The "Military" second movement is derived from a movement from an earlier Concerto for Lire Organizzate in G, Hob. VIIh/3, which Haydn had composed for Ferdinand IV, King of Naples. The movement is in ternary form with central section in the minor. The instrumentation is richer than the other movements of the symphony. It is the only movement that uses divided violas and clarinets, but most importantly is the use of "Turkish" instruments (triangle, cymbals and bass drum) which make their first appearance in the central minor section. The movement concludes with an extended coda featuring a bugle call for solo trumpet, a timpani roll, which was a revolutionary adaptation of the instrument, and a loud outburst in A major. In contrast to Haydn's trend of speeding up his minuets, here he slows the pace back to Moderato providing a more old-fashioned aristocratic minuet. The finale is in sonata rondo form. The primary theme became a popular tune in its time. In the center of the movement is a development-like section which contains a surprise timpani strike followed by a traversal of many distant keys. Near the end of the movement, the "Turkish" instruments return coloring the tutti sections for the rest of the way. See also List of symphonies by name Notes External links - Discussion of the symphony and its performance/recording history. Symphony 100 Compositions in G major 1793 compositions 1794 compositions