I saw THE PYX 20 years ago on TV, in a "pan & scan" version, and I thought the film's mood was memorable enough for me to seek it out once it became available in widescreen. I finally saw it in WS and the "pan & scan" version suddenly looks better in comparison. So much of the action took place on the far side of the screen (far left or far right) that the screen composition was almost silly. Some scenes, like the one with Christopher Plummer and that gay man walking in Old Montreal, or the interrogation scene we're shot from so far away that I felt I needed binoculars.<br /><br />If the cinematography was frustrating, the music score was nearly disastrous. What sounded good back in 1973 doesn't necessarily sound good today, certainly regarding that overplayed Joan Baez-like song. The music during the Devil worshiping scene is basically sounds/music played backwards. Playing music backwards to hear Satan is now a funny cliché and that music certainly didn't help create any tension. The acting was forced. Karen Black looked remarkably old even though this is one of her earliest films. The makeup job was bad and the above mentioned cinematography made her look older than she really was. Christopher Plummer's role is almost negligible. The mood is still there but it's impact is lost when seeing in WS. In fact, as the film went on, the less I enjoyed the atmosphere. I realized it was over-zealously lugubrious, not atmospheric. It's also very dated but it's not awful because of it. In fact, it's one of its positive aspects.<br /><br />THE PYX is a frustrating films ever. So much good stuff going for it and yet so little of it actually adds up to a satisfying cinematic experience. The best thing about it is the 1970s feel/look of Montreal. It's an amazing time capsule.