Woman," also penned on the same subject, follows, and the album returns to a blues-based sound with a cover of "Trouble No More," featuring Duane's debut bottleneck guitar performance. Songs such as "Black Hearted Woman" and "Every Hungry Woman" were written about Allman's experiences with a girl named Stacy in Los Angeles. Among the most changed were two songs that would become the basis for two of the Allman Brothers' most famed epic concert numbers: "Dreams" and "Whipping Post". Oakley "played a huge role in the band’s arrangements," changing numbers such as "Whipping Post" from a ballad structure to a more hard-rocking song. "Dreams" developed from a jam in which the band toyed with the theme to the film 2001: A Space Odyssey, and has been referred to by Johanson as Coltrane's "My Favorite Things" with lyrics. Johanson's drum fills were pulled from Jimmy Cobb's performance on "All Blues"; he later commented that he "did a lot of copying, but only from the best." "Dreams" begins with "intricate, subdued drums playing under a soft organ with only the hint of guitars before Gregg begins singing about disillusionment and broken dreams." The final song on the record, "Whipping Post," was written shortly after Allman returned to Jacksonville. The song came to him shortly before bed, but he was unable to acquire a pencil and paper to write down his ideas, as there was a child asleep in the room and he could not turn on the lights. Turning to his next best alternative, he struck two kitchen matches (one for light and one, later blown out, as a charcoal writing utensil) and wrote down his lyrics on a bedside ironing board. "Whipping Post" was similar in composition to "Dreams" in its first incarnation, with Oakley later creating the heavy bassline that starts off the track. Duane and Betts take quick solos before the track builds to an "anguished climax," leading to Gregg Allman's solo voice, singing the song's refrain: "Good Lord, I feel like I'm dyin'." Allman had no idea the intro was written in 11/4 time — "I just saw it as three sets of three, and then two to jump on the next three sets with" — until his brother pointed it out for him. "My brother told me — I guess the day I wrote it — he said, 'That's good, man. I didn’t know you understood 11/4.'