The majority of Sicilians preferred independence to the Savoia kingdom; in 1866, Palermo became the seat of a week-long popular rebellion, which was finally crushed after Martial law was declared. The Italian government blamed anarchists and the Church, specifically the Archbishop of Palermo, for the rebellion and began enacting anti-Sicilian and anti-clerical policies. A new cultural, economic and industrial growth was spurred by several families, like the Florio, the Ducrot, the Rutelli, the Sandron, the Whitaker, the Utveggio, and others. In the early twentieth century Palermo expanded outside the old city walls, mostly to the north along the new boulevards Via Roma, Via Dante, Via Notarbartolo, and Viale della Libertà. These roads would soon boast a huge number of villas in the Art Nouveau style. Many of these were designed by the famous architect Ernesto Basile. The Grand Hotel Villa Igiea, designed by Ernesto Basile for the Florio family, is a good example of Palermitan Art Nouveau. The huge Teatro Massimo was designed in the same period by Giovan Battista Filippo Basile, and built by the Rutelli & Machì building firm of the industrial and old Rutelli Italian family in Palermo, and was opened in 1897.