producers such as Louis Biancaniello, Robbie Nevil, Evan Rogers, and Cory Rooney. Biancaniello worked with Simpson on three of the album's eleven tracks, including "I Wanna Love You Forever". Song information "I Wanna Love You Forever" was written, composed, and produced by Louis Biancaniello and Sam Watters. The track is a darkly bittersweet love ballad, showing off the powerful vocals of Simpson. Even though Biancaniello and Watters are credited jointly for writing and composing the song, at present, it is not known exactly which of the two wrote its lyrics and which composed its music. According to the sheet music book published by Hal Leonard Corporation in Musicnotes.com, "I Wanna Love You Forever" is a common time signature song, with a beat rate of 80 beats per minute. It is set in the key of E minor with Simpson's voice ranging from the tonal nodes of F3 to G5, which is 2 octaves and 1 notes. The song follows a basic sequence of I–II–IV–II–VV progression. Critical reception The song received generally positive reviews from music critics, many praised Simpson's vocal performance. AllMusic editor Stephen Thomas Erlewine wrote that "I Wanna Love You Forever" gives Simpson "a chance to show off the richness of her voice. She doesn't over-sing, even if she has moments where she pushes the envelope slightly -- just like her idol Dion." J.D. Considine from The Baltimore Sun compared her to singers like Mariah Carey, Whitney Houston and Christina Aguilera, noting the "diva-esque theatrics" on the song. Billboard described it as a "lush melodrama, complete with a raise-the-roof bridge, a theme of desperate devotion (...) and a vocal so fraught with emotion, it'll bring tears to the eyes as it wrings out every potential ounce of feeling from the song." The magazine added that Simpson "has a vocal command Celine would admire" and that the song "is so bombastic that some may consider it cheesy, but it's been a good while since a song of this brand has been issued, making it an instant brow-raiser." Editor Chuck Taylor called it a "deliciously over-the-top ballad" that "swept through the hearts of the nation". Can't Stop the Pop said it "is unashamedly steeped in melodrama", adding that "there’s an unrelenting urgency to her performance where it genuinely feels as if she’s singing for her life". Elysa Gardner from Los Angeles Times stated that Simpson "obviously [have] been studying Mariah