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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "What a sad sight these TV stalwarts make, running out the clock on their careers stumbling about a little rusting hulk of a ship - boat might be more appropriate. The whole production feels cheap and shabby, and it's not helped by a \"big name\" star who is barely capable of spitting out the few lines that he's given in a credible fashion.<br /><br />At no time do the supporting cast rise above the material; they're clearly watching the clock here. Bang out the scenes, get the pay cheque, go home, and try to forget all about it.<br /><br />It's not particularly badly scripted or filmed; there are no real clangers, it's just utterly anodyne, and shot in a very limited number of cramped sets with a small cast of extras. The pacing is a little bizarre; an embarrassingly tentative romantic sub-plot is only begun after the main action starts, which makes it feel irrelevant.<br /><br />Maiden Voyage scores a couple of points for being competently scored, and for being a fun game of \"spot the Kiwi bit parters\"; most of the cast are graduates of Shortland Street or Xena: Warrior Princess. The saddest thing about this production is that this film probably constitutes their big break." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I thought this movie was stunning, with completely outstanding performances by Valentina Cervi (Artemisia Gentileschi).<br /><br />Cervi portrays Artemisia so beautifully, with tentative yet confidant mannerisms, her hands mapping out an idea before moving her models into place. The passion to which Artemisia gives to her art is just spectacular to watch.<br /><br />Although not each character was overtly beautiful, this made the film more realistic as the facial hair and clothing was perfect for that point in time.<br /><br />Overall i thought this film was fantastic." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This was the funniest piece of film/tape I have ever witnessed, bar none. I laughed myself sick the first three times I watched it. I recommend it to everyone, with the warning that if they can't handle the f-sharps to stay FAR away. At his best when telling stories from a kids point of view." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Resnais, wow! The genius who brought us Hiroshima Mon Amour takes on the challenge of making a 1930s French musical in vibrant colour. The opening voice-over with old, embellished inter-titles was a nice touch. Then the camera aperture opens (like the old hand crankers) on a black & white placard. The camera backs off (or rather, up), suddenly showing us the surprisingly brilliant colours of an elegant table set for a tea party. This is all in the first 60 seconds.<br /><br />Then the music starts. A rather banal and forgettable diddy featuring an unconvincing chorus of 3 girls blabbering some nonsense which has no relevance to the film (and yes, I speak French, so I can't blame it on the subtitles). Those characters whiz out the door and are replaced by more people who break into an even more forgettable song. Then they leave, and finally Audrey Tautou appears and we hear our first appreciable dialogue 15 minutes into the film.<br /><br />I'm not sure what Resnais intended by starting off with such a yawning waste of time & musical cacophony. But the effect on the viewer is to make you want to hurl skittles at the screen and storm out. I endured.<br /><br />It didn't get much better. I'll tell you why. There is absolutely no familiarity with any of the characters. We don't even see their faces half the time (as Resnais seems too intent on showing off the expensive scenery to care about the actual people in front of the camera). People flit on & off stage like moths around a lamp, and we the audience are unable to focus on any particular person or plot. It's as if you were to take every episode of the Brady Bunch and cram it into a 2 hour movie. With bad songs.<br /><br />The only thing that kept me watching as long as I did (1 hour) was that I was looking at the camera techniques, lighting and scenery which were all, I admit, excellent. But is that enough to hold your attention for 2 hours? Not me. Maybe tomorrow I'll try watching the end. Aw, who am I kidding. I have more important things to do. I'm sure you do, too. Skip this." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "*MANY MANY SPOILERS IN THIS REVIEW* This movie was horrible. I am a huge baseball fan so I thought I'd watch it, and I was very disappointed. It started out okay.. When I saw the bad influence DeNiro had on his young son, I was hoping that he would become a better father throughout the movie or something. Anyways, at the beginning it seemed as if DeNiro was supposed to be the protagonist. He was the only one that believed in Bobby, and he had his adorable son that he was losing custody of, which gave me a reason to feel bad for him. He wanted to help Bobby by talking to Primo, when out of absolutely nowhere he brutally stabs Primo to death... Not to mention that sketchy reoccurring song \"I WANT TO **** YOU!!!!\" at random unfitting moments.<br /><br />Later, when DeNiro saves Bobby's son from drowning, I was hoping that the movie could redeem itself.. He could forgive himself for killing Primo if he saved Bobby's son. But of course this is far beyond the depth of the movie, because all he cares about is getting CREDIT for the murder, and does so by stealing Bobby's son, car, and dog and holding them hostage- Bobby just has to hit a home run and announce that DeNiro is a \"true fan\" while displaying a picture of him biting a knife.<br /><br />Now we get to the completely unrealistic scene at the end... It is pouring like hell and we are expected to believe that the game hasn't been called. Then DeNiro somehow magically appears on the field in an umpire suit and calls Bobby out at home, proceeding to pull out his knife and start stabbing everyone that runs onto the field. There are seemingly no officers on the field (but the police are on their way), so DeNiro steps on the mound and prepares to pitch a knife to Bobby when he gets shot to death. But don't worry, this cheerful and pleasant movie has a happy ending, because Bobby find his son.<br /><br />This is NOT a sports movie. It is NOT about a fan. As far as I know, fans are not rabid psychopaths that threaten, rob, and throw knives at their admirees. This is likely to be the sickest movie I will ever see in my life. The plot was shallow, the soundtrack sucked, the movie had no purpose whatsoever. I warn you not to waste your time on this disgusting excuse for a film." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The story of Ned Kelly has been enshrouded in myth and exaggeration for time out of hand, and this film is no exception. What ensures Ned Kelly has a permanent place in history is the effort he went to in order to even the odds against the policemen hunting him. During several battles, he marched out wearing plates of beaten iron, off which the bullets available to police at the time would harmlessly bounce. Indeed, it is only because there were a few bright sparks among the Victorian police who noticed he hadn't plated up his legs that he was captured and hanged. The story has been told in schools and histories of Australia for so long that some permutations of the story have, ironically, become boring. The more the stories try to portray Kelly as some inhuman or superhuman monster, the less people pay attention.<br /><br />Which is where this adaptation of Our Sunshine, a novel about the Kelly legend, excels. Rather than attempting to portray a Ned Kelly who is as unfeeling as the armour he wore, the film quickly establishes him as a human being. Indeed, the reversal of the popular legend, showing the corruption of the Victorian police and the untenable situation of the colonists, goes a long way to make this film stand out from the crowd. Here, Ned Kelly is simply a human being living in a time and place where in order to be convicted of murder, one simply had to be the nearest person to the corpse when a policeman found it. No, I am not making that up. About the only area where the film errs is by exaggerating the Irish versus English mentality of the battles. While the Kelly gang were distinctly Irish, Australia has long been a place where peoples of wildly varied ethnicities have mixed together almost seamlessly (a scene with some Chinese migrants highlights this).<br /><br />Heath Ledger does an amazing job of impersonating Australia's most notorious outlaw. It is only because of the fame he has found in other films that the audience is aware they are watching Ledger and not Kelly himself. Orlando Bloom has finally found a role in which he doesn't look completely lost without his bow, and Geoffrey Rush's appearance as the leader of the police contingent at Glenrowan goes to show why he is one of the most revered actors in that desolate little island state. But it is Naomi Watts, appearing as Julia Cook, who gets a bit of a bum deal in this film. Although the film basically implies that Cook was essentially the woman in Ned Kelly's life, but you would not know that from the minimal screen time that she gets here. Indeed, a lot of the film's hundred and ten minutes feels more freeze-dried than explorative. Once the element of police corruption is established, in fact, the film rockets along so fast at times that it almost feels rushed.<br /><br />Unfortunately, most of the film's strengths are not capitalised upon. Rush barely gets more screen time than his name does in the opening and closing credits. Ditto for Watts, and the rest of the cast come off a little like mannequins. I can only conclude that another fifteen, or even thirty, minutes of footage might have fixed this. But that leads to the other problem, in that the lack of any depth or background to characters other than the titular hero leaves the events of the story with zero impact. One scene manages to do the speech-making thing well, but unfortunately, it all becomes a collage of moments with no linking after a while. If one were to believe the impression that this film creates, a matter of weeks, even days, passes between the time that Ned Kelly becomes a wanted man on the say-so of one corrupt policeman, and the infamous shootout at Glenrowan. Annoyingly, the trial and execution of Ned Kelly is not even depicted here, simply referred to in subtitles before the credits roll.<br /><br />That said, aside from some shaky camera-work at times, Ned Kelly manages to depict some exciting shootouts, and it has a good beginning. For that reason, I rated it a seven out of ten. Other critics have not been so kind, so if you're not impressed by shootouts with unusual elements (and what could more more unusual than full body armour in a colonial shootout?), then you might be better off looking elsewhere. Especially if you want a more factual account of Ned Kelly's life." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "A couple of days after writing about how garbage like MAD COWS and THIS FILTHY EARTH receive money while Ange , Duncan and Theo are totally ignored I had to sit through yet another British movie * that had me scratching my head as to why it received a single penny . Some people may claim that because DEAD BABIES is based upon a highly regarded novel it has an in built market but both THIS FILTHY EARTH and MAD COWS were also adapted from novels and they were an ordeal to sit through as well <br /><br />I had read the synopsis of the plot where a bunch of high class wasters go to a remote mansion where they're stalked by an internet cult but to be honest this isn't really how the story unravels and anyone expecting Friday THE 13TH meets THE SHINING is going to be bitterly disappointed since 90-95% of the running time is taken up with said characters taking drugs and discussing sex . And what hateful characters they are too . Not one of them is likable in any way and within minutes you'll be getting nostalgic for Stalin , Mao and Pol Pot hoping that next time someone embarks on communist democide they'll be successful in creating an egalitarian utopia . Anything that will signal the end of such decadent bourgeois meaningless that the hateful characters in this movie embark upon can only be welcomed <br /><br />Not content with giving us a movie where the plot is meandering and where the audience fail to connect with the characters the director continues to spoil things further by getting all clever and arty . No doubt that is to impress us so we will fall upon our knees and cry \" Oh my god , what a wonderful director the way he bamboozles us with his highly artistic technique and only a worthless pleb will fail to appreciate what a god given talent this man is \" . I'm sure the vast majority of people either screamed \" How come my projects got turned down while crap like this didn't ? \" or \" WTF was the last half hour of this piece of crap all about ? \" You might defend the movie by saying the original source novel was unfilmable and this makes the film unwatchable . I will agree that this movie is unwatchable <br /><br />* I know the IMDb classes this as an American movie but the style and faults with DEAD BABIES is uniquely British . Americans might think they've got things tough with Bush but we've got Tony Blair , not to mention DEAD BABIES , MAD COWS and THIS FILTHY EARTH . No wonder everyone is ashamed to be British in the 21st century" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Offbeat, slow-paced, entertaining erotic thriller with many graphic and \"blasphemous\" scenes that will undoubtedly disturb some viewers. However, it'll be hard even for them not to appreciate the several imaginative sequences this film contains, or to ignore Krabbe's first-rate performance. Verhoeven maintains an intriguing ambivalence throughout the film, playing with the meaning of the hero's visions-omens. Unfortunately, in the last 5 minutes everything turns into a blur, and the unsatisfying ending is certainly not as good as the rest of the movie. (***)" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The humor implicit in the complete title proverb derives from the Sunday School dictum that one would be better advised to prepare before you're dead for the Devil's scrutiny, i.e. so the Devil doesn't care when you're dead. There's no percentage in trying to Beat the Devil. The characters apparently didn't pay attention at Sunday School, and find themselves forced into crisis management, having eschewed crisis avoidance. But even a seasoned CEO would have difficulty managing these crises. Throwing dice is far more unpredictable than flipping a coin; when people are involved, the list of possible outcomes becomes even longer than the long list of unforgettable Sidney Lumet films. Until now, Hawke may not have been an unforgettable actor but here perhaps had an eye toward earning billing among other Lumet All Stars like Steiger and Pacino." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This version of Bleak House is the best adaptation of a classic novel known to me. The representation of the court of Chancery as a 'character' in the drama is magnificent. The acting is marvellous, from the sinister Tulkinghorn, to the Dedlocks, Smallweed, Crooke, Miss Flyte, and the two young lovers. But it is the spider's web of chancery that holds the whole thing together, and the cinematography is superb. What mistake did the BBC make about copyright that meant that this version could not be seen in the UK on either video or DVD for many years? I tried to find out from them, but faced a stone wall. In the end I got a DVD copy from Canada." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "As part of the celebration of the release of Casino Royale, this film with the new Bond starring in it was shown, from director Roger Michell (Notting Hill). I almost turned it off for being a bit boring, but I'm glad I stuck with it. Basically May (Anne Reid) is a single mother of Helen (Anna Wilson-Jones) who hardly sees anyone and has not had a boyfriend in years. Her daughter says that she might want to get married to her new boyfriend, Darren (Daniel Craig, of course). After knowing each other only a few days, May and Darren have a secret affair. And at her age, with a 30-something, and the new Bond?! Anyway, they obviously want to keep it a secret, but May has regrets and wonders if Helen will find out. When she does, Darren gets less hassle than May. In fact, Helen asks her permission to hit her. Also starring Peter Vaughan as Toots, Danira Govich as Au Pair, Harry Michell as Harry, Rosie Michell as Rosie and Johnny English's Oliver Ford Davies as Bruce. Very good!" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Okay the promos promised a comedy and people(few) went to watch it Being the first release of 2006 is not a bad thing, or for that matter of any year, because the first and last films mostly flop except GHAJINI and some more<br /><br />Okay coming to JAWANI DIWANI<br /><br />Review in short The film is about Emraan Hashmi doing his usual stuff sadly it's annoying this time after repetitions It has an irritating Hrishita Bhatt and a flop Celina Jaitley<br /><br />Cringeworthy dialogues, comedy scenes and badly handled drama and lots of loopholes<br /><br />Direction is bad Emraan Hashmi is annoying here, luckily now he is coming of age But post FOOTPATH and MURDER and some decent work in some more films the actor in him took a backseat and directors focused on his kisses and womaniser image which sadly lost it's touch after repetitions Hrishita and Celina are bad Mahesh is horrible" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I hate over-long over-talky French movies, but my favorite movie of all time is the longest and talkiest French movie of them all. I saw it twice in the mid-70's, and then it disappeared. But I finally got to see it again in 1999, and fell in love all over again. What is most remarkable is that it feels every bit as fresh today as it did 25 years ago. If you haven't seen it, don't miss your chance!" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "What can you say when you see a good French movie which tries to draw a suspenseful story in line with the social background of the characters? The major point is we believe in those characters and once they've met each other we want them to stay together. It's simple and really efficient. The background story is less important. Why does the screenplay go on the side of a half-developed thriller? It helps not to get stuck in those social demonstrations most French film-jerkers like to make. Not too much ambition, right: Sur mes lèvres is only an entertaining French film with good characterization.<br /><br />For all the clever noir points in the screenplay the end is by far too easy. It goes quite as easy as in Rear Window (an obvious reference and definitely not a noir film) but with a less compelling context. Where I am amazed it's to see that the character of the probation officer has not been erased. He brings very little to the story; when he appears alone we wonder if we've not missed a part before. Jacques Audiard is not a new-comer yet. Strange and weird." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "For shame, for shame that a fine actor such as Joseph Fiennes would allow himself to be cast in this piece of nauseating drivel. The movie was not only bad, but down right horrible and of no redeeming quality. The plot, (was there one?) seemed to go no where. The Russians played silly kill or be killed games and the rest of the cast should be declared null and void for their pathetic performances. I gave up about 3/4 of the way through and turned it off. A \"1\" for awful only because there is nothing lower. Don't waste your time on this one, you'll not miss anything." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Films starring child actors put themselves on the back foot from the very beginning. While there are some exceptions, the majority of kids just cant act and even the ones that can normally become annoying after a few minutes. The kids in Paperhouse have managed to capture the worst of both worlds, as they're both very annoying and they don't have an ounce of acting ability between them. In short; they're rubbish. This isn't good considering that they're the leads, and it especially isn't good when you consider the fact that it is virtually impossible to take this film seriously because of the rubbish actors. It's a shame that this film is such a dead loss as the plot isn't (not completely). It follows a young girl who, after drawing a picture of a house in her notebook, wakes up in the fantasy world that she has created. It soon becomes apparent to her that she can manipulate this world through her drawings, and so sets about making various changes, until her dream eventually becomes a nightmare. Oh dear.<br /><br />As you can see, this plot line gives a nice base for a good fantasy horror movie. However, it is squandered through a number of fatal faults. First and foremost, in spite of the premise being an excellent premise for lots of inventiveness; the movie is extremely stale. The central plot is hardly played with at all, and the result is an entirely boring experience. The lack of tension is another huge gaping flaw in the movie, as it sees fit to drag every sequence out to a point that you just don't care any more (which is due to a lack of ideas). Thanks in part to it's lead characters, the film feels like a kids movie throughout. This is to be expected as it stars kids, but Bernard Rose should have decided the slant that he wanted to put on the story; as the horror in the movie is laughable at best. The film is also very cheesy, and the 'romance' between the two leads is extremely cringe-worthy, and makes for very painful viewing. In fact, if I had to sum this travesty up in one word, I would choose 'painful'. Paperhouse is poorly acted, laughably plotted, very corny and dull on the whole. Save yourself the pain, see something else." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This was by far the best war documentary ever made. From the very beginning of the first episode when Sir Laurence Olivier described the horrific events in Oradour-Sur-Glane 'The day the soldiers came'. To the final days of the war when the mushroom clouds appeared over Japan, I never missed a second of this classic series and I remember it well even though it was screened way back in 1974. Each and every aspect of this tragedy was covered in detail. This whole series should be compulsory viewing for as many of the world's children as possible so that the tragedy of World War Two is not repeated and that bigotry, hatred, greed and intolerance are not confused with patriotism or religious zeal." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "As a Mystery Science Theatre 3000 fan, I can withstand ANY motion picture that can be foisted upon me, but there is absolutely no reason for this.<br /><br />Rated \"Super Action\" in the Blockbuster Video section and given the dreaded \"Restricted Viewing Sticker\" I'm assuming these are the only methods that film maker (HA!) Robert Napton could use to get at least 4.50 from one unsuspecting person.<br /><br />Shame on you Robert Napton! Shame on you for exploiting these poor Mexican actors who you probably promised hopes for making it big in American cinema. You are a disgrace!<br /><br />There isn't one moment in this movie that holds the slightest bit of action. Did you use snot on these people? Oh, look, they're having a rave in a field! Like all 6 of them. And isn't that an Asian guy in the background? Why is it always daytime? Why did it take 1/2 of the movie to show anything.. and more importantly why did we watch the other 1/2?<br /><br />PS: You owe me 4.50." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I am a fan of the previous Best of the Best films. But this one was awful. No wonder I had such a hard time finding it. I tried 4 video rental stores, until I found one with a copy of this movie. The acting was terrible, the plot was a joke, and the action was bad as well.<br /><br />I really miss Alex Grady, Travis Brigley, and the original kickboxing characters and theme that this film had with the first 2 movies.<br /><br />John" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This was a pretty good film. I'm not sure if this is considered a spoiler comment, but I didn't want to take a chance. Anyway, near the end of the film, the prosecutor reads a Scripture verse and then quotes another from memory. I can't remember the first passage he reads, but the second one is Genesis 9:6. He says it's Genesis 9:12, but he actually quotes verse 6. This is a common passage that many use to defend capital punishment. It's too bad that prosecutors dare not quote the Bible today. Did anybody ever hear of John Jay, the first Supreme Court justice in the history of this country? He said that the Bible is the best of all books. Too bad we've lost that view in America." ]
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[ "Yes I know \"talkies\" had just been invented for the cinema 2 years earlier when this was produced in 1929 but this film showed that much had to learnt about the art of producing films.It comes over as a filmed \"hammy\" stage play with the actors melodramatically enunciating their lines,rolling their eyes, using too many pregnant pauses and using gestures more appropriate to silent cinema, which I suppose was normal during the process of educating them to appear more naturalistic on screen.The gaps between lines spoken should have been tightened up during editing as it considerably slows the film.It is now only of interest for Titanic buffs who want to see an early example of this marine accident on film.In next chronological order they could see \"Titanic\" (1953) A Night to Remember (1958)\"Titanic (1997), to see how the cinema's depiction of this tragedy as evolved over the years.There have been many documentaries and TV films made including the atrocious \"SOS Titanic\" (1979) On my version which is a DVD, David McCallum gives the introduction.It was he who played Harold Bride Marconi's junior wireless operator in \"A Night to Remember\"(still the best feature film - please read my \"Tribute to Walter\" comments on IMDb under Howard Morley.demon.co.uk)and gave the commentary on the series of 4 videos entitled \"End of a Dream\" so he was well qualified to give the narration.Of more interest I found was a recording accompanied by actual photos of the 1912 US Senate hearing which is also on the DVD.Actors speak the actual words spoken by Lightoller 2nd officer, J Bruce Ismay,Managing director of White Star, Harold Bride and others including Gloria Stewart (The \"old Rose\" in Titanic 1997) whose voice is used for one of the first class women survivors." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I can't say this is the worst movie ever made, but personally I think of it that way because when it was originally released in theaters, (1) the initial buzz was positive enough that my girlfriend insisted we go see it, and we actually STOOD IN LINE to get tickets, and (2) it's still the only \"serious\" film I recall where the audience started snickering at a certain point and basically laughed at the movie the rest of the way through. Once we reached the infamous (and interminable) snake fight scene, I think everyone gave up.<br /><br />The only positive I can concede is the lush location shooting. Oh, and there's also Bo's breasts, although her acting is so wooden that the nudity is unerotic and doesn't rate much more than a Playboy pictorial.<br /><br />The \"dramatic tension\" in this film is between Bo's terrible acting and her husband's horrible direction. The snake fight has to be one of the most incompetent \"action\" sequences ever filmed. However, this is one of those films that's bad enough, it may be worth watching on the level of unintentional humor. Definitely the worst film I ever paid to see." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I'm not sure what dragged me into the cinema to watch this movie, but few minutes after it started, I wanted to leave the theater. For a while I hoped at least the story will surprise me, but then realized it's a waste of time, there was just nothing there. I stayed only because I had another show after it.<br /><br />Design: some designs where quite beautiful, mostly of the environment, but the characters were terrible both in terms of animation and design. They look great while still - on posters and screenshots, but not when they have to come to life! They just didn't work, mostly because the very same mistake most 3D companies make: technically it is very hard to create really natural materials in 3D, that would make you feel that the character is alive. You need a lot of effort and knowledge (hence money) to create something that really feels like hair, skin, fabric, etc. Those characters in the movie were made out of \"cloth\", and that just didn't work! So they had this ugly cold feeling of the computer artificiality, where the cloth stretches or squeezes like a piece of plastic. It just didn't have the feel of a material, that dolls are made of (that's what those characters meant to be). I think it was a big mistake choosing this style for the characters. It just had a feeling of a 3D shoot'n'run computer game. I don't want to go to cinema to have a computer game on my screen, don't know about you...<br /><br />Animation was also a disgrace. I am a professional animator and was terribly disappointed at the low level of animation in \"9\". It was stiff, boring, almost lacked any imagination or mood. It was just a little bit above most average 3D animations I saw, and that doesn't add to it any good...<br /><br />And all that - the bad character design and bad animation could be solved with a good story, right?! That was not the case here. Actually the story was the worst thing in that movie. It was below any level. It starts straight forward, it goes straight forward and it ends the same. There is no twist, no surprise, no good dialogs, even no development. We've heard and saw stories of machines overtaking the humankind thousands of times and \"9\" is just one of them, and we know how it ends at the very first minute of that movie. The characters don't even have time to get into the story - they are just there, showing themselves almost immediately, and immediately some of them take action without even getting to know what's going on. It just didn't work. There are also many repetitive action sequences, that looked as if they were made to fill in the time for the lack of a story...<br /><br />Acting, sound and script - oh my gosh, what can I tell, it was pathetic. Bad story has a bad script, and except dialogs like \"No, don't do it!\" \"I will do it!\" \"But... you cannot do it alone!\" \"We can do it together!\" \"But there are rules!\" \"But we have to save him!\" etc etc and so on, and repeating itself all the time, so besides those terribly pathetic dialogs, there were those non stop \"Ahh\" and \"Ohhh\" and\"Ehh\", and \"Oooh\", and \"Whatchout\", and \"Run!\" and \"OhOhh!\" that were following almost every jump, run, or fall of the characters and it even sounded as if they were out of sync or even unrehearsed.<br /><br />Conclusion: bad acting, bad animation, bad sound, bad story, bad script, bad characters, everything expected, no surprises, no twist, nothing. Only some good designs are not worth the time. BIG NO!" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I wasn't alive in the 60's, so I can't guarantee that this movie was a completely accurate representation of the period, but it is certainly a moving and fulfilling experience. There are some excellent performances, most notably by Josh Hamilton (of With Honors), Jerry O'Connell (Sliders), who play brothers divided by the war. Bill Smitrovich, a character actor who has been long ignored by many, gives a heart-filled performance as their strict father, who is forced to question his own beliefs and values as one of his sons makes him proud by going to Vietnam but returns empty inside, while the other is exactly the opposite. All in all, this is a powerful and heartwarming film that I hope everyone gets a chance to experience." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Over several years of looking for half-decent films to rent for my kids, I've developed a sixth-sense for spotting the really cheesy, direct-to-video efforts that are really painful to sit through (for anyone over the age of eight). I dropped the ball on this one and the kids spent half the movie asking me \"what did she say that for?\" and \"why did he do that?\" and my eyes got sore from rolling them every minute or so as characters did a really bad job of introducing seemingly random plot changes. And the next time someone decides that having absolutely no skill with a sword is simply \"bringing realism\" to a film, please run them through with a dull butter knife. \"Prehysteria!\" was head and shoulders above this. Arrgh." ]
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1 POSITIVE
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POSITIVE
1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I sure would like to see a resurrection of a up dated Seahunt series with the tech they have today it would bring back the kid excitement in me.I grew up on black and white TV and Seahunt with Gunsmoke were my hero's every week.You have my vote for a comeback of a new sea hunt.We need a change of pace in TV and this would work for a world of under water adventure.Oh by the way thank you for an outlet like this to view many viewpoints about TV and the many movies.So any ole way I believe I've got what I wanna say.Would be nice to read some more plus points about sea hunt.If my rhymes would be 10 lines would you let me submit,or leave me out to be in doubt and have me to quit,If this is so then I must go so lets do it." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Misty Ayers had a smoking body, and that's all this movie was about. Pure exploitation flick. I started playing a game with myself, counting the number of times they looped the stock orchestral music. And of course the music is completely unrelated to the scenes. Case in point: casually walking into a room and saying \"Hello\" was scored with chase music from a roman epic. I'd like to know why this film sat on the shelf for 11 years before being released. What I learned from this movie: that women's low-rise panties existed in 1954. I'm talking Sigourney Weaver in the original Alien movie panties. At least 20 of the first 30 minutes is Misty leisurely taking off and putting on her clothing (except for bra and panties, sadly). Also includes horrendous dubbing, leading to a \"Look out! Godzirra!\" effect." ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This was the first sequel I'd seen (apart from Return of Jafar) and I honestly thought before watching it that it would be close to the original. I was horribly disappointed.<br /><br />The storyline was, basically, the first script with a few extra characters and the situation turned around. Ariel and Eric have a daughter, Melody who isn't satisfied with life on land. She wants to become a mermaid. However, Ariel has kept her past from her daughter because she wants to protect her-and when Melody finds out she's upset and angry. And she then decides to run away, and she becomes a mermaid. So she's happy swimming around, and Ariel sets out to find her-as a mermaid.<br /><br />The story doesn't sound too bad written down, but the clichés and repeats of situations from the first movie are just too obvious. And adding the fact that Melody is, overall, extremely annoying, and the movie becomes almost unbearable.<br /><br />There's also a whole load of other new characters-Tip and Dash being two of them. They aren't too bad as characters in themselves-just try not to think of Timon or Pumbaa! The songs leave a lot to be desired too, they just don't have the same magical energy as the songs from the original did. The animation obviously didn't have a whole load of work put into it either-in parts it's jumpy, and not much imagination is used for the characters movements.<br /><br />Another piece of advice-try to forget about Ariel's original character while watching this movie. The beautiful, rebellious, curious teenager has 'all grown up' into a bland, boring wife and mother, and her trademark red hair is all tied up. This is much better viewed if you've never seen the original-you'll have nothing to compare it to.<br /><br />However, all in all, it could have been worse-it's not as bad as certain other sequels, such as Cinderella II. But it's not in the same league as the original. But it for your collection if nothing else but if Disney go on like this they'll lose all their older fans." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The Ruth Snyder - Judd Gray murder in 1927 inspired Ogden Nash to write a Broadway play called Machinal. More famously, it inspired James M. Cain to write two short novels which anyone who has actually reached the point where they are reading this review would be familiar with - Double Indemnity and The Postman Always Rings Twice. Both became film noir classics of the 1940's, Double Indemnity being arguably the most perfect noir ever made. Some of the real-life elements of the Snyder-Gray story were captured by Cain - the old age and indifference of Albert Gray, Ruth's high sex drive, Ruth and Judd's passionate affair and complicity in the murder and that famous double indemnity insurance clause. Missing elements included the fact that the actual setting was a very urban Manhattan - Albert Snyder being a respected newspaper editor. The numerous incompetent and failed attempts were also ignored in order to cut to the chase.<br /><br />Cain's Double Indemnity was filmed perfectly by Billy Wilder - let's ignore Stanwyck's ridiculous wig as one of those interesting accidents of film lore! The Postman Always Rings Twice, however, was filmed thrice and Ossessione, an Italian version and Luchino Visconti's first film, was the first of three versions. Before commenting on it, I'll recommend the Lana Turner - John Garfield version of 1946 in its entirety and five minutes of the 1981 Jack Nicholson - Jessica Lange version for the great sex scene on the dining table.<br /><br />Ossessione is not as noirish as The Postman Always Rings Twice. It has a strong neo-realist look which makes it a great movie, but a lot of the essential noir elements are missing. It does not have low-key lighting and unconventional camera angles. The dialog is not hard-boiled and instead the film concentrates more on characterization. This is the longest version of the story and goes deeply into characterization. Its also a lot more sexual than the Lana Turner version. We have a very obvious adulterous relationship and Giovanna is very obviously a nymphomaniac. A new character is introduced into the story - La Spagnola - with very obvious homosexual overtones. There is also a small, but very well-played role for a dancer who moonlights as a prostitute.<br /><br />This is a far greater study of the working class than of crime. The audience really gets the feeling of poverty and grime. The drifter is a complete tramp, the wife is no Lana Turner and may even have been a prostitute before marriage. Her husband is an obscene capitalist - obese, rude and arrogant. I think the casting was brilliant for this film. My only beef is with the overlong running time. Everything is drawn out too long and it would have been more effective if it had been more economical. Nevertheless, fans of noir and realism will definitely like Ossessione, as I did." ]
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0 NEGATIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "\" Now in India's sunny 'clime, where I use to spend my time as a soldier in the service of her Majesty the queen . . . \" so goes the famous poem penned by Rudyard Kipling. This is the literal foundation upon which the movie \"Gunga Din\" is based. If you are fortunate enough to watch this legendary Classic, you will enjoy films the way they use to make them; for the sheer pleasure. Taken from the script of the established novelist and poet, this is a story of a humble Indian native named Gunga Din (Sam Jaffe) who works as 'a regimental beasty' during the British occupation of India during the 18th century. His greatest wish is to become a soldier. The water boy is part of a British Calvary contingent threatened with death by a notorious blood cult of Kali called the 'Thuggee.' Three particular soldiers stand out in this company who are noted for their bravery and comradeship. First is handsome and debonair, Cary Grant playing Sgt. Archibald Cutter. Next is Victor McLaglen as courageous Sgt. MacChesney and finally there's flamboyant Douglas Fairbanks Jr. as Sgt. Thomas Ballantine. All three and their fellow soldiers are surrounded by a hoard of mountain stranglers led by their fanatical leader called the 'Guru' (Eduardo Ciannelli). Amid the Chaos of war, is the brave water-boy who hopes to earn a place in the army by playing a bugle he found. A solid story for an old black and white film which needs little fanfare for anyone looking to enjoy a classic. ****" ]
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0 NEGATIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I lived during those times and I think the program caught the heart of the era. I do think it should have dealt with more of the Afro American issue but I think it cover a lot in the program. It was scary to sit and watch the riots on T V hoping that they would not go as far as your families home and that it would not get burnt down. I thought Jerry O'Connell did a great job portraying a vet coming back from the war. I went to school with guys who came back. Some had changed more than others and some not so much. It bothers me when someone comments that an issue was not covered enough or it was not entertaining enough. Live through it and then make comments. I thought the movie was great and that everyone in it did a remarkable job. Thank you for a trip (sad and good) down memory lane." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The story of this film is truly remarkable. A virus cut loose and only 1% of the human race survived. The only thing we know now is that animals rule the land above and there are posters everywhere that say, \"The Twelve Monkeys did it.\" Thats right, the human race had to hide underground from the sickness that had killed over 500 Billion people. Apparently animals do not contract this disease. Day by day the present scientist try to discover what type of sickness had caused this; how it was created; if nature did it or a mere human being had created it. All they know is that there is are a bunch of animals running around a city above them, the deaths began during 1996-1997, and twelve monkeys have something to do with it. (Or at least thats what the poster says.) So a current convict named James Cole (Bruce Willis) is sent as a \"volunteer\" to get some samples from above. After he does his \"volunteer\" work, he is asked to be sent back in time to the year 1996 to figure out what happened to the world. Cole accepts and the story of the Twelve Monkeys begin.<br /><br />Throughout the story the time machine gets the dates wrong quite a few times, from 1990, to some time during the 1950's. (In a middle of a war.) Throughout the time traveling back and forth, it starts to mess James up in the head and that twist the story up. The whole story is very well done and I would of gave it a higher grade if it wasn't for the ending. I personally didn't like the ending of the movie and I was very disappointed. I just was expecting a more explaining ending then what had happen, but it isn't everyone who thinks this way. So I gave it a 8, but if everyone had the same opinion as me I would give it a 6 or 7.<br /><br />For the whole acting of the film, I give it a A+. Bruce Willis is great for this role and he acts good, but Brad Pitt is completely 100% excellent. His acting is so great, he gets into the character so well. I never really cared for Brad Pitt in till I saw him in this and Fight Club. There characters or similar in this film, he is just a little more... insane in this film. So overall I think this film is completely worth checking out. For most people it's a great science fiction film, I just don't think it is a masterpiece." ]
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0 NEGATIVE
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NEGATIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The best thing about camp films in general is that you know what to expect. It's like watching a professional wrestling match or a day time soap opera or a Jerry Springer show: you immediately can follow the skimpy plot, identify the cardboard characters, and watch in satisfaction while all the cliches are being fulfilled. However, at times, the director does something real unexpected. It may be something extraordinarily stupid, or something weird, or something insightful. The director Makinen is up there with the best camp directors, and this is his best movie.<br /><br />In Yon saalistajat, everything seems to come together. There's nothing good about it, but still manages to be a coherent whole. Not once does the movie slow down - the action flows on and punches keep on coming.<br /><br />The weirdest thing is that there's no sense of time: some characters seem to take months doing something while other characters have only spent one hour at a bar. This is partially due to Finnish summer where the sun never sets, so you don't experience the day turning into a night at all.<br /><br />Finally: there is a plot, there, somewhere. You may have to watch the movie three times before you realize it, though." ]
Answer:
1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I'm not aware of \"Largo Winch\" as a comic book (or is it graphic novel? I actually don't know), but I have to admit, hearing about an agent/hero movie, I did expect quite something different, than what I actually got.<br /><br />While it was startling to watch this at first, it was nice watching this move along. You could never really tell where it would go (some twists are foreseeable, but in general, you can never really say, were it will end up going). A more than stellar performance from the lead actor and a really good support cast, make this an enjoyable watch. Not as action packed as some might hope or expect for a movie like that, but a really good mixture." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "A country-boy Aussie-Rules player (Mat) goes to the city the night before an all-important AFL trial match, where he is to be picked up by his cousin. And then things go wrong.<br /><br />His no-hoper cousin has become mixed up in a drug deal involving local loan-shark / drug-dealer Tiny (who looks like any gangster anywhere but is definitively Australian). Needless to say, Mat becomes enmeshed in the chaos, and it isn't long before thoughts of tomorrow's match are shunted to the back of his mind as the night's frantic events unravel.<br /><br />Accomplished Western Australian professional Shakespearean actor Toby Malone puts in a sterling performance as young naive country-boy Mat, and successfully plays a part well below his age. Best support comes from John Batchelor as Tiny, and an entertaining role by David Ngoombujarra as one of the cops following the events. Roll is fast-paced, often funny, and a very worthwhile use of an hour." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "\"Bread\" very sharply skewers the conventions of horror movies in general and \"Night of the Living Dead\" in specific and is constantly inventive. The production values are a little rough at times (it's a student film, after all), but it never loses sight of its goal to entertain. Hey -- George Romero liked it enough to include it on the remastered \"Dead\" video tape, laserdisc and DVD... that should tell you something." ]
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0 NEGATIVE
POSITIVE
NEGATIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I just rented and watched this movie just to see what's all the fuss about. So here's what my reactions to it are. It's easily seen that this is a low budget film with poor actors. The main plot of this movie is about a woman getting revenge on her rapists. This concept if done right could easily turn out to be a really provocative film. However, the movie doesn't shock or disturb me at all. It just bored me. This movie could be easily shortened to under 45 minutes. All lot of scenes are mainly there to fill in time, like those scenery scenes and some scenes I described below.<br /><br />************Contains spoiler************ I find the rape scenes quite tame. I don't know if I have watched the cut or uncut version, if there is actually such a version. I also found many plot holes within the already badly written plot. Here's a list on top of my mind.<br /><br />Why don't the rapists rape Jennifer during the night when she walked out her house to find out what those noise are. That would be an excellent time.<br /><br />Why don't they just gang rape her, instead of delaying some of the rapists the pleasure and lengthening Jennifer's ordeal by such a long time. It would probably be more shocking and disturbing that way.<br /><br />I found it really stupid that the rapists left her in the forest and head back to her house. Maybe to show that these rapists are really imbeciles.<br /><br />These rapists should at least know that if you want to do a dirty job right, they shouldn't send a coward imbecile to do the job.<br /><br />Why didn't Jennifer call the police when the rapists finally left? Which should be the first thing that pops up in most people's mind, especially for someone who is a writer. <br /><br />Why didn't these rapists smell danger miles away when they saw Jennifer is alive?<br /><br />I find it really amazing that a slender lady like Camille can pull a man up a tree and hang him. ************************Ends spoiler************<br /><br />But hey, this movie is not without its merits, Camille Keaton is gorgeous and I get to hear one of the funniest line I have recently heard when Matthew protest of going back into the house and kills Jennifer, `Why me? Why Me, I didn't even c^m!!!'" ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This film is terrible. The story concerns a woman trying to find out what has happened to her sister. The film struggles with its identity, lurching from Noir/thriller to erotic, with elements of horror thrown in for good measure. The film has a very confused structure, for example with frequent use of flashbacks without tying these into the story. The plot is poorly developed, and the characterisation made it difficult to distinguish between who was who and the part they were playing. Some implausibilities exist in many films, but the scene where the main protagonist willingly accompanies a virtual stranger to his home, then agrees to go upstairs alone (to where he says she will find a phone), minus the gun she had brought with her, to call the Police, was too hard to believe. Some of the cinematography is very poor: we were watching on a 42\" TV so how anyone with a smaller set could work out what was happening in the scenes taken in almost complete darkness is beyond me. Overall, a chaotic mess." ]
Answer:
1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "There was a genie played by Shaq His name was Kazaam, and he was whack His rhymes were corny, this lines were bad some stupid kid cryin over his stupid dad bad actin, bad casting, bad special effects whats next? this movie sucks Prolly didn't make 20 bucks he lives in a boombox not a lamp hurts like a cramp like a wet food stamp...<br /><br />Yeah, you get it, a stupid rhyming genie who can't act, in a stupid movie with horrible special effects. Oh, and its confusing as hell. I'm not even gonna go on. Let's just say, it belongs in the \"its so bad, its funny\" category. Watch it once with your buddies and get a good laugh. But don't expect anything spectacular." ]
Answer:
1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I'd love to give Kolchak a higher rating but the show quickly went from scary/suspenseful to silly. ABC's fault. They moved the show to Friday nights at 8:00 p.m., then known as the \"family hour\". Never should have been on Fridays in the first place. I was a sophomore in high school and loved the early episodes! It was first up against Police Woman on NBC. ABC had huge problems with Friday nights. Bad season for them overall until Barney Miller, Baretta, and SWAT debuted in January of '75. Kolchak should have been a hit. Darren McGavin begged to get out of his contract to end the show. Too bad the writing wasn't up to Richard Matheson's in the original TV movies. Still, McGavin made Kolchak his own, as actors can do. Jackie Gleason as Ralph Kramden and Caroll O'Connor as Archie Bunker come to mind. That INS set with the manual typewriters and clacking teletypes seems quaint and ancient today, yet that was part of the appeal. They were very lucky to have Simon Oakland reprise \"Vincenzo\" from the TV films." ]
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0 NEGATIVE
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NEGATIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Bugs Bunny accidentally ends up at the South Pole while trying to vacation in Florida. Where he meets a little penquin, which he tries to save from an Eskimo. This short tries and the penquin is adorable, but in the end it's a bit too light in the laughs department. The Eskimo isn't really that great of a foil for Bugs and I just seen a lot better Bugs Bunny cartoons frankly, even other shorts when he's paired with other unknown antagonists. So I can't in good conscience recommend this one. However it is nice to see it in it's uncut form. This cartoon is on Disk 3 of the \"Looney Tunes Golden Collection Volume 1\" <br /><br />My Grade: C" ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I remember that show. I still remember that kick ass fun song \"America's Funniest People.\" Frankly it should've been titled American's lame or unfunny or downright disgusting People. Dave couldn't save this show and neither could Bob Saget or the replacement hosts for AFV that came later. The Jackalope segments were hilarious and yes Dave could make some good voice overs that were better than Bob's. But this show went to hell because of the lame crappy videos people submitted. Also it developed as somewhat of a variety show with lame guest stars including the Olson Twins. Plus AFV was in it's prime before they started picking the drooling ugly as sin babies as the winner. Did I mentioned the videos were disgusting and lame? But still the theme song rocks!" ]
Answer:
1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Wow, praise IMDb and Google, for I have been trying to remember the name of this f'ing awesome movie for over 15 years now. Slaughter High, man! Hells yeah!<br /><br />I'm not going to bore you with a plot summary, and actors, and yadda yadda yadda, 'cause you all know what's up. That's why you're here anyway. What I will do, however, is explain the fond memory I have of this quintessential 80's D-Movie slasher joint.<br /><br />In 1987, when I was around the age of 7, my father used to rent all these horror movies. Would he care that his kids were watching them with him? No. So, at that young age i saw Slaughter High. What I saw in that movie stuck with me big time. I haven't seen it since, but I remember to this day most of the ridiculous kills in the movie. For example, the post-sex scene (why is there a metal bed in a school?) gets electrocuted. Or, the guy being drowned in a cess pool. Come on! My personal favorite, though...the exploding stomach from the tainted beer. Amazing! How can you honestly hate on a movie where one of the characters finds a beer in an abandoned school, like, 10 or 15 years later and thinks it would be a good idea to drink it? Then his stomach explodes? What!? And that great line: Let's take my car...it always starts. Classic crap all the way. <br /><br />I mean, I look back now, almost 20 years later, and laugh at it. But when I was 7, I was scared sh!tless. That jester hat (or was it a mask?) that the killer rocks throughout freaked me the f*ck out!<br /><br />All in all, yes, a crappy movie. But for nostalgia purposes and for humor factor this movie gets a 9 out of 10 from me. Either stay up every night real late and hope to catch this on same Late Late Late Movie show, or hunt down a VHS copy and dust off your VCR." ]
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0 NEGATIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "OK heres what I say: <br /><br />The movie was excellent. I am a huge Nancy fan and I have read all 1-56 original books and I went on to read more. I am now on 96. Beware of villains giving this movie a lower grade than it should have. All clues point to a wonderful movie! I loved the whole thing. So what Nancy is in current time. She is still old fashioned like she is in the books! People who haven't read more than 5 books are complaining about the view of Nancy. I have read all of them and I think Emma is perfect and that Nancy was perfect. I found parts of the movie spooky. I loved the exciting car chases and get aways. I loved the clues. I solved the mystery myself! It was really wonderful. I suggest you go see it since people who have been complaining know nothing of A what a good movie is and B about Nancy Drew. Go see it. It may not be Oscar worthy but its really a good movie." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "\"Jason Priestly stars as 'Breakfast', a psychotic jewelry store thief whose grip on reality is frighteningly precarious, according to the DVD sleeve, \"With his accomplice 'Panda' (Bernie Coulson), the duo make off with a carload of cash, a result of a tip-off from beautiful cashier 'Ziggy' (Laura Harris). Her reward: to hitch a ride with the out-of-control duo so that she can meet her long-lost father Francis (Stephen McHattie). But he's on a suicidal quest to even a score with his former boss (Louis Gossett, Jr.) and has the cops hot on his trail. Rage, murder and revenge are about to collide!\" Stay out of their way!<br /><br />*** The Highwayman (4/28/00) Keoni Waxman ~ Jason Priestly, Laura Harris, Stephen McHattie" ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "\"Welcome to Collinwood\" is kind of a disaster. Considering the people involved, it should've been multiple times better.<br /><br />Watching it, if you're at least somewhat attached to the faith that it'll get better, will probably make you cry. It's one of those movies that had potential, but was robbed of this potential thanks to a terrible script and some bad acting, not to mention the strangely annoying and unnecessary George Clooney character and the guy who reminds me of Richard Dreyfuss but about whom I care so little that I don't even want to know his name.<br /><br />The film's only saving grace is the weird con vocabulary it introduces. I found myself thinking of it time and time again as I watched more crime capers. This is the only reason I gave the film a 3. The plot is boring, the characters are neurotic, needlessly offensive, and highly unlikable. They are in a constant state of agonizing stress and they're all so irritating that I celebrated their obstacles. They yell at each other and swear crassly. The dialogue is insipid at best and insultingly stupid at its low points.<br /><br />I find that Steven \"Traffic\" Soderbergherabracadabrablahblah and George Clooney are to blame for this. They should be tried for war crimes, if anyone actually remembers this crap long enough to care." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Ray Liotta and Tom Hulce shine in this sterling example of brotherly love and commitment. Hulce plays Dominick, (Nicky) a mildly mentally handicapped young man who is putting his 12 minutes younger, twin brother, Liotta, who plays Eugene, through medical school. It is set in Baltimore and deals with the issues of sibling rivalry, the unbreakable bond of twins, child abuse and good always winning out over evil. It is captivating, and filled with laughter and tears. If you have not yet seen this film, please rent it, I promise, you'll be amazed at how such a wonderful film could go un-noticed." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I was quite surprised to read some of the comments on this work, honestly. Some people were looking for a plot??? OK, when this video came out over a decade ago, I watched it for what it was: a collection of music videos. It's not a movie. It doesn't have a plot, nor a central storyline. It's a rather artistic anthology of mostly long-form videos, all of them rather smartly or creatively done. Michael Jackson may be considered a freak these days, but, after all, this was the man who gave us Thriller (considered by many to be the greatest music video of all time) and set trends with Billie Jean and Beat It. With Moonwalker, he and the filmmakers and artists who collaborated with him once again took his music and dance moves to create some vividly entertaining stuff, incorporating claymation, special effects, live performance footage, and even self-parody (the \"Badder\" sequence). And for those wondering what Joe Pesci was doing there, this video came out just a tad before he became a household name, and was one of his most memorable appearances on film. And, IMHO, I think the Smooth Criminal sequence (the choreographed section) beats anything else Michael Jackson did up to that point!" ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This series had potential, but I suppose the budget wouldn't allow it to see that potential. An interesting setup, not dissimilar to \"lost\" it falls flat after the 1st episode. The whole series, 6 episodes, could have made a compelling 90 minute film, but the makers chose to drag it on and on. Many of the scenes were unbearably slow and long without moving the action forward. The music was very annoying and did not work overall. There were few characters we cared about as their characters did not grow during the time frame--- well, one grew a bit. The ending was as terrible as the rest of series. The only kudos here is to the art dept and set dressers, they created an interesting look, too bad the writer and director lacked the foresight to do something interesting with that element" ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The movie was disappointing. The book was powerful. The views and the learning of Little Tree were powerfully portrayed in the book. The movie just coasted along and finally dribbled away. Still a nice tale for kids." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "By no means a masterpiece, and far from Errol Flynn's best, Istanbul still has much going for it. The locations and beautiful technicolour cinematography, bring us back to a time long since past. Errol Flynn does show moments of his past glory, and is OK as Jim Brennan, a pilot who's past comes back to haunt him. The picture is actually a remake of 1947's \"Singapore\", and the story seems awfully contrived and cliche' by today's standards. Also many of the supporting cast seem to be simply \"going through the motions\" in this picture. Many people have also compared it to one of the all time greats, CASABLANCA. While watching the film, I could see many of the similarities, but hey, Casablanca has inspired countless imitators, so take that for what it's worth. In closing, if you are a fan of Flynn, or old fashioned love stories, you might want to give this film a look. Otherwise, I'd recommend Casablanca, or The Maltese Falcon, as a good introduction to some of Hollywood's classics...." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I remember watching ATTACK when it first came out and caught it again recently. The sci fi channel has run worse, but not by much. A shameless ripoff of Jurassic Park, ATTACK substitutes sabertooth cats for dinosaurs. And they are on the loose, devouring as many extras as possible. The CGI is pretty bad, and closeups of prosthetic cat heads are laughable. We get some gore, which helps a little. Wait until you see how the mad scientist who started this whole mess gets it. Other than Robert Carradine, who has very little to do, the cast is unknown. Apparently this was shot in Fiji. Nice work if you can get it. Reminds me of all those low-budget monster STVs that were popular in the 80s and 90s." ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "My, how the mighty have fallen. Kim Basinger is a great actress but she was definitely slumming when she took this role. This movie is bad for one reason in particular: lapses in logic. Its looks like one of those movies that would have been passable with all its plot holes if it had came out in the 80s and 90s but in 2008 it just looks real stupid. This is the worst thriller I've ever seen and I've seen The Bone Collector and Twisted.<br /><br />The story details Della(Kim Basinger)is just getting from buying gifts in a mall an is harassed by a gang of thugs that end up killing a cop that came to her aid. From then on she is chased by these idiotic goons through an abandoned street and she gets rid of them one by one with a toolbox full of tools.<br /><br />So many things are wrong with this movie. As I said this movie leaps over logic at every turn and with the exception of Kim Basinger, the acting is made-for-TV bad. Hell, this pseudo thriller is made-for-TV bad. The way she kills each of these politically correct thugs(1 Caucasian, 1 Hispanic, 1 Asian and 1 African American all coming together to stalk a Caucasian woman. Don't you just love America?)is laughable to a fault. The way she killed the Hispanic guy made me laugh hysterically. The sex scene with the main hoodlum was so out in left field that it make you shake your head in shame. I only recommend this to lovers of bad films and no one else. Anybody else especially Kim Basinger fans would do well not to own this flick. You don't want see an actress you respect in a film this bad now do you? Of course not. You were warned." ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This was a big disappointment for me. I think this is the worst Mastroianni-movie ever made. Cosmatos tries too hard to make this movie a masterpiece and that makes this movie a typical \"art\"-movie. I give 4/10 for this movie." ]
Answer:
1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "My, Kasi Lemmings certainly is a fair looking woman. This film is a lost gem, a dead-on satire \"mockumentary\" of the early 90's Hip Hop scene, when MC Hammer had just began to fade away into that good night. We follow the three members of the NWH as they embark upon their picaresque journey of would-be riches and fame. And like Nickolas Nickleby, at the end, they finish their journey not far from where they started, but at least a little wiser and lot less naive. This is one of the best films that no one has ever heard of, but it's the kind of film you either love or hate, a lot like \"Company Man\" in this regard. I regard this movie like the 1000 islands of upstate New York: it's a wonderful little secret you want to keep to yourself." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "IN COLD BLOOD is masterfully directed and adapted by Richard Brooks. However, it's also so bent on being realistic, it's sometimes more clinical than entertaining. Recounting the brutal killing of a Midwest family, author Truman Capote focused on minutia, wrapping himself and the reader up in the subject AND subjects! Brooks departs wildly from that approach in favor of something closer to docudrama. Although he films on actual locations, he keeps his distance. The murderers are portrayed as depraved imbeciles, which surely they were. They're not seen as misunderstood souls (as in the Capote book) and the savagery of their act is horrifyingly blunt. Scott Wilson and Robert Blake are excellent as the killers as is the supporting cast, including John Forsythe and Paul Stewart as the reporter (the Capote \"character?\") The landmark photography is by the great Conrad Hall." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Drew Barrymore plays young Holly Gooding, who moves in with aspiring hack screenwriter Patrick Highsmith (George Newbern) and completely disrupts his life by claiming that her \"doppelganger\", or evil twin, is out to kill her and her family.<br /><br />This silly horror film is kind of hard to take seriously, even if the film-makers and actors themselves seem to be dead serious. \"Doppelganger\" is muddled, with some unpleasantly dumb dialog.<br /><br />Some viewers will note that Drew's character's name is drawn from Audrey Hepburn's role in \"Breakfast at Tiffany's\", and that Newbern's character's name is a play on the name of famed author Patricia Highsmith (he is actually trying to re-write \"Breakfast\" as a horror film, believe it or not!).<br /><br />I suppose that it deserves some credit for not being quite your typical horror film - I mean, writer/director Avi Nesher seems to genuinely care for his characters, and gives his film more plot than standard slasher fare.<br /><br />After a silly villain-explains-everything-to-the-audience confrontation, the film goes on to submit a hideous, out-there climax that has to be seen to be believed. This film certainly does not skimp on the gore.<br /><br />But hey! Drew kills her mother in this one. No, I'm not joking. Jaid Barrymore shows up near the beginning only to get violently slaughtered.<br /><br />Drew is always very watchable, and very sexy in this one. Newbern comes off as a likable-enough, \"nice\" sort of guy. But the highpoint of the film has to be the scene with Sally Kellerman, an attractive veteran who's very professional in her one scene as a former nun who's started a phone sex business(!!!!!!).<br /><br />The film is basically junk but fairly amusing on a sleazy, sordid little level.<br /><br />4/10" ]
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1 POSITIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The first part, Che in Cuba, is about that portion of his life. It contains too many indistinguishable battles and Che ministering to too many indistinguishable wounded (remember that Che was a physician). It ends as Castro wins the revolution; Che never gets to Havana. The second part, Che in Bolivia, is about guess what. It contains too many indistinguishable battles and Che ministering to too many indistinguishable wounded.<br /><br />When I realized this was supposed to be an \"epic\" (I never knew *anything* but the title before it started), I naturally thought of the greatest epic of them all, David Lean's Lawrence of Arabia. More of that later.<br /><br />Not to be a racist, but aside from what I've already mentioned is the fact that there are too many characters who are, well, indistinguishable -- unknown Hispanic actors who look alike, especially considering they all wear \"Che\" beards and all wear Che fatigues. This results in the viewer not being able to identify with anyone other than Che, Benicio del Toro (even Fidel has a very minor role). While del Toro's terrific, think of \"Lawrence\" with Peter O'Toole as the only discernible character: no Alec Guinness, no Omar Sharif, no Anthony Quinn, etc. You get the idea.<br /><br />Because the other characters are interchangeable, this results in a loss of reference. When top aides of Che are killed, you feel no remorse since you don't know who they are. Even when Che is killed (I don't think that's a spoiler), there's no empathy from the audience -- he's just killed.<br /><br />He's too one-dimensional to relate to as a human being. Aside from being a revolutionary and second only to Jesus in moral rectitude, the only thing we learn about Che is that he's married with five children (he tells another character that near the end). What was his motivation? A complete enigma.<br /><br />Maybe Soderbergh is purposely aping Lean. Like Soderbergh's Che, Lean never lets us know anything about Lawrence, the mystery man of Arabia. But at least Lawrence had a friend (Sharif) and associates (Guinness, Quinn). He was as courageous as he was insecure -- i.e., had human qualities. Che is like a machine, about as warm as The Terminator.<br /><br />Earlier this year there was another war epic, Mongol. Che makes Mongol look like It's a Wonderful Life." ]
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1 POSITIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "with this ABC family attempt of the hit blockbuster \"cheaper by the dozen\" comes an obnoxious amount of corny dialogue, shallow plot lines, and cheesy comebacks. With about two good actors among many wanna-be's, this movie was a major disappointment. Its a Hollywood-wannabe ditto of an already bad plot. Then, because they needed a lot of actors, that meant that they'd probably be more lenient. So the acting wasn't five-star. The plot moved fairly fast, and the twists were bad and had horrible timing. The junction of characters and the \"end relationships\" were also too mushy and clichéd for me. Spare yourself and rent something better." ]
Answer:
1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "As did others in this forum, when \"Fobidden Planet\" was offered in 1956, I rushed to see it. This story is an interesting phenomenon I suggest because young, old, male, female, sci-fi experts and people who find such fare 'way out\" all can follow and enjoy this film's story and plot lines very well. This is the first movie set on a planet other than Earth in the 20th Century other than serials such as \"Flash Gordon\". Leslie Nielsen was vocally a bit weak for his role, at that time, but Walter Pigeon, Marvin Miller, Anne Francis, Richard Anderson, Earl Holliman and especially Warren Stevens all acquitted themselves very well. There are so many visual splendors in this one, it's hard to choose a favorite from the film's scenes. The approach to Altair-4, the starship itself, the landing on the planet's alien surface, the descent via extensor stairs, the first view of the landscape, the approach of the rocket-sled, Dr. Morbius's house seen from without and from within, the underground complex and its wonders, the setup of the weaponry, the battle with the monster, the final approach of the unseen destroyer,the escape from the doomed planet--all these scenes are etched into the viewer's mind because we discover them along with the participants. Veteran Cyril Hume's literate script was filmed intelligently by long-time director Fred McLeod Wilcox with clarity and imagination. it is a shock to realize there's no music at all; the film is carried by the words, the actors and the mystery-revelation storyline. It can be watched again and again with pleasure--I have been doing so for nearly fifty years. Until this famous and well-loved film was created, no film had tried to imagine a world beyond Earth; and for decades afterward, ships kept crashing back on the planet--as if the writers' imaginations were failing and causing the crashes. Still the best, many say. That says something negative about this nation's so-called intellectual leaders' imaginations--and something very positive indeed I suggest about those who made this gem." ]
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0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "OK first of all the video looks like it was filmed in the 80s I was shocked to find out it was released in 2001. Secondly the plot was all over the place, right off the bat the story is confusing. Had there been some brief prologue or introduction the story would've been better. Also I appreciate fantasy but this film was too much. It was bizarre and badly filmed. The scenes did not flow smoothly and the characters were odd. It was hard to follow and maybe it was the translation but it was even hard to understand. I love Chinese epic films but if you're looking for a Chinese epic fantasy film i would recommend the Promise (visually stunning, the plot is interesting and good character development) not this film. Beware you will be disappointed." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "While the title \"Before the Devil Knows You're Dead\" comes from an Irish proverb the film plays out like a Greek tragedy. It all starts with a botched robbery and continues to spiral out of control as two brothers attempt to escape the mess they've gotten themselves into.<br /><br />The cast is well-assembled with Philip Seymour Hoffman & Ethan Hawke playing the aforementioned brothers. Notable support includes Albert Finney as their father and Marisa Tomei as the wife of one brother and lover of the other. Beyond these principals the acting is unremarkable.<br /><br />The story is compelling and is told with a certain degree of verve. The narrative structure keeps things interesting by providing different points of view and frequent time shifts. That being said, the film's unpredictability is somewhat muted since it becomes apparent early on that this story is a tragedy, through and through. All in all, a pretty impressive debut for first-time screenwriter Kelly Masterson.<br /><br />Sidney Lumet's direction is well handled but I'm more impressed by the fact that he's still directing at over eighty years old. I was less impressed by the score by Carter Burwell but it isn't a major distraction.<br /><br />In the end, the film proves to be compelling viewing and while the story & presentation may have superficial similarities to other films this one remains a unique experience." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I rented this movie this past weekend, cranked up the surround sound system, and got some great sound from special affects. This movie is a great movie rental, the special affects where enough to scare my fiance, but I noticed some looked suprisingly computer generated. I didn't go to the movies and see this, but its a scary late night don't feel like going out movie. I would recommend it!" ]
Answer:
0 NEGATIVE
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0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Honestly I can't understand why this movie rates so well here, nor why Bakshi himself thought it was his finest film. I'm a huge fan of Bakshi's earlier work - particularly 'Heavy Traffic' and 'Wizards', but frankly 'Wizards' (1977) was the last good film he made. After that he turned to the mainstream, beginning with the diabolical 'Lord of the Rings' and then knuckling down with sword and sorcery heavyweight Frank Frazetta, for 'Fire and Ice'.<br /><br />What can I say? The story is puerile, the animation is TV quality - I insist that it's considerably worse than his 70's stuff - and whereas 'Wizards' had real imagination, quirkiness, some gorgeous background art, and an underground, adult sensibility, 'Fire and Ice' is just designed for 14 year old boys, and has the intellectual clout of Robinson Crusoe on Mars.<br /><br />Yes, if you liked the Gor books, you might like this. In my view though, this was just another blip in the slide in quality after 'Wizards' from which Bakshi never recovered (though he's done some decent TV stuff fairly recently)<br /><br />4.5 out of 10" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Jennifer Cassi (Gina Philips from \"Dead and Breakfast\") returns back to the house she grew up in which she recently inherited from her deceased sister, unbeknownst to her grandmother (Fay Dunaway) who's still living in it. Jennifer decides to sell it as she's in dire need of the money much to Granny's chagrin. She also begins to have troublesome recurring nightmares of a mysterious raven. There was really no one to relate to in this film. Jennifer seemed cold, distant, unsentimental, and narcissistic, whereas the grandmother seemed spiteful, sad, and also narcissistic. The film is good and well-made, but with no one to empathize with I found it hard to care about what happened to them.<br /><br />My Grade: C-" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "This movie is BAD! It's basically an overdone copy of Michael Jackson's Thriller video, only worse! The special effects consist of lots of glow in the dark paint, freaky slapstick fastmoving camera shots and lots of growling. I think the dog was the best actor in the whole movie." ]
Answer:
1 POSITIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I just saw this at the Venice Film Festival, and can't quite decide about it. We were never allowed to get close enough to any of the characters to care about them. Maybe that was the point, that we are all in a \"bubble\" of our own, but these people didn't compel me to be concerned about them or shocked at their various fates. At a running time of just over an hour, the characters weren't very well developed. Lots of time was devoted to shots of factory equipment (forklifts, conveyor belts, shovels); and the slightly-creepy-looking baby dolls with surprisingly lifelike eyes, that most of the characters made for a living, were somehow more interesting than the live people. An interesting experiment, but somehow it never quite came together." ]
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1 POSITIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "It's a pretty good cast, but the film has nowhere near the grace of the original Italian comedy \"Big Deal on Madonna Street\" Anyone looking for an entertaining caper film should visit the original. William Macy may be one of our greatest living actors, but here he's put to little use. And his role in the original was played by Marcello Mastroianni, so I sort of feel sorry for him trying to fill those shoes. Might as well try to imitate Bogart or a young De Niro. The art direction is rich and textured but brings nothing to the story, the extra bits they add to the story feel completely unnecessary and the things they take away are missed. Even starting the way they do seems bizarrely gratuitous and takes away from the surprise of the original. Sam Rockwell has his odd and genial charm and Luis Guzman has that odd charisma, but the love story part of the movie just seems clunky and flat. It's too bad nobody has figured out how to make this movie as well as it was first made, but then again it's too bad we live in a culture where we feel like we need to remake amazing things instead of simply learning to savor the originals." ]
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1 POSITIVE
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[ "I can't say that this film deserves anywhere near the amount of vitriol being heaped on it by some reviewers. Yes, it's bogged down by an overly-padded running time, hamfisted editing, and an overreliance on cheeseball special effects. And it lacks much of the energy a comedy needs to get your average audience member to sit through it without checking his or her watch. <br /><br />On the other hand, it's also got some laugh-out-loud funny lines, a talented and earnest cast, and the classic underdog premise. Macy, Stiller, and Azaria are brilliant as the \"core\" team, and Garofalo and Studi do superb work adding conflict and variety to the team. I can't say Reubens or Mitchell added much to the film overall, though each had a few chances to shine. <br /><br />The plot, as I said above, is your classic \"underdog-makes-good\" stuff. No surprises there, since you know they're going to triumph. What makes it worthwhile is not the absurd, gaudy heroes and villains, but the dialogue and interplay between the characters. Underneath it all, these people are children at heart, who just want to do right. The best scenes in the film give this film its emotional grounding. Look at Azaria's relationship with his long-suffering mother; Macy's endearing innocence in his unwillingness to accept Cap. Amazing's secret identity; Stiller's rage (not unlike that one weird, spazzy kid you once knew who'd always go into quivering, impotent rages on the playground); Garofalo's desire to avenge her father. This childlike belief that a sense of justice and goodness will always make the world a better place, is the true appeal of super-hero comics; and underneath its parodic exterior, \"Mystery Men\" shows us why these hackneyed comic-book tropes matter to so many.<br /><br />It never really gels into a satisfying whole, due to the huge number of half-baked subplots (romance, family life, conflicts within the team, etc.), but the main plot is such loopy fun that it makes up for that. The fact that it's supposed to be good, nonsensical fun seems to be lost on some of the reviewers here, so I'll issue a caveat: if you're the type of viewer who finds his enjoyment of an Itchy and Scratchy cartoon ruined by the unexplained and illogical (\"Am I to believe this is some sort of.. *snort*... _magic_ xylophone?\"), then you are far too literal-minded and humorless for this film. Go rent a Sandler film instead.<br /><br />(7/10)" ]
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[ "Mardi Gras: Made in china is an excellent movie that depicts how two cultures have much in common but, are not even aware of the influence each society has on one another. David Redmon open your eyes and allows you to see how the workers in china manufactures beads that cost little to nothing and are sold in America for up to 20 dollars. When Redmon questions Americans about where these beads come from they had no clue and seemed dumb founded. When he told them that they are made in China for less then nothing with horrible pay and unacceptable working conditions, Americans seemed sad, hurt, and a little remorseful but didn't really seem that they would stop purchasing the beads after finding out the truth. When Redmon questioned the workers in china they did not know that Americans were wearing them over their necks and paid so much for these beads. The workers laughed at what the purpose was behind beads and couldn't believe it. This movie is a great film that gives us something to think about in other countries besides our own.<br /><br />M. Pitts" ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "\"I didn't want this to get complicated, Leese. I have to assume she's gonna read that.\" Fear takes flight at 30,000 feet in this taut, action thriller. An overnight flight to Miami quickly becomes a battle for survival when Lisa ( Rachel McAdams) realizes her seatmate ( Cillian Murphy) is planning to use her as part of a chilling assassination plot. As the minutes tick by, she's in a race against time to warn the potential victims before its to late.<br /><br />One of the many reasons I love this movie, is because of the chemistry between the two stars, McAdams and Murphy, who are also two of my top favorite actors. For example, the early scenes at the airport play more like a romantic comedy: two people keep running into each other.... I got to hand it to the two as well, for making a film like this work. Especially, Murphy's character.. Jackson who really seems to be sort of complicated in that way that he acts charming and innocent, yet he's trying to do his job and make Lisa feel trapped physically and mentally. I mean, in certain parts he really seems to be concerned for Lisa.<br /><br />A great thrill ride all the way through. A lot of films I would hate to see a prequel or a sequel about, but actually I wouldn't mind a prequel to this one, which would take place with Jackson surveilling Lisa. Favorite scene is probably that headbutt scene, because it was so unexpected. There was also that nice buildup to the famous 'pen' scene. When is she going to make her move? There was also that nice change in McAdam's Lisa, where she changed herself from being a victim into fighting back. I also loved the scene where she sits down in the food court and pretends to ask some ladies a survey about the food court. How great was Murphy with his whole weezing....." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I watched this movie alongwith my complete family of Nine. Since my younger brother has recently got married, we could connect with the goings-on. The movie stands out for the classical touch given to the romance of the engaged couple. Thankfully this time all Indian locales like Ranikhet Almora etc have been used, which have been already visited by most of the urbanites, hence adding to the connection with movie. The dialogues are much better than those in the \"Umrao Jaan Ada\" - a supposedly dialogue based movie. The background music is augmenting the \"soft focus\" of the movie. It somehow remind me of VV Chopra's \"Kareeb\", in which neha and to some extent Bobby did full justice to the character. Same here, in that the lead pair does not disappoint in any department-looks or acting. The Supporting cast are too good. I rate the actress playing the role of Bhabhi in the front league. The situations of family interactions portrayed are real and you smile when you find yourself in place of one of the characters. Songs were too suiting the scenes and going along well with the movie. However, though I respect Ravindra Jain for his body of work from movies to Ramayana, I missed Ram Laxman badly.<br /><br />It had no double entendres(Sivan category), no bikinis, no intrigue, and no nonsense. You would comfortably watch the movie with your parents except if you're already or going to be soon engaged. I want to express on candid thing here that though Suraj proposes that the marriages is between families and not only individuals, his approach is totally individualistic. The movie is only about Prem & Poonam, rest of the characters are incidental. Art immitating life? The \"peripheral characters\" are consigned to the background and the only protagonists are the lead pair. <br /><br />Coming back, Everything was almost great. Except, for the drama part. The situation of tragedy was artificially created. The outcome, the sacrifice and the ensuing heart change are not compelling at all. That is why it lacks the emotional punch-the very purpose of this turn of events. But, a twist in the tale was necessary to transcend the movie from a beautiful pre-marital video to a 'feature film'. But I kept waiting for the punch and it never came. The preaching by Mohnish Bahal and later by Alok Nath on dowry was out of place and it made things too overboard. May be this will help the movie a tax-free status. But the plot could have been made more interesting and non-linear than what it was.<br /><br />There were too question in my mind when the movie ended: 1 Has the movie really ended? 2 Has the movie ended?" ]
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[ "I stumbled across this (Act-I) by pure dumb luck and this was more than a decade ago. This was'nt even what the cover label on the tape mentioned. It amazed me. It intimidated me. It shocked me. I eventually forgot about and almost a decade later, I happened to think about it again. Then went and bought both acts. They were even better than I had experienced at first.<br /><br />My only complaint is that while the Tank Police keep on going on and on about being at war with crime, warranting tanks and heavy artillery, it would seem as though they are really having a hard time with criminals. That is either never shown or is simply a lie as they appear to be taking it easy most of the time. If that bit about being in a state of war was really propaganda, it certainly has not been shown as such.<br /><br />I don't think the original Japanese version could have been any where as good as the Americanized version of this. But regarding the story, there has certainly been some proper explanations lost in translation but it can be excused." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Wenders was great with Million $ Hotel.I don't know how he came up with this film! The idea of giving the situation after spt11 and the view of American Society is hopeful,that makes it 2 out of ten.But this is not a movie.Is that the best someone can do with a great idea(the west-east clash).There are important things going on in middle east and it is just issued on the screen of a MAC* with the fingers of an Amerian girl who is actually at the level of stupidity(because she is just ignorant about the facts).The characters are not well shaped.And the most important thing is the idea that is given with religion is somehow funny to me.At the ending scene Lana says lets just be quiet and try to listen.And the background music says \"...I will pray\".The thing is not about religion actually.But it ends up with this.How you are gonna see the truth if you just close your eyes and pray.The lights are already shining on the truth.Its just that nobody wants to see it. ps: \"My home is not a place.It is people\"The only thing that gets 10 out of 10 is that sentence.But it is wasted behind this film making. (by the way; as \"someone\" mentioned below ,Americas finest young man are not finest,they are just the \"poor\" and the \"hopeless\" ones who sign up for the army in need of good paychecks which is not provided by the government ! )" ]
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[ "while watching this piece of crap! The Day after, I saw a 1min Trailer - that one minute included all, ALL what was at least not boring to watch...<br /><br />so don't waste money or time on this one, get the original, it's much better though the effects might not be up to date..." ]
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[ "This movie is the next segment in the pokemon movies which supplies everything on hopes and dreams of a pokemon warrior named Ash Ketchim and his friends. they go out and they look battle and run into new pokemon and take on new adventures with Pikachu and other pokemon favorites. This adventure takes on with a new pokemon called Celebi a time pokemon. Go join ash Brock and Misty to find all sorts of new things!" ]
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[ "Bored with the normal, run-of-the-mill staple films to watch this Halloween that I've seen over and over again, I took a chance on \"The Sentinel\", hoping it could get my horror juices flowing again. Mind you, I had just come back from seeing the Dark Castle remake of \"The House on Haunted Hill\" - complete and utter crap. Thankfully, \"The Sentinel\" BLEW ME AWAY! In a riviting story about a model who moves into a creepy building in Brooklyn Hights, the film offered everything that I hope to find in a good movie - (1) Campy and fantasically juicy characters, exchanges and dialogue, including hilaraious turns by Christopher Walken, Jeff Goldblum and especially, Martin Balsam, as an absent minded professor - (2) Horrifying Terror! Not to give a frame away, but there are scenes in this film that chilled me to my pancreas - (3) Fantastic gore, terrific make-up and wacky (if very uneven) direction from Michael Winner, which flows rather nicely with this unreal treat. If you loved \"Evil Dead 2\", \"Dead Alive\" and \"Deep Rising\" - this will be your queen of favourites. Just to emphasize my love for this film - after I watched it for the first time, jaw-dropped, I rewound it and watched it again. It is now one of favourites of all time. Do yourself a favour and check it out!" ]
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[ "Everyone we meet influences our thinking, modifies our ways, a little bit of that person rubs off onto us. \"The Eighth Day\" takes up this theme (Compare \"Rainmaker\"). In this film Harry (Daniel Auteuil) a businessman expert in sales psychology meets up with Georges (Pascal Duquenne), a Down's Syndrome child on the run. Winning performances from both these actors give this film its main strength. The opening sequence is excellent where Georges relates his theory on the creation of the world and in the closing scene we discover what God created on the eighth day. There are some moments in the story that are very frustrating for Harry. For example, Georges who is completely uninhibited demands a pair of expensive shoes and hasn't enough money. It's the kind of scene where you laugh through your tears. I liked the scene where the Down's Syndrome group on a trip to the Art Gallery escape on a bus and gate-crash the Paradis fun park. The most humorous of all the embarrassments is the scene where Harry and Georges pass a horse-float on the highway and, looking back, Georges gives the driver a rude salute. But there are some gentle scenes as well, especially the impressive use of close-ups of hands - hands feeling the sun,wind and rain, hands reaching up, hands reaching out and clasping in love and friendship. This is true cinema which touches the heart. There are very moving scenes where Georges proposes to Nathalie, where Georges cradles Harry's head in his arms, where Georges keeps calling for his dear Mom, where Georges teaches Harry to laugh..I felt there was a profound message in the film that life is beautiful- the very presence of grass (Did you know it cries when you cut it?), the trees overhead, the song of birds, the little insects - all nature's miraculous creatures. They are all there to be enjoyed if we but lie back (like Harry and Georges) look around us and listen......A beautiful film." ]
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[ "The Hamiltons tells the story of the four Hamilton siblings, teenager Francis (Cory Knauf), twins Wendell (Joseph McKelheer) & Darlene (Mackenzie Firgens) & the eldest David (Samuel) who is now the surrogate parent in charge. The Hamilton's move house a lot, Franics is unsure why& is unhappy with the way things are. The fact that his brother's & sister kidnap, imprison & murder people in the basement doesn't help relax or calm Francis' nerves either. Francis know's something just isn't right & when he eventually finds out the truth things will never be the same again...<br /><br />Co-written, co-produced & directed by Mitchell Altieri & Phil Flores as The Butcher Brothers (who's only other film director's credit so far is the April Fool's Day (2008) remake, enough said) this was one of the 'Films to Die For' at the 2006 After Dark Horrorfest (or whatever it's called) & in keeping with pretty much all the other's I've seen I thought The Hamiltons was complete total & utter crap. I found the character's really poor, very unlikable & the slow moving story failed to capture my imagination or sustain my interest over it's 85 & a half minute too long 86 minute duration. The there's the awful twist at the end which had me laughing out loud, there's this really big sustained build up to what's inside a cupboard thing in the Hamiltons basement & it's eventually revealed to be a little boy with a teddy. Is that really supposed to scare us? Is that really supposed to shock us? Is that really something that is supposed to have us talking about it as the end credits roll? Is a harmless looking young boy the best 'twist' ending that the makers could come up with? The boring plot plods along, it's never made clear where the Hamiltons get all their money from to buy new houses since none of them seem to work (except David in a slaughterhouse & I doubt that pays much) or why they haven't been caught before now. The script tries to mix in every day drama with potent horror & it just does a terrible job of combining the two to the extent that neither aspect is memorable or effective. A really bad film that I am struggling to say anything good about.<br /><br />Despite being written & directed by the extreme sounding Butcher Brothers there's no gore here, there's a bit of blood splatter & a few scenes of girls chained up in a basement but nothing you couldn't do at home yourself with a bottle of tomato ketchup & a camcorder. The film is neither scary & since it's got a very middle-class suburban setting there's zero atmosphere or mood. There's a lesbian & suggest incestuous kiss but The Hamiltons is low on the exploitation scale & there's not much here for the horror crowd.<br /><br />Filmed in Petaluma in California this has that modern low budget look about it, it's not badly made but rather forgettable. The acting by an unknown (to me) cast is nothing to write home about & I can't say I ever felt anything for anyone.<br /><br />The Hamiltons commits the cardinal sin of being both dull & boring from which it never recovers. Add to that an ultra thin story, no gore, a rubbish ending & character's who you don't give a toss about & you have a film that did not impress me at all." ]
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[ "In the beginning of this film, one of the commentators says that he was told that he has two strikes against him: he is black and male. But in addition to that, he has a third strike: he's gay. \"You're going to have to be stronger than you ever imagined,\" he is told. \"Paris is Burning\" is a documentary about gay black and Hispanic men who are tranvestites or transsexuals.<br /><br />The miracle of \"Paris is Burning\" is that director Jennie Livingston takes a subject that could have very easily become a freak show and allows the people in it their humanity. We learn their views of homosexuality, men, women, their hopes, their disappointments, their dreams. Some of these dreams are so unattainable it's tragic. Many of the people are seriously in denial;<br /><br />This is not a film for everyone. There are shots in this movie of nude transsexuals. If you have a problem with homosexuality, then this movie isn't for you. But if you do see this movie you'll realise \"Paris is Burning\" isn't really about men wearing women's clothes, it's about a group of people who are routinely marginalised and put down by society at large, and what they do to get a sense of community in their lives.<br /><br />I've watched this movie four times since it was released in 1991, because it says so many things: it's a commentary about materialism in our culture, about gender roles, about rich and poor people, about the media and what it celebrates, about fame and adulation. \"Paris is Burning\" is one of the most humane, and one of the saddest, movies I've ever seen." ]
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[ "I rented domino on a whim, not even knowing it was inspired by a true story, and even though it's the least likely and true biopic you'll probably see. i found it to be rather awesome.<br /><br />With Richard Kelly writing he crams together a mass of plots and narratives into 2 hours of pure entertainment. And once you've seen it more than once you get it and appreciate it. <br /><br />Domino is a model turned bounty hunter who leaves the perfect Hollywood life to pursue a not so subtle or perfect career. It has an edgy acid trip style provided by director Tony Scott. And with fast paced music and editing, it provides the visual flare to keep your attention, with slick performances and unexpected comedy, the movie is well made and enjoyable and should have reached a wider audience. <br /><br />I suggest it to anyone who wants to think and be entertained at the same time for 2 hours." ]
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[ "As the film begins a narrator warns us THE SCREAMING SKULL is so terrifying you might die of fright--and if such happens a free burial is guaranteed. Well, I don't think any one has died of fright from seeing this film, but a few may have died of boredom. THE SCREAMING SKULL is the sort of movie that makes Ed Wood look good.<br /><br />Very loosely based on the famous Francis Marion Crawford story, SKULL is about a wealthy but nervous woman who marries a sinister man whose first wife died under mysterious circumstances. Once installed in his home, she is tormented by a half-wit gardener, a badly executed portrait, peacocks, and ultimately a skull that rolls around the room and causes her to scream a lot. And to her credit, actress Peggy Webber screams rather well.<br /><br />Unfortunately, her ability to do so is the high point of the film. The plot is pretty transparent, to say the least, and while the cast is actually okay, the script is dreadful and the movie so uninspired you'll be ready to run screaming yourself. True, the thing only runs about sixty-eight minutes, but it all feels a lot longer. Add to this a truly terrible print quality and there you are.<br /><br />There are films that are so bad they are fun to watch. It is true that THE SCREAMING SKULL has a few howlers--but the film drags so much I couldn't work up more than an occasional giggle, and by the time the whole thing is over your head will roll from ennui. If it weren't for Peggy Webber's way with a scream, this would be the surefire cure for insomnia. Give it a miss.<br /><br />GFT, Amazon Reviewer" ]
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[ "NATIONAL LAMPOON'S CLASS REUNION was a flop when it was released. It didn't stay long in theaters in my big city. Why? Because it's BAD!!!!!<br /><br />Not bad in a good way but bad in a really painfully unfunny way. The entire cast of actors were mostly unknowns then and have remained unknowns after this turkey.<br /><br />The idea is actually great (a parody of slasher flicks) but the execution is sorely lacking in every aspect. <br /><br />Just avoid this \"comedy\". Your time is more precious than spending a nanosecond watching this embarrassing misfire." ]
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[ "Shall We Dance is an excellent film because it shows how something, like dancing, can rejuvenate the life flow in the human spirit.<br /><br />Dance is seen as the expression of existence, and the birth of individuality. The is certainly the case with Aoki. At work he is a humble office denizen, but place him on the dance floor and all his bottled up intensity is released. Surprisingly, this release is frowned upon in Japan, due to the rigid culture of conformity. At the start of the film, all the characters are ashamed or frightened of their desire to dance. They will be scorned, or deemed perverted, for expressing their passion through dance.<br /><br />This film is well worth watching to witness the rebirth of human emotions and passions. It will leave a smile on your face for days." ]
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[ "Ghost Story,(The New House) is a terrific horror story. This is from the Circle Of Fear and the Ghost Story series of the early seventies.The beginning and ending of each story is narrated by Sebastian Cabot. Remember him from the early family series, Family Affair in the 1960s? This particular story has Barbara Parkins and David Birney as the lead actors, and as the main characters in the story.I saw this recently,and I was so scared!If you are alone,I would not recommend that you watch this.This story is terrific,no gore or curse words, but very scary. Barbara Parkins played the young bride. David Birney played her husband.Both actors were very good in their parts.If you like scary, fun,terrifying ghost stories, then you will like this little gem. I gave this a high rating.I highly recommend this story." ]
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[ "What was always missing with the Matrix story was how things came to be in the real world. Say no more, because this part of the story covered most of the bases. What was truly interesting was how political it was, maybe even a cheap shot at the current presidential administration. Fascism and violence were the only things man could think of in regards to fighting the robotic horde, who were meant as nothing more than servants to humanity. What I also found interesting was the use of fear and how it was perpetuated by the idea of the unknown. We as humans tend to fall into that trap quite often, letting the lack of logic and thought overtake us because people can't believe the contrary. Well represented and put together, this a true testament to how illogical humans can be." ]
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[ "Yes, this was pure unbelievable condescending babble. We know that the French often have a skewed idea of the USA, it's puritanism and views towards sex. As an American (Hoosier) who lives in France, I have ample opportunity to observe these attitudes. And while some of these preconceived notions may be true, NOT ONE ELEMENT of the midwestern town portrayed in this film rang real. A man who has never had sex because he was told in high school 20 years prior that his penis is too big? Where in the world would you find that? A juke box in a bar that plays only vintage bluegrass? A town with maybe 16 people less than two hours away from Chicago, but with no major gas station, no Tvs in the home, no McDonalds, no kids... A population that knows each other's intimate details yet relentlessly gets together like one big family that hates each other. The adult males plant whoopee cushions at the local cafe, have farms but don't harvest, kill the guy they don't like in front of everyone and seem to get away with it, and all with equal emotion? The liberated French girl who will screw the 17 year old virgin boy because of her sexual generosity, the too much flesh guy who goes from getting off in cornfields by the mere breath of an Illinois breeze to helping deflower this same 17 year old farm boy? HELP! I am so baffled and astounded by the absurdity of this film that I am not expressing clearly how ridiculous it is. Go see it for the A-to-Z primer on what to avoid. Gosh, I hope I didn't ruin it for you!" ]
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[ "This movie is a mess. I'm surprised it even has a theatrical release. WIthout Robin Williams it would have gone straight to video. It is poorly written. It is poorly directed. It's worse offense is that it has taken an interesting topic and reduced it to a ridiculous and BORING thriller that has no thrills and no suspense and no inner or emotional logic.Especially after the first half hour the movie dovetails into a series of ridiculous set pieces that are so over the top that the audience I saw it with was laughing at it. Save your money. The trailer is totally misleading - it is not suspenseful and there are no thrills - in fact the movie's truly worst offense is that it is simply boring." ]
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[ "This is a great idea for a film but it, unfortunately, doesn't turn out to be a great movie. What starts out as a sweet and almost goofy romantic comedy about a Fluffer in love with his Fluffee spirals out of control into a bizarre combination of genres and a veritable stew of plots, with liberal borrowings from BOOGIE NIGHTS, THELMA AND LOUISE, SHOWGIRLS, FRISK, and even a curious \"dash\" of 400 BLOWS thrown in towards the end. (At least the director did his research!) The result is not necessarily boring but, in the end, this slick, well-produced flick doesn't quite add up to anything. However, the actors all do a game job with the material and there are a few good laughs at the behind-the-scenes world of gay porn.<br /><br />" ]
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[ "Don't know how this missed award nominations. Great film. Certainly of the calibre of \"Beautiful Mind\" Great acting, photography, script and drama. I can't imagine anyone not being entranced by this film." ]
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "When this play was first shown by the BBC over 30 years ago, it would have been something quite different for the time. So therefor some people would have found it quite scary, and may well have been impressed with the special effects?<br /><br />Looking at the play in this day and age, It doesn't seem to be all that scary anymore, even the special effects can leave a lot to be desired.<br /><br />Would a train really be allowed to pass a RED LIGHT into a dark tunnel? I don't think so......but if you watch this play again, you will observe that the first train that enters the tunnel, rushes straight through the RED LIGHT! (maybe that's how it was in dickens time)?<br /><br />You will also notice that the footpath that leads down to the Signal Box is very steep and in a poor state. Surely there would have been a series of proper steps with handrails for the Signalman to climb up or down into the cutting. (i can't help but notice things like that)<br /><br />I will not take anything away from the acting, both Denholm Elliott (signalman) and Bernard Lloyd (the traveller) gave wonderful performances.<br /><br />I am not at all sure what is going on......I mean was the ghost the traveller, or what??? Does anyone really fully understand this rather confusing story??? (well maybe i am the only one that don't)???<br /><br />To sum up.....<br /><br />The play has a wonderful atmosphere throughout, with great character. It suffers from not being that scary these days, and a little if not very confusing in places, and has some rather unusual signalling practises....<br /><br />Thanks for reading my review." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "There are too many new styles of the sitcom but the one that works best is the old fashioned way with an audience and indoor set. That 70's Show is a great example. When the show came on the air, nobody really heard of Kurtwood Smith and Debra Jo Rupp much less the adolescents played wonderfully by Topher Grace and Ashton Kushton (both of them are leaving the show this year to pursue other interests) I wish Topher would stay around because the show began about his character, Eric, and his close circle of friends. Ashton is already the John Travolta of our time. Remember when John was in love with Diana Hyland from Eight Is Enough, think of Ashton with Demi Moore. The cast of actors were never known to us which is a good thing because a celebrity cast member can spoil it. I miss Mo Gaffney who played Don's girlfriend Joanne. I miss Lisa Robin Kelly as the original Laurie, the replacement could not match her and I am sorry about that. I liked the casting of Tommy Chong as the wasted but beloved father figure to Steven Hyde. I loved watching Tanya Roberts besides Charlie's Angels. I loved Brooke Shields playing Jackie's mom. She really showed her acting talent before heading to Broadway. This show has been a delight with many surprises. I hope this show lasts longer even though 2 of their cast members are leaving but I hope they don't stay too far away too long. I wish the show's creators, Bonnie and Terry Turner, who also created my other favorite show, Third Rock from The Sun, is more successful on Fox than they were on NBC which sabotaged their show. The Turners are not dummies and I hope they create more shows like this in the future." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Starfucker (which reads Starstruck on my box) was the most amazing movie I have ever seen. I thought that it was one of the best movies I have ever seen. So why not a 10? Nothing is perfect. Jamie Kennedy proves why he is one of my favorite actors in this very interesting look at a darker side of Hollywood. I have forced a few others to watch the movie and they all agreed that it was an outstanding flick." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Dream Quest was a surprisingly good movie. There were some noticeable goofs, but that can be expected in a movie like this that was made in such a short time. I did not feel any urge to fast forward during the movie and I found it pretty entertaining. It gets kind of silly at times, but overall I recommend it. They probably used up all the glitter in the nearby stores, and some of the costume designs were pretty good." ]
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0 NEGATIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Saw this movie at the Rotterdam IFF. You may question some decisions of the maker - like choosing a mockumentary form for such a sensitive and horrible subject - but this movie sure hits you in the gut. Especially the last scenes were almost painful to watch. Hope it gets the distribution it deserves." ]
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0 NEGATIVE
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NEGATIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "The bad news is it's still really dreadful. I gave it a 2 because occasionally some of this kitchy slapstick parody actually seems funny.<br /><br />It's supposed to be better than \"Mulva, Zombie Ass Kicker\", and progress should be rewarded. Or maybe I was drinking heavily when I watched it and felt generous. Whatever, \"2\" it is.<br /><br />Maybe the best thing about this movie is that it's over pretty quick. It takes elements from most of Kill Bill I & II's key themes and fight scenes, hacks them up, dumbs them way down, dirties up the dialog, and squishes the whole mess into about an hour of truly awful amateur video.<br /><br />You'd best smoke a lot of something powerful if you want to enjoy this one. And get this DVD back to the video store on time! You'll really hate yourself if you have to pay a late fee." ]
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1 POSITIVE
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1 POSITIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "I had seen this movie long time back, but found it amazing and to this day it has never stopped amazing me.<br /><br />A wonderful movie that describes the account of a group of Australian commandos who tried to sink some Japanese ships at the Singapore harbor during the height of WW2.<br /><br />These commandos are caught in plain-clothes and they are considered to be spies by the Japanese captors. But something happens that hasn't been explored much in any Hollywood WW2 movie that I have seen.<br /><br />A close and friendly bonding develops between the captors and the captives. They begin to respect each other, while the captain of the captured Australian soldiers become the best of friends with a senior Japanese prison guard. This is the most wonderful part of the whole movie and it really tugs your heart.<br /><br />Soon, one day as the two friends are conversing, the Aussie captain learns that some other captives are going to be tried and executed for the sinking of the Jap ships in the Singapore harbor.<br /><br />He mentions that it was his team and not some other's that had sunk the ships to his Japanese friend, and upon hearing this the Japanese guard tells him to keep quiet as it might lead to his whole group getting executed. But the captain remains adamant on confessing this to the Japanese authorities.<br /><br />Finally, the Japanese authorities sentence them to death in the most respectful way that is according to their rules. This is the Highest Honor accorded to the captured warriors in Japan.<br /><br />This is the most awesome part of the film where the Aussie soldiers are awaiting their imminent death and the tense indecision of the friendly Japanese guard who is still not ready to believe that why did his Aussie friend confess being guilty.<br /><br />I won't give away the ending here. But it is more poignant than one can even imagine and can easily move one to tears.<br /><br />All in all, an excellent underrated movie that possibly didn't get the recognition that it deserved internationally. Get one copy today and be mesmerized." ]
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0 NEGATIVE
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You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Ira Levin's Deathtrap is one of those mystery films in the tradition of Sleuth that would be very easy to spoil given any real examination of the plot of the film. Therefore I will be brief in saying it concerns a play, one man who is a famous mystery playwright, another man who is a promising writer, the playwright's wife who is much younger and sexier than the role should have been, and one German psychic along for the ride. Director Sidney Lumet, no stranger to film, is quite good for the most part in creating the tension the film needs to motor on. The dialog is quick, fresh, and witty. Michael Caine excels in roles like these. Christopher Reeve is serviceable and actually grows on you the more you see him act. Irene Worth stands out as the funny psychic. How about Dyan Cannon? Love how Lumet packaged her posterior in those real tight-fitting pants and had her wear possibly the snuggest tops around, but she is terribly miscast in this role - a role which should have been given to an older actress and one certainly less seductive. But why quibble with an obvious attempt to bribe its male viewers when nothing will change it now? Deathtrap is funny, sophisticated, witty, and classy. The mystery has some glaring flaws which do detract somewhat, and I was not wholly satisfied with the ending, but watching Caine and Reeve under Lumet's direction with Levin's elevated verbiage was enough to ensnare my interest and keep it captive the entire length of the film." ]
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0 NEGATIVE
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NEGATIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "Earlier today I got into an argument on why so many people complain about modern films in which I encountered a curious statement: \"the character development in newer movies just isn't nearly as good or interesting as it used to be.\" Depending on the film(s) in question, this can be attributed to a number of things, sometimes generic special effects and plot-driven Hollywood garbage like War Of The Worlds, but in the case of over-the-top, uninteresting attempts at social commentary and a desperate struggle to put \"art\" back into cinema, it's movies like Dog Days that are to blame.<br /><br />I normally have a very high tolerance for movies, no matter how dull or pointless I find them (ranging from good, long ones like Andrei Rublev and Dogville, to ones I've considered painful to sit through a la Alpha Dog and Wild Wild West). I shut this movie off 45 minutes in, which is 30 minutes more than I actually should have. I wasn't interested in any of the characters whatsoever and found nothing substantial beyond a thin veil of unfocused pessimism. In an attempt to say something about the dregs of society, this film too easily falls into being self-indulgent, trite, and exploitative in a very sincere sense. Granted, I've seen many disturbing movies on the same subject, but there are so many better films out there about depressing, pathetic people (Happiness, Gummo, Kids, Salo, Storytelling, Irreversible) that actually contain characters of great emotional depth and personality. Dog Days had none more than an eighth grader's distaste for society, choosing to ignore any true intelligence about the way people actually are, and instead choosing to be a dull, awful, and hopelessly unoriginal attempt at a work of \"art.\" This isn't a characterization of the unknown or a clever observation into the dregs of society, it's just boring and nothing worth caring about." ]
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1 POSITIVE
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POSITIVE
0 NEGATIVE
You will be given a review below to classify based on its sentiment. The review will be either positive or negative. If the review is positive, return POSITIVE. If the review is negative, return NEGATIVE.
[ "When I rented this movie, I had very low expectations......but when I saw it, I realized that the movie was less (a lot less) than what I expected. The actors were bad (the doctor's wife was one of the worst), the story was so stupid...it could work for a Disney movie (except for the murders), but this one is not a comedy, it is a laughable masterpiece of stupidity. The title is well chosen except for one thing: they could add stupid movie after Dead Husbands! I give it 0 and a half out of 5." ]
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