 the centre of the tables and fairy lights strung from tree branches above. Something simple you could do yourself without a lot of fuss or expense.
Have a great week.
joining
I love single stems displayed in old vintage bottles. Nothing's more perfect.
so simple to do as well. x
As usual, so lovely.
thanks so much marilyn! :)
Were you trying to describe my cottage in that first paragraph? I think you forgot to mention piles of books on the bedroom floor! Those pink camelias are gorgeous, it almost makes me miss winter. I said "almost", come back sun!
i was describing the room i was sitting in.. good to know we all have piles of mess. hope the sun comes back for you. :)
oh Cheryl these are gorgeous, there is something about camellias that make me feel so happy...something from my childhood I think...
and there you go again about weddings...ha ha...
you should have a little side business styling beach vintage weddings!
Bec x
thanks bec! & yes i'd like to do that ;)
How perfect! refreshing images on a Monday morning.
So pretty! x
They look gorgeous Cheryl. I have oodles of camellias around my place! x
It looks so simply beautiful. I bring in my roses and just put them in
whatever is handy. No fuss-like this.
Old bottles and simple jars are beautiful for flowers. I always love camelias...they look like ruffly roses! Sweet hugs!
That looks so pretty and simple and more fun to create than tackling the ironing!
Sarah x
Yes it does sound familiar. I guess hibernating in Winter is for a reason. Lovely camellias. They seem really good this year.
Carolyn
I love this seacolor glass bottles with the flowers! Sunny dutch greetings
Simple and pretty - I love it :)
~Pernilla
how utterly beautiful!
Gorgeous! They are perfect! I love how you used the blue/green glass bottles!
JennelI had heard this earlier this month by some f/as. Inflight was called and they said benefits had a problem feeding the information to the system, and that it would be rectified. I hadn't heard any complaints since the turn of the year. I don't know what Labor group you are in or if you retired from mangement, but call benefits. If they have you in the system, tell them to give you your group number. Your claims in the meantime should be sent to the Benefits department for reimbursement. I am surprised that in your case, this has not been rectified.
You need to contact someone in benfits management and get a name for direct contact.
Thanks Pitbull. I retired from Mtc. (IAM) after 33 yrs. I have called Benefits many times. This next week, I will see if I can contact someone in managements higher up. It has always been, " we are working on the problem, give us another week" I know they are busy with the turnovers of employees. I have kept my "cool" on this whole matter. Just that its easy for them to take the premiums out, but I have no insurance to show for it. Just hope nothing major happens. I gave up trying to collect for bills between Sept. and Jan 1st.. Benefits made a mistake when they read my retirement papers. They put in the computer-"single retiree". by mistake. Never could get that solved for payments in regards to the spouse of 37 yrs.. Gave up on that! After the demand notices, just paid them. But thanks again for the come back..
write to me on the PM and I will see ifI can resolve this issue for you.
<issue_start><issue_comment>Title: Yett lib source map missing or inaccessible 
username_0: I added the script tag to my app and when I try to load it on the browser I get the following error:

<img width="586" alt="Screen Shot 2019-11-08 at 11 25 35 AM" src="https://user-images.githubusercontent.com/18404383/68493611-c70acb00-021a-11ea-95eb-b3edfdf57089.png">

It prevents my app from loading completely.
<issue_comment>username_0: Woops! nevermind I removed the `https` on the src prop of the script tag and it works. It's confusing on the documentation, in the section small example, the script has `https` but on the CDN example it doesn't.<issue_closed>
<issue_comment>username_0: Update: what was causing the issue was that I had an incorrect regex as part of the blacklisted items. It took a while to debug because no error is thrown on the console.Hypothalamic hormones in milk.

Following a multistep extraction and fractionation of sheep and human milk, immunoreactive and biologically active somatostatin (SS) was demonstrated as a constituent of milk. Milk, in contrast to serum, contains only SS-14-like material and not SS-28. HPLC-purified sheep milk somatostatin was found to inhibit both basal and prostaglandin-induced release of growth hormone from cultured rat pituitary cells. The effect was dose-dependent and similar to that of synthetic SS. In order to determine whether SS or vasoactive intestinal peptide (VIP) can be synthesized by the mammary gland we have looked for SS and VIP messenger RNA in rat glands extracted on different days of lactation. No messages for SS or VIP were detected in the mammary gland, whereas, as expected, hybridization signals for alpha-casein were evident. These results suggest that somatostatin and VIP are not synthesized by the mammary gland and are probably concentrated from blood. In other experiments we have demonstrated that one hour after oral administration of labelled somatostatin to rat pups, about 95% of the neuropeptide, extracted from the stomach, is eluted exactly at the same position as the marker peptide. These results suggest that, in contrast to the adult, somatostatin remains intact in the stomach of the neonate and therefore may be absorbed in a biologically active form.The Hateful Eight may be an R-rated, hard-to-stomach watch for some Christians, but Dr Janice McRandal offers an alternative perspective on Tarantino’s violence and the film’s defiantly religious framing device.
The Hateful Eight is a characteristically antagonizing film written and directed by Quentin Tarantino: intense violence, extreme profanity and uncomfortable truths around race and misogyny assault the viewer for almost three hours.
In his use of luscious and frightening landscapes, along with exceptionally tight and relentlessly tense dialogue, Tarantino more emphatically than ever eschews the narrative necessities of good guys and bad guys. Everyone is evil.
This western/horror hybrid takes place in postbellum Wyoming, and follows the story of bounty hunters, outlaws and the decidedly untrustworthy.
For many, the over the top graphic story-telling may even render the film unwatchable. Tarantino’s use of violence—in language, plot, and graphic visuals—doesn’t sit well for many, and perhaps especially for Christians.
But the truth is many of us are wild consumers of multiple forms of depicted violence: think Game of Thrones, video games and even violence parsed and commoditised through mainstream media. Against this backdrop, Tarantino intentionally seeks out violence as creative opportunity.
And in The Hateful Eight, he pushes the boundaries even further. This film typically intersects the world of fantasy film and storytelling with real-life horrors; an imaginative horizon that has framed most, if not all of Tarantino’s films.
Tarantino recently told the press he wrote The Hateful Eight to reflect America’s fraught racial history, with the splitting of the cabin into northern and southern sides and a speech about the perils of “frontier justice”. So how do we think critically about the use of violence in Tarantino films, and in this film in particular?
One of the significant themes that has shot through many of his films, has been the possibility of redemptive violence.
In a society in which the desire for revenge is considered almost a virtue, Tarantino has repeatedly tricked his audience into laughing shamelessly as the bad guys are tortured or killed, and that’s where The Hateful Eight gets interesting.
We are abandoned to a world where not a single good guy appears, and the story refuses to sufficiently nuance a characters’ past so that future vengeance becomes justified. In the end, we are left with a barren amalgam of meaninglessness and hopelessness. It is almost as if Tarantino’s violence has likewise reached its end.
Oddly enough, this is not the final word. The entire film is framed by a crucifix. The iconic and strange figure of Christ crucified is both our way into this messy hell on earth, and somehow, our way out of it.
I hope you're having a good January so far -- the year's already lost its sheen, no? Though not quite as musty-rusty-fusty as the rest of 'em...yet! It's been a rough six months that rounded out 2016, and I know I wasn't the only one feeling that way -- take that, non-believers in planetary alignment!
3) Don't forget to... breathe!
The Girl Rising project to create short films on girls' education