content: Scott Berg's biography of Max Perkins is a warm, sparkling account of America's greatest editor in the prewar period, the midwife for works by F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe in the twenties and thirties, when big-time publishing converged on New York. Berg's book is cunningly organized: the reader steps at once into the rough and tumble of editorial work at Scribner's, leaving Perkins' early life, marriage, and family to be described in concise digressions taken only after we get another satisfying dollop of publishing history. Unhappily, once Perkins has delivered his discoveries to the public, the rest is mostly about their boozy extravagance (Fitzgerald), bullying ego trips (Hemingway), and petulant indiscipline verging on insanity (Wolfe). So even if, for this reason, you stop two-thirds of the way through, your curiosity about this key figure in modern literary history will be very well satisfied.