Pin Mystery 1932 Seemanto-Heera aka The Hidden Heirloom 1933 Makorshar Rosh aka The Venom of the Tarantula 1933 Arthamanartham aka Where There's a Will 1933 Chorabali aka Quicksand 1935 Agnibaan aka Calamity Strikes 1935 Uposonghaar aka An Encore for Byomkesh 1936 Raktomukhi Neela aka The Deadly Diamond 1936 Byomkesh O Boroda aka Byomkesh and Barada 1951 Chitrochor aka Picture Imperfect 1952 Durgo Rahasya The Mystery of the Fortress 1953 Chiriyakhana aka The Menagerie 1955 Adim Ripu aka The Ancient Enemy. 1956 Banhi-patanga aka Flame and Moth 1956 Rokter Daag (Bloodstains) 1958 Monimondon aka The Jewel Case 1959 Amriter Mrityu aka The Death of Amrito 1959 Shailo Rahasya aka Phantom Client 1960 Achin Pakhi aka The Avenger 1961 Kohen Kobi Kalidas aka Thus spoke Kavi Kalidasa 1961 Adrishyo Trikon aka The Invisible Triangle 1961 Khunji Khunji Nari aka The Will that Vanished 1961 Adwitiyo (Unique) 1963 Mognomoinak aka The Secret Berg 1963 Dushtochokro aka The Crooked Circle 1964 Henyalir Chhondo aka The Rhythm of Riddles 1964 Room Nombor Dui aka Room Number 2 1965 Chholonar Chhondo aka Man in a Red Coat 1967 Shajarur Kanta aka The Quills of the Porcupine 1968 Benishonghar aka The Killing of Beni 1969 Lohar Biskut aka Iron Biscuits 1970 Bishupal Bodh (The Slaying of Bishupal)SadashibSadashiber AdikandoSadashiber AgnikandoSadashiber Dourodouri KandoSadashiber Hoi-Hoi KandoSadashiber Ghora-Ghora KandoNovels Historical Fiction 'Among contemporary writers of Bengali – nobody could write a historical fiction quite like him. Who can create that atmosphere, who else has the wit and humour…his prose had a different taste altogether – I am rather fond of it....’ that’s what Sunil Gangopadhyay said about Saradindu Bandopadhyay regarding his historical novels and stories. Set in different periods of Indian history, right from the Pre-Aryan days to the Gupta, Mauryan era till the age of the Mughals – they are a unique blend of scintillating twists and turns, of romance, adventure and revenge, characters brought to life by a unique idiom and vocabulary to suit the ethos of that bygone era. Saradindu himself said – 'My stories are not fictionalized history, they are historical fiction. Since the writer spent the latter half of his life in Maharashtra, Pune and the Western Ghats form a picturesque backdrop to quite a few of his stories, many of which narrate tales of the Maratha hero, Chhatrapati Shivaji. Sadashib series Kaler Mandira [কালের মন্দিরা] (1951) GaurMallar [গৌড়মল্লার] (1954) Tumi Sandhyar Megh [তুমি সন্ধ্যার মেঘ]