hemmed-in by her emotions. When she (seemingly) persuades him to negotiate an end, his point is proven when Eddy stubbornly refuses to make any deal. Thomas organizes another robbery exactly like the first with different accomplices and tells Vicki where the "drop" will be, because he has to know for sure that she is on his side. The robbery is successful, but there are gunshots and the viewer is left with the impression that people might have been killed, raising the stakes for Vicki's decision. Vicki and the police stake out the cemetery, where they watch one of the robbers make the drop and they wait for Thomas to arrive so they can arrest him. However, when his Rolls-Royce arrives, she sees that Thomas has sent a messenger in his place, with a telegram asking her to bring the money and join him – or if not, "you keep the car". She tears the telegram to bits and throws the pieces to the wind, looking up at the sky with tears in her eyes. Crown flies away in a jet. Cast Production The photography is unusual for a mainstream Hollywood film, using a split-screen mode. The use of split screens to show simultaneous actions was inspired by the breakthrough Expo 67 films In the Labyrinth and A Place to Stand, the latter of which pioneered the use of Christopher Chapman's "multi-dynamic image technique", images shifting on moving panes. Steve McQueen was on hand for an advance screening of A Place to Stand in Hollywood and personally told Chapman he was highly impressed; the following year, Norman Jewison had incorporated the technique into the film, inserting the scenes into the already finished product. The film also features a chess scene, with McQueen and Dunaway playing a game of chess, silently flirting with each other. The game depicted is based on a game played in Vienna in 1898 between Gustav Zeissl and Walter von Walthoffen. McQueen undertook his own stunts, which include playing polo and driving a dune buggy at high speed along the Massachusetts coastline. This was similar to his starring role in the movie Bullitt, released a few months afterwards, in which he drove a Ford Mustang through San Francisco at more than . In an interview, McQueen would later say this was his favorite film. Vicki Anderson's car, referred to as "one of those red Italian things," (the Alfa