House (2003), The Parliament of Reality (2006–09), the facades of Harpa (2005–11), Your Rainbow Panorama (2006-2011), the 2007 Serpentine Gallery Pavilion, Colour activity house (2010), The Triangular Sky (2013), and Cirkelbroen (2015). He deemed Beauty (1993) and The presence of absence pavilion (2019) the highlights of the 2019–2020 In real life exhibition. Criticism Anna Souter reported that some in the art world find Olafur's work unsettling because "[m]ost people like Olafur Eliasson, and many curators and critics don’t like it when most people like the same things they do.” Reviewing the Take Your Time exhibition, Weinberg questioned whether the light-oriented works were more significant than “a Pink Floyd laser show [...] his practice [after Ventilator] went in a more polished and pleasant, but less challenging, direction.” In a 2014 review of the exhibition Riverbed at Denmark's Louisiana, Svava Riesto and Henriette Steiner said that Olafur "cuts us off from the surroundings and imports a different and rough beauty"; they described the view of the stony landscape as "meticulously framed". However, they also speculated that Olafur aimed to make viewers see Louisiana differently and failed, creating a work that differs little from Louisiana: "The question about [...] how it really made us see things in new ways is still unanswered." Louise Hornby argued that Ice Watch has "poignancy" but also “funnels time and melting ice through the spectator’s own experience [...] The imperative to watch asserts the central agency of the experiencing subject", which is unfitting because the "glaciers will melt, whether or not we see them”. Souter expressed a lukewarm view of the In real life exhibition in Hyperallergic, writing that Room for one colour was more powerful at London's National Gallery than at Tate Modern and that Your uncertain shadow (colour) (2010) "feels like little more than a clever, visual trick." Exhibitions Olafur had his first solo show was with Nicolaus Schafhausen in Cologne in 1993, before moving to Berlin in 1994. In 1996, Olafur had his first show in the United States at Tanya Bonakdar Gallery. The San Francisco Museum of Modern Art (SFMOMA) organized Olafur's first major survey in the United States Take Your Time: Olafur Eliasson, from September 2007 to February 2008. Curated by the director of the Museum of Contemporary Art, Chicago, Madeleine Grynsztejn (then Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA), in close collaboration with the artist, the major survey