With my two stars I will probably make it to the head of the IMDb hated it"-list for this apparently tremendously popular TV series.<br /><br />Not least because of the enthusiastic comments on this website, I decided to purchase a DVD edition of the series. Because I usually find British humour suits me just fine. I gave up in the middle of the second instalment  and according to other comments the funniest" bits were already through.<br /><br />So now I know, according to another comment, that I definitely lack a sense of humour. But then I had to laugh like crazy while watching (and re-watching) Fawlty Towers to which Black Books is  albeit faintly  thematically related. Why the different reactions? It might be a mere Generation Thing, and yet the differences can be pointed out.<br /><br />Both Fawlty Towers and Black Books are set in businesses which are meant to sustain their owners financially. Both businesses are not successful but seem  by a miracle  to survive. Fawlty Towers is funny because the protagonists have to deal with situations they cannot cope with. The funniness lies in the fact that they make a serious effort to succeed and while laughing one also feels sorry for them. Black Books has no situations, it's just there and the owner passes his time feeling sorry for himself. If a situation threatens to arise, it is quickly shooed away. It is remarkable how fast and how often a subject is dropped and the protagonists turn to something entirely different to produce an additional joke. Telling jokes  and not very good ones - seems to be all Black Books is about. Why a bookstore? A hardware store would have done the job just as well. <br /><br />No, stop, wait. It's a bookshop because below the veneer of rudeness, vulgarity and arrogance the protagonists are supposed to be delicate and CULTURED. They are not some lowbrow gorillas but bumbling semi-intellectual losers. Hey, they are like you and me. The manner in which the series makes that claim is the only way I can explain its success. There is nothing remarkable in the protagonist's actions, what's special about them is their economically unrealistic living conditions many viewers maybe envy them for. That protagonists that narcissistic and vapid convey a sense of belonging and companionship seems to be a trademark of the time the First World is presently living in.<br /><br />Recently I watched Tittybangbang, also a fairly new British TV comedy show. I found it uproariously funny. It is often quite tasteless or xenophobic  but always with a purpose and hitting the bull's eye in its social criticism. The humour is mainly created by situations or by characters with a purpose. The low ratings in IMDb might indicate that this brand of humour is not in keeping with the times, but I am glad it's still alive and kicking and hope it will continue to do so.