The film starts off in a parallel fashion to the famous Orson Wells radio drama of 1938; opening with "ordinary programming," which is then cut in upon by a brief news bulletin that reports of meteors had struck the Earth, in three countries: France, China, and the USA. After that, this story diverges from the War of the Worlds, but bears some similarities.<br /><br />It was a fun idea to mix actors and actual newscasters: Sander Vanocur is the anchorman following the rapidly unfolding story, and handles the increasing level of tension in the script pretty well. Bree Walker also succeeds in blending her journalistic talent with drama. <br /><br />The mystery is effectively spooky, and this was, after all, like the radio play, an effort to say "Boo!" on Halloween. The interviews with people speculating on what was going on were just what you would expect if such a scenario was real. The interview with Arthur C. Clarke was intelligent, even fact-finding. The newscasters advancing on the sites of the meteor impacts was a good touch. Loud whines from the craters, burned survivors speaking in strange tongues, and the disappearance of two air force pilots: some eerily cool stuff. My favorite is the Faith, Wyoming sequence. This scene, was masterful in its simplicity. The narration by the newscaster describing the bizarre and inexplicable events there was a highlight of the sinister tone of the movie's events.<br /><br />The movie starts to run out of gas in the latter stages, resorting to some clichés. This may be owing to the fact it had done such an immense buildup in its realistic news cast depictions, that it had to resolve the story in the bombastic way it does. There is some dialouge that nobody would say in the context of what transpires.<br /><br />Even with the flaws, a good premise, skillfully executed. A fun and deliciously eerie movie.