content: 'In The Name of the Father' played a dangerous game in changing some of the facts of the Guildford Four case for 'artistic' reasons, but it still made dramatic sense. This story of a boxer returning to republican Belfast as a ceasefire is being brokered (and simultaneously undermined) fails to make sense either politically or dramatically.The tired cliches of the released prisoner trying to go straight, and IRA godfathers struggling with young hot-heads for control of their organisation, are all in there. Surprisingly, the acting was no better than fair, with dodgy accents from Brian Cox and Emily Watson. I wanted to like the film, but I just couldn't believe in its story.For a far better working of similar material try Michael Winterbottom's BBC TV play 'Love Lies Bleeding', starring Mark Rylance.CJF