"Kill Bill vol. 1" in the IMDb's top 100 (right now it holds position n°56) is the biggest joke of the year. The only Tarantino film that should be allowed into the Top 100 is "Kill Bill vol. 2", in my opinion the first time Tarantino did more than steal from other movies. <br /><br />The line between reference, homage and plagiarism is pretty thin indeed. When I first saw "Kill Bill 1" I thought it was a good film with lots of references to Quentin's favourite movies, the first Tarantino film that I could enjoy. Yet I was more hopeful for the second installment.<br /><br />At the time I was surprised as to how many goofs I'd spotted in the film. I knew some were deliberately in there, but some were indeed mistakes. At the time I was able to enjoy lots of references.<br /><br />All that changed last week... when I watched "Lady Snowblood". In my (bold and arrogant) opinion Tarantino has taken just too much out of this film to see it as a reference. Some examples: fight in the snow, dividing the film in chapters, the kill list, the cartoon (images in Lady Snowblood, anime in Kill Bill), the extreme education both the Lady and the Bride had to suffer (and while we're comparing: after seeing "Lady Snowblood", Beatrix's education looked like kindergarten), the big fight in an establishment (okay, the opponents weren't masked, but the next scene was set at a masked ball)... I'm sure I left out a few. As I was watching "Lady Snowblood", my respect for "Kill Bill 1" dropped by the minute. There are way too many comparable scenes for it to be a homage: the nicest I can be is say it's a remake. Oh, and I know that "Lady" and "Bill" aren't the only revenge films out there, but isn't it a coincidence that so many references are out there?<br /><br />Which brings us to Meiko Kaji, the actress who starred as "Lady Snowblood" and "Female Convict Scorpion" (of which the song "Urami Bushi" can be enjoyed on Bill's soundtrack). It would be unfair to compare Lady Snowblood to The Bride, but life isn't fair, so here we go. While Uma Thurman does her best, a Meiko Kaji she ain't. Kaji had it in her to combine the looks of Venus and Medusa, which is pretty rare. By contrast, Uma Thurman's character resembles the Lady as much as Uma's version resembled the real Emma Peel.<br /><br />As I mentioned before, I liked "Kill Bill vol 2" better. I know that the dialogues are pretty weak at times (a real problem for Tarantino, by the way), but it's the first time I could see this director do more than make references to films he liked. "Kill Bill 2" is made as an Italian western (Ennio Morricone has vowed to kill anyone who'll still call these films 'spaghetti westerns') and you sort of feel this as you watch the film. The other Tarantinos felt like juxtapositions of references, but in "Kill Bill 2" there's a story, a coathanger, that guides you through the film. If now Tarantino learns how to write interesting dialogues, he actually might be able to make an excellent film. As long as he learns that copying references only works as long as people haven't seen the real deal.<br /><br />Now it just feels like you've watched "Psycho", the Gus van Sant version.