Berryman's best poems and "one of the great poems of the age") and "Certainty Before Lunch". In 1977 John Haffenden published Henry's Fate & Other Poems, a selection of dream songs that Berryman wrote after His Toy, His Dream, His Rest but did not publish. According to Time magazine's review, "Posthumous selections of unpublished poetry should be viewed suspiciously. The dead poet may have had good aesthetic reasons for keeping some of his work to himself. Fortunately, Henry's Fate does not malign the memory of John Berryman". Berryman's Collected Poems--1937-1971, edited and introduced by Charles Thornbury, was published in 1989. Robert Giroux decided to omit The Dream Songs from the collection. In his review of the Collected Poems, Edward Hirsch said of this decision, "It is obviously practical to continue to publish the 385 dream songs separately, but reading the Collected Poems without them is a little like eating a seven-course meal without a main course." Hirsch also wrote that, "[Collected Poems features] a thorough nine-part introduction and a chronology as well as helpful appendixes that include Berryman's published prefaces, notes and dedications; a section of editor's notes, guidelines and procedures; and an account of the poems in their final stages of composition and publication." In 2004, the Library of America published John Berryman: Selected Poems, edited by the poet Kevin Young. In Poetry magazine, David Orr wrote: Young includes all the Greatest Hits [from Berryman's career] ... but there are also substantial excerpts from Berryman's Sonnets (the peculiar book that appeared after The Dream Songs, but was written long before) and Berryman's later, overtly religious poetry. Young argues that "if his middle, elegiac period ... is most in need of rediscovery, then these late poems are most in need of redemption." It's a good point. Although portions of Berryman's late work are sloppy and erratic, these poems help clarify the spiritual struggle that motivates and sustains his best writing. After surveying Berryman's career and accomplishments, the editors of The Norton Anthology of Modern Poetry wrote, "What seems likely to survive of his poetry is its pungent and many-leveled portrait of a complex personality which, for all its eccentricity, stayed close to the center of the intellectual and emotional life of the mid-century and after." In popular culture Berryman's ghost is a character in Thomas Disch's novel The Businessman: A Tale of Terror, published in 1984. The Hold Steady's song