Commissioner Betti (Maurizio Merli) has been sent to Naples to help clean up the city. Armed robbery, rape, extortion, and murder are everyday occurrences in Naples. Betti soon realizes there are two crime bosses behind most of the mayhem - Capunao (John Saxon) and the Commandante (Barry Sullivan). The two are at war and Betti's caught in the middle. Betti is a no nonsense kind of cop who is perfectly comfortable using whatever tactics necessary to get the job done. But how far is Betti willing to go to get his man? <br /><br />Trying to do a short summary of a movie Violent Naples is almost impossible. The movie is in reality little more than a series of action-packed set-pieces strung together with an all but invisible plot thread. Intricate plot details are hardly the point of a film like Violent Naples. Instead, it's about the action and the pacing. And Lenzi was as good at this as anyone who ever made a Poliziotteschi. Violent Naples moves from fire bombings to beatings to bank hold-ups to gunfights to rape without missing a beat. Lenzi doesn't give you time to catch your breath before your off to the next action set-piece. I was impressed and found memorable the very same moments noted in almost every other review or article written on Violent Naples  the vicious bowling scene and the amazing camera work of the motorcycle chase scene. As good a moments as I've yet run across in a Poliziotteschi.<br /><br />Along the same lines as Violent Naples' paper-thin plot, if you're looking for character insight and development, look elsewhere. Merli's Betti is as two dimensional a leading character as you'll find. We know almost nothing of the man. Similarly, we know next to nothing about the baddies played by Saxon and Sullivan. In fact, sitting here writing this, I can't even remember what their disagreement was about. Like I wrote before, details like character motivation are secondary to the action. And honestly, I wouldn't want it any other way.