kept on performing in Spain, Latin America, France and other European countries. In early 1995, Luz travelled to London, with producer Paco Trinidad, to work with Eurythmics engineer Darren Allison and the members of Paul McCartney's band, namely Paul"Wix" Wickens, and Robbie Mackintosh, on tracks for her next album, entitled Como La Flor Prometida (Like The Promised Flower). The album was released later in 1995, four years after her previous album. It sold over 800,000 copies, being the most successful album of her career. In 1996 she released a compilation album, Pequeños Y Grandes Exitos (Hits, Great And Small). Two years later, she released another compilation album, only in France, "Luz Casal", that sold more than 400,000 copies and included two songs in French, "Tu Ne L'Emporteras Pas" and "Entre Mes Souvenirs". versions of "No Me Importa Nada" and "Entre Mis Recuerdos," respectively. She performed those songs in the Olympia Theatre of Paris and became the first Spanish pop singer playing in La Cigalle Theatre. Subsequent albums In 1999, after four years without having released anything secondary to the death of her father, she recorded "Un Mar De Confianza" (A Sea Of Trust) which sold over 600,000 copies. That year, the song "Mi Confianza" (My Trust) was awarded the Ondas Award in the category for Best Song. She then started a European tour performing in France, Italy, Switzerland and Belgium. Soon after, she collaborated on an album by Rosendo called Siempre Hay Una Historia (There's Always A History), recorded in the Carabanchel Prison. In 2001, she received the Goya Award in the category of Best Original Song from the soundtrack of the animated film El Bosque Animado (The Living Forest). In November 2002, Luz released the album Con Otra Mirada (With Another Look), with 150,000 copies sold and in October 2004 she released the album Sencilla Alegría (Single Happiness), recorded in Du Manoir Studio with production by Javier Limón. The album, which sold over 150,000 copies and in which Luz offers a voice, includes influences from Flamenco to jazz and also features Chris Barron (from Spin Doctors), Jerry Gonzalez, Olivier Durán, Pablo Guerrero, Rui Veloso, Niño Josele, Quique González and Pablo Novoa amongst some collaborators. This album includes "Negra Sombra" (Black Shadow), a poem by Rosalía de Castro, set to music by Juan Montes Capón, which was on the soundtrack to Mar Adentro, by Alejandro Amenábar. Having overcome breast cancer,