Tracy + the Plastics is an American electropop and video project group from Olympia, Washington, United States. The members include Nikki Romanos on keyboard, Cola on drums, and Tracy as the lead vocals. Although the name implied the group was made up of a lead singer and back up musicians, all three characters were performed by Wynne Greenwood, a lesbian feminist artist using video projection, who calls herself a representative of the "lesbo for disco" generation. About Tracy + the Plastics' music consisted of a Boss DR-5 drum machine, an Akai 612 disc sampler, and combines lo-fi filmmaking, performance art, Devo-styled songs, and feminist and queer politics in an entertaining package. During live performances Nikki and Cola would perform and exist only through projected video previously recorded, and through the performance, the band members would communicate with each other Tracy + the Plastics was the ultimate result of two other projects Wynne created, the first of these being called The Tooth, then The OK Miss Suit. "Tracy + the Plastics came from this choose-your-own-adventure murder mystery movie I was writing. The Plastics were a group of girls who ran a pawn shop and replaced parts of themselves with hyper-colorful pieces of plastic. Their town was never-ending, gray drab, surrounded by super-tall mountains that people lived on top of. Bits of plastic debris would fall down the mountains, and the Plastics (Nikki, Cola, Tracy, and Honeyface) would find and use the debris, like a red toothpaste cap for a tooth or something like that." In 2005, Tracy + the Plastics recorded a version of the Lesbians on Ecstasy song "Summer Luv", which was released on that band's LP of remixes, Giggles In The Dark. Performances 2004 Whitney Biennale. 2005 The Room with Fawn Krieger in the Kitchen, New York This performance was meant to re-imagine the 1970s feminist consciousness by exploring the notions of identity and communication, and question the present state of radical feminism. A way of finding homes within a home, by constructing a grey area for feminists. 2006 The Room with Fawn Krieger in The Moore Space, Miami A continued performance of The ROOM from New York where the audience and is connected to the performance space in a domestic setting, attempting to interrupt linear narratives and physical space, questioning binary systems, emphasizing process, and raising conversations between the temporary and the permanent. In June 2006, Wynne Greenwood