 to learning. When taught to master maths, children develop their mathematical fluency without resorting to rote learning and are able to solve non-routine maths problems without having to memorise procedures.
When teaching for mastery, the whole class moves through topics at broadly the same pace. Mastering maths means that children acquire a deep, long-term, secure and adaptable understanding of the subject. At any one point in a child's journey through the school, achieving mastery is taken to mean acquiring a solid enough understanding of the maths that has been taught to enable them to move on to more advanced material.
Children are given time to think deeply about the maths they are learning so that they can really understand the concepts at a rational level rather than simply as a set of rules or procedures. This approach leads to greater progress because it ensures pupils are secure in their understanding and teachers don't need to revisit topics at a later date.
Teaching for mastery offers all pupils access to the full maths curriculum. This inclusive approach, and its emphasis on promoting multiple methods of problem solving, builds confidence and resilience in pupils.Olympic long jump gold medallist Greg Rutherford looks likely to miss next month’s World Championships in Moscow after pulling his right hamstring during a Diamond League meeting in Paris.
The injury caps a disappointing post-Olympic year for the Milton Keynes athlete, who has been troubled by a knee problem and has jumped no further than 8.22 metres this season.
Triple Olympic champion Usain Bolt delivered a riposte to his in-form rival, Tyson Gay, by overtaking the American at the top of this year’s 200 metres rankings with a world-leading time of 19.73sec.
Bolt, who was returning to action after a two-week training stint at home in Jamaica, had an excellent start and, though still not quite at his best, was a convincing winner over his training partner, Warren Weir, the Olympic bronze medallist.
Perri Shakes-Drayton followed up her Birmingham win last Sunday with a solid second place in the 400m hurdles 53.96sec, though she was no match for Olympic bronze medallist Zuzana Hejnova, who clocked a Czech record of 53.23sec.The Red Bastard is amazing. Physically so fun, very clever and after what I saw tonight he can handle an audience well. He detonates so many ideas and thoughts with us that there was no telling where and how far we would go but one thing is certain. I loved it and I loved how far we went. I AM DEFINITELY GOING AGAIN.I agree about Josh.  I got really triggered (and I've never been triggered before, and wasn't really sure what the word meant) after the suicide-attempt-and-aftermath episode, to the point where I was physically sick.  My ex attempted suicide at one point and worry about being the 'villain' and 'irrelevant' in that situation wasn't a bundle of laughs.

Going online and reading all of the 'Josh is terrible' stuff didn't help either.  I actually really like the show but I'm really glad there's a break over Christmas, and I'll be watching it carefully to see how they handle the storyline after the diagnosis.  

Tbf, I get the impression that all the shipping and villainizing of certain characters bothers the writers as well.  It's very clever, but as with the title, I think that they've perhaps been a bit too clever for their own good.Call it a benefit, call it a homecoming party, call it a risk. For Jay Farrar and the reformed, retooled Son Volt, a one-night festival at Mississippi Nights — an 800-capacity club on the Mississippi River in downtown St. Louis, the venue where Uncle Tupelo said so long so many years ago — sheltered a near-capacity crowd and a generosity of spirit, unpretentiously extended to ailing musicians Karl Mueller and Alejandro Escovedo as well as Habitat for Humanity.
Opener Anders Parker, backed by only bass and drums, delivered a churning but surprisingly melodic set featuring a half-dozen compressed drone jams and a rhythm section that found just the right touch in the groove to balance the severity of his songs. He concentrated on new material from Tell It To The Dust, his warmest, most invitingly pop-inflected record.
Richard Buckner fared less well. With acoustic guitar in lap, eyes half-closed in brooding ambivalence, he stared at his arsenal of pedals as though they alone understood his ambivalence. Though dedicated fans stood intensely at the front of the stage, the room never quieted, and he fought the sketchy sound and the partygoers for a set that lasted little more than twenty minutes. He blurred his songs, focusing on material from Impasse and Since, and though his intensity never failed, it rarely connected with the audience.
The Bottle Rockets played as a trio — bassist Robert Kearns couldn’t make the trip from Austin — and made the most of their 35-minute set, emphasizing acoustic numbers. New member John Horton switched between guitar and bass, while Brian Henneman — whose Atkins obsession has given him an almost impish quality — and drummer Mark Ortmann found a groove that only longtime friends know. The Mississippi Nights stage has long been a home to the band, and though they never attained the ragged electric wonder of past sets, they rarely have sounded as comfortable with their material. They turned in one of their best readings of “Kerosene”; had Farrar only joined them for the harmonies he contributed on record, the version would have been definitive.
The new Son Volt features guitarist Brad Rice (whose credits include the Backsliders, Ryan Adams and Tift Merritt), bassist Andrew Duplantis (Jon Dee Graham, Alejandro Escovedo, Bob Mould) and drummer Dave Bryson (of Farrar’s recent backing band Canyon). Concentrating on new material, they somehow merged the open-ended feel of Farrar’s sets with Canyon and the taut but rolling roar of vintage Son Volt.
Without the signature harmonies of Dave Boquist, Farrar emphasized the harmonic overtones of his and Rice’s guitars, alternating lead licks and letting the band find its own identity onstage. Farrar looked and sounded at home, as though the music was less a private act and more an exchange between himself and his audience.
The new songs sounded like the strongest numbers from Staightaways or Wide Swing Tremolo, but with a more freely flowing energy — Bryson and Duplantis connecting with a remarkably steady, natural feel for the tricky changes Farrar has been composing — that ultimately dispelled comparisons to the original Son Volt.
The evening ended with a long, loud, guitar-army jam, including Horton and Henneman, Buckner and Parker, finding the eye of “Like A Hurricane” and pushing out into the genuinely electrifying wide open space beyond it. A benefit concert, true — the event raised $14,000 — but the principal benefactor was the spontaneous, unpolished spirit of rock ‘n’ roll.i've always had a thing for "paper". i remember when i was little i used to make handmade greeting cards for all sorts of holiday, and i'll give them to my parents & friends. i just love the texture of paper, even its smell.
after pursuing more on photography, that love for paper spread out to "prints". and out of so many online print shops, artifact uprising is my all time favorite. the founder of au is a husband & wife photographer duo. they were in the photography creative industry for over 8 years. and one day they asked themselves, "our documented lives were sitting on our phones and computers with no true place to live on. what are we leaving behind?" and that's the start of the whole photo print thing... after 2 years of hard work, au was finally founded in 2012.
the quality of au prints are unexceptionable. i love their ultra thick matte paper. (and most of their products are made from 100% recycled papers!) their printing quality is also perfect. they offer many different products like photo book, calendar, large format print/poster, greeting card, postcard...etc. i've already decided to print & mail some postcards for this year's christmas! if you love photos & you love papers. artifact uprising will not disappoint you.
宗旨是 "off your device, into your life".#include"ErrorLogger.h"
#include"galprop_classes.h"
#include"galprop_internal.h"

#include<sstream>

// variables maintained over calls of propel_diagnostics  AWS20101231
namespace propel_diagnostics
{
int number_of_calls = 0;
int    total_steps  = 0;
double total_time   = 0.;
double last_max     = 0;
Distribution last_cr_density,diff_cr_density,diff_cr_density2;
}
//**.****|****.****|****.****|****.****|****.****|****.****|****.****|****.****|
// * propel_diagnostics.cc *                       galprop package * 4/14/2000
//**"****!****"****!****"****!****"****!****"****!****"****!****"****!****"****|
using namespace std;//AWS200506