Produced by Robert J. Hall MOSAICS OF GRECIAN HISTORY BY MARCIUS WILLSON AND ROBERT PIERPONT WILLSON PREFACE. The leading object had in view in the preparation of the present volume has been to produce, within a moderate compass, a History of Greece that shall not only be trustworthy, but interesting to all classes of readers. It must be acknowledged that our standard historical works, with all their worth, do not command a perusal by the people at large; and it is equally plain that our ordinary School Manuals--the abridgments and outlines of more voluminous works--do not meet with any greater favor. The mere outline system of historical study usually pursued in the schools is interesting to those only to whom it is suggestive of the details on which it is based; and we have long been satisfied that it is not the best for beginners and for popular use; that it inverts the natural order of acquisition; that for the young to master it is drudgery; that its statistical enumeration, if ever learned by them, is soon forgotten; that it tends to create a prejudice against the study of history; that it does not lay the proper foundation for future historical reading; and that, outside of the enforced study of the school-room, it is seldom made use of. The people in general--the masses--do not read such works, while they do read with avidity historical legends, historical romances, historical poems and dramas, and biographical sketches. And we do not hesitate to assert that from Shakspeare's historical plays the reading public have acquired (together with much other valuable information) a hundred-fold more knowledge of certain portions of English history than from all the ponderous tomes of formal history that have ever been written. It may be said that people ought to read Hume, and Lingard, and Mackintosh, and Hallam, and Froude, and Freeman, instead of Shakspeare's "King John," and "Richard II.," and "Henry IV.," and "Henry VIII.," etc. It is a sufficient reply to say they do not. Historical works, therefore, to be read by the masses, must be adapted to the popular taste. It was an acknowledgment of this truth that led Macaulay, the most brilliant of historians, to remark, "We are not certain that the best histories are not those in which a little of the exaggeration of fictitious narrative is judiciously employed. Something is lost in accuracy, but much is gained in effect. The fainter lines are neglected, but the great characteristic features are imprinted on the mind forever." If the result to which Macaulay refers be once attained by an introductory work so interesting that it shall come into general use, it will, we believe, naturally lead to the reading of some of the best standard works in the same historical field. In our attempt to make this a work of such a preparatory character, we have borne in mind the demand that has arisen for poetic illustration in the reading and teaching of history, and have given this delightful aid to historical study a prominent place--ofttimes making it the sole means of imparting information. And yet we have introduced nothing that is not strictly consistent with our ideal of what history should be; for although some of the poetic selections are avowedly wholly legendary, and others, still, in a greater or less degree fictitious in their minor details--like the by-plays in Shakspeare's historic dramas--we believe they do no violence to historical verity, as they are faithful pictures of the times, scenes, incidents, principles, and beliefs which they are employed to illustrate. Aside, too, from their historic interest, they have a literary value. Many prose selections from the best historians are also introduced, giving to the narrative a pleasing variety of style that can be found in no one writer, even if he be a Grote, a Gibbon, or a Macaulay. * * * * * THE PRINCIPAL HISTORIES OF GREECE. Believing that it may be of some advantage to the general reader, we give herewith a brief sketch of the principal histories of Greece now before the public. We may mention, among those of a comprehensive character, the works of Goldsmith, Gillies, Mitford, Thirlwall, Grote, and Curtius: OLIVER GOLDSMITH, "the popular poet, the charming novelist, the successful dramatist, and the witty essayist," wrote a popular history of Greece, in two volumes, 8vo, 1774, embracing a period from the earliest date down to the death of Alexander the Great. It is an attractive work, elegantly written, but is superficial and inaccurate. In 1786 was published a history of ancient Greece, in several volumes, by DR. JOHN GILLIES, who succeeded Dr. Robertson as historiographer of Scotland. This is a work of considerable merit but it is written in a spirit of decidedly monarchical tendencies, although the author evidently aimed at great fairness in his political views. He says: "The history of Greece exposes the dangerous turbulence of democracy, and arraigns the despotism of tyrants. By describing the incurable evils inherent in every republican policy, it evinces the inestimable benefits resulting to liberty itself from the lawful dominion of hereditary kings, and the steady operation of well-regulated monarchy." In the year 1784 appeared the first volume of WILLIAM MITFORD'S "History of Greece", subsequently extended to eight and ten volumes, 8vo. It is the first history of Greece that combines extensive research and profound philosophical reflection; but it is "a monarchical" history, by a writer of very strong anti-republican principles. "It was composed," says Alison, the distinguished historian of modern Europe, "during, or shortly after, the French Revolution; and it was mainly intended to counteract the visionary ideas in regard to the blessings of Grecian democracy, which had spread so far in the world, from the magic of Athenian genius." Says Chancellor Kent: "Mitford does not scruple to tell the truth, and the whole truth, and to paint the stormy democracies of Greece in all their grandeur and in all their wretchedness." Lord Byron said of the author: "His great pleasure consists in praising tyrants, abusing Plutarch, spelling oddly, and writing quaintly; and--what is strange, after all--his is the best modern history of Greece in any language." But this was penned before Thirlwall's and Grote's histories were published. Lord Macaulay says of Mitford: "Whenever this historian mentions Demosthenes he violates all the laws of candor and even of decency: he weighs no authorities, he makes no allowances, he forgets the best authenticated facts in the history of the times, and the most generally recognized principles of human nature." The North British Review, after calling Mitford "a bad scholar, a bad historian, and a bad writer of English," says, farther, that "he was the first writer of any note who found out that Grecian history was a living thing with a practical bearing." The next truly important and comprehensive Grecian history, published from 1835 to 1840, in eight volumes, 8vo, was written by CONNOP THIRLWALL, D. D., Bishop of St. David's. It is a scholarly, elaborate, and philosophical work evincing a thorough knowledge of Greek literature and of the German commentators. The historian Grote said that, if it had appeared a few years earlier, he should probably never have undertaken his own history of Greece. "I should certainly," he says, "not have been prompted to the task by any deficiencies such as those I felt and regretted in Mitford." In comparing Thirlwall's history with Grote's, the North British Review has the following judicious remarks: "Many persons, probably, who have no special devotion to Grecian history wish to study its main outlines in something higher than a mere school-book. To such readers we should certainly recommend Thirlwall rather than Grote. The comparative brevity, the greater clearness and terseness of the narrative, the freedom from diversions and digressions, all render it far better suited for such a purpose. But for the political thinker, who regards Grecian history chiefly in its practical bearing, Mr. Grote's work is far better adapted. The one is the work of a scholar, an enlarged and practical scholar indeed, but still one in whom the character of the scholar is the primary one. The other is the work of a politician and man of business, a London banker, a Radical M. P., whose devotion to ancient history and literature forms the most illustrious confutation of the charges brought against such studies as being useless and impractical." "The style of Thirlwall," says Dr. Samuel Warren of England, in his Introduction to Law Studies, "is dry, terse, and exact--not fitted, perhaps, for the historical tyro, but most acceptable to the advanced student who is in quest of things." GEORGE GROTE, Member of Parliament, and a London banker, who wrote a history of Greece in twelve volumes, published from 1846 to 1855, has been styled, by way of eminence, the historian of Greece, because his work is universally admitted by critics to be the best for the advanced student that has yet been written. The London Athenæum styles his history "a great literary undertaking, equally notable whether we regard it as an accession of standard value in our language, or as an honorable monument of what English scholarship can do." The London Quarterly Review says: "Errors the most inveterate, that have been handed down without misgiving from generation to generation, have been for the first time corrected by Mr. Grote; facts the most familiar have been presented in new aspects and relations; things dimly seen, and only partially apprehended previously, have now assumed their true proportions and real significance; while numerous traits of Grecian character; and new veins of Grecian thought and feeling, have been revealed to the eyes of scholars by Mr. Grote's searching criticism, like new forms of animated nature by the microscope." The general character of the work has been farther well summed up by Sir Archibald Alison. He says: "A decided liberal, perhaps even a republican, in politics, Mr. Grote has labored to counteract the influence of Mitford in Grecian history, and construct a history of Greece from authentic materials, which should illustrate the animating influence of democratic freedom upon the exertions of the human mind. In the prosecution of this attempt he has displayed an extent of learning, a variety of research, a power of combination, which are worthy of the very highest praise, and have secured for him a lasting place among the historians of modern Europe." We may also mention, in this connection, the valuable and scholarly work of the German professor, Ernst Curtius (1857-'67), in five volumes, translated by A. Ward (1871-'74). His sympathies are monarchical, and his views more nearly accord with those of Mitford and Thirlwall than with those of Grote. The work by William Smith, in one volume, 1865, is an excellent summary of Grecian history, as is also that of George W. Cox, 1876. The former work, which to a considerable extent is an abridgment of Grote, has been brought down, in a Boston edition, from the Roman Conquest to the middle of the present century, by Dr. Felton, late President of Harvard College. President Felton has also published two volumes of scholarly lectures on Ancient and Modern Greece (1867). The works devoted to limited periods of Grecian history and special departments of research are very numerous. Among the most valuable of the former is the History of the Peloponnesian War, by the Greek historian Thucydides, of which there are several English versions. He was born in Athens, about the year 471 B.C. His is one of the ablest histories ever written. Herodotus, the earliest and best of the romantic historians, sometimes called the "Father of History," was contemporary with Thucydides. He wrote, in a charming style, an elaborate work on the Persian and Grecian wars, most of the scenes of which he visited in person; and in numerous episodes and digressions he interweaves the most valuable history that we have of the early Asiatic nations and the Egyptians; but he indulges too much in the marvelous to be altogether reliable." Of the numerous works of Xenophon, an Athenian who is sometimes called the "Attic Muse," from the simplicity and beauty of his style, the best known and the most pleasing are the Anab'asis, the Memorabil'ia of Socrates, and the Cyropedi'a, a political romance. He was born about 443 B.C. The best English translation of his works is by Watson, in Harper's "New Classical Library." The work of the Greek historian, Polybius, originally in forty volumes, of which only five remain entire covered a period from the downfall of the Macedonian power to the subversion of Grecian liberty by the Romans, 146 B.C. It is a work of great accuracy, but of little rhetorical polish, and embraces much of Roman history from which Livy derived most of the materials for his account of the wars with Carthage. In the first century of our era, Plutarch, a Greek biographer, wrote the "Parallel Lives" of forty-six distinguished Greeks and Romans--a charming and instructive work, translated by John and William Langhorne in 1771, and by Arthur Hugh Clough in 1858. A history of Greece, in seven volumes, by George Finlay, a British historian, long resident at Athens, is noted for a thorough knowledge of Greek topography, art, and antiquity. The completed work embraces a period from the conquest of Greece by the Romans to the middle of the present century. A History of Greek Literature, by J, P. Mahaffy, is the most polished descriptive work in the department which it embraces. It is happily supplemented by J. Addington Symonds' Studies of the Greek Poets. Mr. Mahaffy, in common with many German scholars, is an unbeliever in the unity of the Iliad. CONTENTS. [The names of authors from whom selections are taken are in CAPITOLS.] CHAPTER I. GENERAL VIEW OF THE GRECIAN STATES AND ISLANDS. Introductory.--Olympus.--HEMANS.--Pi'e-rus.--POPE. 1. Thessaly.--Tem'pe.-HEMANS. 2. Epi'rus.--Cocy'tus, Ach'eron, Dodo'na.--MILTON: HAYGARTH: BYRON. 3. Acarna'nia. 4. Æto'lia. 5. Lo'cris. 6. Do'ris. 7. Pho'cis.--Parnassus.--BYRON.--Delphi.--HEMANS. 8. Boeo'tia.--Thebes.--SCHILLER. 9. Attica.--BYRON. 10. Corinth.--BYRON: HAYGARTH. 11. Acha'ia. 12. Arca'dia. 13. Ar'golis.--Myce'næ.--HEMANS. 14. Laco'nia. 15. Messe'nia. 16. E'lis. 17. The Isles of Greece.--BYRON. Lemnos.--Euboe'a.--Cyc'la-des.--De'los.--Spor'a-des.-- Crete.--Rhodes.--Sal'amis.--Ægi'na.--Cyth'-era.-- "Venus Rising from the Sea."--WOOLNER. Stroph'a-des.--VIRGIL.--Paxos.--Zacyn'thus.-- Cephalo'nia.--Ith'aca.--Leu'cas or Leuca'dia.-- Corcy'ra or Cor'fu.--"Gardens of Alcin'o-us." CHAPTER II. THE FABULOUS AND LEGENDARY PERIOD OF GRECIAN HISTORY. I. Grecian Mythology. Value of the Grecian Fables.--J. STUART BLACKIE. The Battle of the Giants.--HE'SIOD Hymn to Jupiter.--CLEAN'THES The god Apollo.--OV'ID. Fancies of the Greek Mind.--WORDSWORTH: LIDDELL: BLACKIE. The Poet's Lament.--SCHILLER. The Creation.--OVID. The Origin of Evil.--HESIOD. What Prome'theus Personified.--BLACKIE. The Punishment of Prometheus.--ÆS'CHYLUS: SHELLEY Deluge of Deuca'lion.--OVID. Moral Characteristics of the Gods, etc.--MAHAFFY: GLADSTONE: HOMER: ÆSCHYLUS: HESIOD. Oaths.--HOMER: ÆSCHYLUS: SOPH'OCLES: VIRGIL. The Future State.--HOMER. 1. Story of Tan'talus.--BLACKIE 2. The Descent of Or'pheus.--OVID: HOMER. 3. The Elys'ium.--HOMER: PINDAR. Hindu and Greek Skepticism.--(Cornhill Magazine). II. The Earnest Inhabitants of Greece. The Founding of Athens.--BLACKIE. III. The Heroic Age. Heroic Times foretold to Adam.--MILTON Twelve Labors of Hercules.--HOMER. Fable of Hercules and Antæ'us.--COLLINS. The Argonautic Expedition.--PINDAR. Legend of Hy'las.--BAYARD TAYLOR. The Trojan War. 1. The Greek Armament.--EURIP'IDES. 2. The name Helen.--ÆSCHYLUS. 3. Ulysses and Thersi'tes.--HOMER. (POPE). 4. Combat of Menela'us and Paris.--HOMER. (POPE). 5. Parting of Hector and Androm'a-che.--HOMER. (POPE). 6. Hector's Exploits and Death of Patro'clus.--HOMER. (POPE). 7. The Shield of Achilles.--HOMER. (SOTHEBY). 8. Address of Achilles to his Horses.--HOMER. (POPE). 9. The Death of Hector.--HOMER. (BRYANT). 10. Priam Begging for Hector's Body.--HOMER. (COWPER). 11. Lamentations of Andromache and Helen.--HOMER. (POPE). The Fate of Troy.--VIRGIL: SCHILLER. Beacon Fires from Troy to Argos.--ÆSCHYLUS. Remarks on the Trojan War.--THIRLWALL: GROTE. Fate of the Actors in the Conflict.--ENNIUS: LANDOR: LANG. IV. Arts and Civilization in the Heroic Age. Political Life of the Greeks.--MAHAFFY: HEEREN. Domestic Life and Character.--MAHAFFY: HOMER. The Raft of Ulysses.--HOMER. V. The Conquest of Peloponnesus, and Colonies in Asia Minor. Return of the Heracli'dæ.--LUCAN. CHAPTER III. EARLY GREEK LITERATURE, AND GREEK COMMUNITY OF INTERESTS. Ionian Language and Culture.--FELTON. I. Homer and his Poems.--ANTIP'ATER: FELTON: TALFOURD: POPE: COLERIDGE. II. Some Causes of Greek Unity. The Grecian Festivals. 1. Chariot Race and Death of Ores'tes.--SOPHOCLES. 2. Apollo's Conflict with the Python.--OVID. 3. The Apollo Belvedere.--THOMSON. The National Councils. CHAPTER IV. SPARTA, AND THE LEGISLATION OF LYCURGUS. Description of Sparta.--THOMSON. I. The Constitution of Lycurgus. Spartan Patriotic Virtue.--TYMNOE'US. II. Spartan Poetry and Music. Spartan March.--CAMPBELL.: HEMANS. Songs of the Spartans.--PLUTARCH: TERPAN'DER: PINDAR: ION. III. Sparta's Conquests. War-song.--TYRTOE'US. CHAPTER V. FORMS OF GOVERNMENT, AND CHANGES IN GRECIAN POLITICS. Introductory.--THIRLWALL: LEG'ARÉ. I. Changes from Aristocracies to Oligarchies.--HEEREN. II. Changes from Oligarchies to Despotisms.--THIRLWALL: HEEREN: BULWER: TYRTOE'US. CHAPTER VI. THE EARLY HISTORY OF ATHENS. I. The Legislation of Dra'co. II. The Legislation of So'lon.--PLUTARCH: A'KENSIDE: SOLON: THOMSON: SOLON. III. The Usurpation of Pisis'tratus. The Usurper and his Stratagem.--AKENSIDE. Solon's Appeal to the Athenians.--AKENSIDE. Character of Pisistratus.--THIRLWALL. Conspiracy of Harmodius and Aristogi'ton.--CALLIS'TRATUS. IV. Birth of Democracy.--THIRLWALL. CHAPTER VII. A BRIEF HISTORY OF THE GREEK COLONIES. The Cave of the Cumæ'an Sibyl.--VIRGIL: GROTE. The'ron of Agrigen'tum.--PINDAR. Increase among the Sicilian Greeks.--GROTE. CHAPTER VIII. PROGRESS OF LITERATURE AND THE ARTS. I. The Poems of Hesiod.--"Winter."--FELTON: MURE: THIRLWALL: MAHAFFY. II. Lyric Poetry. Calli'nus of Ephesus.--"War Elegy". Archil'ochus of Pa'ros--SYMONDS: MAHAFFY. Alc'man.--"Sleep, or Night."--MURE. Ari'on.--Stesich'orus.--MAHAFFY. Alcæus.--"Spoils of War."--AKENSIDE. Sappho.--"Defence of."--SYMONDS: ANTIP'ATER. Anac'reon.--"The Grasshopper."--AKENSIDE. III. Early Grecian Philosophy. The Seven Sages.--(Maxims).-GROTE. Tha'les, Anaxim'enes, Heracli'tus, Diog'enes, Anaximan'der, and Xenoph'anes. Pythag'oras and his Doctrines.--BLACKIE: THOMSON: COLERIDGE: LOWELL. The Eleusin'ian Mysteries.--VIRGIL. IV. Architecture. The Cyclo'pean Walls.--LORD HOUGHTON. Dor'ic, Ion'ic, and Corinthian Orders.--THOMSON. Cher'siphron, and the Temple of Diana.--STORY. Temples at Pæs'tum.--CRANCH. V. Sculpture. Glaucus, Rhoe'cus, Theodo'rus, Dipæ'nus, Scyllis. Cause of the Progress of Sculpture.--THIRLWALL. CHAPTER IX. THE PERSIAN WARS. I. The Ionic Revolt. II. The First Persian War. The Battle of Marathon. Legends of the Battle.--HEMANS: BLACKIE. The Death of Milti'ades: his Character.--GROTE: GILLIES. Aristi'des and Themis'tocles:--THOMSON: PLUTARCH: THIRLWALL. III. The Second Persian Invasion. Xerxes at Aby'dos.--HEROD'OTUS. Bridging of the Hellespont.--JUVENAL: MILTON. The Battle of Thermop'ylæ. 1. Invincibility of the Spartans.--HAYGARTH. 2. Description of the Contest.--HAYGARTH. 3. Epitaphs on those who fell.--SIMON'IDES. 4. The Tomb of Leon'idas.--ANON. 5. Eulogy on the Fallen.--BYRON Naval Conflict at Artemis'ium.--PLUTARCH: PINDAR. The Abandonment of Athens. The Battle of Salamis. 1. Xerxes Views the Conflict.--BYRON. 2. Flight of Xerxes.--JUVENAL: ALAMANNI. 3. Celebrated Description of the Battle.--MITFORD: ÆSCHYLUS. 4. Another Account.--BLACKIE. The Battle of Platæ'a. 1. Description of the Battle.--BULWER. 2. Importance of the Victory.--SOUTHEY: BULWER. 3. Victory at Myc'a-le.--BULWER. 4. "The Wasps."--ARISTOPHANES. CHAPTER X. THE RISE AND GROWTH OF THE ATHENIAN EMPIRE. I. The Disgrace and Death of Themistocles. Tributes to his Memory.--PLATO: GEMINUS: THIRLWALL. II. The Rise and Fall of Cimon. Character of Cimon--THOMSON. Battle of Eurym'edon.--SIMONIDES. Earthquake at Sparta, and Revolt of the Helots.--BULWER: ALISON. III. The Accession of Pericles to Power. Changes in the Athenian Constitution.--BULWER. Tribute to Pericles.--CROLY. Picture of Athens in Peace.--HAYGARTH. CHAPTER XI. THE PELOPONNESIAN WARS, AND THE FALL OF ATHENS. Speech of Pericles for War.--THUCYD'IDES. I. The First Peloponnesian War. Funeral Oration of Pericles.--THUCYDIDES. Comments on the Oration.--CURTIUS. The Plague at Athens.--LUCRETIUS. Death of Pericles.--CROLY: THIRLWALL: BULWER. Character of Pericles.--MITFORD. II. The Athenian Demagogues. Cleon, the Demagogue.--GILLIES: ARISTOPH'ANES. The Peace of Ni'cias. III. The Sicilian Expedition. Treatment of the Athenian Prisoners.--BYRON. IV. The Second Peloponnesian War. Humiliation of Athens. Barbarities of the Contest.--MAHAFFY. CHAPTER XII. GRECIAN LITERATURE AND ART, FROM THE BEGINNING OF THE PERSIAN TO THE CLOSE OF THE PELOPONNESIAN WARS (B.C. 500-403). LITERATURE. Introductory. The Era of Athenian Greatness.--SYMONDS. I. Lyric Poetry. Simonides.--"Lamentation of Dan'a-ë."--MAHAFFY. Pindar.--"Threnos."--THIRLWALL: PRIOR: SYMONDS: GRAY: POPE: HORACE. II. The Drama.--BULWER. 1. Tragedy.--Melpom'ene.--AKENSIDE. Æschylus.--"Death of Agamemnon."--PLUMPTRE: LAWRENCE: VAN SCHLEGEL: BYRON: MAHAFFY. Sophocles.--OEd'ipus Tyran'nus."--TALFOURD: PHRYN'ICHUS: SIM'MIAS. Euripides.--"Alcestis Preparing for Death."--SYMONDS: MILTON: MAHAFFY. The Transitions of Tragedy.--GROTE. 2. Comedy. Characterization of. Aristophanes.--Extracts from "The Cloud." "Choral Song from The Birds."--PLATO: GROTE: SEWELL: MILTON: RUSKIN. III. History. Hecatæ'ns.--MAHAFFY: NIEBUHR. Herodotus.--"Introduction to History."--LAWRENCE. Herodotus and his Writings.--MACAULAY. Thucyd'i-des.--MAHAFFY. Thucydides and Herodotus.--BROWNE. IV. Philosophy. Anaxag'oras: his Death.--WILLIAM CANTON. The Sophists.--MAHAFFY. Socrates.--"Defence of Socrates."--"Socrates' Views of a Future State."--MAHAFFY: THOMSON: SMITH: TYLER: GROTE. ART. I. Sculpture and Painting. Phid'ias.--LÜBKE: GILLIES: LÜBKE. Polygno'tus.--Apollodo'rus.--Zeux'is.--Parrha'sius. --Timan'thes. Parrhasius and his Captive.--SENECA: WILLIS. II. Architecture. Introductory.--THOMSON. The Adornment of Athens.--BULWER. I. The Acrop'olis and its Splendors. The Parthenon.--HEMANS. II. Other Architectural Monuments of Athens. The Temple of The'seus.--HAYGARTH. Athenian Enthusiasm for Art.--BULWER. The Glory of Athens.--TALFOURD. CHAPTER XIII. THE SPARTAN AND THEBAN SUPREMACIES. I. The Expedition of Cyrus, and the Retreat of the Ten Thousand.--THOMSON: CURTIUS. II. The Supremacy of Sparta. III. The Rise and Fall of Thebes. Pelop'idas and Epaminon'das.--THOMSON: CURTIUS. CHAPTER XIV. THE SICILIAN GREEKS. The Founding of Ætna.--PINDAR. Hi'ero's Victory at Cu'mæ.--PINDAR. Admonitions to Hiero.--PINDAR. Dionysius the Elder.--PLUTARCH. Damon and Pythias.--The Hostage.--SCHILLER. Archime'des.--SCHILLER Visit of Cicero to the Grave of Archimedes.--WINTHROP. CHAPTER XV. THE MACEDONIAN SUPREMACY. I. The Sacred War.--THIRLWALL. II. Sketch of Macedonia. III. Interference of Philip of Macedon. Demosthenes.--"The First Philippic."--GROTE. Pho'cion.--His Influence at Athens.--GROTE. IV. War with Macedon. V. Accession of Alexander the Great. VI. Alexander Invades Asia. VII. The Battle of Arbe'la.--Flight and Death of Dari'us.-- GROTE: ÆS'CHINES. Alexander's Feast at Persep'olis.--DRYDEN. VI. The Death of Alexander. His Career and his Character.--LU'CAN. Reflections on his Life, etc.--JUVENAL: BYRON. CHAPTER XVI. FROM THE DEATH OF ALEXANDER TO THE CONQUEST OF GREECE BY THE ROMANS. I. A Retrospective Glance at Greece. Oration of Æschines against Ctes'iphon. Oration of Demosthenes on the Crown. II. The Wars that followed Alexander's Death. Character of Ptolemy Philadelphus--THEOC'RITUS. III. The Celtic Invasion, and the War with Pyrrhus. Queen Archidami'a.--ANON. IV. The Achæ'an League.--Philip V. of Macedon. Epigrams on Philip and the Macedonians.--Alcoe'us. V. Greece Conquered by Rome. "The Liberty of Greece."--WORDSWORTH. Desolation of Corinth.--ANTIPATER. Last Struggles of Greece.--THIRLWALL: HORACE. CHAPTER XVII. LITERATURE AND ART AFTER THE CLOSE OF THE PELOPONNESIAN WAR. LITERATURE. I. The Drama.--MAHAFFY. Phile'mon.--"Faith in God." Menander.--"Human Existence."--SYMONDS: LAWRENCE. II. Oratory.--MILTON: CICERO. Æs'chines and Demosthenes.--LEGARÉ: BROUGHAM: HUME. III. Philosophy. Plato.--HAYGARTH: BROUGHAM: KENDRICK: MITCHELL. Aristotle.--POPE: BROWNE: LAWRENCE: SMITH: MAHAFFY. Academe.--ARNOLD. Epicu'rus and Ze'no.--LUCRETIUS. IV. History. Xen'ophon.--MITCHELL. Polyb'ius. ART. I. Architecture and Sculpture. Changes in Statuary.--WEYMAN. The Dying Gladiator.--LÜBKE: THOMSON. The La-oc'o-on.--THOMSON: HOLLAND. II. Painting. Venus Rising from the Sea.--ANTIPATER. Apel'les and Protog'enes.--ANTHON. Protogenes' Picture at Rhodes.--THOMSON. Concluding Reflections. The Image of Athens.--SHELLEY. Immortal Influence of Athens.--MACAULAY: HAYGARTH. CHAPTER XVIII. GREECE SUBSEQUENT TO THE ROMAN CONQUEST. I. Greece under the Romans. The Revolt.--FINLAY. Christianity in Greece.--FELTON. II. Changes down to the Fourteenth Century. Courts of the Crusading Chieftains.--EDINBURGH REVIEW. The Duchy of Athens.--FELTON. The Turkish Invasion.--HEMANS. III. Contests between the Turks and Venetians. Past and Present of the Acropolis of Athens. The Siege and Fall of Corinth.--BYRON. IV. Final Conquest of Greece by Turkey. Turkish Oppressions.--TENNENT. The Slavery of Greece.--CANNING: BYRON. First Steps to Secure Liberty.--The Klephts.--FELTON. Greek War-Songs.--RHIGAS: POLYZOIS. V. The Greek Revolution. A Prophetic Vision of the Struggle.--SHELLEY'S "Hellas". Song of the Greeks.--CAMPBELL. American Sympathy with Greece.--TUCKERMAN: WEBSTER. The Sortie at Missolon'ghi.--WARBURTON. A Visit to Missolonghi.--STEPHENS. Marco Bozzar'is.--HALLECK. Battle of Navari'no.--CAMPBELL. VI. Greece under a Constitutional Monarchy. Revolution against King Otho.--BENJAMIN. The Deposition of King Otho: Greece under his Rule. --TUCKERMAN: BRITISH QUARTERLY. Accession of King George.--His Government.--TUCKERMAN. Progress in Modern Greece.--COOK. INDEX CHAPTER I. GENERAL VIEW OF THE GRECIAN STATES AND ISLANDS. The country called HELLAS by the Helle'nes, its native inhabitants, and known to us by the name of Greece, forms the southern part of the most easterly of the three great peninsulas of Southern Europe, extending into the Mediterranean between the Æge'an Sea, or Grecian Archipelago, on the east, and the Ionian Sea on the west. The whole area of this country, so renowned in history, is only about twenty thousand square miles; which is considerably less than that of Portugal, and less than half that of the State of Pennsylvania. The mainland of ancient Greece was naturally divided into Northern Greece, which embraced Thessaly and Epi'rus; Central Greece, comprising the divisions of Acarna'nia, Æto'lia, Lo'cris, Do'ris, Pho'cis, Breo'tia, and At'tica (the latter forming the eastern extremity of the whole peninsula); and Southern Greece, which the ancients called Pel-o-pon-ne'sus, or the Island of Pe'lops, which would be an island were it not for the narrow Isthmus of Corinth, which connects it on the north with Central Greece. Its modern name, the Mo-re'a, was bestowed upon it from its resemblance to the leaf of the mulberry. The chief political divisions of Peloponnesus were Corinth and Acha'ia on the north, Ar'golis on the east, Laco'nia and Messe'nia at the southern extremity of the peninsula, E'lis on the west, and the central region of Arca'dia. Greece proper is separated from Macedonia on the north by the Ceraunian and Cambunian chain of mountains, extending in irregular outline from the Ionian Sea on the west to the Therma'ic Gulf on the east, terminating, on the eastern coast, in the lofty summit of Mount Olympus, the fabled residence of the gods, where, in the early dawn of history, Jupiter (called "the father of gods and men") was said to hold his court, and where he reigned supreme over heaven and earth. Olympus rises abruptly, in colossal magnificence, to a height of more than six thousand feet, lifting its snowy head far above the belt of clouds that nearly always hangs upon the sides of the mountain. Wild and august in consecrated pride, There through the deep-blue heaven Olympus towers, Girdled with mists, light-floating as to hide The rock-built palace of immortal powers. --HEMANS. In the Olympian range, also, was Mount Pie'rus, where was the Pierian fountain, one of the sacred resorts of the Muses, so often mentioned by the poets, and to which POPE, with gentle sarcasm, refers when he says, A little learning is a dangerous thing: Drink deep, or taste not the Pierian spring. 1. Thessaly.--From the northern chain of mountains, the central Pindus range, running south, separates Thessaly on the east from Epi'rus on the west. The former region, enclosed by mountain ranges broken only on the east, and watered by the Pene'us and its numerous tributaries, embraced the largest and most fertile plain in all Greece. On the Thessalian coast, south of Olympus, were the celebrated mounts Ossa and Pe'lion, which the giants, in their wars against the gods, as the poets fable, piled upon Olympus in their daring attempt to scale the heavens and dethrone the gods. Between those mounts lay the celebrated vale of Tem'pe, through which the Pene'us flowed to the sea. Romantic Tempe! thou art yet the same-- Wild as when sung by bards of elder time: Years, that have changed thy river's classic name, [Footnote: The modern name of the Pene'us is Selembria or Salamvria.] Have left thee still in savage pomp sublime. --HEMANS. Farther south, having the sea on one side and the lofty cliffs of Mount OE'ta on the other, was the celebrated narrow pass of Thermop'ylæ, leading from Thessaly into Central Greece. 2. Epi'rus.--The country of Epirus, on the west of Thessaly, was mostly a wild and mountainous region, but with fertile intervening valleys. Among the localities of Epirus celebrated in fable and in song was the river Cocy'tus, which the poets, on account of its nauseous waters, described as one of the rivers of the lower world-- Cocytus, named of lamentation loud Heard on the rueful stream. The Ach'eron was another of the rivers-- Sad Acheron of sorrow, black and deep-- --MILTON. which was assigned by the poets to the lower world, and over which the souls of the dead were said to be first conveyed, before they were borne the Le'the, or "stream of oblivion," beyond. The true Acheron of Epirus has been thus described: Yonder rolls Acheron his dismal stream, Sunk in a narrow bed: cypress and fir Wave their dim foliage on his rugged banks; And underneath their boughs the parched ground, Strewed o'er with juniper and withered leaves, Seems blasted by no mortal tread. As the Acheron falls into the lake Acheru'sia, and after rising from it flows underground for some distance, this lake also has been connected by the poets with the gloomy legend of its fountain stream. This is the place Sung by the ancient masters of the lyre, Where disembodied spirits, ere they left Their earthly mansions, lingered for a time Upon the confines of eternal night, Mourning their doom; and oft the astonished hind, As home he journeyed at the fall of eve, Viewed unknown forms flitting across his path, And in the breeze that waved the sighing boughs Heard shrieks of woe. --HAYGARTH. In Epirus was also situated the celebrated city of Dodo'na, with the temple of that name, where was the most ancient oracle in Greece, whose fame extended even to Asia. But in the wide waste of centuries even the site of this once famous oracle is forgotten. Where, now, Dodona! is thine aged grove, Prophetic fount, and oracle divine? What valley echoes the response of Jove? What trace remaineth of the Thunderer's shrine? All, all forgotten! --BYRON. 3. Acarna'nia.--Coming now to Central Greece, lying northward of the Corinthian Gulf, we find Acarnania on the far west, for the most part a productive country with good harbors: but the Acarnanians, a rude and warlike people, were little inclined to Commercial pursuits; they remained far behind the rest of the Greeks in culture, and scarcely one city of importance was embraced within their territory. 4. Æto'lia, generally a rough and mountainous country, separated, on the west, from Acarnania by the river Ach-e-lo'us, the largest of the rivers of Greece, was inhabited, like Acarnania, by a hardy and warlike race, who long preserved the wild and uncivilized habits of a barbarous age. The river Achelous was intimately connected with the religion and mythology of the Greeks. The hero Hercules contended with the river-god for the hand of De-i-a-ni'ra, the most beautiful woman of his time; and so famous was the stream itself that the Oracle of Dodona gave frequent directions "to sacrifice to the Achelous," whose very name was used, in the language of poetry, as an appellation for the element of water and for rivers. 5. Lo'cris, lying along the Corinthian Gulf east of Ætolia, was inhabited by a wild, uncivilized race, scarcely Hellen'ic in character, and said to have been addicted, from the earliest period, to theft and rapine. Their two principal towns were Amphis'sa and Naupac'tus, the latter now called Lepanto. There was another settlement of the Locri north of Pho'cis and Boeo'tia. 6. Do'ris, a small territory in the north-eastern angle of Ætolia proper--a rough but fertile country--was the early seat of the Dorians, the most enterprising and the most powerful of the Hellenic tribes, if we take into account their numerous migrations, colonies and conquests. Their colonies in Asia Minor founded six independent republics, which were confined within the bounds of as many cities. From this people the Doric order of architecture--a style typical of majesty and imposing grandeur, and the one the most employed by the Greeks in the construction of their temples--derived its origin. 7. Pho'cis.--On the east of Locris, Ætolia, and Doris was Phocis, a mountainous region, bordered on the south by the Corinthian Gulf. In the northern central part of its territory was the famed Mount Parnassus, covered the greater part of the year with snow, with its sacred cave, and its Castalian fount gushing forth between two of its lofty rocks. The waters were said to inspire those who drank of them with the gift of poetry. Hence both mountain and fount were sacred to the Muses, and their names have come down to our own times as synonymous with poetry and song. BYRON thus writes of Parnassus, in lines almost of veneration, as he first viewed it from Delphi, on the southern base of the mountain: Oh, thou Parnassus! whom I now survey, Not in the frenzy of a dreamer's eye, Not in the fabled landscape of a lay, But soaring snow-clad through thy native sky In the wild pomp of mountain majesty! Oft have I dreamed of thee! whose glorious name Who knows not, knows not man's divinest lore: And now I view thee, 'tis, alas! with shame That I in feeblest accents must adore. When I recount thy worshippers of yore I tremble, and can only bend the knee; Nor raise my voice, nor vainly dare to soar, But gaze beneath thy cloudy canopy In silent joy to think at last I look on thee! The city of Delphi was the seat of the celebrated temple and oracle of that name. Here the Pythia, the priestess of Apollo, pronounced the prophetic responses, in extempore prose or verse; and here the Pythian Games were celebrated in honor of Apollo. Here, thought-entranced, we wander, where of old From Delphi's chasm the mystic vapor rose, And trembling nations heard their doom foretold By the dread spirit throned 'midst rocks and snows. Though its rich fanes be blended with the dust, And silence now the hallowed haunt possess, Still is the scene of ancient rites august, Magnificent in mountain loneliness; Still Inspiration hovers o'er the ground, Where Greece her councils held, her Pythian victors crowned. --MRS. HEMANS. 8. Boeo'tia.--Boeotia, lying to the east of Phocis, bordering on the Euri'pus, or "Euboe'an Sea," a narrow strait which separates it from the Island of Euboe'a, and touching the Corinthian Gulf on the south-west, is mostly one large basin enclosed by mountain ranges, and having a soil exceedingly fertile. It was the most thickly settled part of Greece; it abounded in cities of historic interest, of which Thebes, the capital, was the chief--whose walls were built, according to the fable, to the sound of the Muses: With their ninefold symphonies There the chiming Muses throng; Stone on stone the walls arise To the choral Music-song. --SCHILLER. Boeotia was the scene of many of the legends celebrated by the poets, and especially of those upon which were founded the plays of the Greek tragedians. Near a fountain on Mount Cithæ'ron, on its southern border, the hunter Actæ'on, having been changed into a stag by the goddess Diana, was hunted down and killed by his own hounds. Pen'theus, an early king of Thebes, having ascended Cithæron to witness the orgies of the Bacchanals, was torn in pieces by his own mother and aunts, to whom Bacchus made him appear as a wild beast. On this same mountain range also occurred the exposure of OEd'ipus, the hero of the most famous tragedy of Sophocles. Near the Corinthian Gulf was Mount Hel'icon, sacred to Apollo and the Muses. Its slopes and valleys were renowned for their fertility; it had its sacred grove, and near it was the famous fountain of Aganip'pe, which was believed to inspire with oracular powers those who drank of its waters. Nearer the summit was the fountain Hippocre'ne, which is said to have burst forth when the winged horse Peg'asus, the favorite of the Muses, struck the ground with his hoofs, and which Venus, accompanied by her constant attendants, the doves, delighted to visit. Here, we are told, Her darling doves, light-hovering round their Queen, Dipped their red beaks in rills from Hippocrene. [Footnote: Always Hip-po-cre'ne in prose; but it is allowable to contract it into three syllables in poetry, as in the example above.] It was here, also-- near this fresh fount, On pleasant Helicon's umbrageous mount-- that occurred the celebrated contest between the nine daughters of Pie'rus, king of E-ma'thi-a (the ancient name of Macedonia), and the nine Muses. It is said that "at the song of the daughters of Pierus the sky became dark, and all nature was put out of harmony; but at that of the Muses the heavens themselves, the stars, the sea, and the rivers stood motionless, and Helicon swelled up with delight, so that its summit reached the sky." The Muses then, having turned the presumptuous maidens into chattering magpies, first took the name of Pi-er'i-des, from Pieria, their natal region. 9. Attica.--Bordering Boeotia on the south-east was the district of Attica, nearly in the form of a triangle, having two of its sides washed by the sea, and the other--the northern--shut off from the east of Central Greece by the mountain range of Cithæron on the north-west, and Par'nes on the east. Its other noted mountains were Pentel'icus (sometimes called Mende'li), so celebrated for its quarries of beautiful marble, and Hymet'tus, celebrated for its excellent honey, and the broad belt of flowers at its base, which scented the air with their delicious perfume. It could boast of its chief city, the favored seat of the goddess Minerva-- Athens, the eye of Greece, mother of arts And eloquence-- as surpassing all other cities in beauty and magnificence, and in the great number of its illustrious citizens. Yet the soil of Attica was, on the whole, exceedingly barren, with the exception of a few very fertile spots; but olive groves abounded, and the olive was the most valuable product. The general sterility of Attica was the great safety of her people in their early history. "It drove them abroad; it filled them with a spirit of activity, which loved to grapple with danger and difficulty; it told them that, if they would maintain themselves in the dignity which became them, they must regard the resources of their own land as nothing, and those of other countries as their own." Added to this, the situation of Attica marked it out in an eminent manner for a commercial country; and it became distinguished beyond all the other states of Greece for its extensive commercial relations, while its climate was deemed the most favorable of all the regions of the civilized world for the physical and intellectual development of man. It was called "a sunny land," and, notwithstanding the infertility of its soil, it was full of picturesque beauty. The poet BYRON, in his apostrophe to Greece, makes many striking and beautiful allusions to the Attica of his own time: Yet are thy skies as blue, thy crags as wild; Sweet are thy groves, and verdant are thy fields, Thine olive ripe as when Minerva smiled, And still its honeyed wealth Hymettus yields. There the blithe bee his fragrant fortress builds, The freeborn wanderer of thy mountain air; Apollo still thy long, long summer gilds, Still in his beam Mendeli's marbles glare; Art, Glory, Freedom fail, but Nature still is fair. 10. Entering now upon the isthmus which leads into Southern Greece, we find the little state of Corinth, with its famous city of the same name, keeping guard over the narrow pass, with one foot on the Corinthian Gulf and the other on the Saron'ic, thereby commanding both the Ionian and Æge'an seas, controlling the commerce that passed between them, and holding the keys of Peloponnesus. It was a mountainous and barren region, with the exception of a small plain north-west of the city. Thus situated, Corinth early became the seat of opulence and the arts, which rendered her the ornament of Greece. On a lofty eminence overhanging the city, forming a conspicuous object at a great distance, was her famous citadel--so important as to be styled by Philip of Macedon "the fetters of Greece." Rising abruptly nearly two thousand feet above the surrounding plain, the hill itself, in its natural defences, is the strongest mountain fortress in Europe. The whirlwind's wrath, the earthquake's shock, Have left untouched her hoary rock, The key-stone of a land which still, Though fallen, looks proudly on that hill, The landmark to the double tide That purpling rolls on either side, As if their waters chafed to meet, Yet pause and crouch beneath her feet. --BYRON. The ascent to the citadel, in the days of Corinthian glory, was lined on both sides with temples and altars; but temples and altars are gone, and citadel and city alike are now in ruins. Antip'ater of Sidon describes the city as a scene of desolation after it had been conquered, plundered, and its walls thrown down by the Romans, 146 B.C. Although the city was partially rebuilt, the description is fully applicable to its present condition. A modern traveller thus describes the site of the ancient city: The hoarse wind sighs around the mouldering walls Of the vast theatre, like the deep roar Of distant waves, or the tumultuous rush Of multitudes: the lichen creeps along Each yawning crevice, and the wild-flower hangs Its long festoons around each crumbling stone. The window's arch and massive buttress glow With time's deep tints, whilst cypress shadows wave On high, and spread a melancholy gloom. Silent forever is the voice Of Tragedy and Eloquence. In climes Far distant, and beneath a cloudy sky, The echo of their harps is heard; but all The soul-subduing energy is fled. --HAYGARTH. 11. Adjoining the Corinthian territory on the west, and extending about sixty-five miles along the southern coast of the Corinthian Gulf, was Acha'ia, mountainous in the interior; but its coast region for the most part was level, exposed to inundations, and without a single harbor of any size. Hence the Achæ'ans were never famous for maritime enterprise. Of the eleven Achæan cities that formed the celebrated Achæan league, Pal'træ (now Patras') alone survives. Si'çy-on, on the eastern border of Achaia, was at times an independent state. 12. South of Achaia was the central region of Arcadia, surrounded by a ring of mountains, and completely encompassed by the other states of the Peloponnesus. Next to Laconia it was the largest of the ancient divisions of Greece, and the most picturesque and beautiful portion (not unlike Switzerland in its mountain character), and without either seaports or navigable rivers. It was inhabited by a people simple in their habits and manners, noted for their fondness for music and dancing, their hospitality, and pastoral customs. With the poets Arcadia was a land of peace, of simple pleasures, and untroubled quiet; and it was natural that the pipe-playing Pan should first appear here, where musical shepherds led their flocks along the woody vales of impetuous streams. 13. Ar'golis, east of Arcadia, was mostly a rocky peninsula lying between the Saron'ic and Argol'ic gulfs. It was in great part a barren region, with the exception of the plain adjoining its capital city, Argos, and in early times was divided into a number of small but independent kingdoms, that afterward became republics. The whole region is rich in historic associations of the Heroic Age. Here was Tir'yns, whose massive walls were built by the one-eyed Cy'clops, and whence Hercules departed at the commencement of his twelve labors. Here, also, was the Lernæ'an Lake, where the hero slew the many-headed hydra; Ne'mea, the haunt of the lion slain by Hercules, and the seat of the celebrated Ne'mean games; and Myce'næ, the royal city of Agamemnon, who commanded the Greeks in the Trojan War--now known, only by its ruins and its legends of by-gone ages. And still have legends marked the lonely spot Where low the dust of Agamemnon lies; And shades of kings and leaders unforgot, Hovering around, to fancy's vision rise. --HEMANS. 14. At the south-eastern extremity of the Peloponnesus was Laconia, the fertile portions of which consisted mostly of a long, narrow valley, shut in on three sides by the mountain ranges of Ta-yg'etus on the west and Parnon on the north and east, and open only on the south to the sea. Through this valley flows the river Euro'tas, on whose banks, about twenty miles from the sea, stood the capital city, Lacedæ'mon, or Sparta, which was unwalled and unfortified during its most flourishing period, as the Spartans held that the real defence of a town consists solely in the valor of its citizens. The sea-coast of Laconia was lined with towns, and furnished with numerous ports and commodious harbors. While Sparta was equaled by few other Greek cities in the magnificence of its temples and statues, the private houses, and even the palace of the king, were always simple and unadorned. 15. West of Laconia was Messe'nia, the south-western division of Greece, a mountainous country, but with many fertile intervening valleys, the whole renowned for the mildness and salubrity of its climate. Its principal river, the Pami'sus, rising in the mountains of Arcadia, flows southward to the Messenian Gulf through a beautiful plain, the lower portion of which was so celebrated for its fertility that it was called Maca'ria, or "the blessed;" and even to this day it is covered with plantations of the vine, the fig, and the mulberry, and is "as rich in cultivation as can be well imagined." 16. One district more--that of E'lis, north of Messenia and west of Arcadia, and embracing the western slopes of the Achaian and Arcadian mountains--makes up the complement of the ancient Peloponnesian states. Though hilly and mountainous, like Messenia, it had many valleys and hill-sides of great fertility. The river Alphe'us, which the poets have made the most celebrated of the rivers of Greece, flows westward through Elis to the Ionian Sea, and on its banks was Olympia, the renowned seat of the Olympian games. Here, also, was the sacred grove of olive and plane trees, within which were temples, monuments, and statues, erected in honor of gods, heroes, and conquerors. In the very midst stood the great temple of Jupiter, which contained the colossal gold and ivory statue of the god, the masterpiece of the sculptor Phidias. Hence, by the common law of Greece Elis was deemed a sacred territory, and its cities were unwalled, as they were thought to be sufficiently protected by the sanctity of the country; and it was only when the ancient faith began to give way that the sacred character of Elis was disregarded. 17. The Isles of Greece.-- The Isles of Greece! the Isles of Greece! Where burning Sappho loved and sung-- Where grew the arts of war and peace, Where Delos rose and Phoebus sprung! Eternal summer gilds them yet, But all except their sun is set. --BYRON. The main-land of Greece was deeply indented by gulfs and almost land-locked bays, and the shores were lined with numerous islands, which were occupied by the Grecian race. Beginning our survey of these in the northern Æge'an, we find, off the coast of Thessaly, the Island of Lemnos, which is fabled as the spot on which the fire-god Vulcan--the Lucifer of heathen mythology--fell, after being hurled down from Olympus. Under a volcano of the island be established his workshop, and there forged the thunder-bolts of Jupiter and the arms of the gods and of godlike heroes. Of the Grecian islands proper, the largest is Euboe'a, a long and narrow island lying east of Central Greece, from which it is separated by the narrow channel of the Euri'pus, or Euboe'an Sea. South-east of Euboea are the Cyc'la-des, [Footnote: From the Greek word kuklos, a circle.] a large group that kept guard around the sacred Island of Delos, which is said to have risen unexpectedly out of the sea. The Spor'a-des [Footnote: From the Greek word speiro, to sow; scattered, like seed, so numerous were they. Hence our word spore.] were another group, scattered over the sea farther east, toward the coast of Asia Minor. The large islands of Crete and Rhodes were south-east of these groups. In the Saron'ic Gulf, between Attica and Ar'golis, were the islands of Sal'amis and Ægi'na, the former the scene of the great naval conflict between the Greeks on the one side and the Persians, under Xerxes, on the other, and the latter long the maritime rival of Athens. Cyth'era, now Cer'igo, an island of great importance to the Spartans, was separated by a narrow channel from the southern extremity of Laconia. It was on the coast of this island that the goddess Venus is fabled to have first appeared to mortals as she arose out of the foam of the sea, having a beautifully enameled shell for her chariot, drawn by dolphins, as some paintings represent; but others picture her as borne on a shining seahorse. She was first called Cyth-er-e'a, from the name of the island. The nymphs of ocean, of the land, and the streams, the fishes and monsters of the deep, and the birds of heaven, with rapturous delight greeted her coming, and did homage to the beauty of the Queen of Love. The following fine description of the scene, truly Grecian in spirit, is by a modern poet: Uprisen from the sea when Cytherea, Shining in primal beauty, paled the day, The wondering waters hushed, They yearned in sighs That shook the world--tumultuously heaved To a great throne of azure laced with light And canopied in foam to grace their queen. Shrieking for joy came O-ce-an'i-des, And swift Ner-e'i-des rushed from afar, Or clove the waters by. Came eager-eyed Even shy Na-i'a-des from inland streams, With wild cries headlong darting through the waves; And Dryads from the shore stretched their long arms, While, hoarsely sounding, heard was Triton's shell; Shoutings uncouth, bewildered sounds, And innumerable splashing feet Of monsters gambolling around their god, Forth shining on a sea-horse, fierce and finned. Some bestrode fishes glinting dusky gold, Or angry crimson, or chill silver bright; Others jerked fast on their own scanty tails; And sea-birds, screaming upward either side, Wove a vast arch above the Queen of Love, Who, gazing on this multitudinous Homaging to her beauty, laughed. She laughed The soft, delicious laughter that makes mad; Low warblings in the throat, that
{'title': 'Mosaics of Grecian History by Marcius Willson and Robert Pierpont Wilson', 'source': 'Project Gutenberg', 'lang': 'en'}