Docufictio
Docufictio (cum docudramate non confundenda) est cinematographica pelliculae documentariae et fictionis coniunctio, genus pellicularum quod realitatem ut vere est (cinema directum vel cinéma vérité) capere conatur et simul elementa irrealia vel condiciones fictionales in narrationem introducit ut repraesentatione realitatis per certam expressionem artificiosam confirmet. Docufictio disertius est documentarium elementis fictis contaminatum, per tempus reale captum, cum eventus fiant, et in quo aliquis—persona argumenti pelliculae—personam suam in vita reali agit.

Neologismus docufictio, qui saeculo vicensimo uno ineunte apparuit, nunc in nonnullis linguis adhibetur et late pro classificatione ab internationalibus feriis pellicularibus accipitur. Docufictio, vel in cinemateo vel televisione visa, est genus pellicularum primo decennio saeculi vicensimi primi plene evolutum. Verbum docufictio aliquando ad litterarias diurnariorum artes spectare (nonfictio creativa) usurpatur.

Origines
Vocabulum modus pellicularum ab auctoribus Roberto J. Flaherty, uno ex patribus documentariorum, et Ioanne Rouch saeculo vicensimo recentiore factarum. In anthropologia oculorum, innovans Ioannis Rouch persona sinit ut is pater subgeneris ethnofictionis appelletur. Hoc vocabulum significat 'pellicula documentaria ethnographica indigenarum qui partes fictionales agunt'. Facere ut ei partes de se ipsis agant realitatem depingere adiuvabit, quod per imagines ante oculos propositas confirmabitur. Documentarium non ethnographicum elementa ficta habens eadem ratione utitur, et ob easdem causas docufictio appellari potest.

Primae docufictiones per civitatem digestae
1926: Moana, Robertus J. Flaherty, Civitates Foederatae
1930: Maria do Mar, Leitão de Barros, Portugallia
1932: L'or des mers, Ioannes Epstein, Francia
1948: La Terra Trema, Luchinus Visconti, Italia
1963: Pour la suite du monde vel Anglice Of Whales, the Moon and Men ('De cetis, luna, et hominibus'), Petrus Perrault et Michael Brault, Canada
1981: Transes, Ahmed El Maânouni, Marocum
1988: Mortu Nega ('Mors negata'), Flora Gomes, Guinea Bissaviensis
1990: Close-up (pellicula), Abbas Kiarostami, Irania
1991: Zombie and the Ghost Train, Michael Kaurismäki, Finnia
2002: City of God ('Civitas dei'), Ferdinandus Meirelles et Kátia Lund, Brasilia
2005: Underexposure, Oday Rasheed, Iraquia

Docudrama
Ethnofictio
Pseudodocumentarium

Notae

Bibliographia
Coşkun, Çiçek. Docudrama: the real (his)tory, thesis, New York University School of Education.
Derrick, Clifford. The Zulu Mask: The Role of Creative Imagination in Documentary Film, wiredspace.wits.ac.za.
Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Tabula cuius in libro continetur.
Garçon, François. Le documentaire historique au péril du « docufiction, thesis
Lipkin, Steven N., ed. 2002. Real Emotional Logic: Film and Television Docudrama as Persuasive Practice. Carbondale: Southern Illinois Press. ISBN 9780809324095.
Marchesi, Laura. Un genere cinematografico: la docu-fiction. Il caso di 150 ore a Pavia, thesis.
Mäusli, Theo. 1999-2000. Docu-fiction - Convergence and Contamination between Documentary Representation and Fictional Simulation. Thesis, Science of Communication Faculty, University of Lugano.
Paget, Derek. 1998. No Other Way to Tell It: Dramadoc/Docudrama on Television. Manchester University Press. ISBN 9780719045332.
Rosenthal, Alan. 1999. Why Docudrama? Fact-Fiction on Film and TV. Carbondale & Edwardsville" Southern Illinois Press. ISBN 9780809321865.

Nexus externi
3 questions à…Isabelle Veyrat-Masson, conloquium (Le Journal du CNRS)
"Peter Watkins, un cinéaste maudit," commentarius (Critikat)
Chapman, Jane, "Issues in Contemporary Documentary," books.google.com (pp. 1 ad 34)
Drizin, Julie. "Docufiction: Where Art and Life Merge and Diverge," airmediaworks.org
Hartwig, Gunthar, "New Media Documentary, www.gunthar.com
Merewether, Janet,  "Shaping the Real: Directorial Imagination and the Visualisation of Rvidence in the Hybrid Documentary," scan.net.au/scan/journal (Scan, periodicum)
Conloquium: "At The Edge of Truth: Hybrid Documentaries," www.voxmagazine.com (Vox Talk, periodicum)
"Hybrid Documentary – A Potential Upcoming AV Genre," commentarius, cinepsychos.com, 30 Martii 2013

Cinematographia
 
Genera theatri
Genera litterarum
Neologismi
Pelliculae docufictionis
Pelliculae secundum genus digestae