Produced by David Widger MARK TWAIN'S LETTERS 1886-1900 VOLUME IV. By Mark Twain ARRANGED WITH COMMENT BY ALBERT BIGELOW PAINE XXVI. LETTERS, 1886-87. JANE CLEMENS'S ROMANCE. UNMAILED LETTERS, ETC. When Clemens had been platforming with Cable and returned to Hartford for his Christmas vacation, the Warner and Clemens families had joined in preparing for him a surprise performance of The Prince and the Pauper. The Clemens household was always given to theatricals, and it was about this time that scenery and a stage were prepared--mainly by the sculptor Gerhardt--for these home performances, after which productions of The Prince and the Pauper were given with considerable regularity to audiences consisting of parents and invited friends. The subject is a fascinating one, but it has been dwelt upon elsewhere.--[In Mark Twain: A on***n, chaps. cliii and clx.]--We get a glimpse of one of these occasions as well as of Mark Twain's financial progress in the next brief ***** To W. D. Howells; in Boston: Jan. 3, '86. MY DEAR HOWELLS,--The date set for the Prince and Pauper play is ten days hence--Jan. 13. I hope you and Pilla can take a train that arrives here during the day; the one that leaves Boston toward the end of the afternoon would be a trifle late; the performance would have already begun when you reached the house. I'm out of the woods. On the last day of the year I had paid out $182,000 on the Grant book and it was totally free from debt. Yrs ever MARK. Mark Twain's mother was a woman of sturdy character and with a keen sense of humor and tender sympathies. Her husband, John Marshall Clemens, had been a man of high moral character, honored by all who knew him, respected and apparently loved by his wife. No one would ever have supposed that during all her years of marriage, and almost to her death, she carried a secret romance that would only be told at last in the weary disappointment of old age. It is a curious story, and it came to light in this curious way: ***** To W. D. Howells, in Boston: HARTFORD, May 19, '86. MY DEAR HOWELLS,--..... Here's a secret. A most curious and pathetic romance, which has just come to light. Read these things, but don't mention them. Last fall, my old mother--then 82--took a notion to attend a convention of old settlers of the Mississippi Valley in an Iowa town. My brother's wife was astonished; and represented to her the hardships and fatigues of such a trip, and said my mother might possibly not even survive them; and said there could be no possible interest for her in such a meeting and such a crowd. But my mother insisted, and persisted; and finally gained her point. They started; and all the way my mother was young again with excitement, interest, eagerness, anticipation. They reached the town and the hotel. My mother strode with the same eagerness in her eye and her step, to the counter, and said: âIs Dr. Barrett of St. Louis, here?â âNo. He was here, but he returned to St. Louis this morning.â âWill he come again?â âNo.â My mother turned away, the fire all gone from her, and said, âLet us go home.â They went straight back to Keokuk. My mother sat silent and thinking for many days--a thing which had never happened before. Then one day she said: âI will tell you a secret. When I was eighteen, a young medical student named Barrett lived in Columbia (Ky.) eighteen miles away; and he used to ride over to see me. This continued for some time. I loved him with my whole heart, and I knew that he felt the same toward me, though no words had been spoken. He was too bashful to speak--he could not do it. Everybody supposed we were engaged--took it for granted we were--but we were not. By and by there was to be a party in a neighboring town, and he wrote my uncle telling him his feelings, and asking him to drive me over in his buggy and let him (Barrett) drive me back, so that he might have that opportunity to propose. My uncle should have done as he was asked, without explaining anything to me; but instead, he read me the letter; and then, of course, I could not go--and did not. He (Barrett) left the country presently, and I, to stop the clacking tongues, and to show him that I did not care, married, in a pet. In all these sixty-four years I have not seen him since. I saw in a paper that he was going to attend that Old Settlers' Convention. Only three hours before we reached that hotel, he had been standing there!â Since then, her memory is wholly faded out and gone; and now she writes letters to the school-mates who had been dead forty years, and wonders why they neglect her and do not answer. Think of her carrying that pathetic burden in her old heart sixty-four years, and no human being ever suspecting it! Yrs ever, MARK. We do not get the idea from this letter that those two long ago sweethearts quarreled, but Mark Twain once spoke of their having done so, and there may have been a disagreement, assuming that there was a subsequent meeting. It does not matter, now. In speaking of it, Mark Twain once said: âIt is as pathetic a romance as any that has crossed the field of my personal experience in a long lifetime.â-- [When Mark Twain: A Biography was written this letter had not come to light, and the matter was stated there in accordance with Mark Twain's latest memory of it.] Howells wrote: âAfter all, how poor and hackneyed all the inventions are compared with the simple and stately facts. Who could have imagined such a heart-break as that? Yet it went along with the fulfillment of everyday duty and made no more noise than a grave under foot. I doubt if fiction will ever get the knack of such things.â Jane Clemens now lived with her son Orion and his wife, in Keokuk, where she was more contented than elsewhere. In these later days her memory had become erratic, her realization of events about her uncertain, but there were times when she was quite her former self, remembering clearly and talking with her old-time gaiety of spirit. Mark Twain frequently sent her playful letters to amuse her, letters full of such boyish gaiety as had amused her long years before. The one that follows is a fair example. It was written after a visit which Clemens and his family had paid to Keokuk. ***** To Jane Clemens, in Keokuk: ELMIRA, Aug. 7, '86. DEAR MA,--I heard that Molly and Orion and Pamela had been sick, but I see by your letter that they are much better now, or nearly well. When we visited you a month ago, it seemed to us that your Keokuk weather was pretty hot; Jean and Clara sat up in bed at Mrs. McElroy's and cried about it, and so did I; but I judge by your letter that it has cooled down, now, so that a person is comparatively comfortable, with his skin off. Well it did need cooling; I remember that I burnt a hole in my shirt, there, with some ice cream that fell on it; and Miss Jenkins told me they never used a stove, but cooked their meals on a marble-topped table in the drawing-room, just with the natural heat. If anybody else had told me, I would not have believed it. I was told by the Bishop of Keokuk that he did not allow crying at funerals, because it scalded the furniture. If Miss Jenkins had told me that, I would have believed it. This reminds me that you speak of Dr. Jenkins and his family as if they were strangers to me. Indeed they are not. Don't you suppose I remember gratefully how tender the doctor was with Jean when she hurt her arm, and how quickly he got the pain out of the hurt, whereas I supposed it was going to last at least an hour? No, I don't forget some things as easily as I do others. Yes, it was pretty hot weather. Now here, when a person is going to die, he is always in a sweat about where he is going to; but in Keokuk of course they don't care, because they are fixed for everything. It has set me reflecting, it has taught me a lesson. By and by, when my health fails, I am going to put all my affairs in order, and bid good-bye to my friends here, and kill all the people I don't like, and go out to Keokuk and prepare for death. They are all well in this family, and we all send love. Affly Your Son SAM. The ways of city officials and corporations are often past understanding, and Mark Twain sometimes found it necessary to write picturesque letters of protest. The following to a Hartford lighting company is a fair example of these documents. ***** To a gas and electric-lighting company, in Hartford: GENTLEMEN,--There are but two places in our whole street where lights could be of any value, by any accident, and you have measured and appointed your intervals so ingeniously as to leave each of those places in the centre of a couple of hundred yards of solid darkness. When I noticed that you were setting one of your lights in such a way that I could almost see how to get into my gate at night, I suspected that it was a piece of carelessness on the part of the workmen, and would be corrected as soon as you should go around inspecting and find it out. My judgment was right; it is always right, when you axe concerned. For fifteen years, in spite of my prayers and tears, you persistently kept a gas lamp exactly half way between my gates, so that I couldn't find either of them after dark; and then furnished such execrable gas that I had to hang a danger signal on the lamp post to keep teams from running into it, nights. Now I suppose your present idea is, to leave us a little more in the dark. Don't mind us--out our way; we possess but one vote apiece, and no rights which you are in any way bound to respect. Please take your electric light and go to--but never mind, it is not for me to suggest; you will probably find the way; and any way you can reasonably count on divine assistance if you lose your bearings. S. L. CLEMENS. [Etext Editor's Note: Twain wrote another note to Hartford Gas and Electric, which he may not have mailed and which Paine does not include in these volumes: âGentleman:--Someday you are going to move me almost to the point of irritation with your God-damned chuckle headed fashion of turning off your God-damned gas without giving notice to your God-damned parishioners--and you did it again last night--â D.W.] Frequently Clemens did not send letters of this sort after they were written. Sometimes he realized the uselessness of such protest, sometimes the mere writing of them had furnished the necessary relief, and he put, the letter away, or into the wastebasket, and wrote something more temperate, or nothing at all. A few such letters here follow. Clemens was all the time receiving application from people who wished him to recommend one article or another; books, plays, tobacco, and what not. They were generally persistent people, unable to accept a polite or kindly denial. Once he set down some remarks on this particular phase of correspondence. He wrote: I No doubt Mr. Edison has been offered a large interest in many and many an electrical project, for the use of his name to float it withal. And no doubt all men who have achieved for their names, in any line of activity whatever, a sure market value, have been familiar with this sort of solicitation. Reputation is a hall-mark: it can remove doubt from pure silver, and it can also make the plated article pass for pure. And so, people without a hall-mark of their own are always trying to get the loan of somebody else's. As a rule, that kind of a person sees only one side of the case. He sees that his invention or his painting or his book is--apparently--a trifle better than you yourself can do, therefore why shouldn't you be willing to put your hall-mark on it? You will be giving the purchaser his full money's worth; so who is hurt, and where is the harm? Besides, are you not helping a struggling fellow-craftsman, and is it not your duty to do that? That side is plenty clear enough to him, but he can't and won't see the other side, to-wit: that you are a rascal if you put your hall-mark upon a thing which you did not produce yourself, howsoever good it may be. How simple that is; and yet there are not two applicants in a hundred who can, be made to see it. When one receives an application of this sort, his first emotion is an indignant sense of insult; his first deed is the penning of a sharp answer. He blames nobody but that other person. That person is a very base being; he must be; he would degrade himself for money, otherwise it would not occur to him that you would do such a thing. But all the same, that application has done its work, and taken you down in your own estimation. You recognize that everybody hasn't as high an opinion of you as you have of yourself; and in spite of you there ensues an interval during which you are not, in your own estimation as fine a bird as you were before. However, being old and experienced, you do not mail your sharp letter, but leave it lying a day. That saves you. For by that time you have begun to reflect that you are a person who deals in exaggerations--and exaggerations are lies. You meant yours to be playful, and thought you made them unmistakably so. But you couldn't make them playfulnesses to a man who has no sense of the playful and can see nothing but the serious side of things. You rattle on quite playfully, and with measureless extravagance, about how you wept at the tomb of Adam; and all in good time you find to your astonishment that no end of people took you at your word and believed you. And presently they find out that you were not in earnest. They have been deceived; therefore, (as they argue--and there is a sort of argument in it,) you are a deceiver. If you will deceive in one way, why shouldn't you in another? So they apply for the use of your trade-mark. You are amazed and affronted. You retort that you are not that kind of person. Then they are amazed and affronted; and wonder âsince when?â By this time you have got your bearings. You realize that perhaps there is a little blame on both sides. You are in the right frame, now. So you write a letter void of offense, declining. You mail this one; you pigeon-hole the other. That is, being old and experienced, you do, but early in your career, you don't: you mail the first one. II An enthusiast who had a new system of musical notation, wrote to me and suggested that a magazine article from me, contrasting the absurdities of the old system with the simplicities of his new one, would be sure to make a ârousing hit.â He shouted and shouted over the marvels wrought by his system, and quoted the handsome compliments which had been paid it by famous musical people; but he forgot to tell me what his notation was like, or what its simplicities consisted in. So I could not have written the article if I had wanted to--which I didn't; because I hate strangers with axes to grind. I wrote him a courteous note explaining how busy I was--I always explain how busy I am--and casually drooped this remark: âI judge the X-X notation to be a rational mode of representing music, in place of the prevailing fashion, which was the invention of an idiot.â Next mail he asked permission to print that meaningless remark. I answered, no--courteously, but still, no; explaining that I could not afford to be placed in the attitude of trying to influence people with a mere worthless guess. What a scorcher I got, next mail! Such irony! such sarcasm, such caustic praise of my superhonorable loyalty to the public! And withal, such compassion for my stupidity, too, in not being able to understand my own language. I cannot remember the words of this letter broadside, but there was about a page used up in turning this idea round and round and exposing it in different lights. Unmailed Answer: DEAR SIR,--What is the trouble with you? If it is your viscera, you cannot have them taken out and reorganized a moment too soon. I mean, if they are inside. But if you are composed of them, that is another matter. Is it your brain? But it could not be your brain. Possibly it is your skull: you want to look out for that. Some people, when they get an idea, it pries the structure apart. Your system of notation has got in there, and couldn't find room, without a doubt that is what the trouble is. Your skull was not made to put ideas in, it was made to throw potatoes at. Yours Truly. Mailed Answer: DEAR SIR,--Come, come--take a walk; you disturb the children. Yours Truly. There was a day, now happily nearly over, when certain newspapers made a practice of inviting men distinguished in any walk of life to give their time and effort without charge to express themselves on some subject of the day, or perhaps they were asked to send their favorite passages in prose or verse, with the reasons why. Such symposiums were âfeaturesâ that cost the newspapers only the writing of a number of letters, stationery, and postage. To one such invitation Mark Twain wrote two replies. They follow herewith: Unmailed Answer: DEAR SIR,--I have received your proposition--which you have imitated from a pauper London periodical which had previously imitated the idea of this sort of mendicancy from seventh-rate American journalism, where it originated as a variation of the inexpensive âinterview.â Why do you buy Associated Press dispatches? To make your paper the more salable, you answer. But why don't you try to beg them? Why do you discriminate? I can sell my stuff; why should I give it to you? Why don't you ask me for a shirt? What is the difference between asking me for the worth of a shirt and asking me for the shirt itself? Perhaps you didn't know you were begging. I would not use that argument--it makes the user a fool. The passage of poetry--or prose, if you will--which has taken deepest root in my thought, and which I oftenest return to and dwell upon with keenest no matter what, is this: That the proper place for journalists who solicit literary charity is on the street corner with their hats in their hands. Mailed Answer: DEAR SIR,--Your favor of recent date is received, but I am obliged by press of work to decline. The manager of a traveling theatrical company wrote that he had taken the liberty of dramatizing Tom Sawyer, and would like also the use of the author's name--the idea being to convey to the public that it was a Mark Twain play. In return for this slight favor the manager sent an invitation for Mark Twain to come and see the play --to be present on the opening night, as it were, at his (the manager's) expense. He added that if the play should be a go in the cities there might be some âarrangementâ of profits. Apparently these inducements did not appeal to Mark Twain. The long unmailed reply is the more interesting, but probably the briefer one that follows it was quite as effective. Unmailed Answer: HARTFORD, Sept. 8, '87. DEAR SIR,--And so it has got around to you, at last; and you also have âtaken the liberty.â You are No. 1365. When 1364 sweeter and better people, including the author, have âtriedâ to dramatize Tom Sawyer and did not arrive, what sort of show do you suppose you stand? That is a book, dear sir, which cannot be dramatized. One might as well try to dramatize any other hymn. Tom Sawyer is simply a hymn, put into prose form to give it a worldly air. Why the pale doubt that flitteth dim and nebulous athwart the forecastle of your third sentence? Have no fears. Your piece will be a Go. It will go out the back door on the first night. They've all done it--the 1364. So will 1365. Not one of us ever thought of the simple device of half-soling himself with a stove-lid. Ah, what suffering a little hindsight would have saved us. Treasure this hint. How kind of you to invite me to the funeral. Go to; I have attended a thousand of them. I have seen Tom Sawyer's remains in all the different kinds of dramatic shrouds there are. You cannot start anything fresh. Are you serious when you propose to pay my expence--if that is the Susquehannian way of spelling it? And can you be aware that I charge a hundred dollars a mile when I travel for pleasure? Do you realize that it is 432 miles to Susquehanna? Would it be handy for you to send me the $43,200 first, so I could be counting it as I come along; because railroading is pretty dreary to a sensitive nature when there's nothing sordid to buck at for Zeitvertreib. Now as I understand it, dear and magnanimous 1365, you are going to recreate Tom Sawyer dramatically, and then do me the compliment to put me in the bills as father of this shady offspring. Sir, do you know that this kind of a compliment has destroyed people before now? Listen. Twenty-four years ago, I was strangely handsome. The remains of it are still visible through the rifts of time. I was so handsome that human activities ceased as if spellbound when I came in view, and even inanimate things stopped to look--like locomotives, and district messenger boys and so-on. In San Francisco, in the rainy season I was often mistaken for fair weather. Upon one occasion I was traveling in the Sonora region, and stopped for an hour's nooning, to rest my horse and myself. All the town came out to look. The tribes of Indians gathered to look. A Piute squaw named her baby for me,--a voluntary compliment which pleased me greatly. Other attentions were paid me. Last of all arrived the president and faculty of Sonora University and offered me the post of Professor of Moral Culture and the Dogmatic Humanities; which I accepted gratefully, and entered at once upon my duties. But my name had pleased the Indians, and in the deadly kindness of their hearts they went on naming their babies after me. I tried to stop it, but the Indians could not understand why I should object to so manifest a compliment. The thing grew and grew and spread and spread and became exceedingly embarrassing. The University stood it a couple of years; but then for the sake of the college they felt obliged to call a halt, although I had the sympathy of the whole faculty. The president himself said to me, âI am as sorry as I can be for you, and would still hold out if there were any hope ahead; but you see how it is: there are a hundred and thirty-two of them already, and fourteen precincts to hear from. The circumstance has brought your name into most wide and unfortunate renown. It causes much comment--I believe that that is not an over-statement. Some of this comment is palliative, but some of it--by patrons at a distance, who only know the statistics without the explanation,--is offensive, and in some cases even violent. Nine students have been called home. The trustees of the college have been growing more and more uneasy all these last months--steadily along with the implacable increase in your census--and I will not conceal from you that more than once they have touched upon the expediency of a change in the Professorship of Moral Culture. The coarsely sarcastic editorial in yesterday's Alta, headed Give the Moral Acrobat a Rest--has brought things to a crisis, and I am charged with the unpleasant duty of receiving your resignation.â I know you only mean me a kindness, dear 1365, but it is a most deadly mistake. Please do not name your Injun for me. Truly Yours. Mailed Answer: NEW YORK, Sept. 8. 1887. DEAR SIR,--Necessarily I cannot assent to so strange a proposition. And I think it but fair to warn you that if you put the piece on the stage, you must take the legal consequences. Yours respectfully, S. L. CLEMENS. Before the days of international copyright no American author's books were pirated more freely by Canadian publishers than those of Mark Twain. It was always a sore point with him that these books, cheaply printed, found their way into the United States, and were sold in competition with his better editions. The law on the subject seemed to be rather hazy, and its various interpretations exasperating. In the next unmailed letter Mark Twain relieves himself to a misguided official. The letter is worth reading today, if for no other reason, to show the absurdity of copyright conditions which prevailed at that time. Unmailed Letter to H. C. Christiancy, on book Piracy: HARTFORD, Dec. 18, '87. H. C. CHRISTIANCY, ESQ. DEAR SIR,--As I understand it, the position of the U. S. Government is this: If a person be captured on the border with counterfeit bonds in his hands--bonds of the N. Y. Central Railway, for instance--the procedure in his case shall be as follows: 1. If the N. Y. C. have not previously filed in the several police offices along the border, proof of ownership of the originals of the bonds, the government officials must collect a duty on the counterfeits, and then let them go ahead and circulate in this country. 2. But if there is proof already on file, then the N. Y. C. may pay the duty and take the counterfeits. But in no case will the United States consent to go without its share of the swag. It is delicious. The biggest and proudest government on earth turned sneak-thief; collecting pennies on stolen property, and pocketing them with a greasy and libidinous leer; going into partnership with foreign thieves to rob its own children; and when the child escapes the foreigner, descending to the abysmal baseness of hanging on and robbing the infant all alone by itself! Dear sir, this is not any more respectable than for a father to collect toll on the forced prostitution of his own daughter; in fact it is the same thing. Upon these terms, what is a U. S. custom house but a âfence?â That is all it is: a legalized trader in stolen goods. And this nasty law, this filthy law, this unspeakable law calls itself a âregulation for the protection of owners of copyright!â Can sarcasm go further than that? In what way does it protect them? Inspiration itself could not furnish a rational answer to that question. Whom does it protect, then? Nobody, as far as I can see, but the foreign thief--sometimes--and his fellow-footpad the U. S. government, all the time. What could the Central Company do with the counterfeit bonds after it had bought them of the star spangled banner Master-thief? Sell them at a dollar apiece and fetch down the market for the genuine hundred-dollar bond? What could I do with that 20-cent copy of âRoughing Itâ which the United States has collared on the border and is waiting to release to me for cash in case I am willing to come down to its moral level and help rob myself? Sell it at ten or fifteen cents--duty added--and destroy the market for the original $3,50 book? Who ever did invent that law? I would like to know the name of that immortal jackass. Dear sir, I appreciate your courtesy in stretching your authority in the desire to do me a kindness, and I sincerely thank you for it. But I have no use for that book; and if I were even starving for it I would not pay duty on in either to get it or suppress it. No doubt there are ways in which I might consent to go into partnership with thieves and fences, but this is not one of them. This one revolts the remains of my self-respect; turns my stomach. I think I could companion with a highwayman who carried a shot-gun and took many risks; yes, I think I should like that if I were younger; but to go in with a big rich government that robs paupers, and the widows and orphans of paupers and takes no risk--why the thought just gags me. Oh, no, I shall never pay any duties on pirated books of mine. I am much too respectable for that--yet awhile. But here--one thing that grovels me is this: as far as I can discover--while freely granting that the U. S. copyright laws are far and away the most idiotic that exist anywhere on the face of the earth--they don't authorize the government to admit pirated books into this country, toll or no toll. And so I think that that regulation is the invention of one of those people--as a rule, early stricken of God, intellectually--the departmental interpreters of the laws, in Washington. They can always be depended on to take any reasonably good law and interpret the common sense all out of it. They can be depended on, every time, to defeat a good law, and make it inoperative--yes, and utterly grotesque, too, mere matter for laughter and derision. Take some of the decisions of the Post-office Department, for instance--though I do not mean to suggest that that asylum is any worse than the others for the breeding and nourishing of incredible lunatics--I merely instance it because it happens to be the first to come into my mind. Take that case of a few years ago where the P. M. General suddenly issued an edict requiring you to add the name of the State after Boston, New York, Chicago, &c, in your superscriptions, on pain of having your letter stopped and forwarded to the dead-letter office; yes, and I believe he required the county, too. He made one little concession in favor of New York: you could say âNew York City,â and stop there; but if you left off the âcity,â you must add âN. Y.â to your âNew York.â Why, it threw the business of the whole country into chaos and brought commerce almost to a stand-still. Now think of that! When that man goes to--to--well, wherever he is going to--we shan't want the microscopic details of his address. I guess we can find him. Well, as I was saying, I believe that this whole paltry and ridiculous swindle is a pure creation of one of those cabbages that used to be at the head of one of those Retreats down there--Departments, you know--and that you will find it so, if you will look into it. And moreover--but land, I reckon we are both tired by this time. Truly Yours, MARK TWAIN. XXVII. MISCELLANEOUS LETTERS OF 1887. LITERARY ARTICLES. PEACEFUL DAYS AT THE FARM. FAVORITE READING. APOLOGY TO MRS. CLEVELAND, ETC. We have seen in the preceding chapter how unknown aspirants in one field or another were always seeking to benefit by Mark Twain's reputation. Once he remarked, âThe symbol of the human race ought to be an ax; every human being has one concealed about him somewhere.â He declared when a stranger called on him, or wrote to him, in nine cases out of ten he could distinguish the gleam of the ax almost immediately. The following letter is closely related to those of the foregoing chapter, only that this one was mailed--not once, but many times, in some form adapted to the specific applicant. It does not matter to whom it was originally written, the name would not be recognized. ***** To Mrs. T. Concerning unearned credentials, etc. HARTFORD, 1887. MY DEAR MADAM,--It is an idea which many people have had, but it is of no value. I have seen it tried out many and many a time. I have seen a lady lecturer urged and urged upon the public in a lavishly complimentary document signed by Longfellow, Whittier, Holmes and some others of supreme celebrity, but--there was nothing in her and she failed. If there had been any great merit in her she never would have needed those men's help and (at her rather mature age,) would never have consented to ask for it. There is an unwritten law about human successes, and your sister must bow to that law, she must submit to its requirements. In brief this law is: 1. No occupation without an apprenticeship. 2. No pay to the apprentice. This law stands right in the way of the subaltern who wants to be a General before he has smelt powder; and it stands (and should stand) in everybody's way who applies for pay or position before he has served his apprenticeship and proved himself. Your sister's course is perfectly plain. Let her enclose this letter to Maj. J. B. Pond, and offer to lecture a year for $10 a week and her expenses, the contract to be annullable by him at any time, after a month's notice, but not annullable by her at all. The second year, he to have her services, if he wants them, at a trifle under the best price offered her by anybody else. She can learn her trade in those two years, and then be entitled to remuneration--but she can not learn it in any less time than that, unless she is a human miracle. Try it, and do not be afraid. It is the fair and right thing. If she wins, she will win squarely and righteously, and never have to blush. Truly yours, S. L. CLEMENS. Howells wrote, in February, offering to get a publisher to take the Library of Humor off Mark Twain's hands. Howells had been paid twenty-six hundred dollars for the work on it, and his conscience hurt him when he reflected that the book might never be used. In this letter he also refers to one of the disastrous inventions in which Clemens had invested--a method of casting brass dies for stamping book-covers and wall-paper. Howells's purpose was to introduce something of the matter into his next story. Mark Twain's reply gives us a light on this particular invention. HARTFORD, Feb. 15, '87. DEAR HOWELLS,--I was in New York five days ago, and Webster mentioned the Library, and proposed to publish it a year or a year and half hence. I have written him your proposition to-day. (The Library is part of the property of the C. L. W. & Co. firm.) I don't remember what that technical phrase was, but I think you will find it in any Cyclopedia under the head of âBrass.â The thing I best remember is, that the self-styled âinventorâ had a very ingenious way of keeping me from seeing him apply his invention: the first appointment was spoiled by his burning down the man's shop in which it was to be done, the night before; the second was spoiled by his burning down his own shop the night before. He unquestionably did both of these things. He really had no invention; the whole project was a blackmailing swindle, and cost me several thousand dollars. The slip you sent me from the May âStudyâ has delighted Mrs. Clemens and me to the marrow. To think that thing might be possible to many; but to be brave enough to say it is possible to you only, I certainly believe. The longer I live the clearer I perceive how unmatchable, how unapproachable, a compliment one pays when he says of a man âhe has the courage (to utter) his convictions.â Haven't you had reviewers talk Alps to you, and then print potato hills? I haven't as good an opinion of my work as you hold of it, but I've always done what I could to secure and enlarge my good opinion of it. I've always said to myself, âEverybody reads it and that's something--it surely isn't pernicious, or the most acceptable people would get pretty tired of it.â And when a critic said by implication that it wasn't high and fine, through the remark âHigh and fine literature is wineâ I retorted (confidentially, to myself,) âyes, high and fine literature is wine, and mine is only water; but everybody likes water.â You didn't tell me to return that proof-slip, so I have pasted it into my private scrap-book. None will see it there. With a thousand thanks. Ys Ever MARK. Our next letter is an unmailed answer, but it does not belong with the others, having been withheld for reasons of quite a different sort. Jeanette Gilder, then of the Critic, was one of Mark Twain's valued friends. In the comment which he made, when it was shown to him twenty-two years later, he tells us why he thinks this letter was not sent. The name, âRest-and-be-Thankful,â was the official title given to the summer place at Elmira, but it was more often known as âQuarry.â ***** To Jeannette Gilder (not mailed): HARTFORD, May 14, '87. MY DEAR MISS GILDER,--We shall spend the summer at the same old place-the remote farm called âRest-and-be-Thankful,â on top of the hills three miles from Elmira, N. Y. Your other question is harder to answer. It is my habit to keep four or five books in process of erection all the time, and every summer add a few courses of bricks to two or three of them; but I cannot forecast which of the two or three it is going to be. It takes seven years to complete a book by this method, but still it is a good method: gives the public a rest. I have been accused of ârushing into printâ prematurely, moved thereto by greediness for money; but in truth I have never done that. Do you care for trifles of information? (Well, then, âTom Sawyerâ and âThe Prince and the Pauperâ were each on the stocks two or three years, and âOld Times on the Mississippiâ eight.) One of my unfinished books has been on the stocks sixteen years; another seventeen. This latter book could have been finished in a day, at any time during the past five years. But as in the first of these two narratives all the action takes place in Noah's ark, and as in the other the action takes place in heaven, there seemed to be no hurry, and so I have not hurried. Tales of stirring adventure in those localities do not need to be rushed to publication lest they get stale by waiting. In twenty-one years, with all my time at my free disposal I have written and completed only eleven books, whereas with half the labor that a journalist does I could have written sixty in that time. I do not greatly mind being accused of a proclivity for rushing into print, but at the same time I don't believe that the charge is really well founded. Suppose I did write eleven books, have you nothing to be grateful for? Go to---remember the forty-nine which I didn't write. Truly Yours S. L. CLEMENS. Notes (added twenty-two years later): Stormfield, April 30, 1909. It seems the letter was not sent. I probably feared she might print it, and I couldn't find a way to say so without running a risk of hurting her. No one would hurt Jeannette Gilder purposely, and no one would want to run the risk of doing it unintentionally. She is my neighbor, six miles away, now, and I must ask her about this ancient letter. I note with pride and pleasure that I told no untruths in my unsent answer. I still have the habit of keeping unfinished books lying around years and years, waiting. I have four or five novels on hand at present in a half-finished condition, and it is more than three years since I have looked at any of them. I have no intention of finishing them. I could complete all of them in less than a year, if the impulse should come powerfully upon me: Long, long ago money-necessity furnished that impulse once, (âFollowing the Equatorâ), but mere desire for money has never furnished it, so far as I remember. Not even money-necessity was able to overcome me on a couple of occasions when perhaps I ought to have allowed it to succeed. While I was a bankrupt and in debt two offers were made me for weekly literary contributions to continue during a year, and they would have made a debtless man of me, but I declined them, with my wife's full approval, for I had known of no instance where a man had pumped himself out once a week and failed to run âemptyingsâ before the year was finished. As to that âNoah's Arkâ book, I began it in Edinburgh in 1873;--[This is not quite correct. The âNoah's Arkâ book was begun in Buffalo in 1870.] I don't know where the manuscript is now. It was a Diary, which professed to be the work of Shem, but wasn't. I began it again several months ago, but only for recreation; I hadn't any intention of carrying it to a finish--or even to the end of the first chapter, in fact. As to the book whose action âtakes place in Heaven.â That was a small thing, (âCaptain Stormfield's Visit to Heaven.â) It lay in my pigeon-holes 40 years, then I took it out and printed it in Harper's Monthly last year. S. L. C. In the next letter we get a pretty and peaceful picture of âRest-and-be-Thankful.â These were Mark Twain's balmy days. The financial drain of the type-machine was heavy but not yet exhausting, and the prospect of vast returns from it seemed to grow brighter each day. His publishing business, though less profitable, was still prosperous, his family life was ideal. How gratefully, then, he could enter into the peace of that âperfect day.â ***** To Mrs. Orion Clemens, in Keokuk, Ia.: ON THE HILL NEAR ELMIRA, July 10, '87. DEAR MOLLIE,--This is a superb Sunday for weather--very cloudy, and the thermometer as low as 65. The city in the valley is purple with shade, as seen from up here at the study. The Cranes are reading and loafing in the canvas-curtained summer-house 50 yards away on a higher (the highest) point; the cats are loafing over at âEllerslieâ which is the children's estate and dwellinghouse in their own private grounds (by deed from Susie Crane) a hundred yards from the study, amongst the clover and young oaks and willows. Livy is down at the house, but I shall now go and bring her up to the Cranes to help us occupy the lounges and hammocks--whence a great panorama of distant hill and valley and city is seeable. The children have gone on a lark through the neighboring hills and woods. It is a perfect day indeed. With love to you all. SAM. Two days after this letter was written we get a hint of what was the beginning of business trouble--that is to say, of the failing health of Charles L. Webster. Webster was ambitious, nervous, and not robust. He had overworked and was paying the penalty. His trouble was neurasthenia, and he was presently obliged to retire altogether from the business. The âSam and Maryâ mentioned were Samuel Moffet and his wife. ***** To Mrs. Pamela Moffett, in Fredonia, N. Y. ELMIRA, July 12, '87 MY DEAR SISTER,--I had no idea that Charley's case was so serious. I knew it was bad, and persistent, but I was not aware of the full size of the matter. I have just been writing to a friend in Hartford' who treated what I imagine was a similar case surgically last fall, and produced a permanent cure. If this is a like case, Charley must go to him. If relief fails there, he must take the required rest, whether the business can stand it or not. It is most pleasant to hear such prosperous accounts of Sam and Mary, I do not see how Sam could well be more advantageously fixed. He can grow up with that paper, and achieve a successful life. It is not all holiday here with Susie and Clara this time. They have to put in some little time every day on their studies. Jean thinks she is studying too, but I don't know what it is unless it is the horses; she spends the day under their heels in the stables--and that is but a continuation of her Hartford system of culture. With love from us all to you all. Affectionately SAM. Mark Twain had a few books that he read regularly every year or two. Among these were 'Pepys's Diary', Suetonius's 'Lives of the Twelve Caesars', and Thomas Carlyle's 'French Revolution'. He had a passion for history, biography, and personal memoirs of any sort. In his early life he had cared very little for poetry, but along in the middle eighties he somehow acquired a taste for Browning and became absorbed in it. A Browning club assembled as often as once a week at the Clemens home in Hartford to listen to his readings of the master. He was an impressive reader, and he carefully prepared himself for these occasions, indicating by graduated underscorings, the exact values he wished to give to words and phrases. Those were memorable gatherings, and they must have continued through at least two winters. It is one of the puzzling phases of Mark Twain's character that, notwithstanding his passion for direct and lucid expression, he should have found pleasure in the poems of Robert Browning. ***** To W. D. Howells, in Boston: ELMIRA, Aug. 22, '87. MY DEAR HOWELLS,--How stunning are the changes which age makes in a man while he sleeps. When I finished Carlyle's French Revolution in 1871, I was a Girondin; every time I have read it since, I have read it differently being influenced and changed, little by little, by life and environment (and Taine and St. Simon): and now I lay the book down once more, and recognize that I am a Sansculotte!--And not a pale, characterless Sansculotte, but a Marat. Carlyle teaches no such gospel so the change is in me--in my vision of the evidences. People pretend that the Bible means the same to them at 50 that it did at all former milestones in their journey. I wonder how they can lie so. It comes of practice, no doubt. They would not say that of Dickens's or Scott's books. Nothing remains the same. When a man goes back to look at the house of his childhood, it has always shrunk: there is no instance of such a house being as big as the picture in memory and imagination call for. Shrunk how? Why, to its correct dimensions: the house hasn't altered; this is the first time it has been in focus. Well, that's loss. To have house and Bible shrink so, under the disillusioning corrected angle, is loss-for a moment. But there are compensations. You tilt the tube skyward and bring planets and comets and corona flames a hundred and fifty thousand miles high into the field. Which I see you have done, and found Tolstoi. I haven't got him in focus yet, but I've got Browning.... Ys Ever MARK. Mention has been made already of Mark Twain's tendency to absentmindedness. He was always forgetting engagements, or getting them wrong. Once he hurried to an afternoon party, and finding the mistress of the house alone, sat down and talked to her comfortably for an hour or two, not remembering his errand at all. It was only when he reached home that he learned that the party had taken place the week before. It was always dangerous for him to make engagements, and he
{'title': "Mark Twain's Letters — Volume 4 (1886-1900) by Mark Twain", 'source': 'Project Gutenberg', 'lang': 'en'}