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Paul Cummings | References | References |
Paul Cummings | External links | External links
Cougar Club
Category:1953 births
Category:2001 deaths
Category:American male long-distance runners
Category:American male steeplechase runners
Category:Athletes (track and field) at the 1984 Summer Olympics
Category:BYU Cougars men's track and field athletes
Category:Latter Day Saints from Arizona
Category:World record setters in athletics (track and field)
Category:Olympic track and field athletes for the United States
Category:Sportspeople from Santa Maria, California
Category:Track and field athletes from California
Category:Sportspeople from Tempe, Arizona
Category:Track and field athletes from Arizona
Category:BYU Cougars men's cross country runners
Category:Latter Day Saints from California
Category:American masters athletes
Category:NCAA Division I Outdoor Track and Field Championships winners
Category:20th-century American sportsmen |
Paul Cummings | Table of Content | Short description, Early life, Brigham Young University (1971–1975), Middle distance track racing, 1984 US Olympic Team, Road racing, American and World records, Contributions, Death, Personal records, Half Marathon World record, References, External links |
When Men Discuss Women | more citations needed | When Men Discuss Women () is a 1967 Argentine film directed by Fernando Ayala. |
When Men Discuss Women | External links | External links
Category:1967 films
Category:Argentine comedy films
Category:1960s Spanish-language films
Category:Films directed by Fernando Ayala
Category:1960s Argentine films |
When Men Discuss Women | Table of Content | more citations needed, External links |
A Long Journey (1967 film) | short description | A Long Journey () is a 1967 Chilean drama film influenced by Italian neorealism and the French New Wave. |
A Long Journey (1967 film) | Plot | Plot
A young boy from the impoverished neighborhoods of Santiago, Chile roams the city in search of his recently deceased newborn brother, known as 'el angelito'. The boy wishes to return the wings he believes the baby lost at his wake, as he believes his brother cannot enter heaven without them. |
A Long Journey (1967 film) | Cast | Cast
Enrique Kaulen - Boy
Eliana Vidal - Unfaithful rich wife
Fabio Zerpa - Rich wife's lover
Rubén Ubeira - Boy's father
María Castiglione - Boy's mother
Emilio Gaete - Cuckolded rich husband
Julio Tapia
Hector Duvauchelle |
A Long Journey (1967 film) | References | References |
A Long Journey (1967 film) | External links | External links
Category:1967 films
Category:1960s Spanish-language films
Category:Chilean drama films
Category:Chilean black-and-white films |
A Long Journey (1967 film) | Table of Content | short description, Plot, Cast, References, External links |
Template:WikiProject Piracy | #invoke:WikiProject banner | |
Template:WikiProject Piracy | Table of Content | #invoke:WikiProject banner |
The Invisible Man Attacks | more citations needed | The Invisible Man Attacks (Spanish:El Hombre invisible ataca) is a 1967 Argentine comedy film. |
The Invisible Man Attacks | Cast | Cast
Martin Karadagián
Gilda Lousek
Tristan
Ricardo Passano
Joe rigoli
Guillermo Battaglia
Nathan Pinzón
Gobbi dart
Mila Demarie
The Gypsy Ivanoff
Oscar Orlegui
Susana Mayo |
The Invisible Man Attacks | External links | External links
Category:1967 films
Category:Argentine comedy films
Category:1960s Spanish-language films
Category:1960s Argentine films |
The Invisible Man Attacks | Table of Content | more citations needed, Cast, External links |
File:FamilyAffairLP.jpg | Summary | Summary
A Family Affair cast recording cover
Fair use of image in the article A Family Affair
Though this image is subject to copyright, its use in the article A Family Affair qualifies under the fair use doctrine because:
It is a low resolution copy of the album cover.
It doesn't limit the copyright owner's rights to sell the image or album.
The image cannot be replaced by a free alternative. |
File:FamilyAffairLP.jpg | Licensing | Licensing |
File:FamilyAffairLP.jpg | Table of Content | Summary, Licensing |
James Drescher | Short description | James Drescher (born August 12, 1965), better known as Jimmy G or Jimmy Spliff, is the lead singer for New York based hardcore punk band Murphy's Law. |
James Drescher | Career | Career
Murphy's Law is an American hardcore band from New York City, New York, formed in 1982. While vocalist Jimmy Drescher remains the only remaining original member of the band. the line-up has consisted of former members of bands such as Skinnerbox, Danzig, The Bouncing Souls, Mucky Pup, Dog Eat Dog, Hanoi Rocks, Agnostic Front, Warzone, Cro-Mags, and D Generation.
Over the course of their career, Murphy's Law have released five full-length albums, the last of which was released in 2001. Countless singles and covers have been recorded throughout the band's career which are listed on their website. Murphy's Law have been touring Japan, Europe and the US for years despite lack of record label support.
He appears in the video game Grand Theft Auto IV as the voice of Liberty City Hardcore (L.C.H.C) radio station's DJ.
In 2018, he was hospitalized and underwent surgery to remove his gallbladder. The Mighty Mighty Bosstones, Sheer Terror, Killing Time held a concert to raise funds for his medical bills. There was also a GoFundMe campaign on his behalf.
On May 4, 2023, Drescher along with various friends were celebrating the one year anniversary of the death of musician Howie Pyro. During the celebration, Pyro's former D Generation bandmate Jesse Malin suffered a rare spinal cord stroke that left him paralyzed from the waist down. Drescher carried Malin from the restaurant into a nearby apartment from where he was taken to Mount Sinai Hospital. |
James Drescher | References | References
Category:Living people
Category:American male singers
Category:1965 births
Category:American punk rock singers
Category:Place of birth missing (living people)
Category:Murphy's Law (band) members |
James Drescher | Table of Content | Short description, Career, References |
El romance del Aniceto y la Francisca | Short description | Este es el romance del Aniceto y la Francisca, de cómo quedó trunco, comenzó la tristeza y unas pocas cosas más…, or simply El Romance del Aniceto y la Francisca, is a 1967 Argentine romantic drama film directed and written by Leonardo Favio, based on the short story El cenizo by Jorge Zuhair Jury, Favio's older brother. The film stars Federico Luppi, Elsa Daniel, María Vaner and Edgardo Suárez.
El Romance del Aniceto y la Francisca received unanimous acclaim and won four Silver Condor Awards: Best Film, Best Actor for Luppi, Best Actress for Daniel and Best Supporting Actor for Suárez. A remake of the film, Aniceto, was released in 2008, also directed by Favio.
It was selected as the ninth greatest Argentine film of all time in a poll conducted by the Museo del Cine Pablo Ducrós Hicken in 1984, while it ranked 5th in the 2000 edition. In a new version of the survey organized in 2022 by the specialized magazines La vida util, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 13 position. |
El romance del Aniceto y la Francisca | Cast | Cast
left|thumbnail|Federico Luppi in the film.
Federico Luppi ... Aniceto
Elsa Daniel ... Francisca
María Vaner ... Lucía
Edgardo Suárez ... Renato
Cacho Mendoza ... The Man in the Cockpit
Eduardo Vargas ... Golazo
Ernesto Cutrera ... Don Yiyo's son
Walter Sanchez
Joly Bergali
Rafael Chumbito
Mario Savino |
El romance del Aniceto y la Francisca | References | References |
El romance del Aniceto y la Francisca | External links | External links
Category:1967 films
Category:1967 romantic drama films
Category:Argentine black-and-white films
Category:Argentine romantic drama films
Category:Films based on short fiction
Category:Films directed by Leonardo Favio
Category:Silver Condor Award for Best Film winners
Category:Cockfighting in film
Category:1960s Argentine films
Category:1960s Spanish-language films |
El romance del Aniceto y la Francisca | Table of Content | Short description, Cast, References, External links |
Scandal in the Family (1967 film) | short description | Scandal in the Family () is a 1967 Argentine comedy film directed by Julio Porter. It was entered into the 5th Moscow International Film Festival. |
Scandal in the Family (1967 film) | Cast | Cast
Niní Marshall as Loli
Pilar Bayona as Pili Luna (as Pili)
Emilia Bayona as Mili Terán (as Mili)
Ángel Garasa as Dr. Raimundo Luna
Yaco Monti as Marcelo
Juan Carlos Altavista as Carlos
Vicente Rubino as TV Director
Héctor Calcaño
Carlos Scazziotta as Fito
Lalo Malcolm
Fidel Pintos as Próspero |
Scandal in the Family (1967 film) | References | References |
Scandal in the Family (1967 film) | External links | External links
Category:1967 films
Category:1967 comedy films
Category:1960s Spanish-language films
Category:Films directed by Julio Porter
Category:Argentine comedy films
Category:1960s Argentine films
Category:Spanish-language comedy films |
Scandal in the Family (1967 film) | Table of Content | short description, Cast, References, External links |
No Stars in the Jungle | Infobox film
| No Stars in the Jungle () is a 1967 Peruvian adventure drama film directed by Armando Robles Godoy. The film won the Golden Prize at the 5th Moscow International Film Festival in 1967. The film was also selected as the Peruvian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee.Margaret Herrick Library, Academy of Motion Picture Arts and Sciences |
No Stars in the Jungle | Cast | Cast
Ignacio Quirós as Man
Susana Pardahl as Woman
Luisa Otero as Old Woman
Jorge Montoro as Indian
César David Miró as Kid
Manuel Delorio as Landholder
Jorge Aragón as Rubber Planter
Demetrio Túpac Yupanqui as Commoner |
No Stars in the Jungle | See also | See also
List of submissions to the 40th Academy Awards for Best Foreign Language Film
List of Peruvian submissions for the Academy Award for Best Foreign Language Film |
No Stars in the Jungle | References | References |
No Stars in the Jungle | External links | External links
Category:1967 films
Category:1967 adventure films
Category:1967 drama films
Category:Peruvian adventure drama films
Category:1960s Peruvian films
Category:1960s Spanish-language films
Category:Films directed by Armando Robles Godoy
Category:1960s adventure drama films
Category:Spanish-language adventure drama films |
No Stars in the Jungle | Table of Content | Infobox film
, Cast, See also, References, External links |
2006 Dutch Open | '''2006 Dutch Open''' | 2006 Dutch Open may refer to:
2006 Dutch Open (badminton)
2006 Dutch Open (tennis) |
2006 Dutch Open | Table of Content | '''2006 Dutch Open''' |
La Muchacha del cuerpo de oro | more citations needed | La Muchacha del cuerpo de oro is a 1967 Argentine film. |
La Muchacha del cuerpo de oro | Cast | Cast
Thelma Tixou
Enzo Viena
Fernando Siro
Héctor Pellegrini
Alba Múgica
Nina Pontier (birth name: Nina Pontoriero) |
La Muchacha del cuerpo de oro | External links | External links
Category:1967 films
Category:Argentine drama films
Category:1960s Spanish-language films
Category:1960s Argentine films |
La Muchacha del cuerpo de oro | Table of Content | more citations needed, Cast, External links |
Sairul Amar Ayob | Short description | Sairul Amar bin Ayob (born 10 September 1980) is a former male badminton player and subsequent coach from Malaysia. He won the 2005 New Zealand Open after defeating Hong Kong's Chan Yan Kit in the final. |
Sairul Amar Ayob | Achievements | Achievements |
Sairul Amar Ayob | BWF Grand Prix (2 titles, 1 runner-up) | BWF Grand Prix (2 titles, 1 runner-up)
The BWF Grand Prix had two levels, the BWF Grand Prix and Grand Prix Gold. It was a series of badminton tournaments sanctioned by the Badminton World Federation (BWF) which was held from 2007 to 2017.
Men's singles
Year Tournament Opponent Score Result2005New Zealand Open Chan Yan Kit15–8, 17–16 Winner2006Dutch Open Wu Yunyong22–20, 14–21, 21–9 Winner2008New Zealand Open Lee Tsuen Seng22–24, 17–21 Runner-up
IBF World Grand Prix tournament
Grand Prix Tournament |
Sairul Amar Ayob | References | References
Category:1980 births
Category:Living people
Category:Sportspeople from Perlis
Category:Malaysian people of Malay descent
Category:Malaysian Muslims
Category:Malaysian male badminton players |
Sairul Amar Ayob | Table of Content | Short description, Achievements, BWF Grand Prix (2 titles, 1 runner-up), References |
A Family Affair (musical) | Short description | A Family Affair is a musical with a book by James Goldman and William Goldman, lyrics by James Goldman and John Kander, and music by Kander. This was Kander's first show and his only one written without Fred Ebb in Ebb's lifetime. |
A Family Affair (musical) | Synopsis | Synopsis
In Chicago, Gerry Siegal and Sally Nathan, a young suburban Chicago couple, decide to marry.
The bride's Uncle Alfie (her guardian) wants an intimate wedding and wages a war of words with the groom's entire family. The groom's brassy Jewish mother Tillie commandeers the planning, steering it towards a large country club wedding (despite her husband's scolding her for taking over). Caterers, dressmakers, band leaders, rabbis, florists, photographers and a bossy wedding planner are pushed to the limit by the madcap preparations.
The bride and groom, who have retained their sanity, realize that their families have almost destroyed the wedding. They announce their intention to have a quiet family affair. |
A Family Affair (musical) | Song list | Song list
Act I
Anything for You
Beautiful
My Son, the Lawyer
Every Girl Wants to Get Married
Right Girls
Kalua Bay
There's a Room in My House
Siegal Marching Song
Nathan Marching Song
Harmony
Act II
Now, Morris
Wonderful Party
Revenge
Summer is Over
Harmony (Reprise)
I'm Worse Than Anybody
What I Say Goes
The Wedding |
A Family Affair (musical) | Background | Background
The three collaborators on the show, William and James Goldman, and John Kander, had all been friends for a long time and shared an apartment in New York City. Although all three would enjoy great success, when the musical was written only William Goldman was doing well in his career. He later remembered:
They were older than I was, Kander and my brother, and they were the ones who were supposed to succeed and they weren't I was. It terrified me and I wrote a musical with my brother and Kander, A Family Affair, which got on, which failed. I don't know why I did it. Here were these two wonderful figures for me and I was doing well and they weren't and I helped them in my own nutty way. Except it didn't work out that way, since everything I tried for the theatre failed.Egan p 29
William Goldman says the idea for the musical was his.Egan p 33
The musical was originally optioned by Leland Hayward and when he dropped the option their agent, Richard Seff, talked his cousin Andrew into producing it. Seff recalled: “Jerome Robbins was interested in directing, which made Leland Hayward interested in producing — but when Robbins decided that he wouldn’t, Hayward said he wouldn’t, either. But I so believed in this show that I got my cousin Andrew... to produce it.”Filichia, p 18
Money was raised by doing live auditions, according to Seff:
Jim couldn't sing a note, Bill can't really sing but John Kander can a little bit, so Kander would play and sing and Bill would sing with him and then I had to get up and sing with them too so here was the agent playing actor. There were thirty people, fifty people, and we'd raise the thousand dollars one night and two thousand the next and we put together the whole show that way.Egan p 33
The credits are shared by all three equally. "I would not say I was a major contributor to the lyrics, but we all decided the three of us would take the billing," remembers William Goldman.Egan p 33 |
A Family Affair (musical) | Production history | Production history
Hal Prince, a producer who was looking to direct, had read the musical on the recommendation of Stephen Sondheim while working on Tenderloin. He later recalled "The book was funny and the score superior. Though there were sufficient conflicts en route to the altar, there was also a certain predictability about them, and never a doubt where the show was going. For this reason I did not want to do it."Price p 87
The director eventually hired was Word Baker, who recently had staged The Fantasticks off-Broadway. The cast was headed by Shelley Berman, Morris Carnovsky, and Eileen Heckart. Prince recalled "Berman was in his prime then, but was cast in a subordinate role, the uncle of the bride, unbalancing the project. His was the best material, most flamboyant characterization."Prince p 87
A Family Affair opened in Philadelphia but reviews and audiences were poor. Variety said "in the second act virtually all the ensembles fail to jell."
Prince says the show "was on the verge of closing without moving to New York." Jerome Robbins, George Abbott and Gower Champion were approached to take over as director but turned it down. "Failing with every musical director in New York, they invited me," wrote Prince.Prince p 88
Prince went to see the show in Philadelphia:
It was a mess. The material that I liked so much on paper was impossible to see for the production that was imposed on it, a unit set that looked like a tiered wedding cake... Instead of a realistic old-fashioned musical with walls, and doors, and corners, they had gone chic with yards and yards of China silk and surrealistic costumes. It had a big chorus it didn’t need. It was a disaster. Still, I remembered the material and if you could simply put back on the stage what I’d read, in focus so we could see it, that alone would have to make an enormous difference.Prince p 88
There was no money to continue the show in Philadelphia. Prince offered to take over direction and help the show open in New York provided he had complete creative control. He says of the three stars, Eileen Heckart was the one who wanted the show to end but she was outvoted. That night Prince developed a new scene with the authors which Berman refused to do, but Prince held his ground; the scene was rehearsed, went well, and Berman apologised.Prince p 89 "In a week’s time we substituted eighty new pages for the hundred and ten which comprised the book, and moved on to New York," wrote Prince.Prince p 80
Prince says his mentor George Abbott gave his blessing but warned the new director that "No doubt I would do good work, the improvements would be real, but I must be careful not to be seduced by the experience into wishful-thinking a success, because that would turn an otherwise marvelous experience into a disappointment. Well, I was seduced, and it was disappointing."Prince p 90
The Broadway production of Family Affair opened on January 27, 1962, at the Billy Rose Theatre, where it ran for 65 performances and five previews. It lost $420,000 on an original investment of $350,000.
According to Richard Seff:
We kept it alive, barely. It earned a living for those nine weeks but it never made any profit to speak of and to go on longer would have meant to take big losses so it was sensible to close it... When we first heard it, we thought it had great charm. But I think it would have been helped by a director who really understood big musicals and Wood Baker had just had the great success with Fantastiks, which was only a few people in a tiny, tiny theatre, and he did that one imaginatively, but this one he did not do imaginatively and it was very clunky. A lot depends on the director in a musical. He really can make fair material much better and a bad director can take excellent material and make it worse... Hal Prince took over the direction out of town. He helped it a lot. It got better. It just didn't get good enough.Egan p 35
Prince later reflected, "We could not have accomplished what we had in ten days were it not for Baker’s initial direction. The performers knew who they were.... But Baker was married to the wrong material. He has a natural sense of fantasy, a light touch, but here he was working with a Jewish family comedy."Prince p 90
A number of record companies turned down the chance to record an original cast album, including Columbia and RCA. “I made it my mission to get it recorded,” said Seff. “I finally convinced United Artists to do it.” It was the first time they had recorded an original cast album.Filichia p 19 |
A Family Affair (musical) | Reception | Reception
Howard Taubmann of the New York Times said "the writing of A Family Affair is not strong on taste; it resorts to the cliches of Jewish domestic attitudes. Nor is it fresh in style; it often has the air of a busy, good-humored borrower from various musical-comedy sources. Since some of these sources are first-rate, some numbers are lively."Ilson p 73
Walter Kerr liked much of the show but felt "it falls off in the vacuousness of some of its blackouts, falls off in the repetitiousness of quarrels that don’t progress, falls off most notoriously in its second-act reaching for incidental numbers (such as a bachelor party) that are far enough afield to be arrested for vagrancy. ... A most appealing “almost"."Islon p 73
Kander and Ebb's biographer later wrote the musical "has some screamingly funny scenes and a solid if conventional musical comedy score, but today it seems a bit too much like a glorified Catskill comedy skit."Leve p 136 |
A Family Affair (musical) | Legacy | Legacy
One of the songs from the musical that was dropped, "Mamie in the Afternoon", was rewritten by Kander as "Arthur in the Afternoon" and put in The Act.
Prince later wrote "there are many reasons why I’m glad I directed A Family Affair," including it being his first collaboration with a number of people whom he would work with again, such as John Kander, James Goldman and Linda Lavin.
Heckart's daughter said the experience turned her mother off appearing in any more musicals, which led to Heckart rejecting an offer to appear in Company. However she was proud of the fact she had made a cast album and asked for her song in A Family Affair "My Son the Lawyer" be played at her funeral. |
A Family Affair (musical) | Original cast | Original cast
Shelley Berman as Alfie
Eileen Heckart as Tillie
Rita Gardner as Sally
Larry Kert as Gerry
Morris Carnovsky
Cathryn Damon
Bibi Osterwald
Linda Lavin |
A Family Affair (musical) | References | References |
A Family Affair (musical) | Notes | Notes
Not Since Carrie: Forty Years of Broadway Musical Flops by Ken Mandelbaum, published by St. Martin's Press (1991), pages 141–42 ()
A Family Affair at the Music Theatre International Website
Egan, Sean, William Goldman: The Reluctant Storyteller, Bear Manor Media 2014
|
A Family Affair (musical) | External links | External links
Internet Broadway Database listing
A Family Affair plot summary & character descriptions
Profile at guidetomusicaltheatre.com
Category:1962 musicals
Category:Broadway musicals
Category:Musicals by James Goldman
Category:Musicals by William Goldman
Category:Musicals set in Chicago |
A Family Affair (musical) | Table of Content | Short description, Synopsis, Song list, Background, Production history, Reception, Legacy, Original cast, References, Notes, External links |
Elitserien (floorball) | # | redirect Swedish Super League |
Elitserien (floorball) | Table of Content | # |
Domašov (disambiguation) | '''Domašov''' | Domašov may refer to places in the Czech Republic:
Domašov, a municipality and village in the South Moravian Region
Domašov nad Bystřicí, a municipality and village in the Olomouc Region
Domašov u Šternberka, a municipality and village in the Olomouc Region
Domašov, a village and administrative part of Bělá pod Pradědem in the Olomouc Region |
Domašov (disambiguation) | Table of Content | '''Domašov''' |
MLK Jr. station (DART) | short description | Martin Luther King, Jr. Station at J.B. Jackson, Jr. Transit Center is an intermodal public transit facility in Dallas, Texas operated by Dallas Area Rapid Transit. The facility is situated in South Dallas, where it serves the , four bus routes, and a curb-to-curb transit zone.
On maps and schedules, the facility is typically treated as two separate stations, with the light rail portion referred to as MLK Jr. station and the bus portion referred to as J.B. Jackson Jr. Transit Center. |
MLK Jr. station (DART) | Location | Location
MLK Jr. station is located at the intersection of Martin Luther King Jr. Boulevard and South Trunk Avenue. The area's largest attraction is Fair Park, the home of the State Fair of Texas, which is two blocks north of MLK Jr. station. A number of small businesses and public facilities are in the vicinity of the station. |
MLK Jr. station (DART) | Transit-oriented development | Transit-oriented development
As with other DART stations, particularly within the inner sections of Dallas, the City of Dallas has encouraged transit-oriented development in station-proximate parcels to boost economic development. MLK Jr. is one of the City's five prime targets for encouraging mixed-use development near DART; the station area plan released in February 2013 aims to focus growth in an "urban mixed-use area" encompassing vacant lots directly south of the station as well as designating Grand Avenue, Martin Luther King Junior Boulevard and Robert B Cullum Boulevard as corridors to upgrade to complete streets or secondary streetscape areas. |
MLK Jr. station (DART) | History | History
J.B. Jackson, Jr. Transit Center was opened as a bus-only station on February 21, 2005. The station was named for J.B. Jackson, Jr. Boulevard, which in turn was named after a community leader and founding member of the DART executive board.
The light rail portion of the station, named for Martin Luther King, Jr. Boulevard, opened on September 14, 2009. It served as the southern terminus for the Green Line until it was extended to Buckner on December 6, 2010. |
MLK Jr. station (DART) | Artwork | Artwork
In tribute to the largely-African-American population of South Dallas, the station's artwork draws from both African culture and Dallas history. The columns and floor use patterns inspired by Kuba textiles, and two seventeen-foot talking drums flank the entrance to the rail station. The rail station's windscreens contain R.C. Hickman photographs depicting the Civil Rights Movement in Dallas. Between the bus and rail stations is a "Walk of Respect" commemorating local community leaders. |
MLK Jr. station (DART) | References | References |
MLK Jr. station (DART) | External links | External links
DART - MLK Jr. Station / J.B. Jackson Jr. Transit Center
Category:Dallas Area Rapid Transit light rail stations in Dallas
Category:Railway stations in the United States opened in 2009
Category:2009 establishments in Texas
Category:Railway stations in Dallas County, Texas
Category:Green Line (Dallas Area Rapid Transit) |
MLK Jr. station (DART) | Table of Content | short description, Location, Transit-oriented development, History, Artwork, References, External links |
Wikipedia:Articles for deletion/Anti-Pakistani sentiment | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review | The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.
The result was
keep, we don't delete articles for violating WP:NPOV, WP:OR, unless that cannot be fixed (Please remember that WP:ATT is superceded by WP:NPOV). As far as I can see, there are valid multiple, reliable, secondary sources available on the subject and are provided on the article. I don't see how this fails WP:NEO either. (Sum of all the views on this AfD presented by the participants) The delete arguments are unconvincing. — Nearly Headless Nick {C} 15:26, 12 March 2007 (UTC)
Anti-Pakistani sentiment
– (View AfD)(View log)
I submit this article for examination and possible deletion owing to strong violations of WP:NPOV, WP:OR, WP:ATT, WP:NEO. Even though several sources have been provided, none of them attribute to the assertions made in the article, which are grossly biased and original research. Rama's arrow 21:34, 7 March 2007 (UTC)
Delete, if after reading this article for the third time I would have come to the conclusion that this article conforms WP:NPOV I would have said keep, It is not the theme but it is the unbalanced way that makes me advocate deleting it AlfPhotoman 23:20, 7 March 2007 (UTC)
Keep, extremely heavy cleanup. For every major nation Foo there is the anti-Foo sentiment, so the topic is valid. Contrary to the nominator, I see that the provided references contain such topics as "demonization of Pakistan", etc., although I can say nothing whether they match the wikipedia text. `'mikka 23:43, 7 March 2007 (UTC)
Note: This debate has been included in the list of Pakistan-related deletions. -- ⇒ bsnowball 09:18, 8 March 2007 (UTC)
Keep. Hello I dont know If im allowed to post here, but I daresay I find it somewhat presumptuous of Ramma's arrow to mark my contribution for deletion simply because he found the content offensive, I have provided almost 33 different sources and I will expand the article in the future, if you have time help me do that, dont delete informative articles with sources just because you dont like them. S Seagal 09:32, 9 March 2007 (UTC)
Delete: Statements such as ... zealous anti-Pakistan sentiment that exists in a majority of Hindus, Hindu chauvinism spurred by anti-Pakistan sentiment has grown and with it extremist religious parties like the BJP.[27] However anti-Pakistan sentiment is so deeply embedded into the psyche of the Hindu faithful that it is not confined to Hindu chauvinists alone do give an insight into your POV... this vitriol doesnt deserve an iota of server space on Wiki servers.. Amey Aryan DaBrood© 15:31, 9 March 2007 (UTC)
Comment I struck my delete above, If you want to work on the article you should have a chance to fix it. But remember, we are a tertiary source therefore WE DO NOT HAVE AN OPINION and no matter how we feel about a theme we must be neutral AlfPhotoman 15:33, 9 March 2007 (UTC)
Keep. Other countries have similar pages List of anti-ethnic and anti-national terms. Are we going to delete those also? IP198 19:43, 9 March 2007 (UTC)
Keep Per :Category:Anti-national_sentiment. There are many are anti-national sentiment articles. However, the article still needs to be cleaned up and follow a neutral point of view. Besides, to all those Hindutvaadis out there, on the same premise an Anti-Indian sentiment can be created so don't get so emotional :p GizzaChat © 07:14, 10 March 2007 (UTC)
Delete - NationalORcruft.Bakaman 00:05, 11 March 2007 (UTC)
Keep. The topic is a valid one and one on which there appear to be sufficient sources to write a good article. However, the article as written has serious POV issues. In principle, it can be fixed and the existing sources (if not the current text) would provide a good starting point. Due to my ambivalence, I will remain neutral. -- Black Falcon 00:00, 12 March 2007 (UTC)
I initially intended to remain neutral on the issue, but I just noticed that the article does not have a talk page. These issues should have been raised on the talk page first as an attempt at resolution and/or improvement. The topic is a valid one for an article, so I recommend keeping and starting a discussion on the article's talk page. -- Black Falcon 00:00, 12 March 2007 (UTC)
Keep. It's a valid topic, though the current article is badly flawed. The article itself is already tagged for verification and NPOV checking. I've started a talk page for the article, and deleted the OR/non-NPOV section on AP sentiment in India. --Clay Collier 02:11, 12 March 2007 (UTC)
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page. |
Wikipedia:Articles for deletion/Anti-Pakistani sentiment | Table of Content | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review |
Kut Rang district | Infobox settlement
| Kut Rang (, ; , ) is a district (amphoe) of Maha Sarakham province, northeastern Thailand. |
Kut Rang district | Geography | Geography
Neighboring districts are (from the north clockwise): Kosum Phisai, Borabue, and Na Chueak of Maha Sarakham Province; and Pueai Noi and Ban Phai of Khon Kaen province. |
Kut Rang district | History | History
The minor district (king amphoe) was split off from Borabue district on 1 April 1995.
All 81 minor districts were upgraded to full districts in 2007. With publication in the Royal Gazette on 24 August, the upgrade became official. |
Kut Rang district | Administration | Administration
The district is divided into five sub-districts (tambons), which are further subdivided into 85 villages (mubans). There are no municipal (thesabans). There are five tambon administrative organizations (TAO).
No. Name Thai name Villages Pop.1.Kut Rangกุดรัง166,7242.Na Phoนาโพธิ์219,8993.Loeng Faekเลิงแฝก158,2734.Nong Waengหนองแวง145,8595.Huai Toeiห้วยเตย195,389 |
Kut Rang district | References | References |
Kut Rang district | External links | External links
amphoe.com
Kut Rang |
Kut Rang district | Table of Content | Infobox settlement
, Geography, History, Administration, References, External links |
Mechanical packing | # | redirectStuffing box |
Mechanical packing | Table of Content | # |
Template:WikiProject Mizzou people | # | redirectTemplate:WikiProject Mizzou |
Template:WikiProject Mizzou people | Table of Content | # |
Gordon Corera | Short description | Gordon Corera (born 1974) is a British author and journalist. He was the BBC's Security Correspondent and specialised in computer technology from 2004 to November 2024, he now co-presents the podcast The Rest is Classified (which is about the intelligence services) and is produced by Goalhanger Podcasts. |
Gordon Corera | Early life | Early life
Corera was born in London; his father was from the state of Tamil Nadu in southern India and his mother is German. The family has a home near Cavelossim, in the state of Goa in western India, which he says he has a deep affection for, and visits regularly. |
Gordon Corera | Education | Education
Corera was educated at University College School, an independent school for boys in Hampstead in northwest London, followed by St Peter's College at the University of Oxford, where he studied Modern History,BBC press office biography followed by graduate studies in US foreign policy at Harvard University.Biography from the BBC's Today programme |
Gordon Corera | Life and career | Life and career
Corera worked on the re-election campaign of President Bill Clinton. He joined the BBC in 1997 as a researcher and later became a reporter. He has worked on Radio 4's The World Tonight, BBC2's Newsnight, and worked in the US as the BBC's State Department correspondent and as an analyst for the BBC's coverage of the 2000 US presidential election. In 2001 he became the foreign reporter for Radio 4's Today programme. He was appointed BBC News' security correspondent in 2004.
Corera presented the 2009 Radio 4 programme MI6: A Century in the Shadows, a three-part history of Britain's Secret Intelligence Service.MI6: A Century in the Shadows, BBC website |
Gordon Corera | Books | Books
Corera wrote The Art of Betrayal: Life and Death in the British Secret Service (Orion 2011) about MI6, and Shopping for Bombs: Nuclear Proliferation, Global Insecurity, and the Rise and Fall of the A.Q. Khan Network (September 2006) , about Abdul Qadeer Khan and Pakistan's nuclear programme.
He wrote Intercept: The Secret History of Computers and Spies, also Cyberspies: The Secret History of Surveillance, Hacking, and Digital Espionage.
Corera wrote the introduction to Omar Nasiri's book Inside the Jihad: My Life with al Qaeda, a Spy's story.
Corera most recently wrote Russians Among Us: Sleeper Cells, Ghost Stories and the Hunt for Putin's Spies. The book covers the FBI and CIA investigation into the Russian Illegals programs. |
Gordon Corera | References | References |
Gordon Corera | External links | External links
Audio discussion with Gordon Corera, ABC New South Wales, Australia
Journalisted - Articles by Gordon Corera
Category:Living people
Category:Alumni of St Peter's College, Oxford
Category:BBC newsreaders and journalists
Category:British male journalists
Category:People educated at University College School
Category:Harvard University alumni
Category:1974 births
Category:British people of Tamil descent
Category:British people of Portuguese descent |
Gordon Corera | Table of Content | Short description, Early life, Education, Life and career, Books, References, External links |
Let's Build a World Together | more citations needed | Let's Build a World Together is the fourth studio album by the country music artists George Jones and Tammy Wynette. The album was released in 1973 (see 1973 in country music) on the Epic Records label. It peaked at number 12 on the Billboard Country Albums chart. |
Let's Build a World Together | Background | Background
Let's Build a World Together contains more songs celebrating the fairy tale romance of country music's royal couple featuring producer Billy Sherrill's Phil Spector-influenced production. Regardless of what the reality may have been, country fans couldn't get enough of the pair who appeared to be living every word they sang. As Eugene Chadbourne of AllMusic astutely observes, "The chemistry that develops between partners in a male and female country music duo can sometimes be based on fantasy, as was obviously the case with Loretta Lynn and Ernest Tubb, who no country listener even imagined for a moment were romantically involved. Tammy Wynette and George Jones, on the other hand, did have a relationship." The truth was not as idyllic as their fans preferred to imagine it. Years later, in the documentary Stand By Your Dream, Wynette recalled, "It was very difficult on us, both of us being in the business and both of us being together twenty-four hours a day. We were constantly together. We never had any breathing room, no space...And Jones had a very bad drinking problem, and I knew that when we married but, you know, you always think, 'Oh shoot, he'll be so happy when he marries me and that'll all stop.' You think you can change somebody but you never can. And it wasn't all his fault...I nagged him about his drinkin' an awful lot because he has cirrhosis of the liver and the doctors told him that it was gonna kill him if he did not quit drinkin'. Well, you can't sit by and watch someone you love totally destroy themselves and not try and do something. Maybe I did it in the wrong way but it was the only way I knew to do it at the time."
The album produced no big hits, although the stunning title track was released as a single and reached number 32 on the charts. Other notable tracks include two standards, "After the Fire is Gone", a duet that Conway Twitty and Loretta Lynn took to number one in 1971, and "My Elusive Dreams", a duet Wynette and David Houston also took to number one in 1967. Jones and Wynette also wrote "Touching Shoulders" together. |
Let's Build a World Together | Reception | Reception
AllMusic writes: "The blend of these two beautiful voices is of course a great moment in country history, but this is one of those albums where it is the songs, and not the singers, that have to provide something for the country fan to gnaw on other than distracted thoughts about what the world they built might have really been like." |
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