triplets
sequence | passage
stringlengths 0
32.9k
| label
stringlengths 4
48
⌀ | label_id
int64 0
1k
⌀ | synonyms
sequence | __index_level_1__
int64 312
64.1k
⌀ | __index_level_0__
int64 0
2.4k
⌀ |
|---|---|---|---|---|---|---|
[
"Queer heterosexuality",
"influenced by",
"queer theory"
] | null | null | null | null | 7 |
|
[
"Queer heterosexuality",
"significant event",
"queercore"
] | null | null | null | null | 10 |
|
[
"Queer heterosexuality",
"influenced by",
"compulsory heterosexuality"
] | null | null | null | null | 23 |
|
[
"WebAssembly",
"used by",
"WebAssembly System interface"
] | WASI
WebAssembly System Interface (WASI) is a simple interface (ABI and API) designed by Mozilla intended to be portable to any platform. It provides POSIX-like features like file I/O constrained by capability-based security. There are also a few other proposed ABI/APIs.WASI is influenced by CloudABI and Capsicum.
Solomon Hykes, a co-founder of Docker, wrote in 2019, "If WASM+WASI existed in 2008, we wouldn't have needed to create Docker. That's how important it is. WebAssembly on the server is the future of computing." Wasmer, out in version 1.0, provides "software containerization, we create universal binaries that work anywhere without modification, including operating systems like Linux, macOS, Windows, and web browsers. Wasm automatically sandboxes applications by default for secure execution". | null | null | null | null | 0 |
[
"WebAssembly",
"influenced by",
"Google Native Client"
] | null | null | null | null | 10 |
|
[
"WebAssembly",
"influenced by",
"asm.js"
] | WebAssembly (sometimes abbreviated Wasm) defines a portable binary-code format and a corresponding text format for executable programs as well as software interfaces for facilitating interactions between such programs and their host environment.The main goal of WebAssembly is to enable high-performance applications on web pages, "but it does not make any Web-specific assumptions or provide Web-specific features, so it can be employed in other environments as well." It is an open standard and aims to support any language on any operating system, and in practice all of the most popular languages already have at least some level of support.
Announced in 2015 (2015) and first released in March 2017 (2017-03), WebAssembly became a World Wide Web Consortium recommendation on 5 December 2019 and it received the Programming Languages Software Award from ACM SIGPLAN in 2021. The World Wide Web Consortium (W3C) maintains the standard with contributions from Mozilla, Microsoft, Google, Apple, Fastly, Intel, and Red Hat.History
WebAssembly is named to evoke the concept of assembly language, a term which dates to the 1950s. The name suggests bringing assembly-like programming to the Web, where it will be executed client-side — by the website-user's computer via the user's web browser. To accomplish this, WebAssembly must be much more hardware-independent than a true assembly language.
WebAssembly was first announced in 2015, and the first demonstration was executing Unity's Angry Bots in Firefox, Google Chrome, and Microsoft Edge. The precursor technologies were asm.js from Mozilla and Google Native Client, and the initial implementation was based on the feature set of asm.js. The asm.js technology already provides near-native code execution speeds and can be considered a viable alternative for browsers that don't support WebAssembly or have it disabled for security reasons.
In March 2017, the design of the minimum viable product (MVP) was declared to be finished and the preview phase ended. In late September 2017, Safari 11 was released with support. In February 2018, the WebAssembly Working Group published three public working drafts for the Core Specification, JavaScript Interface, and Web API.In June 2019, Chrome 75 was released with WebAssembly threads enabled by default.Since April 2022, WebAssembly 2.0 is in draft status, which adds many SIMD-related instructions and a new v128 datatype, the ability for functions to return multiple values, and mass memory initialize/copy. | null | null | null | null | 11 |
[
"Tamtam (rock club)",
"influenced by",
"CBGB"
] | null | null | null | null | 2 |
|
[
"Tamtam (rock club)",
"founded by",
"Vsevolod Gakkel"
] | TaMtAm (also written as Tamtam, tam-tam, or Тамтам) was an independent rock club in Saint Petersburg, founded in 1991 by Vsevolod Gakkel, the former cellist of Aquarium. TaMtAm was the first Western-style rock club in Saint Petersburg.History
After traveling to the West and visiting intimate rock clubs in New York and San Francisco, Vsevolod Gakkel was inspired to open a similar venue in Saint Petersburg. In 1991, he founded TaMtAm in Vasilyevsky Island, Saint Petersburg. The club was situated in a former Communist Youth building and provided a small stage in a small room for bands to play on. The club premises were designed by the cult Saint Petersburg artist and tattoo artist Alexey Mikheev.For the first few months, concerts at TaMtAm were free. Later, a cover charge was introduced to limit the number of attendees and maintain order. Bands performing at TaMtAm were not paid, but were given a crate of beer. The building manager's conditions for allowing Gakkel to use the space were to clean up after every concert and pay for electricity. The club operated unofficially, based on the informal agreement between Gakkel and the building's manager, Sasha Kostrikin. It did not have license to sell alcohol or the rights to conduct commercial activity.TaMtAm became the center of the alternative movement in Saint Petersburg in the 1990s. TaMtAm provided an alternative scene for those who considered the Leningrad Rock Club scene too conservative. Gakkel's main criterion for choosing groups to perform at the club was that they should not be influenced by the Russian rock (russkii rok) groups of his own generation, and he stated that the club's agenda was to recreate a musical underground. Punk-rock, ska, reggae, rockabilly, and experimental music were among the genres represented at TaMtAm. Some Western artists, such as MDC, David Thomas, and Holy Joy, performed at TaMtAm in exchange for room and board.In the mid-1990s, the club's reputation was badly damaged due to fighting at concerts, drug dealing, and constant raids by the police. In 1996, the club's building was sold and TaMtAM closed, despite protests and petitions in its defense. | null | null | null | null | 3 |
[
"Chez Panisse",
"founded by",
"Alice Waters"
] | null | null | null | null | 2 |
|
[
"Chez Panisse",
"influenced by",
"California cuisine"
] | null | null | null | null | 4 |
|
[
"Harvard Mark II",
"follows",
"Harvard Mark I"
] | null | null | null | null | 3 |
|
[
"Harvard Mark II",
"influenced by",
"Harvard Mark I"
] | null | null | null | null | 4 |
|
[
"Cameleon (programming language)",
"influenced by",
"LabVIEW"
] | null | null | null | null | 8 |
|
[
"Cameleon (programming language)",
"influenced by",
"YAWL"
] | null | null | null | null | 11 |
|
[
"Rumi calendar",
"influenced by",
"Assyrian calendar"
] | null | null | null | null | 1 |
|
[
"Rumi calendar",
"has part(s) of the class",
"Turkish months"
] | null | null | null | null | 3 |
|
[
"H2 (database)",
"has use",
"relational database"
] | H2 is a relational database management system written in Java. It can be embedded in Java applications or run in client-server mode.The software is available as open source software Mozilla Public License 2.0 or the original Eclipse Public License. | null | null | null | null | 3 |
[
"H2 (database)",
"different from",
"H2"
] | History
The development of the H2 database engine started in May 2004, and first published in December 2005. The database engine was written by Thomas Mueller. He also developed the Java database engine Hypersonic SQL. In 2001, the Hypersonic SQL project was stopped, and the HSQLDB Group was formed to continue work on the Hypersonic SQL code. The name H2 stands for Hypersonic 2, however H2 does not share code with Hypersonic SQL or HSQLDB. H2 is built from scratch. | null | null | null | null | 5 |
[
"H2 (database)",
"influenced by",
"HSQLDB"
] | History
The development of the H2 database engine started in May 2004, and first published in December 2005. The database engine was written by Thomas Mueller. He also developed the Java database engine Hypersonic SQL. In 2001, the Hypersonic SQL project was stopped, and the HSQLDB Group was formed to continue work on the Hypersonic SQL code. The name H2 stands for Hypersonic 2, however H2 does not share code with Hypersonic SQL or HSQLDB. H2 is built from scratch. | null | null | null | null | 11 |
[
"Nichiren Shōshū",
"topic's main category",
"Category:Nichiren Shoshu"
] | null | null | null | null | 3 |
|
[
"Nichiren Shōshū",
"founded by",
"Nisshō"
] | null | null | null | null | 5 |
|
[
"Nichiren Shōshū",
"separated from",
"Nichiren Shū"
] | Historical name
Following the death of Nichiren, centuries of doctrinal divisions arose among various schools of Nichiren's followers. During the Meiji Restoration, numerous Nichiren sects were consolidated by the imperial government into several major schools: Nichiren Shu in 1874, Fuju-fuse and Fuju-fuse Komon in 1876, and in 1891 the five interrelated schools of Kempon Hokkeshu, Honmon Hokkeshu, Honmyo Hokkeshu, Hokkeshu, and Honmonshu.In 1900, the Taiseki-ji temple split away from Honmonshu and renamed itself Nichirenshu Fuji-ha, or the Nichiren Shu (School) of the Fuji area, the branch of Taisekiji Temple, indicating the general naming of sects at the time. In 1913, the sect's name was changed to its current “Nichiren Shoshu.” This changed was purportedly made by Emperor Taisho in reference to the sect's orthodox claims. The sect is also sometimes called Nichiren Masamune, based on the local Japanese dialect in Shizuoka. | null | null | null | null | 8 |
[
"Nichiren Shōshū",
"influenced by",
"Nichiren"
] | Nichiren Shōshū (日 蓮 正 宗, English: The Orthodox School of Nichiren) is a branch of Nichiren Buddhism based on the traditionalist teachings of the 13th century Japanese Buddhist priest Nichiren (1222–1282), claiming him as its founder through his senior disciple Nikko Shonin (1246–1333), the founder of Head Temple Taiseki-ji, near Mount Fuji. The lay adherents of the sect are called Hokkeko members. The Enichizan Myohoji Temple in Los Angeles, California serves as the temple headquarters within the United States.
The sect is known for vehemently rejecting the various forms of Buddhism taught by Shakyamuni Buddha as incomplete, expired and heretical for the Third Age of Buddhism. Instead, the sect is based on the exclusivist teachings of Nichiren and the chanting of "Nam-Myoho-Renge-Kyo" along with reciting curated portions of the Lotus Sutra.The object worshipped by its believers is the Dai Gohonzon while its religious symbol is the rounded crane bird. Both its leadership and adherents claim that only their practice is "The True Buddhism" and ascribe the honorific title to Nichiren, as the "Sacred Original "True" Buddha" (御本仏, Go-Honbutsu) and the Dai-Shonin (大聖人, "Great Holy Teacher") while maintaining that the sole legitimate successor to both his ministry and legacy is Nikko Shonin and the successive high priests of the sect, led by the current 68th High Priest, Hayase Myo-e Ajari Nichinyo Shonin, who ascended to the position on 15 December 2005.Gojukai ceremony for new members
Kaigen-shu for consecrating and "opening the eyes" of Gohonzon, Nenju prayer beads and Buddhist gravestones
Kankai-kishi ceremony for former members
Gohonzon approval (dependent on priestly discretion)
Kantoku ceremony for transferring ownership of an heirloom Gohonzon to a practicing descendant
Toba (Stupa) memorials for dead relatives and friends
Inscription for Kakocho memorial / ancestral book for the home altar
Gokaihi ceremony at the Hoando, donation for the prayers and maintenance of the Dai-GohonzonDonations to a Nichiren Shōshū temple is highly regarded as private and is therefore always contained in small white envelopes labeled Gokuyo offering with a checklist that labels the purpose of ones donation. In addition, monetary donations from non-members is strongly prohibited.The difference between a Nichiren Shōshū Gohonzon granted to lay believers by the priesthood and all other types is that they are the only ones specifically sanctioned and issued by Nichiren Shōshū. The following Gohonzons are issued if deemed worthy of the lay believer upon application:
Joju type – a carved wooden platform or grand paper scroll with a special inscription that is reserved for grand temples and buildings, or descendants of who have protected the Dai Gohonzon or Head Temple during times of disaster.
Regular sized katagi, or woodblock – commonly issued to practicing members
Large size katagi Tokubetsu – granted depending on the Chief Priest highly commendable discretion
mamori or pocket sized – issued to traveling practitionersRegardless of their type, all Gohonzons issued by Nichiren Shōshū have been consecrated by one of the successive High Priests in a ceremony conducted in the Hoando building of Taiseki-ji temple. It is believed that this ceremony endows a Gohonzon with the same enlightened property of the Dai-Gohonzon, thus giving it the same power. Upon death, a Gohonzon must be returned to a Nichiren Shōshū temple. Unauthorized reproduction or photography of the Gohonzon is prohibited to believers. | null | null | null | null | 10 |
[
"UNIVAC I",
"followed by",
"UNIVAC II"
] | null | null | null | null | 0 |
|
[
"UNIVAC I",
"follows",
"ENIAC"
] | null | null | null | null | 1 |
|
[
"UNIVAC I",
"influenced by",
"BINAC"
] | null | null | null | null | 7 |
|
[
"L'Hôpital's rule",
"influenced by",
"Stolz–Cesàro theorem"
] | lim
x
→
c
(
lim inf
y
∈
S
x
f
(
y
)
g
(
y
)
)
=
lim inf
x
→
c
f
(
x
)
g
(
x
)
{\displaystyle \lim _{x\to c}\left(\liminf _{y\in S_{x}}{\frac {f(y)}{g(y)}}\right)=\liminf _{x\to c}{\frac {f(x)}{g(x)}}}
and
lim
x
→
c
(
lim sup
y
∈
S
x
f
(
y
)
g
(
y
)
)
=
lim sup
x
→
c
f
(
x
)
g
(
x
)
.
{\displaystyle \lim _{x\to c}\left(\limsup _{y\in S_{x}}{\frac {f(y)}{g(y)}}\right)=\limsup _{x\to c}{\frac {f(x)}{g(x)}}.}
In case 1, the squeeze theorem establishes that
lim
x
→
c
f
(
x
)
g
(
x
)
{\displaystyle \lim _{x\to c}{\frac {f(x)}{g(x)}}}
exists and is equal to L. In the case 2, and the squeeze theorem again asserts that
lim inf
x
→
c
f
(
x
)
g
(
x
)
=
lim sup
x
→
c
f
(
x
)
g
(
x
)
=
L
{\displaystyle \liminf _{x\to c}{\frac {f(x)}{g(x)}}=\limsup _{x\to c}{\frac {f(x)}{g(x)}}=L}
, and so the limit
lim
x
→
c
f
(
x
)
g
(
x
)
{\displaystyle \lim _{x\to c}{\frac {f(x)}{g(x)}}}
exists and is equal to L. This is the result that was to be proven.
In case 2 the assumption that f(x) diverges to infinity was not used within the proof. This means that if |g(x)| diverges to infinity as x approaches c and both f and g satisfy the hypotheses of L'Hôpital's rule, then no additional assumption is needed about the limit of f(x): It could even be the case that the limit of f(x) does not exist. In this case, L'Hopital's theorem is actually a consequence of Cesàro–Stolz.In the case when |g(x)| diverges to infinity as x approaches c and f(x) converges to a finite limit at c, then L'Hôpital's rule would be applicable, but not absolutely necessary, since basic limit calculus will show that the limit of f(x)/g(x) as x approaches c must be zero. | null | null | null | null | 5 |
[
"Zenit News Agency",
"founded by",
"Jesús Colina"
] | ZENIT is a non-profit news agency that reports on the Catholic Church and matters important to it from the perspective of Catholic doctrine. Its motto is "The world seen from Rome". | null | null | null | null | 4 |
[
"Zenit News Agency",
"influenced by",
"Legion of Christ"
] | null | null | null | null | 5 |
|
[
"Wedding dress of Catherine Middleton",
"influenced by",
"Victorian fashion"
] | null | null | null | null | 8 |
|
[
"Wedding dress of Catherine Middleton",
"significant event",
"wedding of Prince William and Catherine Middleton"
] | The wedding dress worn by Catherine Middleton at her wedding to Prince William on 29 April 2011 was designed by English designer Sarah Burton, creative director of the luxury fashion house Alexander McQueen.The dress and its maker were not formally announced until the bride stepped from her car to enter Westminster Abbey just prior to the service. Noted for its design, symbolism, and expected influence on Western bridal gown trends, the dress was widely anticipated and generated much comment in the media. Replicas of the dress were produced and sold, and the original dress was on display at Buckingham Palace from 23 July 2011 until 3 October 2011 during the annual summer exhibition. | null | null | null | null | 10 |
[
"Wedding dress of Catherine Middleton",
"influenced by",
"Carrickmacross lace"
] | Design
Official statements noted that Middleton wished to combine tradition and modernity, "with the artistic vision that characterises Alexander McQueen's work." She and Burton worked closely together in formulating the dress design.
The British tabloid News of the World reported that the dress cost £250,000, although a Clarence House spokesperson dismissed that claim. It was also reported that Middleton's parents paid for the bridal gown.The ivory satin bodice was padded slightly at the hips and narrowed at the waist, and was inspired by the Victorian tradition of corsetry that is a particular Alexander McQueen hallmark. The bodice incorporated floral motifs cut from machine-made lace, which were then appliquéd on to silk net (tulle) by workers from the Royal School of Needlework, based at Hampton Court Palace. On the back were 58 buttons of gazar and organza, which fasten by means of rouleau loops. The skirt, underskirt trim and bridal train (which measured 270 cm—110in) also incorporated lace appliquéd in a similar manner. The main body of the dress was made in ivory and white satin gazar, using UK fabrics which had been specially sourced by Sarah Burton, with a long, full skirt designed to echo an opening flower, with soft pleats which unfolded to the floor, forming a Victorian-style semi-bustle at the back, and finishing in a short train measuring just under three metres in length. To partially fulfill the 'something blue' portion of the British wedding tradition, a blue ribbon was sewn inside the dress. The design for the bodice of the dress featuring lace in the style of the 19th century was the 'something old'.The British press showed considerable interest in the lace used in the wedding dress, but their published reports are at variance with available documentation, and suggest that they were briefed with common incorrect or misleading information. The facts about the lace are as follows. The effect achieved by the design of the bodice is similar to that of the decorated nets that were popular in the late 19th century, typified by the Limerick and Carrickmacross laces of Ireland. For the latter, machine-made net is used as a basis on which floral and other designs are created by various hand-needlework techniques.
The press release from the Royal School of Needlework states that the technique used in Catherine's wedding dress "was influenced by" traditional Carrickmacross lace technique. However, the technique itself was a completely different and modern device: floral motifs were cut out of lengths of lace produced on large 19th-century machines and stitched to machine net. Three companies are known to have produced lace for the dress: Sophie Hallette and Solstiss in France, and the Cluny Lace Company in Ilkeston, Derbyshire. The majority of the dress is made using the Solstiss lace, specifically the skirt and train. The styles of machine lace go by the names "English Cluny" and "Chantilly", but should not be confused with the older hand-made bobbin laces of the same names. The lace was not specially commissioned for the dress, but chosen from stock patterns (what was formerly known only as Sophie Hallette's "950264" is now known as "Kate's lace", however, this lace was only used for the bodice of the dress, the skirt and train are made of the Solstiss lace. Grace Kelly's wedding dress was also made from lace by Solstiss, a French company. All the companies involved are known to produce the highest quality of couture lace.) and hence the floral motifs available were those present in the patterns. The lace designs include roses, thistles, daffodils and shamrocks, representing the national flowers of England, Scotland, Wales and Northern Ireland, respectively. | null | null | null | null | 12 |
[
"Musical phrasing",
"influenced by",
"tempo rubato"
] | null | null | null | null | 1 |
|
[
"File Retrieval and Editing System",
"influenced by",
"oNLine System"
] | null | null | null | null | 2 |
|
[
"File Retrieval and Editing System",
"follows",
"Hypertext Editing System"
] | The File Retrieval and Editing SyStem, or FRESS, was a hypertext system developed at Brown University starting in 1968 by Andries van Dam and his students, including Bob Wallace. It was the first hypertext system to run on readily available commercial hardware and OS. It is also possibly the first computer-based system to have had an "undo" feature for quickly correcting small editing or navigational mistakes.Features
FRESS was a continuation of work done on van Dam's previous hypertext system, HES, developed the previous year. FRESS ran on an IBM 360-series mainframe running VM/CMS. It improved on HES's capabilities in many ways, inspired by Douglas Engelbart's NLS. FRESS implemented one of the first virtual terminal interfaces, in order to provide device-independence. It could run on various terminals from dumb typewriters up to the Imlac PDS-1 graphical minicomputer. On the PDS-1, it supported multi-window WYSIWYG editing and graphics display. The PDS-1 used a light pen, not a mouse, and the light pen could be "clicked" using a foot-pedal.
FRESS allowed multiple users to collaborate on as set of documents, which could be of arbitrary size, and (unlike prior systems) were not laid out in lines until the moment of display. FRESS users could insert a marker at any location within a text document and link the marked selection to any other point either in the same document or a different document. This was much like the World Wide Web of today, but without the need for the anchor hyperlinks that HTML requires. Links were also bi-directional, unlike in today's web.FRESS had two types of links: tags and "jumps". Tags were links to information such as references or footnotes, while "jumps" were links that could take the user through many separate but related documents. FRESS also had the ability to assign keywords to links or text blocks to assist with navigation. Keywords could be used to select which sections to display or print, which links would be available to the user, and so on. Multiple "spaces" were also automatically maintained, including an automatic table of contents and indexes to keywords, document structures, and so on. Users could view a visualization of the "structure space" of the texts and cross-reference links, and could directly rearrange the structure space, and automatically update the links to match.FRESS was essentially a text-based system and editing links was a fairly complex task unless you had access to the PDS-1 terminal, in which case you could select each end with the lightpen and create a link with a couple of keystrokes. FRESS provided no method for knowing where the user was within a collection of documents. | null | null | null | null | 4 |
[
"Emacs Lisp",
"based on",
"Common Lisp"
] | null | null | null | null | 12 |
|
[
"Emacs Lisp",
"influenced by",
"Common Lisp"
] | null | null | null | null | 13 |
|
[
"Emacs Lisp",
"based on",
"Maclisp"
] | null | null | null | null | 18 |
|
[
"Emacs Lisp",
"influenced by",
"Maclisp"
] | null | null | null | null | 19 |
|
[
"Amish Outlaws",
"influenced by",
"Ausbund"
] | Artistry
The band members are known for their movement style where they, in the words of writer Simon J. Bronner, "frenetically jump and gyrate on stage in Amish garb." Band member Ezekiel has stated that they use the clothing as a gimmick, but not in a disrespectful manner. Growing up, the band members did not have much exposure to music outside the Amish community. They sang to Ausbund and heard bits and pieces of music from cars passing through their community. The band performs songs across several genres including pop, rock, rhythm and blues, reggae, dance, country, and heavy metal. The band is constantly changing and updating their musical set list. | null | null | null | null | 9 |
[
"Villa Le Balze",
"owned by",
"Georgetown University"
] | Villa Le Balze is a garden villa in Fiesole, a comune of the Metropolitan City of Florence and the region of Tuscany in central Italy. The villa was commissioned and built by Charles Augusts Strong in 1913, where he spent much of his life. It was then embroiled in the fighting of the Second World War and came into the possession of Margaret Rockefeller Strong. The villa is today owned by Georgetown University and hosts year-round study abroad students focused on interdisciplinary study of Italian culture and civilization, as well as such other subjects as politics and history.Academic center
Following the end of the war, Margaret retained the villa for 35 years by employing a minimal maintenance staff before gifting Villa Le Balze to Georgetown University in December 1979, where it would become the Charles Augustus Strong Center and would allow students to study Italian culture and history. Margaret's decision to donate the villa to Georgetown was the result of the provost of the university, Fr. J. Donald Freeze, S.J., who promised that the university would pay the fee to keep a light at her son's grave lit, as he had died and was buried in Fiesole. Upon its donation, Freeze was responsible for creating its academic programs and ran the program in 1991 upon resigning as provost.Today, the villa hosts students during the academic year and the summer as well as faculty from the main campus of Georgetown University. A small contingent of faculty and staff, including cooks, permanently remain at the villa. It is able to house 20 students and accommodate 10 to 13 homestay students. In the course of a year, the villa hosts an average of 70 to 80 students. Due to its age and delicacy, the villa is continually undergoing a process of preservation and restoration by the university. | null | null | null | null | 3 |
[
"Villa Le Balze",
"significant event",
"construction"
] | null | null | null | null | 4 |
|
[
"Villa Le Balze",
"has use",
"residence"
] | null | null | null | null | 8 |
|
[
"Villa Le Balze",
"influenced by",
"Villa Gamberaia"
] | null | null | null | null | 9 |
|
[
"Villa Le Balze",
"owned by",
"Charles Augustus Strong"
] | History
During Strong's lifetime
Villa Le Balze was planned in 1911 by English architects Cecil Pinsent and Geoffrey Scott for the American philosopher Charles Augustus Strong and his wife Elizabeth Rockefeller Strong, daughter of John D. Rockefeller. It was built in a tight space among the Tuscan hills overlooking the city of Florence. Across the street, to the east, is the 15th century Villa Medici and to its north is Villa San Girolamo. Strong briefly stayed in Villa San Girolamo in 1911 and was impressed by its views of Florence, prompting him to build Villa Le Balze just below it on the hill. In Italian, balze means cliffs, referring the villa's physical situation, which in some areas rests on a 50 degree incline. | null | null | null | null | 12 |
[
"Villa Le Balze",
"owned by",
"Margaret Rockefeller Strong"
] | null | null | null | null | 13 |
|
[
"Villa Le Balze",
"has use",
"academic building"
] | Academic center
Following the end of the war, Margaret retained the villa for 35 years by employing a minimal maintenance staff before gifting Villa Le Balze to Georgetown University in December 1979, where it would become the Charles Augustus Strong Center and would allow students to study Italian culture and history. Margaret's decision to donate the villa to Georgetown was the result of the provost of the university, Fr. J. Donald Freeze, S.J., who promised that the university would pay the fee to keep a light at her son's grave lit, as he had died and was buried in Fiesole. Upon its donation, Freeze was responsible for creating its academic programs and ran the program in 1991 upon resigning as provost.Today, the villa hosts students during the academic year and the summer as well as faculty from the main campus of Georgetown University. A small contingent of faculty and staff, including cooks, permanently remain at the villa. It is able to house 20 students and accommodate 10 to 13 homestay students. In the course of a year, the villa hosts an average of 70 to 80 students. Due to its age and delicacy, the villa is continually undergoing a process of preservation and restoration by the university. | null | null | null | null | 14 |
[
"Villa Le Balze",
"has use",
"headquarters"
] | null | null | null | null | 15 |
|
[
"Villa Le Balze",
"topic's main category",
"Category:Villa Le Balze"
] | null | null | null | null | 17 |
|
[
"Kig (software)",
"influenced by",
"KSEG"
] | null | null | null | null | 4 |
|
[
"Hypertext Editing System",
"influenced by",
"Project Xanadu"
] | null | null | null | null | 2 |
|
[
"Hypertext Editing System",
"followed by",
"File Retrieval and Editing System"
] | null | null | null | null | 4 |
|
[
"Võ Cạnh inscription",
"depicts",
"Indosphere"
] | null | null | null | null | 11 |
|
[
"Võ Cạnh inscription",
"influenced by",
"Indosphere"
] | null | null | null | null | 12 |
|
[
"Võ Cạnh inscription",
"depicts",
"Sri Mara"
] | null | null | null | null | 13 |
|
[
"Võ Cạnh inscription",
"depicts",
"Panduranga"
] | null | null | null | null | 18 |
|
[
"Võ Cạnh inscription",
"depicts",
"Sinhapura"
] | null | null | null | null | 19 |
|
[
"Võ Cạnh inscription",
"depicts",
"Champa"
] | null | null | null | null | 23 |
|
[
"Lercio",
"influenced by",
"Leggo"
] | null | null | null | null | 1 |
|
[
"Golden mean (Judaism)",
"influenced by",
"golden mean"
] | null | null | null | null | 0 |
|
[
"Occam (programming language)",
"different from",
"OCaml"
] | null | null | null | null | 2 |
|
[
"Occam (programming language)",
"influenced by",
"communicating sequential processes"
] | occam is a programming language which is concurrent and builds on the communicating sequential processes (CSP) process algebra, and shares many of its features. It is named after philosopher William of Ockham after whom Occam's razor is named.
occam is an imperative procedural language (such as Pascal). It was developed by David May and others at Inmos (trademark INMOS), advised by Tony Hoare, as the native programming language for their transputer microprocessors, but implementations for other platforms are available. The most widely known version is occam 2; its programming manual was written by Steven Ericsson-Zenith and others at Inmos.Language revisions
occam 1
occam 1 (released 1983) was a preliminary version of the language which borrowed from David May's work on EPL and Tony Hoare's CSP. This supported only the VAR data type, which was an integral type corresponding to the native word length of the target architecture, and arrays of only one dimension. | null | null | null | null | 8 |
[
"Lyonesse Trilogy",
"narrative location",
"Lyonesse"
] | The Lyonesse Trilogy is a group of three fantasy novels by Jack Vance, set in the European Dark Ages, in the mythical Elder Isles west of France and southwest of Britain, a generation or two before the birth of King Arthur. The stories contain references to Atlantis and Arthurian mythology, particularly to the mythical country of Lyonesse. They are told in several interlocking plot threads which are not always chronological.Plot summary
Lyonesse (also known as Suldrun's Garden)
King Casmir of Lyonesse arranges the marriage of his daughter Suldrun to Faude Carfilhiot, Duke of Vale Evander. Princes Aillas and Trewan of Troicinet are sent on a sea voyage to visit the various kingdoms of the Elder Isles to gain experience at statecraft. Faude Carfilhiot, wanting to be a powerful magician but lacking the patience to learn the necessary skills, schemes with his lover Tamurello. Suldrun delivers a son named Dhrun, who is taken by the fairies and replaced with the changeling Madouc. | null | null | null | null | 5 |
[
"Lyonesse Trilogy",
"influenced by",
"Arthurian romance"
] | The Lyonesse Trilogy is a group of three fantasy novels by Jack Vance, set in the European Dark Ages, in the mythical Elder Isles west of France and southwest of Britain, a generation or two before the birth of King Arthur. The stories contain references to Atlantis and Arthurian mythology, particularly to the mythical country of Lyonesse. They are told in several interlocking plot threads which are not always chronological. | null | null | null | null | 7 |
[
"Internet Relay Chat",
"different from",
"IRC"
] | null | null | null | null | 4 |
|
[
"Internet Relay Chat",
"influenced by",
"BITNET Relay"
] | null | null | null | null | 12 |
|
[
"Internet Relay Chat",
"topic's main category",
"Category:Internet Relay Chat"
] | null | null | null | null | 14 |
|
[
"Índia pega no laço",
"influenced by",
"machismo"
] | Índia pega no laço is a phrase used in Brazil that translates to "an Indian woman caught by the lasso". The phrase is used by non-Indigenous Brazilians who claim they have an Indigenous female ancestor and is a reference to the male settlers of Brazil allegedly using lassos to capture Indigenous women. It is regarded as racist and misogynistic, particularly by Indigenous Brazilian women, because it is often used to romanticise or make a joke of the supposed abduction and rape of an Indigenous ancestor. The phrase is particularly used in the South and South-East of Brazil; the phrases "pega a dente de cachorro" (caught in the teeth of a dog) or "pega a casco de cavalo" (horseback) are also used to the same effect in the North, North-East and Centre-West of Brazil. | null | null | null | null | 2 |
[
"Índia pega no laço",
"influenced by",
"rape culture"
] | Índia pega no laço is a phrase used in Brazil that translates to "an Indian woman caught by the lasso". The phrase is used by non-Indigenous Brazilians who claim they have an Indigenous female ancestor and is a reference to the male settlers of Brazil allegedly using lassos to capture Indigenous women. It is regarded as racist and misogynistic, particularly by Indigenous Brazilian women, because it is often used to romanticise or make a joke of the supposed abduction and rape of an Indigenous ancestor. The phrase is particularly used in the South and South-East of Brazil; the phrases "pega a dente de cachorro" (caught in the teeth of a dog) or "pega a casco de cavalo" (horseback) are also used to the same effect in the North, North-East and Centre-West of Brazil. | null | null | null | null | 3 |
[
"Artist trading cards",
"influenced by",
"mail art"
] | Historical context
The artist trading card project builds on different traditions. Miniature art has been in existence for centuries tracing its heritage back to the illustrated manuscripts of scribes in the Far East and Europe prior to the 15th century. The origin of modern trading cards is associated with cigarette cards first issued by the US-based Allen and Ginter tobacco company in 1875. They were the precursors of the sport cards and other trading cards. An important influence for the ATC concept were art movements of the 20th century which advocated a more popular art: Art not for museums or auctions but from and within everyday life. In this respect, the ATC project has affinity with the Fluxus movement and with Robert Filliou's notions of a "fête permanente", a "création permanente", or an "eternal network". The "art of participation" as an interactive process can be traced back to the 1950s, and it developed within different genres like performance art and happenings, action art, mail art, or later computer art. | null | null | null | null | 0 |
[
"Artist trading cards",
"founded by",
"M. Vänçi Stirnemann"
] | null | null | null | null | 2 |
|
[
"Excalibur (rock opera)",
"influenced by",
"Celtic music"
] | Excalibur is a three-part "Celtic rock opera" written and directed by Breton folk-rock musician Alan Simon, the first part of which premiered in 1998, and was released as an album in the following year under the French title Excalibur, La légende des Celtes. Its success in France led to two more albums and two novels. In 2009 a spectacular adaptation combining material from the first two albums was performed in Germany under the English title Excalibur: the Celtic Rock Opera, with great success. It was extended with material from the third album in 2011. | null | null | null | null | 4 |
[
"LEO (computer)",
"influenced by",
"Electronic Delay Storage Automatic Calculator"
] | null | null | null | null | 1 |
|
[
"World Checklist of Selected Plant Families",
"different from",
"International Plant Names Index"
] | The World Checklist of Selected Plant Families (usually abbreviated to WCSP) was an "international collaborative programme that provides the latest peer reviewed and published opinions on the accepted scientific names and synonyms of selected plant families." Maintained by the Royal Botanic Gardens, Kew, it was available online, allowing searches for the names of families, genera and species, as well as the ability to create checklists.
The project traced its history to work done in the 1990s by Kew researcher Rafaël Govaerts on a checklist of the genus Quercus. Influenced by the Global Strategy for Plant Conservation, the project expanded. As of January 2013, 173 families of seed plants were included. Coverage of monocotyledon families was completed and other families were being added.There is a complementary project called the International Plant Names Index (IPNI), in which Kew is also involved. The IPNI aims to provide details of publication and does not aim to determine which are accepted species names. After a delay of about a year, newly published names were automatically added from the IPNI to the WCSP. The WCSP was also one of the underlying databases for The Plant List, created by Kew and the Missouri Botanical Garden, which was unveiled in 2010, and subsequently superseded by World Flora Online.At the end of October 2022 the WCSP website, together with the World Checklist of Vascular Plants (WCVP) website, was closed and the data was transferred to the Plants of the World Online (POWO) database. | null | null | null | null | 3 |
[
"World Checklist of Selected Plant Families",
"different from",
"World Checklist of Vascular Plants"
] | The World Checklist of Selected Plant Families (usually abbreviated to WCSP) was an "international collaborative programme that provides the latest peer reviewed and published opinions on the accepted scientific names and synonyms of selected plant families." Maintained by the Royal Botanic Gardens, Kew, it was available online, allowing searches for the names of families, genera and species, as well as the ability to create checklists.
The project traced its history to work done in the 1990s by Kew researcher Rafaël Govaerts on a checklist of the genus Quercus. Influenced by the Global Strategy for Plant Conservation, the project expanded. As of January 2013, 173 families of seed plants were included. Coverage of monocotyledon families was completed and other families were being added.There is a complementary project called the International Plant Names Index (IPNI), in which Kew is also involved. The IPNI aims to provide details of publication and does not aim to determine which are accepted species names. After a delay of about a year, newly published names were automatically added from the IPNI to the WCSP. The WCSP was also one of the underlying databases for The Plant List, created by Kew and the Missouri Botanical Garden, which was unveiled in 2010, and subsequently superseded by World Flora Online.At the end of October 2022 the WCSP website, together with the World Checklist of Vascular Plants (WCVP) website, was closed and the data was transferred to the Plants of the World Online (POWO) database. | null | null | null | null | 6 |
[
"World Checklist of Selected Plant Families",
"influenced by",
"Global Strategy for Plant Conservation"
] | null | null | null | null | 8 |
|
[
"Mu2e",
"participant",
"Boston University"
] | null | null | null | null | 0 |
|
[
"Mu2e",
"participant",
"Yale University"
] | null | null | null | null | 1 |
|
[
"Mu2e",
"participant",
"California Institute of Technology"
] | null | null | null | null | 3 |
|
[
"Mu2e",
"participant",
"Duke University"
] | null | null | null | null | 4 |
|
[
"Mu2e",
"participant",
"University of Minnesota"
] | null | null | null | null | 5 |
|
[
"Mu2e",
"participant",
"University of California, Berkeley"
] | null | null | null | null | 6 |
|
[
"Mu2e",
"participant",
"Fermilab"
] | null | null | null | null | 8 |
|
[
"Mu2e",
"participant",
"Joint Institute for Nuclear Research"
] | null | null | null | null | 9 |
|
[
"Mu2e",
"significant event",
"research and development"
] | null | null | null | null | 10 |
|
[
"Mu2e",
"participant",
"Northwestern University"
] | null | null | null | null | 11 |
|
[
"Mu2e",
"participant",
"University of Virginia"
] | null | null | null | null | 12 |
|
[
"Mu2e",
"significant event",
"construction"
] | null | null | null | null | 13 |
|
[
"Mu2e",
"participant",
"University of Illinois at Urbana–Champaign"
] | null | null | null | null | 14 |
|
[
"Mu2e",
"participant",
"City University of New York"
] | null | null | null | null | 16 |
|
[
"Mu2e",
"significant event",
"groundbreaking"
] | null | null | null | null | 17 |
|
[
"Mu2e",
"participant",
"Lawrence Berkeley National Laboratory"
] | null | null | null | null | 18 |
|
[
"Mu2e",
"participant",
"Purdue University"
] | null | null | null | null | 19 |
|
[
"Mu2e",
"participant",
"University of Washington"
] | null | null | null | null | 20 |
|
[
"Mu2e",
"participant",
"Northern Illinois University"
] | null | null | null | null | 21 |
|
[
"Mu2e",
"participant",
"Brookhaven National Laboratory"
] | null | null | null | null | 23 |
|
[
"Mu2e",
"participant",
"University of Pisa"
] | null | null | null | null | 24 |
|
[
"Mu2e",
"participant",
"Argonne National Laboratory"
] | null | null | null | null | 25 |
|
[
"Mu2e",
"participant",
"Rice University"
] | null | null | null | null | 26 |
|
[
"Mu2e",
"participant",
"University of California, Irvine"
] | null | null | null | null | 27 |
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