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Caecilianus | Background to the controversy | Background to the controversy
Caecilianus was an archdeacon of Carthage, who supported his bishop Mensurius in opposing the fanatical cult of martyrdom led by the Circumcellions. Mensurius forbade any to be honoured as martyrs who had given themselves up of their own accord or who had boasted that they possessed copies of the scriptures which they would not relinquish. Some of these he claimed were criminals and debtors to the state, who thought they might by this means rid themselves of a burdensome life, or wipe away the remembrance of their misdeeds, or at least gain money and enjoy in prison the luxuries supplied by the kindness of Christians.Barnes, Timothy David. Constantine and Eusebius (Harvard University Press, 1981)p. 55.
A deacon of Carthage, Felix, was accused of writing a defamatory letter against the emperor Maxentius. Mensurius was said to have concealed his deacon in his house and was summoned to Rome. Mensurius was acquitted but died on his return journey. Before his departure from Africa, he had given the gold and silver ornaments of the church to the care of certain old men and had also consigned an inventory of these effects to an aged woman, who was to deliver it to the next bishop.Chapman, John. "Donatists." The Catholic Encyclopedia Vol. 5. New York: Robert Appleton Company, 1909. 17 October 2022
On the death of Mensurius (c.311), Caecilianus was nominated as his successor. The religious world of Carthage divided itself broadly into two sections, the moderate and rigoristic parties, or the supporters and opponents of the principles of Caecilianus. At the head of the latter was a devout and wealthy woman named Lucilla, who had been severely rebuked by the archdeacon for superstitious veneration of martyrs' relics.Wace, Henry; Piercy, William C., eds. (1911). "Caecilianus". Dictionary of Christian Biography and Literature to the End of the Sixth Century (third ed.). London: John Murray. |
Caecilianus | Election | Election
The rigoristic party wished to fill the vacancy with one of their own followers. Two priests, Botrus and Caelestius, who each expected to be elected, had managed that only a small number of bishops should be present. Caecilian was duly chosen by the whole people, placed in the chair of Mensurius, and consecrated by Bishop Felix of Aptunga. Whether this was in the presence of any Numidian bishops seems uncertain. The old men who had charge of the treasure of the church were obliged to give it up; they joined with Botrus and Caelestius in refusing to acknowledge Caecilian as bishop.
Secundus, primate of Numidia and bishop of Tigisis, was presently invited to Carthage by the rigorist party. He came, attended by 70 bishops, and cited Caecilianus before them. Felix was denounced as a traditor, and consequently it was claimed that any ordination performed by him was invalid. Caecilianus was charged with unnecessary and heartless severity to those who had visited the confessors in prison; he was denounced as a "tyrannus" and a "carnifex" ("butcher".) Caecilian had possession of the basilica and the cathedra of Cyprian, and the people were with him, so that he refused to appear before an assembly so prejudiced; but professed his willingness to satisfy them on all personal matters, and offered, if right was on their side, to lay down his episcopal office, and submit to re-ordination. Secundus and the Numidian bishops answered by excommunicating Caecilianus and his party, and ordaining as bishop the lector Majorinus, a member of Lucilla's household. |
Caecilianus | Schism | Schism
The church of Northern Africa went into schism. The party of Caecilianus broke off from that of Majorinus, and the Christian world was scandalized by fulminations, excommunications, invectives, charges and countercharges. Both parties confidently anticipated the support of the state; but Constantine, who was then in Gaul, took the side of the Caecilianus. In his largesse to the Christians of the province, and in his edicts favourable to the church there, he expressly stipulated that the party of Majorinus should be excluded: their views were, in his opinion, the "madness" of men of "unsound mind." The rigoristic party appealed to the justice of the emperor and courted full inquiry to be conducted in Gaul. Constantine referred the matter to Miltiades, the bishop of Rome.Schaff, Philip. History of the Christian Church, Vol. III, 3rd revision, 1889, CCEL |
Caecilianus | Council in Rome | Council in Rome
Miltiades was a native of AfricaKirsch, Johann Peter. "Pope St. Miltiades." The Catholic Encyclopedia Vol. 10. New York: Robert Appleton Company, 1911. 17 October 2022 and a Roman citizen. Miltiades, unwilling to jeopardise his relationship with the emperor but also unwilling to preside over a council with an uncertain outcome, changed the proceedings into a regular church synod and appointed 15 Italian bishops,O'Malley, John (2009). A History of the Popes: From Peter to the Present. Lanham, MD: Government Institutes. 2009, p. 31 above the three Gallic bishops recommended by the emperor.
The Council in Rome was held for three days from 2–4 October 313. Each side appeared with 10 bishops; Donatus Magnus, bishop of Casae Nigrae in Numidia, headed the party of Majorinus. The process was modeled on Roman civil proceedings, with Miltiades insisting on strict rules of evidence and argument. This frustrated the Donatists who left the council without presenting their case, which led Miltiades to rule in favour of Caecilianus by default.Burris, Ronald D. Where Is the Church?: Martyrdom, Persecution, and Baptism in North Africa from the Second to the Fifth Century. Eugene, OR: Wipf and Stock Publishers. 2012. p. 78 The council thus ended after only three sessions. The pope retained Caecilianus as bishop of Carthage and condemned Donatus' teachings.The Papacy: an Encyclopedia. Vol. 2. (Levillain, Philippe, ed.) New York City: Routledge. 2002. p. 993 The Donatists again appealed to the emperor, who responded by convening the Council of Arles. |
Caecilianus | Council of Arles | Council of Arles
Constantine convened a Council of Arles in 314 A.D. Jurists went to Carthage, collected documents, tabulated the statements of witnesses, and laid their report before the bishops assembled. The council, presided over by Marinus, bishop of Arles, was composed of about 200 persons. Between 40 and 50 episcopal sees were represented at the council by bishops or proxies; the bishops of London, York, and Lincoln were there. Pope Sylvester I sent legates.
It confirmed the findings of the Council of Rome and recognized the validity of the election of Caecilian of Carthage, and confirmed the excommunication of Donatus of Casae Nigrae. The charge raised against his consecrator, Felix, was proved baseless.Shahan, Thomas. "The Synods of Arles." The Catholic Encyclopedia Vol. 1. New York: Robert Appleton Company, 1907. 17 October 2022 It was the most important ecclesiastical assembly the Christian world had yet seen, and its decisions were of permanent significance to the church. Its 22 canons dealing with various abuses that had crept into ecclesiastical life since the Diocletian Persecution are among the most important documents of early ecclesiastical legislation. |
Caecilianus | Decision confirmed at Milan | Decision confirmed at Milan
The temper displayed by the victors was not calculated to soothe the conquered, and an appeal was at once made from the council to the emperor. Constantine was irritated, but after some delay he ordered the discussion of the question before himself personally. This occurred at Milan in 316. The emperor confirmed the previous decisions of Rome and Arles, and he followed up his judgment by laws and edicts confiscating the goods of the party of Majorinus, depriving them of their churches and threatening to punish their rebellion with death. |
Caecilianus | After Milan | After Milan
From this time the schism of the Northern African church lost its purely personal aspect, and became a stern religious contest on questions of discipline. |
Caecilianus | References | References
Category:4th-century Romans
Category:4th-century bishops of Carthage
Category:4th-century births
Category:Year of death unknown |
Caecilianus | Table of Content | Short description, Background to the controversy, Election, Schism, Council in Rome, Council of Arles, Decision confirmed at Milan, After Milan, References |
Category:Unknown-importance electronic articles | Category importance | Category:Electronic articles by importance
Electronic articles |
Category:Unknown-importance electronic articles | Table of Content | Category importance |
Wikipedia:Version 1.0 Editorial Team/Electronic articles by quality | User:WP 1.0 bot/Historical | |
Wikipedia:Version 1.0 Editorial Team/Electronic articles by quality | Table of Content | User:WP 1.0 bot/Historical |
Durham Storm | short description | The Durham Storm were a Canadian soccer team that last played in the Canadian Professional Soccer League (CPSL) in 2005. The club was founded as the Toronto Olympians in 1998 and played in Toronto, Ontario through 2001, before being renamed the Mississauga Olympians for 2002 and 2003. The team relocated to Oshawa, Ontario in Durham Region for the 2004 and 2005 seasons and was renamed Durham Storm.
The team won three consecutive regular season championships from 1998 to 2000 and won the league playoffs, earning the CPSL Championship once in 1999. They also finished as regular season runners-up in 2001, and were two-time Rogers Cup finalists in 1998 and 2000.
Despite the early success, the team's performance went downhill from 2002 onward, and the franchise eventually folded after the 2005 season. |
Durham Storm | History | History |
Durham Storm | Founding CPSL member (1998) | Founding CPSL member (1998)
In 1998, the Canadian Professional Soccer League was formed as a result of a merger between the Canadian National Soccer League and the stillborn Ontario Professional Soccer League with the Toronto Olympians entering the league as a new franchise. The Olympians were owned by Tom Michalopoulos, which as a result allowed the club to receive sponsorship money from Coffee Time which Michalopoulos founded. The organization brought in former Toronto Lynx general manager and assistant coach David Gee to coach the newly franchise. Gee's roster consist of a mixture of CNSL alumni and players with USL A-League experience. He brought in the likes of Eddy Berdusco, Dino Lopez, Loukas Papaconstantinou – former Lynx players Gong Lei, Ian Carter, Peyvand Mossavat, and the Toronto Supra's 1997 championship finalist squad players Paul Moore, Chris Handsor, and Gus Kouzmanis. The newly formed club received territorial rights in Scarborough and would call Birchmount stadium their home venue. |
Durham Storm | League dominance (1998–01) | League dominance (1998–01)
In their debut season in the nascent league the Scarborough side dominated the season going undefeated and posting the best goal scoring record and as well the fewest goals conceded. Kouzmanis, Berdusco, and Gong Lei each finished as the top three goalscorers for the season. Their undefeated season resulted in a double which included the regular season championship and the Open Canada Cup. The Open Canada Cup finals was played out in a two-game final which involved the Olympians and the St. Catharines Wolves. The first match resulted in a goalless draw, while the second match ended in a 3–0 victory for Toronto. In the postseason the Olympians faced the North York Astros in the semi-finals which concluded in a 5–1 victory for Toronto with goals coming from Daryl Holmes, Berdusco, John Matas, and Kouzmanis. The finals consist of battle between the first and second place teams St. Catharines and Toronto – the match finished as a 2–2 draw which led to penalties where the Wolves denied the Olympians the chance of a treble by winning the game 4–2 in a penalty shootout.
right|thumb|Darren Tilley played and retired with Mississauga Olympians, and received the CPSL Golden Boot and Rookie of the Year award during his tenure with the club.
At the conclusion of the season Gus Kouzmanis was awarded the CSL Golden Boot and David Gee received the Coach of the Year at the CPSL Awards Banquet. For the 1999 season Gee signed Canadian international Elvis Thomas and Phil Caporella from the Montreal Impact. The 1999 season was a repeat of the previous year with Toronto recapturing the regular season championship once more while making history by becoming the first club in the CPSL to go undefeated two consecutive seasons. Four of Toronto's players led the scoring charts with Berdusco leading while Kouzmanis, Thomas, and Matas taking the rest of the top four positions. The club finished once more with the best offensive and defensive record in the league. The Olympians defended their Open Canada Cup title successfully by defeating Toronto Croatia by a score of 3–0. They would face Toronto Croatia again this time in the playoff final where the Olympians would mark another milestone in CPSL history by becoming the first club to win a treble within the league. The match resulted in a 2–0 victory with goals from Thomas and Handsor, the attainment established the Scarborough side as a powerhouse within the league. At the CPSL Awards Banquet the Toronto Olympians received four awards – the organization received the Fair Play Award, David Gee for a consecutive year received the Coach of the Year, Elvis Thomas received the Canadian Soccer League MVP Award and Eddy Berdusco won the CPSL Golden Boot. While Elvis Thomas made history by holding the distinction of being first CPSL player to be called up for the Canadian national soccer team, while playing in the league.
thumb|left|Original Toronto Olympians logo
The 2000 season marked more achievements for the club by successfully defending their three consecutive regular season titles, and still maintaining the best offensive and defensive record. The Olympians would win the double once more by successfully defending the Open Canada Cup for the third consecutive season. In the finals Toronto would face St. Catharines and win the match by a score of 1–0, thus establishing a dynasty for the club. For the postseason Gee strengthen his squad with players like Darren Tilley, and Trinidad and Tobago internationals Densill Theobald and Rick Titus. In the semi-finals the team faced the Glen Shields Sun Devils and won the match 1–0 with a goal coming from Titus. The final was contested between Toronto Olympians and Toronto Croatia, where Croatia upset the Olympians by a score of 2–1. For their efforts Kouzmanis was awarded the Golden Boot for the second time in his career, Bayete Smith was given the Defender of the Year and the team was awarded the Fair Play Award. On June 20, 2001, it was reported that head coach David Gee purchased the club from Coffee Time Donuts meanwhile retaining his position as head coach and general manager. He announced plans to move the franchise to Mississauga after struggling to gain revenue from ticket sales. Throughout the season the Olympians failed to recapture any of the major trophies finishing second behind the Ottawa Wizards in the standings. In the postseason Toronto was eliminated in the semi-finals by Toronto Supra by a score 3–2. They featured in a Consolation Final match against Ottawa and won the match 5–2. |
Durham Storm | Relocation and Durham Storm (2002–05) | Relocation and Durham Storm (2002–05)
In 2002, the move to Mississauga was completed and their home venue was relocated to Erin Mills Twin Arenas. Gee made several major changes to the roster replacing the majority of veterans with younger athletes. He would retain the likes of Darren Tilley, Paul Moore and Daryl Holmes, while signing promising players like Marko Bendenikovic, Kevin De Surpa, Aaron Benjamin, and Joevannie Peart. The majority of the season was spent battling for the Western Conference title between Toronto Croatia. Mississauga would receive reinforcements during the later half of the season in player loans from the Toronto Lynx – receiving Barbados international Ryan Lucas, David Diplacido, Adrian Serioux, Shawn Faria, Brian Ashton, and signing Trinidad and Tobago international Hayden Fitzwilliams. The Olympians would eventually finish second in the standings and qualified for a playoff berth. Their postseason came to a quick conclusion by being defeated by the North York Astros by a score of 3–0. At the CPSL Awards Banquet the club received the Fair Play Award, while Darren Tilley was awarded the Golden Boot and the CPSL Rookie of the Year.
The 2003 season brought further troubles for the organization as the club was forced to play all their home matches on the road. As the City of Mississauga prevented the team from using the change rooms at Erin Mills Twin Arenas due to renovations. New additions were added to the club as Gee resigned from his position as head coach and transferred the responsibilities to Darren Tilley and CPSL's 1999 Coach of the Year Tony Laferrara. The Olympians struggled on the field as they finished second last in the Western Conference failing to secure a postseason berth. The club was also eliminated from the Open Canada Cup tournament after losing 2–1 to AEK London, an amateur team; the season would mark an end of era as their status as a powerhouse within the league.
For 2004, the club was sold and relocated to the east end of the Greater Toronto Area, moving to Oshawa, Ontario to play out of the Oshawa Civic Stadium. The club would be re-branded again, taking their name from Durham Region (of which Oshawa is a part), to become Durham Storm. In their first season in Durham, the club would finish last in the Eastern Conference with a record of 2 wins, 1 draw and 17 losses. Followed by a disappointing season in 2005 finishing last place (6th) in the Eastern Conference, with a record of 1 win, 1 draw and 20 losses. On December 12, 2005, the club had its franchise revoked by the CPSL. |
Durham Storm | Head coaches | Head coaches
YearsNameNation1998–2002 2003 and Tony Laferrara 2004 Derek Bean 2005 Doug Paterson |
Durham Storm | Achievements | Achievements
CPSL Championship (1): 1999
Open Canada Cup (3): 1998, 1999, 2000
Canadian Professional Soccer League Regular Season Champions (3): 1998, 1999, 2000 |
Durham Storm | Year-by-year | Year-by-year
YearLeagueRegular SeasonPlayoffsNotes1998CPSL1st, EasternRunner-upAs Toronto Olympians.1999CPSL 1st, EasternChampions2000CPSL1st, EasternRunner-up2001CPSL2nd, EasternSemi Final2002CPSL2nd, WesternSemi FinalAs Mississauga Olympians.2003CPSL6th, WesternDid not qualify2004CPSL6th, EasternDid not qualifyAs Durham Storm.2005CPSL6th, EasternDid not qualify |
Durham Storm | Notable players | Notable players
Canada
Brian Ashton
Marko Bedenikovic
Aaron Benjamin
Eddy Berdusco
Salvatore Borgh
Shayne Campbell
Phil Caporella
Ian Carter
Kevin De Serpa
David Diplacido
Shawn Faria
Stevie Gill
Willy Giummarra
Chris Handsor
Danley Johnson
Gus Kouzmanis
Tom Kouzmanis
Jimmy Kuzmanovski
Dino Lopez
Paul Moore
Peyvand Mossavat
Andrew Ornoch
Lucas Papaconstantinou
Joevannie Peart
Adrian Serioux
Bayete Smith
Elvis Thomas
Barbados
Ryan Lucas
China
Gong Lei
England
Darren Tilley
New Zealand
Daryl Holmes
Saint Vincent and the Grenadines
Caswain Mason
Trinidad and Tobago
Hayden Fitzwilliams
Densill Theobald
Rick Titus |
Durham Storm | References | References
Category:Soccer clubs in Ontario
Category:Canadian Soccer League (1998–present) teams
Category:Defunct soccer clubs in Canada
Category:Soccer clubs in Toronto
Category:Association football clubs established in 1998
Category:1998 establishments in Ontario |
Durham Storm | Table of Content | short description, History, Founding CPSL member (1998), League dominance (1998–01), Relocation and Durham Storm (2002–05), Head coaches, Achievements, Year-by-year, Notable players, References |
Why's Everybody Always Pickin' on Me? | for | "Why's Everybody Always Pickin' on Me?" is the third single off the Bloodhound Gang's second album One Fierce Beer Coaster. The song samples "Spooky" by Classics IV and "Never Let Me Down Again" by Depeche Mode. It also samples "Stormy" by Gabor Szabo. The title is borrowed from the classic 1959 song "Charlie Brown" performed by The Coasters, in which a school troublemaker complains about being picked upon when his schemes backfire. |
Why's Everybody Always Pickin' on Me? | Music video | Music video
The music video starts out with Jimmy Pop in a psychiatrist's office. The doctor (whose name is Scott P. Nussenvy, a tongue-in-cheek reference to penis envy) proceeds to take Jimmy over to the couch and hypnotize him, in which Jimmy goes back over his horrible experience in high school and we see why he is the paranoid katagelophobic he is today. There are many tongue-in-cheek references to sex and drug use over the course of the video (they attend Wannagett High School, the homecoming queen is named Ivana Getchuharde, and the school's team is the Wannagett Beavers). The video shows Jimmy Pop's desperate attempts at trying to gain a little popularity, that fail miserably. He spends the whole of the video being picked on mainly by the other members of the band, until the bridge of the song where it is assumed that Jimmy has caused some sort of harm to, or possibly even killed the people who picked on him. After the bridge, we see the other four members of the band come into the psychiatrist's office, put Jimmy Pop in a straitjacket, put him in a wheelchair and throw him down the stairs. Jimmy has the last laugh: as the video freeze-frames the screen reads, "Jimmy's former classmates all suffered from hemorrhoids. Luckily for them, Jimmy went on to become a successful proctologist."
The video then fades to black, showing an "all persons fictitious" disclaimer ending with "...except the drummer from Def Leppard", who is referenced in the bridge. |
Why's Everybody Always Pickin' on Me? | Charts | Charts
+ Chart performance for "Why's Everybody Always Pickin' on Me?" Chart (1997) Peakposition Australia (ARIA) 64 |
Why's Everybody Always Pickin' on Me? | References | References
Category:Bloodhound Gang songs
Category:1997 singles
Category:1996 songs
Category:Songs written by Jimmy Pop |
Why's Everybody Always Pickin' on Me? | Table of Content | for, Music video, Charts, References |
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Portal:Current events/2007 March 9 | Table of Content | <!-- All news items below this line --> |
Anita Stansfield (LDS Fiction Writer) | # | redirect Anita Stansfield |
Anita Stansfield (LDS Fiction Writer) | Table of Content | # |
Ottawa Wizards | short description | Ottawa Wizards were a Canadian soccer club which operated in the Canadian Professional Soccer League (CPSL), from 2001 to 2003. The team's home stadium was the OZ Optics Stadium. Though the team had a relatively short tenure with the CPSL, the club dominated the league by winning three consecutive regular season championships, two Open Canada Cups, and the CPSL Championship. Despite the club's success the franchise was revoked by the league in 2003 after several legal disputes with the CPSL administration. |
Ottawa Wizards | History | History
Ottawa Wizards entered the CPSL in 2001, joining three other expansion teams the Toronto Supra, Montreal Dynamites, and the Brampton Hitmen. Under head coach Rasim Kara who previously coached Division 1 clubs in Turkey; brought in Trinidad and Tobago national team players Shurland David, Richard Goddard, Kevin Nelson and players with USL experience like Vladimir Edouard, and Sanjeev Parmar. The club debuted on June 1, 2001 with the opening fixture resulting in a scoreless draw with London City. Ottawa would pick up from their draw with an impressive 5 game undefeated streak which included Open Canada Cup matches. After their defeat to Toronto Croatia, the Wizards bounced back with another 15 game undefeated streak Throughout the whole season Ottawa challenged league giants Toronto Olympians for the top spot in the standings; eventually finishing first in the standings the first club to defeat the Olympians regular season winning dynasty. Ottawa finished as the highest scoring team with Kevin Nelson winning the CSL Golden Boot, CSL Rookie of the Year, and Abraham Osman receiving the Canadian Soccer League MVP Award. The Wizards added more silverware to their cabinet by winning the Open Canada Cup, thus becoming the second team in CPSL history in achieving a double.
175px|left|thumb|Canadian international Charles Gbeke played earlier in his career with Ottawa Wizards.
As the regular season champions Ottawa automatically qualified for the playoffs, but their postseason run was rather a disappointment losing in the semi-finals against eventual playoff champions St. Catharines Wolves to a score of 1–0. Though eliminated from the playoffs Ottawa featured in a Consolation Final of the Rogers Playoff Cup against Toronto Olympians, but were defeated by a score of 5–2. Head coach Kara left at the end of 2001, and he was replaced by Klaus Linnenbruegger who brought in additional new signings to the club; acquiring former Montreal Impact defender Abraham Francois, and several African imports like Urbain Some, Peter Mponda, and Sa Brahima Traore. During the 2002 season Ottawa had another tremendous season recording a 17-game undefeated streak, and making another milestone in CPSL history by becoming the second club to achieve a treble the first being the Toronto Olympians. The Wizards clinched the Eastern Conference and finished first in the overall standings. They repeated their success in the Open Canada Cup tournament by defending their title once more in a 1–0 victory over Toronto Croatia with the lone goal from Kevin Nelson.
In the postseason the Wizards faced the Metro Lions in the semi-finals and advanced to the finals with a 1–0 victory over the Lions. The Rogers Cup final was played at Esther Shiner Stadium, where Ottawa faced the North York Astros the outcome of the game was a 2–0 victory for Ottawa with goals coming from Robin Hart, and an own goal from North York. At the conclusion of the season Abraham Osman was awarded for the second time in a row the CPSL MVP Award at the CPSL Awards Banquet. In 2003, head coach Linnenbruegger was replaced by former Wizards player Hubert Busby, Jr. Busby brought in Malawi international McDonald Yobe, and signed two promising Canadian players Alen Marcina, and Charles Gbeke. Ottawa began the season with dominance once more by becoming the second team in the league's history to go undefeated; allowing the club to clinch its third consecutive division title. Unfortunately the Wizards ran into problems with the CPSL administration – one incident regarding the club was the removal of Ottawa from the Open Canada Cup tournament, thus not allowing the team to defend its title. In response to the league's decision Ottawa's owner Omur Sezerman countered that he would obtain an injunction and planned to sue the league and certain individuals associated with the league.
The dispute was taken to the Superior Court of Justice who ruled in favour with the CPSL; dismissing the injunction and allowing the tournament to proceed. On September 10, 2003 Hubert Busby resigned as head coach after philosophical differences with the team owner; leaving the Wizards with eight wins, four ties, and zero losses. Busby was replaced by last season's head coach Klaus Linnenbruegger. After qualifying for the postseason by clinching their division and going undefeated for the entire season, the Wizards announced their withdrawal from the Rogers Cup stating disagreement with the rules of competition. At the conclusion of the season two Ottawa players received awards one being McDonald Yobe as Rookie of the Year, and Simon Eaddy winning the Goalkeeper of the Year award. On December 3, 2003 the CPSL board of directors announced the franchises of Ottawa and the Durham Flames were revoked. |
Ottawa Wizards | Head coaches | Head coaches
YearsNameNation2001 2002–2003 2003 2003 |
Ottawa Wizards | Achievements | Achievements
CPSL Championship (1): 2002
Open Canada Cup (2): 2001, 2002
Canadian Professional Soccer League Eastern Conference Champions/Regular Season Champions (3): 2001, 2002, 2003 |
Ottawa Wizards | Year-by-year | Year-by-year
YearDivisionLeagueRegular SeasonPlayoffs20011CPSLFirstSemi-finals20021 - Eastern ConferenceCPSLFirstChampions20031 - Eastern ConferenceCPSLFirstWithdrew |
Ottawa Wizards | Notable players | Notable players
Canada
Roldege Arius
Hubert Busby, Jr.
Abraham François
Charles Gbeke
Alen Marcina
Charles Gbeke
Sanjeev Parmar
Burkina Faso
Urbain Some
Sa Brahima Traore
Haiti
Vladimir Edouard
Malawi
Peter Mponda
McDonald Yobe
Trinidad and Tobago
Shurland David
Richard Goddard
Robin Hart
Kevin Nelson |
Ottawa Wizards | References | References
Category:Canadian Soccer League (1998–present) teams
Wiz
Category:Association football clubs established in 2001 |
Ottawa Wizards | Table of Content | short description, History, Head coaches, Achievements, Year-by-year, Notable players, References |
File:Manilaworship.jpg | This is my photo. | This is my photo. Kenneth Tanner 21:32, 15 March 2007 (UTC) |
File:Manilaworship.jpg | Licensing | Licensing |
File:Manilaworship.jpg | Table of Content | This is my photo., Licensing |
Category:Christian clothing | Cat main | Category:Religious clothing
Category:Christian religious objects |
Category:Christian clothing | Table of Content | Cat main |
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Dox Thrash | Short description | Dox Thrash (1893–1965) was an African-American artist who was famed as a skilled draftsman, master printmaker, and painter and as the co-inventor of the Carborundum printmaking process.Donnelly, Michelle."The Art of Dox Thrash", The Encyclopedia of Greater Philadelphia, Retrieved 28 July 2018. The subject of his artwork was African American life. He served as a printmaker with the W.P.A. at the Fine Print Workshop of Philadelphia. The artist spent much of his career living and working in Philadelphia, Pennsylvania. |
Dox Thrash | Early life | Early life
Dox Thrash was born on March 22, 1893, in Griffin, Georgia.Glennon, Patrick. "Black artists in Philly flourished during the Great Depression", Philadelphia Inquirer, Retrieved 28 July 2018. He was the second of four children in his family. Thrash left home at the age of fifteen in search of work up north. He was part of the Great Migration (African American) looking for industrial work in the North.
The first job that Thrash got was working with a circus and a Vaudeville act. In 1911, at the age of 18, he moved to Chicago, Illinois."Dox Thrash", Philadelphia Museum of Art, Retrieved 28 July 2018. He got a job as an elevator operator during the day, and used this source of income to attend school. In 1914 he attended the School of the Art Institute of Chicago.
In 1917, the United States declared war on Germany and entered World War I. In September 1917, at the age of twenty-four, Thrash enlisted in the army. He was placed in the 365th Infantry Regiment, 183rd Brigade, 92nd Division, also known as the Buffalo Soldiers. During combat, Thrash suffered shell shock and a gas attack, but was not permanently injured. |
Dox Thrash | Career as an artist | Career as an artist
thumb|right|Front cover of Dox Thrash: An African American Master Printmaker Rediscovered, by John Ittmann.
After having served in the war, Thrash qualified as a war veteran and enrolled in the Art Institute of Chicago with the support of federal funding. After finishing his education, he traveled intermittently from Georgia to Chicago, Boston, New York, and finally Philadelphia, working odd jobs - experiences that provided him with subject matter to later paint. Settling in Philadelphia by 1925, he took a job working as a janitor. In his free time, he continued his art career and used his talent to create emblems, such as the one for the North Philadelphia Businessmen's Association, and posters in exhibitions and festivals, including the 2nd Annual National Negro Music Festival and the Tra Club of Philadelphia. This gained him local recognition and opened doors for new artistic endeavors. By 1929, Thrash was attending nightly classes within these clubs, namely with Earl Horter of the Graphic Sketch Club, now known as the Samuel S. Fleisher Art Memorial.
In 1937 Thrash joined the government-sponsored Works Progress Administration (WPA)'s Federal Art Project."Dox Thrash, An American Journey: Georgia to Philadelphia" , Asheville Art Museum, Retrieved 28 July 2018. Through the WPA, Thrash began working at the Fine Print Workshop of Philadelphia."Dox Thrash: Glory Be", The Metropolitan Museum of Art, Retrieved 28 July 2018. At the Fine Print Workshop of Philadelphia, Thrash, along with Michael J. Gallagher and Hugh Mesibov, began experimenting and co-inventing the process of carborundum mezzotint, a printmaking technique. Carborundum printmaking uses a carbon-based abrasive to burnish copper plates creating an image that can produce a print in tones ranging from pale gray to deep black. The method is similar to the more difficult and complicated mezzotint process developed in the 17th century. He used this as his primary medium for much of his career and created his greatest works with it. One of his first pieces employing this nascent technique was his anonymous self-portrait entitled Mr. X.
With this new technique, the three gained increasing recognition as they published more and more graphics within newspapers and featured more and more pieces within exhibitions. Their works often featured subtle commentaries about social and economic exploitation regarding the contemporary politics of the Great Depression and the Second World War. By 1940, Thrash, Gallagher, and Mesibov all began to gain attention in local circles for their carborundum prints, although the role that each artist played in the development of the process was left unclear.
In 1960, Thrash participated in a show at the Pyramid Club, a social organization of Black professional men that held an annual art exhibit starting in 1941. Others on hand were Howard N. Watson, Benjamin Britt, Robert Jefferson and Samuel J. Brown Jr.
Thrash spent the later years of his life mentoring young African American artists. He died on April 19, 1965, in Philadelphia, Pennsylvania. He was posthumously honored almost 40 years later in 2001 with a major retrospective, titled Dox Thrash: An African-American Master Printmaker Rediscovered, at the Philadelphia Museum of Art."Dox Thrash: An African American Master Printer Rediscovered", Philadelphia Museum of Art, Retrieved 28 July 2018.
Thrash's work was included in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum. |
Dox Thrash | Relation to Alain Locke and the New Negro Movement | Relation to Alain Locke and the New Negro Movement
Alain LeRoy Locke (1885–1954) was an intellectual, professor and author who espoused that African Americans, specifically artists, to capture the personality, lives, and essence of their people in The New Negro. He explained “The Negro physiognomy must be freshly and objectively conceived on its own patterns if it is ever to be seriously and importantly interpreted. Art must discover and reveal the beauty which prejudice and caricature have overlaid.” What Locke is expressing here is not only the call for black artists to overcome racial prejudices via positive artistic representations of blacks, but that the actual African American individual like Thrash portrayed the lives of fellow blacks, and had the power to propagate this idea of the New Negro, as Locke explains, “There is the possibility that the sensitive artistic mind of the American Negro, stimulated by a cultural pride and interest, will receive…a profound and galvanizing influence.”
In his shadowy carborundum mezzotint Cabin Days, Thrash depicts a southern black family on the porch of their shack-like home in a rural landscape. The man, woman, and child, clutched tenderly to the female figure's breast, create an intimate scene highlighted by the bright cleanliness of the laundry hanging behind them. Placed in front of the drying laundry, they are framed by one aspect of the hard work accomplished during the day. Close to one another, staring collectively outward at the Southern landscape, they, and their laudable priorities of cleanliness and family, are made the bright focal point in the poor, unstable atmosphere. Such inner warmth is seemingly incompatible with the family's crooked and disheveled surroundings, and their fuzzy appearance with a lack of facial detail makes the scene into a general archetype for rural southern blacks living conditions and qualities. Thrash was referencing an experience common to thousands of black families in rural occupations at the turn of the 20th century, often forced into slavery-like tenant farming as their only means of livelihood in the racist South. The “uneven clapboards, leaning porch, broken shutter, and uprooted fence” are rife with instability, much like the post-slavery economic and social systems of the South, making it clear that for African Americans, “the house is not the home; rather, the figures on the porch represent family unity and continuity”. In this way, Thrash is able to not only champion the positive qualities of blacks in the family setting but underscore this with a symbolic look at their disadvantaged situation, making it all the more impressive that they persevere. Thrash symbolically depicted harsh realities for the African American at this transitional point in history while conferring a sensitive rendering of their humanity, akin to any other race, despite its utter denial by American society.
Through softer tempera washes like A New Day, he literally and figuratively paints a picture of a black family transitioning from the South to the North during the Great Migration, making a hopeful, daring leap to attempt to be equal members of the society that has historically oppressed them. On the left side of the canvas lie muddled farm houses and plow handles, embodiments of their rural life of tedious hard labor behind them, fading to gray. Their hopeful gazes “…convey the optimism of the scores of African Americans who left the countryside to pursue better job opportunities, health care, and education in urban centers”. The stance of the figures, with their chins raised in a dignified gesture towards cityscape ahead suggest a confidence and ambitiousness in their collective futures in this new northern industrial terrain. Even the child, clutched securely in the arm of the mother figure against her breast is not only serenely grinning, but calm enough to appear to gently doze, confident in that the journey ahead will result positively, poses no threat. The exposed arm of the woman is notable as well, being unusually thick and muscular, along with the general proportions of the kneeling father, who position on the ground appears not pleading but rather in a slightly exhausted, but upright gratefulness for the promise ahead. Thrash makes it clear that this family has traveled a long way, but is not depleted; rather they are strong and preparing for further hard work and hopeful success ahead. They are the quintessence of the New Negro, in that they are not only journeying forward to seize previously unobtainable opportunities that will enhance their lives, but the manner with which they hold themselves provokes a certain level of warranted respect for their humanity, from the viewer.
In fact it was the strength of his fellow African Americans that Thrash often emphasized, amongst other positive characteristics in the face of adversity in personal portraits. Through his carborundum print Life, he depicts a neatly dressed black girl reading what appears to be a newspaper or magazine. The subject stares intently at her material, fixated on the abundance of text. Art historian Richard Powell describes it best, stating that Life's “non-racial genre scene, soft sells that Black children, too, experience the thrills and tender moments of youth. These underlying themes of commonalities and unity contribute to an aesthetic of being part of a larger system as opposed to being separate from it.” Thrash's conscious decision to not only give specific attention to a black subject through a portrait, but to place the child as engaging in an intellectual pursuit that crosses racial borders enforces a positive view of African Americans as intelligent, integral members of society akin to whites. The lighting of the print adds to this effect as well. The room in which the girl sits is dark and shadowy, however, the light source shines directly upon her face and lap, emphasizing her beautifully carved young features engrossed in the reading material. In addition, her social status is touched upon by her clean, well-tailored, and fashionable dress of the day. Her literacy is therefore inextricably interwoven with her personal and familial success. She is the antithesis to Locke's idea of the caricature of blacks whose poses and exaggerated features were made to dehumanize and convey a diminished sense of intelligence and capability.
Thrash also acknowledged common cultural clashes and challenges faced by African Americans through his portraiture as well. In his etching Saturday Night, he depicts a female hairdresser readying herself for a night on the town. Her facial features and coloring distinctly label her as African American, and it is the act she is engaging in that is of utmost importance. The woman is straightening her naturally curly hair with a hot iron. She is conforming to physical standards foisted upon her by the dominant white society where straight hair is a marker of beauty. Though muscular, shapely, and attractive, she feels the need to engage in the laborious task of making her tightly coiled hair straight in order to prepare for the night in the public sphere. In fact, weariness at the task is written all over her face, the scratchy lines of the etching giving heavy shadow to the area underneath her eyes and the lines touching from her nostrils till the outsides of her lips. This technique of etching lends a weariness or faded quality to the entire piece, the woman and her world appearing to be worn down to a mere skeleton of their realities. Her left leg casually draped across her right and the ease with which she appears to hold the straightening tool signify the routine quality of this preparation, despite her apparent dissatisfaction at the procedure. Throughout all of this, she directly confronts the viewer with a strong gaze, as if the audience is her mirror. It is as if Thrash was literally reflecting his African American audience back at themselves, hinting at the psychological expense of attempting to conform to pre-existing white norms. Such an activity, though on the surface merely a shallow process of beautification, carries with it the idea of rejecting your natural physical state, or rather one's blackness. To Locke and Thrash, this was not viewed as positive for African Americans considering that it the connotation of such an act of conforming to the aesthetic norms of white society puts the natural condition of blacks in a categorization of less than optimal, or ugly. Such a sentiment does not produce pride for the community or bolster the idea of the New Negro. However, Thrash's acknowledgement of the common practice, reflecting it back to the community, is a step towards progressing towards a more positive, independent state. |
Dox Thrash | Relation to W. E. B. Du Bois | Relation to W. E. B. Du Bois
In an editorial in the monthly magazine The Crisis, W. E. B. Du Bois, another father of “The New Negro Movement,” said “let us train ourselves to see beauty in black”.Pinder, Kymberly. “‘Racial Idiom’: I Always Wanted to be an Artist" in Dox Thrash: An American Master Printmaker Rediscovered by John W. Ittmann. Philadelphia Museum of Art. 2001. Dubois called upon African-Americans to be proud of their heritage instead of being ashamed of their dark skin. This racial image issue was another characteristic of the African-American experience at this time. Thrash addressed the issue by creating portraits of African-American subjects and ideal heads using his carborundum mezzotint method that defined typically black facial features in a more realistic manner. At a time when white artists illustrated blacks barbarically in cartoons and newspapers, tasteful portrayals of black subjects were highly influential.
In Thrash's illustration of an African-American woman in his print Marylou, the chiaroscuro effect is extreme. Unlike some of his prints, there is minimal, visible white space in this print, except for around the subject's head. Resembling a halo, the light space bordering the woman's head gives the viewer a sense that there is something pure and righteous about her. She is not tainted or inferior as white society might try to imply. This could be Thrash's attempt to see the beauty in black as W. E. B. Du Bois called upon African-Americans to do in his editorial. Although this painting focuses on an individual, the way that the woman's eyes are illustrated makes her seem as though she is not a specific individual. Her extremely darkened eyes prevent the reader from identifying a precise woman, which enables the viewer to accept her as a symbol of the beauty of all African-American women. |
Dox Thrash | References | References |
Dox Thrash | External links | External links
Glory Be! Work of Art by Dox Thrash at the Baltimore Museum of Art Website
Griffin Hills Work of Art by Dox Thrash at the Baltimore Museum of Art Website
Nursery Rhyme Work of Art by Dox Thrash at the Baltimore Museum of Art Website
African American Registry: Dox Thrash. (2005). Retrieved March 4, 2007.
Dox Thrash. (2003). Philadelphia Museum Store. Retrieved March 4, 2007.
Dox Thrash. (2007). Retrieved March 3, 2007.
Dox Thrash: An African American Master Printmaker Rediscovered. Retrieved March 3, 2007.
Black Printmakers and the WPA . (2007). Retrieved May 2, 2007.
Bearden, Romare, and Harry Henderson. A History of African-American Artists from 1792 to the Present. New York: Pantheon, 1993. 115-146, 243-246.
Library.griftec.org. 15 November 2009.
Kennedy, Winston, "Dox Thrash: Out of the Shadows." International Review of African American Art, vol. 15, no. 4 (1999).
Toller, Pamela. “The Life and Work of Dox Thrash: An Expression of Identity.” Teachers.yale.edu. 15 November 2009.
Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University: Dox Thrash collection, 1920-1966
Works by Dox Thrash at the Free Library of Philadelphia Digital Collections |
Dox Thrash | See also | See also
Samuel Joseph Brown Jr.
Category:1893 births
Category:1965 deaths
Category:20th-century American printmakers
Category:American vaudeville performers
Category:Artists from Georgia (U.S. state)
Category:United States Army personnel of World War I
Category:School of the Art Institute of Chicago alumni
Category:People from Griffin, Georgia
Category:Federal Art Project artists
Category:African-American printmakers
Category:African Americans in World War I
Category:African-American United States Army personnel
Category:20th-century African-American artists |
Dox Thrash | Table of Content | Short description, Early life, Career as an artist, Relation to Alain Locke and the New Negro Movement, Relation to W. E. B. Du Bois, References, External links, See also |
Ricky Frazier | short description | Rick Revene Frazier (born February 9, 1958) is an American former professional basketball player. After transferring from Saint Louis University in 1980, he played on three Big Eight Conference championship and NCAA Tournament teams at Missouri. Frazier led the Tigers in scoring in 1980 and 1981, and formerly held the school record for field goal percentage in a season. He was drafted by the National Basketball Association's Chicago Bulls in 1982.
Frazier was selected to Missouri's "Team of the Decade" for the 1980s. |
Ricky Frazier | Honors | Honors
All-Big Eight (1981, '82)
All-District (1981, '82)
Big Eight "Player of the Year" (1982)
All-American (1982)
Missouri's "Team of the Decade" (1980s)
Mizzou Basketball All-Century Team |
Ricky Frazier | References | References |
Ricky Frazier | External links | External links
MUTigers.cstv.com profile
Ricky Frazier, Missouri Stats
Category:1958 births
Category:Living people
Category:20th-century African-American sportsmen
Category:20th-century American sportsmen
Category:All-American college men's basketball players
Category:American men's basketball players
Category:Basketball players from Missouri
Category:Chicago Bulls draft picks
Category:Missouri Tigers men's basketball players
Category:People from Charleston, Missouri
Category:Saint Louis Billikens men's basketball players
Category:Small forwards |
Ricky Frazier | Table of Content | short description, Honors, References, External links |
George Onorato | Short description | George Onorato (November 5, 1928 – February 21, 2015) was an American politician from New York. |
George Onorato | Life | Life
Onorato was born on November 5, 1928, in Astoria, Queens, New York City. He graduated from Long Island City High School. He served in the 118th Medical Battalion of the U.S. Army from 1950 to 1952. He married Athena Georgakakos, and they had three children.New York State Senate: George Onorato biography
He was Secretary and Treasurer of Local 41 of the International Union of Bricklayers and Allied Craftworkers for 15 years, and entered politics as a Democrat.
On June 28, 1983, he was elected to the New York State Senate, to fill the vacancy caused by the appointment of Anthony V. Gazzara as Chairman of the New York State Liquor Authority.ONORATO, DEMOCRAT, TAKESSENATE RACE IN A QUEENS DISTRICT in the New York Times on June 29, 1983 Onorato was re-elected several times, and remained in the State Senate until 2010, sitting in the 185th, 186th, 187th, 188th, 189th, 190th, 191st, 192nd, 193rd, 194th, 195th, 196th, 197th and 198th New York State Legislatures. He was Vice Chair of the Minority Conference, Co-chair of the New York State Armed Forces Legislative Caucus, and Co-Chairman of the New York State Senate Democratic Task Force on Energy & Conservation. He generally opposes same-sex marriage legislation. He is a member of New York State Senate Democratic Puerto Rican and Hispanic Task Force, the Senate Minority Task Force on Vietnam Veterans, and the Senate Minority Task Force on Waterfront Development.
In 1998, Onorato was challenged by Progressive Democrat Ed Sedarbaum. Onorato got re-elected to The New York State Senate on Election Day 2009.https://gaycitynews.com/ed-sedarbaum-queens-lgbtq-movement-dies-78/
On December 2, 2009, Onorato voted against same-sex marriage legislation, which failed to pass the Senate.
Onorato announced on January 11, 2010, that he would not be a candidate for re-election.
He died on February 21, 2015, in East Elmhurst, Queens. |
George Onorato | References | References
Category:Democratic Party New York (state) state senators
Category:1928 births
Category:2015 deaths
Category:People from Astoria, Queens
Category:21st-century members of the New York State Legislature
Category:20th-century members of the New York State Legislature |
George Onorato | Table of Content | Short description, Life, References |
Category:Trinidad and Tobago Canadians | category redirect | |
Category:Trinidad and Tobago Canadians | Table of Content | category redirect |
File:Takkatakka.jpg | Summary | Summary
Photo by Hal Hartley |
File:Takkatakka.jpg | Licensing | Licensing |
File:Takkatakka.jpg | Table of Content | Summary, Licensing |
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Wikipedia:WikiProject Spam/LinkSearch/ebay.com | Table of Content | * |
I Wish I Was Queer So I Could Get Chicks | Short description | "I Wish I Was Queer So I Could Get Chicks" is the second single from American rap rock band Bloodhound Gang's second studio album, One Fierce Beer Coaster (1996). Released as a single in 1997, the song charted in New Zealand, reaching number 32 that October. An alternate version was recorded as a B-side, featuring a crooning vocal over Nashville country/lounge backing. |
I Wish I Was Queer So I Could Get Chicks | Content | Content
The satirical song is entirely about the belief that girls only like gay men. The lyrics reference the stereotype that gay men are often better looking and more sensitive than heterosexual men, enjoy the band Depeche Mode and avant garde ballet, and how Jimmy Pop, the band's singer, wishes that he could be a homosexual to be more successful with women. |
I Wish I Was Queer So I Could Get Chicks | Reception | Reception
Writing in the LGBT magazine The Advocate, Barry Walters described the song as "annoying" but admitted the band's stereotypes of homosexuals were somewhat accurate, "especially the Depeche Mode part". Passing mention in The Rolling Stone Album Guide cited the song as an example of the band's "easy to offend" lyrics, while The Encyclopedia of Popular Music described it as an example of the band's "school boy level of humour". |
I Wish I Was Queer So I Could Get Chicks | Music video | Music video
The music video starts out with Jimmy Pop, who is playing a gay talk-show host named Dirk Ramrod, and his co-host, Lewis, who is played by bassist Evil Jared Hasselhoff discussing their special guest for the day, Lupus Thunder and DJ Q-Ball from Bloodhound Gang. The video then becomes a montage of some of Dirk and Lewis's (Jimmy and Jared's) favorite (nastiest) moments off the show, leaving DJ Q-Ball and Lupus disgusted and slightly amused until the video ends with Jimmy Pop and Evil Jared saying, "Come again, if ya got the balls!" |
I Wish I Was Queer So I Could Get Chicks | Charts | Charts
+ Weekly chart performance for "I Wish I Was Queer So I Could Get Chicks" Chart (1997) Peakposition |
I Wish I Was Queer So I Could Get Chicks | References | References
Category:Bloodhound Gang songs
Category:1997 singles
Category:1996 songs
Category:LGBTQ-related songs
Category:Songs written by Jimmy Pop |
I Wish I Was Queer So I Could Get Chicks | Table of Content | Short description, Content, Reception, Music video, Charts, References |
Martha Davis | '''Martha Davis''' | Martha Davis may refer to:
Martha Davis (author) (born 1957), American professor of law and author
Martha Davis (musician) (born 1951), American lead singer-songwriter of the new wave band The Motels
Martha Davis (singer) (1917–1960), American vocalist and pianist who performed as "Martha Davis and Spouse"
Martha Ellen Davis, American anthropologist and ethnomusicologist |
Martha Davis | Table of Content | '''Martha Davis''' |
Durham Flames | short description | Durham Flames were a semi-professional Canadian football club based in Oshawa, Ontario, Canada. The club competed in the Canadian Professional Soccer League for five seasons from 1999 to 2003. |
Durham Flames | Background | Background
Durham Flames (previously known as Oshawa Flames) played in the Canadian Professional Soccer League which is the third tier of Canadian football pyramid. The club was founded in 1999 and played their home matches at the Oshawa Civic Stadium in Oshawa. The stadium is able to accommodate 2,000 spectators. The club was affiliated to the Canadian Soccer Association. |
Durham Flames | History | History
Durham Flames were originally known as Oshawa Flames and first entered the Canadian Professional Soccer League in 1999, as a replacement for the Mississauga Eagles. The club's first head coach was CSL and APSL veteran Jens Kraemer. Notable acquisition were Darryl Gomez, Pat Sullivan, and Hubert Busby, Jr. The club finished in fifth position and reached the semi-finals of the League Cup before going out 2–0 on aggregate to Toronto Croatia, the second match proving decisive at Centennial Park Stadium. The following season the team hired the services of Durham College head coach Stan Bombino to coach the team. Bombino led Durham to a seventh-place finish which reflected the fact that they drew 9 of their 14 matches. Jimmy Kuzmanovski was the club's top goal-scorer with 9 league and cup goals. At the conclusion of the season Kuzmanovski was awarded the CPSL Rookie of the Year award. Under their new title of Durham Flames, and under the leadership of Danny Stewart the club again failed to reach the championship playoffs in the 2001 and 2002 seasons. Though Durham failed to reach the postseason they received the CPSL Fair Play award in 2001.
In their final season in 2003 in the Eastern Conference the club struggled, winning just one of their 18 league matches. This contrasted with their performance in the Open Canada Cup when they reached the Cup Final weekend before losing 4–1 to London City in a wild card game on 29 August 2003. The Flames last ever match was played on 30 September 2003 when they went down 3–1 away to Vaughan Sun Devils. On October 5, 2003, the organization was awarded their second CPSL Fair Play award for being the most disciplined team.
It was reported in the local press that The Flames were excluded from the League in December 2003, their franchise having been revoked following their failure to pay league fees and fines. Durham Storm took over their slot for home games in Oshawa's Civic Stadium on Friday nights. However The Storm bought the Mississauga Olympians franchise and did not take over the Durham Flames franchise. |
Durham Flames | Season to season | Season to season
Season League Pos. Pl. W D L GS GA PPlayoffsLeague CupClub name1999Canadian Professional Soccer League514367192614Did not qualifySemi-finalOshawa Flames2000Canadian Professional Soccer League71429322359Did not qualifyGroup stageOshawa Flames2001Canadian Professional Soccer League10227312395324Did not qualifyGroup stageDurham Flames 2002Canadian Professional Soccer League (East)5197210284423Did not qualifyDurham Flames 2003Canadian Professional Soccer League (East)618111628739Did not qualifyDurham Flames |
Durham Flames | First team squad 2003 | First team squad 2003
The following players represented Durham Flames in their final season: |
Durham Flames | Club administration 2003 | Club administration 2003
The key officials of the club during the last season were:
Steve Kralj - President
Carlos De sousa - Vice President
Frank Kralj - Treasurer
Stan Bombino - Technical Director
Jack Methven - Manager
Steve Hamill - Head Coach
Tony Cabral - Assistant Coach
Matt Gurr - Goalkeeper Coach |
Durham Flames | Head coaches | Head coaches
YearsNameNation1999 2000 Stan Bombino 2001 Danny Stewart 2002-2003 Steve Hamill |
Durham Flames | Footnotes | Footnotes
Category:Canadian Soccer League (1998–present) teams
Category:Defunct soccer clubs in Canada
Category:Soccer clubs in Ontario
Category:Sport in Oshawa
Category:Association football clubs established in 1999
Category:Association football clubs disestablished in 2003
Category:1999 establishments in Ontario
Category:2003 disestablishments in Ontario |
Durham Flames | Table of Content | short description, Background, History, Season to season, First team squad 2003, Club administration 2003, Head coaches, Footnotes |
The Multiracial Activist | Short description | The Multiracial Activist (TMA) is a left-libertarian activist journal covering social and civil liberties issues of interest to individuals who perceive themselves to be biracial or multiracial. In addition, interracial couples and families and transracial adoptees are also constituencies covered. The magazine is based in Alexandria, Virginia. |
The Multiracial Activist | History | History
Founded in April 1997 by James A. Landrith, Jr., The Multiracial Activist is registered with the Library of Congress in Washington, DC under .
In addition to covering news on its core constituencies, The Multiracial Activist is involved in various civil liberties coalitions. Coalition topics include racial classifications, domestic surveillance, racial profiling, financial privacy,Weyrich, Paul, Document: Letter from FCF to Sec. Evans Re Financial Privacy, May 15, 2001 national identification cards, immigration reform,Human Rights First and general civil liberties issues.Vibe The Multiracial Activist participated as a plaintiff in a controversialFreedom of Information Act lawsuit lawsuit initiated by the Center for National Security Studies against the Department of Justice in December 2001. |
The Multiracial Activist | Advocacy | Advocacy
The Multiracial Activist participated in the efforts in the late 1990s to allow respondents to the U.S. Census and other government forms that collect racial classification data to check more than one racial classification box.Multiracial Beginning in 1998, The Multiracial Activist published a letter from Bob Jones University,Multiracial which eventually led to the repeal of their long-standing ban on interracial relationships among their student population.New Boston Books
In addition to working on racial classification issues, multiracial identity and interracial marriage, The Multiracial Activist and its founder currently serve on a diverse variety of civil liberties coalitions.Multiracial Most notable are the Coalition for Patient Privacy,Patient Privacy Rights Asylum Working Group (sponsored by Human Rights First), Liberty Coalition and In Defense of Freedom.In Defense of Freedom |
The Multiracial Activist | Books | Books
The Multiracial Activist has been profiled in numerous books. Most notable are: 2003 The Fundamentals of Extremism,Microsoft Word – The Fundamentals Text.doc 2004 Social Identities: Multidisciplinary Approaches by Gary Taylor and Spencer Steve, 2004 The Politics of Multiracialism: Challenging Racial Thinking edited by Heather M. Dalmage, and 2006 Race and Multiraciality in Brazil and the United States: Converging Paths? by G. Reginald Daniel. |
The Multiracial Activist | See also | See also
Multiracial
Race of the Future |
The Multiracial Activist | References | References |
The Multiracial Activist | External links | External links
Official Site
Category:Bimonthly magazines published in the United States
Category:Libertarian magazines published in the United States
Category:Magazines established in 1997
Category:Magazines published in Virginia
Category:Multiracial affairs in the United States |
The Multiracial Activist | Table of Content | Short description, History, Advocacy, Books, See also, References, External links |
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