For the most part, "Michael" is a disaster  ten minutes of charm and ninety's worth of missteps.<br /><br />Travolta and MacDowell do their best, frequently rising above Nora Ephron's numbingly banal script. But the film moves like a snail. And even within its fantasy context, the characters behave implausibly on a regular basis. (Reporters who routinely let the story of a lifetime  an apparent angel living on Earth  out of their sight?) <br /><br />Someone forgot to tell romantic comedy maestro Ephron that William Hurt, brilliant in so many other films, is no Tom Hanks. The movie's "climax" redefines the word contrived. Ephron may be shooting for Heaven here, but unfortunately "Michael" is a long, long ride through cinema heck.