bigdata-pw/tate · Datasets at Hugging Face

Graphite on paper

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St Davids Ruins St Marys Chapel and Entrance to Bishop Vaughans Chapel

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00590

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St David’s: The Ruins of St Mary’s Chapel and the Entrance to Bishop Vaughan’s Chapel

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Tate

1795

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A Watermill at Llandowror Carmarthenshire

1,856

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Accepted by the nation as part of the Turner Bequest 1856

D00592

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A Watermill at Llandowror, Carmarthenshire

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St Davids Porch Great Hall Bishops Palace

1,856

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Accepted by the nation as part of the Turner Bequest 1856

D00593

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St David’s: Porch of the Great Hall of the Bishop’s Palace

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St Davids Interior Cathedral

1,856

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Accepted by the nation as part of the Turner Bequest 1856

D00594

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St David’s: The Interior of the Cathedral

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Rocks Perhaps off St Davids Head

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D00595

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Rocks, Perhaps off St David’s Head

1,795

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5

support: 203 × 264 mm

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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a MillWheel and Leaves Butterbur

1,856

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Accepted by the nation as part of the Turner Bequest 1856

D00597

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https://media.tate.org.u…00/D00597_10.jpg

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Study of a Mill-Wheel and Leaves of Butterbur

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A Watermill with Three Figures Seated on Rocks beside Stream

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Accepted by the nation as part of the Turner Bequest 1856

D00599

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Joseph Mallord William Turner

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A Watermill, with Three Figures Seated on Rocks beside the Stream

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Tate

1795

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CLEARED

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support: 264 × 203 mm

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Hereford Wye Bridge

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00601

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7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

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Hereford: The Wye Bridge

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXVI 47

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Hereford Cathedral North Porch

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Accepted by the nation as part of the Turner Bequest 1856

D00602

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Hereford Cathedral: The North Porch

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Hampton Court Herefordshire in Grounds with a Large Oak Tree

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00603

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Hampton Court, Herefordshire: View in the Grounds, with a Large Oak Tree

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Hampton Court Herefordshire Cascade

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Hampton Court, Herefordshire: The Cascade

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Hampton Court Herefordshire Chapel

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Accepted by the nation as part of the Turner Bequest 1856

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Canterbury Cathedral Beckets Crown and St Augustines Chair

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Canterbury Cathedral Crypt with Tomb Cardinal Morton

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Canterbury Cathedral: The Crypt, with the Tomb of Cardinal Morton

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Romanesque Vaulting in Crypt Canterbury Cathedral

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Romanesque Vaulting in the Crypt of Canterbury Cathedral

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a Watermill

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D00631

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A Weatherboarded Watermill

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A Reach River Medway with a Sailing Boat

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D00638

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Allington Castle near Maidstone Seen across Moat

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Allington Castle, near Maidstone, Seen across the Moat

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A Cottage Yard

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Oxford Front Christ Church

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Accepted by the nation as part of the Turner Bequest 1856

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West Malling Ruined Tower Priory

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Bristol NorthWest Tower St Mary Redcliffe Church

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Accepted by the nation as part of the Turner Bequest 1856

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Bristol: North-West View of the Tower of St Mary Redcliffe Church

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Interior Ruins Buildwas Abbey Shropshire

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Interior of the Ruins of Buildwas Abbey, Shropshire

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Tate

1794

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5

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Salisbury St Martins Church SouthEast with Cathedral in Distance

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Salisbury: St Martin’s Church from the South-East, with the Cathedral in the Distance

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Tate

c.1798

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5

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Outline a Castle or Church

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Accepted by the nation as part of the Turner Bequest 1856

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Oxford Looking South along Cornmarket to Christ Church

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Oxford: Looking South along the Cornmarket to Christ Church

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Tate

c.1798

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5

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Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Oxford High Street

1,856

[]

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Oxford: The High Street

1,798

Tate

c.1798

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXVII E

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Cowes Castle Isle Wight

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D00667

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Cowes Castle, Isle of Wight

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Salisbury Cathedral East

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Salisbury Cathedral from the East

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c.1798

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support: 280 × 230 mm

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Trees beside a River or Lake

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Accepted by the nation as part of the Turner Bequest 1856

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A Windmill on a Hill above an Extensive Landscape with Winding River

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00670

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A Windmill on a Hill above an Extensive Landscape with Winding River

1,794

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A Church and Churchyard near a River or Lake with an Extensive Landscape Beyond

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Thames Richmond Hill

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00672

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View of the Thames from Richmond Hill

1,794

Tate

1794–5

Prints and Drawings Rooms

CLEARED

5

support: 144 × 213 mm

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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5,287

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Picturesque Composition with a Distant Tours North East

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00673

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Joseph Mallord William Turner

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Turner's early training involved him making copies of depictions of the celebrated sights of the Italian Grand Tour. Though related to this kind of exercise, these two newly-identified watercolours show French scenes. Both were made at least five years before he travelled to France for the first time in 1802, and some thirty years before he actually went to the Touraine region himself. He may have based his copies on works in the collection of Dr Thomas Monro, like the Italian subjects, but the actual sources for the sketches have, so far, not been identified. The view of Blois is especially interesting in anticipating the composition of the subject engraved for Turner's Annual Tour, 1833 (no.123, next room).Gallery label, August 2004

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558

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Picturesque Composition with a Distant View of Tours from the North East

1,796

Tate

c.1796

Prints and Drawings Rooms

CLEARED

5

support: 242 × 342 mm

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Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Picturesque Composition with Distant Blois

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[]

Accepted by the nation as part of the Turner Bequest 1856

D00674

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https://media.tate.org.u…00/D00674_10.jpg

558

paper unique graphite watercolour

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Picturesque Composition with Distant View of Blois

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Tate

c.1796

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CLEARED

5

support: 244 × 346 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A Watermill at Stourton

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Accepted by the nation as part of the Turner Bequest 1856

D00675

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https://media.tate.org.u…00/D00675_10.jpg

558

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A Watermill at Stourton

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Tate

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CLEARED

5

support: 260 × 381 mm

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXVII N

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false

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A Watermill

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D00676

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558

paper unique gouache graphite watercolour

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A Watermill

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support: 310 × 483 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXVII O

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Cottages and Windmill

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00677

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prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

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This view is typical of the topographical watercolours Turner produced in the first half of the 1790s. Although the subject has not been identified, it seems to relate to the works Turner painted as a result of a tour of Kent in 1795. Like a few others watercolours of this period, the drawing could have been made as a model for Turner's amateur pupils to copy (another example can also be found in this room). There is a substantial list in one of Turner's sketchbooks recording the names of some of his students, but he apparently did not greatly enjoy teaching. By 1797 he was making plans to abandon it in order to concentrate on his own work.Gallery label, September 2004

true

1

https://media.tate.org.u…00/D00677_10.jpg

558

paper unique graphite watercolour

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Cottages and Windmill

1,795

Tate

1795

Prints and Drawings Rooms

CLEARED

5

support: 274 × 195 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Llanthony Abbey South

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Accepted by the nation as part of the Turner Bequest 1856

D00678

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Llanthony Abbey from the South

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Llanthony Abbey

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Accepted by the nation as part of the Turner Bequest 1856

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Norham Castle with a Watermill in Foreground

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This is one of two sketches Turner made of Norham Castle in the summer of 1797, one of the most northerly points on his tour. The other view (still in the 'North of England' sketchbook, from which this leaf was taken) shows both banks of the River Tweed, and served as the basis for many watercolours and paintings of Norham, including those in this exhibition. Turner's viewpoint in this sketch, however, is much closer to the castle, lying adjacent to a mill building sited directly below the castle walls.Gallery label, September 2004

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Norham Castle, with a Watermill in the Foreground

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Harnham Mill near Salisbury

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Salisbury is famous as a favourite haunt of Turner's contemporary, John Constable. However, Turner also completed a number of views in and around the city. His taste for picturesque subjects often led him to seek out examples of vernacular, rustic architecture as well as the grand landmarks such as cathedrals and castles.The building in this unfinished watercolour is Harnham Mill, which dates from the fifteenth century. It still stands today, a short walk from Salisbury cathedral, though it is now a hotel and restaurant. It is clearly identifiable by the distinctive chequered stonework on the exterior of the ground floor.Gallery label, August 2004

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Harnham Mill, near Salisbury

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As a young artist, Turner developed a meticulous style to describe architectural antiquities. In this unfinished work, he has applied the same style to an urban subject. The tall structure that dominates this scene was the water tower at what is now the Embankment, in London.The crowded jumble of the modern city was a challenging subject for artists. It lacked the more established historical or poetic associations of old buildings, and tended to lead to images that were more descriptive than evocative.Gallery label, August 2004

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London: York House Water-Gate, Westminster, with York Buildings Waterworks

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Oxford St Marys and Radcliffe Camera Oriel Lane

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Turner shows several figures in a graveyard. Two girls are dancing on a tombstone to a fiddler's tune. Turner's use of such a motif in this context is a telling allusion to Time and the contrast between Life and Death. Through it, Turner links himself to a tradition of graveyard meditations which embraces Edward Young and Thomas Gray (no.48). With Turner, as with Blake (see no.49), the way this tradition could inform the Romantic sensibility and even touch life itself can be seen in both artist's associations with Westminster Abbey. In a 1793 watercolour of the interior of the Abbey, Turner's signature is put as an inscription on a floor slab as though it is his own tombstone.Gallery label, August 2004

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St David’s: The Entrance to the Great Hall of the Bishop’s Palace

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Llanstephan Castle by Moonlight with a Kiln in Foreground

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Lime was produced by heating and calcinating limestone in a kiln. It was used for construction, agriculture and, when burned with charcoal, iron-smelting. Often small-scale independent ventures, lime kilns sprang up wherever the stone could be quarried. Turner saw this lime kiln beside the river Tywi near Llansteffan Castle during a tour of South Wales in 1795. He contrasts modern industry with picturesque scenery. Kilns and furnaces glow in the moonlit night.Gallery label, October 2022

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Llanstephan Castle by Moonlight, with a Kiln in the Foreground

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A Traveller on a Wooded Road above an Extensive Landscape

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A Waggon and Horse Crossing a Bridge with an Inn and a Watermill

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Accepted by the nation as part of the Turner Bequest 1856

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Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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This drawing, together with 'Moonlight Through Trees' (also displayed on this wall), has the additional interest of being a 'transparency'. Such pictures, for which there developed a vogue during the mid-1790s, were intended to offer two effects; one when seen ordinarily and a second, more dramatic, when a light source is placed behind the sheet. The latter method of viewing usually invests the image with the romantic glow of moonlight and/or firelight. The adjacent photograph shows the drawing as it appears when lit from behind.Gallery label, September 2004

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Although born in London, Turner made few finished watercolours of the city or its buildings. However, Old London Bridge particularly engaged his attention, and he drew it a number of times.Gallery label, August 2004

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A Road through a Wooded Landscape

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00697

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prints_and_drawings

7011781 7008136 7002445 7008591 4012680

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true

1

https://media.tate.org.u…00/D00697_10.jpg

558

paper unique graphite watercolour

[]

A Road through a Wooded Landscape

1,795

Tate

1795–6

Prints and Drawings Rooms

CLEARED

5

support: 328 × 432 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Unknown artist, Britain, formerly attributed to <a href="https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558" aria-label="More by Joseph Mallord William Turner" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Joseph Mallord William Turner</a>

A Transparency Moon Seen through Trees

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00698

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

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Tate

Prints and Drawings Rooms

CLEARED

5

support: 420 × 284 mm

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Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A Watermill and Farm Buildings

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00699

{ "id": 5, "meta": { "type": "art.Classification" } }

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

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false

1

https://media.tate.org.u…00/D00699_10.jpg

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paper unique graphite watercolour

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Tate

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support: 280 × 214 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Newark Castle Seen across Trent

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00700

{ "id": 5, "meta": { "type": "art.Classification" } }

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

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false

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accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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A along Kent Coast

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00701

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paper unique watercolour

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Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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Valle Crucis Abbey with Dinas Brân

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Accepted by the nation as part of the Turner Bequest 1856

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Briton Ferry A Fishermans Cottage and a Boat Pulled Up under a Low Cliff

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D00704

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Rhayader Gwy Bridge over River Wye

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Accepted by the nation as part of the Turner Bequest 1856

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A Cornfield with Reapers and a Church Beyond with a Misty Sun

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Accepted by the nation as part of the Turner Bequest 1856

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A ThreeArched Bridge with a Church Beyond

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Accepted by the nation as part of the Turner Bequest 1856

D00707

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Vessels off Coast

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1,797

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A Hilly Landscape with Reapers in a Cornfield Middleton Vale Yorkshire

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00709

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

1,797

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true

1

https://media.tate.org.u…00/D00709_10.jpg

558

paper unique watercolour

[]

A Hilly Landscape, with Reapers in a Cornfield: ?Middleton Vale, Yorkshire

1,797

Tate

c.1797

Prints and Drawings Rooms

CLEARED

5

image: 78 × 122 mm support (backing): 203 × 244 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXIX D

null

false

117 4332 503 2803 33620 506 451 2837 636 72 26 769 112 942 5477

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Creative Commons CC BY-NC-ND 4.0 DEED

artwork

Graphite on paper

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5,324

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1,792

<a href="https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558" aria-label="More by Joseph Mallord William Turner" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Joseph Mallord William Turner</a>

a Man Leaning against a RowingBoat and a Man on Horseback Talking to a Man with a Child and Dog

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00710

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

1,792

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true

1

https://media.tate.org.u…00/D00710_10.jpg

558

paper unique graphite

[]

Studies of a Man Leaning against a Rowing-Boat, and of a Man on Horseback Talking to a Man with a Child and Dog

1,792

Tate

1792–3

Prints and Drawings Rooms

CLEARED

5

support: 233 × 174 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXIX E

null

false

177 67 1266 219 94 570 602 195 604 712 160 161 167

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Creative Commons CC BY-NC-ND 4.0 DEED

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Graphite and watercolour on paper

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5,325

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1,794

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Masonry a Group Figures Crouching on Ground

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00711

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

1,794

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true

1

https://media.tate.org.u…00/D00711_10.jpg

558

paper unique graphite watercolour

[]

Study of Masonry; a Group of Figures Crouching on the Ground

1,794

Tate

?1794

Prints and Drawings Rooms

CLEARED

5

support: 256 × 182 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXIX F

null

false

92 726 17 451 4898

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Creative Commons CC BY-NC-ND 4.0 DEED

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Graphite and watercolour on paper

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5,326

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1,793

<a href="https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558" aria-label="More by Joseph Mallord William Turner" data-gtm-name="header_link_artist" data-gtm-destination="page--artist">Joseph Mallord William Turner</a>

Cows

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00712

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

1,793

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true

1

https://media.tate.org.u…00/D00712_10.jpg

558

paper unique graphite watercolour

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Studies of Cows

1,793

Tate

c.1793

Prints and Drawings Rooms

CLEARED

5

support: 213 × 274 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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[ "animals: mammals", "cow" ]

XXIX G

null

false

67 569

false

Creative Commons CC BY-NC-ND 4.0 DEED

artwork

Graphite on paper

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5,327

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1,793

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Three Children Seated on Ground Dock Leaves

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00713

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7011781 7008136 7002445 7008591 4012680

Joseph Mallord William Turner

1,793

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true

1

https://media.tate.org.u…00/D00713_10.jpg

558

paper unique graphite

[]

Three Children Seated on the Ground; Dock Leaves

1,793

Tate

1793–4

Prints and Drawings Rooms

CLEARED

5

support: 202 × 312 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

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XXIX H

null

false

92 219 94 819 799 97 72 694

false

Creative Commons CC BY-NC-ND 4.0 DEED

artwork

Graphite on paper

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5,328

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0

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A Wild Boar Attacked by Hounds

1,856

[]

Accepted by the nation as part of the Turner Bequest 1856

D00714

{ "id": 5, "meta": { "type": "art.Classification" } }

prints_and_drawings

7010281 7008117 7002445 7008591 7008136

Sawrey Gilpin

0

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true

1

https://media.tate.org.u…00/D00714_10.jpg

2578

paper unique graphite

[]

A Wild Boar Attacked by Hounds

1,777

Tate

Prints and Drawings Rooms

CLEARED

5

support: 203 × 278 mm

accessioned work

Tate

Accepted by the nation as part of the <a href="/search?gid=999999781" data-gtm-name="tombstone_link_bequest" data-gtm-destination="list-page--search-results">Turner Bequest</a> 1856

[]

[ "animals: actions", "animals: mammals", "attacking", "dog - non-specific", "wild boar" ]

XXIX I

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