 the Scuola Teatro Dimitri in Switzerland; for sixteen years he was “the enchanting clown” at the circus Krone, and winner of several awards. He now has his own programs with Olga all over Europe.
Olga: dancer, choreographer, and dance teacher, educated in Petersburg. On Rügen we were able to see her in the theater in Putbus, in the stables, and in Saalkow with the coffee house scenes and in her empathetic work with people with handicaps.
The “flunkerproduktionen” are Claudia Engel and Matthias Ludwig; Puppetry games were both studied at the College of Acting Ernst Busch, Berlin; based in Brandenburg, traveling in Germany and Europe, 15 productions to choose from; Every two years, they perform the “Kulturblüten-Festival” in Brandenburg.
Ignaz Dinné: jazz saxophonist, son of jazz trombonist Ed Kroeger, was a member of the Federal Jazz Orchestra, studied at the Berkeley College of Music, Boston and the Thelonious Monk Institute, international tours with renowned jazz musicians, own formations, lives and works in Berlin and New York.
Julia Czerniawska: violinist, training in Poland and at the Mozarteum in Salzburg, member of the orchestra of the Nationaltheater, Mannheim; Studied improvisation with Didier Lockwood, Paris.
Inge Steineke: studies at the HdK Berlin, art teacher, illustrator, costume designer; she designed all the costumes for Olga & Pierino.
Peter Steineke: studied stage design and art education at the HdK Berlin, director of the moks-Theater Bremen, 1983-2012 professorship at the University of Osnabrück.
The “Day of German Unity”, of the Night of Freedom, October 3, 2017, Mainz.McLuhan did not have the vocabulary of complexity at his disposal, although the effects he observes and about which he writes are indeed complex and emergent effects. In that sense, the changes – or messages – that act on an individual create perturbations in the social system of which an individual is a member; hence, an effect on an individual potentially ripples through to become transformative effects on a society.
Mark also shared a link to an article that he has written titled What is the Meaning of The Medium is the Message?. That article links to this PDF that explains how one could read McLuhan.
In fact, Marshall regularly used the “do you think my fallacy is wrong?” as a probe to counter the many criticisms and critiques of his work and observations. By claiming his observations were fallacious they are by definition “wrong,” thereby not only disarming the critic, but making him look foolish in the process. He would then calmly walk away, leaving the would-be attacker puzzled in his wake.
The first sentence is a cure, telling us to watch communications for what appears to be being said, and what is really being said, where what is really being said is understood through understanding this underlying reality of the medium. The ‘appearance’ is the furniture in the room illuminated by the electric light; the reality is the fact of seeing the contents of rooms that would ordinarily be dark.
Will is still looking for the source of this quote. Is this maybe something McLuhan said on TV sometime?
To continue with Sandel’s example in a McLuhan light, when culture is put wholly through the medium of market we become numb to any cultural goals except for accumulating money (perhaps with a nice side order of justification). It becomes a closed system that tends not to consider any outside suggestion about what to do with our lives, imploding on itself as all activities start to fit this ultimate goal.
The power of the arts to anticipate future social and technological developments, by a generation and more, has long been recognized. In this century Ezra Pound called the artist “the antennae of the race”. Art as radar acts as “an early alarm system,” as it were, enabling us to discover social and psychic targets in lots of time to prepare to cope with them. This concept of the arts as prophetic, contrasts with the popular idea of them as mere self-expression. [..] Art as a radar environment takes on the function of indispensable perceptual training rather than the role of a privileged diet for the elite.
The machine turned Nature into an art form. For the first time men began to regard Nature as a source of aesthetic and spiritual values. They began to marvel that earlier ages had been so unaware of the world of Nature as Art.
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All great parents want what’s best for their kids. I think all would agree that excellent health is a top priority for their child. If not in good health, all else suffers. Because so many parents feel this way, they make their children eat healthy food, get a good night’s sleep, and even give them a daily multivitamin to support their child’s growth. I applaud parents that do this for their children. Since childhood involves rapid growth of so many body processes, supporting good health is crucial to proper development. But what if your best intentions are causing more harm than good? Clearly, adequate sleep and healthy eating are a no brainer, but what about that children’s multivitamin?
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