The following article is a study that explores the group activity pattern in the novel by John Steinbeck, The Pearl. Individuals from Steinbeck show group behavior that has a major influence on others. We are the basis of human survival in the long span. The group-man theory of Steinbeck is based on the view of human psychology and the Darwinian interpretation of cultural evolution. Steinbeck says as part of a group, there's a difference between the member. He says the group is often a unit with a move, an intent, an end, a process. Steinbeck makes some assumptions about the actions of the man, both as a person and as an individual. In the writer's opinion, the ideal team structure is one in which the participants behave as individuals while creatively contributing to the creation of a harmoniously integrated whole. This essay discusses the group activity impact in The Pearl by John Steinbeck.
In' The Pearl' Steinbeck explores the potential of constructive and destructive group behaviors. Steinbeck says that while building group activity elevates human nature, destructive group behavior leaves only man with devastation, conflict, chaos, hate, and fear. Therefore, Steinbeck saw a powerful force above individual men, rendering them components of a greater entry.
The message from the Pearl is universal, identifying in it the danger of materialism. The research examines the group actions of the characters in the novel as positive group behavior and negative group behavior. Neighbors and beggars are studied under positive group behavior while under the analysis of destructive behavior the physician and the priest are examined. Tracing the group conduct trend in the' pearl' kanchana devi of John nadu, Indian international English newspaper Steinbeck's
La Paz village portrays a world where people form their own destinies for the most part. They are caring for themselves, fulfilling their own wishes, and making their own plans. With anticipation for divine blessings, the pearl divers plunge under the waves. The people of Kino are depicted as sweet, simple yet helpful beings.
Everyone comes to learn about it very soon when Kino discovers the pearl. Steinbeck gives the various individual reactions in addition to the general reactions evoked by the pearl's discovery. Next, if Kino is going to contribute to the parish, the priest wonders. The doctor is worried about his past life in Paris and what he can do with the money now.
The beggars remember a newly wealthy man. Each of the pearl buyers thinks about the pearl and wants to get it to make a new beginning in life. Generally speaking, the pearl affects the entire city and becomes the center of all or the vision of greatness of all. With overwhelming joy, Kino's brother Juan Thomas and all the neighbors are gathering in his room. The story points to the family of Kino, which due to voracious people is completely cut off from his house. Kino's development is seen throughout the novel throughout the course of the story. It can be defined as an achievement. He knows the human beings ' dark ability. It also speaks of the group behavior of the characters in Steinbeck's novels that are fully involved in attainin.
He is a poor but simple man with his mother, Juana, and their infant son, Coyotito, both of whom he loves very much, living in a brush house. As a husband and father, he's happy and happy with what he got. When Kino discovers a great pearl, in his quest to break free from the tyranny of his colonial society, he becomes increasingly greedy and desperate.
He wants Coyotito to go to work, second, he wants to give Juana in church a proper wedding, and fifth, he wants a gun. His behavior changes after he gets the pearl because of his wishes. To order to protect his interests, he is coldhearted and even kills people. Kino's material ambition ultimately drives him to a state of animal violence, and his life is reduced to a fundamental struggle for survival. When the pearl opens his eyes to a larger world, he wants to be a good husband and father as a complete man. Heavelin observes Practically all Steinbeck heroes distinctive personal mark is their leadership and total participation in a community action. Steinbeck depicts Kino as an innocent pearl diver who in the beginning is content with his simple life. Yet two events, the scorpion sting of Coyotito and the discovery of the pearl by Kino bring Kino into the civilized world. When Kino starts to covet his son's material wealth and education, covetousness, tension, and aggression complicate his simple existence.
Therefore, the universe of Kino can be likened to Paradise, a place of contentment and innocence. Kino fulfills his mother, his child, his ship, and the energy taken from the rising sun so that he seems to have no yearning beyond his simple existence.
Once Kino discovers the pearl, his discovery moves rapidly. Everyone in the city knows he's found' the world's gem even before Kino comes back to his brush home. From the beggar to the businessman's dream of how Kino's perl can help them, people from every group in the city. Ignorant of the envy of others, Kino and Juana enjoy their good fortune. Through their newfound treasure, they invite their family and friends to share their happiness. All the neighbors are looking at the mighty pearl with a combination of hope and fear at the huge changes ahead. Juana revives the fire, and even when the dusk arrives, the neighbors survive. Steinbeck's accent is used to convey the doctor's view of the beggars.
I also say that he gave sparingly for alms for his botched abortions and his little pennies. They saw his bodies entering the church. As Kino was about to sell the pearl, neighbors and beggars were eager to join the procession. Even his brother Juan Thomas takes great care of Kino and wants to protect him from the evil world with his wife Apolonia and children. Steinbeck's Destructive Team Behavior portrays both the doctor and the priest's protagonists, somewhat unsympathetically in the pearl. The doctor has no good qualities, and his actions show him to be the most terrifying, heartless person one can encounter.
Steinbeck's Destructive Team Behavior portrays both the doctor and the priest's protagonists, somewhat unsympathetically in the pearl. The doctor has no good qualities, and his actions show him to be the most terrifying, heartless person one can encounter. His name's mere mention triggers fear among the villagers. So Kino causes him to see his brother with absolute fear when he comes to see Coyotito. But there was a trap set. He was unwilling to seize the opportunity.
He never cares for others and never indulges in an His name's mere mention triggers fear among the villagers. So Kino causes him to see his brother with absolute fear when he comes to see Coyotito. But there was a trap set. He was unwilling to seize the opportunity. He never cares for others and never indulges in anything about other people's welfare thing about other people's welfare.
He offers something to the baby when he attends Coyotito so that the doctor can come back in an hour and claim to treat the scorpion bite's son. Juana already applied the poultice of the seaweed and took care of the scratch. So the conduct of the doctor and the operation are only pretence and acts of inhumanity that are totally contrary to his profession's ethics. He then slyly tries to get Kino to give him the pearl to kee.The priest comes to give a blessing. He asks Kino to thank and give his blessing for the pearl. The priest tells Kino to recall the newly thriving church after being drawn by the pearl's beauty. Juana says that they want to marry in the church, and the priest leaves them with a kind phrase. After the priest arrives, a sense of evil overcomes Kinop him safe. This shows in its full extent the greed of the doctor and his evil.
The neighbors are scattering and Juana is beginning to cook a baked bean dinner. The priest is not portrayed as evil as the psychiatrist, but as a person who is not really involved in his people's spiritual well-being. He's not acting as a representative of the church. He doesn't even know who Kino is at the beginning, but thinks about the repairs that the church needs and that can be done if he can get the pearl of Kino. He's not acting as a representative of the church. He doesn't even know who Kino is at the beginning, but thinks about the repairs that the church needs and that can be done if he can get the pearl of Kino. Because his village visits are so unusual, the villagers know why he comes to visit Kino. The doctor does not have any redeeming qualities, and his actions demonstrate that he is the most despicable, heartless individual that one might find. Steinbeck claims this is the life style of the village's poor pearl divers.
The simplicity and suffering of the fishing village's life is abused by the civilized people's group behavior. Although they are aware of the evil doctor, the priest, and the well-organized and disho.Therefore, the section discusses the group actions in The Pearl by John Steinbeck. The novel introduces the powerful characters to aim for a perfect end and to aspire to illuminate the path of humanity, step by step, finding the perfect combination of strength and love to ensure an innovative, egalitarian society for all nest pearl divers, the village community welcomes them as their lives within the coastal region are limited.
Steinbeck set his sights on the refugees who were poor and dispossessed and gave common people a deep compassion. The characters show in the novel both positive and negative group behavior. Even when they come across the precious gem, the primitive people of La Paz still retain their invaluable qualities. Steinbeck encourages readers to see the migrants as he saw them people with integrity and grace who, with gritty will, moved forward. In this book, which brings Steinbeck's masterful messages over the decades, the powerful representation of group-man is seen.
Work cited
Burkhead, Cynthia. Student Companion to John Steinbeck. Westport: Greenwood Press, 2002.
Heavelin, A.Barbara. The Critical Response to John Steinbeck’s The Grapes of Wrath. Westport, CT: Greenwood Press, 2000.
Shuman, R.Baird. Great American Writers: Twentieth Century – Vol 11. New York:Marshall Cavendish Corporation, 2002.