
I know it sounds weird, but I'm writing a general method to dump all of the public properties of an object, and string is a special case in that its value is really the same as the concatenated character array it's made up of.
So, my code is thus:
var obj = "foo";
var props = obj.GetType().GetProperties();

// I now have two properties -- length and a character array
foreach (var prop in props)
{
   if (prop.PropertyType.IsArray || prop.GetIndexParameters().Length > 0)
   {
      lines.Add(tabs + prop.Name + "(array)");
      lines.Add(tabs + "\t" + prop.GetValue(target, new object[] { 0 }));
   }
   else
      Console.WriteLine(prop.Name + ": " + prop.GetValue(obj, null));
}

This outputs the following:
Chars(array)
        f
Length: 3

That's all well and good, but is there a way to get the actual "foo" value out of this without resorting to going through the array and concatenating it?
Thanks!
-Ari

A: if (obj is string)
  Console.WriteLine(obj);
else
   ... use reflection


A: Just cast it back to string.
I had a talk with the labour board about this.  We can thank Nygard for our labour regulations matching the federal ones.  All salaried employees are eligible for overtime, unless they meet very specific requirements (one of them is that you have to have the duties of a manager, not just the title).  Without a specific contract stating that your salary is based on up to X hours, everything beyond 40 is overtime.  Especially for on-call work: no on-call agreement devolves to the generic assumption that you're called into work, and all that entails.  Minimum three hours, if over 40 for the week, then it's all overtime.

It's how I banked five weeks in less than a year at one company.

Nygard.  Hate the man, but damn, he was good for setting employee protection precedents by being such a shitty employer.“Come on out on June 20th. 9am - 3:30pm General Boykin of “Black Hawk Down” fame, and a founding member of Delta Force will be our morning speaker,” reads Calvary Chapel Sonora’s event page (archive) for its annual ‘Tent Days in the Last Days,’ a festival that combines sermons and sharpshooting competitions.
The event garnered local controversy because Boykin is a top administrator in an SPLC-designated hate group called the Family Research Council, has spent years campaigning against LGBTQ+ rights and an even longer time vilifying Muslims. Boykin is also likely guilty of war crimes–he had a long career with the U.S. military including being Deputy Undersecretary of Defense during the illegal U.S. invasion and occupation of Iraq in 2003.
A coalition of local activists is organizing a counter-protest.Strawberry culture in Turkey
Turkey strawberry production consistently increased since the beginning of strawberry culture in 1965. In the last 10 years, strawberry production has shown a dramatic increase from 150,000 (2003) to 376,070 t (2014), making Turkey the fourth largest strawberry producer in the world after China, USA and Mexico. Main strawberry producing regions in Turkey are Mediterranean (52.1%), Aegean (24.7%), and Marmara (14.6%). In the Mediterranean region, Mersin city has achieved 35% of total production followed by Aydın, Antalya, Bursa and Konya cities. Strawberry export of Turkey also increased year by year. Strawberry export of Turkey was 24,774 t in 2013 and 11,870 t was exported to the Russian Federation. Protected strawberry culture has also an increasing trend. High tunnels account for 1/3 of the current production, followed by mini tunnels. Annual hill plastic culture system is a common practice in Turkeys strawberry growing. The strawberry nurseries are generally located in Central Anatolia region, mostly around Cappadocia. Frigo plants are still dominating in production. There are several strawberry cultivars bred and registered in Turkey although they have not been utilized on a large commercial scale in production. In recent years, Camarosa and Sweet Charlie cultivars have been replaced by cultivars such as Rubygem, Festival, Albion, Florida Fortuna, and Camino Real. Soilless culture in strawberry growing is also developing in Turkey. In this article, the current status of strawberry production, developments in strawberry growing techniques and nursery plant sector, as well as future projection of strawberry industry are evaluated.
Demirsoy, L. and Serçe, S. (2016). Strawberry culture in Turkey. Acta Hortic. 1139, 479-486
DOI: 10.17660/ActaHortic.2016.1139.82
DOI: 10.17660/ActaHortic.2016.1139.82
production area, exportation, growing techniques, nursery plants, cultivars, developmentsOur club has zero income at present and although every possible step has been taken to reduce expenditure, the club is obviously still incurring significant costs.
The current membership renewal date is May 1st. Normally, this would entitle you to 12 months of membership but given the current coronavirus lock-down, the committee has decided that those 12 months of membership entitlement will be extended from 1st May until 12 months after the date at which the club re-opens and we are all playing again.
We're aware that some of our members will be experiencing reduced income and we totally understand that if you are then you will be mindful of all your spending. But for anyone who is not in that boat, we're asking you to consider helping out your club by renewing now rather than waiting until the re-opening. The money you pay for your membership subs will contribute massively to the well-being of the club and ensure that we do indeed have a club to go back to once the restrictions are lifted.
Best wishes and looking forward to seeing you all back at the club soon.The exhibition "Domes of Moscow" will be held from August 16 to 24, 2014 at the A.N. Skryabin Museum at 11 Bolshaya Nikolopeskovsky Lane, Moscow (access to the Smolenskaya, Arbatskaya metro stations). Artist Surzhina Diana, organizer of the exhibition - Creative Union of Professional Artists - TSPH. The opening of the exhibition is scheduled for Saturday, August 16, and on Sunday it will be possible to view the main exposition of the museum of the composer A.N. Scriabin just as free. The museum is closed on Mondays and Tuesdays, on other days it is open from 11 a.m. to 7 p.m., and on Thursday from 13 p.m.
S. Fateev: The paintings at the exhibition Domes of Moscow are not at all commercial. Among Muscovites there are hardly any people who want to hang a picture of the temple in their apartment, and for tourists it is too large for souvenirs, and for the collector - drawing on paper is less valuable than oil painting on canvas. This exhibition is for the audience. For those who want to see the beauty of our city in thin lines and watercolor fills. Many of the species represented in the paintings simply do not exist: other temples are completely hidden in the backyards or the sun never falls on their domes.
D. Surzhina: I found these species for you and for myself, cleaned them from the scaling of the fences, added the destroyed parts. Who knows if these temples will be rebuilt in the future or completely demolished… In the meantime, there are some, let’s admire them. The cost of reproductions is quite affordable, and the quality with modern technologies for transferring images to canvas or paper almost matches the original.
S. Fateev: When implementing his plans, a creative person often stumbles upon the same problems as ordinary sellers, but at the same time he experiences strange remorse: he sells something that he enjoyed. If he sold other people’s things, he would surely demand the corresponding price for them without any complexes. And when he puts up a picture for sale and customers like his work, the artist can give it almost for nothing. Why is this happening?
Diana Surzhina: Having gone out in the hungry years of Perestroika to Arbat, I sold paintings, received money and knew that I needed to buy food for them and somehow hold out until the autumn when the potatoes ripen on the site and I can rest. I was proud of my role as a getter, my parents saw me as a support. But even then it was not easy for me to name the price for the painting and give it to unknown hands. One boogie in a classic raspberry-colored jacket once asked me: “And if I buy from you and here, will I immediately trample your pictures?” Will you give? And for two prices? And how much will you give? “I won’t give it back,” I replied, and began to get home… Day three was frankly bad for me, I was afraid to go out and regretted that I hadn’t… And then it passed. In these pictures was not only my work, I wouldn’t regret mine… But everyone helped me: one cut white frames, the other outlined my