police station and under the witness of policemen, their victims are rendered powerless. Through the portrayal of the policemen as powerful and somewhat uncontrollable in their nature towards the end of the play, Williamson displays and highlights a serious social issue of the time, therefore making it one of his most remembered works. Ross Ross is a new recruit who was sent to Simmonds' station after finishing police training. Throughout the play, he is depicted as a naive and inexperienced officer despite coming from an educated background. He is often forced to follow Simmonds constant demands and listen to Simmonds' comments on his own inadequacies. This is shown when Simmonds questions Kenny: "Do you think he's (Ross) lacking in initiative?" Ross comes across as a nervous character in the beginning of the play, but his violent and uncontrollable behaviour is raised through his sudden, unexpected attack on Kenny, which inevitably led to Kenny's death. Kate Kate Mason is married with three children. The wife of a dentist, she enjoys an upper class lifestyle. Her children attend one of Melbourne's "better" (more exclusive/expensive) schools. Kate forms a feminine mirror to Simmonds. They both like to be in a position of power, which is evident of Kate's controlling of her sister Fiona. Like Simmonds, Kate has been unfaithful to her partner on numerous occasions. Fiona Fiona Carter is Kate's sister. Fiona wants to have a separation from her husband Kenny, after being beaten by him, but does not want a divorce. She is a passive housewife and fits into the stereotypical gender roles of 1970s Australia. She is married to Kenny, and has a baby daughter Sophie. Fiona is insecure, vulnerable and hesitant to leave. Kenny Kenny is depicted as a "larrikin" working-class man, and represents the stereotypical egoistic "Aussie" male of the 1970s. The play's action is instigated by Kenny's beating of his wife Fiona, the reporting of which prompts her visit to Ross and Simmonds's police station, and her move out of their shared home. Kenny is very hot-headed and his vocabulary is vulgar Australian vernacular. The play's major plot twist occurs in the final minutes when Kenny, despite apparently having recovered from a beating by Ross to the point where he begins to negotiate a deal with the two officers, dies suddenly at mid-conversation from a brain hemorrhage. In the end Kenny seems to be the victim. The Removalist