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https://github.com/gyarab/2023-4e-ruzicka-jako_pavouk | https://raw.githubusercontent.com/gyarab/2023-4e-ruzicka-jako_pavouk/main/src-docs/kapitoly/psani.typ | typst | = Psaní všemi deseti
== Rozložení klávesnice
Klávesnice, kterou používáme každý den na počítači nebo telefonu, není vůbec uzpůsobena na rychlé ani pohodlné psaní. Proč to tak ale je? Proč používáme zrovna rozložení QWERTZ a QWERTY? Proč ne třeba ABCDEF?
Všechny cesty vedou až do roku 1878 k *psacímu stroji* Remington @psaci-stroj, který se objevil s nám známou QWERTY a o deset let později bylo toto rozložení dokonce přijato za standard. Konstruktéři se při vytváření klávesnice k prvním psacím strojům totiž potýkali s *problémem zasekávajících se kladívek* stisknutých rychle za sebou. Docházelo k tomu ještě častěji, pokud byly tyto dvě klávesy vedle sebe. @psaci-stroj2 Proto bylo nutné klávesy, které se často píší za sebou sobě, "rozházet" dál od sebe a vznikla tak nám známá QWERTY.
V Česku nebo například v Německu se převážně používá lehce modifikovaná QWERTZ, jednoduše proto, že v *němčině* se písmeno Z vyskytuje daleko častěji než Y a tak si tyto klávesy Němci prohodili, aby měli Z blíže po ruce. V té době se na našem území psalo převážně německy, a tak jsme tuto úpravu přijali. @psaci-stroj2
Přestože dnes už takový problém s kladívky nemáme, zvyk je železná košile.
#figure(
image("../obrazky/psaci-stroj.jpg", width: 80%),
caption: [Psací stroj @psaci-stroj-ilustrace],
) <stroj>
#block(breakable: false)[ // aby se to nezalomilo na další stranu
== Prstoklad
Když už víme, jak vznikla naše klávesnice, pojďme se podívat, jak rozmístit prsty, abychom ji celou ovládli. Záchranným bodem pro nás jsou klávesy F a J ležící téměř ve středu. Ty na drtivé většině klávesnic mají *malé výstupky*, hmatné i poslepu. Na tyto dvě hlavní umístíme ukazováčky a ostatní prsty na klávesy ve stejné řadě. Vycházet tedy budeme z tlačítek ASDF a JKLŮ. Každý prst si poté hlídá svůj *pomyslný sloupeček*, jak můžete vidět na @klavesnice[obrázku]. Výjimkou jsou palce. Ty se při psaní starají pouze o mezerník.
#v(0.6em)
#figure(
image("../obrazky/klavesniceSPavoukem.png", width: 70%),
caption: "Prstoklad",
) <klavesnice>
]
== Implementace
Některé starší programy na výuku psaní všemi deseti fungovaly na bázi opisu textu o řádek níže. Poté porovnávají zadání s přepisem od uživatele. Tento způsob ale vede k častému dezorientování a k námaze očí z ustavičného koukání tam a zpět.
#v(-4pt)
```custom
ffjj jjff fjfj jfjf fffj jfff <- zadání
ffjj jjff fj| <- přepis
```
#v(-4pt)
J<NAME> k psaní přistupuje trošku jinak. Uživatel text neopisuje, ale vše se děje přímo před jeho očima. Přesněji se uživatel orientuje podle podtržení, které označuje vždy další písmeno, které má stisknout. Text již napsaný je upozaděn šedým odstínem písma, aby se uživatel soustředil pouze na slova nadcházející, která jsou bílá. Špatné písmeno je značeno červenou barvou a je na něj upozorněno zvukem.
Moje aplikace mimo jiné monitoruje nejen rychlost psaní, přesnost nebo čas, ale i písmena, ve kterých uživatel nejčastěji chybuje. Tato statistika je mu pak samozřejmě k nahlédnutí. |
|
https://github.com/katamyra/Notes | https://raw.githubusercontent.com/katamyra/Notes/main/Compiled%20School%20Notes/CS2110/CompiledNotes.typ | typst | #import "../../template.typ": *
#show: template.with(
title: [
Computer OS and Programming Notes
],
authors: (
(
name: "<NAME>",
link: "https://github.com/katamyra"
),
),
description: [
Notes based on CS 2110 Textbook
]
)
#set text(
fill: rgb("#04055c")
)
// #include "Modules/BitsDataTypes.typ"
#include "Modules/DigitalLogic.typ"
#include "Modules/VonNeumann.typ"
#include "Modules/LC3.typ"
|
|
https://github.com/mumblingdrunkard/mscs-thesis | https://raw.githubusercontent.com/mumblingdrunkard/mscs-thesis/master/src/frontmatter/abstract.typ | typst | = Abstract
Processors are sometimes tasked with handling sensitive cryptographic algorithms or other applications that access and manipulate secret values.
Programmers have long been aware of side-channel attacks and several techniques exist to write programs that are resistant to such attacks.
Then Specre and Meltdown happened; speculative execution vulnerabilities that are unique to out-of-order systems.
Most of the research and reasoning around security before then was based around simple side-channels and was only applied in contexts handling secrets.
The danger of Spectre-like attacks is that they can use code that never handles secrets during correct execution (thus not needing secure programming standards) and make the processor access those secrets anyway.
Out-of-order processors make predictions about future execution and speculatively perform that work.
If the prediction is correct, the work is kept and the processor keeps going.
In the case of an incorrect prediction, the work must be squashed and the state rolled back.
The nature of out-of-order execution allows for mispredicted, transient execution to leave behind traces in microarchitectural state.
During transient execution, rules can be broken, such as array accesses going out of bounds.
Speculative execution attacks force the processor to mis-speculate and perform actions that access and transmit secret values for a malicious application to recover.
Schemes have been proposed to prevent speculative execution attacks by limiting when and how microarchitectural state such as caches may be updated.
All of these schemes reduce performance.
Much of this reduced performance is due to a loss of memory level parallelism as these schemes invariably limit when and how load instructions are allowed to issue to prevent updates to the cache hierarchy.
Doppelganger loads is a proposed technique to regain some of this parallelism by using safely predicted addresses instead of potentially speculatively loaded values.
A copy of the load instruction is issued to the data cache and the result is written back to the register file, but is not propagated until the address is confirmed and propagation is allowed by the underlying scheme.
This copy, called a doppelganger, stands in for the real load while the address is unavailable or the real load is still considered unsafe.
Doppelganger loads are a safe and cheap optimisation on top of these schemes, requiring few modifications to a standard out-of-order core design.
Doppelgangers were originally tested in a cycle-accurate simulator, which is a widely accepted approach to research.
Simulators hide much of the complexity of working with real hardware.
In this report, we present our work to integrate doppelganger loads in the Berkeley out-of-order machine, an open source out-of-order RISC-V core design.
We show: that a simple strided predictor is able to detect strides in accessed addresses, we are able to generate predictions and issue loads to the data cache using these addresses, compare the prediction once the real address arrives, and write back the result to the register file.
There are challenges related to superscalar processing of instructions which we handle with a novel approach developed in a previous project.
We also discuss various other challenges that arise with our specific implementation.
We show how the implementation slightly succeeds in improving performance over an intentionally slowed down, insecure baseline as well as various other statistics collected for the predictor and the predictions made.
|
|
https://github.com/drupol/master-thesis | https://raw.githubusercontent.com/drupol/master-thesis/main/src/thesis/theme/template.typ | typst | Other | #import "../imports/preamble.typ": *
#import "common/metadata.typ": *
#import "common/titlepage.typ": *
#import "disclaimer.typ": *
#import "leftblank.typ": *
#import "acknowledgement.typ": *
#import "abstract.typ": *
#import selectors: *
#let getHeader() = {
context {
let page-counter = counter(page)
let current = page-counter.at(here()).first()
let chapter = hydra(
1,
display: (_, it) => {
if it.numbering != none {
[#numbering(it.numbering, ..counter(heading).at(it.location())) - #it.body]
}
},
)
let section = hydra(
selectors.by-level(min: 2),
display: (_context, element) => element.body,
)
let items = (smallcaps(chapter), h(1fr), emph(section))
if calc.even(current) {
items.rev()
} else {
items
}.join()
if (chapter != none) {
[#line(length: 100%, stroke: .2pt + rgb("#000000").lighten(65%))]
}
}
}
#let getFooter() = {
context {
let page-counter = counter(page)
let current = page-counter.at(here()).first()
let items = ([#current], h(1fr), emph(title))
if calc.even(current) {
items
} else {
items.rev()
}.join()
}
}
#let chapterquote(
title: none,
ref: none,
quoteText: none,
quoteAttribution: none,
) = {
pagebreak()
place(top + left, dx: 45pt, dy: 45pt)[
#rect(width: 50pt, height: 50pt, fill: rgb(125, 125, 125))
]
place(top + left)[
#rect(width: 70pt, height: 70pt, fill: rgb(0, 0, 0))
]
v(10%)
[
#{
heading(title, level: 1)
}
#label(ref)
]
if quoteText != none {
show quote: set pad(x: 0em)
quote(
block: true,
attribution: [#{
if quoteAttribution != none {
cite(form: "prose", quoteAttribution)
}
}],
quoteText,
)
}
pagebreak()
}
#let project(
title: "",
university: "",
faculty: "",
degree: "",
program: "",
supervisor: "",
advisors: (),
author: "",
doi: none,
startDate: none,
submissionDate: none,
disclaimer: none,
acknowledgement: none,
abstract: none,
accessibility: none,
extra: none,
terms: (),
body,
) = {
register-glossary(terms)
// --- Page configuration ---
set page(
margin: page-margin,
numbering: "1",
number-align: center,
header: getHeader(),
footer: getFooter(),
paper: "a4",
)
titlepage(
title: title,
subtitle: subtitle,
university: university,
faculty: faculty,
degree: degree,
program: program,
supervisor: supervisor,
advisors: advisors,
author: author,
authorOrcId: authorOrcId,
startDate: startDate,
submissionDate: submissionDate,
rev: rev,
shortRev: shortRev,
builddate: builddate,
doi: doi,
)
// --- Typography ---
set text(
font: body-font,
size: font.normal,
lang: "en",
hyphenate: false,
)
// --- Paragraphs ---
// Source: https://typst.app/docs/guides/guide-for-latex-users/
set par(justify: true)
set par(spacing: 1em)
show ref: it => {
let el = it.element
if el == none {
return it
}
if el.has("level") and el.level == 1 {
let (chapter,) = counter(heading).at(el.label)
link(el.label)[Chapter #chapter]
} else if el.has("level") and el.level == 2 {
let (chapter, section) = counter(heading).at(el.label)
link(el.label)[Chapter #chapter, section #section]
} else if el.has("level") and el.level == 3 {
let (chapter, section, subsection) = counter(heading).at(el.label)
link(el.label)[Chapter #chapter, section #section.#subsection]
} else if el.has("level") and el.level == 4 {
let (
chapter,
section,
subsection,
subsubsection,
) = counter(heading).at(el.label)
link(el.label)[Chapter #chapter, subsection #section.#subsection.#subsubsection]
} else {
link(el.label)[#it]
}
}
// --- Citations ---
set cite(
form: "prose",
style: "ieee",
)
show cite: cite => {
underline(cite, stroke: .2pt + rgb("#000000").lighten(65%))
}
// --- Links ---
show link: it => {
underline(it, stroke: .2pt + rgb("#000000").lighten(65%))
}
leftblank(weak: false)
[#disclaimer]
leftblank(weak: false)
[#abstract]
leftblank(weak: false)
[#acknowledgement]
leftblank(weak: false)
[#accessibility]
[#extra]
{
pagebreak(weak: true)
[
#{
heading(level: 1, "Glossary", outlined: false)
} <glossary>
]
v(10mm)
print-glossary(show-all: true, terms)
}
leftblank(weak: false)
{
// --- Table of Contents ---
{
set par(
leading: 0.45em,
justify: true,
)
show outline.entry.where(level: 1): it => {
v(12pt, weak: true)
strong(it)
}
heading(numbering: none, outlined: false)[Contents]
outline(title: "", indent: 1.5em, depth: 3)
}
leftblank(weak: false)
// --- Headings ---
set heading(numbering: "1.")
show heading.where(level: 1): set heading(
numbering: "I",
supplement: [Chapter],
)
show heading.where(level: 2): set heading(
numbering: "1.",
supplement: [Section],
)
show heading.where(level: 3): set heading(
numbering: "1.",
supplement: [Subsection],
)
show heading.where(level: 1): it => block({
set text(
2em,
weight: "bold",
)
v(8em)
if it.numbering != none [
Chapter #numbering(it.numbering, ..counter(heading).at(it.location()))
#v(.5em)
]
it.body
v(0.5em)
})
// --- Various outlines ---
show outline.entry.where(level: 1): it => {
v(1em, weak: true)
it
}
// --- Raw text configuration ---
show raw.line: set text(font: "Inconsolata Nerd Font Mono")
// --- Equations ---
show math.equation: set text(weight: 400)
// --- Figures ---
show figure.caption: it => (
context [*#it.supplement #it.counter.display()*: #it.body]
)
show figure.where(kind: "table"): set figure.caption(position: top)
body
}
{
set par(
leading: 1em,
justify: true,
)
// List of definitions.
[#heading(numbering: none)[List of definitions] #label("list-of-definitions")]
outline(title: "", target: figure.where(kind: "definition"))
leftblank(weak: false)
// List of figures.
pagebreak()
[#heading(numbering: none)[List of figures] #label("list-of-figures")]
outline(title: "", target: figure.where(kind: image))
leftblank(weak: false)
// List of tables.
pagebreak()
[#heading(numbering: none)[List of tables] #label("list-of-tables")]
outline(title: "", target: figure.where(kind: "table"))
leftblank(weak: false)
[#heading("Bibliography", level: 1, outlined: true) #label("bibliography")]
bibliography("../literature.bib", full: true, style: "ieee", title: none)
}
}
|
https://github.com/fredguth/abnt-typst | https://raw.githubusercontent.com/fredguth/abnt-typst/main/templates/abnt_template.typ | typst | #import("../_config.typ"): config, metadados, estilo
#import "@preview/chic-hdr:0.3.0": *
// #import "@preview/anti-matter:0.0.2": anti-matter, anti-front-end, anti-inner-end, anti-thesis
// #show: anti-matter.with(spec: (front: "i", inner: "1", back: "i"))
// Definições úteis =================================================
#let base = (lang: "pt", fill: luma(10), tracking: 0pt, stretch: 100%, style: "normal")
// #let regular =(..base, font: estilo.fonte.serif, weight: "regular", size: estilo.fonte.tamanho.regular)
// #let small = (..base, font: estilo.fonte.serif, weight: "regular", size: estilo.fonte.tamanho.small, style: "italic")
#let regular =(..base, font: estilo.fonte.serif, weight: "regular", size: estilo.fonte.tamanho.regular)
#let small = (..base, font: estilo.fonte.serif, weight: "regular", size: estilo.fonte.tamanho.small, style: "italic")
#let sans =(..regular, font: estilo.fonte.sans)
#let mono =(..base, font: estilo.fonte.mono, weight: "regular", size: estilo.fonte.tamanho.tiny)
#let h1 = (..base, font: estilo.fonte.sans, weight: "black", size: estilo.fonte.tamanho.huge)
#let h2 = (..h1, weight: "regular", size: estilo.fonte.tamanho.larger)
#let h3 = (..h1, weight: "light", size: estilo.fonte.tamanho.large)
#let h4 = (..h2, size: estilo.fonte.tamanho.regular)
#let pagina_branca = () => [
#pagebreak()
#align(center+bottom, text(..small, [Página intencionalmente deixada em branco.]))
#pagebreak(to: "odd")
]
// NBR - 10520
// As citações diretas, no texto, com mais de três linhas, devem ser destacadas com recuo de 4 cm da margem esquerda,
// com letra menor que a do texto utilizado e sem as aspas. No caso de documentos datilografados, deve-se observar apenas
// o recuo
#let blockquote = (q) => par(leading:0.63em, text(font: estilo.fonte.serif, weight: "regular", size: 90%*estilo.fonte.tamanho.regular, align(right+bottom, pad(left: 4cm, q))))
// =========================
// A ordem em que os elementos são definidos importa
#let template = (body, config: config) => {
let (metadados, estilo, estrutura,) = config
// `document` define metadados inseridos em arquivo PDF
set document(title: metadados.titulo, author: metadados.autor.nome)
// links e citações
show link: it => text(fill: estilo.tema, it)
show ref: it => text(fill: estilo.tema, it)
// set cite(style: "alphanumerical")
show cite: it => text(fill: estilo.tema, it)
set cite(style: "alphanumerical")
include("./pre.typ")
// anti-front-end()
// ==================MIOLO==================
// formato da página
set page(
paper: estilo.folha,
margin: (inside: estilo.margens.interna, top: estilo.margens.superior, outside: estilo.margens.externa, bottom: estilo.margens.inferior),
header-ascent: 0cm,
footer-descent: 0cm,
)
// headers
show: chic.with(
even:(chic-header(
left-side: text(size: 12pt, font: estilo.fonte.sans, style: "normal", fill:luma(100), [#chic-page-number()#h(1em)#upper(chic-heading-name())]),
// right-side: text(font: estilo.fonte.sans, style: "normal", fill:luma(100), upper(chic-heading-name())),
),),
odd:(chic-header(right-side: text(size: 12pt, font: estilo.fonte.sans, style: "normal", fill:luma(100), chic-page-number())),),
chic-height(on: "header", estilo.margens.superior)
)
// parágrafo
set par(
leading: estilo.espacamento.entrelinhas * estilo.fonte.tamanho.regular,
justify: true,
first-line-indent: 2em,)
// set par(
// leading: 1em,
// justify: true,
// first-line-indent: 2em,)
show par: set block(spacing: estilo.espacamento.entreparagrafos * estilo.fonte.tamanho.regular)
// listas
set enum(indent: 1.5em
, body-indent: 0.4em
, full: true, numbering: estilo.numeracao.enumeracoes)
set list(indent:1.5em
, body-indent: 0.4em
, marker: ([•], [--], [◦]))
// equações
set math.equation(numbering: "(1)")
show math.equation: set block(spacing: 1em)
//Títulos - Headings
// Suplemento é o nome usado quando se referencia um título, aqui
// estamos definindo que um h1 é capítulo e os demais são seções,
// poderíamos aqui definir subseção:
// ([Capítulo], [Seção], [Subseção]).at(it.level -1, default: [Seção]) )
// set heading(numbering: estilo.numeracao.titulos, supplement: it => ([capítulo], [seção]).at(it.level -1, default: [seção]) )
// set heading(numbering: estilo.numeracao.titulos)
let sup = (it) => {if it.has("level") {([capítulo], [seção]).at(it.level -1, default: [seção])} else {}}
set heading(numbering: estilo.numeracao.titulos, supplement: sup)
// Definindo cada nível de heading (título)
show heading: it => if (it.level==1){[
#set text(..h3)
#v(5cm)
#block[
#if it.numbering !=none {[Capítulo #counter(heading).display()]}
// #set text(fill:luma(50), weight: "black", size: 1.2em, tracking: 1.2em/6)
#set text(..h2, weight:"black", tracking: 1em/6)
#par(first-line-indent: 0pt)[#v(-.2cm) #upper(it.body)]
]
#v(1.5cm, weak: true)
]} else {[
#set text(fill: luma(50), font: estilo.fonte.sans, weight: "semibold", size: 1.2em * (1- 0.05 * it.level))
#move(dx:-2cm, dy:.3cm, block(width:100%+2cm)[
#grid(columns: (2cm, 1fr), rows: 1, gutter: 0pt,
align(right + bottom, pad(x:.25cm, text(weight: "medium", counter(heading).display()))),it.body)
])
#v(1cm, weak: true)
]}
set text(..regular)
body
// anti-inner-end()
// ==================MIOLO==================
include("./pos.typ")
}
|
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/text/space-04.typ | typst | Other | // Test that linebreak consumed surrounding spaces.
#align(center)[A \ B \ C]
|
https://github.com/lankoestee/sysu-report-typst | https://raw.githubusercontent.com/lankoestee/sysu-report-typst/main/report.typ | typst | MIT License | #import "founder.typ": *
#show: doc => conf(
title: "Typst测试样板",
subtitle: "测试副标题",
author: ("一个名字"),
number: "一个学号",
school: "一个学校",
grade_major: "一个年级专业",
report_type: "一个报告类型",
course: "一个课程",
teacher: "一个老师",
cols: 1,
doc,
)
= 一级标题
== 二级标题
=== 三级标题 <sec:1>
==== 四级标题（将不会编入目录）
下面的便是正文了
对代码的字体进行了一定优化，使用monaco作为代码字体。
```python
def hello():
print("Hello, world!")
```
可以实现简单的*中文粗体*和*English Bold*以及_English Italic_。
#figure(
image("figure/badge-horizonal.svg", width: 60%),
caption: "示例图片",
supplement: "图"
) <fig:1>
可以通过 @fig:1 来引用一个图片。
#figure(
table(
columns: 3,
toprule,
table.header(
[Substance],
[Subcritical °C],
[Supercritical °C],
),
midrule,
[Hydrochloric Acid],
[12.0], [92.1],
[Sodium Myreth Sulfate],
[16.6], [104],
[Potassium Hydroxide],
table.cell(colspan: 2)[24.7],
bottomrule,
),
caption: "示例的标准三线表格",
supplement: "表",
) <tbl:2>
可以通过 @tbl:2 来引用一个表格。并定义了如LaTeX中toprule, midrule和bottomrule的命令实现三线表的生成。
可以通过 @TypstComposePapers 来引用一个文献，并通过 @sec:1 来引用本文中的一个章节。
$ E = m c^2 $ <eq:1>
可以通过 @eq:1 来引用一个`block`的公式，这些公式都被自动编号了。
#task[
用`#task`命令可以生成一个任务框，用于标记一些需要注意的地方。
]
#para[小段落] 通过`#para`实现LaTeX中`\paragraph{小段落}`的效果
其他与正常的Typst语法是一致的。
#bibliography("reference.bib") |
https://github.com/Mufanc/hnuslides-typst | https://raw.githubusercontent.com/Mufanc/hnuslides-typst/master/README.md | markdown | ## hnuslides-typst
* 「古风湖大」PPT 模板的 Typst 移植
### Todo
- [ ] 页码组件
- [ ] 页内块盒布局
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|
https://github.com/darioglasl/Arbeiten-Vorlage-Typst | https://raw.githubusercontent.com/darioglasl/Arbeiten-Vorlage-Typst/main/06_Ergebnisse/04_empfehlung_other.typ | typst | == Weitere Empfehlungen und Verbesserungen
Nebst der Empfehlung, die bestehenden Bugs zu beheben (@known-bugs) und die restlichen Elemente ... zu implementieren (@recommendation-next-features), gibt es noch weitere Empfehlungen und Verbesserungen, die in der Weiterentwicklung der Software berücksichtigt werden sollten.
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https://github.com/Goldan32/brilliant-cv | https://raw.githubusercontent.com/Goldan32/brilliant-cv/main/modules_hu/education.typ | typst | Apache License 2.0 | #import "../brilliant-CV/template.typ": *
#cvSection("Tanulmányok")
#cvEntry(
title: [Villamosmérnök MSc],
society: [Budapesti Műszaki és Gazdaságtudományi Egyetem],
date: [2022 - 2024],
location: [Budapest],
logo: "../src/logos/bme.png",
description: [Specializáció:
#list(
[Számítógép Alapú Rendszerek],
[FPGA Alapú Rendszerek]
)
]
)
#cvEntry(
title: [Villamosmérnök BSc],
society: [Budapesti Műszaki és Gazdaságtudományi Egyetem],
date: [2018 - 2022],
location: [Budapest],
logo: "../src/logos/bme.png",
description: [Specializáció:
#list(
[Beágyazott és Irányító Rendszerek]
)
]
) |
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/037%20-%20Ravnica%20Allegiance/001_The%20Illusions%20of%20Child's%20Play.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"The Illusions of Child's Play",
set_name: "Ravnica Allegiance",
story_date: datetime(day: 23, month: 01, year: 2019),
author: "<NAME>",
doc
)
I spy her through the front windows of her effigy shop and can't stop my damned heart from fluttering. She's hunched over her workbench, painting faces onto miniature skulls then affixing them to doll bodies costumed in elaborate outfits she designed herself. The black leather is cut better than the Scourge Diva's attire, and the care she takes when adorning the skulls with horns stokes the fire inside me.
I have to talk to her this time. Olrich, that son of a devil who I sometimes dare to call my friend, says he'll flay me to bits if I bring another effigy home instead of her name.
I take a deep breath, then cross the street, carefully stepping around a couple of hellhounds playing tug of war with the femur of some poor volunteer who'd gotten caught up in the festivities last night. Most of the gore has been scavenged already, and you wouldn't know a dozen people died here in the ensuing bloodbath, other than the deep red tinge lingering in the crevices between cobblestones.
Good times.
"Heathen!" yells an old man bundled up in white and blue robes, standing on the sidewalk in front of the shop. I check over my shoulder to make sure he's not speaking to someone else.
"Excuse me?" I say.
"Demon! Stealer of souls! Father of fornication!" he intones, then shoves a leaflet at me for the new Integrity Reclamation Center down the street. "Rehabilitate yourself! Embrace the ways of law and order before it's too late!"
I've been called worse things, and while most of them are true, that doesn't mean I enjoy being harassed by pretentious Azorius elocutors while I'm minding my own business. Memories flash forth from my life before I'd found Rakdos, before I'd channeled my anger into my performances. Back when broken bones and punctured flesh were the preferred medium for my art.
But then I feel #emph[her] watching me through the storefront window. I immediately forget about ramming my horns through this guy and enter the shop.
I pretend to browse, ogling the dolls strung up by their necks. Even her generic effigies are better than most. The magic within them tugs at me, their button eyes staring right where my soul would be if I had one. I loosen the noose around one doll's neck and flip it over, inspecting the stitching while catching glimpses of her from the corner of my eyes. I grab a charcoal stick as well, to keep up pretenses, like I'm eager to draw the face of my foe upon it and then set it alight.
#emph[No more effigies, Kodo!] Olrich's words come back to me. Those weren't his exact words, of course. There'd been quite a bit more name-calling and cursing, but what does he expect? For me to walk up to her and start making idle chitchat?
"Can I help you?" she asks, eyes as dark as midnight and the red paint from last night's parties still clinging to half of her face.
#figure(image("001_The Illusions of Child's Play/01.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
"I. Um. Uhhh~" I shove the doll and charcoal stick at her. "I'd like to buy these."
She snatches the doll and stick from me. "Nuh-uh. You've been coming in here every week for a month and a half now. Last time you were in here, you bought a whole #emph[ream] of blight parchment, and I had to conjure an entire new batch! Not even Lyzolda had that many enemies. What do you want?"
#emph[Just introduce yourself. Make small talk. You're a demon, Kodo. Grow a pair of horns and act like it!]
"We," I stammer. "You and me. We~" We've crossed paths at various parties, reveling in hedonistic pleasures and agonizing performances. She was tough for a human and didn't flinch at the pain performers—the glass eaters, the fire walkers, the jester who juggled flaming skulls~but her tenacity finally cracked at the ogre who attempted to drag a cart full of imps using chains attached to fishhooks in his lower eyelids. Well, there must have been one too many imps on the cart that night, and when the ogre's howls thundered through the party hall, her hand slipped into mine and didn't leave the rest of the night. We drank, we danced, we kissed, then we laughed when we found out we both used "illusion" as our safe word. "We~" I use a few obscene hand gestures, trying to hint at acts of depravity we've enjoyed, but she squints at me, waiting for me to say something.
"Ah! The beast with two backs!" she exclaims.
I nod, but then notice someone else has come into the store and has taken her attention. The smoky-sweet stench of void matter overwhelms me and shadows twist and mutate like they have forgotten how to behave. I turn to see a netherbeast—an interesting collection of blue-black limbs stretching out from a torso with a gnarled backbone prominent in both the front and the back. There's no head to speak of, but I can tell it's staring at me.
#figure(image("001_The Illusions of Child's Play/02.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
"I'm not done with you," she says to me before going off to tend to her customer. She loads each of its arms up with burlap sacks sitting on the counter.
I gather up all my courage while she's busy. I won't get another chance. Last person in Ravnica you want to piss off is an effigy mage.
"Tell your master I hope he has a depraved Ragefest!" she says, waving the two-backed beast off with a smile. Then her face goes rigid, and she's back in front of me.
"Hi," I say, extending a hand. "I'm Kodolaag. We've hooked up at a few parties."
She looks me over once, then crosses her arms. "Yeah. You look kinda familiar. Red leather mask? The symmetrical piercings with the iron mace balls dangling from a chain?" A growl settles in her throat. "You do realize this is my place of business?"
"Heathen!" come the old man's voice again, yelling at the netherbeast this time. "Scourge!"
I try to tune him out and keep focused on why I'm here. "I know this is terribly inappropriate, but I just thought we—"
"You thought we have some sort of unspoken bond that extends into our personal lives?"
Well, when you say it out loud, it does sound rather foolish. I grin and try to save face. "Say, the Mockturne's a few blocks from here tonight~"
"Yeah?"
"I thought maybe I'd invite you? I've got a performance. Sort of a poetical social commentary thing."
"Hard pass. It's the first night of Ragefest, and I'm running behind on crafting effigies. Not that it'll matter with that Azorius bunkum out there scaring off my customers."
"Why don't you~you know." I point at an effigy, then make little explosion sounds and wiggle my fingers like falling embers.
"New laws in the skies last week. Effigy spells used upon members of the Azorius Senate are punishable by imprisonment. He's annoying, but I won't risk losing my shop over it."
Maybe she can't risk sending him away, but I've got nothing to lose. I pull a sheet of blight parchment from the bin along with a charcoal stick and walk up to the window. The Azorius man is yelling at a pair of ogres now. Derision's Peak and the surrounding neighborhoods have fallen under Rakdos domain for as far back as I can remember, which is at least a few thousand years. But lately, Azorius has been stirring things up with its presence, buying up cheap property, setting up surveillance rifts everywhere, and then complaining when street performances spill over onto manicured lawns each night. It's maddening to see my community fall victim to order and justice.
Quickly, I sketch a picture of the man. My drawing skills are crude, but I can feel the magic bleeding from the parchment, tying the illustration and person together with invisible threads. The image begins to dance upon the page, motions mirroring the ones the man is making. I tap on the glass, and he turns around. I press the drawing to the window. He must not know about blight parchment because he doesn't react to the drawing. It's weak magic, mostly used by children to torment their siblings and sometimes their parents when they've failed to get their way. Just a minute or two of agonizing, mind-searing pain before the effects dissipate completely. Child's play.
#figure(image("001_The Illusions of Child's Play/03.png", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
The man watches as I tear the paper in half lengthwise, a jagged rip parting the drawing in two. He grabs his head with both hands, screaming at the top of his lungs. By the time the tear hits his navel, he's dizzy and delirious, and he lopes off into the distance.
"There," I say. "Problem solved."
She doesn't look impressed. "Yeah, and in about ten minutes, I'm going to have half a dozen Azorius arresters banging on my door. Can't sell anything if I'm locked up in Udzec."
I keep waiting for her to ask me to leave so I can walk out of that door and put this miserable experience behind me, but her posture has changed. Gone are the crossed arms, the scowl. Don't get me wrong, she's still annoyed as hell, but somehow it feels like we're in this mess together.
"How many dolls do you need to sell?" I ask her.
"Thirty to break even this week."
"You can sell that easily at the Mockturne tonight. The owner of the club is a good friend of mine. I'm sure he'll let you set up shop. The arresters will lose interest in a simple effigy violation soon as the carnage from Ragefest breaks out."
"Really?" She raises a skeptical brow, then extends her hand. "I'm Zita. You're sure your friend won't mind?"
#emph[Zita. I've got her name, you devil<NAME>.]
My smile broadens. "Olrich and me, we're like family. There's no way he'll say no."
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"No," Olrich says, peeking through the blood-red stage curtains and into the stone-lined pit where the crowd will gather in a few hours' time. Zita stands near the grating of an unlit furnace, twenty burlap sacks filled with the best of her craftwork resting at her feet. "I am absolutely not getting caught up with effigy magic. Azorius will be out in full force tonight just waiting to catch violators."
"You've never been afraid of them before. That bit you did on Baan a few months back is already legendary."
"Things aren't like they used to be, Kodo." Olrich, the frantic little devil, scampers off on all fours toward what passes for a kitchen in this establishment.
"I'll call in a favor. I'll get you an audience at Rix Maadi!" I shout after him. He stops. Turns. Olrich's biggest dream is to perform in our Guildhall, but getting an act on stage there is all but impossible if your fans don't number in the thousands. He launches himself into my arms so we're eye to eye. Now I have his attention. "It's been a couple centuries since I performed there, but I still know a lot of the troupe. I can get you center stage at the Festival Grounds! Imagine the sweltering heat. The smell of fresh sulfur in your lungs. Please~"
#figure(image("001_The Illusions of Child's Play/04.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
"Fine. But she stays in the far corner. And you'd better get me an audience in front of Rakdos himself!"
"Rakdos and me, we're like family~" I say, and ten seconds later, I'm breaking the good news to Zita.
The crowd starts filing in not long after she's set up. Not the ideal location, but she's far enough from the entry that she won't catch the attention of passing arresters. Zita's still not impressed with me, but she's not burning me in effigy yet either. Soon, she'll hear my poetry, which will likely sway her one way or the other.
Olrich warms up the audience with his devilish antics and a spot-on impersonation of Niv-Mizzet that includes spitting fire at the feet of those poor bastards foolish enough to sit in the front row. He's good tonight. Thoughts of performing in Rix Maadi are probably still swimming in his head. A lot of small-time performers aspire to it. I don't blame them. In Rix Maadi, the laughs are louder, the tricks more spectacular, the blood redder, thicker, sweeter. Night after night, you reap your rewards, partaking in all matters of the flesh. You build a following, insatiable groupies reveling in your skillful debauchery, until one day, Rakdos notices you have just a #emph[few] more fans than he does.
So he kills half of them.
And after that, the tricks are tame, the laughter is stifled, and the blood slows to a trickle. You pack your bags and leave the Undercity to eke out a living on the streets of Ravnica, reciting poetry to drunks.
I step onto the stage, slip my spectacles over my nose, and then look down at the notes crumpled in my hand. Drums beat, thin human hides giving off high-pitched percussive notes that reverberate throughout the pit. I read:
#emph[Iron. Chains. Blood. Knives.]
#emph[Sons. Daughters. Husbands. Wives.]
#emph[Life drips down the drain.]
#emph[Without pleasure, there's no pain.]
#emph[Stolen moments, stolen years.]
#emph[Time has passed, but the heart still sears.]
#emph[Outside the home where love once sat,]
#emph[Death lays out his welcome mat.]
One person claps timidly. I look up, hoping that it's Zita, but it's not. The audience gets lost in guzzling ale and side conversations. I can win them back, but I'll have to do something riskier.
I clear my throat obnoxiously to snag their attention. "So, I bet you've noticed all the surveillance rifts around here these days, shimmering in thin air, then gone with a #emph[poof] soon as you look right at them. Can't take a dump without wondering if some unfortunate Azorius omnisight mage is watching you strain on the crapper. Though in all fairness, the number Olrich's imp chowder does on your bowels ought to be a jailable offense!"
"There's nothing wrong with the chowder. I eat it every day!" Olrich shouts from offstage, but it's too late. I've gotten a few laughs, and the crowd is warming to me.
"That's because you've got a cast-iron stomach, my friend, and your sphincter control is legendary!" I point to the demon in the front row, spoon half dipped in his soup bowl. "For this poor chump, however, I'm afraid Azorius code 3435-T is about to be broken~use of explosive material in a confined space. And that space~is his pants."
I revel in the raucous hooting and hollering. An ogre jumps up from his seat and grasps the wrought iron candelabra hanging above. He swings back and forth, performing acrobatic flips, and despite the jacquard print loincloth he wears that's refusing to do its duty and the bits of powered cement falling from the ceiling, all eyes marvel at his graceful maneuvers. At least until one of the iron spikes embedded into his shoulder gets caught in the detail work of the candelabra.
Flesh rips, the ogre falls back into his seat with a cry of pain. He drowns his embarrassment in a flagon of ale. The blood in the air lingers, though, and if the audience's attention was smoldering before, it's blazing now.
"And skyscribing is at an all-time high. There are so many new law runes lit up above New Prahv that the sky above the Guildhall shines brighter than all the candles on Rakdos's birthday cake. It's so bright that Azorius senators are getting sunburnt on their way to work!" I raise my hand and squint like I'm looking directly into the sun. "Oooh! It burns! But not like flaming red skin isn't sexy, am I right?" I strike a lewd pose, and the laughs roll in. I get a catcall as well, and I can't say I'm disappointed when I look up and see that it's come from Zita.
"As you all know, Udzec opened up not too long ago. Maximum. Security. Prison." The boos come fast and hard. "I know, I know. How many of you know someone in Udzec?" Nearly the entire audience raises a hand. "I hear it's overcapacity already. Fifty-thousand prisoners in that Monolith. In fact, there's only one thing in all of Ravnica that's fuller than Udzec, and that's <NAME>'s ego!" I straighten imaginary lapels and walk around like I've got a fire-poker rammed up my rear, pointing to random people in the crowd, and with my best nasally imitation of Azorius's Grand Arbiter, say, "You get a cell and you get a cell and you get a cell! Prison for everybody!" The crowd erupts. "Are you laughing at me, citizen? No one laughs in the presence of D<NAME>!"
Then the entire place goes quiet as a crypt. I look over to see an Azorius arrester looming in the entryway. I clear my throat again, then reverse course, digging into the Gruul this time. The laughs are forced. The tension in the room is palpable. I finish my set anyway—twenty-three minutes of pure torture. The crowd starts to thin halfway through, and even Zita looks like she wants to leave. As soon as the last joke slips off my forked tongue, I retreat backstage to gather my wits. Azorius never used to get under my skin like that. A hundred years ago, we would have collectively shamed that soldier out of the venue. But these last few months, something's changed. Now, I'm on edge, worrying about being arrested for using something as innocent as blight parchment.
"I've seen worse acts," Olrich says, hopping up onto my shoulder to console me. He's always been a great liar, and I appreciate it now more than ever.
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I help Zita carry her bags back to her shop. It should be safe now with Ragefest in full force. Masters of Ceremonies dance upon their parade floats, slinging gilded vertebrae necklaces into the crowd. Organists perform excruciatingly loud melodies that can barely be considered music. The retching is so abundant, it's flowing down the streets, and slay bells ring in the distance—tolling for each soul Rakdos has claimed this year. I ignore it all. I'm in no mood to celebrate.
"Is it just me, or are we carrying more effigies than we came with?" I ask Zita.
"I sold twelve, but when that arrester came in, everyone demanded refunds. I also started making a new one during your set. Had to pass the time somehow."
"Ouch." And that seals it. I'll never see her again. At least with our masks off. Three more blocks, and she's out of my life forever.
"Huh, look at that," Zita says, pointing to graffiti on the side of a leather shop: #emph[Dovin Bann sucks rotten drake eggs] . "Spelled 'Baan' wrong. The guy may be a backstabbing, ladder-climbing sellout, but if you're going to slander someone, might as well get the name right." The magic's still fresh and Zita massages the first #emph[n] into a passable #emph[a] . "Better?"
"I guess," I say, kicking gravel with my hooves. We continue on our way, but a vice parade catches us. Meticulously decorated floats maneuver through the street, carried by massive demons that put my own girth to shame. Jesters move about the spiked wrought-iron pain wheels and torture cages, carefree and oblivious to the promise of death from a single misstep.
#figure(image("001_The Illusions of Child's Play/05.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
I make the mistake of staring too long, and one of the jesters locks me in her wily gaze and I feel the need to volunteer. I step up onto the float and make my way up the distorted ladders of the torture cage that border on optical illusions. Spikes await me if I fall, probably poison tipped, because louder screams bring louder cheers, and Ragefest is no time for restraint. But I'm not their ordinary volunteer. I've lived and breathed torture cages for centuries. I execute a double flip and tuck, catching one bar, then the next, swinging from hold to hold as I propel myself higher. The skeletal iron structure becomes more precarious the further up I go. The welding's shoddier, the metal's flimsier, but I put all of that out of my mind and concentrate on the show. For the finale, a one-handed handstand on top of the flaming firepit, then I dismount back into the audience to cheers all around.
Ten seconds of smelling my own flesh cooking has put me in the mood for a festive nibble. I flag down a street vendor and order honey-smoked horror for us to share, tender meat falling off the bone.
"You should have an act like that," Zita says as she leans into me, licking spicy red sauce from her fingers. The barrier she'd erected between us is suddenly gone. Better than gone. Like it never existed. "You were amazing."
"I did have an act like that~once."
She looks up at me, ready for me to bare my heart, but footsteps beat the pavement behind us. We turn and see an Azorius soldier marching our way.
"Halt!" he commands. "You're under arrest for violation of Azorius code 3691-J~"
I drop the doll sacks and put my hands behind my back, waiting for the magic to snare my wrists. Stupid blight parchment. It's barely effigy magic at all!
"~defacing a public building," he continues, "Plus Azorius code 6342-P, slandering a Grand Arbiter," the arrester says, binding Zita up with enough magic to stop a giant.
"She didn't deface any building!" I say, relaxing my hands. "Well, there was that graffiti, but she didn't put it there. She just fixed a spelling mistake."
Zita glares at me.
"Your witness statement corroborating her guilt has been logged, citizen," the arrester intones.
I wince, "But~!" And like that, Zita is gone out of my life. This time completely.
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Everyone knows Udzec can't be breached from the outside, but Olrich claims to know someone who works within~or at least she #emph[used ] to work within. From the looks of things, her fall from the dignity of Azorius had been a steep one. This close to the docks, her hovel is indistinguishable from the fish shacks surrounding it. Thick incense wafting from the cracks in the siding keeps the worst of the reek at bay.
#figure(image("001_The Illusions of Child's Play/06.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
#emph[Scry Me a River] , the sign reads, a weather-worn wooden plank that hangs lower on one side.
"You're sure about this?" Olrich asks me for the twelfth time. "Because once we step over this threshold, there's no going back."
"I can't just let Zita rot in prison! I know it's ridiculous, but I feel like we're soul mates."
"You don't have a soul, Kodo." Olrich bristles. "But if she means that much to you, let's do this."
"Olrich!" a woman answers, opening her door a second before we knock. She's wrinkled all over, not like an old woman, but like she'd simply thrown on the nearest skin without a thought for how it fit. She crouches down and embraces the devil, a hug that lingers long enough for me to wonder about the past shared between them.
"Good to see you, Lucinka. This is—"
"Kodolaag," she says, extending her hand and shaking mine vigorously. "It's wonderful to finally meet you. In the flesh."
She escorts us inside, two chairs set out for guests, one with a booster so Olrich can be level with us. A foil-wrapped box sits in the middle of the table. "You told her we were coming?" I whisper to Olrich. He shakes his head.
"How've you been?" Olrich asks. "Looks like you've upgraded the place a bit."
"Busy. Simic piracy is at an all-time high. One in three boats that launch from here don't make it back to shore. I've evened the odds a bit, letting captains know when the best time is to set sail. Doesn't pay much, but my conscience is as clear as a crystal ball these days." She smiles politely. "I'd ask how you've been, but~" She taps her forehead right between the brows, then pours us each a glass of Buttress South Whiskey and drops a single ice cube in mine before I can ask for one.
"You're a precognition mage," I say while she takes a sip, mostly so she won't have time to beat me to it. A wry smile crosses her lips.
"I'm sorry. It's a horrible habit. I need to remember that people quite enjoy having their questions form in their head before I answer them. But I'm so much better than I used to be. The Senate never encouraged us to consider the ramifications of our foresight. Their hearts are in the right place, but their passions for justice can be, well~a little overambitious, bound to the letter of the law instead of its spirit. And to answer your next questions, Yes. Yes. Thirty-seven years. I couldn't stand putting people away who'd yet to commit a crime. And strictly platonic. I know you weren't going to ask that one out loud, but it's written all over your face."
My mind is spinning.
"I'm sorry. I did it again, didn't I? Ah, well."
Olrich trusts her, and she seems legit, so I slide the bulk of my savings across the table. It's not much. Even good poets barely make a pittance, and I'm far from good.
Lucinka lifts the lid off the box sitting on the table. "Inside, I've got everything you'll need to accomplish the thing you want to do. Don't speak it out loud. Try not to even think about it. The more spontaneous you are, the less likely you are to raise the suspicion of the precognition mages. Visit Udzec tomorrow morning. Get in line behind the minotaur with a curly red mane. The rest should become apparent as it needs to. Both of you need to be there for this to be successful."
Olrich opens his mouth to object, but Lucinka stares him down.
"Yes, #emph[both] of you. Each of you possess skills needed to free the innocent." She takes one last long swig of whisky, puts the bottle inside the box, closes the lid tight, then slides the box to me. "You're welcome. And don't open this until you're in line."
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Runes spin outside Udzec, an enormous pillar jutting up into the sky. We get there early, watching as visitors file toward the entrance. I've got the box clutched close, resisting the urge to peek inside. Finally, we see her, the minotaur with a load of red curls running down her back. Olrich and I quickly cut right behind her.
The line slows to a halt. Olrich and I look at each other, then open up the box and stare at the contents: half a bottle of whiskey, a child's romper with autumn leaves on the bib and matching swaddling blanket, and a wrought iron amulet inset with a large amber stone bearing swirls of black that move like nether shadows. Bloodfray magic~I've seen it enough times during the last night of Ragefest. The Master of Ceremonies scales a five-story torture cage and cracks open the stone, unleashing a fiery burst of bloodfray magic on the crowd below, causing instant riots and mayhem. Always a crowd pleaser. At least for those who survive.
#figure(image("001_The Illusions of Child's Play/07.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
"We can't get caught with this here," I say to Olrich. "We'll find ourselves in a cell, too."
"Lucinka wouldn't steer us wrong. I trust her. There must be something we're supposed to do with it."
I look behind us, ready to leave and regroup, but at least a hundred people block our way out. I tip up on my hooves and see Azorius nullmages at the front of the line, inspecting everyone for magic and contraband. One of the mages, a svelte, pale-blue vedalken, looks like she's going into a third shift, tired and sloppy, more worried about stifling her yawns than she is with performing thorough searches. A young elf carrying an infant goes through, and the nullmage barely pays attention to the baby. A couple pats. She's reprimanded by her partner, who pats the child down again, more thoroughly this time. I look down at the romper, then to Olrich. "I think you're meant to put this on."
His eyes light up. "No way, no how. I'm three-hundred years older than you, for the love of Rakdos!"
"I know that. But you said it yourself. You trust Lucinka."
"She's a scheming prune-faced medium, is what she is," he huffs, but then stuffs himself into the romper, little flap in the back letting his pitched tail swing freely.
"You're as cute as the day you were manifested," I say.
"No one is going to fall for this."
"I think you underestimate how pinchable your cheeks are." He actually does look adorable, and while that might earn us a little less scrutiny, it won't be enough to sneak something as potent as bloodfray magic past nullmages.
"Here, swallow this," I tell Olrich, palming the amulet at him. It's hefty, but Olrich's stomach is like a vault. I've seen him hide an actual bag of coins the size of my fist when he suspected his workers of stealing from the till. "Put that cast-iron stomach to good use. There's no time to mull it over."
The look Olrich gives me could freeze Rix Maadi over, but he obeys. The final thing we need is a good old-fashioned distraction. The minotaur in front of us wears a wool cape, hood draped down in the back. Perfect place to hide a bottle of whiskey. Carefully, carefully I rest the bottle inside, hoping it's light enough not to pull the fabric.
The minotaur turns around, gives me a nasty look, but then she sees Olrich swaddled in my arms and her eyes light up. "Oh, what a cute little beastie. He's got your eyes for sure. Shame little fella has to visit a place like this. Never in a thousand years would I have thought I'd be here either, but the husband got caught up with the wrong sort. I tell ya, if you ever do business with Orzhov brokers, get your receipts in writing!"
"Next in line!" the nullmage calls.
The minotaur turns around, steps forward, and gives her mane an aggravated shake. "<NAME> here to see <NAME>."
The mages wave her forward and perform their jobs of detecting and nullifying magic. She makes it through that part, but when she gets patted down, they find the bottle.
"How did that get there?" she yells. "That's not mine!" All the mages near our line converge on her, except the Vedalken, who just yawns and bids us forward as the minotaur attempts to gouge anyone who comes near her with her horns.
"Sorry your little one had to see that," the nullmage says, absentmindedly casting a spell over me. "You wouldn't believe the kinds of things people try to sneak in here." She tickles Olrich on the chin. I shoot him a hard stare until he lets out an adorable giggle. "Booze, enchanted weapons, potions. You name it. But anything we miss will be caught by the precognition mages. Anybody even dares to think about breaching this place with magic, and we can shut it all down in twenty seconds flat!"
Her hands pat Olrich down, and I try my best not to think about the you-know-what hiding you-know-where. If Olrich's stomach is tough enough to hold down his imp chowder, then maybe magic would have a tough time escaping it as well.
Finally, we're waved through. A sigh escapes my lips, but before we can take two steps forward, another mage motions to us. "You two. Wait just a minute."
He marches up to us, then puts a book into Olrich's hands. A coloring book: Breaking the Cycle of Generational Heathenry. A giant caricature of Rakdos is on the cover getting stomped on by an impeccably clothed Vedalken who bears more than a slight resemblance to Baan. "Azorius is wholly committed to teaching the next generation the ways of justice, no matter what swamp hole they're born into." He proceeds to hand coloring books out to all the kids who've come to visit their incarcerated parent, and I'm utterly struck by how many there are here.
Olrich starts to tear the book in half, but I grab it from him. "Don't. Everything is happening for a reason. Eyes open. Mind clear."
"Fine. But I swear if anyone pinches my cheeks, I'm going to bite their face off."
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
I've spent so much of my life living in the moment that it takes a while to recognize the curdling feeling in my gut. Guilt. Remorse. An overwhelming sense of inadequacy. Zita sits down across the table from me, a thin sheen of pale blue magic discouraging physical contact.
"How are you doing?" I ask her. "Are they treating you well?"
She nods. "It's not so bad here. Food is decent, and the guards are pleasant enough. Plus, I've made a few friends."
I breathe a heavy sigh of relief. "I'm glad to hear that. You hear the horror stories~inhumane living conditions, forced labor, brutality."
Zita smiles, but her eyes remain distant. "Not at Udzec for sure. I'll serve my time in peace, taking it day by day so the future won't start to feel like an illusion."
#figure(image("001_The Illusions of Child's Play/08.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
I go rigid. #emph[Illusion] . Our shared safe word. Everything here is #emph[not] fine. The guards must be forcing the prisoners to speak fondly about their internment—or else. I need to get Zita out of here #emph[now] , but if we let loose the power of bloodfray magic, this whole place will shut down in seconds, with us still inside.
"I swear, I'm going to get you out of here, Zita," I whisper. "I'll find a way."
She nods slowly, then looks down at Olrich. "What's up with babycakes here?"
Olrich opens his mouth to cuss her out, but I shove the coloring book in front of him. "Here," I say. "Keep yourself busy, #emph[son] ." He opens the book, takes one look at the next illustration, then tears it up into little pieces and stuffs them into his mouth.
Zita takes a quick look around, then reaches through the magic barrier. She grits her teeth as electric charges course through her body. She touches the coloring book, and the Azorius soldier drawn on the page jumps to life.
"No touching!" the guard standing over Zita says.
Zita throws her hands up. "Sorry, sorry. I just wanted to hold my son. I miss him so much."
The guard raises a brow at what must seem like an unlikely family, but I'm sure he's seen a bit of everything in a place like this. He settles, and Zita stares sharply at me. I look over at the page with the illustration imitating the guard standing behind her. Makeshift blight parchment. I poke a tiny hole in the effigy's calf, and the guard reaches down to massage a cramp in his leg. I keep waiting for the nullmages to detect the magic and converge on us, but the magic must be too weak to register. Zita's just given us a way out of here.
I nudge Olrich and have him make conversation with Zita as I carefully draw each of the guards and mages standing watch in the visitation room, several to a page, as dozens of visitors converse with their loved ones. I count the illustrations twice over, just to double-check I've got them all. Then I rip the pages out and shove them through the barrier.
Electric magic ignites the paper, and the guards wail out in unison as if they're being burned alive. Zita storms through the magic barrier, wincing at the shock. Her clothing smolders and is on the brink of catching aflame. She strips out of her prison garb, and Olrich gives her his swaddling blanket. It's too small to wrap around her, but she studies it for a moment, then rips it at precise angles, and with a few tucks and folds, she's made herself a short but passable smock.
I use the last two pages of parchment on the sentries standing watch throughout the winding hallways. We've got spontaneity on our side, and if we're fast, we'll be long gone before the precognition mages catch wind of our escape.
Footsteps around the corner, and I keep wishing that Olrich wouldn't have eaten that one sheet of paper. But then Olrich clears his throat and says "Citizens! Behold! It is I, your highly esteemed Grand Arbiter, Protector of Justice, Purveyor of Protocols!" in a spot-on impression of Dovin Baan that puts my attempts to shame. "Cast thine eyes shut and count upon the ways my insight and ingenuity have so expediently transformed this guild into the shining beacon of righteousness as it stands today."
The footsteps stop. "Oh, <NAME>? I didn't know you were—"
"I said eyes shut and start counting!" Olrich commands.
"One," comes the feeblest voice. "You have thoroughly shaken the ranks, ridding the Senate of those who misused power in its name."
We step quietly around the corner, then past the soldier, and soon find ourselves in an orderly line with the rest of the people exiting the facility. We're moving fast. We're going to make it.
"That's them!" says a familiar voice. "The demon and his devil of a son! Draw a verity circle around me so there'll be no doubts I'm telling the truth!" We turn around and see the minotaur again, nostrils flaring.
"Me, too!" says a vampire woman, vigilantly avoiding the beams of morning light filtering in through the windows. "I saw him do it."
Before we can deny it, Olrich and I are bound up in magic. Zita looks back at us.
"Go," I mouth. She hesitates, then gets lost in the fold of people.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
As soon as we're given our uniforms, we're put to work with the rest of the non-violent offenders and pre-offenders. Another shipment of white quartz moves slowly overhead, a circle of three-dozen mages setting the floating block down on the worksite of Exner, the new prison that's supposed to dwarf Uzdec.
Now, it's merely a frame of iron scaffolding jutting all the way up to the clouds. It's an ambitious project, but with 20,000 prisoners' worth of free labor, it's going up fast and should be ready to open next spring.
The quartz block hits the ground with a thud. I take to it with my pickax, breaking off chunks. I'm fast and accurate, now. The first couple days, the soldiers whipped me for breaking stone into irregular shapes and for taking too long. Here, away from the constant scrutiny of nullmages, it's easier to use magic without getting caught, and there are plenty of shaman in our group that can heal broken skin. I've listened to their stories. Petty crimes, mistaken identity, and, in most cases, pre-crimes based on the whims of precognition mages locked up in their white stone towers.
#figure(image("001_The Illusions of Child's Play/09.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Olrich ambles up to me on our lunch break, hand behind his back. He presents me with a thin necklace fashioned out of rodent vertebrae and twine. "I know there's not much to celebrate~"
I'd nearly forgotten it was the last day of Ragefest. It seems like a lifetime ago that I'd walked into Zita's shop, determined to stop being a creep and start being a friend, but it hasn't even been a whole week. I hope she's out there partying in the streets somewhere, blood in the air, riots in the streets. 'Tis the season for decadence and depravity.
I look up at the skeletal tower of Exner. Jagged iron points this way and that, but I'm sure I could scale it in seconds. My mind is already churning, and the time I have to orchestrate this plan is thinning. Precognition mages will tune into my thoughts in no time. "Olrich," I say, shaking him by the shoulders. "Remember that thing you swallowed? Is it still in there?"
"Yeah, giving me serious cramps, but I haven't had a chance to get rid of it."
"Cough it up."
"But—"
"Now! Hurry!"
Olrich produces the amulet. Not through the orifice I'd hoped, but beggars can't be choosers. I grab the amulet and make a run for the unfinished tower. Soldiers hop to their feet, chasing me with whips, magic coursing from the tips and through the air. It catches me, but I ignore the pain, and climb, imagining myself to be a performer once again, flipping, dipping, taking dangerous dives, and staying one step ahead of their aim.
I reach the top, taking a moment to enjoy the view~thousands and thousands of prisoners below me, and hundreds of guards. When Lucinka foresaw me freeing the innocent, I thought she meant Zita, not countless victims of injustice.
I smack the amulet's stone against the iron scaffolding, but nothing happens. I glance up and see a dozen archons dominating the skyline, radiating a blaze of white light. Their flying beasts plow through low-hanging clouds, gaining speed, getting closer. The precognition mages are onto me and the spectacle I intend to create, if only I can release this magic. It never looked that difficult for the Masters of Ceremonies, but then again, those amulets hadn't been sitting in a devil's stomach for several days, festering in the depths of pure darkness. But if the stone is stronger, then maybe that means the magic is, too. I gather all my might, flexing muscles that have strained against quarried rock, and slam the stone again.
The amulet cracks and unleashes a swarm of black tendrils, pressing the light back and turning day to night. The amulet pulses with the deep, rich red of freshly spilled blood, then the stone shatters completely, sending a single plume of molten magic shooting high up into the darkened sky. All goes dead quiet for just a moment, and then an explosion knocks me senseless. I cling to the scaffolding as bloodfray embers rain down below, covering the entire worksite.
When the smoke clears, the archons are still coming, but it's too late for anyone to organize against a riot this massive. The madness spreads. Tools become weapons. Blood is thick in the air, and the spirit of the season fills me with the most perfect rage. And, with a childish smile on my face, I rush down into the fray, eager to partake in the biggest Ragefest celebration ever.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Three chairs, one with a booster are positioned around Lucinka's table, and a foil-wrapped box sits on top. Zita, Olrich, and I take our seats as Lucinka fusses at the folds of her skin, like there's a gap that she's afraid we might be able to peek through.
"When can I—" Zita starts to ask, inexperienced at conversations with a precognition mage.
"—return to your shop? Never, I'm afraid. Your lives as you knew them are over. Azorius won't stop hunting until every single one of the people who escaped during the riot is brought to justice. They admit 3,300, but the actual number is much higher."
Zita frowns. I know how much her shop meant to her. "Okay, so where do we—"
"—go from here? You'll have to set up new lives in the Undercity," Lucinka says. "You three work well together. Establish a new troupe. Surround yourselves with people you can trust."
Olrich perks. "The Undercity. A troupe? I can see us now~the most vulgar jokes, the most death-defying acrobatics, the most extravagant costumes!"
"Costumes," Zita says, a little cheer creeping into her voice. "I can make costumes."
Lucinka smiles knowingly. "You'll need them, because the kind of work you'll be doing as a troupe will extend beyond frivolous entertainment. While most of the people you freed are good people, there are a few we need to worry about. One in particular."
I look at the box on the table. "And what's inside here will help us capture them?"
"Ha, no. This is a wedding present for you and~" she looks into Zita's wide eyes. "Oh, never mind. Just another question you won't get around to asking for some time yet. I really am the worst."
Zita squeezes my knee under the table. I look at her and smile. Tomorrow may be an illusion, but it's one I'm willing to wait for.
|
|
https://github.com/ckunte/git-talk | https://raw.githubusercontent.com/ckunte/git-talk/master/git-talk.typ | typst | // preamble
#import "@preview/polylux:0.3.1": *
#import themes.simple: *
#set page(paper: "presentation-16-9")
#show: simple-theme.with(
footer: [VERSION CONTROL _for_ ENGINEERS],
)
#set text(
font: "Segoe UI",
top-edge: "cap-height",
bottom-edge: "baseline",
number-type: "old-style",
size:21pt
) // main font used
#show raw: set text(size: 18pt) // font for code
#set raw(syntaxes: "/inc/Bash.sublime-syntax") // for highlighting
#show link: set text(fill: rgb(0, 0, 255)) // show links w/ colour
#let sc(content) = text(features: ("c2sc",))[#content]
#show regex("[A-Z]{2,}"): match => {
sc(match)
}
//
#title-slide[
= VERSION CONTROL _for_ ENGINEERS
_The art of tracking (atomic) changes with git_
<NAME>, August 2024
]
#slide[
#side-by-side[
#rect(
image("/inc/final.png") // courtesy: PhD comics
)
][
= Agenda
- Version control
- git (background, git)
- How to, basic commands
- Demo.
- Ignore certain files
- Configuring git (for remote work)
- Best practices
- GUI client(s), CLI
- Recap, resources
]
]
#centered-slide[
// - Atomic changes, meaningful comments re. change
= Version control
]
#slide[
#side-by-side[
= Why
- recording change explicitly
- #highlight[atomic level traceability]
- #highlight[better diffs]
- #highlight[full history access]
- branch out #sym.arrow.r work on parts #sym.arrow.r merge back
- reuse, collaboration
- disciplined work
- habit worth cultivating
][
= Types
/ CVCS: centralised
/ DVCS: distributed
= Software
/ 1986: CVS
/ 1992: TeamWare
/ 2000: Subversion, BitKeeper
/ 2003: Monotone
/ 2005: *git*, Mercurial
]
]
#centered-slide[
= git
]
#slide[
#side-by-side[
= Background
/ 1991: Linus begins a hobby project called *linux*
/ 2005: Linus creates *git* to manage linux including kernel code contributions from others
/ 2008: GitHub is born, makes git very popular; git captures #highlight[94% of market] by 2022
][
= git
- DVCS, portable
- a bunch of CLI programs (100+)
- great software; bad UI/UX
- open source and free
- GUI clients == sanity
- originally designed for linux FS; now available for all OSes
- for tracking #highlight[plain text] files
- not useful for tracking binary files (no diffs)
]
]
#centered-slide[
= How to
Version control _with_ git
]
#slide[
#side-by-side[
#figure(
image("/inc/git-xkcd.png"), // courtesy: https://xkcd.com/1597/
)
][
= Steps, basic commands
+ Initialise a working folder
+ Check status
+ #highlight[Add (i.e. stage) files]
+ #highlight[Commit new and changed files]
+ List commits
```bash
git init # initialise
git status # check status
git add # stage file(s)
git commit # commit changes
git log # list commits
```
]
]
#slide[
= init, add, commit
```bash
$ git init
Initialized empty Git repository in ~/model/.git/
$ git add README.md
$ git commit -m "Add README file"
[master (root-commit) 74218c0] Add README file
1 file changed, 1 insertion(+)
create mode 100644 README.md
```
]
#centered-slide[
= What just happened?
]
#slide[
== git init
- creates a subfolder named `.git` within the working folder
- `.git` folder collects #highlight[filesystem snapshots] of the working folder
== git add
- for tracking files of interest, they first need to be added
== git commit
- a command for taking a filesystem snapshot (of added files)
- uses secure hash algorithm (SHA) #sym.arrow.r for data integrity
- #highlight[commits never change]\; IDs are #highlight[computed from their contents]
- Designed initially with SHA1; now using SHA256 to avoid collision
- Every commit hash is #highlight[40 bytes] long to #highlight[ensure uniqueness]
]
#centered-slide[
= commit -- a 2-stage process
+ *add* files (new, changed)
+ *commit* (new, changed)
i.e., recording change _explicitly_
]
#centered-slide[
= git status
]
#slide[
#figure(
image("/inc/status.png", width: auto),
) <status>
]
#centered-slide[
= git log
]
#slide[
#figure(
image("/inc/gitlog.png", height: auto),
) <gitlog>
]
#slide[
#figure(
image("/inc/smerge.png", height: auto),
) <sm1>
]
#centered-slide[
= Demo. #footnote[Switch to _Terminal_ / _Sublime Merge_]
]
#centered-slide[
= Ignore certain files
]
#slide[
= .gitignore
- git has a provision for ignoring files of disinterest
- `.gitignore` file in the repository does the job
#side-by-side[
*Exclude* example
```bash
*.pdf
*.xlsx
```
][
*Only include* example
```bash
*
!*.inp
```
/ `*`: to ignore all, followed by
/ `!`: to include only `.inp` files
]
]
#centered-slide[
= Configuring git
]
#slide[
= .gitconfig
- Handy if commits are pushed to a remote server
- Cryptographic identity in the open-source world is fundamental
- Commits signed with digital keys to prevent author spoofing
- GPG or SSH keys used for signing commits, pushing to remote
```bash
[user]
name = <NAME>
email = <my email address>
signingkey = ~/.ssh/<my_signing_key>.pub
[commit]
gpgsign = true
[tag]
gpgsign = true
[gpg]
format = ssh
[gpg "ssh"]
allowedSignersFile = ~/.ssh/allowed_signers
[init]
defaultBranch = master
[core]
autocrlf = input
```
#v(1fr)
_Line endings_
/ LF: line feed (`\n`) in UNIX-like OSes
/ CRLF: carriage return, followed by line feed (`\r\n`) in Windows
]
#slide[
= Best practices
- make small, incremental changes
- keep commits atomic
- test before committing
- get feedback through (e.g. peer) reviews
- avoid committing incomplete work (units) and unnecessary files
- commit often
- write clear and concise commit messages
- develop using branches (treat 'master' or 'main' branch sacred)
- agree on a workflow / branching strategy
- keep the repository clean and up to-date
]
#centered-slide[
#quote(block:true, attribution: [<NAME>])[
_*Buying tools?* Start with the cheapest. Upgrade the ones that you use a lot. If you use for work, then buy the very best you can afford._
]
]
#slide[
= GUI clients _for_ git
+ Sublime Merge (a personal favourite)
- by Sublime HQ (makers of Sublime Text), Australian
- pretty good software
- never have to see command line, if you so wish
- feature complete, very easy to use, clean interface
- commercial:
- personal license: \$99/3y (allowed at work)
- commercial license: \$75/y
- trial period unlimited; all features available, no catch, be fair
+ try others (many are free): #link("https://git-scm.com/downloads/guis")[git-scm.com/downloads/guis]
]
#slide[
= [Re] learn to use command line interface
- a query-response system
- learn from MIT course #footnote[_The missing semester of your CS education_, #link("https://missing.csail.mit.edu")[missing.csail.mit.edu]]
- Windows ships with linux (_aka_ Windows Subsystem for linux)
- alternatively, get a cheap SBC (e.g., Raspberry Pi) to try linux
- practice doing things in command line, it is
- powerful and versatile
- very low on resource demand
]
#slide[
= Recap
+ git -- today's _state of the art_ in version control, portable, distributed
+ a _two-stage_ process, i.e., add, commit
+ every commit is a _snapshot_ of working folder's filesystem
+ git computes diffs between commits on the fly, very fast
+ git is like a machine for time-travel through file (or model) history
+ works best with _plain text_ files, not useful for binary files (no diffs)
+ all history resides within `.git` subfolder under the working folder
]
#slide[
= Resources
- `git help everyday` -- most helpful beginner's command
- git source code management (#link("https://git-scm.com")[git-scm.com])
- git GUI software (#link("https://git-scm.com/downloads")[git-scm.com/downloads])
- git guides (#link("https://github.com/git-guides")[github.com/git-guides])
- getting git right (#link("https://www.atlassian.com/git")[atlassian.com/git])
- github docs (#link("https://docs.github.com/en")[docs.github.com/en])
- a git history (#link("https://blog.brachiosoft.com/en/posts/git/")[blog.brachiosoft.com/en/posts/git/])
- "how git works" illustrated by <NAME> (#link("https://wizardzines.com/zines/git")[wizardzines.com/zines/git])
- Linus's talk about git c. 2007 (#link("https://youtu.be/MjIPv8a0hU8")[youtu.be/MjIPv8a0hU8])
- <NAME>, Duke Uni., "Modern Plain Text Computing," #link("https://mptc.io")[mptc.io]
]
#centered-slide[
= Thank you. Questions?
]
|
|
https://github.com/MatheSchool/typst-g-exam | https://raw.githubusercontent.com/MatheSchool/typst-g-exam/develop/manual/g-exam-manual.typ | typst | MIT License | #import "@preview/tidy:0.2.0"
#import "./util.typ": *
#import "./style.typ" as doc-style
#import "./example.typ": *
#import "../src/auxiliary.typ": *
#import "../src/g-exam.typ": *
#import "../src/g-question.typ": *
#import "../src/g-solution.typ": *
// Usage:
// ```typ-example
// /* canvas drawing code */
// ```
#show raw.where(lang: "typ-example"): example
#show raw.where(lang: "typ-example-vertical"): example.with(vertical: true)
#make-title()
#set terms(indent: 1em)
#set par(justify: true)
#set heading(numbering: (..num) => if num.pos().len() < 4 {
numbering("1.1", ..num)
})
#show link: set text(blue)
// Outline
#{
show heading: none
columns(2, outline(indent: true, depth: 3))
pagebreak(weak: true)
}
#set page(numbering: "1/1", header: align(right)[g-exam])
= Introduction
This template provides a way to generate exams. You can create questions and sub-questions, header with information about the academic center, score box, subject, exam, header with student information, clarifications, solutions, watermark with information about the exam model and teacher.
= Usage
This is the minimum model for generating an exam, in which you define the g-exam template and the questions and subquestions with the g-question and g-subquestion commands.
#pad(left: 1em)[
```typ-example
#import "@preview/g-exam:0.3.2": *
#show: g-exam.with()
#g-question(points: 2)[List prime numbers]
#v(1fr)
#g-question(points: 1)[Complete the following sentences]
#g-subquestion[Don Quixote was written by ...]
#v(1fr)
#g-subquestion[The name of the continent we live on is ...]
#v(1fr)
```]
= Configuration
== Header
// La plantilla incluira un encabezado en el examen, con la información introducida en la plantilla.
// Podremos indicar un logo del centro educativo, una descripción del examen, asignatura, contenido, nivel academico, ...
The template will include a header in the exam, with the information entered in the template.
We can indicate a logo of the educational center, a description of the exam, subject, content, academic level, ...
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
author: (
name: "<NAME>",
email: "<EMAIL>",
watermark: "Teacher: Heinrich", ),
school: (
name: "Sunrise Secondary School",
logo: read("./logo.png", encoding: none),
),
exam-info: (
academic-period: "Academic year 2023/2024",
academic-level: "1st Secondary Education",
academic-subject: "Mathematics",
number: "2nd Assessment 1st Exam",
content: "Radicals and fractions",
model: "Model A"
),
)
```]
== Student Information
// Para que un encabezado en el que el alumno debe introducir sus datos personales, se ha de especificar en la plantilal mediante la prpiedad `show-student-data` indicando como se quiere que aparezca este cuadro.
// Los valores pueden ser:
In order for a header in which the student must enter his/her personal data, it must be specified on the template by means of the 'show-student-data' property indicating how you want this box to appear.
Values can be:
- *first-page*: It will only appear on the first page.
- *odd-pages*: It will appear on odd-numbered pages.
- *none*: The user information box will not appear..
// Con el siguiente ejemplo, se mostrará la información de los alumnos en la primera página.
The following example will display student information on the first page.
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
show-student-data: "first-page",
)
```]
== Scoreboard
We will be able to show a scoreboard, with the points for each question.
In order for this table to appear, we will have to set the `show-grade-table` a *true*, a *false* so that it doesn't show up.
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
show-grade-table: true,
)
```]
== Questions
To enter the questions, use the `q-question`, followed by the text of the question. You can include the score of the question by entering the parameter `point`.
```typ-example
#g-question(points: 2)[Question text.]
#v(1fr)
```
// Para crear subpreguntas, se realizará de la misma manera con el comando `q-subquestion`, las cuales se anidaran a la pregunta formulada en la linea anterior.
// De igual modo se puede indicar la puntuación de la suppregunta, en caso de indicar puntuación a la pregunta y a las subpreguntas, esta se sumará al total. Por ello es recomendable solo indicar la puntuación en un nivel.
To create sub-questions, it will be done in the same way with the `q-subquestion`, command, which will be nested to the question asked in the previous line.
In the same way, the score of the question can be indicated, in case of indicating a score to the question and the sub-questions, it will be added to the total. Therefore, it is advisable to only indicate the score in one level.
// En el siguiente ejemplo se formula una primera pregunta, sin subpreguntas, con una puntuación de dos puntos y una segunda pregunta con dos subpreguntas con una puntuación de 2 puntos cada subpregunta, lo que hara que se muestre que la segunta pregunta vale un total de cuatro puntos en el cuadro de puntuación.
The following example asks a first question, with no sub-questions, with a score of two points and a second question with two sub-questions with a score of 2 points each, which will show that the second question is worth a total of four points in the scorecard.
#pad(left: 1em)[
```typ-example
#import "@preview/g-exam:0.3.0": *
#show: g-exam.with()
#g-question(points: 2)[List prime numbers]
#v(1fr)
#g-question[Complete the following sentences]
#g-subquestion(points: 2)[Don Quixote was written by ...]
#v(1fr)
#g-subquestion(points: 2)[The name of the continent we live on is ...]
#v(1fr)
```]
== Information in the document's metadata
If a pdf document is generated, the information will be saved in the document. Such as the author's name, e-mail, watermark, exam information, ...
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
author: (
name: "<NAME>",
email: "<EMAIL>",
watermark: "Teacher: Peter", ),
school: (
name: "Sunrise Secondary School",
logo: read("./logo.png", encoding: none),
),
exam-info: (
academic-period: "Academic year 2023/2024",
academic-level: "1st Secondary Education",
academic-subject: "Mathematics",
number: "2nd Assessment 1st Exam",
content: "Radicals and fractions",
model: "Model A"
),
```]
This information can be consulted in the properties of the pdf document.
== Punctuation Decimal Separator
// Dependiendo del lenguaje que utilizamos, el separador decimal, puede cambiar.
// Para especificar el separador decimal que queremos utilizar utilizamos `decimal-separator` con los valoes '*.*' o '*,*' de la siguiente manera.
Depending on the language we use, the decimal separator may change.
To specify the decimal separator we want to use, we use 'decimal-separator' with the values '*.*' or '*,*' as follows.
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
decimal-separator: ",",
)
```]
== Font type
// Para chico con necesidades especiales, se recomienda utilizar un tipo de letra de mayor tamaño, algo que puede hacer que se descoloque todo el documento.
// Para ello se ha creado el parametro `question-text-parameters` en el que indicaremos el tipo de letra que tendrá, solo, el contenido de las preguntas, dejando el resto de los texto con el mismo tipo de letra. Así la maquetación del documento, se mantendrá de una forma parecida.
For children with special needs, it is recommended to use a larger font, which can cause the entire document to be out of place.
To do this, the `question-text-parameters` parameter has been created in which we will indicate the font that will have, only, the content of the questions, leaving the rest of the text with the same font. In this way, the layout of the document will be maintained in a similar way.
// En el siguiente ejemplo se utilizará un tipo de letra de 16 puntos y doble espacio para las preguntas.
The following example will use a 16-point, double-spaced font for the questions.
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
question-text-parameters: (size: 16pt, spacing:200%),
)
```]
== Languages
// Podemos indicar el idioma en el que queremos que aparezca los texto. Para ello utilizamos la proiedad `languaje`,
// pudiendo tomar los valores `en`, `es`, `de`, `fr`, `pt`, `it`.
You can specify the language in which you want the text to appear. To do this, we use the 'languaje' property.
It can take the values 'en', 'es', 'de', 'fr', 'pt', 'it'.
#pad(left: 1em)[
```typ-example
#show: g-exam.with(
languaje: "es",
)
```]
#pagebreak()
= Commands
== Exam
```example
/// User g-exam template
#show: g-exam.with()
```
#doc-style.parse-show-module("../src/g-exam.typ")
The `g-exam` library has the `g-question`, `g-subquestion`, `g-solution` and `g-clarification`
commands to create questions, subquestions, solutions, and clarifications.
== Questions and subquestions
#doc-style.parse-show-module("../src/g-question.typ")
== Solutions
#doc-style.parse-show-module("../src/g-solution.typ")
== Clarifications
#doc-style.parse-show-module("../src/g-clarification.typ")
|
https://github.com/TypstApp-team/typst | https://raw.githubusercontent.com/TypstApp-team/typst/master/tests/typ/layout/list-marker.typ | typst | Apache License 2.0 | // Test list marker configuration.
---
// Test en-dash.
#set list(marker: [--])
- A
- B
---
// Test that last item is repeated.
#set list(marker: ([--], [•]))
- A
- B
- C
---
// Test function.
#set list(marker: n => if n == 1 [--] else [•])
- A
- B
- C
- D
- E
- F
---
// Test that bare hyphen doesn't lead to cycles and crashes.
#set list(marker: [-])
- Bare hyphen is
- a bad marker
---
// Error: 19-21 array must contain at least one marker
#set list(marker: ())
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/029%20-%20Aether%20Revolt/003_Breakthrough.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Breakthrough",
set_name: "<NAME>",
story_date: datetime(day: 14, month: 12, year: 2016),
author: "<NAME>",
doc
)
#emph[Tezzeret's nightmarish showdown with Pia Nalaar was a cover for something even more monstrous. With Ghirapur and the Gatewatch distracted, Consulate enforcers whisked away the winning inventors and their inventions, taking them to the Spire Inquirium. The winners haven't been heard from since. Among them was the elvish aether-seer Rashmi, who thought she had won the chance of a lifetime to develop her matter ] transporter#emph[ with the support of the Consulate. She was about to learn the truth...]
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
"Aether welder," Rashmi said. With a whir and three clicks, the workshop assistant automaton clattered over.
#figure(image("003_Breakthrough/01.jpg", width: 100%), caption: [Workshop Assistant | Art by <NAME>], supplement: none, numbering: none)
"Thank you." Rashmi's fingers brushed the automaton's tiny metal claws as she took the tool. "That will be all." It chirped twice and skittered back to the corner of the pristine Spire Inquirium. Rashmi's eyes followed as it went, longing, but there was no inquisitive look, no thought-provoking commentary, no reassuring presence.
Rashmi sighed; how she missed her vedalken assistant Mitul. If only he could see the transporter now. He would balk at the towering archway that was orders of magnitude larger than the ring they had made. His eyes would blink in rapid succession, first one and then the other, as he examined the detachable modular core. It would upset him, surely, that he had missed the experimentation, but his dismay would be but a cloud passing over the sun as it gave way to the furious scribbling of entries in his logbook. Mitul never allowed his emotions to interfere with his work; Rashmi had yet to master that feat.
Even as she welded the final piece of the aether modulator into place, her mood refused to rebound. Now that she had thought of him, Rashmi was relatively certain that nothing would buoy her spirits except the appearance of her friend at the door. But it was seeming more and more unlikely that would ever happen. It had been four weeks since she'd asked for Mitul to be brought on, and every chance she got, she reminded the functionaries of her request. But their response was always the same: "You focus on the invention, and let us take care of the rest."
And for the most part, they did. Since Rashmi had arrived at the Inquirium, each moment had been optimized and accounted for; she was whisked about by a host of attentive automatons and Consulate functionaries who were under orders from her patron, Tezzeret, to see to her every need. They delivered hot meals that smelled of fennel, cumin, and turmeric and clean clothing scented by lilies. They adjusted the temperature, aether pressure, and humidity. The pristine golden cubbies that ran the length of the workshop along the far wall were constantly being restocked and their contents' quality checked. Every morning saw a gleaming new set of tools arranged in perfect order, ready for Rashmi's to be the first hands to wield them. It was all more than she could ask for. And yet...
Glancing around, Rashmi wondered if any of the other inventors felt the same lonesome disenchantment she felt. She would have asked them if she could have, but conversation wasn't permitted during work hours. Tezzeret demanded an atmosphere of quiet, focused productivity. As he frequently reminded them, "Inane prattle will not be tolerated. Any one of you who prefers mindless gossip to invention shall be sent to join the witless masses outside of my Inquirium."
The only discussion permitted was that pertaining to invention. But that had all evaporated the day after Tezzeret's first progress check. The sight of aerowright Sana's empty workstation dissolved any spirit of comradery that had been forming between the fair winners. This opportunity was the chance of a lifetime for each of them, but only one inventor's dreams would come true.
Rashmi finished her weld and closed the access panel on the archway. Wiping her hands on her skirts, she stepped back to scrutinize the transporter as she knew Tezzeret would; she was determined not to be the next forgotten name at a vacant workbench. The integrity of the structure was sound, the supports were in place, and each one of the aether pipeline connections was reinforced. She glanced at the timepiece on her desk; he would arrive any moment. She told herself she was ready. #emph[I deserve to be here] . She wanted to believe it.
The Inquirium door whooshed open, and Rashmi's breath hitched.
Flanked by a retinue of functionaries dressed in ornamental Consulate robes, Tezzeret strode in.
#figure(image("003_Breakthrough/02.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
His entrance elicited the same effect as shining a light on a clutch of feeding gremlins. All movement in the Inquirium halted. Every eye in the room snapped to focus on the man with the metal hand.
#emph[I deserve to be here] .
"Progress." Tezzeret's footfalls echoed as he clipped across the polished floor. "Show me progress." He wheeled on a dwarf whose name Rashmi had just recently learned was Bhavin. The metalworker was renowned for his massive automatons that were skilled at construction and responded to non-verbal cues. He had placed fourth overall at the fair for his towering construct. "Well?" Tezzeret leaned in. "I don't have all day."
"Right." Bhavin gestured to his invention. "I've made a lot of progress since last time. I've upgraded the functionality of the wrench attachment. It's now able to withstand loads of over—"
"Upgraded?" Tezzeret's tone made Rashmi cringe. "I'm not interested in what you've upgraded. I'm interested in what you've made that's new."
#figure(image("003_Breakthrough/03.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
"Ah..." Bhavin shifted from foot to foot. "The joints are newly installed. Your requirement for the maximal load to increase meant I had to ensure the force wouldn't crush the bearings during—" He his mouth hung agape as he stared at his invention.
Tezzeret had taken hold of the massive hand at the end of the automaton's left arm with his own claw, and was bending the arm backward against the joint. The metal crumpled like paper, screeching and screaming like a wounded animal. Rashmi had never seen someone bend metal like that, not without a tool. Tezzeret's metal claw glistened in the light streaming through the windows, and a shiver ran down Rashmi's spine.
He took a step back and tilted his head as though contemplating a piece of art. "The bearings are crushed. You said you had #emph[updated] them so they wouldn't be crushed."
Bhavin blanched. "Yes, Tezzeret, but that was under normal use cond—"
"You've failed. Get out."
A collective gasp sounded from the other workstations.
"But, Grand Consul, please, I—"
"Get. Out." Tezzeret pointed to the door with a long metal finger. "Take him."
Three functionaries responded with an abrupt concerted movement not unlike a group of linked automatons.
"Wait." Bhavin struggled against their grip. "My invention! What about my invention?"
"This piece of garbage is not #emph[yours] ." Tezzeret kicked the automaton. "Anything made in this Inquirium belongs to the Consulate."
"No!" Bhavin reached for the frame of the door, but the functionaries twisted his arm behind his back. "Please!" he cried. "It's all I have. Please, let me take it." His heart-wrenching plea hung in the thick grease-scented air as he was pulled into the hall.
Rashmi reached for the towering metal frame of her transporter. She held tight, knuckles turning white, as though her grip could prevent her from being separated from her creation#emph[.]
"Disappointing," Tezzeret muttered. And then louder, "Progress! Is that too much to ask? You are all inventors, are you not?" As he strode down the main aisle of the Inquirium, eyes were averted like flies from a horse's tail. "You mean to tell me this is the best this world has to offer? I have the winners of the wondrous Inventors' Fair here, and what do they make? Heaps and heaps of rubbish." He rounded on Rashmi's workstation. "You're supposed to be geniuses, but I have yet to see any evidence that you're anything more than a roomful of idiots." His eyes were wide, red veins bright, and they locked directly on Rashmi. "Show me progress, or get out!"
Rashmi stared up at the heaving form of her patron, unable to move, unable to breathe, until finally, her mind managed to pull together enough conscious thought to quietly whisper, #emph[I deserve to be here] . She took a breath. She was prepared for this, for his temper; it was nothing new, and she knew what she had to do. She had to focus on her invention; her work would speak for itself. With some effort, she turned away from Tezzeret.#emph[ It's just you and me] . She gave the transporter archway a final squeeze. #emph[Let's show him what we've got] .
#figure(image("003_Breakthrough/04.jpg", width: 100%), caption: [Rashmi, Eternities Crafter | Art by <NAME>], supplement: none, numbering: none)
Rashmi cleared her throat. "The scaling-up is complete. You're looking at the new frame, which, as you can see by its size, will be capable of moving something with the dimensions of a Gearhulk, as you requested. The metal is triple-reinforced to withstand the sheer friction imposed by non-linear transport of solid matter. The structural aether scaffolding has been expanded to accommodate the increased volume of transport. Preliminary trials have met with much success." When she was finished, she drew a breath, and held it.
"There is some progress here." Tezzeret's voice was clipped, but free of rage. Rashmi permitted herself to exhale. But it was a false sense of security she felt; as quickly as it had faded, Tezzeret's tantrum resumed. "But #emph[some ] progress is not enough! What do you people do here all day? You're wasting my time. Where's the modular core?"
Rashmi steeled herself; she knew her answer wouldn't satisfy. "I've begun work on it, but—"
"Begun? Begun! It should be complete by now."
Rashmi recoiled. "There hasn't been time. These past weeks have been devoted to scaling up, and the modular core requires—"
"Excuses." Tezzeret waved his flesh hand. "Not even very good ones. You act like each simple request I make is an enormous impossibility. But I am your patron. And you are the winner of the Inventors' Fair. The WINNER! I demand the most from you. Not unfairly. I'm sure the others would agree." No one uttered a word. "I need the modular core complete. It's a priority. Do you understand?"
"Yes," Rashmi managed. "There are a few more issues to work out, but it should be on track to be completed within the timeline you provided."
"Oh, so now meeting the minimal requirements is something to brag about?"
"That's not—no. It should be done ahead of schedule. I just have to manage the feedback that occurs when I decouple the external focal point from the main transporter unit."
"The feedback?" Tezzeret's brows knitted. "And here, for just a moment, I thought you were actually a capable inventor. Your mind is so underdeveloped it's practically useless." He ran his metal finger over the filigree of the transporter; the sound made Rashmi's teeth ache. "What you're working with here is nonlinear transport, but you've been thinking in terms of linear laws this whole time. Consider this for a moment. In a multidimensional space, what happens to the friction?"
Even if she had tried to stop it, Rashmi's mind would have ruminated on his question; she couldn't help but ponder a scientific quandary. At first she didn't see what he was getting at, but then it hit her; she gasped in spite of herself.
"Ah, and there it is, she finally gets it," Tezzeret drawled.
Rashmi hardly noticed his scoff; she was lost deep in thought, on the precipice of a breakthrough. "If I insert an attenuator into the aether-loop, that will allow the external focal point to relay with the inception and target points without overloading the power capacitor, and—"
"And it will work," Tezzeret said. "Of course it will."
Calculations were streaming through Rashmi's mind. "We'll need more aether. At least twice as much to accommodate for the increased spatial dimensionality."
"Fine." Tezzeret looked to a cluster of functionaries seemingly at random. "Increase the supply of aether to the Inquirium three-fold."
"Of course, Grand Consul." The nearest functionary bobbed his head.
"Ahem." A second functionary stepped forward, clearing her throat. "It should be noted that an increase of that scale will require the rerouting of a significant portion of the supply that is currently allotted for various other zones. That could be a problem if—"
"I see no problem," Tezzeret snapped.
"Well, it's just that—"
"No more EXCUSES!" The veins in Tezzeret's temples pulsed. He took a breath and lowered his voice. "Listen to me. There is nothing more important than the work that's happening right here in this inquirium. This is the Consulate's number one priority. Do you understand?"
The functionary smoothed her robes. "Of course, Grand Consul, but—"
"Leave." Tezzeret waved to the door.
"Leave?" The functionary stepped back dismayed.
"Yes. You are dismissed." She stood frozen. "Your services are no longer required." Still she did not move. "Take her out." Tezzeret signaled, and the functionaries nearest her jumped to act, gripping her by the arms and escorting her. "And increase the aether supply."
"Yes, Grand Consul."
Rashmi gaped as Tezzeret wheeled on her. "If the zones need the aether, I can—"
"No!" Tezzeret slammed his metal hand into the archway of the transporter. "#emph[This] is the only thing that matters. You will have the aether you need to operate on an accelerated timeline. When I return for my next progress check, you will move that piece of rubbish," he indicated Bhavin's massive automaton, "across the Inquirium."
Rashmi swallowed, attempting a nod.
"If you don't, you will be terminated." With that Tezzeret strode to door, the clipping of his feet sharp on the polished floor. The remaining functionaries followed him out
All the strength drained out of Rashmi. The word "terminated" rang in her head. Whispers crawled up the back of her neck, and stray glances followed her as she moved to her desk and sank into her chair. Was it supposed to be like this? There on her desk, propped up against the wall, sat her original transporter ring. She ran her fingers along the filigree.
#figure(image("003_Breakthrough/05.jpg", width: 100%), caption: [Paradoxical Outcome | Art by <NAME>], supplement: none, numbering: none)
When she'd set it there, she'd intended for it to be her inspiration for her work here. She had been so hopeful, so proud in that moment. It had felt like her dreams were about to come true. And now? Rashmi exhaled, long and slow. She'd set out to change the world, and that was still her intent. This was her chance. She would not waste it.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
#strong[Four Weeks Later]
If there was nothing else positive to say about her patron, Rashmi could at least say one thing: she had never been pushed this hard before.
She had often wondered over the course of the last few weeks where she would be—where the transporter would be—if she had not been under the pressure Tezzeret so adeptly applied. If she hadn't adjusted her schedule to work through three out of every four nights, if she hadn't begun eating her meals in the form of solid bars delivered by automatons who interrupted her work only long enough for her to take a bite, if she hadn't sufficed with the minimal number of showers possible to maintain a level of fetor just above that of a bandar's, she would not be here, right now, about to insert the final component into her masterpiece.
Rashmi was hanging in a harness up near the top of the transporter arch, aether-welder in one hand and sensor module in the other. The Inquirium was silent except for the hissing of heated aether. The day after Tezzeret had made his last appearance, all the other inventors had been moved out of the Spire Inquirium. "To a new location," one of the functionaries promised, but Rashmi wasn't convinced.
She would have liked to say she missed them, but in truth, she didn't really notice their absence. The silence and isolation was the same as it always had been. The only person she missed was Mitul.
Her welding lines met, having come full circle around the sensor, and Rashmi flicked the switch to turn off the flow of aether. As the heated metal cooled, she leaned back in her harness, examining her work. That was it. She was done.
It seemed impossible, but it was true. "It's finished." The words were no more than a breath, but they filled the whole of the Inquirium. A sudden flush blossomed behind Rashmi's cheeks and a thrill welled in her chest. "It's finished!" She let her head fall back and spread her arms wide, hanging in her harness. The springy cable supporting her bounced with her giddy laughter as she dangled in the shadow of her creation.
She let out a whoop. This thing she had made was beautiful. In her scramble to complete it, she had never stopped to look at it before, not like this. The curve of the metal, the flourishes of filigree that supported glowing blue aether pipelines, the enormity of it. It was enchanting; it was overwhelming; it was everything.
A ray of sunlight danced across the perfect line of her final weld and Rashmi allowed herself to smile. As her lips curved upward, she realized that was something they hadn't done in a while. It was time to smile now. It was time to breathe. It was time to—all at once, her entire body tensed. "The sun!" It was morning. The morning of the progress check. Tezzeret would be on his way.
With impatient hands, Rashmi unclasped her rope, and rappelled down, her feet scrabbling to find purchase before even touching the ground.
"Aether grip!" She called. The assistant automaton jumped up and scuttled over to the shelves at her command. The transporter may have been complete, but it wasn't ready for the demonstration. She had yet to set the target location for transport. Her tests had sent small items like tweezers and wrenches into a box next to her desk, but if she sent Bhavin's massive automaton there, it would destroy the box, and crush her desk, and possibly break through the window behind it. It would be a disaster, one she definitely wanted to avoid.
The little automaton skittered over and stretched upward, holding out the aether grip. Rashmi didn't bother to take off her harness, she grabbed the tool, kneeling down by the modular core and plunged her hands into the inner aetherworks.
#figure(image("003_Breakthrough/06.jpg", width: 100%), caption: [Rashmi, Eternities Crafter | Art by Magali Villeneuve], supplement: none, numbering: none)
The basic principle she would be using to move matter was the same principle she'd used in her original transporter; the inception point was the towering transporter archway, just as it had been the transporter ring, and the target location was wherever she selected in three-dimensional space. The difference between the archway and the ring was that the archway depended on the auras of multiple other phantom dimensions to provide the pathways for conveyance from inception to target. That meant faster transport of objects of exponentially greater volumes.
Fingers extended, Rashmi reached into the multidimensional aether projection within the modular core, feeling out the scaffolding, a one-to-one representation of the aether patterns of the Great Conduit. The part she could feel was the section of the Conduit immediately surrounding her in the Inquirium, with everything else beyond coming through as fuzzy and out of focus. That was fine for now; all she needed was to thread the target location on the other side of the Inquirium into the core. And she needed to do that quickly.
"Come on, come on." She felt around for the essence of the aether tether she needed; it was a matter of working both with her physical perception of touch and her deeper awareness of the Conduit. When she closed her eyes, she could see through her mind's eye. It was as though she was looking at a faded blue ethereal portrait of the Inquirium. She manipulated the projection narrowing in on her focus point, until—"Yes!" When her fingers brushed it, it was as though she was there; for a half of a heartbeat, she felt like she was standing on the other side of the Inquirium.
"Now to bring you through." She guided the insubstantial projection, winding it through the phantom dimensional scaffolding in the modular core, pulling it toward the anchor that represented the inception location. Once she connected the inception point with this target location, the transporter would be capable of moving Bhavin's automaton across the Inquirium. In truth, it was much less about actually moving anything and more about collapsing the spatial dimensions to make the two locations coexist. What a thrilling prospect!
Halfway through the inner aetherworks, the projection for the target snagged on something. Rashmi nearly lost her grip. "No, no, not now." She twisted the projection, coaxing it with gentle tugs. It was caught on one of the phantom dimensions. "We don't have time for this." She tugged harder, harder, hard—her hand slipped. Suddenly everything felt wrong. She was gripped by the sensation of severe vertigo, she tried to pull back, but whatever had a hold on her was too strong.
It was like plunging into a bath of ice water.
She would have screamed if she could have found her voice—if she could have identified the place within her being that a voice was supposed to come from. But she couldn't find her lips, nor her lungs, nor any other part of her body. All she knew were the multitudinous dimensions. They were no longer phantom, no longer variables in an equation. They were real. And there were so many.
Rashmi felt so small, and yet her essence had the sensation of enormity.
She must have hung there, suspended, overwhelmed by awe and wonder, for some length of time, but how long, she had no conception. Time was not.
And then she was moving. Or at least her surroundings were shifting. The sensation of movement was absent, but the cues were compelling. She was looking out at a cityscape, only none of the buildings looked familiar. The shapes, the colors, the architecture, it was all so curious. And then she was in a forest, or perhaps a jungle, thick with vines and wide-leafed plants that seemed to compete with each other for dominion. She glimpsed a massive rock cut into the shape of a diamond; it hung in the air, suspended as though gravity didn't apply. Then a wide open sky, filled only with deep purple clouds, and a mountain range capped in snow through which yellow flowers grew. The images—impressions really—were coming faster now. One blended into the next, quiet hearths, vast deserts, bustling marketplaces filled with unfamiliar people and wares, the maw of a beast, a star-filled sky. More than she could count, more than she could ever know.
Rashmi was gripped with emotion; this place, these places, she had always known they were out here. Throughout her years of experimentation with matter transport, she had felt them, dangling just beyond her reach. She had believed even though she had not had any evidence to support her theories. And now here she was. Something swelled deep inside, something that made her feel both more alive and more fragile than she had ever felt. It brought with it the sensation of tears, though she had no capacity to shed them.
She could have stayed in this wondrous place—these breathtaking places—forever.
From somewhere, she heard a sound. It repeated. Regularly. It was a beat. Each intonation reverberated the core of her essence. As they crystalized, it became clear that the tones were sharp. Angry. Painful. They were everything this place wasn't. They were tugging on her, demanding that she have ears to hear them, that she have a spine to feel a shiver, and hair to raise on end. Each beat pulled her further from the place she was, further into the body that she had almost forgotten. Further away.
And then she was Rashmi, the elf, kneeling on the floor in the Inquirium, tears streaming down her cheeks, her hands deep inside the aetherworks of the modular core. The sound resolved. It was the clipping of footfalls. Staccato and vile. Tezzeret. The blood drained from Rashmi's cheeks. He was coming.
With a swift tug she yanked her hands out of the core, reeling back as a deep creaking resounded from within. The core's aether-fuse sparked. She shielded her eyes to block a burst of aether that shot up at her face.
"That is one of the last things I wanted to see this morning." Tezzeret parked himself over Rashmi, a handful of functionaries flanking him on either side. "My inventor uselessly sprawled on the ground covered in aether."
"Grand Consul." Rashmi could barely contain her thrill over what she had just seen. "I've had a breakthrough." Disjointed, fragmented words began pouring out of her mouth as she staggered to her feet. "What's out there is—the phantom dimensions. There are more realities. The buildings. They weren't—I've never see anything like those plants. They can't be from here. There's something more out there. I've felt it before. Mitul did too. Mitul! We have to bring him here. He'll understand this. He had theories. Brilliant theories. The possibilities—this is not just about matter transport anymore; this is about expanding our understanding of—of—existence."
From somewhere deep inside the bowels of the man standing before her, there came the sound of rumbling, low and rolling. It started out soft and developed into something sinister that felt like it was crawling up and down Rashmi's insides. Tezzeret was laughing, she realized. Laughing at her. But why? "Oh, how amusing it is to see the way small minds work when confronted with things so much larger than they were meant to comprehend." Tezzeret shook his head mirthfully, but then suddenly his whole demeanor shifted and eyes narrowed. "Is the transporter finished?"
"Yes," Rashmi managed, confused.
"Good. You finally did something right."
"But, this isn't about the transporter anymore. Don't you see—"
"Don't #emph[you ] see?" Tezzeret leaned in. "No of course you don't. How could you? Your perspective is so infuriatingly limited." Tezzeret signaled to his functionaries. "Bring that garbage construct over here. It's time to see what this can do."
"Yes, sir." The functionaries quickly moved to Bhavin's workstation.
"Wait." Rashmi couldn't believe what Tezzeret was doing. "It's too dangerous. We don't fully understand the stress we might put on the phantom—"
"You are dismissed." Tezzeret waved his flesh hand.
"What?" A jolt of alarm gripped Rashmi.
"You completed your task." Tezzeret caressed the filigree of the transporter with his metal claw. "This beautiful creation is now mine. And thus I am done with you."
Rashmi's instincts were screaming at her. She couldn't let this man have her transporter. There was something in his eyes, something that stoked the embers of her mounting anxiety. She had to protect what she had made—more, she had to protect what she had seen, all those places, all that life...
"The construct, Grand Consul." The functionaries rolled Bhavin's massive construct into place under the archway.
"Good. Now, take the elf out."
"Yes, sir." The functionaries moved to surround Rashmi.
"Wait." Rashmi's heart was hammering. She had to do something. "It's not ready." She was concocting a plan as she spoke. If she could stall, if she could disconnect the core from the phantom dimensions, then he wouldn't be able to hurt them. "An aether fuse blew." She held out her aether-stained arms. "Just before you came in."
Tezzeret's back straightened. "You said it was finished."
"It was. It is. I just need to install a replacement part."
"You lied to me." It wasn't a question. "No one lies to me."
The pounding in Rashmi's chest surged down into her gut, but she held her ground. "I didn't lie. It is finished. It just needs a minor adjustment."
"I think you misunderstood." A muscle in Tezzeret's left cheek twitched. "No one lies to me because I end the lives of those who do."
Suddenly Rashmi couldn't breathe. It was as though an aether-vice had closed around her gut.
"I have been more than patient with you. But my patience has run out. That means your life is about to do the same."
#figure(image("003_Breakthrough/07.jpg", width: 100%), caption: [Tezzeret's Ambition | Art by <NAME>], supplement: none, numbering: none)
Rashmi backed toward the archway, computing how long it would take to yank the projection of the Conduit out of the modular core, but before she could act, Tezzeret lifted a finger, and the firm grips of two functionaries locked around her arms. Tezzeret strode forward, eyes locked on Rashmi. "Fix it. Now. If you do, I might consider allowing your limited little life to continue."
His words made her panic, but they also strengthened her resolve. It was impossible to deny the type of man Tezzeret was any longer. She had been such a fool. All this time the signs had been there. She'd seen the way he'd treated the others—the way he'd treated her. But she'd tried to convince herself that there was nothing wrong. She had wanted, so desperately, for this to be her chance to change the world, so she had ignored his temper, she'd pretended she didn't see the violence. She'd told herself that he was only pushing her because he wanted the best for her. She'd told herself he was a good patron. But in truth, he was a monster.
Now, it was to her to protect those places out there from this monster—even if it meant her life. Rashmi took a deep breath. She would not fix the transporter for him, she would destroy it. "I'll need my tools." She moved to free herself from the grips of the functionaries.
"Do you think I'm a fool?" Tezzeret spat. Rashmi froze. "I can see your small mind working, I can smell the sweat of your intent. You want to destroy it." Rashmi tried to conceal her shock at his accuracy. "I know you do. So, go ahead. Do it. But know that if you do, I will kill you, then I will bring your little friend—Mitul, I believe was his name—to complete the transporter, he should be familiar enough with your work, and then I will kill him too."
"No!" Rashmi struggled against the grip of the functionaries. Not Mitul. Not gentle, honest, caring Mitul. "You can't!"
"Finally, it seems I'm getting through to you." Tezzeret sneered. "Then let's make sure you stay motivated." He called out two functionaries with a quick stab of a flesh finger. "You two, retrieve the vedalken, Mitul. Now."
"Yes, Grand Consul." The functionaries hurried out of the Inquirium.
"No!" Rashmi fell into panic. Her breath was coming in quick gasps. The room tilted first to the right, and then to the left. If the functionaries hadn't been supporting her by the arms, she wouldn't have been able to remain upright.
"If you're not done by the time they return with your friend, you both die." Tezzeret nodded to the functionaries who held Rashmi. "Release her."
The gleam of the polished floor. The joint of an automaton. The filigree of the transporter. As Rashmi staggered forward, she saw each aspect of the Inquirium as separate, isolated. Her mind refused to put the pieces together; it was too brutal to think of as a whole.
"Well?" Tezzeret loomed over her. "What are you waiting for?"
She wasn't waiting; she was paralyzed. She could only think of Mitul. He would be sitting at his desk in the beetle inquirium this morning. He always got in early. She wondered what brilliant device he was working on now. Heat welled in her tightening throat. He would have no inclination that Consulate forces were about to descend on him. No warning. No explanation. They would be violent and loud. They would hurt him. It wasn't fair. Mitul had never hurt a soul. And now he would suffer because of her.
No. He wouldn't. He didn't have to. #emph[Move] . Rashmi told herself. #emph[For Mitul] .#emph[ Move] . Mind reeling, she stumbled toward the supply room. There had to be a way, there had to be something she could do to save both: the dimensions she had seen and her dear friend. She forced her mind to analyze the situation, to think of the problem Tezzeret had presented her with as constraints on a logic puzzle. But no matter how she approached it, she got the same result; there was no way to save both. She would have to choose.
And she would choose Mitul.
#emph[I'm so sorry] . The words were meant for all the life in all the places she had seen. Perhaps whoever was out there would understand, perhaps they would have done the same for a friend.
Clinging to the door of the supply room, Rashmi searched the gleaming golden cubbies for a new aether-fuse. Mechanically, she selected the fuse she needed, carried it to her desk, opened the logbook, and recorded the identification number. A tear rolled down her cheek. She wiped it away, but the second and third splashed quietly onto the metal ring of her original transporter, still sitting propped on the back of her desk. The sight of the ring brought on more tears. #emph[How did we get here? ] This wasn't what was supposed to have happened. None of it was. If someone had told her back in her beetle inquirium that this is where she would end up—suddenly Rashmi's mouth went dry and her palms began to sweat. The beetle Inquirium...She had solved the puzzle.
Her hands were already moving, ripping off a corner of a page in the logbook. She knew Tezzeret must be watching her from afar, but she didn't dare turn around to check. If he realized what she was about to do, he would kill her, there was no question. But if she pulled this off without alerting him, she might be able to save Mitul's life. That was enough to make her risk it all.
She scribbled a note, barely legible: #emph[You're in danger. Run. Don't let them bring you to the Spire.]
She crumpled it into a ball.
"What are you doing?" Tezzeret's voice stopped her heart.
"Running a calculation." The confidence of her words surprised her, as did the volume of her voice.
"You said you were going to insert a replacement part." Tezzeret's impatience was evident. His footsteps clipped across the floor, coming closer. With a flick of a switch, Rashmi turned on the transporter. "You said nothing of calculations. Did you lie to me? #emph[Again?] "
"I have to ensure the fuse doesn't short a second time." Rashmi's voice was forceful. She had found her courage in her need to protect Mitul. "I can't afford for the trial to fail. You made that abundantly clear." She knew her retort would irk him, but that's what she wanted. Distract him from the transporter ring.
"I'm beginning to doubt your instinct for self-preservation." He was rounding past Bhavin's old desk; she could tell by the way his footsteps echoed.
One hand scribbling in her logbook to keep up the farce, Rashmi used the other to open the transporter's control panel and reach inside. There were only a few stored target locations, so it was simple to find the thread of aether that remembered a path back to the beetle inquirium. It was the target of their first successful matter transport; she'd never forget it, and neither would the ring. She locked the thread into place and clipped the panel shut. #emph[Please be there, ] she silently begged of Mitul. #emph[Please see this.]
"Enough calculations." Tezzeret's metal fist came down on the desk to her right. "It's time for the demonstration." His breath was hot on the back of her neck.
Her hand was poised over the ring, but if she dropped the paper now, he would see. She would have to distract him, again. She took a breath, stealing herself#emph[. ] "It's time when I say it's time. I am the inventor."
"WHAT DID YOU SAY?" Tezzeret's voice sounded as though it were coming through an amplifier. She had gotten what she wanted, he was distracted. He slammed the cover of the logbook shut, narrowly missing her fingertips. Rashmi feigned a gasp, while at the same time dropping the ball of paper through the ring. It disappeared.
Grabbing her by the harness that was still buckled around her waist, Tezzeret spun her around to face him. "I thought I made it clear before. You are nothing. NOTHING." Spittle flew out of his mouth dusting her cheeks in a spattering of hot dew. "You are here ONLY because I wanted you to be. You are alive ONLY because I have allowed it. You will do as I say, or I will END you." He didn't wait for a response; he dragged her by the harness back across the inquirium to the transporter, where Bhavin's automaton stood under the arch ready for the demonstration.
Rashmi didn't struggle. There was no reason to delay any longer. She had done all she could do; she'd given Mitul a chance to escape. Whatever came next was between her and this monster.
"Put the part in!" Tezzeret threw Rashmi to the ground.
Her knees hit the polished floor with a thud. Tears sprang up behind her eyes, but she blinked them away. She wouldn't let him see her cry. No. Not this man. Not this man who had told her she was nothing. Who had insulted her genius. He was the one who was nothing. He may have had power and control, but those were only acting to conceal the truth of what he was—or rather what he wasn't. He lacked everything that mattered. His was incapable of the science that came so naturally to her. He could never have made this transporter. That's why he had brought her here. He needed her. He was a worthless egomaniac who would fail without her. And she wasn't going to let this worthless man kill her.
What she needed to do only took a few moments. She inserted the aether-fuse and tweaked the necessary settings within the modular core, connecting the inception point with a stored target location. Then she loosened the connection just enough that it would ricochet in response to the surge of transport. "It's ready." She stood, checking the clip on her harness. It was tight.
"Stand back." Tezzeret shouldered her aside. "I'll be the one to operate the transporter."
Rashmi bit her tongue to stop herself from thanking him for his predictable arrogance; it was exactly what she was counting on for this to work. She took a step closer to the long windows her eye on the nearby pulley system.
Tezzeret proudly thumped his metal claw on Bhavin's automaton, which stood under the transporter's arch. "It's time." He stepped to the side and grabbed hold of the lever on the operation panel. "This moment marks something impossible for you to comprehend. This is #emph[my] moment."
He had no idea how wrong he was.
Tezzeret pulled the lever. Rashmi inhaled. The automaton disappeared.
Rashmi exhaled. The fuse inside the modular core blew, shorting it out, and at the same time, the automaton reappeared—on top of the metal box she had used so many times before as a target location. Too big to fit, Bhavin's masterpiece crushed the box, crashing through the frame of Rashmi's nearby desk, and shattering the pane of the enormous glass window behind it. The change in pressure and the gusting aether winds sucked papers and tools out into the sky high above Ghirapur.
"WHAT DID YOU DO!?" Tezzeret was livid; he stormed toward her, covered in aether from the blown fuse. But Rashmi was prepared. She clipped her harness to the pulley system's cable. Before his obtuse mind could work out what was happening, she sprinted to the gaping hole and leapt out into the swirling aether beyond.
#figure(image("003_Breakthrough/08.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
Everything that happened next, happened on instinct. She plummeted through the air, wind whipping up into her open mouth, stealing her breath and burning her lungs. She closed her mouth. The street below resolved through the freezing tears streaming from her eyes. She closed her eyes. The springy cable above her went taut, and she felt the elastic tug. Her body flung up and then bounced back down. And then again. One more time. She opened her eyes as the bouncing subsided. She was hanging just above the roof of a Consulate cruiser. She reached for the clip on her harness, forcing her trembling fingers to unlatch it.
Her legs didn't respond in time to get under her, so she fell flat on the gleaming metal roof. #emph[Get up!] She half crawled, half rolled off the top of the vehicle, her shoulder hitting the pavement first.
There was commotion all around. People shouting. Sparks flying. Thopters buzzing. And from far above, Tezzeret shouting. Rashmi pushed herself to her feet and ran. She didn't know where she was going, but she knew she had to move. Get out of there. As far away as possible. Away from him.
Her legs ached and her lungs screamed, but she would never stop. Never.
Suddenly, a wall of metal sprang up in front of her. She dodged, turning left. Another wall. This time she slammed into it before she was able to adjust her course again, running another direction—into a third wall. She spun around. She was surrounded. "NO!" She slammed her fists into the metal. "No!" She wouldn't let him win.
Hands took her by the shoulders, spinning her around. Rashmi lifted her fist, ready to fight. Ready to kill if that's what it came to.
"It's all right, Rashmi. It's me. You're safe."
Rashmi blinked. Nothing made sense. How? Where? "Saheeli?"
"We're inside my construct. It's taking us someplace where no one can find us." Rashmi could feel movement below her feet, which were no longer on the street but on a metal floor. "It's over, Rashmi. You're safe. You're safe." Saheeli repeated the words until Rashmi's breathing slowed enough for her to speak again.
"Mitul?" She croaked out her friend's name.
"He's safe," Saheeli said.
Rashmi fell into Saheeli's arms, the tension finally going out of her.
"That was quite the dramatic exit." Rashmi glanced up to see a strange woman dressed in black.
"It was amazing," Saheeli said.
"Personally, I'm a bit disappointed," the woman in black said. "I was promised I could have a little fun with Tezzeret."
At the mention of his name, Rashmi's insides hardened. "Saheeli," she gripped her friend's arms. "He has the transporter—only it's not just a transporter. You were right. I didn't know the implications of what I was making. But I think he did. He must have known, just like..." Rashmi trailed off, looking to Saheeli. "You #emph[knew] ." She took a step back, feeling off balance. Her mind was working through the pieces she barely dared to put together.
She looked from her friend to the metal that had sprouted up around them. She scrutinized its unique colorful gleam. Then her eyes moved to the woman in black. She took in her flowing dark skirt, unlike any fabric she had ever seen, and the lines on her skin, faint but purposeful, a language Rashmi didn't know.
Her heart beating quick, she looked back to Saheeli, but this time she truly looked, dropping her perception deep into the aether. It was more a feeling than anything, and once she felt it, she knew she had felt it before. When #emph[he ] was in the room. Suddenly Rashmi felt very strange, very small, very scared. "Saheeli. You knew."
Saheeli didn't say a word.
The construct jerked to a stop. "Finally." The woman in black got up. "It's about as comfortable in here as in one of beefcake's meetings." She looked to Saheeli. "Well, are you going to let me out?"
With a simple gesture, Saheeli parted the solid metal, and the woman in black stepped out into the bowels of what looked to be a dark warehouse.
Saheeli cleared her throat and turned to Rashmi. "They'll all be waiting for us."
"Who?" Rashmi's voice echoed in the stillness, as unsure of itself as she was. "What's going on, Saheeli? Where are we?"
"Welcome to the renegade movement, my friend. I have much to tell you."
|
|
https://github.com/deadManAlive/ui-thesis-typst-template | https://raw.githubusercontent.com/deadManAlive/ui-thesis-typst-template/master/primer/abs.typ | typst | #import "../config.typ": cfg
#import "../abstract.typ": abstract_id
#let abs_id = [
= Abstrak
] |
|
https://github.com/Myriad-Dreamin/tinymist | https://raw.githubusercontent.com/Myriad-Dreamin/tinymist/main/crates/tinymist-query/src/fixtures/docs/base.typ | typst | Apache License 2.0 | // This is X.
#let x /* ident */ = 1;
|
https://github.com/strayMat/cv_fr | https://raw.githubusercontent.com/strayMat/cv_fr/master/resume_fr.typ | typst | #import "@preview/modern-cv:0.6.0": *
#show: resume.with(
author: (
firstname: "Matthieu",
lastname: "Doutreligne",
email: "<EMAIL>",
phone: "(+33)6 37 82 65 67",
github: "strayMat",
//linkedin: "#link('https://example.com')[See example.com]",
website: "https://info.m2dou.fr/",
address: "20 rue Eugène Varlin, 75010 Paris, France",
positions: (
"Data analyste",
"Statisticien",
),
accent-color: rgb("#2ecc40"),
language : "fr"
),
date: datetime.today().display()
)
#show link: underline
= Postes
#resume-entry(
title: "Chef de projet / référent statistiques, Haute autorité de santé",
location: "Saint-Denis, France",
date: "Octobre 2020 - aujourd'hui"
)
#resume-item[
- Aide à la définition de la stratégie de l'agence sur la donnée et à la mise en place de l'équipe data,
- Rapport sur les entrepôts de données de santé français,
- Etudes sur le Système National de Données de Santé,
- Expérimentation d'automatisation de la mesure de la qualité à partir des entrepôts de données cliniques.
]
#resume-entry(
title: "Doctorant, Inria (Prof. <NAME>)",
location: "Palaiseau, France",
date: "Octobre 2020 - Novembre 2023",
description: "Apprentissage statistique, inférence causale, épidémiologie."
)
#resume-item[
- Manuscrit de thèse: #link("https://www.theses.fr/2023UPASG073")[Représentations et inférence à partir de données de santé temporelles collectées en routine].
]
#resume-entry(
title: "Data-scientist, DREES, Ministère des solidarités et de la santé",
location: "Paris, France",
date: "Septembre 2018 - Septembre 2020",
)
#resume-item[
- Cellule de crise Covid-19 : automatisation de traitements de données, tableaux de bord et indicateurs nationaux de suivi du premier déconfinement,
- Ingénieurie de données, documentation et études sur le Système de National de Données de Santé.
]
#resume-entry(
title: "Stagiaire de recherches, AP-HP/LIMSI (Prof. <NAME>)",
location: "Paris, France",
date: "Avril 2018 - Août 2018",
description: "Pseudonymisation des documents textuels de l'AP-HP par réseaux de neurones."
)
#resume-entry(
title: "Stagiaire de recherches, UC Berkeley (Prof. <NAME>)",
location: "Berkeley, USA",
date: "Avril 2017 - Août 2017",
description: "Biostatistiques pour la différentiation cellulaire à partir de données scRNA-Seq."
)
//Production : #link("https://github.com/strayMat/warpDE")[package R, application shiny]
#resume-entry(
title: "Chef d'ambulance, Brigade de sapeurs-pompiers de Paris",
location: "Paris, France",
date: "Octobre 2014 - Mars. 2015",
description: "Direction d'équipes de trois secouristes lors d'interventions de secours à victimes."
)
= Formation
#resume-entry(
title: "Master 2, Mathématiques, Vision et Apprentissage, ENS Paris-Saclay",
date: "Sep. 2017 - Avril 2018",
)
#resume-item[
- Apprentissage par renforcement, modèles graphiques, traitement automatique du langage, apprentissage en ligne, apprentissage profond, réseaux de neurones.
]
#resume-entry(
title: "Master 2, Statistiques et Apprentissage, ENSAE",
date: "Sep. 2017 - Avril 2018",
)
#resume-item[
- Statistiques bayesiennes et computationnelles, apprentissage statistique, finances publiques, économétrie.
]
#resume-entry(
title: "Cursus d'ingéneur en Mathématiques Appliquées, Ecole Polytechnique",
date: "Sep. 2014 - Avril 2017",
)
#resume-item[
- Statistiques, probabilités, apprentissage statistique, recherche opérationnelle, macro-économie, économétrie, biologie cellulaire, physique statistique, physique quantique.
]
= Compétences techniques
#resume-item[
- Langages : Python, R, SQL, Scala
- Outils : unix, git, docker, latex, gitlab CI/CD
]
= Quelques productions
#resume-item[
- Rapport #link("https://www.has-sante.fr/jcms/p_3386123/fr/entrepots-de-donnees-de-sante-hospitaliers-en-france")[Entrepôts de données de santé hospitaliers en France, HAS, 2022],
- Participation au rapport #link("https://solidarites-sante.gouv.fr/ministere/documentation-et-publications-officielles/rapports/sante/article/rapport-reforme-des-modes-de-financement-et-de-regulation")[Réforme des modes de financement et de régulation, Ministère des solidarités et de la santé, 2019],
- Création de l'application #link("https://health-data-hub.shinyapps.io/dico-snds/")[Dictionnaire de variables SNDS, Drees, 2018].
- Publications scientifiques : Liste à jour sur #link("https://scholar.google.com/citations?user=lXOz9tkAAAAJ&hl=fr&oi=ao")[ce lien Google Scholar].
]
|
|
https://github.com/yonatanmgr/university-notes | https://raw.githubusercontent.com/yonatanmgr/university-notes/main/0366-%5BMath%5D/03661111-%5BLinear%20Algebra%201A%5D/src/lectures/03661111_lecture_3.typ | typst | #import "/0366-[Math]/globals/template.typ": *
#show: project.with(
title: "אלגברה לינארית 1א׳ - שיעור 3",
authors: ("<NAME>",),
date: "09 בינואר, 2024",
)
#set enum(numbering: "(1.א)")
= שדות - המשך
== דוגמאות לשדות
ראינו סוג מסוים של שדות: לדוגמה, $QQ seq RR seq CC$.
=== תזכורת (מהשיעור עם ענת)
נגדיר יחס על $ZZ$ בהינתן $n >=1$ קבוע: $a equiv b mod n <=> n|a-b$, כלומר קיים $c$ שלם כך ש-$a-b=c n$. הוכחנו כי היחס *רקלפסיבי*: $a equiv a mod n$, *סימטרי* *וטרנזיטיבי*. (אשלים בהמשך).
נגדיר את מחלקות השקילות $[x]_n = {y in ZZ | y equiv x mod n}={x, x pm n, x pm 2n dots }$.
=== למה
+ כל שתי מחלקות שקילות שוות או זרות.
+ כל איבר שלם נמצא באחת ממחלקות השקילות.
+ זה מגדיר חלוקה של $ZZ$: כלומר, $ZZ = [0]_n uud dots uud [n-1]_n$ (זה אומר ש-$ZZ$ איחוד של מחלקות השקילות $[0]$ עד [$n-1$] ואין חפיפה).
=== הוכחה
+ יהיו $[a]_n, [b]_n$ מחלקות שקילות.
- במקרה א׳, $[a] nn [b] = emptyset$. ניצחנו (מחלקות השקילות זרות).
- במקרה ב׳, $exists c in [a] nn [b]$. כלומר, $c equiv a mod n or c equiv b mod n$. צ״ל $[a]=[b]$.
נוכיח ש-$[a] seq [b]$ (משיקולי סימטריה, יינבע גם ש-$[b] seq [a]$): יהי $x in [a]$. כלומר, $x equiv a mod n$, וגם ראינו קודם ש-$c equiv a mod n$. משיקולי סימטריות וטרנזיטיביות, נגרר ש-$x equiv c mod n$. נזכיר ש-$c equiv b mod n$, ומטרנזיטיביות $x equiv b mod n$, כרצוי. #QED
+ ברור כי לכל $a in ZZ$ מתקיים $a in [a]$ מרפלקסיביות. #QED
+ קודם נוכיח ש-$ZZ=tb(ub, n-1, i=0)[i]_n$. הכיוון $suq$ ברור. עבור הכיוון $seq$, נוכיח: יהי $x in ZZ$ צריך למצוא $0 <= i <= n-1$, כך ש-$x in [i]$. נזכיר כי השלמים $ZZ$ באים עם חילוק עם שארית, כלומר נוכל לבטא את $x$ בתור $a n + r$, כך ש-$x <= r <= n-1$. אז, $x - r = a n$ ולכן $x equiv r mod n$ ומכך $x in [r]$ ($qed$ חלק ראשון).
_חלק שני_: לכל $0 <= j <= i <= n-1$ מתקיים ש-$[i] nn [j] = emptyset$. לפי (1) די להראות ש-$[i] != [j]$. נראה ש-$i in.not [j]$ למרות ש-$i in [i]$, ואכן $0 <= i-j <=n$. לכן $i-j != a n$ ולכן $i != j mod n$ כלומר $i in.not [j]$. #QED
== הגדרה - $ZZ slash n ZZ$
נסמן ב-$ZZ slash n ZZ$ את קבוצת מחלקות השקילות, כלומר $ZZ slash n ZZ = {[0]_n, [1]_n dots, [n-1]_n}$ קבוצה בגודל $n$.
נגדיר: $[x]+[y]:=[x+y]$, $[x]dot[y]:=[x dot y]$. צריך להראות שהפעולות מוגדרות היטב, כלומר אינן תלויות בבחירת הנציגים.
=== טענה - החיבור והכפל ב-$ZZ slash n ZZ$ מוגדרים היטב
נוכיח: $x_1, x_2 in ZZ$ כך ש-$[x_1]=[x_2]$ ו-$y_1, y_2 in ZZ$ כך ש-$[y_1]=[y_2]$. צ״ל $[x_1+y_1]=[x_2+y_2]$ וגם $[x_1 dot y_1]=[x_2 dot y_2]$. לפי הלמה הקודמת, די להראות ש-$[x_1+y_1] nn [x_2+y_2] != emptyset$. די להראות ש-$x_1+y_1 equiv x_2+y_2 mod n$ (ואותו דבר עבור כפל).
ואכן, קיימים $x_1-x_2=x_3 n$ ו-$y_1-y_2 = y_3 n$. ואז, $ x_1+y_1-(x_2+y_2) = x_1-x_2+y_1-y_2 = n(x_3+y_3) $ ולכן הם שקולים. באופן דומה עבור כפל, $ x_1 y_1 - x_2 y_2 = (x_2 + x_3 n)(y_2 + y_3 n) - x_2 y_2 = n[x_3 y_2 + x_2 y_3 + x_3 y_3 n] $ #QED
=== טענה - $ZZ slash n ZZ$ הוא שדה
$ZZ slash n ZZ$ עם החיבור והכפל שהגדרנו ועם $[0]$ כאיבר האפס ו-$[1]$ כאיבר היחידה מקיים את כל התכונות של שדה, פרט אולי לקיום הופכי. נוכיח (חלקית): נגיד ש-$[0]$ הוא באמת איבר האפס: $[x]+[0]=[x+0]=[x]$ כרצוי. כך הלאה עבור איבר היחידה ושאר תכונות השדה. הטענה לכן נובעת מקיום התכונות בשלמים. #QED
=== דוגמאות
+ $n=2$. $ZZ slash 2 ZZ = {"זוגיים", "אי-זוגיים"} = {[0],[1]} = {[8],[-3]}$. זה שדה המזדהה עם $FF_2$.
+ $n=3$. $ZZ slash 3 ZZ = {[0],[1],[2]} = {[0],[1],[-1]}$. זהו שדה (ניתן לזהותו בתור $FF_3$).
+ $n=4$. $ZZ slash 4 ZZ = {[0]_4,[1]_4,[2]_4,[3]_4}$. ל-$2$ אין הופכי, כי $[2] dot [x] = [2 x]$ וכל האיברים ב-$2x$ זוגיים ולכן לא נקבל את $[1]$. דרך אחרת: $[2] dot [2] = [0]$ ובשדה זה לא יכול להתקיים. כלומר, זהו לא שדה.
+ $n=5$. $ZZ slash 5 ZZ$ שדה, $2 dot 3 equiv 1 mod 5$.
+ $n=6$. $ZZ slash 6 ZZ$ לא שדה כי $2 dot 3 equiv 0 mod 6$.
קל להכליל בתור משפט: *$ZZ slash n ZZ$ הוא שדה אמ״מ $n$ ראשוני.* (נדלג על ההוכחה).
= מציין של שדה
ב-$QQ$, $1+1+1+1 dots +1 != 0$. אך ב-$F=ZZ slash p ZZ$, מתקיים $1_F+ dots+ 1_F$ ($p$ פעמים) שווה ל-$0$.
נגדיר באינדוקציה $n dot 1_F := 1_F + dots + 1_F "(n פעמים)"$, ו-$-n dot 1_F = -(n dot 1_F)$.
נגדיר את המציין של השדה כך: $ char(F):= cases(0 "if" n dot 1_F != 0 forall n in NN, "else" min {n in NN | n dot 1_F = 0}) $
= מערכות משוואות מעל שדות
יהי $F$ שדה כלשהו, ונסמן $1=1_F$ ו-$0=0_F$.
== הגדרות
+ משוואה לינארית ב-$n$ נעלמים מעל $F$ עם מקדמים $a_1 dots a_n, b in F$ היא משוואה מהצורה $a_1 x_1 + dots + a_n x_n = b$.
+ מערכת משוואות של $m$ משוואות ב-$n$ נעלמים מעל $F$ היא אוסף של $m$ משוואות כמו ב-(1). נרשום:
$
mat(
a_(1n) x_1 + dots ,a_(1n) x_n, = b_1;
dots.v, dots.v, dots.v;
a_(m 1) x_1 + dots ,a_(m n) x_n, = b_m
)
$
כאשר $a_(i j) in F$, $1 <= i <= m$ נקראים המקדמים. (להשלים)
3. פתרון של מערכת המשוואות זה $(x_1, dots x_n) in F ^n$ הוא $n$-יה של איברים ב-$F$ כך שאם נציב את $x_i$ ב-$X_i$ במערכת המשוואות כל המשוואות יתקיימו.
+ קבוצת הפתרונות היא ${(x_1, dots, x_n) in F^n | (x_1, dots, x_n) "הוא פתרון של מערכת המשוואות"}$.
=== דוגמה: $X+Y=0$.
פתרונות לדוגמה, $(0,0)$, $(1,-1)$. קבוצת הפתרונות היא ${(alpha, -alpha) | alpha in F}$. |
|
https://github.com/paugarcia32/CV | https://raw.githubusercontent.com/paugarcia32/CV/main/modules/technicalSkills.typ | typst | Apache License 2.0 | #import "../brilliant-CV/template.typ": *
#cvSection("Technical Skills")
#cvTechSkill(
title: [Programming],
description: list(
[Knowledge of Typescript, Java, Flutter, C and `C#` along with related libraries and frameworks for backend development, RestAPI and Full Stack applications],
[Knowledge of Big Data algorithms and development of quantum circuits using Python libraries],
)
)
#cvTechSkill(
title: [Microcontrollers],
description: list(
[RFID and NFC projects using Arduino],
[IOT projects with protocols such as MQTT and LoRa using the ESP32 microcontroller],
[Knowledge of serial communication protocols such as I2C and SPI]
)
)
#cvTechSkill(
title: [Networks],
description: list(
[Network analysis using Wireshark as well as the protocols involved in the scenario],
[Simulation of real scenarios using software such as Omnet++, Mininet, GNS3 and Contiki],
[MPLS network configuration with Mikrotik routers],
)
)
#cvTechSkill(
title: [Software],
description: list(
[Familiar with Linux environments],
[Microsoft Office suite user],
)
)
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/layout/columns-04.typ | typst | Other | // Test setting a column gutter and more than two columns.
#set page(height: 3.25cm, width: 7.05cm, columns: 3)
#set columns(gutter: 30pt)
#rect(width: 100%, height: 2.5cm, fill: green) #parbreak()
#rect(width: 100%, height: 2cm, fill: eastern) #parbreak()
#circle(fill: eastern)
|
https://github.com/lucannez64/Notes | https://raw.githubusercontent.com/lucannez64/Notes/master/Physique_Exercices_03_01_23_p73-75.typ | typst | #import "template.typ": *
// Take a look at the file `template.typ` in the file panel
// to customize this template and discover how it works.
#show: project.with(
title: "Physique Exercices 03 01 23 p73-75",
authors: (
"<NAME>",
),
date: "30 Octobre, 2023",
)
#set heading(numbering: "1.1.")
== 4p73
<p73>
+ Le réactif titré est le dioxyde de soufre SO\_2 et le réactif titrant
est le diiode I\_2
+ Le réactif limitant est
#block[
#set enum(numbering: "a.", start: 1)
+ avant l’equivalence le réactif titré
+ aprés l’equivalence le réactif titrant
]
#block[
#set enum(numbering: "1.", start: 3)
+ A l’equivalence la couleur devrait passait du jaune orangée au
transparent
]
== 7p74
<p74>
+ $ frac(n_1 lr((C_6 H_8 O_6)), 1) eq frac(n_E lr((I_2)), 2) $
+ $ n_E eq V_e ast.basic C_2 ast.basic 2 eq 15.1 ast.basic 10^minus 3 ast.basic 2.0 ast.basic 10^minus 3 ast.basic 2 eq 6.04 ast.basic 10^(minus 5) m o l $
+ $ C eq n / V eq frac(6.04 ast.basic 10^(minus 5), 10.0 ast.basic 10^minus 3) eq 6.04 ast.basic 10^(minus 3) m o l ast.basic L^(minus 1) $
== 9p74
<p74-1>
+ Le réactif titrant est la diiode I\_2 et le réactif titré est le
dioxyde de soufre S0\_2
+ $ n_E lr((I_2)) eq n_0 lr((S O_2)) $ $ n_E eq V ast.basic C $
$ eq 6.1 ast.basic 10^(minus 3) ast.basic 7.80 ast.basic 10^(minus 3) $
$ eq 4.758 ast.basic 10^(minus 5) $
$ eq 4.8 ast.basic 10^(minus 5) m o l $ $ eq n_0 $
$ M lr((S O_2)) eq 64.1 g ast.basic m o l^(minus 1) $
$ m lr((S O_2)) eq 64.1 ast.basic 4.8 ast.basic 10^(minus 5) eq 3.1 ast.basic 10^(minus 3) g $
$ m a s s e v o l u m i q u e eq m / V eq frac(3.1 ast.basic 10^(minus 3), 25.0 ast.basic 10^(minus 3)) eq 1.24 ast.basic 10^(minus 1) g slash L eq 1.24 ast.basic 10^2 m g slash L $
124mg/L \< 210 mg/L Donc le vin est conforme à la législation
== 11p75
<p75>
+ $ n_E slash 2 eq n_0 $
$ n_E eq 0.100 ast.basic 15.6 ast.basic 10^(minus 3) $
$ eq 1.56 ast.basic 10^(minus 3) m o l $
$ n_0 eq frac(1.56 ast.basic 10^(minus 3), 2) eq 7.80 ast.basic 10^(minus 4) m o l $
+ $ m eq M ast.basic n_0 eq 112.2 ast.basic 7.8 ast.basic 10^(minus 4) eq 8.75 ast.basic 10^(minus 2) g $
$ C m eq frac(8.75 ast.basic 10^(minus 2), 20.0 ast.basic 10^(minus 3)) ast.basic 10 eq 43.75 g slash L $
$ é c a r t eq 75 $
|
|
https://github.com/maucejo/cnam_templates | https://raw.githubusercontent.com/maucejo/cnam_templates/main/src/letters/_lettre.typ | typst | MIT License | #import "../common/_colors.typ": *
#import "../common/_utils.typ": *
#let cnam-lettre(
composante: "cnam",
type: none,
surtitre: none,
destinataire: none,
expediteur: none,
objet: none,
lieu: none,
date: none,
signature: none,
body
) = {
let logo-height = 4.08cm
let decx = -0.073cm
let decy = 0.085cm
if composante != "cnam" {
logo-height = 10cm
decx = 0cm
decy = 0cm
}
set heading(numbering: "1.1.")
show heading.where(level: 1): it => {
set text(size: 14pt, fill: primary.dark-blue)
it
v(0.5em)
}
set text(font: "Crimson Pro", size: 12pt, lang: "fr", ligatures: false)
set par(justify: true)
let footer = {
grid(
columns: (1fr, 1fr),
align: left,
[#h(-2.5cm) #context counter(page).at(here()).first()], [#place(right + horizon, dx: -0.75cm, block(over-title(title: ("Conservatoire national", "des arts et métiers"), size: 12pt, color: primary.dark-blue)))]
)
}
set page(
footer: footer,
margin: (top: 2.5cm, bottom: 2.5cm, left: 5cm, right: 2.5cm)
)
if type != none{
if type == "lettre-officielle" {
surtitre = ("Lettre", "officielle")
} else if type == "courrier-interne" {
surtitre = ("Courrier", "interne")
} else if type == "note-service" {
surtitre = ("Note", "de service")
} else if type == "note-cadrage" {
surtitre = ("Note", "de cadrage")
}
} else if surtitre == none{
surtitre = ("En-tête", "personnalisable")
}
let en-tete = {
grid(
columns: (1fr, 1fr),
align: (left, right),
[#place(dx: - 2.5cm, over-title(title: surtitre, size: 20pt, color: primary.dark-blue))], [#place(right, dx: decx, dy: decy, image("../resources/logo/" + composante + ".png", width: logo-height))]
)
}
place(top, dy: -1.5cm, en-tete)
v(2cm)
if destinataire != none {
let dest = block[
#set align(left)
#destinataire.nom
#linebreak()
#destinataire.adresse
]
move(dx: 7cm, dest)
v(3em)
}
let lieu-date = ()
if lieu != none {
lieu-date.push(lieu)
}
if date != none {
lieu-date.push(date)
}
if lieu != none and date != none {
lieu-date.join(", le ")
v(1em)
} else if lieu != none {
lieu
v(1em)
} else if date != none {
[Le #date]
v(1em)
}
if objet != none {
let obj = text(weight: "semibold", [*Objet : *])
obj + objet
v(1em)
}
body
v(3em)
if expediteur != none {
let sign = {
[*Contact*]
linebreak()
expediteur.nom
linebreak()
expediteur.adresse
linebreak()
expediteur.telephone
linebreak()
expediteur.mail
v(1em)
signature
}
place(dx: -2cm, sign)
}
} |
https://github.com/maucejo/elsearticle | https://raw.githubusercontent.com/maucejo/elsearticle/main/src/_globals.typ | typst | MIT License | #let font-size = (
script: 7pt,
footnote: 8pt,
small: 10pt,
normal: 11pt,
author: 12pt,
title: 17pt,
)
#let linespace = (
preprint: 1em,
review: 1.5em,
)
#let indent-size = 2em
#let margins = (
review: (left: 105pt, right: 105pt, top: 130pt, bottom: 130pt),
preprint: (left: 105pt, right: 105pt, top: 130pt, bottom: 130pt),
one_p: (left: 105pt, right: 105pt, top: 140pt, bottom: 140pt),
three_p: (left: 64pt, right: 64pt, top: 110pt, bottom: 110pt),
five_p: (left: 37pt, right: 37pt, top: 80pt, bottom: 80pt)
)
#let isappendix = state("isappendix", false) |
https://github.com/TypstApp-team/typst | https://raw.githubusercontent.com/TypstApp-team/typst/master/CONTRIBUTING.md | markdown | Apache License 2.0 | # Contributing to Typst
Thank you for considering to contribute to Typst. We want to foster a welcoming
and productive atmosphere for contributors. Therefore, we outline a few steps to
land your contribution below.
1. Before starting significant work on a feature or refactoring, please
find/open an [issue] or start a thread in the [#contributors] channel on
Discord to discuss the design. Feel also free to ping a maintainer/team
member to get some input on your idea. Don't be shy! Typst is a complex
project with a long-term vision and it's frustrating to find out that your
idea does not align with that vision _after_ you have already implemented
something.
2. Fork the Typst repository and start with your contribution. If you, at any
point in this process, are unsure about how to do something in the Typst
codebase, reach out to a maintainer or a more experienced contributor. Also
have a look at the [`architecture.md`][architecture] file. It explains how
the compiler works.
3. Create a pull request (PR) in the Typst repository, outlining your
contribution, the technical rationale behind it, and, if it includes a new
feature, how users will use it. Best to link to an existing issue with this
information here.
4. When you send a PR, automated CI checks will run. Your PR can only be merged
if CI passes and will often also only get its first review round once it has
the green checkmark. You can ping a maintainer if you need guidance with
failing CI (or anything else).
5. A maintainer will review your PR. In this review, we check code quality,
bugs, and whether the contribution aligns with what was previously discussed.
If you think that a review comment misses something or is not quite right,
please challenge it!
6. If the review passes, your PR will be merged and ship in the next version of
Typst. You will appear as one of the contributors in the [changelog].
Thank you!
Below are some signs of a good PR:
- Implements a single, self-contained feature or bugfix that has been discussed
previously.
- Adds/changes as little code and as few interfaces as possible. Should changes
to larger-scale abstractions be necessary, these should be discussed
throughout the implementation process.
- Adds tests if appropriate (with reference images for visual tests). See the
[testing] readme for more details.
- Contains documentation comments on all new Rust types.
- Comes with brief documentation for all new Typst definitions
(elements/functions), ideally with a concise example that fits into ~5-10
lines with <38 columns (check out existing examples for inspiration). This
part is not too critical, as we will touch up the documentation before making
a release.
Sometimes, a contributor can become unresponsive during a review process. This
is okay! We will, however, close PRs on which we are waiting for a contributor
response after an extended period of time to avoid filling up the PR tracker
with many stale PRs. In the same way, it may take a while for us to find time to
review your PR. If there is no response after a longer while (1-2 weeks), feel
free to ping us, as we may have missed it.
While Typst is an open-source project, it is also the product of a startup. We
always judge technical contributions to the project based on their technical
merits. However, as a company, our immediate priorities can and do change often
and sometimes without prior notice. This affects the design and decision making
process as well as the development and review velocity. Some proposals may also
have direct impact on our viability as a company, in which case we carefully
consider them from the business perspective.
If you are unsure whether your idea is a good fit for this project, please
discuss it with us! The core question is "Does this help to make Typst the prime
technical typesetting app?". If the answer is yes, your idea is likely right for
Typst!
[issue]: https://github.com/typst/typst/issues
[testing]: https://github.com/typst/typst/blob/main/tests/README.md
[#contributors]: https://discord.com/channels/1054443721975922748/1088371867913572452
[architecture]: https://github.com/typst/typst/blob/main/docs/dev/architecture.md
[changelog]: https://typst.app/docs/changelog/
|
https://github.com/Enter-tainer/typst-preview | https://raw.githubusercontent.com/Enter-tainer/typst-preview/main/README.md | markdown | MIT License | # Important Notice
The contents of this repository have been consolidated into [tinymist](https://github.com/Myriad-Dreamin/tinymist). It is an all-in-one language server for typst.
We recommend all users migrate to tinymist for the following benefits:
- More centralized resource management
- Reduced redundancy and lower resource usage
- Easier updates and maintenance
This repository will no longer be updated in future. All development will move to tinymist. Thank you for your support and understanding!
- We still maintain the typst-preview extension for a while in a best effort way.
- The lazy people can continue using their setting, as all old things are still working.
- This respect people who love minimal env, like a treesitter plugin plus preview.
- Tinymist will ensure compatibility to typst-preview as much as possible.
- for vscode users: uninstall the preview extension and install the tinymist extension.
- for standalone cli users: `typst-preview -> tinymist preview`
If you have any questions, please open an issue in the new repository.
# Typst Preview VSCode
Preview your Typst files in vscode instantly!
Install this extension from [marketplace](https://marketplace.visualstudio.com/items?itemName=mgt19937.typst-preview), open command palette (Ctrl+Shift+P), and type `>Typst Preview:`.
https://github.com/Enter-tainer/typst-preview/assets/25521218/7a151b3d-fe50-4440-8aab-2cc9a9abcf37
https://github.com/Enter-tainer/typst-preview/assets/25521218/600529ce-8f42-4c2f-a224-b6b73e6ad017
This repo contains:
- the native part of the extension, in rust
- a vscode extension, in typescript
## Features
- Low latency preview: preview your document instantly on type. The incremental rendering technique makes the preview latency as low as possible.
- Open in browser: open the preview in browser, so you put it in another monitor. https://github.com/typst/typst/issues/1344
- Cross jump between code and preview: We implement SyncTeX-like feature for typst-preview. You can now click on the preview panel to jump to the corresponding code location, and vice versa.
For comparison between alternative tools, please refer to [Comparison with other tools](https://enter-tainer.github.io/typst-preview/intro.html#loc-1x0.00x949.99).
## Bug report
To achieve high performance instant preview, we use a **different rendering backend** from official typst. We are making our best effort to keep the rendering result consistent with official typst. We have set up comprehensive tests to ensure the consistency of the rendering result. But we cannot guarantee that the rendering result is the same in all cases. There can be unknown corner cases that we haven't covered.
**Therefore, if you encounter any rendering issue, please report it to this repo other than official typst repo.**
## How it works?
The extension watches for file changes, and incrementally compile your document to svg files. Then we use a websocket to send the rendered svg to the client. The client calculates the diff between the new svg and the old one, and apply the diff to the old one. This is done by a VDOM based incremental rendering technique.
If you are interested in the details, please refer to [Typst-Preview Architecture](https://enter-tainer.github.io/typst-preview/arch.html).
## Use without VSCode
You can use the binary `typst-preview` as a standalone typst preview server. It can be used to preview your document in browser. For example: `typst-preview ./assets/demo/main.typ --partial-rendering`. This should be useful if you don't use VSCode but still want to experience the low latency preview.
## Use with other editors
- nvim: [typst-preview.nvim](https://github.com/chomosuke/typst-preview.nvim)
- emacs: [typst-preview.el](https://github.com/havarddj/typst-preview.el)
## Acknowledgements
- [typst.ts](https://github.com/Myriad-Dreamin/typst.ts): typst.ts provide incremental svg export.
- [typst-lsp](https://github.com/nvarner/typst-lsp): The CI and the vscode extension are heavily inspired by typst-lsp.
## Related projects
- [typstyle](https://github.com/Enter-tainer/typstyle): Beautiful and reliable typst code formatter
- [tinymist](https://github.com/Myriad-Dreamin/tinymist): Feature rich typst language server
## Legal
This project is not affiliated with, created by, or endorsed by Typst the brand.
|
https://github.com/TechnoElf/mqt-qcec-diff-presentation | https://raw.githubusercontent.com/TechnoElf/mqt-qcec-diff-presentation/main/template/conf.typ | typst | #import "@preview/polylux:0.3.1": *
#import "title.typ": title-slide
#import "colour.typ": *
#let slide(
title: "Title",
author: "Author",
body
) = {
set page(
paper: "presentation-16-9",
margin: (top: 3cm, bottom: 1cm, left: 1cm, right: 1cm),
header: {
align(bottom, grid(
columns: (5fr, 1fr),
align(left, text(font: "TUM Neue Helvetica", fill: tum_blue, size: 28pt, [*#title*])),
align(right, image("resources/TUM_Logo_blau.svg", height: 1cm))
))
},
)
polylux-slide({
set text(
font: "TUM Neue Helvetica",
size: 20pt,
fill: tum_black
)
body
})
}
#let conf(
title: "",
author: "",
chair: "",
school: "",
degree: "",
examiner: "",
supervisor: "",
submitted: "",
doc
) = {
set document(title: title, author: author)
title-slide(
title: title,
author: author,
chair: chair,
school: school,
degree: degree,
examiner: examiner,
supervisor: supervisor,
submitted: submitted
)
set page(
footer: {
text(font: "TUM Neue Helvetica", fill: tum_black, size: 14pt, [#author | #title | #submitted])
},
paper: "presentation-16-9",
margin: (top: 3cm, bottom: 1cm, left: 1cm, right: 1cm),
header: {
align(bottom, grid(
columns: (5fr, 1fr),
align(left, text(font: "TUM Neue Helvetica", fill: tum_blue, size: 28pt, [*#title*])),
align(right, image("resources/TUM_Logo_blau.svg", height: 1cm))
))
}
)
doc
title-slide(
title: title,
author: author,
chair: chair,
school: school,
degree: degree,
examiner: examiner,
supervisor: supervisor,
submitted: submitted
)
}
|
|
https://github.com/EunTilofy/NumComputationalMethods | https://raw.githubusercontent.com/EunTilofy/NumComputationalMethods/main/coding/task3/SC-report-3.typ | typst | #import "../../template.typ": *
#show: project.with(
course: "Computing Method",
title: "Computing Method - Programming 3",
date: "2024.6.1",
authors: "<NAME>, 3210106357",
has_cover: false
)
= 问题
\
编写列主元的 Gauss 消去法求解线性方程组。\
尝试不同的测试例子，其中可能的一个例子：Hilbert 矩阵 $H = (h_(i j))$，$
h_(i j) = 1 / (i + j - 1)
$
= 算法
\
+ 输入系数矩阵 $A$，右端项 $b$，阶 $n$。
+ 对 $k = 1,2, dots, n-1$，循环：
#set enum(numbering: "(a)")
+ 按列选主元 $alpha = max_(k leq i leq n) abs(a_(i k))$，保存主元所在的行指标 $i_k$。
+ 若 $alpha = 0$，则系数矩阵奇异，计算停止；否则顺序进行。
+ 若 $i_k = k$，则转向 (d)；否则换行:$
a_(i_k, j) arrows.lr a_(k j), j = 1, 2, dots, n \
b_(i_k) arrows.lr b_(k).
$
+ 计算乘子 $m_(i k) = a_(i k) / a_(k k) arrow.double a_(i k), i = k + 1, dots, n$。
+ 消元：$
a_(i j) := a_(i j) - m_(i k) a_(k j), i, j = k+1, dots, n\
b_i := b_i - m_(i k) b_k, i = k + 1, dots, n
$
+ 回代：$
b_i := (b_i - sum_(j = i +1)^n a_(i j) b_j) / a_(i i), i = n, n -1, dots, 1
$
= 程序
== 构造 Hilbert 矩阵和右端项
```matlab
function P = Hilbert(n)
P = zeros(n, n);
for i = 1:n
for j = 1:n
P(i, j) = 1.0/(i+j-1);
end
end
end
function P = construct_RHS(H, n)
P = zeros(n, 1);
for i = 1:n
for j = 1:n
P(i) = P(i) + H(i, j);
end
end
end
```
== 列主元 Gauss 消元
```matlab
function P = Gauss(A, b, n)
P = zeros(1, n);
for k = 1:n
id_ = k;
for j = k:n
if abs(A(id_, k)) < abs(A(j, k))
id_ = j;
end
end
for j = k:n
t = A(id_, j);
A(id_, j) = A(k, j);
A(k, j) = t;
end
t = b(id_);
b(id_) = b(k);
b(k) = t;
num = A(k, k);
for j = k:n
A(k, j) = A(k, j) / num;
end
b(k) = b(k) / num;
if k ~= n
for i = k+1:n
num = A(i, k);
for j = k:n
A(i, j) = A(i, j) - num * A(k, j);
end
b(i) = b(i) - num * b(k);
end
end
end
P(n) = b(n);
for j=(-1)*(1:n-1)+n
P(j) = b(j);
for k = j+1:n
P(j) = P(j) - A(j, k) * P(k);
end
end
end
```
= 数据与结果
为了方便比较误差，我们对于 5 阶到 17 阶的 Hilbert 矩阵分别构造了解为 $x_1 = x_2 = \cdots = x_n = 1$ 的右端项。并进行 Gauss 消元求解测试。
测试代码如下：
```matlab
for n = 5:17
H = Hilbert(n);
b = construct_RHS(H, n);
x = Gauss(H, b, n);
% x
x_ = ones(1,n);
e = norm(abs(x-x_))/sqrt(n);
e
end
```
我们定义误差的计算公式为：
$
epsilon = sqrt((sum_(i=1)^n (vb("x")_i-hat(x)_i)^2)/(n))
$
最后得到不同 $n$ 的求解误差如下：
#tablex(
columns: 7,
// auto-hlines: false,
// auto-vlines: false,
[$n$], [5], [6], [7], [8], [9], [10],
[$epsilon$], "6.0808e-13", "3.0340e-10", "1.2428e-08", "1.9735e-07", "8.5773e-06", "1.8210e-04", [11], [12], [13], [14], [15], [16], [17], "0.0063", "0.0727", "6.3890", "3.2200", "4.6501","4.1133","7.6828"
)
可以看出在 $n leq 10$ 的时候，算法得到的误差较小（小于 $2e-4$），但是当 $n geq 11$ 之后，算法误差变得不可接受。
= 结论
列主元消元法对条件数不是很大的方程组都可以得到精确解，但对高阶Hilbert方程组这类病态的方程组，消元求出的数值解是完全没有意义的。 |
|
https://github.com/pascalguttmann/typst-template-report-lab | https://raw.githubusercontent.com/pascalguttmann/typst-template-report-lab/main/template/chapter/theory.typ | typst | MIT License | = Theoretical Background and Method
|
https://github.com/felsenhower/kbs-typst | https://raw.githubusercontent.com/felsenhower/kbs-typst/master/examples/02.typ | typst | MIT License | #heading[Einführung]
Mein erster Text mit Typst!
#lorem(20)
|
https://github.com/jxpeng98/typst-coverletter | https://raw.githubusercontent.com/jxpeng98/typst-coverletter/main/example-coverletter.typ | typst | MIT License | #import "@preview/fontawesome:0.5.0": *
#import "modernpro-coverletter.typ": *
#show: coverletter.with(
font-type: "PT Serif",
name: [<NAME>],
address: [UK],
contacts: (
(text: [#fa-icon("location-dot") UK]),
(text: [#fa-icon("mobile") 123-456-789], link: "tel:123-456-789"),
(text: [#fa-icon("link") example.com], link: "https://www.example.com"),
(text: [#fa-icon("github") github], link: "https://github.com/"),
(text: [#fa-icon("envelope") <EMAIL>], link: "mailto:<EMAIL>"),
),
recipient: (
start-title: [Dear Committee Members,],
cl-title: [Job Application for Hiring Manager],
date: [],
department: [Department of Example],
institution: [University of Example],
address: [London, UK],
postcode: [W1 S2],
),
)
#set par(justify: true, first-line-indent: 2em)
#set text(weight: "regular", size: 12pt)
#lorem(400)
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/compiler/shorthand-03.typ | typst | Other | #set text(font: "Roboto")
A... vs #"A..."
|
https://github.com/sitandr/typst-examples-book | https://raw.githubusercontent.com/sitandr/typst-examples-book/main/src/basics/scripting/types.md | markdown | MIT License | # Types, part I
Each value in Typst has a type. You don't have to specify it, but it is important.
## Content (`content`)
> [Link to Reference](https://typst.app/docs/reference/foundations/content/).
We have already seen it. A type that represents what is displayed in document.
```typ
#let c = [It is _content_!]
// Check type of c
#(type(c) == content)
#c
// repr gives an "inner representation" of value
#repr(c)
```
**Important:** It is very hard to convert _content_ to _plain text_, as _content_ may contain *anything*! So be careful when passing and storing content in variables.
## None (`none`)
Nothing. Also known as `null` in other languages. It isn't displayed, converts to empty content.
```typ
#none
#repr(none)
```
## String (`str`)
> [Link to Reference](https://typst.app/docs/reference/foundations/str/).
String contains only plain text and no formatting. Just some chars. That allows us to work with chars:
```typ
#let s = "Some large string. There could be escape sentences: \n,
line breaks, and even unicode codes: \u{1251}"
#s \
#type(s) \
`repr`: #repr(s)
#let s = "another small string"
#s.replace("a", sym.alpha) \
#s.split(" ") // split by space
```
You can convert other types to their string representation using this type's constructor (e.g. convert number to string):
```typ
#str(5) // string, can be worked with as string
```
## Boolean (`bool`)
> [Link to Reference](https://typst.app/docs/reference/foundations/bool/).
true/false. Used in `if` and many others
```typ
#let b = false
#b \
#repr(b) \
#(true and not true or true) = #((true and (not true)) or true) \
#if (4 > 3) {
"4 is more than 3"
}
```
## Integer (`int`)
> [Link to Reference](https://typst.app/docs/reference/foundations/int/).
A whole number.
The number can also be specified as hexadecimal, octal, or binary by starting it with a zero followed by either x, o, or b.
```typ
#let n = 5
#n \
#(n += 1) \
#n \
#calc.pow(2, n) \
#type(n) \
#repr(n)
```
```typ
#(1 + 2) \
#(2 - 5) \
#(3 + 4 < 8)
```
```typ
#0xff \
#0o10 \
#0b1001
```
You can convert a value to an integer with this type's constructor (e.g. convert string to int).
```typ
#int(false) \
#int(true) \
#int(2.7) \
#(int("27") + int("4"))
```
## Float (`float`)
> [Link to Reference](https://typst.app/docs/reference/foundations/float/).
Works the same way as integer, but can store floating point numbers.
However, precision may be lost.
```typ
#let n = 5.0
// You can mix floats and integers,
// they will be implicitly converted
#(n += 1) \
#calc.pow(2, n) \
#(0.2 + 0.1) \
#type(n)
```
```typ
#3.14 \
#1e4 \
#(10 / 4)
```
You can convert a value to a float with this type's constructor (e.g. convert string to float).
```typ
#float(40%) \
#float("2.7") \
#float("1e5")
```
|
https://github.com/npujol/chuli-cv | https://raw.githubusercontent.com/npujol/chuli-cv/main/template/cv.typ | typst | MIT License | #import "@local/typcv:0.1.0": *
#import "@preview/fontawesome:0.1.0": *
#show: cv
#let icons = (
phone: fa-phone(),
homepage: fa-home(fill: colors.accent),
linkedin: fa-linkedin(fill: colors.accent),
github: fa-github(fill: colors.accent),
xing: fa-xing(),
mail: fa-envelope(fill: colors.accent),
book: fa-book(fill: colors.accent),
cook: fa-utensils(fill: colors.accent),
bike: fa-biking(fill: colors.accent),
game: fa-gamepad(fill: colors.accent),
robot: fa-robot(fill: colors.accent),
bed: fa-bed(fill: colors.accent),
write: fa-pen-to-square(fill: colors.accent),
talk: fa-comments(fill: colors.accent),
code: fa-code(fill: colors.accent),
paint: fa-paintbrush(fill: colors.accent),
music: fa-music(fill: colors.accent),
friends: fa-users(fill: colors.accent),
beer: fa-beer(fill: colors.accent),
)
#header(
full-name: [<NAME>],
job-title: [Bounty Hunter],
socials: (
(
icon: icons.github,
text: [username],
link: "https://github.com/xxx"
),
(
icon: icons.mail,
text: [<EMAIL>],
link: "mailto://<EMAIL>"
),
(
icon: icons.linkedin,
text: [Faye Valentine],
link: "https://linkedin.com/in/npujolm/"
),
(
icon: icons.homepage,
text: [Earth],
link: "#"
),
),
profile-picture: image("media/avatar.png")
)
#show: body => columns(2, body)
#section("Experience")
#entry(
title: "<NAME>",
company-or-university: "Bebop",
date: "2068 - Today",
location: "Earth",
logo: image("media/experience.png"),
description: list(
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
[Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.],
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
),
)
#entry(
title: "<NAME>",
company-or-university: "Red Tail",
date: "2040 - 2068",
location: "Earth",
logo: image("media/experience.png"),
description: list(
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
[Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.],
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
[Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.]
),
)
#section("Education")
#fancy_education(
title: "Bounty Hunter certified",
company-or-university: "Somewhere",
date: "2060 - 2068",
location: "Other somewhere",
logo: image("media/education.png", width: 10pt, height: 10pt),
gpa: "50020",
gpa_total: "50000"
)
#section("Personal Projects")
#entry(
title: "lorem ipsum",
company-or-university: "Personal Project",
date: "2068",
location: "",
logo: image("media/avatar.png"),
description: list(
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
)
)
#entry(
title: "Duis aute",
company-or-university: "Personal Project",
date: "2040",
location: "",
logo: image("media/avatar.png"),
description: list(
[lorem ipsum dolor sit amet, consectetur adipiscing elit, ut labore et dolore magna aliqua.],
[ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.],
[Excepteur sint occaecat cupidatat non proident, sunt in culpaia deserunt mollit anim id est laborum.],
)
)
#section("Skills")
#skill(
skills: ("Pistols", "Martial Arts", "Stealth", "Navigation"),
)
#section("Languages")
#language(
name:"English",
label:"Native",
nivel:3,
)
#section("My Time")
#piechart(
activities: (
(
name: icons.friends,
val: 0.2
),
(
name: icons.book,
val: 0.1
),
(
name: icons.talk,
val: 0.01
),
(
name: icons.robot,
val: 0.09
),
(
name: icons.music,
val: 0.09
),
(
name: icons.game,
val: 0.08
),
(
name: icons.beer,
val: 0.8
)
)
) |
https://github.com/EpicEricEE/typst-equate | https://raw.githubusercontent.com/EpicEricEE/typst-equate/master/tests/reference/test.typ | typst | MIT License | #import "/src/lib.typ": equate
#set page(width: 6cm, height: auto, margin: 1em)
#show: equate.with(sub-numbering: true)
// Test references to equations with sub-numbering
#set math.equation(numbering: "(1.1)")
$ a + b \
c + d \
e + f $ <outer>
$ a + b \
c + d #<inner> \
e + f $
#show: equate.with(sub-numbering: false)
$ a + b \
c + d #<no-sub> \
e + f $
#show: equate.with(number-mode: "label")
$ a + b \
c + d #<labelled> \
e + f $
@outer, @inner, @no-sub, @labelled
See @inner[] and @outer[eq.]
#set ref(supplement: it => {
if it.label == <inner> {
"Subequation"
} else {
"Equation"
}
})
@inner, @outer
|
https://github.com/An-314/Notes_of_Electrodynamics | https://raw.githubusercontent.com/An-314/Notes_of_Electrodynamics/master/chap2.typ | typst | #import"@preview/physica:0.9.2":*
#import "template.typ": *
= 场的数学 Vector Analysis
== 矢量 Vector Algebra
=== 矢量与标量
- Vectors: Quantities that have magnitude and direction
- Scalars: Quantities that have magnitude but no direction
=== 矢量的运算 Vector Operations
- Addition of two vectors
$
vb(A) + vb(B) &= vb(B) + vb(A)\
(vb(A) + vb(B)) + vb(C) &= vb(A) + (vb(B) + vb(C))\
vb(A) - vb(B) &= vb(A) + (-vb(B))
$
- Multiplication by a scalar
$
alpha(vb(A) + vb(B)) &= alpha vb(A) + alpha vb(B)\
$
- Dot product of two vectors
$
vb(A) dot vb(B) &= A B cos theta\
$
$vb(A) dot vb(B)$ is the product of $vb(A)$ times the projection of $vb(B)$ along $vb(A)$.
$
vb(A) dprod (vb(B) + vb(C)) &= vb(A) dot vb(B) + vb(A) dot vb(C)\
vb(A) dot vb(B) &= vb(B) dot vb(A)\
$
- Cross product of two vectors
$
vb(A) times vb(B) &= A B sin theta vu(n)
$
$abs(vb(A) times vb(B))$is the area of the parallelogram generated by A and B.
$
vb(A) times vb(B) &= - vb(B) times vb(A)\
vb(A) times (vb(B) + vb(C)) &= vb(A) times vb(B) + vb(A) times vb(C)\
$
=== 坐标系下的矢量 Vector Components
$
vb(A) = A_x vu(x) + A_y vu(y) + A_z vu(z)\
vb(B) = B_x vu(x) + B_y vu(y) + B_z vu(z)\
$
- Addition
$
vb(A) + vb(B) = (A_x + B_x) vu(x) + (A_y + B_y) vu(y) + (A_z + B_z) vu(z)\
$
- Multiplication by a scalar
$
alpha vb(A) = alpha A_x vu(x) + alpha A_y vu(y) + alpha A_z vu(z)\
$
- Dot product
$
vb(A) dot vb(B) = A_x B_x + A_y B_y + A_z B_z = A_i B_i ("Einstein summation")
$
- Cross product
$
vb(A) times vb(B) = mat(
vu(x), vu(y), vu(z);
A_x, A_y, A_z;
B_x, B_y, B_z;delim: "|"
)
$
=== 标量三重积 Scalar Triple Product
$
vb(A) dot (vb(B) times C) &= vb(B) dot (vb(C) times vb(A)) = vb(C) dot (vb(A) times vb(B))\
&= mat(
A_x, A_y, A_z;
B_x, B_y, B_z;
C_x, C_y, C_z;delim: "|"
)
$
表示的是三个矢量构成的平行六面体的体积。
=== 矢量三重积 Vector Triple Product
$
vb(A) times (vb(B) times C) &= B(vb(A) dot C) - C(vb(A) dot B)\
$
It is never necessary to contain more than one cross product in any term， 例如：
$
(vb(A) times B) dot (vb(C) times vb(D) ) = (vb(A) dot vb(D) ) (vb(B) dot C) - (vb(A) dot C) (vb(B) dot vb(D) )\
$
=== Position and Separation Vectors
- Position Vector
$
vb(r) = x vu(x) + y vu(y) + z vu(z)\
$
- Separation (displacement) Vector
$
vb(r) - vb(r') = (x - x') vu(x) + (y - y') vu(y) + (z - z') vu(z)\
$
- Unit Vector
- A unit vector pointing from the origin to $vb(r)$
$
vu(r) = vb(r)/abs(vb(r)) = (x vu(x) + y vu(y) + z vu(z))/sqrt(x^2 + y^2 + z^2)\
$
- A unit vector pointing from $vb(r')$ to $vb(r)$
$
vu(r) = (vb(r) - vb(r'))/abs(vb(r) - vb(r')) = ((x - x') vu(x) + (y - y') vu(y) + (z - z') vu(z))/sqrt((x - x')^2 + (y - y')^2 + (z - z')^2)\
$
=== Vector Transformation
- Transformation with the system rotated about the $x$ axis
$
mat(
overline(A)_y ; overline(A)_z;
) = mat(
cos theta , -sin theta;
sin theta , cos theta;
) mat(
A_y; A_z;
)
$
- Transformation for rotation about an arbitrary axis
$
mat(
overline(A)_x ; overline(A)_y; overline(A)_z;
) = mat(
R_(x x), R_(x y), R_(x z);
R_(y x), R_(y y), R_(y z);
R_(z x), R_(z y), R_(z z);
) mat(
A_x; A_y; A_z;
)
$
== 矢量微分 Differential Calculus
=== 导数 Ordinary Derivatives
$
dd(f) = (derivative(f,x)) dd(x)
$
=== Hamilton算符 Hamiltonian
$
nabla = vu(x) partial /(partial x) + vu(y) partial /(partial y) + vu(z) partial /(partial z)
$
=== 梯度 Gradient of scalar function
标量场：$T(x,y,z)$
$
grad T = (partialderivative(T,x)) vu(x) + (partialderivative(T,y)) vu(y) + (partialderivative(T,z)) vu(z) "Hamilton量"
$
$
dd(T) &= (partialderivative(T,x)) dd(x) + (partialderivative(T,y)) dd(y) + (partialderivative(T,z)) dd(z) = (partialderivative(T,x) vu(x) + partialderivative(T,y) vu(y) + partialderivative(T,z) vu(z)) dot (dd(x) vu(x) + dd(y) vu(y) + dd(z) vu(z))\
&= grad T dot dd(vb(l)) = abs(grad T) abs(dd(vb(l))) cos theta
$
- 梯度表示函数$T$的斜率和最大增长方向。
- 函数的极值梯度为零。
=== 散度 Divergence of a vector field
矢量场：$vb(v) = v_x vu(x) + v_y vu(y) + v_z vu(z)$
$
div vb(v) &= (vu(x) partial /(partial x) + vu(y) partial /(partial y) + vu(z) partial /(partial z)) dot (v_x vu(x) + v_y vu(y) + v_z vu(z))\
&= partialderivative(v_x,x) + partialderivative(v_y,y) + partialderivative(v_z,z)
$
散度是衡量矢量从相关点扩散（发散）的程度。
=== 旋度 Curl of a vector field
$
curl vb(v) &= (vu(x) partial /(partial x) + vu(y) partial /(partial y) + vu(z) partial /(partial z)) times (v_x vu(x) + v_y vu(y) + v_z vu(z))\
&= mat(
vu(x), vu(y), vu(z);
(partial)/(partial x), (partial)/(partial y), (partial)/(partial z);
v_x, v_y, v_z;delim: "|"
)\
&= vu(x) ((partial v_z)/(partial y) - (partial v_y)/(partial z)) + vu(y) ((partial v_x)/(partial z) - (partial v_z)/(partial x)) + vu(z) ((partial v_y)/(partial x) - (partial v_x)/(partial y))
$
旋度是矢量场的旋转程度。
=== 乘法公式 Lebniiz's Rule
- 导数的乘法公式
$
dd("")/dd(x) (f g) = f (dd(g)/dd(x)) + g (dd(f)/dd(x))
$
- 梯度的乘法公式
$
grad(f g) &= f grad(g) + g grad(f)\
grad(vb(A) dot vb(B)) &= vb(A) times (curl vb(B)) + vb(B) times (curl vb(A)) + (vb(A) dot grad) vb(B) + (vb(B) dot grad) vb(A)\
$
- 散度的乘法公式
$
div(f vb(A)) &= f (div vb(A)) + vb(A) dot grad(f)\
div(vb(A) times vb(B)) &= vb(B) dot (curl vb(A)) - vb(A) dot (curl vb(B))
$
- 旋度的乘法公式
$
curl(f vb(A)) &= grad(f) times vb(A) + f (curl vb(A))\
curl(vb(A) times vb(B)) &= vb(B) dot (grad) vb(A) - vb(A) dot (grad) vb(B) + vb(A) (div vb(B)) - vb(B) (div vb(A))
$
=== 二阶导数
- Laplacian
$
div(grad T) = nabla^2 T = (partial^2 T)/(partial x^2) + (partial^2 T)/(partial y^2) + (partial^2 T)/(partial z^2)\
$
$
laplacian vb(v) = (laplacian v_x) vu(x) + (laplacian v_y) vu(y) + (laplacian v_z) vu(z)
$
- *梯度场的旋度*
$
curl(grad T) = 0
$
- 散度的梯度
$
grad(div vb(v))
$
- *旋度场的散度*
$
div(curl vb(v)) = 0
$
- 旋度场的旋度
$
curl(curl vb(v)) = grad(div vb(v)) - laplacian vb(v)
$
Often used to define the Laplacian of a vector.
== 矢量积分 Integral Calculus
=== 线积分、面积分、体积分 Line, Surface, and Volume Integrals
- Line Integral
$
integral_a^b vb(v) dot vb(l) = integral_a^b v_x dd(x) + v_y dd(y) + v_z dd(z)\
integral.cont vb(v) dot vb(l) (" if" a = b)
$
- Surface Integral
$
integral_S vb(v) dot vu(n) dd(a) = integral_S v_x dd(y) dd(z) + v_y dd(z) dd(x) + v_z dd(x) dd(y)\
integral.cont vb(v) dot vu(n) dd(a) (" if" S "is closed")
$
- Volume Integral
$
integral_V T dd(V) \
integral_V vb(v) dd(V)
$
=== 微积分基本定理 Fundamental Theorem of Calculus
$
integral_a^b dd(f)/dd(x) dd(x) = f(b) - f(a)\
$
=== 梯度定理 Fundamental Theorem for Gradients
$
integral_a^b (grad T) dot dd(vb(l)) = T(b) - T(a)\
(grad T) dot vb(l) = dd(T)
$
=== 散度定理 Fundamental Theorem for Divergences
$
integral_V (div vb(v)) dd(V) = integral.cont vb(v) dot dd(vb(a))\
$
也称为Gauss’s theorem, Green’s theorem，物理意义是散度是矢量场的源和汇的差。
这给出了一个散度的定义
$
div vb(v) = lim_(V -> 0) (integral.cont_S vb(v) dot dd(vb(a)))/V
$
=== 旋度定理 Fundamental Theorem for Curls
$
integral_S (curl vb(v)) dot dd(vb(a)) = integral.cont vb(v) dot dd(vb(l))\
$
也称为Stokes’s theorem，物理意义是旋度是矢量场的环路积分的源和汇的差。
这给出了一个旋度的定义
$
(curl vb(v)) times vu(n) = lim_(S -> 0) (integral.cont_C vb(v) dot dd(vb(l)))/S
$
=== 微分形式和外微分
关于这部分的详细论述见 @附录A。
=== 分部积分 Integration by Parts
$
integral_a^b f (dd(g)/dd(x)) dd(x) =eval(f g)_a^b - integral_a^b g (dd(f)/dd(x)) dd(x)\
$
将导数从$g$（或$A$）转移到$f$，代价是一个负号和一个边界项。
$
div(f vb(A)) = f (div vb(A)) + vb(A) dot (grad f)\
integral div(f vb(A)) dd(tau) = integral f (div vb(A)) dd(tau) + integral vb(A) dot grad f dd(tau) = integral.cont f vb(A) dot dd(vb(a))\
integral_V f( div vb(A) )dd(V) = - integral_V vb(A) dot grad f dd(V) + integral.cont_S f vb(A) dot dd(vb(a))
$
== 曲面坐标系 Curvilinear coordinates
=== 球坐标系 Spherical Coordinates
$
vb(r) = v_r vu(r) + v_theta vu(theta) + v_phi vu(phi)\
$
坐标变换
$
mat(x;y;z) =
mat(
r sin theta cos phi;
r sin theta sin phi;
r cos theta
)
$
- Differential of unit vector:
$
partialderivative(vu(r),theta) = vu(theta), partialderivative(vu(r),phi) = sin theta vu(phi)
$
$
dd(vb(l)) = dd(x) vu(x) + dd(y) vu(y) + dd(z) vu(z) = dd(r) vu(r) + r dd(theta) vu(theta) + r sin theta dd(phi) vu(phi)\
dd(tau) = dd(x) dd(y) dd(z) = r^2 sin theta dd(r) dd(theta) dd(phi)
$
- Vector derivatives
$
grad T = partialderivative(T,r) vu(r) + 1/r partialderivative(T,theta) vu(theta) + 1/(r sin theta) partialderivative(T,phi) vu(phi)\
div vb(v) = 1/r^2 partialderivative(,r)(r^2 v_r) + 1/(r sin theta) partialderivative(,theta)(sin theta v_theta) + 1/(r sin theta) partialderivative(,phi)v_phi\
curl vb(v) = 1/(r sin theta) (partialderivative(,theta)(sin theta v_phi) - partialderivative(v_theta,phi)) vu(r) + 1/r (1/(sin theta) partialderivative(v_r,phi) - partialderivative(,r)(r v_phi)) vu(theta) + 1/r (partialderivative(,r)(r v_theta) - partialderivative(v_r,theta)) vu(phi)\
laplacian T = 1/r^2 partialderivative(,r)(r^2 partialderivative(T,r)) + 1/(r^2 sin theta) partialderivative(,theta)(sin theta partialderivative(T,theta)) + 1/(r^2 sin^2 theta) partialderivative(T,phi,2)
$
=== 柱坐标系 Cylindrical Coordinates
$
vb(r) = v_r vu(r) + v_theta vu(theta) + v_z vu(z)\
$
坐标变换
$
mat(x;y;z) =
mat(
r cos theta;
r sin theta;
z
)
$
- Differential of unit vector:
$
dd(vb(l)) = dd(x) vu(x) + dd(y) vu(y) + dd(z) vu(z) = dd(r) vu(r) + r dd(theta) vu(theta) + dd(z) vu(z)\
dd(tau) = dd(x) dd(y) dd(z) = r dd(r) dd(theta) dd(z)
$
- Vector derivatives
$
grad T = (partialderivative(T,r)) vu(r) + (1/r) (partialderivative(T,theta)) vu(theta) + (partialderivative(T,z)) vu(z)\
div vb(v) = 1/r partialderivative(,r)(r v_r) + r partialderivative(,theta)(v_theta) + partialderivative(v_z,z)\
curl vb(v) = (1/r partialderivative(v_z,theta) - partialderivative(v_theta,z)) vu(r) + (partialderivative(v_r,z) - partialderivative(v_z,r)) vu(theta) + 1/r (partialderivative(,r)(r v_theta) - partialderivative(v_r,theta)) vu(z)\
laplacian T = 1/r partialderivative(,r)(r partialderivative(T,r)) + 1/(r^2) partialderivative(T,theta,2) + partialderivative(T,z,2)
$
== Dirac函数 Dirac Delta Function
#figure(
image("pic/2024-09-13-16-42-18.png", width: 80%),
numbering: none,
)
引入Dirac函数的目的是为了描述一个点电荷的电场。
- One-Dimensional Dirac Delta Function
$
delta(x) = cases(
0 & x != 0,
oo & x = 0
)\
integral_(-oo)^oo delta(x) dd(x) = 1
$
一些性质
$
delta(a x) = 1/abs(a) delta(x)\
f(x) delta(x) = f(0) delta(x)\
integral_(-oo)^oo f(x) delta(x - a) dd(x) = f(a)\
$
- Three-Dimensional Delta Function
$
delta^3(vb(r)) = delta(x) delta(y) delta(z)
$
一些性质
$
integral_(-oo)^oo delta^3(vb(r)) dd(V) = 1\
integral_(-oo)^oo f(vb(r)) delta^3(vb(r) - vb(r')) dd(V) = f(vb(r'))
$
一些导数的运算
$
div(vu(r)/r^2) = 4 pi delta^3(vb(r))\
div((vu(r) - vb(r'))/abs(vb(r) - vb(r'))^3) = 4 pi delta^3(vb(r) - vb(r'))\
laplacian(1/abs(vb(r) - vb(r'))) = -4 pi delta^3(vb(r) - vb(r'))
$
== 场的理论 Theory of Vector Fields
一般知道场的散度和旋度，不能唯一地确定场。但是有以下定理：
=== Helmholtz Theorem
如果指定了矢量函数$vb(F)(vb(r))$的散度$D(vb(r))$和旋度$vb(C)(vb(r))$，并且如果它们都以快于$1/r^2$的速度随着$r→∞$变为零，并且如果$vb(F)(vb(r))$随着$r→∞$变为零，那么$vb(F)$由以下公式唯一给出：
$
vb(F) = - div V + curl vb(A)\
V(vb(r)) = 1/(4 pi) integral D(vb(r'))/abs(vb(r) - vb(r')) dd(tau')\
vb(A)(vb(r)) = 1/(4 pi) integral vb(C(vb(r')))/abs(vb(r) - vb(r')) dd(tau')
$
其中
$
D(vb(r)) = div vb(F)(vb(r))\
vb(C)(vb(r)) = curl vb(F)(vb(r))
$
证明：
$
div vb(F) &= - laplacian V + div(curl vb(A)) = - laplacian V\
&= - 1/(4 pi) integral laplacian D(vb(r'))/abs(vb(r) - vb(r')) dd(tau')\
&= - 1/(4 pi) integral - 4 pi D(vb(r')) delta^3(vb(r) - vb(r')) dd(tau') = D(vb(r))
$
$
curl vb(F) &= curl(- grad V + curl vb(A)) =curl(curl vb(A)) = - laplacian vb(A) + grad(div vb(A))\
&= - 1/(4 pi) integral laplacian vb(C(vb(r')))/abs(vb(r) - vb(r')) dd(tau') + 1/(4 pi)grad( integral vb(C(vb(r'))) div 1/abs(vb(r) - vb(r')) dd(tau'))\
&= vb(C)(vb(r)) - 1/(4 pi)grad( integral bold(nabla') dot vb(C(vb(r')))/abs(vb(r) - vb(r')) dd(tau'))\
&= vb(C)(vb(r)) - 1/(4 pi) (integral 1/abs(vb(r) - vb(r')) bold(nabla') dot vb(C(vb(r'))) dd(tau') - integral.cont 1/abs(vb(r) - vb(r')) vb(C(vb(r'))) dot dd(vb(a)'))\
&= vb(C)(vb(r)) + 1/(4 pi) integral.cont 1/abs(vb(r) - vb(r')) vb(C(vb(r'))) dot dd(vb(a)')\
&= vb(C)(vb(r))
$
=== 场的势 Potentials
如果矢量场 $vb(F)$ 的旋度（在任何地方）都为 $0$ ，那么 $vb(F)$ 可以写成标量势 $V$ 的梯度：
$
curl vb(F) = 0 <=> vb(F) = - grad V
$
定理：以下四种说法是等价的
- $curl vb(F)$处处为0
- $integral_a^b vb(F) dot dd(vb(l))$与路径无关
- $integral.cont vb(F) dot dd(vb(l)) = 0$对任意回路成立
- $vb(F)$是某个势的梯度$vb(F) = - grad V$
如果矢量场$vb(F)$ 的散度（在任何地方）都为 $0$ ，那么 $vb(F)$ 可以写成矢量势 $vb(F)$ 的旋度：
$
div vb(F) = 0 <=> vb(F) = curl vb(A)
$
定理：以下四种说法是等价的
- $div vb(F)$处处为0
- $integral vb(F) dot dd(vb(a))$与表面无关，适用于任何给定的边界。
- $integral.cont vb(F) dot dd(vb(l)) = 0$对任意闭合表面成立
- $vb(F)$是某个旋度的势$vb(F) = curl vb(A)$
_注：_
- 上述标量势 $V$ 和矢量势 $vb(A)$ 并不是唯一的，可以加上任意常数或梯度场。
- 在任何情况下，矢量场 $vb(F)$ 都可以写成标量的梯度加上矢量的旋度。 |
|
https://github.com/Area-53-Robotics/53E-Notebook-Over-Under-2023-2024 | https://raw.githubusercontent.com/Area-53-Robotics/53E-Notebook-Over-Under-2023-2024/giga-notebook/entries/tournament-53-scrimmage/entry.typ | typst | Creative Commons Attribution Share Alike 4.0 International | #import "/packages.typ": notebookinator
#import notebookinator: *
#import themes.radial.components: *
#show: create-body-entry.with(
title: "Tournament: Area 53 Scrimmage",
type: "test",
date: datetime(year: 2023, month: 10, day: 21),
author: "<NAME>",
witness: "<NAME>",
)
#grid(
columns: (1fr, 1fr),
gutter: 20pt,
[
We ran a mock tournament to test out our robots today. This included 6
qualification matches, eliminations, and even judging.
#heading[Robot Performance]
Our robot performed pretty well. Our drivetrain never broke down, however we did
have some issues.
#heading(level: 2)[Catapult]
Our catapult was not strong enough to shoot over the barrier. This posed an
issue as it meant we couldn't send triballs over the barrier to our alliance
partner. Eventually we discovered that we could shoot over the elevation bar for
a shorter distance over the barrier. Any excess triballs could then be pushed by
the robot.
#heading(level: 2)[Wings]
The wings did their job great. The only issue was the rubber bands the pulled
them back in getting snapped, leaving them open.
#heading(level: 2)[Wedges]
The wedges were terrifyingly effective, giving us a large advantage whenever
pushing other robots. They were helpless to stop us.
#heading[Practice Interview]
Overall our interview went pretty well. We talked about all of the major
subsystems on our robot. We did leave some points on the table thought, leaving
out strategy, team management, and engineering design process. These can be
pretty easily integrated into our existing planned interview, so we're on track.
],
figure(image("./stuck.jpg"), caption: "Pushing match with 53A"),
)
|
https://github.com/Kasci/LiturgicalBooks | https://raw.githubusercontent.com/Kasci/LiturgicalBooks/master/CSL_old/oktoich/Hlas1/0_Nedela.typ | typst | #let M = (
"HV": (
("", "", "Večérnija náša molítvy, prijimí svjatýj Hóspodi, i podážď nám ostavlénije hrichóv, jáko jedín jesí javléj v míri voskresénije."),
("", "", "Večérnija náša molítvy, prijimí svjatýj Hóspodi, i podážď nám ostavlénije hrichóv, jáko jedín jesí javléj v míri voskresénije."),
("", "", "Obydíte ľúdije Sijón, i obimíte jehó, i dadíte slávu v ném voskrésšemu iz mértvych: jáko tój jésť Bóh náš, izbavléj nás ot bezzakónij nášich."),
("", "", "Prijidíte ľúdije, vospojím i poklonímsja Christú, slávjašče jehó iz mértvych voskresénije: jáko tój jésť Bóh náš, ot prélesti vrážija mír izbavléj."),
("Dogmat", "", "Ďívstvennoje toržestvó dnés brátije, da vzyhrájetsja tvár, da likovstvújet čelovíčestvo: sozvá bo nás svjatája Bohoródica, neskvérnoje sokróvišče ďívstva: slovésnyj vtoráho Adáma ráj: chranílišče sojedinénija dvú jestestvú: toržestvó spasíteľnaho primirénija: čertóh, v némže slóvo unevístivyj plóť voístinnu: léhkij óblak, íže nad cheruvímy súščaho, s ťílom nosívšij. Tojá molítvami Christé Bóže spasí dúšy náša."),
),
"S": (
("", "", "Strástiju tvojéju Christé ot strastéj svobodíchomsja, i voskresénijem tvojím iz istľínija izbávichomsja, Hóspodi sláva tebí."),
("", "Nebésnych činóv", "Preproslávlena jesí v róďi rodóv, Ďívo Máti otrokovíce Bohoródice Maríje, míra predstáteľstvo, róždši plótiju Sýna beznačáľnaho Otcá, soprisnosúščna že Dúchu voístinnu: jehóže molí spastísja nám."),
("", "", "Soderžímiji skorbmí nenačájemymi čístaja, ťá predstáteľstvo jedíno imúšče Ďívo, vopijém bláhodárno: spasí ny vsesvjatája Bohonevístnaja: tý bo jesí míra pribížišče, i zastuplénije róda nášeho."),
("", "", "Obnovísja mír v roždeství tvojém Bohorodíteľnice otrokovíce, vírnych spasénije, i neusypájemaja predstáteľnice blahočéstno moľáščich ťá prečístaja, ne prestáj moľášči priľížno o vsích pojúščich ťá."),
("Dogmat", "", "Óblak ťá svíta prisnosúščnaho Ďívo, prorók imenová: iz tebé bo jáko dóžď na runó sšéd Slóvo Ótčeje, i iz tebé vozsijávyj, mír prosvití, prélesť uprazdní Christós Bóh náš. tohó moľášči priľížno presvjatája, mólimsja, ne prestáj o nás, íže ístinnuju Bohoródicu ispovídajuščich ťá."),
),
)
#let V = (
"HV": (
("", "", "Večérnija náša molítvy prijimí svjatýj Hóspodi, i podážď nám ostavlénije hrichóv, jáko jedín jesí javléj v míri voskresénije."),
("", "", "Obydíte ľúdije Sijón, i obimíte jehó, i dadíte slávu v ném voskrésšemu iz mértvych: jáko tój jésť Bóh náš, izbavléj nás ot bezzakónij nášich."),
("", "", "Prijdíte ľúdije, vospojím, i poklonímsja Christú, slávjašče jehó iz mértvych Voskresénije: jáko tój jésť Bóh náš, ot prélesti vrážija mír izbavléj."),
("", "", "Veselítesja nebesá, vostrubíte osnovánija zemlí, vozopíjte hóry vesélije: sé bo Jemmanúil hrichí náša na kresťí prihvozdí, i živót dajáj, smérť umertví, Adáma voskresívyj, jáko čelovikoľúbec."),
("", "", "Plótiju vóleju raspénšahosja nás rádi, postradávša i pohrebénna, i voskrésša iz mértvych, vospojím hlahóľušče: utverdí pravoslávijem cérkov tvojú Christé, i umirí žízň nášu, jáko bláh i čelovikoľúbec."),
("", "", "Živoprijémnomu tvojemú hróbu predstojášče nedostójniji, slavoslóvije prinósim neizrečénnomu tvojemú blahoutróbiju, Christé Bóže náš: jáko krest i smérť prijál jesí bezhríšne, da mírovi dáruješi voskresénije, jáko čelovikoľúbec."),
("", "", "Íže Otcú sobeznačáľna i soprisnosúščna Slóva, ot Ďivíčeska čréva proizšédšaho neizrečénno, i krest i smérť nás rádi vóleju prijémšaho, i voskrésša vo slávi, vospojím hlahóľušče: živodávče Hóspodi sláva tebí, Spáse dúš nášich."),
("", "Nebésn<NAME>", "Svjaťíjšaja svjatých vsích síl, čestňíjšaja vsjákija tvári, Bohoródice Vladýčice míra, spasí nás jáže Spása róždšaja, ot vsích prehrišénij, i boľíznej i bíd, molítvami tvojími."),
("", "", "Jáže blahoutróbija dvéri, smirénnuju mojú dúšu da ne prézriši, vírno moľú ťa otrokovíce: no uščédri vskóri, i spasí jú ot pučíny sohrišénij mojích, i obnóvľši blahodáť tvojú na mňí, prosvití Ďívo čístaja."),
("", "", "Tý Bóha čelovíkom sojediníla jesí Vladýčice: tý mértvenoje suščestvó vozvelá jesí jedína, k božéstvennomu netľíniju: tý zemným spasénije istočíla jesí: tý Bohoródice, svobodí nás ot vsích mučénij."),
("Dogmat", "", "Vsemírnuju slávu, ot čelovík prozjábšuju, i Vladýku róždšuju, nebésnuju dvér vospojím Maríju Ďívu, bezplótnych písň, i vírnych udobrénije: sijá bo javísja Nébo, i chrám Božestvá: sijá prehraždénije vraždý razrušívši, mír vvedé, i cárstvije otvérze. Sijú úbo imúšče víry utverždénije, pobórnika ímamy iz nejá róždšahosja Hóspoda. derzájte úbo, derzájte ľúdije Bóžiji: íbo tój pobidít vrahí, jáko vsesílen."),
),
"S": (
("", "", "Strástiju tvojéju Christé, ot strastéj svobodíchomsja, i voskresénijem tvojím iz istľínija izbávichomsja, Hóspodi sláva tebí."),
("", "", "Da rádujetsja tvár, nebesá da veseľátsja, rukámi da vospléščuť jazýcy s vesélijem: Christós bo Spás náš, na kresťí prihvozdí hrichí náša: i smérť umertvív živót nám darová, pádšaho Adáma vseródnaho voskresívyj, jáko čelovikoľúbec."),
("", "", "Cár sýj nebesé i zemlí nepostižíme, vóleju raspjálsja jesí za čelovikoľúbije. Jehóže ád srít dóľi, ohorčísja, i právednych dúšy prijémša vozrádovašasja: Adám že, víďiv ťá ziždíteľa v preispódnich, voskrése. o čudesé! Káko smérti vkusí vsích žízň? No jákože voschoťí mír prosvitíti zovúščij, i hlahóľuščij: voskresýj iz mértvych, Hóspodi sláva tebí."),
("", "", "Žený mironósicy, míra nosjášča, so tščánijem i rydánijem hróba tvojehó dostihóša, i ne obrítša prečístaho ťíla tvojehó, ot ánhela že uvíďivša nóvoje i preslávnoje čúdo, apóstolom hlahólachu: voskrése Hospóď podajá mírovi véliju mílosť."),
("Dogmat", "", "Sé ispólnisja Isáijino prorečénije, Ďíva bo rodilá jesí, i po roždeství jáko préžde roždestvá prebylá jesí: Bóh bo bí roždéjsja, ťímže i jestestvá novopresiče jestestvó novopreminísja. No o Bohomáti, molénija tvojích rabóv, v tvojém chrámi prinosímaja tebí ne prézri: no jáko blahoutróbnaho tvojíma rukáma nosjášči, na tvojá rabý umilosérdisja, i molí spastísja dušám nášym."),
),
"T": (
("", "", "Kámeni zapečátanu ot judéj, i vóinom strehúščym prečístoje ťílo tvojé, voskrésl jesí tridnévnyj Spáse, dárujaj mírovi žízň. Sehó rádi síly nebésnyja vopijáchu tí, žiznodávče: sláva voskreséniju tvojemú Christé: sláva cárstviju tvojemú: sláva smotréniju tvojemú, jedíne čelovikoľúbče."),
("Bohoródičen", "", "Havrijílu viščávšu tebí, Ďívo, rádujsja, so stráchom voploščášesja vsích Vladýka, v tebí svjaťím kivóťi, jákože rečé právednyj Davíd: javílasja jesí šíršaja nebés, ponosívši ziždíteľa tvojehó. Sláva vséľšemusja v ťá: sláva prošédšemu iz tebé: sláva svobodívšemu nás roždestvóm tvojím."),
),
)
#let P = (
"1": (
("", "", "Hórkija rabóty izbávľsja Izráiľ, neprochodímoje prójde jáko súšu, vrahá zrjá potopľájema, písň jáko blahoďíteľu pojét Bóhu, čudoďíjuščemu mýšceju vysókoju, jáko proslávisja."),
("", "", "Užasóšasja stráchom vsecaríce ánheľskaja činonačálija, chváľašče ťá: pojét že bláhosti rádi vsják úm, jáko Máter ziždíteľa: pochvalý bo vsjákija prevozšlá jesí čín, Christá róždši."),
("", "", "Ľútymi napásťmi tomím, i ot vráh stužájem okajánnyj, s pláčem prihlašáju: svýše mňí prostrí prebohátaja rúku tvojú, izbavľájušči mjá, i bezbídno požíti spodóbi molítvami tvojími."),
("", "", "Duší tájnaja prehrišénija, ľičbóju milosérdija iscilí, i utiší plotskóje stremlénije Bohoródice: i vrahóv kópija i stríly vozvráščši, krípko v serdcá ích vonzí."),
("", "", "Pážiť drévňuju potrebí čelovikoubíjstvennuju, utróba ďivíča Christá róždši: ťímže vsjá tvár rádujetsja nýňi, prečístaja, jáko ožívľšisja: i sohlásno vospivájet tvojehó Sýna i Bóha."),
),
"3": (
("", "", "Ne múdrostiju i bohátstvom da chválitsja smértnyj svojím, no víroju Hospódneju, pravoslávno vzyvája Christú Bóhu, i pojá prísno: na kámeni tvojích zápovidej utverdí mja Vladýko."),
("", "", "Jákov velíkij na putí spjá inohdá, nizchoďáščyja svýše ľistviceju, Ďívo, na zémľu ánhely víďa, divľášesja: i vozbnúv, propisá jávi dvér ťá nebésnuju."),
("", "", "Vrémennym uderžánijem, v napásti vvéržen okajánnyj áz, i búrjami napástnymi tomím, uvý mňí, vopijú: jáže Bóha róždšaja, i voznésšaja róh náš, spasí mja molítvami tvojími."),
("", "", "S nebesé rúku krípkuju prostér, o vsích carjú Christé, čúvstvennych i mýslennych, Iisúse mój, hlavý vrahóv pod nózi položí, Bohoródicu Máter tvojú vírno propovídajuščich."),
("", "", "Isáija drévle, očíščsja úhlem Dúcha, ot tvojejá utróby jávi prebohátaja Ďívo, Sýnu vzyváše rodítisja: jehóže v posľídňaja vremená, mené rádi, bez múža rodilá jesi."),
),
"4": (
("", "", "Slýša drévle Avvakúm Christé čúdnyj tvój slúch, i stráchom vzyváše: Ot júha Bóh priídet, i svjatýj ot horý priosinénnyja čášči, spastí pomázannyja: sláva síľi tvojéj Hóspodi."),
("", "", "Tebé jáko súščuju v ženách krasnú i prečéstnu, jáko iz pustýni voschoďášču, i ótrasľ Christá na rukú nosjášču, Máti Bóžija, proobražáše mironačáľnik vopijá: sláva síľi tvojéj Hóspodi."),
("", "", "Prikloní mí úcho tvojé blahája, i vížď mojé ozloblénije, i bíd umnožénije: k tebí bo Vladýčice, dušévnoje óko prostér, i s pláčem koľína priklóň, nýňi moľú vopijá: ustávi mí napástej smuščénije."),
("", "", "Sťínu ťá neoborímuju vídyj, privlečén moľbóju, tvój ráb nýňi k tebí pribiháju, i stríly vrážija, jáko mladénčeskija vmiňáju neďíjstvenny, o prebohátaja! Ťímže i rádujasja vopijú: sláva Bohomáti, roždéstvú tvojemú."),
("", "", "Síla výšňaho ťá Ďívo osiní naítijem božéstvennaho Dúcha: i tohdá páče jestestvá vsjáčeskich Hospóď, plóť i dúšu oživotvorív, prijediní sebí, prebýv v tómžde jesteství."),
),
"5": (
("", "", "Svít tvój nezachodímyj vozsijáj Christé, v serdcá vírno pojúščich ťá, mír podavájaj nám, páče umá. Ťím ot nóšči nevíďinija ko dňú svítom tvojím tekúšče, slavoslóvim ťá čelovikoľúbče."),
("", "", "Božéstvennuju ťá, províďiv inohdá Danijíl, nesikómuju hóru, prepítaja, vopijáše projavlénňi, usiščísja ot tebé kámeňu Bohoródija, Christú Spásu míra: jehóže vírniji nýňi čtúšče, voschvaľájem ťá Bohonevísto."),
("", "", "Napásťmi okajánnyj mnóhimi pádsja, s boľízniju i pláčem sérdca moľásja, bezstúdno služíteľ tvój vopijú: izbávi Bohorodíteľnice, ot bíd oderžáščich mojé smirénije, i vesélija mjá ispólni."),
("", "", "Strastéj mojích svirípuju pučínu utíši, krípkoju tvojéju molítvoju blahája, jáže strastéj kromí róždšaja Christá: jáko da v tišiňí duší nýňi živýj, próčeje žízni mojejá, v písnech vospiváju ťá."),
("", "", "Bóha káko na rukú nósiši, rcý? I káko dojíši, vsjáčeskaja rukóju soderžáščaho, o Ďívo vseblažénnaja, áz, rečé, čistá prebyváju i po roždeství, Christá Bóha róždši, Adámov dólh, i pramáternij otjémši."),
),
"6": (
("", "", "Vés ot strastéj bezmírnych soderžúsja, i kítom zól snispadóch: no vozvedí iz istľínija mjá Bóže, jákože préžde Jónu, i víroju bezstrástije mí dáruj, jáko da vo hlási chvalénija, i spasénija Dúchom požrú ti."),
("", "", "Siďínija ne otstúpľ ňídr Rodíteľa, v ňídrich Máternich Sýn predľítnyj: naposľídok že, íže préžde vík sýj so Otcém, iz utróby Ďívy proizýde, vsjá k žízni bezsmértňij vozvoďá, neizrečénnoju bláhostiju."),
("", "", "Veríhami svjázan vrážijami ot ozloblénija, vo ádskija verejí, uvý mňí, nizverhóchsja: no predstáni, s nebesé jávľšisja, Bohootrokovíce čístaja, vozstavľájušči mjá tvojími molítvami služíteľa tvojehó, i rúku pómošči dážď pojúščemu božéstvennoje tvojé roždestvó."),
("", "", "V róv pohíbelej okajánnyj vpadóch, i zvírije mnózi okročájut mjá: no Vladýčice, molítvami tvojími kámenija otvratí, i nevredíma tvojehó rabá sobľudí: kámeň bo krajeuhólnyj, Christá v ložesnách tvojích nosíla jesí."),
("", "", "Drévle prorók božéstvennych lík provozhlasí Ďívo, roždestvá tvojehó óbrazy: svítel óblak ťá, i svíščnik, i stámnu, i trapézu, i nebésnuju rósu, chľíb, mánnu že i dvér, prestól, i palátu, žézl, ráj, jáko Christá róždšuju."),
),
"S": (
("", "", "Máter ťá Bóžiju svímy vsí, Ďívu voístinnu, i po roždeství jávľšujusja, ľubóviju pribihájušče k tvojéj bláhosti: tebé bo ímamy hríšniji predstáteľnicu, i tebé sťažáchom v napástech spasénije, jedínu vseneporóčnuju."),
),
"7": (
("", "", "Proidóša jáko čertóh péščnyj plámeň nesterpímyj, íže za bláhočéstije inohdá ótrocy svjatíji pokazávšesja jávi, i sohlásno vospivájušče, písň pojáchu: otcév Bóže blahoslovén jesí."),
("", "", "Šéstvuja prevíčnyj dvérmi neprochódnymi tvojími vsecaríce, čísta tvojá známenija i cíla sochraní, čísta i po roždeství. Ťímže vopijém: otéc nášich Bóže, blahoslovén jesí."),
("", "", "V péšč vvéržen sedmočíslennymi plámeňmi opaľájusja ot dušeubíjstvennych bíd: no samá rósu mí odoždí Vladýčice blahája, tvojími moľbámi, da vopijú: blahoslovén Bóh otéc nášich."),
("", "", "Strasťmí prestarívsja, i neoslábnymi napásťmi i skorbmí, i dospív k západom žitijá mojehó, dobroďítelem nepričásten, ľínostiju sňidén býv, vopijú ti, Vladýčice: uťišénije zemným, pomíluj mjá!"),
("", "", "Tróici vo jedínstvi pravoslávno služášče, ťá Máti Ďívo čístaja, jáko Bóha plótiju róždšuju propovídajušče zemníji, božéstvenňi pojém: otéc nášich Bóže, blahoslovén jesí."),
),
"8": (
("", "", "Čúda prejestéstvennaho pokazá óbraz, ohnerósnaja péšč drévle: óhň bo ne opalí júnyja ďíti, Christóvo javľája bezsímennoje ot Ďívy božéstvennoje roždestvó. Ťím vospivájušče vospojím: da blahoslovít tvár vsjá Hóspoda, i prevoznósit vo vsjá víki."),
("", "", "Slóvo vseístinnoje svjaščénnika voobrazí roždestvó tvojé, Ďívo: voístinnu bo rodilá jesi Slóvo Bóžije, i ložesná ne razvérze Ďívo, ímiže prójde Bóh. Ťím rádujuščesja Bohoródicu ťá po dólhu sohlásno vospivájem, i prevoznósim čístuju vo vsjá víki."),
("", "", "Térnije vozrástšeje v duší mojéj neďíjstvenno, božéstvennym ohném popalí prečístaja, i tvojími molítvami na dobroďíteli vozstávi mjá, tvoríti plodonósije Christú: iz tebé bo cvít prísno živýj prorástši, tvár vsjú ukrasí. Ťím ťá Bohorodíteľnicu čístuju počitájem vo vsjá víki."),
("", "", "Iscilénije v ľútych Bohorodíteľnice, neboľíznenno podážď mí vskóri: vpád bo v skórbi i bidý, tvojú skórosť v zastuplénije okajánnyj prizyváju, rydája. Ťímže prečístaja, uskorí izjáti mjá, i spasí ot vsjákija múki, jáko da blahoslovjá vospiváju tvojé roždestvó."),
("", "", "Drévle ťá prozjábšij Aarónov žézl voobrazí Ďívo: tý bo jedína rodilá jesí prozjabénijem bez múža, nebésnyj nýňi dóžď prijémši vo črévi. Ťím veseľáščesja, ťá Bohoródicu po dólhu sohlásno vsí pojém, i prevoznósim vo vsjá víki."),
),
"9": (
("", "", "Neizhlahólannoje Ďívy tájinstvo: Nébo bo sijá, i prestól cheruvímskij, i svitonósnyj čertóh pokazásja Christá Bóha vsederžíteľa. Sijú blahočéstno jáko Bohoródicu veličájem."),
("", "", "Preslávno Ďívy tájinstvo: jehóže bo ne vmistíša vyšenebésnaja velíčija, vmistí vo črévi. ťímže sošédšesja ublážájem jú, i vírno veseľáščesja veličájem."),
("", "", "Víďašče ťá jedínu, jáko výššuju nebés, Bóžiju zarjú, neskvérnaja, prestól cheruvímskij, i čertóh, i ódr svját, zemníji voschvaľájušče, Christá Bóha nášeho veličájem: jehóže ot črésl čístych rodilá jesí."),
("", "", "Ókrest mené skórbi mnóhi, i zlý napásti nýňi napádajušče, boľízni že i ľútyja hrichí v róv vverhóša. Ťímže ťá moľú v hóresti duší mojejá, presvjatája Bohoródice, izbavlénije obristí mi."),
("", "", "Umirí mír, Christé, moľbámi čístyja Bohootrokovícy, nizlahája vrážiju sílu i tišinú neizhlahólannuju nám ustrojája, vo víki sochraní."),
),
)
#let N = (
"1": (
("", "", "Tvojá pobedíteľnaja desníca Bohoľípno v kríposti proslávisja: tá bo bezsmértne, jáko vsemohúščaja, protívnyja sotré, Izráiľťanom púť hlubiný novosoďílavšaja."),
("", "", "Jedíno trijipostásnoje načálo, Serafími nemólčno slávjat: beznačáľnoje, prisnosúščnoje, tvoríteľnoje vsích, nepostižímoje, jéže i vsják jazýk vírno počitájet písňmi."),
("", "", "Da čelovíkom jedínstvennoje, trisijáteľnoje tvojé javíši Božestvó, sozdávyj préžde čelovíka, po tvojemú óbrazu voobrazíl jesí, úm jemú, i slóvo i dúch dáv, jáko čelovikoľúbec."),
("", "", "Svýše pokazúja jedínstvennuju Bohonačáľnych v trijéch ipostásich deržávu, Ótče, rékl jesí ravnoďíteľnomu tvojemú Sýnu, i Dúchu: prijidíte sošédše, jazýki ích slijájim."),
("Bohoródičen", "", "Úm úbo jésť neroždénnyj Otéc, obrázno premúdrymi predrečésja, Slóvo že sobeznačáľno, sojestéstvennyj Sýn i Dúch svjatýj, íže v Ďívi Slóva sozdávšij voploščénije."),
),
"3": (
("", "", "Jedíne vídyj čelovíčeskaho suščestvá némošč, i mílostivno v né voobrážsja, prepojáši mjá s vysotý síloju, jéže vopíti tebí svjatýj: oduševlénnyj chráme neizrečénnyja slávy tvojejá, čelovikoľúbče."),
("", "", "Tý drévle jávi Avraámu jáko javílsja jesí trijipostásnyj, jedínstven že jestestvóm Božestvá, Bohoslóvija ístinňijšeje obrázno javíl jesí: i vírno pojém ťá, jedinonačáľnaho Bóha, i trisólnečnaho."),
("", "", "Iz tebé rodívyjsja Bohoľípno netľínno Ótče, vozsijá svít ot svíta, Sýn nepremínen, i Dúch božéstvennyj, svít izýde: jedínaho Božestvá svítlosti trijipostásňij poklaňájemsja vírno, i slávim."),
("", "", "Jedínica Tróica prejestéstvenne, neizrečénno páče smýsla, úmnymi suščestvý slávitsja, trisvjátými hlásy nemólčnuju vopijúščimi chvalú: ímiže sohlásno pojétsja i námi trijipostásnyj Hospóď."),
("Bohoródičen", "", "Iz tebé vrémenňi bez símene proizýde vyššeľítnyj, upodóbivyjsja nám nevídimyj, i jedínomu jestestvú i Hospóďstvu Ótču naučív, i Synóvňu, i Dúchovu, Bohoródice: ťímže ťá slávim."),
),
"S1": (
("", "Hrób tvój Spáse", "Otcú i Sýnu poklonímsja vsí, i Dúchu právomu i ravnočéstnu, sláva Tróici nesozdánňij, i prebožéstvenňij síľi, júže slávjat bezplótnych čínove: sijú dnés i zemnoródniji so stráchom vírno voschválim."),
("", "", "Nastávi ný na púť pokajánija, ukloňájuščyjasja prísno k bezpútijem zól, i preblaháho prohňívajuščyja Hóspoda, neiskusobráčnaja blahoslovénnaja Maríje, pribížišče otčájannych čelovíkov, Bóžije prebyvánije."),
),
"4": (
("", "", "Hóru ťá blahodátiju Bóžijeju priosinénnuju, prozorlívyma Avvakúm usmotrív očíma, iz tebé izýti Izráilevu provozhlašáše svjatómu, vo spasénije náše i obnovlénije."),
("", "", "Vozsijáj mí Bohonačálije trisólnečnoje, sijáňmi tvojích Bohoďíteľnych ozarénij, v serdéčnych očesích dobróťi mečtátisja, jéže páče umá Bohonačáľnyja tvojejá svítlosti, i svitoďíteľnaho i sládkaho pričástija."),
("", "", "Pérvije nebesá utverdíl jesí Hóspodi, i vsjú sílu ích slóvom tvojím vseďíteľnym, i Dúchom úst sojestéstvennym, s nímiže vladýčestvuješi vsjáčeskimi v trisijáteľňi jedinonačáliji Božestvá."),
("", "", "Jáko sozdál jesí mjá po óbrazu tvojemú i podóbiju, Bohonačáľnaja i vseďíteľnaja Tróice, neslijánnaja jedínice vrazumí, prosvití, vo jéže tvoríti vóľu tvojú svjatúju, blahúju v kríposti, i soveršénnuju."),
("Bohoródičen", "", "Rodilá jesí ot Tróicy jedínaho prečístaja, Bohonačáľňijša Sýna, voplóščšasja nás rádi iz tebé, ozarjájušča zemnoródnych, trisólnečnaho Božestvá nevečérnim svítom i sijáňmi."),
),
"5": (
("", "", "Prosvitívyj sijánijem prišéstvija tvojehó Christé, i osvitívyj krestóm tvojím míra koncý, serdcá prosvití svítom tvojehó Bohorazúmija, pravoslávno pojúščich ťá."),
("", "", "Jáže pérvoj ánheľskoj neposrédstvenňi útvari, nepristúpnymi tvojejá dobróty lučámi osijavájemoj býti blahovolívši, tvojími svítlosťmi prosvití, Tróice jedinonačáľstvenňijšaja, pravoslávno tebé pojúščich."),
("", "", "Nýňi jestestvó, jedínstvennoje Bohonačálija trisólnečnoje, vospivájet ťá. Jéže osuščestvovála jesí za bláhosť, prehrišénij izbavlénije i napástej isprošájušči, i bíd i skorbéj."),
("", "", "Otcá, i Sýna, i Dúcha svjatáho, jedíno jestestvó i Božestvó víroju slávim, ďílíteľnoje, nerazďíľnoje, jedínaho Bóha nevídimyja i vídimyja že tvári."),
("Bohoródičen", "", "Rečénija vsjá proróčeskaja prednapisáša, prečístaja, tvojé roždestvó, neizrečénnoje i neudób skazújemoje, jéže mý poznáchom, tajnovodíteľnoje jedínstvennaho i trisóľnečnaho Božestvá."),
),
"6": (
("", "", "Obýde nás posľídňaja bézdna, ňísť izbavľájaj, vminíchomsja jáko óvcy zakolénija, spasí ľúdi tvojá, Bóže náš: tý bo kríposť nemoščstvújuščich i ispravlénije."),
("", "", "Ravnostátnuju sílu jáko imúšči, Tróice presúščestvennaja, v tóždestvi choťínija, jedínica jesí prostá i nerazďílna: tý úbo nás síloju tvojéju sobľudí."),
("", "", "Ravnostátnuju sílu jáko imúšči, Tróice presúščestvennaja, v tóždestvi choťínija, jedínica jesí prostá i nerazďílna: tý úbo nás síloju tvojéju sobľudí."),
("", "", "Tý vsjá víki choťínijem tvojím, jáko bláha sostávila jesí ot ne súščich, nepostižímaja Tróice, táže i čelovíka sozdalá jesí: no i nýňi ot vsjákaho izbávi mjá obstojánija."),
("Bohoródičen", "", "Sólnca nezachodímaho dóm bylá jesí, sozdávšaho i v činú postávľšaho svitíla velíkaja vsesíľne, prečístaja Ďívo Bohonevístnaja: no i nýňi strastéj mjá izbávi pomračénija."),
),
"S2": (
("", "Hr<NAME>se", "Tróici svjaťíj, i nerazďíľnomu jestestvú, v tréch lícich sikómij nesíčeno, i prebyvájuščej nerazďílňij po suščestvú Božestvá, poklonímsja zemnoródniji so stráchom, i slávim jáko tvorcá i Vladýku, Bóha preblaháho."),
("", "", "Uprávi čístaja, okajánnuju mojú dúšu, i uščédri jú ot mnóžestva prehrišénij, vo hlubinú popólzšujusja pohíbeli, vseneporóčnaja, i v čás mjá strášnyj smértnyj tý ischití ohlahólujuščich démonov, i vsjákija múki."),
),
"7": (
("", "", "Tebé úmnuju Bohoródice, péšč razsmotrjájem vírniji: jákože bo ótroki spasé trí prevoznosímyj, mír obnoví, vo črévi tvojém vsecíl, chváľnyj otcév Bóh, i preproslávlen."),
("", "", "Slóve Bóžij, sojestéstvennoje sijánije vsederžíteľa Bóha, jákože obiščál jesí jéže u tebé, Bohoďíteľnoje vselénije sotvorí, jáko blahoutróben, so Otcém tvojím i Dúchom: i strášna bisóm mjá pokaží, i strastém."),
("", "", "Slóve Bóžij, sojestéstvennoje sijánije vsederžíteľa Bóha, jákože obiščál jesí jéže u tebé, Bohoďíteľnoje vselénije sotvorí, jáko blahoutróben, so Otcém tvojím i Dúchom: i strášna bisóm mjá pokaží, i strastém."),
("", "", "Da tvojehó blahoutróbija Vladýko pokážeši pučínu nám, Sýna tvojehó posláv k nášemu smiréniju, páki voobrazíl jesí na pérvuju svítlosť, no i nýňi božéstvennym mjá vrazumí Dúchom."),
("Bohoródičen", "", "Íže na cheruvímsťim prestóľi nosímyj, i vsích cár, vo črévi tvojém ďívstvenňim vselísja prečístaja, vsích izbavľája ot istľínija, jáko čelovikoľúbec: no i nýňi tvojími mjá molítvami sochraní."),
),
"8": (
("", "", "Čúda prejestéstvennaho pokazá óbraz, ohnerósnaja péšč drévle: óhň bo ne opalí júnyja ďíti, Christóvo javľája bezsímennoje ot Ďívy božéstvennoje roždestvó. Ťím vospivájušče vospojím: da blahoslovít tvár vsjá Hóspoda, i prevoznósit vo vsjá víki."),
("", "", "Mánijem Bohoďíteľnym, Hóspodi vsích, trijipostásne i vsederžíteľu, nebesá prostérl jesí jáko kóžu: táže i zemlí povísil jesí hlubinú, vsemohúščeju tvojéju dlániju. Ťímže i rabý tvojá ukripí ľubóviju i víroju tvojéju čelovikoľúbče: da ťá slávim želánijem vo víki."),
("", "", "Mánijem Bohoďíteľnym, Hóspodi vsích, trijipostásne i vsederžíteľu, nebesá prostérl jesí jáko kóžu: táže i zemlí povísil jesí hlubinú, vsemohúščeju tvojéju dlániju. Ťímže i rabý tvojá ukripí ľubóviju i víroju tvojéju čelovikoľúbče: da ťá slávim želánijem vo víki."),
("", "", "Prosvití Bohonačáľnym svítom pojúščich ťá, trisólnečnyj svíte lícy, jedínstvennyj že páki suščestvóm, i k tvojím svitodáteľnym lučám vziráti prísno: ímiže nasýščusja slávy tvojejá sládkija, i svitodáteľnyja, i prebohátyja: i prevoznošú ťa vírno vo víki."),
("Bohoródičen", "", "Voznesé na nebesá, čelovíčeskoje prijém jestestvó neprelóžne Sýn tvój prečístaja Bohoródice, prevoschoždénijem bláhosti izbávľ drévnija tlí. Jemúže blahodárstvenno vospivájem: da blahoslovít tvár vsjá Hóspoda, i prevoznósit vo vsjá víki."),
),
"9": (
("", "", "Óbraz čístaho roždestvá tvojehó, ohnepalímaja kupiná pokazá neopáľnaja: i nýňi na nás napástej svirípijuščuju uhasíti mólimsja péšč, da ťá Bohoródice neprestánno veličájem."),
("", "", "Spasí Spasíteľu tvári, čúvstvennyja že i úmnyja rabý tvojá ot vrážija navíta i ozloblénija, presvjatája Tróice jedinosúščnaja, i sobľudáj stádo tvojé výnu nenavítno."),
("", "", "Spasí Spasíteľu tvári, čúvstvennyja že i úmnyja rabý tvojá ot vrážija navíta i ozloblénija, presvjatája Tróice jedinosúščnaja, i sobľudáj stádo tvojé výnu nenavítno."),
("", "", "Da hlubinú neizčétnuju súščestvennyja pokážeši tvojejá bláhosti, dál jesí nám obíty: trisólnečnyj, i jedinonačáľnyj Bóže vsesíľnyj, spasíteľnyja tvojím rabóm, íchže soveršíti spodóbi."),
("Bohoródičen", "", "Prízri na náša molénija, íže v trijéch Bohonačáľnych ipostásich, jedín sýj Bóh vo ístiňi vírujemyj: i podážď tvojím rabóm uťišénije, molítvami prečístyja i prepítyja Bohomátere."),
),
)
#let U = (
"T": (
("", "", "Kámeni zapečátanu ot judéj, i vóinom strehúščym prečístoje ťílo tvojé, voskrésl jesí tridnévnyj Spáse, dárujaj mírovi žízň. Sehó rádi síly nebésnyja vopijáchu tí, žiznodávče: sláva voskreséniju tvojemú Christé: sláva cárstviju tvojemú: sláva smotréniju tvojemú, jedíne čelovikoľúbče."),
("Bohoródičen", "", "Havrijílu viščávšu tebí, Ďívo, rádujsja, so stráchom voploščášesja vsích Vladýka, v tebí svjaťím kivóťi, jákože rečé právednyj Davíd: javílasja jesí šíršaja nebés, ponosívši ziždíteľa tvojehó. Sláva vséľšemusja v ťá: sláva prošédšemu iz tebé: sláva svobodívšemu nás roždestvóm tvojím."),
),
"S1": (
("", "", "Hrób tvój Spáse, vójini strehúščiji, mértviji ot oblistánija jávľšahosja ánhela býša, propovídajušča ženám voskresénije. Tebé slávim tlí potrebíteľa, tebí pripádajem voskrésšemu iz hróba, i jedínomu Bóhu nášemu."),
("", "", "Ko krestú prihvóžďsja vóleju ščédre, vo hróbi položén býv jáko mértv životodávče, deržávu stérl jesí síľne smértiju tvojéju: tebé bo vostrepetáša vrátnicy ádovy, tý sovozdvíhl jesí ot víka uméršija, jáko jedín čelovikoľúbec."),
("Bohoródičen", "", "Máter ťá Bóžiju svímy vsí Ďívu voístinnu, i po roždeství jávľšujusja, íže ľubóviju pribihájuščiji k tvojéj bláhosti: tebé bo ímamy hríšniji predstáteľstvo, tebé sťažáchom v napástech spasénije, jedínu vseneporóčnuju."),
),
"S2": (
("", "Kámeni zapečátanu", "Žený ko hróbu prijidóša uránša, i ánheľskoje javlénije víďivša trepetáchu: hrób oblistá žízň, čúdo udivľáše já: sehó rádi šédša učenikóm propovídachu vostánije: ád pľiní Christós, jáko jedín krípok i sílen, i istľívšija vsjá sovozdvíže, osuždénija strách razrušív krestóm."),
("", "", "Na kresťí prihvozdílsja jesí životé vsích, i v mértvych vminílsja jesí bezsmértnyj Hóspodi, voskrésl jesí tridnéven Spáse, sovozdvíh Adáma ot tľínija. Sehó rádi síly nebésnyja vopijáchu tebí, žiznodávče Christé: sláva voskreséniju tvojemú, sláva snizchoždéniju tvojemú, jedíne čelovikoľúbče."),
("Bohoródičen", "", "Maríje, čestnóje Vladýki prijátelišče, voskresí ny pádšija v própasť ľútaho otčájanija, i prehrišénij i skorbéj, tý bo jesí hríšnym spasénije i pómošč, i krípkoje predstáteľstvo, i spasáješi rabý tvojá."),
),
"Y": (
("", "", "Razbójničo pokajánije ráj okráde, pláč že mironósic rádosť vozvistí, jáko voskrésl jesí Christé Bóže, podajáj mírovi véliju mílosť."),
),
"A1": (
("", "", "Vnehdá skorbíti mí, uslýši mojá boľízni, Hóspodi tebí zovú."),
("", "", "Pustýnnym neprestánnoje božéstvennoje želánije byvájet, míra súščim sújetnaho kromí."),
("", "", "Svjátómu Dúchu čésť i sláva, jákože Otcú podobájet, kúpno že i Sýnu, sehó rádi da pojém Tróici jedinoderžávije."),
("", "", "Svjátómu Dúchu čésť i sláva, jákože Otcú podobájet, kúpno že i Sýnu, sehó rádi da pojém Tróici jedinoderžávije."),
),
"A2": (
("", "", "Na hóry tvojích voznésl jesí mjá zakónov, dobroďíteľmi prosvití Bóže, da pojú ťa."),
("", "", "Desnóju tvojéju rukóju prijím tý Slóve, sochraní mja, sobľudí, da ne óhň mené opalít hrichóvnyj."),
("", "", "Svjatým Dúchom vsjákaja tvár obnovľájetsja, páki tekúšči na pérvoje: ravnomóščen bo jésť Otcú i Slóvu."),
("", "", "Svjatým Dúchom vsjákaja tvár obnovľájetsja, páki tekúšči na pérvoje: ravnomóščen bo jésť Otcú i Slóvu."),
),
"A3": (
("", "", "O rékšich mňí, vnídem vo dvorý Hospódni, vozveselísja mój dúch, srádujetsja sérdce."),
("", "", "V domú Davídovi strách velík: támo vo prestólom postávlennym, súďatsja vsjá plemená zemnája, i jazýcy."),
("", "", "Svjatómu Dúchu, čésť, poklonénije, slávu i deržávu, jákože Otcú dostójit, i Sýnovi podobájet prinosíti: jedínica bo jésť Tróica jestestvóm, no ne lícy."),
("", "", "Svjatómu Dúchu, čésť, poklonénije, slávu i deržávu, jákože Otcú dostójit, i Sýnovi podobájet prinosíti: jedínica bo jésť Tróica jestestvóm, no ne lícy."),
),
"P": (
("", "", "Nýňi voskresnú, hlahólet Hospóď, položúsja vo spasénije, ne obiňúsja o ném."),
("", "", "Slovesá Hospódňa, slovesá čísta."),
),
"K": (
"P1": (
"1": (
("", "", "Tvojá pobidíteľnaja desníca Bohoľípno v kríposti proslávisja: tá bo bezsmértne, jáko vsemohúščaja, protívnyja sotré, Izráiľťanom púť hlubiný novosoďílavšaja."),
("", "", "Íže rukáma prečístyma ot pérsti Bohoďíteľňi ispérva sozdáv mjá, rúci rasprostérl jesí na kresťí, ot zemlí vzyvája tľínnoje mojé ťílo, jéže ot Ďívy prijál jesí."),
("", "", "Umerščvlénije podjál jesí mené rádi, i dúšu smérti prédal jesí, íže vdochnovénijem božéstvennym dúšu mí vložívyj, i otrišív víčnych úz, i sovoskrésív netľínijem proslávil jesí."),
("Bohoródičen", "", "Rádujsja blahodáti istóčniče. Rádujsja ľistvice, i dvére nebésnaja, rádujsja svíščniče, i rúčko zlatája, i horó nesikómaja, jáže žiznodávca Christá mírovi róždšaja."),
),
"2": (
("", "", "Christós raždájetsja, slávite. Christós s nebés, srjáščite. Christós na zemlí, voznosítesja. Pójte Hóspodevi vsjá zemľá, i vesélijem vospójte, ľúdije, jáko proslávisja."),
("", "", "Christós obožájet mjá voploščájasja, Christós mjá voznósit smirjájasja, Christós bezstrástna mjá soďílovajet, straždá žiznodávec jestestvóm plóti. Ťímže vospiváju blahodárstvennuju písň: jáko proslávisja."),
("", "", "Christós voznósit mjá raspinájem, Christós sovoskrešájet mjá umerščvľájem, Christós žízň mňí dárujet. Ťímže s vesélijem rukáma pleščája, pojú Spasíteľu pobídnuju písň: jáko proslávisja."),
("Bohoródičen", "", "Bóha Ďívo začalá jesí, Christá že v ďívstvi rodilá jesí iz tebé voplóščšasja prečístaja, jedínaho ipostásiju jedinoródnaho, vo dvojú že suščestvú poznavájemaho Sýna: jáko proslávisja."),
),
"3": (
("", "", "Tvojá pobidíteľnaja desníca Bohoľípno v kríposti proslávisja: tá bo bezsmértne, jáko vsemohúščaja, protívnyja sotré, Izráiľťanom púť hlubiný novosoďílavšaja."),
("", "", "Kúju tí dostójnuju písň náše prinesét nemožénije? Tóčiju obrádovateľnuju, jéjže nás Havrijíl tájno naučíl jésť: rádujsja Bohoródice Ďívo, Máti nenevístnaja."),
("", "", "Prisnoďívi i Máteri carjá výšnich síl, ot čisťíjša sérdca vírniji duchóvňi vozopijím: rádujsja Bohoródice Ďívo, Máti nenevístnaja."),
("", "", "Bezmírnaja bézdna tvojehó nepostižímaho roždestvá vsečístaja, víroju nesumňínnoju úbo čísťi prinósim tí hlahóľušče: rádujsja Bohoródice Ďívo, Máti nenevístnaja."),
)
),
"P3": (
"1": (
("", "", "Jedíne vídyj čelovíčeskaho suščestvá némošč, i mílostivno v né voobrážsja, prepojáši mjá s vysotý síloju, jéže vopíti tebí svjatýj: oduševlénnyj chráme neizrečénnyja slávy tvojejá čelovikoľúbče."),
("", "", "Bóh sýj mňí bláže, pádšaho uščédril jesí, i sníti ko mňí blahovolív, voznésl mjá jesí raspjátijem, jéže vopíti tebé svjatýj: chráme oduševlénnyj neizrečénnyja tvojejá slávy čelovikoľúbče."),
("", "", "Živót ipostásnyj Christé sýj, v istľívša mjá, jáko milosérdyj Bóh obólksja, v pérsť smértnuju sošéd Vladýko, smértnuju deržávu razrušíl jesí, i mértv tridnéven voskrés, v netľínije mjá oblékl jesí."),
("Bohoródičen", "", "Bóha začénši vo črévi Ďívo, Dúchom presvjatým, prebylá jesí neopalíma, ponéže ťá kupiná zakonopolóžniku Moiséju, palímuju nežehómo, jávi predvozvistí, óhň nesterpímyj prijémšuju."),
),
"2": (
("", "", "Préžde vík ot Otcá roždénnomu netľínno Sýnu, i v posľídňaja ot Ďívy voploščénnomu bezsímenno Christú Bóhu vozopijím: voznesýj róh náš, svját jesí, Hóspodi."),
("", "", "Íže na svojé rámo zabluždájemoje ovčá vzémšemu, i nizložívšemu drévom jehó hrích, Christú Bóhu vozopijím: vozdvíhnuvyj róh náš, svját jesí Hóspodi."),
("", "", "Vozvédšemu pástyrja velíkaho iz áda Christá, i svjaščennonačálijem jehó apóstoly jávi jazýki upásšemu, ístinoju i božéstvennym vírniji Dúchom da poslúžim."),
("Bohoródičen", "", "Íže ot Ďívy voplotívšemusja bez símene vóleju Sýnu, i róždšuju po roždeství, božéstvennoju síloju čístuju Ďívu sochráňšemu, íže nad vsími Bóhu vozopijím: svját jesí Hóspodi."),
),
"3": (
("", "", "Jedíne vídyj čelovíčeskaho suščestvá némošč, i mílostivno v né voobrážsja, prepojáši mjá s vysotý síloju, jéže vopíti tebí svjatýj: oduševlénnyj chráme neizrečénnyja slávy tvojejá čelovikoľúbče."),
("", "", "Óblak ťá léhkij nelóžno Ďívo imenújem, proróčeskim vozsľídujušče rečénijem: priíde bo na tebí Hospóď nizložíti jehípetskija prélesti rukotvorénija, i prosvitíti sím služáščyja."),
("", "", "Ťá zapečátannyj voístinnu lík proróčeskij istóčnik, i zakľučénnuju dvér imenová, ďívstva tvojehó vsepítaja, jávstvenňi známenija nám píšušče: jéže sochraníla jesí i po roždeství."),
("", "", "Umá presúščestvenna víďiti, jákože móščno, spodóbľsja Havrijíl, Ďívo vseneporóčnaja, rádostnyj tebí hlás prinesé, Slóva začátije jávstvenňi vozviščájuščij, i neizrečénnoje roždestvó propovídajuščij."),
)
),
"P4": (
"1": (
("", "", "Hóru ťá blahodátiju Bóžijeju priosenénnuju, prozorlívyma Avvakúm usmotrív očíma, iz tebé izýti Izráilevu provozhlašáše svjatómu, vo spasénije náše i obnovlénije."),
("", "", "Któ séj Spás íže iz jedóma ischoďá, vinéc nosjá ternóven, očervlénnu rízu imýj, na drévi vísja? Izráilev jésť séj svjatýj, vo spasénije náše i obnovlénije."),
("", "", "Vídite ľúdije nepokoríviji, i ustydítesja: jehóže bo jáko zloďíja vý voznestí na krest u Piláta isprosíste umovrédňi, smérti razrušív sílu, Bohoľípno voskrés iz hróba."),
("Bohoródičen", "", "Drévo ťá Ďívo žízni vímy: ne bó sňídi plód smertonósnyj čelovíkom iz tebé prozjabé, no životá prisnosúščnaho naslaždénije, vo spasénije nás pojúščich ťá."),
),
"2": (
("", "", "Žézl iz kórene Jesséova, i cvít ot nehó, Christé, ot Ďívy prozjábl jesí, iz horý chvášnyj priosinénnyja čášči, prišél jesí voplóščsja, ot neiskusomúžnyja, neveščéstvennyj Bóže: sláva síľi tvojéj, Hóspodi."),
("", "", "Któ séj krasén iz jedóma, i sehó očervlénije ríznoje, ot vinohráda vosórska, krasén jáko Bóh, jáko čelovík že, króviju plóti rízu očervlénu nosjá? Jemúže pojém vírniji: sláva síľi tvojéj Hóspodi."),
("", "", "Christós búduščich bláh jávľsja archijeréj, hrích náš razoríl jésť: i pokazáv stránen púť svojéju króviju, v lúčšuju i soveršénňijšuju vníde skíniju, predtéča náš vo svjatája."),
("Bohoródičen", "", "Jévin drévnij dólh isprosíla jesí vsepítaja u íže nás rádi jávľšahosja nóvaho Adáma. Sojedinív bo sebí čístym začátijem plóť úmnuju, oduševlénnuju, iz tebé proizýde Christós, jedín vo obojú Hospóď."),
),
"3": (
("", "", "Hóru ťá blahodátiju Bóžijeju priosenénnuju, prozorlívyma Avvakúm usmotrív očíma, iz tebé izýti Izráilevu provozhlašáše svjatómu, vo spasénije náše i obnovlénije."),
("", "", "Slýši čudés nébo, i vnušáj zemlé, jáko dščí pérstnaho úbo pádšaho Adáma, Bóhu narečéna býsť, i svojemú soďíteľu rodíteľnica, na spasénije náše i obnovlénije."),
("", "", "Pojém velíkoje i strášnoje tvojé tájinstvo, premírnych bo utajívsja činonačálij, na ťá íže sýj sníde jáko dóžď na runó, vsepítaja, na spasénije nás pojúščich ťá."),
("", "", "Svjatých svjatája Bohoródice vsepítaja, čájanije jazýkov, i spasénije vírnych, iz tebé vozsijá izbáviteľ i žiznodávec, i Hospóď: jehóže molí, spastísja rabóm tvojím."),
)
),
"P5": (
"1": (
("", "", "Prosvitívyj sijánijem prišéstvija tvojehó Christé, i osvitívyj krestóm tvojím míra koncý, serdcá prosvití svítom tvojehó Bohorazúmija, pravoslávno pojúščich ťá."),
("", "", "Pástyrja ovcám velíkaho i Hóspoda, judéji drévom krestnym umertvíša: no tój jáko óvcy, mértvyja vo áďi pohrebénnyja, deržávy smértnyja izbávi."),
("", "", "Krestóm tvojím mír blahovistív, i propovídav pľínnym Spáse mój ostavlénije, deržávu imúščaho posramíl jesí Christé náha, obniščávša pokazávyj božéstvennym vostánijem tvojím."),
("Bohoródičen", "", "Prošénija vírno prosjáščich, vsepítaja, ne prézri: no prijimí, i sijá donošáj Sýnu tvojemú prečístaja, Bóhu jedínomu blahoďíteľu, tebé bo predstátelnicu sťažáchom."),
),
"2": (
("", "", "Bóh sýj míra, Otéc ščedrót, velíkaho sovíta tvojehó ánhela, mír podavájušča, poslál jesí nám: ťím Bohorazúmija k svítu nastávľšesja, ot nóšči útreňujušče, slavoslóvim ťá, čelovikoľúbče."),
("", "", "O bohátstvo, i hlubinó premúdrosti Bóžija! Premúdryja objémľaj Hospóď, ot sích kovárstva izbávil jésť nás: postradáv bo vóleju némoščiju plotskóju, svojéju krípostiju, životvorjáj mértvyja voskrésíl jésť."),
("", "", "Bóh sýj sojediňájetsja plóti nás rádi: i raspinájetsja, i umirájet: pohrebájetsja, i páki voskresájet, i voschódit svítlo s plótiju svojéju Christós ko Otcú: s néjuže prijídet, i spasét blahočéstno tomú služáščyja."),
("Bohoródičen", "", "Svjatých svjatája Ďívo čístaja, svjatých svjatáho rodilá jesí, vsích osvjaščájuščaho Christá izbáviteľa. Ťímže ťá carícu, i Vladýčicu vsích jáko Máter ziždíteľa tvárej propovídujem."),
),
"3": (
("", "", "Prosvitívyj sijánijem prišéstvija tvojehó Christé, i osvitívyj krestóm tvojím míra koncý, serdcá prosvití svítom tvojehó Bohorazúmija, pravoslávno pojúščich ťá."),
("", "", "Veseľátsja nebésnyja síly zrjášče ťá: rádujutsja s ními čelovíkov sobránija: roždestvóm bo tvojím sovokupíšasja, Ďívo Bohoródice, jéže dostójno slávim."),
("", "", "Da dvížatsja vsí jazýcy čelovíčestiji i mýsli, k pochvaľí čelovíčeskaho voístinnu udobrénija, Ďíva predstojít jávi slávjašči, víroju tojá pojúščich čudesá."),
("", "", "Slávitsja pínije vsepremúdrych i pochvalá, Ďívi i Máteri Bóžiji prinosímaja: slávy bo býsť sijá chrám prebožéstvennyja, júže dostójno slávim."),
)
),
"P6": (
"1": (
("", "", "Obýde nás posľídňaja bézdna, ňísť izbavľájaj, vminíchomsja jáko óvcy zakolénija, spasí ľúdi tvojá, Bóže náš: tý bo kríposť nemoščstvújuščich i ispravlénije."),
("", "", "Sohrišénijem pervozdánnaho Hóspodi, ľúťi ujazvíchomsja, ránoju že iscilíchomsja tvojéju, jéjuže za ný ujazvílsja jesí Christé: tý bo kríposť nemoščstvújuščich i ispravlénije."),
("", "", "Vozvél ný jesí iz áda Hóspodi, kíta ubív vsejádca, vsesíľne, tvojéju deržávoju nizložív tohó sílu: tý bo živót, i svít jesí, i voskresénije."),
("Bohoródičen", "", "Veseľátsja o tebí Ďívo prečístaja, róda nášeho práotcy, Jedém vosprijémše tobóju, jehóže prestuplénijem pohubíša: tý bo čístaja, i préžde roždestvá, i po roždeství jesí."),
),
"2": (
("", "", "Iz utróby Jónu mladénca izblevá morskíj zvír, jaková priját: v Ďívu že vséľšejesja Slóvo, i plóť prijémše prójde sochránšeje netľínnu. Jehóže bo ne postradá istľínija, róždšuju sochraní nevreždénnu."),
("", "", "Úm sýj bezstrásten i neveščéstven, primišájetsja Christós Bóh čelovíčeskomu umú, chodátajstvujuščemu božéstvennym jestestvóm, plóti že debeľstvóm, i vsemú mňí neprelóžen vesmá sojedinísja: da spasénije vsemú mňí pádšemu podást raspinájem."),
("", "", "Pádaet preľstívsja Adám, i zapjávyjsja sokrušájetsja, nadéždoju obólhan sýj drévle obožénija: no vostajét sojedinénijem Slóva obožájem, i strástiju bezstrástije prijémlet, na prestóľi jáko Sýn slávitsja, siďáj so Otcém že i Dúchom."),
("Bohoródičen", "", "Ňídr ne otstúpľ beznačáľna Rodíteľa, v ňídrich čístyja otrokovícy vodvorjájetsja, i byvájet, íže préžde bezmáteren, bez otcá voploščájemyj, íže právdoju cárstvujaj Bóh: sehó nerodoslóven strášnyj ród i neizrečénen."),
),
"3": (
("", "", "Obýde nás posľídňaja bézdna, ňísť izbavľájaj, vminíchomsja jáko óvcy zakolénija, spasí ľúdi tvojá, Bóže náš: tý bo kríposť nemoščstvújuščich i ispravlénije."),
("", "", "Predstoját raboľípňi roždestvú tvojemú číni nebésniji, divjáščesja dostójno tvojemú bezsímennomu roždestvú prisnoďívo: tý bo čístaja, i préžde roždestvá, i po roždeství jesí."),
("", "", "Voplotísja préžde sýj bezplóten, Slóvo iz tebé prečístaja, vsjáčeskaja vóleju tvorjáj, bezťilésnych vójinstva privedýj ot nebytijá jáko vsesílen."),
("", "", "Umerščvlén býsť vráh živonósnym tvojím plodóm Bohoblahodátnaja: i poprán býsť ád projavlénňi, i íže vo úzach svobodíchomsja. Ťímže vopijú: strásti razruší sérdca mojehó."),
)
),
"K": (
("", "", "Voskrésl jesí jáko Bóh iz hróba vo slávi, i mír sovoskresíl jesí, i jestestvó čelovíčeskoje jáko Bóha vospivájet ťá, i smérť isčezé: Adám že likújet Vladýko, Jéva nýňi ot úz izbavľájema rádujetsja zovúšči: tý jesí, íže vsím podajá Christé voskresénije."),
("", "", "Voskrésšaho tridnévno vospojím jáko Bóha vsesíľna, i vratá ádova stéršaho, i jáže ot víka iz hróba vozdvíhšaho, mironósicam jávľšahosja, jákože blahoizvólil jésť, préžde sím jéže rádujtesja, rekíj: i apóstolom rádosť vozviščája, jáko jedín žiznodávec. Ťímže víroju žený učenikóm známenija pobídy blahovistvújut, i ád stenét, i smérť rydájet: mír že veselítsja. I vsí s ním rádujutsja. tý bo pódal jesí Christé vsím voskresénije."),
),
"P7": (
"1": (
("", "", "Tebé úmnuju Bohoródice, péšč razsmotrjájem vírniji: jákože bo ótroki spasé trí prevoznosímyj, mír obnoví vo črévi tvojém vsecíl, chváľnyj otcév Bóh, i preproslávlen."),
("", "", "Ubojásja zemľá, sokrýsja sólnce, i pomérče svít, razdrásja cérkóvnaja božéstvennaja zavísa, kámenije že razsídesja: na kresťí bo vísit právednyj, chváľnyj otcév Bóh, i preproslávlen."),
("", "", "Tý býv áki bezpomóščen, i ujázven v mértvych vóleju nás rádi prevoznosímyj, vsjá svobodíl jesí, i deržávnoju rukóju sovoskresíl jesí, chváľnyj otcév Bóh, i preproslávlen."),
("Bohoródičen", "", "Rádujsja, istóčniče prisnoživýja vodý. Rádujsja, rajú píščnyj. Rádujsja, sťinó vírnych. Rádujsja neiskusobráčnaja. Rádujsja vsemírnaja rádoste, jéjuže nám vozsijá chváľnyj otcév Bóh i preproslávlen."),
),
"2": (
("", "", "Ótroki blahočéstiju sovospitáni, zločestívaho veľínija nebréhše, óhnennaho preščénija ne ubojášasja, no, posreďí plámene stojášče, pojáchu: Otcév Bóže, blahoslovén jesí."),
("", "", "Drévle úbo prokľatá býsť zemľá Ávelevoju očervleňívšisja króviju, bratoubíjstvennoju rukóju: Bohotóčnoju že tvojéju króviju blahoslovísja okropléna, i vzyhrájušči vopijét: otcév Bóže, blahoslovén jesí."),
("", "", "Da rydájut judéjstiji Bohoprotívniji ľúdije, dérzosti ubijénija Christóva: jazýcy že da veseľátsja, i rukámi da vospléščut, i vopijút: otcév Bóže blahoslovén jesí."),
("Bohoródičen", "", "Sé mironósicam oblistájaj, vopijáše ánhel: voskrésnija Christóva prijidíte i vídite známenija, plaščanícu i hrób, i vozopíjte: otcév Bóže blahoslovén jesí."),
),
"3": (
("", "", "Tebé úmnuju Bohoródice, péšč razsmotrjájem vírniji: jákože bo ótroki spasé trí prevoznosímyj, mír obnoví vo črévi tvojém vsecíl, chváľnyj otcév Bóh, i preproslávlen."),
("", "", "Ťá Bohoródice ľístvicu Jákov proróčeski razumivájet: tobóju bo prevoznosímyj na zemlí javísja, i s čelovíki poživé, jáko blahovolí, chváľnyj otcév Bóh i preproslávlen."),
("", "", "Rádujsja čístaja, iz tebé prójde pástyr, íže vo Adámovu kóžu obólksja voístinnu, prevoznosímyj, vo vsehó mja čelovíka, za blahoutróbije nepostížnoje: chváľnyj otcév Bóh i preproslávlen."),
("", "", "Nóvyj Adám ot čístych krovéj tvojích prevíčnyj Bóh býsť voístinnu, jehóže nýňi molí, obvetšávšaho mjá obnovíti zovúšča: chváľnyj otcév Bóh i preproslávlen."),
)
),
"P8": (
"1": (
("", "", "V peščí ótrocy Izráilevy, jákože v horníľi dobrótoju blahočéstija, čisťíje zláta bleščáchusja, hlahóľušče: blahoslovíte vsjá ďilá Hospódňa Hóspoda, pójte i prevoznosíte vo vsjá víki."),
("", "", "Íže vóleju vsjá tvorjáj, i pretvorjájaj, obraščájaj síň smértnuju vo víčnuju žízň, strástiju tvojéju Slóve Bóžij, tebé neprestánno vsjá ďilá Hospódňa Hóspoda pojím, i prevoznósim vo vsjá víki."),
("", "", "Tý razoríl jesí sokrušénije Christé, i okajánstvo, vo vraťích i tverdýňach ádovych, voskrés iz hróba tridnéven. Tebé neprestánno vsjá ďilá jáko Hóspoda pojút, i prevoznósjat vo vsjá víki."),
("Bohoródičen", "", "Jáže bez símene i prejestéstvenňi ot oblistánija božéstvennaho róždšuju bísera mnohocínnaho Christá, vospojím hlahóľušče: blahoslovíte vsjá ďilá Hospódňa Hóspoda, pójte i prevoznosíte jehó vo vsjá víki."),
),
"2": (
("", "", "Čúda prejestéstvennaho rosodáteľnaja izobrazí péšč óbraz: ne bó, jáže priját, palít júnyja, jáko nižé óhň Božestvá Ďíva, v ňúže vníde utróbu. Ťím vospivájušče vospojém: da blahoslovít tvár vsjá Hóspoda, i prevoznósit vo vsjá víki."),
("", "", "Prijidíte ľúdije, poklonímsja místu, na némže stojásťi prečísťiji nózi, i na drévi božéstvenniji Christóvi dláni životvorjáščiji prostrósťisja, na spasénije vsích čelovíkov, i hrób živótnyj obstojášče, pojím: da blahoslovít tvár vsjákaja Hóspoda, i prevoznósit vo vsjá víki."),
("", "", "Obličísja Bohoubíjc judéjov prebezzakónnoje oklevetánije: jehóže bo lestcá narekóša, vostá jáko sílen, naruhávsja bezúmnym pečátem. Ťímže rádujuščesja vospojím: da blahoslovít tvár vsjákaja Hóspoda, i prevoznósit vo vsjá víki."),
("Tróičen", "", "V trijéch svjaščénijich Bohoslóvjašče i jedínom Hospóďstvi slávu Serafími prečístiji, so stráchom raboľípno trijipostásnoje slávjat Božestvó. S nímiže i mý blahočéstvujušče vospojím: da blahoslovít tvár vsjákaja Hóspoda, i prevoznósit vo vsjá víki."),
),
"3": (
("", "", "V peščí ótrocy Izráilevy, jákože v horníľi dobrótoju blahočéstija, čisťíje zláta bleščáchusja, hlahóľušče: blahoslovíte vsjá ďilá Hospódňa Hóspoda, pójte i prevoznosíte vo vsjá víki."),
("", "", "Čertóh svitovídnyj, iz nehóže vsích Vladýka, jáko ženích proizýde Christós, vospojím vsí vopijúšče: vsjá ďilá Hospódňa Hóspoda pójte, i prevoznosíte vo vsjá víki."),
("", "", "Rádujsja prestóle slávnyj Bóžij, rádujsja vírnych sťinó, jéjuže súščym vo ťmí vozsijá svít Christós, tebé blážaščym, i vopijúščym: vsjá ďilá Hospódňa Hóspoda pójte, i prevoznosíte vo vsjá víki."),
("", "", "Spaséniju vinóvnaho nám Hóspoda róždši, molí o vsích vopijúščich priľížno, Ďívo vsepítaja: blahoslovíte vsjá ďilá Hospódňa Hóspoda, pójte i prevoznosíte vo vsjá víki."),
)
),
"P9": (
"1": (
("", "", "Óbraz čístaho roždestvá tvojehó, ohnepalímaja kupiná pokazá neopáľnaja: i nýňi na nás napástej svirípejuščuju uhasíti mólimsja péšč, da ťá Bohoródice neprestánno veličájem."),
("", "", "O káko, ľúdije bezzakónniji i nepokoríviji, lukávaja soviščávše, hórdaho i nečestívaho opravdíša: právednaho že na drévi osudíša Hóspoda slávy, jehóže dostójno veličájem!"),
("", "", "Spáse Áhnče neporóčne, íže míra hrichí vzémyj, tebé slávim voskrésšaho tridnévno, so Otcém i božéstvennym tvojím Dúchom, i Hóspoda slávy: jehóže Bohoslóvjašče, veličájem."),
("Bohoródičen", "", "Spasí ľúdi tvojá, Hóspodi, íchže sťažál jesí čestnóju tvojéju króviju, cérkvam tvojím podajá mír, čelovikoľúbče, Bohoródicy molítvami."),
),
"2": (
("", "", "Tájinstvo stránnoje vížu i preslávnoje: nébo, vertép: prestól cheruvímskij, Ďívu: jásli, vmistílišče, v níchže vozležé nevmistímyj Christós Bóh, jehóže vospivájušče veličájem."),
("", "", "Proslávisja neizrečénnoju síloju tvojéju krest tvój, Hóspodi, nemoščnóje bo tvojé páče síly vsím javísja: ímže síľniji úbo nizložéni býša na zémľu, i níščiji k nebesí vozvodími byvájut."),
("", "", "Umertvísja mérzkaja náša smérť, iz mértvych voskresénijem: tý bo javívsja súščym vo áďi Christé, živót darovál jesí. Ťímže ťá jáko žízň i voskresénije i svít ipostásnyj pojúšče veličájem."),
("Tróičen", "", "Beznačáľnoje jestestvó i nepreďíľnoje, v trijéch poznavájetsja jedínstvich, Bohonačáľnych ipostásich jedíno Božestvó, vo Otcí, i Sýňi, i Dúchi: na néže Bohomúdriji ľúdije upovájušče, spasájemsja."),
),
"3": (
("", "", "Óbraz čístaho roždestvá tvojehó, ohnepalímaja kupiná pokazá neopáľnaja: i nýňi na nás napástej svirípejuščuju uhasíti mólimsja péšč, da ťá Bohoródice neprestánno veličájem."),
("", "", "Iz kórene Davídova prozjablá jesí proróčeskaho Ďívo, i Bohotéčeskaho: no i Davída jáko voístinnu tý proslávila jesí, jáko róždši proróčestvovannaho Hóspoda slávy: Jehóže dostójno veličájem."),
("", "", "Vsják pochváľnyj, prečístaja, zakón pobiždájetsja velíčestvom slávy tvojejá. No o Vladýčice, ot ráb tvojích nedostójnych, ot ľubvé tebí prinosímoje prijimí, Bohoródice, so usérdijem pínije pochváľnoje."),
("", "", "O páče umá čudés tvojích! Tý bo Ďívo jedína páče sólnca, vsím dalá jesí razumíti novíjšeje čúdo, vsečístaja, tvojehó roždestvá nepostižímaho. Ťímže ťá vsí veličájem."),
)
),
),
"CH": (
("", "", "Pojém tvojú Christé, spasíteľnuju strásť, i slávim tvojé voskresénije."),
("", "", "Krest preterpívyj, i smérť uprazdnívyj, i voskrésýj iz mértvych, umirí nášu žízň Hóspodi, jáko jedín vsesílen."),
("", "", "Áda pľinívyj, i čelovíka voskresívyj, voskresénijem tvojím Christé, spodóbi nás čístym sérdcem, tebé píti i sláviti."),
("", "", "Bohoľípnoje tvojé snischoždénije slávjašče, pojém ťá Christé. Rodílsja jesí ot Ďívy, i ne razlučén býl jesí ot Otcá, postradál jesí jáko čelovík, i vóleju preterpíl jesí krest, voskrésl jesí ot hróba, jáko ot čertóha proizšéd da spaséši mír, Hóspodi sláva tebí."),
("", "", "Jehdá prihvozdílsja jesí na drévi krestňim, tohdá umertvísja deržáva vrážija: tvár pokolebásja stráchom tvojím: i ád pľinén býsť deržávoju tvojéju: mértvyja ot hrób voskresíl jesí, i razbójniku ráj otvérzl jesí: Christé Bóže náš sláva tebí."),
("", "", "Rydajúščja so tščánijem hróba tvojehó došédša čestnýja žený, obrítša že hrób otvérst, i uvíďivša ot ánhela nóvoje i preslávnoje čúdo, vozvistíša apóstolom: jáko voskrése Hospóď, dárujaj mírovi véliju mílosť."),
("", "", "Strástéj tvojích božéstvennym jázvam poklaňájemsja Christé Bóže, i jéže v Sijóňi Vladýčnemu svjaščennoďíjstviju, na konéc vikóv Bohojavlénňi bývšemu: íbo vo ťmí spjáščyja, Sólnce prosvití právdy, k nevečérnemu nastavľája sijániju: Hóspodi sláva tebí."),
("", "", "Ľubomjatéžnyj róde jevréjskij vnušíte, hďí súť, íže k Pilátu prišédšiji: da rekút strehúščiji vóini: hďí súť pečáti hróbnyja? Hďí preložén býsť pohrebénnyj? Hďí pródan býsť neprodánnyj? Káko ukrádeno býsť sokróvišče? Čtó oklevetújete Spásovo vostánije prebezzakóniji judéji? voskrése íže v mértvych svobóď, i podajét mírovi véliju mílosť."),
),
)
#let L = (
"B": (
("", "", "Sňídiju izvedé iz rajá vráh Adáma: krestóm že razbójnika vvedé Christós vóň, pomjaní mja, zovúšča, jehdá priídeši vo cárstviji tvojém."),
("", "", "Pokláňajusja strastém tvojím, slavoslóvľu i voskresénije so Adámom i razbójnikom, so hlásom svítlym vopijú ti: pomjaní mja Hóspodi, jehdá priídeši vo cárstviji tvojém."),
("", "", "Raspjálsja jesí bezhríšne, i vo hróbi položílsja jesí vóleju: no voskrésl jesí jáko Bóh, sovozdvíhnuvyj sebí Adáma, pomjaní mja, zovúšča, jehdá priídeši vo cárstviji tvojém."),
("", "", "Chrám tvój ťilésnyj tridnévnym voskresívyj pohrebénijem, so Adámom, i íže o Adáma, voskresíl jesí Christé Bóže: pomjaní nás zovúščich, jehdá priídeši vo cárstviji tvojém."),
("", "", "Mironósicy prijidóša pláčuščja, na hrób tvój Christé Bóže, ziló ráno: i v bílych rízach obritóša ánhela seďášča, čtó íščete? zovúšča. Voskrése Christós, ne rydájte próčeje."),
("", "", "Apóstoli tvojí Hóspodi na hóru, ámože poveľíl jesí ím, prišédše Spáse, i ťá víďivše pokloníšasja, íchže i poslál jesí vo jazýki učíti i krestíti já."),
("Tróičen", "", "Otcú poklonímsja, i Sýna slavoslóvim i presvjátáho Dúcha vkúpi vospojím, zovúšče i hlahóľušče: vsesvjatája Tróice, spasí vsích nás."),
("", "", "Máter tvojú privóďat tí v molítvu, ľúdije tvojí Christé: moľbámi jejá ščedróty tvojá dážď nám blahíj, da ťá proslavľájem, iz hróba nám vozsijávšaho."),
),
"TKB": (
("", "", "Kámeni zapečátanu ot judéj, i vóinom strehúščym prečístoje ťílo tvojé, voskrésl jesí tridnévnyj Spáse, dárujaj mírovi žízň. Sehó rádi síly nebésnyja vopijáchu tí, žiznodávče: sláva voskreséniju tvojemú Christé: sláva cárstviju tvojemú: sláva smotréniju tvojemú, jedíne čelovikoľúbče."),
("", "", "Voskrésl jesí jáko Bóh iz hróba vo slávi, i mír sovoskresíl jesí, i jestestvó čelovíčeskoje jáko Bóha vospivájet ťá, i smérť isčezé: Adám že likújet Vladýko, Jéva nýňi ot úz izbavľájema rádujetsja zovúšči: tý jesí, íže vsím podajá Christé voskresénije."),
("Bohoródičen", "", "Havrijílu viščávšu tebí, Ďívo, rádujsja, so stráchom voploščášesja vsích Vladýka, v tebí svjaťím kivóťi, jákože rečé právednyj Davíd: javílasja jesí šíršaja nebés, ponosívši ziždíteľa tvojehó. Sláva vséľšemusja v ťá: sláva prošédšemu iz tebé: sláva svobodívšemu nás roždestvóm tvojím."),
),
"P": (
("", "", "Búdi, Hóspodi, mílosť tvojá na nás, jákože upováchom na ťá."),
("", "", "Rádujtesja právedniji o Hóspoďi, právym podobájet pochvalá."),
("", "", "Bóh dajáj otmščénije mňí, i pokorívyj ľúdi pod mjá."),
("", "", "Veličájaj spasénija caréva, i tvorjáj mílosť christú svojemú Davídu, i símeni jehó do víka."),
)
) |
|
https://github.com/gongke6642/tuling | https://raw.githubusercontent.com/gongke6642/tuling/main/布局/旋转/旋转.typ | typst | = rotate
在不影响布局的情况下旋转内容。
将元素旋转给定角度。布局将像元素一样 没有旋转。
== 例如
#image("屏幕截图 2024-04-16 174640.png")
#image("屏幕截图 2024-04-16 175027.png")
#image("屏幕截图 2024-04-16 175106.png") |
|
https://github.com/TypstApp-team/typst | https://raw.githubusercontent.com/TypstApp-team/typst/master/tests/typ/text/raw-tabs.typ | typst | Apache License 2.0 | // Test tabs in raw code.
---
#set raw(tab-size: 8)
```tsv
Year Month Day
2000 2 3
2001 2 1
2002 3 10
```
|
https://github.com/saurabtharu/CV | https://raw.githubusercontent.com/saurabtharu/CV/main/lib-gen.typ | typst | #import "lib-impl.typ": fa-icon
// Generated icon list of Font Aewsome 6.5.2
#let fa-icon-map = (
"0": "\u{30}",
"1": "\u{31}",
"2": "\u{32}",
"3": "\u{33}",
"4": "\u{34}",
"5": "\u{35}",
"6": "\u{36}",
"7": "\u{37}",
"8": "\u{38}",
"9": "\u{39}",
"42-group": "\u{e080}",
"innosoft": "\u{e080}",
"500px": "\u{f26e}",
"a": "\u{41}",
"accessible-icon": "\u{f368}",
"accusoft": "\u{f369}",
"address-book": "\u{f2b9}",
"contact-book": "\u{f2b9}",
"address-card": "\u{f2bb}",
"contact-card": "\u{f2bb}",
"vcard": "\u{f2bb}",
"adn": "\u{f170}",
"adversal": "\u{f36a}",
"affiliatetheme": "\u{f36b}",
"airbnb": "\u{f834}",
"algolia": "\u{f36c}",
"align-center": "\u{f037}",
"align-justify": "\u{f039}",
"align-left": "\u{f036}",
"align-right": "\u{f038}",
"alipay": "\u{f642}",
"amazon": "\u{f270}",
"amazon-pay": "\u{f42c}",
"amilia": "\u{f36d}",
"anchor": "\u{f13d}",
"anchor-circle-check": "\u{e4aa}",
"anchor-circle-exclamation": "\u{e4ab}",
"anchor-circle-xmark": "\u{e4ac}",
"anchor-lock": "\u{e4ad}",
"android": "\u{f17b}",
"angellist": "\u{f209}",
"angle-down": "\u{f107}",
"angle-left": "\u{f104}",
"angle-right": "\u{f105}",
"angle-up": "\u{f106}",
"angles-down": "\u{f103}",
"angle-double-down": "\u{f103}",
"angles-left": "\u{f100}",
"angle-double-left": "\u{f100}",
"angles-right": "\u{f101}",
"angle-double-right": "\u{f101}",
"angles-up": "\u{f102}",
"angle-double-up": "\u{f102}",
"angrycreative": "\u{f36e}",
"angular": "\u{f420}",
"ankh": "\u{f644}",
"app-store": "\u{f36f}",
"app-store-ios": "\u{f370}",
"apper": "\u{f371}",
"apple": "\u{f179}",
"apple-pay": "\u{f415}",
"apple-whole": "\u{f5d1}",
"apple-alt": "\u{f5d1}",
"archway": "\u{f557}",
"arrow-down": "\u{f063}",
"arrow-down-1-9": "\u{f162}",
"sort-numeric-asc": "\u{f162}",
"sort-numeric-down": "\u{f162}",
"arrow-down-9-1": "\u{f886}",
"sort-numeric-desc": "\u{f886}",
"sort-numeric-down-alt": "\u{f886}",
"arrow-down-a-z": "\u{f15d}",
"sort-alpha-asc": "\u{f15d}",
"sort-alpha-down": "\u{f15d}",
"arrow-down-long": "\u{f175}",
"long-arrow-down": "\u{f175}",
"arrow-down-short-wide": "\u{f884}",
"sort-amount-desc": "\u{f884}",
"sort-amount-down-alt": "\u{f884}",
"arrow-down-up-across-line": "\u{e4af}",
"arrow-down-up-lock": "\u{e4b0}",
"arrow-down-wide-short": "\u{f160}",
"sort-amount-asc": "\u{f160}",
"sort-amount-down": "\u{f160}",
"arrow-down-z-a": "\u{f881}",
"sort-alpha-desc": "\u{f881}",
"sort-alpha-down-alt": "\u{f881}",
"arrow-left": "\u{f060}",
"arrow-left-long": "\u{f177}",
"long-arrow-left": "\u{f177}",
"arrow-pointer": "\u{f245}",
"mouse-pointer": "\u{f245}",
"arrow-right": "\u{f061}",
"arrow-right-arrow-left": "\u{f0ec}",
"exchange": "\u{f0ec}",
"arrow-right-from-bracket": "\u{f08b}",
"sign-out": "\u{f08b}",
"arrow-right-long": "\u{f178}",
"long-arrow-right": "\u{f178}",
"arrow-right-to-bracket": "\u{f090}",
"sign-in": "\u{f090}",
"arrow-right-to-city": "\u{e4b3}",
"arrow-rotate-left": "\u{f0e2}",
"arrow-left-rotate": "\u{f0e2}",
"arrow-rotate-back": "\u{f0e2}",
"arrow-rotate-backward": "\u{f0e2}",
"undo": "\u{f0e2}",
"arrow-rotate-right": "\u{f01e}",
"arrow-right-rotate": "\u{f01e}",
"arrow-rotate-forward": "\u{f01e}",
"redo": "\u{f01e}",
"arrow-trend-down": "\u{e097}",
"arrow-trend-up": "\u{e098}",
"arrow-turn-down": "\u{f149}",
"level-down": "\u{f149}",
"arrow-turn-up": "\u{f148}",
"level-up": "\u{f148}",
"arrow-up": "\u{f062}",
"arrow-up-1-9": "\u{f163}",
"sort-numeric-up": "\u{f163}",
"arrow-up-9-1": "\u{f887}",
"sort-numeric-up-alt": "\u{f887}",
"arrow-up-a-z": "\u{f15e}",
"sort-alpha-up": "\u{f15e}",
"arrow-up-from-bracket": "\u{e09a}",
"arrow-up-from-ground-water": "\u{e4b5}",
"arrow-up-from-water-pump": "\u{e4b6}",
"arrow-up-long": "\u{f176}",
"long-arrow-up": "\u{f176}",
"arrow-up-right-dots": "\u{e4b7}",
"arrow-up-right-from-square": "\u{f08e}",
"external-link": "\u{f08e}",
"arrow-up-short-wide": "\u{f885}",
"sort-amount-up-alt": "\u{f885}",
"arrow-up-wide-short": "\u{f161}",
"sort-amount-up": "\u{f161}",
"arrow-up-z-a": "\u{f882}",
"sort-alpha-up-alt": "\u{f882}",
"arrows-down-to-line": "\u{e4b8}",
"arrows-down-to-people": "\u{e4b9}",
"arrows-left-right": "\u{f07e}",
"arrows-h": "\u{f07e}",
"arrows-left-right-to-line": "\u{e4ba}",
"arrows-rotate": "\u{f021}",
"refresh": "\u{f021}",
"sync": "\u{f021}",
"arrows-spin": "\u{e4bb}",
"arrows-split-up-and-left": "\u{e4bc}",
"arrows-to-circle": "\u{e4bd}",
"arrows-to-dot": "\u{e4be}",
"arrows-to-eye": "\u{e4bf}",
"arrows-turn-right": "\u{e4c0}",
"arrows-turn-to-dots": "\u{e4c1}",
"arrows-up-down": "\u{f07d}",
"arrows-v": "\u{f07d}",
"arrows-up-down-left-right": "\u{f047}",
"arrows": "\u{f047}",
"arrows-up-to-line": "\u{e4c2}",
"artstation": "\u{f77a}",
"asterisk": "\u{2a}",
"asymmetrik": "\u{f372}",
"at": "\u{40}",
"atlassian": "\u{f77b}",
"atom": "\u{f5d2}",
"audible": "\u{f373}",
"audio-description": "\u{f29e}",
"austral-sign": "\u{e0a9}",
"autoprefixer": "\u{f41c}",
"avianex": "\u{f374}",
"aviato": "\u{f421}",
"award": "\u{f559}",
"aws": "\u{f375}",
"b": "\u{42}",
"baby": "\u{f77c}",
"baby-carriage": "\u{f77d}",
"carriage-baby": "\u{f77d}",
"backward": "\u{f04a}",
"backward-fast": "\u{f049}",
"fast-backward": "\u{f049}",
"backward-step": "\u{f048}",
"step-backward": "\u{f048}",
"bacon": "\u{f7e5}",
"bacteria": "\u{e059}",
"bacterium": "\u{e05a}",
"bag-shopping": "\u{f290}",
"shopping-bag": "\u{f290}",
"bahai": "\u{f666}",
"haykal": "\u{f666}",
"baht-sign": "\u{e0ac}",
"ban": "\u{f05e}",
"cancel": "\u{f05e}",
"ban-smoking": "\u{f54d}",
"smoking-ban": "\u{f54d}",
"bandage": "\u{f462}",
"band-aid": "\u{f462}",
"bandcamp": "\u{f2d5}",
"bangladeshi-taka-sign": "\u{e2e6}",
"barcode": "\u{f02a}",
"bars": "\u{f0c9}",
"navicon": "\u{f0c9}",
"bars-progress": "\u{f828}",
"tasks-alt": "\u{f828}",
"bars-staggered": "\u{f550}",
"reorder": "\u{f550}",
"stream": "\u{f550}",
"baseball": "\u{f433}",
"baseball-ball": "\u{f433}",
"baseball-bat-ball": "\u{f432}",
"basket-shopping": "\u{f291}",
"shopping-basket": "\u{f291}",
"basketball": "\u{f434}",
"basketball-ball": "\u{f434}",
"bath": "\u{f2cd}",
"bathtub": "\u{f2cd}",
"battery-empty": "\u{f244}",
"battery-0": "\u{f244}",
"battery-full": "\u{f240}",
"battery": "\u{f240}",
"battery-5": "\u{f240}",
"battery-half": "\u{f242}",
"battery-3": "\u{f242}",
"battery-quarter": "\u{f243}",
"battery-2": "\u{f243}",
"battery-three-quarters": "\u{f241}",
"battery-4": "\u{f241}",
"battle-net": "\u{f835}",
"bed": "\u{f236}",
"bed-pulse": "\u{f487}",
"procedures": "\u{f487}",
"beer-mug-empty": "\u{f0fc}",
"beer": "\u{f0fc}",
"behance": "\u{f1b4}",
"bell": "\u{f0f3}",
"bell-concierge": "\u{f562}",
"concierge-bell": "\u{f562}",
"bell-slash": "\u{f1f6}",
"bezier-curve": "\u{f55b}",
"bicycle": "\u{f206}",
"bilibili": "\u{e3d9}",
"bimobject": "\u{f378}",
"binoculars": "\u{f1e5}",
"biohazard": "\u{f780}",
"bitbucket": "\u{f171}",
"bitcoin": "\u{f379}",
"bitcoin-sign": "\u{e0b4}",
"bity": "\u{f37a}",
"black-tie": "\u{f27e}",
"blackberry": "\u{f37b}",
"blender": "\u{f517}",
"blender-phone": "\u{f6b6}",
"blog": "\u{f781}",
"blogger": "\u{f37c}",
"blogger-b": "\u{f37d}",
"bluesky": "\u{e671}",
"bluetooth": "\u{f293}",
"bluetooth-b": "\u{f294}",
"bold": "\u{f032}",
"bolt": "\u{f0e7}",
"zap": "\u{f0e7}",
"bolt-lightning": "\u{e0b7}",
"bomb": "\u{f1e2}",
"bone": "\u{f5d7}",
"bong": "\u{f55c}",
"book": "\u{f02d}",
"book-atlas": "\u{f558}",
"atlas": "\u{f558}",
"book-bible": "\u{f647}",
"bible": "\u{f647}",
"book-bookmark": "\u{e0bb}",
"book-journal-whills": "\u{f66a}",
"journal-whills": "\u{f66a}",
"book-medical": "\u{f7e6}",
"book-open": "\u{f518}",
"book-open-reader": "\u{f5da}",
"book-reader": "\u{f5da}",
"book-quran": "\u{f687}",
"quran": "\u{f687}",
"book-skull": "\u{f6b7}",
"book-dead": "\u{f6b7}",
"book-tanakh": "\u{f827}",
"tanakh": "\u{f827}",
"bookmark": "\u{f02e}",
"bootstrap": "\u{f836}",
"border-all": "\u{f84c}",
"border-none": "\u{f850}",
"border-top-left": "\u{f853}",
"border-style": "\u{f853}",
"bore-hole": "\u{e4c3}",
"bots": "\u{e340}",
"bottle-droplet": "\u{e4c4}",
"bottle-water": "\u{e4c5}",
"bowl-food": "\u{e4c6}",
"bowl-rice": "\u{e2eb}",
"bowling-ball": "\u{f436}",
"box": "\u{f466}",
"box-archive": "\u{f187}",
"archive": "\u{f187}",
"box-open": "\u{f49e}",
"box-tissue": "\u{e05b}",
"boxes-packing": "\u{e4c7}",
"boxes-stacked": "\u{f468}",
"boxes": "\u{f468}",
"boxes-alt": "\u{f468}",
"braille": "\u{f2a1}",
"brain": "\u{f5dc}",
"brave": "\u{e63c}",
"brave-reverse": "\u{e63d}",
"brazilian-real-sign": "\u{e46c}",
"bread-slice": "\u{f7ec}",
"bridge": "\u{e4c8}",
"bridge-circle-check": "\u{e4c9}",
"bridge-circle-exclamation": "\u{e4ca}",
"bridge-circle-xmark": "\u{e4cb}",
"bridge-lock": "\u{e4cc}",
"bridge-water": "\u{e4ce}",
"briefcase": "\u{f0b1}",
"briefcase-medical": "\u{f469}",
"broom": "\u{f51a}",
"broom-ball": "\u{f458}",
"quidditch": "\u{f458}",
"quidditch-broom-ball": "\u{f458}",
"brush": "\u{f55d}",
"btc": "\u{f15a}",
"bucket": "\u{e4cf}",
"buffer": "\u{f837}",
"bug": "\u{f188}",
"bug-slash": "\u{e490}",
"bugs": "\u{e4d0}",
"building": "\u{f1ad}",
"building-circle-arrow-right": "\u{e4d1}",
"building-circle-check": "\u{e4d2}",
"building-circle-exclamation": "\u{e4d3}",
"building-circle-xmark": "\u{e4d4}",
"building-columns": "\u{f19c}",
"bank": "\u{f19c}",
"institution": "\u{f19c}",
"museum": "\u{f19c}",
"university": "\u{f19c}",
"building-flag": "\u{e4d5}",
"building-lock": "\u{e4d6}",
"building-ngo": "\u{e4d7}",
"building-shield": "\u{e4d8}",
"building-un": "\u{e4d9}",
"building-user": "\u{e4da}",
"building-wheat": "\u{e4db}",
"bullhorn": "\u{f0a1}",
"bullseye": "\u{f140}",
"burger": "\u{f805}",
"hamburger": "\u{f805}",
"buromobelexperte": "\u{f37f}",
"burst": "\u{e4dc}",
"bus": "\u{f207}",
"bus-simple": "\u{f55e}",
"bus-alt": "\u{f55e}",
"business-time": "\u{f64a}",
"briefcase-clock": "\u{f64a}",
"buy-n-large": "\u{f8a6}",
"buysellads": "\u{f20d}",
"c": "\u{43}",
"cable-car": "\u{f7da}",
"tram": "\u{f7da}",
"cake-candles": "\u{f1fd}",
"birthday-cake": "\u{f1fd}",
"cake": "\u{f1fd}",
"calculator": "\u{f1ec}",
"calendar": "\u{f133}",
"calendar-check": "\u{f274}",
"calendar-day": "\u{f783}",
"calendar-days": "\u{f073}",
"calendar-alt": "\u{f073}",
"calendar-minus": "\u{f272}",
"calendar-plus": "\u{f271}",
"calendar-week": "\u{f784}",
"calendar-xmark": "\u{f273}",
"calendar-times": "\u{f273}",
"camera": "\u{f030}",
"camera-alt": "\u{f030}",
"camera-retro": "\u{f083}",
"camera-rotate": "\u{e0d8}",
"campground": "\u{f6bb}",
"canadian-maple-leaf": "\u{f785}",
"candy-cane": "\u{f786}",
"cannabis": "\u{f55f}",
"capsules": "\u{f46b}",
"car": "\u{f1b9}",
"automobile": "\u{f1b9}",
"car-battery": "\u{f5df}",
"battery-car": "\u{f5df}",
"car-burst": "\u{f5e1}",
"car-crash": "\u{f5e1}",
"car-on": "\u{e4dd}",
"car-rear": "\u{f5de}",
"car-alt": "\u{f5de}",
"car-side": "\u{f5e4}",
"car-tunnel": "\u{e4de}",
"caravan": "\u{f8ff}",
"caret-down": "\u{f0d7}",
"caret-left": "\u{f0d9}",
"caret-right": "\u{f0da}",
"caret-up": "\u{f0d8}",
"carrot": "\u{f787}",
"cart-arrow-down": "\u{f218}",
"cart-flatbed": "\u{f474}",
"dolly-flatbed": "\u{f474}",
"cart-flatbed-suitcase": "\u{f59d}",
"luggage-cart": "\u{f59d}",
"cart-plus": "\u{f217}",
"cart-shopping": "\u{f07a}",
"shopping-cart": "\u{f07a}",
"cash-register": "\u{f788}",
"cat": "\u{f6be}",
"cc-amazon-pay": "\u{f42d}",
"cc-amex": "\u{f1f3}",
"cc-apple-pay": "\u{f416}",
"cc-diners-club": "\u{f24c}",
"cc-discover": "\u{f1f2}",
"cc-jcb": "\u{f24b}",
"cc-mastercard": "\u{f1f1}",
"cc-paypal": "\u{f1f4}",
"cc-stripe": "\u{f1f5}",
"cc-visa": "\u{f1f0}",
"cedi-sign": "\u{e0df}",
"cent-sign": "\u{e3f5}",
"centercode": "\u{f380}",
"centos": "\u{f789}",
"certificate": "\u{f0a3}",
"chair": "\u{f6c0}",
"chalkboard": "\u{f51b}",
"blackboard": "\u{f51b}",
"chalkboard-user": "\u{f51c}",
"chalkboard-teacher": "\u{f51c}",
"champagne-glasses": "\u{f79f}",
"glass-cheers": "\u{f79f}",
"charging-station": "\u{f5e7}",
"chart-area": "\u{f1fe}",
"area-chart": "\u{f1fe}",
"chart-bar": "\u{f080}",
"bar-chart": "\u{f080}",
"chart-column": "\u{e0e3}",
"chart-gantt": "\u{e0e4}",
"chart-line": "\u{f201}",
"line-chart": "\u{f201}",
"chart-pie": "\u{f200}",
"pie-chart": "\u{f200}",
"chart-simple": "\u{e473}",
"check": "\u{f00c}",
"check-double": "\u{f560}",
"check-to-slot": "\u{f772}",
"vote-yea": "\u{f772}",
"cheese": "\u{f7ef}",
"chess": "\u{f439}",
"chess-bishop": "\u{f43a}",
"chess-board": "\u{f43c}",
"chess-king": "\u{f43f}",
"chess-knight": "\u{f441}",
"chess-pawn": "\u{f443}",
"chess-queen": "\u{f445}",
"chess-rook": "\u{f447}",
"chevron-down": "\u{f078}",
"chevron-left": "\u{f053}",
"chevron-right": "\u{f054}",
"chevron-up": "\u{f077}",
"child": "\u{f1ae}",
"child-combatant": "\u{e4e0}",
"child-rifle": "\u{e4e0}",
"child-dress": "\u{e59c}",
"child-reaching": "\u{e59d}",
"children": "\u{e4e1}",
"chrome": "\u{f268}",
"chromecast": "\u{f838}",
"church": "\u{f51d}",
"circle": "\u{f111}",
"circle-arrow-down": "\u{f0ab}",
"arrow-circle-down": "\u{f0ab}",
"circle-arrow-left": "\u{f0a8}",
"arrow-circle-left": "\u{f0a8}",
"circle-arrow-right": "\u{f0a9}",
"arrow-circle-right": "\u{f0a9}",
"circle-arrow-up": "\u{f0aa}",
"arrow-circle-up": "\u{f0aa}",
"circle-check": "\u{f058}",
"check-circle": "\u{f058}",
"circle-chevron-down": "\u{f13a}",
"chevron-circle-down": "\u{f13a}",
"circle-chevron-left": "\u{f137}",
"chevron-circle-left": "\u{f137}",
"circle-chevron-right": "\u{f138}",
"chevron-circle-right": "\u{f138}",
"circle-chevron-up": "\u{f139}",
"chevron-circle-up": "\u{f139}",
"circle-dollar-to-slot": "\u{f4b9}",
"donate": "\u{f4b9}",
"circle-dot": "\u{f192}",
"dot-circle": "\u{f192}",
"circle-down": "\u{f358}",
"arrow-alt-circle-down": "\u{f358}",
"circle-exclamation": "\u{f06a}",
"exclamation-circle": "\u{f06a}",
"circle-h": "\u{f47e}",
"hospital-symbol": "\u{f47e}",
"circle-half-stroke": "\u{f042}",
"adjust": "\u{f042}",
"circle-info": "\u{f05a}",
"info-circle": "\u{f05a}",
"circle-left": "\u{f359}",
"arrow-alt-circle-left": "\u{f359}",
"circle-minus": "\u{f056}",
"minus-circle": "\u{f056}",
"circle-nodes": "\u{e4e2}",
"circle-notch": "\u{f1ce}",
"circle-pause": "\u{f28b}",
"pause-circle": "\u{f28b}",
"circle-play": "\u{f144}",
"play-circle": "\u{f144}",
"circle-plus": "\u{f055}",
"plus-circle": "\u{f055}",
"circle-question": "\u{f059}",
"question-circle": "\u{f059}",
"circle-radiation": "\u{f7ba}",
"radiation-alt": "\u{f7ba}",
"circle-right": "\u{f35a}",
"arrow-alt-circle-right": "\u{f35a}",
"circle-stop": "\u{f28d}",
"stop-circle": "\u{f28d}",
"circle-up": "\u{f35b}",
"arrow-alt-circle-up": "\u{f35b}",
"circle-user": "\u{f2bd}",
"user-circle": "\u{f2bd}",
"circle-xmark": "\u{f057}",
"times-circle": "\u{f057}",
"xmark-circle": "\u{f057}",
"city": "\u{f64f}",
"clapperboard": "\u{e131}",
"clipboard": "\u{f328}",
"clipboard-check": "\u{f46c}",
"clipboard-list": "\u{f46d}",
"clipboard-question": "\u{e4e3}",
"clipboard-user": "\u{f7f3}",
"clock": "\u{f017}",
"clock-four": "\u{f017}",
"clock-rotate-left": "\u{f1da}",
"history": "\u{f1da}",
"clone": "\u{f24d}",
"closed-captioning": "\u{f20a}",
"cloud": "\u{f0c2}",
"cloud-arrow-down": "\u{f0ed}",
"cloud-download": "\u{f0ed}",
"cloud-download-alt": "\u{f0ed}",
"cloud-arrow-up": "\u{f0ee}",
"cloud-upload": "\u{f0ee}",
"cloud-upload-alt": "\u{f0ee}",
"cloud-bolt": "\u{f76c}",
"thunderstorm": "\u{f76c}",
"cloud-meatball": "\u{f73b}",
"cloud-moon": "\u{f6c3}",
"cloud-moon-rain": "\u{f73c}",
"cloud-rain": "\u{f73d}",
"cloud-showers-heavy": "\u{f740}",
"cloud-showers-water": "\u{e4e4}",
"cloud-sun": "\u{f6c4}",
"cloud-sun-rain": "\u{f743}",
"cloudflare": "\u{e07d}",
"cloudscale": "\u{f383}",
"cloudsmith": "\u{f384}",
"cloudversify": "\u{f385}",
"clover": "\u{e139}",
"cmplid": "\u{e360}",
"code": "\u{f121}",
"code-branch": "\u{f126}",
"code-commit": "\u{f386}",
"code-compare": "\u{e13a}",
"code-fork": "\u{e13b}",
"code-merge": "\u{f387}",
"code-pull-request": "\u{e13c}",
"codepen": "\u{f1cb}",
"codiepie": "\u{f284}",
"coins": "\u{f51e}",
"colon-sign": "\u{e140}",
"comment": "\u{f075}",
"comment-dollar": "\u{f651}",
"comment-dots": "\u{f4ad}",
"commenting": "\u{f4ad}",
"comment-medical": "\u{f7f5}",
"comment-slash": "\u{f4b3}",
"comment-sms": "\u{f7cd}",
"sms": "\u{f7cd}",
"comments": "\u{f086}",
"comments-dollar": "\u{f653}",
"compact-disc": "\u{f51f}",
"compass": "\u{f14e}",
"compass-drafting": "\u{f568}",
"drafting-compass": "\u{f568}",
"compress": "\u{f066}",
"computer": "\u{e4e5}",
"computer-mouse": "\u{f8cc}",
"mouse": "\u{f8cc}",
"confluence": "\u{f78d}",
"connectdevelop": "\u{f20e}",
"contao": "\u{f26d}",
"cookie": "\u{f563}",
"cookie-bite": "\u{f564}",
"copy": "\u{f0c5}",
"copyright": "\u{f1f9}",
"cotton-bureau": "\u{f89e}",
"couch": "\u{f4b8}",
"cow": "\u{f6c8}",
"cpanel": "\u{f388}",
"creative-commons": "\u{f25e}",
"creative-commons-by": "\u{f4e7}",
"creative-commons-nc": "\u{f4e8}",
"creative-commons-nc-eu": "\u{f4e9}",
"creative-commons-nc-jp": "\u{f4ea}",
"creative-commons-nd": "\u{f4eb}",
"creative-commons-pd": "\u{f4ec}",
"creative-commons-pd-alt": "\u{f4ed}",
"creative-commons-remix": "\u{f4ee}",
"creative-commons-sa": "\u{f4ef}",
"creative-commons-sampling": "\u{f4f0}",
"creative-commons-sampling-plus": "\u{f4f1}",
"creative-commons-share": "\u{f4f2}",
"creative-commons-zero": "\u{f4f3}",
"credit-card": "\u{f09d}",
"credit-card-alt": "\u{f09d}",
"critical-role": "\u{f6c9}",
"crop": "\u{f125}",
"crop-simple": "\u{f565}",
"crop-alt": "\u{f565}",
"cross": "\u{f654}",
"crosshairs": "\u{f05b}",
"crow": "\u{f520}",
"crown": "\u{f521}",
"crutch": "\u{f7f7}",
"cruzeiro-sign": "\u{e152}",
"css3": "\u{f13c}",
"css3-alt": "\u{f38b}",
"cube": "\u{f1b2}",
"cubes": "\u{f1b3}",
"cubes-stacked": "\u{e4e6}",
"cuttlefish": "\u{f38c}",
"d": "\u{44}",
"d-and-d": "\u{f38d}",
"d-and-d-beyond": "\u{f6ca}",
"dailymotion": "\u{e052}",
"dashcube": "\u{f210}",
"database": "\u{f1c0}",
"debian": "\u{e60b}",
"deezer": "\u{e077}",
"delete-left": "\u{f55a}",
"backspace": "\u{f55a}",
"delicious": "\u{f1a5}",
"democrat": "\u{f747}",
"deploydog": "\u{f38e}",
"deskpro": "\u{f38f}",
"desktop": "\u{f390}",
"desktop-alt": "\u{f390}",
"dev": "\u{f6cc}",
"deviantart": "\u{f1bd}",
"dharmachakra": "\u{f655}",
"dhl": "\u{f790}",
"diagram-next": "\u{e476}",
"diagram-predecessor": "\u{e477}",
"diagram-project": "\u{f542}",
"project-diagram": "\u{f542}",
"diagram-successor": "\u{e47a}",
"diamond": "\u{f219}",
"diamond-turn-right": "\u{f5eb}",
"directions": "\u{f5eb}",
"diaspora": "\u{f791}",
"dice": "\u{f522}",
"dice-d20": "\u{f6cf}",
"dice-d6": "\u{f6d1}",
"dice-five": "\u{f523}",
"dice-four": "\u{f524}",
"dice-one": "\u{f525}",
"dice-six": "\u{f526}",
"dice-three": "\u{f527}",
"dice-two": "\u{f528}",
"digg": "\u{f1a6}",
"digital-ocean": "\u{f391}",
"discord": "\u{f392}",
"discourse": "\u{f393}",
"disease": "\u{f7fa}",
"display": "\u{e163}",
"divide": "\u{f529}",
"dna": "\u{f471}",
"dochub": "\u{f394}",
"docker": "\u{f395}",
"dog": "\u{f6d3}",
"dollar-sign": "\u{24}",
"dollar": "\u{24}",
"usd": "\u{24}",
"dolly": "\u{f472}",
"dolly-box": "\u{f472}",
"dong-sign": "\u{e169}",
"door-closed": "\u{f52a}",
"door-open": "\u{f52b}",
"dove": "\u{f4ba}",
"down-left-and-up-right-to-center": "\u{f422}",
"compress-alt": "\u{f422}",
"down-long": "\u{f309}",
"long-arrow-alt-down": "\u{f309}",
"download": "\u{f019}",
"draft2digital": "\u{f396}",
"dragon": "\u{f6d5}",
"draw-polygon": "\u{f5ee}",
"dribbble": "\u{f17d}",
"dropbox": "\u{f16b}",
"droplet": "\u{f043}",
"tint": "\u{f043}",
"droplet-slash": "\u{f5c7}",
"tint-slash": "\u{f5c7}",
"drum": "\u{f569}",
"drum-steelpan": "\u{f56a}",
"drumstick-bite": "\u{f6d7}",
"drupal": "\u{f1a9}",
"dumbbell": "\u{f44b}",
"dumpster": "\u{f793}",
"dumpster-fire": "\u{f794}",
"dungeon": "\u{f6d9}",
"dyalog": "\u{f399}",
"e": "\u{45}",
"ear-deaf": "\u{f2a4}",
"deaf": "\u{f2a4}",
"deafness": "\u{f2a4}",
"hard-of-hearing": "\u{f2a4}",
"ear-listen": "\u{f2a2}",
"assistive-listening-systems": "\u{f2a2}",
"earlybirds": "\u{f39a}",
"earth-africa": "\u{f57c}",
"globe-africa": "\u{f57c}",
"earth-americas": "\u{f57d}",
"earth": "\u{f57d}",
"earth-america": "\u{f57d}",
"globe-americas": "\u{f57d}",
"earth-asia": "\u{f57e}",
"globe-asia": "\u{f57e}",
"earth-europe": "\u{f7a2}",
"globe-europe": "\u{f7a2}",
"earth-oceania": "\u{e47b}",
"globe-oceania": "\u{e47b}",
"ebay": "\u{f4f4}",
"edge": "\u{f282}",
"edge-legacy": "\u{e078}",
"egg": "\u{f7fb}",
"eject": "\u{f052}",
"elementor": "\u{f430}",
"elevator": "\u{e16d}",
"ellipsis": "\u{f141}",
"ellipsis-h": "\u{f141}",
"ellipsis-vertical": "\u{f142}",
"ellipsis-v": "\u{f142}",
"ello": "\u{f5f1}",
"ember": "\u{f423}",
"empire": "\u{f1d1}",
"envelope": "\u{f0e0}",
"envelope-circle-check": "\u{e4e8}",
"envelope-open": "\u{f2b6}",
"envelope-open-text": "\u{f658}",
"envelopes-bulk": "\u{f674}",
"mail-bulk": "\u{f674}",
"envira": "\u{f299}",
"equals": "\u{3d}",
"eraser": "\u{f12d}",
"erlang": "\u{f39d}",
"ethereum": "\u{f42e}",
"ethernet": "\u{f796}",
"etsy": "\u{f2d7}",
"euro-sign": "\u{f153}",
"eur": "\u{f153}",
"euro": "\u{f153}",
"evernote": "\u{f839}",
"exclamation": "\u{21}",
"expand": "\u{f065}",
"expeditedssl": "\u{f23e}",
"explosion": "\u{e4e9}",
"eye": "\u{f06e}",
"eye-dropper": "\u{f1fb}",
"eye-dropper-empty": "\u{f1fb}",
"eyedropper": "\u{f1fb}",
"eye-low-vision": "\u{f2a8}",
"low-vision": "\u{f2a8}",
"eye-slash": "\u{f070}",
"f": "\u{46}",
"face-angry": "\u{f556}",
"angry": "\u{f556}",
"face-dizzy": "\u{f567}",
"dizzy": "\u{f567}",
"face-flushed": "\u{f579}",
"flushed": "\u{f579}",
"face-frown": "\u{f119}",
"frown": "\u{f119}",
"face-frown-open": "\u{f57a}",
"frown-open": "\u{f57a}",
"face-grimace": "\u{f57f}",
"grimace": "\u{f57f}",
"face-grin": "\u{f580}",
"grin": "\u{f580}",
"face-grin-beam": "\u{f582}",
"grin-beam": "\u{f582}",
"face-grin-beam-sweat": "\u{f583}",
"grin-beam-sweat": "\u{f583}",
"face-grin-hearts": "\u{f584}",
"grin-hearts": "\u{f584}",
"face-grin-squint": "\u{f585}",
"grin-squint": "\u{f585}",
"face-grin-squint-tears": "\u{f586}",
"grin-squint-tears": "\u{f586}",
"face-grin-stars": "\u{f587}",
"grin-stars": "\u{f587}",
"face-grin-tears": "\u{f588}",
"grin-tears": "\u{f588}",
"face-grin-tongue": "\u{f589}",
"grin-tongue": "\u{f589}",
"face-grin-tongue-squint": "\u{f58a}",
"grin-tongue-squint": "\u{f58a}",
"face-grin-tongue-wink": "\u{f58b}",
"grin-tongue-wink": "\u{f58b}",
"face-grin-wide": "\u{f581}",
"grin-alt": "\u{f581}",
"face-grin-wink": "\u{f58c}",
"grin-wink": "\u{f58c}",
"face-kiss": "\u{f596}",
"kiss": "\u{f596}",
"face-kiss-beam": "\u{f597}",
"kiss-beam": "\u{f597}",
"face-kiss-wink-heart": "\u{f598}",
"kiss-wink-heart": "\u{f598}",
"face-laugh": "\u{f599}",
"laugh": "\u{f599}",
"face-laugh-beam": "\u{f59a}",
"laugh-beam": "\u{f59a}",
"face-laugh-squint": "\u{f59b}",
"laugh-squint": "\u{f59b}",
"face-laugh-wink": "\u{f59c}",
"laugh-wink": "\u{f59c}",
"face-meh": "\u{f11a}",
"meh": "\u{f11a}",
"face-meh-blank": "\u{f5a4}",
"meh-blank": "\u{f5a4}",
"face-rolling-eyes": "\u{f5a5}",
"meh-rolling-eyes": "\u{f5a5}",
"face-sad-cry": "\u{f5b3}",
"sad-cry": "\u{f5b3}",
"face-sad-tear": "\u{f5b4}",
"sad-tear": "\u{f5b4}",
"face-smile": "\u{f118}",
"smile": "\u{f118}",
"face-smile-beam": "\u{f5b8}",
"smile-beam": "\u{f5b8}",
"face-smile-wink": "\u{f4da}",
"smile-wink": "\u{f4da}",
"face-surprise": "\u{f5c2}",
"surprise": "\u{f5c2}",
"face-tired": "\u{f5c8}",
"tired": "\u{f5c8}",
"facebook": "\u{f09a}",
"facebook-f": "\u{f39e}",
"facebook-messenger": "\u{f39f}",
"fan": "\u{f863}",
"fantasy-flight-games": "\u{f6dc}",
"faucet": "\u{e005}",
"faucet-drip": "\u{e006}",
"fax": "\u{f1ac}",
"feather": "\u{f52d}",
"feather-pointed": "\u{f56b}",
"feather-alt": "\u{f56b}",
"fedex": "\u{f797}",
"fedora": "\u{f798}",
"ferry": "\u{e4ea}",
"figma": "\u{f799}",
"file": "\u{f15b}",
"file-arrow-down": "\u{f56d}",
"file-download": "\u{f56d}",
"file-arrow-up": "\u{f574}",
"file-upload": "\u{f574}",
"file-audio": "\u{f1c7}",
"file-circle-check": "\u{e5a0}",
"file-circle-exclamation": "\u{e4eb}",
"file-circle-minus": "\u{e4ed}",
"file-circle-plus": "\u{e494}",
"file-circle-question": "\u{e4ef}",
"file-circle-xmark": "\u{e5a1}",
"file-code": "\u{f1c9}",
"file-contract": "\u{f56c}",
"file-csv": "\u{f6dd}",
"file-excel": "\u{f1c3}",
"file-export": "\u{f56e}",
"arrow-right-from-file": "\u{f56e}",
"file-image": "\u{f1c5}",
"file-import": "\u{f56f}",
"arrow-right-to-file": "\u{f56f}",
"file-invoice": "\u{f570}",
"file-invoice-dollar": "\u{f571}",
"file-lines": "\u{f15c}",
"file-alt": "\u{f15c}",
"file-text": "\u{f15c}",
"file-medical": "\u{f477}",
"file-pdf": "\u{f1c1}",
"file-pen": "\u{f31c}",
"file-edit": "\u{f31c}",
"file-powerpoint": "\u{f1c4}",
"file-prescription": "\u{f572}",
"file-shield": "\u{e4f0}",
"file-signature": "\u{f573}",
"file-video": "\u{f1c8}",
"file-waveform": "\u{f478}",
"file-medical-alt": "\u{f478}",
"file-word": "\u{f1c2}",
"file-zipper": "\u{f1c6}",
"file-archive": "\u{f1c6}",
"fill": "\u{f575}",
"fill-drip": "\u{f576}",
"film": "\u{f008}",
"filter": "\u{f0b0}",
"filter-circle-dollar": "\u{f662}",
"funnel-dollar": "\u{f662}",
"filter-circle-xmark": "\u{e17b}",
"fingerprint": "\u{f577}",
"fire": "\u{f06d}",
"fire-burner": "\u{e4f1}",
"fire-extinguisher": "\u{f134}",
"fire-flame-curved": "\u{f7e4}",
"fire-alt": "\u{f7e4}",
"fire-flame-simple": "\u{f46a}",
"burn": "\u{f46a}",
"firefox": "\u{f269}",
"firefox-browser": "\u{e007}",
"first-order": "\u{f2b0}",
"first-order-alt": "\u{f50a}",
"firstdraft": "\u{f3a1}",
"fish": "\u{f578}",
"fish-fins": "\u{e4f2}",
"flag": "\u{f024}",
"flag-checkered": "\u{f11e}",
"flag-usa": "\u{f74d}",
"flask": "\u{f0c3}",
"flask-vial": "\u{e4f3}",
"flickr": "\u{f16e}",
"flipboard": "\u{f44d}",
"floppy-disk": "\u{f0c7}",
"save": "\u{f0c7}",
"florin-sign": "\u{e184}",
"fly": "\u{f417}",
"folder": "\u{f07b}",
"folder-blank": "\u{f07b}",
"folder-closed": "\u{e185}",
"folder-minus": "\u{f65d}",
"folder-open": "\u{f07c}",
"folder-plus": "\u{f65e}",
"folder-tree": "\u{f802}",
"font": "\u{f031}",
"font-awesome": "\u{f2b4}",
"font-awesome-flag": "\u{f2b4}",
"font-awesome-logo-full": "\u{f2b4}",
"fonticons": "\u{f280}",
"fonticons-fi": "\u{f3a2}",
"football": "\u{f44e}",
"football-ball": "\u{f44e}",
"fort-awesome": "\u{f286}",
"fort-awesome-alt": "\u{f3a3}",
"forumbee": "\u{f211}",
"forward": "\u{f04e}",
"forward-fast": "\u{f050}",
"fast-forward": "\u{f050}",
"forward-step": "\u{f051}",
"step-forward": "\u{f051}",
"foursquare": "\u{f180}",
"franc-sign": "\u{e18f}",
"free-code-camp": "\u{f2c5}",
"freebsd": "\u{f3a4}",
"frog": "\u{f52e}",
"fulcrum": "\u{f50b}",
"futbol": "\u{f1e3}",
"futbol-ball": "\u{f1e3}",
"soccer-ball": "\u{f1e3}",
"g": "\u{47}",
"galactic-republic": "\u{f50c}",
"galactic-senate": "\u{f50d}",
"gamepad": "\u{f11b}",
"gas-pump": "\u{f52f}",
"gauge": "\u{f624}",
"dashboard": "\u{f624}",
"gauge-med": "\u{f624}",
"tachometer-alt-average": "\u{f624}",
"gauge-high": "\u{f625}",
"tachometer-alt": "\u{f625}",
"tachometer-alt-fast": "\u{f625}",
"gauge-simple": "\u{f629}",
"gauge-simple-med": "\u{f629}",
"tachometer-average": "\u{f629}",
"gauge-simple-high": "\u{f62a}",
"tachometer": "\u{f62a}",
"tachometer-fast": "\u{f62a}",
"gavel": "\u{f0e3}",
"legal": "\u{f0e3}",
"gear": "\u{f013}",
"cog": "\u{f013}",
"gears": "\u{f085}",
"cogs": "\u{f085}",
"gem": "\u{f3a5}",
"genderless": "\u{f22d}",
"get-pocket": "\u{f265}",
"gg": "\u{f260}",
"gg-circle": "\u{f261}",
"ghost": "\u{f6e2}",
"gift": "\u{f06b}",
"gifts": "\u{f79c}",
"git": "\u{f1d3}",
"git-alt": "\u{f841}",
"github": "\u{f09b}",
"github-alt": "\u{f113}",
"gitkraken": "\u{f3a6}",
"gitlab": "\u{f296}",
"gitter": "\u{f426}",
"glass-water": "\u{e4f4}",
"glass-water-droplet": "\u{e4f5}",
"glasses": "\u{f530}",
"glide": "\u{f2a5}",
"glide-g": "\u{f2a6}",
"globe": "\u{f0ac}",
"gofore": "\u{f3a7}",
"golang": "\u{e40f}",
"golf-ball-tee": "\u{f450}",
"golf-ball": "\u{f450}",
"goodreads": "\u{f3a8}",
"goodreads-g": "\u{f3a9}",
"google": "\u{f1a0}",
"google-drive": "\u{f3aa}",
"google-pay": "\u{e079}",
"google-play": "\u{f3ab}",
"google-plus": "\u{f2b3}",
"google-plus-g": "\u{f0d5}",
"google-scholar": "\u{e63b}",
"google-wallet": "\u{f1ee}",
"gopuram": "\u{f664}",
"graduation-cap": "\u{f19d}",
"mortar-board": "\u{f19d}",
"gratipay": "\u{f184}",
"grav": "\u{f2d6}",
"greater-than": "\u{3e}",
"greater-than-equal": "\u{f532}",
"grip": "\u{f58d}",
"grip-horizontal": "\u{f58d}",
"grip-lines": "\u{f7a4}",
"grip-lines-vertical": "\u{f7a5}",
"grip-vertical": "\u{f58e}",
"gripfire": "\u{f3ac}",
"group-arrows-rotate": "\u{e4f6}",
"grunt": "\u{f3ad}",
"guarani-sign": "\u{e19a}",
"guilded": "\u{e07e}",
"guitar": "\u{f7a6}",
"gulp": "\u{f3ae}",
"gun": "\u{e19b}",
"h": "\u{48}",
"hacker-news": "\u{f1d4}",
"hackerrank": "\u{f5f7}",
"hammer": "\u{f6e3}",
"hamsa": "\u{f665}",
"hand": "\u{f256}",
"hand-paper": "\u{f256}",
"hand-back-fist": "\u{f255}",
"hand-rock": "\u{f255}",
"hand-dots": "\u{f461}",
"allergies": "\u{f461}",
"hand-fist": "\u{f6de}",
"fist-raised": "\u{f6de}",
"hand-holding": "\u{f4bd}",
"hand-holding-dollar": "\u{f4c0}",
"hand-holding-usd": "\u{f4c0}",
"hand-holding-droplet": "\u{f4c1}",
"hand-holding-water": "\u{f4c1}",
"hand-holding-hand": "\u{e4f7}",
"hand-holding-heart": "\u{f4be}",
"hand-holding-medical": "\u{e05c}",
"hand-lizard": "\u{f258}",
"hand-middle-finger": "\u{f806}",
"hand-peace": "\u{f25b}",
"hand-point-down": "\u{f0a7}",
"hand-point-left": "\u{f0a5}",
"hand-point-right": "\u{f0a4}",
"hand-point-up": "\u{f0a6}",
"hand-pointer": "\u{f25a}",
"hand-scissors": "\u{f257}",
"hand-sparkles": "\u{e05d}",
"hand-spock": "\u{f259}",
"handcuffs": "\u{e4f8}",
"hands": "\u{f2a7}",
"sign-language": "\u{f2a7}",
"signing": "\u{f2a7}",
"hands-asl-interpreting": "\u{f2a3}",
"american-sign-language-interpreting": "\u{f2a3}",
"asl-interpreting": "\u{f2a3}",
"hands-american-sign-language-interpreting": "\u{f2a3}",
"hands-bound": "\u{e4f9}",
"hands-bubbles": "\u{e05e}",
"hands-wash": "\u{e05e}",
"hands-clapping": "\u{e1a8}",
"hands-holding": "\u{f4c2}",
"hands-holding-child": "\u{e4fa}",
"hands-holding-circle": "\u{e4fb}",
"hands-praying": "\u{f684}",
"praying-hands": "\u{f684}",
"handshake": "\u{f2b5}",
"handshake-angle": "\u{f4c4}",
"hands-helping": "\u{f4c4}",
"handshake-simple": "\u{f4c6}",
"handshake-alt": "\u{f4c6}",
"handshake-simple-slash": "\u{e05f}",
"handshake-alt-slash": "\u{e05f}",
"handshake-slash": "\u{e060}",
"hanukiah": "\u{f6e6}",
"hard-drive": "\u{f0a0}",
"hdd": "\u{f0a0}",
"hashnode": "\u{e499}",
"hashtag": "\u{23}",
"hat-cowboy": "\u{f8c0}",
"hat-cowboy-side": "\u{f8c1}",
"hat-wizard": "\u{f6e8}",
"head-side-cough": "\u{e061}",
"head-side-cough-slash": "\u{e062}",
"head-side-mask": "\u{e063}",
"head-side-virus": "\u{e064}",
"heading": "\u{f1dc}",
"header": "\u{f1dc}",
"headphones": "\u{f025}",
"headphones-simple": "\u{f58f}",
"headphones-alt": "\u{f58f}",
"headset": "\u{f590}",
"heart": "\u{f004}",
"heart-circle-bolt": "\u{e4fc}",
"heart-circle-check": "\u{e4fd}",
"heart-circle-exclamation": "\u{e4fe}",
"heart-circle-minus": "\u{e4ff}",
"heart-circle-plus": "\u{e500}",
"heart-circle-xmark": "\u{e501}",
"heart-crack": "\u{f7a9}",
"heart-broken": "\u{f7a9}",
"heart-pulse": "\u{f21e}",
"heartbeat": "\u{f21e}",
"helicopter": "\u{f533}",
"helicopter-symbol": "\u{e502}",
"helmet-safety": "\u{f807}",
"hard-hat": "\u{f807}",
"hat-hard": "\u{f807}",
"helmet-un": "\u{e503}",
"highlighter": "\u{f591}",
"hill-avalanche": "\u{e507}",
"hill-rockslide": "\u{e508}",
"hippo": "\u{f6ed}",
"hips": "\u{f452}",
"hire-a-helper": "\u{f3b0}",
"hive": "\u{e07f}",
"hockey-puck": "\u{f453}",
"holly-berry": "\u{f7aa}",
"hooli": "\u{f427}",
"hornbill": "\u{f592}",
"horse": "\u{f6f0}",
"horse-head": "\u{f7ab}",
"hospital": "\u{f0f8}",
"hospital-alt": "\u{f0f8}",
"hospital-wide": "\u{f0f8}",
"hospital-user": "\u{f80d}",
"hot-tub-person": "\u{f593}",
"hot-tub": "\u{f593}",
"hotdog": "\u{f80f}",
"hotel": "\u{f594}",
"hotjar": "\u{f3b1}",
"hourglass": "\u{f254}",
"hourglass-empty": "\u{f254}",
"hourglass-end": "\u{f253}",
"hourglass-3": "\u{f253}",
"hourglass-half": "\u{f252}",
"hourglass-2": "\u{f252}",
"hourglass-start": "\u{f251}",
"hourglass-1": "\u{f251}",
"house": "\u{f015}",
"home": "\u{f015}",
"home-alt": "\u{f015}",
"home-lg-alt": "\u{f015}",
"house-chimney": "\u{e3af}",
"home-lg": "\u{e3af}",
"house-chimney-crack": "\u{f6f1}",
"house-damage": "\u{f6f1}",
"house-chimney-medical": "\u{f7f2}",
"clinic-medical": "\u{f7f2}",
"house-chimney-user": "\u{e065}",
"house-chimney-window": "\u{e00d}",
"house-circle-check": "\u{e509}",
"house-circle-exclamation": "\u{e50a}",
"house-circle-xmark": "\u{e50b}",
"house-crack": "\u{e3b1}",
"house-fire": "\u{e50c}",
"house-flag": "\u{e50d}",
"house-flood-water": "\u{e50e}",
"house-flood-water-circle-arrow-right": "\u{e50f}",
"house-laptop": "\u{e066}",
"laptop-house": "\u{e066}",
"house-lock": "\u{e510}",
"house-medical": "\u{e3b2}",
"house-medical-circle-check": "\u{e511}",
"house-medical-circle-exclamation": "\u{e512}",
"house-medical-circle-xmark": "\u{e513}",
"house-medical-flag": "\u{e514}",
"house-signal": "\u{e012}",
"house-tsunami": "\u{e515}",
"house-user": "\u{e1b0}",
"home-user": "\u{e1b0}",
"houzz": "\u{f27c}",
"hryvnia-sign": "\u{f6f2}",
"hryvnia": "\u{f6f2}",
"html5": "\u{f13b}",
"hubspot": "\u{f3b2}",
"hurricane": "\u{f751}",
"i": "\u{49}",
"i-cursor": "\u{f246}",
"ice-cream": "\u{f810}",
"icicles": "\u{f7ad}",
"icons": "\u{f86d}",
"heart-music-camera-bolt": "\u{f86d}",
"id-badge": "\u{f2c1}",
"id-card": "\u{f2c2}",
"drivers-license": "\u{f2c2}",
"id-card-clip": "\u{f47f}",
"id-card-alt": "\u{f47f}",
"ideal": "\u{e013}",
"igloo": "\u{f7ae}",
"image": "\u{f03e}",
"image-portrait": "\u{f3e0}",
"portrait": "\u{f3e0}",
"images": "\u{f302}",
"imdb": "\u{f2d8}",
"inbox": "\u{f01c}",
"indent": "\u{f03c}",
"indian-rupee-sign": "\u{e1bc}",
"indian-rupee": "\u{e1bc}",
"inr": "\u{e1bc}",
"industry": "\u{f275}",
"infinity": "\u{f534}",
"info": "\u{f129}",
"instagram": "\u{f16d}",
"instalod": "\u{e081}",
"intercom": "\u{f7af}",
"internet-explorer": "\u{f26b}",
"invision": "\u{f7b0}",
"ioxhost": "\u{f208}",
"italic": "\u{f033}",
"itch-io": "\u{f83a}",
"itunes": "\u{f3b4}",
"itunes-note": "\u{f3b5}",
"j": "\u{4a}",
"jar": "\u{e516}",
"jar-wheat": "\u{e517}",
"java": "\u{f4e4}",
"jedi": "\u{f669}",
"jedi-order": "\u{f50e}",
"jenkins": "\u{f3b6}",
"jet-fighter": "\u{f0fb}",
"fighter-jet": "\u{f0fb}",
"jet-fighter-up": "\u{e518}",
"jira": "\u{f7b1}",
"joget": "\u{f3b7}",
"joint": "\u{f595}",
"joomla": "\u{f1aa}",
"js": "\u{f3b8}",
"jsfiddle": "\u{f1cc}",
"jug-detergent": "\u{e519}",
"jxl": "\u{e67b}",
"k": "\u{4b}",
"kaaba": "\u{f66b}",
"kaggle": "\u{f5fa}",
"key": "\u{f084}",
"keybase": "\u{f4f5}",
"keyboard": "\u{f11c}",
"keycdn": "\u{f3ba}",
"khanda": "\u{f66d}",
"kickstarter": "\u{f3bb}",
"square-kickstarter": "\u{f3bb}",
"kickstarter-k": "\u{f3bc}",
"kip-sign": "\u{e1c4}",
"kit-medical": "\u{f479}",
"first-aid": "\u{f479}",
"kitchen-set": "\u{e51a}",
"kiwi-bird": "\u{f535}",
"korvue": "\u{f42f}",
"l": "\u{4c}",
"land-mine-on": "\u{e51b}",
"landmark": "\u{f66f}",
"landmark-dome": "\u{f752}",
"landmark-alt": "\u{f752}",
"landmark-flag": "\u{e51c}",
"language": "\u{f1ab}",
"laptop": "\u{f109}",
"laptop-code": "\u{f5fc}",
"laptop-file": "\u{e51d}",
"laptop-medical": "\u{f812}",
"laravel": "\u{f3bd}",
"lari-sign": "\u{e1c8}",
"lastfm": "\u{f202}",
"layer-group": "\u{f5fd}",
"leaf": "\u{f06c}",
"leanpub": "\u{f212}",
"left-long": "\u{f30a}",
"long-arrow-alt-left": "\u{f30a}",
"left-right": "\u{f337}",
"arrows-alt-h": "\u{f337}",
"lemon": "\u{f094}",
"less": "\u{f41d}",
"less-than": "\u{3c}",
"less-than-equal": "\u{f537}",
"letterboxd": "\u{e62d}",
"life-ring": "\u{f1cd}",
"lightbulb": "\u{f0eb}",
"line": "\u{f3c0}",
"lines-leaning": "\u{e51e}",
"link": "\u{f0c1}",
"chain": "\u{f0c1}",
"link-slash": "\u{f127}",
"chain-broken": "\u{f127}",
"chain-slash": "\u{f127}",
"unlink": "\u{f127}",
"linkedin": "\u{f08c}",
"linkedin-in": "\u{f0e1}",
"linode": "\u{f2b8}",
"linux": "\u{f17c}",
"lira-sign": "\u{f195}",
"list": "\u{f03a}",
"list-squares": "\u{f03a}",
"list-check": "\u{f0ae}",
"tasks": "\u{f0ae}",
"list-ol": "\u{f0cb}",
"list-1-2": "\u{f0cb}",
"list-numeric": "\u{f0cb}",
"list-ul": "\u{f0ca}",
"list-dots": "\u{f0ca}",
"litecoin-sign": "\u{e1d3}",
"location-arrow": "\u{f124}",
"location-crosshairs": "\u{f601}",
"location": "\u{f601}",
"location-dot": "\u{f3c5}",
"map-marker-alt": "\u{f3c5}",
"location-pin": "\u{f041}",
"map-marker": "\u{f041}",
"location-pin-lock": "\u{e51f}",
"lock": "\u{f023}",
"lock-open": "\u{f3c1}",
"locust": "\u{e520}",
"lungs": "\u{f604}",
"lungs-virus": "\u{e067}",
"lyft": "\u{f3c3}",
"m": "\u{4d}",
"magento": "\u{f3c4}",
"magnet": "\u{f076}",
"magnifying-glass": "\u{f002}",
"search": "\u{f002}",
"magnifying-glass-arrow-right": "\u{e521}",
"magnifying-glass-chart": "\u{e522}",
"magnifying-glass-dollar": "\u{f688}",
"search-dollar": "\u{f688}",
"magnifying-glass-location": "\u{f689}",
"search-location": "\u{f689}",
"magnifying-glass-minus": "\u{f010}",
"search-minus": "\u{f010}",
"magnifying-glass-plus": "\u{f00e}",
"search-plus": "\u{f00e}",
"mailchimp": "\u{f59e}",
"manat-sign": "\u{e1d5}",
"mandalorian": "\u{f50f}",
"map": "\u{f279}",
"map-location": "\u{f59f}",
"map-marked": "\u{f59f}",
"map-location-dot": "\u{f5a0}",
"map-marked-alt": "\u{f5a0}",
"map-pin": "\u{f276}",
"markdown": "\u{f60f}",
"marker": "\u{f5a1}",
"mars": "\u{f222}",
"mars-and-venus": "\u{f224}",
"mars-and-venus-burst": "\u{e523}",
"mars-double": "\u{f227}",
"mars-stroke": "\u{f229}",
"mars-stroke-right": "\u{f22b}",
"mars-stroke-h": "\u{f22b}",
"mars-stroke-up": "\u{f22a}",
"mars-stroke-v": "\u{f22a}",
"martini-glass": "\u{f57b}",
"glass-martini-alt": "\u{f57b}",
"martini-glass-citrus": "\u{f561}",
"cocktail": "\u{f561}",
"martini-glass-empty": "\u{f000}",
"glass-martini": "\u{f000}",
"mask": "\u{f6fa}",
"mask-face": "\u{e1d7}",
"mask-ventilator": "\u{e524}",
"masks-theater": "\u{f630}",
"theater-masks": "\u{f630}",
"mastodon": "\u{f4f6}",
"mattress-pillow": "\u{e525}",
"maxcdn": "\u{f136}",
"maximize": "\u{f31e}",
"expand-arrows-alt": "\u{f31e}",
"mdb": "\u{f8ca}",
"medal": "\u{f5a2}",
"medapps": "\u{f3c6}",
"medium": "\u{f23a}",
"medium-m": "\u{f23a}",
"medrt": "\u{f3c8}",
"meetup": "\u{f2e0}",
"megaport": "\u{f5a3}",
"memory": "\u{f538}",
"mendeley": "\u{f7b3}",
"menorah": "\u{f676}",
"mercury": "\u{f223}",
"message": "\u{f27a}",
"comment-alt": "\u{f27a}",
"meta": "\u{e49b}",
"meteor": "\u{f753}",
"microblog": "\u{e01a}",
"microchip": "\u{f2db}",
"microphone": "\u{f130}",
"microphone-lines": "\u{f3c9}",
"microphone-alt": "\u{f3c9}",
"microphone-lines-slash": "\u{f539}",
"microphone-alt-slash": "\u{f539}",
"microphone-slash": "\u{f131}",
"microscope": "\u{f610}",
"microsoft": "\u{f3ca}",
"mill-sign": "\u{e1ed}",
"minimize": "\u{f78c}",
"compress-arrows-alt": "\u{f78c}",
"mintbit": "\u{e62f}",
"minus": "\u{f068}",
"subtract": "\u{f068}",
"mitten": "\u{f7b5}",
"mix": "\u{f3cb}",
"mixcloud": "\u{f289}",
"mixer": "\u{e056}",
"mizuni": "\u{f3cc}",
"mobile": "\u{f3ce}",
"mobile-android": "\u{f3ce}",
"mobile-phone": "\u{f3ce}",
"mobile-button": "\u{f10b}",
"mobile-retro": "\u{e527}",
"mobile-screen": "\u{f3cf}",
"mobile-android-alt": "\u{f3cf}",
"mobile-screen-button": "\u{f3cd}",
"mobile-alt": "\u{f3cd}",
"modx": "\u{f285}",
"monero": "\u{f3d0}",
"money-bill": "\u{f0d6}",
"money-bill-1": "\u{f3d1}",
"money-bill-alt": "\u{f3d1}",
"money-bill-1-wave": "\u{f53b}",
"money-bill-wave-alt": "\u{f53b}",
"money-bill-transfer": "\u{e528}",
"money-bill-trend-up": "\u{e529}",
"money-bill-wave": "\u{f53a}",
"money-bill-wheat": "\u{e52a}",
"money-bills": "\u{e1f3}",
"money-check": "\u{f53c}",
"money-check-dollar": "\u{f53d}",
"money-check-alt": "\u{f53d}",
"monument": "\u{f5a6}",
"moon": "\u{f186}",
"mortar-pestle": "\u{f5a7}",
"mosque": "\u{f678}",
"mosquito": "\u{e52b}",
"mosquito-net": "\u{e52c}",
"motorcycle": "\u{f21c}",
"mound": "\u{e52d}",
"mountain": "\u{f6fc}",
"mountain-city": "\u{e52e}",
"mountain-sun": "\u{e52f}",
"mug-hot": "\u{f7b6}",
"mug-saucer": "\u{f0f4}",
"coffee": "\u{f0f4}",
"music": "\u{f001}",
"n": "\u{4e}",
"naira-sign": "\u{e1f6}",
"napster": "\u{f3d2}",
"neos": "\u{f612}",
"network-wired": "\u{f6ff}",
"neuter": "\u{f22c}",
"newspaper": "\u{f1ea}",
"nfc-directional": "\u{e530}",
"nfc-symbol": "\u{e531}",
"nimblr": "\u{f5a8}",
"node": "\u{f419}",
"node-js": "\u{f3d3}",
"not-equal": "\u{f53e}",
"notdef": "\u{e1fe}",
"note-sticky": "\u{f249}",
"sticky-note": "\u{f249}",
"notes-medical": "\u{f481}",
"npm": "\u{f3d4}",
"ns8": "\u{f3d5}",
"nutritionix": "\u{f3d6}",
"o": "\u{4f}",
"object-group": "\u{f247}",
"object-ungroup": "\u{f248}",
"octopus-deploy": "\u{e082}",
"odnoklassniki": "\u{f263}",
"odysee": "\u{e5c6}",
"oil-can": "\u{f613}",
"oil-well": "\u{e532}",
"old-republic": "\u{f510}",
"om": "\u{f679}",
"opencart": "\u{f23d}",
"openid": "\u{f19b}",
"opensuse": "\u{e62b}",
"opera": "\u{f26a}",
"optin-monster": "\u{f23c}",
"orcid": "\u{f8d2}",
"osi": "\u{f41a}",
"otter": "\u{f700}",
"outdent": "\u{f03b}",
"dedent": "\u{f03b}",
"p": "\u{50}",
"padlet": "\u{e4a0}",
"page4": "\u{f3d7}",
"pagelines": "\u{f18c}",
"pager": "\u{f815}",
"paint-roller": "\u{f5aa}",
"paintbrush": "\u{f1fc}",
"paint-brush": "\u{f1fc}",
"palette": "\u{f53f}",
"palfed": "\u{f3d8}",
"pallet": "\u{f482}",
"panorama": "\u{e209}",
"paper-plane": "\u{f1d8}",
"paperclip": "\u{f0c6}",
"parachute-box": "\u{f4cd}",
"paragraph": "\u{f1dd}",
"passport": "\u{f5ab}",
"paste": "\u{f0ea}",
"file-clipboard": "\u{f0ea}",
"patreon": "\u{f3d9}",
"pause": "\u{f04c}",
"paw": "\u{f1b0}",
"paypal": "\u{f1ed}",
"peace": "\u{f67c}",
"pen": "\u{f304}",
"pen-clip": "\u{f305}",
"pen-alt": "\u{f305}",
"pen-fancy": "\u{f5ac}",
"pen-nib": "\u{f5ad}",
"pen-ruler": "\u{f5ae}",
"pencil-ruler": "\u{f5ae}",
"pen-to-square": "\u{f044}",
"edit": "\u{f044}",
"pencil": "\u{f303}",
"pencil-alt": "\u{f303}",
"people-arrows": "\u{e068}",
"people-arrows-left-right": "\u{e068}",
"people-carry-box": "\u{f4ce}",
"people-carry": "\u{f4ce}",
"people-group": "\u{e533}",
"people-line": "\u{e534}",
"people-pulling": "\u{e535}",
"people-robbery": "\u{e536}",
"people-roof": "\u{e537}",
"pepper-hot": "\u{f816}",
"perbyte": "\u{e083}",
"percent": "\u{25}",
"percentage": "\u{25}",
"periscope": "\u{f3da}",
"person": "\u{f183}",
"male": "\u{f183}",
"person-arrow-down-to-line": "\u{e538}",
"person-arrow-up-from-line": "\u{e539}",
"person-biking": "\u{f84a}",
"biking": "\u{f84a}",
"person-booth": "\u{f756}",
"person-breastfeeding": "\u{e53a}",
"person-burst": "\u{e53b}",
"person-cane": "\u{e53c}",
"person-chalkboard": "\u{e53d}",
"person-circle-check": "\u{e53e}",
"person-circle-exclamation": "\u{e53f}",
"person-circle-minus": "\u{e540}",
"person-circle-plus": "\u{e541}",
"person-circle-question": "\u{e542}",
"person-circle-xmark": "\u{e543}",
"person-digging": "\u{f85e}",
"digging": "\u{f85e}",
"person-dots-from-line": "\u{f470}",
"diagnoses": "\u{f470}",
"person-dress": "\u{f182}",
"female": "\u{f182}",
"person-dress-burst": "\u{e544}",
"person-drowning": "\u{e545}",
"person-falling": "\u{e546}",
"person-falling-burst": "\u{e547}",
"person-half-dress": "\u{e548}",
"person-harassing": "\u{e549}",
"person-hiking": "\u{f6ec}",
"hiking": "\u{f6ec}",
"person-military-pointing": "\u{e54a}",
"person-military-rifle": "\u{e54b}",
"person-military-to-person": "\u{e54c}",
"person-praying": "\u{f683}",
"pray": "\u{f683}",
"person-pregnant": "\u{e31e}",
"person-rays": "\u{e54d}",
"person-rifle": "\u{e54e}",
"person-running": "\u{f70c}",
"running": "\u{f70c}",
"person-shelter": "\u{e54f}",
"person-skating": "\u{f7c5}",
"skating": "\u{f7c5}",
"person-skiing": "\u{f7c9}",
"skiing": "\u{f7c9}",
"person-skiing-nordic": "\u{f7ca}",
"skiing-nordic": "\u{f7ca}",
"person-snowboarding": "\u{f7ce}",
"snowboarding": "\u{f7ce}",
"person-swimming": "\u{f5c4}",
"swimmer": "\u{f5c4}",
"person-through-window": "\u{e5a9}",
"person-walking": "\u{f554}",
"walking": "\u{f554}",
"person-walking-arrow-loop-left": "\u{e551}",
"person-walking-arrow-right": "\u{e552}",
"person-walking-dashed-line-arrow-right": "\u{e553}",
"person-walking-luggage": "\u{e554}",
"person-walking-with-cane": "\u{f29d}",
"blind": "\u{f29d}",
"peseta-sign": "\u{e221}",
"peso-sign": "\u{e222}",
"phabricator": "\u{f3db}",
"phoenix-framework": "\u{f3dc}",
"phoenix-squadron": "\u{f511}",
"phone": "\u{f095}",
"phone-flip": "\u{f879}",
"phone-alt": "\u{f879}",
"phone-slash": "\u{f3dd}",
"phone-volume": "\u{f2a0}",
"volume-control-phone": "\u{f2a0}",
"photo-film": "\u{f87c}",
"photo-video": "\u{f87c}",
"php": "\u{f457}",
"pied-piper": "\u{f2ae}",
"pied-piper-alt": "\u{f1a8}",
"pied-piper-hat": "\u{f4e5}",
"pied-piper-pp": "\u{f1a7}",
"piggy-bank": "\u{f4d3}",
"pills": "\u{f484}",
"pinterest": "\u{f0d2}",
"pinterest-p": "\u{f231}",
"pix": "\u{e43a}",
"pixiv": "\u{e640}",
"pizza-slice": "\u{f818}",
"place-of-worship": "\u{f67f}",
"plane": "\u{f072}",
"plane-arrival": "\u{f5af}",
"plane-circle-check": "\u{e555}",
"plane-circle-exclamation": "\u{e556}",
"plane-circle-xmark": "\u{e557}",
"plane-departure": "\u{f5b0}",
"plane-lock": "\u{e558}",
"plane-slash": "\u{e069}",
"plane-up": "\u{e22d}",
"plant-wilt": "\u{e5aa}",
"plate-wheat": "\u{e55a}",
"play": "\u{f04b}",
"playstation": "\u{f3df}",
"plug": "\u{f1e6}",
"plug-circle-bolt": "\u{e55b}",
"plug-circle-check": "\u{e55c}",
"plug-circle-exclamation": "\u{e55d}",
"plug-circle-minus": "\u{e55e}",
"plug-circle-plus": "\u{e55f}",
"plug-circle-xmark": "\u{e560}",
"plus": "\u{2b}",
"add": "\u{2b}",
"plus-minus": "\u{e43c}",
"podcast": "\u{f2ce}",
"poo": "\u{f2fe}",
"poo-storm": "\u{f75a}",
"poo-bolt": "\u{f75a}",
"poop": "\u{f619}",
"power-off": "\u{f011}",
"prescription": "\u{f5b1}",
"prescription-bottle": "\u{f485}",
"prescription-bottle-medical": "\u{f486}",
"prescription-bottle-alt": "\u{f486}",
"print": "\u{f02f}",
"product-hunt": "\u{f288}",
"pump-medical": "\u{e06a}",
"pump-soap": "\u{e06b}",
"pushed": "\u{f3e1}",
"puzzle-piece": "\u{f12e}",
"python": "\u{f3e2}",
"q": "\u{51}",
"qq": "\u{f1d6}",
"qrcode": "\u{f029}",
"question": "\u{3f}",
"quinscape": "\u{f459}",
"quora": "\u{f2c4}",
"quote-left": "\u{f10d}",
"quote-left-alt": "\u{f10d}",
"quote-right": "\u{f10e}",
"quote-right-alt": "\u{f10e}",
"r": "\u{52}",
"r-project": "\u{f4f7}",
"radiation": "\u{f7b9}",
"radio": "\u{f8d7}",
"rainbow": "\u{f75b}",
"ranking-star": "\u{e561}",
"raspberry-pi": "\u{f7bb}",
"ravelry": "\u{f2d9}",
"react": "\u{f41b}",
"reacteurope": "\u{f75d}",
"readme": "\u{f4d5}",
"rebel": "\u{f1d0}",
"receipt": "\u{f543}",
"record-vinyl": "\u{f8d9}",
"rectangle-ad": "\u{f641}",
"ad": "\u{f641}",
"rectangle-list": "\u{f022}",
"list-alt": "\u{f022}",
"rectangle-xmark": "\u{f410}",
"rectangle-times": "\u{f410}",
"times-rectangle": "\u{f410}",
"window-close": "\u{f410}",
"recycle": "\u{f1b8}",
"red-river": "\u{f3e3}",
"reddit": "\u{f1a1}",
"reddit-alien": "\u{f281}",
"redhat": "\u{f7bc}",
"registered": "\u{f25d}",
"renren": "\u{f18b}",
"repeat": "\u{f363}",
"reply": "\u{f3e5}",
"mail-reply": "\u{f3e5}",
"reply-all": "\u{f122}",
"mail-reply-all": "\u{f122}",
"replyd": "\u{f3e6}",
"republican": "\u{f75e}",
"researchgate": "\u{f4f8}",
"resolving": "\u{f3e7}",
"restroom": "\u{f7bd}",
"retweet": "\u{f079}",
"rev": "\u{f5b2}",
"ribbon": "\u{f4d6}",
"right-from-bracket": "\u{f2f5}",
"sign-out-alt": "\u{f2f5}",
"right-left": "\u{f362}",
"exchange-alt": "\u{f362}",
"right-long": "\u{f30b}",
"long-arrow-alt-right": "\u{f30b}",
"right-to-bracket": "\u{f2f6}",
"sign-in-alt": "\u{f2f6}",
"ring": "\u{f70b}",
"road": "\u{f018}",
"road-barrier": "\u{e562}",
"road-bridge": "\u{e563}",
"road-circle-check": "\u{e564}",
"road-circle-exclamation": "\u{e565}",
"road-circle-xmark": "\u{e566}",
"road-lock": "\u{e567}",
"road-spikes": "\u{e568}",
"robot": "\u{f544}",
"rocket": "\u{f135}",
"rocketchat": "\u{f3e8}",
"rockrms": "\u{f3e9}",
"rotate": "\u{f2f1}",
"sync-alt": "\u{f2f1}",
"rotate-left": "\u{f2ea}",
"rotate-back": "\u{f2ea}",
"rotate-backward": "\u{f2ea}",
"undo-alt": "\u{f2ea}",
"rotate-right": "\u{f2f9}",
"redo-alt": "\u{f2f9}",
"rotate-forward": "\u{f2f9}",
"route": "\u{f4d7}",
"rss": "\u{f09e}",
"feed": "\u{f09e}",
"ruble-sign": "\u{f158}",
"rouble": "\u{f158}",
"rub": "\u{f158}",
"ruble": "\u{f158}",
"rug": "\u{e569}",
"ruler": "\u{f545}",
"ruler-combined": "\u{f546}",
"ruler-horizontal": "\u{f547}",
"ruler-vertical": "\u{f548}",
"rupee-sign": "\u{f156}",
"rupee": "\u{f156}",
"rupiah-sign": "\u{e23d}",
"rust": "\u{e07a}",
"s": "\u{53}",
"sack-dollar": "\u{f81d}",
"sack-xmark": "\u{e56a}",
"safari": "\u{f267}",
"sailboat": "\u{e445}",
"salesforce": "\u{f83b}",
"sass": "\u{f41e}",
"satellite": "\u{f7bf}",
"satellite-dish": "\u{f7c0}",
"scale-balanced": "\u{f24e}",
"balance-scale": "\u{f24e}",
"scale-unbalanced": "\u{f515}",
"balance-scale-left": "\u{f515}",
"scale-unbalanced-flip": "\u{f516}",
"balance-scale-right": "\u{f516}",
"schlix": "\u{f3ea}",
"school": "\u{f549}",
"school-circle-check": "\u{e56b}",
"school-circle-exclamation": "\u{e56c}",
"school-circle-xmark": "\u{e56d}",
"school-flag": "\u{e56e}",
"school-lock": "\u{e56f}",
"scissors": "\u{f0c4}",
"cut": "\u{f0c4}",
"screenpal": "\u{e570}",
"screwdriver": "\u{f54a}",
"screwdriver-wrench": "\u{f7d9}",
"tools": "\u{f7d9}",
"scribd": "\u{f28a}",
"scroll": "\u{f70e}",
"scroll-torah": "\u{f6a0}",
"torah": "\u{f6a0}",
"sd-card": "\u{f7c2}",
"searchengin": "\u{f3eb}",
"section": "\u{e447}",
"seedling": "\u{f4d8}",
"sprout": "\u{f4d8}",
"sellcast": "\u{f2da}",
"sellsy": "\u{f213}",
"server": "\u{f233}",
"servicestack": "\u{f3ec}",
"shapes": "\u{f61f}",
"triangle-circle-square": "\u{f61f}",
"share": "\u{f064}",
"mail-forward": "\u{f064}",
"share-from-square": "\u{f14d}",
"share-square": "\u{f14d}",
"share-nodes": "\u{f1e0}",
"share-alt": "\u{f1e0}",
"sheet-plastic": "\u{e571}",
"shekel-sign": "\u{f20b}",
"ils": "\u{f20b}",
"shekel": "\u{f20b}",
"sheqel": "\u{f20b}",
"sheqel-sign": "\u{f20b}",
"shield": "\u{f132}",
"shield-blank": "\u{f132}",
"shield-cat": "\u{e572}",
"shield-dog": "\u{e573}",
"shield-halved": "\u{f3ed}",
"shield-alt": "\u{f3ed}",
"shield-heart": "\u{e574}",
"shield-virus": "\u{e06c}",
"ship": "\u{f21a}",
"shirt": "\u{f553}",
"t-shirt": "\u{f553}",
"tshirt": "\u{f553}",
"shirtsinbulk": "\u{f214}",
"shoe-prints": "\u{f54b}",
"shoelace": "\u{e60c}",
"shop": "\u{f54f}",
"store-alt": "\u{f54f}",
"shop-lock": "\u{e4a5}",
"shop-slash": "\u{e070}",
"store-alt-slash": "\u{e070}",
"shopify": "\u{e057}",
"shopware": "\u{f5b5}",
"shower": "\u{f2cc}",
"shrimp": "\u{e448}",
"shuffle": "\u{f074}",
"random": "\u{f074}",
"shuttle-space": "\u{f197}",
"space-shuttle": "\u{f197}",
"sign-hanging": "\u{f4d9}",
"sign": "\u{f4d9}",
"signal": "\u{f012}",
"signal-5": "\u{f012}",
"signal-perfect": "\u{f012}",
"signal-messenger": "\u{e663}",
"signature": "\u{f5b7}",
"signs-post": "\u{f277}",
"map-signs": "\u{f277}",
"sim-card": "\u{f7c4}",
"simplybuilt": "\u{f215}",
"sink": "\u{e06d}",
"sistrix": "\u{f3ee}",
"sitemap": "\u{f0e8}",
"sith": "\u{f512}",
"sitrox": "\u{e44a}",
"sketch": "\u{f7c6}",
"skull": "\u{f54c}",
"skull-crossbones": "\u{f714}",
"skyatlas": "\u{f216}",
"skype": "\u{f17e}",
"slack": "\u{f198}",
"slack-hash": "\u{f198}",
"slash": "\u{f715}",
"sleigh": "\u{f7cc}",
"sliders": "\u{f1de}",
"sliders-h": "\u{f1de}",
"slideshare": "\u{f1e7}",
"smog": "\u{f75f}",
"smoking": "\u{f48d}",
"snapchat": "\u{f2ab}",
"snapchat-ghost": "\u{f2ab}",
"snowflake": "\u{f2dc}",
"snowman": "\u{f7d0}",
"snowplow": "\u{f7d2}",
"soap": "\u{e06e}",
"socks": "\u{f696}",
"solar-panel": "\u{f5ba}",
"sort": "\u{f0dc}",
"unsorted": "\u{f0dc}",
"sort-down": "\u{f0dd}",
"sort-desc": "\u{f0dd}",
"sort-up": "\u{f0de}",
"sort-asc": "\u{f0de}",
"soundcloud": "\u{f1be}",
"sourcetree": "\u{f7d3}",
"spa": "\u{f5bb}",
"space-awesome": "\u{e5ac}",
"spaghetti-monster-flying": "\u{f67b}",
"pastafarianism": "\u{f67b}",
"speakap": "\u{f3f3}",
"speaker-deck": "\u{f83c}",
"spell-check": "\u{f891}",
"spider": "\u{f717}",
"spinner": "\u{f110}",
"splotch": "\u{f5bc}",
"spoon": "\u{f2e5}",
"utensil-spoon": "\u{f2e5}",
"spotify": "\u{f1bc}",
"spray-can": "\u{f5bd}",
"spray-can-sparkles": "\u{f5d0}",
"air-freshener": "\u{f5d0}",
"square": "\u{f0c8}",
"square-arrow-up-right": "\u{f14c}",
"external-link-square": "\u{f14c}",
"square-behance": "\u{f1b5}",
"behance-square": "\u{f1b5}",
"square-caret-down": "\u{f150}",
"caret-square-down": "\u{f150}",
"square-caret-left": "\u{f191}",
"caret-square-left": "\u{f191}",
"square-caret-right": "\u{f152}",
"caret-square-right": "\u{f152}",
"square-caret-up": "\u{f151}",
"caret-square-up": "\u{f151}",
"square-check": "\u{f14a}",
"check-square": "\u{f14a}",
"square-dribbble": "\u{f397}",
"dribbble-square": "\u{f397}",
"square-envelope": "\u{f199}",
"envelope-square": "\u{f199}",
"square-facebook": "\u{f082}",
"facebook-square": "\u{f082}",
"square-font-awesome": "\u{e5ad}",
"square-font-awesome-stroke": "\u{f35c}",
"font-awesome-alt": "\u{f35c}",
"square-full": "\u{f45c}",
"square-git": "\u{f1d2}",
"git-square": "\u{f1d2}",
"square-github": "\u{f092}",
"github-square": "\u{f092}",
"square-gitlab": "\u{e5ae}",
"gitlab-square": "\u{e5ae}",
"square-google-plus": "\u{f0d4}",
"google-plus-square": "\u{f0d4}",
"square-h": "\u{f0fd}",
"h-square": "\u{f0fd}",
"square-hacker-news": "\u{f3af}",
"hacker-news-square": "\u{f3af}",
"square-instagram": "\u{e055}",
"instagram-square": "\u{e055}",
"square-js": "\u{f3b9}",
"js-square": "\u{f3b9}",
"square-lastfm": "\u{f203}",
"lastfm-square": "\u{f203}",
"square-letterboxd": "\u{e62e}",
"square-minus": "\u{f146}",
"minus-square": "\u{f146}",
"square-nfi": "\u{e576}",
"square-odnoklassniki": "\u{f264}",
"odnoklassniki-square": "\u{f264}",
"square-parking": "\u{f540}",
"parking": "\u{f540}",
"square-pen": "\u{f14b}",
"pen-square": "\u{f14b}",
"pencil-square": "\u{f14b}",
"square-person-confined": "\u{e577}",
"square-phone": "\u{f098}",
"phone-square": "\u{f098}",
"square-phone-flip": "\u{f87b}",
"phone-square-alt": "\u{f87b}",
"square-pied-piper": "\u{e01e}",
"pied-piper-square": "\u{e01e}",
"square-pinterest": "\u{f0d3}",
"pinterest-square": "\u{f0d3}",
"square-plus": "\u{f0fe}",
"plus-square": "\u{f0fe}",
"square-poll-horizontal": "\u{f682}",
"poll-h": "\u{f682}",
"square-poll-vertical": "\u{f681}",
"poll": "\u{f681}",
"square-reddit": "\u{f1a2}",
"reddit-square": "\u{f1a2}",
"square-root-variable": "\u{f698}",
"square-root-alt": "\u{f698}",
"square-rss": "\u{f143}",
"rss-square": "\u{f143}",
"square-share-nodes": "\u{f1e1}",
"share-alt-square": "\u{f1e1}",
"square-snapchat": "\u{f2ad}",
"snapchat-square": "\u{f2ad}",
"square-steam": "\u{f1b7}",
"steam-square": "\u{f1b7}",
"square-threads": "\u{e619}",
"square-tumblr": "\u{f174}",
"tumblr-square": "\u{f174}",
"square-twitter": "\u{f081}",
"twitter-square": "\u{f081}",
"square-up-right": "\u{f360}",
"external-link-square-alt": "\u{f360}",
"square-upwork": "\u{e67c}",
"square-viadeo": "\u{f2aa}",
"viadeo-square": "\u{f2aa}",
"square-vimeo": "\u{f194}",
"vimeo-square": "\u{f194}",
"square-virus": "\u{e578}",
"square-web-awesome": "\u{e683}",
"square-web-awesome-stroke": "\u{e684}",
"square-whatsapp": "\u{f40c}",
"whatsapp-square": "\u{f40c}",
"square-x-twitter": "\u{e61a}",
"square-xing": "\u{f169}",
"xing-square": "\u{f169}",
"square-xmark": "\u{f2d3}",
"times-square": "\u{f2d3}",
"xmark-square": "\u{f2d3}",
"square-youtube": "\u{f431}",
"youtube-square": "\u{f431}",
"squarespace": "\u{f5be}",
"stack-exchange": "\u{f18d}",
"stack-overflow": "\u{f16c}",
"stackpath": "\u{f842}",
"staff-snake": "\u{e579}",
"rod-asclepius": "\u{e579}",
"rod-snake": "\u{e579}",
"staff-aesculapius": "\u{e579}",
"stairs": "\u{e289}",
"stamp": "\u{f5bf}",
"stapler": "\u{e5af}",
"star": "\u{f005}",
"star-and-crescent": "\u{f699}",
"star-half": "\u{f089}",
"star-half-stroke": "\u{f5c0}",
"star-half-alt": "\u{f5c0}",
"star-of-david": "\u{f69a}",
"star-of-life": "\u{f621}",
"staylinked": "\u{f3f5}",
"steam": "\u{f1b6}",
"steam-symbol": "\u{f3f6}",
"sterling-sign": "\u{f154}",
"gbp": "\u{f154}",
"pound-sign": "\u{f154}",
"stethoscope": "\u{f0f1}",
"sticker-mule": "\u{f3f7}",
"stop": "\u{f04d}",
"stopwatch": "\u{f2f2}",
"stopwatch-20": "\u{e06f}",
"store": "\u{f54e}",
"store-slash": "\u{e071}",
"strava": "\u{f428}",
"street-view": "\u{f21d}",
"strikethrough": "\u{f0cc}",
"stripe": "\u{f429}",
"stripe-s": "\u{f42a}",
"stroopwafel": "\u{f551}",
"stubber": "\u{e5c7}",
"studiovinari": "\u{f3f8}",
"stumbleupon": "\u{f1a4}",
"stumbleupon-circle": "\u{f1a3}",
"subscript": "\u{f12c}",
"suitcase": "\u{f0f2}",
"suitcase-medical": "\u{f0fa}",
"medkit": "\u{f0fa}",
"suitcase-rolling": "\u{f5c1}",
"sun": "\u{f185}",
"sun-plant-wilt": "\u{e57a}",
"superpowers": "\u{f2dd}",
"superscript": "\u{f12b}",
"supple": "\u{f3f9}",
"suse": "\u{f7d6}",
"swatchbook": "\u{f5c3}",
"swift": "\u{f8e1}",
"symfony": "\u{f83d}",
"synagogue": "\u{f69b}",
"syringe": "\u{f48e}",
"t": "\u{54}",
"table": "\u{f0ce}",
"table-cells": "\u{f00a}",
"th": "\u{f00a}",
"table-cells-column-lock": "\u{e678}",
"table-cells-large": "\u{f009}",
"th-large": "\u{f009}",
"table-cells-row-lock": "\u{e67a}",
"table-columns": "\u{f0db}",
"columns": "\u{f0db}",
"table-list": "\u{f00b}",
"th-list": "\u{f00b}",
"table-tennis-paddle-ball": "\u{f45d}",
"ping-pong-paddle-ball": "\u{f45d}",
"table-tennis": "\u{f45d}",
"tablet": "\u{f3fb}",
"tablet-android": "\u{f3fb}",
"tablet-button": "\u{f10a}",
"tablet-screen-button": "\u{f3fa}",
"tablet-alt": "\u{f3fa}",
"tablets": "\u{f490}",
"tachograph-digital": "\u{f566}",
"digital-tachograph": "\u{f566}",
"tag": "\u{f02b}",
"tags": "\u{f02c}",
"tape": "\u{f4db}",
"tarp": "\u{e57b}",
"tarp-droplet": "\u{e57c}",
"taxi": "\u{f1ba}",
"cab": "\u{f1ba}",
"teamspeak": "\u{f4f9}",
"teeth": "\u{f62e}",
"teeth-open": "\u{f62f}",
"telegram": "\u{f2c6}",
"telegram-plane": "\u{f2c6}",
"temperature-arrow-down": "\u{e03f}",
"temperature-down": "\u{e03f}",
"temperature-arrow-up": "\u{e040}",
"temperature-up": "\u{e040}",
"temperature-empty": "\u{f2cb}",
"temperature-0": "\u{f2cb}",
"thermometer-0": "\u{f2cb}",
"thermometer-empty": "\u{f2cb}",
"temperature-full": "\u{f2c7}",
"temperature-4": "\u{f2c7}",
"thermometer-4": "\u{f2c7}",
"thermometer-full": "\u{f2c7}",
"temperature-half": "\u{f2c9}",
"temperature-2": "\u{f2c9}",
"thermometer-2": "\u{f2c9}",
"thermometer-half": "\u{f2c9}",
"temperature-high": "\u{f769}",
"temperature-low": "\u{f76b}",
"temperature-quarter": "\u{f2ca}",
"temperature-1": "\u{f2ca}",
"thermometer-1": "\u{f2ca}",
"thermometer-quarter": "\u{f2ca}",
"temperature-three-quarters": "\u{f2c8}",
"temperature-3": "\u{f2c8}",
"thermometer-3": "\u{f2c8}",
"thermometer-three-quarters": "\u{f2c8}",
"tencent-weibo": "\u{f1d5}",
"tenge-sign": "\u{f7d7}",
"tenge": "\u{f7d7}",
"tent": "\u{e57d}",
"tent-arrow-down-to-line": "\u{e57e}",
"tent-arrow-left-right": "\u{e57f}",
"tent-arrow-turn-left": "\u{e580}",
"tent-arrows-down": "\u{e581}",
"tents": "\u{e582}",
"terminal": "\u{f120}",
"text-height": "\u{f034}",
"text-slash": "\u{f87d}",
"remove-format": "\u{f87d}",
"text-width": "\u{f035}",
"the-red-yeti": "\u{f69d}",
"themeco": "\u{f5c6}",
"themeisle": "\u{f2b2}",
"thermometer": "\u{f491}",
"think-peaks": "\u{f731}",
"threads": "\u{e618}",
"thumbs-down": "\u{f165}",
"thumbs-up": "\u{f164}",
"thumbtack": "\u{f08d}",
"thumb-tack": "\u{f08d}",
"ticket": "\u{f145}",
"ticket-simple": "\u{f3ff}",
"ticket-alt": "\u{f3ff}",
"tiktok": "\u{e07b}",
"timeline": "\u{e29c}",
"toggle-off": "\u{f204}",
"toggle-on": "\u{f205}",
"toilet": "\u{f7d8}",
"toilet-paper": "\u{f71e}",
"toilet-paper-slash": "\u{e072}",
"toilet-portable": "\u{e583}",
"toilets-portable": "\u{e584}",
"toolbox": "\u{f552}",
"tooth": "\u{f5c9}",
"torii-gate": "\u{f6a1}",
"tornado": "\u{f76f}",
"tower-broadcast": "\u{f519}",
"broadcast-tower": "\u{f519}",
"tower-cell": "\u{e585}",
"tower-observation": "\u{e586}",
"tractor": "\u{f722}",
"trade-federation": "\u{f513}",
"trademark": "\u{f25c}",
"traffic-light": "\u{f637}",
"trailer": "\u{e041}",
"train": "\u{f238}",
"train-subway": "\u{f239}",
"subway": "\u{f239}",
"train-tram": "\u{e5b4}",
"transgender": "\u{f225}",
"transgender-alt": "\u{f225}",
"trash": "\u{f1f8}",
"trash-arrow-up": "\u{f829}",
"trash-restore": "\u{f829}",
"trash-can": "\u{f2ed}",
"trash-alt": "\u{f2ed}",
"trash-can-arrow-up": "\u{f82a}",
"trash-restore-alt": "\u{f82a}",
"tree": "\u{f1bb}",
"tree-city": "\u{e587}",
"trello": "\u{f181}",
"triangle-exclamation": "\u{f071}",
"exclamation-triangle": "\u{f071}",
"warning": "\u{f071}",
"trophy": "\u{f091}",
"trowel": "\u{e589}",
"trowel-bricks": "\u{e58a}",
"truck": "\u{f0d1}",
"truck-arrow-right": "\u{e58b}",
"truck-droplet": "\u{e58c}",
"truck-fast": "\u{f48b}",
"shipping-fast": "\u{f48b}",
"truck-field": "\u{e58d}",
"truck-field-un": "\u{e58e}",
"truck-front": "\u{e2b7}",
"truck-medical": "\u{f0f9}",
"ambulance": "\u{f0f9}",
"truck-monster": "\u{f63b}",
"truck-moving": "\u{f4df}",
"truck-pickup": "\u{f63c}",
"truck-plane": "\u{e58f}",
"truck-ramp-box": "\u{f4de}",
"truck-loading": "\u{f4de}",
"tty": "\u{f1e4}",
"teletype": "\u{f1e4}",
"tumblr": "\u{f173}",
"turkish-lira-sign": "\u{e2bb}",
"try": "\u{e2bb}",
"turkish-lira": "\u{e2bb}",
"turn-down": "\u{f3be}",
"level-down-alt": "\u{f3be}",
"turn-up": "\u{f3bf}",
"level-up-alt": "\u{f3bf}",
"tv": "\u{f26c}",
"television": "\u{f26c}",
"tv-alt": "\u{f26c}",
"twitch": "\u{f1e8}",
"twitter": "\u{f099}",
"typo3": "\u{f42b}",
"u": "\u{55}",
"uber": "\u{f402}",
"ubuntu": "\u{f7df}",
"uikit": "\u{f403}",
"umbraco": "\u{f8e8}",
"umbrella": "\u{f0e9}",
"umbrella-beach": "\u{f5ca}",
"uncharted": "\u{e084}",
"underline": "\u{f0cd}",
"uniregistry": "\u{f404}",
"unity": "\u{e049}",
"universal-access": "\u{f29a}",
"unlock": "\u{f09c}",
"unlock-keyhole": "\u{f13e}",
"unlock-alt": "\u{f13e}",
"unsplash": "\u{e07c}",
"untappd": "\u{f405}",
"up-down": "\u{f338}",
"arrows-alt-v": "\u{f338}",
"up-down-left-right": "\u{f0b2}",
"arrows-alt": "\u{f0b2}",
"up-long": "\u{f30c}",
"long-arrow-alt-up": "\u{f30c}",
"up-right-and-down-left-from-center": "\u{f424}",
"expand-alt": "\u{f424}",
"up-right-from-square": "\u{f35d}",
"external-link-alt": "\u{f35d}",
"upload": "\u{f093}",
"ups": "\u{f7e0}",
"upwork": "\u{e641}",
"usb": "\u{f287}",
"user": "\u{f007}",
"user-astronaut": "\u{f4fb}",
"user-check": "\u{f4fc}",
"user-clock": "\u{f4fd}",
"user-doctor": "\u{f0f0}",
"user-md": "\u{f0f0}",
"user-gear": "\u{f4fe}",
"user-cog": "\u{f4fe}",
"user-graduate": "\u{f501}",
"user-group": "\u{f500}",
"user-friends": "\u{f500}",
"user-injured": "\u{f728}",
"user-large": "\u{f406}",
"user-alt": "\u{f406}",
"user-large-slash": "\u{f4fa}",
"user-alt-slash": "\u{f4fa}",
"user-lock": "\u{f502}",
"user-minus": "\u{f503}",
"user-ninja": "\u{f504}",
"user-nurse": "\u{f82f}",
"user-pen": "\u{f4ff}",
"user-edit": "\u{f4ff}",
"user-plus": "\u{f234}",
"user-secret": "\u{f21b}",
"user-shield": "\u{f505}",
"user-slash": "\u{f506}",
"user-tag": "\u{f507}",
"user-tie": "\u{f508}",
"user-xmark": "\u{f235}",
"user-times": "\u{f235}",
"users": "\u{f0c0}",
"users-between-lines": "\u{e591}",
"users-gear": "\u{f509}",
"users-cog": "\u{f509}",
"users-line": "\u{e592}",
"users-rays": "\u{e593}",
"users-rectangle": "\u{e594}",
"users-slash": "\u{e073}",
"users-viewfinder": "\u{e595}",
"usps": "\u{f7e1}",
"ussunnah": "\u{f407}",
"utensils": "\u{f2e7}",
"cutlery": "\u{f2e7}",
"v": "\u{56}",
"vaadin": "\u{f408}",
"van-shuttle": "\u{f5b6}",
"shuttle-van": "\u{f5b6}",
"vault": "\u{e2c5}",
"vector-square": "\u{f5cb}",
"venus": "\u{f221}",
"venus-double": "\u{f226}",
"venus-mars": "\u{f228}",
"vest": "\u{e085}",
"vest-patches": "\u{e086}",
"viacoin": "\u{f237}",
"viadeo": "\u{f2a9}",
"vial": "\u{f492}",
"vial-circle-check": "\u{e596}",
"vial-virus": "\u{e597}",
"vials": "\u{f493}",
"viber": "\u{f409}",
"video": "\u{f03d}",
"video-camera": "\u{f03d}",
"video-slash": "\u{f4e2}",
"vihara": "\u{f6a7}",
"vimeo": "\u{f40a}",
"vimeo-v": "\u{f27d}",
"vine": "\u{f1ca}",
"virus": "\u{e074}",
"virus-covid": "\u{e4a8}",
"virus-covid-slash": "\u{e4a9}",
"virus-slash": "\u{e075}",
"viruses": "\u{e076}",
"vk": "\u{f189}",
"vnv": "\u{f40b}",
"voicemail": "\u{f897}",
"volcano": "\u{f770}",
"volleyball": "\u{f45f}",
"volleyball-ball": "\u{f45f}",
"volume-high": "\u{f028}",
"volume-up": "\u{f028}",
"volume-low": "\u{f027}",
"volume-down": "\u{f027}",
"volume-off": "\u{f026}",
"volume-xmark": "\u{f6a9}",
"volume-mute": "\u{f6a9}",
"volume-times": "\u{f6a9}",
"vr-cardboard": "\u{f729}",
"vuejs": "\u{f41f}",
"w": "\u{57}",
"walkie-talkie": "\u{f8ef}",
"wallet": "\u{f555}",
"wand-magic": "\u{f0d0}",
"magic": "\u{f0d0}",
"wand-magic-sparkles": "\u{e2ca}",
"magic-wand-sparkles": "\u{e2ca}",
"wand-sparkles": "\u{f72b}",
"warehouse": "\u{f494}",
"watchman-monitoring": "\u{e087}",
"water": "\u{f773}",
"water-ladder": "\u{f5c5}",
"ladder-water": "\u{f5c5}",
"swimming-pool": "\u{f5c5}",
"wave-square": "\u{f83e}",
"waze": "\u{f83f}",
"web-awesome": "\u{e682}",
"webflow": "\u{e65c}",
"weebly": "\u{f5cc}",
"weibo": "\u{f18a}",
"weight-hanging": "\u{f5cd}",
"weight-scale": "\u{f496}",
"weight": "\u{f496}",
"weixin": "\u{f1d7}",
"whatsapp": "\u{f232}",
"wheat-awn": "\u{e2cd}",
"wheat-alt": "\u{e2cd}",
"wheat-awn-circle-exclamation": "\u{e598}",
"wheelchair": "\u{f193}",
"wheelchair-move": "\u{e2ce}",
"wheelchair-alt": "\u{e2ce}",
"whiskey-glass": "\u{f7a0}",
"glass-whiskey": "\u{f7a0}",
"whmcs": "\u{f40d}",
"wifi": "\u{f1eb}",
"wifi-3": "\u{f1eb}",
"wifi-strong": "\u{f1eb}",
"wikipedia-w": "\u{f266}",
"wind": "\u{f72e}",
"window-maximize": "\u{f2d0}",
"window-minimize": "\u{f2d1}",
"window-restore": "\u{f2d2}",
"windows": "\u{f17a}",
"wine-bottle": "\u{f72f}",
"wine-glass": "\u{f4e3}",
"wine-glass-empty": "\u{f5ce}",
"wine-glass-alt": "\u{f5ce}",
"wirsindhandwerk": "\u{e2d0}",
"wsh": "\u{e2d0}",
"wix": "\u{f5cf}",
"wizards-of-the-coast": "\u{f730}",
"wodu": "\u{e088}",
"wolf-pack-battalion": "\u{f514}",
"won-sign": "\u{f159}",
"krw": "\u{f159}",
"won": "\u{f159}",
"wordpress": "\u{f19a}",
"wordpress-simple": "\u{f411}",
"worm": "\u{e599}",
"wpbeginner": "\u{f297}",
"wpexplorer": "\u{f2de}",
"wpforms": "\u{f298}",
"wpressr": "\u{f3e4}",
"rendact": "\u{f3e4}",
"wrench": "\u{f0ad}",
"x": "\u{58}",
"x-ray": "\u{f497}",
"x-twitter": "\u{e61b}",
"xbox": "\u{f412}",
"xing": "\u{f168}",
"xmark": "\u{f00d}",
"close": "\u{f00d}",
"multiply": "\u{f00d}",
"remove": "\u{f00d}",
"times": "\u{f00d}",
"xmarks-lines": "\u{e59a}",
"y": "\u{59}",
"y-combinator": "\u{f23b}",
"yahoo": "\u{f19e}",
"yammer": "\u{f840}",
"yandex": "\u{f413}",
"yandex-international": "\u{f414}",
"yarn": "\u{f7e3}",
"yelp": "\u{f1e9}",
"yen-sign": "\u{f157}",
"cny": "\u{f157}",
"jpy": "\u{f157}",
"rmb": "\u{f157}",
"yen": "\u{f157}",
"yin-yang": "\u{f6ad}",
"yoast": "\u{f2b1}",
"youtube": "\u{f167}",
"z": "\u{5a}",
"zhihu": "\u{f63f}",
)
#let fa-0 = fa-icon.with("\u{30}", solid: true)
#let fa-1 = fa-icon.with("\u{31}", solid: true)
#let fa-2 = fa-icon.with("\u{32}", solid: true)
#let fa-3 = fa-icon.with("\u{33}", solid: true)
#let fa-4 = fa-icon.with("\u{34}", solid: true)
#let fa-5 = fa-icon.with("\u{35}", solid: true)
#let fa-6 = fa-icon.with("\u{36}", solid: true)
#let fa-7 = fa-icon.with("\u{37}", solid: true)
#let fa-8 = fa-icon.with("\u{38}", solid: true)
#let fa-9 = fa-icon.with("\u{39}", solid: true)
#let fa-42-group = fa-icon.with("\u{e080}")
#let fa-innosoft = fa-icon.with("\u{e080}")
#let fa-500px = fa-icon.with("\u{f26e}")
#let fa-a = fa-icon.with("\u{41}", solid: true)
#let fa-accessible-icon = fa-icon.with("\u{f368}")
#let fa-accusoft = fa-icon.with("\u{f369}")
#let fa-address-book = fa-icon.with("\u{f2b9}")
#let fa-contact-book = fa-icon.with("\u{f2b9}")
#let fa-address-card = fa-icon.with("\u{f2bb}")
#let fa-contact-card = fa-icon.with("\u{f2bb}")
#let fa-vcard = fa-icon.with("\u{f2bb}")
#let fa-adn = fa-icon.with("\u{f170}")
#let fa-adversal = fa-icon.with("\u{f36a}")
#let fa-affiliatetheme = fa-icon.with("\u{f36b}")
#let fa-airbnb = fa-icon.with("\u{f834}")
#let fa-algolia = fa-icon.with("\u{f36c}")
#let fa-align-center = fa-icon.with("\u{f037}", solid: true)
#let fa-align-justify = fa-icon.with("\u{f039}", solid: true)
#let fa-align-left = fa-icon.with("\u{f036}", solid: true)
#let fa-align-right = fa-icon.with("\u{f038}", solid: true)
#let fa-alipay = fa-icon.with("\u{f642}")
#let fa-amazon = fa-icon.with("\u{f270}")
#let fa-amazon-pay = fa-icon.with("\u{f42c}")
#let fa-amilia = fa-icon.with("\u{f36d}")
#let fa-anchor = fa-icon.with("\u{f13d}", solid: true)
#let fa-anchor-circle-check = fa-icon.with("\u{e4aa}", solid: true)
#let fa-anchor-circle-exclamation = fa-icon.with("\u{e4ab}", solid: true)
#let fa-anchor-circle-xmark = fa-icon.with("\u{e4ac}", solid: true)
#let fa-anchor-lock = fa-icon.with("\u{e4ad}", solid: true)
#let fa-android = fa-icon.with("\u{f17b}")
#let fa-angellist = fa-icon.with("\u{f209}")
#let fa-angle-down = fa-icon.with("\u{f107}", solid: true)
#let fa-angle-left = fa-icon.with("\u{f104}", solid: true)
#let fa-angle-right = fa-icon.with("\u{f105}", solid: true)
#let fa-angle-up = fa-icon.with("\u{f106}", solid: true)
#let fa-angles-down = fa-icon.with("\u{f103}", solid: true)
#let fa-angle-double-down = fa-icon.with("\u{f103}")
#let fa-angles-left = fa-icon.with("\u{f100}", solid: true)
#let fa-angle-double-left = fa-icon.with("\u{f100}")
#let fa-angles-right = fa-icon.with("\u{f101}", solid: true)
#let fa-angle-double-right = fa-icon.with("\u{f101}")
#let fa-angles-up = fa-icon.with("\u{f102}", solid: true)
#let fa-angle-double-up = fa-icon.with("\u{f102}")
#let fa-angrycreative = fa-icon.with("\u{f36e}")
#let fa-angular = fa-icon.with("\u{f420}")
#let fa-ankh = fa-icon.with("\u{f644}", solid: true)
#let fa-app-store = fa-icon.with("\u{f36f}")
#let fa-app-store-ios = fa-icon.with("\u{f370}")
#let fa-apper = fa-icon.with("\u{f371}")
#let fa-apple = fa-icon.with("\u{f179}")
#let fa-apple-pay = fa-icon.with("\u{f415}")
#let fa-apple-whole = fa-icon.with("\u{f5d1}", solid: true)
#let fa-apple-alt = fa-icon.with("\u{f5d1}")
#let fa-archway = fa-icon.with("\u{f557}", solid: true)
#let fa-arrow-down = fa-icon.with("\u{f063}", solid: true)
#let fa-arrow-down-1-9 = fa-icon.with("\u{f162}", solid: true)
#let fa-sort-numeric-asc = fa-icon.with("\u{f162}")
#let fa-sort-numeric-down = fa-icon.with("\u{f162}")
#let fa-arrow-down-9-1 = fa-icon.with("\u{f886}", solid: true)
#let fa-sort-numeric-desc = fa-icon.with("\u{f886}")
#let fa-sort-numeric-down-alt = fa-icon.with("\u{f886}")
#let fa-arrow-down-a-z = fa-icon.with("\u{f15d}", solid: true)
#let fa-sort-alpha-asc = fa-icon.with("\u{f15d}")
#let fa-sort-alpha-down = fa-icon.with("\u{f15d}")
#let fa-arrow-down-long = fa-icon.with("\u{f175}", solid: true)
#let fa-long-arrow-down = fa-icon.with("\u{f175}")
#let fa-arrow-down-short-wide = fa-icon.with("\u{f884}", solid: true)
#let fa-sort-amount-desc = fa-icon.with("\u{f884}")
#let fa-sort-amount-down-alt = fa-icon.with("\u{f884}")
#let fa-arrow-down-up-across-line = fa-icon.with("\u{e4af}", solid: true)
#let fa-arrow-down-up-lock = fa-icon.with("\u{e4b0}", solid: true)
#let fa-arrow-down-wide-short = fa-icon.with("\u{f160}", solid: true)
#let fa-sort-amount-asc = fa-icon.with("\u{f160}")
#let fa-sort-amount-down = fa-icon.with("\u{f160}")
#let fa-arrow-down-z-a = fa-icon.with("\u{f881}", solid: true)
#let fa-sort-alpha-desc = fa-icon.with("\u{f881}")
#let fa-sort-alpha-down-alt = fa-icon.with("\u{f881}")
#let fa-arrow-left = fa-icon.with("\u{f060}", solid: true)
#let fa-arrow-left-long = fa-icon.with("\u{f177}", solid: true)
#let fa-long-arrow-left = fa-icon.with("\u{f177}")
#let fa-arrow-pointer = fa-icon.with("\u{f245}", solid: true)
#let fa-mouse-pointer = fa-icon.with("\u{f245}")
#let fa-arrow-right = fa-icon.with("\u{f061}", solid: true)
#let fa-arrow-right-arrow-left = fa-icon.with("\u{f0ec}", solid: true)
#let fa-exchange = fa-icon.with("\u{f0ec}")
#let fa-arrow-right-from-bracket = fa-icon.with("\u{f08b}", solid: true)
#let fa-sign-out = fa-icon.with("\u{f08b}")
#let fa-arrow-right-long = fa-icon.with("\u{f178}", solid: true)
#let fa-long-arrow-right = fa-icon.with("\u{f178}")
#let fa-arrow-right-to-bracket = fa-icon.with("\u{f090}", solid: true)
#let fa-sign-in = fa-icon.with("\u{f090}")
#let fa-arrow-right-to-city = fa-icon.with("\u{e4b3}", solid: true)
#let fa-arrow-rotate-left = fa-icon.with("\u{f0e2}", solid: true)
#let fa-arrow-left-rotate = fa-icon.with("\u{f0e2}")
#let fa-arrow-rotate-back = fa-icon.with("\u{f0e2}")
#let fa-arrow-rotate-backward = fa-icon.with("\u{f0e2}")
#let fa-undo = fa-icon.with("\u{f0e2}")
#let fa-arrow-rotate-right = fa-icon.with("\u{f01e}", solid: true)
#let fa-arrow-right-rotate = fa-icon.with("\u{f01e}")
#let fa-arrow-rotate-forward = fa-icon.with("\u{f01e}")
#let fa-redo = fa-icon.with("\u{f01e}")
#let fa-arrow-trend-down = fa-icon.with("\u{e097}", solid: true)
#let fa-arrow-trend-up = fa-icon.with("\u{e098}", solid: true)
#let fa-arrow-turn-down = fa-icon.with("\u{f149}", solid: true)
#let fa-level-down = fa-icon.with("\u{f149}")
#let fa-arrow-turn-up = fa-icon.with("\u{f148}", solid: true)
#let fa-level-up = fa-icon.with("\u{f148}")
#let fa-arrow-up = fa-icon.with("\u{f062}", solid: true)
#let fa-arrow-up-1-9 = fa-icon.with("\u{f163}", solid: true)
#let fa-sort-numeric-up = fa-icon.with("\u{f163}")
#let fa-arrow-up-9-1 = fa-icon.with("\u{f887}", solid: true)
#let fa-sort-numeric-up-alt = fa-icon.with("\u{f887}")
#let fa-arrow-up-a-z = fa-icon.with("\u{f15e}", solid: true)
#let fa-sort-alpha-up = fa-icon.with("\u{f15e}")
#let fa-arrow-up-from-bracket = fa-icon.with("\u{e09a}", solid: true)
#let fa-arrow-up-from-ground-water = fa-icon.with("\u{e4b5}", solid: true)
#let fa-arrow-up-from-water-pump = fa-icon.with("\u{e4b6}", solid: true)
#let fa-arrow-up-long = fa-icon.with("\u{f176}", solid: true)
#let fa-long-arrow-up = fa-icon.with("\u{f176}")
#let fa-arrow-up-right-dots = fa-icon.with("\u{e4b7}", solid: true)
#let fa-arrow-up-right-from-square = fa-icon.with("\u{f08e}", solid: true)
#let fa-external-link = fa-icon.with("\u{f08e}")
#let fa-arrow-up-short-wide = fa-icon.with("\u{f885}", solid: true)
#let fa-sort-amount-up-alt = fa-icon.with("\u{f885}")
#let fa-arrow-up-wide-short = fa-icon.with("\u{f161}", solid: true)
#let fa-sort-amount-up = fa-icon.with("\u{f161}")
#let fa-arrow-up-z-a = fa-icon.with("\u{f882}", solid: true)
#let fa-sort-alpha-up-alt = fa-icon.with("\u{f882}")
#let fa-arrows-down-to-line = fa-icon.with("\u{e4b8}", solid: true)
#let fa-arrows-down-to-people = fa-icon.with("\u{e4b9}", solid: true)
#let fa-arrows-left-right = fa-icon.with("\u{f07e}", solid: true)
#let fa-arrows-h = fa-icon.with("\u{f07e}")
#let fa-arrows-left-right-to-line = fa-icon.with("\u{e4ba}", solid: true)
#let fa-arrows-rotate = fa-icon.with("\u{f021}", solid: true)
#let fa-refresh = fa-icon.with("\u{f021}")
#let fa-sync = fa-icon.with("\u{f021}")
#let fa-arrows-spin = fa-icon.with("\u{e4bb}", solid: true)
#let fa-arrows-split-up-and-left = fa-icon.with("\u{e4bc}", solid: true)
#let fa-arrows-to-circle = fa-icon.with("\u{e4bd}", solid: true)
#let fa-arrows-to-dot = fa-icon.with("\u{e4be}", solid: true)
#let fa-arrows-to-eye = fa-icon.with("\u{e4bf}", solid: true)
#let fa-arrows-turn-right = fa-icon.with("\u{e4c0}", solid: true)
#let fa-arrows-turn-to-dots = fa-icon.with("\u{e4c1}", solid: true)
#let fa-arrows-up-down = fa-icon.with("\u{f07d}", solid: true)
#let fa-arrows-v = fa-icon.with("\u{f07d}")
#let fa-arrows-up-down-left-right = fa-icon.with("\u{f047}", solid: true)
#let fa-arrows = fa-icon.with("\u{f047}")
#let fa-arrows-up-to-line = fa-icon.with("\u{e4c2}", solid: true)
#let fa-artstation = fa-icon.with("\u{f77a}")
#let fa-asterisk = fa-icon.with("\u{2a}", solid: true)
#let fa-asymmetrik = fa-icon.with("\u{f372}")
#let fa-at = fa-icon.with("\u{40}", solid: true)
#let fa-atlassian = fa-icon.with("\u{f77b}")
#let fa-atom = fa-icon.with("\u{f5d2}", solid: true)
#let fa-audible = fa-icon.with("\u{f373}")
#let fa-audio-description = fa-icon.with("\u{f29e}", solid: true)
#let fa-austral-sign = fa-icon.with("\u{e0a9}", solid: true)
#let fa-autoprefixer = fa-icon.with("\u{f41c}")
#let fa-avianex = fa-icon.with("\u{f374}")
#let fa-aviato = fa-icon.with("\u{f421}")
#let fa-award = fa-icon.with("\u{f559}", solid: true)
#let fa-aws = fa-icon.with("\u{f375}")
#let fa-b = fa-icon.with("\u{42}", solid: true)
#let fa-baby = fa-icon.with("\u{f77c}", solid: true)
#let fa-baby-carriage = fa-icon.with("\u{f77d}", solid: true)
#let fa-carriage-baby = fa-icon.with("\u{f77d}")
#let fa-backward = fa-icon.with("\u{f04a}", solid: true)
#let fa-backward-fast = fa-icon.with("\u{f049}", solid: true)
#let fa-fast-backward = fa-icon.with("\u{f049}")
#let fa-backward-step = fa-icon.with("\u{f048}", solid: true)
#let fa-step-backward = fa-icon.with("\u{f048}")
#let fa-bacon = fa-icon.with("\u{f7e5}", solid: true)
#let fa-bacteria = fa-icon.with("\u{e059}", solid: true)
#let fa-bacterium = fa-icon.with("\u{e05a}", solid: true)
#let fa-bag-shopping = fa-icon.with("\u{f290}", solid: true)
#let fa-shopping-bag = fa-icon.with("\u{f290}")
#let fa-bahai = fa-icon.with("\u{f666}", solid: true)
#let fa-haykal = fa-icon.with("\u{f666}")
#let fa-baht-sign = fa-icon.with("\u{e0ac}", solid: true)
#let fa-ban = fa-icon.with("\u{f05e}", solid: true)
#let fa-cancel = fa-icon.with("\u{f05e}")
#let fa-ban-smoking = fa-icon.with("\u{f54d}", solid: true)
#let fa-smoking-ban = fa-icon.with("\u{f54d}")
#let fa-bandage = fa-icon.with("\u{f462}", solid: true)
#let fa-band-aid = fa-icon.with("\u{f462}")
#let fa-bandcamp = fa-icon.with("\u{f2d5}")
#let fa-bangladeshi-taka-sign = fa-icon.with("\u{e2e6}", solid: true)
#let fa-barcode = fa-icon.with("\u{f02a}", solid: true)
#let fa-bars = fa-icon.with("\u{f0c9}", solid: true)
#let fa-navicon = fa-icon.with("\u{f0c9}")
#let fa-bars-progress = fa-icon.with("\u{f828}", solid: true)
#let fa-tasks-alt = fa-icon.with("\u{f828}")
#let fa-bars-staggered = fa-icon.with("\u{f550}", solid: true)
#let fa-reorder = fa-icon.with("\u{f550}")
#let fa-stream = fa-icon.with("\u{f550}")
#let fa-baseball = fa-icon.with("\u{f433}", solid: true)
#let fa-baseball-ball = fa-icon.with("\u{f433}")
#let fa-baseball-bat-ball = fa-icon.with("\u{f432}", solid: true)
#let fa-basket-shopping = fa-icon.with("\u{f291}", solid: true)
#let fa-shopping-basket = fa-icon.with("\u{f291}")
#let fa-basketball = fa-icon.with("\u{f434}", solid: true)
#let fa-basketball-ball = fa-icon.with("\u{f434}")
#let fa-bath = fa-icon.with("\u{f2cd}", solid: true)
#let fa-bathtub = fa-icon.with("\u{f2cd}")
#let fa-battery-empty = fa-icon.with("\u{f244}", solid: true)
#let fa-battery-0 = fa-icon.with("\u{f244}")
#let fa-battery-full = fa-icon.with("\u{f240}", solid: true)
#let fa-battery = fa-icon.with("\u{f240}")
#let fa-battery-5 = fa-icon.with("\u{f240}")
#let fa-battery-half = fa-icon.with("\u{f242}", solid: true)
#let fa-battery-3 = fa-icon.with("\u{f242}")
#let fa-battery-quarter = fa-icon.with("\u{f243}", solid: true)
#let fa-battery-2 = fa-icon.with("\u{f243}")
#let fa-battery-three-quarters = fa-icon.with("\u{f241}", solid: true)
#let fa-battery-4 = fa-icon.with("\u{f241}")
#let fa-battle-net = fa-icon.with("\u{f835}")
#let fa-bed = fa-icon.with("\u{f236}", solid: true)
#let fa-bed-pulse = fa-icon.with("\u{f487}", solid: true)
#let fa-procedures = fa-icon.with("\u{f487}")
#let fa-beer-mug-empty = fa-icon.with("\u{f0fc}", solid: true)
#let fa-beer = fa-icon.with("\u{f0fc}")
#let fa-behance = fa-icon.with("\u{f1b4}")
#let fa-bell = fa-icon.with("\u{f0f3}")
#let fa-bell-concierge = fa-icon.with("\u{f562}", solid: true)
#let fa-concierge-bell = fa-icon.with("\u{f562}")
#let fa-bell-slash = fa-icon.with("\u{f1f6}")
#let fa-bezier-curve = fa-icon.with("\u{f55b}", solid: true)
#let fa-bicycle = fa-icon.with("\u{f206}", solid: true)
#let fa-bilibili = fa-icon.with("\u{e3d9}")
#let fa-bimobject = fa-icon.with("\u{f378}")
#let fa-binoculars = fa-icon.with("\u{f1e5}", solid: true)
#let fa-biohazard = fa-icon.with("\u{f780}", solid: true)
#let fa-bitbucket = fa-icon.with("\u{f171}")
#let fa-bitcoin = fa-icon.with("\u{f379}")
#let fa-bitcoin-sign = fa-icon.with("\u{e0b4}", solid: true)
#let fa-bity = fa-icon.with("\u{f37a}")
#let fa-black-tie = fa-icon.with("\u{f27e}")
#let fa-blackberry = fa-icon.with("\u{f37b}")
#let fa-blender = fa-icon.with("\u{f517}", solid: true)
#let fa-blender-phone = fa-icon.with("\u{f6b6}", solid: true)
#let fa-blog = fa-icon.with("\u{f781}", solid: true)
#let fa-blogger = fa-icon.with("\u{f37c}")
#let fa-blogger-b = fa-icon.with("\u{f37d}")
#let fa-bluesky = fa-icon.with("\u{e671}")
#let fa-bluetooth = fa-icon.with("\u{f293}")
#let fa-bluetooth-b = fa-icon.with("\u{f294}")
#let fa-bold = fa-icon.with("\u{f032}", solid: true)
#let fa-bolt = fa-icon.with("\u{f0e7}", solid: true)
#let fa-zap = fa-icon.with("\u{f0e7}")
#let fa-bolt-lightning = fa-icon.with("\u{e0b7}", solid: true)
#let fa-bomb = fa-icon.with("\u{f1e2}", solid: true)
#let fa-bone = fa-icon.with("\u{f5d7}", solid: true)
#let fa-bong = fa-icon.with("\u{f55c}", solid: true)
#let fa-book = fa-icon.with("\u{f02d}", solid: true)
#let fa-book-atlas = fa-icon.with("\u{f558}", solid: true)
#let fa-atlas = fa-icon.with("\u{f558}")
#let fa-book-bible = fa-icon.with("\u{f647}", solid: true)
#let fa-bible = fa-icon.with("\u{f647}")
#let fa-book-bookmark = fa-icon.with("\u{e0bb}", solid: true)
#let fa-book-journal-whills = fa-icon.with("\u{f66a}", solid: true)
#let fa-journal-whills = fa-icon.with("\u{f66a}")
#let fa-book-medical = fa-icon.with("\u{f7e6}", solid: true)
#let fa-book-open = fa-icon.with("\u{f518}", solid: true)
#let fa-book-open-reader = fa-icon.with("\u{f5da}", solid: true)
#let fa-book-reader = fa-icon.with("\u{f5da}")
#let fa-book-quran = fa-icon.with("\u{f687}", solid: true)
#let fa-quran = fa-icon.with("\u{f687}")
#let fa-book-skull = fa-icon.with("\u{f6b7}", solid: true)
#let fa-book-dead = fa-icon.with("\u{f6b7}")
#let fa-book-tanakh = fa-icon.with("\u{f827}", solid: true)
#let fa-tanakh = fa-icon.with("\u{f827}")
#let fa-bookmark = fa-icon.with("\u{f02e}")
#let fa-bootstrap = fa-icon.with("\u{f836}")
#let fa-border-all = fa-icon.with("\u{f84c}", solid: true)
#let fa-border-none = fa-icon.with("\u{f850}", solid: true)
#let fa-border-top-left = fa-icon.with("\u{f853}", solid: true)
#let fa-border-style = fa-icon.with("\u{f853}")
#let fa-bore-hole = fa-icon.with("\u{e4c3}", solid: true)
#let fa-bots = fa-icon.with("\u{e340}")
#let fa-bottle-droplet = fa-icon.with("\u{e4c4}", solid: true)
#let fa-bottle-water = fa-icon.with("\u{e4c5}", solid: true)
#let fa-bowl-food = fa-icon.with("\u{e4c6}", solid: true)
#let fa-bowl-rice = fa-icon.with("\u{e2eb}", solid: true)
#let fa-bowling-ball = fa-icon.with("\u{f436}", solid: true)
#let fa-box = fa-icon.with("\u{f466}", solid: true)
#let fa-box-archive = fa-icon.with("\u{f187}", solid: true)
#let fa-archive = fa-icon.with("\u{f187}")
#let fa-box-open = fa-icon.with("\u{f49e}", solid: true)
#let fa-box-tissue = fa-icon.with("\u{e05b}", solid: true)
#let fa-boxes-packing = fa-icon.with("\u{e4c7}", solid: true)
#let fa-boxes-stacked = fa-icon.with("\u{f468}", solid: true)
#let fa-boxes = fa-icon.with("\u{f468}")
#let fa-boxes-alt = fa-icon.with("\u{f468}")
#let fa-braille = fa-icon.with("\u{f2a1}", solid: true)
#let fa-brain = fa-icon.with("\u{f5dc}", solid: true)
#let fa-brave = fa-icon.with("\u{e63c}")
#let fa-brave-reverse = fa-icon.with("\u{e63d}")
#let fa-brazilian-real-sign = fa-icon.with("\u{e46c}", solid: true)
#let fa-bread-slice = fa-icon.with("\u{f7ec}", solid: true)
#let fa-bridge = fa-icon.with("\u{e4c8}", solid: true)
#let fa-bridge-circle-check = fa-icon.with("\u{e4c9}", solid: true)
#let fa-bridge-circle-exclamation = fa-icon.with("\u{e4ca}", solid: true)
#let fa-bridge-circle-xmark = fa-icon.with("\u{e4cb}", solid: true)
#let fa-bridge-lock = fa-icon.with("\u{e4cc}", solid: true)
#let fa-bridge-water = fa-icon.with("\u{e4ce}", solid: true)
#let fa-briefcase = fa-icon.with("\u{f0b1}", solid: true)
#let fa-briefcase-medical = fa-icon.with("\u{f469}", solid: true)
#let fa-broom = fa-icon.with("\u{f51a}", solid: true)
#let fa-broom-ball = fa-icon.with("\u{f458}", solid: true)
#let fa-quidditch = fa-icon.with("\u{f458}")
#let fa-quidditch-broom-ball = fa-icon.with("\u{f458}")
#let fa-brush = fa-icon.with("\u{f55d}", solid: true)
#let fa-btc = fa-icon.with("\u{f15a}")
#let fa-bucket = fa-icon.with("\u{e4cf}", solid: true)
#let fa-buffer = fa-icon.with("\u{f837}")
#let fa-bug = fa-icon.with("\u{f188}", solid: true)
#let fa-bug-slash = fa-icon.with("\u{e490}", solid: true)
#let fa-bugs = fa-icon.with("\u{e4d0}", solid: true)
#let fa-building = fa-icon.with("\u{f1ad}")
#let fa-building-circle-arrow-right = fa-icon.with("\u{e4d1}", solid: true)
#let fa-building-circle-check = fa-icon.with("\u{e4d2}", solid: true)
#let fa-building-circle-exclamation = fa-icon.with("\u{e4d3}", solid: true)
#let fa-building-circle-xmark = fa-icon.with("\u{e4d4}", solid: true)
#let fa-building-columns = fa-icon.with("\u{f19c}", solid: true)
#let fa-bank = fa-icon.with("\u{f19c}")
#let fa-institution = fa-icon.with("\u{f19c}")
#let fa-museum = fa-icon.with("\u{f19c}")
#let fa-university = fa-icon.with("\u{f19c}")
#let fa-building-flag = fa-icon.with("\u{e4d5}", solid: true)
#let fa-building-lock = fa-icon.with("\u{e4d6}", solid: true)
#let fa-building-ngo = fa-icon.with("\u{e4d7}", solid: true)
#let fa-building-shield = fa-icon.with("\u{e4d8}", solid: true)
#let fa-building-un = fa-icon.with("\u{e4d9}", solid: true)
#let fa-building-user = fa-icon.with("\u{e4da}", solid: true)
#let fa-building-wheat = fa-icon.with("\u{e4db}", solid: true)
#let fa-bullhorn = fa-icon.with("\u{f0a1}", solid: true)
#let fa-bullseye = fa-icon.with("\u{f140}", solid: true)
#let fa-burger = fa-icon.with("\u{f805}", solid: true)
#let fa-hamburger = fa-icon.with("\u{f805}")
#let fa-buromobelexperte = fa-icon.with("\u{f37f}")
#let fa-burst = fa-icon.with("\u{e4dc}", solid: true)
#let fa-bus = fa-icon.with("\u{f207}", solid: true)
#let fa-bus-simple = fa-icon.with("\u{f55e}", solid: true)
#let fa-bus-alt = fa-icon.with("\u{f55e}")
#let fa-business-time = fa-icon.with("\u{f64a}", solid: true)
#let fa-briefcase-clock = fa-icon.with("\u{f64a}")
#let fa-buy-n-large = fa-icon.with("\u{f8a6}")
#let fa-buysellads = fa-icon.with("\u{f20d}")
#let fa-c = fa-icon.with("\u{43}", solid: true)
#let fa-cable-car = fa-icon.with("\u{f7da}", solid: true)
#let fa-tram = fa-icon.with("\u{f7da}")
#let fa-cake-candles = fa-icon.with("\u{f1fd}", solid: true)
#let fa-birthday-cake = fa-icon.with("\u{f1fd}")
#let fa-cake = fa-icon.with("\u{f1fd}")
#let fa-calculator = fa-icon.with("\u{f1ec}", solid: true)
#let fa-calendar = fa-icon.with("\u{f133}")
#let fa-calendar-check = fa-icon.with("\u{f274}")
#let fa-calendar-day = fa-icon.with("\u{f783}", solid: true)
#let fa-calendar-days = fa-icon.with("\u{f073}")
#let fa-calendar-alt = fa-icon.with("\u{f073}")
#let fa-calendar-minus = fa-icon.with("\u{f272}")
#let fa-calendar-plus = fa-icon.with("\u{f271}")
#let fa-calendar-week = fa-icon.with("\u{f784}", solid: true)
#let fa-calendar-xmark = fa-icon.with("\u{f273}")
#let fa-calendar-times = fa-icon.with("\u{f273}")
#let fa-camera = fa-icon.with("\u{f030}", solid: true)
#let fa-camera-alt = fa-icon.with("\u{f030}")
#let fa-camera-retro = fa-icon.with("\u{f083}", solid: true)
#let fa-camera-rotate = fa-icon.with("\u{e0d8}", solid: true)
#let fa-campground = fa-icon.with("\u{f6bb}", solid: true)
#let fa-canadian-maple-leaf = fa-icon.with("\u{f785}")
#let fa-candy-cane = fa-icon.with("\u{f786}", solid: true)
#let fa-cannabis = fa-icon.with("\u{f55f}", solid: true)
#let fa-capsules = fa-icon.with("\u{f46b}", solid: true)
#let fa-car = fa-icon.with("\u{f1b9}", solid: true)
#let fa-automobile = fa-icon.with("\u{f1b9}")
#let fa-car-battery = fa-icon.with("\u{f5df}", solid: true)
#let fa-battery-car = fa-icon.with("\u{f5df}")
#let fa-car-burst = fa-icon.with("\u{f5e1}", solid: true)
#let fa-car-crash = fa-icon.with("\u{f5e1}")
#let fa-car-on = fa-icon.with("\u{e4dd}", solid: true)
#let fa-car-rear = fa-icon.with("\u{f5de}", solid: true)
#let fa-car-alt = fa-icon.with("\u{f5de}")
#let fa-car-side = fa-icon.with("\u{f5e4}", solid: true)
#let fa-car-tunnel = fa-icon.with("\u{e4de}", solid: true)
#let fa-caravan = fa-icon.with("\u{f8ff}", solid: true)
#let fa-caret-down = fa-icon.with("\u{f0d7}", solid: true)
#let fa-caret-left = fa-icon.with("\u{f0d9}", solid: true)
#let fa-caret-right = fa-icon.with("\u{f0da}", solid: true)
#let fa-caret-up = fa-icon.with("\u{f0d8}", solid: true)
#let fa-carrot = fa-icon.with("\u{f787}", solid: true)
#let fa-cart-arrow-down = fa-icon.with("\u{f218}", solid: true)
#let fa-cart-flatbed = fa-icon.with("\u{f474}", solid: true)
#let fa-dolly-flatbed = fa-icon.with("\u{f474}")
#let fa-cart-flatbed-suitcase = fa-icon.with("\u{f59d}", solid: true)
#let fa-luggage-cart = fa-icon.with("\u{f59d}")
#let fa-cart-plus = fa-icon.with("\u{f217}", solid: true)
#let fa-cart-shopping = fa-icon.with("\u{f07a}", solid: true)
#let fa-shopping-cart = fa-icon.with("\u{f07a}")
#let fa-cash-register = fa-icon.with("\u{f788}", solid: true)
#let fa-cat = fa-icon.with("\u{f6be}", solid: true)
#let fa-cc-amazon-pay = fa-icon.with("\u{f42d}")
#let fa-cc-amex = fa-icon.with("\u{f1f3}")
#let fa-cc-apple-pay = fa-icon.with("\u{f416}")
#let fa-cc-diners-club = fa-icon.with("\u{f24c}")
#let fa-cc-discover = fa-icon.with("\u{f1f2}")
#let fa-cc-jcb = fa-icon.with("\u{f24b}")
#let fa-cc-mastercard = fa-icon.with("\u{f1f1}")
#let fa-cc-paypal = fa-icon.with("\u{f1f4}")
#let fa-cc-stripe = fa-icon.with("\u{f1f5}")
#let fa-cc-visa = fa-icon.with("\u{f1f0}")
#let fa-cedi-sign = fa-icon.with("\u{e0df}", solid: true)
#let fa-cent-sign = fa-icon.with("\u{e3f5}", solid: true)
#let fa-centercode = fa-icon.with("\u{f380}")
#let fa-centos = fa-icon.with("\u{f789}")
#let fa-certificate = fa-icon.with("\u{f0a3}", solid: true)
#let fa-chair = fa-icon.with("\u{f6c0}", solid: true)
#let fa-chalkboard = fa-icon.with("\u{f51b}", solid: true)
#let fa-blackboard = fa-icon.with("\u{f51b}")
#let fa-chalkboard-user = fa-icon.with("\u{f51c}", solid: true)
#let fa-chalkboard-teacher = fa-icon.with("\u{f51c}")
#let fa-champagne-glasses = fa-icon.with("\u{f79f}", solid: true)
#let fa-glass-cheers = fa-icon.with("\u{f79f}")
#let fa-charging-station = fa-icon.with("\u{f5e7}", solid: true)
#let fa-chart-area = fa-icon.with("\u{f1fe}", solid: true)
#let fa-area-chart = fa-icon.with("\u{f1fe}")
#let fa-chart-bar = fa-icon.with("\u{f080}")
#let fa-bar-chart = fa-icon.with("\u{f080}")
#let fa-chart-column = fa-icon.with("\u{e0e3}", solid: true)
#let fa-chart-gantt = fa-icon.with("\u{e0e4}", solid: true)
#let fa-chart-line = fa-icon.with("\u{f201}", solid: true)
#let fa-line-chart = fa-icon.with("\u{f201}")
#let fa-chart-pie = fa-icon.with("\u{f200}", solid: true)
#let fa-pie-chart = fa-icon.with("\u{f200}")
#let fa-chart-simple = fa-icon.with("\u{e473}", solid: true)
#let fa-check = fa-icon.with("\u{f00c}", solid: true)
#let fa-check-double = fa-icon.with("\u{f560}", solid: true)
#let fa-check-to-slot = fa-icon.with("\u{f772}", solid: true)
#let fa-vote-yea = fa-icon.with("\u{f772}")
#let fa-cheese = fa-icon.with("\u{f7ef}", solid: true)
#let fa-chess = fa-icon.with("\u{f439}", solid: true)
#let fa-chess-bishop = fa-icon.with("\u{f43a}")
#let fa-chess-board = fa-icon.with("\u{f43c}", solid: true)
#let fa-chess-king = fa-icon.with("\u{f43f}")
#let fa-chess-knight = fa-icon.with("\u{f441}")
#let fa-chess-pawn = fa-icon.with("\u{f443}")
#let fa-chess-queen = fa-icon.with("\u{f445}")
#let fa-chess-rook = fa-icon.with("\u{f447}")
#let fa-chevron-down = fa-icon.with("\u{f078}", solid: true)
#let fa-chevron-left = fa-icon.with("\u{f053}", solid: true)
#let fa-chevron-right = fa-icon.with("\u{f054}", solid: true)
#let fa-chevron-up = fa-icon.with("\u{f077}", solid: true)
#let fa-child = fa-icon.with("\u{f1ae}", solid: true)
#let fa-child-combatant = fa-icon.with("\u{e4e0}", solid: true)
#let fa-child-rifle = fa-icon.with("\u{e4e0}")
#let fa-child-dress = fa-icon.with("\u{e59c}", solid: true)
#let fa-child-reaching = fa-icon.with("\u{e59d}", solid: true)
#let fa-children = fa-icon.with("\u{e4e1}", solid: true)
#let fa-chrome = fa-icon.with("\u{f268}")
#let fa-chromecast = fa-icon.with("\u{f838}")
#let fa-church = fa-icon.with("\u{f51d}", solid: true)
#let fa-circle = fa-icon.with("\u{f111}")
#let fa-circle-arrow-down = fa-icon.with("\u{f0ab}", solid: true)
#let fa-arrow-circle-down = fa-icon.with("\u{f0ab}")
#let fa-circle-arrow-left = fa-icon.with("\u{f0a8}", solid: true)
#let fa-arrow-circle-left = fa-icon.with("\u{f0a8}")
#let fa-circle-arrow-right = fa-icon.with("\u{f0a9}", solid: true)
#let fa-arrow-circle-right = fa-icon.with("\u{f0a9}")
#let fa-circle-arrow-up = fa-icon.with("\u{f0aa}", solid: true)
#let fa-arrow-circle-up = fa-icon.with("\u{f0aa}")
#let fa-circle-check = fa-icon.with("\u{f058}")
#let fa-check-circle = fa-icon.with("\u{f058}")
#let fa-circle-chevron-down = fa-icon.with("\u{f13a}", solid: true)
#let fa-chevron-circle-down = fa-icon.with("\u{f13a}")
#let fa-circle-chevron-left = fa-icon.with("\u{f137}", solid: true)
#let fa-chevron-circle-left = fa-icon.with("\u{f137}")
#let fa-circle-chevron-right = fa-icon.with("\u{f138}", solid: true)
#let fa-chevron-circle-right = fa-icon.with("\u{f138}")
#let fa-circle-chevron-up = fa-icon.with("\u{f139}", solid: true)
#let fa-chevron-circle-up = fa-icon.with("\u{f139}")
#let fa-circle-dollar-to-slot = fa-icon.with("\u{f4b9}", solid: true)
#let fa-donate = fa-icon.with("\u{f4b9}")
#let fa-circle-dot = fa-icon.with("\u{f192}")
#let fa-dot-circle = fa-icon.with("\u{f192}")
#let fa-circle-down = fa-icon.with("\u{f358}")
#let fa-arrow-alt-circle-down = fa-icon.with("\u{f358}")
#let fa-circle-exclamation = fa-icon.with("\u{f06a}", solid: true)
#let fa-exclamation-circle = fa-icon.with("\u{f06a}")
#let fa-circle-h = fa-icon.with("\u{f47e}", solid: true)
#let fa-hospital-symbol = fa-icon.with("\u{f47e}")
#let fa-circle-half-stroke = fa-icon.with("\u{f042}", solid: true)
#let fa-adjust = fa-icon.with("\u{f042}")
#let fa-circle-info = fa-icon.with("\u{f05a}", solid: true)
#let fa-info-circle = fa-icon.with("\u{f05a}")
#let fa-circle-left = fa-icon.with("\u{f359}")
#let fa-arrow-alt-circle-left = fa-icon.with("\u{f359}")
#let fa-circle-minus = fa-icon.with("\u{f056}", solid: true)
#let fa-minus-circle = fa-icon.with("\u{f056}")
#let fa-circle-nodes = fa-icon.with("\u{e4e2}", solid: true)
#let fa-circle-notch = fa-icon.with("\u{f1ce}", solid: true)
#let fa-circle-pause = fa-icon.with("\u{f28b}")
#let fa-pause-circle = fa-icon.with("\u{f28b}")
#let fa-circle-play = fa-icon.with("\u{f144}")
#let fa-play-circle = fa-icon.with("\u{f144}")
#let fa-circle-plus = fa-icon.with("\u{f055}", solid: true)
#let fa-plus-circle = fa-icon.with("\u{f055}")
#let fa-circle-question = fa-icon.with("\u{f059}")
#let fa-question-circle = fa-icon.with("\u{f059}")
#let fa-circle-radiation = fa-icon.with("\u{f7ba}", solid: true)
#let fa-radiation-alt = fa-icon.with("\u{f7ba}")
#let fa-circle-right = fa-icon.with("\u{f35a}")
#let fa-arrow-alt-circle-right = fa-icon.with("\u{f35a}")
#let fa-circle-stop = fa-icon.with("\u{f28d}")
#let fa-stop-circle = fa-icon.with("\u{f28d}")
#let fa-circle-up = fa-icon.with("\u{f35b}")
#let fa-arrow-alt-circle-up = fa-icon.with("\u{f35b}")
#let fa-circle-user = fa-icon.with("\u{f2bd}")
#let fa-user-circle = fa-icon.with("\u{f2bd}")
#let fa-circle-xmark = fa-icon.with("\u{f057}")
#let fa-times-circle = fa-icon.with("\u{f057}")
#let fa-xmark-circle = fa-icon.with("\u{f057}")
#let fa-city = fa-icon.with("\u{f64f}", solid: true)
#let fa-clapperboard = fa-icon.with("\u{e131}", solid: true)
#let fa-clipboard = fa-icon.with("\u{f328}")
#let fa-clipboard-check = fa-icon.with("\u{f46c}", solid: true)
#let fa-clipboard-list = fa-icon.with("\u{f46d}", solid: true)
#let fa-clipboard-question = fa-icon.with("\u{e4e3}", solid: true)
#let fa-clipboard-user = fa-icon.with("\u{f7f3}", solid: true)
#let fa-clock = fa-icon.with("\u{f017}")
#let fa-clock-four = fa-icon.with("\u{f017}")
#let fa-clock-rotate-left = fa-icon.with("\u{f1da}", solid: true)
#let fa-history = fa-icon.with("\u{f1da}")
#let fa-clone = fa-icon.with("\u{f24d}")
#let fa-closed-captioning = fa-icon.with("\u{f20a}")
#let fa-cloud = fa-icon.with("\u{f0c2}", solid: true)
#let fa-cloud-arrow-down = fa-icon.with("\u{f0ed}", solid: true)
#let fa-cloud-download = fa-icon.with("\u{f0ed}")
#let fa-cloud-download-alt = fa-icon.with("\u{f0ed}")
#let fa-cloud-arrow-up = fa-icon.with("\u{f0ee}", solid: true)
#let fa-cloud-upload = fa-icon.with("\u{f0ee}")
#let fa-cloud-upload-alt = fa-icon.with("\u{f0ee}")
#let fa-cloud-bolt = fa-icon.with("\u{f76c}", solid: true)
#let fa-thunderstorm = fa-icon.with("\u{f76c}")
#let fa-cloud-meatball = fa-icon.with("\u{f73b}", solid: true)
#let fa-cloud-moon = fa-icon.with("\u{f6c3}", solid: true)
#let fa-cloud-moon-rain = fa-icon.with("\u{f73c}", solid: true)
#let fa-cloud-rain = fa-icon.with("\u{f73d}", solid: true)
#let fa-cloud-showers-heavy = fa-icon.with("\u{f740}", solid: true)
#let fa-cloud-showers-water = fa-icon.with("\u{e4e4}", solid: true)
#let fa-cloud-sun = fa-icon.with("\u{f6c4}", solid: true)
#let fa-cloud-sun-rain = fa-icon.with("\u{f743}", solid: true)
#let fa-cloudflare = fa-icon.with("\u{e07d}")
#let fa-cloudscale = fa-icon.with("\u{f383}")
#let fa-cloudsmith = fa-icon.with("\u{f384}")
#let fa-cloudversify = fa-icon.with("\u{f385}")
#let fa-clover = fa-icon.with("\u{e139}", solid: true)
#let fa-cmplid = fa-icon.with("\u{e360}")
#let fa-code = fa-icon.with("\u{f121}", solid: true)
#let fa-code-branch = fa-icon.with("\u{f126}", solid: true)
#let fa-code-commit = fa-icon.with("\u{f386}", solid: true)
#let fa-code-compare = fa-icon.with("\u{e13a}", solid: true)
#let fa-code-fork = fa-icon.with("\u{e13b}", solid: true)
#let fa-code-merge = fa-icon.with("\u{f387}", solid: true)
#let fa-code-pull-request = fa-icon.with("\u{e13c}", solid: true)
#let fa-codepen = fa-icon.with("\u{f1cb}")
#let fa-codiepie = fa-icon.with("\u{f284}")
#let fa-coins = fa-icon.with("\u{f51e}", solid: true)
#let fa-colon-sign = fa-icon.with("\u{e140}", solid: true)
#let fa-comment = fa-icon.with("\u{f075}")
#let fa-comment-dollar = fa-icon.with("\u{f651}", solid: true)
#let fa-comment-dots = fa-icon.with("\u{f4ad}")
#let fa-commenting = fa-icon.with("\u{f4ad}")
#let fa-comment-medical = fa-icon.with("\u{f7f5}", solid: true)
#let fa-comment-slash = fa-icon.with("\u{f4b3}", solid: true)
#let fa-comment-sms = fa-icon.with("\u{f7cd}", solid: true)
#let fa-sms = fa-icon.with("\u{f7cd}")
#let fa-comments = fa-icon.with("\u{f086}")
#let fa-comments-dollar = fa-icon.with("\u{f653}", solid: true)
#let fa-compact-disc = fa-icon.with("\u{f51f}", solid: true)
#let fa-compass = fa-icon.with("\u{f14e}")
#let fa-compass-drafting = fa-icon.with("\u{f568}", solid: true)
#let fa-drafting-compass = fa-icon.with("\u{f568}")
#let fa-compress = fa-icon.with("\u{f066}", solid: true)
#let fa-computer = fa-icon.with("\u{e4e5}", solid: true)
#let fa-computer-mouse = fa-icon.with("\u{f8cc}", solid: true)
#let fa-mouse = fa-icon.with("\u{f8cc}")
#let fa-confluence = fa-icon.with("\u{f78d}")
#let fa-connectdevelop = fa-icon.with("\u{f20e}")
#let fa-contao = fa-icon.with("\u{f26d}")
#let fa-cookie = fa-icon.with("\u{f563}", solid: true)
#let fa-cookie-bite = fa-icon.with("\u{f564}", solid: true)
#let fa-copy = fa-icon.with("\u{f0c5}")
#let fa-copyright = fa-icon.with("\u{f1f9}")
#let fa-cotton-bureau = fa-icon.with("\u{f89e}")
#let fa-couch = fa-icon.with("\u{f4b8}", solid: true)
#let fa-cow = fa-icon.with("\u{f6c8}", solid: true)
#let fa-cpanel = fa-icon.with("\u{f388}")
#let fa-creative-commons = fa-icon.with("\u{f25e}")
#let fa-creative-commons-by = fa-icon.with("\u{f4e7}")
#let fa-creative-commons-nc = fa-icon.with("\u{f4e8}")
#let fa-creative-commons-nc-eu = fa-icon.with("\u{f4e9}")
#let fa-creative-commons-nc-jp = fa-icon.with("\u{f4ea}")
#let fa-creative-commons-nd = fa-icon.with("\u{f4eb}")
#let fa-creative-commons-pd = fa-icon.with("\u{f4ec}")
#let fa-creative-commons-pd-alt = fa-icon.with("\u{f4ed}")
#let fa-creative-commons-remix = fa-icon.with("\u{f4ee}")
#let fa-creative-commons-sa = fa-icon.with("\u{f4ef}")
#let fa-creative-commons-sampling = fa-icon.with("\u{f4f0}")
#let fa-creative-commons-sampling-plus = fa-icon.with("\u{f4f1}")
#let fa-creative-commons-share = fa-icon.with("\u{f4f2}")
#let fa-creative-commons-zero = fa-icon.with("\u{f4f3}")
#let fa-credit-card = fa-icon.with("\u{f09d}")
#let fa-credit-card-alt = fa-icon.with("\u{f09d}")
#let fa-critical-role = fa-icon.with("\u{f6c9}")
#let fa-crop = fa-icon.with("\u{f125}", solid: true)
#let fa-crop-simple = fa-icon.with("\u{f565}", solid: true)
#let fa-crop-alt = fa-icon.with("\u{f565}")
#let fa-cross = fa-icon.with("\u{f654}", solid: true)
#let fa-crosshairs = fa-icon.with("\u{f05b}", solid: true)
#let fa-crow = fa-icon.with("\u{f520}", solid: true)
#let fa-crown = fa-icon.with("\u{f521}", solid: true)
#let fa-crutch = fa-icon.with("\u{f7f7}", solid: true)
#let fa-cruzeiro-sign = fa-icon.with("\u{e152}", solid: true)
#let fa-css3 = fa-icon.with("\u{f13c}")
#let fa-css3-alt = fa-icon.with("\u{f38b}")
#let fa-cube = fa-icon.with("\u{f1b2}", solid: true)
#let fa-cubes = fa-icon.with("\u{f1b3}", solid: true)
#let fa-cubes-stacked = fa-icon.with("\u{e4e6}", solid: true)
#let fa-cuttlefish = fa-icon.with("\u{f38c}")
#let fa-d = fa-icon.with("\u{44}", solid: true)
#let fa-d-and-d = fa-icon.with("\u{f38d}")
#let fa-d-and-d-beyond = fa-icon.with("\u{f6ca}")
#let fa-dailymotion = fa-icon.with("\u{e052}")
#let fa-dashcube = fa-icon.with("\u{f210}")
#let fa-database = fa-icon.with("\u{f1c0}", solid: true)
#let fa-debian = fa-icon.with("\u{e60b}")
#let fa-deezer = fa-icon.with("\u{e077}")
#let fa-delete-left = fa-icon.with("\u{f55a}", solid: true)
#let fa-backspace = fa-icon.with("\u{f55a}")
#let fa-delicious = fa-icon.with("\u{f1a5}")
#let fa-democrat = fa-icon.with("\u{f747}", solid: true)
#let fa-deploydog = fa-icon.with("\u{f38e}")
#let fa-deskpro = fa-icon.with("\u{f38f}")
#let fa-desktop = fa-icon.with("\u{f390}", solid: true)
#let fa-desktop-alt = fa-icon.with("\u{f390}")
#let fa-dev = fa-icon.with("\u{f6cc}")
#let fa-deviantart = fa-icon.with("\u{f1bd}")
#let fa-dharmachakra = fa-icon.with("\u{f655}", solid: true)
#let fa-dhl = fa-icon.with("\u{f790}")
#let fa-diagram-next = fa-icon.with("\u{e476}", solid: true)
#let fa-diagram-predecessor = fa-icon.with("\u{e477}", solid: true)
#let fa-diagram-project = fa-icon.with("\u{f542}", solid: true)
#let fa-project-diagram = fa-icon.with("\u{f542}")
#let fa-diagram-successor = fa-icon.with("\u{e47a}", solid: true)
#let fa-diamond = fa-icon.with("\u{f219}", solid: true)
#let fa-diamond-turn-right = fa-icon.with("\u{f5eb}", solid: true)
#let fa-directions = fa-icon.with("\u{f5eb}")
#let fa-diaspora = fa-icon.with("\u{f791}")
#let fa-dice = fa-icon.with("\u{f522}", solid: true)
#let fa-dice-d20 = fa-icon.with("\u{f6cf}", solid: true)
#let fa-dice-d6 = fa-icon.with("\u{f6d1}", solid: true)
#let fa-dice-five = fa-icon.with("\u{f523}", solid: true)
#let fa-dice-four = fa-icon.with("\u{f524}", solid: true)
#let fa-dice-one = fa-icon.with("\u{f525}", solid: true)
#let fa-dice-six = fa-icon.with("\u{f526}", solid: true)
#let fa-dice-three = fa-icon.with("\u{f527}", solid: true)
#let fa-dice-two = fa-icon.with("\u{f528}", solid: true)
#let fa-digg = fa-icon.with("\u{f1a6}")
#let fa-digital-ocean = fa-icon.with("\u{f391}")
#let fa-discord = fa-icon.with("\u{f392}")
#let fa-discourse = fa-icon.with("\u{f393}")
#let fa-disease = fa-icon.with("\u{f7fa}", solid: true)
#let fa-display = fa-icon.with("\u{e163}", solid: true)
#let fa-divide = fa-icon.with("\u{f529}", solid: true)
#let fa-dna = fa-icon.with("\u{f471}", solid: true)
#let fa-dochub = fa-icon.with("\u{f394}")
#let fa-docker = fa-icon.with("\u{f395}")
#let fa-dog = fa-icon.with("\u{f6d3}", solid: true)
#let fa-dollar-sign = fa-icon.with("\u{24}", solid: true)
#let fa-dollar = fa-icon.with("\u{24}")
#let fa-usd = fa-icon.with("\u{24}")
#let fa-dolly = fa-icon.with("\u{f472}", solid: true)
#let fa-dolly-box = fa-icon.with("\u{f472}")
#let fa-dong-sign = fa-icon.with("\u{e169}", solid: true)
#let fa-door-closed = fa-icon.with("\u{f52a}", solid: true)
#let fa-door-open = fa-icon.with("\u{f52b}", solid: true)
#let fa-dove = fa-icon.with("\u{f4ba}", solid: true)
#let fa-down-left-and-up-right-to-center = fa-icon.with("\u{f422}", solid: true)
#let fa-compress-alt = fa-icon.with("\u{f422}")
#let fa-down-long = fa-icon.with("\u{f309}", solid: true)
#let fa-long-arrow-alt-down = fa-icon.with("\u{f309}")
#let fa-download = fa-icon.with("\u{f019}", solid: true)
#let fa-draft2digital = fa-icon.with("\u{f396}")
#let fa-dragon = fa-icon.with("\u{f6d5}", solid: true)
#let fa-draw-polygon = fa-icon.with("\u{f5ee}", solid: true)
#let fa-dribbble = fa-icon.with("\u{f17d}")
#let fa-dropbox = fa-icon.with("\u{f16b}")
#let fa-droplet = fa-icon.with("\u{f043}", solid: true)
#let fa-tint = fa-icon.with("\u{f043}")
#let fa-droplet-slash = fa-icon.with("\u{f5c7}", solid: true)
#let fa-tint-slash = fa-icon.with("\u{f5c7}")
#let fa-drum = fa-icon.with("\u{f569}", solid: true)
#let fa-drum-steelpan = fa-icon.with("\u{f56a}", solid: true)
#let fa-drumstick-bite = fa-icon.with("\u{f6d7}", solid: true)
#let fa-drupal = fa-icon.with("\u{f1a9}")
#let fa-dumbbell = fa-icon.with("\u{f44b}", solid: true)
#let fa-dumpster = fa-icon.with("\u{f793}", solid: true)
#let fa-dumpster-fire = fa-icon.with("\u{f794}", solid: true)
#let fa-dungeon = fa-icon.with("\u{f6d9}", solid: true)
#let fa-dyalog = fa-icon.with("\u{f399}")
#let fa-e = fa-icon.with("\u{45}", solid: true)
#let fa-ear-deaf = fa-icon.with("\u{f2a4}", solid: true)
#let fa-deaf = fa-icon.with("\u{f2a4}")
#let fa-deafness = fa-icon.with("\u{f2a4}")
#let fa-hard-of-hearing = fa-icon.with("\u{f2a4}")
#let fa-ear-listen = fa-icon.with("\u{f2a2}", solid: true)
#let fa-assistive-listening-systems = fa-icon.with("\u{f2a2}")
#let fa-earlybirds = fa-icon.with("\u{f39a}")
#let fa-earth-africa = fa-icon.with("\u{f57c}", solid: true)
#let fa-globe-africa = fa-icon.with("\u{f57c}")
#let fa-earth-americas = fa-icon.with("\u{f57d}", solid: true)
#let fa-earth = fa-icon.with("\u{f57d}")
#let fa-earth-america = fa-icon.with("\u{f57d}")
#let fa-globe-americas = fa-icon.with("\u{f57d}")
#let fa-earth-asia = fa-icon.with("\u{f57e}", solid: true)
#let fa-globe-asia = fa-icon.with("\u{f57e}")
#let fa-earth-europe = fa-icon.with("\u{f7a2}", solid: true)
#let fa-globe-europe = fa-icon.with("\u{f7a2}")
#let fa-earth-oceania = fa-icon.with("\u{e47b}", solid: true)
#let fa-globe-oceania = fa-icon.with("\u{e47b}")
#let fa-ebay = fa-icon.with("\u{f4f4}")
#let fa-edge = fa-icon.with("\u{f282}")
#let fa-edge-legacy = fa-icon.with("\u{e078}")
#let fa-egg = fa-icon.with("\u{f7fb}", solid: true)
#let fa-eject = fa-icon.with("\u{f052}", solid: true)
#let fa-elementor = fa-icon.with("\u{f430}")
#let fa-elevator = fa-icon.with("\u{e16d}", solid: true)
#let fa-ellipsis = fa-icon.with("\u{f141}", solid: true)
#let fa-ellipsis-h = fa-icon.with("\u{f141}")
#let fa-ellipsis-vertical = fa-icon.with("\u{f142}", solid: true)
#let fa-ellipsis-v = fa-icon.with("\u{f142}")
#let fa-ello = fa-icon.with("\u{f5f1}")
#let fa-ember = fa-icon.with("\u{f423}")
#let fa-empire = fa-icon.with("\u{f1d1}")
#let fa-envelope = fa-icon.with("\u{f0e0}")
#let fa-envelope-circle-check = fa-icon.with("\u{e4e8}", solid: true)
#let fa-envelope-open = fa-icon.with("\u{f2b6}")
#let fa-envelope-open-text = fa-icon.with("\u{f658}", solid: true)
#let fa-envelopes-bulk = fa-icon.with("\u{f674}", solid: true)
#let fa-mail-bulk = fa-icon.with("\u{f674}")
#let fa-envira = fa-icon.with("\u{f299}")
#let fa-equals = fa-icon.with("\u{3d}", solid: true)
#let fa-eraser = fa-icon.with("\u{f12d}", solid: true)
#let fa-erlang = fa-icon.with("\u{f39d}")
#let fa-ethereum = fa-icon.with("\u{f42e}")
#let fa-ethernet = fa-icon.with("\u{f796}", solid: true)
#let fa-etsy = fa-icon.with("\u{f2d7}")
#let fa-euro-sign = fa-icon.with("\u{f153}", solid: true)
#let fa-eur = fa-icon.with("\u{f153}")
#let fa-euro = fa-icon.with("\u{f153}")
#let fa-evernote = fa-icon.with("\u{f839}")
#let fa-exclamation = fa-icon.with("\u{21}", solid: true)
#let fa-expand = fa-icon.with("\u{f065}", solid: true)
#let fa-expeditedssl = fa-icon.with("\u{f23e}")
#let fa-explosion = fa-icon.with("\u{e4e9}", solid: true)
#let fa-eye = fa-icon.with("\u{f06e}")
#let fa-eye-dropper = fa-icon.with("\u{f1fb}", solid: true)
#let fa-eye-dropper-empty = fa-icon.with("\u{f1fb}")
#let fa-eyedropper = fa-icon.with("\u{f1fb}")
#let fa-eye-low-vision = fa-icon.with("\u{f2a8}", solid: true)
#let fa-low-vision = fa-icon.with("\u{f2a8}")
#let fa-eye-slash = fa-icon.with("\u{f070}")
#let fa-f = fa-icon.with("\u{46}", solid: true)
#let fa-face-angry = fa-icon.with("\u{f556}")
#let fa-angry = fa-icon.with("\u{f556}")
#let fa-face-dizzy = fa-icon.with("\u{f567}")
#let fa-dizzy = fa-icon.with("\u{f567}")
#let fa-face-flushed = fa-icon.with("\u{f579}")
#let fa-flushed = fa-icon.with("\u{f579}")
#let fa-face-frown = fa-icon.with("\u{f119}")
#let fa-frown = fa-icon.with("\u{f119}")
#let fa-face-frown-open = fa-icon.with("\u{f57a}")
#let fa-frown-open = fa-icon.with("\u{f57a}")
#let fa-face-grimace = fa-icon.with("\u{f57f}")
#let fa-grimace = fa-icon.with("\u{f57f}")
#let fa-face-grin = fa-icon.with("\u{f580}")
#let fa-grin = fa-icon.with("\u{f580}")
#let fa-face-grin-beam = fa-icon.with("\u{f582}")
#let fa-grin-beam = fa-icon.with("\u{f582}")
#let fa-face-grin-beam-sweat = fa-icon.with("\u{f583}")
#let fa-grin-beam-sweat = fa-icon.with("\u{f583}")
#let fa-face-grin-hearts = fa-icon.with("\u{f584}")
#let fa-grin-hearts = fa-icon.with("\u{f584}")
#let fa-face-grin-squint = fa-icon.with("\u{f585}")
#let fa-grin-squint = fa-icon.with("\u{f585}")
#let fa-face-grin-squint-tears = fa-icon.with("\u{f586}")
#let fa-grin-squint-tears = fa-icon.with("\u{f586}")
#let fa-face-grin-stars = fa-icon.with("\u{f587}")
#let fa-grin-stars = fa-icon.with("\u{f587}")
#let fa-face-grin-tears = fa-icon.with("\u{f588}")
#let fa-grin-tears = fa-icon.with("\u{f588}")
#let fa-face-grin-tongue = fa-icon.with("\u{f589}")
#let fa-grin-tongue = fa-icon.with("\u{f589}")
#let fa-face-grin-tongue-squint = fa-icon.with("\u{f58a}")
#let fa-grin-tongue-squint = fa-icon.with("\u{f58a}")
#let fa-face-grin-tongue-wink = fa-icon.with("\u{f58b}")
#let fa-grin-tongue-wink = fa-icon.with("\u{f58b}")
#let fa-face-grin-wide = fa-icon.with("\u{f581}")
#let fa-grin-alt = fa-icon.with("\u{f581}")
#let fa-face-grin-wink = fa-icon.with("\u{f58c}")
#let fa-grin-wink = fa-icon.with("\u{f58c}")
#let fa-face-kiss = fa-icon.with("\u{f596}")
#let fa-kiss = fa-icon.with("\u{f596}")
#let fa-face-kiss-beam = fa-icon.with("\u{f597}")
#let fa-kiss-beam = fa-icon.with("\u{f597}")
#let fa-face-kiss-wink-heart = fa-icon.with("\u{f598}")
#let fa-kiss-wink-heart = fa-icon.with("\u{f598}")
#let fa-face-laugh = fa-icon.with("\u{f599}")
#let fa-laugh = fa-icon.with("\u{f599}")
#let fa-face-laugh-beam = fa-icon.with("\u{f59a}")
#let fa-laugh-beam = fa-icon.with("\u{f59a}")
#let fa-face-laugh-squint = fa-icon.with("\u{f59b}")
#let fa-laugh-squint = fa-icon.with("\u{f59b}")
#let fa-face-laugh-wink = fa-icon.with("\u{f59c}")
#let fa-laugh-wink = fa-icon.with("\u{f59c}")
#let fa-face-meh = fa-icon.with("\u{f11a}")
#let fa-meh = fa-icon.with("\u{f11a}")
#let fa-face-meh-blank = fa-icon.with("\u{f5a4}")
#let fa-meh-blank = fa-icon.with("\u{f5a4}")
#let fa-face-rolling-eyes = fa-icon.with("\u{f5a5}")
#let fa-meh-rolling-eyes = fa-icon.with("\u{f5a5}")
#let fa-face-sad-cry = fa-icon.with("\u{f5b3}")
#let fa-sad-cry = fa-icon.with("\u{f5b3}")
#let fa-face-sad-tear = fa-icon.with("\u{f5b4}")
#let fa-sad-tear = fa-icon.with("\u{f5b4}")
#let fa-face-smile = fa-icon.with("\u{f118}")
#let fa-smile = fa-icon.with("\u{f118}")
#let fa-face-smile-beam = fa-icon.with("\u{f5b8}")
#let fa-smile-beam = fa-icon.with("\u{f5b8}")
#let fa-face-smile-wink = fa-icon.with("\u{f4da}")
#let fa-smile-wink = fa-icon.with("\u{f4da}")
#let fa-face-surprise = fa-icon.with("\u{f5c2}")
#let fa-surprise = fa-icon.with("\u{f5c2}")
#let fa-face-tired = fa-icon.with("\u{f5c8}")
#let fa-tired = fa-icon.with("\u{f5c8}")
#let fa-facebook = fa-icon.with("\u{f09a}")
#let fa-facebook-f = fa-icon.with("\u{f39e}")
#let fa-facebook-messenger = fa-icon.with("\u{f39f}")
#let fa-fan = fa-icon.with("\u{f863}", solid: true)
#let fa-fantasy-flight-games = fa-icon.with("\u{f6dc}")
#let fa-faucet = fa-icon.with("\u{e005}", solid: true)
#let fa-faucet-drip = fa-icon.with("\u{e006}", solid: true)
#let fa-fax = fa-icon.with("\u{f1ac}", solid: true)
#let fa-feather = fa-icon.with("\u{f52d}", solid: true)
#let fa-feather-pointed = fa-icon.with("\u{f56b}", solid: true)
#let fa-feather-alt = fa-icon.with("\u{f56b}")
#let fa-fedex = fa-icon.with("\u{f797}")
#let fa-fedora = fa-icon.with("\u{f798}")
#let fa-ferry = fa-icon.with("\u{e4ea}", solid: true)
#let fa-figma = fa-icon.with("\u{f799}")
#let fa-file = fa-icon.with("\u{f15b}")
#let fa-file-arrow-down = fa-icon.with("\u{f56d}", solid: true)
#let fa-file-download = fa-icon.with("\u{f56d}")
#let fa-file-arrow-up = fa-icon.with("\u{f574}", solid: true)
#let fa-file-upload = fa-icon.with("\u{f574}")
#let fa-file-audio = fa-icon.with("\u{f1c7}")
#let fa-file-circle-check = fa-icon.with("\u{e5a0}", solid: true)
#let fa-file-circle-exclamation = fa-icon.with("\u{e4eb}", solid: true)
#let fa-file-circle-minus = fa-icon.with("\u{e4ed}", solid: true)
#let fa-file-circle-plus = fa-icon.with("\u{e494}", solid: true)
#let fa-file-circle-question = fa-icon.with("\u{e4ef}", solid: true)
#let fa-file-circle-xmark = fa-icon.with("\u{e5a1}", solid: true)
#let fa-file-code = fa-icon.with("\u{f1c9}")
#let fa-file-contract = fa-icon.with("\u{f56c}", solid: true)
#let fa-file-csv = fa-icon.with("\u{f6dd}", solid: true)
#let fa-file-excel = fa-icon.with("\u{f1c3}")
#let fa-file-export = fa-icon.with("\u{f56e}", solid: true)
#let fa-arrow-right-from-file = fa-icon.with("\u{f56e}")
#let fa-file-image = fa-icon.with("\u{f1c5}")
#let fa-file-import = fa-icon.with("\u{f56f}", solid: true)
#let fa-arrow-right-to-file = fa-icon.with("\u{f56f}")
#let fa-file-invoice = fa-icon.with("\u{f570}", solid: true)
#let fa-file-invoice-dollar = fa-icon.with("\u{f571}", solid: true)
#let fa-file-lines = fa-icon.with("\u{f15c}")
#let fa-file-alt = fa-icon.with("\u{f15c}")
#let fa-file-text = fa-icon.with("\u{f15c}")
#let fa-file-medical = fa-icon.with("\u{f477}", solid: true)
#let fa-file-pdf = fa-icon.with("\u{f1c1}")
#let fa-file-pen = fa-icon.with("\u{f31c}", solid: true)
#let fa-file-edit = fa-icon.with("\u{f31c}")
#let fa-file-powerpoint = fa-icon.with("\u{f1c4}")
#let fa-file-prescription = fa-icon.with("\u{f572}", solid: true)
#let fa-file-shield = fa-icon.with("\u{e4f0}", solid: true)
#let fa-file-signature = fa-icon.with("\u{f573}", solid: true)
#let fa-file-video = fa-icon.with("\u{f1c8}")
#let fa-file-waveform = fa-icon.with("\u{f478}", solid: true)
#let fa-file-medical-alt = fa-icon.with("\u{f478}")
#let fa-file-word = fa-icon.with("\u{f1c2}")
#let fa-file-zipper = fa-icon.with("\u{f1c6}")
#let fa-file-archive = fa-icon.with("\u{f1c6}")
#let fa-fill = fa-icon.with("\u{f575}", solid: true)
#let fa-fill-drip = fa-icon.with("\u{f576}", solid: true)
#let fa-film = fa-icon.with("\u{f008}", solid: true)
#let fa-filter = fa-icon.with("\u{f0b0}", solid: true)
#let fa-filter-circle-dollar = fa-icon.with("\u{f662}", solid: true)
#let fa-funnel-dollar = fa-icon.with("\u{f662}")
#let fa-filter-circle-xmark = fa-icon.with("\u{e17b}", solid: true)
#let fa-fingerprint = fa-icon.with("\u{f577}", solid: true)
#let fa-fire = fa-icon.with("\u{f06d}", solid: true)
#let fa-fire-burner = fa-icon.with("\u{e4f1}", solid: true)
#let fa-fire-extinguisher = fa-icon.with("\u{f134}", solid: true)
#let fa-fire-flame-curved = fa-icon.with("\u{f7e4}", solid: true)
#let fa-fire-alt = fa-icon.with("\u{f7e4}")
#let fa-fire-flame-simple = fa-icon.with("\u{f46a}", solid: true)
#let fa-burn = fa-icon.with("\u{f46a}")
#let fa-firefox = fa-icon.with("\u{f269}")
#let fa-firefox-browser = fa-icon.with("\u{e007}")
#let fa-first-order = fa-icon.with("\u{f2b0}")
#let fa-first-order-alt = fa-icon.with("\u{f50a}")
#let fa-firstdraft = fa-icon.with("\u{f3a1}")
#let fa-fish = fa-icon.with("\u{f578}", solid: true)
#let fa-fish-fins = fa-icon.with("\u{e4f2}", solid: true)
#let fa-flag = fa-icon.with("\u{f024}")
#let fa-flag-checkered = fa-icon.with("\u{f11e}", solid: true)
#let fa-flag-usa = fa-icon.with("\u{f74d}", solid: true)
#let fa-flask = fa-icon.with("\u{f0c3}", solid: true)
#let fa-flask-vial = fa-icon.with("\u{e4f3}", solid: true)
#let fa-flickr = fa-icon.with("\u{f16e}")
#let fa-flipboard = fa-icon.with("\u{f44d}")
#let fa-floppy-disk = fa-icon.with("\u{f0c7}")
#let fa-save = fa-icon.with("\u{f0c7}")
#let fa-florin-sign = fa-icon.with("\u{e184}", solid: true)
#let fa-fly = fa-icon.with("\u{f417}")
#let fa-folder = fa-icon.with("\u{f07b}")
#let fa-folder-blank = fa-icon.with("\u{f07b}")
#let fa-folder-closed = fa-icon.with("\u{e185}")
#let fa-folder-minus = fa-icon.with("\u{f65d}", solid: true)
#let fa-folder-open = fa-icon.with("\u{f07c}")
#let fa-folder-plus = fa-icon.with("\u{f65e}", solid: true)
#let fa-folder-tree = fa-icon.with("\u{f802}", solid: true)
#let fa-font = fa-icon.with("\u{f031}", solid: true)
#let fa-font-awesome = fa-icon.with("\u{f2b4}")
#let fa-font-awesome-flag = fa-icon.with("\u{f2b4}")
#let fa-font-awesome-logo-full = fa-icon.with("\u{f2b4}")
#let fa-fonticons = fa-icon.with("\u{f280}")
#let fa-fonticons-fi = fa-icon.with("\u{f3a2}")
#let fa-football = fa-icon.with("\u{f44e}", solid: true)
#let fa-football-ball = fa-icon.with("\u{f44e}")
#let fa-fort-awesome = fa-icon.with("\u{f286}")
#let fa-fort-awesome-alt = fa-icon.with("\u{f3a3}")
#let fa-forumbee = fa-icon.with("\u{f211}")
#let fa-forward = fa-icon.with("\u{f04e}", solid: true)
#let fa-forward-fast = fa-icon.with("\u{f050}", solid: true)
#let fa-fast-forward = fa-icon.with("\u{f050}")
#let fa-forward-step = fa-icon.with("\u{f051}", solid: true)
#let fa-step-forward = fa-icon.with("\u{f051}")
#let fa-foursquare = fa-icon.with("\u{f180}")
#let fa-franc-sign = fa-icon.with("\u{e18f}", solid: true)
#let fa-free-code-camp = fa-icon.with("\u{f2c5}")
#let fa-freebsd = fa-icon.with("\u{f3a4}")
#let fa-frog = fa-icon.with("\u{f52e}", solid: true)
#let fa-fulcrum = fa-icon.with("\u{f50b}")
#let fa-futbol = fa-icon.with("\u{f1e3}")
#let fa-futbol-ball = fa-icon.with("\u{f1e3}")
#let fa-soccer-ball = fa-icon.with("\u{f1e3}")
#let fa-g = fa-icon.with("\u{47}", solid: true)
#let fa-galactic-republic = fa-icon.with("\u{f50c}")
#let fa-galactic-senate = fa-icon.with("\u{f50d}")
#let fa-gamepad = fa-icon.with("\u{f11b}", solid: true)
#let fa-gas-pump = fa-icon.with("\u{f52f}", solid: true)
#let fa-gauge = fa-icon.with("\u{f624}", solid: true)
#let fa-dashboard = fa-icon.with("\u{f624}")
#let fa-gauge-med = fa-icon.with("\u{f624}")
#let fa-tachometer-alt-average = fa-icon.with("\u{f624}")
#let fa-gauge-high = fa-icon.with("\u{f625}", solid: true)
#let fa-tachometer-alt = fa-icon.with("\u{f625}")
#let fa-tachometer-alt-fast = fa-icon.with("\u{f625}")
#let fa-gauge-simple = fa-icon.with("\u{f629}", solid: true)
#let fa-gauge-simple-med = fa-icon.with("\u{f629}")
#let fa-tachometer-average = fa-icon.with("\u{f629}")
#let fa-gauge-simple-high = fa-icon.with("\u{f62a}", solid: true)
#let fa-tachometer = fa-icon.with("\u{f62a}")
#let fa-tachometer-fast = fa-icon.with("\u{f62a}")
#let fa-gavel = fa-icon.with("\u{f0e3}", solid: true)
#let fa-legal = fa-icon.with("\u{f0e3}")
#let fa-gear = fa-icon.with("\u{f013}", solid: true)
#let fa-cog = fa-icon.with("\u{f013}")
#let fa-gears = fa-icon.with("\u{f085}", solid: true)
#let fa-cogs = fa-icon.with("\u{f085}")
#let fa-gem = fa-icon.with("\u{f3a5}")
#let fa-genderless = fa-icon.with("\u{f22d}", solid: true)
#let fa-get-pocket = fa-icon.with("\u{f265}")
#let fa-gg = fa-icon.with("\u{f260}")
#let fa-gg-circle = fa-icon.with("\u{f261}")
#let fa-ghost = fa-icon.with("\u{f6e2}", solid: true)
#let fa-gift = fa-icon.with("\u{f06b}", solid: true)
#let fa-gifts = fa-icon.with("\u{f79c}", solid: true)
#let fa-git = fa-icon.with("\u{f1d3}")
#let fa-git-alt = fa-icon.with("\u{f841}")
#let fa-github = fa-icon.with("\u{f09b}")
#let fa-github-alt = fa-icon.with("\u{f113}")
#let fa-gitkraken = fa-icon.with("\u{f3a6}")
#let fa-gitlab = fa-icon.with("\u{f296}")
#let fa-gitter = fa-icon.with("\u{f426}")
#let fa-glass-water = fa-icon.with("\u{e4f4}", solid: true)
#let fa-glass-water-droplet = fa-icon.with("\u{e4f5}", solid: true)
#let fa-glasses = fa-icon.with("\u{f530}", solid: true)
#let fa-glide = fa-icon.with("\u{f2a5}")
#let fa-glide-g = fa-icon.with("\u{f2a6}")
#let fa-globe = fa-icon.with("\u{f0ac}", solid: true)
#let fa-gofore = fa-icon.with("\u{f3a7}")
#let fa-golang = fa-icon.with("\u{e40f}")
#let fa-golf-ball-tee = fa-icon.with("\u{f450}", solid: true)
#let fa-golf-ball = fa-icon.with("\u{f450}")
#let fa-goodreads = fa-icon.with("\u{f3a8}")
#let fa-goodreads-g = fa-icon.with("\u{f3a9}")
#let fa-google = fa-icon.with("\u{f1a0}")
#let fa-google-drive = fa-icon.with("\u{f3aa}")
#let fa-google-pay = fa-icon.with("\u{e079}")
#let fa-google-play = fa-icon.with("\u{f3ab}")
#let fa-google-plus = fa-icon.with("\u{f2b3}")
#let fa-google-plus-g = fa-icon.with("\u{f0d5}")
#let fa-google-scholar = fa-icon.with("\u{e63b}")
#let fa-google-wallet = fa-icon.with("\u{f1ee}")
#let fa-gopuram = fa-icon.with("\u{f664}", solid: true)
#let fa-graduation-cap = fa-icon.with("\u{f19d}", solid: true)
#let fa-mortar-board = fa-icon.with("\u{f19d}")
#let fa-gratipay = fa-icon.with("\u{f184}")
#let fa-grav = fa-icon.with("\u{f2d6}")
#let fa-greater-than = fa-icon.with("\u{3e}", solid: true)
#let fa-greater-than-equal = fa-icon.with("\u{f532}", solid: true)
#let fa-grip = fa-icon.with("\u{f58d}", solid: true)
#let fa-grip-horizontal = fa-icon.with("\u{f58d}")
#let fa-grip-lines = fa-icon.with("\u{f7a4}", solid: true)
#let fa-grip-lines-vertical = fa-icon.with("\u{f7a5}", solid: true)
#let fa-grip-vertical = fa-icon.with("\u{f58e}", solid: true)
#let fa-gripfire = fa-icon.with("\u{f3ac}")
#let fa-group-arrows-rotate = fa-icon.with("\u{e4f6}", solid: true)
#let fa-grunt = fa-icon.with("\u{f3ad}")
#let fa-guarani-sign = fa-icon.with("\u{e19a}", solid: true)
#let fa-guilded = fa-icon.with("\u{e07e}")
#let fa-guitar = fa-icon.with("\u{f7a6}", solid: true)
#let fa-gulp = fa-icon.with("\u{f3ae}")
#let fa-gun = fa-icon.with("\u{e19b}", solid: true)
#let fa-h = fa-icon.with("\u{48}", solid: true)
#let fa-hacker-news = fa-icon.with("\u{f1d4}")
#let fa-hackerrank = fa-icon.with("\u{f5f7}")
#let fa-hammer = fa-icon.with("\u{f6e3}", solid: true)
#let fa-hamsa = fa-icon.with("\u{f665}", solid: true)
#let fa-hand = fa-icon.with("\u{f256}")
#let fa-hand-paper = fa-icon.with("\u{f256}")
#let fa-hand-back-fist = fa-icon.with("\u{f255}")
#let fa-hand-rock = fa-icon.with("\u{f255}")
#let fa-hand-dots = fa-icon.with("\u{f461}", solid: true)
#let fa-allergies = fa-icon.with("\u{f461}")
#let fa-hand-fist = fa-icon.with("\u{f6de}", solid: true)
#let fa-fist-raised = fa-icon.with("\u{f6de}")
#let fa-hand-holding = fa-icon.with("\u{f4bd}", solid: true)
#let fa-hand-holding-dollar = fa-icon.with("\u{f4c0}", solid: true)
#let fa-hand-holding-usd = fa-icon.with("\u{f4c0}")
#let fa-hand-holding-droplet = fa-icon.with("\u{f4c1}", solid: true)
#let fa-hand-holding-water = fa-icon.with("\u{f4c1}")
#let fa-hand-holding-hand = fa-icon.with("\u{e4f7}", solid: true)
#let fa-hand-holding-heart = fa-icon.with("\u{f4be}", solid: true)
#let fa-hand-holding-medical = fa-icon.with("\u{e05c}", solid: true)
#let fa-hand-lizard = fa-icon.with("\u{f258}")
#let fa-hand-middle-finger = fa-icon.with("\u{f806}", solid: true)
#let fa-hand-peace = fa-icon.with("\u{f25b}")
#let fa-hand-point-down = fa-icon.with("\u{f0a7}")
#let fa-hand-point-left = fa-icon.with("\u{f0a5}")
#let fa-hand-point-right = fa-icon.with("\u{f0a4}")
#let fa-hand-point-up = fa-icon.with("\u{f0a6}")
#let fa-hand-pointer = fa-icon.with("\u{f25a}")
#let fa-hand-scissors = fa-icon.with("\u{f257}")
#let fa-hand-sparkles = fa-icon.with("\u{e05d}", solid: true)
#let fa-hand-spock = fa-icon.with("\u{f259}")
#let fa-handcuffs = fa-icon.with("\u{e4f8}", solid: true)
#let fa-hands = fa-icon.with("\u{f2a7}", solid: true)
#let fa-sign-language = fa-icon.with("\u{f2a7}")
#let fa-signing = fa-icon.with("\u{f2a7}")
#let fa-hands-asl-interpreting = fa-icon.with("\u{f2a3}", solid: true)
#let fa-american-sign-language-interpreting = fa-icon.with("\u{f2a3}")
#let fa-asl-interpreting = fa-icon.with("\u{f2a3}")
#let fa-hands-american-sign-language-interpreting = fa-icon.with("\u{f2a3}")
#let fa-hands-bound = fa-icon.with("\u{e4f9}", solid: true)
#let fa-hands-bubbles = fa-icon.with("\u{e05e}", solid: true)
#let fa-hands-wash = fa-icon.with("\u{e05e}")
#let fa-hands-clapping = fa-icon.with("\u{e1a8}", solid: true)
#let fa-hands-holding = fa-icon.with("\u{f4c2}", solid: true)
#let fa-hands-holding-child = fa-icon.with("\u{e4fa}", solid: true)
#let fa-hands-holding-circle = fa-icon.with("\u{e4fb}", solid: true)
#let fa-hands-praying = fa-icon.with("\u{f684}", solid: true)
#let fa-praying-hands = fa-icon.with("\u{f684}")
#let fa-handshake = fa-icon.with("\u{f2b5}")
#let fa-handshake-angle = fa-icon.with("\u{f4c4}", solid: true)
#let fa-hands-helping = fa-icon.with("\u{f4c4}")
#let fa-handshake-simple = fa-icon.with("\u{f4c6}", solid: true)
#let fa-handshake-alt = fa-icon.with("\u{f4c6}")
#let fa-handshake-simple-slash = fa-icon.with("\u{e05f}", solid: true)
#let fa-handshake-alt-slash = fa-icon.with("\u{e05f}")
#let fa-handshake-slash = fa-icon.with("\u{e060}", solid: true)
#let fa-hanukiah = fa-icon.with("\u{f6e6}", solid: true)
#let fa-hard-drive = fa-icon.with("\u{f0a0}")
#let fa-hdd = fa-icon.with("\u{f0a0}")
#let fa-hashnode = fa-icon.with("\u{e499}")
#let fa-hashtag = fa-icon.with("\u{23}", solid: true)
#let fa-hat-cowboy = fa-icon.with("\u{f8c0}", solid: true)
#let fa-hat-cowboy-side = fa-icon.with("\u{f8c1}", solid: true)
#let fa-hat-wizard = fa-icon.with("\u{f6e8}", solid: true)
#let fa-head-side-cough = fa-icon.with("\u{e061}", solid: true)
#let fa-head-side-cough-slash = fa-icon.with("\u{e062}", solid: true)
#let fa-head-side-mask = fa-icon.with("\u{e063}", solid: true)
#let fa-head-side-virus = fa-icon.with("\u{e064}", solid: true)
#let fa-heading = fa-icon.with("\u{f1dc}", solid: true)
#let fa-header = fa-icon.with("\u{f1dc}")
#let fa-headphones = fa-icon.with("\u{f025}", solid: true)
#let fa-headphones-simple = fa-icon.with("\u{f58f}", solid: true)
#let fa-headphones-alt = fa-icon.with("\u{f58f}")
#let fa-headset = fa-icon.with("\u{f590}", solid: true)
#let fa-heart = fa-icon.with("\u{f004}")
#let fa-heart-circle-bolt = fa-icon.with("\u{e4fc}", solid: true)
#let fa-heart-circle-check = fa-icon.with("\u{e4fd}", solid: true)
#let fa-heart-circle-exclamation = fa-icon.with("\u{e4fe}", solid: true)
#let fa-heart-circle-minus = fa-icon.with("\u{e4ff}", solid: true)
#let fa-heart-circle-plus = fa-icon.with("\u{e500}", solid: true)
#let fa-heart-circle-xmark = fa-icon.with("\u{e501}", solid: true)
#let fa-heart-crack = fa-icon.with("\u{f7a9}", solid: true)
#let fa-heart-broken = fa-icon.with("\u{f7a9}")
#let fa-heart-pulse = fa-icon.with("\u{f21e}", solid: true)
#let fa-heartbeat = fa-icon.with("\u{f21e}")
#let fa-helicopter = fa-icon.with("\u{f533}", solid: true)
#let fa-helicopter-symbol = fa-icon.with("\u{e502}", solid: true)
#let fa-helmet-safety = fa-icon.with("\u{f807}", solid: true)
#let fa-hard-hat = fa-icon.with("\u{f807}")
#let fa-hat-hard = fa-icon.with("\u{f807}")
#let fa-helmet-un = fa-icon.with("\u{e503}", solid: true)
#let fa-highlighter = fa-icon.with("\u{f591}", solid: true)
#let fa-hill-avalanche = fa-icon.with("\u{e507}", solid: true)
#let fa-hill-rockslide = fa-icon.with("\u{e508}", solid: true)
#let fa-hippo = fa-icon.with("\u{f6ed}", solid: true)
#let fa-hips = fa-icon.with("\u{f452}")
#let fa-hire-a-helper = fa-icon.with("\u{f3b0}")
#let fa-hive = fa-icon.with("\u{e07f}")
#let fa-hockey-puck = fa-icon.with("\u{f453}", solid: true)
#let fa-holly-berry = fa-icon.with("\u{f7aa}", solid: true)
#let fa-hooli = fa-icon.with("\u{f427}")
#let fa-hornbill = fa-icon.with("\u{f592}")
#let fa-horse = fa-icon.with("\u{f6f0}", solid: true)
#let fa-horse-head = fa-icon.with("\u{f7ab}", solid: true)
#let fa-hospital = fa-icon.with("\u{f0f8}")
#let fa-hospital-alt = fa-icon.with("\u{f0f8}")
#let fa-hospital-wide = fa-icon.with("\u{f0f8}")
#let fa-hospital-user = fa-icon.with("\u{f80d}", solid: true)
#let fa-hot-tub-person = fa-icon.with("\u{f593}", solid: true)
#let fa-hot-tub = fa-icon.with("\u{f593}")
#let fa-hotdog = fa-icon.with("\u{f80f}", solid: true)
#let fa-hotel = fa-icon.with("\u{f594}", solid: true)
#let fa-hotjar = fa-icon.with("\u{f3b1}")
#let fa-hourglass = fa-icon.with("\u{f254}")
#let fa-hourglass-empty = fa-icon.with("\u{f254}")
#let fa-hourglass-end = fa-icon.with("\u{f253}", solid: true)
#let fa-hourglass-3 = fa-icon.with("\u{f253}")
#let fa-hourglass-half = fa-icon.with("\u{f252}")
#let fa-hourglass-2 = fa-icon.with("\u{f252}")
#let fa-hourglass-start = fa-icon.with("\u{f251}", solid: true)
#let fa-hourglass-1 = fa-icon.with("\u{f251}")
#let fa-house = fa-icon.with("\u{f015}", solid: true)
#let fa-home = fa-icon.with("\u{f015}")
#let fa-home-alt = fa-icon.with("\u{f015}")
#let fa-home-lg-alt = fa-icon.with("\u{f015}")
#let fa-house-chimney = fa-icon.with("\u{e3af}", solid: true)
#let fa-home-lg = fa-icon.with("\u{e3af}")
#let fa-house-chimney-crack = fa-icon.with("\u{f6f1}", solid: true)
#let fa-house-damage = fa-icon.with("\u{f6f1}")
#let fa-house-chimney-medical = fa-icon.with("\u{f7f2}", solid: true)
#let fa-clinic-medical = fa-icon.with("\u{f7f2}")
#let fa-house-chimney-user = fa-icon.with("\u{e065}", solid: true)
#let fa-house-chimney-window = fa-icon.with("\u{e00d}", solid: true)
#let fa-house-circle-check = fa-icon.with("\u{e509}", solid: true)
#let fa-house-circle-exclamation = fa-icon.with("\u{e50a}", solid: true)
#let fa-house-circle-xmark = fa-icon.with("\u{e50b}", solid: true)
#let fa-house-crack = fa-icon.with("\u{e3b1}", solid: true)
#let fa-house-fire = fa-icon.with("\u{e50c}", solid: true)
#let fa-house-flag = fa-icon.with("\u{e50d}", solid: true)
#let fa-house-flood-water = fa-icon.with("\u{e50e}", solid: true)
#let fa-house-flood-water-circle-arrow-right = fa-icon.with("\u{e50f}", solid: true)
#let fa-house-laptop = fa-icon.with("\u{e066}", solid: true)
#let fa-laptop-house = fa-icon.with("\u{e066}")
#let fa-house-lock = fa-icon.with("\u{e510}", solid: true)
#let fa-house-medical = fa-icon.with("\u{e3b2}", solid: true)
#let fa-house-medical-circle-check = fa-icon.with("\u{e511}", solid: true)
#let fa-house-medical-circle-exclamation = fa-icon.with("\u{e512}", solid: true)
#let fa-house-medical-circle-xmark = fa-icon.with("\u{e513}", solid: true)
#let fa-house-medical-flag = fa-icon.with("\u{e514}", solid: true)
#let fa-house-signal = fa-icon.with("\u{e012}", solid: true)
#let fa-house-tsunami = fa-icon.with("\u{e515}", solid: true)
#let fa-house-user = fa-icon.with("\u{e1b0}", solid: true)
#let fa-home-user = fa-icon.with("\u{e1b0}")
#let fa-houzz = fa-icon.with("\u{f27c}")
#let fa-hryvnia-sign = fa-icon.with("\u{f6f2}", solid: true)
#let fa-hryvnia = fa-icon.with("\u{f6f2}")
#let fa-html5 = fa-icon.with("\u{f13b}")
#let fa-hubspot = fa-icon.with("\u{f3b2}")
#let fa-hurricane = fa-icon.with("\u{f751}", solid: true)
#let fa-i = fa-icon.with("\u{49}", solid: true)
#let fa-i-cursor = fa-icon.with("\u{f246}", solid: true)
#let fa-ice-cream = fa-icon.with("\u{f810}", solid: true)
#let fa-icicles = fa-icon.with("\u{f7ad}", solid: true)
#let fa-icons = fa-icon.with("\u{f86d}", solid: true)
#let fa-heart-music-camera-bolt = fa-icon.with("\u{f86d}")
#let fa-id-badge = fa-icon.with("\u{f2c1}")
#let fa-id-card = fa-icon.with("\u{f2c2}")
#let fa-drivers-license = fa-icon.with("\u{f2c2}")
#let fa-id-card-clip = fa-icon.with("\u{f47f}", solid: true)
#let fa-id-card-alt = fa-icon.with("\u{f47f}")
#let fa-ideal = fa-icon.with("\u{e013}")
#let fa-igloo = fa-icon.with("\u{f7ae}", solid: true)
#let fa-image = fa-icon.with("\u{f03e}")
#let fa-image-portrait = fa-icon.with("\u{f3e0}", solid: true)
#let fa-portrait = fa-icon.with("\u{f3e0}")
#let fa-images = fa-icon.with("\u{f302}")
#let fa-imdb = fa-icon.with("\u{f2d8}")
#let fa-inbox = fa-icon.with("\u{f01c}", solid: true)
#let fa-indent = fa-icon.with("\u{f03c}", solid: true)
#let fa-indian-rupee-sign = fa-icon.with("\u{e1bc}", solid: true)
#let fa-indian-rupee = fa-icon.with("\u{e1bc}")
#let fa-inr = fa-icon.with("\u{e1bc}")
#let fa-industry = fa-icon.with("\u{f275}", solid: true)
#let fa-infinity = fa-icon.with("\u{f534}", solid: true)
#let fa-info = fa-icon.with("\u{f129}", solid: true)
#let fa-instagram = fa-icon.with("\u{f16d}")
#let fa-instalod = fa-icon.with("\u{e081}")
#let fa-intercom = fa-icon.with("\u{f7af}")
#let fa-internet-explorer = fa-icon.with("\u{f26b}")
#let fa-invision = fa-icon.with("\u{f7b0}")
#let fa-ioxhost = fa-icon.with("\u{f208}")
#let fa-italic = fa-icon.with("\u{f033}", solid: true)
#let fa-itch-io = fa-icon.with("\u{f83a}")
#let fa-itunes = fa-icon.with("\u{f3b4}")
#let fa-itunes-note = fa-icon.with("\u{f3b5}")
#let fa-j = fa-icon.with("\u{4a}", solid: true)
#let fa-jar = fa-icon.with("\u{e516}", solid: true)
#let fa-jar-wheat = fa-icon.with("\u{e517}", solid: true)
#let fa-java = fa-icon.with("\u{f4e4}")
#let fa-jedi = fa-icon.with("\u{f669}", solid: true)
#let fa-jedi-order = fa-icon.with("\u{f50e}")
#let fa-jenkins = fa-icon.with("\u{f3b6}")
#let fa-jet-fighter = fa-icon.with("\u{f0fb}", solid: true)
#let fa-fighter-jet = fa-icon.with("\u{f0fb}")
#let fa-jet-fighter-up = fa-icon.with("\u{e518}", solid: true)
#let fa-jira = fa-icon.with("\u{f7b1}")
#let fa-joget = fa-icon.with("\u{f3b7}")
#let fa-joint = fa-icon.with("\u{f595}", solid: true)
#let fa-joomla = fa-icon.with("\u{f1aa}")
#let fa-js = fa-icon.with("\u{f3b8}")
#let fa-jsfiddle = fa-icon.with("\u{f1cc}")
#let fa-jug-detergent = fa-icon.with("\u{e519}", solid: true)
#let fa-jxl = fa-icon.with("\u{e67b}")
#let fa-k = fa-icon.with("\u{4b}", solid: true)
#let fa-kaaba = fa-icon.with("\u{f66b}", solid: true)
#let fa-kaggle = fa-icon.with("\u{f5fa}")
#let fa-key = fa-icon.with("\u{f084}", solid: true)
#let fa-keybase = fa-icon.with("\u{f4f5}")
#let fa-keyboard = fa-icon.with("\u{f11c}")
#let fa-keycdn = fa-icon.with("\u{f3ba}")
#let fa-khanda = fa-icon.with("\u{f66d}", solid: true)
#let fa-kickstarter = fa-icon.with("\u{f3bb}")
#let fa-square-kickstarter = fa-icon.with("\u{f3bb}")
#let fa-kickstarter-k = fa-icon.with("\u{f3bc}")
#let fa-kip-sign = fa-icon.with("\u{e1c4}", solid: true)
#let fa-kit-medical = fa-icon.with("\u{f479}", solid: true)
#let fa-first-aid = fa-icon.with("\u{f479}")
#let fa-kitchen-set = fa-icon.with("\u{e51a}", solid: true)
#let fa-kiwi-bird = fa-icon.with("\u{f535}", solid: true)
#let fa-korvue = fa-icon.with("\u{f42f}")
#let fa-l = fa-icon.with("\u{4c}", solid: true)
#let fa-land-mine-on = fa-icon.with("\u{e51b}", solid: true)
#let fa-landmark = fa-icon.with("\u{f66f}", solid: true)
#let fa-landmark-dome = fa-icon.with("\u{f752}", solid: true)
#let fa-landmark-alt = fa-icon.with("\u{f752}")
#let fa-landmark-flag = fa-icon.with("\u{e51c}", solid: true)
#let fa-language = fa-icon.with("\u{f1ab}", solid: true)
#let fa-laptop = fa-icon.with("\u{f109}", solid: true)
#let fa-laptop-code = fa-icon.with("\u{f5fc}", solid: true)
#let fa-laptop-file = fa-icon.with("\u{e51d}", solid: true)
#let fa-laptop-medical = fa-icon.with("\u{f812}", solid: true)
#let fa-laravel = fa-icon.with("\u{f3bd}")
#let fa-lari-sign = fa-icon.with("\u{e1c8}", solid: true)
#let fa-lastfm = fa-icon.with("\u{f202}")
#let fa-layer-group = fa-icon.with("\u{f5fd}", solid: true)
#let fa-leaf = fa-icon.with("\u{f06c}", solid: true)
#let fa-leanpub = fa-icon.with("\u{f212}")
#let fa-left-long = fa-icon.with("\u{f30a}", solid: true)
#let fa-long-arrow-alt-left = fa-icon.with("\u{f30a}")
#let fa-left-right = fa-icon.with("\u{f337}", solid: true)
#let fa-arrows-alt-h = fa-icon.with("\u{f337}")
#let fa-lemon = fa-icon.with("\u{f094}")
#let fa-less = fa-icon.with("\u{f41d}")
#let fa-less-than = fa-icon.with("\u{3c}", solid: true)
#let fa-less-than-equal = fa-icon.with("\u{f537}", solid: true)
#let fa-letterboxd = fa-icon.with("\u{e62d}")
#let fa-life-ring = fa-icon.with("\u{f1cd}")
#let fa-lightbulb = fa-icon.with("\u{f0eb}")
#let fa-line = fa-icon.with("\u{f3c0}")
#let fa-lines-leaning = fa-icon.with("\u{e51e}", solid: true)
#let fa-link = fa-icon.with("\u{f0c1}", solid: true)
#let fa-chain = fa-icon.with("\u{f0c1}")
#let fa-link-slash = fa-icon.with("\u{f127}", solid: true)
#let fa-chain-broken = fa-icon.with("\u{f127}")
#let fa-chain-slash = fa-icon.with("\u{f127}")
#let fa-unlink = fa-icon.with("\u{f127}")
#let fa-linkedin = fa-icon.with("\u{f08c}")
#let fa-linkedin-in = fa-icon.with("\u{f0e1}")
#let fa-linode = fa-icon.with("\u{f2b8}")
#let fa-linux = fa-icon.with("\u{f17c}")
#let fa-lira-sign = fa-icon.with("\u{f195}", solid: true)
#let fa-list = fa-icon.with("\u{f03a}", solid: true)
#let fa-list-squares = fa-icon.with("\u{f03a}")
#let fa-list-check = fa-icon.with("\u{f0ae}", solid: true)
#let fa-tasks = fa-icon.with("\u{f0ae}")
#let fa-list-ol = fa-icon.with("\u{f0cb}", solid: true)
#let fa-list-1-2 = fa-icon.with("\u{f0cb}")
#let fa-list-numeric = fa-icon.with("\u{f0cb}")
#let fa-list-ul = fa-icon.with("\u{f0ca}", solid: true)
#let fa-list-dots = fa-icon.with("\u{f0ca}")
#let fa-litecoin-sign = fa-icon.with("\u{e1d3}", solid: true)
#let fa-location-arrow = fa-icon.with("\u{f124}", solid: true)
#let fa-location-crosshairs = fa-icon.with("\u{f601}", solid: true)
#let fa-location = fa-icon.with("\u{f601}")
#let fa-location-dot = fa-icon.with("\u{f3c5}", solid: true)
#let fa-map-marker-alt = fa-icon.with("\u{f3c5}")
#let fa-location-pin = fa-icon.with("\u{f041}", solid: true)
#let fa-map-marker = fa-icon.with("\u{f041}")
#let fa-location-pin-lock = fa-icon.with("\u{e51f}", solid: true)
#let fa-lock = fa-icon.with("\u{f023}", solid: true)
#let fa-lock-open = fa-icon.with("\u{f3c1}", solid: true)
#let fa-locust = fa-icon.with("\u{e520}", solid: true)
#let fa-lungs = fa-icon.with("\u{f604}", solid: true)
#let fa-lungs-virus = fa-icon.with("\u{e067}", solid: true)
#let fa-lyft = fa-icon.with("\u{f3c3}")
#let fa-m = fa-icon.with("\u{4d}", solid: true)
#let fa-magento = fa-icon.with("\u{f3c4}")
#let fa-magnet = fa-icon.with("\u{f076}", solid: true)
#let fa-magnifying-glass = fa-icon.with("\u{f002}", solid: true)
#let fa-search = fa-icon.with("\u{f002}")
#let fa-magnifying-glass-arrow-right = fa-icon.with("\u{e521}", solid: true)
#let fa-magnifying-glass-chart = fa-icon.with("\u{e522}", solid: true)
#let fa-magnifying-glass-dollar = fa-icon.with("\u{f688}", solid: true)
#let fa-search-dollar = fa-icon.with("\u{f688}")
#let fa-magnifying-glass-location = fa-icon.with("\u{f689}", solid: true)
#let fa-search-location = fa-icon.with("\u{f689}")
#let fa-magnifying-glass-minus = fa-icon.with("\u{f010}", solid: true)
#let fa-search-minus = fa-icon.with("\u{f010}")
#let fa-magnifying-glass-plus = fa-icon.with("\u{f00e}", solid: true)
#let fa-search-plus = fa-icon.with("\u{f00e}")
#let fa-mailchimp = fa-icon.with("\u{f59e}")
#let fa-manat-sign = fa-icon.with("\u{e1d5}", solid: true)
#let fa-mandalorian = fa-icon.with("\u{f50f}")
#let fa-map = fa-icon.with("\u{f279}")
#let fa-map-location = fa-icon.with("\u{f59f}", solid: true)
#let fa-map-marked = fa-icon.with("\u{f59f}")
#let fa-map-location-dot = fa-icon.with("\u{f5a0}", solid: true)
#let fa-map-marked-alt = fa-icon.with("\u{f5a0}")
#let fa-map-pin = fa-icon.with("\u{f276}", solid: true)
#let fa-markdown = fa-icon.with("\u{f60f}")
#let fa-marker = fa-icon.with("\u{f5a1}", solid: true)
#let fa-mars = fa-icon.with("\u{f222}", solid: true)
#let fa-mars-and-venus = fa-icon.with("\u{f224}", solid: true)
#let fa-mars-and-venus-burst = fa-icon.with("\u{e523}", solid: true)
#let fa-mars-double = fa-icon.with("\u{f227}", solid: true)
#let fa-mars-stroke = fa-icon.with("\u{f229}", solid: true)
#let fa-mars-stroke-right = fa-icon.with("\u{f22b}", solid: true)
#let fa-mars-stroke-h = fa-icon.with("\u{f22b}")
#let fa-mars-stroke-up = fa-icon.with("\u{f22a}", solid: true)
#let fa-mars-stroke-v = fa-icon.with("\u{f22a}")
#let fa-martini-glass = fa-icon.with("\u{f57b}", solid: true)
#let fa-glass-martini-alt = fa-icon.with("\u{f57b}")
#let fa-martini-glass-citrus = fa-icon.with("\u{f561}", solid: true)
#let fa-cocktail = fa-icon.with("\u{f561}")
#let fa-martini-glass-empty = fa-icon.with("\u{f000}", solid: true)
#let fa-glass-martini = fa-icon.with("\u{f000}")
#let fa-mask = fa-icon.with("\u{f6fa}", solid: true)
#let fa-mask-face = fa-icon.with("\u{e1d7}", solid: true)
#let fa-mask-ventilator = fa-icon.with("\u{e524}", solid: true)
#let fa-masks-theater = fa-icon.with("\u{f630}", solid: true)
#let fa-theater-masks = fa-icon.with("\u{f630}")
#let fa-mastodon = fa-icon.with("\u{f4f6}")
#let fa-mattress-pillow = fa-icon.with("\u{e525}", solid: true)
#let fa-maxcdn = fa-icon.with("\u{f136}")
#let fa-maximize = fa-icon.with("\u{f31e}", solid: true)
#let fa-expand-arrows-alt = fa-icon.with("\u{f31e}")
#let fa-mdb = fa-icon.with("\u{f8ca}")
#let fa-medal = fa-icon.with("\u{f5a2}", solid: true)
#let fa-medapps = fa-icon.with("\u{f3c6}")
#let fa-medium = fa-icon.with("\u{f23a}")
#let fa-medium-m = fa-icon.with("\u{f23a}")
#let fa-medrt = fa-icon.with("\u{f3c8}")
#let fa-meetup = fa-icon.with("\u{f2e0}")
#let fa-megaport = fa-icon.with("\u{f5a3}")
#let fa-memory = fa-icon.with("\u{f538}", solid: true)
#let fa-mendeley = fa-icon.with("\u{f7b3}")
#let fa-menorah = fa-icon.with("\u{f676}", solid: true)
#let fa-mercury = fa-icon.with("\u{f223}", solid: true)
#let fa-message = fa-icon.with("\u{f27a}")
#let fa-comment-alt = fa-icon.with("\u{f27a}")
#let fa-meta = fa-icon.with("\u{e49b}")
#let fa-meteor = fa-icon.with("\u{f753}", solid: true)
#let fa-microblog = fa-icon.with("\u{e01a}")
#let fa-microchip = fa-icon.with("\u{f2db}", solid: true)
#let fa-microphone = fa-icon.with("\u{f130}", solid: true)
#let fa-microphone-lines = fa-icon.with("\u{f3c9}", solid: true)
#let fa-microphone-alt = fa-icon.with("\u{f3c9}")
#let fa-microphone-lines-slash = fa-icon.with("\u{f539}", solid: true)
#let fa-microphone-alt-slash = fa-icon.with("\u{f539}")
#let fa-microphone-slash = fa-icon.with("\u{f131}", solid: true)
#let fa-microscope = fa-icon.with("\u{f610}", solid: true)
#let fa-microsoft = fa-icon.with("\u{f3ca}")
#let fa-mill-sign = fa-icon.with("\u{e1ed}", solid: true)
#let fa-minimize = fa-icon.with("\u{f78c}", solid: true)
#let fa-compress-arrows-alt = fa-icon.with("\u{f78c}")
#let fa-mintbit = fa-icon.with("\u{e62f}")
#let fa-minus = fa-icon.with("\u{f068}", solid: true)
#let fa-subtract = fa-icon.with("\u{f068}")
#let fa-mitten = fa-icon.with("\u{f7b5}", solid: true)
#let fa-mix = fa-icon.with("\u{f3cb}")
#let fa-mixcloud = fa-icon.with("\u{f289}")
#let fa-mixer = fa-icon.with("\u{e056}")
#let fa-mizuni = fa-icon.with("\u{f3cc}")
#let fa-mobile = fa-icon.with("\u{f3ce}", solid: true)
#let fa-mobile-android = fa-icon.with("\u{f3ce}")
#let fa-mobile-phone = fa-icon.with("\u{f3ce}")
#let fa-mobile-button = fa-icon.with("\u{f10b}", solid: true)
#let fa-mobile-retro = fa-icon.with("\u{e527}", solid: true)
#let fa-mobile-screen = fa-icon.with("\u{f3cf}", solid: true)
#let fa-mobile-android-alt = fa-icon.with("\u{f3cf}")
#let fa-mobile-screen-button = fa-icon.with("\u{f3cd}", solid: true)
#let fa-mobile-alt = fa-icon.with("\u{f3cd}")
#let fa-modx = fa-icon.with("\u{f285}")
#let fa-monero = fa-icon.with("\u{f3d0}")
#let fa-money-bill = fa-icon.with("\u{f0d6}", solid: true)
#let fa-money-bill-1 = fa-icon.with("\u{f3d1}")
#let fa-money-bill-alt = fa-icon.with("\u{f3d1}")
#let fa-money-bill-1-wave = fa-icon.with("\u{f53b}", solid: true)
#let fa-money-bill-wave-alt = fa-icon.with("\u{f53b}")
#let fa-money-bill-transfer = fa-icon.with("\u{e528}", solid: true)
#let fa-money-bill-trend-up = fa-icon.with("\u{e529}", solid: true)
#let fa-money-bill-wave = fa-icon.with("\u{f53a}", solid: true)
#let fa-money-bill-wheat = fa-icon.with("\u{e52a}", solid: true)
#let fa-money-bills = fa-icon.with("\u{e1f3}", solid: true)
#let fa-money-check = fa-icon.with("\u{f53c}", solid: true)
#let fa-money-check-dollar = fa-icon.with("\u{f53d}", solid: true)
#let fa-money-check-alt = fa-icon.with("\u{f53d}")
#let fa-monument = fa-icon.with("\u{f5a6}", solid: true)
#let fa-moon = fa-icon.with("\u{f186}")
#let fa-mortar-pestle = fa-icon.with("\u{f5a7}", solid: true)
#let fa-mosque = fa-icon.with("\u{f678}", solid: true)
#let fa-mosquito = fa-icon.with("\u{e52b}", solid: true)
#let fa-mosquito-net = fa-icon.with("\u{e52c}", solid: true)
#let fa-motorcycle = fa-icon.with("\u{f21c}", solid: true)
#let fa-mound = fa-icon.with("\u{e52d}", solid: true)
#let fa-mountain = fa-icon.with("\u{f6fc}", solid: true)
#let fa-mountain-city = fa-icon.with("\u{e52e}", solid: true)
#let fa-mountain-sun = fa-icon.with("\u{e52f}", solid: true)
#let fa-mug-hot = fa-icon.with("\u{f7b6}", solid: true)
#let fa-mug-saucer = fa-icon.with("\u{f0f4}", solid: true)
#let fa-coffee = fa-icon.with("\u{f0f4}")
#let fa-music = fa-icon.with("\u{f001}", solid: true)
#let fa-n = fa-icon.with("\u{4e}", solid: true)
#let fa-naira-sign = fa-icon.with("\u{e1f6}", solid: true)
#let fa-napster = fa-icon.with("\u{f3d2}")
#let fa-neos = fa-icon.with("\u{f612}")
#let fa-network-wired = fa-icon.with("\u{f6ff}", solid: true)
#let fa-neuter = fa-icon.with("\u{f22c}", solid: true)
#let fa-newspaper = fa-icon.with("\u{f1ea}")
#let fa-nfc-directional = fa-icon.with("\u{e530}")
#let fa-nfc-symbol = fa-icon.with("\u{e531}")
#let fa-nimblr = fa-icon.with("\u{f5a8}")
#let fa-node = fa-icon.with("\u{f419}")
#let fa-node-js = fa-icon.with("\u{f3d3}")
#let fa-not-equal = fa-icon.with("\u{f53e}", solid: true)
#let fa-notdef = fa-icon.with("\u{e1fe}", solid: true)
#let fa-note-sticky = fa-icon.with("\u{f249}")
#let fa-sticky-note = fa-icon.with("\u{f249}")
#let fa-notes-medical = fa-icon.with("\u{f481}", solid: true)
#let fa-npm = fa-icon.with("\u{f3d4}")
#let fa-ns8 = fa-icon.with("\u{f3d5}")
#let fa-nutritionix = fa-icon.with("\u{f3d6}")
#let fa-o = fa-icon.with("\u{4f}", solid: true)
#let fa-object-group = fa-icon.with("\u{f247}")
#let fa-object-ungroup = fa-icon.with("\u{f248}")
#let fa-octopus-deploy = fa-icon.with("\u{e082}")
#let fa-odnoklassniki = fa-icon.with("\u{f263}")
#let fa-odysee = fa-icon.with("\u{e5c6}")
#let fa-oil-can = fa-icon.with("\u{f613}", solid: true)
#let fa-oil-well = fa-icon.with("\u{e532}", solid: true)
#let fa-old-republic = fa-icon.with("\u{f510}")
#let fa-om = fa-icon.with("\u{f679}", solid: true)
#let fa-opencart = fa-icon.with("\u{f23d}")
#let fa-openid = fa-icon.with("\u{f19b}")
#let fa-opensuse = fa-icon.with("\u{e62b}")
#let fa-opera = fa-icon.with("\u{f26a}")
#let fa-optin-monster = fa-icon.with("\u{f23c}")
#let fa-orcid = fa-icon.with("\u{f8d2}")
#let fa-osi = fa-icon.with("\u{f41a}")
#let fa-otter = fa-icon.with("\u{f700}", solid: true)
#let fa-outdent = fa-icon.with("\u{f03b}", solid: true)
#let fa-dedent = fa-icon.with("\u{f03b}")
#let fa-p = fa-icon.with("\u{50}", solid: true)
#let fa-padlet = fa-icon.with("\u{e4a0}")
#let fa-page4 = fa-icon.with("\u{f3d7}")
#let fa-pagelines = fa-icon.with("\u{f18c}")
#let fa-pager = fa-icon.with("\u{f815}", solid: true)
#let fa-paint-roller = fa-icon.with("\u{f5aa}", solid: true)
#let fa-paintbrush = fa-icon.with("\u{f1fc}", solid: true)
#let fa-paint-brush = fa-icon.with("\u{f1fc}")
#let fa-palette = fa-icon.with("\u{f53f}", solid: true)
#let fa-palfed = fa-icon.with("\u{f3d8}")
#let fa-pallet = fa-icon.with("\u{f482}", solid: true)
#let fa-panorama = fa-icon.with("\u{e209}", solid: true)
#let fa-paper-plane = fa-icon.with("\u{f1d8}")
#let fa-paperclip = fa-icon.with("\u{f0c6}", solid: true)
#let fa-parachute-box = fa-icon.with("\u{f4cd}", solid: true)
#let fa-paragraph = fa-icon.with("\u{f1dd}", solid: true)
#let fa-passport = fa-icon.with("\u{f5ab}", solid: true)
#let fa-paste = fa-icon.with("\u{f0ea}")
#let fa-file-clipboard = fa-icon.with("\u{f0ea}")
#let fa-patreon = fa-icon.with("\u{f3d9}")
#let fa-pause = fa-icon.with("\u{f04c}", solid: true)
#let fa-paw = fa-icon.with("\u{f1b0}", solid: true)
#let fa-paypal = fa-icon.with("\u{f1ed}")
#let fa-peace = fa-icon.with("\u{f67c}", solid: true)
#let fa-pen = fa-icon.with("\u{f304}", solid: true)
#let fa-pen-clip = fa-icon.with("\u{f305}", solid: true)
#let fa-pen-alt = fa-icon.with("\u{f305}")
#let fa-pen-fancy = fa-icon.with("\u{f5ac}", solid: true)
#let fa-pen-nib = fa-icon.with("\u{f5ad}", solid: true)
#let fa-pen-ruler = fa-icon.with("\u{f5ae}", solid: true)
#let fa-pencil-ruler = fa-icon.with("\u{f5ae}")
#let fa-pen-to-square = fa-icon.with("\u{f044}")
#let fa-edit = fa-icon.with("\u{f044}")
#let fa-pencil = fa-icon.with("\u{f303}", solid: true)
#let fa-pencil-alt = fa-icon.with("\u{f303}")
#let fa-people-arrows = fa-icon.with("\u{e068}", solid: true)
#let fa-people-arrows-left-right = fa-icon.with("\u{e068}")
#let fa-people-carry-box = fa-icon.with("\u{f4ce}", solid: true)
#let fa-people-carry = fa-icon.with("\u{f4ce}")
#let fa-people-group = fa-icon.with("\u{e533}", solid: true)
#let fa-people-line = fa-icon.with("\u{e534}", solid: true)
#let fa-people-pulling = fa-icon.with("\u{e535}", solid: true)
#let fa-people-robbery = fa-icon.with("\u{e536}", solid: true)
#let fa-people-roof = fa-icon.with("\u{e537}", solid: true)
#let fa-pepper-hot = fa-icon.with("\u{f816}", solid: true)
#let fa-perbyte = fa-icon.with("\u{e083}")
#let fa-percent = fa-icon.with("\u{25}", solid: true)
#let fa-percentage = fa-icon.with("\u{25}")
#let fa-periscope = fa-icon.with("\u{f3da}")
#let fa-person = fa-icon.with("\u{f183}", solid: true)
#let fa-male = fa-icon.with("\u{f183}")
#let fa-person-arrow-down-to-line = fa-icon.with("\u{e538}", solid: true)
#let fa-person-arrow-up-from-line = fa-icon.with("\u{e539}", solid: true)
#let fa-person-biking = fa-icon.with("\u{f84a}", solid: true)
#let fa-biking = fa-icon.with("\u{f84a}")
#let fa-person-booth = fa-icon.with("\u{f756}", solid: true)
#let fa-person-breastfeeding = fa-icon.with("\u{e53a}", solid: true)
#let fa-person-burst = fa-icon.with("\u{e53b}", solid: true)
#let fa-person-cane = fa-icon.with("\u{e53c}", solid: true)
#let fa-person-chalkboard = fa-icon.with("\u{e53d}", solid: true)
#let fa-person-circle-check = fa-icon.with("\u{e53e}", solid: true)
#let fa-person-circle-exclamation = fa-icon.with("\u{e53f}", solid: true)
#let fa-person-circle-minus = fa-icon.with("\u{e540}", solid: true)
#let fa-person-circle-plus = fa-icon.with("\u{e541}", solid: true)
#let fa-person-circle-question = fa-icon.with("\u{e542}", solid: true)
#let fa-person-circle-xmark = fa-icon.with("\u{e543}", solid: true)
#let fa-person-digging = fa-icon.with("\u{f85e}", solid: true)
#let fa-digging = fa-icon.with("\u{f85e}")
#let fa-person-dots-from-line = fa-icon.with("\u{f470}", solid: true)
#let fa-diagnoses = fa-icon.with("\u{f470}")
#let fa-person-dress = fa-icon.with("\u{f182}", solid: true)
#let fa-female = fa-icon.with("\u{f182}")
#let fa-person-dress-burst = fa-icon.with("\u{e544}", solid: true)
#let fa-person-drowning = fa-icon.with("\u{e545}", solid: true)
#let fa-person-falling = fa-icon.with("\u{e546}", solid: true)
#let fa-person-falling-burst = fa-icon.with("\u{e547}", solid: true)
#let fa-person-half-dress = fa-icon.with("\u{e548}", solid: true)
#let fa-person-harassing = fa-icon.with("\u{e549}", solid: true)
#let fa-person-hiking = fa-icon.with("\u{f6ec}", solid: true)
#let fa-hiking = fa-icon.with("\u{f6ec}")
#let fa-person-military-pointing = fa-icon.with("\u{e54a}", solid: true)
#let fa-person-military-rifle = fa-icon.with("\u{e54b}", solid: true)
#let fa-person-military-to-person = fa-icon.with("\u{e54c}", solid: true)
#let fa-person-praying = fa-icon.with("\u{f683}", solid: true)
#let fa-pray = fa-icon.with("\u{f683}")
#let fa-person-pregnant = fa-icon.with("\u{e31e}", solid: true)
#let fa-person-rays = fa-icon.with("\u{e54d}", solid: true)
#let fa-person-rifle = fa-icon.with("\u{e54e}", solid: true)
#let fa-person-running = fa-icon.with("\u{f70c}", solid: true)
#let fa-running = fa-icon.with("\u{f70c}")
#let fa-person-shelter = fa-icon.with("\u{e54f}", solid: true)
#let fa-person-skating = fa-icon.with("\u{f7c5}", solid: true)
#let fa-skating = fa-icon.with("\u{f7c5}")
#let fa-person-skiing = fa-icon.with("\u{f7c9}", solid: true)
#let fa-skiing = fa-icon.with("\u{f7c9}")
#let fa-person-skiing-nordic = fa-icon.with("\u{f7ca}", solid: true)
#let fa-skiing-nordic = fa-icon.with("\u{f7ca}")
#let fa-person-snowboarding = fa-icon.with("\u{f7ce}", solid: true)
#let fa-snowboarding = fa-icon.with("\u{f7ce}")
#let fa-person-swimming = fa-icon.with("\u{f5c4}", solid: true)
#let fa-swimmer = fa-icon.with("\u{f5c4}")
#let fa-person-through-window = fa-icon.with("\u{e5a9}", solid: true)
#let fa-person-walking = fa-icon.with("\u{f554}", solid: true)
#let fa-walking = fa-icon.with("\u{f554}")
#let fa-person-walking-arrow-loop-left = fa-icon.with("\u{e551}", solid: true)
#let fa-person-walking-arrow-right = fa-icon.with("\u{e552}", solid: true)
#let fa-person-walking-dashed-line-arrow-right = fa-icon.with("\u{e553}", solid: true)
#let fa-person-walking-luggage = fa-icon.with("\u{e554}", solid: true)
#let fa-person-walking-with-cane = fa-icon.with("\u{f29d}", solid: true)
#let fa-blind = fa-icon.with("\u{f29d}")
#let fa-peseta-sign = fa-icon.with("\u{e221}", solid: true)
#let fa-peso-sign = fa-icon.with("\u{e222}", solid: true)
#let fa-phabricator = fa-icon.with("\u{f3db}")
#let fa-phoenix-framework = fa-icon.with("\u{f3dc}")
#let fa-phoenix-squadron = fa-icon.with("\u{f511}")
#let fa-phone = fa-icon.with("\u{f095}", solid: true)
#let fa-phone-flip = fa-icon.with("\u{f879}", solid: true)
#let fa-phone-alt = fa-icon.with("\u{f879}")
#let fa-phone-slash = fa-icon.with("\u{f3dd}", solid: true)
#let fa-phone-volume = fa-icon.with("\u{f2a0}", solid: true)
#let fa-volume-control-phone = fa-icon.with("\u{f2a0}")
#let fa-photo-film = fa-icon.with("\u{f87c}", solid: true)
#let fa-photo-video = fa-icon.with("\u{f87c}")
#let fa-php = fa-icon.with("\u{f457}")
#let fa-pied-piper = fa-icon.with("\u{f2ae}")
#let fa-pied-piper-alt = fa-icon.with("\u{f1a8}")
#let fa-pied-piper-hat = fa-icon.with("\u{f4e5}")
#let fa-pied-piper-pp = fa-icon.with("\u{f1a7}")
#let fa-piggy-bank = fa-icon.with("\u{f4d3}", solid: true)
#let fa-pills = fa-icon.with("\u{f484}", solid: true)
#let fa-pinterest = fa-icon.with("\u{f0d2}")
#let fa-pinterest-p = fa-icon.with("\u{f231}")
#let fa-pix = fa-icon.with("\u{e43a}")
#let fa-pixiv = fa-icon.with("\u{e640}")
#let fa-pizza-slice = fa-icon.with("\u{f818}", solid: true)
#let fa-place-of-worship = fa-icon.with("\u{f67f}", solid: true)
#let fa-plane = fa-icon.with("\u{f072}", solid: true)
#let fa-plane-arrival = fa-icon.with("\u{f5af}", solid: true)
#let fa-plane-circle-check = fa-icon.with("\u{e555}", solid: true)
#let fa-plane-circle-exclamation = fa-icon.with("\u{e556}", solid: true)
#let fa-plane-circle-xmark = fa-icon.with("\u{e557}", solid: true)
#let fa-plane-departure = fa-icon.with("\u{f5b0}", solid: true)
#let fa-plane-lock = fa-icon.with("\u{e558}", solid: true)
#let fa-plane-slash = fa-icon.with("\u{e069}", solid: true)
#let fa-plane-up = fa-icon.with("\u{e22d}", solid: true)
#let fa-plant-wilt = fa-icon.with("\u{e5aa}", solid: true)
#let fa-plate-wheat = fa-icon.with("\u{e55a}", solid: true)
#let fa-play = fa-icon.with("\u{f04b}", solid: true)
#let fa-playstation = fa-icon.with("\u{f3df}")
#let fa-plug = fa-icon.with("\u{f1e6}", solid: true)
#let fa-plug-circle-bolt = fa-icon.with("\u{e55b}", solid: true)
#let fa-plug-circle-check = fa-icon.with("\u{e55c}", solid: true)
#let fa-plug-circle-exclamation = fa-icon.with("\u{e55d}", solid: true)
#let fa-plug-circle-minus = fa-icon.with("\u{e55e}", solid: true)
#let fa-plug-circle-plus = fa-icon.with("\u{e55f}", solid: true)
#let fa-plug-circle-xmark = fa-icon.with("\u{e560}", solid: true)
#let fa-plus = fa-icon.with("\u{2b}", solid: true)
#let fa-add = fa-icon.with("\u{2b}")
#let fa-plus-minus = fa-icon.with("\u{e43c}", solid: true)
#let fa-podcast = fa-icon.with("\u{f2ce}", solid: true)
#let fa-poo = fa-icon.with("\u{f2fe}", solid: true)
#let fa-poo-storm = fa-icon.with("\u{f75a}", solid: true)
#let fa-poo-bolt = fa-icon.with("\u{f75a}")
#let fa-poop = fa-icon.with("\u{f619}", solid: true)
#let fa-power-off = fa-icon.with("\u{f011}", solid: true)
#let fa-prescription = fa-icon.with("\u{f5b1}", solid: true)
#let fa-prescription-bottle = fa-icon.with("\u{f485}", solid: true)
#let fa-prescription-bottle-medical = fa-icon.with("\u{f486}", solid: true)
#let fa-prescription-bottle-alt = fa-icon.with("\u{f486}")
#let fa-print = fa-icon.with("\u{f02f}", solid: true)
#let fa-product-hunt = fa-icon.with("\u{f288}")
#let fa-pump-medical = fa-icon.with("\u{e06a}", solid: true)
#let fa-pump-soap = fa-icon.with("\u{e06b}", solid: true)
#let fa-pushed = fa-icon.with("\u{f3e1}")
#let fa-puzzle-piece = fa-icon.with("\u{f12e}", solid: true)
#let fa-python = fa-icon.with("\u{f3e2}")
#let fa-q = fa-icon.with("\u{51}", solid: true)
#let fa-qq = fa-icon.with("\u{f1d6}")
#let fa-qrcode = fa-icon.with("\u{f029}", solid: true)
#let fa-question = fa-icon.with("\u{3f}", solid: true)
#let fa-quinscape = fa-icon.with("\u{f459}")
#let fa-quora = fa-icon.with("\u{f2c4}")
#let fa-quote-left = fa-icon.with("\u{f10d}", solid: true)
#let fa-quote-left-alt = fa-icon.with("\u{f10d}")
#let fa-quote-right = fa-icon.with("\u{f10e}", solid: true)
#let fa-quote-right-alt = fa-icon.with("\u{f10e}")
#let fa-r = fa-icon.with("\u{52}", solid: true)
#let fa-r-project = fa-icon.with("\u{f4f7}")
#let fa-radiation = fa-icon.with("\u{f7b9}", solid: true)
#let fa-radio = fa-icon.with("\u{f8d7}", solid: true)
#let fa-rainbow = fa-icon.with("\u{f75b}", solid: true)
#let fa-ranking-star = fa-icon.with("\u{e561}", solid: true)
#let fa-raspberry-pi = fa-icon.with("\u{f7bb}")
#let fa-ravelry = fa-icon.with("\u{f2d9}")
#let fa-react = fa-icon.with("\u{f41b}")
#let fa-reacteurope = fa-icon.with("\u{f75d}")
#let fa-readme = fa-icon.with("\u{f4d5}")
#let fa-rebel = fa-icon.with("\u{f1d0}")
#let fa-receipt = fa-icon.with("\u{f543}", solid: true)
#let fa-record-vinyl = fa-icon.with("\u{f8d9}", solid: true)
#let fa-rectangle-ad = fa-icon.with("\u{f641}", solid: true)
#let fa-ad = fa-icon.with("\u{f641}")
#let fa-rectangle-list = fa-icon.with("\u{f022}")
#let fa-list-alt = fa-icon.with("\u{f022}")
#let fa-rectangle-xmark = fa-icon.with("\u{f410}")
#let fa-rectangle-times = fa-icon.with("\u{f410}")
#let fa-times-rectangle = fa-icon.with("\u{f410}")
#let fa-window-close = fa-icon.with("\u{f410}")
#let fa-recycle = fa-icon.with("\u{f1b8}", solid: true)
#let fa-red-river = fa-icon.with("\u{f3e3}")
#let fa-reddit = fa-icon.with("\u{f1a1}")
#let fa-reddit-alien = fa-icon.with("\u{f281}")
#let fa-redhat = fa-icon.with("\u{f7bc}")
#let fa-registered = fa-icon.with("\u{f25d}")
#let fa-renren = fa-icon.with("\u{f18b}")
#let fa-repeat = fa-icon.with("\u{f363}", solid: true)
#let fa-reply = fa-icon.with("\u{f3e5}", solid: true)
#let fa-mail-reply = fa-icon.with("\u{f3e5}")
#let fa-reply-all = fa-icon.with("\u{f122}", solid: true)
#let fa-mail-reply-all = fa-icon.with("\u{f122}")
#let fa-replyd = fa-icon.with("\u{f3e6}")
#let fa-republican = fa-icon.with("\u{f75e}", solid: true)
#let fa-researchgate = fa-icon.with("\u{f4f8}")
#let fa-resolving = fa-icon.with("\u{f3e7}")
#let fa-restroom = fa-icon.with("\u{f7bd}", solid: true)
#let fa-retweet = fa-icon.with("\u{f079}", solid: true)
#let fa-rev = fa-icon.with("\u{f5b2}")
#let fa-ribbon = fa-icon.with("\u{f4d6}", solid: true)
#let fa-right-from-bracket = fa-icon.with("\u{f2f5}", solid: true)
#let fa-sign-out-alt = fa-icon.with("\u{f2f5}")
#let fa-right-left = fa-icon.with("\u{f362}", solid: true)
#let fa-exchange-alt = fa-icon.with("\u{f362}")
#let fa-right-long = fa-icon.with("\u{f30b}", solid: true)
#let fa-long-arrow-alt-right = fa-icon.with("\u{f30b}")
#let fa-right-to-bracket = fa-icon.with("\u{f2f6}", solid: true)
#let fa-sign-in-alt = fa-icon.with("\u{f2f6}")
#let fa-ring = fa-icon.with("\u{f70b}", solid: true)
#let fa-road = fa-icon.with("\u{f018}", solid: true)
#let fa-road-barrier = fa-icon.with("\u{e562}", solid: true)
#let fa-road-bridge = fa-icon.with("\u{e563}", solid: true)
#let fa-road-circle-check = fa-icon.with("\u{e564}", solid: true)
#let fa-road-circle-exclamation = fa-icon.with("\u{e565}", solid: true)
#let fa-road-circle-xmark = fa-icon.with("\u{e566}", solid: true)
#let fa-road-lock = fa-icon.with("\u{e567}", solid: true)
#let fa-road-spikes = fa-icon.with("\u{e568}", solid: true)
#let fa-robot = fa-icon.with("\u{f544}", solid: true)
#let fa-rocket = fa-icon.with("\u{f135}", solid: true)
#let fa-rocketchat = fa-icon.with("\u{f3e8}")
#let fa-rockrms = fa-icon.with("\u{f3e9}")
#let fa-rotate = fa-icon.with("\u{f2f1}", solid: true)
#let fa-sync-alt = fa-icon.with("\u{f2f1}")
#let fa-rotate-left = fa-icon.with("\u{f2ea}", solid: true)
#let fa-rotate-back = fa-icon.with("\u{f2ea}")
#let fa-rotate-backward = fa-icon.with("\u{f2ea}")
#let fa-undo-alt = fa-icon.with("\u{f2ea}")
#let fa-rotate-right = fa-icon.with("\u{f2f9}", solid: true)
#let fa-redo-alt = fa-icon.with("\u{f2f9}")
#let fa-rotate-forward = fa-icon.with("\u{f2f9}")
#let fa-route = fa-icon.with("\u{f4d7}", solid: true)
#let fa-rss = fa-icon.with("\u{f09e}", solid: true)
#let fa-feed = fa-icon.with("\u{f09e}")
#let fa-ruble-sign = fa-icon.with("\u{f158}", solid: true)
#let fa-rouble = fa-icon.with("\u{f158}")
#let fa-rub = fa-icon.with("\u{f158}")
#let fa-ruble = fa-icon.with("\u{f158}")
#let fa-rug = fa-icon.with("\u{e569}", solid: true)
#let fa-ruler = fa-icon.with("\u{f545}", solid: true)
#let fa-ruler-combined = fa-icon.with("\u{f546}", solid: true)
#let fa-ruler-horizontal = fa-icon.with("\u{f547}", solid: true)
#let fa-ruler-vertical = fa-icon.with("\u{f548}", solid: true)
#let fa-rupee-sign = fa-icon.with("\u{f156}", solid: true)
#let fa-rupee = fa-icon.with("\u{f156}")
#let fa-rupiah-sign = fa-icon.with("\u{e23d}", solid: true)
#let fa-rust = fa-icon.with("\u{e07a}")
#let fa-s = fa-icon.with("\u{53}", solid: true)
#let fa-sack-dollar = fa-icon.with("\u{f81d}", solid: true)
#let fa-sack-xmark = fa-icon.with("\u{e56a}", solid: true)
#let fa-safari = fa-icon.with("\u{f267}")
#let fa-sailboat = fa-icon.with("\u{e445}", solid: true)
#let fa-salesforce = fa-icon.with("\u{f83b}")
#let fa-sass = fa-icon.with("\u{f41e}")
#let fa-satellite = fa-icon.with("\u{f7bf}", solid: true)
#let fa-satellite-dish = fa-icon.with("\u{f7c0}", solid: true)
#let fa-scale-balanced = fa-icon.with("\u{f24e}", solid: true)
#let fa-balance-scale = fa-icon.with("\u{f24e}")
#let fa-scale-unbalanced = fa-icon.with("\u{f515}", solid: true)
#let fa-balance-scale-left = fa-icon.with("\u{f515}")
#let fa-scale-unbalanced-flip = fa-icon.with("\u{f516}", solid: true)
#let fa-balance-scale-right = fa-icon.with("\u{f516}")
#let fa-schlix = fa-icon.with("\u{f3ea}")
#let fa-school = fa-icon.with("\u{f549}", solid: true)
#let fa-school-circle-check = fa-icon.with("\u{e56b}", solid: true)
#let fa-school-circle-exclamation = fa-icon.with("\u{e56c}", solid: true)
#let fa-school-circle-xmark = fa-icon.with("\u{e56d}", solid: true)
#let fa-school-flag = fa-icon.with("\u{e56e}", solid: true)
#let fa-school-lock = fa-icon.with("\u{e56f}", solid: true)
#let fa-scissors = fa-icon.with("\u{f0c4}", solid: true)
#let fa-cut = fa-icon.with("\u{f0c4}")
#let fa-screenpal = fa-icon.with("\u{e570}")
#let fa-screwdriver = fa-icon.with("\u{f54a}", solid: true)
#let fa-screwdriver-wrench = fa-icon.with("\u{f7d9}", solid: true)
#let fa-tools = fa-icon.with("\u{f7d9}")
#let fa-scribd = fa-icon.with("\u{f28a}")
#let fa-scroll = fa-icon.with("\u{f70e}", solid: true)
#let fa-scroll-torah = fa-icon.with("\u{f6a0}", solid: true)
#let fa-torah = fa-icon.with("\u{f6a0}")
#let fa-sd-card = fa-icon.with("\u{f7c2}", solid: true)
#let fa-searchengin = fa-icon.with("\u{f3eb}")
#let fa-section = fa-icon.with("\u{e447}", solid: true)
#let fa-seedling = fa-icon.with("\u{f4d8}", solid: true)
#let fa-sprout = fa-icon.with("\u{f4d8}")
#let fa-sellcast = fa-icon.with("\u{f2da}")
#let fa-sellsy = fa-icon.with("\u{f213}")
#let fa-server = fa-icon.with("\u{f233}", solid: true)
#let fa-servicestack = fa-icon.with("\u{f3ec}")
#let fa-shapes = fa-icon.with("\u{f61f}", solid: true)
#let fa-triangle-circle-square = fa-icon.with("\u{f61f}")
#let fa-share = fa-icon.with("\u{f064}", solid: true)
#let fa-mail-forward = fa-icon.with("\u{f064}")
#let fa-share-from-square = fa-icon.with("\u{f14d}")
#let fa-share-square = fa-icon.with("\u{f14d}")
#let fa-share-nodes = fa-icon.with("\u{f1e0}", solid: true)
#let fa-share-alt = fa-icon.with("\u{f1e0}")
#let fa-sheet-plastic = fa-icon.with("\u{e571}", solid: true)
#let fa-shekel-sign = fa-icon.with("\u{f20b}", solid: true)
#let fa-ils = fa-icon.with("\u{f20b}")
#let fa-shekel = fa-icon.with("\u{f20b}")
#let fa-sheqel = fa-icon.with("\u{f20b}")
#let fa-sheqel-sign = fa-icon.with("\u{f20b}")
#let fa-shield = fa-icon.with("\u{f132}", solid: true)
#let fa-shield-blank = fa-icon.with("\u{f132}")
#let fa-shield-cat = fa-icon.with("\u{e572}", solid: true)
#let fa-shield-dog = fa-icon.with("\u{e573}", solid: true)
#let fa-shield-halved = fa-icon.with("\u{f3ed}", solid: true)
#let fa-shield-alt = fa-icon.with("\u{f3ed}")
#let fa-shield-heart = fa-icon.with("\u{e574}", solid: true)
#let fa-shield-virus = fa-icon.with("\u{e06c}", solid: true)
#let fa-ship = fa-icon.with("\u{f21a}", solid: true)
#let fa-shirt = fa-icon.with("\u{f553}", solid: true)
#let fa-t-shirt = fa-icon.with("\u{f553}")
#let fa-tshirt = fa-icon.with("\u{f553}")
#let fa-shirtsinbulk = fa-icon.with("\u{f214}")
#let fa-shoe-prints = fa-icon.with("\u{f54b}", solid: true)
#let fa-shoelace = fa-icon.with("\u{e60c}")
#let fa-shop = fa-icon.with("\u{f54f}", solid: true)
#let fa-store-alt = fa-icon.with("\u{f54f}")
#let fa-shop-lock = fa-icon.with("\u{e4a5}", solid: true)
#let fa-shop-slash = fa-icon.with("\u{e070}", solid: true)
#let fa-store-alt-slash = fa-icon.with("\u{e070}")
#let fa-shopify = fa-icon.with("\u{e057}")
#let fa-shopware = fa-icon.with("\u{f5b5}")
#let fa-shower = fa-icon.with("\u{f2cc}", solid: true)
#let fa-shrimp = fa-icon.with("\u{e448}", solid: true)
#let fa-shuffle = fa-icon.with("\u{f074}", solid: true)
#let fa-random = fa-icon.with("\u{f074}")
#let fa-shuttle-space = fa-icon.with("\u{f197}", solid: true)
#let fa-space-shuttle = fa-icon.with("\u{f197}")
#let fa-sign-hanging = fa-icon.with("\u{f4d9}", solid: true)
#let fa-sign = fa-icon.with("\u{f4d9}")
#let fa-signal = fa-icon.with("\u{f012}", solid: true)
#let fa-signal-5 = fa-icon.with("\u{f012}")
#let fa-signal-perfect = fa-icon.with("\u{f012}")
#let fa-signal-messenger = fa-icon.with("\u{e663}")
#let fa-signature = fa-icon.with("\u{f5b7}", solid: true)
#let fa-signs-post = fa-icon.with("\u{f277}", solid: true)
#let fa-map-signs = fa-icon.with("\u{f277}")
#let fa-sim-card = fa-icon.with("\u{f7c4}", solid: true)
#let fa-simplybuilt = fa-icon.with("\u{f215}")
#let fa-sink = fa-icon.with("\u{e06d}", solid: true)
#let fa-sistrix = fa-icon.with("\u{f3ee}")
#let fa-sitemap = fa-icon.with("\u{f0e8}", solid: true)
#let fa-sith = fa-icon.with("\u{f512}")
#let fa-sitrox = fa-icon.with("\u{e44a}")
#let fa-sketch = fa-icon.with("\u{f7c6}")
#let fa-skull = fa-icon.with("\u{f54c}", solid: true)
#let fa-skull-crossbones = fa-icon.with("\u{f714}", solid: true)
#let fa-skyatlas = fa-icon.with("\u{f216}")
#let fa-skype = fa-icon.with("\u{f17e}")
#let fa-slack = fa-icon.with("\u{f198}")
#let fa-slack-hash = fa-icon.with("\u{f198}")
#let fa-slash = fa-icon.with("\u{f715}", solid: true)
#let fa-sleigh = fa-icon.with("\u{f7cc}", solid: true)
#let fa-sliders = fa-icon.with("\u{f1de}", solid: true)
#let fa-sliders-h = fa-icon.with("\u{f1de}")
#let fa-slideshare = fa-icon.with("\u{f1e7}")
#let fa-smog = fa-icon.with("\u{f75f}", solid: true)
#let fa-smoking = fa-icon.with("\u{f48d}", solid: true)
#let fa-snapchat = fa-icon.with("\u{f2ab}")
#let fa-snapchat-ghost = fa-icon.with("\u{f2ab}")
#let fa-snowflake = fa-icon.with("\u{f2dc}")
#let fa-snowman = fa-icon.with("\u{f7d0}", solid: true)
#let fa-snowplow = fa-icon.with("\u{f7d2}", solid: true)
#let fa-soap = fa-icon.with("\u{e06e}", solid: true)
#let fa-socks = fa-icon.with("\u{f696}", solid: true)
#let fa-solar-panel = fa-icon.with("\u{f5ba}", solid: true)
#let fa-sort = fa-icon.with("\u{f0dc}", solid: true)
#let fa-unsorted = fa-icon.with("\u{f0dc}")
#let fa-sort-down = fa-icon.with("\u{f0dd}", solid: true)
#let fa-sort-desc = fa-icon.with("\u{f0dd}")
#let fa-sort-up = fa-icon.with("\u{f0de}", solid: true)
#let fa-sort-asc = fa-icon.with("\u{f0de}")
#let fa-soundcloud = fa-icon.with("\u{f1be}")
#let fa-sourcetree = fa-icon.with("\u{f7d3}")
#let fa-spa = fa-icon.with("\u{f5bb}", solid: true)
#let fa-space-awesome = fa-icon.with("\u{e5ac}")
#let fa-spaghetti-monster-flying = fa-icon.with("\u{f67b}", solid: true)
#let fa-pastafarianism = fa-icon.with("\u{f67b}")
#let fa-speakap = fa-icon.with("\u{f3f3}")
#let fa-speaker-deck = fa-icon.with("\u{f83c}")
#let fa-spell-check = fa-icon.with("\u{f891}", solid: true)
#let fa-spider = fa-icon.with("\u{f717}", solid: true)
#let fa-spinner = fa-icon.with("\u{f110}", solid: true)
#let fa-splotch = fa-icon.with("\u{f5bc}", solid: true)
#let fa-spoon = fa-icon.with("\u{f2e5}", solid: true)
#let fa-utensil-spoon = fa-icon.with("\u{f2e5}")
#let fa-spotify = fa-icon.with("\u{f1bc}")
#let fa-spray-can = fa-icon.with("\u{f5bd}", solid: true)
#let fa-spray-can-sparkles = fa-icon.with("\u{f5d0}", solid: true)
#let fa-air-freshener = fa-icon.with("\u{f5d0}")
#let fa-square = fa-icon.with("\u{f0c8}")
#let fa-square-arrow-up-right = fa-icon.with("\u{f14c}", solid: true)
#let fa-external-link-square = fa-icon.with("\u{f14c}")
#let fa-square-behance = fa-icon.with("\u{f1b5}")
#let fa-behance-square = fa-icon.with("\u{f1b5}")
#let fa-square-caret-down = fa-icon.with("\u{f150}")
#let fa-caret-square-down = fa-icon.with("\u{f150}")
#let fa-square-caret-left = fa-icon.with("\u{f191}")
#let fa-caret-square-left = fa-icon.with("\u{f191}")
#let fa-square-caret-right = fa-icon.with("\u{f152}")
#let fa-caret-square-right = fa-icon.with("\u{f152}")
#let fa-square-caret-up = fa-icon.with("\u{f151}")
#let fa-caret-square-up = fa-icon.with("\u{f151}")
#let fa-square-check = fa-icon.with("\u{f14a}")
#let fa-check-square = fa-icon.with("\u{f14a}")
#let fa-square-dribbble = fa-icon.with("\u{f397}")
#let fa-dribbble-square = fa-icon.with("\u{f397}")
#let fa-square-envelope = fa-icon.with("\u{f199}", solid: true)
#let fa-envelope-square = fa-icon.with("\u{f199}")
#let fa-square-facebook = fa-icon.with("\u{f082}")
#let fa-facebook-square = fa-icon.with("\u{f082}")
#let fa-square-font-awesome = fa-icon.with("\u{e5ad}")
#let fa-square-font-awesome-stroke = fa-icon.with("\u{f35c}")
#let fa-font-awesome-alt = fa-icon.with("\u{f35c}")
#let fa-square-full = fa-icon.with("\u{f45c}")
#let fa-square-git = fa-icon.with("\u{f1d2}")
#let fa-git-square = fa-icon.with("\u{f1d2}")
#let fa-square-github = fa-icon.with("\u{f092}")
#let fa-github-square = fa-icon.with("\u{f092}")
#let fa-square-gitlab = fa-icon.with("\u{e5ae}")
#let fa-gitlab-square = fa-icon.with("\u{e5ae}")
#let fa-square-google-plus = fa-icon.with("\u{f0d4}")
#let fa-google-plus-square = fa-icon.with("\u{f0d4}")
#let fa-square-h = fa-icon.with("\u{f0fd}", solid: true)
#let fa-h-square = fa-icon.with("\u{f0fd}")
#let fa-square-hacker-news = fa-icon.with("\u{f3af}")
#let fa-hacker-news-square = fa-icon.with("\u{f3af}")
#let fa-square-instagram = fa-icon.with("\u{e055}")
#let fa-instagram-square = fa-icon.with("\u{e055}")
#let fa-square-js = fa-icon.with("\u{f3b9}")
#let fa-js-square = fa-icon.with("\u{f3b9}")
#let fa-square-lastfm = fa-icon.with("\u{f203}")
#let fa-lastfm-square = fa-icon.with("\u{f203}")
#let fa-square-letterboxd = fa-icon.with("\u{e62e}")
#let fa-square-minus = fa-icon.with("\u{f146}")
#let fa-minus-square = fa-icon.with("\u{f146}")
#let fa-square-nfi = fa-icon.with("\u{e576}", solid: true)
#let fa-square-odnoklassniki = fa-icon.with("\u{f264}")
#let fa-odnoklassniki-square = fa-icon.with("\u{f264}")
#let fa-square-parking = fa-icon.with("\u{f540}", solid: true)
#let fa-parking = fa-icon.with("\u{f540}")
#let fa-square-pen = fa-icon.with("\u{f14b}", solid: true)
#let fa-pen-square = fa-icon.with("\u{f14b}")
#let fa-pencil-square = fa-icon.with("\u{f14b}")
#let fa-square-person-confined = fa-icon.with("\u{e577}", solid: true)
#let fa-square-phone = fa-icon.with("\u{f098}", solid: true)
#let fa-phone-square = fa-icon.with("\u{f098}")
#let fa-square-phone-flip = fa-icon.with("\u{f87b}", solid: true)
#let fa-phone-square-alt = fa-icon.with("\u{f87b}")
#let fa-square-pied-piper = fa-icon.with("\u{e01e}")
#let fa-pied-piper-square = fa-icon.with("\u{e01e}")
#let fa-square-pinterest = fa-icon.with("\u{f0d3}")
#let fa-pinterest-square = fa-icon.with("\u{f0d3}")
#let fa-square-plus = fa-icon.with("\u{f0fe}")
#let fa-plus-square = fa-icon.with("\u{f0fe}")
#let fa-square-poll-horizontal = fa-icon.with("\u{f682}", solid: true)
#let fa-poll-h = fa-icon.with("\u{f682}")
#let fa-square-poll-vertical = fa-icon.with("\u{f681}", solid: true)
#let fa-poll = fa-icon.with("\u{f681}")
#let fa-square-reddit = fa-icon.with("\u{f1a2}")
#let fa-reddit-square = fa-icon.with("\u{f1a2}")
#let fa-square-root-variable = fa-icon.with("\u{f698}", solid: true)
#let fa-square-root-alt = fa-icon.with("\u{f698}")
#let fa-square-rss = fa-icon.with("\u{f143}", solid: true)
#let fa-rss-square = fa-icon.with("\u{f143}")
#let fa-square-share-nodes = fa-icon.with("\u{f1e1}", solid: true)
#let fa-share-alt-square = fa-icon.with("\u{f1e1}")
#let fa-square-snapchat = fa-icon.with("\u{f2ad}")
#let fa-snapchat-square = fa-icon.with("\u{f2ad}")
#let fa-square-steam = fa-icon.with("\u{f1b7}")
#let fa-steam-square = fa-icon.with("\u{f1b7}")
#let fa-square-threads = fa-icon.with("\u{e619}")
#let fa-square-tumblr = fa-icon.with("\u{f174}")
#let fa-tumblr-square = fa-icon.with("\u{f174}")
#let fa-square-twitter = fa-icon.with("\u{f081}")
#let fa-twitter-square = fa-icon.with("\u{f081}")
#let fa-square-up-right = fa-icon.with("\u{f360}", solid: true)
#let fa-external-link-square-alt = fa-icon.with("\u{f360}")
#let fa-square-upwork = fa-icon.with("\u{e67c}")
#let fa-square-viadeo = fa-icon.with("\u{f2aa}")
#let fa-viadeo-square = fa-icon.with("\u{f2aa}")
#let fa-square-vimeo = fa-icon.with("\u{f194}")
#let fa-vimeo-square = fa-icon.with("\u{f194}")
#let fa-square-virus = fa-icon.with("\u{e578}", solid: true)
#let fa-square-web-awesome = fa-icon.with("\u{e683}")
#let fa-square-web-awesome-stroke = fa-icon.with("\u{e684}")
#let fa-square-whatsapp = fa-icon.with("\u{f40c}")
#let fa-whatsapp-square = fa-icon.with("\u{f40c}")
#let fa-square-x-twitter = fa-icon.with("\u{e61a}")
#let fa-square-xing = fa-icon.with("\u{f169}")
#let fa-xing-square = fa-icon.with("\u{f169}")
#let fa-square-xmark = fa-icon.with("\u{f2d3}", solid: true)
#let fa-times-square = fa-icon.with("\u{f2d3}")
#let fa-xmark-square = fa-icon.with("\u{f2d3}")
#let fa-square-youtube = fa-icon.with("\u{f431}")
#let fa-youtube-square = fa-icon.with("\u{f431}")
#let fa-squarespace = fa-icon.with("\u{f5be}")
#let fa-stack-exchange = fa-icon.with("\u{f18d}")
#let fa-stack-overflow = fa-icon.with("\u{f16c}")
#let fa-stackpath = fa-icon.with("\u{f842}")
#let fa-staff-snake = fa-icon.with("\u{e579}", solid: true)
#let fa-rod-asclepius = fa-icon.with("\u{e579}")
#let fa-rod-snake = fa-icon.with("\u{e579}")
#let fa-staff-aesculapius = fa-icon.with("\u{e579}")
#let fa-stairs = fa-icon.with("\u{e289}", solid: true)
#let fa-stamp = fa-icon.with("\u{f5bf}", solid: true)
#let fa-stapler = fa-icon.with("\u{e5af}", solid: true)
#let fa-star = fa-icon.with("\u{f005}")
#let fa-star-and-crescent = fa-icon.with("\u{f699}", solid: true)
#let fa-star-half = fa-icon.with("\u{f089}")
#let fa-star-half-stroke = fa-icon.with("\u{f5c0}")
#let fa-star-half-alt = fa-icon.with("\u{f5c0}")
#let fa-star-of-david = fa-icon.with("\u{f69a}", solid: true)
#let fa-star-of-life = fa-icon.with("\u{f621}", solid: true)
#let fa-staylinked = fa-icon.with("\u{f3f5}")
#let fa-steam = fa-icon.with("\u{f1b6}")
#let fa-steam-symbol = fa-icon.with("\u{f3f6}")
#let fa-sterling-sign = fa-icon.with("\u{f154}", solid: true)
#let fa-gbp = fa-icon.with("\u{f154}")
#let fa-pound-sign = fa-icon.with("\u{f154}")
#let fa-stethoscope = fa-icon.with("\u{f0f1}", solid: true)
#let fa-sticker-mule = fa-icon.with("\u{f3f7}")
#let fa-stop = fa-icon.with("\u{f04d}", solid: true)
#let fa-stopwatch = fa-icon.with("\u{f2f2}", solid: true)
#let fa-stopwatch-20 = fa-icon.with("\u{e06f}", solid: true)
#let fa-store = fa-icon.with("\u{f54e}", solid: true)
#let fa-store-slash = fa-icon.with("\u{e071}", solid: true)
#let fa-strava = fa-icon.with("\u{f428}")
#let fa-street-view = fa-icon.with("\u{f21d}", solid: true)
#let fa-strikethrough = fa-icon.with("\u{f0cc}", solid: true)
#let fa-stripe = fa-icon.with("\u{f429}")
#let fa-stripe-s = fa-icon.with("\u{f42a}")
#let fa-stroopwafel = fa-icon.with("\u{f551}", solid: true)
#let fa-stubber = fa-icon.with("\u{e5c7}")
#let fa-studiovinari = fa-icon.with("\u{f3f8}")
#let fa-stumbleupon = fa-icon.with("\u{f1a4}")
#let fa-stumbleupon-circle = fa-icon.with("\u{f1a3}")
#let fa-subscript = fa-icon.with("\u{f12c}", solid: true)
#let fa-suitcase = fa-icon.with("\u{f0f2}", solid: true)
#let fa-suitcase-medical = fa-icon.with("\u{f0fa}", solid: true)
#let fa-medkit = fa-icon.with("\u{f0fa}")
#let fa-suitcase-rolling = fa-icon.with("\u{f5c1}", solid: true)
#let fa-sun = fa-icon.with("\u{f185}")
#let fa-sun-plant-wilt = fa-icon.with("\u{e57a}", solid: true)
#let fa-superpowers = fa-icon.with("\u{f2dd}")
#let fa-superscript = fa-icon.with("\u{f12b}", solid: true)
#let fa-supple = fa-icon.with("\u{f3f9}")
#let fa-suse = fa-icon.with("\u{f7d6}")
#let fa-swatchbook = fa-icon.with("\u{f5c3}", solid: true)
#let fa-swift = fa-icon.with("\u{f8e1}")
#let fa-symfony = fa-icon.with("\u{f83d}")
#let fa-synagogue = fa-icon.with("\u{f69b}", solid: true)
#let fa-syringe = fa-icon.with("\u{f48e}", solid: true)
#let fa-t = fa-icon.with("\u{54}", solid: true)
#let fa-table = fa-icon.with("\u{f0ce}", solid: true)
#let fa-table-cells = fa-icon.with("\u{f00a}", solid: true)
#let fa-th = fa-icon.with("\u{f00a}")
#let fa-table-cells-column-lock = fa-icon.with("\u{e678}", solid: true)
#let fa-table-cells-large = fa-icon.with("\u{f009}", solid: true)
#let fa-th-large = fa-icon.with("\u{f009}")
#let fa-table-cells-row-lock = fa-icon.with("\u{e67a}", solid: true)
#let fa-table-columns = fa-icon.with("\u{f0db}", solid: true)
#let fa-columns = fa-icon.with("\u{f0db}")
#let fa-table-list = fa-icon.with("\u{f00b}", solid: true)
#let fa-th-list = fa-icon.with("\u{f00b}")
#let fa-table-tennis-paddle-ball = fa-icon.with("\u{f45d}", solid: true)
#let fa-ping-pong-paddle-ball = fa-icon.with("\u{f45d}")
#let fa-table-tennis = fa-icon.with("\u{f45d}")
#let fa-tablet = fa-icon.with("\u{f3fb}", solid: true)
#let fa-tablet-android = fa-icon.with("\u{f3fb}")
#let fa-tablet-button = fa-icon.with("\u{f10a}", solid: true)
#let fa-tablet-screen-button = fa-icon.with("\u{f3fa}", solid: true)
#let fa-tablet-alt = fa-icon.with("\u{f3fa}")
#let fa-tablets = fa-icon.with("\u{f490}", solid: true)
#let fa-tachograph-digital = fa-icon.with("\u{f566}", solid: true)
#let fa-digital-tachograph = fa-icon.with("\u{f566}")
#let fa-tag = fa-icon.with("\u{f02b}", solid: true)
#let fa-tags = fa-icon.with("\u{f02c}", solid: true)
#let fa-tape = fa-icon.with("\u{f4db}", solid: true)
#let fa-tarp = fa-icon.with("\u{e57b}", solid: true)
#let fa-tarp-droplet = fa-icon.with("\u{e57c}", solid: true)
#let fa-taxi = fa-icon.with("\u{f1ba}", solid: true)
#let fa-cab = fa-icon.with("\u{f1ba}")
#let fa-teamspeak = fa-icon.with("\u{f4f9}")
#let fa-teeth = fa-icon.with("\u{f62e}", solid: true)
#let fa-teeth-open = fa-icon.with("\u{f62f}", solid: true)
#let fa-telegram = fa-icon.with("\u{f2c6}")
#let fa-telegram-plane = fa-icon.with("\u{f2c6}")
#let fa-temperature-arrow-down = fa-icon.with("\u{e03f}", solid: true)
#let fa-temperature-down = fa-icon.with("\u{e03f}")
#let fa-temperature-arrow-up = fa-icon.with("\u{e040}", solid: true)
#let fa-temperature-up = fa-icon.with("\u{e040}")
#let fa-temperature-empty = fa-icon.with("\u{f2cb}", solid: true)
#let fa-temperature-0 = fa-icon.with("\u{f2cb}")
#let fa-thermometer-0 = fa-icon.with("\u{f2cb}")
#let fa-thermometer-empty = fa-icon.with("\u{f2cb}")
#let fa-temperature-full = fa-icon.with("\u{f2c7}", solid: true)
#let fa-temperature-4 = fa-icon.with("\u{f2c7}")
#let fa-thermometer-4 = fa-icon.with("\u{f2c7}")
#let fa-thermometer-full = fa-icon.with("\u{f2c7}")
#let fa-temperature-half = fa-icon.with("\u{f2c9}", solid: true)
#let fa-temperature-2 = fa-icon.with("\u{f2c9}")
#let fa-thermometer-2 = fa-icon.with("\u{f2c9}")
#let fa-thermometer-half = fa-icon.with("\u{f2c9}")
#let fa-temperature-high = fa-icon.with("\u{f769}", solid: true)
#let fa-temperature-low = fa-icon.with("\u{f76b}", solid: true)
#let fa-temperature-quarter = fa-icon.with("\u{f2ca}", solid: true)
#let fa-temperature-1 = fa-icon.with("\u{f2ca}")
#let fa-thermometer-1 = fa-icon.with("\u{f2ca}")
#let fa-thermometer-quarter = fa-icon.with("\u{f2ca}")
#let fa-temperature-three-quarters = fa-icon.with("\u{f2c8}", solid: true)
#let fa-temperature-3 = fa-icon.with("\u{f2c8}")
#let fa-thermometer-3 = fa-icon.with("\u{f2c8}")
#let fa-thermometer-three-quarters = fa-icon.with("\u{f2c8}")
#let fa-tencent-weibo = fa-icon.with("\u{f1d5}")
#let fa-tenge-sign = fa-icon.with("\u{f7d7}", solid: true)
#let fa-tenge = fa-icon.with("\u{f7d7}")
#let fa-tent = fa-icon.with("\u{e57d}", solid: true)
#let fa-tent-arrow-down-to-line = fa-icon.with("\u{e57e}", solid: true)
#let fa-tent-arrow-left-right = fa-icon.with("\u{e57f}", solid: true)
#let fa-tent-arrow-turn-left = fa-icon.with("\u{e580}", solid: true)
#let fa-tent-arrows-down = fa-icon.with("\u{e581}", solid: true)
#let fa-tents = fa-icon.with("\u{e582}", solid: true)
#let fa-terminal = fa-icon.with("\u{f120}", solid: true)
#let fa-text-height = fa-icon.with("\u{f034}", solid: true)
#let fa-text-slash = fa-icon.with("\u{f87d}", solid: true)
#let fa-remove-format = fa-icon.with("\u{f87d}")
#let fa-text-width = fa-icon.with("\u{f035}", solid: true)
#let fa-the-red-yeti = fa-icon.with("\u{f69d}")
#let fa-themeco = fa-icon.with("\u{f5c6}")
#let fa-themeisle = fa-icon.with("\u{f2b2}")
#let fa-thermometer = fa-icon.with("\u{f491}", solid: true)
#let fa-think-peaks = fa-icon.with("\u{f731}")
#let fa-threads = fa-icon.with("\u{e618}")
#let fa-thumbs-down = fa-icon.with("\u{f165}")
#let fa-thumbs-up = fa-icon.with("\u{f164}")
#let fa-thumbtack = fa-icon.with("\u{f08d}", solid: true)
#let fa-thumb-tack = fa-icon.with("\u{f08d}")
#let fa-ticket = fa-icon.with("\u{f145}", solid: true)
#let fa-ticket-simple = fa-icon.with("\u{f3ff}", solid: true)
#let fa-ticket-alt = fa-icon.with("\u{f3ff}")
#let fa-tiktok = fa-icon.with("\u{e07b}")
#let fa-timeline = fa-icon.with("\u{e29c}", solid: true)
#let fa-toggle-off = fa-icon.with("\u{f204}", solid: true)
#let fa-toggle-on = fa-icon.with("\u{f205}", solid: true)
#let fa-toilet = fa-icon.with("\u{f7d8}", solid: true)
#let fa-toilet-paper = fa-icon.with("\u{f71e}", solid: true)
#let fa-toilet-paper-slash = fa-icon.with("\u{e072}", solid: true)
#let fa-toilet-portable = fa-icon.with("\u{e583}", solid: true)
#let fa-toilets-portable = fa-icon.with("\u{e584}", solid: true)
#let fa-toolbox = fa-icon.with("\u{f552}", solid: true)
#let fa-tooth = fa-icon.with("\u{f5c9}", solid: true)
#let fa-torii-gate = fa-icon.with("\u{f6a1}", solid: true)
#let fa-tornado = fa-icon.with("\u{f76f}", solid: true)
#let fa-tower-broadcast = fa-icon.with("\u{f519}", solid: true)
#let fa-broadcast-tower = fa-icon.with("\u{f519}")
#let fa-tower-cell = fa-icon.with("\u{e585}", solid: true)
#let fa-tower-observation = fa-icon.with("\u{e586}", solid: true)
#let fa-tractor = fa-icon.with("\u{f722}", solid: true)
#let fa-trade-federation = fa-icon.with("\u{f513}")
#let fa-trademark = fa-icon.with("\u{f25c}", solid: true)
#let fa-traffic-light = fa-icon.with("\u{f637}", solid: true)
#let fa-trailer = fa-icon.with("\u{e041}", solid: true)
#let fa-train = fa-icon.with("\u{f238}", solid: true)
#let fa-train-subway = fa-icon.with("\u{f239}", solid: true)
#let fa-subway = fa-icon.with("\u{f239}")
#let fa-train-tram = fa-icon.with("\u{e5b4}", solid: true)
#let fa-transgender = fa-icon.with("\u{f225}", solid: true)
#let fa-transgender-alt = fa-icon.with("\u{f225}")
#let fa-trash = fa-icon.with("\u{f1f8}", solid: true)
#let fa-trash-arrow-up = fa-icon.with("\u{f829}", solid: true)
#let fa-trash-restore = fa-icon.with("\u{f829}")
#let fa-trash-can = fa-icon.with("\u{f2ed}")
#let fa-trash-alt = fa-icon.with("\u{f2ed}")
#let fa-trash-can-arrow-up = fa-icon.with("\u{f82a}", solid: true)
#let fa-trash-restore-alt = fa-icon.with("\u{f82a}")
#let fa-tree = fa-icon.with("\u{f1bb}", solid: true)
#let fa-tree-city = fa-icon.with("\u{e587}", solid: true)
#let fa-trello = fa-icon.with("\u{f181}")
#let fa-triangle-exclamation = fa-icon.with("\u{f071}", solid: true)
#let fa-exclamation-triangle = fa-icon.with("\u{f071}")
#let fa-warning = fa-icon.with("\u{f071}")
#let fa-trophy = fa-icon.with("\u{f091}", solid: true)
#let fa-trowel = fa-icon.with("\u{e589}", solid: true)
#let fa-trowel-bricks = fa-icon.with("\u{e58a}", solid: true)
#let fa-truck = fa-icon.with("\u{f0d1}", solid: true)
#let fa-truck-arrow-right = fa-icon.with("\u{e58b}", solid: true)
#let fa-truck-droplet = fa-icon.with("\u{e58c}", solid: true)
#let fa-truck-fast = fa-icon.with("\u{f48b}", solid: true)
#let fa-shipping-fast = fa-icon.with("\u{f48b}")
#let fa-truck-field = fa-icon.with("\u{e58d}", solid: true)
#let fa-truck-field-un = fa-icon.with("\u{e58e}", solid: true)
#let fa-truck-front = fa-icon.with("\u{e2b7}", solid: true)
#let fa-truck-medical = fa-icon.with("\u{f0f9}", solid: true)
#let fa-ambulance = fa-icon.with("\u{f0f9}")
#let fa-truck-monster = fa-icon.with("\u{f63b}", solid: true)
#let fa-truck-moving = fa-icon.with("\u{f4df}", solid: true)
#let fa-truck-pickup = fa-icon.with("\u{f63c}", solid: true)
#let fa-truck-plane = fa-icon.with("\u{e58f}", solid: true)
#let fa-truck-ramp-box = fa-icon.with("\u{f4de}", solid: true)
#let fa-truck-loading = fa-icon.with("\u{f4de}")
#let fa-tty = fa-icon.with("\u{f1e4}", solid: true)
#let fa-teletype = fa-icon.with("\u{f1e4}")
#let fa-tumblr = fa-icon.with("\u{f173}")
#let fa-turkish-lira-sign = fa-icon.with("\u{e2bb}", solid: true)
#let fa-try = fa-icon.with("\u{e2bb}")
#let fa-turkish-lira = fa-icon.with("\u{e2bb}")
#let fa-turn-down = fa-icon.with("\u{f3be}", solid: true)
#let fa-level-down-alt = fa-icon.with("\u{f3be}")
#let fa-turn-up = fa-icon.with("\u{f3bf}", solid: true)
#let fa-level-up-alt = fa-icon.with("\u{f3bf}")
#let fa-tv = fa-icon.with("\u{f26c}", solid: true)
#let fa-television = fa-icon.with("\u{f26c}")
#let fa-tv-alt = fa-icon.with("\u{f26c}")
#let fa-twitch = fa-icon.with("\u{f1e8}")
#let fa-twitter = fa-icon.with("\u{f099}")
#let fa-typo3 = fa-icon.with("\u{f42b}")
#let fa-u = fa-icon.with("\u{55}", solid: true)
#let fa-uber = fa-icon.with("\u{f402}")
#let fa-ubuntu = fa-icon.with("\u{f7df}")
#let fa-uikit = fa-icon.with("\u{f403}")
#let fa-umbraco = fa-icon.with("\u{f8e8}")
#let fa-umbrella = fa-icon.with("\u{f0e9}", solid: true)
#let fa-umbrella-beach = fa-icon.with("\u{f5ca}", solid: true)
#let fa-uncharted = fa-icon.with("\u{e084}")
#let fa-underline = fa-icon.with("\u{f0cd}", solid: true)
#let fa-uniregistry = fa-icon.with("\u{f404}")
#let fa-unity = fa-icon.with("\u{e049}")
#let fa-universal-access = fa-icon.with("\u{f29a}", solid: true)
#let fa-unlock = fa-icon.with("\u{f09c}", solid: true)
#let fa-unlock-keyhole = fa-icon.with("\u{f13e}", solid: true)
#let fa-unlock-alt = fa-icon.with("\u{f13e}")
#let fa-unsplash = fa-icon.with("\u{e07c}")
#let fa-untappd = fa-icon.with("\u{f405}")
#let fa-up-down = fa-icon.with("\u{f338}", solid: true)
#let fa-arrows-alt-v = fa-icon.with("\u{f338}")
#let fa-up-down-left-right = fa-icon.with("\u{f0b2}", solid: true)
#let fa-arrows-alt = fa-icon.with("\u{f0b2}")
#let fa-up-long = fa-icon.with("\u{f30c}", solid: true)
#let fa-long-arrow-alt-up = fa-icon.with("\u{f30c}")
#let fa-up-right-and-down-left-from-center = fa-icon.with("\u{f424}", solid: true)
#let fa-expand-alt = fa-icon.with("\u{f424}")
#let fa-up-right-from-square = fa-icon.with("\u{f35d}", solid: true)
#let fa-external-link-alt = fa-icon.with("\u{f35d}")
#let fa-upload = fa-icon.with("\u{f093}", solid: true)
#let fa-ups = fa-icon.with("\u{f7e0}")
#let fa-upwork = fa-icon.with("\u{e641}")
#let fa-usb = fa-icon.with("\u{f287}")
#let fa-user = fa-icon.with("\u{f007}")
#let fa-user-astronaut = fa-icon.with("\u{f4fb}", solid: true)
#let fa-user-check = fa-icon.with("\u{f4fc}", solid: true)
#let fa-user-clock = fa-icon.with("\u{f4fd}", solid: true)
#let fa-user-doctor = fa-icon.with("\u{f0f0}", solid: true)
#let fa-user-md = fa-icon.with("\u{f0f0}")
#let fa-user-gear = fa-icon.with("\u{f4fe}", solid: true)
#let fa-user-cog = fa-icon.with("\u{f4fe}")
#let fa-user-graduate = fa-icon.with("\u{f501}", solid: true)
#let fa-user-group = fa-icon.with("\u{f500}", solid: true)
#let fa-user-friends = fa-icon.with("\u{f500}")
#let fa-user-injured = fa-icon.with("\u{f728}", solid: true)
#let fa-user-large = fa-icon.with("\u{f406}", solid: true)
#let fa-user-alt = fa-icon.with("\u{f406}")
#let fa-user-large-slash = fa-icon.with("\u{f4fa}", solid: true)
#let fa-user-alt-slash = fa-icon.with("\u{f4fa}")
#let fa-user-lock = fa-icon.with("\u{f502}", solid: true)
#let fa-user-minus = fa-icon.with("\u{f503}", solid: true)
#let fa-user-ninja = fa-icon.with("\u{f504}", solid: true)
#let fa-user-nurse = fa-icon.with("\u{f82f}", solid: true)
#let fa-user-pen = fa-icon.with("\u{f4ff}", solid: true)
#let fa-user-edit = fa-icon.with("\u{f4ff}")
#let fa-user-plus = fa-icon.with("\u{f234}", solid: true)
#let fa-user-secret = fa-icon.with("\u{f21b}", solid: true)
#let fa-user-shield = fa-icon.with("\u{f505}", solid: true)
#let fa-user-slash = fa-icon.with("\u{f506}", solid: true)
#let fa-user-tag = fa-icon.with("\u{f507}", solid: true)
#let fa-user-tie = fa-icon.with("\u{f508}", solid: true)
#let fa-user-xmark = fa-icon.with("\u{f235}", solid: true)
#let fa-user-times = fa-icon.with("\u{f235}")
#let fa-users = fa-icon.with("\u{f0c0}", solid: true)
#let fa-users-between-lines = fa-icon.with("\u{e591}", solid: true)
#let fa-users-gear = fa-icon.with("\u{f509}", solid: true)
#let fa-users-cog = fa-icon.with("\u{f509}")
#let fa-users-line = fa-icon.with("\u{e592}", solid: true)
#let fa-users-rays = fa-icon.with("\u{e593}", solid: true)
#let fa-users-rectangle = fa-icon.with("\u{e594}", solid: true)
#let fa-users-slash = fa-icon.with("\u{e073}", solid: true)
#let fa-users-viewfinder = fa-icon.with("\u{e595}", solid: true)
#let fa-usps = fa-icon.with("\u{f7e1}")
#let fa-ussunnah = fa-icon.with("\u{f407}")
#let fa-utensils = fa-icon.with("\u{f2e7}", solid: true)
#let fa-cutlery = fa-icon.with("\u{f2e7}")
#let fa-v = fa-icon.with("\u{56}", solid: true)
#let fa-vaadin = fa-icon.with("\u{f408}")
#let fa-van-shuttle = fa-icon.with("\u{f5b6}", solid: true)
#let fa-shuttle-van = fa-icon.with("\u{f5b6}")
#let fa-vault = fa-icon.with("\u{e2c5}", solid: true)
#let fa-vector-square = fa-icon.with("\u{f5cb}", solid: true)
#let fa-venus = fa-icon.with("\u{f221}", solid: true)
#let fa-venus-double = fa-icon.with("\u{f226}", solid: true)
#let fa-venus-mars = fa-icon.with("\u{f228}", solid: true)
#let fa-vest = fa-icon.with("\u{e085}", solid: true)
#let fa-vest-patches = fa-icon.with("\u{e086}", solid: true)
#let fa-viacoin = fa-icon.with("\u{f237}")
#let fa-viadeo = fa-icon.with("\u{f2a9}")
#let fa-vial = fa-icon.with("\u{f492}", solid: true)
#let fa-vial-circle-check = fa-icon.with("\u{e596}", solid: true)
#let fa-vial-virus = fa-icon.with("\u{e597}", solid: true)
#let fa-vials = fa-icon.with("\u{f493}", solid: true)
#let fa-viber = fa-icon.with("\u{f409}")
#let fa-video = fa-icon.with("\u{f03d}", solid: true)
#let fa-video-camera = fa-icon.with("\u{f03d}")
#let fa-video-slash = fa-icon.with("\u{f4e2}", solid: true)
#let fa-vihara = fa-icon.with("\u{f6a7}", solid: true)
#let fa-vimeo = fa-icon.with("\u{f40a}")
#let fa-vimeo-v = fa-icon.with("\u{f27d}")
#let fa-vine = fa-icon.with("\u{f1ca}")
#let fa-virus = fa-icon.with("\u{e074}", solid: true)
#let fa-virus-covid = fa-icon.with("\u{e4a8}", solid: true)
#let fa-virus-covid-slash = fa-icon.with("\u{e4a9}", solid: true)
#let fa-virus-slash = fa-icon.with("\u{e075}", solid: true)
#let fa-viruses = fa-icon.with("\u{e076}", solid: true)
#let fa-vk = fa-icon.with("\u{f189}")
#let fa-vnv = fa-icon.with("\u{f40b}")
#let fa-voicemail = fa-icon.with("\u{f897}", solid: true)
#let fa-volcano = fa-icon.with("\u{f770}", solid: true)
#let fa-volleyball = fa-icon.with("\u{f45f}", solid: true)
#let fa-volleyball-ball = fa-icon.with("\u{f45f}")
#let fa-volume-high = fa-icon.with("\u{f028}", solid: true)
#let fa-volume-up = fa-icon.with("\u{f028}")
#let fa-volume-low = fa-icon.with("\u{f027}", solid: true)
#let fa-volume-down = fa-icon.with("\u{f027}")
#let fa-volume-off = fa-icon.with("\u{f026}", solid: true)
#let fa-volume-xmark = fa-icon.with("\u{f6a9}", solid: true)
#let fa-volume-mute = fa-icon.with("\u{f6a9}")
#let fa-volume-times = fa-icon.with("\u{f6a9}")
#let fa-vr-cardboard = fa-icon.with("\u{f729}", solid: true)
#let fa-vuejs = fa-icon.with("\u{f41f}")
#let fa-w = fa-icon.with("\u{57}", solid: true)
#let fa-walkie-talkie = fa-icon.with("\u{f8ef}", solid: true)
#let fa-wallet = fa-icon.with("\u{f555}", solid: true)
#let fa-wand-magic = fa-icon.with("\u{f0d0}", solid: true)
#let fa-magic = fa-icon.with("\u{f0d0}")
#let fa-wand-magic-sparkles = fa-icon.with("\u{e2ca}", solid: true)
#let fa-magic-wand-sparkles = fa-icon.with("\u{e2ca}")
#let fa-wand-sparkles = fa-icon.with("\u{f72b}", solid: true)
#let fa-warehouse = fa-icon.with("\u{f494}", solid: true)
#let fa-watchman-monitoring = fa-icon.with("\u{e087}")
#let fa-water = fa-icon.with("\u{f773}", solid: true)
#let fa-water-ladder = fa-icon.with("\u{f5c5}", solid: true)
#let fa-ladder-water = fa-icon.with("\u{f5c5}")
#let fa-swimming-pool = fa-icon.with("\u{f5c5}")
#let fa-wave-square = fa-icon.with("\u{f83e}", solid: true)
#let fa-waze = fa-icon.with("\u{f83f}")
#let fa-web-awesome = fa-icon.with("\u{e682}")
#let fa-webflow = fa-icon.with("\u{e65c}")
#let fa-weebly = fa-icon.with("\u{f5cc}")
#let fa-weibo = fa-icon.with("\u{f18a}")
#let fa-weight-hanging = fa-icon.with("\u{f5cd}", solid: true)
#let fa-weight-scale = fa-icon.with("\u{f496}", solid: true)
#let fa-weight = fa-icon.with("\u{f496}")
#let fa-weixin = fa-icon.with("\u{f1d7}")
#let fa-whatsapp = fa-icon.with("\u{f232}")
#let fa-wheat-awn = fa-icon.with("\u{e2cd}", solid: true)
#let fa-wheat-alt = fa-icon.with("\u{e2cd}")
#let fa-wheat-awn-circle-exclamation = fa-icon.with("\u{e598}", solid: true)
#let fa-wheelchair = fa-icon.with("\u{f193}", solid: true)
#let fa-wheelchair-move = fa-icon.with("\u{e2ce}", solid: true)
#let fa-wheelchair-alt = fa-icon.with("\u{e2ce}")
#let fa-whiskey-glass = fa-icon.with("\u{f7a0}", solid: true)
#let fa-glass-whiskey = fa-icon.with("\u{f7a0}")
#let fa-whmcs = fa-icon.with("\u{f40d}")
#let fa-wifi = fa-icon.with("\u{f1eb}", solid: true)
#let fa-wifi-3 = fa-icon.with("\u{f1eb}")
#let fa-wifi-strong = fa-icon.with("\u{f1eb}")
#let fa-wikipedia-w = fa-icon.with("\u{f266}")
#let fa-wind = fa-icon.with("\u{f72e}", solid: true)
#let fa-window-maximize = fa-icon.with("\u{f2d0}")
#let fa-window-minimize = fa-icon.with("\u{f2d1}")
#let fa-window-restore = fa-icon.with("\u{f2d2}")
#let fa-windows = fa-icon.with("\u{f17a}")
#let fa-wine-bottle = fa-icon.with("\u{f72f}", solid: true)
#let fa-wine-glass = fa-icon.with("\u{f4e3}", solid: true)
#let fa-wine-glass-empty = fa-icon.with("\u{f5ce}", solid: true)
#let fa-wine-glass-alt = fa-icon.with("\u{f5ce}")
#let fa-wirsindhandwerk = fa-icon.with("\u{e2d0}")
#let fa-wsh = fa-icon.with("\u{e2d0}")
#let fa-wix = fa-icon.with("\u{f5cf}")
#let fa-wizards-of-the-coast = fa-icon.with("\u{f730}")
#let fa-wodu = fa-icon.with("\u{e088}")
#let fa-wolf-pack-battalion = fa-icon.with("\u{f514}")
#let fa-won-sign = fa-icon.with("\u{f159}", solid: true)
#let fa-krw = fa-icon.with("\u{f159}")
#let fa-won = fa-icon.with("\u{f159}")
#let fa-wordpress = fa-icon.with("\u{f19a}")
#let fa-wordpress-simple = fa-icon.with("\u{f411}")
#let fa-worm = fa-icon.with("\u{e599}", solid: true)
#let fa-wpbeginner = fa-icon.with("\u{f297}")
#let fa-wpexplorer = fa-icon.with("\u{f2de}")
#let fa-wpforms = fa-icon.with("\u{f298}")
#let fa-wpressr = fa-icon.with("\u{f3e4}")
#let fa-rendact = fa-icon.with("\u{f3e4}")
#let fa-wrench = fa-icon.with("\u{f0ad}", solid: true)
#let fa-x = fa-icon.with("\u{58}", solid: true)
#let fa-x-ray = fa-icon.with("\u{f497}", solid: true)
#let fa-x-twitter = fa-icon.with("\u{e61b}")
#let fa-xbox = fa-icon.with("\u{f412}")
#let fa-xing = fa-icon.with("\u{f168}")
#let fa-xmark = fa-icon.with("\u{f00d}", solid: true)
#let fa-close = fa-icon.with("\u{f00d}")
#let fa-multiply = fa-icon.with("\u{f00d}")
#let fa-remove = fa-icon.with("\u{f00d}")
#let fa-times = fa-icon.with("\u{f00d}")
#let fa-xmarks-lines = fa-icon.with("\u{e59a}", solid: true)
#let fa-y = fa-icon.with("\u{59}", solid: true)
#let fa-y-combinator = fa-icon.with("\u{f23b}")
#let fa-yahoo = fa-icon.with("\u{f19e}")
#let fa-yammer = fa-icon.with("\u{f840}")
#let fa-yandex = fa-icon.with("\u{f413}")
#let fa-yandex-international = fa-icon.with("\u{f414}")
#let fa-yarn = fa-icon.with("\u{f7e3}")
#let fa-yelp = fa-icon.with("\u{f1e9}")
#let fa-yen-sign = fa-icon.with("\u{f157}", solid: true)
#let fa-cny = fa-icon.with("\u{f157}")
#let fa-jpy = fa-icon.with("\u{f157}")
#let fa-rmb = fa-icon.with("\u{f157}")
#let fa-yen = fa-icon.with("\u{f157}")
#let fa-yin-yang = fa-icon.with("\u{f6ad}", solid: true)
#let fa-yoast = fa-icon.with("\u{f2b1}")
#let fa-youtube = fa-icon.with("\u{f167}")
#let fa-z = fa-icon.with("\u{5a}", solid: true)
#let fa-zhihu = fa-icon.with("\u{f63f}")
|
|
https://github.com/ilsubyeega/circuits-dalaby | https://raw.githubusercontent.com/ilsubyeega/circuits-dalaby/master/Type%201/2/14.typ | typst | #set enum(numbering: "(a)")
#import "@preview/cetz:0.2.2": *
#import "../common.typ": answer
2.14 다음 회로에서 전류 $I_1, I_2, I_3$를 구하라.
#answer[
// V = IR, I = V/R
i. $3 - I_1 - I_2 - 1 = 0$
ii. $1 + I_2 - I_3 = 0$
$i i i. -18 + 3 times 2 + 8I_1 = 0$
$therefore I_1 = 1.5, I_2 = 0.5, I_3 = 1.5$
] |
|
https://github.com/dyc3/senior-design | https://raw.githubusercontent.com/dyc3/senior-design/main/constraints-justification.typ | typst | = Constraints & Justification <Chapter::ConstraintsJustification>
== Browser Websocket API Constraints
The Websocket API allows for one to open a bidirectional communication session between a browser and a server. The connection session stays open until the browser or server terminates it.
This allows for the client and server to send information to the other simultaneously. The browser's API does not allow custom HTTP headers, which means that authorization has to be done after the connection request has been made #cite(<MDNWebSocket>) #cite(<HerokuWebSocket>).
== Issues with Stateless Balancer
The load balancer must be able to maintain the list of which rooms each monolith node has loaded. If this does not happen, clients who join the same room will load different instances of the room across different nodes, resulting in state fragmentation. The sequence diagram for multiple clients joining the same room through a normal, stateless load balancer is shown below in @Figure::join-room-stateless to illustrate this issue.
#figure(
image("figures/join-room-stateless.svg"),
caption: "Sequence Diagram for Room Loading on Stateless Balancer."
) <Figure::join-room-stateless>
== Balancer Must Use Asynchronous I/O
The Balancer's workload is I/O bound, and it must be able to handle many concurrent network connections. For I/O bound workloads, it's more performant to use asynchronous I/O #cite(<async-vs-threads>).
== Current Deployments Must Continue to Work
Once the load balancer is implemented, the current deployments of OTT must continue to function as intended. Likewise, any updates to the Monolith should not affect the functionality of current deployments.
== Deployment Must Work Without Load Balancer
Not all self-hosters of OTT might want the added complexity of the load balancer, so it must remain possible to deploy OTT without it. It would also be beneficial to be able to quickly reroute traffic between the balancer and the monolith during the initial deployment stage.
== Low Budget
Implementation and deployment of the load balancer must be possible on the smallest budget possible, because OTT is a free service and the maintainer is a student.
== End Users Must Not Notice a Difference
The addition of the load balancer must not cause any notable difference to the end users' experience with OTT. |
|
https://github.com/monaqa/typst-class-memo | https://raw.githubusercontent.com/monaqa/typst-class-memo/master/README.md | markdown | MIT License | # Typst Class Memo
個人用メモに使う関数群。
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/text/lang_00.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
// Ensure that setting the language does have effects.
#set text(hyphenate: true)
#grid(
columns: 2 * (20pt,),
gutter: 1fr,
text(lang: "en")["Eingabeaufforderung"],
text(lang: "de")["Eingabeaufforderung"],
)
|
https://github.com/chendaohan/bevy_tutorials_typ | https://raw.githubusercontent.com/chendaohan/bevy_tutorials_typ/main/16_mouse/mouse.typ | typst | #set page(fill: rgb(35, 35, 38, 255), height: auto, paper: "a3")
#set text(fill: color.hsv(0deg, 0%, 90%, 100%), size: 22pt, font: "Microsoft YaHei")
#set raw(theme: "themes/Material-Theme.tmTheme")
= 1. 检查按钮状态
您可以使用 ButtonInput\<MouseButton> 资源来检查特定鼠标按钮的状态：
- 使用 .pressed(…) / .released(…) 检查按钮是否被按住，只要按钮处于相应状态，这些方法每帧都会返回 true。
- 使用 .just_pressed(…) / .just_released(…) 检测实际的按下/释放，这些方法仅在按下/释放发生的帧更新时返回 true。
= 2. 运行条件
另一种工作流程是为您的系统添加运行条件，使它们仅在发生适当输入时运行。
强烈建议您编写自己的运行条件，以便您可以检查任何您想要的内容，支持可配置的绑定等。
对于原型设计，Bevy 提供了一些内置的运行条件：
```Rust
toggle_color.run_if(input_just_pressed(MouseButton::Left)),
move_camera.run_if(input_pressed(MouseButton::Middle)),
```
= 3. 鼠标滚动 / 滚轮
要检测滚动输入，请使用 MouseWheel 事件：
```Rust
fn scroll_camera(
mut camera: Query<&mut Transform, With<Camera>>,
mut wheel_reader: EventReader<MouseWheel>,
) {
let Ok(mut camera_transform) = camera.get_single_mut() else {
return;
};
for wheel in wheel_reader.read() {
let unit = if let MouseScrollUnit::Line = wheel.unit {
35.
} else {
1.
};
camera_transform.translation += Vec3::new(0., wheel.y * unit, 0.);
}
}
```
MouseScrollUnit 枚举很重要：它告诉您滚动输入的类型。Line 适用于具有固定步长的硬件，如桌面鼠标上的滚轮。Pixel 适用于具有平滑（细粒度）滚动的硬件，如笔记本电脑触控板。
您可能需要对这些进行不同的处理（使用不同的灵敏度设置），以在两种类型的硬件上提供良好的体验。
注意：Line 单位不保证具有整数值/步长！至少 macOS 在操作系统级别对滚动进行非线性缩放/加速，这意味着即使使用带有固定步长滚轮的常规 PC 鼠标，您的应用程序也会获得奇怪的行数值。
= 4. 鼠标运动
如果您不关心鼠标光标的确切位置，而只是想查看鼠标从帧到帧移动了多少，请使用此选项。这对于控制 3D 摄像机等非常有用。
使用 MouseMotion 事件。每当鼠标移动时，您将获得一个带有增量的事件。
```Rust
fn move_camera(
mut camera: Query<&mut Transform, With<Camera>>,
mut motion_reader: EventReader<MouseMotion>,
) {
let Ok(mut camera_transform) = camera.get_single_mut() else {
return;
};
for motion in motion_reader.read() {
camera_transform.translation += Vec3::new(-motion.delta.x, motion.delta.y, 0.);
}
}
```
= 5. 光标位置
如果您想准确跟踪指针/光标的位置，请使用此选项。这对于在游戏或 UI 中点击和悬停在对象上非常有用。
您可以从相应的窗口获取鼠标指针的当前坐标（如果鼠标当前在该窗口内）：
```Rust
fn toggle_color(
camera: Query<(&Camera, &GlobalTransform)>,
window: Query<&Window>,
squares: Query<(&Handle<ColorMaterial>, &GlobalTransform)>,
mut materials: ResMut<Assets<ColorMaterial>>,
) {
let (camera, camera_transform) = camera.single();
let Some(cursor_position) = window.single().cursor_position() else {
return;
};
let Some(cursor_position) = camera.viewport_to_world_2d(camera_transform, cursor_position)
else {
return;
};
for (square_color_handle, square_transform) in &squares {
let translation = square_transform.translation();
if cursor_position.x > translation.x - 40.
&& cursor_position.x < translation.x + 40.
&& cursor_position.y > translation.y - 40.
&& cursor_position.y < translation.y + 40.
{
let Some(material) = materials.get_mut(square_color_handle) else {
continue;
};
let hsva = Hsva::from(material.color);
material.color = Color::Hsva(hsva.with_hue((hsva.hue + 180.) % 360.));
}
}
}
```
要检测指针移动时，请使用 CursorMoved 事件获取更新的坐标：
```Rust
fn cursor_circle(
camera: Query<(&Camera, &GlobalTransform)>,
mut gizmo: Gizmos,
mut moved_reader: EventReader<CursorMoved>,
) {
let Ok((camera, camera_transform)) = camera.get_single() else {
return;
};
for moved in moved_reader.read() {
let Some(point) = camera.viewport_to_world_2d(camera_transform, moved.position) else {
continue;
};
gizmo.circle_2d(point, 20., Color::WHITE);
}
}
```
请注意，您只能获取窗口内鼠标的位置；您无法获取整个操作系统桌面/整个屏幕上的鼠标全局位置。
您获得的坐标位于“窗口空间”。它们表示窗口像素，原点是窗口的左上角。 |
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/050%20-%20Phyrexia%3A%20All%20Will%20Be%20One/008_Episode%205%3A%20Inevitable%20Resolutions.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Episode 5: Inevitable Resolutions",
set_name: "Phyrexia: All Will Be One",
story_date: datetime(day: 16, month: 01, year: 2023),
author: "<NAME>",
doc
)
The sounds of battle faded behind them as Jace, Kaito, and Kaya delved deeper and deeper into the miniaturized recreation of Elesh Norn's citadel built inside the Seedcore. The space was airy and infinite, filled with shafts of buttery, obscenely golden light untainted by the horrors it had filtered through. Try as she might, Kaya couldn't even guess at the light's origin; there was no sun so far below the surface of what had been Mirrodin, no obvious source of the illumination, but still the halls and rooms around them shone, the air glittering with the dissonant harmony of the unseen Phyrexian choirs.
#figure(image("008_Episode 5: Inevitable Resolutions/01.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Jace didn't look good. He was moving under his own power, but the wires growing through his flesh and bone were starting to break the skin, piercing through it and weaving themselves together in delicate loops, waving like cilia, even as they formed a shell around his arm. He had shifted the bag containing the sylex to the other side of his body, resting it against his hip as they hurried.
Kaya thought the worst sign was the fact that he was letting them see how far gone he was, rather than casting a soothing illusion over himself. He was like a cat that way; Jace never wanted anyone to see when he was hurt, preferring to mask the damage and present himself as perfectly fine. And now, he was walking wounded.
But then, they all were, in their own ways. Kaito walked with quick, efficient steps, his attention split between their surroundings and the hexgold-gilded drone on his shoulder, which made cooing noises and rubbed against his cheek, clearly trying to soothe the anxious Planeswalker. Kaya might have cracked a joke about needing a teddy bear to cope with the stress of battle, but honestly, she wished she'd brought a friend with her. Even a small one who couldn't speak.
Of course, she #emph[had] brought friends with her. She'd come with Tyvar, Vraska, and the others. And now here she was, moving through enemy territory with a stranger and a dead man, to help detonate a bomb that could murder countless strangers. The Phyrexian threat was very real, and worse than she had feared.
Even still, there were people like Melira, who held hope in their hearts and blades in their hands, who were unwilling to surrender the fight. The deaths had been unfathomable. The cost to the people of Mirrodin had already been more than could ever have been fairly repaid. They deserved so much better. Kaya knew, without question, that the Multiverse had no glorious architect, no kindly divinity making sweeping decisions about how things would play out, because no architect with a hint of kindness in their heart would have done such a thing to the innocents of Mirrodin. Even if someone were to argue that Phyrexia had as much right to exist as the rest of them, the fact was that the machine contagion was parasitic at best, predatory at worst. A Multiverse which contained Phyrexia would inevitably #emph[become] Phyrexia, consumed by their terrible One. Only one version of reality could survive this conflict.
She knew which one she wanted it to be.
The sounds of battle faded behind them. Kaya was direly afraid the three of them were all that remained. Realmbreaker—out of respect for Tyvar, she couldn't even think of it as a World Tree—was compleated. Their friends were dead. There hadn't been any time to mourn, and the time they had left was so short that she wasn't sure there ever would be. If she died here, would she be mourned? Would any of them?
"I hate this place," said Kaito, voice low as he shattered the harmonic semi-silence. Kaya glanced at him, almost surprised. Jace didn't. He kept looking straight ahead, clearly forcing himself to keep going through what must have been unspeakable agonies.
"It's not right," said Kaito, looking directly at Kaya. "I'm not particularly sensitive to spirits, but Boseiju, the great tree in Kamigawa, exists in harmony with everything around it. It's filled with kami, with spirits. Everything in Kamigawa is. This place~ the spirits must have been consumed along with everything else, or they would be screaming without end. I don't think you'd have to be sensitive to pick up on that."
"No," Kaya admitted. The spirits Kaito talked about didn't sound like the sort of spirits she was used to dealing with, who were born from death, not naturally born immortals. With as much death as this plane had seen, she would have expected the air to be so thick with ghosts that it became hard to breathe, but there was nothing. She couldn't call any aspect of Phyrexia sterile, not when even the dust was designed to infect and consume the unwary. And yet "sterile" was the only word that came to mind when trying to describe the spirits of this place. Phyrexia didn't release its victims, not even in death.
The halls around them were empty, which felt less like a stroke of luck and more like one more inescapable piece of the massive trap that this entire mission had become. Kaya took a breath. Jace hadn't turned yet. They still had the sylex. All was not yet lost. They moved in helpless hope—a helplessness that had only grown stronger since leaving Elspeth behind. Something about the other Planeswalker made it easy to believe the impossible might be possible after all.
That was gone now, along with Elspeth herself, and even if they won the day after this, they would still have paid far too dearly for their victory. Nothing was going to wipe clean the damage that had been done by Phyrexia.
Nothing.
The ceiling above them gave way to clear panels, like the wings of some great slumbering fly, translucent and organic and—like so much else in this terrible place—oddly, vitally alive, split by slightly darker veins that pulsed with glistening oil. Damaging the "skylight" would shower them in infection. Through the panels, they could see bridges of red sinew leading to the great invasion ships, endless ranks of Phyrexian warriors in the red and white of Elesh Norn's faction filing into the increasingly gravid holds of the waiting vessels. They were pregnant with Phyrexia, ready to spread this terrible seed throughout the Multiverse.
Red mist drifted down from the ships as they prepared for launch, adding a bloody cast to the skylights. The clear membrane absorbed the red particulates, cleansing itself every few seconds only to be smeared once again, an endless cycle of recovery and besmirchment. Kaya shuddered.
"This is a dead end," muttered Jace, darkly. "We're going to have to go back and try another direction."
Voice soft, Kaito said, "I don't think so. Kaya, Jace—over here."
They moved toward the lithe ninja, joining him around a hole in the floor. It looked like it was meant to be the entrance to a stairway, only someone had forgotten to construct the stairs. Instead, a roughly ten-foot drop led to a hovering disk of polished white metal, distinguished from the floor on which they stood by the absence of walls around it.
The hole was echoed by a larger hole in the disk below, exposing Realmbreaker's trunk as it vanished into mist marbled with lightning. This was as close as they were going to come to the core root of the tree.
"This is a plane designed for falling through," said Kaya, trying to make it sound light, as she phased herself intangible and dropped to the disc below.
The smell of ozone, mycosynth, and what seemed like a horrible perversion of sweet Kaldheim air addressed her nose as soon as she landed, and she shuddered again, moving to position herself beneath the hole.
"Come on," she said, positioning herself to catch Jace when he dropped through. "Let's get this done."
Kaito eased Jace into a sitting position at the edge of the hole. The exhausted telepath slumped, still clutching the sylex, legs dangling like a child preparing to jump off a swing. When he finally pushed off the edge, Kaito stabilizing him the whole time, Kaya had a brief, shameful flash of wanting to step out of the way and just let him fall. He was already lost; she was inviting a monster into a bolt hole from which where was no escaping. But she held her place, and when he fell into her arms, she managed not to cringe away from the wires on his arms.
She couldn't stop herself from phasing as they nuzzled at her flesh, already carrying the Phyrexian need to spread the infection, and Jace looked at her with understanding, even as he stumbled to catch his balance.
#emph["It's almost over,"] he said, voice echoing inside her head without passing through her ears.
Privately, Kaya doubted that, and to Jace's credit, he allowed her to have her doubts without commenting on them. He moved to unpack the sylex, revealing it to the Phyrexian air for the first time. Kaya took a step back. Kaito, who had dropped down unnoticed by either one of them, took a step forward, stopping only when Kaya grabbed his arm.
"Let him have his space," she said. "This is delicate."
"Are you sure it's safe for us to be this close?" asked Kaito.
"Urza detonated the first one in his lap, and he lived," said Kaya. "We'll be fine. Probably." Assuming the plane survived.
Assuming the shockwave traveling up the tree didn't rip New Phyrexia apart from core to crust. It might still send the last of the Mirrans to oblivion, and all the Planeswalkers still on this plane with them. If Nahiri survived her fall and was clinging to who she had always been, she would be blotted out in an instant by the blast. So would Elspeth, and Tyvar, and all the others, even—
Kaya couldn't even form the shape of her own name in her thoughts. She had spent years dancing among the ghosts. If she died here, she wouldn't be leaving a ghost of her own behind.
"Wait," she said, as Jace moved to settle cross-legged next to the sylex, placing his hands on the rim. The wires spidering from his arm recoiled from the metal, almost as if they recognized it for the looming disaster it was.
Jace glanced up at her, eyebrows raised in mild surprise.
"Are you sure we should do this?" Kaya asked. "The Invasion Tree has connected. 'Wipe it all clean'—that's what the sylex says, right? The carvings? When you set it off, the blast will travel along the branches. It could damage or even destroy every plane it's currently in contact with. And we have no way of knowing which planes they are. Vryn, Tolvada, Ixalan—even Ravnica, they could all be casualties."
"If Phyrexia has reached them, they already are," said Jace.
"Hold on," said Kaito. "I came here to save Kamigawa, not to destroy it."
"The sylex obliterates everything it touches," said Kaya. "Even #emph[time] was fractured when Urza used the original. There was a chance Mirrodin would survive before the tree was compleated—and the explosion would have been contained to this plane. Now, if it can travel through those Omenpaths that Tyvar saw forming in the branches~ Jace, we could destroy #emph[everything] . We could blow up the Blind Eternities. You have to wait."
"Vraska is dead, and I am dying," said Jace calmly. "My body may continue and turn the powers it contains against any of you who still live—and I would kill me before that can happen, if I were you. You have no idea how much time and energy I spend #emph[not] destroying the minds around me just because I can, or how hard I've worked to find a way to move in a Multiverse of such simplicity without doing endless damage. I will be an incredible weapon for Phyrexian dominance." His eyes flashed with an inhuman blue glow, brighter than his norm, and he grimaced, visibly composing himself. "They're starting to speak through me, Kaya, we're out of #emph[time] . Every moment we wait, every second we spend dithering over your sudden need to be the hero, not just the savior, means another plane is potentially lost. We're destroying nothing. We're preventing greater deaths. Blame Phyrexia, not us."
He sighed heavily, looking suddenly exhausted. "And there is no other way. Better to fulfill the promise of the sylex and scorch the branches, sweep it all away, than to lose the entire Multiverse. Bring the ending. Topple the empires to bring a fresh start. Renew it all."
#figure(image("008_Episode 5: Inevitable Resolutions/02.jpg", width: 100%), caption: [Art by: L.A Draws], supplement: none, numbering: none)
He began to lift the sylex into his lap.
Kaya moved instantly, lunging forward and grabbing his wrist before he could complete the motion. He pulled his hand out of her grasp and away from the sylex, eyes narrowing.
She pulled a dagger from her belt. Jace's eyes began to glow. Neither of them said a word. Kaito looked between them, briefly confused, before pulling his sword and falling into position beside Kaya.
"I'm sorry, Jace, but I can't let you risk Kamigawa," he said.
"Very well then," said Jace, and slowly, laboriously, rose.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
On the bridge over the void, Ajani's axe clashed against the blade of Elspeth's sword, pushing the smaller Planeswalker back even as she dug her heels into the sinewy surface and tried to stand her ground.
"You can't defeat me, young one," said Ajani, voice unnaturally calm and level. He spoke to her like she was a child who had tried to steal one too many sweets, who needed to be talked out of some unhealthy desire. His tone carried only affection and genuine concern under the calm, and if he had sounded any less like himself, Elspeth might have been able to bring her blade around and undercut his ankles, sending him toppling into the depths. "It's useless to try. Join us. We are the inevitable. We are the ideal. We are One, and once you come to be One with us, we'll be stronger in a way you could never have dreamt while you lived in flawed, imperfect flesh."
"Never," managed Elspeth, her defiance sounding weak to her own ears. "Ajani, if you can hear me, I'm sorry."
"You have nothing to apologize for," said Ajani, pushing harder against her sword, trying to move into her space. He had yet to swing at her, allowing all the attacks to come from her~ but now she couldn't disengage without opening herself too widely. Even defense could be a trap.
"So stop #emph[fighting] us!"
"Phyrexia is no one's enemy," said Ajani. "We only want to bring you the peace and perfection of becoming One. We only wanted to bring you home."
"Then you're everyone's enemy," said Elspeth.
"So be it," said Ajani. "You do not need to be alive to join Phyrexia."
Ajani finally attacked, swinging his axe in a brutal arc accompanied by a blast of destructive magical force that narrowly missed Elspeth's head, digging a chunk out of the bridge behind her. She spun around, slashing at his knees, only for him to leap nimbly out of the way, moving with a speed that made her breath catch in her throat. The battle had already been joined. Now, it began in earnest.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Not far from Elspeth and Ajani, Tyvar used his blades to keep the twin barbs of Tibalt's tails at bay, holding the almost bestial Planeswalker as far back as he could. Tyvar's skin was still metallic and gleaming, his entire body having converted into Glimmervoid metal for the sliver of protection it could offer him against the glistening oil that dripped like venom from Tibalt's body.
"Little prince," hissed Tibalt, a vicious smile on his distorted face. "Little pretender, little would-be hero, there will be no sagas in your name. If your legend survives this day, it will be a tale of failure. The saga of a man chosen by a greatness he could never have been worthy of. How does it feel to be the last prince of Kaldheim?"
"You're not the God of Lies," snarled Tyvar, bringing up his arm to block one of Tibalt's tails. "Even so, nothing you say can be trusted."
"Perhaps not, but you're too stupid to understand when you should be afraid," said Tibalt, whipping one tail away from Tyvar's hold and stabbing it toward the other man, barb glancing off the metal of Tyvar's shoulder.
Tyvar hissed in pain, and Tibalt hissed in pleasure, the two men united for the first and perhaps only time in their acquaintance.
"Pain, yes," said Tibalt, with great satisfaction. "#emph[You] may be resistant to my charms, but that's only because your head is too empty to understand when you should doubt your convictions. Not everyone is so devoid of concern."
He looked away from Tyvar, the ultimate insult in the middle of a battle, and directed a terrible, thin-lipped smile at Elspeth as she struggled against her former mentor.
"Doubt," said Tibalt, oily smoke beginning to leak out the corners of his mouth. "The greatest weapon of them all."
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Elspeth staggered as she blocked Ajani's latest blow, barely keeping her footing. A wave of misery and doubt washed over her. This was her fault. Ajani wouldn't have been infected if she'd been paying closer attention, if she'd been a better student, if she'd been less distracted by her own problems, if she'd been strong enough to save Mirrodin in the first place, rather than allowing it to fall to Phyrexia. If she'd been a better person, none of this would have happened.
If she had only fought her way down to the Furnace Layer faster, they would have reached the tree before it could connect, found Vraska before she could be compleated, saved so many others, saved them all. This was all down to her.
Ajani's next blow knocked the weapon from her hands, and Elspeth backed away, palms out, trying to ward him off. She couldn't even beg, not with the misery weighing her down.
Tibalt laughed, stabbing again and again at Tyvar, who staggered under the blows, horrified by the sight of Elspeth in retreat. Seeing her losing her faith in the fight~
It felt as if all hope was lost.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Kaya lunged for Jace, or rather, for the space where Jace #emph[should] have been, and stumbled through the empty air of the telepath's projected image, the false Jace splitting like fog and dissipating.
"Kaya, please," he said. "We're Planeswalkers. That means we owe a debt to something greater than ourselves, even when it isn't convenient, or ideal. We came here to save the Multiverse. Detonating the sylex might destroy a dozen planes. It might also just shake them a little. Either way, the #emph[rest will live] ."
"The Multiverse isn't #emph[dying] , you heartless—" Kaya caught herself, taking a deep breath. The Jace she had always known was meticulous about the privacy of the minds around him, keeping his telepathy under tight control. He would never have gone looking for her deepest fears, nor thrown her weaknesses in her face like that. Even when he'd sparred with Nahiri, he'd been careful to avoid saying anything that would imply awareness of her thoughts.
She couldn't #emph[know] that he was reading her, but it certainly felt as if he were, and she didn't like it one bit. She narrowed her eyes. He had positioned himself between her and the sylex, his slight figure presenting little barrier.
And then, abruptly, there were three of him, and none were the original. Kaya's physical form flashed translucent purple as she phased slightly out of touch with the rest of the plane. She couldn't detect thoughts, not the way Jace could, but she could detect spirit energy, and two of the Jaces didn't have spirits. They weren't real. Only the third, the one farthest from her current location, actually existed.
She turned toward Kaito. "That one," she snapped, gesturing toward the Jace in question. "Stop him."
Kaito didn't need to be told twice. Producing a handful of shuriken from inside his shirt, he flung them at the true Jace, his telekinesis catching them and driving them straight and true toward their target. He had aimed to stop, not to slaughter, and as the projectiles found the flesh of Jace's injured arm, the two false images flickered and died.
Kaya shoved her dagger into its sheath, stalking toward the true Jace, and the sylex.
#emph["Wait,"] said his voice. #emph["Please."]
Kaya stopped, eyes narrowed, glaring at the real Jace.
He looked back, pale and wan and younger than she had ever realized he was; he looked less like an all-powerful Planeswalker, and more like a man on the verge of collapse. The waving wires on his arm—which were, she finally saw, surprisingly like the tendrils of Vraska's hair in their sinuous curves and languid waving strands—had started to light up at their tips, like their eyes were opening, even as they wove their basket-like lattice more and more tightly around his arm. Soon, they would cut off all circulation, if they hadn't done so already.
Kaito's shuriken had severed several of the strands, leaving them to writhe and die on the floor, and cut shallow, bloodless lines into Jace's skin. The speed of Phyrexian compleation was a nightmare the likes of which Kaya had never considered, and she wanted nothing more than to wake from it.
#emph["We have to do this,"] he said.
"No, #emph[you] have to do this," said Kaya. "#emph[We ] have to preserve the Multiverse. All the planes Phyrexia #emph[hasn't] touched are connected to the Blind Eternities as well, just like this damned tree—we blow it up now, we could wipe out everything."
"The emperor," said Kaito, sounding horrified.
"Any Planeswalker currently in transit," said Kaya. "All of us. I won't let you do this." She lunged for the sylex, grabbing it with both hands. "It's over, Jace. You lose. We all lose."
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Elspeth fell back another step, unable to stand her ground against the waves of despair and doubt washing off Tibalt. She had failed, they had all failed, Ajani was lost, and <NAME>enna was lost, and she was lost, this was how it ended, this had always been how it ended, she had been in denial to think she could do anything to stop it—
The doubt ripped at her, tearing away the veils of virtue and compassion that she had worked so hard for so long to construct, until the core of <NAME> was exposed. The child who had defied <NAME> on a plane without any prayer of hope; who had been able to stay unbroken before Phyrexian horrors. Ajani, seeing his opening, swung his axe at the exposed back of her neck.
Elspeth's sword blocked the blow, unexpectedly raised between them. He paused, blinking in surprise, only to realize that the look in her eyes was that of a cornered, feral creature.
Not far away, Tibalt laughed. "Oh, the pretty do-gooder fights back, does she? A pity you didn't find her sooner, Prince of Foolishness, she might have been sufficiently useless to sit beside you. Although your brother would only have snatched her away as he does everything else worth having. You could have been great without him."
Tyvar snarled. When Tibalt stabbed the barbs of his tail at him again, he dropped one of his daggers and grabbed the offending appendage directly behind the stinger, bending it backward even as the Glimmervoid metal that covered Tyvar's own body began to flow out, sweeping across Tibalt's flesh as the transmutation spread to take him, almost Phyrexian in its own way.
Tibalt hissed, trying to pull free. Tyvar didn't let him go. The Glimmervoid metal spread out to cover more and more of Tibalt's body. The flesh that had yet to be transmuted seemed almost to pull away, trying to flee the toxic change.
"What are you #emph[doing] ?" Tibalt demanded, in clear alarm.
"My magic suppresses whatever it engulfs," said Tyvar, and smiled, baring metal teeth like a threat. "Your doubt can't touch what it can't reach."
Indeed, Elspeth's stance grew in confidence by the moment, until two things happened: the Glimmervoid metal swallowed the last of Tibalt's flesh, and a pulse of hope strong enough that it felt like it should have burned the infection entirely from Phyrexia, like it should have lit up the Blind Eternities, surged from her body.
"Doubt is nothing," said Elspeth. "Doubt doesn't change what's right. I will not join your One. Neither will anyone else."
White light blasted outward from her blade, sending Ajani rocking back on his heels. She stood, falling into an offensive position.
The fight wasn't over yet.
Ajani cried out and staggered. Elspeth slammed the hilt of her sword down across the back of his neck, driving him to the ground. The axe tumbled from Ajani's suddenly nerveless fingers as he slipped from consciousness.
Eyes wild, Elspeth turned toward Tyvar and the struggling Tibalt. Tyvar shook his head.
"I can handle this devil," he said. "He owes me a death for what he did to my plane. Go. Find the others. I'll be fine."
#figure(image("008_Episode 5: Inevitable Resolutions/03.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
The Glimmervoid metal was fading from his skin, and from Tibalt's as well, as the well of Tyvar's magic neared the point of running dry. Tibalt stabbed at him with his free tail, and Tyvar grabbed that one as well, bending them both backward with a strained grunt. Realizing what he was about to do, Tibalt tried to jerk away.
The last thing Elspeth saw before she ran off the bridge, following the trail the others had taken, was Tyvar driving the twin barbs of Tibalt's tail into the space that should have held the Phyrexian's heart. Tibalt screamed, high and agonized, and was still screaming as Tyvar shoved him from the bridge. There was a sickening crunch as Tibalt slammed into the bridge below, followed by silence.
Elspeth ran.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Kaya grabbed the sylex, relaxing at the solidity of it before she dismissed her phase and turned solid once more—only for the sylex to dissolve in her hands like mist. She had fallen for another of Jace's illusions.
"Kaya!" shouted Kaito.
She spun to face Jace just in time to see the wires spidering across his face, eyes glowing a brighter blue than ever before. "No," she gasped.
Jace, face grim, looked at her across the rim of the real sylex, still held in his hands, and replied, quietly, "Yes. Kaya, I'm sorry. Kaito, I'm sorry. Everyone," and there he chuckled, dry and dark and unamused, "I'm so sorry."
He disappeared, shielded from view by his own magic.
On the other side of the illusion, Jace ran his thumbnail across his forehead, almost amazed by how quickly the skin parted~ although what dripped from the wound into the sylex wasn't blood, not exactly. He sighed. So much lost. So much left to lose.
With an almost physical effort that caused him to flicker into momentary visibility, he forced his grief and fury into the bowl. Not only his grief: the suffering and sorrow-drenched agony of all Mirrodin. Regret for the Multiverse. The love of Vraska. It poured into the sylex like the finest honey, so thick and pure he could almost see it.
The words didn't matter. Jace knew that, but they felt right anyway. Urza had said them so long ago. Teferi had seen it, and Kaya through him, and Jace through her. An unbroken line—then to now. One end, to another. "Wipe the land clear. Bring the ending," he murmured. "I'm sorry."
His voice echoed in the enclosed space, impossibly loud, as light bloomed inside the bowl of the sylex, crawling upward like a living thing, nearing the rim. Kaya cried out, fear and despair, as Kaito moved to put himself between the blossoming light and the other Planeswalker. Neither of them saw Elspeth drop through the hole in the ceiling and race across the room toward Jace.
Jace turned to face her, his eyes ablaze with merciless blue light. Somehow, in that moment, she understood everything—what Jace had resolved to do, what was about to happen not just to Mirrodin but to the Multiverse itself. Elspeth saw, with perfect clarity, what needed to be done.
She didn't hesitate. In a single convulsive motion, she drove her blade through Jace and shoved him aside, letting his body take the sword with him as he fell and grabbing the sylex in her own hands.
#figure(image("008_Episode 5: Inevitable Resolutions/04.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
She had time to glance at Kaya and Kaito as light crested over the lip of the sylex and a sharp crack echoed through the room, marking her disappearance. The sylex went with her, bound for some unknown destination, some point beyond the Blind Eternities.
Tyvar, bloodied and once more flesh, dropped through the hole to join Kaya, Kaito, and Jace's fallen form, moving to Kaya's side. She turned to him, eyes wild.
Whatever Tyvar was going to say was washed away as a series of massive booms consumed all sound, a wave of pressure washing down the trunk Realmbreaker as it pulsed with light. Each pulse lit the air with an oil-slick array of impossible colors, yanking the world around them through a cycle of nights and days as quickly as a heartbeat. The tree had been fully activated and was transmitting across the Multiverse.
The shock knocked all three of them to the floor, and in the rapidly pulsing light, none of them saw the moment when the wall irised open like an eye, allowing the smell of aether to fill the previously sealed room.
Tyvar staggered to his feet, pulling Kaya with him. Kaito had already recovered his balance on his own, and was staring upward, rapt and horrified. The others looked up and saw the branches of Realmbreaker winking out in flashes of impossible light, connected to the tree but gone at the same time. Tyvar made a small sound of dismay.
"They walk the Omenpaths," he said. "They carry disaster in their wake."
Each branch, with its heavy burden of Phyrexian invaders, had reached for another plane, and would shed their terrible fruit there, to compleat new, fertile soil.
"The sylex is #emph[gone] ," Kaya moaned. "Elspeth is #emph[gone] , Jace is #emph[gone] , the Multiverse is doomed, we failed, Tyvar, we failed."
"I saw hope this day," said Tyvar. "We haven't failed."
"Um, guys?" said Kaito, he gripped his sword with both hands and stepped up to stand with Tyvar, the two of them presenting a wall of resistance between Kaya and the opening on the wall. The faint sound of footsteps came from the other side. "I think we're about to have company."
The trio shrank back from the new doorway, until Kaya's shoulders were almost touching the pulsing, gleaming trunk of Realmbreaker. All three readied their weapons, Tyvar's flesh transmuting once more to Glimmervoid metal as he stood side by side with the wiry ninja. They exchanged one final glance, expressions equally grim. Nothing approaching in Phyrexia could be a friend, not in this moment, not in this space.
Footsteps echoed into the room, unbearably loud, bouncing off the walls and ceiling. A figure, almost skeletally thin, made of flensed red tissue and gleaming porcelain-white metal, stepped into the room. <NAME> turned her eyeless face toward the remaining Planeswalkers and smiled, even as a squadron of Phyrexian warriors slipped in after her. Kaito gasped sharply at the sight of Tamiyo moving among them, all her softness sharpened to bladed points, her eyes traced by black trails of glistening oil.
"Welcome, weary travelers, to Phyrexia," said <NAME>. She turned her smile to Jace's corpse, which shuddered and stood, Elspeth's sword slipping from his body as he moved to join his new master. Kaito grabbed the blade as soon as it was unprotected, settling it into his free hand.
<NAME> laughed. "So worried," she said. "We offer you no threat. We offer only harmony and peace. We are One. All will be One. Why resist? Your friends are already here."
She turned her smile toward the ranks of her subordinates. They parted, and a new shape moved through them, into the light.
Nahiri had clearly not survived her fall. The spikes that had been breaking through the skin of her back and shoulders were more pronounced now, turning her outline into a grotesque parody of her own floating cloud of blades. Her hands were gone, arms replaced from the elbow down with metal blades. Cracks ran through the metallic skin of her body, showing molten metal beneath, and her eyes glowed with the same terrible, burning heat.
Kaito hissed between his teeth, seeing the very opponent he had feared appear before him. "You've looked better," he said.
Nahiri didn't react. Another figure followed her on a forest of whip-thin cabling, using the root-link formations of her lower body like tentacles as she settled by the other Phyrexian's side. Extra appendages sprouted from the woody protrusions covering her flesh. Her face, like Tamiyo's, was marked with glistening oil. Kaya stared. The Nissa she knew was gone. Nothing of the soft-spoken animist remained.
Tyvar bared his teeth, adjusting his grip on his daggers. To see another elf so maimed and misused was painful, despite the shortness of their acquaintance. This was more than horror. This was an offense.
"Nahiri fought us, but she found peace, and a better way in the One," said <NAME>. "She and Nissa came from the same place, but they were never friends. Now they are sisters, united, finally on the same side in every way. They are One. You, too, can be One. Only yield, and it will be over quickly."
"No," said Tyvar.
"I'm good," said Kaito.
"Go to hell," said Kaya.
"Such hostility," said <NAME>. "It seems we have no way to an accord, then. If you would be our enemies, then very well. Enemies it is."
With that, <NAME> raised her hand, clicking her perfect claws together, and the invasion began.
#figure(image("008_Episode 5: Inevitable Resolutions/05.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
|
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/text/quotes-01.typ | typst | Other | // Test single pair of quotes.
""
|
https://github.com/SWATEngineering/Docs | https://raw.githubusercontent.com/SWATEngineering/Docs/main/src/2_RTB/AnalisiDeiRequisiti/main.typ | typst | MIT License | #import "meta.typ": title
#import "functions.typ": glossary, team
#let changelog = csv("changelog.csv")
#let version = changelog.last().at(0)
#set text(font: "IBM Plex Sans")
/*******************/
/* COPERTINA */
/*******************/
// Margini pagina di copertina
#set page(
margin: (
right: 2.5cm,
bottom: 1.5cm,
top: 1.5cm,
),
)
// Inserimento logo SWAT intero
#place(
top + right,
[#image("assets/swat_logo.png", width: 40%)],
)
// Inserimento dettaglio giallo
#place(
bottom + right,
[
#move(
dx: 180pt,
dy: 100pt,
[
#rotate(
-30deg,
[
#rect(width: 1000pt, height: 300pt, fill: rgb("#FFE600"), stroke: none)
]
)
]
)
],
)
// Inserimento logo UniPD
#place(
bottom + right,
[#image("assets/unipd_logo.png", width: 30%)],
)
/****************/
/* TITOLO */
/****************/
#v(30%)
#set text(30pt)
#set heading(outlined: false)
= #title
#v(10%)
#set text(16pt)
Contatti: <EMAIL>
Versione: #version
/********************************/
/* HEADER E FOOTER PAGINE */
/********************************/
#set page(
margin: (auto),
header: [
#set line(length: 100%)
#stack(
spacing: 5pt,
[
#set text(10pt)
#grid(
columns: (1fr, 1fr),
smallcaps[#title v#version],
align(right, image("assets/swat_logo_short.png", width: 30%)),
)
],
line()
)
],
footer: [
#set align(center)
#set text(13pt)
#counter(page).display(
"1 of 1",
both: true,
)
]
)
/****************************/
/* REGISTRO MODIFICHE */
/****************************/
#pagebreak()
#set text(7pt)
= Registro delle Modifiche
#include "changelog.typ"
/****************/
/* INDICE */
/****************/
#pagebreak()
#set text(13pt)
#set heading(
numbering: "1.1",
outlined: true,
)
#outline(
title: "Indice",
indent: auto
)
#pagebreak()
#outline(
title: [Elenco delle Figure],
target: figure.where(kind: image),
)
#pagebreak()
#outline(
title: [Elenco delle Tabelle],
target: figure.where(kind: table),
)
/*******************/
/* CONTENUTO */
/*******************/
#pagebreak()
#set text(11pt)
#include "content.typ" |
https://github.com/Myriad-Dreamin/tinymist | https://raw.githubusercontent.com/Myriad-Dreamin/tinymist/main/crates/tinymist-query/src/fixtures/type_describe/ever_intern_use.typ | typst | Apache License 2.0 | #let tmpl(content) = {
content = 1
content = 2
content = 3
content
}
#(tmpl(4))
#(/* position after */ tmpl)
|
https://github.com/booleto/internship_report_2024 | https://raw.githubusercontent.com/booleto/internship_report_2024/main/template.typ | typst | // The project function defines how your document looks.
// It takes your content and some metadata and formats it.
// Go ahead and customize it to your liking!
#let project(institutions: (), title: "", subtitle: "", authors: (), info: (), logo: none, body) = {
// Set the document's basic properties.
set document(author: authors, title: title)
set page(numbering: "1", number-align: center)
set text(font: "New Computer Modern", lang: "vi")
show math.equation: set text(weight: 400)
set heading(numbering: "I.1.1.1.a.")
// Page outline
// Title page.
// Institutions
for inst in institutions {
align(center + top,
text(
14pt,
font: "New Computer Modern",
inst,
)
)
v(0.05fr)
}
// The page can contain a logo if you pass one with `logo: "logo.png"`.
v(0.9fr)
if logo != none {
align(center, image(logo, width: 30%, fit: "stretch"))
}
v(0.9fr)
//Title
align(center, text(3em, weight: 900, title))
v(0.5fr)
//Subtitle
align(center, text(1.5em, weight: 900, subtitle))
v(0.7fr)
// Authors info
align(center,
grid(
columns: (auto, auto),
column-gutter: 100pt,
row-gutter: 10pt,
[*Người hướng dẫn:*], [*TS. Đỗ Đức Hạnh*],
[*Sinh viên thực tập:*], [*Phạm Hoàng Hải*],
[*Mã sinh viên:*], [*20000548*],
[*Thời gian thực tập:*], [*15/02/2024 - 20/05/2024*]
)
)
v(2.3fr)
pagebreak()
// Table of contents.
outline(depth: 3, indent: true)
pagebreak()
// Main body.
set par(justify: true)
body
} |
|
https://github.com/dhilipsiva/resume | https://raw.githubusercontent.com/dhilipsiva/resume/main/resume.typ | typst | MIT License | #set text(
font: "Linux Libertine",
size: 12pt
)
#set page(
paper: "a4",
margin: (x: 1.8cm, y: 1.5cm),
)
#show link: underline
#set align(left)
#align(right)[
= dhilipsiva
#link("mailto:<EMAIL>")[<EMAIL>] · #link("https://www.linkedin.com/in/dhilipsiva/")[in/dhilipsiva] · #link("https://github.com/dhilipsiva")[\@dhilipsiva] · +91 81977 93582
]
#line(length: 100%)
#align(center)[
Principle Architect. An Optimistic Nihilist who loves Science, Rust, Python, FOSS, WebAssembly, WebRTC, and Distributed Systems.
]
#line(length: 100%)
== About Me
I am a passionate and seasoned Software Architect/Engineer with a diverse skill set, boasting extensive experience across various programming languages and technologies.
My proficiency spans a wide spectrum, with a strong focus on building (micro)services, predominantly in Rust & Python. My recent interests revolve around the Rust programming language, WebAssembly, and distributed software.
My capabilities encompass the entire software development lifecycle, from architecting and coding to deployment, autoscaling, and maintenance. I have successfully created server-side (.py, .rs), browser-side (.js, .ts, .wasm), and infrastructure (using tools like Terraform, Pulumi, and CDK) solutions. My portfolio includes the development of GraphQL, RPC, and RESTful microservices in Python and Rust, as well as crafting JavaScript frontends with Ember and React. I'm well-versed in DevOps pipelines and have experience in building an End-to-End Test Automation Framework (both horizontal and vertical) using RobotFramework. I've also ventured into the creation of native iOS apps, managed Android and iOS device farms, and even built a Raspberry Pi Bitcoin mining farm with custom ASIC chips.
My expertise covers the entire web application stack, from server-side to browser-side, and extends from architecture to scaling. I have a proven track record of scaling high-traffic web applications and deploying services on major cloud platforms such as AWS, Azure, and Google Cloud. My toolbox includes tools like Fabric, Docker, AWS Copilot, Kubernetes, and more.
Beyond my technical skills, I have a strong leadership background, effectively guiding small tech teams to success and fostering a positive work environment. I've also made significant contributions to open-source projects and indulged in reverse-engineering and 'hacking' mobile applications as a passionate pursuit.
Outside my professional life, I remain committed to exploring new technologies and staying abreast of the latest software engineering trends. I relish engaging in philosophical discussions and delving into topics related to socio-economic and political change. In my leisure time, I enjoy tinkering with IoT and robotic projects alongside my kids, combining fun with continuous learning and skill development.
== Work Experience
= Principal Architect - Platform
_NuFlights_ | Nov 2023 - Present | Remote (Part-time)
- Spearheading the improvement and scaling of the platform, building upon the foundation laid during my tenure at Reckonsys.
- Skills: Solution Architecture, Linux, Agile Methodologies, Architecture, Scalability, Rust, Cloud Computing, Docker, SQL, Git, Python.
= Principal Architect - Distributed Systems/Rust
_Colligence Research_ | Nov 2023 - Present | Bengaluru (Part-time)
- Building distributed WebRTC systems in Rust.
- Skills: Rust, Distributed Systems.
= CTO
_Nitimis_ | Oct 2018 - Present | Bengaluru (Hobby)
- Providing superior quality assurance services using RobotFramework.
- Empowering individuals with no prior tech experience to embark on a tech career, particularly in QA Automation.
- Skills: Solution Architecture, Linux, Agile Methodologies, Rust, Docker, Git, Python.
= Software Architect
_Appknox_ | Oct 2022 - Nov 2023 | Bengaluru (Full-time)
- Led the creation of a Rust microservice to generate CycloneDX SBOMs for iOS and Android binaries.
- Skills: Solution Architecture, Linux, Agile Methodologies, Rust, Docker, SQL, Git, Python.
= VP of Engineering
_Reckonsys Tech Labs_ | Jan 2019 - Aug 2022 | Bengaluru (Full-time)
- Standardized engineering processes and implemented key initiatives.
- Created cookiecutter templates for Django projects and React templates.
- Skills: Solution Architecture, Linux, Agile Methodologies, Scalability, Docker, SQL, Git, Python, JavaScript.
= Tech Advisor
_Spotlight & Company_ | Jun 2018 - Jan 2020 | Bengaluru (Part-time)
- Provided technical guidance and scaffolding for early prototypes.
- Skills: Solution Architecture, Linux, Agile Methodologies, Docker, SQL, Git, Python.
= Python Consultant
_ZeOmega_ | Nov 2017 - Dec 2018 | Bengaluru (Freelance)
- Streamlined configuration management for clients using various versions of ZeOmega's product.
- Skills: Linux, Agile Methodologies, SQL, Git, Python, JavaScript.
= Tech Lead, Full-Stack and DevOps Engineer
_Appknox_ | Nov 2014 - Oct 2017 | Bengaluru (Full-time)
- Architected, built, deployed, and oversaw the platform's reliability and scalability.
- Skills: Solution Architecture, Linux, Agile Methodologies, Scalability, Kubernetes, Docker, SQL, Git, Python, JavaScript.
= Software Engineer
_LaunchYard_ | Jun 2013 - Apr 2014 | Bengaluru (Full-time)
- Worked on different products such as LMS, Photo Sharing, Food Receipe parser, etc.
- Skills: Linux, Agile Methodologies, SQL, Git, Python, JavaScript.
= Software Engineer
_Tataatsu Idealabs_ | Jan 2012 - Feb 2013 | Bengaluru (Full-time)
- Contributed to CollabLayer (PDF Collaboration tool) and developed Rewire, an iOS mindfulness app.
- Skills: Linux, SQL, Objective-C, Git, Python, JavaScript.
#line(length: 100%)
This resume is written with #link("https://typst.app")[Typst] hosted at #link("https://github.com/dhilipsiva/resume/blob/main/resume.typ")[\@dhilipsiva/resume/resume.typ]
|
https://github.com/taylorh140/tySheetSu | https://raw.githubusercontent.com/taylorh140/tySheetSu/main/package/tySheetSu.typ | typst | #let ss = plugin("tySheetSu.wasm")
#let parse-sheet(xlsxBytes, sheetname) = {
let xlsx = (json: json.decode(ss.excel_to_json(xlsxBytes, bytes(sheetname))))
return xlsx
}
#let parse-sheet-data(xlsxBytes, sheetname) = {
return json.decode(ss.excel_to_json_values(xlsxBytes, bytes(sheetname))).cells
}
#let parse-range(rng, use-merge: true) = {
// Split the rng into start and end parts
let rng = upper(rng)
let parts = rng.split(":")
let (L1, R1) = parts.first().match(regex("([a-zA-Z]+)([0-9]+)")).captures
let (L2, R2) = parts.last( ).match(regex("([a-zA-Z]+)([0-9]+)")).captures
let C1 = range(L1.len())
.map(x => (
calc.pow(26, x) * (L1.rev().at(x).to-unicode() - "A".to-unicode() + 1)
) )
.sum()
let C2 = range(L2.len())
.map(x => (
calc.pow(26, x) * (L2.rev().at(x).to-unicode() - "A".to-unicode() + 1)
) )
.sum()
return (C1, int(R1), C2, int(R2))
}
#let BorderStrokes = (
thin: 0.5pt + black,
medium: 1.5pt + black,
"none": none,
)
#let rangeFn = range;
#let render-table(
xlsx,
range: none,
scale : 1,
use-merge: true,
use-color: true,
use-boarders: true,
default-padding: 2pt,
default-boarders: 1pt,
) = {
let rng = range
let range = rangeFn
// Get sub range of table
let tabledata = none
if rng == none {
tabledata = xlsx.json.cells
} else {
let (c1, r1, c2, r2) = parse-range(rng)
tabledata = xlsx.json.cells.filter(cell => (
cell.x >= c1 and cell.x <= c2 and cell.y >= r1 and cell.y <= r2
))
}
let align-horizontal-transforms = (
general : left,
left : left,
center : center,
right : right,
)
let align-vertical-transforms = (
top: top,
center: horizon,
bottom: bottom,
)
// Use excel scaling (this is hacky)
let weirdExcelScaleX = 5 / 8.43 * 1em
let weirdExcelScaleY = 5 / 38.4 * 1em
let weridExcelRowHeightDefault = 14.4 * scale
let weirdExcelColWidthDefault = 8.75 * scale
//Find column row dimensions
let min-Col = calc.min(..tabledata.map(x => x.x))
let min-Row = calc.min(..tabledata.map(x => x.y))
let columns = calc.max(..tabledata.map(x => x.x)) - min-Col + 1
let rows = calc.max(..tabledata.map(x => x.y)) - min-Row + 1
//Set column widths based on input using werid number for default.
let colwidths = range(1,columns + 1)
.map(x => xlsx.json.columns.filter(row => row.x == x).at(
0,
default: (height: weirdExcelColWidthDefault),
))
.map(x => if ("width" in x and x.width == 0 and "hidden" in x and x.hidden == false) {
weirdExcelColWidthDefault * weirdExcelScaleX
} else if "hidden" in x and x.hidden==true { 0pt}
else if "width" in x {
x.width * weirdExcelScaleX
} else {
weridExcelRowHeightDefault * weirdExcelScaleX
})
//Set row heights based on excel input using odd number for default
let rowHeights = range(1,rows + 1)
.map(y => xlsx.json.rows.filter(row => row.y == y).at(
0,
default: (height: weridExcelRowHeightDefault),
))
.map(x => if (x.height == 0 and x.hidden == false) {
weridExcelRowHeightDefault * weirdExcelScaleY
} else if "hidden" in x and x.hidden==true { 0pt}
else if "height" in x {
x.height * weirdExcelScaleY
} else {
weridExcelRowHeightDefault * weirdExcelScaleY
})
//Draw the table using the information
table(columns: colwidths,
rows: rowHeights,
stroke: default-boarders,
..tabledata.map(cel => table.cell(
x: cel.x - min-Col,
y: cel.y - min-Row,
inset:default-padding,
stroke: if ("boarders" in cel) and use-boarders {
(
left: BorderStrokes.at(cel.boarders.left),
right: BorderStrokes.at(cel.boarders.right),
top: BorderStrokes.at(cel.boarders.top),
bottom: BorderStrokes.at(cel.boarders.bottom),
)
} else {
if not use-boarders {
default-boarders
} else {
none
}
},
colspan: if ("w" in cel and use-merge) {
cel.w
} else {
1
},
rowspan: if ("h" in cel and use-merge) {
cel.h
} else {
1
},
fill: if (
("fill_color" in cel) and (cel.fill_color != "") and use-color
) {
let tmp = cel.fill_color
while(tmp.len() < 6){
tmp = "0" + tmp
}
color.rgb("#" + tmp.slice(-6))
} else {
none
},
align: if alignment in cel {align-horizontal-transforms.at(cel.alignment.horizontal) + align-vertical-transforms.at(cel.alignment.vertical)} else {left+bottom},
{
let rot = if alignment in cel and "rot" in cel.alignment {cel.alignment.rot * -1deg} else {0deg}
align(
if alignment in cel {align-horizontal-transforms.at(cel.alignment.horizontal) + align-vertical-transforms.at(cel.alignment.vertical)} else {left+bottom},
box(
inset:0pt,
//stroke:red+0.8pt,
width: colwidths.at(cel.x - 1),
height: rowHeights.at(cel.y - 1) - default-padding,
clip: true,
[#box(inset:0.2em,rotate(rot,cel.value, reflow: true))],
)
)
},
))
)
}
#let xlsxBytes = read("Book.xlsx", encoding: none);
#let myxlsx = parse-sheet(xlsxBytes, "Sheet1")
Here is the raw data collected from the Excel file:
#figure(
caption: [Rendered Table],
text(size: 6pt)[
#rect(columns(3)[#align(left)[#myxlsx.json.cells]])],
)
The rendered Excel file looks like this:
#figure(
caption: [Rendered Table],
render-table(myxlsx, range: "A1:E20", use-boarders: true, use-merge: true),
)
#pagebreak()
#let themesFile = read("ThemeColors.xlsx", encoding: none);
#let colorSheet = parse-sheet(themesFile, "Sheet1")
#figure(
caption: [Colors Table],
render-table(colorSheet, range: none,scale:0.45),
)
#pagebreak()
Here we are only extracting the values using excel_to_json_values.
#let myxlsxv = parse-sheet-data(xlsxBytes, "Sheet1")
#table(columns: calc.max(..myxlsxv.map(x=>x.x)),
..myxlsxv.map(x=>x.value))
|
|
https://github.com/duanejeffers/resume | https://raw.githubusercontent.com/duanejeffers/resume/main/main.typ | typst | MIT License | #import "template.typ": *
// Take a look at the file `template.typ` in the file panel
// to customize this template and discover how it works.
#show: project.with(
title: "Duane Jeffers Resume",
authors: (
"<NAME>",
),
)
// Heading
#header
#v(-8pt)
// Skills Section
#bodyRect[
#let itemCount = 3
#let skillsList = list.with(
indent: 1pt,
tight: true,
)
#let skillsRect = rect.with(
stroke: none,
)
#text(fill: bgColor)[
= Related Skills
#v(-10pt)
#stack(
dir: ltr,
spacing: -1pt,
..resumeData.skills.map(item => {
skillsRect[
==== #item.section_title
#v(-8pt)
#set text(size: 8pt)
#let boxCount = 1
#if item.data.len() > itemCount {
boxCount = item.data.len() / itemCount
if calc.rem(item.data.len(), itemCount) > 0 {
boxCount += 1
}
}
#let boxCount = calc.floor(boxCount)
#let arrRange = range(0, (boxCount * itemCount), step: itemCount)
#stack(
dir: ltr,
..arrRange.map(skillItemStart => {
skillsRect[
#let skillItemStop = skillItemStart + itemCount
#if skillItemStop > item.data.len() {
skillItemStop = item.data.len()
}
#let skillsSplice = item.data.slice(skillItemStart, skillItemStop)
#skillsList(
..skillsSplice.map(skillItem => {
skillItem.name
})
)
]
})
)
#v(-10pt)
]
})
)
]
]
#v(-10pt)
// Employment History
#bodyRect[
#text(fill: bgColor)[
= Work History
#resumeData.history.map(item => {
[
== #item.organization #item.location #item.role #item.start #item.end
#set text(
size: 9.25pt,
)
#if "highlights" in item {
list(
indent: 5pt,
..item.highlights
)
}
#if "projects" in item [
=== Select Projects
#list(
indent: 10pt,
..item.projects.map(project => {
project.name
list(
project.description,
strong("Skills Used: ") + project.skills.join(", ")
)
})
)
]
]
}).join()
]
]
#v(-10pt)
#bodyRect[
#set align(center)
#set text(
size: 9pt,
fill: bgColor,
)
Full Work History Available at #link("https://linkedin.com/in/duanejeffers")[linkedin.com/in/duanejeffers] #h(50pt) Full Resume Typst Source Available at #link("https://github.com/duanejeffers/resume")[resume.duanejeffers.com]
]
|
https://github.com/AU-Master-Thesis/thesis | https://raw.githubusercontent.com/AU-Master-Thesis/thesis/main/sections/3-methodology/study-1/figure-interrobot-lifecycle.typ | typst | MIT License | // #set page(width: auto, height: auto)
#import "@preview/cetz:0.2.2"
#import "@preview/funarray:0.4.0": windows
#import "../../../lib/vec2.typ"
#import "../../../lib/mod.typ": *
// = InterRobot Factor Lifecycle
// #pagebreak()
// #jens[bait for you, use it however you see fit]
#let sc = 50%
#let coordinate-grid(x, y) = {
import cetz.draw: *
let x-max = x
let y-max = y
let x-min = -x-max
let y-min = -y-max
grid((x-min, y-min), (x-max,y-max), stroke: gray)
line((x-min, 0), (x-max, 0), stroke: red)
line((0, y-min), (0, y-max), stroke: green)
}
#let points-relative-from(start, ..points) = {
points.pos().fold((start, ), (acc, point) => {
acc + (vec2.add(acc.last(), point),)
})
}
#let points-relative-from-angle(start, ..points) = {
// but where a point is (angle, distance)
points.pos().fold((start, ), (acc, point) => {
let (angle, distance) = point
acc + (vec2.add(acc.last(), vec2.from-polar(distance, angle)),)
})
}
// #points-relative-from((2, 2), (0, 1), (5, 0), (-1, 0))
#let timestep(t) = text(size: 1em, $#t$)
// #let timestep(t) = text(size: 22pt, math.equation($#t$))
#let variable = (
radius: 0.125,
color: red,
)
#let robot(name, pos, active: true, color: theme.peach) = {
import cetz.draw: *
let c = color
let communication-radius = 3
let paint = if active { theme.teal } else { theme.surface2 }
circle(pos, radius: communication-radius, stroke: (dash: "loosely-dashed", paint: paint, thickness: 2pt, cap: "round"))
circle(pos, radius: 0.5, fill: c.lighten(80%), stroke: c + 2pt, name: name)
content(pos, text(color, font: "JetBrainsMono NF", weight: "bold", name))
}
#let tn = [
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (2, -2), color: theme.mauve)
)
let extend = 1
// B
let variables = points-relative-from-angle(robots.A.pos, (-10deg, extend), (-20deg, extend), (-30deg, extend))
for (va, vb) in windows(variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, color: robots.A.color)
for vp in variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: 2pt + robots.A.color)
}
// B
let variables = points-relative-from-angle(robots.B.pos, (10deg, extend), (20deg, extend), (30deg, extend))
for (va, vb) in windows(variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, color: robots.B.color)
for vp in variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: 2pt + robots.B.color)
}
})
#place(bottom + center, [
A: Timestep #timestep($t_n$)
])
]
#let tn-1 = [
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (1, -0.5), color: theme.mauve)
)
let extend = 1
// variables
let a-variables = points-relative-from-angle(robots.A.pos, (-15deg, extend), (-10deg, extend), (-5deg, extend))
let b-variables = points-relative-from-angle(robots.B.pos, (5deg, extend), (10deg, extend), (15deg, extend))
// interrobot
for (va, vb) in a-variables.slice(1, a-variables.len()-1).zip(b-variables.slice(1, b-variables.len()-1)) {
let dir = vec2.direction(va, vb)
let length = vec2.distance(va, vb)
let normal = (
clockwise: (-dir.at(1), dir.at(0)),
counter-clockwise: (dir.at(1), -dir.at(0)),
)
let scale = 0.25
let interrobot-color = theme.green
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.clockwise))
bezier-through(
va,
control-point,
vb,
stroke: interrobot-color + 2pt
)
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.counter-clockwise))
bezier-through(
va,
control-point,
vb,
stroke: interrobot-color + 2pt
)
}
// A
for (va, vb) in windows(a-variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
for vp in a-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, color: robots.A.color)
// B
for (va, vb) in windows(b-variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
for vp in b-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, color: robots.B.color)
})
#place(bottom + center, [
B: Timestep #timestep($t_(n+1)$)
])
]
// #pagebreak()
#let tn-3 = [
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (1.5, -0.5), color: theme.mauve)
)
let extend = 1
let a-variables = points-relative-from-angle(robots.A.pos, (10deg, extend), (20deg, extend), (30deg, extend))
let b-variables = points-relative-from-angle(robots.B.pos, (5deg, extend), (10deg, extend), (15deg, extend))
for (va, vb) in a-variables.slice(1, a-variables.len()-1).zip(b-variables.slice(1, b-variables.len()-1)) {
let dir = vec2.direction(va, vb)
let length = vec2.distance(va, vb)
let normal = (
clockwise: (-dir.at(1), dir.at(0)),
counter-clockwise: (dir.at(1), -dir.at(0)),
)
let scale = 0.25
let interrobot-color = theme.green
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.clockwise))
bezier-through(
va,
control-point,
vb,
stroke: interrobot-color + 2pt
)
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.counter-clockwise))
bezier-through(
va,
control-point,
vb,
stroke: theme.maroon + 2pt
)
}
// A
for (va, vb) in windows(a-variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
for vp in a-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, active: false, color: robots.A.color)
// B
for (va, vb) in windows(b-variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
for vp in b-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, color: robots.B.color)
})
#place(bottom + center, [
C: Timestep #timestep($t_(n + 2)$)
])
]
// #pagebreak()
#let tn-4 = [
// #timestep($t_(n + 4)$)
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (1.5, -0.5), color: theme.mauve)
)
let extend = 1
let a-variables = points-relative-from-angle(robots.A.pos, (10deg, extend), (20deg, extend), (30deg, extend))
let b-variables = points-relative-from-angle(robots.B.pos, (5deg, extend), (10deg, extend), (15deg, extend))
for (va, vb) in a-variables.slice(1, a-variables.len()-1).zip(b-variables.slice(1, b-variables.len()-1)) {
let dir = vec2.direction(va, vb)
let length = vec2.distance(va, vb)
let normal = (
clockwise: (-dir.at(1), dir.at(0)),
counter-clockwise: (dir.at(1), -dir.at(0)),
)
let scale = 0.25
let interrobot-color = theme.green
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.clockwise))
bezier-through(
va,
control-point,
vb,
stroke: theme.maroon + 2pt
)
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.counter-clockwise))
bezier-through(
va,
control-point,
vb,
stroke: interrobot-color + 2pt
)
}
// A
for (va, vb) in windows(a-variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
for vp in a-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, active: true, color: robots.A.color)
// B
for (va, vb) in windows(b-variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
for vp in b-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, active: false, color: robots.B.color)
})
#place(bottom + center, [
D: Timestep #timestep($t_(n + 3)$)
])
]
// #pagebreak()
#let tn-5 = [
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (1.5, -0.5), color: theme.mauve)
)
let extend = 1
let a-variables = points-relative-from-angle(robots.A.pos, (10deg, extend), (20deg, extend), (30deg, extend))
let b-variables = points-relative-from-angle(robots.B.pos, (5deg, extend), (10deg, extend), (15deg, extend))
for (va, vb) in a-variables.slice(1, a-variables.len()-1).zip(b-variables.slice(1, b-variables.len()-1)) {
let dir = vec2.direction(va, vb)
let length = vec2.distance(va, vb)
let normal = (
clockwise: (-dir.at(1), dir.at(0)),
counter-clockwise: (dir.at(1), -dir.at(0)),
)
let scale = 0.25
let interrobot-color = theme.green
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.clockwise))
bezier-through(
va,
control-point,
vb,
stroke: theme.maroon + 2pt
)
let control-point = vec2.add(vec2.add(va, vec2.scale(length / 2, dir)), vec2.scale(scale, normal.counter-clockwise))
bezier-through(
va,
control-point,
vb,
stroke: theme.maroon + 2pt
)
}
// A
for (va, vb) in windows(a-variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
for vp in a-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, active: false, color: robots.A.color)
// B
for (va, vb) in windows(b-variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
for vp in b-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, active: false, color: robots.B.color)
})
// #timestep($t_(n + 5)$)
#place(bottom + center, [
E: Timestep #timestep($t_(n + 4)$)
])
]
// #pagebreak()
#let tn-k = [
#cetz.canvas({
import cetz.draw: *
scale(x: sc, y: sc)
let robots = (
A: (pos: (0, 2), color: theme.lavender),
B: (pos: (1.8, -1.3), color: theme.mauve)
)
let extend = 1
let a-variables = points-relative-from-angle(robots.A.pos, (20deg, extend), (35deg, extend), (50deg, extend))
for (va, vb) in windows(a-variables, 2) {
line(va, vb, stroke: robots.A.color + 2pt)
}
for vp in a-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.A.color, stroke: robots.A.color + 2pt)
}
robot("A", robots.A.pos, color: robots.A.color)
let b-variables = points-relative-from-angle(robots.B.pos, (0deg, extend), (-10deg, extend), (-20deg, extend))
for (va, vb) in windows(b-variables, 2) {
line(va, vb, stroke: robots.B.color + 2pt)
}
for vp in b-variables.slice(1) {
circle(vp, radius: variable.radius, fill: robots.B.color, stroke: robots.B.color + 2pt)
}
robot("B", robots.B.pos, color: robots.B.color)
for (va, vb) in a-variables.zip(b-variables) {
let dir = vec2.direction(va, vb)
let length = vec2.distance(va, vb)
let normal = (
clockwise: (-dir.at(1), dir.at(0)),
counter-clockwise: (dir.at(1), -dir.at(0)),
)
}
})
#place(bottom + center, [
F: Timestep #timestep($t_(n + k)$)
])
]
#{
set align(center)
set text(theme.text)
grid(
columns: (1fr, 1fr, 1fr),
rows: 3,
..(
tn,
tn-1,
tn-3,
tn-4,
tn-5,
tn-k
).map(it => std-block(breakable: false, height: 66mm, v(1em) + it))
)
}
|
https://github.com/storopoli/Bayesian-Statistics | https://raw.githubusercontent.com/storopoli/Bayesian-Statistics/main/slides/utils.typ | typst | Creative Commons Attribution Share Alike 4.0 International | // colors
#let julia-purple = rgb("#9558b2")
#let julia-blue = rgb("#4063d8")
#let julia-green = rgb("#389826")
#let julia-red = rgb("#cb3c33")
// functions
#let binormal(x, y, μ_a, σ_a, μ_b, σ_b, ρ) = (
calc.exp(-(
calc.pow((x - μ_a) / σ_a, 2) + calc.pow((y - μ_b) / σ_b, 2) - (2 * ρ) * (
(x - μ_a) / σ_a
) * ((y - μ_b) / σ_b)
) / (2 * (1 - calc.pow(ρ, 2)))) / (
2 * calc.pi * σ_a * σ_b * calc.pow(1 - calc.pow(ρ, 2)),
0.5,
)
)
#let conditionalbinormal(x, y_c, μ_a, σ_a, μ_b, σ_b, ρ) = (
calc.exp(-(
calc.pow((x - μ_a) / σ_a, 2) + calc.pow((y_c - μ_b) / σ_b, 2) - (2 * ρ) * (
(x - μ_a) / σ_a
) * ((y_c - μ_b) / σ_b)
) / (2 * (1 - calc.pow(ρ, 2)))) / (
2 * calc.pi * σ_a * σ_b * calc.pow(1 - calc.pow(ρ, 2)),
0.5,
)
)
#let sumtwonormals(x_a, x_b, μ_a, σ_a, w_a, μ_b, σ_b, w_b) = (
(w_a * gaussian(x_a, μ_a, σ_a)) + (w_b * gaussian(x_b, μ_b, σ_b))
)
#let discreteuniform(a, b) = 1 / (b - a + 1)
#let binomial(x, n, p) = (
calc.fact(n) / (calc.fact(x) * calc.fact(n - x)) * calc.pow(p, x) * calc.pow(
1 - p,
n - x,
)
)
#let poisson(x, λ) = calc.pow(λ, x) * calc.exp(-λ) / calc.fact(x)
#let negativebinomial(x, r, p) = (
calc.fact(x + r - 1) / (calc.fact(r - 1) * calc.fact(x)) * (
calc.pow(1 - p, x) * calc.pow(p, r)
)
)
#let continuousuniform(a, b) = 1 / (b - a)
#let gaussian(x, μ, σ) = (
1 / (σ * calc.sqrt(2 * calc.pi)) * calc.exp(-(calc.pow(x - μ, 2)) / (
2 * calc.pow(σ, 2)
))
)
#let lognormal(x, μ, σ) = (
1 / (x * σ * calc.sqrt(2 * calc.pi)) * calc.exp(-(
calc.pow(calc.ln(x) - μ, 2)
) / (2 * calc.pow(σ, 2)))
)
#let exponential(x, λ) = λ * calc.exp(-λ * x)
#let gamma(z) = (
(2.506628274631 * calc.sqrt(1 / z)) + (0.20888568 * calc.pow(1 / z, 1.5)) + (
0.00870357 * calc.pow(1 / z, 2.5)
) - ((174.2106599 * calc.pow(1 / z, 3.5)) / 25920) - (
(715.6423511 * calc.pow(1 / z, 4.5)) / 1244160
) * (calc.exp(-calc.ln(1 / z) - 1) * z)
)
#let gammadist(x, α, θ) = (
calc.pow(x, α - 1) * calc.exp(-x / θ) * gamma(α) * calc.pow(θ, α)
)
#let student(x, ν) = (
gamma((ν + 1) / 2) / (calc.sqrt(ν * calc.pi) * gamma(ν / 2)) * calc.pow(
1 + (calc.pow(x, 2) / ν),
(-(ν + 1) / 2),
)
)
#let cauchy(x, μ, σ) = 1 / (calc.pi * σ * (1 + (calc.pow((x - μ) / σ, 2))))
#let beta(x, α, β) = (
calc.pow(x, α - 1) * calc.pow(1 - x, β - 1) / (
(gamma(α) * gamma(β)) / gamma(α + β)
)
)
#let logistic(x) = 1 / (1 + calc.exp(-x))
#let normcdf(x, μ, σ) = (
1 / (
1 + calc.exp(-0.07056 * calc.pow(((x - μ) / σ), 3) - 1.5976 * (x - μ) / σ)
)
)
#let logodds(p) = calc.ln(p / (1 - p))
#let laplace(x, b) = (1 / (2 * b)) * calc.exp(-calc.abs(x) / b)
#let hs(x, λ, τ) = gaussian(x, 0, calc.sqrt(calc.pow(λ, 2) * calc.pow(τ, 2)))
#let f2jacobian(x) = calc.pow(x, -2)
#let f2exponential(x, λ) = λ * calc.exp(-λ * (1 / (x - 1)))
#let shinkragelaplace(x, ρ) = (f2exponential(x, ρ) * f2jacobian(x)) / 100
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/docs/cookery/guide/compiler/ts-cli.typ | typst | Apache License 2.0 | #import "/docs/cookery/book.typ": book-page
#import "/docs/cookery/term.typ" as term
#show: book-page.with(title: "Command Line Interface")
#include "../claim.typ"
The unique feature of `typst-ts-cli` is that it precompiles typst documents into #term.vector-format files. It internally runs #link("https://github.com/typst/typst")[Typst compiler] with `typst.ts`'s exporters.
```ts
// The './main.sir.in' could be obtained by `typst-ts-cli`
// Specifically, by `compile ... --format vector`
const vectorData: Uint8Array = await
fetch('./main.sir.in').into();
// into svg format
await $typst.svg({ vectorData });
// into canvas operations
await $typst.canvas(div, { vectorData });
```
For more usage of #term.vector-format files, please refer to #link("https://myriad-dreamin.github.io/typst.ts/cookery/guide/renderers.html")[Renderers] section.
== Installation
Install latest CLI of typst.ts via cargo:
```shell
cargo install --locked --git https://github.com/Myriad-Dreamin/typst.ts typst-ts-cli
```
Or Download the latest release from [GitHub Releases](https://github.com/Myriad-Dreamin/typst.ts/releases).
== The compile command
=== Typical usage
compile a document to a PDF file and a #term.vector-format file.
```bash
typst-ts-cli compile \
--workspace "fuzzers/corpora/math" \
--entry "fuzzers/corpora/math/main.typ"
```
=== `-e,--entry` option, required
Entry file.
```bash
typst-ts-cli -e main.typ
```
=== `-w,--workspace` option, default: `.`
Path to typst workspace.
```bash
typst-ts-cli -w /repos/root/ -e main.typ
```
=== `--watch` option
Watch file dependencies and compile the document.
```bash
typst-ts-cli compile ... --watch
```
=== `--format` option
compile a document to specific formats.
```bash
# export nothing (dry compile)
typst-ts-cli compile ... --format nothing
# into vector format
typst-ts-cli compile ... --format vector
# into multiple formats at the same time
typst-ts-cli compile ... --format svg --format svg_html
```
=== `--dynamic-layout` option
Please setup the #link("https://github.com/Myriad-Dreamin/typst.ts/tree/main/contrib/templates/variables")[variables] package before compilation.
```bash
typst-ts-cli package link --manifest \
repos/typst.ts/contrib/templates/variables/typst.toml
typst-ts-cli compile ... --dynamic-layout
```
=== `-o,--output` option
Output to directory, default in the same directory as the entry file.
```bash
typst-ts-cli compile ... -o dist
```
=== `--trace` option
Comma seperated options to trace execution of typst compiler when compiling documents:
```bash
# trace events at warning level
typst-ts-cli compile ... --trace=verbosity=0
# trace events at info level
typst-ts-cli compile ... --trace=verbosity=1
# trace events at debug level
typst-ts-cli compile ... --trace=verbosity=2
# trace events at trace level
typst-ts-cli compile ... --trace=verbosity=3
```
=== Example: compile a document with watching dependencies
```bash
typst-ts-cli compile \
-e "fuzzers/corpora/math/main.typ"
--watch
```
=== Example: compile a document into SVG
```bash
typst-ts-cli compile \
-e "fuzzers/corpora/math/main.typ"
--format svg
```
=== Example: compile a document into SVG wrapped with HTML
```bash
typst-ts-cli compile \
-e "fuzzers/corpora/math/main.typ"
--format svg_html
```
=== Example: compile a document into the #term.vector-format
```bash
typst-ts-cli compile \
-e "fuzzers/corpora/math/main.typ"
--format vector
```
=== Example: compile a document into the #term.vector-format containing responsive layouts
```bash
typst-ts-cli compile \
-e "fuzzers/corpora/math/main.typ"
--dynamic-layout
```
== Package commands
=== Example: list packages in `@preview` namespace
```bash
typst-ts-cli package list
```
=== Example: link a package to `@preview` namespace
```bash
typst-ts-cli package link --manifest path/to/typst.toml
```
=== Example: unlink a package from `@preview` namespace
```bash
typst-ts-cli package unlink --manifest path/to/typst.toml
```
== CLI Options
Help:
```bash
$ typst-ts-cli --help
The cli for typst.ts.
Usage: typst-ts-cli [OPTIONS] [COMMAND]
Commands:
compile Run compiler. [aliases: c]
completion Generate shell completion script
env Dump Client Environment.
font Commands about font for typst.
help Print this message or the help of the given subcommand(s)
package Commands about package for typst.
Options:
-V, --version Print Version
--VV <VV> Print Version in format [default: none] [possible values: none, short, features, full, json, json-plain]
-h, --help Print help
```
Package Help:
```bash
$ typst-ts-cli package --help
Commands about package for typst.
Usage: typst-ts-cli package <COMMAND>
Commands:
doc Generate documentation for a package
help Print this message or the help of the given subcommand(s)
link Link a package to local data path
list List all discovered packages in data and cache paths
unlink Unlink a package from local data path
Options:
-h, --help Print help
```
|
https://github.com/cadojo/vita | https://raw.githubusercontent.com/cadojo/vita/main/cv.typ | typst | MIT License | #import "vita.typ": cv
#show: cv.with(
name: "<NAME>",
) |
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/text/shaping-00.typ | typst | Other | // Test separation by script.
ABCअपार्टमेंट
// This is how it should look like.
अपार्टमेंट
// This (without the spaces) is how it would look
// if we didn't separate by script.
अ पा र् ट में ट
|
https://github.com/krestenlaust/AAU-Typst-Template | https://raw.githubusercontent.com/krestenlaust/AAU-Typst-Template/main/report-template/chapters/introduction.typ | typst | MIT License | = Introduction
Getting started with Typst shouldn't be that difficult. The language is pretty similar to JavaScript #footnote([A programming language which is known for its incredible type system!]).
- This is a list item
- This is also a list item
+ This is an enumerated list item
+ This is another one
== Basic Math
Math in Typst, is pretty similar to the way it's done in LaTeX. Here are some basic equations.
The sum of the numbers from
$1$ to $n$ is:
$ sum_(k=1)^n k = (n(n+1))/2 $
This math isn't centered:
// No spaces around the $-signs
$x=123+123$
This is:
#figure(
rect[$ delta "if" x <= 5 $],
caption: [This is an equation as a figure *with* a border]
) <math:borderedEquation>
#figure(
[$ f(x) = (x + 1) / x $],
caption: [This is an equation as a figure *without* a border]
) <math:simpleEquation>
The math in @math:simpleEquation is referenced right here.
=== Matrices
This is an example of a matrix:
$ mat(
1, 2, ..., 10;
2, 2, ..., 10;
dots.v, dots.v, dots.down, dots.v;
10, 10, ..., 10;
) $
== Sources & bibliography
To add a source, you just have to reference your `.bib` file like the following anywhere in a document:
```typst
#bibliography("sources/sample.bib")
```
In this project it is located in `main.typ`. Once a source is included as shown above, it can be referred the same way a figure is referred: `@einstein` @einstein. A reference only shows up in the bibliography section, if it has been mentioned at least once.
== Getting Started
You can start by modifying this template, or using the empty report template.
=== Write Typst Collaboratively
You can use #link("https://typst.app/")[Typst.app] to write collaboratively. Just download #link("https://github.com/krestenlaust/AAU-Typst-Template/")[this project] as zip, and upload either template to the empty typst project:
- main.typ
- template.typ
- (folder) AAUgraphics
- (folder) chapters
- (folder) sources
== Other Functions
This is the lorem ipsum function, it can be useful to get a sense of the layout:
#lorem(20)
|
https://github.com/LugsoIn2/typst-htwg-thesis-template | https://raw.githubusercontent.com/LugsoIn2/typst-htwg-thesis-template/main/main.typ | typst | MIT License | #import "lib/htwgThesis.typ": *
#import "lib/utils.typ": todo
// ----- ------------------ ---
// --- your Thesis Metadata ---
#let lang = "de" // "de" or "en"
#let title = "Deine spannende Thesis"
#let degree = "Master" // Bachelor or Master
#let program = "Informatik" // your student program
#let supervisor= "Prof. Dr. <NAME>"
#let advisors = ("<NAME>",)
#let author = "<NAME>" // your name
#let studentnumber = "123456"
#let authormail = "<EMAIL>"
#let location = "Konstanz"
#let startDate = datetime(day: 1, month: 1, year: 1970)
#let submissionDate = datetime(day: 1, month: 1, year: 1970)
#let birthdate = datetime(day: 01, month: 01, year: 1970)
#let birthplace = "Musterort"
#let companySentence = "an der HTWG-Konstanz" // see declarationOfHonour
// ----- ------------------ ---
// ----- template setting -----
#let physicalPrint = true // this adds more empty pages
#let citeStyle = "ieee"
#let show_appendix = true
#let show_glossary = true
#let show_list_of_tables = true
#let show_list_of_figures = true
#let appendicesList = (
("Anhang B: " + lorem(1), include("/appendix/appendix_example1.typ")),
("Anhang B: " + lorem(1), include("/appendix/appendix_example1.typ")),
)
// ----- ------------------ ---
#set document(title: title, author: author)
#show: htwgThesis.with(
lang: lang,
title: title,
degree: degree,
program: program,
supervisor: supervisor,
advisors: advisors,
author: author,
studentnumber: studentnumber,
authormail: authormail,
location: location,
startDate: startDate,
submissionDate: submissionDate,
birthdate: birthdate,
birthplace: birthplace,
companySentence: companySentence,
show_appendix: show_appendix,
show_glossary: show_glossary,
show_list_of_tables: show_list_of_tables,
show_list_of_figures: show_list_of_figures,
appendices: appendicesList,
citeStyle: citeStyle,
physicalPrint: physicalPrint
)
// ----- ------------------ ---
// ----- ------------------ ---
// -- Include your Chapters ---
#include "chapters/examples.typ"
#include "chapters/ipsum.typ"
|
https://github.com/Dherse/masterproef | https://raw.githubusercontent.com/Dherse/masterproef/main/masterproef/parts/6_future_work.typ | typst | #import "../ugent-template.typ": *
= Future work <sec_future_work>
This section will give short introductions to some of the interesting research
topics and areas that are related to PHÔS.
== Implementation
As of writing this thesis, @phos is still very much in its infancy. While the
first two elements of its compilation pipeline are implemented, many of its
components need implementation. However, this document outline in great detail
what each component should do and how they should generally do it. This means
that the implementation of @phos is mostly a matter of time and effort.
== Dependent types & refinement types <sec_refinement_types>
#udefinition[
*Dependent types* are types that depend on values. For example, in the case of
@phos, they could depend on an argument such as the centre wavelength of a
filter.
]
#udefinition[
*Refinement types* are types that are refined by predicates. In the case of
@phos, they could be used to refine the types using constraints.
]
One potential improvement to the @phos language is the use of dependent and
refinement types. Together, this would allow the typing of different
synthesisable blocks to be stronger and have stronger guarantees over the
validity of the design. While @phos already implements those partly in its
current architecture, they are not integrated as part of the types, instead
being additional values carried by the types. In its current design iteration,
this means that the compiler is limited on the complexity of the constraint it
can properly verify. This limitation can be lifted by integrating dependent and
refinement types as part of the type system, where constraints would be part of
the type definition, and the compiler could fully verify them at compile time,
further verifying the user's design. However, refinement types, in particular,
are not trivial to implement and would require a lot of work and research to be
appropriately integrated into the language.
== Advanced constraint solving & constraint inference
In its current iteration, the constraint system cannot infer new constraints,
only existing ones. This means that a circuit that behaves as a filter must be
manually annotated with a filter constraint to be recognised as one. This is a
limitation that may be able to be lifted by being able to infer new constraints
rather than just existing ones. This would allow the compiler to recognise more
complex circuits without the user annotating them as much manually. This could
be implemented by automatically running frequency domain analysis over portions
of the code, using a set of predefined rules to infer constraints from the
circuit's structure, using machine learning to infer constraints from the
circuit's structure, or using a combination of those methods. This area also has
the potential for new and interesting research with applications outside of
photonics.
== Co-simulation with digital electronic
While it is not implemented yet, it would be relatively easy and interesting to
interface the constraint solver with digital electronic simulation. This could
be done with a tool such as _Verilator_ and by using an event-driven simulation
model. The constraint solver could run until a digital event is triggered, such
as the rising edge of a clock, and then the digital simulation would be run, at
which point the constraint solver would be running again, taking into effect the
changes done by the digital simulation. This would continue as long as the
simulation is running. This would allow the co-simulation of @phos code with
digital electronic and would allow the simulation of larger parts of a system.
== Place-and-route
While algorithms for routing photonic components on photonic processors have
been created, there are no complete place-and-route solutions for photonic
processors.
== Programming of generic photonic circuits <sec_phos_generic>
This thesis is mostly focused on photonic processors. However, @phos can be used
for the creation of generic photonic circuits. Replacing the platform-support
package with a photonic development kit would allow the user to create any
circuit. This development kit would then interface with a manufacturer's PDK,
allowing the user to create custom chips from their design. Some parts of the
design would need to be done externally, such as placement, but there are
already tools for that, such as _Luceda's IPKISS_. This is made especially easy
through the marshalling library, discussed in @sec_marshalling, which allows the
user to easily interface with a _Python_-based PDK.
== Language improvements <sec_lang_improvements>
Several language improvements and additions should be made to make development
easier, such as adding error handling, generics, bitflags, macros, reflection,
meta programming, algebraic effects, incremental compilation, and more. This
section will briefly introduce each of those topics and how they could be used
in @phos.
==== Bitflags
Bitflags are similar in principle to enumerations, but they allow for more than
one value to be set at a time. This is useful for the creation of flags,
replacing a list of booleans with a single value containing all of the boolean
values, each encoded on one bit.
==== Generics
Generics were discussed in @sec_typing under the more formal name of
polymorphism. Currently, the @phos design does not involve generics for
simplicity. However, due to the complexity of the type system, generics would be
very useful and would allow for less "magic" functions, such as `map` which can
take any type. This would allow the user to implement complex polymorphic
functions themselves rather than being forced to defer to implementation within
the compiler.
==== Traits and type classes
If generic types were to be implemented, traits would need to also be
implemented; traits define a set of functions that a type must implement to be
considered to implement the trait. This is similar to interfaces in
object-oriented programming, but with the difference that traits can be
implemented on types that are not defined in the same module as the trait. This
is useful for the creation of generic functions that can be used on any type
that implements the trait. This can be done rather easily be relying on _Rust_'s _Chalk_ library,
which is a trait solver @chalk.
==== Error handling
Currently, @phos has no facilities for evaluation errors, this is an oversight,
and an error-handling model must be added. This could be done with a `Result`
type or with exceptions. The advantage of the `Result` type is that it is
explicit and that it forces the user to handle the error, while the advantage of
exceptions is that they are implicit. However, having a `Result` type would
require generics to be implemented first, as it would need to be generic over
the value and error types.
==== Macros and reflection
It was discussed @sec_ast_desug, that @phos could benefit from macros. Macros
are functions called by the compiler during compilation that transform the input
@ast into a new @ast. They can be used to generate complex code from simpler
code. However, @phos could also benefit from compile-time reflection, allowing
the user to write compiler plugins that can introspect and modify the program
while it is compiling. It could be used to have the same effect as macros but
would be much more capable, as it would allow the user to introspect the program
and modify it rather than just transform the @ast.
==== Incremental compilation
Currently, @phos does not support incremental compilation. This is a limitation
that should be lifted. Incremental compilation is the ability to only recompile
the parts of the program that have changed rather than recompiling the whole
program. However, in the case of @phos, compilation is not the slowest part of
the process, and it would be useful to be able to perform increment
place-and-route, rather than just incremental compilation. This could make the
development of large circuits much faster by reusing the placement and routing
of unchanged circuit parts. |
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/unichar/0.1.0/ucd/block-2E80.typ | typst | Apache License 2.0 | #let data = (
("CJK RADICAL REPEAT", "So", 0),
("CJK RADICAL CLIFF", "So", 0),
("CJK RADICAL SECOND ONE", "So", 0),
("CJK RADICAL SECOND TWO", "So", 0),
("CJK RADICAL SECOND THREE", "So", 0),
("CJK RADICAL PERSON", "So", 0),
("CJK RADICAL BOX", "So", 0),
("CJK RADICAL TABLE", "So", 0),
("CJK RADICAL KNIFE ONE", "So", 0),
("CJK RADICAL KNIFE TWO", "So", 0),
("CJK RADICAL DIVINATION", "So", 0),
("CJK RADICAL SEAL", "So", 0),
("CJK RADICAL SMALL ONE", "So", 0),
("CJK RADICAL SMALL TWO", "So", 0),
("CJK RADICAL LAME ONE", "So", 0),
("CJK RADICAL LAME TWO", "So", 0),
("CJK RADICAL LAME THREE", "So", 0),
("CJK RADICAL LAME FOUR", "So", 0),
("CJK RADICAL SNAKE", "So", 0),
("CJK RADICAL THREAD", "So", 0),
("CJK RADICAL SNOUT ONE", "So", 0),
("CJK RADICAL SNOUT TWO", "So", 0),
("CJK RADICAL HEART ONE", "So", 0),
("CJK RADICAL HEART TWO", "So", 0),
("CJK RADICAL HAND", "So", 0),
("CJK RADICAL RAP", "So", 0),
(),
("CJK RADICAL CHOKE", "So", 0),
("CJK RADICAL SUN", "So", 0),
("CJK RADICAL MOON", "So", 0),
("CJK RADICAL DEATH", "So", 0),
("CJK RADICAL MOTHER", "So", 0),
("CJK RADICAL CIVILIAN", "So", 0),
("CJK RADICAL WATER ONE", "So", 0),
("CJK RADICAL WATER TWO", "So", 0),
("CJK RADICAL FIRE", "So", 0),
("CJK RADICAL PAW ONE", "So", 0),
("CJK RADICAL PAW TWO", "So", 0),
("CJK RADICAL SIMPLIFIED HALF TREE TRUNK", "So", 0),
("CJK RADICAL COW", "So", 0),
("CJK RADICAL DOG", "So", 0),
("CJK RADICAL JADE", "So", 0),
("CJK RADICAL BOLT OF CLOTH", "So", 0),
("CJK RADICAL EYE", "So", 0),
("CJK RADICAL SPIRIT ONE", "So", 0),
("CJK RADICAL SPIRIT TWO", "So", 0),
("CJK RADICAL BAMBOO", "So", 0),
("CJK RADICAL SILK", "So", 0),
("CJK RADICAL C-SIMPLIFIED SILK", "So", 0),
("CJK RADICAL NET ONE", "So", 0),
("CJK RADICAL NET TWO", "So", 0),
("CJK RADICAL NET THREE", "So", 0),
("CJK RADICAL NET FOUR", "So", 0),
("CJK RADICAL MESH", "So", 0),
("CJK RADICAL SHEEP", "So", 0),
("CJK RADICAL RAM", "So", 0),
("CJK RADICAL EWE", "So", 0),
("CJK RADICAL OLD", "So", 0),
("CJK RADICAL BRUSH ONE", "So", 0),
("CJK RADICAL BRUSH TWO", "So", 0),
("CJK RADICAL MEAT", "So", 0),
("CJK RADICAL MORTAR", "So", 0),
("CJK RADICAL GRASS ONE", "So", 0),
("CJK RADICAL GRASS TWO", "So", 0),
("CJK RADICAL GRASS THREE", "So", 0),
("CJK RADICAL TIGER", "So", 0),
("CJK RADICAL CLOTHES", "So", 0),
("CJK RADICAL WEST ONE", "So", 0),
("CJK RADICAL WEST TWO", "So", 0),
("CJK RADICAL C-SIMPLIFIED SEE", "So", 0),
("CJK RADICAL SIMPLIFIED HORN", "So", 0),
("CJK RADICAL HORN", "So", 0),
("CJK RADICAL C-SIMPLIFIED SPEECH", "So", 0),
("CJK RADICAL C-SIMPLIFIED SHELL", "So", 0),
("CJK RADICAL FOOT", "So", 0),
("CJK RADICAL C-SIMPLIFIED CART", "So", 0),
("CJK RADICAL SIMPLIFIED WALK", "So", 0),
("CJK RADICAL WALK ONE", "So", 0),
("CJK RADICAL WALK TWO", "So", 0),
("CJK RADICAL CITY", "So", 0),
("CJK RADICAL C-SIMPLIFIED GOLD", "So", 0),
("CJK RADICAL LONG ONE", "So", 0),
("CJK RADICAL LONG TWO", "So", 0),
("CJK RADICAL C-SIMPLIFIED LONG", "So", 0),
("CJK RADICAL C-SIMPLIFIED GATE", "So", 0),
("CJK RADICAL MOUND ONE", "So", 0),
("CJK RADICAL MOUND TWO", "So", 0),
("CJK RADICAL RAIN", "So", 0),
("CJK RADICAL BLUE", "So", 0),
("CJK RADICAL C-SIMPLIFIED TANNED LEATHER", "So", 0),
("CJK RADICAL C-SIMPLIFIED LEAF", "So", 0),
("CJK RADICAL C-SIMPLIFIED WIND", "So", 0),
("CJK RADICAL C-SIMPLIFIED FLY", "So", 0),
("CJK RADICAL EAT ONE", "So", 0),
("CJK RADICAL EAT TWO", "So", 0),
("CJK RADICAL EAT THREE", "So", 0),
("CJK RADICAL C-SIMPLIFIED EAT", "So", 0),
("CJK RADICAL HEAD", "So", 0),
("CJK RADICAL C-SIMPLIFIED HORSE", "So", 0),
("CJK RADICAL BONE", "So", 0),
("CJK RADICAL GHOST", "So", 0),
("CJK RADICAL C-SIMPLIFIED FISH", "So", 0),
("CJK RADICAL C-SIMPLIFIED BIRD", "So", 0),
("CJK RADICAL C-SIMPLIFIED SALT", "So", 0),
("CJK RADICAL SIMPLIFIED WHEAT", "So", 0),
("CJK RADICAL SIMPLIFIED YELLOW", "So", 0),
("CJK RADICAL C-SIMPLIFIED FROG", "So", 0),
("CJK RADICAL J-SIMPLIFIED EVEN", "So", 0),
("CJK RADICAL C-SIMPLIFIED EVEN", "So", 0),
("CJK RADICAL J-SIMPLIFIED TOOTH", "So", 0),
("CJK RADICAL C-SIMPLIFIED TOOTH", "So", 0),
("CJK RADICAL J-SIMPLIFIED DRAGON", "So", 0),
("CJK RADICAL C-SIMPLIFIED DRAGON", "So", 0),
("CJK RADICAL TURTLE", "So", 0),
("CJK RADICAL J-SIMPLIFIED TURTLE", "So", 0),
("CJK RADICAL C-SIMPLIFIED TURTLE", "So", 0),
)
|
https://github.com/dyc3/senior-design | https://raw.githubusercontent.com/dyc3/senior-design/main/user-interviews.typ | typst | = User Interviews <Chapter::UserInterviews>
== Interview Template
User: \\
Interviewer:
*Do you often share videos with your friends?*
*Have you ever watched videos with your friends?*
*Tell me about the last time you had a watch party.*
*How do you feel about OTT as a platform?*
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
*Do you use permanent rooms?*
*Would you say that using permanent rooms are more convenient than temporary rooms?*
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
*If OTT kept having problems, would you continue to use it?*
#pagebreak()
== Interview: <NAME>
User: <NAME> (Friend)\\
Interviewer: <NAME>
*Do you often share videos with your friends?*
Yes, frequently, multiple times per week.
*Have you ever watched videos with your friends?*
Yes.
*Tell me about the last time you had a watch party.*
Last night when we were watching those documentaries on OTT.
*How do you feel about OTT as a platform?*
I like it. It's simple and easy to use. Other platforms are too complicated, and filled with ads.
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
I haven't used it frequently enough to encounter many problems like that.
*Do you use permanent rooms?*
Yes.
*Would you say that using permanent rooms is more convenient than temporary rooms?*
Yes, it's more convenient to have a dedicated space for my friends and me to gather and watch videos together. But it depends on the situation. If I'm just sharing a video with a random friend, I'll use a temporary room.
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
If OTT is down, I would use another service.
*If OTT kept having problems, would you continue to use it?*
It's different because I know you, so I would be more likely to continue using it. But if it was a service I didn't know, I would probably stop using it.
#pagebreak()
== Interview: <NAME>
User: <NAME> (Friend, Student at Stevens Institute of Technology)\\
Interviewer: <NAME>
*Do you often share videos with your friends?*
Somewhat often, depends on the type of content. I don't share long videos often, usually just share short videos.
*Have you ever watched videos with your friends?*
Yes.
*Tell me about the last time you had a watch party.*
Last time we had a watch party was a couple nights ago. Watched an anime, had some popcorn. After each episode, we talked about it and gave our thoughts. The last time I had an online watch party was in a Discord call. We were just watching music videos together through the Discord Youtube activity.
*How do you feel about OTT as a platform?*
I think it's a pretty cool idea as a platform. I can see a clear use case for it. Works better than Discord. Very responsive, well thought out. I think it's good at what it's trying to do.
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
I haven't encountered any of those problems, or experienced any issues when I was using it.
*Do you use permanent rooms?*
I didn't try to make a permanent room.
*Would you say that using permanent rooms are more convenient than temporary rooms?*
Yes, if you use OTT often. If you use it a few times a week or month, having a permanent room with certain settings would be more convenient. But if you don't use it often a temporary room would be quicker.
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
Probably would use Discord voice chat. I'd stream the video on Discord and watch it that way.
*If OTT kept having problems, would you continue to use it?*
No, because other platforms or services that are similar enough exist already like the Discord Youtube activity and screensharing. They don't work as well as OTT, but they work well enough that if there were problems with OTT I would use those instead.
#pagebreak()
== Interview: <NAME>
User: <NAME> (Friend, Student at Stevens Institute of Technology) \\
Interviewer: <NAME>
*Do you often share videos with your friends?*
A lot, probably send my friends a ton of videos. Like a few times a week.
*Have you ever watched videos with your friends?*
Yes, less often than sharing them though.
*Tell me about the last time you had a watch party.*
Last online party, me and my friends were watching Nintendo Direct on Youtube together. We were all watching separately though and we were messaging each other about it. We didn't have a way to watch all together at the time, Discord was being weird.
*How do you feel about OTT as a platform?*
I think it's really cool, I like that it's easy to input videos and it's useful to have playlists. I don't know many other video sharing websites that have that feature. I like that you can sign in with your Discord account. Like that it supports many video platforms like Youtube, Vimeo. It's a good utility tool.
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
I haven't used it that much but I didn't face any problems.
*Do you use permanent rooms?*
Yes, seems neat.
*Would you say that using permanent rooms are more convenient than temporary rooms?*
Yes. If you're doing it with a consistent group, everyone is aware of the same link so you don't have to keep sending links. And rules are more consistent so you don't have to adjust the settings every time.
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
I would probably use Discord.
*If OTT kept having problems, would you continue to use it?*
If there were consistent problems, probably not. There are a lot of video sharing platforms out there. If the problems were fixed, I'd probably go back.
#pagebreak()
== Interview: <NAME>
User: <NAME> (Friend, Student at Stevens Institute of Technology) \\
Interviewer: <NAME>
*Do you often share videos with your friends?*
Yes. Depends, like once a day.
*Have you ever watched videos with your friends?*
Yes.
*Tell me about the last time you had a watch party.*
If we're talking in-person, those happen all the time. If we're talking online, probably on Discord, somebody was streaming what they were watching. It's usually impromptu.
*How do you feel about OTT as a platform?*
I think it's an interesting idea. Having the ability to have synchronized rooms is cool, there are extensions exists for that but they can be kinda janky.
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
I haven't used it enough. N/A
*Do you use permanent rooms?*
Yes, if there was the same group of people I'd share it with or just need to share a video with a couple of people.
*Would you say that using permanent rooms are more convenient than temporary rooms?*
They're around equally convenient, there's benefits and drawbacks to both.
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
Probably just use Discord, or sent them the video and wait for them to respond.
*If OTT kept having problems, would you continue to use it?*
Probably not, if there were constant issues I probably wouldn't use it.
#pagebreak()
== Interview: <NAME>
User: <NAME> (Friend)\\
Interviewer: <NAME>
*Do you often share videos with your friends?*
Yes, I do. Very much, all the time.
*Have you ever watched videos with your friends?*
Yes.
*Tell me about the last time you had a watch party.*
I was in Discord voice channel, I streamed a funny ROBLOX video and then they showed me an Overwatch video.
*How do you feel about OTT as a platform?*
Honestly, it looks pretty fine. Only thing I would say is that instead of adding videos on the bottom, it would be nice if it was on the side instead so you wouldn't have to stop watching the video to scroll down.
*How often do you encounter problems with OTT? Specifically, down time, losing room state, or unresponsiveness.*
None.
*Do you use permanent rooms?*
Yeah.
*Would you say that using permanent rooms are more convenient than temporary rooms?*
Yeah, long term it would be way more convenient.
*If you wanted to watch a video with a friend, but OTT was not available, what would you do?*
I would proceed to stream on Discord.
*If OTT kept having problems, would you continue to use it?*
I would bookmark it, and come back eventually to see if it was fixed. I'd come back and check again 3 times and if it wasn't fixed by then I would probably drop it.
== Conclusions from Interviews
- Users are likely to permanently switch to a different platform if OTT is down for too long or too frequently.
- Users are more likely to use permanent rooms if they use OTT long term. |
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/041%20-%20Kaldheim/002_Know%20Which%20Way%20the%20Wind%20Is%20Blowing.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Know Which Way the Wind Is Blowing",
set_name: "Kaldheim",
story_date: datetime(day: 08, month: 01, year: 2021),
author: "<NAME>",
doc
)
#emph[Note: This is Part 1 of a two-part story to be continued. . .]
Seal fat, salted meat, and cook smoke permeated the air of the longhall, sheltering at least a hundred warriors of stone and sea. There was no sun or moon in Kaldheim, and its nights were growing longer. The faint light from staves carved like oars or shark fins, runestone charms, and the banked glow of brazier fires glinted off <NAME>'s new breastplate and pauldrons—as though the athlete carried the summer sky with them even in this frozen place.
#figure(image("002_Know Which Way the Wind Is Blowing/01.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Niko rolled the round stone between brown fingers, estimating its weight. The sailors were from another clan. Blue tattoos ran in concentric circles along their faces and arms, rippling like the sea as they cast bets and doubt upon Niko's skill.
Seven warriors arranged in a V at the far end of the table, holding out their drinking horns, grinning and grimacing. Only one sailor protected her eyes.
To the poised athlete's left, Kjell, a brown-skinned Kannah mystic, tugged at the snow fox pelts draped over his broad shoulders, the chain of green runestones around his neck casting an eerie glow over the white fur. The silver cuffs in his braided beard clicked as he spoke. "Three hits then dead center!"
To those gathered, a bet. To Niko, instructions. Niko slid their boot back along the packed-dirt floor and threw, their long limbs aligned and precise. The stone bounced off one drinking horn, skipped across an iron plate, hit another drinking horn, then landed with a plop in the drink of the blue-cloaked sailor at the far end of the table. She pursed her lips and fished the stone out while the others laughed and cheered.
"Well-played, you two," she said. "The armor's yours."
Niko spread their hands and bowed, wearing their winnings—a mismatched assortment of the peace gifts exchanged between the Kannah and Omenseekers to bless their arrival at Jutmaw.
The outpost itself, a neutral area between the sea and the forests, had been built, burned, and rebuilt several times, the charred stone foundations standing like broken teeth just above the shore. The only buildings left standing were the Jutmaw longhouse, smokehouse, and a dilapidated stable that itinerant trappers used for shelter.
The others moved off toward the massive hearth where a fire burned at the far end of the longhouse, and Kjell pressed a stone cup of something warm into Niko's hand. "I should have made it harder for you."
"Upside down, next time?" Niko suggested.
"And reciting the saga of Egil Seventree—do they know Seventree in the lost realms? Never mind, I'll teach you. How's the fit? How does it feel?"
Better than trekking across frozen tundra for two weeks on the back of a giant bear. Better than a pile of musty furs over the thin chiton and sandals Niko had arrived in. Better than being cornered by an agent of fate in one moment, then stepping through the dizzying kaleidoscope of color and sound to this place, to freedom.
"Feels great," said Niko. They smoothed down the front of their armor, a fur-lined gambeson under a leather coat with embedded steel plates, joining at a wide war-belt. Their fine indigo chiton had been repurposed and affixed to the sides like a trophy of Theros and the life Niko had left behind. After exhaustive debate, and maps sketched in the dirt that neither could reconcile, Kjell concluded that Theros was a lost realm of Kaldheim; a branch snapped from the World Tree.
They drained their cup. "How long until we move on?"
"We hold until <NAME> calls the end of frith," Kjell muttered. "I'll prod him along before winter starts to bite, don't worry." He gestured toward the corner claimed by the Kannah, the bear-warriors sitting atop the table and benches as though it were a rocky outcrop. Even at rest, the Kannah were as rugged as the land, bristling with weapons and fur-lined armor, loping from their corner to the spitted boar and back like the great white bears they rode. Niko had fallen into their path by accident, swept up into the living avalanche, clothed and fed without question. Kjell, as the Kannah auger and land-reader had mentored Niko every step of the way, just as he had guided twenty bear riders from their forest on this urgent mission.
"Frith is guest-rights?" asked Niko.
"If we were in our own territory, yes. But abroad, peace or truce." The playfulness from the betting had hardened into something more serious.
Winter itself hounded them. Whenever a Kannah left their forest, soft snows followed, then hail and thunder, until spears of ice forced the Kannah to return or perish. The old gods' curse that the new gods ignored, and as long as the Kannah stayed in their lands, those around them were safe. But some things were worse than curses.
Kjell leaned his glowing rune-staff against the edge of the table. "Orhaft Stoneback is a Vedrune, the Omenseeker word for a rune-priest, and a wary one at that. Xe wouldn't have landed xer ship here if xe thought winter would trap xer people or prevent their departure. Fynn might stall, though—wouldn't be the first time he's used our curse as leverage in a conflict."
"You'd intentionally bring winter down on the uncursed?" Niko asked.
Kjell shook his head. "We're here for council, not war. Frith demands you share food and a roof with anyone who asks. Maybe we posture a bit. Show off for the gods, but no worse. You never know if the beggar you snub might be Alrund in disguise."
Kjell had explained Alrund as the god of wisdom, though Niko had difficulty imagining a humble god. Ephara shared her wisdom for the good of all but would never demean herself by hiding among mortals. Even in rougher places like Akros, the god Keranos's epiphanies came like flashes of lightning to quicken the mind and produce results—he had no patience for tricks and tests.
"Your gods just show up? Without ceremony?" Niko asked.
The dull roar of talk and laughter flared as a woman with long braids took up a seat by the hearth.
"So they say. Or maybe it's just a story to keep us polite."
Niko twitched their metallic blue hair out of their eyes. "Which is true?"
"Both. Eat quick, then we'll see to the bears."
#figure(image("002_Know Which Way the Wind Is Blowing/02.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Members of named and unnamed clans made their way through the longhouse, sliding slabs of meat onto plates with belt-knives, adding more wood to the braziers, and refilling jugs of sweet warm drinks. The tables and benches scattered around the hall began to empty as the sailors, warriors, hunters, and trappers clustered near the hearth to hear the woman's tale. The quieter the hall, the easier it was for Niko to make out her words, deep and rich with their own music.
"~Storm-black wings spread wide, casting shadow and scorn over the battle swirling around Th<NAME>-Rend. Thura would not escape death that day, for only death draws the attention of the Valkyries~"
Fifteen people, wearing patchwork furs, thick but fraying robes, and worn armor, sat rapt in a tight cluster around the storyteller, her hands spread, braids lustrous in the firelight, and her bright amethyst eyes like twin stars set in the shadow of her silhouette.
"~But Valkyries fly always as a pair, and Sail-Rend knew her choice: defile her blade with the blood of family or earn a place of honor in Starnheim. Once-friend, once-brother, Kinkiller emerged from the dust and smoke frothing like a beast, his clan marks scarred and smeared beyond recognition—and Sail-Rend~dropped her weapon~"
Beyond the rapt audience, scattered clusters of people slowed what they were doing to listen. Fresh-faced teenagers stopped tapping the bone pieces in their game of nine-grid. Hale elders chuckled conspiratorially while they pulled meat from a spitted boar.
"~Kinkiller leapt—Sail-Rend lunged, and the two fought with a viciousness only family can ever know. Finally, Sail-Rend wrenched Kinkiller's sword from him, threw him to the ground, and sank his own betrayer's blade through his heart and down into the earth upon which she swore~"
Niko nabbed a half-finished plate of smoked meat from another Kannah, too absorbed to object. Beneath the forest of boots and weapons, a large gray cat caught Niko's attention. Under its thick and fluffy coat, it looked as large and formidable as the gathered warriors. Azure light whispered from Niko's hand, and a tiny mirror formed in their palm. With one precise throw, they slid it toward the cat. The cat's ears perked, it pounced—and the mirror disappeared.
"~Her family avenged, and the waves of blood-rage stilling to a calmer sea, Sail-Rend sank to her knees; for each pound of her heart, the poison in her veins bit deeper~"
The cat lashed its tail, sniffing, and Niko tossed another mirror. It pounced and batted at the slip of silver before it disappeared. Niko tossed a third mirror. The cat sniffed warily, lifted a paw to strike—and Niko conjured another—causing the toy to disappear once again. The cat tensed, sniffed the bright spot of light Niko reflected onto the floor, squinted at Niko, and sauntered over.
"~<NAME>, <NAME>athkeeper, <NAME>-breaker, fell dead. The two Valkyries spread their wings, conferring over her great deeds, her triumphs and failures~"
Niko held the mirror out for the cat to sniff. The cat purred, curled its lip back to nuzzle one fang against Niko's finger, but before Niko could give it a scritch, the cat took the mirror in its teeth and ran under a less occupied table to enjoy its prey. Niko called their magic back, and the mirror shattered harmlessly and disappeared.
"~Answering the question that coats all dead tongues. The traitor, to Istfell; but the brave—she had earned her place in Starnheim." The throng around the storyteller cheered, raised their drinks to her, and drank deeply.
The cat looked from the bare ground to Niko, betrayed.
#figure(image("002_Know Which Way the Wind Is Blowing/03.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Niko chuckled, smoothed a finger over the square of stubble on their chin, and looked up. The storyteller was watching them.
The storyteller took a small bowl from the fire and asked someone to collect fresh snow. An admirer practically tripped over herself to obey. The storyteller brushed past her and instead made a beeline for Niko.
Kjell shooed the other Kannah out of their seats with a stern look as the storyteller arranged herself on the bench across from Niko without waiting to be invited, summer in her smile. "Much longer in front of that hearth and I'd crisp like the boar." She sized Niko up then tossed the question to Kjell. "Long journey, augur?"
Kjell sat easy at Niko's side, but the playful edges of his voice softened, wary as a rabbit under an eagle's shadow. "Any journey ending with such beauty before me is worth the distance."
She snorted. "How often do you practice that line?"
"Every day. The bears love it."
"Yes, I've heard that about the Kannah," she said, and chuckled. When the admirer returned with the warm bowl of snow, it was mostly melted. She placed it on the floor by the bench where it wouldn't get kicked. "Threat!"
Niko tensed, ready to summon silver, but the cat came mewing to the bowl at the sound of its name, and the storyteller gave it an affectionate stroke.
"Yours?" Niko asked.
"Jutmaw's. Or maybe the boat's. It was sweet of you to play the mouse for her. I meet many strangers from many places, but never one so uninterested in my stories."
Niko couldn't tell if the storyteller meant the cat or them. Like muscle memory, Niko slipped into the mien reserved for court and other public functions, but before they could offer pleasantries, Kjell slapped an arm over Niko's shoulders.
"Birgi, this is Niko. They are of the Kannah for as long as they ride with us. Niko, this is Birgi, fortune's own gift."
Birgi winked at Niko, and Niko brushed back one metallic lock of hair. "A pleasure."
"Niko bear-rider? Niko ice-foot?" Kjell teased. "Destined for greatness, this one."
They'd had greatness already. An undefeated champion of countless competitions and tournaments, their accuracy with the javelin was unmatched. Back home, they were famous. It was nice to be unknown for a change. "I have proper boots now. #emph[Ice-foot] will have to go to someone else."
"Great deeds birth their own names. Yours will choose for you." Another admirer brought the storyteller a cup of mead and a plate of oily, fragrant smoked fish. She thanked them with a nod, then dug in. "Speaking of great names, I don't see Orhaft among us."
"Orhaft Stoneback is still on xer boat. With Fynn."
There was a small rumble, like a fully laden cart crossing a bridge.
Kjell grinned. "Hear that? Their great work begins!"
Birgi rolled her eyes. "That's an Omenpath, you clam. Don't bore me with the weather. What's Snakehunter's business with the sailors?"
"Bad dreams, sure as Tergrid's own shadow," Kjell replied, "wants an interpretation."
Birgi leaned forward, asking without words.
Kjell did the same, recounting what Fynn had told them both. "Splintered docks over an empty lake, the stink of serpent scales, and the triple-star winks."
"Starnheim~winks?" Birgi whispered.
"Winks #emph[out] ," Kjell finished. "The Cosmos Serpent will break its cage and the first thing it swallows will be the light."
"Whale rot," said Birgi, sitting back. "A young man's dream turned to an old man's regret, that's all."
Kjell spread his hands. "So sure? They say he ripped a scale from the Cosmos Serpent's body and now carries it as a shield. Fynn and Koma are linked. Is it so hard to believe that one would shake the other?"
"I believe that big axe looks pretty across his shoulders," said Birgi. "Why go to Orhaft about it?"
"Maybe Omenseeker magic has a need of serpent-touched blood. Maybe an old debt repaid." Kjell pulled a long, thin fishbone out of his bite and dropped it on the edge of his plate. "Or maybe a threat to Starnheim is a threat to us all."
Kjell's playful demeanor covered a constant state of watchfulness in the service of his people, but <NAME> played no such games. He rode at the head of an avalanche of bear warriors, his massive scale shield fixed to his back, giant axe in one hand and reins in the other, his own mount lichen-green and snorting jets of vapor between black gums. This man commanded bare-shouldered berserkers, shield-warriors, and clerics like Kjell. Such people do not dream, or call for outside help, lightly.
"Why are you telling her all this?" Niko asked Kjell.
"No deed stays quiet for long." Birgi shrugged. "And while you carry no knife, staff, or rune, I don't think you're half as boring as you pretend to be." She swallowed a bite of fish, then grabbed a drinking horn in each hand. "Come little mouse, let's water the bears."
The two of them followed Birgi out of the hall and into the frozen twilight.
#figure(image("002_Know Which Way the Wind Is Blowing/04.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Birgi's boots crunched over slush, grinding dead grass into the mud. "Did you know Orhaft Stoneback earned xer name by getting stabbed and not realizing it for hours?"
Clusters of Omenseeker sailors and Kannah warriors talked quietly in little groups, standing straighter as she passed. In the distance, the bears whuffed.
"Stabbed in the back without puncturing the organs?" said Niko. "I doubt it."
A few Omenseekers sat on petrified stumps just outside the longhall, ruddy-cheeked and arms bare. Birgi handed off one horn, which they passed among themselves, drinking greedily.
"And yet the name stuck, traveled. Became true," said Birgi.
"Those in power embellish their deeds, or their admirers do it for them," said Niko.
Birgi turned, holding the remaining horn out to Niko. "You don't seem a surgeon or an auger, little mouse. Can you look at a scar and know its cause?"
Niko folded their arms. Kjell took the horn instead and sipped, perfunctorily, a polite and unwilling participant in a ritual whose purpose Niko couldn't guess.
"You can't get stabbed in the back and not know," said Niko.
"Not even by accident?" Birgi asked, softly.
A group of Kannah burst through the doors in a wave of raucous laughter, then moved off downwind to yellow the snow.
Niko shook their head. "It's total nonsense."
"Stoneback tells a truer tale than Snakehunter."
Niko looked back. The Omenseeker who had spoken leaned against the longhouse, sweet-faced and thick-shouldered. She met Niko's gaze, then spat into the snow.
Kjell sucked his teeth, taking his time to drain the rest of the horn, sediment and all.
Birgi winked down at Niko. "Ready for the truth, little mouse?"
Fynn's auger addressed the Omenseeker in the dulcet tones of mockery. "What was that? I couldn't understand you through all the fish-piss you've been gargling."
Glancing to the group of Kannah behind them, the Omenseekers rose, advancing on Kjell with their thumbs looped in belts or harness straps where their weapons were stowed. Niko's fingers tingled in their new gloves. Not an overt threat.
Yet.
"My brother crewed Stoneback's ship when the attack happened. He saw the wound." A shorter fellow with eyes like honed steel flicked his gaze toward Birgi, then puffed up and tossed his black hair.
Sweet-face backed him up. "Can Fynn prove what he's claimed?"
"Your brother didn't see rot," Kjell scoffed at Steel-eyes. "Stabbed in the back in xer own bedroom, was it? Show me the mapface boat that has a whole house on it!"
More warriors trickled out of the longhouse and crowded closer, mouths still greasy from the meal. They were all drunk, brought together under bad omens, and their leaders were way out of earshot. Niko moved to intervene, to diffuse the situation—but Birgi touched their shoulder, holding them back.
Steel-eyes's smile was mostly teeth. "You lichen-lickers should take that crusty green mushroom and slink back to the forest where you belong."
The tattoos on Birgi's neck and shoulder shimmered aqua, and her amethyst eyes blazed. "How do you answer that, Kannah?"
A ripple of jeering spread out in the wake of Birgi's call. This caught the attention of the drunk bear-warriors, who trudged up behind the gathering group of sailors. One Kannah with green tattoos that cut sharp angles across her bare shoulders slipped between Kjell and Steel-eyes. The two squared up, but the Omenseeker refused to back down.
"Should I say it again?" said Steel-eyes. "The only serpent Snakehunter's ever fought is his own—"
With a crunch and a spray of blood, the insult died between a Kannah forehead and an Omenseeker face.
Kjell pushed Niko behind him, not for protection, but to clear a path into the fray. Everyone was in it now, knees to guts, elbows to throats, punching and bashing—wild laughter and shouts of pain. A Kannah elbow shot back, cracking another Kannah's teeth before a sailor rushed them, hauled them into the air, and slammed them onto their back. Something flashed in Niko's periphery from the other side of the chaos, and they jerked sideways, dodging a projectile that landed with a sharp #emph[thock] .
Whalebone. An Omenseeker dagger—buried in the wall where Niko's head had been.
Above it all, where the snow was still untouched, Birgi leaned against the charred bones of a stone wall, tattoos shimmering, smiling down at Niko.
Niko froze. Shocked. The Bretagardr had dozens of rules and stories about helping strangers and had formally called frith. Birgi had made this happen. Passed a horn to each side. Pressed Niko to doubt Orhaft's deeds in earshot of the sailors—but why?
Kjell's shout snapped Niko out of it. Across the field he whirled, danced, his staff flashing as he staved off two Omenseekers, and a third advanced toward him.
Niko slid through the slush under blows, pirouetting around axes and daggers. One Kannah jumped between Niko and a blow, bent double, and Niko leapt, rolled across his back, and hit the ground running on the other side.
Niko's palm opened, and fragments of silver coalesced into shards of mirror-glass, trailing a faint blue glow as they spun around Niko like an aura. Niko grabbed a shard in each hand, stretching each into a dagger, and threw with unerring accuracy, one after the other. One after the other, Kjell's assailants were hit in the chest. The mirror trap absorbed its target entirely, leaving a mirrored illusion of their form to shatter into a thousand pieces of glass. To the onlooker, each weapon had decimated its victim; but Niko knew they were safely and painlessly held within the daggers as they struck—each of these spinning harmlessly off into snowbanks at either side.
#figure(image("002_Know Which Way the Wind Is Blowing/05.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
The last attacker missed this spectacle, slashing at Kjell from outside his periphery. Niko reached for another shard when they heard fabric tear and the #emph[snnnick] of slicing meat as the last attacker swiped at Kjell's arm. The auger jerked back, his balance stolen by the mud and slush. In that moment of hesitation, the Omenseeker grabbed him by the hair and slammed his face into her knee.
No dagger this time. A third mirror trap would sap Niko's energy, forcing them to release the first two from their traps far sooner than was safe. Trailing azure light followed as Niko flattened the third mirror into a short, flat, wide spearpoint about the width of their palm.
Kjell spat blood into the snow, stunned and blinking. The Omenseeker smirked down at him, stepped forward to close the distance, and as soon as her foot was off the ground, Niko threw.
Like a stone skipping off a plate, the flat spear slid under the Omenseeker's boot. She slipped and fell hard, smacking her head on the frozen dirt.
With one mirror still circling, giving glimpses of all sides, Niko dived toward Kjell and helped him sit up. He startled, nose and lip bloody but not missing any teeth. Blood flecked his beard and his white fox fur. "Hoo, I'll feel that one tomorrow," he said, more amused than angry. "Did you turn those two into ice?"
"Looks worse than it is, they'll be fine." Niko plucked the Omenseeker's knife from her hand, then caught a flash of something in their last circling mirror. The two traps sparkled in the snow. The last attacker lay prone, groaning softly, and the three of them were separated from the main cluster out by the old stable; but there was something else. Watching.
Perched on the roof behind them, a winged being stood, tall, beautiful, terrible—with dove-gray feathers that radiated moonlight as blue and pure as winter. Yellow hair framed their dark brown face, severe gray eyes watching Niko with interest.
~#emph[For only death draws the attention of the Valkyries.]
#figure(image("002_Know Which Way the Wind Is Blowing/06.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
They were watching to see if Niko would finish the Omenseeker.
Using their eyes, the floating mirror, and the knife blade, Niko searched in all directions at once. In the stories, Valkyries always flew in pairs, and Niko wasn't about to let someone else be taken.
Perched on a boulder pitted by rain and sleet was the Valkyrie's counterpart. This Valkyrie had lighter brown skin and shining black hair braided into long, tidy ropes. His raven-black wings shimmered with waves of agate-green light, his armor blackened where the other's had shone.
Niko swallowed. They were here because someone was going to die.
Kjell was here because his paradise might be in danger.
Niko was here because there was no time to explain.
"Kjell, get her to safety," they said, tossing the bone knife away and palming their last trap.
Kjell didn't ask. He ducked.
In one graceful motion, Niko rose, slid into stance, and hurled a flash of silver at the black-winged one.
The Valkyrie barely had time to turn. The trap hit home right between his wings, shattered the illusion of his body into a thousand mirrored shards—and finished its arc with a soft #emph[chuff] , landing harmlessly in the snow.
The trap was full, but it wouldn't be for long. Without looking back at the gray-winged one, Niko bolted, swiped the shard of Valkyrie from the snowbank, and called back their magic to release the first two traps. Both Omenseekers rolled into the snow, disoriented and unharmed, and Niko syphoned all the power that held them into this final shard, reenforcing its edges on all sides to hold the creature hurling itself against the boundaries within.
Niko ran for the beach, toward the ship. If anyone could get the warriors to stop fighting, it would be their commanders.
Seawater swirled and splashed as Niko vaulted, one-handed, up the side of the boat, tumbled over the side, and rolled to their feet, cradling the shard of Valkyrie.
"Orhaft!" Niko called.
Both elders turned toward the intrusion. Fynn's plate armor clinked despite its cushion of bear pelts, and the green runestones decorating his beard cast an eerie glow against his pink skin.
The Omenseeker was brown-skinned, thick, and solidly built, clutching a staff topped with a wooden blade carved like a whale's fin. Xe had a shaved head and elegant cheekbones set in a broad, beardless face. Xer green and blue robes flowed into a blue cloak, held in place by a necklace of long fangs pulled from some sea-beast. Xer arms and belly were bare, except for the blue circular tattoos that flowed from xer crown to xer fingertips, pale green eyes like landmarks within that topography. This was Orhaft Stoneback, xe of the Kirda Sea and Vedrune of this ship, and xe was not pleased.
"It's you," xe murmured.
"Why are you alone, Niko? Where is Kjell?" said Fynn, stepping between Niko and the golden lines of magic etched in the ship's deck like a chart.
Niko spoke quickly. "They're all fighting—blades out, blood on the snow—some woman goaded them on. You have to stop them!"
"What woman?" Fynn asked.
"Birgi—they've lost their minds," Niko held the shard out like a talisman. Niko felt the black-winged Valkyrie struggle like a hawk battering the bars of a finch's cage, but his efforts made no difference. He pounded on the mirror from within, pale brown eyes sparking with light.
Fynn and Orhaft took Niko's meaning immediately. Valkyries meant death.
"Is it entirely under your power?" Fynn asked.
Niko didn't like the hunger in the way he said #emph[it] . "They're trapped, but they can hear you."
Toward the horizon, where an earthquake had no business being, a rumble like the ocean clearing its throat. Orhaft glanced back, xer staff glowing gold like dawn on another world.
Fynn shouldered his axe in one smooth motion, neither weakened nor slowed by age. "I'll deal with the Skoti. You deal with this." Fynn's eyes lingered on the shard of Valkyrie as he took up his strange shield. "No decisions until I return."
Orhaft grunted an assent.
Fynn vaulted the rail of the ship, spat into the sand, and loped toward the fuss like a bear set to solve a dispute among squirrels.
Niko was about to ask what a Skoti was, but Orhaft sliced through the question. "You capture a Valkyrie and call it keeping frith?"
"I #emph[kept] frith," said Niko, jerking a hand back toward the longhouse where the fighters still swarmed like ants. "I'm the only one who didn't leap into this fight and as far as I can tell I'm the only one trying to stop it."
Thunder purred in the distance, but there were no clouds. "You? Stop Birgi?" Orhaft scoffed. "I could no more stop an Omenpath. And there are more coming."
Kjell had described Omenpaths as the ways between worlds, opening and closing at random like the freeze and thaw of a land bridge. One was good hunting. Two, danger. More, a Doomskar, when clashing realms ripped each other open like a hull and a reef.
"Do you realize what you brought to Fynn? You've done harm, outsider, proving that a Valkyrie can be trapped."
"If it's a choice between a trap or a death—"
"The gods thought that," said Orhaft. "The Cosmos Serpent once traveled freely through all realms, preying on the monsters that make prey of us. Whether the Skoti planned to keep the serpent for other ends, or leave it to grow mad in its cage, those bonds are slipping. Or they've been cut."
"And you think that's my doing?" said Niko.
"It's someone's doing." Orhaft pointed to the images glowing gold on deck, the ebb and flow of symbols both still and shifting, one vision overlaying another, painful to behold. "Fynn Snakehunter wants two things in this world. Koma, and Starnheim. You seem poised to give him both."
"This isn't about conquest, it's about preventing a catastrophe!"
"Snakehunter and I have both seen how it goes—you in Jutmaw, you in Starnheim." Above the churn of warriors, a burst of aurora light fanned out and then disappeared. Orhaft pointed xer chin at the hill. "Where you walk, destruction follows."
"That doesn't mean I'm the cause," said Niko, bitterly.
Another prophecy. Fynn hadn't said a word. Niko didn't know if that was better or worse than their parents, whose faith in Niko's shining destiny made it impossible to voice their doubts. No one ever asked what Niko wanted.
Niko looked down at the shard, nostrils flaring. "I'm not Kannah. I don't serve Fynn, and I'm not an omen. I'm just a person. If you're convinced that destruction follows me, then send me to Starnheim with a warning so they're prepared."
"You want me to kill you?" the Vedrune asked.
"No. I've traveled between worlds before." Niko held up the shard so Orhaft could see the Valkyrie trapped inside. "This being travels back and forth without dying. If there's a chance we can help each other, we have to try."
The Theran held the shard out to the Vedrune.
Orhaft accepted the shard, peering down, xer green eyes reflecting back over the Valkyrie's baleful expression. Niko watched the gears turn in the Vedrune's head, what xe might gain by bartering with death, and the decision xe'd already made before promising Fynn to make none.
Orhaft glanced back up at Niko. "What makes you so sure you can achieve this aim?"
A lifetime of training. An unwavering devotion not to the javelin, but to the prophecy set upon them as a baby: Niko would become champion. But there was no magic behind Niko's skill. Only choice. Niko chose to wake up early each day. Chose to take corrections without complaining—and chose to push beyond what was possible. The prophecy was one path. But what impact could a champion have? Would it mean anything, in the end?
Niko remembered the tournament, the oracle, and what it felt like to choose a different path. "I never miss."
#figure(image("002_Know Which Way the Wind Is Blowing/07.jpg", width: 100%), caption: [Behold the Multiverse | Art by: Magali Villeneuve], supplement: none, numbering: none)
"Then take care you aim at the right target," Orhaft said, archly. "Leave Snakehunter to me. Return to the ship once you've said your farewells. I will give you what you ask for."
"Will this~are you going to kill me?" Niko asked.
"#emph[I] won't. As to what happens on the other side~that's your responsibility."
Niko made their way back across the sand, head full, body light. This was a brutal, cold, and hostile place; and Niko couldn't guess what paradise meant to its people—but to Niko, it hinted at a realm full of beings who traveled regularly among worlds. Maybe they would help Niko understand how to navigate the Omenpaths. There had to be a technique—something to study, practice, perfect; and someone who could teach them how it all fit together.
The longer they looked at the fighters packing their wounds with snow, the clearer it became that Niko wouldn't find that teacher here.
Youths on both sides vociferously scolded by their elders about 'blood-payments' and 'owed for unworthy reasons.' Others kept gesturing to Birgi, 'And in front of the #emph[goddess] ! Shame on you.' Still others laughed about their wounds.
Fynn was nowhere to be seen. Instead, Birgi found Niko first, the hope and pride of would-be heroes rippling in her wake.
"Did you see when I—"
"Birgi, be sure to tell everyone how I—"
"I hope this scars over nice and clear, so everyone will know—"
Birgi was a full head taller than Niko, and a goddess beside, apparently, but Niko didn't care. They shoved her back.
Birgi blinked, the knotwork tattoos at her throat shimmering blue for a moment, then subsiding. For a moment Niko glimpsed something ancient, terrifying, a reservoir of power as deep and dangerous as the conflagration waiting in the embers of the gentlest fire. Birgi's lips parted, and the urge to draw a weapon roiled through Niko. But that was how this fight began. Niko understood that now—understood the nature of Birgi's power, and held it under tight control.
"What kind of god drives their own people to kill each other?" Niko spat.
Birgi leaned in close. "What kind of mortal steals into another world to play with #emph[cats] , when they can do what you do?"
Niko's eyes widened.
"I'm not here to tell you what to do, little mouse. I did this so you may know us. Our joy, our rage—how little lies between. Freedom means nothing unless you know what you risk." She placed a hand over her heart. "If you have the strength to survive us, you can survive anything."
The goddess looked out upon her people, the way they limped, and laughed, and mixed with each other as though the fight had been a game among friends. The zeal in Birgi's smile softened to something like love as she regarded each one of them, from their blades to their bruises, the precious corners of her storyteller's heart like a great sea holding up a flotilla of memories, history, hard-won lessons, and outrageous feats. From the outside, it was madness; but among them, it was hope.
"Kjell's over there, by the way. He's a good storyteller, he knows what I mean."
Kjell approached, looking a little worse for wear. He said something in greeting to Birgi that Niko missed, and Birgi giggled, squeezing his injured arm. He sucked his teeth in pain, swatted at her, and she left to go back inside the longhall.
"Was that really a god?" Niko asked.
"God of brats, oof," said Kjell. He patted his arm, checking the wound where he'd been slashed. Kjell was either a remarkably fast healer or Birgi's squeeze had nudged things along. "But we can't stop her, so we forgive her."
Niko chewed at what Birgi had said. "If I'm honest~I can't tell when she's telling the truth and when she's telling a story."
"Part of the fun. That sailor's safe by the way. Concussion. She'll be fine when she's done tossing her guts. Did you know she's Orhaft's right hand? Good thing you saved her. Her blood price would have been worth all your armor and more. And did you see that burst of light? I think it was the other Valkyrie."
"About that~" Niko blew out a puff of air. Why was this so hard? "Orhaft is going to send me to Starnheim—alive. To warn them."
"It should surprise me that's even possible but~Fynn's vision?"
Niko shrugged. "That's the plan. Both Orhaft and Fynn said it's my fault."
They had known each other two weeks, but he always knew what to say. "You'll prove them wrong."
"Yeah." One corner of Niko's mouth turned up. "You wanna come?" When he didn't answer, Niko licked their lips. "Birgi said I had to know the risks~and that you're a good storyteller."
The Kannah cleric leaned his staff on the stones of an old foundation, the building long since burned and scattered. He watched the lights of Starnheim glitter in the sky as he scoured blood from his hands with clean slush. "You told me that you were destined from birth to be a champion. That you never missed, and that you chose to lose the great games just to find out if you could deny destiny."
Niko frowned.
"Fynn saw you. Said you were a threat. Commanded me to keep you close. Stop you, if needed." Kjell flexed his fingers. "Deep roots, stone veins—they all speak to me. When the sky can't, birds tell the rest. The wind breathes, and I hear—but #emph[I] choose what Fynn hears."
Niko didn't speak. Hardly dared to breathe.
"You chose to spare that sailor, and I chose not to stop you. If you're a threat, my friend, it's not to us." Kjell looked back at Niko. "Prophecy, visions, fate—they're orders with a ring to them. That doesn't make them real."
The words came to Niko's mouth as though planted there by Birgi. "Just a story."
"Just so. I'll stay, make sure Fynn hears what he needs to hear, and I'll see Starnheim when it's my time. As for you"—Kjell gripped Niko's shoulders—"get up there, tell them who you are, then do something crazy."
"Oh, yeah, sure—kick the door in. Punch one in the face."
"Yes!" Kjell beamed, took up his staff with clean hands, and raised it high. "Burst upon them before they can fly away! <NAME>-puncher!"
They laughed, and then embraced, clapping each other on the back. Whatever came next, there would always be safety here; a drink, an ear, solid ground to fall back on.
Unable to find the cat for a final goodbye, Niko left Kjell on the beach and boarded the Omenseeker ship. Fynn gave silent assent by helping push the boat off onto the water where Orhaft's magic would steer its drifting. Aboard, Niko found the Vedrune and the trapped Valkyrie talking in hushed tones, secrets passing between them that only those born to the same place could know. Orhaft revealed only that the black-haired, black-winged Valkyrie's name was Avtyr and that those with dark wings are called reapers.
"You'll be released once Niko has moved through safely," said Orhaft. "By the salt of my blood, and the bow of my ship."
"So witnessed," said the Valkyrie, his commanding tones muffled through the glass. "We see all, <NAME>. We will remember whether you kept your vow this day. Does your charge know the risks? I cannot promise their safe return. No living mortal has ever set foot in Starnheim."
Orhaft looked to Niko, and they nodded their consent.
"Someone has to be first," said Niko.
The Omenseeker ship drifted, slow and steady, over unnaturally placid water. Orhaft raised xer staff, blue tattoos alight with magic, guiding their course toward the rumbling, buzzing edges of an Omenpath about to be born.
Something shivered at the edge of Niko's awareness and then slipped out of their control. The Valkyrie's body was still imprisoned, but his magic, slow and steady as the press of ages, slid like a thousand tiny needles through Niko's hold on him. Niko's heart shot into their throat, this new weakness laid bare; but the Vedrune's oath held where the mirror had failed.
The Valkyrie's magic pierced Orhaft's power—guiding, directing, suffusing the energies. The Omenpath rippled and changed, blue water overlayed with black. Through a haze of magic, skiffs bobbed on black water, the far horizon at slightly the wrong angle. One skiff, like a curious duck, drifted closer to the threshold between worlds.
Niko bounced on the balls of their feet, flexed their fingers, and vaulted the rail. They landed on the far skiff with a splash of water that smelled rich with silt. Their stomach lurched, adjusting to the new angle of "down."
Turning, Niko raised a hand, a thank you and farewell to the Omenseeker Vedrune. To Bretagard. To Kjell.
The Omenpath closed behind them, deep twilight replaced by a bright, pre-dawn sky over mirror-black water. The skiff bumped against a vast network of docks that disappeared into the kind of light that sings of home. Niko climbed out of the boat, straightened their armor, brushed a lock of silver-violet hair out of their eyes, and set out to prove destiny wrong.
Again.
#figure(image("002_Know Which Way the Wind Is Blowing/08.jpg", width: 100%), caption: [<NAME> | Art by: <NAME>], supplement: none, numbering: none)
|
|
https://github.com/lxl66566/my-college-files | https://raw.githubusercontent.com/lxl66566/my-college-files/main/信息科学与工程学院/机器视觉实践/报告/6/6.typ | typst | The Unlicense | #import "../template.typ": *
#show: project.with(
title: "6",
authors: ("absolutex",),
)
= 机器视觉实践 六
== 实验目的
人脸亮牙
+ 增加牙齿区域的亮度和对比度
+ 要求图像亮牙算法具有实时性
+ 要求在实现图像亮牙的同时，保持其它相邻区域（如嘴唇和牙龈）的颜色和对比度不变
== 实验代码
本次实验复用了之前的亮度调整代码，使图片可以在两侧对比查看差异。
具体的原理是
1. 先用 opencv 的 CascadeClassifier 获取脸部区域的图像。我本来想直接使用第三方的 HaarCascades mouth.xml 作为提取级联分类器，结果效果不是很好，而且 opencv 官方只提供了 haarcascade_frontalface_default.xml 作为脸部分类器。所以我选择先提取脸部，然后再调整框选矩形区域，将区域集中在嘴的部分。
2. 然后再逐像素判断牙齿区域的像素。在 RGB 三像素的 max 和 min 中，取 `min >= 13 && max - min <= 60 && max < 120` 的像素，即判断为牙齿区域。这个式子是我从一张现有图片上总结的，但是此计算公式在其他亮度的图片下可能并不适用。
3. 对每个像素的 R，G，B，分别乘以 R，G，B 因子作为新的像素。三个 RGB 因子需要尽可能相同以降低色差，但也可以适当进行微调。代码中使用 R 1.4, G 1.5, B 1.5 作为乘数因子。
实验的 GUI 框架使用浏览器前端，引入了 opencv.js 作为图像处理的绑定。
#include_code("../src/tooth/index.html")
== 实验结果与心得
#figure(
image("res.jpeg", width: 50%),
caption: [效果图],
)
图像分为可拖动的两部分，左边是未处理的图像，右边是处理后的图像，使用红框框选出嘴部区域，并实现亮牙。
亮牙的效果不错，并且图像其他地方的对比度没有变化。但是在嘴唇边缘有一些细小的像素也被加亮了，显得比较突兀，这是因为牙齿检测的算法不够优秀导致的。
还有，在测试过程中发现，如果牙齿框选区域过大，脖子的阴影部分被框选后也会加亮，这不是预期的效果。因此如果需要针对更多的图像 实现亮牙，嘴部区域检测算法也需要加强。 |
https://github.com/AU-Master-Thesis/thesis | https://raw.githubusercontent.com/AU-Master-Thesis/thesis/main/sections/3-methodology/study-3/mod.typ | typst | MIT License | #import "../../../lib/mod.typ": *
#pagebreak(weak: true)
== #study.H-3.full.n <s.m.study-3>
This section outlines the methodology for #study.H-3.prefix. The general approach for integrating global planning with the original approach by@gbpplanner is described in @s.m.global-planning, which completes research objective #boxed(color: theme.green, [*O-3.1.1*]). The results of the carried out method from this section are presented in @s.r.study-3, thus closing off #boxed(color: theme.green, [*O-3.1.2*]) and #boxed(color: theme.green, [*O-3.2.1*]). The motivation for this addition comes by how the robots are pulled along their path. This happens by manually moving the horizon variable along the path at a steady rate, not influenced by how far the robot has actually gotten. With many obstacles, this results in the robots often getting stuck in local minima. These local minima are expected to be avoided when a global planner takes care of the environmental collision avoidance.#footnote[See demonstration video on #link("https://youtu.be/Uzz57A4Tk5E", "YouTube: Master Thesis - Path Tracking vs Waypoint Tracking vs Default").] Furthermore, in an attempt to reduce path deviation, a tracking factor is introduced to the #acr("GBP") structure. The design of which is detailed in @s.m.tracking-factor. This deliberation completes objectives #boxed(color: theme.green, [*O-3.4.X*]), while the results from @s.r.study-3 will provide closure for #boxed(color: theme.green, [*O-3.5.X*]).
// #note.jonas[Is this enough to explain the motivation? Or do we need some evidence like a screenshot or link to a video?]
#include "global-planning.typ"
#include "tracking-factor.typ"
|
https://github.com/fabriceHategekimana/master | https://raw.githubusercontent.com/fabriceHategekimana/master/main/6_Conclusion/Succès.typ | typst | Notre langage et son système de type ont porter du fruit. Nous sommes en mesure d'exprimer des restrictions sur les tableaux multidimensionnels et exprimer les opérations qui se font dessus. Dans le cadre des sciences de données, ce type de fonctionnalité sera pratique dans l'établissement de modèles complexes.
Un autre succès vient du traitement du cas du broadcasting qui est une fonctionnalité des langages de programmations dynamique. En effet, celui-ci s'appuie beaucoup sur la conversion de type pour rendre des calculs compatibles. Nous lui avons trouvé un remplacement en implémentant des types et des opérations dédiées centrées sur la notion de matrices. Nous avons trouvé des effets satisfaisants et souvent plus proche des opérations qu'on ferait dans l'algèbre linéaire. Ceci pouvant faciliter l'application de modèles développés théoriquement.
|
|
https://github.com/r8vnhill/apunte-bibliotecas-de-software | https://raw.githubusercontent.com/r8vnhill/apunte-bibliotecas-de-software/main/Unit2/Objects.typ | typst | == Objetos
En Kotlin, la palabra clave `object` se usa para declarar un objeto singleton.
Este patrón es útil para casos donde se necesita una única instancia global de una clase para
coordinar acciones a través del sistema.
```kotlin
object Dice {
val sides = 6
fun roll() = (1..sides).random()
}
```
#line(length: 100%)
*Ejercicio: Implementación de un Gestor de Eventos*
Desarrolla un objeto llamado `EventManager`, que se encargue de administrar una lista de eventos.
Cada evento será representado como una cadena de texto (`String`).
Requisitos:
1. *Estructura de Datos:* Utiliza un `MutableList<String>` para almacenar los eventos.
La lista puede ser inicializada utilizando `mutableListOf()`.
2. *Métodos Requeridos:*
- *Agregar Evento:* Define un método `addEvent(String)` que permita añadir un nuevo evento a la lista.
- *Obtener Eventos:* Define un método `getEvents(): List<String>` que retorne una copia inmutable de la lista de eventos.
Puedes utilizar el método `toList()` para crear una copia de la lista mutable.
Ejemplo de uso:
```kotlin
fun main() {
EventManager.addEvent("Concierto de Rock")
EventManager.addEvent("Festival de Cine")
println(EventManager.getEvents())
// Debería imprimir: ["Concierto de Rock", "Festival de Cine"]
}
```
_Nota: Por ahora no te preocupes de la visibilidad de los métodos y variables._
#line(length: 100%) |
|
https://github.com/stalomeow/resume-template | https://raw.githubusercontent.com/stalomeow/resume-template/main/README.md | markdown | MIT License | # 简历模板
个人使用的简历模板，使用 [Typst](https://github.com/typst/typst) 编写。
建议配合 `Visual Studio Code` + `Typst Preview` + `Typst LSP` 使用。后两个是插件，提供了实时预览和一定程度的语法提示。
## 样例
内容由 ChatGPT 生成。
- 源文件：[example/resume.typ](example/resume.typ)
- 生成的 PDF：[example/resume.pdf](example/resume.pdf)
## 隐藏隐私信息
在一开始的参数里指定 `anonymous: true`，就能自动隐藏隐私信息。
``` typst
#show: resume.with(
// ...
anonymous: true,
)
```
除了上图中被隐藏的信息外，还可以用 `privacy` 函数把一个内容标记为隐私，之后它也会被隐藏。
``` typst
#privacy[
*不许看!*
]
```
## Font Awesome 图标
模板中内置了一些图标，在 [icons](icons) 文件夹里。
|变量|预览|
|:-:|:-:|
|`fa-bilibili`||
|`fa-code`||
|`fa-envelope`||
|`fa-github`||
|`fa-graduation-cap`||
|`fa-link`||
|`fa-phone`||
|`fa-weixin`||
|`fa-work`||
|`fa-wrench`||
不够用的话可以自己加，然后导入。
``` typst
#let fa-my-icon = svg-icon("icons/fa-my-icon.svg")
```
|
https://github.com/Quaternijkon/notebook | https://raw.githubusercontent.com/Quaternijkon/notebook/main/content/数据结构与算法/.chapter-数据结构/哈希表/两数之和.typ | typst | #import "../../../../lib.typ":*
=== #Title(
title: [两数之和],
reflink: "https://leetcode.cn/problems/two-sum/description/",
level: 1,
)<两数之和>
#note(
title: [
两数之和
],
description: [
给定一个整数数组 nums 和一个整数目标值 target，请你在该数组中找出 和为目标值 target 的那 两个 整数，并返回它们的数组下标。
你可以假设每种输入只会对应一个答案。但是，数组中同一个元素在答案里不能重复出现。
你可以按任意顺序返回答案。
],
examples: ([
输入：nums = [2,7,11,15], target = 9
输出：[0,1]
解释：因为 nums[0] + nums[1] == 9 ，返回 [0, 1] 。
],[
输入：nums = [3,2,4], target = 6
输出：[1,2]
],[
输入：nums = [3,3], target = 6
输出：[0,1]
]
),
tips: [
- $2 <= "nums.length" <= 10^4$
- $-10^9 <= "nums"[i] <= 10^9$
- $-10^9 <= "target" <= 10^9$
- 只会存在一个有效答案
],
solutions: (
( name:[哈希表],
text:[
使用哈希表（unordered_map）来记录每个元素的值及其对应的索引，以便在遍历数组时能够快速查找满足条件的配对元素。
],code:[
```cpp
class Solution {
public:
vector<int> twoSum(vector<int>& nums, int target) {
unordered_map<int, int> hashtable;
for (int i = 0; i < nums.size(); i++) {
auto it = hashtable.find(target - nums[i]);
if (it != hashtable.end()) {
return {it->second, i};
}
hashtable[nums[i]] = i;
}
return {};
}
};
```
]),
),
gain:none,
)
|
|
https://github.com/01mf02/jq-lang-spec | https://raw.githubusercontent.com/01mf02/jq-lang-spec/main/syntax.typ | typst | #import "common.typ": *
= Syntax <syntax>
This section describes the syntax for a subset of the jq language
that will be used later to define the semantics in @semantics.
To set the formal syntax apart from
the concrete syntax introduced in @tour,
we use cursive font (as in "$f$", "$v$") for the specification
instead of the previously used typewriter font (as in "`f`", "`v`").
We will start by introducing high-level intermediate representation (HIR) syntax in @hir.
This syntax is very close to actual jq syntax.
Then, we will identify a subset of HIR as mid-level intermediate representation (MIR) in @mir
and provide a way to translate from HIR to MIR.
This will simplify our semantics in @semantics.
Finally, in @jq-syntax, we will show how HIR relates to actual jq syntax.
== HIR <hir>
A _path part_ containing indices of type $i$ is of the shape
$ nothing #or_ i #or_ i: #or_ :i #or_ i:i. $
We can transform
a path part $p $ with indices of type $i $ to
a path part $f(p)$ with indices of type $i'$ by
applying a function $f$ from $i$ to $i'$ to all indices in the original path part.
A _pattern_ $P$ is of the shape
$ var(x) #or_ [P, ..., P] #or_ {f: P, ..., f: P}, $
where $f$ is a filter as defined below.
A _filter_ $f$ is defined by
$ f :=& n #or_ s #or_ . #or_ .. \
#or_& (f) #or_ f? #or_ [f] #or_ {f: f, ..., f: f} #or_ f [p]^? ... [p]^? \
#or_& f star f #or_ f cartesian f \
#or_& f "as" P | f #or_ "reduce" f "as" P (f; f) #or_ "foreach" f "as" P (f; f; f) #or_ var(x) \
#or_& "label" var(x) | f #or_ "break" var(x) \
#or_& "if" f "then" f "else" f #or_ "try" f #or_ "try" f "catch" f \
#or_& "def" x defas f defend f #or_ "def" x(x; ...; x) defas f defend f \
#or_& x #or_ x(f; ...; f)
$ where
$p$ is a path part containing indices of type $f$,
$x$ is an identifier (such as "empty"),
$n$ is a number (such as $42$ or $3.14$), and
$s$ is a string (such as "Hello world!").
We use the superscript "$?$" to denote an optional presence of "?"; in particular,
$f [p]^?... [p]^?$ can be
$f [p]$, $f [p]?$,
$f [p] [p]$, $f [p]?#h(0pt) [p]$, $f [p] [p]?$, $f [p]?#h(0pt) [p]?$,
$f [p] [p] [p]$, and so on.
We write $[]$ instead of $[nothing]$.
The potential instances of the operators $star$ and $cartesian$ are given in @tab:binops.
All operators $star$ and $cartesian$ are left-associative, except for
"$|$", "$=$", "$update$", and "$aritheq$".
We will handle $"reduce"$ and $"foreach"$ very similarly; therefore,
we introduce $fold$ to stand for either $"reduce"$ or $"foreach"$.
However, because $"reduce"$ takes one argument less than $"foreach"$,
we simply ignore the superfluous argument when handling $"reduce"$.
#figure(
table(
columns: 3,
[Name], [Symbol], [Operators],
[Complex], $star$, ["$|$", ",", ("=", "$update$", "$aritheq$", "$alteq$"), "$alt$", "or", "and"],
[Cartesian], $cartesian$, [($eq.quest$, $!=$), ($<$, $<=$, $>$, $>=$), $dot.circle$],
[Arithmetic], $dot.circle$, [($+$, $-$), ($times$, $div$), $mod$],
),
caption: [
Binary operators, given in order of increasing precedence.
Operators surrounded by parentheses have equal precedence.
],
) <tab:binops>
We consider equivalent the following notations:
- $f?$ and $"try" f$,
- $x()$ and $x$,
- $"foreach" f_x "as" P (f_y; f)$ and $"foreach" f_x "as" P (f_y; f; .)$,
- $"def" x() defas f defend g$ and
$"def" x defas f defend g$.
== MIR <mir>
We are now going to identify a subset of HIR called MIR and
show how to _lower_ a HIR filter to a semantically equivalent MIR filter.
A MIR filter $f$ has the shape
$ f :=& n #or_ s #or_ . \
#or_& [f] #or_ {} #or_ {f: f} #or_ .[p] \
#or_& f star f #or_ var(x) cartesian var(x) \
#or_& f "as" var(x) | f #or_ "reduce" f "as" var(x) (.; f) #or_ "foreach" f "as" var(x) (.; f; f) #or_ var(x) \
#or_& "if" var(x) "then" f "else" f #or_ "try" f "catch" f \
#or_& "label" var(x) | f #or_ "break" var(x) \
#or_& "def" x(x; ...; x) defas f defend f \
#or_& x(f; ...; f)
$
where $p$ is a path part containing variables as indices,
Furthermore, the set of complex operators $star$ in MIR
does not include "$=$" and "$aritheq$" anymore.
Compared to HIR, MIR filters
have significantly simpler path operations
($.p$ versus $f p^?... p^?$) and
replace certain occurrences of filters by variables
(e.g. $var(x) cartesian var(x)$ versus $f cartesian f$).
#figure(caption: [Lowering of a HIR filter $phi$ to a MIR filter $floor(phi)$.], table(columns: 2,
$phi$, $floor(phi)$,
[$n$, $s$, $.$, $var(x)$, or $"break" var(x)$], $phi$,
$..$, $"def" "recurse" defas ., (.[]? | "recurse") defend "recurse"$,
$(f)$, $floor(f)$,
$f?$, $"label" var(x') | "try" floor(f) "catch" ("break" var(x'))$,
$[]$, $["empty"]$,
$[f]$, $[floor(f)]$,
${}$, ${}$,
${f: g}$, $floor(f) "as" var(x') | floor(g) "as" var(y') | {var(x'): var(y')}$,
${f_1: g_1, ..., f_n: g_n}$, $floor(sum_i {f_i: g_i})$,
$f [p_1]^? ... [p_n]^?$, $. "as" var(x') | floor(f) | floor([p_1]^?)_var(x') | ... | floor([p_n]^?)_var(x')$,
$f = g$, $floor(g) "as" var(x') | floor(f update var(x'))$,
$f aritheq g$, $floor(g) "as" var(x') | floor(f update . arith var(x'))$,
$f alteq g$, $floor(f update . alt g)$,
$f "and" g$, $floor("if" f "then" "bool"(g) "else" bot)$,
$f "or" g$, $floor("if" f "then" top "else" "bool"(g))$,
$f star g$, $floor(f) star floor(g)$,
$f cartesian g$, $floor(f) "as" var(x') | floor(g) "as" var(y') | var(x) cartesian var(y)$,
$f "as" var(x) | g$, $floor(f) "as" var(x) | floor(g)$,
$f "as" P | g$, $floor(f) "as" var(x') | floor(var(x') "as" P | g)$,
$var(x) "as" [P_1, ..., P_n] | g$, $floor(var(x) "as" {(0): P_1, ..., (n-1): P_n} | g)$,
$var(x) "as" {f_1: P_1, ...} | g$, $floor(.[var(x) | f_1] "as" var(x') | var(x') "as" P_1 | var(x) "as" {f_2: P_2, ...} | g)$,
$var(x) "as" {} | g$, $floor(g)$,
$fold f_x "as" var(x) (f_y; f; g)$, $. "as" var(x') | floor(f_y) | fold floor(var(x') | f_x) "as" var(x) (.; floor(f); floor(g))$,
$fold f_x "as" P (f_y; f; g)$, $floor(fold f_x "as" P | beta P "as" var(x') (f_y; var(x') "as" beta P | f; var(x') "as" beta P | g)) $,
$"if" f_x "then" f "else" g$, $floor(f_x) "as" var(x') | "if" var(x') "then" floor(f) "else" floor(g)$,
$"try" f "catch" g$, $"label" var(x') | "try" floor(f) "catch" (floor(g), "break" var(x'))$,
$"label" var(x) | f$, $"label" var(x) | floor(f)$,
$"def" x defas f defend g$, $"def" x defas floor(f) defend floor(g)$,
$"def" x(x_1; ...; x_n) defas f defend g$, $"def" x(x_1; ...; x_n) defas floor(f) defend floor(g)$,
$x(f_1; ...; f_n)$, $x(floor(f_1); ...; floor(f_n))$,
)) <tab:lowering>
@tab:lowering shows how to lower an HIR filter $phi$ to
a semantically equivalent MIR filter $floor(phi)$.
In particular, this desugars path operations and
makes it explicit which operations are Cartesian or complex.
By convention, we write $var(x')$ to denote a fresh variable.
Notice that for some complex operators $star$, namely
"$=$", "$aritheq$", "$alteq$", "$"and"$", and "$"or"$",
@tab:lowering specifies individual lowerings, whereas
for the remaining complex operators $star$, namely
"$|$", "$,$", "$update$", and "$alt$",
@tab:lowering specifies a uniform lowering $floor(f star g) = floor(f) star floor(g)$.
The filter $ "empty" := ({} | .[]) "as" var(x) | . $ returns an empty stream.
We might be tempted to define it as ${} | .[]$,
which constructs an empty object, then returns its contained values,
which corresponds to an empty stream as well.
However, such a definition relies on the temporary construction of new values
(such as the empty object here),
which is not admissible on the left-hand side of updates (see @updates).
To ensure that $"empty"$ can be employed also as a path expression,
we define it in this complicated manner.
We define filters that yield the boolean values as
$ top &:= 0 = 0, \
bot &:= 0 != 0. $
The filter
$ "bool"(f) &:= "if" f "then" top "else" bot $
takes a HIR filter $f$ and returns a HIR filter that
maps the outputs of $f$ to their boolean values.
In the lowering of $fold f_x "as" P (f_y; f; g)$
(where $fold$ stands for either $"reduce"$ or $"foreach"$),
we use the fact that we can both "serialise" and "deserialise"
the variables bound by $P$ with $beta P$.
Here, $beta P$ denotes the sequence of variables bound by $P$:
$ beta P = cases(
sum_i beta P_i & "if" P = [P_1, ..., P_n] "or" P = {f_1: P_1, ..., f_n: P_n},
[var(x)] & "if" P = var(x),
) $
In particular, we exploit the property that
$f "as" P | g$ can be rewritten to
$ f "as" P | beta P "as" var(x') | var(x') "as" beta P | g, $
because $beta P$ can be interpreted both as pattern and as filter.
// TODO!
#figure(caption: [Lowering of a path part $[p]^?$ with input $var(x)$ to a MIR filter.], table(columns: 2, align: left,
$[p] ^?$, $floor([p]^?)_var(x)$,
$[ ]^?$, $.[]^?$,
$[f ]^?$, $(var(x) | floor(f)) "as" var(y') | .[var(y')]^?$,
$[f: ]^?$, $(var(x) | floor(f)) "as" var(y') | .[var(y') :]^?$,
$[ :f]^?$, $(var(x) | floor(f)) "as" var(y') | .[: var(y')]^?$,
$[f:g]^?$, $(var(x) | floor(f)) "as" var(y') | (var(x) | floor(g)) "as" var(z') | .[var(y') : var(z')]^?$,
)) <tab:lower-path>
@tab:lower-path shows how to lower a path part $p^?$ to MIR filters.
Like in @hir, the meaning of superscript "$?$" is an optional presence of "$?$".
In the lowering of $f [p_1]^? ... [p_n]^?$ in @tab:lowering,
if $[p_i]$ in the first column is directly followed by "?", then
$floor([p_i]^?)_var(x)$ in the second column stands for
$floor([p_i] ?#h(0pt))_var(x)$, otherwise for
$floor([p_i] )_var(x)$.
Similarly, in @tab:lower-path, if $[p]$ in the first column is followed by "$?$", then
all occurrences of superscript "?" in the second column stand for "?", otherwise for nothing.
#example[
The HIR filter $(.[]?#h(0pt) [])$ is lowered to
$(. "as" var(x') | . | .[]? | .[])$.
Semantically, we will see that this is equivalent to $(.[]? | .[])$.
]
#example[
The HIR filter $mu eq.triple .[0]$ is lowered to
$floor(mu) eq.triple . "as" var(x) | . | (var(x) | 0) "as" var(y) | .[var(y)]$.
Semantically, we will see that $floor(mu)$ is equivalent to $0 "as" var(y) | .[var(y)]$.
The HIR filter $phi eq.triple [3] | .[0] = ("length"(), 2)$ is lowered to the MIR filter
$floor(phi) eq.triple [3] | ("length"(), 2) "as" var(z) | floor(mu) update var(z)$.
In @semantics, we will see that its output is $stream([1], [2])$.
]
The lowering in @tab:lowering is compatible with the semantics of the jq implementation,
with one notable exception:
In jq, Cartesian operations $f cartesian g$ would be lowered to
$floor(g) "as" var(y') | floor(f) "as" var(x') | var(x) cartesian var(y)$, whereas we lower it to
$floor(f) "as" var(x') | floor(g) "as" var(y') | var(x) cartesian var(y)$,
thus inverting the binding order.
Note that the difference only shows when both $f$ and $g$ return multiple values.
We diverge here from jq to make the lowering of Cartesian operations
consistent with that of other operators, such as ${f: g}$, where
the leftmost filter ($f$) is bound first and the rightmost filter ($g$) is bound last.
That also makes it easier to describe other filters, such as
${f_1: g_1, ..., f_n: g_n}$, which we can lower to
$floor(sum_i {f_i: g_i})$, whereas its lowering assuming the jq lowering of Cartesian operations would be
$floor({f_1: g_1}) "as" var(x'_1) | ... | floor({f_n: g_n}) "as" var(x'_n) | sum_i var(x'_i)$.
#example[
The filter $(0, 2) + (0, 1)$ yields
$stream(0, 1, 2, 3)$ using our lowering, and
$stream(0, 2, 1, 3)$ in jq.
]
Informally, we say that a filter is _wellformed_ if all references to
named filters, variables, and labels were previously bound.
For example, the filter $a + var(x)$ is not wellformed because
neither $a$ nor $var(x)$ was previously bound, but the filter
$"def" a defas 1 defend 2 "as" var(x) | a + var(x)$ is wellformed.
@tab:wf specifies in detail if a filter is wellformed.
For this, it uses a context $c = (d, v, l)$, consisting of
a set $d$ of pairs $(x, n)$ storing the name $x$ and the arity $n$ of a filter,
a set $v$ of variables, and
a set $l$ of labels.
We say that a filter $phi$ is wellformed with respect to a context $c$ if
$"wf"(phi, c)$ is true.
#figure(caption: [Wellformedness of a MIR filter $phi$ with respect to a context $c = (d, v, l)$.], table(columns: 2,
$phi$, $"wf"(phi, c)$,
[$n$, $s$, $.$, $.[p]^?$, ${}$], $top$,
$var(x)$, $var(x) in v$,
$"break" var(x)$, $var(x) in l$,
$[f]$, $"wf"(f, c)$,
[${var(x): var(y)}$, $var(x) cartesian var(y)$], $var(x) in v and var(y) in v$,
[$f star g$, $"try" f "catch" g$], $"wf"(f, c) and "wf"(g, c)$,
$f "as" var(x) | g$, $"wf"(f) and "wf"(g, (d, v union {var(x)}, l))$,
$"label" var(x) | f$, $"wf"(f, (d, v, l union {var(x)}))$,
$"if" var(x) "then" f "else" g$, $var(x) in v and "wf"(f, c) and "wf"(g, c)$,
$fold x "as" var(x) (.; f; g)$, $"wf"(x, c) and "wf"((f | g), (d, v union {var(x)}, l))$,
$"def" x(x_1; ...; x_n) defas f defend g$, $"wf"(f, (d union union.big_i {(x_i, 0)}, v, l)) and "wf"(g, (d union {(x, n)}, v, l))$,
$x(f_1; ...; f_n)$, $(x, n) in d and "wf"(f_i, c)$,
)) <tab:wf>
== Concrete jq syntax <jq-syntax>
Let us now go a level above HIR, namely a subset of actual jq syntax#footnote[
Actual jq syntax has a few more constructions to offer, including
nested definitions, variable arguments, string interpolation, modules, etc.
However, these constructions can be transformed into
semantically equivalent syntax as treated in this text.
] of which we have seen examples in @tour, and
show how to transform jq filters to HIR and to MIR.
The syntax of filters in concrete jq syntax is nearly the same as in HIR.
To translate between the operators in @tab:binops, see @tab:op-correspondence.
The arithmetic update operators in jq, namely
`+=`,
`-=`,
`*=`,
`/=`, and
`%=`,
correspond to the operators $aritheq$ in HIR, namely
$+#h(0pt)=$,
$-#h(0pt)=$,
$times#h(0pt)=$,
$div#h(0pt)=$, and
$mod#h(0pt)=$.
Filters of the shape
`if f then g else h end` correspond to the filter
$"if" f "then" g "else" h$ in HIR;
that is, in HIR, the final `end` is omitted.
Filters of the shape
`if f1 then g1 elif f2 then g2 ... elif fn then gn else h end` are equivalent to
`if f1 then g1 else if f2 then g2 else ... if fn then gn else h end ... end end`.
Furthermore, in jq, it is invalid syntax to
call a nullary filter as `x()` instead of `x`, or to
define a nullary filter as `def x(): f; g` instead of `def x: f; g`.
#let correspondence = (
(`|`, $|$),
(`,`, $,$),
( `=`, $=$),
( `|=`, $update$),
(`//=`, $alteq$),
(`//`, $alt$),
(`==`, $eq.quest$),
(`!=`, $!=$),
(`<` , $< $),
(`<=`, $<=$),
(`>` , $> $),
(`>=`, $>=$),
(`+`, $+$),
(`-`, $-$),
(`*`, $times$),
(`/`, $div$),
(`%`, $mod$),
)
#figure(caption: [Operators in concrete jq syntax and their corresponding HIR operators.], table(columns: 1+correspondence.len(),
[jq], ..correspondence.map(c => c.at(0)),
[HIR], ..correspondence.map(c => c.at(1)),
)) <tab:op-correspondence>
To convert a jq filter `f` to MIR, we convert `f` to HIR, then to MIR, using @tab:lowering.
#example[
Consider the jq program `def recurse(f): ., (f | recurse(f)); recurse(. + 1)`,
which returns the infinite stream of output values $n, n+1, ...$
when provided with an input number $n$.
This example can be converted to the HIR filter
$ "def" "recurse"(f) defas ., (f | "recurse"(f)) defend "recurse"(. + 1). $
Lowering this to MIR yields
$ "def" "recurse"(f) defas ., (f | "recurse"(f)) defend "recurse"(. "as" var(x') | 1 "as" var(y') | var(x') + var(y')). $
]
#example[
Consider the following jq program:
```
def empty: {}[] as $x | .
def select(f): if f then . else empty end;
def negative: . < 0;
.[] | select(negative)
```
When given an array as an input, it yields
those elements of the array that are smaller than $0$.
This example can be converted to the HIR filter
$ &"def" "empty" defas {}[] "as" var(x) | . defend \
&"def" "select"(f) defas "if" f "then" . "else" "empty" defend \
&"def" "negative" defas . < 0 defend \
&.[] | "select"("negative"). $
Lowering this to MIR yields
$ &"def" "empty" defas ({} | .[]) "as" var(x) | . defend \
&"def" "select"(f) defas f "as" var(x') | "if" var(x') "then" . "else" "empty" defend \
&"def" "negative" defas . "as" var(x') | 0 "as" var(y') | var(x') < var(y') defend \
&.[] | "select"("negative"). $
]
@semantics shows how to run the resulting MIR filter $f$.
For a given input value $v$, the output of $f$ will be given by $f|^{}_v$.
|
|
https://github.com/typst-doc-cn/tutorial | https://raw.githubusercontent.com/typst-doc-cn/tutorial/main/src/basic/latex-look.typ | typst | Apache License 2.0 | #let latex-look(content) = {
// #set page(margin: 1.75in)
set par(
leading: 0.55em,
first-line-indent: 0em,
justify: true,
)
set text(font: "New Computer Modern")
show raw: set text(font: "New Computer Modern Mono")
show par: set block(spacing: 0.55em)
show heading: set block(
above: 1.4em,
below: 1em,
)
content
}
|
https://github.com/kdog3682/2024-typst | https://raw.githubusercontent.com/kdog3682/2024-typst/main/src/pinyin-sentence-layout.typ | typst | // documentation
//
// functions:
// - zhuyin-atom
// - zhuyin-paragraph
// - zhuyin-sentence (array of parts)
//
// usage: the main export is zhuyin-paragraph.
// it places all the zhuyin sentences which place the zhuyin atoms.
#import "base-utils.typ": *
#let ruler(s, k: 0.65) = {
// there is another way to do this ruler
// that is to build the text up from atoms (ala fpdf.py style)
// but that becomes very imperative ... and i think it is wrong
let value = text(s)
let create(width) = {
// the 'value' is closured and that is okay.
return block(value, width: width * 1pt)
}
// this layout size refers to the current parent container
// sometimes it refers to the page
// most of the time, it will refer to a particular block
style((styles) => layout(size => {
let n = int(size.width.pt() * k)
let b = create(n)
let m = measure(b, styles)
let height = m.height
let temp = b
let increment = 20
for i in range(5) {
n = n - increment
temp = create(n)
let m = measure(temp, styles)
if m.height != height {
if i == 0 {
n += increment * 2
} else {
n = n + increment
}
break
}
}
return create(n)
}))
}
#let zhuyin-atom(top-item, bottom-item, scale: 0.45, gap: 0.55) = {
// #let zhuyin-atom(top-item, bottom-item, scale: 0.65, gap: 0.55) = {
// scale (float): how much smaller the zhuyin (top) word should be
// gap (float) : the distance between the top and bottom
let table-item = table(
align: center, // necessary
columns: auto, // doesnt do anything
inset: 0pt, // necessary: squeezes the table
stroke: none, // necessary: hides the border
row-gutter: 1em * gap,
text(1em * scale, top-item),
bottom-item,
)
return box(table-item) // box makes the item inline
}
#let zhuyin-paragraph(sentences) = {
for sentence in sentences {
zhuyin-sentence(sentence)
}
}
#let zhuyin-sentence(parts) = {
// multiple sentences may be comprised here in a single line
// the word sentence could perhaps be paragraph
// no linebreaks are initiated her
let spacer-punctuation = h(0.1em)
let spacer-word = h(0.2em)
for part in parts {
zhuyin-atom(part.pinyin, part.text)
if has(part, "punctuation") and part.punctuation != part.text {
part.punctuation
}
if not is-last(part, parts) {
if has(part, "punctuation") {
spacer-punctuation
} else {
spacer-word
}
spacer-word
}
}
}
// #let a = zhuyin-atom("nihao", "你好")
// #panic(a)
#let zhuyin-sentence-3(o) = {
let spacer-punctuation = h(0.1em)
let spacer-word = h(0.2em)
for token in o.tokens {
let chinese = token.at("chinese", default: none)
if empty(chinese) {
let punc = token.at("punctuation")
text(punc)
if token.pos == "middle" {
spacer-punctuation
}
// else if token.pos == "middle" {
// h(0.1em)
// }
} else {
let punc = token.at("punctuation", default: none)
zhuyin-atom(token.pinyin, token.chinese)
if punc != none {
text(punc)
if token.pos == "middle" {
spacer-punctuation
}
} else {
if token.pos != "end" {
spacer-word
}
}
}
}
}
#let zhuyin-wrapper(sentence, width: 75) = {
let attrs = (
above: 0pt,
below: 0pt,
)
let a = block(..attrs, sentence, width: 88% +8%)
return a
let a = block(..attrs, sentence, width: (width) * 1%)
let b = block(..attrs, sentence, width: (width + 20) * 1%)
style(styles => {
let measurement-a = measure(a, styles)
let measurement-b = measure(b, styles)
if measurement-a.height == measurement-b.height {
a
} else {
b
}
})
}
#let zhuyin-sentence-chunk(o, k:0.50, leading: 0.95em) = {
if has(o, "linebreak") {
let dotted = (
stroke: (
thickness: 0.5pt,
dash: "loosely-dotted",
)
)
align(center, line(length: 100%, ..dotted))
} else {
// zhuyin-wrapper(zhuyin-sentence-3(o), width: 65)
// with the atom
// creates the pinyin effect
set par(leading: leading)
ruler(o.text, k: k)
}
}
|
|
https://github.com/yonatanmgr/summaries-template | https://raw.githubusercontent.com/yonatanmgr/summaries-template/main/lectures/lecture_01.typ | typst | #import "/template/template.typ": *
#show: thmrules
#let lecture-name = "הרצאה 1"
#show: ilm.with(
clear: true,
meta: (global: cmeta, local: lecture-name),
date: datetime(day: 26, month: 5, year: 2024),
author: cmeta.author,
theorem-index: true
)
|
|
https://github.com/DashieTM/ost-5semester | https://raw.githubusercontent.com/DashieTM/ost-5semester/main/patterns/weeks/week3.typ | typst | #import "../../utils.typ": *
#subsection("Command Pattern")
#set text(size: 14pt)
Problem | decouple the execution itself from when to execute.\
Context | How can *commands be encapsulated*, so that they can be
*parameterized, schedules, logged and/or undone*? Can also be seen as mapping a
function to something like a button on a controller -> SpiritOfMars!
#align(
center, [#image("../../Screenshots/2023_10_06_08_45_09.png", width: 80%)],
)
#set text(size: 11pt)
```cpp
#include <iostream>
#include <memory>
class Command {
public:
// declares an interface for executing an operation.
virtual void execute() = 0;
virtual ~Command() = default;
protected:
Command() = default;
};
template <typename Receiver>
class SimpleCommand : public Command { // ConcreteCommand
public:
typedef void (Receiver::* Action)();
// defines a binding between a Receiver object and an action.
SimpleCommand(std::shared_ptr<Receiver> receiver_, Action action_) :
receiver(receiver_.get()), action(action_) { }
SimpleCommand(const SimpleCommand&) = delete; // rule of three
const SimpleCommand& operator=(const SimpleCommand&) = delete;
// implements execute by invoking the corresponding operation(s) on Receiver.
virtual void execute() {
(receiver->*action)();
}
private:
Receiver* receiver;
Action action;
};
class MyClass { // Receiver
public:
// knows how to perform the operations associated with carrying out a request. Any class may serve as a Receiver.
void action() {
std::cout << "MyClass::action\n";
}
};
int main() {
// The smart pointers prevent memory leaks.
std::shared_ptr<MyClass> receiver = std::make_shared<MyClass>();
// ...
std::unique_ptr<Command> command = std::make_unique<SimpleCommand<MyClass> >(receiver, &MyClass::action);
// ...
command->execute();
}
```
#columns(
2, [
#text(green)[Benefits]
- command can be activated from different sources
- new commands can be introduced relatively quickly
- command objects can be saved in history -> for example for undo
- time and functionality are decoupled -> not done by the same thing
#colbreak()
#text(red)[Liabilities]
- large design with many commands -> might need many small command classes
- was also noticeable with SpiritOfMars
- undo is not defined -> no explanation how, would need an additional pattern
],
)
#subsection("Command Processor Pattern")
#set text(size: 14pt)
Problem | Allow easy undo with the command pattern.\
Context | Kind of a combination between the command pattern and the memento
pattern.\
Participants :
- Command Processor
- seperate object that handles executing and managing history
- command
- functionality to execute
- controller/client
- translates requests into command s and transfers commands to the command
processor
#set text(size: 11pt)
#align(
center, [#image("../../Screenshots/2023_10_06_08_52_25.png", width: 80%)],
)
#align(
center, [#image("../../Screenshots/2023_10_06_08_54_50.png", width: 80%)],
)
```java
// CommandProcessor
import org.jetbrains.annotations.NotNull;
import java.util.Stack;
public class CommandProcessor {
private final Stack<Command> commandStack = new Stack<>();
public void doIt(@NotNull Command c) {
commandStack.push(c);
c.doCommand();
}
public void undoIt() {
commandStack.pop().undoCommand();
}
}
// Command
public interface Command {
void doCommand();
void undoCommand();
}
// Capitalize Command
public class CapitalizeCommand implements Command {
@Override
public void doCommand() {
// getSelection()
// capitalize()
}
@Override
public void undoCommand() {
// restoreText()
}
}
```
#columns(
2, [
#text(green)[Benefits]
- flexibility
- command processor allows more than just execution -> logging, undo etc
- enhances testability
#colbreak()
#text(red)[Liabilities]
- efficiency loss due to indirection
],
)
#subsection("Visitor Pattern")
#set text(size: 14pt)
Problem |
- change functionality on classes without changing their code
- e.g. different algorithms needed to process an object tree
Context | Essentially just dynamic dispatch. Serialization -> The visitor struct
will be run over all nodes, using it's own visitor versions in order to
serialize to different formats.\
Double Dispatch | This is nothing more than the accepting of a visitor, which is
generic for the node, then using the visit method to use the visitor functin on
the node, which converts the visitor back to the original (sub)instance.\
Participants :
- Visitor
- generic base
- derivations will have specific functionality
- node
- struct that will be changed by visitor
#set text(size: 11pt)
#align(
center, [#image("../../Screenshots/2023_10_06_09_08_33.png", width: 80%)],
)
#align(
center, [#image("../../Screenshots/2023_10_06_09_13_27.png", width: 80%)],
)
```java
// Leaf
import org.jetbrains.annotations.NotNull;
import ch.ost.pf.visitor.Visitor;
public class Leaf extends Component {
@Override
public void accept(@NotNull Visitor visitor) {
visitor.visitLeafStart(this);
visitor.visitLeafEnd(this);
}
}
// Component
import org.jetbrains.annotations.NotNull;
import ch.ost.pf.visitor.Visitor;
public abstract class Component {
@NotNull
public String getName() {
return getClass().getSimpleName();
}
public abstract void accept(@NotNull Visitor visitor);
}
// Composite
import java.util.ArrayList;
import java.util.List;
import org.jetbrains.annotations.NotNull;
import ch.ost.pf.visitor.Visitor;
public class Composite extends Component {
private final ArrayList<Component> components = new ArrayList<>();
@NotNull
public List<Component> getChildren(){
return components;
}
@Override
public void accept(@NotNull Visitor visitor) {
visitor.visitCompositeStart(this);
getChildren().forEach((c) -> c.accept(visitor));
visitor.visitCompositeEnd(this);
}
}
// Visitor
import ch.ost.pf.visitor.tree.Composite;
import ch.ost.pf.visitor.tree.Leaf;
import org.jetbrains.annotations.NotNull;
public interface Visitor {
void visitLeafStart(@NotNull Leaf leaf);
void visitLeafEnd(@NotNull Leaf leaf);
void visitCompositeStart(@NotNull Composite comp);
void visitCompositeEnd(@NotNull Composite comp);
}
```
#columns(
2, [
#text(green)[Benefits]
- adding new operations relatively easy
- seperates operations from unrelated ones
#colbreak()
#text(red)[Liabilities]
- changes in structure make the visitor pattern unviable
- visitor can't change how structure is visited -> this is handled by the
structure!
- adding new nodes is hard
- visiting sequence defined in nodes, not in visitor
- visitor breaks logic apart
],
)
XML visitor example:
```java
import ch.ost.pf.visitor.tree.Component;
import ch.ost.pf.visitor.tree.Composite;
import ch.ost.pf.visitor.tree.Leaf;
import org.jetbrains.annotations.NotNull;
public class XmlVisitor implements Visitor {
private final StringBuffer buffer = new StringBuffer();
@Override
public void visitLeafStart(@NotNull Leaf leaf) {
visitComponentStart(leaf);
}
@Override
public void visitLeafEnd(@NotNull Leaf leaf) {
visitComponentEnd(leaf);
}
@Override
public void visitCompositeStart(@NotNull Composite comp) {
if (comp.getChildren().size() != 0) {
buffer.append("<");
buffer.append(comp.getName());
buffer.append(">\n");
}
else {
visitComponentStart(comp);
}
}
@Override
public void visitCompositeEnd(@NotNull Composite comp) {
if (comp.getChildren().size() != 0) {
buffer.append("</");
buffer.append(comp.getName());
buffer.append(">\n");
}
else {
visitComponentEnd(comp);
}
}
@Override
public String toString() {
return buffer.toString();
}
private void visitComponentStart(Component comp) {
buffer.append("<");
buffer.append(comp.getName());
}
private void visitComponentEnd(Component comp) {
buffer.append(" />\n");
}
}
```
#subsection([External Iterator Pattern])
#set text(size: 14pt)
Problem | Iteration depends on the target implementation -> should be separate
to allow multiple iteration strategies. (aka iterator should be a separate
struct)\
Context | Bounded buffer represented with pointers -> separate iterator struct
in order to not change structure directly.\
Participants :
- Base struct
- Iterator
#set text(size: 11pt)
// images
#align(
center, [#image("../../Screenshots/2023_10_06_09_31_54.png", width: 80%)],
)
#align(center, [#image("../uml/iterator.jpg", width: 100%)])
```java
// A Java program to demonstrate implementation
// of iterator pattern with the example of
// notifications
// A simple Notification class
class Notification
{
// To store notification message
String notification;
public Notification(String notification)
{
this.notification = notification;
}
public String getNotification()
{
return notification;
}
}
// Collection interface
interface Collection
{
public Iterator createIterator();
}
// Collection of notifications
class NotificationCollection implements Collection
{
static final int MAX_ITEMS = 6;
int numberOfItems = 0;
Notification[] notificationList;
public NotificationCollection()
{
notificationList = new Notification[MAX_ITEMS];
// Let us add some dummy notifications
addItem("Notification 1");
addItem("Notification 2");
addItem("Notification 3");
}
public void addItem(String str)
{
Notification notification = new Notification(str);
if (numberOfItems >= MAX_ITEMS)
System.err.println("Full");
else
{
notificationList[numberOfItems] = notification;
numberOfItems = numberOfItems + 1;
}
}
public Iterator createIterator()
{
return new NotificationIterator(notificationList);
}
}
// We could also use Java.Util.Iterator
interface Iterator
{
// indicates whether there are more elements to
// iterate over
boolean hasNext();
// returns the next element
Object next();
}
// Notification iterator
class NotificationIterator implements Iterator
{
Notification[] notificationList;
// maintains curr pos of iterator over the array
int pos = 0;
// Constructor takes the array of notificationList are
// going to iterate over.
public NotificationIterator (Notification[] notificationList)
{
this.notificationList = notificationList;
}
public Object next()
{
// return next element in the array and increment pos
Notification notification = notificationList[pos];
pos += 1;
return notification;
}
public boolean hasNext()
{
if (pos >= notificationList.length ||
notificationList[pos] == null)
return false;
else
return true;
}
}
// Contains collection of notifications as an object of
// NotificationCollection
class NotificationBar
{
NotificationCollection notifications;
public NotificationBar(NotificationCollection notifications)
{
this.notifications = notifications;
}
public void printNotifications()
{
Iterator iterator = notifications.createIterator();
System.out.println("-------NOTIFICATION BAR------------");
while (iterator.hasNext())
{
Notification n = (Notification)iterator.next();
System.out.println(n.getNotification());
}
}
}
// Driver class
class Main
{
public static void main(String args[])
{
NotificationCollection nc = new NotificationCollection();
NotificationBar nb = new NotificationBar(nc);
nb.printNotifications();
}
}
```
#columns(2, [
#text(green)[Benefits]
- single interface to loop through any collection
#colbreak()
#text(red)[Liabilities]
- multiple iterators at the same time possible
- not a problem with rust :)
- life-cycle management of iterator objects
- not a problem with rust :)
- close coupling between iterator and corresponding collection
- indexing might be more intuitive for programmers
])
#subsection([Internal/Enumeration Iterator Pattern])
#set text(size: 14pt)
Problem | Don't rely on external iterator which might introduce too much
coupling.\
Context | You would like to have a print functinality for your datastructure,
hence you create an enumeration function. This will then be used in a "executeOn"
function which takes a function as a parameter, which will then be used on each
item in the datastructure.
-
#set text(size: 11pt)
// images
#align(
center, [#image("../../Screenshots/2023_10_06_09_37_26.png", width: 80%)],
)
#columns(
2, [
#text(green)[Benefits]
- client is not responsible for loop
- synchronization can be provided at the level of the whole traversal rather than
for each element access
- better safety
#colbreak()
#text(red)[Liabilities]
- single element changes are annoying
- less control
- sometimes too abstract
- depends on command type(not always??)
],
)
#subsection([Batch method Iterator])
#set text(size: 14pt)
Problem | Collection is on client -> iterator would not be efficient over
network.\
Context | We would like to access a datastructure on a remote pc, how do we do
this? -> *Batch request*\ We simply get all data, then proceed to iterate on our
local machine.
-
#set text(size: 11pt)
// images
#align(
center, [#image("../../Screenshots/2023_10_06_09_51_15.png", width: 50%)],
)
|
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/unichar/0.1.0/ucd/block-11580.typ | typst | Apache License 2.0 | #let data = (
("SIDDHAM LETTER A", "Lo", 0),
("SIDDHAM LETTER AA", "Lo", 0),
("SIDDHAM LETTER I", "Lo", 0),
("SIDDHAM LETTER II", "Lo", 0),
("SIDDHAM LETTER U", "Lo", 0),
("SIDDHAM LETTER UU", "Lo", 0),
("SIDDHAM LETTER VOCALIC R", "Lo", 0),
("SIDDHAM LETTER VOCALIC RR", "Lo", 0),
("SIDDHAM LETTER VOCALIC L", "Lo", 0),
("SIDDHAM LETTER VOCALIC LL", "Lo", 0),
("SIDDHAM LETTER E", "Lo", 0),
("SIDDHAM LETTER AI", "Lo", 0),
("SIDDHAM LETTER O", "Lo", 0),
("SIDDHAM LETTER AU", "Lo", 0),
("SIDDHAM LETTER KA", "Lo", 0),
("SIDDHAM LETTER KHA", "Lo", 0),
("SIDDHAM LETTER GA", "Lo", 0),
("SIDDHAM LETTER GHA", "Lo", 0),
("SIDDHAM LETTER NGA", "Lo", 0),
("SIDDHAM LETTER CA", "Lo", 0),
("SIDDHAM LETTER CHA", "Lo", 0),
("SIDDHAM LETTER JA", "Lo", 0),
("SIDDHAM LETTER JHA", "Lo", 0),
("SIDDHAM LETTER NYA", "Lo", 0),
("SIDDHAM LETTER TTA", "Lo", 0),
("SIDDHAM LETTER TTHA", "Lo", 0),
("SIDDHAM LETTER DDA", "Lo", 0),
("SIDDHAM LETTER DDHA", "Lo", 0),
("SIDDHAM LETTER NNA", "Lo", 0),
("SIDDHAM LETTER TA", "Lo", 0),
("SIDDHAM LETTER THA", "Lo", 0),
("SIDDHAM LETTER DA", "Lo", 0),
("SIDDHAM LETTER DHA", "Lo", 0),
("SIDDHAM LETTER NA", "Lo", 0),
("SIDDHAM LETTER PA", "Lo", 0),
("SIDDHAM LETTER PHA", "Lo", 0),
("SIDDHAM LETTER BA", "Lo", 0),
("SIDDHAM LETTER BHA", "Lo", 0),
("SIDDHAM LETTER MA", "Lo", 0),
("SIDDHAM LETTER YA", "Lo", 0),
("SIDDHAM LETTER RA", "Lo", 0),
("SIDDHAM LETTER LA", "Lo", 0),
("SIDDHAM LETTER VA", "Lo", 0),
("SIDDHAM LETTER SHA", "Lo", 0),
("SIDDHAM LETTER SSA", "Lo", 0),
("SIDDHAM LETTER SA", "Lo", 0),
("SIDDHAM LETTER HA", "Lo", 0),
("SIDDHAM VOWEL SIGN AA", "Mc", 0),
("SIDDHAM VOWEL SIGN I", "Mc", 0),
("SIDDHAM VOWEL SIGN II", "Mc", 0),
("SIDDHAM VOWEL SIGN U", "Mn", 0),
("SIDDHAM VOWEL SIGN UU", "Mn", 0),
("SIDDHAM VOWEL SIGN VOCALIC R", "Mn", 0),
("SIDDHAM VOWEL SIGN VOCALIC RR", "Mn", 0),
(),
(),
("SIDDHAM VOWEL SIGN E", "Mc", 0),
("SIDDHAM VOWEL SIGN AI", "Mc", 0),
("SIDDHAM VOWEL SIGN O", "Mc", 0),
("SIDDHAM VOWEL SIGN AU", "Mc", 0),
("SIDDHAM SIGN CANDRABINDU", "Mn", 0),
("SIDDHAM SIGN ANUSVARA", "Mn", 0),
("SIDDHAM SIGN VISARGA", "Mc", 0),
("SIDDHAM SIGN VIRAMA", "Mn", 9),
("SIDDHAM SIGN NUKTA", "Mn", 7),
("SIDDHAM SIGN SIDDHAM", "Po", 0),
("SIDDHAM DANDA", "Po", 0),
("SIDDHAM DOUBLE DANDA", "Po", 0),
("SIDDHAM SEPARATOR DOT", "Po", 0),
("SIDDHAM SEPARATOR BAR", "Po", 0),
("SIDDHAM REPETITION MARK-1", "Po", 0),
("SIDDHAM REPETITION MARK-2", "Po", 0),
("SIDDHAM REPETITION MARK-3", "Po", 0),
("SIDDHAM END OF TEXT MARK", "Po", 0),
("SIDDHAM SECTION MARK WITH TRIDENT AND U-SHAPED ORNAMENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH TRIDENT AND DOTTED CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH RAYS AND DOTTED CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH RAYS AND DOTTED DOUBLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH RAYS AND DOTTED TRIPLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK DOUBLE RING", "Po", 0),
("SIDDHAM SECTION MARK DOUBLE RING WITH RAYS", "Po", 0),
("SIDDHAM SECTION MARK WITH DOUBLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH TRIPLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH QUADRUPLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH SEPTUPLE CRESCENTS", "Po", 0),
("SIDDHAM SECTION MARK WITH CIRCLES AND RAYS", "Po", 0),
("SIDDHAM SECTION MARK WITH CIRCLES AND TWO ENCLOSURES", "Po", 0),
("SIDDHAM SECTION MARK WITH CIRCLES AND FOUR ENCLOSURES", "Po", 0),
("SIDDHAM LETTER THREE-CIRCLE ALTERNATE I", "Lo", 0),
("SIDDHAM LETTER TWO-CIRCLE ALTERNATE I", "Lo", 0),
("SIDDHAM LETTER TWO-CIRCLE ALTERNATE II", "Lo", 0),
("SIDDHAM LETTER ALTERNATE U", "Lo", 0),
("SIDDHAM VOWEL SIGN ALTERNATE U", "Mn", 0),
("SIDDHAM VOWEL SIGN ALTERNATE UU", "Mn", 0),
)
|
https://github.com/Dioprz/Notes | https://raw.githubusercontent.com/Dioprz/Notes/main/Haskell/Haskell_Programming_from_first_principles/README.md | markdown | Las siguientes anotaciones son una compilación de los conceptos e ideas clave que capturaron mi interés durante la lectura del libro *Haskell Programming from first principles*, escrito por *<NAME>* y *<NAME>*.
El lenguaje de marcado que usé para tomarlas se llama *Typst*, un [lenguaje nuevo](https://typst.app/docs/) que poco a poco adquiere la potencia de *LaTeX*, pero con una sintaxis tan cómoda y legible (o más) que la de Markdown. Debido a que GitHub no tiene renderización nativa para este formato, dejo como opción para leer las notas tanto el código como el pdf compilado. El código de los documentos se formateó con [typstfmt](https://github.com/astrale-sharp/typstfmt).
También dejo un archivo `.haskell` con las soluciones de algunos ejercicios de cada capítulo.
En caso de encontrar algún error en las notas, apreciaría mucho si crea un nuevo asunto para hacérmelo saber.
|
|
https://github.com/mattfbacon/recipes | https://raw.githubusercontent.com/mattfbacon/recipes/main/weight-reference.typ | typst | #set page(paper: "us-letter")
#set text(font: "Inter", fallback: false)
#let g(x) = str(calc.round(x, digits: 1)) + " g"
#let substances = (
("Butter", 226.796185),
("Chocolate Chips", 170),
("Cocoa Powder", 120),
("Flour", 120),
("Ghee", 176),
("Milk", 227, "(incl. cream, buttermilk, yogurt)"),
("Milk, Powdered", 112),
("Oats", 89),
("Oil, Vegetable", 198),
("Sugar, Brown, Packed", 213),
("Sugar, Brown, Unpacked", 145),
("Sugar, White", 200),
("Water", 236.59),
)
= Volume to Weight Reference
#table(
columns: (auto,) * 5 + (1fr,),
fill: (x, y) => if y == 0 { luma(235) } else { white },
..("Substance", "1 cup", "1/2 cup", "1/3 cup", "1/4 cup", "Notes").map(x => [*#x;*]),
..substances.map((t) => (t.at(0), g(t.at(1)), g(t.at(1) * 0.5), g(t.at(1) * (1 / 3)), g(t.at(1) * 0.25), t.at(2, default: ""))).flatten(),
)
|
|
https://github.com/Mc-Zen/quill | https://raw.githubusercontent.com/Mc-Zen/quill/main/tests/gates/custom%20colors/test.typ | typst | MIT License | #set page(width: auto, height: auto, margin: 0pt)
#import "/src/quill.typ": *
#quantum-circuit(
gate($X$, fill: gray), phase($#text([a], fill: red)$, fill: red), phase($#text([a], fill: red)$, fill: .7pt + red, open: true), gate($F_m$, radius: 100%), gate($F#h(.2em)$, radius: (right: 100%), fill: green), targ(fill: auto), targ(fill: blue), ctrl(0, fill: blue), ctrl(0, fill: .7pt + blue, open: true), ctrl(0, fill: blue), ctrl(0, fill: .7pt + blue, open: true), 1
) |
https://github.com/yongweiy/cv | https://raw.githubusercontent.com/yongweiy/cv/master/services.typ | typst | // Imports
#import "@preview/brilliant-cv:2.0.2": cvSection, cvEntry
#let metadata = toml("./metadata.toml")
#let cvSection = cvSection.with(metadata: metadata, highlighted: false)
#let cvEntry = cvEntry.with(metadata: metadata)
#cvSection("Services")
#list(
[PLDI 2024 Artifact Evaluation Committee]
)
|
|
https://github.com/jiamingluuu/mata35-notes | https://raw.githubusercontent.com/jiamingluuu/mata35-notes/main/ref.typ | typst | #set page(paper: "a4")
#set text(11pt)
#set par(justify: true)
#set math.mat(delim: "[")
= Elementary Row Operations and Row Echelon Form
Row echelon form (REF) of a matrix can be obtained by using Gaussian
elimination, it plays significant role in the problem of finding solution with
respect to a linear system. Let's consider the following system of equations
with $n$ variables:
$
cases(
a_11 x_1 + a_12 x_2 + ... + a_(1n) x_n = b_1\
a_21 x_1 + a_22 x_2 + ... + a_(2n) x_n = b_2\
quad quad quad quad quad quad quad dots.v\
a_(n 1) x_1 + a_(n 2) x_2 + ... + a_(n n) x_n = b_n\
)
$
It can be simplified into matrix form
$ A x = b $
with
$
A = mat(
a_11, a_12, ..., a_1n;
a_21, a_22, ..., a_2n;
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
), quad
x = mat(
x_1; x_2; dots.v; x_n;
),quad
b = mat(
b_1; b_2; dots.v; b_n;
).
$
Where $A$ is the coefficient matrix, $b$ is the constant matrix, and $x$ is the
matrix of variables.
== Elementary Row Operations (ERO)
To solve the system of linear equations, we are perform elementary row
operations:
+ Swapping two rows:
$
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
a_(i 1), a_(i 2), ..., a_(i n);
dots.v, dots.v, dots.down, dots.v;
a_(j 1), a_(j 2), ..., a_(j n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
) op(arrow.long, limits: #true)^(r_i^' = r_j, r_j^' = r_i)
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
a_(j 1), a_(j 2), ..., a_(j n);
dots.v, dots.v, dots.down, dots.v;
a_(i 1), a_(i 2), ..., a_(i n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
)
$
+ Multiplying a row by a nonzero number:
$
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
a_(i 1), a_(i 2), ..., a_(i n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
) op(arrow.long, limits: #true)^(r_i^' = c times r_i)
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
c times a_(i 1), c times a_(i 2), ..., c times a_(i n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
)
$
+ Adding a multiple of one row to another row.
$
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
a_(i 1), a_(i 2), ..., a_(i n);
dots.v, dots.v, dots.down, dots.v;
a_(j 1), a_(j 2), ..., a_(j n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
) op(arrow.long, limits: #true)^(r_i^' = r_i + c r_j)
mat(
a_11, a_12, ..., a_1n;
dots.v, dots.v, dots.down, dots.v;
a_(i 1) + c a_(j 1), a_(i 2) + c a_(j 2), ..., a_(i n) + c a_(j n);
dots.v, dots.v, dots.down, dots.v;
a_(j 1), a_(j 2), ..., a_(j n);
dots.v, dots.v, dots.down, dots.v;
a_(n 1), a_(n 2), ..., a_(n n);
)
$
The greatest advantage of elementary row operations is: they *do not change the
solution space of our system of equations*, that is, the set of solutions of REF
generated by using elementary row operations is identical to the origin system.
== Find REF by Gaussian Elimination
*Definition.* Given a matrix $A in M_(n times m)(RR)$, $A$ is in _row echelon
form (REF)_ if
- All rows with entry all zero are at the bottom.
- The pivot (the first non-zero entry) is 1 and is on the right of the pivot of every row above.
*Definition.* A matrix is in _reduced row echelon form (RREF)_ if it is in REF,
and
- Each column containing a pivot has zeros in all entries above the pivot.
*Example.* The following matrix is in REF, but not in RREF:
$
mat(
1, a_0, a_1, a_2, a_3;
0, 0, 1, a_4, a_5;
0, 0, 0, 1, a_6;
0, 0, 0, 0, 0;
).
$
== Find the Solution Set in RREF
Define the augmented matrix
$
B
&= mat(A | b)\
&= mat(
a_11, a_12, ..., a_(1n), b_1;
a_21, a_22, ..., a_(2n), b_2;
dots.v, dots.v, dots.down, dots.v, dots.v;
a_(n 1), a_(n 2), ..., a_(n n), b_n;
augment: #(vline: -1)
), quad
$
our goal is reduce $B$ to its RREF
$
mat(
1, 0, ..., 0, s_1;
0, 1, ..., 0, s_2;
dots.v, dots.v, dots.down, dots.v, dots.v;
0, 0, ..., 1, s_n;
augment: #(vline: -1)
)
$
if possible. The solution of our original system $A x = b$ is just
$
cases(
x_1 &= s_1\
x_2 &= s_2\
&space dots.v\
x_n &= s_n
)
$
*Example.* Lets be more specific, consider the following linear system
$
cases(
2x_1 + x_2 - x_3 &= 8\
-3 x_1 - x_2 + 2 x_3 &= -11\
-2 x_1 + x_2 + 2 x_3 &= -3
)
$
To solve this system, firstly we are going to write it into matrix form:
$
A = mat(
2, 1, -1;
-3, -1, 2;
-2, 1, 2
), quad
x = mat(
x_1; x_2; x_3;
), quad
b = mat(
8; -11; 3
).
$
The corresponding augmented matrix is
$
mat(
2, 1, -1, 8;
-3, -1, 2, -11;
-2, 1, 2, 3;
augment: #(vline: -1)
)
$
By doing Gaussian elimination, we have
$
mat(
2, 1, -1, 8;
-3, -1, 2, -11;
-2, 1, 2, 3;
augment: #(vline: -1)
)
&op(arrow.long, limits: #true)^(r_2^' = r_2 + 3/2 r_j)
mat(
2, 1, -1, 8;
0, 1/2, 1/2, 1;
-2, 1, 2, 3;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_2^' = r_2 + r_1)
mat(
2, 1, -1, 8;
0, 1/2, 1/2, 1;
0, 2, 1, 5;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_3^' = r_3 - 4 r_2)
mat(
2, 1, -1, 8;
0, 1/2, 1/2, 1;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_2^' = r_2 + 1/2 r_3)
mat(
2, 1, -1, 8;
0, 1/2, 0, 3/2;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_1^' = r_1 - r_3)
mat(
2, 1, 0, 7;
0, 1/2, 0, 3/2;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_1^' = r_1 - 2 r_2)
mat(
2, 0, 0, 4;
0, 1/2, 0, 3/2;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_1^' = 1/2 r_1)
mat(
1, 0, 0, 2;
0, 1/2, 0, 3/2;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_2^' = 2 r_2)
mat(
1, 0, 0, 2;
0, 1, 0, 3;
0, 0, -1, 1;
augment: #(vline: -1))\
&op(arrow.long, limits: #true)^(r_3^' = -r_3)
mat(
1, 0, 0, 2;
0, 1, 0, 3;
0, 0, 1, -1;
augment: #(vline: -1)).\
$
And this gives us the solution
$
cases(
x_1 = 2\
x_2 = 3\
x_3 = -1
).
$
== Set of Solution of a System of Linear Equations
However, it is not alway possible to find an unique solution for all linear
system. There are three scenarios of a linear system:
- The system has a unique solution.
- The system has infinitely many solutions.
- The system has no solution (aka. inconsistent).
The best way of distinguish the three cases above is to take the advantage of
REF. In general, for the augmented matrix $mat(A | b)$ of a linear system
with $n$ variable and $n$ equations, the system has:
- a unique solution if every row has a pivot in its REF,
- infinitely many solution if there exists a row of all zeros in its REF,
- no solution if there exists a row of $mat(0, 0, ..., 0 | c)$, for some nonzero constant in its REF.
*Example.* Suppose
$
A = mat(
1, 4, -2;
2, 7, -1;
2, 9, alpha;
),
x = mat(
x_1, x_2, x_3
) "and"
b = mat(
4, -2, beta
).
$
Find conditions on $alpha$ and $beta$ so that $A x = b$ has
- no solution,
- a unique solution,
- infinitely many solution.
Before answering this question directly, we should write the argument matrix
$mat(A | b)$ in REF. As you can verify, the following is the REF of $mat(A | b)$
$
mat(
1, 4, -2, 4;
0, 1, -3, 10;
0, 0, alpha + 7, beta - 18;
augment: #(vline: -1)
)
$
Therefore, from the REF
#footnote([In rigorous speaking, we cannot claim this matrix is in REF because
there is no guarantee for $alpha + 7 = 1$, or $alpha + 7 = 0$ and
$beta - 18 = 1$, which are required for REF.])
of the matrix, we can conclude $A x = b$
- has no solution if $alpha + 7 = 0$ and $beta - 18 eq.not 0$,
- has a unique solution if $alpha + 7 = 1$ and $beta$ can be arbitrary real number,
- has infinitely many solution if $alpha + 7 = 0$ and $beta - 18 = 0$. |
|
https://github.com/ymgyt/techbook | https://raw.githubusercontent.com/ymgyt/techbook/master/math/README.md | markdown | # Math
## Usage
```sh
nix run github:typst/typst watch matrix.typ
``` |
|
https://github.com/drupol/cv | https://raw.githubusercontent.com/drupol/cv/master/src/cv/common/metadata.typ | typst | // Enter your thesis data here:
#let subtitle = "Research, analysis, development"
#let body-font = "Roboto"
#let sans-font = "New Computer Modern Sans"
#let page-margin = (left: 5mm, right: 5mm, top: 5mm, bottom: 5mm,)
#let rev = if "rev" in sys.inputs {
sys.inputs.rev
} else {
""
}
#let shortRev = if "shortRev" in sys.inputs {
sys.inputs.shortRev
} else {
""
}
#let builddate = if "builddate" in sys.inputs {
sys.inputs.builddate
} else {
""
}
// Default font sizes from original LaTeX style file.
#let font-defaults = (
tiny: 6pt,
scriptsize: 7pt,
footnotesize: 9pt,
small: 9pt,
normalsize: 10pt,
large: 12pt,
Large: 14pt,
LARGE: 17pt,
huge: 20pt,
Huge: 25pt,
)
#let font = (
Large: font-defaults.Large + 0.4pt, // Actual font size.
footnote: font-defaults.footnotesize,
large: font-defaults.large,
small: font-defaults.small,
normal: font-defaults.normalsize,
script: font-defaults.scriptsize,
)
|
|
https://github.com/kdog3682/2024-typst | https://raw.githubusercontent.com/kdog3682/2024-typst/main/src/prose.typ | typst |
#let title(s) = {
return text(weight: "bold", s)
}
#let prose-ref = (
"title": title,
)
|
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/meta/document_06.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
//
// #box[
// // Error: 4-32 document set rules are not allowed inside of containers
// #set document(title: [Hello])
// ] |
https://github.com/k-84mo10/typst_modification | https://raw.githubusercontent.com/k-84mo10/typst_modification/main/tests/typ/meta/bibliography.typ | typst | Apache License 2.0 | // Test citations and bibliographies.
---
// Test ambiguous reference.
= Introduction <arrgh>
// Error: 1-7 label occurs in the document and its bibliography
@arrgh
#bibliography("/files/works.bib")
---
#set page(width: 200pt)
= Details
See also #cite("arrgh", "distress", supplement: [p. 22]), @arrgh[p. 4], and @distress[p. 5].
#bibliography("/files/works.bib")
---
// Test unconventional order.
#set page(width: 200pt)
#bibliography(
"/files/works.bib",
title: [Works to be cited],
style: "chicago-author-date",
)
#line(length: 100%)
#[#set cite(brackets: false)
As described by @netwok],
the net-work is a creature of its own.
This is close to piratery! @arrgh
And quark! @quark
---
// Error: 15-55 duplicate bibliography keys: arrgh, distress, glacier-melt, issue201, mcintosh_anxiety, netwok, psychology25, quark, restful, sharing, tolkien54
#bibliography(("/files/works.bib", "/files/works.bib"))
---
#set page(width: 200pt)
#set heading(numbering: "1.")
#show bibliography: set heading(numbering: "1.")
= Multiple Bibs
Now we have multiple bibliographies containing #cite("glacier-melt", "keshav2007read")
#bibliography(("/files/works.bib", "/files/works_too.bib"))
|
https://github.com/jamesrswift/pixel-pipeline | https://raw.githubusercontent.com/jamesrswift/pixel-pipeline/main/src/pipeline/stages/typeset.typ | typst | The Unlicense | #import "/src/math/lib.typ": vector, aabb
#let _get-bounds(commands) = {
// TODO: Make this a fold
let bounds = none
for cmd in commands {
let half-measures = vector.scale( cmd.measures.values(), 0.5 )
let position = cmd.positions.named().root.position.map(dim=>dim.to-absolute())
bounds = aabb.from-vectors(
(
low: vector.sub(position, half-measures),
high: vector.add(position, half-measures),
),
initial: bounds,
)
}
return bounds
}
// TODO: Throw away commands without root position or body
#let draw(cmd, scale: 1em, bounds: (:)) = context {
let (width, height) = cmd.at("measures", default: (0pt, 0pt))
let pos = vector.sub(
cmd.positions.named().root.position,
bounds.low
)
place(
top + left,
float: false,
move(
dx: pos.at(0) - width / 2,
dy: pos.at(1) - height / 2,
cmd.content,
)
)
}
#let typeset(commands) = {
let bounds = _get-bounds(commands)
let (width, height) = aabb.size(bounds)
box(
width: width, height: height,
stroke: red + 0.1pt,
align(top, commands.map(draw.with(bounds: bounds)).join())
)
} |
https://github.com/taooceros/typst-sync-packages | https://raw.githubusercontent.com/taooceros/typst-sync-packages/main/packages/local/homework-template/0.1.0/lib.typ | typst | Apache License 2.0 | // The project function defines how your document looks.
// It takes your content and some metadata and formats it.
// Go ahead and customize it to your liking!
#let project(title: "", authors: (), body) = {
// Set the document's basic properties.
set document(author: authors, title: title)
set page(numbering: "1", number-align: center)
set text(font: "Charis SIL", lang: "en", weight: 300)
set par(justify: false)
set heading(numbering: "1.1")
// Set paragraph spacing.
show par: set block(above: 1.2em, below: 1.2em)
set block(below: 1.5em, above: 1.5em)
set par(leading: 1em)
// Title row.
align(center)[
#block(text(font: "quicksand", weight: 700, 1.75em, title))
]
// Author information.
pad(
top: 0.8em,
bottom: 0.8em,
x: 2em,
grid(
columns: (1fr,) * calc.min(3, authors.len()),
gutter: 1em,
..authors.map(author => text(font: "Innovate")[#align(center, strong(author))]),
),
)
// Main body.
set par(justify: true)
body
}
#let cong = $tilde.equiv$
#let id = $#math.bb("1")$
#let nsg = symbol("⊴")
#let subgroup = nsg;
#let iprod(x, y)=$lr(angle.l #x, #y angle.r)$
#let argmin = math.op("argmin", limits: true)
#let argmax = math.op("argmax", limits: true)
#let id = math.bb("1");
#let pp = math.cal("p");
#let sim = sym.tilde.op
#let cplus = sym.plus.circle
#import "@preview/ctheorems:1.1.0": *
#import "@preview/showybox:2.0.1": showybox
#let thmbox(
identifier,
head,
supplement: auto,
fill: none,
stroke: none,
inset: 1.2em,
radius: 0.3em,
breakable: false,
padding: (top: 0.2em, bottom: 0.75em, left: 0.5em, right: 0.5em),
namefmt: x => [#x],
titlefmt: strong,
bodyfmt: x => x,
separator: [:#h(0.2em)],
base: "heading",
base_level: none,
) = {
if supplement == auto {
supplement = head
}
let boxfmt(name, number, body, title: auto) = {
if title == auto {
title = head
}
if not number == [] {
title += " " + number
}
if not name == none {
name = [ #namefmt(name) ]
} else {
name = title
title = none
}
title = titlefmt(title)
body = bodyfmt(body)
showybox(title-style: (boxed-style: (
anchor: (x: left, y: horizon),
radius: (top-left: 10pt, bottom-right: 10pt, rest: 0pt),
offset: (x: 0.5em),
)), frame: (
title-color: fill.darken(50%),
body-color: fill.lighten(90%),
footer-color: fill.lighten(80%),
border-color: fill.darken(70%),
radius: (top-left: 10pt, bottom-right: 10pt, rest: 0pt),
), title: text(font: "Quicksand", weight: "regular")[#name])[
#pad(..padding)[
#body
]
]
}
return thmenv(identifier, base, base_level, boxfmt)
}
#let thm = thmbox(
"Theorem",
smallcaps[Theorem],
base_level: 2,
fill: fuchsia.lighten(90%),
stroke: fuchsia.darken(20%),
)
#let proposition = thmbox(
"Proposition",
"Proposition",
fill: yellow.lighten(10%),
)
#let lemma = thmbox(
"Lemma",
"Lemma",
fill: rgb("#eeffee").lighten(50%),
stroke: rgb("#eeffee").darken(10%),
)
#let corollary = thmbox(
"corollary",
"Corollary",
base: "theorem",
fill: teal,
titlefmt: strong,
)
#let definition = thmbox(
"definition",
"Definition",
inset: (x: 1.2em, top: 1em, bottom: 1em),
base_level: 2,
fill: aqua.lighten(70%),
stroke: aqua.darken(20%),
)
#let assumption = thmbox(
"assumption",
"Assumption",
fill: rgb("FFA1F5").lighten(50%),
stroke: rgb("FFA1F5").darken(20%),
)
#let example = thmplain("example", "Example").with(numbering: none)
#let solution = thmbox("solution", "Solution", fill: green.lighten(50%))
#let exproof = thmenv(
"proof",
none,
none,
(name, number, body, color: black) => box(inset: 1em)[
#let name = if name != none { smallcaps[ (#name) ] } else {}
#smallcaps[*Proof #number* #name:] #body
#h(1fr) $square$
],
)
#let proof = thmplain(
"proof",
"Proof",
base: "theorem",
bodyfmt: body => [#body #h(1fr) #linebreak() #h(1fr) $square$]
).with(numbering: none)
#let proofidea = thmplain(
"proof",
"Proof Idea",
base: "theorem",
bodyfmt: body => [#body #h(1fr) $square$],
).with(numbering: none)
#let remark = thmbox("remark", "Remark", base: "theorem", fill: orange, stroke: orange).with(numbering: none)
#let todo = thmbox("todo", "TODO", base: "theorem", fill: yellow.lighten(50%)).with(numbering: none)
#let tryref(label) = {
locate(loc=>{
if query(label, loc).len() == 0 {
return str(label)
} else {
return ref(label)
}
})
} |
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/fletcher/0.2.0/src/draw.typ | typst | Apache License 2.0 | #import "@preview/cetz:0.1.2" as cetz: vector
#import "utils.typ": *
#import "marks.typ": *
/// Get the point at which a connector should attach to a node from a given
/// angle, taking into account the node's size and shape.
///
/// - node (dictionary): The node to connect to.
/// - θ (angle): The desired angle from the node's center to the connection
/// point.
/// -> point
#let get-node-anchor(node, θ) = {
if node.radius < 1e-3pt { return node.real-pos }
if node.shape == "circle" {
vector.add(
node.real-pos,
vector-polar(node.radius + node.outset, θ),
)
} else if node.shape == "rect" {
let origin = node.real-pos
let μ = calc.pow(node.aspect, node.defocus)
let origin-δ = (
calc.max(0pt, node.size.at(0)/2*(1 - 1/μ))*calc.cos(θ),
calc.max(0pt, node.size.at(1)/2*(1 - μ/1))*calc.sin(θ),
)
let crossing-line = (
vector.add(origin, origin-δ),
vector.add(origin, vector-polar(1e3*node.radius, θ)),
)
intersect-rect-with-crossing-line(node.outer-rect, crossing-line)
} else { panic(node.shape) }
}
/// Get the points where a connector between two nodes should be drawn between,
/// taking into account the nodes' sizes and relative positions.
///
/// - edge (dictionary): The connector whose end points should be determined.
/// - nodes (pair of dictionaries): The start and end nodes of the connector.
/// -> pair of points
#let get-edge-anchors(edge, nodes) = {
let center-center-line = nodes.map(node => node.real-pos)
let v = vector.sub(..center-center-line)
let θ = vector-angle(v) // approximate angle of connector
if edge.kind in ("line", "arc") {
let δ = edge.bend
let incident-angles = (θ + δ + 180deg, θ - δ)
let points = zip(nodes, incident-angles).map(((node, θ)) => {
get-node-anchor(node, θ)
})
return points
} else if edge.kind == "corner" {
zip(nodes, (θ + 180deg, θ)).map(((node, θ)) => {
get-node-anchor(node, θ)
})
}
}
#let draw-edge-label(edge, label-pos, options) = {
cetz.draw.content(
label-pos,
box(
fill: edge.crossing-fill,
inset: .2em,
radius: .2em,
stroke: if options.debug >= 2 { DEBUG_COLOR + 0.25pt },
$ #edge.label $,
),
anchor: if edge.label-anchor != auto { edge.label-anchor },
)
if options.debug >= 2 {
cetz.draw.circle(
label-pos,
radius: edge.stroke.thickness,
stroke: none,
fill: DEBUG_COLOR,
)
}
}
// Get the arrow head adjustment for a given extrusion distance
#let cap-offsets(edge, y) = {
zip(edge.marks, (+1, -1)).map(((mark, dir)) => {
dir*cap-offset(mark, y)*edge.stroke.thickness
})
}
#let draw-edge-line(edge, nodes, options) = {
// Stroke end points, before adjusting for the arrow heads
let cap-points = get-edge-anchors(edge, nodes)
let θ = vector-angle(vector.sub(..cap-points))
let cap-angles = (θ, θ + 180deg)
for shift in edge.extrude {
let d = shift*edge.stroke.thickness
let shifted-line-points = cap-points
.zip(cap-offsets(edge, shift))
.map(((point, offset)) => vector.add(
point,
vector.add(
// Shift end points lengthways depending on markers
vector-polar(offset, θ),
// Shift line sideways (for double line effects, etc)
vector-polar(d, θ + 90deg),
)
))
cetz.draw.line(
..shifted-line-points,
stroke: edge.stroke,
)
}
// Draw marks
for (mark, pt, θ) in zip(edge.marks, cap-points, cap-angles) {
if mark == none { continue }
draw-arrow-cap(pt, θ, edge.stroke, mark)
}
// Draw label
if edge.label != none {
// Choose label anchor based on connector direction
if edge.label-side == auto {
edge.label-side = if calc.abs(θ) > 90deg { left } else { right }
}
let label-dir = if edge.label-side == right { +1 } else { -1 }
if edge.label-anchor == auto {
edge.label-anchor = angle-to-anchor(θ - label-dir*90deg)
}
edge.label-sep = to-abs-length(edge.label-sep, options.em-size)
let label-pos = vector.add(
vector.lerp(..cap-points, edge.label-pos),
vector-polar(edge.label-sep, θ + label-dir*90deg),
)
draw-edge-label(edge, label-pos, options)
}
}
#let draw-edge-arc(edge, nodes, options) = {
// Stroke end points, before adjusting for the arrow heads
let cap-points = get-edge-anchors(edge, nodes)
let θ = vector-angle(vector.sub(..cap-points))
let (center, radius, start, stop) = get-arc-connecting-points(..cap-points, edge.bend)
let bend-dir = if edge.bend > 0deg { +1 } else { -1 }
let δ = bend-dir*90deg
let cap-angles = (start + δ, stop - δ)
for shift in edge.extrude {
let (start, stop) = (start, stop)
.zip(cap-offsets(edge, shift))
.map(((θ, arclen)) => θ + bend-dir*arclen/radius*1rad)
cetz.draw.arc(
center,
radius: radius + shift*edge.stroke.thickness,
start: start,
stop: stop,
anchor: "center",
stroke: edge.stroke,
)
}
// Draw marks
for (mark, pt, θ) in zip(edge.marks, cap-points, cap-angles) {
if mark == none { continue }
draw-arrow-cap(pt, θ, edge.stroke, mark)
}
// Draw label
if edge.label != none {
if edge.label-side == auto {
edge.label-side = if edge.bend > 0deg { left } else { right }
}
let label-dir = if edge.label-side == left { +1 } else { -1 }
if edge.label-anchor == auto {
// Choose label anchor based on connector direction
edge.label-anchor = angle-to-anchor(θ + label-dir*90deg)
}
edge.label-sep = to-abs-length(edge.label-sep, options.em-size)
let label-pos = vector.add(
center,
vector-polar(
radius + label-dir*bend-dir*edge.label-sep,
lerp(start, stop, edge.label-pos),
)
)
draw-edge-label(edge, label-pos, options)
}
if options.debug >= 3 {
for (cell, point) in zip(nodes, cap-points) {
cetz.draw.line(
cell.real-pos,
point,
stroke: DEBUG_COLOR + 0.1pt,
)
}
}
}
#let draw-edge-corner(edge, nodes, options) = {
let θ = vector-angle(vector.sub(..edge.points))
let θ-floor = calc.floor(θ/90deg)*90deg
let θ-ceil = calc.ceil(θ/90deg)*90deg
// angles that arrow heads would point
let cap-angles = if edge.corner == left {
(θ-ceil, θ-floor + 180deg)
} else if edge.corner == right {
(θ-floor, θ-ceil + 180deg)
}
let cap-points = zip(nodes, cap-angles).map(((node, φ)) => {
// todo: defocus?
get-node-anchor(node, lerp(φ, θ, 0) + 180deg)
})
let i = if edge.corner == left { 1 } else { 0 }
let corner = if calc.even(calc.floor(θ/90deg) + i) {
(cap-points.at(1).at(0), cap-points.at(0).at(1))
} else {
(cap-points.at(0).at(0), cap-points.at(1).at(1))
}
let verts = (
cap-points.at(0),
corner,
cap-points.at(1),
)
// Compute the three points of the right angle,
// taking into account extrusions and mark offsets
let get-vertices(shift) = {
let (a, b) = cap-angles.zip((-1, +1)).map(((θ, dir)) => {
vector-polar(shift*edge.stroke.thickness, θ + dir*90deg)
})
// apply extrusions
let verts = verts.zip((a, vector.add(a, b), b))
.map(((v, o)) => vector.add(v, o))
// apply mark offsets
let offsets = zip(cap-offsets(edge, shift), cap-angles).map(((o, θ)) => {
vector-polar(o, θ)
})
(
vector.add(verts.at(0), offsets.at(0)),
verts.at(1),
vector.sub(verts.at(2), offsets.at(1)),
)
}
for shift in edge.extrude {
cetz.draw.line(
..get-vertices(shift),
stroke: edge.stroke,
)
}
// Draw marks
for (mark, pt, θ) in zip(edge.marks, cap-points, cap-angles) {
if mark == none { continue }
draw-arrow-cap(pt, θ, edge.stroke, mark)
}
// Draw label
if edge.label != none {
if edge.label-side == auto { edge.label-side = edge.corner }
let label-dir = if edge.label-side == left { +1 } else { -1 }
if edge.label-anchor == auto {
// Choose label anchor based on connector direction
edge.label-anchor = angle-to-anchor(θ + label-dir*90deg)
}
let v = get-vertices(label-dir*edge.label-sep/edge.stroke.thickness)
let label-pos = zip(..v).map(coords => {
lerp-at(coords, 2*edge.label-pos)
})
draw-edge-label(edge, label-pos, options)
}
}
#let draw-edge(edge, nodes, options) = {
if edge.kind == "line" { draw-edge-line(edge, nodes, options) }
else if edge.kind == "arc" { draw-edge-arc(edge, nodes, options) }
else if edge.kind == "corner" { draw-edge-corner(edge, nodes, options) }
else { panic(edge.kind) }
}
#let find-node-at(nodes, pos) = {
nodes.filter(node => node.pos == pos)
.sorted(key: node => node.radius).last()
}
#let draw-diagram(
grid,
nodes,
arrows,
options,
) = {
for (i, node) in nodes.enumerate() {
if node.label == none { continue }
if node.stroke != none or node.fill != none {
if node.shape == "rect" {
cetz.draw.rect(
..node.rect,
stroke: node.stroke,
fill: node.fill,
)
}
if node.shape == "circle" {
cetz.draw.circle(
node.real-pos,
radius: node.radius,
stroke: node.stroke,
fill: node.fill,
)
}
}
cetz.draw.content(node.real-pos, node.label, anchor: "center")
if options.debug >= 1 {
cetz.draw.circle(
node.real-pos,
radius: 1pt,
fill: DEBUG_COLOR,
stroke: none,
)
}
if options.debug >= 2 {
if options.debug >= 3 or node.shape == "rect" {
cetz.draw.rect(
..node.rect,
stroke: DEBUG_COLOR + 0.25pt,
)
}
if options.debug >= 3 or node.shape == "circle" {
cetz.draw.circle(
node.real-pos,
radius: node.radius,
stroke: DEBUG_COLOR + 0.25pt,
)
}
}
}
for arrow in arrows {
let nodes = arrow.points.map(find-node-at.with(nodes))
let intersection-stroke = if options.debug >= 2 {
(paint: DEBUG_COLOR, thickness: 0.25pt)
}
draw-edge(arrow, nodes, options)
}
// draw axes
if options.debug >= 1 {
cetz.draw.rect(
(0,0),
grid.bounding-size,
stroke: DEBUG_COLOR + 0.25pt
)
for (axis, coord) in ((0, (x,y) => (x,y)), (1, (y,x) => (x,y))) {
for (i, x) in grid.centers.at(axis).enumerate() {
let size = grid.sizes.at(axis).at(i)
// coordinate label
cetz.draw.content(
coord(x, -.4em),
text(fill: DEBUG_COLOR, size: .75em)[#(grid.origin.at(axis) + i)],
anchor: if axis == 0 { "top" } else { "right" }
)
// size bracket
cetz.draw.line(
..(+1, -1).map(dir => coord(x + dir*max(size, 1e-6pt)/2, 0)),
stroke: DEBUG_COLOR + .75pt,
mark: (start: "|", end: "|")
)
// gridline
cetz.draw.line(
coord(x, 0),
coord(x, grid.bounding-size.at(1 - axis)),
stroke: (
paint: DEBUG_COLOR,
thickness: .3pt,
dash: "densely-dotted",
),
)
}
}
}
}
|
https://github.com/SWATEngineering/Docs | https://raw.githubusercontent.com/SWATEngineering/Docs/main/src/2_RTB/PianoDiProgetto/content.typ | typst | MIT License | /*************************************/
/* INSERIRE SOTTO IL CONTENUTO */
/*************************************/
#include "sections/Introduzione.typ"
#pagebreak()
#include "sections/AnalisiDeiRischi.typ"
#pagebreak()
#include "sections/ModelloDiSviluppo.typ"
#pagebreak()
#include "sections/Pianificazione.typ"
#pagebreak()
#include "sections/Preventivo.typ"
#pagebreak()
#include "sections/Consuntivo.typ" |
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/unichar/0.1.0/ucd/block-18B0.typ | typst | Apache License 2.0 | #let data = (
("CANADIAN SYLLABICS OY", "Lo", 0),
("CANADIAN SYLLABICS AY", "Lo", 0),
("CANADIAN SYLLABICS AAY", "Lo", 0),
("CANADIAN SYLLABICS WAY", "Lo", 0),
("CANADIAN SYLLABICS POY", "Lo", 0),
("CANADIAN SYLLABICS PAY", "Lo", 0),
("CANADIAN SYLLABICS PWOY", "Lo", 0),
("CANADIAN SYLLABICS TAY", "Lo", 0),
("CANADIAN SYLLABICS KAY", "Lo", 0),
("CANADIAN SYLLABICS KWAY", "Lo", 0),
("CANADIAN SYLLABICS MAY", "Lo", 0),
("CANADIAN SYLLABICS NOY", "Lo", 0),
("CANADIAN SYLLABICS NAY", "Lo", 0),
("CANADIAN SYLLABICS LAY", "Lo", 0),
("CANADIAN SYLLABICS SOY", "Lo", 0),
("CANADIAN SYLLABICS SAY", "Lo", 0),
("CANADIAN SYLLABICS SHOY", "Lo", 0),
("CANADIAN SYLLABICS SHAY", "Lo", 0),
("CANADIAN SYLLABICS SHWOY", "Lo", 0),
("CANADIAN SYLLABICS YOY", "Lo", 0),
("CANADIAN SYLLABICS YAY", "Lo", 0),
("CANADIAN SYLLABICS RAY", "Lo", 0),
("CANADIAN SYLLABICS NWI", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY NWI", "Lo", 0),
("CANADIAN SYLLABICS NWII", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY NWII", "Lo", 0),
("CANADIAN SYLLABICS NWO", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY NWO", "Lo", 0),
("CANADIAN SYLLABICS NWOO", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY NWOO", "Lo", 0),
("CANADIAN SYLLABICS RWEE", "Lo", 0),
("CANADIAN SYLLABICS RWI", "Lo", 0),
("CANADIAN SYLLABICS RWII", "Lo", 0),
("CANADIAN SYLLABICS RWO", "Lo", 0),
("CANADIAN SYLLABICS RWOO", "Lo", 0),
("CANADIAN SYLLABICS RWA", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY P", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY T", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY K", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY C", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY M", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY N", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY S", "Lo", 0),
("CANADIAN SYLLABICS OJIBWAY SH", "Lo", 0),
("CANADIAN SYLLABICS EASTERN W", "Lo", 0),
("CANADIAN SYLLABICS WESTERN W", "Lo", 0),
("CANADIAN SYLLABICS FINAL SMALL RING", "Lo", 0),
("CANADIAN SYLLABICS FINAL RAISED DOT", "Lo", 0),
("CANADIAN SYLLABICS R-CREE RWE", "Lo", 0),
("CANADIAN SYLLABICS WEST-CREE LOO", "Lo", 0),
("CANADIAN SYLLABICS WEST-CREE LAA", "Lo", 0),
("CANADIAN SYLLABICS THWE", "Lo", 0),
("CANADIAN SYLLABICS THWA", "Lo", 0),
("CANADIAN SYLLABICS TTHWE", "Lo", 0),
("CANADIAN SYLLABICS TTHOO", "Lo", 0),
("CANADIAN SYLLABICS TTHAA", "Lo", 0),
("CANADIAN SYLLABICS TLHWE", "Lo", 0),
("CANADIAN SYLLABICS TLHOO", "Lo", 0),
("CANADIAN SYLLABICS SAYISI SHWE", "Lo", 0),
("CANADIAN SYLLABICS SAYISI SHOO", "Lo", 0),
("CANADIAN SYLLABICS SAYISI HOO", "Lo", 0),
("CANADIAN SYLLABICS CARRIER GWU", "Lo", 0),
("CANADIAN SYLLABICS CARRIER DENE GEE", "Lo", 0),
("CANADIAN SYLLABICS CARRIER GAA", "Lo", 0),
("CANADIAN SYLLABICS CARRIER GWA", "Lo", 0),
("CANADIAN SYLLABICS SAYISI JUU", "Lo", 0),
("CANADIAN SYLLABICS CARRIER JWA", "Lo", 0),
("CANADIAN SYLLABICS BEAVER DENE L", "Lo", 0),
("CANADIAN SYLLABICS BEAVER DENE R", "Lo", 0),
("CANADIAN SYLLABICS CARRIER DENTAL S", "Lo", 0),
)
|
https://github.com/sa-concept-refactoring/doc | https://raw.githubusercontent.com/sa-concept-refactoring/doc/main/chapters/analysis.typ | typst | #import "@preview/tablex:0.0.4": tablex
#let cell(fill: green, body) = box(
inset: 8pt,
fill: fill,
width: 100%,
radius: 6pt,
text(white, weight: "bold", body)
)
= Analysis <analysis>
This section documents the research and analysis of various processes and constructs.
First, in @refactoring_explanation, it is explored what a refactoring is.
Then the language server protocol is described in @lsp_analysis.
@llvm_project_analysis analyzes the structure of the LLVM project.
The clangd language server is looked at in @clangd_language_server_analysis, with a focus on refactorings, including their testing in @refactor_operations_in_clangd.
In @ast_analysis, abstract syntax trees are looked at, including their role in compilers and clang specifically.
Finally, C++ concepts are examined in @cpp_concepts.
== Refactoring <refactoring_explanation>
When applying a refactoring, the external behavior needs to stay the same as before the refactoring was applied @refactoring_martin_fowler.
To ensure that a refactoring does not affect the behavior and does not introduce new bugs, tests should be written before a refactoring is applied.
Refactoring code is a very important step while developing to improve code readability and reduce complexities. @refactoring
Many IDEs offer refactoring features to help the developers keep their code in good shape.
To offer refactorings, the provided feature needs to be tested well to ensure that the external behavior stays the same.
In a lot of cases, automated tests are used to do so.
Even if all tests succeed, one would theoretically still be required to prove that the expected result has the same behavior as the test input,
however, due to these tests being very concise, their correctness can typically be verified through a quick inspection.
The testing of refactorings in clangd is explored in more detail in @testing.
Different refactorings vary in complexity.
For example, renaming a local variable typically has limited potential for unexpected side-effects.
In most cases, it is sufficient to check whether the new name already exists in the affected scope.
The "Abbreviate Function Template" refactoring (@abbreviate_function_template), on the other hand, could have surprising side-effects,
in which case it must not be applied.
It should also be considered that in some cases, not the whole code can be analyzed or is not even available.
The preprocessor capabilites of C++ @preprocessor pose another challenge to refactoring operations.
The preprocessor allows almost any name to be redefined, which can significantly complicate the refactoring process.
This means that a name in the code might not correspond to its final interpretation during compilation, making it difficult to predict the impact of a refactoring.
For instance, a seemingly harmless rename of a variable or function could inadvertently clash with a name defined by the preprocessor, leading to unexpected behavior or compilation errors.
To address this would require a thorough analysis and understanding of the entire codebase, including preprocessor directives, to ensure a safe refactoring.
#pagebreak()
In @refactoring_bad_example an example of bad refactoring is shown.
A function is defined with the template type parameters `T` and `U` and the function parameters `p1` and `p2`, which use the template type parameters in reverse order.
If a refactoring, for example, converts the functions to their abbreviated form using `auto` parameters and blindly uses `auto` for all function parameter types, it would result in a different function signature.
The compiler may throw an error at the call-site because the function call is no longer valid, but the updated source code could also just compile if the parameter types are all inferred.
In fact, this change should not be considered a refactoring, as the external behavior changed.
Therefore, it is more accurately described as a code transformation.
#figure(
kind: table,
[
#set text(size: 0.8em)
#grid(
columns: (2fr, 0.9fr, 1fr, 0.9fr),
gutter: 1em,
[],
[*Identical Parameter Types*],
[*Different Parameter Types*],
[*Standard Usage*],
[],
[
```cpp
f<int, int>
(24, 42);
```
],
[
```cpp
f<string, int>
(42, "?");
```
],
[
```cpp
f(42, "?");
```
],
[
```cpp
// Before Refactoring
template <typename T, std::integral U>
void f(U p1, T p2)
{}
```
],
[
#cell[Compiles]
],
[
#cell[Compiles]
],
[
#cell[Compiles]
],
[
```cpp
// After Refactoring
void f(std::integral auto p1, auto p2)
{}
```
],
[
#cell[Compiles]
],
[
#cell(fill: red)[Not Compiling]
Template arguments do no longer fulfill the concept requirement.
],
[
#cell(fill: orange)[Compiles]
Can throw errors depending on the function body.
],
)],
caption: [A bad example of refactoring],
) <refactoring_bad_example>
// COR what does it mean implementation wise
// VINA Not sure what to write to resolve this..
#pagebreak()
== Language Server Protocol (LSP) <lsp_analysis>
// COR Standard-Set an Features und erweiterbar...
The language server protocol, short LSP, is an open, JSON-RPC based protocol designed to communicate between code editors or integrated development environments (IDEs) and language servers.
It provides language-specific features such as code completion, syntax highlighting, error checking, and other services to enhance the capabilities of code editors.
Traditionally, this work was done by each development tool as each provides different APIs for implementing the same features.
@language_server_sequence shows an example for how a tool and a language server communicate during a routine editing session.
The development tool sends notifications and requests to the language server.
The language server can then respond with the document URI and position of the symbol's definition inside the document for example.
By using a common protocol the same language server can be used by different editors which support the protocol.
This reduces the effort required to integrate language-specific features into various development environments,
allowing developers to have a more efficient and feature-rich coding experience, regardless of the programming language they are working with.
The idea of the LSP as described by Microsoft:
#quote(attribution: [#cite(<lsp>, form: "author" )], block: true)[
The idea behind the Language Server Protocol (LSP) is to standardize the protocol for how such servers and development tools communicate. This way, a single Language Server can be re-used in multiple development tools, which in turn can support multiple languages with minimal effort.
]
Language servers are used within modern IDEs and code editors such as Visual Studio Code, Atom and Sublime Text.
#figure(
image("../images/language_server_sequence.png"),
caption: [Diagram showing example communication between IDE and language server @lsp_overview],
) <language_server_sequence>
#pagebreak()
/ Implementations: #[
The language servers implementing the LSP for C++ are shown in @cpp-implementation.
For this project, the focus is set on the LLVM project, which is explored in @llvm_project_analysis.
A list of tools supporting the LSP can be found on the official website @tools_supporting_lsp.
#figure(
kind: table,
tablex(
columns: 4,
auto-vlines: false,
map-rows: (row, rows) => rows.map(r =>
if r == none {
r
} else {
(..r, fill: if row == 0 { luma(230) } else if row == 2 { rgb("#A8C8FE") } )
}
),
[*Language*], [*Maintainer*], [*Repository*], [*Implementation Language*],
[C++],[Microsoft], [VS Code C++ extension], [C++],
[C++/clang], [LLVM Project], [clangd], [C++],
[C/C++/Objective-C], [Jacob Dufault, MaskRay, topisani], [cquery], [C++],
[C/C++/Objective-C], [Jacob Dufault, MaskRay, topisani], [MaskRay], [C++]
),
caption: [C++ language servers implementing the LSP @lsp_implementations]
) <cpp-implementation>
]
=== LSP Features for Refactoring
To apply a refactoring using the LSP three steps are needed.
These steps are the same for all tools using the LSP.
#v(-3mm)
+ Action Request
+ Execute Command
+ Apply Edit
The flow chart @lsp-sequence-diagram shows a quick overview of the requests used for refactoring features.
The details of the requests shown in the flow diagram are explained further in the following sections.
#figure(
image("../images/lsp_sequence_diagram.png", width: 80%),
caption: [Diagram showing code action and code action resolve request],
) <lsp-sequence-diagram>
/ Code Action Request: #[
The code action request is sent from client to server to compute commands for a given text document and range.
To make the server useful in many clients, the command actions should be handled by the server and not by the client.
A client first needs to request possible code actions.
// TODO: add json of code action request (Client -> Server)
The server then computes which ones apply and sends them back in a JSON-encoded response.
@json_code_action_request_response shows an example answer to the Code Action Request.
/ Executing a Command: #[
To apply a code change the client sends a `workspace/executeCommand` to the server.
The server can then create one or multiple workspace edit structures @lsp_workspace_edit and apply the changes to the workspace by sending a `workspace/applyEdit` @lsp_workspace_apply_edit command to the client.
// TODO: add json of executeCommand request (Client -> Server)
]
/ Apply a WorkspaceEdit: #[
The `workspace/applyEdit` command is sent from the server to the client to modify a resource on the client side.
When the client then applies the provided changes and reports back to the server whether the edit has been successfully applied or not.
// TODO: add json of applyEdit (Server -> Client)
]
#v(1cm)
#figure(
[
#set text(size: 0.8em)
```json
[
{
"command": {
"arguments": [
{
"file": "<path to class where request was sent>",
"selection": {
"end": {
"character": 21,
"line": 16
},
"start": {
"character": 21,
"line": 16
}
},
"tweakID": "RefactorExample"
}
],
"command": "clangd.applyTweak",
"title": "A Refactoring Example"
},
"kind": "refactor",
"title": "A Refactoring Example"
}
]
```
],
caption: [Example answer to a code action request],
) <json_code_action_request_response>
]
#pagebreak()
== LLVM Project <llvm_project_analysis>
The LLVM project @llvm_github is a collection of modular and reusable compiler and toolchain technologies.
One of the primary sub-projects is Clang which is a "LLVM native" C/C++/Objective-C compiler.
@llvm_illustration illustrates how different compilers can use the LLVM intermediate language as an intermediate step before being compiled to platform-specific code.
#figure(
image("../images/llvm_architecture.jpeg", width: 80%),
caption: [Diagram showing the architecture of LLVM @LLVM_compiler_architecture],
) <llvm_illustration>
Code refactorings for C++ can be found within the clangd language server which is based on the clang compiler. @clangd
/ Coding Guidelines : #[
As all big projects LLVM also has defined coding guidelines @llvm_coding_standards which should be followed.
The documentation is well-written and is easy to understand which makes it easy to follow.
A lot of guidelines are described, however, some things seem to be missing, like the usage of trailing return types introduced with C++ 11 @function_declaration.
When code is submitted upstream, Clang-Tidy @clang_tidy is running automatically and needs to succeed for the code to be accepted.
Clang-Tidy is an extensible framework for diagnosing and fixing typical programming errors, like style violations, interface misuse, or bugs that can be deduced via static analysis. @clang_tidy
For any other guidelines, there is no automated checking.
]
/ Code Formatter : #[
To fulfill the formatting guidelines there is a formatter `clang-format` @clang_format within the project to format the files according to the guidelines.
A check run on GitHub is ensuring that the format of the code is correct.
Only when the formatter has been run successfully a pull request is allowed to be merged.
]
== The clangd Language Server <clangd_language_server_analysis>
// COR Aufbau des ganzen Toolings? Welche anderen Komponenten gibt es? Wie hängen diese zusammen?
Clangd is the language server which lives in the LLVM project repository @llvm_github under `clang-tools-extra/clangd`.
It understands C++ code and provides smart features like code completion, compiler warnings and errors, as well as go-to-definition and find-references capabilities.
The C++ refactoring features can be found within clangd under the `tweaks` folder.
#pagebreak()
== Refactorings in clangd <refactor_operations_in_clangd>
The LLVM project is quite big and it took a while to figure out how it is structured.
For refactoring features, classes can be created in `llvm-project/clang-tools-extra/clangd/refactor/tweaks`.
Each refactoring operation within clangd is implemented as a class, which inherits from a common `Tweak` ancestor.
To understand how a refactoring is implemented it helps to look at already existing code.
Further information about how this class is used can be found in @code_actions.
As concepts were introduced with C++20, it is quite new to the world of C++.
Looking at the existing refactoring operations, only little support for template parameter constraints is provided.
The only tweaks which can be applied are "Rename", "Dump AST" and "Annotate highlighting tokens" (hidden by default).
All other refactorings in clangd can not be applied to template parameter constraints.
Some basic ones like symbol rename already work for them.
=== Testing <testing>
The LLVM project strictly adheres to a well-defined architecture for testing.
To align with project guidelines @clangd_testing, automated unit tests must be authored prior to the acceptance of any code contributions.
The name of these files is usually the name of the class itself and uses the googletest framework @googletest_framework.
Unit tests for tweaks are added to `llvm-project/clang-tools-extra/clangd/unittests`.
To test them three functions are typically used, `EXPECT_EQ`, `EXPECT_AVAILABLE`, and `EXPECT_UNAVAILABLE`.
/ `EXPECT_EQ` : #[
Executes the `apply` function for a given snippet at a given cursor location and compares the result with the expected code.
]
/ `EXPECT_AVAILABLE` : #[
Checks if the refactoring feature is available on certain cursor position within the code.
The `prepare` function is executed.
]
/ `EXPECT_UNAVAILABLE` : #[
Checks if the refactoring feature is unavailable on certain cursor position within the code.
The `prepare` function is executed.
]
=== Code Actions <code_actions>
All refactoring features, so-called "tweaks", reside in the `refactor/tweaks` directory, where they are registered using the `REGISTER_TWEAK` macro.
These compact plugins inherit the tweak class @tweak_class_reference, which acts as an interface base (@refactor_example_class_diagram).
The structure of this class is demonstrated in @tweak_structure.
When presented with an AST and a selection, they can swiftly assess if they are applicable and, if necessary, create the edits, potentially at a slower pace.
These fundamental components constitute the foundation of the LSP code-actions flow.
#figure(
image("../drawio/refactor_example_class_diagram.drawio.png", width: 40%),
caption: "Class digram for clangd tweak and refactor example"
) <refactor_example_class_diagram>
#figure(
[
#set text(size: 0.8em)
```cpp
namespace clang {
namespace clangd {
namespace {
/// Feature description
class RefactorExample : public Tweak {
public:
const char *id() const final;
bool prepare(const Selection &Inputs) override;
Expected<Effect> apply(const Selection &Inputs) override;
std::string title() const override { return "A Refactoring Example"; }
llvm::StringLiteral kind() const override {
return CodeAction::REFACTOR_KIND;
}
};
REGISTER_TWEAK(RefactorExample)
bool RefactorExample::prepare(const Selection &Inputs) {
// Check if refactoring is possible
}
Expected<Tweak::Effect> RefactorExample::apply(const Selection &Inputs) {
// Refactoring code
}
} // namespace
} // namespace clangd
} // namespace clang
```
],
caption: [Structure of a tweak class],
) <tweak_structure>
*```cpp bool prepare(const Selection &Inputs)```:* \
Within the `prepare` function a check is performed to see if a refactoring is possible on the selected area.
The function is returning a boolean indicating whether the action is available and should be shown to the user.
As this function should be fast only non-trivial work should be done within.
If the action requires non-trivial work it should be moved to the `apply` function.
During this phase a refactoring can also set member variables that `apply` is going to use afterwards.
For example, in VS Code the function is triggered as soon as the "Refactoring" option is used.
However, LSP clients can choose to call the prepare function whenever they want.
*```cpp Expected<Tweak::Effect> apply(const Selection &Inputs)```:* \
Within the `apply` function the actual refactoring is taking place.
The function is triggered as soon as the refactoring tweak has ben selected.
It is guaranteed that the `prepare` function has been called before, so the member variables it prepared can be used.
It returns the edits which should be applied on the client side.
#pagebreak()
== Abstract Syntax Tree (AST) <ast_analysis>
The Abstract Syntax Tree, short AST, is a syntax tree representing the abstract syntactic structure of a source code.
It represents the syntactic structure of source code written in a programming language, capturing its grammar and organization in a tree data structure.
It provides a structured way to analyze code, making it easier for tools like code analyzers, code editors, and IDEs to understand and work with the code. @ast_dev_to
The tree underpinning the AST is a structure consisting of a root node, which is the starting node on top of the tree, which then points to other values and these values to others as well.
@ast_structure shows a simple tree.
Each circle is representing a value which is referred to as a 'node'.
The relationship within the tree can be described by using names like 'parent node', 'child node', 'sibling node' and so on.
There is no common AST representation and the structure of it varies depending on the language and compiler. @ast_dev_to
To illustrate how source code gets mapped to an AST we can look at an example.
@fact_function shows a simple function that calculates the factorial of n along with a possible AST for it.
#figure(
image("../drawio/ast_structure.drawio.png", width: 50%),
caption: [Diagram showing tree structure],
) <ast_structure>
#[
#set align(horizon)
#figure(
stack(
dir: ltr,
spacing: 20pt,
```cpp
int fact(int n) {
if (n == 0)
return 1;
else
return n*fact(n-1);
}
```,
image("../images/ast_fact_function.png", width: 35%),
),
caption: [Function for calculating the factorial of a number],
) <fact_function>
]
#pagebreak()
The most common use for ASTs are with compilers.
For a compiler to transform source code into compiled code, three steps are needed. @ast_python
@code_generation shows a visualization of the conversion steps.
#v(-3mm)
+ *Lexical Analysis* - Convert code into set of tokens describing the different parts of the code.
+ *Syntax Analysis* - Convert tokens into a tree that represents the actual structure of the code.
+ *Code Generation* - The compiler can apply multiple optimizations and then convert it into binary code.
In Clangd, the "AST" refers to the AST generated by the Clang compiler for a C++ source file.
Clangd uses this AST to provide features like code completion, code navigation, and code analysis in C++ development environments.
Clang also has a builtin AST-dump mode, which can be enabled with the `-ast-dump` flag. @clang_ast
@clang_ast_example shows an example of the ast dump of a simple function.
All Clang AST nodes are described in the generated online documentation Doxygen @doxygen.
#figure(
image("../images/ast_generation.png", width: 90%),
caption: [Diagram showing steps for code generation @ast_python],
) <code_generation>
#figure(
[
#set text(size: 0.9em)
```
$ cat test.cc
int f(int x) {
int result = (x / 42);
return result;
}
# Clang by default is a frontend for many tools; -Xclang is used to pass
# options directly to the C++ frontend.
$ clang -Xclang -ast-dump -fsyntax-only test.cc
TranslationUnitDecl 0x5aea0d0 <<invalid sloc>>
... cutting out internal declarations of clang ...
`-FunctionDecl 0x5aeab50 <test.cc:1:1, line:4:1> f 'int (int)'
|-ParmVarDecl 0x5aeaa90 <line:1:7, col:11> x 'int'
`-CompoundStmt 0x5aead88 <col:14, line:4:1>
|-DeclStmt 0x5aead10 <line:2:3, col:24>
| `-VarDecl 0x5aeac10 <col:3, col:23> result 'int'
| `-ParenExpr 0x5aeacf0 <col:16, col:23> 'int'
| `-BinaryOperator 0x5aeacc8 <col:17, col:21> 'int' '/'
| |-ImplicitCastExpr 0x5aeacb0 <col:17> 'int' <LValueToRValue>
| | `-DeclRefExpr 0x5aeac68 <col:17> 'int' lvalue ParmVar 0x5aeaa90 'x' 'int'
| `-IntegerLiteral 0x5aeac90 <col:21> 'int' 42
`-ReturnStmt 0x5aead68 <line:3:3, col:10>
`-ImplicitCastExpr 0x5aead50 <col:10> 'int' <LValueToRValue>
`-DeclRefExpr 0x5aead28 <col:10> 'int' lvalue Var 0x5aeac10 'result' 'int'
```
],
caption: [Example of AST dump in clang @clang_ast]
) <clang_ast_example>
#pagebreak()
When building an AST a root node needs to be found.
In clang, the top level declaration in a translation unit is always the `translation unit declaration` @clang_translation_unit_decl.
For a function for example it would be the `function declaration` @clang_function_declaration.
When the code has errors the AST can only be built if the top level declaration is found.
For a function this means, that the function name has to be present but other than that it can have errors within the code.
// COR How does clang support getting from AST-changes to code changes?
// VINA Didn't find anything about this...
@ast_dump_possibilities shows in which cases the AST can or can not be built.
#figure(
kind: table,
grid(
columns: (auto, 14em),
gutter: 1em,
align(start + horizon)[
```cpp
int f(int x) {
int result = (x / 42);
return result;
}
```
],
align(horizon)[
#cell[OK]
],
align(horizon)[
```cpp
f(int x) {
int result = (x / 42);
return result;
}
```
],
align(horizon)[
#cell[OK]
],
align(start + horizon)[
```cpp
int f(int x) {
int result = (x / 42);
}
```
],
align(horizon)[
#cell[OK]
],
align(start + horizon)[
```cpp
int f {
int result = (x / 42);
return result;
}
```
],
align(horizon)[
#cell[OK]
],
align(start + horizon)[
```cpp
int (int x) {
int result = (x / 42);
return result;
}
```
],
align(horizon)[
#cell(fill: red)[NOT OK \ function name missing]
],
align(horizon)[
```cpp
int f(int x)
int result = (x / 42);
return result;
```
],
align(horizon)[
#cell(fill: red)[NOT OK \ function brackets missing]
],
),
caption: [AST dump possibilities for valid and invalid functions],
) <ast_dump_possibilities>
#pagebreak()
== C++ Concepts <cpp_concepts>
Concepts are a new language feature introduced with C++20.
They allow puttign constraints on template parameters, which are evaluated at compile time.
This allows developers to restrict template parameters in a new convenient way.
For this the keywords `requires` @keyword_requires and `concept` @keyword_concept were added to give some language support. @concepts
Before C++20 `std::enable_if` @enable_if was used for such restrictions, more about these can be found in the C++ stories @if_const_expr.
// COR Analyse der Möglichkeiten der requires-Cause hätte noch etwas ausführlicher sein können.
/ Usage of the `requires` keyword : #[
The `requires` keyword can be used either before the function declaration or between the function declaration and the function body as illustrated in @requires_keyword_usage.
The requirements can also contain disjunctions ( `||` ) and/or conjunctions ( `&&` ) to restrict the parameter types even more.
It should be noted that nested require clauses are possible, which allows for many additional constructs.
Examples for these can be found in @concept_conditions_or and @concept_conditions_and.
]
/ Usage of the `concept` keyword : #[
Using the `concept` keyword requirements can be named, so they do not have to be repeated for every `requires` clause.
An example for a concept declaration can be found in @concept_decleration_example.
]
// COR Why is that?
#v(1cm)
#figure(
kind: image,
grid(
columns: (auto, 14em),
gutter: 1em,
```cpp
template <typename T>
requires CONDITION
void f(T param)
{}
```,
```cpp
template <typename T>
void f(T param) requires CONDITION
{}
```
),
caption: [Functions using requires clause],
) <requires_keyword_usage>
#figure( ```cpp
requires std::integral<T> || std::floating_point<T>
```,
caption: [Requires clause using disjunction],
) <concept_conditions_or>
#figure(
```cpp
requires std::integral<T> && std::floating_point<T>
```,
caption: [Requires clause using conjunction],
) <concept_conditions_and>
#figure(
```cpp
template<typename T>
concept Hashable = requires(T a)
{
{ std::hash<T>{}(a) } -> std::convertible_to<std::size_t>;
};
```,
caption: [Hashable concept declaration],
) <concept_decleration_example>
|
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/030%20-%20Amonkhet/006_Brazen.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Brazen",
set_name: "Amonkhet",
story_date: datetime(day: 03, month: 05, year: 2017),
author: "<NAME>",
doc
)
#figure(image("006_Brazen/01.png", width: 100%), caption: [], supplement: none, numbering: none)
#emph[The Gatewatch had come to Amonkhet to uncover the machinations of the malicious dragon Planeswalker <NAME>. What they found instead was a flourishing civilization at the height of its power, watched over by benevolent gods. While G<NAME> had many lingering questions about the world, the presence of the divine most captured his attention and curiosity.]
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
I walked quietly along the path, following in the wake of Oketra. The god glided ahead, footsteps fleet against the limestone road, calm radiating from her presence in near-palpable waves. The relentless glow of the two suns overhead glinted off the tips of her ears and refracted into dancing dapples of soft light that flickered across her path, catching off the gleaming buildings and triumphant monuments that made up Naktamun.
People turned as we passed, feeling Oketra's presence before seeing us. I marveled as they nodded their heads and smiled in deference, and my breath caught in my chest as she bowed her head in return, soft murmurs of words resonating low, rumbling so only their intended recipients could hear them. There was no groveling, no fear from the masses before an almighty presence. She spoke #emph[with] the people, her gaze piercing and warm, bringing reassurance and encouragement.
A child ran up to her, placing a shy hand on her robe. She paused, bending like a reed to pass one giant finger across his dark hair. I watched as he mumbled something, his face nearly buried in the fabrics, some worry or fear furrowing his brow. Oketra smiled, radiant and kind. The boy looked up, their eyes met, and the boy's worry melted away, replaced by a smile and a determined nod. He turned and ran back toward his friends, the excited whispers of what he received sending the others into a flurry of head rubs and back pats.
#emph[This is how it's supposed to be.]
And yet, in the back of my mind, Chandra's mistrust and Nissa's curiosity nagged at me. They were right to be cautious. This world belonged to <NAME>, and despite his current absence, his #emph[presence] lingered over everything. I glanced at the massive horns in the distance, visible through the closer buildings, a looming silhouette marring the horizon. I caught snippets of conversation as I trailed behind Oketra, and occasional mentions of the God-Pharoah—"May his return come quickly, and may we be found worthy"—floated by. The whole city had a rigidity and structure that was simultaneously impressive and worrisome, a confluence of achievement and glory against a lingering unnaturalness and unease.
But then there were the gods . . . I shook my head. #emph[I'm thinking myself in circles.]
I realized my thoughts slowed my steps and looked ahead. Oketra stood, stopped in her path, looking back. I broke into a light run to catch up. An unfamiliar weight bounced against my chest as I ran, and my hand reached up to the gold and blue cartouche hanging around my neck. #strong[The first step in your journey through the Trials] , Oketra had told me.
We rounded a corner and I found myself standing before a large square filled with people. Men and women, aven and jackals, as well as a few naga and minotaurs all caroused around long, low tables, while numerous anointed meandered through, carrying large platters piled high with a dizzying array of foods. I noticed all these initiates had cartouches with three segments.
#strong[A celebration, before the next Trial.]
I looked up at Oketra, and her blue eyes met mine.
"#strong[These crops now prepare for the Trial of Ambition.] " Oketra's eyes were unblinking, yet her stare soothed rather than unnerved. "#strong[If you truly seek to embark upon the Trials, this is where you will begin.] "
I bowed my head in affirmation. Oketra smiled and returned a nod, and we turned back toward the initiates. They had taken notice of Oketra, and many nodded or kneeled in reverence, wearing the smile of one who had just seen an old friend. One young man stood from his seat, looking up at her, then grinned as he jogged toward us, answering the unspoken beckoning of the god.
"Greetings, Kytheon! I am Djeru of the #emph[Tah] crop." The young man clapped his hands on my shoulders, his eyes gazing directly into mine, alight with a smile, and kissed me on both cheeks. I fumbled slightly to return the greeting.
"You can call me Gideon. Some find it easier."
Djeru dropped one arm and leaned in conspiratorially. "But what is the name on your heart?"
I paused. "For a long time now, it has been Gideon."
"And tonight?"
The warmth of Oketra radiated beside me, and I frowned. "I am less certain."
Djeru laughed. "You're a puzzle, then. I enjoy puzzles."
#strong[I leave you to this Trial, Kytheon.]
I looked up, but Oketra was already gone. Djeru shook his head, his smile wide as ever. "I will never grow used to how Oketra moves. A golden blur, a beam of sun from the God-Pharaoh himself—may his return come quickly."
"And may we be found worthy," I answered, a half beat slower than by reflex. But Djeru didn't seem to notice as he steered me toward the celebration.
"You must be special indeed if Oketra herself has brought you to us. The timing is also quite fortuitous! Just yesterday, our numbers were reduced by one." A slight flinch in Djeru's grasp on my arm caused me to search his face, but he revealed nothing more behind his wide grin. "If you are to embark on Bontu's Trial with us, perhaps you can help our crop regain our balance."
Without warning, Djeru thrust a leg out in front of me, one hand still grasping my arm as he shoved me with his other. I stumbled but turned in on reflex, pulling my arm free as I pushed a hand against his chest, shoving him back. We stood and stared for a moment. Then he raised a hand and gave a short beckoning wave.
A slow smile spread across my face.
We sparred briefly, exchanging a flurry of blows. Djeru fought with a strength and focus belied by his earlier jovial attitude, and before I knew it, his grappling style landed me on my back. The same broad smile returned to Djeru's face, and I laughed. #emph[Too much time punching and slicing through gearhulks and sandwurms, not enough time fighting hand to hand.]
Djeru hauled me to my feet. "You're good. You could be better. Come."
#figure(image("006_Brazen/02.jpg", width: 100%), caption: [Sparring Mummy | Art by <NAME>], supplement: none, numbering: none)
Djeru escorted me around the celebration, gesturing to the wide array of meats and foods. He pointed out the various games being played—#emph[mancala, senet] , a game bearing the name of the god Rhonas. I watched as initiates bantered and cheered, bet against one another in the games, and broke out into occasional friendly sparring matches. It reminded me of Theros, of home, of my youth. "I haven't seen such celebration in some time," I said to Djeru.
Djeru nodded. "This is indeed a rare treat. Where the other gods had us in near-constant training for their Trials, Bontu instructs only to 'prepare ourselves.'" He caught my eye. "But of course, all in life is ultimately training and preparation for the Trials, and for the return of the God-Pharaoh."
"May his return come quickly," I muttered.
"And may we be found worthy." Djeru's seriousness lifted. "But come, friend. If you are to join our crop, we'll need you to meet the others!"
With that, Djeru brought me toward a small group seated around a low table loaded with overflowing platters of fruit. Names were introduced, faster than I could remember them all—#emph[<NAME>, how did that minotaur pronounce hers] ?—and quickly, Djeru turned the conversation toward the events of the Trial of Solidarity, and how each person at the table contributed to their success. "Setha and Basetha's speed played to our favor, as they dashed across the grounds and retrieved Oketra's arrow while the rest of our crop defended the obelisk." Djeru gestured to the two jackals sitting together, clearly twins. Sharp grins flashed under black fur.
#figure(image("006_Brazen/03.jpg", width: 100%), caption: [Trueheart Twins | Art by <NAME>], supplement: none, numbering: none)
"How did your crop complete the Trial?" a naga woman, Kamat, asked me, her tongue flickering.
"I . . ." Something told me the answer "I didn't" would not be well received. I gazed around at the seated initiates. All wore cartouches with three segments, unique in design but similar in length and complexity.
"You do not have to say." Djeru came to my rescue. "Forgive Kamat's directness. Our crop's success sometimes lets us forget that not all make it through the Trials without losses. Her words cleave as straight as her blades in battle."
"Unless you're a hydra," someone muttered, and all broke out in laughter. Kamat made a show of looking about for the offender, and playful shoves abounded.
#figure(image("006_Brazen/04.jpg", width: 100%), caption: [Tah-Crop Skirmisher | Art by <NAME>], supplement: none, numbering: none)
I looked to Djeru. "Losses."
Djeru nodded, a smile still on his face. "Many other crops are culled significantly from Trial to Trial, and reformed with others. You are not alone, my friend. But we of Tah have been strong to have remained one unit since the beginning. Save, of course, the one who you are replacing." Djeru hardly paused, but I noticed the rest of the crop avert their eyes for just a moment.
"Of course, we look forward to greeting all our fallen brethren as they are restored upon the return of the God-Pharaoh," a woman interjected.
"May his return come quickly, and may we be found worthy!" The chant came as a roar from the rest of the crop.
"Kesi is right, of course. But come! These rabble-rousers are, fortunately, not all we have to offer." Djeru again steered me away, his comrades shouting out in mock protest as we meandered across the square.
My mind raced as we walked, trying to piece together all this information. I had myself witnessed the dead returning to life on this plane, but the way Djeru spoke of the fallen returning sounded different. #emph[Restored] , he said. Was this true—or even possible?
Djeru didn't let me stew in my thoughts. We approached another group of initiates standing a little further from the crowds.
"This is Meris, Imi, and Hepthys." Djeru gestured to the trio. "And this is . . . Gideon. He will be joining our crop as we embark on the Trial of Ambition."
The three nodded in greeting, and once again I couldn't help but notice how #emph[young] all the members of the crop seemed. Meris couldn't have been older than sixteen—and yet, his eyes held some smiling secret, aged and wise beyond his outward appearance, bittersweet and a little sad. Beside him, Imi seemed positively radiant, standing barely taller than Meris, dark hair cropped at shoulder length in a cut that I had seen on many others yet somehow seemed to uniquely highlight her beauty. The two of them stood close, their intertwined hands erasing any questions their shared looks and subtle smiles may have left. Hepthys's expression was harder to read—mostly because I had little practice reading aven expressions. He held himself with a poised grace, wings folded neatly behind him.
"Meris is the main reason for our success in the Trial of Knowledge." Djeru gestured widely, but Meris was already shaking his head.
"Our success was only possible with Djeru and the rest providing me the space and time needed to think," he said.
Djeru smiled and gave Meris a light punch on the shoulder. "Our next Trial is of Ambition, not deference, Meris. None of us could have unraveled the final illusion with the speed and certainty you did."
#figure(image("006_Brazen/05.jpg", width: 100%), caption: [Seeker of Insight | Art by Magali Villeneuve], supplement: none, numbering: none)
Meris started to reply—when a commotion behind us drew all our attention.
I turned to see a woman #emph[lift] a minotaur overhead with a roar, then throw him tumbling to the ground. The initiates crowded around them cheered, some grumbling and handing over jewelry and gems to others.
"And that is Tausret. One of our finest warriors." Djeru beamed with pride as the woman circled the crowd, shouting for other challengers.
"Only you stand stronger," Meris commented. Djeru began to object, but Meris cut him off. "Ambition, not deference, Djeru."
Djeru broke into a grin. Meris nodded, nonchalant. "Yes. You, and perhaps Samut."
A chill instantly befell our group. Djeru's face dropped. Hepthys and Imi looked away, bodies tensing in the silence.
"We do not mention the name of the lost." Djeru glared at Meris, who, to my surprise, returned the stare.
"I will name her if you will not. If this initiate is to replace our sister, he must know the role Samut served." Meris fixed his gaze on me. "Can he replace our fastest runner, faster even than the jackal twins? Is he a warrior fit to rival you in skill and strength, who can take down a manticore practically by himself, as Samut did in the Trial of Strength—"
"We speak. Not. Of the lost." In a blink, Djeru stepped in, hand clenched around Meris's cartouche, pulling him close, his face locked in a scowl. Imi, Hepthys, and I all stepped in to intervene, but Meris held a hand up, and the others backed away.
I chose my words carefully. "I seek not to replace anyone, Meris. I cannot. I can only offer who I am. And Djeru, I am sorry for your loss. It seems Meris is mourning her death differently, and needs to—"
"Oketra may have suggested you join our crop, Gideon, but clearly she did not tell you of our circumstance." Djeru held me in his stare, suspicion in his eyes. Finally, he sighed and let go of Meris. "I am sorry, Meris. My anger overrode my better sense. You are, as is often the case, correct. We should give Gideon some context."
Meris nodded and again looked at me, dark brown eyes peering into my own. "Samut is not dead," he said. "She is lost. But she chose to be."
My confusion must have shown on my face. "She is a #emph[dissenter] ," Djeru added. The others winced at the word.
"Ah. I see," I said, trying to cover for the fact that I did not at all.
"It still sickens me to say it so plainly." Djeru spat, sullen and upset, and walked some distance away from us.
"We do not know why she fell to such heresy." Meris spoke quietly. "But she did. And so, she was removed. Her loss not only weakened our crop significantly—but she and Djeru had been closest friends, since even before the Ceremony of Measurement, when they were but mere children."
I looked at Meris, Imi, Hepthys. #emph[You're all still children.]
"Djeru has taken her loss the hardest." Imi spoke up, her voice soft and soothing, honey melting in the heat. "Death would have been better—even a dishonorable death—for dissenters have no place in the Afterlife." She looked to the lower second sun, hovering just beside the great horn statues in the distance. "And we're so close to that glorious time now. The Hours are almost upon us."
#figure(image("006_Brazen/06.jpg", width: 100%), caption: [Approach of the Second Sun | Art by <NAME>ley], supplement: none, numbering: none)
A memory leapt to mind. #emph[A young woman, pushing her way through a crowded street, shouting as she was pursued by soldiers. "The gods lie! The hours are a lie!"]
"This was . . . recent, then." I looked to Imi, then to Meris, who gave a curt nod. "I . . . I think I saw her."
Djeru waved his hand. "Enough. You know now. Let us speak no more of this."
I started to object when a sudden hush fell upon all the initiates. A lengthy shadow befell the square as a great form stalked toward us, flanked on all sides by figures adorned in black. The larger sun burned low in the sky, and I squinted against the darkened silhouette haloed in the red light of late afternoon. My eyes took in what could only be another god—towering in height, human in body but with the head of a great and fearsome crocodile, her long snout turned into a sharp grin. She stood, surveying all before her, a mighty staff in one hand, black robes draped over her imposing form. As she approached, an aura of divinity washed over me. Yet the feeling that stirred in my chest did not echo the warmth and calm of Oketra, instead invoking a surge of pride and power.
#figure(image("006_Brazen/07.jpg", width: 100%), caption: [Bontu the Glorified | Art by Chase Stone], supplement: none, numbering: none)
I noticed none of the initiates bowed their head as with Oketra—instead they stood taller, shoulders back, proud and eager to catch her eye. Beside me, Hepthys ruffled his feathers. "This is . . . unusual," he murmured. "Can you recall the last time we saw Bontu walk the streets of Naktamun?"
Imi shook her head. "It must be because the Hours are nigh."
A rumbling hiss swelled, growing in volume, until I realized it was Bontu's voice, reverberating across the square.
"#strong[Time draws short] ," she rasped. Every face in the square was turned toward her now. "#strong[Not all will have the chance to earn my favor. Who deserves to compete in my Trial?] "
A burst of noise exploded from the assembled initiates, roaring assertions of their worth. Bontu's smile widened.
"#strong[Only the strong will triumph. But strength is learned.] " Narrowed eyes surveyed the raucous initiates. "#strong[None are born strong.] "
I felt a surge of fearlessness in my heart. Emboldened, I stepped forward, shouting above the fray. "Not even the gods?"
Voices fell by the wayside as a series of gasps and mutters broke out. I felt many eyes turn back to look at me, but held my gaze up toward the beady eyes of Bontu. Her great head tilted, and her eyes blinked at me—one lid, then the other. Ivory teeth, each the length of a boat, appeared—and she laughed, a hideous hissing that echoed in my gut.
"#strong[How brazen.] "
She turned to address all the initiates in the square. "#strong[Even I am greater than I once was] ," she rasped. "#strong[Because I desired to be so.] " Her words were answered by murmurs of admiration and acceptance.
Bontu raised her hand, and a hush fell as she pointed a finger at me.
"#strong[Kytheon Iora] ."
A shiver ran down my spine as she named me. She held her hand suspended in my direction for a moment, then slowly, her finger drifted to all the members of Djeru's crop, naming each member as she pointed. When twenty names in all were called, she dropped her hand, ever slowly, ever full of purpose, by her side.
"#strong[Initiates of the Tah crop. You shall be next to face my Trial] ."
With that, Bontu turned and left, her viziers gliding away beside her in stony silence.
I let out a sigh and realized I had been holding my breath. Others in Djeru's crop approached, cheering and expressing thanks and praise. Djeru came by my side, a wary smile crossing his face.
"Looks like Oketra was right to have you join us after all." With that, he grabbed and thrust my hand in the air. Around me, the roaring cheers of his—#emph[my] —cropmates danced across the square. As they pulled me toward more food and drink, I couldn't help but notice the scowls and envious stares of other initiates.
#emph[The Trial of Ambition has already begun, I suppose] . The thought lingered as the rest of the evening passed in a blur of mirth, stories, and celebration, all under the strange, impossible red glow of the second sun.
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#figure(image("006_Brazen/08.jpg", width: 100%), caption: [Bontu's Monument | Art by <NAME> Ro], supplement: none, numbering: none)
We hardly slept. That morning, with the rising of the larger sun, Bontu's viziers ushered us into her monument—a massive pyramid bearing her form on the exterior. I had little time to admire the architecture though, as once inside, we were armed with simple weapons by the viziers and immediately led deep into the monument's heart. After a series of dizzying and confusing hallways, we emerged in a wide chamber lit from a strange golden glow that seemed to come from the ground itself.
To pass the Trial, the viziers explained, we had to progress through the monument and ascend to the peak, where Bontu herself awaited—but not for long. "Bontu has no patience for dawdling supplicants," a vizier told us, cold and impassive. With that, the viziers vanished down the hallway that led us there, a stone wall sliding up behind them. Had I not just seen the wall lock into place, I would never have guessed there was an opening there.
We turned and looked about the room. Our first obstacle seemed straightforward enough. A large pool of filth separated us from the one hall out of the chamber. The other initiates fanned into a defensive formation as Djeru and Meris scanned the room for some way across the ichor. In short order, Meris spotted a crank jutting just above the surface, near the center of the pool.
"Dedi. Investigate," Djeru said. Without hesitation, Dedi stepped forward, removed his sandals, and waded into the muck. As Dedi pushed forward, Djeru spotted my questioning glance. "Dedi is one of our tallest. He is also one of the weaker of our crop," he quietly explained. "This is an easy chance for him to shine and demonstrate his worth."
We watched Dedi struggle toward the center, the viscous filth rising to his neck in parts. Some in the crop grumbled about the slowness as we waited, but then Dedi was there, turning the crank, and slowly, a chain link bridge rose from the muck. A few initiates barked shouts of encouragement for Dedi as he began wading back to us, while Djeru led us toward the bridge.
We had just started crossing when Dedi's screams cut through the air.
At first I thought some creature in the muck was attacking Dedi as the dark liquid started to bubble and churn. We sprinted across the bridge toward him, and two initiates dropped down to reach for his hands and hoist him up—just as panels along the walls burst open and more filth spilled into the chamber. The level of the pool rose with unnatural speed, and the two initiates who had crouched down jumped back up, pulling hands back as if burned, violent red boils appearing on their arms where the sludge had touched them. I watched in horror as Dedi reached a desperate hand toward us—and skin and flesh sloughed off his forearm, revealing bone. Dedi's screams shifted as terror mixed with pain, and then the others were shoving me across as more filth poured into the chamber, overflowing the pool and corroding its way through the chains of the bridge. We leapt the remaining distance to the hallway beyond just as the bridge snapped, one side breaking away and melting into the muck. I rolled across the threshold, Dedi's screams and pleas cut unceremoniously short by a thick stone door that slammed down behind us.
I stood, staring at the stone door, stunned.
#emph[Nineteen.]
I reached toward the barrier, but Djeru stayed my hand. "We press on," he said. Already, the rest of the crop marched forward through the narrow hall.
I stared at him. "But he was still alive –"
"Ambition does not retreat," growled Tausret from the lead. "You dishonor him by lingering."
"Dedi died a glorious death. We will thank him for his sacrifice in the Afterlife." Djeru pushed passed me, and within seconds, I was the last one in front of the door.
#emph[A glorious death?] I clenched my teeth. Nothing about Dedi's death felt glorious.
We walked on in silence. Grim faces, sullen atmosphere. #emph[They had not lost anyone in a Trial before this,] I remembered. #emph[And yet, here we are, minutes into the first obstacle] . . .
What were the gods testing for? Why would Oketra guide me to this Trial?
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We entered another wide, low-ceilinged chamber that extended quite some length. The room was flat and featureless, save for a strange, dark creature crouched near the center. "An ammit," Imi hissed. All the others hastily drew their weapons.
"What's an ammit?" I asked. Djeru looked incredulously at me.
"Soul devourer. A demon. Near impossible to kill. Our best bet is if it doesn't notice us—"
As if on cue, the creature raised its head and stared at us. From a distance, it looked like an enormous lion—but its head ended in the snout and mouth of an alligator. It also was easily three times the size of even the monstrous lions of Bant. Beady red eyes glowed from its thick skull as it lumbered to its feet.
#figure(image("006_Brazen/09.jpg", width: 100%), caption: [Baleful Ammit | Art by <NAME>], supplement: none, numbering: none)
Djeru cursed, then immediately began issuing orders for an improvised plan. The reason for his haste became painfully clear as the ammit charged us, moving at a stunning speed for a creature of its size. We scattered, archers letting arrows fly as the rest of the crop made a dash across the room.
Rather than confront the monstrosity head on, we ran for the other side in groups of two to three, with different teams trying to distract and confuse the ammit while others dashed by. Meris and Imi made it past as the ammit chased Neit and Tausret across the chamber. Two archers then pulled the ammit's attention away long enough for those two to turn and dash for the corridor on the other side, the only visible exit. The ammit ran between the groups, unable to make up its mind on who to chase, confused in the chaos.
With a nod, Djeru and I started our run across. We were nearly at the exit when a gruesome sound pulled my attention back. One duo had gotten cornered, and with one powerful bite, the ammit had caught an initiate in its jaws. Her screams echoed in the chamber, followed by the wet sound of blood splashing against stone. Her companion scrabbled past, abandoning her friend.
I sprinted back toward them, ignoring Djeru's protests fading behind me. Another scream rang out then cut short as the ammit bit down, and the nauseating smell of blood and viscera wafted across the chamber.
#emph[Eighteen.]
Others ran by me as the ammit seemed completely engrossed in its victim, content to let the others flee. With a yell, I charged, my sural unfurling and slashing at the demon. To my surprise, the blades didn't cut through, instead glancing ineffectively off its thick hide, leaving little more than angry red welts on its skin. The monstrosity turned and bellowed at me, blood and spittle spraying from its open maw. It swiped at me with a massive paw, catching across my chest. I smashed backward hard against the wall. I stumbled up, blinking away the stars flashing before my eyes as the low growl of the ammit pounded against my skull.
Golden ripples of light danced across my body as I focused my magic—and not a moment too soon. The ammit struck with lightning speed, its jaws a blur. I threw my arms up, and its teeth crashed against them, sparks of golden light flashing as it failed to pierce my shields. I squared my feet and pulled, intending to throw it against the wall.
It didn't move.
I strained with all my strength against it, but the ammit held—and started #emph[gaining ground.] My feet slid against the stone, unable to find a hold as the ammit dragged me back, its jaws clamped onto my arm with an unrelenting vice grip. My skin shimmered with golden light, protecting me from being pierced by its teeth, but I couldn't free myself from its monstrous grip.
Panic seeped in at the edges of my thoughts, my mind racing for a plan. I couldn't overpower it. Sure, it couldn't pierce my barrier, but I also had watched devour a person in two clean bites. My sural couldn't cut through its hide. I was running out of options. My feet slid again on the floor, and the ammit twisted its head, throwing #emph[me] against the wall. The sound of cracking stone reverberated up my spine, and again as the ammit thrashed about, slamming my body against rock, knocking my breath from my chest. My head spun, vertigo setting in. I gritted my teeth. If I couldn't slip from its grasp any other way . . .
A loud screech cut across the chamber, and a gust of wind slammed into the ammit. The monster let go, more out of surprise than injury, and I rolled back. As I sprang to my feet, another burst of air brushed past me. Hepthys, last to cross, walked toward us with hands raised, muttering another incantation.
"Run! Now!" Hepthys fixed me with a piercing stare as he sent another volley of cutting wind. The ammit roared in defiance.
"You can't face that thing alone—" My protests were cut short by the dark blur of the ammit sprinting past me, barreling toward Hepthys. The aven spread his wings and leapt into the air, barely evading the ammit as it ran past.
"Go, you fool!" Hepthys's wings flapped wildly as he flew higher, and I turned and sprinted toward the far corridor, past the ammit now turning around for another pass.
A series of plans flashed through my mind. #emph[If the corridor is too narrow for the ammit, Hepthys could simply join us as we cross into the next challenge. Or if not, I could stay behind and—]
A squawk and the sound of teeth tearing flesh cut my words short.
I turned to see the ammit falling from an impossible height, its mighty leap just high enough to clamp onto one of Hepthys's wings. The ammit's teeth sliced through bone and tendon and it landed with a ground-shaking #emph[WUMPH] , swallowing its prize in two snapping bites. A torrent of blood dripped down as Hepthys wobbled in the air, then plummeted toward the ground. The ammit approached slowly, savoring its prize.
#emph[Seventeen.]
My feet carried me forward on reflex even as my mind froze, suspended in disbelief. I barely registered that I had made it across and into the corridor itself until I nearly ran into Djeru, who stood with about half the crop in the semi-darkness, peering ahead.
"There's bladed pendulums ahead," Djeru said, and for the first time I noticed the strange whirring sound. The corridor was dark, with no light source, but from the ambient glow of the room behind us, I could just make out blurs of #emph[something] flashing by in intervals. Djeru shook his head. "The corridor narrows, and soon only one can cross at a time. The first few have already made it across, but the blades get faster with each person that passes."
"Djeru. Hepthys has fallen. We must—"
Djeru grabbed me by the arm, cutting me off. "What is wrong with you?" Anger seethed across his features, the mask of a calm leader suddenly broken. "You have lost your entire crop in previous Trials, and yet you treat each glorious death a tragedy. Your façade of heroics and rescues does nothing but insult and diminish our cropmates' sacrifice and bravery."
I fell silent, stunned. I glanced around at the other initiates, but the shadows in the corridor hid their faces from me.
Djeru pushed me away and barked out a list of names, calling members of the crop forward. One by one, he sent them down the corridor. I realized as they ran forward through the swinging blades that he called the runners based on speed. No hesitation, no question, no need for thought from him or those he named—he knew everyone's abilities by heart.
I took a deep breath, trying to center myself.
#emph[You are a stranger to this world, Gideon. Things are different. Death is different. ] I shook my head.#emph[ Leave your judgment behind.]
Instead, the image of Hepthys falling played over and over in my mind, matching the cadence of the swinging blades ahead.
I watched the initiates run by the blades. Soon, only Djeru, the jackal twins Setha and Basetha, and myself remained. We stood in silence, the only sound in the corridor the maddeningly rapid whirring of the blades.
. . .the #emph[only] sound. I suddenly realized the noises of the ammit had stopped. I spun around. The chamber behind appeared empty, except for a few bloody stains across the grounds.
Djeru noticed too. "We need to go. Now." He nodded toward me—just as the ammit came barreling around the corner, squeezing down the corridor and roaring as it charged toward us. It was just large enough that its shoulders scraped against the stone walls, but with effort it pushed in after us, jaws snapping.
At a command from Djeru, Basetha dashed down the corridor, followed by her brother. They made it several spans down the corridor—and then the damp metallic smell of blood burst over us as a rogue blade reduced Setha to a black and red smear of viscera.
#emph[Sixteen.]
Basetha kept running, whether through bravery, ignorance, or sheer force of will, and joined the others down the corridor. But now the blades swung at impossible speeds. Djeru drew his khopesh sword, crouching to take a final stand against the approaching ammit. I took a deep breath, sending golden light shimmering across my body, and stepped forward into the blades.
The first one smashed into me, shattering and launching me into the wall, stone chips and shards of the blade flying everywhere. Djeru ducked and turned to stare at me for a split second—then sprinted after me as I continued down the corridor, the snapping jaws of the ammit close behind. By the time we made it to the other side, my whole body felt like one giant bruise, and Djeru bled from a series of cuts from the shards of broken metal. The rest of the crop, to their credit, had already wisely moved away from us and into the following room.
I fell to my knees, but Djeru was beside me, pulling me up and away. As we ran toward the center of the chamber, Djeru spoke between labored breaths.
"I've never seen anyone do anything like that, mage or warrior." He peered at me, suspicion heavy on his brow.
"It is a gift and a curse." Dark memories gnawed at me. Djeru shook his head.
"You are still a puzzle. I'm not sure I enjoy this puzzle anymore," he said.
I wanted to respond, but Meris was already explaining to the rest of the crop the discovery he made about this room.
". . . need four to stand atop those pillars to open the main door." Meris pointed to the four pedestals around us. He then shook his head. "But my guess is that will also unlock something . . . unpleasant. And they'll likely need to stay on those pillars to keep the door open."
"The ammit is coming and likely to make it through the corridor since Gideon, uh, #emph[disabled] the blade trap." Djeru looked at me, then back toward the roaring and scraping sounds as the ammit pushed its way closer.
There was only a moment of hesitation, then four initiates walked toward the pillars. But Djeru grabbed the hand of one. "Masika. I need you to switch with Tausret."
The two singled out by Djeru look at one another and reluctantly agreed. Tausret joined the rest of us as Masika walked to the pillars.
"Why did you do that?" I asked.
Djeru was grim. "Tausret is one of the strongest of those of us remaining. I don't know what's ahead, but we can more easily lose Masika than Tausret"
"Let me stay." I looked back at the four. "I could—"
"Where is your ambition?" Djeru spat the words. "Would you throw your life away to prolong the fight for three, and abandon the rest of your crop who will need you to ascend as high as possible?" Djeru looked to me with a growing anger, tinged with disgust. "We all know the price of the Trials, the limits and potential of our own abilities, the strengths and weaknesses of our brothers and sisters. We climb to achieve the best station in the Afterlife. And we will surely need you in the challenges to come."
Djeru turned to the four prepared to step up on the pillars. "Brothers, sister. We will see you in the Afterlife."
The four looked to each other, then as one, climbed onto their pillars. Immediately, the pillars began to sink into the ground as a grand doorway on the far side of the room opened. At the same time, however, other massive panels along the walls slid slowly open, revealing the shadows and shapes of terrible beasts that stirred at the sound of grinding stone. Behind us, I saw the snapping jaws of the ammit poke out from the corridor, shards of stone chipping away as it pressed and squeezed through.
The rest of us ran toward the exit. As we crossed into the chamber beyond, we turned back in time to see the four step off the pillars, weapons drawn. Immediately, the massive stone door began to slide closed, shutting out my fleeting, foolish hope that they could perhaps still make it across to join us. We watched as they disappeared, the ammit charging toward them even as shadowy shapes of other monstrosities slinked along the edges of the room.
We all stood, catching our breath for just a moment.
And then we turned and continued onward.
#emph[Twelve.]
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Hours later, we'd finally reached the top tier of the pyramid. This chamber was the largest and most grand of them all, every surface gilded and lit with an uncountable number of bronze braziers. Bontu herself sat in attendance upon a throne, attended by viziers and looking down at us from a series of stairs that led to her presence. Behind her, three large doors, sealed with metal and the cryptic writing of Amonkhet, gleamed in the flickering firelight. A clear pool of water separated us near the entry from where Bontu sat, a chilling reminder of the first challenge of the Trial.
We were now nine. So many rooms, each designed to have more left behind. Some we battered our way through, making it across intact. But more often, the room battered through us, taking lives despite our best efforts and abilities. As we stood before Bontu, we were anything but victorious. Meris retched, red-eyed, bleeding from bites on his arm. In the very last room, flesh-eating scarabs had poured out the walls, devouring Imi, who had stumbled as we scrabbled up an impossibly high wall to the exit. Her arm came off when Meris tried to pull her free.
Djeru had to haul him out.
"You have kept me waiting," Bontu hissed in displeasure.
Sighs of relief that we had made it cut short as we looked around the empty hall. Racks of weapons, clear pools of water. Upon closer inspection, I noticed dark, sinuous shapes rippling beneath the surface. "Water serpents," Kamat said, seeing my gaze. "Poisonous."
Looking at the pools, I also now saw that beneath the water, a bridge stretched between where we stood and the platform Bontu occupied. However, where the walkway should begin, there was only a set of scales. After a painful, pregnant pause, Djeru spoke up. "Have we not completed your Trial, Great Bontu? What is left for us to do to earn your favor?"
The great lizard blinked her double eyelids, and pointed to the scales. "Only those who can pay my toll may cross."
"What is this toll?" I asked.
Long ivory teeth. "One heart."
"For all of us?" Djeru asked. "We can—"
"For each."
I swallowed hard. The members of the crop stared around at each other. I saw hands inch toward weapons.
"Surely, Bontu, we have lost enough to prove ourselves to you," I said.
Mighty eyes narrowed. "#strong[The Hours draw nigh. Your numbers are too great. Pay the toll, or fall short and perish.] "
I stared at Bontu, stunned. #emph[Our numbers are too great?]
A startled cry rang out. I turned, horrified, and watched an initiate fall, Neit's dagger in his back.
With a few bloody hacks, Neit was charging across toward the scales, cupping red hands to her chest. Kamat slithered forward, tail lashing out, and Neit fell. Basetha dashed forward as Kamat and Neit struggled, scooping up the dropped prize, and slammed it onto the scales. The glittering footbridge rose, allowing her to cross over the snake-infested waters. I watched her kneel at Bontu's feet, and at the nod of the god's head, the viziers handed her a cartouche.
The room smelled of wet earth, thick and unpleasant.
An arrow flew toward me and shattered off my skin, which was again rippling with golden light. I turned in time to see Tarik collapse, dropping his bow as Nassor smashed his head in, the minotaur's cudgel crunching through bone. As Nassor drew a knife from his hip to claim his prize, Neit rose, slippery naga heart clenched in her hands.
All of it happened in silence. No screams, no shouts of command, just the occasional clang of metal on metal, or blade sinking into flesh. Each fight ended in a flurry, one or two exchanges of blows—each combatant knowing all the other's tricks.
I stood frozen in the center of the madness, occasional gleams of gold rippling across my skin.
Sudden words shattered the silence. Djeru and Meris faced each other, hands on weapons, a calm in a storm.
"I won't kill you," Meris said. "You're my brother." He laughed. "As if I even could . . ."
Djeru looked about. "I can't protect you from the others."
Meris smiled sadly. "The answer's obvious."
Djeru dropped his hand from his blade, walked up to Meris, and embraced the boy. "I'll make it painless, brother."
Meris returned the embrace. "Look for me in paradise."
The other clashes quieted as victors emerged. Soon, all eyes lingered on the pair. Djeru pulled back from the embrace, looked Meris in the eyes, and smiled.
Then he shoved him into the water.
Immediately, the dark shapes of the poisonous snakes converged on Meris. As Meris floundered to the surface, Djeru ran forward, holding him under.
"No!" I cried out, charging forward. Two initiates, hands bloody and red, grabbed my arms, trying to stop me. I dragged them forward, straining toward Djeru—until I felt all energy drain from my limbs. I looked up, my eyes catching the infinite gaze of Bontu, her slitted pupils fixed on me.
#strong[Watch, <NAME>. Quiet your judgment, and learn.]
#figure(image("006_Brazen/10.jpg", width: 100%), caption: [Cruel Reality | Art by <NAME>], supplement: none, numbering: none)
I fell limp in the hold of the two initiates, helplessly watching as Djeru drowned his brother. I realized he was muttering words as Meris thrashed.
"Rest, brother, in the cool of the water, in the eternal calm of death. You have come far, and I do this now to preserve your body whole, unbroken and unblemished, only temporarily stilled by poison and the weight of water in your lungs. May the Hours arrive soon, and may the God-Pharaoh return to bring us all into the Afterlife."
Djeru's voice cracked as his incantation finished and Meris's struggles waned. I dropped to my knees, and the initiates on either side released me, moving to retrieve their hard-won hearts.
Djeru pulled the body of Meris from the water, panting. "'The worthy strive for greatness.'" he whispered. "'Supremacy will be rewarded in the Afterlife.'" He plunged his knife into Meris, teeth gritted.
As he cut, the other victors walked toward the scales, one by one plopping their payment on the golden plate. Djeru was last to cross, Meris's heart dripping in his hands. He crossed the bridge, head held high, trying to hide the quiet tremble in his hands. The bridge sank quietly into the water as he reached Bontu, kneeling to receive his cartouche.
Anger bubbled inside me. Not at Djeru, not at the others—but at Bontu, and Oketra as well. I stood, my hands balled into fists.
"What am I to learn from this?" I bellowed across the chamber. My voice echoed off the cold stone stairs. Shadows flickered as the flames in the braziers sputtered. All eyes turned toward me.
"Is this what you wanted me to see? That you demand the slaughter of the innocent? What purpose are these deaths to serve? What mockery of faith and divinity is this madness?"
I ignored the mounting shouts of protest from Bontu's viziers and dove into the water. As I swam across toward the platform, the snakes swarmed me, but my skin flashed gold and they reeled away with broken fangs. I dragged myself out and stood before the god, glaring up.
Bontu's viziers stepped forward, arms raised in defensive stances, magic dancing across fingertips. But Bontu raised a hand. She peered down her snout at me, her figure looming above. I ignored the looks of horror and outrage from the remnants of the crop.
"#strong[You have not paid your toll] ," Bontu rasped.
"Here." I pounded a fist against my chest. "Come take it."
A long silence.
Bontu hissed a laugh, a wheezing sound that grew to a great crescendo.
"#strong[Still so brazen.] "
She stood.
"#strong[And yet, still so ignorant of our world] ."
I faltered. #emph[Bontu knows that I'm not from Amonkhet? ] . . . #emph[Of course. She's a god. But perhaps that means she knows Bolas is also—]
"You speak the words of a heretic," Djeru said. His voice trembled with a mix of rage and anguish. "You would question our faith and our ways—you are no better than Samut."
"#strong[He is no heretic] ," Bontu hissed, "#strong[for he has yet to find his faith.] "
I shivered.
"#strong[You] #strong[embarked on my Trial to find answers, <NAME>. But you forgot to ask the right questions.] "
Bontu stood from her throne, her figure towering above us.
"#strong[You've seen more of us, what we demand] ." Another hissing laugh escaped her fangs. "#strong[Only excellence. True ambition. And yet, rather than understanding, I see only judgment in your heart] ."
The slow lizard blink of her eyes. The feeling that she, too, saw right through me. I stumbled for words, instead turning to the initiates.
"How do you all not doubt? Doubt the need of these endless deaths? Doubt this promise of your God-Pharaoh? What if he is not what he has promised? What if—"
"Enough heresies!" Djeru cut me off, drawing his khopesh. The other initiates stalked closer, but again, Bontu's voice halted us.
"#strong[How naïve.] "
She pointed a finger toward me, and I felt my breath escape my lungs. I gasped for air as her words pierced through me.
"#strong[You look only for what satisfies your sense of justice. Your ambitions end with vindication for your past hubris.] "
She sneered.
"#strong[Shallow and selfish.] "
I looked to the other initiates to find hardened stares and accusing eyes. I stood, frozen and unable to breathe, and Bontu's voice echoed in my head for me to hear alone.
#strong[Such a long quest for faith, Kytheon Iora, and still you know nothing of it. Of course they doubt. Doubt is the necessary shadow to the light of faith, Kytheon. The stronger the faith, the deeper the shadows of uncertainty. Yet still, their ambitions drive them to shine brighter, reach higher, unsatisfied by complacent divinity. When will you be able to say the same for yourself?]
Her mouth curved into a smile.
"#strong[They are mine, and I am the God-Pharaoh's.] "
"May his return come quickly, and may we be found worthy!" Initiates and viziers alike shouted as one voice.
Bontu turned away from me and I fell to my knees, coughing, air rushing back into my lungs.
"#strong[Leave my temple] ."
The power of the command vibrated through my very core, and I found myself walking unimpeded, the others parting to watch me pass. I exited through the lowest gate behind Bontu's throne, and everything floated in a haze until I was outside again, washed in the red glow of the second sun. I looked up. It appeared closer than ever toward its final position between the horns.
#emph[And I've moved ever further from understanding. This world. Myself.]
#emph[Anything.]
The sound of shuffling steps drew my attention. A stream of anointed also exited Bontu's temple, carrying out a procession of the dead, now wrapped in white gauze. The realization slowly dawned on me.
The anointed are the remnants of initiates fallen in battle. The missing limbs. The quiet servitude. The stunted cartouches they wore.
#figure(image("006_Brazen/11.jpg", width: 100%), caption: [Anointed Procession | Art by <NAME>], supplement: none, numbering: none)
Is their unlife a gift or slavery?
Are the gods good or corrupt extensions of <NAME>? Is the viciousness of the Trials a dark perversion of a world? Or is death truly the highest calling on a plane where all ends in undeath?
Overhead, the red sun plodded its inevitable steps toward Bolas's arrival and return. The God-Pharaoh's return. The mantra echoed in my mind.
#emph[May he return quickly, and may I be found worthy.]
My fingers wrapped into fists. I tore the cartouche from my neck, dropping it on the ground before me.
#emph[Worthy to strike him down.]
|
|
https://github.com/Error-418-SWE/Documenti | https://raw.githubusercontent.com/Error-418-SWE/Documenti/src/3%20-%20PB/Documentazione%20interna/Verbali/24-03-15/24-03-15.typ | typst | #import "/template.typ": *
#show: project.with(
date: "15/03/24",
subTitle: "Meeting post colloquio con il Proponente",
docType: "verbale",
authors: (
"<NAME>",
),
missingMembers: (
"<NAME>",
),
timeStart: "14:35",
timeEnd: "15:05",
location: "Zoom",
);
= Ordine del giorno
A seguito dell'incontro con il Proponente, il gruppo ha svolto un meeting interno riguardante:
- Considerazioni scaturite dal meeting esterno;
- Pianificazione.
== Considerazioni scaturite dal meeting esterno
Il gruppo si ritiene soddisfatto dell'incontro svolto, in quanto:
- il Proponente ha apprezzato le scelte seguite per la realizzazione dell'interfaccia grafica, evidenziando come sul mercato i software simili a quello implementato dal gruppo abbiano un'interfaccia non molto curata nei dettagli e poco user-friendly. L'MVP finora presenta una UI molto accattivante;
- il Proponente si è mostrato entusiasta riguardo il raggiungimento di una buona parte dei requisiti dichiarati nell'#adr\;
- per la prima volta si è presentata l'occasione di mostrare il codice scritto finora, che il Proponente ha apprezzato.
== Pianificazione
Le task scaturite dall'esito di questo meeting riguardano:
+ proseguimento dei lavori nella repository WMS3 riguardanti:
- implementazione della funzionalità di piazzare le zone nello spazio sulla base di uno degli SVG forniti dal Proponente;
- rigenerazione dei dati del database per mantenere coerenza con le ultime scelte prese dal gruppo;
- aggiornamento del tipo dell'attributo `id` nella tabella `Bin` del database.
|
|
https://github.com/ClazyChen/Table-Tennis-Rankings | https://raw.githubusercontent.com/ClazyChen/Table-Tennis-Rankings/main/history_CN/2018/WS-05.typ | typst |
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Women's Singles (1 - 32)",
table(
columns: 4,
[排名], [运动员], [国家/地区], [积分],
[1], [丁宁], [CHN], [3470],
[2], [刘诗雯], [CHN], [3387],
[3], [朱雨玲], [MAC], [3370],
[4], [陈梦], [CHN], [3304],
[5], [王曼昱], [CHN], [3243],
[6], [石川佳纯], [JPN], [3196],
[7], [孙颖莎], [CHN], [3161],
[8], [陈幸同], [CHN], [3156],
[9], [木子], [CHN], [3147],
[10], [武杨], [CHN], [3094],
[11], [冯亚兰], [CHN], [3056],
[12], [顾玉婷], [CHN], [3046],
[13], [金宋依], [PRK], [2990],
[14], [伊藤美诚], [JPN], [2987],
[15], [文佳], [CHN], [2958],
[16], [平野美宇], [JPN], [2957],
[17], [芝田沙季], [JPN], [2948],
[18], [胡丽梅], [CHN], [2945],
[19], [陈可], [CHN], [2920],
[20], [#text(gray, "李晓丹")], [CHN], [2903],
[21], [冯天薇], [SGP], [2899],
[22], [郑怡静], [TPE], [2897],
[23], [田志希], [KOR], [2896],
[24], [加藤美优], [JPN], [2895],
[25], [张蔷], [CHN], [2854],
[26], [李洁], [NED], [2850],
[27], [GU Ruochen], [CHN], [2849],
[28], [车晓曦], [CHN], [2845],
[29], [韩莹], [GER], [2844],
[30], [索菲亚 波尔卡诺娃], [AUT], [2839],
[31], [佐藤瞳], [JPN], [2839],
[32], [王艺迪], [CHN], [2835],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Women's Singles (33 - 64)",
table(
columns: 4,
[排名], [运动员], [国家/地区], [积分],
[33], [杨晓欣], [MON], [2822],
[34], [石洵瑶], [CHN], [2821],
[35], [杜凯琹], [HKG], [2819],
[36], [侯美玲], [TUR], [2817],
[37], [单晓娜], [GER], [2814],
[38], [伊丽莎白 萨玛拉], [ROU], [2813],
[39], [早田希娜], [JPN], [2810],
[40], [桥本帆乃香], [JPN], [2807],
[41], [李倩], [POL], [2801],
[42], [LANG Kristin], [GER], [2795],
[43], [#text(gray, "金景娥")], [KOR], [2794],
[44], [伯纳黛特 斯佐科斯], [ROU], [2794],
[45], [徐孝元], [KOR], [2791],
[46], [何卓佳], [CHN], [2791],
[47], [傅玉], [POR], [2786],
[48], [MIKHAILOVA Polina], [RUS], [2779],
[49], [安藤南], [JPN], [2778],
[50], [陈思羽], [TPE], [2777],
[51], [梁夏银], [KOR], [2777],
[52], [刘佳], [AUT], [2776],
[53], [曾尖], [SGP], [2769],
[54], [李皓晴], [HKG], [2769],
[55], [张瑞], [CHN], [2768],
[56], [倪夏莲], [LUX], [2766],
[57], [森樱], [JPN], [2765],
[58], [孙铭阳], [CHN], [2765],
[59], [#text(gray, "帖雅娜")], [HKG], [2764],
[60], [崔孝珠], [KOR], [2762],
[61], [李佼], [NED], [2762],
[62], [<NAME>], [ROU], [2760],
[63], [POTA Georgina], [HUN], [2759],
[64], [EKHOLM Matilda], [SWE], [2758],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Women's Singles (65 - 96)",
table(
columns: 4,
[排名], [运动员], [国家/地区], [积分],
[65], [#text(gray, "SHENG Dandan")], [CHN], [2754],
[66], [浜本由惟], [JPN], [2753],
[67], [LIU Xi], [CHN], [2753],
[68], [长崎美柚], [JPN], [2747],
[69], [李佳燚], [CHN], [2727],
[70], [于梦雨], [SGP], [2724],
[71], [SHIOMI Maki], [JPN], [2718],
[72], [SOO Wai Yam Minnie], [HKG], [2717],
[73], [#text(gray, "姜华珺")], [HKG], [2714],
[74], [CHA Hyo Sim], [PRK], [2713],
[75], [刘高阳], [CHN], [2712],
[76], [李芬], [SWE], [2706],
[77], [YOON Hyobin], [KOR], [2702],
[78], [森田美咲], [JPN], [2693],
[79], [张墨], [CAN], [2691],
[80], [MATSUZAWA Marina], [JPN], [2687],
[81], [佩特丽莎 索尔佳], [GER], [2683],
[82], [MAEDA Miyu], [JPN], [2667],
[83], [<NAME>], [JPN], [2663],
[84], [李时温], [KOR], [2662],
[85], [刘斐], [CHN], [2659],
[86], [GRZYBOWSKA-FRANC Katarzyna], [POL], [2655],
[87], [CHENG Hsien-Tzu], [TPE], [2654],
[88], [PESOTSKA Margaryta], [UKR], [2649],
[89], [<NAME>], [KOR], [2648],
[90], [ZHOU Yihan], [SGP], [2643],
[91], [玛妮卡 巴特拉], [IND], [2640],
[92], [<NAME>], [TPE], [2640],
[93], [HAPONOVA Hanna], [UKR], [2632],
[94], [#text(gray, "<NAME>")], [PRK], [2630],
[95], [大藤沙月], [JPN], [2627],
[96], [阿德里安娜 迪亚兹], [PUR], [2627],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Women's Singles (97 - 128)",
table(
columns: 4,
[排名], [运动员], [国家/地区], [积分],
[97], [NG Wing Nam], [HKG], [2625],
[98], [WINTER Sabine], [GER], [2623],
[99], [#text(gray, "SONG Maeum")], [KOR], [2622],
[100], [SAWETTABUT Suthasini], [THA], [2619],
[101], [布里特 伊尔兰德], [NED], [2614],
[102], [PARTYKA Natalia], [POL], [2614],
[103], [#text(gray, "VACENOVSKA Iveta")], [CZE], [2610],
[104], [VOROBEVA Olga], [RUS], [2607],
[105], [#text(gray, "CHOI Moonyoung")], [KOR], [2607],
[106], [木原美悠], [JPN], [2599],
[107], [LIN Ye], [SGP], [2598],
[108], [KATO Kyoka], [JPN], [2598],
[109], [维多利亚 帕芙洛维奇], [BLR], [2593],
[110], [蒂娜 梅谢芙], [EGY], [2588],
[111], [CHOE Hyon Hwa], [PRK], [2587],
[112], [NOSKOVA Yana], [RUS], [2586],
[113], [PASKAUSKIENE Ruta], [LTU], [2579],
[114], [LIN Chia-Hui], [TPE], [2578],
[115], [BALAZOVA Barbora], [SVK], [2572],
[116], [妮娜 米特兰姆], [GER], [2566],
[117], [SABITOVA Valentina], [RUS], [2566],
[118], [SO Eka], [JPN], [2565],
[119], [李恩惠], [KOR], [2564],
[120], [笹尾明日香], [JPN], [2561],
[121], [<NAME>], [CRO], [2561],
[122], [<NAME>], [RUS], [2550],
[123], [范思琦], [CHN], [2546],
[124], [<NAME>], [THA], [2545],
[125], [LEE Yearam], [KOR], [2543],
[126], [<NAME>], [ROU], [2542],
[127], [<NAME>], [KOR], [2538],
[128], [<NAME>], [UKR], [2537],
)
) |
|
https://github.com/linhduongtuan/BKHN-Thesis_template_typst | https://raw.githubusercontent.com/linhduongtuan/BKHN-Thesis_template_typst/main/template/utils.typ | typst | Apache License 2.0 | #import "font.typ": *
#set text(lang: "vi")
#let RomanNumbers(num) = {
let romanNum = (
"I", "II", "III", "IV", "V", "VI", "VII", "VIII", "IX", "X",
"XI", "XII", "XIII", "XIV", "XV", "XVI", "XVII", "XVIII", "XIX", "XX",
"XXI", "XXII", "XXIII", "XXIV", "XXV", "XXVI", "XXVII", "XXVIII", "XXIX", "XXX",
"XXXI", "XXXII", "XXXIII", "XXXIV", "XXXV", "XXXVI", "XXXVII", "XXXVIII", "XXXIX", "XL",
)
romanNum.at(num - 1)
}
// -----------------
// textbf utility function
// @param: it, the text to be bold
// @return: text, bold text
// - Bold
#let textbf(it) = [
#set text(weight: "semibold")
#it
]
// -----------------
// textit utility function
// @param: it, the text to italicize
// @return: text, italicized text
// - italics
#let textit(it) = [
#set text(style: "italic")
#it
] |
https://github.com/MLAkainu/Network-Comuter-Report | https://raw.githubusercontent.com/MLAkainu/Network-Comuter-Report/main/contents/03_protocol/index.typ | typst | Apache License 2.0 | = Giới thiệu Protocol
== HyperText Tràner Protocol
HyperText Transfer Protocol (HTTP) là một giao thức ở tầng ứng dụng trong mô hình OSI để gửi và nhận tài liệu, hình ảnh, văn bản như HTML document. Về cơ bản, giao thức HTTP xây dựng
trên cơ chế request-response trong mô hình client-server. Trong mô hình này, client có thể là một process thuộc máy tính này, server có thể là process thuộc máy tính khác, hai process thuộc hai phần cứng khác nhau khi muốn giao tiếp với nhau thì sẽ thông qua HTTP để giao tiếp. Ai là người request thì đó là client, người nhận request để response sẽ là server.
#figure(caption: [8 giao thức mạng máy tính phổ biến (Nguồn Bytebytego)],
image("../../components/assets/8protocol.gif", width: 80%, height: 60%)
)
== Transmission Control Protocol
Transmission Control Protocol (TCP) là một trong các giao thức cốt lõi của bộ giao thức TCP/IP. Nhờ có TCP, các ứng dụng trên các host được nối mạng có thể tạo các kết nối với nhau, mà qua đó chúng có thể trao đổi dữ liệu hoặc các gói tin. Giao thức này đảm bảo chuyển giao dữ liệu tới nơi nhận một cách đáng tin cậy và đúng thứ tự.\
#block()[
*Cách đặc tính cơ bản của TCP:*
- Point-to-point: Trong một giao thức TCP, chỉ có một sender và một server được kết nối với nhau bằng 3-way handshaking.
- Reliable, in-order bit stream: Hỗ trợ truyền tin cậy và đúng thứ tự.
- Pipelined: Truyền song song nhằm tăng hiệu quả gửi nhận
- Flow control: Receiver kiểm soát tốc độ gửi của sender để tránh làm quá tải receiver.
- Congestion control: Tự động điều chỉnh tốc độ gửi ở mức tối đa mà không làm tắc nghẽn hệ thống.
- Full-duplex connection: hỗ trợ truyền hai chiều trong cùng một thời điểm trong một kết nối.
]
|
https://github.com/wuc9521/CS-scholars-report | https://raw.githubusercontent.com/wuc9521/CS-scholars-report/main/sections/conclusion.typ | typst | = Conclusion
== Course Learnt from this Project
This project has been an invaluable learning experience:
1. *Flexibility in Query Design*: We discovered that hard-coding queries in the backend, while initially seeming straightforward, significantly limits the flexibility of our application. This realization underscores the importance of designing more dynamic and adaptable query systems.
2. *Data Cleaning with Purpose*: The process of cleaning our dataset from Academic Family Tree highlighted the critical importance of keeping our end-use cases in mind. We learned to balance between removing unnecessary data and preserving valuable information, even when incomplete (such as retaining scholars with missing h-index values).
3. *Backend Necessity*: This project reinforced the crucial role of a robust backend in managing complex data operations and ensuring data integrity. Our use of Spring Boot for the backend proved essential in handling the intricate relationships within our CS-scholars database.
4. *`MVC` Design Pattern Benefits*: Implementing the Model-View-Controller (`MVC`) design pattern in our project structure greatly enhanced our code organization and maintainability. It allowed for a clear separation of concerns between data management, business logic, and user interface components.
5. *Security Considerations*: As we developed our application, we became increasingly aware of the importance of security in database management. This includes considerations for data privacy, secure API endpoints, and protection against potential SQL injection attacks.
== Relevant Database Knowledge
The database knowledge acquired during this course proved immensely helpful throughout the project:
1. *Normalization*: Applying the principles of database normalization, particularly achieving Third Normal Form (3NF), was crucial in designing our efficient and consistent database schema.
2. *SQL and Query Optimization*: Our coursework on SQL querying and optimization techniques was directly applicable when writing complex queries, especially for retrieving scholar profiles and aggregating publication data.
3. *Indexing*: The performance evaluation tests, particularly the one measuring the impact of indexing on query performance, directly applied the indexing concepts learned in class. This practical application demonstrated the significant performance improvements that proper indexing can achieve.
4. *Transaction Management*: While implementing CRUD operations and ensuring data consistency, the concepts of transaction management and the use of the `@Transactional` annotation in our service layer directly reflected our course learnings.
5. *Relational Model and ER Diagrams*: The process of creating our ER diagram and translating it into a relational model was a practical application of the theoretical concepts covered in the course.
Throughout the project, we encountered and addressed several database-related issues discussed in the course, such as:
- Handling large datasets efficiently
- Ensuring data integrity across multiple related tables
- Optimizing query performance for complex joins and aggregations
- Balancing between normalization and query complexity
This project has not only reinforced our theoretical understanding of database systems but has also provided us with valuable hands-on experience in applying these concepts to a real-world application. The challenges we faced and overcame have significantly deepened our appreciation for the complexities and importance of effective database design and management in software development. |
|
https://github.com/csunibo/linguaggi-di-programmazione | https://raw.githubusercontent.com/csunibo/linguaggi-di-programmazione/main/prove/totale/totale-2024-06-04-soluzione.typ | typst | #import "@preview/finite:0.3.0": automaton
#set align(center)
= Soluzione Linguaggi Totale
==== 2024-06-04
#set align(left)
#set par(
justify: true
)
_NOTA: Questa è una soluzione proposta da me, non è detto che sia giusta. Se
trovate errori segnalateli o meglio correggeteli direttamente_ :)
+ Per dimostrare che le definizioni di grammatiche libere *sono equivalenti*,
osserviamo che:
- Ogni grammatica di tipo (b) è pure una grammatica di tipo (a).
- Per ogni grammatica di tipo (a) posso trovare una equivalente grammatica
di tipo (b). Infatti utilizzando l'algoritmo per la rimozione delle
produzioni $epsilon$, data $G$ di tipo (a), genero una $G'$ tale che
$L(G') = L(G) without {epsilon}$ e le cui produzioni non sono epsilon.
Per ottenere una del tutto equivalente, nel caso in cui $epsilon in L(G)$,
basta modificare $G' = (\NT, T, S, R)$ con l'aggiunta di un nuovo simbolo
$S' -> epsilon | S$ e $G'' = (\NT union {S'}, T, S', R union
{S' -> epsilon, | S})$. Tale che $G''$ è di tipo (b).
+ Costruisco l'NFA più semplice che riconosce il linguaggio:
#set align(center)
#automaton((
q0: (q1:"a"),
q1: (q2:"a"),
q2: (q3:"a"),
q3: (q0:"a")
),
initial: "q0",
final: "q2"
)
#set align(left)
Si può direi che è un DFA minimo e genera $L={a^2, a^6, a^10, dots}$ con regex
$"aa"("aaaa")^*$ ma non è richiesto.
+ Non riescho a fare le $epsilon$ in questo pacchetto, assumete $"e" = epsilon$:
#set align(center)
#automaton((
q0: (q1:"a, Z/Z"),
q1: (q1:"a, X/aX", q2:"c, X/X"),
q2: (q2:"b, a/e", q3:"e, X/e"),
q3: ()
),
initial: "q0",
final: "q2"
)
+ Per il linguaggio $L = {a^n b^n | n >= 1}$ una grammatica possibile è:
+ $S -> "ab"$
+ $S ->"aSb"$
Costruiamo l'automa $\LR(0)$. Non so come fare stati grandi con tutti gli
items in typst quindi scrivo l'automa e poi definisco gli stati a parte:
#set align(center)
#automaton((
q0: (q1:"S", q2: "a"),
q1: (),
q2: (q2:"a", q3:"b", q4: "S"),
q3: (),
q4: (q5:"b"),
q5: (),
),
initial: "",
final: ""
)
#set align(left)
Items:
- q0: \
$S' -> .S$ \
$S-> ."ab"$ \
$S-> ."aSb"$
- q1: $S' -> S.$ \
- q2: \
$S-> "a.b"$ \
$S-> "a.Sb"$ \
$S-> ."ab"$ \
$S-> ."aSb"$
- q3: $S -> "ab."$
- q4: $S -> "aS.b"$
- q5: $S -> "aSb."$
Costruiamo la tabella $\LR(0)$:
#table(
columns: (1fr, 1fr, 1fr, 1fr, 1fr),
align: center,
table.header(
[], [*a*], [*b*], [*\$*], [*S*]
),
$0$, [S2], [], [], [G1],
$1$, [], [], [Acc], [],
$2$, [S2], [S3], [], [G4],
$3$, [R1], [R1], [R1], [],
$4$, [], [S5], [], [],
$5$, [R2], [R2], [R2], [],
)
Non ci sono conflitti, quindi la grammatica è $\LR(0)$. Discutiamo il
comportamento del parser sugli input: \
$(0, epsilon, "aabb$")$ \
$(02, "a", "abb$")$ \
$(022, "aa", "bb$")$ \
$(0223, "aab", "b$")$ Facciamo la reduce: rimuoviamo "23" e [2, S] -> G4\
$(024, "aS", "b$")$ \
$(0245, "aSb", "$")$ \
$(01, "S", "$")$ Accept!
\ \
$(0, epsilon, "$")$ Errore, cella bianca
+ Direi che il testo è sbagliato e il passaggio dei paramentri è per nome e per
riferimento. Per nome basta ricopiare il codice al posto della chiamata (con
le opportune accortezze):
```c
{
int x = 1;
int y = 5;
int z = 10;
void pippo ( name int y , reference int z ){
z = x + y + z;
}
{
int x = 20;
int y = 30;
int z = 50;
//pippo (x++ , x);
// x_ref sarebbe riferimento a x che vale 20. x_top è la x sopra la
// funzione pippo per scope statico.
// In C la segunte istruzione è undefined behavior. Assumiamo che si
// valuti strettamente da sinistra a destra.
x_ref = x_top + (x_ref++) + x_ref; // x_ref = 1 + 20 + 21 = 42
//pippo (x++ , x);
x_ref = x_top + (x_ref++) + x_ref; // x_ref = 1 + 42 + 43 = 86
write (x); // 86
}
write (x); // 1
}
```
In conclusione il programma stampa *86* e *1*
+ Assumiamo che la variabile letta all'esterno sia `n`:
```c
int f(int x, function g()) {
if (x == 0) {
g();
return 0;
} else {
return f(x - 1, g()) + 1; // Evito che f possa essere tail recursive
}
}
{
void h() {
// Codice generico
}
g(n, h)
}
```
L'idea è di usare `f()` per creare `n` record di attivazione e poi far chiamare
`h()` a `f()`.
+ È da pensare come javascript. Quindi `h({})` ritorna `{c: {e: 4}}`. Con questa
logica `x` risulta essere: `x = {a: 1, b: {c: {e: 4}, d: {a: 5, b: {c: {a: 6 , e: 7}, d: {e: 8}}}} }`. Quindi:
- *I1*: Errata in quanto `x` ha il campo `x.b.c` ma non contiene `b`.
- *I2*: Errata, `x` non ha il capo `c`.
- *I3*: Giusta
- *I4*: Errata
- *I5*: Giusta
+ Dal seguente programma in C++ possiamo vedere che stampa *2 3 5 7 11*:
```cpp
#include <exception>
#include <iostream>
#include <list>
class Z : std::exception {};
void d(int i, int n) { if (i % n == 0) throw Z(); }
void b(std::list<int> &s, int n);
class X : std::exception {};
void c(std::list<int> &s, int i, int n) {
try { b(s, n); } catch (X) { }
s.push_front(i); // Come add() del testo
}
void b(std::list<int> &s, int n) {
if (s.empty()) { throw X(); }
int i = s.front(); s.pop_front(); // Come remove() del testo
try {
d(i, n);
c(s, i, n);
} catch (Z) {
b(s, n);
}
}
class Y : std::exception {};
void a(std::list<int> &s) {
if (s.empty()) {
throw Y();
}
int n = s.front(); s.pop_front(); // Come remove() del testo
try { b(s, n); } catch (X) { }
try { a(s); } catch (Y) { }
s.push_front(n); // Come add() del testo
}
int main() {
std::list<int> l = {2, 8, 6, 3, 5, 12, 7, 11, 14, 10};
a(l);
for (auto &e : l) {
std::cout << e << " ";
}
std::cout << std::endl;
}
```
L'idea è la seguente: l'insieme delle classi partendo dal primo elemento della
lista rimuovono tutti i multipli di quell'elemento. Quando non ci sono più
multipli si passa all'elemento sucessivo. Durante il processo tutti gli
elementi vengono tolti dalla lista. Quando finalmente la lista si svuota,
vengono reinseriti tutti gli elementi in testa.
La funziona `b()` è quella responsabile di rimuovere gli elementi. La funziona
`d()` controlla se `i` è multiplo di `d` e nel caso lancia `Z` che evita che
venga chiamata `c()` che è la funzione responsabile a "salvare" i numeri che
poi verranno reinseriti nella lista.
|
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