I am interested in what is hidden, what has been overlooked and is understated, everyday objects and landscapes, often "time-worn" and imbued with history and memory.
By using the paradigm of the Palimpsest as a metaphor, significant memories, histories and interpretations can be resurrected and re-evaluated. Things that are there but cannot be seen, things we seek and have to excavate as well as the things we want to see, all are made newly available. By making them available, objects, histories, memories and interpretations challenge the viewer, inviting them to seek their own meaning in the work.