is particularly delicious as she had just come to start to have faith in humanity again due to Angel's friendship and help. Her pain at what she has done to Angel has made her "a meal that will last a lifetime". The demon says, "There's an entire hotel here just full of tortured souls that could use your help." Angel replies, "Take them all.", abandoning Judy and the rest of the residents to their fate. In the present, Cordelia, Wesley, and Gunn arrive at the Hyperion and, after performing the spell to make the Thesulac corporeal, Angel electrocutes it with the exposed wires of the fuse box. Angel heads upstairs and finds Judy, now old, still in her room, where she has served as the Demon's "room service" since 1952. She says the voices are gone, and asks Angel if it is safe to go out. He tells her it is, but she is so tired that she needs to rest first. She then tells Angel that she is sorry she got him killed and asks his forgiveness. He assures her she did not kill him and tells her that he forgives her. She then passes away. Angel returns downstairs and announces that they're moving in. Wesley reminds Angel that evil things have happened in the hotel, but Angel tells him that all of that is in the past. Production Writing This is another episode by writer Tim Minear that explores Angel's background. "He's cynical, I-don't-get-involved guy, and I thought that was a very interesting place to be," says Minear. "Although he does reach out to help someone in the episode, it doesn't take much to push him out of that light." When fans point out the flashback scene in Buffy in which Angel is living on the streets of New York City, Minear deflects the accusation of retconning by saying, "I don't believe he was thrown out of that room in Romania by Darla in 1898 and has been on the street ever since...in the 1950s, that was the beginning of his descent into the streets." The theme of otherness is carried through this episode by exploring LA's history of social exclusion. The hysteria provoked by the paranoia demon mirrors the fears of communism surrounding LA's entertainment community, the fear of being revealed as gay by a well-known actor who arranges furtive liaisons at the hotel, the racism that