drums, but I think that he probably could do an excellent job. I know he's done some great drum programming." Moulding recalled that nothing apart from "some percussion" was recorded for the album until the band arrived in San Francisco to lay the drum tracks. Initially, Rundgren wanted Moulding to track his bass parts before the drums were recorded, but Moulding objected to this method. The orchestral arrangements were recorded at Sound Hole, as well as a couple of Moulding's bass tracks. Prince recalled that the group adopted "this big project calendar ... with all the instruments and vocal parts they wanted to add. As things got recorded, they would check them off and make notes about what takes they were happy with." Afterward, the band returned to Woodstock to record the rest of the album. When recording was complete, the band left Rundgren with a handmade book of mixing instructions, which he followed. Sleeve design The original sleeve design was to depict close-up shots of human pubic regions with flowers fitted into the hairs, female on the front and male on the back. Photo sessions were held, but record shops informed the label that they would not carry the album with that artwork, and so the idea was discarded. Partridge had also considered the rejected design for the cover of the "Grass" single. As a last minute alternative, Partridge said, "I stole this very tasteful print from a classics concert in 1953 done by a chap called Hans Erney . I changed a few things on the drawing. I think on the original one the boy had a guitar and the girl had a flute, but we gave them both flutes. So it really was a tasteful alternative to the original sleeve, which really would have been suicide to put out." On the back cover, the group are depicted wearing schoolgirl uniforms. Partridge's intention was to have the group dressed in Quaker outfits looking "really disapprovingly". The reason why they wear schoolgirl outfits instead was due to a miscommunication made when Partridge ordered the outfits. Songs Side one "Summer's Cauldron" "Summer's Cauldron" is an extension of an original poem Partridge wrote called "Drowning in Summer's Cauldron". It is introduced with the sound of a bee that pans across the stereo channels. Rundgren provided the sample, along with other "summer sounds" such as crickets and barking dogs. The track emphasizes