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Parvathi Ravi Ghantasala | Early life and background | Early life and background
Parvathi Ravi Ghantasala was born on 7 April 1961. She is the daughter-in-law of the Telugu musician and composer Ghantasala Venkateswara Rao. Her exposure to music and arts through her family background led her to pursue Bharatanatyam. She trained under gurus in Chennai, including Subramaniya Bharatyar, Thirumoolar Thirumanthiram, and Ananda Natana Prakasam. She holds a B.A. degree. |
Parvathi Ravi Ghantasala | Career | Career
Parvathi established the Kalasri School of Performing Arts in Chennai, where she teaches Bharatanatyam. She also serves as the Managing Director of Kala Pradarshini in Chennai and has choreographed dance sequences for television. She performed at venues in India and abroad, such as Mahakavi Subramaniya Bharatyar and Thyagaraja, and represented India as a Cultural Ambassador in Europe in 1998.
In 2012, she presented a dance production titled Panchali Sapatham at the Narada Gana Sabha in Chennai, which received positive reviews for its choreography.
She created the Annamayya Ballet, a dance production about the 15th-century saint-poet Annamayya, using Bharatanatyam to depict his devotional songs. The production received positive reviews for its choreography.
Another work, the Tribute to Ghantasala, honored her father-in-law Ghantasala and was performed in cities like Coimbatore. Her production Devi – The Divine Power portrayed mythological and historical female figures. She also choreographed Krishna Leela, a ballet about Lord Krishna, The Wheel Turns, which explored themes of life and spirituality, and Postcard for Each Season, which depicted seasonal changes through dance.
Parvathi has performed at festivals like the Margazhi festival in Chennai, organized by the Krishna Gana Sabha. Her work is associated with Bharathiya Vidya Bhavan in Chennai. |
Parvathi Ravi Ghantasala | Awards and recognition | Awards and recognition
Parvathi received the Natya Kala Ratna from the Krishna Gana Sabha for her excellence in classical dance, the Sangeet Natak Akademi Award for Young Artistes for her choreography, and the Kalaimamani Tamil Nadu State Award for her contributions to the arts. |
Parvathi Ravi Ghantasala | Legacy | Legacy
Through her Kalasri School of Performing Arts, Parvathi has trained many students in Bharatanatyam. Her productions focus on themes related to Ghantasala and Annamayya. |
Parvathi Ravi Ghantasala | Personal life | Personal life
Parvathi is married to the son of Ghantasala Venkateswara Rao. She resides in Chennai, where she teaches and performs. |
Parvathi Ravi Ghantasala | References | References |
Parvathi Ravi Ghantasala | External Links | External Links
Profile on Centre for Cultural Resources and Training
Category:Indian choreographers
Category:Indian dance teachers
Category:Recipients of the Kalaimamani Award
Category:1961 births
Category:Living people |
Parvathi Ravi Ghantasala | Table of Content | Short description, Early life and background, Career, Awards and recognition, Legacy, Personal life, References, External Links |
File:Henri Depireux.png | Orphaned non-free revisions | |
File:Henri Depireux.png | Summary | Summary |
File:Henri Depireux.png | Licensing | Licensing |
File:Henri Depireux.png | Table of Content | Orphaned non-free revisions, Summary, Licensing |
Draft:MyanmarPay MMQR | AFC submission |
MyanmarPay MMQR (Myanmar Quick Response), also referred to as MMQR, is a centralized QR code payment system in Myanmar. It was officially launched on 27 February 2025 and serves as a unified platform for QR-based digital payments across the country. The system was developed by PayPlus Co., Ltd., under the direction of the Central Bank of Myanmar (CBM).
MyanmarPay MMQR is intended to facilitate the transition toward a cashless economy by enabling interoperability between banks, mobile wallets, and merchants through a standardized infrastructure. |
Draft:MyanmarPay MMQR | Overview | Overview
MyanmarPay MMQR allows merchants to use a single QR code for all financial transactions, eliminating the need to display multiple codes from different providers. The system is designed to support transactions across various participating financial institutions, enabling users to make payments from any supported mobile wallet or banking application, regardless of the merchant’s financial institution.
The initiative forms part of Myanmar’s national digital payment strategy, which aims to improve financial inclusion and promote electronic transactions throughout the economy. |
Draft:MyanmarPay MMQR | Development and Launch | Development and Launch
MyanmarPay MMQR was developed by PayPlus Co., Ltd., a financial technology firm appointed by the Central Bank of Myanmar as the operator of the national digital payment switch. The system was launched following a series of pilot programs and stakeholder consultations. The nationwide implementation began with a formal launch event in Nay Pyi Taw. |
Draft:MyanmarPay MMQR | '''Features''' | Features
Centralized QR Code: A single QR code format is used across all participating financial institutions.
Interoperability: Supports transactions between different banks and mobile wallet providers.
Real-Time Processing: Transactions are processed instantly, with immediate confirmation.
Inclusive Design: The system is built to be accessible for users in both urban and rural areas, including small and medium-sized enterprises (SMEs).
Security and Efficiency: The platform includes security measures designed to reduce fraud and ensure secure transactions. |
Draft:MyanmarPay MMQR | Benefits | Benefits
For merchants, the system simplifies digital payment acceptance by reducing the need for multiple applications or account integrations. It can improve efficiency, especially for SMEs operating with limited digital infrastructure.
For consumers, MyanmarPay MMQR provides a unified and convenient payment experience. Users can complete transactions by scanning a single QR code, regardless of the financial service provider. |
Draft:MyanmarPay MMQR | '''Future Plans''' | Future Plans
The platform is expected to expand its capabilities to include additional services such as utility bill payments, tax payments, person-to-person (P2P) transfers, and government service integrations.
Plans are also underway to enable cross-border QR payments in alignment with regional initiatives under the ASEAN payment connectivity framework. This would allow real-time payments between Myanmar and neighboring countries such as Thailand, Singapore, and Indonesia. |
Draft:MyanmarPay MMQR | '''Governance and Operations''' | Governance and Operations |
Draft:MyanmarPay MMQR | Central Bank of Myanmar | Central Bank of Myanmar
The Central Bank of Myanmar serves as the primary regulator overseeing the operation of MyanmarPay MMQR. It is responsible for providing the regulatory framework and ensuring that the system aligns with national financial inclusion and modernization goals. |
Draft:MyanmarPay MMQR | '''PayPlus Co., Ltd.''' | PayPlus Co., Ltd.
PayPlus Co., Ltd. is a Myanmar-based fintech company specializing in digital payment infrastructure. The company operates MyanmarPay MMQR as the designated digital payment switch operator under the supervision of the Central Bank. |
Draft:MyanmarPay MMQR | References | References |
Draft:MyanmarPay MMQR | Table of Content | AFC submission, Overview, Development and Launch, '''Features''', Benefits, '''Future Plans''', '''Governance and Operations''', Central Bank of Myanmar, '''PayPlus Co., Ltd.''', References |
Impeachments by state governments of the United States | # | redirectImpeachment by state and territorial governments of the United States |
Impeachments by state governments of the United States | Table of Content | # |
Würth (surname) | '''Würth''' | Würth is a surname, and may refer to:
Adolf Würth (1909–1954), German businessman
Benedikt Würth (born 1968), Swiss politician
Bettina Würth (born 1961), granddaughter of Adolf Würth
Felix Würth (1923–2014), Austrian long and triple jumper
Giorgia Würth (born 1981), Italian actress, television presenter and writer
Johann Joseph Würth (1706–1767), Austrian silversmith
Reinhold Würth (born 1935), German businessman and art collector, son of Adolf Würth
Svenja Würth (born 1993), German nordic combined skier and ski jumper
Tara Würth (born 2002), Croatian tennis player |
Würth (surname) | See also | See also
Würth, wholesale enterprise
Wurth, surname |
Würth (surname) | Table of Content | '''Würth''', See also |
Impeachment by state governments of the United States | # | redirectImpeachment by state and territorial governments of the United States |
Impeachment by state governments of the United States | Table of Content | # |
Eduardo Moreira | Infobox athlete
| Eduardo Ribeiro Moreira (born 9 January 2001) is a Brazilian middle-distance runner specialising in the 800 metres. He represented his country at one outdoor and one indoor World Championships. In addition, he has won several medals at regional level. |
Eduardo Moreira | International competitions | International competitions
Representing 2018South American U18 ChampionshipsCuenca, Ecuador7th1500 m4:26.612021South American ChampionshipsGuayaquil, Ecuador6th800 m1:50.72South American U23 ChampionshipsGuayaquil, Ecuador1st800 m1:47.781st1500 m3:48.44Junior Pan American Games (U23)Cali, Colombia3rd800 m1:50.212022South American Indoor ChampionshipsCochabamba, Bolivia2nd800 m1:52.40Ibero-American ChampionshipsLa Nucia, Spain11th (h)800 m1:49.595th4 × 400 m relay3:10.12South American U23 ChampionshipsCascavel, Brazil1st800 m1:48.155th1500 m3:47.38South American GamesAsunción, Paraguay3rd800 m1:47.392023South American ChampionshipsSão Paulo, Brazil1st800 m1:47.12World ChampionshipsBudapest, Hungary37th (h)800 m1:47.75Pan American GamesSantiago, Chile8th (h)800 m1:48.372024South American Indoor ChampionshipsCochabamba, Bolivia –800 mDQWorld Indoor ChampionshipsGlasgow, United Kingdom26th (h)800 m1:49.74Ibero-American ChampionshipsCuiabá, Brazil6th800 m1:47.772025South American ChampionshipsMar del Plata, Argentina1st800 m1:50.46 |
Eduardo Moreira | Personal bests | Personal bests
Outdoor
400 metres – 47.87 (São Paulo 2023)
800 metres – 1:45.10 (Bragança Paulista 2023)
1500 metres – 3:46.03 (Rio de Janeiro 2022)Indoor'''
800 metres – 1:49.74 (Glasgow 2024)
|
Eduardo Moreira | References | References
Category:2001 births
Category:Living people
Category:Brazilian male middle-distance runners
Category:Pan American Games competitors for Brazil
Category:Competitors at the 2022 South American Games
Category:Athletes (track and field) at the 2023 Pan American Games
Category:World Athletics Championships athletes for Brazil
de:Eduardo Ribeiro (Leichtathlet) |
Eduardo Moreira | Table of Content | Infobox athlete
, International competitions, Personal bests, References |
Wikipedia:Articles for deletion/Smells Like Saturday | [[:Smells Like Saturday]] | :Smells Like Saturday
– (View AfDView log | edits since nomination)
()
A radio show that briefly ran for 1 year in Ireland 15 years ago. It has been basically unsourced since then only having primary sources from the radio station that aired the show.
As always with pages from places that speak languages I don't I will happily change my mind if presented with non-English sources. Moritoriko (talk) 06:55, 20 May 2025 (UTC)
Note: This discussion has been included in the deletion sorting lists for the following topics: Radio and Ireland. Moritoriko (talk) 06:55, 20 May 2025 (UTC)
Delete: Nothing in a general Gsearch, a .ie search for Irish websites still brings up only one brief mention from 2020. The sourcing in the article is entirely primary, so nothing we can use. Oaktree b (talk) 13:46, 20 May 2025 (UTC) |
Wikipedia:Articles for deletion/Smells Like Saturday | Table of Content | [[:Smells Like Saturday]] |
File:Occasion at the Castle 1982 poster.jpg | Orphaned non-free revisions | |
File:Occasion at the Castle 1982 poster.jpg | Summary | Summary |
File:Occasion at the Castle 1982 poster.jpg | Licensing | Licensing |
File:Occasion at the Castle 1982 poster.jpg | Table of Content | Orphaned non-free revisions, Summary, Licensing |
Category:Ambassadors of Serbia to the United Arab Emirates | Portal | United Arab Emirates
Serbia
Ambassadors |
Category:Ambassadors of Serbia to the United Arab Emirates | Table of Content | Portal |
Khuzdar (disambiguation) | '''[[Khuzdar]]''' | Khuzdar is the district capital and 3rd largest city of Balochistan, Pakistan.
Khuzdar may also refer to: |
Khuzdar (disambiguation) | Places | Places
Khuzdar Tehsil, an administrative subdivision of the district
Khuzdar District, a district in the central-eastern Balochistan that contains the city of Khuzdar
Khuzdar Division, an administrative division in Balochistan
Khuzdar Airport, an airport in Pakistan |
Khuzdar (disambiguation) | In government and politics | In government and politics
NA-256 Khuzdar, a constituency of the National Assembly of Pakistan
PB-18 Khuzdar-I, a constituency of the Provincial Assembly of Balochistan
PB-19 Khuzdar-II, a constituency of the Provincial Assembly of Balochistan
PB-20 Khuzdar-III, a constituency of the Provincial Assembly of Balochistan |
Khuzdar (disambiguation) | Other uses | Other uses
Khuzdarcroco |
Khuzdar (disambiguation) | Table of Content | '''[[Khuzdar]]''', Places, In government and politics, Other uses |
Bertya tasmanica | Short description | thumb|Subsp. tasmanica in the Tasmanian Bushland Garden
Bertya tasmanica is a species of flowering plant in the family Euphorbiaceae and is endemic to south-eastern Australia. It is a monoecious, or sometimes dioecious shrub with strap-like to linear leaves, and more or less sessile flowers borne singly in leaf axils, male flowers with 15 to 55 stamens and female flowers with hairy ovaries, the fruit a narrowly elliptic to narrowly oval capsule. |
Bertya tasmanica | Description | Description
Bertya tasmanica is a monoecious or sometimes dioecious shrub that typically grows to a height of up to with densely hairy branchlets at first, later glabrous. The leaves are strap-like to linear, long and wide on a petiole long. The upper surface of the leaves is green to greyish-green, and the lower surface white and densely covered with star-shaped hairs.
The flowers are usually arranged singly, more or less sessile, the male flowers with five yellowish, egg-shaped, elliptic or oblong sepal lobes long and wide, and 15 to 55 stamens. Female flowers have five light green, narrowly egg-shaped to narrowly triangular, light green sepal lobes with a reddish tinge, long, wide, and there are usually no petals. The ovary is elliptic, about long and wide and densely hairy, the style long usually with three spreading maroon or pale yellow limbs long, each with two to four lobes long. Flowering time depends on subspecies, and the seeds are light brown long and wide. |
Bertya tasmanica | Taxonomy | Taxonomy
This species was first formally described in 1857 by Otto Wilhelm Sonder and Ferdinand von Mueller who gave it the name Ricinocarpos tasmanicus in the journal Linnaea. In 1865, Johannes Müller Argoviensis transferred the species to Bertya as B. tasmanica in a later edition of the same journal.
The names of two subspecies of B. tasmanica are accepted by the Australian Plant Census:
Bertya tasmanica (Sond. & F.Muell.) Müll.Arg. subsp. tasmanica has leaves long, peduncles long, fruit long and flowers from September to November.
Bertya tasmanica subsp. vestita Halford & R.J.F.Hend. has leaves long, peduncles long, fruit long and flowers mostly from September to December. |
Bertya tasmanica | Distribution and habitat | Distribution and habitat
Bertya tasmanica subsp. vestita, is widespread from near Kimba in South Australia, eastwards to Swan Hill in Victoria near Coonabarabran and the Southern Tablelands of New South Wales where it mainly grows on sandplains or sand dunes in heath, shrubland, woodland or heath.
Subspecies tasmanica grows near watercourses in heath or woodland between Bicheno and Cranbrook on the east coast of Tasmania. |
Bertya tasmanica | Conservation status | Conservation status
Bertya tasmanica subsp. tasmanica is listed as "endangered" under the Australian Government Environment Protection and Biodiversity Conservation Act 1999 and the Tasmanian Government Threatened Species Protection Act 1995. |
Bertya tasmanica | References | References
tasmanica
Category:Plants described in 1857
Category:Flora of South Australia
Category:Flora of New South Wales
Category:Flora of the Australian Capital Territory
Category:Flora of Victoria (state)
Category:Flora of Tasmania
Category:Taxa named by Otto Wilhelm Sonder
Category:Taxa named by Ferdinand von Mueller
Category:Plants described in 1865 |
Bertya tasmanica | Table of Content | Short description, Description, Taxonomy, Distribution and habitat, Conservation status, References |
HNLMS D 1 (1940) | Short description | HNLMS D 1 was a Royal Netherlands Navy diving support vessel. She was constructed at the Rijkswerf Willemsoord in Den Helder and served in World War II.Mark, Chris (1997). Schepen van de Koninklijke Marine in W.O. II. Alkmaar: De Alk. ISBN 978-90-6013-522-8.Von Münching, L.L. (1978). Schepen van de Koninklijke Marine in de 2e wereldoorlog Alkmaar: De Alk. ISBN 9060139038.Helfrich, Conrad Emile Lambert (1950). Memoires van Admiraal Helfrich Amsterdam: Elsevier. D 1 was an acronym for , Dutch for Diving vessel 1. |
HNLMS D 1 (1940) | Service history | Service history
D 1 was captured by the Germans on 14 May 1940 following the invasion of the Netherlands. She was rediscovered in 1946 and returned to the Royal Netherlands Navy where she was recommissioned as HNLMS MOD 4 from 1946 to 1964 and HNLMS Argus from 1964 to 1989. In 1989 she was sold to a private buyer with the intent of using her as a yacht.Bezemer, K.W.L. (1967). Verdreven doch niet verslagen Hilversum: Uitgeversmaatschappij W. de Haan N.V. ISBN 9026920415. |
HNLMS D 1 (1940) | Citations | Citations
Category:World War II naval ships of the Netherlands
Category:1938 ships |
HNLMS D 1 (1940) | Table of Content | Short description, Service history, Citations |
SBI-553 | cs1 config | SBI-553 is an experimental drug which acts as both a β-arrestin biased positive allosteric modulator and also a Gα-biased negative allosteric modulator of the neurotensin receptor NTSR1. It has analgesic effects in animal studies, but importantly also reduces addictive behaviors produced by stimulants and mu opioid agonists in animal models, suggesting it may be useful as a novel agent for pain relief but which lacks the abuse liability of many currently used analgesic drugs, and may even reduce the potential for addiction when used alongside older analgesics.
A closely related derivative, SBI-810, has superior analgesic effects and may be more likely to be developed for clinical applications.
class=skin-invert-image|200px|thumb|left|SBI-810, CAS# 1849603-79-7 (freebase) 2772746-58-2 (hydrochloride) PubChem 118617810 |
SBI-553 | References | References
Category:Experimental drugs |
SBI-553 | Table of Content | cs1 config, References |
Institute of Contemporary China Studies | Short description | thumb|right|220px|Institute of Comtemporary China Studies
The Institute of Contemporary China Studies (), connected with the Chinese Academy of Social Sciences, is also referred to as the Institute of Contemporary Studies (). The primary responsibilities include researching, compiling, and publishing the history of the People's Republic of China, gathering and editing relevant materials; engaging in the promotion and education of the nation's history; and coordinating historical research across various regions and departments. |
Institute of Contemporary China Studies | History | History
Established on June 28, 1990, with the endorsement of the Central Committee of the Chinese Communist Party, it transitioned to an institute under the direct oversight of the Chinese Academy of Social Sciences on May 12, 2011.
Coordinates the bimonthly journal Contemporary Chinese Historical Studies, the National History Network of the People's Republic of China, and the National History Society of the People's Republic of China. It also oversees the Contemporary China Publishing House. |
Institute of Contemporary China Studies | Leadership | Leadership
Directors
Li Li'an (Spring 1993 - January 1, 2001)
Zhu Jiamu (January 2, 2001 - April 8, 2012)
Li Jie (April 9, 2012 - May 2014)
Jing Huimin (May 2014 - July 2021)
Jiang Hui (July 2021-) |
Institute of Contemporary China Studies | References | References
Category:Organizations established in 1990
Category:History organizations based in China
Category:1990 establishments in Beijing |
Institute of Contemporary China Studies | Table of Content | Short description, History, Leadership, References |
Draft:SK Rugby League | AFC submission |
SK Rugby League is a slovak is a slovak sport association to promote the rugby XIII in Slovakia
thumb |
Draft:SK Rugby League | References | References
RUGBY LEAGUE STARTS IN SLOVAKIA |
Draft:SK Rugby League | Table of Content | AFC submission, References |
File:You Are the Only One.png | Orphaned non-free revisions | |
File:You Are the Only One.png | Summary | Summary |
File:You Are the Only One.png | Licensing | Licensing |
File:You Are the Only One.png | Table of Content | Orphaned non-free revisions, Summary, Licensing |
Raghu R Nair | Short description | Commodore Raghu R. Nair is a serving senior officer of the Indian Navy. Nair led Operation Brahma, India’s aid mission after the March quake in Myanmar and Thailand. Nair joined senior officers in a 2025 press conference on Operation Sindoor, reaffirming India’s ceasefire stance and countering Pakistan’s misinformation. |
Raghu R Nair | Early life | Early life
Nair was born in Kerala. He is the maternal great-grandson of barrister G. P. Pillai, the only Malayali mentioned in Mahatma Gandhi’s autobiography and a former All India Secretary of the Indian National Congress and his paternal grandfather, C. P. Ramakrishna Pillai, was an IAS officer in Kerala.
After completing his education, Raghu R. Nair joined the Navy in 1999 following his training at the Naval Academy. |
Raghu R Nair | Naval career | Naval career
Nair is an officer in the Indian Navy. He was awarded the Nao Sena Medal (Devotion to Duty) on Republic Day 2025, highlighting his exceptional service and commitment to the nation.
Nair played a pivotal role in Operation Brahma, India's humanitarian mission launched in response to the devastating earthquake that struck Myanmar and Thailand in March 2025. As a senior officer, he was instrumental in coordinating relief efforts, demonstrating the Navy’s rapid response and logistical strength during natural disasters.
During a joint services press conference, Commodore Nair, alongside Colonel Sofia Qureshi and Wing Commander Vyomika Singh, addressed the nation regarding India's ceasefire with Pakistan. He emphasized the Indian military's readiness to defend the nation's sovereignty, stating, "The Indian Army, Navy, and Air Force remain fully operationally ready, ever vigilant, and committed to defending the sovereignty and integrity of the motherland.” |
Raghu R Nair | References | References
Category:Living people
Category:Year of birth missing (living people)
Category:Indian Navy vice admirals
Category:Chiefs of Personnel (India)
Category:Commandants of the Indian Naval Academy
Category:Recipients of the Nau Sena Medal
Category:National Defence Academy (India) alumni
Category:Defence Services Staff College alumni
Category:Naval War College alumni |
Raghu R Nair | Table of Content | Short description, Early life, Naval career, References |
Barnes, Jalpaiguri | Infobox settlement
| Barnes is a village located in Maynaguri CD block in the Jalpaiguri Sadar subdivision of the Jalpaiguri district in the state of West Bengal, India. |
Barnes, Jalpaiguri | References | References
Category:Villages in Jalpaiguri district |
Barnes, Jalpaiguri | Table of Content | Infobox settlement
, References |
Lepidobolus drapetocoleus | Short description | Lepidobolus drapetocoleus is a species of plant native to the Australian states of South Australia and Victoria. |
Lepidobolus drapetocoleus | References | References
Category:Restionaceae
Category:Flora of South Australia
Category:Flora of Victoria (state) |
Lepidobolus drapetocoleus | Table of Content | Short description, References |
Draft:Shreeman Vs Shreemati | AfC submission/draft | Shreeman Vs Shreemati (transl. Mr. Vs Mrs.) is a 2025 Indian Bengali-language Romantic Comedy directed by Pathikrrit Basu and produced by Adipta Majumder under the banner of Kahhak Studios. The film stars Mithun Chakraborty as Justice Amal Chowdhury alongside Anjan Dutt and Anjana Basu in the leading role, with an ensemble cast of Parambrata Chatterjee, Madhumita Sarcar, Biswanath Basu, Tanima Sen, Satyam Bhattacharya and Roshni Bhattacharyya. In the film, Justice Amal Chowdhury, known for never granting divorces, assigns a young couple to swap their role on the verge of separation. The couple joined forces to reunite him with his estranged wife when they came to know about his 27-year divorce battle. A heartwarming story of love, wrapped in humour and an unexpected second chance emerges.
The film was officially announced in November 2024 with its teaser poster . The Muhuraat of the film commenced on 15 August 2024, with major filming taking place in Kolkata. The soundtrack of the film is composed by Indraadip Dasgupta. The story and screenplay are covered by Aritra Banerjee with dialogue written by Arpan Gupta . The cinematography is handled by Gopi Bhagat with Sujay Dutta Ray as the editor.
The film was officially announced in November 2024 with its teaser poster []. The Muhuraat of the film commenced on 15 August 2024, with major filming taking place in Kolkata. The soundtrack of the film is composed by Indraadip Dasgupta. The story and screenplay are covered by Aritra Banerjee with dialogue written by Arpan Gupta []. The cinematography is handled by Gopi Bhagat with Sujay Dutta Ray as the editor. |
Draft:Shreeman Vs Shreemati | Plot | Plot
The film opens at a courthouse where Sourav (Parambrata Chatterjee) and Amrita (Madhumita Sarcar) is seen getting married and soon after they get approached by a divorce lawyer Sakshigopal (Biswanath Basu) offering a 25% discount for divorce cases to the newlyweds.
The scene shifts to seven months in the future where Sourav is seen looking for the same divorce lawyer Sakshigopal for his divorce and the discount he offered prior. Sourav’s conversation with his divorce lawyer, Sakshigopal about his divorce case leads to the judge who is in charge of his divorce case. His lawyer Sakshigopal warns him about Justice Amal Chowdhury (Mithun Chakraborty), a respected judge known for his firm belief in preserving marriages instead of granting divorces.
In the courtroom, Amrita and Sourav approach the justice with their divorce case. However, the justice Chowdhury assigns the modern-day warring couple an eccentric “role-reversal” challenge for six months. Amrita goes in search of work while Sourav manages household chores. Amrita and Sourav soon realise the intricacies of each other’s roles and reconcile their differences.
The couple goes to thank Justice Chowdhury at his residence for rekindling their love and relationship, however learns he has left to attend his own divorce case from his guard that’s been ongoing for 27 years. Sourav, accompanied by divorce lawyer Sakshigopal, plans to find the reason for the 27 years long divorce battle and reconcile Amal Chowdhury with his estranged wife Aparna Chowdhury (Anjana Basu).
The flashback of younger Amal (Satyam Bhattacharya) and Aparna’s (Roshni Bhattacharyya) relationship unfolds, offering a closer look into external and internal society’s influence in one's marital life. Their relationship and love crumbles under the societal expectation of having a child after marriage. However the couple fails to conceive a child due to medical reasons and the blame comes upon the female counterpart, Aparna Chowdhury. Soon superstitions and family pressure ensues resulting in the longest running divorce case of 27 years.
Amal Chowdhury finds himself in a series of reconciliation plans alongside Sourav and Sakshigopal to reconnect with his estranged wife, Aparna. However, the sudden reappearance of Aparna’s college admirer and friend Niloy Sen (Anjan Dutt) complicates their series of plans. As both men, Amal and Niloy find themselves striving to win Aparna’s affection, a series of hilarious and emotional events occurs that shows Aparna and Amal’s deep love and connection for each other.
However, Niloy ruins it all with a truth that results in the couple’s divorce. Justice Chowdhury learns about his ex-wife’s departure from the country to the USA alongside Niloy and he rushes to see her off one last time at the airport. At the airport, he comes face-to-face with Aparna and Niloy where the latter reunites the couple with another truth making them realise their deep love for each other throughout the years. The film ends on a happy note with Amal finally getting his Aparna back after 27 years of separation. |
Draft:Shreeman Vs Shreemati | Cast | Cast
Mithun Chakraborty as Justice Amal Chowdhury
Anjana Basu as Aparna Chowdhury
Anjan Dutt as Niloy Sen, Aparna’s old friend and admirer
Satyam Bhattacharya as younger Amal Chowdhury
Roshni Bhattacharyya as younger Aparna Chowdhury
Parambrata Chatterjee as Sourav
Madhumita Sarcar as Amrita
Biswanath Basu as Sakshigopal, Divorce Lawyer
Tanima Sen as Shukla, friend of Aparna Chowdhury
Raj Chakraborty as Director (Guest Appearance) |
Draft:Shreeman Vs Shreemati | Production | Production |
Draft:Shreeman Vs Shreemati | ''Development'' | Development
After the release of Dabaru (2024), Pathikrrit Basu collaborated with Kahhak Studios for his next film. It is the first project by the studio itself. In July 2024, Mithun Chakraborty signed the lead role, the second collaboration of Pathikrrit Basu and Mithun Chakraborty after Shastri (2024), with Anjan Dutt and Anjana Basu soon after. As Aritra Banerjee and Arpan Gupta were assigned in screenplay and dialogue respectively, they were commenced in the same roles in Shreeman vs Shreemati. Cinematographer Gopi Bhagat, Editor Sujay Dutta Ray and Music director Indraadip Dasgupta were announced to be part of the crew. The two actors of Mrinal Sen are seen together in Shreeman Vs Shreemati for the first time. |
Draft:Shreeman Vs Shreemati | ''Pre-production and announcement'' | Pre-production and announcement
Shreeman vs Shreemati began with the Muhurrat commenced at Kahhak Studios on 15 August 2024, and the film entered the planning phase for music composition and set design. The principal photography took place in parts of Kolkata like Eden Gardens, Shobhabazar, Prinsep Ghat and Behala being the prime locations of the film. Screen development of the film was completed in August and major castings were The major shooting was completed by October, 2024.
The first look of the film was unveiled on 18 November 2024 with the launch of the official teaser poster creating excitement for Mithun Chakraborty to a comedy role. The teaser also generated heartwarming enthusiasm amongst admirers for Anjan Dutt in a mainstream film for the first time. With the official poster released on 21 March 2025 and the trailer debuting on 19 April 2025, anticipation grew around Anjan Dutt's first foray into the action genre in his acting career. The film was released on 1 May 2025 and the special screening of the film was commenced at South City Mall and pitched as an endearing romantic comedy exploring stages of marriage and companionship intermingled with separation. |
Draft:Shreeman Vs Shreemati | ''Casting'' | Casting
Shreeman VS Shreemati is a story built around intricate relationships, hence Kahhak Studios was in search of actors who could align their acting prowess with the characters to create realistic chemistry onscreen.
In July 2024, the production team went in search of their hero and Dadasaheb Phalke Award winner Mithun Chakraborty was the first choice for the role of Justice Amal Chowdhury. Mithun Chakraborty was approached for the role while he was filming Surinder film’s ‘Shastri’ with Pathikrrit Basu. On 7th July 2024, on the auspicious occasion of Rath Yatra, Mithun Chakraborty was finalized for the protagonist's role.
Next, the production approached Anjana Basu for the role of Aparna Chowdhury who gracefully accepted the role and gave it life onscreen. When it came to the second lead, Kahhak Studios wanted a fresh perspective for the movie's second lead without the need of an antagonist.
Hence, several actors were approached for the role of Niloy Sen, a strong headed vagabond with a love for music. After much searching, Anjan Dutt was approached with the role of Niloy; however, this role was a far cry from his other works as it portrays an angry young man image with action sequence opposite Mithun Chakraborty, the real ‘angry young man’ of the industry.
A totally unexpected collaboration of two stars for the first time onscreen that gave a fresh perspective for the makers. Dutt accepted the role and gave an outstanding performance on screen for which he was lauded by the audiences.
When it came to the role of Sakshigopal, the divorce lawyer who offers impeccable comedic timings in the film there were two choices, Kharaj Mukherjee and Biswanath Basu. Kharaj Mukherjee was unable to accept the role due to time constraints. So, the casting team approached the very talented Biswanath Basu and he accepted the role.
When it came to choosing the younger version of Amal Chowdhury, Satyam Bhattacharya was roped in for the role. Roshni Bhattacharyya was the first choice for the role of younger Aparna Chowdhury and she was onboard in the project in July 2024. Pathikrrit Basu approached Tanima Sen for the role of Shukla and she accepted the role.
For the role of Sourav, Parambrata Chatterjee came onboard the project at the same time as Madhumita Sarcar for the role of Amrita in August 2024. |
Draft:Shreeman Vs Shreemati | ''Filming'' | Filming
On 15th August 2024, on the occasion of India’s Independence Day, the Muharrat of the film was performed at Kahhak Industries office at Hindustan Park. One week prior to the shooting schedule Mithun Chakraborty unfortunately broke his hand, however there were no delays in shoot schedule due to his professionalism and dedication towards the project with film director Pathikrrit Basu. This was the second time Chakraborty worked with the director.
The filming began on 5th September with an ensemble cast of Mithun Chakraborty, Anjana Basu, Madhumita Sarcar, Parambrata Chatterjee and Biswanath Basu at Chowdhury Villa, Regent Park, Kolkata. The first schedule for the shoot went on for five days at Chowdhury Villa. The second schedule was shot at the popular shooting space Birkmyre Hostel, in Park Street, Kolkata from 11th to 13th September 2024 with the entire cast in attendance from Mithun Chakraborty to Anjan Dutt.
The next shooting schedule of filming took place on 13th September 2024 at the Behala Bazar in South Kolkata. Anjan Dutt, Mithun Chakraborty, Anjana Basu, Parambrata Chatterjee and Biswanath Basu were at the scene with a 95 crew unit assisting the action sequence under the supervision of action co-ordinator, Mohan. Chakraborty and Dutt’s massive fan following attracted a huge crowd at the location which required a police team and a large crew to contain it. The next half of the shooting schedule took place the same day in Celestial Cafe, Behala.
The fourth schedule was special as it was the first Bengali film to get permission to shoot inside a court room at Alipore Judges Court on 15th September, 2024. The lead cast was present on the scene filming the court scenes during a heavy downpour outside that almost led to cancellation of the shooting schedule. However, the shoot continued with a crew of 400 on the scene.
The fifth schedule for shoot was shot in the popular James Prinsep Ghat and Eden Gardens region in Central Kolkata on 16th September. The famous Mohun Bagan Athletic Club and East Bengal Football Club region was selected for the shoot. Due to heavy rain on 17th September the sixth schedule of the shoot was cancelled which was set to take place in Bantala, Kolkata.
On 18th September, 2024, the shoot took place in Ibiza the Fern Resort & Spa where the much loved Anjan Dutt’s song ‘Boyosh Bere Jae Shokoler’ was shot. Several other scenes were shot here with Mithun Chakraborty, Anjan Dutt, Tanima Sen and Anjana Basu in the scene. On 19th September, the team moved to North Kolkata’s renowned sculpting street, Kumartuli and Ganga Ghat to shoot the next schedule. The ‘Lal Bari’ in Sovabazar was the prime location for the shoot along with several other notable areas in Kumartuli.
The consecutive shoots with the cast took place around different places in Lake Mall, Rashbehari Avenue, Children’s Hut School, a private villa in Bantala and Ruby Hospital with the cast. There was a short break from 24th to 28th September 2024, due to time constraints the shoot resumed on 29th September at Technopolis Building, Sector V, Saltlake, for the airport scene. On 30th the shoot schedule was set in Pathuriaghata Rajbari, North Kolkata where most of the song ‘Dao Ulu Dao’ was shot.
The final shoot schedule commenced on 1st October in a private villa in Lake Gardens, Kahhak Creamery, and Kahhak Industries office in Hindustan Park. |
Draft:Shreeman Vs Shreemati | ''Post-production'' | Post-production
Post-production of the film started in October 2024, and went on for six months until its release on 1st May 2025. However, most of the film’s editing was completed in December 2024 by celebrated Tollywood editor, Sujoy Dutta Ray. The VFX for the film was done by Edit FX Studios, while colorist for the film was Soumitra Sarkar.
Mithun Chakraborty completed his dubbing in October 2024, while Anjan Dutt completed the dubbing in November 2024. In December 2024, Anjana Basu, Roshni Bhattacharyya, Biswanath Basu, Tanima Sen and Satyam Bhattacharya completed their dubbing. Parambrata Chatterjee and Madhumita Sarcar completed the first half of the dubbing in November and the second half in February.
The songs in the film were recorded across different studios in Kolkata and Mumbai, hence it took almost 6 months to complete the audio editing. ‘Dao Ulu Dao’ sung by Shreya Ghoshal and Papon was recorded at The Sanctuary Studio and Homegrown Studio in Mumbai. The popular song of Anjan Dutt ‘Boyesh Bere Jay Sokoler’ was recorded in his studio while the editing was completed by Edit FX Studios, Kolkata.
Rupankar Bagchi and Iman Chakraborty’s song ‘Ami Phirechi Ghore’ was recorded in Kolkata. |
Draft:Shreeman Vs Shreemati | '''Soundtrack''' | Soundtrack
The music of the film has been composed by Indraadip Dasgupta and Anjan Dutt. The lyrics were written by Anjan Dutt himself in his composition, with Silajit Majumder penning down his own composition. Ritam Sen and Barish had written the lyrics for Indraadip Dasgupta. The background score of the film was produced by Shamik Chakraborty.
The first music “Dao Ulu Dao” was released on 10 April 2025 which marked the appearance of Satyam Bhattacharya and Roshni Bhattacharya. The music was launched in “Bhooter Raja Dilo Bor” with the presence of Kahhak Studios and Pathikrrit Basu. Indraadip Dasgupta appeared on the day of the launching of this single. The second music “Ami Phirechi Ghore” was released on 17 April 2025 with shots of the film including Mithun Chakraborty. The third single “Mon Kharap” was released on 24 April 2025 and the fourth track “Boyosh bere jae shokoler” was released on 29 April 2025 with the presence of Anjan Dutt at the music launch. The soundtracks were launched in collaboration with Kahhak Studios and Times Music Bangla.
Track Listing
No. Title LyricsMusicSinger(s)Length1DurottoSilajit MajumderSilajit MajumderSilajit Majumder, Saanchari Sengupta2Boyosh bere jae ShokolerAnjan DuttAnjan DuttAnjan Dutt3:153Ami phirechi ghore Ritam SenIndraadip DasguptaRupankar Bagchi, Iman Chakraborty3:144Dao ulu daoBarish Indraadip DasguptaPapon, Shreya Ghoshal 6:435Mon kharap Barish Indraadip DasguptaSonu Nigam, Antara Mitra4:50Total Length 17:22 |
Draft:Shreeman Vs Shreemati | '''Marketing''' | Marketing
Promotional efforts for Shreeman Vs Shreemati were led primarily by Kahhak Studios, utilising a mix of social media campaigns, on-ground engagements, and influencer collaborations. The campaign began with billboard promotions across various key locations in Kolkata from 7 February to 14 February 2025, featuring prominent dialogue-based posters to build early buzz around the film. On 26 February 2025, the motion poster of the film was unveiled on Kahhak Studios’ official social media platforms. To complement the film’s central theme of marriage and divorce, Kahhak Studios hosted a special podcast discussing divorce-related issues. The session featured five practicing advocates — Adv. Shilpa Kundu Sengupta, Adv. Payel Ghosh, Adv. Mita Banerjee, Adv. Purbangshu Mitra, and Adv. Piyali Mitra — in conversation with interviewer Anindita Sarkar. Promotional content was also boosted through popular social media influencers including Unmesh Ganguly, BongGuy, and others, who contributed engaging reels related to the film’s themes.
On 13 March 2025, a Holi celebration event was organised by Kahhak Studios as part of the promotional campaign. The event featured cast members Mithun Chakraborty, Anjana Basu, Pathikrrit Basu, and Roshni Bhattacharyya, and was held in collaboration with Tollywood Online in the presence of several media outlets. The film’s second official poster was released on 1 April 2025, followed by a collaborative promotional campaign with Artage Media, which featured the film at various Kolkata Metro stations to increase public visibility. On 17 April 2025, the song "Ami Phirechi Ghore" from the film was officially launched at Asutosh College, with appearances by director Pathikrrit Basu, cast members Roshni Bhattacharyya and Satyam Bhattacharya, singers Rupankar Bagchi and Iman Chakraborty, and music director Indraadip Dasgupta. Further outreach was conducted on 28 April 2025, when director Pathikrrit Basu, along with actors Anjana Basu and Roshni Bhattacharyya, engaged directly with the public in a special promotional ride through the Kolkata Metro, supported by Artage Media and Incoda TV. On the same day, the team visited the Kalighat Temple to seek blessings ahead of the film’s release, a symbolic gesture covered as part of the promotional trail. |
Draft:Shreeman Vs Shreemati | '''Release''' | Release |
Draft:Shreeman Vs Shreemati | ''Theatrical'' | Theatrical
Shreeman Vs Shreemati was released theatrically on 1 May 2025 in 93 cinema halls across West Bengal. It premiered at prominent PVR Inox locations including Rajarhat, City Center, South City Mall, Hiland Park, Madhyamgram, Jessore Road, and Burdwan. The film opened to largely positive audience responses and Social media feedback highlighted the film’s relatability and unique premise, contributing to strong word-of-mouth publicity. Its regional rollout was considered successful, especially in urban multiplex circuits. |
Draft:Shreeman Vs Shreemati | '''Reception''' | Reception |
Draft:Shreeman Vs Shreemati | ''Critical reception'' | Critical reception
Poorna Banerjee of Times Of India rated the film 3 out 5 stars and opined “The first half, though slightly long, is highly entertaining…The second half stretches the story with bouts of slapstick and physical comedy, some of which feel unnecessary – but much of it lands. Roshni and Satyam share compelling chemistry, delivering touching moments that ground the humour in genuine emotion.” She further added, “The film boasts a strong cast of veterans who bring gravitas and impeccable comic timing. Mithun Chakraborty dominates with his presence, while Parambrata and Biswanath Basu keep the laughs coming with their antics. Anjana Basu adds depth with a restrained performance. Anjan Dutt’s nostalgic song, ‘Boyesh Bere Jay Sokoler,’ is a standout, reminiscent of his earlier work like Ranjana.”
Sayani Ghatak of Anandabazar Patrika positively opined “This film blends comedy, emotion, and even action — with veterans showing they still have it in them” She praised Pathikrrit Basu’s effort, quoting “Bringing together Mithun Chakraborty and Anjan Dutt — two actors once directed by Mrinal Sen — into the same frame was a bold move, and director Pathikrrit Basu has pulled it off. While the two legends don’t share many scenes, when they do, they bring remarkable depth to the screen. Especially after the intermission, when Anjan Dutt’s entry completely shifts the narrative. A scene where he beats up goons in a fish market — that's something Bengali audiences have never seen before!” Addressing Mithun Chakraborty, she also mentioned, “Meanwhile, the script subtly incorporates the detail of Mithun’s fractured hand — a nod to the fact that the actor actually shot the entire film with a broken hand.” Mentioning the music of the film on a positive note, she opined, “Anjan Dutt, in his signature style, has composed a new song for the film, which is both catchy and fitting. Silajit’s song, too, has been used effectively. Each track has been thoughtfully placed in the narrative, and credit goes to music director Indraadip Dasgupta for that care and precision.”
Somnath Gupta from Aajkaal newspaper positively reviewed the cast performance and quoted “Mithun Chakraborty delivered a commendable performance, alongside him, Anjana Basu’s performance was also full of personality. Parambrata, Madhumita, and Biswanath were appropriate. In the flashback sequences of Amal and Aparna’s story, Satyam Bhattacharya and Roshni Bhattacharya acted well.”. He criticised the screenplay and praised Anjan Dutt for his unique performance and his music as he mentioned “Anjan Dutt stood out with a powerful screen presence. His entry followed the conventions of mainstream cinema but revealed a side of the actor rarely seen before. In a notable sequence, he takes on goons in a bustling marketplace, adding a dynamic twist to the narrative. His musical contribution to the film also served as an added highlight. The soundtrack, composed by Indraadip Dasgupta, was particularly well-received.”. The film explored the ups and downs of life, as he opined “All in all, Shreeman Vs Shreemati explores the themes of marriage, relationships, separation, and the meaning of togetherness in a comedic tone”. |
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