?\nSo, when I come and I say\n\"My name is Logic, if you don't know by now, I'm always on my\"\nThat's when you supposed to come in and say \"grind\"\nWhile I take a breath, okay, so I can rap the next part\nNigga, I know what a hypeman is\nNo, you obviously don't, 'cause you too hype\nYou be rappin' the whole verse and shit, on stage, what the fuck?\nMan, calm the fuck down, Logic\nYou too hype right now, it ain't that deep\nMan, whatever, man, just let me hit that Jack\nWe'll be at UMD in like twenty minutes\nWell, good thing I brought beat CDs\nYou did?\nDuh, Lenny, throw this in, I'm tryna freestyle\nWho goin' first?" } ]

[ { "from": "human", "value": "Write me a song called Nut Up with the following description: “Nut Up” is a leaked track from Detroit legend Eminem that was reportedly supposed to appear on the unreleased album Relapse 2, which was later scrapped. It finds Em describing a night at a club, with the verses progressing from him preparing for the night, drinking and dancing, then culminating with him trying to leave with a girl.\nThe first snippet of the song was leaked in 2011 by Koolo, who made a name for himself after leaking several other Eminem songs. A second snippet of the song was leaked on July 22nd, 2019, followed by a leak of the full song on August 15, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAyy, Em\nYeah!\n[Chorus]\nSo, Slim Shady, to the stage, please\nOh, won't you please make the place go crazy?\nYou know what you doin' when you do it for the ladies\nSo, ladies, this ain't the place to be in if you're lazy (Get up!)\nI said, \"Shady, to the stage please\"\nOh, won't you please make the place go crazy?\nYou know what you doin' when you do it for the ladies\nSo won't you please step up to the mic, baby?\n[Verse 1]\nIt's been a little boring lately\nI've been playing in poison ivy and pee\nI've been itching to get in some S-H-I-T\nYou heard what I S-A-I-D\nThis club? I guess they I.D.​\nBut they just let me in without it, so I guess they like me\nI put on my best dang white tee for this evening's festivities\nAnd I even got it pressed and dry-cleaned\nIt's me and the rest of my heathens, we in the building\n'Til it closes, we're partying 'til then nobody knows that I'm drinking\nKeep my Bacardi concealed inside of my jacket\nWhen no one's looking, I tap the bottle, crack it, then swig it then put the frigging top back on it and cap it\nYeah, that same bullshit, man, I just got back on it, god dammit\nBoy, you don't want it, doggone it, that gin and tonic, I slam it\nAn alcoholic, \nI am what I am, that's all that I am\nAnd upon my further inspection, Monica's bra I examine\nAnd if you're wondering why I'm looking in awe as I am\nIt's 'cause I'm just so overjoyed to see people brawl to my jam\nAnd now let's go [Chorus]\nSo, Slim Shady, to the stage please\nOh, won't you please make the place go crazy?\nIf you know what you doin', fellas, turn to the ladies\nAnd tell 'em, \"You just the hit the lottery, baby\"\nI said, \"Shady, to the stage please\"\nOh, won't you please make the place go crazy?\nWe heard the fellas, now let's hear it from the ladies\nSay, \"You just the hit the fucking lottery, baby\"\n[Verse 2]\nMan, I hate it when no one's paying me any attention\nSo I won't let up 'til they do, I don't have any intention\nMa, I like your breast, but your booty's too skinny to pinch it\nHow is that possible with a waist on me about 26 inches?\nEase up on the Henny, just sip it\nThere's so many winches up in here that's got my interest\nI'm drenched in sweat down in the trenches\nContinue to make my way all the way to the center of the dance floor I've just entered\nHope that I don't get injured, oh, here I go\nI'm shaking my tail for the oh-so member\nOh, feet, don't fail me now\nBetter be nimble when you swoop this bimb' up\nGet the info on the nympho dudes went for 'cause of the way he pimped up\nShady's Mercedes Benz\n with the crazy rims got the ladies trembling\nLike a gremlin with a head full of \nRed Bull\n at 12:15 AM and\nDude, I feel incredible, is medicine edible? You are unforgettable\nGirl, the fact we didn't meet sooner is the only thing that I think's regrettable\nLet me check my schedule (Shit)\nOh no, your phone number ain't even legible, this night's unmeasurable\nIt'd be my pleasure to introduce you to [Chorus]\nSlim Shady, to the stage please\nOh, won't you please make the place go crazy?\nIf you know what you doin', fellas, turn to the ladies\nAnd tell 'em, \"You just the hit the lottery, baby\"\nI said, \"Shady, to the stage please\"\nOh, won't you please make the place go crazy?\nWe heard the fellas, now let's hear it from the ladies\nSay, \"You just the hit the fucking lottery, baby\"\n[Verse 3]\nSo when you come in the club, don't care if you paid or you snuck in\nSoon as you hear the beat drop, stop what you doing, start buckin'\nSo get up like you're up and, homie, get down like you're ducking\nUp like you're stuck in the air and down like you're down on your luck\nAnd not down like out, so just turn that frown upside down that you're stuck in\nThere's no upside when you're down\nThe only downside when you're up is being hungover\nSo, Shady, won't tell you 'em what's up?\nThen go get your cup and refill it\nNow speed it up a little bit and just kill it\nDon't stand there and look at my whip, chick, get in\nI ain't gotta tell you again, now close the door, you're lettin' flies in\nWhat? Am I supposed to be air conditioning the whole outside then?\nWould you look at what you're riding in?\nYou better take pride and stare at it for five minutes\nYou're lucky I didn't just drive by in it\nYou're privileged just to be inside of it\nI stepped in this party to liven it\nI just caught a vibe in it the minute that I arrived in it\nSo, ladies, where you at? Make some noise if you're likin' it\nThen tell your boyfriend to take a hike again\nTwo Heinekens and you're mine\nSo, Slim Shady, won't you please step to the mic again? (Come on) [Chorus]\nSo, Slim Shady, to the stage please\nOh, won't you please make the place go crazy?\nIf you know what you doin', fellas, turn to the ladies\nAnd tell 'em, \"You just the hit the lottery, baby\"\nI said, \"Shady, to the stage please\"\nOh, won't you please make the place go crazy?\nWe heard the fellas, now let's hear it from the ladies\nSay, \"You just the hit the fucking lottery, baby\"" } ]

[ { "from": "human", "value": "Write me a song called Smooth Criminal with the following description: Alien Ant Farm covered “Smooth Criminal” originally by Michael Jackson for their 2001 album Anthology.\nAccording to the band members, they would play a few riffs of the Jackson song while warming up before gigs and audience members would request them to play the entire song. This positive feedback encouraged them to record their own rendition of “Smooth Criminal” and include it on Anthology.\nAn early version of this cover is featured on the band’s first album titled Greatest Hits. The song is there titled “Slick Thief” (a slight rewording of “Smooth Criminal”).\nAlien Ant Farm’s cover of “Smooth Criminal” has become their only substantial hit, and featured in American Pie 2, Horrible Bosses 2, Guitar Hero On Tour: Decades, and Karaoke Revolution.\nThe music video has just about any Michael Jackson reference possible, in a period where MJ was considered a freak who possibly molested children instead of the hitmaker from the preceding decades.\nhttps://www.youtube.com/watch?v=CDl9ZMfj6aE Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Oh no)\n[Verse 1]\nAs he came into the window\nWas a sound of a crescendo\nHe came into her apartment\nHe left the bloodstains on the carpet\nShe was sitting at the table\nHe could see she was unable\nSo she ran into the bedroom\nShe was struck down\nIt was her doom\n[Break]\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\n[Chorus]\nAnnie, are you OK\nWill you tell us that you're OK\nThere's a sign at the window\nThat he struck you\nA crescendo, Annie\nHe came into your apartment\nHe left the bloodstains on the carpet\nThen you ran into the bedroom\nYou were struck down\nIt was your doom [Break]\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nYou've been hit by, you've been struck by a smooth criminal\n[Verse 2]\nSo they came into the outway\nIt was Sunday, but a black day\nI could make a salutation\nSounding heartbeats, intimidation\n[Break]\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\n[Chorus]\nAnnie, are you OK\nWill you tell us that you're OK\nThere's a sign at the window\nThat he struck you\nA crescendo, Annie\nHe came into your apartment\nHe left the bloodstains on the carpet\nThen you ran into the bedroom\nYou were struck down\nIt was your doom Annie, are you okay, you okay, you okay, Annie?\nYou've been hit by, you've been struck by a smooth criminal\n[Short Instrumental]\n[Chorus]\nAnnie, are you OK (oh no)\nWill you tell us that you're OK (oh no)\nThere's a sign at the window (oh no)\nThat he struck you (oh no)\nA crescendo, Annie (oh no)\nHe came into your apartment (oh no)\nHe left the bloodstains on the carpet (oh no)\nThen you ran into the bedroom (oh no)\nYou were struck down\nIt was your doom\n[Break]\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?\nAnnie, are you okay, you okay, you okay, Annie?" } ]

[ { "from": "human", "value": "Write me a song called Gang Gang with the following description: On “Gang Gang,” Wiz recruits his own Chevy Woods and Casey Veggies. Casey, who joined Wiz and Snoop Dogg High Road Summer Tour raps about cash as Chevy continues the theme.\nThis track is expected to appear on Taylor Gang Vol. 1. For Wiz and Chevy, this is their follow-up effort to “Isaac Hayes.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Wiz Khalifa]\nGang, gang, gang, gang\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)\nGang, gang, gang, gang (Yeah)\nGang, gang, gang, gang (Gang-Gang-Gang, Gang)\n(Gang, gang, gang, gang, gang, gang, gang)\n[Verse 1: Chevy Woods]\nI'm rollin' up that motivation, they don't ever give me no credit\nNo alerts turned on my phone so I ain't get your message\nThese women all in they feelings over call-backs and all that\nMan, tell these hoes that I'm big time and I'm Mannie Fresh, how you love that?\nThat bank card like uh, rich nigga, no limit\nTop off when it pop off, with her head down, how I'm livin'?\nBitch, stay out your feelings, keep it G and get rich\nShe came over, that's game over, she here talkin' with Richard\nI told lite(?) that it's go time, if she 'bout that then it's lit\nCap' just called me on FaceTime while smokin' joints with your bitch\nAnd that's G-A-N-G, gotta say it two times\nTwenty cents on me, in the party, I got two dimes, for sure\n[Hook: Wiz Khalifa]\nGang, gang, gang, gang (Yeah)\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)\nGang, gang, gang, gang (Yeah)\nGang, gang, gang, gang (Yeah, oh man)\n(Gang, gang, gang, gang, gang, gang, gang) [Verse 2: Casey Veggies]\nAll these hoes in my phone\nThey be out to get me, swear I ain't really doin' nothing wrong\nI been goin' so damn hard and I ain't seen it in so long\nMy legs tired from runnin' game but I thank God, I'm strong\nEvery day I gotta fight cause I'm puttin' on for my fam\nHundred mill all in my will was always in the plan\nHell yeah, that come with it, I sacrifice for the game\nBaby girl, she layed up, I'm countin' dough with my gang\nWizzle man stay gettin' high, Young Veggies doin' the same thing\nI ain't sayin' no names, all I know is go bang\nAll these hoes is insane but all my bitches go ham\nFit them girls in the van, Young Veggies the man\nFor like ten years, I'm still ridin' round with my ...\n[Hook: Wiz Khalifa]\nGang, gang, gang, gang\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)\nGang, gang, gang, gang\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)\n[Verse 3: Wiz Khalifa]\nI got all these niggas screamin' gang, gang\nI got all these niggas screamin' gang, gang\nTell me why these niggas screamin' gang, gang\nI'm the one that got you screamin' gang, gang\nPop it, please, rollin' lots of trees\nYou ain't coppin' these, mommy, these is St. Laurent jeans\nNow go and top me\nI get pussy cause I'm poppin', car pull up, I drop it\nIf it's money then we talk it, if it's not, you need to stop it\nGot a girl but I need options, you like one, take your pick\nLove some black girls but this white one lookin' thick\nIG, takin' flicks, she TD, takin' dick\nKhalifa Man, take your bitch\nOne rule, make me rich [Hook: Wiz Khalifa]\nGang, gang, gang, gang (Gang-Gang)\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)\nGang, gang, gang, gang\nGang, gang, gang, gang\n(Gang, gang, gang, gang, gang, gang, gang)" } ]

[ { "from": "human", "value": "Write me a song called Take You (Acoustic) with the following description: Acoustic version of the track which featured on Justin Bieber’s third studio album Believe. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nCheck it, right\n[Verse 1]\nHey, what's the situation, whoa?\nI'm just tryna make a little conversation\nWhy the hesitation, whoa?\nTell me what your name is for your information\n[Pre-Chorus]\nDon't get me wrong, you know you're right\nDon't be so cold, we could be fire\nTomorrow we'll go, let's start tonight\nYou know what it's all about\n[Chorus]\nI could take you out, I could take you home\nI could take you oh-oh-oh, where you wanna go\nI could pick it up, we could take it slow\nI could take you home\nWell I could take you out, I could take you home\nI could take you oh-oh-oh, where you want to go\nAnd I could pick it up, we could take it slow\nI could take you home\n[Verse 2]\nI might have a reputation, oh oh\nIt's only me and you in this equation\nI promise this occasion, oh oh\nSo different situation for your information [Pre-Chorus]\nDon't get me wrong, you know you're right\nDon't be so cold, we could be fire\nTomorrow we'll go, let's start tonight\nYou know what it's all about\n[Chorus]\nI could take you out, I could take you home\nI could take you oh-oh-oh, where you wanna go\nI could pick it up, we could take it slow\nI could take you home, oh babe\n[Bridge]\nBaby, señorita, ma chérie, please be my little lady, my little lady, yeah yeah yeah\nMi amor, you're the one I adore, come on be my little lady, my little lady\nBaby, señorita, ma chérie, please be my little lady, my little lady, oh oh\nMi amor, you're the one I adore, come on be my little lady, my little lady\n[Chorus]\nI could take you out, I could take you home\nI could take you oh-oh-oh, where you wanna go\nI could take you up, we could take it slow\nI could take you home, oh oh babe\n[Outro]\nOh, I could take you home\nOh oh oh oh oh oh oh" } ]

[ { "from": "human", "value": "Write me a song called Shake a Body (Original Home Demo) with the following description: This is the demo version of what would eventually become “Shake Your Body (Down To The Ground)” from the Jacksons' Destiny album in 1978. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Yeah)\n(Ah)\n(Doo-doo-doo)\n(Dah-la-dee-la-lee)\n(Oooh, ah)\n(Oooh, ah)\n[Verse 1]\nI don't know what's gonna happen to you baby\nBut I do know that I love ya'\nYou walk around this town with your head all up in the sky\nAnd I do know that I want ya'\n[Chorus]\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\n(Ooh, ah)\n[Verse 2]\nYou may think I'm tryna make you have my life\nBut I do know that I love ya'\nYou walk around this town with your head all up in the sky\nAnd I do know that I want ya' [Chorus]\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\nLet's dance, let's shout\nShake a body down to the ground\n(Ooh, ah)\n(Ooh, ah)\n[Outro]\n(Stern, turn it off)\n(I want the Bee Gees to hear this shit)" } ]

[ { "from": "human", "value": "Write me a song called I Did Something Bad with the following description: “I Did Something Bad” explores Swift’s new darker trap sound in the reputation era as it drifts away from previous record 1989.\nLike 2014’s “Blank Space,” “I Did Something Bad” plays on the media and public’s perception of Taylor, with her singing as the character they portray her as.\nThe song was initially teased with the lyric “they’re burning all the witches” in the music video for “…Ready For It?” on a set piece. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI never trust a narcissist, but they love me\nSo I play 'em like a violin\nAnd I make it look, oh, so easy\n'Cause for every lie I tell them, they tell me three\nThis is how the world works\nNow all he thinks about is me\n[Pre-Chorus]\nI can feel the flames on my skin\nCrimson red paint on my lips\nIf a man talks shit, then I owe him nothin'\nI don't regret it one bit 'cause he had it comin'\n[Chorus]\nThey say I did somethin' bad\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Verse 2]\nI never trust a playboy, but they love me\nSo I fly 'em all around the world\nAnd I let them think they saved me\nThey never see it comin', what I do next\nThis is how the world works\nYou gotta leave before you get left\n[Pre-Chorus]\nI can feel the flames on my skin\nHe says, \"Don't throw away a good thing\"\nBut if he drops my name, then I owe him nothin'\nAnd if he spends my change, then he had it comin'\n[Chorus]\nThey say I did somethin' bad (\nDa-da\n)\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\n(It just felt so good)\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Bridge]\nThey're burning all the witches, even if you aren't one\nThey got their pitchforks and proof, their receipts and reasons\nThey're burning all the witches, even if you aren't one\nSo light me up (Light me up), light me up (Light me up)\nLight me up, go ahead and light me up (Light me up)\nLight me up (Light me up), light me up (Light me up)\nLight me up (Light me up), light me up\n[Chorus]\nThey say I did somethin' bad (Oh)\nThen why's it feel so good? (So good)\nThey say I did somethin' bad\nBut why's it feel so (Good) good?\nMost fun I ever had (Most fun I ever had)\nAnd I'd do it over and over and over again if I could\nIt just felt so good (Good), good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\n (Bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nOh, they say I did somethin' bad (They say I did somethin' bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nThen why's it feel so good, good?\n[Outro]\nSo good (Bad), why's it feel so good?\nWhy's it feel, why's it feel so good? (Bad)\nIt just felt so good, good" } ]

[ { "from": "human", "value": "Write me a song called Loyal (East Coast Version) with the following description: This is Chris Brown’s East Coast version of “Loyal,” featuring French Montana instead of Tyga.\n“Loyal” is a track about disloyal women—in this case, groupies—who just want to attach themselves to famous men in the music industry and have no intention of staying loyal—except to get a quick dose of fame. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne & \nChris Brown\n]\nYoung Mula, baby!\nHaha, you thought it was over?\n[Verse 1: Lil Wayne]\nI wasn't born last night\nI know these hoes ain't right\nBut you was blowin' up her phone last night\nBut she ain't have her ringer nor her ring on last night, ooh\nNigga, that's that nerve\nWhy give a bitch your heart when she rather have a purse?\nWhy give a bitch an inch when she rather have nine?\nYou know how the game goes\nShe be mine by half time, I'm the shit, ooh\nNigga, that's that nerve\nYou all about her, and she all about hers\nBirdman Junior in this bitch, no flamingos\nAnd I done did everything but trust these hoes\n(CB fuck with me!)\n[Chorus: Chris Brown]\nWhen a rich nigga want you\nAnd your nigga can't do nothing for ya\nOh, these hoes ain't loyal\nWoah, these hoes ain't loyal\nYeah, yeah, let me see [Verse 2: Chris Brown]\nJust got rich\nTook a broke nigga's bitch\nI can make a broke bitch rich\nBut I don't fuck with broke bitches\nGot a white girl with some fake titties\nI took her to the Bay with me\nEyes closed smoking marijuana\nRolling up the Bob Marley, I'm a Rasta\nShe wanna do drugs (Drugs)\nSmoke weed, get drunk (Wasted)\nShe wanna see a nigga trap\nShe wanna fuck all the rappers (Let me see)\n[Chorus: Chris Brown]\nUh-huh, when a rich nigga want you (Want you, baby)\nAnd your nigga can't do nothing for ya (Nothing, no)\nOh, these hoes ain't loyal (No, they ain't)\nWoah, these hoes ain't loyal\nYeah, yeah, let me see\n[Verse 3: Chris Brown]\nBlack girl with a big booty\nIf she a bad bitch, let's get to it, right away\nWe up in this club\nBring me the bottles\nI know, girl, that you came in this bitch with your man\nThat's a no-no, girl\nAll this money in the air, I wanna see you dance\nJust got rich (Got rich)\nTook a broke nigga's bitch (Yeah)\nI can make a broke bitch rich\nBut I don't fuck with broke bitches (Girl, it's you) [Chorus: Chris Brown]\nUh-huh, when a rich nigga want you (Yeah, yeah, want you, baby)\nAnd your nigga can't do nothing for ya (No, nothing, oh no)\nOh, these hoes ain't loyal (Oh-oh-oh no)\nWoah, these hoes ain't loyal\nYeah, yeah, yeah, yeah, yeah, let me see\n[Verse 4: French Montana, \nwith Chris Brown\n]\n(Haaan!) Once Cîroc in the system\nAin't no tellin' will I fuck them, will I diss them?\nThat's what they be yellin'\nI'm a pimp by blood, not relation\nI don't chase 'em, I replace 'em\n (Haaan!)\nLVs, Hermes, Dolces\nThem hoes, ain't loyal, man, they rotate\nSchool me to the game, now I know my duty\nPut her in the Lotus\nShe was ridin' in that hoopty (Whoop!)\nFuck that bitch, I got my own ho\nFuck your weed, I got my own smoke\nHad to put my mink back on\nTell that bitch, \nput her ring back on\nMontana!\n[Bridge: Chris Brown]\nCome on, come on, girl, why you frontin'?\nBaby, show me something\nWhen I call her, she gon' leave\nAnd I bet that bottom dollar she gon' cheat\nCome on, come on, girl, why you frontin'?\nBaby, show me something\nYou done spent your bread on her\nAnd it's all for nothing (Yeah, yeah, yeah, yeah, let me see) [Chorus: Chris Brown]\nUh-huh, when a rich nigga want you (Want you, baby, babe, woo!)\nAnd your nigga can't do nothing for ya (Can't nothing for you)\nOh, these hoes ain't loyal (Oh, no)\nWoah, these hoes ain't loyal\nYeah, yeah, let me see (Woo!)\nUh-huh, when a rich nigga want you (Yeah, want you, baby)\nAnd your nigga can't do nothing for ya (Oh, woah-oh)\nOh, these hoes ain't loyal (They be playing games, yeah)\nWoah, these hoes ain't loyal\nOh, yeah, yeah, let me see\n[Outro: Chris Brown]\nYeah, let me see\nYeah, yeah, let me see\nLet me see\nOh, these hoes ain't loyal\nLet me see" } ]

[ { "from": "human", "value": "Write me a song called Right Now with the following description: “Right Now” is the fifth single from Unapologetic released on May 28, 2013. The song is about Rihanna wanting to live life to the fullest. Despite no music video and no televised performance, the song peaked at #50 on the US Billboard Hot 100 and is certified Gold by the RIAA. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Rihanna]\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\n[Verse 1: Rihanna]\nBaby, tonight I need you\nAnd I feel it when I see you\nWherever you wanna go\nWhenever, baby, I'm yours\n[Chorus: Rihanna]\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\n'Cause all we got is right now [Verse 2: Rihanna]\nSo close, I can taste you\nAin't scared, I can take you\nCan't fight the feeling\nGot me fiendin'\nYou got me fiendin'\nSomething you wanted to do all your life\nThere's no more waiting, tonight is the night\nAnd it can't be wrong, not if it feels this right\nTurn it up, scream it loud, yeah\n[Chorus: Rihanna]\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\nTomorrow way too far away\nAnd we can't get back yesterday\nBut we young right now\nWe got right now\nSo get up right now\n'Cause all we got is right now\n'Cause all we got is right now" } ]

[ { "from": "human", "value": "Write me a song called EMPATHY with the following description: Empathy is an unreleased song by Lil Nas X and Sam Smith that was intended for Lil Nas X’s upcoming deluxe version of an album MONTERO. The song has been confirmed by Lil Nas X and will mostly come out with a music video. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lil Nas X]\nSuddenly you're south and done\nAnd you slide off your phone, everybody is wrong, even me\nIn my head, I should've known\nThat you won't like the distance, I'm lone and consistent\n[Pre-Chorus: Lil Nas X]\nOh, it hurts for me to break up with somebody\nGhost 'em for a week to brace them for the heartache\nOh, it hurts for me to break up with somebody\nHate to let you know it's over\n[Chorus: Lil Nas X]\nSend me your love tonight, I wanna swim in it\nI want you gone tomorrow, I won't need you then\nSend me your love tonight so I can breathe in it\nLend me your love before you leave\n[Verse 2: Sam Smith]\nMmm, I know we weren't together long\nSaid I had certain feelings and thought we were takin' it slow\nBut you don't call me anymore\nNo reply or a reason for why you were leavin'\n[Pre-Chorus: Sam Smith]\nOh, boy, that's not the way to break up with somebody\nGhost 'em for a week and leave them with the heartache\nYou don't know the way to break up with somebody\nIt takes a man to say it's over [Chorus: Lil Nas X & Sam Smith]\nSend me your love tonight, I wanna swim in it\nI want you gone tomorrow, I won't need you then\nSend me your love tonight so I can breathe in it\nLend me your love before you leave\n[Bridge: Lil Nas X \nwith Sam Smith\n]\nYou know, oh, \nI don't, don't want your love to weigh me down\nI \ndon't, don't wanna lose 'cause you're around\nI\n know,\n I only need you for the now, right now\nWhy don't you\n[Chorus: Lil Nas X & Sam Smith]\nSend me your love tonight, I wanna swim in it\nI want you gone tomorrow, I won't need you then\nSend me your love tonight so I can breathe in it\nLend me your love before you leave" } ]

[ { "from": "human", "value": "Write me a song called Little Lady with the following description: Before the release of + (plus), Ed played a gig at a homeless shelter where he met a girl named Angel who had done a lot of drugs. She inspired the lines “It’s too cold outside for angels to fly” and “her face seems slowly sinking, wasting, crumbling like pastries.”\n“Little Lady” was the much darker and less radio-friendly version of Sheeran’s hit song “The A Team”. It features rapper Mikill Pane and appears on Ed Sheeran’s No. 5 Collaborations Project EP which was released early 2011. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Mikill Pane]\nListen, little lady\nThis is just the worst way to spend your birthday, it's 30 degrees, Thursday\nYou work late, you was with a perv makin' dirty fake love in his Mercedes\nLady, the word \"rape\" sums up events that take place every night\nYou wanna get up but you know your legs will ache if you try\nAnd you remember that your punter went crazy last night\nYou drag yourself to the mirror to check your face then you cry\nForget the visit to the clinic you were booked in for\nYou'll make a trip to the Whittington where they'll look at your jaw\nThey'll be inquisitive and ask about your business for sure\nThey'll know you're fibbin' if you tell them you got hit by a door\nBut young woman, the pimp sees you as nothin' but a dumb hooker\nMedical attention could be fatal 'cause the cunt wouldn't\nEver let a doctor near someone that's gettin' dough for him\nCause next you got poxy authorities stickin' their noses in\n[Chorus: Ed Sheeran]\nShe's just under the upper hand\nAnd goes mad for a couple grams\nAnd she don't wanna go outside, tonight\n'Cause, in a pipe, she'll fly to the motherland\nAnd sell love to another man\nIt's too cold outside\nFor angels to fly\nFor angels to fly [Verse 2: Mikill Pane]\nLittle lady, your mind, you've made up\nYour injuries you can't hide with make-up\nYou need some medical advice, \nyou make up a little lie to say just\nIn case the doc opens his eyes and don't decide to play dumb\nWith any luck, you'll see the same dude who stitched your top lip\nLast year when your pimp just lost it\nHe wouldn't recognise you if you stared him in the face anyway\n'Cause all the heroin is makin' you age\nBut you're a heroine for takin' the strain of bein' a prostitute and punching bag\nThe funds you have left go where you're from usin' MoneyGram\nMother had to get you out of the motherland to study\nThat was all she struggled to have a single daughter with the upper hand\nLittle does she know you're never comin' back\nShe put you in her brother's hands, only for him to formulate another plan\nHe's the fucking cause of your appalling state, this summer\nFancy that, you came to London to get pimped by your uncle, damn\n[Chorus: Ed Sheeran]\nShe's just under the upper hand\nAnd goes mad for a couple grams\nAnd she don't wanna go outside, tonight\n'Cause, in a pipe, she'll fly to the motherland\nAnd sell love to another man\nIt's too cold outside\nFor angels to fly [Bridge: Ed Sheeran]\nNow an angel will die, covered in white\nWith closed eyes and hoping for a better life\nThis time now, we'll fade out tonight\nStraight down the line\n[Verse 3: Mikill Pane]\nLittle lady, you're tremblin' with fear\nYour skinny frame kinda resembles a deer\nYou're sitting facing the detective, oh, dear\nThe meddlin' nurse couldn't just leave it\nShe's only gone and made it much worse callin' police in\nShe'll never know the gravity of the damage she's caused\nYou're causing scandal goin' mad in the ward now\nThe cop is tryin' to calm you, tellin' you he won't let no one to harm you\nThe same question he keeps trying to ask you, \"Who you working for?\"\nHe's talkin' to you like you're worth more than a dirty whore\nYou're havin' a conversation you could be murdered for\nYou're learnin' more about exactly why you need to help bring him or her to court\nHe's kickin' knowledge you ain't ever heard before\nJust before he leaves, he reassures you that he knows that it's hard\nHe underlines a mobile number you can phone on his card\nBegs you to use it, he's useless if you're gonna be stupid\n'Cause an answer hasn't come from your bruised lips, you're on your own\nYou've gotta go and give your pimp what you owe\nYou reach your door and then it dawns that you've been followed home\nBefore you turn around you feel a cold blade on your throat\nAnd then a voice says, \"Where you been, bitch? I wanna know\"\nNo prizes for guessin' who it is, resistance would be foolishness\nYou open the front door, he boots you in\nThere's somethin' new in him, he's silent now, that fills you with terror\nGet your alibi straight, you could be killed for an error\nHe towers over you, the six-inch knife catches the sunlight\nAt this point, your life flashes before your eyes\nYour handbag's dropped and all the contents are all over the floor\nDespite the mess there's only one thing that has caught his eye\nAnd in the moment of rage, he brutally murders his niece\nAnd dumps her body in the boot of his Mercs in the street\nLittle lady left this earth in the worst way\nAll because she got a card on her thirteenth birthday [Chorus: Ed Sheeran]\nAnd we're all under the upper hand\nAnd goin' mad for a couple grams\nAnd we don't wanna go outside, tonight\n'Cause, in a pipe, she'll fly to the motherland\nAnd sell love to another man\nIt's too cold outside\nFor angels to fly\nFor angels to fly\nAnd fly, fly\nFor angels to fly\nTo fly, to fly\nAnd angels to die" } ]

[ { "from": "human", "value": "Write me a song called Piss with the following description: The final track in Neil’s album.\nIn Mouth Moods, the album released a few years after this, the final track is called “Shit”. This may be related to this track, as it is called “Piss”. Piss and shit, you get it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Doo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\n[Chant from \"Elder's Drinking song\"]\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\n[Chant from \"Elder's Drinking song\"]\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nI get knocked down\nBut I get up again\nBut I get knocked down again\nBut I get up again\nYou're never gonna get knocked up again\nYou're never gonna get knocked down\nI'm packed and I'm (pissin'), I'm smiling\nShe's living, she's golden, she lives for me\nSays she lives for me\nOvation\n(Pissin')\nHer own motivation\nShe comes 'round and He drinks a Whiskey drink, he drinks a Vodka drink\n(Do ever what you want to do, coming over you)\nHe drinks a Lager drink, he drinks a Cider drink\n(Keep on smiling what we go through)\nHe sings the songs that remind him of the\n(One stop to the... )\nRhythm that divides you\nHe sings the songs that remind him of the\nSongs that remind him of the\nHe drinks (piss)\nHe drinks (piss)\nHe drinks (piss)\nHe drinks (piss)\nHe sings the songs that remind him of the (piss)\nI drink (piss) down\nI get knocked down\n(Naked)\n[Looped]\nI want something else\nTo get me through this\nSemi-charmed kind of life, baby, baby\n(I get knocked down)\nI want something else\n(But I get up again)\n(But I get knocked down again)\n(But I get up again)\nI'm not listening when you say\n(You're never gonna get knocked up again)\nGoodbye\n(You're never gonna get knocked down) Gold, it was rose\nI was taking sips of it through my nose\nAnd I wish I could get back there, some place back there\nSmiling in the (piss) you would take\nStop to the rhythm lift you up until you break\nIt won't stop, I won't come down\nI keep stock with a tick-tock rhythm, \na (piss) it through my nose\nAnd then I (piss) up, I took the (piss) that I was (piss)in'\nThen I (piss)ed again, then I (piss)ed again\nI said how do I get back there\nTo the place where I fell asleep inside my nose\nHow do I get myself back to the place\nWhere you said?\n(I get knocked down)\nI want something else\nTo get me through this\n(I get knocked down)\nSemi-charmed kind of life, baby, baby\n(I get knocked down)\nI want something else\n(But I get up again)\n(But I get knocked down again)\n(But I get up again)\nI'm not listening when you say\n(You're never gonna get knocked up again)\nGoodbye\n(You're never gonna get knocked down) [Chant from \"Elder's Drinking song\"]\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\n[Scat solo from \"Two Princes\"]\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nDoo-doo-doo, doo-doo-doo-doo\nI believe in the sand beneath my toes\nThe beach gives a feeling, an earthy feeling\nI believe in the faith that grows\nAnd the four right chords can make me cry\nWhen I'm with you I feel like I could die\nAnd that would be all right, all right\n[Hamsterdance song]\nAnd when the plane came in\nShe said she was crashing\nThe velvet it rips in the city\nWe tripped on the urge to feel alive\nBut now I'm struggling to survive\nThose days you were wearing that velvet dress\nYou're the priestess I must confess\n[Scat solo from \"Two Princes\"]\nThose little red panties, they pass the test\nSlide up around the belly face\nDown on the mattress one\nHe drinks a Whiskey drink, he drinks a Vodka drink\nHe drinks a Lager drink, he drinks a Cider drink\nHe sings the songs that remind him of the Vodka drink\nHe sings the songs that remind him of the\nSongs that remind him of the\nCider drink\nHe drinks (piss)\nHe drinks (piss)\nHe drinks (piss)\nHe drinks (piss)\nHe sings the songs that remind him of the\nSongs that \nremind him of the (piss)\nBeneath my toes\n(I get knocked down)\nAnd you hold me and we are broken\n(I get knocked down)\nStill it's all that I want to do, just a little now\n(I get knocked-- down)\nFeel myself head made of the ground\nI'm scared, I'm not coming down\n(I get knocked-- down)\nNo, no\nAnd I won't run for my life\n(I get knocked down)\nShe's got her jaws now locked down in a smile\nBut (pissin') is all right, all right\n(I get knocked down)\n(But I get up again)\n(But I get knocked down, again)\n(But I get up again)\n[Looped]\nAnd I want something else\nTo get me through this\nLife, baby\nI want something else\nNot listening when you say\nHey, goodbye\n[Chant from \"Elder's Drinking song\"]\nGoodbye\n[Scat solo from \"Two Princes\"]\nGoodbye\nGoodbye\nGoodbye\nGoodbye\nGoodbye\nGoodbye" } ]

[ { "from": "human", "value": "Write me a song called Lost Cause with the following description: “Lost Cause” was a song written by Imagine Dragons between the release of Night Visions and Smoke + Mirrors inspired by the animated movie, Frankenweenie.\nThe song is one of the band’s darkest songs, underscoring the ideas of death and hopelessness, furthered by the ominous and empty sounds of the drums and synths. While the soundtrack for the film is available around the world, the song was removed from all streaming platforms in the United States. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nOh, dig my shallow grave\n'Cause it's not me you'll save\n'Cause I'm a lost cause\nI'm a lost cause\nA lost, lost cause\n[Verse 1]\nWait, all this time that I have spent away\nMakes me think that I might be okay\nThe kiss of death will have to wait\nMy head is holding on to all those things you said\nYou taught me to be strong and get through it\nThe mist of darkness in my head\n[Chorus]\nOh, dig my shallow grave\n'Cause it's not me you'll save\n'Cause I'm a lost cause\nI'm a lost cause\nA lost, lost cause\n[Verse 2]\nWait, no one said what's lost cannot be found\nYou are here to make it safe and sound\nOh, we can make it out alive\nFate, hath its way when all that's learned is sin\nNothing really matters in the end\nAs long as you are with me, friend [Chorus]\nOh, dig my shallow grave\n'Cause it's not me you'll save\n'Cause I'm a lost cause\nI'm a lost cause\nA lost, lost cause\n[Bridge]\nNo one can understand me\nLike you can understand\nNo one can fill your shadow\n'Cause you are all I am\n[Chorus]\nOh, dig my shallow grave\n'Cause it's not me you'll save\n'Cause I'm a lost cause\nI'm a lost cause\nA lost, lost cause" } ]

[ { "from": "human", "value": "Write me a song called Choosin’ with the following description: One of the first tracks released for the 2013 Mixtape from Curren$y aka Spitta Andretti: New Jet City.\n#Jetlife!Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n'Shameka. Its not your fault\nAt least put a nigga's order in\"\n[Verse 1: Curren$y]\nUh, daytime lights on\nHell yeah I'm frontin' but you love it\nI don't hide bitch, I'm high when I'm in public\nEven in my everyday ride I be stuntin'\nThis is nothing really, you should see me Sunday\nI'm from New Orleans love, you know how I'm coming\nHop out that Impala, left the motor running\nThem my lil homies front that store, they ain't gone touch it\nSpitta where you goin', finna meet the money\nI come through in that bread truck, everybody hungry\nI be trynna keep it low, but the streets be talking\nI heard they think I'm selling dope, on them walkie talkies\nThey worst than them bitches, them bitches be stalkin'\nOutside checkin' for which car a nigga parkin'\nShe said she from Belize, but she can speak Ferrari\nI roll that tree and I write a song about it in the morning\n[Chorus: Curren$y]\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it [Verse 2: Wiz Khalifa]\nPull up, pushing buttons blowing OG like it's nothing\nMarijuana fussin, smoking loud is no discussion\nBlack & Yellow, Black & Yellow, something out of nothing\nChoppers like the Russians,\n \nbust your head that's a concussion\nFull time grinder, all the time hustlin'\nBitch, I'm from the Burg so you know that I be thuggin'\nMade it from the bottom, so in God we put our trust in\nCertified stoner, get a Raw and put a nug in\nRari's, Rari's, Rari's, Lamborghini hari kari\nSuicidal doors, tell the owner I said sorry\nPull up in that you know, pockets fat like sumo\nTaylor Gang or Die, Jet 'La La La' Life!\n[Chorus: Curren$y]\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it\n[Verse 3: Rick Ross]\nMy homies, we sold pills, The motive was chrome wheels\nPullin' up to club Liv, makin' them hoes peel\nMy niggas was way \ntrill\n, wardrobe was unreal\nMy Cuban was Spanish gold, so vintage as my Cazals\nI'm talking the facts of life, can I just have a slice?\nBest seats at the game, 'Bron having a night\nLet him go check the stats, cause all I want is the racks\nEven moving the merch, I'm getting 60 a hat\nMCM on my luggage,\n Reebok making me buttered\nBehike Cuban cigars bombaclot he think he Dudus\nDouble M, we the hottest on the fucking turf\nI'm going straight to heaven, crib built like the church [Chorus: Curren$y]\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it\nPull up in that errrr and them bitches start choosin'\nChoosin', choosin', choosin', choosin'\nPull off in that skrrrrr and them haters gone lose it\nLose it, lose it, lose it, lose it" } ]

[ { "from": "human", "value": "Write me a song called Rare with the following description: “Rare” is a song by American singer and songwriter Gwen Stefani from her third studio album, “This Is What the Truth Feels Like”.\n“Rare” is an electropop and folk pop influenced song and serves as the album’s closing track. Lyrically, the song discusses finding love when all hope was lost.\nSeveral media outlets reported that “Rare” was written about Stefani’s boyfriend, Blake Shelton. Upon the album’s release, Shelton and Stefani tweeted each other about the song, confirming it was indeed about him.\n\n\n\n\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou're a sapphire\nYou're a rolling stone\nYou're a sparkle in a deep black hole\nYou're like moon shine when the curtains close\nYou're my answer, one that no one knows\n[Pre-Chorus]\nAnd I can't believe it, that you even exist\nYou know I would be dumb to give perfection up\nHow can I accept it, that this is so precious?\nYou know I would be dumb to give perfection up\n[Chorus]\nYou're rare\nAnd I'm loving every second of it, don't you know?\nYou're rare\nAnd only a stupid girl would let it go\nYou're so good and you don't even know it\nYou're so good and you don't even know\nYou're rare\nAnd only a stupid girl would let it go, don't you know?\n[Verse 2]\nI am broken\nI am insecure\nComplicated, oh yeah, that's for sure\nI feel worthless\nI've been hurt so bad\nI get nervous you won't love me back [Pre-Chorus]\nAnd I can't believe it, that you even exist\nYou know I would be dumb to give perfection up\nHow can I accept it, that this is so precious?\nYou know I would be dumb to give perfection up\n[Chorus]\nYou're rare\nAnd I'm loving every second of it, don't you know?\nYou're rare\nAnd only a stupid girl would let it go\nYou're so good and you don't even know it\nYou're so good and you don't even know\nYou're rare\nAnd only a stupid girl would let it go, don't you know?\n[Bridge]\nDo you really think you wanna make some new memories?\nWith me?\nDo you really think you wanna make some new memories?\nWith me?\n[Chorus]\nYou're rare\nAnd I'm loving every second of it, don't you know?\nYou're rare\nAnd only a stupid girl would let it go\nYou're so good and you don't even know it\nYou're so good and you don't even know\nYou're rare\nAnd only a stupid girl would let it go [Outro]\nYou're rare\nAnd only a stupid girl would let it go\nYou're rare\nAnd only a stupid girl would let it go, don't you know?" } ]

[ { "from": "human", "value": "Write me a song called Celebration with the following description: On “Celebration,” Logic compares his life growing up to the heights he has reached and celebrates by flexing his status. The song itself is an interpolation of “Celebration” by Kanye West. This isn’t the only track on the album that is a callback to one of West’s songs, as “Heard Em Say” is also an interpolation of Kanye’s song of the same name.\nHe enlists help from Silas — a Maryland rapper he signed to Bobby Boy records in 2019 — who also discusses how his life has changed in just one year under the tutelage of one of his idols. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Logic]\nAyy, it's a celebration, bitches\nCame a long way from bus stops and washing dishes\nFrom rags to bitches\nStovetop to Mastro's, man, this shit is delicious\nPeople denying my past like that shit is fictitious\nI'm Spike Spiegel, but I'm known to be vicious\nI get under people's skin like stitches\nNo strings attached, I just let it dissolve\nGive it time and then let it resolve\nIt's been a minute now, my style feeling infinite now\nUsed to people pulling me down, it ain't shit to me now\nDon't let it get to me now\nThrew out my phone, they can't get to me now\nKeep it humble, but love to get big head\nBad bitches wanna fuck me, I get money instead\nI mean what's rap without a little braggadocio?\nFuck people telling me to rap just how I'm supposed to\nMost people wanna tell you what to do\n'Cause it's what they wanna do if they had an opportunity to\nBut too scared\nThat's why they live vicariously through you\n\"Logic, what you should do is rap like\"\nUh, uh, nah, I'd rather not\nThat's why I'm in a mansion and you sleeping on a cot\nBut you still study everything I drop\nToo many people wanna tell you what you can and cannot\nGo to school, get a job, get married and have kids\nPeople gon' tell you what to do for long as you live\nBreak the cycle, and shoot for the stars, Moonwalk like Michael\nTo be a leader, first, you gotta be a disciple [Chorus: Logic & \nSilas\n]\n(It's a celebration)\nFor the beat, the rhymes, the streets, the dimes (It's a celebration, y'all)\nYou wanna try to eat, motherfucker, this my time (It's a celebration)\nFor the beat, the rhymes, the streets, the dimes\nYou wanna try to eat, motherfucker, this my time\nAyy, it's a celebration, y'all, celebration now\nWherever I go in the nation, they celebrating my style\nIt's a celebration, y'all, celebration now (\nYeah\n)\nWherever I go in the nation, they celebrate the style\n[Verse 2: Silas]\nLook\nI can't front, we was hyped up for some nosebleeds\nNow we sitting courtside, still posted in my white tee\nI'm a Golden State Warrior when I'm spittin' this\nLike KD from MD, that's Montrose, so venomous\nYou know it's me, Silas never jumpin' for your bitch ass\nI'm hopping on a plane that's first class\n'Member back in the day, we used to fast\nHad no money in the bank account\nMy cousin showed me, pushing weight\nAlmost stabbed at the transit in the dead of the night\nThese fucking zombies, but really that's beyond me\nTryna live my dreams from everything that I seen as a young man\nSo if you see me rapping, know I got the upper hand\nBut on the other hand, you see a couple rubber bands\nAnd now Logic really out here makin' dreams come true\nBobby Boy Records spittin' thorough\nEvery time I grab the mic, I'm paintin' murals\nDoing shows in other countries, coming back with Euros\nThis that type of flow that really make your girl go [Verse 3: Logic]\nI'm marvelous, I'm all of this\nThat's why your girl all on my dick\nI make 'em cum, boy, you make 'em sick\nMy net worth get the bank grossed out\nNo I.D. up on the beat, but 6ix, he kill it, no doubt\nThis a revelation, memories when I drive the M5 or the bus station\nI have evolved, you's a motherfuckin' crustacean\nWhat more can I say? Run it back and they hit replay\nBobby Boy Records, yeah, we celebratin' all day\n[Chorus: Logic]\n(It's a celebration)\nFor the beat, the rhymes, the streets, the dimes (It's a celebration, y'all)\nYou wanna try to eat, motherfucker, this my time (It's a celebration)\nFor the beat, the rhymes, the streets, the dimes (It's a celebration)\nYou wanna try to eat, motherfucker, this my time\nAyy, it's a celebration, y'all, celebration now\nWherever I go in the nation, they celebrating my style\nIt's a celebration, y'all, celebration now\nWherever I go in the nation, they celebrate the style\n[Outro: Thalia]\nLogic and his crew played chess mercilessly throughout the album's creation" } ]

[ { "from": "human", "value": "Write me a song called Who Do You Love with the following description: “Who Do You Love” is the first single released by The Chainsmokers following the release of their second studio album Sick Boy and features the Australian pop-punk band 5 Seconds of Summer. The song features more pop-driven production than many of their recent songs, incorporating future bass elements that harken back to their earlier hits.\nThe Chainsmokers shared a post on their Instagram two days before the release of “Who Do You Love” with the caption:\n3 years ago today we released Dont Let Me Down! This was our first time playing it in NYC on New Years and this is the exact moment we realized we had something special! This song changed the entire way we approach music and our lives! This Thursday we got another song coming that might do the exact same Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Luke]\nYeah\nFound cigarettes in your Fendi coat\nEven though you don't even smoke\nAlways changin' your access codes\nYeah, I can tell you no one knew\n[Pre-Chorus: Luke]\nYeah, you've been actin' so conspicuous\nYou flip it on me, say I think too much\nYou're movin' different when we makin' love\nBaby, tell me, tell me\n[Chorus: Luke & Ashton]\nWho do you love, do you love now?\nI wanna know the truth (Woah)\nWho do you love, do you love now?\nI know it's someone new\nYou ain't gotta make it easy, where you been sleepin'?\nThis shit is keepin' me up at night, just admit it\nWho do you love, do you love now?\nI wanna know, I wanna know who\n[Post-Chorus: All]\nNow, now, who do you, who do you love, love? (Yeah)\nNow, now, who do you, who do you love now? (Woah)\nNow, now, who do you, who do you love, love? (Yeah)\nI wanna know, I wanna know who [Verse 2: Calum]\nWell, keep switchin' your alibi\nOr stutterin' when you reply\nYou can't even look me in the eye\nOh, I can tell, I know you're lyin'\n[Pre-Chorus: Calum]\n'Cause you've been actin' so conspicuous\nYou flip it on me, say I think too much\nWe're movin' different while we're makin' love\nSo, baby, tell me, tell me\n[Chorus: Luke & Ashton]\nWho do you love, do you love now?\nI wanna know the truth (Woah)\nWho do you love, do you love now?\nI know it's someone new\nYou ain't gotta make it easy, where you been sleepin'?\nThis shit is keepin' me up at night, just admit it\nWho do you love, do you love now?\nI wanna know, I wanna know who\n[Post-Chorus: All]\nNow, now, who do you, who do you love, love? (Yeah)\nNow, now, who do you, who do you love now? (Woah)\nNow, now, who do you, who do you love, love? (Yeah)\nI wanna know, I wanna know who [Pre-Chorus: Michael & \nAll\n]\n(\nWho\n) You been actin' so conspicuous\n(\nWho\n) You flip it on me, say I think too much\n(\nWho\n) Movin' different when we makin' love\n(\nWho\n) Baby, tell me, tell me\n[Chorus: Luke & Ashton]\nWho do you love, do you love now?\nI wanna know the truth (Woah)\nWho do you love, do you love now?\nI know it's someone new\nYou ain't gotta make it easy, where you been sleepin'?\nThis shit is keepin' me up at night, just admit it\nWho do you love, do you love now?\nI wanna know, I wanna know who\n[Post-Chorus: All]\nNow, now, who do you, who do you love, love?\nNow, now, who do you, who do you love now?\nNow, now, who do you, who do you love, love?\nNow, now, who do you, who do you love now?\n[Chorus: Luke & Ashton]\nYou ain't gotta make it easy, where you been sleepin'?\nThis shit is keepin' me up at night, just admit it\nWho do you love, do you love now?\nI wanna know, I wanna know who [Outro: All]\nWho do you, who do you love, love?\nNow, now, who do you, who do you love now?\nNow, now, who do you, who do you love, love?" } ]

[ { "from": "human", "value": "Write me a song called Outro with the following description: On “Outro,” NF writes about the story of his journey to the top of the rap game, his motivation for making music, and also the emotions he has experienced from pain in his life.\n“Outro” was teased on Twitter one day before its release with two tweets, one stating “O” and the other stating “U” with the cover art. He also hinted the song has a music video on his Instagram, posting a teaser clip announcing that it would release at midnight on August 2, 2017.\nThe music video was released the same night and pictures NF in the same neighborhood of the “Intro” video. It also uses parts of other videos including of his songs “Intro 2,” “I Just Wanna Know,” “Therapy Session,” “Real,” “Wake Up,” and “How Could You Leave Us.”\nThe song was the first single from NF’s third studio album, Perception. “Outro” is actually quite a surprise to fans since NF normally releases an Intro as the first track of a record, but decided to save “Intro III” for the album’s release. It was Nate’s first release in almost a year, following his single “Warm Up” which dropped on September 8, 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nI'm dedicated, the definition of dedication\nWrote this whole record while I was levitating\nSittin' in my room with the pen and paper, I'm innovative\nThey've been afraid of me since I was a second grader\nI'm the kid on the playground mama told you to never play with\nThere's levels of music—and I'm in the elevator\nGoing up to the top floor, look how we elevated\nWhat, you don't know the brand by now? You better get educated\nTake both of my arms, rip 'em out the sockets and separate 'em\nForgive me, yeah, I know I get animated\nDon't matter, I still write a better record than yours without a hesitation\nNever been more motivated\nJust look at all the minds I have opened and penetrated\nSee, I am the voice of all these kids that think things, but never say 'em\nThat's why they come to my shows wearing the NF hoodies and hats low like we're carrying weapons, ah!\nPut the controllers away, it's game over\nI promise I'm way colder\nThe fans keep saying that they're hungry for new music\nWell that's pretty convenient 'cause I just made a plate for 'em\nAnd I don't hear what none of y'all are saying\nI just sit at the keys feeling the music\nGot me thinking I'm Beethoven\nThe game needs a makeover\nIf you've been waiting, the wait's over\nYou ain't notice, y'all about to witness a takeover, I'm home!\nYeah, they waiting on me to match the\nEmotion that I had in the last one\nWhat if I don't, they gon' tell me that I'm losing my passion?\nIf I do, am I repeating my actions?\nYeah, look, \"How Could You Leave Us\" is massive\nThere ain't nothing I can write that'll match that\nMy biggest fear writing this record wasn't putting out trash\nIt was disappointing myself and the fanbase\nNow I want you to picture me:\nI'm in a hotel rapping, crying on the floor of the bathroom\nStaring in the mirror, my room, hands shaking playing \"How Could You Leave Us\" through the speakers on my iPhone\nTryna figure out if I'ma always feel the way that I feel or maybe someday I can learn to be happy\nOr maybe I can't be, 'cause if the music ain't emotional enough, are they gon' call me a has-been?\nPain's always been the root of my music\nIf I cut it off, how am I supposed to keep growing\nIf I let it go, won't my whole career be in ruins?\nThat's when I realized this whole conversation is stupid\nI never cared to impress people that don't even know me\nI just write what I feel, somehow it started a movement\nTrying to enjoy a career, but I don't know how to do it\nWhen I spend all of my time being afraid I'ma lose it!\nBut, then I figured out the reason they follow me\nThe reason why these fans surrounding me\nIt's not 'cause I'm a \"Rap God\"\nI don't need you people to bow to me\nAll they ever did was doubt on me, now everyone's proud of me\nAcknowledge me or not, you ain't ignoring the following\nI'm just teaching 'em something they couldn't learn in they colleges\nThis is for the kids feeling like they live at the bottom and every day of they lives, feels like it's darker than Halloween!\nYeah, you ain't alone out there, look around you—we got a lot of fans in here\nCouple hundred thousand, that's what we did last year\nListen to Intro III, trying to kill my fear\nThey'll get that in a minute\nWe about to shatter the critics\nI am a savage, admit it\nA lot of baggage I live in\nThat's why the passion is different\nReally don't care if they get it\nWe're only three records in it and this is just the beginning\nI'm home! [Outro]\nReal music" } ]

[ { "from": "human", "value": "Write me a song called U.O.E.N.O (Remix) with the following description: Usher delivers a #rare rap verse over the iconic beat. Discussing his riches it echos the hook for his song “What Happened To U”:\nMoney, clothes, fancy cars, big ol' cribs, platinum on the wall\nSeven grammy’s sold out concerts\nDamn I been working hard\nPrivate jets to France\nMeeting women I done had a ball\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Usher]\nRocko, Think he gon'; have this hot ass shit?\nYou don't even know it\nYou don't even know it\n[Verse 1: Usher]\nTop down ride around in a five hundred thousand car\n(You don't even know it)\nOn the way to the G5, 'bout to take her mile high\n(She don't even know it)\nFinna fly to Dubai, pick up a 1-5\n(You don't even know it)\nHead back to the A hit DOA, know you had to throw it\nSummer in the middle made it rain in the two fifty foot yacht\n(You don't even know it)\nAin't even got to leave the thang gotta party and a pole on top\n(Came here for it)\nVIP beef, headed back to the top contenders on attended\n(You even know it)\nShe never seen nothin' like this (he wealthy girl not rich)\nHey baby, that's twenty thou for that magnum bottle\nThats what I took (you even know it)\nThis fifty-seven this DVS on my chest (she ain't even know it)\nIf she got on my cuban links, later I'm bout to be beat her\nIn the morning wake up, chef on deck\nWho can make whatever you think of\nYeah, wanna send a little message to you\n(Those who ain't know it)\n'04 did a mil in a week, and I ain't pay for it\nGot a few new confessions for you, stay tuned for it\nI heard somebody said I fell off\nMy bank account don't show it\nYou ain't even know it\nRocko! [Hook: Future]\nMy niggas all ride with me on, you don’t even know it\nGot killers with me right now, you don’t even know it\nThis a million dollar watch nigga, you don’t even know it\nGot a million dollar crib nigga, you don’t even know it\n[Verse 2: Rocko]\nAy that monster truck, sit tall as fuck, it’s so big can’t even tow it\nDon’t like snakes keep my grass cut, so low can’t even mow it\nSip Dom Perri’, little high glow, no no we don’t do Moet\nIf it ain’t P.J., no Rose from me ho, so don’t even pour it\nSpecks on Tom Ford, button-down Michael Kors\nAlways on like the refrigerator, I’m plugged in, ho, you know it\nAP and that PK, wear a Breitling when I’m bored\nGot a Masterpiece and a 41-millimeter, and you ain’t even know it\nKeep the .45 in my pocket: ain’t gon’ show it ’til I have to pop it\nThen you gone know it, damn who shot you, they don’t even know it\nHawks game fuckin’ floor it, TV seat front row it\nRocko Da Don CEO it, ain’t gotta rap and you know it\n[Hook: Future]\nThis a thousand dollar pair of shoes and you don’t even know it\nThis a thousand dollar cup of lean and you don’t even know it\nThis a half a million dollar car, you don’t even know it\nI came up from bottom, you don’t even know it\nMy niggas all ride with me on, you don’t even know it\nGot killers with me right now, you don’t even know it\nThis a million dollar watch nigga, you don’t even know it\nGot a million dollar crib nigga, you don’t even know it [Verse 3: 2 Chainz]\nGot tats all on my skin, up to my forehead\nTryna hide all this pain, I don’t wanna show it\nI’m about my dollars, I Creflo it\nWhat’s the use of havin' that ass if you ain’t gon' throw it? (tell ‘em)\nI say throw that ass (throw that ass)\nGot the city on my back right now, I’mma need shoulder pads\nIn every photograph I take picture\nNiggas know I got them priors Richard\nJealous niggas I despise pistol\nAnd if she a cutie-pie, I’ll eat you\nGot half a key in my car, you don’t even know it\nI don’t have a key to my car, that bitch foreign\nAmmunition on me, I Rambo it\nWatch me swag over this beat, I’m flamboyant\n[Hook]\n[Verse 4: Future]\nI’m turned up every day, you don’t even know it\nGot your bitch with me right now, you don’t even know it\nWe turn up in the club, you don’t even know it\nGot a hundred bottles comin’, you don’t even know it\nWe came up from nothin’, you don’t even know it\nDrive a half a million dollar car, you don’t even know it\nThis a thousand dollar pair of shoes, you don’t even know it\nGot a bitch that speak no English, she don’t even know it [Hook]" } ]

[ { "from": "human", "value": "Write me a song called Gift from Virgo with the following description: “Gift from Virgo” is one of Beyoncé’s most passionate love ballads.\nBuilt over a sample of Shuggie Otis‘ song “Rainy Day”, the tune almost resembles a letter in which the singer expresses her feelings.\nShuggie Otis told The Independent about the sample:\nBeyoncé sampling two of my songs has kept me living. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nA gift from Virgo\n[Verse 1]\nI wish I could look in your eyes\nAnd tell you how I feel right now inside\nBaby, I know that it's real\nSo real, so real, so real\nHow I wish I could be with you\nHow I wish, how I wish, how I wish I could be with you right now\n[Verse 2]\nEvery morning, every afternoon, every night\nI wanna be with you\nIt don't matter if we go to the park or watch a play\nStay in the hotel room all day\nI just wanna be with you\nI love everything about you from your old school tennis shoes\nTo the way you move when you're dancing with me\n[Verse 3]\nDo you remember our first kiss?\nIt wasn't long enough\nRemember the first time we spent those weeks together?\nThey were not long enough\nAll of our conversations\nAll of your sweet pages\nThey're never long enough [Chorus]\nWhen it's time for me to leave\nIt's so hard to say goodbye\nI never want to say goodbye\nI never, ever want to say goodbye\n[Bridge]\nOne day, we'll make love\nFinally, I'll be yours\nOnly you, only you, I could love you\nBut it's too late, I already love you\nI love you, I love you\nI love you, I love you" } ]

[ { "from": "human", "value": "Write me a song called Signs with the following description: Kodak Black is establishing his place as the hottest new hip hop artist in the game. The 16 year old self proclaimed “Chosen One” of the streets grew up in the Golden Acres projects of Pompano Beach, FL.He began rapping at the age of twelve with the group Brutal Youngnz. His favorite rapper was Lil Boosie. Kodak was inspired not only by Boosie’s style, but also by his success. Kodak thought if Lil Boosie could become successful in his career and make a living rapping, he could do the same. As his experience with music progressed, he became affiliated with the Kolyons, a popular local group from Broward County. As a teenager growing up without a father, Kodak learned very early that he would have to hustle to survive. He started robbing as a way to provide for himself and his family. After several run ins with the law, he was placed in a juvenile detention center a total of three times in one year and finally placed on probation. It was then that he decided to put all his time and energy into his music career with the help of Dollaz N Dealz ENT. The CEO of Dollaz N Dealz, A.D. Julien, saw a star quality in Kodak Black that he had never seen before. Kodak was wise beyond his years and had the ability to light up a room with his presence. He decided to invest in Kodak Black’s solo career and signed him to the DND label. On December 25, 2013 Kodak Black dropped his first mixtape titled, “Project Baby.” The response from the streets was so overwhelming that Kodak and the DND family started gaining nationwide exposure. Gaining this level of success at the age of sixteen has only motivated Kodak Black to grind harder. As he continues to gain exposure, he continues to set more trends and breaks more records. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nI asked the Lord to send me a sign\nI thought that I was blind\n'Cause I ain't ever see the sign but the sign showed after time\nAnd when I finally realized, it was too late to rewind\nGuess I was just waiting on that sign\nSo I got up and went out on my grind\n'Cause I used to cry 'cause ain't no food in the house\nSeein' all the older niggas, man, they used to shine\nUsed to have the pretty girls and I just hoped that they was mine (Mm-mm)\nHypnotized, I was just nine\nBlack boy robbed a nigga right in front of my eyes\nRapping killed time, the years flew by\n'Til I got old enough to run up on you with the .9\nThe light man, we became friends\nI see him so much, he cuttin' off the light again? (Mm-mm)\nI know his name, co-workers and his kid\nHe ain't comin' in the work truck, he comin' in his van\nThe more my stomach growled, the more I wanna lay a nigga down\nTake yo' shit and make 'em cry\nMama got robbed in July, I watched her cry\nSo I don't care about yours 'cause they ain't care about mine\nBut look at me now, they told me, \"Settle down\"\nPBL charges got me waiting on trial (Mm-mm)\nOh, so you know now?\nThe sign read \"Never know until you find out\"\nThe things I found out\nBut they don't understand what goes on in my house\nAin't no love if you broke\n'Cause if you're broke, they treat you like a bad joke\nThey don't even wanna laugh wit' you\nWhen you shittin' on 'em, you can make 'em do anything\nThey'll even wipe your ass for you\nIn this world full of fame and pretty girls\nIt can make your mind swirl\nBut you just gotta think, the devil, he gon' play\nGet in your brain, have you runnin' in them banks\nBut now, I just want the world to scream my name\nDon't even club, I'm the reason why they came (Mm-mm)\nTakin' people shit, I'm the reason for they pain\nBaker Act, I'm all the way insane\nPoking houses, goin' crazy 'bout them chains\nThem Cuban links and them rings\nIt's deep, the sign, I couldn't see\nMan, look at me now, I'm gettin' weak\nDamn, look at me now, I can't sleep\nOh, look at your boy, I can't eat\nI'on think, ain't never think\nAll for some money, I might blow it all in a week (Mm-mm)\nBut it's Kodak, you niggas know that\nI'm 'bout whatever and I'll hit a nigga like a road rat\nBut fuck that, right now, I'm chilling\nSlow money 'cause fast money will get me sentenced\nI was in it, they say I'm a menace\nSay I'm sleepin', and when I wake up I'll be in prison (mm-mm)\nI'm chilling, this how I'm feeling\nGive me a deal, give me mill' so I'm finished\nForget it, I'm still willing\nTo mask up and hit yo' granny for a penny\nThey say I'm stupid, say I'm foolish\nKamikaze, Baker Act, but I know what I'm doing\nFuck school, everybody on the campus\nI did it so I'm ready for all of the consequences\nHard to trust a nigga, do I know you?\nThey hate lil' Kolyon, so paranoid, might have to blow you\nFuck a friend, family too, I'on know you\nBastard child, hey daddy, I'on know you (Mm-mm) [Outro]\nMm-mm (Mm-mm), mm-mm\nIt's gon' change, gon' change\nIt's gon' rain, gon' rain\nI feel pain, feel pain\nJust got to maintain, maintain (Mm-mm)\nIt's gon' change, gon' change\nIt's gon' rain, gon' rain\nI feel pain, feel pain\nJust got to maintain, maintain\nIt's gon' change, gon' change\nIt's gon' rain, gon' rain\nI feel pain, feel pain\nJust got to maintain, maintain (Mm-mm)" } ]

[ { "from": "human", "value": "Write me a song called Didn’t I with the following description: This next single off of OneRepublic’s fifth album Human features a piano based melody, in contrast to earlier singles like “Rescue Me” (dance based) and “Wanted” (string influenced). It also runs longer, at almost four minutes. Its theme centers around a lost relationship, wondering about the seemingly ephemeral nature of good events in our lives.\nRyan Tedder has written on this theme for his band before, in songs such as “Can’t Stop” and “Wherever I Go”.\nThough the topic might not be directly relevant to Ryan, who is both a husband and a father, the song “Didn’t I” was inspired by painful divorces of many people around him: his friends, his own parents and his wife’s parents, as well. He insists that the songs he writes for 1R have to be “100% authentic and visceral to my human experience” saying quote: “if it’s not resonating with me, I can’t sing it…” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we fly?\nKnow that I, know that I still care for you\nBut didn't we, didn't we say goodbye?\n[Verse 1]\nSwear I saw your face\nAt a coffee shop on 8th\nOr maybe it was in my mind\nAnd I swear that I heard your laugh\nFrom a person that walked past me\nAt a party the other night\n[Pre-Chorus]\nNever thought we'd ever have to go without\nTake you over anybody else, hands down\nWe're the type of melody that don't fade out\nDon't fade out, can't fade out\n[Chorus]\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we fly?\nKnow that I, know that I still care for you\nBut didn't we, didn't we say goodbye?\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we try?\nKnow that I, know that I still care for you\nTell me why good things have to die [Verse 2]\nDo you remember all those plans\nThat we made after too many drinks\nIn the kitchen of your brother's apartment\nWhen life was like a wishing well\n4:00 AM and raising hell\nDamn, I knew you oh-so well\n[Pre-Chorus]\nNever thought we'd ever have to go without\nTake you over anybody else, hands down\nWe're the type of melody that don't fade out\nDon't fade out, can't fade out\n[Chorus]\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we fly?\nKnow that I, know that I still care for you\nBut didn't we, didn't we say goodbye?\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we try?\nKnow that I, know that I still care for you\nTell me why good things have to die\n[Bridge]\nWe had our moments, didn't we? (Oh)\nSo much that we will never be (Oh) [Chorus]\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we fly?\nKnow that I, know that I still care for you\nBut didn't we, didn't we say goodbye?\nDidn't I, didn't I, didn't I love you?\nDidn't we, didn't we, didn't we try? (Didn't we try?)\nKnow that I, know that I still care for you (For you)\nTell me why good things have to die (To die)" } ]

[ { "from": "human", "value": "Write me a song called Inside with the following description: On “Inside,” Logic gives listeners a peak behind his exterior at problems he has faced during his career. Despite the fame and notoriety, Logic has felt great pain with so much pressure but continued to put a smile on his face and create for the fans. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse: Logic]\nI'm feelin' depressed, I'm feelin' like less, like I'm not my best\nAnxiety got me, I'm stressed\nI see my name in the press\nI feel the weight of the world on my chest\nI feel the weight of the world on my heart\nAnd the pain that I feel is tearin' me apart\nFeel like I just can't escape from the dark, but I'm doin' my part\nScared I'ma drop from the top\nAnd the money gon' stop and I'm scared I'ma die\nScared I'ma be the one to do it, too\nFuck that, don't let 'em ruin you\nAll of these thoughts are inside of my mind\nWhile I'm on stage tryna entertain you\nBut they want what they want, how they want it\nAnd that shit just drains you\n2018 in Pittsburgh, wanna slit my wrist, but I don't deserve that\nSo I persevere and I face the fear\nEven when they discredit my career, Logic be smilin' ear-to-ear\n[Chorus: Cynthia Erivo \nwith Logic\n]\nBut on the inside\nOn the inside\nBut on the inside\nOh, on the inside\nOn the inside, feels like the tears are flowin'\nI should have stuck to the rivers and the lakes I was used to\n'Cause now it's waterfalls\nAnd I'm drowning on the inside\nSo I smile even though I'm achin'\nWanna give up every minute, every hour that I've lived through\nYet I keep holding on\nWith all this feeling on the inside, inside [Outro: Cynthia Erivo & \nThalia\n]\nInside\nOn the inside\nOn the inside\nOn the inside\nOn the inside, inside\nThe inside\nHip-hop" } ]

[ { "from": "human", "value": "Write me a song called A Winter’s Tale with the following description: “A Winter’s Tale” is a song by British rock band Queen. It’s a single from the Made in Heaven, album, released in 1995 after Freddie Mercury’s death in 1991. It was written after the Innuendo sessions, inspired as Mercury was staring out the windows of his hospital, at Lake Geneva. The song has a psychedelic, dreamy feel, and describes what Mercury saw outside the windows.\nFreddie wrote, composed, and did the vocals and keyboards for it. In the documentary “Queen – Champions of the World”, it was stated that this was, if not the first, then an extremely rare style of recording for Freddie, as it was all performed in one take live in the studio. It was stated in the film that Freddie had always insisted upon music being completed prior to the vocal arrangement beginning, but acknowledged that he had little time left and pressed on, as there was not enough time to work on it differently.\nThe music video, produced after his death, was an epitaph, as Mercury’s actual written song notes were displayed alongside imagery and clips of Mercury’s past performances. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Freddie Mercury]\nIt's winter fall\nRed skies are gleamin'\nOh!\nSeagulls are flyin' over\nSwans are floatin' by\nSmokin' chimney tops\nAm I dreamin'?\nAm I dreamin'?\n[Verse 2: Freddie Mercury]\nThe nights draw in\nThere's a silky moon up in the sky\nYeah!\nChildren are fantasizin'\nGrown-ups are standin' by\nWhat a super feelin'\nAm I dreamin'?\nAm I dreamin'?\nWhoa-whoa-whoa-whoa!\n[Chorus: Freddie Mercury, Brian May & Roger Taylor & \nFreddie Mercury\n]\n(Dreaming) \nSo quiet and peaceful\n(Dreaming) \nTranquil and blissful\n(Dreaming) \nThere's a kind of magic in the air\n(Dreaming) \nWhat a truly magnificent view\n(Dreaming) \nA breathtaking scene\nWith the dreams of the world\nIn the palm of your hand! [Guitar Solo]\n[Chorus: Freddie Mercury, Brian May & Roger Taylor & \nFreddie Mercury\n]\n(Dreaming) \nA cozy fireside chat\n(Dreaming) \nA little this, a little that\n(Dreaming) \nSound of merry laughter skippin' by\n(Dreaming) \nGentle rain beatin' on my face!\n(Dreaming) \nWhat an extraordinary place!\nAnd the dream of the child\nIs the hope of the, hope of the man!\n[Verse 3: Freddie Mercury]\nIt's all so beautiful\nLike a landscape painting in the sky\nYeah!\nMountains are zoomin' higher, uh\nLittle girls scream and cry\nMy world is spinnin', and spinnin', and spinnin'\nIt's unbelievable\nSends me reeling\nAm I dreamin'?\nAm I dreamin'?\n[Outro: Freddie Mercury]\nOoh, it's bliss" } ]