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The Fifth Element | |
An original script | |
by | |
Luc Besson | |
Revisions by | |
Luc Besson | |
and | |
Robert Mark Kamen | |
August 1995 Draft | |
Gaumont and Les Films du Dauphin | |
FADE IN: | |
1 EXT. DESERT NILE RIVER VALLEY - DAY | |
Somewhere in the Nile at the edge of the desert. | |
CREDITS ROLL | |
WRITTEN: EGYPT 1913 | |
OMAR and his mule zigzag along the bottom of sun scorched dunes. | |
2 EXT. TEMPLE EXCAVATION - DAY | |
The mule and the boy finally reach a camp. A few tents dwarfed by a huge | |
temple door jutting out of the sand. The camp is deserted except for | |
some kids by the temple entrance holding large mirrors, reflecting light | |
into the temple. | |
Omar leaves his mule in the shade, seizes two goatskins and slips inside | |
the temple. | |
3 INT. TEMPLE - DAY | |
Omar makes his way uneasily down a pillared corridor that opens into a | |
vast room where an old scientist stands on a small wooden ladder in front of | |
the wall across the room. PROFESSOR MASSIMO PACOLI. A young man is beside | |
him, BILLY MASTERSON, age 25, an American student. He has a large sketchpad in | |
his hands. Behind them AZIZ, age 10, whose job is to hold the last | |
mirror which shines light into the expansive room. | |
PROFESSOR | |
(deciphering) | |
"..when the three planets are in eclipse.." | |
His fingers trace across the wall which is covered with symbols and | |
strange hieroglyphs as he deciphers. | |
PROFESSOR | |
"..the black hole like a door is open... | |
Evil comes ... sowing terror and chaos..." | |
See? The snake, Billy. The Ultimate Evil | |
... make sure you get the snake! | |
The Professor points emphatically to the snake, the symbol of Evil, | |
coming through the door between the three planets in eclipse. C.U. | |
Billy's hand sketches the snake quickly. He is a natural artist. | |
BILLY | |
And when is this door opening snake act | |
supposed to occur? | |
The Professor's fingers touch the signs. | |
PROFESSOR | |
..if this is the five..and this the thousand.. | |
He calculates. | |
PROFESSOR | |
Every five thousand years.. | |
BILLY | |
(kidding) | |
So I have some time.. | |
He reaches for the pad. | |
ANGLE ON: Omar. Standing at the entrance to the chamber with the water | |
bag, entranced by the sight. A skeletal hand falls on his shoulder. Omar | |
turns to an ancient PRIEST in a rough milled black cannock. | |
PRIEST | |
I will take it to them my son. | |
Startled but obedient, Omar gives the water bag to the Priest. | |
PRIEST | |
Go with God.. be safe from Evil.. | |
The Priest makes the sign of the Cross on the boy's forehead, dismissing | |
him. | |
As soon as he is gone, the Priest turns a worried eye to the Professor. | |
ANGLE ON: The Professor is back to translating, Billy to sketching. | |
PROFESSOR | |
"..then arrange the elements of life against | |
the Terror just so.." | |
His fingers run on. | |
PROFESSOR | |
"..Water..fire..earth..air..four | |
elements around the fifth.." | |
His fingers fall on the one element that has a human shape, surrounded by | |
all the others. | |
The Priest opens the water skin and begins to pour a vial of powder into | |
the skin. | |
ANGLE ON: Aziz falling asleep. The mirror falls, the light fails. | |
PROFESSOR | |
Aziz! Light! | |
The boy struggles to stay awake. The mirror comes up. | |
PRIEST | |
Lord forgive me.. they already know too, | |
much.. | |
PROFESSOR | |
"..in which all the history of the Universe resides | |
..all the strength..all the hope..Protect us from | |
Evil.." | |
PRIEST (V.O.) | |
Amen.. | |
The Professor turns to the Priest who is pouring water into a tin cup | |
from the skin. | |
PROFESSOR | |
Father.. it in the most extraordinary thing.. | |
the greatest find in history..can you imagine | |
the implications. | |
PRIEST | |
Only too well... here you must be | |
parched.. | |
He hands the cup to the Professor. The Professor takes it, has it almost | |
to his lips when.. | |
PROFESSOR | |
I mean look.. it is like a battle plan.. | |
In his excitement he does not drink, much to the Priest's chagrin. | |
PROFESSOR | |
Here the Good.. Here the Evil.. | |
As the Priest looks up, Aziz the mirror boy, tips his mouth under the | |
water skin, drinking the leakage. | |
PROFESSOR | |
Here.. | |
He points to the Five Elements. | |
PROFESSOR | |
A weapon against evil. Amazing! I am | |
going to be famous. | |
PRIEST | |
Then let us toast to your fame! Here Billy.. | |
The Priest hands Billy a cup. | |
PRIEST | |
Drink! | |
PROFESSOR | |
To fame.. salud.. | |
The Professor raises the cup to drink, and then... | |
PROFESSOR | |
We cannot toast with water.. Billy ! | |
In my sack.. the Grappa! | |
The Priest watches, disconsolate, as the Professor tosses away his water. | |
Billy finishes his cup before running off into the tunnel. | |
4 EXT. COLONNADE - DAY | |
A muffled SOUND grows steadily louder. Outside, a monstrous linear shadow | |
disturbs the kid's game and gradually darkens the temple entrance. | |
5 INT. TUNNEL - DAY | |
Billy is looking for the grappa in the Professor's bag. He comes upon a | |
machine pistol. When the muffled SOUND suddenly grabs his attention. He | |
leans toward the corridor and sees part of a spaceship appear. Billy is | |
paralyzed. | |
6 INT. TEMPLE ROOM - DAY | |
The Professor keeps reading over the inscription. | |
PROFESSOR | |
"..this perfect person.. this perfect | |
being.." I do not understand this.. perfect? | |
PROFESSOR | |
Where is that boy? Billy! | |
7 INT. TUNNEL - DAY | |
Billy presses himself against the wall, in the shadows, terrified, but | |
sketching away like mad, as large shadowed figures lumber past him. He | |
begins to blink, feeling the effects of the Priest's potion.. | |
8 INT. TEMPLE ROOM - DAY | |
The Professor reads the wall. | |
PROFESSOR | |
And this divine Light they talk | |
about.. what is Divine light? | |
At that moment, the reflection from Aziz's mirror drops again. The light | |
fails. | |
PROFESSOR | |
(without turning) | |
Aziz light! | |
The room is flooded with light all of the sudden. | |
PROFESSOR | |
Better.. this is the most unbelievable thing | |
I have ever seen.. | |
The Professor turns around, and is stunned speechless to find himself | |
face to face with two MONDOSHAWANS. A dozen others fill the hall manning | |
the source of the light, large luminous globes. Aziz is fast asleep. | |
PROFESSOR | |
(uncomprehending) | |
...Uh, yes? | |
The Professor is lifted up and carried off to the side by the aliens. | |
The KOMMANDER stops in front of the Priest who is still on his knees, face | |
to the ground. | |
PRIEST | |
Master... He was about to discover everything, | |
but I had the situation under control. | |
The two MONDOSHAWAN GUARDS hold the professor three feet off the ground. | |
PROFESSOR | |
(in a panic) | |
Who are you? Are you Germans? Sprechen | |
Sie Deutsch? | |
9 INT. TUNNEL | |
Billy staggers forward, a machine pistol in his hand. | |
10 INT. TEMPLE ROOM | |
The KOMMANDER holds out his hand to the Priest. | |
PRIEST | |
What did I do wrong? | |
The Priest jumps to his feet excitedly. | |
KOMMANDER | |
Servant, you and the thousand guards | |
before you... You have done your work well, | |
but we have to recover the elements. War will | |
soon engulf your planet. We must keep them safe. | |
The Kommander goes over to the wall and seems to be looking for a lock. | |
He finds it and slides in his metallic finger which is more intricate | |
than a key to a safe. He turns his hand, activating a mechanism that opens | |
the wall. | |
PROFESSOR | |
Unbelievable!!! | |
The Kommander turns around and crooks a finger. One of the MONDOSHAWANS | |
waves his hand, puts the professor to sleep and heads down the hallway | |
revealed by the opening. He is followed by his men. The Priest slips in | |
behind them. | |
11 INT. ROOM 2 TEMPLE - DAY | |
The Kommander steps into a vast room. The ceiling is very high, pyramid- | |
shaped. In each corner of the room, four vessels contain four | |
rectangular twelve-inch stones-, the four elements. In the middle, an | |
opaque sarcophagus rests on an altar. The Kommander stops and | |
contemplates it a moment. | |
PRIEST | |
(to himself) | |
The Fifth Element... | |
KOMMANDER | |
Take them and put them in a safe place. | |
His men carry out his order. | |
12 INT. ROOM 1 TEMPLE - DAY | |
Billy staggers across the floor, struggling to stay awake. | |
13 INT. ROOM 2 TEMPLE - DAY | |
The Kommander opens a case. His men come and put the four, precious | |
stones in it, one by one. | |
PRIEST | |
(moved) | |
Will the elements be gone now forever | |
from this place? | |
KOMMANDER | |
When mankind comes to its senses. | |
We will return. | |
PRIEST | |
Knowing mankind as I do, that could take | |
centuries! | |
KOMMANDER | |
Time is of no importance, only life | |
is important. | |
The Priest nods and lowers his eyes. | |
Angle on: Billy staggering forward, raising his pistol, blinking his | |
eyes to focus.. | |
A MONDOSHAWAN puts the fourth element in the case The Kommander shuts the | |
case and looks at the Priest. | |
KOMMANDER | |
When EVIL returns so shall we. | |
PRIEST | |
(head lowered) | |
We will be ready, Lord. | |
Billy suddenly staggers into the room, brandishing his gun. | |
BILLY | |
Stop. | |
Billy trips, the gun goes off. He empties the clip. The Mondoshawan | |
carrying the case crumples to the ground. The wall immediately begins to | |
close. Billy fires wildly, unable to control the powerful kicking gun. | |
PRIEST | |
No!!! Don't!!! | |
The Priest rushes Billy. The weapon has such a kick to it that Billy | |
starts shooting into the air, backs up, then stumbles and knocks himself | |
out. The Priest is on the ground, seriously wounded. So is the Kommander. | |
The WARRIORS are in a panic. | |
CLERK | |
Hurry, Kommander! The wall's closing!!! | |
The wall continues to close. Sand pours in from everywhere. The vast | |
room fills up like an hourglass. | |
KOMMANDER | |
A mission is a mission, Savoia. | |
You'll learn that. | |
The Kommander picks up the case and reaches the wall but can't get | |
through it. His | |
armor is too bulky, the opening too small. He manages to get his arm and | |
the case through. | |
KOMMANDER | |
My apologies to General Kroi -- and my wife.. | |
The wall closes, crushing his arm. The CLERK scoops up the case and runs | |
through the huge piles of sand. | |
14 EXT. COLONNADE - DAY | |
The CLERK boards the ship carrying the case. Omar hides in a corner, | |
frightened to death, hugging Billy's bag of drawings. | |
15 INT. TEMPLE ROOM - DAY | |
The room fills with sand. The Priest's body is soon buried. | |
16 EXT. DESERT - DAY | |
The huge ship's main hatch closes. | |
17 EXT. TEMPLE - DAY | |
The ship lifts off and speeds away. Omar emerges from the temple gaping | |
at the ship as it vanishes in the sky. | |
18 EXT. PYRAMIDS | |
A gigantic shooting star flashes above the pyramids. | |
19 EXT. EARTH ORBIT | |
The ship passes in front of us and heads for the stars disappearing at | |
unbelievable speed. The background is a star-spattered cosmos. | |
WRITTEN: 500 YEARS LATER | |
Another, more modern, spaceship, fills the screen. A warship belonging | |
to the Federal Army. | |
20 INT. SPACESHIP CONTROL ROOM | |
CU of a digital control screen. Three planets projecting three straight | |
lines that crisscross at one point. Identical to the one observed by the | |
professor on the temple wall. GENERAL STAEDERT looks out through the | |
ship's window at one of the three huge planets in eclipse. | |
STAEDERT | |
Don't you have anything? Not even | |
a temperature? | |
CAPTAIN | |
The thermo-analyzers have jammed. | |
One of them reads over a million degrees, | |
the other's at minus 5000... | |
Never seen anything like it. | |
TECHNICIAN | |
It's taking shape. | |
21 EXT. SPACE | |
In the middle of the shadows, a door to the nightmare has just opened. | |
Evil is back. A round, moving mass, continually changing color. | |
CAPTAIN | |
(in awe) | |
What the hell can it be? | |
TECHNICIAN | |
Hook-up with the president in one | |
minute, General. | |
General Staedert remains calm. | |
STAEDERT | |
...Send out a probe. | |
22 INT. PRESIDENT'S OFFICE MANHATTAN | |
LINDBERG, 50, the president of the United Federations, his features lined | |
and worn by various delegations, mainly military, enters his office. | |
There's a crisis in the air. The President's AIDE leans down to his ear. | |
AIDE | |
On air in 30 seconds. | |
In the middle of the group is a Priest whose appearance reminds us of | |
Egypt. A younger man DAVID, 18, shy, a priest-in-training attends the old | |
man. | |
23 INT. CONTROL ROOM / PRESIDENT'S OFFICE | |
CAPTAIN | |
President on line sir.. | |
General Staedert leans over his screen and seems surprised to see the | |
room but not the president. | |
PRESIDENT (O.S.) | |
Staedert, do you read me? | |
STAEDERT | |
I can hear you, Mr. President, but I | |
can't see you . | |
The President grabs the mini-camera on his desk and yanks it around to | |
face him. | |
His face fills the screen. | |
PRESIDENT | |
(exasperated) | |
Is that better? | |
STAEDERT | |
Perfect, Mr. President. | |
PRESIDENT | |
I have to address the Supreme Council | |
in 10 minutes. | |
Just the facts, General. | |
STAEDERT | |
There are no results from the chemical | |
and molecular analysis as of yet, all the | |
calibers are overshot..we're hoping a | |
thermo nucleatic imaging.. | |
PRESIDENT | |
(exasperated) | |
What you are saying is you don't know | |
what this..thing..is. | |
Consternation reigns in the President's office. | |
STAEDERT | |
Not yet Sir..The only thing we know is | |
it just keeps getting bigger! | |
PRESIDENT | |
Options. | |
STAEDERT | |
Wait or act. | |
PRESIDENT | |
Recommendations. | |
STAEDERT | |
My philosophy Mr. President is shoot first | |
ask questions later. | |
I don't like uninvited guests. | |
PRESIDENT | |
Gentlemen? | |
HEAD CHEMISTS | |
I think it would be foolish to shoot at an | |
organism that seems alive, without first | |
taking the time to study it more! | |
Besides, it has shown no signs of hostility. | |
PRESIDENT | |
(worried) | |
No... it's just getting bigger. | |
HEAD CHEMISTS | |
So do people, but that's no reason to shoot | |
them. | |
PRESIDENT | |
(exasperated) | |
The security of the Federated Territories is | |
and remains number one priority. | |
(to the military) | |
I suppose General Staedert's "philosophy" is | |
acceptable to you? | |
All the Generals nod "yes" | |
PRESIDENT | |
All right, then! Staedert? | |
PRIEST (O.S.) | |
Mr. President? | |
The President scans the room. Staedert remote controls the camera toward | |
the room. | |
PRESIDENT | |
...Yes? | |
The camera moves up the Priest and we finally discover his face. He is | |
in his sixties, a shrewd look in his eyes. | |
Around his neck hangs the Kommander's finger, the key to the temple. | |
PRIEST | |
Cornelius, Vito Cornelius. 50th level parish. | |
I have a different theory to offer you, | |
Mr. President. | |
PRESIDENT | |
I'm listening. | |
CORNELIUS | |
Imagine for a moment that this. thing is not | |
anything that can be identified because it prefers | |
not to be, because it is the antithesis of all we are. | |
Because it is evil.. TOTAL EVIL. | |
PRESIDENT | |
(a little sarcastically) | |
One more reason to shoot first eh? | |
All the Generals nod in agreement. | |
CORNELIUS | |
Evil begets evil, Mr. President. | |
Shooting would only make it stronger. | |
24 INT. SPACESHIP | |
TECHNICIAN | |
The probe will attain its objective in | |
five seconds. | |
Staedert moves closer to the ship's window. | |
25 EXT. SPACE. | |
Evil swallows the probe and immediately bubbles over with activity like a | |
furious volcano. | |
26 INT. PRESIDENT'S OFFICE | |
STAEDERT | |
Mr. President, we're at crisis point. | |
The President looks puzzled. | |
PRESIDENT | |
Your theory is interesting Father but | |
I don't think we have time to go into it | |
right now! | |
CORNELIUS | |
Time is of no importance, Mr. President. | |
Only life is important. | |
PRESIDENT | |
(exasperated) | |
That's exactly what we are going to try and do: | |
Protect the lives of some 200 billion of our | |
fellow citizens! General? | |
You may fire when ready. | |
27 INT. SPACESHIP | |
STAEDERT | |
(cold) (to the CAPTAIN) | |
..Up front loading of a 120 ZZR missile. | |
Marker lights on the objective. | |
28 EXT. OUTSIDE SPACESHIP | |
All of a sudden, outside the ship, the strange planet's activity ceases. | |
A black crust immediately covers it. | |
29 INT. PRESIDENT'S OFFICE | |
SCIENTIST | |
(consulting new data) | |
Its structure has just solidified on the surface, | |
as if the object felt something. If that's the case, | |
we are undoubtedly dealing with an intelligence. | |
CORNELIUS | |
The most terrible intelligence imaginable, | |
Mr. President. | |
The President hesitates. | |
CAPTAIN | |
...The ship is in combat formation. | |
The missile is loaded, General. | |
PRESIDENT | |
(uneasy) | |
Staedert? Give me a minute... | |
I have a doubt. | |
STAEDERT | |
(cold) | |
I don't, Mr. President. | |
30 EXT. OUTSIDE SPACESHIP | |
The missile explodes from the ship and penetrates its target. The | |
explosion is swallowed like a fizzy pill in a small glass of water. | |
Nothing happens. And then the mass grows larger. | |
31 INT. CONTROL ROOM / PRESIDENT'S OFFICE | |
Staedert looks worried. | |
STAEDERT | |
Load a series of 740 missiles. Maximum | |
shield protection. | |
CAPTAIN | |
Yes, Sir. | |
The President is growing ever more worried. | |
PRESIDENT | |
Staedert? What's going on? Did you | |
destroy it? | |
STAEDERT | |
I'm about to, Mr. President. | |
32 EXT. SPACESHIP | |
A series of three missiles heads for the planet, which absorbs them all. | |
And literally doubles in size. | |
SCIENTIST | |
The planet's diameter has greatly | |
increased and it's moving toward the ship. | |
PRESIDENT | |
Staedert? Get out of there immediately! | |
I don't want an incident, do you hear me, | |
Staedert? | |
STAEDERT | |
(worried) | |
...What do we have that's bigger than 240? | |
CAPTAIN | |
Nothing, General. | |
PRESIDENT | |
Staedert, get out of there! That's an order! | |
A bead of sweat pearls Staedert's forehead. He is about to give an order | |
when a gigantic flame emerges from the planet and literally swallows | |
Staedert's spaceship. | |
STAEDERT | |
(eyes wide) | |
... Good God! | |
The flame fills the screen with a horrendous NOISE that.... | |
33 INT. APARTMENT | |
... wakes up a man trying to escape from a nightmare. KORBEN DALLAS rubs | |
his head. Thirty five years old, short hair, powerfully built, | |
unquestionable charm, good looking in spite of the scars here and there. | |
The alarm clock is still ringing, it shows the date as March 18, 2359. It | |
in two in the morning. Ha grabs a cigarette, and stops to look for a | |
light. He shuts oft the alarm. He hears a cat mewing in the hall. But it | |
still rings. Korben takes a moment and then realizes it in the phone | |
that is ringing. | |
KORBEN | |
(to the cat) | |
I'm coming. | |
He grabs the phone and crosses his tiny apartment (27 feet long by 6 feet | |
wide) heading for the door, patting himself for a light. Behind him, the | |
bed makes itself automatically. | |
KORBEN | |
(on the phone) | |
Yeah? | |
FINGER (V.O.) | |
Hey bud! Finger here. | |
He opens the door for the cat and starts to rummage through a drawer for | |
a match. Out come a handful of war decorations, a hero's collection. | |
KORBEN | |
(to the cat) | |
Hi sweetie! | |
...A Medal of Honor Certificate to Major Dallas | |
FINGER (V.O.) | |
I love you too Major, but you haven't called | |
me that since basic training. | |
KORBEN | |
I was talking to the cat. | |
FINGER (V.O.) | |
Oh, yeah, I forgot.You still prefer | |
your cat to the real thing. | |
...A picture of Korben and his ex-wife on their wedding day. | |
KORBEN | |
At least, the cat comes back. | |
FINGER (V.O.) | |
(ironical) | |
You still pining for that two timing bitch. | |
Forget her. | |
There are a million women out there. | |
KORBEN | |
I don't want a million - I just want | |
one. A perfect one. | |
FINGER (V.O.) | |
Don't exist bud. | |
...A picture of Korben and Finger in uniform next to a space fighter. | |
KORBEN | |
I just found a picture of you. | |
FINGER (V.O.) | |
How do I look? | |
KORBEN | |
Like shit. | |
Korben finds a box of matches with three matches. He strikes one. It | |
does not light. Korben opens the fridge, bare, except for an empty can of | |
GEMINI croquettes. | |
On the packet is an ad: | |
WIN A DREAM TRIP FOR 2 TO FHLOSTON PARADISE. | |
FINGER (V.O.) | |
Must be an old picture.. Listen, you gotta bring | |
me your hack for the 6 month overhaul. A.S.A.P. | |
Korben heats up some brackish water. | |
KORBEN | |
(sighs) | |
I don't need one. | |
FINGER (V.O.) | |
You forgetting who sat next to you for | |
a thousand missions. | |
I know how you drive. | |
KORBEN | |
Finger! I'm driving a cab now, not a | |
space fighter!! | |
FINGER (V.O.) | |
How many points you got left on your | |
license? | |
KORBEN | |
(lying) | |
Uh... at least fifty. | |
FINGER (V.O.) | |
In your dreams! See you tonight! | |
Finger has hang up. Korben sighs and does the same. He gets the heated | |
brackish water and sits down. The cat pounces on the table and meows for | |
its food. Korben pours half the coffee in the cat's cup. | |
The cat meows. Korben taps his cup to the cat's saucer. | |
KORBEN | |
Cheers! | |
34 INT. HALL - DAY - OMIT | |
35 INT. GARAGE - DAY - OMIT | |
36 INT. PRESIDENT'S OFFICE | |
The office is emptied, only a few army officers remain. An ancient | |
manuscript, Billy's drawings, sits in front of the President. Cornelius | |
turns page after page, illustrating his | |
point. | |
CORNELIUS | |
(to the President) | |
We have forty-eight hours, the time it needs | |
to adapt itself to our living conditions. | |
PRESIDENT | |
(worried) | |
And then? | |
CORNELIUS | |
And then it will be too late. The goal of | |
evil is to wipe out life! All forms of life. | |
For all eternity...Life upsets it. | |
The President appears upset himself by this image. | |
PRESIDENT | |
Is there anything that can stop it? | |
CORNELIUS | |
(knowing) | |
Yes..thank God.. | |
37 EXT. SPACE | |
The Mondoshawan spaceship bursts through a star cluster and fills the | |
screen. | |
38 INT. COCKPIT - OMIT | |
39 INT. PRESIDENT'S OFFICE | |
The manuscript is open on the President's desk.. CLOSE ON: | |
Billy's rendering of the Mondoshawan. | |
CORNELIUS | |
(to the President) | |
The Mondoshawans don't belong to the | |
Federated Territories, but they are peaceful... | |
in their possession are the four elements of life. | |
These elements when they are gathered around a fifth: | |
The Supreme Being, ultimate warrior, created to protect | |
life...... | |
The SUPREME BEING is standing, as if frozen in armor. All we see is the | |
bottom half of his body. Big metallic gloves hold the case engraved with | |
the emblem of the three suns containing the four Sacred Stones. | |
CORNELIUS | |
..will produce what the ancients called the | |
light of creation, the light of total goodness | |
which is the only thing that can defeat EVIL. | |
The President points to the spot occupied by the 5th element. | |
PRESIDENT | |
But what happens if instead of | |
this... Ultimate Warrior... it is EVIL | |
who stands here? | |
CORNELIUS | |
White turns to black. Light to Dark. | |
Life to Death. For all eternity. | |
The President's nerves quiver. | |
CAPTAIN | |
Sir, we have a Mondoshawan spaceship at | |
the frontier requesting permission to enter | |
our territory. | |
PRESIDENT | |
I guess I should make a decision.. | |
CORNELIUS | |
They are the only ones who can help.. | |
GENERAL | |
Sir..the Mondoshawan do not belong to the | |
federation. We do not know their intention.. | |
I must recommend a full trinuclear assault.. | |
PRESIDENT | |
(yells) | |
Did you see that..thing..swallow our battleship | |
like a gum drop? You can't even tell me what it is! | |
I ask you for options you give me bullshit. | |
Give them permission to enter our territories | |
with my warmest regards. | |
CORNELIUS | |
(relieved) | |
Thank you, Mr. President. | |
40 INT. MONDOSHAWANS SPACESHIP - OMIT | |
41 INT. PRESIDENT'S OFFICE - OMIT | |
42 EXT. SPACE / INT. MONDOSHAWAN SHIP | |
The MONDOSHAWAN spaceship zips across the Federated Galaxy. | |
But it is not alone: Two black warships seem to be dogging it. | |
43 INT. MONDOSHAWAN COCKPIT | |
The MONDOSHAWANS have spotted the spacecraft chasing them. | |
FIRST OFFICER | |
Two non-identified ships approaching. | |
CAPTAIN | |
Must be the welcoming committee. | |
44 INT. WARSHIP COCKPIT | |
A MANGALORE sits at the controls of the warship. His terrifying features | |
tell us what sort of welcome they can expect. The pilot fires without | |
warning. | |
45 EXT. SPACE / INT. MONDOSHAWAN SHIP | |
The huge ship is badly hit and immediately swerves oft course. | |
Panic aboard the MONDOSHAWAN ship. | |
46 INT. MONDOSHAWAN SHIP | |
CAPTAIN | |
We've been hit! General alert!!! | |
Blast after blast hits the defenseless ship. | |
CAPTAIN | |
We're losing control! We have to land fast! | |
The huge ship veers oft course and heads for a small red planet, taking | |
hit after hit. | |
CAPTAIN | |
Send out a distress signal!!! Activate | |
the emergency landing procedure! | |
The huge ship approaches the planet at blinding speed. | |
FIRST OFFICER | |
Impact in less than ten seconds! | |
The red planet looms ever closer. | |
CAPTAIN | |
Time is of no importance... | |
The ship crashes in a gigantic explosion. | |
46A INT. KORBEN'S APARTMENT - DAY | |
A thermo nuclear explosion fills a T.V. screen..Which Korben's cat | |
watches with interest. | |
Korben is about to exit the apartment. | |
KORBEN | |
Don't watch it all day, it'll rot your | |
mind. Bye sweetie.. | |
In response, the cat meows. Korben opens the door to..A huge | |
gun, brandished by a nervous MUGGER, pointing right in his face. | |
MUGGER | |
The cash man! | |
KORBEN | |
Been here long? | |
MUGGER | |
Don't fuck with me man or I'll blow | |
you into tomorrow! | |
Unperterbed, Korben looks at the mugger's fearsome weapon. | |
KORBEN | |
Isn't that a Z140? Alleviated titanium. | |
Neuro charged assault model? | |
MUGGER | |
(off balance) | |
Uh.. | |
KORBEN | |
You know you could hurt someone with | |
this puppy..good thing it's not loaded.. | |
The mugger is lost. He looks at his weapon. | |
MUGGER | |
It's not? | |
KORBEN | |
You gotta push the little yellow button... | |
Korben points to the button on the side of the gun. The mugger takes his | |
advice. | |
MUGGER | |
Thanks.. | |
KORBEN | |
You're welcome.. | |
And with lightning speed, Korben blasts the mugger with a straight right | |
hand, sending him down for the count. Korben retrieves the gun. | |
KORBEN | |
..you know these things are VERY illegal.. | |
you could get in a shit load of trouble.. | |
I better hang onto it for you.. | |
As the mugger clears his head, Korben opens a drawer next to him which is | |
full of similar guns! The mugger's eyes pop out of his head. He scampers | |
to his feet and runs off. | |
Korben shrugs, exits his apartment, and closes the door. The cat watches | |
a nuclear holocaust on T.V., uninterrupted. | |
46B INT. KORBEN'S GARAGE - DAY | |
Korben enters his taxi. A robotic voice greets him. | |
VOICE | |
Please enter your license.. | |
Korben complies, and starts to push a series of buttons on the dash. | |
VOICE | |
Welcome on board Mr. Dallas.. | |
KORBEN | |
How you doing this morning? Sleep OK? | |
I didn't. | |
Korben hits a button. The garage door starts to open. | |
VOICE | |
Fuel level 6.03..Propulsion 2x4... | |
KORBEN | |
I had the worst goddamn nightmare. | |
VOICE | |
You have nine points left on your license.. | |
KORBEN | |
Thanks for reminding me.. | |
As the garage door lifts, the Megalopolis that is New York City in the | |
23rd century comes into view. Startling in it's height, and breath. | |
VOICE | |
Have a nice day.. | |
Korben lets the propulsion build. | |
KORBEN | |
Right.. | |
He lets the gear slip. The taxi rockets off into the City. | |
47 EXT. TAXI STAND - NIGHT - OMIT | |
48 EXT. RED PLANET-OMIT | |
49 INT. PRESIDENT'S OFFICE | |
Cornelius collapses in a chair. | |
CORNELIUS | |
We are lost! | |
GENERAL MUNRO | |
Mr. President, the attack was launched by two | |
unregistered warships. | |
PRESIDENT | |
Close all borders and declare a state of | |
general alert. | |
GENERAL MUNRO | |
Yes, sir. | |
PRESIDENT | |
(to another OFFICER) | |
Try to contact these Mondoshawans. We | |
owe them an explanation. | |
CORNELIUS | |
(lost, to himself) | |
What are we going to do? | |
PRESIDENT | |
This is government business now. | |
You ought to go home and get some | |
rest, Father. | |
The President motions to his guards to come and get Cornelius. | |
PRESIDENT | |
I promise to keep you informed. | |
A weary Cornelius leaves the room with David's help. | |
PRESIDENT | |
(to the CAPTAIN) | |
...Has the rescue team found any survivors? | |
50 EXT. RED PLANET - OMIT | |
51 EXT. RED PLANET ORBIT - OMIT | |
52 INT. LABORATORY 1ST DISTRICT MANHATTAN - DAWN | |
An arm, on a surgical cart, moves down the hall of the Nucleological | |
Center, the most sterile of environments. | |
PROFESSOR MACTILBURGH, age 60, hurries alongside GENERAL MUNRO. | |
MUNRO | |
This is all that survived? | |
MACTILBURGH | |
Actually only one cell survived.. | |
MUNRO | |
Have you identified it? | |
MACTILBURGH | |
It's not that easy..we've never encountered | |
anything like it before..you see normal human | |
beings have 40 DNA memo groums..which is | |
more than enough for any species to perpetuate | |
itself..This one has 200,000. | |
MUNRO | |
Talk English Doc. | |
MACTILBURGH | |
This cell is like a huge library. It has infinite | |
genetic knowledge stored inside. | |
Almost like it was...engineered. | |
MUNRO | |
Sounds like a freak of nature to me. | |
MACTILBURGH | |
Yes... I can't wait to meet him. | |
They pass into the lab. | |
53 INT. LABORATORY | |
The two enter a cylindrical laboratory. There is a huge glass turbine in | |
the middle with the metal glove inside. A DNA chain scrolls on the computer | |
screen. | |
MACTILBURGH | |
(rather fascinated) | |
The compositional elements of his DNA | |
chain are the same as ours, there are simply | |
more of them tightly packed. | |
His knowledge is probably limitless.. | |
MUNRO | |
(worried) | |
Is there any danger? Some kind of virus? | |
MACTILBURGH | |
We put it through the cellular hygiene detector. | |
The cell is for lack of a better word... perfect. | |
Munro hesitates a moment. Then he sighs and uses his personal key to | |
open the | |
self-destruct box. | |
MUNRO | |
OK, go ahead! But Mr. Perfect better be polite... | |
otherwise I turn him into cat food. | |
Mactilburgh starts the operation rolling as Munro puts his hand on the | |
sell-destruct button, ready to use it. Thousands of cells form in the | |
heart of the generator, an assemblage of DNA elements. Then the cells move | |
down a tube, like a fluid, and gather in an imprint of a HUMAN body. Step | |
by step bones are reconstructed, then the nervous and muscular systems. | |
Whole veins wrap around the muscles. An entire body is reconstructing before | |
our very eyes. | |
DOCTOR | |
Three seconds to ultra-violet protection. | |
A shield comes over the reconstructing body and makes it invisible. | |
MACTILBURGH | |
(to Munro) | |
...This is the crucial phase, The reconstruction | |
of pigment. Cells are bombarded with slightly | |
greasy solar atoms which forces the body cells | |
to react, to protect themselves. | |
That means growing skin. Clever, eh? | |
MUNRO | |
(disgusted) | |
Wonderful! | |
The meter slows, drops to zero. | |
ASSISTANT | |
... End of reconstruction, beginning of | |
reanimation . | |
A whoosh of air in the glass chamber. Captain Munro has his hand on the | |
self-destruct button, ready to destroy the being that has barely been | |
reborn. | |
MACTILBURGH | |
(pushing a button) | |
Activate life support system. | |
An electrical discharge fills the glass chamber causing the body inside | |
to jerk. | |
After a few moments of silence, the SOUND of a heartbeat fills the room | |
over the loudspeaker. | |
ASSISTANT | |
Life support system activated. | |
The Supreme Being is alive once again. | |
MACTILBURGH | |
Remove the shield. | |
The ASSISTANT automatically removes the ultra-violet shield which slowly | |
reveals... a woman... nude... young... and very beautiful. Munro stands there | |
gaping. Not quite his vision of the Supreme Being. Mactilburgh glances | |
at Munro and gently pushes his hand away from the self-destruct button. | |
MACTILBURGH | |
(with a smile) | |
I told you ... perfect! | |
Munro is hypnotized by the GIRL's beauty. | |
MUNRO | |
...I'd, uh , like to get a few pictures for the | |
archives | |
before she wakes up. | |
Mactilburgh looks at him with a grin. A remote-control camera approaches | |
the girl's face, a flash goes off. Blinded by the flash, the girl jumps and | |
screams. She cowers in a corner, shaking from the cold, darting eyes | |
everywhere looking for the case she was holding. | |
GIRL | |
(very angry) | |
Ouacra cocha o dayodomo binay ouacra | |
mo cocha ferji akba ligounai makta keratapla. | |
Tokemata tokemata! Seno santonoi-aypa! | |
Minoi ay Cheba! Givomana seno! | |
MUNRO | |
(worried) | |
What's she saying? | |
MACTILBURGH | |
(to his ASSISTANT) | |
Activate the phonic detector. | |
The girl kicks the window repeatedly. | |
MACTILBURGH | |
And give her a light sedative... | |
and something to wear! | |
The ASSISTANT hits a button. A pile of clothes drops out of a trapdoor | |
in the ceiling. She snatches up the clothes angrily and dresses quickly. | |
Munro draws closer to the glass window. He watches her dress with | |
undisguised pleasure. | |
MUNRO | |
(to Mactilburgh) | |
This thing solid? | |
MACTILBURGH | |
(smiling) | |
An elephant couldn't crack it. | |
The Girl finishes dressing. | |
GIRL | |
(angrily) | |
Teno akta chataman assin-omekta! | |
Munro smiles safely behind his plate glass window. | |
MUNRO | |
(with a smile) | |
You're gonna have to learn to communicate | |
better than that angel if you want out. | |
Munro dangles the key on a chain that will let her out. The girl rams | |
her fist right through the window. She grabs the key and yanks it. The | |
chain snaps tight and Munro slams into the window knocking himself out. The | |
girl puts her hand through the window again, unlocks the chamber and steps | |
out. She is still bit wobbly on her legs. Two GUARDS try to grab her. | |
She sends them flying across the room. Mactilburgh is most impressed. He | |
sets off a general alarm. | |
54 INT. CORRIDOR LABORATORY | |
The girl runs through a maze of corridors looking for a way out. A squad | |
of SECURITY GUARDS appear in front of her and open fire without warning. The | |
girl takes a leap, grabs an air vent, kicks it out and dives into the air | |
shaft. The COPS try and jump up to the vent, but none can reach it. | |
CHIEF | |
Get me a chair or a stepladder The rest of you | |
go through the main ventilation! | |
55 INT. VENTILATION DUCT LABORATORY | |
The girl moves along unable to see what's ahead of her. She comes to a | |
dead-end, a grill that leads outside. She pushes it out and exits onto | |
the ledge. | |
56 EXT. LEDGE LABORATORY - DAWN | |
She has exited to a ledge on the 450th floor of a building, right in the | |
middle of Manhattan, which we discover for the first time. The city has | |
become monstrous. Buildings rise 600 stories. Cars fly. Subways run | |
vertically...The girl edges along the narrow ledge, unfazed by the height. | |
The CHIEF leans out the vent, looking out into the void. | |
CHIEF | |
(to his men) | |
Go on follow her! | |
The COPS stare into the gaping void. | |
COP | |
...No way. | |
The CHIEF angrily pulls out his gun and shoots at the girl who ducks | |
around the corner of the building. Unfortunately the other side in full of | |
cops as well. A flying police car zooms up in front of her, sirens | |
blaring. | |
VOICE (O.S.) | |
This in the police. Your status is illegal. | |
Please put up your hands and follow our | |
instructions! | |
The girl feels trapped. She looks down into the endless 450 below and | |
all the cars flying underneath her. Then she raises her arms... and dives | |
off. | |
57 INT. POLICE CAR - NIGHT | |
COP | |
(in the car.) | |
Christ! She dove off! | |
In a panic, the COP makes a wrong turn. The girl falls for several | |
seconds. | |
She lands on the roof of a flying cab. | |
58 INT. CAB - NIGHT | |
Korben tries to control his car, reeling from the impact. | |
VOICE (O.S.) | |
You have just had an accident. | |
Seven points have been temporarily | |
removed... | |
Korben manages to stop his cab, pulls over to the side. | |
VOICE / KORBEN | |
You have one point left on your license. | |
Have a good day. | |
Korben sighs and looks in the back seat to see what the damages are. The | |
girl, a bit dazed (who wouldn't be), emerges from the debris and sits up. | |
There's some blood on her face. Korben is stunned. The girl's still alive | |
and... so beautiful. His heart heads for a meltdown. | |
GIRL | |
Akina delutan, nou-shan. | |
KORBEN | |
(lost) | |
...'Scuse me? | |
A police car with wailing sirens halts in front of Korben. | |
COP | |
(over a loudspeaker) | |
You have an unauthorized passenger in your | |
vehicle. We are going to arrest her. | |
Please leave your hands on the wheel. | |
Thank you for your cooperation. | |
KORBEN | |
(obeying) | |
Sorry, Hon, but I only got one point left | |
on my license and I gotta get to the garage! | |
The police car presses up against the cab. Doors slide open. Huge guns | |
point at her. Korben feels lousy. The girl's helpless, there are tears in | |
her eyes, she looks exhausted. | |
Korben glances at her in the rear view mirror. She's looking all around | |
to find something to help her communicate with him. | |
Her POV: an ad on the back of the seat. An 800 number to help an | |
orphanage. A teary photo of a kid over the words Please Help. She shoots | |
to Korben a look of pure distress. | |
GIRL | |
(irresistible) | |
Please... HELP... | |
Korben can't resist her plea. | |
KORBEN | |
Don't put me in this position... | |
I can't... I'm late as it is... | |
But he cannot say no to her eyes. | |
KORBEN | |
Finger's gonna kill me. | |
Korben shuts oft the meter and floors it, sideswiping the police car as | |
he roars away. | |
VOICE (O.S.) | |
Your license has been revoked. | |
Would you please.... | |
Korben whips out a gun and shatters the loudspeaker. | |
KORBEN | |
I hate when people cry... | |
I got no defense... | |
The police car takes out after him, sirens screeching. An insane chase | |
ensues. | |
59 INT. NEW YORK STREETS - DAY | |
Korben and his flying taxi are absolute masters of the air. The cops | |
have trouble following him but then another cop car comes to join in the | |
fun. Korben drives like a man possessed, nothing can stop him. Except the | |
dead-end he's just come up against. | |
GIRL | |
Daya deo dono Dato. Dalutan! | |
KORBEN | |
It there's one thing I don't need advice on, | |
it's how to drive. | |
Korben turns his cab sideways and scrapes through a narrow passageway, | |
ripping his taxi light from the roof. The police car smashes into the | |
wall. The other one brakes just in time. | |
COP | |
Shit! Attention all-patrol cars! | |
The car makes a U-turn, looking for a wider passageway. | |
60 EXT. NEW YORK STREET | |
The police car roars up, sirens screaming then slows down and checks out | |
a dead-end flanked by a large vertical neon billboard. The dead-end is empty . | |
Korben's cab is hidden vertically behind the billboard. Seeing nothing, the | |
police drive away. | |
KORBEN | |
We'll wait till things quiet down a bit. | |
You mind? | |
The girl grabs his shirt collar and pulls him close, whispers in his ear. | |
GIRL | |
(weak) | |
...Priest... | |
KORBEN | |
You're not that bad... Come on we'll | |
get you to a doctor. | |
The girl hands him the handle of the case, struck with the three Egyptian | |
suns. | |
GIRL | |
(weak) | |
Vito... Cor... Ni-lious... Priest... | |
KORBEN | |
Vito Cornelius? | |
The girl nods, then faints. Korben is somewhat lost faced with so much | |
mystery. | |
61 INT. CORNELIUS' APARTMENT - DAY | |
The door opens. Korben is there with the unconscious girl in his arms. | |
KORBEN | |
(embarrassed) | |
Excuse me, I'm looking for a priest. | |
CORNELIUS | |
(tired) | |
Weddings are one floor down. | |
Congratulations. | |
Cornelius closes the door. The doorbell RINGS again. | |
KORBEN | |
She's not my bride, she's my fare. | |
She's looking for this Vito Cornelius. | |
According to the phone guide he lives here. | |
CORNELIUS | |
(curious) | |
That's me. But I don't know who she is... | |
where did you find her? | |
KORBEN | |
She dropped in on me... holding this. | |
Korben hands him the metal handle with the three Egyptian suns, stamped | |
on it. | |
CORNELIUS | |
(staggered) | |
The fifth element. | |
He faints dead away. Korben, with the girl still in his arms looks | |
around helpless. | |
KORBEN | |
(sighing) | |
Finger's gonna kill me... | |
62 INT. CORNELIUS' APARTMENT - DAY | |
In his armchair, Cornelius gets woken by a slap in the face. | |
CORNELIUS | |
(with a start) | |
Who are you? | |
KORBEN | |
I brought the girl remember? | |
CORNELIUS | |
The girl? | |
Cornalius gets up. He looks at the handle. | |
KORBEN | |
Yeah! She dropped in on me. I mean | |
on my taxi... talking... this... this bizarre | |
language... | |
And then it dawns on Cornelius who the girl is. | |
CORNELIUS | |
(eyes riveted on her) | |
He's a she! | |
KORBEN | |
(bemused) | |
You noticed... | |
CORNELIUS | |
(face shining) | |
There's not a moment to lose! Wake her up, | |
but be gentle about it! This woman is mankind's | |
most precious possession! She is... perfect! | |
KORBEN | |
So you do know her. | |
CORNELIUS | |
Uh yes, we're cousins..distant cousins.. | |
Cornelius runs into the next room. Korben looks at the girl, goes to | |
slap her, then changes his mind. | |
Her beauty troubles him. He hesitates, then, gently caresses her cheek. | |
Her skin seems so soft, so fragile. | |
KORBEN | |
Perfect... | |
63 INT. SMALL ROOM | |
David, is mending a cassock when Cornelius bursts into the room out of | |
breath. | |
CORNELIUS | |
It's a miracle!!! | |
DAVID | |
(worried) | |
What is? | |
CORNELIUS | |
(babbling crazily) | |
I can't wear these clothes! This calls | |
for dignity! | |
I have to dress the part! | |
He opens a closet filled with identical robes and plunges in, | |
disappearing as David looks on, uncomprehending. | |
64 INT LIVING ROOM. CORNELIUS' APARTMENT | |
Korben gently kisses the girl's cheeks, but she doesn't respond. He | |
looks around then kisses her on the lips. The girl's eyes snap open. | |
When Korben straightens up he discovers his own gun jammed under his | |
chin. | |
GIRL | |
(angry) | |
Eto Akta Gamat! | |
KORBEN | |
(embarrassed) | |
I'm sorry, it's just that... I was | |
told to wake you up gently, so I figured... | |
The girl pauses a moment. She stares at him, looks puzzled. | |
KORBEN | |
You're right, I was wrong! I shouldn't | |
have kissed you... especially since we | |
haven't been introduced and... | |
(he pulls out a business card) | |
Here, it's a bit late, but... my name is | |
Korben, Korben Dallas. | |
Keep it, you never know, maybe... you'll | |
need a cab one day. I'll be happy to open | |
the door this time!. | |
The girl hesitates, then snatches the card like a wild animal. | |
65 INT. SMALL ROOM | |
Cornelius is lost in the closet. | |
DAVID | |
Father, will you please explain what's | |
going on? | |
CORNELIUS | |
The Supreme Being, the fifth element is here, | |
in our parish!!! It's a miracle!!! | |
66 INT. LIVING ROOM | |
KORBEN | |
...What's your name? | |
GIRL | |
(after a moment) | |
Leeloo Minai Lekarariba-Laminai-Tchai | |
Ekbat De Sebat. | |
KORBEN | |
(polite) | |
Hey, that's... cute... Do you have a nickname, | |
something a little... shorter? | |
GIRL | |
...Leeloo. | |
Korben is falling in love. | |
KORBEN | |
That's... really cute... | |
Cornelius bursts into the room. She turns the gun on him. | |
He bows before her. | |
CORNELIUS | |
Appipulai Leeloo Minai.. | |
LEELOO | |
Corn-i-Lius? | |
CORNELIUS | |
(bowing) | |
At your service. | |
LEELOO lowers her guard starts to laugh. An irresistible childish laugh. | |
Korben smiles. | |
DAVID | |
Father. You sure she's the Supreme Being? | |
CORNELIUS | |
Absolutely sure There's the triple suns on | |
her gloves! | |
David bows low, but his eyes glance up at Leeloo. Cornelius begins to | |
lead Korben toward the door, hustling him out. | |
KORBEN | |
They all like this in your family, father? | |
CORNELIUS | |
She's an exception.. | |
CORNELIUS | |
Thank you so much for your help Mr...? | |
KORBEN | |
Dallas. Korben Dallas. | |
Cornelius takes his arm. Leeloo stops laughing when she sees Korben | |
leaving. | |
CORNELIUS | |
Yes. That's fine! Thank you very much. | |
A thousand times over! | |
KORBEN | |
I might call to check up on her, | |
you know... to see if she's better? | |
CORNELIUS | |
She's fine, really..don't you worry.. | |
just needs some rest..she's had a very long trip. | |
KORBEN | |
I know. I was there when she arrived. | |
Cornelius is about to close the door. Korben's hand blocks it. | |
KORBEN | |
Excuse me! Just one thing! She said something | |
to me a while ago and... I don't really get it... | |
Akta Gamat? | |
CORNELIUS | |
It means, "Never without my permission". | |
KORBEN | |
That's what I thought. | |
Cornelius slams the door in his face. | |
KORBEN | |
...Thanks. | |
66A INT. KORBEN'S APARTMENT - DAY | |
Korben beads down the hallway. He passes his NEIGHBOR. | |
KORBEN | |
Evening... | |
NEIGHBOR | |
Fuck you! | |
KORBEN | |
...Thanks... You, too. | |
Korben enters his-apartment. | |
66B INT.. KORBEN'S APARTMENT - DAY | |
The door slides back and the cat comes rubbing up against him, tail in | |
the air. | |
KORBEN | |
Oh god. I forgot your food ... I'm really sorry! | |
How about a nice Thai nosh to apologize? | |
How does that sound, huh? | |
The cat meows, appeased, just an the phone rings. | |
KORBEN | |
Hello? | |
FINGER (V.O.) | |
Hey bud...I'm waiting all day here. | |
KORBEN | |
Finger..man..I'm sorry..listen..I was on the way | |
over but I had a fare fall into my lap.. | |
y'know one of those big fares you just | |
can't resist.. | |
FINGER (V.O.) | |
(suspicious) | |
So, just how big was this fare? | |
KORBEN | |
5'7", green eyes... long legs... great skin... | |
perfect.. | |
Korben takes out a cigarette. | |
FINGER (V.O.) | |
Uh huh..and I don't suppose you got the | |
name of this..perfect fare.. | |
KORBEN | |
(dreamy) | |
Leeloo.. | |
67 INT. GARAGE - DAY - OMIT | |
68 INT. CORNELIUS' APARTMENT - DAY | |
Leeloo has a towel wrapped around her, it looks like she just took a | |
shower. She sits in front of a computer wolfing down some chicken. Data | |
scrolls by on the screen. David watches from the corner, in awe. | |
DAVID | |
What's she doing? | |
CORNELIUS | |
Learning our history! | |
The last 5000 years that she missed! | |
She's been out of circulation a while, | |
you know. | |
Leeloo breaks into her childish laughter. | |
CORNELIUS | |
What're you laughing about? | |
LEELOO | |
(pronouncing badly) | |
Napoleon... small. | |
She laughs again and tosses some capsules into the microwave. | |
DAVID | |
(hesitant) | |
Uh father, I know she's been through a lot... | |
but the sacred stones..we don't have much | |
time.. | |
CORNELIUS | |
Yes. Of course.. | |
Leeloo takes her plate out of the microwave. A steaming plate heaped | |
with chicken and exotic vegetables. | |
CORNELIUS | |
Leeloo..I'm sorry to interrupt you but.. | |
She sits back down in front of the screen and chomps away heavily on her | |
second chicken. Cornelius sits opposite her. and holds up the case | |
handle. | |
CORNELIUS | |
(serious) | |
The case..with the stones... | |
Where is it? | |
LEELOO | |
San Agamat chay bet... envolet! | |
CORNELIUS | |
The case was stolen? | |
Leeloo nods her head, quite unperturbed and continues to devour the food | |
in front of her. | |
CORNELIUS | |
(shocked) | |
Who in gods name would do such | |
a thing? | |
69 INT. CORRIDOR. ZORG'S WAREHOUSE - DAY | |
CLOSE ON: A pair of feet limping heavily. A MAN comes alongside them. | |
RIGHT ARM | |
Excuse me sir, the council is worried about | |
the economy heating up. They wondered if | |
it would be possible to fire 500... | |
They reach a door at the end of the corridor. Zorg enters a code. | |
ZORG | |
Fire 1000. | |
RIGHT ARM | |
But... 500 is all they need, sir. | |
ZORG turns slowly. A small scar across run across his face, his eye | |
stutters. | |
This is not a man to cross, or contradict. | |
RIGHT ARM | |
1000! Fine, sir! | |
Sorry to have disturbed you. | |
The door opens... | |
70 INT. CORNELIUS' APARTMENT - DAY | |
... and David enters carrying a bundle of clothes. | |
CORNELIUS | |
There was this guy with a limp who | |
came a month ago..said he was an art | |
dealer ... Asking all these questions about | |
the Sacred Stones..at the time I didn't think | |
anything of it.. What was his name? I'm so | |
bad with names... | |
DAVID | |
(to Leeloo, timid) | |
I didn't know your size. | |
Leeloo is happy. She pulls off the towel and stands there nude. Cornelius | |
and David turn away. | |
DAVID | |
They really made her... | |
CORNELIUS | |
Perfect. | |
Leeloo finishes dressing. She is delighted. | |
LEELOO | |
(to David) | |
Domo danko! | |
David smiles, dumb with admiration. Cornelius comes over. | |
CORNELIUS | |
Leeloo? The Stones... | |
We must get them back. | |
Leeloo settles down, sits at the computer and turns it on. | |
LEELOO | |
Ikset-kiba. Me imanetaba oum dalat! | |
CORNELIUS | |
You know exactly where they are! | |
71 INT. WAREHOUSE - DAY | |
A group of handsome WARRIORS approaches. AKNOT, their leader has the | |
sacred case in his hands. The metal handle is missing but the second | |
metal glove is still grasping the case. | |
ZORG | |
(pretending to be worried) | |
Aknot? Is that you? | |
The LEADER nods. A disgusted look stamps Zorg's features. | |
ZORG | |
...What an ugly face! Doesn't suit you at all! | |
Take it off... | |
AKNOT's face burns away revealing the head of a monstrous MANGALORE. | |
ZORG | |
That's better! Never be ashamed of | |
who you are... | |
You're warriors... be proud... | |
AKNOT says nothing, but if his eyes could talk! | |
ZORG | |
So what if the Federal Army crushed your | |
entire race and scattered your people to the | |
wind... | |
Your time for revenge is at hand... | |
Voila... the ZF1. | |
He takes out a weapon from one a crate and goes into a sales pitch. | |
ZORG | |
(very fast) | |
...It's light... the handle's adjustable for | |
easy carrying... good for righties and lefties. | |
Meanwhile, two MEN set up a mannequin rigged with various defense | |
mechanisms at the far end of the warehouse. | |
ZORG | |
... Breaks down into four parts, undetectable by | |
X-rays.. It's the ideal weapon for quick, discreet | |
interventions. A word on fire power: Titanium | |
recharger. 3000 round clip with bursts of 3 to 300. | |
With the replay button, another Zorg innovation, | |
it's even easier... one shot. | |
He fires at the mannequin. | |
ZORG | |
... and replay sends every following shot | |
to the same location... | |
Zorg spins around, the rounds all hit the mannequin. | |
ZORG | |
(even faster) | |
I recharge, but the enemy has launched a | |
cowardly sneak attack from behind, the | |
automirror takes care of that. Gives me the | |
time to turn around and finish the job. | |
300 round bursts, then there are the Zorg oldies... | |
He fires off each item he names. | |
ZORG | |
...Rocket launcher. The always efficient | |
flame thrower... My favorite. | |
Our famous net launcher, the arrow launcher, | |
with exploding or poisonous gas heads - very | |
practical. | |
And for the grand finale, the all-new ice-cube | |
system! | |
The mannequin has been blasted into a pile of ashes covered by a net,. | |
stuck with arrows, the whole mess frozen solid. He tosses the weapon into | |
AKNOT's hands. | |
ZORG | |
...Four full crates, delivered right on time! | |
What about you, my dear Aknot, did | |
you bring me what I asked you for? | |
AKNOT sets the case on a crate. Zorg gloats while stroking the case. | |
ZORG | |
...Magnificent. | |
Zorg smiles, takes a deep breath, opens the case. It's empty | |
72 INT. CORNELIUS' APARTMENT - DAY | |
Leeloo breaks into her childish laughter once again. | |
CORNELIUS | |
(astonished) | |
What do you mean empty? | |
73 INT. ZORG'S WAREHOUSE - DAY | |
AKNOT looks into the case. Things grow tense. | |
ZORG | |
Alright..I've got an open mind here.. | |
anyone care to explain? | |
74 INT. CORNELIUS' APARTMENT - DAY | |
Leeloo explains what happened in her language. | |
CORNELIUS | |
(translating) | |
She says that the Guardians never really had | |
much faith in humans. They were afraid of | |
being attacked. The stones were given to someone | |
they could trust who took another route. | |
She's supposed to contact this person in a little less | |
than twelve hours from now in a hotel. | |
She's looking for the address! | |
A map of the stars flashes onto the screen, Leeloo points. | |
LEELOO | |
Dot! | |
The little group comes over to look. | |
DAVID | |
Planet Fhloston, in the Angel constellation | |
Cornelius plops down into his armchair. | |
CORNELIUS | |
...We're saved! | |
75 INT. ZORG'S WAREHOUSE - DAY | |
ZORG | |
I'm fucked! | |
Zorg calmly closes the case and gives Aknot a blood-chilling stare. | |
AKNOT | |
You asked for a case. | |
We brought you a case. | |
ZORG | |
(shouting) | |
A case with four stones in it. Not one! | |
Not two or three! But four!!! Four stones!!! | |
What the fuck am I supposed to do with an | |
EMPTY case?!! | |
AKNOT's men grow edgy. | |
AKNOT | |
(tense) | |
...We are warriors, not merchants! | |
ZORG | |
(humored) | |
But you can still count. Look... | |
my fingers. | |
He holds up four fingers. | |
ZORG | |
...Four stones, four crates... Zero stones... | |
(yelling) | |
ZERO CRATES!!! | |
(to his men) | |
Put everything back, we're outta here. | |
AKNOT's warriors turn their weapons on Zorg. | |
AKNOT | |
(icily) | |
We risked our lives. I believe a | |
little compensation is in order. | |
ZORG | |
(smiling) | |
So, you are a merchant, after all. | |
(to his men) | |
Leave them one crate. For the cause! | |
Zorg's men leave a crate and exit with the other three. | |
76 EXT. OUTSIDE ZORG'S WAREHOUSE - DAY | |
Zorg walks along the street to his limo. RIGHT ARM carries the empty | |
case. | |
ZORG | |
I don't like warriors! They're too | |
narrow-minded, no sublety. Worse, | |
they fight for hopeless causes..for honor! | |
Honor has killed millions of people but | |
hasn't saved a single one. | |
(pause) | |
You know what -- do I like though, I like killer. | |
A real dyed in the wool killer. Cold-blooded. | |
Clean. Methodical. Thorough. A killer, when | |
he picked up the ZF1, would've immediately | |
asked about the little red button on the bottom of | |
the gun. | |
77 INT. HALLWAY ZORG'S WAREHOUSE - DAY | |
The warriors have all taken a weapon. One of them inspects his ZF1. He | |
turns it over and notices the little red button. He presses it. | |
78 EXT. OUTSIDE ZORG'S WAREHOUSE - DAY | |
Behind Zorg, an ear-shattering explosion levels the warehouse. | |
ZORG | |
(impassive) | |
Bring the priest. | |
79 INT. GARAGE - DAY - OMIT | |
79A INT. KORBEN'S APARTMENT - DAY | |
Korben is finishing a Thai meal, cooked by a Thai on his mini restaurant | |
anchored at the window. The cat eats next to Korben, contented. | |
KORBEN | |
So you forgive me? | |
The cat meows just as a red light blinks, announcing the arrival of a | |
message in a glass tube. Korben ignores it. | |
THAI | |
Not going to open? | |
KORBEN | |
I've never gotten a message that wasn't | |
bad news. | |
THAI | |
How someone strong like you scared from | |
a message? Is good news I sure! | |
KORBEN | |
The last two messages I got? The first one | |
was from my wife telling me she was leaving! | |
And the second was from my lawyer telling me | |
he was leaving too... with my wife. | |
THAI | |
You right that is bad.. but mathematically | |
luck must change! | |
Grandfather say: "It never rain every day." | |
This is good news guarantee.. I bet you lunch! | |
Korben hesitates, then gives the envelope to the Thai, who opens it with | |
a big smile that fades as reads the contents aloud. | |
THAI | |
...You're fired. Oh! | |
Korben smiles at him. | |
KORBEN | |
At least I won lunch. | |
THAI | |
Good philosophy..see good in bad.. | |
I like..I prepare number one dessert.. | |
special for you and pussy.. | |
The cat meows. | |
79B INT. CORNELIUS' APARTMENT - DAY | |
Leeloo is polishing of' an immense pile of dessert as David bangs away at | |
the computer. | |
DAVID | |
I got it! Everything here we need to | |
know about Fhloston Paradise Hotel... | |
and a detailed blueprint of the entire hotel! | |
CORNELIUS | |
Good work, my son. Now all we need is | |
a way to get there. | |
The doorbell rings. | |
CORNELIUS | |
I'll get it. Finish your work my son. | |
Cornelius opens to Right Arm with armed escort. | |
RIGHT ARM | |
Father Cornelius? | |
CORNELIUS | |
My son? | |
RIGHT ARM | |
Mr. Zorg would like a word with you. | |
CORNELIUS | |
Mr. Who? | |
80 EXT. MANHATTAN - OMIT | |
81 INT. HALLWAY CORNELIUS APARTMENT - OMIT | |
82 INT. REFRIGERATION ROOM - OMIT | |
83 INT. ZORG'S OFFICE | |
Zorg turns to Cornelius. | |
ZORG | |
Zorg. Jean-Baptiste Emmanuel Zorg... | |
nice to see you again | |
CORNELIUS | |
I remember you now..the so called | |
art dealer. | |
ZORG | |
I'm glad you got your memory back, Father... | |
Because you're going to need it... | |
Where are the stones? | |
CORNELIUS | |
...Why on earth do the stones interest you? | |
ZORG | |
Personally, they are of no interest to me, | |
I'd rather sell weapons..but I have a customer... | |
so tell me... | |
CORNELIUS | |
Even it I did know where the stones were | |
I would never tell somebody like you. | |
ZORG | |
Why? What's wrong with me? | |
CORNELIUS | |
...I'm a priest! I'm here to serve life, | |
All you want to do is destroy it. | |
ZORG | |
Ah, Father... You are so wrong. | |
Let me explain... | |
Zorg leads Cornelius into his inner office. | |
ZORG | |
...would you like a drink? | |
CORNELIUS | |
No thank you. | |
ZORG | |
Follow me.. Life, which you so nobly serve, | |
comes from destruction. Look at this empty | |
glass. | |
Zorg pushes the glass with his finger. | |
ZORG | |
Here it is... peaceful... serene... | |
but if it is... | |
Zorg pushes the glass off the table. It shatters on the floor. | |
ZORG | |
Destroyed... | |
Small individual robots, both free-wheeling and integrated, come zipping | |
out to clean up the mess. | |
ZORG | |
...Look at all these little things... | |
so busy all of a sudden. | |
Notice how each one is useful. | |
What a lovely ballet, so full of form | |
and color. So full of..life! | |
CORNELIUS | |
They are robots! | |
A SERVANT comes in pours water in another glass. Zorg tosses a cherry | |
into it. | |
ZORG | |
Yes but... by that simple gesture of destruction. | |
I gave work to at least fifty people today. The | |
engineers, the technicians, the mechanics. Fifty | |
people who will be able to feed their children so | |
they can grow up big and strong. Children who | |
will have children of their own, adding to the great | |
cycle of life! | |
Cornelius sits in silence. | |
ZORG | |
Father, by creating a little destruction, | |
I am, in fact, encouraging life! So, in | |
reality, you and I are in the same business! | |
CORNELIUS | |
Destroying a glass is one thing..killing people | |
with the weapons you produce is quite another. | |
ZORG | |
Let me reassure you Father..I will never kill | |
more people in my entire life than religion has | |
killed in the last 2000 years. | |
Zorg smiles, holds up the glass and takes a drink. | |
Unfortunately, he chokes on the cherry. Unable to breathe, Zorg starts | |
to panic. | |
CORNELIUS | |
(mocking) | |
Where's the robot to pat your back? | |
Zorg falls, writhing, on his desk, inadvertently hitting buttons which | |
trigger a slew of little mechanisms. They pop out all over the desk. | |
True chaos reigns. Even a cage appears, holding a Souliman Aktapan, a fat | |
multicolored beastie, PICASSO, who seems surprised to be out in daylight. He | |
licks his half-dead master in thanks. Cornelius gets up and walks around | |
the desk. Zorg motions for help. | |
CORNELIUS | |
Can I give you a hand? | |
Cornelius whacks him on the back. The cherry comes flying out. Zorg | |
regains control of himself. GUARDS come running in. | |
ZORG | |
You saved my life... So, I'm going | |
to spare yours. | |
(to the GUARDS) | |
Throw him out! | |
The GUARDS throw Cornelius out. | |
CORNELIUS | |
You are a monster, Zorg! | |
ZORG | |
(complimented) | |
I know... | |
The GUARDS drag Cornelius out of the office. | |
ZORG | |
...Torture whoever you want, the | |
president if you have to but I want | |
those Stones. You have an hour. | |
Right Arm salutes and hurries out of the office. | |
84 EXT. MANHATTAN STREET - OMIT | |
85 INT. ZORG'S OFFICE - OMIT | |
86 INT./EXT. STREET / TAXI - OMIT | |
87 INT. REFRIGERATION ROOM - OMIT | |
88 INT. ZORG'S OFFICE - DAY - OMIT | |
89 INT. HALLWAY - OMIT | |
90 INT. REFRIGERATION ROOM - OMIT | |
91 INT. TAXI - OMIT | |
92 INT. ROOM - DAY - OMIT | |
93 INT. TAXI - OMIT | |
94 INT. ROOM - DAY - OMIT | |
95 INT. TAXI - OMIT | |
96 INT. SHAFT - OMIT | |
97 INT. GARAGE - OMIT | |
98 INT. ZORG'S OFFICE - OMIT | |
99 INT. GARAGE - OMIT | |
100 INT. LOCKER ROOM GARAGE - OMIT | |
101 INT. GARAGE - OMIT | |
102 INT. LOCKER ROOM GARAGE - OMIT | |
103 INT. KORBEN'S BUILDING - DAY - OMIT | |
104 INT. KORBEN'S APARTMENT - OMIT | |
105 EXT. / INT. SPACE / SPACESHIP | |
...The dark planet. Three warships are positioned in front of it. | |
Communication satellites arrive from all over the place, drawn to it like | |
a magnet. | |
CAPTAIN | |
(observing) | |
It's gobbling up all the communication | |
satellites in the galaxy! | |
106 INT. PRESIDENT'S OFFICE | |
President Lindberg appears even more crushed by recent events. | |
PRESIDENT | |
Why the hell is it eating up all those | |
satellites like that? | |
HEAD SCIENTIST | |
(desperate) | |
...We're working on it, Mr. President. | |
We're working on it. | |
PRESIDENT | |
It should only choke on them. | |
MUNRO enters the office just as a cockroach crawls onto the desk. | |
There's a small antenna on its back. | |
107 INT. SMALL ROOM | |
Zorg's Right Arm wears earphones, monitoring the President's conversation | |
with the cockroach-spy. | |
108 INT. PRESIDENT'S OFFICE / SMALL ROOM | |
MUNRO | |
I managed to contact the Mondoshawan. | |
They deplore the incident, but accept our | |
apologies. | |
PRESIDENT | |
(relieved) | |
And the Stones? Did you find them in the | |
wreckage? | |
MUNRO | |
The-Stones weren't aboard the ship. | |
PRESIDENT | |
(surprised) | |
...What do you mean? | |
The President is all ears. | |
So is Zorg's Right Arm. | |
MUNRO | |
The Mondoshawan never fully trusted the | |
human race..they felt we're too unpredictable.. | |
so they gave up the Stones to somebody they | |
do trust. Her name is Plavalaguna. She's a Diva | |
and she's going to sing at the charity ball on | |
Fhloston Paradise in a few hours. She has the | |
Stones with her. | |
The President breathes easier. | |
Zorg's Right Arm is delighted. | |
PRESIDENT | |
(taking off a shoe) | |
Excellent! | |
The President crushes the cockroach with his shoe. | |
Right Arm's earphones fly off his head. Good-bye eardrums. | |
109 INT. PRESIDENT'S OFFICE | |
PRESIDENT | |
I want your best man on this! | |
MUNRO | |
Don't worry, Sir. I have the perfect one. | |
110 INT. KORBEN'S APARTMENT - DAY | |
C.U. The most disgusting dessert ever made. Korben looks at it shimmying | |
on a plate as the Thai serves it to him proudly. | |
THAI | |
Stewed jellyfish cake.. my speciality.. | |
Korben forces a weak, polite smile as the Thai looks on expectantly. The | |
phone rings. | |
KORBEN | |
Saved by the bell. | |
Korben rises to get his cigarettes, and answer the phone. | |
KORBEN | |
...Hello? | |
MOTHER (V.O.) | |
You're the nastiest dirtbag I know in | |
this stinking City! | |
KORBEN | |
(resigned) | |
Hi Ma... | |
MOTHER (V.O.) | |
I've been playing twice a week for 20 years, | |
20 years I've been eating those shitty croquettes. | |
Korben goes to light his cigarette. There are only two matches left in | |
the match box. | |
Korben strikes one and it fizzles. | |
MOTHER (V.O.) | |
You wouldn't even eat one to help your | |
poor mother, and you win the big prize? | |
Know something? The whole thing makes | |
me sick! | |
The Thai starts to clean up. Just as Korben goes to strike the second | |
match.. | |
MOTHER (V.O.) | |
Are you listening to me, you ingrate! | |
KORBEN | |
(resigned) | |
Yes ma.. | |
Korben sighs and puts the match back in the box. | |
Korben enters his code on the keypad the Thai is holding. | |
KORBEN | |
(to the Thai) | |
Go on... This is gonna take a while! | |
The Thai casts oft. Korben closes the window. | |
KORBEN | |
Other than that... You all right? | |
MOTHER (V.O.) | |
...And now you're making fun of me? | |
I'm warning you! If you don't take me | |
after all these years of sacrifice, I'll | |
never forgive you!! | |
The Thai flies off. In the hall, the cat meows-for more food. | |
KORBEN | |
(to the cat) | |
I'm coming!. Ma, what're you talking | |
about? | |
MOTHER (V.O.) | |
I get it! You want to make me beg, | |
is that it? | |
KORBEN | |
All I want is an explanation! I just got | |
in, I lost my job. I smashed my cab. | |
I got mugged, but other than that | |
everything's peachy, Ma, thanks for asking!! | |
Now settle down and explain to me calmly.. | |
A message drops in his tube. The red light goes on. | |
MOTHER (V.O.) | |
You just won a trip, you dolt! | |
Ten days in Fhloston Paradise for two! | |
KORBEN | |
Ma. If I'd won, I'd know about it. | |
Someone would have notified me. | |
MOTHER (V.O.) | |
They've been blaring out your name on | |
the radio for the last hour, blockhead! | |
He eyeballs the message still in the tube. The doorbell rings.- | |
KORBEN | |
Ma.. it's the door. I'll call you back. | |
Korben hangs up before his mother can say anything and heads for the | |
door. Before he gets there it opens, General Munro enters followed by a | |
Captain and a Major. | |
MAJOR ICEBORG is a woman. All she needs to become a man is a mustache. | |
Munro opens a file. | |
MUNRO | |
(clipped) | |
Major Dallas, if our calculations are correct | |
you still have 57 hours owed to the Federal | |
Army on your enlistment which is more than | |
you will need for a mission of the utmost | |
importance. | |
KORBEN | |
What mission? | |
MUNRO | |
To save the world. | |
KORBEN | |
Where have I heard this song before? | |
MUNRO | |
You're to leave immediately for Fhloston | |
Paradise. Retrieve four Stones from the | |
Diva Plavalaguna. And bring them back with | |
the utmost discretion as possible. | |
Any questions'? | |
KORBEN | |
(a little bewildered) | |
Just one... why me? | |
MUNRO | |
Three reasons... One: As part of The Elite | |
Special Forces Unit of the Federated Army | |
you are an expert in the use of all weapons | |
and spacecraft needed for this mission. | |
Munro pulls out a long list of documents. | |
MUNRO | |
Two: Of all the members of your unit | |
you were the most highly decorated. | |
KORBEN | |
And the third one? | |
MUNRO | |
You're the only one left alive... | |
Munro removes the message Korben hasn't bothered to look at. | |
MUNRO | |
Don't you open your messages? | |
KORBEN | |
I've had enough good news for today | |
MUNRO | |
(by rote) | |
You have won the annual Gemini contest | |
and a trip to Fhloston Paradise. For two. | |
Congratulations. | |
Here are your tickets. | |
He hands Korben the tickets. Korben gets it. | |
KORBEN | |
You rigged the contest? | |
Munro nods. | |
MUNRO | |
Major Iceborg will accompany you... | |
as your wife... | |
The idea of taking a trip with Iceborg makes him sick. | |
KORBEN | |
(sarcastic) | |
You couldn't come up with something | |
a little more discreet? | |
MUNRO | |
Old tricks are the best tricks eh? | |
KORBEN | |
I'm not going. | |
MUNRO | |
Why not? | |
KORBEN | |
One reason... I want to stay the only | |
one left alive. | |
110A INT. KORBEN'S HALL | |
Leeloo and Cornelius search for Korben's apartment. Leeloo carries the | |
card Korben gave her. Cornelius finds the apartment, and yanks the. | |
number off the door. He waves Leeloo over as his hand goes to the bell. | |
110B INT. KORBEN'S APARTMENT | |
The doorbell rings. | |
KORBEN | |
...Scuse me. | |
Korben goes to the door and looks out the peephole: the beautiful Leeloo. | |
Korben panics, overcome with happiness. | |
KORBEN | |
...Shit! | |
MUNRO | |
(worried) | |
What is it? | |
Korben has two seconds to make up something to get rid of Munro. | |
KORBEN | |
It's my wife. | |
MUNRO | |
I thought you were divorced. | |
KORBEN | |
I mean my future.. my ex.. My future ex.. | |
if she sees you here I'm finished. She hates | |
you guys. It's what killed us in the first place. | |
Please... | |
He puts them in the fridge, shoving the jellyfish cake in Iceborg's | |
hands. | |
KORBEN | |
...Sorry, General, but we've got no choice! | |
It'll only take a minute! Let me set up | |
another meeting and I'll be back. | |
MUNRO | |
Three of us will never fit in there! | |
KORBEN | |
(pushing him) | |
Oh, yes you will... | |
Korben slams the fridge door. The doorbell RINGS again. | |
KORBEN | |
...Coming! | |
He whips through his place in ten seconds, gathers up things laying | |
about, | |
shuts drawers, rolls up his laundry in the folding bed. He brushes his | |
hair back | |
and opens the door with a big smile only to discover a gun stuck between | |
his | |
eyes held by Cornelius. | |
LEELOO | |
Apipoulai! | |
KORBEN | |
I suppose that means "Hi" ? | |
CORNELIUS | |
I'm sorry to have to resort to such | |
methods, but we heard about your | |
good luck on he radio and we need | |
the tickets to Fhloston. | |
KORBEN | |
Is that the usual way priests go on | |
vacation? | |
CORNELIUS | |
We're not going on vacation..we're | |
on a mission.. | |
KORBEN | |
What kind of mission? | |
CORNELIUS | |
(sincere) | |
We have to save the world. | |
KORBEN | |
(skeptical) | |
Good luck.. | |
CORNELIUS | |
Of course. | |
KORBEN | |
Father, I was in the Army for awhile | |
and every time they told us we were | |
on a mission to save the world the | |
only thing that changed was I lost a | |
lot of friends. So thanks for the offer.. | |
but no thanks. | |
Cornelius is disappointed. Leeloo looks crestfallen. | |
KORBEN | |
I'm sorry.. | |
VOICE | |
This is a police control action.. | |
Everyone freezes as the whole building resounds with the electronic | |
voice. | |
111 INT. LANDING KORBEN'S BUILDING | |
A group of POLICEMEN bursts into the hallway. One of the cops enters a | |
code on the police wall box. A device descends from the ceiling, a | |
flashing light-siren, | |
a VOICE fills the air. | |
VOICE | |
This is not an exercise. | |
This is a police control. | |
Cornelius starts to panic. Korben takes charge. | |
CORNELIUS | |
Oh my god oh my god.. | |
Korben pushes a button sending the fridge to the next floor. A shower | |
takes it's place. | |
KORBEN | |
Leeloo, hide in here and don't move! | |
Leeloo hops in. Korben tosses Cornelius on the bed. | |
CORNELIUS | |
What are you doing? | |
KORBEN | |
Trying to save your ass so you can | |
save the world. | |
..and hits a button on the wall. The bed disappears into the wall. | |
Korben grabs his tickets and slides them in his belt. | |
112 INT. LANDING KORBEN'S BUILDING - DAY | |
Meanwhile, the automatic police voice continues. | |
VOICE | |
...Spread your legs and place your | |
hands in the yellow circles, please. | |
A COP slaps a viewer device on Korben's door which makes part of it | |
transparent. | |
COP 1 | |
Put your hands in the yellow circles, | |
please. | |
Korben takes his time hiding his face. The Cop looks at his sheet. He's | |
looking for | |
a... KORBEN DALLAS. He has his picture, but it is Korben with long hair | |
and beard. | |
COP 1 | |
(to COP 2) | |
Sir? Are you a human? | |
KORBEN | |
No, I'm a meat popsicle. | |
COP 3 | |
(at the other end of the hall) | |
I found him! | |
C.U. Korben's calling card is clumsily stuck to the door of the | |
neighbor's apartment. COP 3 slaps the viewer on the nasty neighbor's door. | |
The neighbor is at his sink shaving instead of against the wall, COP 1 | |
arrives with Korben's picture. | |
COP 1 | |
Sir, this is a control. Please put your | |
hands in the yellow circles. | |
The neighbor steps right up to the viewer, shaving cream on his face. He | |
could pass for Korben. | |
NEIGHBOR | |
Fuck you!! | |
113 INT. KORBEN'S APARTMENT | |
Korben still has his hands to the wall. | |
KORBEN | |
Wrong answer. | |
SHOT O.S. EXPLOSION. Scuffle. | |
114 INT. HALL | |
The riot police hustle down the hall dragging the neighbor behind them in | |
a canvas bag. A cop is on the wall phone. | |
COP | |
OK, we got the guy under wraps. | |
115 INT. ZORG'S OFFICE | |
Right Arm is on the phone, facing Zorg. | |
COP (O.S.) | |
It was not easy, but we bagged him!. | |
Thanks for the tip! | |
RIGHT ARM | |
(smiling) | |
Glad to help. | |
He hangs up. | |
RIGHT ARM | |
They just arrested the guy for Uranium | |
smuggling. Everything's going as planned. | |
He shows him a plane ticket, and a passport with his picture and Korben's | |
name. | |
RIGHT ARM | |
All I have to do now is to go to the | |
airport and take his place. I should be | |
in Fhloston in less than four hours. | |
Zorg sits there quietly for a moment. | |
ZORG | |
Don't come back without the Stones. | |
116 INT. KORBEN'S APARTMENT | |
Korben opens the shower door. Leeloo is soaking wet, her teeth | |
chattering from the cold. | |
KORBEN | |
I'm really sorry.. there wasn't time. | |
His eyes fall on an old blanket. | |
KORBEN | |
Here let me wrap you up. | |
Korben wraps her in an blanket and vigoroualy rubs her back. Leeloo | |
warms gradually and snuggles closer to that warm comfortable shoulder. | |
Korben's rubbing slows, looking more like caresses. | |
KORBEN | |
..It's funny. I've met you twice today and | |
you've ended up in my arms both times. | |
Leeloo suddenly realizes that she has maybe gone a bit too far. | |
She recovers, looking embarrassed too. | |
LEELOO | |
(nicely) | |
Valo massa... Chacha hamas. | |
KORBEN | |
Uh..you're welcome. | |
The intimacy makes him nervous. He looks for a diversion. | |
KORBEN | |
Coffee! That's what you need! | |
A nice, hot cup of coffee! | |
He pushes a button on the coffee machine. | |
KORBEN | |
With some honey! You'll see, honey's | |
great!... | |
Korben rummages through the drawer. Leeloo, innocent, doesn't seem to | |
quite understand everything that is going on. | |
KORBEN | |
A hot cup of coffee... with honey... | |
He rummages through the cupboard, exceedingly nervous. Leeloo smiles and | |
begins to look around. She opens a drawer and comes upon.. | |
KORBEN | |
(nervously) | |
I've got this great honey somewhere. | |
You know about honey? There used to be | |
these little animals who made it with antenna... | |
..pictures of Major Korben Dallas War Hero. | |
KORBEN | |
..and these other animals who ate it.. | |
one were bees the other were bears.. | |
She looks back to the man fumbling for honey. | |
KORBEN | |
I forget which ate it and which made it | |
but.. | |
And she smiles. | |
KORBEN | |
Here it is! | |
Korben holds up the jar of honey. | |
KORBEN | |
Taste this... | |
Leeloo innocently sticks his finger in the jar then puts it in her mouth. | |
KORBEN | |
It... melts in your mouth, doesn't it? | |
She savors the honey, slowly; sensually. Her lips shine with honey. Her | |
eyes narrow with pleasure. Korben is hypnotized by her lips, like a moth | |
attracted to a flame. He begins to lose control, which makes him nervous. | |
An indistinct sound comes from the wall. But Korben is so entranced with | |
the sight of Leeloo licking her honied fingers, he doesn't hear it until | |
it becomes quite a racket. | |
KORBEN | |
You hear that? | |
LEELOO | |
(licking) | |
Cornelius.. | |
KORBEN | |
Oh god! | |
Korben pushes the button on the wall. The bed pops out, fully made, with | |
Cornelius tucked in it, struggling to get out. | |
KORBEN | |
I'm really sorry.. let me help you.. | |
Korben begins to pull at the covers when.. | |
LEELOO | |
Achta ge lumitai de matala.. | |
Korben turns.. | |
KORBEN | |
What? | |
He turns to Leeloo struggling out of her wet clothes. His breath is taken | |
away by the sight of her perfect body. | |
Cornelius whacks him heavily on the head with a lamp. Korben drops to | |
the floor. | |
LEELOO | |
(displeased) | |
Vano da, mechteba?! | |
Soun domo kala chon hammas! | |
CORNELIUS | |
No, I'm not proud of myself... | |
But we don't have the luxury of choice. | |
117 INT. ENTRANCE KORBEN'S BUILDING - DAY | |
The POLICE exit the elevator and head for the front door. A cop suddenly | |
takes a hit from a silencer, then a second. Others are bashed on the head | |
by MANGALORE warriors. One of them picks up the prisoner bag, takes it | |
into a small shed. | |
118 INT. SHED | |
Aknot, the Mangalore leader, is seriously wounded and can't walk. | |
AKANIT | |
Korben Dallas! We got him. | |
AKNOT | |
Perfect... Take command, Akanit. | |
Go to Fhloston and get the Stones... | |
If Zorg really wants them... He'll have | |
to negotiate. Revenge is at hand. | |
119 INT. KORBEN'S APARTMENT KORBEN'S BUILDING - DAY | |
Korben gets unsteadily to his feet, some blood drips down his face. He | |
daubs at it. | |
KORBEN | |
Jesus!... Some priest! | |
The phone rings, he manages to answer. | |
KORBEN | |
Yeah? | |
MOTHER (V.O) | |
Have you pulled yourself together? | |
KORBEN | |
...Not yet. | |
He hangs up. | |
Korben opens the fridge door. The three officers are frozen solid. | |
Korben grabs some ice, presses it to his forehead. | |
KORBEN | |
I'll take the mission. | |
He closes the door. | |
120 INT. AIRPORT HALL - DAY | |
Cornelius and Leeloo (still damp) arrive at the Manhattan Intergalactic | |
Airport. | |
A huge hall three quarters filled with trash piled up to the ceiling. | |
There are groups of extra-terrestrials on strike standing in trash | |
holding picket signs. A SECURITY GUARD picks up a phone off the wall. | |
SECURITY GUARD | |
Illegal gathering in Zone 4. | |
A hand taps Leeloo from behind. She whips around catching David in the | |
face. | |
CORNELIUS | |
Leeloo, be careful. | |
He turns to David who in holding his bloody nose. | |
CORNELIUS | |
Did you get them? | |
David hands Cornelius two passports. | |
CORNELIUS | |
Excellent... Leeloo Dallas. | |
He hands it to her. The name makes her smile. | |
CORNELIUS | |
And Korben David Dallas. | |
She frowns. | |
LEELOO | |
Akta dedero ansila do mektet. | |
CORNELIUS | |
I can't pretend to be your husband... | |
David's in great shape. | |
She looks at David holding his bloody nose. | |
CORNELIUS | |
He'll protect you. Go on... See the Diva... | |
get the Stones... See you at the temple... | |
God be with you. | |
ANGLE ON: Korben comes rushing into the airport. Walking quickly, he | |
scopes the hall looking for Leeloo. A POLICE PATROL bearing down on the | |
STRIKERS jostles him. The cops open fire. The strikers dive into the garbage | |
and disappear. | |
121 INT. BOARDING GATE | |
David nervously puts tickets and IDs on the check-in counter. | |
Leeloo tosses her suitcase on the conveyor belt. | |
CHECK-IN ATTENDANT | |
Congratulations on winning the contest. | |
David gives her a bleak smile. Leeloo rolls her eyes. | |
Back a ways, Korben has spotted Leeloo and... David. He heads right for | |
them. Leeloo's seen him. She is both delighted and panicked. David's | |
seen nothing. Korben presses one of his fingers like a gun to David's back. | |
KORBEN | |
(friendly) | |
Hey! I really thought I was going to | |
miss my flight! | |
(to David) | |
Thanks, kid! You put the luggage on | |
the conveyor belt? | |
DAVID | |
(freaking) | |
Uh... yeah. | |
KORBEN | |
(smiling) | |
Great! Now beat it! | |
Paralyzed, David leaves. Korben turns to the attendant. | |
KORBEN | |
Excuse me. I was so afraid I'd miss the | |
flight that I sent the kid here to pick up | |
my boarding card. | |
He looks at David's fake ID. | |
KORBEN | |
...My cousin David... | |
Leeloo is unable to hold back a smile. | |
CHECK-IN ATTENDANT | |
(looking at Leeloo's ID) | |
Your wife? | |
Korben grabs the ID and reads it. | |
KORBEN | |
Uh, yes... Newlyweds. | |
(aside) | |
You know how it is... Love at first sight. | |
You meet, something goes tilt,. you get | |
married, you hardly know each other. | |
Right, darling? | |
Leeloo rips her boarding card out of the attendant's hand. | |
LEELOO | |
(sharply) | |
Dinoine chagantakat! | |
KORBEN | |
Took the words right out of my mouth. | |
Go on... I'll be right with you. | |
(to Check-in Attendant) | |
It's our honeymoon. We're going to use | |
the trip to get to know each other better. | |
He winks at the stewardess. | |
ANGLE ON: | |
The neighbor and a tawdry young girl cross the airport. The couple in | |
almost knocked over by a police patrol holding a 500 pound PIG on a | |
stainless steel leash. The couple panics a moment, the realize the patrol | |
isn't for them. The pig heads for the pile where the strikers disappeared. | |
COP | |
(to pig) | |
Come on, snyffer, go root! | |
The pig piles into the garbage. The Cop cuts it some slack. | |
Cornelius sits at a bar. | |
CORNELIUS | |
(to the bartender) | |
I feel so guilty sending her to do the dirty | |
work. I know she was made to be strong | |
but she's also so fragile... So human. | |
You know what I mean? | |
The bartender, a robot, nods his head as he pours Cornelius a drink. | |
ANGLE ON: | |
The nasty neighbor and his wife hand their tickets to the check-in | |
attendant. | |
CHECK-IN ATTENDANT | |
(surprised) | |
Dallas... Korben... | |
NEIGHBOR | |
(in a different voice) | |
Yes, that's me. | |
The check-in attendant triggers a transparent blue light that shines on | |
their faces, revealing two other faces: | |
Mangalores. | |
CHECK-IN ATTENDANT | |
(smiling) | |
Just a minute, please. | |
She hits a silent alarm, but the Mangalores feel something is wrong. | |
NEIGHBOR | |
We'll be right back ... we're gonna | |
check out the duty free... | |
They spin around and hurry away. | |
ANGLE ON: | |
Cornelius at the bar, half in the bag. | |
ROBOT | |
The same? | |
CORNELIUS | |
Yeah... | |
DAVID (V.O.) | |
Make that two... | |
Cornelius turns to David. | |
CORNELIUS | |
Where's Leeloo? | |
DAVID | |
On the plane... with Mr. Dallas... | |
the real one. | |
CORNELIUS | |
It's all my fault. I'm the servant... | |
It's my mission! Here! | |
He hands David the Temple Key from around his neck. | |
CORNELIUS | |
Here's the key to the Temple.. | |
Prepare for our arrival! | |
Cornelius tosses David's drink into his own, downs it all in one shot, | |
and takes off, passing the Mangalore couple headed for the exit. They are | |
very nervous. | |
A police patrol is coming. This time, it seems to be for them. | |
NEIGHBOR | |
(to the tawdry girl) | |
Tell Aknot plan A flopped. | |
Tell him to go to plan B. | |
The tawdry girl nods and peels off. The neighbor takes out a gun and | |
blasts away at the cops. The cops fire back. A firefight rages in the | |
hall. The tawdry girl dives into a pile of garbage and disappears. | |
COP | |
(into walkie-talkie) | |
...Send in a back-up unit, Zone 7! | |
ANGLE ON: | |
On one side of the hall, a trap door opens. Three pigs come running out, | |
grabbed by their police handler. | |
Cornelius waits until everyone has left, gets down on all fours and | |
crawls through the trapdoor reserved for the pigs. | |
122 INT. FIRST CLASS LOUNGE | |
Leeloo stands at the buffet in the first class lounge eating everything | |
in sight. | |
123 INT. HALL | |
Korben is led down the hall by a STEWARDESS. | |
STEWARDESS | |
You are so lucky... Loc Rhod is the | |
coolest DJ in the universe. | |
KORBEN | |
Listen... I don't want to be interviewed. | |
I'd prefer to remain anonymous. | |
The stewardess stops in the corridor. | |
STEWARDESS | |
Forget anonymous. You'll be doing Loc | |
Rhod's live show every day from 5 to 7! | |
KORBEN | |
(expression changes) | |
You gotta be kidding! | |
The stewardess smiles and shakes her head. The door next to him suddenly | |
swings open and smashes him in the face. | |
In walks LOC RHOD amidst a tornado of music and security guards. He is | |
young, good-looking, eccentric, charming as an elf or sly as a fox. A | |
bundle of energy. He is the 24th century's most popular DJ. | |
LOC RHOD | |
(speedy, in rhythm) | |
Korben Dallas! Here he is The most hated | |
man in the universe. The one and only winner | |
of the Gemini Croquette contest! Ladies, start | |
melting 'cause the boy's hot! Hot! Hot! The boy | |
is perfect.. | |
(he feels his muscles) | |
...The right size, right build, right hair. Right on! | |
Say something-to those 50 billion pair of ears out | |
there D-man! | |
An ASSISTANT hands a totally lost Korben a mike. | |
KORBEN | |
(hesitant) | |
...Hi. | |
LOC RHOD | |
Does it get any better or what! | |
Loc Rhod grabs Korben's arm and leads him down the hallway, as fast as | |
the music. | |
LOC RHOD | |
...Quiver ladies, he's gonna set the world on | |
fire right here from 5 to 7! You'll know | |
everything there is to know about the D-man. | |
His dreams, his desires, his most intimate of | |
intimates. And from what I'm looking at | |
intimate is the stud muffin's middle name. | |
So tell me my main man... you nervous in the | |
service? | |
KORBEN | |
Uh... not really. | |
Loc Rhod lets go of Korben's arm and grabs the Stewardess. | |
LOC RHOD | |
Freeze those knees, my chickadees, 'cause | |
Korben is on the case with a major face... | |
Loc Rhod rubs up against the stewardess. | |
LOC RHOD | |
...Start drooling, ladies! My man here is a | |
sharp-tongued Sire who's gonna stroke your | |
every desire. | |
They come to an intersection. The airline company has prepared drinks | |
for them. Loc Rhod pushes on, grabs a glass of champagne, scribbles his | |
autograph. | |
LOC RHOD | |
Yesterday's unknown will be tomorrow's Prince | |
of Fhloston Paradise, the hotel of a thousand and | |
one follies, home of luxury and beauty. A magic | |
fountain flowing with non-stop wine, women and | |
Bootchie Koochie Koo... | |
He tosses away his champagne glass. | |
LOC RHOD | |
Beware out there puppy dogs my man is on | |
the prowl. Owwww! | |
Howling, Loc Rhod grabs another stewardess by the arm. | |
LOC RHOD | |
...And start licking your stamps little girls, | |
this guy's gonna have you writing home to | |
Momma! Tomorrow from 5 to 7, I'll be your | |
voice, your tongue and I'll be hot on the tail | |
of the sexiest man of the year... D-man... | |
Your man... My man. | |
The stewardess shivers. A BEEP is heard. | |
VOCODER (O.S.) | |
End of transmission. | |
The MUSIC suddenly stops. Several assistants come and compliment Loc | |
Rhod who sighs, lights up a cigarette, and drops his pretense. | |
LOC RHOD | |
Korben sweetheart do me a favor I know this | |
is probably the biggest thing that ever happened | |
to you in your inconsequential life. But I've got | |
a show to do here and it's got to pop. So tomorrow, | |
when we're on air, give me a hand... Try to make | |
believe you have more than a one word vocabulary. | |
OK pal? | |
That does it. Korben grabs him by the collar and drags him into a | |
corner. | |
Loc Rhod's feet don't touch the ground. | |
KORBEN | |
(pissed) | |
I didn't come here to play Dumbo on the radio. | |
So tomorrow between 5 and 7 give yourself a | |
hand, that clear pal? | |
LOC RHOD | |
(petrified) | |
Crystal. | |
124 INT. AIRPORT | |
The Check-in attendant has two more tickets in her hand. | |
CHECK-IN ATTENDANT | |
(alter a moment, reading) | |
...Mr. Dallas... Korben Dallas? | |
Zorg's Right Arm gives her a big smile. | |
RIGHT ARM | |
That's right. | |
The attendant scans the ID with a yellow beam, it checks out, and the | |
blue light reveals no other face but his. | |
CHECK-IN ATTENDANT | |
The problem is I only have one Korben Dallas on | |
my list... and he's already checked in. | |
Right Arm's smile shatters. | |
RIGHT ARM | |
That's impossible! He's in j... I mean, there | |
must be some mistake. I have my ticket! | |
I'm the real Korben Dallas! | |
A shrill BELL rings out. | |
CHECK-IN ATTENDANT | |
(smiling) | |
I'm sorry, sir, boarding is finished. | |
The attendant hits a button. A thick window slowly slides up between | |
them. | |
Right Arm totally loses it. | |
RIGHT ARM | |
I want to see your boss! Get rid of this | |
fucking window! Somebody's made a | |
mistake, goddamnit! | |
He pounds on the counter with both fists. A steel curtain comes down. | |
Red sighting beams target spots on his body, ten gun barrels protrude from | |
the wall, all aimed at him. | |
VOICE (O.S.) | |
This is not an exercise. This is a police | |
control. | |
Put your hands in the nearest yellow circles... | |
RIGHT ARM | |
(slowing down) | |
Sorry, my fault... Just a little overexcited... | |
that's all... I'm calm now. | |
125 INT. SHUTTLE - DAY | |
Korben makes his way in the plane looking for his seat. No more seats in | |
modern planes, just individual travel boxes lined up like microwaves. He | |
passes STEWARD holding his bloodied nose. He has found what he is looking | |
for. He enters to.... Leeloo quietly stretched out in front of a computer | |
screen. Korben slips in beside her. Leeloo in concentrating on the words | |
that scroll rapidly past her on the screen. He doesn't understand what she | |
is doing. | |
LEELOO | |
Apipoulai! | |
KORBEN | |
Not hard to find you...just follow the | |
Chaos... | |
Leeloo smiles, as if complimented. | |
KORBEN | |
Leeloo, listen to me... these tickets... | |
they're not mine... I mean they are, but | |
not for vacation like everyone thinks... | |
I'm on an operation... and if I didn't come | |
get you, you'd be in a shitload of trouble... | |
I'd love to be on vacation with you... | |
but now.... now I've got to work... | |
And Leeloo... I would love to work in peace. | |
Leeloo types in "LOVE" on the keyboard. | |
LEELOO | |
Love... | |
KORBEN | |
Yes! But "love" isn't the operative word | |
here, PEACE is! | |
Leeloo types in this new word. | |
LEELOO | |
(rather pleased) | |
Peace... and love... | |
She brings up a picture of a 60's style Hippie flashing a peace sign. | |
Korben sighs and switches off the screen. | |
KORBEN | |
Sometimes you can't learn everything | |
from a screen..sometimes it's better to | |
ask someone who has experience.. | |
LEELOO | |
(quite happy) | |
What is... Make Love? | |
Korben just stares at her for a few minutes. | |
KORBEN | |
Know what? On that subject maybe you'd | |
be better off asking the screen. | |
He turns the computer back on. | |
ANGLE ON: | |
A STEWARDESS walks up the aisle of the shuttle pushing the red buttons on | |
top of each individual box. | |
VOICE (O.S.) | |
...to make your flight as short and agreeable | |
as possible, our flight attendants are switching | |
on the timing sleeper which will regulate your | |
sleep during the trip... | |
ANGLE ON: | |
LEELOO | |
(switching off the screen) | |
OK! Finished! | |
KORBEN | |
Finished what? | |
LEELOO | |
Learning language. | |
KORBEN | |
Which one? | |
LEELOO | |
All 900. | |
Korben doesn't know if he should laugh or not. | |
KORBEN | |
You learned 900 languages in five | |
minutes?! | |
LEELOO | |
(pleased) | |
Yes! Now it's your turn! I learned your | |
language, you have to learn mine! | |
KORBEN | |
I know how to say "Hello". Teach me how | |
to say "Good-bye", that's all I need. | |
LEELOO | |
Apipoussan! | |
KORBEN | |
Apipoussan? | |
LEELOO | |
Good! Do you know how we say "make love"? | |
KORBEN | |
(fumbling) | |
Uh... | |
LEELOO | |
...Hoppi-hoppa. | |
Korben literally melts. | |
KORBEN | |
(to himself) | |
Help... | |
Luckily, a stewardess smiles at him through the box window. | |
STEWARDESS | |
Sweet dreams, Mr. Dallas! | |
The stewardess sets the timing sleeper. Korben and Leeloo immediately | |
fall asleep. | |
A STEWARDESS at the other end of the shuttle has a problem. | |
STEWARDESS 2 | |
Mr. Loc Rhod you have to assume | |
your individual position. | |
LOC RHOD | |
(hugging her) | |
I don't want an individual position, | |
I want all positions! | |
STEWARDESS 2 | |
(resisting somewhat) | |
We're going to take off soon, Mr. Rhod! | |
LOC RHOD | |
Now you're talking! | |
126 INT. COCKPIT FHLOSTON SPACE SHUTTLE | |
Three CREW MEMBERS prepare for liftoff. | |
COPILOT | |
(on the radio) | |
Molecular axis authorization. Vector 130. | |
Destination Fhloston. | |
Stewardess 1 enters the cockpit. | |
STEWARDESS 1 | |
Zone 1. 217 locked. The sleep regulator is OK. | |
PILOT | |
(checking her out) | |
Thanks, Miss. | |
The Stewardess leaves with a smile. A red light flashes on the vast | |
control panel. | |
MECHANIC | |
Tell the ground crew we've got parasites | |
in the landing gear. | |
127 INT. AIRPORT LANDING STRIP - DAY | |
A GROUND CREW MEMBER goes over to the truck parked under one of the | |
plane's wings and bangs on the side of it with a shout. | |
GROUND CREW MEMBER | |
Disinfecting! | |
Two DISINFECTORS in hermetically sealed suits exit the truck. They go | |
over to the front landing gear and send up a whooshing beam. The flame | |
burns everything it touches. A pack of repugnant creatures falls squealing | |
from the landing gear. A small trapdoor is opened under the shuttle and a | |
huge slightly phosphorescent tube falls out. | |
128 INT. AIRPORT HALL / ZORG'S OFFICE | |
Zorg's Right Arm is in a phone booth in the middle of the hall. | |
RIGHT ARM | |
Yeah, it's me... Put Zorg on. | |
He is already sweating. | |
ZORG | |
(cold) | |
I'm listening. | |
RIGHT ARM | |
The real Korben Dallas is on the plane! | |
He took my place. | |
ZORG | |
This is a joke, right? | |
129 INT. SHUTTLE | |
Loc Rhod is wrapped around a stewardess like a snake. | |
LOC RHOD | |
No!! I swear to God! I've never been this | |
sincere with a human before! | |
130 EXT. LANDING STRIP | |
TWO GROUND CREW MEMBERS stick an enormous, highly phosphorescant tube | |
into the opening. | |
GROUND CREW MEMBER | |
You're fueled and ready to go. | |
Have a nice flight. | |
131 INT. SHUTTLE | |
PILOT | |
(to copilot) | |
Everything ready for liftoff? | |
132 INT. CABIN | |
STEWARDESS | |
(weakly, to Loc Rhod) | |
No, no... I'm not ready! I'd like to talk first... | |
133 INT. ZORG'S OFFICE / AIRPORT HALL | |
ZORG | |
I cannot hear you. We have a bad | |
connection here. What's your number? | |
Right Arm reads off the phone number. | |
RIGHT ARM | |
278-500-645-321 | |
ZORG | |
I'll call you back. | |
134 EXT. LANDING STRIP | |
The runway is now empty. A man slips out of the shadows. It's Cornelius. | |
He scurries over to the front landing gear. He pauses for an instant, the | |
climbs up the wheel well and disappears inside the shuttle. | |
135 INT. SHUTTLE | |
The pilots are going through the pre-flight check list. | |
COPILOT | |
Anti static pressure? | |
MECHANIC | |
Primed. | |
The mechanic presses a series of buttons. | |
136 INT. CABIN | |
Loc Rhod undoes a series of buttons on the stewardess' blouse, behind a | |
curtain. He whispers a poem. Impossible to resist him. Outside the | |
curtain the stewardess' legs rise slowly. | |
137 EXT. LANDING STRIP | |
On the ground, protective fire curtains rise slowly to contain the engine | |
exhaust on liftoff. | |
138 INT. ZORG'S OFFICE | |
A keyboard slowly appears in front of Zorg. | |
ZORG | |
(typing the number) | |
278... 500... | |
139 SERIES OF QUICK CUTS: | |
The pilot gradually turns the engines up. | |
COPILOT | |
10 seconds... | |
PILOT | |
Power increase. | |
- The stewardess undergoes a power surge from Loc Rhod that's about to | |
lift her of. | |
- Zorg finishes gleefully typing in the number. | |
ZORG | |
3... 2... 1... | |
- The engines at full blast. | |
- The stewardess in close to screaming. | |
PILOT | |
Liftoff. | |
- The copilot pushes a button. | |
- So does Zorg. | |
- The engines release their full power. | |
- The stewardess screams in ecstasy. | |
- In the hall, Right Arm literally explodes along with the phone and | |
everything else within 60 feet. | |
140 INT. FHLOSTON SPACE SHUTTLE | |
The stewardess' legs slowly descend and disappear behind the curtain. | |
141 INT. COCKPIT | |
In the cockpit, the atmosphere loosens up. | |
COPILOT | |
(relaxing) | |
Landing gear secure. Let's light one up. | |
142 INT. CABIN | |
Korben and Leeloo sleep soundly in their box. Leeloo has a smile on her | |
face and her hand in Korben's. | |
143 EXT. OUTERSPACE - NIGHT | |
The spaceship rockets past us, then suddenly vanishes with amazing speed. | |
Space is now empty and calm. Billions of stars glow in perfect silence. | |
144 EXT. SPACE | |
The nefarious planet in still there, immobile, even larger now, writhing | |
like a serpent. Then, suddenly, for no apparent reason, all activity stops | |
and it becomes gray and cold. | |
145 INT. SPACESHIP | |
In the Admiral's starship, scientists watch the measuring device. One of | |
the devices suddenly starts working. | |
TECHNICIAN | |
All right! We're finally getting something! | |
146 INT. PRESIDENT'S OFFICE | |
The Head Scientist stands facing the President, who is looking more tired | |
than ever. | |
HEAD SCIENTIST | |
The thing is sending out radio wavelengths! | |
PRESIDENT | |
What the hell does it want with radio waves? | |
HEAD SCIENTIST | |
...Probably wants to make a call! | |
The President and his Generals look at him in astonishment. | |
147 INT. ZORG'S OFFICE | |
Picasso purrs contentedly on Zorg's lap. The phone rings. | |
SECRETARY (O.S.) | |
Mr. Shadow on the line. | |
Zorg shoots to his feet. Picasso tumbles to the floor. Zorg picks up | |
the phone, both excited and uneasy. He stands there, almost coming to | |
attention. | |
ZORG | |
Yes... Zorg here. | |
The voice is feeble. It comes from the far reaches of time, from the | |
bowels of the universe. | |
SHADOW | |
Am I disturbing you? | |
ZORG | |
No... not at all. Where are you? | |
SHADOW'S breathing is awesome. | |
SHADOW | |
...Not far, now. | |
ZORG | |
Really? Maybe I can get you on my screen | |
and see you at last! | |
Zorg brings up a huge screen and pushes a few buttons. | |
In the middle of an electronic snowstorm, a blackish, vaguely human, | |
quiverinq form appears. Two eyes, like lava, give an idea where the head is. | |
Zorg feels sick. | |
SHADOW | |
Do you have the picture now Mr. Zorg? | |
ZORG | |
Got it. | |
SHADOW | |
How's our deal coming along? | |
ZORG | |
(ill at ease) | |
Fine, just fine! I'll have the 4 pieces you | |
asked for any time now. But it wasn't easy. | |
My costs have tripled. | |
Shadow pauses an instant. A black slimy liquid starts to ooze from the | |
top of the screen. Zorg is feeling worse all the time. | |
SHADOW | |
Money is of no importance... | |
I want the Stones! | |
The black liquid oozes all over the screen which starts to melt. Zorg | |
sweats profusely, his legs tremble. | |
ZORG | |
The Stones will be here. I'll see to it | |
personally! | |
SHADOW | |
...I can't wait to be among you. | |
Zorg sighs and sits down totally freaked. | |
148 EXT. ORBIT FHLOSTON PARADISE | |
The space shuttle fills the screen. It banks left and begins its descent | |
toward Fhloston, the turquoise planet. Crystal blue water, perfect white sand | |
beaches. A true paradise. | |
149 INT. SPACE SHUTTLE | |
The stewardess picks up a microphone to make an announcement. | |
STEWARDESS | |
Ladies and gentlemen, we have begun our | |
descent toward Fhloston Paradise... | |
Stewardesses walk down the aisles waking the passengers one by one. They | |
press a button on the door of each box. | |
In the corner, Loc Rhod and the stewardess awake with a start and | |
straighten their clothes quickly. The stewardess is embarrassed. | |
STEWARDESS | |
(timidly) | |
I wanted to tell you that... | |
Loc Rhod puts on his sunglasses and presses a finger to her lips. He | |
disappears behind the curtain leaving the sighing stewardess on her own. | |
150 EXT. FHLOSTON PARADISE | |
The spaceship descends through some clouds and glides over a vast | |
turquoise sea. Fhloston Paradise looms into view. An enormous oceanliner | |
floating a dozen yards above the water. On closer inspection it is more | |
modern than a traditional oceanliner. The shuttle draws near, looking | |
ridiculously small next to the monster. Like a sardine next to a whale. | |
151 INT. COCKPIT | |
A blinking light goes on. | |
PILOT | |
Shit! Parasites in Zone 1. Take a look. | |
The 1st Mate heads off. | |
152 INT. CABIN | |
A stewardess opens Korben's box door. He is still heavy with sleep. He | |
looks over at Leeloo. She's not there. | |
153 EXT. FHLOSTON | |
The tiny space shuttle clings to the huge oceanliner. | |
154 INT. COCKPIT | |
The Pilot maneuvers the ship into it's docking area. | |
PILOT | |
Docking activated. | |
You can let the passengers out. | |
155 INT. REAR OF COCKPIT | |
The 1st mate pries open the door to an overhead panel. Cornelius falls | |
out, hanging in a jumble of wires. | |
156. INT. ENTRANCE HALL FHLOSTON PARADISE - DAY | |
The enormous door opens and the passengers exit. Leeloo is among them. | |
She appears quite impressed by the beauty and luxury of the 19th century | |
decoration. | |
157 INT. CABIN | |
Korben attempts to make his way up the shuttle's aisle. | |
KORBEN | |
(jostling everybody) | |
Pardon me. Excuse me. I'm trying to | |
reach my wife.. Sorry! | |
158 INT. ENTRANCE HALL | |
A dozen policemen wait patiently at the end of the hall. Leeloo stops | |
and presses against the wall. She spots Korben leaving the shuttle. A | |
gorgeous HOSTESS comes up to him, drapes a lei around his neck and plants a | |
kiss on his lips in welcome. | |
HOSTESS | |
(smiling) | |
Welcome to Paradise. | |
Korben's face is covered in lipstick. Leeloo sees he did nothing to stop | |
the girl and she doesn't like it. | |
A HEFTY MAN wearing a sarong drapes some flowers around her neck. Then, | |
obviously relishing it, he leans down to kiss her. Leeloo bashes him on | |
the forehead. The hefty man straightens up. He's still smiling, but his | |
nose is bleeding. He falls slowly to the floor. | |
Korben pushes forward trying to spot Leeloo. He also tries to wipe the | |
lipstick off. Leeloo tries to escape through a door marked PERSONNEL ONLY, | |
but it's locked. A HOST looks at her with a grin. | |
HOST | |
(playful) | |
If you don't have the code you can't | |
open it! | |
Leeloo smiles and punches in an old code and twists the doorknob. The | |
door opens with the sound of a braking lock. Leeloo smiles sweetly and enters | |
as if nothing were amiss. | |
A shriek of joy fills the room. Korben turns around. The HOSTESSES | |
cluster around Loc Rhod as he comes out of the plane. Loc Rhod spots Korben | |
and latches onto his arm. It's not going to be easy to remain discrete. | |
LOC RHOD | |
(relieved) | |
My main man! Please don't leave me here | |
alone. My head's killing me and my adoring | |
fans are gonna tear me apart! Get me outta | |
here! | |
KORBEN | |
I'll take you to the bar, after that, | |
you're on your own. | |
LOC RHOD | |
(hanging on to Korben) | |
Oh, yes! Do that! You treat me right, | |
man. Tell me all about yourself, your | |
roots, your personal life, your childhood | |
dreams... | |
KORBEN | |
I don't think this is a good time... | |
LOC RHOD | |
...You got brothers and sisters? What | |
about your dad? Tell me about your | |
dad! What was he like? Physically? | |
Big, I suppose? | |
KORBEN | |
(evasive) | |
Yeah, very big, a giant. | |
LOC RHOD | |
I didn't have a dad... never saw him... | |
never even heard him. 50 billion people | |
listen to me every day... and he doesn't | |
hear me... | |
159 INT. SMALL ROOM FHLOSTON PARADISE - DAY | |
Leeloo is in a small room, ear at the door, listening. Everything seems | |
normal. She turns and discovers the room for what it is: a rest room | |
for... three cops who look up from their books and stare blankly at her. | |
Leeloo doesn't know what to do. So she smiles. | |
160 INT. HALL - OMIT | |
161 INT. MAIN HALL FHLOSTON PARADISE - OMIT | |
162 EXT. ORBIT FHLOSTON PARADISE - DUSK - OMIT | |
163 INT. THE CONTROL ROOM FHLOSTON PARADISE - DUSK - OMIT | |
164 INT. KORBEN'S STATEROOM | |
The door opens. The HOSTESS turns on the light and enters. Korben | |
follows her, gaping at all the luxury. | |
The BAGGAGE BOY enters bringing Leeloo's two suitcases. | |
Korben grabs the notice announcing Diva Plavalaguna's concert at 5:30 in | |
that evening. Dress: Formal attire. | |
KORBEN | |
For the concert it says formal attire... | |
I didn't bring... | |
The hostess pulls back the closet door. Twenty tuxedos in a row. | |
HOSTESS | |
(looking him over) | |
Here's some champagne. I'll drop by after | |
the concert to open it. | |
She gives him a blinding smile and closes the door. | |
Korben pushes a button. The curtains open to reveal a most spectacular | |
view of the turquoise planet. Stars shoot out into infinity. | |
Breathtaking. Korben stands gaping. The phone rings, snapping him out of | |
his reverie. | |
KORBEN | |
Hello? | |
MOTHER (O.S.) | |
You little sleaze bag! | |
KORBEN | |
...Ma??? | |
MOTHER (O.S.) | |
Don't you ever ask me for another thing | |
in my life again, you've killed your | |
poor mother with your own hands! | |
Korben drops into an armchair and sighs. His eyes go to the ceiling. | |
KORBEN | |
...Ma!!! | |
165 INT. CONTROL ROOM FHLOSTON PARADISE - OMIT | |
166 INT. FHLOSTON PARADISE POLICE OFFICE - DAY | |
The Chief of Police has Cornelius in front of him, handcuffed. | |
FOG | |
The Diva's ship is coming in. | |
CHIEF OF POLICE | |
I want maximum security. | |
FOG | |
Yes. Sir! | |
CHIEF OF POLICE | |
(to Cornelius) | |
OK, let's hear it. | |
CORNELIUS | |
Where was I? | |
CHIEF OF POLICE | |
(bored) | |
...You open the door. There's a cabby with | |
a girl in his arms. | |
FOG opens the door. Two COPS come hobbling in all bloody and bandaged. | |
They hold up a THIRD COP. | |
CHIEF OF POLICE | |
What happened? | |
A bomb go off in your face? | |
BEAT-UP COP | |
Yeah... A 5 foot 7 inch bomb... | |
with green eyes. | |
Cornelius perks up. | |
CORNELIUS | |
And the smile of an angel? | |
They all turn to look at him. | |
CORNELIUS | |
(to Chief) | |
May I speak to you alone. | |
167 INT. CORRIDOR FHLOSTON PARADISE - DAY | |
Leeloo watches the Diva's arrival. A door opens and two POLICEMAN clear | |
the way for DIVA PLAVALAGUNA, her MANAGER, her BODYGUARDS and a gaggle of | |
PORTERS carrying trunks. | |
Not wanting to draw attention to herself, Leeloo feigns interest in a | |
painting that is obviously upside down. A white chiffon veil covers the face | |
of the Diva, she stops in front of Leeloo. The Diva reaches out and | |
strokes Leeloo's face, without touching her. The Diva removes her hand | |
making a sound of crackling electricity, then passes on. Leeloo is groggy. | |
The Diva's ASSISTANT comes up to her. | |
DIVA'S ASSISTANT | |
Please forgive this little incident. She wants | |
you to know that she senses great powers in | |
you... in the service of a noble cause... She | |
will give you what you have come to get, but | |
she wants to sing first... | |
One last time... | |
The Diva's assistant turns the painting right side up. | |
DIVA'S ASSISTANT | |
(nodding) | |
Miss. | |
Leeloo looks at the painting, seems to understand it better. | |
168 EXT. DIVA'S SUITE | |
Policemen stand at attention in front of the Diva's suite. | |
FOG | |
Hello, I'm head of security. | |
Everything is in order. You can... | |
The Diva enters her suite without letting him finish. | |
FOG | |
...make yourselves at home safely. | |
If you need anything...give it a knock! | |
169 INT. POLICE OFFICE HALLWAY - NIGHT | |
A door opens near the police officer's main entrance. Cornelius looks | |
both ways. Then crosses the hall, dragging the Chief of Police by the feet. | |
170 INT. KORBEN'S STATEROOM | |
Korben finishes putting on his tux, still on the phone. | |
KORBEN | |
Listen, Ma! I've only got a few days | |
vacation and I'll be damned if I'm | |
gonna spend them on the phone. | |
The door RINGS. | |
KORBEN | |
...Hang on, it's the door. No! | |
I told you I didn't bring anybody! | |
I'm all alone... as usual! | |
Korben opens the door. It's not the champagne. Even better. It's | |
Leeloo. | |
KORBEN | |
(to his mother) | |
...I'll call you back. | |
Leeloo heads right for her suitcase and starts to undress. Korben has to | |
turn away once more. | |
KORBEN | |
Here we go again... | |
LEELOO | |
(by rote) | |
You know women normally change five | |
times more than men. | |
KORBEN | |
You get that off the screen? | |
LEELOO | |
Yes... you know there's a lot of | |
differences between men women. | |
KORBEN | |
You noticed.. | |
LEELOO | |
OK, you can turn around! | |
Korben turns around. Leeloo has put on a very simple dress which is sexy | |
to the max. He is smitten. So much so that Leeloo wonders if something | |
isn't quite right. | |
KORBEN | |
Where you going? | |
LEELOO | |
I'm going to see the Diva sing. What's | |
the matter?... Do I look bad? | |
KORBEN | |
No, not at all! I mean, just the opposite, | |
you're... you're beautiful! | |
Leeloo smiles at him, his compliment pleases her. She turns, revealing | |
her unzippered back. Korben cannot help but stare at her bare flesh. Her | |
perfect bottom. | |
LEELOO | |
Do you know how this works? | |
Korben's blood boils. She wriggles, pressing her hands together close to | |
the zipper. | |
KORBEN | |
I have an idea. | |
But instead of pulling on the zipper he slips a bracelet on her wrist. A | |
flourescent beam bursts out of the bracelet and forms a vertical bar going | |
from the floor to the ceiling. | |
Stunned, Leeloo is held captive. | |
KORBEN | |
I told you I need to work in peace. | |
Remember? I need to concentrate. | |
LEELOO | |
And you can't concentrate with me | |
around?. | |
KORBEN | |
It's difficult. | |
She tries to breakout. | |
KORBEN | |
Army issue. I'm sorry. | |
Leeloo tries desperately to get out of the handcuffs. Impossible. | |
Korben sets the radio down in front of her and turns it on. | |
Leeloo looks like she'd like to break his head. | |
LEELOO | |
(seething) | |
You're nothing but a... a... | |
KORBEN | |
The words you're looking for weren't | |
in the dictionary you studied. I won't | |
be long. | |
The door flies open. Loc Rhod barges in. | |
LOC RHOD | |
Hey Stud we gotta... | |
Then he sees the scene, Leeloo cuffed, in a low cut dress. His mind goes | |
to the obvious. | |
LOC RHOD | |
Korben my man what's happening here? | |
Who's the chick? What's the gig? | |
We free forming here? Getting funky | |
with the monkey? Can I get in on this? | |
Korben grabs him by the collar.. | |
KORBEN | |
No..to all of the above. | |
And yanks Loc Rhod out of the room. Leaving Leeloo looking extremely | |
unhappy. | |
171 INT. RADIO - OMIT | |
172 INT. LOC RHOD'S STATEROOM FHLOSTON PARADISE - NIGHT - OMIT | |
173 INT. HALL - OMIT | |
174 INT. BATHROOM - OMIT | |
175 INT. DIVA'S SUITE FHLOSTON PARADISE - NIGHT - OMIT | |
176 INT. FHLOSTON PARADISE OPERA - NIGHT | |
Loc Rhod and Korben enter what turns out to be a replica of the Garnier | |
Opera in Paris. A hostess escorts them to their seats. | |
LOC RHOD | |
(broadcasting) | |
We have just walked into what is probably | |
the most beautiful concert hall in the universe. | |
Totally awesome! Magnificent paintings on the | |
ceiling. I don't know who painted them, but he | |
must have busted his balls! I see a row of former | |
ministers, more sinister than minister! A few generals | |
practicing how to sleep. And there's Baby Ray, star | |
of stage and screen, drowning in a sea of nymphets. | |
He's not gonna get much out of this concert, he's | |
stone-deaf! | |
ANGLE ON: | |
Baby Ray bending his ear to a girl asking for an autograph. | |
BABY RAY | |
...to who? | |
LOC RHOD | |
(moving down the aisle) | |
...And over there is Roy Von Bacon, the king | |
of laserball and the best paid player in the League. | |
(shakes hands as he goes by) | |
...And over there is the Emperor Kodar Japhet | |
whose daughter Aachen is still at the bar. | |
"I love to sing, too, but in the shower", she | |
recently confessed to me. She will no doubt | |
prove to be as generous tonight as she always is. | |
A waiter gives them two glasses of champagne. Track with the WAITER an | |
he leaves the hall with his empty tray. He enters a small room reserved for | |
staff. | |
177 INT. STAFF ROOM FHLOSTON PARADISE - NIGHT | |
The waiter joins some other WAITERS. They are well armed. He opens a | |
cupboard and pulls out a humongous weapon. Suddenly their faces burn off | |
revealing AKANIT, the young leader of the Mangalores, and his troops. | |
AKANIT | |
It's showtime! | |
178 INT. CONCERT HALL | |
The lights dim slowly in the concert hall. | |
179 INT. PRESIDENT'S OFFICE | |
President Lindbergh and his staff, including Munro, sit at the desk. | |
Speakers appear. | |
180 INT. KORBEN'S SUITE | |
Leeloo, still a prisoner, listens to the concert. | |
181 INT. CONCERT HALL | |
Korben is tense. The curtain rises. The Diva, in a stunning gown, | |
stands in the center of the stage, head bowed. Behind her, a star filled | |
window. The MUSIC begins. The Diva looks up, a rare beauty, but an alien. | |
And then she begins to sing. Her voice is divine, unmatched. Korben is | |
swept up in the TEARS. | |
182 INT. KORBEN'S SUITE | |
Leeloo has tears in her eyes | |
183 INT. DIVA'S SUITE | |
The manager couldn't care less about the concert. His main problem is | |
the bottle of scotch he can't seem to open. The doorbell RINGS. | |
MANAGER | |
(ugly mood) | |
Yeah!? | |
VOICE (O.S.) | |
Flowers for the Diva. | |
MANAGER | |
She's allergic to flowers!!! | |
VOICE (O.S.) | |
There's champagne as well... | |
The manager takes one look at the stubborn bottle and opens the door. And | |
finds himself staring down the barrel of a gun. A dozen Mangalores rush | |
in. One of them, with a human face, closes the door and waits out in the hall. | |
ANGLE ON: | |
Cornelius watching from around the corner. | |
CORNELIUS | |
...My God! | |
184 INT. CONTROL ROOM FHLOSTON PARADISE | |
CAPTAIN | |
Commander, I have a ship with a main | |
malfunction. He requests permission to | |
dock for repairs. | |
COMMANDER | |
Did you check out his registration number? | |
CAPTAIN | |
Everything's in order. | |
COMMANDER | |
Put him in the docking garage and inform | |
the police. | |
185 INT. COCKPIT ZFX200 - NIGHT | |
CAPTAIN (V.O.) | |
Permission granted. Dock 575. You have | |
an hour. Will that be enough time'? | |
Zorg sits at the controls. | |
ZORG | |
(cold) | |
More than enough. | |
186 EXT. FHLOSTON PARADISE - NIGHT | |
The ZFX approaches Fhloston. | |
187 INT. KORBEN'S SUITE | |
The ship comes close enough for Leeloo to see it out the window. | |
FLASHBACK: | |
The same ships with Mangalores at the controls attack the Mondoshawans at | |
the beginning of our story. | |
188 INT. KORBEN'S SUITE | |
Leeloo is alarmed. She has to act. She seizes the flourescent bar beam | |
with great effort and rams it into the ceiling, marking a hole large enough | |
for her to escape. | |
189 INT. CLOSET FHLOSTON PARADISE | |
Cornelius bursts into the closet he left the Chief of Police tied and | |
gagged in. He quickly unties him. | |
CORNELIUS | |
(in a panic) | |
Mangalores! The Diva's suite! They want | |
the Sacred Stones! They must be stopped. | |
We must stop them!. I'm going to free you | |
but you must promise to help me! | |
The Chief of Police nods his agreement. | |
190 INT. DIVA'S SUITE | |
The Mangalores have trashed the suite. One of the Mangalores finally | |
finds a case engraved with the four elements. | |
MANGALORE | |
I have it. | |
The Mangalore is about to open the case when... Leeloo descends quietly | |
and gracefully from the ceiling. Time stands still. | |
LEELOO | |
(smiling) | |
Apipoulai! | |
191 INT. CONCERT HALL | |
The Diva switches from classical music to funk, picking up the tempo. | |
INTERCUT': | |
192 INT. DIVA'S SUITE / CONCERT HALL. | |
A WARRIOR whips out the biggest knife ever made and rushes Leeloo. She | |
disarms him gracefully. A violent fight breaks out. The Diva sings and | |
Leeloo dances. The Mangalores pay a heavy price for the show. | |
193 INT. CORRIDOR | |
Hearing noise from inside the suite, the Mangalore by the door gets | |
nervous. He runs for reinforcements. | |
194 INT. POLICE STATION | |
Cornelius enters the police station wearing handcuffs. The Chief of | |
Police is behind him holding a gun. | |
195 INT. DIVA'S SUITE / CONCERT HALL | |
Leeloo knocks out the last Mangalore just as the Diva finishes her song | |
to a burst of applause. The Diva takes a bow. So does Leeloo. | |
196 INT. ROOM | |
Akanit and his men listen to the concert. The Mangalore guard runs in. | |
MANGALORE | |
They were waiting for us! It was an | |
ambush! | |
AKANIT | |
If it's war they want it's war they'll get! | |
Enact the Final Plan! | |
All the Mangalores cock their weapons. | |
197 INT. DIVA'S SUITE | |
Leeloo is about to open the case when the door EXPLODES. Zorg is there | |
holding a ZF1. | |
ZORG | |
My compliments, little lady! | |
...And thanks for doing all the dirty work! | |
I couldn't have done it any better myself! | |
(sharply) | |
...Now hand over the Stones! | |
Leeloo smiles and hands him the case. Zorg arms the ZF1 and gets ready | |
to kill her. | |
ZORG | |
Nice knowing you. | |
Leeloo catches on quickly. She kicks the scotch bottle on the floor into | |
the gun which throws Zorg's shot off. She jumps to the ceiling and | |
disappears in an air vent. Furious, Zorg fires at the ceiling. | |
198 INT. AIRSHAFT | |
Leeloo dodges the bullets as best as she can. | |
199 INT. SUITE | |
Zorg fires his 3000 round clip. The ceiling looks like a piece of swiss | |
cheese. Zorg sticks a small cylinder in the wall and flicks it on. The | |
numbers flashing by tell us it's a bomb. The timer reads: 19 minutes and 59 | |
seconds. | |
ZORG | |
(with a crafty smile) | |
You can run but you can't hide... | |
200 INT. POLICE OFFICE FHLOSTON PARADISE - NIGHT | |
Cornelius is seated opposite the Chief of Police. A MEDIC is bandaging | |
the chief's head. The door explodes. The cop outside in riddled with | |
bullets. A dozen Mangalores attack the police office. Akanit is at | |
their head. The policemen are caught unaware. | |
AKANIT | |
Nobody move! We're taking over this | |
ship! | |
The Chief of Police is goggle-eyed. Cornelius leans toward him. | |
CORNELIUS | |
(pleased with himself) | |
I told you... | |
201 INT. CORRIDOR | |
Zorg has the case and exits the suite just as the general alarm goes off. | |
He sighs in exasperation. | |
202 INT. CONCERT HALL | |
Three Mangalores suddenly rush into the opera hall shooting. | |
MANGALORE 1 | |
Everyone down! | |
There is panic all around. | |
LOC RHOD | |
(broadcasting, panic stricken) | |
Ladies and gentlemen, I think we're being... | |
attacked. The place is crawling with warriors. | |
203 INT. PRESIDENT'S OFFICE | |
President Lindberg and his generals look very worried. | |
204 INT. CONCERT HALL | |
Some security guards open fire one of the Mangalores is hit. The others | |
turn their guns on the cops. People scream, diving for cover. Korben bides | |
his time. | |
More Mangalores rush in from all around shooting. Two cops are killed. | |
The Diva... takes a bullet. | |
She falls from the stage into Korben's arms. He lowers her to the floor. | |
Korben ignores the panic all around and wraps her in his dinner jacket, | |
trying to stop the blue blood spurting from her wounds. | |
205 EXT./ INT. SPACE AROUND FHLOSTON | |
Zorg's ZFX200 speeds away from the boat. Zorg is at the controls, a | |
devilish smile on his lips. | |
ZORG | |
You want something done, do it yourself! | |
206 INT. CONCERT HALL | |
Fighting rages all around in the concert hall, but Korben is oblivious to | |
it. He sets the Diva's head delicately on the floor. Loc Rhod is hidden | |
nearby, still on the air. | |
LOC RHOD | |
(voice low, panicked) | |
They're hideous. They've got a crest on | |
the head, the eyes of a toad and fingers | |
all over their hands. Totally hideous! | |
207 INT. PRESIDENT'S OFFICE. | |
MUNRO | |
(worried) | |
...Mangalores! | |
PRESIDENT | |
Send a battalion out immediately! | |
208 INT. CONCERT HALL | |
KORBEN | |
(to the Diva) | |
I was sent by the government to help you. | |
DIVA | |
Don't worry. This is my fate... | |
How was the concert? | |
Korben is a little surprised, but... the Diva is an artist. | |
KORBEN | |
I've never heard anything so beautiful | |
in my life. | |
A Mangalore jumps on them from the stage. Korben makes short work of him | |
and grabs his gun. | |
DIVA | |
(weak) | |
You're a good man... | |
She was right to have chosen you... | |
KORBEN | |
Who? | |
DIVA | |
The Fifth Element... | |
The Supreme Being... Your wife... | |
Korben is floored. | |
KORBEN | |
Leeloo... is... she's... | |
DIVA | |
Yes, and more than that... You must | |
give her the Stones, she's the only one | |
who knows how to use them. | |
KORBEN | |
(to himself, suddenly | |
realizing) | |
...So Cornelius was telling the truth! | |
209 INT. POLICE STATION | |
The Mangalores tie up Cornelius and the Chief of Police together. | |
CORNELIUS | |
(to the Chief of Police) | |
Of course I was telling you the truth!... | |
If you had listened to me in the first place, | |
we wouldn't be in this predicament now! | |
210 INT. CONCERT HALL | |
Korben wastes two more Mangalores. | |
DIVA | |
She needs you. She needs your help and | |
your love. She's more fragile than she seems... | |
Korben looks around, ready for another attack. | |
KORBEN | |
...Yeah, so am I. | |
The Diva takes his hand. | |
DIVA | |
She was taught to love the life of others... | |
but not her own. You have to teach her | |
to love if you want her to truly live! | |
KORBEN | |
(uncomfortable) | |
I'll help her, I promise, but I think you | |
should tell me where the Stones are! | |
DIVA | |
Do you love her? | |
KORBEN | |
I... I don't know! We hardly know | |
each other... it takes time! | |
DIVA | |
I don't have time... I need to know. | |
KORBEN | |
Listen, the last time I admitted to a woman | |
I loved her ... I never saw her again. | |
DIVA | |
I would like to have died in peace... | |
The Diva's eyes close. | |
211 INT. DIVA'S SUITE | |
The timer on Zorg's bomb clicks over to "15 minutes". | |
212 INT. CONCERT HALL | |
KORBEN | |
You tell me to save the world then | |
you go off and leave me in the shit! | |
He shakes her, gently slapping her cheeks. | |
KORBEN | |
Come on! You're not gonna die in peace! | |
You're not going to die at all! You hear me? | |
Where are the Stones? | |
213 INT. SPACESHIP | |
Zorg sets the Sacred Case on a table in the cockpit. He opens it with a | |
complacent smile: It's empty! | |
He cannot believe his eyes. He goes berserk, destroying everything in | |
sight. | |
214 INT. CONCERT HALL | |
Korben slaps the Diva soundly. She comes around somewhat. | |
KORBEN | |
I'm sorry, but... the Stones... | |
DIVA | |
(very weak) | |
They are... with me... | |
The Diva dies. Blue blood streams from her mouth. Korben frisks the | |
Diva but doesn't find anything. The shooting slowly stops in the theatre. | |
The Mangalores are now in total control. | |
MANGALORE 2 | |
Stay calm and nobody will get hurt! | |
Hands on your head and into the hall! | |
The guests comply | |
KORBEN | |
(to himself) | |
...The Stones are with me? | |
and then it occurs to him. | |
KORBEN | |
...In me? | |
He touches the Diva's stomach and senses something hard. Girding | |
himself, he sticks his hand in the wound and pulls out a Sacred Stone. | |
Then another. And another. Korben pulls out all four Stones, covered in blue | |
blood. Everyone has left the theater. The Mangalores check the aisles one | |
by one. | |
Loc Rhod peeks out from under a seat. | |
LOC RHOD | |
Don't you think we'd better be going? | |
A Mangalore spots Korben kneeling alongside the Diva. He grabs Korben by | |
the shoulder and pokes him with his gun. | |
MANGALORE | |
Hey, you! With the others! | |
Korben spins and, in one swift motion, breaks his arm. Just for | |
starters. Another WARRIOR rushes over. Korben punches him into oblivion | |
and snatches the gun. | |
KORBEN | |
That's it... I've had... all day people | |
have been sticking guns in my face... | |
Korben wraps up the four Stones in his shirt. | |
LOC RHOD | |
Korben man... These dudes are going | |
to waste us if we don't do what they say. | |
Korben gives him the package and grabs his mike. | |
KORBEN | |
You don't do what I say... I'll waste | |
you myself. Got it? | |
LOC RHOD | |
Got it... | |
215 INT. PRESIDENT'S OFFICE | |
President Lindberg dabs his sweaty face with a towel. | |
216 INT. POLICE STATION | |
Akanit is still in the police station facing control screens. He barks | |
into a | |
walkie-talkie. | |
AKANIT | |
What's the situation in the hall? | |
217 INT. HALL | |
Hostages are being gathered in the middle of the hall. They are | |
surrounded by Mangalores who guard them. | |
MUGGER | |
(into walkie-talkie) | |
There's no more resistance. | |
Everything's under control. | |
Three Mangalores are suddenly blasted through the glass door leading to | |
the theater. Korben bursts into the hall, two huge guns in his hands. | |
KORBEN | |
Everybody down! | |
Korben takes out two more WARRIORS coming towards him, rolls behind a | |
column. | |
Laser bullets stinging all around his head. | |
LOC RHOD | |
This is amazing! Korben, Korben Dallas, | |
the winner of the Gemini Croquette | |
contest just killed three warriors like he was | |
swatting flies... | |
Panic everywhere! Heavy firing fills the hall. | |
ANGLE ON: | |
Roy von Bacon, the laserball player, rises from the floor behind a | |
Mangalore, grabs him and smashes his head into a column, seizing the gun. | |
ANGLE ON: | |
Two Mangalores firing a huge machine gun at the column Korben is using | |
for cover. | |
He dives for cover behind the bar. | |
ANGLE ON: | |
Two Mangalores watch awestruck. Roy whistles behind them. The two | |
Mangalores turn around. Roy bonks their heads together. | |
LOC RHOD | |
It's Roy von Bacon, the Lions center | |
forward joining in the battle... | |
Someone taps Loc Rhod on the shoulder. He jumps with fright. | |
PRINCESS AACHEN | |
(hot to trot) | |
All this is terribly exciting, hmmm? | |
Loc Rhod covers his mike. | |
LOC RHOD | |
GET OFF MY BACK! | |
A Mangalore shoots in their direction. Loc Rhod flattens himself on the | |
floor. A vase falls on the Princess knocking her out. A Mangalore loads | |
some missiles in his gun and destroys the bar piece by piece forcing Korben to | |
move forward. Korben motions to Baby Ray hiding under the pool table. | |
KORBEN | |
Toss me the balls! | |
BABY RAY | |
(terrified, still deaf) | |
What? | |
Another piece of the bar explodes. | |
KORBEN | |
The balls for Christ's sake! | |
Korben apes playing pool, but Baby Ray really is stone-deaf. | |
EMPEROR JAPHET | |
He wants the balls! You deaf or something? | |
The EMPEROR rolls the balls over to Korben. The Mangalore loads more | |
missiles and shatters another part of the bar. Korben hides behind the last | |
bit left. | |
KORBEN | |
How far is he from here? | |
The EMPEROR glances at the Mangalore, who in reloading. | |
EMPEROR | |
I'd say about thirty yards to the left. | |
Korben hefts the ball, jumps up and hurls it with blinding speed. The | |
Mangalore catches it right in the head. He drops, firing in the air. The | |
missile strikes the ceiling which collapses on him. The emperor gives Korben | |
a thumb's up. | |
LOC RHOD | |
...And our man Korben has literally | |
knocked out the opposition with an | |
amazing 90 foot pitch. | |
The COPS on the floor rise, scoop up weapons from dead Mangalores and lay | |
down a line of fire at the last of the fleeing rebels . Roy whirls his arm | |
in victory. | |
FOG | |
Thanks for your help. | |
KORBEN | |
Forget it. | |
Korben grabs Loc Rhod and takes him with him. | |
218 INT. KORBEN'S SUITE | |
Korben bursts into the room. He stares at the luminous bar still struck | |
to the ground and sees the hole Leeloo escaped through. | |
KORBEN | |
Leeloo??? | |
219 INT. DIVA'S SUITE - CEILING | |
Leeloo in bleeding all over. She can barely move. | |
LEELOO | |
(feeble) | |
Kor... ban... | |
220 EXT. NEAR FHLOSTON | |
The ZFX 200 speeds back toward Fhloston Paradise. | |
221 INT. DIVA'S SUITE | |
The bomb timer now reads 10 minutes. | |
222 INT. POLICE STATION HALLWAY - FHLOSTON PARADISE | |
The last of the Mangalores have barricaded themselves in the back of the | |
station and shoot at anything that tries to enter. Korben joins the | |
policemen already there. | |
COP 1 | |
Hey, who are you? | |
KORBEN | |
The winner of the Gemini Croquette contest. | |
Korben goes to the door and peeks around the corner. Loc Rhod arrives. | |
KORBEN | |
Seven to the left. Five to the right. | |
COP | |
What's he doing? | |
Korben leans around the corner and fires rapidly. | |
KORBEN | |
Six to the left. One to the right. | |
LOC RHOD | |
He's on vacation. | |
KORBEN | |
(reloading) | |
We got to find the leader. Mangalores | |
don't fight without a leader. | |
223 INT. POLICE STATION | |
Akanit gets up, grabs Cornelius by the throat and put a gun to his head. | |
AKANIT | |
One more shot and we start killing | |
hostages, got that? | |
224 INT. POLICE STATION HALLWAY | |
KORBEN | |
Found him... | |
AKANIT | |
(tense) | |
Send someone to negotiate! | |
KORBEN | |
Mind if I go? I'm an excellent | |
negotiator. | |
COP 1 | |
Uh... Sure, go ahead. | |
Korben gets ready. | |
COP 1 | |
We're sending someone in who's | |
authorized to negotiate. | |
225 INT. POLICE STATION | |
Korben walks quickly into the room, heads straight for Akanit, raises his | |
gun and puts a bullet through his head. | |
KORBEN | |
Anyone else want to negotiate? | |
COP 2 | |
(to another Cop) | |
Where'd he learn to negotiate like that? | |
226 INT. PRESIDENT'S OFFICE | |
MUNRO | |
From us! | |
The President gives Munro a hard look. | |
227 INT. CONTROL ROOM | |
The police round up the remaining Mangalores. Korben is at the control | |
center screens trying to find Leeloo. Cornelius comes over to him, | |
embarrassed. | |
CORNELIUS | |
You're probably very angry with me and | |
I quite understand. But I want you to | |
know I'm fighting for a noble cause. | |
KORBEN | |
Yeah, I know... to save the world... but | |
right now all I want to do is save Leeloo. | |
CORNELIUS | |
Leeloo's in trouble? | |
KORBEN | |
When is she not in trouble? | |
CORNELIUS | |
Uh.. Have you tried the Diva's suite? | |
Korben realizes that Cornelius in probably right. | |
228 INT. FHLOSTON PARADISE LANDING DOCK AND GARAGE | |
The ZFX200 settles in the landing dock garage. SECURITY POLICE approach | |
the ship just as Zorg in getting out holding the ZF1. | |
POLICEMAN | |
More trouble? | |
ZORG | |
Nothing I can't fix myself. | |
He brings up the ZF1 and wipes out the garage. | |
229 INT. DIVA'S SUITE | |
Korben enters the Diva's suite which is in shambles. He looks | |
everywhere, but finds nothing. | |
230 INT. AIRSHAFT | |
Leeloo lies in a pool of blood. She hears something below her. | |
231 INT. DIVA'S SUITE | |
Exhausted, Loc Rhod wipes his forehead and finds himself face to face | |
with the bomb stuck on the wall. | |
Korben in busy looking for Leeloo. | |
KORBEN | |
(loudly) | |
Leeloo? | |
Up in the airshaft, Leeloo has heard him. | |
LEELOO | |
Korben... | |
Her voice is too weak, Korben can't hear her. | |
LOC RHOD | |
Korben man... what the hell is this? | |
Korben gives the bomb a prefunctory glance. | |
KORBEN | |
A molecular bomb. | |
Three minutes left on the timer. | |
LOC RHOD | |
(increasingly worried) | |
And, uh, what're these numbers clicking | |
by? | |
CORNELIUS | |
Probably the time remaining before it | |
explodes. | |
Cornelius smiles and continues his search. | |
LOC RHOD | |
(weak smile) | |
You're just saying that to scare me! Right? | |
If it was a bomb, an alarm would've gone off. | |
There's bomb detectors in all these hotels! | |
A general alarm goes off. Loc Rhod is crushed. | |
232 INT. MAIN HALL | |
The lights flicker. | |
VOICE (O.S.) | |
This is a Type A alert. For security reasons | |
the hotel must be evacuated. Please proceed | |
calmly to the lifeboats located in the main | |
hallways. | |
A wave of panic engulfs the hall. The cops are unable to hold back the | |
crowd as it stampedes to the exits. | |
233 INT. CORRIDOR | |
Zorg marches down the corridor shooting everyone in his path. | |
234 INT. DIVA'S SUITE | |
Loc Rhod stands paralyzed in front of the flashing timer. Less than two | |
minutes left. | |
LOC RHOD | |
Maybe we oughta be going, | |
what do you think? | |
KORBEN | |
Not without Leeloo. | |
Loc Rhod cannot take his eyes off the bomb. | |
LOC RHOD | |
Like D-Man, I hate to bother you but uh, | |
like, we're down to 2 minutes here... | |
Korben breathes out, bothered. He turns his attention to the bomb. | |
KORBEN | |
It's the latest model.. I've never seen one | |
before... it works off a magnetic coded | |
card... Let's see if I can rig it up. | |
235 INT. AIRSHAFT | |
Leeloo sticks her fingers out one of the bullet holes and lets some of | |
her blood drip down. | |
The blood splats on Korben's hand. He snaps his head up and knows | |
immediately who is up there. He forgets about the bomb. | |
LOC RHOD | |
Hey! What are you doing? The bomb! | |
Korben drags the desk over, jumps on it and pokes his head in the torn up | |
airshaft He spots Leeloo who gives him a weak smile. | |
KORBEN | |
Don't worry, I'm here now! | |
He pulls her toward him, helps her out of the shaft and stretches her out | |
on the desk. | |
KORBEN | |
Just relax. I've got the Stones. | |
Everything's going to be fine. | |
30 seconds left on the timer. | |
LOC RHOD | |
(falling to pieces) | |
Like Korben, can I have 30 seconds of | |
your time here? | |
KORBEN | |
(to Leeloo) | |
I'll be right back. | |
Korben dashes over to the bomb. He is stopped by the barrel of the ZF1. | |
Zorg, in person, holding a magnetic card. | |
ZORG | |
(smiling) | |
Allow me... | |
Zorg slips a small magnetic card in the bomb, it starts to count down | |
from 5 minutes. | |
ZORG | |
Just for the fun of it. | |
Loc Rhod faints. | |
ZORG | |
Well, what do we have here? Is this | |
Korben Dallas? The famous winner of | |
the Gemini Croquette contest? | |
Or is this Korben Dallas from Special | |
Section sent by old Lindberg himself. | |
Korben doesn't reply. | |
ZORG | |
...In any event, whoever you are, | |
I was glad to meet you. | |
Zorg fires at Korben who figures he is dead. Nothing. Zorg tries again. | |
Nada. The clip is empty. Zorg starts to panic. | |
ZORG | |
...A 3000 round clip! I didn't fire off | |
3000 rounds... did I? | |
KORBEN | |
Don't you know how to count. | |
It's not all that hard. Watch! | |
Korben punches him square in the face, shows him his index. | |
KORBEN | |
One! That's for trying to kill me! | |
Second Punch. | |
KORBEN | |
Two! That's for firing me! Three! | |
That's for pushing around a priest! | |
And the rest is for what you did to | |
my wife! | |
Korben pummels him mercilessly. | |
236 INT. PRESIDENT'S OFFICE | |
President Lindberg prefers closing his eyes. Munro's shoulders move as | |
if he were beating on Zorg. | |
237 INT. DIVA'S SUITE | |
Zorg falls to the floor, beaten to a pulp. The timer clicks over to 3 | |
minutes. | |
KORBEN | |
We're outta here! | |
He picks Leeloo up in his arms. | |
Cornelius grabs Loc Rhod and gives him a resounding slap. | |
LOC RHOD | |
Are you nuts, Father? That hurts! I | |
can't feel my teeth. | |
CORNELIUS | |
Doesn't matter all you need are your | |
legs. | |
238 EXT. FHLOSTON PARADISE - NIGHT | |
The lifeboats launch from the hotel and fly out into space. | |
239 INT. FHLOSTON PARADISE LANDING DOCK GARAGE | |
Korben, carrying Leeloo, Cornelius and Loc Rhod are in the garage. | |
VOICE (O.S.) | |
Two minutes to complete evacuation... | |
Korben bursts the lock on the first ship he finds and enters followed by | |
Cornelius and Loc Rhod. The ZFX200. | |
240 INT. DIVA'S SUITE | |
Zorg starts to come around. | |
241 INT. ZFX200 | |
Korben sets Leeloo down. | |
242 INT. DIVA'S SUITE | |
Zorg picks up his ZF1, unaware of the bomb and the countdown. | |
ZORG | |
I didn't fire three thousand rounds... | |
243 INT. ZFX2O0 COCKPIT | |
VOICE (O.S.) | |
One minute to total evacuation... | |
LOC RHOD | |
You know how to fly this thing? | |
KORBEN | |
(concentrating) | |
It's like a cab isn't it? | |
VOICE | |
30 seconds... | |
KORBEN | |
Anyone know how to release the lines | |
on this crate? | |
244 INT. DIVA'S SUITE | |
Zorg is busy with the ZF1 when the bomb starts to BEEP signaling the last | |
ten seconds. Zorg is terror stricken. He pushes a button and holds the | |
ZF1 over his head. | |
ZORG | |
(loudly) | |
Maximum Protection. | |
A mauve-colored magnetic shield closes around Zorg like an indestructible | |
sarcophagus. | |
245 INT. ZFX200 COCKPIT | |
Cornelius and Loc Rhod are bent over the buttons looking for a way to | |
release the lines. | |
VOICE (O.S.) | |
6... 5... | |
KORBEN | |
Found it? | |
Loc Rhod searches frantically. | |
LOC RHOD | |
I don't even know what I'm looking for! | |
KORBEN | |
Fuck it! Hold tight! | |
Korben slams the throttle into full forward. The ship roars away ripping | |
the lines to shreds. | |
Loc Rhod is thrown to the rear of the ship. | |
CUT TO: | |
The counter goes 1... 0 | |
-The suite disintegrates - The corridor is consumed. | |
-The main hall is no more. | |
246 EXT. FHLOSTON PARADISE | |
The ZFX200 jets away as the enormous oceanliner explodes behind it. | |
247 INT. ZFX200 | |
The ship stops shaking. That was a close one. Everyone's relieved. | |
KORBEN | |
Solid little jobs, aren't they? | |
LOC RHOD | |
(broadcasting, exhausted) | |
Dear listeners, your favorite DJ is alive and | |
kicking. It's seven o'clock and time for the | |
news. Tune in tomorrow for another adventure. | |
VOCODER (O.S.) | |
Beep. End of transmission. | |
Loc Rhod lets out a huge sigh. | |
LOC RHOD | |
(to the others) | |
The best show I ever did! | |
248 EXT. PLANET FHLOSTON | |
A magnetic sarcophagus crosses the Fhloston sky and crashes into a | |
glacier. | |
249 EXT. FHLOSTON | |
Zorg appears in the middle of the ice. He takes a portable phone out of | |
the ZF1. | |
ZORG | |
How's that? Can you hear me better | |
now? | |
SECRETARY (O.S.) | |
Yes, Mr. Zorg, I hear you perfectly! | |
So, how was the concert? | |
ZORG | |
Who gives a shit! I didn't come here to | |
listen to music! Listen up instead of | |
running off at the mouth! | |
The batteries on my phone are almost gone. | |
SECRETARY (O.S.) | |
Yes, Sir! | |
ZORG | |
Dispatch me another ZFX200 immediately. | |
Someone stole mine. | |
SECRETARY (O.S.) | |
Right away, Sir. I'll send you a new one to | |
the hotel. | |
ZORG | |
I'm not at the hotel! | |
ZORG | |
Hello?... | |
BEEPER (O.S.) | |
Battery dead. | |
Zorg is all alone, lost, in the middle of the glacier. | |
ZORG | |
(to himself) | |
Stay calm.... stay calm... | |
250 INT. PRESIDENT'S OFFICE | |
General Munro enters the office with a smile. | |
MUNRO | |
Major Dallas has the Five Elements on | |
board. The priest is guiding them directly | |
to the temple. | |
President Lindberg closes his eyes in relief. | |
PRESIDENT | |
Thank God! We've been saved! | |
A SCIENTIST rushes in. | |
SCIENTIST | |
Mr. President. | |
PRESIDENT | |
Yes? Now, what? | |
251 EXT. SPACE | |
A ball of fire, all-powerful Evil, speeds across the screen with three | |
Federal Army warships following along behind it as best they can. | |
252 INT. PRESIDENT'S OFFICE | |
PRESIDENT | |
What do you mean, "its advancing"?! | |
253 INT. COCKPIT FEDERATED WARSHIP | |
COMMANDER | |
It's not only advancing, but it's moving at | |
incredible speed! We're having trouble | |
following it. | |
254 INT. PRESIDENT'S OFFICE | |
PRESIDENT | |
(to Scientist) | |
...And... Do you have any idea where it's | |
heading? | |
The scientist is hard to put to answer, he shakes his head. | |
255 INT. ZFX200 COCKPIT - NIGHT | |
Korben gently wipes Leeloo's forehead with a cloth. She opens her eyes a | |
little. | |
KORBEN | |
(gentle, loving) | |
Apipoulai.. | |
Leeloo smiles, weakly, feverish. | |
LEELOO | |
I'm so very sad. | |
KORBEN | |
Why? We did pretty well, wouldn't | |
you say? | |
LEELOO | |
Five hundred wars... Arms... Drugs... | |
Money... | |
Everything you create is used to destroy... | |
KORBEN | |
I told you not to read all that crap! | |
LEELOO | |
Protect life... Until death. | |
Her eyes close and she falls back asleep. Korben is worried. She seems | |
so depressed. Cornelius enters. | |
CORNELIUS | |
There's a General on the phone... | |
His name's Mambo, I think. | |
256 INT. PRESIDENT'S OFFICE | |
MUNRO | |
Munro here. President Lindberg wants | |
to talk to you. Hold the line. | |
The President clears his throat and takes the phone. | |
PRESIDENT | |
Major, first off, I want to thank you, | |
in my name and in the name of the | |
Federation... | |
257 INT. ZFX200 / PRESIDENT'S OFFICE | |
PRESIDENT (O.S.) | |
For the praiseworthy courage you have | |
shown us! I'd like to congratulate General | |
Munro for his choice. He found the ideal | |
man for such a... | |
KORBEN | |
(to the point) | |
So now what's the problem? | |
The President drops into his armchair and sighs. | |
PRESIDENT | |
There's a ball of fire 1,200 miles in diameter | |
heading straight for the earth. And we have | |
no idea how to stop it! ...That's the problem. | |
Korben thinks fast. The Priest is with him. The Five Elements are on | |
board. | |
KORBEN | |
How much time before the collision? | |
The President queries the scientist with a nod of the head. | |
SCIENTIST | |
If its speed remains constant... in an | |
hour and 57 minutes. | |
KORBEN (O.S.) | |
I'll call you back in two hours. | |
Korben hangs up. The President looks stunned. | |
258 EXT. SPACE | |
The ZFX200 shifts to the speed of light and vanishes in the star-studded | |
cosmos. | |
259 INT. CHAPEL | |
David is asleep. He is woken by the sound of... | |
260 EXT. DESERT - DAWN | |
The ZFX200 is parked in the middle of the desert. | |
Korben walks ahead carrying Leeloo. Cornelius has the four Stones with | |
him. | |
Barely awake, Loc Rhod stumbles along. David appears at the door of the | |
chapel. | |
DAVID | |
You're all safe. Thanks be to God! | |
CORNELIUS | |
Later, David! Later! | |
There's not a minute to lose! | |
The small group enters the chapel. | |
261 INT. CHAPEL | |
Cornelius pushes the group onto the altar which is surrounded by a wooden | |
barrier. Cornelius stands in front of the cross. | |
KORBEN | |
Excuse me, Father, but... could we pray | |
later? | |
Cornelius bends the cross and pushes it down. A mechanism is set off | |
lowering the altar like a service elevator. | |
The altar descends amid rocky walls. | |
262 INT. PRESIDENT'S OFFICE | |
MUNRO | |
They just landed in the desert. | |
PRESIDENT | |
(sweating) | |
How much time is left? | |
263 EXT. SPACE | |
Earth is in view. The Dark Planet fills the screen and heads for the | |
blue planet. | |
264 INT. PRESIDENT'S OFFICE | |
SCIENTIST | |
About nine minutes. | |
President Lindberg has trouble breathing. | |
265 INT. TEMPLE | |
Lit by torches, Korben sets Leeloo delicately on the altar in the exact | |
center of the four elements. Cornelius looks over the four Stones every | |
which way. | |
CORNELIUS | |
(panic-stricken) | |
Uh, this one... must be water! | |
It's obvious he doesn't know where to put it. | |
KORBEN | |
Don't tell me you don't know how all | |
this works? | |
CORNELIUS | |
Theoretically, yes! The four Stones form | |
the beam and the Fifth Element is supposed | |
to stand in the middle there, but... | |
I don't have the reference book. | |
I've never seen the Stones work! | |
Korben can't believe his ears. He tears the Stone out of Cornelius' hand | |
and studies the inscriptions. He goes over to one of the four bases the | |
stones rest on and tries to figure it out. The symbol of air is on the Stone, | |
the same as on the base. | |
KORBEN | |
Match the symbols! | |
Korben places the first Stone and picks up another one. Cornelius has | |
found the symbol for water. Loc Rhod sits down. He is very tired. | |
LOC RHOD | |
What is this some kinda game? Like | |
chess? | |
Korben pulls him to his feet and sticks a Stone in his hands. | |
KORBEN | |
No. It's much simpler. If we don't figure | |
out where these Stones go in five minutes, | |
we're all dead! Think you got it? | |
Loc Rhod's got it and runs over to put in his Stone. The four Stones are | |
all in place but nothing happens. | |
KORBEN | |
There's no light! You told me there were | |
supposed to be four beams of light. | |
CORNELIUS | |
(lost) | |
Yes, of course, but... The Stones are shut! | |
They have to be open for it to work. | |
KORBEN | |
And you don't know how they open, | |
is that what you are saying? | |
CORNELIUS | |
That's what I'm saying. | |
266 EXT. SPACE | |
The Dark Planet closes in on Earth rapidly. | |
267 INT. CHAPEL | |
Korben leans over Leeloo. | |
KORBEN | |
Leeloo? The Stones! We have to open | |
them! How does it work? | |
LEELOO | |
(feeble) | |
The wind blows... the fire burns... | |
KORBEN | |
I know all that, Leeloo! I'm talking | |
about the Stones. | |
LEELOO | |
...The rain falls... | |
Korben is desperate. Leeloo's too weak, he won't get anything more out | |
of her. | |
He darts over to a Stone and turns it over and over. | |
KORBEN | |
The rain falls... the wind blows? | |
Loc Rhod stands in front of his Stone looking at Korben. | |
KORBEN | |
Try and figure out how this fucking thing | |
opens, instead of staring at me like that! | |
Loc Rhod starts feeling the Stone all around. | |
LOC RHOD | |
(afraid) | |
I'm looking, I'm looking. | |
268 INT. PRESIDENT'S OFFICE | |
The tension is palpable in the President's office. | |
SCIENTIST | |
...Three minutes. | |
MUNRO | |
We've lost contact with them. | |
269 INT. CHAPEL | |
Korben and Cornelius turn the Stones every which way. All to no avai1. | |
Loc Rhod is discouraged. | |
LOC RHOD | |
...we'll never make it. | |
He sighs. Three hooks pop off the Stone. Loc Rhod can't believe his | |
eyes. | |
LOC RHOD | |
It... it moved! Korben! Korben! | |
Korben rushes over, looks at the Stone. Hooks are undone. | |
KORBEN | |
What did you say? What did you do? | |
LOC RHOD | |
Nothing! Swear to God, I didn't do | |
nothing! | |
KORBEN | |
Look, you did something that set it off. | |
Try to remember. Concentrate. Tell me | |
exactly what you did!! | |
Loc Rhod tries to duplicate the same movement. | |
LOC RHOD | |
I was like this... With my hands here and... | |
I said, "We'll never make it!" That's all! | |
Nothing happens. | |
KORBEN | |
Is that all? | |
LOC RHOD | |
Yeah... then I sighed... like this. | |
Loc Rhod sighs, really depressed this time. The Stone opens even more. | |
Korben's got it. | |
KORBEN | |
The wind! The wind blows... | |
Korben blows on the Stone which immediately opens revealing a patch of | |
blue sky with some miniature clouds floating around inside. A yellow beam | |
pops up like a ray of sunlight, like Korben's smile. | |
KORBEN | |
Quickly, everyone on a Stone! | |
Water for water! Fire for fire! | |
Earth for earth! | |
The two men move fast. Korben on the 4th Stone: Earth. He grabs a | |
fistful of earth and throws it on the Stone. A miniature patch of green | |
appears and immediately forms a green beam. Cornelius wipes his forehead | |
with a scarf and wrings it out over the Stone. It opens revealing a patch of | |
miniature raging sea. A blue beam appears. | |
Loc Rhod has a problem. | |
LOC RHOD | |
(shaking) | |
I don't have a light. I stopped smoking | |
last week! If we'd come a bit sooner... | |
Korben pats his pockets, he comes up with a box of matches. There's only | |
one left. | |
KORBEN | |
Don't breathe. | |
Loc Rhod and Cornelius hold their breath. Korben strikes the match. A | |
small flame appears on the tip. A breeze goes through the room. Korben | |
feels like he's got TNT in his hands. He approaches the flame to the Stone. | |
The flame twists, dims, flickers ...but holds on. The Stone opens. A patch | |
of miniature fire appears. Korben sighs, snuffs out the match. The fourth | |
beam, a red one, immediately forms. | |
270 EXT. SPACE | |
A mass of fire fills the screen. The Earth is only a thousand miles | |
away. | |
271 INT. PRESIDENT'S OFFICE | |
SCIENTIST | |
Two more minutes. | |
The President shuts his eyes. His lids move in prayer. | |
272 INT. CHAPEL | |
Korben helps Leeloo onto her feet where the four beams and four colors | |
crisscross. | |
KORBEN | |
It's up to you now, Angel! | |
LEELOO | |
I'm so tired... | |
KORBEN | |
You can sleep tomorrow... come on... | |
LEELOO | |
I want to sleep... forever... | |
KORBEN | |
Leeloo! Listen to me! I'll take you on | |
a vacation afterwards! A real vacation, | |
this time, for as long as you want. | |
Come on! You can do it! | |
Korben slowly releases Leeloo and steps back from the altar. | |
Leeloo can barely stand in the center of the four beams. | |
An indistinct white beam begins to form around her, starts to rise. | |
CORNELIUS | |
Come on Leeloo! Come on! | |
The beam loses its intensity. Leeloo crumples to the floor. | |
273 EXT. SPACE | |
The Dark Planet hurtles toward Earth. A hundred miles before impact. | |
The African continent is visible. No doubt about it: The fireball is | |
heading right for Egypt. | |
274 INT. PRESIDENT'S OFFICE | |
Seconds tick away relentlessly on the scientist's stopwatch. | |
SCIENTIST | |
It'll be entering the atmosphere in one | |
minute. | |
275 INT. CHAPEL | |
The heat in the temple is unbearable. All the walls start to ooze the | |
same horrible black slimy liquid seen at Zorg's. A drop of liquid falls to | |
the temple floor and begins to smoke, eating away at it like acid. Loc | |
Rhod has to dodge another drop of the stuff. Korben quickly straightens | |
Leeloo up and puts her back in the center of the beams. | |
KORBEN | |
Leeloo! If you don't get on with the | |
program we're all gonna die! And that's | |
not on my agenda for today. | |
Leeloo wraps her arms around Korben's neck. | |
LEELOO | |
(weak) | |
What's the use of saving lives... | |
when you see what you do with them! | |
KORBEN | |
You're right but there are lots of good | |
things... beautiful things... | |
LEELOO | |
...Like love... | |
KORBEN | |
Exactly. | |
LEELOO | |
But I don't know love... I'm like a machine | |
programmed to save other people's lives but | |
never to have one of my own. | |
276 INT. PRESIDENT'S OFFICE | |
The Scientist's stopwatch goes from 30 to 29 seconds. | |
277 INT. CHAPEL | |
LEELOO | |
I have thousands of memories but none | |
of them are mine... There is no need for | |
me other than this. I'm immortal but I have | |
no life. | |
KORBEN | |
Yes, you do! I need you. More than you | |
can imagine! Stand up straight! | |
LEELOO | |
Why?... Why would you need me? | |
KORBEN | |
Because... | |
CORNELIUS | |
(to himself) | |
Tell her, for God's sake! | |
A bit of the black acid falls on Loc Rhod's shirt setting it on fire. He | |
rips if off. | |
CUT TO: | |
278 INT. CHAPEL | |
KORBEN | |
Because... | |
Leeloo has tears in her eyes. The heat is overpowering. Black acid is | |
everywhere. | |
LEELOO | |
Tell me... | |
KORBEN | |
I love you... | |
Despite her fatigue, Leeloo smiles broadly. | |
CUT TO: | |
278b INT. PRESIDENT'S OFFICE | |
The stopwatch goes from 3 to 2. | |
279 INT. CHAPEL | |
LEELOO | |
Now you're allowed to kiss me. | |
- Korben wraps his arms around her and kisses her like he's never kissed | |
anybody before. - The white beam, the Divine Light, immediately forms | |
around Leeloo and Korben. - The stopwatch hits zero. - The Absolute Beam | |
explodes from the top of the pyramid and heads straight into the sky zapping | |
the fireball smack in the middle, slowing it down. - Korben and Leeloo kiss | |
like there was no tomorrow. | |
- The beam hardens and slowly solidifies the Evil Planet. Inaudible | |
screeches escape from the dying planet. Screeches of terrifying pain as if a | |
million souls were dying. | |
- Streams of black acid spurt from the pyramid and solidify like | |
brilliant stalactites. | |
280 EXT. SPACE | |
The pure beam, the Light of Life, has finished its work. The Dark Planet | |
nothing more than a dead planet. | |
Strangely enough, it looks like the moon. Everything is calm around it. | |
281 INT. PRESIDENT'S OFFICE | |
President Lindberg opens his eyes and realizes he's not dead- | |
SCIENTIST | |
The planet seems to have stopped at... | |
62 miles from impact. | |
282 INT. CHAPEL | |
In the temple, the beam loses its intensity. But Leeloo and Korben | |
remain stuck together, lost in their kiss. Cornelius has dropped to his | |
knees, clutching his hands. | |
Loc Rhod slips along the wall with a sigh. He gives Cornelius a knowing | |
smile. | |
LOC RHOD | |
This guy is a killer with the babes. | |
I knew it from the moment I laid eyes | |
on him. | |
Cornelius and Loc Rhod burst out laughing. Korben and Leeloo keep on | |
kissing. | |
283 INT. LABORATORY | |
We are in the Nucleological Laboratory that gave birth to Leeloo in the | |
beginning of our story. The President enters the lab followed by a group | |
of officials in ceremonial dress. | |
MUNRO | |
Mr. President, let me introduce you to | |
Professor Mactilburgh, who runs the center. | |
MACTILBURGH | |
It's an honor to receive you. Mr. President. | |
PRESIDENT | |
(beaming) | |
Yes.. Well? Where are our two heroes? | |
MACTILBURGH | |
They were so tired from their ordeal that | |
we put them in the reactor this morning.. | |
PRESIDENT | |
I have 19 more meetings after this one | |
Professor.. | |
PROFESSOR | |
Of course.. Let me see if they're revived. | |
AIDE | |
We go live in one minute, Mr. President. | |
Mactilburgh goes to the reactor and opens a small slot which allows him | |
to see what is going on under the blue shield. | |
Leeloo and Korben are naked, arms wrapped around each other, kissing and | |
probably engaged in hoppi hoppa. | |
Mactilburgh looks troubled. | |
MACTILBURGH | |
I.. uh.. they need five more minutes, | |
Mr. President. | |
The President, pressed for time, looks over to his aide who in struggling | |
with a phone call. | |
AIDE | |
No ma'am... I tried... No ma'am... | |
PRESIDENT | |
Who is it? | |
AIDE | |
Some woman... claims she's Korben's | |
mother... | |
PRESIDENT | |
Give it here... | |
The President takes the phone and goes to the window. | |
PRESIDENT | |
Mrs. Dallas, this in the President. | |
On behalf of the entire Federation, | |
I would like to thank... | |
MOTHER (V.O.) | |
Don't pull that crap with me, Finger... | |
I'd recognize that trash can voice of | |
yours in a dark alley during a rain storm. | |
You tell that worthless no account son | |
of mine he should plotz for the way he's | |
ignored his mother... when I think of all I | |
sacrificed for him... | |
284 EXT. NEW YORK | |
Outside the lab we see the President through the window, holding the | |
phone away from his ear. | |
PAN slowly across Manhattan. | |
Credits Roll as TWO full rising silver moons ascend in the dark blue sky. | |
THE END | |