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https://discussion.dreamhost.com/t/xpltscn-alpha120307/57205
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Yeah, basically it means you're screwed. It's not the reason you were hacked, it's the consequence of being hacked. You'll need to find the original hole, plug it, remove the shells, remove the modifications, and take other steps to clean up. All of the information you need is available in these forums or online. It's not a simple task and it can be time consuming and ineffective if you don't know what you are doing. sXi is generously donating his time by building a scanner to detect and mitigate intrusions, but it's not finished yet. It's volunteer work which should be appreciated and not demanded.
I'd recommend that you either educate yourself using the wiki, forum search function, and google or enlist the help of someone who knows what s/he is doing. I don't mean this to come across as harsh, but there's no simple one-step thing that will magically make everything right again. It takes time and knowledge and, if you take the time to look through some of the related threads, it takes even more time for those who have some knowledge to a) convince those that don't that they ought to be paying attention and b) teach those people how to actually help themselves.
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CC-MAIN-2017-51
| 1,179 | 2 |
https://discuss.dwolla.com/t/authorization-api/4711
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code
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Currently, we are facing a security problem due to payment authorization using bank transfer. We know that we can process a transaction on-behalf of users. However one bank account in our system can be shared to some users in a same company. Our customers would like to have an authorization from their bank before making decision.Only person who has the username and password can make payment.
We are looking for a solution working like on-boarding API but only used for user authorization. Technically speaking, the API opens a login page, the user logs in to their accounts. Then Dwolla returns a funding source or a customer id to our server if the login process is successful.
Could you advice me? Thank you so much.
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s3://commoncrawl/crawl-data/CC-MAIN-2018-47/segments/1542039749562.99/warc/CC-MAIN-20181121173523-20181121195523-00192.warc.gz
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CC-MAIN-2018-47
| 721 | 3 |
https://www.seriousgmod.com/threads/report-against-noob999.50786/
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code
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Name of Staff/Player: Noob999Steam ID of Staff/Player: STEAM_0:0:143478112Your Steam ID: STEAM_0:0:55084417Which Server: East 1Which Map: 67thwayWhich Round: 5 rounds til map changeTime of Occurence: 1:55 AM-ish ESTReason For Report: While I, a detective, and the other detective were in the detective room, Noob managed to be pushed through the door enough to shoot us both. After doing this, while surrounded by people, he immediately used the !unstuck command on himself and was teleported away, giving no one the chance to react or kill him. Very bizarre. It would seem to me that no matter the circumstances, being able to teleport away from a crowd immediately after killing 2 detectives in front of all of them gives a very unfair advantage.Evidence And/Or Witnesses: I don't really have any recorded evidence, but if you look a the logs it will be fairly obvious to see. Matt, the Trial mod, was the other detective with me so he was witness to this, but I'm not sure what his perspective was. All I really have is this screenshot, but it doesn't show much except the console at the time of the incident.
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s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570987836295.98/warc/CC-MAIN-20191023201520-20191023225020-00169.warc.gz
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CC-MAIN-2019-43
| 1,112 | 1 |
https://community.cisco.com/t5/telepresence-and-video/sx80-showing-alaram/m-p/3407684
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code
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I don't think there is an API to report alarms. It could be the software is corrupt or has issues booting, or hardware related. You could try and SSH into the codec and run "selectsw", and switch to a secondary software image and see if it would complete it's boot cycle.
Sorry, meant to be serial, not SSH.
If you're not able to access the CLI via serial (115200, N, 8, 1), you'll most likely have to open a TAC case and file an RMA. If you can access the CLI interface via serial, try the selectsw command, if that doesn't work, try factoryreset.
systemtools selectsw xCommand SystemUnit FacotryReset
I have tried the steps you told but no luck i believe i will have to go for RMA/TAC.
Can you please help me with my another discussion for DX80
I'd try to help with the DX80, but I don't have a background in CUCM, so I won't really be much help. Sorry.
Let us know what comes of the SX80 when you contact TAC.
I have the same problem exactly. LED flashing slowly, and nothing happens. Tried factory reset (hold power button 10 seconds and then press twice) but no effect. Still same issue. No video output on any of the monitors connected. Feels like a dead codec. It is out of warranty - checked. Is there any way to fix that? This is expensive device, why it died like a Chinese cheap electronics?
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s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623487643380.40/warc/CC-MAIN-20210619020602-20210619050602-00192.warc.gz
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| 1,302 | 9 |
https://www.influxdata.com/blog/influx-vagrant-boxes/
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Influx Vagrant Boxes
Dave Patton /
Product, Use Cases, Developer
Nov 03, 2017
One of the great things about InfluxDB and the TICK Stack as a whole is its ease of use. InfluxData provides downloads for a variety of operating systems and architectures and even an official Docker image. But what if I just want to spin up a quick TICK Stack to test something out like a TICKscript or a new Telegraf plugin I am building (hint at future blog article)? Enter Vagrant. For those of you who have never used Vagrant, it is a tool for building and managing virtual machine environments in a single workflow. It was created by HashiCorp and more can be read about it at: https://www.vagrantup.com
In order to spin up a Vagrant TICK Stack, you will need the following:
- A Vagrantfile
- A bootstrap script
- Any files you want to test such as config files or your great new plugin.
The Vagrantfile defines the parameters of our VM such as memory, mount points, network etc. I have provided links below to a Github project to fully deploy TICK on Vagrant. Although this blog post is not a tutorial on Vagrant there are some things to note. We are using Centos7 as the OS for our Vagrantbox. You can change this to Ubuntu if you like by changing:
config.vm.box = "centos/7"
config.vm.box = "ubuntu/xenial64"
We have also defined a private network for the VM:
config.vm.network "private_network", ip: "192.168.70.101"
And a shared/synced folder which will allow us to share files from our host to our VM. In this case, we are sharing the data folder on our local machine which will be mounted on our VM at
config.vm.synced_folder "data/", "/vagrant", type: "virtualbox"
Lastly we are allocating 4GB of memory. This can be modified by changing the following line:
vb.memory = "4096"
Our bootstrap script is just a bash script that installs the TICK Stack and sets up our environment. One thing you will need to change are the versions of the TICK Stack you want to install. Set this at the top of the file:
TELEGRAF_VERSION=telegraf-1.3.5-1.x86_64.rpm INFLUX_VERSION=influxdb-1.3.2.x86_64.rpm CHRONO_VERSION=chronograf-220.127.116.11.x86_64.rpm KAPACITOR_VERSION=kapacitor-1.3.1.x86_64.rpm
The rest of this script downloads, installs and starts each component for you. It will also move any configuration files you might have in the data dir to
/etc/[component]. This way you can use custom config files. As an example for Telegraf, we have the following:
# Install Telegraf
wget -nv -O $TELEGRAF_VERSION https://dl.influxdata.com/telegraf/releases/$TELEGRAF_VERSION
yum localinstall -y $TELEGRAF_VERSION
if [ ! -f /vagrant/telegraf/telegraf.conf ]; then
echo "Found telegraf.conf. Installing."
mv /vagrant/telegraf/telegraf.conf /etc/telegraf
systemctl start telegraf
Lastly, we are also installing NodeJS. I use Node a lot for quickly developing other tools I might need such as a Telegraf Traffic Generator or an HTTPListener. If you don’t like Node, feel free to comment this out.
Once you have your Vagrantfile and bootstrap script the way you want them, there are two ways to bring up your VM. The first is to simply use:
$ vagrant up
The second way is to use the wrapper scripts in the project:
This will bring the box up and create an initial snapshot called “initial” of the VM. If, after you have been doing things, you want to reset your VM to its initial state use:
Once the VM has started, you start using and testing your TICK Stack. Chronograf should already be running, so open up a browser and start using that, or you can ssh into the VM by using:
$ vagrant ssh
As you see, it’s pretty easy to use Vagrant to spin up a full TICK Stack on a single VM. I think once you start using this you will find it very useful for any development or testing purposes. All the scripts and files I mention in this article are available on Github at: https://github.com/dp1140a/InfluxSandbox
Now start coding.
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CC-MAIN-2024-10
| 3,905 | 38 |
https://www.totum.com/se/student-discount/international-open-academy/offer
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Want to learn something new? Go Back To School online and get the best selling courses for just £15.99. Save over 80% on online courses with TOTUM and International Open Academy. International Open Academy courses are independently accredited and can all be taught and learnt from home. Show your true potential with International Open Academy.
See website for details: https://internationalopenacademy.com/terms-of-use
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CC-MAIN-2020-45
| 420 | 2 |
https://blog.coremedia.com/web-typography-and-atomic-design/
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Any serious Sketch project will have you thinking about typography rather soon. For a fantastic introduction into web typography I wholeheartedly recommend Metej Latin’s email course Better Web Type. I also recommend the official blog post on the matter: Typesetting in Sketch. For serious design projects you will also have felt the need for an Atomic Design approach as well. If not, start with Creating a product design system in Sketch by Alexandre Trimoulet (never mind that what they’re doing is not a real Design System.)
But, armed with all that knowledge, how do you efficiently implement good typography in a complex Sketch project?
Maybe you have read Text System Mastery with Shared Styles by Bunin — good. But I propose a different approach that’s worked for us. Our approach is based on symbols and not only ensures identical styles but also enforces correct margins and line heights for copy text and headings throughout the project.
Here are the ground rules:
- Don’t use shared text styles at all, ever.
- Instead, use one symbol for every text style. Let’s call these atomic text symbols.
- Atomic text symbols have a one-line text layer and a bottom margin. They look like this (zoomed in):
With these resizing settings:
- The symbols’ height is determined by their line height plus margin (Their width is the same everywhere). That means that you can’t override them with other symbols of different sizes – which is a good thing since that would lead wrong line-heights or margins in the wrong places.
- When inserting an instance of an atomic text symbol with more than one line of text, determine its height by calculating the line-height × of lines + bottom margin, like so:
- No more ambiguity – every text layer has the correct height and margin.
- Layers snap into place easily.
- Frontend developers don’t have to guess margins. Zeplin works well with this approach:
- Sketch symbols for text are pretty bad when it comes to resizing and line breaks (not that text layers are much better). If your headline symbol has a line break in one instance but none in the other, you will have to calculate the correct symbol instance height yourself.
- Changing the font size of text symbols or a margin remains just as cumbersome as when using text styles. You will have to resize these symbols wherever you’ve used them.
We’ve debated among our team if text + margin should be a molecule rather than an atom. We’ve decided that the discussion isn’t fruitful since it’s more important to us that we can use the atomic text symbols without the hassle of going through creating a molecule symbol for each type of atomic text symbol.
However, if you want to combine something like a heading + subheading into one symbol, you should create a molecule for that.
Here’s an example Sketch file: Web Typography and Atomic Design in Sketch.
Let us know how this approach works for you!
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CC-MAIN-2020-40
| 2,930 | 19 |
https://www.ikariera.cz/cz/offers/detail/872
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ENGINEER, SOFTWARE (TypeScript developer)
We are looking for TypeScript developers to work on key Rockwell Automation products and infrastructures. The project goal is to develop components for modular application for automation industry - the team will work on both data processing and user interface. The typical work of the developer includes programming, unit and functional testing, code review and providing developer documentation.
- Be familiar with TypeScript and Node.js or be willing to learn it based on experience with other programming languages.
- Experience with git or other version control system.
- Experience with software quality processes (code reviews, unit testing) is an advantage.
- Other technologies, such as C#/.Net, C++, SQL, InfluxDB may come in useful. They are not required, but are a plus as knowing them may help for optimizations, interfacing to databases etc.
- Fluent Czech. English at least at the level of reading/writing technical documentation with the willingness to improve it.
- Bachelor education degree at minimum.
- Flexibility and ability to learn new technologies.
You can apply HERE.
FLEXIBLE WORK SCHEDULE
5 WEEKS OF VACATION
5 SICK DAYS
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s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030334915.59/warc/CC-MAIN-20220926175816-20220926205816-00452.warc.gz
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CC-MAIN-2022-40
| 1,189 | 13 |
http://video.stackexchange.com/questions/tagged/camera+hardware
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code
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Video Production Meta
to customize your list.
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What factors are important for DSLR lenses for shooting video?
I'm about to upgrade my DSLR camera from a Canon XSi (450D) to either a Canon 7D or T3i (600D). I'm largely interested in the video features of the camera. I have several mid/high-end lenses that I ...
Jul 6 '11 at 0:30
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| 2,330 | 53 |
https://community.esri.com/thread/226735-publish-scene-fails-error-001887-failed-to-create-couchdb-database-failed-to-execute-publish-portal-sevice
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When we try to publish a 3D scene with ArcGIS Portal 10.6, we are getting the following error:
ERROR 001887: Failed to create couchdb database: Failed to execute (Publish Portal Sevice).
We are using SSL and have tried all of the suggested approaches to handle SSL between ArcGIS Server Host machine and DataStore machine.
1. Adding requesting URLs to trusted sites - not working
2. Enabling SSLv3 - not working
3. Also made sure that writing request also uses SSL. - not working
Turning of SSL is not an option.
Upgrading to 10.6.1 is not an option at this point.
Is there any one else struggling with this out there?
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s3://commoncrawl/crawl-data/CC-MAIN-2020-34/segments/1596439738552.17/warc/CC-MAIN-20200809102845-20200809132845-00250.warc.gz
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CC-MAIN-2020-34
| 618 | 9 |
https://data.mendeley.com/research-data/?page=0&type=DOCUMENT&type=VIDEO&type=GEO_DATA&source=cmu.kilthub&search=*
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Willingness to make sacrifices within a romantic relationship can indicate the well-being and stability of that relationship. Why people make these sacrifices are fueled by different types of motivations, such as whether they truly enjoy taking care of their partner (intrinsic and altruistic motivations) or whether they feel pressured or obligated to make a sacrifice (extrinsic motivation). The hypotheses were that those who received affectionate touch would be more willing to sacrifice and have a higher intrinsic and altruistic motivation to do so than those who do not receive touch. Affectionate touch also was predicted to promote willingness to sacrifice by making one’s relationship more salient and thus leading one to be more focused on their partner’s needs. Inconsistent with expectations, receiving no touch led to more altruistic motivation than receiving touch. Although touch did not influence participants' relationship salience, the higher a participant's relationship salience was, the more altruistic their motives were.In addition, motivations for sacrifice predicted willingness to sacrifice in expected ways. While our hypotheses were not supported in terms of touch, we discuss possible explanations and the implications of other results.
The rapid growth in urban population poses significant challenges to moving city dwellers in a fast and convenient manner. This thesis contributes to solving the challenges from the viewpoint of public transit passengers by improving their on-vehicle experience. Traditional transportation
research focuses on pursuing minimal travel time of vehicles on the road network, paying no attention to people inside the vehicles. In contrast, the research in this thesis is passenger-driven, concerning the role of the on-vehicle experience in mobility planning through the public transit
systems. The primary goal of the thesis is to address the following problem: Given an urban public transit network, how can we plan for the optimal experience of passengers in terms of their service preference? There are several challenges we have to address to meet this goal. First, a model or a simulator that captures not only the road traffic, but also the behaviors of passengers and other relevant
factors is a prerequisite for this research but has seldom been developed previously. Second, to plan for passengers’ mobility concerning the influence among passengers as well as multiple service preferences is computationally intensive, especially on a city scale. To achieve the research goal and overcome the challenges, this thesis develops a joint traffic passenger simulator, which simulates the road traffic, behaviors of passengers and on-vehicle environment dynamics. Specifically, the simulator combines the urban road traffic, the interactions among the passengers and the infrastructures that support certain on-vehicle services,
such as on-vehicle Wi-Fi, to provide a passenger-level simulation. A separate passenger behavior model and on-vehicle Wi-Fi service model are designed to run jointly with SUMO, a mature traffic simulator, for simulating the passenger behaviors and on-vehicle travel experience. A
joint simulator for the bus transit system in the city of Porto, Portugal has been implemented and tested by comparing the simulation to the real passenger data. To configure the background passenger flow in the simulation, real passenger data are used. The data were collected by an entry-only system and the destination information was missing.
This thesis contributes a machine learning algorithm, called semi-supervised self-training, to infer the missing destinations with a high inference confidence level.
Given the simulation platform, the passenger mobility planning problem can be formalized as a multi-agent path planning (MAPP) problem, where multiple passengers may interfere with each other when contending for service resources. The mobility planning operates on the client passengers (i.e., a subset of the overall passengers who request the planning service from our planner). State-of-the-art MAPP solvers, such as M*, do not scale well to such a MAPP problem. This thesis proposes the soft-collision-free M* (SC-M*), a generalized version of M*, to efficiently
handle the MAPP task under complex urban environments (i.e., with a large client passenger size and multiple types of client passengers requesting multiple types of service resources). We evaluate the performance of the SC-M* through a case study of the bus transit system in Porto,
Portugal and the experimental results show the advantages of the SC-M* in terms of path cost, collision-free constraint, and the scalability in run time and success rate.
The global sharing economy, e.g., AirBnB and Uber, is projected to generate roughly $335 billion by 2025.
The rise of sharing economy has drawn enormous attention from academia and led to policy intervention debates. However, three questions that are essential to a better understanding of sharing economies remain unanswered: 1) can we identify, from unstructured data (product images), the key dimensions of interpretable attributes that affect consumers’ choices, and provide guidelines for sharing economy platform for optimizing images to improve the product demand, 2) can a scalable economic model be developed to disentangle factors that influence AirBnB hosts’ decisions on the type of property photos to post, and to explore photograph policies that platforms such as AirBnB can employ to improve the profitability for both
the hosts and the platform, and 3) are there demand interactions/externalities that arise across sharing
economies to provide policy implication. This dissertation contributes to the relevant literature by filling the gap. To achieve this objective, I apply economic theory to a large-scale demand data leveraging advanced machine learning techniques in computer vision and deep learning models.
In the first chapter, I investigate the economic impact of images and lower-level image factors that influence property demand in AirBnB. Employing Difference-in-Difference analyses on a sixteen-month AirBnB panel dataset spanning 7,423 properties, I find that units with verified photos (taken by AirBnB photographers) generate 8.9% more demand, or $3,500 more revenue per year on average. Leveraging deep learning techniques to classify aesthetic quality of more than 510,000 property photos, I show that 41% of the coefficient of verified photos is explained by the high image quality in these photos. Next, I identify 12
human-interpretable image attributes from photography and marketing literature relevant for real estate photography that capture image quality as well as consumer taste. I quantify (using computer vision algorithms) and characterize unit images to evaluate the empirical marginal effects of these interpretable attributes on demand. The results reveal that verified images not only differ significantly from low-quality
photos, but also from high-quality unverified photos on most of these features. The treatment effect of verified photos becomes statistically insignificant once controlling for these 12 attributes, suggesting that AirBnB’s photographers not only improve the quality of the image but also align it with the taste of potential consumers. This implies there is significant value in optimizing images in e-commerce settings on these attributes. From an academic standpoint, this study provides one of the first large-scale empirical evidence that directly connects systematic lower-level and interpretable image attributes to product demand. This
contributes to, and bridges, the photography and marketing (e.g., staging) literature, which has traditionally ignored the demand side (photography) or did not implement systematic characterization of images (marketing). Lastly, these results provide immediate insights for housing and lodging e-commerce managers (of AirBnB, hotels, realtors, etc.) to optimize product images for increased demand. In the second chapter, I investigate how AirBnB hosts make decisions on the quality of property images to post. Prior literature has shown that the images play the role of advertisements. Particularly, compared to lower quality amateur images, high quality professional images can increase the present demand by approximately 9% (Zhang et al. 2018). However, there exist a large number of amateur images on AirBnB, even when AirBnB was providing professional photography service for free to all the hosts. I posit that the host’s decision on what quality of images to post depends not only on the advertising impact of images on the present demand and on the cost of images, but also on the impact of images on the future demand. Thus,
some hosts would be hesitant to post professional images because professional images can create unrealistically high expectations for the guests, especially if the actual property is not as good as what the images portray and if the hosts are unable to provide a high-level service to match those expectations. This would result in the satisfaction level of guests to decrease, who would then write a bad review or not write any review at all; and since the number/quality of reviews is one of the key drivers in generating new
bookings, this will adversely affect the future demand. I build a structural model of demand and supply, where the demand side entails modeling of guests’ decisions on which property to stay, and the supply side entails modeling of hosts’ decisions on what quality of images to post and what level of service to provide in each period. I estimate the model on a unique one-year panel data consisting of a random sample of 958 AirBnB properties in Manhattan (New York City) where I observe hosts’ monthly choices of the quality of
images posted and the level of service provided. The key findings are: 1) guests who pay more attention to
images tend to care more about reviews, 2) hosts incur considerable costs for posting above-average quality
of image, and 3) hosts are heterogenous in their abilities in investing service effort. In counterfactual analyses, I compare the impact of the current photography policy (offering free high-level images to hosts) and of two proposed policies (offering a menu of free medium-level images to hosts) on the property demand. I show that the proposed policies, though dominated by the current policy in the short-run, outperform the currently policy in the long-run. Noticeably, hosts who might end up using amateur images
to avoid the dissatisfactory gap under the current policy, now use free medium-level images to make more
revenues under the proposed policy. In the third chapter, I examine how ride sharing services such as Uber/Lyft affect the demand for home sharing services such as AirBnB. The existing research has largely focused on the impact of sharing economy on incumbent industries while ignoring the interactions among sharing economies. In this study,
I examine how ride sharing services such as Uber and Lyft affect the demand for home sharing services such as AirBnB. The identification strategy hinges on a natural experiment where Uber and Lyft exited Austin in May 2016 in response to the introduction of new regulations in Austin that targeted ride sharing services. Applying the Difference-in-Difference approach on a 9-month balanced longitudinal data spanning 7,300 AirBnB properties across 7 US cities, I find that the exit of Uber/Lyft led to a decrease of 9.6% in the AirBnB property demand, which is equivalent to a decrease of $6,482 in the annual revenue to the host of an average property. I further find that the exit of Uber/Lyft reduced the (geographic) demand dispersion of AirBnB. The demand became more concentrated in areas with access to better public transportation services. Moreover, the properties farther from downtown experienced greater decreases in their demand in the absence of Uber/Lyft. The results indicate that Uber and Lyft affect the demand for
AirBnB properties primarily by reducing the transportation costs to and from AirBnB properties that otherwise have poor access to transportation services. The research effort is a first step toward understanding the positive externalities between sharing economies and provides policy implication.
This thesis contributes new knowledge toward understanding the relationship between capacity procurement and power system reliability through rigorous analysis of generator-level availability data. In Chapter 2 I analyze four years of data (2012-2015) from the Generating Availability Data System (GADS) database maintained by the North American Electric Reliability Corporation
(NERC) to evaluate key assumptions made by power system planners when determining capacity requirements. Using block subsampling and binomial modeling, I demonstrate that large unavailable capacity events have occurred with much greater frequency than should be expected if current-practice assumptions hold.
In Chapter 3 I propose a nonhomogeneous Markov model to explain the observed correlated failures. I use logistic regression to fit a simple model specification that allows generator transition probabilities to depend on ambient temperatures and system load. I fit the model using 23 years of GADS data for the PJM Interconnection (PJM), the largest system operator by generation capacity in North America. Temperature and load are each statistically significant for two-thirds of generators. Temperature dependencies are observed in all generator types, but are most pronounced for diesel and natural gas generators at low temperatures and nuclear generators at high temperatures. The nonhomogeneous Markov model predicts system-level unavailable capacity substantially better than
the homogeneous Markov model used currently by industry.
In Chapter 4, joint work with Luke Lavin, I quantify the reliability risks implied by temperature dependence in PJM’s generator fleet. We modify an open-source resource adequacy modeling tool to allow generator availability to depend on temperature. We then parameterize the tool for PJM’s system using temperature-dependent forced outage rates developed in Chapter 3. We find that temperature dependence substantially increases capacity requirements to achieve the target level of reliability, though PJM procures still more than our model finds is required. Given the seasonality in temperatures and loads, we also demonstrate that average annual capacity requirements could be significantly reduced were PJM to set separate monthly targets, rather than a single annual target. Finally, we explore the resource adequacy implications of various future generator resource and climate change scenarios for PJM.
My first chapter explores the relationship between readmission reduction efforts and hospital costs. A total hospital operating cost function is estimated using
over 5,000 observations from 2,129 US hospitals from the period 2012 - 2017. Using these cost estimates, I estimate a hospitals marginal cost of a 1% readmission
reduction for a single monitored disease. The average marginal cost of reducing risk-adjusted readmission rates for monitored diseases varies from $1,186,689 to $3,844,643. Significantly higher marginal cost are found for hospitals
with the highest number of dual-eligible patients, with hospitals spending up to an extra $839,027 to reduce readmission rates. These results contribute to
the growing literature on the burden of quality incentive programs on hospitals serving disproportionately low-income populations. The second chapter adds to the growing literature on the Hospital Readmission Reduction Program by describing the financial incentives faced by hospitals, estimating their magnitude and distribution, and testing whether hospitals facing larger financial incentives are more likely to improve performance. I estimate the magnitude of the expected future penalty for one additional readmission
across hospitals and procedures and find that on average hospitals can expect a penalty increase two periods in the future for one additional readmission today of: $27,906.74 for an additional AMI readmission, $39,161.94 for heart
failure, and $30,574.30 for an additional pneumonia admission. I find evidence that hospitals improve their readmission rates over time for the monitored conditions
for which they have the highest marginal incentives to improve. I also find evidence that approximately 30% of hospitals have no incentive to improve performance on any condition in a given year. In the third chapter, I investigate the effect of observed hospital quality measures
on patient demand for elective procedures. Using patient-level data from the state of Florida, I estimate a multinomial logit demand model using patient comorbidities and distance between patient zipcode and hospital zipcodes to
identify the effect of a marginal decrease in Hip and Knee Replacement complication rates on hospital demand. Previous literature has investigated the impact
of changes in readmission and mortality rates on hospital demand, but have not looked into complication rates. The findings indicate that patients have a significant
willingness to travel for improved quality measures, including lower complication rates for elective hip and/or knee replacement, lower 30-day readmission rates and lower in-hospital mortality rates for patients with serious treatable
conditions. Patient preference heterogeneity inputs older patients being less willing to travel further distances.
Congestive heart failure (HF) is a complex disease that remains one of the leading causes of death in the world today, affecting over 5.5 million people in the United States alone and contributing to 1 in every 9 deaths nationwide. Currently, total heart transplantation is considered
the most effective treatment for end stage HF, but there are on average 3000 donor hearts available annually, while there are more than 3500 patients on the transplant waitlist on any given day. For those patients, mechanical circulatory support (MCS), as a bridge-to-transplant (BTT) or more permanent destination therapy (DT), has been employed as an effective alternative for end stage HF patients. However, long-term use of these devices are associated
with life-threatening complications, the most common of which are thromboembolic events triggered by artificial blood-contacting surfaces and hemolysis due to high shear stresses generated by blood flow through MCS devices.
The goal of this research is to develop a torsion-based ventricular assist device (tVAD) to support the failing heart as either a BTT or DT while eliminating the risk of thromboembolic complications common to all cardiac assist devices currently on the market by avoiding blood
contact with artificial surfaces. This approach to cardiac support is inspired by the contractile mechanics of healthy human hearts, which produce a “wringing” motion during systole that allows the ventricles to empty more completely and reduces transmural stresses acting on the heart walls. This dissertation describes: 1) parametric computational simulations used to evaluate the effects of applied apical torsion (AAT) on global cardiovascular hemodynamics to determine optimal design parameters and their effects on regional cardiac biomechanics and determine the
working limitations of such applied torsion therapy; and 2) development of a method for superficial attachment of the tVAD to the epicardium of the heart. Results from the parametric computational simulations representing the most aggressive level of tVAD assist, where the applied rotation angle was 75 degrees and the device coverage
area was 24% up the ventricle (from apex towards the base), yielded increases in left ventricular ejection fraction and stroke work of 49% and 72%, respectively, when compared to a baseline HF model. However, based on the evaluation of regional cardiac biomechanics at the epicardial
and endocardial nodes at the base of the device and the ventricle, applied rotation angles of 65 degrees resulted in large increases in maximum principal strains (ΔE), where all nodes had ΔE ≥0.40, and increases in maximum principal stresses (ΔT), where nearly 75% of the nodes at
ΔT>100 kPa. These results both suggest that supra-physiological levels of AAT could potentially cause damage to the myocardium. Additionally, results of lap-shear tests for the adhesion energies of candidate surgical adhesives suggest that the 316L stainless steel bonded
with an octyl/butyl cyanoacrylate bioadhesive has the potential to secure the tVAD to the epicardium as it actuates on the heart.
With the convergence within the digital ecosystem today, access to digital technology is now a multilevel phenomenon closely tied to the access to one or more of the following: a compatible device, the Internet, and a facilitating service/application. This makes it difficult to disentangle
mobile services and Internet services in studies on the digital divide. As countries in Sub-Saharan Africa (SSA), which have the lowest adoption rates globally, look to leverage digital technologies as a tool to drive economic and social development, there is a need for continued and novel approaches to understanding the digital divide. This thesis proposes a new approach to conceptualizing the digital divide and characterizes the three levels of the digital divide:
inequalities in access, use, and benefits from use in SSA, using Nigeria as a case study. This work also critically examines the effect of recent pricing policies in Nigeria on the digital divide, as well as the effect of other sociodemographic, socioeconomic, and behavioral factors at the individual level. In Chapter 2, I run a choice-based conjoint experiment to understand the impact of access to
over-the-top (OTT) services on individual preferences for different mobile services – cellular calls, text, or the different services on the Internet – or not using any mobile service (the first level digital divide). I find that when OTTs are introduced into the market, mobile users are less
likely to go without mobile services or to use a traditional service. I also find that this effect is significant in a market with a pay-as-you-go business model. The results also reveal that mobile users are price sensitive, therefore pricing policies may aid in bridging the first and second levels
of the digital divide. The findings indicate that customers’ preferences in the mobile market are changing and OTT access could be a tool in closing the first-level digital divide. Therefore, I recommend that policies to drive Internet access, especially OTT, should be explored. In Chapter 3, I use a panel data approach to estimate the effect of reduction in the prices of mobile Internet plans on the volume of use of the Internet, cellular calls, and text messaging services (the second-level digital divide). I find that the reduction in the prices is associated with an increase in the volume of data used and a decrease in the volume of texts sent by an individual. However, reducing the prices of mobile Internet plans does not “close” the second level digital divide across socioeconomic groups. I did not see a convergence in the volume of use of any of the mobile services across any demographic subgroups. These findings suggest that more robust policies that are targeted at specific subgroups are needed to reduce the existing
second-level mobile technology digital divide that exists in developing countries. In Chapter 4, I draw on the Uses and Gratifications Theory, the Unified Theory of Acceptance
and Use of Technology, and factor analysis to examine the differences in the frequency and type of Internet use (second-level digital divide) and the differences in outcomes from Internet use (third-level digital divide). I find that females, the older population, and individuals with a lower
level of education are the digitally disadvantaged subset of the population. I also find that high technical skills are associated with high frequency of use of the Internet for personal development, social, and business activities. I also find that encouragement from family and friends as well as intention to increase Internet use in the future are associated with increased frequency of use of the Internet for consuming news content and social interaction respectively. This supports arguments in an earlier work that improving access to over-the-top applications such as WhatsApp could increase Internet use. In examining the determinants of the third-level digital divide, I find that using the Internet for social activities such as using social networks and communicating with family and friends have the greatest impact on offline outcomes. I also find
that individuals with a high level of education are more likely to get positive health outcomes and less likely to get personal development outcomes, such as getting a job or completing an online training, from the Internet.
In Chapter 5, I discuss this work’s contribution to the literature and some of the policy implications of the findings in Chapters 2 through 4. Findings in Chapters 2 through 4 suggest that supporting the use of OTT and social networks in developing countries would have benefits. These Internet activities, although they may not directly contribute to personal development or economic gains, typically require little technical skills. Therefore, by engaging with these
Internet activities, the digitally disadvantaged subset of the population would be able to develop the required skills to achieve benefits from Internet use. In Chapter 3, I learn that addressing the affordability barrier in a developing country is not enough to bridge the second-level digital divide. More robust policies are needed to bridge the second-level digital divide in developing countries. In Chapter 4, I learn that the digital disadvantage may simply be a reflection of
societal inequalities in the online space. Therefore, in order to bridge the digital divide, target policies that address these preexisting inequalities are recommended.
As autonomous driving vehicles are being tested on public roads, they will share the road with human-driven vehicles. It becomes important for autonomous driving vehicles to estimate human drivers’ intentions in order to interact properly with the human drivers to achieve safe and efficient experiences. The current work proposes a new cooperative driving framework which is capable of predicting other vehicles’ behaviors. The estimated prediction provides an input for a trajectory planner to perform cooperative behavior and to generate a path to react to other vehicles. The
system has three stages:
1 Abstract intention prediction;
2 Intermediate-level important points prediction;
3 Ultimate trajectory prediction.
The system bridges the gap between higher-level mission planning and behavioral execution or trajectory planning, especially in interactive scenarios. The validation
contains two aspects: Firstly, the estimated trajectory is compared with the groundtruth in datasets. Secondly, the estimated trajectory is applied to current trajectory
planners to generate cooperative plans. The second step evaluates the closed-loop performance of the behavioral estimation in the whole system. The proposed method
outperforms previous solutions in terms of collision rates, safety distance, and error when tested against a human-driven trajectory database. The method is implemented
in simulation and on a real autonomous driving platform to test its feasibility in real scenarios.
History indicates that products shape human society. For example, with theinvention of the wheel came the infrastructural development of roads, rails andother methods to commute, and the introduction of the telephone changed theways people communicate. Today’s devices such as mobile phones, wearables,etc., have brought about massive cultural change and dictate the ways humansinteract with each other, with spaces, forms, and interfaces, as well as constantlydefine the way humans perceive everyday products.
A lack of evolving product experience builds a shallow relationship between it andthe user, leading to a disposable attitude and behavior, which is problematic. Theconstant volatile behavior of owning and discarding is dangerous for theenvironment because it is unsustainable and negatively impacts the entire societyas a result causes a change of mindset towards human-relationships being moretransactional and less nostalgic (Rose, 2014). Although much work has been donein the field of emotional design, designing for love, empathy, and sustainabledesign, there is huge potential for designers to apply these theories to the designof products that change over time to satisfy users’ evolving needs. This studyexamines the role of design in motivating users to actively participate inreconfiguring products in use over time to satisfy evolving needs and drives. Thehypothesis is that such actions will build a long-term humanistic relationshipbetween users and everyday objects, which will positively impact people andthe planet.
The papers included in this special issue of Well Played were first presented as "well played" sessions during the 2018 Connected Learning Summit, held at the Massachusetts Institute of Technology, in August, 2018. In addition to this special issue, short abstracts associated with each paper are also included in the Proceedings of the 2019 Connected Learning Summit (ETC Press, 2019).
- The Logical Journey of Reimagining “Zoombinis”: Adventure, Research, and Computational Thinking - Dr. Jodi Asbell-Clarke, David Libby, Sarah Ditkoff, Peter Stidwill, & Scot Osterweil
- The Architecture of Assassin’s Creed II’s Florence: An Analysis with the History-Game Relations (HGR) Framework - Gabriele Aroni
- Players as Transitional Characters: How Youth Can “Breakaway” from Gender-Based Violence - Hua Wang, Yishin Wu, Ji Hye Choi, & Ann DeMarle
- Hearthstone: Managing Randomness and Collectible Card Game Playing as Collective Cognitive Achievement - Nicholas Persa, Kurt Squire & Mike Tissenbaum
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https://buddydev.com/support/forums/topic/user-profile-tabs-creator-tab-visibility-multiple-options-not-working/
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I am trying to adjust the visibility of a tab so that only the profile owner, friends and administrator can see it. The tab in question is from a 3rd party plugin called Event-Manager, but for simplicity I followed this tutorial here as a test case:
I successfully setup a modified Groups tab as in the tutorial that was only visible when viewing a friends profile page. However, I also want to see the groups tab when I am logged in as an administrator or when I am viewing my own profile.
I attempted to modify the profile tab I just created by selecting an additional option for “Profile Owner” in addition to the “Friends” option that was already selected. Now the result I get is that I can see my own groups, but when visiting a friends group profile page I get a “404 page not found” error. Navigating to their profile shows that there is no longer a “Groups” tab visible.
I have tried several things such as creating multiple modified profile tabs and changing my theme to the default. I would like to know if this is something that I have miss-configured or if it is a bug.
My apologies for the inconvenience.
It is most probably a mis configuration(Can’t say right now) as It seems acceptable setting to me
Can you please share me a screenshot of the visibility option? I can assist quickly.
PS:- Our support may be a bit slow till 2nd, please bear with us till then.
I understand about the support situation with your office move and everything. I am looking forward to getting this wrapped up hopefully within the week.
Here is a screenshot of what the settings look like for this test tab I have created to replace “Groups”…
I have done more testing with your latest release Version 1.1.7 and I am still seeing the issue.
Some visibility options like: Anyone, None, Logged In Members and Profile Owner seem to work as expected.
However, other options that I tested such as Friends and Subscriber DO NOT work in combination with Profile Owner. I am pretty sure that it is the Profile Owner setting causing problems because without that option checked, Friends and Subscriber will work as expected (I think).
In addition, the “Administrator” has visibility regardless of how the “Tab Visibility” option is set unless the only option that is set is the new “None” option. If “None” is set, then the administrator loses visibility along with everyone else as expected. Otherwise, he can see all… not a big deal though because it is the administrator.
My goal is to have both the profile owners and their friends be able to see certain tabs and subnav while excluding everyone else. I do not think this is currently possible.
Please check my configuration settings. I have created a test label called “Modifying Group Tab” that I have been using for this test.
Thank you for the patience.
I have looked at it now. It was a bug in the visibility option we have.
Please upgrade to 1.1.8
This should work.
I upgraded and installed version 1.1.8 and I was able to successfully limit visibility to the profile owner and friends… Alright!
Just a note, the Administrator still has visibility even if the option is not checked. For me, I always want my admin to have visibility so I don’t mind. It might be confusing to some users though.
Thanks for the hard work, marking this one as “resolved”.
You must be logged in to reply to this topic.
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https://nethunt.com/case-studies/xomnia
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At first, Xomnia only used NetHunt CRM for sales. However, as they found out that it was possible to add multiple folders in NetHunt, they figured that a number of administration tasks can be done within NetHunt as well. That is how NetHunt CRM became the backbone of all kinds of tasks for Xomnia.
For example, they use NetHunt API for the following HR administration flow: If Xomnia starts hiring someone, a person needs to make a test in another system. Having gone through the process, in case they are hired - their record is created automatically in NetHunt. From there, they add a few more info, but this way they automate the processes.
Another flow goes like this: they have a sales funnel, and when a deal is closed, it can go to another folder (training folder, project, consulting, etc.). In all these folders, they can put certain people on the project and that information is linked to their HR folder.
Xomnia also integrated NetHunt with another solution so that if one of their employees is working on a project, after this project they can fill in the info on the kinds of technology they worked with, what the project was about and push these details to NetHunt into the record of that employee. Based on that they can see the whole history of the technology that their people work with. This way, when they have a new opportunity with a client that is searching for someone who has a lot of experience with Python or Scala, they can easily look it up and find one.
Xomnia team works with the system on a daily basis, and one of the things they like the most is that all the data is stored in one place and everyone can access it if needed. As an example, when one of their sales is sick and the other team member needs to have the latest status on a sales lead, it is very easy to get this in NetHunt with all the history of conversations. Another big thing that Xomnia enjoys the most is that you can design NetHunt CRM as you want it. However, you need to be careful, as it’s important to keep it as simple as possible as well.
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http://asmeta.sourceforge.net/userdocdev/repository.html
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The source base of Asmeta (including the documentation and the web site) is maintained in a Subversion repository at SourceForge. The repository's URL to checkout asmeta repo from svn is
For instance, by using tortoisesvn, you can checkout the repo in this way:
You might also browse the Subversion repository online.
The file http://sourceforge.net/p/asmeta/code/HEAD/tree/readme.txt describes the organization of the repository.
Working with the Asmeta sourcesThe better way is to use eclipse and checkout the projects from the svn.
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https://aplawrence.com/Books/perlaa.html
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© October 2000 Tony Lawrence
"126" height="32" />
This is another of those mixed feelings book. On the one hand, the concept is good: take real-world tasks and present fully dissected Perl code that solves the problem. This is a wonderful way to learn techniques that you might not have thought of, and it's useful and easy to lift code from the included CD either to use as-as or modify for your own projects.
However (in spite of one Amazon reviewer who insists otherwise), there is broken code here. I would guess most of it isn't serious, and should be easily fixed by anyone with even a little experience, but what about the new user who hopes to learn from this? Well, my advice is to visit the author's website https://www.mcwords.com and pick up the corrections- I'm pretty sure everything I noticed is fixed there. I wish, though, that authors who provide such resources would say so in big bold print all over the cover- like CHECK XYZ.COM FOR LATEST UPDATES AND BUG FIXES - but nobody does, so I can't particularly fault this author or publisher.
I'm sure that I will make use of many of the scripts here- I'm the lazy sort who would much rather start with someone else's code than write it all myself. Of course, the code has to be well written and understandable, which this certainly is, especially with the book serving as commentary.
Got something to add? Send me email.
More Articles by Tony Lawrence © 2011-04-30 Tony Lawrence
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https://www.kununu.com/us/rutgers-university1
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- Rutgers University07.Dec 2015
It is who you know, not what you know. It is very political.
Support from Management
There is no transparency, the hierarchy make decisions without any consultation or input from the faculty
There is no teamwork, you are on your own.
It is a top down department. The hierarchy does not communicate with the faculty. They make decisions without your input.
No, they discriminate.
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http://www.linuxquestions.org/questions/slackware-installation-40/creating-partitions-304438/
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It's up to you - all kinds of threads on this. I like splitting off /home, /usr/local (my stuff) and /tmp, /var (variable stuff) and leaving the rest on root. Such a root might be 2-4 gigs depending on how much you put on. Might want to leave a little more for breathing room. /var doesn't need to be very big - half gig is probably plenty, but this depends on what you put there - if you're spooling mail for hundreds of users it's different than if you've got ~/.mozilla for one. /tmp I actually like to make way bigger than it usually needs to be because a lot of apps dump stuff in there that can be huge and it's easier than pointing them elsewhere - gig, gig and a half that's almost always wasted but real useful when I need it. I take as much as I can for /home because that's the point of it all. But it's too variable to give a definite answer. You *can* just make a swap partition and stick everything else on one partition if you just don't want to bother with it.
As far as fs, I like reiser but ext3 is a good solid choice. Again, it's up to you.
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https://jefftucker.net/mars/man/mars_all-tabs.html
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code
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Mars 30 User's Manual
Layout » Pages
Layout » Pages » Titles
- Index page title: The title bar on the index pages can be set to display the album title, the folder title (at the top level, this is same as the album title), or nothing.
- Include description: If selected, the album or folder description is displayed below the album title or folder title.
- Show folder title in browser tab: If selected, index pages within a folder will show the folder title in the browser tab. Otherwise, the album title is displayed in the browser tab on all pages.
- Display underscores as spaces: If selected, underscores in folder and file names that appear as titles, browser tabs, or captions are displayed as spaces. This applies only to the actual folder and file names. User-entered titles and comments are not affected. The folder and file names themselves are not changed.
Layout » Pages » Navigation
- Site Home and Album Home: If you choose the first icon set, the "leaving this page" icon is used for links in the album that point to the homepage you have entered under Album » Settings » Pages » Link to external homepage » Address (URL), if any, and the "house" icon is used for links from folders in the album that point to the top level of the album, if you have chosen to display such links. If you choose the second set, the "house" icon is used for the homepage link, and the "double up" icon is used for returning to the top of the album from folders.
- Link to album home: If selected, index page navigation at all levels below the top level of the album includes a "home" icon that takes the site visitor back to the main index page of the album.
- Fullscreen option: If selected, a fullscreen toggle icon is displayed in the title bar. Note that when a visitor enters a folder in the album, the display reverts to the regular, non-fullscreen view. This is a browser security measure, and can't be overridden.
- Open web locations in new tab: If selected, web locations will open in a new browser tab, rather than the same browser tab.
Layout » Pages » Slides
- Caption content: The caption may display the image title, the image comment, both, or neither.
- Name if no title: If no image title has been entered, use the image file name (without its extension).
- Padding width: For the slide image, you may select the width of the padding around the image.
- Shadow opacity: If the slide image padding width is greater than zero, you may choose to include a box shadow on the slide image. Opacity of zero means no shadow, with higher values representing a denser shadow.
- Arrows off-image: If selected, the "previous" and "next" arrows on the slides are shown at the edges of the viewport, rather than on the image.
- Border: A border can be applied to the entire lightbox. In most cases this is unnecessary. However, if you are using the "dark" style, or a custom style with a very dark slide background, a thin border around the lightbox can separate it from the dimming background.
- Loop slides: If selected, clicking the "next" arrow on the last slide takes the visitor to the first slide, and clicking the "previous" arrow on the first slide takes the visitor to the last slide.
Layout » Pages » Theme Image
- Parallax theme image / Fixed theme image / No theme image: These radio buttons control which type of theme image will be used. A parallax theme image is large and scrollable, producing the illusion of page depth. A fixed theme image is a constant height. If no theme image is chosen, the title bar is a simple colored bar.
- Height (%): The minimum height of the theme image that will be visible, expressed as a percentage of the viewport width, if a parallax theme image is selected. Be aware that the theme image is actually used as a background image that covers the entire viewport - the page content then masks off the lower portion of the theme image. When choosing a theme image, it should be an image whose desired content occurs towards the top of the image, rather than in the center, since the center will be obscured by the page content unless a fairly high value is chosen for the theme image display height, like 50%.
- Height (px): The height of the theme image, if a fixed theme image is selected.
- Use...: These radio buttons control whether each folder will show its own theme image, or whether each folder will show the top-level theme image, or whether the theme image will be shown only at the top level of the album. In this last case, folders will display an ordinary title area, without any theme image.
- Full page: If selected, the theme image is displayed over the entire viewport. It is non-parallax and a fixed height.
- Border: If selected, a one-pixel border is shown on the bottom edge of the theme image.
Layout » Thumbnails
Layout » Thumbnails » Layout
- Max table width: The maximum width of the thumbnail table. If the viewport width is less than this, the thumbnail table is adjusted to fit.
- Borders: If selected, a one-pixel border is shown on the thumbnails.
- Folders last: If selected, the grouped folder thumbnails on a page are shown after the image thumbnails, rather than before. This may be applied only to a specific folder or folders. If you want only the subfolders in Folder A to appear at the bottom of the page for Folder A, do not select Folders last on the settings here. Instead, hover on the Folder A thumbnail in the jAlbum Explore view, and choose More..., then Edit. On the right, expand the Variables panel and enter a variable called locFoldersLast, with a value of true.
Layout » Thumbnails » Folders
- Thumbnail spacing: The spacing between folder thumbnails.
- Fixed shape: The folder thumbnails may be cropped to a fixed shape. If this option is selected, folder thumbnail captions, if any, are shown below the thumbnails. Otherwise, captions are shown as overlays on the thumbnail when the site visitor hovers his mouse on the thumbnail. If fixed shape thumbnails are not selected, the aspect ratio (width divided by height) of each thumbnail will be the same as that of the original image, but restricted to a minimum of 0.5 and a maximum of 2.5. This prevents panoramic images and unusually tall, skinny images from producing thumbnails with extreme aspect ratios, which otherwise tend to disrupt the thumbnail table layout.
- Captions always visible: If selected, captions are always visible, rather than being visible only when the visitor hovers his mouse on the thumbnail.
- Thumbnail height: Folder thumbnails may be shown with a height between 50% and 200% of the image thumbnail size.
- Aspect ratio: If folder thumbnails are cropped to a fixed shape, you may choose the aspect ratio (width:height), with 1:1 being square thumbnails.
Layout » Thumbnails » Images
- Thumbnail spacing: The spacing between thumbnails.
- Fixed shape: If selected, thumbnails are cropped to the dimensions chosen under Album » Settings » Images » Image Bounds » Thumbnails. If this option is selected, thumbnail captions, if any, are shown below the thumbnails. Otherwise, captions are shown as overlays on the thumbnail when the site visitor hovers his mouse on the thumbnail. If fixed shape thumbnails are not selected, the aspect ratio (width divided by height) of each thumbnail will be the same as that of the original image, but restricted to a minimum of 0.5 and a maximum of 2.5. This prevents panoramic images and unusually tall, skinny images from producing thumbnails with extreme aspect ratios, which otherwise tend to disrupt the thumbnail table layout.
- Captions always visible: If selected, captions are always visible, rather than being visible only when the visitor hovers his mouse on the thumbnail.
Layout » » Thumbnails » Overlays
- Overlay on video thumbnails: If selected, a semi-transparent overlay is placed on video thumbnails, including YouTube and Vimeo videos.
- Size: The size of the video overlay, as a percentage of the thumbnail image bounds. For example, if the thumbnail image bounds are 300x200, and the size is 67%, the overlay will be 134px (200 * 0.67).
- Overlay on web location thumbnails: If selected, a semi-transparent overlay is placed on web location thumbnails.
- Size: The size of the web location overlay, as a percentage of the thumbnail image bounds. For example, if the thumbnail image bounds are 300x200, and the size is 67%, the overlay will be 134px (200 * 0.67).
Layout » Thumbnails » Captions
- Folder thumbnail caption: The caption for a folder thumbnail may display the folder title, the folder comment, both, or neither.
- Name if no title: If no folder title has been entered, use the folder name.
- Image thumbnail caption: The caption below an image thumbnail may display the image title, the image comment, both, or neither.
- Name if no title: If no image title has been entered, use the image file name (without its extension).
Fonts » Album
Fonts » Album » Font Family
- Font family: The font family for the album. Each font family is designed to be fairly "web-safe," and produces a font stack in the album's CSS that will provide acceptable results on most site visitors' computers. The font stacks produced by each font family choice are as follow:
- Arial: Arial, "Helvetica Neue", Helvetica, sans-serif
- Brush Script: "Brush Script MT", cursive
- Comic Sans: "Comic Sans", "Comic Sans MS", "Chalkboard", "ChalkboardSE-Regular", "Marker Felt", "Purisa", "URW Chancery L", cursive
- Courier: "Courier New", Courier, "Lucida Sans Typewriter", "Lucida Typewriter", monospace
- Georgia: Georgia, Times, "Times New Roman", serif
- Palatino: Palatino, "Palatino Linotype", "Palatino LT STD", "Book Antiqua", Georgia, serif
- Papyrus: Papyrus, fantasy
- Tahoma: Tahoma, Verdana, Segoe, sans-serif
- Times New Roman: TimesNewRoman, "Times New Roman", Times, Baskerville, Georgia, serif
- Trebuchet: "Trebuchet MS", "Lucida Grande", "Lucida Sans Unicode", "Lucida Sans", Tahoma, sans-serif
- Verdana: Verdana, Geneva, sans-serif
- Apply to All: Click this button to apply the selected Font family to all text fields in the album.
Fonts » Album » Google Font
Fonts » Album » WOFF File
Fonts » Index Page
Fonts » Index Page » Font Styles
- Theme image title: The font styles for the page title shown on the theme image on index and info pages. The font size may be set to zero, meaning that the title is not displayed. This option might be chosen if the theme image contains its own text or a large logo.
- Theme image description: The font styles for the page description shown on the theme image on index pages. The font size may be set to zero.
- Banner title: The font styles for the album or folder title shown on a banner.
- Banner description: The font styles for the album or folder description (folder comment) shown on a banner.
- Folder thumbnail title: The font styles for the folder thumbnail title(s) on index pages.
- Folder thumbnail comment: The font styles for the folder thumbnail comment(s) on index pages.
- Image thumbnail title: The font styles for the image thumbnail title(s) on index pages.
- Image thumbnail comment: The font styles for the image thumbnail comment(s) on index pages.
- Top info: The font styles for Top Info text on index pages.
- Bottom info: The font styles for Bottom Info text on index pages.
- Copyright: The font styles for the copyright notice on index pages.
Fonts » Slides & Info Page
Fonts » Slides & Info Page » Slides Font Styles
- Image title: The font styles for the image title on slides.
- Image comment: The font styles for the image comment on slides.
Fonts » Slides & Info Page » Info Page Font Styles
- Title: The font styles for the title on the info page.
- Text: The font styles for the text on the info page.
- Contact: The font styles for the contact line on the info page.
Text » Tooltips
- Site home: If a URL and text are entered under Album » Settings » Pages » Link to external homepage, this is the icon that will appear on each index page. The tooltip that appears when a visitor hovers on this icon is entered on that settings page, rather than here. This is intended for a home page that is external to the album.
- Album home: The tooltip that appears when a visitor hovers on the "album home" icon.
- Up one level: The tooltip that appears when a visitor hovers on the "up one level" icon.
- Fullscreen: The tooltip that appears when a visitor hovers on the "fullscreen" icon.
- Info page: The tooltip that appears when a visitor hovers on the "info page" icon.
- Index page: The tooltip that appears when a visitor hovers on the "index page" icon on an info page.
Info Page » General
Info Page » General » Layout
- Match width of index page: If selected, the info page will be the same width as the top-level index page.
- Page width: The width of the info page. Used to produce an info page display that's narrower than the index page, though the title bar remains the same width. If larger than the actual width of the index page, this value is ignored.
- Link on top level only: If selected, the link to the info page will appear only on the index page for the top level of the album. If not selected, the link will appear on all index pages.
- Border: If selected, a one-pixel border is shown on the info page.
Info Page » General » Image
- Add / Remove: Click Add to select an image to display on the info page. Click Remove to remove the image.
- File: This field displays the name of the chosen file, but cannot be directly edited. To change the image, remove the existing one and add a new one.
- Image width: The width of the image. The image will be scaled down to this width - the image will not be shown larger than it actually is, however.
- Location: The image may be positioned to the left, to the right, or in the center. If the image is positioned to the left or right, the text will flow around the image.
- Border: If selected, a one-pixel border is shown on the info page image.
Info Page » General » Contact
- Email label: The label that will appear on the contact line on the info page.
- Email address: The email address that will appear on the contact line on the info page.
Info Page » Text
Info Page » Text » Title
- Title: The title that will appear on the info page.
Info Page » Text » Body
- Body: The text that will appear in the main box on the info page.
- Text alignment: The text in the main box on the info page can be centered, left-aligned, right-aligned, or justified.
- Do not insert HTML breaks: Normally, the skin converts linefeeds in the text you enter to HTML <br> tags. If this option is chosen, the skin will not do this conversion. This is useful if the text you are providing already contains HTML paragraph or break tags, and insertion of additional break tags would disrupt that HTML code.
Code » CSS
- CSS: CSS code entered here will be inserted at the end of the output common.css file when the album is created. jAlbum variables will be replaced with their actual values. This can be used to override the album's own CSS attributes, or to add attributes to support additional page material, like the menu system on the Mars Sample Albums page.
Code » Top Info
Code » Bottom Info
- Copyright notice: A copyright notice may be placed at the bottom of album pages. There are various ways to produce a copyright symbol. On a Windows machine, hold down the ALT key, type the numerals 0169 on the number pad (you can't use the numbers on the top row of the keyboard), then release the ALT key. On a Mac, hold down the Option key, type g, then release the Option key. On any platform, you can use the HTML entity for a copyright symbol: ©
- Top level only: If selected, the copyright notice will appear only on the top-level index page.
- Meta "description" tag: The entered text will be inserted into every page as a meta description tag. This is used by most search engines to describe a site when it is listed in search results. Therefore, the text should be a simple description of the site contents. If no text is entered, the skin assembles a description for each page from the folder title and comment or the image title and comment.
- Meta "robots" tag: The chosen tag will be inserted into every page. A meta robots tag may be used to tell search engine robots whether to index this page and whether to follow links on this page.
- Favicon location: Provide the absolute address of the favicon file for the website. Normally, the favicon file would be stored at the root of your domain, for example, http://example.com/favicon.ico. The file should never be added to the jAlbum project itself, and should be uploaded to your web host independently of the album. Note that if you host your album at jalbum.net, a favicon with the default name, i.e., https://yourname.jalbum.net/favicon.ico, will be overridden by the default jAlbum favicon (Dor). To use your own favicon with jalbum.net hosting, it must be given a different name, like mydog.ico. Favicon files may be ICO, PNG, or GIF files, must be square, and must have dimensions of 16x16, 32x32, 48x48, or 64x64.
- Google Analytics code: Copy and paste the entire code snippet provided to you by Google Analytics. It will be inserted at the appropriate location in every page.
- HTML language: Select the language code that corresponds to the predominant language used in your album. This will be used in the <html> tag on every page of the album. It's helpful for search engines, for browser translations, and in some cases for choosing correct typography. It defaults to the language you have chosen for jAlbum. If the language code you want to use is not in the list, you may enter any of the standard codes manually.
Custom » Create a custom style
- Create a custom style based on an existing style: The user can select one of the preset Mars styles as the starting point for creating a custom style. This resets the color settings to those of the preset style selected.
Custom » Index Pages
- Body: The color of the body of the pages.
- Borders: The color of the image borders.
- Text: The color of text on the pages.
- Top of page icon: The color of the "top of page" icon.
- Top of page background: The color of the "top of page" icon background.
- Folder icon background: The color of the background of the folder icon, if no representing thumbnail is selected.
Custom » Slides
- Background: The color of the slide image background, including the caption area.
- Text: The color of text on the slides.
- Lightbox: The color of the lightbox dimming layer behind the slides.
- Lightbox border: The color of the border around the lightbox image and caption area. If off-image slide navigation arrows are chosen, this color is also used for the arrows.
Custom » Info Page
- Page title: The color of the info page title.
- Box background: The color of the text box on the info page.
- Text: The color of text on the info page.
- Text link hover: The color of link text on the info page, when hovered on.
Custom » Theme Image
- Text: The color of the page title and description shown on the theme image.
- Background tint: The color of the dimming layer that appears behind the title and description.
- Background opacity: The opacity of the dimming layer that appears behind the title and description.
Custom » Banner
- Background color: The color of a banner title bar.
- Text: The color of the page title and description shown on a banner.
Custom » Body Background Texture
- Add / Remove: Click Add to select a background image for the page body. Click Remove to remove the image. This should be a small texture pattern that is then repeated over the page body.
- File: This field displays the name of the chosen file, but cannot be directly edited. To change a background image, remove the existing one and add a new one.
- Mars: The version number currently installed.
- Mars Release Notes: A link to the release notes.
- Mars User's Manual: A link to this user's manual.
- Mars Home Page: A link to the Mars demonstration page.
- Mars Support Forum: A link to the jAlbum forum section for Mars support.
- Mars License: A link to the Mars licensing terms.
- jAlbum Skin Page: A link to the jAlbum website page for this skin.
To access folder settings, hover on a thumbnail in the main jAlbum editing window, and click More.
Then choose Edit.
Then choose the Mars panel on the right side of the editing window.
- Folder Info Text: Clicking this button brings up a window in which you can enter top and/or bottom info text for the current folder (material to be shown above or below the thumbnail table), overriding the material provided in the main skin settings.
Info: Video Support
In Mars, support for videos added to a project is dependent upon the video support built into jAlbum. For videos to work properly in an album, video support must be enabled in jAlbum under Tools (jAlbum in macOS), Preferences, Advanced.
If the processed video dimensions are larger than the image bounds chosen under Album » Settings » Images » Image bounds » Images, the display will be reduced to fit within those bounds and within the browser window, whichever is smaller. If you choose Link to originals for the project, or Use original for one video, the video will be shown in its native size, reduced as necessary to fit within the browser window. The actual video file in the album will not be adjusted - only the display window is scaled down as necessary.
With video support enabled in jAlbum, the core program automatically provides a thumbnail image for the video. In image editing mode, a slider is available to choose a video frame other than the one automatically selected. This can be especially helpful if the video starts with several seconds of a black screen - the automatically-selected frame might be black in that case.
It is possible to provide your own representing image for the video, which could be an image that doesn't even appear in the video. Choose a full-sized image (a regular JPG file, and not just a small thumbnail), change its extension to .thm, and give it the same name as your video. For example, for a video called mydog.mp4, the image file should be named mydog.thm. This file should then be added to the project at the same time the video is added to the project. This image will then be used both for the thumbnail and for the video frame while the video is loading and after it has finished playing.
Your web host must provide video files with the correct header information. The MIME type must be video/mp4 - if an MP4 file is delivered by your web host with any other MIME type, playback will fail in some browsers. If you find that a video in your album plays properly when you preview the album locally, but displays only an error message when viewed from your web host, an incorrect MIME type is the most likely cause. Ideally, your web host should correct the server configuration, but if you can change your own .htaccess file on the server, adding this line will correct the problem:
AddType video/mp4 .mp4
In addition, video files must not be compressed by the server using something like gzip, for example.
Info: HTML Tags and jAlbum Variables
HTML tags and jAlbum variables may be used in a number of different contexts, and will be honored in the album (including things like links). jAlbum variables will be passed to the jAlbum engine and will be evaluated before they are placed in the completed album. Almost all user entries are treated in this manner:
- Album title and description
- Folder title and comment
- Image title and comment
- Custom CSS
- Top info and bottom info
- Meta description
If you use a < or > character in a text string, it is assumed to be part of an HTML tag, and may produce errors if it isn't. If you want to use one of those characters as simple text, use its HTML entity code, instead.
- for <, use <
- for >, use >
Info: Google Fonts & WOFF Files
A longstanding problem with web pages is that fonts are not actually included in the page code. The page simply includes some text, along with an instruction in the CSS that tells the browser what font to use to display that text. But if the visitor's computer doesn't have that font installed, it falls back to a default, or works its way down whatever font stack is indicated in the CSS until it finds a font that it can use. The effect of this limitation is that web page designers are generally forced to rely on a small set of "web safe" fonts, fonts that can reliably be found on most visitors' computers.
Packaging fonts with web pages in a way that allows the site visitor to install the font on his computer, while possible, runs afoul of copyright protections. Most fonts, even those normally distributed with a new computer, are protected by copyright, and you don't have the right to make them available to others.
To address this problem, Google Fonts and Web Open Font Format (WOFF) files can be used. The font is not actually installed on the visitor's computer. It is used only for displaying text on your web page.
In Mars, you may add two Google Fonts and a WOFF file, and tell the skin which font to use for each text element, with the default being the selected regular font family. Decorative fonts can be difficult to read at smaller sizes, and are therefore best used only for page titles. You are likely to find that they look better when displayed with a larger font size than you would use for a regular font, and with normal weight, rather than bold. More traditional fonts may be suitable for all text.
To choose a Google Font, visit the Google Fonts page, and identify the font you want to use. Scroll down on the page to view suggested font pairings. You might want to use a more elaborate font for titles, and a simpler font for captions. Make a note of its name, and enter the name in the Mars settings. Mars does not support the use of Google Font multiple styles. If you see a font listed, and it indicates that there are multiple styles of that font available, when you enter its name in the Mars settings, the skin will use the basic style of that font.
There are now many hundreds of free WOFF files available. Search the web for free woff to find sources (some sites require registration). In most cases, the fonts are free for you to use on your website, even if the website is commercial, but the font designers retain copyright, so you don't have permission to redistribute the files directly to others. Often, these free fonts are provided in a variety of formats - WOFF, OTF, TTF, EOT, SVG, and so on. The format needed for Mars is indicated by a .woff file extension. In many cases, the download will be provided as a zip archive containing several formats - you need to extract the .woff file from that archive and use that one for inclusion in the skin.
The FontSquirrel site is a typical example, offering many free fonts. Find one you like, and then click on the name of the font (not on the Download link). Then look for a Webfont Kit link on the menu bar. There, you can choose the WOFF format. If a font is available in only one format, the Webfont Kit menu bar choice will be absent. In that case, you can download another format, like TTF, then use FontSquirrel's Webfont Generator to upload the TTF and convert it to WOFF - choose the Expert radio button after you've uploaded the TTF version. In short, it may take some exploration to find the WOFF file you need.
See Fonts » Album to include a Google Font and/or WOFF file in your album.
Info: Linking to Originals
If you choose Link to originals in the main jAlbum settings (Album » Settings » Pages), your images will not be scaled or modified in any way. They will be used directly in the slide pages of the album. the skin will adjust the slide display to the visitor's viewport, but because the files have not been scaled, the file sizes may be very large, making this setting a poor choice for a web album. However, you can resize your images before using them in jAlbum, in which case choosing Link to originals might be suitable. If you also select HiDPI images, your original images will be shown at one-half their native dimensions, to preserve clarity on high-density displays.
If you choose Link to scaled-down images only, videos will be shown in their native dimensions, or to fit within the image bounds, or to fit within the visitor's viewport, whichever is smaller. If you choose Link to originals, videos will be shown in their native dimensions, or to fit within the visitor's viewport, whichever is smaller.
Info: Master Album
With almost any skin, it's possible to create folders and subfolders, and produce a multilevel album. But in most cases, all levels must use the same skin, and usually the same style of that skin, as well. Mars, however, can be used to create a master index of other albums; each album may use a different style of the Mars skin, or a different skin entirely.
- Create each of the other albums, and upload them to your web host. They can be arranged in a uniform hierarchical directory structure (for example, with each individual album residing in a subdirectory under the location of the master index), or can be placed in any location on the web host, or even on other web hosts.
- Create a project for the master index, and add a web location for each sub-album. You can drag a URL from the address bar of your browser (or the circled "i" or padlock symbol to the left of the address) into the jAlbum Explore window in your project, or you can right-click in the jAlbum Explore window and choose New page, Web location, and enter the full URL of the sub-album. jAlbum will then try to extract an image from that website, but if you want to use another image, you can click the folder icon to the right of the Image URL field, and navigate to an image you want to use instead.
- Ideally, each sub-album should provide a means by which the site visitor can return to the master index. Most skins provide a way of entering an uplink from the main level. If you have chosen a hierarchical directory structure for your individual albums, the uplink would be ../index.html; otherwise, an absolute URL is required, such as http://example.com/master/index.html.
- Using the same technique, i.e., adding web locations to a project, you can create an album in which each thumbnail leads to another web site. The other sites don't have to be created with jAlbum - you can add thumbnails that take the visitor to any other web sites.
Info: Version Updating
New versions of Mars are published with some regularity. These new versions generally include new features, improvements, and bug fixes. The jAlbum application will let you know when a new version is available, and users are encouraged to download and install the new version.
- It is best to install a new version of the skin with the jAlbum application closed, i.e., not running. Save the Mars.jaskin file to your computer, close jAlbum, launch the Mars.jaskin file to do the installation, then launch jAlbum again.
- If you have a project that was created with an older version of Mars and you're happy with it, and don't intend to add any images to it or make any other changes to it, there's no reason to make the album again with the latest version of the skin. However, if you intend to change that project in any way, it should be reprocessed with the newest version.
- Before re-making an existing album with a new version of the skin, read the release notes, and create a small test album to see the effect of newly-introduced features. These new features are sometimes enabled by default in a new version, and will be applied to your existing project unless you choose to turn them off. The time to discover this is not after you've rebuilt an entire 10,000-image album.
- There is no need to invoke Force Remake in jAlbum. This forces jAlbum to reprocess all of the images, rather than just generating new HTML and CSS files. This is almost never required. Just click Make Album, and let jAlbum decide what needs to be updated.
- However, if your project contains folders (subdirectories), it is very important that all subdirectories be processed with the new version of the skin. All of the pages in an album share the same CSS files, and having a page of HTML generated with an older version of the skin using a CSS file created with the newest version could produce catastrophically bad results. Under Album » Settings » Advanced » General, be sure to check Process subdirectories and Include subdirectories in index pages. Be sure not to check Process only updated subdirectories. An updated subdirectory is one that has had images added to it, or removed from it. Other settings changes, or the use of a new version of the skin, does not cause jAlbum to regard subdirectories as being "updated."
- For an active project, one that you make changes to periodically, it is recommended that you stay abreast of new skin versions. Generally, the process of updating an album by one or two skin versions is easy, and takes very little time. Trying to jump over many versions, however, could require considerable effort. Stay current to avoid problems.
- After you have opened an existing project with the new skin version, it's a good idea to save the project, even if jAlbum doesn't prompt you to do so. This saves newly-defined skin variables with the project, which makes subsequent project opening smoother and less prone to errors.
Info: Browser Support
Mars produces albums that display properly in most browsers.
- Standards compliance: Mars produces valid HTML5 and CSS3 code. However, no attempt is made to ensure that user-provided code (in titles, comments, etc.) is valid.
- Current desktop browsers: All Mars skin features are supported in the current versions of Chrome, Firefox, and Safari. The parallax effect is visible in Edge, but the scrolling is very jerky. Edge is known to have problems achieving smooth scrolling - it's not just the parallax effect that suffers. In Edge prior to version 79, the tinted background behind the album title and description is not visible.
- Other browsers: Mars is not tested in any other browsers. Support for skin features is unknown.
- Tablet browsers: Mars is only occasionally tested on any tablets (e.g., iPad), but all skin features should operate properly. Simple swipe gestures are supported.
- Smartphones: Mars is tested in Chrome and Firefox on an Android phone, and is occasionally tested in Chrome and Safari on an iPhone. All skin features should operate properly. Simple swipe gestures are supported.
- jAlbum integrated browser: The integrated browser in jAlbum does not support the parallax effect, and the theme image is distorted. It also makes a mess of the thumbnail table in some cases. You should preview your album in a real browser (Chrome, Firefox, or Safari) before concluding that there's a problem with it.
- jAlbum embedded web server: If you choose to preview your albums with Chrome, and you use the jAlbum embedded web server (see Tools/jAlbum (Windows/Mac), Preferences, General, Preview), you may see some image flickering when moving from slide to slide. This will not occur when viewing the album from a server.
The Mars skin for jAlbum, including all supporting files, source code, compiled code, and scripts, ©2021, Jeff Tucker.
The skin uses the following open-source scripts:
You may use the software to create albums for personal or commercial sites. You may distribute copies of the software to others, but for any reuse or distribution, you must make clear to others the license terms of this software. You may modify the software for your own use.
The copyright holder reserves the right to waive or to withdraw any of these terms on a case-by-case basis.
The jAlbum application is free for personal use during the initial trial period, but after that, a Standard license is required. For commercial use, a Pro license is required. Visit the jAlbum site for further information.
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s3://commoncrawl/crawl-data/CC-MAIN-2021-10/segments/1614178383355.93/warc/CC-MAIN-20210308082315-20210308112315-00213.warc.gz
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CC-MAIN-2021-10
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https://controlcenter.billing.creditcard/register-merchant
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Thank you for your CardBilling account application.
All fields are required.
After the completion of this form you will receive an email
with your CardBilling Control Center login credentials.
Applications at CardBilling are free of charge.
Setup Fee and Annual Fee applies upon approval of your account.
You may pay the Setup Fee and first Annual Fee in the CardBilling Control Center.
Visit billing.creditcard to learn more about the True
Revolution in credit card billing for entertainment!
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s3://commoncrawl/crawl-data/CC-MAIN-2018-13/segments/1521257650730.61/warc/CC-MAIN-20180324151847-20180324171847-00651.warc.gz
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CC-MAIN-2018-13
| 493 | 9 |
http://forums.seagate.com/t5/BlackArmor-NAS-Network-Storage/BA-110-not-going-into-Standby/m-p/112394
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code
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07-30-2011 11:27 AM
I left it on overnight, no computers accessing it. Never went to sleep. I justr tried updating to the newest firmware.. still haven't seen it sleep yet. The power saving option is selected. What gives?
10-20-2011 06:32 AM
I seem to have the same problem with the NAS220 I just bought. I have connected it to the network (router), and configured it from one of my computers - nothing special, and the drive is still empty. Part of the configuration was to enable power save mode. I then saved this and rebooted it. I had also told it to check for firmware updates, and it said it was current.
After disconnecting it from the router and leaving it overnight, the fan and (I think but can't prove) hard drives are still spinning (it makes noise in a quiet sort of way). The front "Seagate" logo light is on, as well as the left hand blue light. I am guessing this drive is not in standby.
Any ideas / help / additional tests for this. I really don't want my drive spinning 24/7 for a variety of reasons, and our expected use is episodic and sparse.
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s3://commoncrawl/crawl-data/CC-MAIN-2013-48/segments/1386164022328/warc/CC-MAIN-20131204133342-00030-ip-10-33-133-15.ec2.internal.warc.gz
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CC-MAIN-2013-48
| 1,065 | 6 |
https://devops.stackexchange.com/questions/9810/how-to-get-the-next-friendly-name-that-docker-will-assign-to-the-container-it-wi
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When you start a Docker container as in the following example:
$ docker run -ti ubuntu:latest
Docker docker automatically assigns the container an ID and a friendly name.
Docker friendly names are of the format
I would like to get the friendly name that Docker will generate for the next container, so that I can assign that name to the hostname parameter of my
docker run command.
$ docker run -ti --hostname docker.next_friendly_name ubuntu:latest
Is there a built in way to do this with docker?
I need a friendly name that is randomly generated, but I don't want to script it up myself if there is a way to do this with Docker or even Docker Swarm or Kubernetes.
name of the container and the
hostname of the container need to match.
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s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474470.37/warc/CC-MAIN-20240223221041-20240224011041-00635.warc.gz
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http://gpa.helpmax.net/en/intel-graphics-performance-analyzers-help/intel-gpa-platform-analyzer/graphical-user-interface/menu/view-menu/
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code
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The View menu provides various options for visualizing data in the Task Timeline.
- Time Units - sets the time display format: milliseconds, seconds or clocks.
- Reset Zoom (Ctrl+0) – resets the Task Timeline zoom level to the default value in which all tasks and events fit within the viewport.
- View Selection (Ctrl+1) – automatically adjusts the Task Timeline zoom so that the entire selection is visible.
- Center Selection (Ctrl+2) – centers the current selection in the Task Timeline.
- Zoom Out – zooms out the Task Timeline by a nominal increment.
- Zoom In – zooms in the Task Timeline by a nominal increment.
- Show Subtasks (checked) – displays tasks that are nested within one another within the Task Timeline.
- Enable Stacked Tasks – draws all subtasks onto their parent at depth level zero and resizes the track heights accordingly
- Show Markers (checked) - draws markers in the Task Timeline.
- Show Task Aggregates (checked) - shows the All aggregate track, plus any additional aggregates defined in the Define Task Aggregates dialog.
- Define Task Aggregates… – display the Define Task Aggregates dialog.
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https://tech.forums.softwareag.com/t/base-repository-for-mashzone-nextgen-custom-widgets/236984
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code
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MashZone NextGen Custom Widgets
In Software AG's MashZone NextGen, you can add your own custom widget to provide your own data visualization. This repository aims to provide some of these widgets that you can use and extend.
Software AG open code at:
These tools are provided as-is and without warranty or support. They do not constitute part of the Software AG product suite.
Forking and pull requests are welcome. For bugs related to the code please create an issue in the Github Repository. For any questions or requests, please post a comment below.
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https://uk-psychics.net/fortune-teller/is-a-subset-of-machine-learning-that-automates-predictive-analytics.html
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Is machine learning a subset of data analytics?
Machine learning analytics is an entirely different process. Machine learning automates the entire data analysis workflow to provide deeper, faster, and more comprehensive insights. How does this work? Machine learning is a subset of AI that leverages algorithms to analyze vast amounts of data.
Is machine learning a part of predictive analytics?
What is predictive analytics? Both machine learning and predictive analytics are used to make predictions on a set of data about the future. Predictive analytics uses predictive modelling, which can include machine learning.
What is a subset of ML which explains the automation of predictive analysis?
Answer: Artificial intelligence. Explanation: Artificial intelligence means robots robots are the machines that learn. Thanks 0.
What is the subset of machine learning?
Deep learning is a subset of machine learning. It still involves letting the machine learn from data, but it marks an important milestone in AI’s evolution. Deep learning was developed based on our understanding of neural networks.
Is AI a subset of data analytics?
Clearly, you can see that neither ML nor AI is a subset of Data Science, and Data Science is a subset of neither of these. There is much more to Data Science than just AI and ML. There is much more to AI and ML than just Data Science.
Is AI a form of data analytics?
AI is a collection of technologies that excel at extracting insights and patterns from large sets of data, then making predictions based on that information. That includes your analytics data from places like Google Analytics, automation platforms, content management systems, CRMs, and more.
What are predictive analytics tools?
Here are eight predictive analytics tools worth considering as you begin your selection process:
- IBM SPSS Statistics. You really can’t go wrong with IBM’s predictive analytics tool. …
- SAS Advanced Analytics. …
- SAP Predictive Analytics. …
- TIBCO Statistica. …
- H2O. …
- Oracle DataScience. …
- Q Research. …
- Information Builders WEBFocus.
Are all predictive models machine learning?
Predictive analytics and machine learning go hand-in-hand, as predictive models typically include a machine learning algorithm. These models can be trained over time to respond to new data or values, delivering the results the business needs. Predictive modelling largely overlaps with the field of machine learning.
What are the possible types of predictive models?
There are many different types of predictive modeling techniques including ANOVA, linear regression (ordinary least squares), logistic regression, ridge regression, time series, decision trees, neural networks, and many more.
What is the goal of predictive analytics?
Predictive analytics is the use of data, statistical algorithms and machine learning techniques to identify the likelihood of future outcomes based on historical data. The goal is to go beyond knowing what has happened to providing a best assessment of what will happen in the future.
What are predictive analytics models?
Predictive analytics models are designed to assess historical data, discover patterns, observe trends, and use that information to predict future trends. Popular predictive analytics models include classification, clustering, forecast, outliers, and time series, which are described in more detail below.
Is AI subset of machine learning?
Machine learning is a subset of AI. That is, all machine learning counts as AI, but not all AI counts as machine learning. Machine learning is an application of artificial intelligence that provides systems with the ability to automatically learn and improve from experience without being explicitly programmed.
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CC-MAIN-2021-49
| 3,750 | 32 |
https://distrowatch.com/?newsid=10030
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Dynasoft Linux was a Chinese Linux distribution based on Red Hat Linux. It includes a modified version of KDE with full support for Chinese language and a Chinese input system called "Yangchunbaixue" developed in-house.
Raspberry Digital Signage (RDS) is an operating system designed for digital signage installations on the Raspberry Pi. It displays a full-screen browser view restricted to a specified (web) resource. The project has released a new version, Raspberry Digital Signage 10.0, which is based on Raspbian "Stretch". The release announcement reports: "Marco Buratto has released Raspberry Digital Signage 10.0 today, which comes with the latest and greatest Chromium build (featuring advanced HTML5 capabilities, Adobe Flash support and H264/AVC video acceleration), so you can display more attractive resources, more easily. System parameters are set by a web interface which wraps lower terminal commands. SSH and VNC remote management systems are available as well. Changelog for version 10.0: The underlying operating system has been moved to Raspbian Stretch; the overall performance is sensibly better and HTML5 videos play a lot smoother; some improvements on code and bug fixes (the most important ones concern WiFi networks' discovery and local WordPress virtual host, which remains disabled if unused)." Download (MD5): rds-10.0-release.zip (674MB, torrent, pkglist).
Raspberry Digital Signage is an operating system designed for digital signage installations on the Raspberry Pi: it displays a full-screen browser view restricted to a specified resource. It shows web pages from an Internet, local area network or internal (SD-card contained) sources; there is no way to escape this view but rebooting the machine.
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CC-MAIN-2020-05
| 1,738 | 3 |
http://odoo-magento-connector.com/howto/configure_pricing.html
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Install the pricing extensions by going in: Settings > Configuration > Connector and by checking the Price are managed in Odoo with pricelists option.
Verify that the option Use pricelists to adapt your price per customers is active in the Odoo Settings > Configuration > Sales.
The pricelist used for the prices sent to Magento is configured on the Magento Backend (Connectors > Magento > Backends). Magento will use theses prices as default prices.
In Magento, the default is to share the prices between websites. If you want to have different prices per websites, go to System > Catalog > Catalog > Price and set the Catalog Price Scope to Website instead of Global.
When you need different prices for a website, set the pricelist for this website in Connectors > Magento > Websites.
The prices are actually updated on Magento when the price is changed on the products, not when a pricelist is modified.
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| 906 | 6 |
https://community.upwork.com/t5/Freelancers/Beneficiary-name-is-mismatched/m-p/911476
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Please help me solve th proplem with "The beneficiary name is mismathed".
I am trying to connect PayPal to receive payments, but this error appears.
In PayPal, my name is written in Russian, which is probably why this error appears.
Please help to solve this problem
Have a nice day!
Hi, I have an issue with The beneficiary name is mismatched, I'm pretty sure the details in the bank statement and my account is the same but why this issue comes up? thank you
Hello I'm José
I've been having issues with my paypal account it's verified with my name José **Edited for Community Guidelines**but here in Uphold i have the same name so i don't know why it's telling me that The beneficiary name is mismatched.
What do i need to do? i waited more than 3 days, deleted the account and added it again but with no avail.
I'll appreciate your help
I checked and it looks like the name mismatch was already cleared. Since you recently re-added your payment method, it's currently under verification now and should become active in three days. You can check this by going to Settings> Get paid and find the date that's right below your preferred payment method. You can check this help article to learn more.
My full name is Rivaldo mark Frans Valentino tumbelaka but in upwork I use the username valentino rivaldo, how should I solve this problem? i want to withdraw money from wise
We're working on something exciting for the community behind-the-scenes and want to hear from you!Learn More
Talent Scout is a service we launched to a small subset of clients last year, that matches pre-vetted remote talent to some of the leading clients on our platform.Learn More
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We're excited to share ideas on how you can set up your business properly and stay safe on Upwork.Learn More
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| 1,929 | 16 |
https://harshil.dev/writings/automated-tweets-for-your-twitch-live-stream
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I was always fascinated by the idea of live streams and wanted to try them for a while. One of the results of online events and remote work was that I got to try live streaming.
I started live streaming on Twitch in early July last year. On my live streams, I built projects and try out new technologies. When I started, I wasn't sure if I was going to enjoy it. After doing a few live streams, I started enjoying it and continued doing more live streams.
However, I also got exhausted with the process that I followed. Whenever I went live, I manually tweeted about it and shared it on Discord servers to let the people know that they can join me. I wanted to automate this process. I could have written a script to do this. But why write code when you can do it without writing any?
In this blog post, I will walk you through the process of building an automation workflow using n8n. This workflow will post a tweet whenever you go live on Twitch!
You will have to make a POST request to configure your n8n webhook URL with the Twitch app. This tutorial will walk you through the steps of making this request using Postman. Using Postman is optional. You can use other tools or even make the request with cURL.
You can even sign-up for the n8n.cloud, which is a cloud hosting service by the company.
Note: If you're using n8n locally, make sure to start the tunnel.
Twitch started as a live streaming platform for gamers, but slowly the categories expanded, and now you can find developers live coding on Twitch.
To get started with the automation, you need to create a Twitch application. Login to the Twitch Developer console and select the Applications tab. Click on the + Register Your Application button to register a new app.
Enter your application name in the Name field. Since you will be using the Twitch CLI enter
http://localhost:3000 in the _OAuth Redirect URLs _field. Select a category from the Category dropdown list and complete the CAPTCHA to verify that you're a human 🤖
Click on the Create button to register your Twitch application.
Twitch CLI is a command-line based tool that enables you to develop with Twitch easily. Using the Twitch CLI you will do the following:
- Get App Access Token
- Get Broadcaster ID
You can install the Twitch CLI by following the instructions mentioned in their documentation.
There are various commands that you can execute using the Twitch CLI. The CLI currently supports the following:
- API: Allows you to interact with the Twitch API
- Configure: Allows you to set credentials (Client ID and Client Secret) that enables you to run the
- Event: Allows you to trigger mock events for local webhook testing or migration
- Token: Allows you to fetch App Access Token and User Token
- Version: Returns the current version of the CLI (At the time of writing this tutorial, I am using version
You need to configure your Twitch CLI and connect it with the Twitch App you created earlier. Execute the command
twitch configure. Copy the Client ID from your Twitch Dev Console and paste it into your terminal. Similarly, copy and paste the Client Secret.
Note: If you can't find the Client Secret on the Twitch Dev Console, generate a new secret by clicking on the New Secret button.
Once you've successfully connected the Twitch CLI with your app, run the command
twitch token. This will generate an App Access Token. You will need this token to make a POST request to the Twitch API.
Twitch generates a unique ID for all the streamers. You need your Broadcaster ID to trigger the n8n workflow whenever you go live on Twitch. You can also get the Broadcaster ID of other Twitch streamers and trigger the workflow when they go live!
To get a Broadcaster ID, use the command
twitch api get users -q login=YOUR_USERNAME (replace YOUR_USERNAME with your Twitch username).
You have almost all the ingredients required to connect your Twitch App with n8n. The last ingredient you need is the webhook URL. When you go live, Twitch will make an HTTP request to this URL. You will use the Webhook node in n8n that will listen to this request and trigger the workflow.
To add a Webhook node, click on the + button and select the Webhook node under the Trigger section. Save the workflow to register the webhook ID. You can use the keyboard shortcut CMD+S (or CTRL+S) to save a workflow in n8n, or use the menu option on the left: Workflow > Save As.
In the Webhook node, select 'POST' from the HTTP Method dropdown list. Twitch makes a POST request, hence you need to tell our webhook to listen for a POST request.
Click on Webhook URLs. This will reveal two webhook URLs: Production URL and Test URL. The Test URL is used when you're building and testing your workflow. Once you have built your workflow, you use the Production URL. Another important thing to note here is that while using the Production URL the workflow should be active and no data gets returned in the editor UI. To learn more about the Webhook node, refer to the documentation.
Click on Test and copy the displayed URL. Navigate to your terminal and run the following command:
twitch event verify-subscription streamup -F PASTE_TEST_WEBHOOK_URL
You will receive a similar output as in the image below.
To verify that the call was made from a Twitch app, the webhook call needs to send back the challenge to Twitch. Select 'When last node finishes' from the Response Mode dropdown list. The first item from the last node in the workflow will be sent as a response to Twitch.
However, Twitch accepts a string and not JSON. Click on Add Option and select 'Property Name'. Enter
challenge in the Property Name field. The value of the JSON item challenge will be sent back as the response.
The next step is to capture the challenge sent by Twitch and send it back as a response. Click on the + button and add a Set node. Click on Add Value and select 'String' from the dropdown list. Enter
challenge in the Name field. You need the value of the challenge from the Webhook node. Click on the gear icon next to the Value field and select 'Add Expression'. From the Variable Selector section select:
Current Node > Input Data > JSON > body > challenge. Alternatively, you can add the following code snippet in the Expression editor
In the Set node, toggle Keep Only Set to true. This option will only return the values we have configured in this node.
You are almost there! The last step is to subscribe to the
stream.online event and add your webhook.
Twitch introduced EventSub that allows you to subscribe to events and receive notifications for that event. To receive notifications, you have to create a subscription. You will create a subscription that will allow you to connect n8n with Twitch and receive notifications.
To create a subscription, you will make a POST request to the URL
https://api.twitch.tv/helix/eventsub/subscriptions with a JSON body. Open Postman and paste the URL. Change the request method to POST. Set the following headers:
In the Body, enter the following code.
You will receive a response similar to this:
You can execute the following command to get a list of all the subscriptions you've created.
twitch api get eventsub subscriptions
You can also verify your subscription by running the following command.
twitch event verify-subscription streamup -F PASTE_TEST_WEBHOOK_URL
If you followed all the steps, you will now get a success message for both Valid Response and Valid Status Code.
In this tutorial, you learned a lot of new things. Let's do a quick recap!
You learned that you can connect Twitch with n8n via the Twitch EventSub API. You learned how to create a Twitch App and use the Twitch CLI tool. You also learned about n8n, how to use the Webhook node, and also how to send a custom response using the Set node.
In this tutorial, you learned how to connect Twitch with n8n. Your workflow is still in development (remember you used the Test Webhook URL!). Follow the steps to configure your production webhook. This will trigger your workflow when you're live on Twitch and you don't have to execute the workflow manually.
The next part is to connect other nodes and build the workflow. Don't limit yourself to just making a Tweet (using the Twitter node) when you go live. Take advantage of other nodes like the Discord node and Telegram node to send a message to your community and friends when you stream. You can even create and share posters for your live streams!
I would love to see what you build! Feel free to share it with me on Twitter. If you face any issues or have any questions, my DMs are open!
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https://www.wanttolearn.xyz/courses/packt/liferay-62-user-interface-development/
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Breathe new life into the look and responsiveness of your website with Liferay Portal. With this tutorial you�ll learn everything you need to know about this versatile technology. Experience with Java would be a big help.
- Set up Liferay IDE for rapid development of plugins
- Use Compass to write Syntactically Awesome Stylesheets
- Develop a responsive theme
- Integrate Google Analytics in a theme
- Create a page layout that responds to the change in width of the browser screen
- Write generic-style portlets^ Spring MVC portlets^ and Vaadin portlets
- Use jQuery^ Ext JS^ and Dojo Toolkit in a portlet
- Develop a portlet using tools like OpenXava
- Create an image gallery with Alloy UI
- Construct an Alloy UI video player
- Use Liferay tags for rich page rendering
- Develop a mobile user interface^ create reports^ and enable searching
Liferay employs a specialized theming system that allows you to change the look and feel of the user interfaces. Liferay Portal provides layout templates in order to describe how various columns and rows are arranged to display portlets. It also provides themes that can be used to customize the overall look and feel of web sites and web pages. As a developer^ by using the right tools to create and manipulate themes with Liferay Portal 6.2^ you can get your site to look any way you want it to, however the Liferay theming system can be difficult to get started with. This practical guide is a well organized manual to help you get started with Liferay as a programmer. Liferay 6.2 User Interface Development will show you the efficient ways to develop custom user interface components for a Liferay Portal website. You will learn how to create themes^ write page layouts^ develop portlets^ and use Alloy User Interface widgets. This book will prepare you with a full set of tools and skills for the development of Liferay user interfaces. Liferay 6.2 User Interface Development guides you through the components of the Liferay Portal user interface step-by-step.The Liferay tags^ analysis of the Alloy UI widgets^ and the anatomy of a theme are explained in detail. Explanations are accompanied with screenshots and code that executes smoothly. This book explains how the components are rendered one after another into a complete HTML file. You will learn how to create and upgrade a theme^ how to write a responsive page layout and how to develop generic-style portlets^ Spring MVC portlets^ and Vaadin portlets. The book will help you in using Alloy UI^ jQuery^ Ext JS^ and Dojo Toolkit in Liferay. By the end of this book^ you will have gained experience in developing all the user interface components for the Liferay Portal and know the latest ways of using tags^ composing widgets^ and writing Ajax calls and developing portlets^ page layouts^ and themes efficiently.
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| 2,826 | 14 |
https://alexandrebrisebois.wordpress.com/2016/02/17/upload-a-vhd-to-azure-storage-using-azcopy/
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Upload a VHD to Storage Using AzCopy
What’s the best way to upload a VHD to Azure Storage? This question comes up on a regular basis and I decided that it was time to share an example that uses PowerShell and AzCopy to upload a VHD to Azure Blob Storage. As you go through this post, remember that a VHD must be uploaded as a Page Blob for it to be usable as a Virtual Machine (VM) image.
Before we can upload a VHD to Azure, we need to create a Storage Account.
$ResourceGroupName = "vhdStorage" $Location = "centralUS" New-AzureRmResourceGroup -Name $ResourceGroupName ` -Location $Location $StorageAccountName = "briseboisvhds" New-AzureRmStorageAccount -ResourceGroupName $ResourceGroupName ` -Name $StorageAccountName ` -Type Standard_LRS ` -Location $Location
Now that we have a Storage Account, let’s get our Storage Account Key.
Get-AzureRmStorageAccountKey -ResourceGroupName $ResourceGroupName` -Name $StorageAccountName
Use AzCopy command-line utility to upload the VHD to a new blob container. In this example, we are uploading it to a container names ‘vhds’.
$ContainerName = "vhds" $AzCopyPath = "AzCopy" $Source = "C:\Users\brise\Downloads" $Destination ="https://$storageAccountName.blob.core.windows.net/$ContainerName" $DestKey = "rchmOXyOu...gkdpSFtVgCWQBsWOdtHQ==" $Files = "WindowsServerTechnicalPreview4.vhd" & $AzCopyPath "/Source:$Source", ` "/Dest:$Destination", ` "/DestKey:$DestKey", ` "/Pattern:$Files", ` "/BlobType:page", ` "/S", ` "/Y" Finished 1 of total 1 file(s). [2016/02/17 13:08:54] Transfer summary: ----------------- Total files transferred: 1 Transfer successfully: 1 Transfer skipped: 0 Transfer failed: 0 Elapsed time: 00.00:02:48
At this point, we’re ready to start working with our newly uploaded VHD.
More About AzCopy
AzCopy is a command-line utility designed for copying data to and from Microsoft Azure Blob, File, and Table storage. With AzCopy, you can migrate your data from the file system to Azure Storage, or vice versa, using simple commands and with optimal performance. You can also copy data from one object to another within your storage account, or between storage accounts.
Transfer data with the AzCopy Command-Line Utility is an excellent resource that provides a bunch of excellent samples.
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CC-MAIN-2023-14
| 2,264 | 12 |
https://community.khronos.org/t/rotation-around-local-axes-again/27250
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Hi , everyone.
Im quite new to OpenGL and have moved from Direct3D retained mode.
I was going to use Immediate mode but OpenGL looks a lot more easy to use.
Now, the problem I have has been posted here before but it didnt help me at all.
I have a spaceship that must be able to rotate freely around all three local axes.
Now everyone says that I must use quaternions , right.
So I went to Gamasutra and find some really lousy text about Qs.
After some trial and error I got it to work , but the result is still the same , no
matter in which order I do the rotations .
As usual I guess that Im doing something wrong here , as usual , but I would really
like someone to explain this to me .
Thanks in advance !
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| 708 | 12 |
https://www.br.freelancer.com/u/DigitizeSoft
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Convidar Freelancer para Projeto
Parece que você não tem um projeto ativo no momento. Por que não postar um projeto agora? É grátis!Publique um Projeto
- 96%Trabalhos concluídos
- 92%No Orçamento
- 29%Taxa de Recontratação
Shopify Experts needed for Website Development
“Excellent, patient and supportive developer, will hire him again for sure.”okholy78 1 ano atrás
a shopify website
“Kishan did a great job, he is very professional, easy to communicate and was always on time. I will definitely work with him again.”divamazon 1 ano atrás
Adding new function
“Very good freelancer team”ShawnmChoi 1 ano atrás
Redesign and adding small tasks
“Good freelancer”ShawnmChoi 1 ano atrás
Adding Like system on comment/show more functions,fixing facebook link
“Nice freelancer”ShawnmChoi há 2 anos
Global Collect/ Ingenico payment gateway integration with C#.
“Excellent job..”abasita há 2 anos
Project Manager & Solution ArchitectSep 2008 - Dec 2011 (3 years)
I have created and managed all the eCommerce websites of woolovers company and my responsibilities included collecting requirements and analyzing them. Design the database and code architecture. Assigning tasks to the team and overall communications. The websites manage more than 1.3 million customers on a MySql database.
MCA2005 - 2009 (4 years)
PHD2010 - 2012 (2 years)
The Sun Certified Java Professional is a technical certificate is given by SUN (Now Oracle) after clearign there online exam.
Microsoft asp.net certification (2009)Microsoft
Microsoft [login to view URL] certification with license no. 7310988
establishment of disaster recovery center for tier-4 datacenter in power utility
It provides complete architecture of setup of disaster recovery center for tier-4 datacenters in power utility within minimum cost and high performance.
Establishment of tier-4 datacenter in power utility
It provides complete architecture of setup of for tier-4 data centers in power utility within minimum cost and high performance.
US English Level 183%
- Conectado com o Facebook
- Pagamento Verificado
- Telefone Verificado
- Identidade Verificada
- E-mail Verificado
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CC-MAIN-2018-51
| 2,162 | 34 |
https://docs.netapp.com/us-en/snap-creator-framework/administration/task_monitoring_logs_by_using_the_snap_creator_gui.html
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PDF of this doc site
- Preinstallation requirements for Snap Creator
- Upgrading Snap Creator
- IBM Domino Plug-in Operations
- SAP HANA Plug-in Operations
Backup and recovery workflow
- Troubleshooting Snap Creator issues
- Backup and recovery workflow
You can view the logs for every profile and configuration by using the Snap Creator GUI.
You can view the Out, Debug, Error, and Stderr logs to assist in troubleshooting operations. See the related references for more information about these troubleshooting logs.
From the Snap Creator GUI main menu, select Reports > Logs:
Select logs by profile, configuration file, log type, or specific log, as necessary:
The selected log can also be downloaded by clicking Download Selected Log. The downloaded log file is stored in the directory (or folder) that is specified by the browser for downloads.
The out, debug, stderr, and agent logs are retained as defined by the LOG_NUM value in the configuration file, but the error log is always appended.
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CC-MAIN-2024-10
| 997 | 14 |
http://www.tcm.phy.cam.ac.uk/profiles/cpk27/
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- Join us
In my research, I use and develop density functional theory (DFT) methods to study energy storage materials. Energy storage in the form of batteries is very important for both consumer electronics and renewable energy technology. Using computer simulations based on DFT, we can model the processes that occur in a battery during operation, gain insight into performance bottlenecks, and develop the next generation of energy storage materials.
My current focus is on the electronic structure and lithiation mechanism of crystallographic shear phases (example shown on the right). These compounds have attracted attention for their ability to intercalate and deintercalate lithium very quickly.
In Plain English
I use computer simulations to study what goes on inside a battery during charge and discharge. These insights help to understand experiments and guide the design of future materials and devices.
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| 915 | 5 |
http://makernews.info/featured/2016/01/esp8266-based-interface-connects-classic-zx81-computers-to-wifi-networks.html
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An ESP8266-based interface connects classic ZX81 computers to FTP servers to quickly load games and programs.
Brazilian maker and retrocomputing enthusiast Victor Trucco showcased a preliminary version of his new ZX81 interface to load programs from the network.
The new prototype evolves from Blue Drive (above), Trucco's previous loader interface that enabled ZX81 computers (and clones with the same bus format) to fetch and load programs from USB thumb drives.
There are literally hundreds of known programs for the ZX81, and many of their cassette tapes were converted to modern formats to be loaded on emulators – or, with an adequate hardware interface, on the original machines.
This new iteration of Trucco's loader interface, called Wifi Drive, connects to an FTP server (local or on the internet), retrieves programs from it and saves them on its internal storage. From this point on, there's no need to keep connected: the ZX81 can load and run the programs issuing simple LOAD commands on its prompt.
During the online stage of the operation, the Wifi Drive is operated from a web browser (running on a mobile phone or a desktop computer, NOT on the ZX81). The web interface enables basic operations like connecting to a WiFi network, uploading local files to the internal memory, and selecting an optional FTP server that hosts additional files.
When operated directly from the ZX81 prompt, the current version implements only the
LOAD command (
SAVE are planned). But it's a powerful LOAD command, with 3 formats:
LOAD "ZXFILE.P": loads file ZXFILE.P from the local storage, and runs it.
LOAD "ZXFILE.P,F": loads file ZXFILE.P from the selected FTP server, and runs it.
LOAD "ZXFILE.P,S": loads file ZXFILE.P from the selected FTP server, saves a copy on local storage, and runs it.
Local memory can hold 150~200 files that can be accessed even without WiFi connection. When the
LOAD command is issued, the screen flickers in the familiar Sinclair way, but just for seconds, not the minutes we had to wait when using cassette tapes.
In the video above, Trucco himself shows and explains (in portuguese and using a brazilian ZX81 clone called TK85, which mimics the familiar ZX Spectrum form factor) the preliminary version of his new interface.
Jump to 11:14 to see the current hardware configuration: a Blue Drive interface with external jumpers soldered to the ESP12 module where the magic happens. This ESP8266 WiFi module runs the show – as far as connections are involved –, and local files are saved to its memory.
Victor Trucco believes that the final version will be ready shortly, in a matter of months. Happy Hacking!
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CC-MAIN-2017-22
| 2,648 | 17 |
https://aperioculos.fandom.com/wiki/The_Fall
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The Fall is the eleventh video on the Aperi Oculos channel. It was uploaded on May 10th, 2017.
Something big just happened.
I'm going to go straight into the footage rather than waste time here.
(Cut to The Protagonist walking up to a dock.)
I had made this dock earlier, mainly to protect myself when fishing and to store boats.
(He notices a hole in the ground, leading to a small pool of water.)
I noticed this hole. I decided to jump in, since I was curious and it didn't look too dangerous.
(He jumps in, but the drop immediately becomes much larger. When he lands in the water at the bottom, he swims up to find he's somehow in The Torch Cave. He looks around a corner.)
I saw some light ahead. So I decided to continue.
(He walks further into the cave, and fights a creeper hiding in the area. He sees a chest down a small corridor, next to a redstone torch and a sign saying "YOU'LL NEED THIS" along with two dashes.)
(The Protagonist opens the chest and sees a map. On it is a forest next to a mountain, with a red X near the top. The Protagonist looks around, and runs out of the cave. Cut to plain text.)
I immediately went back to the surface.
(Cut to the Protagonist looking at the map while climbing a ladder out of his mineshaft. He looks up to see his base is completely in ruins. He grabs various resources from his now destroyed storage room, and leaves the house.)
(The Protagonist notices Herobrine standing in his destroyed enchantment room, and continues running to the dock.)
I don't know how that happened, but I didn't feel safe here anymore, so I decided I had to leave.
(He runs into the dock, grabs a boat and puts it in the water. A quick flash of distortion appears for a moment, and the Protagonist freezes in place.)
(I stop moving here because the distortion scared me.)
(The Protagonist looks behind him to see Null standing there. Distortion fills the screen, as loud, distorted static is heard.)
(The Protagonist quickly jumps in the boat and begins sailing away. Cut back to plain text.)
Who was that?
All I know is, I can't stay in that base. It's completely gone.
I stopped playing after that, and I don't know if I'll be playing again any time soon afterwards.
As for the map I found in the cave, I don't know where it leads or how to get there, but I'm willing to find out.
(Cut to screenshot of the message from Herobrine.)
And I'd say it's pretty obvious who.
(Cut back to plain text.)
Bye for now.
- When Null appears, a deep laugh can be heard among the static.
- The laugh heard is actually a slowed down and reversed version of Flowey's laugh from the game Undertale.
- The music used is Cat from Minecraft: Volume Alpha.
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CC-MAIN-2020-24
| 2,668 | 30 |
http://www.miscellaneouscreativity.com/2007/01/sigur-ros-glosoli.html
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Please allow yourself 7 uninterrupted minutes and wear good headphones if possible. (If none are available, then crank it up!) When "the Triibe" played in Spain last year, we used this as our opener.
I am continually inspired by this video.
The Sigur Ros official site
Here is a page you can go to and stream a very good quality version of this video (much better quality than the youtube link too). You can choose high quality Quicktime or Windows Media under the "streaming links" heading. Choose the highest and wait for it to load in - it's worth it. While you're there, you can read the Q&A with the cinematographer, it's very interesting.
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CC-MAIN-2024-18
| 644 | 4 |
https://lists.mpi-sws.org/pipermail/iris-club/2016-August/000050.html
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[Iris-Club] Intention of later(False) in timeless predicate
jeehoon.kang at sf.snu.ac.kr
Mon Aug 22 07:00:17 CEST 2016
Dear Iris Club,
In the Iris 2.0 documentation, the timeless predicate is defined as follows
Γ |- timeless(P) <=> Γ | later(P) |- P ∨ later(False)
I guess the intention of the later(False) disjunct is allowing more
predicates to be timeless. But I am not sure which rule of "Laws for the
later modality" (page 14) requires the later(False) disjunct. May I ask is
it really used?
Jeehoon Kang (Ph.D. student) <http://sf.snu.ac.kr/jeehoon.kang>
Software Foundations Laboratory <http://sf.snu.ac.kr>
Seoul National University <http://www.snu.ac.kr>
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| 779 | 16 |
https://uvaro.com/jobs/j/YCa5RD0r/manchester/sales-eng
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We have an outstanding technology opportunity in Fidelity Corporate Technology Group (CTG) to deliver modern solutions to Enterprise Real Estate.
You'll be responsible for guiding technology decisions, driving innovation with cloud solutions and collaborating with technology partners. This team values the ability to learn and adapt to technology change while appreciating proven foundational design and the craft of software engineering.You will be involved in the design, development, and implementation of several Enterprise and business unit solutions.
The Expertise You Have
- 10+ years of enterprise software development experience
- Specialist understanding and experience of the full software development process including planning, analysis, design, coding, data management, systems and user testing, problem debugging and resolution.
- Practical experience delivering and supporting cross platform and cloud integrations (AWS, Azure, RDS, Snowflake, SaaS patterns, CI/CD, etc.)
- Ability to take ownership of technology strategy and influence technology direction with the team.
- Experience in tactical development and can use multiple programming languages to find efficient solutions.
- Excellent interpersonal and communication skills with the ability to lead cross-team collaboration and partnerships across a variety of internal and external constituencies.
- Passion and curiosity, work as a team to cultivate ideas and produce creative solutions to difficult problems while making smart choices balancing design and delivery.
- Bachelor’s or Advanced degree (Computer Science or related fields).
- AWS Certified Solutions Architect or Certified Developer or equivalent cloud certification is preferred.
- Proven experience in Cloud strategy including SaaS integrations and system migrations.
- End to end experience of enterprise systems including authentication, networking, and application runtime.
The Skills You Bring
- Positivity and strength in guiding technology and advising business partners on key choices for platform solutions.
- Team mentality with strong ability to articulate strategy and decisions.
- Your drive for continuous improvement, modern patterns, automation, and solid foundational engineering.
- Foundational leadership in technology decisions while staying on top of industry trends.
- Ensuring a pattern of trust through strong collaboration and communication with external teams.
The Value You Deliver
- Delivering key technical program initiatives and system support for the Enterprise and Corporate Technology Group customers.
- Recognizing opportunities to bring emerging technologies to deliver innovative solutions to meet business challenges.
- Simplifying and effectively communicating technical challenges, solutions options, and recommendations to business partners and technology leadership.
At Fidelity, we are focused on making our financial expertise broadly accessible and effective in helping people live the lives they want. We are a privately held company that places a high degree of value in creating and nurturing a work environment that attracts the best talent and reflects our commitment to our associates. We are proud of our diverse and inclusive workplace where we respect and value our associates for their unique perspectives and experiences. Find your Fidelity at fidelitycareers.com.
We believe that the most effective way to attract, develop and retain a diverse workforce is to build an enduring culture of inclusion and belonging.
Fidelity Investments is an equal opportunity employer.
Fidelity will reasonably accommodate applicants with disabilities who need adjustments to participate in the application or interview process. To initiate a request for an accommodation, contact the HR Leave of Absence/Accommodation Team by sending an email to accommodations @fmr.com, or by calling 800-835-5099, prompt 2, option 2.
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CC-MAIN-2021-43
| 3,903 | 28 |
https://www.edualgoacademy.com/
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With the evolvement of new technology and in the fast-paced age of edu-tech it's been quite easy to learn a new skill, perform some hands-on, prepare some projects and master the same skill completely. Our main vision is to provide quality content to our learners, which focuses more on learning than business. In India, we have seen the education-tech industry to be growing at a higher pace, but that's becoming too much costly to buy a course for only a 5 to 6 months access. We don't believe in courses, rather we believe in hands-on application. This is one of the reason we are very much focuses on opensource & digital e-books/magazine.
It’s very rare to find a technical magazine focused on software development, that accepts the same amount of participation from the students as well as professionals in terms of technical articles, CP problems, Software Designing Problems, Hackathon, Job offers, research and a lot of other aspects that have been included with this issue.
We have tried our best to provide better content with each issue, Every new initiative starts with some up and downs and a lot of errors, but as a part of the industry, We expect our readers to point out our mistakes and let us grow and give us a chance to come up with better content in the upcoming issues.
Thank you for stopping by. If you want to contribute to the magazine or suggest something, feel free to contact us at our email.View Magazine »
We have designed this section specially for the techies interested in learning algorithms. Algorithms are interesting. Visit this section to get some awesome resources on algorithms.
Explore a lot of free and premium content with our android application to enhance your existing knowledge in computer science engineering & the software industry. Knowledge is power.
Open source licensing encourages innovation through collaboration. We are having a few open-sourced projects on github related to Data structures and Algorithms in Python, Flutter Development, Django & Machine Learning. We have been a part of 10+ national and international opensource programs and mentored more than 200 participants.
We are promoting short, cheaper & meaningful courses, that let the student developer learn and master a particular skill. We never support long term highly overpriced courses that promises a lot of random things (like direct placements), rather we want our developers to be creative and innovative, so that they can build their own product. Most of our courses are on "Udemy" platform.
There has been a lack of technical magazines/periodicals in the software industry that can be able to connect the beginners to the experts. We at eduAlgo has come up with our new magazine to promote learning as well as make beginners practise software development, one step at a time. Information is a gem of thing that can make you a better problem solved i.e. a better developer.
We have an active opensource community, that helps developers at our organization to connect with contributors, this community is meant for technical discussions and community learning.
We are promoting the importance of data-analytics and research in any business. Feel free to drop us a mail and let's discuss about your project and let us help you get a quote from us.
As a side business we are providing freelance services on three domains mainly, Graphic Designing,industrial writing and tutoring. Feel free to get in touch and get a proper quote.
We are growing as a team and the positive reviews that we have got from our students as well as our interns are something that fuels us to take things into next level. Don't hesitate to go through our reviews section to know more about us.Check Our Reviews
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s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623487635920.39/warc/CC-MAIN-20210618073932-20210618103932-00626.warc.gz
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CC-MAIN-2021-25
| 3,718 | 13 |
https://sites.google.com/site/freeprojectseminar/project-reports/project-report-online-hotel-management-system
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Online hotel management system project report consists of design details, analysis, project requirements. List of contents in project report consists of
Introduction to project
Software and hardware requirements
data flow diagram
Hotel booking system is a software application for management purpose of different tasks that are involved in hotel management. Using this software application we can help users to book rooms through online and management can organize customers information in database. Payments are through online.
Download full project documentation and project report from below link.
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s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917122619.71/warc/CC-MAIN-20170423031202-00631-ip-10-145-167-34.ec2.internal.warc.gz
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CC-MAIN-2017-17
| 600 | 6 |
http://www.largeformatphotography.info/forum/showthread.php?21965-New-Computer-Recommendation
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I will try to avoid an impossible question, like "what camera should I buy" by being as specific as I can; I was using "search", and realized I was reading something Ted Harris wrote 3 years ago, so the choices have changed!
At PhotoPro I spoke with Ted about software for a "wet darkroom type" wanting to get into digital; since I do 99.5%B&W, and am "zone system comfortable" he recommended the Lightzone software, but I realized it won't run on my functionally obsolete PC (6-yrs old, win98, 348MB). So I figure it is time to buy a new computer, which could, if it helps, be primarily dedicated to photo work, since the old one is still fine for internet surfing and MicroSoft office programs.
My initial use will be to scan negatives (lets say 60% 4x5 LF, 40% 6x6 MF), and make the equivalents of contact sheets and work prints. (My current workflow is to contact everything, make very fast straight work prints on RC of the images that look potentially interesting, and then edit those down to the few that are worth "real" fiber based 11x14 prints. So my starting point is to "digitalize" the process up to the wet final prints.) This is a hobby/passion, but low volume.
While cost is a factor, it is not the deciding one. My experience is that it is cheaper to buy quality right off, rather than increment the way up. I don't use cheap cameras or lenses, so the same would presumably apply to computers. Also, while I think of myself as a competent traditional printer, I wouldn't rule out making digital prints too, just not initially. My leaning is towards one of the Macs. Also, to keep this narrower, lets say new computers only, not used.
Is this enough info to get a recommendation (specifics, rather than generalizations, would make it easier for me)? Thanks!
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s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917119782.43/warc/CC-MAIN-20170423031159-00103-ip-10-145-167-34.ec2.internal.warc.gz
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CC-MAIN-2017-17
| 1,773 | 5 |
https://coloringoo.com/printable-robot-pdf-coloring-sheet/
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Printable Robot Pdf Coloring Sheet
Some robots can be “taught” to do a job. For example, a person might guide an industrial robot through the movements needed to do something. Sensors on the robot send signals about the movements to the computer. The computer stores the pattern of movements. Later the computer can retrieve the pattern and tell the robot what to do.
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s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100518.73/warc/CC-MAIN-20231203225036-20231204015036-00229.warc.gz
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CC-MAIN-2023-50
| 371 | 2 |
https://support.servicenow.com/kb?id=kb_article_view&sysparm_article=KB0610355
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code
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How to display related Change Requests in the Configuration item form
There are two ways to associate related Configuration Items on a Change Request form:
Use the Configuration Item field, which will fill in the data of a specific record.
Use the Affected CIs related list, where you can add several Configuration Items. The record that was entered in the Configuration Item field will display in this related list by default.
To display the related Change Requests in the Configuration Item form, add the Affected By Task related list.
Navigate to Change > Create New and select Normal: Changes without predefined plans that require approval and CAB authorization.create a Normal Change Request.
Insert a configuration item (for example, *BOW-IBM from the demo data) in the Configuration Item field and click Submit.
Add some more Configuration Item records in the Affected CIs related list (for example, *ANNIE-IBM and *BETH-IBM).
In the Affected CIs related list, select any of the Affected CI records.
Note that there is no information about the related Change Request.
Right-click in the Configuration Item form header and choose Configure > Form Layout.
Use the slushbucket to add Affected by Task to the form and click Save.
The related Change Request is listed in the Affected by Task field.
Note – If you select Change Request->Configuration Item, the related Change Request will display only in the form of the record added in the Configuration Item field of the Change Request (in this example, *BOW-IBM). The forms of the other Affected CIs (*ANNIE-IBM and *BETH-IBM) will not display the Change Request.
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CC-MAIN-2022-05
| 1,619 | 14 |
https://workingnotworking.com/unjobboard/11478-byte-dept-senior-lead-designer
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BYTE/DEPT is looking for a Senior Lead Designer in New York, USA. Not an ordinary Senior Lead Designer but the kind of Senior Lead Designer that makes other Senior Lead Designers question their Senior Lead Designer-ness.
Designers at Byte/Dept® bring to life authentic ideas that capture the audiences’ attention. They work within many different formats and social platforms, leveraging the latest tech. They combine strategic thinking with design, illustration and motion to deliver innovative work.
Our office in New York is looking for a Senior Lead Designer to help lead, art direct and oversee our Spotify client in addition to possibly supporting a few other accounts. The design team is made up of art directors, illustrators, animators (2D + 3D), and video editors, which means each designer brings something different to every project. This role helps manage and guide the entire team alongside their Senior Lead peers.
A Senior Lead Designer represents BYTE/DEPT® New York by maintaining the highest quality of work while leading their team of creatives. They help more junior team members grow and achieve their goals by staying in touch with their ambitions and providing them with projects that are a healthy challenge. The Senior Lead Designer is a problem solver, delegator and always looking for ways to work smarter, not harder. As a team, the work you create should be thoughtful and set a high bar of excellence due to your collaborative efforts with each other.
The base compensation for this full-time position will be between $90,000 - $110,000. Salary will commensurate with the person's appropriate work experience.
Job Post Linkhttps://workingnotworking.com/unjobboard/11478-byte-dept-senior-lead-designer
2D, Adobe Illustrator, Art Direction, Content Strategy, Creative Direction, Design, Design Strategy, Motion, Project Management, Type Design
March 29, 2022
- Retirement Plan
- Generous Vacation
- Parental Leave
- Relocation Package
- Medical Benefits
- Sick Office Supplies
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s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103915196.47/warc/CC-MAIN-20220630213820-20220701003820-00362.warc.gz
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CC-MAIN-2022-27
| 2,008 | 14 |
https://deis.com/blog/page44/
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The Deis project is psyched to announce our v0.2.0 release. We've added support for DigitalOcean Cloud, improved our Installation docs, updated Chef, and fixed many issues found by the Deis community.Read More
These are exciting times in web and mobile development. Innovations in deployment automation and infrastructure orchestration are coming hard and fast with no sign of slowing. You might say there's never been a better time to be a developer.
Those of us focused on making developers’ lives easier have gravitated toward the "Platform as a Service" model. It turns out you can keep developers happy and productive by providing them an application platform (PaaS) that neatly decouples their applications from the operating system.Read More
Want to learn about Docker? Want to share what you've done with Docker? Come to the Docker Boulder Kick-off on October 30 hosted by OpDemand! We have two 20 min lightning talks scheduled, followed by pizza and beer.
Lightning Talk #1 - How Does Docker Work?
Gabriel Monroy, Docker committer and creator of the Deis project will explain how Docker works at a high level, including an intro to Containerization.
Lightning Talk #2 - Docker 101
Raul Rangel, maintainer of the Docker Registry cookbook and Software Engineer at Kapost will demo the core Docker workflow.
Pizza & Beer
Let's eat, drink and talk about containerizing all the things!
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s3://commoncrawl/crawl-data/CC-MAIN-2017-09/segments/1487501170864.16/warc/CC-MAIN-20170219104610-00388-ip-10-171-10-108.ec2.internal.warc.gz
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CC-MAIN-2017-09
| 1,391 | 10 |
https://community.canvaslms.com/t5/Canvas-Question-Forum/Why-do-I-have-old-classes-and-old-online-counselor-icons-on-my/td-p/223579
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Hello @dcady091 Welcome to the Canvas Community. Thanks for posting your question. This question will ultimately have to be answered by someone at your school such as a local Canvas administrator or someone in your school's Online Learning/eLearning department. The vast majority of people here in the Community wouldn't be able to help with this because we don't have access to your school's Canvas environment or your course(s). However, we can give some general advice. Depending on the course policies that your school has established for your Canvas environment, you may still have access to some old courses (in a "concluded" state). Folks at your school should be able to tell you how they handle enrollments of old courses and if they drop you from those courses or keep you enrolled. (One reason they may keep you enrolled is to preserve student data/activity in the course.) I briefly searched your school's website, and I found the follow page that might be of help to you...as it contains some contact information for you to use: Online Learning from MSJC | Mt. San Jacinto College.
Also, you can "favorite" courses that you would like to see on your Canvas Dashboard by placing a star next to course names on your "All Courses" screen. Check out How do I customize my Courses list as a student? for more information on this.
I hope this information will be of help to you, Delaine. Please let Community members know if you have additional questions about this...thanks!
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s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474948.91/warc/CC-MAIN-20240301030138-20240301060138-00429.warc.gz
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CC-MAIN-2024-10
| 1,482 | 3 |
https://www.freelancer.com/job-search/change-css-header/
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...please no green or black. I like the header, colors (and feel) I have used on another website I have (under developement): [url removed, login to view] The header shouldn't be mutch more than this. Similar colors and feel. But this is NOT that website. You can re-use some design-elements from it - maybe entire header! To compete, submit a drawing with
I am in need of a modification to (2) sign up forms t...with js files - I have validated PHP and my HTML files but still no mail being sent. Need js and html files looked over and corrected. Also need a simple color change in CSS for the header of the order form..."Request a Demo" in blue used in template and "TODAY!" in the orange of the template
...functionalities Better if you already have something which can be reused This will be multi-phase project Skill stack required • PHP – with framework like code ignitor • HTML5, CSS, java script • Jquery, ajax • Mysql db • Webdesign etc. Mandatory Deliverables • Design document • Code structure to be finalized • Deployment document listing...
...optimized for view on mobile and PC and not have any problems with different fonts, scaling or different font size. Page style was done with single hand written CSS file. Same CSS file is used as style for all other pages. Pages were written in HTML4-transitional. Web interface have many pages which were written in compact form without using
...around 30 sites that have only index.php. I will want the templates on them to change every day based on a cron or dunno, you are the expert. I will have the header that will be the same for all sites, so the changing random templates will be like: <style type="text/css"> ... .. </head> <body> .... </body> <html> I w...
You will have to change some details in my Woocommerce website, only the best candidate will get the website URL for confidentiality. 1- Add a product filter for t-shirts by style and size on homepage actually it doesn't work because homepage is created with visual composer. 2- Remove page name from different pages and only keep breadcrumb for
Create lines of the codes( HTML and CSS) can be injected into the header part of the website through the code injection panel on Squarespace to create a navigation bar that will appear on all pages of the site. This has to be done through the header code injection function under advanced/page settings. so we can remove the navigation bar without knowing
...fully responsive. The header and footer are already made in the template. We just want to create the "home page" content for this template. We want to create the HTML5 and CSS code for a nice looking home page content similar to -- [url removed, login to view] The coding must be 100% fully responsive and follow HTML5 and CSS best practices for responsive
...Shopify for the following points: Note: Design and Layout is finalized and uploaded. 1. Change logo, sliders images, home page images 2. Setup header and footer, contact us and pages text 3. Upload products with images and publish properly 4. Change CSS/Color/images as required Appreciate to submit your proposal if you really have experience
Freelancer Created Ionic project must be fully loaded external website/ecommerce with all CSS/JS/DOM files and everything must work fluently like on native browser - lightbox, contact forms, social icons, checkout pages. Iframe, ajax, embed or any other object tags - can’t be used as solution - website must be loaded as in native browser (inappbrowser)
...service" 8- load more option under items in category pages 9- add 10% discount on all products (can discount be applied by brands?) 10- change arabic font to "FUTURA arabic" 11- Fix css RTL issues (top header items like logo and search are not aligned correctly, product detail page not aligned correctly, the category page menu doesnt have the tree
I have an opencart site with journal 2 theme and i want to change the product images. At this time it shows 1 large image with thumbnails. I want to show 4 large images with no thumbnails. Also i need some minnor changes in header css.
1. Customized css on woocommerce pages for small screens. 2. Change hamburger menu to header 3. Add shopping cart (WooCommerce WooCart Pro) to header menu
...mobile # fields. B. Change capcha on Register/Signup page to google's modern image-based capcha. C. Add words above & below email field of the Register/Signup pg. (Text provided in screenshot & instruction file) D. edit CSS of header menu bar to match edge to edge footer. E. change image placeholder size and remove image frame for CSS edge to ed...
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s3://commoncrawl/crawl-data/CC-MAIN-2017-47/segments/1510934809392.94/warc/CC-MAIN-20171125032456-20171125052456-00128.warc.gz
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CC-MAIN-2017-47
| 4,607 | 14 |
http://www.bibik.org/2010/12/iphone-app-ui-by-jeremiah-shaw/
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The Original Layout
Tabs on the top isn’t iOS friendly.
I’ll do the layout
You can definitely keep the custom UI for the tabs, just put them on the bottom. If you want to keep the notch that connects the tab to the filter bar, the filter bar can be docked to the bottom as well.
The Now/Later Tips/Encouragement tag filters are colored differently. Based on the content in the mockup, the color has no relevance on whether the filter is active. If you are trying to differentiate the types of filters, labels would be more efficient.
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s3://commoncrawl/crawl-data/CC-MAIN-2019-35/segments/1566027317516.88/warc/CC-MAIN-20190822215308-20190823001308-00089.warc.gz
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CC-MAIN-2019-35
| 537 | 5 |
https://rojhelat.info/en/map.php?pub_id=1846&five=mBR-write-my-project-for-me
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Write my project for me
Can I Get a Professional to Write My Capstone Project?
- Do My Project for Me
- Write My Capstone Project
- Do My Project for Me Fast and Efficiently
- Write My Project for Me
- Do My Homework for Me
- Pay Me To Do Your Homework, Exams, Tests, Assignments
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| 6,253 | 26 |
https://www.nicolenulensfoundation.nl/02_Jun_2021_21222.html
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2021-4-25 · In this video, I review the RTX 3060 for mining. We cover everything about this GPU from availability, profitability, driver limitation, and how to overcome it, as well as the, overclocks in Windows. ? Try your luck on amazon for the RTX 3060 - https://geni /0Ga02. ⌚ Timestamps: 00:00 - Intro. 00:32 - GPU Overview.
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| 331 | 1 |
https://www.freelancer.ph/projects/php/integrate-dynamic-with-magento-webstore/
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code
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Integrate Dynamic AX 365 with Magento 2 webstore
18 freelancers are bidding on average $777 for this job
I am an experienced Microsoft Dynamics AX Customization Consultant. I am also Microsoft Certified Professional. Feel free to contact me for further discussion. Regards, Moeen Ahmed
Hello! I'm a Magento developer who focuses on the highest standard of Magento development using best practices. Please contact us anytime you want to discus. Kind regards, Huang.
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CC-MAIN-2019-04
| 464 | 4 |
https://discourse.ubuntu.com/t/how-to-configure-proxy/39781
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code
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Livepatch client users have the option to communicate with the Livepatch server through a proxy. Livepatch supports communicating through HTTP, HTTPS, or SOCKS5 proxies. To do so, there are a few configuration parameters that should be assigned.
To check the proxy configuration of the Livepatch client, run the following command:
$ canonical-livepatch config http-proxy: "http://proxy.example.com" https-proxy: "http://proxy.example.com" no-proxy: "" ca-certs: "" ...
Note that an empty string value (“”) means the corresponding parameter is not set and system defaults will be used.
To enable the usage of an HTTP proxy, run the following commands:
$ sudo canonical-livepatch config http-proxy=http://proxy.example.com $ sudo canonical-livepatch config https-proxy=http://proxy.example.com
Users can also configure the Livepatch client to use a SOCKS5 proxy by running these commands:
$ sudo canonical-livepatch config http-proxy=socks5://proxy.example.com:1080 $ sudo canonical-livepatch config https-proxy=socks5://proxy.example.com:1080
Although the client respects the standard Linux environment variables used for proxy setup (i.e.,
NO_PROXY), please note that for them to take effect, they should be set in the Livepatch client daemon process environment. Therefore, it is more straightforward for users to use the above configuration parameters.
When using an HTTPS proxy (not to be confused with proxying HTTPS requests), users need to make sure they are including
https:// scheme when setting the above configuration parameters:
$ sudo canonical-livepatch config http-proxy=https://proxy.example.com $ sudo canonical-livepatch config https-proxy=https://proxy.example.com
If a self-signed CA certificate is included in the HTTPS proxy’s TLS certificate chain, the user should add the CA certificate to the trusted certificates on the host machine by running the following commands (assuming
ca.crt is the CA certificate file):
$ sudo apt-get install ca-certificates $ sudo cp ca.crt /usr/share/ca-certificates $ sudo dpkg-reconfigure ca-certificates
However, if a user does not want to install a self-signed CA certificate as a system-wide trusted one, they can explicitly instruct Livepatch client to trust the CA certificate:
$ sudo canonical-livepatch config ca-certs=@stdin < ca.crt
If there is already a system-wide proxy set up (e.g., by
HTTP_PROXY environment variable), the users can escape it for communication with the Livepatch server by using the following configuration:
$ sudo canonical-livepatch config no-proxy=canonical.com
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| 2,557 | 21 |
https://www.euvic.com/it-services/enterprise-software-solutions/portals/liferay-portal-development-consulting-services/
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You can use our Liferay portal development and consulting services to build robust self-service extranet and intranet portals, knowledge-sharing workspaces, dynamic websites of all sorts and social networks. We have completed dozens of such projects based on this leading Java-based open source portal software. Our experience ranges from simple Liferay installation to the most complicated Liferay-based portal development with customized features in such areas as mobile, collaboration, workflows and more. Hire our Liferay developers for your project!
Software development based on Liferay frameworks
Our Liferay developers can add new features to your custom applications or create new apps taking advantage of a number of Liferay frameworks, such as:
UI & Frontend
WCM & Search
Supported programming languages
We can modify or create new apps based of Liferay with any programming language supported by the Java Virtual Machine, such as Java itself, Scala, jRuby, Jython, Groovy, and others.
Using the above frameworks and programming languages we can provide you with a full-cycle
Liferay-based enterprise portal development and consulting services, including:
- Custom UI/UX design.
- PSD-to-Liferay conversion.
- Liferay installation.
- Liferay customization (with portlets, layout and themes templates).
- Training of Liferay portal administration.
- Security issues handling.
- Managed services regarding the implemented solution.
- We can also use Liferay platform as a base to develop web or mobile apps with any technology of your choice.
Jarek ChomiakTechnical Team Lead Passions: cars and drums
The strength of the team is each individual member. The strength of each member is the team.
Former basketball coach, player at NBA
Talk to Jarek about Liferay
Write to Jarek
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CC-MAIN-2019-43
| 1,784 | 22 |
http://ashwith.wordpress.com/2012/04/29/bannerghatta-national-park-outing/
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Bannerghatta National Park Outing
April 29, 2012 2 Comments
Hello again everyone!
So as I said last time, back in January, my friends and I went to Bannerghatta National Park in Bangalore and spent the entire day there. The place is really cool. There is a nice zoo to check out as well as a Safari. If you’re interested, here is the map:
I obviously had a camera with me and clicked a lot of photos. I used a Canon PowerShot SX30 IS. Here are a few. Hope you like them!
Apart from that, I’ve been working on the table follower upgrade. I should hopefully be done with it next weekend. Just like the line follower, this uses a custom made PCB (made soldering a lot easier). Stay tuned for that. Thanks for reading!
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CC-MAIN-2013-20
| 718 | 6 |
https://dev.to/laojala/full-stack-open-reflections-of-the-course-pap
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Full stack open is a free online course organized by University of Helsinki and some top-notch Finnish companies. Stack is very up-to-date: single-page-app development using latest React, Redux, Node.js and MongoDB and course contains also GraphQL tutorial. I attended to the 2019's course and completed 7 ETCS credits (this corresponds to 189 hours of work - it is also very close to what I actually used!).
What I enjoyed the most in the course:
- Course was very practical - it introduced many npm packages, browser extensions and Node scripts, VSCode editor plugins and programming practices that ease the development.
- Sometimes when doing the first exercises of a topic I felt like "oh-no, this coding style hurts my soul", but then in the end, same exercises were revisited and refactored according to the current best practices. So course really promoted understanding of the stack.
- Course included lots of well curated links about the topics, so it was easy to find extra information. Students were also encouraged to make pull request to the material, if they felt that something could be included.
- Exercises covered unit testing using Jest/React Testing Library and E2E testing using Cypress. I am especially happy for the Cypress part! In addition, this is the first time when I really got a grab of a functional programming (this is definitely something that'll be needed when writing more Cypress tests).
- Discussion in the course Telegram community was supporting and friendly and course lecturer Matti Luukkainen was very active there. So if you get stuck, there is knowing, that help is available. Tone of the voice in the course material was encouraging and often hilarious (example below):
To whom I would recommended the course:
- Someone, who has gained solid programming knowledge but is stuck to tutorials and tiny projects - after this course you will know how to create full stack web applications and host those online. Problem solving skills promoted in this course make it even possible to obtain new stack (such as React Native).
I would love to hear your experiences of the Full Stack Open! Have you benefit from it professionally? Or are you planning to take it and would like to ask for something?
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CC-MAIN-2023-50
| 2,235 | 10 |
https://blog.adafruit.com/2010/10/21/hackerspaces-and-technology/
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One of the most important things about hackerspaces, and an area that differentiates it from other areas in the tech industry, is that most of the ideas and projects aren’t designed for any type of financial return. And unlike academic research labs, hackerspaces are usually very hands-on and focused on practical implementation. In Tokyo Hackerspace, we have a lot of projects or project ideas that revolve around environmental or humanitarian applications of technology as well as art. These types of projects would rarely see the light of day in corporate scenarios (without government subisidies) but are often the types of projects that, when further refined, may turn into something that is financially viable or lay the groundwork for something much bigger.
A further observation is that both hackerspaces and social networking websites have grown astronomically over the past few years, and that hackerspaces are really just a physical form of social network.
I couldn’t agree more, except to add that hackerspaces are less annoying, because nobody asks you to play Farmville.
Stop breadboarding and soldering – start making immediately! Adafruit’s Circuit Playground is jam-packed with LEDs, sensors, buttons, alligator clip pads and more. Build projects with Circuit Playground in a few minutes with the drag-and-drop MakeCode programming site, learn computer science using the CS Discoveries class on code.org, jump into CircuitPython to learn Python and hardware together, TinyGO, or even use the Arduino IDE. Circuit Playground Express is the newest and best Circuit Playground board, with support for CircuitPython, MakeCode, and Arduino. It has a powerful processor, 10 NeoPixels, mini speaker, InfraRed receive and transmit, two buttons, a switch, 14 alligator clip pads, and lots of sensors: capacitive touch, IR proximity, temperature, light, motion and sound. A whole wide world of electronics and coding is waiting for you, and it fits in the palm of your hand.
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s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764499857.57/warc/CC-MAIN-20230131091122-20230131121122-00611.warc.gz
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CC-MAIN-2023-06
| 1,990 | 4 |
https://ir.doubleverify.com/sec-filings/all-sec-filings/xbrl_doc_only/398
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code
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Goodwill and Intangible Assets
|12 Months Ended|
Dec. 31, 2021
|Goodwill and Intangible Assets|
|Goodwill and Intangible Assets||
5. Goodwill and Intangible Assets
The following is a summary of changes to the goodwill carrying value from December 31, 2020 through December 31, 2021:
There were no changes to the goodwill carrying value from December 31, 2019 through December 31, 2020.
The following table summarizes the Company’s intangible assets and related accumulated amortization:
Amortization expense related to intangible assets amounted to $18.8 million, $17.9 million, and $17.1 million for the years ended December 31, 2021, 2020 and 2019, respectively.
Estimated future expected amortization expense of intangible assets as of December 31, 2021, is as follows:
The weighted-average remaining useful life by major asset classes as of December 31, 2021 is as follows:
There were no impairments identified during the years ended December 31, 2021, 2020 and 2019.
The entire disclosure for goodwill and intangible assets.
Reference 1: http://fasb.org/us-gaap/role/ref/legacyRef
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CC-MAIN-2023-40
| 1,087 | 15 |
https://www.theinquirer.net/inquirer/news/3030002/happy-10th-birthday-github-its-been-eventful
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CODE REPOSITORY Github is celebrating its 10th birthday with a look back at some of its biggest milestones.
In an anniversary blog post, CEO Chris Wanstrath dedicates the platform's success to its users: "When we look back at the last decade, it's not any one individual piece of software that we remember, it's what people have done with it. You've shared, taught, tinkered, and built on GitHub from all around the world. At launch, we couldn't have anticipated the number of projects we've seen take shape, the one-line programs and massive frameworks.
"We also never imagined that businesses would become so deeply invested in the open source community or that so many of you would learn from each other's code."
From the first big client to move to GitHub - Ruby on Rails, through to the arrival of node.js in 2009 and Bitcoin in 2010 - the expansion of the service has been quite phenomenal.
2014 brought Docker and later in the year, Microsoft added .NET.
2015 added Unreal, with the gaming engine from Epic Games becoming open source on Github, and in 2016, Apple followed Microsoft into the open source with Swift.
2016 saw the source code of the Apollo 11 mission added for people to tinker with creating their own moon mission, albeit with obsolete code. It's worth remembering that your phone has more lines of code in it than Apollo 11.
By 2017 we saw Python move to Github and Google's AI language Tensorflow launched.
30,000 not-for-profit accounts have been created, 100 million pull requests have been merged and in 2017 alone, 2.9 trillion lines of code were committed.
Last year Github found that poor documentation and rudeness were the main issues amongst users.
Just last month it revealed that its security tool had fixed 50,000 bugs since launch. µ
Firm's first high-end speaker gets the thumbs up from us
Yes. Yes you can
A fantastic ultraportable that's almost devoid of innovation
Screen if you want to go faster
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s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579250593994.14/warc/CC-MAIN-20200118221909-20200119005909-00274.warc.gz
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CC-MAIN-2020-05
| 1,939 | 15 |
https://developer.blackberry.com/native/reference/core/com.qnx.doc.camera.lib_ref/topic/camera_get_postview_buffers.html
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Retrieve postview buffers from the camera.
camera_error_t camera_get_postview_buffers(camera_handle_t handle, camera_eventkey_t key, camera_buffer_t *inbuffer, camera_buffer_t *outbuffer)
The handle returned by a call to the camera_open() function.
The key value that was returned by a call to the camera_enable_postview_event() function.
A pointer to the input camera_buffer_t struct returned by the camera.
A pointer to the output camera_buffer_t struct returned by the camera.
Library:libcamapi (For the qcc command, use the -l camapi option to link against this library)
Use this function to retrieve buffers with postview data. Only call this function after receiving a postview event.
Postview events are enabled using camera_enable_postview_event(). Use the camera_return_buffer() when you are finished processing a buffer. For more information about event mode, see scope="peer">About event mode. For more information about when inbuffer and outbuffer are used, see camera_eventmode_t.
It is important that your application follows the guidelines for resource management outlined in Camera resource management. If you do not observe these guidelines, your application is at risk of crashing due to memory access errors when resource arbitration is performed by the operating system.
Last modified: 2014-09-30
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CC-MAIN-2020-50
| 1,316 | 11 |
https://johnvisiomvp.ca/2019/07/24/adding-shape-data-to-a-series-new-shapes/
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I have been playing with Visio Visualization in Power BI and the first step is to create a Visio drawing. Basically it is a bunch of shapes, but I need to add Shape Data to the new shapes, basically the key that will link the shape to the row of data in Excel. I could select each shape and then set the shape name and create the shape data, but I am lazy, so…
Again VBA was useful.
So I used the following code to go through selected shapes, change the text on the current shape to “X” so I can see which shape I am about to change. The ShowChanges line makes the change visible.
I then prompt the user for the name they want to apply to the shape and use that to set the name of the shape. I also boost the font size so that it is more visible. I then go through and delete the shapes properties if they already exist so I can start with a clean slate. I then add the Shape Data field I will use as a key to the shape. The other fields will be added as Visio makes the data connections using the key. I then set the text for the shape to be the shape’s name.
I then deselect the shapes, so a new set of shapes can be selected.
Public Sub LoadCabins()
Dim Shpname As String
Dim vsoSelect As Visio.Selection
Dim vsoShape As Visio.Shape
Set vsoSelect = Visio.ActiveWindow.Selection
If vsoSelect.Count > 0 Then
For Each vsoShape In vsoSelect
vsoShape.Text = "X"
Application.ShowChanges = True
Shpname = InputBox("Enter the cabin number", "Cruise Line")
vsoShape.Name = Shpname
vsoShape.Cells("Char.Size").Formula = "=20 pt."
If vsoShape.CellExists("Prop.Cabin", 0) Then
vsoShape.DeleteRow visSectionProp, vsoShape.CellsU("Prop.Cabin").Row
If vsoShape.CellExists("Prop.Category", 0) Then
vsoShape.DeleteRow visSectionProp, vsoShape.CellsU("Prop.Category").Row
If vsoShape.CellExists("Prop.Type", 0) Then
vsoShape.DeleteRow visSectionProp, vsoShape.CellsU("Prop.Type").Row
If vsoShape.CellExists("Prop.Amenities", 0) Then
vsoShape.DeleteRow visSectionProp, vsoShape.CellsU("Prop.Amenities").Row
If vsoShape.CellExists("Prop.Connect", 0) Then
vsoShape.DeleteRow visSectionProp, vsoShape.CellsU("Prop.Connect").Row
iPR = vsoShape.AddRow(visSectionProp, visRowLast, visTagDefault)
vsoShape.Section(visSectionProp).Row(iPR).NameU = "Cabin"
vsoShape.CellsSRC(visSectionProp, iPR, visCustPropsLabel).FormulaU = """Cabin"""
vsoShape.CellsSRC(visSectionProp, iPR, visCustPropsType).FormulaU = "0"
vsoShape.CellsSRC(visSectionProp, iPR, visCustPropsFormat).FormulaU = ""
vsoShape.CellsSRC(vi7176sSectionProp, iPR, visCustPropsLangID).FormulaU = "4105"
vsoShape.CellsSRC(visSectionProp, iPR, visCustPropsValue).FormulaU=vsoShape.Name
Set vsoCharacters = vsoShape.Characters
vsoCharacters.Begin = 0
vsoCharacters.End = 5
vsoCharacters.AddCustomFieldU "Prop.Cabin", visFmtNumGenNoUnits
MsgBox "You Must Have Something Selected"
Though this code can handle all the shapes at once, it is designed to handle smaller groups at a time. You do not want to accidently change shapes you did not intend on changing. In the process of creating the shapes, I did rerun the code several times.
So, this will help me populate a Visio drawing with data that Visio can use to link to an Excel spreadsheet and load extra data. I am in the process of writing the three articles that will explain the Visio visualization in Power BI demo I am planning on building. The first will be the creation of the Visio drawing and the considerations involved, the second will be lighting up the drawing in Visio using data connectivity and the final article will be using that Visio drawing in a Power BI dashboard.
John Marshall… Visio MVP Visio.MVPs.org
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| 3,621 | 42 |
https://community.plus.net/t5/Broadband/No-internet-connection/td-p/1720518
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Hello, yesterday a engeneer installed my new plusnet hub. I have the blue light, but all my two computers and my phone are not able to connect to internet, only the plusnet homepage. They are connected but no internet access. In my home the broadband username is not mine, but generic username: [email protected]: this is the unique strange thing that I found.
Could you help me? Thanks
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| 386 | 2 |
https://vdocuments.us/visual-design-principles-practices-for-web-and-mobile-apps.html
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Visual design principles & practices for web and mobile apps
Post on 27-Jan-2015
Embed Size (px)
DESCRIPTIONThese slides are from a one-day class designed to help product teams bridge the gap between applications that look great or are highly functional. This class, given with the Boston UXPA, provides guidelines and examples about how to make visual design decisions that reinforce usability best practices and create interfaces that people value. Participants learn the characteristics of visually usable apps to know what to shoot for, and get an introduction to the visual design tools for digital apps layout, type, color, imagery, and controls and affordances and how to use them to create appealing applications people can easily understand and use.
- 1. Visual design principles & practices for web and mobile appsTania Schlatter & Deborah Levinson
2. Work intentionally blurred under NDAUX & IA Nimble PartnersUX & IA + UI & visual design 3. Schedule9-9:15 am 9:15-9:35 9:35-10:15 10:15-10:30 10:30-11:30 11:30-12:00 12:00-1:00 pm 1:00-2:10 2:10-2:50 2:50-3:00Intros Visual usability & UX. Meta-principles Exercise 1: storytelling through abstraction Break Lecture: the meta-principles Exercise 2: design personas Lunch Lecture: the visual usability tools Exercise 3: applying what youve learned Discussion & wrap up 4. Complex, functional apps, not simple apps 5. Visual is part of the experience! ...so why do some organizations treat it as a separate eort? 6. MailChimp.com @ 2009Focusing on interface as a key part of the UX makes a dierenceMint.com @ 2012 7. Does this interface inspire you to apply for a job? 8. Details matter. One of these is just right. 9. Is this for me? 10. Focusing on interface as a key part of the UX makes a dierence. It makes a dierence to people who are evaluating your app or org. It makes a dierence to people who use your app. It makes a dierence to design and development team morale. It makes a dierence to your organizations bottom line.We can do better. 11. Tog says: Error prevention Fitts' Law4 graphic design principles: Contrast, Repetition, Alignment, Proximity = CRAP Latency ReductioniOS 6 Human Interface Guidelines Principles: Recognition rather than recall Defer to content Provide clarity Aesthetic integrity ConsistencyNN/Gs reports have 2,397 usability guidelines!Usability.gov guidelinesiOS 7 Human Interface Guidelines: Let color simplify the UI Use system fonts Direct manipulation Feedback Embrace borderless buttons Use depth to communicate Metaphors User controlGestalt principles: Android Design Principles: Enchant me1 2 3 Simplify my Life Make me Amazing4 5 6Proximity Similarity Prgnanz (Figure-Ground) Symmetry "Common Fate" Closure 12. Consistency, Hierarchy & Personality 13. Consistency: establishing or adopting appropriate patternsHierarchy: calling attention to the most important thingsPersonality: choosing appropriate expressive characteristics 14. Consistency, hierarchy & personality are communicated via the tools of visual design: layout, type, color, imagery + controls & aordancesfrom Understanding Comics by Scott McCloud 15. Schedule9-9:15 am 9:15-9:35 9:35-10:15 10:15-10:30 10:30-11:30 11:30-12:00 12:00-1:00 pm 1:00-2:10 2:10-2:50 2:50-3:00Intros Visual usability & UX. Meta-principles Exercise 1: storytelling through abstraction Break Lecture: the meta-principles Exercise 2: design personas Lunch Lecture: the visual usability tools Exercise 3: applying what youve learned Discussion & wrap up 16. Telling a story with consistency, hierarchy, and personality 17. Exercise 1 Use the principles to help tell a simple story Use 4 colors of paper and 4 frames Share stories in teams Group: discuss which principles were used and how - How did you establish consistency? - How did you establish hierarchy? - How did you convey personality? 18. Schedule9-9:15 am 9:15-9:35 9:35-10:15 10:15-10:30 10:30-11:30 11:30-12:00 12:00-1:00 pm 1:00-2:10 2:10-2:50 2:50-3:00Intros Visual usability & UX. Meta-principles Exercise 1: storytelling through abstraction Break Lecture: the meta-principles Exercise 2: design personas Lunch Lecture: the visual usability tools Exercise 3: applying what youve learned Discussion & wrap up 19. Consistency: managing expectations and patterns Like spoken language, a UI must have patterns or conventions so people can understand. Goal: define a consistent framework that can flexMeta-principles: consistency 20. Internal consistency Establish patterns within your app and use them consistently to create visual language.Meta-principles: consistency 21. Indicating dierence is important to communicating eectively as well Dierences in function styleDierences in types of text fontMeta-principles: consistencyDierences in content types layout 22. External consistency Decisions about consistency are linked to overall app strategy and UX.MS WordGoogleConsistency helps ease changes through familiarity.Meta-principles: consistency 23. External consistencyMS Word750 WordsInconsistency helps dierentiate.Meta-principles: consistency 24. Some expectations can be anticipated, some cannot Userlocation c expeint erpexpe ri e n c entatioc pireens other sc other ions applicatother sc same reens applic ationbackgrou nd ge, amethod an ery dt v o eli d active screenret ati onsit u ati o nPast experiences and interpretationsp atte r n sActive experience and interpretationGoal: balance familiarity with strategic dierences.Meta-principles: consistency 25. If your users share similar characteristics and are familiar with an existing app, why not make everything consistent?Why not just copy another app? Why not just use the iOS or Android standards?Meta-principles: consistency 26. Starting with defaults Defaults are a good starting point but visual cues could help use and these apps lack distinct personalities that can help make them successful.Meta-principles: consistency 27. Hierarchy: dening meaningful dierencesConsistency is about making decisions about how and where elements appear, look and behave to take advantage of expectations.Hierarchy is about indicating dierences that help people know how the app works, whats important, and what to do.Meta-principles: hierarchy 28. Unclear hierarchyMeta-principles: hierarchy 29. Improving hierarchyMeta-principles: hierarchy 30. Gestalt principles Psychological principles outlining perception of spatial relationships Proximity implies groupingOur eye is drawn to dierencesSimilarity implies grouping Figure and ground imply space and hierarchyHelp us understand how to place things Contrast is the key ingredient http://graphicdesign.spokanefalls.edu/tutorials/process/gestaltprinciples/gestaltprinc.htmMeta-principles: hierarchy 31. Stylistic details aect visual hierarchy Color: muted vs. saturatedTreatment: plain vs. fancyMeta-principles: hierarchy 32. Complexity adds to the challenge The more elements you have, the harder it is to establish a clear hierarchy.Meta-principles: hierarchy 33. Personality: characteristics that aect interpretation[P]erceptions of interface aesthetic are closely related to apparent usability and thus increase the likelihood that aesthetics may considerably aect system acceptability. - Noam TractinskyMeta-principles: personality 34. How much appeal do we need? Goal is not novelty for noveltys sake the app equivalent of Starks Alessi gold-plated juicerhttp://www.flickr.com/photos/dickyfeng/6254476990/Meta-principles: personality 35. Functionality vs. appealMeta-principles: personality 36. Terms to help qualify design aestheticsTerms used to gauge website appeal in 2004 paper from Noam Tractinsky and Talia Lavie Classical: organized, clean, symmetric Expressive: design harmony, color harmony, dynamic expressionMeta-principles: personality 37. Classicalhttp://www.flickr.com/photos/edwardlangley/8318320976/ 38. Expressivehttp://www.flickr.com/photos/wwarby/4790992757/ 39. Criteria for decisions about personality Thoughtful decisions about expression and dierentiation grounded in: 1. users and context brain: how people see and understand individual: age, demographics, experiences & expectations situation: device, setting, goals 2. what is being communicated by whom content: what is being represented sender: who the information & interactions are fromMeta-principles: personality 40. Selecting expressive qualities How much appeal do you need?How much expression do you need?Visual usability = useful appeal: Select type, color, and images, and present them in keeping with the content, users, and organization.Meta-principles: personality 41. Selecting expressive qualities How functional does it need to be?http://www.wired.com/entertainment/theweb/magazine/17-09/_craigslist_makeoverMeta-principles: personality 42. Selecting expressive qualities How narrow is the user base?Meta-principles: personality 43. Selecting expressive qualities Is there a lot of competition?Meta-principles: personality 44. Selecting expressive qualities Do the expressive qualities support cognitive mapping?Meta-principles: personality 45. Selecting expressive qualities Are the characteristics appropriate for the situation?VS.Meta-principles: personality 46. Selecting expressive qualities Are the characteristics appropriate for the situation?Meta-principles: personality 47. Gathering visual interface design requirements What are the business application goals? What do we know/what can we learn about the users? What are technical implications?+ What personality do we want to convey? 48. Schedule9-9:15 am 9:15-9:35 9:35-10:15 10:15-10:30 10:30-11:30 11:30-12:00 12:00-1:00 pm 1:00-2:10 2:10-2:50 2:50-3:00Intros Visual usability & UX. Meta-principles Exercise 1: storytelling through abstraction Break Lecture: the meta-principles Exercise 2: design personas Lunch Lecture: the visual usability tools Exercise 3: applying what youve learned Discussion & wrap up 49. Exercise 2 Define the personality for a weight-loss app: mobile phone version of SuperTracker for teens Goal: begin to define an appropriate personality for your app. define 5-7 traits for your app what it should be like complete a personality map Resources: MailChimp example, simple ad-hoc personas, existing app https://www.choosemyplate.gov login: uxpatutorial pw: uxp4! Need to be able to state your reasons for your decisions!http://aarronwalter.com/design-personas/ 50. Schedule9-9:15 am 9:15-9:35 9:35-10:15 10:15-10:30 10:30-11:30 11:30-12:00 12:00-1:00 pm 1:00-2:10 2:10-2:50 2:50-3:00Intros Visual usability & UX. Meta-principles Exercise 1: storytelling through abstraction Break Lecture: the meta-principles Exercise 2: design personas Lunch Lecture: the visual usability tools Exercise 3: applying what youve learned Discussion & wrap up 51. The visual usability tools Layout Type Color Imagery Controls and aordancesContrast is the key to using the tools eectively to create consistency, hierarchy, and personality.Tools: intro 52. LayoutPosition/location of elements needs to match flow tease flow out of user scenarios.Interface standards (e.g., iOS) provide familiarity, but may not match users flow.Some position conventions, like search on the web, are written in stone at this point and would need a major reason to change.Tools: layout 53. Interpreting ow with layoutTools: layout 54. Example: Epicurious iPhone app Typical scenarios:Its really hot today. What can I cook outside on the grill so I dont have to heat up my kitchen? I want to find a chicken recipe for dinner. I have zucchini, peppers, and beef. What can I make with those ingredients?Tools: layout 55. Feature implications Each scenario implies a dierent type of searchGuiding people to more detailed search options is another high prioritySeasonal/promotional searches get priority timely, demonstrate Epicurious unique valueTools: layout 56. Layout reveals hierarchy of informationTime-sensitive info comes first.Tools: layoutCommon ingredient searches come first. 57. Creating relationships: groupingTools: layout 58. Creating relationships: nestingTools: layout 59. Alignment Alignment provides organization, supports page flowAlign to fewest possible (grid) lines.Default should be flush left. Decide what needs to be treated dierently from there.Tools: layout 60. Avoid common mistakes Provide just enough information Align elements unless emphasizing dierence Group like elements Position elements to help make hierarchy clearTools: layout 61. Type For functional apps, choose type for readability Type size and weight = contrast = hierarchy and impactTools: type 62. Choosing typeMore choices than ever: Google Fonts, Typekit, embedding with @font-face ...But less is more: choose two or three weights of one typeface, or a couple weights of only two typefaces, one of which is for visual accent Expression is possible with one font!http://www.thinkingwithtype.com/contents/text/#Project:_HierarchyTools: type 63. Epicurious typographyHelvetica in roman and bold weights doing 95% of the work with two typographic accentsTools: type 64. Experiments with the accent fontCentury Gothic (original)Tools: typeHelvetica LightEurostileRockwell Light 65. Choose type personality wiselyTools: type 66. Avoid common type mistakes Default: use one clear typeface with a variety of weights Apply type styles to similar information across templatesUse type styles as the grammar of your visual language as a consistent systemTry emphasizing dierence and/or directing the eye with contrast via size and color before using an expressive fontTools: type 67. Color Draws the eye Helps establish hierarchy Makes relationships visible Adds aesthetic appeal and conveys personalityTools: color 68. Hue and saturation Hue: what we perceive as distinct colors Saturation: relative purity of color compared to gray Both factor into color contrastTrac lightTools: colorOlympics appSaturated + muted 69. Tints and shades Tools: colorTints are lighter hue variations; shades are darker ones Using tints with shades creates contrast 70. Color and contrast Color contrast is contextual it fluctuates and depends on the wholeSame color, dierent warm/cool eectTools: colorMuted color, saturation eect changes based on contextual colors 71. Tips for choosing color to create contrast Pick a lead color that will either have the job of conveying personality or will support a palette of colors used in small amountsPick an accent color to highlight small controls or important informationTools: colorType color must contrast suciently with backgroundShades and/or tints make palettes work 72. Tips for choosing color to create contrast Too much contrast visual spankingTools: colorPolite use of contrast 73. Tips for choosing color Its not the color; its the use of the color that makes it work or not.In two of these three examples, use of red is successful.Tools: color 74. Color template text colorTools: coloreven lighter tint or toneshade, tint or tonelighter tint or toneeven lighter tint or tonesupport colorshade, tint, or tone of accent colorlighter tint or tonelead coloraccent colordarker shade or toneshade, tint or tonelighter tint or toneeven lighter tint or toneadd shades, tints, and tones if neededadd colors if needed 75. Epicurious color palettetext colorlead colorsecondary accent colorTools: coloraccent lead color shades, tints and tones 76. Avoid common mistakesUse color to emphasize similarities and dierences, which support use Color has its own tone of voice shout or whisper with intent Follow accessibility guidelines for color use and contrastTools: color 77. Imagery Imagery h...
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https://cmdev.com/blog/2022-10-21-functionsontheheap/
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Resume for Steven E. Newton
Readings for Code Janitors
Steven E. Newton
Crater Moon Development
Functions on the Heap
Modelling the real world
The history of object-oriented programming started with a simple idea, very technical and low-level. Instead of having the blocks in a block-structured language having a stack frame, move the block – data and code – onto the heap. As a result, instead of the block being popped off the stack at the end of execution and discarded, the block still existed, and could be accessed again, if the program held a reference to it. In short, functions on the heap.
What does “on the heap” mean for a function? Typically blocks are lexically scoped, and considered functions when they are named and can be called from other parts of the program. Well, ordinarily, in a block-structured language, when you enter a function a stack frame is created, and the parameters are either copied to or referenced from within the frame. Variables local to the block are uninitialized, and so must be assigned a value. When the block, the function, exits, the stack frame is deleted and all the local variables become undefined once again, and the parameters revert back to the values they had before the block was entered. (By-reference parameters can appear to change if the value of the referee was changed, but we won’t complicate things further).
The next time the block is entered (the function is called) all the stack frame creation and initialization must be repeated. What Nygaard did was to move the function onto the heap, where is continues to exist after it is created and called. In the next call to the function, the local variables are still at whatever value they were when the last execution of the block finished. What results is variables retaining their values as long as the program executes, but are visible only within the lexical scope where they are defined. That ends up being powerful and useful way to structure and organize programs. Once the block is capable of existing beyond a single invocation, naming the blocks, and referring to them from multiple places, becomes useful.
In the original Design Patterns book by the “Gang of Four”, (Erich Gamma, Richard Helm, Ralph Johnson, John Vlissides), one of the principles is “encapsulate the thing that varies”. By using the technique of functions on the heap, this “thing that varies” becomes not only the “variables” within a block, but the operations which are associated with the block as well.
Perhaps the most simplifying insight gained from looking at objects this way is how it says nothing about types, certainly not in the strictly defined way seen in languages like Java. Abstract data types and hierarchies of abstractions get all the attention in some programming practices. It’s well worth the time to explore the implications of objects as long-lasting named functions on the heap.
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https://sourceforge.net/p/sweep/mailman/sweep-users/thread/[email protected]/
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There seems to be some trouble with this Mdk-10.1 environment for
Sweep: Besides of the consistent core dump/breakdown when offloading
files, this installed RPM of Sweep-0.8.3 obviously can _only_ work with
the ALSA module (snd-emu10k1), not with the OSS one (emu10k1).
Problem: the modul setup allows only for either of them, not both.
Next problem: it seems that no _recording_ gear works with the ALSA
driver (all other functions do well).
Additional problem: the recorder used (Yarec) needs the older OSS modul.
I guess this is a matter of how the precompiled setup was done
(precisely with such ALSA preferences) and then RPM-packaged.
Is there an alternative ? Or must I compile anew from sources ?
Though seen the breakdown frequency, I think I go back to 0.8.2 anyway -
at least, that one allowed controlling memory use and thus preventing
graceless exits by simply householding with loaded files.
Get latest updates about Open Source Projects, Conferences and News.
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https://inkdroid.org/page/49/
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In case you missed it, or aren’t subscribed the chicago-ruby group is getting together for a Selenium demo/sprint session on Dec 13th. I’ve seen Selenium demo’d before at a chipy meeting, and look forward to a more in depth look since several of my friends really like this testing tool. I think Jason is particularly interested in getting some Ruby driver support.
I imagine this is old hat to long time gmail users but I just noticed that my gmail is available via atom…and very easily at that with Mark Pilgrim’s Universal Feed Parser.
feed = feedparser.parse(
for entry in feed.entries:
Umm, wow! Adrian Holovaty announced the Washington Post Congressional Votes Database. This site is of important for at least two reasons:
it offers RSS feeds for tracking the voting of your house/senate representative
it is powered by Python and the Django web framework.
As far as the RSS goes I just pulled up Dick Durbin’s recent votes and there were over 20 events since 11/17/2005, whereas the comparable service from GovTrack had only one event since then.
After the election I daydreamed about somehow getting involved in the political process in a technical way…which is how I found my way to GovTrack, who are essentially doing very elaborate screen scraping of the Thomas database at the Library of Congress. One thing I really like about the GovTrack project is they are making their data available as RDF, for downstream applications. Adrian’s work seems to draw on a richer data source, as I imagine is the case at a place like the Post. All I can say is well done, and damn…you’ve only been there for a couple months right? Talk about hitting the ground running.
At the recent Snakes and Rubies Adrian indicated that there was going to be some huge Django related news. When the voting db hit my Instant Messenger, IRC client and RSS aggregator I thought that this was it. But according to Adrian there’s something bigger in the works…
I managed to attend Snakes and Rubies yesterday where Adrian Holovaty and David Heinemeier Hansson talked about their respective web frameworks: Django and Rails.
The event started at 2PM and went to 6:30PM or so, and was attended by over 100 people! I watched this little event take shape out of the mists of the local python and ruby mailing lists and was just amazed to see how vibrant the Chicago software development scene is, or has become in the 3 years I’ve lived in the area.
What’s more Adrian and David did a great job promoting both of their projects, while remaining amiable and respectful of the other camp. It’s hard to imagine a similar event between two commercial frameworks. Both were given about 45 minutes or so to talk about their software in any way they wanted. They both had extremely different yet effective presentation styles, and their projects had one important thing in common: disillusionment with PHP.
Rather than talking technical details Adrian spent most of his time focused on how Django came to be down in Kansas at lawrence.com. lawrence.com began it’s life as a PHP application which served as a community site for all sorts of goings on in Lawrence, Kansas. The site interleaved all sorts of local entertainment content: music, dining, art, movies…and it encouraged user participation. For example you can listen to mp3s from local musicians, but here’s the twist, you listen to them as they are playing in town…so if you like a song you can jump over to the venue later that week to see them live. Another example was a full on sports site for the local little leagues which posted details of games, scores, weather conditions, etc. All of this was detailed to show how deeply intertwined all the data was.
The really interesting stuff for me was when Adrian described how journalism informed his software development practices…and how Django fed into this process. In the same way that journalists work against the clock to get news stories out quickly and accurately Adrian and his team worked to get software projects done often on similar deadlines (sometimes like 4 hours). They quickly found that their PHP infrastructure wasn’t allowing them to respond quickly enough without introducing side effects, and decided that they needed new tools…which is how Django was born. In fact the little league application mentioned above was the first Django application.
Adrian has since moved on to the Washington Post, where he is their resident web technology mad scientist. Apparently they are using Django in some form at the Post, or are planning to since he mentioned Django’s caching can scale to the 9 million odd requests the Post gets in a single day.
Unfortunately my lead pencil ran out of lead just a bit of the way into David’s talk, so I don’t have as much written down from the Rails presentation. David dropped some wonderful one liners that I wish I could have written down. Much unlike Adrian, David let actual code do most of the talking for him.
Early on he had a screen with a quote from Richard Feynman on the importance of finding beautiful solutions to problems (if you remember the quote please let me know). This quote kind of guided the rest of the talk where David showed off beautiful Model, View and Controller code from RubyOnRails…and it really was beautiful stuff. David’s thesis was that beautiful things make you happy, and happiness makes you more productive…so beautiful code will make for happy, productive programmers. Much of this comes back to the essential philosophy of Ruby–to give joy to programmers. At any rate, the lights were dimmed and David gave us a tour of what RubyOnRails code looks like, while highlighting some of the strengths of the project and the Ruby language. On one of the pages there was some code to set a cookie expiration, and the date was created like so:
How cool is that! I wasn’t sure if this was part of Ruby proper until I fired up my ruby interpreter to check:
biblio:~ ed$ irb
NoMethodError: undefined method `years' for 20:Fixnum
Whereas from the Rails console it works fine:
biblio:~/Projects/cheap ed$ script/console
Loading development environment.
=> Thu Dec 04 15:38:48 CST 2025
The two presentations were followed by a few (not many) moderated questions, and some questions from the audience. The highlight for me was when Why the Lucky Stiff’s question was asked:
Looking a bit beyond web frameworks, how do you envision the world coming to an end? David responded by “scoping” the world to mean the world of software development and said that this world would come to an end if the layers of Java “sedimentation” continue to accrue. He went on to predict that we’re at a crossroads in software development, and that a paradigm shift is underway…intentionally provocative, and pretty much right on as far as web development goes if you ask me. Adrian responded “Yoko Ono”.
So, as you can tell I’m still digesting the presentations and discussion. There was so much good stuff, and I was really struck by the collegiality between the two guys: open source software development at its finest. The two main things I took away were embracing the boundaries between software development and a particular industry like Journalism, or in my case Libraries; and always trying to strive for the beautiful in software, “boiling down” a thorny problem into its most simple and elegant expression.
Some #code4lib regulars (who also help put on Access up north) have managed to get some space at the Oregon State University in February for code4lib 2006:
code4lib 2006 is a loosely structured conference for library technologists to commune, gather/create/share ideas and software, be inspired, and forge collaborations. It is also an outgrowth of the Access HackFest, wrapped into a conference-ish format. It is the event for technologists building digital libraries and digital information systems, tools, and software.
A call for proposals is out. The nice thing about this conference is that there will be different levels of involvement: from keynote speakers, to shorter presentations, to lightning talks, and with space/time to actually hack at stuff/brainstorm with colleagues.
We’re hoping to attract both library professionals who use computers, and computer professionals who have an interest in libraries. The registration is now open as well at a discounted price. If you are interested in computers and libraries please submit a proposal or register to attend!
I did end up hearing back from Matt Biddulph about the search technology that he’s using with RubyOnRails to build the BBC Programme Catalogue.
The core of the search is nothing more than mysql 4.1’s fulltext indexer. I used to think very poorly of it until I discovered how to turn off its automatic stoplist and minimum indexable word length, and started using its boolean mode. Having the database manage the indexing without having to keep a separate index in sync is very valuable, and of course it’s portable to any client language.
The nice thing with a dataset the size and quality of the BBC’s is that you’re not solely dependent on the quality of the freetext indexer. I’ve done a little statistical analysis on the data to help with scoring the results. For example, programme contributors can be ranked according to how many shows they’ve contributed to, and commonly co-occurring contributors can be easily calculated with a bit of overnight batch processing. This kind of stuff contributes to a pretty good set of search results.
Given the visibility of the BBC Catalogue and that it has nearly a million records this says good things to me about the scalability of MySQL’s fulltext search. I’ll definitely consider it along with Ferret for Rails experiments that need search functionality.
The Dalai Lama has an op-ed on science and faith in yesterdays New York Times. There are some delightful descriptions of his encounters with science as a child, which I imagine are excerpts from his recent book. I also like how he intertwingles religion and science–not making one higher up in a hierarchy.
If science proves some belief of Buddhism wrong, then Buddhism will have to change. In my view, science and Buddhism share a search for the truth and for understanding reality. By learning from science about aspects of reality where its understanding may be more advanced, I believe that Buddhism enriches its own worldview.
And the converse:
Just as the world of business has been paying renewed attention to ethics, the world of science would benefit from more deeply considering the implications of its own work. Scientists should be more than merely technically adept; they should be mindful of their own motivation and the larger goal of what they do: the betterment of humanity.
The impact of science and our way of life on our environment is something I’ve been reading about in Bruce Sterling’s Shaping Things. I haven’t finished it yet but the essential message so far is that we need to design objects in our environment so that they can reveal information about how they fit into the environment. This information amounts to links to databases that can track the history of the object, how to get customer support, history of ownership, manufacturing origins, internal components, details on customizing and interfacing, etc. Sterling calls these objects spimes and if you are interested his speech at SIGGRAPH has more details.
I’m not entirely sure why I’m mentioning both Spimes, Buddhism and Ted Nelson in the same breath. I suppose all three focus the attention on just how deeply interconnected we all are with each other and with the world around us. Sometimes these interconnections can be overwhelming. Meditating on this inter-connectedness, and building tools to manage the connections responsibly are two worthwhile things I’d like to work on.
While playing around with the Java JDOM library, I found myself resorting to jython to experiment with the API. It’s just so much easier this way for me:
I just noticed that del.icio.us now has full, fast search across all content (not just your own bookmarks). This is something that Dan’s unalog has had on delicious for a while (apart from the delightful content). Dan uses pylucene as his search engine, which still has some interesting features. It’s pretty wild being able to search across all the delicious content, given their volume.
When delicious was really ramping up I saw the occasional mason error page, so I know that they are (or were) using Perl. This makes me really curious to know what search technology they are using…but I couldn’t find any details in the announcement.
Likewise, the news about the BBC Programme Catalogue being built with RubyOnRails. I’ve really come to appreciate Lucene and PyLucene and am in search of similar search tools for Ruby. I’ve got an email out to Matt Biddulph to see if he can provide any details about the BBC effort.
Unfortunately I wasn’t able to make it to Access this year where lots of library developer types I respect and learn from were presenting and hacking. Fortunately the audio and slides are now available. Combined with the collected blogging and snippets in irc I almost feel like I was there…but I imagine the real brain storming and fun happened outside of these artifacts. Inspiring stuff, and highly recommended if you’re into writing software for libraries/archives.
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https://www.builtinchicago.org/jobs?f%5B0%5D=job-category_developer-engineer-hardware
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Galter Health Sciences Library, Northwestern University
3 weeks ago
Are you a software developer who wants to play a big part in advancing leading-edge patient care, medical research, and education? The Galter Health Sciences Library & Learning Center (Galter) at Northwestern University’s Feinberg School of Medicine in downtown Chicago is looking for a technically versatile, curious, and cooperative software developer to join our Digital Systems group. You will envision, create, and sustain infrastructure, applications, and services for our library website, catalog application, digital repositories, Raspberry Pi screens, and other information management systems. You will also have the opportunity to work on community-driven open source projects.
The way we work represents the best of both academia and startup culture. You will be part of a leading research university and medical school while working on small, nimble teams using state of the art technologies and methodologies. We support continuing education, career development, as well as quality of life and flexibility.
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| 1,089 | 4 |
http://www.dama-ps.org/
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Sign Up for Our Monthly Newsletter
February Chapter Meeting
Project Management for Information Architect - What your PM really wants from you
February 10th 2015 (Tuesday)
6:00 - 8:30 PM
Ivar's Salmon House ~ Register Here
So your project is onboard with producing a logical data model and asks that terrifying next question: When will it be done? Depending on where you are in the requirements process, you may have a good idea or no idea what the scope of data is and how complex the data you need to define will be. Here’s a chance to review a few methods of estimating conceptual and logical data modeling efforts, a refresher on how each mitigates project risk, and the practicalities of how good model estimation techniques can garner stronger business and engineering adoption.
What You Will Learn
Stacie Benton, CDMP, is currently the Enterprise Information Architect for the Bill & Melinda Gates Foundation. She spent a tour of duty in the consulting world as well as many years at Microsoft, slaying dragons, both transactional and BI, across the enterprise as well as in the Finance, Sales, Services, HR, and Marketing spaces. She spent years as a program manager in Microsoft IT and has the scars to prove it. She loves talking data and process in the same sentence as well as realizing the full potential of data through good data management.
Date: Feb 10th (Tue), 2015
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http://triot.sourceforge.net/home-content.htm
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code
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tRio is a "java-based" client replacement for the
Rio and Dell branded Digital
Audio Receiver networked audio players.
The aim is to produce a fully featured, user-friendly system
for the Rio Receiver (and possibly other devices) which is easy to maintain
Thanks to Dan Richardson for contributing the user manual for the thin front-end.
- Added a thin (pure html) web front-end designed for PDAs. See here
- Added a mute button to the applet front-end.
- Forward and backbard buttons now skip to next and previous letter of alphabet
in Queue and Play music listings (via front-panel on Receivers).
- Improved stability on unreliable networks.
- Fixed the handling of the '&' character in Artist and Album names for
The audio streaming code has been completely reworked in version
0.1.5 to make tRio usable on wireless (802.11x) networks. Please note
you may still experience drop-outs with higher bit-rate recordings (> 192kbps
under wireless only).
A new "tcp" send-method has been added as a "last
resort" if the other settings don't work in your setup. The default "multicast"
setting is still the recommended option - it uses half the band-width of "unicast"
and "tcp" during synchronised playback. If your router does support
multicast all that well then either "unicast" or "tcp" can
be tried. "broadcast" is not a good choice under wireless networks
because it forces data to be sent over the wireless link even if the wireless
players aren't interested in it.
Summary of changes:
- Wireless networks now better supported.
- A new "tcp" send-method setting has been added ("multicast"
is still the default).
- The synchronisation process is now faster (and hopefully more reliable)
at higher bit-rates. Unfortunately it can still take about 10 seconds for
low bit-rate (usually Shoutcast) streams.
- Added a "tRio Settings" tab to the web front-end which provides
"Master Off" and "Restart" buttons. You can also schedule
tRio to automatically restart itself ("never" is the default).
- Added "reconnect" logic to the web front-end to re-establish its
connection to tRio if this is restarted.
- Queue 'n Play mode now by default shows the "Select By Artist"
screen when you first enter this mode (only if the Play Queue is empty).
- Changed to use the java logging API. Logs are now written to a file (TRIO_HOME/logs)
rather than to the console window.
- Replaced the various linux scripts with Jeff Christoffersen's "trio.sh".
Install documentation updated accordingly.
- David Brower has enhanced the alpha key searching in the Queue 'n Play "Select
By" screens. Pressing "forward" and "backwards" now
changes the character position that is searched.
- Shoutcast processing changed to store the list of URLs within the
Shoutcast playlist file (instead of the URL of the playlist file).
This works around Shoutcast.com changing the .pls URLs from time to time.
- Added SSDP discovery of ARM and JReceiver music servers to simplify the
install process. Please note new entry in the Troubleshooting section if this
- Made the "tune title" in the playback screen a scrolling banner
to show long tune titles.
- Various bug fixes.
Please note that substantial changes have been made to trio.xml and must start
from scratch when upgrading from 0.1.4.
The major addition in version 0.1.4 is the applet-based web
front-end. Here's what it allows you to do:
- Switch between receivers via the navigation panel
- Reboot, delete and rename your receivers via its Status tabs
- See what's playing via the Player tabs and:
- Control playback via Stop, Play, Pause and Skip buttons.
- Adjust the volume, balance, repeat and random settings
- Select between the supported playback modes (Jukebox, Queue 'n Play,
Radio and Listen)
- Browse and position yourself in your music collection (by Artist or
Genre) when in Jukebox mode
- Add tunes by Artist, Album, Genre or Playlist to the Play Queue when
in Queue 'n Play mode
- Add, edit, delete and play stations when in Radio mode. Drag and Drop
is also supported from shoutcast.com.
- Synchronise playback with another eligible receiver when in Listen Mode
Note: The web front-end is a "heavy" implementation
and will not currently run on PDAs.
- A new "Player Settings" menu has been added which allows the Playback
Panel layout and Access settings to be changed on the fly.
- StreamSickle playback is now supported.
- tRio should now work with windows and router-based DHCP servers.
- tRio can now run without x11 support in Linux (thanks to the new version
- Various bug fixes including:
- Shoutcast retuning error
- Playlist sequencing error with JReceiver
- Ogg monographic playback fix
Note: New features in version 0.1.4 are indicated by in
the User Manual and Install Instructions. Changes are shown with .
Here's what's new and improved in verion 0.1.3:
- Introduced a new "Jukebox" mode (contributed by Chris Campbell)
- JReceiver only.
- Introduced the concept of playback modes via a "mode" entry on
player menu. This allows users to select between "Queue 'n Play",
"Jukebox", "Radio" and "Listen" modes. Playback
panel layouts adjusted accordingly.
- Added shuffle and random support to "Queue 'n Play" mode.
- Implemented playlist support for ARM users.
- Introduced "track number" ordering for ARM users.
- Changed the default tune ordering when "all tunes for artist"
is selected from "tune title" to "album, track number".
- Synchronisation enhancements:
7.1. All units listening to the same radio station are now automatically synchronised
with each other.
7.2. Added "access" setting which controls whether a unit can be
listened to and, if so, controlled by other units.
7.3. Listening units now have limited control over the unit they are listening
to (if access="public").
7.4. Added synchronisation icons to show sync status.
7.5. Improved error recovery if synchronisation fails.
- Line out volume can now be set to "fixed" or "variable"
via the settings menu.
- New "Player Settings" menu which allows the Playback Panel Layout
and and Access setting to be changed without restarting the tRio server.
- Performance enhancements which should reduce (and hopefully eliminate) skipping
in HPNA set ups.
- Various bug fixes including:
- Fixed error causing drop outs during synchronised ogg/vorbis playback.
- Improved shoutcast error handling.
- Fixed bug causing some screen artifacts.
- Fixed problem where Receiver does not respond to power key after power off
Note: New features in version 0.1.3 are indicated
by in the User Manual and Install
Instructions. Changes are shown with .
tRio supports the following in version 0.1:
- MP3, Ogg/Vorbis and FLAC playback via either the original Audio Receiver
Manager software (MP3 only) or JReceiver
- It exploits JReceiver's XML-RPC interface which provides new music selection
features. For example, it lists all Albums for a chosen Artist.
- It has the ability to synchronise playback between two or more Receivers
via the "Listen To" menu option. This allows you to go some way
towards setting up a "Whole Home" audio system using Rio Receivers!
- It has a basic SHOUTcast implementation.
- The screen layouts used by the music player are defined in the configuration
file and it shouldn't be too difficult to write your own.
- Version 0.1 has a simple Clock application which will be developed into
a Radio Alarm Clock in version 0.2.
- tRio has a "plug-in" design that makes it quite easy to develop
and add new applications to it (Mail Checker? WAP browser?) - all in Java
While the program code running on the Receivers themselves
is written in C, all the screen handling and high-level control is done by Java-code
running on your host PC. This allows the Receivers to get on with their the
real work of decoding and playing your music while your host PC takes care of
This approach makes it much easier to develop and enhance features
for the Receivers (remote C-code vs. local Java). And so it's a good choice
for all your folks out there who are itching to improve things but find the
idea of cross-compiling and remote debugging C-code a bit daunting (the author
With version 0.1.4, tRio now has a fully featured web-font
end. Here's what's in the pipe-line:
- A thin front-end that will run on wireless PDAs. This would either be pure
html-based or a PersonalJava compliant applet
- Better windows integration:
- ability to run the tRio Server as a windows service
- a system tray icon to bring up the front-end
If you're struggling with a problem while installing or running tRio then:
- First go through the Troubleshooting section at the bottom of the Install
- Then search through any existing posts in the Support
List and the Rio
Forum to see if your problem has been solved before.
- If you're still struggling, post
the details of your problem to the Support
- a brief description of your set up including your operating system,
whether you are using JReceiver or Audio Receiver Manager, brief description
of your LAN set up and details of anything unusual about your setup
- a copy of your trio.xml file
- a detailed description of what is going wrong (please give as much information
as you can).
Please post details of any bugs you uncover here.
If you like what you see and have some time and energy you are most welcome
to contribute. You don't necessarily need to be a Java developer.
Let us know what new features you'd like to see here.
Please bear in mind that not every idea will make it into the next release though.
Playback Panel Layouts
If you've written any good layouts for the Playback Panel then tell us about
them by posting a description and the xml on the Ideas List. If we like what
we see, we may even build in into the standard distribution for the next release.
If you'd like to do some coding then join up as a developer on the project
and we'll take it from there. The source is all there in CVS,
so why don't you have a look first.
tRio is built on the groundwork laid by several open source developments, in
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http://ecls.sourceforge.net/donate.html
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If you want to contribute to the ECL project you can do in a wide variety of forms.
- Contribute testing platforms. Build an test ECL regularly on your favourite platform, contributing the results automatically so that they get included in the status page.
- Contribute accounts on machines you have so that we build and run ECL regularly
- Support the project economically. This can be done via PayPal directly to the main maintainer using the button below.
Note: the reason why we accept donations via this unusual way is because some of the nominal maintainers have opted out of the donations mechanism and SourceForge only allows donations to be collected when all maintainers agree.
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| 687 | 5 |
http://askubuntu.com/questions/237413/is-it-safe-to-restart-compiz/237431
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The way I see it Compiz is just a Windows manager so doesn't interact with your running applications other than providing a graphical structure within which to run them as it is a window manager.
I know its not the most reliable source but citing Wikipedia Window Management:
A window manager is system software that controls the placement and appearance of windows within a windowing system in a graphical user interface.
And more importantly:
Elements usually associated with window managers allow the user to open, close, minimize, maximize, move, resize, and keep track of running windows, including window decorators.
This last phrase explains that the options you have with windows managers running are to close, minimize etc. The way I see it, by restarting Compiz you won't tell your current applications to do anything, you haven't given them a specific command by clicking on any of the window manager icons so the applications have no reason to act differently than if you left your PC for a few seconds. You'll just have them idle until they are put back into a window manager (Compiz in your case).
So yes it is safe to kill and restart compiz
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CC-MAIN-2016-30
| 1,156 | 7 |
https://techleer.com/articles/349-rusty-machine-machine-learning-in-rust/
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Rusty Machine- Machine Learning in Rust
Rusty-machine, an Open Source Project is a general purpose machine learning library that is Implemented entirely in Rust and is only 6 months old, with its Development sponsored by Mozilla and crate currently on version 0.5.4.
Rusty-machine provides a consistent, high-level API for users and aims to combine speed and ease of use without a huge number of any external dependencies- and this consistency is achieved through Rust’s trait system.
This project also provides a complete, easy, machine learning library for Rust. Though this library is still in a very early stage of development, there are a good number of algorithms and many other things that are missing.
Implementation and Progress:
This project is implemented using Rust and as of now, there are no other dependencies. Though, it is planned that optional BLAS/LAPACK will be introduced soon.
The machine currently uses rulinalg for its linear algebra back end and is fairly complete but there is still a lot of room for optimization.
The Machine Learning Library:
The machine learning library for Rust consists of two core components. The linear algebra module and learning module and the Specific usage of these modules are described within the modules itself.
1. Linear Algebra Module(linalg):
The linear algebra module consists of the re-exports from the rulinalg crate to provide easy access to components that are used frequently within the rusty-machine.
The techniques that are currently being supported are-
Generalized Linear Models
Gaussian Process Regression
Support Vector Machines
Gaussian Mixture Models
Naive Bayes Classifiers
All of these aim to provide the benefit of Customization.
This Learning module consists of machine learning models. The machine learning implementations are designed keeping simplicity and customization in mind. This means that you can control the optimization of algorithms but still retain the ease of using default values, an area that is being worked on actively.
Areas of Improvement:
There is definitely more room for improvement on existing algorithms both in terms of performance and introducing some more modern techniques. Provided, that there is also a need for the restructuring of the current library, separation of linear algebra into a new crate and addition of more data tools.
It's still being in its early days shows that a lot of work still needs to be done and the goal of complete flexibility is still to be achieved.
On the contemporary, Consistent data handling, visualizations and performance are all the core areas that need a lot of work. Also, validation and pipelines are something that cannot be missed.
There is also the need to introduce some foreign language libraries as It will be very difficult to match the performance and care that has gone into many scientific libraries: LAPACK, BLAS etc.
So, we can say that Even though all of this looks good, and the vision is strong, a lot of improvement still needs to take place and The Rusty-machine is probably not the best choice for any serious projects but it is expected to soon change in the coming future.
More Information: GitHub
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CC-MAIN-2023-14
| 3,167 | 26 |
https://www.fishbowlapp.com/post/marcel-is-vaporware-that-will-never-live-up-to-its-billing-publicis-does-this-with-every-aidata-solution-for-their-clients
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Bbdjdndjdjgsjdjcbbdbxndbdbcghsbxhdbdbbxbbdbdbbdbdhxhdbbdbxjdbxbhebsbxb dbdbdbd Bebe the. Dbdbdbd sehsbevshdvhdbdbdbdbdd dbhsbvdbdvdvdbvduchhcbd dbhsbvdbdvdvdbvduchhcbd and I have love you so too but I
Fhhbbbbjjnnnnnnsn dnnsndjjjd dhjhdjjdjdjdjnd dhjhdjjdjdjdjnd djjfjdjjdndndnnfnd dhjhdjjdjdjdjnd dhjhdjjdjdjdjnd djjfjdjjdndndnnfnd djjfjdjjdndndnnfnd now djjfjdjjdndndnnfnd do. D dndnnfndnnsdhjdjdjdjnd
Hhjjndjjffjjddjdh dndbbdndjjdjdndnnf dndbdhjxjdjd djdjhdjdjdjhdjndndndjdjdjdjjcncndjdjnd dhdjhdjdjdjhddhhd ghhhhhhh ghbbbbb fghhhhhhbh cvhhhhhhbhbb ghhbb. Hjnxnxndbd vsbdbddbbxbdbbd dbdhdhdjjxndnbdhdh
How does this sound?
Post to test
Sometimes I think about how much time I've wasted making decks look perfect but then there are also those times that I look back on a deck and think "Damn, that's one pretty looking deck."
Tips on healthy restaurants in Chicago (preferably near loop)? Trying to avoid the deep dish, steakhouses, and huge portions...
About to give my first interview at my old college for first rounds. Any tips, best practices? Ex: cases, or red flags to look for when talking to applicants?
When an older women beats you in the Starbucks line and then spends the next 10 minutes asking what flavor a of coffee and syrup they have... Some of us aren't retired and have to go to work!
Kpmg people: my friend got an offer as a Business Process group associate in KTech. What is that and is it good?
Which ever consulting firm was responsible for this Marriott and SPG merger clearly did not think this through...
I still find it odd when I travel to a city that has a full service gas station and someone pumps gas for my rental car... Looking at you Ewing, NJ.
that moment when your partner needs you to fly alone to client site at 7am and tells you at 7pm the night before...
Those difficult meetings where the client refuses to buy any of the BS we stay trying to sell 😰
After Delta delayed my flight I negotiated with them 15,000 miles as compensation for their mistake...
New to Fishbowl?
unlock all discussions on Fishbowl.
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| 2,052 | 17 |
http://www.identitymanaged.com/11-time-mvp-david-lundell/
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In July of 2017 David received word that for the 11th time he was receiving the Microsoft Most Valuable Professional Award. The category is Enterprise Mobility. David has received this award for his contributions the community of Microsoft Identity Management professionals.
Click here for the list of MVPs focused on Identity Management. Microsoft MVP is not a certification, it is an award for contributions to the community. I feel very honored to receive this award once again. Check out my MVP profile.
“MVPs are exceptional community leaders who actively share their high-quality, real-world deep technical expertise with the community and with Microsoft.” (http://mvp.microsoft.com/en-us/overview.aspx) “Some of the criteria … include the impact of a nominee’s contributions to online forums such as Microsoft Answers, TechNet and MSDN; wikis and online content; conferences and user groups; podcasts, Web sites and blogs; and articles and books“
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CC-MAIN-2021-10
| 965 | 3 |
https://forums.milnet.ca/forums/threads/royal-canadian-navy-coast-guard-short-hundreds-of-sailors.132005/page-2
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I'm still not clear what the specific divide is that people are talking about. I'm not trying to be argumentative ror obtuse, I'm just trying to see the perspective that apparently I'm obvious to.
I think garb hit it right on the head, and that's from experience. It was a shock when I switched over to the RCAF and seeing how people treat each other, even little things like instructors using your first name instead of 2LT so-and-so, and I really think that the "first name basis" stereotype (which is really only aircrew and select maintainers) has some merit in changing the culture.
It's not an exact analogy, but I worked with USN folks on exercise and after a while, I asked them (equivalent to Cpl) what their first names were b/c I was getting sick of calling them by their rank in what was essentially an office. They, and the USN LT I was working with, looked at me like I had three heads.
I also think it's not something that can be really "explained", but more "experienced". I think it's one of those things where you just have to go to a squadron (especially one with NCM aircrew, like an LRP, MH, SAR, or Transport squadron) for a bit to see the subtle differences from a ship.
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| 1,193 | 4 |
https://mikesdatawork.wordpress.com/2014/05/09/change-owner-for-all-jobs/
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Here’s a quick way to change all the Job owners in SQL Server Agent. Lets say you want to set all the owners to the SQL Server Agent Account called MyDomain\SQL_AGT.
You can do this across all jobs by running this simple TSQL Logic. Following the script you can find another set of logic that will check to see which Job owners were changed.
use msdb; set nocount on declare @new_job_owner varchar(50) declare @change_job_owners varchar(max) set @new_job_owner = 'TP\SQL_AGT' --sql agent service account. set @change_job_owners = '' select @change_job_owners = @change_job_owners + 'use msdb; ' + char(10) + 'exec sp_update_job @job_name = ''' + name + ''',' + char(10) + '@owner_login_name = ''' + @new_job_owner + ''';' + char(10) + char(10) from msdb..sysjobs where suser_name(owner_sid) not in ('MyDomain\SQL_AGT') -- change all owners that are not set to new job owner account. order by name asc exec (@change_job_owners) --for xml path(''), type
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CC-MAIN-2018-26
| 953 | 3 |
https://gamedev.stackexchange.com/questions/36010/how-to-get-distance-from-point-to-line-with-distinction-between-side-of-line/36012
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I'm making a 2d racing game. I'm taking the nice standard approach of having a set of points defining the center of the track and detecting whether the car is off the track by detecting its distance from the nearest point. The nicest way I've found of doing this is using the formula:
d = |Am + Bn + C| / sqrt(A^2 + B^2)
Unfortunately, to have proper collision resolution, I need to know which side of the line the car is hitting, but I can't do that with this formula because it only returns positive numbers.
So my question is: is there a formula that will give me positive or negative numbers based on which side of the line the point is on? Can I just get rid of the absolute value in the formula or do I need to do something else?
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| 735 | 4 |
https://jaredweakly.com/blog/haskell-summer-of-code
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Hey there! I’m Hazel and I’m proud to announce that I’ll be working with the Haskell Summer of Code project; specifically, on the project “Bringing Sanity to the GHC Performance Test-suite.” It was a bit of a roller-coaster getting to this point but I’m quite excited to get cracking.
For those who want the nitty-gritty details on the project and wish to read my exact proposal, I’ve put it on my GitHub and you can view it here. For those who want a less technical introduction, here’s a bit of introduction about the project itself, the languages I’ll be working in, and what I aim to do:
First off, GHC is the compiler of the programming language Haskell. It’s pretty neat and does lots of cool stuff; unfortunately, one of the things it isn’t super great at right now is running performance tests. The performance tests do two things: first, they make sure that when people change the compiler, they don’t accidentally make it slower; secondly, they make sure that when people change the compiler, they don’t accidentally make the generated code less efficient. Right now, the performance test situation requires manually generating “target numbers,” which are the same for every machine and operating system–this renders them mostly useless unless you submit your patch to the build server that has a standardized testing area.
This is a giant pain in the neck when you’re just trying to hack on the compiler yourself and get something implemented. Worse yet, because Windows, MacOS, and Linux typically all have slightly different characteristics, the performance number has to have a wide enough error tolerance to account for the operating system differences; this means that you can introduce, say, a 10% performance regression and have the tests pass because that error margin was needed to account for OS differences. Over time, those hidden regressions can pile up if they’re not diligently caught. So now, in order to really contribute meaningful code to the compiler, a contributor has to:
- Constantly push code to the build server or get an intuitive feel for how much to “mentally correct” the performance numbers when running tests on their personal computer.
- Either test constantly on all the operating systems themselves or push to the build server and suffer a massive slowdown in a feedback-loop.
- Do tons of repeat testing to figure out whether or not the performance numbers are actually improved, constant, regressed, etc., taking into account the OS differences and the very wide tolerances on numbers set in place to account for those OS differences. A pass/failure indication of a test becomes almost meaningless; only experience tells you how to proceed.
- Any new test or new feature that requires a test must be manually given performance numbers. The test must be run a ton of times to figure out how much error tolerance to give the number to make the test “accurate” on all of the operating systems GHC supports.
- And so on…
That’s an impressive amount of busy-work and nonsense that a programmer has to keep up with just to not make the compiler suck. We’re not even getting to actually improving the compiler! Clearly, this is a situation that needs to change.
The goal, at the end of this, is to have a much improved situation all around.
- Get rid of performance metric numbers entirely from the Test-suite. Instead, they’ll be added into something called a “git note” and will be able to be added/changed per operating system and over time. The goal is to always trust a passing performance test.
- Automate the entire process of adding performance numbers to tests, managing performance numbers, and provide tools to make things as painless as possible.
- Allow for on-the-fly numbers generated for any particular machine. That way, developers hacking around on their own computer have a useful set of tests to run without needing to push to a remote build. The goal is to have as fast, painless, and accurate of a feedback-loop as possible.
How are we gonna achieve all of this? I’m glad you asked! The first goal is going to be to introduce a new test modifier to the testsuite driver (a python program that runs the tests). This will dump collected measurements into a git note. At this point, I won’t be messing with any of the program’s logic itself yet except for potentially starting to refactor the performance metrics out of the test-driver. After that, a few tests will be moved over to use the new test modifier and make sure that everything’s working; things will still be manual, but when everything works, all that remains is to automate the git note population and usage–then the most basic and essential goals of the project will be done.
The plucky hero (me) and his brave companion will adventure forth to fix this and bring sanity to the GHC performance test-suite! Will they succeed? Will they fail? Find out on this blog! It’ll be covering the ups and downs of the journey towards sanity. (And as a note to the technical users: I will be committing to a git branch in the GHC repo: wip/perf-testsuite. You’ll be able to see progress there, too.)
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| 5,181 | 16 |
https://www.physicsforums.com/threads/rate-of-change-of-angular-velocity.674383/
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Let a particle of mass m be rotating in a circle, radius be r, axis of rotation through the center and perpendicular to the plane of motion. Now if the radius is made decrease somehow at some rate until it get's zero, how do I find the rate of change in angular velocity? Also, the angular momentum being conserved, dL/dt=0, ie, no torque acts on it. Yet since the angular velocity is changing, there has to be an angular acceleration. So how can there not be a torque? Is it because w*dI/dt exactly cancels I*dw/dt?
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s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267859923.59/warc/CC-MAIN-20180618012148-20180618032148-00128.warc.gz
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CC-MAIN-2018-26
| 516 | 1 |
http://forums.kerio.com/t/28073/account-assistant-on-os-x
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I would like to use the Account Assistant on OS X 10.8.5 to set up the Contacts App.
But every time I run the Installation I get first the prompt to authorize as an admin user and afterwards I get an error telling me I should use a normal user account not the root account. But I did not use the root account.
Does anybody used to have this issue an can provide any help? Or is it a bug?
EDIT: After a reboot the installer worked. So it seems like an issue with Mac OS X not with the Kerio Installer.
[Updated on: Tue, 30 September 2014 12:28]
Kerio discussion forums are intended for open communication between forum
members and may contain information and material posted by members which may
be useful in learning about Kerio products. The discussion forums are not
intended to provide technical support for any specific product. Any
information implied or expressed in the discussion forums is that of the
posting member. Kerio is in no way responsible for the information posted in
the forums, or its accuracy. Kerio employees may participate in the
discussions, but their postings do not represent an offical position of the
company on any issues raised or discussed. Kerio reserves the right to
monitor and maintain the forums to promote free and accurate exchange of
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s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886123359.11/warc/CC-MAIN-20170823190745-20170823210745-00465.warc.gz
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CC-MAIN-2017-34
| 1,274 | 15 |
http://nickpowers.info/wordpress-plugins/grank/donate/
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Donation for Google Page Rank
I’d love it if you could help support open-source software and plugins in the future. I make WordPress plugins for free and I could really use some support to cover the costs to host this site and to take time away from work for the plugins. Thank you so much in advance!
Please click the donate icon above to make a donation through PayPal.
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s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917122992.88/warc/CC-MAIN-20170423031202-00544-ip-10-145-167-34.ec2.internal.warc.gz
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CC-MAIN-2017-17
| 373 | 3 |
https://mail.python.org/pipermail/mailman-users/2014-September/077749.html
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[Mailman-Users] List suddenly stopped adding footers.
malcolm.austen at weald.org.uk
Wed Sep 3 12:13:09 CEST 2014
On Tue, 02 Sep 2014 19:31:40 +0100, Kevin T. Likes <kevin.likes at gmail.com>
> I have a user-managed list that suddenly stopped adding the footer to
> messages. It appears that after the time footers stopped being added, I
> started seeing links for scrubbed attachments to messages.
> What setting(s) could be causing this?
This may be a wild guess too far ...
Is this an announcement list with only one regular poster? If it has
numerous posters, forget this idea but if there is just one dominant
poster, maybe that poster has switched from posting plain text to posting
HTML. IIRC that will tend to hide the footers in the MIME structure and
the posted HTML could be the scrubbed attachments you are finding.
... and if that was a guess too far, apologies for clogging up the list.
Malcolm Austen <malcolm.austen at weald.org.uk>
GENUKI trustee <genuki at weald.org.uk>
Pedigree User Group <chairman at pugweb.org.uk>
Oxfordshire FHS <webmaster at ofhs.org.uk>
FFHS Communications Officer <communications at ffhs.org.uk>
More information about the Mailman-Users
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s3://commoncrawl/crawl-data/CC-MAIN-2020-16/segments/1585371611051.77/warc/CC-MAIN-20200405213008-20200406003508-00414.warc.gz
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CC-MAIN-2020-16
| 1,180 | 21 |
https://www.careersin.space/job/elecnor-deimos-spain-madrid-full-time-space-sw-engineer-trainee-mission-squad/
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DEIMOS Space is looking for enthusiastic and proactive candidates to join Ground Segment unit, in Madrid. This is a fantastic opportunity to work in a growing, innovative business in the space industry. We are looking for motivated software engineer that wants to start his/her professional career in a challenging domain such as the aerospace sector. The selected candidate will join our Mission Squad team and work in European Earth Observation projects.
The selected candidate will have the following duties:
- The design of software modules.
- Implementation of the software modules using continuous integration
- Development in Python and/or object-oriented programming languages.
- Help in the system validation.
- Report to the supervisor, using management tools (i.e. JIRA).
- Contribute to the project documentation
- A university degree in computer science or similar (studying last year)
- No professional experience is required.
The candidate shall have a background and experience covering the following areas:
- System analysis and design using UML or other modelling languages
- Java/C++/Python programming languages
- Relational databases, (e.g. MySqL, PostgreSQL, Oracle)
- Development using Linux (Bash scripts, … )
The following requirements are highly appreciated:
- Understanding of Distributed System architectures and Virtualization.
- Big data technologies such as Map Reduce, nosql database (i.e. Elastic Search)
- Knowledge in Machine Learning.
- XML related technologies (XSL, XSD, XPATH)
- Knowledge of deployment techniques using containers (Docker, kubernetes, ..)
- Work done with satellite data or Remote Sensing datasets.
- Experience using versioning control tools such as GIT.
- Fluent in English, verbal and written (B2 or higher) Fluency in Spanish will be considered as a plus, but is not required
- Excellent communication, and team working skills; Must be highly proactive, self-motivated and dynamic; Must be willing to take ownership of issues and drive them to a successful resolution;
- Must be able to work independently and deliver high quality work.
#space #spacecareers #spacejobs #careersinspace #aerospacejobs #engineeringjobs #jobsinspace
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s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103626162.35/warc/CC-MAIN-20220629084939-20220629114939-00568.warc.gz
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CC-MAIN-2022-27
| 2,191 | 27 |
https://awesomeanimelivewallpaper.pages.dev/merle-pomeranian-puppies-for-sale
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Merle Pomeranian Puppies For Sale
Beautiful pomeranian pups for sale both male and female from the litter of 4.diablo sired merle pups from dutch lines.
Merle pomeranian puppies for sale. They love taking short walks but can easily be exercised indoors with daily play sessions. When adults are shown, the classes are generally split into three colors.(divisions: After my puppies are permanently identified, i enroll them in akc reunite.
Red, orange, cream and sable, black, brown. The pomeranian comes in various colors and patterns, but most often seen in red, tan, and orange. 02/15/2021 ( 11 weeks old) sire:
This beautiful red merle pomeranian puppy is currently available for sale in the boutique! Pomarazzi pomeranian strives for perfection and catches excellence in breeding beautiful, healthy, great temperament pomeranian puppies that will bring years of joy and love to you and your family. Dad is chocolate with a tan, weighing about 4 lbs.
Pups will come microchipped, wormed and checked over before leaving and will not be kc reg as kc do not register merle dogs so please read up on the merle gene before considering purchasing. Merle is a color combination in dogs’ coats. Puppy will go with full akc registration, has been dewormed, and receive his vaccination.
The merle effect in the pomeranian is caused by a dominant gene, so one of the parents in all merle breedings must be a merle in order to have a merle puppy. Erik is 100% purebred, top quality pomeranian for sale, who will come to you with up to date vaccinations, dewormed, microchipped, and with our 10 year health and lifetime puppyness guarantee. A pomeranian paradise to see pictures of our past (sold) puppies, scroll to the bottom of our about page.
If the puppy buyer cannot keep a puppy purchased from me, i will take the puppy back under all conditions. Find blue and merle pomeranian puppiess from a breeder near you. They don’t have a lot of energy, but you won’t have to put too much into them to keep them healthy either.
- Cat Squinting Eyes Meaning
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s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446711042.33/warc/CC-MAIN-20221205164659-20221205194659-00590.warc.gz
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CC-MAIN-2022-49
| 2,557 | 28 |
http://www.boardgamesandsourcecodes.com/2017/08/28/dominion-game-engine-part-2/
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Having thought about how to implement a card structure, we can move to the next step of designing our game engine. A game engine allows the players to take actions. The engine then calculates and presents the results. Seeing the results, the player can take actions, and the cycle restarts. The cycle is this:
- Present current state
- Accept player actions
- Calculate outcomes
In our case, the engine should handle the three turn phases of the game for each player. In the Action phase, the player may play an Action card. In the Buy phase, the player may buy a card. In the Clean-up phase, the player must discard his hand and played cards and draw five cards. To start this cycle, the player starts with five drawn cards.
The Clean-up phase has no player interaction and can. Therefore, we handle it in one go in the Calculate outcomes step without the need to ask the player to make a choice:
- Move all cards from the play area onto the discard pile
- Place all remaining hand cards onto the discard pile
- Draw 5 cards from the deck.
As always, if there is no card left to draw in the deck, reshuffle the deck and replace the (empty) deck with it.
The Buy and the Action phase offer options to the player and so they are split into sub steps which get repeated over and over. The Action phase boils down to:
- Pick Action card from hand
- Resolve the card
- If the card gives back at least one action, go to 1., else the Action phase ends.
The Buy phase plays similarly but without the second resolve card step:
- Calculate coin value
- Pick a card with its cost lower or equal to the currency value in hand
- Place the bought card into the play area
- If the player has another buy and still some money left, go to 1., else the Buy phase end.
Both the Buy and the Action phase are optional. The player does not have to play or buy a card. At the end of the Buy phase, we need to check if the game is over by having depleted the Provinces stack (or the Colony stack) or three other Supply piles.
Using these general descriptions of the game flow we now define our objects and classes. As the phases should be immutable and no different for each player, we describe each stage as a Class from which we call its static methods. However, the turn-state itself is mutable. The player starts with five cards, one buy and one action which will change the current state. Action cards may allow for card draw or more actions/purchases which all modify this hand and his options. For this, we implement a turn-state class and each turn we instantiate an object which gets altered over the course of his (and possibly other players turn).
What we described here is a finite-state machine. We move from game states to game state by taking actions. Not wanting to play an action card and directly buying a card is also an action on the state machine. The modifications of the turn-state are the outputs of our finite-state machine. We can use the State design pattern to implement our game engine. Here is an example design in UML:
The players are stored as a list of turn-states. The handle method then takes the current player and applies its logic to it, depending on the sub-class. The game engine then switches to the next phase. How we shift to other states depends on the implementation of the handle method.
In the next blog post, we start coding this thing.
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s3://commoncrawl/crawl-data/CC-MAIN-2018-09/segments/1518891812871.2/warc/CC-MAIN-20180220010854-20180220030854-00451.warc.gz
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CC-MAIN-2018-09
| 3,361 | 24 |
https://www.enveil.com/ui-developer/
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What you'll get to do:
- Design and build UI products that can support a wide variety of interactions with data.
- Conduct usability research sessions to improve the user experience.
- Create and maintain digital assets, such as interface design files, wireframes, and interactive mockups.
- As the first dedicated front-end engineer at Enveil, you'll have substantial say in the strategy and implementation of our front-end products.
What you'll need to succeed:
- 2+ years’ experience as a UI/UX designer.
- Expert knowledge of modern web technologies (HTML5/CSS/JS) and web application frameworks.
- Proficiency in designing interfaces and building clickable prototypes.
- US Citizenship is required for all applicants.
Benefits of working at Enveil
- You are evaluated on the quality of your work, not on how much time you spend in the office.
- A family-friendly environment that emphasizes work-life balance:
- Flexible working hours
- Unlimited vacation time
- Monthly Wellness Days (company-wide days off)
- Generous paid parental leave policy
- Competitive compensation, including stock options.
- Top-quality medical insurance with 100% of premiums covered.
- 401(k) with matching contributions.
- Dental, vision, and FSA.
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s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882573876.92/warc/CC-MAIN-20220820012448-20220820042448-00548.warc.gz
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CC-MAIN-2022-33
| 1,234 | 21 |
https://github.com/djangofan/FluentPageObject
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Martin Fowler coined the term “Fluent Interface” to describe objects that expose an interface that flows, and is designed to be readable and concise. The cost of this fluency is additional effort required to design the interface for your object and the slight increase in complexity. These types of interfaces are often utilized to create configurations for your objects but can progress into an internal Domain Specific Language or DSL.
NOTE: This project is no longer in development. I migrated it to a new location at: https://github.com/djangofan/WebDriverTestingTemplate/blob/master/google/src/main/java/qa/webdriver/util/GoogleSearchPage.java
Selenium2 WebDriver fluent page object pattern example
Designed for Eclipse. Maven will download Selenium libraries.
Other fluent API libraries
Commons-CSV, RestAssured, XMLSlurper, JOOQ, and jRTF.
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s3://commoncrawl/crawl-data/CC-MAIN-2016-36/segments/1471982292330.57/warc/CC-MAIN-20160823195812-00164-ip-10-153-172-175.ec2.internal.warc.gz
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CC-MAIN-2016-36
| 850 | 6 |
https://www.mixr.dev/overview.html
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MIXR is an open source platform designed to support the rapid construction of virtual (human-in-the-loop) and constructive simulation applications. It has been used extensively to build DIS compliant distributed simulation systems.
Serving as a simulation design pattern it provides a structure for constructing simulation applications. The framework aids the design of robust, scalable, virtual, constructive, stand-alone, and distributed simulation applications. It leverages modern object-oriented software design principles while incorporating fundamental real-time system design techniques to meet human interaction requirements.
By providing abstract representations of system components (that the object-oriented design philosophy promotes), multiple levels of fidelity can be easily intermixed and selected for optimal runtime performance. Abstract representations of systems allow a developer to tune the application to run efficiently so that human-in-the-loop interaction latency deadlines can be met. On the flip side, constructive-only simulation applications that do not need to meet time-critical deadlines can use models with even higher levels of fidelity.
The framework embraces the Model-View-Controller (MVC) software design pattern by partitioning functional components into packages. This concept is taken a step further by providing an abstract network interface so custom protocols can be implemented without affecting system models. Examples include the Distributed Interactive Simulation (DIS) protocol interface.
The framework and its distribution are organized into a series of packages as shown above. We utilize a number of other third-party open source tools such as Qt, FLTK and Fox for cross-platform GUI applications, and JSBSim as a high-quality flight dynamics model.
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s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030335304.71/warc/CC-MAIN-20220929034214-20220929064214-00693.warc.gz
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CC-MAIN-2022-40
| 1,803 | 5 |
http://thief.wikia.com/wiki/Category:Objectives
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All objectives for Thief missions.
“All objectives for Thief missions can be found here. back to Resources index Thief Gold Thief II...Objectives
“Contents[show] Running Interference thief2\RES\interface.crf\miss1\english\GOALS.STR fiction_0...T2 resources in game objectives
“Contents[show] A Keeper's Training thiefg\interface.crf\miss1\english\GOALS.STR fiction_0...TG resources in game objectives
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s3://commoncrawl/crawl-data/CC-MAIN-2018-39/segments/1537267158045.57/warc/CC-MAIN-20180922044853-20180922065253-00027.warc.gz
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CC-MAIN-2018-39
| 406 | 4 |
https://paisdelosjuegos.pe/flashlight-demo/
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Shoot the tanks or just enjoy the view - this is a demo of some of the effect that the Flashlight plugin can help you make.
Arrow keys or WASD to move. Shoot the tanks, or just enjoy the view... This is a short demo just to show some of the effects that Flashlight can help you make. Easily.
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s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712297290384.96/warc/CC-MAIN-20240425063334-20240425093334-00226.warc.gz
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CC-MAIN-2024-18
| 291 | 2 |
https://fedingo.com/how-to-clone-array-in-javascript/
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code
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Let us say you have the following large array.
arr = [1,2,3,4...,1000]
1. Using slice
Slice() function is typically used to extract part of array or string but it can also be used to duplicate an array quickly. Here is the command to clone array arr.
arr2 = arr.slice();
In many cases, using slice(0) can be faster than using slice().
arr2 = arr.slice(0);
Please note, this will only create a shallow copy, meaning if your array consists of references to objects, then the duplicate array will contain references to the same objects. It won’t create new objects to be referenced by duplicate array.
2. Using While Loop
Although looping may seem tedious, in some browsers they are optimized and can give fast results. Here is an example to duplicate an array using while loop.
i = arr.length; while(i--) arr1[i] = arr[i];
3. Using spread operator
You can also use spread operator (…) to clone an array real quick, as shown below. In fact, it is the fastest way to clone array in most cases.
arr1 = [...arr];
Spread operator allows you to quickly copy a part or all of an existing array.
4. Using Concat
Although concat() function is typically used to concatenate strings and arrays, you can also use it to duplicate arrays. Here is the command to clone an array in JS.
var arr1 = .concat(arr);
In this article, we have learnt several simple and quick ways to clone arrays in JS. Among them, using spread operator and slice() function are the fastest ways to clone arrays. They are especially useful if you want to copy large arrays. Nevertheless, you can use any of the above methods depending on your requirement.
How to Check MySQL Storage Engine Type
How to Use LIKE Operator for Multiple Values
How to Increase Import File Size Limit in PHPMyAdmin
How to Add Column After Another Column in MySQL
How to Retrieve MySQL Username and Password
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s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474893.90/warc/CC-MAIN-20240229234355-20240301024355-00845.warc.gz
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CC-MAIN-2024-10
| 1,846 | 24 |
https://compedu.stanford.edu/codeinplace/public/projects/0890.html
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Final Project - Code In Place 2020 - Sudoku Solver
by Alana M
This is a sudoku solver. You can enter the numbers from an unresolverd sudoku and it will give you a solution. Or you can enter the matrix complete and it will give you a solution as well.
Website designed by Ali Malik. Logo by Sayaka Funata.
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s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656104683020.92/warc/CC-MAIN-20220707002618-20220707032618-00586.warc.gz
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CC-MAIN-2022-27
| 304 | 4 |
https://www.geeksforgeeks.org/adding-new-options-in-dropdown-dynamically-using-reactjs/?ref=rp
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Adding new options in Dropdown dynamically using ReactJS
Creating our own options in the dropdown means that whenever the user types any new value other than the values shown in the options, that new value should be added to the drop down menu as an option. Material UI for React has this component available for us and it is very easy to integrate.
Creating React Application And Installing Module:
Step 1: Create a React application using the following command:
npx create-react-app foldername
Step 2: After creating your project folder i.e. foldername, move to it using the following command:
Step 3: After creating the ReactJS application, Install the material-ui modules using the following command:
npm install @material-ui/core npm install @material-ui/lab
Project Structure: It will look like the following.
App.js: Now write down the following code in the App.js file. Here, App is our default component where we have written our code.
Step to Run Application: Run the application using the following command from the root directory of the project:
Output: Now open your browser and go to http://localhost:3000/, you will see the following output:
Now if we start typing any other text apart from these options, it will show the Add feature to add our user typed option as shown below:
Note: Now you can handle this new input with handleChange() function and push it to our options array as per user need.
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s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446711344.13/warc/CC-MAIN-20221208150643-20221208180643-00752.warc.gz
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CC-MAIN-2022-49
| 1,414 | 14 |
http://techiwarehouse.com/engine/fd202464/What%20REAL%20Computer%20People%20Need%20To%20Know
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code
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Top 3 Products & Services
Dated: Mar. 27, 2012
Related CategoriesA+ Certification CompTIA
Computer Training Schools
Computer Beginners Guides
A great deal of fundamental understanding about computers has been mostly lost from our world today. Computers are so complicated and work so reliably nowadays that many of the finer aspects of computing are now little more than dim memories in the minds of some older hackers, or little-read publications gathering dust in libraries somewhere. People often try to get away with knowing as little as they can, and while they might be able to get away with that, it's distressing how many people who believe themselves to be knowledgeable about computers are actually unaware of some highly fundamental concepts.
I'm not calling myself highly knowledgeable. I'm just a human, and like any other human, there's only a limited amount of information my poor tiny brain can hold. But I am someone who recognizes the value of deep learning. You've heard the saying "A little knowledge is a dangerous thing." It really can be true.
Part of the problem is the way people continue to equate a college or university degree with an "education". While formalized learning can be valuable, the reality is that an education program which is packaged into a 4-year schedule is much too short to provide a deep knowledge of all the things computer people need to know. The real way for someone to learn is to learn and do at the same time. Studying any subject in a classroom is an extremely limiting activity; studying by actually doing something remains a far more effective means of learning. The things that computer people really need to know are things which they can (and should) learn on an ongoing basis throughout their careers, instead of trying to cram them all into a formal program which purports to prepare students for the real world.
In this esssay, I'll attempt to touch on the basic things that a computer person need to know to really be knowledgeable about their field. Some people may disagree with me on some of these points, and that's fine; I don't know everything, and like anyone else, I have my own way of seeing things. As I see it, here are some of the most important things that every "computer person" needs to know before they can really claim to be wizards in their subject.
It's often surprising how many so-called computer people know almost nothing about electronics. The computer field has shifted significantly; it used to be that computer science and electrical engineering were hardly separable. Today, computer science is mostly about software, and people who major in "computer science" in college or university study subjects far removed from the physical world. While this allows you to write software, the simple fact is that all that software still runs on a physical machine. To understand how a computer really works, you can't get away from the physical. You need to know electronics to be a computer guru.
"Electronics" is, of course, a big field, and not all of it is applicable to computers, but most of it is. Obviously you need to know about semiconductor processing and manufacturing. You need to know both analog and digital electronics, since both are used in computers. You need to be able to design power supplies. You need to know about radio and wireless electronics, since wireless network connections are ubiquitous today, and even before that, packet radio systems had been used with computers for many years; you need to know about antennas and RF circuits. You need to know how display technology works, for CRT, LCD, and plasma systems, and be able to create systems using these technologies. You also need to know about designing programmable circuits in software using Verilog and VHDL, as well as how to make an FPGA from scratch; for that matter, you need to know how to make every applicable type of IC, including CPUs, memory chips, and other logic chips. You also need to know about the signal-processing field associated with electrical signals, meaning you need to know how to do Fourier and Laplace transforms. You need to be able to solder.
Carrying this notion forward, it's also helpful to have some grounding in physics. Although the field of "electrical engineering" duplicates most of the electricity and magnetism field of physics, it's often also helpful to know about more general physics concepts like heat, light, and sound. All of these topics have important applications in computers: Heat dissipation is critical in today's fast-running CPUs, and light and sound are emitted by a computer's monitor and speakers, so it's worth knowing how to work with those light and sound waves. You need to know music theory and acoustics, since music and other types of sound are used extensively with computers today.
Another important fundamental science is chemistry. Chemistry is closely related to physics, being mainly about the structure and functionality of matter at the atomic and molecular level. Indeed, when people talk about the behavior of electrons in semiconductors, it's impossible to say whether they're talking physics or chemistry; it's really both. The basics of chemistry are encompassed by the field of physics, but there are also more specialized aspects of chemistry. Many of these don't relate very much to computers, but to truly understand computers, you do need to know (for example) the chemistry associated with chemicals like phthalocyanine, which is used as a dye for CD-Rs, or the different phosphor chemicals that are used in the screens of CRT displays. You should have be familiar with these aspects of chemistry to be a computer person, but you can probably do without much of the more specialized knowledge.
The other broad field of science is biology. As of this writing, biology still has very little application in the computer field. That's changing, however, as the relatively new field of "bioinformatics" (a combination of computer science and biology) is becoming more significant. Also, if the Gibsonian vision of computer systems plugged directly into the nervous system ever becomes a widespread reality, life sciences will start to become extremely important to the computer field, especially neurology. For now, however, the computer guru can probably get by without a thorough knowledge of biology.
Besides electrical engineering, more traditional fields of engineering, especially mechanical engineering, are also helpful. Some parts of computers still use moving parts, and you need to know how to make old-fashioned machines, the kind that clank and hiss and move around. People sometimes fantasize about a virtual world in which all physical things are left behind and we exist in nothing but a reality composed of imagination, but that world ain't here yet, and until it is, we'll still need machines that move.
While on the topic of physical science and engineering, it's worth adding that you need to be able to draw. You don't have to be able to draw artistically (although it helps), but you do need to be capable of drafting. A lot of engineers shy away from drafting because it's often incredibly tedious work, but the simple fact is that engineers need to be able to draw what they create. Before something ever hits the machine shop or fabrication plant to become reality, it's visualized on a computer screen in some CAD program. You need to be able to make your creations visible in a drawing before they become real. You can pass your drafting work onto someone else (indeed, many engineers do, which is why drafting is a viable career), but if you do, you're not using a critical skill.
Speaking of drafting, you also need to know machining. The ability to create any shape of part out of plastic or metal by using a machine shop of lathes, saws, drills, and similar tools is something of a niche art, yet it's critical to many of the machines that exist in our everyday lives. If you can turn a diagram into a physical part, you've got a valuable skill that is applicable to many, many fields, including computing. There's not much silicon or coding wizardry involved in making computer cases, just good old-fashioned shop work.
All of this has focused on the physical aspects of computers. These are vital things to know because they are all necessary for the creation of computers, but once the computer itself is built, it needs software to run, and software is such an enormous beast that you could easily study it the rest of your life and still have only scratched the surface of it. This is why software is so fascinating to many people: You can lose yourself in it forever.
It goes without saying that the computer person needs to understand software. You can't know everything about it, but you should learn what you can if you intend to be knowledgeable about computers.
First of all, of course, you need to know how to program. You should be multilingual. You need to know all the major languages: C, Fortran, BASIC, Pascal, assembly language and machine language for major processor architectures, Perl, LISP, Java, and Python. And those are just the major languages.
You need to know all the major operating systems: MS-DOS, all versions of Windows, all the major flavors of *nix, OS/2, BeOS, and CP/M. That means you need to know all the commands and function calls that exist in these OSes.
You need to know databases. You need to know SQL, of course, as well as all the theory that goes into creating and maintaining a functional database.
You need to know artificial intelligence (AI). You need to know about neural networks. You need to know how to write programs that can think like people. You need to be able to write a program that can pass the Turing test. You need to know the purpose of every byte in every computer program that exists in the world.
There is (and probably always will be) some disagreement about how much math computer people should know. There are many highly skilled and proficient computer techs who can't even do basic algebra. On the other end of the scale, there are several aspects of computer science which involve math that makes calculus look like child's play. Like software, math goes on forever. Nobody can know everything about math. So much has been studied and written about it in the history of humanity that you cannot absorb it all in one lifetime. Depending on what field(s) of computers you intend to specialize in, you might not need to know that much math, though, so a decent general principle is probably to try and learn what math you can, but don't make math a huge priority. If you know arithmetic, algebra, and calculus, you've got a pretty good grounding.
And finally, bringing things back from the theoretical into the real world, you need to know how computers relate to the world. The fact is that the shape of computer hardware and software has been significantly affected by the human factors of culture, psychology, economics, politics, and law; in return, the computer has also impacted these fields. The truly computer-aware must recognize how the computer changes the world and the human existence, and what the realities of everyday life mean for the computer. You don't need to know everything about psychology or economics, but you do need to know enough to understand what they mean for the computer, and for you as a computer person.
It may sound like I'm saying you need to know everything. Well, I'm not saying you need to know everything; indeed, I must acknowledge that it's not possible for a person to know everything. What you must realize, however, is that one of the things that makes computers so fascinating, important, and ubiquitous in the world today is how many applications they have in human life. Because computers are so versatile and important, they affect (and are affected by) many, many different things. To truly understand how computers work and what they do, you need to understand those things.
You can be a pretty good computer person without knowing a lot of these things. You can be a great network administrator, for example, without knowing more than 8th grade math. But computers are mostly about information, and people who like computers are usually people who like lots of information. It behooves these people to learn a lot, because the more you know, the more you know.
Now that you've gotten free know-how on this topic, try to grow your skills even faster with online video training. Then finally, put these skills to the test and make a name for yourself by offering these skills to others by becoming a freelancer. There are literally 2000+ new projects that are posted every single freakin' day, no lie!
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s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218189802.72/warc/CC-MAIN-20170322212949-00529-ip-10-233-31-227.ec2.internal.warc.gz
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CC-MAIN-2017-13
| 12,710 | 28 |
https://nerdutella.com/q1362-iswlower-function-in-C-plus-plus
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code
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The iswlower() function is defined in the header file <cwctype.h>.
int iswlower(wchar_t rs);
wchar_t rs – Checks the given character is in lower case or not.
The function returns two values:
- Zero: if rs is non - lowercase character.
- Non Zero: if rs is lowercase character.
Use of function
The iswlower() is built- in function in C++, which is used to check the given character, rs is in lower case or not .
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s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100499.43/warc/CC-MAIN-20231203094028-20231203124028-00277.warc.gz
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CC-MAIN-2023-50
| 412 | 8 |
https://simplymaya.com/forum/showpost.php?s=2ea018a5531d7210b2d37f228234769b&p=233422&postcount=4
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code
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well first look at the extension. is it jpeg or tiff, targa
jpeg: you're fine it doesn't contain an alpha channel.
tiff or targa: to be sure check the image in photoshop or any compositing software.
sometimes the viewer in your operating system (win or mac or whatever) will show you the image cut out. other wise you will have a nice rectangular image...
maybe this could be the answer to your other question... *shrug*
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s3://commoncrawl/crawl-data/CC-MAIN-2018-17/segments/1524125948285.62/warc/CC-MAIN-20180426144615-20180426164615-00082.warc.gz
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CC-MAIN-2018-17
| 420 | 5 |
https://www.alchemy.com/alternatives/endaoment-subgraph
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code
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Factors to consider when choosing an alternative to Endaoment Subgraph
When comparing different Subgraphs similar to Endaoment Subgraph there are a few factors to evaluate including:
- Community Support
- Transaction Fees
- Trusted Team
- Data Accuracy
x Apps like Endaoment Subgraph
To discover Endaoment Subgraph competitors on different blockchains, use the following filters:
Hop Protocol Subgraph facilitates optimal querying of on-chain Hop protocol data.
Rocket Pool Subgraph indexes on-chain Rocket Pool protocol data for actionable insights.
Endaoment Subgraph uses a GraphQL API to extract on-chain insights from the Endaoment protocol.
Graph Network Subgraph indexes deployed subgraphs for faster and more efficient querying.
Lido Subgraph enables rapid indexing of on-chain Lido protocol data using the Graph Network.
Livepeer Subgraph offers a GraphQL API for accessing on-chain Livepeer protocol data.
PoolTogether Subgraph enables efficient indexing of PoolTogether smart contracts events.
Yearn-Subgraph helps you query data from Yearn smart contracts with ease.
Curve Subgraph helps you extract on-chain Curve protocol data.
Foundation Subgraph enables developers to seamlessly extract on-chain Foundation marketplace data.
Juicebox Subgraph indexes on-chain Juicebox protocol data for valuable insights.
Enzyme Subgraph enables you to query on-chain Enzyme Finance protocol data.
Loopring Subgraph provides real-time and historical insights from on-chain Loopring roll-up blocks.
UMA Subgraph provides quick indexing and querying of on-chain UMA protocol data.
SushiSwap Subgraph indexes and queries on-chain SushiSwap protocol data for efficient analysis.
AirSwap Subgraph is an indexing tool used to extract actionable insights from on-chain AirSwap data.
Synthetix Subgraph enables you to extract on-chain data from Synthetix protocol with ease.
The Snapshot Subgraph indexes on-chain governance events from the Snapshot DAO client.
Connext Subgraph enables efficient querying of on-chain Connext protocol data.
Opensea Subgraph extracts on-chain data from the Seaport marketplace using a GraphQL API.
Uniswap Subgraphs facilitate quick querying of on-chain Uniswap protocol information.
Compound Subgraph extracts Compound protocol data for efficient on-chain transaction analysis.
ENS subgraph provides an optimized and efficient way of querying Ethereum Name Service (ENS) data.
Convex Subgraph indexes and organizes on-chain insights from Convex protocol data.
Aave Subgraphs indexes Aave smart contracts, making on-chain data easily accessible for developers.
Rapidly build custom GraphQL APIs with Alchemy Subgraphs.
Get free RPC services and developer tools
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s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100146.5/warc/CC-MAIN-20231129204528-20231129234528-00139.warc.gz
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CC-MAIN-2023-50
| 2,685 | 35 |
https://forum.uipath.com/t/i-am-using-get-text-activity-to-get-text-and-write-into-excel-but-its-shows-me-error/470348
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code
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I am using get text activity to get text and write into excel but its shows me error
You can try to use Write Cell activity inside the Excel application Scope
Check out the screenshot @Kuldeep_Pandey
Yes you’re right, GetVal() will give the good data type.
But I am afraid, the Text variable has been declared as an Integer…
hey i am using for each loop to open url and get text from it but in one url the text is on 1 page and in 2 the text in on 2 page so what can i do to get text from 2 page also
1st you have to find no of page where your required data is available, then create logic to go to that page then use get text activity
This is different topic. Create a new topic for this issue.
Have the issue is resolved @Kuldeep_Pandey
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s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296946445.46/warc/CC-MAIN-20230326173112-20230326203112-00752.warc.gz
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CC-MAIN-2023-14
| 742 | 9 |
https://obfog.com/multiplayer-and-2-player-games/play-game-snakes-3d
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code
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In the Snakes 3D you control a snake. Eat a variety of foods, grow and fight against other snakes, to pick up their strength. How long can you grow your snake and survive? Enjoy and share with your friends!
Play the game in full screen online on your PC.
Did you know that the game has already been played by 53,907 people and you are now among them.
How to play
Use arrow keys to rotate your snake. Try not to crash into the rocks.
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s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474715.58/warc/CC-MAIN-20240228112121-20240228142121-00212.warc.gz
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CC-MAIN-2024-10
| 432 | 5 |
https://nicklothian.com/blog/2007/06/24/ive-already-tried-the-waving-a-dead-chicken-over-our-servers-trick/
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code
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The title of this post says it all, really. But the long story follows… (this made TheServerSide. Unfortunately I can’t login there – I think that’s our work firewall problem – so I’ll update here to give a few more details)..
So at work we use a Java based CMS. It turns out that this particular CMS does tens of database queries for every pageload. Surprisingly, this doesn’t scale well….
We’ve added our own caching layer(s) which have helped the speed some, but it’s still not reliable enough to be satisfactory.
In the past I’ve fixed a problem like this by using curl to make a static copy of the site and some mod_rewrite magic to redirect visitors. In this case that’s unlikely to work, because there is just enough dynamic content to make it more trouble that it is worth.
The obvious solution is a rewrite, but that isn’t going to happen, and I don’t want to be doing any more patching of the *&$!#@ CMS.
The only thing I can think of is to use Pound as a load balancer, with a second copy of the CMS taking over the content generation when the first one crashes and restarts. I think that will work, but it is kind of a band-aid solution and comes with a whole set of its own problems. For example, it doesn’t look like running two copies of the CMS off the same database will work, so we’ll need to replicate the database. Then we’ll need to make sure the content updates go to the correct CMS/database combination.. etc.. etc.
All in all I think we are up the proverbial creek. But if anyone has any ideas.. I’m all ears.
Update: I’m reluctant to name the CMS, but it isn’t Vignette. If have a good reason to know I’ll try to respond to emails. That database is Postgres 7.4. Load on the database isn’t a huge problem, but it looks to me that the number of round trips to build a page is (when I say “tens of queries” – it’s a lot more than 10 – more like 50).
We’ve implemented some custom caching using a EhCache filter and OSCache JSP fragment caching.
The specific problem isn’t performance – it’s stability. After a some hours running the site just stops responding. We’re currently trying to figure out the exact cause of that via stack dumps, but with hundreds of threads it is a difficult process.
A front end cache won’t work, because the CMS uses the ‘Vary’ header, which makes pages uncachable. (Actually – I’m considering writing a filter to strip out that header so I can try using Squid).
The vendor doesn’t respond to support request. Yes, we have a support contract, and yes, that is pretty bad.
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s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243988966.82/warc/CC-MAIN-20210509092814-20210509122814-00251.warc.gz
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CC-MAIN-2021-21
| 2,600 | 12 |
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