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La Leona (film) | Cast | Cast
Isabel Sarli
Armando Bó
Santiago Gómez Cou
Mónica Grey
Monsueto
Arnaldo Montel
Gilberto Sierra
Adalberto Silva |
La Leona (film) | References | References |
La Leona (film) | External links | External links
Category:1964 films
Category:1960s Spanish-language films
Category:Argentine black-and-white films
Category:Films directed by Armando Bó
Category:1960s Argentine films |
La Leona (film) | Table of Content | Infobox film
, Cast, References, External links |
File:Tales from the crypt presents demon knight.jpg | Summary | Summary
Source: http://www.impawards.com/1995/tales_from_the_crypt_presents_demon_knight.html |
File:Tales from the crypt presents demon knight.jpg | Fair use | Fair use
It is believed that this image, Tales_from_the_crypt_presents_demon_knight.jpg, is subject to fair use in the article Demon Knight because:
This image is used to represent the film and illustrate how it was promoted during its original theatrical release.
It is of much lower resolution than the original (copies made from it will be of very inferior quality).
It does not limit the copyright owner's rights to market or sell the work in any way.
This image is used on various websites, so its use on Wikipedia does not make it significantly more accessible or visible than it already is.
The image is being used in an informative way and should not detract from the original work.
No free or public domain images have been located for this item. |
File:Tales from the crypt presents demon knight.jpg | Licensing | Licensing |
File:Tales from the crypt presents demon knight.jpg | Table of Content | Summary, Fair use, Licensing |
Henderson Hall (Arlington, Virginia) | short description | Henderson Hall is a military installation of the United States Marine Corps (USMC) located in Arlington County, Virginia, near the Pentagon, on the southern edge of the Arlington National Cemetery and next to Fort Myer. Currently, it is part of Joint Base Myer–Henderson Hall. Henderson Hall is named for Brevet Brigadier General Archibald Henderson, the fifth and longest-serving Commandant of the Marine Corps. |
Henderson Hall (Arlington, Virginia) | History of Henderson Hall | History of Henderson Hall
Most of the land occupied by Henderson Hall was originally owned by the Custis family and later the Syphax family.Scannell, Nancy. "In the Market for a Mausoleum?" Washington Post. August 2, 1984.Stark, George. "The History of the Abbey Mausoleum." Henderson Hall News. January 19, 2001. Accessed 2013-11-06. Maria Carter Syphax, the matriarch of the Syphax family, was rumored to be the mulatto daughter of George Washington Parke Custis, grandson of Martha Washington and founder of the Arlington Estate on the banks of the Potomac River (later the home of Robert E. Lee).Abbott, Dorothea E. "The Land of Maria Syphax and the Abbey Mausoleum." Arlington Historical Magazine. October 1984, p. 64–79. The Spyhax family sold the land to John Dormoyle in 1901, who then sold it to Frederick Rice in 1924.
Much of the rest of the land beneath Henderson Hall was part of the Arlington Estate as well. In 1941, the federal government built a temporary warehouse on this land, calling it Federal Office Building No. 2. It quickly was converted into office space for use by the U.S. Navy, and informally renamed the Navy Annex.Frantom, Todd. "Navy Annex Cornerstone Removal Begins Historical Building Demolition." Navy News Service. January 20, 2012. Accessed 2013-11-08.
The USMC headquarters moved to the Navy Annex in November 1941. A Headquarters and Service Company was organized on March 1, 1942, and a Women Marine Company (part of the United States Marine Corps Women's Reserve) organized as part of the headquarters unit on April 1, 1943. To house both companies, the Marine Corps began acquiring, through purchase, easement, eminent domain, and other means, property to the west and northwest of the Navy Annex Building. This included most of the Syphax land, except for that already purchased by Abbey Mausoleum. Henderson Hall was built on this property in September 1943 to house both companies. All told, were acquired, and athletic fields, a bowling alley, chapel, firing range, gas station, gym, hobby shop, officers' and enlisted men's clubs, post exchange, post office, radio station, supply depot, and swimming pool were all built on the site.2013 Guide to MCSS Henderson Hall. Washington, D.C.: U.S. Marine Corps, 2013, p. 5. Accessed 2013-11-07.
The Women's Reserve was released from active duty in August 1946, and the women's barracks at Henderson Hall renovated into billeting space for male Marines.
Land acquisition ended in 1952, and on February 1, 1954, the Commonwealth of Virginia executed a document ceding political jurisdiction over the land to the U.S. federal government. |
Henderson Hall (Arlington, Virginia) | About Henderson Hall today | About Henderson Hall today
Covering of land,Environmental Assessment for the Integrated Cultural Resources Management Plan for Joint Base Myer-Henderson Hall. Directorate of Environmental Management. Joint Base Myer-Henderson Hall. March 2011, p. 8-9. Accessed 2013-11-08. Henderson Hall is home to the USMC headquarters company unit and associated educational facilities. Since 2009, Henderson Hall is jointly managed by the Marine Corps and the Army as Joint Base Myer–Henderson Hall. The management of Marine Corps Community Services programs and facilities lies with Headquarters & Service Battalion, Headquarters Marine Corps, Henderson Hall.
Little at Henderson Hall is historic. All 19th and early 20th century buildings were demolished during its construction, and grading and construction at the site have destroyed whatever archaeological artifacts might have existed. Nearly all the buildings on the campus today are from the late 20th century. |
Henderson Hall (Arlington, Virginia) | See also | See also
History of the United States Marine Corps
List of United States Marine Corps installations
2017 Guide to MCCS Henderson Hall |
Henderson Hall (Arlington, Virginia) | References | References |
Henderson Hall (Arlington, Virginia) | External links | External links
Marine Corps Community Services (MCCS) Henderson Hall
Category:United States Marine Corps bases
Category:Military installations in Virginia
Category:Buildings and structures in Arlington County, Virginia |
Henderson Hall (Arlington, Virginia) | Table of Content | short description, History of Henderson Hall, About Henderson Hall today, See also, References, External links |
La herencia (1964 film) | moresources | La Herencia is a 1964 Argentine film. The film was screened at the International Critics' Week of the 1964 Cannes Film Festival. |
La herencia (1964 film) | Selected cast | Selected cast
Juan Verdaguer
Nathán Pinzón
Ernesto Bianco
Alberto Olmedo
Silvio Soldán
Marisa Grieben |
La herencia (1964 film) | References | References |
La herencia (1964 film) | External links | External links
Category:1964 films
Category:Argentine black-and-white films
Category:Films based on works by Guy de Maupassant
Category:1960s Spanish-language films
Category:1960s Argentine films |
La herencia (1964 film) | Table of Content | moresources, Selected cast, References, External links |
Sakurai Line | short description | The is a railway line operated by West Japan Railway Company (JR West) in Nara Prefecture. It connects Nara on the Yamatoji Line to Takada on the Wakayama Line, with some services continuing on the Wakayama Line to Ōji Station, and then to JR Namba on the Yamatoji Line. Starting on March 13, 2010, it is referred to by the nickname " in reference to the large number of ancient landmarks along the line's route. |
Sakurai Line | History | History
The Osaka Railway Co. opened the Takada - Sakurai section in 1893, and the Nara Railway Co. opened the Sakurai - Kyobate section in 1898, extending the line to Nara the following year.
In 1900 the Osaka Railway Co. merged with the Kansai Railway Co., and the Nara Railway Co. did likewise in 1905. In 1907 the Kansai Railway Co. was nationalised.
CTC signalling was commissioned in 1979, and the line was electrified in 1980. Freight services ceased in 1983. |
Sakurai Line | Former connecting lines | Former connecting lines
Sakurai station -
The Osaka Electric Railway Co. operated a 6km line to Hatsuse between 1909 and 1938.
The Yamoto Railway Co. line from Oji connected between 1923 and 1944, when that line closed beyond Tawaramoto station.
Unebi station - The Kintetsu Railway Osa line connected here between 1924 and 1945. |
Sakurai Line | Stations | Stations
Station Japanese distance (km) TransfersLocation奈良0.0 Yamatoji Line (Q36) Nara Line (D21)NaraNara Prefecture京終1.9 帯解4.8 櫟本7.3 Tenri天理9.6 Kintetsu Tenri Line (H35)長柄12.6 柳本14.3 巻向15.9 Sakurai三輪18.0 桜井19.7 Kintetsu Osaka Line (D42)香久山21.7 Kashihara畝傍24.7Kintetsu Kashihara Line (Yagi-nishiguchi Station)金橋27.3 高田29.4 Wakayama Line Kintetsu Osaka Line (D25:Yamato-Takada Station)YamatotakadaThrough service on the Wakayama Line to and |
Sakurai Line | Rolling stock | Rolling stock
103 series
221 series
227-1000 series (from Spring 2019) |
Sakurai Line | Former | Former
105 series (until 2020)
113 series
201 series (until 2023) |
Sakurai Line | See also | See also
List of railway lines in Japan |
Sakurai Line | References | References
Category:Lines of West Japan Railway Company
Category:Rail transport in Nara Prefecture
Category:1067 mm gauge railways in Japan
Category:Railway lines opened in 1893 |
Sakurai Line | Table of Content | short description, History, Former connecting lines, Stations, Rolling stock, Former, See also, References |
The Eavesdropper | Use American English | The Eavesdropper (), also known as El ojo de la cerradura, is a 1966 film directed by Argentine filmmaker Leopoldo Torre Nilsson. It was financed with the U.S. company Columbia Pictures. |
The Eavesdropper | Cast | Cast
Stathis Giallelis as Martin Casals
Janet Margolin as Inés
Lautaro Murúa as Hernán Ramallo
Leonardo Favio as Santos
Nelly Meden as Lola
Ignacio de Soroa as Ramón Casal
Elena Cortesina as Mariquita |
The Eavesdropper | Release | Release
The film screened at the 9th Mar del Plata International Film Festival, which was held from 2 to 12 March 1966. The film premiered in Buenos Aires on 1 September 1966. It was released in two versions: an English-language version at Cine Iguazú and a Spanish-language version at other cinemas. The film made its U.S. debut under the title The Eavesdropper at the New York Film Festival on 14 September 1966. |
The Eavesdropper | Reception | Reception
The film was received well at international film festivals. |
The Eavesdropper | Awards | Awards
The film won the 1967 Silver Condor Award for Best Director. |
The Eavesdropper | References | References |
The Eavesdropper | External links | External links
Category:1966 films
Category:1960s Spanish-language films
Category:Argentine black-and-white films
Category:1960s Argentine films
Category:Films directed by Leopoldo Torre Nilsson
Category:Columbia Pictures films
Category:1960s American films
Category:American black-and-white films
Category:1960s English-language films |
The Eavesdropper | Table of Content | Use American English, Cast, Release, Reception, Awards, References, External links |
Wikipedia:Articles for deletion/Werner Schumann | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review | The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.
The result was Delete. —Quarl (talk) 2007-03-11 09:40Z
Werner Schumann
– (View AfD)(View log)
Is he notable? Your thoughts please. Abstain Computerjoe's talk 20:55, 7 March 2007 (UTC)
Delete appears to be non notable director of non notable films. If some of these films had articles (not suggesting articles be made unless they can be sourced) or some sources were provided I would be more hesitant. --Daniel J. Leivick 21:32, 7 March 2007 (UTC)
Delete: Non-notable actor. And the page looks like a madhouse with all the different boxes! Seicer (talk) (contribs) 21:55, 7 March 2007 (UTC)
Note: This debate has been included in the list of Brazil-related deletions. -- Tikiwont 14:53, 8 March 2007 (UTC)
Delete per WP:V and WP:N AlfPhotoman 00:53, 9 March 2007 (UTC)
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page. |
Wikipedia:Articles for deletion/Werner Schumann | Table of Content | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review |
Essex pig | Short description | The Essex is a breed of domestic pig originating in the United Kingdom. |
Essex pig | Characteristics | Characteristics
The Essex, in its traditional form, was a smallish pig with 'pricked' ears and a black ground colour, with a broad band of white 'sheeting' across the shoulders. |
Essex pig | History | History
thumb|Essex boar at the 1843 Royal Agricultural Show in Derby
Like other old British pig breeds, the ancestor of the Essex may have originated in the county of the same name from selective breeding of local wild pigs. It was originally a smallish, "coarse" black-and-white pig that was noted for being easy to keep and cheap to feed, qualities that ensured its popularity with smallholders. The Old Essex, as it came to be known, was deliberately "improved" in the mid 19th century by crossing it with imported pigs.Wiseman, J. The pig: a British history, Duckworth, 2000, p.45 In the early nineteenth century, while travelling in Italy, Charles Western, 1st Baron Western obtained Neapolitan pigs to cross with his Essex sows. One of his tenants, Fisher Hobbs, bred the resulting Neapolitan-Essex boars with his "coarse" Essex sows and established the Improved Essex. In 1840 an Improved Essex boar and sow, both bred by Hobbs, each took first prize in its class at the second show of the Royal Agricultural Society at Cambridge.
The Essex pig remained locally popular until as recently as the mid-1950s, and had actually increased in numbers during the Second World War and immediately afterwards, based on its reputation for hardiness and its ability to feed itself by foraging.The Decline of Traditional Breeds. British Pig Association. Archived 27 February 2012. In 1954, 488 Essex boars (2% of the total British stock) were still licensed, and 3,716 sows registered.
The position of the Essex breed changed markedly after the publication of a 1955 report by the Advisory Committee on the Development of Pig Production in the United Kingdom, chaired by Sir Harold Howitt.Development of pig production in the United Kingdom: report of the Advisory Committee on Development of Pig Production in the United Kingdom, HMSO, 1955 The report, issued after the end of wartime rationing, expressed concern that the UK's pig farms were poorly placed to compete with European and Scandinavian pork and bacon producers, particularly those of Denmark, and identified that the wide variety of local breeds still used in the UK hampered development. It was therefore recommended that pig farmers concentrate on three breeds: the Welsh, the Landrace, and the Large White, and as a result the Essex pig went into a steep decline.
While the breed societies of the Wessex (another breed featuring a black ground colour and white shoulder markings, although with a different origin) and Essex pigs had amalgamated as early as 1918, the formal end of the Essex pig came in 1967, when the stud books were also amalgamated with the intention of merging the two breeds into the British Saddleback. This was intended to improve the breed's characteristics, produce hybrid vigour, and prevent inbreeding in the remaining small herds. For many years the Essex pig was considered to have become extinct in 1967, although it was thought a few pure-bred individuals might survive on small farms. |
Essex pig | Re-creation of the breed | Re-creation of the breed
Later research showed that one farmer, John Croshaw, had refused to amalgamate his herd of Essex pigs (the "Glascote Herd"), which retained a pure Essex bloodline despite being officially registered as British Saddlebacks: Croshaw had carefully managed his stock to avoid inbreeding.Essex Pig Society. Archived January 2010. |
Essex pig | References | References
Category:Pig breeds originating in England |
Essex pig | Table of Content | Short description, Characteristics, History, Re-creation of the breed, References |
Binary distribution | Short description | Binary distribution is the presence of two or more very large and dominant cities in a country.AS GEOGRAPHY Human Environments 2.2: Settlement Patterns |
Binary distribution | Countries with binary distribution | Countries with binary distribution
Australia (Melbourne, Sydney)
Brazil (São Paulo, Rio de Janeiro)
Canada (Toronto, Montréal)
China (Shanghai, Beijing)
India (Mumbai, Delhi)
Italy (Rome, Milan)
Japan (Tokyo, Osaka-Kobe-Kyoto)
Netherlands (Amsterdam, Rotterdam)
Russia (Moscow, Saint Petersburg)
Spain (Madrid, Barcelona)
Turkey (Ankara, Istanbul)
USA (New York City, Los Angeles)
Vietnam (Ho Chi Minh City, Hanoi) |
Binary distribution | References | References
Category:Geography terminology
Category:Urban studies and planning terminology |
Binary distribution | Table of Content | Short description, Countries with binary distribution, References |
Category:Publications established in 1952 | Category series navigation | Category:1952 establishments
Parameter 1=year required!}}
1952 |
Category:Publications established in 1952 | Table of Content | Category series navigation |
Venus perseguida | Infobox film
| Venus perseguida is an erotic 1964 Argentine film directed by Uruguayan filmmaker Aldo Brunelli Ventura and starring Argentine bombshell and vedette Vera Váldor. Censorship delayed the commercial release of the film until 1973. |
Venus perseguida | Cast | Cast
Vera Váldor
Juan Carlos Galván
Lalo Hartich |
Venus perseguida | External links | External links
Category:1964 films
Category:1960s Spanish-language films
Category:Argentine black-and-white films
Category:1960s Argentine films |
Venus perseguida | Table of Content | Infobox film
, Cast, External links |
Template:Dutch municipality Zeist | Dutch municipality
| Zeist |
Template:Dutch municipality Zeist | Table of Content | Dutch municipality
|
File:HyperDolls cover.jpg | Summary | Summary
Cover of the US DVD release of Hyper Doll OVA |
File:HyperDolls cover.jpg | Licensing | Licensing |
File:HyperDolls cover.jpg | Fair use rationale for use in [[Hyper Doll (OVA)]] | Fair use rationale for use in Hyper Doll (OVA)
Triangle Staff and Pioneer Corporation have not released any such images into the public domain.
The image depicts the cover of the entity discussed in the article.
The image illustrates an educational article about the entity that the image represents.
The image is a low resolution image, and thus not suitable for production of counterfeit goods.
The image does not limit the copyright owners' rights to sell the wider copyrighted work in any way.
The image is not replaceable with an uncopyrighted or freely copyrighted image of comparable educational value, nor could one be created. |
File:HyperDolls cover.jpg | Table of Content | Summary, Licensing, Fair use rationale for use in [[Hyper Doll (OVA)]] |
The Guns (film) | short description | The Guns () is a 1964 Brazilian-Argentine drama film directed by Ruy Guerra. |
The Guns (film) | Synopsis | Synopsis
The film's plot alternates between two stories, both set in the drought-stricken sertão of Northeastern Brazil in 1963. In one storyline a holy man urges a group of peasant pilgrims to follow an ox deemed as sacred in hopes that their devotion to it will bring an end to the drought. The other storyline follows a group of soldiers who are sent to the region to thwart the attempts of impoverished civilians to plunder a storehouse for food owned by the wealthy mayor of the small town of Milagres, Bahia.
Guerra filmed The Guns in a triptych of styles. The pilgrims appear as an anonymous mass in their devotion to their project, while the hungry peasants are given a more documentarian treatment. By contrast, the soldiers are more individuated, with long swaths of time devoted to showing their boredom in their task at hand. One soldier, Mario, becomes smitten with a young woman named Luisa who is reluctant to return his affection because she does not trust the soldiers. Meanwhile, a hotheaded soldier named Pedro shoots and kills a local peasant while he was out walking with his goat, after which he and his fellow soldiers cover up the incident to avoid persecution. Tensions come to a head when the charismatic truck driver and former soldier named Gaucho becomes frustrated by the peasants' inability to change their situation. After he sees a father reacted apathetically to death of his child from hunger, Gaucho takes up arms and engages in a firefight with the occupying soldiers who eventually kill him. In the end, the peasants assuage their hunger by defying the holy man and slaughtering and eating the sacred ox. |
The Guns (film) | Production | Production
Director Ruy Guerra originally conceived on the story in 1958 and planned to film it in Greece with a plot revolving around a band of soldiers trying to defend a village from a pack of hungry wolves because a government ordinance prohibits the villagers from carrying firearms for fear of popular revolt. In Guerra's original story, tensions between the villagers and the visiting soldiers escalate into conflict, and a soldier kills one of the locals. In the end, the villagers drive the soldiers out, leaving themselves vulnerable to attack from the wolves in the surrounding forest. This version of "The Guns" was never made because Greek officials denied Guerra permits to shoot it. Guerra enlisted the help of his friend Miguel Torres to reconfigure the story, and in 1964 Guerra produced The Guns, filming it in the northeastern state of Bahia and adapting its screenplay to incorporate elements of Brazilian culture. Both story lines were generated out of an incident that occurred in 1924 when a group of soldiers shot and killed a sacred ox. Though Guerra had a firmly defined structure for the film's plot, he used a good deal of improvisation on set depending on what and who was on hand. |
The Guns (film) | Reception | Reception
The Guns was entered into the 14th Berlin International Film Festival where it won the Silver Bear Extraordinary Jury Prize. The New York Times called it "exceptionally good". |
The Guns (film) | Legacy | Legacy
Along with Nélson Pereira dos Santos' 1963 drama, Vidas Secas ("Barren Lives"), and Glauber Rocha's 1964 film Deus e o Diabo na Terra do Sol (known in English as "Black God, White Devil"), The Guns is part of Brazil's "Golden Trilogy" of Cinema Novo and regarded as one of the key films that brought worldwide attention to Brazilian cinema.Ruy Guerra - A autenticidade do cinema brasileiro, acesso em 31 de julho de 2016.Os Fuzis, de Ruy Guerra A Hora e a Vez de Augusto Matraga, de Roberto Santos, acesso em 30 de julho de 2016.
Dialogue from the film is sampled on the 2002 album 1º Comunique by Brazilian post-rock band Retórica. |
The Guns (film) | Cast | Cast
Átila Iório as Gaúcho
Nelson Xavier as Mário
Maria Gladys as Luísa
Ivan Cândido as soldier
Leonides Bayer as sergeant
Hugo Carvana as José
Paulo César Pereio as Pedro
Mauricio Loyola
Joel Barcellos
Ruy Polanah
Antonio Pitanga (credited as Antonio Sampaio) |
The Guns (film) | References | References |
The Guns (film) | External links | External links
Category:1964 drama films
Category:1964 films
Category:Argentine drama films
Category:Argentine black-and-white films
Category:Brazilian black-and-white films
Category:Brazilian drama films
Category:Films directed by Ruy Guerra
Category:Films set in 1963
Category:Films set in Brazil
Category:Films shot in Bahia
Category:1960s Portuguese-language films
Category:1960s Brazilian films |
The Guns (film) | Table of Content | short description, Synopsis, Production, Reception, Legacy, Cast, References, External links |
File:Amiga-1985.jpg | Summary | Summary
The Amiga Team, 1985. Photo by Carl Sassenrath. |
File:Amiga-1985.jpg | Licensing | Licensing |
File:Amiga-1985.jpg | Table of Content | Summary, Licensing |
Extraña ternura | Infobox film
| Extraña ternura is a 1964 Argentine film directed by Daniel Tinayre based on a novel by Guy des Cars. |
Extraña ternura | Cast | Cast |
Extraña ternura | Music | Music
Music for the film was written by Astor Piazzolla and Lucio Milena. At the persuasion of Egle Martin, Piazzolla set the poem "Graciela Oscura" by Ulyses Petit de Murat to music for the film; this song was repeated several times in the movie, and was reported to be the main attraction of the film when it opened at the Cine Monumental in the spring of 1964. |
Extraña ternura | References | References |
Extraña ternura | External links | External links
Category:1964 films
Category:1960s Spanish-language films
Category:Argentine black-and-white films
Category:Films directed by Daniel Tinayre
Category:1960s Argentine films
Category:Films scored by Astor Piazzolla |
Extraña ternura | Table of Content | Infobox film
, Cast, Music, References, External links |
Wikipedia:Articles for deletion/Boi (gender) | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review | The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.
The result was Keep. —Quarl (talk) 2007-03-11 09:42Z
Boi (gender)
– (View AfD)(View log)
Unreferenced, trivial, and deeply unencyclopedic. Stifle (talk) 20:58, 7 March 2007 (UTC)
Delete. Misspelling becomes neologism becomes unfortunate Avril Lavigne song becomes unfortunate, unreferenced, unencyclopedic article. --S0uj1r0 21:09, 7 March 2007 (UTC)
Delete as neologism, and noting the inappropriate title. It's not a documented gender. --Dennisthe2 21:17, 7 March 2007 (UTC)
Vote changed to Keep per Otto's arguments (below), my mind is changed. Have a nice day. --Dennisthe2 00:18, 8 March 2007 (UTC)
Delete or just redirect to Boy —The preceding unsigned comment was added by Cat-five (talk • contribs) 21:45, 7 March 2007 (UTC).
Delete: A neologism and more trivial than anything. Seicer (talk) (contribs) 21:54, 7 March 2007 (UTC)
This discussion has been added to the list of sexuality and gender-related deletion debates. Spacepotato 22:03, 7 March 2007 (UTC)
delete. Yeah, per above, and I'll remove it from the template. If this discussion takes a drastic turn, someone can revert the template. -- Kevin (TALK)(MUSIC) 22:23, 7 March 2007 (UTC)
Keep - one reference in the article already. Here's another, and I'm sure more can be found but at the moment I'm getting ready to go to dinner. Otto4711 00:12, 8 March 2007 (UTC)
As for the title, Boi is currently a disambiguation page so there needs to be some additianl word or phrase in the title of this article. "Gender" seems like a reasonable choice since it does relate to gender identity and presentation. If someone has a better suggestion, please offer it. Otto4711 00:16, 8 March 2007 (UTC)
Perhaps a rename to Boi (gender identity)? --Dennisthe2 00:18, 8 March 2007 (UTC)
Actually I moved the disambig page to Boi (disambiguation) so if/when this article survives it can be moved to "Boi". —The preceding unsigned comment was added by Otto4711 (talk • contribs) 13:14, 8 March 2007 (UTC).
As far as I'm concerned, that works. =^^= --Dennisthe2 20:53, 9 March 2007 (UTC)
Keep, per User:Otto4711. Use as a gender identity pre-dates the Lavigne song. / edgarde 00:26, 8 March 2007 (UTC)
Keep per Otto and Edgarde --Alynna 01:13, 8 March 2007 (UTC)
Keep, although it needs some cleanup. Clear gender identity usage. bikeable (talk) 02:42, 8 March 2007 (UTC)
Keep, per User:Otto4711. Mathmo Talk 05:40, 8 March 2007 (UTC)
Keep, per User:Otto4711. —Cliffb 06:25, 8 March 2007 (UTC)
Keep - fairly widely used term - even though fairly new. Grutness...wha? 06:41, 8 March 2007 (UTC)
Keep per Otto. Needs work and more refs though. Raystorm 11:39, 8 March 2007 (UTC)
Kepp It needs more sources, but it has one. This will grow with time with some work. futurebird 21:42, 8 March 2007 (UTC)
Keep, is proper word now, even if it is kinda dumb. Dev920 (Have a nice day!) 23:31, 9 March 2007 (UTC)
Keep, as per Otto. Makgraf 07:00, 10 March 2007 (UTC)
Keep needs work, but that's no reason to delete. Kolindigo 03:00, 11 March 2007 (UTC)
Keep and Move to Boi. Continue to cleanup and add sources. But it's sourceable. —Carolfrog 06:08, 11 March 2007 (UTC)
Comment. I reverted Kevin's change to the template. It would appear that the discussion took that drastic turn. —Carolfrog 06:16, 11 March 2007 (UTC)
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page. |
Wikipedia:Articles for deletion/Boi (gender) | Table of Content | <div class="boilerplate metadata vfd xfd-closed" style="background-color: #F3F9FF; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
:''The following discussion is an archived debate of the proposed deletion of the article below. <span style="color:red">'''Please do not modify it.'''</span> Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a [[Wikipedia:Deletion review |
Proceso a la conciencia | more citations needed | Proceso a la conciencia is a 1964 Argentine film. |
Proceso a la conciencia | Cast | Cast
Guillermo Battaglia
Carmen de la Maza
Mercedes Llambí
Conchita Núñez
Luis Rodrigo
Eduardo Rudy
António Vilar
Olga Zubarry |
Proceso a la conciencia | External links | External links
Category:1964 films
Category:1960s Spanish-language films
Category:Argentine black-and-white films
Category:Films directed by Agustín Navarro
Category:1960s Argentine films |
Proceso a la conciencia | Table of Content | more citations needed, Cast, External links |
780th Aircraft Control and Warning Squadron | # | redirect Fortuna Air Force Station |
780th Aircraft Control and Warning Squadron | Table of Content | # |
Hyper Doll | short description | is a Japanese manga series by Shimpei Itoh. It was adapted into a two episode OVA by Triangle Staff between September 25, 1995 and November 25, 1995. The story is about two alien androids that are sent from space to defend the Earth. An English-dubbed version of the OVA was later released in the US by Pioneer Entertainment (later Geneon) in VHS & LaserDisc format in two volumes, each containing a single episode, between March 26, 1996 and June 18, 1996. The OVA series was released on DVD in Japan on October 23, 1998 and in the US on November 21, 2000. |
Hyper Doll | Plot | Plot
Mew and Mica, two spacey alien androids, pose as cute high school students to conceal their identities as the most undependable dynamic duo ever sent to defend the Earth. The OVA follows the misadventures of Mew, Mica and their reluctant friend, Akai. |
Hyper Doll | Characters | Characters
Mew Fumizuki
Hyper Doll Mew, has short blue hair and is quieter and more laid back than Mica.
Mica Minazuki
Hyper Doll Mica has long red hair and is more outgoing.
Hideo Akai
Classmate of Mew and Mica who knows the secret identities of the Hyper Dolls. Slightly afraid of them, due to them threatening to twist his head off.
Shouko Aida
Another classmate of Mew and Mica's. Constantly attempting to find the identities of the Hyper Dolls. May have a crush on Akai.
Detective Toudou
Local police officer who is in over his head when facing super-powered threats to the city. An unashamed fan of the Dolls.
Commander
The Hyper Dolls' commander who sent them to defend the Earth. He is very slug-like in appearance and appears on various foods in holographic form. |
Hyper Doll | Cast | Cast
+Hyper Doll castRoleJapaneseEnglishAnimaze (1996)NarratorMichihiko HagiJonathan CookMew MinazukiMayumi IidzukaHeidi LenhartMica MinazukiYukana NogamiJulie Ann TaylorHideo AkaiMitsuaki MadonoJonathan FahnShouko AidaYuri ShiratoriBridget HoffmanDr. ZaiclitSeizou KatouMilton JaminThe CommanderRitsuo SawaSteve BlumKonishiTakashi NagasakoGary DubinMatsushitaYuuji UedaJoe RomersaDetective ToudouKen YamaguchiDaran NorrisKuragemanKuujiraRichard CansinoInagomanHidetoshi NakamuraKevin SeymourMimizumanFumihiko TachikiTony PopeErikaMegumi OgataDyanne DiRosario |
Hyper Doll | Anime | Anime
No. Title Original air date English release date |
Hyper Doll | Music | Music
Opening theme
Lyrics: Natsuko Karedo
Music: Hiromoto Hisawa
Arrangement: Ikurō Fujiwara
Performed by Mayumi Iizuka and Yukana Nogami
Ending theme
(Episode 1)
Lyrics: Yū Aku
Music: Shunichi Tokura
Performed by Mayumi Iizuka and Yukana Nogami
(Episode 2)
Lyrics: Machiko Ryū
Music: Kōichi Morita
Performed by Mayumi Iizuka, Yukana Nogami, and Yuri Shiratori |
Hyper Doll | References | References |
Hyper Doll | External links | External links
Category:1995 anime OVAs
Category:1995 manga
Category:Comedy anime and manga
Category:Geneon USA
Category:NBCUniversal Entertainment Japan
Category:Science fiction anime and manga
Category:Shōnen manga
Category:Tokuma Shoten anime |
Hyper Doll | Table of Content | short description, Plot, Characters, Cast, Anime, Music, References, External links |
Gianello della Torre | Short description | Gianello della Torre (c. 1500 – 13 June 1585) was an Italian clockmaker, engineer and mathematician. He was born in Cremona. |
Gianello della Torre | Name | Name
The name of Gianello della Torre comes in a number of variations. His original name was Janello Torresani. His given name was long thought to be derived from Giovanni, but is in fact unrelated. Its etymology is uncertain. In the form Ianellus, it was the name of Gianello's grandfather. The form Zanello is also attested. In some sources, his first name appears as Lionello, Leonello, Leo or Giano.
His surname is given as de' Torresani, de' Torexanis, de Torrexanis, della Torre, Torresan, Torresani, Toresani, Torriani and Torriano. His full name in Spanish is Juanelo Turriano. |
Gianello della Torre | Biography | Biography
Called to Spain in 1529 by Charles V, Holy Roman Emperor, he was appointed Court Clock Master and built the , an astronomical clock that made him famous in his time. Philip II of Spain named him . He worked and lived in Toledo, where he built the , an engine that, driven by the river itself, lifted water from the Tagus to a height of almost 100 meters, to supply the city and its castle (Alcázar).
He, however, did not get to be properly paid for its expenses.
thumb|The monk automaton exhibited in the Metropolitan Museum of Art in 2020.|alt=A wooden figure. Gears are visible on the right.
Della Torre is attributed as the creator of the "Clockwork Prayer", an automaton representing a monk manufactured in the 1560s based on a commission from Philip II of Spain. Following the recovery of his son, and in the belief that Didacus of Alcalá had in some way intervened on his behalf, King Philip II of Spain would have commissioned Della Torre, mechanic to his father, to build a clockwork model of Didacus. The model would perform a number of set actions, including the beating of the breast which accompanies the prayer. An automaton of similar age, functions, and appearance is in the collections of the National Museum of American History, Smithsonian Institution.
Another automaton associated with Della Torre is a figure of a lady playing a lute housed in the Kunsthistorisches Museum, Vienna.
He died at Toledo on 13 June 1585. |
Gianello della Torre | References | References |
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