 vocal sits really great in the mix. And keep in mind that this is a recording from the 90's who has recently been touched up a little bit. It was recently reissued on Vinyl by the danish label Extremely Rotten Production. Not only is it cool to see a relatively contemporary sounding release from back then being unearthed, but the dude who runs the label is also the headmaster of danish death metal stallwarts Undergang. Its really cool to see how this release influenced what is one of my current favourite bands in the genre.   


As far as the track goes it just does everything right for me. The riffs are heavy, it goes hard when it needs to, and the slow parts are not only really cool sounding but they also build a pretty cool atmosphere (atleast as cool as a song about eating shit can have). I also really like the cover art. Its simple, ugly looking (in a good way) and i really like how twisted it looks. While i guess the whole poop thing this band has going on migth turn some off i really do prefer bands who does not take themselves too seriously over the really tryhard, brvtl, blasphemous image this genre often brings with it.   


In short this just does everything right for me as far as Death Metal goes. To me it sounds great, i really like the art that goes with it and the historical aspect also adds to the nerdy goodness of it.   


I wanna leave off with some questions myself out of curiosity:   
Are you into metal at all from before? If so what dont you like, or what dont you get, about the track?   


If you arent a fan of any metal tough im not sure explaining my enjoyment of it will help though. Metal is, atleast it was for me, something you gotta ease into. Eventually you'll find something that pulls you inn more than anything else, and from there it is usually (for me) the riffs that decide if i like the stuff or not. If they click with me then great, if not ill probably put it away and revisit it later.   


Cheers mate, and sorry for the late reply. Was out playing Disc Golf all day!On my mind at this moment is the healing of the earth. We all know there is a need for healing. We have just allowed ourselves to believe it is the earth herself that needs the healing, when in truth it is the condition ON the earth… the human condition. It is in fact the people that need to heal. The healing for the planet is in removing all the dark forces so the whole can be at one. This came to mind because I was looking at the chant for the drumming tape my family made in 1991 Heal the Heartbeat. I was remembering how at that point we believed it was the earth herself in need of healing, instead of the conditions on earth. Yet the chant which came through unexpectedly is clearly about rebirth. The chant came partly to my mother in a dream she awoke with the first verse and had to write it down. When she said she received something in a dream we all knew it must be important because she is a person who rarely remembers any dream. She set the verse in front of me and it just hit me and I said “oh I know this chant”, and proceeded to write down the rest of the verses. They came flying out clearly and we immediately went to the drum to figure out the beat. The rebirth (birth of the phoenix) is a return to balance. The earth did in fact birth a piece of her consciousness in 1995 0r 1996, I don’t recall off the top of my head. That consciousness is to be a new planet, the manifestation of that is currently being worked on in the next universe. Once we got through that labor, now it is time for the earth mother to experience the freedom of living free of the dark forces that have controlled life on her surface for her whole existence. In fact these forces tried to get her consciousness to turn against God. She has always been steadfast; they did not succeed in turning the consciousness of any planetary body against God.
I’m not sure why this is on my mind right now. Maybe because as the powers of the dark force meet and continue to plan for more of the same. The Earth Mother stands with us in SOLIDARITY. If we have moments when we wonder if we can pull this off, she is there. She has never lost faith in us. We will set ourselves free from the control of the dark forces and she will be set free at the same time. She could go on without this freedom, without life on her surface as Mars has; she is strong and will endure. We however do not think that is good enough, any more than we believe it is good enough for ourselves. Healing the heartbeat to me is returning the Earth Mother and all life on her surface to the one heartbeat of the Divine.
This entry was posted in Mood, Music and tagged Audio / Video by Tatiacha. Bookmark the permalink.
Perhaps this has been asked before, but what’s in it for the dark forces, why do they do it?! Whyever would they want to uncreate?! Self-hate?
Lief: Excellent question, re: whats in it for the dark forces? Could it be that like miserable people, dark forces love “company”?(misery loves company).
Engtovo: One more question. What is your perception of “God” (big G). Do you subscribe to a “heirarchy of gods” (small g), as in “levels of creation”? Thx.
There is a hierarchy of Jobs that some entities are created to do, but that doesn’t make the spirit with the job any more important than any other spirit. There have been people over the millenniums that have worshipped spirits who do certain jobs, but that is the ignorance of the people.
To me the same thing is happening in a lot of Christianity when they obsess on Jesus and talk about how he said he is the only way to the father, but I never hear them talk about their “father”. They worship Jesus and have forgotten all about GOD.
and to Leif I can only say what they get on the planet is obvious, power, money, control, but what they get on the big scale off the planet well that is a question I have been asking myself for my whole existence, it is beyond my comprehension.package org.embroideryio.embroideryio;

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public class ExyReader extends EmbReader {

    public static final String MIME = "application/x-exy";
    public static final String EXT = "exy";

    @Override
    public void read() throws IOException {
        skip(0x100);
        DstReader.dst_read_stitches(this);
    }
}
Our editors’ weekly roundup of Canadian art news.
A city of Montreal employee mistakenly discarded an artwork dedicated to missing and murdered Indigenous women at the First Peoples’ Festival. The wooden artwork, La femme de la nuit hibou, was created by Atikamekw artist Jacques Newashish and was slated for a symbolic burning at the Place des Festivals during a ceremony on Wednesday. A spokesperson for the city said the incident is the result of a blunder: the city was asked to clean up wood chips on the site, and since the totem was surrounded by wood chips, the artwork was disposed of as well.
Calgary Mayor Naheed Nenshi addressed the debate surrounding the controversial Bowfort Towers installation, which drew the ire of Indigenous groups in Calgary for its resemblance to Blackfoot burial scaffolds. He told CTV News that the backlash exposes problems with the city’s public art process, which should include more public consultation in the future. He said, however, that the backlash was “unfair,” and likened it to a “lynch mob.” The city abided by the Indigenous policy consultation, Nenshi said: “There was not just a traditional knowledge keeper, but a particularly skilled knowledge keeper whose expertise is in Blackfoot archaeology and symbolism who had been consulted on this particular project.”
Three members of the Sobey family will receive the Canadian Red Cross’s 2017 Humanitarian Award for Nova Scotia, which seeks to recognize philanthropy. Paul, Frank and Rob Sobey were selected among nominations from the public. The family’s business grew from a single store in Stellarton, NS, in 1912 to more than 1,500 stores across Canada. The family also founded the Sobey Art Award, an annual prize that supports Canadian contemporary artists, awarding $50,000 to the winner and $10,000 to each of four finalists.
The Aimia AGO Photography Prize announced the 2017 recipients of its scholarship program in a press release on Wednesday. The winners are Seamus Gallagher of Nova Scotia College of Art and Design University; Curtiss Randolph of Ryerson University; and Alessandro Seccareccia of Concordia University. The jurists narrowed 100 applicants down to a shortlist of 15, then awarded $7,000 to each of three finalists to go toward tuition for their final year of undergraduate study. The jurists were Toronto-based photographer Sandra Brewster and AGO photography curators Julie Crooks and Sophie Hackett.
TIFF announced the lineup for its experimental Wavelengths programming in a press release on Tuesday. The 40 titles are curated by Andréa Picard, and will feature a wide range of works, including Narimane Mari’s Bloody Beans, a 3-D feature called PROTOTYPE by Toronto-based Wavelengths alumn