content: Why is this low level saxophonist so well-succeeded with famous cd-labels? It's a mystery, but maybe because he has good and well-placed friends. Anyway, it's a very bad playing, a poor sound, a vulgar technique, and I won't waste my time talking about interpretation, 'cause there isn't any. I own this CD and I find it very useful to show students how they shouldn't play. Or how a great company like EMI can have such bad recordings (hear the Glazunov's cadenza, for instance). For his fans, I can recommend hearing people like Fourmeau, Delangle, or some young saxophonists like Vincent David and Alexandre Doisy, or, if you don't like french saxophonists, you may try Bornkamp (dutch), Sugawa (japanese), Rousseau, Murphy (american), among many others from various countries who really know how to make music with the saxophone.