 look good when I bend over and don't flatten out when I lie down.
Who's had a boob job?
..
Last edited by LoCo; 03-11-2016 at 00:46.
The Following User Says Thank You to LoCo For This Useful Post:
Little Ted (21-02-2015)
I have
How much were they?
$4500- Thailand. I was absolutely amazed with the professionalism and outstanding customer service I received during my stay in Thailand. The hospitals are 6 star! Could not fault my experience in the slightest.
Do you regret it?
Hell no!! Best decision of my life.
Does it feel weird having something planted in your body?
No
Did it hurt? And how long for?
Did not hurt at all. Had lots of pain meds
Did you wait until after kids?
No
Do you have to get them replaced every 10 years?
It's different for everyone. But I most likely will after I finish having kids.
What can you tell me about yours?
They are amazing! Just what I wanted. Larger, symmetrical and perky.
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I haven't had one, but I so wish I have!
There is a place in Sydney that does it for $6k + optional insurances.
I have had a couple of friends go there recently.
I've done all my research, just waiting for a lotto win lol.
Great thread. I've never had big brea.sts but they were perfect when I was bf. Since stopping they have disappeared (10A now) and I've lost so much self confidence. I won't even let dh see me without my super booster bra on.
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"Everything about this movie says "stinker," yet I just can't help but like it; I've watched it at least half-a-dozen times since my early teens and just don't get tired of it. As every Giant Gila fan must know, it was produced by Ken Curtis (deputy Festus Haggen on TV's Gunsmoke) and directed by Ray Kellogg (The Green Berets, My Dog Buddy) back-to-back with The Killer Shrews. The pedestrian script is by Jay Simms, who did much better with Shrews, Panic in Year Zero, and Creation of the Humanoids, and the repetitious 'eerie' soundtrack is courtesy of Jack Marshall (who penned the memorable Munsters' TV theme). While all the kids tool around in custom "slingshots" and mouth some nifty jive talk, Giant Gila is just too NICE to qualify as a (typically sleazy) JD/monster flick. Don Sullivan (Teenage Zombies, Monster of Piedras Blancas) stars as keen teen Chase Winstead, who's so virtuous and upstanding that he ought to be canonized. He's working in a garage to support his family, keeps his buddies in line (no dragging!), helps the sheriff search for missing gila victims, writes and sings religious pop songs, is taking a correspondence course in engineering, and saves his money to buy leg braces for his polio-stricken kid sister!  He gets additional saint points because his dad died on an oil rig owned by wealthy jerk Mr. Wheeler, and he's also got a beautiful but annoying and nearly unintelligible French girlfriend (Lisa Simone). Fred Graham, veteran of numerous westerns and flyboy flicks, plays the understanding sheriff, and Shug Fisher (formerly a member of the Sons of the Pioneers vocal group, along with Curtis) provides some cornball 'comedy' as Old Man Harris, whose 1932 Model-A is lusted after by the hot-rodders. Ken Knox is amusing as hep-cat DJ "Steamroller" Smith (he's driving while completely smashed when we meet him, yet nobody seems too concerned). The giant gila monster itself just seems to be sitting on the sidelines (exactly where is never really clear), observing a lot, and looking very normal-sized (the "effects" crew obviously had no idea how to shoot miniatures properly). When it does do some attacking it never interacts with any of the live actors (the film lacks a single matte shot, or even a cheesy double-exposure a la Bert I. Gordon, that would have put the monster and humans in the same frame). Since Ray Kellogg was a former special photographic effects technician at 20th Century Fox, it's a mystery why the monster scenes here are so lackluster. As if all this weren't enough, Sullivan sings the utterly cringeworthy "Laugh, Children, Laugh" (with ukelele accompaniment) not once, but TWICE during the picture (imagine a really lame Ricky Nelson or Everlys tune), although his rock'n'roll number, spun by Smith at the climactic "platter party," is fairly passable (it sounds like an Elvis ripoff). The gila monster gets to demolish a toy tanker truck and electric train, and is finally annihilated by Chase, naturally, who destroys his custom rod in the process. While never achieving greatness, Giant Gila Monster is a relatively painless 75 minutes of corn-fed schlock that should please fans of 1950s monster cheapies (and/or Green Acres).
Not as pristine as most Image/Wade Williams releases, Giant Gila Monster is still presented here in better overall shape than any video or DVD copy I've seen yet. The box says it's matted at 1.85:1, though by my calculations it's closer to 1.66:1 (1.70:1 to be exact) and anamorphically enhanced. Print quality is very good to excellent, generally exhibiting only light speckling, blemishing, and lining, although there are a few stretches where the speckling/blemishing is a bit heavier; not enough to be a major distraction, but noticeable. Otherwise, the black level, brightness, contrast, sharpness, and shadow/highlight detail are excellent throughout. The accompanying trailer is also matted to about 1.70:1 and looks fine except for some light to moderate speckling and lining. Additional extras include 12 chapter stops, five Wade Williams Collection trailers, and an Images Journal essay that's nearly as amusing as the movie, wherein Giant Gila Monster is discussed in scholarly terms more befitting a Bergman or Godard film. As is typical with this sort of thing the type is too small and condensed, making for difficult on-screen reading (at least on a 27" monitor). For the extremely cost-conscious, Diamond's full-frame edition (paired with Killer Shrews) isn't absolutely terrible (physical damage is a bit worse, plus it's softer, darker, more contrasty, and generally lacking in detail), but if you want the best available transfer, this is it."
"Ah those were the days, Rock'n Roll Music, Drive-in's showing the latest Troy Donahue or monster flick, hotrodders, and "making out", in quiet country lanes in "souped up" wagons. Gee the '50's must have been a gas! Well at least that's what I'm told it was like for teenagers back then as I wasn't around to know myself. Despite it's many faults 1959's "The Giant Gila Monster", is a real favourite of mine among the "Monster on the loose", genre of "B" movie making of the time. In every respect it's very much a product of the decade it was made in despite being released right on the tail end of the era that basically "invented", the teenager. By 1959-60 the gothic horrors dealing with Vampires and Wolfmen produced by the likes of Hammer Studios had largely replaced in popular appeal the 1950's Sci Fi