Gilles Larrain
Gilles Larrain (an haife shi a watan Disamba 5, 1938) ɗan ƙasar Faransa ne mai daukar hoto wanda ya yi imanin daukar hoto wata hanya ce ta "kama yanayin rayuwar mutum". Ta hanyar ɗaukar hanya ta musamman don ɗaukar hoto, wanda ya haɗa da ƙirƙirar hasken kansa, sarrafa dukkan tsarin duhun duhu, da kuma samun batutuwa koyaushe zuwa sararin ɗakin studio na kansa, Larrain ya ƙirƙiri manyan fasahohin fasaha tun 1969. A cikin 1973, Larrain ya buga littafin daukar hoto mai nasara sosai, Idols, wanda ya gabatar da hotuna na transvestites . Shekaru biyu bayan haka, littafin ya yi wahayi zuwa ga mai daukar hoto na Amurka Ryan McGinley wanda ya rubuta labarin Afrilu 2010 a cikin Vice, wanda ya gano Larrain da littafin Idols a matsayin daya daga cikin farkonsa da kuma manyan tasirinsa don gwaji tare da launuka, simintin gyare-gyare, da kayan aiki, saboda duk hotunan Larrain a cikin littafin suna danye ba tare da wani magudi ba. Larrain ya ɗauki hotuna masu mahimmanci a cikin nau'o'in fasaha masu yawa, ciki har da masu rawa na gidan wasan kwaikwayo na Ballet na Amurka, Mikhail Baryshnikov, Salvador Dalí, Miles Davis, Sting, Billy Joel, Roberto Rossellini, Norman Mailer, da sauransu.

Rayuwar farko da ilimi 
Mahaifinsa, Hernán Larrain, jami'in diflomasiyya ne tare da karamin jakadan Chile a Vietnam kuma mai zane. Mahaifiyarsa, Charlotte Mayer-Blanchy, 'yar wasan pian ce ta Faransa-Bietnam kuma mai zane. Shi ne babban, babban jikan Paul Blanchy, magajin gari na farko na Saigon (1895-1901) kuma farkon mai samar da barkono na Vietnam. Shi ne kakan Rafael Larrain, Cardinal na Talca (Chile).

Larrain cikin sauri ya koyi harsuna da yawa a kowace shekara biyu kuma ya haɓaka fahimtar kansa cikin abubuwan da ya faru a duniya. Iliminsa ya ɗauki nauyin al'ada, wanda ya fara da Lycee Francais de New York (1954-1957). Ya sadu da matarsa ta farko, Anne-Marie Maluski, wadda mahaifinta ya kawo tayoyin Michelin zuwa Amurka. Ma'auratan sun sake saki bayan 'yan shekaru kuma Anne-Marie ta zama marubucin yara da aka buga a karkashin sunan, Anne-Marie Chapouton.

Ba da daɗewa ba bayan ya karɓi baccalaureate na Faransa a Lycée Français, ya ɗauki ɗan gajeren lokaci a MIT . da Jami'ar New York, kuma a ƙarshe a Ecole Nationale des Beaux-Arts a Paris inda ya karanta gine-gine kuma ya yi aiki a tsarin birni (1960-1965). Ya kuma ci gaba da zane da zane.

A cikin 1960s, Larrain ya kasance majagaba a cikin fasahar motsin rai, ta yin amfani da iska, hayaki, haske, tsarin inflatable, ruwa da bututun neon azaman hanyar magana. A cikin 1963, Larrain ya yi tafiya zuwa Oaxaca don yin karatu a Monte Alban da Mitla, inda ya fahimci zane bai isa ba don ɗaukar duk abin da ake buƙata don bayani - daukar hoto ya zama mahimmancin matsakaici don yin tambayoyi masu dacewa da samun amsoshin da suka dace. Anan, Larrain ya koyi yin amfani da kyamarar don ƙirƙirar hotuna waɗanda ke haɓaka motsin rai. Daga wannan lokaci, ya yanke shawarar zama mai zanen hoton.

Auren Larrain na biyu shine Marie Christine Bon a 1965 kuma sun haifi 'ya mace, Olivia, a 1968. Auren sa na uku shine Isabella Coco Cummings a 1989 kuma tare suna da ɗa, Lasco, a 1991. A halin yanzu yana auren mai zanen yadi da kayan kwalliya, wanda aka sani da sunanta na farko, Louda, wanda ya aura a 2006

Aiki 
An gudanar da nunin zanen mutum ɗaya na Larrain na farko a birnin New York a dandalin Southampton East Gallery akan titin 72nd a 1966. Baya ga daukar hoto, Larrain ya fara ƙara ƙarin siffofin fasaha na gani. Hotunan nasa sun bincika sararin siffofi, launuka, da kayan aiki; fasahar motsinsa ya bincika sararin haske da kundin ta hanyar neons da tsarin inflatable, wanda ya nuna a Biennale de Paris na biyar "Espaces dynamiques en m mouvement" kuma ya lashe kyautar Les Levine tare da Francois Dallegret don aikin gama gari, Tubalair, a Biennale na shida a 1969.

A cikin 1968, Jaridar New York Post Daily Magazine ta gabatar da labarin game da Larrain wanda Nora Ephron ya rubuta. Har ila yau, ya bayyana a bikin Avant Garde na shekara-shekara na New York wanda aka kafa ta hanyar masu zane-zane da masu zane-zane, Charlotte Moorman, da kuma dan Koriya ta Amurka, Nam June Paik . Larrain ya fara ɗaukar hoto na cikakken lokaci a cikin 1969, wanda ya haɗa da aikin kasuwanci ga abokan ciniki, irin su Club Med, GTE, Lavazza, Knoll International, Joel Name Wear, American Ballet Theater, Renault, da kuma mujallu, irin su Esquire, Vogue, Oui, Rolling Stone, Time, New York da sauransu

A cikin 1973, Larrain ya buga littafi mai nasara da rigima, Idols, wanda ya gabatar da hotuna na New York mafi hazaka, m, kyawawa transvestites, kuma mafi yawa gay mutane, wanda ya fito a cikin almara SoHo studio. Idols ne ingantaccen compendium na 1970s Warhol -era New York salon da hali, wanda ke nuna Holly Woodlawn, mambobi ne na San Francisco-based psychedelic ja sarauniya wasan kwaikwayo, da Cockettes, Taylor Meade, da John Noble

A cikin 1980s da kuma daga baya, Larrain's portrain's portraire style was always wanted after at attajiri abokan ciniki ciki har da Miles Davis, Sting, Billy Joel,  John Lennon, Yoko Ono, Jerry Rubin, Glenn Close, Norman Mailer, Mikhail Baryshnikov , Mawallafin Mawallafin Maurice na Iran, Maurice Maurice, Mawallafin Maurice, Mawallafin Maurice, Maurice Diaz Farah Diba Pahlavi da Salvador Dalí . Har ila yau, an yi amfani da basirarsa don ƙirƙirar murfin kundi don mawaƙa. Batunsa sun fito ne daga masu rawa da mawaƙa zuwa masu fasaha da mashahurai zuwa abokai har ma da mai kisan kai, Michael Alig . Larrain ya dage kan sarrafa dukkan tsarin daukar hoto daga daukar hotuna a kan kyamara har zuwa cikin dakin duhu, don haka maimakon haduwa da samfura a cikin nasu muhalli, batutuwa sun zo dakin studio na Larrain don daukar hoto. Larrain ya yi niyya don kama bayanan tunanin ban da haske, yana fitar da abin da yake so ya ciro. A cikin 1982, Larrain ya yi aiki tare da Robert Mapplethorpe, Deborah Turbeville, da Roy Volkmann a kan littafin, Exquisite Creatures, wanda William Morrow & Company, Inc. ya buga a 1985, yana mai da hankali kan kyan gani mara kyau na mace ta hanyar jerin hotunan tsirara.

Zaɓaɓun jaridu 

 The New York Daily Post, by Nora Ephron
 Vice (Ryan McGinley)
 Rebe Rebel
 New York Times (1970s take and social disrobing)
 Photographers Encyclopedia — collections
 Tablao Mag
 S Magazine JPT
 View Camera — Rosalind

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