The original "Toolbox Murders" was a pretty shameful combination of "Halloween" and "The Texas Chainsaw Massacre," lacking the atmosphere, suspense, and gritty charm of those films. At the time of its release (1978), the concept of gory death by hardware (regardless of how peripheral it was to the 'plot') allowed for at least one lasting shock (a nail-gun murder preceded by a very memorable bathtub scene), but otherwise, the film is dated and dull by modern standards.<br /><br />As is clear from the first frame onward, Tobe Hooper's stylish update of "Toolbox" is determined to take the material in a supernatural direction, and for the most part, is successful. Whereas many horror films of late have been drowned in unconvincing CGI gore and calculated orchestral booms designed to elicit cheap scares from the audience, Hooper's film retains the subtle implication of TCM (the villain remains masked/obscured throughout the film) crossed with a jigsaw-puzzle plot that becomes more engrossing as the movie progresses. As far as ambition is concerned, it definitely surpasses the original film's shopworn, "Psycho"-familiar story, and Hooper's assured direction helps greatly.<br /><br />Angela Bettis leads a cast of lesser-knowns who give fine performances (the more grating, clichéd characters are dispatched promptly) and make the premise believable. Similarly, the photography creates fine atmosphere when needed, with the picture often looking like a cross between the colorful sets of "May" combined with the slight grittiness of Zack Snyder's "Dawn of the Dead" remake.<br /><br />"Toolbox Murders" is a quirky, suspenseful, and sufficiently gory horror film. In the third act, Hooper re-affirms the genius of his seminal masterpiece by building the tension to an almost unbearable degree, whilst capping the film with a deliciously ambiguous ending.<br /><br />Definitely recommended.