After making an astounding breakthrough into the horror genre with the splatter classic RE-ANIMATOR, Stuart Gordon's career has consisted of a wild string of hits & misses. His biggest miss was Fortress, a futuristic prison breakout film that was also his biggest hit, proving so popular that a sequel came out half a decade later.<br /><br />When I said "his biggest miss", I meant that despite being a box-office hit, the film met with a mixed reaction from critics & genre fans alike. I personally don't like the film  Fortress is sci-fi at its most brainless. It is perhaps the worst film that Gordon has ever made (not to mention being so cheesy that it will win a French cheese competition).<br /><br />The USA has become a totalitarian regime, with a law passed that limits a woman to one child only. Marine Captain John Brennick & his wife, who is pregnant with her second child (the first died at birth), are caught at a checkpoint & sent to the Fortress, a secluded underground prison complex situated in the middle of a desert. There, prisoners are terrorised by pain-causing implants & computer-controlled devices that censor dreams. Brennick attempts to conduct a prison breakout, no mean feat considering that the prison is virtually escape-proof.<br /><br />Fortress is actually a wild concoction of every sci-fi cliché under the sun, which, although entertaining in the check-your-brain-at-the-door sense, proves to be amazingly silly. First, the film shows the US adopting a one-child policy, which is rather improbable given the fact that the US is a large country & is not packed to the brim like China, thereby making such a law pointless. The implants are another thing  they are poorly designed (they can be pulled out of the prisoner's body using magnetics) & there is nothing to stop them from being passed out as waste matter. The dream censor is ridiculous to say the least  if they can eliminate wet dreams, then why are prisoners going around raping their fellow inmates. The film also shoves in cyborgs (a staple of many self-respecting genre films during the 1990s), with a cyborg governor (who acts more human than machine) & whole cyborg SWAT teams, who prove to be nothing more than convenient cannon fodder for our hero, although they do kill half the escaping party.<br /><br />The acting is rather mixed. Christopher Lambert does his naughty-schoolboy impression (he is one of the most wooden actors around), while his fellow inmates are a lot more believable, with Jeffery Combs playing a jittery-nutbag to perfection & Kurtwood Smith trying to be a sympathetic villain, but narrowly missing out on that role by Tom Towles. Gordon throws in his usual darkly comedic splatter, which does contribute greatly to the film's watchability, although it is a style which belongs more to the horror genre than an action film like Fortress.