The Alibi feels like a premise in search of a plot: Steve Coogan's an ex-con man who's spotted a gap in the market and now provides alibis for cheating husbands and wives only to find himself in the frame for murder when one of his clients accidentally kills a woman. With a similar plot engine to Coogan's earlier The Parole Officer  man suspected of a crime he didn't commit has to use his clients to save him  it's the kind of US film Peter Sellers might have made during the early 70s lull in his career and which you'd expect to see on an airplane. But while it highlights Coogan's weaknesses as a conventional leading man and is very short on laughs without have a smart enough payoff to compensate, it's brisk and harmless enough. But James Brolin really should lay off the Peter Falk impersonations in future.