focused about it, but at the same time wanted to be really raw and dangerous. so, i think those two things were very demanding, but i remember now the second episode, i think i’m like crying and screaming almost every scene. so, that always falls beyond what we can imagine. you do your lines at home. you’re trying to imagine what the scene is going to be like and it’s always the reality on the day. it’s always a little bit more than you can imagine.
q: it’s been easy for you to move from film to television and back and forth. do you have a preference, and also, how do 