Orphismus (ars)
Orphismus, vel cubismus Orphicus (vocabulum a Gulielmo Apollinaire poeta Francico anno 1912 excogitatum), fuit cubismi stirps quae abstractionem puram clarosque colores tractavit, a Fauvismo ac scripturis rationalibus Pauli Signac, Caroli Henry, et Eugenio Chevreul chemico tincturarum mota. Qui motus artis, res magni momenti in transitu a cubismo ad artem abstractam perceptus, a František Kupka, Roberto Delaunay, et Sonia Delaunay promota est, qui usum colorum per monchromatico cubismi aevo renovaverunt. Significatio vocabuli Orphismi recondita erat cum primum appareret, et aliquantum vaga manet.

Cubismus crystallorum
De Stijl
Expressionismus abstractus
Orpheus
Purismus 
Sectio Aurea (grex)
Tubismus

Notae

Bibliographia
Baron, Stanley, et Janques. 1995. Sonia Delaunay: The Life of an Artist. Harry N. Abrams.
Buckberrough, Sherry A. 1978. Robert Delaunay: The Discovery of Simultaneity. Ann Arbor Michiganiae: UMI Research Press.
Chadwick, Whitney, et Isabelle de Courtivron, eds. 1993. Significant Others: Creativity and Intimate partnership. Londinii: Thames & Hudson.
Chip, Herschel B. 1958. Orphism and Color Theory. The Art Bulletin 40(1): 55–63. 
Damase, Jacque. 1972. Sonia Delaunay: Rhythms and Colours. Grenovici Connecticutae: New York Graphic Society.
Gale, Matthew. 2006. Dada and Surrealism. Novi Eboraci: Phaidon Press.
Hughes, Gordon. 2007. Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk. The Art Bulletin 89(2): 306–332.
Seidner, David. 1982. Sonia Delaunay. BOMB Magazine 2(hiems). Commentarius.
Spate, Virginia. 1981. Orphism. In Concepts of Modern Art: Fauvism to Post-Modernism, ed. Nikos Stangoes. Londinii: Thames & Hudson.

Nexus externi

MoMA. De orphismo.
MoMA. Collectio: Robertus Delaunay
MoMA. Collectio: Sonia Delaunay
Agence photographique de la réunion des Musées nationaux.

Cubismus
Motus artis