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0fbda7b8a85a740b3cccd5d88a784ed72f77343e | Geography_of_the_United_States | On average, the mountains of the western states receive the highest levels of snowfall on Earth. The greatest annual snowfall level is at Mount Rainier in Washington, at 692 inches (1,758 cm); the record there was 1,122 inches (2,850 cm) in the winter of 1971–72. This record was broken by the Mt. Baker Ski Area in northwestern Washington which reported 1,140 inches (2,896 cm) of snowfall for the 1998-99 snowfall season. Other places with significant snowfall outside the Cascade Range are the Wasatch Mountains, near the Great Salt Lake, the San Juan Mountains in Colorado, and the Sierra Nevada, near Lake Tahoe. | The Wasatch Mountains do not receive more snow than | {
"text": [
"Mount Rainier"
],
"answer_start": [
138
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
1956c6f1c4ab6f583546b8c3fe6c5b3cf4462a2e | Geography_of_the_United_States | On average, the mountains of the western states receive the highest levels of snowfall on Earth. The greatest annual snowfall level is at Mount Rainier in Washington, at 692 inches (1,758 cm); the record there was 1,122 inches (2,850 cm) in the winter of 1971–72. This record was broken by the Mt. Baker Ski Area in northwestern Washington which reported 1,140 inches (2,896 cm) of snowfall for the 1998-99 snowfall season. Other places with significant snowfall outside the Cascade Range are the Wasatch Mountains, near the Great Salt Lake, the San Juan Mountains in Colorado, and the Sierra Nevada, near Lake Tahoe. | 448 more inches landed in __ than the previous holder. | {
"text": [
"Mt. Baker Ski Area"
],
"answer_start": [
294
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
15687aaf373559a91e95fecac28fd79be6e8c17d | Geography_of_the_United_States | On average, the mountains of the western states receive the highest levels of snowfall on Earth. The greatest annual snowfall level is at Mount Rainier in Washington, at 692 inches (1,758 cm); the record there was 1,122 inches (2,850 cm) in the winter of 1971–72. This record was broken by the Mt. Baker Ski Area in northwestern Washington which reported 1,140 inches (2,896 cm) of snowfall for the 1998-99 snowfall season. Other places with significant snowfall outside the Cascade Range are the Wasatch Mountains, near the Great Salt Lake, the San Juan Mountains in Colorado, and the Sierra Nevada, near Lake Tahoe. | what location is mentioned last? | {
"text": [
"Lake Tahoe"
],
"answer_start": [
606
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
615046ca2c1b1e075c0c9b9421cae0dac575e1f4 | Geography_of_the_United_States | On average, the mountains of the western states receive the highest levels of snowfall on Earth. The greatest annual snowfall level is at Mount Rainier in Washington, at 692 inches (1,758 cm); the record there was 1,122 inches (2,850 cm) in the winter of 1971–72. This record was broken by the Mt. Baker Ski Area in northwestern Washington which reported 1,140 inches (2,896 cm) of snowfall for the 1998-99 snowfall season. Other places with significant snowfall outside the Cascade Range are the Wasatch Mountains, near the Great Salt Lake, the San Juan Mountains in Colorado, and the Sierra Nevada, near Lake Tahoe. | what location is mentioned second to last? | {
"text": [
"the Sierra Nevada"
],
"answer_start": [
582
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
771719e09b8ee183380cbf86b7143ab876b31054 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | Which one is in the southern USA, Lake Michigan or Florida? | {
"text": [
"Florida"
],
"answer_start": [
305
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
0aeee14f99d2008b39b7104b345ff1a57d3f3a4a | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | Which one is closer to Gulf coast, Lake Michigan or Tennessee River? | {
"text": [
"Tennessee River"
],
"answer_start": [
430
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
91eb06dc7f746243cecaa1b5dcad50272b35b0a1 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | What part Of Lake Michigan borders Canada? | {
"text": [
"Lake Michigan situated entirely within United States"
],
"answer_start": [
136
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
1a739655b8ab178b6696b4f14c71bbaf93355d9e | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | Which one is closer to Florida, Lake Michigan or The Tennessee River? | {
"text": [
"the Tennessee River"
],
"answer_start": [
426
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
1ff183bc21dd9b7c3b57628ad5fb549c7bbab601 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | How many lakes are not entirely in the United States? | {
"text": [
"four"
],
"answer_start": [
78
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
375ffe0b804b6d8df7e91d6aee87a383579ec391 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | Which one is in the south of USA, Lake Michigan or the GUld coast? | {
"text": [
"the Gulf Coast"
],
"answer_start": [
572
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e864f6057dd5ce6af90f553e4b340ef52c7c26b1 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | Where would one assume a majority of food is produced? | {
"text": [
"Midwest"
],
"answer_start": [
486
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
17de3c57979c1e248059a289be747004f70001f4 | Geography_of_the_United_States | The five Great Lakes are located in the north-central portion of the country, four of them forming part of the border with Canada, only Lake Michigan situated entirely within United States. The southeast United States contain subtropical forests and, near the gulf coast, mangrove wetlands, especially in Florida. West of the Appalachians lies the Mississippi River basin and two large eastern tributaries, the Ohio River and the Tennessee River. The Ohio and Tennessee Valleys and the Midwest consist largely of rolling hills and productive farmland, stretching south to the Gulf Coast. | What relationship does the Ohio river and Tennessee river have with the Mississippi river? | {
"text": [
"West of the Appalachians"
],
"answer_start": [
314
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e872b1814391454af84795f3dd12b752550183fa | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What type of climate is in the US Pacific islands? | {
"text": [
"tropical"
],
"answer_start": [
212
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
42b36824fe0b196b74afd72822c3a802ac4a2c0e | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What type of weather is the area in Nevada? | {
"text": [
"arid"
],
"answer_start": [
367
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
803607613d9e20e87df562487b56d4884279f961 | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What is the climate in the southern-most part of the US? | {
"text": [
"tropical"
],
"answer_start": [
212
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
28db6ff88d0946b05b3a777f86a3e3f697644d5b | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What kind of climate regions can you find in the US? | {
"text": [
"nearly every global climate"
],
"answer_start": [
100
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
caab5151685bf8e79fe7ed78aee766929bf693b7 | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What is the climate in most areas including the south? | {
"text": [
"temperate in most areas, subtropical in the Southern"
],
"answer_start": [
144
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
5db6c05f4a3b704fdccceea2d52fca02b21ca8ba | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What type of climate is in the Southeast part of US | {
"text": [
"tropical"
],
"answer_start": [
212
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
0640042a7fcea9c94b4b1513faa0930ba4b59fc2 | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What helped the US become influential in the world? | {
"text": [
"climate"
],
"answer_start": [
433
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
fd6105c8bbf9bc204d11b3a5fd19067cc565cf9a | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What is the weather like in the major portion of the US? | {
"text": [
"temperate"
],
"answer_start": [
144
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d6379c923e3f0329fb435ce5fa6d65696582d4ca | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What is the climate in the South? | {
"text": [
"subtropical"
],
"answer_start": [
169
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
505d4305de8d6b713e1b4ef99d44ab13d5668b87 | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | The absence of flooding and what else has helped the US have a climate useful for farming? | {
"text": [
"severe drought"
],
"answer_start": [
519
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
002b80ba3a43fde07c0ccf2345a2d0decef8ad16 | Geography_of_the_United_States | Due to its large size and wide range of geographic features, the United States contains examples of nearly every global climate. The climate is temperate in most areas, subtropical in the Southern United States, tropical in Hawaii and southern Florida, polar in Alaska, semiarid in the Great Plains west of the 100th meridian, Mediterranean in coastal California and arid in the Great Basin. Its comparatively favorable agricultural climate contributed (in part) to the country's rise as a world power, with infrequent severe drought in the major agricultural regions, a general lack of widespread flooding, and a mainly temperate climate that receives adequate precipitation. | What is climate in the northernmost part of the US? | {
"text": [
"polar"
],
"answer_start": [
253
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
cf5c446c6914eb9904aa21cd1736d5100e8b89ff | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | How did Chopin describe his Piano Concerto No. 1? | {
"text": [
"\"It should be like dreaming in beautiful springtime – by moonlight.\""
],
"answer_start": [
699
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
76120dc9f4d3295b4688bc627f8d6a47793585f1 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | What was written in the 30th year of the 19th century? | {
"text": [
"his letter"
],
"answer_start": [
556
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
076075cd3d78adca9ecc947998c1f2a8ce9f1d4f | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | How did that infatuation grow? | {
"text": [
"In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her"
],
"answer_start": [
415
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
723892c161724a0cd215934481a0bd6133c2a563 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | How did she influence him? | {
"text": [
"his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – \"It should be like dreaming in beautiful springtime – by moonlight.\""
],
"answer_start": [
556
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9a524fe261739c71f8b6b0795179006cc5258bd1 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who is another person that he was infatuated with? | {
"text": [
"singing student Konstancja Gładkowska"
],
"answer_start": [
376
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7837ae8eaa1c62a7242a6d7f9a7dfdbdd332fde9 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | What was written in the 29th year of the 19th century? | {
"text": [
"His final Conservatory report"
],
"answer_start": [
768
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9ae7181440b6c25268121921bf16904af8f142eb | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | How did some classify Chopin? | {
"text": [
"Chopin F., third-year student, exceptional talent, musical genius.\""
],
"answer_start": [
817
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
bc1f57fa7742043f05d0f5f4a451e82c98d633d5 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who became Chopin's intimates? | {
"text": [
"Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana"
],
"answer_start": [
68
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8f0356f448370b1b814b9c0a1872ca906fd3d05a | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | What might be considered a labor of love? | {
"text": [
"Piano Concerto No. 1 (in E minor)"
],
"answer_start": [
633
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
291cb8b053bae6fe0bbcabcb33debc1d2d74472b | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Of the four friends, who was in Paris? | {
"text": [
"Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu"
],
"answer_start": [
116
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f02e8b6f596637fc54554d05c1d4231f5e49b8b9 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who indirectly led to Chopin's friendships? | {
"text": [
"parents"
],
"answer_start": [
21
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
120d0b17ec346a5974be4cce5446a00a61a9517e | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who else was he known to associate with? | {
"text": [
"Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki"
],
"answer_start": [
238
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
dff7f43ea10374d81add1cf16048476f2edb7ecb | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who was attracted to the singing student Konstancja Gladokowska? | {
"text": [
"Chopin"
],
"answer_start": [
48
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
66f769eadadc59b4c6b194d865bbc4ed9ee58ce7 | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | How did they become his friends? | {
"text": [
"boarders at his parents' apartments"
],
"answer_start": [
5
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d2bdfa0ff8e831dbeb3858a3208e71bf3fde96ba | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Which sort of phase in piano is the opposite of fast? | {
"text": [
"Larghetto"
],
"answer_start": [
615
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
2da9ae4a0aac1f52c1333d776d592acf9c8d77ae | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who was Chopin friendly with? | {
"text": [
"Fontana, Józef Bohdan Zaleski and Stefan Witwicki"
],
"answer_start": [
296
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
cf53193fb0d6fedb7ddd5981e4aaddbe6041c00a | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who were his intimates who shared his interests directly? | {
"text": [
"Fontana, Józef Bohdan Zaleski and Stefan Witwicki"
],
"answer_start": [
296
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a223401ce9c0c5f79b008c7787b2664e13afc1ef | Frédéric_Chopin | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | Who was friendly with members of Warsaw's young artistic and intellectual world? | {
"text": [
"Chopin"
],
"answer_start": [
48
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
46152c701abe5cb546897b09bb349232b07e14cd | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Who was Ludwika's daughter's uncle? | {
"text": [
"Chopin"
],
"answer_start": [
39
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d028a40fff7b979f972573975ca88d6a31b8a977 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Was Chopin's condition better in June 1849 or after October 15th, 1849? | {
"text": [
"June 1849"
],
"answer_start": [
91
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
2538aa8a6ca469caf9a5b83737f5ca29f1086385 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | How was Chopin's health later on? | {
"text": [
"de rigueur"
],
"answer_start": [
482
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
560797d992d6dfbf713fd2b75967056511f3fa51 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | What was the sad part in Chopin's last journey? | {
"text": [
"only a handful of his closest friends remained with him"
],
"answer_start": [
336
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
63ece28ea061559e7e3115fedb2575a778505e58 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Where were the grand Parisian ladies from? | {
"text": [
"Paris"
],
"answer_start": [
128
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e7c5e6fcd558c2a6485e88ab2fe99d01f4251a3a | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Was Viardot's comment real? | {
"text": [
"sardonically"
],
"answer_start": [
419
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
13dba74e576c5c6b3f9f621c117b2f54d2379315 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Who was Ludwika's husband's brother-in-law? | {
"text": [
"Chopin"
],
"answer_start": [
39
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
02e5d43544dc253cb666a92714dc1fb0f1a8fe76 | Frédéric_Chopin | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | Whose room was Viardot referring to in his remark? | {
"text": [
"Chopin"
],
"answer_start": [
39
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
aedc9ede3f0efcc5f28450a7413cefa73d077054 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | A name used for the Americas, during the time of colonization and exploration is? | {
"text": [
"New World"
],
"answer_start": [
264
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
55539899e0d7b815acc532415d85d5c10b108704 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | According to Atwood, the Polish people found a source of strength in what? | {
"text": [
"Chopin's] use of traditional musical forms like the polonaise and mazurka"
],
"answer_start": [
78
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
25272e3d65354ce015a59cc76e51d2ba83d6999a | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | What did a waiter do for people? | {
"text": [
"served"
],
"answer_start": [
510
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d7d69492d2eef1d9209b9b83da45dde4e09e4824 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | Which is not a last name, Chopin or Polish? | {
"text": [
"Polish"
],
"answer_start": [
559
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4215fd52334ac290628e87aac7a0fb8903a377f9 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | Atwood was talking about the Poles, also known as? | {
"text": [
"the Polish people"
],
"answer_start": [
555
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
98e428fe3204af6370d2c612ef578eda9fd1d6e7 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | Which is not a last name, Atwood or Poles? | {
"text": [
"Poles"
],
"answer_start": [
226
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
18bbfd7b7f28ebec131a2828520f533ff0af2ce3 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | Atwood was talking about the Polish people, also known as? | {
"text": [
"Poles"
],
"answer_start": [
226
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
2cd9e04fef9958c78f90db31edbe5b643267682a | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | How did Atwood claim that Chopin made music? | {
"text": [
"intuitively"
],
"answer_start": [
443
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d8a5ff6b6d3b49f6c4010b87a4babb6aefdddf1b | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | A legal document that expresses the wishes of a person on how their belongings are to be distrubuted after their death is called? | {
"text": [
"will"
],
"answer_start": [
547
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ce81797df40a98e2b3d4c247f5ff702ddcb8e085 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | Which musician was Atwood talking about? | {
"text": [
"Chopin"
],
"answer_start": [
404
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
70fbdce97f09fe47912e190709bce8e080b577f2 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | What is the name for a Polish dance done in triple time? | {
"text": [
"mazurka"
],
"answer_start": [
144
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
0fa966678866383f25683094e5f31408edc3a65a | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | If something occurs and can be found in various locations, often in a disorganized manner it is described as? | {
"text": [
"scattered"
],
"answer_start": [
232
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
75a14120067270094632d58efaca13546a7a2383 | Frédéric_Chopin | A reconciliation of these views is suggested by William Atwood: "Undoubtedly [Chopin's] use of traditional musical forms like the polonaise and mazurka roused nationalistic sentiments and a sense of cohesiveness amongst those Poles scattered across Europe and the New World ... While some sought solace in [them], others found them a source of strength in their continuing struggle for freedom. Although Chopin's music undoubtedly came to him intuitively rather than through any conscious patriotic design, it served all the same to symbolize the will of the Polish people ..." | If something occurs without conscious reasoning, by instinct it is referred to as? | {
"text": [
"intuitively"
],
"answer_start": [
443
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
49e0b640a7c2548576fcb73dd775b7a359442055 | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Which film was released later, A Song to Remember or Impromptu? | {
"text": [
"Impromptu"
],
"answer_start": [
357
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e1fe634f270a41d89bdfa94de7aba2f844a0a80a | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | What was the first film portraying Chopin? | {
"text": [
"La valse de l'adieu"
],
"answer_start": [
272
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9229e6be86de063939f88ecf102664986fbfec5f | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Who first portrayed Chopin in a film? | {
"text": [
"Pierre Blanchar"
],
"answer_start": [
330
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9829b073e7d5a2da839cf017e7840290e937b4d3 | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | The was the name of the film starring Hugh Grant? | {
"text": [
"Impromptu"
],
"answer_start": [
357
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
5b04429561611e3be86e1c379471415448d61d4a | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Which film starred Hugh Grant as Chopin, Impromptu or La note bleue? | {
"text": [
"Impromptu"
],
"answer_start": [
357
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
20069ff389e5f3a5f9abbd0d3042ff4ef445f56a | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Who did Cornel Wilde portray? | {
"text": [
"Chopin"
],
"answer_start": [
349
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6b705705e777ff81e24e2af70b0c23503080521b | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Which film was released first, La not bleue or A Song to Remember? | {
"text": [
"A Song to Remember"
],
"answer_start": [
119
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
57ed5b87ad4b173587d765533f28ed3321576bad | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | How were the relations between Chopin and George Sand portrayed? | {
"text": [
"fictionalized"
],
"answer_start": [
59
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f20ae037cbcd3576469fb3ff9a5a8a29f160606b | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | What was La note bleue about? | {
"text": [
"Chopin"
],
"answer_start": [
349
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
329f45c286d66e691d9ca9eca9d45c38b7c2bc2e | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | Which film was released first, the one where Pierre Blanchar played Chopin or Hugh Grant as Chopin? | {
"text": [
"Pierre Blanchar"
],
"answer_start": [
330
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
b83b51122b7eab739eda2a0b56437361baf16962 | Frédéric_Chopin | Chopin's life and his relations with George Sand have been fictionalized in numerous films. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002). | How do we know that Colonel Wilde gave a convincing performance? | {
"text": [
"an Academy Award nomination as Best Actor"
],
"answer_start": [
158
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7397bdc0fd91510163c7086e280e267e578a60b3 | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What did a visitor have to say about Chopin's condition in following his decline in health and abscence in 1843? | {
"text": [
"\"hardly able to move, bent like a half-opened penknife and evidently in great pain\""
],
"answer_start": [
448
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4bffa95a4215b7f0bafed1dddd9c8f35edf009aa | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What were Chopin's complaints in 1842 when he had a recital in Paris? | {
"text": [
"have to lie in bed all day long, my mouth and tonsils are aching"
],
"answer_start": [
135
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8c2fa731977a8045c004c616385f86fa28a1f49d | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What might have made Chopin smile from time to time? | {
"text": [
"play the piano for his visitor"
],
"answer_start": [
582
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6d3e6478720322ad04c4c66fb3507e64947b07a6 | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What wasn't obvious at the time but we can guess now? | {
"text": [
"Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy"
],
"answer_start": [
693
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4722d9aea6ec751f10b967e553d4b793eb9bbf67 | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | Which occurred later, Chopin writing to Grzymala or Charles Halle's visit to Chopin? | {
"text": [
"Charles Hallé visited Chopin"
],
"answer_start": [
405
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c24dc8c9bbfb2a3bcf0c73f8daf07d8329875fce | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What good thing happened when Chopin sat down at the piano when his friend Halle arrived? | {
"text": [
"his spirits returned when he started to play the piano"
],
"answer_start": [
542
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d34ada67c3b84fcdde77c1174918be046bf6851b | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What might people have said regarding Chopin at this time? | {
"text": [
"hardly able to move, bent like a half-opened penknife and evidently in great pain"
],
"answer_start": [
449
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ef1a03a23d99e0a48f2670509170a10408a73c3d | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | Which occurred later: the repeat performance of the Beethoven Seventh Symphony or Chopin's signs of serious illness? | {
"text": [
"repeat performance of the Beethoven Seventh Symphony"
],
"answer_start": [
298
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
748096006a1203fe098a33eeed410e62a49e34fe | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What was one of the conditions that contributed to Chopin's decline starting in 1842? | {
"text": [
"temporal lobe epilepsy"
],
"answer_start": [
786
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6394b32faf5e6ec65cdd6105d00f89e0db2ee5d9 | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What was going to be possible for him to do again had he not gotten ill? | {
"text": [
"participate in a repeat performance of the Beethoven Seventh Symphony arrangement"
],
"answer_start": [
281
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
2840768df8670521cc7ef27feb06ca47be0eb63e | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | What did Chopin do that he probably made him even more miserable? | {
"text": [
"have to lie in bed all day long, my mouth and tonsils are aching"
],
"answer_start": [
135
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
12c2b1fd634d45ecb7e418be6331d80c3eec1b76 | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | He was the recipient of Chopin's message regarding a Paris performance in '42? | {
"text": [
"Grzymała"
],
"answer_start": [
122
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
88b8b75f6104fe5ddf7601959a38f81d317dfb6c | Frédéric_Chopin | From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy. | Who did NOT visit Chopin, Grzymala or Charles Halle? | {
"text": [
"Grzymała"
],
"answer_start": [
122
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
2fc4b848dd86b5b9ad6f75d3b9649dec6aa4f3f1 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | What genre did Chopin create? | {
"text": [
"salon"
],
"answer_start": [
20
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e98fae2a2680423596002b9ae5f477afb5e43937 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | Who invented the ballade? | {
"text": [
"Chopin"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ca5a10932147728eeaca2b96db5f21e730f909b1 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | Who wrote ballades and scherzis as individual concert pieces? | {
"text": [
"Chopin"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f4b12591545e9ef95fea032cdb33c783184ab764 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | Which composer, other than Liszt, Clementi, Moscheles, and John Field, is mentioned in the article? | {
"text": [
"Chopin"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
21c5fa8b16b80e5233dc64cfb75263c7659b5da0 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | What did Chopin do to the nocturne? | {
"text": [
"established a new genre with his own set of free-standing preludes"
],
"answer_start": [
221
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
145a1493912b0cbf3fdc52d6029186c11848196a | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | How did Chopin reinvent the Nocturne? | {
"text": [
"He essentially established a new genre with his own set of free-standing preludes"
],
"answer_start": [
206
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
b73ce925647962f23226436b0c93118eb44d585e | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | What set Chopin's preludes apart? | {
"text": [
"free-standing"
],
"answer_start": [
265
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7f7a75b6bb5065d3548a08fa7ce1a7ba04b05ef3 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | Which Opus in the article was published earliest? | {
"text": [
"10"
],
"answer_start": [
498
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9113d960819160056a23cd8c9c30a4b7b392fb61 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837). | What did Chopin do for his new genre? | {
"text": [
"He exploited the poetic potential of the concept of the concert étude"
],
"answer_start": [
314
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7c681cadc530a76e9c78761abd15cbb4c088f043 | Frédéric_Chopin | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand. | What happened first at 12am in the fall? | {
"text": [
"the physician leaned over him and asked whether he was suffering greatly"
],
"answer_start": [
418
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
81b58d737a3abd3fb8a310d18e119a3b368073a5 | Frédéric_Chopin | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand. | Which of the following people was related to Chopin: Ludwika, Thoma Albrecht, or Solange? | {
"text": [
"Ludwika"
],
"answer_start": [
639
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a0c148b0379b75b125a417670f56d5f198263930 | Frédéric_Chopin | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand. | Which of the following people did not provide music for Chopin's funeral: Potocka, Franchomme, or Chopin? | {
"text": [
"Chopin"
],
"answer_start": [
109
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f366e80e428c5d8fdd446d2406d6faeab3532d78 | Frédéric_Chopin | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand. | Which of the following people was highest in status: Princess Marcelina, Thomas Albrecht, or Solange? | {
"text": [
"Princess Marcelina"
],
"answer_start": [
648
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a423fbe470c2778ecb4f5bd4169c31332437befe | Frédéric_Chopin | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand. | Who is Sand's in-law? | {
"text": [
"Solange's husband Clésinger"
],
"answer_start": [
763
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
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