Fellini engages us through a tapestry of decadence during the Roman Empire with such stunning juxtapositions of exceptional images from a collapsing society that one cannot help but be reminded of our own times and its disconcert morality <br /><br />The film is freely adapted from Petronius' book, which is the exploits of two young Romans, Ascilto and Encolpio, as they venture throughout the empire, indulging in both heterosexual and homosexual relationships In the course of this proliferation of sensuality, Ascilto becomes impotent and madly goes for a cure which ends in tragedy for Encolpio <br /><br />The movie's treatment of the sexual decadence is remarkably powerful without being explicit In fact, in light of the mental images it presents, it actually puts on view very little on screen But there is a great quantity of mysterious whores, hedonists, gluttons, and gross indulgence in carnal pleasure In the midst of this chaos, however, there is a beautifully light reprieve as the young Romans come across a forsaken villa... A very charming slave girl has remained behind, and she playfully troubles the two men into an erotic game <br /><br />Apart from that, the sex is portrayed as bizarre, tempting, suggestive of hidden secrets, violating the rules of morality, and going beyond the limit