1970 Ph.D. dissertation, Judith McCulloh found 160 permutations of the song. As well as rearrangement of the three frequent elements, the person who goes into the pines, or who is decapitated, is described as a man, woman, adolescent, husband, wife, or parent, while the pines can be seen as representing sexuality, death, or loneliness. The train is described as killing a loved one, as taking one's beloved away, or as leaving an itinerant worker far from home. The folk version by the Kossoy Sisters asks, "Little girl, little girl, where'd you stay last night? Not even your mother knows." The reply to the question, "Where did you get that dress/ And those shoes that are so fine?" from one version is, "From a man in the mines/Who sleeps in the pines." Cover versions Bill Monroe Bill Monroe's 1941 and 1952 recordings, both under the title "In the Pines", were highly influential on later bluegrass and country versions. Recorded with his Bluegrass Boys and featuring fiddles and yodelling, they represent the "longest train" variant of the song, and omit any reference to a decapitation. However, as Eric Weisbard writes in a 1994 article in The New York Times, "...the enigmatic train is almost as frightening, suggesting an eternal passage: 'I asked my captain for the time of day/He said he throwed his watch away.'" Lead Belly Due to the popularity of Lead Belly's versions, he is often erroneously cited as the song's author, such as by Kurt Cobain, who introduced Nirvana's 1993 MTV Unplugged rendition as being by his "favorite performer," then telling an anecdote about attempting to purchase Lead Belly's guitar. According to the American folklorist Alan Lomax, Lead Belly learned the song from an interpretation of the 1917 version compiled by Cecil Sharp, and by the 1925 phonograph recording. Mark Lanegan/Nirvana Kurt Cobain of Nirvana played guitar on the version that appears on Mark Lanegan's 1990 album The Winding Sheet. It is likely that Cobain drew from Lead Belly's 1944 Musicraft version for his interpretation of the song; Lanegan owned an original 78 rpm record of this version, and it is the one that Cobain's version most closely resembles in terms of form, title and lyrics, including the "Shiver for me" interjection before the instrumental verse. In a 2009 MTV article, Kurt Loder remembers discussing the song's title with Cobain, with Cobain insisting, "But the Leadbelly version is called