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Everyone in the office tells Andy that quitting is a foolish move and that he has no chance of achieving stardom . Andy eventually goes back on his decision , and David allows him to stay on in a sales position . However , mere hours later Andy feels that he is only sticking with his <unk> @-@ Mifflin job because it is safe and that he has to take a shot at achieving fame . Fearing his conviction will falter a second time , he decides he cannot simply quit , but get fired . This proves difficult as he is unable to make himself go through with any offense more serious than defecating on David 's car . Andy bids farewell to his coworkers with an unexpectedly moving rendition of " I Will Remember You " , prompting them to comment to the documentary crew that he may have star potential after all .
Meanwhile , Angela Martin ( Angela Kinsey ) is evicted from her studio apartment after her cats were taken away by Animal Control . She considers living in a tent in the woods , prompting Oscar Martinez ( Oscar Nunez ) to offer her to stay with him until she gets back on her feet . She finally accepts with gratitude . As they set off to take Angela 's things to Oscar 's place , Oscar mentions her marriage to Robert Lipton and she breaks down into tears , saying " I love him . " However , she denies she still has feelings for Robert and claims she was talking about Dwight .
= = Production = =
" Livin ' the Dream " was written by story editor Niki Schwartz @-@ Wright , marking her second writing credit for the series , after the earlier season episode " Lice " . It was directed by regular Office director Jeffrey Blitz , who last directed season eight 's " Gettysburg " . The episode was originally scheduled to air in its regular half @-@ hour time slot , but NBC later announced it would be expanded to fill an hour time slot beginning a half hour early , although it still counts as one official episode , similar to the earlier season episode " Moving On " . Rogers noted that " we knew the last two episodes would be hour @-@ longs , and The Finale might even end up running longer , but we still had a lot of great storytelling to do leading up to them , and ' Livin ' the Dream ' was one that ultimately deserved to be an hour long episode as well ! "
= = Reception = =
= = = Ratings = = =
" Livin ' the Dream " originally aired on May 2 , 2013 on NBC . In its original American broadcast , " Livin ' the Dream " was viewed by an estimated 3 @.@ 51 million viewers and received a 1 @.@ 8 rating / 5 % share among adults between the ages of 18 and 49 . This means that it was seen by 1 @.@ 8 percent of all 18- to 49 @-@ year @-@ olds , and 5 percent of all 18- to 49 @-@ year @-@ olds watching television at the time of the broadcast . This marked a slight increase in the ratings from the previous episode , " Paper Airplane " . The episode ranked third in its first half @-@ hour timeslot , being beaten by an episode of the CBS comedy series Two and a Half Men which received a 3 @.@ 2 / 10 rating and an entry of the Fox reality series American Idol which scored a 2 @.@ 6 / 9 rating . The second half @-@ hour ranked fourth in its timeslot , being beaten by an episode of the ABC series Grey 's Anatomy which scored a 3 @.@ 0 / 9 rating , an entry of the CBS series Person of Interest which garnered a 2 @.@ 4 / 7 rating , and installment of the Fox series Glee which received a 1 @.@ 9 / 5 rating .
= = = Reviews = = =
" Livin ' the Dream " received positive reviews from television critics . Roth Cornet of IGN wrote that " it pleases me greatly that at the conclusion of this super @-@ sized episode I was left , once again , truly looking forward to seeing what these next few weeks , and that final hour of The Office , will bring . " Cornet praised the full @-@ use of the ensemble , particularly the " Phyllis and Stanley Lil ' Romeo mini @-@ debate " and Creed 's confused mimicking of Dwight 's declaration . Cornet also called the Dwight storyline " perfectly executed " , as well as the Jim @-@ Pam @-@ Dwight dynamic featured throughout the episode , calling their companionship to be " entirely earned " . She also praised Kinsey 's performance during her character 's storyline , and said her final scenes with Oscar " [ tugged ] at my heart @-@ string " . She gave the episode an 8 @.@ 5 out of 10 , calling it " Great " . M. Giant of Television Without Pity awarded the episode an " A – " and wrote that " almost everybody is having their best day in a long time , in the best episode of The Office in an even longer time " .
Nick Campbell of TV.com complimented the sentimental storylines in the episode , specifically between Jim , Pam and Dwight . He was positive towards Jim and Pam 's reconciliation , but felt " something hollow about their reunion " . He also noted that the Jim @-@ Pam storyline caused the Dwight @-@ Angela relationship to go " darker " . Alan Sepinwall of HitFix gave the episode a slightly more mixed review writing that " the non @-@ Andy parts of " Livin ' the Dream " were fairly interesting " . He appreciated the drama coming from Angela 's desperation , despite disagreeing with the logic in the situation . Sepinwall praised the Jim @-@ Dwight dynamic in the episode , considering it an enjoyable payoff , and also praised Jim and Pam 's reconciliation , particularly them annoying their co @-@ workers with their flirting . Joshua Alton of The A.V. Club was more negative towards the episode , saying it felt " padded @-@ out " to fill the full hour timeslot , and that " this episode might be the nadir for the show ’ s hour @-@ long installments " . He was complimentary towards the Jim @-@ Pam storyline , but felt " there wasn ’ t much happening " beyond Pam overhearing Jim 's talk with Darryl . Alton praised the Dwight storyline and his dynamic with Jim and Pam , calling it " the true fan service " . Alton gave the episode a " C – " .
= Toniná =
<unk> ( or Toniná in Spanish orthography ) is a pre @-@ Columbian archaeological site and ruined city of the Maya civilization located in what is now the Mexican state of Chiapas , some 13 km ( 8 @.@ 1 mi ) east of the town of Ocosingo .
The site is medium to large , with groups of temple @-@ pyramids set on terraces rising some 71 metres ( 233 ft ) above a plaza , a large court for playing the Mesoamerican ballgame , and over 100 carved monuments , most dating from the 6th century through the 9th centuries AD , during the Classic period . Toniná is distinguished by its well preserved stucco sculptures and particularly by its in @-@ the @-@ round carved monuments , produced to an extent not seen in Mesoamerica since the end of the much earlier Olmec civilization .
Toniná was an aggressive state in the Late Classic , using warfare to develop a powerful kingdom . For much of its history , Toniná was engaged in sporadic warfare with Palenque , its greatest rival and one of the most important polities in the west of the Maya region , although Toniná eventually became the dominant city in the west .
The city is notable for having the last known Long Count date on any Maya monument , marking the end of the Classic Maya period in AD 909 .
= = Etymology = =
Toniná means house of stone in the Tzeltal language of the local Maya inhabitants , an alternate interpretation is the place where stone sculptures are raised to honour time . However , this is a modern name and the original name was either Po or Popo , appearing in Classic Maya texts in the title used for the kings of Toniná , k 'uhul po ' ajaw ( Divine Lord of Po ) . A Maya rebellion in Colonial times , in 1558 , featured a group called the po ' <unk> ' ( People of Po ) . Early versions of the Toniná emblem glyph bore a doubled po glyph and the term Popo is also found in Colonial records . Since double sounds were often abbreviated in hieroglyphic texts , Popo may represent the original name of the city .
= = Location = =
Toniná is located at an altitude of 800 to 900 metres ( 2 @,@ 600 to 3 @,@ 000 ft ) above mean sea level in the Chiapas highlands of southern Mexico , some 40 miles ( 64 km ) south of the contemporary Maya city of Palenque , Toniná 's greatest rival throughout its recorded history . Toniná is separated from Palenque by mountainous terrain and the site core is located along an easily defended ascending limestone ridge immediately to the west of a seasonal tributary of the Río <unk> , one of the two rivers forming the Ocosingo Valley .
= = Rulers = =
Rulers of Toniná recorded in the Maya script on Toniná monuments include :
The last known recorded date at the site is featured on Monument 101 as 15 January 909 CE .
= = History = =
= = = Early Classic = = =
Toniná had a particularly active Early Classic presence , although the Early Classic remains lie entirely buried under later construction . Due to this , early texts are scarce and only offer a glimpse of the early history of the site . An 8th @-@ century text refers to a king ruling in AD 217 , although it only mentions his title , not his name .
Ruler 1 is depicted on a couple of Early Classic monuments , the better preserved of which is an altar that dates to 514 . A ruler known as Jaguar Bird <unk> is represented on a 6th @-@ century stela , which describes him acceding to the throne in 568 .
The first mention of Toniná in a record from a foreign state is from the site of <unk> , located 72 kilometres ( 45 mi ) to the northeast on the Usumacinta River , the text is from a throne and describes the capture of a person from Toniná in 573 .
= = = Late Classic = = =
= = = = K 'inich Hix Chapat = = = =
Toniná 's history comes into focus in the Late Classic , when its historical record is more fully represented by hieroglyphic texts . In 633 K 'inich Hix Chapat is recorded as installing two subordinate lords but little else is known of his reign , although he was probably enthroned in 595 . The last mention of K 'inich Hix Chapat is in a monument dated to 665 that appears to be a memorial stone .
= = = = Ruler 2 = = = =
Ruler 2 acceded to the throne of Toniná in 668 . His rule is marked by warfare and the frequent depiction of bound captives on his monuments . Ruler 2 established the use of in @-@ the @-@ round sculptural style that came to typify the stelae of Toniná . A monument dated to 682 depicts three naked prisoners with their arms bound , one of them is identified as a lord from <unk> ' , an as yet unidentified site . His reign may have ended with his defeat and capture by K 'inich Kan Balam II of Palenque in September 687 , as described in a glyphic text from Temple 17 in the rival city , an event that probably culminated in his sacrifice .
= = = = K 'inich B 'aaknal Chaak = = = =
K 'inich B 'aaknal Chaak was enthroned in 688 , twenty years after Ruler 2 , and reigned for twenty @-@ seven years . During his reign he restored Toniná 's power with a number of military victories over Palenque , and his reign was dominated by the struggle against the rival city for regional power . Ballcourt 1 , the larger of Toniná 's two ballcourts , was dedicated in 699 to celebrate three victories over the city 's arch @-@ rival . The ballcourt originally had six sculptures of bound captives , all vassals of the enemy Palenque king from the Usumacinta region . The date of the king 's death is unknown .
= = = = Ruler 4 = = = =
Ruler 4 came to power in 708 at a very young age . Three years later , in 711 , while Ruler 4 was still a child , Toniná gained an important victory over Palenque . The battle resulted in the capture of Kan Joy Chitam II of Palenque and made Toniná the dominant centre in the lower Usumacinta region . The victory was so complete that it resulted in a ten @-@ year gap in the dynastic history of the defeated city , during which the captured ruler may have been held hostage . Ruler 4 continued in power to celebrate the period endings of 716 and 721 . A captive depicted on one of his monuments is identified as being from the distant city of Calakmul , one of the two Maya " superpowers " .
= = = = K 'inich Ich 'aak Chapat = = = =
Ruler 4 was succeeded by K 'inich Ich 'aak Chapat in 723 . Around 725 Toniná fought a war against Piedras Negras , a city on the north bank of the Usumacinta River , now in Guatemala . A series of events during his reign were marked on monuments between 726 and 729 and in 730 he rededicated the tomb of his predecessor K 'inich B 'aaknal Chaak . The mother of K 'inich Ich 'aak Chapat is named as Lady <unk> <unk> K 'awiil and his father may well have been K 'inich B 'aaknal Chaak himself . The reign of K 'inich Ich 'aak Chapat is notable for the absence of the usual sculptures depicting bound war captives , although the reason for this is unknown .
= = = = Later rulers = = = =
Little is known of the next two rulers , Ruler 6 is named as K 'inich Tuun Chapat , he celebrated the period ending of 736 and may have died 762 . A damaged text accompanying the image of a bound captive indicates renewed warfare with Palenque during his reign , however the name of the prisoner is lost and it is unclear if it is the actual king of Palenque or merely one of his vassals . He was succeeded by Ruler 7 , about whom even less is known . Around 764 Toniná defeated Palenque in battle .
In 775 a text recorded the death of Lord Wak Chan K 'ak ' , a prince who appears to have been the heir to the throne and who died before he could take power .
Ruler 8 was the last of the successful warrior kings of Toniná . He celebrated a series of events between 789 and 806 , including the defeat of <unk> in 789 , and the capture of the ruler Ucha 'an Aj Chih , who appears to have been the vassal of B 'olon K 'awiil of Calakmul . In 799 he rededicated the tomb of Ruler 1 . Ruler 8 oversaw an extensive remodelling of the upper levels of the Acropolis . Ruler 8 erected a number of sculptures of bound prisoners of war and adopted the title aj b 'olon b 'aak , " He of Many Captives " . However , the lesser extent of Toniná 's power is evident from its victory over the site of Sak Tz 'i ' ( White Dog ) , an important city in the Lacandon region , an area which had once been dominated by Toniná .
By the time of Ruler 8 's successor , Uh Chapat , Toniná was clearly in decline . Only a single event , in 837 , can be dated to his reign , although a stucco mural depicting captives with <unk> at their throats may belong to his period of rule .
The history of Toniná continued after most other Classic Maya cities had fallen , perhaps aided by the site 's relative isolation . Ruler 10 is associated with a monument dating to 904 in the Terminal Classic and a monument dating to 909 bears the last known Long Count date although the name of the king has not survived . Ceramic fragments indicate that occupation at the site continued for another century or more .
= = = Modern history = = =
The first published account of the ruins was made by Fray Jacinto Garrido at the end of the 17th century . A number of visitors investigated the ruins of Toniná in the 19th century , the first being an expedition led by Guillaume <unk> in 1808 . John Lloyd Stephens and Frederick Catherwood visited in 1840 , and Stephens wrote an extensive description of the site . Eduard <unk> and <unk> <unk> @-@ Sachs investigated the monuments at Toniná , publishing their reports at the turn of the 20th century . Karl Sapper visited the site in 1895 and 1896 . Frans Blom and Oliver La Farge investigated the site in 1920s for Tulane University , publishing their reports in 1926 — 1927 .
The French Toniná Project began excavations in 1972 which continued through 1975 , then resumed in 1979 to 1980 , under the direction of Pierre <unk> and Claude Baudez . The National Institute of Anthropology and History of Mexico ( INAH , the Instituto Nacional de <unk> e Historia ) began their own excavations at Toniná the following year .
The site is accessible for tourism and has a small museum that was inaugurated on 15 July 2000 .
= = Site description = =
The site was built on a platform covering 6 hectares ( 650 @,@ 000 sq ft ) . The principal architecture is located in the acropolis , which occupies seven south @-@ facing terraces on the northern side of the platform , rising 71 metres ( 233 ft ) over the plaza below . It has a more distinct geometry than at most Maya sites , with a right @-@ angle relationship between most structures .
Much of the public imagery of the site details the ruthless manner in which the city dealt with its enemies . A 16 by 4 metres ( 52 by 13 ft ) stucco sculpture rising from the fourth to fifth terraces depicts a skeletal death god carrying the severed head of a lord of Palenque in one hand . A frieze on the fifth terrace probably displayed Toniná 's most distinguished victims , dozens of fragments of this frieze were discovered in the plaza below . This frieze was carved from the local sandstone but its style is that of Palenque , suggesting that captured artists carried out the work .
After the abandonment of the city at the end of the Classic Period , many of the sculptures fell down the steep embankment supporting the seven terraces .
= = = Structures = = =
Ballcourt 1 ( the Sunken Ballcourt ) was dedicated in 699 by K 'inich B 'aaknal Chaak to mark three victories over K 'inich Kan Balam II of Palenque . Sculptures of the torsos of six captured vassals of the Palenque king were used as ballcourt markers . One of these vassals is named as Yax Ahk ( Green Turtle ) , who was the lord of <unk> Te ' , a site that probably lay on the south side of the Usumacinta between Piedras Negras and <unk> .
Ballcourt 2 is the smaller of the two ballcourts and lies in the north of the plaza , at the foot of the Acropolis .
The Palace of the Underworld is entered via three step @-@ vaulted arches on the eastern side of the second terrace of the Acropolis .
The Palace of Frets is located on the fourth terrace of the Acropolis . The south facade of the palace is decorated with four large stepped frets . On the east side of the palace a stairway leads to a decorated throne of stone and stucco . One of the rooms of the palace contains a stucco decoration representing feathered serpents and crossed bones .
= = = Monuments and sculptures = = =