the Gamilaraay language of the Aboriginal Kamilaroi (Indigenous Australians). In an Aboriginal dreamtime legend, Yulunga is a variant of Julunggul, the Aboriginal mythological Rainbow Serpent goddess. (There is also a Yulunga Street and a Yulunga Festival in South Australia.) This song was used as the introductory track on the 1994 yoga video Ali MacGraw: Yoga, Mind & Body. "The Ubiquitous Mr Lovegrove": Perry described him as his alter ego, "the abstract relationship of myself and woman".Into the Labyrinth press kit, op. cit. This song was played during the strip club scene in the 1995 Sean Penn film The Crossing Guard. The title referred to a 1965 Secret Agent episode. "The Wind That Shakes the Barley": A late 18th-century traditional Irish ballad that Lisa Gerrard wanted to record her own version of, "it was meant to be a rallying song, but it has such an intense sadness that it becomes an anti-war song". The liner notes described it as "dedicated to the memory of Maureen Copper", but nothing else is established about that person. The recording was sampled by hip hop producer 4th Disciple on Killarmy's song "Blood for Blood", which appeared on the album Silent Weapons for Quiet Wars. "The Carnival Is Over": It was described as a reminiscence of pre-teen Perry living in East London, visiting the circus. It also featured a borrowed lyric from Joy Division's "The Eternal" in the form of "(the) procession moves on, the shouting is over". "Ariadne": The title referred to the Greek legend of Ariadne and the Labyrinth. "Towards the Within": The title referred obliquely to the Labyrinth, because Theseus had to journey towards the within to reach the Minotaur at the centre. "Tell Me About the Forest": Perry explained, "When you live in Ireland you see the people who have been away for years returning to their parents, and you also see those they leave behind... the breaking down of tradition along with the uprooting and upheaval of tribes. In Ireland, and in the rain forests. If we could only keep the oral traditions going, and leave the clerical bull behind... ". Like "The Carnival Is Over", this song borrowed two Joy Division lyrics – the lines "and we're changing our ways, (Yes we are) taking (on) different roads" (from "Love Will Tear Us Apart") and "this treatment takes too long" (from "Twenty Four Hours"). "The Spider's Stratagem": The title referred obliquely