The Thomas Crown Affair is a 1999 American romantic heist film directed by John McTiernan, written by Leslie Dixon and Kurt Wimmer and is a remake of the 1968 film of the same name. Its story follows Thomas Crown, a billionaire who steals a painting from an art gallery and is pursued by an insurance investigator with the two falling in love. It stars Pierce Brosnan, Rene Russo, and Denis Leary. The film was produced by United Artists and Irish DreamTime and was released on August 6, 1999. It grossed $14.6 million during its opening weekend and $124.3 million worldwide, against a budget of $48 million. It received generally positive reviews from critics. Plot Thieves infiltrate the Metropolitan Museum of Art inside an actual Trojan horse, preparing to steal an entire gallery of paintings, but are apprehended. In the confusion, billionaire Thomas Crown – the crime's secret mastermind – steals Monet's painting of San Giorgio Maggiore at Dusk. NYPD Detective Michael McCann heads the investigation into the theft of the $100 million artwork, with the unwelcome assistance of insurance investigator Catherine Banning. Crown lends a Pissarro to fill the Monet's space in the museum and falls under Banning's suspicion. She persuades McCann to begin surveillance of Crown, deducing that the wealthy playboy is motivated not by money but the sheer thrill of the crime. Banning accepts Crown's invitation to dinner. Before the date, Crown's therapist correctly speculates that he has found "a worthy adversary" in Banning. At dinner, Banning has a copy of Crown's keys made; she and her team search his home and discover the Monet, which is revealed to be a taunting imitation painted over a copy of Poker Sympathy from the Dogs Playing Poker series. Banning confronts Crown and the two give in to their mutual attraction, spending a passionate night together. Banning and Crown continue their cat-and-mouse game and their trysts, despite McCann's surveillance. Accompanying Crown on a trip to Martinique, Banning realizes he is preparing to run but rejects his offer to join him when the time comes. McCann presents Banning with photographs of Crown with another woman, Anna, complicating her feelings toward the case and her prime suspect. Banning and McCann discover that the fake Monet is in fact an expert forgery that could only have been painted by someone with access to the original; they visit the likeliest forger, Heinrich Knutzhorn, in prison,