The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as "Take On Me" by A-ha, "A Different Corner" by George Michael, and "Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst modern pop, indie and synthwave artists. It has inspired numerous software emulations and Roland has released digitally-powered hardware synths inspired by the Juno-60. Development The late 1970s and 1980s saw the introduction of the first digital synthesizers, such as the Fairlight CMI and Synclavier. Roland president Ikutaro Kakehashi recognized that the synthesizer market was moving away from analog synthesis, but Roland had no commercially viable digital technology. He approached American engineer John Chowning about his recently developed means of FM synthesis, but Yamaha had already secured exclusive rights. Prior to the release of the Juno-6, polyphonic synthesizers were expensive, and subject to tuning issues caused by the components in synthesizer's oscillator circuits being sensitive to temperature. At the time, Roland's flagship synthesizer was the Jupiter-8, released in 1981, which cost $5,000 (equivalent to $16,000 today). With the Juno range, Roland aimed to create a polyphonic synthesizer that was less expensive than competitors, whilst also improving tuning reliability. Release Roland released the Juno-6 in May 1982 with a list price of US$1295. It used mostly traditional analog technology, with a voltage-controlled filter, voltage-controlled amplifier, low-frequency oscillator and ADSR envelope generators. However, it also used digitally controlled oscillators (DCOs), analog oscillators controlled by digital circuits. As opposed to the voltage-controlled oscillators of previous synthesizers, which frequently went out of tune, the DCOs ensured tuning stability. According to Sound on Sound, "The Juno-6 was the first analog polysynth that you could carry onto a stage, switch on, and play