index
stringlengths 16
20
| label
int64 0
1
| sentence
stringlengths 1
609
| POS
stringclasses 17
values | FGPOS
stringlengths 1
4
| w_index
int64 0
108
|
|---|---|---|---|---|---|
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
CCONJ
|
CC
| 22 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
NOUN
|
NN
| 23 |
a1h-fragment05 103
| 1 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
VERB
|
VBN
| 24 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
DET
|
DT
| 25 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
NOUN
|
NN
| 26 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
ADP
|
IN
| 27 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
VERB
|
VBG
| 28 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
DET
|
DT
| 29 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
NOUN
|
NNS
| 30 |
a1h-fragment05 103
| 1 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
NOUN
|
NN
| 31 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
ADP
|
IN
| 32 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
X
|
LS
| 33 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
PROPN
|
NNP
| 34 |
a1h-fragment05 103
| 1 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
ADP
|
IN
| 35 |
a1h-fragment05 103
| 0 |
A few years later Thomson recognised Cage as ‘ the most original composer in America , if not the world … ’ and Cage repaid the compliment by writing the works section of a monograph on Thomson .
|
PROPN
|
NNP
| 36 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
CCONJ
|
CC
| 0 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADV
|
RB
| 1 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADP
|
IN
| 3 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
NOUN
|
NN
| 4 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADP
|
IN
| 5 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
DET
|
PRP$
| 6 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADJ
|
JJ
| 7 |
a1h-fragment05 104
| 1 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
NOUN
|
NNS
| 8 |
a1h-fragment05 104
| 1 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADP
|
IN
| 9 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
PROPN
|
NNP
| 10 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
CCONJ
|
CC
| 11 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
PROPN
|
NNP
| 12 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
PROPN
|
NNP
| 14 |
a1h-fragment05 104
| 1 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
VERB
|
VBD
| 15 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
DET
|
DT
| 16 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
NOUN
|
NN
| 17 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
PART
|
POS
| 18 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADJ
|
JJ
| 19 |
a1h-fragment05 104
| 0 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
AUX
|
VBD
| 20 |
a1h-fragment05 104
| 1 |
But finally , in spite of their common roots in Satie and Stein , Thomson felt that Cage 's aesthetic was destructive .
|
ADJ
|
JJ
| 21 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
PROPN
|
NNP
| 0 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
PART
|
POS
| 1 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
NOUN
|
NNS
| 2 |
a1h-fragment05 105
| 1 |
Thomson 's songs contain some of his finest work .
|
VERB
|
VBP
| 3 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
DET
|
DT
| 4 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
ADP
|
IN
| 5 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
DET
|
PRP$
| 6 |
a1h-fragment05 105
| 1 |
Thomson 's songs contain some of his finest work .
|
ADJ
|
JJS
| 7 |
a1h-fragment05 105
| 0 |
Thomson 's songs contain some of his finest work .
|
NOUN
|
NN
| 8 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADV
|
RB
| 0 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
AUX
|
VBP
| 1 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 2 |
a1h-fragment05 106
| 1 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 3 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADJ
|
JJ
| 5 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
SCONJ
|
IN
| 6 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PUNCT
|
``
| 7 |
a1h-fragment05 106
| 1 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NN
| 8 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADP
|
IN
| 9 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 10 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PUNCT
|
''
| 11 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
CCONJ
|
CC
| 13 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADV
|
RB
| 14 |
a1h-fragment05 106
| 1 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 15 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADJ
|
JJ
| 16 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
SCONJ
|
IN
| 17 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NUM
|
CD
| 18 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 19 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADP
|
IN
| 20 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 21 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 22 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 24 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
CCONJ
|
CC
| 25 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 26 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
CCONJ
|
CC
| 27 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
X
|
LS
| 28 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 29 |
a1h-fragment05 106
| 1 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
VERB
|
VBN
| 30 |
a1h-fragment05 106
| 1 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADP
|
IN
| 31 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
NOUN
|
NNS
| 32 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
ADP
|
IN
| 33 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 34 |
a1h-fragment05 106
| 0 |
There are Stein settings , such as ‘ Portrait of FB ’ , but also cycles such as Five Songs from William Blake , Prayers and Praises and a cantata based on poems by Edward Lear .
|
PROPN
|
NNP
| 35 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
PROPN
|
NNP
| 0 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
AUX
|
VBD
| 1 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
ADV
|
RB
| 2 |
a1h-fragment05 107
| 1 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
ADJ
|
JJ
| 3 |
a1h-fragment05 107
| 1 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
ADP
|
IN
| 4 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
PROPN
|
NNP
| 5 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
NOUN
|
NN
| 6 |
a1h-fragment05 107
| 1 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
ADP
|
IN
| 7 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
DET
|
DT
| 8 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
NOUN
|
NN
| 9 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
CCONJ
|
CC
| 10 |
a1h-fragment05 107
| 0 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
NOUN
|
NN
| 11 |
a1h-fragment05 107
| 1 |
Thomson was also prolific in instrumental music on both chamber and solo scale .
|
NOUN
|
NN
| 12 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
ADP
|
IN
| 0 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
ADJ
|
JJ
| 1 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
NOUN
|
NNS
| 2 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
PROPN
|
NNP
| 3 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
VERB
|
VBD
| 4 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
ADP
|
IN
| 5 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
ADJ
|
JJ
| 6 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
PROPN
|
NNP
| 7 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
ADP
|
IN
| 8 |
a1h-fragment05 108
| 0 |
For many years Thomson lived in New York in his apartment at the Chelsea Hotel .
|
DET
|
PRP$
| 9 |
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