Mini-DV for allowing such a short shoot: "We could shoot with multiple cameras at times, which helped us in our schedule". He also cited the advantages Mini-DV had in post-production, estimating that 75%–80% of the visual and sound design processing had been performed on desktop computers. November was shot in fifteen days on a budget of $150,000, and post-production costs were the same – a typical production model for films produced by InDiGent. Of the tight schedule and production costs, Harrison said, "I don't recommend shooting a movie that way and I don't want to do it again to be honest. It's really, really taxing". Once shooting had wrapped, Harrison entered the editing room and constructed the film over the course of eighteen weeks, occasionally consulting colleagues such as Sarah Flack (editor of The Limey (1999) and Lost in Translation (2003)). Harrison, who had started out in the film industry as an editor, noted the strong involvement of key creative personnel throughout the pre-production, production and post-production stages, and called it "kind of a more holistic approach to post-production". He described the experience of editing the film alone (for the most part) as "brutal" and "exhausting", but he said he was satisfied with his work nonetheless. When asked about the film's seventy-three-minute running time, Renfrew said that Harrison "let the story and the film dictate the length as opposed to trying to force it to be any particular length". Promotion November was included in the Official Selection at the Sundance Film Festival, and received its first public screening there on January 18, 2004. For her work on the film, the festival's Excellence in Cinematography Award went to Nancy Schreiber, who said it was "quite a shock, since it was on mini-dv and we were up against films shot on film". Reviews were generally positive; Guylaine Cadorette said the film was "sure to garner buzz" outside of the fest, while Variety's Todd McCarthy wrote that the film was "a stylistic tour de force dedicated more to constructing a cinematic puzzle than to providing dramatic satisfaction". Producers were reluctant to sell the picture to a distributor quickly, and gossip blogger Roger Friedman of Fox News commented that they "may have overplayed their hand in juggling offers". The film was eventually sold later that year to Sony Pictures Classics, which had handled Groove. After the Sundance screening Harrison returned to the editing room