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https://github.com/fenjalien/mdbook-typst-doc | https://raw.githubusercontent.com/fenjalien/mdbook-typst-doc/main/example/src/chapter_1.md | markdown | Apache License 2.0 | # Type Pill Examples
{{#type color}}
{{#type int}}
{{#type content}}
{{#type bool}}
{{#type str}}
{{#type auto}}
{{#type none}}
{{#type custom}}
{{#type other}}
# Typst Example
```typ,example
= Fibonacci change
The Fibonacci sequence is defined through the
_recurrence relation_ $F_n = F_(n-1) + F_(n-2)$.
It can also be expressed in closed form:
$ F_n = floor(1 / sqrt(5) phi.alt^n), quad phi.alt = (1 + sqrt(5)) / 2 $
#let count = 10
#let nums = range(1, count + 1)
#let fib(n) = (
if n <= 2 { 1 }
else { fib(n - 1) + fib(n - 2) }
)
The first #count numbers of the sequence are:
#align(center, table(
columns: count,
..nums.map(n => $F_#n$),
..nums.map(n => str(fib(n))),
))
```
```typc,example
[hello world]
if 1 == 2 {
[this doesn't feel right]
} else {
[this _does_ seem right]
}
parbreak()
import "/data.typ": a
a
```
```typ
hello world
```
# Parameter Definition
<parameter-definition default="auto" name="value" types="auto,none,float,int">
Hello this is a description {{#type int}}
</parameter-definition>
<parameter-definition name="not-default" types="array">
Some other information that is totally useful.
</parameter-definition>
<parameter-definition name="stuff" types="custom" default=""join me"">
Some other information that is totally useful.
</parameter-definition>
|
https://github.com/DeveloperPaul123/modern-cv | https://raw.githubusercontent.com/DeveloperPaul123/modern-cv/main/template/resume.typ | typst | Other | #import "@preview/modern-cv:0.7.0": *
#show: resume.with(
author: (
firstname: "John",
lastname: "Smith",
email: "<EMAIL>",
homepage: "https://example.com",
phone: "(+1) 111-111-1111",
github: "DeveloperPaul123",
twitter: "typstapp",
scholar: "",
orcid: "0000-0000-0000-000X",
birth: "January 1, 1990",
linkedin: "Example",
address: "111 Example St. Example City, EX 11111",
positions: (
"Software Engineer",
"Software Architect",
"Developer",
),
),
date: datetime.today().display(),
language: "en",
colored-headers: true,
show-footer: false,
)
= Experience
#resume-entry(
title: "Senior Software Engineer",
location: "Example City, EX",
date: "2019 - Present",
description: "Example, Inc.",
title-link: "https://github.com/DeveloperPaul123",
)
#resume-item[
- #lorem(20)
- #lorem(15)
- #lorem(25)
]
#resume-entry(
title: "Software Engineer",
location: "Example City, EX",
date: "2011 - 2019",
description: "Previous Company, Inc.",
)
#resume-item[
// content doesn't have to be bullet points
#lorem(72)
]
#resume-entry(
title: "Intern",
location: "Example City, EX",
)
#resume-item[
- #lorem(20)
- #lorem(15)
- #lorem(25)
]
= Projects
#resume-entry(
title: "Thread Pool C++ Library",
location: [#github-link("DeveloperPaul123/thread-pool")],
date: "May 2021 - Present",
description: "Designer/Developer",
)
#resume-item[
- Designed and implemented a thread pool library in C++ using the latest C++20 and C++23 features.
- Wrote extensive documentation and unit tests for the library and published it on Github.
]
#resume-entry(
title: "Event Bus C++ Library",
location: github-link("DeveloperPaul123/eventbus"),
date: "Sep. 2019 - Present",
description: "Designer/Developer",
)
#resume-item[
- Designed and implemented an event bus library using C++17.
- Wrote detailed documentation and unit tests for the library and published it on Github.
]
= Skills
#resume-skill-item(
"Languages",
(strong("C++"), strong("Python"), "Java", "C#", "JavaScript", "TypeScript"),
)
#resume-skill-item("Spoken Languages", (strong("English"), "Spanish"))
#resume-skill-item(
"Programs",
(strong("Excel"), "Word", "Powerpoint", "Visual Studio"),
)
= Education
#resume-entry(
title: "Example University",
location: "Example City, EX",
date: "August 2014 - May 2019",
description: "B.S. in Computer Science",
)
#resume-item[
- #lorem(20)
- #lorem(15)
- #lorem(25)
]
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/fletcher/0.4.2/src/draw.typ | typst | Apache License 2.0 | #import "utils.typ": *
#import "marks.typ": *
#let draw-edge-label(edge, label-pos, debug: 0) = {
cetz.draw.content(
label-pos,
box(
// cetz seems to sometimes squash the content, causing a line-
// break, when padding is present...
fill: edge.label-fill,
stroke: if debug >= 2 { DEBUG_COLOR + 0.25pt },
radius: .2em,
pad(.2em)[#edge.label],
),
padding: .2em,
anchor: if edge.label-anchor != auto { edge.label-anchor },
)
if debug >= 2 {
cetz.draw.circle(
label-pos,
radius: 0.75pt,
stroke: none,
fill: DEBUG_COLOR,
)
}
}
// Get the arrow head adjustment for a given extrusion distance.
#let cap-offsets(edge, y) = {
(0, 1).map(pos => {
let mark = edge.marks.find(mark => calc.abs(mark.pos - pos) < 1e-3)
if mark == none { return 0pt }
let x = cap-offset(mark, (2*pos - 1)*y/edge.stroke.thickness)
let rev = mark.at("rev", default: false)
if pos == int(rev) { x -= mark.at("inner-len", default: 0) }
if rev { x = -x - mark.at("outer-len", default: 0) }
if pos == 0 { x += mark.at("outer-len", default: 0) }
x*edge.stroke.thickness
})
}
#let with-decorations(edge, path) = {
if edge.decorations == none { return path }
let has-mark-at(t) = edge.marks.find(mark => calc.abs(mark.pos - t) < 1e-3 ) != none
let decor = edge.decorations.with(stroke: edge.stroke)
// TODO: should this be an absolute offset, not 10% the path length?
// if has-mark-at(0) { decor = decor.with(start: 10%) }
// if has-mark-at(1) { decor = decor.with(stop: 90%) }
let ε = 1e-3 // cetz assertions sometimes fail from floating point errors
decor = decor.with(
start: if has-mark-at(0) { 0.1 } else { ε } * 100%,
stop: if has-mark-at(1) { 0.9 } else { 1 - ε } * 100%,
)
decor(path)
}
/// Draw a straight edge.
///
/// - edge (dictionary): The edge object, a dictionary, containing:
/// - `vertices`: an array of two points, the line's start and end points.
/// - `extrude`: An array of extrusion lengths to apply a multi-stroke effect
/// with.
/// - `stroke`: The stroke style.
/// - `marks`: An array of marks to draw along the edge.
/// - `label`: Content for label.
/// - `label-side`, `label-pos`, `label-sep`, and `label-anchor`.
/// - debug (int): Level of debug details to draw.
#let draw-edge-line(edge, debug: 0) = {
if edge.final-vertices.len() > 2 { panic(edge) }
let (from, to) = edge.final-vertices
let θ = vector-angle(vector.sub(to, from))
// Draw line(s), one for each extrusion shift
for shift in edge.extrude {
let shifted-line-points = (from, to).zip(cap-offsets(edge, shift))
.map(((point, offset)) => vector.add(
point,
vector.add(
// Shift end points lengthways depending on markers
vector-polar(offset, θ),
// Shift line sideways (for double line effects, etc)
vector-polar(shift, θ + 90deg),
)
))
with-decorations(edge, cetz.draw.line(
..shifted-line-points,
stroke: edge.stroke,
))
}
// Draw marks
let curve(t) = vector.lerp(from, to, t)
for mark in edge.marks {
place-arrow-cap(curve, edge.stroke, mark, debug: debug >= 4)
}
// Draw label
if edge.label != none {
// Choose label anchor based on edge direction,
// preferring to place labels above the edge
if edge.label-side == auto {
edge.label-side = if calc.abs(θ) < 90deg { left } else { right }
}
let label-dir = if edge.label-side == left { +1 } else { -1 }
if edge.label-anchor == auto {
edge.label-anchor = angle-to-anchor(θ - label-dir*90deg)
}
let label-pos = vector.add(
vector.lerp(from, to, edge.label-pos),
vector-polar(edge.label-sep, θ + label-dir*90deg),
)
draw-edge-label(edge, label-pos, debug: debug)
}
}
/// Draw a bent edge.
///
/// - edge (dictionary): The edge object, a dictionary, containing:
/// - `vertices`: an array of two points, the arc's start and end points.
/// - `bend`: The angle of the arc.
/// - `extrude`: An array of extrusion lengths to apply a multi-stroke effect
/// with.
/// - `stroke`: The stroke style.
/// - `marks`: An array of marks to draw along the edge.
/// - `label`: Content for label.
/// - `label-side`, `label-pos`, `label-sep`, and `label-anchor`.
/// - debug (int): Level of debug details to draw.
#let draw-edge-arc(edge, debug: 0) = {
let (from, to) = edge.final-vertices
// Determine the arc from the stroke end points and bend angle
let (center, radius, start, stop) = get-arc-connecting-points(from, to, edge.bend)
let bend-dir = if edge.bend > 0deg { +1 } else { -1 }
// Draw arc(s), one for each extrusion shift
for shift in edge.extrude {
// Adjust arc angles to accomodate for cap offsets
let (δ-start, δ-stop) = cap-offsets(edge, shift)
.map(arclen => -bend-dir*arclen/radius*1rad)
let obj = cetz.draw.arc(
center,
radius: radius + shift,
start: start + δ-start,
stop: stop + δ-stop,
anchor: "origin",
stroke: edge.stroke,
)
if edge.decorations == none { obj }
else {
let decor = edge.decorations.with(stroke: edge.stroke)
decor(obj)
}
}
// Draw marks
let curve(t) = vector.add(center, vector-polar(radius, lerp(start, stop, t)))
for mark in edge.marks {
place-arrow-cap(curve, edge.stroke, mark, debug: debug >= 4)
}
// Draw label
if edge.label != none {
if edge.label-side == auto {
// Choose label side to be on outside of arc
edge.label-side = if edge.bend > 0deg { left } else { right }
}
let label-dir = if edge.label-side == left { +1 } else { -1 }
if edge.label-anchor == auto {
// Choose label anchor based on edge direction
let θ = vector-angle(vector.sub(to, from))
edge.label-anchor = angle-to-anchor(θ - label-dir*90deg)
}
let label-pos = vector.add(
center,
vector-polar(
radius + label-dir*bend-dir*edge.label-sep,
lerp(start, stop, edge.label-pos),
)
)
draw-edge-label(edge, label-pos, debug: debug)
}
}
/// Draw a multi-segment edge
///
/// - edge (dictionary): The edge object, a dictionary, containing:
/// - `vertices`: an array of at least two points to draw segments between.
/// - `corner-radius`: Radius of curvature between segments.
/// - `extrude`: An array of extrusion lengths to apply a multi-stroke effect
/// with.
/// - `stroke`: The stroke style.
/// - `marks`: An array of marks to draw along the edge.
/// - `label`: Content for label.
/// - `label-side`, `label-pos`, `label-sep`, and `label-anchor`.
/// - debug (int): Level of debug details to draw.
#let draw-edge-polyline(edge, debug: 0) = {
let verts = edge.final-vertices
let n-segments = verts.len() - 1
// angles of each segment
let θs = range(n-segments).map(i => {
let (vert, vert-next) = (verts.at(i), verts.at(i + 1))
assert(vert != vert-next, message: "Adjacent vertices must be distinct.")
vector-angle(vector.sub(vert-next, vert))
})
// round corners
// i literally don't know how this works
let calculate-rounded-corner(i) = {
let pt = verts.at(i)
let Δθ = wrap-angle-180(θs.at(i) - θs.at(i - 1))
let dir = sign(Δθ) // +1 if ccw, -1 if cw
let θ-normal = θs.at(i - 1) + Δθ/2 + 90deg // direction to center of curvature
let radius = edge.corner-radius
radius *= calc.abs(90deg/Δθ) // visual adjustment so that tighter bends have smaller radii
radius += if dir > 0 { calc.max(..edge.extrude) } else { -calc.min(..edge.extrude) }
radius *= dir // ??? makes math easier or something
let dist = radius/calc.cos(Δθ/2) // distance from vertex to center of curvature
(
arc-center: vector.add(pt, vector-polar(dist, θ-normal)),
arc-radius: radius,
start: θs.at(i - 1) - 90deg,
delta: wrap-angle-180(Δθ),
line-shift: radius*calc.tan(Δθ/2), // distance from vertex to beginning of arc
)
}
let rounded-corners
if edge.corner-radius != none {
rounded-corners = range(1, θs.len()).map(calculate-rounded-corner)
}
let lerp-scale(t, i) = {
let τ = t*n-segments - i
if 0 < τ and τ <= 1 or i == 0 and τ <= 0 or i == n-segments - 1 and 1 < τ { τ }
}
let debug-stroke = edge.stroke.thickness/4 + green
// phase keeps track of how to offset dash patterns
// to ensure continuity between segments
let phase = 0pt
let stroke-with-phase(phase) = stroke-to-dict(edge.stroke) + (
dash: if type(edge.stroke.dash) == dictionary {
(array: edge.stroke.dash.array, phase: phase)
}
)
// draw each segment
for i in range(n-segments) {
let (from, to) = (verts.at(i), verts.at(i + 1))
let marks = ()
let Δphase = 0pt
if edge.corner-radius == none {
// add phantom marks to ensure segment joins are clean
if i > 0 {
let Δθ = θs.at(i) - θs.at(i - 1)
marks.push((
kind: "bar",
pos: 0,
angle: Δθ/2,
hide: true,
))
}
if i < θs.len() - 1 {
let Δθ = θs.at(i + 1) - θs.at(i)
marks.push((
kind: "bar",
pos: 1,
angle: Δθ/2,
hide: true,
))
}
Δphase += vector-len(vector.sub(from, to))
} else { // rounded corners
if i > 0 {
// offset start of segment to give space for previous arc
let (line-shift,) = rounded-corners.at(i - 1)
from = vector.add(from, vector-polar(line-shift, θs.at(i)))
}
if i < θs.len() - 1 {
let (arc-center, arc-radius, start, delta, line-shift) = rounded-corners.at(i)
to = vector.add(to, vector-polar(-line-shift, θs.at(i)))
Δphase += vector-len(vector.sub(from, to))
for d in edge.extrude {
cetz.draw.arc(
arc-center,
radius: arc-radius - d,
start: start,
delta: delta,
anchor: "origin",
stroke: stroke-with-phase(phase + Δphase),
)
if debug >= 4 {
cetz.draw.on-layer(1, cetz.draw.circle(
arc-center,
radius: arc-radius - d,
stroke: debug-stroke,
))
}
}
Δphase += delta/1rad*arc-radius
}
}
// distribute original marks across segments
marks += edge.marks.map(mark => {
mark.pos = lerp-scale(mark.pos, i)
mark
}).filter(mark => mark.pos != none)
let label-pos = lerp-scale(edge.label-pos, i)
let label-options = if label-pos == none { (label: none) }
else { (label-pos: label-pos, label: edge.label) }
draw-edge-line(
edge + (
kind: "line",
final-vertices: (from, to),
marks: marks,
stroke: stroke-with-phase(phase),
) + label-options,
debug: debug,
)
phase += Δphase
}
if debug >= 4 {
cetz.draw.line(
..verts,
stroke: debug-stroke,
)
}
}
/// Of all the intersection points within a set of CeTZ objects, find the one
/// which is farthest from a target point and pass it to a callback.
///
/// If no intersection points are found, use the target point itself.
///
/// - objects (cetz array, none): Objects to search within for intersections. If
/// `none`, callback is immediately called with `target`.
/// - target (point): Target point to sort intersections by proximity with, and
/// to use as a fallback if no intersections are found.
#let find-farthest-intersection(objects, target, callback) = {
if objects == none { return callback(target) }
let node-name = "intersection-finder"
cetz.draw.hide(cetz.draw.intersections(node-name, objects))
cetz.draw.get-ctx(ctx => {
let calculate-anchors = ctx.nodes.at(node-name).anchors
let anchor-names = calculate-anchors(())
let anchor-points = anchor-names.map(calculate-anchors)
.map(point => {
// funky disagreement between coordinate systems??
point.at(1) *= -1
vector-2d(vector.scale(point, 1cm))
}).sorted(key: point => vector-len(vector.sub(point, target)))
let anchor = anchor-points.at(-1, default: target)
callback(anchor)
})
}
#let find-anchor-pair((from-group, to-group), (from-point, to-point), callback) = {
find-farthest-intersection(from-group, from-point, from-anchor => {
find-farthest-intersection(to-group, to-point, to-anchor => {
callback((from-anchor, to-anchor))
})
})
}
/// Get the anchor point around a node outline at a certain angle.
#let get-node-anchor(node, θ, callback) = {
let outline = cetz.draw.group({
cetz.draw.translate(node.final-pos)
(node.shape)(node, node.outset)
})
let dummy-line = cetz.draw.line(
node.final-pos,
(rel: (θ, 10*node.radius))
)
find-farthest-intersection(outline + dummy-line, node.final-pos, callback)
}
/// Return the anchor point for an edge connecting to a node with the "defocus"
/// adjustment.
///
/// Basically, for very long/wide nodes, don't make edges coming in from all
/// angles go to the exact node center, but "spread them out" a bit.
///
/// See https://www.desmos.com/calculator/irt0mvixky.
#let defocus-adjustment(node, θ) = {
if node == none { return (0pt, 0pt) }
let μ = calc.pow(node.aspect, node.defocus)
(
calc.max(0pt, node.size.at(0)/2*(1 - 1/μ))*calc.cos(θ),
calc.max(0pt, node.size.at(1)/2*(1 - μ/1))*calc.sin(θ),
)
}
#let draw-anchored-line(edge, nodes, debug: 0) = {
let (from, to) = edge.final-vertices
// apply edge shift
let (δ-from, δ-to) = edge.shift
let θ = vector-angle(vector.sub(to, from)) + 90deg
from = vector.add(from, vector-polar(δ-from, θ))
to = vector.add(to, vector-polar(δ-to, θ))
// TODO: do defocus adjustment sensibly
from = vector.add(from, defocus-adjustment(nodes.at(0), θ - 90deg))
to = vector.add(to, defocus-adjustment(nodes.at(1), θ + 90deg))
let dummy-line = cetz.draw.line(
from,
to,
)
let intersection-objects = nodes.map(node => {
if node == none { return }
cetz.draw.group({
cetz.draw.translate(node.final-pos)
(node.shape)(node, node.outset)
})
dummy-line
})
find-anchor-pair(intersection-objects, (from, to), anchors => {
draw-edge-line(edge + (
final-vertices: anchors,
), debug: debug)
})
}
#let draw-anchored-arc(edge, nodes, debug: 0) = {
let (from, to) = edge.final-vertices
let θ = vector-angle(vector.sub(to, from))
let θs = (θ + edge.bend, θ - edge.bend + 180deg)
let (δ-from, δ-to) = edge.shift
from = vector.add(from, vector-polar(δ-from, θs.at(0) + 90deg))
to = vector.add(to, vector-polar(δ-to, θs.at(1) - 90deg))
let dummy-lines = (from, to).zip(θs)
.map(((point, φ)) => cetz.draw.line(
point,
vector.add(point, vector-polar(10cm, φ)), // ray emanating from node
))
let intersection-objects = nodes.zip(dummy-lines).map(((node, dummy-line)) => {
if node == none { return }
cetz.draw.group({
cetz.draw.translate(node.final-pos)
(node.shape)(node, node.outset)
})
dummy-line
})
find-anchor-pair(intersection-objects, (from, to), anchors => {
draw-edge-arc(edge + (final-vertices: anchors), debug: debug)
})
}
#let draw-anchored-polyline(edge, nodes, debug: 0) = {
assert(edge.vertices.len() >= 2, message: "Polyline requires at least two vertices")
let verts = edge.final-vertices
let (from, to) = (edge.final-vertices.at(0), edge.final-vertices.at(-1))
let end-segments = (
edge.final-vertices.slice(0, 2), // first two vertices
edge.final-vertices.slice(-2), // last two vertices
)
let θs = (
vector-angle(vector.sub(..end-segments.at(0))),
vector-angle(vector.sub(..end-segments.at(1))),
)
let δs = edge.shift.zip(θs).map(((d, θ)) => vector-polar(d, θ + 90deg))
end-segments = end-segments.zip(δs).map(((segment, δ)) => {
segment.map(point => vector.add(point, δ))
})
// the `shift` option is nicer if it shifts the entire segment, not just the first vertex
// first segment
edge.final-vertices.at(0) = vector.add(edge.final-vertices.at(0), δs.at(0))
edge.final-vertices.at(1) = vector.add(edge.final-vertices.at(1), δs.at(0))
// last segment
edge.final-vertices.at(-2) = vector.add(edge.final-vertices.at(-2), δs.at(1))
edge.final-vertices.at(-1) = vector.add(edge.final-vertices.at(-1), δs.at(1))
let dummy-lines = end-segments.map(points => cetz.draw.line(..points))
let intersection-objects = nodes.zip(dummy-lines).map(((node, dummy-line)) => {
if node == none { return }
cetz.draw.group({
cetz.draw.translate(node.final-pos)
(node.shape)(node, node.outset)
})
dummy-line
})
find-anchor-pair(intersection-objects, (from, to), anchors => {
let edge = edge
edge.final-vertices.at(0) = anchors.at(0)
edge.final-vertices.at(-1) = anchors.at(1)
draw-edge-polyline(edge, debug: debug)
})
}
#let draw-anchored-corner(edge, nodes, debug: 0) = {
let (from, to) = edge.final-vertices
let θ = vector-angle(vector.sub(to, from))
let bend-dir = (
if edge.corner == right { true }
else if edge.corner == left { false }
else { panic("Edge corner option must be left or right.") }
)
let θ-floor = calc.floor(θ/90deg)*90deg
let θ-ceil = calc.ceil(θ/90deg)*90deg
let θs = if bend-dir {
(θ-ceil, θ-floor + 180deg)
} else {
(θ-floor, θ-ceil + 180deg)
}
let corner-point = if calc.even(calc.floor(θ/90deg) + int(bend-dir)) {
(to.at(0), from.at(1))
} else {
(from.at(0), to.at(1))
}
let edge-options = (
final-vertices: (from, corner-point, to),
label-side: if bend-dir { left } else { right },
)
draw-anchored-polyline(edge + edge-options, nodes, debug: debug)
}
#let draw-edge(edge, nodes, ..args) = {
if edge.extrude.len() == 0 { return } // no line to draw
edge.marks = interpret-marks(edge.marks)
if edge.kind == "line" { draw-anchored-line(edge, nodes, ..args) }
else if edge.kind == "arc" { draw-anchored-arc(edge, nodes, ..args) }
else if edge.kind == "corner" { draw-anchored-corner(edge, nodes, ..args) }
else if edge.kind == "poly" { draw-anchored-polyline(edge, nodes, ..args) }
else { panic(edge.kind) }
}
#let draw-node(node, debug: 0) = {
if node.stroke != none or node.fill != none {
cetz.draw.group({
cetz.draw.translate(node.final-pos)
for (i, extrude) in node.extrude.enumerate() {
cetz.draw.set-style(
fill: if i == 0 { node.fill },
stroke: node.stroke,
)
(node.shape)(node, extrude)
}
})
}
if node.label != none {
cetz.draw.content(node.final-pos, node.label, anchor: "center")
}
// Draw debug stuff
if debug >= 1 {
// dot at node anchor
cetz.draw.circle(
node.final-pos,
radius: 0.5pt,
fill: DEBUG_COLOR,
stroke: none,
)
}
// Show anchor outline
if debug >= 2 and node.radius != 0pt {
cetz.draw.group({
cetz.draw.translate(node.final-pos)
cetz.draw.set-style(
stroke: DEBUG_COLOR + .1pt,
fill: none,
)
(node.shape)(node, node.outset)
})
cetz.draw.rect(
..rect-at(node.final-pos, node.size),
stroke: DEBUG_COLOR + .1pt,
)
}
}
#let draw-debug-axes(grid) = {
// cetz panics if rect is zero area
if grid.bounding-size.all(x => x != 0pt) {
cetz.draw.rect(
(0,0),
element-wise-mul(grid.bounding-size, grid.scale),
stroke: DEBUG_COLOR + 0.25pt
)
}
let (σx, σy) = grid.scale
for (axis, coord) in ((0, (x,y) => (σx*x,σy*y)), (1, (y,x) => (σx*x,σy*y))) {
for (i, x) in grid.centers.at(axis).enumerate() {
let size = grid.sizes.at(axis).at(i)
// coordinate label
cetz.draw.content(
coord(x, -.5em),
text(fill: DEBUG_COLOR, size: .7em)[#(grid.origin.at(axis) + i)]
)
// size bracket
cetz.draw.line(
..(+1, -1).map(dir => coord(x + dir*max(size, 1e-6pt)/2, 0)),
stroke: DEBUG_COLOR + .75pt,
mark: (start: "|", end: "|")
)
// gridline
cetz.draw.line(
coord(x, 0),
coord(x, grid.bounding-size.at(1 - axis)),
stroke: (
paint: DEBUG_COLOR,
thickness: .3pt,
dash: "densely-dotted",
),
)
}
}
}
#let find-node-at(nodes, pos) = {
nodes.filter(node => {
// node must be within a one-unit block around pos
vector.sub(node.pos, pos).all(Δ => calc.abs(Δ) < 1)
})
.sorted(key: node => vector.len(vector.sub(node.pos, pos)))
.at(0, default: none)
}
#let draw-diagram(
grid,
nodes,
edges,
debug: 0,
) = {
for node in nodes {
draw-node(node, debug: debug)
}
for edge in edges {
// find start/end notes to snap to (each can be none!)
let nodes = (
// coordinates of nodes to snap to
map-auto(edge.snap-to.at(0), edge.vertices.at(0)),
map-auto(edge.snap-to.at(1), edge.vertices.at(-1)),
).map(find-node-at.with(nodes))
draw-edge(edge, nodes, debug: debug)
}
if debug >= 1 {
draw-debug-axes(grid)
}
}
|
https://github.com/Complex2-Liu/macmo | https://raw.githubusercontent.com/Complex2-Liu/macmo/main/contests/2023/content/problem-10.typ | typst | #import "../lib/math.typ": problem, proof, note, ans, hasheq, eqref
#problem[
设 $n$ 为正整数, 求证: $ sum_(k = 0)^n binom(n, k)binom(n + k, k) =
sum_(k = 0)^n 2^k binom(n, k)^2. $
]
#proof[
先把 $2^k$ 拆成 $sum_(m = 0)^k binom(k, m) = sum_(m = n - k)^n binom(k, n - m)$,
得到 $ sum_(k = 0)^n sum_(m = n - k)^n binom(k, n - m) binom(n, k)^2 =
sum_(m = 0)^n sum_(k = n - m)^n binom(n, k)^2 binom(k, n - m) $
交换指标 $m, k$ (注意不是交换求和顺序, 已经换了一次序了),
now we claim that for all $1 <= k <= n$,
#hasheq(hash: "157a37c")[
$ sum_(m = n - k)^(n) binom(m, n - k) binom(n, m)^2 = binom(n, k) binom(n + k, k). $
] <157a37c>
事实上, 利用关系式 $binom(n, m)binom(m, n - k) = binom(n, k)binom(k, n - m)$
提出一个 $binom(n, k)$, 他不依赖于 $m$ 从而可以提到求和号外面来, 得到
$ "LHS" = binom(n, k)sum_(m = n - k)^n binom(n, m)binom(k, n - m) =
binom(n, k)binom(n + k, n), $ 这里最后一个等号利用了 Vandermonde's identity,
thus proving #eqref("157a37c", hash: true)[Equation].
]
/* vim: set ft=typst: */
|
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/compiler/let-01.typ | typst | Other | // Termination.
// Terminated by line break.
#let v1 = 1
One
// Terminated by semicolon.
#let v2 = 2; Two
// Terminated by semicolon and line break.
#let v3 = 3;
Three
#test(v1, 1)
#test(v2, 2)
#test(v3, 3)
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/layout/page-style-02.typ | typst | Other | // Empty with multiple page styles.
// Should result in a small white page.
#set page("a4")
#set page("a5")
#set page(width: 1cm, height: 1cm)
|
https://github.com/DashieTM/nix-introduction | https://raw.githubusercontent.com/DashieTM/nix-introduction/main/topics/specializations.typ | typst | #import "../utils.typ": *
#polylux-slide[
== What else is Nix good for?
#v(15pt)
- servers
- declarative/reproducible server instantiation
- ansible on steroids
- easily convertible to and from docker files/images
- CI/CD
- declarative and reproducible pipelines
- no version mismatch due to nix
- available as a github runner -> nix-run
- dev environment
- even on multiple operating systems
#pdfpc.speaker-note(```md
```)
]
|
|
https://github.com/donghoony/KUPC-2023 | https://raw.githubusercontent.com/donghoony/KUPC-2023/master/template.typ | typst | // The project function defines how your document looks.
// It takes your content and some metadata and formats it.
// Go ahead and customize it to your liking!
#import "emoji/lib.typ" : *
// 그래프를 그릴 수 있습니다.
//#import "@preview/gviz:0.1.0": *
#let project(title: "", authors: (), logo: none, body) = {
// Set the document's basic properties.
set document(author: authors, title: title)
set page(numbering: "1", number-align: bottom + right, flipped: true, background: image("images/bg1.png"))
set text(font: "Pretendard", lang: "ko")
v(10fr)
// Author information.
grid(columns: (50%, 50%),
pad(
top: 0.7em,
right: 20%,
grid(
columns: (1fr,) * calc.min(3, authors.len()),
gutter: 1em,
..authors.map(author => align(start, author)),
),
),
)
v(2.4fr)
pagebreak()
set page(background: none)
// Main body.
set par(justify: true)
show raw.where(lang: "render"): it => render-image(it.text)
setup-emoji(body)
} |
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/compiler/label-06.typ | typst | Other | // Test that incomplete label is text.
1 < 2 is #if 1 < 2 [not] a label.
|
https://github.com/Myriad-Dreamin/tinymist | https://raw.githubusercontent.com/Myriad-Dreamin/tinymist/main/crates/tinymist-query/src/fixtures/goto_definition/import_ident.typ | typst | Apache License 2.0 | // path: base.typ
#let f() = 1;
-----
#import "base.typ": f
#(/* position after */ f);
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/009%20-%20Born%20of%20the%20Gods/002_Cowardice%20of%20the%20Hero.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Cowardice of the Hero",
set_name: "Born of the Gods",
story_date: datetime(day: 22, month: 01, year: 2014),
author: "<NAME>",
doc
)
I hate the man who married my mother.
My father died in an accident when I was too young to remember him. My mother always shied away from telling me what happened and I believe she instructed the farmhands not to relate the story. But even as a child I knew he'd had an accident with a load of grain, or more likely rocks cleared from a new field. I remember once she screamed at me when I played near some of the wagons that were full after a harvest, pulling me into her arms and running me away. She never told me what happened to my father, but I knew.
When I was a little older than eight years my mother remarried. I always wanted to believe it was not out of love, but duty to the farm. The children of the farmhands were twice as old as me. There were five of them, all male, and unlike their fathers, who knew my own, they owed no allegiance to my family. There were whispers among them about trying to take the farmland from my mother. I heard them speak of this one night; I had followed them behind the stables. They found me and beat me. I told my mother a lie, but even as I spoke about falling down the hill by the river my mother knew what had happened. Was my weakness why she invited that man into our home?
Vinack was not a hero throughout the entire land. In our region, where half a dozen villages lay on the border of Arkos and the wilds, he was a legend. When I was ten when my mother married him and, at the time, I didn't hate him. He was a living statue, strong and muscled with short black hair. He wore a necklace of various teeth and claws. He was even working on a bracelet to hang more trinkets. I wanted to be him. There were tavern songs about him; poets wrote of his exploits. Not good poetry, of course, but the atmosphere of worship compensated for the lack of rhyme.
#figure(image("002_Cowardice of the Hero/01.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
The sons of the older farmhands never challenged my mother once Vinack was in the house. All but one left and we hired new workers. It wasn't as hard as my mother thought it would be for me to adapt to having a new person, especially a new father, in my life. I could tell she was worried when she had introduced us and when he moved into our home. At the age of ten I was still in awe of that necklace and the stories of harpies and bandits.
Just because one is heroic doesn't make him a hero. It didn't take long to see this. The true test of heroes should not be on battlefields or saving innocents, but in how they live their lives. Vinack tormented the farmhands. He once told a newer, younger hire to clear a field, only to then tell the farmhand he had cleared the wrong field. When I asked him why he did this, Vinack only smiled and talked about how the working man needed to stay busy lest they would forget their place. He had a short temper as well, and while I was removed from the arguing between my mother and him I could hear his shouting. I had thought she married him to protect the farm, for the necessity, but I soon realized she loved him. She did not want him to go on his adventures slaying monsters. That is what they argued about. She wanted him at home. But I don't think he wanted to listen to her. For my mother, this was marriage; for him, it was a necessity, a place where he could get free home and food while he wasn't fighting monsters. Years passed with him in and out of the farm.
One time, after a night of shouting, I saw my mother's face was bruised. I confronted Vinack about this. He told me to know my place and struck me in the head. There were farmhands around, but who were they to stand up to Vinack? Who were we to get to help from? The village saw him as a savior. Here was the truth I found when I was younger. Saving an innocent in harm's way does not wash away your sins. A vile person can behave heroically, but Athreos will make the distinction when you are set to cross the river. Vinack was a weak man. He was a hero for years in the people's eyes, but why did he always need that adoration? Did he fight his first monster so he would be seen as a hero? Instead of happening upon a monster in the wild, what can be said of those who seek out the monsters? Does their intent get outweighed by their actions? I couldn't help but see Vinack in the darkest light—a selfish, crude beast who made himself a hero so others would tell him he wasn't a horrible man.
I told him this. He bruised my face, chest, and arms. My mother threw him out. He tried to stay, but then the farmhands came behind him, at least a dozen who finally knew their place—against him. Vinack left in anger. The village would talk about how unfair my mother was to the hero, how she was in the wrong. I do not know Heliod's ways, for soon she became ill. The gossip and, although I don't understand it, love she had for Vinack left her with failing health. There was nothing I could do. I prayed for days, sought remedies from Pharika's disciples, but nothing seemed to help. My mother passed away when I was seventeen and I was then in charge of our farmland.
The minotaurs continued to ravage the land. They have always been a problem here on the borders, especially near the swamps. Five to six in a caravan are preferred for travelling between the villages. Those who travel with goods are even more open to attack. Satyr love getting their hands on food, especially if they didn't have to harvest it. There are occasional harpy attacks and a farmer three villages over claimed to have seen a hydra, but he's still alive so not much weight should be given to that account. Sending the grain of my farmlands to another town, or even north to a bigger city nearer the capital, is risky. At a recent village meeting, concerns were expressed. Minotaurs have been spotted on our roads in our lands.
#figure(image("002_Cowardice of the Hero/02.jpg", width: 100%), caption: [Art by Daarken], supplement: none, numbering: none)
A young scholar named Zerili wished to speak to the minotaurs. He gave a passionate speech among the villagers, stating that the minotaurs were no different than us. He believed they opposed us because we had pushed them out of civilized society. They acted like bandits and marauders because we saw them only as that. He was met with laughter, but Zerili continued. He made the case that they were intelligent and would therefore be open to discourse and arranging a treaty. Since they had tribes, Zerili argued, they had culture—although they made weapons out of the bones of their victims, the mere act of imagining the use of a bone as a club showed their potential for intelligence. Zerili's claims were called naive. The scholar did not heed their warnings and the young man's mutilated corpse was found later that week, arms torn from his torso with the palms toward the sky, Zerili's head resting on his own hands. An Akroan soldier on deployment in the area made a joke about how Zerili would have appreciated the minotaurs' cultural expressions.
I was twenty-seven when I saw Vinack again. It had been a decade since I had seen Vinack, although I admit I thought about the swine every day. He arrived at the farm in the afternoon one day during our late harvest season, and I was surprised he still recognized me. I was no longer the scrawny child he beat. In those days, I joined the farmhands in the fields just as I'm told my father had. I was taller than him, although he did have more muscles than me. He still wore that necklace with his trinkets, and three bracelets filled with teeth. There were a few more scars, too. I was pleased to see the age in his face, the whitening and thinning of his hair. I would not have struck him if he hadn't said, "I need your help, Son."
He quickly reacted, most likely thanks to the years of combat, and knocked me to the ground.
"I'm sorry," he said. He kneeled to help me up. "I came because I… sorry, everybody needs your help."
He did not make eye contact with me as he spoke.
"Get out of my home."
"Listen, you know the minotaurs are growing in number. I need help."
"You need to be the hero, same as always."
"What? No. That's not it. If we don't halt the minotaurs now they will continue this course."
"Get the militia, petition the king."
"The king doesn't send help," he said, his face reddening. "He only send troops after people have already died. The two soldiers in town couldn't care less and, even if they did, they'd not be able to stand up against their numbers."
#figure(image("002_Cowardice of the Hero/03.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
I knew this to be true.
"I know you hate me. I know I wronged you and your mother. I've never been a great man, but I know what it means to be a hero. Despite what you think of me I do help people." He paused. "Do not do this for me, do this for your farmhands. If the roads become too dangerous…."
"Fine," I said. "I will help."
I had already been thinking of fighting back against the minotaurs. My farmhands have families and if we can't ship what we sow they and I will go hungry.
Vinack told me a plan to strike at the heart of the minotaurs. A cruel seer that was rumored to have the ear of Mogis directed the feral beasts, made them raid in groups and push farther into human lands. Vinack's plan was to go into their territory and strike down their oracle.
As Vinack put it, "I've only fought beasts, one against myself. And in case you haven't noticed, I do not wear the horn or teeth of a minotaur."
In the morning, we were to set out. I had two beds to spare, but that night I had Vinack sleep in the stable.
While the hero slept for the first time on the farm, without the stupor of spirits, I set out to Zerili's home. I did not trust Vinack. I am not a good choice for this type of feat. There are others in town who know and like the cur, those who would love to help him. I wanted to learn about the minotaurs. The scholar, although dead, did leave a small house in the center of the village. His family must have paid well for his education and home, because he did not seem to add anything practical to the village other than talking about books. Of course, I never met him except in passing, and this was the gossip of the town. His landlord agreed to let me "look through Zerili's possessions to see if I found something I'd lent him" at a late hour for a few coin. When I got inside the home I could see the landlord had given similar agreements to others—most of the apartment looked ransacked of valuables. The books were still there, as were the scholar's notes.
There was nothing there I had not heard before, and the research was tainted by Zerili's idealistic eyes. After only an hour or so I came across what I was looking for, proof that Zerili used to justify the notion of treaties. There were records in the town ledger going back decades that the minotaurs would take gold and crops in exchange for lessened aggression. The scholar thought a treaty would be possible because one existed before. What the poor academic missed was that the last account of a transaction occurred over thirty years before, when, as the leader at that time wrote, "They have asked for a price too high for our safety."
As far as I could recall, there hadn't been any incursions since I'd been alive. The ledger showed that the escalation in demands went from crops and coin, to chickens, then to cattle. The obvious conclusion was that the minotaur demanded men, possibly children, as their dark tribute. The village had continued to make these tributes in secret. I knew what the "hero" needed me for. Vinack meant for me to die.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
That morning, we set out. I brought a sword that belonged to my father. I also brought a dagger I hid in my waistband, one I didn't let Vinack see. If there needed to be a sacrifice, it would be him, not me, to meet Zerili's fate. I was surprised to see he took off his necklaces and bracelets, but it made sense, as they could make too much noise. We walked in silence across the border into the marshy wetlands, where minotaurs were known to frequent.
I had only been in the swamp a few times and always with groups of people, either travelling through as a shortcut to some of the southern, foreign towns, or to look for missing villagers.
We did not need to travel too far before we could smell them. Their fur must have been caked with their own excrement. There was a horrifying realization that they were so short a distance from the village but chose not to attack. Vinack and I hid behind fallen trees and saw their camp. There were more than a dozen of the brutes, and around them the carcasses of now-unrecognizable animals that had been gouged and were missing organs, their bones strewn all around. The minotaurs sat and ate, some even sitting on the discarded bones, oblivious to the pain they should have felt. They sat around a central fire, which led to a cave.
"I brought you here under false pretenses," Vinack said, still looking through branches.
My dagger was already pressed against his back. He turned slightly, and I saw tears in his eyes.
"What are you doing, Boy?"
"You mean to sacrifice me, Bastard."
He tried to turn, but I pressed the dagger harder into his back, one thrust would pierce his flesh.
"I did not know you were privy to the village leaders' plans," he said, now looking again at the minotaurs. "If I had known I would not have used lies."
"This is monstrous! I would not have come along to die even if you hadn't tried to deceive me," I said, trying to quiet my voice despite my anger.
"No, Son," he said, shaking his head. "The sacrifice will be me."
It was hard for me to understand how I felt. At first, I thought it could be another lie, some other deception. This was what I wanted to be true. I wanted him to die. When he told me this all I could say was, "Good."
He was startled by this, but then nodded.
"This doesn't make you a hero," I said, coldly. "This doesn't forgive what you've done."
He nodded again. "I know."
We stood for a few moments. We both looked toward the minotaur camp. Then Vinack started pushing his way through the branches. His sword was behind him on the ground.
I needed to stay and watch what happened.
He approached the minotaurs with his arms lifted, almost in supplication. They turned to Vinack and started to move toward him, some mid-chew, but he yelled, "Tribute!"
Instantly, the minotaurs shuffled back to where they had been sitting, all their eyes on Vinack. He walked and stood in front of the fire, near the cave entrance. I saw the oracle emerge. He was even bigger than the other minotaurs. Not just in size. I could tell this oracle received more food than he actually hunted. He moved more slowly than the other minotaurs had moved—I guessed he was older, but I had no way of knowing. He wore a necklace of human skulls and a bone, which was probably human as well, through his nose.
#figure(image("002_Cowardice of the Hero/04.jpg", width: 100%), caption: [Oracle of Bones | Art by <NAME>], supplement: none, numbering: none)
"I offer myself as a sacrifice for the protection of the human villages of the Kendraki Provinces that lay north of your lands, in accordance with the old pacts," Vinack said slowly, as though he had trouble remembering what he was to say.
The oracle began to laugh and the minotaurs around him growled. Without ceremony, the shaman slammed his fist downwards on Vinack's head, pushing it down into his body. I heard his spine break. The body fell to the ground and the oracle picked it back up, snapping it in half after some difficulty. A cloud of blood emerged, swirling around the minotaurs, who were then stomping their hoofs and roaring. The crimson mist began to swirl around each minotaur individually, until the blood mist entered their nostrils. They breathed deeply of the dark magic. I do not know if what I saw next happened, or if I was confused and can no longer remember the truth. I thought I saw behind the oracle the shape of a minotaur, but one made of the night's sky. I thought I saw Mogis, but only for a second.
And that was it. The oracle took the pieces of Vinack and threw them to the side, into a pile of animal carcasses. The minotaurs looked tired, but continued to eat and spar as they had before the ceremony. The oracle retreated back into his cave. I picked up Vinack's sword and returned to the village.
I was met with praise. Everyone was sad the great hero Vinack had fallen, but so happy his son had been there to stop the minotaur menace. It would seem the village leaders had spread some of their own lies before I had returned. I think Vinack wanted me to be a hero, to share whatever he would call a legacy with the closest person he could call a son or family.
I let that man walk to his death. It stopped the minotaurs, for now at least, and others would call that heroic, but despite the stories others will tell, I am no hero. I used to hate the man who married my mother more than anything in creation, but now the person I hate the most is myself.
#figure(image("002_Cowardice of the Hero/05.jpg", height: 40%), caption: [], supplement: none, numbering: none)
|
|
https://github.com/mem-courses/calculus | https://raw.githubusercontent.com/mem-courses/calculus/main/homework-2/homework8.typ | typst | #import "../template.typ": *
#show: project.with(
course: "Calculus II",
course_fullname: "Calculus (A) II",
course_code: "821T0160",
title: "Homework #8: 多元函数微分学",
authors: ((
name: "<NAME>",
email: "<EMAIL>",
id: "#198"
),),
semester: "Spring-Summer 2024",
date: "April 18, 2024",
)
= 习题8-2
== P82 16
#prob[
证明：函数 $f(x,y)=sqrt(|x y|)$ 在点 $(0,0)$ 处的两个偏导数都存在，但在点 $(0,0)$ 处不可微。
]
$
f'_x (0,0) = lim_(x->0) (f(x,0)-f(0,0))/x = lim_(x->0) (sqrt(abs(x dot 0)) - 0)/x = 0
$
由于 $f(x,y)$ 关于 $x,y$ 对称，故同理可得 $f'_y (0,0) = 0$。
考察：
$
&lim_((Delta x,Delta y)->(0,0)) = (Delta f - A Delta x - B Delta y)/(sqrt(Delta x^2 + Delta y^2))\
=& lim_((x,y)->(0,0)) sqrt(abs(x y))/sqrt(x^2+y^2)\
=& lim_((x,y)->(0,0)) root(4, (x^2 y^2)/(x^4+2x^2 y^2+y^4))\
=& root(4, lim_((x,y)->(0,0)) (x^2 y^2)/(x^4+2x^2 y^2+y^4))
$
令 $y=k x$，得
$
lim_((x,y)->(0,0)) (x^2 y^2)/(x^4+2x^2 y^2+y^4)
&= lim_(x->0) (x^4 k^2)/(x^4+2x^4 k^2+x^4 k^4)\
= k^2/(1+2k^2+k^4)
$
故原极限不存在，故原函数在点 $(0,0)$ 处不可微。
= 习题8-3
== P89 7
#prob[
设函数 $z=f(2x-y)+g(x,x y)$，其中 $f$ 二阶可导，$g$ 具有连续的二阶偏导数，求 $display((partial^2 z)/(px py))$。
]
$
pz/px &= partial/px f(2x-y) + partial/px g(x,x y)\
&= pf/(partial (2x-y)) (partial (2x-y))/px + (partial g)/(partial x) px/px + (partial g)/(partial (x y)) (partial (x y))/px\
&= 2 f' + g'_1 + y g'_2\
$
$
(partial^2 z)/(px py)
&= diff/(py) (2f' + g'_1 + y g'_2)\
&= 2 (diff f')/(diff (2x-y)) (diff(2x-y))/py + (diff g'_1)/(diff x) px/py + (diff g'_1)/(diff (x y)) (diff (x y))/py + y (diff g'_2)/(diff x) px/py + y (diff g'_2)/(diff (x y)) (diff (x y))/py\
&= -2 f'' + x g''_12 + x y g''_22
$
== P89 9
#prob[
设函数 $u=f(x y z)$，其中 $f$ 可导，求 $dif u$。
]
$
dif u
= pf/px dx + pf/py dy + pf/pz dif z
= f' (y z dif x + x z dif y + x y dif z)
$
== P89 14
#prob[
取 $x$ 作为函数，而 $u=y-z$，$v=y+z$ 作为自变量，变换方程
$
(y-z) pz/px + (y+z) pz/py = 0
$
]
$
cases(
display(pz/pu = pz/px px/pu + pz/py py/pu = pz/px px/pu = -1/2),
display(pz/pv = pz/px px/pv + pz/py py/pv = pz/px px/pv = 1/2),
)==> pz/px = 1/display(px/pv - px/pu)
$
从而化简原方程：
$
(y-z) pz/px + (y+z) pz/py = 0 <=> u/display(px/pv - px/pu) = 0
$
#bug[
纠错：
$
dif u = dif y - dif z,space dif v = dif y + dif z
$
$
& dif x = px/pu dif u + px/pv dif v = px/pu (dy-dif z) + px/pv (dy+dif z)\
==>& (px/pu - px/pv) dif z = - dif x + (px/pu + px/pv) dif y\
==>& dif z = 1/display(px/pv - px/pu) + display(px/pu + px/pv)/display(px/pu-px/pv) dif y\
==>& pz/px = 1/display(px/pv - px/pu),space pz/py = display(px/pu + px/pv)/display(px/pu-px/pv)
$
代入得
$
&u dot 1/display(px/pv - px/pu) + v dot display(px/pu + px/pv)/display(px/pu-px/pv) = 0\
==>& px/pu + px/pv = u/v space (v!=0)
$
]
== P90 15
#prob[
引用新的自变量 $xi=x-a t$，$eta = x + a t$ 化简方程。
$
(partial^2 u)/(partial t^2) = a^2 (partial^2 u)/(partial x^2)
$
]
$
pu/px &= pu/(diff xi) (diff xi)/px + pu/(diff eta) (diff eta)/px = pu/(diff xi) + pu/(diff eta)\
(diff^2 u)/(diff x^2) &= (diff^2 u)/(diff xi^2) (diff xi)/px + (diff^2 u)/(diff xi diff eta) (diff eta)/px + (diff^2 u)/(diff xi diff eta) (diff xi)/px + (diff^2 u)/(diff eta^2) (diff eta)/px = (diff^2 u)/(diff xi diff xi) + 2 (diff^2 u)/(diff xi diff eta) + (diff^2 u)/(diff eta diff eta)\
pu/(diff t) &= pu/(diff xi) (diff xi)/(diff t) + pu/(diff eta) (diff eta)/(diff t) = -a pu/(diff xi) + a pu/(diff eta)\
(diff^2 u)/(diff t^2) &= -a (diff^2 u)/(diff xi^2) (diff xi)/px -a (diff^2 u)/(diff xi diff eta) (diff eta)/px + a (diff^2 u)/(diff xi diff eta) (diff xi)/px + a (diff^2 u)/(diff eta^2) (diff eta)/px = a^2 (diff^2 u)/(diff xi diff xi) - 2 a^2 (diff^2 u)/(diff xi diff eta) + a^2 (diff^2 u)/(diff eta diff eta)\
$ |
|
https://github.com/Quaternijkon/notebook | https://raw.githubusercontent.com/Quaternijkon/notebook/main/content/数据结构与算法/.chapter-数据结构/栈与队列/中位数.typ | typst | #import "../../../../lib.typ":*
=== #Title(
title: [中位数],
reflink: "https://leetcode.cn/problems/shu-ju-liu-zhong-de-zhong-wei-shu-lcof/description/",
level: 3,
)<中位数>
#note(
title: [
数据流中的中位数
],
description: [
中位数 是有序整数列表中的中间值。如果列表的大小是偶数，则没有中间值，中位数是两个中间值的平均值。
例如，
- [2,3,4] 的中位数是 3
- [2,3] 的中位数是 $(2 + 3) / 2$ = 2.5
设计一个支持以下两种操作的数据结构：
- `void addNum(int num)` - 从数据流中添加一个整数到数据结构中。
- `double findMedian()` - 返回目前所有元素的中位数。
],
examples: ([
输入：["MedianFinder","addNum","addNum","findMedian","addNum","findMedian"]
[[],[1],[2],[],[3],[]]
输出：[null,null,null,1.50000,null,2.00000]
],[
输入：["MedianFinder","addNum","addNum","findMedian","addNum","findMedian"]
[[],[1],[2],[],[3],[]]
输出：[null,null,null,1.50000,null,2.00000]
]
),
tips: [
最多会对 `addNum`、`findMedian` 进行 50000 次调用。
],
solutions: (
( name:[堆],
text:[
#figure(
image("img/中位数-堆.png"),
caption: [堆]
)
`addNum(num)` 函数：
- 当 $m=n$（即 N 为 偶数）：需向 A 添加一个元素。实现方法：将新元素 `num` 插入至 B ，再将 B 堆顶元素插入至 A ；
- 当 $m!=n$（即 N 为 奇数）：需向 B 添加一个元素。实现方法：将新元素 `num` 插入至 A ，再将 A 堆顶元素插入至 B ；
`findMedian()` 函数：
- 当 $m=n$（ N 为 偶数）：则中位数为 ( A 的堆顶元素 + B 的堆顶元素 )/2。
- 当 $m!=n$（ N 为 奇数）：则中位数为 A 的堆顶元素。
],code:[
```cpp
class MedianFinder {
public:
priority_queue<int, vector<int>, greater<int>> A; // 小顶堆，保存较大的一半
priority_queue<int, vector<int>, less<int>> B; // 大顶堆，保存较小的一半
MedianFinder() { }
void addNum(int num) {
if(A.size() != B.size()) {
A.push(num);
B.push(A.top());
A.pop();
} else {
B.push(num);
A.push(B.top());
B.pop();
}
}
double findMedian() {
return A.size() != B.size() ? A.top() : (A.top() + B.top()) / 2.0;
}
};
```
]),
),
gain:none,
) |
|
https://github.com/christmascoding/DHBW_LAB_GET | https://raw.githubusercontent.com/christmascoding/DHBW_LAB_GET/main/main.typ | typst | #import "@preview/supercharged-dhbw:1.2.0": *
#let abstract = lorem(100)
#set page(footer: context [
Labor: GET / <NAME> / <NAME>, <NAME> / TES23B
#h(2fr)
#counter(page).display(
"1/1",
both: true,
)
])
#show: supercharged-dhbw.with(
title: "Laborbericht Versuch Nr. 2: Funktionsgenerator und Oszilloskop",
authors: (
(name: "<NAME>", student-id: "N/A", course: "TES23B", course-of-studies: "Embedded Systems"),
(name: "<NAME>", student-id: "N/A", course: "TES23B", course-of-studies: "Embedded Systems" ),
),
language: "de", // en, de
at-dhbw: true, // if true the company name on the title page and the confidentiality statement are hidden
show-confidentiality-statement: false,
show-declaration-of-authorship: false,
show-table-of-contents: false,
show-acronyms: false,
show-list-of-figures: false,
show-list-of-tables: false,
show-code-snippets: false,
show-appendix: false,
show-abstract: false,
show-header: true,
numbering-style: "1 of 1", // https://typst.app/docs/reference/model/numbering
numbering-alignment: center, // left, center, right
abstract: abstract, // displays the abstract defined above
university: "Duale Hochschule Baden-Württemberg",
university-location: "Stuttgart",
supervisor: "<NAME>",
date: datetime.today(),
bibliography: bibliography("sources.bib"),
logo-left: image("assets/logos/dhbw.svg"),
// logo-right: image("assets/logos/company.svg"),
// logo-size-ratio: "2:1" // ratio between the right logo and the left logo height (left-logo:right-logo) only the right logo is resized
)
// Edit this content to your liking
= Nachbereitungsaufgabe 1
#figure(
image("assets/images/chart1.png", width:80%),
caption: "Messung des Oszilloskop mit Funktionsgenerator"
)
= Nachbereitungsaufgabe 2
Warum Tastköpfe nachgeglichen werden müssen:
- Tastköpfe sind Messgeräte, die an Oszilloskopen angeschlossen werden, um Spannungen zu messen. Sie können von Werk ab kalibriert sein, können dennoch durch Alterung oder Beschädigung, alleine schon durch den Transport ungenau werden. Um die Genauigkeit der Messung zu gewährleisten, müssen Tastköpfe nachgeglichen werden.
= Nachbereitungsaufgabe 3
Bedeutung der Symbole:
a) Dieses Symbol steht für das Schaltzeichen "Erde".
b) Dieses Symbol steht für das Schaltzeichen "Schutzleiter". Ein Schutzleiter ist ein Leiter, der im Fehlerfall den Strom ableitet und somit Personen vor einem elektrischen Schlag schützt.
c) Dieses Symbol steht für die Masse bzw. das Gehäuse eines elektrischen Geräts.
d) Dieses Symbol steht für das Schaltzeichen eines Spannungsknoten. Ein Spannungsknoten ist ein Punkt in einem elektrischen Schaltplan, an dem mehrere Leiter aufeinandertreffen und die gleiche Spannung haben.
= Nachbereitungsaufgabe 4
Erst einmal ist zu erwähnen, dass die Verschiedenen Geräte verschiedene Zwecke erfüllen müssen.
Das Labornetzgerät liefert *Gleichspannung (DC)*, der _Funktionsgenerator_ liefert im Gegensatz dazu *Wechselspannung (AC)*, daraus folgt, dass die Geräte nicht für dieselben Zwecke benutzt werden.
Das _Labornetzgerät_ verhält sich in der Funktion wie eine *ideale Spannungsquelle* (zumindest annähernd), was dazu führt, dass der Strom gegen unendlich geht, da der Innenwiderstand gegen 0 geht.
Dahingegen ist der _Funktionsgenerator_ eine reale Spannungsquelle, mit einer Ausgangsimpedanz von 50 Ω. Er verhält sich also nicht wie eine ideale Spannungsquelle, da der Innenwiderstand nicht gegen 0 geht, sondern konstant 50 Ω beträgt.
= Nachbereitungsaufgabe 5
Im nachfolgenden werden die beiden
== Spannungsquellen
=== Ideale Spannungsquelle
- Liefert konstante Spannung, unabhängig von der Last
- keine Verluste der Spannung
- Strom unendlich groß
=== Reale Spannungsquelle
- Verlust von Spannung aufgrund von R_i
- Strom nicht unendlich groß
=== Beispiel für den Unterschied der beiden Spannungsquellen:
Als Beispiel im echten Leben für den Unterschied zwischen einer idealen und einer realen Spannungsquelle ist eine Batterie und ein Netzteil. Eine Batterie ist eine reale Spannungsquelle, da sie eine begrenzte Lebensdauer hat und die Spannung abnimmt, wenn sie entladen wird. Ein Netzteil ist eine ideale Spannungsquelle, da es eine konstante Spannung liefert, unabhhängig von der Last.
== Widerstände
=== Idealer Widerstand
- Konstanter Ohm wert
- Keine leistungsverluste aufgrund von Wärme
- Temperaturkoeffizient = 0
=== Realer Widerstand
- R ist veränderbar von Außeneinflüssen
- Temperaturkoeffizient ungleich 0
- Ein Widerst and hat eine sehr geringe eigen Induktivität und Kapazität, die normalerweise vernachlässigbar ist, nur bei sehr hohen Frequenzen eine Rolle spielt
=== Beispiel für den Unterschied der beiden Widerstände:
In der Realität gibt es keine perfekten, idealen Widerstände. Ein realer Widerstand hat immer eine gewisse Induktivität und Kapazität, die bei hohen Frequenzen eine Rolle spielen. Ein idealer Widerstand hat keine Induktivität und Kapazität und ist somit nur ein reiner Widerstand.
|
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/bytefield/0.0.5/lib/states.typ | typst | Apache License 2.0 | // states
#let __default_row_height = state("bf-row-height", 2.5em);
#let __default_header_font_size = state("bf-header-font-size", 9pt);
#let __default_field_font_size = state("bf-field-font-size", auto);
#let __default_note_font_size = state("bf-note-font-size", auto);
#let __default_header_background = state("bf-header-bg", none);
#let __default_header_border = state("bf-header-border", none);
// function to use with show rule
#let bf-config(
row_height: 2.5em,
field_font_size: auto,
note_font_size: auto,
header_font_size: 9pt,
header_background: none,
header_border: none,
content
) = {
__default_row_height.update(row_height);
__default_header_font_size.update(header_font_size)
__default_field_font_size.update(field_font_size)
__default_note_font_size.update(note_font_size)
__default_header_background.update(header_background)
__default_header_border.update(header_border)
content
}
#let _get_row_height(loc) = {
__default_row_height.at(loc)
}
#let _get_header_font_size(loc) = {
__default_header_font_size.at(loc)
}
#let _get_field_font_size(loc) = {
__default_field_font_size.at(loc)
}
#let _get_note_font_size(loc) = {
__default_note_font_size.at(loc)
}
#let _get_header_background(loc) = {
__default_header_background.at(loc)
}
#let _get_header_border(loc) = {
__default_header_border.at(loc)
} |
https://github.com/7sDream/fonts-and-layout-zhCN | https://raw.githubusercontent.com/7sDream/fonts-and-layout-zhCN/master/chapters/06-features-2/anchor/anusvara.typ | typst | Other | #import "/lib/draw.typ": *
#import "/template/lang.typ": hind
#let start = (0, 0)
#let end = (1000, 500)
#let graph = with-unit((ux, uy) => context {
let bg = if page.fill == none { theme.bg } else { page.fill }
rect(start, end: end, fill: bg)
// mesh(start, end, (100, 100), stroke: 1 * ux + gray)
txt(hind[खंहंकं], (30, 100), anchor: "lb", size: 450 * ux)
point((792, 452), color: bg, radius: 24)
point((910, 452), radius: 22)
})
#canvas(end, width: 35%, graph)
|
https://github.com/Mc-Zen/zero | https://raw.githubusercontent.com/Mc-Zen/zero/main/src/parsing.typ | typst | MIT License | #import "utility.typ"
/// Converts a content value into a string if it contains only text nodes.
/// Otherwise, `none` is returned.
#let content-to-string(x) = {
if x.has("text") { return x.text }
if x.has("children") and x.children.len() != 0 and x.children.all(x => x.has("text")) {
return x.children.map(x => x.text).join()
}
return none
}
#assert.eq(content-to-string([123]), "123")
#assert.eq(content-to-string([123 231.]), "123 231.")
#assert.eq(content-to-string([123] + [34]), "12334")
#assert.eq(content-to-string([a $a$]), none)
/// Converts a number into a string if the input is either
/// - an integer or a float,
/// - a string,
/// - or a content value that contains only text nodes but does not start
/// or end with a space.
/// In case of a failure, `none` is returned.
/// The output is normalized, meaning that both decimals separators "," and
/// "." are unified to "." and the minus symbol "−" is replaced by the
/// ASCII "-" character.
#let number-to-string(number) = {
let result
if type(number) == str { result = number }
else if type(number) in (int, float) { result = str(number) }
else if type(number) == content { result = content-to-string(number) }
else { result = none }
if result == none { return none }
return result.replace(",", ".").replace(sym.minus, "-")
}
#assert.eq(number-to-string("123"), "123")
#assert.eq(number-to-string("-2.0"), "-2.0")
#assert.eq(number-to-string(sym.minus + "2,0"), "-2.0")
#assert.eq(number-to-string[2], "2")
#assert.eq(number-to-string[-2.1], "-2.1")
#assert.eq(number-to-string[-2.], "-2.")
#assert.eq(number-to-string[2.], "2.")
#assert.eq(number-to-string[-.1], "-.1")
#assert.eq(number-to-string(100), "100")
#assert.eq(number-to-string(-101.24), "-101.24")
// unparsable inputs
#assert.eq(number-to-string[], none)
#assert.eq(number-to-string[$a + b$], none)
#assert.eq(number-to-string[2 ], none)
#assert.eq(number-to-string[ 2], none)
#assert.eq(number-to-string[ 2343.23 ], none)
#assert.eq(str(sym.plus), "+")
/// Decomposes a string representing an unsigned floating point into
/// integer and fractional part. If either part is not present, it is
/// returned as an empty string. Returns `(integer, fractional)`.
/// Expects a normalized input string (see @number-to-string).
///
/// *Example:*
/// #example(`decompose-unsigned-float-string("9.81")`
#let decompose-unsigned-float-string(x) = {
let components = x.split(".")
if components.len() == 1 { components.push("") }
else if components.len() > 2 {assert(false, message: "weird number `" + x + "`")}
components
}
#assert.eq(decompose-unsigned-float-string("23.2"), ("23", "2"))
#assert.eq(decompose-unsigned-float-string("23."), ("23", ""))
#assert.eq(decompose-unsigned-float-string("23"), ("23", ""))
#assert.eq(decompose-unsigned-float-string(".34"), ("", "34"))
/// Decomposes a string representing a (possibly signed) floating point
/// into integer and fractional part. If either part is not present, it
/// is returned as an empty string. Returns `(sign, integer, fractional)`
/// where the sign is either `"+"` or `"-"`.
/// Expects a normalized input string (see @number-to-string).
///
/// *Example:*
/// #example(`decompose-signed-float-string("-9.81")`
#let decompose-signed-float-string(x) = {
let sign = "+"
if x.starts-with("-") {
sign = "-"
x = x.slice(1)
} else if x.starts-with("+") { x = x.slice(1) }
return (sign, ) + decompose-unsigned-float-string(x)
}
#assert.eq(decompose-signed-float-string("23.2"), ("+", "23", "2"))
#assert.eq(decompose-signed-float-string("+23."), ("+", "23", ""))
#assert.eq(decompose-signed-float-string("-23"), ("-", "23", ""))
#assert.eq(decompose-signed-float-string("-.34"), ("-", "", "34"))
#assert.eq(decompose-signed-float-string(sym.plus + ".34"), ("+", "", "34"))
/// Decomposes a normalized number string into sign, integer, fractional,
/// uncertainty and exponent. Here, normalized means that the decimal separator
/// is `"."`, and `"+"`, `"-"` is used for all signs (as opposed to
/// `sym.minus`).
///
/// Sign, integer and fractional part are guaranteed to be valid (however,
/// the latter two may be empty strings) while the uncertainty and the
/// exponent may be none if not present.
///
///
/// *Example:*
/// #example(`decompose-normalized-number-string("-10.2+-.3e3")`)
#let decompose-normalized-number-string(x) = {
let original-number = x
let e
let pm
let sign = "+"
if "e" in x {
let components = x.split("e")
if components.len() > 2 {
assert(false, message: "Error while parsing `" + original-number + "`: Asymmetric uncertainties must be specified on both sides")
}
(x, e) = components
}
if x.starts-with("-") {
sign = "-"
x = x.slice(1)
} else if x.starts-with("+") { x = x.slice(1) }
let normalize-pm = false
let pm-count = int("+" in x) + int("-" in x)
if pm-count == 2 {
if "+-" in x { (x, pm) = x.split("+-") }
else {
let p
let m
(x, m) = x.split("-")
assert("+" in x, message: "Error while parsing `" + original-number + "`: Asymmetric uncertainties must start with the positive component")
(x, p) = x.split("+")
pm = (p, m)
}
} else if pm-count == 1 {
assert(false, message: "Error while parsing `" + original-number + "`: Asymmetric uncertainties must be specified on both sides")
} else if "(" in x {
(x, pm) = x.split("(")
assert(pm.ends-with(")"), message: "Error while parsing `" + original-number + "`: Unclosed parenthesized uncertainty")
pm = pm.trim(")")
normalize-pm = true
}
let (integer, fractional) = decompose-unsigned-float-string(x)
if pm != none {
if type(pm) == array {
pm = pm.map(decompose-unsigned-float-string)
} else {
pm = decompose-unsigned-float-string(pm)
}
if normalize-pm {
pm = utility.shift-decimal-left(..pm, fractional.len())
}
}
return (int: integer, frac: fractional, sign: sign, pm: pm, e: e)
}
#assert.eq(
decompose-normalized-number-string("-10e3"),
(sign: "-", int: "10", frac: "", pm: none, e: "3")
)
#assert.eq(
decompose-normalized-number-string("+2.4+-0.1"),
(sign: "+", int: "2", frac: "4", pm: ("0", "1"), e: none)
)
#assert.eq(
decompose-normalized-number-string("+.4+0.1-0.2e-10"),
(sign: "+", int: "", frac: "4", pm: (("0", "1"), ("0", "2")), e: "-10")
)
#assert.eq(
decompose-normalized-number-string(".4(2)"),
(sign: "+", int: "", frac: "4", pm: ("", "2"), e: none)
)
#assert.eq(
decompose-normalized-number-string(".4333(2)"),
(sign: "+", int: "", frac: "4333", pm: ("", "0002"), e: none)
)
#assert.eq(
decompose-normalized-number-string(".4333(200)"),
(sign: "+", int: "", frac: "4333", pm: ("", "0200"), e: none)
)
#assert.eq(
decompose-normalized-number-string(".43(200)"),
(sign: "+", int: "", frac: "43", pm: ("2", "00"), e: none)
)
#assert.eq(
decompose-normalized-number-string("2(2)"),
(sign: "+", int: "2", frac: "", pm: ("2", ""), e: none)
)
#assert.eq(
decompose-normalized-number-string("2.3(2.9)"),
(sign: "+", int: "2", frac: "3", pm: ("", "29"), e: none)
)
|
https://github.com/yy01zz02/profile-template | https://raw.githubusercontent.com/yy01zz02/profile-template/main/template/icons.typ | typst | MIT License | #let icon(path) = box(
baseline: 0.125em,
height: 1.0em,
width: 1.25em,
image(
path,
width: 1em,
)
)
// Set fontawesome icons
#let fa_path = "/img/fa/fa-";
#let fa_home = icon(fa_path + "home.svg");
#let fa_email = icon(fa_path + "envelope.svg");
#let fa_github = icon(fa_path + "github.svg");
#let fa_linkedin = icon(fa_path + "linkedin.svg");
#let fa_phone = icon(fa_path + "phone-alt.svg");
#let fa_weixin = icon(fa_path + "weixin.svg");
|
https://github.com/Luv-Ray/Resume-template | https://raw.githubusercontent.com/Luv-Ray/Resume-template/main/main.typ | typst | #import "template.typ": *
#show heading: set text(black)
// 项目具体描述的item设定
#set list(indent:12pt,body-indent:6pt)
// 个人信息
#show: project.with(
name: "Luv_Ray",
)
#info(
phone:"(+86) xxx",
email:"<EMAIL>",
github:"github.com/luv-ray"
)
== 教育背景
#line(length: 100%,stroke:0.7pt+black)
#education(
school:"xxx大学",
major:"计算机科学与技术",
degree:"本科",
date:"2021 年 – 2025 年",
grade:"GPA:xxx(100)，年级前 xxx%",
)[]
== 荣誉奖项
#line(length: 100%,stroke:0.7pt+black)
#[
#prize(
game:"比赛",
grade:"奖项",
date:"time"
)[]
#prize(
game:"比赛",
grade:"奖项",
date:"time"
)[]
#prize(
game:"比赛",
grade:"奖项",
date:"time"
)[]
]
// 此句设置斜体，可以全局也可以在段落中间加
// #set text(style:"italic")
== 工作经历
#line(length: 100%,stroke:0.7pt+black)
#experience(
name:"xx公司",
type:"实习",
description:"职位介绍",
date:"time",
)[
- 具体描述
- 具体描述
- 具体描述
]
== 项目经历
#line(length: 100%,stroke:0.7pt+black)
#experience(
name:"xx项目",
type:"开源项目",
description:"项目介绍",
date:"time",
)[
// 两种列表形式，自选
#list(
[具体描述],
[具体描述],
[具体描述]
)
]
#experience(
name:"xx项目",
type:"课程项目",
description:"项目介绍",
date:"time",
)[
#list(
[具体描述],
[具体描述],
[具体描述]
)
]
== 专业技能
#line(length: 100%,stroke:0.7pt+black)
#other()[
- Rust
- git
- English
]
== 其他
#line(length: 100%,stroke:0.7pt+black)
#other()[
Blog: https://xxx.blog
] |
|
https://github.com/janlauber/bachelor-thesis | https://raw.githubusercontent.com/janlauber/bachelor-thesis/main/chapters/discussion.typ | typst | Creative Commons Zero v1.0 Universal | = Discussion
== Analysis of Findings
The deployment of the One-Click Deployment system across various use cases has revealed significant insights into its effectiveness, user adaptability, and operational robustness. The system's architecture, designed with a focus on simplicity and integration with Kubernetes, has proven to be highly effective in meeting diverse deployment needs. Users like <NAME>. and <NAME>. have reported remarkable improvements in deployment efficiency, demonstrating the system's ability to cater to both data-intensive applications and complex web projects.
Key findings indicate that the system successfully reduces the technical overhead associated with deployment processes. This allows users to concentrate more on application development and less on deployment complexities. The flexibility in customization and configuration ensures that the system can adapt to specific user requirements, which is critical for applications requiring stringent compliance with data sovereignty laws, as highlighted by Emanuel’s Node.js projects.
The scalability and reliability of the system, underscored by its seamless integration with Kubernetes, have been pivotal in handling fluctuating workloads, particularly in IoT applications deployed by Natron Tech AG. This scalability ensures that as user demands increase, the system can dynamically adjust to maintain performance without manual intervention. The positive feedback from users across different domains underscores the system's adaptability and robustness in diverse deployment scenarios.
== Comparison with Existing Solutions
When compared to existing solutions like Vercel and traditional Kubernetes deployment methods, the One-Click Deployment system offers several distinct advantages:
- *Ease of Use*: Unlike traditional Kubernetes deployments, which often require detailed knowledge of container orchestration, the One-Click Deployment system provides a user-friendly interface that simplifies the entire process.
- *Customization and Flexibility*: The system allows more in-depth customization options compared to platforms like Vercel, making it suitable for a wider range of applications and compliance needs.
- *Integrated Management*: By combining application deployment with Kubernetes management, the system eliminates the need for separate tools or extensive configuration, streamlining the deployment pipeline.
These features make the One-Click Deployment system particularly appealing for developers and organizations looking for a reliable, scalable, and easy-to-use deployment solution that also adheres to stringent regulatory requirements.
== Limitations and Challenges
Despite its strengths, the One-Click Deployment system faces several limitations and challenges:
- *Complexity in Advanced Configurations*: While the system excels in simplifying deployments, users with advanced needs may find the interface less intuitive when dealing with complex configurations. This is partly due to the system's design focusing on simplicity, which can limit detailed control in certain scenarios.
- *Dependency on Kubernetes Infrastructure*: The system's performance and scalability are heavily dependent on the underlying Kubernetes infrastructure. Any limitations or issues within the Kubernetes environment can directly impact the deployment system's effectiveness.
- *Documentation and Learning Curve*: Although the system is designed to be user-friendly, new users still face a learning curve. Comprehensive documentation #footnote[https://docs.one-click.dev] is available, but the initial setup and advanced feature utilization may require additional support and learning resources.
- *Security and Compliance*: While the system offers robust security features, ensuring compliance with evolving data protection regulations and security standards remains an ongoing challenge. Regular updates and enhancements are essential to address emerging threats and vulnerabilities. There is also a need for more advanced security concepts like *RBAC* and *Network Policies*.
#pagebreak()
== Transition to Native Kubernetes
The One-Click Deployment system simplifies Kubernetes deployments by abstracting the complexities involved. However, there are scenarios where transitioning to native Kubernetes might be necessary. These include:
- *Highly Customized Configurations*: When the users application requires highly customized configurations that go beyond the capabilities of the One-Click Deployment system. Native Kubernetes provides more granular control over configurations and resources.
- *Advanced Security Requirements*: For applications that require advanced security policies and compliance measures, native Kubernetes may offer more granular control. Features like *Network Policies* and *Pod Security Policies* can be better managed and enforced directly in Kubernetes.
- *Performance Tuning*: In cases where fine-tuned performance optimization is needed, direct access to Kubernetes configurations can be beneficial. Users can tweak resource allocations, scheduling policies, and other performance-related settings more effectively in native Kubernetes.
- *Large-Scale Deployments*: As the users application scales, you might encounter scenarios where native Kubernetes management provides better performance and resource utilization.
By recognizing these limitations and understanding when to transition to native Kubernetes, users can maximize the benefits of the One-Click Deployment system while preparing for future growth and complexity in their deployment needs. |
https://github.com/andreasKroepelin/TypstJlyfish.jl | https://raw.githubusercontent.com/andreasKroepelin/TypstJlyfish.jl/main/README.md | markdown | MIT License | 
Jlyfish is a package for Julia and Typst that allows you to integrate Julia
computations in your Typst document.
[](https://github.com/andreasKroepelin/TypstJlyfish.jl/wiki)
[](https://github.com/andreasKroepelin/TypstJlyfish.jl)
You should use Jlyfish if you want to write a Typst document and have some of
the content automatically produced by Julia code but want the source code for
that within your document source.
It fills a similar role as [PythonTeX](https://github.com/gpoore/pythontex)
does for Python and LaTeX.
Note that this is different from tools like [Quarto](https://quarto.org/) where
you write documents in Markdown, also integrate some Julia code, but then might
use Typst only as a backend to produce the final document.
See below for a quick introduction or read the
[wiki](https://github.com/andreasKroepelin/TypstJlyfish.jl/wiki) for an in depth
explanation.
# Getting started
Since Jlyfish builds a bridge between Julia and Typst, we also have to get two
things running.
First, install the Julia package `TypstJlyfish` from the general registry by
executing
```julia-repl
julia> ]
(@v1.10) pkg> add TypstJlyfish
```
You only have to do this once.
(It is like installing and using the Pluto notebook system, if you are familiar
with that.)
When you want to use Jlyfish in a Typst document (say, `your-document.typ`),
add the following line at the top:
```typ
#import "@preview/jlyfish:0.1.0": *
```
Then, open a Julia REPL and run
```julia-repl
julia> import TypstJlyfish
julia> TypstJlyfish.watch("your-document.typ")
```
Jlyfish facilitates the communication between Julia and Typst via a JSON file.
By default, Jlyfish uses the name of your document and adds a `-jlyfish.json`,
so `your-document.typ` would become `your-document-jlyfish.json`.
This can be configured, of course.
To let Typst know of the computed data in the JSON file, add the following line
to your document:
```typ
#read-julia-output(json("your-document-jlyfish.json"))
```
You can then place some Julia code in your Typst source using the `#jl`
function:
```typ
What is the sum of the whole numbers from one to a hundred? #jl(`sum(1:100)`)
```
Head over to the [wiki](https://github.com/andreasKroepelin/TypstJlyfish.jl/wiki)
to learn more!
# Showcase
Just to show what is possible with Jlyfish:
````typ
#import "@preview/jlyfish:0.1.0": *
#set page(width: auto, height: auto, margin: 1em)
#set text(font: "Alegreya Sans")
#let note = text.with(size: .7em, fill: luma(100), style: "italic")
#read-julia-output(json("demo-jlyfish.json"))
#jl-pkg("Colors", "Typstry", "Makie", "CairoMakie")
#grid(
columns: 2,
gutter: 1em,
align: top,
[
#note[Generate Typst code in Julia:]
#set text(size: 4em)
#jl(```julia
using Typstry, Colors
parts = map([:red, :green, :purple], ["Ju", "li", "a"]) do name, text
color = hex(Colors.JULIA_LOGO_COLORS[name])
"#text(fill: rgb(\"$color\"))[$text]"
end
TypstText(join(parts))
```)
],
[
#note[Produce images in Julia:]
#set image(width: 10em)
#jl(recompute: false, ```
using Makie, CairoMakie
as = -2.2:.01:.7
bs = -1.5:.01:1.5
C = [a + b * im for a in as, b in bs]
function mandelbrot(c)
z = c
i = 1
while i < 100 && abs2(z) < 4
z = z^2 + c
i += 1
end
i
end
contour(as, bs, mandelbrot.(C), axis = (;aspect = DataAspect()))
```)
],
[
#note[Hand over raw data from Julia to Typst:]
#let barchart(counts) = {
set align(bottom)
let bars = counts.map(count => rect(
width: .3em,
height: count * 9em,
stroke: white,
fill: blue,
))
stack(dir: ltr, ..bars)
}
#jl-raw(fn: it => barchart(it.result.data), ```julia
p = .5
n = 40
counts = zeros(n + 1)
for _ in 1:10_000
count = 0
for _ in 1:n
if rand() < p
count += 1
end
end
counts[count + 1] += 1
end
counts ./= maximum(counts)
lo, hi = findfirst(>(1e-3), counts), findlast(>(1e-3), counts)
counts[lo:hi]
```)
],
[
#note[See errors, stdout, and logs:]
#jl(```julia
println("Hello from stdout!")
@info "Something to note" n p
@warn "You should read this!"
this_does_not_exist
```)
]
)
````
|
https://github.com/Student-Smart-Printing-Service-HCMUT/ssps-docs | https://raw.githubusercontent.com/Student-Smart-Printing-Service-HCMUT/ssps-docs/main/contents/categories/task2/2.4.typ | typst | Apache License 2.0 | == User interfaces
#set enum(numbering:(it => strong[#it.]))
_ MVP 1 - UI for desktop-view central dashboard for Student to Order Print_
Ở Task này, nhóm đã sử dụng Figma để xây dựng giao diện cho các thao tác cơ bản của
Student để Order Print.\
Cụ thể phần hiện thực Figma ở link sau:
https://www.figma.com/file/7eKhLKrVARC1YBJPBpM6dO/%5BDraft%5D-Hi-fi-design?type=design&node-id=0-1&mode=design&t=bq6c1bMcHuCwIvk0-0
=== Trang đăng nhập (Login Page)
#figure(caption: "Giao diện trang đăng nhập",
image("../../images/Login_page.png", fit: "contain"))
Trang đăng nhập của hệ thống có form đăng nhập với các trường sau đây:
#block(inset:(left:1cm))[
- Trường đăng nhập: Người dùng nhập tên tài khoản
- Trường mật khẩu: Người dùng nhập mật khẩu đã được lưu trữ
- Nút Login (Đăng nhập): Người dùng nhất nút *Login* sau khi điền thông tin (tài khoản, mật khẩu), thông tin này sẽ được gửi sang bên thứ ba để xác thực.
]
Nếu đăng nhập thành công, người dùng sẽ được chuyển hướng sang trang chủ (Homepage) (chi tiết ở mục *2.4.2*)
Nếu đăng nhập không thành công, sẽ hiển thị ra các lỗi tương ứng như sau
#block(inset:(left:1cm))[
- Người dùng nhập các thông tin không thỏa mãn điều kiện của các trường (Tên người dùng ít nhất là 5 kí tự, mật khẩu ít nhất 8 kí tự)
#figure(caption: "Lỗi khi người dùng nhập thông tin không thỏa mãn các trường",
image("../../images/Login_page_error1.png", fit: "contain"))
- Người dùng đăng nhập sai thông tin về tài khoản hoặc mật khẩu: hiển thị lỗi *User not found*
#figure(caption: "Lỗi khi người dùng nhập sai thông tin được lưu trữ",
image("../../images/Login_page_error2.png", fit: "contain"))
]
#pagebreak()
=== Trang chủ (Home Page)
Để có thể truy cập được vào trang chủ của hệ thống, người dùng đã đăng nhập thành công.
#figure(caption: "UI Home of Desktop View",
image("../../images/Home_page.png", fit: "contain"))
Các thành phần chính của trang chủ hệ thống (Homepage):
#enum(
enum.item(1)[
*Header*: biểu diễn những thông tin chính của trang chủ (thành phần cố định trong các trang)
#block(inset:(left:1cm))[
- Home: Điều hướng người dùng về trang chủ.
- My order: Điều hướng người dùng đến trang theo dõi danh sách đơn hàng đã được lưu trên hệ thống (chi tiết ở mục *2.4.7*).
- Payment: Điều hướng đến trang thanh toán đơn hàng (chi tiết ở mục *2.4.6*).
- Location: Điều hướng đến trang vị trí máy in trong khuôn viên của trường (chi tiết ở mục *2.4.*).
- Coin: Hiển thị số coin hiện tại của người dùng.
]
],
enum.item(2)[
*My Order*: Nơi người dùng có thể xem lại thông tin của các đơn đặt hàng của mình về tình trạng, tên file, số lượng,... Khi nhấn vào *See more*, người dùng sẽ được điều hướng đến trang danh sách đơn hàng (chi tiết ở mục *2.4.7*)
],
enum.item(3)[
*Order Printing*: Khi sinh viên nhấn vào nút này, người dùng được trả về một box file (nơi giúp người dùng có thể tải file lên hệ thống và sau đó được định hướng sang trang tải tài liệu, chi tiết ở mục *2.4.3*).
#figure(caption: "Giao diện Box file",
image("../../images/UI_upload_mobile.png", fit: "contain", width: 50%))
]
)
=== Trang tải file lên hệ thống
Để có thể truy cập được vào trang tải file lên hệ thống, người dùng đã nhấn vào nút *Order printing* ở trang chủ hệ thống.
#figure(caption: "Giao diện trang tải file",
image("../../images/Upload_page.png", fit: "contain"))
Các thành phần chính trong trang tài file lên hệ thống:
#enum(
enum.item(1)[
*Thông tin về file upload*: biểu diễn những thông tin ban đầu của file upload
#block(inset:(left:1cm))[
- Trạng thái upload: thể hiện thông tin tiến trình - % thông tin của file đã được tải lên hệ thống.
- Tên và kích thước file uplload.
- Số tiền dự kiến phải thanh toán của file upload.
- Biểu tượng xóa file upload: Khi người dùng nhấn vào biểu tượng này trang tải file của người dùng sẽ được chuyển đổi như sau:
#figure(caption: "Giao diện trang tải file khi người dùng xóa file mới được upload",
image("../../images/Upload_deleted_page.png", fit: "contain", width: 50%))
]
],
enum.item(2)[
*Form điều chỉnh các thông số in ấn*: Người dùng điều chỉnh các thông số trước khi lưu trữ file lên đơn hàng bao gồm layout, những trang mà người dùng muốn in của file được upload lên hệ thống
#figure(caption: "Các thông số người dùng điều chỉnh",
image("../../images/Upload_page_edit.png", fit: "contain", width: 70%))
],
enum.item(3)[
*Nút lưu trữ*: Người dùng muốn lưu trữ file upload vào danh sách order sau khi điều chỉnh và xác nhận các thông số như layout, pages của file đó. Sau đó, người dùng sẽ được điều hướng sang trang danh sách trong hàng đợi. (chi tiết ở mục *2.4.4*).
]
)
=== Trang danh sách đang trong hàng đợi
- Để có thể truy cập vào trang này, người dùng đã upload file lên và lưu trữ vào danh sách.
#figure(caption: "Giao diện trang danh sách đang trong hàng đợi",
image("../../images/Orderlist_page.png", fit: "contain"))
Các thành phần chính trong trang danh sách đang trong hàng đợi:
#enum(
enum.item(1)[
*Danh sách các file chuẩn bị được đặt*: Những file đã được người dùng upload và được đưa vào danh sách trước khi order. Ở các file trong danh sách sẽ hiển thị các thông tin sau để người dùng có thể thay đổi và xác nhận
#block(inset:(left:1cm))[
- Tên và kích thước file.
- Số lượng file upload (có thể được điều chỉnh trực tiếp trên trang này).
- Tổng số tiền dự tính của mỗi file.
- Chế độ preview của thông tin file upload
#figure(caption: "Chế độ preview file",
image("../../images/Orderlist_page_preview.png", fit: "contain", width: 50%))
]
],
enum.item(2)[
*Chi tiết giá cả của danh sách đơn hàng*: Thông tin về tổng giá tạm thời của danh sách đơn hàng bao gồm giá cứng và giá sử dụng dịch vụ.
],
enum.item(3)[
*Nút đặt hàng*: Người dùng xác nhận danh sách đơn hàng mình đã upload và chuẩn bị được điều hướng sang trang xác nhận đơn hàng (chi tiết ở mục *2.4.5*).
]
)
=== Trang xác nhận danh sách đơn hàng
Để có thể truy cập được trang này, người dùng đã nhấn nút *Order* ở trang danh sách trong hàng đợi sau khi điều chỉnh về số lượng.
#figure(caption: "Giao diện trang xác nhận danh sách đơn hàng",
image("../../images/Confirm_page.png", fit: "contain"))
Các thành phần chính trong trang xác nhận danh sách đơn hàng:
#enum(
enum.item(1)[
*Danh sách các đơn hàng*: Những file đã được người dùng upload và được order. Ở các file trong danh sách sẽ hiển thị các thông tin sau để người dùng có thể thay đổi và xác nhận
#block(inset:(left:1cm))[
- Tên và kích thước file.
- Số lượng file upload (có thể được điều chỉnh trực tiếp trên trang này).
- Tổng số tiền dự tính của mỗi file.
- Chế độ preview của thông tin file upload
#figure(caption: "Chế độ preview file",
image("../../images/Orderlist_page_preview.png", fit: "contain", width: 50%))
]
],
enum.item(2)[
*Chi tiết giá cả của danh sách đơn hàng*:
#block(inset:(left:1cm))[
- Thông tin vị trí người dùng sẽ tiến hành lấy đơn hàng tại khuôn viên của trường.
- Xác nhận kiểu thanh toán cho danh sách đơn hàng và hiển thị tình trạng có thanh toán được hay không (chi tiết ở mục *2.4.6*).
- Chi tiết gia cả của danh sách đơn hàng: Tổng giá bao gồm giá cứng và giá sử dụng dịch vụ.
]
],
enum.item(3)[
*Nút xác nhận đặt hàng*: Người dùng xác nhận thanh toán danh sách đơn hàng và được xác nhận thành công.
#figure(caption: "Chế độ preview file",
image("../../images/Confirm_page_success.png", fit: "contain", width: 50%))
]
)
#pagebreak()
=== Trang thanh toán
- Để truy cập trang này, người dùng đã nhấn vào vùng xác nhận kiểu thanh toán ở trang xác nhận danh sách đơn hàng khi tài khoản của họ không đủ để xác nhận danh sách đơn hàng đó. Vì hệ thống sẽ sử dụng đơn vị coin để thanh toán, chức năng chính của trang thanh toán này sẽ giúp người dùng nạp coin vào tài khoản thông qua tiền mặt dựa vào các phương thức thanh toán khác nhau.
#figure(caption: "Giao diện trang thanh toán",
image("../../images/Wallet_page.png", fit: "contain"))
Các thành phần chính của trang thanh toán:
#enum(
enum.item(1)[
*Form xác nhận số tiền muốn nạp*: Lựa chọn mức tiền muốn nạp vào và sau đó được quy đổi ra thành coin của hệ thống.
],
enum.item(2)[
*Danh sách nền tảng thanh toán*: Người dùng lựa chọn bên thanh toán thứ ba để có thể nạp tiền và quy đổi sang coin trong hệ thống.
],
enum.item(3)[
*Nút xác nhận nạp tiền*: Người dùng xác nhận nạp tiền và được điều hướng lại trang xác nhận danh sách đơn hàng để thanh toán.
]
)
#pagebreak()
=== Trang danh sách đơn hàng có trên hệ thống
Để có thể vào trang này, người dùng đã có thể nhấn vào nút *See more* ở trang chủ hoặc *My order* trên thanh header của hệ thống.
#figure(caption: "Giao diện trang đơn hàng có trên hệ thống",
image("../../images/ListOrder_page.png", fit: "contain"))
Các thành phần chính của trang danh sách đơn hàng có trên hệ thống:
#enum(
enum.item(1)[
*Lọc danh sách đơn hàng theo trạng thái*: Lọc các đơn hàng theo tiêu chí là trạng thái bao gồm:
#block(inset:(left:1cm))[
- All: Tất cả
- Progressing: Đang trong tiến trình in
- Ready: Chuẩn bị được in
- Done: Đã được in xong
- Cancal: Đã hủy
]
],
enum.item(2)[
*Danh sách nền tảng thanh toán*: Lọc các đơn hàng theo ngày: người dùng sẽ tiến hành chọn ngày bắt đầu và kết thúc và lọc ra những đơn hàng đã được upload trên hệ thống nằm trong khoảng thời gian đó.
#figure(caption: "Lọc theo đơn hàng theo ngày",
image("../../images/Filter_day.png", fit: "contain", width: 50%))
],
enum.item(3)[
*Danh sách đơn hàng trên hệ thống*: Hiển thị danh sách đơn hàng trên hệ thống sau khi được lọc bởi 2 bộ lọc trạng thái đơn hàng và ngày upload.
]
)
#pagebreak()
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/silky-slides-insa/0.1.0/template/main.typ | typst | Apache License 2.0 | #import "@preview/silky-slides-insa:0.1.0": *
#show: insa-slides.with(
title: "Titre du diaporama",
title-visual: none,
subtitle: "Sous-titre (noms et prénoms ?)",
insa: "rennes"
)
= Titre de section
== Titre d'une slide
- Liste
- dans
- une liste
On peut aussi faire un #text(fill: insa-colors.secondary)[texte] avec les #text(fill: insa-colors.primary)[couleurs de l'INSA] !
== Une autre slide
Du texte
#pause
Et un autre texte qui apparaît plus tard !
#section-slide[Une autre section][Avec une petite description]
Coucou |
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/math/frac_07.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
// Test associativity.
$ 1/2/3 = (1/2)/3 = 1/(2/3) $
|
https://github.com/zxn64/UESTC_Snow_Halation_Template | https://raw.githubusercontent.com/zxn64/UESTC_Snow_Halation_Template/main/README.md | markdown | # UESTC_Snow_Halation_Template
## Hint
请将代码放入 `src/专题名/模板名.cpp` 内，若专题文件夹不存在，请自行创建文件夹。
## Usage
```bash
cd script
# 生成每个专题的markdown文件
python code2md.py
# 生成汇总的typst文件
python md2typst.py
```
## 关于 `Typst`
`Vscode` 直接安装 `Tinymist Typst` 插件即可使用，不需要单独安装 `Typst` 编译器
|
|
https://github.com/tani-mss/onjuku2024 | https://raw.githubusercontent.com/tani-mss/onjuku2024/main/main.typ | typst | // This example code is generated by arkheion licensed under the MIT License.
// https://github.com/mgoulao/arkheion/tree/main
#import "@preview/arkheion:0.1.0": arkheion, arkheion-appendices
#show: arkheion.with(
title: "Typst Template for arXiv",
authors: (
(name: "<NAME>", email: "<EMAIL>", affiliation: "Company", orcid: "0000-0000-0000-0000"),
(name: "<NAME>", email: "<EMAIL>", affiliation: "Company"),
),
// Insert your abstract after the colon, wrapped in brackets.
// Example: `abstract: [This is my abstract...]`
abstract: lorem(55),
keywords: ("First keyword", "Second keyword", "etc."),
date: "May 16, 2023",
)
#set cite(style: "chicago-author-date")
#show link: underline
// For Japanese
// #set text(font: "Noto Serif CJK JP", lang: "ja")
#show regex("[\p{scx:Han}\p{scx:Hira}\p{scx:Kana}]"): set text(font: "Noto Serif CJK JP", lang: "ja")
= Introduction
#lorem(60)
= Heading: first level
#lorem(20)
== Heading: second level
#lorem(20)
=== Heading: third level
==== Paragraph
#lorem(20)
#lorem(20)
= Math
*Inline:* Let $a$, $b$, and $c$ be the side
lengths of right-angled triangle. Then, we know that: $a^2 + b^2 = c^2$
*Block without numbering:*
#math.equation(block: true, numbering: none, [
$
sum_(k=1)^n k = (n(n+1)) / 2
$
]
)
*Block with numbering:*
As shown in @equation.
$
sum_(k=1)^n k = (n(n+1)) / 2
$ <equation>
*More information:*
- #link("https://typst.app/docs/reference/math/equation/")
= Citation
You can use citations by using the `#cite` function with the key for the reference and adding a bibliography. Typst supports BibLateX and Hayagriva.
```typst
#bibliography("bibliography.bib")
```
Single citation @Vaswani2017AttentionIA. Multiple citations @Vaswani2017AttentionIA @hinton2015distilling. In text #cite(<Vaswani2017AttentionIA>, form: "prose")
*More information:*
- #link("https://typst.app/docs/reference/meta/bibliography/")
- #link("https://typst.app/docs/reference/meta/cite/")
= Figures and Tables
#figure(
table(
align: center,
columns: (auto, auto),
row-gutter: (2pt, auto),
stroke: 0.5pt,
inset: 5pt,
[header 1], [header 2],
[cell 1], [cell 2],
[cell 3], [cell 4],
),
caption: [#lorem(5)]
) <table>
#figure(
image("image.png", width: 30%),
caption: [#lorem(7)]
) <figure>
*More information*
- #link("https://typst.app/docs/reference/meta/figure/")
- #link("https://typst.app/docs/reference/layout/table/")
= Referencing
@figure #lorem(10), @table.
*More information:*
- #link("https://typst.app/docs/reference/meta/ref/")
= Lists
*Unordered list*
- #lorem(10)
- #lorem(8)
*Numbered list*
+ #lorem(10)
+ #lorem(8)
+ #lorem(12)
*More information:*
- #link("https://typst.app/docs/reference/layout/enum/")
- #link("https://typst.app/docs/reference/meta/cite/")
// Add bibliography and create Bibiliography section
#bibliography("bibliography.bib")
// Create appendix section
#show: arkheion-appendices
=
== Appendix section
#lorem(100)
|
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/meta/figure-caption_00.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
// Test figure.caption element
#show figure.caption: emph
#figure(
[Not italicized],
caption: [Italicized],
)
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/030%20-%20Amonkhet/003_The%20Writing%20on%20the%20Wall.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"The Writing on the Wall",
set_name: "Amonkhet",
story_date: datetime(day: 12, month: 04, year: 2017),
author: "<NAME>",
doc
)
#figure(image("003_The Writing on the Wall/01.png", width: 100%), caption: [], supplement: none, numbering: none)
#emph[The city of Naktamun is too perfect to be real. It is glistening and immaculate, and its citizens are young and full of faith. Determined to uncover <NAME>'s intentions with the plane, Nissa and Chandra explore the city in search of answers. What they find challenges every assumption they had about Amonkhet.]
#figure(image("003_The Writing on the Wall/02.png", height: 40%), caption: [], supplement: none, numbering: none)
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
#emph[She is surrounded by darkness and an unending well of malaise. The pulse of this plane beats weakly around her.]
#strong[I lived, once] #emph[,] #emph[ the plane seems to whisper in a hoarse, sand-scraped voice.]
#emph[She senses life, but it is not alive. What is left of the plane defiantly groans.]
#strong[He could never truly kill me. I abhor death.]
#emph[An image: half-eaten, undead antelope being trailed by hungry happy vultures. An elephant mother caressing the newly-arisen body of her dead child.]
#strong[Those that die will always return. That is the Curse of Wandering. My gift.]
#emph[She understands. What is dead, if it hasn't decomposed, will rise.]
#emph[Suddenly, she sinks, far, far beneath the surface of the plane.]
#figure(image("003_The Writing on the Wall/03.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
#emph[Her consciousness is somewhere hundreds of feet underground. She can sense the cavern she is in was made long ago by careful hands. The stale air is dense, dark, still against cloying clay and packed sand. The only movement is the writhing of scarabs.]
#strong[Their dead were sent here for me to keep them safe from rot . . .]
#emph[The halls are empty. Not even the beetles know where their food is.]
#emph[She has no physical form in this place. Her body is high above on the surface, sweating and shaking with the fever of a malnourished world.]
#strong[This once was my most treasured place] #emph[.]
#emph[It is the echo of a scream.]
#emph[She understands now that these were catacombs. It was once safe and good.]
#strong[I protected the vessels to keep their souls alive and he took. . . them . . .]
#emph[The elf's chest tightens with anxiety. Her spirit, here, can feel it up above.]
#strong[He took them—!]
#emph[The cavern is completely empty.]
#strong[Please, he took them all, corrupted them all, end my guilt, I could not protect them—!]
#emph[Her body above is shaking with fear. She looks above to the ceiling of the catacomb, forcing herself up and out of the sand and scarabs and snakes she is surrounded in—]
Nissa awakened.
Amonkhet was old, grieving, and desperately frightened.
The morning light spilled through the window. The larger sun rose, illuminating the linens around her bed with a gauzy, drowsy glow. It was clean, warm, and the air smelled of a soft desert morning, but the tightness in Nissa's chest wouldn't ease. Perhaps topside it was worth a try? She closed her eyes and silently called out to the soul of the world.
It felt like settling into a tub of tacks and nails.
Nissa gasped and shut off the connection. The tightness in her chest remained.
She sat up and looked over the rest of the room. Chandra and Jace were both still asleep, but Gideon was conspicuously absent.
"Chandra?" Nissa whispered.
The woman-shaped lump on the bed across the room shifted slightly.
"Chandra, please wake up."
Chandra opened a single sleep-clogged eyelid. "Whaddisit?"
Jace hadn't moved, but Nissa kept her voice down anyway.
"I'm going to go on a walk to find the woman from yesterday. Can you come with me?"
"Mmph. Sure." She sat up and stretched one arm at a time, then rubbed the sleep from her eyes. "I want to get breakfast first before we— "
On the word "breakfast" a white-bandaged mummy burst through the door carrying a tray of bread and a carafe of what smelled like ale.
Nissa yelped and backed up against the wall as Chandra screamed in tandem. Jace fumbled out of bed, shocked awake by the commotion, disoriented by the unfamiliar room and the dead body bearing breakfast.
The mummy took no notice, placed the food tray on a side table, carefully adjusting it so the ale wouldn't accidentally tip over.
The three stared silent in alarm as the mummy gracefully straightened, turned about-face, and exited the bedroom.
The only noise was their own panicked breathing, then an explosion of questions.
"Why is it #emph[inside] — "
"Don't they knock around here?"
"Was it Liliana's?"
"That better not have been you!" Jace yelled at the wall.
Liliana's muffled voice responded loud and sharp with a quick, "Not mine!"
Nissa scrambled off the bed, all limbs and wringing hands. "I can't stay in here. I need to go for a walk."
Chandra nodded and pulled on her boots. "I'm awake now, I'm coming with." She made quick work of returning her bedlinens from the floor to their proper place, then threw on her armor and metal. Nissa wondered distantly how in the world she could wear all that and not get too warm, and then realized what a foolish question that was.
Jace was up and prodding the food the mummy had left on the table. He scowled at the dark beer. "Gimme a moment to wake up."
Chandra wandered over as she laced up her plate mail. "Not exactly coffee, is it?"
"It is the opposite of coffee," Jace replied.
Chandra waved a farewell and Nissa followed.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Even in the mornings, Naktamun smelled of sweat. Not of labor, nor of torture, but of training.
Packs of young joggers maneuvered in swarms through the city streets. Some pairs were lifting weights in the uncountable dozens of training arenas that lined the limestone thoroughfare. Others were sparring with rehearsed motions in carefully roped-off gymnasiums. There were no shops, no wares being sold, no bakers nor butchers nor builders nor police.
Every resident was awake, training, and not one could have been over the age of twenty.
"I feel old for the first time in my life," Chandra said, half-kidding. She and Nissa stopped momentarily to watch an eight-year old spot a six-year-old while they bench pressed a weighted bar.
The child huffed with effort while trying to lift the bar with both clenched fists touching each other.
"Don' do it that way, you'll lose contwoll of the bar!" the standing child chided.
Nissa leaned toward Chandra and whispered quiet enough the children wouldn't hear.
"This is weird."
It was the first time Nissa had ever used the word out loud. Chandra nodded solemnly in agreement and they continued walking.
Every building that lined the street was crisp white, painstakingly clean, and well kept. No litter crowded the street, and no potholes tripped their step. The two women kept close together through the endless groups of young adults and came to the revelation, soon enough, that no one else was simply #emph[walking ] on the street. Every person was exercising except for them.
When Nissa looked closely, though, she saw how the order was maintained. A mummy was painting the side of a wall with white paint. Another swept the entryway to dormitories, yet another led livestock to stables, one dumped a chamber pot into the gutter. The enchanted dead were the ones who did all the work.
"Why would <NAME> create a plane and then abandon it like this?" Nissa asked. Chandra shrugged.
"Ego, I'm guessing? Making an entire plane to worship you feels like something in his wheelhouse."
"But wouldn't that make him want to stay here?"
Chandra didn't have an answer.
Nissa eyed the mummies as they walked past and considered her own perception of death. The Mul Daya nation of Bala Ged had a relationship with the spirits of their elvish ancestors that set them apart from the other nations. Death and the spirits of the dead were as much a part of their lives as the natural world. But death here, on the other hand, was much more dependent on its physical aspect. Preserving the corpses must be as pivotal to their culture as offerings to ancestors were to hers.
#emph[If I try to understand something, then I will not be afraid of it.] Nissa thought of Yahenni. Their death was unlike any she had seen before. Perhaps death #emph[was] different from plane to plane.
A headache manifested behind Nissa's temples, and she swayed where she stood. She looked down. Her stomach roiled with nausea.
"What's wrong?" Chandra asked. Nissa realized she had stopped in the middle of the street.
"I don't have the words for it . . . "
"Are you feeling sick? Here, sit down."
Chandra led her toward a fountain in the plaza square. Nissa watched, head swimming, as Chandra approached a white-bandaged mummy. She saw her awkwardly gesture and point. The mummy looked her way, exited the plaza square, and returned moments later with an empty cup. Chandra took it with a thankful nod, then jogged back toward Nissa and the fountain.
"I know it's from one of the dead things, but I think it's safe to drink with."
Nissa took the cup from Chandra and dipped it in the fountain. She drank, and realized as she did she had let her thirst get the best of her.
"Thank you, Chandra."
Chandra refilled her cup a second time and smiled. "Let's rest for a bit. Can't fight dragons when we're dehydrated."
Nissa sighed out a sad laugh. #emph[I couldn't fight] anything #emph[right now] .
They sat on the bench for several more minutes. Nissa was thankful for the shade. The malaise of this world was seeping into her, and she knew that it wouldn't let up until she left Amonkhet for good. The sooner they could defeat the dragon, the better.
She caught herself staring at the sky. Far above she could see the gentle shimmer of the Hekma barrier and the pale blue sky beyond. Her view of the infinite sky was interrupted by the awful horn motif on the edge of the building in front of her.
She polished off a second cup of fresh water. "Thank you for accompanying me this morning, Chandra."
"Nowhere else I'd rather be." Chandra fiddled with the straps on her vambrace, her eyes darting in Nissa's direction. An involuntary smile flitted across her face—a blush, an inescapable dash of sentiment.
Nissa scoffed. "I can think of at least twenty places I would rather be than Amonkhet."
Chandra's smile turned plain and she looked down.
The two sat in semi-silence, comfortable for one and fraught with unspoken words for the other. Nissa took a breath, allowing the churn of the fountain and the cool shade above to her soothe her nerves. Chandra kept her eyes focused on her buckle.
"I've never spent so long in cities before," Nissa said. "Between Kaladesh and here, I've had more than my share of people."
"You seem to be getting along fine," Chandra replied.
Nissa shook her head. "I have gotten better at hiding my discomfort. Being around others so often is draining."
"But not with us, right?"
The question caught Nissa's attention. She watched Chandra intently unbuckle and rebuckle the same strap of her vambrace.
Nissa frowned. Thought over her words. "Yes and no."
Fiddling hands paused, while a meandering mind searched for the words to lend shape to unfamiliar feelings.
"Friendship with all of the Gatewatch is still quite new. I'm still trying to understand what it means to have friends in the first place," Nissa said.
Chandra made a small noise and looked out on the plaza, her posture heavy and leaden, her fingers suddenly quite still.
Nissa continued. "On Zendikar, I was without the company of people for most of my life. The plane was the closest thing to a friend I had. Learning to trust has been . . . slow—and there is still much for me to learn. Understanding and sustaining friendships is daunting when one has never really done it before."
Chandra shifted awkwardly. "So . . . #emph[friendship] ?"
Nissa blinked. Chandra worked very hard not to stare.
"Yes," Nissa smiled.
Nissa closed her eyes, and took another deep breath, her headache receding. It felt good to confess insecurities. She smiled and looked Chandra in the eye.
"I am thankful for your companionship. You have taught me much about what it means to be a friend, Chandra. It means much to me."
"Right. Yeah." A soft smile returned to Chandra's face. "I want to be a good friend to you."
Nissa beamed. "And you are. I am trying as best I can to be one in return."
Chandra's small smile spilled into a tight but earnest one. She locked eyes with those of her friend's. "You're doing fine, Nissa."
Reassured, Nissa placed her cup on the edge of the fountain.
"I think I'm feeling better. Let us continue."
The elf stood and walked on. After a breath and a heavy sigh, Chandra followed.
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
They walked until they found something old. Rhonas's Monument was immense and incapable of subtlety. The primary structure was shaped like the massive head of a cobra, and unlike the other buildings around it, had the weathered look of a structure that had seen more than its share of lifetimes. The building sat at the edge of the river, its eyes set on the horns in the distance.
As Nissa approached, she noticed a strange shape sitting on top of one of the obelisks near its entrance. A solitary sphinx perched above, looking down with an unreadable face at the crop of acolytes training below.
#figure(image("003_The Writing on the Wall/04.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
Nissa stopped at the base and looked up. Chandra followed her view, visibly uncertain of how to talk to the sphinx.
"You must be the travelers I have heard so much about."
#figure(image("003_The Writing on the Wall/05.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
Nissa turned, meeting eyes with the oldest person she had seen on Amonkhet yet. She seemed to be in her mid-thirties, with a stern face and the high hat of a vizier. She walked with her chin high and shoulders back. Nearly everything about her posture stood in contrast to the multitudes of just-older-than-children they had encountered so far.
The woman held up a hand in greeting. "Temmet sent word to the rest of the Temples that we had guests in the city."
Chandra stepped forward to speak. Nissa smiled a bit. She liked that Chandra knew her comforts and anxieties. She liked that the two of them had silently determined their own order of operations.
"Hi," Chandra said with a winning, freckled smile. "We were hoping to speak to this . . ."
"Sphinx. I'm afraid you won't have much luck with your conversation."
The vizier spoke with command. She reminded Nissa of Lavinia back on Ravnica, one who knows all the rules and is constantly annoyed no one else bothered to memorize them.
"Why's that?" Chandra replied.
"Well, to be completely honest . . . it's tragic," the woman said with a distant sigh. "The sphinxes are a sad story—gifted with infinite knowledge and cursed with the same dismal fate."
Nissa and Chandra were both silent with concern.
The vizier gave them a blank, dry look. ". . . They all got laryngitis at the same time."
The two women stared back.
The vizier smiled, all teeth and mirth. ". . . I'm kidding. They're fine."
Chandra chuckled awkwardly. Nissa didn't think it was a very good joke.
The vizier's demeanor dramatically shifted, and she leaned her weight onto one foot. Nissa noticed a sweet little snake coiling around her hand—a patient pet. The vizier held up her other hand to block the light of the suns and looked up to the sphinx.
"They actually just took a vow of silence until the God-Pharaoh's return. Which, lucky us, is quite soon! I am the vizier Hapatra. How may I be of service to you travelers?"
"I am Nissa; this is Chandra. We come from a faraway place," Nissa replied. "Your customs are quite strange to us."
Chandra made a noise of interruption. "What she means is that we were wondering about the . . . ah . . ."
She gestured to a pair of mummies sweeping the front steps of the monument.
"You were curious about the Anointed?" Hapatra said.
"Yes!" Chandra nodded. "Yes. Why are there so many of them?"
"They are the ones who make our lives of competition and dedication possible."
"Even though they're dead?"
Hapatra smiled.
She motioned to the monument in front of them. "So long as the body exists, the soul will exist as well in the afterlife. We preserve the bodies left behind, and since training for the Trials is our mortal duty, we enchant the vessels to act in service to humanity."
Nissa shifted uncomfortably. The catacombs Amonkhet had shown her were places of permanence; what was sent in there was meant to be securely kept. And yet Hapatra spoke as if mummies had always been servants . . .
The vizier absent-mindedly transferred her pet from one hand to another. "These mummies are safe within the Hekma, they are cared for, and they are given purpose through labor. The souls these ones housed will not have a destiny as triumphant as the one that awaits those who complete all Five Trials, but their fate is preferable to having one's vessel decay outside the Hekma. Decayed body, no existence. There is nothing worse than #emph[that] ."
"And the Trials?" Nissa asked. For a topic that was omnipresent, she was frustrated at how little information was shared openly.
Hapatra's brows knotted. "Did the gods not tell you about the Trials?"
"I didn't think they would talk to us," Chandra said plainly.
Hapatra seemed saddened by this.
"The gods will always help those who ask for assistance."
Nissa's heart fell a little. She never thought she needed gods, but seeing the pity in Hapatra's eyes made her wonder what she was missing out on.
"Our five gods are loving and benevolent," Hapatra continued, "I'm certain they would extend their teachings to you."
"What did yours teach you?" Chandra asked.
"Rhonas taught me I am only as strong as the community I foster. #emph[And ] how to make poison." Hapatra smiled wickedly.
Nissa still wasn't sure what to make of Hapatra, but noted that Chandra smiled earnestly at the vizier. Hapatra seemed happy to talk.
"There is still time to enter into the Trials while you can. If not, the God-Pharaoh's return is only days away," she said, looking toward the smaller sun kissing the edge of the horns in the horizon, "But if you do not wish to join the rush, then you may wait until the Hours."
Nissa suddenly remembered the screaming of the woman in the crowd.#emph[ Free yourselves! Don't believe the lies of the Hours!]
"What are the Hours?" Nissa asked. She sensed Chandra move her body back slightly from the conversation. She must have sensed that Nissa would take over questioning.
"The Hours after the God-Pharaoh's return. The moment we have waited on for all of history."
Alarm bells rang in Nissa's head. "And when do the Hours happen?"
Hapatra pointed toward the massive horns in the distance. "The Hours will begin when the sun rests between the horns. I'd estimate any day now."
Nissa's sense of calm crashed through the floor.
Chandra looked at her with an exaggerated look of false surprise. "Y'hear that, Nissa? The God-Pharaoh returns any day now! How about that."
Hapatra nodded. "The quality I love most in our gods is that they keep their promises. You should go speak with one—Kefnet is good with questions."
Nissa was having a hard time concealing her fear. Any day now? Only days until they fight a dragon with absolutely no plan?
Chandra bowed her head slightly. "Thank you, Hapatra. We should be going now."
"No problem at all. Come find me in Rhonas's Monument if you'd like a quick poison-making lesson. I'm always happy to share my craft."
"As long as it's not us you're poisoning!" Chandra said with a false grin.
Hapatra laughed a little too earnestly. Nissa wanted to leave.
"A pleasure meeting you, Chandra! Compete with valor!" Hapatra gave a graceful wave and departed up the stairs to the monument.
Chandra went back to reflexively tightening one of her buckles. "Well, she was interesting. What did you make of her?"
Nissa didn't, but she wasn't sure how to emote that. Instead she let out a little noncommittal whine and copied a hand-rocking motion she saw Liliana do once.
Chandra snorted. "The laryngitis joke #emph[was] pretty bad."
Nissa sat on one of the steps to the monument.
"Two days."
"Yyyyep. Two days."
Nissa shook her head. "These people trust their gods implicitly," she mused, "and they trust what their gods tell them. Of course, they believe that the God-Pharaoh is trustworthy if their own gods say so."
"What she said about the Hours reminded me of that yelling woman from yesterday," Chandra said, taking a seat next to her.
"I thought the same thing. We should find her soon."
"Can you feel where she is?"
Nissa took a breath to prepare herself. She closed her eyes and concentrated. This time it felt like sifting her hand through a basin of sludge.
She shivered in discomfort but felt the tug of the woman's energy through what was left of the leylines.
Nissa dragged herself back to the surface of perception, panting from the effort. Chandra looked on with concern.
"Anything?"
Nissa nodded and pointed. "She's near this monument," she said through heavy breath.
The two stood up, one on shakier legs than the other, and moved around the building. The walk took several minutes, and as they proceeded around the monument, the character of the architecture around them began to change. These buildings were much older than the ones in the rest of the city, and had more grit to their outer stones than the shining limestone of central Naktamun.
Nissa dipped into the sludge again, and felt the tug lead into a narrow alleyway between the monument and a second structure.
The ribbon of blue sky narrowed above them as the two women entered the alleyway.
Nissa and Chandra walked forward. The walls were quite ancient, with some old writing carved into its sides. At the end of the alley was a sequence of large, strangely-shaped boxes that stood up against the wall.
Chandra ran her hands over the carvings and her fingers caught on a pictoglyph of the now-too-familiar Bolas horns.
Something to Nissa felt off . . . something that reminded her of the vision she had that morning.
She ran her own fingers over the glyphs on the wall. It seemed to tell a story through its pictures; family life, babies with mothers, grandparents sitting around a hearth, an elderly woman leaning on her walking stick. What should be a familiar spread of generations was anachronistic with the city of Naktamun. Above the carvings of people were etchings of the Amonkhet pantheon. Eight animal-headed gods, all gentle and benevolent mammals, birds and reptiles—eight?
And etched above it all in fresher carving were the ever-present horns.
Nissa's heart was racing. The cut stone of the horns is weathered, but without the ancient grit of every other glyph.
If the dragon had created this world, his sigil wouldn't need to have been added on.
Nissa's hands shook in fury. #emph[<NAME> didn't create this world] , she realized, #emph[he corrupted it. ] Memory of the Eldrazi spilled through her mind. Cancerous, alien tendrils poisoning a world that wasn't theirs. <NAME> didn't make this place or its religion, he didn't create a culture on his own, he warped it, perverted it, took what he liked and #emph[ruined ] what wasn't his.
She impulsively reached with her senses for something that wasn't there and recoiled with nauseated pain. This world was nearly dead, and it was killed only decades before.
"Chandra?" she said in hushed anger.
Chandra was further down the alleyway, approaching the strange tall boxes leaning against the wall. They were each slightly taller than she was, rounded in gentle curves and carved with an intricate face. Their color was chipped and old, but she could make out a face painted on each.
#figure(image("003_The Writing on the Wall/06.jpg", width: 100%), caption: [Art by <NAME>], supplement: none, numbering: none)
"Chandra, what are those?"
"I don't know . . ."
Chandra was standing face to face with one. She held out a hand to touch the face painted on the box—
"What are you two doing down there?"
Gideon stood at the opening of the alleyway. A cartouche hung around his neck, and his face was lit with concern.
Nissa backed away from the wall, lip trembling. Chandra moved away from where she was and walked toward Gideon.
"We found these boxes— "
"#strong[Sarcophagi.] "
The fright in Nissa's chest immediately vanished. Her stomach calmed, and she felt as if a cool breath of wind walked in front of her. Oketra rounded the corner of the alleyway. She was taller than the walls on either side, and the lovely silence that followed her quieted Nissa's concerns. The god looked Nissa in the eye.
The god stilled. A voice breezed through Nissa's mind, #strong[You spoke with this land, <NAME>aker? ] The voice was soft as wheat and sturdy as a desert blossom. Nissa trembled. She had never spoken with a god before.
#emph[Yes, ] she replied, #emph[your world is dying and afraid.]
Oketra said nothing, but Nissa saw the cat's ears twitch back in a moment of fleeting, subconscious fear.
The exchange was over in an instant. Nissa let out a breath she didn't realize she was holding.
"#strong[These sarcophagi are forbidden to approach] ," Oketra said out loud. "#strong[I am sorry, travelers, but I must ask you to let them be.] "
Gideon came forward with an apologetic look and spoke directly to his friends. "It will cause less trouble if we #emph[try ] not to violate their rules. Please."
He spoke earnestly. Nissa recognized how much this place and its gods must mean to him.
"#strong[Thank you for your understanding, travelers] ," Oketra continued. "#strong[I cannot convey my appreciation for your cooperation.] "
Nissa felt incredibly soothed in the god's presence. She noticed the cartouche that hung around Oketra's neck was different than those around the necks of the acolytes. She must have been there when Bolas arrived.
#emph[What happened to the other three? ] Nissa projected at the god, her hand touching the pantheon etched on the wall. Oketra turned her head slightly and looked through Nissa.
#strong[I have no memory of before.]
#emph[Before what?]
#strong[. . . I do not know.]
Gideon's voice interrupted the silent conversation, "When I get back, I will thank the others for their understanding as well."
Oketra straightened out, overcoming some private concern. She looked down at Gideon. "#strong[Come, Champion. It is time for your next Trial.] "
Chandra put it together before Nissa did. "You're competing in the Trials?"
"Yes," Gideon replied. The god turned to depart, while Gideon stayed behind.
"Why?" Chandra asked with concern.
Gideon took a deep breath, expecting a verbal challenge. "These gods are good at their core. I want to prove myself to them."
Chandra crossed her arms. "That's ridiculous. This whole plane is bad news. Bolas made these gods, so why would you even #emph[think] about trusting them?"
"I knew you wouldn't understand—"
"I understand perfectly!"
"This is important to me, Chandra, and I #emph[know ] that these gods are different!"
Nissa knew in her bones he was right.
Gideon turned. "I'll see you both back at the house."
He walked away to join the god.
Chandra looked back toward the sarcophagi in disappointment.
"I don't get it. Is he trying to get more info by playing their game . . . ?"
"He's doing it because he needs to," Nissa said. "He's doing it for personal reasons."
#emph[We're all doing this for personal reasons.]
"It's idiotic."
The alley walls felt too close. Nissa walked back into the open for some air, headache throbbing and nausea roiling through her.
"Nissa, what's wrong?"
"Chandra . . . <NAME> did not create this world. He corrupted it."
Chandra stopped in her tracks. "How do you know that?"
"Look at these buildings. The ones with the horns are all brand new. And in the old parts, anything that has <NAME>'s sigil on it was carved on later. If he had built this plane, then his signs would be as old as the rest of the glyphs. #emph[Every] other building with his mark is new. I spoke with the plane last night, and Chandra, it is #emph[old ] and its pain is new. <NAME> must have come and gone only a few decades ago."
The air heated up even further. Nissa backed away from her friend's rising fury.
"There aren't any old people here. Did he just arrive and . . ." She trailed off, unable to articulate the fate they both inferred.
Nissa didn't want to put her hypothesis into words. "When I spoke with the plane last night, I sensed a terrible scar."
"We need to know what he did . . ."
"Chandra . . ."
"We need to find out what he #emph[changed] . If he swooped in here and made himself a god for some reason, then we need to find out what he did when he arrived so we can change it back."
Nissa lowered her hands in firm fists. "We can't change anything ourselves. That would make us as bad as he is."
"Then what do we do?! He isn't here now, how can we #emph[help ] these people."
"They don't seem like they #emph[want] help."
Chandra stilled herself and took a breath. Nissa waited while her friend calmed herself.
"We still need to know how he changed this place." Chandra was calm but resolute. "If the gods existed before he arrived, then they're victims too. I need to know more about that woman from yesterday and what made her upset. She knew something about the truth of this place. We can help #emph[her] ."
"I want to speak with Kefnet. If anyone can help me understand this place, then it must be the God of Knowledge."
#emph[A blinding white light. Three forgotten gods and five altered memories—]
Nissa rubbed her temples. "I need to rest. Let us go back to the safe house."
They walked, Chandra stewed in anger, and Nissa lost herself in thought.
#emph[An elite ceremony metastasized into a mandatory life sentence. Thousands of infant orphans fathering three generations of a people with no past. He came and killed but did not stay and left an entire culture with a crude outline of whatever existed before—]
The two women arrived at the safe house. Chandra left without a word to sit on the patio, and Nissa climbed into bed. As she fell asleep, her mind was haunted by the wails of a dying plane and the laughs of a distant dragon.
|
|
https://github.com/Area-53-Robotics/53A-Notebook-Over-Under-2023-2024 | https://raw.githubusercontent.com/Area-53-Robotics/53A-Notebook-Over-Under-2023-2024/master/Vex%20Robotics%2053A%20Notebook%202023%20-%202024/Entries/Code%20Entry/Catapult-Code-Testing.typ | typst | #set page(header: [ ZZ
#h(1fr)
November 3, 2023
])
= CATAPULT CODE 3
\
Today we tested and adjusted the catapult, tested auton functions, and started tuning _kP_ and _kD_ values.
== PID Theory
Today, I realized that I never fully explaned what PID is and why I use it in so much of our code.
=== PID stands for:
- Proportional
- Integral
- Derivative
\
Each term represents a value, which are all added together to get the final output. This is an iterative process, meaning it is repeated until the goal (such as an accurate turn angle) is met.
\
#set align(center)
#grid(
columns: (75pt, 45pt, 75pt, 45pt, 100pt, 43pt, 75pt),
rows: (60pt, auto),
gutter: 2pt,
[#rect[Takes input from sensor]],
[\
----------->],
[#rect[Compares input to target value]],
[\
----------->],
[#rect[Use comparison to adjust output value]],
[\
----------->],
[#rect[Bring input closer to target]],
)
#set align(left)
#block(
width: 100%,
fill: rgb("FCF4FF"),
inset: 8pt,
radius: 4pt,
[==== Proportional:
- Simplest Term
- Finds the difference between current value of sensor and target value (*error*)\
> error = target value - current value
- Goal is to get to 0 error
- Uses difference to calculate motor's output value
- Bigger error → more output
- The output is PROPORTIONAL to the error
- Output decreases when approaching the target
- When the measured value reaches the target, output = 0
\
Example \
- if you were using a motor to lift an arm to a certain height, error = height you are trying to lift it to - the height it is currently at
- The higher the error is, the more the proportional term adds to the output \
> the further the arm is from its target height, the greater the power of the motor is
- *It will cover the distance quickly when it is far away, but slow down when it gets close so it does not overshoot the target* \
> Most common use of PID loops
]
)
#block(
width: 100%,
fill: rgb("FFF5FC"),
inset: 8pt,
radius: 4pt,
[==== Integral:
- Sometimes error becomes very low, but doesn't reach 0
- With just the P-term, the program wastes time by stopping before it reaches the target
- Even when target is reached, output shouldn't always = 0
- Some components, like lifts, need constant power or they fall back down\
> Removing power would start an infinite loop of corrections
\
- These problems stem from the fact that the proportional section deletes & recalculates its value after it’s used
- The integral term solves this problem by adding up (or integrating) the total of the error over time.
- Every time the error is calculated it adds the error to a total
- This total is saved
\
- This data can show trends that let the program know that a certain constant power helps reduce the need for corrections
- This total still has its value when the error is zero
\
Example
- With the arm, the I-term continues to give the motor power even if it is at the target height, so it can stay up despite being pulled down by gravity.
- Even if the total is not precisely enough to hold the target value, it will keep accumulating over time until it gets there]
)
#block(
width: 100%,
fill: rgb("F2FFFF"),
inset: 8pt,
radius: 4pt,
[==== Derivative:
- A derivative is the rate that something changes
- high number = a lot of change \
> (Ex. slamming a car’s gas pedal and accelerating)
- Same for high negative numbers
> (Ex. the harder you apply your breaks, the greater your negative derivative of speed)
- Lower number = little change
- 0 means no change, the value is constant
\
- Want to reduce the derivative with each iteration, goal is 0
- Derivative is found by comparing the current error to what the error was the last time it was calculated
- The closer they are, the better
\
- *This term is used with the current error to change course without over/undershooting*]
)
#block(
width: 100%,
fill: rgb("F1FFF2"),
inset: 8pt,
radius: 4pt,
[==== Coefficients
- Each term has one
- kP, kI, kD
- Constant of proportion → P
- Constant of integration → I
- Constant of derivation → D
\
- Multiplier of output for each term
- Control weight of each term, compared to others
- Adjusted through tuning
- Testing values, and changing based of efficiency
\
*Goal: find lowest time required to get to the target value, without overshooting or stopping early*]
)
#block(
width: 100%,
fill: rgb("F3F3FF"),
inset: 8pt,
radius: 4pt,
[==== Partial PID
- Using fewer than 3 terms
- Unused terms: Coefficient = 0, no weight
\
- Pros: All three terms not always needed, more simple, avoid integral windup
- Cons: Less precise
\
- Integral Windup\
> When error is very high, Integral (I) term get very high, very quickly \
> I term can’t go down until reaches target
- Problem
- Get to target
- I term is high
- I adds power to output
- overshoots target
- If I term is unneeded, disableing it removes issue]
)
== Catapult Testing
#figure(
image("/Images/Code Images/isCataReady.png"),
caption: [Uses a range of angles found after testing to check whether catapult is fully lowered])
=== Catapult Driver Control Code
- Catapult position is stored in an int, _cataPosition_
- Catapult is fully lowered when between rotation values 35200 and 36000 as defined by the two floats in lines 101 and 102
- *Lines 104 - 111*: If the catapult position is between 35200 and 36000, this boolean returns true, if it isn’t, the boolean is false
#figure(image("/Images/Code Images/CataButtons.png", width: 100%), caption: [Two buttons control catapult movement by switching the catapult state])
#pagebreak()
=== Constant Fire
- *Line 163*: Checks if the up button on the controller has been newly pressed since the last time the function was called
- *Lines 164 - 165*: If the button is pressed, and the current state of the catapult is _ConstantFire_, change the state of the catapult to _Resetting_
- *Lines 166 - 168*: If the button is pressed, and the current state of the catapult is not _ConstantFire_, change the state of the catapult to _ConstantFire_
=== Single Fire
- *Line 172*: Checks is the down button on the controller is pressed
- *Lines 173 - 175*: If the _CatapultState_ is ready, set the catapult state to _SingleFire_
#figure(image("/Images/Code Images/CataSwitch.png"), caption: [Switch statement used for the various different states of the catapult])
\
- Rotation sensor angle is stored in _catapultPosition_
- Print statement used to check value of _catapultPosition_
=== Catapult Switch Statement
- *Lines 183 - 187*: if the catapult state is _Resetting_, set motor power to 50. \
> If _isCataReady_ returns true, the catapult state is set to _Ready_
- *Lines 189 - 194*: If catapult state is _Ready_, check the value of _isCataReady_. If catapult is ready, brake motors
- *Lines 195 - 200*: If catapult state is _SingleFire_, the motor power is set to 70, and the catapult state is set to _Resetting_ if _isCataReady_ returns false
- *Lines 201 - 204*: If the catapult state is _ConstantFire_, set the motor power to 70
|
|
https://github.com/Myriad-Dreamin/shiroa | https://raw.githubusercontent.com/Myriad-Dreamin/shiroa/main/github-pages/docs/cli/completions.typ | typst | Apache License 2.0 | #import "/github-pages/docs/book.typ": book-page
#show: book-page.with(title: "CLI Completions Command")
= The completions command
Not yet implemented.
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/compiler/closure-14.typ | typst | Other | // Error: 11-12 duplicate parameter: x
#let f(x, x) = none
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/ofbnote/0.2.0/template/main.typ | typst | Apache License 2.0 | #import "@preview/ofbnote:0.2.0": *
#show: ofbnote.with( meta:(
title: "The decline of birds",
authors: "EEA",
version: "1.0",
date: "2024-08-03",
))
#myblock("Synthesis", [
Birds are sensitive to environmental pressures and their populations can reflect changes in the health of the environment. Long-term trends show that between 1990 and 2021, the index of 168 common birds decreased by 12% in the EU. The decline was much stronger in common farmland birds, at 36%, while the common forest bird index decreased by 5%. At present, it seems unlikely that the decline in populations of common birds can be reversed by 2030. To ensure the recovery of common birds, Member States need to significantly increase the implementation of existing policies and put new appropriate conservation and restoration objectives and measures in place.
])
= Why monitor birds?
The status of birds has been the subject of long-term monitoring in Europe, much of it via voluntary effort, and is a good example of how the power of citizen science can be released through effective targeting . Birds are sensitive to environmental pressures and their population numbers can reflect changes in ecosystems and other animal and plant populations. Therefore, trends in bird populations can serve as an indicator of the health of the environment and can help measure progress towards the EU’s aim to put biodiversity on the path to recovery by 2030 .
Long-term population trends of all common birds in the 26 EU Member States with monitoring schemes reveal significant population declines. Between 1990 and 2021, the common bird index declined by 12%, while the common forest bird index decreased by 5%. The decline in common farmland birds was much more pronounced, at 36%. Although this indicator uses 1990 as a baseline, significant decreases had occurred before this date .
These trends demonstrate a major decline in biodiversity in Europe, caused by anthropogenic pressures . Agricultural intensification is the main pressure for most bird population declines , in particular pesticides and fertiliser use , not only for farmland species but for also for many other species whose diet relies on invertebrates during the breeding season . Other factors that have adverse effects on the recovery of populations include land use change and associated habitat loss, fragmentation and degradation , intensive forest management, climate change and increasing competition for land for production of renewable energy and biofuels.
It is difficult to forecast how soon biodiversity, as illustrated by the abundance of bird populations, can recover, as it is influenced by a complex combination of socio-economic drivers, environmental factors and policy measures. Measures set out in the Birds and Habitats Directives have helped protect target bird species and their habitats , however, the overall decline of bird populations in the EU is mainly driven by large declines in a number of common species . The proposal for an EU regulation on nature restoration paves the way for a broad range of ecosystems to be restored and maintained by 2050, with measurable results by 2030 and 2040. In particular, the proposal includes binding targets and obligations to reverse the declines of common farmland and forest birds by 2030, which will require Member States to put appropriate restoration measures in place.
Nevertheless, the past trend indicates a steady decline in the population of common birds, which seems unlikely to be reversed by 2030. This is because the type of measures under the EU nature restoration regulation and the timing of their implementation are still unclear, as is the time needed for species’ response to conservation and restoration actions. In addition, it is crucial that more effective and ambitious measures to halt biodiversity loss are included in other policies, such as the EU common agricultural policy (CAP)and that CAP Strategic Plans support the implementation and effectiveness of the current and upcoming EU biodiversity and nature legislation.
|
https://github.com/vimkat/typst-ohm | https://raw.githubusercontent.com/vimkat/typst-ohm/main/src/templates/thesis.typ | typst | MIT License | #import "../../src/lib/vars.typ"
#import "../../src/lib/utils.typ"
#import "../../src/components/logo.typ": logo
#let script-size = 7.97224pt
#let footnote-size = 8.50012pt
#let small-size = 9.24994pt
#let normal-size = 10.00002pt
#let large-size = 11.74988pt
// This function gets your whole document as its `body` and formats
// it as an article in the style of Ohm
#let thesis(
// The article's title.
title: [Paper title],
// The document's author. For each author you can specify a name,
// department, organization, location, and email. Everything but
// but the name is optional.
author: (),
// The examinors
examinors: (first: none, second: none),
// Your article's abstract. Can be omitted if you don't have one.
abstract: none,
type: "Bachelorarbeit",
organization: "Fakultät Informatik",
field-of-study: "Informatik",
version: none,
// The article's paper size. Also affects the margins.
// paper-size: "a4",
// The path to a bibliography file if you want to cite some external
// works.
bibliography-file: none,
// Parameter to enable or disable showing table of chapters
show_chapters: false,
// Parameter to enable or disable showing table of tables
show_tables: false,
// Parameter to enable or disable showing table of images
show_images: false,
// The document's content.
body,
) = {
let margin = (x: 3cm, y: 3cm)
// Set document metadata.
set document(title: title, author: author.name)
// Set the body font. AMS uses the LaTeX font.
set text(size: normal-size, font: "New Computer Modern")
// Configure the page.
set page(
paper: "a4",
// The margins depend on the paper size.
margin: margin,
// The page header should show the page number and list of
// authors, except on the first page. The page number is on
// the left for even pages and on the right for odd pages.
//header-ascent: 14pt,
// header: locate(loc => {
// let i = counter(page).at(loc).first()
// // if i == 1 { return }
//
// set text(size: script-size)
// // grid(
// // columns: (6em, 1fr, 6em),
// // if calc.even(i) [#i],
// // align(center, upper(
// // if calc.odd(i) { title } else { author.name }
// // )),
// // if calc.odd(i) { align(right)[#i] }
// // )
// smallcaps(title)
// }),
footer: context {
set align(if calc.odd(here().page()) { right } else { left })
if here().page-numbering() != none {
counter(page).display(here().page-numbering())
}
},
background: if version != none {
let _version = text(size: 0.75em)[
Version: #utils.ternary(
version == true,
datetime.today().display(),
version
)
]
style(styles => {
let size = measure(_version, styles)
place(
bottom,
dx: -size.width/2 + size.height + 1em,
dy: -size.width/2 - 1em,
rotate(-90deg, _version),
)
})
},
)
// Configure headings.
show heading.where(level: 1): set heading(supplement: "Kapitel")
set heading(numbering: "1.1")
show heading: it => {
// Create the heading numbering.
let number = if it.numbering != none {
counter(heading).display(it.numbering)
h(0.5em, weak: true)
}
if it.level == 1 and it.numbering != none {
set text(size: 1.5em)
pagebreak(to: "odd", weak: true)
v(3em)
stack(
spacing: 1em,
[#it.supplement #number],
it.body,
)
v(2em)
} else {
if it.level == 1 { pagebreak(to: "odd", weak: true) }
block(above: 3em, below: 2em)[#number #it.body]
}
}
// Configure lists and links.
set list(indent: 1em, body-indent: 0.5em)
set enum(indent: 1em, body-indent: 0.5em)
show link: set text(font: "New Computer Modern Mono")
// Configure equations.
show math.equation: set block(below: 8pt, above: 9pt)
show math.equation: set text(weight: 400)
show figure: it => {
show: pad.with(x: 23pt)
set align(center)
v(12.5pt, weak: true)
// Display the figure's body.
it.body
// Display the figure's caption.
if it.has("caption") {
// Gap defaults to 17pt.
v(if it.has("gap") { it.gap } else { 17pt }, weak: true)
smallcaps(it.supplement)
if it.numbering != none {
[ ]
it.counter.display(it.numbering)
}
[. ]
it.caption.body
}
v(15pt, weak: true)
}
//////////////
set page(numbering: "i")
// Display the title and authors.
page(
// margin: (x: margin.x, y: margin.y), // prevent binding margins
header: block(),
footer: block(),
)[
#set align(center)
#logo(height: 2.5cm, safety-zone: false, none)
#v(1cm)
#text(size: 1.5em, organization)
#v(2cm)
#text(size: 1.75em)[*#title*]
#v(1cm)
#text(size: 1.25em)[#type im Studiengang #field-of-study]
#v(1cm)
vorgelegt von
#v(0.25cm)
#text(size: 1.25em, author.name)
#v(0.25cm)
#if author.keys().contains("student-id") {
text(size: 0.75em)[Matrikelnummer: #author.student-id]
}
#v(1fr)
#if examinors.first != none and examinors.second != none {
table(
columns: (auto, auto),
stroke: none,
align(right)[Erstgutachter:], align(left, examinors.first),
align(right)[Zweitgutachter:], align(left, examinors.second),
)
}
#v(1cm)
© #datetime.today().year()
#v(1cm)
#set align(left)
#set par(justify: true)
Dieses Werk einschließlich seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtgesetzes ist ohne Zustimmung des Autors unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen sowie die Einspeicherung und Verarbeitung in elektronischen Systemen.
]
// Configure paragraph properties.
set par(first-line-indent: 0em, justify: true, leading: 1em)
show par: set block(spacing: 2em)
//// Pre-content: abstract, TOC etc.
set page(numbering: "i")
// Display the abstract
if abstract != none {
set page(header: block(), footer: block())
heading(depth: 1, outlined: false, numbering: none, bookmarked: true)[Kurzdarstellung]
abstract
}
// Table of chapters - headings
if show_chapters {
heading(numbering: none, outlined: false, bookmarked: true)[Inhaltsverzeichnis]
show outline.entry.where(level: 1): it => {
v(2em, weak: true)
strong(it)
}
outline(
title: none,
depth: 3,
target: heading.where(outlined: true),
indent: auto,
)
}
set page(numbering: "1")
pagebreak(to: "odd", weak: true)
counter(page).update(1)
// Display the article's contents.
body
// Table of contents - kind: image
if show_images {
heading(numbering: none)[Abbildungsverzeichnis]
outline(
title: none,
target: figure.where(kind: image, outlined: true),
)
}
// Table of contents - kind: table
if show_tables {
heading(numbering: none)[Tabellenverzeichnis]
outline(
title: none,
target: figure.where(kind: table, outlined: true),
)
}
// TODO: Listings and bibliography
// Display the bibliography, if any is given.
if bibliography-file != none {
show bibliography: set text(0.85em)
show bibliography: pad.with(x: 0.5pt)
show bibliography: set block(spacing: 2em)
// show bibliography: set par(justify: false)
heading(depth: 1, numbering: none)[Literaturverzeichnis]
bibliography(bibliography-file, title: none)
}
// The thing ends with details about the authors.
// show: pad.with(x: 11.5pt)
// set par(first-line-indent: 0pt)
// set text(7.97224pt)
// for author in authors {
// let keys = ("department", "organization", "location")
//
// let dept-str = keys
// .filter(key => key in author)
// .map(key => author.at(key))
// .join(", ")
//
// smallcaps(dept-str)
// linebreak()
//
// if "email" in author [
// _Email address:_ #link("mailto:" + author.email) \
// ]
//
// if "url" in author [
// _URL:_ #link(author.url)
// ]
//
// v(12pt, weak: true)
// }
}
// The ASM template also provides a theorem function.
#let theorem(body, numbered: true) = figure(
body,
kind: "theorem",
supplement: [Theorem],
numbering: if numbered { "1" },
)
// And a function for a proof.
#let proof(body) = block(spacing: 11.5pt, {
emph[Proof.]
[ ] + body
h(1fr)
box(scale(160%, origin: bottom + right, sym.square.stroked))
})
|
https://github.com/sofianedjerbi/Resume | https://raw.githubusercontent.com/sofianedjerbi/Resume/main/modules/professional.typ | typst | Apache License 2.0 | #import "../brilliant-CV/template.typ": *
#cvSection("Experience")
#cvEntry(
title: [R&D Microservices Engineer | Kotlin Android Expert],
society: [Ingenico],
date: [Oct 2023 - Present],
location: [Valence, France (Hybrid)],
description: list(
[Engineered Android libraries using *Kotlin Multiplatform (KMM)* for payment terminals],
[Architected microservices, significantly enhancing system reliability],
[Mentored team members in *Java/Kotlin* best practices, boosting productivity],
)
)
#cvEntry(
title: [Cloud E-commerce Architect | Java/Kotlin Developer],
society: [Fiverr],
date: [Jun 2023 - Oct 2023],
location: [Grenoble, France (Remote)],
description: list(
[Built e-commerce platform with *AWS ECS* and *Fargate*, handling 100s of daily microtransactions],
[Optimized *DynamoDB* queries for improved performance in high-load scenarios],
[Created dashboards with *Amazon QuickSight* for real-time sales analytics],
)
)
#cvEntry(
title: [Cloud Performance Architect | Java/Go Developer],
society: [Kaiiju],
date: [Jan 2023 - Oct 2023],
location: [Grenoble, France (Remote)],
description: list(
[Architected cloud infrastructure and platform, reducing costs by 25% for high-traffic gaming service],
[Crafted a compression algorithm as a *Go microservice*, reducing *S3* storage files by \~90%],
[Engineered serverless system with *Lambda* and *DynamoDB* for in-game purchases],
)
)
#cvEntry(
title: [Cloud DevOps Engineer | System Administrator],
society: [Kugge],
date: [Aug 2021 - Oct 2023],
location: [Grenoble, France (Hybrid)],
description: list(
[Designed cloud architectures for hosting providers, significantly improving system availability],
[Implemented IaC using *CloudFormation* and *EKS* for streamlined deployments],
[Developed backup solution with *S3 Glacier*, reducing annual backup costs by 60%],
)
)
#cvEntry(
title: [Cloud Software Architect | Java/Go Developer],
society: [Fiverr],
date: [Jan 2022 - Jul 2022],
location: [Grenoble, France (Remote)],
description: list(
[Developed breeding optimization platform using advanced genetic algorithms and statistical models],
[Created *Java Spring Boot* backend with *React* frontend for user-friendly breeder interface],
[Implemented *PostgreSQL* database for efficient storage and retrieval of breeding data],
)
)
#cvEntry(
title: [Embedded Security R&D Engineer | C++/Python Developer],
society: [CEA],
date: [Dec 2021 - Jun 2022],
location: [Grenoble, France (On-site)],
description: list(
[Engineered X-ray attack monitoring tool in *C++* and *Python* for microcontroller security],
[Served as *lead developer*, guiding team and ensuring project milestones were met efficiently],
[Developed *REST API* for RAM and Flash memory analysis in embedded systems],
)
)
#cvEntry(
title: [Java Developer | Performance Analyst],
society: [Fiverr],
date: [Jun 2019 - Jan 2021],
location: [Grenoble, France (Remote)],
description: list(
[Created performance optimization system in *Java 11* for e-learning platform],
[Implemented comprehensive unit testing with *JUnit* to ensure code reliability],
[Implemented robust CI/CD pipeline with *Jenkins*, *Docker*, and *BitBucket*, automating build, test, and deployment cycles],
)
)
|
https://github.com/Jollywatt/typst-fletcher | https://raw.githubusercontent.com/Jollywatt/typst-fletcher/master/tests/label-size/test.typ | typst | MIT License | #set page(width: auto, height: auto, margin: 1em)
#import "/src/exports.typ" as fletcher: diagram, node, edge
#diagram(
label-size: 0.8em,
label-sep: 2pt,
node((0, 0), [A]),
edge("rd", $h$, right),
edge($f$),
node((1, 0), [B]),
edge($g$, left),
node((1, 1), [C]),
)
#pagebreak()
#diagram(label-size: 0.8em, $
f edge("d", ->) edge(->, #$ f $) & f \
f edge("ur", ->)
$) |
https://github.com/TypstApp-team/typst | https://raw.githubusercontent.com/TypstApp-team/typst/master/tests/typ/layout/grid-3.typ | typst | Apache License 2.0 | // Test grid cells that overflow to the next region.
---
#set page(width: 5cm, height: 3cm)
#grid(
columns: 2,
row-gutter: 8pt,
[Lorem ipsum dolor sit amet.
Aenean commodo ligula eget dolor. Aenean massa. Penatibus et magnis.],
[Text that is rather short],
[Fireflies],
[Critical],
[Decorum],
[Rampage],
)
---
// Test a column that starts overflowing right after another row/column did
// that.
#set page(width: 5cm, height: 2cm)
#grid(
columns: 4 * (1fr,),
row-gutter: 10pt,
column-gutter: (0pt, 10%),
align(top, image("/files/rhino.png")),
align(top, rect(inset: 0pt, fill: eastern, align(right)[LoL])),
[rofl],
[\ A] * 3,
[Ha!\ ] * 3,
)
---
// Test two columns in the same row overflowing by a different amount.
#set page(width: 5cm, height: 2cm)
#grid(
columns: 3 * (1fr,),
row-gutter: 8pt,
column-gutter: (0pt, 10%),
[A], [B], [C],
[Ha!\ ] * 6,
[rofl],
[\ A] * 3,
[hello],
[darkness],
[my old]
)
---
// Test grid within a grid, overflowing.
#set page(width: 5cm, height: 2.25cm)
#grid(
columns: 4 * (1fr,),
row-gutter: 10pt,
column-gutter: (0pt, 10%),
[A], [B], [C], [D],
grid(columns: 2, [A], [B], [C\ ]*3, [D]),
align(top, rect(inset: 0pt, fill: eastern, align(right)[LoL])),
[rofl],
[E\ ]*4,
)
|
https://github.com/gvallinder/KTHThesis_Typst | https://raw.githubusercontent.com/gvallinder/KTHThesis_Typst/main/abstract.typ | typst | MIT License | #heading(outlined: false, level: 1)[Abstract] <abstract>
This is a template that attempts to follow the graphical profile of theses at KTH Royal Institute of Technology. The existing KTH templates and style guides rely LateX, while this in attempt to create an equivalent template for Typst. Thank you to <NAME> for providing the LateX template. The graphical profile can be found #link("https://www.kth.se/en/student/studier/examensarbete/avhandlingarochexamensarbeten/tips-for-utformning-av-inlaga-1.458240"). The cover pages are not included in this template, since these will be handled at printing; this template only comprises the contents of the thesis. \
More details are given in the preface.\
#v(2em)
#heading(outlined: false, level: 3)[Keywords]
Template, KTH, Royal Institute of Technology, graphical profile, thesis, dissertation, PhD, licentiate, doctorate. |
https://github.com/daxartio/cv | https://raw.githubusercontent.com/daxartio/cv/main/README.md | markdown | MIT License | # CV/Resume
Programmatic generation of high-quality CVs. From YAML to PDF.
## Usage
```shell
typst c en.typ
```
Built by [Typst](https://typst.app/)
## Example
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/meta/numbering_04.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
#set text(lang: "jp", font: ("Linux Libertine", "Noto Serif CJK JP"))
#for i in range(0, 4) {
numbering("イ", i)
[ (or ]
numbering("い", i)
[) for #i \ ]
}
... \
#for i in range(47, 51) {
numbering("イ", i)
[ (or ]
numbering("い", i)
[) for #i \ ]
}
... \
#for i in range(2256, 2260) {
numbering("イ", i)
[ for #i \ ]
}
|
https://github.com/ufodauge/master_thesis | https://raw.githubusercontent.com/ufodauge/master_thesis/main/src/template/components/cover-section/paper-code.typ | typst | MIT License | #import "@preview/oxifmt:0.2.0" : strfmt
#let PaperCode(code) = text(
size: 14pt,
strfmt("ICS-{}M-{}", ..code),
)
|
https://github.com/joshuabeny1999/unisg-thesis-template-typst | https://raw.githubusercontent.com/joshuabeny1999/unisg-thesis-template-typst/main/content/directory_writing_aids.typ | typst | Other | #import "/utils/todo.typ": TODO
#import "/utils/pageref.typ": pageref
#TODO[
Update this paragraph to reflect the tools you used in your thesis. Please see Guide in #link("https://universitaetstgallen.sharepoint.com/sites/PruefungenDE/SitePages/ChatGPT.aspx")[StudentWeb] for more information. (HSG Account required)
]
In preparing this thesis, I utilized Grammarly for grammar and style correction across the Abstract, Introduction, and Conclusion sections, ensuring clarity and coherence in my writing. I used DeepL to enhance language quality and translate parts of the Literature Review. I used ChatGPT to generate initial drafts and expand on ideas in the Introduction and Discussion sections, providing valuable suggestions and examples. Additionally, I used GitHub Copilot to generate code snippets for the developed functionality and code snippets in the Methodology section.
#figure(
caption: "Directory of writing aids",
table(
columns: (1fr, 1fr, 1fr),
"Aid", "Usage / Application", "Affected Areas",
"ChatGPT 4.0", [- Brainstorming Structure
- Mindmaps
- Rewriting Text], [All chapters \ See Promt Dictionary \ \ @chapter1 Page #pageref("chapter1") ],
"Grammarly", [- Grammar and Style Correction
- Clarity and Coherence], [Abstract, Introduction, Conclusion \ \ @chapter1 Page #pageref("chapter1") ],
)
) |
https://github.com/MrHedmad/kerblam-paper | https://raw.githubusercontent.com/MrHedmad/kerblam-paper/main/src/template.typ | typst | #import "@preview/acrostiche:0.3.1": * // acronyms
#import "resources/acronyms.typ": my_acronyms
//#import "@preview/wordometer:0.1.2": word-count, total-words
// Functions
#let icon(path) = {
box(move(image(path, height: 0.5em), dy:-0.3em))
}
#let todo(stuff) = {
set text(fill: red, weight: "bold")
stuff
}
#let pageref(labelText) = {
locate(loc => {
let label = label(labelText)
let elems = query(selector(label), loc)
if elems.len() == 1 {
let loc = elems.at(0).location()
let pageNumber = counter(page).at(loc)
link(label, numbering(loc.page-numbering(), ..pageNumber))
} else {
let errorMessage = "Label '" + labelText + "' is not defined"
panic(errorMessage)
}
})
}
#let author_counter = counter("author_counter")
#let contacts_counter = counter("contacts_counter")
#let print_author(author) = {
text(weight: "bold")[#author.name]
link("https://orcid.org/" + author.orcid)[#icon("resources/orcid_icon.png", )]
super(author.affiliation)
author_counter.step()
super(author_counter.display())
}
#let print_affiliation(affil) = [
#affil.id: #affil.value
]
#let print_contact(author) = [
#author.shortname,
Email: #if author.corresponding [(Corresponding Author)]
#link("mailto:" + author.email)
]
#let project(title: "", abstract: [], authors: (), affiliations: (), work_in_progress: false, body) = {
// TODO: Fix this?
set document(author: authors.map(a => a.name), title: title)
// Set the document's basic properties.
set page(
numbering: "1",
number-align: end,
margin: (
left: 3cm,
right: 3cm
)
)
set text(
font: "Atkinson Hyperlegible",
size: 11pt,
lang: "en",
tracking: 0.1pt,
slashed-zero: true,
)
init-acronyms(my_acronyms)
// Colored links
show link: words => {
text(fill: blue)[#underline(words)]
}
// Set paragraph spacing.
show par: set block(above: 1em, below: 1.5em)
set heading(numbering: "1.1")
set par(leading: 0.75em)
// Title row.
align(center)[
#block(text(weight: 700, 1.6em, title))
]
// Author information.
block(inset:0.3em, {
authors.fold("", (rest, author) => [
#rest #if rest != "" [,] // a bit of a hack
#print_author(author)
]
)
parbreak()
// Affiliation and email block
pad(top: -0.5em, bottom: 0.3em, x: 1.5em)[
#set text(size: 0.8em, fill: rgb("#3c3d59"))
#affiliations.fold("", (rest, affiliation) => align(left)[
#rest
#print_affiliation(affiliation)
])
#authors.fold("", (rest, author) => [
#rest #if rest != "" [,] // a bit of a hack
#contacts_counter.step()
#contacts_counter.display():
#print_contact(author)
]
)
]
}) // End of authors block
// Main body.
set par(justify: true)
pad(x:9%)[
#heading(outlined: false, numbering: none, text(1em, smallcaps[Abstract]))
#text(size: 0.9em)[#abstract]
]
// Figure customizations
show figure.caption: set text(size: 0.9em, fill: rgb("#3d424a"))
show heading.where(
level: 3
): it => text(
weight: "regular",
style: "italic",
fill: rgb("#38393b"),
it.body + [.],
)
if work_in_progress {
set align(center)
block(
breakable: true,
fill: rgb("#ff8269"),
inset: 8pt,
radius: 4pt
)[
#align(center)[
#v(0.5cm)
#text(size:20pt, weight: "bold")[This is a draft]
Regenerated from source code on #datetime.today().display("[year].[month].[day]")
#h(15cm)
]
]
} else {
}
body
}
#let acrlong(shortcode) = {
reset-acronym(shortcode)
acr(shortcode)
}
#let acrpllong(shortcode) = {
reset-acronym(shortcode)
acrpl(shortcode)
} |
|
https://github.com/VZkxr/Typst | https://raw.githubusercontent.com/VZkxr/Typst/master/Seminario/Proyecto%20Final/portada.typ | typst | #set page(paper: "us-letter", margin: (x: 37pt) ,background:[
#set align(left)
#rect(width:26%, height: 100%, fill: rgb("003D64"))])
#set align(center)
#grid(columns: (3cm, 1fr))[
#image("UNAM-color.png", width: 100%)
#v(1fr)
#grid(columns: (0.1cm, 0.1cm, 0.1cm), column-gutter: 0.025cm)[
#line(angle:90deg, length: 16cm, stroke:luma(255))][
#line(angle:90deg, length: 16cm, stroke:luma(255))][
#line(angle:90deg, length: 16cm, stroke:luma(255))]
#v(1fr)
#image("FC-color.png", width: 100%)
][
#set align(center)
#v(1cm)
UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO
#line(length: 10cm, stroke: luma(0))
FACULTAD DE CIENCIAS
#v(1fr)
*Proyecto Final*
#v(15pt)
*Análisis visual e interactivo: Una apuesta a la enseñanza*
#v(1fr)
#grid()[
#set align(left)
Presenta:
#v(2pt)
<NAME>
#v(12pt)
#set align(left)
Profesores:
#v(2pt)
<NAME>
<NAME>
<NAME>
]
#v(.3cm)
] |
|
https://github.com/Joelius300/hslu-typst-template | https://raw.githubusercontent.com/Joelius300/hslu-typst-template/main/chapters/04_methodology.typ | typst | MIT License | = Methoden
Hier halten Sie fest und begründen, welches Vorgehensmodell Sie für Ihr Projekt wählen. Sie verweisen allenfalls auf die daraus entstandenen, konkreten Terminpläne mit Meilensteinen, welche z.B. unter Realisierung (Kapitel 5) oder im Anhang versorgt sind.
Bei Projekten mit einer verlangten wissenschaftlichen Tiefe werden hier die geplanten Forschungsmethoden wie quantitative/qualitative Interviews, Befragungen, Beobachtungen, Feldexperiment etc. beschrieben und begründet. \
Warum ist in Ihrer Situation ein Interview besser als eine Umfrage? Wer soll interview werden?
(Sie können bei Bedarf in Absprache mit Ihrer Betreuungsperson dazu auch ein zusätzliches Methodencoaching beziehen).
Bei Engineering-Projekten halten Sie weitere einzusetzende fachliche Methoden oder Techniken fest. Bei einem Softwareprojekt können dies z.B. der geplante Einsatz einer Anforderungsanalyse, der Einsatz von Review-Techniken (Architektur-Reviews) oder bekannter Programmiertechniken sein. Dazu gehört auch eine Teststrategie (wo setzen Sie im Projekt Schwerpunkte betr. Testen?). Die eigentliche Testdurchführung ist dann unter Realisierung, im Anhang oder einem selbstständigen Testdokument beschrieben.
#pagebreak() |
https://github.com/spherinder/ethz-infk-thesis | https://raw.githubusercontent.com/spherinder/ethz-infk-thesis/master/template.typ | typst |
#let template(..metadata, body) = ((
title: none,
author: none,
abstract: none,
incl-declaration-of-originality: true,
incl-list-of-figures: true,
incl-list-of-tables: true,
incl-listings: true,
text-font: "New Computer Modern",
..rest
) => {
let HEADING_1_TOP_MARGIN = 40pt
let PAGE_MARGIN_TOP = 37mm
// Set the document's basic properties.
set document(author: author, title: title)
set page(
margin: (left: 31.5mm, right: 31.5mm, top: PAGE_MARGIN_TOP, bottom: 30mm),
numbering: "1",
number-align: center,
binding: left,
header-ascent: 24pt,
header: context {
// Before
let selector_before = selector(heading.where(level: 1)).before(here())
let level_before = counter(selector_before)
let headings_before = query(selector_before)
if headings_before.len() == 0 {
return
}
// After
let selector_after = selector(heading.where(level: 1)).after(here())
let level_after = counter(selector_after)
let headings_after = query(selector_after)
if headings_after.len() == 0 {
return
}
// Get headings
let heading_before = headings_before.last()
let heading_after = headings_after.first()
let c1 = heading_after.location().page() == here().page()
let c2 = heading_after.location().position().y == (HEADING_1_TOP_MARGIN + PAGE_MARGIN_TOP) or heading_after.location().position().y == PAGE_MARGIN_TOP
if c1 and c2 {
return
}
// Decide on heading
let (heading, level) = if c1 and not c2 {
(heading_before, level_before)
} else {
(heading_after, level_after)
}
set text(size: 11.5pt)
grid(
rows: 2,
gutter: 5pt,
if heading.numbering != none {
emph(level.display() + " " + heading.body)
} else {
emph(heading.body)
},
line(length: 100%, stroke: 0.7pt),
)
}
)
set par(leading: 9pt)
set text(font: text-font, size: 10.85pt)
set heading(
numbering: "1.1",
)
let num_subheading = (top_margin, bottom_margin, counter_size, text_size, h) => {
v(top_margin)
if h.numbering != none {
grid(
columns: 2,
gutter: 10pt,
text(counter(heading).display(), size: counter_size),
text(h.body, size: text_size)
)
} else {
text(h.body, size: text_size)
}
v(bottom_margin)
}
// Configure correct spacing between headings and headings or paragraphs
show heading: h => if h.level == 1 {
pagebreak(weak: true)
v(HEADING_1_TOP_MARGIN)
if h.numbering != none [
#text("Chapter " + counter(heading).display(), font: "CMU Serif", size: 21pt, weight: 700)
#text(h.body, font: "CMU Serif", size: 24pt, weight: 700)
] else {
text(h.body, font: "CMU Serif", size: 24pt, weight: 700)
}
v(30pt)
} else if h.level == 2 {
num_subheading(14pt,14pt,20pt,20pt,h)
} else {
num_subheading(9pt,10pt,20pt,20pt,h)
}
// Cover
import "pages/cover.typ": cover_page
cover_page(..metadata)
// Abstract
if abstract != none {
import "pages/abstract.typ": abstract_page
abstract_page(..metadata)
}
// Table of contents.
import "pages/outline.typ": outline_page
outline_page()
// List of Figures
if incl-list-of-figures {
include "pages/list-of-figures.typ"
}
// List of Tables
if incl-list-of-tables {
include "pages/list-of-tables.typ"
}
// Listings
if incl-listings {
include "pages/listings.typ"
}
// Reset page numbering and set it to numbers
set page(
numbering: "1",
)
counter(page).update(1)
// Main body.
set par(justify: true)
body
// Declaration of originality
if incl-declaration-of-originality {
pagebreak(weak: true)
import "pages/declaration-of-originality.typ": declaration-of-originality
declaration-of-originality(..metadata)
}
})(..metadata)
|
|
https://github.com/sky-y/pandoc-online-20240818 | https://raw.githubusercontent.com/sky-y/pandoc-online-20240818/master/typst/example-template.typ | typst | // Original (modified): https://github.com/satshi/typst-jp-template/blob/main/example.typ
#import "template.typ": *
#show: doc => jarticle(
fontsize: 11pt,
title: [夏に食べたいアイスについて],
authors: ([<NAME>],),
date: [2024年8月18日],
doc,
)
= 序論：夏とアイスの関係
夏は、気温の上昇により冷たい食べ物が特に求められる季節である。中でもアイスは、その冷たさと甘さによって、身体を涼しく保ちながら、爽快感と癒しを提供する特別な存在である。アイスが夏に人気を博する背景には、歴史的に暑さをしのぐための冷却技術の発展と、嗜好品としての多様なアイスが普及したことが挙げられる。本論文では、夏に食べたいアイスの種類や文化、そしてその魅力について考察する。
= 第1章：アイスの種類と特性
== ソフトクリーム、ジェラート、かき氷などの多様な選択肢
== 各アイスの製造方法と風味の特徴
= 第2章：日本における夏のアイス文化
== 地域ごとの人気アイスとその文化的背景
== 夏祭りやイベントにおけるアイスの重要性
= 第3章：アイスがもたらす心理的・生理的効果
== 冷たい食品が与える身体的リフレッシュ効果
== 食べる楽しみがもたらす心の安らぎ
= 第4章：健康的なアイスの選び方
== 低カロリーや無添加アイスの人気
== 健康志向の消費者が注目する成分や栄養価
= 結論：夏に最適なアイスの未来
== アイス産業の未来と消費者トレンド
== 夏に食べたいアイスの選び方の提案
|
|
https://github.com/DaavidT/CV-2023 | https://raw.githubusercontent.com/DaavidT/CV-2023/main/modules/professional.typ | typst | Apache License 2.0 | #import "../brilliant-CV/template.typ": *
#cvSection("Experiencia Profesional")
#cvEntry(
title: [Becario en desarrollo de software web y móvil],
society: [Central Invirzo],
logo: "../src/logos/invirtual.png",
date: [2023 - Actualidad],
location: [CDMX, MX],
description: list(
[Liderar una parte del desarrollo front-end de una aplicación móvil sobre una red social en tiempo real],
[Dar mantenimiento a una aplicación web de un ERP para la gestión de proyectos de tecnología],
),
tags: ("React Native", "Laravel", "Javascript", "PHP", "MySQL")
)
#cvEntry(
title: [Prácticas profesionales como asesor de TI],
society: [Central Invirzo],
logo: "../src/logos/invirtual.png",
date: [2022 - 2023],
location: [CDMX, MX],
description: list(
[Brindar asesoría en el uso de herramientas de TI a los empleados de la empresa],
[Dar manteminiento a páginas web de clientes utilizando PHP y Laravel],
),
tags: ("PHP", "Worpress", "WHM", "SMTP", "Laravel")
)
|
https://github.com/mrtz-j/typst-thesis-template | https://raw.githubusercontent.com/mrtz-j/typst-thesis-template/main/modules/frontpage.typ | typst | MIT License | #let frontpage(
title: [],
subtitle: "",
author: "",
degree: "",
faculty: "",
department: "",
major: "",
submission-date: none,
) = {
set document(title: title, author: author)
set page(
paper: "a4",
margin: (left: 3mm, right: 3mm, top: 12mm, bottom: 27mm),
header: none,
footer: none,
numbering: none,
number-align: center,
)
let body-font = ("Open Sans", "Noto Sans")
set text(font: body-font, size: 12pt, lang: "en")
set par(leading: 1em)
// --- Title Page ---
place(top + left, image("../assets/logo.svg", width: 100%, height: 100%))
// Faculty
place(
top + left,
dy: 30mm,
dx: 27mm,
text(12pt, weight: "light", faculty),
)
// Department
place(
top + left,
dy: 35mm,
dx: 27mm,
text(12pt, weight: "light", department),
)
// Title
place(
top + left,
dy: 43mm,
dx: 27mm,
text(14pt, weight: "semibold", title),
)
// Subtitle (optional)
if (subtitle != "") {
place(
top + left,
dy: 53mm,
dx: 27mm,
text(12pt, weight: "light", subtitle),
)
}
// Author
place(
top + left,
dy: 56mm,
dx: 27mm,
text(10pt, weight: "light", author),
)
// Description, Degree and Program
place(
top + left,
dy: 62mm,
dx: 27mm,
text(
10pt,
weight: "light",
degree + " thesis in " + major + " — " + submission-date.display("[month repr:long] [year]"),
),
)
// Image
place(
bottom + center,
dy: 27mm,
image("../assets/frontpage_full.svg", width: 216mm, height: 303mm),
)
}
|
https://github.com/Aadamandersson/typst-analyzer | https://raw.githubusercontent.com/Aadamandersson/typst-analyzer/main/README.md | markdown | Apache License 2.0 | # typst-analyzer
typst-analyzer is a very much WIP frontend for the [Typst markup-based typesetting system](https://typst.app/).
## License
Licensed under either of
* Apache License, Version 2.0
([LICENSE-APACHE](LICENSE-APACHE) or http://www.apache.org/licenses/LICENSE-2.0)
* MIT license
([LICENSE-MIT](LICENSE-MIT) or http://opensource.org/licenses/MIT)
at your option.
## Contribution
Unless you explicitly state otherwise, any contribution intentionally submitted
for inclusion in the work by you, as defined in the Apache-2.0 license, shall be
dual licensed as above, without any additional terms or conditions. |
https://github.com/joalopez1206/CV | https://raw.githubusercontent.com/joalopez1206/CV/main/templates/resume.template.typ | typst | /*
This copy of the resume formatting template is provided in the template download in case
you'd like to make your preferred edits to the template directly.
If you'd like to use this copy instead of the package, you'll need to update the #import
statement in your resume.typ file to reference this file directly.
Have you made edits or bug fixes to this template that you feel would help out others?
It would be fantastic if you submitted a pull request to the template repository at
https://github.com/chaoticgoodcomputing/typst-resume-starter !
*/
/*
Core formatting for the template document type. Establishes general document-wide formatting,
and creates the header and footer for the resume.
*/
#let resume(
author: "",
location: "",
contacts: (),
body
) = {
// Sets document metadata
set document(author: author, title: author)
// Document-wide formatting, including font and margins
set text(
font: "New Computer Modern",
size: 11pt,
lang: "es"
)
set page(
margin: (
top: 1.25cm,
bottom: 0cm,
left: 1.5cm,
right: 1.5cm
),
)
show link: set text(
fill: rgb("#0645AD")
)
// Header parameters, including author and contact information.
show heading: it => [
#pad(top: 0pt, bottom: -15pt, [#smallcaps(it.body)])
#line(length: 100%, stroke: 1pt)
]
// Author
align(center)[
#block(text(weight: 700, 2.5em, [#smallcaps(author)]))
]
// Contact
pad(
top: 0.25em,
align(center)[
#smallcaps[#contacts.join(" | ")]
],
)
// Location
if location != "" {
align(center)[
#smallcaps[#location]
]
}
// Main body.
set par(justify: true)
body
}
/*
Allows hiding or showing full resume dynamically using global variable. This can
be helpful for creating a single document that can be rendered differently depending on
the desired output, for cases where you'd like to simultaneously render both a full copy
and a single-page instance of only the most important or vital information.
*/
#let hide(should-hide, content) = {
if not should-hide {
content
}
}
/*
Education section formatting, allowing enumeration of degrees and GPA
*/
#let edu(
institution: "",
date: "",
degrees: (),
gpa: "",
location: ""
) = {
pad(
bottom: 10%,
grid(
columns: (auto, 1fr),
align(left)[
#strong[#institution]
#{
if gpa != "" [
| #emph[GPA: #gpa]
]
}
\ #{
for degree in degrees [
#strong[#degree.at(0)] | #emph[#degree.at(1)] \
]
}
],
align(right)[
#emph[#date]
#{
if location != "" [
\ #emph[#location]
]
}
]
)
)
}
/*
Skills section formatting, responsible for collapsing individual entries into
a single list.
*/
#let skills(areas) = {
for area in areas {
strong[#area.at(0): ]
area.at(1).join(" | ")
linebreak()
}
}
/*
Experience section formatting logic.
*/
#let exp(
role: "",
project: "",
date: "",
location: "",
summary: "",
details: []
) = {
pad(
bottom: 10%,
grid(
columns: (auto, 1fr),
align(left)[
#strong[#role] | #emph[#project]
#{
if summary != "" [
\ #emph[#summary]
]
}
],
align(right)[
#emph[#date]
#{
if location != "" [
\ #emph[#location]
]
}
]
)
)
details
} |
|
https://github.com/kachick/dprint-plugin-typstyle | https://raw.githubusercontent.com/kachick/dprint-plugin-typstyle/main/examples/expected.typ | typst | Apache License 2.0 | #set text(
font: "New Computer Modern",
size: 10pt,
)
#set page(
paper: "a6",
margin: (x: 1.8cm, y: 1.5cm),
)
#set par(
justify: true,
leading: 0.52em,
)
= Introduction
In this report, we will explore the
various factors that influence fluid
dynamics in glaciers and how they
contribute to the formation and
behaviour of these natural structures.
|
https://github.com/choglost/LessElegantNote | https://raw.githubusercontent.com/choglost/LessElegantNote/main/utils/custom-numbering.typ | typst | MIT License | // 一个简单的自定义 Numbering
#let custom-numbering(style:"literature",..args) = {
let literature-numbering=("第一章 ","第一节 ","一、"," （一）")
let maths-numbering=("第一章 ","1.1 ","1.1.1 ","（1）")
let heading-numbering=""
let level = args.pos().len()
// // let heading-numbering = ""
// // heading-numbering = args.pos().at(level - 1)
// if level
if(style=="literature"){
heading-numbering=literature-numbering.at(level - 1)
numbering(heading-numbering, args.pos().last())
}else if(style=="maths"){
heading-numbering=maths-numbering.at(level - 1)
numbering(heading-numbering, ..args)
}else{
}
return
}
|
https://github.com/DieracDelta/presentations | https://raw.githubusercontent.com/DieracDelta/presentations/master/polylux/book/src/dynamic/one-by-one.typ | typst | #import "../../../polylux.typ": *
#set page(paper: "presentation-16-9")
#set text(size: 50pt)
#polylux-slide[
#one-by-one[Do you know ][$pi$ ][to a thousand decimal places?]
]
|
|
https://github.com/OrangeX4/typst-pinit | https://raw.githubusercontent.com/OrangeX4/typst-pinit/main/examples/pinit-for-raw.typ | typst | MIT License | #import "../lib.typ": *
#set text(size: 24pt)
#show raw: it => {
show regex("pin\d"): it => pin(eval(it.text.slice(3)))
it
}
`print(pin1"hello, world"pin2)`
#pinit-highlight(1, 2) |
https://github.com/Harkunwar/attractive-typst-resume | https://raw.githubusercontent.com/Harkunwar/attractive-typst-resume/main/resume.typ | typst | MIT License | #import "template.typ": *
#set page(
margin: (
left: 10mm,
right: 10mm,
top: 15mm,
bottom: 15mm
),
)
#set text(font: "Mulish")
#show: project.with(
theme: rgb("#0F83C0"),
name: "<NAME>",
title: "Software Engineer",
contact: (
contact(
text: "604-123-4567"
),
contact(
text: "<EMAIL>",
link: "mailto:<EMAIL>"
),
contact(
text: "GitHub.com/Harkunwar",
link: "https://www.github.com/Harkunwar"
),
contact(
text: "www.Harkunwar.com",
link: "https://www.harkunwar.com"
)
),
main: (
section(
title: "Work Experience",
content: (
subSection(
title: "Splunk",
titleEnd: "Vancouver, BC",
subTitle: "Software Engineer",
subTitleEnd: "(June 2021 - Present)",
content: list(
[Improved web page load time by a factor of *10 times* by using React Virtualized Lazy Loading to render large lists.],
[Spearheaded the implementation and design of embedding images and icons in Splunk Dashboard using React affecting *1000+ users*.],
[Designed and implemented *4 major dialogs* used in Splunk Dashboard.],
),
),
subSection(
title: "AppNeta",
titleEnd: "Vancouver, BC",
subTitle: "Full Stack Developer Intern",
subTitleEnd: "(September 2019 – May 2020)",
content: list(
[Solely responsible for the development of the Web Analytics Dashboard using AWS Lambda and API Gateway in NodeJS.],
[Improved Experience Monitoring feature with React and Java which actively monitors *4000+ sites* from around the world.],
[Successfully developed the HTTP Monitoring feature used by *over 100 companies* to monitor their APIs and Websites.],
[Refined analytics report system generating *1000+ reports daily*.],
[Automated internal AWS tasks with Terraform and TeamCity.]
),
),
subSection(
title: "Better Way Lighting",
titleEnd: "Vancouver, BC",
subTitle: "Embedded System Developer",
subTitleEnd: "(April 2019 – Aug 2020)",
content: list(
[Spearheaded a Smart LED Mesh System Project for the company.],
[Physically designed and programmed an Arduino DMX Controller to automate testing of lighting products.],
[Built an interactive Movie Lighting System using the Espressif Framework.],
),
),
),
),
section(
title: "Projects",
content: (
subSection(
title: "Nutri – Nutrition Tracker app",
content: list("Engineered and completed a nutrition tracker app in 24 hours using Flutter and Microsoft’s Computer Vision APIs. The app allows one to take picture of their meal and add the nutrition level one ate to their daily intake.")
),
subSection(
title: "CycSafe Vest",
content: list("Formulated a custom vest for bikers that uses Arduino and an accelerometer to produce LED lights on the back using hand gestures.")
),
subSection(
title: "Root Checker",
content: list([Created a simple ad-free android app using Java and Bash to check if the phone is rooted. It has over 500,000 downloads and has generated *\$2000 in revenue*.])
),
),
)
),
sidebar: (
section(
title: "Skills",
content: (
subSection(
title: "Languages",
content: (
"C",
"C++",
"CSS",
"HTML5",
"Java",
"JavaScript",
"Rust",
"TypeScript",
).join(" • "),
),
subSection(
title: "Technologies",
content: (
"NodeJS",
"Firebase",
"Git",
"Flutter",
"Express",
"Arduino",
"AWS",
"React",
"Terraform",
"Cypress",
"Selenium"
).join(" • "),
),
subSection(
title: "concepts",
content: (
"Object-oriented programming",
"Machine Learning",
"Unit Tests",
"Functional Programming",
"Agile Methadology",
).join(" • "),
),
),
),
section(
title: "Education",
content: (
subSection(
title: [
#set par(justify: false)
University of British Columbia
],
subTitle: "BSc in Computer Science",
content: [
Graduated: May 2021\
Vancouver, BC
],
),
),
),
section(
title: "Volunteer",
content: (
subSection(
title: "Project Roots",
content: list(
[Saved over *900,000L* of water], [Generated over *\$6000*],
[Saved consumers over *\$8000*],
),
),
),
),
section(
title: "Awards",
content: (
subSection(
content: list(
[1st Year Computer Science \(BSc\) *Honorable Mention*],
[Hellmann’s Best New Enactus Project 2019 *1st Prize*],
[Hellmann’s Food Security Challenge 2018 *1st Prize*],
[Scotiabank EcoLiving Green Challenge *Regional Champion*],
[Scotiabank Environmental Challenge *Regional Champion*],
),
),
),
),
),
)
|
https://github.com/LDemetrios/Typst4k | https://raw.githubusercontent.com/LDemetrios/Typst4k/master/src/test/resources/suite/layout/flow/place.typ | typst | // Test the `place` function.
--- place-basic ---
#set page("a8")
#place(bottom + center)[E]
= A
#place(right, rect(width: 1.8cm))
#lines(5)
#stack(
rect(fill: eastern, height: 10pt, width: 100%),
place(right, dy: 1.5pt)[ABC],
rect(fill: conifer, height: 10pt, width: 80%),
rect(fill: forest, height: 10pt, width: 100%),
10pt,
block[
#place(center, dx: -7pt, dy: -5pt)[A]
#place(center, dx: 7pt, dy: 5pt)[B]
C #h(1fr) D
]
)
--- place-block-spacing ---
// Test how the placed element interacts with paragraph spacing around it.
#set page("a8", height: 60pt)
First
#place(bottom + right)[Placed]
Second
--- place-bottom-in-box ---
#box(
fill: aqua,
width: 30pt,
height: 30pt,
place(bottom,
place(line(start: (0pt, 0pt), end: (20pt, 0pt), stroke: red + 3pt))
)
)
--- place-horizon-in-boxes ---
#box(
fill: aqua,
width: 30pt,
height: 30pt,
{
box(fill: yellow, {
[Hello]
place(horizon, line(start: (0pt, 0pt), end: (20pt, 0pt), stroke: red + 2pt))
})
place(horizon, line(start: (0pt, 0pt), end: (20pt, 0pt), stroke: green + 3pt))
}
)
--- place-bottom-right-in-box ---
#box(fill: aqua)[
#place(bottom + right)[Hi]
Hello World \
How are \
you?
]
--- place-top-left-in-box ---
#box(fill: aqua)[
#place(top + left, dx: 50%, dy: 50%)[Hi]
#v(30pt)
#line(length: 50pt)
]
--- place-float-flow-around ---
#set page(height: 80pt)
#set place(float: true)
#place(bottom + center, rect(height: 20pt))
#lines(4)
--- place-float-queued ---
#set page(height: 180pt)
#set figure(placement: auto)
#figure(rect(height: 60pt), caption: [I])
#figure(rect(height: 40pt), caption: [II])
#figure(rect(), caption: [III])
A
#figure(rect(), caption: [IV])
--- place-float-align-auto ---
#set page(height: 140pt)
#set place(auto, float: true, clearance: 5pt)
#place(rect[A])
#place(rect[B])
1 \ 2
#place(rect[C])
#place(rect[D])
--- place-float-delta ---
#place(top + center, float: true, dx: 10pt, rect[I])
A
#place(bottom + center, float: true, dx: -10pt, rect[II])
--- place-float-flow-size ---
#set page(width: auto, height: auto)
#set place(float: true, clearance: 5pt)
#place(bottom, rect(width: 80pt, height: 10pt))
#place(top + center, rect(height: 20pt))
#align(center)[A]
#pagebreak()
#align(center)[B]
#place(bottom, scope: "parent", rect(height: 10pt))
--- place-float-flow-size-alone ---
#set page(width: auto, height: auto)
#set place(float: true, clearance: 5pt)
#place(auto)[A]
--- place-float-fr ---
#set page(height: 120pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#place(top + center, rect[I])
#place(bottom + center, scope: "parent", rect[II])
A
#v(1fr)
B
#colbreak()
C
#align(bottom)[D]
--- place-float-rel-sizing ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#place(top + center, scope: "parent", rect[I])
#place(top + center, rect[II])
// This test result is not ideal: The first column takes 30% of the full page,
// while the second takes 30% of the remaining space since there is no concept
// of `full` for followup pages.
#set align(bottom)
#rect(width: 100%, height: 30%)
#rect(width: 100%, height: 30%)
--- place-float-block-backlog ---
#set page(height: 100pt)
#v(60pt)
#place(top, float: true, rect())
#list(.."ABCDEFGHIJ".clusters())
--- place-float-clearance-empty ---
// Check that we don't require space for clearance if there is no content.
#set page(height: 100pt)
#v(1fr)
#table(
columns: (1fr, 1fr),
lines(2),
[],
lines(8),
place(auto, float: true, block(width: 100%, height: 100%, fill: aqua))
)
--- place-float-column-align-auto ---
#set page(height: 150pt, columns: 2)
#set place(auto, float: true, clearance: 10pt)
#set rect(width: 75%)
#place(rect[I])
#place(rect[II])
#place(rect[III])
#place(rect[IV])
#lines(6)
#place(rect[V])
#place(rect[VI])
--- place-float-column-queued ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 75%)
#set text(costs: (widow: 0%, orphan: 0%))
#lines(3)
#place(top, rect[I])
#place(top, rect[II])
#place(bottom, rect[III])
#lines(3)
--- place-float-twocolumn ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#place(top + center, scope: "parent", rect[I])
#place(top + center, rect[II])
#lines(4)
#place(top + center, rect[III])
#block(width: 100%, height: 70pt, fill: conifer)
#place(bottom + center, scope: "parent", rect[IV])
#place(bottom + center, rect[V])
#v(1pt, weak: true)
#block(width: 100%, height: 60pt, fill: aqua)
--- place-float-twocolumn-queued ---
#set page(height: 100pt, columns: 2)
#set place(float: true, scope: "parent", clearance: 10pt)
#let t(align, fill) = place(top + align, rect(fill: fill, height: 25pt))
#t(left, aqua)
#t(center, forest)
#t(right, conifer)
#lines(7)
--- place-float-twocolumn-align-auto ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#place(auto, scope: "parent", rect[I]) // Should end up `top`
#lines(4)
#place(auto, scope: "parent", rect[II]) // Should end up `bottom`
#lines(4)
--- place-float-twocolumn-fits ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#lines(6)
#place(auto, scope: "parent", rect[I])
#lines(12, "1")
--- place-float-twocolumn-fits-not ---
#set page(height: 100pt, columns: 2)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#lines(10)
#place(auto, scope: "parent", rect[I])
#lines(10, "1")
--- place-float-threecolumn ---
#set page(height: 100pt, columns: 3)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
#place(bottom + center, scope: "parent", rect[I])
#lines(21)
#place(top + center, scope: "parent", rect[II])
--- place-float-threecolumn-block-backlog ---
#set page(height: 100pt, columns: 3)
#set place(float: true, clearance: 10pt)
#set rect(width: 70%)
// The most important part of this test is that we get the backlog of the
// conifer (green) block right.
#place(top + center, scope: "parent", rect[I])
#block(fill: aqua, width: 100%, height: 70pt)
#block(fill: conifer, width: 100%, height: 160pt)
#place(bottom + center, scope: "parent", rect[II])
#place(top, rect(height: 40%)[III])
#block(fill: yellow, width: 100%, height: 60pt)
--- place-float-counter ---
#let c = counter("c")
#let cd = context c.display()
#set page(
height: 100pt,
margin: (y: 20pt),
header: [H: #cd],
footer: [F: #cd],
columns: 2,
)
#let t(align, scope: "column", n) = place(
align,
float: true,
scope: scope,
clearance: 10pt,
line(length: 100%) + c.update(n),
)
#t(bottom, 6)
#cd
#t(top, 3)
#colbreak()
#cd
#t(scope: "parent", bottom, 11)
#colbreak()
#cd
#t(top, 12)
--- place-float-missing ---
// Error: 2-20 automatic positioning is only available for floating placement
// Hint: 2-20 you can enable floating placement with `place(float: true, ..)`
#place(auto)[Hello]
--- place-float-center-horizon ---
// Error: 2-45 vertical floating placement must be `auto`, `top`, or `bottom`
#place(center + horizon, float: true)[Hello]
--- place-float-horizon ---
// Error: 2-36 vertical floating placement must be `auto`, `top`, or `bottom`
#place(horizon, float: true)[Hello]
--- place-float-default ---
// Error: 2-27 vertical floating placement must be `auto`, `top`, or `bottom`
#place(float: true)[Hello]
--- place-float-right ---
// Error: 2-34 vertical floating placement must be `auto`, `top`, or `bottom`
#place(right, float: true)[Hello]
--- place-flush ---
#set page(height: 120pt)
#let floater(align, height) = place(
align,
float: true,
rect(width: 100%, height: height),
)
#floater(top, 30pt)
A
#floater(bottom, 50pt)
#place.flush()
B // Should be on the second page.
--- place-flush-figure ---
#set page(height: 120pt)
#let floater(align, height, caption) = figure(
placement: align,
caption: caption,
rect(width: 100%, height: height),
)
#floater(top, 30pt)[I]
A
#floater(bottom, 50pt)[II]
#place.flush()
B // Should be on the second page.
--- issue-place-base ---
// Test that placement is relative to container and not itself.
#set page(height: 80pt, margin: 0pt)
#place(right, dx: -70%, dy: 20%, [First])
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https://github.com/Myriad-Dreamin/tinymist | https://raw.githubusercontent.com/Myriad-Dreamin/tinymist/main/syntaxes/textmate/tests/unit/expr/in_block.typ | typst | Apache License 2.0 | #{
false and true;
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https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/020%20-%20Prologue%20to%20Battle%20for%20Zendikar/007_For%20Zendikar.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"For Zendikar",
set_name: "Prologue to Battle for Zendikar",
story_date: datetime(day: 12, month: 08, year: 2015),
author: "<NAME>",
doc
)
#emph[It has been many years since the world of Zendikar first reached out to Nissa Revane, sending her visions, entreating her to help remove the dark monster that was trapped inside its mountains. Though Nissa bravely faced the Eldrazi monstrosity then, she was not able to destroy it . . . nor its brothers. Since that first encounter, Nissa has devoted her life to fighting the swarms of Eldrazi that plague her world. She has met with many missteps and failures, but it seems that Zendikar still has faith in her; the world sends its power to her when she calls, and it manifests as a giant, tree-like elemental to aid her in battle. So Nissa continues to fight, all the while hoping that Zendikar was right to choose her.]
#figure(image("007_For Zendikar/01.jpg", width: 100%), caption: [Nissa, Sage Animist | Art by <NAME>urt], supplement: none, numbering: none)
#v(0.35em)
#line(length: 100%, stroke: rgb(90%, 90%, 90%))
#v(0.35em)
Nissa stood alongside Zendikar's towering elemental on a ridge overlooking the Vastwood Forest. From their height it was almost possible—if she relaxed her focus and squinted just a bit—to perceive only the greens and browns, the natural colors of the forest.
#figure(image("007_For Zendikar/02.jpg", width: 100%), caption: [Animist's Awakening | Art by Chris Rahn], supplement: none, numbering: none)
But she knew the chalky parts were there; they ran in rivulets through the land like dried out riverbeds. Nissa wished that's all they were. A drought, even the worst drought, would be far preferable to what the world was facing now.
The crumpled, white trails of corruption that the Eldrazi of Ulamog's brood left in their wake were death. They were emptiness. They were nothing. The Eldrazi drained the life and essence from all the living things they encountered. Not a single blade of grass grew where they had traveled; even the persistent lion flies gave the corrupted areas a wide berth. At first, many of the Zendikari believed that the dead land would recover—that given time, life would return. But as the years passed, the swaths of Eldrazi corruption only spread. It seemed the damage that the Eldrazi caused was permanent. The life Zendikar lost was lost for good.
It was getting to the point where the world didn't have that much more to give.
"They want to take it all," Nissa said. "Sometimes I don't know if we can stop them."
She was talking mostly to herself, but also to the elemental at her side. She had taken to talking to it over the course of the last few days even though, from what she could tell, it did not understand what she was saying.
The only sign of communication Nissa got from the elemental was a gesture that it repeated a few times each day, reaching out with one branch-like hand to grasp something Nissa couldn't see or understand.
She had tried to interpret its meaning, but each time she guessed she seemed to be wrong. That didn't deter Nissa from talking to it though. Since they had left the company of Hamadi and the other elves, it had only been the two of them making their way across what remained of the Vastwood Forest, and Nissa found it comforting to use her voice for something other than battle cries.
"That was some good work back there." Nissa nodded over her shoulder indicating the section of the forest they had just cleared. Two Eldrazi corpses lay behind them, and the elemental at Nissa's side was responsible for ripping four of the tentacles off the largest one.
#figure(image("007_For Zendikar/03.jpg", width: 100%), caption: [Ulamog's Crusher | Art by <NAME>], supplement: none, numbering: none)
Nissa wanted to show her gratitude, but she was still learning how this was supposed to work. The first time she had summoned the towering elemental, she was just as shocked as those around her. The power of it, the might, the sheer size, it was overwhelming. Sure, she was used to battling alongside elementals, used to channeling the power of the land through them, but she was not used to this.
This elemental wasn't like the others. And not just because it was large enough to lift an entire mid-sized Eldrazi with just one of its branch-like hands—though that was definitely a positive quality. This elemental did not return to the land after the battle.
It stuck around, it followed Nissa, it watched her. And though it might not understand, it seemed to listen to her.
It had a presence, a personality. Perhaps even more.
Which is why it felt strange that it did not have a name.
"I would like to know what to call you," Nissa said, looking up through the elemental's branches to the lightening sky of a new dawn. "For times like this, when we talk, I would like to call you something. Do you have a name?"
The elemental made no move to respond, not that Nissa was expecting it to. Still . . . "If I gave you a name would that be okay?"
The elemental did not seem to resist the notion.
"Then how about Ashaya?" Nissa said. "Ashaya, the Awoken World." She had gotten the idea for the name from Hamadi. The first time Nissa had summoned the elemental, Hamadi had called Nissa "Shaya," which he said meant "Worldwaker." If she was the Worldwaker, then it only made sense that the elemental was the awoken world.
#figure(image("007_For Zendikar/04.jpg", width: 100%), caption: [Gaea's Revenge | Art by Kekai Kotaki], supplement: none, numbering: none)
The elemental's branches twisted and stretched. Nissa thought it looked as though it was trying on the name, testing it out. When its roots settled it seemed content.
"Okay then, Ashaya it is," Nissa said. The name felt right, it felt good. As the first rays of the sun's light stretched up over the horizon, she sighed. "So, Ashaya, what do we do now?"
It was a question that Nissa had been asking herself a lot lately.
What was one elf supposed to do with all this power?
One elf on this vast world . . . in an even greater Multiverse.
What was one elf supposed to do?
But then wasn't that exactly what Hamadi had been trying to tell her? She was supposed to save the world. She was supposed to use the power, use the elemental, Ashaya, and destroy the Eldrazi. Zendikar had chosen her.
But Hamadi didn't know the whole story. Zendikar had chosen Nissa once before. Back when she was very young, it had sent her visions and called for her help.
And Nissa had tried to help it.
But she had failed.
#figure(image("007_For Zendikar/05.jpg", width: 100%), caption: [Nissa's Revelation | Art by Izzy], supplement: none, numbering: none)
She had #emph[failed] .
So why had the world chosen her again?
"Truly, I'm asking you." Nissa looked to the place on Ashaya's wooden front plate where the elemental's eyes might have been, if it had eyes. "What does Zendikar expect me to do? What do you expect me to do?"
The elemental gave no sign of having heard her.
"You #emph[are] part of Zendikar, aren't you?" Nissa wanted to shake its branches, shake an answer out of its impassive wooden features. "Why are you here—with me? Of all the elves . . . all the people, the kor, the merfolk on Zendikar—you could have even picked a goblin. But me?" Nissa shook her head. "I failed. Last time you chose me, I failed. What makes you think this time will be any different? What makes you think that I'll somehow be better, stronger, more brave? This is all that I am. Right here." Nissa stretched her arms, exposing her full stature to the elemental. "This is it. And this is all I'll ever be."
Ashaya, the Awoken World, shifted; it lifted one massive hand, holding it open with its palm facing Nissa.
It was performing the same gesture, as it had countless times before. Nissa sighed "What? What does that mean?"
The elemental slowly formed a fist with its thick, branch-like fingers.
Nissa glowered. "I don't understand. I don't know what you're trying to tell me."
Ashaya pulled the fist in toward its chest, extended it again, and then, one by one, it unfurled its fingers, opening its hand palm-up.
Nissa knew that's where the gesture would end. She had seen it all before.
She had tried placing her hand in the elemental's hand. She had tried stretching out her own arm, palm up. She had guessed that it meant she was supposed to look up, to open herself, to reach out for Zendikar. And she had done all of these things. To no avail.
Ashaya made the gesture again.
"You're as stubborn as I am," Nissa said.
Ashaya tried a third time. And then a fourth.
"Enough." Nissa stopped the elemental halfway through, taking hold of its large thumb in both of her hands. With the touch, the tension went out of her own shoulders. She breathed in the smell Ashaya carried, the scent of the forest—dirt, sap, wood, and leaves. It was wonderful. It was powerful. "I'm sorry. I wish I could understand you." Her heart ached with the honesty of her longing.
Ashaya moved its other hand on top of Nissa's, clasping Nissa's small elvish hand between its two expansive branch-like ones. This was something new, something the elemental had never done before.
Nissa's heart quickened and her fingers tingled, anticipating whatever was to come.
The air between them became thick, and Nissa felt a powerful force radiating from Ashaya—and then from the valley below came a distant but desperate scream.
Both Nissa and Ashaya started. Together they turned in the direction of the cry, looking over the edge of the ridge.
A second cry pierced the dawning day, this one strangled.
"There!" Nissa pointed. Not too far off, the taut, unnaturally purple flesh of an Eldrazi shone in the early morning light.
From what Nissa could see, it looked as though the Eldrazi had just invaded a small encampment. There were at least two fires smoldering nearby, and what looked like a dozen or so tents interspersed between the trees.
Three figures had the Eldrazi surrounded; one looked like it was a kor, the other two might have been elves. The Eldrazi seemed to have trapped a fourth figure—maybe a human—under one of its bony elbows. The human cried out again.
#figure(image("007_For Zendikar/06.jpg", width: 100%), caption: [Regress | Art by Izzy], supplement: none, numbering: none)
As Nissa and Ashaya watched, the trees near the small encampment trembled. Then with three quick, echoing snaps, three trees crashed to the ground as two more Eldrazi monstrosities—one tentacled and one with too many hands—pushed their way into the encampment. Their wake of chalky corruption consumed the fallen trunks.
Three more trees gone from Zendikar forever.
The tentacled Eldrazi reached for the kor who was busy fighting back the original, purple monstrosity.
"Behind you!" Nissa called, but the wind carried her voice away from the valley.
The thickest of the Eldrazi's tentacles slashed at the back of the kor's knees, sending her to the ground and out of Nissa's line of sight. "No!"
Ashaya released Nissa's hand and Nissa raced down the back of the ridge. "This way." She tugged on the elemental, directing it to follow.
The brush was thick and there was no clear path to take. Though Nissa was proficient at moving through thick forest, her concern for the kor drove her forward faster than she should have gone. She stumbled twice on her way down, berating herself each time for losing precious seconds.
Once on level ground, Nissa oriented herself by the sun and pressed through the trees, urging Ashaya along with her. Branches slapped her face and brambles bit at her ankles, but she let each scratch remind her of the forest's strength, the strength she would wield against the Eldrazi.
#figure(image("007_For Zendikar/07.jpg", width: 100%), caption: [Forest | Art by Jonas De Roe], supplement: none, numbering: none)
By the time she and Ashaya reached the small encampment, the tents, supplies, and fallen bodies were splattered with blood and sticky with Eldrazi gore—or had been turned to hollow, chalky husks. In the center of it all the Eldrazi with taut, purple flesh was feeding on the corpse of an elf.
Nissa looked away for just long enough to swallow the bile that rose in the back of her throat, then she turned back and charged, willing Ashaya along with her.
She reached for the land under the purple Eldrazi, pulling a large swath of the ground—along with the plants, fallen branches, and other forest detritus upon it—up and away with a great yank. As the land tilted beneath it, the Eldrazi slid to the side, skidding down the small incline that Nissa had made . . . and straight into Ashaya's waiting arms.
Nissa pushed her power into the elemental as it squeezed the Eldrazi's neck, crushing whatever internal structure held the monstrosity up, until it hung limp and lifeless. At Nissa's command, Ashaya released the incapacitated Eldrazi. With a dull thud, the horror fell to the forest floor, coming to rest alongside the body of the elf.
With one Eldrazi down, Nissa pivoted, alert for the other two . . . but too late.
A thick, red tentacle closed around Ashaya's leg. The tentacled Eldrazi, now with only three tentacles—the Zendikari at the camp must have managed to sever three others—pulled itself toward the elemental.
#figure(image("007_For Zendikar/08.jpg", width: 100%), caption: [Spawnsire of Ulamog | Art by Izzy], supplement: none, numbering: none)
Rage churned in Nissa's chest. "Get away from Ashaya."
She summoned the strong, twisting roots of a nearby tree, directing them to wind around one of the Eldrazi's back tentacles. It was a tug-of-war: Nissa willed Ashaya to trudge in one direction as the roots of the tree pulled with the force of the land in the other. The Eldrazi would soon be broken, split straight through its blubbery, red flesh.
"Help!" A voice cleaved Nissa's concentration.
It had come from above. A kor—the one Nissa had seen from the ridge—was high in the branches of a tall tree. The third Eldrazi was grasping for her with eight bifurcated appendages that ended in sixteen eight-fingered hands.
The kor slashed at the nearest appendage with her hook, taking off three of the fingers at their fourth joint, but she winced in pain as she did so and collapsed on the nearest branch. She had been injured, most likely in the struggle Nissa had witnessed before. She needed help.
#figure(image("007_For Zendikar/09.jpg", width: 100%), caption: [Kor Hookmaster | Art by <NAME>], supplement: none, numbering: none)
Nissa reached out to the branches of the tree, commanding a dozen of them at a time, directing them to spool around the kor. But the barrier deterred the Eldrazi for only a moment. Each of the horror's sixteen appendages grabbed hold of one of the branches and yanked. Even the thickest of the branches snapped like a twig.
Nissa looked to Ashaya for aid, but her lack of attention on the elemental meant that the tentacled Eldrazi had had the chance to gain ground. It had overcome the tug-of-war and secured its grip around Ashaya's leg with another of its tentacles. It was pulling the elemental toward its chittering mouth.
"Help!" The kor called again. "Please!"
Nissa's heart raced. She looked from Ashaya to the kor. She couldn't be in two places at once. The fact was simple: she needed Ashaya's strength to rescue the kor. "Just hold on!"
She thrust all of her power into Ashaya, willing the elemental to pivot on its trapped leg and stomp down on the Eldrazi's tentacles with its other massive foot—once, twice, and again.
#figure(image("007_For Zendikar/10.jpg", width: 100%), caption: [Stirring Wildwood | Art by <NAME>champs], supplement: none, numbering: none)
The impacts sent Eldrazi gore flying, and the result was that the Eldrazi had only one tentacle left. The injury seemed to be enough to throw it off balance. It slithered backward, retreating into the tree line, writhing and gnashing.
Nissa didn't pause, she pulled Ashaya along with her—severed tentacles and all—to face the third, too-many-handed Eldrazi.
But it was gone.
So was the kor.
Nissa desperately searched the trees, pushing branches out of her line of sight. Where had the horror gone? Where had it taken the kor?
The sound of rustling gave it away. Nissa parted the trembling trees, exposing the Eldrazi's path. It was already several hundred yards away, skittering agilely along on fourteen appendages; it had flipped itself over to make seven of its arms into legs, and its eighth appendage was bent at an unnatural angle to hold the kor up to its feeding cavity.
White, chalky corruption was winding its way up the kor's leg.
"No!" Nissa sprinted through the trough the Eldrazi had carved between the trees, but there was no stopping it; the Eldrazi consumed the kor's life, turning her still, pale body into dust.
The dust clouded Nissa's vision and stung her eyes; she slowed, blinking back tears. There was no more she could do for the kor.
With a long exhalation, as much to clear her lungs of the memory as her mind, she picked her way back to the encampment, back to Ashaya.
She crossed a trail of corruption on her way, most likely left behind by the maimed Eldrazi with one tentacle. Nissa's heart dropped. If that Eldrazi had left the camp that meant there was nothing left for it to feed on, nothing left at all.
Soon she saw that she was right; the small clearing had been lost to Eldrazi corruption. Nissa counted five corpses, but there was no knowing how many more had already disintegrated.
#figure(image("007_For Zendikar/11.jpg", width: 100%), caption: [Contaminated Ground | Art by Christine Choi], supplement: none, numbering: none)
Ashaya stood in the center of the clearing, the only color—green and brown—against the unnatural expanse of white. The elemental appeared to be in mourning. They had lost this battle. Many had lost their lives. And the land had lost much, too. For that, Nissa was gravely sorry. But she had warned Ashaya. She had told it that she was not the right choice for Zendikar. Now it must finally see she was right.
"It's not your fault." The thin, dry voice startled Nissa. For the space of a heartbeat she thought it belonged to the elemental, but then she found the source: a vampire limping toward her from a section of thick trees. He was carrying the body of an unconscious human. "You did all you could." A few paces away from Nissa, he knelt and gently laid the human on the chalky ground.
The sight of a vampire caring so tenderly for another living being was bewildering. Nissa knitted her brow, looking from the vampire to the woman.
"Don't worry, she's not in pain," the vampire murmured. "I have made sure of that. She will pass shortly and then she can be buried," he surveyed the other chalky corpses, "with the rest." He stood, taking a step toward Nissa.
#figure(image("007_For Zendikar/12.jpg", width: 100%), caption: [Malakir Cullblade | Art by <NAME>uk], supplement: none, numbering: none)
Instinctively, she took a step back.
The vampire laughed, a low, sober laugh. "That is fair considering your history with vampires, Nissa."
Nissa drew a sharp breath. "How do you know my name? What are you—where . . . ?" She stumbled over her words, her mind reeling.
"So many questions. And I will answer them all," the vampire purred. "But first, I have a question for you. If you don't mind. Why are you still here? Why are you still on Zendikar?"
Nissa blinked, her confusion mounting.
"I would have thought you would have left long ago," the vampire said, "along with the others like you. When I took it upon myself to execute this mission, I assumed I would have to find one on the verge of sparking, one whom I could beseech before he or she had the power to walk away from this dying world. But finding a Planeswalker before the first planeswalk is even more impossible a task than it might sound."
"You know?" Nissa took another step back. The hairs on her arms stood on end. "Are you—?"
"Me? No. But I'm flattered you think that my kind has enough of a soul to nurture a spark."
"I don't think . . ."
The vampire held up his hands. "Uh, uh, no need to injure the goodwill you have just built between us. It is a solid foundation for the trust I am about to place in you."
Trust? A vampire? This creature was just as likely to be a servant of Ulamog as he was to be a slayer of elves. Nissa did not trust vampires. She grounded her feet, centered herself, and drew on the power of the land to clear her mind. "There is no goodwill between us. Give me one good reason not to end you where you stand."
"I have four very good reasons. I will give them to you in a moment. They are gifts. From Anowon."
Nissa shivered; she hadn't heard the old vampire's name in a very long time. She searched the shadows. Had he found her again? Was this an ambush?
#figure(image("007_For Zendikar/13.jpg", width: 100%), caption: [Anowon, the Ruin Sage | Art by <NAME>cott], supplement: none, numbering: none)
"Don't panic, little elf. There is no cause for concern. Anowon is not here."
"Where is he?"
"I don't know where he is. He has been gone for many years. But before he disappeared he spoke of you frequently; told me of your powers, your abilities, your spark. You are the first I thought of when I began this quest, however I never expected to find you still here. I am so very glad that I did." He pulled out a small piece of folded gray silk and offered it to her.
"What is it?" Nissa didn't touch it.
With a second display of tenderness, the vampire peeled back the topmost layer, revealing four small seeds that rolled together into the center. He pointed to each in turn. "Kolya, red mangrove, jaddi, bloodbriar."
"Bloodbriar." Nissa's heart ached at the thought of the beloved plant from her home continent, but her instincts told her that he must be lying. "But <NAME> was destroyed."
"All but this seed." The vampire carefully folded the silk back over, tucking it into itself. "You must understand what it is I am about to ask you to do, Planeswalker Nissa, you must understand how I hope that you will save Zendikar."
Nissa did. He was asking her to take the seeds . . . to another plane.
"I know it may seem an odd thing for a vampire to ask. But in these end times we will all find ourselves doing odd things. You see, I saw much of myself in the bloodbriars of <NAME>—deadly, nettled, twisted." He smiled. "So if they persist out there somewhere," he waved dismissively up toward the sky, "then in some way so too will I. So too will all the rest of us." He offered her the silk one more time. "Please, take them."
Nissa narrowed her eyes, studying the vampire. She was having trouble understanding this creature; he was not like the other vampires she had known. "You are serious?"
"Nothing could be more serious than the end of a world."
"And you believe this is the end?"
"I know it is." The vampire leaned in closer and whispered, "And so do you, Nissa."
The accusation stung. The vampire was wrong. Nissa didn't think this was the end. Zendikar was still fighting. There was still a chance. "You're wrong," she said. "These are troubled times, yes. But there are many of us who are willing to stand up and go to battle. And the land itself fights back too. You've experienced the Roil."
#figure(image("007_For Zendikar/14.jpg", width: 100%), caption: [Zendikar's Roil | Art by <NAME>], supplement: none, numbering: none)
"All valiant efforts, I am sure. Much like your effort today." The vampire swept his arm around the corrupted encampment; the woman he had carried back had since joined the ranks of the dead. "The problem is that effort is not enough. Especially when you are outnumbered as you are."
"We can change the numbers. There are three less spawn in this forest than there were this morning." Nissa countered.
"And how many more were sired across the plane today to take their place?"
Nissa started to speak, but realized she had nothing to say.
The vampire steepled his fingers. "It is not your fault. These are impossible odds. There are hundreds of thousands of Eldrazi and they will keep coming. It doesn't matter how many you kill. Not as long as the titans are still here. You are a smart elf, you know I am right. You have known for a long time."
Nissa bristled.
"I don't mean to offend. I am merely stating the facts. Even you are not powerful enough to slay a titan."
It was the truth. Nissa flushed. She had tried to tell Zendikar that she was not enough. If only it had listened.
"You are just postponing the inevitable. But you are running out of time to leave Zendikar."
"I won't—" The vampire cut Nissa off.
"You will. Which is why I am glad our paths crossed when they did." He pressed the seeds into her hand. "You are a powerful Planeswalker, and you care deeply for Zendikar. You were made for this task. Save our world, <NAME>."
She could. For the first time, Nissa felt that she could do what was being asked of her.
She took the seeds.
Immediately, her cheeks flooded with hot, guilty blood. She remembered the elemental standing behind her. She had still not adjusted to having an elemental that didn't return to the land when she ceased directing it. Ashaya had been there the whole time; it had watched her take the seeds.
Nissa turned, slowly, to face the Awoken World. The elemental stood tall above her, stoic in the face of her betrayal. The shame spread through Nissa's gut. "Wait." She looked back to the vampire . . . but he was gone. So too were the bodies of the fallen.
She made no move to search for him or pursue him. She could have, but she did not.
Instead, she stood there in the empty, corrupted camp in the shadow of the elemental, the silk turning sweaty in her palm. She could feel the lives of the seeds within, the trees they might someday become—each of them a small part of Zendikar. So why should she feel guilty for wanting to save them?
"Why shouldn't I at least try?" She looked to Ashaya. "I've been telling you all this time that I can't do what you want me to do." She paused, but of course Ashaya had no response. "But this, this is something I can do. At least this way you'll know," she tucked the silk into her pocket, "you'll know that Zendikar goes on. That will have to be enough."
Ashaya reached out, holding its open palm toward Nissa. Then the elemental formed a fist and pulled it in toward its chest before extending its hand again and slowly unfurling each finger.
"I still don't understand," Nissa whispered. "Maybe someone else will."
Nissa's words didn't stop Ashaya; the elemental preformed the gesture a second time.
As it began a third repetition, Nissa pushed on it, willing it to return back to the land, back to Zendikar. It was time.
But the elemental did not heed Nissa's direction. Its roots did not twist into the ground, its branches did not buckle.
#figure(image("007_For Zendikar/15.jpg", width: 100%), caption: [Ashaya, the Awoken World | Art by Raymond Swanland], supplement: none, numbering: none)
Nissa pushed harder. "Go."
Ashaya inched closer to Nissa and stretched out its hand, performing the gesture yet again.
"Enough." Nissa gathered her strength and directed it at the elemental, forcing it away.
But it merely stood there, reaching and grasping, and opening its palm to the sky.
"Why do you keep doing that? I don't understand," Nissa said. "I don't understand what that means." She mimicked Ashaya's movement. "What is this?"
As Ashaya made a fist and pulled it into its chest, so too did Nissa. "Yes I see this, but . . . ." Nissa's breath hitched. She had just unfurled her first finger, and streaming out from it was a glowing green line, one that dove down into the land on the far side of the corruption and then emerged again further on, winding around trees and twisting through the leaves of plants. It shimmered with power.
Not daring to breathe, Nissa unfurled her second finger. Another line appeared. This one extending in a slightly different direction then shooting upward and weaving through the tallest branches of the forest.
Three more fingers, three more powerful connections. The world opened up before Nissa, glowing green and radiating power. These were the leylines; Nissa had heard of their power, the power of the land, of Khalni Heart, the power that flowed through the whole world.
#figure(image("007_For Zendikar/16.jpg", width: 100%), caption: [Khalni Heart Expedition | Art by <NAME>], supplement: none, numbering: none)
A final leyline streamed out from her skyward-facing palm. This was the thickest of the lines, with the girth of a sturdy root. It stretched from Nissa's palm out to Ashaya, winding in and out of the roots and branches that formed the elemental's chest, arms, and legs. This was the line that connected Nissa to all that Ashaya was, this was the line that connected her to Zendikar's soul.
#emph[One.]
It was not a word—not spoken aloud—rather it was a feeling that came to Nissa from Ashaya.
#emph[One.]
The glowing, green power spread then from Nissa's palm up her arm and into her chest, and she understood. This power, these connections, they had been here all this time, they were what Ashaya had been trying to show Nissa. Now Nissa knew how to look.
Nissa moved her fingers one by one, feeling out the network. It was as though she had hundreds of new appendages, fingers that were trees, brambles for fists, the land itself for her arms and legs. The force of Zendikar surged through her . . . and pulsed from within her.
#emph[One.]
She had been wrong. Hamadi had been wrong. Zendikar had not asked her to do this alone. It had not chosen her; there had been no choice to make. She was part of the world, connected to it like every other living thing. A tree does not choose a branch, the branch is merely part of the tree; it is one with the tree. When the tree grows, when the tree bends, or when the tree falls . . . so too does the branch. And when the branch rustles, when it sprouts leaves or bears fruit, so too does the tree. Nissa could not be chosen by Zendikar and she could not choose Zendikar, for she was one with Zendikar.
As long as Zendikar was in danger, so too was Nissa. And as long as the world was fighting back, so too would Nissa. Without question. Without hesitation.
#emph[For Zendikar.] The sentiment radiated out from Ashaya.
"For Zendikar." Nissa's voice cracked.
#emph[For Zendikar!] Ashaya's conviction filled Nissa and the glowing leylines that ran through her bubbled up with power.
"For Zendikar!" she cried
The whole world lit up, reflecting Nissa's intensity as she charged into the forest.
#figure(image("007_For Zendikar/17.jpg", width: 100%), caption: [Leyline of Vitality | Art by <NAME>], supplement: none, numbering: none)
She ran alongside the trail of corruption that had been made by the tentacled Eldrazi as it left the encampment; she had a target for her passion.
After just a few steps, it was clear that the forest was an utterly new place . . . and it was incredible.
Though she had run through the trees countless times before, she had never experienced anything like this. #emph[This,] Nissa thought, #emph[is what it's like to be truly bonded to the land.]
The world reacted to her presence. Each time one of her feet landed, it was on a clear patch of ground. Holes that might turn her ankle closed. Roots that might trip her instead cradled her foot and then launched her forward, propelling her to the next bramble that would spring her toward a branch, which would catch her and swing her to a gentle landing on a bed of moss. This was what it was like to be one with Zendikar.
Ashaya loped along at Nissa's side, her presence a given—Nissa did not need to exert any energy to will the elemental to move, nor to direct her on a path, for Ashaya knew. She knew where Nissa would go, she knew what Nissa needed, she knew what Nissa felt.
Ashaya knew Nissa's remorse.
And she knew Nissa's determination to make the world safe so that one day she could plant the seeds she now carried in Zendikar's own soil.
The vampire had been right to give Nissa the seeds. He had also been right that Nissa could save Zendikar. But he had been wrong that she would have to leave. He had been wrong to think that she could not destroy the titan. With the force of the world behind her, with the power of Zendikar coursing through her, there was nothing that she could not do.
She looked to Ashaya. The two felt the same. Bold. Powerful. Ready. Together they were enough.
A rock face parted to let Nissa through, revealing the tentacled Eldrazi. The monstrosity, undeterred by the fact that it only had one remaining tentacle, was skittering across a bed of flowers, leaving corruption in its wake.
No more.
Nissa rushed forward. Pieces of the rock face—the land along with the brambles and moss that grew on it—came along with her, tracing the glowing leylines that flowed through her arms, aligning themselves with her movements, becoming extensions of her own form.
#figure(image("007_For Zendikar/18.jpg", width: 100%), caption: [Vastwood Zendikon | Art by <NAME>], supplement: none, numbering: none)
#emph[One.]
When her feet hit the corruption behind the Eldrazi, Nissa wound up to strike. The land formed a spear around her hand, glowing from within. Beside her, Ashaya mirrored her movements. Their blows were focused, sure . . . and deadly. The spear of land sliced through the Eldrazi just as Ashaya's fist smashed its bony plate.
The horror let out a final deflating chitter as it collapsed.
It would never harm another blade of Zendikar's grass.
Nissa stood above its fallen form, her breath coming in great gasps. Not because she was tired—because she was invigorated, because she wanted more. It was time to stand up. It was time to fight. It was time to save the world.
Ashaya understood what Nissa felt; Nissa could feel the elemental, too. She lowered her massive hand, resting it on the ground just in front of Nissa's feet, open, inviting.
As Nissa stepped onto the elemental's branch-like finger, a gust of glowing green power swirled up around her, filling her to overflowing. "For Zendikar!" she cried.
Ashaya lifted Nissa and placed the elf in the saddle formed by the two thick wooden horns on the top of her head. The glowing leylines responded, weaving from Ashaya through Nissa and back. The lines secured Nissa as Ashaya took off, surging through the forest, one giant stride after another.
They were on the hunt . . . and their prey was an Eldrazi titan.
Nissa spread her arms wide, sending a call down the lines that ran out from her fingers.
#figure(image("007_For Zendikar/19.jpg", width: 100%), caption: [Groundswell | Art by <NAME>n], supplement: none, numbering: none)
In answer, an army of baloth-sized elementals took shape. They fell in alongside Nissa and Ashaya, joining the charge, joining the fight to save their world.
|
|
https://github.com/Maso03/Bachelor | https://raw.githubusercontent.com/Maso03/Bachelor/main/Bachelorarbeit/chapters/Bedeutung3D.typ | typst | MIT License | == Bedeutung für die Entwicklung von 3D-Avataren
Die Entwicklung von 3D-Avataren hat in den letzten Jahren durch den Einsatz fortschrittlicher Modelle und Technologien wie ConvAI und GenAI erheblich an Bedeutung gewonnen. Diese Technologien haben das Potenzial, die Interaktion zwischen Nutzern und digitalen Systemen grundlegend zu verbessern. Insbesondere die Verwendung von Transformers, die als Basis für viele moderne KI-Modelle dienen, spielt dabei eine entscheidende Rolle.
=== Verbesserte Benutzererfahrung
3D-Avatare, die auf fortschrittlicher KI basieren, können eine weitaus intuitivere und ansprechendere Benutzererfahrung bieten als herkömmliche Hilfesysteme. Durch den Einsatz von ConvAI können diese Avatare natürliche und menschenähnliche Konversationen führen, was die Interaktion für den Nutzer erheblich erleichtert und angenehmer gestaltet. Ein Avatar, der in der Lage ist, verbale Erläuterungen zu geben, Bedienungsanleitungen zu präsentieren und unterstützende Videos abzuspielen, stellt eine bedeutende Verbesserung gegenüber textbasierten Hilfesystemen dar.
=== Technologische Integration
Die Integration fortschrittlicher generativer KI-Technologien (GenAI) wie Generative Adversarial Networks (GANs), Variational Autoencoders (VAEs) und Transformers spielen eine Rolle bei der Entwicklung realistischer und interaktiver 3D-Avatare. Diese Technologien bieten vielfältige Möglichkeiten zur Verbesserung der visuellen Qualität und der Interaktionsfähigkeiten von Avataren.
Transformers werden bei der Entwicklung des 3D-Avatars eine zentrale Rolle spielen, da sie es ermöglichen, komplexe Sprachmuster zu analysieren und zu generieren. Dies ist entscheidend für die Entwicklung eines Avatars, der in der Lage ist, natürliche und kontextbezogene Konversationen zu führen.
=== Effizienz und Skalierbarkeit
Ein weiterer wesentlicher Vorteil der Verwendung von ConvAI und GenAI in 3D-Avataren ist die Effizienz. Durch die Möglichkeit, große Mengen an Daten zu verarbeiten und zu analysieren, können diese Avatare schnell und präzise auf Anfragen reagieren. Darüber hinaus ermöglicht die Parallelisierbarkeit dieser Technologien eine schnelle Skalierung, was besonders wichtig ist, wenn der Avatar in verschiedenen Softwareanwendungen und Branchen eingesetzt werden soll.
=== Einfluss auf Geschäftsmodelle
Die Entwicklung und Implementierung von 3D-Avataren hat das Potenzial, Geschäftsmodelle grundlegend zu verändern. Unternehmen können durch den Einsatz solcher Avatare nicht nur die Benutzererfahrung verbessern, sondern auch betriebliche Effizienz steigern und neue Interaktionsmöglichkeiten mit Kunden schaffen. Dies erfordert jedoch eine Anpassung und Neuausrichtung bestehender Geschäftsmodelle, um die Vorteile dieser Technologie voll ausschöpfen zu können.
=== Zukunftsaussichten
Die Bedeutung von 3D-Avataren wird in Zukunft weiter zunehmen, da immer mehr Unternehmen die Vorteile dieser Technologie erkennen und implementieren. Die fortschreitende Entwicklung in den Bereichen ConvAI und GenAI wird die Fähigkeiten und Anwendungen von 3D-Avataren weiter verbessern und erweitern. Dies eröffnet neue Möglichkeiten für innovative und effiziente Benutzererfahrungen in verschiedensten Branchen und Anwendungsbereichen.
Insgesamt zeigt sich, dass die Entwicklung von 3D-Avataren, unterstützt durch ConvAI und GenAI, eine vielversprechende Zukunft hat und eine zentrale Rolle bei der digitalen Transformation und der Verbesserung der Benutzerinteraktion spielen wird.
|
https://github.com/Carraro-Riccardo/Thesis | https://raw.githubusercontent.com/Carraro-Riccardo/Thesis/main/template/template.typ | typst | #import "./coverPage.typ": coverPage
#let template(
body
) = {
show heading.where(
level: 1
): it => {
set text(size: 1.5em)
it
v(1em, weak: true)
}
show heading.where(
level: 2
): it => {
set text(size: 1.2em)
v(0.5em, weak: false)
it
v(1em, weak: true)
}
show heading.where(
level: 3
): it => {
set text(size: 1.1em)
it
v(1em, weak: true)
}
show: coverPage
set page(
numbering: "1",
number-align: center,
paper: "a4",
margin: (x: 3cm, y: 2.5cm),
)
set heading(
numbering: "1.1",
)
set list(
marker: ([•], [--]),
)
set enum(
numbering: "1a)",
)
set table(
fill: (_, row) => if row == 0 { luma(220) },
stroke: 0.5pt + luma(140),
)
show link: set text(fill: blue)
show outline.entry.where(
level: 1
): it => {
v(6pt)
strong(it)
}
show "TODO": it => [
#box(
stroke: red,
inset: 0.15em,
text("Riferimento assente", fill: red, weight: "bold")
)
]
let lastVisitedOn(date) = {
if (date.at(2) < 99) { date.at(2) += 2000 }
text("(ultimo accesso " + datetime(year: date.at(2), month: date.at(1), day: date.at(0)).display("[day]/[month]/[year]") + ")", size: 0.8em, style: "italic", fill: luma(100))
}
show figure.where(kind: table): set figure(supplement: "Tabella")
// Page header
set page(
header: locate(loc => {
text(
0.75em,
if counter(page).at(loc).first() > 1 [
#h(1fr)
#line(length: 100%, stroke: 0.25pt)
]
)
}),
margin: (x: 3cm, y: 2.5cm),
)
set text(size: 13pt)
// Index of contents
page(numbering: none)[
#outline(
title: "Indice dei contenuti",
depth: 4,
indent: true
)
]
pagebreak()
show outline.entry.where(
level: 1
): it => {
set text(weight: "extralight")
v(-6pt)
it
}
// Index of images
page(numbering: none)[
#outline(
title: "Indice delle immagini",
target: figure.where(kind: image)
)
]
pagebreak()
// Index of tables
page(numbering: none)[
#outline(
title: "Indice delle tabelle",
target: figure.where(kind: table)
)
]
pagebreak()
// Prepare regex for glossary terms matching
let glossary = json("/glossario.json");
let glossaryRegex = ()
let regexSeparator = "(\b|$)|(\b|$)"
for term in glossary.keys() {
glossaryRegex.push(term)
glossaryRegex.push(lower(term))
if glossary.at(term).acronyms.len() > 0 {
glossaryRegex.push(glossary.at(term).acronyms.join(regexSeparator))
glossaryRegex.push(lower(glossary.at(term).acronyms.join(regexSeparator)))
}
if glossary.at(term).synonyms.len() > 0 {
glossaryRegex.push(glossary.at(term).synonyms.join(regexSeparator))
glossaryRegex.push(lower(glossary.at(term).synonyms.join(regexSeparator)))
}
}
glossaryRegex = glossaryRegex.dedup().sorted().rev().join(regexSeparator)
// Highlight glossary terms
show regex(
glossaryRegex
): it => {
it
h(0.03em)
text(
fill: luma(100),
sub(emph("G"))
)
h(0.02em)
}
// Body
set par(
justify: true
)
counter(page).update(1)
body
pagebreak()
show regex(
"\bG\b"
): it => {
""
}
set heading(
level: 1,
numbering: none,
)
show heading.where(
level: 1
): it => {
set text(size: 14pt)
it
v(1em, weak: true)
}
show heading.where(
level: 2
): it => {
set text(size: 12pt)
it
v(1em, weak: true)
}
[= Acronimi e abbreviazioni]
let acronyms = json("/acronimi.json");
let previousTerm = acronyms.keys().at(0)
heading(
level: 1,
outlined: false,
previousTerm.at(0)
)
v(-1em)
line(length: 100%)
for term in acronyms.keys() {
if (term.at(0) != previousTerm.at(0)) {
heading(
level: 1,
outlined: false,
term.at(0)
)
v(-1em)
line(length: 100%)
}
[#strong(term): #text(acronyms.at(term)). \ ]
previousTerm = term
}
pagebreak()
[= Glossario]
let previousTerm = glossary.keys().at(0)
heading(
level: 1,
outlined: false,
previousTerm.at(0)
)
v(1em)
line(length: 100%)
v(-1em)
for term in glossary.keys() {
if (term.at(0) != previousTerm.at(0)) {
heading(
level: 1,
outlined: false,
term.at(0)
)
v(-1em)
line(length: 100%)
v(-1em)
}
heading(
level: 2,
outlined: false,
if glossary.at(term).acronyms.len() > 0 {
term + " (" + glossary.at(term).acronyms.join(", ") + ")"
}
else {
term
}
)
text(
glossary.at(term).description
)
previousTerm = term
}
pagebreak()
[= Bibliografia e sitografia]
let bibliography = json("/bibliografia_sitografia.json");
let previousTerm = bibliography.keys().at(0)
heading(
level: 1,
outlined: false,
previousTerm.at(0)
)
v(-1em)
line(length: 100%)
for term in bibliography.keys() {
if (term.at(0) != previousTerm.at(0)) {
heading(
level: 1,
outlined: false,
term.at(0)
)
v(-1em)
line(length: 100%)
}
[- #eval(bibliography.at(term).description, mode: "markup") \ #link(bibliography.at(term).url) #lastVisitedOn(bibliography.at(term).date) \ \ ]
previousTerm = term
}
}
#let showImageWithSource(imagePath: "", imageWidth: auto, caption: "", source: "",label: "") = {
[
#figure(
align(center,image(imagePath, width: imageWidth)),
caption: [#caption],
supplement: "Immagine",
numbering: (_) => [#counter(heading).get().at(0)] + "." + [#counter(figure.where(kind: image)).display()],
)#label
#if source != "" [
#v(-1.7em)
#set par(justify: false)
#align(center, text("\nFonte: " + link(source)))
]
]
} |
|
https://github.com/jonathan-iksjssen/jx-style | https://raw.githubusercontent.com/jonathan-iksjssen/jx-style/main/0.2.0/catppuccin.typ | typst | // https://catppuccin.com/palette
// CONVERTED TO TYPST COLOUR LIBRARY by joniksj
#let ctp-latt = (
rosewater: rgb("#dc8a78"),
flamingo: rgb("#dd7878"),
pink: rgb("#ea76cb"),
mauve: rgb("#8839ef"),
red: rgb("#d20f39"),
maroon: rgb("#e64553"),
peach: rgb("#fe640b"),
yellow: rgb("#df8e1d"),
green: rgb("#40a02b"),
teal: rgb("#179299"),
sky: rgb("#04a5e5"),
sapphire: rgb("#209fb5"),
blue: rgb("#1e66f5"),
lavender: rgb("#7287fd"),
text: rgb("#4c4f69"),
subtext1: rgb("#5c5f77"),
subtext0: rgb("#6c6f85"),
overlay2: rgb("#7c7f93"),
overlay1: rgb("#8c8fa1"),
overlay0: rgb("#9ca0b0"),
surface2: rgb("#acb0be"),
surface1: rgb("#bcc0cc"),
surface0: rgb("#ccd0da"),
base: rgb("#eff1f5"),
mantle: rgb("#e6e9ef"),
crust: rgb("#dce0e8"),
)
#let ctp-frap = (
rosewater: rgb("#f2d5cf"),
flamingo: rgb("#eebebe"),
pink: rgb("#f4b8e4"),
mauve: rgb("#ca9ee6"),
red: rgb("#e78284"),
maroon: rgb("#ea999c"),
peach: rgb("#ef9f76"),
yellow: rgb("#e5c890"),
green: rgb("#a6d189"),
teal: rgb("#81c8be"),
sky: rgb("#99d1db"),
sapphire: rgb("#85c1dc"),
blue: rgb("#8caaee"),
lavender: rgb("#babbf1"),
text: rgb("#c6d0f5"),
subtext1: rgb("#b5bfe2"),
subtext0: rgb("#a5adce"),
overlay2: rgb("#949cbb"),
overlay1: rgb("#838ba7"),
overlay0: rgb("#737994"),
surface2: rgb("#626880"),
surface1: rgb("#51576d"),
surface0: rgb("#414559"),
base: rgb("#303446"),
mantle: rgb("#292c3c"),
crust: rgb("#232634"),
)
#let ctp-macc = (
rosewater: rgb("#f4dbd6"),
flamingo: rgb("#f0c6c6"),
pink: rgb("#f5bde6"),
mauve: rgb("#c6a0f6"),
red: rgb("#ed8796"),
maroon: rgb("#ee99a0"),
peach: rgb("#f5a97f"),
yellow: rgb("#eed49f"),
green: rgb("#a6da95"),
teal: rgb("#8bd5ca"),
sky: rgb("#91d7e3"),
sapphire: rgb("#7dc4e4"),
blue: rgb("#8aadf4"),
lavender: rgb("#b7bdf8"),
text: rgb("#cad3f5"),
subtext1: rgb("#b8c0e0"),
subtext0: rgb("#a5adcb"),
overlay2: rgb("#939ab7"),
overlay1: rgb("#8087a2"),
overlay0: rgb("#6e738d"),
surface2: rgb("#5b6078"),
surface1: rgb("#494d64"),
surface0: rgb("#363a4f"),
base: rgb("#24273a"),
mantle: rgb("#1e2030"),
crust: rgb("#181926"),
)
#let ctp-moch = (
rosewater: rgb("#f5e0dc"),
flamingo: rgb("#f2cdcd"),
pink: rgb("#f5c2e7"),
mauve: rgb("#cba6f7"),
red: rgb("#f38ba8"),
maroon: rgb("#eba0ac"),
peach: rgb("#fab387"),
yellow: rgb("#f9e2af"),
green: rgb("#a6e3a1"),
teal: rgb("#94e2d5"),
sky: rgb("#89dceb"),
sapphire: rgb("#74c7ec"),
blue: rgb("#89b4fa"),
lavender: rgb("#b4befe"),
text: rgb("#cdd6f4"),
subtext1: rgb("#bac2de"),
subtext0: rgb("#a6adc8"),
overlay2: rgb("#9399b2"),
overlay1: rgb("#7f849c"),
overlay0: rgb("#6c7086"),
surface2: rgb("#585b70"),
surface1: rgb("#45475a"),
surface0: rgb("#313244"),
base: rgb("#1e1e2e"),
mantle: rgb("#181825"),
crust: rgb("#11111b"),
)
// JUST THE ACCENT COLOURS
#let ctp-latt-comp = (
rosewater: ctp-latt.rosewater,
flamingo: ctp-latt.flamingo,
pink: ctp-latt.pink,
mauve: ctp-latt.mauve,
red: ctp-latt.red,
maroon: ctp-latt.maroon,
peach: ctp-latt.peach,
yellow: ctp-latt.yellow,
green: ctp-latt.green,
teal: ctp-latt.teal,
sky: ctp-latt.sky,
sapphire: ctp-latt.sapphire,
blue: ctp-latt.blue,
lavender: ctp-latt.lavender,
)
#let ctp-frap-comp = (
rosewater: ctp-frap.rosewater,
flamingo: ctp-frap.flamingo,
pink: ctp-frap.pink,
mauve: ctp-frap.mauve,
red: ctp-frap.red,
maroon: ctp-frap.maroon,
peach: ctp-frap.peach,
yellow: ctp-frap.yellow,
green: ctp-frap.green,
teal: ctp-frap.teal,
sky: ctp-frap.sky,
sapphire: ctp-frap.sapphire,
blue: ctp-frap.blue,
lavender: ctp-frap.lavender,
)
#let ctp-macc-comp = (
rosewater: ctp-macc.rosewater,
flamingo: ctp-macc.flamingo,
pink: ctp-macc.pink,
mauve: ctp-macc.mauve,
red: ctp-macc.red,
maroon: ctp-macc.maroon,
peach: ctp-macc.peach,
yellow: ctp-macc.yellow,
green: ctp-macc.green,
teal: ctp-macc.teal,
sky: ctp-macc.sky,
sapphire: ctp-macc.sapphire,
blue: ctp-macc.blue,
lavender: ctp-macc.lavender,
)
#let ctp-moch-comp = (
rosewater: ctp-moch.rosewater,
flamingo: ctp-moch.flamingo,
pink: ctp-moch.pink,
mauve: ctp-moch.mauve,
red: ctp-moch.red,
maroon: ctp-moch.maroon,
peach: ctp-moch.peach,
yellow: ctp-moch.yellow,
green: ctp-moch.green,
teal: ctp-moch.teal,
sky: ctp-moch.sky,
sapphire: ctp-moch.sapphire,
blue: ctp-moch.blue,
lavender: ctp-moch.lavender,
) |
|
https://github.com/Myriad-Dreamin/typst.ts | https://raw.githubusercontent.com/Myriad-Dreamin/typst.ts/main/fuzzers/corpora/meta/bibliography_01.typ | typst | Apache License 2.0 |
#import "/contrib/templates/std-tests/preset.typ": *
#show: test-page
// Test unconventional order.
#set page(width: 200pt)
#bibliography(
"/assets/files/works.bib",
title: [Works to be cited],
style: "chicago-author-date",
)
#line(length: 100%)
As described by #cite(<netwok>, form: "prose"),
the net-work is a creature of its own.
This is close to piratery! @arrgh
And quark! @quark
|
https://github.com/mcarifio/explore.typst | https://raw.githubusercontent.com/mcarifio/explore.typst/main/src/typst-notes.typ | typst | = mcarifio learns typst
#let author="<NAME> <<EMAIL>>"
== TODOs
+ how to include other files?
|
|
https://github.com/ludwig-austermann/typst-din-5008-letter | https://raw.githubusercontent.com/ludwig-austermann/typst-din-5008-letter/main/lib/envelope.typ | typst | MIT License | #import "helpers.typ"
#let envelope-styling(
theme-color: navy,
text-params: (size: 12pt, font: "Source Sans Pro"),
margin: 15mm,
background: none,
foreground: none,
) = {(
theme-color: theme-color,
text-params: text-params,
margin: margin,
background: background,
foreground: foreground,
)}
#let envelope-sizes = (
"C6": (height: 114mm, width: 162mm, window-margin-bottom: 15mm),
"DL": (height: 110mm, width: 220mm, window-margin-bottom: 15mm),
"C6/C5": (height: 114mm, width: 229mm, window-margin-bottom: 15mm),
"C5A": (height: 162mm, width: 229mm, window-margin-bottom: 77mm),
"C5B": (height: 162mm, width: 229mm, window-margin-bottom: 60mm),
"C4A": (height: 324mm, width: 229mm, window-margin-bottom: 229mm),
"C4B": (height: 324mm, width: 229mm, window-margin-bottom: 212mm),
)
#let envelope(
envelope-format: "DL",
sender-zone: [],
frank-zone: [],
read-zone: [],
encoding-zone: [],
styling-options: envelope-styling(),
debug: false,
) = {
if styling-options.margin < 15mm {
panic("The margin shouldn't be smaller than 15mm.")
}
if not envelope-sizes.keys().contains(envelope-format) {
panic("Only the sizes: `" + envelope-sizes.keys().join("`, `") + "` are supported.")
}
let sizes = envelope-sizes.at(envelope-format)
set page(
height: sizes.height,
width: sizes.width,
margin: 0pt,
background: styling-options.background,
foreground: styling-options.foreground,
)
let (font-size: font-size, lang: lang, styling: styling-options) = helpers.default-font-handler(styling-options)
set text(..styling-options.text-params)
place(top + left, block(
stroke: if debug { red } else { none }, width: 100% - 74mm, height: 40mm, clip: true,
sender-zone
))
place(top + right, block(
stroke: if debug { red } else { none }, width: 74mm, height: 40mm, clip: true,
frank-zone
))
place(top + left, dx: styling-options.margin, dy: 40mm, block(
stroke: if debug { red } else { none }, width: 100% - 2 * styling-options.margin, height: 100% - 55mm, clip: true,
read-zone
))
place(bottom + right, block(
stroke: if debug { red } else { none }, width: 150mm, height: 15mm, clip: true,
encoding-zone
))
if debug {
place(bottom + left, dx: 20mm, dy: -sizes.window-margin-bottom, rect(
stroke: (paint: red, dash: "dashed"), width: 90mm, height: 45mm
))
}
} |
https://github.com/alireza-hariri/my-cv | https://raw.githubusercontent.com/alireza-hariri/my-cv/main/README.md | markdown | # my-cv
let's play with [typst](https://github.com/typst/typst) as an alternative to latex.
we will be using [modern-cv](https://github.com/DeveloperPaul123/modern-cv/tree/main) template for a resume
# Install tools
#### 1. install typst (on windows):
```
winget install --id Typst.Typst
```
#### 2. download fontawsome (free version) -> right-click the .otf files and select Install:
```
https://fontawesome.com/download
```
#### 3. install the `typst LSP` VSCode extension
# make a project
### method-1 (from template)
#### create a new project with the template
```
typst init @preview/modern-cv:0.6.0 my-cv
```
#### compile to test everything is ok
```
typst compile .\resume.typ
```
#### if you need to customize the template
- copy the `lib.typ` and `lang.tomol` file from modern-cv template to the project directory
- replace the import line with `#import "./lib.typ": *`
### method-2
#### clone this repo!
# learn typst syntax
official: https://typst.app/docs/tutorial/
example: https://github.com/alkeryn/cv/
|
|
https://github.com/anntnzrb/ccpg1036 | https://raw.githubusercontent.com/anntnzrb/ccpg1036/main/asgmts/prac01/docs/template.typ | typst | #let project(
title: "", authors: (), date: none, logo: "assets/espol_logo.png", body,
) = {
// basic properties
set document(author: authors.map(a => a.name), title: title)
set page(paper: "us-letter", numbering: "1 ", number-align: end)
set text(font: "New Computer Modern", lang: "es")
// paragraphs
show par: set block(above: 2em, below: 2em)
set heading(numbering: "1.1.")
set par(leading: 0.75em)
// title page
v(0.5fr)
if logo != none {
image("assets/espol_logo.png", width: 90%)
}
v(10em)
text(weight: 500, "Escuela Superior Politécnica del Literal - PAO I 2024")
v(1mm)
text(1.1em, date)
v(1.2em, weak: true)
text(2em, weight: 700, title)
v(0.5mm)
text(weight: 500, "CCPG1036 - Análisis de Algoritmos")
v(0.1mm)
text(weight: 500, "Paralelo 2/102")
// authors
pad(
top: 0.7em, right: 20%, grid(
columns: (1fr,) * calc.min(3, authors.len()), gutter: 1em, ..authors.map(author => align(start)[
*#author.name* \
#author.email \
#author.affiliation
]),
),
)
v(2.4fr)
pagebreak()
// table of contents
outline(depth: 3, indent: true)
pagebreak()
// main body
set par(justify: true, leading: 1.5em)
set text(hyphenate: false)
body
} |
|
https://github.com/ckunte/m-one | https://raw.githubusercontent.com/ckunte/m-one/master/inc/_pub.typ | typst | #figure(
image("/img/apple-touch-icon-orig.png", width: 9%),
)
m-one
First (draft) edition #datetime.today().display("[year]")
m-one is a monograph authored between c. 2010--24. Its source and compilation may be downloaded from the repository at #link("https://github.com/ckunte/m-one")[github.com/ckunte/m-one].
Feedback is welcome at the #link("https://github.com/ckunte/m-one/issues")[m-one:issues] page.
$ * $
MIT License
Copyright #sym.copyright #datetime.today().display("[year]") C KUNTE
Permission is hereby granted, free of charge, to any person obtaining a copy of this document and associated code (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
// 971-1-XXXXXX-XX-X
|
|
https://github.com/Student-Smart-Printing-Service-HCMUT/ssps-docs | https://raw.githubusercontent.com/Student-Smart-Printing-Service-HCMUT/ssps-docs/main/contents/categories/task5/5.1.typ | typst | Apache License 2.0 | #pagebreak()
= Implementation - Sprint 2
== Thiết kế ERD cho hệ thống
#figure(caption: "ERD của hệ thống", image("../../images/ERD.png"))
*Mô tả ERD*: SSPS bao gồm 5 kiểu thực thể chính *_student, printer_manager, printer, bill, printing request_*. Kiểu thực thể *Student* có các thuộc tính mã sinh viên, tên sinh viên, email, mật khẩu, số coin được gửi mặc định trong mỗi học kỳ và số coin còn lại trong mỗi thời diểm. Kiểu thực thể *printer-manager* cũng có các thuộc tính mã người quản lý, tên quản lý, email, mật khẩu, những nơi mà người quản lý máy in. Kiểu Thực thể *printer (máy in)* có các thuộc tính mã máy in, nhãn hiệu, mô tả, vị trí,... Kiểu thực thể *bill (hóa đơn)* có các thuộc tính mã hóa đơn, giá trị, ngày tạo hóa đơn, tên file, máy in phụ trách, mã sinh viên. Kiểu thực thể *printing-request* có các thuộc tính như mã yêu cầu, thông tin file, số copy, kích cỡ và các thuộc tính bổ sung. Một người quản lý có thể quản lý một hoặc nhiều máy in. Nhưng một máy in chỉ được quản lý bởi 1 nhân viên quản lý. Một sinh viên có thể không đặt in hoặc đặt in một hoặc nhiều đơn yêu cầu cho nên họ phải chi trả một hoặc nhiều hóa đơn. Một máy in có thể được sử dụng để xử lý một hoặc nhiều đơn yêu cầu của sinh viên và ghi lại thời gian bắt đầu và kết thúc việc in ấn.
|
https://github.com/davidcarayon/cv-typst | https://raw.githubusercontent.com/davidcarayon/cv-typst/main/cv-fr.typ | typst | #import "@preview/modern-cv:0.3.1": *
#show: resume.with(
author: (
firstname: "David",
lastname: "CARAYON",
email: "<EMAIL>",
phone: "(+33) 6 64 66 90 60",
website: "https://dcarayon.fr",
github: "davidcarayon",
linkedin: "15/10/1994",
address: "8 Lotissement L'entrada 33650 CABANAC-ET-VILLAGRAINS",
positions: (
"Ingénieur d'études",
"Statisticien",
"Data Scientist",
(fa-icon("r-project", font : "Font Awesome 6 Brands")),
(fa-icon("python", font : "Font Awesome 6 Brands")),
(fa-database()),
(fa-icon("git-alt", font : "Font Awesome 6 Brands")),
(fa-icon("github", font : "Font Awesome 6 Brands")),
(fa-icon("gitlab", font : "Font Awesome 6 Brands")),
),
),
date: datetime.today().display(),
language: "fr",
profile-picture: image("./dc_square.png"),
colored-headers: true,
)
#set text(
font: "Avenir"
)
= Expériences
#resume-entry(
title: "Statisticien",
location: "Bordeaux, France",
date: "2019 - Present",
description: "Unité de recherche ETTIS (UR 1456)",
)
#resume-item[
- Administration de pipelines de données pour de nombreux projets de recherche, allant de la collecte de la donnée au rapport final en passant par sa gestion, son nettoyage et son traitement statistique (analyses exploratoires, modélisation statistique, analyses multivariées, machine learning)
- Transformation de données brutes en informations utiles et outils interfactifs par le biais de packages, d'applications (R Shiny) et de documentations associées
- Conception et administration d'une base de données PostgreSQL contenant les diagnostics de durabilité de près de 800 exploitations agricoles adossée à une plateforme web et un package R
- Traitement de données d'enquêtes par questionnaires et par entretiens (données qualitatives, analyses de texte)
- Appui transversal au personnel de l'unité : Revues de code, stratégie d'analyse de données pour le montage de projets, statistiques, encadrement de stagiaires et animation de formations internes aux bonnes pratiques (Programmation R reproductible, Science ouverte, PGD et dataverse)
- Participation à des projets informatiques via des réseaux métier INRAE (CATI) : Développement agile, Gitlab CI/CD, Docker & Kubernetes
- Animation de la communication interne / externe de l'unité (site web de l'unité, relai communication avec l'extérieur) et participation active au groupe de travail "Gestion des données"
]
#resume-entry(
title: "Biostatisticien",
location: "Bordeaux, France",
date: "2017-2019",
description: "Unité de recherche EABX (CDD)",
)
#resume-item[
- Manipulation et requêtage SQL de large bases de données (BDD Pandore) et mise en place d'algorithmes de traitement adaptés (analyses multivariées, modélisation, algorithme TITAN2)
- Valorisation des résultats via des packages R (calculs d'indicateurs), des applications Shiny et par la rédaction de rapports techniques, d'articles scientifiques et de présentations lors de colloques internationaux
- Appui méthodologique et technique aux agents de l'unité (programmation R, statistiques)
]
= Compétences
#resume-skill-item(
"Programmation",
(strong("R"),strong("Python"), strong("SQL"),"Git","Github Actions", "Gitlab CI/CD", "Docker", "ODK"),
// (fa-icon("r-project", font : "Font Awesome 6 Brands"), fa-icon("python", font : "Font Awesome 6 Brands"),fa-database() ,fa-icon("docker", font : "Font Awesome 6 Brands"),fa-icon("git-alt", font : "Font Awesome 6 Brands"), fa-icon("gitlab", font : "Font Awesome 6 Brands"), fa-icon("github", font : "Font Awesome 6 Brands")),
)
#resume-skill-item(
"Frameworks",
(strong("Tidyverse"), strong("Shiny"), "PostgreSQL", "data.table", "pola.rs", "gt", "targets","renv","sf"),
)
#resume-skill-item(
"Software",
(strong("VSCode/Positron + Quarto"), "Rstudio", "DBeaver", "Jupyter", "Zotero", "Suite office", "QGIS"),
)
#resume-skill-item("Langages parlés", (strong("Anglais (bilingue)"), "Espagnol (scolaire)"))
// = Sélection de projets
// #resume-entry(
// title: "Data.Interventions",
// location: [#globe-link("https://projet-swym.fr/data.interventions")],
// date: "2023-Present",
// description: "Pipeline de données et Machine learning pour la prédiction des noyades",
// )
// #resume-item[
// - Déploiement d'une solution de collecte numérique de données issues d'interventions de sauveteurs dans les Landes via Open Data Kit (ODK) dans une BDD PostgreSQL (Datacenter INRAE)
// - Développement d'un pipeline CI/CD complet collectant la donnée puis la mettant en forme dans une BDD SQLite
// - Développement d'une application R Shiny pour le reporting automatisé de l'activité des sauveteurs
// - Entraînement en parallèle d'un modèle de machine learning (xGBoost) pour prédire les journées à haut risque
// ]
// #resume-entry(
// title: "IDEATools",
// location: github-link("davidcarayon/IDEATools"),
// date: "2019 - Present",
// description: "Indicateurs de Durabilité des Exploitations Agricoles (IDEA4)",
// )
// #resume-item[
// - Développement et publication sur le CRAN du package R rendant la méthode opérationnelle
// - Conception et administration de la BDD IDEA4 compilant les données de 800 diagnostics d'exploitations agricoles
// ]
// #resume-entry(
// title: "Shiny Kubernetes Service (SK8)",
// location: globe-link("https://sk8.inrae.fr"),
// date: "2022 - Present",
// description: "Service institutionnel pour le déploiement scalable d'applications Shiny",
// )
// #resume-item[
// - Conceptions d'applications Shiny de saisie de données avec interactions API Gitlab, manipulation de containers (Docker) via CI/CD
// ]
= Formation et Certifications
#resume-entry(
title: "Certification Datacamp",
location: "https://app.datacamp.com/",
date: "2022-2024",
description: "Data Scientist with Python and R",
)
#resume-entry(
title: "Université de Bordeaux",
location: "Bordeaux",
date: "2015-2017",
description: "Master Biodiversité et Suivis Environnementaux",
)
#resume-entry(
title: "INU Champollion",
location: "Albi",
date: "2012-2015",
description: "Lience Biologie et Sciences de L'environnement",
)
#pagebreak()
= Sélection de productions
== Articles dans des revues à comité de lecture
- *<NAME>.*, <NAME>., <NAME>., and <NAME>. “A New Multimetric Index for the Evaluation of Water Ecological Quality of French Guiana Streams Based on Benthic Diatoms.” *Ecological Indicators*, vol. 113, pp. 10–11, 2020, doi: 10.1016/j.ecolind.2020.106248.
- *<NAME>.*, <NAME>., and <NAME>. “Defining a New Autoecological Trait Matrix for French Stream Benthic Diatoms.” *Ecological Indicators*, vol. 103, pp. 650–658, 2019, doi: 10.1016/j.ecolind.2019.03.055.
- <NAME>., *et al.* “Decadal Biodiversity Trends in Rivers Reveal Recent Community Rearrangements.” *Science of the Total Environment*, vol. 823, pp. 153431–153432, Feb. 2022, doi: 10.1016/j.scitotenv.2022.153431.
- <NAME>., *et al.* “Assessing Farm Sustainability: The IDEA4 Method, a Conceptual Framework Combining Dimensions and Properties of Sustainability.” *Cahiers Agricultures*, vol. 33, pp. 10–11, Mar. 2024, doi: 10.1051/cagri/2024001.
- <NAME>., <NAME>., <NAME>., and *<NAME>.* “Restoring Surface Water Quality: Quantitative Assessment of the Performance of Agrienvironmental Trajectories for Mitigating Pesticide Concentrations.” Apr. 2024. Available: https://hal.science/hal-04580036
- <NAME>., *<NAME>.*, <NAME>., <NAME>., and <NAME>. “Analyse Compréhensive de la Performance Globale des Exploitations Agricoles en Circuits Courts et de Proximité.” *Economie Rurale*, no. 382, pp. 17–36, Dec. 2022, doi: 10.4000/economierurale.10568.
- <NAME>., *et al.* “Environmental Controls on Lifeguard-Estimated Surf-Zone Hazards, Beach Crowds, and Resulting Life Risk at a High-Energy Sandy Beach in Southwest France.” *Natural Hazards*, Oct. 2023, doi: 10.1007/s11069-023-06250-0.
- <NAME>., <NAME>., *<NAME>.*, <NAME>., and <NAME>. “The Role of Surfers in Beach Safety Management: Insights from French Respondents to a Global Surfer Survey.” *Ocean and Coastal Management*, vol. 248, Feb. 2024, doi: 10.1016/j.ocecoaman.2023.106973.
#linebreak()
== Communications dans des congrès internationaux
- *<NAME>.*, <NAME>., <NAME>., <NAME>., and <NAME>. “Using Machine Learning to Predict Drownings in Surf Beaches of Southwest France.” *World Conference on Drowning Prevention*, Perth, Australia, Dec. 2023. Available: https://hal.inrae.fr/hal-04342633
- *<NAME>.*, <NAME>., <NAME>. “The SK8 project : A scalable institutional architecture for managing and hosting Shiny applications” *Shiny in Production*, Newcastle, England, Oct. 2024.
- *<NAME>.*, and <NAME>. “Élaboration d'un Nouveau Référentiel Autoécologique pour la Flore Diatomique Française.” *37ᵉ Colloque de l'ADLaF*, Meise, Belgium, Sep. 2018, pp. 17. Available: https://hal.inrae.fr/hal-02609488
- *<NAME>.*, <NAME>., <NAME>., and <NAME>. “Évaluation de l'État Écologique des Cours d'Eau de Guyane: L'Indice Diatomique pour la Guyane Française (IDGF).” *38ᵉ Colloque de l'ADLaF*, Metz, France, Sep. 2019, pp. 30. Available: https://hal.inrae.fr/hal-02609842
- <NAME>., *et al.* “SK8: Un Service Institutionnel de Gestion et d'Hébergement d'Applications Shiny.” Available: https://hal.inrae.fr/hal-04141247@
#linebreak()
== Ouvrages
- <NAME>., *et al.* La Méthode IDEA4. Indicateurs de Durabilité des Exploitations Agricoles. Principes & Guide d'Utilisation. Évaluer la Durabilité de l'Exploitation Agricole. *Educagri*, 2023, pp. 336–337. Available: https://hal.inrae.fr/hal-04152921
|
|
https://github.com/ngoetti/knowledge-key | https://raw.githubusercontent.com/ngoetti/knowledge-key/master/README.md | markdown | MIT License | # Knowledge-Key
This is a typst template for a compact cheat-sheet.
## Usage
You can use this template in the Typst web app by clicking "Start from template" on the dashboard and searching for `knowledge-key`.
Alternatively, you can use the CLI to kick this project off using the command
```
typst init @preview/knowledge-key
```
Typst will create a new directory with all the files needed to get you started.
## Configuration
This template exports the `ieee` function with the following named arguments:
- `title`: The title of the cheat-sheet
- `authors`: A string of authors
The function also accepts a single, positional argument for the body of the
paper.
The template will initialize your package with a sample call to the `knowledge-key`
function in a show rule. If you want to change an existing project to use this
template, you can add a show rule like this at the top of your file:
```typ
#import "@preview/knowledge-key:1.0.0": *
#show: knowledge-key.with(
title: [Title],
authors: "Author1, Author2"
)
// Your content goes below.
```
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/017_Dragons%20of%20Tarkir.typ | typst | #import "@local/mtgset:0.1.0": conf
#show: doc => conf("Dragons of Tarkir", doc)
#include "./017 - Dragons of Tarkir/001_A Tarkir of Dragons.typ"
#include "./017 - Dragons of Tarkir/002_The Great Teacher's Student.typ"
#include "./017 - Dragons of Tarkir/003_Sorin's Restoration.typ"
#include "./017 - Dragons of Tarkir/004_The Guardian.typ"
#include "./017 - Dragons of Tarkir/005_The Poisoned Heart.typ"
#include "./017 - Dragons of Tarkir/006_The Call.typ"
#include "./017 - Dragons of Tarkir/007_Unbroken and Unbowed.typ"
|
|
https://github.com/wenzlawski/typst-cv | https://raw.githubusercontent.com/wenzlawski/typst-cv/main/modules/extracurricular.typ | typst | Apache License 2.0 | #import "../brilliant-CV/template.typ": *
#cvSection("Positions of Responsibility")
#cvEntry(
title: [Student Lecturer],
society: [Manchester Data Science Society],
date: [09/2022 - 07/2023],
location: [Manchester, UK],
description: list(
[Taught a class of 25 university students basic quantitative and algorithmic stock analysis in Python and Julia.],
[Composed and directed on campus advertising campaign with a budget, raising club membership by 20%.],
[]
),
tags: ()
)
#cvEntry(
title: [Programme Associate],
society: [AccelerateME Startup Accelerator],
date: [09/2022 - 07/2023],
location: [Manchester, UK],
description: list(
[Organised workshops and speaker events as part of a 10 week startup programme hosting 12 startups and 30 participants, covering marketing, finance, legal, and operations.],
[Coordinated a team of five volunteers as part of workshops.],
[]
)
)
#cvEntry(
title: [Chair of Society Growth],
society: [AKPsi Business Society],
date: [09/2022 - 07/2023],
location: [Manchester, UK],
description: list(
[Analyze fundraising and social media data to identify trends and opportunities for growth],
[Create data visualizations and dashboards to communicate insights to the board of directors],
[Collaborate with other volunteers to develop and implement data-driven strategies]
)
)
|
https://github.com/rytst/strang | https://raw.githubusercontent.com/rytst/strang/main/charged-ieee/main.typ | typst | #import "@preview/charged-ieee:0.1.2": ieee
#show: ieee.with(
title: [3年後期ゼミ資料],
authors: (
(
name: "<NAME>",
email: "<EMAIL>"
),
),
bibliography: bibliography("refs.bib"),
)
= Introduction
$bold("Definition") 1.1$
n次正方行列 $A in RR^(n times n)$ に対して、
\
\
$
A A^(-1) = A^(-1) A = E_n
$
\
を満たす正方行列 $A^(-1) in RR^(n times n)$ が存在するとき $A$ は可逆行列という.
ただし、$E_n$ は $n times n$ の単位行列である.
\
$bold("Definition" 1.2)$
- 階段行列とは以下のような行列 $B$ のことである.
ある整数 $r >= 1$ があって、$B$ の第1行から第 $r$ 行までの各行は $bold("ピボット")$ とよばれる数1を含み、
次の条件 (1) - (3) を満たす.
(1) $B$ の第(r + 1)行から最後の行までの各行において、すべての成分が0.
(2) $B$ の第1行から第 $r$ 行までの各行では、ピボットより左の成分はすべて0.
(3) $B$ の第 $i$ 行 のピボットが含まれる列の番号を $p_i$ とすると、$p_1 < p_2 < dots.h.c < p_r$ であり、$B$ の第 $p_i$ 列ではピボット以外の成分はすべて0.
- ここで、零行列 $O$ も階段行列であるとする.
例: $mat(
0, 1, 0, 0;
0, 0, 1, 1;
0, 0, 0, 0;
0, 0, 0, 0;
), mat(
1, 0, 0, 0;
0, 0, 1, 0;
0, 0, 0, 1;
0, 0, 0, 0;
), mat(
1, 1, 0, 0;
0, 0, 1, 0;
0, 0, 0, 1;
)$
\
= Exercise @strang
== Exercise 6
真か偽か(真ならば理由を説明し、偽ならば反例をあげよ)
\
(a) 正方行列には自由変数はない.
偽: (反例)
$A = mat(
1, 2;
2, 4;
), bold(b) = mat(
0;
0;
)$ について考える.
$bold(x) = mat(
x_1;
x_2;
) in RR^2$, とする.
ここで $A bold(x) = bold(b)$ を解く.
$A bold(x) = mat(
x_1 + 2 x_2;
2 x_1 + 4 x_2;
)$
であるから、
$mat(
x_1 + 2 x_2;
2 x_1 + 4x_2
) = mat(
0;
0;
)$ を解けば良い. これを解くと
$
bold(x) = mat(
x_1;
x_2;
) = mat(
-2c;
c;
)
$ となる. ただし、$c in RR$ である. ここで、$c$ は自由変数であるから、これは命題(a)に対する反例である.
\
(b) 可逆行列には自由変数はない.
真: (理由)
$A in RR^(n times n), bold(x) in RR^n, bold(b) in RR^n$ とする.
ここで $A$ は可逆行列とする.
$A$ は可逆行列であるから、ある $A^(-1)$ が存在して、
$
A^(-1) A = E_n
$
が成り立つ.
ここで、
$
A bold(x) = bold(b)
$ <axb>
を解く.
左から @axb の両辺に $A^(-1)$ をかけると
$
bold(x) = A^(-1) bold(b)
$
となる. ここで、$A^(-1), bold(b)$ はそれぞれ定数行列、定数ベクトルであるから、
解 $bold(x)$ はただ一つに定まり、自由変数を含まない.
\
(c) $m times n$ 行列に含まれるピボットは高々$n$個である.
真: (理由)
Definition 1.2 の (3) より、1つの列に複数個のピボットは存在しないため、行列のそれぞれの列に存在するピボットの数は1以下となる. 行列の列の数は $n$ であるから $m times n$ 行列に含まれるピボットは高々$n$個である.
\
(d) $m times n$ 行列に含まれるピボットは高々$m$個である.
真: (理由)
Definition 1.2 の (2) より、1つの行に複数個のピボットは存在しない. 実際、1つの行に複数個のピボットが存在するとする. この行ベクトルを $bold(v)$ とする. $bold(v)$ の１つ目のピボットを $bold(v)_i$ とする. ここで $i < j$ を満たすピボットを $bold(v)_j$ とする. しかしこれは、$bold(v_j)$ の左にピボット $bold(v_i)$ が存在しており、Definition 1.2 の (2) に矛盾する. よって、1つの行に複数個のピボットは存在しないので、それぞれの行に含まれるピボットの個数は1以下となる. 行列の行の数は $m$ であるから、$m times n$ 行列に含まれるピボットは高々 $m$ 個である. |
|
https://github.com/csimide/SEU-Typst-Template | https://raw.githubusercontent.com/csimide/SEU-Typst-Template/master/seu-thesis/pages/title-page-degree-en-fn.typ | typst | MIT License | #import "../utils/fonts.typ": 字体, 字号
#let title-en-conf(
author: (CN: "王东南", EN: "<NAME>", ID: "012345"),
thesis-name: (
CN: "硕士学位论文",
EN: [
A Thesis submitted to \
Southeast University \
For the Academic Degree of Master of Touching Fish
],
heading: "东南大学硕士学位论文",
),
title: (
CN: "摸鱼背景下的Typst模板使用研究",
EN: "A Study of the Use of the Typst Template During Touching Fish",
),
advisors: (
(CN: "湖牌桥", EN: "<NAME>", CN-title: "教授", EN-title: "Prof."),
(
CN: "苏锡浦",
EN: "<NAME>",
CN-title: "副教授",
EN-title: "Associate Prof.",
),
),
school: (
CN: "摸鱼学院",
EN: "School of Touchingfish",
),
date: (
CN: (
defend-date: "2099年01月02日",
authorize-date: "2099年01月03日",
finish-date: "2024年01月15日",
),
EN: (
finish-date: "Jan 15, 2024",
),
),
anonymous: false,
) = page(
margin: (top: 3cm, bottom: 2cm, left: 2cm, right: 2cm),
numbering: none,
header: none,
footer: none,
{
set par(first-line-indent: 0pt)
set align(center)
block(text(font: 字体.宋体, size: 24pt, weight: "bold", upper(title.EN)))
v(1cm)
set text(font: 字体.宋体, size: 16pt, weight: "regular")
set par(leading: 1.5em)
set block(spacing: 1.8cm)
block(
height: 100% - 160pt,
grid(
rows: (auto, 1fr, auto, 1fr, auto, 1fr, auto),
thesis-name.EN,
[],
"BY" + "\n" + author.EN,
[],
"Supervised by" + "\n" + advisors.map(it => it.EN-title + " " + it.EN).join("\n and \n"),
[],
school.EN + "\n" + "Southeast University" + "\n" + date.EN.finish-date,
),
)
},
)
#title-en-conf(
author: (CN: "王东南", EN: "<NAME>", ID: "012345"),
thesis-name: (
CN: "硕士学位论文",
EN: [
A Thesis submitted to \
Southeast University \
For the Academic Degree of Master of Touching Fish
],
heading: "东南大学硕士学位论文",
),
title: (
CN: "摸鱼背景下的Typst模板使用研究",
EN: "A Study of the Use of the Typst Template During Touching Fish",
),
advisors: (
(CN: "湖牌桥", EN: "<NAME>", CN-title: "教授", EN-title: "Prof."),
(
CN: "苏锡浦",
EN: "SU Xi-pu",
CN-title: "副教授",
EN-title: "Associate Prof.",
),
),
school: (
CN: "摸鱼学院",
EN: "School of Touchingfish",
),
date: (
CN: (
defend-date: "2099年01月02日",
authorize-date: "2099年01月03日",
finish-date: "2024年01月15日",
),
EN: (
finish-date: "Jan 15, 2024",
),
),
anonymous: false,
) |
https://github.com/pedrofp4444/BD | https://raw.githubusercontent.com/pedrofp4444/BD/main/report/content/[5] Implementação Física/implementaçãoPFG.typ | typst | #let implementaçãoPFG = {
[
== Implementação de procedimentos, funções e gatilhos
Como forma de automatizar e simplificar processos dentro do contexto do sistema de gestão da base de dados, foram definidos alguns gatilhos, funções e procedimentos. De seguida, evidenciam-se os mesmos, assim como a explicação para a sua implementação.
\
A função "CalcularEstimativaDeRoubo" permite ao sistema calcular rapidamente quantos quilogramas de minério foram roubados de um terreno, recebendo, para o efeito, apenas o ID do terreno em questão. Desta forma, a função devolve a subtração do minério previsto pelo minério realmente coletado. Esta função revela-se bastante útil uma vez que simplifica todo o processo de seleção e cálculo envolvido neste contexto e é usada, por exemplo, pelo procedimento "CriarCasoETornarSuspeitos" (evidenciado posteriormente).
#align(center)[
#figure(
kind: image,
caption: [Função que calcula a estimativa de roubo de um caso.],
block(
fill: rgb("#f2f2eb"),
inset: 8pt,
```sql
DELIMITER $$
CREATE FUNCTION CalcularEstimativaDeRoubo(p_Terreno_ID INT)
RETURNS INT
DETERMINISTIC
BEGIN
DECLARE v_Estimativa_De_Roubo INT;
-- Obter o minério previsto e coletado para o terreno especificado
SELECT (Minério_previsto - Minério_coletado) INTO v_Estimativa_De_Roubo
FROM Terreno WHERE Terreno_ID = p_Terreno_ID;
RETURN v_Estimativa_De_Roubo;
END $$
DELIMITER ;
```
)
)
]
Para facilitar a visualização da idade dos utilizadores, decidimos criar a função "CalcularIdade". Esta função calcula a idade atual a partir da data de nascimento fornecida. A função é utilizada na vista "FuncionariosEmTerrenos" para apresentar a idade de um funcionário de forma clara.
#align(center)[
#figure(
kind: image,
caption: [Função que calcula a idade através de uma data de nascimento.],
block(
fill: rgb("#f2f2eb"),
inset: 8pt,
```sql
DELIMITER $$
CREATE FUNCTION CalcularIdade(Data_de_nascimento DATE)
RETURNS INT DETERMINISTIC
BEGIN
DECLARE idade INT;
-- Calcula a idade considerando apenas o ano
SET idade = YEAR(CURDATE()) - YEAR(Data_de_nascimento);
-- Ajusta a idade se o aniversário ainda não ocorreu este ano
IF (MONTH(CURDATE()) < MONTH(Data_de_nascimento)) OR
(MONTH(CURDATE()) = MONTH(Data_de_nascimento) AND DAY(CURDATE()) < DAY(Data_de_nascimento)) THEN
SET idade = idade - 1;
END IF;
RETURN idade;
END $$
DELIMITER ;
```
)
)
]
\
O gatilho "AtualizarDataEncerramento" é responsável por atribuir uma data de encerramento a um determinado caso que tenha encerrado recentemente. Assim sendo, a partir das suas tabelas OLD e NEW, é possível perceber, registo a registo, se houve uma atualização do estado de um certo caso para "Fechado" e, em caso afirmativo, atribui-se a data atual, usando a função CURDATE(), à data de encerramento do mesmo. Desta forma, este gatilho acaba por eliminar a necessidade da atribuição manual de uma data de encerramento a um determinado caso, sempre que o mesmo se dá como concluído. Isto promove uma maior abstração no contexto de manipulação de casos no que toca à interação dos utilizadores com a base de dados.
#align(center)[
#figure(
kind: image,
caption: [Gatilho responsável por atualizar a data de encerramento de um caso.],
block(
fill: rgb("#f2f2eb"),
inset: 8pt,
```sql
DELIMITER $$
CREATE TRIGGER AtualizarDataEncerramento
BEFORE UPDATE ON Caso
FOR EACH ROW
BEGIN
IF NEW.Estado = 'Fechado' AND OLD.Estado != 'Fechado' THEN
SET NEW.Data_de_encerramento = CURDATE();
END IF;
END $$
DELIMITER ;
```
)
)
]
\
O procedimento "CriarCasoETornarSuspeitos" tem como propósito automatizar o processo de criação de um caso relativo a um terreno e aos seus trabalhadores. O mesmo recebe o ID de um terreno e abre um caso, marcando todos os funcionários do mesmo como suspeitos. Para tal, faz uso da tabela trabalha, da qual consegue recolher todos os funcionários que lá trabalham, e cria um novo suspeito, por cada funcionário, com os atributos estado, envolvimento e notas já pré-definidos.
#align(center)[
#figure(
kind: image,
caption: [Procedimento que automatiza a atribuição de suspeitos a um novo caso.],
block(
fill: rgb("#f2f2eb"),
inset: 8pt,
```sql
DELIMITER $$
CREATE PROCEDURE CriarCasoETornarSuspeitos(
IN p_Terreno_ID INT,
IN p_Data_de_abertura DATE
)
BEGIN
DECLARE v_Caso_ID INT;
DECLARE EXIT HANDLER FOR SQLEXCEPTION
BEGIN
-- Em caso de erro, reverter todas as operações
ROLLBACK;
END;
START TRANSACTION;
-- Insere um novo caso
INSERT INTO Caso (Data_de_abertura, Estado, Estimativa_de_roubo, Data_de_encerramento, Terreno_ID)
VALUES (p_Data_de_abertura, 'Aberto', CalcularEstimativaDeRoubo(p_Terreno_ID), NULL, p_Terreno_ID);
-- Obter o último ID do caso inserido
SET v_Caso_ID = LAST_INSERT_ID();
-- Seleciona todos os funcionários que trabalham no terreno especificado
INSERT INTO Suspeito (Funcionário_ID, Caso_ID, Estado, Envolvimento, Notas)
SELECT t.Funcionário_ID, v_Caso_ID, 'Em Investigação', 3, 'Funcionário estava presente no terreno no dia do roubo'
FROM Trabalha t
WHERE t.Terreno_ID = p_Terreno_ID;
COMMIT;
END $$
DELIMITER ;
```
)
)
]
]
} |
|
https://github.com/LDemetrios/Typst4k | https://raw.githubusercontent.com/LDemetrios/Typst4k/master/src/test/resources/suite/model/document.typ | typst | // Test document and page-level styles.
--- document-set-title ---
#set document(title: [Hello])
What's up?
--- document-set-author-date ---
#set document(author: ("A", "B"), date: datetime.today())
--- document-date-bad ---
// Error: 21-28 expected datetime, none, or auto, found string
#set document(date: "today")
--- document-author-bad ---
// Error: 23-29 expected string, found integer
#set document(author: (123,))
What's up?
--- document-set-after-content ---
// Document set rules can appear anywhere in top-level realization, also after
// content.
Hello
#set document(title: [Hello])
--- document-constructor ---
// Error: 2-12 can only be used in set rules
#document()
--- document-set-in-container ---
#box[
// Error: 4-32 document set rules are not allowed inside of containers
#set document(title: [Hello])
]
--- issue-4065-document-context ---
// Test that we can set document properties based on context.
#show: body => context {
let all = query(heading)
let title = if all.len() > 0 { all.first().body }
set document(title: title)
body
}
#show heading: none
= Top level
--- issue-4769-document-context-conditional ---
// Test that document set rule can be conditional on document information
// itself.
#set document(author: "Normal", title: "Alternative")
#context {
set document(author: "Changed") if "Normal" in document.author
set document(title: "Changed") if document.title == "Normal"
}
|
|
https://github.com/Karolinskis/KTU-typst | https://raw.githubusercontent.com/Karolinskis/KTU-typst/main/mainPages/TableOfContents.typ | typst | #show outline: it => {
show heading: set align(center)
it
}
#page(
header: none,
number-align: right,
numbering: "1")[
#outline(title: "Turinys")
] |
|
https://github.com/jassielof/typst-templates | https://raw.githubusercontent.com/jassielof/typst-templates/main/upsa-bo/estudio-de-factibilidad/template/capítulos/1.introducción.typ | typst | MIT License | = Introducción
== Prefacio
== Antecedentes
== Planteamiento del Problema
== Objetivos
=== General
=== Específicos
== Límites
=== Límites Geográficos o Espaciales
=== Límites Temporal
=== Sustantivo
== Justificación
=== Justificación Social
=== Justificación Empresarial
=== Justificación Académica
== Diseño Metodológico
=== Tipos de Investigación
=== Metódica
==== Fuentes de Información Primaria
==== Fuentes de Información Secundarias
==== Instrumentos para la Recopilación de la Información Primaria
==== Métodos de Recopilación de la Información Primaria
== Cronograma de Trabajo
=== Diagrama de la Ruta Crítica (Critical Path Method)
#pagebreak()
== Tabla de Contenido Preliminar
#{
show outline.entry.where(level: 1): it => strong(it)
show outline.entry.where(level: 2): it => strong(emph(it))
show outline.entry.where(level: 3): it => emph(it)
outline(
title: none,
target: selector(heading.where(numbering: "1.")),
indent: 1em
)
} |
https://github.com/ClazyChen/Table-Tennis-Rankings | https://raw.githubusercontent.com/ClazyChen/Table-Tennis-Rankings/main/history/2010/MS-09.typ | typst |
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Men's Singles (1 - 32)",
table(
columns: 4,
[Ranking], [Player], [Country/Region], [Rating],
[1], [MA Long], [CHN], [3264],
[2], [ZHANG Jike], [CHN], [3142],
[3], [WANG Hao], [CHN], [3134],
[4], [MA Lin], [CHN], [3108],
[5], [WANG Liqin], [CHN], [3073],
[6], [BOLL Timo], [GER], [3041],
[7], [SAMSONOV Vladimir], [BLR], [3019],
[8], [XU Xin], [CHN], [3019],
[9], [JOO Saehyuk], [KOR], [2962],
[10], [HAO Shuai], [CHN], [2939],
[11], [CHEN Qi], [CHN], [2910],
[12], [MIZUTANI Jun], [JPN], [2871],
[13], [MAZE Michael], [DEN], [2791],
[14], [OVTCHAROV Dimitrij], [GER], [2785],
[15], [APOLONIA Tiago], [POR], [2751],
[16], [GAO Ning], [SGP], [2743],
[17], [TANG Peng], [HKG], [2731],
[18], [RYU Seungmin], [KOR], [2725],
[19], [CHUANG Chih-Yuan], [TPE], [2717],
[20], [KISHIKAWA Seiya], [JPN], [2716],
[21], [KO Lai Chak], [HKG], [2700],
[22], [SMIRNOV Alexey], [RUS], [2694],
[23], [CHTCHETININE Evgueni], [BLR], [2684],
[24], [LEE Jungwoo], [KOR], [2684],
[25], [<NAME>], [HKG], [2646],
[26], [<NAME>], [ROU], [2644],
[27], [OH Sangeun], [KOR], [2640],
[28], [<NAME>], [GER], [2637],
[29], [<NAME>], [SLO], [2620],
[30], [<NAME>], [AUT], [2618],
[31], [YOSHIDA Kaii], [JPN], [2614],
[32], [HOU Yingchao], [CHN], [2610],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Men's Singles (33 - 64)",
table(
columns: 4,
[Ranking], [Player], [Country/Region], [Rating],
[33], [SKACHKOV Kirill], [RUS], [2607],
[34], [SEO Hyundeok], [KOR], [2591],
[35], [GIONIS Panagiotis], [GRE], [2590],
[36], [KREANGA Kalinikos], [GRE], [2584],
[37], [JIANG Tianyi], [HKG], [2578],
[38], [JEOUNG Youngsik], [KOR], [2576],
[39], [YOON Jaeyoung], [KOR], [2575],
[40], [UEDA Jin], [JPN], [2575],
[41], [KIM Junghoon], [KOR], [2554],
[42], [<NAME>], [SWE], [2553],
[43], [<NAME>], [CRO], [2546],
[44], [<NAME>], [CZE], [2534],
[45], [<NAME>], [QAT], [2531],
[46], [KIM Minseok], [KOR], [2530],
[47], [CHEN Weixing], [AUT], [2520],
[48], [PROKOPCOV Dmitrij], [CZE], [2513],
[49], [<NAME>], [KOR], [2496],
[50], [SALIFOU Abdel-Kader], [FRA], [2479],
[51], [<NAME>], [IND], [2470],
[52], [<NAME>], [JPN], [2469],
[53], [<NAME>], [ESP], [2468],
[54], [<NAME>], [GER], [2467],
[55], [GERELL Par], [SWE], [2461],
[56], [<NAME>], [POR], [2458],
[57], [<NAME>], [HUN], [2457],
[58], [RUBTSOV Igor], [RUS], [2449],
[59], [CHEUNG Yuk], [HKG], [2448],
[60], [CHAN Kazuhiro], [JPN], [2448],
[61], [LEE Jungsam], [KOR], [2448],
[62], [KORBEL Petr], [CZE], [2447],
[63], [KIM Hyok Bong], [PRK], [2441],
[64], [FEJER-<NAME>], [GER], [2439],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Men's Singles (65 - 96)",
table(
columns: 4,
[Ranking], [Player], [Country/Region], [Rating],
[65], [<NAME>u], [DOM], [2438],
[66], [PETO Zsolt], [SRB], [2435],
[67], [<NAME>], [BEL], [2435],
[68], [<NAME>], [POL], [2432],
[69], [<NAME>], [RUS], [2428],
[70], [<NAME>], [CHN], [2424],
[71], [<NAME>], [JPN], [2422],
[72], [<NAME>], [ARG], [2421],
[73], [<NAME>], [AUT], [2416],
[74], [<NAME>], [HUN], [2413],
[75], [<NAME>], [FRA], [2405],
[76], [<NAME>], [TPE], [2394],
[77], [<NAME>], [SVK], [2394],
[78], [<NAME>], [KOR], [2390],
[79], [<NAME>wu], [CRO], [2385],
[80], [<NAME>], [GER], [2384],
[81], [WU Chih-Chi], [TPE], [2382],
[82], [<NAME>], [CZE], [2381],
[83], [LEGOUT Christophe], [FRA], [2381],
[84], [<NAME>], [KOR], [2373],
[85], [HENZELL William], [AUS], [2372],
[86], [SVENSSON Robert], [SWE], [2370],
[87], [<NAME>], [JPN], [2367],
[88], [<NAME>], [CRO], [2361],
[89], [<NAME>], [SWE], [2360],
[90], [<NAME>], [SRB], [2359],
[91], [BLASZCZYK Lucjan], [POL], [2359],
[92], [<NAME>], [EGY], [2358],
[93], [<NAME>], [MEX], [2356],
[94], [<NAME>], [PRK], [2355],
[95], [<NAME>], [SGP], [2352],
[96], [<NAME>], [ESP], [2351],
)
)#pagebreak()
#set text(font: ("Courier New", "NSimSun"))
#figure(
caption: "Men's Singles (97 - 128)",
table(
columns: 4,
[Ranking], [Player], [Country/Region], [Rating],
[97], [<NAME>], [SGP], [2347],
[98], [<NAME>], [RUS], [2345],
[99], [TAKAKIWA Taku], [JPN], [2337],
[100], [<NAME>], [SVK], [2334],
[101], [<NAME>], [KOR], [2326],
[102], [<NAME>], [SVK], [2325],
[103], [<NAME>], [CZE], [2321],
[104], [MONTEIRO Thiago], [BRA], [2321],
[105], [TSUBOI Gustavo], [BRA], [2319],
[106], [<NAME>], [HKG], [2318],
[107], [<NAME>], [DEN], [2317],
[108], [<NAME>], [SRB], [2317],
[109], [<NAME>], [GER], [2314],
[110], [<NAME>], [FRA], [2312],
[111], [<NAME>], [PRK], [2304],
[112], [BURGIS Matiss], [LAT], [2300],
[113], [<NAME>], [UAE], [2296],
[114], [LIVENTSOV Alexey], [RUS], [2293],
[115], [<NAME>], [GER], [2291],
[116], [<NAME>], [JPN], [2288],
[117], [<NAME>], [SVK], [2288],
[118], [<NAME>], [JPN], [2287],
[119], [KOSOWSKI Jakub], [POL], [2287],
[120], [OYA Hidetoshi], [JPN], [2279],
[121], [KASAHARA Hiromitsu], [JPN], [2277],
[122], [<NAME>], [SGP], [2277],
[123], [CHIANG Peng-Lung], [TPE], [2277],
[124], [PLATONOV Pavel], [BLR], [2275],
[125], [<NAME>], [KOR], [2275],
[126], [<NAME>], [SVK], [2274],
[127], [<NAME>], [TPE], [2272],
[128], [<NAME>], [PAR], [2267],
)
) |
|
https://github.com/poopsicles/algorithms-complexities | https://raw.githubusercontent.com/poopsicles/algorithms-complexities/main/insertion.typ | typst | #set text(font: "New Computer Modern", size: 14pt)
#set page(paper: "a4")
#align(right, box([
#set text(size: 25pt)
*Sorting Algorithms - Insertion Sort*
#set text(size: 18pt)
CSC 413 - _Algorithms & Complexity Analysis_
#line(length: 100%)
_<NAME>_ - 19CD026583
_<NAME>_ - 20CD028223
_<NAME>_ - 20CD028233
_<NAME>_ - 20CD028243
_<NAME>_ - 20CD028253
_First Okonkwo_ - 20CD028263
_<NAME>_ - 20CD028273
_<NAME>_ - 20CG028033
_<NAME>_ - 20CG028043
_<NAME>_ - 20CG028053
_<NAME>_ - 20CG028063
_<NAME>_ - 20CG028073
_<NAME>_ - 20CG028083
_<NAME>_ - 20CG028093
_<NAME>_ - 20CG028103
_<NAME>_ - 20CG028123
_<NAME>_ - 20CG028133
_<NAME>_ - 20CG028143
]))
#pagebreak(weak: true)
#set page(header: align(right)[_Sorting Algorithms - Insertion Sort_])
= Description
The insertion sort algorithm was formally defined by <NAME> in 1946, in
the first published discussion of computer sorting - _The Theory and Techniques for Design of Electronic Digital Computers_ @thocp.
However, its use predates computing as it is a natural way for humans to sort
items - when people manually sort cards in a hand, most use a method that is
similar to insertion sort @algo.
Its efficient for tiny sets of data and is stable (it does not change the
relative order of equal keys). In addition to these, it also sorts elements "in
place" -- without allocating extra memory.
It works by iterating through the elements in the array and growing the final
sorted version by comparing each element to the largest value in the sorted
sub-list (which would be the previous element) and placing them in the correct
order.
= Example
Consider an example array:
#align(
center,
[
A = #box(
baseline: 30%,
table(columns: (auto, auto, auto, auto, auto), [3], [1], [4], [2], [5]),
)
],
)
+ Initially, the first two elements - `A[0]` and `A[1]` are compared:
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, red, white, white, white),
[3],
[1],
[4],
[2],
[5],
)
])
Here, 3 is greater than 1, hence they are not in the ascending order and `A[1]`
is not at its correct position.
Thus, swap 1 and 3 - making our sorted sub-list now comprise of the first two
elements.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, white, white, white),
[1],
[3],
[4],
[2],
[5],
)
])
+ Now, we compare the next two elements - `A[1]` and `A[2]`:
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, red, white, white),
[1],
[3],
[4],
[2],
[5],
)
])
4 is already greater than 3, so we continue on.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, silver, white, white),
[1],
[3],
[4],
[2],
[5],
)
])
+ We compare the next two, `A[2]` and `A[3]`:
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, silver, red, white),
[1],
[3],
[4],
[2],
[5],
)
])
We swap 4 and 2, as they're not in order.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, red, silver, white),
[1],
[3],
[2],
[4],
[5],
)
])
After swapping, 3 and 2 are still not in order, so we swap them too.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, red, silver, silver, white),
[1],
[2],
[3],
[4],
[5],
)
])
2 is greater than 1, so we continue on.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, silver, silver, white),
[1],
[2],
[3],
[4],
[5],
)
])
+ We compare the final two elements, `A[3]` and `A[4]`:
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, silver, silver, red),
[1],
[2],
[3],
[4],
[5],
)
])
4 is greater than 5, so the list is sorted.
#align(center, [
#table(
columns: (auto, auto, auto, auto, auto),
fill: (silver, silver, silver, silver, silver),
[1],
[2],
[3],
[4],
[5],
)
])
= Formal definition
We formally define the algorithm as follows (for a zero-based indexing array):
```pascal
procedure insertion_sort (array: list of sortable items)
i ⟵ 1
while i < length(array)
j ⟵ i
while j > 0 and array [j - 1] > array[j]
swap array [j - 1] and array[j]
j ⟵ j - 1
end while
i ⟵ i + 1
end while
end procedure
```
Here, `⟵` denotes assignment, e.g. `x ⟵ y` means that the value of `x` changes
to the value of `y`.
The outer loop runs over the elements starting from the second one - `array[1]`.
The inner loop then moves element `array[i]` to its correct place so that after
the loop, the first `i + 1` elements are sorted.
= Implementation
An implementation that takes input from the user in C++:
#raw(read("insertion.cpp"), lang: "cpp")
Sample run:
```bat
$ g++ insertion.cpp -o ./insertion
$ ./insertion
Enter the array elements separated by spaces: 3 1 4 2 5
1 2 3 4 5
```
= Time complexity
The runtime of the algorithm is closely related to the number of _inversions_ in
the array -- where an inversion is a pair of elements that are out of order
@stack.
While sorting, the algorithm shifts elements around to their correct position by
swapping them if they form an inversion. Therefore, a sorted array would have 0
inversions - because every element is bigger than the one before and smaller
than the one after.
From our algorithm, the time complexity $T(n)$ can be the addition of the number
of elements in the array, $n$ comparisons (the outer loop) and the number of
swaps that occur in each of the inner loops.
Given that the number of swaps equals the number of inversions $I$, we can then
define out time complexity $T(n)$ as, $ T(n) = n "comparisons" + I "swaps" $
== Best case - $Omega(n)$
The best case input is an array that is already sorted -- which means it has no
inversions. In this case the running time is linear -- $Omega(n + 0) = Omega(n)$.
In the main iteration every element is compared with the last element of the
sorted sub-section, i.e. the element just before, and no swaps occur.
== Worst case - $O(n^2)$
The simplest worst case input is an array that's in reverse order. This results
in every iteration having to scan and shift the entire sorted sub-section in
order to insert the elements.
Therefore, for every element in the array, the inner loop will run $i$ times,
where $i$ is the index of the element. This leads to $ I = 1 + 2 + 3 + ... + (n - 1) = n(n - 1)/2 $
$therefore T(n) = (n + n(n - 1)/2)$, which results in a quadratic running time
-- $O(n^2)$.
== Average case - $Theta(n^2)$
For each of the $n(n - 1)/2$ possible inversions between distinctly-positioned
pairs of elements, on average about half of them will be inversions, and half
will not. So we can establish that the average number of inversions is $I = n(n - 1)/4$.
$therefore T(n) = (n + n(n - 1)/4)$, which also results in a quadratic running
time -- $Theta(n^2)$.
= Space complexity
As the algorithm only moves elements around in the array and does not allocate
any extra memory, the total space complexity in all cases is $O(n)$, where $n$ is
the number of elements in the array.
The auxilary space complexity is $O(1)$ -- it has a constant space requirement
regardless of the size of the input data.
= Real life applications
+ _Sorting a small list of numbers and datasets:_ Insertion sort is efficient for
sorting a small list of numbers. Its advantage lies in its simplicity and
effectiveness when dealing with a limited number of elements. For example, if
you have a list of 10 or 20 numbers that need sorting, insertion sort can
perform this task quickly without requiring much computational overhead.
+ _Online Algorithms:_ Its ability to work efficiently with live data makes
insertion sort suitable for online algorithms. For instance, when continuously
receiving new data elements and needing to maintain a sorted list, insertion
sort can be effective.
+ _Organizing cards in a card game:_ In card games, particularly those that
involve maintaining a player's hand in a sorted order (like a hand of playing
cards), insertion sort can be useful. When a player receives a new card,
insertion sort can quickly find the correct position for the new card within the
already sorted hand by comparing it to the existing cards, maintaining the
hand's order efficiently.
+ _Educational Purposes:_ Insertion sort is often used as an introductory
algorithm in computer science courses to teach the concept of sorting algorithms
due to its simple logic and ease of understanding.
#bibliography("ref.yml", style: "american-psychological-association") |
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/numblex/0.1.0/lib.typ | typst | Apache License 2.0 | /// Numblex
// Main function
#import "lib/numblex.typ": numblex
// Misc
#import "lib/circle_numbers.typ": circle_numbers
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/layout/columns-03.typ | typst | Other | // Test the expansion behavior.
#set page(height: 2.5cm, width: 7.05cm)
#rect(inset: 6pt, columns(2, [
ABC \
BCD
#colbreak()
DEF
]))
|
https://github.com/TypstApp-team/typst | https://raw.githubusercontent.com/TypstApp-team/typst/master/tests/typ/bugs/place-base.typ | typst | Apache License 2.0 | // Test that placement is relative to container and not itself.
---
#set page(height: 80pt, margin: 0pt)
#place(right, dx: -70%, dy: 20%, [First])
#place(left, dx: 20%, dy: 60%, [Second])
#place(center + horizon, dx: 25%, dy: 25%, [Third])
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/034_Dominaria.typ | typst | #import "@local/mtgset:0.1.0": conf
#show: doc => conf("Dominaria", doc)
#include "./034 - Dominaria/001_Return to Dominaria: Episode 1.typ"
#include "./034 - Dominaria/002_Return to Dominaria: Episode 2.typ"
#include "./034 - Dominaria/003_Return to Dominaria: Episode 3.typ"
#include "./034 - Dominaria/004_Return to Dominaria: Episode 4.typ"
#include "./034 - Dominaria/005_Return to Dominaria: Episode 5.typ"
#include "./034 - Dominaria/006_Return to Dominaria: Episode 6.typ"
#include "./034 - Dominaria/007_Return to Dominaria: Episode 7.typ"
#include "./034 - Dominaria/008_Return to Dominaria: Episode 8.typ"
#include "./034 - Dominaria/009_Return to Dominaria: Episode 9.typ"
#include "./034 - Dominaria/010_Return to Dominaria: Episode 10.typ"
#include "./034 - Dominaria/011_Return to Dominaria: Episode 11.typ"
#include "./034 - Dominaria/012_Return to Dominaria: Episode 12.typ"
|
|
https://github.com/jgm/typst-hs | https://raw.githubusercontent.com/jgm/typst-hs/main/test/typ/compiler/array-03.typ | typst | Other | // Test different lvalue method.
#{
let array = (1, 2, 3)
array.first() = 7
array.at(1) *= 8
test(array, (7, 16, 3))
}
|
https://github.com/Kasci/LiturgicalBooks | https://raw.githubusercontent.com/Kasci/LiturgicalBooks/master/CSL_old/oktoich/Hlas5/0_Nedela.typ | typst | #let M = (
"HV": (
("","","Čestným tvojím krestóm Christé, dijávola posramíl jesí, i voskresénijem tvojím žálo hrichóvnoje pritupíl jesí, i spásl jesí ny ot vrát smértnych: slávim ťá jedinoródne."),
("","","Čestným tvojím krestóm Christé, dijávola posramíl jesí, i voskresénijem tvojím žálo hrichóvnoje pritupíl jesí, i spásl jesí ny ot vrát smértnych: slávim ťá jedinoródne."),
("","","Voskresénije dajáj ródu čelovíčeskomu: jáko ovčá na zakolénije vedésja: ustrašíšasja sehó kňázi ádstiji, i vzjášasja vratá plačévnaja. Vníde bo cár slávy Christós, hlahóľa súščym vo úzach, izydíte: i súščym vo ťmí, otkrýjtesja."),
("","","Vélije čúdo, nevídimych soďíteľ, za čelovikoľúbije plótiju postradáv, voskrése bezsmértnyj. Prijidíte otéčestvija jazýk, tomú poklonímsja: blahoutróbijem bo jehó ot prélesti izbávľšesja, v trijéch ipostásich jedínaho Bóha píti navykóchom."),
("Dogmat","","Bohoľípnuju i čéstnúju otrokovícu počtím, prečestnúju cheruvímov: soďíteľ bo vsích vočelovíčitisja voschoťívyj, v túju vselísja neizrečénno. O stránnych veščéj, i preslávnych táinstv! Któ ne udivítsja o sém vnušívyj, jáko Bóh čelovík byvájet, i preložénije v ném ne bí? I ďívstva vratá prójde, i umalénije v ném ne ostávisja, jákože prorók hlahólet: čelovík sijá ne prójdet kohdá, tókmo jedín Hospóď Bóh Izráilev, imíjaj véliju mílosť."),
),
"S": (
("","","Tebé voploščénnaho Spása Christá, i nebés ne razlučívšasja, vo hlásich pínij veličájem: jáko krest i smérť prijál jesí za ród náš, jáko čelovikoľúbec Hospóď, isprovérhij ádova vratá, tridnévno voskrésl jesí, spasája dúšy náša."),
("","Rádujsja póstnikom","Rúci prostiráju k tebí, i skvérňiji ustňí otverzáju k moléniju, i prekloňáju serdéčnoje koľíno, i úmno nohám tvojím prečístym nýňi prikasájusja, čístaja: i pripádaju k tebí: boľízni mojá iscilí, ľítnyja mojá mnóhija i neiscíľnyja bláhostiju tvojéju iscilí strúpy. Izbávi ot vídimych vrahóv i nevídimych: oblehčí otrokovíce, ťahotú ľínosti mojejá, jáko da ťá pojú i slávľu, jéjuže obríte mír véliju mílosť."),
("","","Rádujsja Sýna Bóžija neskazánno začénšaja vseneporóčnaja, i sehó róždšaja, plóť po nám voístinnu ot krovéj tvojích priímšaho, dúšu úmnuju že i samovlástnuju imúščaho: neoskúdno bo vo Adáma oblékšahosja, mílosti rádi i bláhosti neizrečénnyja. Otonúduže vo dvojú jestestvú nám vozviščájetsja, obojích pokazújaj v sebí ďíjstvo Christós: jehóže molí dušám nášym dáti véliju mílosť."),
("","","Rádujsja dobróto Jákovľa, júže izbrá Bóh, júže vozľubí, dvére spasájemych, plamenonósnaja kleščé, kľátvy razrišénije, vseblahoslovénnaja: črévo Bohovmistímoje, pádšich vozvedénije: svjaťíjšaja cheruvímov, i tvárej preimúščaja: neudobozrímoje viďínije, slýšanije novíjšeje, neizrečénnoje hlahólanije, kolesníce Slóva: óblače, iz nehóže vozsijá sólnce, i mené ozarjája, i súščym vo ťmí podajá véliju mílosť."),
("Dogmat","","Jáže o tebí proróčestvija, ispólnišasja Ďívo čístaja: óv úbo ot prorók dvér ťá prorečé, vo Jedémi na vostók zrjáščuju, júže niktóže prójde, tóčiju ziždíteľ tvój, i vsehó míra: óv že kupinú ohném žehómu, jáko v tebí obitá óhň Božestvá, i neopalíma prebýsť. Ín hóru svjatúju, ot nejáže otsičésja kámeň krajeuhóľnyj, kromí rúki čelovíčeskija, i porazí óbraz mýslennaho Navuchodonósora: voístinnu vélije i preslávnoje, jéže v tebí táinstvo jésť Bohomáti. Ťímže ťá slávim: tobóju bo býsť spasénije dušám nášym."),
),
)
#let V = (
"HV": (
("","","Čéstným tvojím krestóm Christé, dijávola posramíl jesí, i voskresénijem tvojím žálo hrichóvnoje pritupíl jesí, i spásl jesí ný ot vrát smértnych: slávim ťá jedinoródne."),
("","","Voskresénije dajáj ródu čelovíčeskomu, jáko ovčá na zakolénije vedésja: ustrašíšasja sehó kňázi ádstiji, i vzjášasja vratá plačévnaja. Vníde bo cár slávy Christós, hlahóľa súščym vo úzach, izydíte: i súščym vo ťmí, otkrýjtesja."),
("","","Vélije čúdo, nevídimych soďíteľ, za čelovikoľúbije plótiju postradáv, voskrése bezsmértnyj, prijidíte otéčestvija jazýk, tomú poklonímsja: blahoutróbijem bo jehó ot prélesti izbávľšesja, v trijéch ipostásich jedínaho Bóha píti navykóchom."),
("","","Večérneje poklonénije prinósim tebí nevečérnemu svítu, na konéc viikóv, jáko v zercáľi plótiju vozsijávšemu mírovi, i dáže do áda nizšédšemu, i támo súščuju ťmú razrušívšemu, i svít voskresénija jazýkom pokazávšemu: svitodávče Hóspodi sláva tebí."),
("","","Načáľnika spasénija nášeho, Christá slavoslóvim: tomú bo iz mértvych voskrésšu, mír ot prélesti spásén býsť. Rádujetsja lík ánheľskij, bíhajet démonov prélesť, Adám padýj vostá, dijávol uprazdnísja."),
("","","Íže ot kustodíji naučéni byváchu ot bezzakónnik, pokrýjte Christóvo vostánije, i prijimíte srébreniki, i rcýte jáko nám spjáščym, iz hróba ukráden býsť mértvyj. Któ víďi, któ slýša, mertvecá ukrádena kohdá, páče že pomázana i náha, ostávľša i vo hróbi pohrebáľnaja svojá? Ne preľščájtesja judéje, navýknite rečénijem proróčeskim, i urazumíjte, jáko tój jésť voístinnu izbáviteľ míra, i vsesíľnyj."),
("","","Hóspodi, ád pľinívyj, i smérť poprávyj Spáse náš, prosvitívyj mír krestóm čestným, pomíluj nás."),
("","Rádujsja póstnikom","Prestól cheruvímskij voístinnu, jáko prevýšši tvárej bývši: v tebí bo Bóžije Slóvo, náš zrák nazdásti choťá, vselísja, i prošéd s plótiju iz tebé vsečístaja: krestnuju že strásť nás rádi vospriját, i voskresénije jáko Bóh darová, izmínšemusja nášemu osuždénnomu jestestvú. Ťím jáko soďíteľu, Sýnu tvojemú mólimsja Bohomáti, ulučíti proščénije i mílosť v čás súdnyj."),
("","","Čtó tvojú Bohorodíteľnice čístaja, narekú cérkov bohoslávnuju? Vertohrád jedémskij imenúju, i nójev, čístaja, kovčéh prorekú, spásšij Bóhu cárskoje svjaščénije, vés svját jazýk, Christá Bóha nášeho sobór: Moiséovu že kivótu upodobľáju ťá, v némže očistílišče i žézl prozjábšij, v némže svíščnik i rúčka, kadíľnica vsezlatája, vóňže pribihájet vsják vírnyj, i isprošájet véliju mílosť."),
("","","Jedína beznadéžnym nadéždo, bezpomóščnym hotóvaja pómošče, mílosti róždšaja volíteľa Iisúsa, mojú pomíluj nýňi némošč, čístaja, i podážď mí pomyslóm umilénije. strujámi sléz sámych sohrišénij mojích, nepobidímuju potopí pučínu: otžení bezmírnych mojích strastéj búrju: i ispólni tišiný božéstvennyja smuščénnoje sérdce mojé, Christá moľášči, podáti mí sohrišénij soveršénnoje ostavlénije."),
("Dogmat","","V čermňím móri, neiskusobráčnyja nevísty óbraz napisásja inohdá: támo Moiséj, razďilíteľ vodý: zďí že Havriíl, služíteľ čudesé. Tohdá hlubinú šéstvova nemókrenno Izráiľ: nýňi že Christá rodí bezsímenno Ďíva. Móre po prošéstviji Izráilevi, prebýsť neprochódno: neporóčnaja po roždeství Jemmanújilevi, prebýsť netľínna. Sýj, i préžde sýj, javléjsja jáko čelovík, Bóže pomíluj nás."),
),
"S": (
("","","Tebé voploščénnaho Spása Christá, i nebés ne razlučívšasja, vo hlásich pínij veličájem: jáko krest i smérť prijál jesí za ród náš, jáko čelovikoľúbec Hospóď, isprovérhij ádova vratá, tridnévno voskrésl jesí, spasája dúšy náša."),
("","","Probodénym tvojím rébrom žiznodávče, tóki ostavlénija vsím istočíl jesí, žízni i spasénija: plótiju že smérť vosprijál jesí, bezsmértije nám dáruja: vselív že sja vo hrób nás svobodíl jesí, sovoskresív s sobóju slávno jáko Bóh. Sehó rádi vopijém: čelovikoľúbče Hóspodi, sláva tebí."),
("","","Stránno tvojé raspjátije, i jéže vo ád sošéstvije čelovikoľúbče jésť: pľinív bo jehó, i drévnija júzniki sovoskresív s sobóju slávno jáko Bóh, ráj otvérz, vosprijáti sehó spodóbil jesí. Ťímže i nám slávjaščym tvojé tridnévnoje vostánije, dáruj očiščénije hrichóv: rajá žíteli spodobľája, jáko jedín blahoutróben."),
("","","Nás rádi plótiju strásť prijímyj, i tridnéven iz mértvych voskresýj, plotskíja náša strásti iscilí, i vozstávi ot prehrišénij ľútych čelovikoľúbče, i spasí nás."),
("Dogmat","","Chrám i dvér jesí, paláta i prestól carév, Ďívo vsečéstnája, jéjuže izbáviteľ mój, Christós Hospóď, vo ťmí spjáščym javísja, sólnce sýj právdy, prosvitíti choťá, jáže sozdá po óbrazu svojemú rukóju svojéju. Ťímže vsepítaja, jáko máterne derznovénije k nemú sťažávšaja, neprestánno molí spastísja dušám nášym."),
),
"T": (
("","","Sobeznačáľnoje Slóvo Otcú i Dúchovi, ot Ďívy róždšejesja na spasénije náše, vospojím vírniji i poklonímsja: jáko blahovolí plótiju vzýti na krest, i smérť preterpíti, i voskresíti uméršyja slávnym voskresénijem svojím."),
("Bohoródičen","","Rádujsja dvére Hospódňa neprochodímaja: rádujsja sťinó i pokróve pritekájuščich k tebí. Rádujsja, neoburevájemoje pristánišče, i neiskusobráčnaja, róždšaja plótiju tvorcá tvojehó i Bóha: moľášči ne oskuďiváj o vospivájuščich, i kláňajuščichsja roždestvú tvojemú."),
),
)
#let P = (
"1": (
("","","Koňá i vsádnika v móre čermnóje, sokrušájaj bráni mýšceju vysókoju, Christós istrjasé: Izráiľa že spasé, pobídnuju písň pojúšča."),
("","","Písň tí po dostojániju prinosíti, Vladýčice, nedoumíjem vsí: sláva bo páče vsích tvojá. no obáče Bohonevísto, ne omerzí molénije prinosímoje so stráchom i ľubóviju tebí."),
("","","Vsí k voďí tvojehó neoskúdnaho istóčnika, Bohoródice Ďívo, pritekájem zovúšče: jedína rádoste ródu nášemu, prečístaja, isprosí mír cérkvam tvojím."),
("","","Položí ťa pristánišče súščym v bidách, čístaja, Bóh, íže ot tebé blahovolívyj vosprijáti plóť. Ťímže tí pripádajušče vzyvájem: dáruj tvojím rabóm tvojú pómošč."),
("","","Oblehčénije tvojá molítva, Ďívo prečístaja, tvojím rabóm da búdet, strastéj othnánije, hrichóv razrušénije, i vsjáčeskich boľíznej, Bohorodíteľnice, očiščénije."),
),
"3": (
("","","Vodruzívyj na ničesómže zémľu poveľínijem tvojím, i povísivyj neoderžímo ťahoťíjuščuju, na nedvížimim Christé, kámeni zápovidej tvojích, cérkov tvojú utverdí, jedíne bláže i čelovikoľúbče."),
("","","Tý jesí zemnoródnych upovánije, i pómošč i rádosť, pokróv i pribížišče, Vladýčice Máti životá. Ťímže ťá mólim: tvojú pómošč nizposlí vsím pojúščym ťá, prečístaja."),
("","","Nedúhujuščiji, i napásťmi ľútymi oderžímiji, vseďíteľu ščédryj, íže vsjáčeskich Bóže, prečístuju síň tvojú Máter Spáse, na moľbú tí privódim: razriší plenícy prehrišénij nášich."),
("","","Vsích soderžíteľa i ziždíteľa i Hóspoda róždšaja jedína, i ďívstvujušči, íže voístinnu ťá Bóžiju Máter slávjat, spasénije Bohonevísto, podážď svýše rabóm tvojím."),
("","","Vód životvórnych mjá ispólni Vladýčice, božéstvennuju vódu mírovi istočívšaja: i bezzakónij mojích ľútyja potóki i sérdca mojehó vólny božéstvennoju tvojéju tišinóju ukrotí."),
),
"4": (
("","","Božéstvennoje tvojé razumív istoščánije, prozorlívo Avvakúm, Christé, so trépetom vopijáše tebí: vo spasénije ľudéj tvojích spastí pomázannyja tvojá prišél jesí."),
("","","Jáko vsích výššu súščuju tvárej, ťá Bóh súščym na zemlí darová, jéže k nemú chodátajstvy vinóvnu, Bohoródice prepítaja."),
("","","Cérkov ťá Bóžiju vídušče Ďívo Máti, priľížno mólimsja tebé čtúščiji: ne zatvorí rabóm tvojím Bohoródice, tvojejá mílosti dveréj."),
("","","Ťá vsí Bóžiju vídušče preukrášenu voístinnu odéždu, Máti brakoneiskúsnaja: íže ťá čtúščiji prósim, vo ostavlénija odéždu oblecý nás."),
("","","Mír v roždeství tvojém prečístaja, vés ispólnisja rádosti: otnéľiže, jéže rádujsja, velíkij tebí Ďívo Máti Maríje, svýše Havrijíl vozhlasí."),
),
"5": (
("","","Oďijájsja svítom jáko rízoju, k tebí útreňuju, i tebí zovú: dúšu mojú prosvití omračénnuju Christé, jáko jedín blahoutróben."),
("","","Voístinnu nakazújemsja, ne po rávenstvu že dólha sohrišénij nášich: no, o Ďívo Máti prečístaja, otvratí vés hňív Sýna tvojehó ot nás."),
("","","Jedínaho izvédšaho svít ot ťmý čístaja, Bóha róždši neiskusobráčno, priľížno molí jehó, nizposláti božéstvennyj svít rabóm tvojím."),
("","","Ot kažénija molítvy tvojejá čístaja, i božéstvennaja nevísto ot livána, júže Solomón prorečé, rabý tvojá Máti ziždíteľa, blahoucháj."),
("","","Tý právdu že i izbavlénije nám róždši, Christá bez símene, svobódno soďíjala jesí Bohoródice, ot kľátvy jestestvó práďidneje."),
),
"6": (
("","","Neístovstvujuščejesja búreju dušetľínnoju, Vladýko Christé, strastéj móre ukrotí i ot tlí vozvedí mjá, jáko blahoutróben."),
("","","Bohoródice Vladýčice, róždšaja soďíteľa, tvojím rabóm isprosí ostavlénije: i deržávny nás vozdvíhni, vo jéže píti ťá."),
("","","Búdi nám pómošč tvojím rabóm, Vladýčice čístaja vírno moľáščym ťá, jáko mílostiva: i deržávny nás vozdvíhni, vo jéže píti ťá."),
("","","Po dostojániju imúšči, jéže moščí Vladýčice čístaja, tvojím mílostivnym ókom prízri, i ot tlí nás tvojá rabý vozvedí."),
("","","Neprestánno točášči ščedrót strují blahája prosjáščym, odoždí i mňí svít zápovidej tvojehó Sýna, preneporóčnaja."),
),
"S": (
("","","Vsesvjatája Ďívo, pomíluj nás pribihájuščich víroju k tebí milosérdoj, i prosjáščich téplaho tvojehó zastuplénija: móžeši bo vsích spastí , jáko blahája súšči Máti Bóha výšňaho, máternimi tvojími molítvami prísno objémši Ďívo Bohorádovannaja."),
),
"7": (
("","","Prevoznosímyj otcév Hospóď plámeň uhasí, ótroki orosí sohlásno pojúščyja: Bóže blahoslovén jesí."),
("","","Neizsľídnaja Bóžija múdroste Christé, rabý tvojá uščédri, róždšija ťá rádi, neprestánno pojúščyja: Bóže, blahoslovén jesí."),
("","","Tvojú bláhosť mólim Hóspodi, jázvu iscilí róždšija ťá rádi so stráchom pojúščich: Bóže blahoslovén jesí."),
("","","Ókom mílostivnym tvojím Bohomáti prízri i izbávi rabý tvojá vsjákaho obstojánija, víroju pojúščyja: Bóže, blahoslovén jesí."),
("","","Zló ďílajušče, Vladýčice, ot tebé otpadóchom: no obritóchom prečístaja, ábije pómošč tvojú, vnehdá zváti: Bóže, blahoslovén jesí."),
),
"8": (
("","","Iz otcá préžde vík roždénnaho Sýna i Bóha, i v posľídňaja ľíta voploščénnaho ot Ďívy Mátere, svjaščénnicy pójte, ľúdije prevoznosíte vo vsjá víki."),
("","","Vladýčice náša, blahích podáteľnice, rabóm tvojím dáruj strastéj iscilénije: jáko da neprestánno pojém ťá Ďívo, i prevoznósim vo víki."),
("","","Neizhlahólanno čístaja, izbáviteľa róždši, neskazánno doíla jesí ďíva prebývši. Jehóže úbo molí o pojúščich ťá, i slavoslóvjaščich vo vsjá víki."),
("","","Tebí svítlomu izbáviteľa svíščniku, prekrásnyj splétše lík pojém: vsjá ďilá Hospódňa pójte neprestánno Ďívu Maríju, i prevoznosíte jú vo víki."),
("","","Čístaja áhnice, Ďívo Máti otrokovíce, čísta mjá sotvorí ot strastéj ťilésnych: jáko da ľstívaho izbávľusja sítej, pisnoslóvja ťá Bohorádovannaja."),
),
"9": (
("","","Isáije likúj, Ďíva imí vo črévi, i rodí Sýna Jemmanújila, Bóha že i čelovíka, Vostók ímja jemú: jehóže veličájušče, Ďívu ublažájem."),
("","","Soveršájetsja pínije úbo, nadéžda že Vladýko Christé neprechódna, jáže k tebí soďíteľu, jákože i blahodáť tvojá: no otobojúdu sílu krípku daváj rabóm tvojím, molítvami róždšija ťá."),
("","","Nedúhujuščym síla, i boľáščym blíz tý čístaja jesí, jáko ístinnaja Máti žízni: ťímže k tebí pribihájušče, preminénije vsích skórbnych obritóchom, Vladýčice, i króvom tvojím spasóchomsja."),
("","","Tvój božéstvennyj víďašče obrázno Vladýčice zrák, zrím ťá v ném jákože jávi, vsjáko nenavíďašče jeretík bezúmije na zemlí. Jemúže pripádajušče iscilénije prijémlem."),
("","","Iscilénijem bézdnu, i blahodátem pučínu, čístaja poznáchom ťá mý hríšniji. ťímže tí mólimsja: ot núždnych vsích izmí jedína prečístaja, pritekájuščich k pokróvu tvojemú."),
),
)
#let N = (
"1": (
("","","Koňá i vsádnika v móre čermnóe, sokrušájaj bráni, mýšceju vysókoju Christós istrjasé: Izráiľa že spasé, pobídnuju písň pojúšča."),
("","","Deržávu jedínstvennaho i trisólnečnaho zráka vospivájušče vopijém: úm náš ozarí Bóže vsesíľne, i k tvojéj Vladýko, vozvýsi slávi neizrečénňij."),
("","","Horí ťa ánheľskaja udobrénija úmnaja nemólčno pojút trisvjatými písňmi, jedínicu tričíslennuju, i Tróicu soobráznu, presúščestvennu, vsesíľnu."),
("","","Božéstvennoje pitijé tvojejá ľubvé, sladčájšeje, svetoďíjstvennoje, duší mojéj podážď, Tróice jedínice svitonačáľnaja, i božéstvennoje umilénije čistíteľnoje, Vladýko mnohomílostive, vsejá tvári."),
("Bohoródičen","","I nýňi, Jákože na runó sníde bez šúma s nebesé Ďívo, dóžď v ložesná tvojá božéstvennyj: i spasé vsé izsóchšeje čelovíčeskoje jestestvó prečístaja."),
),
"3": (
("","","Vodruzívyj na ničesómže zémľu poveľínijem tvojím, i povísivyj neoderžímo ťahoťijuščuju, na nedvížimim Christé, kámeni zápovidej tvojích, cérkov tvojú utverdí, jedíne bláže i čelovikoľúbče."),
("","","Umýsliv úmnaja suščestvá, sostávil jesí pivcý neprestánnyja tvojehó Božestvá, trisvítlyj Bóže i vseďíteľu: no i brénnych i zemnoródnych prijimí molénije i moľbú, jáko blahoutróben."),
("","","Íže vsjákaho po jestestvú preminénija neprijáten, izmiňájemym nám i pojúščym, neizsľídimyj istóčnik tvojejá bláhosti, sohrišénij dážď proščénije, i spasénije, jáko blahoutróben."),
("","","Otcá i Sýna, i Dúcha slávim, v nepremínňim zráci Božestvá tebé jedínstvennaho i trisijánnaho Hóspoda vsích, jákože prorócy, i apóstoli ot tebé jávi naučíšasja."),
("Bohoródičen","","Javílsja jesí Moiséju v kupiňí, jáko ánhel sovíta velíkaho vsederžíteleva, tvojé jéže ot Ďívy projavľája voploščénije, Bóžij Slóve: ímže nás pretvoríl jesí, i na nebesá vozvél jesí."),
),
"S1": (
("","Sobeznačáľnoje Slóvo","Mílostiva jesí Tróice nerazďíľnaja: míluješi bo vsích, jáko vsesíľnaja i vseščédra, sostradáteľna i mnohomílostiva. Ťímže pribihájem k tebí, íže hrichmí mnóhimi oťahčájemi vzyvájušče: očísti tvojá rabý, i izbávi vsích vsjákija múki."),
("Bohoródičen","","Vsesvjatája Ďívo, pomíluj nás pribihájuščich víroju k tebí blahoutróbňij, i prosjáščich téplaho tvojehó nýňi zastuplénija: móžeši bo jáko blahája vsích spastí, jáko súšči Máti Bóha výšňaho, máternija tvojá molítvy prísno upotrebľájušči, Bohoblahodátnaja."),
),
"4": (
("","","Božéstvennoje tvojé razumív istoščánije, prozorlívo Avvakúm, Christé, so trépetom vopijáše tebí: vo spasénije ľudéj tvojích, spastí pomázannyja tvojá prišél jesí."),
("","","Tájno naučájetsja jedínaho Hospóďstva trisvítlomu Danijíl, Christá sudijú uzrív ko Otcú idúšča, i Dúcha projavľájušča viďínije."),
("","","Brénnymi pojúščich ťá ustý, presúščestvennaho Bóha, Tróična ipostásmi, jedínstvenna že jestestvóm, slávy ánheľskija spodóbi."),
("","","Jedínu vlásť, i jedíno Hospóďstvo, v trijéch svójstvach nerazlúčno slávim: Ótče, i Sýne, i Dúše, prosvití ný rabý tvojá."),
("Bohoródičen","","Horá částaja i prisínnaja, júže víďiv préžde Avvakúm, iz nejáže prójde svjatýj: neudób zrímoje roždestvó javľáše tvojehó Ďívo, začátija."),
),
"5": (
("","","Oďijájsja svítom jáko rízoju, k tebí útrenňuju, i tebí zovú: dúšu mojú prosvití omračénnuju Christé, jáko jedín blahoutróben."),
("","","Íže za bláhosť sozdávyj čelovíka, i po óbrazu tvojemú sotvór, vo mňí obitáj trisvítne Bóže mój, jáko bláh i blahoutróben."),
("","","Tý mja nastávi jedínice trisólnečnaja, k stezjám božéstvennym spasénija, i tvojehó sijánija ispólni, jáko jestestvóm Bóh neisčetnosílen."),
("","","Svít nerazďíľnyj jedínaho jestestvá, razďilénnyj načertáňmi, trisijánnyj, nevečérnij, mojé sérdce lučámi tvojími ozarí."),
("Bohoródičen","","Jáko víďi ťá drévle čístaja preneporóčnaja, prorók, zrjáščaja vratá k svítu nezachodímomu, ábije ťá pozná Bóžije žilíšče."),
),
"6": (
("","","Neístovstvujuščejesja búreju dušetľínnoju, Vladýko Christé, strastéj móre ukrotí, i ot tlí vozvedí mjá, jáko blahoutróben."),
("","","Trisvítloje súšče Bohonačálije ipostásňi, jedínstvenna jesí, jáko soobrázna i ravnoďíteľna, i po suščestvú i choťíniju."),
("","","Dovóľno izjaví prorók, pojá Otcú tvojemú svítu: úzrim Dúchom, svít Sýna, jedínaho Bóha trisólnečnaho."),
("","","Nesostávno suščestvó v trijéch svójstvich, jedínu vlásť i deržávu imýj: ťím bo sostojítsja tvár vsjáčeskaja, i obnovľájetsja."),
("Bohoródičen","","Prehrišénij izbavlénije i bíd, Vladýko Bóže, jedínstvenne i trisvítne, nizposlí tvojím pivcém, molítvami Bohomátere."),
),
"S2": (
("","Sobeznačáľnoje Slóvo","Trisólnečnyj svít slavoslóvim, i prósťij Tróici nýňi poklonímsja, jáko prosvití nás i pomílova, i izbávi ot tlí vés ród čelovíčeskij, izbavľájušči ot prélesti ídoľskija vés mír, i cárstvo nám podadé."),
("Bohoródičen","","Nedoumívsja ot vsích, k tebí pribehóch k nadéždi vsích, i pribížišču hríšnych i smirénnych, zovýj: sohriších, i prebyváju v zlých, nečúvstvuja okajánnyj. pomíluj mjá, préžde koncá obratí mja, i izbávi vsjákija múki, nedostójnaho."),
),
"7": (
("","","Prevoznosímyj otcév Hospóď, plámeň uhasí, ótroki orosí sohlásno pojúščyja: Bóže blahoslovén jesí."),
("","","Jáko imýj bézdnu mílosti, Hóspodi, i pučínu neizčétnu ščedrót, pomíluj jedínaho ťá pojúščich, trisvítlaho Bóha vsích."),
("","","Neobmýslimaho, jedínstvenna i trisvítla, Bóha ťá i Hóspoda pojúšče vopijém tí: podážď tvojím rabóm očiščénije hrichóv."),
("","","Rávno ipostási vo jedínoj deržávi čtúšče razďiľájem nerazďilímo suščestvó, Bóha Otcá, i Sýna, i presvjatáho Dúcha."),
("Bohoródičen","","Ótrasľ prozjablá jesí, Otcú sobeznačáľnuju, cvít Božestvá: ótrasľ soprisnosúščnuju, Ďívo, dajúščuju žízň vsím čelovíkom."),
),
"8": (
("","","Tebí vseďíteľu, v peščí ótrocy, vsemírnyj lík splétše, pojáchu: ďilá vsjákaja Hóspoda pójte, i prevoznosíte vo vsjá víki."),
("","","Da jedínaho otkrýješi drévle jávi Hospóďstva Tróičnuju ipostás, javílsja jesí Bóže mój, vo óbrazi čelovíkov Avraámu, pojúšču tvojú deržávu jedínstvennuju."),
("","","Tý mja k tvojím blahoďíteľnym lučám vziráti spodóbi svíte nepristúpnyj, Ótče ščédryj, i Slóve, i Dúše, jéže blahouhoždáti tebí prísno, Hóspodi vsích."),
("","","Svját Otéc Bóh prevíčnyj: svját že Sýn iz Otcá roždén: svját že i životvorjáščij Dúch, ischoďá iz Otcá, Sýnom že javľájem."),
("Bohoródičen","","Oblistála jesí nám ot trisólnečnyja slávy, jedínaho vsepítaja Christá Hóspoda, vsích tajnonaučájušča jedínomu Bohonačáliju v trijéch lícich, píti vo víki."),
),
"9": (
("","","Isáije likúj, ďíva imí vo črévi, i rodí Sýna Jemmanújila, Bóha že i čelovíka, Vostók ímja jemú: jehóže veličájušče, Ďívu ublažájem."),
("","","Hlahólanija čelovíčeskaja po dostojániju, beznačáľnaja jedínice, ne móhut píti ťá: obáče jákože móščno derzájušče ot víry, Bohonačáľnaja, soprestóľnaja Tróice, slávu prinósim tvojéj deržávi, i chvalú."),
("","","Ravnostátnoju slávoju, ťá jedinonačálnaho trisvítlaho Bóha slávjat Cheruvími i Serafími prečístymi ustý: s nímiže i nás hríšnych prijimí Hóspodi, tvojú deržávu veličájuščich."),
("","","Isáija ťá víďi na prestóľi cheruvímsťi, i Serafímy stojáščija ókrest tebé, kríly líca zakryvájuščyja, i vopijúščyja: svját, svját, svját, trisvjatýj Bóže, slávimyj v trijéch svójstvich."),
("Bohoródičen","","Jáko čístaja i neporóčnaja i Ďíva, rodilá jesí Sýna, izbavľájuščaho nás ot iskušénij, Bóha neizmínna: no i nýňi ostavlénije nám prehrišénij dáti sehó molí."),
),
)
#let U = (
"T": (
("","","Sobeznačáľnoje Slóvo Otcú i Dúchovi, ot Ďívy róždšejesja na spasénije náše, vospojím vírniji i poklonímsja: jáko blahovolí plótiju vzýti na krest, i smérť preterpíti, i voskresíti uméršyja slávnym voskresénijem svojím."),
("Bohoródičen","","Rádujsja dvére Hospódňa neprochodímaja: rádujsja sťinó i pokróve pritekájuščich k tebí. Rádujsja, neoburevájemoje pristánišče, i neiskusobráčnaja, róždšaja plótiju tvorcá tvojehó i Bóha: moľášči ne oskuďiváj o vospivájuščich, i kláňajuščichsja roždestvú tvojemú."),
),
"S1": (
("","","Krest Hospódeň pochválim, pohrebénije svjatóje písňmi počtím, i voskresénije jehó preproslávim: jáko sovozstávi mértvyja ot hrób jáko Bóh, pľinív smérti deržávu, i kríposť dijávoľu, i súščym vo áďi svít vozsijá."),
("","","Hóspodi mértv naréklsja jesí, umertvívyj smérť, vo hróbi položílsja jesí, istoščívyj hróby: horí vóini hróba strežáchu, dóľi ot víka mértvyja voskrésíl jesí. Vsesíľne i nepostižíme Hóspodi, sláva tebí."),
("Bohoródičen","","Rádujsja svjatája horó i Bohoprochódnaja, rádujsja oduševlénnaja kupinó i neopalímaja. Rádujsja jedína k Bóhu mírovi móste, prevoďáj mértvyja k víčnomu životú. Rádujsja netľínnaja otrokovíce, neiskusomúžno róždšaja spasénije dúš nášich."),
),
"S2": (
("","","Hóspodi, po tridnévňim tvojém voskreséniji, i apóstolov poklonéniji, Pétr vopijáše tí: žený derznovénije prijáša, áz že ubojáchsja. Razbójnik bohoslóvjaše, áz že otverhóchsja. Úbo prizovéši li mjá próčeje učeniká býti? Ilí páki pokážeši mjá lovcá hlubínnaho? No kájuščasja prijimí mja Bóže, i spasí mja."),
("","","Hóspodi, posreďí osuždénnych prihvozdíša ťá bezzakónniji, i kopijém rebró tvojé probodóša, o Mílostive! Pohrebénije že prijál jesí, razrušívyj ádova vratá, i voskrésl jesí tridnévno. Pritekóša žený víďiti ťá, i vozvistíša apóstolom vostánije: prevoznosímyj Spáse, jehóže pojút ánheli, blahoslovénnyj Hóspodi, sláva tebí."),
("Bohoródičen","","Neiskusobráčnaja nevísto Bohorodíteľnice, jáže Jévinu pečáľ radostotvorívšaja, vospivájem vírniji i poklaňájemsja tebí, jáko vozvelá jesí nás ot drévnija kľátvy: i nýňi molí neprestánno, vsepítaja, presvjatája, vo jéže spastísja nám."),
),
"Y": (
("", "", "Ánheľskim zrákom úm smuščájuščja, i božéstvennym vostánijem dušéju prosviščájemy, mironósicy apóstolom blahovistvováchu: vozvistíte vo jazýcich voskresénije, Hóspodu soďíjstvujušču čudesý, podajúščemu nám véliju mílosť."),
),
"A1": (
("","","Vnehdá skorbíti mňí, Davídski pojú tebí Spáse mój: izbávi dúšu mojú ot jazýka ľstívaho."),
("","","Pustýnnym živót blažén jésť, božéstvennym račénijem voskriľájuščymsja."),
("","","Svjatým Dúchom oderžátsja vsjá, vídimaja že s nevídimymi: samoderžáven bo sýj, Tróicy jedín jésť nelóžno."),
("","","Svjatým Dúchom oderžátsja vsjá, vídimaja že s nevídimymi: samoderžáven bo sýj, Tróicy jedín jésť nelóžno."),
),
"A2": (
("","","Na hóry dušé, vozdvíhnemsja, hrjadí támo, otňúduže pómošč ídet."),
("","","Desnája tvojá ruká, i mené Christé kasájuščisja, ot lésti vsjákija da sochranít."),
("","","Svjatómu Dúchu bohoslóvjašče rcém: tý jesí Bóh, živót, račénije, svít, úm: tý blahostýňa, tý cárstvuješi vo víki."),
("","","Svjatómu Dúchu bohoslóvjašče rcém: tý jesí Bóh, živót, račénije, svít, úm: tý blahostýňa, tý cárstvuješi vo víki."),
),
"A3": (
("","","O rékšich mňí: vo dvorý vnídem Hospódňa: rádosti mnóhija ispólnen býv, molítvy vozsyláju."),
("","","V domú Davídovi strášnaja soveršájutsja: óhň bo támo paľá vsják srámnyj úm."),
("","","Svjatómu Dúchu živonačáľnoje dostójinstvo, ot nehóže vsjákoje živótno oduševľájetsja, jáko vo Otcí, kúpno že i Slóvi."),
("","","Svjatómu Dúchu živonačáľnoje dostójinstvo, ot nehóže vsjákoje živótno oduševľájetsja, jáko vo Otcí, kúpno že i Slóvi."),
),
"P": (
("","","Voskresní Hóspodi Bóže mój, da voznesétsja ruká tvojá, jáko tý cárstvuješi vo víki."),
("","","Ispovímsja tebí Hóspodi, vsím sérdcem mojím."),
),
"K": (
"P1": (
"1": (
("","","Koňá i vsádnika v móre čermnóje, sokrušájaj bráni mýšceju vysókoju, Christós istrjasé: Izráiľa že spasé, pobídnuju písň pojúšča."),
("","","Tebé ternonósnyj jevréjskij sónm, ľubvé blahoďíteľu k tebí ne sochráň máternija, Christé vinčá, rodonačáľnika razrišájušča ternóvnoje zapreščénije."),
("","","Vozdvíhl jesí mja pádšaho v róv, preklóňsja žiznodávče, bezhríšne: i mojejá zlosmrádnyja tlí Christé, preterpív neiskušénno, božéstvennaho suščestvá mírom mjá oblahouchál jesí."),
("Bohoródičen","","Razrišísja kľátva, pečáľ prestá: blahoslovénnaja bo i blahodátnaja, vírnym rádosť vozsijá, blahoslovénije vsím koncém cvitonosjášči Christá."),
),
"2": (
("","","Spasíteľu Bóhu, v móri ľúdi nemókrymi nohámi nastávľšemu, i faraóna so vsevójinstvom potópľšemu, tomú jedínomu pojím, jáko proslávisja."),
("","","Íže vóleju na kresťí prihvoždénnomu plótiju, i drévňaho ot izrečénija drévom pádšaho svobóždšemu, tomú jedínomu vospojím: jáko proslávisja."),
("","","Íže iz hróba mertvecú voskrésšu Christú, i pádšaho sovozstávivšu, i sosiďínijem Otéčeskim ukrasívšemu, tomú jedínomu vospojím: jáko proslávisja."),
("Bohoródičen","","Prečístaja Máti Bóžija, iz tebé voplóščšemusja, i ot ňídr Rodíteľa ne razlúčšemusja Bóhu, neprestánno molísja, ot vsjákaho obstojánija spastí, íchže sozdá."),
),
"3": (
("","","Koňá i vsádnika v móre čermnóje, sokrušájaj bráni mýšceju vysókoju, Christós istrjasé: Izráiľa že spasé, pobídnuju písň pojúšča."),
("","","Svíta vséľšahosja v ťá prečístaja, i prosvíščšaho mír lučámi božestvá, Christá molí, prosvitíti vsjá pojúščyja ťá, Máti Ďívo."),
("","","Jáko ukrašájema dobrótoju dobroďítelej blahodátnaja, dobrotvórnoje blahoľípije lučéju Dúcha, podjála jesí vsečístaja, vsjáčeskaja udobrívšaho."),
("","","Tebé drévle proobrazújušči kupiná v Sináji, ne opalísja Ďívo, ohňú prisovokúpľšisja: Ďíva bo rodilá jesí, i Ďíva prebylá jesí, páče smýsla Máti Ďívo."),
),
),
"P3": (
"1": (
("","","Vodruzívyj na ničesómže zémľu poveľínijem tvojím, i povísivyj neoderžímo ťahoťíjuščuju, na nedvížimim, Christé, kámeni zápovidej tvojích, cérkov tvojú utverdí, jedíne bláže i čelovikoľúbče."),
("","","Žélč úbo íže iz kámene méd ssávšiji, v pustýni čudoďíjstvovavšemu tebí prinesóša Christé: ócet že za mánnu voz blahoďijánije tí vozdáša ótrocy Izráilevy neblahodárniji."),
("","","Íže drévle svitovídnym óblakom pokryvájemi, živót vo hróbi Christá položíša: no samovlástno voskrés, vsím vírnym podadé tájno osiňájuščeje svýše Dúcha sijánije."),
("Bohoródičen","","Tý Máti Bóžija nesočetánno rodilá jesí, íže o netľínna Otcá vozsijávšaho, kromí boľíznej máternich: ťímže ťá Bohoródicu, voploščénna bo rodilá jesí Slóva, pravoslávno propovídujem."),
),
"2": (
("","","Síloju krestá tvojehó Christé, utverdí mojé pomyšlénije, vo jéže píti i sláviti spasíteľnoje tvojé voznesénije."),
("","","Voskrésl jesí ot hróba Christé, tlí smértnyja izbávľ vospivájuščich žiznodávče, vóľnoje tvojé raspjátije."),
("","","Pomázati mírom ťílo tvojé mironósicy Christé tščáchusja, i ne obrítša vozvratíšasja, vospivájuščja tvojé vostánije."),
("Bohoródičen","","Molí neprestánno čístaja, voploščénnaho iz bokú tvojéju, izbáviti ot lésti dijávoli, vospivájuščyja ťá Ďívu čístuju."),
),
"3": (
("","","Vodruzívyj na ničesómže zémľu poveľínijem tvojím, i povísivyj neoderžímo ťahoťíjuščuju, na nedvížimim, Christé, kámeni zápovidej tvojích, cérkov tvojú utverdí, jedíne bláže i čelovikoľúbče."),
("","","Ľístvica, jéjuže k nám sníde výšnij, istľívšeje jestestvó ispráviti, tý jávstvenno čístaja, vsím nýňi víďina bylá jesí, tobóju bo preblahíj mírovi besídovati pričastítisja blahovolí."),
("","","Jéže drévle predustávlennoje Ďívo táinstvo, i préžde vík provídimoje vsjá víduščemu Bóhu, ľítom nýňi naposľídok v ložesnách tvojích vseneporóčnaja, konéc prijém javísja."),
("","","Razrišísja kľátvy drévnija osuždénije tvojím chodátajstvom Ďívo prečístaja: iz tebé bo Hospóď jávľsja, vsím blahoslovénije jáko preblahíj istočí, jedína čelovíkom udobrénije."),
),
),
"P4": (
"1": (
("","","Božéstvennoje tvojé razumív istoščánije, prozorlívo Avvakúm, Christé, so trépetom vopijáše tebí: vo spasénije ľudéj tvojích spastí pomázannyja tvojá prišél jesí."),
("","","Jáže ot Mérry horčájšyja vódy, jáko vo óbrazi pronačertája prečístyj krest tvój bláže, hrichóvnoje umerščvľájušč vkušénije, drévom usladíl jesí."),
("","","Krest za drévo razúmnoje, za sládkuju že píšču žélč, Spáse mój, prijál jesí, za tľínije že smérti króv tvojú božéstvennuju izlijál jesí."),
("Bohoródičen","","Kromí úbo sočetánija začalá jesí netľínno vo črévi, i bez boľízni rodilá jesí, i po roždeství Ďíva, Bóha plótiju róždši, sochranílasja jesí."),
),
"2": (
("","","Uslýšach slúch síly krestá, jáko ráj otvérzesja ím, i vozopích: sláva síľi tvojéj Hóspodi."),
("","","Jáko vodruzísja na zemlí na lóbňim krest, sokrušíšasja verejí i vrátnicy víčniji, i vozopíša: sláva síľi tvojéj Hóspodi."),
("","","Jáko sníde Spás k svjázannym jáko mértv, sovoskresóša s ním íže ot víka uméršiji, i vozopíša: sláva síľi tvojéj Hóspodi."),
("Bohoródičen","","Ďíva rodí, i máterskich ne pozná: no Máti úbo jésť, Ďíva že prebýsť: júže vospivájušče, rádujsja Bohoródice, vzyvájem."),
),
"3": (
("","","Božéstvennoje tvojé razumív istoščánije, prozorlívo Avvakúm, Christé, so trépetom vopijáše tebí: vo spasénije ľudéj tvojích spastí pomázannyja tvojá prišél jesí."),
("","","Sérdcem i umóm, dušéju že i ustý ispovíduju vseblahočéstno ťá Bohoródicu voístinnu, čístaja, spasénija plód objémľa, i spasájusja Ďívo, molítvami tvojími."),
("","","Sozdávyj ot ne súščich vsjáčeskaja, ot tebé čístyja sozdátisja jáko blahoďíteľ blahovolí, na spasénije víroju i ľubóviju ťá pojúščich, vseneporóčnaja."),
("","","Pojút tvojé roždestvó vseneporóčnaja premírniji lícy, spaséniju rádujuščesja, ístinnuju Bohoródicu múdrstvujuščich ťá, Ďívo neskvérnaja."),
("","","Ťá žézl Isáija imenová, ot nehóže prozjabé nám krásnyj cvít, Christós Bóh, na spasénije víroju i ľubóviju pritekájuščich k pokróvu tvojemú."),
),
),
"P5": (
"1": (
("","","Oďijájsja svítom jáko rízoju, k tebí útreňuju, i tebí zovú: dúšu mojú prosvití omračénnuju Christé, jáko jedín blahoutróben."),
("","","Íže slávy Hospóď v neslávňi zráci, na drévi obezčéščen vóleju vísit, o božéstvenňij mňí slávi neskazánno promyšľája."),
("","","Tý mja preoblékl jesí v netľínije, Christé, tlí smértnyja neistľínno plótiju vkúš, i vozsijáv iz hróba tridnéven."),
("Bohoródičen","","Tý právdu že i izbavlénije nám róždši Christá bez símene, svobódno soďíjala jesí ot kľátvy Bohoródice, jestestvó práotca."),
),
"2": (
("","","Utreňújušče vopijém tí Hóspodi, spasí ný: Ty bo jesí Bóh náš, rázvi tebé inóho ne znájem."),
("","","Prostérl jesí dláni Spáse náš na drévi, vsjá prizyvája k sebí, jáko čelovikoľúbec."),
("","","Pľiníl jesí ád Spáse mój tvojím pohrebénijem, i tvojím voskresénijem rádosti vsjá ispólnil jesí."),
("","","Voskrés ot hróba tridnévno žiznodávče, i vsím istočíl jesí bezsmértije nehíbľuščeje."),
("Bohoródičen","","Ďívu po roždeství vospivájem ťá Bohoródice: tý bo Bóha Slóva plótiju mírovi rodilá jesí."),
),
"3": (
("","","Oďijájsja svítom jáko rízoju, k tebí útreňuju, i tebí zovú: dúšu mojú prosvití omračénnuju Christé, jáko jedín blahoutróben."),
("","","Vsí prorócy ťá jávi predvozvistíša choťáščuju býti Bóžiju Máter, Bohoródice čístaja: jedína bo obrilásja jesí čístaja, soveršénna neporóčnaja."),
("","","Svítel óblak ťá živótnyja vodý, nám túču netľínija Christá odoždívšij otčájannym, čístaja, poznavájem."),
("","","Jáko blíz vsjú ťa dóbru i neporóčnu, zapečatľínnu ďívstvom čísťi vozľubí, v ťá vselívyjsja Bóh, jáko jedín blahoutróben."),
),
),
"P6": (
"1": (
("","","Neístovstvujuščejesja búreju dušetľínnoju, Vladýko Christé, strastéj móre ukrotí, i ot tlí vozvedí mja jáko blahoutróben."),
("","","V tľínije popólzsja rodonačáľnik, Vladýko Christé, preslúšannaho brášna vkúš, i k životú vozvedén býsť strástiju tvojéju."),
("","","Živót nizšél jesí ko ádu, Vladýko Christé, i tľínije rastľívšemu býv, tľínijem istočíl jesí voskresénije."),
("Bohoródičen","","Ďíva rodí, i róždši prebýsť čistá, na rukú nosjáščaho vsjáčeskaja, jáko voístinnu Ďíva Máti ponésšaja."),
),
"2": (
("","","Obýde mjá bézdna, hrób mňí kít býsť, áz že vozopích k tebí čelovikoľúbcu, i spasé mjá desníca tvojá Hóspodi."),
("","","Prostérl jesí dláni tvojí, sobirája daléče rastočénnaja jazýk tvojích sobránija, Christé Bóže náš, živonósnym krestóm tvojím, jáko čelovikoľúbec."),
("","","Pľiníl jesí smérť, i vratá ádova sokrušíl jesí, Adám že svjázannyj razrišén býv, vopijáše tebí: spasé mja desníca tvojá Hóspodi."),
("Bohoródičen","","Kupinú ťa neopalímu, i hóru i ľístvicu oduševlénu, i vratá nebésnaja dostójno slávim, Maríje slávnaja, pravoslávnych pochvaló."),
),
"3": (
("","","Neístovstvujuščejesja búreju dušetľínnoju, Vladýko Christé, strastéj móre ukrotí, i ot tlí vozvedí mja jáko blahoutróben."),
("","","Íže vsemú vinóvnyj, i jéže býti vsím podávyj, jáko vinóvnu imjáše voploščájem, jéže po nám, ťá Bohomáti vseneporóčnaja."),
("","","Iscilénij Vladýčice, dušepitáteľnyj točáščij istóčnik vírno pritekájuščym k pokróvu tvojemú blahoslávnomu, vímy ťá vseneporóčnaja."),
("","","Spáséniju vinóvna Žiznodávca rodilá jesí nám, víčnoje izbavlénije dárujuščaho, ístinnuju Bohoródicu ťá propovídajuščym."),
),
),
"K": (
("","Sobeznačáľnoje Slóvo","Ko ádu Spáse mój sošél jesí, i vratá sokrušívyj jáko vsesílen, uméršich jáko sozdáteľ sovoskresíl jesí, i smérti žálo sokrušíl jesí, i Adám ot kľátvy izbávlen býsť, čelovikoľúbče. Ťímže vsí zovém: spasí nás Hóspodi."),
("","","Uslýšavša žený ánhelovy hlahóly, otložíša rydánije, rádostny bývša i trépetny, úžas bo víďiša, i sé Christós priblížisja k ním, hlahóľa: jéže, rádujtesja, derzájte, áz míra pobidích, i úzniki svobodích, potščítesja úbo ko učenikóm, vozviščájuščja ím: jáko varjáju vý vo hráďi haliléjsťim, jéže propovídati. Ťímže vsí tebí zovém: spasí nás Hóspodi."),
),
"P7": (
"1": (
("","","Prevoznosímyj otcév Hospóď plámeň uhasí, ótroki orosí, sohlásno pojúščyja: Bóže, blahoslovén jesí."),
("","","Plótiju oblóžsja jákože na údici ľščénija, božéstvennoju tvojéju síloju zmíja nizvlékl jesí vozvoďá vopijúščyja: Bóže, blahoslovén jesí."),
("","","Zemlí neprochódnoje osuščestvovávyj sostavlénije, vo hróbi pokryvájetsja plótiju nevmistímyj. Jemúže vsí pojém: Bóže, blahoslovén jesí."),
("Bohoródičen","","Jedínu úbo ipostás vo dvojú jestestvú, vseneporóčnaja rodilá jesí voploščénnaho Bóha. Jemúže vsí pojém: Bóže, blahoslovén jesí."),
),
"2": (
("","","V peščí óhnenňíj pisnoslóvcy spasýj ótroki, blahoslovén Bóh otéc nášich."),
("","","Íže drévom krestnym ídoľskuju prélesť razrišívyj, blahoslovén Bóh otéc nášich."),
("","","Voskrésýj iz mértvych, i súščyja vo áďi sovozdvíhnuvyj, blahoslovén Bóh otéc nášich."),
("","","Tvojéju smértiju Christé, smértnuju razór deržávu, blahoslovén Bóh otéc nášich."),
("Bohoródičen","","Íže ot Ďívy róžďsja, i Bohoródicu sijú pokazávyj, blahoslovén Bóh otéc nášich."),
),
"3": (
("","","Prevoznosímyj otcév Hospóď plámeň uhasí, ótroki orosí, sohlásno pojúščyja: Bóže, blahoslovén jesí."),
("","","Neopreďilénnyj prebýv neprelóžen, plóti po ipostási sojedinísja, jáko blahoutróben, v tebí presvjaťíj: íže jedín blahoslovén Bóh otéc nášich."),
("","","Nevístu ťá vseneporóčnuju Bohoródice Vladýčice, sohlásno slávim i prestól ziždíteľa tvojehó. Jemúže vsí pojém: Bóže, blahoslovén jesí."),
("","","Máti vsích carjá, očíščšisja Dúchom Ďívo, bylá jesí, tebé sozdávšaho. Jemúže vsí pojém: Bóže, blahoslovén jesí."),
("","","Spásé mja Hospóď, Bohomáti prečístaja, odéždeju plóti iz tebé oďíjavsja. Jemúže vsí pojém: Bóže, blahoslovén jesí."),
),
),
"P8": (
"1": (
("","","Tebí vseďíteľu, v peščí ótrocy, vsemírnyj lík splétše pojáchu: ďilá vsjákaja Hóspoda pójte, i prevoznosíte vo vsjá víki."),
("","","Tý o vólňij spasíteľnyja strásti pomolílsja jesí čáši, jákože nevólňij: dvá choťínija, dvimá bo po kojemúždo nósiši suščestvóma Christé, vo víki."),
("","","Tvojím vseďíteľnym schoždénijem, ád Christé, porúhannyj izblevá vsjá, jáže drévle léstiju umerščvlénnyja, tebé prevoznosjáščyja vo vsjá víki."),
("Bohoródičen","","Ťá jáže páče umá Bohomúžňi slóvom róždšuju Hóspoda, i ďívstvujuščuju, vsjá ďilá Ďívo blahoslovím, i prevoznósim vo vsjá víki."),
),
"2": (
("","","Iz Otcá préžde vík roždénnaho Sýna i Bóha, í v posľídňaja ľíta voploščénnaho ot Ďívy Mátere, svjaščénnicy pójte, ľúdije prevoznosíte vo vsjá víki."),
("","","Íže na kresťí vóleju dláni prostéršaho, i úzy smértnyja razrušívšaho Christá Bóha, svjaščénnicy pójte, ľúdije prevoznosíte vo vsjá víki."),
("","","Íže jáko ženichá iz hróba vozsijávšaho Christá Bóha, i mironósicam jávľšahosja, i rádosť ťím proviščávša, svjaščénnicy pójte, ľúdije prevoznosíte vo vsjá víki."),
("Bohoródičen","","Cheruvím prevýšši javílasja jesí Bohoródice čístaja, vo črévi tvojém, íže na ťích nosímaho ponésši: jehóže so bezplótnymi čelovícy slavoslóvim vo vsjá víki."),
),
"3": (
("","","Tebí vseďíteľu, v peščí ótrocy, vsemírnyj lík splétše pojáchu: ďilá vsjákaja Hóspoda pójte, i prevoznosíte vo vsjá víki."),
("","","Prestá nýňi jáže práotčaja pečáľ, rádosť prijémši tí Bohomáterni. Ťímže neprestánno pojém ťá Ďívo, i prevoznósim vo vsjá víki."),
("","","Pojét s námi bezplótnych sobór, Ďívo roždestvó tvojé nepostižímoje, jedín lík sostávľše ľubóviju, i prevoznosjášče jehó vo víki."),
("","","Strujá prozráčnaja bezsmértija otrokovíce iz tebé izýde, íže vsích Hospóď, skvérnu omyvája víroju ťá pojúščich, i prevoznosjáščich vo vsjá víki."),
("","","Božéstvennyj voístinnu, i svitonósnyj prestól, i skrižáli blahodáti ispovídujem ťá, Slóvo Ďívo Ótčeje jáko prijémšuju: jehóže prevoznósim vo vsjá víki."),
),
),
"P9": (
"1": (
("","","Isáije likúj, Ďíva imí vo črévi, i rodí Sýna Jemmanújila, Bóha že i čelovíka, vostók ímja jemú: jehóže veličájušče, Ďívu ublažájem."),
("","","Pádšaho čelovíka vosprijál jesí Vladýko Christé, iz ložésn devíčeskich vsemú sovokúpľsja, hrichú že ni jedínomu pričáščsja: vsehó ot istľínija tý svobodíl jesí prečístymi tvojími strásťmí."),
("","","Bohotóčnoju króviju istoščénnoju Vladýko Christé, ot tvojích prečístych rébr i životvorjáščich, žértva úbo prestá ídoľskaja, vsjá že zemľá tebí chvalénija žértvu prinósit."),
("Bohoródičen","","Ne Bóha bezplótna, nižé páki čelovíka prósta proizvedé čístaja otrokovíca, i neskvérnaja: no čelovíka soveršénna, i nelóžno soveršénna Bóha. Jehóže veličájem so Otcém že i Dúchom."),
),
"2": (
("","","Ťá páče umá i slovesé Máter Bóžiju, v ľíto Bezľítnaho neizrečénno róždšuju, vírniji jedinomúdrenno veličájem."),
("","","Tebé íže na kresťí strásť podjémšaho, i ádovu sílu smértiju sokrušívšaho, vírniji pravoslávno veličájem."),
("","","Tebé iz hróba tridnévno voskrésša, i ád pľinívšaho, i mír prosvitívšaho, vírniji jedinomúdrenno veličájem."),
("Bohoródičen","","Rádujsja Bohoródice, Máti Christá Bóha, jehóže rodilá jesí, molí prehrišénij ostavlénije darováti, víroju pojúščym ťá."),
),
"3": (
("","","Isáije likúj, Ďíva imí vo črévi, i rodí Sýna Jemmanújila, Bóha že i čelovíka, vostók ímja jemú: jehóže veličájušče, Ďívu ublažájem."),
("","","Ot čístych krovéj tvojích usyrísja plóť prejestéstvenno vsích soďíteľu, jedinoródnomu Sýnu Rodítelevu, ne ot múža, bez símene že úmna i oduševlénna, Bohoródice prisnoďívo."),
("","","Obchodímoje ustávila jesí smérti neuderžímoje stremlénije, róždši plótiju voístinnu páče umá žízň víčnuju: jéjže prilóžsja ustý hórkimi ád uprazdnísja, presvjatája Máti Ďívo."),
("","","Na prestóľi siďá Sýn tvój Vladýčňi, rjásny ťá zlatými božéstvennych dobroďítelej svít sijájušču, odesnúju postávi sebé čístaja, dajá čésť jáko Máteri tebí, vseneporóčnaja."),
("","","Páče umá roždestvó tvojé Bohomáti: bez múža bo začátije v tebí, i ďivíčeski roždénije býsť: íbo Bóh jésť roždéjsja, jehóže veličájušče, ťá Ďívo ublažájem."),
),
),
),
"CH": (
("","","Hóspodi, zapečátanu hróbu ot bezzakónnikov, prošél jesí iz hróba, jákože rodílsja jesí ot Bohoródicy: ne urazumíša, káko voplotílsja jesí, bezplótniji tvojí ánheli: ne čúvstvovaša, kohdá voskrésl jesí, strehúščiji ťá vójini. Obojá bo zapečatľístasja ispytújuščym, javíšasja že čudesá kláňajuščymsja víroju táinstvu: jéže vospivájuščym, vozdážď nám rádosť i véliju mílosť."),
("","","Hóspodi, verejí víčnyja sokrušív, i úzy rasterzáv, ot hróba voskrésl jesí, ostávľ tvojá pohrebáľnaja, vo sviďíteľstvo ístinnaho tridnévnaho tvojehó pohrebénija: i predvaríl jesí v Haliléi, v peščéri strehómyj. Vélija tvojá mílosť, nepostižíme Spáse, pomíluj i spasí nás."),
("","","Hóspodi, žený tekóša na hrób, víďiti ťá Christá nás rádi postradávšaho, i prišédša, obritóša ánhela na kámeni siďášča, stráchom otváľšemsja, i k ním vozopí hlahóľa: voskrése Hospóď, rcýte učenikóm, jáko voskrése ot mértvych, spasájaj dúšy náša."),
("","","Hóspodi, jákože izšél jesí ot zapečátannaho hróba, táko všél jesí i dvérem zakľučénym ko učenikóm tvojím, pokazúja ím ťilésnaja stradánija, jáže podjál jesí Spáse dolhoterpilívyj: jáko ot símene Davídova jázvy preterpíl jesí: jáko Sýn že Bóžij, mír svobodíl jesí. Vélija tvojá mílosť, nepostižíme Spáse, pomíluj i spasí nás."),
("","","Hóspodi carjú vikóv, i tvórče vsích, nás rádi raspjátije i pohrebénije plótiju prijímyj, da nás ot áda svobodíši vsích: tý jesí Bóh náš, rázvi tebé inóho ne vímy."),
("","","Hóspodi, presijájuščaja tvojá čudesá któ ispovísť? Ilí któ vozvistít strášnaja tvojá táinstva? Vočelovéčivyjsja bo nás rádi, jáko sám voschoťíl jesí, deržávu javíl jesí síly tvojejá: krestóm bo tvojím razbójniku ráj otvérzl jesí, i pohrebénijem tvojím verejí ádovy sokrušíl jesí, voskresénijem že tvojím vsjáčeskaja obohatíl jesí: blahoutróbne, Hóspodi, sláva tebí."),
("","","Mironósicy žený hróba tvojehó dostíhša, ziló ráno iskáchu tebé míry pomázati, bezsmértnaho Slóva i Bóha: i ánhela hlahóly ohlasívšasja, vozvraščáchusja rádostiju, apóstolom vozvistíti jávi, jáko voskrésl jesí, životé vsích, i pódal jesí mírovi očiščénije i véliju mílosť."),
("","","Bohoprijátnaho hróba ko judéjom strážije hlahólachu: o vášeho sujemúdrennaho sovíta! Streščí neopísannaho pokusívšesja, vsúje trudístesja, sokrýti voskresénije raspjátaho choťášče, jásno pokazáste. O vášeho sujemúdrennaho sobórišča! Čtó páki sokrýti sovítujete, jéže nekrýjetsja? Páče že ot nás uslýšite, i vírovati voschoščíte bývšich ístiňi: ánhel molnijenósec s nebesé sošéd kámeň otvalí, jehóže stráchom mértvostiju soderžími býchom, i vozhlasív kripkoúmnym mironósicam, hlahólaše ženám: ne zrité li stražéj umerščvlénija, i pečátej razrišénija, ádova že istoščánija? Počtó pobídu ádovu uprazdnívšaho, i smértnoje žálo sokrušívšaho, jáko mértva vzyskújete? Blahovistíte že skóro šédša apóstolom voskresénije, bez strácha zovúščja: voístinnu voskrése Hospóď, imíja véliju mílosť."),
),
)
#let L = (
"B": (
("","","Razbójnik na kresťí Bóha ťá býti vírovav, Christé, ispovída ťá čísťi ot sérdca, pomjaní mja Hóspodi, vopijá, vo cárstviji tvojém."),
("","","Íže na drévi krestňim žízň procvítšaho ródu nášemu, i izsušívša júže ot dréva kľátvu, jáko Spása i soďíteľa sohlásno vospojím."),
("","","Smértiju tvojéju Christé, smértnuju razrušíl jesí sílu, i sovozdvíhl jesí íže ot víka uméršyja, ťá pojúščyja ístinnaho Bóha i Spása nášeho."),
("","","Na hrób tvój Christé, prišédša žený čestnýja, iskáchu ťá žiznodávče miropomázati, i javísja ím ánhel vopijá: voskrése Hospóď."),
("","","Raspénšu ti sja Christé, posreďí dvojú osuždénnoju razbójniku, jedín úbo chúľa ťá, osuždén býsť právedňi: druhíj že ispovídaja ťá, v ráj vselísja."),
("Tróičen","","Ko apóstolov líku prišédša žený čestnýja, vozopíša: Christós voskrése, jáko Vladýci i soďíteľu tomú poklonímsja."),
("Bohoródičen","","Tróice nerazďíľnaja, jedínice vseďíteľnaja i vsesíľnaja, Ótče, Sýne i svjatýj Dúše, tebé pojém ístinnaho Bóha i Spása nášeho."),
("","","Rádujsja oduševlénnyj chráme Bóžij i vratá neprochodímaja: rádujsja neopalímyj i ohneobráznyj prestóle: rádujsja Máti Jemmanúila, Christá Bóha nášeho."),
),
"TKB": (
("","","Sobeznačáľnoje Slóvo Otcú i Dúchovi, ot Ďívy róždšejesja na spasénije náše, vospojím vírniji i poklonímsja: jáko blahovolí plótiju vzýti na krest, i smérť preterpíti, i voskresíti uméršyja slávnym voskresénijem svojím."),
("","Sobeznačáľnoje Slóvo","Ko ádu Spáse mój sošél jesí, i vratá sokrušívyj jáko vsesílen, uméršich jáko sozdáteľ sovoskresíl jesí, i smérti žálo sokrušíl jesí, i Adám ot kľátvy izbávlen býsť, čelovikoľúbče. Ťímže vsí zovém: spasí nás Hóspodi."),
("Bohoródičen","","Rádujsja dvére Hospódňa neprochodímaja: rádujsja sťinó i pokróve pritekájuščich k tebí. Rádujsja, neoburevájemoje pristánišče, i neiskusobráčnaja, róždšaja plótiju tvorcá tvojehó i Bóha: moľášči ne oskuďiváj o vospivájuščich, i kláňajuščichsja roždestvú tvojemú."),
),
"P": (
("","","Tý Hóspodi sochraníši ný, i sobľudéši ný ot róda sehó i vo vík."),
("","","Spasí mja Hóspodi, jáko oskuďí prepodóbnyj."),
("","","Mílosti tvojá Hóspodi vo vík vospojú, v ród i ród vozviščú ístinu tvojú ustý mojími."),
("","","Zané rékl jesí: v vík mílosť sozíždetsja, na nebesích uhotóvitsja ístina tvojá."),
),
)
|
|
https://github.com/Ttajika/typst_slide | https://raw.githubusercontent.com/Ttajika/typst_slide/main/main.typ | typst | #import "library/slide_template.typ": *
#show "．" : "。"
#show: project.with(
title:"Slide Title", //スライドのタイトル
authors: ("Author1", "<NAME>"), //著者名
institutions: ("Nihon University",), //所属
math-font:"Fira Math", //数式フォント
size:24pt,
header-outline:true, //headingにアウトラインの表示(level1のみ)
header-number:false, //節番号を見出しに表示
//footer: [#table(columns:(1fr,1fr), stroke: (top:.1em+white,bottom:0em,left:0em, right:0em), [Authors Name],[Short Title])],
header-numbering_inf:2,
theme: BlackBoard
//margin:(right:20pt,top:10pt, left:20pt, bottom:10pt)
)
//Themeはいまのところ， BlackBoard, default-theme, Simple, Tropical
//これ以降を改変してください
= outline
#slide-outline()
= heading
<head>
- headingを使ってスライドを作ります．
- 箇条書き
- 箇条書き
+ 番号付きの箇条書き
+ 番号付きの箇条書き
= heading 2
headlineのレベル1のみが上のアウトラインに表示されます．
#slide(title:"スライドのタイトル")[
- ```#slide``` でスライドを作ることも可能です．タイトルはtitle, ラベルはslabelの引数を使います
#theorem(label:"lab")[
異なる定理には異なるラベルを付けてください。ラベルが同じだと同じ番号が付きます。
]
]
#slide(title:"スライドのタイトル",level:2)[
- レベルを下げると以下の通りです．
#theorem(label:"lab")[
異なる定理には異なるラベルを付けてください。ラベルが同じだと同じ番号が付きます。
]
]
次のボタンは最初のスライドへ行くボタン #button(<head>)[button]
- 現在のスライド番号は #showslidenumber()
- ラベルを用いてスライド番号を参照可能 #showslidenumber(label:<head>)
#slide(title:"Dynamic Slide")[
- 動的なスライドは```#slide```を使ってください．
#only(1)[二枚目に登場]
#only((1,3))[２枚目と４枚目に登場]
#onlya(2)[3枚目以降に登場]
#only(2,mode:"t")[
#theorem(label:"la", title:"すごい定理")[
動的スライドでも定理番号は変わりません
]]
#theorem(kind:"定理", label:"ru")[定理にも変えられる]
]
==
次のようなショートカットもできます．
#let 定理(label:label,body) = {theorem(kind:"定理",label:label)[#body]}
#定理(label:"ya")[定理です]
#metadata("sss") #label("aa")
#slide(title:[Pauseの設定1],level:2)[
スライドめくりの番号指定が面倒ならpauseも使えます．
#pause[pause1]
#pause[pause2]
]
#slide(title:[Pauseの設定2],level:2)[
pauseの設定も色々 a#pause(mode:"t")[pauseA]
#pause(mode:"h")[pauseB]
#pause(mode:"t")[#bbox(title:"ただの箱x")[PauseC]]
#bbox(title:"ただの箱",title_color:green,boxcolor:yellow)[箱の中身]
]
= 数式
$
a x^2+2b x+c\
F(x)= sum_(i =1 )^n f_i (x)
$
= code
#import "@preview/codly:0.2.0": *
#let icon(codepoint) = {
box(
height: 0.8em,
baseline: 0.05em,
image(codepoint)
)
h(0.1em)
}
#show: codly-init.with()
#codly(
)
#text(fill:black)[
```python
def function(text):
for i in range(10):
print(i)
return(str(i+1)+"abc"+text)
```
]
#slide(title:[ 図(CeTZ)])[
// https://typst.app/universe/package/cetz/
//#context subslide_c.get() //debug用
#context[
#columns[
#cetz.canvas({import cetz.chart
let data = (24, 31, 18, 21, 23, 18, 27, 17, 26, 13)
let colors = gradient.linear(red, blue, green, yellow)
chart.piechart(
data,
radius: 3.5,
slice-style: colors,
inner-radius: .5,
outer-label: (content: "%",))})
//CeTZ Objectをdynamic slideにするときは次のようにする．
// 1. contextで囲む
// 2. 番号を指定してconlyで囲む. conly((指定番号), 内容)とする．
#cetz.canvas(
{
import cetz.plot
import cetz.draw: *
conly((0,1,2),
plot.plot(size: (8,8), name: "plot",
x-tick-step: none, y-tick-step: none, {
plot.add(((0,0), (1,1), (2,.5), (4,3)))
plot.add-anchor("pt", (1,1))
}))
conly((1,2),
{line("plot.pt", ((), "-|", (0,1.5)), mark: (start: ">"), name: "line")
line((0,0),(1,1),stroke:white+12pt)
}
)
conly((2),content("line.end", [Here], anchor: "east", padding: 0))
})
]
]]
= 参考
#show link: underline
- Polylux: another package for creating slides in Typst\
- https://typst.app/universe/package/polylux
- #link("https://www.dropbox.com/scl/fi/dz8s2hgp0amouck2apboe/Typst_start.pdf?rlkey=<KEY>&st=0a6zlk55&dl=0")[Typstの使い方]
|
|
https://github.com/veilkev/jvvslead | https://raw.githubusercontent.com/veilkev/jvvslead/Typst/sys/packages.typ | typst | #import "@preview/badgery:0.1.1": *
#import "@preview/bob-draw:0.1.0": *
#import "@preview/cheq:0.1.0": checklist
#import "@preview/codedis:0.1.0": code
#import "@preview/fontawesome:0.4.0": *
#import "@preview/note-me:0.2.1": *
#import "@preview/diagraph:0.2.0": *
// Draw arrow to object
#import "@preview/pinit:0.2.0": *
// Complex boxes with icon on top left
//#import "@preview/gentle-clues:0.9.0": *
// Simplified box with icon
//#import "@preview/babble-bubbles:0.1.0": *
// Simple boxes
#import "@preview/showybox:2.0.1": *
// For colored boxes
#import "@preview/colorful-boxes:1.3.1": slanted-colorbox
#import "@preview/colorful-boxes:1.3.1": stickybox
// For diagrams with nodes
#import "@preview/cetz:0.2.2": *
// For shadows
#import "@preview/umbra:0.1.0": *
// Aligning items (side-by-side/wrapped)
#import "@preview/oasis-align:0.1.0": *
// Repeating patterns
#import "@preview/modpattern:0.1.0": *
// For keyboard art
#import "@preview/keyle:0.2.0": *
// For tables
#import "@preview/easytable:0.1.0": easytable, elem
#import elem: *
|
|
https://github.com/FrightenedFoxCN/cetz-cd | https://raw.githubusercontent.com/FrightenedFoxCN/cetz-cd/main/README.md | markdown | # CeTZ commutative diagrams
This is a project to complement to the [CeTZ package](https://github.com/johannes-wolf/cetz) of [Typst](https://typst.app/) in an attempt to align to tikz-cd format. Only for personal use currently, without any guarantee.
## Description of the DSL
In order to align to tikz-cd api without losing sight of the design philosophy of Typst, we use raw text as parameters. For example, the main content goes like
```typst
#cetz-cd(```
$...$ ar[r] & $C_(n + 1)$ ar[r] ar[d] ar[ld] & $C_n$ ar[r] ar[d] ar[ld] & $C_(n - 1)$ ar[r] ar[d] ar[ld] & $...$ ar[ld];
$...$ ar[r] & $D_(n + 1)$ ar[r] & $D_n$ ar[r] & $D_(n - 1)$ ar[r] & $...$
```)
```
while tikz-cd presents as
```latex
\begin{tikzcd}
\cdots \rar & C_{n + 1} \rar \dar \ar[ld] & C_n \rar \dar \ar[ld] & C_{n - 1} \rar \dar \ar[ld] & \cdots \ar[ld] \\
\cdots \rar & D_{n + 1} \rar & D_n \rar & D_{n - 1} \rar & \cdots
\end{tikzcd}
```
## TODO
- [x] Arrow styles, especially label. It calls for a complete redesign of arrow representation
- [ ] Some snipets, only for my own convenience
- [x] Refactor the code
- [ ] Rewrite the manual
- [ ] Support for better arrows, styles, bent & offset
- [ ] Reuse `\` as line break, or use `,` as item break |
|
https://github.com/soul667/typst | https://raw.githubusercontent.com/soul667/typst/main/PPT/typst-slides-fudan/themes/polylux/book/src/dynamic/line-by-line.typ | typst | #import "../../../polylux.typ": *
#set page(paper: "presentation-16-9")
#set text(size: 50pt)
#polylux-slide[
#line-by-line[
- first
- second
- third
]
]
|
|
https://github.com/pku-typst/PKU-typst-template | https://raw.githubusercontent.com/pku-typst/PKU-typst-template/main/templates/通用/作业/lib.typ | typst | MIT License | #import "@preview/linguify:0.4.1": load_ftl_data, linguify
#import "themes/simple.typ" as simple
#import "themes/sketch.typ" as sketch
#let languages = (
"zh",
"en",
)
#let lgf_db = eval(load_ftl_data("./L10n", languages))
#let linguify = linguify.with(from: lgf_db)
/// Theme module:
/// title: (..args) -> content
/// other: (doc) -> content
#let themes = (
simple: simple,
sketch: sketch,
)
#let available_themes = themes.keys()
#let config(
course_name: none,
student_name: none,
student_id: none,
theme: "simple",
doc,
..args,
) = {
assert(type(theme) == str, message: "Invalid theme type, expected str")
assert(available_themes.contains(theme), message: "Invalid theme " + theme)
args.named()
let config_args = args.pos()
let config_kwargs = (
course_name: course_name,
student_name: student_name,
student_id: student_id,
) + args.named()
let t = themes.at(theme)
return [
#show: t.other
#t.title(..config_args, ..config_kwargs)
#doc
]
}
/// Homework problem:
///
/// Usage:
/// ```typc
/// hw_ex("5.1 光子气体")[题目内容][解答]
/// ```
#let hw_prob(name, problem, solution) = {
heading(name, bookmarked: true, level: 1)
problem
heading(
context [#linguify("solution")],
bookmarked: true,
level: 2,
)
solution
pagebreak(weak: true)
}
|
https://github.com/KhalilAMARDJIA/booker | https://raw.githubusercontent.com/KhalilAMARDJIA/booker/master/_extensions/booker/typst-template.typ | typst | // color palette settings
#let main_color = rgb(5, 142, 217)
#let secondary_color = main_color.rotate(180deg)
#let accent_color = secondary_color.rotate(10deg).saturate(90%)
#let cover_page_color = main_color.rotate(180deg).rotate(180deg).desaturate(50%)
// constrast ratio function for the cover page between the text and the background color
#let relative_luminance((r, g, b, a)) = {
return 0.2126 * r + 0.7152 * g + 0.0722 * b
}
#let contrast_ratio(color1, color2)= {
let rl1 = relative_luminance(color1.components())
let rl2 = relative_luminance(color2.components())
return calc.max((rl1 + 5%) / (rl2 + 5%), (rl2 + 5%) / (rl1 + 5%))
}
// fonts settings
#let dark_text = rgb(15, 10, 10)
#let cover_page_text = main_color.rotate(180deg).negate()
#if contrast_ratio(cover_page_color, cover_page_text) < 4.5 {
if relative_luminance(cover_page_color.components()) > 50% {
cover_page_text = cover_page_color.darken(80%)
} else {
cover_page_text = cover_page_color.lighten(80%)
}
} else { cover_page_text = cover_page_text }
#let cover_page_line = cover_page_color.saturate(99%).rotate(180deg).negate()
#let version_box(body) = {
box(
fill: main_color.lighten(90%),
inset: 0.1em,
outset: 0.1em,
stroke: (paint: main_color, thickness: 0.3pt, dash: "solid"),
radius: 0.3em,
body,
)
}
#let blockquote(body) = {
block(
width: 100%,
fill: secondary_color.lighten(90%),
inset: 2em,
stroke: (
left: (paint: accent_color.lighten(50%), thickness: 0.1em, dash: "solid"),
),
radius: 0.3em,
body,
)
}
#let grid_2(body1, body2)= {
align(horizon, grid(columns: 2, gutter: 1em, [#body1], [#body2]))
}
#let example_counter = counter("example")
#let blockexample(body) = {
grid_2(
box(stroke: (bottom: main_color),
[E.g. #example_counter.display()]),
box(
align(body, left),
stroke: main_color,
fill: main_color.lighten(80%),
outset: 1em)
)
example_counter.step()
}
#let example(body) = {
figure(kind: "example", supplement: [E.g.], blockexample(body))
}
#let main_fonts = ("Latin Modern Roman 12","IBM Plex Serif", "Merriweather")
#let math_fonts = ("MathJax_Math", "New Computer Modern Math")
#let mono_fonts = ("Iosevka NF", "Monolisa", "STIX MathJax Monospace")
#let book(
title: none,
subtitle: none,
author: none,
logo: none,
date: none,
version: none,
figure-index: (enabled: false, title: ""), // Display an index of figures (images).
table-index: (enabled: false, title: ""), // Display an index of tables
listing-index: (enabled: false, title: ""), // Display an index of listings (code blocks).
body,
)= {
// Set the document's metadata.
set document(title: title)
set cite(style: "american-geophysical-union")
// Set Cover page
set page(paper: "a4")
set text(hyphenate: false)
set par(justify: true)
page(
background: rect(fill: cover_page_color, width: 100%, height: 100%),
margin: (top: 6em, bottom: 6em, left: 5em, right: 5em),
header: grid(
columns: (1fr, 1fr, 1fr),
[#if logo != none {
image(logo, height: 3em)
}],
[],
text(
size: 1em,
fill: cover_page_text,
weight: 400,
font: main_fonts,
)[VERSION | *#version*],
align: (left + horizon, center + horizon, right),
),
box(
grid( // the box is only for the top stroke
columns: (1fr),
rows: (2fr, 0.8fr, 0.8fr),
grid(columns: 1, gutter: 4em, box(text(
size: 2em,
fill: cover_page_text,
weight: 500,
font: main_fonts,
align(upper(title), right),
), width: 90%, stroke: (right: cover_page_line), inset: 1em), box(text(
size: 1.3em,
fill: cover_page_text,
weight: 400,
font: main_fonts,
align(subtitle, left),
), width: 90%, inset: 1em, stroke: (left: cover_page_line))),
[],
grid(columns: (1fr, 1fr, 1fr), text(
size: 1.3em,
fill: cover_page_text,
weight: 200,
font: main_fonts,
)[#author], [], text(
size: 1.3em,
fill: cover_page_text,
weight: 400,
font: main_fonts,
)[#date], align: (left, center, right)),
align: center + horizon,
),
stroke: (top: cover_page_line + 0.1em),
),
)
set par(justify: true)
set block(spacing: 2em) // space between paragraphs
set text(font: main_fonts, size: 10pt, weight: 300, hyphenate: false)
show math.equation: set text(font: math_fonts, size: 10pt)
show raw: set text(font: mono_fonts, size: 9pt)
show raw: body => {
align(left, rect(
inset: (top: 1em, bottom: 1em, left: -7em, right: -7em),
outset: (top: 1em, bottom: 1em, left: 15em, right: 15em),
fill: luma(95%),
stroke: (paint: main_color, thickness: 0.2em),
radius: 1em,
width: 100%,
[#underline[R code example:] #body],
))
}
// Configure footer
set page(margin: (top: 6em, bottom: 5em, left: 10em, right: 8em), footer: grid(
columns: (1fr, 1fr, 1fr),
align: (left, center, right),
gutter: 0.5em,
[],
[],
align(counter(page).display("1 of 1", both: true), right),
))
// Crossref settings
show ref : it =>[
#h(0.3em)
#set text(weight: "regular", font: mono_fonts, size: 0.8em)
#box(
[#it],
stroke: accent_color + 0.04em,
fill: secondary_color.lighten(90%),
outset: 0.2em,
radius: 0.2em,
)
#h(0.3em)
]
// Link settings
show link : it =>[
#h(0.3em)
#set text(weight: "regular")
#box(
[#it],
stroke: main_color + 0.04em,
fill: main_color.lighten(90%),
outset: 0.2em,
radius: 0.2em,
)
#h(0.3em)
]
// Headings settings
set heading(numbering: (..nums) => {
let sequence = nums.pos()
// discard first entry (chapter number)
let _ = sequence.remove(0)
if sequence.len() > 0 {
numbering("1.", ..sequence)
}
})
show heading.where(level: 1): it => {
set text(fill: secondary_color.darken(65%), weight: 1000, size: 1.5em)
set align(right)
pagebreak(weak: true)
block(
smallcaps(it),
outset: (top: 5em, bottom: 0em, left: 10em, right: 10em),
inset: (top: 5em, bottom: -1em, rest: 0em),
fill: main_color.desaturate(70%).lighten(80%),
width: 100%,
stroke: (bottom: main_color + 0.03em),
)
v(1.5em)
}
show heading: set block(inset: (top: 0.5em, bottom: 2em, rest: 0em))
show heading.where(level: 2): set text(fill: main_color.darken(30%), weight: 600, size: 1.3em)
show heading.where(level: 3): set text(fill: main_color.darken(30%), weight: 400, size: 1.1em)
show heading.where(level: 4): set text(fill: main_color.darken(50%), weight: 400, size: 1.05em)
show heading.where(level: 5): set text(fill: secondary_color.darken(50%), weight: 400, size: 1em)
show heading.where(level: 6): set text(fill: secondary_color.darken(50%), weight: 300, size: 1em)
show heading.where(level: 7): set text(fill: secondary_color.darken(50%), weight: 300, size: 1em)
show heading.where(level: 8): set text(fill: secondary_color.darken(50%), weight: 300, size: 1em)
show heading: set text(font: mono_fonts)
// Figure settings
show figure.caption: it =>{
v(0.3em)
set text(
fill: accent_color.darken(70%),
weight: 400,
size: 0.8em,
font: mono_fonts,
)
block(it)
}
// Table settings
show figure.where(kind: table): set figure.caption (position: top)
show figure.where(kind: table): set block(breakable: true)
show figure.where(kind: table):set table.header(repeat: true) // TODO: not working!
set table(
// Increase the table cell's padding
fill: (_, y) => {
if (calc.odd(y)) {
return accent_color.lighten(90%).desaturate(90%);
} else if (y == 0) {
return main_color.lighten(80%).desaturate(50%);
}
},
inset: 0.7em,
stroke: (_, y) => {
if (y == 0) {
return (bottom: main_color, rest: none);
} else {
return none;
}
},
)
show table.cell.where(y: 0): strong
show table: set text(size: 0.7em)
set terms(indent: 1em, separator: " - ")
// add table of content
show outline.entry: it =>{
text([#it], size: 0.9em)
}
show outline.entry.where(level: 1): it => [
#v(0.1em)
#text(
it,
fill: main_color.darken(50%),
size: 1em,
font: mono_fonts,
weight: 700,
)
]
show outline.entry: set text(font: mono_fonts, weight: 300)
outline(indent: auto, depth: 5)
// document body
body
// Display indices of figures, tables, and listings.
let fig-t(kind) = figure.where(kind: kind)
let has-fig(kind) = counter(fig-t(kind)).get().at(0) > 0
if figure-index.enabled or table-index.enabled or listing-index.enabled {
show outline: set heading(outlined: true)
context {
let imgs = figure-index.enabled and has-fig(image)
let tbls = table-index.enabled and has-fig(table)
let lsts = listing-index.enabled and has-fig(raw)
if imgs or tbls or lsts {
pagebreak()
}
if imgs {
outline(
title: figure-index.at("title", default: "Index of Figures"),
target: fig-t(image),
)
}
if tbls {
outline(
title: table-index.at("title", default: "Index of Tables"),
target: fig-t(table),
)
}
if lsts {
outline(
title: listing-index.at("title", default: "Index of Listings"),
target: fig-t(raw),
)
}
}
}
}
|
|
https://github.com/typst-jp/typst-jp.github.io | https://raw.githubusercontent.com/typst-jp/typst-jp.github.io/main/tests/suite/model/footnote.typ | typst | Apache License 2.0 | // Test footnotes.
--- footnote-basic ---
#footnote[Hi]
--- footnote-space-collapsing ---
// Test space collapsing before footnote.
A#footnote[A] \
A #footnote[A]
--- footnote-nested ---
// Test nested footnotes.
First \
Second #footnote[A, #footnote[B, #footnote[C]]] \
Third #footnote[D, #footnote[E]] \
Fourth
--- footnote-nested-same-frame ---
// Currently, numbers a bit out of order if a nested footnote ends up in the
// same frame as another one. :(
#footnote[A, #footnote[B]], #footnote[C]
--- footnote-entry ---
// Test customization.
#show footnote: set text(red)
#show footnote.entry: set text(8pt, style: "italic")
#set footnote.entry(
indent: 0pt,
gap: 0.6em,
clearance: 0.3em,
separator: repeat[.],
)
Beautiful footnotes. #footnote[Wonderful, aren't they?]
--- footnote-break-across-pages ---
// LARGE
#set page(height: 200pt)
#lorem(5)
#footnote[ // 1
A simple footnote.
#footnote[Well, not that simple ...] // 2
]
#lorem(15)
#footnote[Another footnote: #lorem(30)] // 3
#lorem(15)
#footnote[My fourth footnote: #lorem(50)] // 4
#lorem(15)
#footnote[And a final footnote.] // 5
--- footnote-in-columns ---
// Test footnotes in columns, even those that are not enabled via `set page`.
#set page(height: 120pt)
#align(center, strong[Title])
#show: columns.with(2)
#lorem(3) #footnote(lorem(6))
Hello there #footnote(lorem(2))
--- footnote-in-caption ---
// Test footnote in caption.
Read the docs #footnote[https://typst.app/docs]!
#figure(
image("/assets/images/graph.png", width: 70%),
caption: [
A graph #footnote[A _graph_ is a structure with nodes and edges.]
]
)
More #footnote[just for ...] footnotes #footnote[... testing. :)]
--- footnote-duplicate ---
// Test duplicate footnotes.
#let lang = footnote[Languages.]
#let nums = footnote[Numbers.]
/ "Hello": A word #lang
/ "123": A number #nums
- "Hello" #lang
- "123" #nums
+ "Hello" #lang
+ "123" #nums
#table(
columns: 2,
[Hello], [A word #lang],
[123], [A number #nums],
)
--- footnote-invariant ---
// Ensure that a footnote and the first line of its entry
// always end up on the same page.
#set page(height: 120pt)
#lorem(13)
There #footnote(lorem(20))
--- footnote-ref ---
// Test references to footnotes.
A footnote #footnote[Hi]<fn> \
A reference to it @fn
--- footnote-ref-multiple ---
// Multiple footnotes are refs
First #footnote[A]<fn1> \
Second #footnote[B]<fn2> \
First ref @fn1 \
Third #footnote[C] \
Fourth #footnote[D]<fn4> \
Fourth ref @fn4 \
Second ref @fn2 \
Second ref again @fn2
--- footnote-ref-forward ---
// Forward reference
Usage @fn \
Definition #footnote[Hi]<fn>
--- footnote-ref-in-footnote ---
// Footnote ref in footnote
#footnote[Reference to next @fn]
#footnote[Reference to myself @fn]<fn>
#footnote[Reference to previous @fn]
--- footnote-styling ---
// Styling
#show footnote: text.with(fill: red)
Real #footnote[...]<fn> \
Ref @fn
--- footnote-ref-call ---
// Footnote call with label
#footnote(<fn>)
#footnote[Hi]<fn>
#ref(<fn>)
#footnote(<fn>)
--- footnote-in-table ---
// Test footnotes in tables. When the table spans multiple pages, the footnotes
// will all be after the table, but it shouldn't create any empty pages.
#set page(height: 100pt)
= Tables
#table(
columns: 2,
[Hello footnote #footnote[This is a footnote.]],
[This is more text],
[This cell
#footnote[This footnote is not on the same page]
breaks over multiple pages.],
image("/assets/images/tiger.jpg"),
)
#table(
columns: 3,
..range(1, 10)
.map(numbering.with("a"))
.map(v => upper(v) + footnote(v))
)
--- issue-multiple-footnote-in-one-line ---
// Test that the logic that keeps footnote entry together with
// their markers also works for multiple footnotes in a single
// line or frame (here, there are two lines, but they are one
// unit due to orphan prevention).
#set page(height: 100pt)
#v(40pt)
A #footnote[a] \
B #footnote[b]
--- issue-1433-footnote-in-list ---
// Test that footnotes in lists do not produce extraneous page breaks. The list
// layout itself does not currently react to the footnotes layout, weakening the
// "footnote and its entry are on the same page" invariant somewhat, but at
// least there shouldn't be extra page breaks.
#set page(height: 100pt)
#block(height: 50pt, width: 100%, fill: aqua)
- #footnote[1]
- #footnote[2]
--- issue-footnotes-skip-first-page ---
// In this issue, we would get an empty page at the beginning because footnote
// layout didn't properly check for in_last.
#set page(height: 50pt)
#footnote[A]
#footnote[B]
|
https://github.com/Caellian/UNIRI_voxels_doc | https://raw.githubusercontent.com/Caellian/UNIRI_voxels_doc/trunk/content/zakljucak.typ | typst | = Zaključak
#pagebreak()
|
|
https://github.com/cwreed/cv | https://raw.githubusercontent.com/cwreed/cv/main/src/cv.typ | typst | #import "template.typ": *
#import "metadata.typ": *
#import "modules/awards.typ": *
#import "modules/education.typ": *
#import "modules/professional.typ": *
#import "modules/publications.typ": *
#import "modules/research.typ": *
#import "modules/skills.typ": *
#show: layout
#set page(footer: cvFooter(pageNumbers: true))
#cvHeader(hasPhoto: false, align: left, quote: [])
#v(-12pt)
#cvSection("Education")
#nyu-resume
#yale-resume
#sfs-bhutan
#cvSection("Research Experience")
#mcdermid-lab-resume
#bradford-lab-resume
#cvSection("Publications")
#ref
#cvSection("Professional Experience")
#aquabyte-resume
#indigo-resume
#pagebreak()
#cvSection("Grants & Honors")
#v(6pt)
#reverse-order-honors
#cvSection("Skills")
#programming-skill
#ml-tools-skill
#devops-skill
#statistics-skill
#other-skill |
|
https://github.com/typst/packages | https://raw.githubusercontent.com/typst/packages/main/packages/preview/unichar/0.1.0/ucd/block-11F00.typ | typst | Apache License 2.0 | #let data = (
("KAWI SIGN CANDRABINDU", "Mn", 0),
("KAWI SIGN ANUSVARA", "Mn", 0),
("KAWI SIGN REPHA", "Lo", 0),
("KAWI SIGN VISARGA", "Mc", 0),
("KAWI LETTER A", "Lo", 0),
("KAWI LETTER AA", "Lo", 0),
("KAWI LETTER I", "Lo", 0),
("KAWI LETTER II", "Lo", 0),
("KAWI LETTER U", "Lo", 0),
("KAWI LETTER UU", "Lo", 0),
("KAWI LETTER VOCALIC R", "Lo", 0),
("KAWI LETTER VOCALIC RR", "Lo", 0),
("KAWI LETTER VOCALIC L", "Lo", 0),
("KAWI LETTER VOCALIC LL", "Lo", 0),
("KAWI LETTER E", "Lo", 0),
("KAWI LETTER AI", "Lo", 0),
("KAWI LETTER O", "Lo", 0),
(),
("KAWI LETTER KA", "Lo", 0),
("KAWI LETTER KHA", "Lo", 0),
("KAWI LETTER GA", "Lo", 0),
("KAWI LETTER GHA", "Lo", 0),
("KAWI LETTER NGA", "Lo", 0),
("KAWI LETTER CA", "Lo", 0),
("KAWI LETTER CHA", "Lo", 0),
("KAWI LETTER JA", "Lo", 0),
("KAWI LETTER JHA", "Lo", 0),
("KAWI LETTER NYA", "Lo", 0),
("KAWI LETTER TTA", "Lo", 0),
("KAWI LETTER TTHA", "Lo", 0),
("KAWI LETTER DDA", "Lo", 0),
("KAWI LETTER DDHA", "Lo", 0),
("KAWI LETTER NNA", "Lo", 0),
("KAWI LETTER TA", "Lo", 0),
("KAWI LETTER THA", "Lo", 0),
("KAWI LETTER DA", "Lo", 0),
("KAWI LETTER DHA", "Lo", 0),
("KAWI LETTER NA", "Lo", 0),
("KAWI LETTER PA", "Lo", 0),
("KAWI LETTER PHA", "Lo", 0),
("KAWI LETTER BA", "Lo", 0),
("KAWI LETTER BHA", "Lo", 0),
("KAWI LETTER MA", "Lo", 0),
("KAWI LETTER YA", "Lo", 0),
("KAWI LETTER RA", "Lo", 0),
("KAWI LETTER LA", "Lo", 0),
("KAWI LETTER WA", "Lo", 0),
("KAWI LETTER SHA", "Lo", 0),
("KAWI LETTER SSA", "Lo", 0),
("KAWI LETTER SA", "Lo", 0),
("KAWI LETTER HA", "Lo", 0),
("KAWI LETTER JNYA", "Lo", 0),
("KAWI VOWEL SIGN AA", "Mc", 0),
("KAWI VOWEL SIGN ALTERNATE AA", "Mc", 0),
("KAWI VOWEL SIGN I", "Mn", 0),
("KAWI VOWEL SIGN II", "Mn", 0),
("KAWI VOWEL SIGN U", "Mn", 0),
("KAWI VOWEL SIGN UU", "Mn", 0),
("KAWI VOWEL SIGN VOCALIC R", "Mn", 0),
(),
(),
(),
("KAWI VOWEL SIGN E", "Mc", 0),
("KAWI VOWEL SIGN AI", "Mc", 0),
("KAWI VOWEL SIGN EU", "Mn", 0),
("KAWI SIGN KILLER", "Mc", 9),
("KAWI CONJOINER", "Mn", 9),
("KAWI DANDA", "Po", 0),
("KAWI DOUBLE DANDA", "Po", 0),
("KAWI PUNCTUATION SECTION MARKER", "Po", 0),
("KAWI PUNCTUATION ALTERNATE SECTION MARKER", "Po", 0),
("KAWI PUNCTUATION FLOWER", "Po", 0),
("KAWI PUNCTUATION SPACE FILLER", "Po", 0),
("KAWI PUNCTUATION DOT", "Po", 0),
("KAWI PUNCTUATION DOUBLE DOT", "Po", 0),
("KAWI PUNCTUATION TRIPLE DOT", "Po", 0),
("KAWI PUNCTUATION CIRCLE", "Po", 0),
("KAWI PUNCTUATION FILLED CIRCLE", "Po", 0),
("KAWI PUNCTUATION SPIRAL", "Po", 0),
("KAWI PUNCTUATION CLOSING SPIRAL", "Po", 0),
("KAWI DIGIT ZERO", "Nd", 0),
("KAWI DIGIT ONE", "Nd", 0),
("KAWI DIGIT TWO", "Nd", 0),
("KAWI DIGIT THREE", "Nd", 0),
("KAWI DIGIT FOUR", "Nd", 0),
("KAWI DIGIT FIVE", "Nd", 0),
("KAWI DIGIT SIX", "Nd", 0),
("KAWI DIGIT SEVEN", "Nd", 0),
("KAWI DIGIT EIGHT", "Nd", 0),
("KAWI DIGIT NINE", "Nd", 0),
("KAWI SIGN NUKTA", "Mn", 0),
)
|
https://github.com/Error-418-SWE/Documenti | https://raw.githubusercontent.com/Error-418-SWE/Documenti/src/2%20-%20RTB/Documentazione%20esterna/Analisi%20dei%20Requisiti/Analisi%20dei%20Requisiti.typ | typst | #import "/template.typ": *
#show: project.with(
title: "Analisi dei Requisiti",
subTitle: "Warehouse Management 3D (WMS3)",
authors: (
"<NAME>",
"<NAME>",
"<NAME>",
"<NAME>",
),
showLog: true,
isExternalUse: true,
);
#let requirements = json("Requisiti.json");
#let derivedRequirements(reference) = {
box(width: 1fr, stroke: 0.5pt + luma(140), inset: 3pt)[
#text("Requisiti derivati: ", weight: "bold")
#text(requirements.at(reference).join(", ") + ".")
]
}
// WIP, non rimuovere
//
// #let placeDerivedRequirements() = {
// let header = locate(loc => {
// let elems = query(selector(heading).before(loc), loc)
// if elems == () {
// panic("La funzione non ha rilevato di essere in una sezione di UC.")
// }
// else {
// text("Requisiti derivati: ", weight: "bold")
// requirements.at(elems.last().numbering).join(", ")
// "."
// }
// })
// header
// }
= Introduzione
== Scopo del documento
Il presente documento descrive i casi d'uso e i requisiti del progetto _Warehouse Management 3D_, elaborati a partire dal capitolato C5 proposto da Sanmarco Informatica S.p.A e assegnato all'organizzazione dal Committente.
== Glossario
#glo_paragrafo
== Riferimenti <riferimenti>
=== Riferimenti a documentazione interna <riferimenti-interni>
- Documento #glo_v: \
_#link("https://github.com/Error-418-SWE/Documenti/blob/main/2%20-%20RTB/Glossario_v" + glo_vo + ".pdf")_
#lastVisitedOn(13, 02, 2024)
- Documento #ndp_v: \
_#link("https://github.com/Error-418-SWE/Documenti/tree/main/2%20-%20RTB/Documentazione%20interna/Norme%20di%20Progetto_v" + ndp_vo + ".pdf")_
#lastVisitedOn(13, 02, 2024)
=== Riferimenti normativi <riferimenti-normativi>
- Regolamento del progetto didattico: \
_#link("https://www.math.unipd.it/~tullio/IS-1/2023/Dispense/PD2.pdf")_
#lastVisitedOn(13, 02, 2024)
- Standard ISO/IEC/IEEE 12207:2017: \
_#link("https://www.iso.org/obp/ui/en/#iso:std:iso-iec-ieee:12207:ed-1:v1:en")_
#lastVisitedOn(13, 02, 2024)
- Standard ISO/IEC/IEEE 29148:2018: \
_#link("https://ieeexplore.ieee.org/servlet/opac?punumber=8559684")_
#lastVisitedOn(13, 02, 2024)
- SWEBOK Chapter 1: Software Requirements: \
_#link("http://swebokwiki.org/Chapter_1:_Software_Requirements")_
#lastVisitedOn(13, 02, 2024)
=== Riferimenti informativi <riferimenti-informativi>
- Verbali interni;
- Verbali esterni;
- Capitolato "Warehouse Management 3D" (C5) di _Sanmarco Informatica S.p.A._: \
_#link("https://www.math.unipd.it/~tullio/IS-1/2023/Progetto/C5.pdf")_
#lastVisitedOn(13, 02, 2024)
- Documentazione Three.js: \
_#link("https://threejs.org/docs/index.html")_
#lastVisitedOn(13, 02, 2024)
- Analisi dei requisiti: \
_#link("https://www.math.unipd.it/~tullio/IS-1/2023/Dispense/T5.pdf")_
#lastVisitedOn(13, 02, 2024)
- Analisi e descrizione delle funzionalità, Use Case e relativi diagrammi (UML): \
_#link("https://www.math.unipd.it/~rcardin/swea/2022/Diagrammi%20Use%20Case.pdf")_
#lastVisitedOn(13, 02, 2024)
- WebGL 2.0 Specification: \
_#link("https://registry.khronos.org/webgl/specs/latest/2.0/")_
#lastVisitedOn(13, 02, 2024)
= Descrizione del prodotto
== Obiettivi del prodotto
Il prodotto software oggetto di questo documento è un gestionale di magazzino (WMS) che offre una visualizzazione 3D del magazzino ed un set di funzionalità logistiche di base.
== Ambito del prodotto
Il prodotto software oggetto di questo documento è denominato *WMS3*, un gestionale di magazzino che offre le seguenti funzionalità:
- visualizzazione tridimensionale di un magazzino, con possibilità di muovere la vista;
- visualizzazione delle informazioni della merce presente in magazzino;
- caricamento dei dati relativi alle merci da un database SQL;
- emissione di richieste di spostamento della merce all'interno del magazzino;
- filtraggio e ricerca delle merci con rappresentazione grafica dei risultati;
- importazione di planimetrie in formato SVG.
I gestionali di magazzino tradizionali presentano una serie di problematiche:
- rappresentazione 2D del contenuto del magazzino;
- software pensato per un uso esclusivamente desktop;
- interfaccia di gestione complessa (@wms-tradizionale), inadatta all'uso tramite touchscreen;
- interpretazione dei dati e delle viste laboriosa e soggetta ad errore umano;
- tempi di formazione del personale lunghi a causa della complessità degli strumenti.
#figure(
image("./imgs/wms-tradizionale.jpg", format: "jpg"),
caption: [
Schermata di un software WMS tradizionale (fonte: #link("https://www.seniorsoftware.ro/en/wms/")[seniorsoftware.ro])
],
) <wms-tradizionale>
Il vantaggio principale di WMS3, rispetto ai tradizionali gestionali di magazzino, è la visualizzazione 3D del magazzino e del suo contenuto. Questa funzionalità rappresenta un miglioramento significativo di usabilità rispetto ai WMS tradizionali. La visualizzazione 3D permette agli utenti di:
- avere una migliore comprensione dello stato del magazzino;
- disporre le operazioni logistiche con maggiore cognizione.
== Panoramica del prodotto
=== Interazioni
WMS3 si integra con, ma non comprende nel proprio ambito:
+ database SQL esterno per ottenere lo stato interno del magazzino;
+ sistema esterno per la notifica degli ordini di movimentazione tramite API RESTful.
// Qui ci starebbe un bel diagramma...
==== Interfacce utente
WMS3 è una _web application_ acceduta e operata tramite browser. L'interfaccia utente (IU) è _web-based_ e _responsive_.
Lo scenario di interazione primario avviene tramite mouse e tastiera; tuttavia, è prevista la piena operabilità anche tramite touchscreen. Sarà possibile operare da dispositivi mobili quali tablet e smartphone.
Le funzionalità esposte all'utente variano in base all'ampiezza della _viewport_ del dispositivo in uso.
==== Interfacce hardware
Il prodotto è acceduto tramite browser. Deve supportare l'esecuzione sui seguenti dispositivi:
- computer desktop, tramite mouse e tastiera;
- dispositivi mobili (es. tablet) in dotazione agli adetti di magazzino.
Il browser e il dispositivo devono essere compatibili con lo standard WebGL.
Il prodotto non prevede elementi hardware propri o interfacce con elementi hardware di terze parti.
==== Interfacce software
WMS3 richiede l'accesso in lettura ad un database SQL per il caricamento e la visualizzazione dei dati.
==== Interfacce di comunicazione
Per la comunicazione tra le sue componenti, con l'utente e con servizi esterni, WMS3 utilizza HTTP.
==== Vincoli di memoria
Non sono definiti vincoli o limiti sulle memorie primaria e secondaria.
==== Requisiti di adattamento al contesto
WMS3 per essere eseguito richiede:
- un *browser* che supporta WebGL 2.0 (per le specifiche riguardanti i vari browser compatibili consultare la sezione @vincoli);
- *Node.js* versione 20.11.0 (latest LTS) o superiore;
- Un database relazionale che si interfacci con le API fornite dal gruppo (il gruppo utilizza *Postgresql* versione 16.1);
- *Docker Compose* versione 2.23.3 o superiore;
- *Docker* versione 24.0.7 o superiore;
Il gruppo ha deciso di utilizzare la tecnologia Docker per permettere una maggiore portabilità e facilitare il deploy. \
La gestione di più container simultanei avviene mediante Docker Compose. \
Le specifiche sui browser sono imposte dall'utilizzo da parte del gruppo di *Three.js* per implementare l'ambiente 3D.
==== Interfacce a servizi
WMS3 dovrà inviare messaggi ad uno o più servizi esterni per comunicare gli ordini di movimentazione richiesti dall'utente. Dovrà inoltre ricevere e gestire messaggi che comunicano l'esito dell'ordine di movimentazione richiesto.
=== Funzionalità del prodotto
Il prodotto sarà caratterizzato da:
- *ambiente*:
- l'interno di un magazzino, di forma quadrata o rettangolare delimitato sui quattro lati che rappresenta il reale magazzino su cui deve operare l'addetto;
- caratterizzato da una griglia (o grid) a terra che permette all'utente di collocare gli oggetti nell'ambiente con maggiore o minore precisione a seconda delle esigenze;
- le dimensioni e la finezza della grid devono essere modificabili;
- deve essere navigabile tramite diverse periferiche (freccie direzionali, mouse, touch del dispositivo) e in diversi modi (sui tre assi, zoom-in/zoom-out, rotazione).
- può essere creato vuoto o tramite un file SVG; nel primo caso abbiamo un piano vuoto di dimensioni predefinite, mentre nel secondo caso il file SVG viene usato per disegnare sul piano le forme degli scaffali da inserire nell'ambiente.
- *scaffalature*:
- scaffali con caratteristiche personalizzabili (altezza, larghezza, profondità, numero di scaffali e il numero di colonne in cui è diviso uno scaffale) che rappresentano i reali scaffali nel magazzino;
- è possibile definire in fase di creazione l'orientamento (verticale od orizzontale) dello scaffale;
- al loro interno contengono dei bin;
- possono essere spostati, modificati, creati o eliminati.
- *bin*:
- è possibile crearli, modificarli o eliminarli;
- leggere le informazioni riguardanti il bin stesso e il loro contenuto;
- rappresentano lo spazio occupabile da un prodotto nel magazzino.
- *prodotti*:
- rappresentano i reali prodotti contenuti nel magazzino;
- contengono diverse informazioni riguardo il prodotto;
- sono contenuti in un bin e possono essere spostati verso un bin differente;
- è possibile la ricerca dei prodotti attraverso dei parametri quali: id, nome, scaffale.
=== Caratteristiche degli utenti
L'utente tipico di WMS3 è un supervisore di magazzino. Ci si aspetta che la maggior parte degli accessi a WMS3 avvengano da ufficio, tramite un computer desktop dotato di mouse e tastiera; tuttavia, non si può escludere che l'utente possa accedere a WMS3 tramite dispositivo mobile.
L'utente tipico è avvezzo all'uso del computer e dei dispositivi mobili. Conosce il dominio applicativo.
=== Limitazioni
Non sono noti requisiti limitanti la capacità dell'organizzazione di realizzare il progetto WMS3, come ad esempio:
- politiche interne, regolamenti, leggi statali;
- limiti hardware;
- limiti imposti dai servizi esterni;
- limiti imposti dai requisiti di qualità;
- considerazioni sulla sicurezza dei dati;
- considerazioni sulla sicurezza dell'utente e di tutti coloro coinvolti, direttamente o indirettamente, dal ciclo di vita di WMS3.
=== Ipotesi e dipendenze
+ Disponibilità di un database SQL;
+ Disponibilità di un browser compatibile con WebGL;
+ Disponibilità di un sistema proprietario per notificare, in questo caso, la richiesta di spostamento di un prodotto all'interno del magazzino al personale designato.
== Principi di redazione
Questo documento è redatto in modo incrementale, così da risultare sempre conforme agli accordi presi tra gruppo e Proponente durante lo sviluppo del progetto. Vengono inoltre adottati i seguenti criteri di qualità:
+ *Correttezza*: ogni caso d'uso e requisito riportato corrisponde a ciò che è richiesto dal Proponente;
+ *Non ambiguità*: ogni parte del documento, caso d'uso e requisito deve essere descritto in modo tale che ne esista una sola interpretazione, e che questa sia facilmente comprensibile da tutte le parti coinvolte nel progetto. A questo scopo, il gruppo _Error\_418_ mette a disposizione un _*Glossario*_ nel quale sono definiti i termini propri del dominio di progetto. Ogni ricorrenza di tali termini nei documenti è segnalata dalla lettera _g_ al pedice;
+ *Completezza*: il documento contiene tutti i requisiti necessari allo sviluppo del progetto, classificandoli per categorie di importanza, e comprende anche la descrizione di tutti i possibili scenari del prodotto;
+ *Coerenza*: ciò che è scritto nel documento non deve andare in conflitto con il contenuto di altri documenti o del documento stesso. Ogni caso d'uso o requisito deve esprimere un concetto diverso dagli altri;
+ *Verificabilità*: deve essere possibile controllare la presenza di ogni requisito nel prodotto finale tramite un procedimento misurabile. La verificabilità è un parametro fortemente influenzato dall'ambiguità: più un requisito è ambiguo, meno sarà verificabile;
+ *Modificabilità*: deve essere definito un modello per la stesura dei singoli casi d'uso e requisiti, così che la loro modifica possa avvenire nel modo più efficiente possibile;
+ *Tracciabilità*: per ogni requisito ne è indicato il riferimento (o fonte), in modo da semplificare il processo di verifica della completezza e correttezza.
#pagebreak()
= Use Case
#set heading(numbering: (..nums) => {
let values = nums.pos();
if (values.len() > 0){
values.at(values.len() - 1) = values.at(values.len() - 1);
}
values = values.slice(1)
return "UC--" + values.map(str).join(".");
})
#set par(first-line-indent: 0pt)
== Creazione magazzino <uc1>
#figure(
image("./imgs/uc1.png", format: "png"),
caption: [
UML UC-1
],
)
#derivedRequirements("UC-1")
=== Importazione mappa magazzino da file SVG
$bold("Descrizione: ")$
all'avvio dell'applicazione e in ogni momento si desideri, si può decidere di caricare un file SVG il quale viene utilizzato dal programma per configurare le aree di lavoro.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- è stato dato inizio alla procedura di configurazione dell'ambiente di lavoro tramite file.
$bold("Postcondizioni: ")$
- il file SVG è stato caricato con successo e il programma ha configurato l'ambiente di conseguenza;
- l'ambiente così generato ha rimosso eventuali elementi precedentemente configurati.
$bold("Scenario: ")$
- l'utente carica un file SVG tramite un'apposita interfaccia.
$bold("Estensioni: ")$
- UC-1.1.1 Visualizzazione errore lettura del file SVG.
#derivedRequirements("UC-1.1")
==== Visualizzazione errore lettura del file SVG
$bold("Descrizione: ")$
il file caricato dall'utente non ha permesso al programma di configurare l'ambiente di lavoro.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'utente ha caricato un file per la configurazione dell'ambiente di lavoro;
- il programma non ha potuto configurare l'ambiente di lavoro a causa del file caricato.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore.
$bold("Scenario: ")$
- l'utente ha caricato un file non adatto.
$bold("Generalizzazioni: ")$
- UC-1.1.1.1 Visualizzazione errore lettura del file SVG dovuto a file privo di informazioni;
- UC-1.1.1.2 Visualizzazione errore lettura del file SVG dovuto a informazioni fornite incongruenti.
#derivedRequirements("UC-1.1.1")
===== Visualizzazione errore file privo di informazioni
$bold("Descrizione: ")$
il file SVG caricato non contiene informazioni utili alla configurazione dell'ambiente.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- è stato caricato un file per la configurazione dell'ambiente;
- il file è stato aperto correttamente dal programma;
- il programma non ha potuto ottenere informazioni dal file.
$bold("Postcondizioni: ")$
- viene visualizzato l'errore relativo al caricamento di un file SVG privo di informazioni.
$bold("Scenario: ")$
- L'utente ha caricato un file SVG vuoto o con informazioni non utili.
#derivedRequirements("UC-1.1.1.1")
===== Visualizzazione errore informazioni del file incongruenti
$bold("Descrizione: ")$
il file SVG caricato contiene informazioni incongruenti e quindi non utilizzabili per la configurazione dell'ambiente.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- è stato caricato un file per la configurazione dell'ambiente;
- tale file è stato aperto correttamente dal programma;
- il programma ha ricavato informazioni non valide dal file.
$bold("Postcondizioni: ")$
- viene visualizzato l'errore relativo al caricamento di un file con informazioni incongruenti.
$bold("Scenario: ")$
- L'utente ha caricato un file per la configurazione dell'ambiente contenente informazioni incongruenti.
#derivedRequirements("UC-1.1.1.2")
=== Creazione magazzino vuoto
$bold("Descrizione: ")$
all'avvio dell'applicativo è possibile creare un ambiente vuoto di dimensioni predefinite da cui iniziare. Tale funzionalità, rimane disponibile durante l'utilizzo dell'applicativo qualora si volesse ripristinare l'ambiente.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- è stato dato inizio alla procedura di creazione dell'ambiente di lavoro vuoto.
$bold("Postcondizioni: ")$
- è stato generato un ambiente di lavoro vuoto di dimensioni predefinite;
- l'ambiente così generato ha rimosso eventuali elementi precedentemente configurati.
$bold("Scenario: ")$
- l'utente crea un ambiente di lavoro vuoto con dimensioni predefinite.
#derivedRequirements("UC-1.2")
== Modifica dimensioni del magazzino <uc2>
#figure(
image("./imgs/uc2.png", format: "png"),
caption: [
UML UC-2
],
)
$bold("Descrizione: ")$
la larghezza e la lunghezza dell'ambiente di lavoro possono essere modificate successivamente alla sua configurazione iniziale.
L'utente può decidere, per ciascun valore modificabile, di sostituirlo specificando il nuovo valore oppure di lasciarlo inalterato.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- almeno una configurazione dell'ambiente deve essere avvenuta con successo;
$bold("Postcondizioni: ")$
- l'ambiente di lavoro è stato correttamente modificato in funzione delle richieste dell'utente.
$bold("Scenario: ")$
- l'utente avvia la modifica dell'ambiente di lavoro;
- l'utente può inserire una nuova larghezza dell'ambiente di lavoro;
- l'utente può inserire una nuova lunghezza dell'ambiente di lavoro;
- l'utente conferma la nuova configurazione di valori.
$bold("Estensioni: ")$
- UC-2.1 Visualizzazione errore dimensioni magazzino troppo piccole;
- UC-2.2 Visualizzazione errore dimensioni troppo piccole rispetto rispetto agli elementi nell'ambiente.
#derivedRequirements("UC-2")
=== Visualizzazione errore dimensioni magazzino troppo piccole
$bold("Descrizione: ")$
l'utente vuole modificare le dimensioni dell'ambiente riducendole eccessivamente.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'utente ha creato l'ambiente di lavoro manualmente;
- l'ambiente è stato creato correttamente;
- l'ambiente di lavoro risulta vuoto.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo al fatto che le dimensioni dell'ambiente non possono essere ulteriormente diminuite.
$bold("Scenario: ")$
- l'utente vuole ridurre le dimensioni dell'ambiente oltre una soglia minima.
#derivedRequirements("UC-2.1")
=== Visualizzazione errore dimensioni troppo piccole rispetto rispetto agli elementi nell'ambiente
$bold("Descrizione: ")$
dato un ambiente con elementi posizionati (come scaffali e/o bin), l'utente cerca di ridurre le dimensioni dell'ambiente in modo eccessivo, non permettendo di mantenere gli elementi precedentemente posizionati.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'utente ha creato l' ambiente di lavoro manualmente;
- l'ambiente è stato creato correttamente;
- l'ambiente di lavoro risulta non vuoto.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo al fatto che stia cercando di diminuire troppo le dimensioni dell'ambiente nonostante gli elementi presenti.
$bold("Scenario: ")$
- l'utente vuole ridurre la dimensione dell'ambiente nonostante l'ambiente di lavoro contenga elementi le cui posizioni non risulterebbero più valide alle nuove dimensioni ridotte.
#derivedRequirements("UC-2.2")
== Gestione scaffali <uc3>
#figure(
image("./imgs/uc3.png", format: "png"),
caption: [
UML UC-3
],
)
#derivedRequirements("UC-3")
=== Creazione scaffale
$bold("Descrizione: ")$
uno scaffale viene creato in base ai valori inseriti dall'utente quali: altezza, larghezza, profondità, numero di piani e colonne in cui è suddiviso e orientamento nel piano (orizzontale o verticale).
Quindi viene aggiunto nell'ambiente in una posizione valida specificata. Successivamente vengono creati i bin contenuti dallo scaffale e posizionati in esso.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente di lavoro deve essere stato configurato con successo.
$bold("Postcondizioni: ")$
- nell'ambiente di lavoro è stato aggiunto un nuovo scaffale;
- nello scaffale creato sono stati aggiunti i bin da esso contenuti.
$bold("Scenario: ")$
- l'utente seleziona l'aggiunta di uno scaffale;
- l'utente inserisce l'altezza dello scaffale;
- l'utente inserisce la larghezza dello scaffale;
- l'utente inserisce la profondità dello scaffale;
- l'utente inserisce il numero di piani dello scaffale;
- l'utente inserisce il numero di colonne dello scaffale;
- l'utente seleziona l'orientamento dello scaffale nel piano (orizzontale o verticale);
- l'utente posiziona lo scaffale in una posizione valida nell'ambiente di lavoro.
$bold("Estensioni: ")$
- UC-5 Visualizzazione errore inserimento dati dimensionali non validi.
#derivedRequirements("UC-3.1")
=== Modifica scaffale
$bold("Descrizione: ")$
modifica delle caratteristiche di uno scaffale già esistente.
Le caratteristiche che definiscono lo scaffale vengono visualizzate e possono essere modificate, nello specifico i valori sono: altezza, larghezza, profondità, numero di piani e colonne in cui è suddiviso e orientamento nel piano (orizzontale o verticale).
L'utente può decidere, per ciascuno di essi, di sostituirlo specificando il nuovo valore oppure di lasciarlo inalterato.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- nell'ambiente deve essere posizionato almeno uno scaffale.
$bold("Postcondizioni: ")$
- i valori di uno scaffale scelto sono stati modificati come indicato.
$bold("Scenario: ")$
- l'utente seleziona uno scaffale nell'ambiente di lavoro;
- l'utente seleziona il comando per la modifica dello scaffale;
- l'utente può inserire una nuova altezza dello scaffale;
- l'utente può inserire una nuova larghezza dello scaffale;
- l'utente può inserire una nuova profondità dello scaffale;
- l'utente può inserire un nuovo numero di piani dello scaffale;
- l'utente può inserire un nuovo numero di colonne dello scaffale;
- l'utente può selezionare un diverso orientamento dello scaffale nel piano (orizzontale o verticale);
- l'utente conferma la nuova configurazione di valori.
$bold("Estensioni: ")$
- UC-5 Visualizzazione errore inserimento dati dimensionali non validi.
#derivedRequirements("UC-3.2")
=== Spostamento scaffale
$bold("Descrizione: ")$
l'utente intende spostare la posizione di uno scaffale presente nell'ambiente 3D.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- nell'ambiente deve essere posizionato almeno uno scaffale.
$bold("Postcondizioni: ")$
- lo scaffale spostato si trova nella nuova posizione scelta dall'utente.
$bold("Scenario: ")$
- l'utente seleziona uno scaffale nell'ambiente di lavoro;
- l'utente sposta lo scaffale nella nuova posizione desiderata nell'ambiente 3D.
$bold("Estensioni: ")$
- UC-3.3.1 Visualizzazione errore spostamento dello scaffale in zona non libera
#derivedRequirements("UC-3.3")
==== Visualizzazione errore spostamento dello scaffale in zona non libera
$bold("Descrizione: ")$
è stata richiesto lo spostamento di uno scaffale in una zona non libera.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- avviata l'attività di spostamento dello scaffale;
- lo scaffale interessato viene posto in una zona occupata.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo allo spostamento dello scaffale.
$bold("Scenario: ")$
- l'utente ha richiesto lo spostamento di uno scaffale in una zona non libera.
#derivedRequirements("UC-3.3.1")
=== Eliminazione scaffale
$bold("Descrizione: ")$
lo scaffale selezionato presente nell'ambiente viene eliminato.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- nell'ambiente deve essere posizionato almeno uno scaffale;
- la modalità di modifica dell'ambiente deve essere attiva;
- lo scaffale da eliminare deve contenere solo bin vuoti.
$bold("Postcondizioni: ")$
- lo scaffale selezionato viene rimosso dall'ambiente;
- vengono rimossi i bin in esso contenuti.
$bold("Scenario: ")$
- l'utente seleziona uno scaffale nell'ambiente;
- l'utente seleziona il comando per la rimozione dello scaffale;
- l'utente conferma l'operazione da una finestra di conferma.
$bold("Estensioni: ")$
- UC-3.4.1 Visualizzazione errore scaffale da eliminare non vuoto.
#derivedRequirements("UC-3.4")
==== Visualizzazione errore scaffale da eliminare non vuoto
$bold("Descrizione: ")$
è stata richiesta l'eliminazione di uno scaffale contenente almeno un bin non vuoto.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'attività di eliminazione di uno scaffale deve essere stata attivata;
- lo scaffale interessato contiene almeno un bin non vuoto.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo all'eliminazione di uno scaffale non vuoto.
$bold("Scenario: ")$
- l'utente ha richiesto l'eliminazione di uno scaffale non vuoto.
#derivedRequirements("UC-3.4.1")
== Gestione bin <uc4>
#figure(
image("./imgs/uc4.png", format: "png"),
caption: [
UML UC-4
],
)
#derivedRequirements("UC-4")
=== Creazione di un bin
$bold("Descrizione: ")$
deve essere possibile creare e aggiungere nell'ambiente delle aree adibite a contenere prodotti, definite nel contesto come bin. In fase di creazione deve essere possibile definire le caratteristiche che il bin dovrà avere, quali: altezza, larghezza e profondità.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato;
- deve esistere almeno un'area libera e valida.
$bold("Postcondizioni: ")$
- l'area selezionata viene classificata come bin.
$bold("Scenario: ")$
- l'utente seleziona l'aggiunta di un bin;
- l'utente inserisce l'altezza del bin;
- l'utente inserisce la larghezza del bin;
- l'utente inserisce la profondità del bin;
- l'utente posiziona il bin in una posizione valida nell'ambiente di lavoro.
#derivedRequirements("UC-4.1")
=== Modifica di un bin
$bold("Descrizione: ")$
modifica delle caratteristiche di un bin esterno già esistente.
Le caratteristiche che definiscono il bin vengono visualizzate e possono essere modificate, nello specifico i valori sono: altezza, larghezza, profondità.
L'utente può decidere, per ciascuno di essi, di sostituirlo specificando il nuovo valore oppure di lasciarlo inalterato.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato e deve esistere almeno un bin modificabile.
$bold("Postcondizioni: ")$
- le dimensioni del bin sono state ridefinite.
$bold("Scenario: ")$
- l'utente seleziona un bin;
- l'utente seleziona il comando per la modifica del bin;
- l'utente può inserire una nuova altezza del bin;
- l'utente può inserire una nuova larghezza del bin;
- l'utente può inserire una nuova profondità del bin;
- l'utente conferma la nuova configurazione di valori.
$bold("Estensioni: ")$
- UC-5 Visualizzazione errore inserimento dati dimensionali non validi.
#derivedRequirements("UC-4.2")
=== Eliminazione bin
$bold("Descrizione: ")$
deve essere possibile eliminare un bin.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato;
- deve esistere almeno un bin vuoto.
$bold("Postcondizioni: ")$
- il bin è tornato ad essere un'area libera.
$bold("Scenario: ")$
- l'utente entra nella modalità di modifica;
- l'utente seleziona un bin vuoto;
- l'utente chiede di eliminare il bin;
- viene richiesta la conferma dell'eliminazione.
$bold("Estensioni: ")$
- UC-4.3.1 Errore cancellazione bin non vuoto.
#derivedRequirements("UC-4.3")
==== Errore cancellazione bin non vuoto
$bold("Descrizione: ")$
è stata richiesta l'eliminazione di un bin non vuoto.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'attività di eliminazione di un bin deve essere stata attivata;
- il bin interessato contiene un prodotto.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo all'eliminazione di un bin non vuoto.
$bold("Scenario: ")$
- l'utente ha richiesto l'eliminazione di un bin non vuoto.
#derivedRequirements("UC-4.3.1")
== Visualizzazione errore inserimento dati dimensionali non validi <uc5>
#figure(
image("./imgs/uc5.png", format: "png"),
caption: [
UML UC-5
],
)
$bold("Descrizione: ")$
i dati inseriti per la modifica delle dimensioni dell'elemento interessato non sono validi.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- inseriti dati per la modifica o la creazione degli elementi dell'ambiente;
- tali dati non sono utilizzabili dal programma.
$bold("Postcondizioni: ")$
- viene visualizzato l'errore relativo all'inserimento di dati non validi.
$bold("Scenario: ")$
- l'utente inserisce dati relativi alla configurazione degli elementi dell'ambiente non validi.
$bold("Generalizzazioni: ")$
- UC-5.1.1 Dimensioni negative o uguali a 0;
- UC-5.1.2 Dimensioni eccessive.
#derivedRequirements("UC-5")
=== Dimensioni negative o uguali a zero
$bold("Descrizione: ")$
le dimensioni inserite per la modifica dell'elemento interessato sono minori o uguali a zero.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- sono stati inseriti i dati dimensionali per la modifica o la creazione degli elementi dell'ambiente;
- le dimensioni inserite non sono valide.
$bold("Postcondizioni: ")$
- viene visualizzato l'errore relativo all'inserimento di dimensioni non valide.
$bold("Scenario: ")$
- l'utente inserisce dati relativi alla configurazione degli elementi dell'ambiente minori o uguali a zero.
#derivedRequirements("UC-5.1")
=== Dimensioni eccessive
$bold("Descrizione: ")$
le dimensioni inserite per la modifica dell'elemento interessato eccessive per il contesto di inserimento.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- sono stati inseriti i dati dimensionali per la modifica o la creazione degli elementi dell'ambiente;
- le dimensioni inserite sono eccessive.
$bold("Postcondizioni: ")$
- viene visualizzato l'errore relativo all'inserimento di dimensioni eccessive.
$bold("Scenario: ")$
- l'utente inserisce dati relativi alla configurazione degli elementi dell'ambiente eccessivi.
#derivedRequirements("UC-5.2")
== Caricamento dati da database <uc6>
#figure(
image("./imgs/uc6.png", format: "png"),
caption: [
UML UC-6
],
)
$bold("Descrizione: ")$
i prodotti vengono inseriti dal database nei rispettivi bin.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato.
$bold("Postcondizioni: ")$
- i prodotti si trovano nei rispettivi bin.
$bold("Scenario: ")$
- l'utente configura l'accesso al database;
- l'utente inizia la procedura di caricamento dei prodotti.
$bold("Inclusioni: ")$
- UC-6.1 Configurazione collegamento al database.
$bold("Estensioni: ")$
- UC-6.2 Visualizzazione messaggio di errore.
#derivedRequirements("UC-6")
=== Configurazione collegamento al database
$bold("Descrizione: ")$
l'utente imposta i dati necessari all'interfacciamento del prodotto con il database in cui sono contenuti i dati relativi ai prodotti e il loro posizionamento. I dati necessari alla configurazione del collegamento sono i seguenti:
- indirizzo dell'host;
- porta;
- nome del database;
- username;
- password.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato;
- il database deve essere disponibile;
- l'utente deve disporre delle credenziali per accedere al database.
$bold("Postcondizioni: ")$
- il sistema è correttamente configurato per accedere al database.
$bold("Scenario: ")$
- l'utente vuole configurare i dati necessari alla configurazione del collegamento al database, quali:
- indirizzo dell'host;
- porta;
- nome del database;
- username;
- password.
#derivedRequirements("UC-6.1")
=== Visualizzazione messaggio di errore
$bold("Descrizione: ")$
i dati contenuti nel database sono in un formato non conforme o sono errati.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'utente ha iniziato la procedura di caricamento dati da database;
- l'accesso al database deve essere stato correttamente configurato.
$bold("Postcondizioni: ")$
- all'utente viene notificato l'errore relativo alla presenza di dati errati o non conformi all'interno del database.
$bold("Scenario: ")$
- l'utente prova a caricare i dati dal database ma questi sono errati o non conformi a quelli che il sistema può riconoscere (es. numero scaffali/bin incompatibile con le coordinate dei prodotti).
#derivedRequirements("UC-6.2")
== Richiesta di spostamento di un prodotto <uc7>
#figure(
image("./imgs/uc7.png", format: "png"),
caption: [
UML UC-7
],
)
$bold("Descrizione: ")$
l'utente seleziona il prodotto di cui desidera una ricollocazione all'interno del magazzino e avvia una richiesta di spostamento verso un altro bin.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- devono esistere almeno due bin distinti;
- uno dei due bin deve contenere un prodotto;
- uno dei due bin deve essere vuoto.
$bold("Postcondizioni: ")$
- il bin di partenza viene evidenziato in modo da identificare il fatto che da quel bin è in atto uno spostamento;
- il bin di arrivo viene evidenziato in modo da identificare il fatto che in quel bin è in atto uno spostamento.
$bold("Scenario: ")$
- l'utente seleziona un bin che contiene un prodotto;
- l'utente sposta il prodotto all'interno di un bin vuoto;
- vengono inviati all'API RESTful il bin di partenza e di destinazione del prodotto;
- viene verificata la fattibilità dello spostamento dalle API RESTful;
- viene inviata una notifica di spostamento al magazzino tramite API RESTful;
- i due bin, di origine e di destinazione, vengono evidenziati per segnalare lo spostamento in corso.
#derivedRequirements("UC-7")
== Visualizzazione di un bin <uc8>
#figure(
image("./imgs/uc8.png", format: "png"),
caption: [
UML UC-8
],
)
$bold("Descrizione: ")$
vengono visualizzate le informazioni di un determinato bin e, se presente, del prodotto che contiene.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato e deve esistere almeno un bin.
$bold("Postcondizioni: ")$
- vengono visualizzate le informazioni del bin e, se presente, del prodotto che contiene.
$bold("Scenario: ")$
- l'utente seleziona un bin;
- vengono visualizzate le seguenti informazioni relative al bin selezionato:
- codice identificativo del bin;
- stato del bin (occupato o vuoto);
- tipologia di prodotto che contiene, in caso di bin non vuoto;
- id dello scaffale che lo contiene;
- posizione del bin all'interno dello scaffale (piano e colonna).
#derivedRequirements("UC-8")
== Visualizzazione di uno scaffale <uc9>
#figure(
image("./imgs/uc9.png", format: "png"),
caption: [
UML UC-9
],
)
$bold("Descrizione: ")$
deve essere possibile visualizzare le informazioni relative ad uno specifico scaffale.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato e deve esistere almeno uno scaffale.
$bold("Postcondizioni: ")$
- vengono visualizzate le informazioni dello scaffale.
$bold("Scenario: ")$
- l'utente seleziona uno scaffale;
- vengono visualizzate le seguenti informazioni relative allo scaffale selezionato:
- codice identificativo dello scaffale;
- numero totale di bin che contiene;
- numero di bin contenuti occupati;
- numero di bin contenuti vuoti;
- altezza dello scaffale;
- larghezza dello scaffale;
- profondità dello scaffale;
- numero di piani;
- numero di colonne.
#derivedRequirements("UC-9")
== Ricerca prodotti <uc10>
#figure(
image("./imgs/uc10.png", format: "png"),
caption: [
UML UC-10
],
)
$bold("Descrizione: ")$
l'utente ricerca un prodotto.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente visualizza la posizione del bin contenente il prodotto ricercato.
$bold("Scenario: ")$
- l'utente ricerca un prodotto;
- il bin contenente il prodotto cercato viene evidenziato.
$bold("Generalizzazioni: ")$
- UC-10.1 Ricerca per ID;
- UC-10.2 Ricerca per Nome;
- UC-10.3 Ricerca per Scaffale.
#derivedRequirements("UC-10")
=== Ricerca per ID
$bold("Descrizione: ")$
l'utente ricerca un prodotto tramite il suo ID di magazzino.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente visualizza la posizione del bin contenente il prodotto ricercato.
$bold("Scenario: ")$
- l'utente ricerca un prodotto usando come chiave l'ID univoco di magazzino;
- il bin contenente il prodotto cercato viene evidenziato.
#derivedRequirements("UC-10.1")
=== Ricerca per Nome
$bold("Descrizione: ")$
l'utente ricerca un prodotto tramite il nome associato al prodotto.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente visualizza la posizione del bin contenente il prodotto ricercato.
$bold("Scenario: ")$
- l'utente ricerca un prodotto usando come chiave per la ricerca il nome del prodotto;
- il bin contenente il prodotto cercato viene evidenziato;
- i prodotti associati al nome possono essere più di uno.
#derivedRequirements("UC-10.2")
=== Ricerca per Scaffale
$bold("Descrizione: ")$
l'utente ricerca i prodotti contenuti all'interno di uno scaffale del magazzino.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- l'ambiente deve essere correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente visualizza la posizione dei prodotti contenuti nello scaffale cercato.
$bold("Scenario: ")$
- l'utente ricerca i materiali contenuti all'interno di uno scaffale del magazzino;
- lo scaffale viene evidenziato.
#derivedRequirements("UC-10.3")
== Esplorazione magazzino <uc11>
#figure(
image("./imgs/uc11.png", format: "png", width: 60%),
caption: [
UML UC-11
],
)
#derivedRequirements("UC-11")
=== Spostamento della visuale lungo gli assi
$bold("Descrizione: ")$
successivamente alla configurazione dell'ambiente di lavoro (@uc1), l'utente può visualizzare il magazzino e spostare la visuale lungo almeno uno dei tre assi (orizzontale, verticale, longitudinale).
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- il sistema è stato correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente ha spostato la visuale sul magazzino nella direzione di almeno uno dei tre assi (orizzontale, verticale, longitudinale).
$bold("Scenario: ")$
- l'utente visualizza il magazzino;
- l'utente può spostare la visuale del magazzino lungo l'asse verticale;
- l'utente può spostare la visuale del magazzino lungo l'asse orizzontale;
- l'utente può spostare la visuale del magazzino lungo l'asse longitudinale;
- l'utente ha cambiato la prospettiva sul magazzino.
#derivedRequirements("UC-11.1")
=== Rotazione della visuale
$bold("Descrizione: ")$
successivamente alla configurazione dell'ambiente di lavoro (@uc1), l'utente può visualizzare il magazzino e ruotare la visuale sul magazzino in senso orario o antiorario.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- il sistema è stato correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente ha ruotato la visuale sul magazzino in senso orario o antiorario.
$bold("Scenario: ")$
- l'utente visualizza il magazzino;
- l'utente può ruotare la visuale in senso orario;
- l'utente può ruotare la visuale in senso antiorario;
- l'utente ha cambiato la prospettiva sul magazzino.
#derivedRequirements("UC-11.2")
=== Zoom della visuale
$bold("Descrizione: ")$
successivamente alla configurazione dell'ambiente di lavoro (@uc1), l'utente può effettuare uno zoom-in o uno zoom-out per avvicinare o allontanare la visuale dal magazzino.
$bold("Attore: ")$
utente.
$bold("Precondizioni: ")$
- il sistema è stato correttamente configurato.
$bold("Postcondizioni: ")$
- l'utente ha avvicinato o allontanato la visuale dal magazzino.
$bold("Scenario: ")$
- l'utente visualizza il magazzino;
- l'utente può avvicinarsi al magazzino e ai suoi elementi tramite uno zoom-in;
- l'utente può allontanarsi dal magazzino e dai suoi elementi tramite uno zoom-out;
- l'utente ha cambiato la prospettiva sul magazzino.
#derivedRequirements("UC-11.3")
#set heading(numbering: "1.1")
= Requisiti
== Codice identificativo
Ogni requisito è caratterizzato da un codice identificativo definito nel seguente modo:
#align(`[Tipologia][Importanza]-[Numero]`, center)
Dove:
- `Tipologia` può assumere i valori:
- `F`: funzionale;
- `Q`: di qualità;
- `V`: di vincolo.
- `Importanza` può assumere i valori:
- `M`: mandatory, obbligatorio;
- `D`: desiderabile;
- `O`: opzionale.
- `Numero` rappresenta l'identificativo numerico del requisito. Se sono presenti sottocasi, il loro numero viene rappresentato come segue:
#align(`NumeroPadre.NumeroFiglio`, center)
#show figure: set block(breakable: true)
== Requisiti funzionali
#figure(
table(
columns: 4,
align: left,
[*Codice*], [*Classificazione*], [*Descrizione*], [*Riferimento*],
[FM-1], [Obbligatorio], [L'utente deve poter creare il magazzino], [UC-1],
[FM-1.1], [Obbligatorio], [L'utente deve poter caricare un file SVG contenente la pianta del magazzino], [UC-1.1],
[FM-1.1.1], [Obbligatorio], [L'utente deve sempre poter creare un magazzino tramite caricamento di un file SVG, quando possibile], [UC-1.1],
[FD-1.1.2], [Desiderabile], [L'utente deve poter definire le altezze degli elementi del file SVG tramite trascinamento verso l'alto], [Verbale esterno\ 23-12-06],
[FM-1.1.3], [Obbligatorio], [L'utente visualizza un errore di importazione del file SVG], [UC-1.1.1],
[FM-1.1.3.1], [Obbligatorio], [L'utente visualizza un errore dato dal caricamento di un file SVG privo di informazioni], [UC-1.1.1.1],
[FM-1.1.3.2], [Obbligatorio], [L'utente visualizza un errore dato da informazioni incongruenti nel file SVG], [UC-1.1.1.2],
[FM-1.2], [Obbligatorio], [L'utente deve sempre poter creare un ambiente di lavoro vuoto, quando possibile], [UC-1.2],
[FM-2], [Obbligatorio], [L'utente deve poter modificare le dimensioni del magazzino dopo la sua creazione], [UC-2],
[FM-2.1], [Obbligatorio], [L'utente deve poter modificare la lunghezza del magazzino dopo la sua creazione], [UC-2],
[FM-2.2], [Obbligatorio], [L'utente deve poter modificare la larghezza del magazzino dopo la sua creazione], [UC-2],
[FM-2.3], [Obbligatorio], [L'utente deve poter modificare l'altezza del magazzino dopo la sua creazione], [UC-2],
[FM-2.4], [Obbligatorio], [L'utente visualizza un errore relativo alla riduzione eccessiva delle dimensioni dell'ambiente vuoto], [UC-2.1],
[FM-2.5], [Obbligatorio], [L'utente visualizza un errore relativo alla riduzione eccessiva delle dimensioni dell'ambiente non vuoto], [UC-2.2],
[FM-3], [Obbligatorio], [L'utente deve poter gestire gli scaffali], [UC-3],
[FM-3.1], [Obbligatorio], [L'utente deve poter creare gli scaffali], [UC-3.1],
[FM-3.1.1], [Obbligatorio], [L'utente deve poter definire le dimensioni degli scaffali], [UC-3.1],
[FM-3.1.1.1], [Obbligatorio], [L'utente deve poter definire la lunghezza degli scaffali], [UC-3.1],
[FM-3.1.1.2], [Obbligatorio], [L'utente deve poter definire la profondità degli scaffali], [UC-3.1],
[FM-3.1.1.3], [Obbligatorio], [L'utente deve poter definire l'orientamento rispetto al piano degli scaffali], [UC-3.1],
[FM-3.1.1.4], [Obbligatorio], [L'utente deve poter definire la larghezza degli scaffali], [UC-3.1],
[FM-3.1.1.5], [Obbligatorio], [L'utente deve poter definire il numero di piani degli scaffali], [UC-3.1],
[FD-3.1.1.6], [Desiderabile], [L'utente deve poter definire altezze diverse per ogni piano degli scaffali], [Verbale esterno\ 23-12-15],
[FM-3.1.2], [Obbligatorio], [L'utente deve poter posizionare gli scaffali creati nell'ambiente], [UC-3.1],
[FM-3.2], [Obbligatorio], [L'utente deve poter modificare gli scaffali], [UC-3.2],
[FM-3.2.1], [Obbligatorio], [L'utente deve poter modificare la lunghezza degli scaffali], [UC-3.2],
[FM-3.2.2], [Obbligatorio], [L'utente deve poter modificare la larghezza degli scaffali], [UC-3.2],
[FM-3.2.3], [Obbligatorio], [L'utente deve poter modificare la profondità degli scaffali], [UC-3.2],
[FM-3.2.4], [Obbligatorio], [L'utente deve poter modificare l'orientamento rispetto al piano degli scaffali], [UC-3.2],
[FM-3.2.5], [Obbligatorio], [L'utente deve poter modificare il numero di piani gli scaffali], [UC-3.2],
[FM-3.3], [Obbligatorio], [L'utente deve poter spostare gli scaffali all'interno del magazzino], [UC-3.3],
[FM-3.3.1], [Obbligatorio], [L'utente deve poter spostare gli scaffali in orizzontale], [UC-3.3],
[FM-3.3.2], [Obbligatorio], [L'utente deve poter spostare gli scaffali in profondità], [UC-3.3],
[FM-3.3.3], [Obbligatorio], [L'utente deve poter ruotare gli scaffali], [UC-3.3],
[FM-3.3.3.1], [Obbligatorio], [L'utente deve poter ruotare gli scaffali con angoli di 90°], [UC-3.3],
[FO-3.3.3.2], [Opzionale], [L'utente deve poter ruotare gli scaffali con angoli diversi da 90°], [Verbale esterno\ 23-12-06],
[FM-3.3.4], [Obbligatorio], [L'utente visualizza un errore riguardo lo spostamento dello scaffale in una zona non libera], [UC-3.3.1],
[FM-3.4], [Obbligatorio], [L'utente deve poter eliminare gli scaffali], [UC-3.4],
[FM-3.4.1], [Obbligatorio], [L'utente visualizza un errore riguardo l'eliminazione di uno scaffale non vuoto], [UC-3.4.1],
[FM-4], [Obbligatorio], [L'utente deve poter gestire i bin], [UC-4],
[FM-4.1], [Obbligatorio], [L'utente deve poter creare i bin], [UC-4.1],
[FM-4.1.1], [Obbligatorio], [L'utente deve poter definire le dimensioni dei bin], [UC-4.1],
[FM-4.1.1.1], [Obbligatorio], [L'utente deve poter definire la profondità dei bin], [UC-4.1],
[FM-4.1.1.2], [Obbligatorio], [L'utente deve poter definire la larghezza dei bin], [UC-4.1],
[FM-4.1.1.3], [Obbligatorio], [L'utente deve poter definire l'altezza dei bin], [UC-4.1],
[FM-4.2], [Obbligatorio], [L'utente deve poter modificare i bin], [UC-4.2],
[FM-4.2.1], [Obbligatorio], [L'utente deve poter modificare la profondità dei bin], [UC-4.2],
[FM-4.2.2], [Obbligatorio], [L'utente deve poter modificare la larghezza dei bin], [UC-4.2],
[FM-4.2.3], [Obbligatorio], [L'utente deve poter modificare l'altezza dei bin], [UC-4.2],
[FM-4.3], [Obbligatorio], [L'utente deve poter eliminare i bin], [UC-4.3],
[FM-4.3.1], [Obbligatorio], [L'utente visualizza un errore riguardo la cancellazione di un bin non vuoto], [UC-4.3.1],
[FM-5], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di dati dimensionali non validi], [UC-5],
[FM-5.1], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di dimensioni negative o uguali a zero], [UC-5.1],
[FM-5.1.1], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di una lunghezza negativa o uguale a zero], [UC-5.1],
[FM-5.1.2], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di una larghezza negativa o uguale a zero], [UC-5.1],
[FM-5.1.3], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di un'altezza negativa o uguale a zero], [UC-5.1],
[FM-5.2], [Obbligatorio], [L'utente visualizza un errore riguardo l'inserimento di dimensioni eccessive], [UC-5.2],
[FM-5.2.1], [Obbligatorio], [L'utente visualizza un errore per l'inserimento di dimensioni che creano collisioni tra l'oggetto modificato e altri elementi dell'ambiente], [UC-5.2],
[FM-5.2.2], [Obbligatorio], [L'utente visualizza un errore per l'inserimento di dimensioni che non permettono all'oggetto di essere inserito nell'ambiente], [UC-5.2],
[FD-6],[Desiderabile], [L'utente deve poter richiedere il caricamento dei dati da database], [UC-6],
[FO-6.1], [Opzionale], [L'utente deve poter configurare i parametri di connessione al database], [UC-6.1],
[FO-6.1.1], [Opzionale], [L'utente deve poter indicare il nome del database], [UC-6.1],
[FO-6.1.2], [Opzionale], [L'utente deve poter indicare il nome utente per la connessione al database], [UC-6.1],
[FO-6.1.3], [Opzionale], [L'utente deve poter indicare la password per la connessione al database], [UC-6.1],
[FO-6.1.4], [Opzionale], [L'utente deve poter indicare l'indirizzo del database], [UC-6.1],
[FO-6.1.5], [Opzionale], [L'utente deve poter indicare la porta del database], [UC-6.1],
[FD-6.2], [Desiderabile], [L'utente deve poter testare la connessione al database], [UC-6.1],
[FD-6.3], [Desiderabile], [L'utente visualizza un errore se i dati contenuti nel database non sono conformi], [UC-6.2],
[FD-6.4], [Desiderabile], [L'utente visualizza un errore se i dati contenuti nel database sono errati], [UC-6.2],
[FM-7], [Obbligatorio], [L'utente deve poter spostare un prodotto da un bin ad un altro], [UC-7],
[FM-7.1], [Obbligatorio], [L'utente deve poter spostare un prodotto da un bin d'origine ad un altro di destinazione], [UC-7],
[FM-7.2], [Obbligatorio], [L'utente deve poter spostare un prodotto da un bin ad un altro tramite _drag and drop_], [UC-7],
[FM-7.3], [Obbligatorio], [Il sistema deve interrogare una API RESTful per accertare che lo spostamento sia lecito], [UC-7],
[FD-7.4], [Desiderabile], [Il sistema deve evidenziare il bin di partenza per rendere evidente la richiesta di spostamento], [UC-7],
[FD-7.5], [Desiderabile], [Il sistema deve evidenziare il bin di destinazione per rendere evidente la richiesta di spostamento], [UC-7],
[FM-8], [Obbligatorio], [L'utente deve poter visualizzare le informazioni di un bin selezionato], [UC-8],
[FM-8.1], [Obbligatorio], [L'utente deve poter visualizzare le informazioni del prodotto contenuto in un bin selezionato], [UC-8],
[FM-9], [Obbligatorio], [L'utente deve poter visualizzare le informazioni di uno scaffale selezionato], [UC-9],
[FD-10], [Desiderabile], [L'utente deve poter ricercare un prodotto], [UC-10],
[FD-10.1], [Desiderabile], [L'utente deve poter ricercare un prodotto per ID], [UC-10.1],
[FD-10.2], [Desiderabile], [L'utente deve poter ricercare un prodotto per nome], [UC-10.2],
[FD-10.3], [Desiderabile], [L'utente deve poter ricercare uno scaffale], [UC-10.3],
[FD-10.4], [Desiderabile], [Il sistema deve fornire la lista dei risultati di ricerca], [UC-10],
[FD-10.5], [Desiderabile], [Il sistema deve evidenziare i risultati di ricerca], [UC-10],
[FM-11], [Obbligatorio], [L'utente deve poter esplorare visivamente il magazzino], [UC-11],
[FM-11.1], [Obbligatorio], [L'utente deve poter muovere la visuale sui tre assi], [UC-11.1],
[FM-11.2], [Obbligatorio], [L'utente deve poter ruotare la visuale], [UC-11.2],
[FM-11.3], [Obbligatorio], [L'utente deve poter effettuare operazioni di zoom della visuale], [UC-11.3],
[FM-11.3.1], [Obbligatorio], [L'utente deve poter effettuare l'operazione di zoom-in], [UC-11.3],
[FM-11.3.2], [Obbligatorio], [L'utente deve poter effettuare l'operazione di zoom-out], [UC-11.3],
[FM-12], [Obbligatorio], [Il prodotto deve essere ad accesso pubblico, ovvero senza login], [Capitolato],
[FM-13], [Obbligatorio], [Il prodotto deve prevedere una sola tipologia di utente], [Capitolato],
[FM-14], [Obbligatorio], [Il prodotto si deve avviare allo stato iniziale ogni volta che viene ricaricata la pagina], [Capitolato],
[FM-14.1], [Obbligatorio], [Il prodotto non persiste in locale (cookie, `localStorage`) le modifiche fatte all'ambiente], [Capitolato],
[FM-14.2], [Obbligatorio], [Il prodotto non persiste sul database le modifiche fatte all'ambiente], [Capitolato],
[FM-14.3], [Obbligatorio], [Il prodotto non deve fornire alcuna opzione per il salvataggio dei dati], [Capitolato]
),
caption: [Requisiti funzionali]
)
== Requisiti di qualità
#figure(
table(
columns: 4,
align: left,
[*Codice*], [*Classificazione*], [*Descrizione*], [*Riferimento*],
[QM-1], [Obbligatorio], [Deve essere rispettato quanto previsto dalle Norme di Progetto], [Decisione\ interna],
[QM-2], [Obbligatorio], [Deve essere rispettato quanto previsto dal Piano di Qualifica], [Decisione\ interna],
[QM-3], [Obbligatorio], [Il codice sorgente deve essere consegnato utilizzando un repository GitHub pubblico], [Capitolato],
[QM-4], [Obbligatorio], [Devono essere consegnati i diagrammi UML degli UC], [Capitolato],
[QM-5], [Obbligatorio], [Deve essere consegnata la lista dei bug risolti], [Capitolato],
[QM-6], [Obbligatorio], [Deve essere fornito un manuale d'uso per l'utente], [Decisione\ interna],
[QO-7], [Opzionale], [Deve essere consegnato lo schema del DB], [Capitolato],
[QO-8], [Opzionale], [Deve essere consegnata la documentazione delle API realizzate], [Capitolato],
),
caption: [Requisiti di qualità]
)
== Requisiti di vincolo <vincoli>
#figure(
table(
columns: 4,
align: left,
[*Codice*], [*Classificazione*], [*Descrizione*], [*Riferimento*],
[VM-1], [Obbligatorio], [Il browser utilizzato per accedere al prodotto deve supportare WebGL 2.0], [Interno],
[VM-2], [Obbligatorio], [L'hardware del client utilizzato per accedere al prodotto deve supportare OpenGL ES 3.0], [Interno],
[VM-3], [Obbligatorio], [L'utente deve utilizzare un browser Google Chrome versione 89 o successiva], [Interno],
[VM-4], [Obbligatorio], [L'utente deve utilizzare un browser Microsoft Edge versione 89 o successiva], [Interno],
[VM-5], [Obbligatorio], [L'utente deve utilizzare un browser Mozilla Firefox versione 16.4 o successiva], [Interno],
[VM-6], [Obbligatorio], [L'utente deve utilizzare un browser Apple Safari versione 108 o successiva], [Interno],
[VM-7], [Obbligatorio], [L'utente deve utilizzare un browser Opera Browser versione 76 o successiva], [Interno],
[VM-8], [Obbligatorio], [L'utente deve utilizzare un browser Google Chrome per Android versione 89 o successiva], [Interno],
[VM-9], [Obbligatorio], [L'utente deve utilizzare un browser Apple Safari per iOS versione 17.1 o successiva], [Interno],
[VM-10], [Obbligatorio], [L'utente deve utilizzare un browser Samsung Internet versione 23 o successiva], [Interno],
[VO-11], [Opzionale], [Il prodotto deve essere eseguibile in un container Docker o Docker Compose], [VE 23-11-15]
),
caption: [Requisiti di vincolo]
)
== Riepilogo requisiti
#figure(
table(
columns: 2,
align: left,
[*Tipo Requisito*], [*Numero totale*],
[Requisiti funzionali], [96],
[Requisiti di qualità], [8],
[Requisiti di vincolo], [11],
),
caption: [Riepilogo requisiti]
) |
|
https://github.com/linxuanm/math-notes | https://raw.githubusercontent.com/linxuanm/math-notes/master/topology/main.typ | typst | #align(center, text(17pt)[Topology Lecture Notes])
#grid(
columns: (1fr, 0fr),
align(center)[
<NAME> \
Carnegie Mellon University \
School of Computer Science
]
)
#include "1-topology.typ"
|
|
https://github.com/EpicEricEE/typst-plugins | https://raw.githubusercontent.com/EpicEricEE/typst-plugins/master/qr/assets/example.typ | typst | #import "../src/lib.typ" as qr
#set text(size: 14pt)
#set page(
width: auto,
height: auto,
margin: 1em,
background: pad(0.5pt, box(
width: 100%,
height: 100%,
radius: 4pt,
fill: white,
stroke: white.darken(10%),
)),
)
#table(
columns: 2,
inset: 0.5em,
align: horizon,
table.header[*Data*][*QR Code*],
[Hello world!], qr.create("Hello world!", margin: 0, width: 100%),
[Hallo Welt!], qr.create("Hallo Welt!", fill: blue, width: 100%),
[#(1, 2, 3, 4)], box(fill: yellow, qr.create((1, 2, 3, 4), width: 100%)),
)
|
|
https://github.com/polarkac/MTG-Stories | https://raw.githubusercontent.com/polarkac/MTG-Stories/master/stories/050%20-%20Phyrexia%3A%20All%20Will%20Be%20One/004_Episode%202%3A%20Unstable%20Foundations.typ | typst | #import "@local/mtgstory:0.2.0": conf
#show: doc => conf(
"Episode 2: Unstable Foundations",
set_name: "Phyrexia: All Will Be One",
story_date: datetime(day: 13, month: 01, year: 2023),
author: "<NAME>",
doc
)
Static, and screaming, and the sensation of falling forever.
Elspeth had awakened alone on the soil of New Phyrexia, gripped by fear of the worst. They had clearly fallen into a trap. Was she the only one spared, once more a prisoner of Phyrexia?
#figure(image("004_Episode 2: Unstable Foundations/01.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
The thought barely had time to form before a cluster of Phyrexians charged over the crest of the hill. Elspeth grabbed her sword and rose to meet the threat, grateful they hadn't arrived while she was unconscious. She could so easily have been overwhelmed; the greatest warrior falls when caught off guard.
Or when outnumbered. There were six of them to one of her, and they knew the terrain where she didn't. She still cut three of them down before she found herself losing ground. The first Phyrexian had nicked her arm, and the fear returned, hotter this time, telling her the battle might not go in her favor.
That was when a purple-tinged blade thrust through a Phyrexian heart, telling her she wasn't the only survivor and, more, wasn't fighting alone.
Kaya's presence quickly turned the tide in their favor, allowing them to emerge unscathed, Elspeth nearly frantic while checking Kaya for injuries. She was immune, but Kaya wasn't, and there was no such thing as too much care on Phyrexia.
Exposure was a death sentence. They all knew it. The risks had been one of the first things explained when the Phyrexian threat was discovered. There were ways to escape that inevitability, but they were rare, costly, or both. Halo #emph[might] be one, but their supply was limited, and they had yet to test it in the field. It was too much to hope that Melira would still be alive and able to help them.
Still, knowing a thing and accepting it were very different, and Elspeth couldn't be sure Kaya had fully internalized the danger she was in.
"You okay?" said Kaya. Elspeth gave her a short nod.
With the fight done, the pair had moved onward to the Mirran camp, where a troll named Thrun had been able to break a hole in the shell of the plane and drop a rope ladder they could use to reach the surface of old Mirrodin. From there, they had continued toward the white lacuna, the original opening to Mirrodin's core, that would now take them to the Furnace Layer. No other members of their company had appeared to join them.
Elspeth only hoped, wild and somewhat unfounded, that when they reached the bottom, they would find the others.
Her gloom was evident as they walked. Kaya would have been willfully in denial to miss it. "It can't be too much farther from here, sunshine," she said, using the variable gravity of the lacuna to walk along the wall. "We both landed okay. A little bumpy, but we're fine. We'll find the others. You'll see."
"At least you didn't wake up with Phyrexian forces coming to separate you from your head."
"No, just with this little guy shaking me." Kaya caressed the head of the small, tanuki-shaped robot that rode on her shoulder. It wasn't Mirran #emph[or] Phyrexian in origin; Elspeth would have guessed Kamigawan. It must have belonged to someone from one of the other strike teams. It was lucky it had landed with Kaya. Much longer on its own, and Phyrexia would have already found a way inside.
Elspeth, who was familiar with the lacunae from her time on Mirrodin during the war, walked more sedately, trying to stay ahead of her own thoughts, which turned down bleaker paths than she preferred. She'd known coming back here would be hard, but seeing what it had become, how much had been lost—it was brutal.
New Phyrexia seemed like a plane built for regretting. Maybe it ached less for Kaya, who had never seen Mirrodin, who knew they walked through a graveyard, but not the volume of the blood that tainted every surface. It was easier, in some ways, to walk the ashes of a battle that had never been yours.
The lacuna stretched on and on, longer than would have been possible without the nurturing magic that wept from its walls, sustaining and reinforcing it. When they reached the bottom, they may as well have reached the top; they had followed the line of the anchoring magic far enough that gravity reversed itself again, forcing them to grab the rungs protruding from the walls and climb the last ten or so feet to the opening.
Pulling herself onto the lacuna's rim, Elspeth held tight as she beheld the Furnace Layer. Below her, she could hear Kaya's near-effortless ascent, and she shifted slightly to the side. "Hold on when you get out here," she called down. "The last of the magic will escort us to the ground as soon as we let go."
"Escort us to the—oh. Of course, we're popping out of the ceiling," grumbled Kaya. "Did the Mirrans not believe in dependable gravity?"
"This #emph[is] dependable gravity. It's just dependable in a different way."
Kaya boosted herself up next to Elspeth, looked around, and let out a long, low whistle. It wasn't an unreasonable reaction.
True to its name, the Furnace Layer #emph[burned] . Magma teemed all around them, and the air was swelteringly hot. Shelves of pyroclastic rock served as solid ground, and somehow the thermoclines of the burning pools didn't make it unbearable, merely uncomfortable. Life could, impossibly, survive here.
Below them, on one of the largest pyroclastic shelves, a haphazard Mirran structure jutted from the landscape. An array of tents and makeshift pavilions surrounded its edges, soot-dark and constructed to blend into the earth around them, nothing too large for a single person to tear down in the blink of an eye. People moved between them, dwindled by distance and reduced to broad strokes of physicality.
Kaya glanced to Elspeth.
"Mirran?"
"Phyrexians don't build tents."
"Think our missing folks will be down there?"
"If they're not, I think this is already over," replied Elspeth, and—heart in her throat and somehow hammering in her chest at the same time—she let go.
The lacuna's magic caught her before she could fall more than a few feet and carried her to the ground as lightly as a mother's hand, Kaya floating beside her and laughing under her breath.
By the time their feet touched the surface, a crowd had begun to gather. The people who had emerged to meet them gleamed gold with metallic embellishments but lacked the slick perfection of true Phyrexians: this was the force they had come seeking.
"Elspeth!" shouted a voice from the crowd, deep, rough, and rumbling—a voice like a mountain, unexpected and familiar. Elspeth stiffened before delight overwhelmed her, and she broke into the broadest grin she had ever worn, spinning around and launching herself toward the speaker.
"Koth!" she cried. "Koth, I thought you were dead!"
#figure(image("004_Episode 2: Unstable Foundations/02.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
The larger Planeswalker caught her around the waist and swung her around, both laughing, bright with a levity that seemed to have little place in this burning terrain, in this bleakest of times. He was an imposing, dark-skinned man whose body was plated with stony armor, and the contrast between him and the slighter—though not much shorter—Elspeth was marked.
Kaya looked around, her own demeanor shifting toward relaxation when she spotted a face in the crowd. "Tyvar," she said, smiling as she walked over to him. "Should have known you'd find your way here before us."
He laughed. "And #emph[I] should have known there was no sense in worrying about you! Skies above, you'd be someone else entirely if you didn't fall into danger at the slightest opportunity."
"Woke up alone with somebody else's equipment on the ground around me, and sunshine there"—Kaya hooked a thumb toward Elspeth, who was still laughing and hugging Koth—"just a little ways away. Both of us got hit, hard, crossing over. Did you—?"
"I fear we all did," said Tyvar, face falling. "Not everyone has managed to find their way to us. Jace was the last to come before you, and he arrived alone, having made his own path over the surface."
"Jace~ ?"
"Is behind you," said Jace's familiar, measured voice.
Kaya huffed a breath. "You just wanted to see if I would jump," she accused mildly, turning to face him.
The slender telepath shrugged. "You never do, so it seems pointless to try," he said, and smiled, just a little. "Hello, Kaya. I was worried we had lost you."
"Couldn't you have, you know." She tapped her temple. "You set up the mindlink before we left. You should have just been able to give me a jingle."
The faint smile that had been forming fled Jace's face. "The barrier broke that link, along with so many other things. I haven't been able to reach any of the other teams. Those you see here are all that we've managed to recover of the strike force."
Kaya frowned. "Vraska? Nissa? The Wanderer? Lukka?"
"Vraska wasn't with us when we woke," he said. "Nissa was, but even as we gathered ourselves and prepared for our journey, a trap shunted her away—as if she had somehow been forced to planeswalk again."
"We think our group may have encountered something similar," said Nahiri, stepping out of the crowd with Kaito close behind. Jace looked at her coolly but made no comment.
Kaya's frown deepened. It was no secret that there was no love lost between Jace and Nahiri. She had been counting on those who knew them better to be the barrier between them and had no real interest in being tapped for the job. "How do you mean?" she asked.
"Hey!" Kaito interjected, before anyone could answer. "Those are mine! Pompon!"
"These?" Kaya touched the blade she had tied to her hip with a length of rope, even as the little bot on her shoulder leapt over to Kaito's and clung, chittering happily. "They were near me when I woke up. They're yours?"
"Can't you tell? They're not Phyrexian," said Kaito, extending his hand. He looked exhausted. They all did, to one degree or another.
"Now that you mention it, yeah. Too fancy for me anyway," said Kaya, untying the blade and slapping the hilt into Kaito's palm. He visibly relaxed, flashing her a grateful smile before he turned his attention to the little robot on his shoulder, murmuring a quiet greeting. It chittered back, obviously home.
Looking much more relaxed, Kaito turned back to Kaya. "No clue about Lukka. The Wanderer was with us when we arrived," he said. "Her spark is always a little~ unpredictable, but she can normally keep it under a semblance of control. This time, she flickered for a long while before she departed for the Blind Eternities."
"You might have been able to shift yourself into phase with her and tell us what she was trying to say before she vanished," said Nahiri. Kaya had never tried to use her magic in that specific manner but nodded anyway. "It might have been possible. Did Nissa look like she was hurt by whatever happened?"
"No," said Jace, with audible misery. "She was simply gone. The Phyrexians were more prepared for our assault than we had hoped they would be."
"I'm sure she's fine," said Nahiri brusquely. "That elf's a hard weed to pull. We need to figure out what the plan looks like with this many of us gone."
Suddenly uncomfortable, Kaya returned her attention to Jace, lifting an eyebrow. "Well?"
"Well," he said. "The plan hasn't changed. The plan #emph[can't] change. We're down half our number, but we knew the odds would be against us. If we don't get the sylex to the base of their World Tree before it connects through the Blind Eternities, all the planes will share Mirrodin's fate."
Tyvar scowled. "You mean their corrupt mockery of a World Tree," he said sharply.
Jace only shrugged.
"<NAME> calls it her Realmbreaker." Melira stepped out of the crowd, the name causing Tyvar's scowl to deepen.
Kaya repressed a shudder as she glanced at the blasted, blackened landscape around them. She had seen enough death, dealt enough death, to have thought there was nothing left that could truly horrify her. This, though~ this was so much worse than anything she could have imagined. And this wasn't everything. So much of Phyrexia was still beneath them, its horrors yet to be revealed, its dangers yet to be faced.
"You still have the sylex," she said, half-statement, half-question. "Karn's plan can be carried out."
"Yes," said Jace. "We can still win."
#figure(image("004_Episode 2: Unstable Foundations/03.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
"Karn?" Elspeth came pushing her way through the others, Koth close behind her. "Has there been any news?"
"Still lost," said Jace. "I~" He paused for a moment, then shook his head. "There's been no sign of either him or Ajani since we arrived here."
"That's likely for the best," said Elspeth, face schooled to something as close to neutrality as she could manage. "Both know far too much about the sylex. Ajani destroyed the last one."
"This 'sylex' is the thing you're going to use to take out Elesh Norn's Realmbreaker, right?" asked Melira.
"Yes," said Jace, with remarkable calm. "Planted among the roots of her World Tree—"
"So-called," grumbled Tyvar.
Jace shot him a look. "It will destroy the tree before it has an opportunity to connect this plane to the rest of the Multiverse. The Phyrexian curse will stay contained until it can be eliminated."
"How contained can it possibly be when it begins to infiltrate other planes already?" asked Kaito. "Kamigawa is not a cost of war."
"Neither is Mirrodin," said Melira. "We still fight for the plane we had, even if we'll never be able to restore what it once was. What does this sylex do to Mirrodin?"
"Melira, we've discussed this," said Koth.
"Yes, you and I have discussed this, and you love Mirrodin enough to care what happens to our home. I want someone who doesn't love our home to look me in the eye and say we'll survive." She looked at Jace. "My people have already made it through the end of our plane. Your plane doesn't matter so much more than ours that I'm going to help you sacrifice what little we have left."
Jace nodded slowly. "Based on my calculations, the explosion will be immense enough to destroy Realmbreaker, and presumably take out the entire Seedcore in the process, but unless the Phyrexians have destabilized the plane far beyond what the information we have indicates, that should be the whole of the damage."
Melira nodded. "How much do you know about what they've done to our geography?"
"We know the plane is layered, sphere inside of sphere, and we landed two layers higher than we meant to."
"You're not #emph[wrong] ," said Melira. She picked up a chunk of metallic rock from the ground, looking to Nahiri. "Hey, lithomancer, how good's your control?"
"Better than anyone else here," said Nahiri.
"Then help me out. Can you make me a little ball, about half the size of my closed fist?" She held up her free hand, fingers balled, in illustration.
"Toss it this way."
Melira lobbed the rock at Nahiri. Halfway along its arc, it froze and broke into pieces, one of them smoothing to form the requested sphere. It moved away from the rest of the debris, beginning to rotate. Melira looked pleased.
#figure(image("004_Episode 2: Unstable Foundations/04.jpg", width: 100%), caption: [Art by: Illustranesia], supplement: none, numbering: none)
"This is the Seedcore," she said. "This is where we have to get you if you want to set off this sylex of yours."
"All right," said Jace.
Melira looked back to Nahiri. "Can you put a round shell around that sphere you made?"
"Ask for something hard," said Nahiri. A bit of debris flattened out and wrapped around the ball, forming another, larger sphere. It continued rotating.
"The Mycosynth Gardens," said Melira. "That's how they took us in the first place. They seeded the center of our plane with fungus that pumped Phyrexian contamination into the air, and we breathed it in without knowing. Most of us were lost before we knew there was a fight."
"Coward's tactics," said Tyvar.
"Another layer, please," said Melira, and a third sphere formed. "The Fair Basilica. That's Elesh Norn's stronghold. We're hoping Urabrask's rebellion will keep her distracted while we're passing through her territory. If not, there's no way we make it through to the Seedcore without her seeing us."
"More?" asked Nahiri.
"Please," said Melira. "Four this time, and leave a channel between each?"
Four more shells formed, each glowing hot for a moment before cooling and darkening to its original color. Kaya looked at Nahiri. She still looked utterly serene, like this demonstration of tightly controlled power was nothing to her. It was almost unnerving. Kaya had known Nahiri was one of the oldest Planeswalkers around, if not #emph[the] oldest, but there was knowing and there was seeing.
"That outermost sphere, that's the Furnace Layer. That's where we are now. We're not safe here, but we're safer than we'll be almost anywhere else, and we've managed to connect a tunnel #emph[without] freefall in the middle, which took some doing. Mirrans died to get you a shortcut. Respect that."
Melira paused, turning her face away. Her silence stretched on long enough that Koth stepped in to fill the gap. "Beneath us is the Hunter Maze, and then the Surgical Bay. We'll bypass both to land in the Dross Pits, directly above the Fair Basilica." He glanced to Elspeth. "The Dross Pits include what you used to know as the Mephidross. We'll have to watch our step there, but we should be able to make it to our next descent point without too much trouble."
Elspeth nodded. "This is~ this is a nightmare," she said. "How have you survived?"
"Two more layers above us—you've seen those," said Melira. "What you may not have realized is that the layer overhead, the one we call Mirrex, is all that remains of our original plane. They gutted it to build their own."
"As to our survival, it's a close thing," said Koth. "Food is in short supply. Drinkable water, even moreso. The elves are all but gone. I haven't seen an uncompleated vedalken in years. We fight the battles we can, we save the people we can, and we never stop moving for long. Mirrodin was—is—a plane of steel. Mirrodin's people reflect that. As long as one of us is breathing, we'll keep fighting back."
Elspeth nodded again, more slowly this time. "I'm sorry I left you for so long."
"Don't be," he said. "Knowing I saved you, even if I couldn't save so many—it helped."
"So our plane matters," said Melira, and gestured toward the rotating sphere as Nahiri added two more layers to signify Mirrex and the Monumental Facade. "Our fight matters. Your fight matters too, or we wouldn't be helping you—no other plane should see this fate."
"Agreed," said Tyvar, sounding subdued.
"Agreed," echoed Kaito.
One by one, the other Planeswalkers chimed in their understanding, and the nearby Mirrans did the same.
Melira looked at Jace, eyes hard. "So now that you know what our internal geography looks like, are you still sure we're going to survive what you're planning to do?"
Jace hesitated for a long moment before he sighed and said, "No. No, I'm not. When Urza used the first sylex, it broke things we didn't know could be broken. But we don't have any time to spare coming up with a new plan. We shouldn't even wait for the others."
"I don't know about you, but I'm not into the idea of giving <NAME> time to finish her plan. We have to take out that tree before it connects through the Blind Eternities, or the shockwave could be unthinkable. We could lose a lot more than Mirrodin," said Kaya.
Nahiri looked to Jace. "These people have no idea what they're helping us to do," she said, voice low.
Melira turned to him. "What does she think you're not telling us?"
Jace grimaced, looked away before responding. "We're setting off a bomb in the center of the plane. The shockwave #emph[should] travel along the tree and destroy it without harming Mirrodin, but it's not like we can test it. Our assumptions about the stability of Mirrodin couldn't take into account the sheer amount of restructuring you've shown us." He indicated Nahiri's sphere, still rotating despite her departure. She hadn't gone far.
"So this could still destroy us."
"If I say yes, will you refuse to help?"
"If you'd said no, I would have refused to help," said Melira. "Koth's a geomancer, not a lithomancer—he says there's a difference, I wouldn't know—and the land speaks to him where the stone lingers. He told me there was a chance this could destabilize our plane. It's worth the risk to save the rest of the Multiverse, as long as you don't lie about it."
Kaya nodded. This was a graveyard of ash and steel, and it deserved to be respected while they used it to achieve their goals. What they were here to do might destroy Mirrodin forever, and it was hard to see that as a bad thing, if there was a chance it would also eliminate the Phyrexian threat to the Multiverse. There would be a shockwave when the sylex was detonated, that much was unquestionable. But if the World Tree had yet to connect through the Blind Eternities, the shock would have nowhere else to go. It might rip this plane apart.
"Then we move," said Jace. "The Mirran forces have agreed to contribute their spare gear if anyone needs additional weapons, or armor. Phyrexian oil doesn't need to break the skin to infect."
Koth moved forward. "Our gear has been treated with a substance we call hexgold. It's rare and precious, but it offers some small measure of protection from phyresis, and it increases the strength of a weapon against the compleated. More is available to treat the equipment you brought with you."
"This is something new," said Elspeth. "Where does it come from?"
"A final gift from Mirrodin," said Koth. "We make the journey upward to Mirrex, and we scavenge the remaining plates from the Glimmervoid. Treating the plates with blinkmoth serum refines the metal into hexgold and lets us use it to protect ourselves."
"Is there any way I could obtain a piece of this 'Glimmervoid' metal?" asked Tyvar.
"Yes," said one of the Mirrans, who had been watching silently until this point. "Come with me." He motioned for Tyvar to follow him into the crowd. The man did so. After a beat to consider, Koth and Kaito did the same.
"We can't linger here much longer," said Melira. "We survive in the Furnace Layer at Urabrask's pleasure, and he doesn't like it when we get too comfortable."
Kaya frowned, looking to Jace. He inclined his head to Melira. "Of course," he said. Shifting his attention to Kaya, he said, "Urabrask is the praetor of the Quiet Furnace. He doesn't grant them shelter so much as allow them to take what they can find, and thus prevent their extinction. The chaos he creates may be the key to our success."
"Then we owe our thanks to a Phyrexian," said Kaya, lip curling. "That's a hard one to swallow."
Melira sighed. "This is an age of horrors, and everything is hard to swallow," she said. "The tunnel has been cleared out for our use, or as close to cleared as it can be—things change here, moment to moment, and what seems safe can turn in the blinking of an eye. It's good Mirran construction, and it will see us down to the Dross Pits." She indicated the rotating sphere.
"And if the tunnel's compromised?" asked Kaya.
Melira sighed. "We'd have to fight our way to the Dross Pits, and we'd never make it alive. Your plan would fail. Your Multiverse would fall. We trust the tunnel."
"I didn't say we shouldn't," said Kaya. "I just like to understand the details of a plan."
"Right; so do I," said Melira, mollified. "We descend to the Dross Pits, break into Elesh Norn's palace while her forces are elsewhere, and access the Seedcore, destroying the tree before it connects."
"Simple," said Kaya. "What could possibly go wrong?"
"Only everything," said Jace grimly, and Melira laughed.
"I'm going to check on the rest of you," she said, plucking Nahiri's rotating model of Mirrodin from the air and tucking it under her arm as she walked away, leaving Kaya and Jace alone.
Not far away, Kaito knelt, his tanuki by his side, and ran a sliver of hexgold along the edge of his blade, watching as it left gleaming specks behind. "It seems odd to hone a weapon on something that might change the steel," he said.
Tyvar shrugged, turning a hex of metal that shone like impossibly tarnished mercury between his fingers. "This Glimmervoid metal is like nothing I've ever encountered before," he said. He looked to the Mirran who had led them to the scant armory. "And it repels their 'glistening oil'?"
"It won't save you," said the Mirran, passing Tyvar a shield. "Infection can still take root, and you can still be lost. But it will make your strikes sharper and may buy you time."
"Time is all we need," said Tyvar.
#figure(image("004_Episode 2: Unstable Foundations/05.jpg", width: 100%), caption: [Art by: <NAME>], supplement: none, numbering: none)
Kaito smiled, shaking his head. "If the metallurgy course can wait, we need to finish preparing," he said, breaking his sword into its individual throwing stars and meticulously running the hexgold whetstone along each edge.
Melira stalked by, pausing to snag a small pouch of powdered hexgold as she passed.
"Is there a way to treat my drone?" asked Kaito.
Tyvar focused his attention on the other man. It was a valid question, and he wanted to know the answer, if not as much as Kaito did.
"The little construct can be powdered, if its gears can take the strain," said the Mirran.
Kaito laughed. "Dust is always a danger. She'll take the strain."
Not far away, Koth and Elspeth sat on rough crates, watching each other as they would a sibling believed lost—and in a way, that was precisely what they were. Born of different planes, bearers of different sparks, but siblings forged in terrible battle. A battle that was not yet done.
"I thought I was never going to see you again," said Elspeth.
"I thought the same of you," said Koth. "You are a miracle walking. But I wish you hadn't come. You fought free of this. You were to be spared. You could have gone seeking for your home, could have escaped, and instead—"
"I'm a warrior," said Elspeth. "I may not want to be, but I have to be a hero, to honor those who never got the chance. I have to #emph[try] , Koth, and if I knew the danger and refused to come, I'd be no better than a coward."
"I understand," he said. "It's an honor to know that I'll have another chance to go down fighting beside you."
Elspeth managed a wan smile. "I just wish we'd had more time."
"That's what it means to be yourself, and not forced to become a part of the Phyrexian mass," said Koth. He rose, offering her his hand. "Come. It's almost time to go."
She blinked up at him as she took his hand and let him pull her to her feet. "You're coming with us?"
"I am," Koth confirmed. "I have a demolition team standing by to do what needs to be done if your sylex fails. You know I don't like problems with only one solution. This tree will not take root in other soil."
Elspeth smiled. "I'm glad to have you along. Both selfishly, and because I think our chances of success just got much, much better."
"You always had too much faith in me," said Koth lightly, and they walked, together, back to where the others prepared themselves for war.
Nahiri, who had been waiting for them to move, slipped out of the shadows and into the relative privacy of the spot where they had chosen to have their conversation. She hissed as she peeled the bandage away from her neck, revealing the blunt, hardened spike growing there.
"I thought so," said Melira, behind her.
Nahiri jumped, whirling half around to face the slim Mirran. Melira didn't flinch.
"There's an air to people who're still holding on to the hope that they're wrong, and you had it," she said. "Here." She reached into her pocket and tossed the pouch of hexgold to Nahiri, who caught it and looked at it blankly for a moment before frowning at Melira.
"You're not too far gone," said Melira. "I could treat you now, and you'd stand an excellent chance of recovery. But you'd lose days if we did that, maybe more."
"We don't have that kind of time," said Nahiri.
"That's what I thought you'd say," said Melira. "You're early enough in the process that we can wait. You have time before you're too far gone for me to pull back. Try the hexgold. If that doesn't work, you can tell me what you want to do."
The spike on Nahiri's neck was covered by a layer of what felt like ordinary skin; calling a razored bit of shale into her hand, she sliced through that thin veil of tissue, cutting until she hit something hard that she hoped—truly hoped—was bone. Reaching up with her other hand, she sprinkled the powdered hexgold over the wound she had created. The skin spasmed, and she felt a bubble form, expelling the hexgold from her body. With a convulsive itch, the skin knit back together; she touched it experimentally, and found no seam, no blood, only a faint gritty film of hexgold.
Face betraying nothing, Nahiri plastered the bandage back down and looked to Melira. "It didn't work," she said. "You say you can fix me?"
"I can," said Melira. "But if I do~ it's a hard healing for the body to go through. You'll be out of commission for days."
"You can't hurry it along?"
"That #emph[is] hurrying it along. Your body's already fighting as hard as it can. That helps me. But we'll lose you for a while. Can we win this without you?"
Nahiri was silent, but her tightly drawn expression was answer enough. No. No, they couldn't. She was the strongest mage they had, and more, she was in a plane all but designed to respond to her magic. They needed her. "After everything I've done for the Multiverse, this shouldn't be how it ends," she said. "It's not right."
"And this won't be how it ends," said Melira. She tossed the sphere she had been carrying to Nahiri. It stopped halfway between them, resuming its slow rotation. "You're strong. You're fighting this. Now you'll fight harder for Mirrodin, and for your own future."
Nahiri nodded slowly. "And if I'm already infected, I can show these Phyrexian assholes how much damage a daughter of Zendikar can do before they knock me down."
"Good," said Melira. "So we fight now, and I heal you later."
Nahiri nodded and moved to Melira's side. Together, the two of them walked back to join the others. It was time to move along.
Jace and Kaya were preparing to depart, standing on a little hand-pumped cart that would carry them into the tunnel system that connected to the Dross Pits. Both looked grimly determined to face what lay ahead, faces set, no sign of nerves.
Nahiri envied them a bit of that confidence. Her own was flagging.
Then Jace nodded, and the cart operators began to pump. They moved away, down into the dark.
The others stepped onto carts of their own. Tyvar with Kaito, Nahiri with Melira and a group of Mirrans. Koth and his demolitions team filled a cart by themselves, until only Elspeth remained to go into the dark. She paused, looking at the encampment around her. It was so transitory, so temporary, and yet enduring. This was what remained of the resistance. This was where Mirrodin took back its destiny, and rose again, damaged but free, or was added to the books of the dead forever.
They had to win. They #emph[had] to. Not just for the Multiverse, for the Mirrans who died to get them this far, and for the Mirrans yet to come, who deserved so much better than this broken plane.
More determined than ever, Elspeth stepped onto the final cart, nodded to the elves operating the pump, and made her own descent into the shadows of New Phyrexia.
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Subsets and Splits