The expression "method" was coined by the acting teacher Lee Strasberg to describe his unique interpretation of the acting techniques of the Russian director Constantin Stanislavsky. In the 1950s, Strasberg was the guru of the famed Actors Studio of New York where many great film actors honed their craft with the master. Strasberg's authoritarian style was legendary as he watched the actors perform scenes and monologues and then proceeded to psychoanalyze the actors and their choices. <br /><br />Mr. Strasberg would be truly appalled by the trite and cliché-ridden "Method." The film seeks to weave two stories in a "play-within-a-play" style. Unfortunately, neither one of the stories is interesting, and the main problem is the script. Much of the dialogue was laughable. Also, the production values of this film seemed amateurish with special effects and scenes of violence that were not credible. Sadly, the good premise of a story about an actress who loses touch with reality and "becomes the character" was not realized, despite the good efforts of the cast. <br /><br />The classic film "A Double Life" (1947) was successful in developing this premise as the actor playing Othello is so enmeshed within his character that he commits a real-life murder. The screenwriters for "A Double Life" were the brilliant team of Garson Kanin and Ruth Gordon, from whom the writers of "Method" could have learned a lesson worthy of the great teacher Lee Strasberg.