the Justseeds Artists' Cooperative is a cooperative of 25 like-minded artists. Celebrate People's History Poster Project The Celebrate People's History poster series originated during MacPhee's tenure in Chicago, and has become an ongoing project with the participation of artists from around the globe who create posters highlighting the contributions of important radical figures and events. The first poster in the series depicted Malcolm X, followed by a poster of John Brown. These are produced as educational materials and distributed inexpensively as a teaching tool on radical history. By 2018, over 100 designs had been printed in the series, with over 300,000 posters distributed, and an exhibition featuring selections from this project was mounted at the Brush Gallery at St. Lawrence University. Spectres of Liberty MacPhee was a member of the artist collaborative Spectres of Liberty with Olivia Robinson and Dara Greenwald, which used an inflatable reproduction of the Liberty Street Church to examine, spread awareness of, and create dialogue around the history of slavery and abolition in the United States. Their work as a collective was featured in volume 13 of Aspect Magazine. Occuprint As one of the first artists to respond to the Occupy Wall Street protests with artwork, MacPhee built on Adbusters's use of the image of the Charging Bull of Wall Street to make it a popular visual representation of the Occupy movement's focus on capitalism's destructive tendencies. His "Money Talks Too Much" poster featuring the charging bull was reproduced as a sign for protesters to carry at marches. MacPhee played a role in Occuprint, a group of volunteers who came together to curate and produce graphics for use in Occupy protests. The work of Occuprint focused on curating submissions of graphic material and making them available through a website, for reproduction around the world, thereby cultivating a network of graphic design material to be used as an organizing tool for Occupy movements worldwide. Curatorial work MacPhee was curator of the politically charged printmaking exhibition, Paper Politics, which toured North America beginning in Chicago in 2004. It included an international group of approximately 200 artists including Sue Coe, Swoon, Sixten, Dara Greenwald, Tyler Kline, Meredith Stern and Meek, and focused on a broad range of political issues including peace, justice, social equity, and the environment; many works responded very directly to the war in Iraq. Various mediums were included in the show, including screenprint, stencil, and linocut.