New Jersey's Megaforce Records signed them, issuing their next recording in the States as All for One in 1983. The band came stateside in 1983, and toured extensively on the "Kill 'em All for One" tour with young thrashers Metallica (on their first tour) as their opening act. Commercial success (1984–1987) The manager and founder of Megaforce Jon Zazula believed that Raven was major-label material, and kept them touring constantly until the big labels noticed. The Live at the Inferno recording, released in 1984, was a product of one of those tours. Atlantic Records signed Raven to a worldwide contract after a minor bidding war (major label contracts would follow for Metallica and Anthrax in the following year). The band moved its permanent base from Newcastle to New York City. Stay Hard was released in 1985, and proved a minor hit on the strength of single and video "On and On". The Atlantic years proved to be less than stellar for the band. A drastic shift in a more commercial direction came at the label's behest, with many die-hard fans being alienated by the slick, lightweight production of The Pack Is Back. However, the band redeemed themselves with a return to form on the Mad EP in 1986 and the Life's a Bitch album in 1987, before arranging their departure from Atlantic. After the tour for Life's a Bitch, drummer Rob "Wacko" Hunter left the band in late 1987, to spend more time with his new wife and family. He later pursued a career in audio production and engineering, eventually working with jazz musicians Branford Marsalis and Harry Connick Jr. Post-Atlantic era (1987–2000) Joe Hasselvander (ex-Pentagram) joined as drummer in late 1987, and the band dropped the outlandish image for a more conventional denim-and-leather look for their 1988 release Nothing Exceeds Like Excess, which was self-produced and continued the band's return to form with fast, involved compositions. A concert at the Trocadero Theatre in Philadelphia was released by Combat Records as Ultimate Revenge 2 in 1989, and featured the band on four cuts, alongside a number of thrash bands such as Death, Forbidden, Dark Angel, and Faith or Fear. Next was a US tour opening for Testament, and then a European tour with German band Kreator. The advent of grunge and the dissolution of their record label Combat Records led the band to concentrate on continental Europe and Japan, where