graces the cover of Mott the Hoople's 1974 album The Hoople). The album was dedicated to Susie, a drummer who auditioned for Roxy Music in the early days. Release Roxy Music, particularly the album's LP incarnation, has been released in different packages over the years. The album's original cover, as issued in 1972 by Island Records, featured a gatefold sleeve picturing the band (including original bass guitarist Graham Simpson) in stage attire designed by Antony Price, and did not include the track "Virginia Plain". The album's original US release, in late 1972 on Warner Bros. Records' Reprise subsidiary, included "Virginia Plain", which had since been issued as a single in the UK. The original US release also featured a gatefold sleeve, but replaced Simpson's photo with that of Rik Kenton, who played bass on "Virginia Plain" following Simpson's departure from the group. US distribution of Roxy Music was transferred from Reprise to their affiliated company Atco Records in 1976, and back to Reprise in the mid-1980s. LP editions of the album pressed in these timeframes were without the gatefold sleeve and band photographs, instead providing liner notes on the rear album cover. The original LP release did not contain any singles. In July 1972, a few weeks after the contract was signed, Roxy Music recorded two more songs, "Virginia Plain" and "The Numberer", that were released as a single. It peaked at No. 4 in the UK Singles Chart and helped push sales of the album, which itself went to No. 10. In most later repressings of the album, including CD versions, the song "Virginia Plain" has been included. Versions of all nine tracks of the UK album were recorded by the BBC for the John Peel show on 4 January and 23 May 1972, with the earlier session featuring David O'List on guitar. Critical reception Reviewing for Creem in 1973, Robert Christgau said: "From the drag queen on the cover to the fop finery in the centerfold to the polished deformity of the music on the record, this celebrates the kind of artifice that could come to seem as unhealthy as the sheen on a piece of rotten meat. Right now, though, it's decorated with enough weird hooks to earn an A for side one. Side two leans a little too heavily on the synthesizer (played by a balding, long-haired eunuch lookalike named Eno) without the saving grace of