This eBook was edited by Charles Aldarondo (www.aldarondo.net). JUSTICE IN THE BY-WAYS. A TALE OF LIFE. BY F. COLBURN ADAMS, AUTHOR OF "OUR WORLD," ETC., ETC., ETC. "A rebellion or an invasion alarms, And puts the people upon its defence; But a corruption of principles Works its ruin more slowly perhaps, But more surely." NEW YORK: LONDON: 1856. PREFACE. PREFACES, like long sermons to fashionable congregations, are distasteful to most readers, and in no very high favor with us. A deep interest in the welfare of South Carolina, and the high esteem in which we held the better, and more sensible class of her citizens, prompted us to sit down in Charleston, some four years ago (as a few of our friends are aware), and write this history. The malady of her chivalry had then broken out, and such was its virulence that very serious consequences were apprehended. We had done something, and were unwise enough to think we could do more, to stay its spread. We say unwise, inasmuch as we see, and regret that we do see, the malady breaking out anew, in a more virulent type-one which threatens dire consequences to this glorious Union, and bids fair soon to see the Insane Hospital of South Carolina crammed with her mad-politicians. Our purpose, the reader will not fail to discover, was a high moral one. He must overlook the means we have called to our aid in some instances, remember that the spirit of the work is in harmony with a just sense of duty to a people among whom we have long resided, and whose follies deserve our pity, perhaps, rather than our condemnation. To remain blind to their own follies, is the sin of weak States; and we venture nothing when we say that it would be difficult to find a people more dragged down by their own ignorance than are the South Carolinians. And yet, strange as it may seem, no people are more energetic in laying claim to a high intellectual standard. For a stranger to level his shafts against the very evils they themselves most deprecate, is to consign himself an exile worthy only of that domestic garment Tar and feathers. in which all who think and write too freely, are clothed and sent away. And though the sentiments we have put forth in this work may not be in fashion with our Southern friends, they will give us credit for at least one thing-picturing in truthful colors the errors that, by their own confessions, are sapping the very foundations of their society. Our aim is to suggest reforms, and in carrying it out we have consulted no popular prejudice, enlarged upon no enormities to please the lover of tragedy, regarded neither beauty nor the art of novel making, nor created suffering heroines to excite an outpouring of sorrow and tears. The incidents of our story, which at best is but a mere thread, are founded in facts; and these facts we have so modified as to make them acceptable to the reader, while shielding ourself from the charge of exaggeration. And, too, we are conscious that our humble influence, heretofore exerted, has contributed to the benefit of a certain class in Charleston, and trust that in this instance it may have a wider field. Three years and upwards, then, has the MS. of this work laid in the hands of a Philadelphia publisher, who was kind enough to say more good things of it than it deserved, and only (as he said, and what publishers say no one ever thinks of doubting) regretted that fear of offending his Southern customers, who were exceedingly stiff in some places, and tender in others, prevented him publishing it. Thankful for the very flattering but undeserved reception two works from our pen (both written at a subsequent period) met, in England as well as this country, we resolved a few weeks ago to drag the MS. from the obscurity in which it had so long remained, and having resigned it to the rude hands of our printer, let it pass to the public. But there seemed another difficulty in the way: the time, every one said, and every one ought to know, was a hazardous one for works of a light character. Splash & Dash, my old publishers, (noble fellows), had no less than three Presidents on their shoulders, and could not be expected to take up anything "light" for several months. Brick, of the very respectable but somewhat slow firm of Brick & Brother, a firm that had singular scruples about publishing a work not thickly sprinkled with the author's knowledge of French, had one candidate by the neck, and had made a large bet that he could carry him into the "White House" with a rush, while the junior partner was deeply immersed in the study of Greek. Puff, of the firm of Puff & Bluff, a house that had recently moved into the city to teach the art of blowing books into the market, was foaming over with his two Presidential candidates, and thought the public could not be got to read a book without at least one candidate in it. It was not prudent to give the reading world more than a book of travels or so, said Munch, of the house of Munch & Muddle, until the candidates for the White House were got nicely out of the way. Indeed, there were good reasons for being alarmed, seeing that the publishing world had given up literature, and, following the example set by the New York Corporation, taken itself very generally to the trade of President-making. Wilkins, whose publications were so highly respectable that they invariably remained on his shelves, and had in more than one instance become so weighty that they had dragged the house down, thought the pretty feet of some few of the female characters in this volume a little too much exposed to suit the delicate sensibilities of his fair readers. Applejack, than whose taste none could be more exquisite, and who only wanted to feel a manuscript to tell whether it would do to publish it, made it a point, he said, not to publish novels with characters in them that would drink to excess. As for the very fast firm of Blowers & Windspin, celebrated for flooding the country with cheap books of a very tragic character, why, it had work enough on hand for the present. Blowers was blessed with a wife of a literary turn of mind, which was very convenient, inasmuch as all the novels with which the house astonished the world were submitted to her, and what she could not read she was sure to pass a favorable judgment upon. The house had in press four highly worked up novels of Mrs. Blowers' own, Mr. Blowers said,--all written in the very short space of six weeks. She was a remarkable woman, and extraordinary clever at novels, Blowers concluded with an air of magnificent self-satisfaction. These works, having been written by steam, Mr. Windspin, the unior partner, was expected to put into the market with a very large amount of high pressure. Our friends in South Carolina, we knew, would be anxious to see what we had written of them in this volume, and we have made and shall continue to make it a point to gratify them: hence our haste in this instance. Conscious, too, that life is the great schoolmaster, and that public taste is neither to be regulated by a few, nor kept at any one point, we caught up a publisher with only one candidate for the "White House" on his shoulders, and with his assistance, now respectfully submit this our humble effort. NEW YORK, Sept., 1856. CONTENTS. CHAPTER I.--Tom Swiggs' Seventh Introduction on board of the Brig Standfast, CHAPTER II.--Madame Flamingo-Her Distinguished Patrons, and her very respectable House, CHAPTER III.--In which the Reader is presented with a Varied Picture, CHAPTER IV.--A few Reflections on the Cure of Vice, CHAPTER V.--In which Mr. Snivel, commonly called the Accommodation Man, is introduced, and what takes place between him and Mrs. Swiggs. CHAPTER VI.--Containing Sundry Matters appertaining to this History, CHAPTER VII.--In which is seen a Commingling of Citizens, CHAPTER VIII.--What takes place between George Mullholland and Mr. Snivel, CHAPTER IX.--In which a Gleam of Light is shed on the History of Anna Bonard, CHAPTER X.--A Continuation of George Mullholland's History, CHAPTER XI.--In which the Reader is introduced to Mr. Absalom McArthur, CHAPTER XII.--In which are Matters the Reader may have anticipated, CHAPTER XIII.--Mrs. Swiggs comes to the Rescue of the House of the Foreign Missions, CHAPTER XIV.--Mr. McArthur makes a Discovery, CHAPTER XV.--What Madame Flamingo wants to be, CHAPTER XVI.--In which Tom Swiggs gains his Liberty, and what befalls him, CHAPTER XVII.--In which there is an Interesting Meeting, CHAPTER XVIII.--Anna Bonard seeks an Interview with the Antiquary, CHAPTER XIX.--A Secret Interview, CHAPTER XX.--Lady Swiggs encounters Difficulties on her Arrival in New York, CHAPTER XXI.--Mr. Snivel pursues his Search for the Vote-Cribber, CHAPTER XXII.--Mrs. Swiggs falls upon a Modern Heathen World, CHAPTER XXIII.--In which the very best Intentions are seen to fail, CHAPTER XXIV.--Mr. Snivel advises George Mullholland how to make Strong Love, CHAPTER XXV.--A Slight Change in the Picture, CHAPTER XXVI.--In which a High Functionary is made to play a Singular Part, CHAPTER XXVII.--The House of the Nine Nations, and what may be seen in it, CHAPTER XXVIII.--In which is presented Another Picture of the House of the Nine Nations, CHAPTER XXIX.--In which may be seen a few of our Common Evils, CHAPTER XXX.--Containing Various Things appertaining to this History, CHAPTER XXXI.--The Keno Den, and what may be seen in it, CHAPTER XXXII.--In which a State of Society is slighty Revealed, CHAPTER XXXIII.--In which there is a Singular Revelation, CHAPTER XXXIV.--The Two Pictures, CHAPTER XXXV.--In which a Little Light is shed upon the Character of our Chivalry, CHAPTER XXXVI.--In which a Law is seen to serve Base Purposes, CHAPTER XXXVII.--A Short Chapter of Ordinary Events, CHAPTER XXXVIII.--A Story without which this History would be found wanting, CHAPTER XXXIX.--A Story with many Counterparts, CHAPTER XL.--In which the Law is seen to Conflict with our Cherished Chivalry, CHAPTER XLI.--In which Justice is seen to be very accommodating, CHAPTER XLII.--In which Some Light is thrown on the Plot of this History, CHAPTER XLIII.--In which is revealed the One Error that brought so much Suffering upon many, CHAPTER XLIV.--In which is recorded Events the Reader may not have Expected, CHAPTER XLV.--Another Shade of the Picture, CHAPTER XLVI.--The Soul may gain Strength in a dreary Cell, CHAPTER XLVII.--In which is a Happy Meeting, and something Pleasing, CHAPTER XLVIII.--A Few Words With the Reader, JUSTICE IN THE BY-WAYS. CHAPTER I. TOM SWIGGS' SEVENTH INTRODUCTION ON BOARD OF THE BRIG STANDFAST. IT is in the spring of 1847 this history commences. "Steady a bit! Here I am, boys, turned up again-a subject of this moral reform school, of moral old Charleston. If my good old mother thinks it'll reform a cast-off remnant of human patchwork like me, I've nothing to say in protest. Yes, here I am, comrades (poor Tom Swiggs, as you used to call me), with rum my victor, and modern vengeance hastening my destruction." This is the exclamation of poor Tom Swiggs (as his jail companions are pleased to call him), who, in charge of two officers of the law, neither of whom are inclined to regard him with sympathy, is being dragged back again to the Charleston jail. The loathsome wreck of a once respectable man, he staggers into the corridor, utters a wild shriek as the iron gate closes upon him, and falls headlong upon the floor of the vestibule, muttering, incoherently, "there is no hope for one like me." And the old walls re-echo his lamentation. "His mother, otherwise a kind sort of woman, sends him here. She believes it will work his reform. I pity her error-for it is an error to believe reform can come of punishment, or that virtue may be nurtured among vice." Thus responds the brusque but kind-hearted old jailer, who view swith an air of compassion his new comer, as he lays, a forlorn mass, exposed to the gaze of the prisoners gathering eagerly about him. The dejected man gives a struggle, raises himself to his haunches, and with his coarse, begrimed hands resting on his knees, returns the salutation of several of his old friends. "This, boys, is the seventh time," he pursues, as if his scorched brain were tossed on a sea of fire, "and yet I'm my mother's friend. I love her still-yes, I love her still!" and he shakes his head, as his bleared eyes fill with tears. "She is my mother," he interpolates, and again gives vent to his frenzy: "fellows! bring me brandy-whiskey-rum-anything to quench this flame that burns me up. Bring it, and when I'm free of this place of torment, I will stand enough for you all to swim in." "Shut your whiskey-pipe. You don't appreciate the respectability of the company you've got among. I've heard of you," ejaculates a voice in the crowd of lookers-on. "What of a citizen are you?" inquires Tom, his head dropping sleepily. "A vote-cribber-Milman Mingle by name; and, like yourself, in for formal reform," retorts the voice. And the burly figure of a red, sullen-faced man, comes forward, folds his arms, and looks for some minutes with an air of contempt upon the poor inebriate. "You're no better than you ought to be," incoherently continues Tom, raising his glassy eyes as if to sight his seemingly querulous companion. "Better, at all events, than you," emphatically replies the man. "I'm only in for cribbing voters; which, be it known, is commonly called a laudable enterprise just before our elections come off, and a henious offence when office-seekers have gained their ends. But what use is it discussing the affairs of State with a thing like you?" The vote-cribber, inclined to regard the new-comer as an inferior mortal, shrugs his shoulders, and walks away, contemplatively humming an air. "If here ain't Tom Swiggs again!" exclaims a lean, parchment-faced prisoner, pressing eagerly his way through the circle of bystanders, and raising his hands as he beholds the wreck upon the floor. "Fate, and my mother, have ordered it so," replies Tom, recognizing the voice, and again imploring the jailer to bring him some brandy to quench the fires of his brain. The thought of his mother floated uppermost, and recurred brightest to the wandering imagination of this poor outcast. "There's no rum here, old bloat. The mother having you for a son is to be pitied-you are to be pitied, too; but the jail is bankrupt, without a shilling to relieve you in the liquor line," interposes another, as one by one the prisoners begin to leave and seek their several retreats. "That breath of yours," interrupts the vote-cribber, who, having returned, stands regarding the outcast man with singular interest, "would make drunk the whole jail. A week in 'Mount Rascal' The upper story used for the confinement of felons. will be necessary to transmute you, as they call it, into something Christian. On 'the Mount' you will have a chance to philosophize-mollify the temperature of your nervous system-which is out of fix just now." There is an inert aristocracy, a love of distinction, among the lowest dregs of society, as there is also a love of plush and other insignificant tawdry among our more wealthy republicans. Few would have thought of one inebriate affecting superiority over another, (the vote-cribber was an inebriate, as we shall show,) but so it was, nevertheless. "I own up," rejoins Tom, "I own up; I love my mother, and am out of sorts. You may call me a mass of filth-what you please!" "Never mind; I am your friend, Tom," interrupts the brusque old jailer, stooping down and taking him gently by the arm. "Good may come of the worst filth of nature-evil may come of what seemeth the best; and trees bearing sound pippins may have come of rotten cores. Cheer up!" The cool and unexpected admonition of the "vote-cribber" leaves a deep impression in Tom's feelings. He attempts, heaving a sigh, to rise, but has not strength, and falls languidly back upon the floor. His countenance, for a few moments, becomes dark and desponding; but the kind words that fall from the jailer's lips inspire him with confidence; and, turning partly on his side, he thrusts his begrimed hands into a pair of greasy pockets, whistling "Yankee Doodle," with great composure. The jailer glances about him for assistance, saying it will be necessary to get him up and carry him to his cell. "To a cell-a cell-a cell!" reiterates the inebriate. "Well, as the legal gentry say," he continues, "I'll enter a 'non-contender.' I only say this by way of implication, to show my love for the fellow who gathers fees by making out writs on my account." In reply to a question from the jailer, he says they mistake Tom Swiggs, if they think he has no pride left. "After all, there's something more in you than I thought, Tom. Give us your hand," says the vote-cribber, extending cordially his hand, as if a change for the better had come over him, and grasping firmly that of the inebriate. Raising his besotted head, Tom gazes distrustfully at the cribber, as if questioning his sincerity. "I am not dead to shame," he mutters, struggling at the same time to suppress his emotions. "There are, Tom," continues the cribber, playfully, "two claims on you-two patent claims! (He lets go the inebriate's hand, and begins teasing his long, red beard.) And, are you disposed to come out on the square, in the liquor line, you may redeem yourself--" "Name 'em!" interposed Tom, stopping short in his tune. "The gentleman commonly called Mister Jones, and a soap-chandler, are contesting a claim upon you. The one wants your body, the other your clothes. Now, as I am something of a lawyer, having had large dealings in elections, I may say, as a friend, that it is only a question of time, so far as you are concerned. Take my advice, then, and cheat both, by selling out, in advance. The student and the janitor pay good prices for such things as you. Give the last-named worthy a respondentia bond on yourself, redeemable before death, or resign the body after, (any lawyer will make the lien valid,) and the advance will produce floods of whiskey. Come out, Tom, like a hero, on the square." An outcast, hurled deep into the gulf of despair, and surrounded by victims of poverty and votaries of crime, the poor inebriate has yet left him one lingering spark of pride. As if somewhat revived, he scrambles to his feet, staggers into the room of a poor debtor, on the left of the long, sombre aisle, and drawing from his pocket a ten-cent piece, throws it upon the table, with an air of great importance. "I am not moneyless," he exclaims--"not I!" and he staggers to the great chimney-place, rebounding to the floor, saying, "Take that-bring her in-quench my burning thirst!" Tom is the only surviving, and now the outcast, member of a somewhat respectable family, that has moved in the better walks of society. His mother, being scrupulous of her position in society, and singularly proud withal, has reared and educated her son in idleness, and ultimately slights and discards him, because he, as she alleges, sought society inferior to his position and her dignity. In his better days he had been erect of person, and even handsome; but the thraldom of the destroyer has brought him to the dust, a pitiable wreck. Tom has seen thirty summers, presents a full, rounded figure, and stands some five feet ten. He wears an old brown coat, cut after the fashion of a surtout, that might have fitted him, he says, when he was a man. But it has lost the right cuff, the left flap, and a part of the collar; the nefarious moths, too, have made a sieve of its back. His trowsers are of various colors, greasy down the sides, ragged at the bottoms, and revealing two encrusted ancles, with feet stuck into old shoes, turned under at the heels for convenience sake. A remark from the cribber touches his pride, and borrowing a few pins he commences pinning together the shattered threads of his nether garment. A rope-yarn secured about his waist gives a sailor-like air to his outfit. But, notwithstanding Tom affects the trim of the craft, the skilled eye can easily detect the deception; for the craftsman, even under a press of head sail, preserves a becoming rig. Indeed, Tom might have attempted without effect, during his natural life, to transform himself into a sailor. The destroyer was his victor; the inner man was but a reflex of the outer. He pulled an old cloth cap over his face, which was immersed in a massive black beard, bordering two red, swollen cheeks; and with his begrimed hands he rubbed lustily his inflamed eyes--once brown, large, and earnest--now glassy and sunken. "I'm all square, ain't I?" he inquires, looking with vacant stare into the faces of those who tease him with facetious remarks, then scans his haberdashery. There yet remains something displeasing to him. His sense of taste is at stake. This something proves to be a sooty striped shirt, open in front, and disclosing the remains of a red flannel under-garment. Every few minutes will he, as if touched with a sense of shame, wriggle his shoulders, and pull forward the wreck of his collarless coat, apparently much annoyed that it fails to cover the breastwork of his distress. Again he thrusts his hands into his pockets, and with an air of apparent satisfaction, struts twice or thrice across the dingy room, as if he would show how far he has gained his equilibrium. "I shall go straight mad; yes, mad, if the whiskey be not brought in," he pursues, stopping short in one of his sallies, and with a rhetorical flourish, pointing at the piece of silver he so exultingly tossed upon the table. As if his brain were again seized by the destroyer's flame, his countenance becomes livid, his eyes glare wildly upon each object near him; then he draws himself into a tragic attitude, contorts hideously his more hideous face, throws his cap scornfully to the ground, and commences tearing from his head the matted black hair that confusedly covers it. "If my mother thinks this a fit place for me--" He pauses in the middle of his sentence, gives an imploring stare at his companions, shakes and hangs down his head; then his brain reels, and his frame trembles, and like a lifeless mass he falls to the floor. "I'm gone now--gone--gone--gone!" he mutters, with a spasmodic effort, covering his face with his hands. "He'll go mad; you can only save him with a hair of the same dog," one of the prisoner's measuredly suggests, folding his arms, and looking mechanically upon the wretched man. A second agrees with the first; a third says he is past cure, though a gallon of whiskey were wasted upon him. Mr. Mingle, the vote-cribber--regarded good authority in such matters--interposes. He has not the shadow of a doubt but that a speedy cure can be effected, by his friends drinking the whiskey, (he will join them, without an objection,) and just letting Tom smell the glass. A fifth says, without prejudice to the State of South Carolina, if he knew Tom's mother, he would honestly recommend her to send him special minister to Maine. There, drinking is rather an aristocratic indulgence, enjoyed only on the sly. Suddenly the poor inebriate gives vent to his frenzy. The color of his face changes from pale livid to sickly blue; his hands seem more shrunken and wiry; his body convulses and writhes upon the floor; he is become more the picture of a wild beast, goaded and aggravated in his confinement. A narcotic, administered by the hand of the jailer, produces quiet, and with the assistance of two prisoners is he raised to his feet, and supported into the corridor, to receive the benefit of fresh air. Here he remains some twenty minutes, stretched upon two benches, and eyed sharply by the vote-cribber, who paces in a circle round him, regarding him with a half suspicious leer, and twice or thrice pausing to fan his face with the drab felt hat he carries under his arm. "A curious mother that sends you here for reform," muses the vote-cribber; "but he must be a perfect fleshhook on the feelings of the family." Send him up into Rogue's Hall," exclaims a deep, sonorous voice, that echoes along the aisle. The vote-cribber, having paused over Tom, as if to contemplate his degradation, turns inquiringly, to see from whence comes the voice. "It is me!" again the voice resounds. Two glaring eyes, staring anxiously through the small iron grating of a door leading to a close cell on the left of the corridor, betrays the speaker. "It's Tom Swiggs. I know him--he's got the hydrophobia; its common with him! Take him in tow, old Spunyarn, give him a good berth, and let him mellow at thirty cents a day," continues the voice. The last sentence the speaker addressed to a man of comely figure and frank countenance, who has just made his appearance, dressed in the garb of a sailor. This man stoops over Tom, seems to recognize in him an old acquaintance, for his face warms with kindliness, and he straightway commences wiping the sun-scorched face of the inebriate with his handkerchief, and with his hand smooths and parts, with an air of tenderness, his hair; and when he has done this, he spreads the handkerchief over the wretched man's face, touches the querulous vote-cribber on the arm, and with a significant wink beckons him away, saying, "Come away, now, he has luffed into the wind. A sleep will do him good." CHAPTER II. MADAME FLAMINGO-HER DISTINGUISHED PATRONS, AND HER VERY RESPECTABLE HOUSE. REGARD us forbearingly, generous and urbane reader; follow us undaunted whither we go, nor charge us with tracing crime in a bad cause. We will leave the old prison, the dejected inebriate, the more curious group that surround him, and the tale of the destroyer it develops, and escort you in our walk to the mansion of Madame Flamingo, who is well known in Charleston, and commonly called the Mother of Sin. It is a massive brick pile, situate in one of the public thoroughfares, four stories high, with bold Doric windows, set off with brown fluted freestone, and revealing faded red curtains, overlain with mysterious lace, and from between the folds of which, at certain hours of the day, languid and more mysterious eyes may be seen peering cautiously. Madame Flamingo says (the city fathers all know it) she has a scrupulous regard to taste, and develops it in the construction of her front door, which is of black walnut, fluted and carved in curious designs. In style it resembles somewhat the doors of those fashionable churches that imitate so closely the Italian, make good, paying property of fascinating pews, and adopt the more luxurious way of getting to heaven (prayer-book of gold in hand) reclining on velvet and satin damask. The mansion of Madame Flamingo differs only in sumptuousness of furniture from twenty others of similar character, dotted here and there about the little city. Add to these the innumerable smaller haunts of vice that line the more obscure streets-that, rampart-like, file along the hundred and one "back lanes" that surround the scattered town, and, reader, you may form some estimation of the ratio of vice and wretchedness in this population of thirty thousand, of which the enslaved form one-third. Having escorted you to the door, generous reader, we will forget the common-place jargon of the world, and affect a little ceremony, for Madame Flamingo is delicately exact in matters of etiquette. Touch gently the bell; you will find it there, a small bronze knob, in the fluting of the frame, and scarce perceptible to the uninitiated eye. If rudely you touch it, no notice will be taken; the broad, high front of her house will remain, like an ill-natured panorama of brick and freestone, closed till daylight. She admits nothing but gentlemen; and gentlemen know how to ring a bell. Well, you have touched it like one of delicate nerves, and like a bell with manners polished by Madame Flamingo herself, it answers as faintly as does the distant tinkle of an Arab's bell in the desert. There! It was recognized as the ring of a genteel gentleman, and Madame Flamingo's heavy foot is heard advancing up the hall. Be a diplomatist now. Show a white glove, and a delicate hand, and a winning smile, and you have secured your passport to the satin and brocade of her mansion. A spring is heard to tick, a whisper of caution to some one within follows, and a block broad enough to admit your hat swings open, disclosing the voluptuous splendor of a great hall, the blaze of which flashes upon your senses, and fills you instinctively with curious emotions. Simultaneously a broad, cheerful face, somewhat matronly in its aspect, and enlivened with an urbane smile, darkens the space. After a few moments' pause we see two sharp gray eyes peering curiously at us, and a soft but quick accenting voice inquires who we are. Ah! yes, the white glove has told who we are, for the massive doors swing open, and we find ourselves in a long, stately hall, resplendent of Persian carpets, lounges in tapestry, walls and ceiling frescoed in uncouth and bright-colored designs, and curiously wrought chandeliers, shedding over all a bewitching light. The splendor is more gaudy than regal; it strikes our fancy, but leaves our admiration unmoved. The door is suddenly closed, and the short, portly figure of Madame (she bows, saying her house is most select) stands before us, somewhat nervous, as if she were yet undecided about our position in society. She has seen some sixty summers, made her nefarious reputation in New York; there she keeps a joint establishment, which, she adds, has been kindly patronized by the members of several pumpkin-headed corporations. Indeed, her princely tabernacle there was owned by one of these individuals, but in deference to his reputation she had the lease of a third party. Of corporations in general has she the very highest opinion. Madame Flamingo's round, dapper figure, is set off with a glossy, black satin, made high at the neck, about which a plain white collar is arranged, corresponding nicely with the dash of snowy lace down the stomacher, and an embroidered buff apron, under which she every few minutes thrusts her fat, jewelled fingers. Her face is pallid, her chin fat and dimpled, her artificial hair light brown, and lain smoothly over a low forehead, which is curiously contrasted with a jauntily-setting cap, the long strings of which flutter down her shoulders. "If you please, gentlemen," she says, "my house is highly respectable-highly respectable (don't make strange of me tending my own door!) I assure you gentlemen." And Madame Flamingo's eyes quicken, and she steps round us, now contemplating us suspiciously, then frisking her hands beneath her embroidered apron, which she successively flaunts. We have assured her of our standing in society. To which, with an air of resumed confidence, and a quickened step, she says she has (that is, she thinks she has) seen us before, and is glad to see us again. She is getting well down in the role of years, has a treacherous memory-the result of arduous business, and a life of trouble-the poison of a war upon society-the excitement of seeking revenge of the world. She cannot at all times trust her memory, for it has given out in the watchfulness necessary to the respectability of her house, which she regards as the Gibraltar from which she turns upon society her unerring guns. "Lord, gentlemen," she says in quick accents, "the reputation of this house-I watch it as our senator to Congress does his-is my bank stock; and on the respectability and behavior of my customers, who are of the first families, depends my dividends. Madame Flamingo wouldn't-gentlemen, I am no doubt known to you by reputation?-soil the reputation of her house for uncounted gold." This she whispers, tripping nervously over the soft carpet up the hall, until she reaches mid-way, where on the right and left are two massive arched doors of black walnut, with stained glass for fan-lights. Our guardian (she has assumed the office) makes a significant motion with her left hand, which she moves backward, places her right upon the porcelain knob, turns to the right, and puts her ear inquiringly to the door. "It's a sort of commonwealth; yes, sir, a commonwealth-but then they are all gentlemen-some very distinguished," she continues, shaking her head as if to caution us. Voices in loud conversation are heard in the room to the right, while from out the left float the mellow notes of a waltz, accompanied by the light tripping of feet. With an urbane bow, and a familiar smile, Madame opens the door, watches with an air of exultation the effect her sumptuously-furnished parlors, and her more sumptuously-dressed worshippers, have on our feelings. The great glare of Gothic windows; the massive curtains of orange-colored satin that, veiled with lace, pend in undulating folds over them; the cloudlike canopy that overhangs a dias at the further end of the parlor; the gorgeously-carved piano, with keys of pearl, that stands in dumb show beneath the drapery; the curiously-carved eagles, in gilt, that perch over each window, and hold daintily in their beaks the amber-colored drapery; the chastely-designed tapestry of sumptuously-carved lounges, and reclines, and ottomans, and patrician chairs, and lute tabs, arranged with exact taste here and there about the great parlor; the massive centre and side-tables, richly inlaid with pearl and Mosaic; the antique vases interspersed along the sides, between the windows, and contrasting curiously with the undulating curtains, looped alternately with goddesses of liberty, in gilt; the jetting lights from a great chandelier, blending with prismatic reflections; and the gaudy gossamers in which weary and blanched-faced females flaunt, more undressed than dressed-all mingle in one blaze of barbaric splendor. It is here your child of ignorance and neglect is fascinated and made to drink the first cup of death; it is here your faltering sister falls; it is here your betrayed daughter seeks revenge; it is here your forlorn, outcast sufferer first feels the world her enemy, has no sympathizing sister to stretch out the hand of encouragement, and sinks hopeless in the agony of her meditations. It is here, alas! too often necessity forces its hapless victims, and from whence a relentless world--without hope of regaining the lost jewel-hurls them down a short life, into a premature grave. Your church is near by, but it never steps in here to make an inquiry; and if it chance to cast a suspicious look in now and then, it is only as it passes along to inquire the state of the slave market, of so much more importance is the price of men. Your common school (a thing unknown, and held extremely dangerous in Carolina!) may be your much talked of guiding star to virtue; your early education is your bulwark against which the wave of vice is powerless; but unless you make it something more than a magnificent theory-unless you seek practical means, and go down into the haunts of vice, there to drag up the neglected child, to whom the word early education is a mystery, you leave untouched the festering volcano that vomits its deadly embers upon the community. Your homilies preached to pew-holders of fashion, who live sumptuously, ride sumptuously to church of a Sunday, and meekly enjoy a sumptuous sermon for appearance sake, will, so long as you pass unheeded the haunts of vice, fall as chaff before the wind. You must make "early education" more than the mere motto of future happiness; you must go undaunted into the avenues of want and misery, seek out the fallen child, forbear with her, and kindly teach her how much good there is in its principles, its truths. Pardon, generous reader, this digression, and keep our arm while we see of what metal are the votaries at the shrine of Madame Flamingo. "I am-that is, they say I am-something of an aristocrat, you see, gentlemen," says the old woman, flaunting her embroidered apron, and fussily doddling round the great centre-table, every few minutes changing backward and forward two massive decanters and four cut-glass goblets. We bow approvingly. Then with an air of exultation she turns on her centre, giving a scrutinizing look at the rich decorations of her palace, and again at us, as if anxious to draw from us one word of approval. "Gentlemen are no way sensitive here," pursues Madame Flamingo, moving again the great decanters, "it's a commonwealth of gentlemen, you see. In New York-I dash out there, you know-my house is a perfect palace. I keep a footman and coachman there, have the most exact liveries, and keep up an establishment equal to my Fifth Avenue neighbors, whose trade of rope and fish is now lost in their terrible love of plush. I am a woman of taste, you see; but, my honor for it, gentlemen, I know of no people so given to plush and great buttons as our Fifth Avenue parvenues." It is a high old house this of Madame Flamingo. We speak approvingly of all we see, her pride is stimulated, she quickens her conversation. "I think you said two bottles, gentlemen? Our sparkling Moselle is pronounced a gem by connoisseurs." And again flaunting her embroidered apron, she trips hurriedly out of the room. While she is gone we turn to view its human furniture. Yonder, in a cozy alcove, stands a marble-topped pier-table, at which are seated two gentlemen of great respectability in the community, playing whist with fair but frail partners. Near them, on a soft lounge, is seated a man of portly person and venerable appearance (his hair is snowy white, and he has a frank, open countenance), holding converse with, and evidently enamoured of a modest and beautiful girl, of some sixteen summers, who has just taken her seat at the opposite end. Madame Flamingo addresses this man as "Judge." His daylight duty is known to be that of presiding over a criminal court. The girl with whom he nervously holds conversation, and whose bright, Italian eyes, undulating black hair, Grecian face and fair features, swelling bust and beautifully-chiseled shoulders, round polished arms and tapering hands, erect figure, so exactly dressed in black brocade, and so reserve in her demeanor, is the Anna Bonard of this history. "Judge!" she says in reply to a question he has advanced, and turning disdainfully upon him her great black eyes, walks gracefully out of the room. Sitting on a sofa opposite is a slender youth, somewhat flashily dressed. His complexion is sandy, there is something restless in his manner; and in his features, which are sharp and watchful, is that which indicates a mind weak and vacillating. He sits alone, seemingly thoughtful, and regarding with a jealous eye the insidious manner in which the venerable judge addresses the beautiful Anna, in whom you must know, reader, he has a deep and passionate interest. As Anna passes out of the room he, like one in despair, rests his head in his pale, bony, and freckled hand, and mutters to himself: "I will have revenge. His gray hairs shall not save him--my name is George Mullholland!" Here and there, on sofas arranged between the great windows, sit faded denizens, reclining languidly in dresses of various bright colors, set off with gaudy trinkets, and exhibiting that passion for cheap jewelry so much in vogue with the vulgar of our self-plumed aristocracy--such as live at fashionable hotels, and, like Mrs. Snivel, who has a palace on the Fifth Avenue, make a show-case for cheap diamonds of themselves at breakfast table. Beside these denizens are men of every shade and grade of society. With one sits the distinguished lawyer; with a second converses the grave-demeanored merchant, who seeks, away from the cares of his domestic hearth, to satisfy his curiosity here; with a third, the celebrated physician sips his wine; with a fourth, the fatherly planter exchanges his saliant jokes; with a fifth, Doctor Handy the politician-who, to please his fashionable wife, a northern lady of great beauty, has just moved from the country into the city, keeps up an unmeaning conversation. In the lefthand corner, seated on an ottoman, and regarding the others as if a barrier were placed between them, are two men designated gamblers. Your Southern gentleman is, with few exceptions, a votary of the exciting vice; but he who makes it his profession severs the thread that bound him to society. And there sits not far from these members of the sporting fraternity, the tall, slender figure of a man, habited in the garb of a quaker. He regards everything about him with the eye of a philosopher, has a flowing white beard, a mild, playful blue eye, a short but well-lined nose, a pale oval face, an evenly-cut mouth, and an amiable expression of countenance. He intently watches every movement of the denizens, and should one accost him, he will answer in soft, friendly accents. He seems known to Madame Flamingo, whom he regards with a mysterious demeanor, and addresses as does a father his child. The old hostess gets no profit of his visits, for "he is only a moralist," she says, and his name is Solon --; and better people love him more as more they know him. Madame Flamingo has returned, followed by a colored gentleman in bright livery, bearing on a silver tray two seductive bottles of the sparkling nectar, and sundry rich-cut goblets. "There! there!" says the old hostess, pointing to the centre-table, upon which the colored man deposits them, and commences arranging some dozen glasses, as she prepares to extract the corks. Now she fills the glasses with the effervescing beverage, which the waiter again places on the tray, and politely serves to the denizens, in whose glassy eyes, sallow faces, coarse, unbared arms and shoulders, is written the tale of their misery. The judge drinks with the courtesan, touches glasses with the gambler, bows in compliment to the landlady, who reiterates that she keeps the most respectable house and the choicest wine. The moralist shakes his head, and declines. And while a dozen voices are pronouncing her beverage excellent, she turns suddenly and nervously to her massive, old-fashioned side-board, of carved walnut, and from the numerous cut glass that range grotesquely along its top, draws forth an aldermanic decanter, much broken. Holding it up to the view of her votaries, and looking upon it with feelings of regret, "that," she says, "is what I got, not many nights since, for kindly admitting one-I don't know when I did such a thing before, mind ye!--of the common sort of people. I never have any other luck when I take pity on one who has got down hill. I have often thought that the more kind I am the more ungrateful they upon whom I lavish my favors get. You must treat the world just as it treats you-you must." To your simple question, reader, more simply advanced, she replies coquettishly: "Now, on my word of honor, Tom Swiggs did that. And the poor fellow-I call him poor fellow, because, thinking of what he used to be, I can't help it-has not a cent to pay for his pranks with. Bless you, (here Madame Flamingo waxes warm,) why I knew Tom Swiggs years ago, when he wasn't what he is now! He was as dashing a young buck then as you'd meet in the city; used to come here a perfect gentleman; and I liked him, and he liked me, and he got to liking the house, so you couldn't, if you had wanted to, have kept him away. And he always had no end of money, which he used to spend so freely. Poor fellow! (she sighs and shakes her head,) I confess I used to almost love Tom then. Then he got to courting a lady-she (Madame corrects herself) wasn't a lady though, she was only the daughter of a mechanic of small means--mechanic families have no standing in society, you see-and this cut deep into his mother's pride. And she, you see, was not quite sure where she stood in society, you see, and wouldn't for the world have her pride lessened; so she discarded poor Tom. And the girl has been got out of the way, and Tom has become penniless, and such a wreck of dissipation that no respectable house will admit him. It's a stiff old family, that Swiggs family! His mother keeps him threading in and out of jail, just to be rid of him. She is a curious mother; but when I think how he looks and acts, how can I wonder she keeps him in jail? I had to put him there twice--I had! (Madame Flamingo becomes emphatic.) But remembering what a friend of the house he used to be, I took pity on him, let him out, and lent him two dollars. And there's honor--I've great faith in honor-in Tom, who, I honestly believe, providing the devil do not get him in one of his fits, will pay all damages, notwithstanding I placed the reputation of my house in jeopardy with him a few nights since, was forced to call three policemen to eject him, and resolved that he should not again darken my door." CHAPTER III. IN WHICH THE READER IS PRESENTED WITH A VARIED PICTURE. TOM has passed a restless night in jail. He has dreamed of bottled snakes, with eyes wickedly glaring at him; of fiery-tailed serpents coiling all over him; of devils in shapes he has no language to describe; of the waltz of death, in which he danced at the mansion of Madame Flamingo; and of his mother, (a name ever dear in his thoughts,) who banished him to this region of vice, for what she esteemed a moral infirmity. Further on in his dream he saw a vision, a horrible vision, which was no less than a dispute for his person between Madame Flamingo, a bishop, and the devil. But Madame Flamingo and the devil, who seemed to enjoy each other's company exceedingly, got the better of the bishop, who was scrupulous of his dignity, and not a little anxious about being seen in such society. And from the horrors of this dream he wakes, surprised to find himself watched over by a kind friend-a young, comely-featured man, in whom he recognizes the earnest theologian, as he is plumed by the prisoners, whom he daily visits in his mission of good. There was something so frank and gentle in this young man's demeanor-something so manly and radiant in his countenance-something so disinterested and holy in his mission of love--something so opposite to the coldness of the great world without--something so serene and elevated in his youth, that even the most inveterate criminal awaited his coming with emotions of joy, and gave a ready ear to his kindly advice. Indeed, the prisoners called him their child; and he seemed not dainty of their approach, but took them each by the hand, sat at their side, addressed them as should one brother address another;--yea, he made them to feel that what was their interest it was his joy to promote. The young theologian took him a seat close by the side of the dreaming inebriate; and as he woke convulsively, and turned towards him his distorted face, viewing with wild stare each object that met his sight, the young man met his recognition with a smile and a warm grasp of the hand. "I am sorry you find me here again-yes, I am." "Better men, perhaps, have been here--" "I am ashamed of it, though; it isn't as it should be, you see," interrupts Tom. "Never mind-(the young man checks himself)-I was going to say there is a chance for you yet; and there is a chance; and you must struggle; and I will help you to struggle; and your friends--" Tom interrupts by saying, "I've no friends." "I will help you to struggle, and to overcome the destroyer. Never think you are friendless, for then you are a certain victim in the hands of the ruthless enemy--" "Well, well," pauses Tom,
{'title': 'Justice in the By-Ways, a Tale of Life by F. Colburn Adams', 'source': 'Project Gutenberg', 'lang': 'en'}