One can argue that Charlie Chaplin wrote, directed, and starred in greater films than his neglected 1928 gem, The Circus, his last fully silent film, which he also wrote with Joseph Plunkett, but one cannot reasonably argue that he made a funnier film; nor can one argue that The Circus is not a great film itself. Yet, critics, fans of Chaplin, and even Chaplin himself, long overlooked this great film. The reason has more to do with the highly publicized divorce trial from Lita Grey that Chaplin endured while filming the feature over two years, as well as a host of other production disasters. Chaplin was so paranoid he felt his wife would try to steal the film, so hid the negatives. The film was not even mentioned in Chaplin's autobiography, nor was it screened in the years after its release, until, in 1970, Chaplin rereleased it with a new score that he composed.<br /><br />As a Chaplin aficionado, I can state that no Chaplin film goes as long- 69 minutes, with such sustained laughter. There are more memorable gags in this one film than in any other film he made- or perhaps anyone has made since, and it deservedly won him his first Academy Award at the first ceremony in 1929. It was a special award for Versatility And Genius In Writing, Acting, Directing, And Producing. Obviously, these were the days before schlock like Crash, Brokeback Mountain, Monster, and Titanic were considered 'great films,' worthy of such awards. Yet, even had Chaplin not buried the film in his vault for decades, the very fact that it was made between two of his greatest critical and financial successes, The Gold Rush and City Lights, two indisputable silent film era masterpieces, may have fated the film to its nearly forgotten status anyway.<br /><br />As pure comedy, perhaps the only film that has as ceaseless a run of comic gags that all work is the 1960s all-star comedy classic It's A Mad, Mad, Mad, Mad World, but that film could lay no claim to great nor higher art. Perhaps the only downside to The Circus- or rather the DVD, is that it does not offer the original film from 1928, replete with a silent film organ score- say by the great silent organist Rosa Rio? Instead, we only have the overwrought, and didactic musical score Chaplin composed in 1970. His opening rendition of the saccharine Swing Little Girl, sung over the opening titles, is plain bad- both as music and as sung, but thankfully passes quickly. As with his unfortunate 1942 reissue of The Gold Rush- with added narration, this music guides the audience too much, although the film's main theme, I must admit, wins you over at the end. Fortunately, that film's DVD comes with both the 1942 reissue and the 1925 original- which is superior. Some artists never know when to leave greatness alone. Even so, The Circus is the purest and least flawed Chaplin feature film ever made, in that it distills every single aspect of his greatness and, yes, even that grossly overused term- genius. For anyone with a love of pure cinema, silent cinema, and its history, this film and DVD is a must to see and own. But, if you have heart problems, I advise you to be wary, because it is so funny it could literally hurt you.but wouldn't that be the best way to go?