cf6aaedb_Soviet_Union___Mincov_Law_Blog__Quote_from_Patry_s_book
[Page] 76 [My Comments] My answer to that is, again,– so what! Having the ability to charge monopoly prices for a particular work does not guarantee (as Patry himself argues in the same book) commercial success. If nobody wants to pay the monopoly price, the copyright owner either lowers the price or fails. No one is entitled to use the work at a price that the seller is not prepared to sell it for. Likewise, no one is entitled to build on their predecessor’ works to create new works if those predecessors actively oppose such use (I will deal with the issue of orphaned works below). True criticism is one of the very few legitimate reasons to allow unauthorized use of the very minimum of someone else’s works to make the point. Creating parodies and satirical works usually goes well beyond this requirement. As I wrote in my work on comparative copyright laws on parodies, Weird Al Yankovic sold 25 gold and platinum parody albums, but never had an urge to create unauthorized parodies! It is certainly possible to obtain permission to create parodies, and if the author of the original protests, don’t do it! Plain and simple. [Quote from Patry’s book] 
…granting rights to one group of authors places them at odds with later authors who want to build on their predecessors’ works to create new works; granting exclusive rights to copyright owners gives them the ability to protect their investment, but it also gives them the ability to charge monopoly prices and restrict access; granting authors the right to prevent uses for non-economic reasons protects reputational interests but also gives them the ability to suppress satirical works or uses that are socially beneficial but of which the author does not approve.
How Not To Fix Copyright - My Response to William Patry - Socialist copyright law - Soviet Union | Mincov Law Blog
Quote from Patry’s book